WEBVTT - Conversations About 2Pac Must Die

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<v Speaker 1>Watch up and welcome back to another episode and no

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<v Speaker 1>Sillers podcast with your host. Now funk that with your

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<v Speaker 1>low glasses Malone, Pete Dog Dog Boo Rude. We're back

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<v Speaker 1>in it. We're back in it up rup Rube was

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<v Speaker 1>crazy at earlier today right I was reading the comments.

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<v Speaker 1>I had did a um a dupe conversation with bond First.

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<v Speaker 1>Bond First is like, um, so there's a lot of

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<v Speaker 1>YouTube channels that are dedicated solely to Tupac and things

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<v Speaker 1>of Tupac's legacy, which is amazing. You know, I grew

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<v Speaker 1>up in there with tupacles like the underdog and so

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<v Speaker 1>that you know, I had to have people dedicate complete

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<v Speaker 1>immediate to his It's very existence of twenty five years

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<v Speaker 1>is amazing. Um. I did a conversation with uh a

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<v Speaker 1>platform called Bond First, and UH John and um Reggie White.

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<v Speaker 1>They both Reggie Wright was running death Row for a

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<v Speaker 1>while and John worked at death Row for a while.

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<v Speaker 1>Got um so they're super knowledgeable on the music business.

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<v Speaker 1>Super yeah. Yeah. We talked to Yeah, that's the chronicles,

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<v Speaker 1>so we we you know, all things knowledgeable when it

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<v Speaker 1>comes to death Row. And they were the first platform

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<v Speaker 1>once I dropped. This is the third anniversary, you know,

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<v Speaker 1>July seventeen is the third anniversary of Tupac Must Dive

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<v Speaker 1>me releasing it. And we did a conversation. We were

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<v Speaker 1>talking about different things and to watch people in the comments,

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<v Speaker 1>no like antagonized or attempt to antagonize me is like

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<v Speaker 1>almost like the greatest thing I ever saw, because you

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<v Speaker 1>gotta think. Right before I dropped two pop must Die like, um, like,

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<v Speaker 1>the title itself was really inspired by Romeo almost. I

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<v Speaker 1>think it's obvious, right, I don't know. I don't think

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<v Speaker 1>it was that obvious, but I thought it was obvious, right,

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<v Speaker 1>So um, the idea behind the story. So this is

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<v Speaker 1>what's crazy, right, so old The first off, no seilings,

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<v Speaker 1>jail my man Peter bosson, and ship is not going

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<v Speaker 1>to work, right, so click on right. So two thousand twelve,

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<v Speaker 1>I leave Cash Money Records. Two thousand and eleven, I

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<v Speaker 1>leave Cash Money Records. I'm in a studio with DJ Head.

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<v Speaker 1>I'm working on what is White Lightning two at the time, right,

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<v Speaker 1>and I'm recording all these songs and everybody or anybody

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<v Speaker 1>who knows me knows that scar Face is like my

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<v Speaker 1>favorite rapper. You know what I mean like he like

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<v Speaker 1>I have the utmost respect for Scarface, probably more than

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<v Speaker 1>any other MC that ever breathe just as a artist,

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<v Speaker 1>like a vocally performing artist, not necessarily the same cultural

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<v Speaker 1>phenomenon that I celebrated about Snoop, you know, which is

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<v Speaker 1>why I say he's the greatest hip hop artist ever. Um,

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<v Speaker 1>not the business acumen of a whole which is why

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<v Speaker 1>you know, you know he's the most successful rapper ever,

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<v Speaker 1>or the creative brilliance of Kanye West, you know, all

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<v Speaker 1>my top five guys, or the or the imagination and

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<v Speaker 1>and the lushness of that is Rick Ross. Scarface rapping

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<v Speaker 1>right is literally I said, it's like if if if

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<v Speaker 1>God of the Old Testament was an m C, that's

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<v Speaker 1>how he he would sound and rap about the same

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<v Speaker 1>stuff scar Face rapp about. Right. So I was super

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<v Speaker 1>inspired by Scarface making music at that time. In two

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<v Speaker 1>thousand and eleven, and DJ Head comes into the studio.

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<v Speaker 1>Right now, DJ has been DJ and about four years,

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<v Speaker 1>but he picked it up lightning fast, you know what

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<v Speaker 1>I mean, he knew exactly what to do with it.

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<v Speaker 1>It's it's almost unbelievable how fast he became a great

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<v Speaker 1>DJ and I'm recording the booth and he comes to

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<v Speaker 1>the door of the booth. He like, man, why is

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<v Speaker 1>all your fucking songs slow? And I'm like, what you mean?

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<v Speaker 1>Music is slow? Like nigga music is just music. He's like, nah, man,

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<v Speaker 1>it's bpms beach per minute. And I'm like, what the

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<v Speaker 1>funk you're talking about. I'm like, man, beat it, you know,

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<v Speaker 1>we get the funk out of here. So he goes

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<v Speaker 1>in the engineer room with Tommy and uh. I come out.

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<v Speaker 1>I'm listening to the song, like, yeah, this so hard, cruise,

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<v Speaker 1>you ain't funk with this. He's like, man, it's just

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<v Speaker 1>so slow. And I'm like, man, bla blah blah. I

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<v Speaker 1>walked out of that control room right studio signal here,

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<v Speaker 1>and I walked into the other control room and I

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<v Speaker 1>came back and Head was in the booth recording in

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<v Speaker 1>the same cadus to the same beat on my fucking

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<v Speaker 1>song slow, like just being an asshole, right, So I'm

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<v Speaker 1>like what fuck? So, like, man, what are you talking about?

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<v Speaker 1>Music is slow? Because how could he like this rhythm? Bpm?

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<v Speaker 1>He said like, you know, hit your chests, no, he

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<v Speaker 1>told me. Tapped the table, and you know, I was

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<v Speaker 1>tapping into the beat. He like, he was playing my song.

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<v Speaker 1>He like, see this your song, and he said, this

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<v Speaker 1>is a scar Face song and play that's the same temple.

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<v Speaker 1>He said. The difference is this is a snoop song

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<v Speaker 1>and I'm tapping faster, and I'm like, holy shit, Like

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<v Speaker 1>there's a difference, right. But before that, music to me

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<v Speaker 1>was just ballots and Luke. Ballot and Luke and everything

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<v Speaker 1>in the middle was the same thing. Because I wasn't

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<v Speaker 1>going to parties to dance. I mean, it ain't like,

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<v Speaker 1>you know, G Funk was making music as fast as

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<v Speaker 1>you know, Bill bb to vote or new Jack Schwang

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<v Speaker 1>and something's not that speed. So that was like the

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<v Speaker 1>first revelation I had, you know, in the step of

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<v Speaker 1>the education that is the record business. And from that

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<v Speaker 1>point on, like I just kind of fell down this hole,

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<v Speaker 1>like head pushed me down this hole and I'm falling.

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<v Speaker 1>I'm catching BPM. I'm starting here, the samples I'm hearing

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<v Speaker 1>how you know, genres matter, you know what I mean?

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<v Speaker 1>Where you at around the country. I noticed the West

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<v Speaker 1>coast really took the funk. I noticed the South took

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<v Speaker 1>the blues. I noticed that Midwest took thor and B

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<v Speaker 1>and I noticed the East Coast took the jazz, you

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<v Speaker 1>know what I'm saying. So now I'm falling falling. So

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<v Speaker 1>now I'm learning the records. I pick it up. I

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<v Speaker 1>got a decent understanding. You know. Then you keep falling

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<v Speaker 1>because now you're starting to understand what's hip hop. You're like, Okay,

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<v Speaker 1>it's way more than just It ain't really the music,

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<v Speaker 1>you know, I mean, it's the way people from urban

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<v Speaker 1>street culture. It's culture, you know. I mean how they

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<v Speaker 1>was freaking the music and culturally, you know, it depends

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<v Speaker 1>on where you at determines how they're freaking the music.

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<v Speaker 1>But it's all rooted in urban street culture, you know,

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<v Speaker 1>densely populated, crime written neighborhoods. Sounds like okay, So now

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<v Speaker 1>I'm getting a vibe for that. And then I started

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<v Speaker 1>understanding marketing right, What marketing was branding right, It's like

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<v Speaker 1>understanding your business. Marketing is understanding your customers, and when

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<v Speaker 1>they line up right, you have an amazing business. Right.

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<v Speaker 1>Sounds like damn. So it became eight years of this ship.

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<v Speaker 1>I tried to put out music and I couldn't because

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<v Speaker 1>my mind was just I'm falling down the whole. I

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<v Speaker 1>could never grab nothing to stop me from falling, and

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<v Speaker 1>it was just crazy. And right around two thousand and eighteen,

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<v Speaker 1>towards the end, I noticed I was like, holy sh it,

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<v Speaker 1>this is way deeper than I thought. So I didn't

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<v Speaker 1>got all this information. So now as I started understanding

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<v Speaker 1>the business that Glasses and Malone records needed to be,

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<v Speaker 1>it became a parent right understanding the brand, Right, how

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<v Speaker 1>do people see the brand that is Glasses? Where am

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<v Speaker 1>I really an expert at? You know where? What urban

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<v Speaker 1>street culture am I a professor in? Like? What could

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<v Speaker 1>I teach of the population? What information do I have

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<v Speaker 1>that they don't have. I'm a crip, and I'm a

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<v Speaker 1>crip in a way right to where I've always been sober,

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<v Speaker 1>I've always asked questions. You know, I fought shot and

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<v Speaker 1>everything you could do, went to jail the whole, non soul, drugs, everything.

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<v Speaker 1>But I was always awoke. I was never even under

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<v Speaker 1>the influence of weed. I never smoked weed in my life.

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<v Speaker 1>I never drank alcohol in my life, So I've always

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<v Speaker 1>conscious that things were going on. So my take on

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<v Speaker 1>gang banging right is really unique because it's from very

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<v Speaker 1>much the experience but with a level of rational So

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<v Speaker 1>I realized people saw my brand. Right, they look at

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<v Speaker 1>Glass and they're like, oh, he's a crip. So that

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<v Speaker 1>is something they are willing to accept from me, right

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<v Speaker 1>when it comes to my excellence as as a as

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<v Speaker 1>a as a professor in gang banging. Right, Um, moving forward,

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<v Speaker 1>Like my customer is people that are fans of gangster rap.

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<v Speaker 1>I was like, okay, so what's gangster right? And I'm like, okay,

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<v Speaker 1>this is crime, right, Okay. Hip hop is when and

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<v Speaker 1>the greatest hip hop is when you unearthed culture, like

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<v Speaker 1>culture that hasn't been obviously presented. So you know the

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<v Speaker 1>first time you heard snooping them and you've seen the

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<v Speaker 1>video and you've seen low Riders in the music video, right,

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<v Speaker 1>that was them unearthened the culture style of the West Coast. Right,

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<v Speaker 1>you see them wearing dickeys and penalties and chucks and

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<v Speaker 1>blue laces and hats and in the five and one

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<v Speaker 1>denim Jackie's you've seen the fashion another aspect of culture. Right.

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<v Speaker 1>So they've been unearthened culture, you know, and gangster aft

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<v Speaker 1>for thirty years at this point. So I'm like, damn man,

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<v Speaker 1>you know, So I started looking up the word culture, right,

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<v Speaker 1>and I'm like, okay, these are different aspects. And one

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<v Speaker 1>aspect stuck out to me, which was morality. I mean,

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<v Speaker 1>I don't think people really understand morally what's acceptable in

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<v Speaker 1>our line of lifestyle. And something in me decided it

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<v Speaker 1>was two things I had to do, right, If I

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<v Speaker 1>wanted people to care about the culture, I had to

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<v Speaker 1>put I had to make somebody a part of it

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<v Speaker 1>that they had vested interest in the mainstream world. Yeah,

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<v Speaker 1>So it was two ideas I had. One was the

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<v Speaker 1>story of the riots right in Reginald Denny right, how

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<v Speaker 1>the A trades kicked off what we called the Los

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<v Speaker 1>Angeles Rods in the two when that video comes out

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<v Speaker 1>to I still it to play, Reginaldny you have to

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<v Speaker 1>you have to right. So and then uh, it was

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<v Speaker 1>that or Tupacs cor right, who when I was growing

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<v Speaker 1>up was culturally ours. You know, he belonged to urban

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<v Speaker 1>a maror he belonged like my mom bought me a CD.

