1 00:00:00,320 --> 00:00:01,880 Speaker 1: What you are about to hear is the work of 2 00:00:01,880 --> 00:00:05,760 Speaker 1: the investigative journalism that explores one woman's search for answers 3 00:00:05,840 --> 00:00:08,920 Speaker 1: in her son's death. The views and opinions in this 4 00:00:09,000 --> 00:00:16,960 Speaker 1: podcast do not reflect those of I Heart Media. Yo. 5 00:00:17,160 --> 00:00:19,440 Speaker 1: So this is me. You know. My name is Corny Copeman, 6 00:00:19,840 --> 00:00:22,479 Speaker 1: and the reason I'm here is three time my parents. 7 00:00:23,520 --> 00:00:27,280 Speaker 1: Two is the biggest year of my life. You know. 8 00:00:27,400 --> 00:00:29,960 Speaker 1: The world is ours, you know, and we just gotta 9 00:00:30,000 --> 00:00:35,199 Speaker 1: go out there and get it. Let's get it. The 10 00:00:35,320 --> 00:00:38,560 Speaker 1: world is ours. We just have to get out there 11 00:00:38,760 --> 00:00:49,880 Speaker 1: and get it. Before Courtney died, I was too afraid 12 00:00:49,920 --> 00:00:53,360 Speaker 1: to travel far. I've always had the fear of flying. 13 00:00:54,320 --> 00:00:56,920 Speaker 1: But Courtney wanted us to travel more and see the 14 00:00:56,960 --> 00:01:02,600 Speaker 1: world with him. Courtney only got a taste of what's 15 00:01:02,600 --> 00:01:07,440 Speaker 1: out there. But since he's been gone, I've been all 16 00:01:07,480 --> 00:01:11,560 Speaker 1: over this world. It started when Courtney came to me 17 00:01:11,600 --> 00:01:15,480 Speaker 1: in a dream. He told me, Mom, I want you 18 00:01:15,520 --> 00:01:19,240 Speaker 1: to live. I want you to go to Dubai. And 19 00:01:19,280 --> 00:01:23,679 Speaker 1: I was like Dubai. When I woke up, I booked 20 00:01:23,680 --> 00:01:27,600 Speaker 1: the trip. Bye Mall me and the whole family went, 21 00:01:37,640 --> 00:01:46,080 Speaker 1: but Brazil. I went there on my own. Here I 22 00:01:46,120 --> 00:01:50,280 Speaker 1: am in the city of Salvador. I took this video 23 00:01:50,360 --> 00:01:54,760 Speaker 1: of people dancing outside my window late at night. I 24 00:01:54,800 --> 00:01:57,040 Speaker 1: was trying to sleep, but everyone was so happy. I 25 00:01:57,080 --> 00:02:05,000 Speaker 1: couldn't be mad. At I went for a gathering of 26 00:02:05,120 --> 00:02:08,880 Speaker 1: mothers of murdered children. There were about a hundred of 27 00:02:08,960 --> 00:02:12,840 Speaker 1: us there from all over, all of us fighting the 28 00:02:12,919 --> 00:02:22,160 Speaker 1: same struggle we're fighting in Chicago. In Salvador, we were 29 00:02:22,200 --> 00:02:24,799 Speaker 1: not far from the main square where they used to 30 00:02:24,840 --> 00:02:32,560 Speaker 1: auction off slaves. I was surprised that Brazil was so 31 00:02:32,680 --> 00:02:36,560 Speaker 1: afrocentric and so black, But then that's when I started 32 00:02:36,600 --> 00:02:39,840 Speaker 1: to understand the amount of slaves that were actually sent 33 00:02:39,919 --> 00:02:43,560 Speaker 1: to Brazil, and so it was a learning experience for me. 34 00:02:52,919 --> 00:02:59,360 Speaker 1: There were so many languages spoken at this summit. Mom 35 00:02:59,440 --> 00:03:08,520 Speaker 1: after mom we told our stories. There was one mom 36 00:03:08,520 --> 00:03:13,320 Speaker 1: whose child died of hunger and thirst in prison. There's 37 00:03:13,360 --> 00:03:18,040 Speaker 1: another mom whose son got shot by police during a massacre. 