WEBVTT - Conversations About Why GNX > GKMC

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Sealer's Podcast with your host. Now, fuck that with your

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<v Speaker 1>load glasses Malone.

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<v Speaker 2>He no, who's that other guy?

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<v Speaker 1>Man? That other guy randomly just appeared. You know what,

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<v Speaker 1>My god just appeared.

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<v Speaker 3>Shout out to just Blaze who said it and told

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<v Speaker 3>the truth. The Boogieyman is back? Still is the boogieman?

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<v Speaker 2>Hey man? What's happening? Philip?

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<v Speaker 3>I know he meant dot but still is the new

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<v Speaker 3>boogie man? Squishy? What's hedden? In a blaze? Kelvin, what's happening? Yeah?

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<v Speaker 1>Nah no no, no no no Kevin, no no no

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<v Speaker 1>no no no no no no.

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<v Speaker 3>No no no no nah no no no.

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<v Speaker 1>It's funny because Wednesday, right after we finished the live stream, right,

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<v Speaker 1>I realized, Pete, I'm like, yo, we got to talk

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<v Speaker 1>about how did the party die? We was talking about

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<v Speaker 1>you know, dot Son and is watch the party die?

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<v Speaker 1>I was, I'm ready, I was ready, right, and I'm like,

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<v Speaker 1>now we're gonna hold it to next week to talk

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<v Speaker 1>about how the party died? No, I said, we was

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<v Speaker 1>gonna hold it till Friday talk about how the party died? No?

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<v Speaker 3>I did not. What's funny is.

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<v Speaker 1>I had just text him on Wednesday because I'm like, hey,

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<v Speaker 1>you should come on the live stream.

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<v Speaker 3>I'm I'm you know, I was like, I wanted to get.

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<v Speaker 1>Him on the live stream for us to talk about

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<v Speaker 1>like how when we was coming up in Los Angeles,

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<v Speaker 1>you know what I mean, and making music, how how

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<v Speaker 1>influential the club was and how we used to be.

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<v Speaker 1>So I hit Dot, I'm like, hey, feel me like,

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<v Speaker 1>I want you to come on my live stream, right

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<v Speaker 1>And he didn't hit me back till today. He just

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<v Speaker 1>started laughing. I was like, Okay, I see what happened that.

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<v Speaker 3>Come on, man, you know he got people.

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<v Speaker 1>No, I don't think that. I know, Dot it come on.

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<v Speaker 1>That's not even true, Like he'll come on. I don't

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<v Speaker 1>believe that for two seconds. The hummy is not gonna

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<v Speaker 1>not come on. That's just crazy that that's just not really.

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<v Speaker 2>I think he got a lot of engagements too, bro,

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<v Speaker 2>So I think that would definitely, you know. I told me,

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<v Speaker 2>and eight got into it about that a little bit.

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<v Speaker 2>He said, Man, daughters to be I said, Man, I'm

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<v Speaker 2>gonna tell you something you don't know. Dude will pop up, Yeah,

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<v Speaker 2>for sure, So I see watching Yeah, short for.

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<v Speaker 1>Sure, he the type of nigga that's gonna have a

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<v Speaker 1>different log in information and be watching and and and

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<v Speaker 1>this is what's crazy to me, right, is this is

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<v Speaker 1>what's crazy to me? Right. I am hyper critical on

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<v Speaker 1>all my homeboys. I don't care if it's Chuck, if

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<v Speaker 1>it's Gang, you know what I'm saying, if it's Nip,

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<v Speaker 1>if it's Dot, if it's Rock, if it's problem. I

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<v Speaker 1>am hyper critical on all my homeboys. When it comes

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<v Speaker 1>to music, I don't give nobody nothing extra. I told

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<v Speaker 1>people I thought mister Morale and the Big Steppers sounded

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<v Speaker 1>like cat scratching paper. I was like, I don't care

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<v Speaker 1>if we can't be friends because I'm being honest about

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<v Speaker 1>music and records. You feel me, then we not friends

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<v Speaker 1>and I ain't never huh.

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<v Speaker 2>You know my theory, g if you can't if you

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<v Speaker 2>somebody's freeing, especially about your craft, you were supposed to

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<v Speaker 2>be honest.

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<v Speaker 3>Yeah, so check it.

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<v Speaker 1>So just like I can actually say I didn't like

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<v Speaker 1>good Kid, I mean mister Morale and a big Stepper,

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<v Speaker 1>and I could be like, man, it sounds like cast

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<v Speaker 1>scratching paper. I can hear the therapy like this is

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<v Speaker 1>my Nigga. I love him, that'll change that. I have

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<v Speaker 1>the highest expectations for his craft. He is a craftsman,

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<v Speaker 1>no different than me and maybe even greater. Like it's

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<v Speaker 1>that serious. So if I can't be honest with my homeboys,

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<v Speaker 1>feel me, then they not my homeboys. So I've always

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<v Speaker 1>been honest. I always been honest. So it's crazy that

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<v Speaker 1>he dropped the record. Like I said, and like I said,

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<v Speaker 1>I wanted to talk about how our experience was in

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<v Speaker 1>LA partying and how it mattered to our music scene. Right,

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<v Speaker 1>that was an important conversation that I wanted to have.

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<v Speaker 1>And fast forward, my Nigga dropped his best.

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<v Speaker 2>Album, really his work by far far.

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<v Speaker 1>And no, it don't always take ten listens. It don't always.

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<v Speaker 1>It don't take that cause it really if you notice,

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<v Speaker 1>I noticed shit. I gave my life to it. I

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<v Speaker 1>gave my finances to it. From two you know, big bro,

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<v Speaker 1>from twenty eleven to twenty twenty two, I went on

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<v Speaker 1>a whole sabbatic or learning what this shit was about.

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<v Speaker 1>I didn't even care about making money. You thought I

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<v Speaker 1>was crazy. My big brother thought I was crazy. Feel me,

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<v Speaker 1>everybody thought I was crazy. I gave my all to

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<v Speaker 1>learn this game. So trust me, when I hear it,

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<v Speaker 1>I know it. I know it. I played it, when

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<v Speaker 1>I saw it, I went through it.

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<v Speaker 3>It's the truest representation.

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<v Speaker 1>I think a lot of artists, including Dot and any

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<v Speaker 1>artists project who they want people to see and who

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<v Speaker 1>they want to be, right. They set a standard above

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<v Speaker 1>themselves and then they go there right, And I think

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<v Speaker 1>that's fantastic. But then there's the reality and the comfort

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<v Speaker 1>of being who you are. And I think it took

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<v Speaker 1>God to become a big homie for him to understand

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<v Speaker 1>who he was, Like I used to genuinely think he

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<v Speaker 1>would be like rejecting success cuz I used to think

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<v Speaker 1>he would be rejecting success like he would do stuff

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<v Speaker 1>like mind you cut the song with with with fucking

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<v Speaker 1>Asap Rocky, uh you know what mean? And as sophisticated

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<v Speaker 1>and as great as to pimp is. I love it,

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<v Speaker 1>but it really is more of a sophistication than a

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<v Speaker 1>jazz version of a record. And I remember seeing that

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<v Speaker 1>and talking to him and being like, Bro, you gotta

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<v Speaker 1>go win this shit, like nigga, everybody you know, we've

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<v Speaker 1>been trying to get to this spot.

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<v Speaker 3>Nigga, you gotta win it, nigga. It's right here.

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<v Speaker 1>And I remember Damn coming out and being so impressed

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<v Speaker 1>with the sonics of it, right, just really enjoying the

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<v Speaker 1>sonics of Damn. Like man, this album is sonically like

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<v Speaker 1>the thing about Good Kid and the Pimp. He understood

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<v Speaker 1>how a story would connecting album. He knew how to

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<v Speaker 1>talk his way and concept his way through an assortment

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<v Speaker 1>of work. That's how when you first come in this game,

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<v Speaker 1>if you're not a musician person that you make music,

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<v Speaker 1>especially as a thought leader, you feel me hold on,

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<v Speaker 1>want to say, y'all, y'all keep it going, all right?

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<v Speaker 2>You knew the one thing about this album. First of all,

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<v Speaker 2>what up, Pete?

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<v Speaker 3>What's happening?

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<v Speaker 1>Man?

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<v Speaker 2>Shoot man? Glad to be back, bro been out there

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<v Speaker 2>running a round chicken with my head cut off, man.

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<v Speaker 2>But the thing I like about his album, like to

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<v Speaker 2>hear it rate what he said, is that it is

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<v Speaker 2>the truest representation of the k out that we know.

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<v Speaker 2>And I like it because I don't give a fuck attitude.

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<v Speaker 2>I'm not your friend. I'm not here to be friends

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<v Speaker 2>with your attitude. I love it, man, That's what it's about.

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<v Speaker 3>I'm here to rule bro, And.

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<v Speaker 1>So as I'm listening to the album, right, I'm listening

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<v Speaker 1>to the simple connections you feel me, the simple connections,

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<v Speaker 1>the things that make an album flow. Right, I'm listening

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<v Speaker 1>to that. I can hear it like, I know what

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<v Speaker 1>it sounds like. I'm listening to enough great records to

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<v Speaker 1>know how it sounds right. And I thought it was impressive.

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<v Speaker 1>But when I'm listening to it, those are easy things

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<v Speaker 1>to listen to.

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<v Speaker 3>Oh do it connect now?

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<v Speaker 2>Gee has to tell you always keep a read on.

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<v Speaker 2>I'm gonna tell you the one thing that's gonna grow

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<v Speaker 2>certain people because the average person that consume music ain't

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<v Speaker 2>really a music person necessarily. I'm talking about the whole

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<v Speaker 2>theory behind certain beat selection. This counna be some people

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<v Speaker 2>that don't get certain songs.

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<v Speaker 1>But that.

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<v Speaker 2>Yeah, you, what's going on with you?

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<v Speaker 1>Man?

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<v Speaker 2>You keep getting up with you good?

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<v Speaker 3>Yeah?

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<v Speaker 1>Trap just came. Trap came to the spot. So I'm

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<v Speaker 1>turning on the camera. Give me y'all what like in

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<v Speaker 1>real life?

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<v Speaker 3>Yeah, you popped up cut. It's a good day to

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<v Speaker 3>be on the coach, you feel me?

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<v Speaker 1>So let's not over do it. Listen them up?

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<v Speaker 3>Yeah, I'm setting him up.

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<v Speaker 1>I should have said him upcause he said he was

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<v Speaker 1>gonna come so feel me like, I get it. It's

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<v Speaker 1>all plugged in, bro, Like, that's easy to plug in

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<v Speaker 1>an album. It's easy to make a track list to

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<v Speaker 1>flow at this level. Now, at the beginning level, but

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<v Speaker 1>at this level, that's expected for a flow of an album.

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<v Speaker 1>When you capture, when you capture culture, when you capture sonics,

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<v Speaker 1>and you capture the story, the essence of something, that's

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<v Speaker 1>what makes it great. That's why this album is better

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<v Speaker 1>than Good Kid, Mass City, Good Kid Mass City. Good

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<v Speaker 1>Kid mass City was great because that was the first

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<v Speaker 1>time people heard a dot at a mass level and

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<v Speaker 1>it was.

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<v Speaker 3>All plugged in, you know what I mean.

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<v Speaker 1>He understood sonically, right, He understood sonically, not not so

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<v Speaker 1>much sonically because I.

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<v Speaker 3>Think he was still fresh to it at that point.

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<v Speaker 1>He understood how to use the words and the concepts

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<v Speaker 1>to make a story flow.

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<v Speaker 2>When you talk about culture, man, him putting.

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<v Speaker 1>On a one on the on the one joint the Merroos.

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<v Speaker 2>Record Dog, that was crazy, I said, because that was

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<v Speaker 2>something he probably could have win it sample to had

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<v Speaker 2>somebody do it. But he again, authenticity.

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<v Speaker 3>Hip hop is the business of we.

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<v Speaker 1>I oh, always tell you this, and we always disagree,

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<v Speaker 1>because hip hop is the business of we.

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<v Speaker 3>It's not the business of me, it's the culture of we.

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<v Speaker 1>That's why this album is, Byfoar, his best one by far.

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<v Speaker 1>One listen, it even take me that much. It didn't

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<v Speaker 1>even take me that much work to hear it.

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<v Speaker 3>It's by far his.

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<v Speaker 1>Best one, by far, because he was able to capture

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<v Speaker 1>culture right, he was able to plug it in, and

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<v Speaker 1>he was able to sonically hold it down. The sonics

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<v Speaker 1>of it is so special. And one thing that I

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<v Speaker 1>liked the most about it is still one thing I

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<v Speaker 1>loved the motion about.

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<v Speaker 3>It was bro that dude was.

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<v Speaker 1>You could tell this is the most confident in who

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<v Speaker 1>he is to me, Like, I think he was really

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<v Speaker 1>looking for himself. On Mister Morale and the Big Steppers.

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<v Speaker 1>I genuinely thought he was looking for himself. I could

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<v Speaker 1>tell he had been going to therapy. I can hear

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<v Speaker 1>it in the record.

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<v Speaker 2>Yea, he sounded free. Though he sounded empty.

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<v Speaker 3>I can hear it in the record.

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<v Speaker 2>They said, you know, you know how you hear artists, man,

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<v Speaker 2>they just sound empt that. He sounds empty. He sounds

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<v Speaker 2>like he don't have no restrictions and chains on no sounds.

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<v Speaker 3>Free and.

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<v Speaker 1>Shout out to Mommy trap trapping the bill Taffy on

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<v Speaker 1>camera and it was having this track Queeze is in

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<v Speaker 1>the West. Hold up, so hold up, No Seilings Live

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<v Speaker 1>the Lunch Hour. We already fifteen minutes in and we

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<v Speaker 1>ain't even announced the show. Shout out to all one

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<v Speaker 1>hundred people in here that get what's happening, that know

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<v Speaker 1>what's happening. You feel me. I'm glad y'all hear No

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<v Speaker 1>Sinners Live to lunch y'all were Monday, Wednesday Friday noons

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0:12:30.480 --> 0:12:33.000
<v Speaker 1>by Charlemagne, the God Black Effect and I Heart Network.

0:12:33.520 --> 0:12:34.400
<v Speaker 3>So again I.

0:12:34.640 --> 0:12:36.680
<v Speaker 1>Wanted to bring Dot on the stream and I sent

0:12:36.760 --> 0:12:39.200
<v Speaker 1>him a message and I was like, yo, because my

0:12:39.320 --> 0:12:43.839
<v Speaker 1>idea from Wednesday was like I wanted to talk about

0:12:44.520 --> 0:12:46.880
<v Speaker 1>how the party died like I was like, I thought

0:12:46.920 --> 0:12:47.680
<v Speaker 1>that was im Morton.

0:12:48.120 --> 0:12:49.720
<v Speaker 2>Huh cinema link.

0:12:50.760 --> 0:12:53.000
<v Speaker 1>No, no, I just send him. I just send him

0:12:53.040 --> 0:12:54.640
<v Speaker 1>the thing now to watch it. It's too late, it's

0:12:54.679 --> 0:12:56.640
<v Speaker 1>too many of us. Now. You gotta wait another day.

0:12:56.920 --> 0:12:59.600
<v Speaker 1>Homie got away another day. The players is in here today.

0:12:59.640 --> 0:13:02.240
<v Speaker 1>So we're glowing on that win. That can't be on

0:13:02.320 --> 0:13:03.440
<v Speaker 1>here while were glowing on him.

0:13:03.480 --> 0:13:04.079
<v Speaker 3>That ain't clear.

0:13:04.360 --> 0:13:07.480
<v Speaker 4>If the price is right, I couldn't step out of

0:13:07.480 --> 0:13:08.920
<v Speaker 4>my square for for him.

0:13:09.040 --> 0:13:11.160
<v Speaker 1>If he got to be better for the audience, he

0:13:11.200 --> 0:13:12.920
<v Speaker 1>would have to cash after at least a thousand.

0:13:13.000 --> 0:13:14.960
<v Speaker 3>But I don't want him to come today, man.

0:13:17.520 --> 0:13:20.600
<v Speaker 1>See shout out to Chariz, who already bought his lunch

0:13:20.640 --> 0:13:24.160
<v Speaker 1>ten dollars. Cherise, I love you, we appreciate it. That's

0:13:24.240 --> 0:13:26.920
<v Speaker 1>lunch for the day. Y'all can looking super chat. We

0:13:26.920 --> 0:13:32.160
<v Speaker 1>ain't lunch, y'all buying his lunch. K I dropped the

0:13:32.160 --> 0:13:38.280
<v Speaker 1>best album of his career. I am in here, super Yes,

0:13:38.320 --> 0:13:44.240
<v Speaker 1>we are, Yes, we are. We're not even gonna gosm No.

0:13:44.240 --> 0:13:47.160
<v Speaker 3>No, it's not haterism. It's not it's not haterism.

0:13:47.880 --> 0:13:51.160
<v Speaker 1>How't we gonna do that? It's the truth trap. All right,

0:13:51.240 --> 0:13:53.680
<v Speaker 1>it's the most West Coast album he ever dropped.

0:13:53.679 --> 0:13:55.080
<v Speaker 3>It's not about West Coast.

0:13:55.400 --> 0:14:00.600
<v Speaker 1>That's just lazy. That's no hip hop is where you from,

0:14:00.800 --> 0:14:03.640
<v Speaker 1>so you can't say West Coast. That's like Ill Madic

0:14:03.760 --> 0:14:08.000
<v Speaker 1>is noa's most East coast South No.

0:14:07.440 --> 0:14:10.520
<v Speaker 3>Exactly, So don't switch it up now. Don't switch it

0:14:10.600 --> 0:14:10.840
<v Speaker 3>up now.

0:14:10.880 --> 0:14:13.000
<v Speaker 1>When nahs start making all the ship for all of us,

0:14:13.320 --> 0:14:18.040
<v Speaker 1>y'all niggas, y'all niggas was like, yeah, y'all went, you're

0:14:18.080 --> 0:14:21.880
<v Speaker 1>feeling it, y'all so bad and you a queen's nigga,

0:14:22.080 --> 0:14:27.600
<v Speaker 1>y'all talk so bad about the second NAS album, Yes,

0:14:27.720 --> 0:14:30.720
<v Speaker 1>I did in Real Time Your Life because it didn't

0:14:30.720 --> 0:14:33.560
<v Speaker 1>sound like ill Maddic. No, it wasn't.

0:14:33.760 --> 0:14:35.680
<v Speaker 2>When he came out with a fucking pink suit on

0:14:36.000 --> 0:14:38.040
<v Speaker 2>said what the fuck is he doing right now? Don't

0:14:38.320 --> 0:14:39.120
<v Speaker 2>got a pink suit on?

0:14:39.200 --> 0:14:39.360
<v Speaker 1>Bro?

0:14:39.720 --> 0:14:42.600
<v Speaker 2>You went from army fatigues and bucking's on to wearing

0:14:42.640 --> 0:14:43.280
<v Speaker 2>a pink suit.

0:14:43.840 --> 0:14:46.920
<v Speaker 1>No, No, that's true, But it also was the music

0:14:46.960 --> 0:14:49.720
<v Speaker 1>because y'all was hyper critical that it didn't sound like

0:14:49.880 --> 0:14:52.800
<v Speaker 1>Ill Maadic, It didn't sound overly New York. So when

0:14:52.840 --> 0:14:55.000
<v Speaker 1>it starts sounding like other reasons. Don't say, oh it

0:14:55.120 --> 0:14:58.280
<v Speaker 1>sounds so West Coach. No, Nigga Illmatic sounds so East Coach.

0:14:58.440 --> 0:15:01.680
<v Speaker 1>But that also is why you consider it hip hop.

0:15:02.080 --> 0:15:06.680
<v Speaker 1>So again, being of your culture is what hip hop

0:15:06.800 --> 0:15:10.880
<v Speaker 1>is all about. And this album he owned the space.

0:15:11.800 --> 0:15:15.360
<v Speaker 1>I was just telling. Still, I genuinely think because him

0:15:15.440 --> 0:15:19.400
<v Speaker 1>becoming a big homie is what he needed. I think

0:15:19.440 --> 0:15:23.600
<v Speaker 1>he spent so much time avoiding his destiny as the one,

0:15:23.840 --> 0:15:26.640
<v Speaker 1>and I think right now he's starting to understand how

0:15:26.680 --> 0:15:31.120
<v Speaker 1>to carry it. He's like Kep making music. He's going

0:15:31.200 --> 0:15:36.000
<v Speaker 1>to be better than he ever was before. Yet that

0:15:36.080 --> 0:15:38.520
<v Speaker 1>wasn't even Wayne Tip. That wasn't even I don't even

0:15:38.560 --> 0:15:41.480
<v Speaker 1>know why people even talking about that. That was, but

0:15:41.520 --> 0:15:42.600
<v Speaker 1>it was.

0:15:42.600 --> 0:15:44.160
<v Speaker 2>It was a little It.

0:15:47.880 --> 0:15:51.680
<v Speaker 1>Was the disappointment and somebody that that dude who he

0:15:51.920 --> 0:15:55.840
<v Speaker 1>patterned his style to the point where he had a

0:15:55.840 --> 0:15:59.760
<v Speaker 1>project call C four behind him. And I'm not mad

0:15:59.800 --> 0:16:02.400
<v Speaker 1>at ain't for saying he was disappointed for not getting

0:16:02.440 --> 0:16:05.240
<v Speaker 1>the thing. But I do think is of you know,

0:16:05.840 --> 0:16:08.400
<v Speaker 1>especially like a first Battle Hall of Famer like Tune,

0:16:08.600 --> 0:16:10.720
<v Speaker 1>you gotta steal embrace. You still got to make the

0:16:10.760 --> 0:16:12.680
<v Speaker 1>call and be like I'm proud of you. Even if

0:16:12.680 --> 0:16:15.600
<v Speaker 1>you tell your fans, hey, I'm disappointed, you still got

0:16:15.600 --> 0:16:17.960
<v Speaker 1>to pick up the phone because this is really one

0:16:17.960 --> 0:16:21.640
<v Speaker 1>of your disciples, Like that is a tone disciple because

0:16:21.720 --> 0:16:22.960
<v Speaker 1>like the real deal too.

0:16:23.440 --> 0:16:26.320
<v Speaker 3>His whole style was influenced by Wayne.

0:16:26.760 --> 0:16:29.160
<v Speaker 2>She listened to the bar. I used to bump the

0:16:29.240 --> 0:16:32.360
<v Speaker 2>card three. I help my ro league chain proud irony.

0:16:32.480 --> 0:16:35.000
<v Speaker 2>I think my hard work little Wayne down.

0:16:35.600 --> 0:16:37.440
<v Speaker 1>Yes, it wasn't.

0:16:37.400 --> 0:16:39.040
<v Speaker 2>Jab dog was a little thump in the ear.

0:16:41.440 --> 0:16:43.400
<v Speaker 3>I got to stop doing that in hip hop.

0:16:43.560 --> 0:16:45.800
<v Speaker 1>Well when I referenced somebody and I explain how some

0:16:45.960 --> 0:16:47.920
<v Speaker 1>hurt my feelings, I'm jabbing you now, y'all.

0:16:47.960 --> 0:16:51.640
<v Speaker 3>So God damn messy. That wasn't no jab.

0:16:51.440 --> 0:17:01.000
<v Speaker 1>At all, and nobody that Yeah, y'are horrible. I'm just

0:17:01.240 --> 0:17:03.720
<v Speaker 1>but that's not what happened. Like, you don't have to

0:17:03.840 --> 0:17:06.560
<v Speaker 1>make that the truth for that to be what it is.

0:17:07.000 --> 0:17:09.200
<v Speaker 3>It might not be the truth, but it sounds good though.

0:17:09.560 --> 0:17:11.080
<v Speaker 1>So if you think that's a jab, you think that's

0:17:11.280 --> 0:17:13.200
<v Speaker 1>what he said for Sloop as a jab too. That's

0:17:13.240 --> 0:17:14.440
<v Speaker 1>my point.

0:17:14.680 --> 0:17:17.439
<v Speaker 2>No, you knew what it was the jaz Man. I

0:17:17.480 --> 0:17:19.120
<v Speaker 2>think it was dope that he addressed it though.

0:17:20.200 --> 0:17:22.440
<v Speaker 1>I mean, I don't even care if I don't find

0:17:22.440 --> 0:17:24.520
<v Speaker 1>it dope he addressed it, or dope that he didn't

0:17:24.680 --> 0:17:27.320
<v Speaker 1>if he did. I'm taking from an artist, right, but

0:17:27.400 --> 0:17:29.879
<v Speaker 1>I'm saying, none of it is None of this is

0:17:29.920 --> 0:17:33.680
<v Speaker 1>a jab. None of this is a jaz. He's not

0:17:33.800 --> 0:17:37.359
<v Speaker 1>dissing any of these people. There's no disrespect. He's not

0:17:37.440 --> 0:17:40.400
<v Speaker 1>even shooting at him. He's giving you how he felt.

0:17:40.920 --> 0:17:42.040
<v Speaker 3>But we asked.

0:17:42.600 --> 0:17:45.600
<v Speaker 1>I think people genuinely, genuinely would like to know how

0:17:45.680 --> 0:17:49.760
<v Speaker 1>Cuz felt when the shit happened, like, and he gave

0:17:49.800 --> 0:17:51.760
<v Speaker 1>it to you, and then you taking it and making

0:17:51.800 --> 0:17:55.639
<v Speaker 1>it a fucking jab. It's not. He just told you

0:17:55.720 --> 0:17:57.919
<v Speaker 1>this is how I felt when these things happened, and

0:17:57.960 --> 0:18:00.800
<v Speaker 1>he handled the legends can see with care.

0:18:00.920 --> 0:18:01.919
<v Speaker 3>That's the right thing to do.

0:18:02.760 --> 0:18:08.480
<v Speaker 1>Now he did it right. Oh what he's saying, he

0:18:08.560 --> 0:18:09.760
<v Speaker 1>got some slappers on there?

0:18:09.920 --> 0:18:11.119
<v Speaker 3>You do you do?

0:18:11.520 --> 0:18:14.119
<v Speaker 1>I like that. I like that hart six. I like

0:18:14.200 --> 0:18:17.320
<v Speaker 1>the fact that he took it back and he changed

0:18:17.359 --> 0:18:21.200
<v Speaker 1>it up because remember remember that, dad, I'll put out

0:18:21.200 --> 0:18:24.359
<v Speaker 1>a hard six. The last this that was like he

0:18:24.520 --> 0:18:30.000
<v Speaker 1>look like the when he the dead, al dead, I'll

0:18:30.040 --> 0:18:33.359
<v Speaker 1>put out the dead. I'll put out you feel me,

0:18:33.359 --> 0:18:36.119
<v Speaker 1>because he put out the yea all that feel me,

0:18:36.480 --> 0:18:39.680
<v Speaker 1>and he took it back by making a song, made

0:18:39.720 --> 0:18:43.400
<v Speaker 1>a real song too that everybody's gonna play. That's gonna

0:18:43.440 --> 0:18:45.879
<v Speaker 1>pass your little piece of ship. This where you tried

0:18:45.920 --> 0:18:50.000
<v Speaker 1>to do that chicken ship ship And I'm so I

0:18:50.119 --> 0:18:53.159
<v Speaker 1>be so happy and proud of because y'all don't realize

0:18:53.240 --> 0:18:54.320
<v Speaker 1>like the journey.

0:18:54.400 --> 0:18:58.200
<v Speaker 3>And it's like, I love that he's owning where he's at.

0:18:58.800 --> 0:19:01.240
<v Speaker 1>I like he put them you boy, I like he

0:19:01.280 --> 0:19:04.760
<v Speaker 1>did that, Like that's how you do it.

0:19:04.960 --> 0:19:05.800
<v Speaker 3>Who was the features?

0:19:05.800 --> 0:19:05.919
<v Speaker 2>Though?

0:19:06.760 --> 0:19:08.960
<v Speaker 1>A who's the feature that? I know? We got paid

0:19:09.000 --> 0:19:11.800
<v Speaker 1>so on there you got a couple, dude, I know

0:19:11.840 --> 0:19:13.399
<v Speaker 1>we got Jay hit on there, he got hit the

0:19:13.480 --> 0:19:14.000
<v Speaker 1>j on there.

0:19:14.440 --> 0:19:16.680
<v Speaker 3>You got a few people go.

0:19:16.880 --> 0:19:19.040
<v Speaker 2>I don't know about this, the people playing albums out

0:19:19.080 --> 0:19:21.200
<v Speaker 2>there and not putting the features on the when when

0:19:21.200 --> 0:19:22.320
<v Speaker 2>they first come out, though.

0:19:23.040 --> 0:19:25.000
<v Speaker 1>I mean, I think I think it's I think it's

0:19:25.000 --> 0:19:28.359
<v Speaker 1>a way for you to go and to go investigate.

0:19:28.400 --> 0:19:29.720
<v Speaker 3>I don't mind that. I don't mind.

0:19:29.840 --> 0:19:31.760
<v Speaker 1>I kind of want to hear who certain people is.

0:19:31.800 --> 0:19:33.600
<v Speaker 1>When I was over there with Snoop the other day

0:19:33.640 --> 0:19:35.800
<v Speaker 1>and they was playing a record, it was a record

0:19:35.880 --> 0:19:38.280
<v Speaker 1>I was like, who the fuck is this nigga snuppet?

0:19:39.040 --> 0:19:43.880
<v Speaker 3>It's method, man, but.

0:19:43.880 --> 0:19:46.480
<v Speaker 1>Dre mixed it, you know what I mean? Like Dra

0:19:46.760 --> 0:19:48.679
<v Speaker 1>mixed it so motherfucking clean.

0:19:49.240 --> 0:19:53.080
<v Speaker 2>You don't know what man, you know, I'm always keeping

0:19:53.160 --> 0:19:56.720
<v Speaker 2>real only the only small snitching I got with this

0:19:56.800 --> 0:20:00.560
<v Speaker 2>apt even say it's a problem, but that be off

0:20:00.760 --> 0:20:03.879
<v Speaker 2>beat sound like a poor man first that they not

0:20:04.040 --> 0:20:10.760
<v Speaker 2>like us. No, it's still the same thing with death,

0:20:10.880 --> 0:20:11.200
<v Speaker 2>damn it.

0:20:12.040 --> 0:20:15.600
<v Speaker 1>You're just being a fucking stickler. I'm not, man, I

0:20:15.640 --> 0:20:16.560
<v Speaker 1>didn't see it was bad.

0:20:16.640 --> 0:20:17.480
<v Speaker 2>It's a dupe song.

0:20:17.920 --> 0:20:20.000
<v Speaker 1>But look I'm not.

0:20:21.640 --> 0:20:24.879
<v Speaker 3>I'm not. You know that, No, I see it.

0:20:24.920 --> 0:20:27.280
<v Speaker 2>I'm not an assault in him. This is a breaking

0:20:27.359 --> 0:20:29.919
<v Speaker 2>album though. This is definitely a five mic album.

0:20:30.359 --> 0:20:33.679
<v Speaker 3>Shout out to this album is sonically disgusting.

0:20:34.240 --> 0:20:35.320
<v Speaker 1>Wow, it.

0:20:37.160 --> 0:20:42.520
<v Speaker 3>Best album on G I understand, like it's fire.

0:20:45.240 --> 0:20:48.359
<v Speaker 2>You gotta understand something. You take a real pro West

0:20:48.400 --> 0:20:50.840
<v Speaker 2>Coast stance, and this is a West Coast sound album.

0:20:51.119 --> 0:20:54.240
<v Speaker 2>Cherice is probably used to. She probably preferred something you.

0:20:57.720 --> 0:21:02.520
<v Speaker 1>Can see the wire moji, so you gotta yea. It

0:21:02.600 --> 0:21:03.639
<v Speaker 1>wasn't disgusting, like.

0:21:07.480 --> 0:21:09.920
<v Speaker 3>To tell, and I fucked with the album. The whole sentiment,

0:21:10.200 --> 0:21:10.960
<v Speaker 3>the sound all that.

0:21:11.080 --> 0:21:12.800
<v Speaker 1>I just ain't ready to say it's better than good Kid,

0:21:12.880 --> 0:21:16.720
<v Speaker 1>mass City session a to it's better, it's better.

0:21:17.560 --> 0:21:21.440
<v Speaker 3>Come on trap Like y'all know I've been hyper critical.

0:21:22.200 --> 0:21:23.160
<v Speaker 1>I'm hypercritical.

0:21:23.320 --> 0:21:24.320
<v Speaker 3>I don't damn while.

0:21:24.440 --> 0:21:26.280
<v Speaker 1>You know that's why you feel like that about it.

0:21:26.480 --> 0:21:28.240
<v Speaker 1>This is what you want him to do. It's not

0:21:28.359 --> 0:21:31.840
<v Speaker 1>what I wanted, you know, I don't bro, I don't

0:21:31.920 --> 0:21:40.280
<v Speaker 1>want you know, hip hop is street urban culture. I

0:21:40.440 --> 0:21:43.960
<v Speaker 1>want every hip hop artist to own the culture. That's

0:21:44.080 --> 0:21:46.720
<v Speaker 1>all I've ever wanted for all of us. Once I've

0:21:46.800 --> 0:21:49.960
<v Speaker 1>realized what it was, I want to hear it. It

0:21:50.080 --> 0:21:53.400
<v Speaker 1>made me go back and listen to Amatic differently. Now

0:21:53.560 --> 0:21:56.280
<v Speaker 1>I can appreciate them like I get it. He owned

0:21:56.359 --> 0:22:00.480
<v Speaker 1>this ship, and then every dude, biggie, everybody, they tried

0:22:00.560 --> 0:22:02.920
<v Speaker 1>to do it behind it, and some of them had

0:22:03.000 --> 0:22:06.000
<v Speaker 1>to kind of sell it out to cross over.

0:22:06.080 --> 0:22:07.520
<v Speaker 3>You don't have to hear what else was going on.

0:22:07.920 --> 0:22:08.800
<v Speaker 1>So let me ask you this thing.

0:22:08.880 --> 0:22:13.000
<v Speaker 2>Right, So, you think that this is the blueprint, I mean,

0:22:13.040 --> 0:22:16.879
<v Speaker 2>the blueprint to what people out here need to do

0:22:17.720 --> 0:22:21.120
<v Speaker 2>in order to get heard. To the to the man,

0:22:24.119 --> 0:22:26.399
<v Speaker 2>you know, I think that is so unique. Man, I

0:22:26.480 --> 0:22:29.280
<v Speaker 2>think that's almost unfair to somebody else say that stuff?

0:22:29.359 --> 0:22:30.040
<v Speaker 2>Is they Blueprint?

0:22:30.640 --> 0:22:32.879
<v Speaker 1>Yeah, shout out to the hommie. Is this not your

0:22:32.920 --> 0:22:36.480
<v Speaker 1>West Coast bias? No, I don't have a bias when

0:22:36.520 --> 0:22:39.040
<v Speaker 1>I live like you call me New York bias. You

0:22:39.160 --> 0:22:43.840
<v Speaker 1>are very West Coast you're supposed to be. It's not

0:22:43.960 --> 0:22:48.240
<v Speaker 1>a bias. I am from California. From watching Nigga, I

0:22:48.240 --> 0:22:49.280
<v Speaker 1>am from Compton and Watts.

0:22:49.320 --> 0:22:49.840
<v Speaker 3>I grew up there.

0:22:50.440 --> 0:22:52.320
<v Speaker 2>You can't hear that tv R beat sound just like

0:22:52.400 --> 0:22:55.320
<v Speaker 2>they're not like this. I just don't.

0:22:55.720 --> 0:22:58.800
<v Speaker 1>That's ridiculous. I would start picking every last album in

0:22:58.840 --> 0:23:01.920
<v Speaker 1>the history. He sh it sounds the same. It's dope.

0:23:02.040 --> 0:23:06.200
<v Speaker 3>But you being a stickler for no reason when you

0:23:06.240 --> 0:23:07.960
<v Speaker 3>don't have to like.

0:23:09.640 --> 0:23:13.800
<v Speaker 1>As such as when musing as much as you want

0:23:13.880 --> 0:23:15.159
<v Speaker 1>to keep using it.

0:23:15.760 --> 0:23:17.880
<v Speaker 2>But the point you got a bunch of crypt walking

0:23:17.920 --> 0:23:18.520
<v Speaker 2>beats on there.

0:23:19.280 --> 0:23:22.400
<v Speaker 1>That's not why I like it. Everybody put out different music.

0:23:22.440 --> 0:23:25.560
<v Speaker 1>I like all kind of stuff like it's just lazy.

0:23:25.640 --> 0:23:27.720
<v Speaker 1>Like I like Juvenile for one the degrees because it

0:23:27.840 --> 0:23:31.639
<v Speaker 1>sounds like New Orleans. I like Blueprint because it sounds.