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<v Speaker 1>Like he's perfect, Like he has the right attitude, know

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<v Speaker 1>what I'm saying. So, um, he was culturally ours initially,

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<v Speaker 1>but as he passed away and reached his heights as

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<v Speaker 1>a musician, and as an entertainer, and then he passed away,

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<v Speaker 1>so tragically it sent him into a trajectory, right, that

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<v Speaker 1>was Jesus like right, it was like Jesus where he

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<v Speaker 1>became a figure you could pray to and in theory

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<v Speaker 1>unite people. And then so they created just like Christianity,

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<v Speaker 1>they created a whole religion around Tupac that what a

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<v Speaker 1>due respect, altered some of the facts, you know what

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<v Speaker 1>I mean, for for the justification of bringing humanity together.

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<v Speaker 1>Like Constantine when he when you know, when he when

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<v Speaker 1>he orgestrated what would be called Christianity. It was the

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<v Speaker 1>goal to bring Rome together. So they allowed things that

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<v Speaker 1>didn't have to necessarily be true, you know, as they

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<v Speaker 1>made it the truth because this was the smartest way

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<v Speaker 1>to you, you you know, unify people, stop these fights.

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<v Speaker 1>And that's what I think the legacy of Tupac does, know,

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<v Speaker 1>I mean, they have you know, it's a religion, and

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<v Speaker 1>you have preachers, right, you have bond first, you have

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<v Speaker 1>art of dialogue, right, who are really some intelligent brothers

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<v Speaker 1>and different people who run around preaching the gospel of

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<v Speaker 1>Tupacs and corps. And it don't matter if it's not

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<v Speaker 1>real or if it's false or none of that. It's

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<v Speaker 1>like long as it brings people together in the name

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<v Speaker 1>of Tupac. Like I realized there was a TV it

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<v Speaker 1>was a movie called uh Um. It was a superhero

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<v Speaker 1>like like a knockoff X Man the Watchman. It's not

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<v Speaker 1>a knockoff x Man. Forgive me the Watchman, right, And

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<v Speaker 1>it was the same. It was the same moral storyline

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<v Speaker 1>of Jesus or you know pop where people bring They

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<v Speaker 1>they created a lie, right, they made Russia looked like

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<v Speaker 1>they were about to attack America right to bring you

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<v Speaker 1>know that or no, excuse me, I take that back.

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<v Speaker 1>Uh alien superhero was attacking Earth to stop the war

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<v Speaker 1>between America and Russia. I mean they made this this figure,

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<v Speaker 1>this alien figure from another planet, seemed like he was

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<v Speaker 1>attacking the Earth so all of the countries could come together,

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<v Speaker 1>you know, and stop warring. And even though it was

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<v Speaker 1>based off the premise of a lie, it didn't matter.

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<v Speaker 1>It didn't fucking matter for me. It didn't matter. And

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<v Speaker 1>that's what happens with the legacy of Tupacs to cord.

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<v Speaker 1>At this point, they're creating a religion around it, you

0:14:05.640 --> 0:14:08.600
<v Speaker 1>know what I mean, to unite people, so it's okay.

0:14:08.679 --> 0:14:12.959
<v Speaker 1>You know what I mean, it's okay and long story short.

0:14:13.000 --> 0:14:15.839
<v Speaker 1>So when I decided to make the song, I realized

0:14:15.920 --> 0:14:19.360
<v Speaker 1>I needed to take a mainstream event that had somebody

0:14:19.400 --> 0:14:22.160
<v Speaker 1>in it that the mainstream people care about, and then

0:14:22.200 --> 0:14:25.400
<v Speaker 1>somebody from the urban streets that I'm from or the

0:14:25.480 --> 0:14:29.560
<v Speaker 1>lifestyle that they may have misunderstood. You're kind of in

0:14:29.560 --> 0:14:34.960
<v Speaker 1>a way just declared yourself, Homer to Tupacs Odysseus with

0:14:35.040 --> 0:14:42.960
<v Speaker 1>like the Iliot and the Odyssey. Sure, sure, And my

0:14:43.080 --> 0:14:46.200
<v Speaker 1>goal was never to disc You can't discredit tuopocs re cord.

0:14:46.240 --> 0:14:49.080
<v Speaker 1>That's just stupid. Like, let's start. Tuopocchord is one of

0:14:49.080 --> 0:14:52.440
<v Speaker 1>the maze. Is one of the most amazing and greatest

0:14:52.440 --> 0:14:56.240
<v Speaker 1>comeback stories in the history of human beings. Yeah, I

0:14:56.240 --> 0:15:00.040
<v Speaker 1>mean period, Like I don't think Rudy's comeback story it

0:15:00.080 --> 0:15:03.360
<v Speaker 1>is as great as Tupac's comeback story. Like tupacs comeback

0:15:03.440 --> 0:15:06.720
<v Speaker 1>stories one of the greatest comeback stories in the history

0:15:06.960 --> 0:15:13.320
<v Speaker 1>of mankind for me, Like, it's that great. But I

0:15:13.520 --> 0:15:16.720
<v Speaker 1>realized that, you know, the story was to be told

0:15:16.800 --> 0:15:19.640
<v Speaker 1>about the urban street experience, and I knew how to

0:15:19.720 --> 0:15:23.240
<v Speaker 1>tell it in a much more detailed in deeper way

0:15:23.560 --> 0:15:25.880
<v Speaker 1>that was start out and how it goes, because I'm

0:15:25.880 --> 0:15:28.440
<v Speaker 1>experienced at it and I've studied it enough to understand

0:15:28.480 --> 0:15:32.080
<v Speaker 1>it outside of my own understanding. So all of these

0:15:32.080 --> 0:15:35.560
<v Speaker 1>things went into the thought that was Tupac must die

0:15:35.680 --> 0:15:39.200
<v Speaker 1>to do it and to watch people in the comments

0:15:39.280 --> 0:15:41.480
<v Speaker 1>reduce it down to cloud chasing, like oh, you just

0:15:41.480 --> 0:15:46.720
<v Speaker 1>said Tupac name. It's like you're discrediting real like thought

0:15:46.840 --> 0:15:49.760
<v Speaker 1>like this took me years to come up with this idea,

0:15:50.120 --> 0:15:53.320
<v Speaker 1>Like these are not simple ideas, you mean, like if

0:15:53.360 --> 0:15:56.040
<v Speaker 1>you listen to the depth of the song, you're here,

0:15:56.600 --> 0:15:59.600
<v Speaker 1>you know, with gang banging, you're here. A lot of

0:15:59.640 --> 0:16:01.360
<v Speaker 1>the shooes in it, you know what I mean, a

0:16:01.360 --> 0:16:05.320
<v Speaker 1>lot of the malfunctionings of it. You know, the the

0:16:06.040 --> 0:16:08.600
<v Speaker 1>you know, the over value of pride is in that song,

0:16:09.000 --> 0:16:10.840
<v Speaker 1>you know if if you know, if we're get back

0:16:10.880 --> 0:16:13.240
<v Speaker 1>to the city, everybody gonna try me. That's how you

0:16:13.320 --> 0:16:15.920
<v Speaker 1>really kind of the whole thing of the song. When

0:16:15.960 --> 0:16:19.000
<v Speaker 1>I first saw the project, I was like, oh, that's

0:16:19.120 --> 0:16:24.640
<v Speaker 1>you know, kind of taking the most high profile gang

0:16:24.680 --> 0:16:28.280
<v Speaker 1>related murder of all time and using that as an

0:16:28.280 --> 0:16:34.440
<v Speaker 1>illustration to kind of define what happens and why things

0:16:34.520 --> 0:16:37.960
<v Speaker 1>happen in real time in that world for other people

0:16:37.960 --> 0:16:41.680
<v Speaker 1>who don't get it, you know, Like that's how it

0:16:41.760 --> 0:16:53.840
<v Speaker 1>came off to me. Yeah, I agree. So, Um, it

0:16:53.920 --> 0:16:58.480
<v Speaker 1>was just like the greatest illustration example ever for that

0:16:58.840 --> 0:17:05.440
<v Speaker 1>you know that area. Yeah, and I put a lot

0:17:05.480 --> 0:17:09.320
<v Speaker 1>into the song. The title itself was like the probably

0:17:09.359 --> 0:17:11.879
<v Speaker 1>the easiest thing because I was just watching John Tucker

0:17:11.960 --> 0:17:15.239
<v Speaker 1>Must Die, like Romeo Must Die, John Tucker Must Die,

0:17:15.400 --> 0:17:18.680
<v Speaker 1>sure two Parker Must Die film. I didn't even think

0:17:18.720 --> 0:17:22.960
<v Speaker 1>of it like people would say like must die, like

0:17:22.960 --> 0:17:25.040
<v Speaker 1>like I think they get the film. I'm talking about

0:17:25.080 --> 0:17:27.879
<v Speaker 1>this legacy or something weird. You know, sometimes people aren't

0:17:27.920 --> 0:17:30.399
<v Speaker 1>that right, you know what I'm saying that, Like they

0:17:30.440 --> 0:17:34.120
<v Speaker 1>are entirely too intellectually lazy to even care the process

0:17:34.119 --> 0:17:35.840
<v Speaker 1>and idea. They have too many things going. They're too

0:17:35.880 --> 0:17:39.640
<v Speaker 1>busy to think. Let's just be honest because so long

0:17:39.680 --> 0:17:44.919
<v Speaker 1>story short, Um, we shoot the whole video first person.

0:17:46.320 --> 0:17:49.199
<v Speaker 1>You know, the whole video is shot first person. You know,

0:17:49.320 --> 0:17:51.800
<v Speaker 1>you you got to experience what it's like to to

0:17:51.920 --> 0:17:54.440
<v Speaker 1>be with your homeboys. I turned you into a gangbanger,

0:17:54.640 --> 0:17:56.520
<v Speaker 1>and I gave you the mind state I gave you

0:17:56.560 --> 0:18:01.119
<v Speaker 1>the the things that I remember early about being a

0:18:01.160 --> 0:18:04.560
<v Speaker 1>gang member. I gave you the the arrogance. I gave

0:18:04.600 --> 0:18:10.320
<v Speaker 1>you the the pride that the ego. I gave you

0:18:10.359 --> 0:18:14.120
<v Speaker 1>the concern. I gave you the pressure where niggas is like, yeah,

0:18:14.119 --> 0:18:16.400
<v Speaker 1>you're gonna let this nigga get. I gave you everything

0:18:16.480 --> 0:18:20.440
<v Speaker 1>I ever got as a gang member in less than

0:18:20.600 --> 0:18:27.520
<v Speaker 1>five minutes. I got a question the first person perspective

0:18:27.560 --> 0:18:30.560
<v Speaker 1>of the video and and most of it is on foot,

0:18:31.840 --> 0:18:36.600
<v Speaker 1>is it a coincidence that, like, I don't like the

0:18:36.640 --> 0:18:38.480
<v Speaker 1>beat or the baseline it. It's kind of got this

0:18:38.600 --> 0:18:43.399
<v Speaker 1>plotting kind of sound to it, like matches up with

0:18:43.440 --> 0:18:47.720
<v Speaker 1>a guy walking go go, Like it kind of fits

0:18:47.720 --> 0:18:50.080
<v Speaker 1>in with a person just walking around all the time.

0:18:50.119 --> 0:18:54.600
<v Speaker 1>And it's like perfectly, it's a very it is a

0:18:54.720 --> 0:18:58.320
<v Speaker 1>very plotty type of sound and very menacing and thought.

0:18:58.760 --> 0:19:03.160
<v Speaker 1>But it's so much into that song and that record

0:19:03.560 --> 0:19:06.600
<v Speaker 1>to watch people like, oh, he just said Tupac's name.

0:19:06.680 --> 0:19:10.520
<v Speaker 1>It's like, you know, and and that ship's hilarious to me,

0:19:10.960 --> 0:19:13.879
<v Speaker 1>you know. But anytime I talk about it, you know,

0:19:13.960 --> 0:19:16.360
<v Speaker 1>people talk about it to this day, they remember it.

0:19:16.720 --> 0:19:20.199
<v Speaker 1>You feel me and what what made me comfortable with

0:19:20.600 --> 0:19:24.040
<v Speaker 1>I knew what to expect, right, Um, I definitely didn't

0:19:24.040 --> 0:19:27.000
<v Speaker 1>think people was this lazy intelligent like I thought by

0:19:27.040 --> 0:19:29.320
<v Speaker 1>now people start figuring it out, but they still got

0:19:29.320 --> 0:19:40.840
<v Speaker 1>some more time. Right. Um. It's almost weird because um,

0:19:40.880 --> 0:19:44.119
<v Speaker 1>because what I'm saying, I don't actually see how is

0:19:44.160 --> 0:19:47.040
<v Speaker 1>disrespect at all. That's what I've been trying to figure out.