38 00:03:26,200 --> 00:03:32,040 Speaker 1: Then it was my turn. My heart rejoices to see 39 00:03:32,600 --> 00:03:37,240 Speaker 1: the unity that is in this place made you're going 40 00:03:37,320 --> 00:03:44,840 Speaker 1: to ship Oh my god. Uh, this reunion have brought 41 00:03:44,880 --> 00:03:49,360 Speaker 1: the pain of a lot of mothers. But my message 42 00:03:49,440 --> 00:03:53,560 Speaker 1: to the mothers today is I don't want you to 43 00:03:53,720 --> 00:03:58,440 Speaker 1: mourn any longer, but to rejoice in the life of 44 00:03:58,480 --> 00:04:01,720 Speaker 1: your children the because they are more than what happened 45 00:04:01,760 --> 00:04:06,400 Speaker 1: to them. I think about Courtney, I think about all 46 00:04:06,440 --> 00:04:10,760 Speaker 1: the mothers who told their testimony and stories. And there's 47 00:04:10,800 --> 00:04:15,800 Speaker 1: one thing that keeps coming to my head. I recalled 48 00:04:15,840 --> 00:04:22,440 Speaker 1: my aunt telling me after Courtney died, and I tell you, 49 00:04:23,480 --> 00:04:28,159 Speaker 1: they can never kill the lights. Never kill the light, 50 00:04:31,000 --> 00:04:46,080 Speaker 1: Courtney Copeland, Brazil. It restored my soul. All this time 51 00:04:46,120 --> 00:04:49,280 Speaker 1: I've been fighting so hard, I hadn't really had time 52 00:04:49,320 --> 00:04:52,200 Speaker 1: to mourn. I had put all of that on the 53 00:04:52,240 --> 00:05:01,599 Speaker 1: shelf because I had work to do. I was starting 54 00:05:01,600 --> 00:05:05,479 Speaker 1: to feel stronger. And it's a good thing, because when 55 00:05:05,480 --> 00:05:08,400 Speaker 1: I got back home, I needed all the strength I 56 00:05:08,440 --> 00:05:15,520 Speaker 1: could get. Our case against the City of Chicago was 57 00:05:15,560 --> 00:05:19,520 Speaker 1: looking like an uphill battle. The city's lawyers kept fighting 58 00:05:19,600 --> 00:05:25,080 Speaker 1: us in court. They kept denying everything, even the handcuffing, 59 00:05:26,240 --> 00:05:30,880 Speaker 1: and eventually my lawyer said we should dismiss the case, 60 00:05:31,480 --> 00:05:38,159 Speaker 1: that these cases were just too hard to win. I 61 00:05:38,279 --> 00:05:50,359 Speaker 1: was devastated. I was heartbroken. After the lawyers told us that, 62 00:05:51,040 --> 00:05:53,480 Speaker 1: Brent and I sat in an empty conference room at 63 00:05:53,480 --> 00:06:00,720 Speaker 1: the courthouse. We've been through lawyer, lawyer and it's they 64 00:06:00,839 --> 00:06:02,760 Speaker 1: just they just don't just don't want to mess with it. 65 00:06:03,839 --> 00:06:08,960 Speaker 1: I think it boils down to what CPD can get 66 00:06:09,000 --> 00:06:12,680 Speaker 1: away with legally, which for me is the reason why 67 00:06:13,279 --> 00:06:15,640 Speaker 1: I feel like so many laws and things have to 68 00:06:15,680 --> 00:06:19,520 Speaker 1: be changed so that that they don't have to they 69 00:06:19,520 --> 00:06:23,360 Speaker 1: don't have as much power as they do. Yeah, well, 70 00:06:23,360 --> 00:06:29,160 Speaker 1: the average person in America, you cannot win against CPD. 71 00:06:38,960 --> 00:06:41,279 Speaker 1: It didn't take long for the police lawyers to announce 72 00:06:41,279 --> 00:06:45,160 Speaker 1: their victory. They wrote on their website that the lawsuit 73 00:06:45,640 --> 00:06:50,440 Speaker 1: was unnecessary and they called the dismissal a win for 74 00:06:50,520 --> 00:07:01,200 Speaker 1: the City of Chicago. In the police department, the lawsuit 75 00:07:01,320 --> 00:07:07,719 Speaker 1: was over, and our investigation was too. We already gave 76 00:07:07,800 --> 00:07:12,400 Speaker 1: detectives all of our evidence, the names of suspects and witnesses. 77 00:07:14,800 --> 00:07:17,360 Speaker 1: But I was not gonna let my baby die for nothing. 78 00:07:34,680 --> 00:07:39,720 Speaker 1: What if what if the world was different, What if 79 00:07:39,800 --> 00:07:44,440 Speaker 1: Chicago was different? What if moms like me didn't have 80 00:07:44,480 --> 00:07:48,040 Speaker 1: to address their son and tuxedos put them in caskets 81 00:07:48,440 --> 00:08:01,440 Speaker 1: and lower them into the ground. Well, I'm on my 82 00:08:01,560 --> 00:08:07,400 Speaker 1: way to meet with the state rep right now to 83 00:08:07,840 --> 00:08:15,880 Speaker 1: propose Courtney's law. Me and my state rep. We've had 84 00:08:15,880 --> 00:08:18,920 Speaker 1: a couple of conversations now