1
00:00:19,000 --> 00:00:22,040
Speaker 1: I recently went to my mom's house for a visit,

2
00:00:22,520 --> 00:00:27,640
Speaker 1: and a few years ago, and by a few years ago,

3
00:00:27,680 --> 00:00:34,400
Speaker 1: I mean probably a decade or more, A few times

4
00:00:34,440 --> 00:00:39,440
Speaker 1: a few I my mom gave me all of my

5
00:00:40,080 --> 00:00:42,320
Speaker 1: boy Meets World stuff that she still held on too,

6
00:00:42,640 --> 00:00:46,919
Speaker 1: like all the teen magazines, all of my photo albums

7
00:00:46,960 --> 00:00:50,920
Speaker 1: with you know, TGI Friday dates and you know me

8
00:00:51,000 --> 00:00:54,760
Speaker 1: and Andrew Keegan, me and every guest star cute boy that

9
00:00:54,840 --> 00:00:57,000
Speaker 1: came around who I went to Islands with, Like I,

10
00:00:57,160 --> 00:00:59,840
Speaker 1: she gave me all of that stuff, and so a

11
00:00:59,880 --> 00:01:02,600
Speaker 1: lot of it's very cool, Like I have an original

12
00:01:02,640 --> 00:01:05,440
Speaker 1: copy of my calendar that I did in nineteen ninety six,

13
00:01:05,640 --> 00:01:09,000
Speaker 1: and I have my posters, and like I mentioned, all

14
00:01:09,040 --> 00:01:11,800
Speaker 1: the teen magazines where my mom put little post it

15
00:01:11,880 --> 00:01:14,000
Speaker 1: note tabs in them with all my friends that were

16
00:01:14,040 --> 00:01:18,399
Speaker 1: in there. So the writer will Jonathan Andrew, you know,

17
00:01:18,680 --> 00:01:23,120
Speaker 1: really cute. And so I don't think often when I

18
00:01:23,160 --> 00:01:26,920
Speaker 1: go to my mom's house that there's gonna be stuff

19
00:01:26,959 --> 00:01:29,200
Speaker 1: from my childhood that she still wants to give me.

20
00:01:30,319 --> 00:01:34,080
Speaker 1: But this time I walk in, we're sitting there talking,

21
00:01:34,160 --> 00:01:35,880
Speaker 1: she goes, oh, by the way, I found something I

22
00:01:35,880 --> 00:01:38,880
Speaker 1: thought you might want to have and I go what

23
00:01:39,200 --> 00:01:45,080
Speaker 1: is it? And she comes out with this.

24
00:01:47,680 --> 00:01:49,120
Speaker 2: Is that the hair you cut off?

25
00:01:49,360 --> 00:01:49,440
Speaker 3: What?

26
00:01:49,680 --> 00:01:54,840
Speaker 1: It's my hair from the initial chop I did on

27
00:01:55,040 --> 00:01:58,080
Speaker 1: the hair cutting episode. It's the Actually, it's the one

28
00:01:58,080 --> 00:02:00,760
Speaker 1: from where I grabbed it and did that ane shall chop.

29
00:02:01,200 --> 00:02:06,000
Speaker 1: It's that handful. And from this pile is what we

30
00:02:06,120 --> 00:02:08,200
Speaker 1: then gave away to people in the audience.

31
00:02:08,919 --> 00:02:13,799
Speaker 2: Oh my god, im that.

32
00:02:14,320 --> 00:02:16,200
Speaker 3: Yeah, I remember you giving some out to the audience,

33
00:02:16,200 --> 00:02:17,639
Speaker 3: but I thought you gave it all the way.

34
00:02:17,680 --> 00:02:18,720
Speaker 2: I can't believe you have.

35
00:02:18,800 --> 00:02:22,040
Speaker 1: An I have the chunk. I have the biggest chunk.

36
00:02:22,320 --> 00:02:23,160
Speaker 4: What are you going to do with it?

37
00:02:23,320 --> 00:02:25,200
Speaker 1: I have absolutely no idea. I'll tell you that. What

38
00:02:25,280 --> 00:02:28,480
Speaker 1: I did was I put that baggie in this baggie

39
00:02:28,760 --> 00:02:32,560
Speaker 1: that says hair from Boy Meets World haircut because I

40
00:02:33,200 --> 00:02:35,040
Speaker 1: suggestions stumble around.

41
00:02:36,880 --> 00:02:42,519
Speaker 2: Interesting take. I was gonna say, charity auction, charity auction,

42
00:02:42,919 --> 00:02:45,760
Speaker 2: auction it off for charity. You know how many people would.

43
00:02:45,520 --> 00:02:47,920
Speaker 1: Do Those whoever buys that, what do they do with it?

44
00:02:48,240 --> 00:02:49,399
Speaker 2: Do your care?

45
00:02:49,520 --> 00:02:52,560
Speaker 3: As long as charity gets gets with all the money

46
00:02:53,200 --> 00:02:57,600
Speaker 3: people the hair. If you think with the amount of

47
00:02:57,680 --> 00:03:01,040
Speaker 3: fans we've seen, do you not think Topanga first Chop

48
00:03:01,120 --> 00:03:04,000
Speaker 3: haircut from arguably one of the most famous episodes we've

49
00:03:04,040 --> 00:03:05,720
Speaker 3: ever had, would sell on the internet. That would be

50
00:03:05,760 --> 00:03:07,040
Speaker 3: one of the things where we would look at each

51
00:03:07,040 --> 00:03:08,760
Speaker 3: other going like, not because you can't believe it's up

52
00:03:08,800 --> 00:03:10,520
Speaker 3: fourteenth it's fourteen thousand dollars.

53
00:03:10,520 --> 00:03:11,959
Speaker 2: How is it at fourteen thousand dollars.

54
00:03:12,040 --> 00:03:14,240
Speaker 1: Yeah, it wouldn't be because people want hair its because

55
00:03:14,280 --> 00:03:16,760
Speaker 1: people would be like having the piece of history, and

56
00:03:16,760 --> 00:03:18,240
Speaker 1: you would love to give the money to charity.

57
00:03:18,320 --> 00:03:19,160
Speaker 2: It's TV history.

58
00:03:19,200 --> 00:03:22,880
Speaker 3: When when Alan all his boots and and dog tags

59
00:03:22,880 --> 00:03:24,840
Speaker 3: from mash came up for charity auction, I was like,

60
00:03:25,760 --> 00:03:26,840
Speaker 3: maybe I'll have a shot.

61
00:03:26,919 --> 00:03:28,760
Speaker 2: They went for one hundred and fifty thousand dollars.

62
00:03:29,080 --> 00:03:30,119
Speaker 1: Or why didn't you have a shot?

63
00:03:30,200 --> 00:03:30,359
Speaker 5: Will?

64
00:03:30,400 --> 00:03:30,840
Speaker 1: Why didn't you?

65
00:03:31,240 --> 00:03:35,720
Speaker 2: You did because I love eating every day just say.

66
00:03:35,680 --> 00:03:37,800
Speaker 1: Charity So like having a roof over your head.

67
00:03:37,920 --> 00:03:41,520
Speaker 2: Yes, TV stuff, I mean the nostalgia stuff, it's huge.

68
00:03:41,880 --> 00:03:45,280
Speaker 1: Yeah, yeah, no, I'll give you.

69
00:03:45,600 --> 00:03:46,480
Speaker 4: I'm keep it.

70
00:03:46,480 --> 00:03:49,480
Speaker 1: It's gonna say sit in the bag in my garage.

71
00:03:49,960 --> 00:03:51,520
Speaker 4: Your kids are going to open it and be like

72
00:03:51,680 --> 00:03:52,320
Speaker 4: until I die.

73
00:03:52,400 --> 00:03:54,440
Speaker 1: And my kids are like, why did she leave us

74
00:03:54,480 --> 00:03:58,520
Speaker 1: all this stuff to throw away and they gage, yeah.

75
00:03:58,400 --> 00:03:59,800
Speaker 2: And then your kids would make a foodo.

76
00:03:59,600 --> 00:04:02,960
Speaker 1: Doll listen as long as they summons me after I'm

77
00:04:03,000 --> 00:04:04,640
Speaker 1: gone with the hair.

78
00:04:04,960 --> 00:04:06,160
Speaker 2: By the way, that's not the right way to make

79
00:04:06,160 --> 00:04:07,400
Speaker 2: a voodaell. You're totally off.

80
00:04:08,360 --> 00:04:09,200
Speaker 1: How do you make a voded do?

81
00:04:09,280 --> 00:04:10,360
Speaker 2: I can' I don't want to tell. I don't want

82
00:04:10,360 --> 00:04:11,680
Speaker 2: to put out there on the internet. I don't want

83
00:04:11,720 --> 00:04:12,240
Speaker 2: people to know.

84
00:04:12,320 --> 00:04:13,240
Speaker 1: Dark web, dark web.

85
00:04:14,240 --> 00:04:15,400
Speaker 2: I thought that was a real thing.

86
00:04:15,440 --> 00:04:18,479
Speaker 3: By the way, what like like the dark web, like

87
00:04:18,480 --> 00:04:20,960
Speaker 3: you had to like there was an address like www

88
00:04:21,080 --> 00:04:23,120
Speaker 3: dot dark web dot com. Like I don't know anything.

89
00:04:23,400 --> 00:04:25,200
Speaker 3: It doesn't dark web. Isn't that just kind of a

90
00:04:25,240 --> 00:04:26,960
Speaker 3: catch all for just bad things?

91
00:04:28,640 --> 00:04:28,960
Speaker 2: Dark web?

92
00:04:29,000 --> 00:04:29,800
Speaker 1: No, it's an actual place.

93
00:04:29,880 --> 00:04:31,400
Speaker 2: God, I don't even know the light web.

94
00:04:32,040 --> 00:04:35,359
Speaker 1: Speaking of the dark web, a wrestler from the WWE,

95
00:04:35,400 --> 00:04:39,120
Speaker 1: a guy named Shiloh Hill. I don't know why he

96
00:04:39,320 --> 00:04:42,839
Speaker 1: was on the dark Web. I don't I truthfully do

97
00:04:42,920 --> 00:04:45,240
Speaker 1: not know how one gets to the dark web. But

98
00:04:45,320 --> 00:04:51,240
Speaker 1: it is another part of the web where it's harder

99
00:04:51,400 --> 00:04:55,680
Speaker 1: or near impossible to trace things. So it's a place

100
00:04:55,760 --> 00:04:59,279
Speaker 1: where nefarious.

101
00:04:58,120 --> 00:05:02,000
Speaker 2: Sales and it's not your an alley on the web

102
00:05:02,839 --> 00:05:06,240
Speaker 2: exactly Harry Potter, Okay, yes.

103
00:05:06,640 --> 00:05:12,000
Speaker 1: And so this guy found a website that was selling shoes,

104
00:05:12,839 --> 00:05:14,960
Speaker 1: and the weird thing about the shoes is that they

105
00:05:15,000 --> 00:05:20,880
Speaker 1: were all stained with like a very dark substance. And

106
00:05:20,920 --> 00:05:24,600
Speaker 1: then the shoes were all named something like a person's name,

107
00:05:25,080 --> 00:05:28,680
Speaker 1: and sometimes they had the name and an age, so

108
00:05:29,640 --> 00:05:33,120
Speaker 1: like Matt twenty eight, and then it would just be

109
00:05:33,160 --> 00:05:38,960
Speaker 1: shoes covered in some disgusting substance. So this wrestler decided

110
00:05:38,960 --> 00:05:43,360
Speaker 1: to purchase a pair of Cowboy boots because they were

111
00:05:43,400 --> 00:05:45,800
Speaker 1: the only pair of shoes that were in his size.

112
00:05:45,839 --> 00:05:49,640
Speaker 1: He's a size thirteen. He bought a pair of Cowboy

113
00:05:49,640 --> 00:05:52,320
Speaker 1: boots from the dark Web and was like, honestly, the

114
00:05:52,320 --> 00:05:55,000
Speaker 1: odds that these are actually gonna arrive are slimmed to none.

115
00:05:55,080 --> 00:05:57,160
Speaker 1: I probably just got scammed out of money and I just,

116
00:05:57,360 --> 00:06:00,719
Speaker 1: you know, gave money to somebody. But the boots did arrive.

117
00:06:01,839 --> 00:06:05,239
Speaker 1: And then he got a black light and the spray

118
00:06:05,279 --> 00:06:10,680
Speaker 1: you can use, and it tested positive for blood, and

119
00:06:10,800 --> 00:06:14,440
Speaker 1: so the boots were covered in blood and all it

120
00:06:14,480 --> 00:06:17,919
Speaker 1: has is somebody's name attached to it. So he was

121
00:06:18,000 --> 00:06:22,560
Speaker 1: doing like Instagram's lives and stories kind of like following

122
00:06:22,640 --> 00:06:27,039
Speaker 1: up and like, I don't know, I don't know. I yeah,

123
00:06:27,120 --> 00:06:30,880
Speaker 1: I oh. When it came, I forgot massive part of

124
00:06:30,920 --> 00:06:35,800
Speaker 1: the story. It came with a tape. The Boots arrived

125
00:06:36,000 --> 00:06:37,800
Speaker 1: with a VHS tape.

126
00:06:37,920 --> 00:06:42,599
Speaker 4: This sounds like some cool like escape room game or something.

127
00:06:42,839 --> 00:06:47,320
Speaker 4: I like, I mean, it's just too good to actually

128
00:06:47,360 --> 00:06:51,520
Speaker 4: be true. It was on what well did he watch

129
00:06:51,600 --> 00:06:51,960
Speaker 4: the tape?

130
00:06:51,960 --> 00:06:55,320
Speaker 1: I mean something, the full Web, the full Dark Web

131
00:06:55,400 --> 00:06:58,640
Speaker 1: VHS is up, And then he said, if you are

132
00:06:58,720 --> 00:07:01,200
Speaker 1: someone who gets creeped out, do not watch here.

133
00:07:02,160 --> 00:07:04,080
Speaker 2: Well, I get creeped out today.

134
00:07:04,440 --> 00:07:06,960
Speaker 5: If you are easily freaked out, don't watch it. There's

135
00:07:07,000 --> 00:07:09,080
Speaker 5: a lot of weird stuff in there. Basically, it's just

136
00:07:09,080 --> 00:07:11,720
Speaker 5: a bunch of messages and old movie clips pasted together,

137
00:07:11,840 --> 00:07:13,960
Speaker 5: and then there are a bunch of slots called submissions,

138
00:07:14,120 --> 00:07:16,960
Speaker 5: where just as like a name and submission, some of

139
00:07:16,960 --> 00:07:20,240
Speaker 5: those submission spots have videos inside of them where the

140
00:07:20,240 --> 00:07:22,520
Speaker 5: Boots are shown, and if those are real, they're pretty

141
00:07:22,520 --> 00:07:25,120
Speaker 5: messed up. I now know why they asked for my name,

142
00:07:25,160 --> 00:07:27,760
Speaker 5: because there's a slot with my name created in there,

143
00:07:28,000 --> 00:07:30,840
Speaker 5: but there's no video in mind right here really bothered me.

144
00:07:33,160 --> 00:07:33,679
Speaker 4: You are.

145
00:07:36,920 --> 00:07:50,040
Speaker 5: Herman. I posted that to my subs only and someone

146
00:07:50,080 --> 00:07:52,720
Speaker 5: said to rewind it, so I did that and it

147
00:07:52,800 --> 00:07:53,480
Speaker 5: says this.

148
00:07:56,640 --> 00:07:57,800
Speaker 2: The devil that.

149
00:08:00,920 --> 00:08:03,440
Speaker 1: Things all around that room all.

150
00:08:03,440 --> 00:08:04,520
Speaker 4: Night will take.

151
00:08:10,800 --> 00:08:12,440
Speaker 2: So yeah, it's just weird.

152
00:08:13,520 --> 00:08:16,120
Speaker 5: I need to figure out if the clips of the

153
00:08:16,160 --> 00:08:19,360
Speaker 5: shoe stuff is like real or fake, because if it's real,

154
00:08:19,600 --> 00:08:22,480
Speaker 5: it's bad. People have realized some creepy stuff with the

155
00:08:22,560 --> 00:08:25,360
Speaker 5: names of the submissions that got rejected are also the

156
00:08:25,440 --> 00:08:27,920
Speaker 5: names that are on the site. That once more people

157
00:08:27,960 --> 00:08:30,160
Speaker 5: watch it and kind of come up with more information,

158
00:08:30,600 --> 00:08:33,360
Speaker 5: I'll post a full analysis. Until then, I probably watched

159
00:08:33,400 --> 00:08:36,199
Speaker 5: this whole thing like nine or ten times. It's getting

160
00:08:36,160 --> 00:08:37,760
Speaker 5: to the point now where when I hear people not

161
00:08:37,920 --> 00:08:40,440
Speaker 5: talking and rewind it sounds weird. So I honestly need

162
00:08:40,440 --> 00:08:42,480
Speaker 5: to take a break for a little bit. Also, I

163
00:08:42,520 --> 00:08:45,760
Speaker 5: think it's unrelated. I got a skin infection on my leg,

164
00:08:46,240 --> 00:08:48,800
Speaker 5: which I honestly don't think is from the boots, but

165
00:08:48,880 --> 00:08:50,440
Speaker 5: I'm now on antibiotics.

166
00:08:51,240 --> 00:08:54,480
Speaker 1: You don't think it's from the boots, you're actually.

167
00:08:54,120 --> 00:08:56,199
Speaker 4: Wearing the boots, Like, why would you ever want to

168
00:08:56,200 --> 00:08:56,840
Speaker 4: put those on?

169
00:08:57,200 --> 00:08:57,679
Speaker 2: I don't know.

170
00:08:57,800 --> 00:09:01,920
Speaker 1: But when he said when he said there's then videos

171
00:09:02,280 --> 00:09:05,360
Speaker 1: of the boots being that it's some.

172
00:09:08,640 --> 00:09:11,240
Speaker 2: You guys just got ringed. You just got ringed on

173
00:09:12,200 --> 00:09:13,120
Speaker 2: the dark Web.

174
00:09:13,520 --> 00:09:20,720
Speaker 4: What amazons for you? He he pull find size thirteen

175
00:09:20,760 --> 00:09:21,280
Speaker 4: in the world.

176
00:09:21,559 --> 00:09:24,559
Speaker 1: Oh sure, sure, but he wouldn't have this kind of storytelling.

177
00:09:24,640 --> 00:09:27,000
Speaker 4: But yeah, the story is great. I love it.

178
00:09:28,240 --> 00:09:29,720
Speaker 1: They did take crypto. I didn't see that.