0:19:47.040 --> 0:19:49.840
<v Speaker 1>People like it's a tup this Tupac. Even when Dre

0:19:50.119 --> 0:19:52.359
<v Speaker 1>was Like when Dr Drey was arguing me in the

0:19:52.400 --> 0:19:54.840
<v Speaker 1>studio and I'm listening to him, I'm like, nik at

0:19:54.880 --> 0:19:57.399
<v Speaker 1>this Tupac. Why would I this Tupac? He like, you

0:19:57.480 --> 0:19:59.560
<v Speaker 1>got a song called Tupac. I'm like, no, I don't

0:19:59.640 --> 0:20:02.199
<v Speaker 1>kind of dom ask it is that like Tupac passed

0:20:02.200 --> 0:20:05.000
<v Speaker 1>away and I'm a Tupac. You know I love tupacs music.

0:20:05.000 --> 0:20:07.600
<v Speaker 1>Why would I this Tupac? He was like, well, you

0:20:07.640 --> 0:20:10.480
<v Speaker 1>know that's and that's what somebody told him. So that's

0:20:10.480 --> 0:20:13.879
<v Speaker 1>how people are passing the message. Like, and I'm starting

0:20:13.880 --> 0:20:17.440
<v Speaker 1>to realize it's actually not the content at all. It's

0:20:17.480 --> 0:20:20.720
<v Speaker 1>how people are passing the message of the song, and

0:20:20.880 --> 0:20:25.080
<v Speaker 1>most likely it's coming from somebody who never watched the

0:20:25.160 --> 0:20:29.320
<v Speaker 1>song or the visual. Rather, they never heard the song

0:20:29.600 --> 0:20:32.359
<v Speaker 1>and they're just passion it. And I'm starting to realize,

0:20:32.400 --> 0:20:35.040
<v Speaker 1>like I'm counting the views on YouTube, is at three

0:20:35.040 --> 0:20:38.080
<v Speaker 1>million views. On Facebook before my Facebook I stole it

0:20:38.160 --> 0:20:40.040
<v Speaker 1>was at five million views. On Twitter, it's a two

0:20:40.080 --> 0:20:42.719
<v Speaker 1>million views, right, So you're talking about a total of

0:20:43.480 --> 0:20:46.920
<v Speaker 1>you know, ten million views, you know, on Instagram maybe

0:20:46.960 --> 0:20:50.200
<v Speaker 1>another million views whatever it is. It's way more people

0:20:50.240 --> 0:20:53.119
<v Speaker 1>talking about it. So that means all of these people

0:20:53.240 --> 0:20:56.239
<v Speaker 1>didn't see it, yet they have an opinion about it.

0:20:56.720 --> 0:20:58.800
<v Speaker 1>And I started to think about where we at in

0:20:58.840 --> 0:21:02.280
<v Speaker 1>today's time, where people just read the headline and they

0:21:02.320 --> 0:21:05.560
<v Speaker 1>think they know the story. Yeah, And the same thing

0:21:05.680 --> 0:21:11.680
<v Speaker 1>was true also about tupacs shooting itself, Like how many

0:21:11.680 --> 0:21:14.960
<v Speaker 1>people around hip hop media has some sort of speculative,

0:21:16.040 --> 0:21:19.320
<v Speaker 1>you know, conspiracy theory or whatever about or what was

0:21:19.480 --> 0:21:21.600
<v Speaker 1>behind it or how it happened, why all these different

0:21:21.600 --> 0:21:27.080
<v Speaker 1>things for years, you know. But what I realized, the

0:21:27.280 --> 0:21:30.119
<v Speaker 1>brilliance in it all wouldn't be respected unless it was

0:21:30.200 --> 0:21:34.159
<v Speaker 1>by like like a colleague or like somebody critical. Like

0:21:34.240 --> 0:21:37.480
<v Speaker 1>it wasn't meant to be a mass thing. And I

0:21:37.520 --> 0:21:40.240
<v Speaker 1>realized that about n W as the police, or any

0:21:40.280 --> 0:21:44.080
<v Speaker 1>time you unearthed a thought and culture, right, it is

0:21:44.160 --> 0:21:48.040
<v Speaker 1>not for the mainstream to pick it up at that level. Now,

0:21:48.640 --> 0:21:51.439
<v Speaker 1>you know a song like I just released, right, Kanye

0:21:51.520 --> 0:21:53.760
<v Speaker 1>should have never married that bitch. That's a little bit

0:21:53.800 --> 0:21:58.359
<v Speaker 1>more mainstream, right, because the concept is easier. Right, Um,

0:21:58.400 --> 0:22:00.400
<v Speaker 1>you can't turn the whole into a housewife is an

0:22:00.400 --> 0:22:04.240
<v Speaker 1>easy overstated concept in hip hop, at least culturally from us,

0:22:04.720 --> 0:22:06.439
<v Speaker 1>not for everybody else. I think a lot of the

0:22:06.480 --> 0:22:10.640
<v Speaker 1>other you know, the East, the West, the East, the Midwest,

0:22:10.640 --> 0:22:12.200
<v Speaker 1>and the South. I don't know if they quite agree

0:22:12.320 --> 0:22:15.240
<v Speaker 1>because they culturally the South they are mary strippers and

0:22:15.280 --> 0:22:18.280
<v Speaker 1>all kind of crazy shit. Um, the East, same way

0:22:18.520 --> 0:22:21.000
<v Speaker 1>in the Midwest, you know, I know they're a lot

0:22:21.040 --> 0:22:23.960
<v Speaker 1>like us. They're not, Yeah, they're not. They're not gonna

0:22:23.960 --> 0:22:27.720
<v Speaker 1>save them, the East of saving the South of Saban,

0:22:28.080 --> 0:22:31.000
<v Speaker 1>But the Midwest and the West, like we just ain't

0:22:31.000 --> 0:22:34.719
<v Speaker 1>gonna save them. So it's a little easier. And I

0:22:34.760 --> 0:22:36.879
<v Speaker 1>also think the rhythm of the music, how fast it

0:22:36.960 --> 0:22:39.240
<v Speaker 1>is as a as a record. So two Problem Must

0:22:39.240 --> 0:22:45.560
<v Speaker 1>Die became this super duper anominaly and Pariah. And it's

0:22:45.560 --> 0:22:47.879
<v Speaker 1>funny because somebody was talking to me They was like, man,

0:22:47.920 --> 0:22:50.480
<v Speaker 1>I just knew people was gonna do other versions of

0:22:50.520 --> 0:22:53.200
<v Speaker 1>that song, you know, like they would make another rapper.

0:22:53.200 --> 0:22:56.199
<v Speaker 1>And I'm like, the problem is people think I just

0:22:56.200 --> 0:22:58.760
<v Speaker 1>said a rapper or certain fans would come to me

0:22:58.840 --> 0:23:01.000
<v Speaker 1>right and people be like, oh, in when you're gonna

0:23:01.000 --> 0:23:03.359
<v Speaker 1>do Biggie must die And I'm like, I don't know

0:23:03.359 --> 0:23:05.800
<v Speaker 1>what happened to Biggie, nor what happened to Biggie is

0:23:05.840 --> 0:23:12.719
<v Speaker 1>a street story. Yeah that's not a street story, right that, Like,

0:23:12.800 --> 0:23:16.240
<v Speaker 1>nobody in the streets know what happened to Biggie. But

0:23:16.400 --> 0:23:19.600
<v Speaker 1>that's how I knew. It was like a real high

0:23:19.640 --> 0:23:23.240
<v Speaker 1>dollar hit, you know, I mean crazy ship. It wasn't

0:23:23.280 --> 0:23:26.679
<v Speaker 1>like regular with Tupac. When when when Pop got shot,

0:23:27.240 --> 0:23:30.800
<v Speaker 1>we knew in real time to the t like we

0:23:30.920 --> 0:23:35.080
<v Speaker 1>knew when they jumped on you know, cousin the casino,

0:23:35.520 --> 0:23:37.120
<v Speaker 1>all the way to when he caught up with him

0:23:37.119 --> 0:23:39.639
<v Speaker 1>and found out he got shot before the news said it.

0:23:40.080 --> 0:23:44.119
<v Speaker 1>Because street business travels in the streets. Biggie Ship was

0:23:44.240 --> 0:23:47.880
<v Speaker 1>never street business. Nobody had an idea what happened. It

0:23:47.920 --> 0:23:50.840
<v Speaker 1>wasn't even like nothing with Tupac. It was unanimous. At

0:23:50.840 --> 0:23:52.600
<v Speaker 1>the same time, we all got the same cars and

0:23:52.720 --> 0:23:55.479
<v Speaker 1>was calling each other around man the boys, and then

0:23:55.600 --> 0:23:57.720
<v Speaker 1>got that pop say for jumping on him. And it

0:23:57.840 --> 0:24:00.359
<v Speaker 1>was never like really no sad feeling. It was that's

0:24:00.359 --> 0:24:04.399
<v Speaker 1>how it's going on streets as normal. Yeah, But to

0:24:04.400 --> 0:24:07.320
<v Speaker 1>to to have this work and people realize it and

0:24:07.440 --> 0:24:11.520
<v Speaker 1>just you know, they are so intellectually lazy or so

0:24:12.280 --> 0:24:15.520
<v Speaker 1>you know, consider themselves a fan is I'm telling you

0:24:15.560 --> 0:24:18.679
<v Speaker 1>it's no different than when I talked to like, I

0:24:18.720 --> 0:24:22.760
<v Speaker 1>don't I don't like talking about religion, especially Christianity, right

0:24:22.800 --> 0:24:26.440
<v Speaker 1>because I don't study Christianity the way other people do.

0:24:26.600 --> 0:24:29.040
<v Speaker 1>I don't. First off, I don't study it under somebody

0:24:29.040 --> 0:24:31.440
<v Speaker 1>watching down on me like a preacher or somebody trying

0:24:31.480 --> 0:24:34.280
<v Speaker 1>to tell me. And nor do I study the Bible

0:24:34.440 --> 0:24:38.760
<v Speaker 1>is not the beginning. I mean Christianity itself, you know,

0:24:38.840 --> 0:24:41.800
<v Speaker 1>it starts with multiple different things way before that, even

0:24:41.880 --> 0:24:45.480
<v Speaker 1>before you know the counselor not see it conveniing what

0:24:45.480 --> 0:24:49.000
<v Speaker 1>I'm saying before that, like the ideas were already there.

0:24:49.520 --> 0:24:53.200
<v Speaker 1>I'm saying, even if it wasn't called Christianity. So that's

0:24:53.240 --> 0:24:56.159
<v Speaker 1>how I feel, and you just like I watch it

0:24:56.240 --> 0:24:59.080
<v Speaker 1>and I watched how many pains like I got a

0:24:59.119 --> 0:25:01.000
<v Speaker 1>chance to talk to dreb By, how many people hated

0:25:01.040 --> 0:25:03.280
<v Speaker 1>them at the the police. I was able to get

0:25:03.320 --> 0:25:04.920
<v Speaker 1>some counsel from me, and I was able to get

0:25:04.960 --> 0:25:08.040
<v Speaker 1>counsel from the outside. And I realized when you make

0:25:08.119 --> 0:25:13.560
<v Speaker 1>real gangster wrap, like, people don't like it. Their outrage.

0:25:13.600 --> 0:25:17.359
<v Speaker 1>When Snoop first came out dog, I never forget it

0:25:17.400 --> 0:25:20.240
<v Speaker 1>was a church group or a church collective, A bunch

0:25:20.280 --> 0:25:22.680
<v Speaker 1>of churches bought like two or three hundred of his

0:25:22.840 --> 0:25:25.240
<v Speaker 1>c ds and then put them out in the streets

0:25:25.240 --> 0:25:27.640
<v Speaker 1>and had all these people out there rooting against it, right,

0:25:28.280 --> 0:25:34.000
<v Speaker 1>and they were and they were um and they were

0:25:34.040 --> 0:25:36.359
<v Speaker 1>like they rolled them over with like a steam press.

0:25:38.080 --> 0:25:42.480
<v Speaker 1>I mean it was on the news. Even even in

0:25:42.520 --> 0:25:48.600
<v Speaker 1>the watts of people still call the police, like if

0:25:48.600 --> 0:25:51.960
<v Speaker 1>something happens to them, you know, that's significant enough. So

0:25:52.000 --> 0:25:53.480
<v Speaker 1>it might be like, oh, they're not gonna shove, I'm

0:25:53.520 --> 0:25:57.719
<v Speaker 1>not gonna call, But if it matters enough, people are

0:25:57.720 --> 0:26:00.159
<v Speaker 1>still gonna call the police, you know, And though are

0:26:00.200 --> 0:26:02.000
<v Speaker 1>the people that are gonna make up most of the audience.