0:23:31.440 --> 0:23:34.200
<v Speaker 3>Like New York. I like Bonn does in't harmony?

0:23:34.400 --> 0:23:36.440
<v Speaker 1>Feel me? Cause it sounds like Cleveland, like when you

0:23:36.520 --> 0:23:40.200
<v Speaker 1>see it. In my top five, Rick Ross is in

0:23:40.280 --> 0:23:43.640
<v Speaker 1>my top five because his ship sound like Miami. That's

0:23:43.680 --> 0:23:45.080
<v Speaker 1>what that ship supposed to sound like.

0:23:45.520 --> 0:23:50.200
<v Speaker 2>You know what, Dog, this album is incredible. This album,

0:23:50.400 --> 0:23:54.600
<v Speaker 2>it was incredible. I think I think thing.

0:23:56.320 --> 0:23:57.680
<v Speaker 1>Shout out to T p J.

0:23:58.359 --> 0:24:00.920
<v Speaker 3>Damn, it's his best g No, it's not. This is

0:24:01.040 --> 0:24:01.840
<v Speaker 3>better than Damn.

0:24:02.280 --> 0:24:05.159
<v Speaker 1>And you know what makes this better than dam because

0:24:05.280 --> 0:24:08.560
<v Speaker 1>it's culturally exactly what it should.

0:24:08.400 --> 0:24:11.320
<v Speaker 2>Be in the West coasts. Coach what it should be.

0:24:12.160 --> 0:24:17.520
<v Speaker 1>That's not a West Coast bias. That's you're being intellectually dishonest.

0:24:18.320 --> 0:24:22.080
<v Speaker 1>Every last region should have that sound.

0:24:22.440 --> 0:24:25.320
<v Speaker 4>It's a pushback against what we've talked about before, the

0:24:25.400 --> 0:24:30.280
<v Speaker 4>homogenization of the genre, which is odd to me because

0:24:30.760 --> 0:24:35.080
<v Speaker 4>as like we've discussed, it's I would never have predicted

0:24:35.400 --> 0:24:38.280
<v Speaker 4>that as it became easier to make beach locally that

0:24:38.400 --> 0:24:40.120
<v Speaker 4>beachs would sound less locally made.

0:24:40.320 --> 0:24:42.720
<v Speaker 5>But that's what happened, and it coach back against that

0:24:42.800 --> 0:24:43.639
<v Speaker 5>in Glasses likes that.

0:24:44.000 --> 0:24:46.919
<v Speaker 4>I understand that he have a West Coast biases all

0:24:46.960 --> 0:24:50.159
<v Speaker 4>over the place, but this is not that at this moment, No, and.

0:24:50.240 --> 0:24:53.880
<v Speaker 2>I don't have a West coast bias either. There's nothing

0:24:53.960 --> 0:24:55.320
<v Speaker 2>wrong with your West coast bias.

0:24:55.400 --> 0:24:59.359
<v Speaker 1>You are from coast. I don't have a West coast bias.

0:24:59.480 --> 0:25:02.119
<v Speaker 1>I am from the West coast. So I understand what's happening.

0:25:03.600 --> 0:25:10.440
<v Speaker 2>Hey, these spam people can call me a lot, right,

0:25:10.800 --> 0:25:11.320
<v Speaker 2>and you know how?

0:25:11.320 --> 0:25:11.959
<v Speaker 1>I fuck with him?

0:25:12.000 --> 0:25:12.800
<v Speaker 2>Now, dog, watch this?

0:25:15.640 --> 0:25:18.560
<v Speaker 1>Hello? Why not?

0:25:21.359 --> 0:25:24.160
<v Speaker 2>Why not say hang up on me? I'll be fucking

0:25:24.200 --> 0:25:26.440
<v Speaker 2>these spam people up. Dog. They called my phone, I said,

0:25:26.480 --> 0:25:28.840
<v Speaker 2>why no. The one guy say, sir, we.

0:25:29.000 --> 0:25:29.520
<v Speaker 6>Have you that.

0:25:29.600 --> 0:25:32.200
<v Speaker 3>This is Norman Steeley and I said, yeah, this is him.

0:25:32.359 --> 0:25:33.119
<v Speaker 2>How can I help you?

0:25:35.080 --> 0:25:35.280
<v Speaker 1>Yeah?

0:25:35.320 --> 0:25:39.960
<v Speaker 6>He said stealing, Norman stealing? And I said yes. Still,

0:25:40.440 --> 0:25:42.960
<v Speaker 6>So what I did was this gee? I said, I

0:25:43.080 --> 0:25:45.520
<v Speaker 6>can I help you? And he says, yes, I have.

0:25:45.920 --> 0:25:48.119
<v Speaker 6>He said, do you want I have here that you

0:25:48.280 --> 0:25:50.440
<v Speaker 6>have won a prize? I said how much? He said,

0:25:50.480 --> 0:25:51.840
<v Speaker 6>well you have to pick. I said, hey, want the

0:25:51.920 --> 0:25:54.800
<v Speaker 6>million dollars? He said, well this you have to pay

0:25:54.880 --> 0:25:57.320
<v Speaker 6>it back? And I said, well, how long do you

0:25:57.400 --> 0:25:58.840
<v Speaker 6>have before you pay it back? And I said I

0:25:58.920 --> 0:26:00.959
<v Speaker 6>can pay it back into weeks. Ain't going to buy

0:26:01.040 --> 0:26:03.000
<v Speaker 6>a new car and I ain't going to steal to

0:26:03.080 --> 0:26:08.960
<v Speaker 6>my car Let's get back to the thing.

0:26:08.960 --> 0:26:13.480
<v Speaker 1>Bough shout out to probably why even the language of

0:26:13.560 --> 0:26:16.800
<v Speaker 1>the song titles and slang he's using is in direct

0:26:16.840 --> 0:26:19.879
<v Speaker 1>connection to his true culture. He put a damn regal

0:26:20.040 --> 0:26:24.320
<v Speaker 1>on the cover exactly. That's not a bias. I want

0:26:24.480 --> 0:26:27.320
<v Speaker 1>my New York artists to sound like they're from New York.

0:26:27.880 --> 0:26:30.360
<v Speaker 1>I want my New Orleans artists to sound like they're

0:26:30.359 --> 0:26:31.480
<v Speaker 1>from New Orleans. I want.

0:26:34.640 --> 0:26:34.680
<v Speaker 6>That.

0:26:34.880 --> 0:26:37.760
<v Speaker 1>You don't like it, but again that but that's what

0:26:38.119 --> 0:26:41.480
<v Speaker 1>I'm not supposed to understand it. I'm not from fucking

0:26:41.520 --> 0:26:44.280
<v Speaker 1>New York. I'm not a Penis writer acting like I

0:26:44.400 --> 0:26:47.560
<v Speaker 1>get what's going on. I don't even know what music

0:26:47.720 --> 0:26:51.040
<v Speaker 1>is good music. You know what's ain't about good music?

0:26:51.119 --> 0:26:54.760
<v Speaker 1>Stop saying that I keeping New Orleans like New Orleans.

0:26:54.840 --> 0:26:56.120
<v Speaker 2>You know, the ghetto boys.

0:26:56.720 --> 0:26:59.320
<v Speaker 1>Get mad at you when you do this because you

0:26:59.680 --> 0:27:02.600
<v Speaker 1>are army brat. You just transferred town to town. So

0:27:02.720 --> 0:27:04.440
<v Speaker 1>you want to just make whatever you want to make.

0:27:04.600 --> 0:27:08.960
<v Speaker 1>That ain't hip hop, that's not That's why when Tupac

0:27:09.119 --> 0:27:12.240
<v Speaker 1>came down here, he made an album for l A.

0:27:12.920 --> 0:27:15.800
<v Speaker 3>He understood the assignment. You didn't understand the simon when

0:27:15.840 --> 0:27:16.639
<v Speaker 3>you came here. From Cleveland.

0:27:16.680 --> 0:27:18.800
<v Speaker 1>You tried to hold onto your Cleveland roofs. Move your

0:27:18.840 --> 0:27:21.400
<v Speaker 1>ass back there and do colass with bone. But if

0:27:21.440 --> 0:27:23.879
<v Speaker 1>you come down here and you get in the soil,

0:27:25.200 --> 0:27:28.280
<v Speaker 1>your ass better represent It's.

0:27:28.200 --> 0:27:31.119
<v Speaker 2>Because when brother laid my head, that that's the lamb baby.

0:27:33.000 --> 0:27:38.000
<v Speaker 3>Locals, because hip hop is that's what hip hop is.

0:27:38.080 --> 0:27:38.720
<v Speaker 6>You know what I like?

0:27:39.160 --> 0:27:41.920
<v Speaker 3>Al was like a queen's nigga. He didn't come out

0:27:41.920 --> 0:27:44.159
<v Speaker 3>here be like, yeah, cousin bloods and no, he was like,

0:27:44.200 --> 0:27:44.560
<v Speaker 3>what's up?

0:27:44.680 --> 0:27:50.240
<v Speaker 1>Son? Kid? Beating was the that's what it's supposed to be. Hey,

0:27:50.320 --> 0:27:54.040
<v Speaker 1>now say now, you don't get that still because said

0:27:54.840 --> 0:27:59.879
<v Speaker 1>he was at first, who he said, Brocken. That's why

0:28:00.040 --> 0:28:05.520
<v Speaker 1>that's why it's not working the same. That's also why

0:28:05.600 --> 0:28:09.919
<v Speaker 1>Asap Rocky don't have the career he should, Big bro

0:28:10.680 --> 0:28:13.080
<v Speaker 1>Asap Rocky as a brand is popular because he's a

0:28:13.160 --> 0:28:15.760
<v Speaker 1>fashion guy, like a true New York nick. He understands it,

0:28:16.000 --> 0:28:18.520
<v Speaker 1>but his music career is not that because there is

0:28:18.600 --> 0:28:20.240
<v Speaker 1>a disconnect culturally.

0:28:21.280 --> 0:28:24.480
<v Speaker 2>No music career. I got a band of baby mamic career.

0:28:24.840 --> 0:28:28.040
<v Speaker 1>It's not it's not an insult to rock It's not

0:28:28.119 --> 0:28:30.440
<v Speaker 1>an insult to Rocky. I'm telling you this is why

0:28:30.480 --> 0:28:35.080
<v Speaker 1>it's not carried. Look at the greatest artist from a region,

0:28:35.320 --> 0:28:38.480
<v Speaker 1>look at the greatest artists. Gee, is it fair to say?

0:28:38.720 --> 0:28:41.000
<v Speaker 1>I mean, in my opinion. And granted, there's a certain.

0:28:41.440 --> 0:28:43.640
<v Speaker 5>Time component to this, as we've discussed before.

0:28:43.760 --> 0:28:49.880
<v Speaker 4>We're you know, early on enough, there wasn't regionally established

0:28:49.960 --> 0:28:57.680
<v Speaker 4>sounds yet. But like Scarface honestly doesn't sound super Houston musically.

0:28:58.000 --> 0:29:00.360
<v Speaker 4>He does sound kind of East, but he's very early

0:29:00.480 --> 0:29:02.920
<v Speaker 4>in the genre so that the sound hadn't been developed,

0:29:02.960 --> 0:29:04.960
<v Speaker 4>And you think that kind of hurt because he could

0:29:05.240 --> 0:29:06.840
<v Speaker 4>and should probably be a much.

0:29:06.880 --> 0:29:15.120
<v Speaker 5>Bigger I got his legendary, but he's not.

0:29:15.480 --> 0:29:16.200
<v Speaker 1>You have the.

0:29:19.560 --> 0:29:21.120
<v Speaker 3>I get what you're saying, but let me explain this

0:29:21.240 --> 0:29:21.360
<v Speaker 3>to you.

0:29:21.480 --> 0:29:23.560
<v Speaker 1>First. Start shout out to Clip Wilson, and I appreciate

0:29:23.600 --> 0:29:27.440
<v Speaker 1>everybody that's here. No selllings. The lunch hour. We are

0:29:27.520 --> 0:29:29.520
<v Speaker 1>breaking records. We're doing more people than we ever did,

0:29:29.560 --> 0:29:30.240
<v Speaker 1>which is crazy.

0:29:30.360 --> 0:29:31.480
<v Speaker 3>Right now, so that's dope.

0:29:31.880 --> 0:29:34.040
<v Speaker 1>It's perfect time for y'all to be here because we

0:29:34.200 --> 0:29:36.800
<v Speaker 1>popping it and my boy served with the best album

0:29:36.840 --> 0:29:39.240
<v Speaker 1>of his career. I'm proud of him. Shout out to

0:29:39.280 --> 0:29:42.280
<v Speaker 1>Clip Wilson. I'm from the East Coast, Harlem specifically, and

0:29:42.400 --> 0:29:44.680
<v Speaker 1>love the fact that the West is standing on business

0:29:44.720 --> 0:29:45.800
<v Speaker 1>and supporting their own.

0:29:46.200 --> 0:29:49.280
<v Speaker 3>That's what hip hop is. This album is dope as ship.

0:29:49.560 --> 0:29:52.960
<v Speaker 1>You're damn right, clip shout out to Harlem, because that's

0:29:53.240 --> 0:29:57.200
<v Speaker 1>what hip hop is. It is the business of we

0:29:59.280 --> 0:30:05.640
<v Speaker 1>We back to your Scarface question, Pete, Scarface. Scarface was

0:30:05.760 --> 0:30:10.520
<v Speaker 1>really like remember Scarface in the early eighties, NWA ghetto boys,

0:30:11.120 --> 0:30:13.120
<v Speaker 1>hip hop didn't quite figure out what it was.

0:30:13.240 --> 0:30:17.440
<v Speaker 3>You made the music like sure, like like the fathers

0:30:17.520 --> 0:30:19.360
<v Speaker 3>of hip hop. You made it like New York.

0:30:19.440 --> 0:30:22.440
<v Speaker 1>You tried to add where you special, but you kept

0:30:22.520 --> 0:30:26.880
<v Speaker 1>it very much in the foundational sense. But listen to

0:30:27.000 --> 0:30:32.360
<v Speaker 1>be hold on, hold on. Scarface started to define himself.

0:30:32.800 --> 0:30:36.200
<v Speaker 1>He brought the version of blues, and blues just ain't

0:30:36.240 --> 0:30:41.040
<v Speaker 1>as popular as everything else. Funk is fun, jazz is jazzy,

0:30:41.600 --> 0:30:45.000
<v Speaker 1>R and b is everybody shit Because Scarface kind of

0:30:45.240 --> 0:30:48.840
<v Speaker 1>lives and resides in blues, it's not it doesn't seem

0:30:48.880 --> 0:30:54.560
<v Speaker 1>as popular. But trust me, Scarface is beloved by the

0:30:54.800 --> 0:30:59.080
<v Speaker 1>hip hop the whole country. With multiple platinum ax you know,

0:30:59.360 --> 0:31:04.680
<v Speaker 1>spanning multiple platinum AUMs spanning over ten years. That's a fact.

0:31:05.960 --> 0:31:06.440
<v Speaker 1>That's a fact.

0:31:06.680 --> 0:31:09.560
<v Speaker 2>You know. I never thought about that, that he's like

0:31:09.640 --> 0:31:11.560
<v Speaker 2>part of the blues type of type of sound that

0:31:11.640 --> 0:31:13.080
<v Speaker 2>came into the hip hop. That's a fact though.

0:31:13.240 --> 0:31:15.840
<v Speaker 3>Yeah, he orchestrated it, you know what I mean, that's

0:31:15.920 --> 0:31:16.920
<v Speaker 3>what the South brought.

0:31:18.960 --> 0:31:22.680
<v Speaker 1>Yeah, trap cup, piano player, guitary.

0:31:24.400 --> 0:31:26.320
<v Speaker 2>The one thing I want to say about face G

0:31:27.120 --> 0:31:29.960
<v Speaker 2>is when he dropped the world is Yours between the

0:31:30.000 --> 0:31:32.080
<v Speaker 2>missus scar faces back in the World is Yours.

0:31:32.680 --> 0:31:34.840
<v Speaker 3>You can see the experimentation of his sound.

0:31:34.880 --> 0:31:37.400
<v Speaker 2>He kind of was going from the funk to the blues,

0:31:37.520 --> 0:31:39.080
<v Speaker 2>kind of going back and forth, you know what I mean.

0:31:39.160 --> 0:31:40.600
<v Speaker 2>He had a lot of funk in there too, right,

0:31:41.960 --> 0:31:45.400
<v Speaker 2>a lot of a lot of flips from Bootsye and them,

0:31:45.480 --> 0:31:47.200
<v Speaker 2>you know, a lot of Bootsy flips and stuff like that.

0:31:47.320 --> 0:31:49.200
<v Speaker 2>Then he kind of found his lane with the blues.

0:31:49.720 --> 0:31:53.000
<v Speaker 2>All Brad was was a pastor dog, Yeah.

0:31:52.960 --> 0:31:55.480
<v Speaker 3>A Southern pastor like Martin Luther King.

0:31:56.760 --> 0:31:59.320
<v Speaker 1>But you know what, it don't make me Houston biased

0:31:59.320 --> 0:32:03.200
<v Speaker 1>because I appreciate the Southern roots, the Baptist style about

0:32:03.240 --> 0:32:06.440
<v Speaker 1>his staff. That's what's he delivers it, you know what

0:32:06.480 --> 0:32:09.560
<v Speaker 1>I mean. And that's what's important about this album.

0:32:09.680 --> 0:32:13.080
<v Speaker 3>GNX. Even the car is a two hundred thousand dollars regal,

0:32:13.560 --> 0:32:14.520
<v Speaker 3>Like the homie.

0:32:14.320 --> 0:32:18.520
<v Speaker 1>Just said, like that's culture, Like that's what you're supposed

0:32:18.600 --> 0:32:21.840
<v Speaker 1>to do. Somebody asked me, did I think this created

0:32:21.880 --> 0:32:25.080
<v Speaker 1>a blueprint? No, this is what you're supposed to do,

0:32:25.560 --> 0:32:29.760
<v Speaker 1>and him got, yeah, but this is what you're supposed

0:32:29.760 --> 0:32:32.800
<v Speaker 1>to do in hip hop. This blueprint already been established.

0:32:33.360 --> 0:32:37.640
<v Speaker 1>Now y'all seeing Dot do it. Y'all been watching Dot

0:32:38.080 --> 0:32:41.040
<v Speaker 1>do things based off of where his shit was at,

0:32:41.120 --> 0:32:44.320
<v Speaker 1>where things was working at. Now you're seeing him own

0:32:45.360 --> 0:32:49.640
<v Speaker 1>the status that he is. Out West asked, primarily a

0:32:49.800 --> 0:32:52.400
<v Speaker 1>thought leader, and he's.

0:32:54.000 --> 0:32:56.600
<v Speaker 2>This album definitely put him in that. He was already

0:32:56.640 --> 0:33:00.360
<v Speaker 2>there broke, but this album definitely man and it could

0:33:00.400 --> 0:33:02.200
<v Speaker 2>be debated a little bit. This put him up there

0:33:02.240 --> 0:33:07.120
<v Speaker 2>with like, oh status bro with He's up there now

0:33:07.280 --> 0:33:08.840
<v Speaker 2>like you gotta really you got.

0:33:11.000 --> 0:33:12.920
<v Speaker 1>I'm not gonna say he bumps out my guys in

0:33:12.960 --> 0:33:16.840
<v Speaker 1>the top five, but I'm about to argue he might

0:33:16.880 --> 0:33:18.600
<v Speaker 1>start bumping some guys out that top ten.

0:33:19.200 --> 0:33:22.840
<v Speaker 2>No, I think he's up there. He's up there right now,

0:33:23.640 --> 0:33:27.160
<v Speaker 2>look a little bit different. Yeah, That's what I'm saying.

0:33:27.200 --> 0:33:29.480
<v Speaker 2>He might he might be he might have knocked Cue

0:33:29.520 --> 0:33:30.360
<v Speaker 2>off his throwing dog.

0:33:30.840 --> 0:33:31.080
<v Speaker 3>I'm not.

0:33:31.160 --> 0:33:33.880
<v Speaker 1>I'm gonna take my time. Shout out the Q who

0:33:34.040 --> 0:33:37.320
<v Speaker 1>just dropped the dope album today too. I yeah, we

0:33:37.360 --> 0:33:39.600
<v Speaker 1>gotta get into it. Got and that's not Let me

0:33:39.800 --> 0:33:42.640
<v Speaker 1>verify this. Let me clarify something that's not a knock

0:33:42.680 --> 0:33:46.760
<v Speaker 1>against Q. It's more so shating the spotlight on dots

0:33:46.840 --> 0:33:49.000
<v Speaker 1>growth from greatness right because you know you got to

0:33:49.000 --> 0:33:52.480
<v Speaker 1>debate that now because for the longest it was undebatable.

0:33:52.640 --> 0:33:59.800
<v Speaker 1>Dog two ice Q snoop, So you know dog for

0:34:01.200 --> 0:34:03.520
<v Speaker 1>forty short It's like that was like the right there.

0:34:03.640 --> 0:34:05.760
<v Speaker 1>Somebody got it, somebody who had to move a little bit,

0:34:06.000 --> 0:34:07.840
<v Speaker 1>or we may just have to make an additional on

0:34:07.960 --> 0:34:11.120
<v Speaker 1>spot up there for him. No Selings live the lunch

0:34:11.239 --> 0:34:16.439
<v Speaker 1>hour every Monday, Wednesday and Friday noon Pacific Standard time.

0:34:16.560 --> 0:34:19.560
<v Speaker 1>We right here doing the thing. Click the thumbs up button.

0:34:19.640 --> 0:34:22.359
<v Speaker 1>Let everybody you know you hear, share it. Let other

0:34:22.400 --> 0:34:24.920
<v Speaker 1>people go. We breaking numbers today on YouTube. We finally

0:34:24.960 --> 0:34:27.520
<v Speaker 1>getting this thing rolling. Fit me shout out to Die

0:34:27.600 --> 0:34:29.479
<v Speaker 1>for dropping this thing. That God is going.

0:34:29.880 --> 0:34:30.839
<v Speaker 3>It is incredible.

0:34:31.160 --> 0:34:33.680
<v Speaker 1>It is his best album. It took me one listen

0:34:33.760 --> 0:34:36.000
<v Speaker 1>to figure it out because I fuck with the music.

0:34:36.280 --> 0:34:38.200
<v Speaker 1>Y'all have figured out later, but y'all gonna come to it.

0:34:38.800 --> 0:34:41.480
<v Speaker 1>Click the link in the description. Subscribe to the No

0:34:41.640 --> 0:34:45.279
<v Speaker 1>Selings podcast. That's why we do this to promote No

0:34:45.400 --> 0:34:49.480
<v Speaker 1>Seilings to podcast. Go over to Apple Podcasts anywhere you

0:34:49.560 --> 0:34:52.880
<v Speaker 1>get your podcasts. Subscribe to No Seilings Executive produced by

0:34:52.960 --> 0:34:58.279
<v Speaker 1>Charlemagne to God the Black Defect. iHeart at a point

0:34:58.880 --> 0:35:02.120
<v Speaker 1>post top rap are stop making music for the region.

0:35:02.320 --> 0:35:05.360
<v Speaker 3>On the up side of the latter, no argument, just observation.

0:35:05.480 --> 0:35:06.680
<v Speaker 1>Shout out to whoever this is.

0:35:07.120 --> 0:35:09.640
<v Speaker 3>His name is a dot, but he's making incredible points.

0:35:09.920 --> 0:35:14.360
<v Speaker 1>That is true because Coach is not anonymously dot. Maybe

0:35:15.560 --> 0:35:18.880
<v Speaker 1>it could be just don't know right, but to be honest,

0:35:19.040 --> 0:35:21.759
<v Speaker 1>yes I agree. But what happens is is because your

0:35:21.840 --> 0:35:24.880
<v Speaker 1>life changes and you will send into a pop iconic status.

0:35:25.000 --> 0:35:28.200
<v Speaker 1>If you're successful. The more successful you are, you will

0:35:28.280 --> 0:35:32.439
<v Speaker 1>send in too popular statues. So yes, you eventually start

0:35:32.520 --> 0:35:37.000
<v Speaker 1>to shd culture. But the very greatest hip hop artist

0:35:37.520 --> 0:35:41.920
<v Speaker 1>don't shed coature Like I went to Snoops Compound and

0:35:42.480 --> 0:35:47.480
<v Speaker 1>he played me missionary. Dre is really clean now Drake

0:35:47.600 --> 0:35:50.759
<v Speaker 1>cleaned up his production. It ain't funky at all. It

0:35:51.040 --> 0:35:54.560
<v Speaker 1>very much has a hip hop but like a pop field.

0:35:55.280 --> 0:35:59.000
<v Speaker 1>Even though it's still hard, it's clean. It's really scrubbed.

0:35:59.040 --> 0:36:02.239
<v Speaker 1>He scrubbed it. I'm not necessarily the greatest fan of

0:36:02.320 --> 0:36:04.239
<v Speaker 1>him over scrubbing it, but it's doctor dread. What the

0:36:04.280 --> 0:36:08.600
<v Speaker 1>hell I'm gonna tell you what you don't clean? Snoop

0:36:08.719 --> 0:36:13.160
<v Speaker 1>up Snoop is Snoop Dog, jay Z is jay Z.

0:36:13.320 --> 0:36:16.120
<v Speaker 1>When they start talking, all the Brooklyn is gonna bleed

0:36:16.160 --> 0:36:18.800
<v Speaker 1>out of them. When when Nad start talking, all the

0:36:19.320 --> 0:36:22.239
<v Speaker 1>all the Queens is gonna bleed out of him. When

0:36:22.280 --> 0:36:25.239
<v Speaker 1>Scarface talked on that mic, all of Houston is gonna

0:36:25.280 --> 0:36:27.920
<v Speaker 1>bleed out of him. When Bond talked, all the pa

0:36:28.120 --> 0:36:30.399
<v Speaker 1>is gonna bleed out of him. And that's the thing

0:36:30.480 --> 0:36:34.360
<v Speaker 1>about hip hop. It's supposed to stain you. You're supposed

0:36:34.400 --> 0:36:38.480
<v Speaker 1>to be permanently stained. You are if you are truly

0:36:38.560 --> 0:36:39.000
<v Speaker 1>the coaching.

0:36:39.360 --> 0:36:41.080
<v Speaker 2>Hey, she let me ask you a question since she

0:36:41.200 --> 0:36:43.120
<v Speaker 2>was at the Snoop Bone, since you got the here

0:36:43.160 --> 0:36:45.440
<v Speaker 2>the album with them is the song he had with

0:36:46.440 --> 0:36:47.719
<v Speaker 2>Is that on the final track list?

0:36:48.160 --> 0:36:48.359
<v Speaker 1>Yeah?

0:36:48.560 --> 0:36:49.840
<v Speaker 3>And it makes sense when you hear it.

0:36:50.320 --> 0:36:51.480
<v Speaker 1>That song is Dope Dog.

0:36:51.760 --> 0:36:54.120
<v Speaker 3>I really you know me like R and B.

0:36:54.440 --> 0:36:55.640
<v Speaker 2>That record was really dope.

0:36:55.680 --> 0:36:59.960
<v Speaker 1>Dog. It's crazy to hear byself from a snoop record,

0:37:00.040 --> 0:37:01.400
<v Speaker 1>you know what I mean? But when you hear what

0:37:01.520 --> 0:37:05.160
<v Speaker 1>the collaboration of songs, it makes perfect sense. I get

0:37:05.200 --> 0:37:07.400
<v Speaker 1>that you did this stuff on that and.

0:37:07.480 --> 0:37:09.760
<v Speaker 2>We got to give props to the homeboy man Rest

0:37:09.800 --> 0:37:14.719
<v Speaker 2>in peace to our dog. You know, rap, contemporary rap

0:37:14.840 --> 0:37:20.960
<v Speaker 2>or contemporary rap. You're starting to see a lot of

0:37:21.000 --> 0:37:23.200
<v Speaker 2>that manifest now. Like when I heard that record. Gee,

0:37:23.239 --> 0:37:25.080
<v Speaker 2>you remember the time you was coming to street with me.

0:37:25.200 --> 0:37:26.959
<v Speaker 2>You told me that it's something like I was making

0:37:27.080 --> 0:37:29.640
<v Speaker 2>R and B. Yeah, I think you just get to

0:37:29.719 --> 0:37:32.160
<v Speaker 2>that place the more musical you get when you get older. Though,

0:37:32.160 --> 0:37:34.200
<v Speaker 2>you ain't gotta start rapping, but you definitely kind of

0:37:34.360 --> 0:37:35.400
<v Speaker 2>just a natural progression.

0:37:35.719 --> 0:37:37.840
<v Speaker 3>But you got to back up in my opinion. You

0:37:37.960 --> 0:37:39.320
<v Speaker 3>have to back up in my opinion.

0:37:40.120 --> 0:37:46.080
<v Speaker 1>Really, But you know I'm not listen. In twenty twenty five,

0:37:46.200 --> 0:37:48.000
<v Speaker 1>I made sure that I was gonna take my rifle

0:37:48.040 --> 0:37:50.160
<v Speaker 1>places fear of hip hop, because.

0:37:49.920 --> 0:37:51.759
<v Speaker 3>If I let y'all have an opinion, y'all go to

0:37:51.920 --> 0:37:53.120
<v Speaker 3>damn far back up.

0:37:53.560 --> 0:37:55.000
<v Speaker 1>No, she is too hard for.

0:37:55.000 --> 0:37:57.080
<v Speaker 3>A year old man to be talking about up there

0:37:57.160 --> 0:37:58.279
<v Speaker 3>shooting niggas.

0:37:57.960 --> 0:38:02.640
<v Speaker 1>And I'm not. That's not being The culture is shooting people.

0:38:02.840 --> 0:38:04.239
<v Speaker 1>Everybody around the world.

0:38:04.320 --> 0:38:07.839
<v Speaker 3>Shoot people. Don't have none to do with coachure. Coach

0:38:08.040 --> 0:38:08.919
<v Speaker 3>is how we talk.

0:38:09.719 --> 0:38:12.359
<v Speaker 1>You never get too old for slang, you never get

0:38:12.400 --> 0:38:14.600
<v Speaker 1>too old for the way we dress. You never get

0:38:14.680 --> 0:38:17.239
<v Speaker 1>too old for that. Shooting don't got nothing to do

0:38:17.320 --> 0:38:19.560
<v Speaker 1>with the coaches that you want to.

0:38:19.560 --> 0:38:21.520
<v Speaker 2>Snoop this to continue crippling on record. As long as

0:38:21.560 --> 0:38:22.520
<v Speaker 2>he did that, he was cool.

0:38:23.560 --> 0:38:29.960
<v Speaker 1>He's a crip super Bowl and that livings. Why the

0:38:30.040 --> 0:38:37.399
<v Speaker 1>funk would he not? Do you ever get too old

0:38:37.440 --> 0:38:41.319
<v Speaker 1>to represent your family and your community? No, And if

0:38:41.400 --> 0:38:43.360
<v Speaker 1>you got a shame, you was never proud to be

0:38:43.480 --> 0:38:47.520
<v Speaker 1>from it in the first place. It ain't got to

0:38:47.560 --> 0:38:50.320
<v Speaker 1>be looked upon like he ain't got to represent it

0:38:50.480 --> 0:38:52.839
<v Speaker 1>to a certain way. Though. He ain't going to put

0:38:52.920 --> 0:38:57.480
<v Speaker 1>in work on no other gangs. But he is showing people, Yes,

0:38:57.640 --> 0:39:00.759
<v Speaker 1>he's showing people what a crip can become. He's the

0:39:00.920 --> 0:39:03.759
<v Speaker 1>reason that my next five and six seven years is

0:39:03.840 --> 0:39:06.680
<v Speaker 1>going to be a little easier because they did business

0:39:06.800 --> 0:39:09.600
<v Speaker 1>with Snoop as a crip and he didn't let him down.

0:39:09.960 --> 0:39:12.239
<v Speaker 1>So He's gonna make the journey for the next Cryp

0:39:12.440 --> 0:39:15.760
<v Speaker 1>a lot easier than ever before. Shout out to Atlanta.

0:39:15.800 --> 0:39:18.279
<v Speaker 1>Bird Gang not been a little Wayne Stand for years,

0:39:18.320 --> 0:39:21.920
<v Speaker 1>and he has admitted that a truly Wayne Stand the

0:39:22.360 --> 0:39:25.000
<v Speaker 1>realist deal he loved to him, So I know that

0:39:25.120 --> 0:39:27.960
<v Speaker 1>hurt his feeling, But again he didn't diss him.

0:39:28.320 --> 0:39:30.320
<v Speaker 3>He just explained how he felt about it.

0:39:30.680 --> 0:39:34.719
<v Speaker 1>What is the I don't know what is the gnxstand for.

0:39:35.000 --> 0:39:39.840
<v Speaker 1>The GNX is a specific regal. So in California, G

0:39:40.040 --> 0:39:42.160
<v Speaker 1>Bodies regals Cutlasses.

0:39:41.680 --> 0:39:45.200
<v Speaker 3>El Caminos like my song, which is crazy right.

0:39:45.520 --> 0:39:49.359
<v Speaker 1>Cutlass says there's a specific years of cars, roughly from

0:39:49.440 --> 0:39:53.000
<v Speaker 1>seventy nine to eighty seven eighty eight. They're called G Bodies.

0:39:53.080 --> 0:39:55.680
<v Speaker 1>That's a real la thing. At my age group, we

0:39:55.800 --> 0:39:59.320
<v Speaker 1>started it and that became our thing now. The gn

0:39:59.520 --> 0:40:02.279
<v Speaker 1>X is a Buick regal, right, but it's a it's

0:40:02.320 --> 0:40:05.040
<v Speaker 1>a souped up version of it from the factory. They

0:40:05.120 --> 0:40:07.960
<v Speaker 1>have a version called the Grand National. You heard of

0:40:08.000 --> 0:40:10.320
<v Speaker 1>a Grand National all black one. Larry June had a

0:40:10.400 --> 0:40:15.360
<v Speaker 1>whole album dedicated to the Grand National. Well, this is

0:40:15.480 --> 0:40:18.880
<v Speaker 1>one of even suped up more version of a Grand National.

0:40:19.120 --> 0:40:22.319
<v Speaker 1>So there's the Regal right at the standard level eighty

0:40:22.400 --> 0:40:25.840
<v Speaker 1>seven right. Then there's the Grand National, which is a

0:40:25.920 --> 0:40:28.200
<v Speaker 1>souped up version of the Regal, and then there's the

0:40:28.360 --> 0:40:31.759
<v Speaker 1>five hundred and forty seven GN next version, which is

0:40:31.800 --> 0:40:34.320
<v Speaker 1>a suped up version of a Grand National. It's a

0:40:34.400 --> 0:40:39.440
<v Speaker 1>two hundred thousand dollars car. It's the pinnacle of Los

0:40:39.480 --> 0:40:43.040
<v Speaker 1>Angeles young street life. That's crazy if you nobody even

0:40:43.160 --> 0:40:45.759
<v Speaker 1>has that car because it's such an expensive car to

0:40:45.880 --> 0:40:48.080
<v Speaker 1>have now, Like back when I was growing up, it

0:40:48.160 --> 0:40:50.439
<v Speaker 1>was a forty thousand dollars car. It never lost violence.

0:40:51.800 --> 0:40:53.920
<v Speaker 1>It's five hundred and forty seven. And he talked of

0:40:53.920 --> 0:40:57.279
<v Speaker 1>shit because he got the number one. So you get

0:40:57.360 --> 0:40:59.799
<v Speaker 1>what I'm saying, Like, that's the coaches.

0:41:01.040 --> 0:41:03.080
<v Speaker 2>Huh, that's his whip on the ND.

0:41:03.640 --> 0:41:05.480
<v Speaker 3>Yes it is, and that's what he and that's some.

0:41:06.960 --> 0:41:08.040
<v Speaker 1>And this is what I'm saying.

0:41:08.400 --> 0:41:10.520
<v Speaker 3>When people don't get what I'm looking at, I'm not.

0:41:10.640 --> 0:41:16.680
<v Speaker 1>Just listen that car. Yes, shout out to David Jones,

0:41:16.760 --> 0:41:19.040
<v Speaker 1>thank you for the ten dollars. That's super dope for

0:41:19.080 --> 0:41:21.360
<v Speaker 1>the lunch. We appreciate that man. Shout out to everybody

0:41:21.360 --> 0:41:23.680
<v Speaker 1>who hitting them. Super checks up again that's at the

0:41:23.719 --> 0:41:26.279
<v Speaker 1>bottom right of the comments. If you're on YouTube. The

0:41:26.440 --> 0:41:31.840
<v Speaker 1>line about letting Wayne down. Oh, just the pose with

0:41:31.960 --> 0:41:35.759
<v Speaker 1>Coles letting nods down. It's hilarious. I'd rather let Wayne down,

0:41:36.160 --> 0:41:37.520
<v Speaker 1>you stupid dad. Shout out.