179
00:09:29,800 --> 00:09:31,959
Speaker 2: I don't want you by with crypto. No, no, you

180
00:09:32,080 --> 00:09:34,120
Speaker 2: just got ringed. The next video that comes out you

181
00:09:34,120 --> 00:09:35,600
Speaker 2: you can have a slot. No, thank you.

182
00:09:36,120 --> 00:09:38,920
Speaker 1: If you guys want to follow along. His instagram is

183
00:09:39,120 --> 00:09:45,000
Speaker 1: Shiloh Underscore WWE. So I have been deeply invested anyway.

184
00:09:45,440 --> 00:09:48,880
Speaker 1: Welcome to not the Dark Web. This is podmeets World.

185
00:09:48,880 --> 00:09:49,760
Speaker 1: I'm Daniel Fishl.

186
00:09:49,840 --> 00:09:52,560
Speaker 2: I'm right or strong, and I'm still so creeped out

187
00:09:53,280 --> 00:09:54,120
Speaker 2: for dell you.

188
00:10:06,760 --> 00:10:12,440
Speaker 1: So welcome to today's episode recap. We are recapping season six,

189
00:10:12,520 --> 00:10:18,200
Speaker 1: episode seventeen, Resurrection. It originally aired February nineteenth, nineteen ninety nine.

190
00:10:18,720 --> 00:10:22,800
Speaker 1: The synopsis Corey struggles with his newborn brother's critical health condition,

191
00:10:22,960 --> 00:10:25,920
Speaker 1: leading to tensions with Tapanga, who tries to support him

192
00:10:25,960 --> 00:10:29,480
Speaker 1: as they await news of the baby's recovery. Also, Eric

193
00:10:29,720 --> 00:10:32,920
Speaker 1: moves out of his apartment. It was directed by Jody

194
00:10:33,000 --> 00:10:37,040
Speaker 1: Binstock her first episode. Hey, did she do more than one?

195
00:10:37,200 --> 00:10:39,680
Speaker 4: I don't think so. Okay, but she was around for

196
00:10:39,960 --> 00:10:43,080
Speaker 4: like since season five, I guess because she was following

197
00:10:43,240 --> 00:10:46,200
Speaker 4: Jeff mccraften around and learning, and then she shot our

198
00:10:46,200 --> 00:10:46,720
Speaker 4: opening credits.

199
00:10:46,760 --> 00:10:47,880
Speaker 3: I was going to say, we talked about how she

200
00:10:47,920 --> 00:10:50,720
Speaker 3: shot like all the cool stylized opening credits parts.

201
00:10:51,080 --> 00:10:55,280
Speaker 2: Did she do the second version or just the first one?

202
00:10:55,400 --> 00:10:56,960
Speaker 4: I don't remember. I know she was there for the

203
00:10:56,960 --> 00:10:58,760
Speaker 4: first one and she had like an eight millimeter or

204
00:10:58,800 --> 00:11:02,480
Speaker 4: sixteen milimeter camera. Yeah, but yeah, I don't remember she

205
00:11:02,520 --> 00:11:04,120
Speaker 4: was there for the second one.

206
00:11:04,320 --> 00:11:08,439
Speaker 1: It was written by Erica Montalfo. Burrah her first episode

207
00:11:08,520 --> 00:11:11,240
Speaker 1: as well. No, yay, Yeah, she did.

208
00:11:11,160 --> 00:11:13,600
Speaker 4: The poetic license. Yeah, so I think she was part

209
00:11:13,640 --> 00:11:15,800
Speaker 4: of the team from the beginning of season six.

210
00:11:16,800 --> 00:11:18,640
Speaker 1: She has said that she was. That's something we have

211
00:11:18,679 --> 00:11:20,400
Speaker 1: to ask her when we interview her. She said she

212
00:11:20,440 --> 00:11:23,640
Speaker 1: did three seasons. Oh, which means that she was there

213
00:11:23,679 --> 00:11:26,240
Speaker 1: from season five, but she didn't have any scripts in

214
00:11:26,320 --> 00:11:27,040
Speaker 1: season five.

215
00:11:27,280 --> 00:11:30,760
Speaker 2: Interesting, So yeah, she's right. She wrote an ode to

216
00:11:30,760 --> 00:11:31,560
Speaker 2: Holden Callfield.

217
00:11:31,760 --> 00:11:34,320
Speaker 1: Okay. Yeah, so yeah, we want to ask her because

218
00:11:34,320 --> 00:11:37,600
Speaker 1: maybe it's possible that her fellowship was season five, right,

219
00:11:38,000 --> 00:11:40,320
Speaker 1: and then season six and seven she was an official

220
00:11:40,400 --> 00:11:43,960
Speaker 1: writer on the payroll. Okay, so before I jump into

221
00:11:43,960 --> 00:11:47,240
Speaker 1: our guest ours, do you guys want to share your

222
00:11:47,280 --> 00:11:48,520
Speaker 1: overall thoughts.

223
00:11:49,040 --> 00:11:52,000
Speaker 4: I mean, we are just we are in soap opera land.

224
00:11:52,400 --> 00:11:57,400
Speaker 4: It's really really dramatic, really intense. I mean, lots of hospitals,

225
00:11:57,400 --> 00:11:58,439
Speaker 4: three monologues.

226
00:11:59,120 --> 00:12:00,640
Speaker 2: Yeah, everybody kind of gets one.

227
00:12:00,760 --> 00:12:03,199
Speaker 4: Everyone gets a monologue. Yeah, it's a lot.

228
00:12:03,280 --> 00:12:03,679
Speaker 2: It's a lot.

229
00:12:03,720 --> 00:12:04,200
Speaker 4: It's a lot.

230
00:12:04,400 --> 00:12:06,360
Speaker 2: It's a lot. Yeah.

231
00:12:06,400 --> 00:12:08,040
Speaker 4: I don't know. I feel like this is just one

232
00:12:08,040 --> 00:12:12,839
Speaker 4: of those episodes of Boy Meets World that you either

233
00:12:12,960 --> 00:12:15,480
Speaker 4: love because it adds such a level of seriousness and

234
00:12:15,520 --> 00:12:19,439
Speaker 4: intensity to a show that otherwise is you know, super fun,

235
00:12:19,720 --> 00:12:22,200
Speaker 4: or like me, at this point, you're kind of sick.

236
00:12:22,520 --> 00:12:24,520
Speaker 4: You're just like, can we just get back to the

237
00:12:24,880 --> 00:12:25,560
Speaker 4: the fun stuff.

238
00:12:26,080 --> 00:12:30,400
Speaker 3: Wasn't this the episode where because we felt memory serves

239
00:12:30,600 --> 00:12:33,360
Speaker 3: that we felt the weight of this on the set too,

240
00:12:34,000 --> 00:12:35,520
Speaker 3: where we had two or three in a row where

241
00:12:35,520 --> 00:12:38,360
Speaker 3: we were like, dude, this is getting real and we

242
00:12:38,760 --> 00:12:41,320
Speaker 3: voiced that during a note session and Michael got.

243
00:12:41,200 --> 00:12:41,839
Speaker 2: Up and walked out.

244
00:12:42,480 --> 00:12:44,200
Speaker 4: Yeah he really Yep.

245
00:12:44,320 --> 00:12:47,800
Speaker 3: He wouldn't discuss because this was kind of based on

246
00:12:47,920 --> 00:12:53,040
Speaker 3: his life. This is what happened to Joshua and Michael

247
00:12:53,120 --> 00:12:56,280
Speaker 3: is obviously, as we'll get into is the is the

248
00:12:56,320 --> 00:12:59,920
Speaker 3: man praying over the one of the niek you bast

249
00:13:00,080 --> 00:13:03,679
Speaker 3: it's and so this was very near and dear to him.

250
00:13:03,720 --> 00:13:05,720
Speaker 3: But we were I think, and we didn't we didn't

251
00:13:06,000 --> 00:13:09,160
Speaker 3: come at it in a disrespectful way, but we were

252
00:13:09,440 --> 00:13:11,520
Speaker 3: kind of clapping back a little bit where it's like,

253
00:13:11,720 --> 00:13:15,160
Speaker 3: this is very heavy for multiple episodes in a row.

254
00:13:15,720 --> 00:13:17,520
Speaker 2: And he just got up and left, just got up.

255
00:13:17,640 --> 00:13:19,199
Speaker 2: He didn't say he walked out.

256
00:13:19,240 --> 00:13:24,760
Speaker 4: He also became that rabbi character because of the pushback.

257
00:13:25,880 --> 00:13:27,920
Speaker 4: Oh really really yeah, because it was in the script

258
00:13:27,960 --> 00:13:30,560
Speaker 4: and we did our first run through and I remember Ben.

259
00:13:31,679 --> 00:13:33,920
Speaker 4: I don't I don't remember saying much myself, but I

260
00:13:33,960 --> 00:13:37,160
Speaker 4: remember Ben being like, this is just too much, and

261
00:13:37,200 --> 00:13:39,640
Speaker 4: he was like voicing it during notes, and Michael was like,

262
00:13:40,080 --> 00:13:42,360
Speaker 4: this really happened to me. There really was a rabbi

263
00:13:42,480 --> 00:13:46,120
Speaker 4: in the hospital, and I'm not going to change it

264
00:13:46,240 --> 00:13:48,280
Speaker 4: no matter what you say, so much so that I'm

265
00:13:48,320 --> 00:13:50,000
Speaker 4: going to get in the costume and I'm going to

266
00:13:50,080 --> 00:13:52,400
Speaker 4: play the part. It was like a big, like one

267
00:13:52,480 --> 00:13:55,080
Speaker 4: optionman ship back to Ben like no, no, no, we're

268
00:13:55,120 --> 00:13:56,880
Speaker 4: not changing it, and so I'm going to be the

269
00:13:56,920 --> 00:13:58,280
Speaker 4: guy and so we were.

270
00:13:58,160 --> 00:14:01,920
Speaker 2: Like, oh okay, and he was, man, Yeah, it was.

271
00:14:01,960 --> 00:14:05,320
Speaker 2: That's what I remember most about this week. And also lobster.

272
00:14:06,400 --> 00:14:08,880
Speaker 2: I know, did you see it? No?

273
00:14:09,280 --> 00:14:15,319
Speaker 1: I did. I saw it once. I saw it in

274
00:14:15,480 --> 00:14:21,000
Speaker 1: the student union over Bill's shoulder. It's like in the

275
00:14:21,160 --> 00:14:25,120
Speaker 1: refrigerating in the bakery cabinet, in the bakery cabinet, which

276
00:14:25,120 --> 00:14:28,440
Speaker 1: I think is supposed to be like a refrigerated section, okay,

277
00:14:28,840 --> 00:14:32,680
Speaker 1: and it's like right here in Bill's in Bill's.

278
00:14:32,400 --> 00:14:34,040
Speaker 4: Shoulder, Ye, totally.

279
00:14:34,080 --> 00:14:35,840
Speaker 3: And then in the boys apartment it's always hanging on

280
00:14:35,880 --> 00:14:39,720
Speaker 3: the fridge. Okay, it's just it's I'm I look back

281
00:14:39,720 --> 00:14:41,320
Speaker 3: now and I'm not gonna harp on it anymore.

282
00:14:41,400 --> 00:14:43,360
Speaker 2: Go find it yourself. But it's distracting.

283
00:14:43,720 --> 00:14:47,400
Speaker 1: Don't mind it being on the fridge at all. That

284
00:14:47,560 --> 00:14:49,400
Speaker 1: feels like something that you could just Yeah, there was

285
00:14:49,440 --> 00:14:52,200
Speaker 1: a magnet. They had a lobster magnet in the But

286
00:14:52,600 --> 00:14:54,240
Speaker 1: when it was in the bakery case, I was like,

287
00:14:54,600 --> 00:14:55,360
Speaker 1: why would there be.

288
00:14:55,320 --> 00:15:01,080
Speaker 3: A lobster because it's just throwing it funny.

289
00:15:01,400 --> 00:15:02,040
Speaker 2: By the way, I.

290
00:15:01,960 --> 00:15:04,240
Speaker 3: Totally agree with Rider. It's just it's a it's a

291
00:15:04,320 --> 00:15:06,760
Speaker 3: very heavy episode. Corey isn't very likable.

292
00:15:06,800 --> 00:15:07,080
Speaker 2: Again.

293
00:15:07,200 --> 00:15:09,080
Speaker 3: I get why they're trying to not make them likable,

294
00:15:09,120 --> 00:15:11,960
Speaker 3: but you know they want to turn. I thought the

295
00:15:12,000 --> 00:15:14,800
Speaker 3: Shawn entrance was great because that's what he's looking for.

296
00:15:14,920 --> 00:15:17,800
Speaker 3: But the idea that Corey has been this unlikable for

297
00:15:17,840 --> 00:15:19,960
Speaker 3: several episodes and Tapang is the one that needs to

298
00:15:20,040 --> 00:15:22,320
Speaker 3: change I found to be a little like, really, I couldn't.

299
00:15:22,360 --> 00:15:24,360
Speaker 4: I couldn't track the logic of any of that, And

300
00:15:24,520 --> 00:15:27,160
Speaker 4: I was like, hold my hand back to I like

301
00:15:27,280 --> 00:15:31,280
Speaker 4: Tapega's like the conversations about Tapanga's character, and like I

302
00:15:31,360 --> 00:15:33,440
Speaker 4: liked this idea that she's getting in touch with something,

303
00:15:33,440 --> 00:15:36,000
Speaker 4: but I didn't. It didn't track for me. I wasn't like,

304
00:15:36,040 --> 00:15:38,600
Speaker 4: what is the logic here? Like she needs to care

305
00:15:38,680 --> 00:15:43,280
Speaker 4: about them in order to I really don't know.

306
00:15:44,080 --> 00:15:46,960
Speaker 1: He fell in love with me because I was a distraction.

307
00:15:47,520 --> 00:15:51,320
Speaker 1: I was a funny, quirky distraction from real life, and

308
00:15:51,320 --> 00:15:53,760
Speaker 1: so whenever anything tough is going on for him, he

309
00:15:53,840 --> 00:15:56,440
Speaker 1: just needs me to be his safe space, which involves

310
00:15:57,200 --> 00:16:00,160
Speaker 1: dancing and lipstick on my face and anything other than

311
00:16:00,240 --> 00:16:03,280
Speaker 1: that is not good enough and then like, yes, exactly

312
00:16:03,360 --> 00:16:06,400
Speaker 1: what you said. The framing of it being like, well,

313
00:16:06,440 --> 00:16:08,840
Speaker 1: I can't do that for you, and then Sean walking

314
00:16:08,880 --> 00:16:11,320
Speaker 1: in and being like the one to do it for him.

315
00:16:11,360 --> 00:16:17,440
Speaker 1: It's like, honestly, go Mary, Sean, y just do it.

316
00:16:17,680 --> 00:16:18,040
Speaker 4: Yeah.

317
00:16:18,200 --> 00:16:20,480
Speaker 2: No, it wasn't my favorite either. It's just yeah. And

318
00:16:20,560 --> 00:16:23,680
Speaker 2: I didn't realize this is this is how Tommy starts.

319
00:16:23,680 --> 00:16:26,720
Speaker 3: There's no kind of conversation, He's just there and this

320
00:16:26,840 --> 00:16:28,280
Speaker 3: is the same I.

321
00:16:28,640 --> 00:16:30,920
Speaker 1: Saw the exact same thing. I was like, wait, is

322
00:16:30,960 --> 00:16:34,320
Speaker 1: this the first time we're seeing Tommy since Christmas, which

323
00:16:34,400 --> 00:16:36,280
Speaker 1: was seven episodes.

324
00:16:35,840 --> 00:16:36,760
Speaker 2: Ago something like that.

325
00:16:36,840 --> 00:16:38,520
Speaker 3: Yeah, and then all of a sudden he's just now

326
00:16:38,560 --> 00:16:40,440
Speaker 3: he's with Eric. There was no like I'm going to

327
00:16:40,480 --> 00:16:43,720
Speaker 3: go become a big brother or re meeting Tommy or something.

328
00:16:43,840 --> 00:16:46,120
Speaker 3: There just have apparently been in each other's lives and

329
00:16:46,160 --> 00:16:47,160
Speaker 3: we just didn't know it.

330
00:16:48,360 --> 00:16:49,400
Speaker 1: I know it is.

331
00:16:50,000 --> 00:16:51,040
Speaker 2: It was a weird episode for me.

332
00:16:51,080 --> 00:16:53,560
Speaker 1: It was a weird episode for me, agreed. So guest

333
00:16:53,600 --> 00:16:56,960
Speaker 1: starring McNally Sagel as doctor Taylor and then we have

334
00:16:57,240 --> 00:17:01,040
Speaker 1: Donna Pontato as nurse. She also appeared on shows like

335
00:17:01,080 --> 00:17:04,000
Speaker 1: Third Rock from the Sun, and Judging Amy. We have

336
00:17:04,240 --> 00:17:08,040
Speaker 1: Sue Kremen as Karen. Sue is a common TV guest star,

337
00:17:08,200 --> 00:17:11,400
Speaker 1: showing up on shows like Spin City, Homeland, and most

338
00:17:11,440 --> 00:17:17,080
Speaker 1: recently Alaska Daily. We have Clarence A. Barnes as Paul

339
00:17:17,800 --> 00:17:21,840
Speaker 1: and Michael Fairman is doctor Markman. Michael has had a

340
00:17:21,840 --> 00:17:24,720
Speaker 1: prolific forty year career in Hollywood, with early stops on

341
00:17:24,800 --> 00:17:28,560
Speaker 1: Charlie's Angels and eighteen episodes of Cagney and Lacy. However,

342
00:17:28,640 --> 00:17:30,880
Speaker 1: he is best known as Patrick Murphy on The Young

343
00:17:30,920 --> 00:17:33,880
Speaker 1: and the Restless and from movies like Dead Silence, Thirteen

344
00:17:33,960 --> 00:17:36,119
Speaker 1: Days and David Lynch's Mulholland Drive.

345
00:17:37,800 --> 00:17:38,040
Speaker 4: G B.

346
00:17:38,160 --> 00:17:40,960
Speaker 1: Gaynor returns for his second appearance as Tommy. This is

347
00:17:41,000 --> 00:17:45,359
Speaker 1: his second of three episodes. And Cameron and Corbyn Err

348
00:17:45,400 --> 00:17:49,240
Speaker 1: are the infants who played baby Joshua Matthews in The Incubator.

349
00:17:49,640 --> 00:17:52,080
Speaker 1: The twins would also play infants in the Baseball movie

350
00:17:52,119 --> 00:17:55,960
Speaker 1: sixty one, and Cameron is credited also as moon Bounce

351
00:17:56,080 --> 00:18:00,399
Speaker 1: Kid in Eddie Murphy's Norbit. Neither have acted in Debt Gates,

352
00:18:00,400 --> 00:18:03,640
Speaker 1: but boy, I sure would like to find them. They

353
00:18:03,840 --> 00:18:05,200
Speaker 1: are almost thirty now.

