WEBVTT - What to Know About Seth Raynor (ft. Anthony Pioppi)

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<v Speaker 1>I Think. Welcome back to another edition of the Fried

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<v Speaker 1>Egg Podcast. Today's episode is powered by TD Ameritrade. Every

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<v Speaker 1>stroke counts on the scorecard and every penny counts in

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<v Speaker 1>pricing with no surprises, so you're free to swing with confidence.

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<v Speaker 1>Visit tdomritrade dot com, slash Fria Egg member SIPC. Today

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<v Speaker 1>we welcome on golf writer, author and historian, also podcast

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<v Speaker 1>hosts of the Renovation Report for turf Net, and the

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<v Speaker 1>executive director of the Seth Rayner Society, Anthony Piapi. Anthony

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<v Speaker 1>joins to talk about the history being made this week

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<v Speaker 1>with the US Women's Open being hosted at the Country

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<v Speaker 1>Club of Charleston. It marks the first time that a

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<v Speaker 1>US Men's or Women's Open has been hosted at a

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<v Speaker 1>Seth Rainer designed golf course. With no rain in the

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<v Speaker 1>forecast and the best women in the world teeing it up.

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<v Speaker 1>The golf should be fantastic this week and highly recommend watching.

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<v Speaker 1>It'll be on FS one. I know Fox does a

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<v Speaker 1>ton of coverage. I'm really excited for it. Anthony talks

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<v Speaker 1>about Anthony goes in detail about Seth Rayner and where

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<v Speaker 1>the Country Club of Charleston fell in his career template

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<v Speaker 1>holes him much more so. Without further ado, here's Anthony

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<v Speaker 1>Piapi on Seth Rayner.

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<v Speaker 2>I miss a green, for example, I'm already upset. When

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<v Speaker 2>I find my ball in the bunker, I'm really upset.

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<v Speaker 2>And when I find my ball in a brid egg Friday,

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<v Speaker 2>egg Frida egg fridayg fridagg bride egg Lie, I'm about

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<v Speaker 2>ready to run off the course.

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<v Speaker 1>It's kind of surprising that this is the first Women's

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<v Speaker 1>or US Open at a Rainer course.

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<v Speaker 2>I'm stunned by that. I mean, I knew this years ago,

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<v Speaker 2>you know, we started looking at it. It's just amazing

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<v Speaker 2>when you think about it. They had to get somewhere right,

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<v Speaker 2>and the answer is no, they never did.

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<v Speaker 1>Yeah, and it's like you can't even get like so,

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<v Speaker 1>you know C. B McDonald gets the design credit typically

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<v Speaker 1>from magazines of Chicago Golf, but Rayner did the complete redesign.

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<v Speaker 1>There sure sure letters that say stay out of his way.

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<v Speaker 1>And even then, you know, Chicago Golf didn't host anything

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<v Speaker 1>after he redid it.

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<v Speaker 2>A Walker cup that goes to the Walker Cup in

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<v Speaker 2>what two thousand and five or two thousand and six.

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<v Speaker 2>But you're right, that's absolutely it. You just thought somewhere

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<v Speaker 2>along the line something had to drop onto one of

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<v Speaker 2>his courses, especially the stuff on Long Island, and it didn't.

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<v Speaker 1>I think the thing that I'm most fascinated about it

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<v Speaker 1>for this week is that if you look at you know,

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<v Speaker 1>the women and the distance they hit the ball today,

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<v Speaker 1>it's about, you know, the same as the distance players

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<v Speaker 1>were hitting it in the late twenties when Rainer was

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<v Speaker 1>really in his heyday.

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<v Speaker 2>Yeah, this course is going to set up absolutely perfect

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<v Speaker 2>for them. You know, when I talked to Frank Ford

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<v Speaker 2>about it, the longtime member, he was saying that if

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<v Speaker 2>it gets windy, they're going to move teas around, you know,

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<v Speaker 2>they have that kind of if it's firm and windy,

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<v Speaker 2>the USGA wants to kind of mess with these holes.

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<v Speaker 2>So they're playing different yardages and the fourteenth might be

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<v Speaker 2>was it, the fourteenth might be drivable, you know, all

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<v Speaker 2>that kind of stuff. It's going to be really fun.

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<v Speaker 2>It's going to be hot. As you see the temperatures

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<v Speaker 2>for the week, it's all it's nineties.

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<v Speaker 1>Yeah, very very warm. I'm hearing right now that it's

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<v Speaker 1>extremely firm, and fast, so roughly the rain holds off

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<v Speaker 1>and it can stay that way because I think that

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<v Speaker 1>when you get that conditioning, you know, the rainer contours,

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<v Speaker 1>especially out there is so many elevated greens, really the

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<v Speaker 1>architecture really comes alive.

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<v Speaker 2>Right and and it would be so cool if you know,

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<v Speaker 2>if they start playing the ball on the ground. I mean,

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<v Speaker 2>that's going to be the most fun is going to

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<v Speaker 2>be if people start doing that. You know, it's so firm,

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<v Speaker 2>it's down wind. I guess the not I guess, but

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<v Speaker 2>the Frank Frank wod told me the prevailing wind is

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<v Speaker 2>into your face on the second hole, so it's kind

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<v Speaker 2>of crossing quartering, crossing against you on the first. If

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<v Speaker 2>they get the prevailing wind, they're going to be able

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<v Speaker 2>to play some down wind shots and some up wind

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<v Speaker 2>shots keeping the ball on the ground. And that's going

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<v Speaker 2>to be great to watch.

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<v Speaker 1>Yeah, I think this is I think I think Charleston

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<v Speaker 1>and I'm curious, say, you know, you're the obviously executive

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<v Speaker 1>director of the Rainer Society, and few people have dedicated

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<v Speaker 1>as much time and energy into researching you know, a

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<v Speaker 1>man that's got very very few records about him, Seth Rayner,

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<v Speaker 1>but you know, where does Country Club of Charleston fall

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<v Speaker 1>in the rainer kind of timeline? What what stage of

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<v Speaker 1>his career is the nineteen twenty five design.

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<v Speaker 2>You know, Unfortunately it's at the end. He dies and

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<v Speaker 2>he dies in late nineteen dies in January of nineteen

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<v Speaker 2>twenty six. So this, you know, it's the it's at

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<v Speaker 2>the end of his career, which his career was exploding

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<v Speaker 2>at that point. I mean, Camargo is under construction, Southampton's

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<v Speaker 2>under construction, Fisher's Island is just about finishing up, and

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<v Speaker 2>the second Course at this point is still going to

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<v Speaker 2>be built. Yale is Yale just opens. So he's at

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<v Speaker 2>the height of his you know, his creativity at this point.

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<v Speaker 2>It's all the great courses. Blue Mound is another one.

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<v Speaker 2>You know, he's he'd gone and laid out Wili and

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<v Speaker 2>Mid Pacific. He was he had done the work in

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<v Speaker 2>California that never got built, you know, because he died.

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<v Speaker 2>He's at the he's all over the country and he

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<v Speaker 2>has these amazing designs.

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<v Speaker 1>Yeah, it's and so at Country Club of Charleston. He

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<v Speaker 1>that the site in terms of you know what the

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<v Speaker 1>topographical interest, I think it would it would lend itself

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<v Speaker 1>on the lower end, but obviously it's very beautiful right

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<v Speaker 1>there on the Wapoo River and the marshland of Charleston,

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<v Speaker 1>very close to the city center. How would you compare

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<v Speaker 1>Country Club of Charleston to some of his other designs.

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<v Speaker 2>So this, to me is one of the classic examples

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<v Speaker 2>of you watch what he or another great architect does

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<v Speaker 2>on a flat piece of land. Right at a place

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<v Speaker 2>like Yale and Fisher's Island that has massive amounts of

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<v Speaker 2>movement and even some something like Wantam autonomy, there's not

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<v Speaker 2>a lot of fairway bunkers because he's going to create

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<v Speaker 2>hazards and preferred angles of play using the topography. But

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<v Speaker 2>here on the flat round at Charleston, he's going to

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<v Speaker 2>put his bunkers in places that force you to think,

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<v Speaker 2>that create the optimum roots, that that make players seek

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<v Speaker 2>out angles to play greens into greens on certain conditions.

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<v Speaker 2>He you know this is this is him designing on

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<v Speaker 2>a flat piece of land. Uh. And it shows to

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<v Speaker 2>me his brilliance in that there's some holes where it's

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<v Speaker 2>important to be very precise off the tee, and there's

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<v Speaker 2>other holes where it's very important to be precise, precise

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<v Speaker 2>on the on the approach shot, and so he kind

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<v Speaker 2>of spreads that, spreads that out, you know, and it's

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<v Speaker 2>it's it's a course that it's of course what he created.

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<v Speaker 2>That he created the angles and the with with the

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<v Speaker 2>use of hazards, and it's fantastic.

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<v Speaker 1>Yeah, I think I think that too. I think, like

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<v Speaker 1>you know, I'm a Chicagoan, like there's it reminds me

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<v Speaker 1>a little bit of Chicago golf, where you know, the

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<v Speaker 1>the interest is much more created than you look at

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<v Speaker 1>some of his sites you mentioned Yale and Fisher's Island,

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<v Speaker 1>like Short Acres is a perfect example in Chicago where

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<v Speaker 1>he had a ravine scape, this unbelievable natural topography to

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<v Speaker 1>route the course around and right, you know, far fewer

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<v Speaker 1>bunkers and much tame or greens at Shore Acres. Then

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<v Speaker 1>if you go down, you know, across town to Chicago

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<v Speaker 1>GoF you'll see some of the most epic green complexes

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<v Speaker 1>and you know, a lot more bunkers comparatively.

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<v Speaker 2>So it's interesting and another course I think that would

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<v Speaker 2>have fit into that, but it's been changed so much

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<v Speaker 2>as Country Club of Fairfield. When you see the original

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<v Speaker 2>drawing and you see the foot of the nineteen thirty

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<v Speaker 2>four aerial. You know there's bunkering all over that because

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<v Speaker 2>again that's for the most part a flat piece of land.

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<v Speaker 2>He's right on the water. I don't think he looked

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<v Speaker 2>thinking about it. I don't think he had the acreage

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<v Speaker 2>to do the massive width you know that he might

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<v Speaker 2>have wanted to do in some holes. But he creates

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<v Speaker 2>all his strategy with bunkers, and it's fantastic how he

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<v Speaker 2>does it. And like you said, it's sue acres. He

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<v Speaker 2>uses the ravines, it doesn't need bunkers.

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<v Speaker 1>Yeah, it's it's something I've thought a lot about. And

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<v Speaker 1>it's like, you know, these guys, especially the Golden Age architects,

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<v Speaker 1>they just understood what the right level of interest and

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<v Speaker 1>challenge was. And you see at short acres like the

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<v Speaker 1>very boldest greens or features like the cross bunker on

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<v Speaker 1>one or the burrits on six come on the very

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<v Speaker 1>flattest land right out there. And then you know, you

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<v Speaker 1>look at the same way at at Country Club of Charleston.

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<v Speaker 1>You know, the really bold bunkering, you know, like the

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<v Speaker 1>you know, the the leaven hole fourth, the you know,

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<v Speaker 1>the par five fifth come on like the flattest least

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<v Speaker 1>interesting land, right.

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<v Speaker 2>And you know when Ron Forest did a lot of

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<v Speaker 2>work at Newport Country Club in Rhode Island, and we

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<v Speaker 2>were talking about that's a very flat piece of land

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<v Speaker 2>for the most part, there is some elevation change. But

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<v Speaker 2>he talked about how telling has had for what we

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<v Speaker 2>would consider placid greens because old greens on a windy

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<v Speaker 2>site didn't make sense because even in the days day

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<v Speaker 2>when it opened, it would have made things crazy. So

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<v Speaker 2>here are these kind of placid greens again in the

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<v Speaker 2>context of killing ms, not pleasant greens. But then he

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<v Speaker 2>takes in bunkers that property, so that you have to

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<v Speaker 2>the strategies created by him with these bold bunkers. And

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<v Speaker 2>it's like you said, it's the Golden Age. Guys understood

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<v Speaker 2>that they let if the land was there, they let

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<v Speaker 2>the land do the do the talking, you know.

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<v Speaker 1>Yeah, exactly. It's so Seth Rayner's career, I think is

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<v Speaker 1>from with respect to the other Golden Age architects, most

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<v Speaker 1>of them came from, you know, a great playing lineage,

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<v Speaker 1>and Rayner it was definitely kind of the black sheep

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<v Speaker 1>of them. You know, for our audience that might not

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<v Speaker 1>know that much about Seth Rainer, who was Seth Rayner

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<v Speaker 1>before he met CEB MacDonald.