0:41:39.239 --> 0:41:42.399
<v Speaker 3>Yeah, David Jones, David Jones. Shout out to David Jones

0:41:42.440 --> 0:41:43.239
<v Speaker 3>as you stupid bro.

0:41:43.920 --> 0:41:45.879
<v Speaker 1>But but I didn't like the call. When the call

0:41:46.080 --> 0:41:49.040
<v Speaker 1>was a bit weird and corny to me, Yeah, I

0:41:49.080 --> 0:41:50.440
<v Speaker 1>didn't like that. I didn't like it.

0:41:51.760 --> 0:41:53.960
<v Speaker 3>Shout out to Bella Max for the fifty dollars. I

0:41:54.160 --> 0:41:57.640
<v Speaker 3>love you, thank you. That's a good lunch. We're eating good.

0:41:58.920 --> 0:42:08.160
<v Speaker 3>Bella can't so listen. I am so proud. I'm so proud.

0:42:08.520 --> 0:42:12.480
<v Speaker 1>And again, we initially started to talk about how the

0:42:12.560 --> 0:42:15.719
<v Speaker 1>party died in LA and I wanted to associate why

0:42:16.120 --> 0:42:17.480
<v Speaker 1>West Coast hip hop was struggling.

0:42:18.360 --> 0:42:21.920
<v Speaker 3>West Coast hip hop, the majority.

0:42:21.440 --> 0:42:25.040
<v Speaker 1>Of it is built on funk. Funk is the ultimate

0:42:25.200 --> 0:42:29.400
<v Speaker 1>party music. People party hard to funk. Whether it's James Brown,

0:42:29.600 --> 0:42:32.200
<v Speaker 1>Parliament funk. Just as we moved through the Statues of

0:42:32.239 --> 0:42:34.440
<v Speaker 1>Funk all the way up to g funk, it's been

0:42:34.520 --> 0:42:37.600
<v Speaker 1>the party. So our records had the benefit of this

0:42:37.719 --> 0:42:42.399
<v Speaker 1>great weather and the opportunity to always have parties. We've

0:42:42.520 --> 0:42:46.080
<v Speaker 1>always had that and that's what moved the records right.

0:42:46.440 --> 0:42:50.680
<v Speaker 1>But what killed partying on the West Coast right was

0:42:51.200 --> 0:42:57.240
<v Speaker 1>bottle service as we adopted as we adopted bottle service

0:42:57.400 --> 0:43:00.359
<v Speaker 1>as a true identity of the club, and it came

0:43:00.440 --> 0:43:02.719
<v Speaker 1>more or less about not meeting women and having a

0:43:02.760 --> 0:43:05.480
<v Speaker 1>good time in dancing and just getting women easier, just

0:43:05.640 --> 0:43:10.439
<v Speaker 1>flexing money. Guess what you kill people dancing? Yeah?

0:43:12.360 --> 0:43:16.920
<v Speaker 3>Why exactly? Music don't have ways to.

0:43:17.160 --> 0:43:21.160
<v Speaker 1>Actually spread Like problem is dropping a bunch of great records,

0:43:21.480 --> 0:43:24.400
<v Speaker 1>problem jump, but there is no party scene to move it.

0:43:24.680 --> 0:43:26.520
<v Speaker 1>Shout out to Mark Nasty, Shout out to a d

0:43:26.640 --> 0:43:29.560
<v Speaker 1>They dropped the project called House of Waggens, amazing project,

0:43:29.680 --> 0:43:31.800
<v Speaker 1>great songs to have fun and party two. But we

0:43:31.880 --> 0:43:35.120
<v Speaker 1>don't have a party scene to spread the music. And

0:43:35.320 --> 0:43:39.240
<v Speaker 1>West Coast music has been built on funk. So without

0:43:39.320 --> 0:43:42.200
<v Speaker 1>the party scene, that's moving hard. You don't really have

0:43:42.360 --> 0:43:44.960
<v Speaker 1>a way to make the music and everybody get familiar

0:43:45.000 --> 0:43:47.480
<v Speaker 1>with it to build up the story for radio to

0:43:47.560 --> 0:43:51.160
<v Speaker 1>become your mass promoter. So that's why so.

0:43:51.320 --> 0:43:53.640
<v Speaker 2>I went to the I went to the show the

0:43:53.680 --> 0:43:57.080
<v Speaker 2>other night with me go and I've seen I've seen

0:43:57.120 --> 0:43:59.200
<v Speaker 2>the LA. I've seen a lot of different LA artists.

0:43:59.600 --> 0:44:01.839
<v Speaker 2>They was more see that. But one thing I caught though,

0:44:02.560 --> 0:44:07.279
<v Speaker 2>was that I see the I'm not gonna say copy,

0:44:07.400 --> 0:44:10.600
<v Speaker 2>but the influence that that the younger youths is getting

0:44:10.680 --> 0:44:14.560
<v Speaker 2>from Larry June right now. Yeah, Like it's a heavy

0:44:14.560 --> 0:44:15.120
<v Speaker 2>you know what I'm saying.

0:44:15.360 --> 0:44:16.120
<v Speaker 1>I don't know, I don't know.

0:44:16.320 --> 0:44:17.960
<v Speaker 3>Would you care to him as being the first one that.

0:44:18.239 --> 0:44:20.560
<v Speaker 1>Like is that his? Is that his sound right there? No,

0:44:20.840 --> 0:44:24.799
<v Speaker 1>that's a company. He makes mob music. It's like, uh,

0:44:25.160 --> 0:44:27.960
<v Speaker 1>that's what the Bay Area is known for. But again

0:44:29.200 --> 0:44:32.759
<v Speaker 1>that that's always gonna work, Like like Dom Kennedy, that's

0:44:32.880 --> 0:44:33.919
<v Speaker 1>like kickback music.

0:44:34.440 --> 0:44:37.000
<v Speaker 3>Arry, you know, you play the Monks to select friends.

0:44:37.040 --> 0:44:39.520
<v Speaker 1>It's not full out of party groove where you're playing

0:44:39.600 --> 0:44:41.680
<v Speaker 1>at the mix of a party, but if it's at

0:44:41.719 --> 0:44:44.279
<v Speaker 1>a kickback at the gathering. Again, hip hop, like we

0:44:44.360 --> 0:44:46.680
<v Speaker 1>talked about this, hip hop is a party. It is

0:44:46.760 --> 0:44:48.600
<v Speaker 1>a bunch of people coming together to have a good time.

0:44:48.880 --> 0:44:51.600
<v Speaker 1>Poor people making it work, right, it's taking the break

0:44:51.680 --> 0:44:54.080
<v Speaker 1>and like I'm gonna make this work and everybody dancing

0:44:54.120 --> 0:44:57.000
<v Speaker 1>and you know, having a great time. So even at

0:44:57.040 --> 0:44:59.200
<v Speaker 1>the lowest levels, like a kickback where it's not as

0:44:59.280 --> 0:45:01.480
<v Speaker 1>festive as a huge party, but it is a bunch

0:45:01.520 --> 0:45:04.840
<v Speaker 1>of people socially gathering, you know what I'm saying, to

0:45:04.960 --> 0:45:05.759
<v Speaker 1>have a great time.

0:45:06.440 --> 0:45:08.680
<v Speaker 3>Yeah are they said it?

0:45:09.960 --> 0:45:11.719
<v Speaker 2>Yeah, but it was yeah, y'all said about it was

0:45:11.760 --> 0:45:13.680
<v Speaker 2>about three AUTI that was like, your hold on? Is

0:45:13.719 --> 0:45:16.359
<v Speaker 2>this the just the way that county on? Like they

0:45:16.520 --> 0:45:19.320
<v Speaker 2>just they copped I don't I don't want to say copying,

0:45:19.360 --> 0:45:21.759
<v Speaker 2>but influence by it though, you know what I'm saying,

0:45:21.920 --> 0:45:24.520
<v Speaker 2>I like it, you know what I'm saying, Like you

0:45:24.640 --> 0:45:27.360
<v Speaker 2>know that, like going back through something you said earlier

0:45:27.840 --> 0:45:31.080
<v Speaker 2>that early hip hop was a little you know, the

0:45:31.160 --> 0:45:33.480
<v Speaker 2>only template for it was from the East Coast n

0:45:33.680 --> 0:45:35.920
<v Speaker 2>w A had a lot of treacherous three in them

0:45:36.400 --> 0:45:39.000
<v Speaker 2>mm hmm. Had a whole lot of tracks was three

0:45:39.040 --> 0:45:40.759
<v Speaker 2>in them, you know, the whole going back and forth

0:45:40.800 --> 0:45:42.880
<v Speaker 2>and rapping together and stuff. You know, the routines and

0:45:42.920 --> 0:45:45.200
<v Speaker 2>stuff like that. They had a lot of New York

0:45:45.280 --> 0:45:47.440
<v Speaker 2>routines and the stuff, but it was very much its

0:45:47.480 --> 0:45:48.520
<v Speaker 2>West Coast lyrics on it.

0:45:48.600 --> 0:45:52.480
<v Speaker 3>You know, shout out to super Jedi. I'm from the Midwest.

0:45:52.520 --> 0:45:54.520
<v Speaker 1>This ship is fire has nothing to do with West

0:45:54.600 --> 0:45:58.279
<v Speaker 1>Coast bias, a true West Coast. It's the best, like

0:45:58.560 --> 0:46:06.799
<v Speaker 1>Kendrick's best, by far, I would say it, by far

0:46:07.000 --> 0:46:10.920
<v Speaker 1>better than I'm gonna tell you where it beats good kids.

0:46:11.360 --> 0:46:15.000
<v Speaker 1>It beats good kids in sonics because it's a West

0:46:15.440 --> 0:46:18.040
<v Speaker 1>I don't know why you're doing this though, but it's

0:46:18.120 --> 0:46:20.080
<v Speaker 1>not because it's West Yes.

0:46:19.960 --> 0:46:20.680
<v Speaker 5>It is, it's not.

0:46:21.840 --> 0:46:26.879
<v Speaker 1>It's not the Resurrection tough song, every song, every song

0:46:27.040 --> 0:46:30.279
<v Speaker 1>is dope. Who was the artist he was talking about though,

0:46:30.840 --> 0:46:32.839
<v Speaker 1>who's the first artist? The Resurrection was the one where

0:46:32.840 --> 0:46:37.120
<v Speaker 1>he he basically was describing it just got the male

0:46:37.239 --> 0:46:39.280
<v Speaker 1>artist that was from Michigan played the guitar.

0:46:39.400 --> 0:46:40.399
<v Speaker 3>I'm gonna listen to it twice.

0:46:40.400 --> 0:46:43.600
<v Speaker 1>We're gonna double back and hand break because a breakdown

0:46:43.640 --> 0:46:45.920
<v Speaker 1>is more a d h D thing, So we got

0:46:46.040 --> 0:46:48.800
<v Speaker 1>to get into it. But it's more to that to me,

0:46:48.880 --> 0:46:51.560
<v Speaker 1>it's not because it's West Coast. If it was juvenile

0:46:51.600 --> 0:46:54.719
<v Speaker 1>getting with Manny Fresh, it would like if it's right,

0:46:55.160 --> 0:46:58.760
<v Speaker 1>it's not because it's West Coast, it's because it's culturally true.

0:46:59.840 --> 0:47:02.319
<v Speaker 3>I really need to the West Coast culture.

0:47:02.440 --> 0:47:05.560
<v Speaker 1>Because he is from kans supposed godda.

0:47:05.840 --> 0:47:07.799
<v Speaker 2>So you are supposed to say it's the best album too,

0:47:07.880 --> 0:47:09.280
<v Speaker 2>because it's a West coast sanding.

0:47:09.120 --> 0:47:11.759
<v Speaker 1>Now, but every West coast album don't sound good.

0:47:12.080 --> 0:47:13.719
<v Speaker 4>I think the point is kind to get is like

0:47:13.760 --> 0:47:16.719
<v Speaker 4>when when you dial it in and you localize it more,

0:47:18.040 --> 0:47:22.800
<v Speaker 4>you get it becomes there's there's more cultural parts per million,

0:47:23.080 --> 0:47:25.479
<v Speaker 4>you know, to the solution, and opposed to doing something

0:47:25.560 --> 0:47:28.400
<v Speaker 4>that's more naturally branded, it gets a little bit diluted.

0:47:28.480 --> 0:47:30.879
<v Speaker 5>You don't get as much culture for your minute.

0:47:31.320 --> 0:47:33.120
<v Speaker 3>Especially the time when we don't have.

0:47:33.640 --> 0:47:37.560
<v Speaker 1>Everything about hip hop is pasteurizing the modernized, which really

0:47:37.760 --> 0:47:40.720
<v Speaker 1>is not hip hop at all, because if it starts

0:47:40.800 --> 0:47:44.440
<v Speaker 1>being this thing that everybody can do, we stop being special.

0:47:45.760 --> 0:47:49.320
<v Speaker 1>So yes, I'm going to praise a record that sounds

0:47:49.440 --> 0:47:52.920
<v Speaker 1>like culturally correct. It's why we like Larry June. That's

0:47:53.239 --> 0:47:55.239
<v Speaker 1>that's not some sound he made up. That is a

0:47:55.400 --> 0:47:58.200
<v Speaker 1>version of mob music. That's a bay area of fun,

0:47:58.800 --> 0:47:59.880
<v Speaker 1>like a quick question, like.

0:48:01.480 --> 0:48:05.719
<v Speaker 4>Dre did at least to some degree, like the first

0:48:05.800 --> 0:48:12.879
<v Speaker 4>fifty album, Right yeah, Diamond Monster album not necessarily saturated

0:48:12.960 --> 0:48:17.279
<v Speaker 4>with queens quite so much more of a natural landscape,

0:48:18.200 --> 0:48:20.320
<v Speaker 4>generic mega hip hop album.

0:48:20.640 --> 0:48:23.520
<v Speaker 1>He definitely did small things like the tempos were just

0:48:23.600 --> 0:48:27.000
<v Speaker 1>a little slower than the West would be at some because.

0:48:27.920 --> 0:48:31.320
<v Speaker 3>Like, ain't that far apart.

0:48:31.719 --> 0:48:33.960
<v Speaker 1>Like when New York gets really New York is when

0:48:34.000 --> 0:48:37.640
<v Speaker 1>they get hella jazzy. That's that's their pride and joy.

0:48:37.719 --> 0:48:40.600
<v Speaker 1>The jazz breaks, you know, I mean, but they do

0:48:40.760 --> 0:48:42.480
<v Speaker 1>got as much fun, They got as much R and

0:48:42.560 --> 0:48:47.080
<v Speaker 1>B as everybody else in the world. Were a deviation,

0:48:47.640 --> 0:48:50.040
<v Speaker 1>you know, but I do agree with you that, like

0:48:50.600 --> 0:48:53.240
<v Speaker 1>it's time to hear fifty cent with a Queen's producer.

0:48:53.480 --> 0:48:56.399
<v Speaker 1>It's time to hear like if fifty wanted to make

0:48:56.440 --> 0:48:58.600
<v Speaker 1>a new album, I would love to hear Havoc make

0:48:58.719 --> 0:48:59.319
<v Speaker 1>music for him.

0:49:00.120 --> 0:49:04.839
<v Speaker 3>Yeah, that would these shout out to old Dog only

0:49:04.960 --> 0:49:05.800
<v Speaker 3>driven on greatness.

0:49:05.840 --> 0:49:08.480
<v Speaker 1>I like how you flip that? That's player bro Glasses.

0:49:08.520 --> 0:49:10.640
<v Speaker 1>What are your favorite songs off the album so far?

0:49:11.160 --> 0:49:17.280
<v Speaker 1>Wacked Out Murals obviously, Squabble Up, Reincordinated TV off, Dodger

0:49:17.360 --> 0:49:21.720
<v Speaker 1>Blue Pigaboo Hard six album album I named a specific

0:49:21.880 --> 0:49:24.760
<v Speaker 1>so I didn't name Gloria.

0:49:24.840 --> 0:49:27.719
<v Speaker 3>I like it, like I didn't name Hey Now.

0:49:29.160 --> 0:49:33.000
<v Speaker 1>So the Luther song is, but I didn't name it

0:49:33.239 --> 0:49:35.040
<v Speaker 1>because it's not one of my favorite but it is

0:49:35.080 --> 0:49:39.040
<v Speaker 1>an incredible song. And you know what I appreciate to

0:49:39.200 --> 0:49:43.400
<v Speaker 1>me because I know Dot has been projecting. He's trying

0:49:43.440 --> 0:49:46.279
<v Speaker 1>to ascend to his greatest self. So he's projecting it

0:49:46.360 --> 0:49:46.880
<v Speaker 1>out there and.

0:49:46.880 --> 0:49:47.880
<v Speaker 3>Then he's pursuing it.

0:49:48.719 --> 0:49:52.160
<v Speaker 1>But when you hear it musically, in my opinion, right

0:49:52.280 --> 0:49:54.719
<v Speaker 1>you can hear things are forced in there, not as

0:49:54.800 --> 0:49:57.840
<v Speaker 1>smooth songs like Rich Spearit where I feel like the

0:49:57.920 --> 0:50:00.440
<v Speaker 1>hook could have been a little bit more. But he's

0:50:00.520 --> 0:50:04.400
<v Speaker 1>projecting his greatest self internally and then he's pursuing it.

0:50:05.560 --> 0:50:10.520
<v Speaker 1>This is Dot straight up accepting who he is, owning

0:50:10.640 --> 0:50:17.080
<v Speaker 1>it and every last hook comes across perfect you. I

0:50:17.200 --> 0:50:19.360
<v Speaker 1>mean at that deep bro, like they never gave it

0:50:19.440 --> 0:50:21.880
<v Speaker 1>to me. It should have never saved my life. That

0:50:21.960 --> 0:50:25.080
<v Speaker 1>I know that this is what you was, you wanted

0:50:25.640 --> 0:50:28.520
<v Speaker 1>since since you heard mister Morale, sure just what you

0:50:28.640 --> 0:50:30.279
<v Speaker 1>This is what you told him. You told him that

0:50:30.320 --> 0:50:30.520
<v Speaker 1>you know what.

0:50:30.520 --> 0:50:32.480
<v Speaker 2>I'm saying, and then like to get it and to

0:50:32.600 --> 0:50:34.759
<v Speaker 2>get it. And I can see why you're you know

0:50:34.800 --> 0:50:37.840
<v Speaker 2>what I'm saying, You accepting the avenue where you are

0:50:37.840 --> 0:50:39.400
<v Speaker 2>and you loving ave where you are because this is

0:50:39.440 --> 0:50:41.520
<v Speaker 2>what you wanted to hear from him. Though I'm gonna

0:50:41.520 --> 0:50:43.799
<v Speaker 2>say this right here, it must be somewhere because when

0:50:43.840 --> 0:50:46.360
<v Speaker 2>you're for your drop, I was in La when this

0:50:46.560 --> 0:50:48.640
<v Speaker 2>drop right now, I was in l A. Yeah, I'm

0:50:48.719 --> 0:50:49.279
<v Speaker 2>just saying like.

0:50:49.680 --> 0:50:51.680
<v Speaker 1>And that's and that's a great point. Eulphouria is not

0:50:51.800 --> 0:50:54.600
<v Speaker 1>a standard West Coast but I love it. So I

0:50:54.719 --> 0:50:57.520
<v Speaker 1>do love what Dot naturally does and gravitary, I mean,

0:50:57.560 --> 0:50:59.920
<v Speaker 1>I like good kid man city. I am appreciative of

0:51:00.520 --> 0:51:03.560
<v Speaker 1>his understanding of every level of hip hop. And I

0:51:03.600 --> 0:51:05.839
<v Speaker 1>don't want a discredit sound way of creating a sound

0:51:05.880 --> 0:51:10.560
<v Speaker 1>that made TD successful. But I love to hear when

0:51:10.600 --> 0:51:13.080
<v Speaker 1>he fit because again, there is no West Coast sound

0:51:13.200 --> 0:51:16.360
<v Speaker 1>today to a degree, like Mustard sound is the closest.

0:51:16.400 --> 0:51:21.239
<v Speaker 1>But he made something that felt compelling, like culturally it fit.

0:51:22.040 --> 0:51:24.680
<v Speaker 1>Shout out to Sharis another two dollars man, that's Ain't

0:51:24.680 --> 0:51:25.879
<v Speaker 1>you sure I gonna get us some sauce?

0:51:26.239 --> 0:51:29.040
<v Speaker 3>TV off on super Bowl stage is going Yeah.

0:51:29.480 --> 0:51:35.719
<v Speaker 2>That's going crazy. That's gonna be crazy. So how many

0:51:35.719 --> 0:51:37.120
<v Speaker 2>these songs you think gonna be played at the super

0:51:37.160 --> 0:51:39.600
<v Speaker 2>Bowl stage? You feel, well, it's only like twenty minutes,

0:51:39.600 --> 0:51:40.920
<v Speaker 2>so he can't do too much. And I mean like,

0:51:40.960 --> 0:51:42.960
<v Speaker 2>because you know you got to play an old song soup.

0:51:43.360 --> 0:51:45.520
<v Speaker 2>So so I mean I'm trying to think I'm trying

0:51:45.520 --> 0:51:48.000
<v Speaker 2>to get any arena sounding songs became the first song

0:51:48.080 --> 0:51:49.040
<v Speaker 2>is arena sounding song.

0:51:49.120 --> 0:51:51.400
<v Speaker 1>I feel like shout out to lift it. I like

0:51:51.520 --> 0:51:53.759
<v Speaker 1>it more than Damn at the moment. It's better than damn.

0:51:54.239 --> 0:51:56.360
<v Speaker 1>Shout out to all in good kid. Mats City is

0:51:56.440 --> 0:51:59.200
<v Speaker 1>Kendrick's magnus opus. Even if you think this album is better,

0:51:59.280 --> 0:52:02.839
<v Speaker 1>way too early to not true, not at this level.

0:52:03.200 --> 0:52:05.480
<v Speaker 1>At this level, I know too much about records and

0:52:05.560 --> 0:52:05.880
<v Speaker 1>hip hop.

0:52:05.920 --> 0:52:06.719
<v Speaker 3>I got the question for you.

0:52:06.960 --> 0:52:09.319
<v Speaker 1>Sure to have to pursue that thought. I know when

0:52:09.360 --> 0:52:12.319
<v Speaker 1>it's better because I listened to both albums. It's better

0:52:12.560 --> 0:52:18.279
<v Speaker 1>by far. Now that's different. No, I didn't say that.

0:52:19.719 --> 0:52:21.640
<v Speaker 2>Some of this stuff we have to wait and see. Man,

0:52:21.719 --> 0:52:22.120
<v Speaker 2>I think.

0:52:22.040 --> 0:52:28.640
<v Speaker 1>I'm keeping it real. I'm not. Yeah, I'm not Finna

0:52:28.680 --> 0:52:31.520
<v Speaker 1>jump up and says a classic is different, but it's

0:52:31.600 --> 0:52:35.759
<v Speaker 1>some artists like the Fix is scarface classic, but untouchable.

0:52:35.840 --> 0:52:39.439
<v Speaker 1>It is better than the Fix. Classic is about how

0:52:39.680 --> 0:52:42.280
<v Speaker 1>public received and we talked about this, how the public

0:52:42.360 --> 0:52:44.359
<v Speaker 1>receive it, not if it's a great album or if

0:52:44.400 --> 0:52:46.759
<v Speaker 1>it's like does the time and Space open up for

0:52:46.840 --> 0:52:49.040
<v Speaker 1>it to be as great as possible. Do the world

0:52:49.200 --> 0:52:52.399
<v Speaker 1>needed do the world need g n X? I don't

0:52:52.480 --> 0:52:55.919
<v Speaker 1>know that's what creates a classic. You know what I'm saying,

0:52:57.160 --> 0:53:00.719
<v Speaker 1>We'll see you know what I'm saying, we'll see what well.

0:53:00.760 --> 0:53:01.239
<v Speaker 1>I don't think.

0:53:01.280 --> 0:53:01.520
<v Speaker 2>I don't.

0:53:01.600 --> 0:53:03.799
<v Speaker 1>I think whatever great artists do for hip hop, every

0:53:03.840 --> 0:53:06.920
<v Speaker 1>I need a blueprint. Yeah, I needed four hundred degree.

0:53:07.440 --> 0:53:09.759
<v Speaker 1>I needed you know what I mean, Like I needed

0:53:09.840 --> 0:53:10.880
<v Speaker 1>the first Bone album.

0:53:11.600 --> 0:53:12.080
<v Speaker 3>You know what I mean.

0:53:12.160 --> 0:53:15.799
<v Speaker 1>I needed Yate you know, college drop out. You need

0:53:16.000 --> 0:53:19.680
<v Speaker 1>great albums to inspire culture to keep moving forward and

0:53:19.760 --> 0:53:20.359
<v Speaker 1>figuring it out.

0:53:20.480 --> 0:53:22.839
<v Speaker 2>I think classic albums also got to shift culture though, too,

0:53:22.880 --> 0:53:24.719
<v Speaker 2>and I feel like this could possibly do that through

0:53:24.719 --> 0:53:26.560
<v Speaker 2>you know what I'm saying. It could It could bring

0:53:26.640 --> 0:53:29.560
<v Speaker 2>it to the eyes like they was like like people

0:53:29.560 --> 0:53:33.359
<v Speaker 2>were saying back, saying, Yo, the the the PopOut didn't

0:53:33.400 --> 0:53:35.640
<v Speaker 2>do nothing for the for the West, it kept they

0:53:35.719 --> 0:53:38.200
<v Speaker 2>was saying ship like that. I think this album right

0:53:38.280 --> 0:53:41.040
<v Speaker 2>here could possibly you know what I'm saying, it's gonna

0:53:41.080 --> 0:53:42.759
<v Speaker 2>put it onto you know what I'm saying, on to

0:53:42.840 --> 0:53:44.560
<v Speaker 2>the West coast. You know what I'm saying, Like, like

0:53:44.800 --> 0:53:46.680
<v Speaker 2>we listening to the album, like like the Western thing,

0:53:46.800 --> 0:53:51.000
<v Speaker 2>like the okay, yeah, West Coast saying an album right there,

0:53:51.000 --> 0:53:51.560
<v Speaker 2>you know what I'm saying.

0:53:52.200 --> 0:53:56.000
<v Speaker 3>But but again, like you just make the pace of life.

0:53:56.239 --> 0:53:58.960
<v Speaker 1>Like a lot of times we just lazedly referenced something

0:53:59.040 --> 0:54:02.080
<v Speaker 1>as like something sounding or West Coast sounding, but no,

0:54:02.320 --> 0:54:04.880
<v Speaker 1>like really, the only true sound that ever came from

0:54:04.920 --> 0:54:08.000
<v Speaker 1>the West Coast purely is like sunshine.

0:54:08.040 --> 0:54:08.239
<v Speaker 3>Pop.

0:54:08.960 --> 0:54:12.120
<v Speaker 1>Funk is not necessarily a Los Angeles thing. Like we

0:54:12.160 --> 0:54:13.799
<v Speaker 1>didn't get in the funk to late in the game.

0:54:13.920 --> 0:54:16.560
<v Speaker 1>Like who was our first big funk group, The Whispers,

0:54:17.640 --> 0:54:19.600
<v Speaker 1>you know what I'm saying. That's in the eighties when

0:54:19.640 --> 0:54:22.920
<v Speaker 1>they went funk. So it's like Barry White made like

0:54:23.040 --> 0:54:26.239
<v Speaker 1>a kind of a hoop you know, pop disco type

0:54:26.280 --> 0:54:29.040
<v Speaker 1>of thing, R and B. You know what I'm saying.

0:54:29.120 --> 0:54:31.719
<v Speaker 1>So we was late in the funk game. G funk

0:54:31.840 --> 0:54:34.640
<v Speaker 1>defines our funk for the most part. So it's not

0:54:34.800 --> 0:54:37.480
<v Speaker 1>about our sound. It's when the music fits the pace

0:54:37.560 --> 0:54:39.440
<v Speaker 1>of life and you have enough grit on it to

0:54:39.480 --> 0:54:41.759
<v Speaker 1>make it feel like hip hop. Hip hop is all

0:54:41.800 --> 0:54:43.800
<v Speaker 1>about being dirty. That's why Rizzy is one of the

0:54:44.239 --> 0:54:49.040
<v Speaker 1>greatest ever because it's dirty. Shout out to shout out

0:54:49.080 --> 0:54:51.280
<v Speaker 1>to Kelvin. I think I get what g is saying

0:54:51.640 --> 0:54:54.080
<v Speaker 1>it's his best work because he is now pioneering and

0:54:54.160 --> 0:54:55.920
<v Speaker 1>pushing the West Coast sound culture.

0:54:56.239 --> 0:54:59.000
<v Speaker 3>The context is important when calling it his best work.

0:55:00.160 --> 0:55:03.680
<v Speaker 1>No, that's why it's not. That's why because of these reasons.

0:55:03.719 --> 0:55:06.080
<v Speaker 1>It's because the way it sounds is his best work.

0:55:06.560 --> 0:55:12.759
<v Speaker 1>That's why it sounds the way it sounds. It's the opinion, bro, No,

0:55:12.920 --> 0:55:15.440
<v Speaker 1>I don't. You got to stop thinking. You got to

0:55:15.520 --> 0:55:19.080
<v Speaker 1>lead people to their opinion, have an opinion.

0:55:19.120 --> 0:55:20.600
<v Speaker 2>You're getting mad at people because they say it in

0:55:20.800 --> 0:55:21.399
<v Speaker 2>the best work.

0:55:21.800 --> 0:55:22.360
<v Speaker 3>Yeah, I'm not.

0:55:22.400 --> 0:55:25.440
<v Speaker 1>I'm not. It's just I'm not correcting it.

0:55:25.840 --> 0:55:31.319
<v Speaker 3>Damn it ain't you.

0:55:31.360 --> 0:55:34.600
<v Speaker 1>Ain't being a good You not being a good person

0:55:34.680 --> 0:55:36.400
<v Speaker 1>because you let sheep go where they want to go.

0:55:37.120 --> 0:55:42.080
<v Speaker 1>It actually makes what the pieces of they don't know.

0:55:42.400 --> 0:55:42.799
<v Speaker 1>They don't.

0:55:42.880 --> 0:55:44.720
<v Speaker 3>That's not they don't, that's not the profession.

0:55:45.320 --> 0:55:45.719
<v Speaker 1>They don't.

0:55:45.800 --> 0:55:52.319
<v Speaker 3>Just because if you just think, sir, well done, I don't.

0:56:00.000 --> 0:56:01.200
<v Speaker 3>I ain't hate no steak.

0:56:06.640 --> 0:56:08.880
<v Speaker 2>Mistake medium to medium, Well, bro, I don't want my

0:56:08.920 --> 0:56:11.080
<v Speaker 2>mistake a bunch of bloods.

0:56:14.280 --> 0:56:14.759
<v Speaker 1>Playing to you.

0:56:14.880 --> 0:56:16.320
<v Speaker 3>It's not no blood. Stop saying that.

0:56:16.960 --> 0:56:18.360
<v Speaker 2>I don't care what it is, but I don't like

0:56:18.440 --> 0:56:18.840
<v Speaker 2>my mistake.

0:56:20.800 --> 0:56:25.640
<v Speaker 1>Listen, don't this is the problem when we give you

0:56:25.719 --> 0:56:28.920
<v Speaker 1>an opinion because you started saying, well, medium, well, the

0:56:29.000 --> 0:56:30.799
<v Speaker 1>medium is okay with me. I like that. I don't

0:56:31.560 --> 0:56:33.720
<v Speaker 1>asking you what you think or what. So I'm telling

0:56:33.760 --> 0:56:35.880
<v Speaker 1>you how to do it because you obviously are too

0:56:36.000 --> 0:56:37.879
<v Speaker 1>chicken ship to understand how to do it. I've tried

0:56:37.920 --> 0:56:40.680
<v Speaker 1>it that way. I've tried it. I don't like it.

0:56:41.160 --> 0:56:46.920
<v Speaker 1>I don't like it. You will like medium well like

0:56:47.360 --> 0:56:49.160
<v Speaker 1>I do a little bit of well, but I have

0:56:49.239 --> 0:56:50.680
<v Speaker 1>a little bit of pink in it. But I don't

0:56:50.680 --> 0:56:54.120
<v Speaker 1>want mysteak off. I don't want that. You don't.

0:56:54.160 --> 0:56:55.840
<v Speaker 3>You never taste it and you're staring at it.

0:56:56.200 --> 0:56:57.840
<v Speaker 2>I have tasted it before. You have that.

0:56:58.400 --> 0:57:00.600
<v Speaker 1>G Up had a thousand doves stakes for and every

0:57:00.640 --> 0:57:07.239
<v Speaker 1>time I had I've had states would go.

0:57:08.960 --> 0:57:10.320
<v Speaker 3>Exactly wasting his money on that.

0:57:13.520 --> 0:57:15.080
<v Speaker 2>And I'm gonna tell you this, if I'm gonna spend

0:57:15.160 --> 0:57:16.840
<v Speaker 2>that much money on the steak, I'm gonna get that

0:57:16.960 --> 0:57:20.040
<v Speaker 2>mother soup of the way I want it. Not when

0:57:20.080 --> 0:57:22.200
<v Speaker 2>I find you one, I'm gonna say I.

0:57:22.720 --> 0:57:23.960
<v Speaker 1>Would never go nowhere.

0:57:24.600 --> 0:57:26.360
<v Speaker 3>Well, you would not embarrass me in front of the

0:57:26.440 --> 0:57:28.400
<v Speaker 3>chef with your color it.

0:57:30.600 --> 0:57:31.000
<v Speaker 1>Exactly.

0:57:31.120 --> 0:57:32.520
<v Speaker 2>That's why they have different things.

0:57:32.560 --> 0:57:39.360
<v Speaker 1>That's what imbarrassed me. Let me talk.

0:57:39.880 --> 0:57:43.640
<v Speaker 2>That's why they had rare. That's why they had medium, medium,

0:57:43.680 --> 0:57:46.320
<v Speaker 2>well and well done. Because people have choices. If that

0:57:46.480 --> 0:57:48.640
<v Speaker 2>wasn't if it wasn't a palatable choice, it would just

0:57:48.680 --> 0:57:50.880
<v Speaker 2>be like, okay, rare. You wouldn't have a choice of

0:57:51.080 --> 0:57:53.280
<v Speaker 2>like chicken, you order chicken. You can't order a piece

0:57:53.320 --> 0:57:56.960
<v Speaker 2>of medium well chicken. Chicken is just that's the problem.

0:57:57.040 --> 0:57:59.560
<v Speaker 1>Yes, you can. They don't call it that because they

0:57:59.600 --> 0:58:04.480
<v Speaker 1>know you can help me.

0:58:04.880 --> 0:58:06.360
<v Speaker 2>Can you eat chicken meeting whale chicken?

0:58:06.400 --> 0:58:06.520
<v Speaker 4>Bro?

0:58:06.600 --> 0:58:10.680
<v Speaker 1>Have you heard that? No, they don't have that offered,

0:58:10.720 --> 0:58:12.680
<v Speaker 1>but they have to overcooked chicken for people like you

0:58:12.720 --> 0:58:14.200
<v Speaker 1>because you staring at the food.

0:58:14.040 --> 0:58:16.320
<v Speaker 2>Versus you get sick.

0:58:16.360 --> 0:58:16.840
<v Speaker 3>You can die.

0:58:16.960 --> 0:58:17.760
<v Speaker 2>You eat bro chicken.

0:58:18.240 --> 0:58:20.960
<v Speaker 3>You ain't never even met nobody with salmonella in your life.

0:58:21.960 --> 0:58:26.080
<v Speaker 1>You've never even seen it on You been saying that

0:58:26.160 --> 0:58:27.040
<v Speaker 1>ship since.

0:58:27.360 --> 0:58:33.280
<v Speaker 2>You can't eat meatium whale chicken bro chicken that got

0:58:33.320 --> 0:58:35.160
<v Speaker 2>blood on the bone, dog is bad.

0:58:35.080 --> 0:58:37.640
<v Speaker 1>For you though that you're not even true and it's

0:58:37.720 --> 0:58:42.320
<v Speaker 1>not blood. Listen, the correct temperature to cooked chicken is

0:58:42.360 --> 0:58:51.760
<v Speaker 1>to one sixty five. Black people like my point. It

0:58:51.840 --> 0:58:54.800
<v Speaker 1>means the internal temperature, not the internal.