0:26:02.280 --> 0:26:04.560
<v Speaker 1>I thought one of the interesting points you made kind

0:26:04.560 --> 0:26:10.639
<v Speaker 1>of in Passing a second Ago was like if um

0:26:10.680 --> 0:26:14.080
<v Speaker 1>all you were saying, like, like like people get like fans

0:26:14.080 --> 0:26:22.120
<v Speaker 1>who who don't know the guy get more passionately like engaged,

0:26:22.240 --> 0:26:27.040
<v Speaker 1>like emotionally over the death of Tupac or celebrities in general.

0:26:27.600 --> 0:26:30.439
<v Speaker 1>You know, then, like you would in a circumstance that

0:26:30.520 --> 0:26:33.320
<v Speaker 1>makes sense over someone that you knew personally, Like if

0:26:33.359 --> 0:26:37.720
<v Speaker 1>someone from you know, your hood that you knew I

0:26:37.760 --> 0:26:41.359
<v Speaker 1>wouldn't got involved in, you know, deal whatever to somebody

0:26:41.359 --> 0:26:42.840
<v Speaker 1>else and they came back and got him. I mean,

0:26:42.840 --> 0:26:44.480
<v Speaker 1>you're gonna have to do what you're gonna have to do,

0:26:44.520 --> 0:26:48.840
<v Speaker 1>but you're probably you're not gonna be irrationally like out

0:26:48.880 --> 0:26:51.920
<v Speaker 1>of your mind over how it could possibly have taken place,

0:26:52.080 --> 0:26:56.919
<v Speaker 1>You know what I mean? M hm um, you know

0:26:56.960 --> 0:26:59.280
<v Speaker 1>what it is too. And I realized looking at it,

0:27:00.400 --> 0:27:05.080
<v Speaker 1>I realize the difference between me and most people, and

0:27:05.080 --> 0:27:08.439
<v Speaker 1>I have to stop calling myself that like. Fan is

0:27:08.520 --> 0:27:13.280
<v Speaker 1>short for fanatic m hm. A fanatic is a person

0:27:13.400 --> 0:27:18.800
<v Speaker 1>feel with excessive and single minded zeal, especially for any

0:27:18.840 --> 0:27:23.720
<v Speaker 1>extreme purpose, whether it's religion or political cause. So a

0:27:23.760 --> 0:27:29.600
<v Speaker 1>person feel so a Tupoc fan or Tupoc fanatic, or

0:27:29.760 --> 0:27:34.119
<v Speaker 1>a snoop DOGG fanatic or a snoop dog fan is

0:27:34.160 --> 0:27:40.680
<v Speaker 1>a person feeled with excessive and single minded zeal for

0:27:40.800 --> 0:27:46.960
<v Speaker 1>this artist. I don't think I'm a fanatic of anyone. No,

0:27:47.800 --> 0:27:50.560
<v Speaker 1>I can't cross that bridge either. It's it's a it's

0:27:50.600 --> 0:27:53.160
<v Speaker 1>a state of delusion. I mean it's it's it's it's

0:27:53.320 --> 0:27:56.560
<v Speaker 1>artificially manufacturing a relationship with the person that you don't

0:27:56.560 --> 0:27:59.480
<v Speaker 1>know and have never met that doesn't exist, you know,

0:27:59.520 --> 0:28:06.880
<v Speaker 1>and valls of emotional bonds that's not real. And it's

0:28:06.960 --> 0:28:10.560
<v Speaker 1>people man who jump in my d M once or

0:28:10.600 --> 0:28:13.880
<v Speaker 1>twice a year and literally just what cuts me out?

0:28:15.560 --> 0:28:18.720
<v Speaker 1>And I'll ask them when I got time and feel

0:28:18.800 --> 0:28:20.840
<v Speaker 1>like being bothered, I'd be like, why are you upset?

0:28:24.760 --> 0:28:27.200
<v Speaker 1>What is wrong? He's like, when you made that song

0:28:27.280 --> 0:28:31.520
<v Speaker 1>Distant Tupac, how did I diss him? Well? You know

0:28:31.880 --> 0:28:35.600
<v Speaker 1>you you just capitalizing off his death. I'm like, anybody

0:28:35.640 --> 0:28:39.960
<v Speaker 1>that talks about Tupac today capitalizes off his death. If

0:28:39.960 --> 0:28:43.400
<v Speaker 1>they're telling the story that you feel favors him, it's

0:28:43.480 --> 0:28:47.560
<v Speaker 1>capitalizing off his death. If you feel as somebody who

0:28:47.600 --> 0:28:50.880
<v Speaker 1>says something negative, if somebody puts out a verse, they're

0:28:51.000 --> 0:28:55.080
<v Speaker 1>capitalizing off the fact he died. And you start making

0:28:55.160 --> 0:29:01.480
<v Speaker 1>sense to people, and because they're so single minded Lee,

0:29:02.120 --> 0:29:06.720
<v Speaker 1>you know, excessively just enthusiastic about a person and they

0:29:07.000 --> 0:29:10.200
<v Speaker 1>they're single minded. And the point about hip hop is

0:29:10.640 --> 0:29:16.040
<v Speaker 1>it's all about that upside down perspective. So how if

0:29:16.040 --> 0:29:20.440
<v Speaker 1>you're a fanatic of Tupoci Cord right, there's no way

0:29:20.600 --> 0:29:24.080
<v Speaker 1>possible you can understand this song. Like if somebody is

0:29:24.120 --> 0:29:29.520
<v Speaker 1>a fanatic of the police department and police services, fuck

0:29:29.560 --> 0:29:33.200
<v Speaker 1>the police, could never make sense. It don't matter which

0:29:33.240 --> 0:29:36.560
<v Speaker 1>point you point out, Like to me, Tupoc I was

0:29:36.640 --> 0:29:39.600
<v Speaker 1>not Like, the goal was not to take an opposing

0:29:39.680 --> 0:29:43.480
<v Speaker 1>side against Tupocsichord. That's just silly. It's not about that.

0:29:43.520 --> 0:29:46.760
<v Speaker 1>It's to inform you right on the morality of a

0:29:46.840 --> 0:29:50.680
<v Speaker 1>specific urby street culture. It's crimping. I mean, gang banging

0:29:50.720 --> 0:29:53.880
<v Speaker 1>blood do the same exact thing like, and we morally

0:29:54.000 --> 0:29:57.000
<v Speaker 1>all agree that it's the right thing to do, and

0:29:57.000 --> 0:30:00.760
<v Speaker 1>we all respected. So I'm shedding a lot, you know,

0:30:00.880 --> 0:30:02.920
<v Speaker 1>in in a place in hip hop that's never been

0:30:02.920 --> 0:30:08.440
<v Speaker 1>sheared before. Moraley. But if somebody's a single minded, if

0:30:08.440 --> 0:30:11.720
<v Speaker 1>they are a single minded and excessive you know what

0:30:11.800 --> 0:30:15.080
<v Speaker 1>I mean, sending this over a person or a cause,

0:30:16.760 --> 0:30:22.680
<v Speaker 1>I'm more delusional to think they can understand it, you

0:30:22.760 --> 0:30:24.760
<v Speaker 1>know what what I'm saying, like, and it hit me like,

0:30:25.720 --> 0:30:28.120
<v Speaker 1>I am not a fanatic. I'm not a fan of

0:30:28.280 --> 0:30:33.920
<v Speaker 1>any fucking bodies. Yeah, I'm not a fan of anyone.

0:30:38.040 --> 0:30:42.600
<v Speaker 1>I'm single minded about or excessive about any person. The

0:30:42.720 --> 0:30:46.160
<v Speaker 1>closest would be scar Face, and yes, Scarface can do wrong.

0:30:48.680 --> 0:30:50.880
<v Speaker 1>What's weird to me is what Tupac must die. I

0:30:50.920 --> 0:30:53.760
<v Speaker 1>don't think I pointed out anything wrong about him. I

0:30:53.800 --> 0:30:56.360
<v Speaker 1>didn't say, oh, he did this wrong. I'm giving you

0:30:56.400 --> 0:30:59.360
<v Speaker 1>a person's perspective of how they see it. And he

0:30:59.400 --> 0:31:01.920
<v Speaker 1>didn't say did nothing wrong. He like, oh, I'm gonna

0:31:01.960 --> 0:31:04.920
<v Speaker 1>show this nigga, because he showed every other nigga that

0:31:05.000 --> 0:31:08.600
<v Speaker 1>wasn't Tupac just as well, even to his death. The

0:31:08.680 --> 0:31:11.200
<v Speaker 1>nigga got into a crazy shootout with some niggas and

0:31:11.280 --> 0:31:14.880
<v Speaker 1>showed them and died in the process. This is a

0:31:14.960 --> 0:31:18.800
<v Speaker 1>nigga consistently showing, improving that he is not to be

0:31:18.920 --> 0:31:27.040
<v Speaker 1>taking advantage of or disrespecting. I had the craziest conversation

0:31:27.600 --> 0:31:30.480
<v Speaker 1>with Redge about this, right, and this was offline, and

0:31:30.480 --> 0:31:34.320
<v Speaker 1>I was telling Redge, redg genuine Dredgy Reggie right, right?

0:31:34.440 --> 0:31:37.520
<v Speaker 1>Was he ran the company that's death Row. He was security.

0:31:37.760 --> 0:31:39.680
<v Speaker 1>You know, he's a he's a post. He was a

0:31:39.680 --> 0:31:42.040
<v Speaker 1>police early on in his in his in his life

0:31:42.160 --> 0:31:44.440
<v Speaker 1>because his father was like a legend that probably the

0:31:44.440 --> 0:31:47.520
<v Speaker 1>most legendary law man from Compton. He was like a

0:31:47.600 --> 0:31:50.920
<v Speaker 1>law man that everybody in Compton respected like it didn't matter,

0:31:50.960 --> 0:31:53.640
<v Speaker 1>you know. Real like we was talking about the other day,

0:31:53.640 --> 0:31:55.560
<v Speaker 1>real one per center and gang bang culture is the

0:31:55.560 --> 0:31:59.080
<v Speaker 1>same culture. Really, people don't really disrespect the police like

0:31:59.600 --> 0:32:02.680
<v Speaker 1>person like you understand the value for law and you

0:32:02.760 --> 0:32:04.800
<v Speaker 1>run your place through law. It's it's more or less.

0:32:04.800 --> 0:32:07.840
<v Speaker 1>You don't funk with big government, give me fed government.

0:32:08.440 --> 0:32:13.880
<v Speaker 1>So right, um, and Reggie was really convinced that they

0:32:13.960 --> 0:32:17.960
<v Speaker 1>put out you know, and I've heard O g uh

0:32:18.080 --> 0:32:20.800
<v Speaker 1>kiv D said, I don't believe it. I don't give

0:32:20.840 --> 0:32:23.520
<v Speaker 1>a fuck what they say. If you put out a

0:32:23.640 --> 0:32:27.200
<v Speaker 1>seventy five hundred or ten thousand dollar bounty on a

0:32:27.320 --> 0:32:31.880
<v Speaker 1>motherfucking death rod chain, because nigga, not only would everybody

0:32:31.920 --> 0:32:34.680
<v Speaker 1>be fighting from one gang to mob right for they

0:32:34.800 --> 0:32:39.480
<v Speaker 1>change Dad's and corrupt would have been in trouble. Ten

0:32:39.560 --> 0:32:45.600
<v Speaker 1>thousand dollars, ten thousand motherfucking dollars you know what the

0:32:45.640 --> 0:32:48.720
<v Speaker 1>type of ship motherfucker did in nine and watch that's

0:32:49.520 --> 0:32:52.800
<v Speaker 1>down payment on the house. You know how many colors

0:32:52.800 --> 0:32:55.840
<v Speaker 1>is and regals? Ten thousand dollar by man. Niggas would

0:32:55.840 --> 0:32:58.400
<v Speaker 1>have been looking for Dad's and corrupt. So if you

0:32:58.480 --> 0:33:01.680
<v Speaker 1>put a bounty out on a chain, bounties don't go

0:33:01.760 --> 0:33:06.360
<v Speaker 1>to one neighborhood, the niggas is gonna tell other niggas.

0:33:06.840 --> 0:33:10.720
<v Speaker 1>For sure. Babby Lane would have told dre Or Lane

0:33:10.720 --> 0:33:13.560
<v Speaker 1>would have told niggas from Nutty Block or niggas from

0:33:13.640 --> 0:33:17.160
<v Speaker 1>neighborhood comed the neighborhood the niggas that they freaking why

0:33:17.200 --> 0:33:21.400
<v Speaker 1>didn't niggas wasn't looking for change? You know, I'm an

0:33:21.520 --> 0:33:25.120
<v Speaker 1>verify further, but I just do not believe for two

0:33:25.280 --> 0:33:28.440
<v Speaker 1>motherfucker's seconds that it was a ten thousand dollar bounty

0:33:28.680 --> 0:33:32.200
<v Speaker 1>on about fifty chains and didn't no change come up missing.