354
00:18:05,280 --> 00:18:08,080
Speaker 2: Yeah, which is crazy crazy.

355
00:18:08,520 --> 00:18:12,840
Speaker 3: They were great in this In sixty one it was trite, right,

356
00:18:12,920 --> 00:18:15,359
Speaker 3: their their performance was trite in sixteen I think so.

357
00:18:15,520 --> 00:18:18,639
Speaker 2: Yeah, I thought they were pushing. It was like they

358
00:18:18,720 --> 00:18:23,320
Speaker 2: knew who they were by that way. Yeah, baby, it

359
00:18:23,400 --> 00:18:24,240
Speaker 2: was a little much.

360
00:18:24,359 --> 00:18:27,440
Speaker 1: What kind of training do you even have? You know, like, yeah,

361
00:18:27,640 --> 00:18:28,200
Speaker 1: very obvious.

362
00:18:28,200 --> 00:18:30,560
Speaker 2: I didn't buy it. I didn't buy it totally.

363
00:18:31,000 --> 00:18:34,200
Speaker 1: And then, as we mentioned, there is one other cameo,

364
00:18:34,440 --> 00:18:37,320
Speaker 1: mister Michael Jacobs, but we will get into that later.

365
00:18:37,600 --> 00:18:38,960
Speaker 4: Is he actually credited.

366
00:18:41,240 --> 00:18:41,280
Speaker 3: Me?

367
00:18:41,720 --> 00:18:44,520
Speaker 1: I didn't see it. I don't think so, not credited.

368
00:18:44,560 --> 00:18:46,439
Speaker 1: It has lines, so it has two lines.

369
00:18:46,520 --> 00:18:47,439
Speaker 2: Do you think he's sag?

370
00:18:48,960 --> 00:18:50,240
Speaker 4: I mean he started as an actor.

371
00:18:50,359 --> 00:18:52,080
Speaker 2: Yeah, I wonder if, Like I wonder if he's a

372
00:18:52,119 --> 00:18:52,640
Speaker 2: sag actor.

373
00:18:52,640 --> 00:18:54,760
Speaker 4: I mean you can't do a sag role.

374
00:18:54,840 --> 00:18:55,639
Speaker 1: Yeah, you'd have to.

375
00:18:56,200 --> 00:18:56,399
Speaker 5: You know.

376
00:18:56,880 --> 00:18:58,560
Speaker 2: They might have tasted heartleaed them that day, just we

377
00:18:58,600 --> 00:18:59,720
Speaker 2: can maybe, I wonder.

378
00:19:12,760 --> 00:19:12,879
Speaker 3: So.

379
00:19:12,960 --> 00:19:15,600
Speaker 1: Jumping into our recap, we start in the hospital, Nick

380
00:19:15,680 --> 00:19:20,119
Speaker 1: you boy, Matthews is in an incubator with a card attached,

381
00:19:20,160 --> 00:19:25,400
Speaker 1: noting that he weighs only five pounds zero ounces. Sleep deprived,

382
00:19:25,400 --> 00:19:27,520
Speaker 1: Amy and Allen are nervously waiting by the baby when

383
00:19:27,520 --> 00:19:31,240
Speaker 1: doctor Taylor walks in. She introduces the Matthews to Charlie Markman,

384
00:19:31,320 --> 00:19:34,000
Speaker 1: a ne natal pulmonary specialist who will be taking over

385
00:19:34,040 --> 00:19:37,080
Speaker 1: their case. Amy's concerned, but doctor Taylor assures them that

386
00:19:37,119 --> 00:19:40,560
Speaker 1: they are in good hands and she leaves. Alan asks

387
00:19:40,600 --> 00:19:43,399
Speaker 1: the new doctor if their baby will die, and Amy

388
00:19:43,440 --> 00:19:47,520
Speaker 1: emphatically states no, but doctor Markman admits, I don't know.

389
00:19:49,000 --> 00:19:54,199
Speaker 4: He reveals it's a wow, I mean, so intense, so

390
00:19:54,359 --> 00:19:58,280
Speaker 4: literally is the baby going to die? In the first scene. Also,

391
00:19:58,359 --> 00:20:01,440
Speaker 4: going back to the last episode, I found it interesting

392
00:20:01,480 --> 00:20:04,479
Speaker 4: that throughout this episode, Amy is like in a robe

393
00:20:05,080 --> 00:20:08,080
Speaker 4: and acting like she's tired or like frail, like she's recovering,

394
00:20:08,080 --> 00:20:11,879
Speaker 4: whereas in the last episode, immediately after a C section,

395
00:20:12,000 --> 00:20:13,960
Speaker 4: she was like burkie and reading and happy.

396
00:20:14,320 --> 00:20:14,520
Speaker 1: Yeah.

397
00:20:14,840 --> 00:20:16,880
Speaker 3: I like to keep in mind we're getting into possible

398
00:20:16,920 --> 00:20:21,240
Speaker 3: dead baby three episodes after dead CHET, I know, two

399
00:20:21,280 --> 00:20:24,800
Speaker 3: episodes after dead CHET. I mean it's like, what decided

400
00:20:24,840 --> 00:20:26,520
Speaker 3: where in the arc of the season did they go,

401
00:20:26,560 --> 00:20:26,760
Speaker 3: you know.

402
00:20:26,800 --> 00:20:29,280
Speaker 2: We need lots more death or possible death.

403
00:20:29,680 --> 00:20:32,000
Speaker 4: Yeah, yeah, there's a lot of such a strange choice,

404
00:20:32,040 --> 00:20:34,439
Speaker 4: Like I just don't why, you know, I mean, why

405
00:20:34,480 --> 00:20:36,240
Speaker 4: did Oneman's world go this route.

406
00:20:36,280 --> 00:20:39,080
Speaker 3: It's really well because I mean I get I get

407
00:20:39,119 --> 00:20:41,639
Speaker 3: them doing it with the baby, because Michael's writing what

408
00:20:41,720 --> 00:20:45,320
Speaker 3: he knows. Okay, I get that, but coming right off

409
00:20:45,359 --> 00:20:47,840
Speaker 3: the heels of Chet, it's just it's so much right

410
00:20:47,840 --> 00:20:49,199
Speaker 3: in a row.

411
00:20:49,240 --> 00:20:52,040
Speaker 1: As we know, the baby doesn't end up dying, and

412
00:20:52,080 --> 00:20:56,560
Speaker 1: so it really kind of I surprise spoiler. It does

413
00:20:56,680 --> 00:21:01,679
Speaker 1: kind of speak to like if you look at a

414
00:21:01,720 --> 00:21:05,399
Speaker 1: life cycle, someone dies and then new life gets born

415
00:21:05,520 --> 00:21:08,600
Speaker 1: and before that new life is fine. It could go

416
00:21:08,760 --> 00:21:16,000
Speaker 1: either way, and so there's heaviness along the road, but

417
00:21:16,240 --> 00:21:19,960
Speaker 1: it's not. If the baby died, I'd be like, what

418
00:21:19,960 --> 00:21:23,000
Speaker 1: were they thinking? Why would they kill a baby? And

419
00:21:23,280 --> 00:21:25,320
Speaker 1: chit within three episodes of each other.

420
00:21:25,520 --> 00:21:30,959
Speaker 4: But we've also had Sean angela breakup. I know this

421
00:21:31,000 --> 00:21:35,320
Speaker 4: whole season is sort of driven by tragedy well, and.

422
00:21:35,240 --> 00:21:38,359
Speaker 1: It feels like very much like the last two episodes,

423
00:21:38,400 --> 00:21:41,880
Speaker 1: with the amount of times Topanga has said sometimes things change,

424
00:21:42,440 --> 00:21:47,760
Speaker 1: it feels very much like a motto or a theme.

425
00:21:47,920 --> 00:21:54,320
Speaker 1: The whole theme for the show being that tragedy will

426
00:21:54,359 --> 00:22:00,399
Speaker 1: eventually strike us all into in one capacity is.

427
00:22:00,400 --> 00:22:03,080
Speaker 2: Really probable exactly Shama's big right now.

428
00:22:03,119 --> 00:22:06,000
Speaker 1: So let me also, I don't want us to forget

429
00:22:06,040 --> 00:22:09,000
Speaker 1: that there have been traumatic and tragic things that have

430
00:22:09,080 --> 00:22:12,840
Speaker 1: happened in individual people's lives. So you know, there's lots

431
00:22:12,840 --> 00:22:17,240
Speaker 1: of reasons, but it does feel certainly like a change

432
00:22:17,240 --> 00:22:17,600
Speaker 1: of show.

433
00:22:17,800 --> 00:22:19,920
Speaker 3: Yeah, I mean to the point where and we'll get

434
00:22:19,920 --> 00:22:21,360
Speaker 3: into this as we progress.

435
00:22:21,520 --> 00:22:25,240
Speaker 2: The audience didn't know how to react. I know you

436
00:22:25,320 --> 00:22:28,600
Speaker 2: heard them at times like should we cheer here? Do

437
00:22:28,800 --> 00:22:30,840
Speaker 2: we not Shane's back?

438
00:22:30,920 --> 00:22:31,600
Speaker 4: Do we yell?

439
00:22:32,000 --> 00:22:36,080
Speaker 2: Like everything was There'd be two or three very long beats.

440
00:22:35,760 --> 00:22:37,680
Speaker 3: Before there was a reaction from the audience because they

441
00:22:37,760 --> 00:22:38,680
Speaker 3: they also didn't know what.

442
00:22:38,640 --> 00:22:39,119
Speaker 2: To do, right.

443
00:22:39,119 --> 00:22:40,760
Speaker 1: They were like, are we just supposed to sit here silently?

444
00:22:40,960 --> 00:22:41,160
Speaker 3: Yeah?

445
00:22:41,160 --> 00:22:43,240
Speaker 2: What happens now? Do we laugh? Is okay to laugh

446
00:22:43,280 --> 00:22:46,399
Speaker 2: at jokes? Like it was strange? Yeah?

447
00:22:46,480 --> 00:22:49,040
Speaker 1: Well, he reveals that the baby has had a respiratory

448
00:22:49,040 --> 00:22:51,880
Speaker 1: infection from an early loss of amniotic fluid. They're going

449
00:22:51,920 --> 00:22:54,720
Speaker 1: to administer a course of antibiotics over the next ten days.

450
00:22:55,080 --> 00:22:59,359
Speaker 1: By the way, babies have long issues and breathing anytime

451
00:22:59,400 --> 00:23:02,320
Speaker 1: they're born, Like, your lungs developed last in the womb,

452
00:23:02,640 --> 00:23:06,040
Speaker 1: So if you're anything more than like two weeks early,

453
00:23:06,400 --> 00:23:09,560
Speaker 1: you are probably gonna have some sort of lung development

454
00:23:09,840 --> 00:23:12,160
Speaker 1: development issue. As a matter of fact, of the reason

455
00:23:12,280 --> 00:23:15,040
Speaker 1: Adler was when I when my water broke and I

456
00:23:15,040 --> 00:23:16,680
Speaker 1: went to the hospital. The first thing they did was

457
00:23:16,720 --> 00:23:19,600
Speaker 1: stop my contractions. They put me on Sonya magnesium to

458
00:23:19,760 --> 00:23:21,639
Speaker 1: stop everything, and then they had to give me a

459
00:23:21,680 --> 00:23:24,520
Speaker 1: series of steroid shots so that his it would speed

460
00:23:24,600 --> 00:23:29,600
Speaker 1: up his lung development. So it doesn't just happened from

461
00:23:29,640 --> 00:23:32,000
Speaker 1: the loss of amniotic fluid. It's also because the baby's

462
00:23:32,040 --> 00:23:37,119
Speaker 1: seven weeks early. They're going to administer a course of

463
00:23:37,160 --> 00:23:39,680
Speaker 1: antibiotics over the next ten days. Amy assumes that then

464
00:23:39,720 --> 00:23:41,560
Speaker 1: they'll be able to bring him home after that, but

465
00:23:41,640 --> 00:23:44,840
Speaker 1: doctor Taylor explains they will see where they are at

466
00:23:44,840 --> 00:23:48,440
Speaker 1: that point and then woo in this bom mad's world,

467
00:23:50,440 --> 00:23:59,040
Speaker 1: let me little jarring, not one laugh, Nope, not a

468
00:23:59,160 --> 00:24:02,639
Speaker 1: one nope. Then we're in the hospital waiting room. To

469
00:24:02,720 --> 00:24:04,960
Speaker 1: Penga sits next to Corey, cup of coffee in hand

470
00:24:04,960 --> 00:24:07,960
Speaker 1: and looks extremely worried. Corey thinks everything's going to be okay,

471
00:24:08,000 --> 00:24:11,119
Speaker 1: and to Panga says, I hope. So Corey's confused. What

472
00:24:11,160 --> 00:24:13,359
Speaker 1: do you mean you hope? So you think something bad's

473
00:24:13,359 --> 00:24:16,840
Speaker 1: gonna happen Tapanga reminds him that something bad has already happened.

474
00:24:17,200 --> 00:24:21,040
Speaker 1: Corey admits, I know. I just want you to make everything.

475
00:24:20,680 --> 00:24:23,640
Speaker 2: Better, okay, Doctor Lawrence.

476
00:24:24,359 --> 00:24:26,440
Speaker 1: She wonders how she can do that, and he tells

477
00:24:26,440 --> 00:24:29,360
Speaker 1: her to just be there with him. Tapega reminds him

478
00:24:29,359 --> 00:24:32,159
Speaker 1: she's sitting right next to him, but Corey doesn't feel

479
00:24:32,200 --> 00:24:35,159
Speaker 1: her like she is. I want us to be Corey

480
00:24:35,160 --> 00:24:39,119
Speaker 1: and Topanga again, because then everything is okay. He holds

481
00:24:39,119 --> 00:24:40,960
Speaker 1: out his hand and she asks how holding his hand

482
00:24:41,000 --> 00:24:43,520
Speaker 1: will make everything better. He explains, I just want us

483
00:24:43,560 --> 00:24:46,280
Speaker 1: to be the way we used to be. Valentine's Day

484
00:24:47,440 --> 00:24:50,720
Speaker 1: used to be such a big deal to you.

485
00:24:50,880 --> 00:24:53,639
Speaker 3: He's still talking about Valentin. Yeah, and I get what

486
00:24:53,680 --> 00:24:56,200
Speaker 3: they're doing. I get he's supposed to be in denial

487
00:24:56,480 --> 00:24:59,080
Speaker 3: of what's going on in the other room. Totally understand,

488
00:24:59,119 --> 00:25:01,240
Speaker 3: but it doesn't come off well.

489
00:25:01,560 --> 00:25:06,480
Speaker 1: Wolf Yeah to Panga is even more confused. Now, what

490
00:25:06,640 --> 00:25:10,120
Speaker 1: does Valentine's Day have to do with this? Corey continues on,

491
00:25:10,200 --> 00:25:12,600
Speaker 1: and I was the one who didn't want to hold hands,

492
00:25:12,680 --> 00:25:15,280
Speaker 1: but you were the one who said that holding hands

493
00:25:15,320 --> 00:25:17,199
Speaker 1: is like touching souls?

494
00:25:17,440 --> 00:25:19,520
Speaker 4: Where did this come from? This is this is not

495
00:25:19,640 --> 00:25:23,440
Speaker 4: the motivation last episode, it's about.

496
00:25:24,119 --> 00:25:27,480
Speaker 1: To Pega is shocked. How do you remember that I

497
00:25:27,560 --> 00:25:31,240
Speaker 1: said that years ago when I was a child. Corey

498
00:25:31,280 --> 00:25:34,160
Speaker 1: says he remembers everything she said because it was important

499
00:25:34,200 --> 00:25:34,560
Speaker 1: to him.

500
00:25:34,760 --> 00:25:39,520
Speaker 3: He asks, why don't you he forgets everything?

501
00:25:38,200 --> 00:25:38,560
Speaker 5: He does.

502
00:25:42,000 --> 00:25:45,760
Speaker 3: All this in this scene almost more than anything else,

503
00:25:46,040 --> 00:25:50,240
Speaker 3: and I'm not exaggerating. He gives off real serial killer vibes,

504
00:25:51,440 --> 00:25:53,480
Speaker 3: like a no joke, go watch it again, where he's like,

505
00:25:53,560 --> 00:25:56,400
Speaker 3: I remember everything you say and take my hand.

506
00:25:56,680 --> 00:25:59,960
Speaker 2: Exactly dark.

507
00:26:02,040 --> 00:26:05,840
Speaker 1: And just said to penga fifteen.

508
00:26:08,320 --> 00:26:09,960
Speaker 4: From every haircut she's ever had.

509
00:26:10,520 --> 00:26:14,520
Speaker 2: But you saw face his face too, like he's a

510
00:26:14,560 --> 00:26:15,240
Speaker 2: crazy person.

511
00:26:15,720 --> 00:26:16,080
Speaker 1: I know.

512
00:26:16,240 --> 00:26:18,920
Speaker 4: It's so possessive and demanding. It's just awful.

513
00:26:19,119 --> 00:26:19,600
Speaker 2: It's bad.

514
00:26:20,280 --> 00:26:22,560
Speaker 1: Topanga urges him to look around. Does he know where

515
00:26:22,560 --> 00:26:25,240
Speaker 1: he is? Corey ignores her questions and encourages her to

516
00:26:25,240 --> 00:26:27,359
Speaker 1: take his hand to Pega, can't believe it. We're in

517
00:26:27,440 --> 00:26:30,360
Speaker 1: the hospital. This is real. The reality is that your

518
00:26:30,440 --> 00:26:34,240
Speaker 1: little brother is back there fighting for his life. Corey argues, no,

519
00:26:34,640 --> 00:26:39,560
Speaker 1: reality is this hand to Panga takes his hand. I

520
00:26:39,600 --> 00:26:41,720
Speaker 1: don't like it when you use us to hide from

521
00:26:41,760 --> 00:26:42,520
Speaker 1: the rest of the world.

522
00:26:42,640 --> 00:26:42,960
Speaker 2: Corey.

523
00:26:43,359 --> 00:26:45,879
Speaker 1: He replies, I don't like it that you're not to

524
00:26:46,040 --> 00:26:50,760
Speaker 1: Panga anymore. She's slowly released to.

525
00:26:51,000 --> 00:26:54,200
Speaker 4: Find who you are, and you've lost track of who

526
00:26:54,240 --> 00:26:57,600
Speaker 4: you are because it's me and me.

