WEBVTT - TGI – Episode 617 “Resurrection”

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<v Speaker 1>I recently went to my mom's house for a visit,

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<v Speaker 1>and a few years ago, and by a few years ago,

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<v Speaker 1>I mean probably a decade or more, A few times

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<v Speaker 1>a few I my mom gave me all of my

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<v Speaker 1>boy Meets World stuff that she still held on too,

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<v Speaker 1>like all the teen magazines, all of my photo albums

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<v Speaker 1>with you know, TGI Friday dates and you know me

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<v Speaker 1>and Andrew Keegan, me and every guest star cute boy that

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<v Speaker 1>came around who I went to Islands with, Like I,

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<v Speaker 1>she gave me all of that stuff, and so a

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<v Speaker 1>lot of it's very cool, Like I have an original

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<v Speaker 1>copy of my calendar that I did in nineteen ninety six,

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<v Speaker 1>and I have my posters, and like I mentioned, all

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<v Speaker 1>the teen magazines where my mom put little post it

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<v Speaker 1>note tabs in them with all my friends that were

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<v Speaker 1>in there. So the writer will Jonathan Andrew, you know,

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<v Speaker 1>really cute. And so I don't think often when I

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<v Speaker 1>go to my mom's house that there's gonna be stuff

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<v Speaker 1>from my childhood that she still wants to give me.

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<v Speaker 1>But this time I walk in, we're sitting there talking,

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<v Speaker 1>she goes, oh, by the way, I found something I

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<v Speaker 1>thought you might want to have and I go what

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<v Speaker 1>is it? And she comes out with this.

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<v Speaker 2>Is that the hair you cut off?

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<v Speaker 3>What?

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<v Speaker 1>It's my hair from the initial chop I did on

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<v Speaker 1>the hair cutting episode. It's the Actually, it's the one

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<v Speaker 1>from where I grabbed it and did that ane shall chop.

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<v Speaker 1>It's that handful. And from this pile is what we

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<v Speaker 1>then gave away to people in the audience.

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<v Speaker 2>Oh my god, im that.

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<v Speaker 3>Yeah, I remember you giving some out to the audience,

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<v Speaker 3>but I thought you gave it all the way.

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<v Speaker 2>I can't believe you have.

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<v Speaker 1>An I have the chunk. I have the biggest chunk.

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<v Speaker 4>What are you going to do with it?

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<v Speaker 1>I have absolutely no idea. I'll tell you that. What

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<v Speaker 1>I did was I put that baggie in this baggie

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<v Speaker 1>that says hair from Boy Meets World haircut because I

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<v Speaker 1>suggestions stumble around.

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<v Speaker 2>Interesting take. I was gonna say, charity auction, charity auction,

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<v Speaker 2>auction it off for charity. You know how many people would.

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<v Speaker 1>Do Those whoever buys that, what do they do with it?

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<v Speaker 2>Do your care?

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<v Speaker 3>As long as charity gets gets with all the money

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<v Speaker 3>people the hair. If you think with the amount of

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<v Speaker 3>fans we've seen, do you not think Topanga first Chop

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<v Speaker 3>haircut from arguably one of the most famous episodes we've

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<v Speaker 3>ever had, would sell on the internet. That would be

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<v Speaker 3>one of the things where we would look at each

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<v Speaker 3>other going like, not because you can't believe it's up

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<v Speaker 3>fourteenth it's fourteen thousand dollars.

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<v Speaker 2>How is it at fourteen thousand dollars.

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<v Speaker 1>Yeah, it wouldn't be because people want hair its because

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<v Speaker 1>people would be like having the piece of history, and

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<v Speaker 1>you would love to give the money to charity.

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<v Speaker 2>It's TV history.

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<v Speaker 3>When when Alan all his boots and and dog tags

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<v Speaker 3>from mash came up for charity auction, I was like,

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<v Speaker 3>maybe I'll have a shot.

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<v Speaker 2>They went for one hundred and fifty thousand dollars.

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<v Speaker 1>Or why didn't you have a shot?

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<v Speaker 5>Will?

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<v Speaker 1>Why didn't you?

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<v Speaker 2>You did because I love eating every day just say.

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<v Speaker 1>Charity So like having a roof over your head.

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<v Speaker 2>Yes, TV stuff, I mean the nostalgia stuff, it's huge.

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<v Speaker 1>Yeah, yeah, no, I'll give you.

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<v Speaker 4>I'm keep it.

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<v Speaker 1>It's gonna say sit in the bag in my garage.

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<v Speaker 4>Your kids are going to open it and be like

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<v Speaker 4>until I die.

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<v Speaker 1>And my kids are like, why did she leave us

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<v Speaker 1>all this stuff to throw away and they gage, yeah.

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<v Speaker 2>And then your kids would make a foodo.

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<v Speaker 1>Doll listen as long as they summons me after I'm

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<v Speaker 1>gone with the hair.

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<v Speaker 2>By the way, that's not the right way to make

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<v Speaker 2>a voodaell. You're totally off.

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<v Speaker 1>How do you make a voded do?

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<v Speaker 2>I can' I don't want to tell. I don't want

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<v Speaker 2>to put out there on the internet. I don't want

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<v Speaker 2>people to know.

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<v Speaker 1>Dark web, dark web.

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<v Speaker 2>I thought that was a real thing.

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<v Speaker 3>By the way, what like like the dark web, like

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<v Speaker 3>you had to like there was an address like www

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<v Speaker 3>dot dark web dot com. Like I don't know anything.

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<v Speaker 3>It doesn't dark web. Isn't that just kind of a

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<v Speaker 3>catch all for just bad things?

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<v Speaker 2>Dark web?

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<v Speaker 1>No, it's an actual place.

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<v Speaker 2>God, I don't even know the light web.

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<v Speaker 1>Speaking of the dark web, a wrestler from the WWE,

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<v Speaker 1>a guy named Shiloh Hill. I don't know why he

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<v Speaker 1>was on the dark Web. I don't I truthfully do

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<v Speaker 1>not know how one gets to the dark web. But

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<v Speaker 1>it is another part of the web where it's harder

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<v Speaker 1>or near impossible to trace things. So it's a place

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<v Speaker 1>where nefarious.

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<v Speaker 2>Sales and it's not your an alley on the web

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<v Speaker 2>exactly Harry Potter, Okay, yes.

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<v Speaker 1>And so this guy found a website that was selling shoes,

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<v Speaker 1>and the weird thing about the shoes is that they

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<v Speaker 1>were all stained with like a very dark substance. And

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<v Speaker 1>then the shoes were all named something like a person's name,

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<v Speaker 1>and sometimes they had the name and an age, so

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<v Speaker 1>like Matt twenty eight, and then it would just be

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<v Speaker 1>shoes covered in some disgusting substance. So this wrestler decided

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<v Speaker 1>to purchase a pair of Cowboy boots because they were

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<v Speaker 1>the only pair of shoes that were in his size.

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<v Speaker 1>He's a size thirteen. He bought a pair of Cowboy

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<v Speaker 1>boots from the dark Web and was like, honestly, the

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<v Speaker 1>odds that these are actually gonna arrive are slimmed to none.

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<v Speaker 1>I probably just got scammed out of money and I just,

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<v Speaker 1>you know, gave money to somebody. But the boots did arrive.

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<v Speaker 1>And then he got a black light and the spray

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<v Speaker 1>you can use, and it tested positive for blood, and

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<v Speaker 1>so the boots were covered in blood and all it

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<v Speaker 1>has is somebody's name attached to it. So he was

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<v Speaker 1>doing like Instagram's lives and stories kind of like following

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<v Speaker 1>up and like, I don't know, I don't know. I yeah,

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<v Speaker 1>I oh. When it came, I forgot massive part of

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<v Speaker 1>the story. It came with a tape. The Boots arrived

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<v Speaker 1>with a VHS tape.

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<v Speaker 4>This sounds like some cool like escape room game or something.

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<v Speaker 4>I like, I mean, it's just too good to actually

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<v Speaker 4>be true. It was on what well did he watch

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<v Speaker 4>the tape?

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<v Speaker 1>I mean something, the full Web, the full Dark Web

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<v Speaker 1>VHS is up, And then he said, if you are

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<v Speaker 1>someone who gets creeped out, do not watch here.

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<v Speaker 2>Well, I get creeped out today.

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<v Speaker 5>If you are easily freaked out, don't watch it. There's

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<v Speaker 5>a lot of weird stuff in there. Basically, it's just

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<v Speaker 5>a bunch of messages and old movie clips pasted together,

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<v Speaker 5>and then there are a bunch of slots called submissions,

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<v Speaker 5>where just as like a name and submission, some of

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<v Speaker 5>those submission spots have videos inside of them where the

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<v Speaker 5>Boots are shown, and if those are real, they're pretty

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<v Speaker 5>messed up. I now know why they asked for my name,

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<v Speaker 5>because there's a slot with my name created in there,

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<v Speaker 5>but there's no video in mind right here really bothered me.

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<v Speaker 4>You are.

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<v Speaker 5>Herman. I posted that to my subs only and someone

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<v Speaker 5>said to rewind it, so I did that and it

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<v Speaker 5>says this.

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<v Speaker 2>The devil that.

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<v Speaker 1>Things all around that room all.

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<v Speaker 4>Night will take.

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<v Speaker 2>So yeah, it's just weird.

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<v Speaker 5>I need to figure out if the clips of the

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<v Speaker 5>shoe stuff is like real or fake, because if it's real,

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<v Speaker 5>it's bad. People have realized some creepy stuff with the

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<v Speaker 5>names of the submissions that got rejected are also the

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<v Speaker 5>names that are on the site. That once more people

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<v Speaker 5>watch it and kind of come up with more information,

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<v Speaker 5>I'll post a full analysis. Until then, I probably watched

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<v Speaker 5>this whole thing like nine or ten times. It's getting

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<v Speaker 5>to the point now where when I hear people not

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<v Speaker 5>talking and rewind it sounds weird. So I honestly need

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<v Speaker 5>to take a break for a little bit. Also, I

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<v Speaker 5>think it's unrelated. I got a skin infection on my leg,

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<v Speaker 5>which I honestly don't think is from the boots, but

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<v Speaker 5>I'm now on antibiotics.

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<v Speaker 1>You don't think it's from the boots, you're actually.

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<v Speaker 4>Wearing the boots, Like, why would you ever want to

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<v Speaker 4>put those on?

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<v Speaker 2>I don't know.

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<v Speaker 1>But when he said when he said there's then videos

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<v Speaker 1>of the boots being that it's some.

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<v Speaker 2>You guys just got ringed. You just got ringed on

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<v Speaker 2>the dark Web.

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<v Speaker 4>What amazons for you? He he pull find size thirteen

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<v Speaker 4>in the world.

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<v Speaker 1>Oh sure, sure, but he wouldn't have this kind of storytelling.

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<v Speaker 4>But yeah, the story is great. I love it.

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<v Speaker 1>They did take crypto. I didn't see that.

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<v Speaker 2>I don't want you by with crypto. No, no, you

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<v Speaker 2>just got ringed. The next video that comes out you

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<v Speaker 2>you can have a slot. No, thank you.

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<v Speaker 1>If you guys want to follow along. His instagram is

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<v Speaker 1>Shiloh Underscore WWE. So I have been deeply invested anyway.

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<v Speaker 1>Welcome to not the Dark Web. This is podmeets World.

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<v Speaker 1>I'm Daniel Fishl.

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<v Speaker 2>I'm right or strong, and I'm still so creeped out

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<v Speaker 2>for dell you.

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<v Speaker 1>So welcome to today's episode recap. We are recapping season six,

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<v Speaker 1>episode seventeen, Resurrection. It originally aired February nineteenth, nineteen ninety nine.

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<v Speaker 1>The synopsis Corey struggles with his newborn brother's critical health condition,

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<v Speaker 1>leading to tensions with Tapanga, who tries to support him

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<v Speaker 1>as they await news of the baby's recovery. Also, Eric

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<v Speaker 1>moves out of his apartment. It was directed by Jody

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<v Speaker 1>Binstock her first episode. Hey, did she do more than one?

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<v Speaker 4>I don't think so. Okay, but she was around for

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<v Speaker 4>like since season five, I guess because she was following

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<v Speaker 4>Jeff mccraften around and learning, and then she shot our

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<v Speaker 4>opening credits.

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<v Speaker 3>I was going to say, we talked about how she

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<v Speaker 3>shot like all the cool stylized opening credits parts.

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<v Speaker 2>Did she do the second version or just the first one?

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<v Speaker 4>I don't remember. I know she was there for the

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<v Speaker 4>first one and she had like an eight millimeter or

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<v Speaker 4>sixteen milimeter camera. Yeah, but yeah, I don't remember she

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<v Speaker 4>was there for the second one.

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<v Speaker 1>It was written by Erica Montalfo. Burrah her first episode

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<v Speaker 1>as well. No, yay, Yeah, she did.

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<v Speaker 4>The poetic license. Yeah, so I think she was part

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<v Speaker 4>of the team from the beginning of season six.

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<v Speaker 1>She has said that she was. That's something we have

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<v Speaker 1>to ask her when we interview her. She said she

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<v Speaker 1>did three seasons. Oh, which means that she was there

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<v Speaker 1>from season five, but she didn't have any scripts in

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<v Speaker 1>season five.

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<v Speaker 2>Interesting, So yeah, she's right. She wrote an ode to

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<v Speaker 2>Holden Callfield.

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<v Speaker 1>Okay. Yeah, so yeah, we want to ask her because

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<v Speaker 1>maybe it's possible that her fellowship was season five, right,

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<v Speaker 1>and then season six and seven she was an official

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<v Speaker 1>writer on the payroll. Okay, so before I jump into

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<v Speaker 1>our guest ours, do you guys want to share your

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<v Speaker 1>overall thoughts.

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<v Speaker 4>I mean, we are just we are in soap opera land.

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<v Speaker 4>It's really really dramatic, really intense. I mean, lots of hospitals,

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<v Speaker 4>three monologues.

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<v Speaker 2>Yeah, everybody kind of gets one.

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<v Speaker 4>Everyone gets a monologue. Yeah, it's a lot.

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<v Speaker 2>It's a lot.

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<v Speaker 4>It's a lot.

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<v Speaker 2>It's a lot. Yeah.

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<v Speaker 4>I don't know. I feel like this is just one

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<v Speaker 4>of those episodes of Boy Meets World that you either

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<v Speaker 4>love because it adds such a level of seriousness and

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<v Speaker 4>intensity to a show that otherwise is you know, super fun,

0:12:19.720 --> 0:12:22.200
<v Speaker 4>or like me, at this point, you're kind of sick.

0:12:22.520 --> 0:12:24.520
<v Speaker 4>You're just like, can we just get back to the

0:12:24.880 --> 0:12:25.560
<v Speaker 4>the fun stuff.

0:12:26.080 --> 0:12:30.400
<v Speaker 3>Wasn't this the episode where because we felt memory serves

0:12:30.600 --> 0:12:33.360
<v Speaker 3>that we felt the weight of this on the set too,

0:12:34.000 --> 0:12:35.520
<v Speaker 3>where we had two or three in a row where

0:12:35.520 --> 0:12:38.360
<v Speaker 3>we were like, dude, this is getting real and we

0:12:38.760 --> 0:12:41.320
<v Speaker 3>voiced that during a note session and Michael got.

0:12:41.200 --> 0:12:41.839
<v Speaker 2>Up and walked out.

0:12:42.480 --> 0:12:44.200
<v Speaker 4>Yeah he really Yep.

0:12:44.320 --> 0:12:47.800
<v Speaker 3>He wouldn't discuss because this was kind of based on

0:12:47.920 --> 0:12:53.040
<v Speaker 3>his life. This is what happened to Joshua and Michael

0:12:53.120 --> 0:12:56.280
<v Speaker 3>is obviously, as we'll get into is the is the

0:12:56.320 --> 0:12:59.920
<v Speaker 3>man praying over the one of the niek you bast

0:13:00.080 --> 0:13:03.679
<v Speaker 3>it's and so this was very near and dear to him.

0:13:03.720 --> 0:13:05.720
<v Speaker 3>But we were I think, and we didn't we didn't

0:13:06.000 --> 0:13:09.160
<v Speaker 3>come at it in a disrespectful way, but we were

0:13:09.440 --> 0:13:11.520
<v Speaker 3>kind of clapping back a little bit where it's like,

0:13:11.720 --> 0:13:15.160
<v Speaker 3>this is very heavy for multiple episodes in a row.

0:13:15.720 --> 0:13:17.520
<v Speaker 2>And he just got up and left, just got up.

0:13:17.640 --> 0:13:19.199
<v Speaker 2>He didn't say he walked out.

0:13:19.240 --> 0:13:24.760
<v Speaker 4>He also became that rabbi character because of the pushback.

0:13:25.880 --> 0:13:27.920
<v Speaker 4>Oh really really yeah, because it was in the script

0:13:27.960 --> 0:13:30.560
<v Speaker 4>and we did our first run through and I remember Ben.