0:33:34.080 --> 0:33:36.680
<v Speaker 1>This is this is southern California, my nigga. This is

0:33:36.720 --> 0:33:41.480
<v Speaker 1>a crip country. It is literally two already crypt for

0:33:41.600 --> 0:33:47.120
<v Speaker 1>everyone blood and crypts don't like crips. So Dad's and

0:33:47.200 --> 0:33:49.720
<v Speaker 1>corrupt for short Snoop would have been on the chopping

0:33:49.760 --> 0:33:52.880
<v Speaker 1>block for ten thousand dollars, right, now I can pay

0:33:52.960 --> 0:33:57.200
<v Speaker 1>ten thousand dollars and get snooped shot shot. For if

0:33:57.200 --> 0:33:59.360
<v Speaker 1>I give a nigga ten thousand, they will shoot the

0:33:59.400 --> 0:34:02.960
<v Speaker 1>ship out of dog. And it's snoop. Thinking about ten thousand,

0:34:03.840 --> 0:34:07.520
<v Speaker 1>like ten thousand right now with inflation, ten thousand can't

0:34:07.520 --> 0:34:09.120
<v Speaker 1>get you nothing but a couple of you know, tanks

0:34:09.120 --> 0:34:13.160
<v Speaker 1>of gas. Now and get you nothing but a couple

0:34:13.160 --> 0:34:17.120
<v Speaker 1>of in and out meals. Now, yeah, it's still a

0:34:17.239 --> 0:34:24.279
<v Speaker 1>check celebration dinner. Ten thousand and nine six would have

0:34:24.320 --> 0:34:27.920
<v Speaker 1>got you ten colorses and the probably during the right now,

0:34:28.080 --> 0:34:30.400
<v Speaker 1>right ten ten colors is in the regal, nigga, and

0:34:30.440 --> 0:34:34.160
<v Speaker 1>I'll talk about clean colors. Is with your rolls, nice interior?

0:34:34.560 --> 0:34:36.799
<v Speaker 1>You know, I mean twenty seven thousand miles, you've had

0:34:36.880 --> 0:34:41.080
<v Speaker 1>some nice g body colorses and regals. Because so for

0:34:41.280 --> 0:34:44.080
<v Speaker 1>me right now, ten thousand dollars, nigked, that will get

0:34:44.120 --> 0:34:47.000
<v Speaker 1>you just one clean colors. You can't even get a

0:34:47.000 --> 0:34:49.360
<v Speaker 1>grand back. Then you could have got two grand Nationals

0:34:49.360 --> 0:34:52.200
<v Speaker 1>for ten thousand and ninety six. So you mean to

0:34:52.239 --> 0:34:53.880
<v Speaker 1>tell me, dog would have been walking around with a

0:34:54.520 --> 0:34:57.600
<v Speaker 1>Niggas would have been on them, niggas like Boy White

0:34:57.600 --> 0:35:04.160
<v Speaker 1>on rice ten ten was in ten thousand dollars. Niggas

0:35:04.239 --> 0:35:07.120
<v Speaker 1>is crazy man, ten thousand. Now, I don't give a

0:35:07.160 --> 0:35:09.960
<v Speaker 1>funk with all the niggas sin, none of them niggas.

0:35:09.960 --> 0:35:11.839
<v Speaker 1>I love all of them with all my heart soul,

0:35:12.160 --> 0:35:15.160
<v Speaker 1>and I think they'd be right nine of the time.

0:35:15.400 --> 0:35:18.200
<v Speaker 1>But some of this ship is ridiculous. If I put

0:35:18.200 --> 0:35:21.320
<v Speaker 1>a ten thousand dollar bounty right now on any nigga

0:35:21.440 --> 0:35:25.120
<v Speaker 1>change in the city and ten thousand dollars because is

0:35:25.160 --> 0:35:27.520
<v Speaker 1>not what ten thousand dollarge used to be. There's not

0:35:27.640 --> 0:35:30.719
<v Speaker 1>a nigga click change if if it's more than ten change, nick,

0:35:30.760 --> 0:35:33.400
<v Speaker 1>I will have three of the motherfucker's for ten thousand dollars,

0:35:35.239 --> 0:35:37.319
<v Speaker 1>there'd be a run on your bank. How many would

0:35:37.320 --> 0:35:45.040
<v Speaker 1>come back? Ten thousand right now? For one thousand name number,

0:35:45.080 --> 0:35:51.239
<v Speaker 1>four months, rent and watts, that's what. That's four months

0:35:50.560 --> 0:35:54.920
<v Speaker 1>and ten thousand fil me ten thousand in any other

0:35:54.960 --> 0:36:01.919
<v Speaker 1>city is two to three months. So people think I'm

0:36:01.920 --> 0:36:04.200
<v Speaker 1>starting to get that. People think I'm crazy, right, So

0:36:04.280 --> 0:36:07.920
<v Speaker 1>there's there's a there's a tuproblem dis away entity right

0:36:07.920 --> 0:36:16.960
<v Speaker 1>because um because like right, the conversation is with fanatics

0:36:18.360 --> 0:36:24.880
<v Speaker 1>and it's their singlemindedly objective and and to some people, um,

0:36:24.920 --> 0:36:30.200
<v Speaker 1>nothing Tupac did could warrant his death. That Tupac could

0:36:30.200 --> 0:36:32.439
<v Speaker 1>have raped their mother and it didn't warrant their death.

0:36:32.440 --> 0:36:35.640
<v Speaker 1>Tupac could have, you know, molested somebody and that didn't

0:36:35.640 --> 0:36:39.400
<v Speaker 1>warrant his death. To this version of a fanatic, again,

0:36:39.520 --> 0:36:42.759
<v Speaker 1>like if you talk to a Christian, I mean, and

0:36:43.000 --> 0:36:45.239
<v Speaker 1>you explained to them Jesus was a man walking the

0:36:45.280 --> 0:36:47.040
<v Speaker 1>earth and of course he did the wrong. No, Jesus

0:36:47.080 --> 0:36:50.879
<v Speaker 1>didn't do nothing. It's impossible, and it's like, well, why

0:36:50.920 --> 0:36:55.560
<v Speaker 1>couldn't he have I mean, but again, when you're a fanatic,

0:36:57.040 --> 0:36:59.920
<v Speaker 1>you know, when you're single minded, you know, and you

0:36:59.800 --> 0:37:03.880
<v Speaker 1>and I feel with excessive zeal for an entity or

0:37:03.920 --> 0:37:07.840
<v Speaker 1>a person, there's no way possible. And and even with

0:37:07.880 --> 0:37:11.800
<v Speaker 1>Tupac must die, like it's not you shouldn't dislike Tupac.

0:37:11.920 --> 0:37:14.520
<v Speaker 1>If you hear the song like you don't, you don't

0:37:14.560 --> 0:37:18.080
<v Speaker 1>have to dislike Tupac. All I'm expressing to you is

0:37:18.120 --> 0:37:23.680
<v Speaker 1>the morality of gang members. Yeah, I don't get what

0:37:24.200 --> 0:37:30.240
<v Speaker 1>is the problem. It's just these orthodox Tupac fundamentalists, orthodox

0:37:30.320 --> 0:37:34.520
<v Speaker 1>Tuparc fundamentalists. I had an idea I was going to

0:37:34.600 --> 0:37:39.480
<v Speaker 1>do with the outlaws, moprem different niggas. I wanted to

0:37:39.520 --> 0:37:43.680
<v Speaker 1>make something called the Thible, the Thug Bible, right, and

0:37:43.680 --> 0:37:48.320
<v Speaker 1>it's the Two Testament, and it's it's like just like Matthew,

0:37:48.360 --> 0:37:51.240
<v Speaker 1>Mark Luke and John. I would have you know, all

0:37:51.280 --> 0:37:54.880
<v Speaker 1>of the outlaws, all of the surviving members of thug

0:37:54.960 --> 0:38:00.120
<v Speaker 1>life of treats, all right, these these biblical chap there

0:38:00.280 --> 0:38:04.120
<v Speaker 1>these books, you know, like Bible books on their experiences

0:38:04.120 --> 0:38:08.000
<v Speaker 1>with Tupac. And then I would compile it and make it,

0:38:08.440 --> 0:38:10.640
<v Speaker 1>you know, I would. I would create a counsel of

0:38:10.719 --> 0:38:15.560
<v Speaker 1>Compton right, a counsel of Compton right that literally has

0:38:15.680 --> 0:38:19.560
<v Speaker 1>that creates this religion that follows the thug laws of Tupac,

0:38:19.920 --> 0:38:23.400
<v Speaker 1>and you can create a legit religion from it. Because

0:38:24.000 --> 0:38:27.560
<v Speaker 1>Tupac's legend has to be like, you know, bigger than

0:38:27.680 --> 0:38:32.600
<v Speaker 1>Jesus legend was in that time, like like between Tupac,

0:38:32.800 --> 0:38:35.560
<v Speaker 1>between Jesus dying, you know, being hung on the cross,

0:38:35.680 --> 0:38:38.840
<v Speaker 1>all the way to when they created Christianity. His legend

0:38:38.880 --> 0:38:41.960
<v Speaker 1>was spready, but his legend didn't spread as much as

0:38:41.960 --> 0:38:46.960
<v Speaker 1>pox did after he passed away. To two thousand. Tupac's

0:38:47.080 --> 0:38:52.200
<v Speaker 1>legend is worldwide. It is infectious and people love it.

0:38:52.800 --> 0:38:54.719
<v Speaker 1>So all you need to do is give them an

0:38:54.840 --> 0:38:59.359
<v Speaker 1>organized way to practice said religion and to follow. Like

0:38:59.400 --> 0:39:05.120
<v Speaker 1>I was so again today, like um um Kanye should

0:39:05.120 --> 0:39:07.800
<v Speaker 1>have never married that bitch took place in a wedding chapter.

0:39:08.200 --> 0:39:11.359
<v Speaker 1>But they see across He's like, how dare you you know?

0:39:11.680 --> 0:39:16.000
<v Speaker 1>Um take that symbol of Jesus Christ and you defoul

0:39:16.080 --> 0:39:19.799
<v Speaker 1>it with your visuals of using profanity. And I was like, well,

0:39:20.360 --> 0:39:23.080
<v Speaker 1>you m in the church and I want to complain

0:39:23.160 --> 0:39:29.720
<v Speaker 1>to him. God chased people. I mean, Jesus tastes people

0:39:29.760 --> 0:39:33.440
<v Speaker 1>out the church with a broom. People chase him out

0:39:33.480 --> 0:39:35.480
<v Speaker 1>the temple with the broom swinging on him, trying to

0:39:35.560 --> 0:39:40.520
<v Speaker 1>whack them. Feel me, so not to mention Jesus did

0:39:40.600 --> 0:39:45.279
<v Speaker 1>not select the cross as his symbol. That's like me,

0:39:45.360 --> 0:39:48.160
<v Speaker 1>I'm alive. My number is seven. That's my number. So

0:39:48.200 --> 0:39:50.480
<v Speaker 1>if you wanted the number that represent me seven and

0:39:50.520 --> 0:39:53.320
<v Speaker 1>then I passed away and you for some reason talking

0:39:53.320 --> 0:39:56.880
<v Speaker 1>about I got shot three times, so my number is three, bitch,

0:39:57.000 --> 0:40:01.160
<v Speaker 1>my number was seven. That's mamma. If you follow me

0:40:01.440 --> 0:40:03.560
<v Speaker 1>and you really fuck with me, how you let a

0:40:03.600 --> 0:40:06.960
<v Speaker 1>bunch of other motherfucker's tell you what my number was

0:40:07.040 --> 0:40:09.160
<v Speaker 1>that represents Oh, he got shot three times, so his

0:40:09.280 --> 0:40:12.400
<v Speaker 1>numbers three, bitch, No, it's not. And that's how I

0:40:12.440 --> 0:40:14.680
<v Speaker 1>feel about when they talk to me about Jesus with

0:40:14.719 --> 0:40:18.280
<v Speaker 1>the Cross. Bro y'all chose that ship for your selfish

0:40:18.320 --> 0:40:20.560
<v Speaker 1>purposes of like, oh, he died for our sins or

0:40:20.600 --> 0:40:24.640
<v Speaker 1>the Cross. No, bitch, that represents your relationship. What represents

0:40:24.719 --> 0:40:27.760
<v Speaker 1>Jesus is something that Jesus fun with that he picked.