0:58:54.400 --> 0:58:57.480
<v Speaker 3>Temperature is one sixty five. That's safe.

0:58:57.800 --> 0:58:59.920
<v Speaker 1>It's when you get the chicken at this most moist

0:59:00.080 --> 0:59:03.160
<v Speaker 1>and flavorful, you cook the damn flavor of the chicken,

0:59:03.200 --> 0:59:04.840
<v Speaker 1>which is why you got to overseason it.

0:59:06.800 --> 0:59:10.520
<v Speaker 2>I'll bet you brother told you this, man. I eat

0:59:10.600 --> 0:59:11.800
<v Speaker 2>my steaks medium of medium.

0:59:11.800 --> 0:59:14.600
<v Speaker 3>Will you like mediam well and well done?

0:59:16.520 --> 0:59:19.640
<v Speaker 1>You're gonna tell me how to eat myta with you to.

0:59:22.640 --> 0:59:24.800
<v Speaker 3>You, I bet you I'll never take you to no steakhouse.

0:59:24.920 --> 0:59:25.440
<v Speaker 1>You won't let me.

0:59:26.920 --> 0:59:28.200
<v Speaker 2>Steak house. I'm going ahead get.

0:59:30.000 --> 0:59:30.520
<v Speaker 3>Well done.

0:59:30.920 --> 0:59:31.120
<v Speaker 1>Well.

0:59:33.480 --> 0:59:35.320
<v Speaker 2>I don't eat my steak well then I've never had.

0:59:36.400 --> 0:59:45.120
<v Speaker 1>That's after my little cousin Daveon going for the five

0:59:45.200 --> 0:59:46.240
<v Speaker 1>dollars lunch hour.

0:59:46.360 --> 0:59:48.760
<v Speaker 3>We eating good up in here. Get a well done steak.

0:59:49.120 --> 0:59:52.840
<v Speaker 1>That ironically bringing the West Coast party back, which was lacking.

0:59:52.920 --> 0:59:55.320
<v Speaker 1>This is one hundred percent his best album. This got

0:59:55.400 --> 0:59:58.120
<v Speaker 1>the audacity we need it from Dot as well. That's

0:59:58.160 --> 1:00:04.760
<v Speaker 1>another thing this album had. He had another album. This

1:00:05.040 --> 1:00:09.720
<v Speaker 1>album is rushing of audacity, it's bleeding of audacity.

1:00:10.400 --> 1:00:14.440
<v Speaker 3>It's the nerve of this nigga to say that, you

1:00:14.520 --> 1:00:17.200
<v Speaker 3>know why, because it's not over.

1:00:19.560 --> 1:00:22.360
<v Speaker 2>Like the audacity is somebody telling people eat wrong chicken.

1:00:23.880 --> 1:00:25.600
<v Speaker 3>You like a little kid. I'm not gonna talk to

1:00:25.680 --> 1:00:26.919
<v Speaker 3>you about this, man.

1:00:27.080 --> 1:00:28.880
<v Speaker 2>I ain't nothing to talk about, bro. I've never had

1:00:28.920 --> 1:00:30.120
<v Speaker 2>a well done steak in my life.

1:00:30.120 --> 1:00:31.040
<v Speaker 1>I never I live my.

1:00:31.120 --> 1:00:34.200
<v Speaker 3>Five you know, not talking to you about it?

1:00:34.560 --> 1:00:34.880
<v Speaker 1>I think?

1:00:35.480 --> 1:00:37.160
<v Speaker 3>Yeah, still because you first.

1:00:37.240 --> 1:00:40.600
<v Speaker 2>Get you, you don't know what I'm eating there telling

1:00:40.600 --> 1:00:41.280
<v Speaker 2>me I think you have.

1:00:44.400 --> 1:00:46.880
<v Speaker 1>You are like he's about he don't want no blood,

1:00:46.960 --> 1:00:48.360
<v Speaker 1>so you know you ain't no medium.

1:00:50.280 --> 1:00:52.800
<v Speaker 2>I eat my mistakes medium well to well, dog.

1:00:52.960 --> 1:00:54.040
<v Speaker 3>That is done.

1:00:55.480 --> 1:00:59.240
<v Speaker 1>Just say I said medium Will? I said medium well

1:01:00.320 --> 1:01:03.440
<v Speaker 1>to me? Never had.

1:01:05.040 --> 1:01:07.760
<v Speaker 2>Medium medium Well, I've never had well done steak on

1:01:07.800 --> 1:01:12.000
<v Speaker 2>my mom mistake, made a mistake. I mean he must

1:01:12.040 --> 1:01:16.880
<v Speaker 2>be medium medium Well, I would need cook geez, you

1:01:16.960 --> 1:01:18.480
<v Speaker 2>wouldn't need twenty four hours a day.

1:01:18.760 --> 1:01:20.200
<v Speaker 3>I ain't gonna tell me what I do.

1:01:20.600 --> 1:01:23.040
<v Speaker 1>Like you just like me what I do.

1:01:25.640 --> 1:01:27.440
<v Speaker 3>You've been a big brother for twenty years.

1:01:27.920 --> 1:01:30.919
<v Speaker 1>He's from stakes medium will dog like a medium whill.

1:01:31.000 --> 1:01:32.080
<v Speaker 1>There's nothing wrong with that.

1:01:32.480 --> 1:01:35.040
<v Speaker 2>Why is it an option? Why do they have this option?

1:01:35.480 --> 1:01:37.520
<v Speaker 1>Because they know black people coming in and they want

1:01:38.160 --> 1:01:41.960
<v Speaker 1>everybody they want either. No, y'all just the assholes that

1:01:42.080 --> 1:01:45.360
<v Speaker 1>want to force y'all will on people. That's what they need.

1:01:46.360 --> 1:01:49.400
<v Speaker 1>They do, Yes, they do force your will on me.

1:01:49.960 --> 1:01:54.560
<v Speaker 1>That's the problem. You need some of this will, man, No,

1:01:54.720 --> 1:01:56.280
<v Speaker 1>I don't. I'm gonna do what the hell I want to.

1:01:56.320 --> 1:01:56.800
<v Speaker 1>I meant.

1:01:58.240 --> 1:02:00.840
<v Speaker 2>So, you don't know that Rick fries with that mother sucifice.

1:02:00.840 --> 1:02:03.160
<v Speaker 2>Would I want a mashed potatoes or baked potato. I'm

1:02:03.160 --> 1:02:05.000
<v Speaker 2>gonna get me a glass of kool aid and enjoy

1:02:05.160 --> 1:02:09.440
<v Speaker 2>my ship without you, without your interference. That's why nobody

1:02:09.600 --> 1:02:11.919
<v Speaker 2>like you. See, that's the problem. Y'all want to control people.

1:02:12.880 --> 1:02:17.120
<v Speaker 1>Somebody needs some people need to be They don't, man,

1:02:17.320 --> 1:02:21.440
<v Speaker 1>People don't people need to free will that you go

1:02:21.600 --> 1:02:22.439
<v Speaker 1>going up there with gat.

1:02:24.480 --> 1:02:30.520
<v Speaker 2>Sauce A well done steak, bro nobody, I don't know

1:02:30.640 --> 1:02:31.439
<v Speaker 2>well done steak.

1:02:31.520 --> 1:02:33.600
<v Speaker 1>You're seeing something about a well done steak. I don't

1:02:33.600 --> 1:02:38.160
<v Speaker 1>eat steak, well done, medium well to well. I said

1:02:38.280 --> 1:02:39.280
<v Speaker 1>that medium will.

1:02:39.640 --> 1:02:41.320
<v Speaker 2>I made a mistake when I said, well, I don't

1:02:41.400 --> 1:02:45.240
<v Speaker 2>you know, man, I'm about it's time to go anywhere.

1:02:44.880 --> 1:02:46.600
<v Speaker 1>Man's any time to.

1:02:48.440 --> 1:02:49.600
<v Speaker 3>Run from this trying to run.

1:02:52.360 --> 1:02:55.080
<v Speaker 2>I eat my steaks medium or meetium. Well, when I

1:02:55.160 --> 1:02:57.800
<v Speaker 2>went to France, it depends on where I'm going. If

1:02:57.840 --> 1:02:59.720
<v Speaker 2>I'm in La I can order medium steak. But when

1:02:59.720 --> 1:03:01.600
<v Speaker 2>I went the France, I asked him for a medium

1:03:01.720 --> 1:03:03.000
<v Speaker 2>and they brought me some ship to look like he

1:03:03.080 --> 1:03:03.600
<v Speaker 2>was about.

1:03:03.440 --> 1:03:05.640
<v Speaker 1>Grow frenches he was in France.

1:03:06.440 --> 1:03:08.960
<v Speaker 2>Huh did you asking for French fries when you was

1:03:09.000 --> 1:03:11.920
<v Speaker 2>in France? Bro, French ries is not a French thing. Actually, Bro,

1:03:12.000 --> 1:03:14.360
<v Speaker 2>I'm gonna tell you I mashed potatoes, baked potato. But

1:03:14.360 --> 1:03:16.080
<v Speaker 2>if I want to eat French fries, I will. I

1:03:16.200 --> 1:03:18.200
<v Speaker 2>have had a steak with some good French fries. Have

1:03:18.320 --> 1:03:20.520
<v Speaker 2>you ever had a good steak, A good a good

1:03:20.560 --> 1:03:22.800
<v Speaker 2>white U steak with some home field potatoes?

1:03:22.840 --> 1:03:25.560
<v Speaker 3>Boy, I know I well down done?

1:03:26.520 --> 1:03:30.680
<v Speaker 2>No, I don't medium, medium, well, the medium medium to

1:03:30.760 --> 1:03:31.240
<v Speaker 2>medium weight.

1:03:31.280 --> 1:03:32.520
<v Speaker 3>It ain't supposed to be nothing.

1:03:35.320 --> 1:03:36.439
<v Speaker 1>Well then well done?

1:03:37.040 --> 1:03:39.680
<v Speaker 2>A medium will with medium will? Y'all just trying to

1:03:39.760 --> 1:03:41.600
<v Speaker 2>just enforce stuff from people. You know what I'm not,

1:03:42.280 --> 1:03:44.200
<v Speaker 2>y'all are not gonna tell me what I'm gonna do.

1:03:44.480 --> 1:03:49.240
<v Speaker 2>I want to my blood over eighty seven. I'm eating

1:03:49.280 --> 1:03:50.560
<v Speaker 2>what the hell I want to and do what I

1:03:50.640 --> 1:03:53.360
<v Speaker 2>want to. Still, let me ask you a question. So

1:03:53.480 --> 1:03:56.080
<v Speaker 2>when was it a moment like when you listen to

1:03:56.120 --> 1:03:58.720
<v Speaker 2>the album when you realize, Yo, this man doing some

1:03:58.800 --> 1:04:01.520
<v Speaker 2>ship right now, like he cooking up right now. It

1:04:01.720 --> 1:04:05.000
<v Speaker 2>was like, what what moment of the album was it

1:04:05.080 --> 1:04:07.240
<v Speaker 2>the start of the album? Was it a couple of

1:04:07.280 --> 1:04:09.240
<v Speaker 2>songs in when you realized you were listening to something

1:04:09.240 --> 1:04:10.040
<v Speaker 2>special at the time?

1:04:10.680 --> 1:04:10.840
<v Speaker 1>Men?

1:04:10.960 --> 1:04:13.320
<v Speaker 2>You know what, Dog, it kind of started off from

1:04:13.320 --> 1:04:18.160
<v Speaker 2>the beginning of the album at the kind of kind

1:04:18.160 --> 1:04:21.320
<v Speaker 2>of from the beginning, Dog, and you know what, it

1:04:21.480 --> 1:04:23.080
<v Speaker 2>was a couple of songs like I'm gonna tell you

1:04:23.160 --> 1:04:25.120
<v Speaker 2>I like the Luther record. I love the Luther record

1:04:25.200 --> 1:04:27.760
<v Speaker 2>on that right. What I like about the album, man,

1:04:27.880 --> 1:04:30.280
<v Speaker 2>is it got a continuity to it. Man, everything on

1:04:30.400 --> 1:04:32.680
<v Speaker 2>there is good. Now, use certain songs I like better

1:04:32.760 --> 1:04:34.640
<v Speaker 2>than others, but it's a great album.

1:04:34.720 --> 1:04:40.360
<v Speaker 1>Though. The first motherfucker from the first song I'm Gonna

1:04:40.360 --> 1:04:41.400
<v Speaker 1>be real that was.

1:04:41.400 --> 1:04:43.120
<v Speaker 3>The last song that they probably was looking for.

1:04:44.360 --> 1:04:47.400
<v Speaker 2>When I heard Whacked Out Merors, though, I was like,

1:04:47.560 --> 1:04:50.360
<v Speaker 2>this shit is genius, Dog, and it just you know

1:04:50.440 --> 1:04:52.640
<v Speaker 2>what I pictured when I heard Whacked Out Mirrors? What's

1:04:52.720 --> 1:04:54.760
<v Speaker 2>that bridge in that leg that you go over you

1:04:54.840 --> 1:04:57.720
<v Speaker 2>know that little bridge when you're going downtown. Yeah, I

1:04:57.880 --> 1:04:59.880
<v Speaker 2>pictured that whole scene when I it whacked out me

1:05:00.680 --> 1:05:05.200
<v Speaker 2>and it's just that dope, bro. It's a really it's

1:05:05.280 --> 1:05:06.520
<v Speaker 2>Don's greatest work though.

1:05:07.800 --> 1:05:12.000
<v Speaker 1>Shout out to shout out to Kelvin. So this is

1:05:12.160 --> 1:05:15.640
<v Speaker 1>best because it's final evolution. GNX is a culmination of

1:05:16.080 --> 1:05:19.600
<v Speaker 1>section eighty good Kid, Mass City to Bi Butterfly, et cetera. No,

1:05:20.080 --> 1:05:22.920
<v Speaker 1>it's not because of the final evolution, because I'm not

1:05:23.000 --> 1:05:24.680
<v Speaker 1>saying this is still gonna be his best album he

1:05:24.680 --> 1:05:25.160
<v Speaker 1>ever made.

1:05:25.360 --> 1:05:27.600
<v Speaker 3>He still may make a better album than this.

1:05:28.360 --> 1:05:31.880
<v Speaker 1>This is the best album he's ever made because it's

1:05:32.000 --> 1:05:34.680
<v Speaker 1>the culmination of his knowledge of how to do things.

1:05:34.840 --> 1:05:37.480
<v Speaker 3>That's how he was able to make it. It actually

1:05:37.720 --> 1:05:40.520
<v Speaker 3>just worked out, man, I'm gonna tell you.

1:05:41.800 --> 1:05:46.560
<v Speaker 1>Actually, he actually has all the tools and everything the

1:05:46.720 --> 1:05:50.560
<v Speaker 1>knowledge now and he's also claimed his life, you know

1:05:50.600 --> 1:05:50.880
<v Speaker 1>what I mean.

1:05:50.960 --> 1:05:51.680
<v Speaker 3>He's claimed his.

1:05:51.800 --> 1:05:55.160
<v Speaker 1>Life in his rifle places who he is. He understands

1:05:55.240 --> 1:05:58.280
<v Speaker 1>how to be it with with still being itself. To me,

1:05:58.440 --> 1:06:01.200
<v Speaker 1>there were times where Doc felt like or I think

1:06:01.760 --> 1:06:04.360
<v Speaker 1>I never asked my asking, but I felt like he

1:06:04.520 --> 1:06:08.240
<v Speaker 1>thought being a piru meant you had to be something else,

1:06:08.520 --> 1:06:10.920
<v Speaker 1>or being from Compton sometimes mean you have to be

1:06:11.080 --> 1:06:15.040
<v Speaker 1>something else. It's not like Snoop understood it. Ice Ta

1:06:15.160 --> 1:06:18.960
<v Speaker 1>understood it. Being a crip is whatever you decide it is.

1:06:19.120 --> 1:06:19.600
<v Speaker 3>Long as you.

1:06:22.160 --> 1:06:25.280
<v Speaker 1>Ice Tea and Snoop, you can see a cube and

1:06:25.320 --> 1:06:25.600
<v Speaker 1>then too.

1:06:25.680 --> 1:06:26.120
<v Speaker 2>I think.

1:06:28.560 --> 1:06:31.040
<v Speaker 1>Ice Tea, Snoop, if I said that they told you

1:06:31.440 --> 1:06:34.520
<v Speaker 1>what being a crip can be like, you can define

1:06:34.600 --> 1:06:37.440
<v Speaker 1>it the way you want, long as you don't just

1:06:37.560 --> 1:06:41.520
<v Speaker 1>do no booth shit, that's it. That's it. So I

1:06:41.680 --> 1:06:44.800
<v Speaker 1>think where he's at gave him the ability to make

1:06:44.880 --> 1:06:48.080
<v Speaker 1>the best album he's ever made, right but him still

1:06:48.240 --> 1:06:49.840
<v Speaker 1>doing it, it's just him doing it.

1:06:50.000 --> 1:06:51.280
<v Speaker 3>It came together that way.

1:06:53.080 --> 1:06:56.320
<v Speaker 1>Every hook to me, like the nuances as as a

1:06:56.400 --> 1:06:59.560
<v Speaker 1>professional and somebody that's really in love with this ship

1:06:59.640 --> 1:07:00.320
<v Speaker 1>and stuff ud of it.

1:07:01.040 --> 1:07:03.280
<v Speaker 3>I can hear on different songs where it sound.

1:07:03.160 --> 1:07:06.040
<v Speaker 1>Rush like Rich Spear, where the hook kind of is

1:07:06.120 --> 1:07:09.280
<v Speaker 1>a little funny, and I could tell like and I

1:07:09.360 --> 1:07:12.560
<v Speaker 1>figured out why. I think it's all about projecting versus

1:07:12.680 --> 1:07:14.480
<v Speaker 1>this album where everything.

1:07:14.160 --> 1:07:17.479
<v Speaker 3>Is in pocket, like the Luther song, everything is in pocket, Bro.

1:07:17.880 --> 1:07:21.800
<v Speaker 1>Because he's accepted who he is, what he means to

1:07:21.880 --> 1:07:24.400
<v Speaker 1>the game, and he decided I'm here to do it.

1:07:25.720 --> 1:07:28.240
<v Speaker 1>I think the first two albums, like I think the

1:07:28.320 --> 1:07:30.520
<v Speaker 1>first album, it was free and that's why you got

1:07:30.560 --> 1:07:31.439
<v Speaker 1>good Kid, Mess City.

1:07:31.520 --> 1:07:32.880
<v Speaker 3>He was free on the first album.

1:07:33.240 --> 1:07:35.600
<v Speaker 1>That was the culmination of all this work coming together,

1:07:35.760 --> 1:07:39.000
<v Speaker 1>all his experience being on tours, everything we went through

1:07:39.040 --> 1:07:41.720
<v Speaker 1>to get to this point, so you got the freest version.

1:07:42.040 --> 1:07:44.160
<v Speaker 1>I think to pipp A Butterfly, he might have thought

1:07:44.240 --> 1:07:47.160
<v Speaker 1>too much, and I think he was chasing the level

1:07:47.200 --> 1:07:50.080
<v Speaker 1>of sophistication that is naturally in him because he's a

1:07:50.160 --> 1:07:52.360
<v Speaker 1>thought leader. But as you can hear it in the music,

1:07:52.480 --> 1:07:54.400
<v Speaker 1>and it's something that I only want to play twice

1:07:54.400 --> 1:07:57.360
<v Speaker 1>the three times because it is of that type of

1:07:57.440 --> 1:07:59.960
<v Speaker 1>level where you have to kind of pursue what's going on,

1:08:00.360 --> 1:08:02.440
<v Speaker 1>like it's a bunch of ship running around on the

1:08:02.520 --> 1:08:06.720
<v Speaker 1>records right them title which was a collection of his work,

1:08:07.080 --> 1:08:10.919
<v Speaker 1>to damn where he started to me figuring out sonics. Yeah,

1:08:11.680 --> 1:08:14.000
<v Speaker 1>that was a big argument of him, you know, making

1:08:14.040 --> 1:08:16.679
<v Speaker 1>an US album, don't make this ship that you've been making,

1:08:16.800 --> 1:08:20.280
<v Speaker 1>make it sound like humble, you know, make the sonics

1:08:20.320 --> 1:08:23.439
<v Speaker 1>fit humble. And I think he came to an arrival

1:08:23.560 --> 1:08:27.040
<v Speaker 1>with Damn on Sonics, but it didn't have the story

1:08:27.120 --> 1:08:28.840
<v Speaker 1>element that he had in.

1:08:28.920 --> 1:08:33.360
<v Speaker 3>The first one untitled album because he's that nigga. He

1:08:33.400 --> 1:08:35.920
<v Speaker 3>that nigga dope, that little nigga dope, that little nigga

1:08:35.920 --> 1:08:37.320
<v Speaker 3>get busy. I ain't gonna front on him.

1:08:38.680 --> 1:08:40.759
<v Speaker 2>He ain't put on no trash album everything.

1:08:42.880 --> 1:08:45.680
<v Speaker 1>And then they then then you have the you have

1:08:45.800 --> 1:08:48.600
<v Speaker 1>the Black Panther joint, which is for a film, so

1:08:48.680 --> 1:08:51.120
<v Speaker 1>there's certain records we would never play, like he has

1:08:51.200 --> 1:08:54.320
<v Speaker 1>to make the biggest records for the audience, right, and

1:08:54.439 --> 1:08:57.960
<v Speaker 1>then during the pandemic, we get missed him. Morale to me,

1:08:58.080 --> 1:09:00.680
<v Speaker 1>which sounds that shit sounded like cash scratching paper a

1:09:00.760 --> 1:09:02.439
<v Speaker 1>lot of times to me, you know what I mean.

1:09:02.479 --> 1:09:04.760
<v Speaker 1>Where it's like like I could tell he was going

1:09:04.800 --> 1:09:07.080
<v Speaker 1>through therapy, was trying to figure out who he was

1:09:07.479 --> 1:09:09.439
<v Speaker 1>as a person. So like he had just went through

1:09:09.439 --> 1:09:12.280
<v Speaker 1>a lot of ship with the success of Damn. You know,

1:09:12.560 --> 1:09:15.080
<v Speaker 1>maybe he messing with more girls. You know, he's starting

1:09:15.120 --> 1:09:18.160
<v Speaker 1>to see like being a star, and I think he

1:09:18.240 --> 1:09:20.880
<v Speaker 1>didn't quite know if he wanted to do it, you

1:09:20.920 --> 1:09:23.679
<v Speaker 1>know what I mean. And then I think mister Morale

1:09:24.120 --> 1:09:26.559
<v Speaker 1>showed you that it was like, yeah, don know, these

1:09:26.600 --> 1:09:30.000
<v Speaker 1>streets look crazy to me right now. He even had

1:09:30.080 --> 1:09:32.920
<v Speaker 1>criticism about culture. I'm like, that's not true, Like that's

1:09:32.960 --> 1:09:34.160
<v Speaker 1>not how we feel about things.

1:09:34.800 --> 1:09:37.120
<v Speaker 2>So I think he's I think he I think this

1:09:37.240 --> 1:09:39.280
<v Speaker 2>is his most honest album too, like the stuff he

1:09:39.400 --> 1:09:41.799
<v Speaker 2>said about black Kippie, Like when you said black Kippie

1:09:41.800 --> 1:09:45.360
<v Speaker 2>didn't work, because it was kind of like one of

1:09:45.400 --> 1:09:47.439
<v Speaker 2>the moments man, where I think he was just letting

1:09:47.479 --> 1:09:49.759
<v Speaker 2>alether stuff. I think this is the most honest album.

1:09:49.800 --> 1:09:52.280
<v Speaker 2>I think that's what hit feels, that his best is honest.

1:09:52.479 --> 1:09:56.200
<v Speaker 2>So somebody had broke down, Yeah, broke down one time

1:09:56.280 --> 1:09:59.320
<v Speaker 2>that that each one of his each one of kendrick

1:09:59.360 --> 1:10:02.000
<v Speaker 2>albums was it was a form of publication or whatever

1:10:02.000 --> 1:10:03.679
<v Speaker 2>the way they said they take. Like the first album

1:10:04.200 --> 1:10:08.519
<v Speaker 2>it was a movie, The second album was a was poetry,

1:10:08.640 --> 1:10:12.040
<v Speaker 2>was a poem. The third album was like a magazine,

1:10:12.160 --> 1:10:16.000
<v Speaker 2>like a mag magazine publication, and mister moral posted been

1:10:16.040 --> 1:10:18.920
<v Speaker 2>like a player like that what you think this album

1:10:18.920 --> 1:10:19.360
<v Speaker 2>is supposed to?

1:10:19.479 --> 1:10:20.800
<v Speaker 3>I don't even understand that thought.

1:10:20.840 --> 1:10:24.240
<v Speaker 1>Whoever, those people beak there they be, they be looking

1:10:24.280 --> 1:10:26.320
<v Speaker 1>at this and ship it is what it was though

1:10:26.479 --> 1:10:27.360
<v Speaker 1>it is what it was, though.

1:10:27.479 --> 1:10:30.320
<v Speaker 3>Shout out to mark Gear, thank you for the ten dollars. Man,

1:10:30.360 --> 1:10:31.320
<v Speaker 3>we're eating good today.

1:10:31.320 --> 1:10:34.040
<v Speaker 1>We're gonna actually get stakesy were not buying one steal

1:10:34.200 --> 1:10:36.960
<v Speaker 1>ship because he wanted well or meeting well, so we not.

1:10:38.520 --> 1:10:39.720
<v Speaker 2>Man ain't you know.

1:10:42.040 --> 1:10:45.720
<v Speaker 1>I can't hear you. I can't hear you. I thank you.

1:10:47.520 --> 1:10:49.600
<v Speaker 1>Shout out to mark Gear for the ten dollars. I

1:10:49.800 --> 1:10:52.080
<v Speaker 1>listen later, but just want to contribute to the celebration.

1:10:52.240 --> 1:10:53.000
<v Speaker 3>And that's what it is.

1:10:53.160 --> 1:10:56.040
<v Speaker 2>Man marked this on on Twitter.

1:10:56.479 --> 1:10:59.759
<v Speaker 3>Yes, Mark on Twitter. Sure tomorrow show tomorrow.

1:11:00.280 --> 1:11:03.000
<v Speaker 1>We thank you. G People don't understand what quality food is.

1:11:03.080 --> 1:11:04.240
<v Speaker 1>Still it's one of those people.

1:11:06.280 --> 1:11:09.519
<v Speaker 2>I've I've eaten the finest restaurants around the world. I

1:11:09.600 --> 1:11:13.280
<v Speaker 2>eat my steaks medium to medium. Well, that's my If

1:11:13.320 --> 1:11:15.040
<v Speaker 2>you want to throw your steak on the ground and

1:11:15.360 --> 1:11:16.280
<v Speaker 2>step on it, you can't.

1:11:16.360 --> 1:11:17.040
<v Speaker 3>It's yours, you be.

1:11:19.640 --> 1:11:20.200
<v Speaker 1>I want you.

1:11:20.720 --> 1:11:24.320
<v Speaker 2>I've dined in the finest establishments around the world, and

1:11:24.479 --> 1:11:26.639
<v Speaker 2>not myself in a stellar chef myself.

1:11:26.680 --> 1:11:30.479
<v Speaker 1>I'm a real chef. You're a real chef. Hell yeah,

1:11:30.479 --> 1:11:34.000
<v Speaker 1>I know how to cook like a mother. You still

1:11:34.080 --> 1:11:36.240
<v Speaker 1>over there eating well done steak, laughing out loud.

1:11:36.320 --> 1:11:37.639
<v Speaker 2>Yes, I've never had.

1:11:39.520 --> 1:11:45.720
<v Speaker 1>You're going to. I do not eat we mix, you.

1:11:45.880 --> 1:11:47.800
<v Speaker 3>Crash out of your cares, touch your potatoes.

1:11:49.000 --> 1:11:51.120
<v Speaker 2>No, I wouldn't do that. I wouldn't crash. Actually mix

1:11:51.160 --> 1:11:52.880
<v Speaker 2>a little bit of my cares and pizza. My mash

1:11:52.880 --> 1:11:57.240
<v Speaker 2>potatoes tastes very good. And I eat my steaks age

1:11:57.760 --> 1:12:00.800
<v Speaker 2>like a good Age steak. I've had ye you will

1:12:00.840 --> 1:12:03.360
<v Speaker 2>from chapinion. I've actually been in Tokyo eating the best

1:12:03.400 --> 1:12:06.360
<v Speaker 2>steak in the world. Man, stuff has touched my pailert

1:12:06.400 --> 1:12:07.880
<v Speaker 2>that a lot of people never get to taste. They

1:12:07.880 --> 1:12:10.320
<v Speaker 2>ain't me bragging, that's just me flexed. I know how

1:12:10.360 --> 1:12:10.880
<v Speaker 2>to eat steak.

1:12:11.840 --> 1:12:15.639
<v Speaker 1>No, you don't, Frank shout out to my brother Frank.

1:12:15.760 --> 1:12:18.519
<v Speaker 1>That title the Longe whacked out Mirrors. That's an important

1:12:18.520 --> 1:12:21.320
<v Speaker 1>point too. Spelling it with two seeds comped the crypt.

1:12:21.720 --> 1:12:24.320
<v Speaker 1>That's how we spell like day man, you don't put

1:12:24.360 --> 1:12:26.320
<v Speaker 1>the k behind the sea. So the spell of two

1:12:26.400 --> 1:12:29.880
<v Speaker 1>seeds and being that he's like from the pirroot side

1:12:29.880 --> 1:12:34.680
<v Speaker 1>of town. That was brilliant, right and again, man like

1:12:34.960 --> 1:12:38.519
<v Speaker 1>the cultural relevance of this album. As I keep digging

1:12:38.600 --> 1:12:41.240
<v Speaker 1>for it, I'm sure it's gonna be special. Shout out

1:12:41.240 --> 1:12:44.559
<v Speaker 1>to Dj Draski for five dollars, man, we appreciate that, brother.

1:12:44.920 --> 1:12:48.200
<v Speaker 1>We can good. We will not get steal any snake

1:12:48.280 --> 1:12:50.200
<v Speaker 1>with this money. I promise you we will not let

1:12:50.320 --> 1:12:52.160
<v Speaker 1>him disrespect the steak again in life.

1:12:53.760 --> 1:12:55.360
<v Speaker 2>I'm gonna I'm gonna steal it and go buy a

1:12:55.439 --> 1:12:57.160
<v Speaker 2>bunch of medium whale steaks. Laugh.

1:12:57.760 --> 1:13:01.679
<v Speaker 1>Mh name brand and this album got a coolio. Gangs's

1:13:01.720 --> 1:13:04.200
<v Speaker 1>Paradise feel crucial for La. I say it is true,

1:13:05.000 --> 1:13:10.400
<v Speaker 1>it does does? It really does. Shout out to Kivy.

1:13:10.439 --> 1:13:12.840
<v Speaker 1>What's happening to Kivi? God lost his mind on his

1:13:12.960 --> 1:13:15.160
<v Speaker 1>album and kept it all the way LA. Crazy thing is.

1:13:15.280 --> 1:13:18.000
<v Speaker 1>I don't think he's done five dollars. People keep saying that.

1:13:18.720 --> 1:13:20.679
<v Speaker 1>They keep saying he got another album. Man, I hope

1:13:20.720 --> 1:13:23.280
<v Speaker 1>he put out as much music as y'all want from him.

1:13:23.640 --> 1:13:26.280
<v Speaker 1>I want him to supply y'all with so much of this.

1:13:26.400 --> 1:13:28.800
<v Speaker 1>Where he's at right now, I think it's a phenomenal

1:13:28.880 --> 1:13:32.840
<v Speaker 1>space for a talent in hip hop. I think he

1:13:33.000 --> 1:13:36.080
<v Speaker 1>going to he can deliver a lot of incredible music,

1:13:36.160 --> 1:13:38.000
<v Speaker 1>but that's up to him. I think y'all have to

1:13:38.080 --> 1:13:41.200
<v Speaker 1>appreciate the work that these artists are putting out and

1:13:41.320 --> 1:13:45.360
<v Speaker 1>keep it moving. You can't think it's always going to happen,

1:13:46.040 --> 1:13:47.800
<v Speaker 1>you know what I mean, Like you may not get

1:13:47.840 --> 1:13:50.479
<v Speaker 1>another one. Like people got other parts of the life

1:13:50.520 --> 1:13:52.920
<v Speaker 1>that you know they want to live. Shout out to

1:13:53.000 --> 1:13:56.000
<v Speaker 1>Kevin with the context. I can't disagree his artistry click

1:13:56.120 --> 1:13:58.519
<v Speaker 1>in being true to who he is and serving his

1:13:58.640 --> 1:14:00.320
<v Speaker 1>purpose as one of the biggest in the game.

1:14:00.800 --> 1:14:03.719
<v Speaker 3>Totally agree. Shout out to Amber Walls.

1:14:03.840 --> 1:14:06.840
<v Speaker 1>I think he sounds very confident, comfortable and manly on

1:14:06.960 --> 1:14:09.640
<v Speaker 1>his album, like he's truly reached his knowledge itself. I

1:14:09.760 --> 1:14:12.200
<v Speaker 1>just I agree, Imbert, That's what I was saying. I

1:14:12.360 --> 1:14:18.800
<v Speaker 1>Think again with I Think Again with mister Morale, he

1:14:19.000 --> 1:14:21.000
<v Speaker 1>was trying to find himself. I think he had went

1:14:21.040 --> 1:14:23.679
<v Speaker 1>through a different journey because of the success of Damn

1:14:24.200 --> 1:14:29.280
<v Speaker 1>and Damn and the film soundtrack things changing his life,

1:14:30.160 --> 1:14:31.200
<v Speaker 1>like way more than.

1:14:31.120 --> 1:14:32.080
<v Speaker 3>Good Kid Mass City.

1:14:32.320 --> 1:14:35.479
<v Speaker 1>While Good Kid Mass City were successful and platinum albums,

1:14:35.520 --> 1:14:39.800
<v Speaker 1>and to Pimper Butterfly. I remember seeing Dot in Cleveland

1:14:40.400 --> 1:14:43.920
<v Speaker 1>in twenty fifteen doing the House of Blues. So this

1:14:44.120 --> 1:14:47.240
<v Speaker 1>is him after having a platinum or double platinum album

1:14:48.240 --> 1:14:51.760
<v Speaker 1>right in Good Kid Mass City and him having a

1:14:51.920 --> 1:14:54.320
<v Speaker 1>successful run, which I think at that time it was

1:14:54.439 --> 1:14:56.880
<v Speaker 1>platinum to Pepper Butterfly, and he's at the House of

1:14:56.960 --> 1:15:02.000
<v Speaker 1>Blues on two platinum albums. He's at the House of

1:15:02.040 --> 1:15:05.240
<v Speaker 1>Blues in Cleveland, and I'm like, like, this is where

1:15:05.560 --> 1:15:09.120
<v Speaker 1>like Dom Kennedy. So I think he even though he

1:15:09.280 --> 1:15:12.360
<v Speaker 1>was successful at that time based off industry standards and

1:15:12.439 --> 1:15:14.320
<v Speaker 1>real standards, he wasn't.

1:15:14.160 --> 1:15:16.800
<v Speaker 3>Quite the superstar. He was ahead, you know, going to be.

1:15:17.960 --> 1:15:21.519
<v Speaker 3>But I think when Damn and the Black Panther soundtrack happened,

1:15:21.560 --> 1:15:22.160
<v Speaker 3>he had hit.

1:15:23.360 --> 1:15:23.920
<v Speaker 1>It was over.

1:15:24.240 --> 1:15:26.519
<v Speaker 3>He really hit superstar status, so then he had to

1:15:26.600 --> 1:15:28.439
<v Speaker 3>deal with being a star.

1:15:29.960 --> 1:15:34.400
<v Speaker 1>See's been able to hide now that point, he had

1:15:34.439 --> 1:15:38.920
<v Speaker 1>to be a star. So I think it's important to

1:15:39.000 --> 1:15:43.000
<v Speaker 1>realize him coming out of that and you know, family,

1:15:43.439 --> 1:15:43.880
<v Speaker 1>you know what I mean.

1:15:44.160 --> 1:15:44.720
<v Speaker 3>He got a girl.

1:15:44.720 --> 1:15:47.080
<v Speaker 1>You been with this girl since you know, he's a kid.

1:15:47.800 --> 1:15:50.120
<v Speaker 1>He been within it this whole time, so I think

1:15:50.160 --> 1:15:51.720
<v Speaker 1>there were things he was going to have to deal with.

