Speaker 1: Watch up and welcome back to another episode of No
Speaker 1: Sealer's Podcast with your host. Now, fuck that with your
Speaker 1: load glasses Malone.
Speaker 2: He no, who's that other guy?
Speaker 1: Man? That other guy randomly just appeared. You know what,
Speaker 1: My god just appeared.
Speaker 3: Shout out to just Blaze who said it and told
Speaker 3: the truth. The Boogieyman is back? Still is the boogieman?
Speaker 2: Hey man? What's happening? Philip?
Speaker 3: I know he meant dot but still is the new
Speaker 3: boogie man? Squishy? What's hedden? In a blaze? Kelvin, what's happening? Yeah?
Speaker 1: Nah no no, no no no Kevin, no no no
Speaker 1: no no no no no no.
Speaker 3: No no no no nah no no no.
Speaker 1: It's funny because Wednesday, right after we finished the live stream, right,
Speaker 1: I realized, Pete, I'm like, yo, we got to talk
Speaker 1: about how did the party die? We was talking about
Speaker 1: you know, dot Son and is watch the party die?
Speaker 1: I was, I'm ready, I was ready, right, and I'm like,
Speaker 1: now we're gonna hold it to next week to talk
Speaker 1: about how the party died? No, I said, we was
Speaker 1: gonna hold it till Friday talk about how the party died? No?
Speaker 3: I did not. What's funny is.
Speaker 1: I had just text him on Wednesday because I'm like, hey,
Speaker 1: you should come on the live stream.
Speaker 3: I'm I'm you know, I was like, I wanted to get.
Speaker 1: Him on the live stream for us to talk about
Speaker 1: like how when we was coming up in Los Angeles,
Speaker 1: you know what I mean, and making music, how how
Speaker 1: influential the club was and how we used to be.
Speaker 1: So I hit Dot, I'm like, hey, feel me like,
Speaker 1: I want you to come on my live stream, right
Speaker 1: And he didn't hit me back till today. He just
Speaker 1: started laughing. I was like, Okay, I see what happened that.
Speaker 3: Come on, man, you know he got people.
Speaker 1: No, I don't think that. I know, Dot it come on.
Speaker 1: That's not even true, Like he'll come on. I don't
Speaker 1: believe that for two seconds. The hummy is not gonna
Speaker 1: not come on. That's just crazy that that's just not really.
Speaker 2: I think he got a lot of engagements too, bro,
Speaker 2: So I think that would definitely, you know. I told me,
Speaker 2: and eight got into it about that a little bit.
Speaker 2: He said, Man, daughters to be I said, Man, I'm
Speaker 2: gonna tell you something you don't know. Dude will pop up, Yeah,
Speaker 2: for sure, So I see watching Yeah, short for.
Speaker 1: Sure, he the type of nigga that's gonna have a
Speaker 1: different log in information and be watching and and and
Speaker 1: this is what's crazy to me, right, is this is
Speaker 1: what's crazy to me? Right. I am hyper critical on
Speaker 1: all my homeboys. I don't care if it's Chuck, if
Speaker 1: it's Gang, you know what I'm saying, if it's Nip,
Speaker 1: if it's Dot, if it's Rock, if it's problem. I
Speaker 1: am hyper critical on all my homeboys. When it comes
Speaker 1: to music, I don't give nobody nothing extra. I told
Speaker 1: people I thought mister Morale and the Big Steppers sounded
Speaker 1: like cat scratching paper. I was like, I don't care
Speaker 1: if we can't be friends because I'm being honest about
Speaker 1: music and records. You feel me, then we not friends
Speaker 1: and I ain't never huh.
Speaker 2: You know my theory, g if you can't if you
Speaker 2: somebody's freeing, especially about your craft, you were supposed to
Speaker 2: be honest.
Speaker 3: Yeah, so check it.
Speaker 1: So just like I can actually say I didn't like
Speaker 1: good Kid, I mean mister Morale and a big Stepper,
Speaker 1: and I could be like, man, it sounds like cast
Speaker 1: scratching paper. I can hear the therapy like this is
Speaker 1: my Nigga. I love him, that'll change that. I have
Speaker 1: the highest expectations for his craft. He is a craftsman,
Speaker 1: no different than me and maybe even greater. Like it's
Speaker 1: that serious. So if I can't be honest with my homeboys,
Speaker 1: feel me, then they not my homeboys. So I've always
Speaker 1: been honest. I always been honest. So it's crazy that
Speaker 1: he dropped the record. Like I said, and like I said,
Speaker 1: I wanted to talk about how our experience was in
Speaker 1: LA partying and how it mattered to our music scene. Right,
Speaker 1: that was an important conversation that I wanted to have.
Speaker 1: And fast forward, my Nigga dropped his best.
Speaker 2: Album, really his work by far far.
Speaker 1: And no, it don't always take ten listens. It don't always.
Speaker 1: It don't take that cause it really if you notice,
Speaker 1: I noticed shit. I gave my life to it. I
Speaker 1: gave my finances to it. From two you know, big bro,
Speaker 1: from twenty eleven to twenty twenty two, I went on
Speaker 1: a whole sabbatic or learning what this shit was about.
Speaker 1: I didn't even care about making money. You thought I
Speaker 1: was crazy. My big brother thought I was crazy. Feel me,
Speaker 1: everybody thought I was crazy. I gave my all to
Speaker 1: learn this game. So trust me, when I hear it,
Speaker 1: I know it. I know it. I played it, when
Speaker 1: I saw it, I went through it.
Speaker 3: It's the truest representation.
Speaker 1: I think a lot of artists, including Dot and any
Speaker 1: artists project who they want people to see and who
Speaker 1: they want to be, right. They set a standard above
Speaker 1: themselves and then they go there right, And I think
Speaker 1: that's fantastic. But then there's the reality and the comfort
Speaker 1: of being who you are. And I think it took
Speaker 1: God to become a big homie for him to understand
Speaker 1: who he was, Like I used to genuinely think he
Speaker 1: would be like rejecting success cuz I used to think
Speaker 1: he would be rejecting success like he would do stuff
Speaker 1: like mind you cut the song with with with fucking
Speaker 1: Asap Rocky, uh you know what mean? And as sophisticated
Speaker 1: and as great as to pimp is. I love it,
Speaker 1: but it really is more of a sophistication than a
Speaker 1: jazz version of a record. And I remember seeing that
Speaker 1: and talking to him and being like, Bro, you gotta
Speaker 1: go win this shit, like nigga, everybody you know, we've
Speaker 1: been trying to get to this spot.
Speaker 3: Nigga, you gotta win it, nigga. It's right here.
Speaker 1: And I remember Damn coming out and being so impressed
Speaker 1: with the sonics of it, right, just really enjoying the
Speaker 1: sonics of Damn. Like man, this album is sonically like
Speaker 1: the thing about Good Kid and the Pimp. He understood
Speaker 1: how a story would connecting album. He knew how to
Speaker 1: talk his way and concept his way through an assortment
Speaker 1: of work. That's how when you first come in this game,
Speaker 1: if you're not a musician person that you make music,
Speaker 1: especially as a thought leader, you feel me hold on,
Speaker 1: want to say, y'all, y'all keep it going, all right?
Speaker 2: You knew the one thing about this album. First of all,
Speaker 2: what up, Pete?
Speaker 3: What's happening?
Speaker 1: Man?
Speaker 2: Shoot man? Glad to be back, bro been out there
Speaker 2: running a round chicken with my head cut off, man.
Speaker 2: But the thing I like about his album, like to
Speaker 2: hear it rate what he said, is that it is
Speaker 2: the truest representation of the k out that we know.
Speaker 2: And I like it because I don't give a fuck attitude.
Speaker 2: I'm not your friend. I'm not here to be friends
Speaker 2: with your attitude. I love it, man, That's what it's about.
Speaker 3: I'm here to rule bro, And.
Speaker 1: So as I'm listening to the album, right, I'm listening
Speaker 1: to the simple connections you feel me, the simple connections,
Speaker 1: the things that make an album flow. Right, I'm listening
Speaker 1: to that. I can hear it like, I know what
Speaker 1: it sounds like. I'm listening to enough great records to
Speaker 1: know how it sounds right. And I thought it was impressive.
Speaker 1: But when I'm listening to it, those are easy things
Speaker 1: to listen to.
Speaker 3: Oh do it connect now?
Speaker 2: Gee has to tell you always keep a read on.
Speaker 2: I'm gonna tell you the one thing that's gonna grow
Speaker 2: certain people because the average person that consume music ain't
Speaker 2: really a music person necessarily. I'm talking about the whole
Speaker 2: theory behind certain beat selection. This counna be some people
Speaker 2: that don't get certain songs.
Speaker 1: But that.
Speaker 2: Yeah, you, what's going on with you?
Speaker 1: Man?
Speaker 2: You keep getting up with you good?
Speaker 3: Yeah?
Speaker 1: Trap just came. Trap came to the spot. So I'm
Speaker 1: turning on the camera. Give me y'all what like in
Speaker 1: real life?
Speaker 3: Yeah, you popped up cut. It's a good day to
Speaker 3: be on the coach, you feel me?
Speaker 1: So let's not over do it. Listen them up?
Speaker 3: Yeah, I'm setting him up.
Speaker 1: I should have said him upcause he said he was
Speaker 1: gonna come so feel me like, I get it. It's
Speaker 1: all plugged in, bro, Like, that's easy to plug in
Speaker 1: an album. It's easy to make a track list to
Speaker 1: flow at this level. Now, at the beginning level, but
Speaker 1: at this level, that's expected for a flow of an album.
Speaker 1: When you capture, when you capture culture, when you capture sonics,
Speaker 1: and you capture the story, the essence of something, that's
Speaker 1: what makes it great. That's why this album is better
Speaker 1: than Good Kid, Mass City, Good Kid Mass City. Good
Speaker 1: Kid mass City was great because that was the first
Speaker 1: time people heard a dot at a mass level and
Speaker 1: it was.
Speaker 3: All plugged in, you know what I mean.
Speaker 1: He understood sonically, right, He understood sonically, not not so
Speaker 1: much sonically because I.
Speaker 3: Think he was still fresh to it at that point.
Speaker 1: He understood how to use the words and the concepts
Speaker 1: to make a story flow.
Speaker 2: When you talk about culture, man, him putting.
Speaker 1: On a one on the on the one joint the Merroos.
Speaker 2: Record Dog, that was crazy, I said, because that was
Speaker 2: something he probably could have win it sample to had
Speaker 2: somebody do it. But he again, authenticity.
Speaker 3: Hip hop is the business of we.
Speaker 1: I oh, always tell you this, and we always disagree,
Speaker 1: because hip hop is the business of we.
Speaker 3: It's not the business of me, it's the culture of we.
Speaker 1: That's why this album is, Byfoar, his best one by far.
Speaker 1: One listen, it even take me that much. It didn't
Speaker 1: even take me that much work to hear it.
Speaker 3: It's by far his.
Speaker 1: Best one, by far, because he was able to capture
Speaker 1: culture right, he was able to plug it in, and
Speaker 1: he was able to sonically hold it down. The sonics
Speaker 1: of it is so special. And one thing that I
Speaker 1: liked the most about it is still one thing I
Speaker 1: loved the motion about.
Speaker 3: It was bro that dude was.
Speaker 1: You could tell this is the most confident in who
Speaker 1: he is to me, Like, I think he was really
Speaker 1: looking for himself. On Mister Morale and the Big Steppers.
Speaker 1: I genuinely thought he was looking for himself. I could
Speaker 1: tell he had been going to therapy. I can hear
Speaker 1: it in the record.
Speaker 2: Yea, he sounded free. Though he sounded empty.
Speaker 3: I can hear it in the record.
Speaker 2: They said, you know, you know how you hear artists, man,
Speaker 2: they just sound empt that. He sounds empty. He sounds
Speaker 2: like he don't have no restrictions and chains on no sounds.
Speaker 3: Free and.
Speaker 1: Shout out to Mommy trap trapping the bill Taffy on
Speaker 1: camera and it was having this track Queeze is in
Speaker 1: the West. Hold up, so hold up, No Seilings Live
Speaker 1: the Lunch Hour. We already fifteen minutes in and we
Speaker 1: ain't even announced the show. Shout out to all one
Speaker 1: hundred people in here that get what's happening, that know
Speaker 1: what's happening. You feel me. I'm glad y'all hear No
Speaker 1: Sinners Live to lunch y'all were Monday, Wednesday Friday noons
Speaker 1: specific standard time, Pacific standard time. Click that thumbs up,
Speaker 1: but let everybody know you here. Share this link, send
Speaker 1: it out to a couple of people. Click the link
Speaker 1: in the description to the No Selings podcast. This might
Speaker 1: be my last year of podcasting.
Speaker 3: Click the link.
Speaker 1: Subscribe to the podcast you feel me? Go to Apple
Speaker 1: Music wherever you get your podcasts. No Seilings Executive produced
Speaker 1: by Charlemagne, the God Black Effect and I Heart Network.
Speaker 3: So again I.
Speaker 1: Wanted to bring Dot on the stream and I sent
Speaker 1: him a message and I was like, yo, because my
Speaker 1: idea from Wednesday was like I wanted to talk about
Speaker 1: how the party died like I was like, I thought
Speaker 1: that was im Morton.
Speaker 2: Huh cinema link.
Speaker 1: No, no, I just send him. I just send him
Speaker 1: the thing now to watch it. It's too late, it's
Speaker 1: too many of us. Now. You gotta wait another day.
Speaker 1: Homie got away another day. The players is in here today.
Speaker 1: So we're glowing on that win. That can't be on
Speaker 1: here while were glowing on him.
Speaker 3: That ain't clear.
Speaker 4: If the price is right, I couldn't step out of
Speaker 4: my square for for him.
Speaker 1: If he got to be better for the audience, he
Speaker 1: would have to cash after at least a thousand.
Speaker 3: But I don't want him to come today, man.
Speaker 1: See shout out to Chariz, who already bought his lunch
Speaker 1: ten dollars. Cherise, I love you, we appreciate it. That's
Speaker 1: lunch for the day. Y'all can looking super chat. We
Speaker 1: ain't lunch, y'all buying his lunch. K I dropped the
Speaker 1: best album of his career. I am in here, super Yes,
Speaker 1: we are, Yes, we are. We're not even gonna gosm No.
Speaker 3: No, it's not haterism. It's not it's not haterism.
Speaker 1: How't we gonna do that? It's the truth trap. All right,
Speaker 1: it's the most West Coast album he ever dropped.
Speaker 3: It's not about West Coast.
Speaker 1: That's just lazy. That's no hip hop is where you from,
Speaker 1: so you can't say West Coast. That's like Ill Madic
Speaker 1: is noa's most East coast South No.
Speaker 3: Exactly, So don't switch it up now. Don't switch it
Speaker 3: up now.
Speaker 1: When nahs start making all the ship for all of us,
Speaker 1: y'all niggas, y'all niggas was like, yeah, y'all went, you're
Speaker 1: feeling it, y'all so bad and you a queen's nigga,
Speaker 1: y'all talk so bad about the second NAS album, Yes,
Speaker 1: I did in Real Time Your Life because it didn't
Speaker 1: sound like ill Maddic. No, it wasn't.
Speaker 2: When he came out with a fucking pink suit on
Speaker 2: said what the fuck is he doing right now? Don't
Speaker 2: got a pink suit on?
Speaker 1: Bro?
Speaker 2: You went from army fatigues and bucking's on to wearing
Speaker 2: a pink suit.
Speaker 1: No, No, that's true, But it also was the music
Speaker 1: because y'all was hyper critical that it didn't sound like
Speaker 1: Ill Maadic, It didn't sound overly New York. So when
Speaker 1: it starts sounding like other reasons. Don't say, oh it
Speaker 1: sounds so West Coach. No, Nigga Illmatic sounds so East Coach.
Speaker 1: But that also is why you consider it hip hop.
Speaker 1: So again, being of your culture is what hip hop
Speaker 1: is all about. And this album he owned the space.
Speaker 1: I was just telling. Still, I genuinely think because him
Speaker 1: becoming a big homie is what he needed. I think
Speaker 1: he spent so much time avoiding his destiny as the one,
Speaker 1: and I think right now he's starting to understand how
Speaker 1: to carry it. He's like Kep making music. He's going
Speaker 1: to be better than he ever was before. Yet that
Speaker 1: wasn't even Wayne Tip. That wasn't even I don't even
Speaker 1: know why people even talking about that. That was, but
Speaker 1: it was.
Speaker 2: It was a little It.
Speaker 1: Was the disappointment and somebody that that dude who he
Speaker 1: patterned his style to the point where he had a
Speaker 1: project call C four behind him. And I'm not mad
Speaker 1: at ain't for saying he was disappointed for not getting
Speaker 1: the thing. But I do think is of you know,
Speaker 1: especially like a first Battle Hall of Famer like Tune,
Speaker 1: you gotta steal embrace. You still got to make the
Speaker 1: call and be like I'm proud of you. Even if
Speaker 1: you tell your fans, hey, I'm disappointed, you still got
Speaker 1: to pick up the phone because this is really one
Speaker 1: of your disciples, Like that is a tone disciple because
Speaker 1: like the real deal too.
Speaker 3: His whole style was influenced by Wayne.
Speaker 2: She listened to the bar. I used to bump the
Speaker 2: card three. I help my ro league chain proud irony.
Speaker 2: I think my hard work little Wayne down.
Speaker 1: Yes, it wasn't.
Speaker 2: Jab dog was a little thump in the ear.
Speaker 3: I got to stop doing that in hip hop.
Speaker 1: Well when I referenced somebody and I explain how some
Speaker 1: hurt my feelings, I'm jabbing you now, y'all.
Speaker 3: So God damn messy. That wasn't no jab.
Speaker 1: At all, and nobody that Yeah, y'are horrible. I'm just
Speaker 1: but that's not what happened. Like, you don't have to
Speaker 1: make that the truth for that to be what it is.
Speaker 3: It might not be the truth, but it sounds good though.
Speaker 1: So if you think that's a jab, you think that's
Speaker 1: what he said for Sloop as a jab too. That's
Speaker 1: my point.
Speaker 2: No, you knew what it was the jaz Man. I
Speaker 2: think it was dope that he addressed it though.
Speaker 1: I mean, I don't even care if I don't find
Speaker 1: it dope he addressed it, or dope that he didn't
Speaker 1: if he did. I'm taking from an artist, right, but
Speaker 1: I'm saying, none of it is None of this is
Speaker 1: a jab. None of this is a jaz. He's not
Speaker 1: dissing any of these people. There's no disrespect. He's not
Speaker 1: even shooting at him. He's giving you how he felt.
Speaker 3: But we asked.
Speaker 1: I think people genuinely, genuinely would like to know how
Speaker 1: Cuz felt when the shit happened, like, and he gave
Speaker 1: it to you, and then you taking it and making
Speaker 1: it a fucking jab. It's not. He just told you
Speaker 1: this is how I felt when these things happened, and
Speaker 1: he handled the legends can see with care.
Speaker 3: That's the right thing to do.
Speaker 1: Now he did it right. Oh what he's saying, he
Speaker 1: got some slappers on there?
Speaker 3: You do you do?
Speaker 1: I like that. I like that hart six. I like
Speaker 1: the fact that he took it back and he changed
Speaker 1: it up because remember remember that, dad, I'll put out
Speaker 1: a hard six. The last this that was like he
Speaker 1: look like the when he the dead, al dead, I'll
Speaker 1: put out the dead. I'll put out you feel me,
Speaker 1: because he put out the yea all that feel me,
Speaker 1: and he took it back by making a song, made
Speaker 1: a real song too that everybody's gonna play. That's gonna
Speaker 1: pass your little piece of ship. This where you tried
Speaker 1: to do that chicken ship ship And I'm so I
Speaker 1: be so happy and proud of because y'all don't realize
Speaker 1: like the journey.