0:40:29.080 --> 0:40:31.759
<v Speaker 1>And I feel like that with Tupac too. I keep

0:40:31.800 --> 0:40:36.600
<v Speaker 1>explaining this to people, right, Tupac loved the streets. He

0:40:36.760 --> 0:40:41.120
<v Speaker 1>embraced them. He embraced everything that came with them. And

0:40:41.200 --> 0:40:43.480
<v Speaker 1>you watch people telling about they Tupac fans and they

0:40:43.600 --> 0:40:45.959
<v Speaker 1>Nip fans and they're trying to down the streets. These

0:40:46.000 --> 0:40:48.879
<v Speaker 1>two niggas love the streets. They would never turn their

0:40:48.920 --> 0:40:51.239
<v Speaker 1>back on the streets. Some people say, oh, it caused

0:40:51.280 --> 0:40:54.200
<v Speaker 1>their death, that's why they die. No, they die because

0:40:54.360 --> 0:40:58.440
<v Speaker 1>you gotta die. You is not gonna live on this

0:40:58.600 --> 0:41:03.120
<v Speaker 1>motherfucker forever. You got to die. How you go out.

0:41:03.520 --> 0:41:06.080
<v Speaker 1>What's more important than the fact you gotta die as

0:41:06.120 --> 0:41:09.640
<v Speaker 1>how you live. And them two gentlemen understood that the

0:41:09.760 --> 0:41:14.040
<v Speaker 1>best they understood that living a certain way was more

0:41:14.080 --> 0:41:17.279
<v Speaker 1>important than just dying, and they chose to live the

0:41:17.320 --> 0:41:22.759
<v Speaker 1>way they wanted to live. So it's weird that, like

0:41:22.800 --> 0:41:25.120
<v Speaker 1>I said, if I say I'm a Tupac, like I

0:41:25.400 --> 0:41:28.040
<v Speaker 1>enjoyed tupacs music, or before I realize I'm not a

0:41:28.080 --> 0:41:31.279
<v Speaker 1>fanatic of anyone, like I would consider myself a fan

0:41:31.320 --> 0:41:34.640
<v Speaker 1>of Tupac. I enjoyed his music thoroughly. And somebody said, well,

0:41:34.680 --> 0:41:36.600
<v Speaker 1>how could you be his fan and make a song

0:41:36.960 --> 0:41:39.640
<v Speaker 1>like Tupacs died? I'm like, that's exactly why you can

0:41:39.680 --> 0:41:46.319
<v Speaker 1>make the song. Yeah, I mean, people are huge. It's

0:41:46.400 --> 0:41:49.520
<v Speaker 1>usually people who have a passion for something, their research,

0:41:49.640 --> 0:41:52.480
<v Speaker 1>something to try to answer an unsolved question or a

0:41:52.560 --> 0:41:56.800
<v Speaker 1>question that's maybe been solved but not necessarily relayed to people,

0:41:57.200 --> 0:42:01.640
<v Speaker 1>you have to be you know, indoctrinated in that person.

0:42:03.040 --> 0:42:08.440
<v Speaker 1>To me, So it's like it's just been a weird experience. Man,

0:42:08.600 --> 0:42:11.880
<v Speaker 1>the whole thing was a weird experience, you know what

0:42:11.920 --> 0:42:14.200
<v Speaker 1>I'm saying. But it was great. It was It was

0:42:15.440 --> 0:42:17.440
<v Speaker 1>so by far as the first time I ever was

0:42:17.640 --> 0:42:19.640
<v Speaker 1>called a cloud. I don't even know what that is.

0:42:19.920 --> 0:42:22.920
<v Speaker 1>That Like I always had cloud, sayce high school. I

0:42:22.960 --> 0:42:25.800
<v Speaker 1>don't even never not remember being one of those niggas.

0:42:26.360 --> 0:42:29.680
<v Speaker 1>That would be like tantamount to saying that at the

0:42:29.760 --> 0:42:32.800
<v Speaker 1>height of his career that the game was a cloud

0:42:32.880 --> 0:42:37.719
<v Speaker 1>chaser because he always was always referring to like legendary

0:42:37.760 --> 0:42:40.080
<v Speaker 1>West Coast Rappers all the time and ship in this vield.

0:42:40.120 --> 0:42:43.040
<v Speaker 1>I think they only called it cloud chasing, right if

0:42:43.719 --> 0:42:47.920
<v Speaker 1>if it's uh, if they feel the conversation is negative,

0:42:48.400 --> 0:42:51.200
<v Speaker 1>if if you in a positive manner like where Chuck,

0:42:51.480 --> 0:42:53.640
<v Speaker 1>which he uses those names, they say, he's a uh

0:42:54.239 --> 0:43:04.000
<v Speaker 1>what's the word called? He always um uh it's it's

0:43:04.000 --> 0:43:07.640
<v Speaker 1>a word for to name something uh maybe like game

0:43:07.719 --> 0:43:11.920
<v Speaker 1>be uh. I forgot Anyway, it didn't matter to me

0:43:11.960 --> 0:43:14.160
<v Speaker 1>because I don't I don't subscribe to none of that

0:43:14.280 --> 0:43:17.880
<v Speaker 1>silly ass ship. I feel like people talk about things

0:43:17.880 --> 0:43:21.640
<v Speaker 1>that people want to tune into. M hm. You know

0:43:21.640 --> 0:43:23.839
<v Speaker 1>what I'm saying. People talk about things that people want

0:43:23.880 --> 0:43:28.200
<v Speaker 1>to tune into. And the thing about you know, Tupac

0:43:28.360 --> 0:43:31.440
<v Speaker 1>Must Die was the title is because that was the

0:43:31.520 --> 0:43:34.080
<v Speaker 1>mind state of the person he jumped. Not only was

0:43:34.120 --> 0:43:35.920
<v Speaker 1>it a film, but I shot it first person, so

0:43:35.960 --> 0:43:38.200
<v Speaker 1>if you watched the video, you watched it from the

0:43:38.239 --> 0:43:42.240
<v Speaker 1>eyes of somebody that got jumped by Tupac and his friends.

0:43:44.239 --> 0:43:47.440
<v Speaker 1>I mean, that's why must die based off of the

0:43:47.480 --> 0:43:55.320
<v Speaker 1>fact that that was that right, it made perfect sense. Um,

0:43:55.440 --> 0:43:58.200
<v Speaker 1>I don't know, man, like I don't. I don't, I don't.

0:43:58.440 --> 0:44:00.840
<v Speaker 1>I don't think this should even be hard for fanatic

0:44:00.880 --> 0:44:04.840
<v Speaker 1>to understand because this doesn't go against anything that Tupacs

0:44:04.840 --> 0:44:07.680
<v Speaker 1>said or stood for. Like it's people who arguing maybe

0:44:07.719 --> 0:44:09.279
<v Speaker 1>like a lot of Tupac wasn't a gang member, and

0:44:09.320 --> 0:44:11.520
<v Speaker 1>I'm like Tupacs that he is from the mob, Like

0:44:11.560 --> 0:44:13.840
<v Speaker 1>he started claiming mob starts at m O B and

0:44:14.160 --> 0:44:17.160
<v Speaker 1>money over bitches and it's par Roux and talking about

0:44:17.560 --> 0:44:21.080
<v Speaker 1>you know, Long Beach Boulevard and Rosecrans and you know,

0:44:21.320 --> 0:44:24.360
<v Speaker 1>I think he was already you know, vested in the

0:44:24.400 --> 0:44:30.440
<v Speaker 1>community at that point. Yes, that's I think pretty reasonable.

0:44:31.560 --> 0:44:33.279
<v Speaker 1>Do you think that like a lot of like I

0:44:33.320 --> 0:44:41.320
<v Speaker 1>could understand somebody from I don't like Irvine or suburban

0:44:41.440 --> 0:44:47.239
<v Speaker 1>Phoenix or wherever the hell being a fan with no perspective,

0:44:47.440 --> 0:44:50.480
<v Speaker 1>do you feel that a lot of the people who

0:44:53.080 --> 0:44:57.040
<v Speaker 1>you know are hyper critical of the project to you

0:44:58.440 --> 0:45:03.160
<v Speaker 1>would fit that um description or that they're like really

0:45:03.239 --> 0:45:06.120
<v Speaker 1>street people who were just for some reason clouded by

0:45:06.239 --> 0:45:10.759
<v Speaker 1>this one exceptional character. For the most part, nobody in

0:45:10.800 --> 0:45:14.319
<v Speaker 1>the streets feels like that. What I realized, most people

0:45:14.360 --> 0:45:17.080
<v Speaker 1>who do feel that way have never seen a video.

0:45:19.440 --> 0:45:22.160
<v Speaker 1>I would I would dare someone to read the lyrics

0:45:22.280 --> 0:45:26.040
<v Speaker 1>and see the visuals and not say like, oh, this

0:45:26.120 --> 0:45:29.800
<v Speaker 1>is genius and it's not a pot this. But again,

0:45:29.880 --> 0:45:33.040
<v Speaker 1>it's a reason why it's only ten million views across

0:45:33.080 --> 0:45:35.400
<v Speaker 1>the net, you know what I mean, Yet there's a

0:45:35.480 --> 0:45:39.960
<v Speaker 1>hundred million to three hundred million opinions. Mm hmm. You

0:45:40.040 --> 0:45:43.319
<v Speaker 1>I mean, it's it's a it's a cold thing. You

0:45:43.320 --> 0:45:48.000
<v Speaker 1>feel me, it's it's it's it's almost unbelievable dog And

0:45:48.000 --> 0:45:51.360
<v Speaker 1>it's in a lot of people for sake of the

0:45:51.400 --> 0:45:57.560
<v Speaker 1>conversation surrounding it couldn't probably either didn't want to couldn't

0:45:57.560 --> 0:46:03.360
<v Speaker 1>bring themselves to watch it, like like voter suppression of

0:46:03.560 --> 0:46:09.200
<v Speaker 1>like viewer suppression. Yeah, because I think somewhere in their

0:46:09.280 --> 0:46:14.560
<v Speaker 1>mind they thought if they watched it, that um that

0:46:14.640 --> 0:46:16.960
<v Speaker 1>they if they if they watched it, that they may

0:46:17.000 --> 0:46:21.280
<v Speaker 1>have a different opinion of somebody there. You know, they're

0:46:21.760 --> 0:46:26.759
<v Speaker 1>singlemindedly and excessively filled with enthusiasm about Yeah, I don't

0:46:26.880 --> 0:46:28.640
<v Speaker 1>get it. And and I'm gonna tell you how I

0:46:28.680 --> 0:46:33.719
<v Speaker 1>know it's true and possible, right Um, during those eight

0:46:33.800 --> 0:46:36.279
<v Speaker 1>years of studying the business and going crazy and like

0:46:36.320 --> 0:46:40.080
<v Speaker 1>you know, I realized, like somebody like Michael Jackson right

0:46:40.360 --> 0:46:42.360
<v Speaker 1>west side, real quick, I got you on the podcast

0:46:42.400 --> 0:46:46.600
<v Speaker 1>I'm talking to Pete. Um, what is it when somebody

0:46:46.760 --> 0:46:49.960
<v Speaker 1>uses names all the time to actually verify their point

0:46:50.080 --> 0:46:52.319
<v Speaker 1>or to make you interested, like it I work with

0:46:52.360 --> 0:46:54.080
<v Speaker 1>this nigga, this nigga? What do we call that name?

0:46:54.120 --> 0:46:57.960
<v Speaker 1>What do we call it? Name dropping? No name something?

0:46:58.000 --> 0:46:59.680
<v Speaker 1>What what was the slang word for what we call

0:46:59.760 --> 0:47:06.040
<v Speaker 1>that name dropping? Name dropping? Need be name dropping? So

0:47:06.080 --> 0:47:09.319
<v Speaker 1>if you say something positive or would people revere as

0:47:09.360 --> 0:47:13.279
<v Speaker 1>positive about other people, they say is name dropping. If

0:47:13.280 --> 0:47:16.239
<v Speaker 1>you say something that people feel is negative, they would

0:47:16.280 --> 0:47:21.399
<v Speaker 1>call it cloud chasing. So either way, whether you funk

0:47:21.440 --> 0:47:26.360
<v Speaker 1>with niggas that's celebrity or popular, you feel me, I

0:47:26.480 --> 0:47:29.160
<v Speaker 1>meet you back, nigga, whether you funk with people that

0:47:29.280 --> 0:47:32.719
<v Speaker 1>celebrity or popular, like, people are going to get mad

0:47:32.719 --> 0:47:36.320
<v Speaker 1>about it. Like, can I put you on a spot

0:47:36.320 --> 0:47:41.600
<v Speaker 1>real quick? Yeah? For sure? In your opinion based off

0:47:41.640 --> 0:47:44.880
<v Speaker 1>of all the people you know and all the people

0:47:44.920 --> 0:47:47.320
<v Speaker 1>you've talked to and known for years that were around

0:47:47.680 --> 0:47:52.560
<v Speaker 1>Park and all and all. But you know a lot

0:47:52.640 --> 0:47:56.759
<v Speaker 1>of people from and we're around death Throw on the

0:47:56.800 --> 0:47:58.960
<v Speaker 1>Scene and all of it. Yeah, content and all of

0:47:58.960 --> 0:48:04.560
<v Speaker 1>that has them. Was there any element of two PACs

0:48:06.080 --> 0:48:11.240
<v Speaker 1>we'll call it relationship with my piru that had anything

0:48:11.280 --> 0:48:17.719
<v Speaker 1>to do with beneficial branding or positive feedback of any

0:48:17.760 --> 0:48:25.920
<v Speaker 1>kind of sort other than just pure organic social proximity. No,

0:48:26.440 --> 0:48:32.600
<v Speaker 1>there's no economic benefit. Gangs are like super duper welcoming.