1:15:51.960 --> 1:15:53.760
<v Speaker 1>It was a life that was going to rush him,

1:15:53.760 --> 1:15:55.720
<v Speaker 1>and it rushed him, and I think he had to

1:15:55.880 --> 1:15:58.960
<v Speaker 1>really get itself together, which is why I believe when

1:15:59.000 --> 1:16:05.000
<v Speaker 1>you listen to mister Morale, it sounded like he had

1:16:05.040 --> 1:16:08.879
<v Speaker 1>went to therapy. It sounds like it he was addressing

1:16:08.960 --> 1:16:11.640
<v Speaker 1>a lot of issues. Maybe that album was even therapeutic

1:16:11.720 --> 1:16:15.360
<v Speaker 1>for him because he was dealing with that curve around,

1:16:16.040 --> 1:16:18.400
<v Speaker 1>you know, coming from that type of success. And then

1:16:18.600 --> 1:16:20.519
<v Speaker 1>even on Mister Morale, it didn't sound like he was

1:16:20.600 --> 1:16:24.519
<v Speaker 1>quite sure this is what he wanted to do anymore. Yeah,

1:16:24.840 --> 1:16:31.360
<v Speaker 1>like or like yes, yes, And I think there was

1:16:31.400 --> 1:16:33.599
<v Speaker 1>a time where he wasn't quite sure what he wanted

1:16:33.600 --> 1:16:35.599
<v Speaker 1>to do now getting I didn't ask him, I'll ask him.

1:16:35.880 --> 1:16:38.320
<v Speaker 1>I'll ask him when I seen or talk to him

1:16:38.320 --> 1:16:40.920
<v Speaker 1>about it. But I think there was a question in

1:16:41.040 --> 1:16:44.120
<v Speaker 1>his mind. And I don't think he was that inspired

1:16:45.439 --> 1:16:49.240
<v Speaker 1>until them niggas start fucking with him, and they.

1:16:50.840 --> 1:16:52.600
<v Speaker 3>And it ain't nothing like a fight to make you

1:16:52.720 --> 1:16:53.519
<v Speaker 3>remember who you are.

1:16:54.600 --> 1:16:57.519
<v Speaker 1>Ain't nothing like a squabble, pete to make you get

1:16:57.600 --> 1:17:00.559
<v Speaker 1>your juices flowing, like, oh my god, I know to dance.

1:17:02.040 --> 1:17:03.240
<v Speaker 2>But he said that one of them, he said once

1:17:03.280 --> 1:17:05.280
<v Speaker 2>so he said, he said, you have a squirreal and

1:17:05.360 --> 1:17:09.080
<v Speaker 2>they had to do three more after that. Yeah, So,

1:17:09.320 --> 1:17:10.200
<v Speaker 2>like I think.

1:17:11.560 --> 1:17:14.599
<v Speaker 1>The Drake b so shout out to all the Drake fans,

1:17:14.720 --> 1:17:19.000
<v Speaker 1>all the parliaments. The parliament. That's what they call the

1:17:19.080 --> 1:17:22.200
<v Speaker 1>group of owls, the parliament, the parliament of owls. Shout

1:17:22.240 --> 1:17:25.360
<v Speaker 1>out to the parliament. They always make a joke. Yeah,

1:17:25.360 --> 1:17:27.960
<v Speaker 1>a group of ours, A group of crows is called

1:17:27.960 --> 1:17:30.800
<v Speaker 1>a murder of crows. A group of owls is called

1:17:30.840 --> 1:17:36.040
<v Speaker 1>a parliament. Shout out to the parliament because they always

1:17:36.080 --> 1:17:37.160
<v Speaker 1>be like, he inspired him?

1:17:37.400 --> 1:17:37.840
<v Speaker 3>He did.

1:17:39.080 --> 1:17:43.960
<v Speaker 1>You inspired your death, That's what happened. You inspired your

1:17:44.080 --> 1:17:47.560
<v Speaker 1>fucking death. Sometimes you gotta shut the fuck up and

1:17:47.720 --> 1:17:51.400
<v Speaker 1>let sleeping dolls lide, because if you don't, you will

1:17:51.479 --> 1:17:57.000
<v Speaker 1>wake up a fucking monster. Did you hear a future response?

1:17:57.960 --> 1:17:58.000
<v Speaker 6>No?

1:17:58.120 --> 1:17:58.479
<v Speaker 3>Out of here?

1:17:59.280 --> 1:18:00.559
<v Speaker 1>So future got the GQ.

1:18:01.400 --> 1:18:03.439
<v Speaker 3>I've seen that they ask the future.

1:18:03.560 --> 1:18:07.640
<v Speaker 1>So I think idiots at I think he's like a

1:18:07.720 --> 1:18:10.000
<v Speaker 1>brilliant musician, but everything in life, I've never.

1:18:09.960 --> 1:18:12.519
<v Speaker 3>Seen nothing that makes me think he was just wow.

1:18:12.640 --> 1:18:14.120
<v Speaker 1>He was like he was like.

1:18:15.960 --> 1:18:18.720
<v Speaker 2>It was a beech going on what he said. Man,

1:18:18.760 --> 1:18:21.360
<v Speaker 2>I felt like I when he said the Big three

1:18:21.520 --> 1:18:25.599
<v Speaker 2>is just me? Shot at me, at me. I ain't

1:18:25.640 --> 1:18:27.160
<v Speaker 2>think nothing about draking nobody like that.

1:18:29.720 --> 1:18:32.120
<v Speaker 1>Shout out to every Day pay Day. G k m

1:18:32.240 --> 1:18:34.599
<v Speaker 1>C was literally titled the short film by Kendrick Lamar,

1:18:34.720 --> 1:18:35.679
<v Speaker 1>we ain't reaching Glasses.

1:18:35.720 --> 1:18:37.360
<v Speaker 3>It is true. I don't think you're reaching.

1:18:37.400 --> 1:18:39.599
<v Speaker 1>I actually know why that's the short film Nigga because

1:18:39.600 --> 1:18:41.560
<v Speaker 1>I made a short film that I gave him that

1:18:41.840 --> 1:18:45.920
<v Speaker 1>inspired that short film Nigga Beach Cruiser, the original Beach Cruser.

1:18:46.560 --> 1:18:47.360
<v Speaker 3>So yeah, I know that.

1:18:47.840 --> 1:18:50.320
<v Speaker 1>I know what it is, but I don't know how

1:18:50.600 --> 1:18:52.920
<v Speaker 1>the other people see it, like because they break down

1:18:53.000 --> 1:18:55.040
<v Speaker 1>dots ship, I don't quite know what's going into it.

1:18:55.080 --> 1:18:56.280
<v Speaker 1>I'm not asking him.

1:18:58.360 --> 1:19:00.960
<v Speaker 3>One team on the GM next tour ship. Maybe we

1:19:01.080 --> 1:19:02.080
<v Speaker 3>get this, Douce.

1:19:04.600 --> 1:19:07.760
<v Speaker 2>This even if you're telling lives on mean Glass is

1:19:07.800 --> 1:19:10.639
<v Speaker 2>a probably drop the best album on the West Coast.

1:19:10.880 --> 1:19:18.760
<v Speaker 2>Glasses got some coold ship. We're talking about about the

1:19:18.840 --> 1:19:21.000
<v Speaker 2>stuff you was telling me last ye stuff were talking

1:19:21.000 --> 1:19:21.680
<v Speaker 2>about last night.

1:19:21.720 --> 1:19:22.439
<v Speaker 3>What is that going on?

1:19:23.080 --> 1:19:25.160
<v Speaker 1>So that's that's so my goal is to drop a

1:19:25.240 --> 1:19:29.439
<v Speaker 1>project a week. Well okay, so no song, a song

1:19:29.479 --> 1:19:35.320
<v Speaker 1>a week, but this is what happened, right, Uh So

1:19:35.800 --> 1:19:37.719
<v Speaker 1>I'm gonna share something with y'all. Shout out to everybody

1:19:37.760 --> 1:19:39.479
<v Speaker 1>that's an artist in the chat, Shout out to everybody's

1:19:39.479 --> 1:19:40.840
<v Speaker 1>a fan of hip hop and the Chat, because I

1:19:40.920 --> 1:19:43.360
<v Speaker 1>believe y'all are here because y'all like hip hop to

1:19:43.439 --> 1:19:47.000
<v Speaker 1>some real degree. I think what's happening in the record space.

1:19:47.000 --> 1:19:48.960
<v Speaker 1>Shout out to Dot if he in the chat, you know,

1:19:49.000 --> 1:19:52.320
<v Speaker 1>I mean, shout out to everybody. I'm proud of you,

1:19:52.760 --> 1:19:54.640
<v Speaker 1>like you did what you're supposed to do, you know,

1:19:54.680 --> 1:20:00.760
<v Speaker 1>I mean. I think the way we make records is

1:20:00.840 --> 1:20:04.559
<v Speaker 1>based off a ninety year idea. The technology that's called

1:20:04.600 --> 1:20:08.799
<v Speaker 1>a seven inch forty five a vinyl. The vinyl became

1:20:08.920 --> 1:20:12.880
<v Speaker 1>how most everyday people was able to play music at home.

1:20:12.960 --> 1:20:15.040
<v Speaker 1>Before that, you had to go out to hear music,

1:20:15.080 --> 1:20:16.720
<v Speaker 1>you had to hear it live, or you had to

1:20:16.800 --> 1:20:20.280
<v Speaker 1>go somewhere where music was at. The technology that's the

1:20:20.360 --> 1:20:25.040
<v Speaker 1>seven inch forty five created the access to music for

1:20:25.160 --> 1:20:29.719
<v Speaker 1>the everyday Joe at home. That also created the formula

1:20:29.920 --> 1:20:34.760
<v Speaker 1>that we make records with hooks versus bridges. Catchy ideas, right,

1:20:34.840 --> 1:20:38.240
<v Speaker 1>because the technology and the costs. Remember they came out

1:20:38.280 --> 1:20:40.920
<v Speaker 1>with a twelve inch vinyl at the same time as

1:20:40.960 --> 1:20:44.120
<v Speaker 1>a seven inch, but because we were in a depression.

1:20:44.520 --> 1:20:47.200
<v Speaker 1>Shout out to Herbert Hoover, who is the second least

1:20:47.400 --> 1:20:51.240
<v Speaker 1>experience when it comes to politician behind our current or

1:20:51.720 --> 1:20:54.920
<v Speaker 1>our president. As far as January twentieth, the only person

1:20:54.960 --> 1:20:59.160
<v Speaker 1>who has less experienced than Trump at being a president

1:20:59.320 --> 1:21:03.760
<v Speaker 1>is Herbert Hoover. Well. Ironically, during that time, the United

1:21:03.800 --> 1:21:06.400
<v Speaker 1>States of America went through the Great Depression, this is

1:21:06.439 --> 1:21:11.040
<v Speaker 1>twenty nine to thirty four, and the industry they figured

1:21:11.080 --> 1:21:13.599
<v Speaker 1>out records and they realized that they needed to make

1:21:13.720 --> 1:21:17.040
<v Speaker 1>records priced for people. So that's why the seven is

1:21:17.120 --> 1:21:21.200
<v Speaker 1>forty five because of the price. Well, the business, the

1:21:21.280 --> 1:21:24.960
<v Speaker 1>commerce behind it, you know what I mean, created why

1:21:25.080 --> 1:21:27.760
<v Speaker 1>we got the record in the first place. It was affordable,

1:21:28.120 --> 1:21:32.040
<v Speaker 1>and then the technology inspired the catchiness of everything we hear,

1:21:32.120 --> 1:21:35.760
<v Speaker 1>the creativity. Those were the boundaries five minutes on three

1:21:36.120 --> 1:21:38.400
<v Speaker 1>to five minutes on each side of the vinyl, So

1:21:38.520 --> 1:21:41.280
<v Speaker 1>you had to make records in that space. Before that,

1:21:41.400 --> 1:21:44.320
<v Speaker 1>you had phonographs. They were ten to twenty minutes long.

1:21:44.800 --> 1:21:47.040
<v Speaker 1>So there weren't no catching. There was no hit records

1:21:47.120 --> 1:21:51.440
<v Speaker 1>before it, right, So I say that to say that inspired,

1:21:52.320 --> 1:21:55.280
<v Speaker 1>right the industry. We know, it built the record business,

1:21:55.360 --> 1:21:57.960
<v Speaker 1>It built radio, it built record companies, it built MTV.

1:21:58.479 --> 1:22:02.160
<v Speaker 1>The record that technology and that inspiration behind that technology

1:22:02.439 --> 1:22:08.080
<v Speaker 1>what it created art, Well, that's changed. That's changed right

1:22:08.200 --> 1:22:12.240
<v Speaker 1>now with streaming apps, there's new borders, there's new parameters,

1:22:12.360 --> 1:22:16.240
<v Speaker 1>there's new margins, not only from a time space, but

1:22:16.439 --> 1:22:21.800
<v Speaker 1>even from a commercial monetization space. And my goal is

1:22:21.920 --> 1:22:25.760
<v Speaker 1>to push the boundaries to see what happens creatively when

1:22:25.800 --> 1:22:29.479
<v Speaker 1>I do it. You know what I'm saying, Like, push

1:22:29.600 --> 1:22:34.200
<v Speaker 1>it based off these boundaries, based off this commercial opportunity,

1:22:34.760 --> 1:22:39.760
<v Speaker 1>the economic opportunities, right, and create in that space and

1:22:39.840 --> 1:22:42.760
<v Speaker 1>see what the records sound like. That's how we got

1:22:42.840 --> 1:22:46.479
<v Speaker 1>the hit record. So because I figured out a few

1:22:46.600 --> 1:22:49.000
<v Speaker 1>styles to do it, my goal was to deliver a

1:22:49.160 --> 1:22:52.639
<v Speaker 1>record every week next year until y'all get the picture

1:22:52.720 --> 1:22:56.559
<v Speaker 1>of what's the possibilities in the current landscape of hip

1:22:56.600 --> 1:23:00.720
<v Speaker 1>hop or just record making. All right.

1:23:00.840 --> 1:23:03.080
<v Speaker 2>So I feel like when you when you were saying

1:23:03.120 --> 1:23:07.320
<v Speaker 2>to think about the records, so I think they what

1:23:07.400 --> 1:23:11.160
<v Speaker 2>they took away was the it was was making the

1:23:11.240 --> 1:23:13.160
<v Speaker 2>music an item, you know what I'm saying. So it's

1:23:13.240 --> 1:23:16.559
<v Speaker 2>like it's like when they once they made it into streams,

1:23:16.560 --> 1:23:19.519
<v Speaker 2>it's no longer you physically having that that item in

1:23:19.600 --> 1:23:21.840
<v Speaker 2>your hand like that. So so the value of the

1:23:21.960 --> 1:23:24.080
<v Speaker 2>you know what I'm saying, that the value of it

1:23:24.479 --> 1:23:26.479
<v Speaker 2>kind of went down. So within what you're trying to

1:23:26.520 --> 1:23:29.400
<v Speaker 2>do is is giving them a record every week. You

1:23:29.439 --> 1:23:30.960
<v Speaker 2>know what I'm saying, put a lot of you, put

1:23:31.000 --> 1:23:32.120
<v Speaker 2>a lot of stuff in their pockets, you know what

1:23:32.120 --> 1:23:35.120
<v Speaker 2>I'm saying, Like, like it's gonna I feel like it's

1:23:35.120 --> 1:23:36.760
<v Speaker 2>gonna work though, for real, for real, I feel like

1:23:36.800 --> 1:23:38.360
<v Speaker 2>it's gonna it's gonna kind of bring it back to

1:23:38.479 --> 1:23:40.559
<v Speaker 2>being the item, Like, Yo, you got that so put

1:23:40.600 --> 1:23:45.519
<v Speaker 2>out this week? That mathematically is correct? How big could

1:23:45.520 --> 1:23:46.280
<v Speaker 2>it be as different?

1:23:46.320 --> 1:23:46.760
<v Speaker 3>You know what I mean?

1:23:46.840 --> 1:23:48.760
<v Speaker 1>Me and Pete work off a lot of mathematics, but

1:23:48.920 --> 1:23:51.840
<v Speaker 1>mathematically is going to work out how big it is

1:23:51.880 --> 1:23:55.120
<v Speaker 1>gonna be as a different conversation. That's about doing the

1:23:55.680 --> 1:24:00.360
<v Speaker 1>work behind it. But music still should have a value.

1:24:00.960 --> 1:24:03.840
<v Speaker 1>But what happened was because the record labels were running

1:24:03.840 --> 1:24:08.240
<v Speaker 1>scared away from Napster, they went over to Spotify. But

1:24:08.360 --> 1:24:10.800
<v Speaker 1>before that, iTunes still had a value for music, and

1:24:10.840 --> 1:24:13.719
<v Speaker 1>album still costs twelve dollars, a single still costs one dollars,

1:24:14.400 --> 1:24:17.800
<v Speaker 1>So there's no reason for companies like Title don't give

1:24:17.840 --> 1:24:21.360
<v Speaker 1>them too much. For companies like Spotify, there's no reason

1:24:21.600 --> 1:24:25.639
<v Speaker 1>for companies to not have an iTunes version of their shit,

1:24:25.720 --> 1:24:28.000
<v Speaker 1>where you can stream your single and people should have

1:24:28.120 --> 1:24:32.800
<v Speaker 1>to buy the album right because of that, So that

1:24:32.960 --> 1:24:35.280
<v Speaker 1>that's kind of what the revolution is about. It's about

1:24:35.439 --> 1:24:40.679
<v Speaker 1>making Spotify title and different companies see the value in music.

1:24:40.800 --> 1:24:42.320
<v Speaker 3>Again, it's not the audience.

1:24:42.400 --> 1:24:46.040
<v Speaker 1>The audience again, it was a product they were buying

1:24:46.280 --> 1:24:48.400
<v Speaker 1>that never just because they got rid of the product

1:24:48.560 --> 1:24:51.840
<v Speaker 1>of a compact disc or a cassette tape or a

1:24:52.120 --> 1:24:55.679
<v Speaker 1>track or vinyl doesn't change that music still has a value.

1:24:56.040 --> 1:24:58.479
<v Speaker 1>You were never paying just for the product. You were

1:24:58.560 --> 1:25:02.679
<v Speaker 1>paying for the hard work of an artists. But because

1:25:03.200 --> 1:25:08.519
<v Speaker 1>of Spotify Title, all these companies they well label, the

1:25:08.680 --> 1:25:12.840
<v Speaker 1>labels gave it to them, so you don't need the

1:25:12.960 --> 1:25:15.280
<v Speaker 1>product as much as music should cost what it costs.

1:25:16.800 --> 1:25:19.200
<v Speaker 3>But again, you know we can't go back, right.

1:25:19.280 --> 1:25:21.840
<v Speaker 1>You could fight the revolution and get them inspired to

1:25:21.960 --> 1:25:24.280
<v Speaker 1>do that, But my job is to look at as

1:25:24.280 --> 1:25:26.719
<v Speaker 1>an artist, as a true creative, as a thought leader,

1:25:26.840 --> 1:25:30.000
<v Speaker 1>is to look at the boundaries, the margins, the parameters

1:25:30.040 --> 1:25:33.920
<v Speaker 1>of today's time based off the business and create in

1:25:34.080 --> 1:25:37.080
<v Speaker 1>that space. And I think I'll get more creative records

1:25:37.160 --> 1:25:39.840
<v Speaker 1>to work, like, there'll be different records. Like.

1:25:39.960 --> 1:25:41.040
<v Speaker 3>The weirdest part is when you.

1:25:41.120 --> 1:25:43.559
<v Speaker 1>Make music I stayed up till four o'clock last night

1:25:43.680 --> 1:25:45.560
<v Speaker 1>working on this idea. I've been telling still about it.

1:25:45.840 --> 1:25:47.840
<v Speaker 1>I'm going back and forth still, I keep calling him.

1:25:48.280 --> 1:25:49.639
<v Speaker 1>It's two, three, four in the morning.

1:25:50.280 --> 1:25:53.200
<v Speaker 3>I'm i'm, i'm, I'm coming up with this idea and

1:25:53.280 --> 1:25:58.080
<v Speaker 3>I finally got it finished. And I know it's special

1:25:58.520 --> 1:26:01.080
<v Speaker 3>because I allow let me talk about it.

1:26:01.160 --> 1:26:01.240
<v Speaker 1>Bro.

1:26:01.920 --> 1:26:06.080
<v Speaker 2>When y'all hear this, it's probably gonna be the dopest

1:26:06.080 --> 1:26:08.240
<v Speaker 2>thing ever done in nip hop. And I'm not bragging.

1:26:08.560 --> 1:26:11.120
<v Speaker 2>Y'all ain't never heard me talk. I love last music.

1:26:11.160 --> 1:26:13.920
<v Speaker 2>I've messed with his music, but he's about to come

1:26:14.040 --> 1:26:16.519
<v Speaker 2>up with something that's gonna be revolutionary, and y'all go

1:26:16.640 --> 1:26:17.120
<v Speaker 2>trip out on.

1:26:17.160 --> 1:26:19.200
<v Speaker 1>It wasn't crippy enough.

1:26:20.240 --> 1:26:23.839
<v Speaker 2>No, it ain't got It's crazy, man, it's just dopest bridge.

1:26:25.120 --> 1:26:27.840
<v Speaker 3>But he put a post up yesterday but again, but

1:26:27.960 --> 1:26:30.320
<v Speaker 3>again is again.

1:26:30.520 --> 1:26:36.880
<v Speaker 1>It's rooted right, It's rooted in the boundaries of streaming apps.

1:26:37.479 --> 1:26:41.400
<v Speaker 1>What's the boundaries, what's the margins, what's what's available here?

1:26:41.520 --> 1:26:45.000
<v Speaker 1>What the time is not based off of ninety years ago,

1:26:46.520 --> 1:26:50.880
<v Speaker 1>but what's really possible? And I'm pushing to figure out

1:26:50.920 --> 1:26:53.960
<v Speaker 1>what's possible and that's what every artist should be doing,

1:26:54.439 --> 1:26:58.000
<v Speaker 1>not creating from a ninety year a ninety year old idea,

1:26:58.160 --> 1:27:02.479
<v Speaker 1>because that idea is we don't even have the environment

1:27:02.560 --> 1:27:04.479
<v Speaker 1>for the idea. It's hard to get on radio even

1:27:04.560 --> 1:27:07.360
<v Speaker 1>ways to support that it's not available. There are no

1:27:07.520 --> 1:27:11.559
<v Speaker 1>more in caps at the CD store to carry a vinyl.

1:27:11.640 --> 1:27:14.679
<v Speaker 1>They had to make them for Katie, for Taylor Swept.

1:27:15.080 --> 1:27:18.880
<v Speaker 1>They don't even have the things available that actually were

1:27:19.000 --> 1:27:22.800
<v Speaker 1>created because of this. They don't even have MTV no more. So,

1:27:23.000 --> 1:27:26.840
<v Speaker 1>why are we not pushing YouTube to its boundaries? Why

1:27:26.880 --> 1:27:28.320
<v Speaker 1>are we doing what MTV.

1:27:28.280 --> 1:27:31.840
<v Speaker 3>Created for us forty years ago versus pushing it to

1:27:32.040 --> 1:27:36.600
<v Speaker 3>its boundaries more boundaries and.

1:27:36.680 --> 1:27:39.000
<v Speaker 1>We're in a music video is not a push on

1:27:39.120 --> 1:27:42.360
<v Speaker 1>its boundaries. We can push YouTube to the break.

1:27:43.560 --> 1:27:46.439
<v Speaker 2>Yes, So I'm going to tell you this. You know

1:27:46.520 --> 1:27:49.360
<v Speaker 2>how I feel about YouTube. I think YouTube is definitely

1:27:49.479 --> 1:27:52.200
<v Speaker 2>a useful tool and it's not going nowhere right, Yeah,

1:27:52.520 --> 1:27:55.439
<v Speaker 2>But I do think it's time for people to get

1:27:55.479 --> 1:27:56.560
<v Speaker 2>their own platforms.

1:27:57.120 --> 1:27:59.320
<v Speaker 1>Yeah, I think that's what I think.

1:27:59.360 --> 1:28:02.639
<v Speaker 2>That's the effinlution it Because I'm gonna tell you, man,

1:28:02.920 --> 1:28:05.040
<v Speaker 2>when when I first started doing YouTube, g you can

1:28:05.120 --> 1:28:07.400
<v Speaker 2>make really good money on there, but I always knew

1:28:07.439 --> 1:28:09.000
<v Speaker 2>it was kind of a ruse. I never wanted to

1:28:09.080 --> 1:28:11.920
<v Speaker 2>depend on that soli, right, And I always thought people

1:28:12.000 --> 1:28:14.640
<v Speaker 2>were very dumb for building their whole business model on

1:28:14.720 --> 1:28:16.760
<v Speaker 2>the platform and somebody else own. I said, you know,

1:28:16.840 --> 1:28:18.920
<v Speaker 2>you use it and build it up. And I think

1:28:19.040 --> 1:28:20.880
<v Speaker 2>once you build it up to a certain level, bro,

1:28:22.400 --> 1:28:25.000
<v Speaker 2>you have to start kind of building your own thing.

1:28:25.120 --> 1:28:28.559
<v Speaker 2>Because I'm gonna tell you something I learned with my Space,

1:28:28.640 --> 1:28:29.800
<v Speaker 2>nothing less, whatever it.

1:28:30.000 --> 1:28:30.599
<v Speaker 1>You know, it may.

1:28:30.520 --> 1:28:32.640
<v Speaker 2>Evolve like youtubeer is gonna be here for things, but

1:28:32.720 --> 1:28:35.280
<v Speaker 2>I think YouTube is setting itself up to become a

1:28:35.320 --> 1:28:39.000
<v Speaker 2>OTT site, you know, to show movies and other content.

1:28:39.160 --> 1:28:39.240
<v Speaker 4>Right.

1:28:39.320 --> 1:28:42.040
<v Speaker 2>It's already kind of leveraging itself to become a music

1:28:42.120 --> 1:28:45.080
<v Speaker 2>and movie thing, right. And I think with that being said,

1:28:45.120 --> 1:28:46.840
<v Speaker 2>I remember when my Space was looked at it's the

1:28:46.880 --> 1:28:50.000
<v Speaker 2>biggest thing on the planet, right. And I remember these

1:28:50.080 --> 1:28:52.000
<v Speaker 2>people I was working with when I was spent ten

1:28:52.080 --> 1:28:54.960
<v Speaker 2>thousand dollars on my MySpace page, man and did all

1:28:55.040 --> 1:28:56.599
<v Speaker 2>this and that, and I had a lot of followers

1:28:56.640 --> 1:29:00.720
<v Speaker 2>on there, and the shit was gone. Woke up one day.

1:29:00.720 --> 1:29:02.719
<v Speaker 2>All that stuff I paid that money for was gone,

1:29:03.320 --> 1:29:05.200
<v Speaker 2>and I said I. From that point on, I would

1:29:05.280 --> 1:29:07.920
<v Speaker 2>never build my business on the platform that I don't

1:29:07.920 --> 1:29:09.040
<v Speaker 2>have no ownership.

1:29:08.680 --> 1:29:10.960
<v Speaker 3>Here shout out to David Jones.

1:29:11.120 --> 1:29:13.679
<v Speaker 1>I wonder how morale comes out of not for COVID

1:29:13.760 --> 1:29:15.840
<v Speaker 1>brought the world to a standstill and had it stuck

1:29:15.880 --> 1:29:18.120
<v Speaker 1>in our thoughts. I think the only reason it got

1:29:18.200 --> 1:29:20.639
<v Speaker 1>the reception that got is because of COVID. I think

1:29:20.720 --> 1:29:22.799
<v Speaker 1>if that shit come out and COVID is not happening,

1:29:22.960 --> 1:29:25.479
<v Speaker 1>that shit is a problem. It would not work out.

1:29:25.720 --> 1:29:26.720
<v Speaker 1>You really don't like that.

1:29:27.360 --> 1:29:29.760
<v Speaker 3>It's not no, I don't like it, but it's not that.

1:29:29.960 --> 1:29:31.760
<v Speaker 3>I just think it's exactly what he said.

1:29:32.840 --> 1:29:35.320
<v Speaker 2>It's not your bring. I thought that was a good album.

1:29:36.200 --> 1:29:37.400
<v Speaker 3>I'm not just looked.

1:29:39.280 --> 1:29:39.479
<v Speaker 2>Yet.

1:29:39.600 --> 1:29:40.240
<v Speaker 3>It was timing.

1:29:40.520 --> 1:29:42.120
<v Speaker 1>It was the perfect time when you were stuck with

1:29:42.240 --> 1:29:45.080
<v Speaker 1>yourself in the house and thought so he nailed it. Still,

1:29:45.880 --> 1:29:49.120
<v Speaker 1>I just never was stuck in the house. I was

1:29:49.200 --> 1:29:50.800
<v Speaker 1>still gonna do what I was gonna do at the

1:29:50.880 --> 1:29:53.120
<v Speaker 1>risk of my life during COVID, because I would rather

1:29:53.640 --> 1:29:56.280
<v Speaker 1>live the life I want to live and die than

1:29:56.479 --> 1:29:59.960
<v Speaker 1>just stay alive and live around you walking around here with.

1:30:00.040 --> 1:30:02.120
<v Speaker 2>Out no mask going. I was like, this dude is crazy.

1:30:02.200 --> 1:30:10.080
<v Speaker 1>Glass too. It was great security years problem. I'd rather

1:30:10.360 --> 1:30:13.960
<v Speaker 1>die than have to live based off of these circumstances,

1:30:14.360 --> 1:30:16.040
<v Speaker 1>like I couldn't have been no slave. I wouldn't have

1:30:16.080 --> 1:30:17.599
<v Speaker 1>been good at it. Bro, it's not gonna work out

1:30:17.640 --> 1:30:19.720
<v Speaker 1>for me. Shout out to the name Bran DJ. He

1:30:19.880 --> 1:30:22.040
<v Speaker 1>said glasses is one of the reasons he moved away.

1:30:22.240 --> 1:30:26.280
<v Speaker 3>Do that's true. I showed a head is my little

1:30:26.280 --> 1:30:29.120
<v Speaker 3>bro and and and I showed him with my oldest.

1:30:32.280 --> 1:30:34.080
<v Speaker 1>Oh. No, I ain't talked to him. We was together

1:30:34.520 --> 1:30:36.960
<v Speaker 1>listening to the Snoop Dogg album. I ran into him

1:30:36.960 --> 1:30:40.479
<v Speaker 1>as Sala, did you have any hint of this albums

1:30:40.479 --> 1:30:44.880
<v Speaker 1>coming out to me? No? I hit him Wednesday because

1:30:44.920 --> 1:30:47.080
<v Speaker 1>the whole idea we were supposed to talk about on

1:30:47.200 --> 1:30:50.720
<v Speaker 1>this podcast is how the party Dying affected West Coast

1:30:50.760 --> 1:30:54.320
<v Speaker 1>hip hop, and then what my interpretation of what Kendrick

1:30:54.400 --> 1:30:57.920
<v Speaker 1>meant about how we were partying. Now that's the problem.

1:30:57.960 --> 1:31:00.479
<v Speaker 1>It's not the party itself, how people got a party.

1:31:01.439 --> 1:31:03.960
<v Speaker 1>I thought there were complaints about people doing drugs. I

1:31:04.040 --> 1:31:07.200
<v Speaker 1>thought the complaints were, you know, the puff parties where

1:31:07.479 --> 1:31:09.200
<v Speaker 1>men are sleeping with me. I thought there were some

1:31:09.320 --> 1:31:11.960
<v Speaker 1>complaints about the current state of the party where hip

1:31:11.960 --> 1:31:14.720
<v Speaker 1>hop has really allowed the party to go and it's

1:31:14.760 --> 1:31:18.840
<v Speaker 1>about watching that party die and recreating a party. But again,

1:31:19.240 --> 1:31:21.080
<v Speaker 1>so when I texted him, he didn't hit me back,

1:31:21.800 --> 1:31:23.320
<v Speaker 1>and I didn't think nothing of it. I'm thinking he'd

1:31:23.360 --> 1:31:25.320
<v Speaker 1>running around, you know, being Kendrick, whatever the hell you

1:31:25.400 --> 1:31:25.840
<v Speaker 1>got going on.

1:31:26.000 --> 1:31:26.120
<v Speaker 6>You know.

1:31:26.160 --> 1:31:28.080
<v Speaker 1>I'm like, well, if i'll get him on the stream

1:31:28.120 --> 1:31:30.240
<v Speaker 1>of visually, you will have a dope conversation. It's not

1:31:30.800 --> 1:31:33.679
<v Speaker 1>I don't have a lot of conversations that I would

1:31:33.680 --> 1:31:35.559
<v Speaker 1>want to I don't want to do a podcast with Kendrick.

1:31:35.880 --> 1:31:37.600
<v Speaker 1>I never asked doc, Hey, I want you to be

1:31:37.680 --> 1:31:40.320
<v Speaker 1>on my We don't because it'll just really be a

1:31:40.439 --> 1:31:45.080
<v Speaker 1>glasses and Kendrick conversation about life. That's and that's cool,

1:31:45.160 --> 1:31:48.280
<v Speaker 1>but I don't want that for no selings listeners like,

1:31:48.360 --> 1:31:51.600
<v Speaker 1>and I'm not trying to get the props of, you know,

1:31:51.800 --> 1:31:54.960
<v Speaker 1>just having him on the pop when I have a

1:31:55.080 --> 1:31:57.000
<v Speaker 1>great topic like this idea.

1:31:57.479 --> 1:31:59.960
<v Speaker 3>That's why I reached out, Hey, I got this dope idea.

1:32:00.080 --> 1:32:02.120
<v Speaker 1>I wanted to talk about how we used to have

1:32:02.240 --> 1:32:04.280
<v Speaker 1>to try to break our music in the clubs, him

1:32:04.400 --> 1:32:07.080
<v Speaker 1>making bitch I do this and trying to make party

1:32:07.120 --> 1:32:09.719
<v Speaker 1>records because you had to get it in the club.

1:32:10.200 --> 1:32:12.479
<v Speaker 1>And that's what I wanted to bring him on the

1:32:12.560 --> 1:32:15.080
<v Speaker 1>live stream for it. You feel me, I wanted to

1:32:15.120 --> 1:32:17.479
<v Speaker 1>bring in for that. I finally had a dope topic

1:32:17.560 --> 1:32:19.160
<v Speaker 1>and he hit me back. So I didn't think nothing.

1:32:19.160 --> 1:32:21.320
<v Speaker 1>I was like, all right, well I do it. You

1:32:21.360 --> 1:32:24.519
<v Speaker 1>know he over there mixing that ship. He over there waiting,

1:32:24.600 --> 1:32:27.799
<v Speaker 1>know that ship and sure ship. He hit me today

1:32:27.960 --> 1:32:33.760
<v Speaker 1>like laughing, like yeah, like yeah, So I wouldn't want

1:32:33.760 --> 1:32:35.040
<v Speaker 1>to talk to him about this album.

1:32:35.360 --> 1:32:39.360
<v Speaker 3>I'm not an interviewer. I'm not an interview and that's

1:32:39.439 --> 1:32:39.800
<v Speaker 3>my man.

1:32:40.360 --> 1:32:41.320
<v Speaker 1>I want to talk to Glass.

1:32:41.600 --> 1:32:44.519
<v Speaker 2>You know what I want to talk about, and this

1:32:44.640 --> 1:32:48.400
<v Speaker 2>is going. I left a pair of glasses over at

1:32:48.400 --> 1:32:50.840
<v Speaker 2>the studio one time when I was over there at TV. Right,

1:32:51.240 --> 1:32:54.200
<v Speaker 2>you know what he was going through, this crazy ass face.

1:32:54.280 --> 1:32:56.679
<v Speaker 2>He was wearing a thousand that was sunglasses and dumb

1:32:56.680 --> 1:33:01.639
<v Speaker 2>shit like that. Yeah, And I left my glasses over there, dog,

1:33:02.040 --> 1:33:04.080
<v Speaker 2>and I went back to get them like a day later,

1:33:04.080 --> 1:33:06.920
<v Speaker 2>and they was gone that It went on tour with

1:33:07.000 --> 1:33:10.200
<v Speaker 2>the game at the time. Right, they came back, I

1:33:10.320 --> 1:33:13.200
<v Speaker 2>see that wearing my glasses. Man, they all scratched up.

1:33:15.280 --> 1:33:20.640
<v Speaker 1>I told myself, you all scratched if you and the

1:33:20.760 --> 1:33:23.320
<v Speaker 1>chat get this nigga, some glasses, man, please, So I

1:33:23.360 --> 1:33:24.040
<v Speaker 1>don't want to hear this.