0:13:31.679 --> 0:13:33.920
<v Speaker 4>I don't I don't remember saying much myself, but I

0:13:33.960 --> 0:13:37.160
<v Speaker 4>remember Ben being like, this is just too much, and

0:13:37.200 --> 0:13:39.640
<v Speaker 4>he was like voicing it during notes, and Michael was like,

0:13:40.080 --> 0:13:42.360
<v Speaker 4>this really happened to me. There really was a rabbi

0:13:42.480 --> 0:13:46.120
<v Speaker 4>in the hospital, and I'm not going to change it

0:13:46.240 --> 0:13:48.280
<v Speaker 4>no matter what you say, so much so that I'm

0:13:48.320 --> 0:13:50.000
<v Speaker 4>going to get in the costume and I'm going to

0:13:50.080 --> 0:13:52.400
<v Speaker 4>play the part. It was like a big, like one

0:13:52.480 --> 0:13:55.080
<v Speaker 4>optionman ship back to Ben like no, no, no, we're

0:13:55.120 --> 0:13:56.880
<v Speaker 4>not changing it, and so I'm going to be the

0:13:56.920 --> 0:13:58.280
<v Speaker 4>guy and so we were.

0:13:58.160 --> 0:14:01.920
<v Speaker 2>Like, oh okay, and he was, man, Yeah, it was.

0:14:01.960 --> 0:14:05.320
<v Speaker 2>That's what I remember most about this week. And also lobster.

0:14:06.400 --> 0:14:08.880
<v Speaker 2>I know, did you see it? No?

0:14:09.280 --> 0:14:15.319
<v Speaker 1>I did. I saw it once. I saw it in

0:14:15.480 --> 0:14:21.000
<v Speaker 1>the student union over Bill's shoulder. It's like in the

0:14:21.160 --> 0:14:25.120
<v Speaker 1>refrigerating in the bakery cabinet, in the bakery cabinet, which

0:14:25.120 --> 0:14:28.440
<v Speaker 1>I think is supposed to be like a refrigerated section, okay,

0:14:28.840 --> 0:14:32.680
<v Speaker 1>and it's like right here in Bill's in Bill's.

0:14:32.400 --> 0:14:34.040
<v Speaker 4>Shoulder, Ye, totally.

0:14:34.080 --> 0:14:35.840
<v Speaker 3>And then in the boys apartment it's always hanging on

0:14:35.880 --> 0:14:39.720
<v Speaker 3>the fridge. Okay, it's just it's I'm I look back

0:14:39.720 --> 0:14:41.320
<v Speaker 3>now and I'm not gonna harp on it anymore.

0:14:41.400 --> 0:14:43.360
<v Speaker 2>Go find it yourself. But it's distracting.

0:14:43.720 --> 0:14:47.400
<v Speaker 1>Don't mind it being on the fridge at all. That

0:14:47.560 --> 0:14:49.400
<v Speaker 1>feels like something that you could just Yeah, there was

0:14:49.440 --> 0:14:52.200
<v Speaker 1>a magnet. They had a lobster magnet in the But

0:14:52.600 --> 0:14:54.240
<v Speaker 1>when it was in the bakery case, I was like,

0:14:54.600 --> 0:14:55.360
<v Speaker 1>why would there be.

0:14:55.320 --> 0:15:01.080
<v Speaker 3>A lobster because it's just throwing it funny.

0:15:01.400 --> 0:15:02.040
<v Speaker 2>By the way, I.

0:15:01.960 --> 0:15:04.240
<v Speaker 3>Totally agree with Rider. It's just it's a it's a

0:15:04.320 --> 0:15:06.760
<v Speaker 3>very heavy episode. Corey isn't very likable.

0:15:06.800 --> 0:15:07.080
<v Speaker 2>Again.

0:15:07.200 --> 0:15:09.080
<v Speaker 3>I get why they're trying to not make them likable,

0:15:09.120 --> 0:15:11.960
<v Speaker 3>but you know they want to turn. I thought the

0:15:12.000 --> 0:15:14.800
<v Speaker 3>Shawn entrance was great because that's what he's looking for.

0:15:14.920 --> 0:15:17.800
<v Speaker 3>But the idea that Corey has been this unlikable for

0:15:17.840 --> 0:15:19.960
<v Speaker 3>several episodes and Tapang is the one that needs to

0:15:20.040 --> 0:15:22.320
<v Speaker 3>change I found to be a little like, really, I couldn't.

0:15:22.360 --> 0:15:24.360
<v Speaker 4>I couldn't track the logic of any of that, And

0:15:24.520 --> 0:15:27.160
<v Speaker 4>I was like, hold my hand back to I like

0:15:27.280 --> 0:15:31.280
<v Speaker 4>Tapega's like the conversations about Tapanga's character, and like I

0:15:31.360 --> 0:15:33.440
<v Speaker 4>liked this idea that she's getting in touch with something,

0:15:33.440 --> 0:15:36.000
<v Speaker 4>but I didn't. It didn't track for me. I wasn't like,

0:15:36.040 --> 0:15:38.600
<v Speaker 4>what is the logic here? Like she needs to care

0:15:38.680 --> 0:15:43.280
<v Speaker 4>about them in order to I really don't know.

0:15:44.080 --> 0:15:46.960
<v Speaker 1>He fell in love with me because I was a distraction.

0:15:47.520 --> 0:15:51.320
<v Speaker 1>I was a funny, quirky distraction from real life, and

0:15:51.320 --> 0:15:53.760
<v Speaker 1>so whenever anything tough is going on for him, he

0:15:53.840 --> 0:15:56.440
<v Speaker 1>just needs me to be his safe space, which involves

0:15:57.200 --> 0:16:00.160
<v Speaker 1>dancing and lipstick on my face and anything other than

0:16:00.240 --> 0:16:03.280
<v Speaker 1>that is not good enough and then like, yes, exactly

0:16:03.360 --> 0:16:06.400
<v Speaker 1>what you said. The framing of it being like, well,

0:16:06.440 --> 0:16:08.840
<v Speaker 1>I can't do that for you, and then Sean walking

0:16:08.880 --> 0:16:11.320
<v Speaker 1>in and being like the one to do it for him.

0:16:11.360 --> 0:16:17.440
<v Speaker 1>It's like, honestly, go Mary, Sean, y just do it.

0:16:17.680 --> 0:16:18.040
<v Speaker 4>Yeah.

0:16:18.200 --> 0:16:20.480
<v Speaker 2>No, it wasn't my favorite either. It's just yeah. And

0:16:20.560 --> 0:16:23.680
<v Speaker 2>I didn't realize this is this is how Tommy starts.

0:16:23.680 --> 0:16:26.720
<v Speaker 3>There's no kind of conversation, He's just there and this

0:16:26.840 --> 0:16:28.280
<v Speaker 3>is the same I.

0:16:28.640 --> 0:16:30.920
<v Speaker 1>Saw the exact same thing. I was like, wait, is

0:16:30.960 --> 0:16:34.320
<v Speaker 1>this the first time we're seeing Tommy since Christmas, which

0:16:34.400 --> 0:16:36.280
<v Speaker 1>was seven episodes.

0:16:35.840 --> 0:16:36.760
<v Speaker 2>Ago something like that.

0:16:36.840 --> 0:16:38.520
<v Speaker 3>Yeah, and then all of a sudden he's just now

0:16:38.560 --> 0:16:40.440
<v Speaker 3>he's with Eric. There was no like I'm going to

0:16:40.480 --> 0:16:43.720
<v Speaker 3>go become a big brother or re meeting Tommy or something.

0:16:43.840 --> 0:16:46.120
<v Speaker 3>There just have apparently been in each other's lives and

0:16:46.160 --> 0:16:47.160
<v Speaker 3>we just didn't know it.

0:16:48.360 --> 0:16:49.400
<v Speaker 1>I know it is.

0:16:50.000 --> 0:16:51.040
<v Speaker 2>It was a weird episode for me.

0:16:51.080 --> 0:16:53.560
<v Speaker 1>It was a weird episode for me, agreed. So guest

0:16:53.600 --> 0:16:56.960
<v Speaker 1>starring McNally Sagel as doctor Taylor and then we have

0:16:57.240 --> 0:17:01.040
<v Speaker 1>Donna Pontato as nurse. She also appeared on shows like

0:17:01.080 --> 0:17:04.000
<v Speaker 1>Third Rock from the Sun, and Judging Amy. We have

0:17:04.240 --> 0:17:08.040
<v Speaker 1>Sue Kremen as Karen. Sue is a common TV guest star,

0:17:08.200 --> 0:17:11.400
<v Speaker 1>showing up on shows like Spin City, Homeland, and most

0:17:11.440 --> 0:17:17.080
<v Speaker 1>recently Alaska Daily. We have Clarence A. Barnes as Paul

0:17:17.800 --> 0:17:21.840
<v Speaker 1>and Michael Fairman is doctor Markman. Michael has had a

0:17:21.840 --> 0:17:24.720
<v Speaker 1>prolific forty year career in Hollywood, with early stops on

0:17:24.800 --> 0:17:28.560
<v Speaker 1>Charlie's Angels and eighteen episodes of Cagney and Lacy. However,

0:17:28.640 --> 0:17:30.880
<v Speaker 1>he is best known as Patrick Murphy on The Young

0:17:30.920 --> 0:17:33.880
<v Speaker 1>and the Restless and from movies like Dead Silence, Thirteen

0:17:33.960 --> 0:17:36.119
<v Speaker 1>Days and David Lynch's Mulholland Drive.

0:17:37.800 --> 0:17:38.040
<v Speaker 4>G B.

0:17:38.160 --> 0:17:40.960
<v Speaker 1>Gaynor returns for his second appearance as Tommy. This is

0:17:41.000 --> 0:17:45.359
<v Speaker 1>his second of three episodes. And Cameron and Corbyn Err

0:17:45.400 --> 0:17:49.240
<v Speaker 1>are the infants who played baby Joshua Matthews in The Incubator.

0:17:49.640 --> 0:17:52.080
<v Speaker 1>The twins would also play infants in the Baseball movie

0:17:52.119 --> 0:17:55.960
<v Speaker 1>sixty one, and Cameron is credited also as moon Bounce

0:17:56.080 --> 0:18:00.399
<v Speaker 1>Kid in Eddie Murphy's Norbit. Neither have acted in Debt Gates,

0:18:00.400 --> 0:18:03.640
<v Speaker 1>but boy, I sure would like to find them. They

0:18:03.840 --> 0:18:05.200
<v Speaker 1>are almost thirty now.

0:18:05.280 --> 0:18:08.080
<v Speaker 2>Yeah, which is crazy crazy.

0:18:08.520 --> 0:18:12.840
<v Speaker 3>They were great in this In sixty one it was trite, right,

0:18:12.920 --> 0:18:15.359
<v Speaker 3>their their performance was trite in sixteen I think so.

0:18:15.520 --> 0:18:18.639
<v Speaker 2>Yeah, I thought they were pushing. It was like they

0:18:18.720 --> 0:18:23.320
<v Speaker 2>knew who they were by that way. Yeah, baby, it

0:18:23.400 --> 0:18:24.240
<v Speaker 2>was a little much.

0:18:24.359 --> 0:18:27.440
<v Speaker 1>What kind of training do you even have? You know, like, yeah,

0:18:27.640 --> 0:18:28.200
<v Speaker 1>very obvious.

0:18:28.200 --> 0:18:30.560
<v Speaker 2>I didn't buy it. I didn't buy it totally.

0:18:31.000 --> 0:18:34.200
<v Speaker 1>And then, as we mentioned, there is one other cameo,

0:18:34.440 --> 0:18:37.320
<v Speaker 1>mister Michael Jacobs, but we will get into that later.

0:18:37.600 --> 0:18:38.960
<v Speaker 4>Is he actually credited.

0:18:41.240 --> 0:18:41.280
<v Speaker 3>Me?

0:18:41.720 --> 0:18:44.520
<v Speaker 1>I didn't see it. I don't think so, not credited.

0:18:44.560 --> 0:18:46.439
<v Speaker 1>It has lines, so it has two lines.

0:18:46.520 --> 0:18:47.439
<v Speaker 2>Do you think he's sag?

0:18:48.960 --> 0:18:50.240
<v Speaker 4>I mean he started as an actor.

0:18:50.359 --> 0:18:52.080
<v Speaker 2>Yeah, I wonder if, Like I wonder if he's a

0:18:52.119 --> 0:18:52.640
<v Speaker 2>sag actor.

0:18:52.640 --> 0:18:54.760
<v Speaker 4>I mean you can't do a sag role.

0:18:54.840 --> 0:18:55.639
<v Speaker 1>Yeah, you'd have to.

0:18:56.200 --> 0:18:56.399
<v Speaker 5>You know.

0:18:56.880 --> 0:18:58.560
<v Speaker 2>They might have tasted heartleaed them that day, just we

0:18:58.600 --> 0:18:59.720
<v Speaker 2>can maybe, I wonder.

0:19:12.760 --> 0:19:12.879
<v Speaker 3>So.

0:19:12.960 --> 0:19:15.600
<v Speaker 1>Jumping into our recap, we start in the hospital, Nick

0:19:15.680 --> 0:19:20.119
<v Speaker 1>you boy, Matthews is in an incubator with a card attached,

0:19:20.160 --> 0:19:25.400
<v Speaker 1>noting that he weighs only five pounds zero ounces. Sleep deprived,

0:19:25.400 --> 0:19:27.520
<v Speaker 1>Amy and Allen are nervously waiting by the baby when

0:19:27.520 --> 0:19:31.240
<v Speaker 1>doctor Taylor walks in. She introduces the Matthews to Charlie Markman,

0:19:31.320 --> 0:19:34.000
<v Speaker 1>a ne natal pulmonary specialist who will be taking over

0:19:34.040 --> 0:19:37.080
<v Speaker 1>their case. Amy's concerned, but doctor Taylor assures them that

0:19:37.119 --> 0:19:40.560
<v Speaker 1>they are in good hands and she leaves. Alan asks

0:19:40.600 --> 0:19:43.399
<v Speaker 1>the new doctor if their baby will die, and Amy

0:19:43.440 --> 0:19:47.520
<v Speaker 1>emphatically states no, but doctor Markman admits, I don't know.

0:19:49.000 --> 0:19:54.199
<v Speaker 4>He reveals it's a wow, I mean, so intense, so

0:19:54.359 --> 0:19:58.280
<v Speaker 4>literally is the baby going to die? In the first scene. Also,

0:19:58.359 --> 0:20:01.440
<v Speaker 4>going back to the last episode, I found it interesting

0:20:01.480 --> 0:20:04.479
<v Speaker 4>that throughout this episode, Amy is like in a robe

0:20:05.080 --> 0:20:08.080
<v Speaker 4>and acting like she's tired or like frail, like she's recovering,

0:20:08.080 --> 0:20:11.879
<v Speaker 4>whereas in the last episode, immediately after a C section,

0:20:12.000 --> 0:20:13.960
<v Speaker 4>she was like burkie and reading and happy.

0:20:14.320 --> 0:20:14.520
<v Speaker 1>Yeah.

0:20:14.840 --> 0:20:16.880
<v Speaker 3>I like to keep in mind we're getting into possible

0:20:16.920 --> 0:20:21.240
<v Speaker 3>dead baby three episodes after dead CHET, I know, two

0:20:21.280 --> 0:20:24.800
<v Speaker 3>episodes after dead CHET. I mean it's like, what decided

0:20:24.840 --> 0:20:26.520
<v Speaker 3>where in the arc of the season did they go,

0:20:26.560 --> 0:20:26.760
<v Speaker 3>you know.

0:20:26.800 --> 0:20:29.280
<v Speaker 2>We need lots more death or possible death.

0:20:29.680 --> 0:20:32.000
<v Speaker 4>Yeah, yeah, there's a lot of such a strange choice,

0:20:32.040 --> 0:20:34.439
<v Speaker 4>Like I just don't why, you know, I mean, why

0:20:34.480 --> 0:20:36.240
<v Speaker 4>did Oneman's world go this route.

0:20:36.280 --> 0:20:39.080
<v Speaker 3>It's really well because I mean I get I get

0:20:39.119 --> 0:20:41.639
<v Speaker 3>them doing it with the baby, because Michael's writing what

0:20:41.720 --> 0:20:45.320
<v Speaker 3>he knows. Okay, I get that, but coming right off

0:20:45.359 --> 0:20:47.840
<v Speaker 3>the heels of Chet, it's just it's so much right

0:20:47.840 --> 0:20:49.199
<v Speaker 3>in a row.

0:20:49.240 --> 0:20:52.040
<v Speaker 1>As we know, the baby doesn't end up dying, and

0:20:52.080 --> 0:20:56.560
<v Speaker 1>so it really kind of I surprise spoiler. It does

0:20:56.680 --> 0:21:01.679
<v Speaker 1>kind of speak to like if you look at a

0:21:01.720 --> 0:21:05.399
<v Speaker 1>life cycle, someone dies and then new life gets born

0:21:05.520 --> 0:21:08.600
<v Speaker 1>and before that new life is fine. It could go

0:21:08.760 --> 0:21:16.000
<v Speaker 1>either way, and so there's heaviness along the road, but

0:21:16.240 --> 0:21:19.960
<v Speaker 1>it's not. If the baby died, I'd be like, what

0:21:19.960 --> 0:21:23.000
<v Speaker 1>were they thinking? Why would they kill a baby? And

0:21:23.280 --> 0:21:25.320
<v Speaker 1>chit within three episodes of each other.

0:21:25.520 --> 0:21:30.959
<v Speaker 4>But we've also had Sean angela breakup. I know this

0:21:31.000 --> 0:21:35.320
<v Speaker 4>whole season is sort of driven by tragedy well, and.