0:48:33.880 --> 0:48:36.600
<v Speaker 1>You know, there's always a member right that's trying to

0:48:36.600 --> 0:48:39.120
<v Speaker 1>figure out, Man, maybe I can change my life, maybe

0:48:39.160 --> 0:48:41.359
<v Speaker 1>this could put me in a legal light to earn economically.

0:48:41.640 --> 0:48:44.920
<v Speaker 1>So yeah, there's always those guys. But for the most part,

0:48:45.520 --> 0:48:47.560
<v Speaker 1>gangs are just proud that you want to be a

0:48:47.600 --> 0:48:50.719
<v Speaker 1>part of them. I'm not asking from the perspective of

0:48:50.760 --> 0:48:54.560
<v Speaker 1>the gang. I'm asking from the perspective of the of

0:48:54.600 --> 0:48:58.319
<v Speaker 1>the rapper. Like does the rappers affiliation with the name

0:48:58.480 --> 0:49:01.879
<v Speaker 1>brand title of at the time of the West Coast

0:49:01.920 --> 0:49:06.799
<v Speaker 1>Gangster Wraps that like full Throttle. I genuinely think when

0:49:06.840 --> 0:49:10.840
<v Speaker 1>Pot came home, Park had read some really great books.

0:49:11.520 --> 0:49:14.680
<v Speaker 1>Are the Wars one. I think Pot came home with

0:49:14.760 --> 0:49:19.680
<v Speaker 1>a marketing strategy. He put together a marketing strategy sitting

0:49:19.719 --> 0:49:24.480
<v Speaker 1>in jail that was going to be for a proof um.

0:49:25.480 --> 0:49:27.680
<v Speaker 1>Then I think he initially was jails like, yeah, when

0:49:27.680 --> 0:49:29.320
<v Speaker 1>I come home because I'm signing death from I'm a

0:49:29.360 --> 0:49:32.439
<v Speaker 1>bank to mob im we should no. But I think

0:49:32.480 --> 0:49:36.600
<v Speaker 1>what happened was when he came home, he saw how

0:49:36.719 --> 0:49:41.120
<v Speaker 1>dope niggas was, Like, he saw how dope Trey vine

0:49:41.239 --> 0:49:43.880
<v Speaker 1>Lane was. He saw how dope butt real I was.

0:49:44.000 --> 0:49:47.280
<v Speaker 1>He saw how dope Heron was. He saw the love

0:49:47.520 --> 0:49:50.680
<v Speaker 1>of niggas who grew up poor together in the camaraderie

0:49:50.719 --> 0:49:53.920
<v Speaker 1>of it, and it's very infectious, you know what I mean,

0:49:54.160 --> 0:49:56.920
<v Speaker 1>Like like when you see how niggas get down with

0:49:56.960 --> 0:49:58.959
<v Speaker 1>each other. I mean, I got putnished from the mob.

0:49:59.360 --> 0:50:01.919
<v Speaker 1>My boy Mike, he Rue locked up the Boarrestie Peace

0:50:02.000 --> 0:50:05.680
<v Speaker 1>turn Rib. I can go through names of mob niggas,

0:50:05.760 --> 0:50:11.360
<v Speaker 1>droe Rescipe, Peace, different niggas that I genuinely love, feel

0:50:11.400 --> 0:50:14.439
<v Speaker 1>me and you know, you you come up in the sect.

0:50:14.520 --> 0:50:16.799
<v Speaker 1>Yeah it's not culture. It's a little different, but it's

0:50:16.880 --> 0:50:19.600
<v Speaker 1>the same community, and you realize you got so much

0:50:19.600 --> 0:50:22.640
<v Speaker 1>in common with niggas. And I think when Pop came home,

0:50:22.680 --> 0:50:25.480
<v Speaker 1>Don't get me wrong, I think definitely when he signed

0:50:25.480 --> 0:50:28.839
<v Speaker 1>with Death Row, he realized, like, yeah, this nigga kinda

0:50:29.120 --> 0:50:31.480
<v Speaker 1>I'm not feeling how these niggas is on top. And

0:50:31.520 --> 0:50:33.960
<v Speaker 1>they did kind of, you know, get my style of

0:50:34.000 --> 0:50:36.680
<v Speaker 1>talking to the girls and ships. So feel me. And

0:50:36.920 --> 0:50:39.399
<v Speaker 1>I got shot in the town and I could kind

0:50:39.400 --> 0:50:40.719
<v Speaker 1>of take it where I want to take it. Like

0:50:40.760 --> 0:50:43.239
<v Speaker 1>he had a plan for sure, But I don't think

0:50:43.280 --> 0:50:47.279
<v Speaker 1>his plan involved let me become a mob piru. I

0:50:47.320 --> 0:50:52.160
<v Speaker 1>think that happened organically. I thought they saw him and

0:50:52.200 --> 0:50:54.520
<v Speaker 1>they liked him. This nigga, you know, it's a young,

0:50:54.560 --> 0:50:56.719
<v Speaker 1>wild nigga, This nigga twenty four, you know what I mean,

0:50:56.719 --> 0:50:59.840
<v Speaker 1>he's a superstar to some degrees. He's a star. You

0:51:00.040 --> 0:51:02.880
<v Speaker 1>mean he's in films. You I mean, he's like a nigga.

0:51:03.000 --> 0:51:05.799
<v Speaker 1>You know, Pocket is a nigga, you know what I mean?

0:51:05.920 --> 0:51:09.279
<v Speaker 1>Like feel me. He was vocal open, he had survived jail,

0:51:09.320 --> 0:51:11.080
<v Speaker 1>he had been shot. There's a lot of things to

0:51:11.160 --> 0:51:14.560
<v Speaker 1>respect about his experience. When you come from our backgrounds,

0:51:14.880 --> 0:51:16.880
<v Speaker 1>you're like, ship man, this nigga. Nigga just got out

0:51:16.920 --> 0:51:19.040
<v Speaker 1>of prison. Then they got a parole number. You feel me.

0:51:19.360 --> 0:51:21.560
<v Speaker 1>They fucking with him, you know, he you know, he

0:51:21.640 --> 0:51:23.759
<v Speaker 1>carried from the side slum, so you love it and

0:51:23.800 --> 0:51:26.359
<v Speaker 1>he vocal this Nigga is brightened loud on niggas year

0:51:26.360 --> 0:51:28.799
<v Speaker 1>and nigga popping and ship. So I could see how

0:51:28.840 --> 0:51:32.440
<v Speaker 1>they could be indoctrinated into, you know, fucking with him

0:51:32.440 --> 0:51:35.919
<v Speaker 1>and supporting him. He's a fucking awesome He's an awesome light.

0:51:36.000 --> 0:51:39.520
<v Speaker 1>You know I'm saying going on and and from his eyes,

0:51:39.920 --> 0:51:43.680
<v Speaker 1>you know you're talking about niggas that's down as a motherfucker. Yeah.

0:51:43.680 --> 0:51:46.319
<v Speaker 1>I mean, the motherfucking niggas was. Damn they was with

0:51:46.480 --> 0:51:48.440
<v Speaker 1>it and they was gonna. You know, there wasn't like

0:51:48.520 --> 0:51:51.560
<v Speaker 1>no other niggas pop was around. No disrespect to nobody

0:51:51.600 --> 0:51:53.960
<v Speaker 1>from from the bay, you know, from up top, no

0:51:54.080 --> 0:51:56.600
<v Speaker 1>disrespect to none of the homies from thug life and

0:51:56.800 --> 0:52:00.480
<v Speaker 1>none of that. But them niggas was some ship and

0:52:00.560 --> 0:52:03.560
<v Speaker 1>them niggas was. They would press a hard line. And

0:52:03.640 --> 0:52:06.239
<v Speaker 1>I think he saw that in that camaraderie, that love

0:52:06.320 --> 0:52:08.160
<v Speaker 1>they had for each other, and that style and that

0:52:08.280 --> 0:52:11.040
<v Speaker 1>culture and that fashion and that get down and he

0:52:11.160 --> 0:52:13.719
<v Speaker 1>fell in love with it too. It's hard not to

0:52:14.440 --> 0:52:18.120
<v Speaker 1>you see rappers today falling in love with it right now, singers,

0:52:18.600 --> 0:52:21.120
<v Speaker 1>you know what I mean. It's it's a very infectious thing.

0:52:21.760 --> 0:52:25.359
<v Speaker 1>So I genuinely think, Na, he wasn't really if that

0:52:25.440 --> 0:52:30.520
<v Speaker 1>wasn't part of the plan. And I'll be honest. I mean,

0:52:30.520 --> 0:52:32.759
<v Speaker 1>I'll say something honest on this podcast, and its something

0:52:32.800 --> 0:52:36.440
<v Speaker 1>I don't share often, but I definitely think, well, I

0:52:36.480 --> 0:52:38.760
<v Speaker 1>think it was obvious the beef for bad Boy wasn't

0:52:38.800 --> 0:52:43.000
<v Speaker 1>real from his perspective. It was just competitive. I mean,

0:52:43.000 --> 0:52:45.600
<v Speaker 1>he wanted to compete for that spot. You know, Snoop

0:52:45.680 --> 0:52:48.360
<v Speaker 1>had one spot. It wasn't take. It wasn't no taking

0:52:48.360 --> 0:52:52.000
<v Speaker 1>Snoop spot. Stoop was the nigga I mean, but Biggie

0:52:52.040 --> 0:52:54.440
<v Speaker 1>spot happened was a big deal. And this was his

0:52:54.520 --> 0:52:56.520
<v Speaker 1>little homie, you know what I'm saying. This was his

0:52:56.560 --> 0:52:58.480
<v Speaker 1>little nigga that he put on and put him on

0:52:58.560 --> 0:53:01.319
<v Speaker 1>stages and funk with him and you know, showting love

0:53:01.400 --> 0:53:03.359
<v Speaker 1>and now this nigga come home and you and jail.

0:53:03.400 --> 0:53:08.240
<v Speaker 1>This nigga is the man. Big is the fucking man.

0:53:09.160 --> 0:53:11.439
<v Speaker 1>And you know, you see some little things being said,

0:53:11.520 --> 0:53:13.520
<v Speaker 1>you see some things that you feel was played around

0:53:13.560 --> 0:53:17.279
<v Speaker 1>so you could create enough of an attitude to compete. Now,

0:53:17.320 --> 0:53:20.200
<v Speaker 1>how do you formulate the public to support you competing.