1:33:24.200 --> 1:33:27.240
<v Speaker 2>No boys, No, he ain't got to give me no glasses.

1:33:27.280 --> 1:33:28.280
<v Speaker 1>But I wish I did.

1:33:28.680 --> 1:33:30.720
<v Speaker 2>I wish i'd have kept them glasses. I'd have been

1:33:30.760 --> 1:33:32.680
<v Speaker 2>bragging on them. I had them sitting up on the

1:33:32.760 --> 1:33:35.559
<v Speaker 2>walls somewhere like, Yeah, that fucked those glasses up.

1:33:36.120 --> 1:33:38.800
<v Speaker 1>Shout out that you reached. We're still cooking. We passed

1:33:38.840 --> 1:33:42.360
<v Speaker 1>two thousand people on no cellings live the tower, so

1:33:42.520 --> 1:33:44.360
<v Speaker 1>we have one of those days. It's just celebration.

1:33:45.600 --> 1:33:46.120
<v Speaker 3>We got something.

1:33:46.120 --> 1:33:47.680
<v Speaker 1>I don't even know how many thumbs still have to

1:33:47.720 --> 1:33:50.200
<v Speaker 1>tell me that we got more thumbs. No sellings live

1:33:50.280 --> 1:33:52.599
<v Speaker 1>to lunch hour. Were still cooking. We ain't running. Were

1:33:52.640 --> 1:33:53.719
<v Speaker 1>standing right here, we cooking.

1:33:54.000 --> 1:33:57.080
<v Speaker 2>We've had on the life so far, we've had over

1:33:57.160 --> 1:34:00.240
<v Speaker 2>three thousand people. Dog, I'm looking at the you know,

1:34:00.760 --> 1:34:01.320
<v Speaker 2>so put.

1:34:01.240 --> 1:34:03.840
<v Speaker 1>Your if you at work, if you back at your desk,

1:34:03.920 --> 1:34:05.800
<v Speaker 1>I know it's thirty minutes past the time. Put your

1:34:05.840 --> 1:34:07.719
<v Speaker 1>air pods in. We're gonna keep.

1:34:07.640 --> 1:34:08.599
<v Speaker 3>Cooking, still going.

1:34:08.640 --> 1:34:10.760
<v Speaker 2>I'm gonna tell you what I want with all these

1:34:10.840 --> 1:34:13.320
<v Speaker 2>people on there. Gee, do you understand if all these

1:34:13.400 --> 1:34:16.479
<v Speaker 2>people went right now and subscribe to no Ceilings and

1:34:16.640 --> 1:34:18.880
<v Speaker 2>left the comment like left the star rate and the

1:34:18.960 --> 1:34:21.040
<v Speaker 2>comment and stuff, we can go to number one. Let's

1:34:21.080 --> 1:34:23.920
<v Speaker 2>push no Ceilings to all your podcasts number one to day.

1:34:23.960 --> 1:34:26.960
<v Speaker 2>If everybody go over the Apple, go to Apple right now,

1:34:28.120 --> 1:34:31.240
<v Speaker 2>find no Ceilings podcast, subscribe to the legal comment if

1:34:31.280 --> 1:34:36.240
<v Speaker 2>you even if you're going there and say, still do it.

1:34:36.800 --> 1:34:39.280
<v Speaker 4>I want to put out the contest with a gift

1:34:39.360 --> 1:34:43.639
<v Speaker 4>card prize. Everyone go in and your best insults about

1:34:43.720 --> 1:34:46.160
<v Speaker 4>me and uh winter you know.

1:34:46.520 --> 1:34:49.960
<v Speaker 2>Still we got a work part right now, and we say, yo,

1:34:50.080 --> 1:34:51.840
<v Speaker 2>we get to this many. You know, I'm saying you

1:34:51.920 --> 1:34:55.639
<v Speaker 2>will try a medium red steak, at least a medium.

1:34:55.680 --> 1:34:57.400
<v Speaker 2>I tried a medium real esteak, dog.

1:34:57.520 --> 1:34:58.080
<v Speaker 1>I don't like it.

1:34:58.360 --> 1:35:02.639
<v Speaker 3>Medium, I don't like the sister. We get to one number, still,

1:35:02.680 --> 1:35:03.760
<v Speaker 3>would you would you do it?

1:35:04.200 --> 1:35:08.960
<v Speaker 1>One number? We gotta get blue, rare, medium, crazy.

1:35:09.080 --> 1:35:11.920
<v Speaker 3>I ain't doing that. I'm just saying, ain't doing that.

1:35:13.000 --> 1:35:15.320
<v Speaker 2>Medium a whole bunch of half.

1:35:16.240 --> 1:35:19.240
<v Speaker 3>I've had that. I'm too refused that blood.

1:35:19.400 --> 1:35:20.559
<v Speaker 1>You never had medium.

1:35:21.600 --> 1:35:22.920
<v Speaker 2>I've had medium before.

1:35:22.960 --> 1:35:26.639
<v Speaker 1>I've had medium.

1:35:27.080 --> 1:35:29.799
<v Speaker 2>It tastes too swish you don't taste like because.

1:35:31.200 --> 1:35:33.720
<v Speaker 1>Bro k Boy gr next classic. I'm not mad at

1:35:33.760 --> 1:35:37.120
<v Speaker 1>it is good that, but that's K Boy, That's that's

1:35:37.200 --> 1:35:41.679
<v Speaker 1>his boy. So Boys is a young legend in these streets.

1:35:42.200 --> 1:35:44.840
<v Speaker 2>I gotta call, I gotta, I gotta call over over

1:35:44.920 --> 1:35:47.080
<v Speaker 2>to the town. I'm gonna find out what the other

1:35:47.200 --> 1:35:49.240
<v Speaker 2>side thinking about. I'm not saying it because I got

1:35:49.280 --> 1:35:51.240
<v Speaker 2>you all right now, y'all. Y're telling me how you'll

1:35:51.240 --> 1:35:53.559
<v Speaker 2>feel about it, and we all know what the feel

1:35:53.600 --> 1:35:55.439
<v Speaker 2>of the album is. I want to see what the

1:35:55.479 --> 1:35:57.680
<v Speaker 2>people in the town. I'm gonna let me ask you

1:35:57.840 --> 1:36:00.760
<v Speaker 2>this New York cast listen to him, pappas they sitting

1:36:00.800 --> 1:36:03.439
<v Speaker 2>on their stoop somewhere with the car door open and

1:36:03.479 --> 1:36:05.960
<v Speaker 2>listening to it through the cars. Corn your son, that's

1:36:06.040 --> 1:36:06.519
<v Speaker 2>that's the ship.

1:36:06.640 --> 1:36:06.800
<v Speaker 4>Son.

1:36:07.720 --> 1:36:08.120
<v Speaker 1>There we go.

1:36:12.040 --> 1:36:12.439
<v Speaker 3>I want to.

1:36:14.800 --> 1:36:17.240
<v Speaker 2>Ya was up on here god bus And I'm saying that, man, man,

1:36:17.360 --> 1:36:19.280
<v Speaker 2>I be pleasing with Twan Mack. You know what I'm saying,

1:36:19.360 --> 1:36:22.519
<v Speaker 2>y'all was going that I never dealt with that sitting

1:36:22.600 --> 1:36:24.479
<v Speaker 2>and still we ain't gotta do it right now. Just

1:36:24.560 --> 1:36:26.760
<v Speaker 2>be happy right now. You got this West Coast album

1:36:26.800 --> 1:36:29.320
<v Speaker 2>out right now, Glasses over here call it the best

1:36:29.400 --> 1:36:31.800
<v Speaker 2>album ever created out the West. You know what I'm saying,

1:36:34.840 --> 1:36:43.639
<v Speaker 2>might as well says, huh. When y'all listen to hip hop,

1:36:43.680 --> 1:36:45.640
<v Speaker 2>do y'all sitting in the stupid or barbershop and get

1:36:45.760 --> 1:36:48.439
<v Speaker 2>really analyze every lyric and be like, yo, son, that

1:36:48.640 --> 1:36:49.400
<v Speaker 2>wasn't tight, son.

1:36:49.720 --> 1:36:51.000
<v Speaker 3>This is how they think in New York.

1:36:51.240 --> 1:36:54.599
<v Speaker 1>This is my problem When people do that, They really

1:36:54.680 --> 1:36:56.439
<v Speaker 1>think y'all just be out there like writing down the

1:36:56.560 --> 1:36:58.520
<v Speaker 1>lyrics and analyzing the corner.

1:36:58.320 --> 1:37:00.000
<v Speaker 3>Fire in front of fight exactly.

1:37:01.080 --> 1:37:03.120
<v Speaker 2>Yeah, I think you know what I picture in New York.

1:37:03.160 --> 1:37:05.720
<v Speaker 2>I pictured them by stup with a team with a

1:37:05.840 --> 1:37:09.280
<v Speaker 2>been a fire, niggas standing around with a forty yo

1:37:09.439 --> 1:37:12.720
<v Speaker 2>something that ain't tight, some it ain't tight, something sun

1:37:12.920 --> 1:37:19.040
<v Speaker 2>like that. For me, people think this is It reminds

1:37:19.120 --> 1:37:22.000
<v Speaker 2>me because of how lex I think the West Coast is.

1:37:22.160 --> 1:37:25.799
<v Speaker 1>That's a fact. That is a fact. Now they think.

1:37:29.280 --> 1:37:31.599
<v Speaker 2>Right now, still playing the barber shop, right now, running

1:37:31.640 --> 1:37:33.240
<v Speaker 2>it back. You know what I'm saying. Listening to it,

1:37:33.600 --> 1:37:35.040
<v Speaker 2>you know what I'm saying, giving their opinion on it,

1:37:35.360 --> 1:37:38.560
<v Speaker 2>I mean, like for believe it or not. Though we

1:37:38.720 --> 1:37:41.519
<v Speaker 2>don't hate the West like y'all swear to God we

1:37:41.640 --> 1:37:43.519
<v Speaker 2>hate the West. We got we got some type of

1:37:43.600 --> 1:37:46.200
<v Speaker 2>hate trick for the West because y'all killed Biggie, because

1:37:46.240 --> 1:37:48.799
<v Speaker 2>y'all killed pot smoke, because y'all.

1:37:48.840 --> 1:37:54.640
<v Speaker 3>None of us did that. Just got left out. You

1:37:54.640 --> 1:37:56.800
<v Speaker 3>got left out here, I mean everybody out here.

1:37:57.520 --> 1:38:00.320
<v Speaker 2>I'll tell you trip. I love, I love I'm a

1:38:00.479 --> 1:38:00.880
<v Speaker 2>hip hop.

1:38:00.960 --> 1:38:02.040
<v Speaker 3>I love hip hop.

1:38:02.320 --> 1:38:05.120
<v Speaker 2>I love East Coast rap, West Coast rap, Midwest rap,

1:38:05.479 --> 1:38:09.599
<v Speaker 2>down South rap. But if there is this certain possession

1:38:09.600 --> 1:38:11.519
<v Speaker 2>of the East Coast man that y'all probably just be

1:38:11.600 --> 1:38:13.720
<v Speaker 2>out there man, just listening to the lyrics, man and

1:38:13.960 --> 1:38:17.639
<v Speaker 2>just frown up. That's not real hip hop, son, It's

1:38:17.680 --> 1:38:18.679
<v Speaker 2>not really hip hop.

1:38:19.240 --> 1:38:21.479
<v Speaker 1>And this is why he built his career trying to

1:38:21.600 --> 1:38:26.400
<v Speaker 1>over rap songs. Yeah still, I never tried to career

1:38:26.520 --> 1:38:29.400
<v Speaker 1>over rapping songs right, margin and margin and ship. I'm like, bro, you,

1:38:30.560 --> 1:38:31.959
<v Speaker 1>I actually the first.

1:38:31.800 --> 1:38:33.680
<v Speaker 3>Southern hip hop to be honest with you. I love

1:38:33.760 --> 1:38:34.479
<v Speaker 3>Southern hip hop.

1:38:34.880 --> 1:38:38.920
<v Speaker 1>I love New York hip hop, hip hop to New York.

1:38:39.360 --> 1:38:39.880
<v Speaker 1>I'm gonna tell you.

1:38:40.200 --> 1:38:42.080
<v Speaker 2>I'm gonna tell you what my favorite stuff is. I'm

1:38:42.080 --> 1:38:43.360
<v Speaker 2>a big m F Doom fan.

1:38:44.240 --> 1:38:45.679
<v Speaker 1>No he's not, yess.

1:38:45.720 --> 1:38:47.160
<v Speaker 2>I am a big m F Dune fan. I wish

1:38:47.160 --> 1:38:49.560
<v Speaker 2>I could get you on them. I just can't have

1:38:49.680 --> 1:38:50.040
<v Speaker 2>them cover.

1:38:53.520 --> 1:38:53.760
<v Speaker 4>Huh.

1:38:54.160 --> 1:38:56.400
<v Speaker 2>What's your favorite m F Doom album? I like m

1:38:56.520 --> 1:38:58.720
<v Speaker 2>F Doom songs Becausezigion there is my favorite.

1:38:58.479 --> 1:39:01.120
<v Speaker 3>Enough Doom song. He said, what's your favorite m F

1:39:01.200 --> 1:39:01.679
<v Speaker 3>Doom album?

1:39:02.520 --> 1:39:04.759
<v Speaker 1>Probably the one with Danger Mouse.

1:39:05.600 --> 1:39:07.639
<v Speaker 3>I don't even know it's not a favorite.

1:39:08.640 --> 1:39:10.719
<v Speaker 2>It be certain West Coast. You know how much music

1:39:10.800 --> 1:39:12.000
<v Speaker 2>I've heard over my life.

1:39:12.040 --> 1:39:14.560
<v Speaker 3>I wouldn't say somebody my favorite. I don't know the

1:39:14.720 --> 1:39:16.280
<v Speaker 3>album my favorite.

1:39:17.479 --> 1:39:20.280
<v Speaker 1>I don't remember sometimes, but I know that I'm.

1:39:20.120 --> 1:39:21.439
<v Speaker 3>Saying is my favorite.

1:39:21.439 --> 1:39:22.240
<v Speaker 1>I'm gonna be like mad.

1:39:22.360 --> 1:39:24.559
<v Speaker 3>Now you're feeling like I didn't say.

1:39:26.600 --> 1:39:28.840
<v Speaker 1>With your friends? Can talk? Can I talk?

1:39:28.920 --> 1:39:32.160
<v Speaker 2>You know what g strategy is?

1:39:32.200 --> 1:39:32.519
<v Speaker 3>Trapped?

1:39:32.840 --> 1:39:34.800
<v Speaker 2>He asked you a question, then he over talked, and

1:39:34.840 --> 1:39:35.880
<v Speaker 2>don't let you get your answer.

1:39:36.080 --> 1:39:39.320
<v Speaker 1>I ask you the question. Hold on, I'm trying. Let

1:39:39.400 --> 1:39:39.760
<v Speaker 1>me answer.

1:39:40.800 --> 1:39:44.240
<v Speaker 3>It's called Danger Doom? Danger Doom? Is it better than

1:39:44.280 --> 1:39:47.200
<v Speaker 3>Man Villain? You feel that he never even heard Matt Villain.

1:39:47.520 --> 1:39:48.599
<v Speaker 3>I did hear Man Villain?

1:39:49.760 --> 1:39:50.800
<v Speaker 1>M He is not really a.

1:39:50.880 --> 1:39:55.000
<v Speaker 3>Fan of MFG. He likes you DM me.

1:39:55.160 --> 1:39:56.760
<v Speaker 2>I just had this A and R on the show

1:39:56.840 --> 1:39:59.080
<v Speaker 2>because of him. You know what, she got a horrible

1:39:59.120 --> 1:40:01.080
<v Speaker 2>habit of doing I wish will start doing it. He

1:40:01.280 --> 1:40:03.439
<v Speaker 2>tells people, how do you feel where you feel like this?

1:40:03.600 --> 1:40:06.560
<v Speaker 2>And you don't know this because he's a he's a narcissist.

1:40:06.880 --> 1:40:10.559
<v Speaker 1>Your therapist, he's a he's a narcissist.

1:40:10.439 --> 1:40:11.679
<v Speaker 2>Because he knows everything.

1:40:11.800 --> 1:40:17.240
<v Speaker 1>He knows. Favorite artist. He didn't know that my favorite

1:40:17.280 --> 1:40:18.400
<v Speaker 1>artist and one of my.

1:40:22.240 --> 1:40:25.280
<v Speaker 3>Hold on, hold on, listen to what he said, said again.

1:40:25.360 --> 1:40:27.479
<v Speaker 1>One of my favorite artists out of New York is.

1:40:31.520 --> 1:40:34.599
<v Speaker 3>He named. He named his songs and I like songs

1:40:34.960 --> 1:40:37.200
<v Speaker 3>like that, And you asked him what song?

1:40:37.640 --> 1:40:38.640
<v Speaker 1>I'm gonna tell you like this?

1:40:39.120 --> 1:40:40.720
<v Speaker 2>I like the tizarre face one.

1:40:42.160 --> 1:40:43.000
<v Speaker 3>Now he looked.

1:40:44.600 --> 1:40:51.120
<v Speaker 2>Like, you have my phone number because lets is getting

1:40:51.160 --> 1:40:53.080
<v Speaker 2>on our business. I want to talk to the session

1:40:53.120 --> 1:40:55.599
<v Speaker 2>with you. Give me your phone number. I don't want

1:40:55.640 --> 1:40:56.840
<v Speaker 2>to talk to send.

1:40:56.720 --> 1:40:58.439
<v Speaker 1>You my number. Man, we could we can chop it up.

1:40:59.160 --> 1:40:59.880
<v Speaker 1>We can chop it up.

1:41:00.080 --> 1:41:02.960
<v Speaker 2>It was on class the hater. I love class, Class

1:41:03.040 --> 1:41:03.280
<v Speaker 2>the hater.

1:41:03.400 --> 1:41:05.760
<v Speaker 3>Y'all I want to hear.

1:41:06.120 --> 1:41:08.439
<v Speaker 1>I told him trap. You know what I told him.

1:41:08.439 --> 1:41:10.439
<v Speaker 2>I said, I'm gonna come back to they dog because

1:41:10.439 --> 1:41:12.160
<v Speaker 2>I'm gonna come back to the people missing me. You

1:41:12.200 --> 1:41:14.320
<v Speaker 2>see what we do on pro records to day Dog,

1:41:14.800 --> 1:41:17.599
<v Speaker 2>they missed you up on time. We break the records

1:41:17.640 --> 1:41:18.920
<v Speaker 2>today because big Day come up.

1:41:19.360 --> 1:41:19.960
<v Speaker 1>Came back.

1:41:22.880 --> 1:41:25.880
<v Speaker 2>Still like you hearing that down because I talked. I said,

1:41:25.880 --> 1:41:27.839
<v Speaker 2>I'm gonna come back this fright. I said, I'm being

1:41:27.880 --> 1:41:30.320
<v Speaker 2>that Friday though, Yeah, they missed you.

1:41:30.439 --> 1:41:34.680
<v Speaker 1>Man name Man still is a troll, exactly, He's got

1:41:34.720 --> 1:41:36.960
<v Speaker 1>his He had his troll smirk going on to right

1:41:37.000 --> 1:41:40.479
<v Speaker 1>with that gainst that little corners kind of tree. My

1:41:40.640 --> 1:41:43.680
<v Speaker 1>favorite artist, your favorite album? I like this song I

1:41:43.760 --> 1:41:46.559
<v Speaker 1>think of that is not your favorite artist, don't.

1:41:46.400 --> 1:41:48.360
<v Speaker 2>Man, I'm gonna tell you. I'm trying to remember the

1:41:48.400 --> 1:41:51.519
<v Speaker 2>first one was the first one he had operation operation doom.

1:41:52.400 --> 1:41:53.639
<v Speaker 3>Looking it up in your phone?

1:41:53.720 --> 1:41:56.960
<v Speaker 1>Still, I'm not looking up my damn phone, dog, Like

1:41:57.040 --> 1:41:59.360
<v Speaker 1>I don't have to do that. Though I was my

1:41:59.479 --> 1:42:03.560
<v Speaker 1>favorite artist. What's your favorite album? I love Trailler? I

1:42:03.680 --> 1:42:05.759
<v Speaker 1>love There's just so many now.

1:42:06.080 --> 1:42:09.120
<v Speaker 2>Triller was actually Triller was probably his best album. He

1:42:09.280 --> 1:42:12.720
<v Speaker 2>asked me what my favorite artist New York was? I

1:42:13.000 --> 1:42:20.400
<v Speaker 2>tell you, artists out of New York my favorite New

1:42:20.479 --> 1:42:21.160
<v Speaker 2>York one.

1:42:21.439 --> 1:42:22.439
<v Speaker 3>Watch how this is done?

1:42:23.479 --> 1:42:27.080
<v Speaker 1>Scarface is my favorite album of all time, my favorite

1:42:27.120 --> 1:42:31.000
<v Speaker 1>artist of all time. Stuff.

1:42:31.080 --> 1:42:32.120
<v Speaker 2>I can name all scar.

1:42:33.720 --> 1:42:33.960
<v Speaker 6>I like.

1:42:36.560 --> 1:42:37.840
<v Speaker 1>I like the Merit.

1:42:39.560 --> 1:42:41.720
<v Speaker 3>Without Google too. I didn't even have to pull up

1:42:41.760 --> 1:42:44.960
<v Speaker 3>my phone. Snoop Dog is in my top five?

1:42:45.479 --> 1:42:50.439
<v Speaker 1>What's your favorite album? Blue Carpet Treatment, right, no Limit,

1:42:50.520 --> 1:42:53.240
<v Speaker 1>top Dog, fantastic albums.

1:42:53.760 --> 1:42:54.559
<v Speaker 3>See how that's done.

1:42:54.600 --> 1:42:58.040
<v Speaker 1>Still the song Kanye West, I love College drop Out.

1:42:58.360 --> 1:43:00.559
<v Speaker 1>You know my favorite album out of Kanye is Ya.

1:43:01.320 --> 1:43:04.160
<v Speaker 3>Yeah, I know, called Ya. I can't believe that one

1:43:04.240 --> 1:43:04.559
<v Speaker 3>right there.

1:43:05.120 --> 1:43:05.880
<v Speaker 1>See I just did this.

1:43:06.160 --> 1:43:07.960
<v Speaker 3>I had to google it. I have the name one.

1:43:09.880 --> 1:43:10.120
<v Speaker 1>Gee.

1:43:10.120 --> 1:43:12.479
<v Speaker 2>I'm gonna tell you something. Though I listened to Wade,

1:43:12.680 --> 1:43:14.120
<v Speaker 2>I can probably just sing way.

1:43:14.040 --> 1:43:14.880
<v Speaker 3>More music than you.

1:43:16.479 --> 1:43:19.599
<v Speaker 1>Remember. So being that Doom is your favorite artist out

1:43:19.640 --> 1:43:21.400
<v Speaker 1>of New York, I didn't say he was. I say

1:43:21.479 --> 1:43:24.439
<v Speaker 1>he's one of my favorites. I'm just seeing.

1:43:26.800 --> 1:43:28.560
<v Speaker 3>Who was before he was M F.

1:43:28.680 --> 1:43:31.720
<v Speaker 1>Doom. Who was he down with? He was in the

1:43:31.760 --> 1:43:32.559
<v Speaker 1>group with his brother.

1:43:33.160 --> 1:43:34.800
<v Speaker 2>They were signed it with the name and them U

1:43:35.560 --> 1:43:38.280
<v Speaker 2>because Pete Rock and I'm not Pete Rock, but Professor

1:43:38.320 --> 1:43:39.519
<v Speaker 2>Pete NS and them found them.

1:43:39.720 --> 1:43:40.880
<v Speaker 3>Who's the name of that group?

1:43:41.600 --> 1:43:44.600
<v Speaker 2>Third Base not the third base discovered them and he

1:43:44.640 --> 1:43:46.200
<v Speaker 2>was in the group of his brother. His brother died

1:43:46.240 --> 1:43:49.599
<v Speaker 2>in the car accident that I can't remember the name

1:43:49.640 --> 1:43:52.200
<v Speaker 2>of the but they had a song. I read it

1:43:52.360 --> 1:43:54.840
<v Speaker 2>was on gas face. They made they they made the

1:43:55.080 --> 1:43:56.040
<v Speaker 2>mere on gas face.

1:43:56.960 --> 1:44:06.320
<v Speaker 3>I read that too. Still right now, Dog, you just.

1:44:08.880 --> 1:44:09.320
<v Speaker 1>Don't leave.

1:44:09.360 --> 1:44:10.240
<v Speaker 3>Still, don't leave.

1:44:11.400 --> 1:44:13.000
<v Speaker 1>Don't mean how.

1:44:12.920 --> 1:44:14.599
<v Speaker 2>Then am I gonna read the ship that quick?

1:44:14.680 --> 1:44:14.840
<v Speaker 6>Dog?

1:44:14.840 --> 1:44:18.360
<v Speaker 2>I don't remember the name of it. His brother died,

1:44:18.640 --> 1:44:21.280
<v Speaker 2>and if Doom stopped doing music for like two years

1:44:21.360 --> 1:44:23.800
<v Speaker 2>after that, Dog doing all this ship and the thing,

1:44:23.880 --> 1:44:27.760
<v Speaker 2>and that's when he starts for wearing a mask. Dog,

1:44:27.840 --> 1:44:30.519
<v Speaker 2>you're gonna have to read ship all this, don't I'm

1:44:30.560 --> 1:44:31.080
<v Speaker 2>gone though?

1:44:31.760 --> 1:44:35.040
<v Speaker 1>Why you still still?

1:44:35.080 --> 1:44:35.240
<v Speaker 6>Still?

1:44:35.280 --> 1:44:35.479
<v Speaker 1>Still?

1:44:35.520 --> 1:44:35.680
<v Speaker 2>If you?

1:44:35.800 --> 1:44:38.040
<v Speaker 1>If you, if you close out, and it's gonna up

1:44:38.080 --> 1:44:41.320
<v Speaker 1>the whole uploaded. I'm not closed out. I can leave.

1:44:42.120 --> 1:44:50.439
<v Speaker 5>Oh okay, well then that case, dot, why you need.

1:44:50.400 --> 1:44:53.240
<v Speaker 2>Me because you're getting on my nerve. Dog, I'm telling

1:44:53.280 --> 1:44:54.680
<v Speaker 2>you something. I don't have to go back and look

1:44:55.240 --> 1:44:56.840
<v Speaker 2>and stuff. I know this is stuff.

1:44:56.880 --> 1:45:02.840
<v Speaker 3>I know the detailing, and I told you he'll be sabotage.

1:45:05.400 --> 1:45:09.479
<v Speaker 1>Said that ship. Shout out to Juic Mirr. Still don't leave, man,

1:45:10.000 --> 1:45:19.120
<v Speaker 1>Still motherfucking Wikipedia is your friend. I don't have no

1:45:21.160 --> 1:45:23.519
<v Speaker 1>I'm telling you so, I'm just I'm just like this

1:45:23.680 --> 1:45:25.639
<v Speaker 1>other thing. You know, I can't see. I'm just over

1:45:25.640 --> 1:45:32.559
<v Speaker 1>here out the age is sill shout out the squition,

1:45:32.720 --> 1:45:34.360
<v Speaker 1>still await. We got questions for you.

1:45:36.120 --> 1:45:38.280
<v Speaker 4>Had to, you know, get online and make like his

1:45:38.400 --> 1:45:41.200
<v Speaker 4>steaks and catch up like And I like mythod Man too.

1:45:41.240 --> 1:45:43.120
<v Speaker 2>I don't know every mythod Man don't put up, but

1:45:43.120 --> 1:45:43.479
<v Speaker 2>I like it.

1:45:43.640 --> 1:45:45.760
<v Speaker 3>She didn't even know one mythic. You didn't know what

1:45:45.960 --> 1:45:46.840
<v Speaker 3>this question of the day.

1:45:46.840 --> 1:45:47.840
<v Speaker 1>Don't Still I.

1:45:50.320 --> 1:45:52.080
<v Speaker 2>Don't know his whole discography.

1:45:52.080 --> 1:45:54.360
<v Speaker 1>Is methody Man to cal album? Is that a class to.

1:45:55.960 --> 1:45:56.240
<v Speaker 3>Carol?

1:45:56.439 --> 1:45:58.360
<v Speaker 2>I think it's one of the method Man's, don't you

1:45:58.439 --> 1:46:00.840
<v Speaker 2>know what? I like method Man. I think the Cal

1:46:00.960 --> 1:46:03.600
<v Speaker 2>was a good album. My favorite song on there was

1:46:03.640 --> 1:46:06.280
<v Speaker 2>the one the way he had like the army marching

1:46:06.400 --> 1:46:11.200
<v Speaker 2>like the with like the army marching behind it. You

1:46:11.240 --> 1:46:11.960
<v Speaker 2>know what I'm talking about?

1:46:12.439 --> 1:46:14.240
<v Speaker 1>And I know something, I know something. I'm the name

1:46:14.240 --> 1:46:14.680
<v Speaker 1>of the song I.

1:46:14.720 --> 1:46:16.240
<v Speaker 2>Think to call it was a classics.

1:46:16.400 --> 1:46:18.519
<v Speaker 1>I think that intro when we first stepped on the

1:46:18.600 --> 1:46:20.559
<v Speaker 1>scene Niggas was spentry fun.

1:46:20.720 --> 1:46:24.160
<v Speaker 2>Yeah, you know what I'm saying, and I think that

1:46:24.280 --> 1:46:26.120
<v Speaker 2>was Rizzard's sister that was singing that. I thought that

1:46:26.240 --> 1:46:29.200
<v Speaker 2>beat was dope. Dog, I think out the Queen, No dog.

1:46:29.240 --> 1:46:31.160
<v Speaker 2>I think Ray Kwan had the best album, dog, I

1:46:31.200 --> 1:46:33.120
<v Speaker 2>think the best album.

1:46:34.400 --> 1:46:36.840
<v Speaker 1>Shout out to Bella Mack what is still signed? Laughing

1:46:36.960 --> 1:46:38.880
<v Speaker 1>my ass off? He getting mad quick must be a cancer.

1:46:38.960 --> 1:46:43.920
<v Speaker 1>That nigga's a gemini. That niggas like my mama, so

1:46:44.240 --> 1:46:45.000
<v Speaker 1>so in a In.

1:46:45.040 --> 1:46:50.560
<v Speaker 2>A twelve month period, Rizid produced five albums. So it

1:46:50.720 --> 1:46:55.760
<v Speaker 2>was to caw herple table return, Return, the thirty six

1:46:55.920 --> 1:46:57.840
<v Speaker 2>chambers Liquid Swords?

1:47:00.320 --> 1:47:02.680
<v Speaker 1>What was the what was the fifth? Shout out to

1:47:02.720 --> 1:47:06.679
<v Speaker 1>east Side k Boy still never listening to the whole

1:47:06.760 --> 1:47:10.920
<v Speaker 1>to Cal album. That's probably true, man, you know what

1:47:11.160 --> 1:47:13.360
<v Speaker 1>was five when that sh came up.

1:47:14.360 --> 1:47:17.920
<v Speaker 3>Shout out to Nick oh G blood sugar levels driving.

1:47:24.320 --> 1:47:29.960
<v Speaker 2>Remember to I thought the original version of All I

1:47:30.080 --> 1:47:32.160
<v Speaker 2>needed was whack. The smartest thing they did was go

1:47:32.280 --> 1:47:35.800
<v Speaker 2>to Puffy to get that remix. Shout out to Squishy G.

1:47:35.960 --> 1:47:37.760
<v Speaker 2>Don't you got a birthday coming up? Just like you?

1:47:37.920 --> 1:47:40.960
<v Speaker 1>My birthday December tenth, it's coming up. It's going down

1:47:42.320 --> 1:47:45.200
<v Speaker 1>My birthday on Monday. Man, have you seen that brother. Yeah,

1:47:46.000 --> 1:47:49.160
<v Speaker 1>my man, shout out, shout out.

1:47:49.360 --> 1:47:52.559
<v Speaker 3>I'm sad. Shout out to to the public. What's up, Malone.

1:47:52.600 --> 1:47:54.240
<v Speaker 1>You know, it's kind of hard for those East Coast

1:47:54.320 --> 1:47:57.200
<v Speaker 1>dudes to catch a full year. Most consistent brothers is

1:47:57.320 --> 1:48:00.280
<v Speaker 1>fifty cent DMX from Oh Yeah, I'm not mad at that.

1:48:01.080 --> 1:48:04.519
<v Speaker 1>Like DMX, we just had a really conversation. Yeah, that

1:48:04.600 --> 1:48:07.360
<v Speaker 1>was a really different conversation. Like with DMX was able

1:48:07.439 --> 1:48:09.640
<v Speaker 1>to do the hip hop it might have been one

1:48:09.680 --> 1:48:11.800
<v Speaker 1>of the greatest top three It's probably top three hip

1:48:11.800 --> 1:48:13.639
<v Speaker 1>hop impacts I ever saw in my life.

1:48:14.760 --> 1:48:17.320
<v Speaker 7>You know what I mean that I that I put

1:48:17.640 --> 1:48:22.400
<v Speaker 7>fifty Yeah, I put it over fifty. Man, you need

1:48:22.439 --> 1:48:27.120
<v Speaker 7>to be snoop Dog. Fifty got in my mind.

1:48:29.680 --> 1:48:32.479
<v Speaker 2>Going back to the Wu Tang. You think you think

1:48:32.520 --> 1:48:34.439
<v Speaker 2>this is probably the greatest producer, one of the greatest

1:48:34.439 --> 1:48:36.920
<v Speaker 2>producers that rother in New York. But he did was crazy, bro,

1:48:37.360 --> 1:48:41.560
<v Speaker 2>and you gotta you gotta remember dog the uncontrolled substances

1:48:42.560 --> 1:48:44.800
<v Speaker 2>that never came out, did it? I give him, I

1:48:44.880 --> 1:48:46.519
<v Speaker 2>give I give risk of being one of them. I'm

1:48:46.560 --> 1:48:48.719
<v Speaker 2>saying one of the greatest producers know, definitely for sure.

1:48:49.120 --> 1:48:50.960
<v Speaker 2>Like what he did, what he did as far with

1:48:51.040 --> 1:48:53.560
<v Speaker 2>the soul samples and stuff like that, and it was

1:48:53.640 --> 1:48:55.680
<v Speaker 2>like this is crazy. We were talking about the other day.

1:48:55.680 --> 1:48:58.040
<v Speaker 2>We said Rhythm must have had a crazy plumbing problem.

1:48:58.280 --> 1:49:01.800
<v Speaker 2>But you know he had two floods. He lost beats on. Yeah,

1:49:01.840 --> 1:49:02.720
<v Speaker 2>two floods, man.

1:49:04.400 --> 1:49:06.880
<v Speaker 3>Yeah, Rizzard is probably the greatest producer every out of

1:49:06.960 --> 1:49:07.240
<v Speaker 3>hip hop.

1:49:07.280 --> 1:49:09.800
<v Speaker 2>I mean he had to do the albums over again,

1:49:11.360 --> 1:49:11.840
<v Speaker 2>over again.

1:49:12.320 --> 1:49:15.920
<v Speaker 3>Und for pounds that pounds, that's pounds for pound, risids

1:49:15.960 --> 1:49:17.799
<v Speaker 3>for shorty great delivered.

1:49:17.840 --> 1:49:20.560
<v Speaker 2>Like I was saying, like that ninety year he was

1:49:20.600 --> 1:49:23.519
<v Speaker 2>putting out albums, beating on all the albums. I'm saying

1:49:23.560 --> 1:49:25.680
<v Speaker 2>that the cow joint that the purple.

1:49:25.479 --> 1:49:29.719
<v Speaker 1>Tape pownerful poundful pound, Rizzid is number one, Tony Poker

1:49:29.760 --> 1:49:32.400
<v Speaker 1>is probably number two pound for pound for real. Now

1:49:32.880 --> 1:49:35.800
<v Speaker 1>that wise, that wise, Now if you prefer obviously, you're

1:49:35.800 --> 1:49:37.920
<v Speaker 1>gonna start talking about Primo.

1:49:38.120 --> 1:49:39.040
<v Speaker 3>You know, you're starting.

1:49:41.840 --> 1:49:42.759
<v Speaker 1>A five month.

1:49:42.640 --> 1:49:45.040
<v Speaker 2>Period all the albums rizz came up with, and he

1:49:45.120 --> 1:49:47.479
<v Speaker 2>came up with albums that courned out to be classical albums.