Speaker 3: And it's like, I love that he's owning where he's at.
Speaker 1: I like he put them you boy, I like he
Speaker 1: did that, Like that's how you do it.
Speaker 3: Who was the features?
Speaker 2: Though?
Speaker 1: A who's the feature that? I know? We got paid
Speaker 1: so on there you got a couple, dude, I know
Speaker 1: we got Jay hit on there, he got hit the
Speaker 1: j on there.
Speaker 3: You got a few people go.
Speaker 2: I don't know about this, the people playing albums out
Speaker 2: there and not putting the features on the when when
Speaker 2: they first come out, though.
Speaker 1: I mean, I think I think it's I think it's
Speaker 1: a way for you to go and to go investigate.
Speaker 3: I don't mind that. I don't mind.
Speaker 1: I kind of want to hear who certain people is.
Speaker 1: When I was over there with Snoop the other day
Speaker 1: and they was playing a record, it was a record
Speaker 1: I was like, who the fuck is this nigga snuppet?
Speaker 3: It's method, man, but.
Speaker 1: Dre mixed it, you know what I mean? Like Dra
Speaker 1: mixed it so motherfucking clean.
Speaker 2: You don't know what man, you know, I'm always keeping
Speaker 2: real only the only small snitching I got with this
Speaker 2: apt even say it's a problem, but that be off
Speaker 2: beat sound like a poor man first that they not
Speaker 2: like us. No, it's still the same thing with death,
Speaker 2: damn it.
Speaker 1: You're just being a fucking stickler. I'm not, man, I
Speaker 1: didn't see it was bad.
Speaker 2: It's a dupe song.
Speaker 1: But look I'm not.
Speaker 3: I'm not. You know that, No, I see it.
Speaker 2: I'm not an assault in him. This is a breaking
Speaker 2: album though. This is definitely a five mic album.
Speaker 3: Shout out to this album is sonically disgusting.
Speaker 1: Wow, it.
Speaker 3: Best album on G I understand, like it's fire.
Speaker 2: You gotta understand something. You take a real pro West
Speaker 2: Coast stance, and this is a West Coast sound album.
Speaker 2: Cherice is probably used to. She probably preferred something you.
Speaker 1: Can see the wire moji, so you gotta yea. It
Speaker 1: wasn't disgusting, like.
Speaker 3: To tell, and I fucked with the album. The whole sentiment,
Speaker 3: the sound all that.
Speaker 1: I just ain't ready to say it's better than good Kid,
Speaker 1: mass City session a to it's better, it's better.
Speaker 3: Come on trap Like y'all know I've been hyper critical.
Speaker 1: I'm hypercritical.
Speaker 3: I don't damn while.
Speaker 1: You know that's why you feel like that about it.
Speaker 1: This is what you want him to do. It's not
Speaker 1: what I wanted, you know, I don't bro, I don't
Speaker 1: want you know, hip hop is street urban culture. I
Speaker 1: want every hip hop artist to own the culture. That's
Speaker 1: all I've ever wanted for all of us. Once I've
Speaker 1: realized what it was, I want to hear it. It
Speaker 1: made me go back and listen to Amatic differently. Now
Speaker 1: I can appreciate them like I get it. He owned
Speaker 1: this ship, and then every dude, biggie, everybody, they tried
Speaker 1: to do it behind it, and some of them had
Speaker 1: to kind of sell it out to cross over.
Speaker 3: You don't have to hear what else was going on.
Speaker 1: So let me ask you this thing.
Speaker 2: Right, So, you think that this is the blueprint, I mean,
Speaker 2: the blueprint to what people out here need to do
Speaker 2: in order to get heard. To the to the man,
Speaker 2: you know, I think that is so unique. Man, I
Speaker 2: think that's almost unfair to somebody else say that stuff?
Speaker 2: Is they Blueprint?
Speaker 1: Yeah, shout out to the hommie. Is this not your
Speaker 1: West Coast bias? No, I don't have a bias when
Speaker 1: I live like you call me New York bias. You
Speaker 1: are very West Coast you're supposed to be. It's not
Speaker 1: a bias. I am from California. From watching Nigga, I
Speaker 1: am from Compton and Watts.
Speaker 3: I grew up there.
Speaker 2: You can't hear that tv R beat sound just like
Speaker 2: they're not like this. I just don't.
Speaker 1: That's ridiculous. I would start picking every last album in
Speaker 1: the history. He sh it sounds the same. It's dope.
Speaker 3: But you being a stickler for no reason when you
Speaker 3: don't have to like.
Speaker 1: As such as when musing as much as you want
Speaker 1: to keep using it.
Speaker 2: But the point you got a bunch of crypt walking
Speaker 2: beats on there.
Speaker 1: That's not why I like it. Everybody put out different music.
Speaker 1: I like all kind of stuff like it's just lazy.
Speaker 1: Like I like Juvenile for one the degrees because it
Speaker 1: sounds like New Orleans. I like Blueprint because it sounds.
Speaker 3: Like New York. I like Bonn does in't harmony?
Speaker 1: Feel me? Cause it sounds like Cleveland, like when you
Speaker 1: see it. In my top five, Rick Ross is in
Speaker 1: my top five because his ship sound like Miami. That's
Speaker 1: what that ship supposed to sound like.
Speaker 2: You know what, Dog, this album is incredible. This album,
Speaker 2: it was incredible. I think I think thing.
Speaker 1: Shout out to T p J.
Speaker 3: Damn, it's his best g No, it's not. This is
Speaker 3: better than Damn.
Speaker 1: And you know what makes this better than dam because
Speaker 1: it's culturally exactly what it should.
Speaker 2: Be in the West coasts. Coach what it should be.
Speaker 1: That's not a West Coast bias. That's you're being intellectually dishonest.
Speaker 1: Every last region should have that sound.
Speaker 4: It's a pushback against what we've talked about before, the
Speaker 4: homogenization of the genre, which is odd to me because
Speaker 4: as like we've discussed, it's I would never have predicted
Speaker 4: that as it became easier to make beach locally that
Speaker 4: beachs would sound less locally made.
Speaker 5: But that's what happened, and it coach back against that
Speaker 5: in Glasses likes that.
Speaker 4: I understand that he have a West Coast biases all
Speaker 4: over the place, but this is not that at this moment, No, and.
Speaker 2: I don't have a West coast bias either. There's nothing
Speaker 2: wrong with your West coast bias.
Speaker 1: You are from coast. I don't have a West coast bias.
Speaker 1: I am from the West coast. So I understand what's happening.
Speaker 2: Hey, these spam people can call me a lot, right,
Speaker 2: and you know how?
Speaker 1: I fuck with him?
Speaker 2: Now, dog, watch this?
Speaker 1: Hello? Why not?
Speaker 2: Why not say hang up on me? I'll be fucking
Speaker 2: these spam people up. Dog. They called my phone, I said,
Speaker 2: why no. The one guy say, sir, we.
Speaker 6: Have you that.
Speaker 3: This is Norman Steeley and I said, yeah, this is him.
Speaker 2: How can I help you?
Speaker 1: Yeah?
Speaker 6: He said stealing, Norman stealing? And I said yes. Still,
Speaker 6: So what I did was this gee? I said, I
Speaker 6: can I help you? And he says, yes, I have.
Speaker 6: He said, do you want I have here that you
Speaker 6: have won a prize? I said how much? He said,
Speaker 6: well you have to pick. I said, hey, want the
Speaker 6: million dollars? He said, well this you have to pay
Speaker 6: it back? And I said, well, how long do you
Speaker 6: have before you pay it back? And I said I
Speaker 6: can pay it back into weeks. Ain't going to buy
Speaker 6: a new car and I ain't going to steal to
Speaker 6: my car Let's get back to the thing.
Speaker 1: Bough shout out to probably why even the language of
Speaker 1: the song titles and slang he's using is in direct
Speaker 1: connection to his true culture. He put a damn regal
Speaker 1: on the cover exactly. That's not a bias. I want
Speaker 1: my New York artists to sound like they're from New York.
Speaker 1: I want my New Orleans artists to sound like they're
Speaker 1: from New Orleans. I want.
Speaker 6: That.
Speaker 1: You don't like it, but again that but that's what
Speaker 1: I'm not supposed to understand it. I'm not from fucking
Speaker 1: New York. I'm not a Penis writer acting like I
Speaker 1: get what's going on. I don't even know what music
Speaker 1: is good music. You know what's ain't about good music?
Speaker 1: Stop saying that I keeping New Orleans like New Orleans.
Speaker 2: You know, the ghetto boys.
Speaker 1: Get mad at you when you do this because you
Speaker 1: are army brat. You just transferred town to town. So
Speaker 1: you want to just make whatever you want to make.
Speaker 1: That ain't hip hop, that's not That's why when Tupac
Speaker 1: came down here, he made an album for l A.
Speaker 3: He understood the assignment. You didn't understand the simon when
Speaker 3: you came here. From Cleveland.
Speaker 1: You tried to hold onto your Cleveland roofs. Move your
Speaker 1: ass back there and do colass with bone. But if
Speaker 1: you come down here and you get in the soil,
Speaker 1: your ass better represent It's.
Speaker 2: Because when brother laid my head, that that's the lamb baby.
Speaker 3: Locals, because hip hop is that's what hip hop is.
Speaker 6: You know what I like?
Speaker 3: Al was like a queen's nigga. He didn't come out
Speaker 3: here be like, yeah, cousin bloods and no, he was like,
Speaker 3: what's up?
Speaker 1: Son? Kid? Beating was the that's what it's supposed to be. Hey,
Speaker 1: now say now, you don't get that still because said
Speaker 1: he was at first, who he said, Brocken. That's why
Speaker 1: that's why it's not working the same. That's also why
Speaker 1: Asap Rocky don't have the career he should, Big bro
Speaker 1: Asap Rocky as a brand is popular because he's a
Speaker 1: fashion guy, like a true New York nick. He understands it,
Speaker 1: but his music career is not that because there is
Speaker 1: a disconnect culturally.
Speaker 2: No music career. I got a band of baby mamic career.
Speaker 1: It's not it's not an insult to rock It's not
Speaker 1: an insult to Rocky. I'm telling you this is why
Speaker 1: it's not carried. Look at the greatest artist from a region,
Speaker 1: look at the greatest artists. Gee, is it fair to say?
Speaker 1: I mean, in my opinion. And granted, there's a certain.
Speaker 5: Time component to this, as we've discussed before.
Speaker 4: We're you know, early on enough, there wasn't regionally established
Speaker 4: sounds yet. But like Scarface honestly doesn't sound super Houston musically.
Speaker 4: He does sound kind of East, but he's very early
Speaker 4: in the genre so that the sound hadn't been developed,
Speaker 4: And you think that kind of hurt because he could
Speaker 4: and should probably be a much.
Speaker 5: Bigger I got his legendary, but he's not.
Speaker 1: You have the.
Speaker 3: I get what you're saying, but let me explain this
Speaker 3: to you.
Speaker 1: First. Start shout out to Clip Wilson, and I appreciate
Speaker 1: everybody that's here. No selllings. The lunch hour. We are
Speaker 1: breaking records. We're doing more people than we ever did,
Speaker 1: which is crazy.
Speaker 3: Right now, so that's dope.
Speaker 1: It's perfect time for y'all to be here because we
Speaker 1: popping it and my boy served with the best album
Speaker 1: of his career. I'm proud of him. Shout out to
Speaker 1: Clip Wilson. I'm from the East Coast, Harlem specifically, and
Speaker 1: love the fact that the West is standing on business
Speaker 1: and supporting their own.
Speaker 3: That's what hip hop is. This album is dope as ship.
Speaker 1: You're damn right, clip shout out to Harlem, because that's
Speaker 1: what hip hop is. It is the business of we
Speaker 1: We back to your Scarface question, Pete, Scarface. Scarface was
Speaker 1: really like remember Scarface in the early eighties, NWA ghetto boys,
Speaker 1: hip hop didn't quite figure out what it was.
Speaker 3: You made the music like sure, like like the fathers
Speaker 3: of hip hop. You made it like New York.
Speaker 1: You tried to add where you special, but you kept
Speaker 1: it very much in the foundational sense. But listen to
Speaker 1: be hold on, hold on. Scarface started to define himself.
Speaker 1: He brought the version of blues, and blues just ain't
Speaker 1: as popular as everything else. Funk is fun, jazz is jazzy,
Speaker 1: R and b is everybody shit Because Scarface kind of
Speaker 1: lives and resides in blues, it's not it doesn't seem
Speaker 1: as popular. But trust me, Scarface is beloved by the
Speaker 1: hip hop the whole country. With multiple platinum ax you know,
Speaker 1: spanning multiple platinum AUMs spanning over ten years. That's a fact.
Speaker 1: That's a fact.
Speaker 2: You know. I never thought about that, that he's like
Speaker 2: part of the blues type of type of sound that
Speaker 2: came into the hip hop. That's a fact though.
Speaker 3: Yeah, he orchestrated it, you know what I mean, that's
Speaker 3: what the South brought.
Speaker 1: Yeah, trap cup, piano player, guitary.
Speaker 2: The one thing I want to say about face G
Speaker 2: is when he dropped the world is Yours between the
Speaker 2: missus scar faces back in the World is Yours.
Speaker 3: You can see the experimentation of his sound.
Speaker 2: He kind of was going from the funk to the blues,
Speaker 2: kind of going back and forth, you know what I mean.
Speaker 2: He had a lot of funk in there too, right,
Speaker 2: a lot of a lot of flips from Bootsye and them,
Speaker 2: you know, a lot of Bootsy flips and stuff like that.
Speaker 2: Then he kind of found his lane with the blues.
Speaker 2: All Brad was was a pastor dog, Yeah.
Speaker 3: A Southern pastor like Martin Luther King.
Speaker 1: But you know what, it don't make me Houston biased
Speaker 1: because I appreciate the Southern roots, the Baptist style about
Speaker 1: his staff. That's what's he delivers it, you know what
Speaker 1: I mean. And that's what's important about this album.
Speaker 3: GNX. Even the car is a two hundred thousand dollars regal,
Speaker 3: Like the homie.
Speaker 1: Just said, like that's culture, Like that's what you're supposed
Speaker 1: to do. Somebody asked me, did I think this created
Speaker 1: a blueprint? No, this is what you're supposed to do,
Speaker 1: and him got, yeah, but this is what you're supposed
Speaker 1: to do in hip hop. This blueprint already been established.
Speaker 1: Now y'all seeing Dot do it. Y'all been watching Dot
Speaker 1: do things based off of where his shit was at,
Speaker 1: where things was working at. Now you're seeing him own
Speaker 1: the status that he is. Out West asked, primarily a
Speaker 1: thought leader, and he's.
Speaker 2: This album definitely put him in that. He was already
Speaker 2: there broke, but this album definitely man and it could
Speaker 2: be debated a little bit. This put him up there
Speaker 2: with like, oh status bro with He's up there now
Speaker 2: like you gotta really you got.
Speaker 1: I'm not gonna say he bumps out my guys in
Speaker 1: the top five, but I'm about to argue he might
Speaker 1: start bumping some guys out that top ten.
Speaker 2: No, I think he's up there. He's up there right now,
Speaker 2: look a little bit different. Yeah, That's what I'm saying.
Speaker 2: He might he might be he might have knocked Cue
Speaker 2: off his throwing dog.
Speaker 3: I'm not.
Speaker 1: I'm gonna take my time. Shout out the Q who
Speaker 1: just dropped the dope album today too. I yeah, we
Speaker 1: gotta get into it. Got and that's not Let me
Speaker 1: verify this. Let me clarify something that's not a knock
Speaker 1: against Q. It's more so shating the spotlight on dots
Speaker 1: growth from greatness right because you know you got to
Speaker 1: debate that now because for the longest it was undebatable.
Speaker 1: Dog two ice Q snoop, So you know dog for
Speaker 1: forty short It's like that was like the right there.
Speaker 1: Somebody got it, somebody who had to move a little bit,
Speaker 1: or we may just have to make an additional on
Speaker 1: spot up there for him. No Selings live the lunch
Speaker 1: hour every Monday, Wednesday and Friday noon Pacific Standard time.
Speaker 1: We right here doing the thing. Click the thumbs up button.
Speaker 1: Let everybody you know you hear, share it. Let other
Speaker 1: people go. We breaking numbers today on YouTube. We finally
Speaker 1: getting this thing rolling. Fit me shout out to Die
Speaker 1: for dropping this thing. That God is going.
Speaker 3: It is incredible.
Speaker 1: It is his best album. It took me one listen
Speaker 1: to figure it out because I fuck with the music.
Speaker 1: Y'all have figured out later, but y'all gonna come to it.
Speaker 1: Click the link in the description. Subscribe to the No
Speaker 1: Selings podcast. That's why we do this to promote No
Speaker 1: Seilings to podcast. Go over to Apple Podcasts anywhere you
Speaker 1: get your podcasts. Subscribe to No Seilings Executive produced by
Speaker 1: Charlemagne to God the Black Defect. iHeart at a point
Speaker 1: post top rap are stop making music for the region.
Speaker 3: On the up side of the latter, no argument, just observation.
Speaker 1: Shout out to whoever this is.
Speaker 3: His name is a dot, but he's making incredible points.
Speaker 1: That is true because Coach is not anonymously dot. Maybe
Speaker 1: it could be just don't know right, but to be honest,
Speaker 1: yes I agree. But what happens is is because your
Speaker 1: life changes and you will send into a pop iconic status.
Speaker 1: If you're successful. The more successful you are, you will
Speaker 1: send in too popular statues. So yes, you eventually start
Speaker 1: to shd culture. But the very greatest hip hop artist
Speaker 1: don't shed coature Like I went to Snoops Compound and
Speaker 1: he played me missionary. Dre is really clean now Drake
Speaker 1: cleaned up his production. It ain't funky at all. It
Speaker 1: very much has a hip hop but like a pop field.
Speaker 1: Even though it's still hard, it's clean. It's really scrubbed.
Speaker 1: He scrubbed it. I'm not necessarily the greatest fan of
Speaker 1: him over scrubbing it, but it's doctor dread. What the
Speaker 1: hell I'm gonna tell you what you don't clean? Snoop
Speaker 1: up Snoop is Snoop Dog, jay Z is jay Z.
Speaker 1: When they start talking, all the Brooklyn is gonna bleed
Speaker 1: out of them. When when Nad start talking, all the
Speaker 1: all the Queens is gonna bleed out of him. When
Speaker 1: Scarface talked on that mic, all of Houston is gonna
Speaker 1: bleed out of him. When Bond talked, all the pa
Speaker 1: is gonna bleed out of him. And that's the thing
Speaker 1: about hip hop. It's supposed to stain you. You're supposed
Speaker 1: to be permanently stained. You are if you are truly
Speaker 1: the coaching.
Speaker 2: Hey, she let me ask you a question since she
Speaker 2: was at the Snoop Bone, since you got the here
Speaker 2: the album with them is the song he had with
Speaker 2: Is that on the final track list?
Speaker 1: Yeah?
Speaker 3: And it makes sense when you hear it.
Speaker 1: That song is Dope Dog.
Speaker 3: I really you know me like R and B.
Speaker 2: That record was really dope.
Speaker 1: Dog. It's crazy to hear byself from a snoop record,
Speaker 1: you know what I mean? But when you hear what
Speaker 1: the collaboration of songs, it makes perfect sense. I get
Speaker 1: that you did this stuff on that and.
Speaker 2: We got to give props to the homeboy man Rest
Speaker 2: in peace to our dog. You know, rap, contemporary rap
Speaker 2: or contemporary rap. You're starting to see a lot of
Speaker 2: that manifest now. Like when I heard that record. Gee,
Speaker 2: you remember the time you was coming to street with me.