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<v Speaker 2>He was the city engineer for the town engineer for

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<v Speaker 2>the town of Southampton, New York, and he was brought

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<v Speaker 2>in to do to drag the chains and do the

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<v Speaker 2>surveying of the property that that National was built on.

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<v Speaker 2>And he had no background whatsoever in golf. He had

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<v Speaker 2>been on the when Shinnacock was expanded at one point

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<v Speaker 2>his dad, who was also a civil engineer, had done

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<v Speaker 2>that work. And Rainer had been on that golf course.

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<v Speaker 2>But that's it. And he didn't play prior to getting

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<v Speaker 2>into the business. And when McDonald hired him, there's no

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<v Speaker 2>indication that he was ever thinking of anything beyond just

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<v Speaker 2>that one job. And Rayner did such fantastic work that

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<v Speaker 2>he kept him on.

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<v Speaker 1>So he gets on with National and then he starts

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<v Speaker 1>he's McDonald's guy, and you know the next course, you know,

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<v Speaker 1>kind of how did that progress?

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<v Speaker 2>Well, let me back up just a second. I have

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<v Speaker 2>a theory, and there's no way I can prove it,

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<v Speaker 2>or I don't think it can be disproved. McDonald wanted

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<v Speaker 2>to build a golf course, right, he was going to

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<v Speaker 2>be the first guy in the United States. Maybe in

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<v Speaker 2>the world to create a golf course. He was going

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<v Speaker 2>to make greens to certain sizes, right, he wanted him

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<v Speaker 2>so high, so wide, so long. He needed somebody who said,

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<v Speaker 2>if you build this, you need x amount of soil

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<v Speaker 2>to do that, and then here's where you can take

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<v Speaker 2>them from. If you build these five bunkers, you want

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<v Speaker 2>to build this big, we can take that soil and

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<v Speaker 2>build that green. And so after that, I think that

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<v Speaker 2>this kind of hits McDonald that he needed that person.

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<v Speaker 2>And the second place they go to his piping rock,

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<v Speaker 2>you know, and that was a million bunkers at that place,

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<v Speaker 2>and there's a lot of elevation change at times. A

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<v Speaker 2>lot of elevation changed there. And from then on, however,

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<v Speaker 2>many courses McDonald designed after that. Somewhere around fourteen or fifteen,

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<v Speaker 2>no matter what he was doing, Rayner was the head

0:12:47.480 --> 0:12:51.000
<v Speaker 2>of construction. He was the guy on site. Even later

0:12:51.080 --> 0:12:53.720
<v Speaker 2>in his career when when Rayner had his own design career,

0:12:54.080 --> 0:12:57.880
<v Speaker 2>which started in about nineteen fourteen nineteen fifteen, he would

0:12:57.920 --> 0:13:00.680
<v Speaker 2>go back and lead the projects for McDonald. Yeah.

0:13:00.760 --> 0:13:03.560
<v Speaker 1>One of the most interesting things I've found when I

0:13:03.600 --> 0:13:06.960
<v Speaker 1>was doing research for the US Senior Women's at Chicago

0:13:07.000 --> 0:13:10.520
<v Speaker 1>Golf last year was a letter from McDonald to the

0:13:10.640 --> 0:13:14.760
<v Speaker 1>club that it was saying, you know, Rayner had designed

0:13:14.760 --> 0:13:17.960
<v Speaker 1>golf courses from Saint Louis to Maine, which you know

0:13:18.200 --> 0:13:22.520
<v Speaker 1>is like, oh, you know, in essence, McDonald's kind of

0:13:22.520 --> 0:13:26.079
<v Speaker 1>saying Saint Louis is you know those Rainers the design.

0:13:27.080 --> 0:13:30.400
<v Speaker 2>Really, I think he was really good at promoting Rayner.

0:13:30.760 --> 0:13:35.640
<v Speaker 2>When you when you read Scotland's Gift, McDonald's biography and

0:13:35.679 --> 0:13:38.240
<v Speaker 2>you see some of his other quotes, I think he

0:13:38.400 --> 0:13:41.640
<v Speaker 2>was really really good at at promoting Rainer and giving

0:13:41.720 --> 0:13:44.520
<v Speaker 2>Rayner credit. You know, he calls he calls Leedo a

0:13:44.600 --> 0:13:46.760
<v Speaker 2>Reino golf course, right. We know that, we know that

0:13:47.240 --> 0:13:51.079
<v Speaker 2>Yale is unequivocally we have the there's board minutes and

0:13:51.120 --> 0:13:53.200
<v Speaker 2>all that stuff. It's a Rainer golf course. But he

0:13:53.280 --> 0:13:55.320
<v Speaker 2>calls Leedo a Rayner golf course. And I think that

0:13:55.360 --> 0:13:58.960
<v Speaker 2>could be disgusted or or argued. And you know, he

0:13:59.000 --> 0:14:01.560
<v Speaker 2>says in the in the book that Rainer designed three

0:14:01.640 --> 0:14:04.440
<v Speaker 2>hundred golf courses, which he didn't do. He never designed

0:14:04.440 --> 0:14:06.560
<v Speaker 2>a golf course in Maine. We know that, you know,

0:14:07.120 --> 0:14:09.200
<v Speaker 2>for sure, unless something pops up.

0:14:09.440 --> 0:14:11.840
<v Speaker 1>You know, that's right, one of the things I'm gonna go.

0:14:11.960 --> 0:14:14.280
<v Speaker 1>I want to go on a quest to see if

0:14:14.320 --> 0:14:17.040
<v Speaker 1>they're visit every course in Maine.

0:14:18.360 --> 0:14:20.160
<v Speaker 2>Well, you know, I've had the discussion with a lot

0:14:20.160 --> 0:14:22.440
<v Speaker 2>of main people about is there any you know, is

0:14:22.480 --> 0:14:25.400
<v Speaker 2>there anything there that would make you think, oh my god,

0:14:25.480 --> 0:14:28.960
<v Speaker 2>this is Rainer. And now with all these newspapers getting digitized,

0:14:29.320 --> 0:14:32.280
<v Speaker 2>you know, we can look into small town Maine in

0:14:32.280 --> 0:14:34.800
<v Speaker 2>the nineteen twenties and nobody's come up with any I mean,

0:14:34.800 --> 0:14:36.640
<v Speaker 2>it would be fantastic. We still don't know how we

0:14:36.680 --> 0:14:38.360
<v Speaker 2>get to the squamakin and did that work there?

0:14:39.040 --> 0:14:42.400
<v Speaker 1>Yeah, tell me a little bit about, you know, your

0:14:42.440 --> 0:14:45.040
<v Speaker 1>research on Rayner, and I think people are you know,

0:14:45.080 --> 0:14:48.760
<v Speaker 1>genuinely interested, like a is a historian and you know

0:14:48.800 --> 0:14:53.240
<v Speaker 1>you've written some club histories, You've written your book Finest Nines,

0:14:53.440 --> 0:14:57.680
<v Speaker 1>and you know, tell us a little bit about, you know,

0:14:58.920 --> 0:15:02.800
<v Speaker 1>the process of of tracking down Rayner, who was notorious

0:15:02.880 --> 0:15:06.960
<v Speaker 1>for no not having correspondence notes or anything.

0:15:06.800 --> 0:15:09.560
<v Speaker 2>Right, right, And we should really put that in the

0:15:09.640 --> 0:15:13.280
<v Speaker 2>context with that virtually every other Golden Age architect wrote

0:15:13.320 --> 0:15:16.440
<v Speaker 2>at some point right, wrote about architecture, and Rayner never

0:15:16.520 --> 0:15:18.360
<v Speaker 2>did that. And as far as we know, He was

0:15:18.440 --> 0:15:21.360
<v Speaker 2>interviewed once by the Olympic Club for of course he

0:15:21.440 --> 0:15:23.720
<v Speaker 2>designed for them that was never built. We don't have

0:15:24.080 --> 0:15:26.440
<v Speaker 2>all the other quotes we have from him are secondary.

0:15:26.760 --> 0:15:29.640
<v Speaker 2>Rayner said, at you know, this will be the great

0:15:30.080 --> 0:15:33.800
<v Speaker 2>greatest course ever. It's somebody from the club talking. It's

0:15:33.800 --> 0:15:36.800
<v Speaker 2>not Rainer saying to a reporter. So you just kind

0:15:36.800 --> 0:15:39.400
<v Speaker 2>of do this thing where you start looking through club

0:15:39.440 --> 0:15:40.720
<v Speaker 2>you know, you try to get you get in touch

0:15:40.720 --> 0:15:42.520
<v Speaker 2>with clubs and see what they have, and you talk

0:15:42.600 --> 0:15:45.080
<v Speaker 2>to them, see what they have in their files. You

0:15:45.120 --> 0:15:47.000
<v Speaker 2>try to get the club history books and see that,

0:15:47.080 --> 0:15:50.120
<v Speaker 2>and you find mistakes. You know, it's it's interesting. They

0:15:50.160 --> 0:15:52.400
<v Speaker 2>have him in the one of the early histories of

0:15:52.600 --> 0:15:55.200
<v Speaker 2>the history books from Rasquamicket. They have his name spelled

0:15:55.240 --> 0:15:57.160
<v Speaker 2>wrong and they don't even know his first name. And

0:15:57.200 --> 0:15:59.760
<v Speaker 2>that book came out in nineteen ninety six, I think.

0:16:00.200 --> 0:16:02.160
<v Speaker 2>And then you know, so then you just get on

0:16:02.200 --> 0:16:05.520
<v Speaker 2>digitized newspapers and you just start searching out SETH. Rayner

0:16:05.640 --> 0:16:07.880
<v Speaker 2>or SJ. Rayner, which he signed his name a lot

0:16:08.280 --> 0:16:11.080
<v Speaker 2>or Seth J. Rayner. The problem with that is Rainer

0:16:11.160 --> 0:16:13.240
<v Speaker 2>is a very common name on Long Island and now

0:16:13.240 --> 0:16:16.360
<v Speaker 2>into New Jersey and Seth Rayner wasn't an uncommon name,

0:16:16.880 --> 0:16:19.640
<v Speaker 2>so you bump into more than one Seth Rainers even

0:16:19.680 --> 0:16:21.960
<v Speaker 2>in that time period. And then the other thing, and

0:16:22.200 --> 0:16:24.960
<v Speaker 2>I give a talk to superintendents on how to track

0:16:25.000 --> 0:16:27.920
<v Speaker 2>the how to discover the architectural history of your golf course.

0:16:28.600 --> 0:16:30.040
<v Speaker 2>One of the things you have to do is learn

0:16:30.120 --> 0:16:33.160
<v Speaker 2>to spell wrong. You have to learn how how would

0:16:33.240 --> 0:16:35.680
<v Speaker 2>rainer be misspelled in a newspaper? And R A Y

0:16:35.800 --> 0:16:37.400
<v Speaker 2>N E R is one of those ways. We've actually

0:16:37.400 --> 0:16:42.760
<v Speaker 2>found some good stuff spelling it wrong. And the two

0:16:42.760 --> 0:16:46.200
<v Speaker 2>big biggest websites right now that people use our newspapers

0:16:46.200 --> 0:16:48.880
<v Speaker 2>dot Com, which you have to pay for, which is fantastic,

0:16:49.400 --> 0:16:55.000
<v Speaker 2>and chronic it's called Chroniclingamerica dot gov. It's run by

0:16:55.040 --> 0:16:58.000
<v Speaker 2>the Library of Congress. And because some of these newspapers

0:16:58.000 --> 0:17:01.600
<v Speaker 2>still have copyright, they're only up into the twenties of

0:17:01.640 --> 0:17:04.120
<v Speaker 2>what they're allowed to if they don't get permission from

0:17:04.119 --> 0:17:06.680
<v Speaker 2>the paper to use. So we're not into the late

0:17:06.720 --> 0:17:09.480
<v Speaker 2>twenties yet. We haven't seen like twenty three, twenty four,

0:17:09.560 --> 0:17:11.960
<v Speaker 2>twenty five, twenty six, and a lot of newspapers, which

0:17:12.000 --> 0:17:13.840
<v Speaker 2>is we know we're going to find some more rainer stuff.

0:17:14.040 --> 0:17:15.960
<v Speaker 2>But you just kind of start doing something like that,

0:17:16.119 --> 0:17:18.720
<v Speaker 2>and it's really kind of strange how you bump into it,

0:17:18.760 --> 0:17:21.320
<v Speaker 2>because you'll find you'll do something like I found that

0:17:21.359 --> 0:17:23.520
<v Speaker 2>it's much better or not much better. But you always

0:17:23.520 --> 0:17:27.520
<v Speaker 2>would search the word links besides golf course. And always

0:17:27.680 --> 0:17:29.840
<v Speaker 2>make sure that if if you're searching out, say country

0:17:29.840 --> 0:17:32.560
<v Speaker 2>club at Fairfield, you call it Fairfield Golf Club in

0:17:32.600 --> 0:17:34.800
<v Speaker 2>a search, because somebody's gonna get it wrong along the line.