about all the reforms needed, 85 00:08:21,040 --> 00:08:25,280 Speaker 1: what my investigation has pulled together. Things that I want 86 00:08:25,360 --> 00:08:28,840 Speaker 1: to try to put into this law. Of Courtney's law 87 00:08:29,520 --> 00:08:35,880 Speaker 1: is one that police must provide life saving techniques because 88 00:08:35,880 --> 00:08:38,440 Speaker 1: they were first on the scene. I think that they 89 00:08:38,480 --> 00:08:44,920 Speaker 1: should have been Minister that I want Chicago police to 90 00:08:45,000 --> 00:08:48,079 Speaker 1: take people who have been shot immediately to the hospital. 91 00:08:49,679 --> 00:08:53,160 Speaker 1: And I want those police podcameras to work and whole 92 00:08:53,160 --> 00:08:56,840 Speaker 1: footage longer, and all the public records they should be 93 00:08:56,880 --> 00:08:59,319 Speaker 1: all in one place so victims family don't have to 94 00:08:59,320 --> 00:09:04,600 Speaker 1: get the runner down. So that's why I'm trying to 95 00:09:04,679 --> 00:09:09,720 Speaker 1: fight for other people. Corney is finished, that is done, 96 00:09:10,280 --> 00:09:14,760 Speaker 1: but if I can prevent other parents from experiencing this 97 00:09:14,840 --> 00:09:19,480 Speaker 1: type of pain, what I want for other parents is 98 00:09:19,480 --> 00:09:22,760 Speaker 1: that they know with certainty that their child died with 99 00:09:22,840 --> 00:09:27,600 Speaker 1: dignity and respect. I realized that in all of this 100 00:09:27,679 --> 00:09:41,679 Speaker 1: process that didn't happen for my son. I read the 101 00:09:41,720 --> 00:09:45,160 Speaker 1: story about a thing that police do in Philadelphia. They 102 00:09:45,200 --> 00:09:48,880 Speaker 1: call it scoop and run. Police pick up people who 103 00:09:48,880 --> 00:09:52,640 Speaker 1: have been shot and drive them to the hospital themselves. 104 00:09:53,320 --> 00:09:59,480 Speaker 1: They don't wait for an ambulance. Here's video of a 105 00:09:59,520 --> 00:10:04,040 Speaker 1: scooping run in progress. It sounds chaotic, but it's actually 106 00:10:04,160 --> 00:10:16,760 Speaker 1: police trying to help someone. This was the scariest moment 107 00:10:16,960 --> 00:10:22,480 Speaker 1: of my life. By far Ian Hurst. Herman's was around 108 00:10:22,480 --> 00:10:25,320 Speaker 1: the same age as Courtney when he was shot in 109 00:10:25,360 --> 00:10:27,680 Speaker 1: the middle of the night outside of party in Philly. 110 00:10:28,520 --> 00:10:32,360 Speaker 1: Two police officers arrived on the scene. They looked at 111 00:10:32,400 --> 00:10:35,160 Speaker 1: each other, gave a nod. One grab my arms and 112 00:10:35,200 --> 00:10:39,440 Speaker 1: one grab my legs. Um. The only issue was is 113 00:10:39,480 --> 00:10:44,800 Speaker 1: this guy going to bleed out or not? So from 114 00:10:44,840 --> 00:10:47,920 Speaker 1: the time that you got shot until the time that 115 00:10:47,960 --> 00:10:51,559 Speaker 1: you arrived to the hospital, approximately how many minutes was that? 116 00:10:52,040 --> 00:10:54,080 Speaker 1: It's hard to say. I would say less than five minutes, 117 00:10:54,160 --> 00:10:57,520 Speaker 1: Absolutely less than five minutes. In Philly, about a third 118 00:10:57,559 --> 00:11:02,400 Speaker 1: of gunshot victims are brought into hospit pootles by police themselves. 119 00:11:03,080 --> 00:11:06,800 Speaker 1: Police save Ian's life by running him to the e R. 120 00:11:07,160 --> 00:11:09,080 Speaker 1: I found out the next day that I had about 121 00:11:09,520 --> 00:11:12,240 Speaker 1: forty five seconds to a minute before I would have 122 00:11:12,320 --> 00:11:16,080 Speaker 1: led out. I was panicking beyond belief. Um, but the 123 00:11:16,120 --> 00:11:20,559 Speaker 1: police officers were doing everything they can to keep me calm. 124 00:11:20,720 --> 00:11:24,000 Speaker 1: The one officer was turned around, asked me questions about school, 125 00:11:24,160 --> 00:11:26,520 