1 00:00:00,880 --> 00:00:03,480 Speaker 1: Hey, everybody, it's Josh and for this week's select, I've 2 00:00:03,560 --> 00:00:07,320 Speaker 1: chosen our awesome episode on Not So Fan Theories. It's 3 00:00:07,320 --> 00:00:11,280 Speaker 1: a straight ahead, easy, breezy, beautiful episode and I hope 4 00:00:11,280 --> 00:00:19,439 Speaker 1: you enjoy it tremendously. Let's go Welcome to Stuff you 5 00:00:19,440 --> 00:00:28,840 Speaker 1: Should Know, a production of iHeartRadio. Hey, and welcome to 6 00:00:28,880 --> 00:00:32,440 Speaker 1: the podcast. I'm Josh Clark. I almost forgot who I 7 00:00:32,520 --> 00:00:35,320 Speaker 1: was for a second. There's Charles w Chuck Bryant. Yeah, 8 00:00:35,400 --> 00:00:38,440 Speaker 1: there's Jerry or is she really there? I don't know. 9 00:00:38,960 --> 00:00:41,600 Speaker 1: I don't even know anymore, because it just occurred to me. 10 00:00:41,720 --> 00:00:46,159 Speaker 1: We're doing a show on TV show Fan Theories, and 11 00:00:46,280 --> 00:00:49,240 Speaker 1: we have our own little fan theory here that Jerry 12 00:00:49,280 --> 00:00:52,200 Speaker 1: doesn't exist. Yeah, that's true. That's a fan theory which 13 00:00:52,240 --> 00:00:53,800 Speaker 1: is sort of a common thread. And a lot of 14 00:00:53,800 --> 00:00:57,440 Speaker 1: these is either like, oh, they were really dead or 15 00:00:57,480 --> 00:00:59,840 Speaker 1: you know, or they didn't exist to begin with, right, 16 00:01:00,040 --> 00:01:01,880 Speaker 1: And so we've heard from people for years to think 17 00:01:01,920 --> 00:01:05,080 Speaker 1: that Jerry's made up. I love it, yes, because they're right. 18 00:01:05,920 --> 00:01:11,080 Speaker 1: We're we're not saying no, actually, Jerry's totally real anymore. 19 00:01:14,040 --> 00:01:16,440 Speaker 1: I'm looking at it right now. So I was going 20 00:01:16,480 --> 00:01:21,360 Speaker 1: through the internet looking for think pieces, essays on why 21 00:01:21,760 --> 00:01:25,840 Speaker 1: people come up with fan theories or what about fan 22 00:01:25,959 --> 00:01:31,679 Speaker 1: theories make them, you know, make shows better. Couldn't find anything. No, 23 00:01:31,800 --> 00:01:35,120 Speaker 1: I think the answer is obvious. I think that's why 24 00:01:35,160 --> 00:01:38,120 Speaker 1: I couldn't find anything, too. People just have time on 25 00:01:38,120 --> 00:01:41,520 Speaker 1: their hands. That's not what I was gonna set an say. 26 00:01:41,600 --> 00:01:44,959 Speaker 1: I was gonna say that it takes something that's already 27 00:01:44,959 --> 00:01:49,559 Speaker 1: pretty enjoyable and adds entirely new dimensions in depth to it. 28 00:01:49,560 --> 00:01:53,480 Speaker 1: It takes something familiar and you can go back and 29 00:01:53,560 --> 00:01:57,200 Speaker 1: rewatch it through different lens. Now. Yeah, and you have 30 00:01:57,400 --> 00:02:00,400 Speaker 1: time on your hands, right, It's definitely not something that 31 00:02:00,760 --> 00:02:04,120 Speaker 1: super busy people do, you know. No, And then I 32 00:02:04,120 --> 00:02:06,480 Speaker 1: also was like, maybe I should just calm down. We 33 00:02:06,520 --> 00:02:08,800 Speaker 1: don't have to explain everything. We can just have fun 34 00:02:08,960 --> 00:02:12,280 Speaker 1: sharing fan theories. That's what we're gonna do. It's like 35 00:02:12,320 --> 00:02:15,200 Speaker 1: a summer break one. Yeah, this feels like one of those. 