0:17:35.080 --> 0:17:38.199
<v Speaker 2>And sometimes club change, clubs change names, and you do

0:17:38.240 --> 0:17:39.560
<v Speaker 2>that kind of stuff, and you just go down a

0:17:39.640 --> 0:17:42.000
<v Speaker 2>rabbit hole and you look up and you've been spending

0:17:42.040 --> 0:17:44.919
<v Speaker 2>four hours doing that, and you found some cool stuff.

0:17:46.400 --> 0:17:51.960
<v Speaker 1>What's spend your favorite SETH Rayner Discovery Wow.

0:17:52.840 --> 0:17:55.840
<v Speaker 2>So I did the book for Sure Acres and they

0:17:55.880 --> 0:17:58.720
<v Speaker 2>had had a club house fire in the nineteen eighties.

0:17:58.760 --> 0:18:01.000
<v Speaker 2>Then they thought they lost every thing, and I asked

0:18:01.000 --> 0:18:02.720
<v Speaker 2>them just to check to see what they could find,

0:18:03.200 --> 0:18:10.320
<v Speaker 2>and they found an old what am I thinking? In

0:18:10.359 --> 0:18:12.760
<v Speaker 2>a bank a safe deposit bucks that had five or

0:18:12.800 --> 0:18:15.400
<v Speaker 2>six letters in it, and some of the letters are

0:18:15.480 --> 0:18:19.800
<v Speaker 2>directly related to hiring Rayner. And then they hire Rayner

0:18:19.840 --> 0:18:22.719
<v Speaker 2>in nineteen sixteen and nineteen seventeen, they stopped the project

0:18:22.760 --> 0:18:25.280
<v Speaker 2>because of World War One, and then they come back

0:18:25.320 --> 0:18:28.640
<v Speaker 2>and they restart the project in nineteen nineteen, and there's

0:18:28.640 --> 0:18:31.840
<v Speaker 2>some letters between the founders talking about bringing Donald Ross in.

0:18:32.400 --> 0:18:34.600
<v Speaker 2>Maybe they could get Donald Ross to draw a plan

0:18:35.000 --> 0:18:37.720
<v Speaker 2>and then they'll decide which plan they like better. It

0:18:37.760 --> 0:18:39.920
<v Speaker 2>sounded like they didn't want to pay Ross. And one

0:18:39.920 --> 0:18:42.399
<v Speaker 2>of the references in the letter is we could something

0:18:42.440 --> 0:18:43.960
<v Speaker 2>along the line, and we could do what they did

0:18:44.040 --> 0:18:46.800
<v Speaker 2>at Old Elm and locked them in the room together.

0:18:47.160 --> 0:18:50.480
<v Speaker 2>And then it was Colton Ross, but locked Rayner and

0:18:50.600 --> 0:18:52.720
<v Speaker 2>Ross in the room together and have them battle it out.

0:18:54.320 --> 0:18:57.360
<v Speaker 2>And it's just stunning that they even thought that. And

0:18:57.760 --> 0:19:03.239
<v Speaker 2>there's no history that that Ross was ever involved. I've

0:19:03.280 --> 0:19:06.600
<v Speaker 2>talked to the Tough's Library, the Donald Ross archives down there.

0:19:06.720 --> 0:19:09.520
<v Speaker 2>There's no there's no record of him ever being involved

0:19:09.520 --> 0:19:11.920
<v Speaker 2>in Shore Acres. But for a second they were gonna

0:19:12.000 --> 0:19:15.119
<v Speaker 2>they were gonna pause the Rainer Planet bring in Donald Ross.

0:19:15.840 --> 0:19:19.520
<v Speaker 1>How about the idea of just putting two professionals in

0:19:19.560 --> 0:19:21.160
<v Speaker 1>a room and letting them duke it out.

0:19:22.240 --> 0:19:24.280
<v Speaker 2>Yeah, as if what happened at Old Elm was okay,

0:19:24.440 --> 0:19:25.680
<v Speaker 2>you know what I mean? Like that like that was

0:19:25.720 --> 0:19:27.960
<v Speaker 2>a good experience for everybody involved. I know it was

0:19:28.000 --> 0:19:30.600
<v Speaker 2>really kind of it's really kind of crazy. I mean,

0:19:30.600 --> 0:19:32.560
<v Speaker 2>you bump into some funny things. I found out that

0:19:33.000 --> 0:19:35.560
<v Speaker 2>I found out that Rayner was robbed when he was

0:19:35.600 --> 0:19:38.320
<v Speaker 2>down doing the Gibson Island project. We know that he

0:19:38.400 --> 0:19:41.000
<v Speaker 2>was in a train he was in a train accident

0:19:41.000 --> 0:19:44.879
<v Speaker 2>where the engineer got killed. We know that he lost

0:19:44.920 --> 0:19:49.399
<v Speaker 2>his vest one time in Southampton and some indigent person

0:19:49.480 --> 0:19:52.000
<v Speaker 2>returned it and was given a reward. I can tell

0:19:52.040 --> 0:19:54.040
<v Speaker 2>you what car he drove for a few years. I

0:19:54.119 --> 0:19:58.080
<v Speaker 2>know what his license plate was for a couple of years. Wow. Yeah,

0:19:58.080 --> 0:20:00.920
<v Speaker 2>I mean you can bump into some crazy stuff. And

0:20:00.920 --> 0:20:04.760
<v Speaker 2>and Rainer's grandniece, uh is still alive. So she never

0:20:04.920 --> 0:20:09.760
<v Speaker 2>met Seth, but she knew her aunt was Ara Minta

0:20:10.040 --> 0:20:12.760
<v Speaker 2>or they called her aunt Minta, but Seth Rainer's wife.

0:20:12.760 --> 0:20:15.640
<v Speaker 2>And so there's a you know, a direct connection. There's

0:20:15.680 --> 0:20:20.240
<v Speaker 2>a direct connection to him through his through this grandie.

0:20:20.320 --> 0:20:21.240
<v Speaker 2>And that's great to hear that.

0:20:21.520 --> 0:20:25.080
<v Speaker 1>Now for a quick word from our sponsors. This episode

0:20:25.119 --> 0:20:28.720
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<v Speaker 1>Member SIPC. Now back to Anthony Piapi. If you could

0:20:54.480 --> 0:20:56.840
<v Speaker 1>ask him one question, what would your question be?

0:20:59.640 --> 0:21:02.960
<v Speaker 2>What they he What did he suddenly realize? You know,

0:21:03.040 --> 0:21:06.160
<v Speaker 2>he was an engineer that didn't understand anything about golf

0:21:06.680 --> 0:21:10.040
<v Speaker 2>when he looked at those template holes and McDonald showed

0:21:10.119 --> 0:21:12.760
<v Speaker 2>him what a good golf hole is like, what did

0:21:12.800 --> 0:21:16.639
<v Speaker 2>he grasp right away even though he wasn't a player?

0:21:18.320 --> 0:21:21.359
<v Speaker 2>Because he has artistry to his work. He doesn't repeat

0:21:21.680 --> 0:21:25.400
<v Speaker 2>holes from golf course to golf course, and I'll argue

0:21:25.600 --> 0:21:27.600
<v Speaker 2>that on a lot of his golf courses, the best

0:21:27.640 --> 0:21:29.400
<v Speaker 2>holes out there are the ones that he created.

0:21:29.600 --> 0:21:31.040
<v Speaker 1>I completely agree with that.

0:21:31.160 --> 0:21:34.520
<v Speaker 2>My favorite hole at Fisher's Island, and I caddied there

0:21:34.520 --> 0:21:36.680
<v Speaker 2>for three years, is the short par four to seven.

0:21:37.440 --> 0:21:40.560
<v Speaker 2>There is so much chada right and if you understand

0:21:40.640 --> 0:21:43.720
<v Speaker 2>the wind and you understand the contour, and the angle

0:21:43.760 --> 0:21:45.960
<v Speaker 2>of the green in relation to the small pond. I

0:21:45.960 --> 0:21:48.359
<v Speaker 2>think it's a genius hole. What is it? Three hundred

0:21:48.359 --> 0:21:50.600
<v Speaker 2>and forty yards, three hundred and fifty yards. It's a

0:21:50.680 --> 0:21:53.359
<v Speaker 2>genius golf hole. And you can have sandwich in your

0:21:53.400 --> 0:21:55.959
<v Speaker 2>hand and make seven in a heartbeat. And you can

0:21:56.040 --> 0:21:59.120
<v Speaker 2>have six iron in your hand and make a tap

0:21:59.160 --> 0:22:00.520
<v Speaker 2>in power and walk to the eighth hole.

0:22:01.240 --> 0:22:03.840
<v Speaker 1>So this, yeah, I'd say the same thing with like

0:22:03.960 --> 0:22:06.560
<v Speaker 1>Shore Acres, Like eleven and fifteen might be the two

0:22:06.600 --> 0:22:09.000
<v Speaker 1>best golf holes on that on that course, and two

0:22:09.040 --> 0:22:11.399
<v Speaker 1>of the best holes in the world, and they're they're

0:22:11.560 --> 0:22:13.680
<v Speaker 1>they're completely his own original holes.

0:22:14.119 --> 0:22:18.000
<v Speaker 2>Right. You know, in the world of art, you kind

0:22:18.000 --> 0:22:20.520
<v Speaker 2>of look at somebody's career, you look back to see

0:22:20.560 --> 0:22:23.520
<v Speaker 2>when they you know, they're they're different time periods and

0:22:23.560 --> 0:22:25.719
<v Speaker 2>when they got good and when they made certain changes.

0:22:25.720 --> 0:22:28.560
<v Speaker 2>The same thing with musicians. To me, when you look

0:22:28.600 --> 0:22:34.600
<v Speaker 2>back at Rangers' career, Shore Acres is this thunderbolt that says,

0:22:34.640 --> 0:22:36.960
<v Speaker 2>this guy knows how to route a golf course. He's

0:22:36.960 --> 0:22:39.639
<v Speaker 2>got five ravines on that piece of property, and he

0:22:39.760 --> 0:22:43.360
<v Speaker 2>uses them in every way possible. You play alongside of them,

0:22:43.640 --> 0:22:46.680
<v Speaker 2>you play over them, you play to them, you play

0:22:46.720 --> 0:22:49.240
<v Speaker 2>away from them. It's just amazing. And that's one of

0:22:49.280 --> 0:22:50.840
<v Speaker 2>the first golf courses he ever wrote.

0:22:50.840 --> 0:22:54.520
<v Speaker 1>It you play over them, into them. It's unbelievable.

0:22:54.600 --> 0:22:56.080
<v Speaker 2>Yeah, yeah, it's that.

0:22:56.160 --> 0:22:59.840
<v Speaker 1>I wrote a whole article about that, that cadence of

0:22:59.840 --> 0:23:03.359
<v Speaker 1>the routing. How and it's always different, you know, in

0:23:03.440 --> 0:23:06.719
<v Speaker 1>different spots. It's incredible. That is one of the greatest

0:23:06.800 --> 0:23:09.000
<v Speaker 1>routings in all of golf history.

0:23:09.560 --> 0:23:11.760
<v Speaker 2>Oh, I think so too. I mean, obviously I'm biased

0:23:11.760 --> 0:23:14.480
<v Speaker 2>because I'm such a huge Rainer fan, but when you

0:23:14.560 --> 0:23:17.040
<v Speaker 2>walk that, I've never sent anybody I've never known aboudy

0:23:17.040 --> 0:23:19.760
<v Speaker 2>who's playing that golf course? That just didn't come back stunned.

0:23:19.920 --> 0:23:21.400
<v Speaker 2>I mean, what is it? How far is it from

0:23:21.400 --> 0:23:23.879
<v Speaker 2>the back teeth? And you'll use every club in your

0:23:23.920 --> 0:23:26.560
<v Speaker 2>bag because there's places you want to lay up, there's

0:23:26.600 --> 0:23:29.399
<v Speaker 2>places you want to be bold. There's these angles you

0:23:29.440 --> 0:23:31.480
<v Speaker 2>have to play. You hit balls to certain spots and

0:23:31.520 --> 0:23:34.160
<v Speaker 2>it turns out that's wrong. If you play a hole

0:23:34.200 --> 0:23:35.880
<v Speaker 2>and boy, if the flag was on the other side

0:23:35.880 --> 0:23:37.639
<v Speaker 2>of the green, I would have this would have been

0:23:37.680 --> 0:23:39.479
<v Speaker 2>the perfect angle. But it's on the right side, So

0:23:39.520 --> 0:23:41.720
<v Speaker 2>now I have to play away from the flag. I mean,

0:23:41.800 --> 0:23:45.280
<v Speaker 2>that's he routed that in nineteen sixteen. It's among the

0:23:45.320 --> 0:23:48.119
<v Speaker 2>three or four first courses that he ever routed.