1:49:47.920 --> 1:49:50.600
<v Speaker 3>But not just five months, just that whole run, you

1:49:50.680 --> 1:49:52.879
<v Speaker 3>know what I'm saying, Like pounerful pound.

1:49:52.720 --> 1:49:55.920
<v Speaker 1>Rizzids is probably the greatest producer ever out of New

1:49:56.040 --> 1:50:02.000
<v Speaker 1>York hip hop. Maybe Larry Smith is up there. I

1:50:02.080 --> 1:50:04.599
<v Speaker 1>mean like you're talking about stat wise and yeah, it's

1:50:04.760 --> 1:50:08.040
<v Speaker 1>hard to be delivered so much. Let me ask you this,

1:50:08.320 --> 1:50:10.479
<v Speaker 1>Let me ask you this trap. Do you think Rizzard

1:50:10.600 --> 1:50:13.479
<v Speaker 1>was mad when when they dropped the puffy version of

1:50:13.479 --> 1:50:16.320
<v Speaker 1>the ball? I need know, they made it a bigger

1:50:16.400 --> 1:50:18.160
<v Speaker 1>They made it a bigger record of it, and they

1:50:19.000 --> 1:50:22.800
<v Speaker 1>made it a bigger man dog. You know what.

1:50:22.920 --> 1:50:25.240
<v Speaker 2>The only thing about it, doog I didn't like to

1:50:25.360 --> 1:50:28.360
<v Speaker 2>count to as much when they came the second one.

1:50:29.320 --> 1:50:33.360
<v Speaker 2>Always always thought method Man sounded better over I think

1:50:33.400 --> 1:50:34.760
<v Speaker 2>he kind of outgrew Rizzar's bea.

1:50:35.400 --> 1:50:35.880
<v Speaker 3>They all did.

1:50:36.960 --> 1:50:38.760
<v Speaker 1>I think they all did. I think all of them

1:50:38.760 --> 1:50:39.280
<v Speaker 1>because I don't.

1:50:39.960 --> 1:50:42.519
<v Speaker 2>I don't know iron Man. I didn't really like the

1:50:42.560 --> 1:50:45.040
<v Speaker 2>iron Man album. The sample sounded kind of generate, like

1:50:45.120 --> 1:50:49.160
<v Speaker 2>when he went to the What's My Boy? Did Everybody sampled?

1:50:49.240 --> 1:50:51.040
<v Speaker 2>On the Jazz Cat did Everybody sample?

1:50:51.439 --> 1:50:55.960
<v Speaker 1>He came out talking about white Dude.

1:50:56.520 --> 1:51:01.400
<v Speaker 2>Yeah, And I don't know why I don't remember games games. Yeah,

1:51:02.320 --> 1:51:05.120
<v Speaker 2>it was just kind of redundant because he used natilists

1:51:05.200 --> 1:51:06.920
<v Speaker 2>like two or three times there was you could tell

1:51:07.000 --> 1:51:10.640
<v Speaker 2>Rizzard kind of ideas because you know what it is

1:51:10.640 --> 1:51:13.080
<v Speaker 2>about that when you when you finally get that get

1:51:13.280 --> 1:51:16.080
<v Speaker 2>when you finally get to that song and you just

1:51:16.240 --> 1:51:19.240
<v Speaker 2>understand how beautiful, how many chopped up samples in that song.

1:51:19.600 --> 1:51:21.160
<v Speaker 2>You don't want to make a whole album out of

1:51:21.200 --> 1:51:24.080
<v Speaker 2>that ship. Yeah, nomalists got about like.

1:51:25.520 --> 1:51:28.559
<v Speaker 1>Shut out to super Jedi, who made a fantastic point.

1:51:28.800 --> 1:51:31.120
<v Speaker 1>I think the issue with Rizzad is that his beats

1:51:31.240 --> 1:51:32.200
<v Speaker 1>kept getting cleaner.

1:51:32.840 --> 1:51:35.639
<v Speaker 2>Yeah, probably, so you talking about that yesterday.

1:51:35.720 --> 1:51:36.080
<v Speaker 1>Jus.

1:51:36.160 --> 1:51:38.599
<v Speaker 2>You know, if you listen to like, if you listen

1:51:38.680 --> 1:51:42.280
<v Speaker 2>to ice Cream, right, vocals was kind of hot and

1:51:42.360 --> 1:51:44.840
<v Speaker 2>the song like they was over the track. It was

1:51:45.000 --> 1:51:47.559
<v Speaker 2>almost like it was a two track. But it sounded good.

1:51:47.680 --> 1:51:50.200
<v Speaker 1>Though hip hop.

1:51:50.439 --> 1:51:53.160
<v Speaker 3>Hip hop is all about making nothing out of something exactly.

1:51:55.560 --> 1:51:57.200
<v Speaker 2>It's like they don't sound like none of that ship

1:51:57.280 --> 1:52:00.120
<v Speaker 2>was mixed, but it sounded good man. I I just

1:52:00.200 --> 1:52:02.519
<v Speaker 2>think Ray Kwan's album got the benefit of having the

1:52:02.600 --> 1:52:05.479
<v Speaker 2>dopest beats though, Dog that ice Cream beat was crazy

1:52:05.640 --> 1:52:12.800
<v Speaker 2>to you ever watched the what was the one? Remember

1:52:12.840 --> 1:52:13.080
<v Speaker 2>how you.

1:52:15.000 --> 1:52:15.439
<v Speaker 3>Got the hoop?

1:52:15.479 --> 1:52:17.320
<v Speaker 2>How you got that snail on the one song. Yeah,

1:52:17.400 --> 1:52:18.880
<v Speaker 2>he was in the hall way, bang on the bang

1:52:18.960 --> 1:52:21.479
<v Speaker 2>on the thing like it was ship like that. He

1:52:21.560 --> 1:52:23.200
<v Speaker 2>wasn't doing it like that later on in his career.

1:52:23.240 --> 1:52:24.719
<v Speaker 1>He wasn't once you start.

1:52:24.560 --> 1:52:28.120
<v Speaker 3>Making that coin like and but again back to Kendrick,

1:52:28.160 --> 1:52:28.519
<v Speaker 3>back to Dre.

1:52:28.680 --> 1:52:32.160
<v Speaker 1>That's what made Dre such a special producer is you know,

1:52:32.320 --> 1:52:35.479
<v Speaker 1>to be able to evolve through multiple eras. Dre had

1:52:35.520 --> 1:52:38.880
<v Speaker 1>three different sounds. He had the initial breakbeat sound that's

1:52:38.960 --> 1:52:43.160
<v Speaker 1>the eighties, right in the early nineties right well, you could.

1:52:43.000 --> 1:52:44.200
<v Speaker 3>Tell it was all marly ma.

1:52:44.920 --> 1:52:47.240
<v Speaker 1>And then you had the g funk version of Dre,

1:52:47.400 --> 1:52:50.439
<v Speaker 1>which lasted a good three to five years. And then

1:52:50.520 --> 1:52:52.760
<v Speaker 1>you had this version of Dre that kind of start

1:52:52.880 --> 1:52:56.800
<v Speaker 1>taking classical music and bringing like an urban appeal to it.

1:52:57.520 --> 1:52:59.360
<v Speaker 1>That's not an easy thing to do, you know what

1:52:59.400 --> 1:53:03.080
<v Speaker 1>I'm saying, And and I don't think every producer has

1:53:03.160 --> 1:53:05.240
<v Speaker 1>to do it, but it's dope that Dre was able

1:53:05.320 --> 1:53:08.320
<v Speaker 1>to do it. But what Rizza did, I don't think.

1:53:08.439 --> 1:53:11.759
<v Speaker 1>You know, Manny Fresh is the only person like outside

1:53:11.800 --> 1:53:14.320
<v Speaker 1>of Doctor Dre that's compatible because remember Dre didn't really

1:53:14.360 --> 1:53:16.240
<v Speaker 1>get a chance to produce three and four and five

1:53:16.280 --> 1:53:19.280
<v Speaker 1>albums in a row with a specific sound.

1:53:19.720 --> 1:53:21.679
<v Speaker 2>I'm gonna tell you who came with some ill shit,

1:53:21.760 --> 1:53:23.679
<v Speaker 2>and I think Rizzard got one. A lot of people

1:53:23.760 --> 1:53:27.280
<v Speaker 2>think Rizzard did it, but with the disciple of Nigga

1:53:27.280 --> 1:53:35.240
<v Speaker 2>that made the Brooklyn mathematics mathematic that that that Brooklyn

1:53:35.320 --> 1:53:36.360
<v Speaker 2>Zoos ship was crazy.

1:53:37.160 --> 1:53:42.160
<v Speaker 1>Remember this is the This is the second produced Snoop

1:53:42.200 --> 1:53:45.000
<v Speaker 1>Dogg album from Doctor Dre. He's produced other stuff on

1:53:45.120 --> 1:53:47.240
<v Speaker 1>him in the past, but this is the second produced

1:53:47.280 --> 1:53:51.360
<v Speaker 1>Snoop Dogg album from Doctor Dre. Remember the second album

1:53:51.439 --> 1:53:55.400
<v Speaker 1>fifty Dre produced on it, he didn't produce it. Eminem

1:53:55.520 --> 1:53:59.120
<v Speaker 1>is probably the person he worked with the most. Yeah,

1:53:59.360 --> 1:54:01.720
<v Speaker 1>you didn't get this second Game album produced by Doctor Dre.

1:54:01.840 --> 1:54:05.640
<v Speaker 1>You got two n w A albums produced by Doctor Dre. Right,

1:54:05.720 --> 1:54:10.320
<v Speaker 1>you got one album until the Missionary produced by Snoop. Like,

1:54:10.439 --> 1:54:13.840
<v Speaker 1>it's not like a simple thing versus rizz With Rizzi,

1:54:13.920 --> 1:54:17.280
<v Speaker 1>you got multiple albums. He took multiple side people.

1:54:17.479 --> 1:54:19.800
<v Speaker 2>You know what's easy to forget to when you're talking

1:54:19.840 --> 1:54:22.960
<v Speaker 2>about New York hip hop. This errors to it, like

1:54:23.040 --> 1:54:24.880
<v Speaker 2>I just thought about it. It's like ship E p

1:54:25.040 --> 1:54:27.400
<v Speaker 2>MD from New York and that's like my ship.

1:54:28.360 --> 1:54:30.360
<v Speaker 1>Yeah, but that's why I said I think Rizzard is

1:54:30.439 --> 1:54:37.400
<v Speaker 1>by far the greatest out of everybody Eric not better,

1:54:38.360 --> 1:54:45.040
<v Speaker 1>better subjective, Like right, I'm saying the stats like breaking artists,

1:54:45.960 --> 1:54:58.640
<v Speaker 1>classic joints, E P. M. D. In the Midwest, West

1:54:58.680 --> 1:55:03.280
<v Speaker 1>coast of the term mean not knocking the Juice Crew,

1:55:03.320 --> 1:55:05.880
<v Speaker 1>But you know what Wu Tang is. Wu Tang is

1:55:06.040 --> 1:55:08.400
<v Speaker 1>the one, and it's because.

1:55:09.000 --> 1:55:12.240
<v Speaker 2>Everybody know more to cads. Like like the Juice Crew,

1:55:12.360 --> 1:55:17.360
<v Speaker 2>everybody in there hitting rap was hitting biz, Biz was

1:55:17.400 --> 1:55:21.640
<v Speaker 2>hitting Big Daddy came, he rapped.

1:55:21.840 --> 1:55:24.680
<v Speaker 3>But when you look at Wu Tang, it's just different.

1:55:24.760 --> 1:55:28.080
<v Speaker 1>Man, Like what they were able to do culturally and sonically,

1:55:28.240 --> 1:55:32.600
<v Speaker 1>Dog is like kind of uncharted. Like it's really crazy

1:55:32.640 --> 1:55:35.360
<v Speaker 1>when you think about how that dude is with that ship.

1:55:35.400 --> 1:55:40.120
<v Speaker 1>And I mean, yeah, all them people that he's able

1:55:40.200 --> 1:55:42.800
<v Speaker 1>to make those albums, I mean that one is crazy.

1:55:43.160 --> 1:55:45.400
<v Speaker 3>It's like ten or twelve albums that's platinum.

1:55:45.520 --> 1:55:45.880
<v Speaker 2>Crazy.

1:55:46.320 --> 1:55:48.680
<v Speaker 3>Yeah, crazy, it was all going.

1:55:49.120 --> 1:55:51.080
<v Speaker 2>That's what I sit back and think when I see that.

1:55:51.560 --> 1:55:55.280
<v Speaker 2>I mean thinking like could it ever be done again?

1:55:55.360 --> 1:55:55.520
<v Speaker 1>Though?

1:55:55.880 --> 1:55:56.720
<v Speaker 3>Manny Fresh did it?

1:55:57.760 --> 1:56:02.200
<v Speaker 1>Yeah? Yea money that's money. Yeah, I mean, I mean

1:56:02.560 --> 1:56:04.200
<v Speaker 1>he pumped out until he stopped.

1:56:04.360 --> 1:56:07.680
<v Speaker 3>He's not someone like fifteen or twenty. And I don't

1:56:07.720 --> 1:56:12.600
<v Speaker 3>think he had no production help. Remember remember remember all

1:56:12.640 --> 1:56:13.600
<v Speaker 3>the way to the Carter Walk.

1:56:14.000 --> 1:56:16.520
<v Speaker 2>Yeah, and ge he ain't had no production help, did he.

1:56:17.240 --> 1:56:18.720
<v Speaker 1>He? I mean he had people in the room that

1:56:18.760 --> 1:56:21.960
<v Speaker 1>was helping, but he was producing everything. Yeah, he's producing everything.

1:56:21.960 --> 1:56:24.400
<v Speaker 1>Because you know, some people have the benefit of getting

1:56:24.480 --> 1:56:26.760
<v Speaker 1>beats to other people. They may come in the mitche

1:56:26.880 --> 1:56:31.480
<v Speaker 1>dog I know, Eric Sermon, I don't so I don't believe,

1:56:31.600 --> 1:56:34.000
<v Speaker 1>Like I don't believe that's true. Like nobody is getting

1:56:34.040 --> 1:56:35.800
<v Speaker 1>beat from people and coming in and mixing it like

1:56:35.920 --> 1:56:39.120
<v Speaker 1>that's that's kind of like a lie that's always been

1:56:39.160 --> 1:56:41.960
<v Speaker 1>said about like a Dre, Like nobody could do what

1:56:42.080 --> 1:56:45.960
<v Speaker 1>he does that nigga change. Some people do do that.

1:56:46.080 --> 1:56:48.960
<v Speaker 2>Gee, I think you do have some situations, like you

1:56:49.040 --> 1:56:52.080
<v Speaker 2>look at rock Rollers with Eric Sermon. I think Eric

1:56:52.120 --> 1:56:53.880
<v Speaker 2>Simon may give him a little input, but I think

1:56:54.000 --> 1:56:56.120
<v Speaker 2>Rock Waller does its own ship. I think some people

1:56:56.200 --> 1:56:58.240
<v Speaker 2>just get beats to mother niggas, you know, I think

1:56:58.320 --> 1:57:01.200
<v Speaker 2>they just supervise him because look at this, like you

1:57:01.360 --> 1:57:03.960
<v Speaker 2>know the big thing with Dad, Oh Dre did this

1:57:04.080 --> 1:57:06.520
<v Speaker 2>and that? How come you beats know something the same thing. Now,

1:57:06.760 --> 1:57:08.960
<v Speaker 2>I think Dray definitely made this ship sound better.

1:57:09.640 --> 1:57:12.720
<v Speaker 3>It's not his ship. Like, just because you hold a

1:57:12.800 --> 1:57:14.440
<v Speaker 3>camera don't mean you directed the movie.

1:57:14.840 --> 1:57:16.840
<v Speaker 2>You can give a nigga the basis to an idea dog,

1:57:16.920 --> 1:57:18.240
<v Speaker 2>it's definitely mean that.

1:57:18.280 --> 1:57:20.040
<v Speaker 3>Don't mean you made a movie because you gave somebody

1:57:20.080 --> 1:57:20.720
<v Speaker 3>a basis.

1:57:20.480 --> 1:57:23.440
<v Speaker 2>Of anh That's where the bullshit started at You want

1:57:23.440 --> 1:57:26.040
<v Speaker 2>of them niggas, you can't. If I give a nigga

1:57:26.120 --> 1:57:27.880
<v Speaker 2>beat and he had a little bill to it, don't

1:57:27.920 --> 1:57:29.640
<v Speaker 2>mean he did smell a ship to it.

1:57:30.160 --> 1:57:33.040
<v Speaker 3>Now, you just what you feel like just because you

1:57:33.160 --> 1:57:34.840
<v Speaker 3>did something means you did it all in this way,

1:57:35.560 --> 1:57:36.200
<v Speaker 3>what Drake.

1:57:36.160 --> 1:57:39.760
<v Speaker 2>What he does, his his input can't be can't be

1:57:39.920 --> 1:57:45.760
<v Speaker 2>understated though he makes ship better. Like that's like Jones

1:57:45.840 --> 1:57:47.360
<v Speaker 2>thing that people talk about. You know what I'm saying.

1:57:47.440 --> 1:57:49.160
<v Speaker 2>Like it's a composer, you know what I'm saying. So

1:57:50.040 --> 1:57:52.200
<v Speaker 2>that's what a producer is. A is a composer. So

1:57:52.640 --> 1:57:54.640
<v Speaker 2>so I got if I get a bunch of musicians

1:57:54.680 --> 1:57:56.560
<v Speaker 2>for hire to come what I'm saying, pull up right there,

1:57:56.880 --> 1:57:58.520
<v Speaker 2>you know what I'm saying. You could be playing the

1:57:58.600 --> 1:58:01.320
<v Speaker 2>key right there. But he being the producer, is putting

1:58:01.400 --> 1:58:04.880
<v Speaker 2>that key right there, along with that horn sound right there,

1:58:05.240 --> 1:58:07.800
<v Speaker 2>along with that drums pattern right there. And I'm saying

1:58:07.880 --> 1:58:10.080
<v Speaker 2>I'm producing this record right there. You might just actually

1:58:10.120 --> 1:58:12.440
<v Speaker 2>you might be the one that's that's and I'm saying

1:58:12.520 --> 1:58:14.480
<v Speaker 2>behind them, but behind the ship playing the though, But

1:58:14.600 --> 1:58:16.400
<v Speaker 2>I'm the one that's coming up to the magic and

1:58:16.440 --> 1:58:17.600
<v Speaker 2>putting the sh all together though.

1:58:17.840 --> 1:58:20.040
<v Speaker 3>That's what the producer is, that's the producer. R.

1:58:22.040 --> 1:58:25.280
<v Speaker 4>Could you explain real quick how like the mechanics work

1:58:25.360 --> 1:58:27.680
<v Speaker 4>of Like I'm just trying to think of places in

1:58:27.800 --> 1:58:30.600
<v Speaker 4>times that have sound where a lot of artists were

1:58:30.640 --> 1:58:31.160
<v Speaker 4>on that kind of.

1:58:31.200 --> 1:58:34.400
<v Speaker 1>Sound like, but like Cool and Dre in Miami, they didn't.

1:58:34.520 --> 1:58:35.200
<v Speaker 1>They weren't really like.

1:58:36.800 --> 1:58:39.320
<v Speaker 4>A thing like Manny Fresh like in that same sense,

1:58:39.320 --> 1:58:40.640
<v Speaker 4>you know what I mean. But they were present on

1:58:40.680 --> 1:58:42.120
<v Speaker 4>a lot of albums, they did a lot of stuff

1:58:42.160 --> 1:58:43.480
<v Speaker 4>like it, but they were all under kind of that

1:58:43.560 --> 1:58:46.840
<v Speaker 4>was the new king with all those different people.

1:58:47.120 --> 1:58:51.640
<v Speaker 5>Yeah, all those people, how does that mechanically play out?

1:58:52.320 --> 1:58:55.240
<v Speaker 1>Well, don't happen for everybody? Like right, like Manny Fresh

1:58:55.400 --> 1:58:58.240
<v Speaker 1>was lucky, Dre is lucky. Remember Quick didn't really get

1:58:58.280 --> 1:59:00.320
<v Speaker 1>to produce a bunch of artists. He only produced Sugar

1:59:00.400 --> 1:59:03.400
<v Speaker 1>Free and Mossburg. He didn't really get to produce.

1:59:07.640 --> 1:59:10.480
<v Speaker 3>That was actually early ship.

1:59:11.320 --> 1:59:14.160
<v Speaker 1>Yeah, Rizzard was able to get the whole Wu Tang.

1:59:14.240 --> 1:59:16.880
<v Speaker 1>It just worked out that way, and it worked, you

1:59:16.920 --> 1:59:18.360
<v Speaker 1>know what I mean. They lost a lot of music.

1:59:18.400 --> 1:59:20.840
<v Speaker 1>They had even a lot more music than that I get.

1:59:20.880 --> 1:59:23.000
<v Speaker 1>On title, I've never seen this happen.

1:59:23.400 --> 1:59:27.800
<v Speaker 3>What's that shut it down for? You see what's going on?

1:59:27.880 --> 1:59:33.280
<v Speaker 1>On title? It's just again like I said, it's not

1:59:33.520 --> 1:59:36.960
<v Speaker 1>like still what Still is doing. It's just irresponsible. Oh,

1:59:37.760 --> 1:59:39.560
<v Speaker 1>Kendrick Lamar gm nex invadable.

1:59:39.640 --> 1:59:42.000
<v Speaker 3>Title, that's tight, that's fire.

1:59:45.000 --> 1:59:48.880
<v Speaker 1>No irresponsible, Hold on. It is some niggas that take

1:59:48.960 --> 1:59:53.160
<v Speaker 1>credit from Gee you you just can't say that, Bro,

1:59:53.440 --> 1:59:55.040
<v Speaker 1>you can't say that. I'm not saying that's what dra

1:59:55.240 --> 1:59:58.520
<v Speaker 1>did though, but it's some dude put their name on.

1:59:59.200 --> 2:00:02.000
<v Speaker 3>No, I'm saying, we see.

2:00:01.800 --> 2:00:03.360
<v Speaker 2>We got a big nigga on the West coast to

2:00:03.400 --> 2:00:06.960
<v Speaker 2>do this ship. Right now, Doug, I'm not about to

2:00:07.000 --> 2:00:08.400
<v Speaker 2>get in all that. You know who I'm talking about.

2:00:08.480 --> 2:00:10.200
<v Speaker 2>You don't, I don't know what you're talking about. You

2:00:10.240 --> 2:00:11.760
<v Speaker 2>know who I'm talking about. You know it's plenty of

2:00:11.840 --> 2:00:12.400
<v Speaker 2>niggas out here.

2:00:12.600 --> 2:00:14.040
<v Speaker 3>I have no idea who does that.

2:00:14.520 --> 2:00:16.720
<v Speaker 2>Who's the boy that got saying dog? You know that

2:00:16.880 --> 2:00:19.080
<v Speaker 2>nigga got this whole mustard, got this whole sound.

2:00:18.920 --> 2:00:21.320
<v Speaker 3>From that nigga. But again, that's not true.

2:00:22.080 --> 2:00:24.840
<v Speaker 2>The dude that gotta say dog. You know what's what's

2:00:24.880 --> 2:00:26.520
<v Speaker 2>the boy's name? They used to mess with you the

2:00:26.560 --> 2:00:31.000
<v Speaker 2>buzzy on the beat? Yeah, that ain't mustard, Dog.

2:00:31.680 --> 2:00:33.920
<v Speaker 3>What do you mean that's stupid? Of course is mustard.

2:00:33.960 --> 2:00:38.600
<v Speaker 1>Don't be ridiculous, Dog, that's mustard. So you're telling me

2:00:38.680 --> 2:00:41.200
<v Speaker 1>that it ain't producers that just take other niggas beats

2:00:41.200 --> 2:00:42.000
<v Speaker 1>and put their name on it.

2:00:42.360 --> 2:00:43.240
<v Speaker 3>I never saw that.

2:00:43.360 --> 2:00:45.240
<v Speaker 1>Like the only time that's happened to me was one

2:00:45.320 --> 2:00:47.520
<v Speaker 1>time in life and then the producer came and I

2:00:47.560 --> 2:00:49.880
<v Speaker 1>had to pay the producer ten thousand. Bro.

2:00:50.000 --> 2:00:51.880
<v Speaker 2>I'm gonna tell you this, Dog, I'm not talking about

2:00:52.000 --> 2:00:52.960
<v Speaker 2>like that interest for nigga.

2:00:53.040 --> 2:00:54.000
<v Speaker 3>Still, that's what it is.

2:00:54.760 --> 2:00:57.720
<v Speaker 2>The workload of some of these producers be so heavy

2:00:57.800 --> 2:01:00.120
<v Speaker 2>she they have to bring other people in and I'm

2:01:00.120 --> 2:01:02.080
<v Speaker 2>gonna tell you, yeah, they may put their sauce on it,

2:01:02.280 --> 2:01:06.200
<v Speaker 2>but them beats is coming to them. Dudes, eighty five already.

2:01:06.280 --> 2:01:08.680
<v Speaker 3>Not how it works. It's like it's like, okay, I'm

2:01:08.680 --> 2:01:09.720
<v Speaker 3>gonna give you the equivalent.

2:01:09.760 --> 2:01:12.520
<v Speaker 1>It's like playing baseball, right, and you pitch a game

2:01:12.600 --> 2:01:14.680
<v Speaker 1>in the World Series and you pitch six innings and

2:01:14.760 --> 2:01:16.720
<v Speaker 1>somebody else pitched three innings, and you're talking about the

2:01:16.760 --> 2:01:17.560
<v Speaker 1>workload is done.

2:01:17.680 --> 2:01:17.920
<v Speaker 3>It's not.

2:01:19.520 --> 2:01:22.200
<v Speaker 2>Bro. You know you're making the wrong comparison. I'm gonna

2:01:22.200 --> 2:01:25.600
<v Speaker 2>tell you this right here, right just like the fact

2:01:26.080 --> 2:01:27.920
<v Speaker 2>you can say that that is beats ain't sound the

2:01:27.920 --> 2:01:30.560
<v Speaker 2>sayings that scene's being with Drake Dray ain't made no

2:01:30.920 --> 2:01:32.920
<v Speaker 2>set up here and made no ambitions of the riders

2:01:33.040 --> 2:01:41.680
<v Speaker 2>just by itself, just conceived, Just like you understate Drey's involvement.

2:01:41.800 --> 2:01:43.880
<v Speaker 2>You can't say that Das ain't do shit either, you

2:01:43.920 --> 2:01:44.320
<v Speaker 2>know what I mean?

2:01:44.880 --> 2:01:48.160
<v Speaker 3>That is the producer of ambitions of a rider, not Snoop.

2:01:48.760 --> 2:01:49.400
<v Speaker 1>Like Warring G.

2:01:50.320 --> 2:01:53.760
<v Speaker 2>Like you think about Warring G. Right, without Warren G,

2:01:54.440 --> 2:01:56.000
<v Speaker 2>the chronic might not be what it was.

2:01:56.800 --> 2:01:58.720
<v Speaker 3>I'm not saying there's not people in the room.

2:01:58.800 --> 2:02:02.360
<v Speaker 1>That's like saying without anybody doing something in the association

2:02:02.440 --> 2:02:06.880
<v Speaker 1>of holding up, but you're just seeing they No, that's

2:02:06.960 --> 2:02:08.200
<v Speaker 1>not what I'm saying, I'm telling.

2:02:07.960 --> 2:02:10.000
<v Speaker 3>You they didn't produce it because they had an input,

2:02:10.640 --> 2:02:12.280
<v Speaker 3>and they didn't do most of the work. Because they

2:02:12.400 --> 2:02:15.480
<v Speaker 3>did something, what it becomes a lot of dog.

2:02:15.560 --> 2:02:17.640
<v Speaker 2>And that's why I've never been a fan of producing

2:02:17.760 --> 2:02:22.560
<v Speaker 2>dog because what happens is this, there are so many

2:02:22.680 --> 2:02:25.800
<v Speaker 2>hands involved in certain stuff bro to where it becomes

2:02:25.880 --> 2:02:28.240
<v Speaker 2>it's always gonna be somebody that think they did more.

2:02:28.840 --> 2:02:30.920
<v Speaker 2>It's always gonna be somebody. Well, I put this snare

2:02:31.000 --> 2:02:33.080
<v Speaker 2>in there, and without that snare, it wouldn't have been this.

2:02:33.560 --> 2:02:35.840
<v Speaker 2>Whor I beat this kick up because it's key, or

2:02:35.880 --> 2:02:40.280
<v Speaker 2>I changed his eight away right here. It becomes crazy dog.

2:02:40.200 --> 2:02:40.720
<v Speaker 3>After a while.

2:02:41.640 --> 2:02:43.920
<v Speaker 1>Yeah, But I just I just don't know that world

2:02:44.000 --> 2:02:46.480
<v Speaker 1>you're talking about where people is just taking somebody beat

2:02:46.560 --> 2:02:47.600
<v Speaker 1>and just putting their name on them.

2:02:47.760 --> 2:02:49.880
<v Speaker 3>I don't know that dog can happen all the time.

2:02:50.360 --> 2:02:51.280
<v Speaker 3>I never saw it happen.

2:02:51.600 --> 2:02:53.240
<v Speaker 1>The only time I told you is the one time

2:02:53.280 --> 2:02:55.640
<v Speaker 1>why had to pay the rent gaze because somebody said

2:02:55.760 --> 2:02:57.400
<v Speaker 1>that they made this beat and me put his name

2:02:57.440 --> 2:02:59.600
<v Speaker 1>on it. Hold his name?

2:03:01.160 --> 2:03:06.040
<v Speaker 4>Who uh dude Jesus uh damn dame dash. She used

2:03:06.080 --> 2:03:08.200
<v Speaker 4>to buy other people's beasts for che put his name.

2:03:08.040 --> 2:03:10.600
<v Speaker 3>On I never saw that, you know that.

2:03:12.520 --> 2:03:17.160
<v Speaker 1>I seen them dudes down south? What's the duds name?

2:03:17.920 --> 2:03:19.320
<v Speaker 1>That little baby? And all him sign too?

2:03:20.760 --> 2:03:20.960
<v Speaker 4>Dog?

2:03:21.920 --> 2:03:22.920
<v Speaker 1>The only hit boy?

2:03:23.320 --> 2:03:25.080
<v Speaker 2>What was the boy name? Over there in the school?

2:03:25.400 --> 2:03:26.680
<v Speaker 2>Throw the d's on the pitch?

2:03:26.800 --> 2:03:27.520
<v Speaker 3>What's the boy.

2:03:30.160 --> 2:03:30.200
<v Speaker 1>Know?

2:03:30.320 --> 2:03:32.720
<v Speaker 3>He didn't go down did that with him?

2:03:33.000 --> 2:03:36.840
<v Speaker 2>Other producers around him, though he tell them stories.

2:03:37.400 --> 2:03:37.800
<v Speaker 3>He didn't.

2:03:37.840 --> 2:03:40.320
<v Speaker 1>Again, he's not taking a hit boy beat and just

2:03:40.480 --> 2:03:42.480
<v Speaker 1>not doing nothing putting his name on it. He actually

2:03:42.600 --> 2:03:43.960
<v Speaker 1>has to do something to the music.

2:03:44.120 --> 2:03:45.960
<v Speaker 2>And some of them niggas going there and put a

2:03:46.000 --> 2:03:47.920
<v Speaker 2>little twist a few knives.

2:03:47.600 --> 2:03:54.560
<v Speaker 1>Dog, and I genuinely don't go there. What niggas do

2:03:55.000 --> 2:03:59.800
<v Speaker 1>they going there? The people that already got the high?

2:04:01.600 --> 2:04:05.400
<v Speaker 1>You know what I'm saying? I mean that mother? Oh yeah,

2:04:05.440 --> 2:04:10.960
<v Speaker 1>now it's finished. He mentioned that the other day. I'm

2:04:11.160 --> 2:04:14.600
<v Speaker 1>going to drink that doing that ship doing that like

2:04:14.680 --> 2:04:17.560
<v Speaker 1>But but IRV and Puff are kind of different type

2:04:17.600 --> 2:04:23.440
<v Speaker 1>of producers. But if he's directing the traffic and he

2:04:23.560 --> 2:04:25.720
<v Speaker 1>knows what it's supposed to be in us, Remember, producing

2:04:25.880 --> 2:04:29.000
<v Speaker 1>is not holding a camera. Producing is not making a beat.

2:04:30.640 --> 2:04:32.840
<v Speaker 1>That's the hardest part that hip hop seems to not

2:04:33.000 --> 2:04:36.960
<v Speaker 1>get it correct. Producing is not making a beat. Well,

2:04:37.000 --> 2:04:42.720
<v Speaker 1>you know where some of them niggas in the right single,

2:04:42.760 --> 2:04:47.040
<v Speaker 1>the drap on the songs like that. Producing a record, yeah,

2:04:47.080 --> 2:04:49.560
<v Speaker 1>that's that's important though. But you saying, ain't nobody out

2:04:49.560 --> 2:04:52.640
<v Speaker 1>there out there just I don't know, I don't know

2:04:52.760 --> 2:04:56.520
<v Speaker 1>people you for producing that? Yeah, Kendrick produced on this album,

2:04:56.600 --> 2:04:57.200
<v Speaker 1>this album.

2:04:58.840 --> 2:05:02.640
<v Speaker 2>She like you said, you're right, you cannot touch an

2:05:02.680 --> 2:05:03.920
<v Speaker 2>instrument and produce.

2:05:04.280 --> 2:05:05.840
<v Speaker 3>So that what the fuck is you talking? No, I

2:05:05.880 --> 2:05:07.040
<v Speaker 3>don't know what I'm saying?

2:05:07.200 --> 2:05:07.360
<v Speaker 6>Is this?

2:05:07.880 --> 2:05:08.040
<v Speaker 1>Well?

2:05:08.080 --> 2:05:11.040
<v Speaker 2>Are you just being difficult right now? The thing there

2:05:11.120 --> 2:05:13.520
<v Speaker 2>are people who have. You can't tell me that Dre

2:05:13.640 --> 2:05:15.040
<v Speaker 2>ain't got ten different produces.

2:05:15.880 --> 2:05:19.600
<v Speaker 1>There's a lack of an as there is because there

2:05:19.720 --> 2:05:22.280
<v Speaker 1>is too much work to be done. It can't just

2:05:22.360 --> 2:05:26.160
<v Speaker 1>be one community, different bro. I don't like the reason why.

2:05:26.200 --> 2:05:27.840
<v Speaker 1>The reason I got a ghost writer because I can't.

2:05:27.920 --> 2:05:30.200
<v Speaker 1>I can't possibly write all this music right now because

2:05:30.200 --> 2:05:32.080
<v Speaker 1>I'm so doing so much stuff and this that this.

2:05:33.240 --> 2:05:35.440
<v Speaker 1>I think Dre has a production team that has been

2:05:35.520 --> 2:05:40.320
<v Speaker 1>credited consistently at this point, well, not early on. I

2:05:41.360 --> 2:05:44.120
<v Speaker 1>think early on they was early you might not have

2:05:44.200 --> 2:05:47.120
<v Speaker 1>been as fun dog drag him in the Business play

2:05:47.200 --> 2:05:53.640
<v Speaker 1>by Scott Storage. You look at the credits and thus, I.

2:05:53.640 --> 2:05:56.000
<v Speaker 2>Don't even knock Drake for that shee, because I'm I'm

2:05:56.040 --> 2:05:59.080
<v Speaker 2>pretty sure at that time you got other people handling

2:05:59.240 --> 2:06:01.920
<v Speaker 2>business that may omit certain stuff, and I don't even

2:06:01.920 --> 2:06:03.160
<v Speaker 2>know if it's on purpose all the time.

2:06:03.240 --> 2:06:06.879
<v Speaker 1>Bro, I just think I don't think nobody is producing

2:06:06.960 --> 2:06:09.080
<v Speaker 1>for doctor Dre because don't know. Can't nobody do what

2:06:09.160 --> 2:06:15.440
<v Speaker 1>doctor Dre does now because somebody doctor Dray finish it?

2:06:15.560 --> 2:06:19.240
<v Speaker 2>Yes, even Eric Simon, how you work with Rock and

2:06:19.280 --> 2:06:22.240
<v Speaker 2>all of them, Rock Waller, get this stuff them? Eric

2:06:22.280 --> 2:06:25.240
<v Speaker 2>Simony never put his name on nobody on somebody else's.

2:06:25.000 --> 2:06:28.640
<v Speaker 3>Beat that he didn't do, nobody else beat that he

2:06:28.680 --> 2:06:29.000
<v Speaker 3>didn't do.