Speaker 2: You told me that it's something like I was making
Speaker 2: R and B. Yeah, I think you just get to
Speaker 2: that place the more musical you get when you get older. Though,
Speaker 2: you ain't gotta start rapping, but you definitely kind of
Speaker 2: just a natural progression.
Speaker 3: But you got to back up in my opinion. You
Speaker 3: have to back up in my opinion.
Speaker 1: Really, But you know I'm not listen. In twenty twenty five,
Speaker 1: I made sure that I was gonna take my rifle
Speaker 1: places fear of hip hop, because.
Speaker 3: If I let y'all have an opinion, y'all go to
Speaker 3: damn far back up.
Speaker 1: No, she is too hard for.
Speaker 3: A year old man to be talking about up there
Speaker 3: shooting niggas.
Speaker 1: And I'm not. That's not being The culture is shooting people.
Speaker 1: Everybody around the world.
Speaker 3: Shoot people. Don't have none to do with coachure. Coach
Speaker 3: is how we talk.
Speaker 1: You never get too old for slang, you never get
Speaker 1: too old for the way we dress. You never get
Speaker 1: too old for that. Shooting don't got nothing to do
Speaker 1: with the coaches that you want to.
Speaker 2: Snoop this to continue crippling on record. As long as
Speaker 2: he did that, he was cool.
Speaker 1: He's a crip super Bowl and that livings. Why the
Speaker 1: funk would he not? Do you ever get too old
Speaker 1: to represent your family and your community? No, And if
Speaker 1: you got a shame, you was never proud to be
Speaker 1: from it in the first place. It ain't got to
Speaker 1: be looked upon like he ain't got to represent it
Speaker 1: to a certain way. Though. He ain't going to put
Speaker 1: in work on no other gangs. But he is showing people, Yes,
Speaker 1: he's showing people what a crip can become. He's the
Speaker 1: reason that my next five and six seven years is
Speaker 1: going to be a little easier because they did business
Speaker 1: with Snoop as a crip and he didn't let him down.
Speaker 1: So He's gonna make the journey for the next Cryp
Speaker 1: a lot easier than ever before. Shout out to Atlanta.
Speaker 1: Bird Gang not been a little Wayne Stand for years,
Speaker 1: and he has admitted that a truly Wayne Stand the
Speaker 1: realist deal he loved to him, So I know that
Speaker 1: hurt his feeling, But again he didn't diss him.
Speaker 3: He just explained how he felt about it.
Speaker 1: What is the I don't know what is the gnxstand for.
Speaker 1: The GNX is a specific regal. So in California, G
Speaker 1: Bodies regals Cutlasses.
Speaker 3: El Caminos like my song, which is crazy right.
Speaker 1: Cutlass says there's a specific years of cars, roughly from
Speaker 1: seventy nine to eighty seven eighty eight. They're called G Bodies.
Speaker 1: That's a real la thing. At my age group, we
Speaker 1: started it and that became our thing now. The gn
Speaker 1: X is a Buick regal, right, but it's a it's
Speaker 1: a souped up version of it from the factory. They
Speaker 1: have a version called the Grand National. You heard of
Speaker 1: a Grand National all black one. Larry June had a
Speaker 1: whole album dedicated to the Grand National. Well, this is
Speaker 1: one of even suped up more version of a Grand National.
Speaker 1: So there's the Regal right at the standard level eighty
Speaker 1: seven right. Then there's the Grand National, which is a
Speaker 1: souped up version of the Regal, and then there's the
Speaker 1: five hundred and forty seven GN next version, which is
Speaker 1: a suped up version of a Grand National. It's a
Speaker 1: two hundred thousand dollars car. It's the pinnacle of Los
Speaker 1: Angeles young street life. That's crazy if you nobody even
Speaker 1: has that car because it's such an expensive car to
Speaker 1: have now, Like back when I was growing up, it
Speaker 1: was a forty thousand dollars car. It never lost violence.
Speaker 1: It's five hundred and forty seven. And he talked of
Speaker 1: shit because he got the number one. So you get
Speaker 1: what I'm saying, Like, that's the coaches.
Speaker 2: Huh, that's his whip on the ND.
Speaker 3: Yes it is, and that's what he and that's some.
Speaker 1: And this is what I'm saying.
Speaker 3: When people don't get what I'm looking at, I'm not.
Speaker 1: Just listen that car. Yes, shout out to David Jones,
Speaker 1: thank you for the ten dollars. That's super dope for
Speaker 1: the lunch. We appreciate that man. Shout out to everybody
Speaker 1: who hitting them. Super checks up again that's at the
Speaker 1: bottom right of the comments. If you're on YouTube. The
Speaker 1: line about letting Wayne down. Oh, just the pose with
Speaker 1: Coles letting nods down. It's hilarious. I'd rather let Wayne down,
Speaker 1: you stupid dad. Shout out.
Speaker 3: Yeah, David Jones, David Jones. Shout out to David Jones
Speaker 3: as you stupid bro.
Speaker 1: But but I didn't like the call. When the call
Speaker 1: was a bit weird and corny to me, Yeah, I
Speaker 1: didn't like that. I didn't like it.
Speaker 3: Shout out to Bella Max for the fifty dollars. I
Speaker 3: love you, thank you. That's a good lunch. We're eating good.
Speaker 3: Bella can't so listen. I am so proud. I'm so proud.
Speaker 1: And again, we initially started to talk about how the
Speaker 1: party died in LA and I wanted to associate why
Speaker 1: West Coast hip hop was struggling.
Speaker 3: West Coast hip hop, the majority.
Speaker 1: Of it is built on funk. Funk is the ultimate
Speaker 1: party music. People party hard to funk. Whether it's James Brown,
Speaker 1: Parliament funk. Just as we moved through the Statues of
Speaker 1: Funk all the way up to g funk, it's been
Speaker 1: the party. So our records had the benefit of this
Speaker 1: great weather and the opportunity to always have parties. We've
Speaker 1: always had that and that's what moved the records right.
Speaker 1: But what killed partying on the West Coast right was
Speaker 1: bottle service as we adopted as we adopted bottle service
Speaker 1: as a true identity of the club, and it came
Speaker 1: more or less about not meeting women and having a
Speaker 1: good time in dancing and just getting women easier, just
Speaker 1: flexing money. Guess what you kill people dancing? Yeah?
Speaker 3: Why exactly? Music don't have ways to.
Speaker 1: Actually spread Like problem is dropping a bunch of great records,
Speaker 1: problem jump, but there is no party scene to move it.
Speaker 1: Shout out to Mark Nasty, Shout out to a d
Speaker 1: They dropped the project called House of Waggens, amazing project,
Speaker 1: great songs to have fun and party two. But we
Speaker 1: don't have a party scene to spread the music. And
Speaker 1: West Coast music has been built on funk. So without
Speaker 1: the party scene, that's moving hard. You don't really have
Speaker 1: a way to make the music and everybody get familiar
Speaker 1: with it to build up the story for radio to
Speaker 1: become your mass promoter. So that's why so.
Speaker 2: I went to the I went to the show the
Speaker 2: other night with me go and I've seen I've seen
Speaker 2: the LA. I've seen a lot of different LA artists.
Speaker 2: They was more see that. But one thing I caught though,
Speaker 2: was that I see the I'm not gonna say copy,
Speaker 2: but the influence that that the younger youths is getting
Speaker 2: from Larry June right now. Yeah, Like it's a heavy
Speaker 2: you know what I'm saying.
Speaker 1: I don't know, I don't know.
Speaker 3: Would you care to him as being the first one that.
Speaker 1: Like is that his? Is that his sound right there? No,
Speaker 1: that's a company. He makes mob music. It's like, uh,
Speaker 1: that's what the Bay Area is known for. But again
Speaker 1: that that's always gonna work, Like like Dom Kennedy, that's
Speaker 1: like kickback music.
Speaker 3: Arry, you know, you play the Monks to select friends.
Speaker 1: It's not full out of party groove where you're playing
Speaker 1: at the mix of a party, but if it's at
Speaker 1: a kickback at the gathering. Again, hip hop, like we
Speaker 1: talked about this, hip hop is a party. It is
Speaker 1: a bunch of people coming together to have a good time.
Speaker 1: Poor people making it work, right, it's taking the break
Speaker 1: and like I'm gonna make this work and everybody dancing
Speaker 1: and you know, having a great time. So even at
Speaker 1: the lowest levels, like a kickback where it's not as
Speaker 1: festive as a huge party, but it is a bunch
Speaker 1: of people socially gathering, you know what I'm saying, to
Speaker 1: have a great time.
Speaker 3: Yeah are they said it?
Speaker 2: Yeah, but it was yeah, y'all said about it was
Speaker 2: about three AUTI that was like, your hold on? Is
Speaker 2: this the just the way that county on? Like they
Speaker 2: just they copped I don't I don't want to say copying,
Speaker 2: but influence by it though, you know what I'm saying,
Speaker 2: I like it, you know what I'm saying, Like you
Speaker 2: know that, like going back through something you said earlier
Speaker 2: that early hip hop was a little you know, the
Speaker 2: only template for it was from the East Coast n
Speaker 2: w A had a lot of treacherous three in them
Speaker 2: mm hmm. Had a whole lot of tracks was three
Speaker 2: in them, you know, the whole going back and forth
Speaker 2: and rapping together and stuff. You know, the routines and
Speaker 2: stuff like that. They had a lot of New York
Speaker 2: routines and the stuff, but it was very much its
Speaker 2: West Coast lyrics on it.
Speaker 3: You know, shout out to super Jedi. I'm from the Midwest.
Speaker 1: This ship is fire has nothing to do with West
Speaker 1: Coast bias, a true West Coast. It's the best, like
Speaker 1: Kendrick's best, by far, I would say it, by far
Speaker 1: better than I'm gonna tell you where it beats good kids.
Speaker 1: It beats good kids in sonics because it's a West
Speaker 1: I don't know why you're doing this though, but it's
Speaker 1: not because it's West Yes.
Speaker 5: It is, it's not.
Speaker 1: It's not the Resurrection tough song, every song, every song
Speaker 1: is dope. Who was the artist he was talking about though,
Speaker 1: who's the first artist? The Resurrection was the one where
Speaker 1: he he basically was describing it just got the male
Speaker 1: artist that was from Michigan played the guitar.
Speaker 3: I'm gonna listen to it twice.
Speaker 1: We're gonna double back and hand break because a breakdown
Speaker 1: is more a d h D thing, So we got
Speaker 1: to get into it. But it's more to that to me,
Speaker 1: it's not because it's West Coast. If it was juvenile
Speaker 1: getting with Manny Fresh, it would like if it's right,
Speaker 1: it's not because it's West Coast, it's because it's culturally true.
Speaker 3: I really need to the West Coast culture.
Speaker 1: Because he is from kans supposed godda.
Speaker 2: So you are supposed to say it's the best album too,
Speaker 2: because it's a West coast sanding.
Speaker 1: Now, but every West coast album don't sound good.
Speaker 4: I think the point is kind to get is like
Speaker 4: when when you dial it in and you localize it more,
Speaker 4: you get it becomes there's there's more cultural parts per million,
Speaker 4: you know, to the solution, and opposed to doing something
Speaker 4: that's more naturally branded, it gets a little bit diluted.
Speaker 5: You don't get as much culture for your minute.
Speaker 3: Especially the time when we don't have.
Speaker 1: Everything about hip hop is pasteurizing the modernized, which really
Speaker 1: is not hip hop at all, because if it starts
Speaker 1: being this thing that everybody can do, we stop being special.
Speaker 1: So yes, I'm going to praise a record that sounds
Speaker 1: like culturally correct. It's why we like Larry June. That's
Speaker 1: that's not some sound he made up. That is a
Speaker 1: version of mob music. That's a bay area of fun,
Speaker 1: like a quick question, like.
Speaker 4: Dre did at least to some degree, like the first
Speaker 4: fifty album, Right yeah, Diamond Monster album not necessarily saturated
Speaker 4: with queens quite so much more of a natural landscape,
Speaker 4: generic mega hip hop album.
Speaker 1: He definitely did small things like the tempos were just
Speaker 1: a little slower than the West would be at some because.
Speaker 3: Like, ain't that far apart.
Speaker 1: Like when New York gets really New York is when
Speaker 1: they get hella jazzy. That's that's their pride and joy.
Speaker 1: The jazz breaks, you know, I mean, but they do
Speaker 1: got as much fun, They got as much R and
Speaker 1: B as everybody else in the world. Were a deviation,
Speaker 1: you know, but I do agree with you that, like
Speaker 1: it's time to hear fifty cent with a Queen's producer.
Speaker 1: It's time to hear like if fifty wanted to make
Speaker 1: a new album, I would love to hear Havoc make
Speaker 1: music for him.
Speaker 3: Yeah, that would these shout out to old Dog only
Speaker 3: driven on greatness.
Speaker 1: I like how you flip that? That's player bro Glasses.
Speaker 1: What are your favorite songs off the album so far?
Speaker 1: Wacked Out Murals obviously, Squabble Up, Reincordinated TV off, Dodger
Speaker 1: Blue Pigaboo Hard six album album I named a specific
Speaker 1: so I didn't name Gloria.
Speaker 3: I like it, like I didn't name Hey Now.
Speaker 1: So the Luther song is, but I didn't name it
Speaker 1: because it's not one of my favorite but it is
Speaker 1: an incredible song. And you know what I appreciate to
Speaker 1: me because I know Dot has been projecting. He's trying
Speaker 1: to ascend to his greatest self. So he's projecting it
Speaker 1: out there and.
Speaker 3: Then he's pursuing it.
Speaker 1: But when you hear it musically, in my opinion, right
Speaker 1: you can hear things are forced in there, not as
Speaker 1: smooth songs like Rich Spearit where I feel like the
Speaker 1: hook could have been a little bit more. But he's
Speaker 1: projecting his greatest self internally and then he's pursuing it.
Speaker 1: This is Dot straight up accepting who he is, owning
Speaker 1: it and every last hook comes across perfect you. I
Speaker 1: mean at that deep bro, like they never gave it
Speaker 1: to me. It should have never saved my life. That
Speaker 1: I know that this is what you was, you wanted
Speaker 1: since since you heard mister Morale, sure just what you
Speaker 1: This is what you told him. You told him that
Speaker 1: you know what.
Speaker 2: I'm saying, and then like to get it and to
Speaker 2: get it. And I can see why you're you know
Speaker 2: what I'm saying, You accepting the avenue where you are
Speaker 2: and you loving ave where you are because this is
Speaker 2: what you wanted to hear from him. Though I'm gonna
Speaker 2: say this right here, it must be somewhere because when
Speaker 2: you're for your drop, I was in La when this
Speaker 2: drop right now, I was in l A. Yeah, I'm
Speaker 2: just saying like.
Speaker 1: And that's and that's a great point. Eulphouria is not
Speaker 1: a standard West Coast but I love it. So I
Speaker 1: do love what Dot naturally does and gravitary, I mean,
Speaker 1: I like good kid man city. I am appreciative of
Speaker 1: his understanding of every level of hip hop. And I
Speaker 1: don't want a discredit sound way of creating a sound
Speaker 1: that made TD successful. But I love to hear when
Speaker 1: he fit because again, there is no West Coast sound
Speaker 1: today to a degree, like Mustard sound is the closest.
Speaker 1: But he made something that felt compelling, like culturally it fit.
Speaker 1: Shout out to Sharis another two dollars man, that's Ain't
Speaker 1: you sure I gonna get us some sauce?
Speaker 3: TV off on super Bowl stage is going Yeah.
Speaker 2: That's going crazy. That's gonna be crazy. So how many
Speaker 2: these songs you think gonna be played at the super
Speaker 2: Bowl stage? You feel, well, it's only like twenty minutes,
Speaker 2: so he can't do too much. And I mean like,
Speaker 2: because you know you got to play an old song soup.
Speaker 2: So so I mean I'm trying to think I'm trying
Speaker 2: to get any arena sounding songs became the first song
Speaker 2: is arena sounding song.
Speaker 1: I feel like shout out to lift it. I like
Speaker 1: it more than Damn at the moment. It's better than damn.
Speaker 1: Shout out to all in good kid. Mats City is
Speaker 1: Kendrick's magnus opus. Even if you think this album is better,
Speaker 1: way too early to not true, not at this level.
Speaker 1: At this level, I know too much about records and
Speaker 1: hip hop.
Speaker 3: I got the question for you.
Speaker 1: Sure to have to pursue that thought. I know when
Speaker 1: it's better because I listened to both albums. It's better
Speaker 1: by far. Now that's different. No, I didn't say that.
Speaker 2: Some of this stuff we have to wait and see. Man,
Speaker 2: I think.
Speaker 1: I'm keeping it real. I'm not. Yeah, I'm not Finna
Speaker 1: jump up and says a classic is different, but it's
Speaker 1: some artists like the Fix is scarface classic, but untouchable.
Speaker 1: It is better than the Fix. Classic is about how
Speaker 1: public received and we talked about this, how the public
Speaker 1: receive it, not if it's a great album or if
Speaker 1: it's like does the time and Space open up for
Speaker 1: it to be as great as possible. Do the world
Speaker 1: needed do the world need g n X? I don't
Speaker 1: know that's what creates a classic. You know what I'm saying,
Speaker 1: We'll see you know what I'm saying, we'll see what well.
Speaker 1: I don't think.
Speaker 2: I don't.
Speaker 1: I think whatever great artists do for hip hop, every
Speaker 1: I need a blueprint. Yeah, I needed four hundred degree.
Speaker 1: I needed you know what I mean, Like I needed
Speaker 1: the first Bone album.
Speaker 3: You know what I mean.
Speaker 1: I needed Yate you know, college drop out. You need
Speaker 1: great albums to inspire culture to keep moving forward and
Speaker 1: figuring it out.
Speaker 2: I think classic albums also got to shift culture though, too,
Speaker 2: and I feel like this could possibly do that through
Speaker 2: you know what I'm saying. It could It could bring
Speaker 2: it to the eyes like they was like like people
Speaker 2: were saying back, saying, Yo, the the the PopOut didn't
Speaker 2: do nothing for the for the West, it kept they
Speaker 2: was saying ship like that. I think this album right
Speaker 2: here could possibly you know what I'm saying, it's gonna
Speaker 2: put it onto you know what I'm saying, on to
Speaker 2: the West coast. You know what I'm saying, Like, like
Speaker 2: we listening to the album, like like the Western thing,
Speaker 2: like the okay, yeah, West Coast saying an album right there,
Speaker 2: you know what I'm saying.
Speaker 3: But but again, like you just make the pace of life.
Speaker 1: Like a lot of times we just lazedly referenced something
Speaker 1: as like something sounding or West Coast sounding, but no,
Speaker 1: like really, the only true sound that ever came from
Speaker 1: the West Coast purely is like sunshine.
Speaker 3: Pop.
Speaker 1: Funk is not necessarily a Los Angeles thing. Like we
Speaker 1: didn't get in the funk to late in the game.
Speaker 1: Like who was our first big funk group, The Whispers,
Speaker 1: you know what I'm saying. That's in the eighties when
Speaker 1: they went funk. So it's like Barry White made like
Speaker 1: a kind of a hoop you know, pop disco type
Speaker 1: of thing, R and B. You know what I'm saying.
Speaker 1: So we was late in the funk game. G funk
Speaker 1: defines our funk for the most part. So it's not
Speaker 1: about our sound. It's when the music fits the pace
Speaker 1: of life and you have enough grit on it to
Speaker 1: make it feel like hip hop. Hip hop is all
Speaker 1: about being dirty. That's why Rizzy is one of the
Speaker 1: greatest ever because it's dirty. Shout out to shout out
Speaker 1: to Kelvin. I think I get what g is saying
Speaker 1: it's his best work because he is now pioneering and
Speaker 1: pushing the West Coast sound culture.