0:23:49.000 --> 0:23:52.320
<v Speaker 1>It's unbelievable and you think about it in that context,

0:23:52.359 --> 0:23:54.720
<v Speaker 1>and right, I mean, that's why it's a great, great

0:23:54.760 --> 0:23:58.840
<v Speaker 1>first question. And I was gonna say so, so templates

0:23:58.840 --> 0:24:02.280
<v Speaker 1>have have come and in vogue in the last I'd say,

0:24:02.560 --> 0:24:05.600
<v Speaker 1>I mean, really, I think the Evangelist probably was like

0:24:05.680 --> 0:24:11.320
<v Speaker 1>the first, you know, kind of key domino in this,

0:24:11.600 --> 0:24:14.159
<v Speaker 1>you know, and then the Internet obviously with people being

0:24:14.200 --> 0:24:18.159
<v Speaker 1>able to find information and everything, you know, in terms

0:24:18.160 --> 0:24:21.280
<v Speaker 1>of get steering. This a little back bit back to

0:24:21.359 --> 0:24:24.560
<v Speaker 1>Country Club of Charleston. What it's you it's in your sense,

0:24:24.680 --> 0:24:28.200
<v Speaker 1>what are the most impressive template holes that we'll see

0:24:28.200 --> 0:24:30.480
<v Speaker 1>this week at the US Women's Open.

0:24:31.560 --> 0:24:34.920
<v Speaker 2>I have a problem with people who who who rank

0:24:35.040 --> 0:24:36.679
<v Speaker 2>I don't know if you do this, but rank the

0:24:36.720 --> 0:24:39.960
<v Speaker 2>best of I hate that because it's they're not the same.

0:24:40.000 --> 0:24:42.920
<v Speaker 2>It's really difficult to rank the best short hole and

0:24:43.000 --> 0:24:45.680
<v Speaker 2>the best I agree with, Like, you know, you get

0:24:45.720 --> 0:24:48.480
<v Speaker 2>to you get to someplace like Hodgkist School and you

0:24:48.520 --> 0:24:51.560
<v Speaker 2>play this downhill Eden Part three and it's supposed to

0:24:51.560 --> 0:24:56.240
<v Speaker 2>be a slightly uphill hole, and and the green works

0:24:56.280 --> 0:24:58.159
<v Speaker 2>so well on that on that whole. How how do

0:24:58.200 --> 0:25:00.800
<v Speaker 2>you put that up against the Edens, say at country

0:25:00.840 --> 0:25:03.959
<v Speaker 2>Club at Charleston, right or at Yamen's Hall. I don't understand.

0:25:04.000 --> 0:25:05.359
<v Speaker 2>I just think it's a great hole in the setting.

0:25:05.440 --> 0:25:08.280
<v Speaker 2>So I like that. The hole that stunned me at

0:25:08.359 --> 0:25:12.280
<v Speaker 2>Charleston was that that the road hole, which is what

0:25:12.400 --> 0:25:15.320
<v Speaker 2>three hundred and ten yard par four. It's usually a

0:25:15.359 --> 0:25:18.160
<v Speaker 2>stiff par four or or a par four and a half.

0:25:18.920 --> 0:25:22.080
<v Speaker 2>And he really created the strategy using the road hole green.

0:25:23.040 --> 0:25:25.000
<v Speaker 2>Even in the day when that when that with the

0:25:25.400 --> 0:25:29.520
<v Speaker 2>with the longer, longer grass and balls even burned out,

0:25:29.520 --> 0:25:31.800
<v Speaker 2>probably not running as far, it's still a drive and

0:25:31.880 --> 0:25:35.320
<v Speaker 2>pitch hole. The strategy that's there because of the of

0:25:35.359 --> 0:25:39.439
<v Speaker 2>the the bowing of the fairway. Balls run off to

0:25:39.480 --> 0:25:41.840
<v Speaker 2>the right, balls run off to the left. You get

0:25:41.880 --> 0:25:45.800
<v Speaker 2>yourself in these situations. You're staring at this the hell bar,

0:25:45.960 --> 0:25:48.800
<v Speaker 2>not the hell bar, the road bunker right in front

0:25:48.800 --> 0:25:50.680
<v Speaker 2>of you, you know, and you're just kind of sitting

0:25:50.680 --> 0:25:52.199
<v Speaker 2>there like what do I do with the shot? And

0:25:52.240 --> 0:25:54.960
<v Speaker 2>you realize you're holding a sandwedg in your hand. You know,

0:25:55.119 --> 0:25:59.160
<v Speaker 2>and you can really, you can really make a quick

0:25:59.160 --> 0:26:01.760
<v Speaker 2>five or quick six there with one bad swing. And

0:26:01.800 --> 0:26:05.119
<v Speaker 2>when I was talking to Frank Ford about this, you know,

0:26:05.160 --> 0:26:07.040
<v Speaker 2>here's this, here's this guy that won the you shot

0:26:07.080 --> 0:26:10.119
<v Speaker 2>sixty two there, he won the Azalea Invitational six times.

0:26:10.400 --> 0:26:12.359
<v Speaker 2>He said, you get off of eleven, which is this

0:26:12.520 --> 0:26:18.320
<v Speaker 2>ridiculously difficult reverse for Dan, and you let down because

0:26:18.320 --> 0:26:20.439
<v Speaker 2>you're saying to yourself it's just a three hundred and

0:26:20.480 --> 0:26:22.679
<v Speaker 2>ten yard hole, and you make a bad swing with

0:26:22.760 --> 0:26:25.520
<v Speaker 2>the driver and you're in a lot of trouble. Yeah,

0:26:25.560 --> 0:26:28.879
<v Speaker 2>And I think that's an amazing, amazing strategy that just

0:26:29.000 --> 0:26:32.719
<v Speaker 2>revolves around you know, this convex fair way and this

0:26:32.840 --> 0:26:34.760
<v Speaker 2>road and classic road hole green.

0:26:34.960 --> 0:26:37.840
<v Speaker 1>Yeah, and that old tree that sits there. Yeah, you

0:26:37.920 --> 0:26:40.720
<v Speaker 1>get a little over zealous that you're like, your ball's

0:26:40.880 --> 0:26:43.240
<v Speaker 1>definitely get to hit that tree. You know, you get

0:26:43.359 --> 0:26:45.520
<v Speaker 1>trying to take off a little bit more. And then

0:26:45.560 --> 0:26:48.239
<v Speaker 1>the green site, like we talked about, like the you know,

0:26:48.840 --> 0:26:52.240
<v Speaker 1>on such a you know, modest piece of land from

0:26:52.320 --> 0:26:55.359
<v Speaker 1>terms of movement, that green, the way it sits there,

0:26:55.400 --> 0:26:58.200
<v Speaker 1>with the way what you talked about with that fairway slope,

0:26:58.320 --> 0:27:00.680
<v Speaker 1>how if you if you play safe over left, it's

0:27:00.720 --> 0:27:03.520
<v Speaker 1>just going to keep trundling down into the left in

0:27:03.560 --> 0:27:07.360
<v Speaker 1>that green. It sits on that subtle little knoll that

0:27:07.480 --> 0:27:10.280
<v Speaker 1>they have, you know, those three greens that you know twelve,

0:27:10.840 --> 0:27:12.119
<v Speaker 1>fourteen and sixteen on.

0:27:13.640 --> 0:27:15.840
<v Speaker 2>Yeah, I read your arkd about that. That's that's really

0:27:15.840 --> 0:27:18.800
<v Speaker 2>interesting observation that he put. He found that knob and

0:27:18.840 --> 0:27:20.840
<v Speaker 2>he built those three greens on it. The other thing

0:27:20.840 --> 0:27:22.960
<v Speaker 2>that's amazing is that when people see the eleventh the

0:27:23.040 --> 0:27:26.040
<v Speaker 2>reverse for Dan, that was a natural outcropping that was

0:27:26.119 --> 0:27:28.240
<v Speaker 2>just some in this on this flat piece of land,

0:27:28.600 --> 0:27:31.720
<v Speaker 2>was this huge amount of soil earth and he just

0:27:31.720 --> 0:27:34.040
<v Speaker 2>put he put a green on there, and that's pretty amazing.

0:27:34.200 --> 0:27:37.160
<v Speaker 2>But you're right, I mean, he found those that little ridge,

0:27:37.160 --> 0:27:39.840
<v Speaker 2>he places those three greens on it. They're all amazing.

0:27:39.880 --> 0:27:42.280
<v Speaker 2>It's a very cool, you know, it's very cool. But

0:27:42.320 --> 0:27:43.879
<v Speaker 2>the other thing about that hole is it is an

0:27:43.880 --> 0:27:46.000
<v Speaker 2>easy hole. If you play it right. Maybe you lay

0:27:46.080 --> 0:27:47.760
<v Speaker 2>up off the team, Maybe you hit a wedge into

0:27:47.800 --> 0:27:50.040
<v Speaker 2>the to the green and give yourself a twenty footer

0:27:50.280 --> 0:27:53.960
<v Speaker 2>and you take you know, problems, all the problems away,

0:27:54.440 --> 0:27:55.800
<v Speaker 2>and you make your two pott and you go to

0:27:55.840 --> 0:27:56.359
<v Speaker 2>the next hole.

0:27:56.880 --> 0:28:00.680
<v Speaker 1>It's that's a hole where you know it. Mcdonn MacDonald

0:28:00.720 --> 0:28:05.520
<v Speaker 1>talked about this with the Haskellball in his biography about how,

0:28:05.840 --> 0:28:09.640
<v Speaker 1>you know, certain holes became infinitely more interesting and how

0:28:09.720 --> 0:28:13.399
<v Speaker 1>some great holes became you know, very average, and you

0:28:13.440 --> 0:28:16.800
<v Speaker 1>know these average holes became great. And I think that

0:28:16.880 --> 0:28:22.320
<v Speaker 1>twelfth hole with the longer drives has become actually more

0:28:22.520 --> 0:28:26.040
<v Speaker 1>interesting because you get all those odd little half ledges

0:28:26.160 --> 0:28:30.000
<v Speaker 1>up around that tiny, skinny little green. You know, it's

0:28:30.080 --> 0:28:34.320
<v Speaker 1>just it's a very very good hole in today's modern setting,

0:28:34.400 --> 0:28:36.960
<v Speaker 1>and you know it might be better today than it

0:28:37.080 --> 0:28:38.040
<v Speaker 1>was fifty years ago.

0:28:38.600 --> 0:28:40.120
<v Speaker 2>I think you're right for the average player, and I

0:28:40.160 --> 0:28:41.800
<v Speaker 2>think it will be that way for the women too.

0:28:41.880 --> 0:28:44.520
<v Speaker 2>From what I understand, the guys in the Azilia not

0:28:44.640 --> 0:28:46.040
<v Speaker 2>just driving it up next to the green, you know,

0:28:46.080 --> 0:28:47.760
<v Speaker 2>they're hitting it three hundred and ten yards and just

0:28:47.800 --> 0:28:51.760
<v Speaker 2>rendering the architecture obsolete. But I can see that happening

0:28:52.040 --> 0:28:54.280
<v Speaker 2>this week, coming up with somebody sitting there and just

0:28:54.680 --> 0:28:56.840
<v Speaker 2>you know, even thinking that they've laid back further enough

0:28:56.840 --> 0:29:00.400
<v Speaker 2>and now you have this really weird little numbers sixty

0:29:00.400 --> 0:29:03.040
<v Speaker 2>four yards to a flag that's just right of the

0:29:03.160 --> 0:29:05.560
<v Speaker 2>bunker in front of the green. I mean, what do

0:29:05.560 --> 0:29:07.080
<v Speaker 2>you do? You know you're not You're not gonna be

0:29:07.240 --> 0:29:09.080
<v Speaker 2>it's not gona you shut you're comfortable over you know,

0:29:09.120 --> 0:29:11.400
<v Speaker 2>you're just gonna you're it's not gonna feel right. I

0:29:11.400 --> 0:29:13.520
<v Speaker 2>agree with you. You can, you can you get a

0:29:13.520 --> 0:29:15.480
<v Speaker 2>good drive and being an awful spot.

0:29:15.600 --> 0:29:19.560
<v Speaker 1>That little knoll back there. I mean, I'm kind of

0:29:19.600 --> 0:29:22.960
<v Speaker 1>bummed out. I had a late minute, last minute conflict

0:29:23.040 --> 0:29:25.440
<v Speaker 1>that I can't go down this weekend. That would be

0:29:25.480 --> 0:29:27.640
<v Speaker 1>just such a fun spot to sit and watch golf.