2:06:30.640 --> 2:06:32.480
<v Speaker 2>You know what, though, Warren did a lot of ship,

2:06:32.560 --> 2:06:34.040
<v Speaker 2>but Drake made a lot of ship that Warren brought

2:06:34.080 --> 2:06:37.800
<v Speaker 2>over there. Tighten it up though, like the original.

2:06:37.760 --> 2:06:40.200
<v Speaker 1>Get a Boy. Yeah, But you keep saying somebody is

2:06:40.280 --> 2:06:42.600
<v Speaker 1>doing something. I'm telling you making a beat is not

2:06:42.760 --> 2:06:46.400
<v Speaker 1>producing a song. You may have an idea for a beat.

2:06:46.560 --> 2:06:49.480
<v Speaker 2>You you can't discount the beat because c G. What

2:06:49.600 --> 2:06:52.000
<v Speaker 2>you do You just discount the beat and make all.

2:06:51.920 --> 2:06:55.200
<v Speaker 1>This nigga and ship No, you just over credit everybody

2:06:55.320 --> 2:06:57.320
<v Speaker 1>in a way to just try to discredit the person

2:06:57.400 --> 2:06:59.840
<v Speaker 1>that keeps doing the same with the name of that person.

2:07:00.120 --> 2:07:03.200
<v Speaker 4>Be what's happening right now is everyone's named producer. There's

2:07:03.280 --> 2:07:07.520
<v Speaker 4>executive producers, there's that that producers, that that producer. That's

2:07:07.560 --> 2:07:09.880
<v Speaker 4>I think most of the problem is conversations. Everyone's got

2:07:09.920 --> 2:07:12.040
<v Speaker 4>the same title, but that requires a preface to it

2:07:12.080 --> 2:07:13.400
<v Speaker 4>and using the prefaces.

2:07:14.040 --> 2:07:16.120
<v Speaker 3>No, it's it's, it's it's it's not really that.

2:07:16.280 --> 2:07:18.160
<v Speaker 1>That's not even a problem, pet because I do agree

2:07:18.240 --> 2:07:20.360
<v Speaker 1>that that's the difference, But that's not what's wrong. What's

2:07:20.360 --> 2:07:23.320
<v Speaker 1>wrong is there's assholes like Stell who just trying to

2:07:23.400 --> 2:07:24.280
<v Speaker 1>discredit doctor Dre.

2:07:25.160 --> 2:07:29.200
<v Speaker 2>I didn't just at one time, you just put words

2:07:29.240 --> 2:07:31.600
<v Speaker 2>in my mouth though that's not what I said. That

2:07:31.800 --> 2:07:34.160
<v Speaker 2>is not what I said. Dred is definitely the greatest

2:07:34.200 --> 2:07:36.360
<v Speaker 2>of all the great as a god. He's a goat.

2:07:36.920 --> 2:07:37.720
<v Speaker 1>I did not say that.

2:07:37.800 --> 2:07:39.200
<v Speaker 2>I said, but don't sit up in that like he

2:07:39.320 --> 2:07:41.040
<v Speaker 2>just in the room doing all that shit by hisself.

2:07:41.280 --> 2:07:42.200
<v Speaker 3>Might never said that.

2:07:44.880 --> 2:07:46.880
<v Speaker 1>I think that. I really think that.

2:07:47.600 --> 2:07:50.120
<v Speaker 2>For what's still saying it is it is times where

2:07:50.560 --> 2:07:53.600
<v Speaker 2>all right, you you might not be as as well

2:07:53.680 --> 2:07:56.400
<v Speaker 2>known as the other producers, though, so like that beat

2:07:56.480 --> 2:07:57.880
<v Speaker 2>might be fired. But if you have to put this

2:07:58.040 --> 2:08:01.400
<v Speaker 2>so called producer name on the beating, this is more

2:08:01.480 --> 2:08:03.160
<v Speaker 2>light towards it. And I think that happens a lot.

2:08:03.600 --> 2:08:06.200
<v Speaker 1>I don't believe that's true though, neither not not to

2:08:06.320 --> 2:08:08.160
<v Speaker 1>no full level, I think it's not impossible. I just

2:08:08.240 --> 2:08:11.000
<v Speaker 1>don't think that's most likely what happened. Shut out to

2:08:11.080 --> 2:08:13.480
<v Speaker 1>unknown Raider god Glass the name of the song you

2:08:13.560 --> 2:08:15.640
<v Speaker 1>sampled this DJ by one G. I've been looking for

2:08:15.720 --> 2:08:18.520
<v Speaker 1>it on Apple Music. It's called that Good, That Good

2:08:18.600 --> 2:08:22.000
<v Speaker 1>feature and Todd Dollar sign and see balling that good.

2:08:23.320 --> 2:08:25.760
<v Speaker 1>Just get back to this album though, Man, what I mean,

2:08:25.800 --> 2:08:28.120
<v Speaker 1>I'm just impressed. I can't wait to get back to it.

2:08:28.200 --> 2:08:30.200
<v Speaker 1>We've been on this ship right here for so long.

2:08:30.320 --> 2:08:31.840
<v Speaker 1>It's time to get the fuck off of here.

2:08:32.480 --> 2:08:33.400
<v Speaker 3>Yeah, we've been on.

2:08:33.520 --> 2:08:36.560
<v Speaker 1>This day forever. Shout out to everybody on this live

2:08:37.400 --> 2:08:39.640
<v Speaker 1>for so much extra time. We could be one of

2:08:39.720 --> 2:08:40.520
<v Speaker 1>steal sticks.

2:08:41.400 --> 2:08:45.200
<v Speaker 3>We definitely candy. Just be ready to be done. It'll

2:08:45.320 --> 2:08:45.880
<v Speaker 3>just be done.

2:08:46.200 --> 2:08:49.200
<v Speaker 5>We were done thirty minutes ago at nowur steal stick.

2:08:49.880 --> 2:08:52.640
<v Speaker 1>Shout out to No Sellers Live the Lunch hour. Click

2:08:52.680 --> 2:08:55.720
<v Speaker 1>that thumbs up button every Monday, Wednesday and Friday at noon.

2:08:55.840 --> 2:08:59.360
<v Speaker 3>We will be back here Monday at noon. Make sure

2:08:59.440 --> 2:09:00.120
<v Speaker 3>you go live.

2:09:00.040 --> 2:09:04.440
<v Speaker 1>Listen to it's just audio.

2:09:04.560 --> 2:09:06.839
<v Speaker 2>But I ain't gonna say that I got my homeboy

2:09:06.960 --> 2:09:10.040
<v Speaker 2>on here, fingers, one of the greatest producers from the West.

2:09:10.680 --> 2:09:13.440
<v Speaker 1>Fingers, you ain't got to name no names. Is a motherfuckers.

2:09:14.840 --> 2:09:15.960
<v Speaker 1>Don't get on here and see it.

2:09:17.680 --> 2:09:21.520
<v Speaker 2>Absolutely glass always like you've never seen that.

2:09:21.920 --> 2:09:23.560
<v Speaker 1>Oh I've never seen that before.

2:09:23.800 --> 2:09:24.600
<v Speaker 3>I never saw it.

2:09:25.600 --> 2:09:27.560
<v Speaker 1>Oh man, I heard.

2:09:27.720 --> 2:09:32.880
<v Speaker 4>About countless huge records that were purchase beats from unknown

2:09:32.920 --> 2:09:34.560
<v Speaker 4>producers for hundreds of.

2:09:34.560 --> 2:09:35.560
<v Speaker 3>Bucks or something like that.

2:09:36.360 --> 2:09:39.880
<v Speaker 1>And then maybe they, you know, may sprinkle like a different.

2:09:39.640 --> 2:09:40.600
<v Speaker 3>Kick or something like that.

2:09:40.840 --> 2:09:45.240
<v Speaker 1>But some of the biggest hits you can't make you

2:09:45.400 --> 2:09:47.040
<v Speaker 1>have been created that way.

2:09:47.960 --> 2:09:49.560
<v Speaker 3>You're not making a point because you got to say,

2:09:50.480 --> 2:09:51.200
<v Speaker 3>thank you, Fingers.

2:09:51.240 --> 2:09:53.640
<v Speaker 2>I appreciate you, bro. I'm gonna come over with that

2:09:53.720 --> 2:09:54.880
<v Speaker 2>fuck with you. I thank you, I love you.

2:09:58.880 --> 2:10:01.080
<v Speaker 3>You didn't make a point, still I did.

2:10:01.200 --> 2:10:03.560
<v Speaker 2>I just told this man got countless albums g on

2:10:03.760 --> 2:10:05.400
<v Speaker 2>his belt, and he snipper.

2:10:05.120 --> 2:10:07.840
<v Speaker 3>Tell you this niggas stories.

2:10:08.600 --> 2:10:10.680
<v Speaker 2>He knows he's not gonna name names though he no

2:10:10.840 --> 2:10:15.960
<v Speaker 2>personal you know what she is one of the people.

2:10:16.320 --> 2:10:20.080
<v Speaker 2>I've never seen anyone get shot. I've never seen nobody.

2:10:20.120 --> 2:10:22.120
<v Speaker 2>Because you ain't seen it, you think it ain't happening.

2:10:22.600 --> 2:10:23.560
<v Speaker 1>This is my problem.

2:10:23.640 --> 2:10:26.040
<v Speaker 3>Was still he always telling me some ship but he

2:10:26.120 --> 2:10:26.760
<v Speaker 3>never saw it.

2:10:30.320 --> 2:10:33.760
<v Speaker 1>Rules then how do you feel so comfortable passing and

2:10:33.840 --> 2:10:36.640
<v Speaker 1>information if it ain't true. I'm telling you what I

2:10:37.000 --> 2:10:43.920
<v Speaker 1>want you as u here and say, yeah, such be

2:10:44.000 --> 2:10:47.920
<v Speaker 1>taking beat team. Did all of y'all just running around

2:10:47.960 --> 2:10:49.840
<v Speaker 1>and knowing some booth shit happened and and you not

2:10:49.960 --> 2:10:51.840
<v Speaker 1>being I bet you if I saw it, I was saying,

2:10:52.600 --> 2:10:54.400
<v Speaker 1>you wouldn't say nothing. It ain't none of your business.

2:10:54.400 --> 2:10:55.480
<v Speaker 1>Would you say that I would.

2:10:55.520 --> 2:10:56.200
<v Speaker 3>I don't give a fuck.

2:10:56.400 --> 2:10:59.200
<v Speaker 1>I ain't trying to maintain no motherfucker that and ain't

2:10:59.200 --> 2:11:03.480
<v Speaker 1>no ambig I'm not trying to be that is not right.

2:11:07.120 --> 2:11:10.800
<v Speaker 2>I'm not giving his credit you. I'm gonna look, you're

2:11:10.800 --> 2:11:12.320
<v Speaker 2>gonna give him this credit that you're gonna deal with this.

2:11:12.600 --> 2:11:15.720
<v Speaker 1>I'm gonna give you this credit. Listen. The thing about

2:11:15.760 --> 2:11:18.680
<v Speaker 1>being a solid nigga, nobody ever said his friends. It's

2:11:18.760 --> 2:11:21.800
<v Speaker 1>not a friendly road. It's a lonely road. But I'd

2:11:21.840 --> 2:11:24.040
<v Speaker 1>rather be a real nigga than a whole nigga every day.

2:11:24.080 --> 2:11:25.840
<v Speaker 1>So if you know some moreh going on, and you're

2:11:25.840 --> 2:11:29.360
<v Speaker 1>scared to say some moreh going on, you just maybe.

2:11:30.640 --> 2:11:32.280
<v Speaker 2>I'm telling you it's a lot of whole ship to

2:11:32.360 --> 2:11:32.560
<v Speaker 2>go on.

2:11:34.120 --> 2:11:36.160
<v Speaker 1>I never saw it happening with me. I never walked

2:11:36.200 --> 2:11:38.120
<v Speaker 1>in the room. I didn't been to Jamie Fox party

2:11:38.360 --> 2:11:41.600
<v Speaker 1>puff parties, uh, Birdman parties.

2:11:41.600 --> 2:11:44.360
<v Speaker 3>I never seen nothing. So how do you always see it?

2:11:44.440 --> 2:11:45.480
<v Speaker 3>But you never was there?

2:11:45.680 --> 2:11:45.840
<v Speaker 1>Man?

2:11:46.480 --> 2:11:47.960
<v Speaker 2>Just going to some whole other stuff.

2:11:48.000 --> 2:11:56.160
<v Speaker 1>Now, I don't know. I don't you got everything that's

2:11:56.200 --> 2:12:00.160
<v Speaker 1>going on? Nobody Still you.

2:12:00.200 --> 2:12:02.000
<v Speaker 2>Write the glasses you right, if it didn't happen, it

2:12:02.000 --> 2:12:05.000
<v Speaker 2>didn't happen, call somebody else, still tell him? Still call

2:12:05.080 --> 2:12:10.200
<v Speaker 2>somebody else? Man, right, you know what I'm gonna say

2:12:10.600 --> 2:12:13.560
<v Speaker 2>this podcast as Glasses he is correct, you knows least

2:12:13.600 --> 2:12:14.080
<v Speaker 2>the oracle.

2:12:14.520 --> 2:12:15.560
<v Speaker 3>But you asked Google.

2:12:15.960 --> 2:12:17.480
<v Speaker 2>Your name ain't glass.

2:12:19.480 --> 2:12:20.640
<v Speaker 1>Google? Ship? Yes?

2:12:20.760 --> 2:12:21.000
<v Speaker 6>You did.

2:12:21.640 --> 2:12:25.160
<v Speaker 2>You should have let me leave five minutes ago.

2:12:25.680 --> 2:12:29.160
<v Speaker 3>You never told I'm going who did what?

2:12:29.880 --> 2:12:31.440
<v Speaker 1>You never told us who stole to be?

2:12:32.240 --> 2:12:33.920
<v Speaker 2>It's a countless people. I don't got to sit the

2:12:33.960 --> 2:12:34.800
<v Speaker 2>PM do that dog?

2:12:35.040 --> 2:12:35.600
<v Speaker 6>What is it?

2:12:35.640 --> 2:12:37.360
<v Speaker 2>Gonna matter if I see it in this podcast.

2:12:37.960 --> 2:12:39.560
<v Speaker 3>I know what you're talking about.

2:12:39.920 --> 2:12:43.400
<v Speaker 2>People you know, dog On, I don't know.

2:12:43.720 --> 2:12:47.640
<v Speaker 3>I told you the only time, son, it ain't my

2:12:47.760 --> 2:12:51.120
<v Speaker 3>place to say. It ain't my place to say everybody else?

2:12:51.760 --> 2:12:53.720
<v Speaker 1>Are you saying.

2:12:55.040 --> 2:12:56.800
<v Speaker 3>Everybody else get out here doing this stuff?

2:12:57.600 --> 2:13:01.320
<v Speaker 1>Why are you saying if it's not your place to say,

2:13:01.520 --> 2:13:03.360
<v Speaker 1>If it's not your place to say, which man?

2:13:04.880 --> 2:13:06.600
<v Speaker 2>You just want somebody with name names?

2:13:06.600 --> 2:13:06.800
<v Speaker 3>Said?

2:13:06.840 --> 2:13:07.440
<v Speaker 1>Well, who did it?

2:13:08.040 --> 2:13:09.840
<v Speaker 2>You know who did It's been plenty of people.

2:13:10.560 --> 2:13:12.120
<v Speaker 3>I don't know who did it. That's why I'm asking.

2:13:12.160 --> 2:13:14.280
<v Speaker 2>It's a big record that just came out now that

2:13:14.920 --> 2:13:16.560
<v Speaker 2>the nigga didn't get credit for that. We know he

2:13:16.680 --> 2:13:18.800
<v Speaker 2>did some ship on there and he ain't getting no credit.

2:13:19.040 --> 2:13:20.600
<v Speaker 2>Just give the other nigga all the credit.

2:13:20.960 --> 2:13:24.120
<v Speaker 1>Who my business? Though I don't know what you're talking.

2:13:24.200 --> 2:13:27.360
<v Speaker 3>I never heard it, okay, like I know, and I'm

2:13:27.360 --> 2:13:28.160
<v Speaker 3>a part of the circle.

2:13:28.200 --> 2:13:34.240
<v Speaker 1>I'm not okay, oracle obviously, all of the whole, the

2:13:34.400 --> 2:13:36.920
<v Speaker 1>old look in the matrix, the one the oracle that just.

2:13:36.960 --> 2:13:40.280
<v Speaker 3>Know, I don't know nothing.

2:13:41.640 --> 2:13:43.440
<v Speaker 1>The record without saying the names of the people.

2:13:44.840 --> 2:13:48.560
<v Speaker 2>Everybody know, I ain't gonna get all that ship song.

2:13:48.680 --> 2:13:51.040
<v Speaker 4>You ain't got to say Joe stolen from Stan just

2:13:51.160 --> 2:13:54.840
<v Speaker 4>say the song was blank There's there's some conversation behind

2:13:54.840 --> 2:13:55.640
<v Speaker 4>the song blanket.

2:13:56.560 --> 2:13:59.440
<v Speaker 1>And this is this listen of no selling chat. This

2:13:59.720 --> 2:14:03.440
<v Speaker 1>is why I be on these dudes because they will

2:14:03.560 --> 2:14:07.840
<v Speaker 1>just say anything and will not verify the thought stuff

2:14:07.880 --> 2:14:08.480
<v Speaker 1>that I know you.

2:14:08.600 --> 2:14:11.000
<v Speaker 2>I don't have to verify nothing. I'm telling you what

2:14:11.160 --> 2:14:12.360
<v Speaker 2>it is that should be enough.

2:14:12.840 --> 2:14:17.160
<v Speaker 3>No, that's not name the name of niggas on niggas.

2:14:17.200 --> 2:14:18.440
<v Speaker 3>You're not telling the police.

2:14:19.440 --> 2:14:19.720
<v Speaker 1>I'm not.

2:14:20.160 --> 2:14:22.520
<v Speaker 2>It's just not my business. Dog, I'm not gonna get

2:14:22.560 --> 2:14:23.080
<v Speaker 2>out there doing that.

2:14:23.160 --> 2:14:26.400
<v Speaker 1>But it does that the first place.

2:14:27.840 --> 2:14:30.280
<v Speaker 2>He said the same as that thing I said, niggas

2:14:30.280 --> 2:14:32.400
<v Speaker 2>can get a beat that ship hot. Hold on, let

2:14:32.440 --> 2:14:36.080
<v Speaker 2>me add this. Okay, here's damn. I'm gonna put my

2:14:36.160 --> 2:14:39.120
<v Speaker 2>name on the next. Allot to add to a beat?

2:14:39.560 --> 2:14:42.240
<v Speaker 2>Talking about it's allot to add to a beat, I'm saying.

2:14:42.280 --> 2:14:45.760
<v Speaker 2>Ask your question on still, so, do you think that

2:14:46.200 --> 2:14:48.280
<v Speaker 2>if a person does that right there, it takes takes

2:14:48.320 --> 2:14:49.480
<v Speaker 2>credit for somebody else's beat.

2:14:49.960 --> 2:14:52.400
<v Speaker 1>Do you think that is? Is that is that cool

2:14:52.440 --> 2:14:52.600
<v Speaker 1>of you?

2:14:52.800 --> 2:14:56.240
<v Speaker 2>Is that I'm saying the business What I'm saying to

2:14:56.360 --> 2:14:59.560
<v Speaker 2>a third degree, because I'm gonna tell you, most of

2:14:59.600 --> 2:15:01.920
<v Speaker 2>the time, the maturity of time, the person that he

2:15:02.160 --> 2:15:03.800
<v Speaker 2>is getting he's getting that beat.

2:15:03.920 --> 2:15:04.040
<v Speaker 1>Right.

2:15:04.240 --> 2:15:06.600
<v Speaker 2>Somebody can come at you with an idea if you're

2:15:06.640 --> 2:15:10.400
<v Speaker 2>completing that, you're producing that record. The other dude may

2:15:10.440 --> 2:15:12.920
<v Speaker 2>have programmed some ship and you know whatever, you're producing

2:15:13.000 --> 2:15:14.960
<v Speaker 2>that record. Now, if you can get a record that's

2:15:15.000 --> 2:15:17.960
<v Speaker 2>done and all you do is go on that motherfucking.

2:15:20.800 --> 2:15:22.520
<v Speaker 1>You know he gotta I'm add a high hat to

2:15:22.600 --> 2:15:25.800
<v Speaker 1>this and just literally was this though?

2:15:25.880 --> 2:15:26.000
<v Speaker 4>Right?

2:15:26.640 --> 2:15:29.120
<v Speaker 2>If you feel like somebody did some did some bullshit,

2:15:29.560 --> 2:15:31.080
<v Speaker 2>don't you feel like somebody should be caught out for

2:15:31.080 --> 2:15:31.760
<v Speaker 2>the bullsh they did?

2:15:31.840 --> 2:15:32.880
<v Speaker 1>So like meaning like I.

2:15:34.440 --> 2:15:35.920
<v Speaker 2>Wouldn't keep letting somebody.

2:15:37.960 --> 2:15:38.160
<v Speaker 6>Like that.

2:15:38.560 --> 2:15:40.320
<v Speaker 2>Ain't nothing wrong for you to say, Yo, that motherfucker

2:15:40.520 --> 2:15:42.440
<v Speaker 2>make that beat so and so mad that it's not

2:15:42.640 --> 2:15:44.880
<v Speaker 2>my job be exposed to people.

2:15:45.360 --> 2:15:46.080
<v Speaker 3>That's what I would do.

2:15:47.400 --> 2:15:50.120
<v Speaker 2>Having one of my homies, like, if somebody took his beat,

2:15:50.360 --> 2:15:51.840
<v Speaker 2>I would be on the ass. We would be on

2:15:52.680 --> 2:15:55.440
<v Speaker 2>if somebody jeez beatle would be on the head. If

2:15:55.480 --> 2:15:57.400
<v Speaker 2>it's somebody else saying at my camp, I'll tell the man,

2:15:57.480 --> 2:16:01.640
<v Speaker 2>get your business together. It's just like we got a homeboy, now,

2:16:01.760 --> 2:16:03.760
<v Speaker 2>don't rote planting them records for a well known one

2:16:03.760 --> 2:16:06.480
<v Speaker 2>of the greatest artists of all time. He keep going back,

2:16:06.560 --> 2:16:09.200
<v Speaker 2>getting a thousand dollars fifteen hundred, no publishing and nothing,

2:16:09.560 --> 2:16:10.880
<v Speaker 2>just keep writing reps.

2:16:12.120 --> 2:16:15.280
<v Speaker 1>But he but he never wrote his own smashes.

2:16:16.120 --> 2:16:19.600
<v Speaker 3>But he wrote another Nigga Smashes though, so he ain't

2:16:19.600 --> 2:16:22.680
<v Speaker 3>getting again. Making a record is a lot different than

2:16:22.760 --> 2:16:26.080
<v Speaker 3>writing a record. He had to go with, well, you

2:16:26.200 --> 2:16:27.880
<v Speaker 3>know what, that record wouldn't be in existence if that

2:16:28.400 --> 2:16:29.440
<v Speaker 3>get them words.

2:16:30.480 --> 2:16:31.920
<v Speaker 1>Be able to deliver that. You gotta be able to

2:16:31.960 --> 2:16:33.560
<v Speaker 1>put some you know what I'm saying. I think just that.

2:16:33.959 --> 2:16:36.360
<v Speaker 2>But you know what, that is true. But that dude

2:16:36.360 --> 2:16:38.080
<v Speaker 2>should write his own stuff. And if he don't want

2:16:38.120 --> 2:16:39.039
<v Speaker 2>to get that man his credit.

2:16:40.600 --> 2:16:42.360
<v Speaker 3>No, that's not that's not what he means.

2:16:42.400 --> 2:16:45.440
<v Speaker 1>That's not it's not it's not purchase now.

2:16:46.480 --> 2:16:49.000
<v Speaker 3>For he wouldn't give me no fifteen hundred dollars and

2:16:49.080 --> 2:16:49.600
<v Speaker 3>not keep writing.

2:16:49.920 --> 2:16:53.200
<v Speaker 4>Like when Jay Peterman bought Kramer's stories on Seinfeld, they

2:16:53.280 --> 2:16:54.359
<v Speaker 4>became his stories.

2:16:54.440 --> 2:16:55.760
<v Speaker 1>Kramer couldn't tell them anymore.

2:17:00.200 --> 2:17:04.200
<v Speaker 3>Simple business. Still, I don't know, I don't know, I

2:17:04.240 --> 2:17:05.240
<v Speaker 3>don't know about people.

2:17:05.600 --> 2:17:09.840
<v Speaker 1>I don't know about people buying records from other producers

2:17:09.879 --> 2:17:11.960
<v Speaker 1>and not working on them. Again, something that you may

2:17:12.000 --> 2:17:14.280
<v Speaker 1>consider a high hat and kick is nothing, but it

2:17:14.400 --> 2:17:18.160
<v Speaker 1>really be driving the song. So again, it's it's like

2:17:18.240 --> 2:17:20.840
<v Speaker 1>in baseball, right, you might pitch eight in it and

2:17:20.959 --> 2:17:21.920
<v Speaker 1>the score is tied.

2:17:23.240 --> 2:17:26.880
<v Speaker 3>Can Mariano River come in and you get the leader?

2:17:27.320 --> 2:17:30.800
<v Speaker 2>Why you keep coming with these baseball analogies? Bro, it's

2:17:30.879 --> 2:17:33.959
<v Speaker 2>people to do it. It ain't nothing else to be discussed.

2:17:34.240 --> 2:17:34.680
<v Speaker 2>What it is.

2:17:35.000 --> 2:17:36.920
<v Speaker 3>No, it's not you actually didn't say who did it?

2:17:37.000 --> 2:17:39.720
<v Speaker 2>You just do this. I don't have to cheat. That's

2:17:39.800 --> 2:17:42.000
<v Speaker 2>not important that happens. You told me it don't happen.

2:17:42.400 --> 2:17:45.120
<v Speaker 3>I'm telling you I never known it happened, and.

2:17:45.240 --> 2:17:47.120
<v Speaker 2>I just bought a well known This man don't seen

2:17:47.160 --> 2:17:49.960
<v Speaker 2>it happen. Well, he talking about multiple times.

2:17:50.800 --> 2:17:54.480
<v Speaker 3>You didn't say, y'all he heard the same story.

2:17:54.840 --> 2:17:58.760
<v Speaker 2>He's actually he's actually been invited. Now see, it's one thing,

2:17:58.840 --> 2:18:01.959
<v Speaker 2>is you collaborating with somebody. Yeah, y'all both get these saws.

2:18:02.480 --> 2:18:05.200
<v Speaker 2>We don't collaborated on ship g and we both do

2:18:05.320 --> 2:18:09.280
<v Speaker 2>what we do. But if somebody gives you a beat,

2:18:09.360 --> 2:18:12.400
<v Speaker 2>that's already done. The dog, that thing that's already done,

2:18:12.600 --> 2:18:17.280
<v Speaker 2>and you just come in that motherfucker already. Now this

2:18:17.480 --> 2:18:19.880
<v Speaker 2>cow bell, if you had a cow bill look t

2:18:20.280 --> 2:18:23.360
<v Speaker 2>t to the thing ding t that was on your

2:18:23.400 --> 2:18:25.600
<v Speaker 2>only contribution to that record. That record, Oh, that's the

2:18:25.680 --> 2:18:28.200
<v Speaker 2>driving force of this record. It's the reason this platinum.

2:18:28.720 --> 2:18:30.840
<v Speaker 1>That's just still you sound like a nigga. This is

2:18:30.920 --> 2:18:33.880
<v Speaker 1>my problem right, the thought of it on. You sound

2:18:33.959 --> 2:18:34.879
<v Speaker 1>bitter and confused, to.

2:18:42.840 --> 2:18:45.360
<v Speaker 2>Sound like think you know everything.

2:18:45.440 --> 2:18:47.199
<v Speaker 1>Mister, don't know everything.

2:18:49.000 --> 2:18:51.400
<v Speaker 2>Everything because I didn't see it.

2:18:51.800 --> 2:18:52.800
<v Speaker 3>How if I don't know this.

2:18:54.400 --> 2:18:57.080
<v Speaker 1>Man, you get the oracle? How am I the oracle?

2:18:57.320 --> 2:18:58.440
<v Speaker 3>I don't know this is happening.

2:19:00.040 --> 2:19:00.840
<v Speaker 1>Do you know what you are?

2:19:00.959 --> 2:19:03.360
<v Speaker 2>You are a contrarian. If I say something is black,

2:19:03.400 --> 2:19:05.240
<v Speaker 2>you go say something is white just for the sake

2:19:05.280 --> 2:19:05.760
<v Speaker 2>of the argument.

2:19:05.920 --> 2:19:07.760
<v Speaker 3>No, I'm just asking you what did you see black?

2:19:08.879 --> 2:19:10.840
<v Speaker 1>And you back black.

2:19:10.879 --> 2:19:13.520
<v Speaker 3>I'm like, well, what did you see black? I was

2:19:14.720 --> 2:19:18.160
<v Speaker 3>as you to verify your point, bro.

2:19:18.440 --> 2:19:20.320
<v Speaker 2>It ain't how we go from a conversation and me

2:19:20.440 --> 2:19:23.000
<v Speaker 2>having to verify who really not getting the beats from somebody.

2:19:23.000 --> 2:19:24.200
<v Speaker 2>I said, the nigga's name is early.

2:19:24.520 --> 2:19:26.720
<v Speaker 1>Go back, and you say one name earlier?

2:19:27.240 --> 2:19:30.440
<v Speaker 2>I didn't say one thing. I know what, man, I'm

2:19:30.480 --> 2:19:32.240
<v Speaker 2>not gonna get nigga.

2:19:32.280 --> 2:19:34.120
<v Speaker 1>This nigga I might have heard of, and you never

2:19:34.200 --> 2:19:39.240
<v Speaker 1>said I said earlier. Why you shouldn't say it earlier?

2:19:39.520 --> 2:19:41.000
<v Speaker 1>Tell you I am done.

2:19:41.480 --> 2:19:44.160
<v Speaker 3>I don't know. You know, you tell us, you know everything.

2:19:44.240 --> 2:19:47.280
<v Speaker 3>You tell us. The problem is if I knew everything,

2:19:47.400 --> 2:19:48.080
<v Speaker 3>I would know this.

2:19:49.640 --> 2:19:50.520
<v Speaker 2>You know everything.

2:19:51.080 --> 2:19:54.600
<v Speaker 1>You already know somebody stilling the beat, you know, somebody

2:19:54.720 --> 2:19:56.840
<v Speaker 1>taking it up the rear end, but you never tell

2:19:56.920 --> 2:19:57.440
<v Speaker 1>us who it is.

2:19:57.680 --> 2:20:01.600
<v Speaker 2>I'm telling you, man, please moves that dude in the

2:20:01.680 --> 2:20:03.720
<v Speaker 2>cartoon back in the day. People that knew everything. The

2:20:03.800 --> 2:20:05.960
<v Speaker 2>professor you're going and he got the lab he can

2:20:06.000 --> 2:20:06.960
<v Speaker 2>just answer every question.

2:20:09.120 --> 2:20:10.880
<v Speaker 1>I don't know, like Peabody or something like that.

2:20:10.959 --> 2:20:11.280
<v Speaker 5>I don't know.

2:20:11.600 --> 2:20:14.760
<v Speaker 2>Yeah, that's g Professor Peabody. That should be your often name,

2:20:14.840 --> 2:20:15.800
<v Speaker 2>Professor Peabody.

2:20:16.080 --> 2:20:19.879
<v Speaker 3>The nigga know everything? How, Professor?

2:20:20.640 --> 2:20:21.240
<v Speaker 1>What's going on?

2:20:21.840 --> 2:20:25.640
<v Speaker 2>How if I don't know, Professor? You know everything, profess

2:20:26.200 --> 2:20:28.920
<v Speaker 2>I don't know this now, Professor?

2:20:30.160 --> 2:20:32.040
<v Speaker 1>How But if I don't know, if I'm asking you

2:20:32.160 --> 2:20:35.040
<v Speaker 1>to tell me because I don't know, make you Professor Peabody,

2:20:35.120 --> 2:20:37.240
<v Speaker 1>that you know this sounds like.

2:20:39.040 --> 2:20:41.760
<v Speaker 4>You sound like a congressman and like the head of

2:20:42.240 --> 2:20:45.920
<v Speaker 4>Department of Homeland Security. But or one doesn't really want

2:20:46.000 --> 2:20:47.920
<v Speaker 4>to answer the question, the other really doesn't want to

2:20:47.920 --> 2:20:50.240
<v Speaker 4>ask the question, and the just horseship back and forth,

2:20:50.360 --> 2:20:51.360
<v Speaker 4>just over and over and over.

2:20:51.640 --> 2:20:58.439
<v Speaker 2>You know, instead of Professor Peabody, professor g body, professor.

2:21:01.240 --> 2:21:03.560
<v Speaker 1>Was gonna get spanked. I had to apologize. I didn't

2:21:03.600 --> 2:21:07.080
<v Speaker 1>know Squishy crutch Field detail still to give us one name.

2:21:07.160 --> 2:21:09.040
<v Speaker 3>They can't beat him up. That is the song.

2:21:09.200 --> 2:21:09.760
<v Speaker 1>Just say the song?

2:21:12.360 --> 2:21:14.720
<v Speaker 2>You know that nigga must ain't made all them beats? Dog,

2:21:14.760 --> 2:21:15.400
<v Speaker 2>I don't know why.

2:21:17.040 --> 2:21:20.920
<v Speaker 1>Did he not the song? Which beat?

2:21:20.959 --> 2:21:22.240
<v Speaker 3>Did he not make the name?

2:21:22.280 --> 2:21:23.640
<v Speaker 2>If I'm gonna say the name, I ain't got to

2:21:23.680 --> 2:21:25.560
<v Speaker 2>say the song. If I'm if I'm gonna say the song,

2:21:25.600 --> 2:21:30.680
<v Speaker 2>I won't say the name. He he came with some

2:21:30.800 --> 2:21:32.800
<v Speaker 2>niggas out the beat. He might do and put some

2:21:32.840 --> 2:21:33.760
<v Speaker 2>ship in him, I know, but.

2:21:33.760 --> 2:21:39.400
<v Speaker 1>He ain't made all that ship by nobody did Quincy

2:21:39.520 --> 2:21:41.240
<v Speaker 1>Jones didn't make them all? But it's an't produced by

2:21:41.320 --> 2:21:44.800
<v Speaker 1>Quincy Jones. He didn't play either.

2:21:47.120 --> 2:21:49.840
<v Speaker 3>Oh it's different, Hey, for real, you know, let me

2:21:49.879 --> 2:21:51.760
<v Speaker 3>go move my car, dog, I gotta go move my ship.

2:21:52.160 --> 2:21:54.640
<v Speaker 1>We're gonna en tho ceilings right here. Hit the thumbs

2:21:54.720 --> 2:21:56.920
<v Speaker 1>up button. Thank y'all for being here. We're back Monday

2:21:57.080 --> 2:22:02.640
<v Speaker 1>at noon Pacific Standard. Click the link in the description.

2:22:02.840 --> 2:22:07.240
<v Speaker 1>Subscribe to the podcast right now, Apple Podcasts, anywhere you

2:22:07.320 --> 2:22:09.000
<v Speaker 1>get your podcasts. Go over there and leave a comment.

2:22:09.080 --> 2:22:11.440
<v Speaker 1>Told him, still told you to with his line ass

2:22:12.320 --> 2:22:17.000
<v Speaker 1>uh Charlamaine of God Black Effect Network, And.

2:22:22.080 --> 2:22:25.800
<v Speaker 5>Is he stealing this from some other lower level producers'.

2:22:27.600 --> 2:22:28.520
<v Speaker 2>Podcast right now?

2:22:28.760 --> 2:22:29.480
<v Speaker 3>And say what up to?

2:22:29.520 --> 2:22:32.240
<v Speaker 2>Professor Peabody. That's GE's new name, Professor Pete Body.

2:22:33.200 --> 2:22:42.520
<v Speaker 1>Everything sure except don't know nothing, Professor Peabody looking out

2:22:42.560 --> 2:22:45.400
<v Speaker 1>for tuning into the No Sellers podcast. Please do us

2:22:45.400 --> 2:22:48.760
<v Speaker 1>a favorite, subscribe, rate, comment, and share. This episode was

2:22:48.840 --> 2:22:50.720
<v Speaker 1>recorded right here on the West coast of the U.

2:22:50.879 --> 2:22:53.920
<v Speaker 1>S A and produced by the Black Effect Podcast Network

2:22:54.120 --> 2:22:55.840
<v Speaker 1>and now Heard Radio Yeah