0:21:35.240 --> 0:21:38.359
<v Speaker 1>It feels like very much like the last two episodes,

0:21:38.400 --> 0:21:41.880
<v Speaker 1>with the amount of times Topanga has said sometimes things change,

0:21:42.440 --> 0:21:47.760
<v Speaker 1>it feels very much like a motto or a theme.

0:21:47.920 --> 0:21:54.320
<v Speaker 1>The whole theme for the show being that tragedy will

0:21:54.359 --> 0:22:00.399
<v Speaker 1>eventually strike us all into in one capacity is.

0:22:00.400 --> 0:22:03.080
<v Speaker 2>Really probable exactly Shama's big right now.

0:22:03.119 --> 0:22:06.000
<v Speaker 1>So let me also, I don't want us to forget

0:22:06.040 --> 0:22:09.000
<v Speaker 1>that there have been traumatic and tragic things that have

0:22:09.080 --> 0:22:12.840
<v Speaker 1>happened in individual people's lives. So you know, there's lots

0:22:12.840 --> 0:22:17.240
<v Speaker 1>of reasons, but it does feel certainly like a change

0:22:17.240 --> 0:22:17.600
<v Speaker 1>of show.

0:22:17.800 --> 0:22:19.920
<v Speaker 3>Yeah, I mean to the point where and we'll get

0:22:19.920 --> 0:22:21.360
<v Speaker 3>into this as we progress.

0:22:21.520 --> 0:22:25.240
<v Speaker 2>The audience didn't know how to react. I know you

0:22:25.320 --> 0:22:28.600
<v Speaker 2>heard them at times like should we cheer here? Do

0:22:28.800 --> 0:22:30.840
<v Speaker 2>we not Shane's back?

0:22:30.920 --> 0:22:31.600
<v Speaker 4>Do we yell?

0:22:32.000 --> 0:22:36.080
<v Speaker 2>Like everything was There'd be two or three very long beats.

0:22:35.760 --> 0:22:37.680
<v Speaker 3>Before there was a reaction from the audience because they

0:22:37.760 --> 0:22:38.680
<v Speaker 3>they also didn't know what.

0:22:38.640 --> 0:22:39.119
<v Speaker 2>To do, right.

0:22:39.119 --> 0:22:40.760
<v Speaker 1>They were like, are we just supposed to sit here silently?

0:22:40.960 --> 0:22:41.160
<v Speaker 3>Yeah?

0:22:41.160 --> 0:22:43.240
<v Speaker 2>What happens now? Do we laugh? Is okay to laugh

0:22:43.280 --> 0:22:46.399
<v Speaker 2>at jokes? Like it was strange? Yeah?

0:22:46.480 --> 0:22:49.040
<v Speaker 1>Well, he reveals that the baby has had a respiratory

0:22:49.040 --> 0:22:51.880
<v Speaker 1>infection from an early loss of amniotic fluid. They're going

0:22:51.920 --> 0:22:54.720
<v Speaker 1>to administer a course of antibiotics over the next ten days.

0:22:55.080 --> 0:22:59.359
<v Speaker 1>By the way, babies have long issues and breathing anytime

0:22:59.400 --> 0:23:02.320
<v Speaker 1>they're born, Like, your lungs developed last in the womb,

0:23:02.640 --> 0:23:06.040
<v Speaker 1>So if you're anything more than like two weeks early,

0:23:06.400 --> 0:23:09.560
<v Speaker 1>you are probably gonna have some sort of lung development

0:23:09.840 --> 0:23:12.160
<v Speaker 1>development issue. As a matter of fact, of the reason

0:23:12.280 --> 0:23:15.040
<v Speaker 1>Adler was when I when my water broke and I

0:23:15.040 --> 0:23:16.680
<v Speaker 1>went to the hospital. The first thing they did was

0:23:16.720 --> 0:23:19.600
<v Speaker 1>stop my contractions. They put me on Sonya magnesium to

0:23:19.760 --> 0:23:21.639
<v Speaker 1>stop everything, and then they had to give me a

0:23:21.680 --> 0:23:24.520
<v Speaker 1>series of steroid shots so that his it would speed

0:23:24.600 --> 0:23:29.600
<v Speaker 1>up his lung development. So it doesn't just happened from

0:23:29.640 --> 0:23:32.000
<v Speaker 1>the loss of amniotic fluid. It's also because the baby's

0:23:32.040 --> 0:23:37.119
<v Speaker 1>seven weeks early. They're going to administer a course of

0:23:37.160 --> 0:23:39.680
<v Speaker 1>antibiotics over the next ten days. Amy assumes that then

0:23:39.720 --> 0:23:41.560
<v Speaker 1>they'll be able to bring him home after that, but

0:23:41.640 --> 0:23:44.840
<v Speaker 1>doctor Taylor explains they will see where they are at

0:23:44.840 --> 0:23:48.440
<v Speaker 1>that point and then woo in this bom mad's world,

0:23:50.440 --> 0:23:59.040
<v Speaker 1>let me little jarring, not one laugh, Nope, not a

0:23:59.160 --> 0:24:02.639
<v Speaker 1>one nope. Then we're in the hospital waiting room. To

0:24:02.720 --> 0:24:04.960
<v Speaker 1>Penga sits next to Corey, cup of coffee in hand

0:24:04.960 --> 0:24:07.960
<v Speaker 1>and looks extremely worried. Corey thinks everything's going to be okay,

0:24:08.000 --> 0:24:11.119
<v Speaker 1>and to Panga says, I hope. So Corey's confused. What

0:24:11.160 --> 0:24:13.359
<v Speaker 1>do you mean you hope? So you think something bad's

0:24:13.359 --> 0:24:16.840
<v Speaker 1>gonna happen Tapanga reminds him that something bad has already happened.

0:24:17.200 --> 0:24:21.040
<v Speaker 1>Corey admits, I know. I just want you to make everything.

0:24:20.680 --> 0:24:23.640
<v Speaker 2>Better, okay, Doctor Lawrence.

0:24:24.359 --> 0:24:26.440
<v Speaker 1>She wonders how she can do that, and he tells

0:24:26.440 --> 0:24:29.360
<v Speaker 1>her to just be there with him. Tapega reminds him

0:24:29.359 --> 0:24:32.159
<v Speaker 1>she's sitting right next to him, but Corey doesn't feel

0:24:32.200 --> 0:24:35.159
<v Speaker 1>her like she is. I want us to be Corey

0:24:35.160 --> 0:24:39.119
<v Speaker 1>and Topanga again, because then everything is okay. He holds

0:24:39.119 --> 0:24:40.960
<v Speaker 1>out his hand and she asks how holding his hand

0:24:41.000 --> 0:24:43.520
<v Speaker 1>will make everything better. He explains, I just want us

0:24:43.560 --> 0:24:46.280
<v Speaker 1>to be the way we used to be. Valentine's Day

0:24:47.440 --> 0:24:50.720
<v Speaker 1>used to be such a big deal to you.

0:24:50.880 --> 0:24:53.639
<v Speaker 3>He's still talking about Valentin. Yeah, and I get what

0:24:53.680 --> 0:24:56.200
<v Speaker 3>they're doing. I get he's supposed to be in denial

0:24:56.480 --> 0:24:59.080
<v Speaker 3>of what's going on in the other room. Totally understand,

0:24:59.119 --> 0:25:01.240
<v Speaker 3>but it doesn't come off well.

0:25:01.560 --> 0:25:06.480
<v Speaker 1>Wolf Yeah to Panga is even more confused. Now, what

0:25:06.640 --> 0:25:10.120
<v Speaker 1>does Valentine's Day have to do with this? Corey continues on,

0:25:10.200 --> 0:25:12.600
<v Speaker 1>and I was the one who didn't want to hold hands,

0:25:12.680 --> 0:25:15.280
<v Speaker 1>but you were the one who said that holding hands

0:25:15.320 --> 0:25:17.199
<v Speaker 1>is like touching souls?

0:25:17.440 --> 0:25:19.520
<v Speaker 4>Where did this come from? This is this is not

0:25:19.640 --> 0:25:23.440
<v Speaker 4>the motivation last episode, it's about.

0:25:24.119 --> 0:25:27.480
<v Speaker 1>To Pega is shocked. How do you remember that I

0:25:27.560 --> 0:25:31.240
<v Speaker 1>said that years ago when I was a child. Corey

0:25:31.280 --> 0:25:34.160
<v Speaker 1>says he remembers everything she said because it was important

0:25:34.200 --> 0:25:34.560
<v Speaker 1>to him.

0:25:34.760 --> 0:25:39.520
<v Speaker 3>He asks, why don't you he forgets everything?

0:25:38.200 --> 0:25:38.560
<v Speaker 5>He does.

0:25:42.000 --> 0:25:45.760
<v Speaker 3>All this in this scene almost more than anything else,

0:25:46.040 --> 0:25:50.240
<v Speaker 3>and I'm not exaggerating. He gives off real serial killer vibes,

0:25:51.440 --> 0:25:53.480
<v Speaker 3>like a no joke, go watch it again, where he's like,

0:25:53.560 --> 0:25:56.400
<v Speaker 3>I remember everything you say and take my hand.

0:25:56.680 --> 0:25:59.960
<v Speaker 2>Exactly dark.

0:26:02.040 --> 0:26:05.840
<v Speaker 1>And just said to penga fifteen.

0:26:08.320 --> 0:26:09.960
<v Speaker 4>From every haircut she's ever had.

0:26:10.520 --> 0:26:14.520
<v Speaker 2>But you saw face his face too, like he's a

0:26:14.560 --> 0:26:15.240
<v Speaker 2>crazy person.

0:26:15.720 --> 0:26:16.080
<v Speaker 1>I know.

0:26:16.240 --> 0:26:18.920
<v Speaker 4>It's so possessive and demanding. It's just awful.

0:26:19.119 --> 0:26:19.600
<v Speaker 2>It's bad.

0:26:20.280 --> 0:26:22.560
<v Speaker 1>Topanga urges him to look around. Does he know where

0:26:22.560 --> 0:26:25.240
<v Speaker 1>he is? Corey ignores her questions and encourages her to

0:26:25.240 --> 0:26:27.359
<v Speaker 1>take his hand to Pega, can't believe it. We're in

0:26:27.440 --> 0:26:30.360
<v Speaker 1>the hospital. This is real. The reality is that your

0:26:30.440 --> 0:26:34.240
<v Speaker 1>little brother is back there fighting for his life. Corey argues, no,

0:26:34.640 --> 0:26:39.560
<v Speaker 1>reality is this hand to Panga takes his hand. I

0:26:39.600 --> 0:26:41.720
<v Speaker 1>don't like it when you use us to hide from

0:26:41.760 --> 0:26:42.520
<v Speaker 1>the rest of the world.

0:26:42.640 --> 0:26:42.960
<v Speaker 2>Corey.

0:26:43.359 --> 0:26:45.879
<v Speaker 1>He replies, I don't like it that you're not to

0:26:46.040 --> 0:26:50.760
<v Speaker 1>Panga anymore. She's slowly released to.

0:26:51.000 --> 0:26:54.200
<v Speaker 4>Find who you are, and you've lost track of who

0:26:54.240 --> 0:26:57.600
<v Speaker 4>you are because it's me and me.

0:26:57.960 --> 0:27:00.280
<v Speaker 2>You're not who you were when you were twelve. What

0:27:00.359 --> 0:27:02.160
<v Speaker 2>the hell you've changed?

0:27:02.359 --> 0:27:02.719
<v Speaker 4>Banka?

0:27:05.400 --> 0:27:07.040
<v Speaker 1>Uh? Still not one laugh?

0:27:07.840 --> 0:27:08.360
<v Speaker 4>We are now?

0:27:08.640 --> 0:27:09.720
<v Speaker 2>Oh I was laughing by this.

0:27:09.920 --> 0:27:16.679
<v Speaker 1>Okay, for the record, Well, congratulations to you. So then

0:27:16.720 --> 0:27:19.240
<v Speaker 1>we're in the apartment. Eric is pretending to play basketball

0:27:19.280 --> 0:27:22.280
<v Speaker 1>with his adopted little brother Tommy, demanding him to go

0:27:22.400 --> 0:27:25.280
<v Speaker 1>left multiple times until the boy has to remind him

0:27:25.359 --> 0:27:29.960
<v Speaker 1>that is his laugh. Eric apologizes marking our first joke

0:27:30.040 --> 0:27:34.560
<v Speaker 1>of the show, which again, you you think it would

0:27:34.720 --> 0:27:35.760
<v Speaker 1>land like.

0:27:35.800 --> 0:27:39.920
<v Speaker 3>An explosion because we've come off that scene. But it's

0:27:39.960 --> 0:27:43.560
<v Speaker 3>the first scene. Everyone's like exactly, there's no no, one's

0:27:43.640 --> 0:27:48.240
<v Speaker 3>ready to last.

0:27:50.440 --> 0:27:53.040
<v Speaker 2>So yeah, it's it's the It was a tough laugh

0:27:53.080 --> 0:27:54.560
<v Speaker 2>this week. Tough room.

0:27:54.880 --> 0:27:55.840
<v Speaker 1>Tough room for sure.

0:27:56.240 --> 0:27:59.040
<v Speaker 4>I mean there's literally a tradition of dead baby jokes,

0:27:59.040 --> 0:28:01.680
<v Speaker 4>which the whole point of those jokes are that they're

0:28:01.760 --> 0:28:05.280
<v Speaker 4>so inappropriate. Yeah, they know one funny that you would

0:28:05.320 --> 0:28:09.080
<v Speaker 4>even ever tell them, And we are literally a dead Baby.

0:28:08.840 --> 0:28:13.959
<v Speaker 1>Episode Yeah whole Dead Baby episode on a comedy. Tommy

0:28:13.960 --> 0:28:16.400
<v Speaker 1>finally shoots a ball of laundry into an open suitcase

0:28:16.440 --> 0:28:19.040
<v Speaker 1>and scores. Eric lifts him into the air and jumps

0:28:19.119 --> 0:28:21.560
<v Speaker 1>up and down, the boy's body flailing in the air.

0:28:21.640 --> 0:28:25.040
<v Speaker 1>They won the championship. They won the championship, and as

0:28:25.080 --> 0:28:28.280
<v Speaker 1>a reward, Tommy gets to carry Eric's suitcase down to

0:28:28.320 --> 0:28:32.679
<v Speaker 1>the car. Tommy is now unamused, not gonna happen, but

0:28:32.760 --> 0:28:35.159
<v Speaker 1>Tommy still walks over to the suitcase to finish packing

0:28:35.240 --> 0:28:37.680
<v Speaker 1>Eric's clothes for the big move and asks, why don't

0:28:37.720 --> 0:28:40.160
<v Speaker 1>you get the big girl to carry it? Eric explains

0:28:40.160 --> 0:28:43.400
<v Speaker 1>because big girls with the big old ract. Tommy wonders

0:28:43.400 --> 0:28:45.800
<v Speaker 1>if that's why he's so sad, and Eric's siye, No,

0:28:46.160 --> 0:28:48.800
<v Speaker 1>I'm not sad. Actually, that's the farthest thing from my mind.

0:28:49.320 --> 0:28:52.280
<v Speaker 1>Tommy scoots back over to Eric. Well, something's wrong, you're

0:28:52.320 --> 0:28:55.840
<v Speaker 1>acting different. Eric asks, yeah, how do I normally act?

0:28:56.080 --> 0:28:58.400
<v Speaker 1>And Tommy frantically shakes his head back and forth while

0:28:58.400 --> 0:29:03.000
<v Speaker 1>flailing his arms, yelling up and then Jack and Rachel

0:29:03.080 --> 0:29:05.400
<v Speaker 1>walk through the door. Tommy is quick to greet them, Hi,

0:29:05.440 --> 0:29:10.560
<v Speaker 1>big girl, Hi rat, It's cute. Eric Bee lines to

0:29:10.640 --> 0:29:12.960
<v Speaker 1>a suitcase, but Jack and Rachel beg him not to leave.

0:29:13.320 --> 0:29:15.040
<v Speaker 1>Eric still thinks it's the best thing to do, but

0:29:15.120 --> 0:29:17.600
<v Speaker 1>Jack disagrees this is the last thing he should be

0:29:17.600 --> 0:29:19.960
<v Speaker 1>thinking about right now. Rachel doesn't even think he should

0:29:19.960 --> 0:29:22.520
<v Speaker 1>be in the apartment. Eric should be at the hospital.

0:29:23.240 --> 0:29:26.760
<v Speaker 1>Eric cuts her off pancakes. Everyone is confused. He clarifies

0:29:26.880 --> 0:29:31.400
<v Speaker 1>the international of hospital pancakes. Isn't that what you were

0:29:31.400 --> 0:29:34.720
<v Speaker 1>gonna say? Jack wonders what's wrong with him? So Eric

0:29:34.760 --> 0:29:36.760
<v Speaker 1>walks over to Tommy and places his hand over the

0:29:36.760 --> 0:29:40.400
<v Speaker 1>boy's eyes. I don't want Tommy to know about the hospital.

0:29:40.720 --> 0:29:42.800
<v Speaker 2>Good joke, really good joke.