Speaker 1: asked me about my family, just trying to keep me 126 00:11:27,000 --> 00:11:32,160 Speaker 1: awake and alert. Right when they pulled into the emergency room, 127 00:11:32,320 --> 00:11:35,840 Speaker 1: the ambulance pulled onto the street and one of the 128 00:11:35,880 --> 00:11:38,440 Speaker 1: cops kind of jokingly said to me, you know, there 129 00:11:38,440 --> 00:11:43,679 Speaker 1: goes your ride. The way it seems now is if 130 00:11:43,720 --> 00:11:46,800 Speaker 1: I was shot in any other major city other than Philadelphia, 131 00:11:46,880 --> 00:11:49,680 Speaker 1: I probably wouldn't have survived. It's kind of hard for 132 00:11:49,720 --> 00:11:54,240 Speaker 1: me to wrap my head around that not being the case. Um. 133 00:11:54,280 --> 00:11:57,600 Speaker 1: I know it's not in every cops job description, but 134 00:11:57,679 --> 00:12:00,560 Speaker 1: it just seems like it seems like thing that just 135 00:12:00,640 --> 00:12:06,360 Speaker 1: goes along with protecting the community. I always believe that 136 00:12:06,520 --> 00:12:11,079 Speaker 1: if my son could have gotten the care that you've gotten, Um, 137 00:12:11,120 --> 00:12:14,800 Speaker 1: that he would be alive today. So had he gotten 138 00:12:14,880 --> 00:12:19,560 Speaker 1: to the hospital in time, you know, within five minutes, 139 00:12:20,679 --> 00:12:24,000 Speaker 1: ten minutes max, if he would have gotten to the hospital, 140 00:12:24,600 --> 00:12:28,160 Speaker 1: I think they could have saved his life. I'm so 141 00:12:28,200 --> 00:12:31,360 Speaker 1: sorry to hear that. That makes that makes me feel 142 00:12:31,440 --> 00:12:38,680 Speaker 1: so terrible. Ian has grown close to the officers who 143 00:12:38,760 --> 00:12:42,560 Speaker 1: saved him. He even tattooed their names on his chest. 144 00:12:43,720 --> 00:12:46,240 Speaker 1: They came and saw me the next morning after I 145 00:12:46,320 --> 00:12:48,600 Speaker 1: was shot. UM made a joke about how I got 146 00:12:48,600 --> 00:12:50,160 Speaker 1: to clean out the back of their car because there's 147 00:12:50,160 --> 00:12:52,800 Speaker 1: so much blood in it. You know, these two guys 148 00:12:53,160 --> 00:12:55,280 Speaker 1: saved my life, whether it was their job or not. 149 00:12:56,040 --> 00:12:58,240 Speaker 1: Um so I still keep in touch with them. Yeah, 150 00:12:58,240 --> 00:13:00,440 Speaker 1: I wouldn't be here without them, so so I just 151 00:13:00,480 --> 00:13:05,960 Speaker 1: always keep them really close. I can't help but think 152 00:13:06,600 --> 00:13:11,760 Speaker 1: how differently I'd feel if those officers had just scooped 153 00:13:11,880 --> 00:13:18,040 Speaker 1: up my son and rushed him to the hospital. Of course, 154 00:13:18,600 --> 00:13:23,960 Speaker 1: Ian is white. Would Philly police have picked up Courtney 155 00:13:24,080 --> 00:13:27,640 Speaker 1: and rushed him to the er? We can't say for sure. 156 00:13:28,800 --> 00:13:33,040 Speaker 1: Scoop and run is a longstanding practice in Philly, but 157 00:13:33,240 --> 00:13:38,600 Speaker 1: not in Chicago. It is allowed here. Chicago police have 158 00:13:38,800 --> 00:13:43,880 Speaker 1: the discretion to do it, but the practice isn't encouraged. 159 00:13:45,720 --> 00:13:49,559 Speaker 1: What if my son's life mattered to police like Inn's 160 00:13:49,600 --> 00:13:53,680 Speaker 1: did when officers saved him. What if when my son 161 00:13:53,840 --> 00:13:57,720 Speaker 1: came to police begging him for help, they didn't handcuff him, 162 00:13:57,760 --> 00:14:00,199 Speaker 1: they didn't check to see if he really owned his car. 163 00:14:01,040 --> 00:14:03,960 Speaker 1: What if they went with him in the ambulance. What 164 00:14:04,040 --> 00:14:06,480 Speaker 1: if it had been their kid who had been shot 165 00:14:06,520 --> 00:14:13,600 Speaker 1: on that corner. The consent decree is a two page 166 00:14:13,679 --> 00:14:16,640 Speaker 1: document