36 00:02:15,280 --> 00:02:20,720 Speaker 1: I'm we're both drunk, sure, pretty drunk, just kidding kids 37 00:02:21,320 --> 00:02:25,600 Speaker 1: out there, We're just joking. Should we just get right 38 00:02:25,639 --> 00:02:28,600 Speaker 1: into these Yes, some of these are going to be shorter, 39 00:02:28,680 --> 00:02:31,240 Speaker 1: others are going to be a little longer, and we're 40 00:02:31,240 --> 00:02:34,680 Speaker 1: just gonna kind of jump around, right, Should we start 41 00:02:34,800 --> 00:02:39,680 Speaker 1: with the granddaddy or end with the granddaddy? Well, it's 42 00:02:39,720 --> 00:02:45,120 Speaker 1: the granddaddy to you, um, say by the wall? No, 43 00:02:45,680 --> 00:02:48,880 Speaker 1: do you like that one though? Yeah? And I thought 44 00:02:48,919 --> 00:02:50,480 Speaker 1: maybe if I said it, Yeah, I think we'll start 45 00:02:50,520 --> 00:02:52,560 Speaker 1: with say by the bell. I don't know why. I 46 00:02:52,600 --> 00:02:55,520 Speaker 1: thought if I said it really fast, hopefully I would 47 00:02:55,520 --> 00:02:58,480 Speaker 1: know what you're saying. We'll start with say by the bell. 48 00:02:58,520 --> 00:03:00,920 Speaker 1: We'll finish with one that I know you're okay, cool, 49 00:03:01,000 --> 00:03:05,679 Speaker 1: that's very um click baby, I know, but so one 50 00:03:05,760 --> 00:03:09,240 Speaker 1: you won't believe the last one. One of the things 51 00:03:09,280 --> 00:03:13,720 Speaker 1: that is really hard to do when it comes up 52 00:03:13,800 --> 00:03:16,400 Speaker 1: when it comes to fan theories, we should say, I 53 00:03:16,400 --> 00:03:19,280 Speaker 1: guess we should define A fan theory is basically, it's 54 00:03:19,320 --> 00:03:24,080 Speaker 1: where somebody who likes a show says, hey, you know 55 00:03:24,120 --> 00:03:27,760 Speaker 1: this show that you think means this or is about 56 00:03:27,800 --> 00:03:32,440 Speaker 1: all this, it's actually this is what's going on. Almost 57 00:03:32,480 --> 00:03:36,440 Speaker 1: all the time, it's just somebody's idea. But the part 58 00:03:36,480 --> 00:03:39,040 Speaker 1: of the backbone of a fan theory is that it 59 00:03:39,160 --> 00:03:42,800 Speaker 1: has to hold up in just about every circumstance. Yeah, 60 00:03:42,840 --> 00:03:45,120 Speaker 1: and I'll get one out of the way quickly. Is 61 00:03:45,120 --> 00:03:47,880 Speaker 1: a bad example. Okay, Because to me, a bad fan 62 00:03:47,960 --> 00:03:51,640 Speaker 1: theory is a murder. She wrote, she was really a 63 00:03:51,720 --> 00:03:55,240 Speaker 1: serial killer because you know, you never found out what 64 00:03:55,240 --> 00:03:57,400 Speaker 1: happened to her husband and all these people are dying 65 00:03:57,400 --> 00:03:59,880 Speaker 1: around her. I like that one, yeah, but it's just 66 00:04:00,080 --> 00:04:02,200 Speaker 1: too easy. It's not like to me, a good fan 67 00:04:02,280 --> 00:04:04,960 Speaker 1: theory is one you can say, and this happened, and 68 00:04:05,000 --> 00:04:07,480 Speaker 1: look at this, and what about this? Okay, about this, 69 00:04:07,640 --> 00:04:09,400 Speaker 1: so I know what you mean, and yes, you a 70 00:04:09,400 --> 00:04:11,160 Speaker 1: fan theory doesn't have to do there else it's just 71 00:04:11,240 --> 00:04:14,480 Speaker 1: some schmo saying something somewhere. Yeah, but murder, she wrote, 72 00:04:14,520 --> 00:04:17,320 Speaker 1: has a couple of things to back that up besides 73 00:04:17,360 --> 00:04:21,080 Speaker 1: the husband, and the husband I think is whatever. But 74 00:04:21,560 --> 00:04:24,560 Speaker 1: the point that I've seen here there number one is 75 00:04:24,680 --> 00:04:28,400 Speaker 1: Jessica Fletcher is a murder author, a murder mystery authoress, 76 00:04:28,960 --> 00:04:34,880 Speaker 1: and she murders follow her everywhere she goes. Right, think 77 00:04:34,880 --> 00:04:40,080 Speaker 1: about the last time you stumbled upon a murder, Well, 78 00:04:40,080 --> 00:04:42,600 Speaker 1: that's just called TV. Okay, So that's one thing, hold on. 79 00:04:43,200 --> 00:04:47,800 Speaker 1: And then secondly, even when she travels, she stumbles upon 80 00:04:47,920 --> 00:04:51,880 Speaker 1: new murders. But more to the point, in her little 81 00:04:51,880 --> 00:04:56,880 Speaker 1: town of Cabot Cove, a population thirty five. Ye, a 82 00:04:57,000 --> 00:04:59,960 Speaker 1: significant number of the say, two hundred and seventy four 83 00:05:00,160 --> 00:05:04,679 Speaker 1: episodes of Murder, she wrote, took place there. If even 84 00:05:04,800 --> 00:05:07,360 Speaker 1: two hundred of those murders happened in a town of 85 00:05:07,440 --> 00:05:10,400 Speaker 1: thirty five hundred, yeah, it would be the murder capital 86 00:05:10,400 --> 00:05:13,880 Speaker 1: of the world percentage wise per capita. So I see 87 00:05:13,880 --> 00:05:15,280 Speaker 1: what you're saying by the fact that she's a writer. 