527
00:26:57,960 --> 00:27:00,280
Speaker 2: You're not who you were when you were twelve. What

528
00:27:00,359 --> 00:27:02,160
Speaker 2: the hell you've changed?

529
00:27:02,359 --> 00:27:02,719
Speaker 4: Banka?

530
00:27:05,400 --> 00:27:07,040
Speaker 1: Uh? Still not one laugh?

531
00:27:07,840 --> 00:27:08,360
Speaker 4: We are now?

532
00:27:08,640 --> 00:27:09,720
Speaker 2: Oh I was laughing by this.

533
00:27:09,920 --> 00:27:16,679
Speaker 1: Okay, for the record, Well, congratulations to you. So then

534
00:27:16,720 --> 00:27:19,240
Speaker 1: we're in the apartment. Eric is pretending to play basketball

535
00:27:19,280 --> 00:27:22,280
Speaker 1: with his adopted little brother Tommy, demanding him to go

536
00:27:22,400 --> 00:27:25,280
Speaker 1: left multiple times until the boy has to remind him

537
00:27:25,359 --> 00:27:29,960
Speaker 1: that is his laugh. Eric apologizes marking our first joke

538
00:27:30,040 --> 00:27:34,560
Speaker 1: of the show, which again, you you think it would

539
00:27:34,720 --> 00:27:35,760
Speaker 1: land like.

540
00:27:35,800 --> 00:27:39,920
Speaker 3: An explosion because we've come off that scene. But it's

541
00:27:39,960 --> 00:27:43,560
Speaker 3: the first scene. Everyone's like exactly, there's no no, one's

542
00:27:43,640 --> 00:27:48,240
Speaker 3: ready to last.

543
00:27:50,440 --> 00:27:53,040
Speaker 2: So yeah, it's it's the It was a tough laugh

544
00:27:53,080 --> 00:27:54,560
Speaker 2: this week. Tough room.

545
00:27:54,880 --> 00:27:55,840
Speaker 1: Tough room for sure.

546
00:27:56,240 --> 00:27:59,040
Speaker 4: I mean there's literally a tradition of dead baby jokes,

547
00:27:59,040 --> 00:28:01,680
Speaker 4: which the whole point of those jokes are that they're

548
00:28:01,760 --> 00:28:05,280
Speaker 4: so inappropriate. Yeah, they know one funny that you would

549
00:28:05,320 --> 00:28:09,080
Speaker 4: even ever tell them, And we are literally a dead Baby.

550
00:28:08,840 --> 00:28:13,959
Speaker 1: Episode Yeah whole Dead Baby episode on a comedy. Tommy

551
00:28:13,960 --> 00:28:16,400
Speaker 1: finally shoots a ball of laundry into an open suitcase

552
00:28:16,440 --> 00:28:19,040
Speaker 1: and scores. Eric lifts him into the air and jumps

553
00:28:19,119 --> 00:28:21,560
Speaker 1: up and down, the boy's body flailing in the air.

554
00:28:21,640 --> 00:28:25,040
Speaker 1: They won the championship. They won the championship, and as

555
00:28:25,080 --> 00:28:28,280
Speaker 1: a reward, Tommy gets to carry Eric's suitcase down to

556
00:28:28,320 --> 00:28:32,679
Speaker 1: the car. Tommy is now unamused, not gonna happen, but

557
00:28:32,760 --> 00:28:35,159
Speaker 1: Tommy still walks over to the suitcase to finish packing

558
00:28:35,240 --> 00:28:37,680
Speaker 1: Eric's clothes for the big move and asks, why don't

559
00:28:37,720 --> 00:28:40,160
Speaker 1: you get the big girl to carry it? Eric explains

560
00:28:40,160 --> 00:28:43,400
Speaker 1: because big girls with the big old ract. Tommy wonders

561
00:28:43,400 --> 00:28:45,800
Speaker 1: if that's why he's so sad, and Eric's siye, No,

562
00:28:46,160 --> 00:28:48,800
Speaker 1: I'm not sad. Actually, that's the farthest thing from my mind.

563
00:28:49,320 --> 00:28:52,280
Speaker 1: Tommy scoots back over to Eric. Well, something's wrong, you're

564
00:28:52,320 --> 00:28:55,840
Speaker 1: acting different. Eric asks, yeah, how do I normally act?

565
00:28:56,080 --> 00:28:58,400
Speaker 1: And Tommy frantically shakes his head back and forth while

566
00:28:58,400 --> 00:29:03,000
Speaker 1: flailing his arms, yelling up and then Jack and Rachel

567
00:29:03,080 --> 00:29:05,400
Speaker 1: walk through the door. Tommy is quick to greet them, Hi,

568
00:29:05,440 --> 00:29:10,560
Speaker 1: big girl, Hi rat, It's cute. Eric Bee lines to

569
00:29:10,640 --> 00:29:12,960
Speaker 1: a suitcase, but Jack and Rachel beg him not to leave.

570
00:29:13,320 --> 00:29:15,040
Speaker 1: Eric still thinks it's the best thing to do, but

571
00:29:15,120 --> 00:29:17,600
Speaker 1: Jack disagrees this is the last thing he should be

572
00:29:17,600 --> 00:29:19,960
Speaker 1: thinking about right now. Rachel doesn't even think he should

573
00:29:19,960 --> 00:29:22,520
Speaker 1: be in the apartment. Eric should be at the hospital.

574
00:29:23,240 --> 00:29:26,760
Speaker 1: Eric cuts her off pancakes. Everyone is confused. He clarifies

575
00:29:26,880 --> 00:29:31,400
Speaker 1: the international of hospital pancakes. Isn't that what you were

576
00:29:31,400 --> 00:29:34,720
Speaker 1: gonna say? Jack wonders what's wrong with him? So Eric

577
00:29:34,760 --> 00:29:36,760
Speaker 1: walks over to Tommy and places his hand over the

578
00:29:36,760 --> 00:29:40,400
Speaker 1: boy's eyes. I don't want Tommy to know about the hospital.

579
00:29:40,720 --> 00:29:42,800
Speaker 2: Good joke, really good joke.

580
00:29:43,760 --> 00:29:47,520
Speaker 1: Tommy loudly whispers who's in the hospital. Eric s eyes

581
00:29:47,560 --> 00:29:49,680
Speaker 1: and blames it on Rachel and Jack. He explains, I

582
00:29:49,720 --> 00:29:51,600
Speaker 1: don't want him to know about the baby. The kid's

583
00:29:51,600 --> 00:29:53,520
Speaker 1: got no family. He comes over here once a week

584
00:29:53,520 --> 00:29:55,400
Speaker 1: to hang out with his big brother Eric. He doesn't

585
00:29:55,400 --> 00:29:58,200
Speaker 1: need to know about this. Tommy hops off his stool.

586
00:29:58,400 --> 00:30:00,680
Speaker 1: The kid wants to know who's in the hou hospital Eric,

587
00:30:01,240 --> 00:30:04,000
Speaker 1: Eric reluctantly gives in, I've got this new little brother,

588
00:30:04,080 --> 00:30:06,440
Speaker 1: but don't worry, because you're still my little brother too.

589
00:30:06,880 --> 00:30:10,640
Speaker 1: But this new little guy, he's pretty sick. Tommy asks

590
00:30:10,680 --> 00:30:12,320
Speaker 1: if they can go see him, and Eric is surprised

591
00:30:12,360 --> 00:30:15,120
Speaker 1: to hear this. Tommy tells him, if he's your little brother,

592
00:30:15,400 --> 00:30:18,640
Speaker 1: then isn't he my little brother too? And the inmates

593
00:30:18,880 --> 00:30:22,600
Speaker 1: aw and Eric looks like he's about to burst into

594
00:30:22,640 --> 00:30:26,760
Speaker 1: tears and will your hair is so long.

595
00:30:27,120 --> 00:30:29,760
Speaker 3: It is, it's long and luxurious, and I don't know

596
00:30:29,800 --> 00:30:31,720
Speaker 3: what the hell face I'm making at the end there.

597
00:30:31,960 --> 00:30:33,400
Speaker 2: Oh, really it is the stranger.

598
00:30:33,240 --> 00:30:33,960
Speaker 1: You're about to cry.

599
00:30:35,000 --> 00:30:39,560
Speaker 2: It's it's like what it was a weird take, it was.

600
00:30:39,680 --> 00:30:41,480
Speaker 2: I was like, what the hell is that face?

601
00:30:41,880 --> 00:30:43,640
Speaker 4: I think it was an attempt at like awe, like

602
00:30:43,720 --> 00:30:46,120
Speaker 4: you were kind of dam and then trying to share

603
00:30:46,160 --> 00:30:47,040
Speaker 4: that with them, like.

604
00:30:47,000 --> 00:30:49,640
Speaker 3: But I just got constipated. It just looked it was

605
00:30:50,200 --> 00:30:51,240
Speaker 3: very strange choice.

606
00:30:51,320 --> 00:30:51,520
Speaker 2: Yeah.

607
00:30:52,440 --> 00:30:55,440
Speaker 4: Yeah, it honestly felt like you were maybe going to

608
00:30:55,480 --> 00:30:57,480
Speaker 4: make a joke, like you know what I mean, Like

609
00:30:57,520 --> 00:31:00,040
Speaker 4: I thought maybe you were going to like improv like

610
00:31:00,080 --> 00:31:02,560
Speaker 4: a button to the scene of like I don't know

611
00:31:02,640 --> 00:31:04,240
Speaker 4: something that's sort of you know, And I wonder if

612
00:31:04,240 --> 00:31:05,960
Speaker 4: you actually did and they just cut.

613
00:31:05,840 --> 00:31:07,880
Speaker 3: It cut it, that's quite possible. But yeah, it was

614
00:31:07,960 --> 00:31:09,880
Speaker 3: it was strange. It was a weird just a weird look.

615
00:31:10,320 --> 00:31:12,360
Speaker 1: Yeah, yeah, I do think you're right the writer. It

616
00:31:12,400 --> 00:31:16,120
Speaker 1: was a combination of awe at Tommy, but then also, guys,

617
00:31:16,160 --> 00:31:18,520
Speaker 1: isn't this so cute? It was like inviting them in

618
00:31:18,600 --> 00:31:22,400
Speaker 1: on the awe we Well, we're into Penga and Angela's dorm.

619
00:31:22,440 --> 00:31:25,040
Speaker 1: Angela's on her bed wearing a go She is so

620
00:31:25,120 --> 00:31:29,240
Speaker 1: stunning this headband she's wearing. The colors. They've just they've

621
00:31:29,320 --> 00:31:30,040
Speaker 1: just nailed her.

622
00:31:30,080 --> 00:31:35,400
Speaker 3: Look, Angela's even she's every time she's on screen, she'll

623
00:31:35,440 --> 00:31:38,640
Speaker 3: have their giving her four lines and she's killing them.

624
00:31:37,840 --> 00:31:40,400
Speaker 2: There. I know, this is my most real scene of

625
00:31:40,400 --> 00:31:41,920
Speaker 2: the entire show. To me, was right here.

626
00:31:42,320 --> 00:31:46,160
Speaker 1: Yep. Angela's on her bed studying. When Topega returns, Angela

627
00:31:46,240 --> 00:31:48,360
Speaker 1: asks about the baby in a worried to Panga tells

628
00:31:48,360 --> 00:31:51,800
Speaker 1: her there's been no change. She's really scared. Angela feels

629
00:31:51,800 --> 00:31:54,600
Speaker 1: so bad for everybody and wonders how Corey is handling it.

630
00:31:54,680 --> 00:31:57,400
Speaker 1: To Penga groans he's not, he's not even dealing with it.

631
00:31:57,440 --> 00:31:59,200
Speaker 1: All he can talk about is holding hands and making

632
00:31:59,200 --> 00:32:02,600
Speaker 1: everything go away, Like just because we're together automatically means

633
00:32:02,640 --> 00:32:05,520
Speaker 1: we're protected from life. What is that? We're not kids anymore.

634
00:32:05,920 --> 00:32:08,880
Speaker 1: Angela nods and agrees, No, we're not, and you're handling

635
00:32:08,920 --> 00:32:12,520
Speaker 1: it very maturely. Topanga thanks her, but Angela clarifies that

636
00:32:12,600 --> 00:32:16,160
Speaker 1: it wasn't a compliment. Everyone's mad at Topanga.

637
00:32:16,360 --> 00:32:17,960
Speaker 2: Yeah, I don't quick get this.

638
00:32:18,040 --> 00:32:18,719
Speaker 4: I didn't understand.

639
00:32:19,640 --> 00:32:23,680
Speaker 1: I didn't either, except for the idea that that in

640
00:32:23,840 --> 00:32:29,880
Speaker 1: this storyline, the best way to Panga, the way Topanga

641
00:32:29,960 --> 00:32:35,800
Speaker 1: isup is supposed to support Corey is by telling telling

642
00:32:35,880 --> 00:32:38,480
Speaker 1: him everything's going to be okay, and you know, being

643
00:32:38,560 --> 00:32:42,080
Speaker 1: her hippy dippy. When we hold hands, our soul's touch.

644
00:32:42,680 --> 00:32:45,080
Speaker 1: Nothing in the world matters more than the love between

645
00:32:45,120 --> 00:32:45,680
Speaker 1: two people.

646
00:32:46,000 --> 00:32:47,520
Speaker 2: But Angela didn't know that.

647
00:32:47,560 --> 00:32:53,760
Speaker 1: To Panga, No she did not. But apparently you if

648
00:32:53,800 --> 00:32:56,880
Speaker 1: you are too mature about a situation and it's not

649
00:32:56,960 --> 00:33:02,400
Speaker 1: even your situation, you are not helping. That's literally what

650
00:33:02,440 --> 00:33:02,800
Speaker 1: this is.

651
00:33:02,840 --> 00:33:04,720
Speaker 4: That's it. I just when she said that, I was like,

652
00:33:04,880 --> 00:33:05,760
Speaker 4: did I miss something?

653
00:33:05,800 --> 00:33:06,320
Speaker 2: I don't know?

654
00:33:06,440 --> 00:33:12,520
Speaker 4: Why is Angela criticizing her for mature and together? No?

655
00:33:12,960 --> 00:33:16,920
Speaker 1: It it doesn't make any sense. But in the storyline

656
00:33:17,040 --> 00:33:22,760
Speaker 1: of the show, everyone can see that Tapanga is not

657
00:33:23,080 --> 00:33:27,720
Speaker 1: doing is not supporting Cory the right way.

658
00:33:27,800 --> 00:33:29,960
Speaker 4: I mean, it'd be so easy to have Topanga like

659
00:33:30,040 --> 00:33:32,560
Speaker 4: obsessing over a test she has to take, or like,

660
00:33:32,920 --> 00:33:36,120
Speaker 4: you know, like literally avoiding this. Like if Topanga were

661
00:33:36,120 --> 00:33:38,400
Speaker 4: the one doing what Corey's doing basically like oh, I've

662
00:33:38,400 --> 00:33:40,160
Speaker 4: got to go do this or I'm I'm you know,

663
00:33:40,320 --> 00:33:43,040
Speaker 4: like taking all this emotion and avoiding, then I could

664
00:33:43,080 --> 00:33:45,000
Speaker 4: see it, because then you'd be like, hey, maybe you

665
00:33:45,000 --> 00:33:47,040
Speaker 4: should be there for Corey or you know. But she

666
00:33:47,360 --> 00:33:50,200
Speaker 4: is at the hospital, she's doing everything, She's taking care

667
00:33:50,280 --> 00:33:51,000
Speaker 4: of everybody.

668
00:33:51,360 --> 00:33:54,160
Speaker 1: Yes, she's also willing to hold his hand. It's like

669
00:33:54,280 --> 00:33:56,200
Speaker 1: she's not like not trying to be comforting at all.

670
00:33:56,320 --> 00:33:59,640
Speaker 1: She's just really like she's being very realistic. I hope

671
00:33:59,640 --> 00:34:04,360
Speaker 1: everything is going to be okay, and that now Y

672
00:34:04,480 --> 00:34:08,400
Speaker 1: wants when we hold hands, our souls are touching, and

673
00:34:08,440 --> 00:34:11,440
Speaker 1: if our souls are touching, what could possibly go wrong?

674
00:34:11,680 --> 00:34:11,839
Speaker 2: Yep.

675
00:34:12,840 --> 00:34:18,520
Speaker 1: And first apparently Angela agrees that these agrees. Yeah, the

676
00:34:18,600 --> 00:34:21,760
Speaker 1: universe agrees. So Topanga defends herself. I'm not twelve anymore,

677
00:34:21,760 --> 00:34:23,719
Speaker 1: and when I was, I was like the strangest kid

678
00:34:23,719 --> 00:34:26,920
Speaker 1: in the universe. Angela laughs, You've still got some strange

679
00:34:26,960 --> 00:34:29,480
Speaker 1: in you. Topanga remembers one time when she was trying

680
00:34:29,520 --> 00:34:32,120
Speaker 1: to help Corey with the essence of this poem for school.

681
00:34:32,440 --> 00:34:34,759
Speaker 1: She remembers going to his house and dancing all around

682
00:34:34,800 --> 00:34:37,400
Speaker 1: his kitchen and putting lipstick all over her face. We

683
00:34:37,440 --> 00:34:39,920
Speaker 1: see a glimmer of hippie Topanga. She raises her arms

684
00:34:39,960 --> 00:34:42,480
Speaker 1: and mimics the donut and the sky movements from season one.

685
00:34:43,120 --> 00:34:46,800
Speaker 1: Angela wonders why she remembers that story so well. Topanga admits,

686
00:34:46,960 --> 00:34:48,879
Speaker 1: because I always thought that was the moment he fell

687
00:34:48,960 --> 00:34:50,880
Speaker 1: in love with me. He always used to be the

688
00:34:50,880 --> 00:34:53,239
Speaker 1: one to bring me back to reality. I don't know

689
00:34:53,239 --> 00:34:56,560
Speaker 1: what happened to him. Angela explains, you did. You're the

690
00:34:56,600 --> 00:34:59,120
Speaker 1: greatest influence in his life. To Panga, he needs you

691
00:34:59,160 --> 00:35:02,719
Speaker 1: to take his hand, dance around him, help him through

692
00:35:02,760 --> 00:35:06,640
Speaker 1: what's going on right now. Baby. Without you, all he

693
00:35:06,760 --> 00:35:12,000
Speaker 1: has is reality. So again, like the perspective of the

694
00:35:12,120 --> 00:35:17,680
Speaker 1: show is that A to Panga as a partner, needs

695
00:35:17,719 --> 00:35:24,920
Speaker 1: to be the distraction from reality, because what other distractions

696
00:35:24,960 --> 00:35:25,359
Speaker 1: are there?