0:29:43.760 --> 0:29:47.520
<v Speaker 1>Tommy loudly whispers who's in the hospital. Eric s eyes

0:29:47.560 --> 0:29:49.680
<v Speaker 1>and blames it on Rachel and Jack. He explains, I

0:29:49.720 --> 0:29:51.600
<v Speaker 1>don't want him to know about the baby. The kid's

0:29:51.600 --> 0:29:53.520
<v Speaker 1>got no family. He comes over here once a week

0:29:53.520 --> 0:29:55.400
<v Speaker 1>to hang out with his big brother Eric. He doesn't

0:29:55.400 --> 0:29:58.200
<v Speaker 1>need to know about this. Tommy hops off his stool.

0:29:58.400 --> 0:30:00.680
<v Speaker 1>The kid wants to know who's in the hou hospital Eric,

0:30:01.240 --> 0:30:04.000
<v Speaker 1>Eric reluctantly gives in, I've got this new little brother,

0:30:04.080 --> 0:30:06.440
<v Speaker 1>but don't worry, because you're still my little brother too.

0:30:06.880 --> 0:30:10.640
<v Speaker 1>But this new little guy, he's pretty sick. Tommy asks

0:30:10.680 --> 0:30:12.320
<v Speaker 1>if they can go see him, and Eric is surprised

0:30:12.360 --> 0:30:15.120
<v Speaker 1>to hear this. Tommy tells him, if he's your little brother,

0:30:15.400 --> 0:30:18.640
<v Speaker 1>then isn't he my little brother too? And the inmates

0:30:18.880 --> 0:30:22.600
<v Speaker 1>aw and Eric looks like he's about to burst into

0:30:22.640 --> 0:30:26.760
<v Speaker 1>tears and will your hair is so long.

0:30:27.120 --> 0:30:29.760
<v Speaker 3>It is, it's long and luxurious, and I don't know

0:30:29.800 --> 0:30:31.720
<v Speaker 3>what the hell face I'm making at the end there.

0:30:31.960 --> 0:30:33.400
<v Speaker 2>Oh, really it is the stranger.

0:30:33.240 --> 0:30:33.960
<v Speaker 1>You're about to cry.

0:30:35.000 --> 0:30:39.560
<v Speaker 2>It's it's like what it was a weird take, it was.

0:30:39.680 --> 0:30:41.480
<v Speaker 2>I was like, what the hell is that face?

0:30:41.880 --> 0:30:43.640
<v Speaker 4>I think it was an attempt at like awe, like

0:30:43.720 --> 0:30:46.120
<v Speaker 4>you were kind of dam and then trying to share

0:30:46.160 --> 0:30:47.040
<v Speaker 4>that with them, like.

0:30:47.000 --> 0:30:49.640
<v Speaker 3>But I just got constipated. It just looked it was

0:30:50.200 --> 0:30:51.240
<v Speaker 3>very strange choice.

0:30:51.320 --> 0:30:51.520
<v Speaker 2>Yeah.

0:30:52.440 --> 0:30:55.440
<v Speaker 4>Yeah, it honestly felt like you were maybe going to

0:30:55.480 --> 0:30:57.480
<v Speaker 4>make a joke, like you know what I mean, Like

0:30:57.520 --> 0:31:00.040
<v Speaker 4>I thought maybe you were going to like improv like

0:31:00.080 --> 0:31:02.560
<v Speaker 4>a button to the scene of like I don't know

0:31:02.640 --> 0:31:04.240
<v Speaker 4>something that's sort of you know, And I wonder if

0:31:04.240 --> 0:31:05.960
<v Speaker 4>you actually did and they just cut.

0:31:05.840 --> 0:31:07.880
<v Speaker 3>It cut it, that's quite possible. But yeah, it was

0:31:07.960 --> 0:31:09.880
<v Speaker 3>it was strange. It was a weird just a weird look.

0:31:10.320 --> 0:31:12.360
<v Speaker 1>Yeah, yeah, I do think you're right the writer. It

0:31:12.400 --> 0:31:16.120
<v Speaker 1>was a combination of awe at Tommy, but then also, guys,

0:31:16.160 --> 0:31:18.520
<v Speaker 1>isn't this so cute? It was like inviting them in

0:31:18.600 --> 0:31:22.400
<v Speaker 1>on the awe we Well, we're into Penga and Angela's dorm.

0:31:22.440 --> 0:31:25.040
<v Speaker 1>Angela's on her bed wearing a go She is so

0:31:25.120 --> 0:31:29.240
<v Speaker 1>stunning this headband she's wearing. The colors. They've just they've

0:31:29.320 --> 0:31:30.040
<v Speaker 1>just nailed her.

0:31:30.080 --> 0:31:35.400
<v Speaker 3>Look, Angela's even she's every time she's on screen, she'll

0:31:35.440 --> 0:31:38.640
<v Speaker 3>have their giving her four lines and she's killing them.

0:31:37.840 --> 0:31:40.400
<v Speaker 2>There. I know, this is my most real scene of

0:31:40.400 --> 0:31:41.920
<v Speaker 2>the entire show. To me, was right here.

0:31:42.320 --> 0:31:46.160
<v Speaker 1>Yep. Angela's on her bed studying. When Topega returns, Angela

0:31:46.240 --> 0:31:48.360
<v Speaker 1>asks about the baby in a worried to Panga tells

0:31:48.360 --> 0:31:51.800
<v Speaker 1>her there's been no change. She's really scared. Angela feels

0:31:51.800 --> 0:31:54.600
<v Speaker 1>so bad for everybody and wonders how Corey is handling it.

0:31:54.680 --> 0:31:57.400
<v Speaker 1>To Penga groans he's not, he's not even dealing with it.

0:31:57.440 --> 0:31:59.200
<v Speaker 1>All he can talk about is holding hands and making

0:31:59.200 --> 0:32:02.600
<v Speaker 1>everything go away, Like just because we're together automatically means

0:32:02.640 --> 0:32:05.520
<v Speaker 1>we're protected from life. What is that? We're not kids anymore.

0:32:05.920 --> 0:32:08.880
<v Speaker 1>Angela nods and agrees, No, we're not, and you're handling

0:32:08.920 --> 0:32:12.520
<v Speaker 1>it very maturely. Topanga thanks her, but Angela clarifies that

0:32:12.600 --> 0:32:16.160
<v Speaker 1>it wasn't a compliment. Everyone's mad at Topanga.

0:32:16.360 --> 0:32:17.960
<v Speaker 2>Yeah, I don't quick get this.

0:32:18.040 --> 0:32:18.719
<v Speaker 4>I didn't understand.

0:32:19.640 --> 0:32:23.680
<v Speaker 1>I didn't either, except for the idea that that in

0:32:23.840 --> 0:32:29.880
<v Speaker 1>this storyline, the best way to Panga, the way Topanga

0:32:29.960 --> 0:32:35.800
<v Speaker 1>isup is supposed to support Corey is by telling telling

0:32:35.880 --> 0:32:38.480
<v Speaker 1>him everything's going to be okay, and you know, being

0:32:38.560 --> 0:32:42.080
<v Speaker 1>her hippy dippy. When we hold hands, our soul's touch.

0:32:42.680 --> 0:32:45.080
<v Speaker 1>Nothing in the world matters more than the love between

0:32:45.120 --> 0:32:45.680
<v Speaker 1>two people.

0:32:46.000 --> 0:32:47.520
<v Speaker 2>But Angela didn't know that.

0:32:47.560 --> 0:32:53.760
<v Speaker 1>To Panga, No she did not. But apparently you if

0:32:53.800 --> 0:32:56.880
<v Speaker 1>you are too mature about a situation and it's not

0:32:56.960 --> 0:33:02.400
<v Speaker 1>even your situation, you are not helping. That's literally what

0:33:02.440 --> 0:33:02.800
<v Speaker 1>this is.

0:33:02.840 --> 0:33:04.720
<v Speaker 4>That's it. I just when she said that, I was like,

0:33:04.880 --> 0:33:05.760
<v Speaker 4>did I miss something?

0:33:05.800 --> 0:33:06.320
<v Speaker 2>I don't know?

0:33:06.440 --> 0:33:12.520
<v Speaker 4>Why is Angela criticizing her for mature and together? No?

0:33:12.960 --> 0:33:16.920
<v Speaker 1>It it doesn't make any sense. But in the storyline

0:33:17.040 --> 0:33:22.760
<v Speaker 1>of the show, everyone can see that Tapanga is not

0:33:23.080 --> 0:33:27.720
<v Speaker 1>doing is not supporting Cory the right way.

0:33:27.800 --> 0:33:29.960
<v Speaker 4>I mean, it'd be so easy to have Topanga like

0:33:30.040 --> 0:33:32.560
<v Speaker 4>obsessing over a test she has to take, or like,

0:33:32.920 --> 0:33:36.120
<v Speaker 4>you know, like literally avoiding this. Like if Topanga were

0:33:36.120 --> 0:33:38.400
<v Speaker 4>the one doing what Corey's doing basically like oh, I've

0:33:38.400 --> 0:33:40.160
<v Speaker 4>got to go do this or I'm I'm you know,

0:33:40.320 --> 0:33:43.040
<v Speaker 4>like taking all this emotion and avoiding, then I could

0:33:43.080 --> 0:33:45.000
<v Speaker 4>see it, because then you'd be like, hey, maybe you

0:33:45.000 --> 0:33:47.040
<v Speaker 4>should be there for Corey or you know. But she

0:33:47.360 --> 0:33:50.200
<v Speaker 4>is at the hospital, she's doing everything, She's taking care

0:33:50.280 --> 0:33:51.000
<v Speaker 4>of everybody.

0:33:51.360 --> 0:33:54.160
<v Speaker 1>Yes, she's also willing to hold his hand. It's like

0:33:54.280 --> 0:33:56.200
<v Speaker 1>she's not like not trying to be comforting at all.

0:33:56.320 --> 0:33:59.640
<v Speaker 1>She's just really like she's being very realistic. I hope

0:33:59.640 --> 0:34:04.360
<v Speaker 1>everything is going to be okay, and that now Y

0:34:04.480 --> 0:34:08.400
<v Speaker 1>wants when we hold hands, our souls are touching, and

0:34:08.440 --> 0:34:11.440
<v Speaker 1>if our souls are touching, what could possibly go wrong?

0:34:11.680 --> 0:34:11.839
<v Speaker 2>Yep.

0:34:12.840 --> 0:34:18.520
<v Speaker 1>And first apparently Angela agrees that these agrees. Yeah, the

0:34:18.600 --> 0:34:21.760
<v Speaker 1>universe agrees. So Topanga defends herself. I'm not twelve anymore,

0:34:21.760 --> 0:34:23.719
<v Speaker 1>and when I was, I was like the strangest kid

0:34:23.719 --> 0:34:26.920
<v Speaker 1>in the universe. Angela laughs, You've still got some strange

0:34:26.960 --> 0:34:29.480
<v Speaker 1>in you. Topanga remembers one time when she was trying

0:34:29.520 --> 0:34:32.120
<v Speaker 1>to help Corey with the essence of this poem for school.

0:34:32.440 --> 0:34:34.759
<v Speaker 1>She remembers going to his house and dancing all around

0:34:34.800 --> 0:34:37.400
<v Speaker 1>his kitchen and putting lipstick all over her face. We

0:34:37.440 --> 0:34:39.920
<v Speaker 1>see a glimmer of hippie Topanga. She raises her arms

0:34:39.960 --> 0:34:42.480
<v Speaker 1>and mimics the donut and the sky movements from season one.

0:34:43.120 --> 0:34:46.800
<v Speaker 1>Angela wonders why she remembers that story so well. Topanga admits,

0:34:46.960 --> 0:34:48.879
<v Speaker 1>because I always thought that was the moment he fell

0:34:48.960 --> 0:34:50.880
<v Speaker 1>in love with me. He always used to be the

0:34:50.880 --> 0:34:53.239
<v Speaker 1>one to bring me back to reality. I don't know

0:34:53.239 --> 0:34:56.560
<v Speaker 1>what happened to him. Angela explains, you did. You're the

0:34:56.600 --> 0:34:59.120
<v Speaker 1>greatest influence in his life. To Panga, he needs you

0:34:59.160 --> 0:35:02.719
<v Speaker 1>to take his hand, dance around him, help him through

0:35:02.760 --> 0:35:06.640
<v Speaker 1>what's going on right now. Baby. Without you, all he

0:35:06.760 --> 0:35:12.000
<v Speaker 1>has is reality. So again, like the perspective of the

0:35:12.120 --> 0:35:17.680
<v Speaker 1>show is that A to Panga as a partner, needs

0:35:17.719 --> 0:35:24.920
<v Speaker 1>to be the distraction from reality, because what other distractions

0:35:24.960 --> 0:35:25.359
<v Speaker 1>are there?

0:35:27.000 --> 0:35:32.399
<v Speaker 4>Look pretty dance, Look pretty dance. Yeah, I mean, god man,

0:35:32.680 --> 0:35:36.080
<v Speaker 4>I mean I really, especially now hearing it back, I

0:35:36.160 --> 0:35:39.120
<v Speaker 4>just feel like this is like a real jump the

0:35:39.160 --> 0:35:43.759
<v Speaker 4>shark moment this episode because it's it's not only this

0:35:43.880 --> 0:35:47.480
<v Speaker 4>like drama, which we've done drama before test a lot,

0:35:48.560 --> 0:35:52.640
<v Speaker 4>but it's also when we start referencing our old episodes

0:35:53.280 --> 0:35:57.080
<v Speaker 4>and relying on the sort of like this is who

0:35:57.120 --> 0:35:59.480
<v Speaker 4>you are, this is who you and we need to

0:35:59.480 --> 0:36:01.719
<v Speaker 4>get back to that. It's like a weird way to

0:36:01.800 --> 0:36:06.440
<v Speaker 4>sort of actually try to get back to the good episodes,

0:36:06.560 --> 0:36:08.719
<v Speaker 4>like when the show was good, or like it's like

0:36:08.760 --> 0:36:12.960
<v Speaker 4>we're kind of mining our own material, which is not

0:36:13.239 --> 0:36:15.440
<v Speaker 4>great for a show, you know, was in a sixth season,

0:36:15.560 --> 0:36:17.600
<v Speaker 4>Like you can't come up with new stuff, especially like

0:36:17.920 --> 0:36:21.319
<v Speaker 4>the pregnancy was supposed to be about introducing a new

0:36:21.400 --> 0:36:24.840
<v Speaker 4>character potentially and a new avenue for Alan and Amy

0:36:24.880 --> 0:36:27.640
<v Speaker 4>to have storylines, and instead it's becoming like, let's go

0:36:27.719 --> 0:36:31.480
<v Speaker 4>back to what Tapanga was Topanga and like yeah, it's yeah,

0:36:32.719 --> 0:36:33.480
<v Speaker 4>it's weird.

0:36:33.600 --> 0:36:35.839
<v Speaker 1>I know, and you know, it reminds me a little bit.

0:36:35.880 --> 0:36:37.480
<v Speaker 1>It feels like maybe what they were trying to do

0:36:37.640 --> 0:36:39.920
<v Speaker 1>was a little like what we did in the haircutting

0:36:39.960 --> 0:36:45.319
<v Speaker 1>episode where Sean says to Tapanga, what's happened to you?

0:36:45.560 --> 0:36:48.240
<v Speaker 1>This isn't the Topanga. I knew the Tapanga, I knew,

0:36:48.880 --> 0:36:51.839
<v Speaker 1>you know, didn't paint her toe nails and always had

0:36:51.880 --> 0:36:54.440
<v Speaker 1>you know, had all this confidence and now you've changed.

0:36:54.760 --> 0:36:56.800
<v Speaker 1>And it made Tapanga look in the mirror and say,

0:36:56.880 --> 0:37:00.239
<v Speaker 1>you're right, I don't like this version of me. And

0:37:01.040 --> 0:37:05.280
<v Speaker 1>we praised that story. We loved that when that episode happened.

0:37:05.800 --> 0:37:09.680
<v Speaker 1>This one feels different because it feels like a really

0:37:09.840 --> 0:37:14.680
<v Speaker 1>like a strong judgment and she's and she's not. She's

0:37:14.680 --> 0:37:21.200
<v Speaker 1>not doing anything wrong at all. Had to Penga been

0:37:21.239 --> 0:37:24.799
<v Speaker 1>the one to maybe and and for it to, you know,

0:37:24.920 --> 0:37:28.080
<v Speaker 1>for her to come to the realization that maybe something

0:37:28.120 --> 0:37:29.960
<v Speaker 1>she could do if she was feeling like, man, I

0:37:30.040 --> 0:37:32.000
<v Speaker 1>just don't know what to do to be there for Corey.

0:37:32.360 --> 0:37:35.600
<v Speaker 1>I'm really struggling. I don't know. I feel like I

0:37:35.760 --> 0:37:37.960
<v Speaker 1>used to know how to comfort him and now I

0:37:38.000 --> 0:37:40.520
<v Speaker 1>don't needymore. If it were an internal struggle for Tapanga

0:37:40.880 --> 0:37:43.799
<v Speaker 1>and for her to realize, you know, what I would

0:37:43.800 --> 0:37:47.080
<v Speaker 1>have done back then. I would have had blind optimism

0:37:47.640 --> 0:37:49.200
<v Speaker 1>that this was all going to work out, and I

0:37:49.239 --> 0:37:51.239
<v Speaker 1>would have drawn on my face and it would have

0:37:51.239 --> 0:37:53.200
<v Speaker 1>made him and she made the choice then to do

0:37:53.280 --> 0:37:55.359
<v Speaker 1>that on her own. But like, instead, all these people

0:37:55.400 --> 0:37:58.359
<v Speaker 1>are coming at her acting like, who the hell are

0:37:58.400 --> 0:38:00.480
<v Speaker 1>you lady? What are you even doing in here? It

0:38:00.520 --> 0:38:09.640
<v Speaker 1>feels very attacking for no reason. So yeah, I don't know.