Speaker 3: The context is important when calling it his best work.
Speaker 1: No, that's why it's not. That's why because of these reasons.
Speaker 1: It's because the way it sounds is his best work.
Speaker 1: That's why it sounds the way it sounds. It's the opinion, bro, No,
Speaker 1: I don't. You got to stop thinking. You got to
Speaker 1: lead people to their opinion, have an opinion.
Speaker 2: You're getting mad at people because they say it in
Speaker 2: the best work.
Speaker 3: Yeah, I'm not.
Speaker 1: I'm not. It's just I'm not correcting it.
Speaker 3: Damn it ain't you.
Speaker 1: Ain't being a good You not being a good person
Speaker 1: because you let sheep go where they want to go.
Speaker 1: It actually makes what the pieces of they don't know.
Speaker 1: They don't.
Speaker 3: That's not they don't, that's not the profession.
Speaker 1: They don't.
Speaker 3: Just because if you just think, sir, well done, I don't.
Speaker 3: I ain't hate no steak.
Speaker 2: Mistake medium to medium, Well, bro, I don't want my
Speaker 2: mistake a bunch of bloods.
Speaker 1: Playing to you.
Speaker 3: It's not no blood. Stop saying that.
Speaker 2: I don't care what it is, but I don't like
Speaker 2: my mistake.
Speaker 1: Listen, don't this is the problem when we give you
Speaker 1: an opinion because you started saying, well, medium, well, the
Speaker 1: medium is okay with me. I like that. I don't
Speaker 1: asking you what you think or what. So I'm telling
Speaker 1: you how to do it because you obviously are too
Speaker 1: chicken ship to understand how to do it. I've tried
Speaker 1: it that way. I've tried it. I don't like it.
Speaker 1: I don't like it. You will like medium well like
Speaker 1: I do a little bit of well, but I have
Speaker 1: a little bit of pink in it. But I don't
Speaker 1: want mysteak off. I don't want that. You don't.
Speaker 3: You never taste it and you're staring at it.
Speaker 2: I have tasted it before. You have that.
Speaker 1: G Up had a thousand doves stakes for and every
Speaker 1: time I had I've had states would go.
Speaker 3: Exactly wasting his money on that.
Speaker 2: And I'm gonna tell you this, if I'm gonna spend
Speaker 2: that much money on the steak, I'm gonna get that
Speaker 2: mother soup of the way I want it. Not when
Speaker 2: I find you one, I'm gonna say I.
Speaker 1: Would never go nowhere.
Speaker 3: Well, you would not embarrass me in front of the
Speaker 3: chef with your color it.
Speaker 1: Exactly.
Speaker 2: That's why they have different things.
Speaker 1: That's what imbarrassed me. Let me talk.
Speaker 2: That's why they had rare. That's why they had medium, medium,
Speaker 2: well and well done. Because people have choices. If that
Speaker 2: wasn't if it wasn't a palatable choice, it would just
Speaker 2: be like, okay, rare. You wouldn't have a choice of
Speaker 2: like chicken, you order chicken. You can't order a piece
Speaker 2: of medium well chicken. Chicken is just that's the problem.
Speaker 1: Yes, you can. They don't call it that because they
Speaker 1: know you can help me.
Speaker 2: Can you eat chicken meeting whale chicken?
Speaker 4: Bro?
Speaker 1: Have you heard that? No, they don't have that offered,
Speaker 1: but they have to overcooked chicken for people like you
Speaker 1: because you staring at the food.
Speaker 2: Versus you get sick.
Speaker 3: You can die.
Speaker 2: You eat bro chicken.
Speaker 3: You ain't never even met nobody with salmonella in your life.
Speaker 1: You've never even seen it on You been saying that
Speaker 1: ship since.
Speaker 2: You can't eat meatium whale chicken bro chicken that got
Speaker 2: blood on the bone, dog is bad.
Speaker 1: For you though that you're not even true and it's
Speaker 1: not blood. Listen, the correct temperature to cooked chicken is
Speaker 1: to one sixty five. Black people like my point. It
Speaker 1: means the internal temperature, not the internal.
Speaker 3: Temperature is one sixty five. That's safe.
Speaker 1: It's when you get the chicken at this most moist
Speaker 1: and flavorful, you cook the damn flavor of the chicken,
Speaker 1: which is why you got to overseason it.
Speaker 2: I'll bet you brother told you this, man. I eat
Speaker 2: my steaks medium of medium.
Speaker 3: Will you like mediam well and well done?
Speaker 1: You're gonna tell me how to eat myta with you to.
Speaker 3: You, I bet you I'll never take you to no steakhouse.
Speaker 1: You won't let me.
Speaker 2: Steak house. I'm going ahead get.
Speaker 3: Well done.
Speaker 1: Well.
Speaker 2: I don't eat my steak well then I've never had.
Speaker 1: That's after my little cousin Daveon going for the five
Speaker 1: dollars lunch hour.
Speaker 3: We eating good up in here. Get a well done steak.
Speaker 1: That ironically bringing the West Coast party back, which was lacking.
Speaker 1: This is one hundred percent his best album. This got
Speaker 1: the audacity we need it from Dot as well. That's
Speaker 1: another thing this album had. He had another album. This
Speaker 1: album is rushing of audacity, it's bleeding of audacity.
Speaker 3: It's the nerve of this nigga to say that, you
Speaker 3: know why, because it's not over.
Speaker 2: Like the audacity is somebody telling people eat wrong chicken.
Speaker 3: You like a little kid. I'm not gonna talk to
Speaker 3: you about this, man.
Speaker 2: I ain't nothing to talk about, bro. I've never had
Speaker 2: a well done steak in my life.
Speaker 1: I never I live my.
Speaker 3: Five you know, not talking to you about it?
Speaker 1: I think?
Speaker 3: Yeah, still because you first.
Speaker 2: Get you, you don't know what I'm eating there telling
Speaker 2: me I think you have.
Speaker 1: You are like he's about he don't want no blood,
Speaker 1: so you know you ain't no medium.
Speaker 2: I eat my mistakes medium well to well, dog.
Speaker 3: That is done.
Speaker 1: Just say I said medium Will? I said medium well
Speaker 1: to me? Never had.
Speaker 2: Medium medium Well, I've never had well done steak on
Speaker 2: my mom mistake, made a mistake. I mean he must
Speaker 2: be medium medium Well, I would need cook geez, you
Speaker 2: wouldn't need twenty four hours a day.
Speaker 3: I ain't gonna tell me what I do.
Speaker 1: Like you just like me what I do.
Speaker 3: You've been a big brother for twenty years.
Speaker 1: He's from stakes medium will dog like a medium whill.
Speaker 1: There's nothing wrong with that.
Speaker 2: Why is it an option? Why do they have this option?
Speaker 1: Because they know black people coming in and they want
Speaker 1: everybody they want either. No, y'all just the assholes that
Speaker 1: want to force y'all will on people. That's what they need.
Speaker 1: They do, Yes, they do force your will on me.
Speaker 1: That's the problem. You need some of this will, man, No,
Speaker 1: I don't. I'm gonna do what the hell I want to.
Speaker 1: I meant.
Speaker 2: So, you don't know that Rick fries with that mother sucifice.
Speaker 2: Would I want a mashed potatoes or baked potato. I'm
Speaker 2: gonna get me a glass of kool aid and enjoy
Speaker 2: my ship without you, without your interference. That's why nobody
Speaker 2: like you. See, that's the problem. Y'all want to control people.
Speaker 1: Somebody needs some people need to be They don't, man,
Speaker 1: People don't people need to free will that you go
Speaker 1: going up there with gat.
Speaker 2: Sauce A well done steak, bro nobody, I don't know
Speaker 2: well done steak.
Speaker 1: You're seeing something about a well done steak. I don't
Speaker 1: eat steak, well done, medium well to well. I said
Speaker 1: that medium will.
Speaker 2: I made a mistake when I said, well, I don't
Speaker 2: you know, man, I'm about it's time to go anywhere.
Speaker 1: Man's any time to.
Speaker 3: Run from this trying to run.
Speaker 2: I eat my steaks medium or meetium. Well, when I
Speaker 2: went to France, it depends on where I'm going. If
Speaker 2: I'm in La I can order medium steak. But when
Speaker 2: I went the France, I asked him for a medium
Speaker 2: and they brought me some ship to look like he
Speaker 2: was about.
Speaker 1: Grow frenches he was in France.
Speaker 2: Huh did you asking for French fries when you was
Speaker 2: in France? Bro, French ries is not a French thing. Actually, Bro,
Speaker 2: I'm gonna tell you I mashed potatoes, baked potato. But
Speaker 2: if I want to eat French fries, I will. I
Speaker 2: have had a steak with some good French fries. Have
Speaker 2: you ever had a good steak, A good a good
Speaker 2: white U steak with some home field potatoes?
Speaker 3: Boy, I know I well down done?
Speaker 2: No, I don't medium, medium, well, the medium medium to
Speaker 2: medium weight.
Speaker 3: It ain't supposed to be nothing.
Speaker 1: Well then well done?
Speaker 2: A medium will with medium will? Y'all just trying to
Speaker 2: just enforce stuff from people. You know what I'm not,
Speaker 2: y'all are not gonna tell me what I'm gonna do.
Speaker 2: I want to my blood over eighty seven. I'm eating
Speaker 2: what the hell I want to and do what I
Speaker 2: want to. Still, let me ask you a question. So
Speaker 2: when was it a moment like when you listen to
Speaker 2: the album when you realize, Yo, this man doing some
Speaker 2: ship right now, like he cooking up right now. It
Speaker 2: was like, what what moment of the album was it
Speaker 2: the start of the album? Was it a couple of
Speaker 2: songs in when you realized you were listening to something
Speaker 2: special at the time?
Speaker 1: Men?
Speaker 2: You know what, Dog, it kind of started off from
Speaker 2: the beginning of the album at the kind of kind
Speaker 2: of from the beginning, Dog, and you know what, it
Speaker 2: was a couple of songs like I'm gonna tell you
Speaker 2: I like the Luther record. I love the Luther record
Speaker 2: on that right. What I like about the album, man,
Speaker 2: is it got a continuity to it. Man, everything on
Speaker 2: there is good. Now, use certain songs I like better
Speaker 2: than others, but it's a great album.
Speaker 1: Though. The first motherfucker from the first song I'm Gonna
Speaker 1: be real that was.
Speaker 3: The last song that they probably was looking for.
Speaker 2: When I heard Whacked Out Merors, though, I was like,
Speaker 2: this shit is genius, Dog, and it just you know
Speaker 2: what I pictured when I heard Whacked Out Mirrors? What's
Speaker 2: that bridge in that leg that you go over you
Speaker 2: know that little bridge when you're going downtown. Yeah, I
Speaker 2: pictured that whole scene when I it whacked out me
Speaker 2: and it's just that dope, bro. It's a really it's
Speaker 2: Don's greatest work though.
Speaker 1: Shout out to shout out to Kelvin. So this is
Speaker 1: best because it's final evolution. GNX is a culmination of
Speaker 1: section eighty good Kid, Mass City to Bi Butterfly, et cetera. No,
Speaker 1: it's not because of the final evolution, because I'm not
Speaker 1: saying this is still gonna be his best album he
Speaker 1: ever made.
Speaker 3: He still may make a better album than this.
Speaker 1: This is the best album he's ever made because it's
Speaker 1: the culmination of his knowledge of how to do things.
Speaker 3: That's how he was able to make it. It actually
Speaker 3: just worked out, man, I'm gonna tell you.
Speaker 1: Actually, he actually has all the tools and everything the
Speaker 1: knowledge now and he's also claimed his life, you know
Speaker 1: what I mean.
Speaker 3: He's claimed his.
Speaker 1: Life in his rifle places who he is. He understands
Speaker 1: how to be it with with still being itself. To me,
Speaker 1: there were times where Doc felt like or I think
Speaker 1: I never asked my asking, but I felt like he
Speaker 1: thought being a piru meant you had to be something else,
Speaker 1: or being from Compton sometimes mean you have to be
Speaker 1: something else. It's not like Snoop understood it. Ice Ta
Speaker 1: understood it. Being a crip is whatever you decide it is.
Speaker 3: Long as you.
Speaker 1: Ice Tea and Snoop, you can see a cube and
Speaker 1: then too.
Speaker 2: I think.
Speaker 1: Ice Tea, Snoop, if I said that they told you
Speaker 1: what being a crip can be like, you can define
Speaker 1: it the way you want, long as you don't just
Speaker 1: do no booth shit, that's it. That's it. So I
Speaker 1: think where he's at gave him the ability to make
Speaker 1: the best album he's ever made, right but him still
Speaker 1: doing it, it's just him doing it.
Speaker 3: It came together that way.
Speaker 1: Every hook to me, like the nuances as as a
Speaker 1: professional and somebody that's really in love with this ship
Speaker 1: and stuff ud of it.
Speaker 3: I can hear on different songs where it sound.
Speaker 1: Rush like Rich Spear, where the hook kind of is
Speaker 1: a little funny, and I could tell like and I
Speaker 1: figured out why. I think it's all about projecting versus
Speaker 1: this album where everything.
Speaker 3: Is in pocket, like the Luther song, everything is in pocket, Bro.
Speaker 1: Because he's accepted who he is, what he means to
Speaker 1: the game, and he decided I'm here to do it.
Speaker 1: I think the first two albums, like I think the
Speaker 1: first album, it was free and that's why you got
Speaker 1: good Kid, Mess City.
Speaker 3: He was free on the first album.
Speaker 1: That was the culmination of all this work coming together,
Speaker 1: all his experience being on tours, everything we went through
Speaker 1: to get to this point, so you got the freest version.
Speaker 1: I think to pipp A Butterfly, he might have thought
Speaker 1: too much, and I think he was chasing the level
Speaker 1: of sophistication that is naturally in him because he's a
Speaker 1: thought leader. But as you can hear it in the music,
Speaker 1: and it's something that I only want to play twice
Speaker 1: the three times because it is of that type of
Speaker 1: level where you have to kind of pursue what's going on,
Speaker 1: like it's a bunch of ship running around on the
Speaker 1: records right them title which was a collection of his work,
Speaker 1: to damn where he started to me figuring out sonics. Yeah,
Speaker 1: that was a big argument of him, you know, making
Speaker 1: an US album, don't make this ship that you've been making,
Speaker 1: make it sound like humble, you know, make the sonics
Speaker 1: fit humble. And I think he came to an arrival
Speaker 1: with Damn on Sonics, but it didn't have the story
Speaker 1: element that he had in.
Speaker 3: The first one untitled album because he's that nigga. He
Speaker 3: that nigga dope, that little nigga dope, that little nigga
Speaker 3: get busy. I ain't gonna front on him.
Speaker 2: He ain't put on no trash album everything.
Speaker 1: And then they then then you have the you have
Speaker 1: the Black Panther joint, which is for a film, so
Speaker 1: there's certain records we would never play, like he has
Speaker 1: to make the biggest records for the audience, right, and
Speaker 1: then during the pandemic, we get missed him. Morale to me,
Speaker 1: which sounds that shit sounded like cash scratching paper a
Speaker 1: lot of times to me, you know what I mean.
Speaker 1: Where it's like like I could tell he was going
Speaker 1: through therapy, was trying to figure out who he was
Speaker 1: as a person. So like he had just went through
Speaker 1: a lot of ship with the success of Damn. You know,
Speaker 1: maybe he messing with more girls. You know, he's starting
Speaker 1: to see like being a star, and I think he
Speaker 1: didn't quite know if he wanted to do it, you
Speaker 1: know what I mean. And then I think mister Morale
Speaker 1: showed you that it was like, yeah, don know, these
Speaker 1: streets look crazy to me right now. He even had
Speaker 1: criticism about culture. I'm like, that's not true, Like that's
Speaker 1: not how we feel about things.
Speaker 2: So I think he's I think he I think this
Speaker 2: is his most honest album too, like the stuff he
Speaker 2: said about black Kippie, Like when you said black Kippie
Speaker 2: didn't work, because it was kind of like one of
Speaker 2: the moments man, where I think he was just letting
Speaker 2: alether stuff. I think this is the most honest album.
Speaker 2: I think that's what hit feels, that his best is honest.
Speaker 2: So somebody had broke down, Yeah, broke down one time
Speaker 2: that that each one of his each one of kendrick
Speaker 2: albums was it was a form of publication or whatever
Speaker 2: the way they said they take. Like the first album
Speaker 2: it was a movie, The second album was a was poetry,
Speaker 2: was a poem. The third album was like a magazine,
Speaker 2: like a mag magazine publication, and mister moral posted been
Speaker 2: like a player like that what you think this album
Speaker 2: is supposed to?
Speaker 3: I don't even understand that thought.
Speaker 1: Whoever, those people beak there they be, they be looking
Speaker 1: at this and ship it is what it was though
Speaker 1: it is what it was, though.
Speaker 3: Shout out to mark Gear, thank you for the ten dollars. Man,
Speaker 3: we're eating good today.
Speaker 1: We're gonna actually get stakesy were not buying one steal
Speaker 1: ship because he wanted well or meeting well, so we not.
Speaker 2: Man ain't you know.
Speaker 1: I can't hear you. I can't hear you. I thank you.
Speaker 1: Shout out to mark Gear for the ten dollars. I
Speaker 1: listen later, but just want to contribute to the celebration.
Speaker 3: And that's what it is.
Speaker 2: Man marked this on on Twitter.
Speaker 3: Yes, Mark on Twitter. Sure tomorrow show tomorrow.
Speaker 1: We thank you. G People don't understand what quality food is.
Speaker 1: Still it's one of those people.
Speaker 2: I've I've eaten the finest restaurants around the world. I
Speaker 2: eat my steaks medium to medium. Well, that's my If
Speaker 2: you want to throw your steak on the ground and
Speaker 2: step on it, you can't.
Speaker 3: It's yours, you be.
Speaker 1: I want you.
Speaker 2: I've dined in the finest establishments around the world, and
Speaker 2: not myself in a stellar chef myself.
Speaker 1: I'm a real chef. You're a real chef. Hell yeah,
Speaker 1: I know how to cook like a mother. You still
Speaker 1: over there eating well done steak, laughing out loud.
Speaker 2: Yes, I've never had.
Speaker 1: You're going to. I do not eat we mix, you.
Speaker 3: Crash out of your cares, touch your potatoes.
Speaker 2: No, I wouldn't do that. I wouldn't crash. Actually mix
Speaker 2: a little bit of my cares and pizza. My mash
Speaker 2: potatoes tastes very good. And I eat my steaks age
Speaker 2: like a good Age steak. I've had ye you will
Speaker 2: from chapinion. I've actually been in Tokyo eating the best
Speaker 2: steak in the world. Man, stuff has touched my pailert
Speaker 2: that a lot of people never get to taste. They
Speaker 2: ain't me bragging, that's just me flexed. I know how
Speaker 2: to eat steak.
Speaker 1: No, you don't, Frank shout out to my brother Frank.
Speaker 1: That title the Longe whacked out Mirrors. That's an important
Speaker 1: point too. Spelling it with two seeds comped the crypt.
Speaker 1: That's how we spell like day man, you don't put
Speaker 1: the k behind the sea. So the spell of two
Speaker 1: seeds and being that he's like from the pirroot side
Speaker 1: of town. That was brilliant, right and again, man like
Speaker 1: the cultural relevance of this album. As I keep digging
Speaker 1: for it, I'm sure it's gonna be special. Shout out
Speaker 1: to Dj Draski for five dollars, man, we appreciate that, brother.
Speaker 1: We can good. We will not get steal any snake
Speaker 1: with this money. I promise you we will not let
Speaker 1: him disrespect the steak again in life.
Speaker 2: I'm gonna I'm gonna steal it and go buy a
Speaker 2: bunch of medium whale steaks. Laugh.