697
00:35:27,000 --> 00:35:32,399
Speaker 4: Look pretty dance, Look pretty dance. Yeah, I mean, god man,

698
00:35:32,680 --> 00:35:36,080
Speaker 4: I mean I really, especially now hearing it back, I

699
00:35:36,160 --> 00:35:39,120
Speaker 4: just feel like this is like a real jump the

700
00:35:39,160 --> 00:35:43,759
Speaker 4: shark moment this episode because it's it's not only this

701
00:35:43,880 --> 00:35:47,480
Speaker 4: like drama, which we've done drama before test a lot,

702
00:35:48,560 --> 00:35:52,640
Speaker 4: but it's also when we start referencing our old episodes

703
00:35:53,280 --> 00:35:57,080
Speaker 4: and relying on the sort of like this is who

704
00:35:57,120 --> 00:35:59,480
Speaker 4: you are, this is who you and we need to

705
00:35:59,480 --> 00:36:01,719
Speaker 4: get back to that. It's like a weird way to

706
00:36:01,800 --> 00:36:06,440
Speaker 4: sort of actually try to get back to the good episodes,

707
00:36:06,560 --> 00:36:08,719
Speaker 4: like when the show was good, or like it's like

708
00:36:08,760 --> 00:36:12,960
Speaker 4: we're kind of mining our own material, which is not

709
00:36:13,239 --> 00:36:15,440
Speaker 4: great for a show, you know, was in a sixth season,

710
00:36:15,560 --> 00:36:17,600
Speaker 4: Like you can't come up with new stuff, especially like

711
00:36:17,920 --> 00:36:21,319
Speaker 4: the pregnancy was supposed to be about introducing a new

712
00:36:21,400 --> 00:36:24,840
Speaker 4: character potentially and a new avenue for Alan and Amy

713
00:36:24,880 --> 00:36:27,640
Speaker 4: to have storylines, and instead it's becoming like, let's go

714
00:36:27,719 --> 00:36:31,480
Speaker 4: back to what Tapanga was Topanga and like yeah, it's yeah,

715
00:36:32,719 --> 00:36:33,480
Speaker 4: it's weird.

716
00:36:33,600 --> 00:36:35,839
Speaker 1: I know, and you know, it reminds me a little bit.

717
00:36:35,880 --> 00:36:37,480
Speaker 1: It feels like maybe what they were trying to do

718
00:36:37,640 --> 00:36:39,920
Speaker 1: was a little like what we did in the haircutting

719
00:36:39,960 --> 00:36:45,319
Speaker 1: episode where Sean says to Tapanga, what's happened to you?

720
00:36:45,560 --> 00:36:48,240
Speaker 1: This isn't the Topanga. I knew the Tapanga, I knew,

721
00:36:48,880 --> 00:36:51,839
Speaker 1: you know, didn't paint her toe nails and always had

722
00:36:51,880 --> 00:36:54,440
Speaker 1: you know, had all this confidence and now you've changed.

723
00:36:54,760 --> 00:36:56,800
Speaker 1: And it made Tapanga look in the mirror and say,

724
00:36:56,880 --> 00:37:00,239
Speaker 1: you're right, I don't like this version of me. And

725
00:37:01,040 --> 00:37:05,280
Speaker 1: we praised that story. We loved that when that episode happened.

726
00:37:05,800 --> 00:37:09,680
Speaker 1: This one feels different because it feels like a really

727
00:37:09,840 --> 00:37:14,680
Speaker 1: like a strong judgment and she's and she's not. She's

728
00:37:14,680 --> 00:37:21,200
Speaker 1: not doing anything wrong at all. Had to Penga been

729
00:37:21,239 --> 00:37:24,799
Speaker 1: the one to maybe and and for it to, you know,

730
00:37:24,920 --> 00:37:28,080
Speaker 1: for her to come to the realization that maybe something

731
00:37:28,120 --> 00:37:29,960
Speaker 1: she could do if she was feeling like, man, I

732
00:37:30,040 --> 00:37:32,000
Speaker 1: just don't know what to do to be there for Corey.

733
00:37:32,360 --> 00:37:35,600
Speaker 1: I'm really struggling. I don't know. I feel like I

734
00:37:35,760 --> 00:37:37,960
Speaker 1: used to know how to comfort him and now I

735
00:37:38,000 --> 00:37:40,520
Speaker 1: don't needymore. If it were an internal struggle for Tapanga

736
00:37:40,880 --> 00:37:43,799
Speaker 1: and for her to realize, you know, what I would

737
00:37:43,800 --> 00:37:47,080
Speaker 1: have done back then. I would have had blind optimism

738
00:37:47,640 --> 00:37:49,200
Speaker 1: that this was all going to work out, and I

739
00:37:49,239 --> 00:37:51,239
Speaker 1: would have drawn on my face and it would have

740
00:37:51,239 --> 00:37:53,200
Speaker 1: made him and she made the choice then to do

741
00:37:53,280 --> 00:37:55,359
Speaker 1: that on her own. But like, instead, all these people

742
00:37:55,400 --> 00:37:58,359
Speaker 1: are coming at her acting like, who the hell are

743
00:37:58,400 --> 00:38:00,480
Speaker 1: you lady? What are you even doing in here? It

744
00:38:00,520 --> 00:38:09,640
Speaker 1: feels very attacking for no reason. So yeah, I don't know.

745
00:38:10,920 --> 00:38:13,759
Speaker 3: I don't love it to now come back with like,

746
00:38:13,960 --> 00:38:14,920
Speaker 3: why are you practical?

747
00:38:15,760 --> 00:38:19,160
Speaker 2: Because hey, that was my thing. Now that's what you made.

748
00:38:19,200 --> 00:38:21,400
Speaker 2: The character is unpractical. Now you're attacking me for the

749
00:38:21,480 --> 00:38:23,279
Speaker 2: character you are to marry.

750
00:38:23,480 --> 00:38:25,680
Speaker 1: Ye who have been for the last, by the way,

751
00:38:25,840 --> 00:38:26,760
Speaker 1: five years.

752
00:38:26,840 --> 00:38:29,960
Speaker 3: Yeah, and again Topanga being a totally different character. We've

753
00:38:29,960 --> 00:38:32,040
Speaker 3: talked about that and doing an episode about that great idea,

754
00:38:32,200 --> 00:38:35,000
Speaker 3: don't leg it into now it's her fault that Corey

755
00:38:35,880 --> 00:38:44,640
Speaker 3: very strange.

756
00:38:49,640 --> 00:38:53,120
Speaker 1: So Tapanga takes this idea in Oh boy. Then we're

757
00:38:53,120 --> 00:38:55,880
Speaker 1: in the student union. Corey approaches Foenie. Do I not

758
00:38:56,080 --> 00:39:00,399
Speaker 1: cherish Topanga? Phoenie sarcastically announces, Oh, here we go into

759
00:39:00,400 --> 00:39:03,719
Speaker 1: Corey Land. The little lobster's right here, right right there.

760
00:39:05,440 --> 00:39:07,640
Speaker 1: Corey continues, Did I not raise her and bring her

761
00:39:07,680 --> 00:39:11,520
Speaker 1: into my home? Phoene sternly asks who talks like you?

762
00:39:11,640 --> 00:39:12,680
Speaker 1: Which I loved?

763
00:39:13,719 --> 00:39:14,839
Speaker 4: Because raise her?

764
00:39:15,200 --> 00:39:15,839
Speaker 2: What does that mean?

765
00:39:15,960 --> 00:39:16,440
Speaker 4: Raised her?

766
00:39:16,520 --> 00:39:18,080
Speaker 2: What is I don't understand what that means? Is that

767
00:39:18,120 --> 00:39:18,440
Speaker 2: a joke?

768
00:39:18,600 --> 00:39:27,399
Speaker 1: Literally? Corey's talking like a father about a daughter. Did

769
00:39:27,400 --> 00:39:30,520
Speaker 1: I not love her and raise her with respect and

770
00:39:30,680 --> 00:39:34,319
Speaker 1: provide for her? That's literally what he's saying. And that's

771
00:39:34,360 --> 00:39:38,640
Speaker 1: why Phoene says, thankfully, who talks like you? Because when

772
00:39:38,680 --> 00:39:42,600
Speaker 1: he said it, I was like, what, Yeah? But I

773
00:39:42,640 --> 00:39:44,360
Speaker 1: do think at least they tried to make it a

774
00:39:44,440 --> 00:39:48,239
Speaker 1: joke that he he doesn't really mean that he raises me,

775
00:39:48,320 --> 00:39:50,840
Speaker 1: but I raised me. But I think in the sense

776
00:39:50,880 --> 00:39:53,520
Speaker 1: of like, have I not loved her her whole life?

777
00:39:53,600 --> 00:39:56,440
Speaker 1: Have I not guarded her? Have I not been there?

778
00:39:56,800 --> 00:40:03,279
Speaker 1: Have I not? It's yeah, Corey rants on, I go

779
00:40:03,360 --> 00:40:05,319
Speaker 1: to you and I know exactly what I'm getting. Hello,

780
00:40:05,440 --> 00:40:08,360
Speaker 1: mister Matthews, here's your sensible advice. I'm on my way.

781
00:40:08,560 --> 00:40:11,160
Speaker 1: You are my sensible go to guy. But he feels

782
00:40:11,160 --> 00:40:13,360
Speaker 1: that Tapanga is not what she used to be. Phoene

783
00:40:13,360 --> 00:40:16,920
Speaker 1: wonders what did she used to be? Corey answers, not sensible.

784
00:40:17,040 --> 00:40:21,240
Speaker 1: She was Tapanga now she's Phyllis Munson from Piscataway, New Jersey.

785
00:40:21,800 --> 00:40:23,719
Speaker 1: Phoene tells him that Tapanga Lawrence is one of the

786
00:40:23,719 --> 00:40:26,640
Speaker 1: best people he knows. Corey agrees, but what's wrong with her?

787
00:40:26,960 --> 00:40:30,480
Speaker 1: Phoene's adamant. She's growing up, so are you. Cory asks

788
00:40:30,520 --> 00:40:32,160
Speaker 1: why does she have to grow now at a time

789
00:40:32,280 --> 00:40:34,640
Speaker 1: like this? Phoene gets serious. Do you want to go

790
00:40:34,640 --> 00:40:37,120
Speaker 1: see how your little brother is doing? Corey says yes,

791
00:40:37,120 --> 00:40:39,560
Speaker 1: and Phoene offers to go with him. Corey accepts the

792
00:40:39,600 --> 00:40:42,080
Speaker 1: offer and the two begin to leave, but Corey warns him,

793
00:40:42,280 --> 00:40:44,959
Speaker 1: my homework is going to be unbelievably late this week.

794
00:40:45,400 --> 00:40:49,520
Speaker 1: Phoene says, yeah, what else is new? Then we're in

795
00:40:49,520 --> 00:40:53,120
Speaker 1: the hospital Niku. Allan opens the room and greets another couple,

796
00:40:53,239 --> 00:40:56,040
Speaker 1: Karen and Paul, who are hovering over their baby. He

797
00:40:56,160 --> 00:40:58,239
Speaker 1: asks how their daughter is doing today, and the mother

798
00:40:58,320 --> 00:41:00,479
Speaker 1: says she's doing a little better. He has a little

799
00:41:00,480 --> 00:41:04,440
Speaker 1: more color now. Alan agrees, telling them she looks great.

800
00:41:04,719 --> 00:41:07,480
Speaker 1: Alan makes his way to another father nearby, a Jewish

801
00:41:07,520 --> 00:41:10,719
Speaker 1: man named Michael praying for his baby played by one

802
00:41:11,000 --> 00:41:14,439
Speaker 1: mister Michael Jacobs. It is his only on screen Boy

803
00:41:14,480 --> 00:41:19,600
Speaker 1: Meets World appearance. Ever, Alan asks how his son is doing,

804
00:41:19,640 --> 00:41:22,800
Speaker 1: and Michael reveals I think he smiled at me. Before

805
00:41:22,840 --> 00:41:25,359
Speaker 1: Alan leaves. He asks for a prayer for his boy too,

806
00:41:25,440 --> 00:41:28,200
Speaker 1: and Michael responds, oh, these are for all of us.

807
00:41:29,040 --> 00:41:31,560
Speaker 1: And just like last week where I was a little triggered,

808
00:41:34,000 --> 00:41:36,280
Speaker 1: very triggered again by this whole scene.

809
00:41:36,560 --> 00:41:37,120
Speaker 4: There is.

810
00:41:38,880 --> 00:41:45,200
Speaker 1: Nothing that can prepare you for being on the Nike

811
00:41:45,200 --> 00:41:48,480
Speaker 1: you floor and seeing all the different families and seeing

812
00:41:48,520 --> 00:41:50,839
Speaker 1: all the different parents who wander the halls and their

813
00:41:50,960 --> 00:41:52,919
Speaker 1: robes at all times of the day or night because

814
00:41:52,920 --> 00:41:54,960
Speaker 1: they refuse to leave, and they refuse to go home,

815
00:41:55,560 --> 00:41:59,640
Speaker 1: and you know you're there. You Sometimes you're a person

816
00:41:59,640 --> 00:42:01,560
Speaker 1: who's already been there for a few days and somebody

817
00:42:01,600 --> 00:42:04,239
Speaker 1: new comes in and they only have to be there

818
00:42:04,280 --> 00:42:06,239
Speaker 1: for twenty four hours or forty eight hours and then

819
00:42:06,280 --> 00:42:08,879
Speaker 1: they leave. And other times you've come in and there's

820
00:42:08,920 --> 00:42:11,240
Speaker 1: someone who's been there for a long time before you arrived,

821
00:42:11,280 --> 00:42:14,839
Speaker 1: and you leave long before them. And you know, there

822
00:42:14,880 --> 00:42:17,440
Speaker 1: are kids who are in the NICKU or then the

823
00:42:17,520 --> 00:42:23,160
Speaker 1: pediatric Intensive care unit for a year, and their families

824
00:42:23,239 --> 00:42:28,080
Speaker 1: have to come and go, and you know, some depending

825
00:42:28,080 --> 00:42:30,360
Speaker 1: on which hospital you go to, they offer gas cards.

826
00:42:30,360 --> 00:42:34,960
Speaker 1: Sometimes families are driving hundreds of miles. They don't live

827
00:42:35,040 --> 00:42:38,480
Speaker 1: close to the hospital, and it costs a fortune to

828
00:42:38,480 --> 00:42:40,960
Speaker 1: be able to get there, and people still have to work,

829
00:42:41,000 --> 00:42:43,640
Speaker 1: and so they're not even it's just it is truly

830
00:42:43,680 --> 00:42:49,000
Speaker 1: a place where you feel a kinship with every other

831
00:42:49,080 --> 00:42:53,480
Speaker 1: family there, and when you leave. You know, if you

832
00:42:53,520 --> 00:42:56,880
Speaker 1: are any type of a person who prays or gives

833
00:42:56,920 --> 00:42:59,759
Speaker 1: good vibes or thinks positive thoughts from the moment you

834
00:42:59,840 --> 00:43:02,399
Speaker 1: end till the time you leave, you are doing that

835
00:43:02,560 --> 00:43:07,960
Speaker 1: for every person there with you. So yeah, this was

836
00:43:08,000 --> 00:43:10,799
Speaker 1: actually this was this was hard for me to watch.

837
00:43:12,040 --> 00:43:13,760
Speaker 2: Us too, but for a totally different reason.

838
00:43:16,160 --> 00:43:18,080
Speaker 4: Well, I mean, I think that that's a sign that

839
00:43:18,120 --> 00:43:21,720
Speaker 4: it's effective. You know. Yeah, that's a counterpoint to everything

840
00:43:21,719 --> 00:43:24,200
Speaker 4: that we've been saying, which is that here is a

841
00:43:24,920 --> 00:43:27,479
Speaker 4: you know, it is based on a personal experience. It's yeah,

842
00:43:27,600 --> 00:43:30,560
Speaker 4: it's speaking to your personal experience. So for all of

843
00:43:30,920 --> 00:43:33,359
Speaker 4: you know, all of our eye rolling about the fact

844
00:43:33,400 --> 00:43:36,320
Speaker 4: that The Boy Meets World is leaning into such a

845
00:43:36,400 --> 00:43:41,000
Speaker 4: dramatic episode, it maybe it's appropriate, you know, maybe if

846
00:43:41,040 --> 00:43:41,919
Speaker 4: you're think.

847
00:43:41,880 --> 00:43:44,799
Speaker 3: Something would be more appropriate, and it would it would

848
00:43:44,920 --> 00:43:51,320
Speaker 3: land easier if it wasn't surrounded by other really intense episodes.

849
00:43:51,960 --> 00:43:56,080
Speaker 1: Or other really intense scenes like even like you said,

850
00:43:56,120 --> 00:43:59,600
Speaker 1: then on the outside of the hospital room, Corey is

851
00:43:59,640 --> 00:44:02,040
Speaker 1: mad at to Penga for something, and we're like wait,

852
00:44:02,080 --> 00:44:04,240
Speaker 1: why does everybody feel it? Why is it such a downer?

853
00:44:04,560 --> 00:44:05,960
Speaker 2: Yeah, it does.

854
00:44:06,000 --> 00:44:07,759
Speaker 3: It just with the whole chet thing coming off, the

855
00:44:07,800 --> 00:44:11,480
Speaker 3: chet thing and Jack and Eric, you know, having problems

856
00:44:11,520 --> 00:44:15,400
Speaker 3: and Rachel and it's everybody's having issues now. And so

857
00:44:15,760 --> 00:44:19,080
Speaker 3: this what should be something super important that was somebody's

858
00:44:19,120 --> 00:44:21,120
Speaker 3: personal experience that does affect a lot of people. That

859
00:44:21,120 --> 00:44:24,120
Speaker 3: should have landed, not to say like a very special episode,

860
00:44:24,160 --> 00:44:26,759
Speaker 3: but one that does stand alone as man, this is

861
00:44:26,800 --> 00:44:27,160
Speaker 3: real life.

862
00:44:27,200 --> 00:44:28,440
Speaker 2: We're going to hit you with real life in the

863
00:44:28,480 --> 00:44:29,200
Speaker 2: mouth right now.

864
00:44:29,800 --> 00:44:33,399
Speaker 3: It starts to get a little beige because everything has

865
00:44:33,440 --> 00:44:36,480
Speaker 3: been like that now for several episodes, so it doesn't

866
00:44:36,560 --> 00:44:38,799
Speaker 3: land with the same impact because you're hearing the same

867
00:44:38,840 --> 00:44:40,880
Speaker 3: note now for three or four episodes in a row.