0:38:10.920 --> 0:38:13.759
<v Speaker 3>I don't love it to now come back with like,

0:38:13.960 --> 0:38:14.920
<v Speaker 3>why are you practical?

0:38:15.760 --> 0:38:19.160
<v Speaker 2>Because hey, that was my thing. Now that's what you made.

0:38:19.200 --> 0:38:21.400
<v Speaker 2>The character is unpractical. Now you're attacking me for the

0:38:21.480 --> 0:38:23.279
<v Speaker 2>character you are to marry.

0:38:23.480 --> 0:38:25.680
<v Speaker 1>Ye who have been for the last, by the way,

0:38:25.840 --> 0:38:26.760
<v Speaker 1>five years.

0:38:26.840 --> 0:38:29.960
<v Speaker 3>Yeah, and again Topanga being a totally different character. We've

0:38:29.960 --> 0:38:32.040
<v Speaker 3>talked about that and doing an episode about that great idea,

0:38:32.200 --> 0:38:35.000
<v Speaker 3>don't leg it into now it's her fault that Corey

0:38:35.880 --> 0:38:44.640
<v Speaker 3>very strange.

0:38:49.640 --> 0:38:53.120
<v Speaker 1>So Tapanga takes this idea in Oh boy. Then we're

0:38:53.120 --> 0:38:55.880
<v Speaker 1>in the student union. Corey approaches Foenie. Do I not

0:38:56.080 --> 0:39:00.399
<v Speaker 1>cherish Topanga? Phoenie sarcastically announces, Oh, here we go into

0:39:00.400 --> 0:39:03.719
<v Speaker 1>Corey Land. The little lobster's right here, right right there.

0:39:05.440 --> 0:39:07.640
<v Speaker 1>Corey continues, Did I not raise her and bring her

0:39:07.680 --> 0:39:11.520
<v Speaker 1>into my home? Phoene sternly asks who talks like you?

0:39:11.640 --> 0:39:12.680
<v Speaker 1>Which I loved?

0:39:13.719 --> 0:39:14.839
<v Speaker 4>Because raise her?

0:39:15.200 --> 0:39:15.839
<v Speaker 2>What does that mean?

0:39:15.960 --> 0:39:16.440
<v Speaker 4>Raised her?

0:39:16.520 --> 0:39:18.080
<v Speaker 2>What is I don't understand what that means? Is that

0:39:18.120 --> 0:39:18.440
<v Speaker 2>a joke?

0:39:18.600 --> 0:39:27.399
<v Speaker 1>Literally? Corey's talking like a father about a daughter. Did

0:39:27.400 --> 0:39:30.520
<v Speaker 1>I not love her and raise her with respect and

0:39:30.680 --> 0:39:34.319
<v Speaker 1>provide for her? That's literally what he's saying. And that's

0:39:34.360 --> 0:39:38.640
<v Speaker 1>why Phoene says, thankfully, who talks like you? Because when

0:39:38.680 --> 0:39:42.600
<v Speaker 1>he said it, I was like, what, Yeah? But I

0:39:42.640 --> 0:39:44.360
<v Speaker 1>do think at least they tried to make it a

0:39:44.440 --> 0:39:48.239
<v Speaker 1>joke that he he doesn't really mean that he raises me,

0:39:48.320 --> 0:39:50.840
<v Speaker 1>but I raised me. But I think in the sense

0:39:50.880 --> 0:39:53.520
<v Speaker 1>of like, have I not loved her her whole life?

0:39:53.600 --> 0:39:56.440
<v Speaker 1>Have I not guarded her? Have I not been there?

0:39:56.800 --> 0:40:03.279
<v Speaker 1>Have I not? It's yeah, Corey rants on, I go

0:40:03.360 --> 0:40:05.319
<v Speaker 1>to you and I know exactly what I'm getting. Hello,

0:40:05.440 --> 0:40:08.360
<v Speaker 1>mister Matthews, here's your sensible advice. I'm on my way.

0:40:08.560 --> 0:40:11.160
<v Speaker 1>You are my sensible go to guy. But he feels

0:40:11.160 --> 0:40:13.360
<v Speaker 1>that Tapanga is not what she used to be. Phoene

0:40:13.360 --> 0:40:16.920
<v Speaker 1>wonders what did she used to be? Corey answers, not sensible.

0:40:17.040 --> 0:40:21.240
<v Speaker 1>She was Tapanga now she's Phyllis Munson from Piscataway, New Jersey.

0:40:21.800 --> 0:40:23.719
<v Speaker 1>Phoene tells him that Tapanga Lawrence is one of the

0:40:23.719 --> 0:40:26.640
<v Speaker 1>best people he knows. Corey agrees, but what's wrong with her?

0:40:26.960 --> 0:40:30.480
<v Speaker 1>Phoene's adamant. She's growing up, so are you. Cory asks

0:40:30.520 --> 0:40:32.160
<v Speaker 1>why does she have to grow now at a time

0:40:32.280 --> 0:40:34.640
<v Speaker 1>like this? Phoene gets serious. Do you want to go

0:40:34.640 --> 0:40:37.120
<v Speaker 1>see how your little brother is doing? Corey says yes,

0:40:37.120 --> 0:40:39.560
<v Speaker 1>and Phoene offers to go with him. Corey accepts the

0:40:39.600 --> 0:40:42.080
<v Speaker 1>offer and the two begin to leave, but Corey warns him,

0:40:42.280 --> 0:40:44.959
<v Speaker 1>my homework is going to be unbelievably late this week.

0:40:45.400 --> 0:40:49.520
<v Speaker 1>Phoene says, yeah, what else is new? Then we're in

0:40:49.520 --> 0:40:53.120
<v Speaker 1>the hospital Niku. Allan opens the room and greets another couple,

0:40:53.239 --> 0:40:56.040
<v Speaker 1>Karen and Paul, who are hovering over their baby. He

0:40:56.160 --> 0:40:58.239
<v Speaker 1>asks how their daughter is doing today, and the mother

0:40:58.320 --> 0:41:00.479
<v Speaker 1>says she's doing a little better. He has a little

0:41:00.480 --> 0:41:04.440
<v Speaker 1>more color now. Alan agrees, telling them she looks great.

0:41:04.719 --> 0:41:07.480
<v Speaker 1>Alan makes his way to another father nearby, a Jewish

0:41:07.520 --> 0:41:10.719
<v Speaker 1>man named Michael praying for his baby played by one

0:41:11.000 --> 0:41:14.439
<v Speaker 1>mister Michael Jacobs. It is his only on screen Boy

0:41:14.480 --> 0:41:19.600
<v Speaker 1>Meets World appearance. Ever, Alan asks how his son is doing,

0:41:19.640 --> 0:41:22.800
<v Speaker 1>and Michael reveals I think he smiled at me. Before

0:41:22.840 --> 0:41:25.359
<v Speaker 1>Alan leaves. He asks for a prayer for his boy too,

0:41:25.440 --> 0:41:28.200
<v Speaker 1>and Michael responds, oh, these are for all of us.

0:41:29.040 --> 0:41:31.560
<v Speaker 1>And just like last week where I was a little triggered,

0:41:34.000 --> 0:41:36.280
<v Speaker 1>very triggered again by this whole scene.

0:41:36.560 --> 0:41:37.120
<v Speaker 4>There is.

0:41:38.880 --> 0:41:45.200
<v Speaker 1>Nothing that can prepare you for being on the Nike

0:41:45.200 --> 0:41:48.480
<v Speaker 1>you floor and seeing all the different families and seeing

0:41:48.520 --> 0:41:50.839
<v Speaker 1>all the different parents who wander the halls and their

0:41:50.960 --> 0:41:52.919
<v Speaker 1>robes at all times of the day or night because

0:41:52.920 --> 0:41:54.960
<v Speaker 1>they refuse to leave, and they refuse to go home,

0:41:55.560 --> 0:41:59.640
<v Speaker 1>and you know you're there. You Sometimes you're a person

0:41:59.640 --> 0:42:01.560
<v Speaker 1>who's already been there for a few days and somebody

0:42:01.600 --> 0:42:04.239
<v Speaker 1>new comes in and they only have to be there

0:42:04.280 --> 0:42:06.239
<v Speaker 1>for twenty four hours or forty eight hours and then

0:42:06.280 --> 0:42:08.879
<v Speaker 1>they leave. And other times you've come in and there's

0:42:08.920 --> 0:42:11.240
<v Speaker 1>someone who's been there for a long time before you arrived,

0:42:11.280 --> 0:42:14.839
<v Speaker 1>and you leave long before them. And you know, there

0:42:14.880 --> 0:42:17.440
<v Speaker 1>are kids who are in the NICKU or then the

0:42:17.520 --> 0:42:23.160
<v Speaker 1>pediatric Intensive care unit for a year, and their families

0:42:23.239 --> 0:42:28.080
<v Speaker 1>have to come and go, and you know, some depending

0:42:28.080 --> 0:42:30.360
<v Speaker 1>on which hospital you go to, they offer gas cards.

0:42:30.360 --> 0:42:34.960
<v Speaker 1>Sometimes families are driving hundreds of miles. They don't live

0:42:35.040 --> 0:42:38.480
<v Speaker 1>close to the hospital, and it costs a fortune to

0:42:38.480 --> 0:42:40.960
<v Speaker 1>be able to get there, and people still have to work,

0:42:41.000 --> 0:42:43.640
<v Speaker 1>and so they're not even it's just it is truly

0:42:43.680 --> 0:42:49.000
<v Speaker 1>a place where you feel a kinship with every other

0:42:49.080 --> 0:42:53.480
<v Speaker 1>family there, and when you leave. You know, if you

0:42:53.520 --> 0:42:56.880
<v Speaker 1>are any type of a person who prays or gives

0:42:56.920 --> 0:42:59.759
<v Speaker 1>good vibes or thinks positive thoughts from the moment you

0:42:59.840 --> 0:43:02.399
<v Speaker 1>end till the time you leave, you are doing that

0:43:02.560 --> 0:43:07.960
<v Speaker 1>for every person there with you. So yeah, this was

0:43:08.000 --> 0:43:10.799
<v Speaker 1>actually this was this was hard for me to watch.

0:43:12.040 --> 0:43:13.760
<v Speaker 2>Us too, but for a totally different reason.

0:43:16.160 --> 0:43:18.080
<v Speaker 4>Well, I mean, I think that that's a sign that

0:43:18.120 --> 0:43:21.720
<v Speaker 4>it's effective. You know. Yeah, that's a counterpoint to everything

0:43:21.719 --> 0:43:24.200
<v Speaker 4>that we've been saying, which is that here is a

0:43:24.920 --> 0:43:27.479
<v Speaker 4>you know, it is based on a personal experience. It's yeah,

0:43:27.600 --> 0:43:30.560
<v Speaker 4>it's speaking to your personal experience. So for all of

0:43:30.920 --> 0:43:33.359
<v Speaker 4>you know, all of our eye rolling about the fact

0:43:33.400 --> 0:43:36.320
<v Speaker 4>that The Boy Meets World is leaning into such a

0:43:36.400 --> 0:43:41.000
<v Speaker 4>dramatic episode, it maybe it's appropriate, you know, maybe if

0:43:41.040 --> 0:43:41.919
<v Speaker 4>you're think.

0:43:41.880 --> 0:43:44.799
<v Speaker 3>Something would be more appropriate, and it would it would

0:43:44.920 --> 0:43:51.320
<v Speaker 3>land easier if it wasn't surrounded by other really intense episodes.

0:43:51.960 --> 0:43:56.080
<v Speaker 1>Or other really intense scenes like even like you said,

0:43:56.120 --> 0:43:59.600
<v Speaker 1>then on the outside of the hospital room, Corey is

0:43:59.640 --> 0:44:02.040
<v Speaker 1>mad at to Penga for something, and we're like wait,

0:44:02.080 --> 0:44:04.240
<v Speaker 1>why does everybody feel it? Why is it such a downer?

0:44:04.560 --> 0:44:05.960
<v Speaker 2>Yeah, it does.

0:44:06.000 --> 0:44:07.759
<v Speaker 3>It just with the whole chet thing coming off, the

0:44:07.800 --> 0:44:11.480
<v Speaker 3>chet thing and Jack and Eric, you know, having problems

0:44:11.520 --> 0:44:15.400
<v Speaker 3>and Rachel and it's everybody's having issues now. And so

0:44:15.760 --> 0:44:19.080
<v Speaker 3>this what should be something super important that was somebody's

0:44:19.120 --> 0:44:21.120
<v Speaker 3>personal experience that does affect a lot of people. That

0:44:21.120 --> 0:44:24.120
<v Speaker 3>should have landed, not to say like a very special episode,

0:44:24.160 --> 0:44:26.759
<v Speaker 3>but one that does stand alone as man, this is

0:44:26.800 --> 0:44:27.160
<v Speaker 3>real life.

0:44:27.200 --> 0:44:28.440
<v Speaker 2>We're going to hit you with real life in the

0:44:28.480 --> 0:44:29.200
<v Speaker 2>mouth right now.

0:44:29.800 --> 0:44:33.399
<v Speaker 3>It starts to get a little beige because everything has

0:44:33.440 --> 0:44:36.480
<v Speaker 3>been like that now for several episodes, so it doesn't

0:44:36.560 --> 0:44:38.799
<v Speaker 3>land with the same impact because you're hearing the same

0:44:38.840 --> 0:44:40.880
<v Speaker 3>note now for three or four episodes in a row.

0:44:41.280 --> 0:44:44.400
<v Speaker 3>So it's just more sadness on top of more sadness.

0:44:45.080 --> 0:44:47.239
<v Speaker 2>Because I think you're right, writer, and what Danielle is saying, how.

0:44:47.200 --> 0:44:48.719
<v Speaker 3>Much is affecting are we all know people that have

0:44:48.760 --> 0:44:50.719
<v Speaker 3>had children and the nick you and and it is

0:44:50.760 --> 0:44:54.160
<v Speaker 3>it's that becomes your life, So that itself should have

0:44:54.600 --> 0:44:57.440
<v Speaker 3>had a much more powerful impact than it did because

0:44:57.480 --> 0:45:00.279
<v Speaker 3>it's just now kind of bland because it just keeps

0:45:00.320 --> 0:45:02.440
<v Speaker 3>happening over and over now with these episodes.

0:45:03.560 --> 0:45:07.200
<v Speaker 1>Yeah. Then he finds Amy sleeping in a chair near

0:45:07.239 --> 0:45:09.920
<v Speaker 1>their baby. He whispers some words of encouragement to the baby.

0:45:10.040 --> 0:45:13.880
<v Speaker 1>Just as Amy opens her eyes. Joshua Alan is startled.

0:45:14.040 --> 0:45:17.480
<v Speaker 1>What does she mean? Amy explains, I decided on Joshua

0:45:17.719 --> 0:45:23.000
<v Speaker 1>Joshua Gabriel Matthews. Gabriel means he who God protects. Alan

0:45:23.080 --> 0:45:25.080
<v Speaker 1>now wants to know how Joshua is doing today, and

0:45:25.120 --> 0:45:27.319
<v Speaker 1>Amy says the doctor suggests they talk to him and

0:45:27.360 --> 0:45:29.600
<v Speaker 1>tell them who they are. The couple stick their hands

0:45:29.600 --> 0:45:32.480
<v Speaker 1>inside of the incubator. As Alan introduces himself as dad.

0:45:33.040 --> 0:45:34.719
<v Speaker 1>He tells his baby that he loves him and he

0:45:34.719 --> 0:45:37.759
<v Speaker 1>wants him to get better. He repeats Joshua Gabriel's name

0:45:37.760 --> 0:45:41.400
<v Speaker 1>and then desperately asks God for help. Outside, Eric and

0:45:41.400 --> 0:45:43.799
<v Speaker 1>Tommy are looking in on their new baby brother. Eric

0:45:43.840 --> 0:45:46.080
<v Speaker 1>proves to Tommy that the baby is still here, but

0:45:46.160 --> 0:45:49.520
<v Speaker 1>it's time to go back home now. Tommy asks if

0:45:49.640 --> 0:45:51.839
<v Speaker 1>Eric's coming back to the hospital after he drops him off,

0:45:51.880 --> 0:45:54.319
<v Speaker 1>and Eric nods, yeah, I'm gonna come right back here

0:45:54.320 --> 0:45:56.200
<v Speaker 1>and I'm going to tell him all about you. I'm

0:45:56.200 --> 0:45:57.719
<v Speaker 1>going to tell him how he spent the whole day

0:45:57.719 --> 0:46:01.040
<v Speaker 1>with him. Tommy assures him he knows I'd it. Eric

0:46:01.080 --> 0:46:04.000
<v Speaker 1>smiles and kisses Tommy's head, but Tommy isn't having it. Hey,

0:46:04.760 --> 0:46:07.840
<v Speaker 1>Eric's admits, all right, come on, saddle up. He kneels

0:46:07.880 --> 0:46:11.200
<v Speaker 1>down and toppy Tommy hops onto his back. Gidea Porsy.