that is the result of ten months of negotiations 167 00:14:16,679 --> 00:14:19,880 Speaker 1: between the Attorney General's Office, the Police Department, and the city. 168 00:14:20,320 --> 00:14:23,760 Speaker 1: After two highly critical reports found systemic problems in the 169 00:14:23,760 --> 00:14:26,920 Speaker 1: police department in the use of unnecessary and deadly forced 170 00:14:27,000 --> 00:14:30,120 Speaker 1: in the years since Courtney died, the federal court has 171 00:14:30,200 --> 00:14:34,760 Speaker 1: ordered Chicago police to clean up their act. Officers will 172 00:14:34,800 --> 00:14:38,040 Speaker 1: have to report every time they point their guns at people, 173 00:14:38,640 --> 00:14:41,440 Speaker 1: they won't be able to use chokeos, and there are 174 00:14:41,480 --> 00:14:50,880 Speaker 1: more changes, lots more changes. Under the consent decree, all 175 00:14:50,960 --> 00:14:53,800 Speaker 1: of Chicago police officers would have to take medical and 176 00:14:53,840 --> 00:14:57,560 Speaker 1: rescue training and use it to help people who are injured. 177 00:14:57,880 --> 00:15:04,600 Speaker 1: Even before paramedics arrived immediately with no delays. They weren't 178 00:15:04,600 --> 00:15:12,280 Speaker 1: required to do any of that before. It's tough living 179 00:15:13,000 --> 00:15:15,720 Speaker 1: this life and the skin we're in. This is Courtney's 180 00:15:15,760 --> 00:15:19,000 Speaker 1: high school friend again, Chance the wrapper. I just wish 181 00:15:19,040 --> 00:15:21,840 Speaker 1: that he was respected as a human life on the 182 00:15:21,920 --> 00:15:24,680 Speaker 1: level that that he should have been, that that we 183 00:15:24,720 --> 00:15:28,600 Speaker 1: respect him. And you know, you can't, you can't change 184 00:15:28,640 --> 00:15:30,960 Speaker 1: the skin you're in. You're just like you just live 185 00:15:31,000 --> 00:15:34,080 Speaker 1: your life, and you know he lived it to the fullest. 186 00:15:36,200 --> 00:15:38,920 Speaker 1: There are so many people, so many people who care 187 00:15:38,920 --> 00:15:43,400 Speaker 1: about Corney. Every time I've interviewed one of them. It's 188 00:15:43,440 --> 00:15:46,320 Speaker 1: like I bring him back to life a little. He 189 00:15:46,480 --> 00:15:49,720 Speaker 1: was one out of a trillion. Everybody needs somebody like 190 00:15:50,000 --> 00:15:53,320 Speaker 1: like Courton Copeland in life. He taught me to believe 191 00:15:53,320 --> 00:15:55,720 Speaker 1: in myself. Something he used to always say was like 192 00:15:55,760 --> 00:15:59,080 Speaker 1: everyone deserves happiness. That's what he gave people. And he 193 00:15:59,120 --> 00:16:01,800 Speaker 1: would always make me laugh. You know, no matter what, 194 00:16:01,960 --> 00:16:04,800 Speaker 1: that man would make me laugh. It would make all 195 00:16:04,840 --> 00:16:08,320 Speaker 1: of us laugh. And I just remember thinking to myself, like, 196 00:16:08,720 --> 00:16:11,280 Speaker 1: where does he get all this energy from? I miss 197 00:16:11,360 --> 00:16:15,200 Speaker 1: him dearly because on my difficult days, he was always 198 00:16:15,240 --> 00:16:18,520 Speaker 1: there for me. If there's more people like him, this 199 00:16:18,600 --> 00:16:24,840 Speaker 1: world will be a lot different. I tried to interview 200 00:16:24,880 --> 00:16:28,840 Speaker 1: Courtney's sisters, Kayla and Jasmine. They still aren't ready to 201 00:16:28,880 --> 00:16:32,400 Speaker 1: talk about what happened. Tell us about your relationship with 202 00:16:32,440 --> 00:16:53,240 Speaker 1: your brother. It's okay, it's okay, it's okay. You're gonna 203 00:16:53,280 --> 00:17:14,600 Speaker 1: be able to do this. Mh dress man. I know 204 00:17:14,680 --> 00:17:18,280 Speaker 1: it's hard for you, it seems so. We talked about 205 00:17:18,400 --> 00:17:22,560 Speaker 1: other memories. Every day when Courtney came home, he would 206 00:17:22,680 --> 00:17:25,880 