Speaker 1: Mh name brand and this album got a coolio. Gangs's
Speaker 1: Paradise feel crucial for La. I say it is true,
Speaker 1: it does does? It really does. Shout out to Kivy.
Speaker 1: What's happening to Kivi? God lost his mind on his
Speaker 1: album and kept it all the way LA. Crazy thing is.
Speaker 1: I don't think he's done five dollars. People keep saying that.
Speaker 1: They keep saying he got another album. Man, I hope
Speaker 1: he put out as much music as y'all want from him.
Speaker 1: I want him to supply y'all with so much of this.
Speaker 1: Where he's at right now, I think it's a phenomenal
Speaker 1: space for a talent in hip hop. I think he
Speaker 1: going to he can deliver a lot of incredible music,
Speaker 1: but that's up to him. I think y'all have to
Speaker 1: appreciate the work that these artists are putting out and
Speaker 1: keep it moving. You can't think it's always going to happen,
Speaker 1: you know what I mean, Like you may not get
Speaker 1: another one. Like people got other parts of the life
Speaker 1: that you know they want to live. Shout out to
Speaker 1: Kevin with the context. I can't disagree his artistry click
Speaker 1: in being true to who he is and serving his
Speaker 1: purpose as one of the biggest in the game.
Speaker 3: Totally agree. Shout out to Amber Walls.
Speaker 1: I think he sounds very confident, comfortable and manly on
Speaker 1: his album, like he's truly reached his knowledge itself. I
Speaker 1: just I agree, Imbert, That's what I was saying. I
Speaker 1: Think again with I Think Again with mister Morale, he
Speaker 1: was trying to find himself. I think he had went
Speaker 1: through a different journey because of the success of Damn
Speaker 1: and Damn and the film soundtrack things changing his life,
Speaker 1: like way more than.
Speaker 3: Good Kid Mass City.
Speaker 1: While Good Kid Mass City were successful and platinum albums,
Speaker 1: and to Pimper Butterfly. I remember seeing Dot in Cleveland
Speaker 1: in twenty fifteen doing the House of Blues. So this
Speaker 1: is him after having a platinum or double platinum album
Speaker 1: right in Good Kid Mass City and him having a
Speaker 1: successful run, which I think at that time it was
Speaker 1: platinum to Pepper Butterfly, and he's at the House of
Speaker 1: Blues on two platinum albums. He's at the House of
Speaker 1: Blues in Cleveland, and I'm like, like, this is where
Speaker 1: like Dom Kennedy. So I think he even though he
Speaker 1: was successful at that time based off industry standards and
Speaker 1: real standards, he wasn't.
Speaker 3: Quite the superstar. He was ahead, you know, going to be.
Speaker 3: But I think when Damn and the Black Panther soundtrack happened,
Speaker 3: he had hit.
Speaker 1: It was over.
Speaker 3: He really hit superstar status, so then he had to
Speaker 3: deal with being a star.
Speaker 1: See's been able to hide now that point, he had
Speaker 1: to be a star. So I think it's important to
Speaker 1: realize him coming out of that and you know, family,
Speaker 1: you know what I mean.
Speaker 3: He got a girl.
Speaker 1: You been with this girl since you know, he's a kid.
Speaker 1: He been within it this whole time, so I think
Speaker 1: there were things he was going to have to deal with.
Speaker 1: It was a life that was going to rush him,
Speaker 1: and it rushed him, and I think he had to
Speaker 1: really get itself together, which is why I believe when
Speaker 1: you listen to mister Morale, it sounded like he had
Speaker 1: went to therapy. It sounds like it he was addressing
Speaker 1: a lot of issues. Maybe that album was even therapeutic
Speaker 1: for him because he was dealing with that curve around,
Speaker 1: you know, coming from that type of success. And then
Speaker 1: even on Mister Morale, it didn't sound like he was
Speaker 1: quite sure this is what he wanted to do anymore. Yeah,
Speaker 1: like or like yes, yes, And I think there was
Speaker 1: a time where he wasn't quite sure what he wanted
Speaker 1: to do now getting I didn't ask him, I'll ask him.
Speaker 1: I'll ask him when I seen or talk to him
Speaker 1: about it. But I think there was a question in
Speaker 1: his mind. And I don't think he was that inspired
Speaker 1: until them niggas start fucking with him, and they.
Speaker 3: And it ain't nothing like a fight to make you
Speaker 3: remember who you are.
Speaker 1: Ain't nothing like a squabble, pete to make you get
Speaker 1: your juices flowing, like, oh my god, I know to dance.
Speaker 2: But he said that one of them, he said once
Speaker 2: so he said, he said, you have a squirreal and
Speaker 2: they had to do three more after that. Yeah, So,
Speaker 2: like I think.
Speaker 1: The Drake b so shout out to all the Drake fans,
Speaker 1: all the parliaments. The parliament. That's what they call the
Speaker 1: group of owls, the parliament, the parliament of owls. Shout
Speaker 1: out to the parliament. They always make a joke. Yeah,
Speaker 1: a group of ours, A group of crows is called
Speaker 1: a murder of crows. A group of owls is called
Speaker 1: a parliament. Shout out to the parliament because they always
Speaker 1: be like, he inspired him?
Speaker 3: He did.
Speaker 1: You inspired your death, That's what happened. You inspired your
Speaker 1: fucking death. Sometimes you gotta shut the fuck up and
Speaker 1: let sleeping dolls lide, because if you don't, you will
Speaker 1: wake up a fucking monster. Did you hear a future response?
Speaker 6: No?
Speaker 3: Out of here?
Speaker 1: So future got the GQ.
Speaker 3: I've seen that they ask the future.
Speaker 1: So I think idiots at I think he's like a
Speaker 1: brilliant musician, but everything in life, I've never.
Speaker 3: Seen nothing that makes me think he was just wow.
Speaker 1: He was like he was like.
Speaker 2: It was a beech going on what he said. Man,
Speaker 2: I felt like I when he said the Big three
Speaker 2: is just me? Shot at me, at me. I ain't
Speaker 2: think nothing about draking nobody like that.
Speaker 1: Shout out to every Day pay Day. G k m
Speaker 1: C was literally titled the short film by Kendrick Lamar,
Speaker 1: we ain't reaching Glasses.
Speaker 3: It is true. I don't think you're reaching.
Speaker 1: I actually know why that's the short film Nigga because
Speaker 1: I made a short film that I gave him that
Speaker 1: inspired that short film Nigga Beach Cruiser, the original Beach Cruser.
Speaker 3: So yeah, I know that.
Speaker 1: I know what it is, but I don't know how
Speaker 1: the other people see it, like because they break down
Speaker 1: dots ship, I don't quite know what's going into it.
Speaker 1: I'm not asking him.
Speaker 3: One team on the GM next tour ship. Maybe we
Speaker 3: get this, Douce.
Speaker 2: This even if you're telling lives on mean Glass is
Speaker 2: a probably drop the best album on the West Coast.
Speaker 2: Glasses got some coold ship. We're talking about about the
Speaker 2: stuff you was telling me last ye stuff were talking
Speaker 2: about last night.
Speaker 3: What is that going on?
Speaker 1: So that's that's so my goal is to drop a
Speaker 1: project a week. Well okay, so no song, a song
Speaker 1: a week, but this is what happened, right, Uh So
Speaker 1: I'm gonna share something with y'all. Shout out to everybody
Speaker 1: that's an artist in the chat, Shout out to everybody's
Speaker 1: a fan of hip hop and the Chat, because I
Speaker 1: believe y'all are here because y'all like hip hop to
Speaker 1: some real degree. I think what's happening in the record space.
Speaker 1: Shout out to Dot if he in the chat, you know,
Speaker 1: I mean, shout out to everybody. I'm proud of you,
Speaker 1: like you did what you're supposed to do, you know,
Speaker 1: I mean. I think the way we make records is
Speaker 1: based off a ninety year idea. The technology that's called
Speaker 1: a seven inch forty five a vinyl. The vinyl became
Speaker 1: how most everyday people was able to play music at home.
Speaker 1: Before that, you had to go out to hear music,
Speaker 1: you had to hear it live, or you had to
Speaker 1: go somewhere where music was at. The technology that's the
Speaker 1: seven inch forty five created the access to music for
Speaker 1: the everyday Joe at home. That also created the formula
Speaker 1: that we make records with hooks versus bridges. Catchy ideas, right,
Speaker 1: because the technology and the costs. Remember they came out
Speaker 1: with a twelve inch vinyl at the same time as
Speaker 1: a seven inch, but because we were in a depression.
Speaker 1: Shout out to Herbert Hoover, who is the second least
Speaker 1: experience when it comes to politician behind our current or
Speaker 1: our president. As far as January twentieth, the only person
Speaker 1: who has less experienced than Trump at being a president
Speaker 1: is Herbert Hoover. Well. Ironically, during that time, the United
Speaker 1: States of America went through the Great Depression, this is
Speaker 1: twenty nine to thirty four, and the industry they figured
Speaker 1: out records and they realized that they needed to make
Speaker 1: records priced for people. So that's why the seven is
Speaker 1: forty five because of the price. Well, the business, the
Speaker 1: commerce behind it, you know what I mean, created why
Speaker 1: we got the record in the first place. It was affordable,
Speaker 1: and then the technology inspired the catchiness of everything we hear,
Speaker 1: the creativity. Those were the boundaries five minutes on three
Speaker 1: to five minutes on each side of the vinyl, So
Speaker 1: you had to make records in that space. Before that,
Speaker 1: you had phonographs. They were ten to twenty minutes long.
Speaker 1: So there weren't no catching. There was no hit records
Speaker 1: before it, right, So I say that to say that inspired,
Speaker 1: right the industry. We know, it built the record business,
Speaker 1: It built radio, it built record companies, it built MTV.
Speaker 1: The record that technology and that inspiration behind that technology
Speaker 1: what it created art, Well, that's changed. That's changed right
Speaker 1: now with streaming apps, there's new borders, there's new parameters,
Speaker 1: there's new margins, not only from a time space, but
Speaker 1: even from a commercial monetization space. And my goal is
Speaker 1: to push the boundaries to see what happens creatively when
Speaker 1: I do it. You know what I'm saying, Like, push
Speaker 1: it based off these boundaries, based off this commercial opportunity,
Speaker 1: the economic opportunities, right, and create in that space and
Speaker 1: see what the records sound like. That's how we got
Speaker 1: the hit record. So because I figured out a few
Speaker 1: styles to do it, my goal was to deliver a
Speaker 1: record every week next year until y'all get the picture
Speaker 1: of what's the possibilities in the current landscape of hip
Speaker 1: hop or just record making. All right.
Speaker 2: So I feel like when you when you were saying
Speaker 2: to think about the records, so I think they what
Speaker 2: they took away was the it was was making the
Speaker 2: music an item, you know what I'm saying. So it's
Speaker 2: like it's like when they once they made it into streams,
Speaker 2: it's no longer you physically having that that item in
Speaker 2: your hand like that. So so the value of the
Speaker 2: you know what I'm saying, that the value of it
Speaker 2: kind of went down. So within what you're trying to
Speaker 2: do is is giving them a record every week. You
Speaker 2: know what I'm saying, put a lot of you, put
Speaker 2: a lot of stuff in their pockets, you know what
Speaker 2: I'm saying, Like, like it's gonna I feel like it's
Speaker 2: gonna work though, for real, for real, I feel like
Speaker 2: it's gonna it's gonna kind of bring it back to
Speaker 2: being the item, Like, Yo, you got that so put
Speaker 2: out this week? That mathematically is correct? How big could
Speaker 2: it be as different?
Speaker 3: You know what I mean?
Speaker 1: Me and Pete work off a lot of mathematics, but
Speaker 1: mathematically is going to work out how big it is
Speaker 1: gonna be as a different conversation. That's about doing the
Speaker 1: work behind it. But music still should have a value.
Speaker 1: But what happened was because the record labels were running
Speaker 1: scared away from Napster, they went over to Spotify. But
Speaker 1: before that, iTunes still had a value for music, and
Speaker 1: album still costs twelve dollars, a single still costs one dollars,
Speaker 1: So there's no reason for companies like Title don't give
Speaker 1: them too much. For companies like Spotify, there's no reason
Speaker 1: for companies to not have an iTunes version of their shit,
Speaker 1: where you can stream your single and people should have
Speaker 1: to buy the album right because of that, So that
Speaker 1: that's kind of what the revolution is about. It's about
Speaker 1: making Spotify title and different companies see the value in music.
Speaker 3: Again, it's not the audience.
Speaker 1: The audience again, it was a product they were buying
Speaker 1: that never just because they got rid of the product
Speaker 1: of a compact disc or a cassette tape or a
Speaker 1: track or vinyl doesn't change that music still has a value.
Speaker 1: You were never paying just for the product. You were
Speaker 1: paying for the hard work of an artists. But because
Speaker 1: of Spotify Title, all these companies they well label, the
Speaker 1: labels gave it to them, so you don't need the
Speaker 1: product as much as music should cost what it costs.
Speaker 3: But again, you know we can't go back, right.
Speaker 1: You could fight the revolution and get them inspired to
Speaker 1: do that, But my job is to look at as
Speaker 1: an artist, as a true creative, as a thought leader,
Speaker 1: is to look at the boundaries, the margins, the parameters
Speaker 1: of today's time based off the business and create in
Speaker 1: that space. And I think I'll get more creative records
Speaker 1: to work, like, there'll be different records. Like.
Speaker 3: The weirdest part is when you.
Speaker 1: Make music I stayed up till four o'clock last night
Speaker 1: working on this idea. I've been telling still about it.
Speaker 1: I'm going back and forth still, I keep calling him.
Speaker 1: It's two, three, four in the morning.
Speaker 3: I'm i'm, i'm, I'm coming up with this idea and
Speaker 3: I finally got it finished. And I know it's special
Speaker 3: because I allow let me talk about it.
Speaker 1: Bro.
Speaker 2: When y'all hear this, it's probably gonna be the dopest
Speaker 2: thing ever done in nip hop. And I'm not bragging.
Speaker 2: Y'all ain't never heard me talk. I love last music.
Speaker 2: I've messed with his music, but he's about to come
Speaker 2: up with something that's gonna be revolutionary, and y'all go
Speaker 2: trip out on.
Speaker 1: It wasn't crippy enough.
Speaker 2: No, it ain't got It's crazy, man, it's just dopest bridge.
Speaker 3: But he put a post up yesterday but again, but
Speaker 3: again is again.
Speaker 1: It's rooted right, It's rooted in the boundaries of streaming apps.
Speaker 1: What's the boundaries, what's the margins, what's what's available here?
Speaker 1: What the time is not based off of ninety years ago,
Speaker 1: but what's really possible? And I'm pushing to figure out
Speaker 1: what's possible and that's what every artist should be doing,
Speaker 1: not creating from a ninety year a ninety year old idea,
Speaker 1: because that idea is we don't even have the environment
Speaker 1: for the idea. It's hard to get on radio even
Speaker 1: ways to support that it's not available. There are no
Speaker 1: more in caps at the CD store to carry a vinyl.
Speaker 1: They had to make them for Katie, for Taylor Swept.
Speaker 1: They don't even have the things available that actually were
Speaker 1: created because of this. They don't even have MTV no more. So,
Speaker 1: why are we not pushing YouTube to its boundaries? Why
Speaker 1: are we doing what MTV.
Speaker 3: Created for us forty years ago versus pushing it to
Speaker 3: its boundaries more boundaries and.
Speaker 1: We're in a music video is not a push on
Speaker 1: its boundaries. We can push YouTube to the break.
Speaker 2: Yes, So I'm going to tell you this. You know
Speaker 2: how I feel about YouTube. I think YouTube is definitely
Speaker 2: a useful tool and it's not going nowhere right, Yeah,
Speaker 2: But I do think it's time for people to get
Speaker 2: their own platforms.
Speaker 1: Yeah, I think that's what I think.
Speaker 2: That's the effinlution it Because I'm gonna tell you, man,
Speaker 2: when when I first started doing YouTube, g you can
Speaker 2: make really good money on there, but I always knew
Speaker 2: it was kind of a ruse. I never wanted to
Speaker 2: depend on that soli, right, And I always thought people
Speaker 2: were very dumb for building their whole business model on
Speaker 2: the platform and somebody else own. I said, you know,
Speaker 2: you use it and build it up. And I think
Speaker 2: once you build it up to a certain level, bro,
Speaker 2: you have to start kind of building your own thing.
Speaker 2: Because I'm gonna tell you something I learned with my Space,
Speaker 2: nothing less, whatever it.
Speaker 1: You know, it may.
Speaker 2: Evolve like youtubeer is gonna be here for things, but
Speaker 2: I think YouTube is setting itself up to become a
Speaker 2: OTT site, you know, to show movies and other content.
Speaker 4: Right.
Speaker 2: It's already kind of leveraging itself to become a music
Speaker 2: and movie thing, right. And I think with that being said,
Speaker 2: I remember when my Space was looked at it's the
Speaker 2: biggest thing on the planet, right. And I remember these
Speaker 2: people I was working with when I was spent ten
Speaker 2: thousand dollars on my MySpace page, man and did all
Speaker 2: this and that, and I had a lot of followers
Speaker 2: on there, and the shit was gone. Woke up one day.
Speaker 2: All that stuff I paid that money for was gone,
Speaker 2: and I said I. From that point on, I would
Speaker 2: never build my business on the platform that I don't
Speaker 2: have no ownership.
Speaker 3: Here shout out to David Jones.
Speaker 1: I wonder how morale comes out of not for COVID
Speaker 1: brought the world to a standstill and had it stuck
Speaker 1: in our thoughts. I think the only reason it got
Speaker 1: the reception that got is because of COVID. I think
Speaker 1: if that shit come out and COVID is not happening,
Speaker 1: that shit is a problem. It would not work out.
Speaker 1: You really don't like that.
Speaker 3: It's not no, I don't like it, but it's not that.
Speaker 3: I just think it's exactly what he said.
Speaker 2: It's not your bring. I thought that was a good album.
Speaker 3: I'm not just looked.
Speaker 2: Yet.
Speaker 3: It was timing.
Speaker 1: It was the perfect time when you were stuck with
Speaker 1: yourself in the house and thought so he nailed it. Still,
Speaker 1: I just never was stuck in the house. I was
Speaker 1: still gonna do what I was gonna do at the
Speaker 1: risk of my life during COVID, because I would rather
Speaker 1: live the life I want to live and die than
Speaker 1: just stay alive and live around you walking around here with.
Speaker 2: Out no mask going. I was like, this dude is crazy.
Speaker 1: Glass too. It was great security years problem. I'd rather
Speaker 1: die than have to live based off of these circumstances,
Speaker 1: like I couldn't have been no slave. I wouldn't have
Speaker 1: been good at it. Bro, it's not gonna work out
Speaker 1: for me. Shout out to the name Bran DJ. He
Speaker 1: said glasses is one of the reasons he moved away.
Speaker 3: Do that's true. I showed a head is my little
Speaker 3: bro and and and I showed him with my oldest.
Speaker 1: Oh. No, I ain't talked to him. We was together
Speaker 1: listening to the Snoop Dogg album. I ran into him
Speaker 1: as Sala, did you have any hint of this albums
Speaker 1: coming out to me? No? I hit him Wednesday because
Speaker 1: the whole idea we were supposed to talk about on
Speaker 1: this podcast is how the party Dying affected West Coast
Speaker 1: hip hop, and then what my interpretation of what Kendrick
Speaker 1: meant about how we were partying. Now that's the problem.
Speaker 1: It's not the party itself, how people got a party.