0:46:11.920 --> 0:46:14.719
<v Speaker 2>It's a cute relationship. The Tommy Eric is a very

0:46:14.719 --> 0:46:15.480
<v Speaker 2>cute relationship.

0:46:15.480 --> 0:46:18.960
<v Speaker 3>It really works Eric with kids because in some ways

0:46:18.960 --> 0:46:20.960
<v Speaker 3>he's the adult and in some ways he's on their level.

0:46:21.280 --> 0:46:25.040
<v Speaker 2>Yep, yeah, it really. It's so cute. Between any time

0:46:25.120 --> 0:46:25.799
<v Speaker 2>that Tommy.

0:46:25.560 --> 0:46:28.600
<v Speaker 4>Is smarter than you could come back, it's just great.

0:46:28.800 --> 0:46:30.200
<v Speaker 2>It's yeah, it really works.

0:46:31.239 --> 0:46:33.600
<v Speaker 1>The two walk through the hospital waiting room, which is

0:46:33.640 --> 0:46:36.160
<v Speaker 1>filled with all of the friends in Matthew's family. Tommy

0:46:36.160 --> 0:46:38.080
<v Speaker 1>says goodbye to each and every one of them by

0:46:38.160 --> 0:46:41.520
<v Speaker 1>name ending with Rachel and Jack, Big Girl, and Rat.

0:46:41.800 --> 0:46:45.799
<v Speaker 1>Once again. To Panga, loudly states Corey, I feel like

0:46:45.840 --> 0:46:48.880
<v Speaker 1>we're really distant. Everyone looks up and we see that

0:46:48.960 --> 0:46:51.200
<v Speaker 1>they are literally sitting across the room from each other.

0:46:51.640 --> 0:46:54.680
<v Speaker 1>He loudly responds, why would you say that to Panga

0:46:54.680 --> 0:46:56.799
<v Speaker 1>admits because for the first time in my life. I

0:46:56.800 --> 0:46:58.200
<v Speaker 1>feel like I don't know how to give you what

0:46:58.280 --> 0:47:01.799
<v Speaker 1>you need. Corey wonders why not, and Tapeka says because

0:47:01.800 --> 0:47:04.080
<v Speaker 1>they can't go through life together if he expects her

0:47:04.080 --> 0:47:07.560
<v Speaker 1>to change his reality. Corey winds, well, you used to

0:47:07.600 --> 0:47:10.520
<v Speaker 1>be able to. Everyone is watching the conversation back and

0:47:10.520 --> 0:47:13.840
<v Speaker 1>forth like a tennis match, which gets an oddly placed laugh.

0:47:14.719 --> 0:47:18.000
<v Speaker 1>Tapega responds, we were kids. Nothing bad ever happened. The

0:47:18.040 --> 0:47:20.000
<v Speaker 1>worst thing that happened was when your pop tart fell

0:47:20.000 --> 0:47:22.680
<v Speaker 1>on the ground. Corey agrees. And you held it up

0:47:22.719 --> 0:47:25.160
<v Speaker 1>to the sky and you said God made dirt. Dirt

0:47:25.160 --> 0:47:28.319
<v Speaker 1>won't hurt, right. Tapenga says it was still dirty, but

0:47:28.400 --> 0:47:30.720
<v Speaker 1>Corey points out that he ate it anyway. He didn't

0:47:30.760 --> 0:47:33.239
<v Speaker 1>have to, but he did because she said too. He

0:47:33.320 --> 0:47:35.640
<v Speaker 1>finally walks over to her, I want you to make

0:47:35.680 --> 0:47:39.000
<v Speaker 1>everything better. To Panga, she shakes her head. We can't

0:47:39.040 --> 0:47:42.400
<v Speaker 1>have that relationship anymore. Corey keeps asking why, and she

0:47:42.480 --> 0:47:45.920
<v Speaker 1>finally admits, I don't know how to be like that anymore. Corey,

0:47:46.000 --> 0:47:48.720
<v Speaker 1>this is bad. There isn't anyone who can make it better.

0:47:49.000 --> 0:47:51.680
<v Speaker 1>And on cue the elevator door's open.

0:47:51.880 --> 0:47:53.840
<v Speaker 4>Here's someone who's gonna make it better.

0:47:53.960 --> 0:47:58.600
<v Speaker 1>Guess who's gonna make it better? Shone, it's Shonsi with

0:47:58.640 --> 0:48:02.560
<v Speaker 1>a big Smiley's eyes light up and they give each

0:48:02.560 --> 0:48:05.240
<v Speaker 1>other a big hug. We get another imate.

0:48:05.640 --> 0:48:10.760
<v Speaker 4>Cory correct he actually respects individual.

0:48:10.280 --> 0:48:12.839
<v Speaker 1>The Levey wants the love who just knows how to

0:48:12.880 --> 0:48:15.520
<v Speaker 1>give him what he needs about being asked.

0:48:15.520 --> 0:48:19.800
<v Speaker 4>Who him everything? Because Sean has nothing and has needed

0:48:19.800 --> 0:48:20.800
<v Speaker 4>a family and needed all that.

0:48:20.960 --> 0:48:25.239
<v Speaker 1>Yeah, Sean grabs Corey's shoulders. Listen, Everything's going to be

0:48:25.280 --> 0:48:28.280
<v Speaker 1>all right. Corey makes sure you think and Sean nods,

0:48:28.640 --> 0:48:31.360
<v Speaker 1>I know. The boy's hug again is a concerned to

0:48:31.440 --> 0:48:34.839
<v Speaker 1>Panga looks on, and then there's a commercial break. We're

0:48:34.880 --> 0:48:36.920
<v Speaker 1>back in the hospital waiting room and Sean says he

0:48:37.000 --> 0:48:39.040
<v Speaker 1>tried calling them at the dorms and Angela told him

0:48:39.040 --> 0:48:41.560
<v Speaker 1>what happened, so he drove back as fast as he could.

0:48:41.920 --> 0:48:44.080
<v Speaker 1>He exchanges helloes with mister Foene and asks how the

0:48:44.080 --> 0:48:47.239
<v Speaker 1>baby's doing. Tapega tells him it's very serious, but Cory

0:48:47.280 --> 0:48:49.680
<v Speaker 1>assures him that everything's going to be fine. So so

0:48:49.880 --> 0:48:52.359
<v Speaker 1>to Panga details he's so small he's having a hard

0:48:52.360 --> 0:48:55.480
<v Speaker 1>time breathing and he can't fight the infection. Corey knowingly

0:48:55.520 --> 0:48:58.359
<v Speaker 1>states again he's going to be fine. To Pega begs

0:48:58.360 --> 0:49:00.520
<v Speaker 1>Sean to talk to him, she can't get through to him.

0:49:00.680 --> 0:49:03.560
<v Speaker 1>He'll listen to his best friend. Sean nods he can

0:49:03.560 --> 0:49:05.920
<v Speaker 1>handle it. He turns to Corey and grabs him by

0:49:05.960 --> 0:49:08.239
<v Speaker 1>the shoulder. Man, are we going to have so much

0:49:08.320 --> 0:49:11.440
<v Speaker 1>fun with this kid? Corey happily agrees. The kid is

0:49:11.440 --> 0:49:17.480
<v Speaker 1>going to be our slave. Funny funny slave jokes, well.

0:49:17.320 --> 0:49:18.839
<v Speaker 2>Dead baby slave. We're trying to hit it all.

0:49:20.719 --> 0:49:24.120
<v Speaker 4>Has Sean ever really been the like cheer up guy.

0:49:24.280 --> 0:49:26.720
<v Speaker 4>Sean's the downer. Sean's the moody.

0:49:27.040 --> 0:49:29.839
<v Speaker 1>Sean's the one who's like he still died.

0:49:31.360 --> 0:49:35.080
<v Speaker 4>I don't this is not Sean. No, I don't know

0:49:35.120 --> 0:49:40.680
<v Speaker 4>what's happened. It's yeah, shoehorning characters into philosophy.

0:49:40.640 --> 0:49:43.879
<v Speaker 1>Yes, or real life experience, and then we're just like, we'll

0:49:43.920 --> 0:49:45.160
<v Speaker 1>just have these characters do this thing.

0:49:45.360 --> 0:49:48.600
<v Speaker 3>Do either of you know, did Michael have a Sean?

0:49:49.920 --> 0:49:57.439
<v Speaker 3>Did we meet like friend? Sean McCracken is yeah, because

0:49:57.440 --> 0:49:59.319
<v Speaker 3>he didn't, and then McCracken until they were in they

0:49:59.320 --> 0:50:01.760
<v Speaker 3>were much late in life and now, but I do think.

0:50:01.600 --> 0:50:05.200
<v Speaker 4>They have McCracken identified with Sean, Yeah, as this, I

0:50:05.239 --> 0:50:08.279
<v Speaker 4>don't know. That's my assumption is that you know their

0:50:08.440 --> 0:50:11.640
<v Speaker 4>twenty something friendship was a very was the basis. Yeah,

0:50:11.680 --> 0:50:12.840
<v Speaker 4>a Sean Corey dynamic.

0:50:15.280 --> 0:50:17.480
<v Speaker 1>They go back and forth about what fun they're going

0:50:17.520 --> 0:50:19.839
<v Speaker 1>to have teaching him everything they know and bailing him

0:50:19.840 --> 0:50:22.240
<v Speaker 1>out of jail. To Penga sits next to mister Feoenie

0:50:22.280 --> 0:50:24.680
<v Speaker 1>and asks him to say something, but Corey cuts her

0:50:24.719 --> 0:50:26.600
<v Speaker 1>off to jokingly tell Feenie, I think you're going to

0:50:26.640 --> 0:50:29.680
<v Speaker 1>have another Matthews to teach Sean grins and maybe he'll

0:50:29.680 --> 0:50:31.800
<v Speaker 1>have a kid like me to sit next to. Corey

0:50:31.800 --> 0:50:34.160
<v Speaker 1>punches back, Well, he won't have to, because you'll still

0:50:34.200 --> 0:50:36.799
<v Speaker 1>be there. They let out over the top laughs at

0:50:36.800 --> 0:50:40.480
<v Speaker 1>their comedy routine. To Pega asks Phoene again, isn't he

0:50:40.520 --> 0:50:42.759
<v Speaker 1>going to say anything to them? Phoene nods and gets

0:50:42.800 --> 0:50:45.920
<v Speaker 1>the boys attention. Boys, I hope you're right with all

0:50:45.960 --> 0:50:49.280
<v Speaker 1>my heart. I hope you're right, which is no different

0:50:49.400 --> 0:50:50.640
<v Speaker 1>than what Tapanga has said.

0:50:50.920 --> 0:50:54.920
<v Speaker 2>No, actually it's way different. He's a he's a man, Danielle.

0:50:54.920 --> 0:50:57.480
<v Speaker 1>He's an older you can make and take what he

0:50:57.560 --> 0:50:58.840
<v Speaker 1>says seriously.

0:50:59.000 --> 0:50:59.680
<v Speaker 2>He's a mass.

0:51:00.520 --> 0:51:01.480
<v Speaker 1>Yeah that makes sense.

0:51:01.719 --> 0:51:04.040
<v Speaker 2>Whoa, whoa, why are you being hysterical?

0:51:04.640 --> 0:51:06.919
<v Speaker 4>Calm down, just calm down.

0:51:06.960 --> 0:51:08.680
<v Speaker 1>I'm sorry, I got I'm a little emotional.

0:51:08.920 --> 0:51:11.360
<v Speaker 4>Wow. Yeah is the time of the month.

0:51:11.520 --> 0:51:16.279
<v Speaker 1>It might be it's any day now, So yeah, I apologize,

0:51:16.960 --> 0:51:20.400
<v Speaker 1>you know, Okay, Yeah, I should probably not schedule these

0:51:20.440 --> 0:51:21.600
<v Speaker 1>podcasts around that time.

0:51:21.640 --> 0:51:28.920
<v Speaker 3>I just you do respond great, you're doing great, and

0:51:29.000 --> 0:51:30.240
<v Speaker 3>I'll talk about this later.

0:51:30.280 --> 0:51:31.799
<v Speaker 2>But you're doing very well.

0:51:32.200 --> 0:51:36.200
<v Speaker 4>I think we raised her pretty well. Guys.

0:51:36.320 --> 0:51:38.600
<v Speaker 2>I think we if we if we look back.

0:51:40.040 --> 0:51:41.719
<v Speaker 1>Good bye, we did good. Thank you.

0:51:41.960 --> 0:51:49.560
<v Speaker 4>Just play to our delusions. So weird? Oy.

0:51:51.400 --> 0:51:53.560
<v Speaker 1>Then Amy and Allen walk into the room and are

0:51:53.600 --> 0:51:56.160
<v Speaker 1>happy to see their son's best friend. Sean asks if

0:51:56.160 --> 0:52:00.200
<v Speaker 1>everything's okay, and Amy admits no. Joshua hasn't responded to

0:52:00.239 --> 0:52:06.240
<v Speaker 1>the antibiotics yet. Why is Amy so different? Why can't

0:52:06.320 --> 0:52:11.279
<v Speaker 1>she be making lunches and talking about how great high

0:52:11.320 --> 0:52:14.600
<v Speaker 1>school's going to be? Why she's such a Why she's

0:52:14.680 --> 0:52:19.759
<v Speaker 1>so different? Alan introduces everyone to mister Markman, who has

0:52:19.800 --> 0:52:21.560
<v Speaker 1>been kind enough to sit with them for the past

0:52:21.600 --> 0:52:22.240
<v Speaker 1>three hours.

0:52:22.840 --> 0:52:24.240
<v Speaker 2>So this is his only patient.

0:52:24.920 --> 0:52:27.400
<v Speaker 3>The guy who's the specialist can sit with them for

0:52:27.520 --> 0:52:28.400
<v Speaker 3>three hours.

0:52:29.920 --> 0:52:32.600
<v Speaker 1>Anybody who's ever been in a hospital knows that that's

0:52:32.640 --> 0:52:36.640
<v Speaker 1>not true. No, just trying to get thirty five seconds

0:52:36.680 --> 0:52:39.839
<v Speaker 1>in a hospital to ask a doctor what's going on?

0:52:40.080 --> 0:52:43.400
<v Speaker 1>What's this test result mean? Is nearly impossible. You have

0:52:43.440 --> 0:52:46.040
<v Speaker 1>to have a pager and two cell phones and seventy

0:52:46.040 --> 0:52:47.359
<v Speaker 1>five people on alert at.

0:52:47.320 --> 0:52:50.000
<v Speaker 2>All times hours. He just hung out with them and

0:52:50.080 --> 0:52:50.640
<v Speaker 2>just stayed there.

0:52:50.920 --> 0:52:54.520
<v Speaker 4>Just interesting. I wonder if that's based on some someone personal, like,

0:52:54.760 --> 0:52:56.760
<v Speaker 4>you know, because why do they bring in this extra

0:52:56.840 --> 0:53:01.320
<v Speaker 4>doctor right like we're not the woman who gave helped

0:53:01.320 --> 0:53:03.840
<v Speaker 4>give birth to the bay or did the surgery last week?

0:53:04.080 --> 0:53:06.359
<v Speaker 4>Passes the buck to a man.

0:53:06.400 --> 0:53:09.239
<v Speaker 3>I think it's show the gramatag like it's supposed to

0:53:09.239 --> 0:53:12.600
<v Speaker 3>show the gramatas of the danger we need to bring

0:53:12.640 --> 0:53:16.640
<v Speaker 3>in siesr Obi was while she checked in on me,

0:53:16.960 --> 0:53:18.440
<v Speaker 3>was not my doctor anymore.

0:53:18.480 --> 0:53:20.239
<v Speaker 1>Once Adler was in the nick ku then he had

0:53:20.320 --> 0:53:23.279
<v Speaker 1>all kinds of you know, lung specialists, the reality of

0:53:23.320 --> 0:53:26.000
<v Speaker 1>that that yeah, that does happen, you'r OB's like, I

0:53:26.040 --> 0:53:26.880
<v Speaker 1>did my job.

0:53:26.880 --> 0:53:29.719
<v Speaker 4>So like the perfect doctor, you know, I know, like

0:53:30.360 --> 0:53:32.360
<v Speaker 4>the dream.

0:53:32.440 --> 0:53:35.960
<v Speaker 1>And then Corey is confused the baby got more medication.

0:53:36.840 --> 0:53:38.760
<v Speaker 1>I don't know how he got that from the doctor

0:53:38.800 --> 0:53:43.560
<v Speaker 1>spending three hours with them. But okay, doctor Mark, when explains,

0:53:43.560 --> 0:53:45.399
<v Speaker 1>we've given him all the medicine we can give him.

0:53:45.440 --> 0:53:47.719
<v Speaker 1>We've been in there sitting with him and talking with him.

0:53:47.960 --> 0:53:51.000
<v Speaker 1>What happens next is up to josh Amy reveals that

0:53:51.040 --> 0:53:52.600
<v Speaker 1>the doctor thought it would be a good idea if

0:53:52.600 --> 0:53:54.840
<v Speaker 1>Corey went in to say hello to his brother. Corey

0:53:54.880 --> 0:53:56.719
<v Speaker 1>tells Shawn and Tipanga he'd like them to come to.