Speaker 1: lay in your bed, right, can tell us about that. 207 00:17:27,320 --> 00:17:29,800 Speaker 1: I never got to leave my big because he was 208 00:17:29,880 --> 00:17:33,359 Speaker 1: always there, and he would do it just to annoy me. 209 00:17:34,440 --> 00:17:38,280 Speaker 1: So what happened when you get home from school? I 210 00:17:38,280 --> 00:17:40,880 Speaker 1: don't have to find him out of my bed. Why 211 00:17:41,560 --> 00:17:44,240 Speaker 1: because he wouldn't get up. He wouldn't get up. He's 212 00:17:44,280 --> 00:18:08,720 Speaker 1: always like to lay in your bed. M h h Hey, 213 00:18:08,800 --> 00:18:26,160 Speaker 1: Courtney food. I love you, Mommy loves you so much. 214 00:18:29,040 --> 00:18:32,320 Speaker 1: I hope you knew that. I want I love you. 215 00:18:33,440 --> 00:18:39,919 Speaker 1: I want to still love you. After all this time, 216 00:18:40,000 --> 00:18:44,000 Speaker 1: since Courtney passed away, all this fighting for the truth, 217 00:18:45,000 --> 00:18:48,119 Speaker 1: I just keep coming back to the fact that my 218 00:18:48,240 --> 00:19:19,800 Speaker 1: baby is gone. We hope you though. Mm hmmm. I 219 00:19:19,880 --> 00:19:22,920 Speaker 1: started a foundation in Courtney's name. This is our little 220 00:19:22,960 --> 00:19:26,680 Speaker 1: sound and workshop down here. We do this big Christmas 221 00:19:26,680 --> 00:19:30,800 Speaker 1: giveaway in Courtney's honor. Every year. His bedroom is filled 222 00:19:30,840 --> 00:19:34,760 Speaker 1: with toys and we hold this big party at our 223 00:19:34,840 --> 00:19:38,159 Speaker 1: church for all the kids. Really, like everybody said, Cortney 224 00:19:38,240 --> 00:19:41,240 Speaker 1: loved the kids. So he used to always take care 225 00:19:41,280 --> 00:19:44,200 Speaker 1: of all his friends kids and and he like adopted 226 00:19:44,240 --> 00:19:58,560 Speaker 1: them all. So Hi, what's your name? All Rock? And 227 00:19:58,600 --> 00:20:06,440 Speaker 1: I got a chance about him the things. At Christmas time, 228 00:20:06,920 --> 00:20:10,320 Speaker 1: I always get together with my friend Santita Jackson and 229 00:20:10,400 --> 00:20:14,920 Speaker 1: help her decorate her place. For the holidays. And how 230 00:20:14,960 --> 00:20:19,760 Speaker 1: have you seen me change in the last two years. 231 00:20:20,200 --> 00:20:23,920 Speaker 1: You've just become You're just Chapel taken to the in degree. 232 00:20:25,160 --> 00:20:28,119 Speaker 1: Now now you your circle has expanded. I've seen you 233 00:20:28,600 --> 00:20:30,919 Speaker 1: become even more traveling. I mean, you're someone who's not 234 00:20:30,960 --> 00:20:33,920 Speaker 1: afraid of living. You live, you live, you live, you live, 235 00:20:33,960 --> 00:20:36,960 Speaker 1: you live, you live, live live with live. But I've 236 00:20:36,960 --> 00:20:40,240 Speaker 1: seen you. This is a mission for you. And it's 237 00:20:40,320 --> 00:20:44,720 Speaker 1: like you're saying, Okay, Courtney, I'm gonna go on and 238 00:20:44,720 --> 00:20:50,560 Speaker 1: finish walking for you. The world's gonna benefit, boy, it's 239 00:20:50,600 --> 00:20:55,320 Speaker 1: gonna benefit from you being more of who Chaparral is. 240 00:20:55,560 --> 00:21:03,520 Speaker 1: You're gonna triumph. I believe that Courtney's sisters are in 241 00:21:03,600 --> 00:21:07,840 Speaker 1: college now, But me and Brent don't exactly have an 242 00:21:07,840 --> 00:21:13,040 Speaker 1: empty ness. Our baby foster twins, Faith in Sahara. They're 243 00:21:13,080 --> 00:21:17,240 Speaker 1: walking around and getting into everything. I'm trying my best 244 00:21:17,240 --> 00:21:20,840 Speaker 1: to party train them. Sahara always takes off from her 245 00:21:20,840 --> 00:21:25,400 Speaker 1: potty and then Faith takes off too. This is gonna 246 00:21:25,440 --> 00:21:32,119 Speaker 1: be a long process. After taking on the twins, I 247 00:21:32,200 --> 00:21:36,680 Speaker 1: opened up my home to their older sisters too. They're teenagers. 