0:29:27.760 --> 0:29:31.920
<v Speaker 2>Yes, yeah, I agree with you. And you know, the

0:29:32.000 --> 0:29:34.920
<v Speaker 2>seventeenth is right there, and that's a really good short

0:29:34.960 --> 0:29:37.560
<v Speaker 2>hole and the green is a lot of fun and

0:29:37.600 --> 0:29:39.479
<v Speaker 2>they're going to stand there and play it somewhere between

0:29:39.480 --> 0:29:42.400
<v Speaker 2>like one forty five and one sixty, and you know,

0:29:42.960 --> 0:29:45.800
<v Speaker 2>comes Sunday, it's gonna have you know, depending on where

0:29:45.800 --> 0:29:49.920
<v Speaker 2>that flag is. You you hit into that green and

0:29:50.600 --> 0:29:51.959
<v Speaker 2>you hit it in the middle, and that means you're

0:29:52.000 --> 0:29:54.040
<v Speaker 2>you're putting out of the thumb print. There's no easy

0:29:54.080 --> 0:29:56.960
<v Speaker 2>puts on that home. Yeah, I grean unless you fire

0:29:56.960 --> 0:29:58.800
<v Speaker 2>at the Unless you fire at the flag, and you

0:29:58.800 --> 0:30:00.440
<v Speaker 2>don't want to do that because if you fall off

0:30:00.640 --> 0:30:02.880
<v Speaker 2>an edge. You know, you're in those bunkers.

0:30:02.880 --> 0:30:07.920
<v Speaker 1>So that's that's the I think Raiders Part three, the

0:30:08.040 --> 0:30:10.720
<v Speaker 1>short designs with the thumb prints.

0:30:10.880 --> 0:30:13.440
<v Speaker 2>Yeah, I mean, it's just it's.

0:30:13.600 --> 0:30:18.200
<v Speaker 1>What made him so brilliant was how subtle the challenge was,

0:30:18.240 --> 0:30:20.920
<v Speaker 1>but how difficult it was at the same time to like,

0:30:21.120 --> 0:30:25.000
<v Speaker 1>so hard to make two, but oh absolutely not really

0:30:25.000 --> 0:30:26.120
<v Speaker 1>that hard to make a four.

0:30:27.040 --> 0:30:29.480
<v Speaker 2>No oh no, oh no, I've made a lot of

0:30:29.480 --> 0:30:31.720
<v Speaker 2>easy fours on his short holes. It's really you know,

0:30:32.320 --> 0:30:34.440
<v Speaker 2>you could, I can three putt from anywhere because you're

0:30:34.440 --> 0:30:36.320
<v Speaker 2>going through the thumb print a lot. Yeah, you know,

0:30:36.680 --> 0:30:37.200
<v Speaker 2>but you're right.

0:30:37.360 --> 0:30:41.480
<v Speaker 1>It's like nine thousand square foot green or seven thousand

0:30:41.560 --> 0:30:44.000
<v Speaker 1>square foot green and one hundred and forty yard shot

0:30:44.280 --> 0:30:46.920
<v Speaker 1>and at first look, it's like, oh, this is really easy.

0:30:47.880 --> 0:30:49.840
<v Speaker 2>I played in the Connecticut Foe ball at Yelled a

0:30:49.880 --> 0:30:51.560
<v Speaker 2>couple of years ago, two years ago, and it was

0:30:51.600 --> 0:30:54.880
<v Speaker 2>an off. It was soft and wet and whatever. We

0:30:54.920 --> 0:30:56.960
<v Speaker 2>made one birdie and I burdied the short hold and

0:30:56.960 --> 0:30:58.960
<v Speaker 2>I wasn't trying to burd it. I was trying to

0:30:59.000 --> 0:31:00.960
<v Speaker 2>get a pot away from the So I had a

0:31:01.040 --> 0:31:03.600
<v Speaker 2>two footer for par and I pushed it, and it's like,

0:31:03.680 --> 0:31:05.200
<v Speaker 2>I think that might be the only birdy I've ever

0:31:05.240 --> 0:31:06.280
<v Speaker 2>made on a raider short hole.

0:31:07.280 --> 0:31:12.880
<v Speaker 1>It's yes, it's They're very, very difficult, and they almost

0:31:12.960 --> 0:31:15.520
<v Speaker 1>get more difficult over time because they get in your head.

0:31:16.200 --> 0:31:18.240
<v Speaker 2>Oh because you know too like you know, you get

0:31:18.280 --> 0:31:20.040
<v Speaker 2>a shot and you're like, if that flag's there, I

0:31:20.160 --> 0:31:22.080
<v Speaker 2>can't be here because I'm going to have to put

0:31:22.240 --> 0:31:25.520
<v Speaker 2>through or around or over, you know, and watch the

0:31:25.600 --> 0:31:27.200
<v Speaker 2>pros deal with it when they played it, when they

0:31:27.240 --> 0:31:30.320
<v Speaker 2>played Greenbrier, I mean it was they have difficulty with it.

0:31:31.400 --> 0:31:33.240
<v Speaker 1>So we talked a little bit about some of his

0:31:33.480 --> 0:31:39.000
<v Speaker 1>early projects, and Country Club of Charleston was one of

0:31:39.080 --> 0:31:42.560
<v Speaker 1>his leaders. How would you say Rayner evolved as an

0:31:42.640 --> 0:31:46.400
<v Speaker 1>architect from his early work to his later work.

0:31:48.520 --> 0:31:51.680
<v Speaker 2>That's interesting. The problem I had with making that make

0:31:51.720 --> 0:31:53.680
<v Speaker 2>you a comment about that is so few of the

0:31:53.720 --> 0:31:56.120
<v Speaker 2>golf courses are exactly the way he designed them, do

0:31:56.160 --> 0:31:58.440
<v Speaker 2>you know what I mean? So I'm really hesitant to

0:31:58.480 --> 0:32:03.680
<v Speaker 2>say he did this or or he did that. I think, jeez,

0:32:03.680 --> 0:32:06.120
<v Speaker 2>that's a good question. I think he really got into

0:32:07.760 --> 0:32:10.120
<v Speaker 2>understanding bunkering a lot more later on. I think in

0:32:10.320 --> 0:32:12.520
<v Speaker 2>some of his later courses, it's when you see a

0:32:12.560 --> 0:32:16.000
<v Speaker 2>lot like with with Yeman's and with Country Club at Charleston.

0:32:16.440 --> 0:32:21.240
<v Speaker 2>But I think he really understood, he really understood strategy

0:32:21.320 --> 0:32:23.480
<v Speaker 2>and early on, and I think he just get better

0:32:23.600 --> 0:32:26.240
<v Speaker 2>and you know, better and better at it. There's a

0:32:26.360 --> 0:32:28.280
<v Speaker 2>I don't know if you ever saw the letter at

0:32:28.320 --> 0:32:30.920
<v Speaker 2>Chicago where he went out to work there. He had

0:32:31.000 --> 0:32:34.320
<v Speaker 2>never been to the plains, and so in the nineteen twenties,

0:32:35.440 --> 0:32:37.600
<v Speaker 2>Wheaton with this golf with Chicago Golf Club is is

0:32:37.680 --> 0:32:39.680
<v Speaker 2>the plains, and he sat in a tower for two

0:32:39.760 --> 0:32:42.880
<v Speaker 2>days and just looked out at the planes to kind

0:32:42.920 --> 0:32:46.200
<v Speaker 2>of get this absorb this feel of what was what

0:32:46.360 --> 0:32:48.640
<v Speaker 2>the landscape was, and so he could design a golf

0:32:48.720 --> 0:32:53.560
<v Speaker 2>course that fit into the landscape. And that's astounding, right.

0:32:53.600 --> 0:32:59.080
<v Speaker 1>Yeah, yeah, like just taking in the nature to you know,

0:32:59.680 --> 0:33:02.080
<v Speaker 1>I think that's something that so I would say, I'd

0:33:02.120 --> 0:33:06.400
<v Speaker 1>classify Rainer as Golden Age maximal.

0:33:10.400 --> 0:33:11.640
<v Speaker 2>That's an interesting way to put it.

0:33:11.720 --> 0:33:14.920
<v Speaker 1>I mean, but like, so Golden Age maximal meant like

0:33:15.520 --> 0:33:19.800
<v Speaker 1>move dirt where you absolutely have to, you know, to

0:33:20.000 --> 0:33:22.959
<v Speaker 1>generate interest, which usually came at the green sites, right,

0:33:23.520 --> 0:33:26.480
<v Speaker 1>but for the most part, just so sympathetic to the

0:33:26.800 --> 0:33:29.920
<v Speaker 1>to the land because you can couldn't afford to move

0:33:30.640 --> 0:33:33.440
<v Speaker 1>changed the way or or feasibly do it. Changed the

0:33:33.480 --> 0:33:35.800
<v Speaker 1>way a fairway moved, right, I mean.

0:33:35.760 --> 0:33:37.640
<v Speaker 2>And you're absolute right in this. I mean, look at it.

0:33:38.200 --> 0:33:40.880
<v Speaker 2>One of the misnomers of rainers that he moved a

0:33:40.920 --> 0:33:42.640
<v Speaker 2>lot of dirt and he didn't you go to a

0:33:42.680 --> 0:33:44.360
<v Speaker 2>place like Fisher's Island. Do you go to a place

0:33:44.440 --> 0:33:47.960
<v Speaker 2>like Wanam Autonomy or Hodge Kiss or country club with Chelsea?

0:33:48.040 --> 0:33:51.240
<v Speaker 2>What did he move dart for? He created teas and greens, right,

0:33:51.480 --> 0:33:54.320
<v Speaker 2>that's it. And bunkers, that's it if the land did

0:33:54.440 --> 0:33:56.480
<v Speaker 2>if the land didn't need bunkers. He didn't create bunkers.

0:33:57.040 --> 0:33:58.200
<v Speaker 2>He didn't move a whole lot of dirt.

0:33:58.640 --> 0:34:02.840
<v Speaker 1>Golden Age Maximall right, I'll go with that. Yeah, that's

0:34:02.960 --> 0:34:05.840
<v Speaker 1>like the right you know, I don't know. That's my

0:34:05.960 --> 0:34:07.959
<v Speaker 1>thought is like it's kind of you know, the right

0:34:08.000 --> 0:34:11.240
<v Speaker 1>way to do construction. Now, it's like Golden Age Maximumill

0:34:11.280 --> 0:34:13.239
<v Speaker 1>move it where you have to, but for the most part,

0:34:13.600 --> 0:34:15.719
<v Speaker 1>be extremely sympathetic to the land.

0:34:17.120 --> 0:34:19.759
<v Speaker 2>Yeah, yes, I agree with you, and it just you know,

0:34:20.120 --> 0:34:23.160
<v Speaker 2>I don't like this whole full minimalism thing where you

0:34:23.280 --> 0:34:26.120
<v Speaker 2>move six hundred million square yards of cubic yards of

0:34:26.160 --> 0:34:29.200
<v Speaker 2>dirt and tell me that it's foe that's minimalism because

0:34:29.239 --> 0:34:32.200
<v Speaker 2>it looks minimalism. I don't like that. I mean, you

0:34:32.280 --> 0:34:34.960
<v Speaker 2>can do some good stuff with the land without without

0:34:35.080 --> 0:34:37.400
<v Speaker 2>having to create all this stuff. You don't make as

0:34:37.520 --> 0:34:40.919
<v Speaker 2>much money because you don't move as much land, move

0:34:40.960 --> 0:34:43.640
<v Speaker 2>as much dirt. But I like that. I agree with that.

0:34:43.680 --> 0:34:46.560
<v Speaker 2>I mean, you go again going back to Newport Country Club.

0:34:46.680 --> 0:34:50.120
<v Speaker 2>Look how much earth out there didn't get moved, and

0:34:50.200 --> 0:34:51.759
<v Speaker 2>what a fantastic golf course that is?

0:34:51.920 --> 0:34:55.960
<v Speaker 1>Right, Yeah, it's it's so true. It's like it's so

0:34:56.200 --> 0:35:01.720
<v Speaker 1>Garrett Morrison, who he edited the Country Club of Charleston article,

0:35:01.840 --> 0:35:04.959
<v Speaker 1>and like the first thing he said to me after

0:35:05.120 --> 0:35:08.200
<v Speaker 1>reading you know, my art, he was like, man, we

0:35:08.360 --> 0:35:10.400
<v Speaker 1>need more golf courses like country.

0:35:12.680 --> 0:35:16.839
<v Speaker 2>It's absolutely true. I mean, you just kind of what's

0:35:16.920 --> 0:35:19.239
<v Speaker 2>the word. I mean, you you meander, you know that

0:35:19.400 --> 0:35:20.960
<v Speaker 2>kind of thing. It's you don't go on a hike,

0:35:21.280 --> 0:35:23.360
<v Speaker 2>said that you meander, you know, you kind of wander.