Speaker 1: I thought there were complaints about people doing drugs. I
Speaker 1: thought the complaints were, you know, the puff parties where
Speaker 1: men are sleeping with me. I thought there were some
Speaker 1: complaints about the current state of the party where hip
Speaker 1: hop has really allowed the party to go and it's
Speaker 1: about watching that party die and recreating a party. But again,
Speaker 1: so when I texted him, he didn't hit me back,
Speaker 1: and I didn't think nothing of it. I'm thinking he'd
Speaker 1: running around, you know, being Kendrick, whatever the hell you
Speaker 1: got going on.
Speaker 6: You know.
Speaker 1: I'm like, well, if i'll get him on the stream
Speaker 1: of visually, you will have a dope conversation. It's not
Speaker 1: I don't have a lot of conversations that I would
Speaker 1: want to I don't want to do a podcast with Kendrick.
Speaker 1: I never asked doc, Hey, I want you to be
Speaker 1: on my We don't because it'll just really be a
Speaker 1: glasses and Kendrick conversation about life. That's and that's cool,
Speaker 1: but I don't want that for no selings listeners like,
Speaker 1: and I'm not trying to get the props of, you know,
Speaker 1: just having him on the pop when I have a
Speaker 1: great topic like this idea.
Speaker 3: That's why I reached out, Hey, I got this dope idea.
Speaker 1: I wanted to talk about how we used to have
Speaker 1: to try to break our music in the clubs, him
Speaker 1: making bitch I do this and trying to make party
Speaker 1: records because you had to get it in the club.
Speaker 1: And that's what I wanted to bring him on the
Speaker 1: live stream for it. You feel me, I wanted to
Speaker 1: bring in for that. I finally had a dope topic
Speaker 1: and he hit me back. So I didn't think nothing.
Speaker 1: I was like, all right, well I do it. You
Speaker 1: know he over there mixing that ship. He over there waiting,
Speaker 1: know that ship and sure ship. He hit me today
Speaker 1: like laughing, like yeah, like yeah, So I wouldn't want
Speaker 1: to talk to him about this album.
Speaker 3: I'm not an interviewer. I'm not an interview and that's
Speaker 3: my man.
Speaker 1: I want to talk to Glass.
Speaker 2: You know what I want to talk about, and this
Speaker 2: is going. I left a pair of glasses over at
Speaker 2: the studio one time when I was over there at TV. Right,
Speaker 2: you know what he was going through, this crazy ass face.
Speaker 2: He was wearing a thousand that was sunglasses and dumb
Speaker 2: shit like that. Yeah, And I left my glasses over there, dog,
Speaker 2: and I went back to get them like a day later,
Speaker 2: and they was gone that It went on tour with
Speaker 2: the game at the time. Right, they came back, I
Speaker 2: see that wearing my glasses. Man, they all scratched up.
Speaker 1: I told myself, you all scratched if you and the
Speaker 1: chat get this nigga, some glasses, man, please, So I
Speaker 1: don't want to hear this.
Speaker 2: No boys, No, he ain't got to give me no glasses.
Speaker 1: But I wish I did.
Speaker 2: I wish i'd have kept them glasses. I'd have been
Speaker 2: bragging on them. I had them sitting up on the
Speaker 2: walls somewhere like, Yeah, that fucked those glasses up.
Speaker 1: Shout out that you reached. We're still cooking. We passed
Speaker 1: two thousand people on no cellings live the tower, so
Speaker 1: we have one of those days. It's just celebration.
Speaker 3: We got something.
Speaker 1: I don't even know how many thumbs still have to
Speaker 1: tell me that we got more thumbs. No sellings live
Speaker 1: to lunch hour. Were still cooking. We ain't running. Were
Speaker 1: standing right here, we cooking.
Speaker 2: We've had on the life so far, we've had over
Speaker 2: three thousand people. Dog, I'm looking at the you know,
Speaker 2: so put.
Speaker 1: Your if you at work, if you back at your desk,
Speaker 1: I know it's thirty minutes past the time. Put your
Speaker 1: air pods in. We're gonna keep.
Speaker 3: Cooking, still going.
Speaker 2: I'm gonna tell you what I want with all these
Speaker 2: people on there. Gee, do you understand if all these
Speaker 2: people went right now and subscribe to no Ceilings and
Speaker 2: left the comment like left the star rate and the
Speaker 2: comment and stuff, we can go to number one. Let's
Speaker 2: push no Ceilings to all your podcasts number one to day.
Speaker 2: If everybody go over the Apple, go to Apple right now,
Speaker 2: find no Ceilings podcast, subscribe to the legal comment if
Speaker 2: you even if you're going there and say, still do it.
Speaker 4: I want to put out the contest with a gift
Speaker 4: card prize. Everyone go in and your best insults about
Speaker 4: me and uh winter you know.
Speaker 2: Still we got a work part right now, and we say, yo,
Speaker 2: we get to this many. You know, I'm saying you
Speaker 2: will try a medium red steak, at least a medium.
Speaker 2: I tried a medium real esteak, dog.
Speaker 1: I don't like it.
Speaker 3: Medium, I don't like the sister. We get to one number, still,
Speaker 3: would you would you do it?
Speaker 1: One number? We gotta get blue, rare, medium, crazy.
Speaker 3: I ain't doing that. I'm just saying, ain't doing that.
Speaker 2: Medium a whole bunch of half.
Speaker 3: I've had that. I'm too refused that blood.
Speaker 1: You never had medium.
Speaker 2: I've had medium before.
Speaker 1: I've had medium.
Speaker 2: It tastes too swish you don't taste like because.
Speaker 1: Bro k Boy gr next classic. I'm not mad at
Speaker 1: it is good that, but that's K Boy, That's that's
Speaker 1: his boy. So Boys is a young legend in these streets.
Speaker 2: I gotta call, I gotta, I gotta call over over
Speaker 2: to the town. I'm gonna find out what the other
Speaker 2: side thinking about. I'm not saying it because I got
Speaker 2: you all right now, y'all. Y're telling me how you'll
Speaker 2: feel about it, and we all know what the feel
Speaker 2: of the album is. I want to see what the
Speaker 2: people in the town. I'm gonna let me ask you
Speaker 2: this New York cast listen to him, pappas they sitting
Speaker 2: on their stoop somewhere with the car door open and
Speaker 2: listening to it through the cars. Corn your son, that's
Speaker 2: that's the ship.
Speaker 4: Son.
Speaker 1: There we go.
Speaker 3: I want to.
Speaker 2: Ya was up on here god bus And I'm saying that, man, man,
Speaker 2: I be pleasing with Twan Mack. You know what I'm saying,
Speaker 2: y'all was going that I never dealt with that sitting
Speaker 2: and still we ain't gotta do it right now. Just
Speaker 2: be happy right now. You got this West Coast album
Speaker 2: out right now, Glasses over here call it the best
Speaker 2: album ever created out the West. You know what I'm saying,
Speaker 2: might as well says, huh. When y'all listen to hip hop,
Speaker 2: do y'all sitting in the stupid or barbershop and get
Speaker 2: really analyze every lyric and be like, yo, son, that
Speaker 2: wasn't tight, son.
Speaker 3: This is how they think in New York.
Speaker 1: This is my problem When people do that, They really
Speaker 1: think y'all just be out there like writing down the
Speaker 1: lyrics and analyzing the corner.
Speaker 3: Fire in front of fight exactly.
Speaker 2: Yeah, I think you know what I picture in New York.
Speaker 2: I pictured them by stup with a team with a
Speaker 2: been a fire, niggas standing around with a forty yo
Speaker 2: something that ain't tight, some it ain't tight, something sun
Speaker 2: like that. For me, people think this is It reminds
Speaker 2: me because of how lex I think the West Coast is.
Speaker 1: That's a fact. That is a fact. Now they think.
Speaker 2: Right now, still playing the barber shop, right now, running
Speaker 2: it back. You know what I'm saying. Listening to it,
Speaker 2: you know what I'm saying, giving their opinion on it,
Speaker 2: I mean, like for believe it or not. Though we
Speaker 2: don't hate the West like y'all swear to God we
Speaker 2: hate the West. We got we got some type of
Speaker 2: hate trick for the West because y'all killed Biggie, because
Speaker 2: y'all killed pot smoke, because y'all.
Speaker 3: None of us did that. Just got left out. You
Speaker 3: got left out here, I mean everybody out here.
Speaker 2: I'll tell you trip. I love, I love I'm a
Speaker 2: hip hop.
Speaker 3: I love hip hop.
Speaker 2: I love East Coast rap, West Coast rap, Midwest rap,
Speaker 2: down South rap. But if there is this certain possession
Speaker 2: of the East Coast man that y'all probably just be
Speaker 2: out there man, just listening to the lyrics, man and
Speaker 2: just frown up. That's not real hip hop, son, It's
Speaker 2: not really hip hop.
Speaker 1: And this is why he built his career trying to
Speaker 1: over rap songs. Yeah still, I never tried to career
Speaker 1: over rapping songs right, margin and margin and ship. I'm like, bro, you,
Speaker 1: I actually the first.
Speaker 3: Southern hip hop to be honest with you. I love
Speaker 3: Southern hip hop.
Speaker 1: I love New York hip hop, hip hop to New York.
Speaker 1: I'm gonna tell you.
Speaker 2: I'm gonna tell you what my favorite stuff is. I'm
Speaker 2: a big m F Doom fan.
Speaker 1: No he's not, yess.
Speaker 2: I am a big m F Dune fan. I wish
Speaker 2: I could get you on them. I just can't have
Speaker 2: them cover.
Speaker 4: Huh.
Speaker 2: What's your favorite m F Doom album? I like m
Speaker 2: F Doom songs Becausezigion there is my favorite.
Speaker 3: Enough Doom song. He said, what's your favorite m F
Speaker 3: Doom album?
Speaker 1: Probably the one with Danger Mouse.
Speaker 3: I don't even know it's not a favorite.
Speaker 2: It be certain West Coast. You know how much music
Speaker 2: I've heard over my life.
Speaker 3: I wouldn't say somebody my favorite. I don't know the
Speaker 3: album my favorite.
Speaker 1: I don't remember sometimes, but I know that I'm.
Speaker 3: Saying is my favorite.
Speaker 1: I'm gonna be like mad.
Speaker 3: Now you're feeling like I didn't say.
Speaker 1: With your friends? Can talk? Can I talk?
Speaker 2: You know what g strategy is?
Speaker 3: Trapped?
Speaker 2: He asked you a question, then he over talked, and
Speaker 2: don't let you get your answer.
Speaker 1: I ask you the question. Hold on, I'm trying. Let
Speaker 1: me answer.
Speaker 3: It's called Danger Doom? Danger Doom? Is it better than
Speaker 3: Man Villain? You feel that he never even heard Matt Villain.
Speaker 3: I did hear Man Villain?
Speaker 1: M He is not really a.
Speaker 3: Fan of MFG. He likes you DM me.
Speaker 2: I just had this A and R on the show
Speaker 2: because of him. You know what, she got a horrible
Speaker 2: habit of doing I wish will start doing it. He
Speaker 2: tells people, how do you feel where you feel like this?
Speaker 2: And you don't know this because he's a he's a narcissist.
Speaker 1: Your therapist, he's a he's a narcissist.
Speaker 2: Because he knows everything.
Speaker 1: He knows. Favorite artist. He didn't know that my favorite
Speaker 1: artist and one of my.
Speaker 3: Hold on, hold on, listen to what he said, said again.
Speaker 1: One of my favorite artists out of New York is.
Speaker 3: He named. He named his songs and I like songs
Speaker 3: like that, And you asked him what song?
Speaker 1: I'm gonna tell you like this?
Speaker 2: I like the tizarre face one.
Speaker 3: Now he looked.
Speaker 2: Like, you have my phone number because lets is getting
Speaker 2: on our business. I want to talk to the session
Speaker 2: with you. Give me your phone number. I don't want
Speaker 2: to talk to send.
Speaker 1: You my number. Man, we could we can chop it up.
Speaker 1: We can chop it up.
Speaker 2: It was on class the hater. I love class, Class
Speaker 2: the hater.
Speaker 3: Y'all I want to hear.
Speaker 1: I told him trap. You know what I told him.
Speaker 2: I said, I'm gonna come back to they dog because
Speaker 2: I'm gonna come back to the people missing me. You
Speaker 2: see what we do on pro records to day Dog,
Speaker 2: they missed you up on time. We break the records
Speaker 2: today because big Day come up.
Speaker 1: Came back.
Speaker 2: Still like you hearing that down because I talked. I said,
Speaker 2: I'm gonna come back this fright. I said, I'm being
Speaker 2: that Friday though, Yeah, they missed you.
Speaker 1: Man name Man still is a troll, exactly, He's got
Speaker 1: his He had his troll smirk going on to right
Speaker 1: with that gainst that little corners kind of tree. My
Speaker 1: favorite artist, your favorite album? I like this song I
Speaker 1: think of that is not your favorite artist, don't.
Speaker 2: Man, I'm gonna tell you. I'm trying to remember the
Speaker 2: first one was the first one he had operation operation doom.
Speaker 3: Looking it up in your phone?
Speaker 1: Still, I'm not looking up my damn phone, dog, Like
Speaker 1: I don't have to do that. Though I was my
Speaker 1: favorite artist. What's your favorite album? I love Trailler? I
Speaker 1: love There's just so many now.
Speaker 2: Triller was actually Triller was probably his best album. He
Speaker 2: asked me what my favorite artist New York was? I
Speaker 2: tell you, artists out of New York my favorite New
Speaker 2: York one.
Speaker 3: Watch how this is done?
Speaker 1: Scarface is my favorite album of all time, my favorite
Speaker 1: artist of all time. Stuff.
Speaker 2: I can name all scar.
Speaker 6: I like.
Speaker 1: I like the Merit.
Speaker 3: Without Google too. I didn't even have to pull up
Speaker 3: my phone. Snoop Dog is in my top five?
Speaker 1: What's your favorite album? Blue Carpet Treatment, right, no Limit,
Speaker 1: top Dog, fantastic albums.
Speaker 3: See how that's done.
Speaker 1: Still the song Kanye West, I love College drop Out.
Speaker 1: You know my favorite album out of Kanye is Ya.
Speaker 3: Yeah, I know, called Ya. I can't believe that one
Speaker 3: right there.
Speaker 1: See I just did this.
Speaker 3: I had to google it. I have the name one.
Speaker 1: Gee.
Speaker 2: I'm gonna tell you something. Though I listened to Wade,
Speaker 2: I can probably just sing way.
Speaker 3: More music than you.
Speaker 1: Remember. So being that Doom is your favorite artist out
Speaker 1: of New York, I didn't say he was. I say
Speaker 1: he's one of my favorites. I'm just seeing.
Speaker 3: Who was before he was M F.
Speaker 1: Doom. Who was he down with? He was in the
Speaker 1: group with his brother.
Speaker 2: They were signed it with the name and them U
Speaker 2: because Pete Rock and I'm not Pete Rock, but Professor
Speaker 2: Pete NS and them found them.
Speaker 3: Who's the name of that group?
Speaker 2: Third Base not the third base discovered them and he
Speaker 2: was in the group of his brother. His brother died
Speaker 2: in the car accident that I can't remember the name
Speaker 2: of the but they had a song. I read it
Speaker 2: was on gas face. They made they they made the
Speaker 2: mere on gas face.
Speaker 3: I read that too. Still right now, Dog, you just.
Speaker 1: Don't leave.
Speaker 3: Still, don't leave.
Speaker 1: Don't mean how.
Speaker 2: Then am I gonna read the ship that quick?
Speaker 6: Dog?
Speaker 2: I don't remember the name of it. His brother died,
Speaker 2: and if Doom stopped doing music for like two years
Speaker 2: after that, Dog doing all this ship and the thing,
Speaker 2: and that's when he starts for wearing a mask. Dog,
Speaker 2: you're gonna have to read ship all this, don't I'm
Speaker 2: gone though?
Speaker 1: Why you still still?
Speaker 6: Still?
Speaker 1: Still?
Speaker 2: If you?
Speaker 1: If you, if you close out, and it's gonna up
Speaker 1: the whole uploaded. I'm not closed out. I can leave.
Speaker 5: Oh okay, well then that case, dot, why you need.
Speaker 2: Me because you're getting on my nerve. Dog, I'm telling
Speaker 2: you something. I don't have to go back and look
Speaker 2: and stuff. I know this is stuff.
Speaker 3: I know the detailing, and I told you he'll be sabotage.
Speaker 1: Said that ship. Shout out to Juic Mirr. Still don't leave, man,
Speaker 1: Still motherfucking Wikipedia is your friend. I don't have no
Speaker 1: I'm telling you so, I'm just I'm just like this
Speaker 1: other thing. You know, I can't see. I'm just over
Speaker 1: here out the age is sill shout out the squition,
Speaker 1: still await. We got questions for you.
Speaker 4: Had to, you know, get online and make like his
Speaker 4: steaks and catch up like And I like mythod Man too.
Speaker 2: I don't know every mythod Man don't put up, but
Speaker 2: I like it.
Speaker 3: She didn't even know one mythic. You didn't know what
Speaker 3: this question of the day.
Speaker 1: Don't Still I.
Speaker 2: Don't know his whole discography.
Speaker 1: Is methody Man to cal album? Is that a class to.
Speaker 3: Carol?
Speaker 2: I think it's one of the method Man's, don't you
Speaker 2: know what? I like method Man. I think the Cal
Speaker 2: was a good album. My favorite song on there was
Speaker 2: the one the way he had like the army marching
Speaker 2: like the with like the army marching behind it. You
Speaker 2: know what I'm talking about?
Speaker 1: And I know something, I know something. I'm the name
Speaker 1: of the song I.
Speaker 2: Think to call it was a classics.
Speaker 1: I think that intro when we first stepped on the
Speaker 1: scene Niggas was spentry fun.
Speaker 2: Yeah, you know what I'm saying, and I think that
Speaker 2: was Rizzard's sister that was singing that. I thought that
Speaker 2: beat was dope. Dog, I think out the Queen, No dog.
Speaker 2: I think Ray Kwan had the best album, dog, I
Speaker 2: think the best album.
Speaker 1: Shout out to Bella Mack what is still signed? Laughing
Speaker 1: my ass off? He getting mad quick must be a cancer.
Speaker 1: That nigga's a gemini. That niggas like my mama, so
Speaker 1: so in a In.
Speaker 2: A twelve month period, Rizid produced five albums. So it
Speaker 2: was to caw herple table return, Return, the thirty six
Speaker 2: chambers Liquid Swords?
Speaker 1: What was the what was the fifth? Shout out to
Speaker 1: east Side k Boy still never listening to the whole
Speaker 1: to Cal album. That's probably true, man, you know what
Speaker 1: was five when that sh came up.
Speaker 3: Shout out to Nick oh G blood sugar levels driving.
Speaker 2: Remember to I thought the original version of All I
Speaker 2: needed was whack. The smartest thing they did was go
Speaker 2: to Puffy to get that remix. Shout out to Squishy G.
Speaker 2: Don't you got a birthday coming up? Just like you?
Speaker 1: My birthday December tenth, it's coming up. It's going down
Speaker 1: My birthday on Monday. Man, have you seen that brother. Yeah,
Speaker 1: my man, shout out, shout out.
Speaker 3: I'm sad. Shout out to to the public. What's up, Malone.
Speaker 1: You know, it's kind of hard for those East Coast
Speaker 1: dudes to catch a full year. Most consistent brothers is
Speaker 1: fifty cent DMX from Oh Yeah, I'm not mad at that.
Speaker 1: Like DMX, we just had a really conversation. Yeah, that
Speaker 1: was a really different conversation. Like with DMX was able
Speaker 1: to do the hip hop it might have been one
Speaker 1: of the greatest top three It's probably top three hip
Speaker 1: hop impacts I ever saw in my life.
Speaker 7: You know what I mean that I that I put
Speaker 7: fifty Yeah, I put it over fifty. Man, you need
Speaker 7: to be snoop Dog. Fifty got in my mind.