248 00:21:37,480 --> 00:21:40,919 Speaker 1: It's tough sometimes, but I hope they know I'm on 249 00:21:40,960 --> 00:21:47,359 Speaker 1: their side. Me and Brent celebrated our twentieth wedding anniversary. 250 00:21:47,960 --> 00:21:51,159 Speaker 1: Brent planned a party for us. I got him some 251 00:21:51,240 --> 00:21:54,360 Speaker 1: turn tables because he was a DJ before he went 252 00:21:54,400 --> 00:22:00,240 Speaker 1: to truck driving school. He was so stoked. I'm are you. 253 00:22:00,280 --> 00:22:06,200 Speaker 1: Probably me and Alison and Jamie and all the Invisible 254 00:22:06,240 --> 00:22:09,640 Speaker 1: Institute are still real tight. We had a party at 255 00:22:09,640 --> 00:22:14,080 Speaker 1: my house not too long ago. I cooked up with Storm. 256 00:22:14,560 --> 00:22:20,720 Speaker 1: I'm a spaghetti Cajun chicken pasta fried chicken. Alison brought 257 00:22:20,840 --> 00:22:24,920 Speaker 1: mac and cheese. She's got her hands full too. She's 258 00:22:24,920 --> 00:22:28,760 Speaker 1: expecting another little boy next spring. When she told me, 259 00:22:29,119 --> 00:22:37,359 Speaker 1: I screamed, Oh my goodness. We're gonna get the twins 260 00:22:37,359 --> 00:22:42,159 Speaker 1: and her little ones together for a play day and 261 00:22:42,200 --> 00:22:47,840 Speaker 1: then there's baby. Someday we'll have to say goodbye to 262 00:22:47,880 --> 00:23:05,639 Speaker 1: this car. Cars don't run forever. I call this like 263 00:23:05,720 --> 00:23:11,680 Speaker 1: my heritage wall. I love black art. It's just it's 264 00:23:11,720 --> 00:23:14,520 Speaker 1: just our history. And the other day I was showing 265 00:23:14,600 --> 00:23:17,640 Speaker 1: Alison the paintings all over my house, and so if 266 00:23:17,640 --> 00:23:20,960 Speaker 1: you look around, this one over here in the corner 267 00:23:21,119 --> 00:23:25,000 Speaker 1: basically is talking about the woman who touched the hands 268 00:23:25,040 --> 00:23:29,399 Speaker 1: of Jesus garments. And then this one over here in 269 00:23:29,440 --> 00:23:33,640 Speaker 1: the corner is about the underground railroad. This one here 270 00:23:33,840 --> 00:23:36,879 Speaker 1: is a slave in captivity, and that one is m. 271 00:23:37,440 --> 00:23:41,840 Speaker 1: Frederick Douglas. I always tried to teach my kids about 272 00:23:42,000 --> 00:23:45,720 Speaker 1: where they came from, about that we didn't start off 273 00:23:45,760 --> 00:23:48,399 Speaker 1: a slave. But this is something that happens to us. 274 00:23:49,440 --> 00:23:53,560 Speaker 1: There's one painting in particular in my dining room. It's 275 00:23:53,560 --> 00:23:57,240 Speaker 1: of a slave, his faces in his hands and his 276 00:23:57,400 --> 00:24:03,159 Speaker 1: hands are shackled. This painting is called the Struggle Lives 277 00:24:03,200 --> 00:24:06,840 Speaker 1: on Um. I've probably sat at this table what a 278 00:24:06,920 --> 00:24:10,800 Speaker 1: dozen times at least, and this is the first time 279 00:24:10,840 --> 00:24:14,359 Speaker 1: I'm noticing this picture on the wall. I've had it 280 00:24:14,400 --> 00:24:18,520 Speaker 1: for probably like twenty years now, and it's always been 281 00:24:18,640 --> 00:24:21,560 Speaker 1: very special to me. And we don't know when the 282 00:24:21,640 --> 00:24:24,480 Speaker 1: artist was painting that. If he was depicting that was 283 00:24:24,520 --> 00:24:27,600 Speaker 1: somebody's last moments, last time you know that they're going 284 00:24:27,640 --> 00:24:31,040 Speaker 1: to be alive. Could be because we see that he's 285 00:24:31,119 --> 00:24:38,080 Speaker 1: in deep despair. And this is the story of my son, Courtney, 286 00:24:39,040 --> 00:24:43,399 Speaker 1: a young black man in a fancy car. You black 287 00:24:43,400 --> 00:24:47,920 Speaker 1: people have been shackled and abuse for so long, and 288 00:24:47,960 --> 00:24:52,399 Speaker 