0:35:23.600 --> 0:35:26.520
<v Speaker 2>You just kind of wander through that property. It's just

0:35:26.600 --> 0:35:29.040
<v Speaker 2>so nice and it just flows so easy, and you

0:35:29.120 --> 0:35:32.120
<v Speaker 2>know there's all these bunkers but they're not offensive, and

0:35:32.160 --> 0:35:36.040
<v Speaker 2>they're not flash sand, and they're not taking your eye

0:35:36.120 --> 0:35:39.080
<v Speaker 2>away from nature. They're not taking your eye away from

0:35:39.120 --> 0:35:42.360
<v Speaker 2>the golf course. Yeah. Yeah, it's all brilliant stuff.

0:35:42.640 --> 0:35:44.759
<v Speaker 1>I agree. And it's like, I think one of the

0:35:44.840 --> 0:35:48.120
<v Speaker 1>big things with like Country Club of Charleston is when

0:35:48.200 --> 0:35:51.239
<v Speaker 1>you look at it at a bigger scale, like I'm

0:35:51.280 --> 0:35:53.840
<v Speaker 1>a say, I'm a county that has a you know,

0:35:54.040 --> 0:35:58.080
<v Speaker 1>a modest piece of land like Country Club of Charleston

0:35:59.000 --> 0:36:04.239
<v Speaker 1>is a taint of attainable for every county in America, right, Like.

0:36:04.440 --> 0:36:08.560
<v Speaker 2>Every county course this way. You don't need greens that size,

0:36:08.880 --> 0:36:10.600
<v Speaker 2>I absolutely agree with you. But other than that, you

0:36:10.640 --> 0:36:14.640
<v Speaker 2>could have a strategic, fun golf course and not have

0:36:14.800 --> 0:36:16.160
<v Speaker 2>to move a lot of dark. Yeah.

0:36:16.200 --> 0:36:18.399
<v Speaker 1>It's like, you know, like that's the thing that I think,

0:36:18.800 --> 0:36:20.920
<v Speaker 1>like everybody, you know, it's like what we see with

0:36:21.000 --> 0:36:26.600
<v Speaker 1>Augusta Nationals. Everybody seems to take away the pristine conditioning

0:36:26.800 --> 0:36:29.600
<v Speaker 1>and doesn't look at all the other great things, like

0:36:29.760 --> 0:36:32.520
<v Speaker 1>the other great things that Augusta National has.

0:36:32.760 --> 0:36:35.440
<v Speaker 2>You know, right, you get you get caught up in

0:36:35.520 --> 0:36:38.600
<v Speaker 2>all of that stuff. Yeah, well we know that. I

0:36:38.680 --> 0:36:40.440
<v Speaker 2>mean I've said this for a long time. People will

0:36:40.520 --> 0:36:44.400
<v Speaker 2>drive by really good, low well nine hole golf courses

0:36:44.480 --> 0:36:47.120
<v Speaker 2>for sure, to get a great nine old golf course

0:36:47.200 --> 0:36:50.320
<v Speaker 2>to get to a mediocre eighteen whole golf course. You know,

0:36:50.480 --> 0:36:53.799
<v Speaker 2>it's just but you're right. To get to your point, Yes,

0:36:53.960 --> 0:36:56.439
<v Speaker 2>municipality could get one hundred and forty hundred and sixty

0:36:56.480 --> 0:36:59.960
<v Speaker 2>acres and build a fantastic golf course with very few bunks.

0:37:00.160 --> 0:37:02.840
<v Speaker 2>Is just make it, just make it a fun layout,

0:37:03.320 --> 0:37:04.239
<v Speaker 2>you know, and go from there.

0:37:04.640 --> 0:37:09.359
<v Speaker 1>Yeah, so a couple a couple kind of quick uh

0:37:09.840 --> 0:37:12.400
<v Speaker 1>quick hitters, and we'll do you know, we'll have to

0:37:12.520 --> 0:37:14.520
<v Speaker 1>do another one of these on a on a grander

0:37:14.600 --> 0:37:20.319
<v Speaker 1>scale one of these days. You know about mister Jagger, Yeah,

0:37:20.680 --> 0:37:24.240
<v Speaker 1>it's like my favorite, my favorite fact about Seth Rainer.

0:37:24.760 --> 0:37:26.319
<v Speaker 2>Seth Seth Jagger Rainer.

0:37:26.600 --> 0:37:27.760
<v Speaker 1>The middle name is Jagger.

0:37:29.920 --> 0:37:32.160
<v Speaker 2>He has to be related, right exactly. He can hear,

0:37:32.320 --> 0:37:33.600
<v Speaker 2>he can hear somehow related.

0:37:34.160 --> 0:37:38.839
<v Speaker 1>He's got gotta be Okay, So most what would you say,

0:37:39.000 --> 0:37:41.840
<v Speaker 1>what what do you find to be of years of

0:37:42.000 --> 0:37:44.839
<v Speaker 1>studying what's your What do you think is the most

0:37:44.960 --> 0:37:47.440
<v Speaker 1>overlooked aspect of the brilliance of Rainer?

0:37:48.920 --> 0:37:51.000
<v Speaker 2>I think what we said before is his his own

0:37:51.080 --> 0:37:53.759
<v Speaker 2>golf holes. When you get to a golf course and

0:37:53.800 --> 0:37:56.239
<v Speaker 2>you find the non template holes and you realize how

0:37:56.280 --> 0:37:59.320
<v Speaker 2>good they are, I mean, it's it's it's really quite amazing.

0:37:59.680 --> 0:38:01.520
<v Speaker 2>The thing is. And I don't know if this is

0:38:01.640 --> 0:38:06.800
<v Speaker 2>his Charles Banks is his project? What did he teach Banks?

0:38:07.000 --> 0:38:09.439
<v Speaker 2>Banks knew nothing about golf design. He didn't even played

0:38:09.480 --> 0:38:12.320
<v Speaker 2>golf in high school or in college. He was he

0:38:12.440 --> 0:38:14.680
<v Speaker 2>was a baseball player and he was a he was

0:38:14.719 --> 0:38:17.759
<v Speaker 2>a track star. What did what did he what would

0:38:17.760 --> 0:38:19.920
<v Speaker 2>he be able to impart on on Banks to make

0:38:20.000 --> 0:38:21.440
<v Speaker 2>Banks such a great designer as well?

0:38:22.280 --> 0:38:27.400
<v Speaker 1>Yeah, that's I mean, I his stuff and that's him.

0:38:27.480 --> 0:38:31.800
<v Speaker 1>And Langford and Moreau were like the evolution of McDonald Rayner.

0:38:32.320 --> 0:38:36.240
<v Speaker 2>You know, yes, yes, I agree. Have you ever.

0:38:36.200 --> 0:38:39.000
<v Speaker 1>Uncovered any connection with Langford, Moreau and Rayner?

0:38:40.480 --> 0:38:43.400
<v Speaker 2>No, No, I'm trying to think. I think it was

0:38:43.520 --> 0:38:47.239
<v Speaker 2>Ron Forst told me that there was absolutely like two

0:38:47.400 --> 0:38:51.440
<v Speaker 2>eras of Langford Moreau design. Yeah, he has a theory

0:38:51.520 --> 0:38:54.520
<v Speaker 2>that somewhere Langford saw or Rainer or McDonald golf course

0:38:54.760 --> 0:38:56.600
<v Speaker 2>and what, okay, this is what I have to do.

0:38:57.320 --> 0:39:02.200
<v Speaker 1>I wonder, well, there was Langford before Moreau? Right, and

0:39:02.320 --> 0:39:06.600
<v Speaker 1>then Langford after Moreau and Langford before Moreau is so

0:39:06.880 --> 0:39:11.759
<v Speaker 1>subtle but like really good strategically. I always wonder if

0:39:11.920 --> 0:39:15.360
<v Speaker 1>he went back and played Yale or something, right, because

0:39:15.400 --> 0:39:16.080
<v Speaker 1>that could have been it.

0:39:16.320 --> 0:39:18.560
<v Speaker 2>Right. Oh yeah, And he's out in the Midwest. Does

0:39:18.640 --> 0:39:20.719
<v Speaker 2>he see Saint Louis, Does he see Chicago?

0:39:21.080 --> 0:39:21.800
<v Speaker 1>I mean he had.

0:39:23.360 --> 0:39:27.319
<v Speaker 2>Milwaukee, right, Carmargo. Does he see those golf courses? Because

0:39:27.320 --> 0:39:31.319
<v Speaker 2>if he does, you know that's gonna that's gonna change him. Yeah.

0:39:31.760 --> 0:39:35.759
<v Speaker 1>Yeah, it's crazy, I mean because they're like a very

0:39:35.920 --> 0:39:38.479
<v Speaker 1>clear evolution in my mind.

0:39:39.320 --> 0:39:41.439
<v Speaker 2>Right. But the other thing, but the other thing about

0:39:41.440 --> 0:39:43.719
<v Speaker 2>what you say about Banks is that's fascinating is he's

0:39:43.800 --> 0:39:46.560
<v Speaker 2>more McDonald than Rainers. I mean, I find his green

0:39:46.600 --> 0:39:49.479
<v Speaker 2>complexes to be boulder and you know he does stuff

0:39:49.520 --> 0:39:51.240
<v Speaker 2>like puts a spine in the middle of a reverse

0:39:51.280 --> 0:39:54.719
<v Speaker 2>for Dan at Forsgate. But he also wrote he's like McDonald,

0:39:54.800 --> 0:40:02.759
<v Speaker 2>he wrote, Rainer didn't write Yeah, it's yeah. I mean,

0:40:02.800 --> 0:40:04.920
<v Speaker 2>it's just you know, Yer raynerd never as far as

0:40:05.000 --> 0:40:08.360
<v Speaker 2>we know, right wrote one newspaper article, had a diary,

0:40:09.000 --> 0:40:11.720
<v Speaker 2>had more than you know, the interview for the Olympic

0:40:11.800 --> 0:40:15.040
<v Speaker 2>Club isn't isn't in depth. He doesn't. The interviewer talks

0:40:15.080 --> 0:40:18.279
<v Speaker 2>about how Rainer doesn't doesn't want to reveal anything, doesn't

0:40:18.320 --> 0:40:23.960
<v Speaker 2>want to talk. Yeah, yeah, and then you get and

0:40:24.040 --> 0:40:25.880
<v Speaker 2>then you get Banks, who goes out and writes a

0:40:25.920 --> 0:40:30.359
<v Speaker 2>seven part series. Four was an American golfer about golf

0:40:30.400 --> 0:40:33.440
<v Speaker 2>course design and it's fantastic, had seven part series.

0:40:35.400 --> 0:40:37.360
<v Speaker 1>He was just a surveyor, you know, he was a

0:40:37.440 --> 0:40:38.839
<v Speaker 1>surveyor from Southampton.

0:40:40.400 --> 0:40:43.120
<v Speaker 2>Yeah, yeah, But Banks was an English teacher and a

0:40:43.200 --> 0:40:44.520
<v Speaker 2>fundraiser at the Hodgkis School.

0:40:44.520 --> 0:40:47.279
<v Speaker 1>But he was an English teacher, English and engineering. There's

0:40:47.920 --> 0:40:50.080
<v Speaker 1>two different two different wavelengths.

0:40:50.120 --> 0:40:52.080
<v Speaker 2>All right, all right, I'll get you. Okay, so the

0:40:52.120 --> 0:40:53.879
<v Speaker 2>English part, we can get the writing. But where does

0:40:53.920 --> 0:40:56.480
<v Speaker 2>he get to design stuff? Right? That's right?

0:40:56.560 --> 0:41:02.480
<v Speaker 1>Very cool? So, uh all right, last last question here, Yeah,

0:41:03.080 --> 0:41:07.000
<v Speaker 1>what's uh give us your your your favorite little known

0:41:07.160 --> 0:41:10.120
<v Speaker 1>Rainer fact that you know you like to drop that

0:41:10.960 --> 0:41:14.160
<v Speaker 1>that most people, most schmucks like me, wouldn't know.

0:41:15.280 --> 0:41:17.640
<v Speaker 2>All right, So, je you took away my Jagger one

0:41:17.680 --> 0:41:22.759
<v Speaker 2>because nobody knows that his middle name is Jagger, right.

0:41:23.000 --> 0:41:25.239
<v Speaker 1>Right, I'm thinking about just calling him Jagger from.