Speaker 2: Going back to the Wu Tang. You think you think
Speaker 2: this is probably the greatest producer, one of the greatest
Speaker 2: producers that rother in New York. But he did was crazy, bro,
Speaker 2: and you gotta you gotta remember dog the uncontrolled substances
Speaker 2: that never came out, did it? I give him, I
Speaker 2: give I give risk of being one of them. I'm
Speaker 2: saying one of the greatest producers know, definitely for sure.
Speaker 2: Like what he did, what he did as far with
Speaker 2: the soul samples and stuff like that, and it was
Speaker 2: like this is crazy. We were talking about the other day.
Speaker 2: We said Rhythm must have had a crazy plumbing problem.
Speaker 2: But you know he had two floods. He lost beats on. Yeah,
Speaker 2: two floods, man.
Speaker 3: Yeah, Rizzard is probably the greatest producer every out of
Speaker 3: hip hop.
Speaker 2: I mean he had to do the albums over again,
Speaker 2: over again.
Speaker 3: Und for pounds that pounds, that's pounds for pound, risids
Speaker 3: for shorty great delivered.
Speaker 2: Like I was saying, like that ninety year he was
Speaker 2: putting out albums, beating on all the albums. I'm saying
Speaker 2: that the cow joint that the purple.
Speaker 1: Tape pownerful poundful pound, Rizzid is number one, Tony Poker
Speaker 1: is probably number two pound for pound for real. Now
Speaker 1: that wise, that wise, Now if you prefer obviously, you're
Speaker 1: gonna start talking about Primo.
Speaker 3: You know, you're starting.
Speaker 1: A five month.
Speaker 2: Period all the albums rizz came up with, and he
Speaker 2: came up with albums that courned out to be classical albums.
Speaker 3: But not just five months, just that whole run, you
Speaker 3: know what I'm saying, Like pounerful pound.
Speaker 1: Rizzids is probably the greatest producer ever out of New
Speaker 1: York hip hop. Maybe Larry Smith is up there. I
Speaker 1: mean like you're talking about stat wise and yeah, it's
Speaker 1: hard to be delivered so much. Let me ask you this,
Speaker 1: Let me ask you this trap. Do you think Rizzard
Speaker 1: was mad when when they dropped the puffy version of
Speaker 1: the ball? I need know, they made it a bigger
Speaker 1: They made it a bigger record of it, and they
Speaker 1: made it a bigger man dog. You know what.
Speaker 2: The only thing about it, doog I didn't like to
Speaker 2: count to as much when they came the second one.
Speaker 2: Always always thought method Man sounded better over I think
Speaker 2: he kind of outgrew Rizzar's bea.
Speaker 3: They all did.
Speaker 1: I think they all did. I think all of them
Speaker 1: because I don't.
Speaker 2: I don't know iron Man. I didn't really like the
Speaker 2: iron Man album. The sample sounded kind of generate, like
Speaker 2: when he went to the What's My Boy? Did Everybody sampled?
Speaker 2: On the Jazz Cat did Everybody sample?
Speaker 1: He came out talking about white Dude.
Speaker 2: Yeah, And I don't know why I don't remember games games. Yeah,
Speaker 2: it was just kind of redundant because he used natilists
Speaker 2: like two or three times there was you could tell
Speaker 2: Rizzard kind of ideas because you know what it is
Speaker 2: about that when you when you finally get that get
Speaker 2: when you finally get to that song and you just
Speaker 2: understand how beautiful, how many chopped up samples in that song.
Speaker 2: You don't want to make a whole album out of
Speaker 2: that ship. Yeah, nomalists got about like.
Speaker 1: Shut out to super Jedi, who made a fantastic point.
Speaker 1: I think the issue with Rizzad is that his beats
Speaker 1: kept getting cleaner.
Speaker 2: Yeah, probably, so you talking about that yesterday.
Speaker 1: Jus.
Speaker 2: You know, if you listen to like, if you listen
Speaker 2: to ice Cream, right, vocals was kind of hot and
Speaker 2: the song like they was over the track. It was
Speaker 2: almost like it was a two track. But it sounded good.
Speaker 1: Though hip hop.
Speaker 3: Hip hop is all about making nothing out of something exactly.
Speaker 2: It's like they don't sound like none of that ship
Speaker 2: was mixed, but it sounded good man. I I just
Speaker 2: think Ray Kwan's album got the benefit of having the
Speaker 2: dopest beats though, Dog that ice Cream beat was crazy
Speaker 2: to you ever watched the what was the one? Remember
Speaker 2: how you.
Speaker 3: Got the hoop?
Speaker 2: How you got that snail on the one song. Yeah,
Speaker 2: he was in the hall way, bang on the bang
Speaker 2: on the thing like it was ship like that. He
Speaker 2: wasn't doing it like that later on in his career.
Speaker 1: He wasn't once you start.
Speaker 3: Making that coin like and but again back to Kendrick,
Speaker 3: back to Dre.
Speaker 1: That's what made Dre such a special producer is you know,
Speaker 1: to be able to evolve through multiple eras. Dre had
Speaker 1: three different sounds. He had the initial breakbeat sound that's
Speaker 1: the eighties, right in the early nineties right well, you could.
Speaker 3: Tell it was all marly ma.
Speaker 1: And then you had the g funk version of Dre,
Speaker 1: which lasted a good three to five years. And then
Speaker 1: you had this version of Dre that kind of start
Speaker 1: taking classical music and bringing like an urban appeal to it.
Speaker 1: That's not an easy thing to do, you know what
Speaker 1: I'm saying, And and I don't think every producer has
Speaker 1: to do it, but it's dope that Dre was able
Speaker 1: to do it. But what Rizza did, I don't think.
Speaker 1: You know, Manny Fresh is the only person like outside
Speaker 1: of Doctor Dre that's compatible because remember Dre didn't really
Speaker 1: get a chance to produce three and four and five
Speaker 1: albums in a row with a specific sound.
Speaker 2: I'm gonna tell you who came with some ill shit,
Speaker 2: and I think Rizzard got one. A lot of people
Speaker 2: think Rizzard did it, but with the disciple of Nigga
Speaker 2: that made the Brooklyn mathematics mathematic that that that Brooklyn
Speaker 2: Zoos ship was crazy.
Speaker 1: Remember this is the This is the second produced Snoop
Speaker 1: Dogg album from Doctor Dre. He's produced other stuff on
Speaker 1: him in the past, but this is the second produced
Speaker 1: Snoop Dogg album from Doctor Dre. Remember the second album
Speaker 1: fifty Dre produced on it, he didn't produce it. Eminem
Speaker 1: is probably the person he worked with the most. Yeah,
Speaker 1: you didn't get this second Game album produced by Doctor Dre.
Speaker 1: You got two n w A albums produced by Doctor Dre. Right,
Speaker 1: you got one album until the Missionary produced by Snoop. Like,
Speaker 1: it's not like a simple thing versus rizz With Rizzi,
Speaker 1: you got multiple albums. He took multiple side people.
Speaker 2: You know what's easy to forget to when you're talking
Speaker 2: about New York hip hop. This errors to it, like
Speaker 2: I just thought about it. It's like ship E p
Speaker 2: MD from New York and that's like my ship.
Speaker 1: Yeah, but that's why I said I think Rizzard is
Speaker 1: by far the greatest out of everybody Eric not better,
Speaker 1: better subjective, Like right, I'm saying the stats like breaking artists,
Speaker 1: classic joints, E P. M. D. In the Midwest, West
Speaker 1: coast of the term mean not knocking the Juice Crew,
Speaker 1: But you know what Wu Tang is. Wu Tang is
Speaker 1: the one, and it's because.
Speaker 2: Everybody know more to cads. Like like the Juice Crew,
Speaker 2: everybody in there hitting rap was hitting biz, Biz was
Speaker 2: hitting Big Daddy came, he rapped.
Speaker 3: But when you look at Wu Tang, it's just different.
Speaker 1: Man, Like what they were able to do culturally and sonically,
Speaker 1: Dog is like kind of uncharted. Like it's really crazy
Speaker 1: when you think about how that dude is with that ship.
Speaker 1: And I mean, yeah, all them people that he's able
Speaker 1: to make those albums, I mean that one is crazy.
Speaker 3: It's like ten or twelve albums that's platinum.
Speaker 2: Crazy.
Speaker 3: Yeah, crazy, it was all going.
Speaker 2: That's what I sit back and think when I see that.
Speaker 2: I mean thinking like could it ever be done again?
Speaker 1: Though?
Speaker 3: Manny Fresh did it?
Speaker 1: Yeah? Yea money that's money. Yeah, I mean, I mean
Speaker 1: he pumped out until he stopped.
Speaker 3: He's not someone like fifteen or twenty. And I don't
Speaker 3: think he had no production help. Remember remember remember all
Speaker 3: the way to the Carter Walk.
Speaker 2: Yeah, and ge he ain't had no production help, did he.
Speaker 1: He? I mean he had people in the room that
Speaker 1: was helping, but he was producing everything. Yeah, he's producing everything.
Speaker 1: Because you know, some people have the benefit of getting
Speaker 1: beats to other people. They may come in the mitche
Speaker 1: dog I know, Eric Sermon, I don't so I don't believe,
Speaker 1: Like I don't believe that's true. Like nobody is getting
Speaker 1: beat from people and coming in and mixing it like
Speaker 1: that's that's kind of like a lie that's always been
Speaker 1: said about like a Dre, Like nobody could do what
Speaker 1: he does that nigga change. Some people do do that.
Speaker 2: Gee, I think you do have some situations, like you
Speaker 2: look at rock Rollers with Eric Sermon. I think Eric
Speaker 2: Simon may give him a little input, but I think
Speaker 2: Rock Waller does its own ship. I think some people
Speaker 2: just get beats to mother niggas, you know, I think
Speaker 2: they just supervise him because look at this, like you
Speaker 2: know the big thing with Dad, Oh Dre did this
Speaker 2: and that? How come you beats know something the same thing. Now,
Speaker 2: I think Dray definitely made this ship sound better.
Speaker 3: It's not his ship. Like, just because you hold a
Speaker 3: camera don't mean you directed the movie.
Speaker 2: You can give a nigga the basis to an idea dog,
Speaker 2: it's definitely mean that.
Speaker 3: Don't mean you made a movie because you gave somebody
Speaker 3: a basis.
Speaker 2: Of anh That's where the bullshit started at You want
Speaker 2: of them niggas, you can't. If I give a nigga
Speaker 2: beat and he had a little bill to it, don't
Speaker 2: mean he did smell a ship to it.
Speaker 3: Now, you just what you feel like just because you
Speaker 3: did something means you did it all in this way,
Speaker 3: what Drake.
Speaker 2: What he does, his his input can't be can't be
Speaker 2: understated though he makes ship better. Like that's like Jones
Speaker 2: thing that people talk about. You know what I'm saying.
Speaker 2: Like it's a composer, you know what I'm saying. So
Speaker 2: that's what a producer is. A is a composer. So
Speaker 2: so I got if I get a bunch of musicians
Speaker 2: for hire to come what I'm saying, pull up right there,
Speaker 2: you know what I'm saying. You could be playing the
Speaker 2: key right there. But he being the producer, is putting
Speaker 2: that key right there, along with that horn sound right there,
Speaker 2: along with that drums pattern right there. And I'm saying
Speaker 2: I'm producing this record right there. You might just actually
Speaker 2: you might be the one that's that's and I'm saying
Speaker 2: behind them, but behind the ship playing the though, But
Speaker 2: I'm the one that's coming up to the magic and
Speaker 2: putting the sh all together though.
Speaker 3: That's what the producer is, that's the producer. R.
Speaker 4: Could you explain real quick how like the mechanics work
Speaker 4: of Like I'm just trying to think of places in
Speaker 4: times that have sound where a lot of artists were
Speaker 4: on that kind of.
Speaker 1: Sound like, but like Cool and Dre in Miami, they didn't.
Speaker 1: They weren't really like.
Speaker 4: A thing like Manny Fresh like in that same sense,
Speaker 4: you know what I mean. But they were present on
Speaker 4: a lot of albums, they did a lot of stuff
Speaker 4: like it, but they were all under kind of that
Speaker 4: was the new king with all those different people.
Speaker 5: Yeah, all those people, how does that mechanically play out?
Speaker 1: Well, don't happen for everybody? Like right, like Manny Fresh
Speaker 1: was lucky, Dre is lucky. Remember Quick didn't really get
Speaker 1: to produce a bunch of artists. He only produced Sugar
Speaker 1: Free and Mossburg. He didn't really get to produce.
Speaker 3: That was actually early ship.
Speaker 1: Yeah, Rizzard was able to get the whole Wu Tang.
Speaker 1: It just worked out that way, and it worked, you
Speaker 1: know what I mean. They lost a lot of music.
Speaker 1: They had even a lot more music than that I get.
Speaker 1: On title, I've never seen this happen.
Speaker 3: What's that shut it down for? You see what's going on?
Speaker 1: On title? It's just again like I said, it's not
Speaker 1: like still what Still is doing. It's just irresponsible. Oh,
Speaker 1: Kendrick Lamar gm nex invadable.
Speaker 3: Title, that's tight, that's fire.
Speaker 1: No irresponsible, Hold on. It is some niggas that take
Speaker 1: credit from Gee you you just can't say that, Bro,
Speaker 1: you can't say that. I'm not saying that's what dra
Speaker 1: did though, but it's some dude put their name on.
Speaker 3: No, I'm saying, we see.
Speaker 2: We got a big nigga on the West coast to
Speaker 2: do this ship. Right now, Doug, I'm not about to
Speaker 2: get in all that. You know who I'm talking about.
Speaker 2: You don't, I don't know what you're talking about. You
Speaker 2: know who I'm talking about. You know it's plenty of
Speaker 2: niggas out here.
Speaker 3: I have no idea who does that.
Speaker 2: Who's the boy that got saying dog? You know that
Speaker 2: nigga got this whole mustard, got this whole sound.
Speaker 3: From that nigga. But again, that's not true.
Speaker 2: The dude that gotta say dog. You know what's what's
Speaker 2: the boy's name? They used to mess with you the
Speaker 2: buzzy on the beat? Yeah, that ain't mustard, Dog.
Speaker 3: What do you mean that's stupid? Of course is mustard.
Speaker 1: Don't be ridiculous, Dog, that's mustard. So you're telling me
Speaker 1: that it ain't producers that just take other niggas beats
Speaker 1: and put their name on it.
Speaker 3: I never saw that.
Speaker 1: Like the only time that's happened to me was one
Speaker 1: time in life and then the producer came and I
Speaker 1: had to pay the producer ten thousand. Bro.
Speaker 2: I'm gonna tell you this, Dog, I'm not talking about
Speaker 2: like that interest for nigga.
Speaker 3: Still, that's what it is.
Speaker 2: The workload of some of these producers be so heavy
Speaker 2: she they have to bring other people in and I'm
Speaker 2: gonna tell you, yeah, they may put their sauce on it,
Speaker 2: but them beats is coming to them. Dudes, eighty five already.
Speaker 3: Not how it works. It's like it's like, okay, I'm
Speaker 3: gonna give you the equivalent.
Speaker 1: It's like playing baseball, right, and you pitch a game
Speaker 1: in the World Series and you pitch six innings and
Speaker 1: somebody else pitched three innings, and you're talking about the
Speaker 1: workload is done.
Speaker 3: It's not.
Speaker 2: Bro. You know you're making the wrong comparison. I'm gonna
Speaker 2: tell you this right here, right just like the fact
Speaker 2: you can say that that is beats ain't sound the
Speaker 2: sayings that scene's being with Drake Dray ain't made no
Speaker 2: set up here and made no ambitions of the riders
Speaker 2: just by itself, just conceived, Just like you understate Drey's involvement.
Speaker 2: You can't say that Das ain't do shit either, you
Speaker 2: know what I mean?
Speaker 3: That is the producer of ambitions of a rider, not Snoop.
Speaker 1: Like Warring G.
Speaker 2: Like you think about Warring G. Right, without Warren G,
Speaker 2: the chronic might not be what it was.
Speaker 3: I'm not saying there's not people in the room.
Speaker 1: That's like saying without anybody doing something in the association
Speaker 1: of holding up, but you're just seeing they No, that's
Speaker 1: not what I'm saying, I'm telling.
Speaker 3: You they didn't produce it because they had an input,
Speaker 3: and they didn't do most of the work. Because they
Speaker 3: did something, what it becomes a lot of dog.
Speaker 2: And that's why I've never been a fan of producing
Speaker 2: dog because what happens is this, there are so many
Speaker 2: hands involved in certain stuff bro to where it becomes
Speaker 2: it's always gonna be somebody that think they did more.
Speaker 2: It's always gonna be somebody. Well, I put this snare
Speaker 2: in there, and without that snare, it wouldn't have been this.
Speaker 2: Whor I beat this kick up because it's key, or
Speaker 2: I changed his eight away right here. It becomes crazy dog.
Speaker 3: After a while.
Speaker 1: Yeah, But I just I just don't know that world
Speaker 1: you're talking about where people is just taking somebody beat
Speaker 1: and just putting their name on them.
Speaker 3: I don't know that dog can happen all the time.
Speaker 3: I never saw it happen.
Speaker 1: The only time I told you is the one time
Speaker 1: why had to pay the rent gaze because somebody said
Speaker 1: that they made this beat and me put his name
Speaker 1: on it. Hold his name?
Speaker 4: Who uh dude Jesus uh damn dame dash. She used
Speaker 4: to buy other people's beasts for che put his name.
Speaker 3: On I never saw that, you know that.
Speaker 1: I seen them dudes down south? What's the duds name?
Speaker 1: That little baby? And all him sign too?
Speaker 4: Dog?
Speaker 1: The only hit boy?
Speaker 2: What was the boy name? Over there in the school?
Speaker 2: Throw the d's on the pitch?
Speaker 3: What's the boy.
Speaker 1: Know?
Speaker 3: He didn't go down did that with him?
Speaker 2: Other producers around him, though he tell them stories.
Speaker 3: He didn't.
Speaker 1: Again, he's not taking a hit boy beat and just
Speaker 1: not doing nothing putting his name on it. He actually
Speaker 1: has to do something to the music.
Speaker 2: And some of them niggas going there and put a
Speaker 2: little twist a few knives.
Speaker 1: Dog, and I genuinely don't go there. What niggas do
Speaker 1: they going there? The people that already got the high?
Speaker 1: You know what I'm saying? I mean that mother? Oh yeah,
Speaker 1: now it's finished. He mentioned that the other day. I'm
Speaker 1: going to drink that doing that ship doing that like
Speaker 1: But but IRV and Puff are kind of different type
Speaker 1: of producers. But if he's directing the traffic and he
Speaker 1: knows what it's supposed to be in us, Remember, producing
Speaker 1: is not holding a camera. Producing is not making a beat.
Speaker 1: That's the hardest part that hip hop seems to not
Speaker 1: get it correct. Producing is not making a beat. Well,
Speaker 1: you know where some of them niggas in the right single,
Speaker 1: the drap on the songs like that. Producing a record, yeah,
Speaker 1: that's that's important though. But you saying, ain't nobody out
Speaker 1: there out there just I don't know, I don't know
Speaker 1: people you for producing that? Yeah, Kendrick produced on this album,
Speaker 1: this album.
Speaker 2: She like you said, you're right, you cannot touch an
Speaker 2: instrument and produce.
Speaker 3: So that what the fuck is you talking? No, I
Speaker 3: don't know what I'm saying?
Speaker 6: Is this?
Speaker 1: Well?
Speaker 2: Are you just being difficult right now? The thing there
Speaker 2: are people who have. You can't tell me that Dre
Speaker 2: ain't got ten different produces.