1: then you have this happened to your child. He wound 289 00:24:52,480 --> 00:24:55,520 Speaker 1: up with a bullet in his back outside of a 290 00:24:55,600 --> 00:25:00,159 Speaker 1: Chicago police station. As a mother, you do what for 291 00:25:00,840 --> 00:25:03,600 Speaker 1: you can to protect your child, and in that moment, 292 00:25:03,640 --> 00:25:06,480 Speaker 1: I couldn't do it. I couldn't do it. And then 293 00:25:06,520 --> 00:25:09,240 Speaker 1: you say here and you're like, I should have been there, 294 00:25:10,320 --> 00:25:16,800 Speaker 1: and it was beyond my control. And it's the story 295 00:25:17,640 --> 00:25:22,879 Speaker 1: of my search for the truth. The hardest moment in 296 00:25:22,920 --> 00:25:29,320 Speaker 1: my life was finding out my son had died, and 297 00:25:30,880 --> 00:25:35,960 Speaker 1: it's still the hardest moment living without him. That's that's 298 00:25:36,119 --> 00:25:52,200 Speaker 1: that's my reality. My son, Courtney Copeland was somebody. YEA. 299 00:26:17,960 --> 00:26:22,040 Speaker 1: Somebody is a co production of The Invisible Institute, The Intercept, 300 00:26:22,480 --> 00:26:26,920 Speaker 1: Topic Studios, and I Heart Radio in association with Tenderfoot TV. 301 00:26:27,960 --> 00:26:32,720 Speaker 1: I'm Chaparral Wells. This podcast is produced by Alison Flowers 302 00:26:32,960 --> 00:26:37,479 Speaker 1: and Bill Heally. Sarah Guys is our story editor. Ellen 303 00:26:37,520 --> 00:26:42,159 Speaker 1: Glover is our associate producer for The Invisible Institute. Jamie 304 00:26:42,240 --> 00:26:48,280 Speaker 1: Calvin is executive producer for Topic Studios. Maria Zuckerman, Christie Gressman, 305 00:26:48,400 --> 00:26:52,720 Speaker 1: and Letial Mallard are executive producers. Special thanks to Lizzie 306 00:26:52,800 --> 00:26:58,480 Speaker 1: Jacobs for The Intercept. Roger Hodge, Deputy editor is supervising producer. 307 00:26:59,000 --> 00:27:03,560 Speaker 1: Sound designed by Carl Scott and Bart Warshaw. Michael Rayphael 308 00:27:03,960 --> 00:27:08,359 Speaker 1: is our mixed engineer. Our theme song, Everybody's Something is 309 00:27:08,400 --> 00:27:11,639 Speaker 1: by Chance the Rapper. Original music for the podcast by 310 00:27:11,720 --> 00:27:16,159 Speaker 1: Nate Fox of The Social Experiment and Eric Butler. Additional 311 00:27:16,200 --> 00:27:21,960 Speaker 1: reporting by Sam Stecklo, Annie When, Khari Blackburn, raj Sinclair, 312 00:27:22,400 --> 00:27:29,560 Speaker 1: Henry Adams, Matilda Voyad, Dana brozos kellerher Frances McDonald, Diana Archmagian, 313 00:27:30,040 --> 00:27:36,080 Speaker 1: Maddie Anderson, Andrew Fan and risa Apintaku. Translation support by 314 00:27:36,119 --> 00:27:40,919 Speaker 1: Benny Hernandez Ocampo and Emma Perez. Fact checking by Noah 315 00:27:41,240 --> 00:27:46,640 Speaker 1: Are Jenny Special thanks to Chris Rasmussen, Bennett Epstein, Matt Topic, 316 00:27:47,440 --> 00:27:51,080 Speaker 1: David Bralow, and Julie Wolf. We want to hear from you. 317 00:27:51,359 --> 00:27:56,240 Speaker 1: Email us at info at Somebody podcast dot com or 318 00:27:56,680 --> 00:28:00,720 Speaker 1: leave us a voicemail at seven seven three to seven 319 00:28:00,800 --> 00:28:05,200 Speaker 1: zero zero one to one. To learn more about this 320 00:28:05,280 --> 00:28:08,560 Speaker 1: case and for links to additional materials, go to our 321 00:28:08,600 --> 00:28:12,879 Speaker 1: show page at Somebody podcast dot com. You can also 322 00:28:12,960 --> 00:28:15,280 Speaker 1: find a list of everyone we want to think there 323 00:28:15,840 --> 00:28:19,720 Speaker 1: so many people helped us along the way. Elizabeth van 324 00:28:19,800 --> 00:28:23,720 Speaker 1: Brocklin's original story Scoop and Run, where cop cars double 325 00:28:23,760 --> 00:28:42,000 Speaker 1: as ambulances, first appeared in The Trace. Everybody's somebody's everything, 326 00:28:42,760 --> 00:28:44,560 Speaker 1: Nobodies knocking