0:41:25.200 --> 0:41:31.279
<v Speaker 2>Now Jagger Rainer. I think the funny the thing that

0:41:31.360 --> 0:41:33.200
<v Speaker 2>I found out about him, you know, when you see

0:41:33.200 --> 0:41:35.040
<v Speaker 2>all the photos, he seems to be a be a

0:41:35.239 --> 0:41:40.600
<v Speaker 2>very stoic person, almost unemotional. And from what I understand,

0:41:40.680 --> 0:41:43.239
<v Speaker 2>what I've found out from his grandiees, is that his wife,

0:41:43.360 --> 0:41:46.880
<v Speaker 2>Minta was was a card. She was really funny and

0:41:47.080 --> 0:41:50.560
<v Speaker 2>full of life and always bubbly. And the four or

0:41:50.600 --> 0:41:53.800
<v Speaker 2>so photos of I have of them together, she's laughing

0:41:54.080 --> 0:41:57.920
<v Speaker 2>or doing something in every photo. And she traveled with

0:41:58.040 --> 0:42:00.719
<v Speaker 2>him later in his career. She went everywhere with him.

0:42:01.239 --> 0:42:04.240
<v Speaker 2>So when Banks wrote this piece a year after McDonald,

0:42:04.400 --> 0:42:08.040
<v Speaker 2>excuse me, after Rayner died about being with Rayner at

0:42:08.120 --> 0:42:10.319
<v Speaker 2>Lookout Mountain which was then called Ferry Lane Golf Club,

0:42:11.120 --> 0:42:14.040
<v Speaker 2>and and she was with him and and and when

0:42:14.080 --> 0:42:17.160
<v Speaker 2>they spent a week there, and Banks stayed at Lookout,

0:42:17.800 --> 0:42:22.279
<v Speaker 2>And according to Banks, Rayner went to Cincinnati, which was

0:42:22.360 --> 0:42:25.399
<v Speaker 2>ben Camargo, Milwaukee which is Blue mount He goes out

0:42:25.440 --> 0:42:29.520
<v Speaker 2>to California, he goes to Hawaii. Ara Minta's with him

0:42:29.600 --> 0:42:32.719
<v Speaker 2>for that whole time. So he's working sun up to

0:42:32.760 --> 0:42:34.600
<v Speaker 2>sun down at Lookout and she's doing her thing on

0:42:34.680 --> 0:42:37.680
<v Speaker 2>the mountain or going into Chattanooga or whatever, and you

0:42:37.880 --> 0:42:39.799
<v Speaker 2>just see these photos and she just looks like such

0:42:39.800 --> 0:42:44.720
<v Speaker 2>a funny person. And and and Mary Cummings, Rayner's granny,

0:42:44.800 --> 0:42:47.600
<v Speaker 2>said she couldn't wait to see Aunt Minta, that she

0:42:47.800 --> 0:42:50.520
<v Speaker 2>was always always fun and always great to be around,

0:42:51.520 --> 0:42:56.240
<v Speaker 2>and she just seems this opposite personality than than Seth Rainer.

0:42:56.280 --> 0:42:58.440
<v Speaker 2>But I think it's it's a huge window into who

0:42:58.480 --> 0:42:59.200
<v Speaker 2>Seth Rayner was.

0:43:01.719 --> 0:43:04.319
<v Speaker 1>Do you think he was more like his wife than

0:43:04.680 --> 0:43:07.680
<v Speaker 1>than the photos which suggest or do you think this

0:43:07.880 --> 0:43:09.880
<v Speaker 1>is an opposite attract situation.

0:43:10.280 --> 0:43:11.680
<v Speaker 2>I think it's one of those ones where he really

0:43:11.719 --> 0:43:14.280
<v Speaker 2>appreciated that, do you know what I mean? Like I'm guessing,

0:43:14.320 --> 0:43:16.600
<v Speaker 2>I don't know, But she's just when you see the photo,

0:43:16.719 --> 0:43:19.480
<v Speaker 2>she just looks like like she's up to no good,

0:43:19.560 --> 0:43:22.360
<v Speaker 2>Like she's gonna crack a joke, like she's giggling about something.

0:43:22.480 --> 0:43:25.320
<v Speaker 2>You know, when he's standing there, like he looks like

0:43:25.400 --> 0:43:27.440
<v Speaker 2>a statue in one of the famous photos, and you're

0:43:27.640 --> 0:43:30.320
<v Speaker 2>just like wow, and he's he was like, this is

0:43:30.360 --> 0:43:31.959
<v Speaker 2>the person I want with me when I go cross

0:43:32.040 --> 0:43:35.160
<v Speaker 2>country on these crazy train trips. You know, to get

0:43:35.200 --> 0:43:39.160
<v Speaker 2>to California from from Tennessee, you had to go where

0:43:39.600 --> 0:43:42.920
<v Speaker 2>Omaha change trains there, you know, and then go to

0:43:43.080 --> 0:43:46.279
<v Speaker 2>Sacramento and change trains there to get down to you know,

0:43:46.680 --> 0:43:49.600
<v Speaker 2>San Francisco, and then take the steamer to Hawaii.

0:43:49.719 --> 0:43:54.040
<v Speaker 1>And she was with him that the travel is just

0:43:54.239 --> 0:43:56.879
<v Speaker 1>wild to even think about. And I'm sure the train

0:43:56.960 --> 0:44:00.759
<v Speaker 1>cars were like had some, had some and against going on.

0:44:01.600 --> 0:44:04.319
<v Speaker 2>Yeah, and you know about one of the good There's

0:44:04.360 --> 0:44:06.080
<v Speaker 2>two other guys who do a lot of research with me,

0:44:07.560 --> 0:44:10.359
<v Speaker 2>Brett Lawrence, who's a member at Hodgekiss, and a guy

0:44:10.440 --> 0:44:14.319
<v Speaker 2>named Nigel Islam. And you know, Brett Lawrence pointed out

0:44:14.360 --> 0:44:16.440
<v Speaker 2>to me that there wasn't a cross country train. You

0:44:16.480 --> 0:44:17.960
<v Speaker 2>didn't get on a train in New York and end

0:44:18.040 --> 0:44:21.120
<v Speaker 2>up on the West coast. You were changing in Chicago

0:44:21.600 --> 0:44:25.040
<v Speaker 2>and you were changing in Omaha, and it's like this

0:44:25.320 --> 0:44:26.880
<v Speaker 2>wasn't just get on the train and I'll see you

0:44:27.320 --> 0:44:29.920
<v Speaker 2>and we'll be there in five days. There was a

0:44:30.000 --> 0:44:32.440
<v Speaker 2>lot going on. So it's quite amazing. And he traveled

0:44:32.480 --> 0:44:32.719
<v Speaker 2>with her.

0:44:33.320 --> 0:44:37.360
<v Speaker 1>Is there any notes in the clubs about Rainer actually

0:44:37.440 --> 0:44:39.280
<v Speaker 1>playing golf at his courses?

0:44:39.960 --> 0:44:42.200
<v Speaker 2>Nothing that we've ever seen, And I've never known him

0:44:42.239 --> 0:44:44.160
<v Speaker 2>to be on site of a golf course once it

0:44:44.280 --> 0:44:47.279
<v Speaker 2>was completed right, Yeah, I mean right, but even like

0:44:47.360 --> 0:44:50.280
<v Speaker 2>you said, in those days when they're they're they're building slowly,

0:44:50.640 --> 0:44:53.000
<v Speaker 2>some holes would be grassed and playable by the time

0:44:53.560 --> 0:44:56.200
<v Speaker 2>the last holes are being grassed. And you never hear that.

0:44:56.960 --> 0:44:59.799
<v Speaker 1>I don't know if that's the crazy other crazy thing

0:45:00.040 --> 0:45:03.560
<v Speaker 1>think about with Seth Rainer's like, you know, arguably the

0:45:03.880 --> 0:45:06.680
<v Speaker 1>architects most deserving to be in the Hall of Fame.

0:45:06.560 --> 0:45:10.360
<v Speaker 2>That's not you know, without a doubt, without a doubt, right, And.

0:45:10.400 --> 0:45:13.200
<v Speaker 1>He may never have never really played golf.

0:45:13.400 --> 0:45:17.160
<v Speaker 2>Right, right, we know, right, it seemed like he picked

0:45:17.200 --> 0:45:19.120
<v Speaker 2>up some clubs every now and then, and he said

0:45:19.120 --> 0:45:21.320
<v Speaker 2>at some point or he was quoted as saying that

0:45:21.480 --> 0:45:23.200
<v Speaker 2>he didn't want to get good at the game because

0:45:23.280 --> 0:45:26.040
<v Speaker 2>then he'd start to design for himself for his game,

0:45:26.080 --> 0:45:26.960
<v Speaker 2>and he didn't want to do that.

0:45:27.280 --> 0:45:30.120
<v Speaker 1>See, that's that's a fascinating thing, because you see it

0:45:30.200 --> 0:45:34.960
<v Speaker 1>with almost every architect. They are blind to their own game,

0:45:35.239 --> 0:45:35.960
<v Speaker 1>whether they like.

0:45:36.000 --> 0:45:40.040
<v Speaker 2>It or not. Right, and didn't Jack Nicholas finally admitted

0:45:40.080 --> 0:45:43.600
<v Speaker 2>that right that all on his courses, the high fade

0:45:43.719 --> 0:45:45.560
<v Speaker 2>was the best shout to play into all his greens.

0:45:45.960 --> 0:45:48.360
<v Speaker 2>He finally admitted that a lot of people knew that before,

0:45:48.480 --> 0:45:49.400
<v Speaker 2>before he knew it.

0:45:50.440 --> 0:45:53.960
<v Speaker 1>It's like McDonald's it all America was doomed from the

0:45:54.040 --> 0:45:58.160
<v Speaker 1>start with golfing architects, you know McDonald with his with

0:45:58.320 --> 0:46:01.759
<v Speaker 1>his fade, when everybody, because the clothes were too tight,

0:46:03.880 --> 0:46:06.359
<v Speaker 1>designed a golf course with like ten holes on out

0:46:06.400 --> 0:46:08.840
<v Speaker 1>of bounds, left, none without of bounds right.

0:46:10.120 --> 0:46:12.160
<v Speaker 2>Right, you know. And to get back to a question

0:46:12.200 --> 0:46:14.560
<v Speaker 2>you asked me before and maybe surprising things about Seth Rayner,

0:46:14.880 --> 0:46:18.200
<v Speaker 2>I think it's really interesting. He's one of the few golfers,

0:46:18.280 --> 0:46:20.960
<v Speaker 2>a few architects that I can think of, that doesn't

0:46:21.040 --> 0:46:23.719
<v Speaker 2>necessarily open a course with an easy hole because you know,

0:46:23.800 --> 0:46:26.440
<v Speaker 2>in those days there was no practice, you had no range,

0:46:27.239 --> 0:46:28.840
<v Speaker 2>so you went out and they kind of eased you

0:46:28.920 --> 0:46:30.960
<v Speaker 2>into the round. And you think about something like the

0:46:31.080 --> 0:46:33.200
<v Speaker 2>first hole at Yale, or the first hole at the

0:46:33.200 --> 0:46:36.320
<v Speaker 2>country club at Charleston, and the first hole at Hodgekiss

0:46:37.080 --> 0:46:39.480
<v Speaker 2>right away you have to golf your ball. Yeah, you know,

0:46:39.560 --> 0:46:42.360
<v Speaker 2>he had other and but he didn't follow those patterns

0:46:42.360 --> 0:46:44.279
<v Speaker 2>because then you could go to other courses where the

0:46:44.360 --> 0:46:47.359
<v Speaker 2>first hole wasn't difficult. You know what, the first hole

0:46:47.480 --> 0:46:52.600
<v Speaker 2>was a manageable part four or part five. And that's

0:46:52.640 --> 0:46:54.080
<v Speaker 2>one of the other things I found out about, you know,

0:46:54.200 --> 0:46:59.560
<v Speaker 2>is that he did he did things as the site dictated,

0:46:59.640 --> 0:47:01.840
<v Speaker 2>not by following any kind of structure.

0:47:02.120 --> 0:47:04.400
<v Speaker 1>He really loved two shot radance.

0:47:04.040 --> 0:47:09.520
<v Speaker 2>Too, and he's the guy that I think he's the

0:47:09.520 --> 0:47:12.560
<v Speaker 2>guy that invented it. The author in that piece for

0:47:12.640 --> 0:47:16.040
<v Speaker 2>the Olympic Club refers to a two shot radand he

0:47:16.120 --> 0:47:19.160
<v Speaker 2>actually uses that phrase in that article, and that's nineteen eighteen.

0:47:19.640 --> 0:47:21.560
<v Speaker 2>And I'm not sure that anybody else came up with

0:47:21.640 --> 0:47:24.839
<v Speaker 2>that came up with that phrase or I've we've never

0:47:24.880 --> 0:47:28.160
<v Speaker 2>found it before then, you know, but you're right, and

0:47:28.640 --> 0:47:31.560
<v Speaker 2>it's a wonderful strategy. It's a wonderful hole because even

0:47:31.560 --> 0:47:33.360
<v Speaker 2>if you knock down your drive, you can still play it.