868
00:44:41,280 --> 00:44:44,400
Speaker 3: So it's just more sadness on top of more sadness.

869
00:44:45,080 --> 00:44:47,239
Speaker 2: Because I think you're right, writer, and what Danielle is saying, how.

870
00:44:47,200 --> 00:44:48,719
Speaker 3: Much is affecting are we all know people that have

871
00:44:48,760 --> 00:44:50,719
Speaker 3: had children and the nick you and and it is

872
00:44:50,760 --> 00:44:54,160
Speaker 3: it's that becomes your life, So that itself should have

873
00:44:54,600 --> 00:44:57,440
Speaker 3: had a much more powerful impact than it did because

874
00:44:57,480 --> 00:45:00,279
Speaker 3: it's just now kind of bland because it just keeps

875
00:45:00,320 --> 00:45:02,440
Speaker 3: happening over and over now with these episodes.

876
00:45:03,560 --> 00:45:07,200
Speaker 1: Yeah. Then he finds Amy sleeping in a chair near

877
00:45:07,239 --> 00:45:09,920
Speaker 1: their baby. He whispers some words of encouragement to the baby.

878
00:45:10,040 --> 00:45:13,880
Speaker 1: Just as Amy opens her eyes. Joshua Alan is startled.

879
00:45:14,040 --> 00:45:17,480
Speaker 1: What does she mean? Amy explains, I decided on Joshua

880
00:45:17,719 --> 00:45:23,000
Speaker 1: Joshua Gabriel Matthews. Gabriel means he who God protects. Alan

881
00:45:23,080 --> 00:45:25,080
Speaker 1: now wants to know how Joshua is doing today, and

882
00:45:25,120 --> 00:45:27,319
Speaker 1: Amy says the doctor suggests they talk to him and

883
00:45:27,360 --> 00:45:29,600
Speaker 1: tell them who they are. The couple stick their hands

884
00:45:29,600 --> 00:45:32,480
Speaker 1: inside of the incubator. As Alan introduces himself as dad.

885
00:45:33,040 --> 00:45:34,719
Speaker 1: He tells his baby that he loves him and he

886
00:45:34,719 --> 00:45:37,759
Speaker 1: wants him to get better. He repeats Joshua Gabriel's name

887
00:45:37,760 --> 00:45:41,400
Speaker 1: and then desperately asks God for help. Outside, Eric and

888
00:45:41,400 --> 00:45:43,799
Speaker 1: Tommy are looking in on their new baby brother. Eric

889
00:45:43,840 --> 00:45:46,080
Speaker 1: proves to Tommy that the baby is still here, but

890
00:45:46,160 --> 00:45:49,520
Speaker 1: it's time to go back home now. Tommy asks if

891
00:45:49,640 --> 00:45:51,839
Speaker 1: Eric's coming back to the hospital after he drops him off,

892
00:45:51,880 --> 00:45:54,319
Speaker 1: and Eric nods, yeah, I'm gonna come right back here

893
00:45:54,320 --> 00:45:56,200
Speaker 1: and I'm going to tell him all about you. I'm

894
00:45:56,200 --> 00:45:57,719
Speaker 1: going to tell him how he spent the whole day

895
00:45:57,719 --> 00:46:01,040
Speaker 1: with him. Tommy assures him he knows I'd it. Eric

896
00:46:01,080 --> 00:46:04,000
Speaker 1: smiles and kisses Tommy's head, but Tommy isn't having it. Hey,

897
00:46:04,760 --> 00:46:07,840
Speaker 1: Eric's admits, all right, come on, saddle up. He kneels

898
00:46:07,880 --> 00:46:11,200
Speaker 1: down and toppy Tommy hops onto his back. Gidea Porsy.

899
00:46:11,920 --> 00:46:14,719
Speaker 2: It's a cute relationship. The Tommy Eric is a very

900
00:46:14,719 --> 00:46:15,480
Speaker 2: cute relationship.

901
00:46:15,480 --> 00:46:18,960
Speaker 3: It really works Eric with kids because in some ways

902
00:46:18,960 --> 00:46:20,960
Speaker 3: he's the adult and in some ways he's on their level.

903
00:46:21,280 --> 00:46:25,040
Speaker 2: Yep, yeah, it really. It's so cute. Between any time

904
00:46:25,120 --> 00:46:25,799
Speaker 2: that Tommy.

905
00:46:25,560 --> 00:46:28,600
Speaker 4: Is smarter than you could come back, it's just great.

906
00:46:28,800 --> 00:46:30,200
Speaker 2: It's yeah, it really works.

907
00:46:31,239 --> 00:46:33,600
Speaker 1: The two walk through the hospital waiting room, which is

908
00:46:33,640 --> 00:46:36,160
Speaker 1: filled with all of the friends in Matthew's family. Tommy

909
00:46:36,160 --> 00:46:38,080
Speaker 1: says goodbye to each and every one of them by

910
00:46:38,160 --> 00:46:41,520
Speaker 1: name ending with Rachel and Jack, Big Girl, and Rat.

911
00:46:41,800 --> 00:46:45,799
Speaker 1: Once again. To Panga, loudly states Corey, I feel like

912
00:46:45,840 --> 00:46:48,880
Speaker 1: we're really distant. Everyone looks up and we see that

913
00:46:48,960 --> 00:46:51,200
Speaker 1: they are literally sitting across the room from each other.

914
00:46:51,640 --> 00:46:54,680
Speaker 1: He loudly responds, why would you say that to Panga

915
00:46:54,680 --> 00:46:56,799
Speaker 1: admits because for the first time in my life. I

916
00:46:56,800 --> 00:46:58,200
Speaker 1: feel like I don't know how to give you what

917
00:46:58,280 --> 00:47:01,799
Speaker 1: you need. Corey wonders why not, and Tapeka says because

918
00:47:01,800 --> 00:47:04,080
Speaker 1: they can't go through life together if he expects her

919
00:47:04,080 --> 00:47:07,560
Speaker 1: to change his reality. Corey winds, well, you used to

920
00:47:07,600 --> 00:47:10,520
Speaker 1: be able to. Everyone is watching the conversation back and

921
00:47:10,520 --> 00:47:13,840
Speaker 1: forth like a tennis match, which gets an oddly placed laugh.

922
00:47:14,719 --> 00:47:18,000
Speaker 1: Tapega responds, we were kids. Nothing bad ever happened. The

923
00:47:18,040 --> 00:47:20,000
Speaker 1: worst thing that happened was when your pop tart fell

924
00:47:20,000 --> 00:47:22,680
Speaker 1: on the ground. Corey agrees. And you held it up

925
00:47:22,719 --> 00:47:25,160
Speaker 1: to the sky and you said God made dirt. Dirt

926
00:47:25,160 --> 00:47:28,319
Speaker 1: won't hurt, right. Tapenga says it was still dirty, but

927
00:47:28,400 --> 00:47:30,720
Speaker 1: Corey points out that he ate it anyway. He didn't

928
00:47:30,760 --> 00:47:33,239
Speaker 1: have to, but he did because she said too. He

929
00:47:33,320 --> 00:47:35,640
Speaker 1: finally walks over to her, I want you to make

930
00:47:35,680 --> 00:47:39,000
Speaker 1: everything better. To Panga, she shakes her head. We can't

931
00:47:39,040 --> 00:47:42,400
Speaker 1: have that relationship anymore. Corey keeps asking why, and she

932
00:47:42,480 --> 00:47:45,920
Speaker 1: finally admits, I don't know how to be like that anymore. Corey,

933
00:47:46,000 --> 00:47:48,720
Speaker 1: this is bad. There isn't anyone who can make it better.

934
00:47:49,000 --> 00:47:51,680
Speaker 1: And on cue the elevator door's open.

935
00:47:51,880 --> 00:47:53,840
Speaker 4: Here's someone who's gonna make it better.

936
00:47:53,960 --> 00:47:58,600
Speaker 1: Guess who's gonna make it better? Shone, it's Shonsi with

937
00:47:58,640 --> 00:48:02,560
Speaker 1: a big Smiley's eyes light up and they give each

938
00:48:02,560 --> 00:48:05,240
Speaker 1: other a big hug. We get another imate.

939
00:48:05,640 --> 00:48:10,760
Speaker 4: Cory correct he actually respects individual.

940
00:48:10,280 --> 00:48:12,839
Speaker 1: The Levey wants the love who just knows how to

941
00:48:12,880 --> 00:48:15,520
Speaker 1: give him what he needs about being asked.

942
00:48:15,520 --> 00:48:19,800
Speaker 4: Who him everything? Because Sean has nothing and has needed

943
00:48:19,800 --> 00:48:20,800
Speaker 4: a family and needed all that.

944
00:48:20,960 --> 00:48:25,239
Speaker 1: Yeah, Sean grabs Corey's shoulders. Listen, Everything's going to be

945
00:48:25,280 --> 00:48:28,280
Speaker 1: all right. Corey makes sure you think and Sean nods,

946
00:48:28,640 --> 00:48:31,360
Speaker 1: I know. The boy's hug again is a concerned to

947
00:48:31,440 --> 00:48:34,839
Speaker 1: Panga looks on, and then there's a commercial break. We're

948
00:48:34,880 --> 00:48:36,920
Speaker 1: back in the hospital waiting room and Sean says he

949
00:48:37,000 --> 00:48:39,040
Speaker 1: tried calling them at the dorms and Angela told him

950
00:48:39,040 --> 00:48:41,560
Speaker 1: what happened, so he drove back as fast as he could.

951
00:48:41,920 --> 00:48:44,080
Speaker 1: He exchanges helloes with mister Foene and asks how the

952
00:48:44,080 --> 00:48:47,239
Speaker 1: baby's doing. Tapega tells him it's very serious, but Cory

953
00:48:47,280 --> 00:48:49,680
Speaker 1: assures him that everything's going to be fine. So so

954
00:48:49,880 --> 00:48:52,359
Speaker 1: to Panga details he's so small he's having a hard

955
00:48:52,360 --> 00:48:55,480
Speaker 1: time breathing and he can't fight the infection. Corey knowingly

956
00:48:55,520 --> 00:48:58,359
Speaker 1: states again he's going to be fine. To Pega begs

957
00:48:58,360 --> 00:49:00,520
Speaker 1: Sean to talk to him, she can't get through to him.

958
00:49:00,680 --> 00:49:03,560
Speaker 1: He'll listen to his best friend. Sean nods he can

959
00:49:03,560 --> 00:49:05,920
Speaker 1: handle it. He turns to Corey and grabs him by

960
00:49:05,960 --> 00:49:08,239
Speaker 1: the shoulder. Man, are we going to have so much

961
00:49:08,320 --> 00:49:11,440
Speaker 1: fun with this kid? Corey happily agrees. The kid is

962
00:49:11,440 --> 00:49:17,480
Speaker 1: going to be our slave. Funny funny slave jokes, well.

963
00:49:17,320 --> 00:49:18,839
Speaker 2: Dead baby slave. We're trying to hit it all.

964
00:49:20,719 --> 00:49:24,120
Speaker 4: Has Sean ever really been the like cheer up guy.

965
00:49:24,280 --> 00:49:26,720
Speaker 4: Sean's the downer. Sean's the moody.

966
00:49:27,040 --> 00:49:29,839
Speaker 1: Sean's the one who's like he still died.

967
00:49:31,360 --> 00:49:35,080
Speaker 4: I don't this is not Sean. No, I don't know

968
00:49:35,120 --> 00:49:40,680
Speaker 4: what's happened. It's yeah, shoehorning characters into philosophy.

969
00:49:40,640 --> 00:49:43,879
Speaker 1: Yes, or real life experience, and then we're just like, we'll

970
00:49:43,920 --> 00:49:45,160
Speaker 1: just have these characters do this thing.

971
00:49:45,360 --> 00:49:48,600
Speaker 3: Do either of you know, did Michael have a Sean?

972
00:49:49,920 --> 00:49:57,439
Speaker 3: Did we meet like friend? Sean McCracken is yeah, because

973
00:49:57,440 --> 00:49:59,319
Speaker 3: he didn't, and then McCracken until they were in they

974
00:49:59,320 --> 00:50:01,760
Speaker 3: were much late in life and now, but I do think.

975
00:50:01,600 --> 00:50:05,200
Speaker 4: They have McCracken identified with Sean, Yeah, as this, I

976
00:50:05,239 --> 00:50:08,279
Speaker 4: don't know. That's my assumption is that you know their

977
00:50:08,440 --> 00:50:11,640
Speaker 4: twenty something friendship was a very was the basis. Yeah,

978
00:50:11,680 --> 00:50:12,840
Speaker 4: a Sean Corey dynamic.

979
00:50:15,280 --> 00:50:17,480
Speaker 1: They go back and forth about what fun they're going

980
00:50:17,520 --> 00:50:19,839
Speaker 1: to have teaching him everything they know and bailing him

981
00:50:19,840 --> 00:50:22,240
Speaker 1: out of jail. To Penga sits next to mister Feoenie

982
00:50:22,280 --> 00:50:24,680
Speaker 1: and asks him to say something, but Corey cuts her

983
00:50:24,719 --> 00:50:26,600
Speaker 1: off to jokingly tell Feenie, I think you're going to

984
00:50:26,640 --> 00:50:29,680
Speaker 1: have another Matthews to teach Sean grins and maybe he'll

985
00:50:29,680 --> 00:50:31,800
Speaker 1: have a kid like me to sit next to. Corey

986
00:50:31,800 --> 00:50:34,160
Speaker 1: punches back, Well, he won't have to, because you'll still

987
00:50:34,200 --> 00:50:36,799
Speaker 1: be there. They let out over the top laughs at

988
00:50:36,800 --> 00:50:40,480
Speaker 1: their comedy routine. To Pega asks Phoene again, isn't he

989
00:50:40,520 --> 00:50:42,759
Speaker 1: going to say anything to them? Phoene nods and gets

990
00:50:42,800 --> 00:50:45,920
Speaker 1: the boys attention. Boys, I hope you're right with all

991
00:50:45,960 --> 00:50:49,280
Speaker 1: my heart. I hope you're right, which is no different

992
00:50:49,400 --> 00:50:50,640
Speaker 1: than what Tapanga has said.

993
00:50:50,920 --> 00:50:54,920
Speaker 2: No, actually it's way different. He's a he's a man, Danielle.

994
00:50:54,920 --> 00:50:57,480
Speaker 1: He's an older you can make and take what he

995
00:50:57,560 --> 00:50:58,840
Speaker 1: says seriously.

996
00:50:59,000 --> 00:50:59,680
Speaker 2: He's a mass.

997
00:51:00,520 --> 00:51:01,480
Speaker 1: Yeah that makes sense.

998
00:51:01,719 --> 00:51:04,040
Speaker 2: Whoa, whoa, why are you being hysterical?

999
00:51:04,640 --> 00:51:06,919
Speaker 4: Calm down, just calm down.

1000
00:51:06,960 --> 00:51:08,680
Speaker 1: I'm sorry, I got I'm a little emotional.

1001
00:51:08,920 --> 00:51:11,360
Speaker 4: Wow. Yeah is the time of the month.

1002
00:51:11,520 --> 00:51:16,279
Speaker 1: It might be it's any day now, So yeah, I apologize,

1003
00:51:16,960 --> 00:51:20,400
Speaker 1: you know, Okay, Yeah, I should probably not schedule these

1004
00:51:20,440 --> 00:51:21,600
Speaker 1: podcasts around that time.

1005
00:51:21,640 --> 00:51:28,920
Speaker 3: I just you do respond great, you're doing great, and

1006
00:51:29,000 --> 00:51:30,240
Speaker 3: I'll talk about this later.

1007
00:51:30,280 --> 00:51:31,799
Speaker 2: But you're doing very well.

1008
00:51:32,200 --> 00:51:36,200
Speaker 4: I think we raised her pretty well. Guys.

1009
00:51:36,320 --> 00:51:38,600
Speaker 2: I think we if we if we look back.

1010
00:51:40,040 --> 00:51:41,719
Speaker 1: Good bye, we did good. Thank you.

1011
00:51:41,960 --> 00:51:49,560
Speaker 4: Just play to our delusions. So weird? Oy.

1012
00:51:51,400 --> 00:51:53,560
Speaker 1: Then Amy and Allen walk into the room and are

1013
00:51:53,600 --> 00:51:56,160
Speaker 1: happy to see their son's best friend. Sean asks if

1014
00:51:56,160 --> 00:52:00,200
Speaker 1: everything's okay, and Amy admits no. Joshua hasn't responded to

1015
00:52:00,239 --> 00:52:06,240
Speaker 1: the antibiotics yet. Why is Amy so different? Why can't

1016
00:52:06,320 --> 00:52:11,279
Speaker 1: she be making lunches and talking about how great high

1017
00:52:11,320 --> 00:52:14,600
Speaker 1: school's going to be? Why she's such a Why she's

1018
00:52:14,680 --> 00:52:19,759
Speaker 1: so different? Alan introduces everyone to mister Markman, who has

1019
00:52:19,800 --> 00:52:21,560
Speaker 1: been kind enough to sit with them for the past

1020
00:52:21,600 --> 00:52:22,240
Speaker 1: three hours.

1021
00:52:22,840 --> 00:52:24,240
Speaker 2: So this is his only patient.

1022
00:52:24,920 --> 00:52:27,400
Speaker 3: The guy who's the specialist can sit with them for

1023
00:52:27,520 --> 00:52:28,400
Speaker 3: three hours.

1024
00:52:29,920 --> 00:52:32,600
Speaker 1: Anybody who's ever been in a hospital knows that that's

1025
00:52:32,640 --> 00:52:36,640
Speaker 1: not true. No, just trying to get thirty five seconds

1026
00:52:36,680 --> 00:52:39,839
Speaker 1: in a hospital to ask a doctor what's going on?

1027
00:52:40,080 --> 00:52:43,400
Speaker 1: What's this test result mean? Is nearly impossible. You have

1028
00:52:43,440 --> 00:52:46,040
Speaker 1: to have a pager and two cell phones and seventy

1029
00:52:46,040 --> 00:52:47,359
Speaker 1: five people on alert at.

1030
00:52:47,320 --> 00:52:50,000
Speaker 2: All times hours. He just hung out with them and

1031
00:52:50,080 --> 00:52:50,640
Speaker 2: just stayed there.

1032
00:52:50,920 --> 00:52:54,520
Speaker 4: Just interesting. I wonder if that's based on some someone personal, like,

1033
00:52:54,760 --> 00:52:56,760
Speaker 4: you know, because why do they bring in this extra

1034
00:52:56,840 --> 00:53:01,320
Speaker 4: doctor right like we're not the woman who gave helped

1035
00:53:01,320 --> 00:53:03,840
Speaker 4: give birth to the bay or did the surgery last week?