0:53:57.280 --> 0:53:58.920
<v Speaker 1>On their way to the Nick You, Shawan is stopped

0:53:58.920 --> 0:54:02.200
<v Speaker 1>by a nurse. She said it's family only. Alan alerts

0:54:02.200 --> 0:54:04.640
<v Speaker 1>her that he is family and she lets him through

0:54:04.920 --> 0:54:05.560
<v Speaker 1>and there's more.

0:54:05.920 --> 0:54:08.920
<v Speaker 4>Ah, but to Panga doesn't get stopped.

0:54:09.320 --> 0:54:12.160
<v Speaker 3>I don't know why the nurse and I asked Susan

0:54:12.160 --> 0:54:17.800
<v Speaker 3>about this, and she said that maybe because you're engaged considered.

0:54:18.200 --> 0:54:19.920
<v Speaker 4>So you've already had this moment. We've explained.

0:54:20.880 --> 0:54:24.960
<v Speaker 1>The nurse knows the Matthew's Tree family dynamic. Yeah.

0:54:25.000 --> 0:54:26.640
<v Speaker 2>Well, the doctor's been sitting there for three hours.

0:54:26.640 --> 0:54:28.600
<v Speaker 1>He had to learn, he had to learn something. Yeah,

0:54:28.640 --> 0:54:31.240
<v Speaker 1>that's a good point. And then in the Nick You, Tapanga,

0:54:31.320 --> 0:54:33.920
<v Speaker 1>Corey and Sean. Now when scrubs are all gathered around

0:54:33.920 --> 0:54:36.960
<v Speaker 1>the incubator. Corey introduces himself and a teary eyed to Panga.

0:54:37.040 --> 0:54:39.600
<v Speaker 1>To Joshua, he says he always wanted a little brother,

0:54:39.640 --> 0:54:42.400
<v Speaker 1>and now he has to get better. Tapega jumps in,

0:54:42.480 --> 0:54:44.719
<v Speaker 1>telling the baby to let the medicine get him better

0:54:44.760 --> 0:54:47.040
<v Speaker 1>because there are a lot of people who really love him.

0:54:47.400 --> 0:54:51.200
<v Speaker 1>She begins to cry, realizing how helpless he is. Then

0:54:51.520 --> 0:54:54.360
<v Speaker 1>Sean says hello. He tells josh that this is the

0:54:54.400 --> 0:54:56.560
<v Speaker 1>second time he's been in the hospital this year, and

0:54:56.600 --> 0:55:00.279
<v Speaker 1>the first time didn't go so well, and jo even

0:55:00.280 --> 0:55:02.320
<v Speaker 1>get him started on mister Turner.

0:55:02.560 --> 0:55:06.200
<v Speaker 3>Oh, it does not do well there. I'm glad I

0:55:06.239 --> 0:55:10.160
<v Speaker 3>never had a scene by the Yeah, you just.

0:55:10.120 --> 0:55:12.480
<v Speaker 1>Had to put your put your face to the glass.

0:55:13.000 --> 0:55:16.000
<v Speaker 2>Yeah. But it's also just the wardrobe because I don't

0:55:16.000 --> 0:55:16.720
<v Speaker 2>want to cross.

0:55:17.160 --> 0:55:20.279
<v Speaker 1>No, I don't want the steps there. It's really cross.

0:55:20.719 --> 0:55:23.719
<v Speaker 4>I hated this scene so much. I hated watching it,

0:55:23.760 --> 0:55:26.040
<v Speaker 4>and I could feel me hating doing it. I was

0:55:26.120 --> 0:55:29.160
<v Speaker 4>just like what, I'm just what you're gods, I'm just

0:55:29.239 --> 0:55:33.120
<v Speaker 4>talking talking to just it was a Joshua jos it

0:55:33.160 --> 0:55:36.080
<v Speaker 4>was I'm just so monotized, like I can tell, I'm

0:55:36.120 --> 0:55:37.840
<v Speaker 4>just like what it's just exposition.

0:55:37.920 --> 0:55:40.399
<v Speaker 2>It's just but it's also like the third one.

0:55:40.480 --> 0:55:44.200
<v Speaker 6>I mean, Rusty's his one, and I mean it's it's

0:55:44.239 --> 0:55:46.600
<v Speaker 6>just everybody coming in and doing a monologue over this

0:55:46.640 --> 0:55:49.560
<v Speaker 6>little baby, which apparently you're also not supposed to have

0:55:49.960 --> 0:55:52.160
<v Speaker 6>h Teddy Bear in the thing.

0:55:53.200 --> 0:55:57.279
<v Speaker 3>No, like it's actually in the thing with him. Let's

0:55:57.320 --> 0:56:00.640
<v Speaker 3>not maybe maybe keep it a safe space.

0:56:01.560 --> 0:56:05.200
<v Speaker 1>So yeah, trying to remember Adler, we did have a couple.

0:56:05.360 --> 0:56:07.160
<v Speaker 1>We did have little things like there he had a

0:56:07.160 --> 0:56:11.799
<v Speaker 1>little fox rattle and a friend of ours who had

0:56:11.800 --> 0:56:13.560
<v Speaker 1>had a baby, and the nick you had an owl

0:56:13.680 --> 0:56:16.680
<v Speaker 1>that they put on top of his bedside thing that

0:56:16.680 --> 0:56:18.839
<v Speaker 1>they said the owl watched over him twenty four hours

0:56:18.880 --> 0:56:21.680
<v Speaker 1>a day, and they kept it inside, no, not inside,

0:56:21.680 --> 0:56:23.400
<v Speaker 1>And so then they gave it to us so that

0:56:23.440 --> 0:56:25.680
<v Speaker 1>it could watch over our baby. And then we passed

0:56:25.680 --> 0:56:27.759
<v Speaker 1>it on to the next person. You learn, the baby

0:56:27.760 --> 0:56:30.320
<v Speaker 1>and the nikki. So this owl's looked over many a baby's.

0:56:31.400 --> 0:56:33.600
<v Speaker 1>He tells Josh about his road trip where he was

0:56:33.640 --> 0:56:36.280
<v Speaker 1>looking to find himself after being in a real bad way,

0:56:36.640 --> 0:56:38.840
<v Speaker 1>and now Josh is in a real bad way, but

0:56:39.080 --> 0:56:41.440
<v Speaker 1>he came back because he wanted to tell him something.

0:56:41.960 --> 0:56:45.560
<v Speaker 1>Don't go out of town. Don't go anywhere. Life is

0:56:45.680 --> 0:56:49.120
<v Speaker 1>right here with these people, with your family and my family.

0:56:49.440 --> 0:56:52.000
<v Speaker 1>We got the greatest family there is, Josh. We want

0:56:52.080 --> 0:56:53.440
<v Speaker 1>you to be with us so we can watch you

0:56:53.520 --> 0:56:56.200
<v Speaker 1>grow and see you change and make great memories together.

0:56:56.560 --> 0:56:59.600
<v Speaker 4>I really like the to me. The point of this

0:57:00.200 --> 0:57:03.200
<v Speaker 4>monologue is that Sean has made a realization on his

0:57:03.280 --> 0:57:06.359
<v Speaker 4>road trip, right, like he was running away, but now

0:57:06.400 --> 0:57:10.160
<v Speaker 4>he's decided to come back. But just make that specific,

0:57:10.239 --> 0:57:12.400
<v Speaker 4>like I wanted to say something real, like I was

0:57:12.400 --> 0:57:15.000
<v Speaker 4>on the road, I went to this you know, I

0:57:15.040 --> 0:57:18.120
<v Speaker 4>made it to this place. I don't know, like some story,

0:57:18.200 --> 0:57:21.240
<v Speaker 4>some actual concrete thing, because as it is, I'm just

0:57:21.280 --> 0:57:25.480
<v Speaker 4>like speaking in abstract sort of language. It just doesn't

0:57:25.800 --> 0:57:28.640
<v Speaker 4>it doesn't feel focused. It feels I don't know, I

0:57:28.840 --> 0:57:29.840
<v Speaker 4>just frustrated.

0:57:30.120 --> 0:57:35.200
<v Speaker 3>At the beginning, So Sean says, I called the dorm.

0:57:35.480 --> 0:57:38.439
<v Speaker 3>I called Angela, and she told me what was going on. Right,

0:57:38.480 --> 0:57:41.280
<v Speaker 3>That's how he found out. So he was just calling

0:57:41.320 --> 0:57:43.560
<v Speaker 3>to check in and he found out, and that's what

0:57:43.640 --> 0:57:44.440
<v Speaker 3>turned him around.

0:57:44.560 --> 0:57:46.160
<v Speaker 2>Correct, that's what they were getting at.

0:57:46.200 --> 0:57:48.560
<v Speaker 4>Okay, But then I'm coming here and I'm saying don't

0:57:48.640 --> 0:57:51.760
<v Speaker 4>leave town, which it seems like, you know, maybe the

0:57:51.800 --> 0:57:54.320
<v Speaker 4>realization was I got this phone call, like and maybe

0:57:54.440 --> 0:57:56.680
<v Speaker 4>that should be the monologue, like I got a phone

0:57:56.720 --> 0:57:59.080
<v Speaker 4>call that I heard about you, and I knew I

0:57:59.120 --> 0:58:00.600
<v Speaker 4>had to come back, and that I, you know, was

0:58:00.640 --> 0:58:03.480
<v Speaker 4>being selfish or you know, had my head up my

0:58:03.480 --> 0:58:05.720
<v Speaker 4>ass running around like I needed to be here for

0:58:05.800 --> 0:58:08.400
<v Speaker 4>these people who love you and that I love you know,

0:58:08.440 --> 0:58:11.200
<v Speaker 4>but like it's never it's just this whole mangolaw doesn't

0:58:11.240 --> 0:58:13.640
<v Speaker 4>have teeth because it feels so it's just all this

0:58:13.840 --> 0:58:16.720
<v Speaker 4>like don't leave town, this and that and that.

0:58:16.800 --> 0:58:17.880
<v Speaker 2>You know, it's all this abstract.

0:58:17.920 --> 0:58:20.000
<v Speaker 4>I can't even remember it, Like right now, I cannot

0:58:20.040 --> 0:58:21.840
<v Speaker 4>remember any of the words used in this thing.

0:58:21.960 --> 0:58:23.640
<v Speaker 1>Like it's just I know, I can't remember any of

0:58:23.680 --> 0:58:25.400
<v Speaker 1>the words used either. But I will say it was

0:58:25.560 --> 0:58:31.400
<v Speaker 1>pretty clear to me that Sean was saying everything you

0:58:31.480 --> 0:58:34.280
<v Speaker 1>need in your life is here with these people, right,

0:58:34.400 --> 0:58:38.080
<v Speaker 1>and you're gonna feel many times in your life like

0:58:38.120 --> 0:58:40.200
<v Speaker 1>you've got to go off on a search to find

0:58:40.240 --> 0:58:42.880
<v Speaker 1>out who you are. And then that's tying into the

0:58:42.920 --> 0:58:47.120
<v Speaker 1>Qurey into Panga situation, who are you? Everything you need

0:58:47.160 --> 0:58:49.320
<v Speaker 1>to know about who you are can be told to

0:58:49.400 --> 0:58:52.240
<v Speaker 1>you through these people and this family, and this is

0:58:52.360 --> 0:58:56.040
<v Speaker 1>you know, everything you need. It's pretty it's that part's

0:58:56.040 --> 0:58:57.080
<v Speaker 1>all pretty clear.

0:58:56.960 --> 0:58:59.360
<v Speaker 4>But it's all me. Thematic language is what I say. Like,

0:58:59.360 --> 0:59:02.360
<v Speaker 4>it's no concrete, it's not character based, it's not And

0:59:02.360 --> 0:59:04.240
<v Speaker 4>that's why this was so hard for me to say

0:59:04.600 --> 0:59:06.320
<v Speaker 4>and so hard for me to watch now. It's because

0:59:06.320 --> 0:59:09.200
<v Speaker 4>I'm like, yeah, this is a this is poorly written.

0:59:09.280 --> 0:59:12.360
<v Speaker 4>Like I needed like something concrete to get my head

0:59:12.360 --> 0:59:15.160
<v Speaker 4>around or something immediate. Instead, I'm just here is the

0:59:15.160 --> 0:59:18.760
<v Speaker 4>thematic language that explains the themes of my character and

0:59:18.800 --> 0:59:20.040
<v Speaker 4>my thoughts and my you know.

0:59:20.880 --> 0:59:22.720
<v Speaker 1>It would have been great if you just talked to

0:59:22.760 --> 0:59:26.400
<v Speaker 1>the baby just about you just about and.

0:59:26.400 --> 0:59:28.400
<v Speaker 4>You know, I was on the road and I found

0:59:28.400 --> 0:59:31.160
<v Speaker 4>this payphone and I was gonna call Angela to say this,

0:59:31.240 --> 0:59:33.600
<v Speaker 4>but guess what I heard. Now, it's a real story. Now,

0:59:33.600 --> 0:59:35.440
<v Speaker 4>it's like and then I heard her say to me,

0:59:36.040 --> 0:59:38.520
<v Speaker 4>there's this new baby, and I came running here because

0:59:38.560 --> 0:59:40.440
<v Speaker 4>I wanted to see you, buddy. And then, you know,

0:59:40.520 --> 0:59:43.000
<v Speaker 4>like if it was a very immediate like concrete, it

0:59:43.160 --> 0:59:44.160
<v Speaker 4>just instead.

0:59:43.800 --> 0:59:49.840
<v Speaker 1>It's yes, yes, Tapenga. Thanks Corey for remembering who she was.

0:59:50.560 --> 0:59:55.200
<v Speaker 1>He smiles. You're in my heart. She nods, you're in

0:59:55.360 --> 0:59:59.800
<v Speaker 1>my heart too. Sean points out the couple to Josh

1:00:00.080 --> 1:00:04.800
<v Speaker 1>and then well they'll grow on you. And then we're

1:00:04.800 --> 1:00:07.040
<v Speaker 1>back at the apartment. Eric is wearing a blanket like

1:00:07.040 --> 1:00:13.120
<v Speaker 1>a cape and speaking in Count Shoula.

1:00:13.280 --> 1:00:17.240
<v Speaker 2>It's more like Swedish Russian I have. It's kind of Russian.

1:00:17.320 --> 1:00:19.360
<v Speaker 2>It's like I am doing made but I was like,

1:00:19.400 --> 1:00:20.400
<v Speaker 2>what the hell accent?

1:00:20.520 --> 1:00:25.120
<v Speaker 1>The cairn says, it's an Italian accent, which it is not.

1:00:24.600 --> 1:00:26.680
<v Speaker 4>It is not.

1:00:27.240 --> 1:00:30.720
<v Speaker 2>Like I don't even know what accent on it.

1:00:30.720 --> 1:00:35.560
<v Speaker 1>It's definitely Count Shocula, ladies, and a gentleman's presenting for

1:00:35.640 --> 1:00:40.000
<v Speaker 1>your entertainment pleasure, the amazing Flying Tommy will perform for

1:00:40.080 --> 1:00:44.120
<v Speaker 1>you his world famous close the suitcase with his tushi.

1:00:45.880 --> 1:00:48.880
<v Speaker 1>Eric asks Rachel and Jack, who are spectating from nearby,

1:00:49.120 --> 1:00:51.520
<v Speaker 1>can I please have a drum roll from the cheating roommates.

1:00:52.040 --> 1:00:55.320
<v Speaker 1>They reluctantly agree, and Tommy hops off of the barstool

1:00:55.320 --> 1:00:58.400
<v Speaker 1>and jumps onto the suitcase with ease. Eric shouts ra

1:00:59.280 --> 1:01:01.520
<v Speaker 1>he picks up to and bows with him. Thank you

1:01:01.720 --> 1:01:04.680
<v Speaker 1>very much, Oh yes, thank you very much. He places

1:01:04.720 --> 1:01:07.000
<v Speaker 1>Tommy on the ground and announces, for our next trick,

1:01:07.080 --> 1:01:12.680
<v Speaker 1>we will disappear. Rachel can't believe he's actually leaving. Eric

1:01:12.720 --> 1:01:14.919
<v Speaker 1>reminds her it's for the best. He says, he hopes

1:01:14.960 --> 1:01:17.840
<v Speaker 1>they're so happy. Then he buries his head into her

1:01:17.920 --> 1:01:20.480
<v Speaker 1>chest for a very big and very.

1:01:20.360 --> 1:01:24.560
<v Speaker 2>Long motor boat. That's what it looked like. It looked

1:01:24.560 --> 1:01:25.880
<v Speaker 2>like I was going, and then it.

1:01:25.880 --> 1:01:27.840
<v Speaker 4>Was like you then you're gonna grab her right, and

1:01:27.880 --> 1:01:28.880
<v Speaker 4>then go grab her ass?

1:01:28.960 --> 1:01:32.680
<v Speaker 2>I mean, my god, inappropriate on top of inappropriate. Love it.