Speaker 1: There's a lack of an as there is because there
Speaker 1: is too much work to be done. It can't just
Speaker 1: be one community, different bro. I don't like the reason why.
Speaker 1: The reason I got a ghost writer because I can't.
Speaker 1: I can't possibly write all this music right now because
Speaker 1: I'm so doing so much stuff and this that this.
Speaker 1: I think Dre has a production team that has been
Speaker 1: credited consistently at this point, well, not early on. I
Speaker 1: think early on they was early you might not have
Speaker 1: been as fun dog drag him in the Business play
Speaker 1: by Scott Storage. You look at the credits and thus, I.
Speaker 2: Don't even knock Drake for that shee, because I'm I'm
Speaker 2: pretty sure at that time you got other people handling
Speaker 2: business that may omit certain stuff, and I don't even
Speaker 2: know if it's on purpose all the time.
Speaker 1: Bro, I just think I don't think nobody is producing
Speaker 1: for doctor Dre because don't know. Can't nobody do what
Speaker 1: doctor Dre does now because somebody doctor Dray finish it?
Speaker 2: Yes, even Eric Simon, how you work with Rock and
Speaker 2: all of them, Rock Waller, get this stuff them? Eric
Speaker 2: Simony never put his name on nobody on somebody else's.
Speaker 3: Beat that he didn't do, nobody else beat that he
Speaker 3: didn't do.
Speaker 2: You know what, though, Warren did a lot of ship,
Speaker 2: but Drake made a lot of ship that Warren brought
Speaker 2: over there. Tighten it up though, like the original.
Speaker 1: Get a Boy. Yeah, But you keep saying somebody is
Speaker 1: doing something. I'm telling you making a beat is not
Speaker 1: producing a song. You may have an idea for a beat.
Speaker 2: You you can't discount the beat because c G. What
Speaker 2: you do You just discount the beat and make all.
Speaker 1: This nigga and ship No, you just over credit everybody
Speaker 1: in a way to just try to discredit the person
Speaker 1: that keeps doing the same with the name of that person.
Speaker 4: Be what's happening right now is everyone's named producer. There's
Speaker 4: executive producers, there's that that producers, that that producer. That's
Speaker 4: I think most of the problem is conversations. Everyone's got
Speaker 4: the same title, but that requires a preface to it
Speaker 4: and using the prefaces.
Speaker 3: No, it's it's, it's it's it's not really that.
Speaker 1: That's not even a problem, pet because I do agree
Speaker 1: that that's the difference, But that's not what's wrong. What's
Speaker 1: wrong is there's assholes like Stell who just trying to
Speaker 1: discredit doctor Dre.
Speaker 2: I didn't just at one time, you just put words
Speaker 2: in my mouth though that's not what I said. That
Speaker 2: is not what I said. Dred is definitely the greatest
Speaker 2: of all the great as a god. He's a goat.
Speaker 1: I did not say that.
Speaker 2: I said, but don't sit up in that like he
Speaker 2: just in the room doing all that shit by hisself.
Speaker 3: Might never said that.
Speaker 1: I think that. I really think that.
Speaker 2: For what's still saying it is it is times where
Speaker 2: all right, you you might not be as as well
Speaker 2: known as the other producers, though, so like that beat
Speaker 2: might be fired. But if you have to put this
Speaker 2: so called producer name on the beating, this is more
Speaker 2: light towards it. And I think that happens a lot.
Speaker 1: I don't believe that's true though, neither not not to
Speaker 1: no full level, I think it's not impossible. I just
Speaker 1: don't think that's most likely what happened. Shut out to
Speaker 1: unknown Raider god Glass the name of the song you
Speaker 1: sampled this DJ by one G. I've been looking for
Speaker 1: it on Apple Music. It's called that Good, That Good
Speaker 1: feature and Todd Dollar sign and see balling that good.
Speaker 1: Just get back to this album though, Man, what I mean,
Speaker 1: I'm just impressed. I can't wait to get back to it.
Speaker 1: We've been on this ship right here for so long.
Speaker 1: It's time to get the fuck off of here.
Speaker 3: Yeah, we've been on.
Speaker 1: This day forever. Shout out to everybody on this live
Speaker 1: for so much extra time. We could be one of
Speaker 1: steal sticks.
Speaker 3: We definitely candy. Just be ready to be done. It'll
Speaker 3: just be done.
Speaker 5: We were done thirty minutes ago at nowur steal stick.
Speaker 1: Shout out to No Sellers Live the Lunch hour. Click
Speaker 1: that thumbs up button every Monday, Wednesday and Friday at noon.
Speaker 3: We will be back here Monday at noon. Make sure
Speaker 3: you go live.
Speaker 1: Listen to it's just audio.
Speaker 2: But I ain't gonna say that I got my homeboy
Speaker 2: on here, fingers, one of the greatest producers from the West.
Speaker 1: Fingers, you ain't got to name no names. Is a motherfuckers.
Speaker 1: Don't get on here and see it.
Speaker 2: Absolutely glass always like you've never seen that.
Speaker 1: Oh I've never seen that before.
Speaker 3: I never saw it.
Speaker 1: Oh man, I heard.
Speaker 4: About countless huge records that were purchase beats from unknown
Speaker 4: producers for hundreds of.
Speaker 3: Bucks or something like that.
Speaker 1: And then maybe they, you know, may sprinkle like a different.
Speaker 3: Kick or something like that.
Speaker 1: But some of the biggest hits you can't make you
Speaker 1: have been created that way.
Speaker 3: You're not making a point because you got to say,
Speaker 3: thank you, Fingers.
Speaker 2: I appreciate you, bro. I'm gonna come over with that
Speaker 2: fuck with you. I thank you, I love you.
Speaker 3: You didn't make a point, still I did.
Speaker 2: I just told this man got countless albums g on
Speaker 2: his belt, and he snipper.
Speaker 3: Tell you this niggas stories.
Speaker 2: He knows he's not gonna name names though he no
Speaker 2: personal you know what she is one of the people.
Speaker 2: I've never seen anyone get shot. I've never seen nobody.
Speaker 2: Because you ain't seen it, you think it ain't happening.
Speaker 1: This is my problem.
Speaker 3: Was still he always telling me some ship but he
Speaker 3: never saw it.
Speaker 1: Rules then how do you feel so comfortable passing and
Speaker 1: information if it ain't true. I'm telling you what I
Speaker 1: want you as u here and say, yeah, such be
Speaker 1: taking beat team. Did all of y'all just running around
Speaker 1: and knowing some booth shit happened and and you not
Speaker 1: being I bet you if I saw it, I was saying,
Speaker 1: you wouldn't say nothing. It ain't none of your business.
Speaker 1: Would you say that I would.
Speaker 3: I don't give a fuck.
Speaker 1: I ain't trying to maintain no motherfucker that and ain't
Speaker 1: no ambig I'm not trying to be that is not right.
Speaker 2: I'm not giving his credit you. I'm gonna look, you're
Speaker 2: gonna give him this credit that you're gonna deal with this.
Speaker 1: I'm gonna give you this credit. Listen. The thing about
Speaker 1: being a solid nigga, nobody ever said his friends. It's
Speaker 1: not a friendly road. It's a lonely road. But I'd
Speaker 1: rather be a real nigga than a whole nigga every day.
Speaker 1: So if you know some moreh going on, and you're
Speaker 1: scared to say some moreh going on, you just maybe.
Speaker 2: I'm telling you it's a lot of whole ship to
Speaker 2: go on.
Speaker 1: I never saw it happening with me. I never walked
Speaker 1: in the room. I didn't been to Jamie Fox party
Speaker 1: puff parties, uh, Birdman parties.
Speaker 3: I never seen nothing. So how do you always see it?
Speaker 3: But you never was there?
Speaker 1: Man?
Speaker 2: Just going to some whole other stuff.
Speaker 1: Now, I don't know. I don't you got everything that's
Speaker 1: going on? Nobody Still you.
Speaker 2: Write the glasses you right, if it didn't happen, it
Speaker 2: didn't happen, call somebody else, still tell him? Still call
Speaker 2: somebody else? Man, right, you know what I'm gonna say
Speaker 2: this podcast as Glasses he is correct, you knows least
Speaker 2: the oracle.
Speaker 3: But you asked Google.
Speaker 2: Your name ain't glass.
Speaker 1: Google? Ship? Yes?
Speaker 6: You did.
Speaker 2: You should have let me leave five minutes ago.
Speaker 3: You never told I'm going who did what?
Speaker 1: You never told us who stole to be?
Speaker 2: It's a countless people. I don't got to sit the
Speaker 2: PM do that dog?
Speaker 6: What is it?
Speaker 2: Gonna matter if I see it in this podcast.
Speaker 3: I know what you're talking about.
Speaker 2: People you know, dog On, I don't know.
Speaker 3: I told you the only time, son, it ain't my
Speaker 3: place to say. It ain't my place to say everybody else?
Speaker 1: Are you saying.
Speaker 3: Everybody else get out here doing this stuff?
Speaker 1: Why are you saying if it's not your place to say,
Speaker 1: If it's not your place to say, which man?
Speaker 2: You just want somebody with name names?
Speaker 3: Said?
Speaker 1: Well, who did it?
Speaker 2: You know who did It's been plenty of people.
Speaker 3: I don't know who did it. That's why I'm asking.
Speaker 2: It's a big record that just came out now that
Speaker 2: the nigga didn't get credit for that. We know he
Speaker 2: did some ship on there and he ain't getting no credit.
Speaker 2: Just give the other nigga all the credit.
Speaker 1: Who my business? Though I don't know what you're talking.
Speaker 3: I never heard it, okay, like I know, and I'm
Speaker 3: a part of the circle.
Speaker 1: I'm not okay, oracle obviously, all of the whole, the
Speaker 1: old look in the matrix, the one the oracle that just.
Speaker 3: Know, I don't know nothing.
Speaker 1: The record without saying the names of the people.
Speaker 2: Everybody know, I ain't gonna get all that ship song.
Speaker 4: You ain't got to say Joe stolen from Stan just
Speaker 4: say the song was blank There's there's some conversation behind
Speaker 4: the song blanket.
Speaker 1: And this is this listen of no selling chat. This
Speaker 1: is why I be on these dudes because they will
Speaker 1: just say anything and will not verify the thought stuff
Speaker 1: that I know you.
Speaker 2: I don't have to verify nothing. I'm telling you what
Speaker 2: it is that should be enough.
Speaker 3: No, that's not name the name of niggas on niggas.
Speaker 3: You're not telling the police.
Speaker 1: I'm not.
Speaker 2: It's just not my business. Dog, I'm not gonna get
Speaker 2: out there doing that.
Speaker 1: But it does that the first place.
Speaker 2: He said the same as that thing I said, niggas
Speaker 2: can get a beat that ship hot. Hold on, let
Speaker 2: me add this. Okay, here's damn. I'm gonna put my
Speaker 2: name on the next. Allot to add to a beat?
Speaker 2: Talking about it's allot to add to a beat, I'm saying.
Speaker 2: Ask your question on still, so, do you think that
Speaker 2: if a person does that right there, it takes takes
Speaker 2: credit for somebody else's beat.
Speaker 1: Do you think that is? Is that is that cool
Speaker 1: of you?
Speaker 2: Is that I'm saying the business What I'm saying to
Speaker 2: a third degree, because I'm gonna tell you, most of
Speaker 2: the time, the maturity of time, the person that he
Speaker 2: is getting he's getting that beat.
Speaker 1: Right.
Speaker 2: Somebody can come at you with an idea if you're
Speaker 2: completing that, you're producing that record. The other dude may
Speaker 2: have programmed some ship and you know whatever, you're producing
Speaker 2: that record. Now, if you can get a record that's
Speaker 2: done and all you do is go on that motherfucking.
Speaker 1: You know he gotta I'm add a high hat to
Speaker 1: this and just literally was this though?
Speaker 4: Right?
Speaker 2: If you feel like somebody did some did some bullshit,
Speaker 2: don't you feel like somebody should be caught out for
Speaker 2: the bullsh they did?
Speaker 1: So like meaning like I.
Speaker 2: Wouldn't keep letting somebody.
Speaker 6: Like that.
Speaker 2: Ain't nothing wrong for you to say, Yo, that motherfucker
Speaker 2: make that beat so and so mad that it's not
Speaker 2: my job be exposed to people.
Speaker 3: That's what I would do.
Speaker 2: Having one of my homies, like, if somebody took his beat,
Speaker 2: I would be on the ass. We would be on
Speaker 2: if somebody jeez beatle would be on the head. If
Speaker 2: it's somebody else saying at my camp, I'll tell the man,
Speaker 2: get your business together. It's just like we got a homeboy, now,
Speaker 2: don't rote planting them records for a well known one
Speaker 2: of the greatest artists of all time. He keep going back,
Speaker 2: getting a thousand dollars fifteen hundred, no publishing and nothing,
Speaker 2: just keep writing reps.
Speaker 1: But he but he never wrote his own smashes.
Speaker 3: But he wrote another Nigga Smashes though, so he ain't
Speaker 3: getting again. Making a record is a lot different than
Speaker 3: writing a record. He had to go with, well, you
Speaker 3: know what, that record wouldn't be in existence if that
Speaker 3: get them words.
Speaker 1: Be able to deliver that. You gotta be able to
Speaker 1: put some you know what I'm saying. I think just that.
Speaker 2: But you know what, that is true. But that dude
Speaker 2: should write his own stuff. And if he don't want
Speaker 2: to get that man his credit.
Speaker 3: No, that's not that's not what he means.
Speaker 1: That's not it's not it's not purchase now.
Speaker 3: For he wouldn't give me no fifteen hundred dollars and
Speaker 3: not keep writing.
Speaker 4: Like when Jay Peterman bought Kramer's stories on Seinfeld, they
Speaker 4: became his stories.
Speaker 1: Kramer couldn't tell them anymore.
Speaker 3: Simple business. Still, I don't know, I don't know, I
Speaker 3: don't know about people.
Speaker 1: I don't know about people buying records from other producers
Speaker 1: and not working on them. Again, something that you may
Speaker 1: consider a high hat and kick is nothing, but it
Speaker 1: really be driving the song. So again, it's it's like
Speaker 1: in baseball, right, you might pitch eight in it and
Speaker 1: the score is tied.
Speaker 3: Can Mariano River come in and you get the leader?
Speaker 2: Why you keep coming with these baseball analogies? Bro, it's
Speaker 2: people to do it. It ain't nothing else to be discussed.
Speaker 2: What it is.
Speaker 3: No, it's not you actually didn't say who did it?
Speaker 2: You just do this. I don't have to cheat. That's
Speaker 2: not important that happens. You told me it don't happen.
Speaker 3: I'm telling you I never known it happened, and.
Speaker 2: I just bought a well known This man don't seen
Speaker 2: it happen. Well, he talking about multiple times.
Speaker 3: You didn't say, y'all he heard the same story.
Speaker 2: He's actually he's actually been invited. Now see, it's one thing,
Speaker 2: is you collaborating with somebody. Yeah, y'all both get these saws.
Speaker 2: We don't collaborated on ship g and we both do
Speaker 2: what we do. But if somebody gives you a beat,
Speaker 2: that's already done. The dog, that thing that's already done,
Speaker 2: and you just come in that motherfucker already. Now this
Speaker 2: cow bell, if you had a cow bill look t
Speaker 2: t to the thing ding t that was on your
Speaker 2: only contribution to that record. That record, Oh, that's the
Speaker 2: driving force of this record. It's the reason this platinum.
Speaker 1: That's just still you sound like a nigga. This is
Speaker 1: my problem right, the thought of it on. You sound
Speaker 1: bitter and confused, to.
Speaker 2: Sound like think you know everything.
Speaker 1: Mister, don't know everything.
Speaker 2: Everything because I didn't see it.
Speaker 3: How if I don't know this.
Speaker 1: Man, you get the oracle? How am I the oracle?
Speaker 3: I don't know this is happening.
Speaker 1: Do you know what you are?
Speaker 2: You are a contrarian. If I say something is black,
Speaker 2: you go say something is white just for the sake
Speaker 2: of the argument.
Speaker 3: No, I'm just asking you what did you see black?
Speaker 1: And you back black.
Speaker 3: I'm like, well, what did you see black? I was
Speaker 3: as you to verify your point, bro.
Speaker 2: It ain't how we go from a conversation and me
Speaker 2: having to verify who really not getting the beats from somebody.
Speaker 2: I said, the nigga's name is early.
Speaker 1: Go back, and you say one name earlier?
Speaker 2: I didn't say one thing. I know what, man, I'm
Speaker 2: not gonna get nigga.
Speaker 1: This nigga I might have heard of, and you never
Speaker 1: said I said earlier. Why you shouldn't say it earlier?
Speaker 1: Tell you I am done.
Speaker 3: I don't know. You know, you tell us, you know everything.
Speaker 3: You tell us. The problem is if I knew everything,
Speaker 3: I would know this.
Speaker 2: You know everything.
Speaker 1: You already know somebody stilling the beat, you know, somebody
Speaker 1: taking it up the rear end, but you never tell
Speaker 1: us who it is.
Speaker 2: I'm telling you, man, please moves that dude in the
Speaker 2: cartoon back in the day. People that knew everything. The
Speaker 2: professor you're going and he got the lab he can
Speaker 2: just answer every question.
Speaker 1: I don't know, like Peabody or something like that.
Speaker 5: I don't know.
Speaker 2: Yeah, that's g Professor Peabody. That should be your often name,
Speaker 2: Professor Peabody.
Speaker 3: The nigga know everything? How, Professor?
Speaker 1: What's going on?
Speaker 2: How if I don't know, Professor? You know everything, profess
Speaker 2: I don't know this now, Professor?
Speaker 1: How But if I don't know, if I'm asking you
Speaker 1: to tell me because I don't know, make you Professor Peabody,
Speaker 1: that you know this sounds like.
Speaker 4: You sound like a congressman and like the head of
Speaker 4: Department of Homeland Security. But or one doesn't really want
Speaker 4: to answer the question, the other really doesn't want to
Speaker 4: ask the question, and the just horseship back and forth,
Speaker 4: just over and over and over.
Speaker 2: You know, instead of Professor Peabody, professor g body, professor.
Speaker 1: Was gonna get spanked. I had to apologize. I didn't
Speaker 1: know Squishy crutch Field detail still to give us one name.
Speaker 3: They can't beat him up. That is the song.
Speaker 1: Just say the song?
Speaker 2: You know that nigga must ain't made all them beats? Dog,
Speaker 2: I don't know why.
Speaker 1: Did he not the song? Which beat?
Speaker 3: Did he not make the name?
Speaker 2: If I'm gonna say the name, I ain't got to
Speaker 2: say the song. If I'm if I'm gonna say the song,
Speaker 2: I won't say the name. He he came with some
Speaker 2: niggas out the beat. He might do and put some
Speaker 2: ship in him, I know, but.
Speaker 1: He ain't made all that ship by nobody did Quincy
Speaker 1: Jones didn't make them all? But it's an't produced by
Speaker 1: Quincy Jones. He didn't play either.
Speaker 3: Oh it's different, Hey, for real, you know, let me
Speaker 3: go move my car, dog, I gotta go move my ship.
Speaker 1: We're gonna en tho ceilings right here. Hit the thumbs
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Speaker 1: Told him, still told you to with his line ass
Speaker 1: uh Charlamaine of God Black Effect Network, And.
Speaker 5: Is he stealing this from some other lower level producers'.
Speaker 2: Podcast right now?
Speaker 3: And say what up to?
Speaker 2: Professor Peabody. That's GE's new name, Professor Pete Body.
Speaker 1: Everything sure except don't know nothing, Professor Peabody looking out
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Speaker 1: recorded right here on the West coast of the U.
Speaker 1: S A and produced by the Black Effect Podcast Network
Speaker 1: and now Heard Radio Yeah