1036
00:53:04,080 --> 00:53:06,359
Speaker 4: Passes the buck to a man.

1037
00:53:06,400 --> 00:53:09,239
Speaker 3: I think it's show the gramatag like it's supposed to

1038
00:53:09,239 --> 00:53:12,600
Speaker 3: show the gramatas of the danger we need to bring

1039
00:53:12,640 --> 00:53:16,640
Speaker 3: in siesr Obi was while she checked in on me,

1040
00:53:16,960 --> 00:53:18,440
Speaker 3: was not my doctor anymore.

1041
00:53:18,480 --> 00:53:20,239
Speaker 1: Once Adler was in the nick ku then he had

1042
00:53:20,320 --> 00:53:23,279
Speaker 1: all kinds of you know, lung specialists, the reality of

1043
00:53:23,320 --> 00:53:26,000
Speaker 1: that that yeah, that does happen, you'r OB's like, I

1044
00:53:26,040 --> 00:53:26,880
Speaker 1: did my job.

1045
00:53:26,880 --> 00:53:29,719
Speaker 4: So like the perfect doctor, you know, I know, like

1046
00:53:30,360 --> 00:53:32,360
Speaker 4: the dream.

1047
00:53:32,440 --> 00:53:35,960
Speaker 1: And then Corey is confused the baby got more medication.

1048
00:53:36,840 --> 00:53:38,760
Speaker 1: I don't know how he got that from the doctor

1049
00:53:38,800 --> 00:53:43,560
Speaker 1: spending three hours with them. But okay, doctor Mark, when explains,

1050
00:53:43,560 --> 00:53:45,399
Speaker 1: we've given him all the medicine we can give him.

1051
00:53:45,440 --> 00:53:47,719
Speaker 1: We've been in there sitting with him and talking with him.

1052
00:53:47,960 --> 00:53:51,000
Speaker 1: What happens next is up to josh Amy reveals that

1053
00:53:51,040 --> 00:53:52,600
Speaker 1: the doctor thought it would be a good idea if

1054
00:53:52,600 --> 00:53:54,840
Speaker 1: Corey went in to say hello to his brother. Corey

1055
00:53:54,880 --> 00:53:56,719
Speaker 1: tells Shawn and Tipanga he'd like them to come to.

1056
00:53:57,280 --> 00:53:58,920
Speaker 1: On their way to the Nick You, Shawan is stopped

1057
00:53:58,920 --> 00:54:02,200
Speaker 1: by a nurse. She said it's family only. Alan alerts

1058
00:54:02,200 --> 00:54:04,640
Speaker 1: her that he is family and she lets him through

1059
00:54:04,920 --> 00:54:05,560
Speaker 1: and there's more.

1060
00:54:05,920 --> 00:54:08,920
Speaker 4: Ah, but to Panga doesn't get stopped.

1061
00:54:09,320 --> 00:54:12,160
Speaker 3: I don't know why the nurse and I asked Susan

1062
00:54:12,160 --> 00:54:17,800
Speaker 3: about this, and she said that maybe because you're engaged considered.

1063
00:54:18,200 --> 00:54:19,920
Speaker 4: So you've already had this moment. We've explained.

1064
00:54:20,880 --> 00:54:24,960
Speaker 1: The nurse knows the Matthew's Tree family dynamic. Yeah.

1065
00:54:25,000 --> 00:54:26,640
Speaker 2: Well, the doctor's been sitting there for three hours.

1066
00:54:26,640 --> 00:54:28,600
Speaker 1: He had to learn, he had to learn something. Yeah,

1067
00:54:28,640 --> 00:54:31,240
Speaker 1: that's a good point. And then in the Nick You, Tapanga,

1068
00:54:31,320 --> 00:54:33,920
Speaker 1: Corey and Sean. Now when scrubs are all gathered around

1069
00:54:33,920 --> 00:54:36,960
Speaker 1: the incubator. Corey introduces himself and a teary eyed to Panga.

1070
00:54:37,040 --> 00:54:39,600
Speaker 1: To Joshua, he says he always wanted a little brother,

1071
00:54:39,640 --> 00:54:42,400
Speaker 1: and now he has to get better. Tapega jumps in,

1072
00:54:42,480 --> 00:54:44,719
Speaker 1: telling the baby to let the medicine get him better

1073
00:54:44,760 --> 00:54:47,040
Speaker 1: because there are a lot of people who really love him.

1074
00:54:47,400 --> 00:54:51,200
Speaker 1: She begins to cry, realizing how helpless he is. Then

1075
00:54:51,520 --> 00:54:54,360
Speaker 1: Sean says hello. He tells josh that this is the

1076
00:54:54,400 --> 00:54:56,560
Speaker 1: second time he's been in the hospital this year, and

1077
00:54:56,600 --> 00:55:00,279
Speaker 1: the first time didn't go so well, and jo even

1078
00:55:00,280 --> 00:55:02,320
Speaker 1: get him started on mister Turner.

1079
00:55:02,560 --> 00:55:06,200
Speaker 3: Oh, it does not do well there. I'm glad I

1080
00:55:06,239 --> 00:55:10,160
Speaker 3: never had a scene by the Yeah, you just.

1081
00:55:10,120 --> 00:55:12,480
Speaker 1: Had to put your put your face to the glass.

1082
00:55:13,000 --> 00:55:16,000
Speaker 2: Yeah. But it's also just the wardrobe because I don't

1083
00:55:16,000 --> 00:55:16,720
Speaker 2: want to cross.

1084
00:55:17,160 --> 00:55:20,279
Speaker 1: No, I don't want the steps there. It's really cross.

1085
00:55:20,719 --> 00:55:23,719
Speaker 4: I hated this scene so much. I hated watching it,

1086
00:55:23,760 --> 00:55:26,040
Speaker 4: and I could feel me hating doing it. I was

1087
00:55:26,120 --> 00:55:29,160
Speaker 4: just like what, I'm just what you're gods, I'm just

1088
00:55:29,239 --> 00:55:33,120
Speaker 4: talking talking to just it was a Joshua jos it

1089
00:55:33,160 --> 00:55:36,080
Speaker 4: was I'm just so monotized, like I can tell, I'm

1090
00:55:36,120 --> 00:55:37,840
Speaker 4: just like what it's just exposition.

1091
00:55:37,920 --> 00:55:40,399
Speaker 2: It's just but it's also like the third one.

1092
00:55:40,480 --> 00:55:44,200
Speaker 6: I mean, Rusty's his one, and I mean it's it's

1093
00:55:44,239 --> 00:55:46,600
Speaker 6: just everybody coming in and doing a monologue over this

1094
00:55:46,640 --> 00:55:49,560
Speaker 6: little baby, which apparently you're also not supposed to have

1095
00:55:49,960 --> 00:55:52,160
Speaker 6: h Teddy Bear in the thing.

1096
00:55:53,200 --> 00:55:57,279
Speaker 3: No, like it's actually in the thing with him. Let's

1097
00:55:57,320 --> 00:56:00,640
Speaker 3: not maybe maybe keep it a safe space.

1098
00:56:01,560 --> 00:56:05,200
Speaker 1: So yeah, trying to remember Adler, we did have a couple.

1099
00:56:05,360 --> 00:56:07,160
Speaker 1: We did have little things like there he had a

1100
00:56:07,160 --> 00:56:11,799
Speaker 1: little fox rattle and a friend of ours who had

1101
00:56:11,800 --> 00:56:13,560
Speaker 1: had a baby, and the nick you had an owl

1102
00:56:13,680 --> 00:56:16,680
Speaker 1: that they put on top of his bedside thing that

1103
00:56:16,680 --> 00:56:18,839
Speaker 1: they said the owl watched over him twenty four hours

1104
00:56:18,880 --> 00:56:21,680
Speaker 1: a day, and they kept it inside, no, not inside,

1105
00:56:21,680 --> 00:56:23,400
Speaker 1: And so then they gave it to us so that

1106
00:56:23,440 --> 00:56:25,680
Speaker 1: it could watch over our baby. And then we passed

1107
00:56:25,680 --> 00:56:27,759
Speaker 1: it on to the next person. You learn, the baby

1108
00:56:27,760 --> 00:56:30,320
Speaker 1: and the nikki. So this owl's looked over many a baby's.

1109
00:56:31,400 --> 00:56:33,600
Speaker 1: He tells Josh about his road trip where he was

1110
00:56:33,640 --> 00:56:36,280
Speaker 1: looking to find himself after being in a real bad way,

1111
00:56:36,640 --> 00:56:38,840
Speaker 1: and now Josh is in a real bad way, but

1112
00:56:39,080 --> 00:56:41,440
Speaker 1: he came back because he wanted to tell him something.

1113
00:56:41,960 --> 00:56:45,560
Speaker 1: Don't go out of town. Don't go anywhere. Life is

1114
00:56:45,680 --> 00:56:49,120
Speaker 1: right here with these people, with your family and my family.

1115
00:56:49,440 --> 00:56:52,000
Speaker 1: We got the greatest family there is, Josh. We want

1116
00:56:52,080 --> 00:56:53,440
Speaker 1: you to be with us so we can watch you

1117
00:56:53,520 --> 00:56:56,200
Speaker 1: grow and see you change and make great memories together.

1118
00:56:56,560 --> 00:56:59,600
Speaker 4: I really like the to me. The point of this

1119
00:57:00,200 --> 00:57:03,200
Speaker 4: monologue is that Sean has made a realization on his

1120
00:57:03,280 --> 00:57:06,359
Speaker 4: road trip, right, like he was running away, but now

1121
00:57:06,400 --> 00:57:10,160
Speaker 4: he's decided to come back. But just make that specific,

1122
00:57:10,239 --> 00:57:12,400
Speaker 4: like I wanted to say something real, like I was

1123
00:57:12,400 --> 00:57:15,000
Speaker 4: on the road, I went to this you know, I

1124
00:57:15,040 --> 00:57:18,120
Speaker 4: made it to this place. I don't know, like some story,

1125
00:57:18,200 --> 00:57:21,240
Speaker 4: some actual concrete thing, because as it is, I'm just

1126
00:57:21,280 --> 00:57:25,480
Speaker 4: like speaking in abstract sort of language. It just doesn't

1127
00:57:25,800 --> 00:57:28,640
Speaker 4: it doesn't feel focused. It feels I don't know, I

1128
00:57:28,840 --> 00:57:29,840
Speaker 4: just frustrated.

1129
00:57:30,120 --> 00:57:35,200
Speaker 3: At the beginning, So Sean says, I called the dorm.

1130
00:57:35,480 --> 00:57:38,439
Speaker 3: I called Angela, and she told me what was going on. Right,

1131
00:57:38,480 --> 00:57:41,280
Speaker 3: That's how he found out. So he was just calling

1132
00:57:41,320 --> 00:57:43,560
Speaker 3: to check in and he found out, and that's what

1133
00:57:43,640 --> 00:57:44,440
Speaker 3: turned him around.

1134
00:57:44,560 --> 00:57:46,160
Speaker 2: Correct, that's what they were getting at.

1135
00:57:46,200 --> 00:57:48,560
Speaker 4: Okay, But then I'm coming here and I'm saying don't

1136
00:57:48,640 --> 00:57:51,760
Speaker 4: leave town, which it seems like, you know, maybe the

1137
00:57:51,800 --> 00:57:54,320
Speaker 4: realization was I got this phone call, like and maybe

1138
00:57:54,440 --> 00:57:56,680
Speaker 4: that should be the monologue, like I got a phone

1139
00:57:56,720 --> 00:57:59,080
Speaker 4: call that I heard about you, and I knew I

1140
00:57:59,120 --> 00:58:00,600
Speaker 4: had to come back, and that I, you know, was

1141
00:58:00,640 --> 00:58:03,480
Speaker 4: being selfish or you know, had my head up my

1142
00:58:03,480 --> 00:58:05,720
Speaker 4: ass running around like I needed to be here for

1143
00:58:05,800 --> 00:58:08,400
Speaker 4: these people who love you and that I love you know,

1144
00:58:08,440 --> 00:58:11,200
Speaker 4: but like it's never it's just this whole mangolaw doesn't

1145
00:58:11,240 --> 00:58:13,640
Speaker 4: have teeth because it feels so it's just all this

1146
00:58:13,840 --> 00:58:16,720
Speaker 4: like don't leave town, this and that and that.

1147
00:58:16,800 --> 00:58:17,880
Speaker 2: You know, it's all this abstract.

1148
00:58:17,920 --> 00:58:20,000
Speaker 4: I can't even remember it, Like right now, I cannot

1149
00:58:20,040 --> 00:58:21,840
Speaker 4: remember any of the words used in this thing.

1150
00:58:21,960 --> 00:58:23,640
Speaker 1: Like it's just I know, I can't remember any of

1151
00:58:23,680 --> 00:58:25,400
Speaker 1: the words used either. But I will say it was

1152
00:58:25,560 --> 00:58:31,400
Speaker 1: pretty clear to me that Sean was saying everything you

1153
00:58:31,480 --> 00:58:34,280
Speaker 1: need in your life is here with these people, right,

1154
00:58:34,400 --> 00:58:38,080
Speaker 1: and you're gonna feel many times in your life like

1155
00:58:38,120 --> 00:58:40,200
Speaker 1: you've got to go off on a search to find

1156
00:58:40,240 --> 00:58:42,880
Speaker 1: out who you are. And then that's tying into the

1157
00:58:42,920 --> 00:58:47,120
Speaker 1: Qurey into Panga situation, who are you? Everything you need

1158
00:58:47,160 --> 00:58:49,320
Speaker 1: to know about who you are can be told to

1159
00:58:49,400 --> 00:58:52,240
Speaker 1: you through these people and this family, and this is

1160
00:58:52,360 --> 00:58:56,040
Speaker 1: you know, everything you need. It's pretty it's that part's

1161
00:58:56,040 --> 00:58:57,080
Speaker 1: all pretty clear.

1162
00:58:56,960 --> 00:58:59,360
Speaker 4: But it's all me. Thematic language is what I say. Like,

1163
00:58:59,360 --> 00:59:02,360
Speaker 4: it's no concrete, it's not character based, it's not And

1164
00:59:02,360 --> 00:59:04,240
Speaker 4: that's why this was so hard for me to say

1165
00:59:04,600 --> 00:59:06,320
Speaker 4: and so hard for me to watch now. It's because

1166
00:59:06,320 --> 00:59:09,200
Speaker 4: I'm like, yeah, this is a this is poorly written.

1167
00:59:09,280 --> 00:59:12,360
Speaker 4: Like I needed like something concrete to get my head

1168
00:59:12,360 --> 00:59:15,160
Speaker 4: around or something immediate. Instead, I'm just here is the

1169
00:59:15,160 --> 00:59:18,760
Speaker 4: thematic language that explains the themes of my character and

1170
00:59:18,800 --> 00:59:20,040
Speaker 4: my thoughts and my you know.

1171
00:59:20,880 --> 00:59:22,720
Speaker 1: It would have been great if you just talked to

1172
00:59:22,760 --> 00:59:26,400
Speaker 1: the baby just about you just about and.

1173
00:59:26,400 --> 00:59:28,400
Speaker 4: You know, I was on the road and I found

1174
00:59:28,400 --> 00:59:31,160
Speaker 4: this payphone and I was gonna call Angela to say this,

1175
00:59:31,240 --> 00:59:33,600
Speaker 4: but guess what I heard. Now, it's a real story. Now,

1176
00:59:33,600 --> 00:59:35,440
Speaker 4: it's like and then I heard her say to me,

1177
00:59:36,040 --> 00:59:38,520
Speaker 4: there's this new baby, and I came running here because

1178
00:59:38,560 --> 00:59:40,440
Speaker 4: I wanted to see you, buddy. And then, you know,

1179
00:59:40,520 --> 00:59:43,000
Speaker 4: like if it was a very immediate like concrete, it

1180
00:59:43,160 --> 00:59:44,160
Speaker 4: just instead.

1181
00:59:43,800 --> 00:59:49,840
Speaker 1: It's yes, yes, Tapenga. Thanks Corey for remembering who she was.

1182
00:59:50,560 --> 00:59:55,200
Speaker 1: He smiles. You're in my heart. She nods, you're in

1183
00:59:55,360 --> 00:59:59,800
Speaker 1: my heart too. Sean points out the couple to Josh

1184
01:00:00,080 --> 01:00:04,800
Speaker 1: and then well they'll grow on you. And then we're

1185
01:00:04,800 --> 01:00:07,040
Speaker 1: back at the apartment. Eric is wearing a blanket like

1186
01:00:07,040 --> 01:00:13,120
Speaker 1: a cape and speaking in Count Shoula.

1187
01:00:13,280 --> 01:00:17,240
Speaker 2: It's more like Swedish Russian I have. It's kind of Russian.

1188
01:00:17,320 --> 01:00:19,360
Speaker 2: It's like I am doing made but I was like,

1189
01:00:19,400 --> 01:00:20,400
Speaker 2: what the hell accent?

1190
01:00:20,520 --> 01:00:25,120
Speaker 1: The cairn says, it's an Italian accent, which it is not.

1191
01:00:24,600 --> 01:00:26,680
Speaker 4: It is not.

1192
01:00:27,240 --> 01:00:30,720
Speaker 2: Like I don't even know what accent on it.

1193
01:00:30,720 --> 01:00:35,560
Speaker 1: It's definitely Count Shocula, ladies, and a gentleman's presenting for

1194
01:00:35,640 --> 01:00:40,000
Speaker 1: your entertainment pleasure, the amazing Flying Tommy will perform for

1195
01:00:40,080 --> 01:00:44,120
Speaker 1: you his world famous close the suitcase with his tushi.

1196
01:00:45,880 --> 01:00:48,880
Speaker 1: Eric asks Rachel and Jack, who are spectating from nearby,

1197
01:00:49,120 --> 01:00:51,520
Speaker 1: can I please have a drum roll from the cheating roommates.

1198
01:00:52,040 --> 01:00:55,320
Speaker 1: They reluctantly agree, and Tommy hops off of the barstool

1199
01:00:55,320 --> 01:00:58,400
Speaker 1: and jumps onto the suitcase with ease. Eric shouts ra

1200
01:00:59,280 --> 01:01:01,520
Speaker 1: he picks up to and bows with him. Thank you

1201
01:01:01,720 --> 01:01:04,680
Speaker 1: very much, Oh yes, thank you very much. He places

1202
01:01:04,720 --> 01:01:07,000
Speaker 1: Tommy on the ground and announces, for our next trick,

1203
01:01:07,080 --> 01:01:12,680
Speaker 1: we will disappear. Rachel can't believe he's actually leaving. Eric

1204
01:01:12,720 --> 01:01:14,919
Speaker 1: reminds her it's for the best. He says, he hopes

1205
01:01:14,960 --> 01:01:17,840
Speaker 1: they're so happy. Then he buries his head into her

1206
01:01:17,920 --> 01:01:20,480
Speaker 1: chest for a very big and very.