1:01:33.640 --> 1:01:36.640
<v Speaker 1>Jack tells him multiple times that's enough, but Eric doesn't

1:01:36.720 --> 1:01:38.720
<v Speaker 1>move and his hand is about to grab her, but

1:01:38.960 --> 1:01:42.720
<v Speaker 1>before Jack frantically stops him, and now Eric asks Jack

1:01:43.120 --> 1:01:47.439
<v Speaker 1>still best friends? Jack grins yeah, never changes man. Eric

1:01:47.480 --> 1:01:49.360
<v Speaker 1>goes in for a hug near his chest too, but

1:01:49.440 --> 1:01:52.479
<v Speaker 1>Jack redirects him for more of a bro less, gay,

1:01:52.600 --> 1:01:57.200
<v Speaker 1>panicked embrace. Eventually, Eric tosses his keys to Tommy, telling

1:01:57.240 --> 1:01:59.680
<v Speaker 1>him to bring the car around. Eric grabs his suitcase

1:01:59.720 --> 1:02:02.000
<v Speaker 1>and follows his little brother out the door, but two

1:02:02.040 --> 1:02:05.160
<v Speaker 1>seconds later, he reappears to retrieve a rubber ducky that

1:02:05.240 --> 1:02:08.400
<v Speaker 1>was sitting on the chair, squeaks him a few times, smiles,

1:02:08.600 --> 1:02:11.680
<v Speaker 1>and then leaves for good. Now it's just Rachel and

1:02:11.760 --> 1:02:15.960
<v Speaker 1>Jack in the quiet. Rachel asks, so what now, back

1:02:15.960 --> 1:02:18.000
<v Speaker 1>at the nick you A sad piano plays as we

1:02:18.040 --> 1:02:20.960
<v Speaker 1>see a hand remove the Joshua Matthews sign from his.

1:02:21.000 --> 1:02:22.760
<v Speaker 4>Now second I thought they were going to just start

1:02:22.800 --> 1:02:24.560
<v Speaker 4>making out at the end of that scene.

1:02:24.560 --> 1:02:26.840
<v Speaker 1>All right, but no, it's.

1:02:27.200 --> 1:02:30.560
<v Speaker 4>Just a sad, sad button of like what now.

1:02:33.120 --> 1:02:34.560
<v Speaker 3>They look at each other and go, all right, well,

1:02:34.600 --> 1:02:37.440
<v Speaker 3>let's go bang on his bed like that, you know

1:02:37.600 --> 1:02:39.160
<v Speaker 3>that kind of thing is like, we got plenty of room,

1:02:39.280 --> 1:02:40.480
<v Speaker 3>we haven't hit that room up yet.

1:02:40.560 --> 1:02:40.920
<v Speaker 2>Let's go.

1:02:42.120 --> 1:02:44.360
<v Speaker 3>And by the way, Danielle, it wouldn't have worked with

1:02:44.480 --> 1:02:47.840
<v Speaker 3>happy piano music in the next I know comes.

1:02:47.640 --> 1:02:51.120
<v Speaker 2>In and it's like, yeah, it's like or something like that.

1:02:51.200 --> 1:02:52.120
<v Speaker 4>I don't think it would have.

1:02:52.080 --> 1:02:52.720
<v Speaker 2>The same effect.

1:02:54.360 --> 1:02:57.080
<v Speaker 1>A sad piano plays as a hand removes the Joshua

1:02:57.160 --> 1:03:00.920
<v Speaker 1>Matthew sign from his now empty incubator. Alan, standing outside

1:03:00.920 --> 1:03:04.600
<v Speaker 1>of the room looking disheveled. Amy, who's off camera, asks

1:03:04.640 --> 1:03:07.640
<v Speaker 1>what he's doing, and he says he's praying for everybody

1:03:07.680 --> 1:03:10.120
<v Speaker 1>who has to be in there. Then we hear a

1:03:10.160 --> 1:03:14.880
<v Speaker 1>baby cry. Amy is holding little Joshua Gabriel. Alan gives

1:03:14.880 --> 1:03:17.480
<v Speaker 1>his wife a kiss and says, let's go home. The

1:03:17.520 --> 1:03:20.440
<v Speaker 1>audience applauds loudly as they make their way to the

1:03:20.720 --> 1:03:24.080
<v Speaker 1>hospital waiting room. The cast joins in on the applause

1:03:24.080 --> 1:03:27.320
<v Speaker 1>as Sean smiles, what kind of place is this? Huh?

1:03:27.560 --> 1:03:30.760
<v Speaker 1>First I lose my dad here, and then this little

1:03:30.800 --> 1:03:34.240
<v Speaker 1>miracle a new brother to watch grow up? I get

1:03:34.280 --> 1:03:38.400
<v Speaker 1>my family back. Corey asks his nomad friend, So you

1:03:38.560 --> 1:03:42.840
<v Speaker 1>tired of tumbling Tumbleweed. Sean nods, there's too much going

1:03:42.880 --> 1:03:44.520
<v Speaker 1>on here to be someplace else.

1:03:45.000 --> 1:03:54.200
<v Speaker 4>Writer's reaction was a such weird time. Look how about you,

1:03:54.240 --> 1:03:59.760
<v Speaker 4>tumble Tumbling Weed a traveling friend. I'm over my issues now.

1:04:01.880 --> 1:04:07.200
<v Speaker 1>Oh my gosh. Sh Then Topanga wants to ask Cory something.

1:04:07.480 --> 1:04:11.520
<v Speaker 1>He responds in an almost vampire like accent. Yes, darling,

1:04:12.320 --> 1:04:14.640
<v Speaker 1>she wonders, do you still want to be my Valentine?

1:04:14.840 --> 1:04:19.200
<v Speaker 1>Oh no? Could we not have? Just please not mention

1:04:19.400 --> 1:04:20.600
<v Speaker 1>Valentine's day at the.

1:04:20.640 --> 1:04:23.200
<v Speaker 4>Dill or She's finally learned her lesson?

1:04:23.360 --> 1:04:25.560
<v Speaker 2>Yeah, have you not watched the episode?

1:04:25.640 --> 1:04:29.640
<v Speaker 4>Danielle established a.

1:04:34.400 --> 1:04:38.360
<v Speaker 1>He grins and again with the accent, Yes, darling, she wonders,

1:04:38.520 --> 1:04:41.280
<v Speaker 1>would you rather I was like the old strange topanga.

1:04:41.640 --> 1:04:45.160
<v Speaker 1>Corey stutters, well, no, I mean it's not like and

1:04:45.240 --> 1:04:47.280
<v Speaker 1>as he's trying to come up with the words, she

1:04:47.480 --> 1:04:50.320
<v Speaker 1>takes a wide stance and slowly starts the doughnut and

1:04:50.360 --> 1:04:53.600
<v Speaker 1>the sky routine again. He tells her it's important they grow,

1:04:53.680 --> 1:04:55.960
<v Speaker 1>but he doesn't want to lose what's so special about her.

1:04:56.440 --> 1:05:00.400
<v Speaker 1>She smiles and says he never will because she takes

1:05:00.440 --> 1:05:03.200
<v Speaker 1>out her lipstick and paints a heart on her face.

1:05:03.480 --> 1:05:05.040
<v Speaker 4>Yeah, I didn't remember that we did this.

1:05:05.440 --> 1:05:06.200
<v Speaker 2>I did, I did?

1:05:06.320 --> 1:05:07.920
<v Speaker 1>I did. I have a polaroid of it. I have

1:05:07.920 --> 1:05:09.440
<v Speaker 1>a polaroid of Ben and I with the hearts on

1:05:09.480 --> 1:05:09.920
<v Speaker 1>our faces.

1:05:09.960 --> 1:05:11.800
<v Speaker 3>I thought, for some reason, though, I thought you did

1:05:11.840 --> 1:05:13.800
<v Speaker 3>it back in the Matthew's kitchen and you had the

1:05:13.880 --> 1:05:14.560
<v Speaker 3>dress on again.

1:05:14.560 --> 1:05:16.600
<v Speaker 1>I don't know why that's a Girl Meets World episode.

1:05:16.800 --> 1:05:18.440
<v Speaker 2>I don't I've never seen in my life, so it

1:05:18.440 --> 1:05:18.800
<v Speaker 2>can't be.

1:05:19.080 --> 1:05:21.400
<v Speaker 1>That's where I did stress. I don't do the I

1:05:21.400 --> 1:05:23.480
<v Speaker 1>don't do the lipstick, but I do I have the

1:05:23.480 --> 1:05:25.720
<v Speaker 1>white lace dress on them looking at myself.

1:05:25.760 --> 1:05:31.439
<v Speaker 4>Like cannibalizing our oh, which is just like just make

1:05:31.520 --> 1:05:35.640
<v Speaker 4>new stuff, make new make new choices, make new good stuff.

1:05:37.760 --> 1:05:40.160
<v Speaker 1>I just it's bothering me that I said Ben and

1:05:40.200 --> 1:05:42.440
<v Speaker 1>I and it's it would have been Ben and me.

1:05:43.720 --> 1:05:48.280
<v Speaker 2>Okay, well it was never too late to change.

1:05:51.080 --> 1:05:52.760
<v Speaker 1>She paints a heart on her face. I'm in your

1:05:52.760 --> 1:05:55.600
<v Speaker 1>memories and you will always be here to remind me.

1:05:55.920 --> 1:05:59.480
<v Speaker 1>Sean chimes in, use a mirror, babe. She gives him

1:05:59.480 --> 1:06:01.280
<v Speaker 1>a big smile, and we get a close up of

1:06:01.320 --> 1:06:04.400
<v Speaker 1>Tapanga's lipstick face, now with a heart, not the butchered

1:06:04.480 --> 1:06:10.000
<v Speaker 1>peace sign of yesteryear. Corey asks, remind me what now.

1:06:10.040 --> 1:06:12.640
<v Speaker 1>She begins to draw hard on his face with the lipstick.

1:06:12.880 --> 1:06:15.920
<v Speaker 1>No matter how difficult life gets, the important thing is

1:06:15.960 --> 1:06:18.440
<v Speaker 1>to live it with hope. Corey, now also with a

1:06:18.480 --> 1:06:22.080
<v Speaker 1>lipstick covered face, admits, now that sounds like you. She

1:06:22.160 --> 1:06:22.919
<v Speaker 1>holds out her hand.

1:06:23.000 --> 1:06:26.160
<v Speaker 4>I do like you have hope being Yeah, the thing

1:06:26.200 --> 1:06:30.800
<v Speaker 4>that person and that actually could have been really simple,

1:06:30.880 --> 1:06:33.080
<v Speaker 4>Like that could have been clearer, you know, constead of

1:06:33.080 --> 1:06:36.640
<v Speaker 4>it's like play into my delusion, hold my hand. Valentine's Day,

1:06:36.720 --> 1:06:39.320
<v Speaker 4>But if it was just that, Like she's been kind

1:06:39.320 --> 1:06:42.240
<v Speaker 4>of a downer because she thinks she's being realistic and.

1:06:43.200 --> 1:06:44.760
<v Speaker 1>Took it so smart, and she was like, I'm going

1:06:44.800 --> 1:06:47.160
<v Speaker 1>to make funeral arrangements just in case.

1:06:47.160 --> 1:06:49.560
<v Speaker 4>Right of an action for Cory.

1:06:49.480 --> 1:06:53.080
<v Speaker 1>I'm going to get a little gue. I'm gonna I'm

1:06:53.080 --> 1:06:56.080
<v Speaker 1>gonna buy the smallest casket because you know what.

1:06:56.680 --> 1:07:00.760
<v Speaker 3>Right by the way, awful rap name little casket, casket

1:07:01.920 --> 1:07:05.600
<v Speaker 3>awful or or brilliant tiny casket.

1:07:06.680 --> 1:07:09.160
<v Speaker 1>I might take it, I might steal it. I love death,

1:07:10.920 --> 1:07:16.800
<v Speaker 1>little casket. They walk away hand in hand, and Sean

1:07:16.880 --> 1:07:19.240
<v Speaker 1>watches them go. He looks into the air and sighs

1:07:19.280 --> 1:07:21.920
<v Speaker 1>before following them out. We get one last shot of

1:07:21.960 --> 1:07:24.200
<v Speaker 1>the nick you, where the other families continue to stand

1:07:24.280 --> 1:07:29.800
<v Speaker 1>by their babysides, Michael still visibly praying, and that is

1:07:29.840 --> 1:07:32.080
<v Speaker 1>our episode who and.

1:07:32.040 --> 1:07:34.960
<v Speaker 4>Then I have like a look to God moment too.

1:07:35.360 --> 1:07:39.400
<v Speaker 6>Right before you walk out, which was definitely a note

1:07:39.440 --> 1:07:41.200
<v Speaker 6>that I was forced to take a.

1:07:42.960 --> 1:07:45.280
<v Speaker 3>Look up look up for the next episode, somebody throws

1:07:45.320 --> 1:07:47.720
<v Speaker 3>a pie or something like wow.

1:07:47.800 --> 1:07:50.920
<v Speaker 1>The next episode is season six, episode eighteen. Can I

1:07:51.040 --> 1:07:56.040
<v Speaker 1>help to cheer you cheer leading? I don't know, Oh oh.

1:07:56.080 --> 1:08:00.280
<v Speaker 2>No, that would become cheerleaders. Matt and I.

1:07:59.640 --> 1:08:04.800
<v Speaker 1>Totally how many laughs do you think we're in this episode? Total? Ten?

1:08:05.560 --> 1:08:06.520
<v Speaker 2>You're gonna give it a ten?

1:08:06.600 --> 1:08:06.800
<v Speaker 4>Really?

1:08:06.840 --> 1:08:08.440
<v Speaker 3>I would have said, I think closer to I think

1:08:08.440 --> 1:08:10.320
<v Speaker 3>it's single digits. I'm gonna say six or seven.

1:08:10.400 --> 1:08:13.880
<v Speaker 4>I think each scene with Tommy gets at least three laughs.

1:08:14.120 --> 1:08:16.360
<v Speaker 1>Yeah, you're right, so you add those up.

1:08:16.560 --> 1:08:20.439
<v Speaker 4>I think it's about ten ten laughs. Okay, actually like

1:08:20.520 --> 1:08:22.800
<v Speaker 4>me laughing. I mean, look, Indy watched this with me

1:08:22.840 --> 1:08:25.080
<v Speaker 4>and he was just like, what is this? Yeah, so

1:08:25.120 --> 1:08:27.680
<v Speaker 4>the show's just not funny at all anymore, because I

1:08:27.680 --> 1:08:29.519
<v Speaker 4>think the last time you tried to watch was Starry

1:08:29.640 --> 1:08:32.160
<v Speaker 4>Night and he thought that was dramatic. Well, they're doing

1:08:32.280 --> 1:08:35.360
<v Speaker 4>is just talking about their relationship like he is. And

1:08:35.400 --> 1:08:38.040
<v Speaker 4>then this one. I was like, oh, yeah, sorry, buddy.

1:08:37.800 --> 1:08:40.439
<v Speaker 1>This is yeah, another heavy one.

1:08:40.560 --> 1:08:42.760
<v Speaker 4>I was like, it's not always like this, you know.

1:08:43.320 --> 1:08:44.400
<v Speaker 1>Other ones have been funny.

1:08:44.400 --> 1:08:50.760
<v Speaker 2>I'm promised we're going dramatic. It's Doosa goad parallel laughs. Yeah.

1:08:50.800 --> 1:08:52.719
<v Speaker 1>Well, thank you all for joining us for this episode

1:08:52.720 --> 1:08:54.479
<v Speaker 1>of Pod Meets World. As always, you can follow us

1:08:54.520 --> 1:08:56.840
<v Speaker 1>on Instagram pod meets World Show. You can send us

1:08:56.880 --> 1:08:59.719
<v Speaker 1>your emails pod meets World Show at gmail dot com.

1:09:00.520 --> 1:09:01.960
<v Speaker 1>We have got merch.

1:09:02.920 --> 1:09:06.800
<v Speaker 2>God, some of our shirts don't sell as good as

1:09:06.840 --> 1:09:09.519
<v Speaker 2>the other ones. We've got sweatshirts now, too. There's even

1:09:09.520 --> 1:09:11.960
<v Speaker 2>a hat, so if you could be help us out,

1:09:12.720 --> 1:09:13.479
<v Speaker 2>we appreciate it.

1:09:14.400 --> 1:09:21.000
<v Speaker 1>March podmeets Worldshow dot com. We love you all, pod dismissed.

1:09:22.880 --> 1:09:25.679
<v Speaker 1>Pod Meets World is an iHeart podcast produced and hosted

1:09:25.680 --> 1:09:29.639
<v Speaker 1>by Danielle Fischel, Wilfridell and Wryter Strong executive producers, Jensen

1:09:29.720 --> 1:09:33.280
<v Speaker 1>Karp and Amy Sugarman Executive in charge of production, Danielle Romo,

1:09:33.520 --> 1:09:37.800
<v Speaker 1>producer and editor, Tara Subachsch producer, Maddy Moore, engineer and

1:09:37.880 --> 1:09:41.280
<v Speaker 1>Boy Meets World superfan Easton Allen. Our theme song is

1:09:41.280 --> 1:09:44.320
<v Speaker 1>by Kyle Morton of Typhoon. Follow us on Instagram at

1:09:44.360 --> 1:09:47.000
<v Speaker 1>Pod Meets World Show or email us at Podmeets World

1:09:47.040 --> 1:09:48.479
<v Speaker 1>Show at gmail dot com