0:47:33.600 --> 0:47:35.880
<v Speaker 2>I played holes that are two shot short holes that

0:47:36.000 --> 0:47:38.800
<v Speaker 2>don't work because you have to lay up. Yeah, but

0:47:39.320 --> 0:47:41.120
<v Speaker 2>with a two shot radan, you can knock down your

0:47:41.200 --> 0:47:43.520
<v Speaker 2>drive or be well back and still play that ground

0:47:43.560 --> 0:47:44.880
<v Speaker 2>game and get it to where it's supposed to go,

0:47:45.080 --> 0:47:47.040
<v Speaker 2>or at least get it onto the green. Yeah.

0:47:47.080 --> 0:47:49.400
<v Speaker 1>I mean, obviously, like one of the best ways to

0:47:49.520 --> 0:47:53.120
<v Speaker 1>combat wedges is with a green that falls away. And

0:47:53.400 --> 0:47:56.120
<v Speaker 1>that's like what makes two shot redance, so good. Now

0:47:56.520 --> 0:48:00.080
<v Speaker 1>it's like, you know, twelve at Fisher's won it one

0:48:00.160 --> 0:48:03.319
<v Speaker 1>and uh one at Chicago Golf. That's kind of one.

0:48:03.400 --> 0:48:06.440
<v Speaker 1>And you got one at Fox Chapel. You got I mean,

0:48:06.520 --> 0:48:07.600
<v Speaker 1>they're all over the place.

0:48:07.680 --> 0:48:12.319
<v Speaker 2>One eight at Yale, Yeah, one at Hodge Kiss. I'm

0:48:12.400 --> 0:48:13.160
<v Speaker 2>just trying to think.

0:48:13.040 --> 0:48:14.439
<v Speaker 1>Of eleven at Yale.

0:48:14.560 --> 0:48:19.640
<v Speaker 2>Two, yes, eleven at Yale. Right right, so you have

0:48:19.719 --> 0:48:20.319
<v Speaker 2>two of them there, right.

0:48:20.320 --> 0:48:22.400
<v Speaker 1>I don't know how to one. I don't know how

0:48:22.480 --> 0:48:30.360
<v Speaker 1>to explain eight at Yale. That's like a cape reverse, Dan, Dan.

0:48:31.080 --> 0:48:32.920
<v Speaker 2>It's a it's a cape, I would yeah, I mean

0:48:33.080 --> 0:48:35.560
<v Speaker 2>Banks refers to it as that green side is as

0:48:35.640 --> 0:48:39.759
<v Speaker 2>having cape properties in Banks is in McDonald and Rainer's mind,

0:48:39.800 --> 0:48:41.719
<v Speaker 2>the cape was all about the green They had nothing

0:48:41.760 --> 0:48:42.600
<v Speaker 2>to do with the TA shot.

0:48:42.880 --> 0:48:44.920
<v Speaker 1>Yeah, can you go into that. This is kind of

0:48:44.960 --> 0:48:45.960
<v Speaker 1>one of my pet peeves.

0:48:47.280 --> 0:48:51.160
<v Speaker 2>So somewhere along the line, people came to came to

0:48:51.280 --> 0:48:55.279
<v Speaker 2>believe that a cape hole involved a bite off T shot.

0:48:56.200 --> 0:48:58.120
<v Speaker 2>So you kind of played out to a peninsula as

0:48:58.120 --> 0:49:00.359
<v Speaker 2>if you were playing from Boston out on to Cape

0:49:00.400 --> 0:49:04.520
<v Speaker 2>cod But to McDonald and Banks and Rainer, the cape

0:49:04.760 --> 0:49:07.759
<v Speaker 2>aspect was the green, that the green was what was

0:49:07.840 --> 0:49:11.920
<v Speaker 2>sticking out into the hazard, whether it be water like

0:49:12.000 --> 0:49:14.680
<v Speaker 2>the hole at mid Ocean, or whether it be surrounded

0:49:14.719 --> 0:49:20.040
<v Speaker 2>by have sand on you know, two sides like the

0:49:21.040 --> 0:49:22.319
<v Speaker 2>eight at Yale or this.

0:49:22.440 --> 0:49:24.560
<v Speaker 1>Week's two at country Club at Charleston.

0:49:25.080 --> 0:49:29.400
<v Speaker 2>Correct. Correct, And so the cape has absolutely nothing to

0:49:29.480 --> 0:49:31.640
<v Speaker 2>do with the tea shot. Rainer and Wigga, I mean

0:49:32.200 --> 0:49:36.000
<v Speaker 2>McDonald and Wigham co. Wrote an article about it, and

0:49:36.120 --> 0:49:37.840
<v Speaker 2>they refer to it as just as the green. And

0:49:37.920 --> 0:49:40.680
<v Speaker 2>when Banks writes about Yale for the Yale Daily or

0:49:40.719 --> 0:49:44.000
<v Speaker 2>the Yale Alumni Magazine, he talks about the green having

0:49:44.080 --> 0:49:46.879
<v Speaker 2>cape qualities. It's never, never, never about the tea shot.

0:49:47.840 --> 0:49:50.239
<v Speaker 2>And there can be bite off te shots, but that's

0:49:50.280 --> 0:49:53.280
<v Speaker 2>not the cape aspect of them, all their whole designs.

0:49:53.320 --> 0:49:56.840
<v Speaker 2>When they refer to poles, they're talking about the green.

0:49:57.239 --> 0:49:59.879
<v Speaker 2>That's why when you look at something like the long

0:50:00.080 --> 0:50:03.440
<v Speaker 2>gone nine hole Ocean Links, they refer to the Is

0:50:03.480 --> 0:50:05.200
<v Speaker 2>it the second I'm going to get confused, but I

0:50:05.280 --> 0:50:08.240
<v Speaker 2>think it's the second hole they refer to as shore Acres,

0:50:08.800 --> 0:50:11.399
<v Speaker 2>and there's no hole at shore Acres that ever look

0:50:11.560 --> 0:50:14.240
<v Speaker 2>like that. It's the green of that hole that mimicked

0:50:14.280 --> 0:50:17.800
<v Speaker 2>the green or or was patterned after green at shore Acres.

0:50:18.320 --> 0:50:23.040
<v Speaker 2>That's why it's called shore Acres. And so so for them,

0:50:23.320 --> 0:50:26.200
<v Speaker 2>the concept of cape is all about the green. Yes,

0:50:26.280 --> 0:50:27.719
<v Speaker 2>you can have a bite off T shot, but it's

0:50:27.760 --> 0:50:30.000
<v Speaker 2>not required. The second hole at Yale is referred to

0:50:30.040 --> 0:50:31.880
<v Speaker 2>as a cape. It does not have a bite off

0:50:31.960 --> 0:50:34.239
<v Speaker 2>T shot. We know who the original t's are, we

0:50:34.320 --> 0:50:36.319
<v Speaker 2>still play them. There's no bite off T shot there.

0:50:36.640 --> 0:50:39.800
<v Speaker 1>Yeah, And there's a lot of times they create that

0:50:40.400 --> 0:50:44.120
<v Speaker 1>that with a cross bunker or Yale you kind of

0:50:44.239 --> 0:50:47.960
<v Speaker 1>have you have like the chasm down the left, you

0:50:48.040 --> 0:50:51.800
<v Speaker 1>know that mimic, but it's not the yeah exactly, you know,

0:50:51.960 --> 0:50:55.080
<v Speaker 1>like the bunkers they usually use, or you know, shore

0:50:55.120 --> 0:50:58.360
<v Speaker 1>Acres has the ravine. There's something that protects the ideal

0:50:58.440 --> 0:51:01.759
<v Speaker 1>line on all of them, but it's not that's not

0:51:02.080 --> 0:51:03.360
<v Speaker 1>the fundamental part.

0:51:03.239 --> 0:51:06.600
<v Speaker 2>Of the whole right and and and the problem is

0:51:07.680 --> 0:51:10.319
<v Speaker 2>for the player is if you take the conservative route,

0:51:11.520 --> 0:51:13.560
<v Speaker 2>that's going to cause you to have an approach shot

0:51:13.600 --> 0:51:15.919
<v Speaker 2>that requires you to play kind of across the green

0:51:16.000 --> 0:51:18.560
<v Speaker 2>or diagonally into the green, rather than down the fall

0:51:18.640 --> 0:51:20.120
<v Speaker 2>line or i mean down the access of it, not

0:51:20.239 --> 0:51:22.560
<v Speaker 2>down the fall line. Down the access of it. And

0:51:22.719 --> 0:51:25.359
<v Speaker 2>that's that's I think where people get the strategy wrong

0:51:25.880 --> 0:51:29.360
<v Speaker 2>is and they and they miss why they missed the

0:51:29.440 --> 0:51:32.440
<v Speaker 2>whole Cape concept is they don't understand the importance of

0:51:32.520 --> 0:51:33.479
<v Speaker 2>placing the T shot.

0:51:34.400 --> 0:51:37.799
<v Speaker 1>Yeah, yeah, exactly, I think. I mean, I think that's

0:51:37.840 --> 0:51:40.799
<v Speaker 1>a good way. That's the you know last Uh we'll

0:51:40.800 --> 0:51:44.560
<v Speaker 1>give people a little bit of you know, education here.

0:51:45.040 --> 0:51:46.960
<v Speaker 1>It's one of my like pet peeves when I hear,

0:51:47.239 --> 0:51:49.600
<v Speaker 1>like you hear it on telecasts all the time, Oh,

0:51:49.719 --> 0:51:52.680
<v Speaker 1>this Cape T shot. It's like this not a thing.

0:51:53.520 --> 0:51:56.200
<v Speaker 2>Yeah, it's not a thing as far as we know.

0:51:56.280 --> 0:51:58.920
<v Speaker 2>I mean, it's not a thing for McDonald, banks and Rayner.

0:51:59.040 --> 0:52:01.319
<v Speaker 2>I mean that's not how they think of k Pole,

0:52:01.360 --> 0:52:02.160
<v Speaker 2>which you're absolutely right.

0:52:02.719 --> 0:52:06.319
<v Speaker 1>Yeah. So, uh well thanks for coming on. Uh well,

0:52:06.520 --> 0:52:09.680
<v Speaker 1>we're excited to watch Rainer on display. I'm sure you're

0:52:09.800 --> 0:52:10.760
<v Speaker 1>you're really excited.

0:52:11.360 --> 0:52:12.880
<v Speaker 2>Well, yeah, I mean it's great, right, we get to

0:52:12.880 --> 0:52:16.360
<v Speaker 2>see Rainer, we get to see Brian Silva's restoration of

0:52:16.440 --> 0:52:17.880
<v Speaker 2>the golf course, we get to see the work to

0:52:18.000 --> 0:52:21.080
<v Speaker 2>Kyle Franz did it's we finally get to see Rainer

0:52:21.160 --> 0:52:25.120
<v Speaker 2>and you know USGA Primetime, The PJ tours had in primetime.

0:52:25.320 --> 0:52:27.319
<v Speaker 2>But I love this golf course and I can't wait

0:52:27.360 --> 0:52:29.000
<v Speaker 2>to see it. I can't wait to see the women

0:52:29.040 --> 0:52:29.279
<v Speaker 2>play it.

0:52:30.680 --> 0:52:34.520
<v Speaker 1>So uh yeah, it'll be awesome. I hope for good

0:52:34.560 --> 0:52:36.600
<v Speaker 1>weather and I think we're going to see a lot

0:52:36.640 --> 0:52:40.960
<v Speaker 1>of relevant architecture on TV, which it doesn't happen every week.

0:52:41.120 --> 0:52:42.960
<v Speaker 2>Right, and being played like we talked about before, being

0:52:43.000 --> 0:52:44.680
<v Speaker 2>played the right way. Right, we're going up. We hope,

0:52:44.680 --> 0:52:46.400
<v Speaker 2>we want to. We hope to see the ball on

0:52:46.560 --> 0:52:50.439
<v Speaker 2>the ground running onto these greens and that that would

0:52:50.440 --> 0:52:51.120
<v Speaker 2>be fantastic.

0:52:51.640 --> 0:52:54.920
<v Speaker 1>Yeah, so thanks so much and we'll talk soon.

0:52:55.360 --> 0:52:57.359
<v Speaker 2>Thank you for the invite. It was a pleasure. You've

0:52:57.400 --> 0:53:00.520
<v Speaker 2>been listening to the fried Egg podcast. We do the

0:53:00.600 --> 0:53:01.640
<v Speaker 2>digging for you.