0:53:20.480 --> 0:53:23.040
<v Speaker 1>You can't just say, well him niggas ain't better than me, right,

0:53:23.080 --> 0:53:26.000
<v Speaker 1>It's like no, So a lot of times he allowed

0:53:26.680 --> 0:53:30.080
<v Speaker 1>the public to be misled with belief that you know,

0:53:30.160 --> 0:53:32.080
<v Speaker 1>people really feel like Biggie has something to do with

0:53:32.160 --> 0:53:34.400
<v Speaker 1>him getting shot, or Biggie set him up, or Biggie

0:53:34.440 --> 0:53:38.719
<v Speaker 1>called niggas and Pop always said that's not true. But

0:53:38.800 --> 0:53:42.080
<v Speaker 1>he did give you little small tid bigs to where

0:53:42.120 --> 0:53:44.760
<v Speaker 1>you think that could be possibly true, so that rallies

0:53:44.760 --> 0:53:48.279
<v Speaker 1>you around, like POC understood war differently, and he came

0:53:48.320 --> 0:53:51.760
<v Speaker 1>home with a plan and executed. So No, I don't

0:53:51.800 --> 0:53:55.799
<v Speaker 1>think genuinely bro that that that was. Um, I don't

0:53:55.800 --> 0:53:57.440
<v Speaker 1>think that's what he was on. I don't think he

0:53:57.480 --> 0:53:59.879
<v Speaker 1>came home like y'all gonna be from MAB. I think

0:54:00.160 --> 0:54:03.320
<v Speaker 1>saw like I said, them names them names them niggas,

0:54:03.680 --> 0:54:06.400
<v Speaker 1>you know, shuk man. It really was like, man, I

0:54:06.520 --> 0:54:09.120
<v Speaker 1>funk with this, I funk with these niggas, and they're

0:54:09.160 --> 0:54:11.879
<v Speaker 1>down for me, you know what I'm saying. And they

0:54:11.920 --> 0:54:15.000
<v Speaker 1>saw him and saw a little a light, a flashlight

0:54:15.080 --> 0:54:17.040
<v Speaker 1>like a light like a lighte from God like a

0:54:17.160 --> 0:54:19.319
<v Speaker 1>being you feel me, and they just like you know,

0:54:19.360 --> 0:54:22.319
<v Speaker 1>they was attracted to each other the whole movement, and

0:54:22.360 --> 0:54:24.960
<v Speaker 1>they got down and it ended up producing you know,

0:54:25.080 --> 0:54:27.680
<v Speaker 1>possibly you know, one of the greatest hip hop albums

0:54:27.760 --> 0:54:31.080
<v Speaker 1>or greatest albums ever to come out in music. So

0:54:33.320 --> 0:54:36.799
<v Speaker 1>it's it's it's tough. It's tough, man, because while I

0:54:36.840 --> 0:54:41.520
<v Speaker 1>do get how a fanatic can feel about something, right,

0:54:41.560 --> 0:54:43.680
<v Speaker 1>but if you took the time to look at it

0:54:43.760 --> 0:54:47.640
<v Speaker 1>and watch it, you feel me. It's not against POC.

0:54:48.800 --> 0:54:52.160
<v Speaker 1>The idea is informative, is to help you understand. But

0:54:52.280 --> 0:54:54.640
<v Speaker 1>again the point I was making when I lost my

0:54:54.680 --> 0:54:56.560
<v Speaker 1>train of thought earlier, and then we jump off because

0:54:56.560 --> 0:54:59.520
<v Speaker 1>I don't want to drag this out. But when I

0:54:59.560 --> 0:55:02.200
<v Speaker 1>was along my studies from two thousand eleven to two

0:55:02.200 --> 0:55:04.879
<v Speaker 1>thousand nineteen, I'm still studying there, but this is when

0:55:04.920 --> 0:55:07.320
<v Speaker 1>I was at the grass Root and you know, getting

0:55:07.320 --> 0:55:11.280
<v Speaker 1>my uh my bachelor's and record making, you know, getting

0:55:11.280 --> 0:55:16.120
<v Speaker 1>my masters and hip hop, you know, getting my doctorates

0:55:16.120 --> 0:55:20.319
<v Speaker 1>and marketing. Right as as I'm on that journey for

0:55:20.320 --> 0:55:23.520
<v Speaker 1>those from two thousand eleven and nineteen, I learned about

0:55:23.600 --> 0:55:27.719
<v Speaker 1>Michael Jackson. I learned Michael jackson dance move came from

0:55:27.840 --> 0:55:30.759
<v Speaker 1>a gentleman named by False and a couple of mixed components.

0:55:30.760 --> 0:55:32.520
<v Speaker 1>But a lot of the way he's moved that we've

0:55:32.840 --> 0:55:35.600
<v Speaker 1>made him popular for or made him original, came from

0:55:35.600 --> 0:55:40.479
<v Speaker 1>by false. Um. I figured out that, you know, Billy Jean,

0:55:41.960 --> 0:55:44.680
<v Speaker 1>you know, Billy Jean is just hauling notes. I can't

0:55:44.680 --> 0:55:47.760
<v Speaker 1>go for that. I realized that thriller is Rick James.

0:55:47.760 --> 0:55:50.080
<v Speaker 1>I realized he kind of, you know, took a lot

0:55:50.080 --> 0:55:53.759
<v Speaker 1>of the field from Ray Parker Badest Ghostbusters. I realized

0:55:54.000 --> 0:55:57.279
<v Speaker 1>Don't start to You Get Enough is a poorly executed

0:55:57.400 --> 0:56:02.080
<v Speaker 1>version of of Um Marvin Gays got to Give it Up.

0:56:02.120 --> 0:56:04.960
<v Speaker 1>He wrote the song in his kitchen with the radio playing.

0:56:05.360 --> 0:56:07.600
<v Speaker 1>The number one song in the country was Marvin Gaye

0:56:07.640 --> 0:56:09.400
<v Speaker 1>Got to Give it Up. So if you listen to

0:56:09.480 --> 0:56:11.560
<v Speaker 1>Michael Jackson, don't stop till You Get Enough. It's the

0:56:11.600 --> 0:56:15.120
<v Speaker 1>reason he sings in falsetto poorly. It sounds horrible, like

0:56:15.200 --> 0:56:17.799
<v Speaker 1>it's not the word, but it's not Royn Banks from

0:56:17.800 --> 0:56:20.560
<v Speaker 1>the Dramatics. You know, that's not his style. But he

0:56:20.640 --> 0:56:24.360
<v Speaker 1>was so possessed by what Marvin Gaye and Rick James

0:56:24.440 --> 0:56:26.399
<v Speaker 1>and Prince, you know what I mean, and all that stuff,

0:56:26.440 --> 0:56:29.439
<v Speaker 1>and Quincy Jones was such a machine that you could

0:56:29.480 --> 0:56:31.520
<v Speaker 1>tell him and he could make it be that without

0:56:31.560 --> 0:56:35.279
<v Speaker 1>being that. You know. Somebody asked me who did I

0:56:35.320 --> 0:56:37.960
<v Speaker 1>think Quincy Jones was right, and they said that I

0:56:38.040 --> 0:56:41.440
<v Speaker 1>think it was Dr Dre And I was like, I

0:56:41.520 --> 0:56:46.040
<v Speaker 1>told DJ Quick this. I said, if Quick is Prince

0:56:47.360 --> 0:56:51.600
<v Speaker 1>and Rick James mixed together, his influence on Dr Dre

0:56:51.800 --> 0:56:54.160
<v Speaker 1>makes him Quincy Jones. But I don't think Dr Jars

0:56:54.200 --> 0:57:00.439
<v Speaker 1>Quincy Jones. You know who's Quincy Jones? For real? That

0:57:00.560 --> 0:57:03.400
<v Speaker 1>nigga is some ship. He will make some ship across

0:57:03.440 --> 0:57:05.799
<v Speaker 1>all landscapes, and he will make some ship that feel

0:57:05.840 --> 0:57:08.319
<v Speaker 1>like some ship that ain't that ship. And that's the

0:57:08.360 --> 0:57:14.640
<v Speaker 1>same thing. So while I'm thinking right the fact that

0:57:15.440 --> 0:57:17.920
<v Speaker 1>you know, the greatest the legends in the history of

0:57:17.920 --> 0:57:20.120
<v Speaker 1>the game, what I tried to do with most niggas

0:57:20.160 --> 0:57:22.520
<v Speaker 1>around me, and what I try to do musically, even

0:57:22.560 --> 0:57:25.680
<v Speaker 1>with Tupac must Die. I tried to explain to you

0:57:25.760 --> 0:57:28.720
<v Speaker 1>the stars are not that they're not that far out there,

0:57:29.200 --> 0:57:32.160
<v Speaker 1>like these are not just super gifted people or super

0:57:32.200 --> 0:57:35.480
<v Speaker 1>talented people. Most of these people that are successful at

0:57:35.520 --> 0:57:39.560
<v Speaker 1>that level, like a poc was well studied. These nigga

0:57:39.640 --> 0:57:43.720
<v Speaker 1>study history. These are animals and monsters. Dr Dre knows

0:57:43.800 --> 0:57:46.840
<v Speaker 1>more records than anybody in the world. I just nigga

0:57:46.920 --> 0:57:48.480
<v Speaker 1>know all the records. He don't know how to play

0:57:48.520 --> 0:57:50.680
<v Speaker 1>the piano as much as he knows all these records.

0:57:51.040 --> 0:57:53.160
<v Speaker 1>Scott Stories don't know all these records as much as

0:57:53.200 --> 0:57:56.000
<v Speaker 1>you know how to play the piano. So again, the

0:57:56.160 --> 0:57:57.960
<v Speaker 1>great like, So I'm telling this to my boy, and

0:57:58.000 --> 0:58:00.640
<v Speaker 1>I'm showing him. You know, a movie of by Falls

0:58:00.720 --> 0:58:02.760
<v Speaker 1>and they called The Little Prince, and it's a scene

0:58:02.800 --> 0:58:05.240
<v Speaker 1>called the Snake. I'm saying where he's teaching this little

0:58:05.280 --> 0:58:07.000
<v Speaker 1>boy where the snake is, and he turns into a

0:58:07.120 --> 0:58:09.880
<v Speaker 1>human snake and he's explaining to this boy and that's

0:58:09.880 --> 0:58:12.200
<v Speaker 1>where those moves Michael Jackson used from to the point

0:58:12.200 --> 0:58:15.120
<v Speaker 1>where it's a moonwalk and everything you mean. And I

0:58:15.160 --> 0:58:17.600
<v Speaker 1>showed him how. I start breaking down all of Michael

0:58:17.680 --> 0:58:20.000
<v Speaker 1>Jackson's biggest records in the music and I'm like, yeah,

0:58:20.000 --> 0:58:22.680
<v Speaker 1>I got it from here. And instead of the person

0:58:22.760 --> 0:58:25.400
<v Speaker 1>I was teaching, instead of you're feeling like, oh I

0:58:25.400 --> 0:58:27.240
<v Speaker 1>can because he's an artist, he's like, oh, instead of

0:58:27.280 --> 0:58:30.360
<v Speaker 1>them saying I can be great, Like greatness is not

0:58:30.480 --> 0:58:32.320
<v Speaker 1>that far away if I just put in my work

0:58:32.320 --> 0:58:34.840
<v Speaker 1>and I study. You know what I'm saying, I can

0:58:35.120 --> 0:58:39.400
<v Speaker 1>be that. It's like, oh, he's not that, that's the nigga.

0:58:39.440 --> 0:58:41.160
<v Speaker 1>That was the nigga response. Oh I thought he was that.

0:58:41.160 --> 0:58:44.720
<v Speaker 1>That nigga is not that. No, he's that nigga. I'm saying,

0:58:44.760 --> 0:58:47.920
<v Speaker 1>you could be that. That's not a role that hasn't

0:58:47.920 --> 0:58:52.720
<v Speaker 1>been traveled. That's a well documented road consistently. And I'm

0:58:52.760 --> 0:58:57.120
<v Speaker 1>realizing how people are such fanatics that if you expressing them,

0:58:57.280 --> 0:59:01.720
<v Speaker 1>how somebody built themselves into something that's still their joy.

0:59:01.960 --> 0:59:04.840
<v Speaker 1>Like magic tricks are still magic tricks even if you

0:59:04.920 --> 0:59:10.600
<v Speaker 1>know what's behind the curtain, but not to everybody else.

0:59:10.840 --> 0:59:14.240
<v Speaker 1>They can't enjoy the magic trick if they know what's

0:59:14.240 --> 0:59:18.280
<v Speaker 1>behind the curtains. That's the problem. And to me, that's

0:59:18.320 --> 0:59:21.840
<v Speaker 1>what Tupac mus Die was. It was showing people what's

0:59:21.880 --> 0:59:27.280
<v Speaker 1>behind the curtains. Damn. That's a perfect illustration of like

0:59:28.120 --> 0:59:31.360
<v Speaker 1>such a huge human behavior and societal issue. It's like

0:59:31.480 --> 0:59:38.200
<v Speaker 1>people want like if somebody is regular and they I

0:59:38.240 --> 0:59:40.360
<v Speaker 1>want to know why they aren't great, It's it's because

0:59:40.440 --> 0:59:44.520
<v Speaker 1>to be great, you have to be endowed from God

0:59:44.600 --> 0:59:47.840
<v Speaker 1>with something. Otherwise, if anybody could do it, I didn't

0:59:47.840 --> 0:59:54.240
<v Speaker 1>do it, and I have to reconcile. Good looking out

0:59:54.280 --> 0:59:57.120
<v Speaker 1>for tuning into the No Sillers Podcast. Please do us

0:59:57.120 --> 1:00:00.960
<v Speaker 1>a favorite, subscribe, rate, comments, share. This episode was recorded

1:00:01.080 --> 1:00:03.200
<v Speaker 1>right here on the West coast of the USA and

1:00:03.320 --> 1:00:06.240
<v Speaker 1>produced by my homeboy A King for the Black Effect

1:00:06.320 --> 1:00:15.360
<v Speaker 1>Podcast Network and I Heart Radio. Yeah.