1207
01:01:20,360 --> 01:01:24,560
Speaker 2: Long motor boat. That's what it looked like. It looked

1208
01:01:24,560 --> 01:01:25,880
Speaker 2: like I was going, and then it.

1209
01:01:25,880 --> 01:01:27,840
Speaker 4: Was like you then you're gonna grab her right, and

1210
01:01:27,880 --> 01:01:28,880
Speaker 4: then go grab her ass?

1211
01:01:28,960 --> 01:01:32,680
Speaker 2: I mean, my god, inappropriate on top of inappropriate. Love it.

1212
01:01:33,640 --> 01:01:36,640
Speaker 1: Jack tells him multiple times that's enough, but Eric doesn't

1213
01:01:36,720 --> 01:01:38,720
Speaker 1: move and his hand is about to grab her, but

1214
01:01:38,960 --> 01:01:42,720
Speaker 1: before Jack frantically stops him, and now Eric asks Jack

1215
01:01:43,120 --> 01:01:47,439
Speaker 1: still best friends? Jack grins yeah, never changes man. Eric

1216
01:01:47,480 --> 01:01:49,360
Speaker 1: goes in for a hug near his chest too, but

1217
01:01:49,440 --> 01:01:52,479
Speaker 1: Jack redirects him for more of a bro less, gay,

1218
01:01:52,600 --> 01:01:57,200
Speaker 1: panicked embrace. Eventually, Eric tosses his keys to Tommy, telling

1219
01:01:57,240 --> 01:01:59,680
Speaker 1: him to bring the car around. Eric grabs his suitcase

1220
01:01:59,720 --> 01:02:02,000
Speaker 1: and follows his little brother out the door, but two

1221
01:02:02,040 --> 01:02:05,160
Speaker 1: seconds later, he reappears to retrieve a rubber ducky that

1222
01:02:05,240 --> 01:02:08,400
Speaker 1: was sitting on the chair, squeaks him a few times, smiles,

1223
01:02:08,600 --> 01:02:11,680
Speaker 1: and then leaves for good. Now it's just Rachel and

1224
01:02:11,760 --> 01:02:15,960
Speaker 1: Jack in the quiet. Rachel asks, so what now, back

1225
01:02:15,960 --> 01:02:18,000
Speaker 1: at the nick you A sad piano plays as we

1226
01:02:18,040 --> 01:02:20,960
Speaker 1: see a hand remove the Joshua Matthews sign from his.

1227
01:02:21,000 --> 01:02:22,760
Speaker 4: Now second I thought they were going to just start

1228
01:02:22,800 --> 01:02:24,560
Speaker 4: making out at the end of that scene.

1229
01:02:24,560 --> 01:02:26,840
Speaker 1: All right, but no, it's.

1230
01:02:27,200 --> 01:02:30,560
Speaker 4: Just a sad, sad button of like what now.

1231
01:02:33,120 --> 01:02:34,560
Speaker 3: They look at each other and go, all right, well,

1232
01:02:34,600 --> 01:02:37,440
Speaker 3: let's go bang on his bed like that, you know

1233
01:02:37,600 --> 01:02:39,160
Speaker 3: that kind of thing is like, we got plenty of room,

1234
01:02:39,280 --> 01:02:40,480
Speaker 3: we haven't hit that room up yet.

1235
01:02:40,560 --> 01:02:40,920
Speaker 2: Let's go.

1236
01:02:42,120 --> 01:02:44,360
Speaker 3: And by the way, Danielle, it wouldn't have worked with

1237
01:02:44,480 --> 01:02:47,840
Speaker 3: happy piano music in the next I know comes.

1238
01:02:47,640 --> 01:02:51,120
Speaker 2: In and it's like, yeah, it's like or something like that.

1239
01:02:51,200 --> 01:02:52,120
Speaker 4: I don't think it would have.

1240
01:02:52,080 --> 01:02:52,720
Speaker 2: The same effect.

1241
01:02:54,360 --> 01:02:57,080
Speaker 1: A sad piano plays as a hand removes the Joshua

1242
01:02:57,160 --> 01:03:00,920
Speaker 1: Matthew sign from his now empty incubator. Alan, standing outside

1243
01:03:00,920 --> 01:03:04,600
Speaker 1: of the room looking disheveled. Amy, who's off camera, asks

1244
01:03:04,640 --> 01:03:07,640
Speaker 1: what he's doing, and he says he's praying for everybody

1245
01:03:07,680 --> 01:03:10,120
Speaker 1: who has to be in there. Then we hear a

1246
01:03:10,160 --> 01:03:14,880
Speaker 1: baby cry. Amy is holding little Joshua Gabriel. Alan gives

1247
01:03:14,880 --> 01:03:17,480
Speaker 1: his wife a kiss and says, let's go home. The

1248
01:03:17,520 --> 01:03:20,440
Speaker 1: audience applauds loudly as they make their way to the

1249
01:03:20,720 --> 01:03:24,080
Speaker 1: hospital waiting room. The cast joins in on the applause

1250
01:03:24,080 --> 01:03:27,320
Speaker 1: as Sean smiles, what kind of place is this? Huh?

1251
01:03:27,560 --> 01:03:30,760
Speaker 1: First I lose my dad here, and then this little

1252
01:03:30,800 --> 01:03:34,240
Speaker 1: miracle a new brother to watch grow up? I get

1253
01:03:34,280 --> 01:03:38,400
Speaker 1: my family back. Corey asks his nomad friend, So you

1254
01:03:38,560 --> 01:03:42,840
Speaker 1: tired of tumbling Tumbleweed. Sean nods, there's too much going

1255
01:03:42,880 --> 01:03:44,520
Speaker 1: on here to be someplace else.

1256
01:03:45,000 --> 01:03:54,200
Speaker 4: Writer's reaction was a such weird time. Look how about you,

1257
01:03:54,240 --> 01:03:59,760
Speaker 4: tumble Tumbling Weed a traveling friend. I'm over my issues now.

1258
01:04:01,880 --> 01:04:07,200
Speaker 1: Oh my gosh. Sh Then Topanga wants to ask Cory something.

1259
01:04:07,480 --> 01:04:11,520
Speaker 1: He responds in an almost vampire like accent. Yes, darling,

1260
01:04:12,320 --> 01:04:14,640
Speaker 1: she wonders, do you still want to be my Valentine?

1261
01:04:14,840 --> 01:04:19,200
Speaker 1: Oh no? Could we not have? Just please not mention

1262
01:04:19,400 --> 01:04:20,600
Speaker 1: Valentine's day at the.

1263
01:04:20,640 --> 01:04:23,200
Speaker 4: Dill or She's finally learned her lesson?

1264
01:04:23,360 --> 01:04:25,560
Speaker 2: Yeah, have you not watched the episode?

1265
01:04:25,640 --> 01:04:29,640
Speaker 4: Danielle established a.

1266
01:04:34,400 --> 01:04:38,360
Speaker 1: He grins and again with the accent, Yes, darling, she wonders,

1267
01:04:38,520 --> 01:04:41,280
Speaker 1: would you rather I was like the old strange topanga.

1268
01:04:41,640 --> 01:04:45,160
Speaker 1: Corey stutters, well, no, I mean it's not like and

1269
01:04:45,240 --> 01:04:47,280
Speaker 1: as he's trying to come up with the words, she

1270
01:04:47,480 --> 01:04:50,320
Speaker 1: takes a wide stance and slowly starts the doughnut and

1271
01:04:50,360 --> 01:04:53,600
Speaker 1: the sky routine again. He tells her it's important they grow,

1272
01:04:53,680 --> 01:04:55,960
Speaker 1: but he doesn't want to lose what's so special about her.

1273
01:04:56,440 --> 01:05:00,400
Speaker 1: She smiles and says he never will because she takes

1274
01:05:00,440 --> 01:05:03,200
Speaker 1: out her lipstick and paints a heart on her face.

1275
01:05:03,480 --> 01:05:05,040
Speaker 4: Yeah, I didn't remember that we did this.

1276
01:05:05,440 --> 01:05:06,200
Speaker 2: I did, I did?

1277
01:05:06,320 --> 01:05:07,920
Speaker 1: I did. I have a polaroid of it. I have

1278
01:05:07,920 --> 01:05:09,440
Speaker 1: a polaroid of Ben and I with the hearts on

1279
01:05:09,480 --> 01:05:09,920
Speaker 1: our faces.

1280
01:05:09,960 --> 01:05:11,800
Speaker 3: I thought, for some reason, though, I thought you did

1281
01:05:11,840 --> 01:05:13,800
Speaker 3: it back in the Matthew's kitchen and you had the

1282
01:05:13,880 --> 01:05:14,560
Speaker 3: dress on again.

1283
01:05:14,560 --> 01:05:16,600
Speaker 1: I don't know why that's a Girl Meets World episode.

1284
01:05:16,800 --> 01:05:18,440
Speaker 2: I don't I've never seen in my life, so it

1285
01:05:18,440 --> 01:05:18,800
Speaker 2: can't be.

1286
01:05:19,080 --> 01:05:21,400
Speaker 1: That's where I did stress. I don't do the I

1287
01:05:21,400 --> 01:05:23,480
Speaker 1: don't do the lipstick, but I do I have the

1288
01:05:23,480 --> 01:05:25,720
Speaker 1: white lace dress on them looking at myself.

1289
01:05:25,760 --> 01:05:31,439
Speaker 4: Like cannibalizing our oh, which is just like just make

1290
01:05:31,520 --> 01:05:35,640
Speaker 4: new stuff, make new make new choices, make new good stuff.

1291
01:05:37,760 --> 01:05:40,160
Speaker 1: I just it's bothering me that I said Ben and

1292
01:05:40,200 --> 01:05:42,440
Speaker 1: I and it's it would have been Ben and me.

1293
01:05:43,720 --> 01:05:48,280
Speaker 2: Okay, well it was never too late to change.

1294
01:05:51,080 --> 01:05:52,760
Speaker 1: She paints a heart on her face. I'm in your

1295
01:05:52,760 --> 01:05:55,600
Speaker 1: memories and you will always be here to remind me.

1296
01:05:55,920 --> 01:05:59,480
Speaker 1: Sean chimes in, use a mirror, babe. She gives him

1297
01:05:59,480 --> 01:06:01,280
Speaker 1: a big smile, and we get a close up of

1298
01:06:01,320 --> 01:06:04,400
Speaker 1: Tapanga's lipstick face, now with a heart, not the butchered

1299
01:06:04,480 --> 01:06:10,000
Speaker 1: peace sign of yesteryear. Corey asks, remind me what now.

1300
01:06:10,040 --> 01:06:12,640
Speaker 1: She begins to draw hard on his face with the lipstick.

1301
01:06:12,880 --> 01:06:15,920
Speaker 1: No matter how difficult life gets, the important thing is

1302
01:06:15,960 --> 01:06:18,440
Speaker 1: to live it with hope. Corey, now also with a

1303
01:06:18,480 --> 01:06:22,080
Speaker 1: lipstick covered face, admits, now that sounds like you. She

1304
01:06:22,160 --> 01:06:22,919
Speaker 1: holds out her hand.

1305
01:06:23,000 --> 01:06:26,160
Speaker 4: I do like you have hope being Yeah, the thing

1306
01:06:26,200 --> 01:06:30,800
Speaker 4: that person and that actually could have been really simple,

1307
01:06:30,880 --> 01:06:33,080
Speaker 4: Like that could have been clearer, you know, constead of

1308
01:06:33,080 --> 01:06:36,640
Speaker 4: it's like play into my delusion, hold my hand. Valentine's Day,

1309
01:06:36,720 --> 01:06:39,320
Speaker 4: But if it was just that, Like she's been kind

1310
01:06:39,320 --> 01:06:42,240
Speaker 4: of a downer because she thinks she's being realistic and.

1311
01:06:43,200 --> 01:06:44,760
Speaker 1: Took it so smart, and she was like, I'm going

1312
01:06:44,800 --> 01:06:47,160
Speaker 1: to make funeral arrangements just in case.

1313
01:06:47,160 --> 01:06:49,560
Speaker 4: Right of an action for Cory.

1314
01:06:49,480 --> 01:06:53,080
Speaker 1: I'm going to get a little gue. I'm gonna I'm

1315
01:06:53,080 --> 01:06:56,080
Speaker 1: gonna buy the smallest casket because you know what.

1316
01:06:56,680 --> 01:07:00,760
Speaker 3: Right by the way, awful rap name little casket, casket

1317
01:07:01,920 --> 01:07:05,600
Speaker 3: awful or or brilliant tiny casket.

1318
01:07:06,680 --> 01:07:09,160
Speaker 1: I might take it, I might steal it. I love death,

1319
01:07:10,920 --> 01:07:16,800
Speaker 1: little casket. They walk away hand in hand, and Sean

1320
01:07:16,880 --> 01:07:19,240
Speaker 1: watches them go. He looks into the air and sighs

1321
01:07:19,280 --> 01:07:21,920
Speaker 1: before following them out. We get one last shot of

1322
01:07:21,960 --> 01:07:24,200
Speaker 1: the nick you, where the other families continue to stand

1323
01:07:24,280 --> 01:07:29,800
Speaker 1: by their babysides, Michael still visibly praying, and that is

1324
01:07:29,840 --> 01:07:32,080
Speaker 1: our episode who and.

1325
01:07:32,040 --> 01:07:34,960
Speaker 4: Then I have like a look to God moment too.

1326
01:07:35,360 --> 01:07:39,400
Speaker 6: Right before you walk out, which was definitely a note

1327
01:07:39,440 --> 01:07:41,200
Speaker 6: that I was forced to take a.

1328
01:07:42,960 --> 01:07:45,280
Speaker 3: Look up look up for the next episode, somebody throws

1329
01:07:45,320 --> 01:07:47,720
Speaker 3: a pie or something like wow.

1330
01:07:47,800 --> 01:07:50,920
Speaker 1: The next episode is season six, episode eighteen. Can I

1331
01:07:51,040 --> 01:07:56,040
Speaker 1: help to cheer you cheer leading? I don't know, Oh oh.

1332
01:07:56,080 --> 01:08:00,280
Speaker 2: No, that would become cheerleaders. Matt and I.

1333
01:07:59,640 --> 01:08:04,800
Speaker 1: Totally how many laughs do you think we're in this episode? Total? Ten?

1334
01:08:05,560 --> 01:08:06,520
Speaker 2: You're gonna give it a ten?

1335
01:08:06,600 --> 01:08:06,800
Speaker 4: Really?

1336
01:08:06,840 --> 01:08:08,440
Speaker 3: I would have said, I think closer to I think

1337
01:08:08,440 --> 01:08:10,320
Speaker 3: it's single digits. I'm gonna say six or seven.

1338
01:08:10,400 --> 01:08:13,880
Speaker 4: I think each scene with Tommy gets at least three laughs.

1339
01:08:14,120 --> 01:08:16,360
Speaker 1: Yeah, you're right, so you add those up.

1340
01:08:16,560 --> 01:08:20,439
Speaker 4: I think it's about ten ten laughs. Okay, actually like

1341
01:08:20,520 --> 01:08:22,800
Speaker 4: me laughing. I mean, look, Indy watched this with me

1342
01:08:22,840 --> 01:08:25,080
Speaker 4: and he was just like, what is this? Yeah, so

1343
01:08:25,120 --> 01:08:27,680
Speaker 4: the show's just not funny at all anymore, because I

1344
01:08:27,680 --> 01:08:29,519
Speaker 4: think the last time you tried to watch was Starry

1345
01:08:29,640 --> 01:08:32,160
Speaker 4: Night and he thought that was dramatic. Well, they're doing

1346
01:08:32,280 --> 01:08:35,360
Speaker 4: is just talking about their relationship like he is. And

1347
01:08:35,400 --> 01:08:38,040
Speaker 4: then this one. I was like, oh, yeah, sorry, buddy.

1348
01:08:37,800 --> 01:08:40,439
Speaker 1: This is yeah, another heavy one.

1349
01:08:40,560 --> 01:08:42,760
Speaker 4: I was like, it's not always like this, you know.

1350
01:08:43,320 --> 01:08:44,400
Speaker 1: Other ones have been funny.

1351
01:08:44,400 --> 01:08:50,760
Speaker 2: I'm promised we're going dramatic. It's Doosa goad parallel laughs. Yeah.

1352
01:08:50,800 --> 01:08:52,719
Speaker 1: Well, thank you all for joining us for this episode

1353
01:08:52,720 --> 01:08:54,479
Speaker 1: of Pod Meets World. As always, you can follow us

1354
01:08:54,520 --> 01:08:56,840
Speaker 1: on Instagram pod meets World Show. You can send us

1355
01:08:56,880 --> 01:08:59,719
Speaker 1: your emails pod meets World Show at gmail dot com.

1356
01:09:00,520 --> 01:09:01,960
Speaker 1: We have got merch.

1357
01:09:02,920 --> 01:09:06,800
Speaker 2: God, some of our shirts don't sell as good as

1358
01:09:06,840 --> 01:09:09,519
Speaker 2: the other ones. We've got sweatshirts now, too. There's even

1359
01:09:09,520 --> 01:09:11,960
Speaker 2: a hat, so if you could be help us out,

1360
01:09:12,720 --> 01:09:13,479
Speaker 2: we appreciate it.

1361
01:09:14,400 --> 01:09:21,000
Speaker 1: March podmeets Worldshow dot com. We love you all, pod dismissed.

1362
01:09:22,880 --> 01:09:25,679
Speaker 1: Pod Meets World is an iHeart podcast produced and hosted

1363
01:09:25,680 --> 01:09:29,639
Speaker 1: by Danielle Fischel, Wilfridell and Wryter Strong executive producers, Jensen

1364
01:09:29,720 --> 01:09:33,280
Speaker 1: Karp and Amy Sugarman Executive in charge of production, Danielle Romo,

1365
01:09:33,520 --> 01:09:37,800
Speaker 1: producer and editor, Tara Subachsch producer, Maddy Moore, engineer and

1366
01:09:37,880 --> 01:09:41,280
Speaker 1: Boy Meets World superfan Easton Allen. Our theme song is

1367
01:09:41,280 --> 01:09:44,320
Speaker 1: by Kyle Morton of Typhoon. Follow us on Instagram at

1368
01:09:44,360 --> 01:09:47,000
Speaker 1: Pod Meets World Show or email us at Podmeets World

1369
01:09:47,040 --> 01:09:48,479
Speaker 1: Show at gmail dot com