88 00:05:15,400 --> 00:05:18,479 Speaker 1: It's not like she's a detective. Like you can't say it. Boy, 89 00:05:18,480 --> 00:05:20,640 Speaker 1: the eighteen we're always getting in these crazy adventures like 90 00:05:20,720 --> 00:05:22,839 Speaker 1: they were hired to each Yeah, they were seeking it out. 91 00:05:23,279 --> 00:05:25,720 Speaker 1: She just happens to be sucked into it, all right, 92 00:05:25,800 --> 00:05:28,240 Speaker 1: she just happens to be there. Right. I've never seen 93 00:05:28,279 --> 00:05:30,240 Speaker 1: that at TV show either, so that probably something to 94 00:05:30,240 --> 00:05:34,120 Speaker 1: do with it. What never seen murder, she wrote, shuck 95 00:05:34,400 --> 00:05:37,919 Speaker 1: because I was a thirteen year old boy, not a 96 00:05:38,160 --> 00:05:40,960 Speaker 1: well sixty five year old person. It's even better now. 97 00:05:41,240 --> 00:05:44,880 Speaker 1: Oh really, yeah, you're rewatching it. Oh yeah, it's on 98 00:05:45,040 --> 00:05:48,839 Speaker 1: Netflix and I think prime wow. Oh yeah, man, it's good. 99 00:05:49,279 --> 00:05:52,240 Speaker 1: Check it out. And I'm not saying, like, oh, murder, 100 00:05:52,320 --> 00:05:54,800 Speaker 1: she wrote's good. I'm a hipster. I've been watching murder, 101 00:05:54,880 --> 00:05:58,360 Speaker 1: she wrote for years and years now, pal, Yeah, you 102 00:05:58,360 --> 00:06:02,080 Speaker 1: don't have a beard. No, but hold on, I think 103 00:06:02,160 --> 00:06:05,200 Speaker 1: I want to extend this for a second. You raise 104 00:06:05,240 --> 00:06:07,839 Speaker 1: a very good point, and I feel like I defended murders. 105 00:06:07,880 --> 00:06:10,719 Speaker 1: She wrote with that same point that a fan theory 106 00:06:10,800 --> 00:06:13,679 Speaker 1: has to have meat on its bones. Yes, it can't 107 00:06:13,680 --> 00:06:17,279 Speaker 1: be an offhanded thing. It's prove what you just said. 108 00:06:17,720 --> 00:06:21,120 Speaker 1: Prove why Jessica Fletcher is a serial killer? Well that's 109 00:06:21,200 --> 00:06:24,479 Speaker 1: that they there's a couple of them. It's a little thin, granted, Yeah, 110 00:06:24,480 --> 00:06:26,599 Speaker 1: but there's something to back it up, which makes it 111 00:06:26,640 --> 00:06:29,720 Speaker 1: a decent fan theory. Not the best, but a decent one. 112 00:06:30,120 --> 00:06:33,200 Speaker 1: The other thing is it's really difficult to pinpoint the 113 00:06:33,279 --> 00:06:37,920 Speaker 1: origin of fan theories. Oh yeah, like who did this first? Yeah, 114 00:06:37,960 --> 00:06:42,160 Speaker 1: who came up with this idea? What loser? Well, I've 115 00:06:42,160 --> 00:06:44,560 Speaker 1: got one for you. So we were going to talk 116 00:06:44,600 --> 00:06:47,520 Speaker 1: about the saved by the bellfan theory, and people are 117 00:06:47,560 --> 00:06:51,120 Speaker 1: just like nervous with anticipation about that one. Now, as 118 00:06:51,160 --> 00:06:55,120 Speaker 1: far back as I can tell, it looks like a person. 119 00:06:55,200 --> 00:06:59,480 Speaker 1: A writer on the website Cracked Cracks website, a writer 120 00:06:59,600 --> 00:07:03,960 Speaker 1: named um Man I lost their name Logan Trent in 121 00:07:04,000 --> 00:07:07,200 Speaker 1: twenty and twelve wrote a post called Saved by the 122 00:07:07,240 --> 00:07:11,160 Speaker 1: Bell a conspiracy theory. Um. Oh, so he originated this one. 123 00:07:11,360 --> 00:07:13,600 Speaker 1: As far as I can tell, he gives zero credit 124 00:07:13,640 --> 00:07:16,680 Speaker 1: to anybody else. And the way that the post is written, 125 00:07:16,720 --> 00:07:20,280 Speaker 1: it really comes across like he is laying out his 126 00:07:20,480 --> 00:07:24,520 Speaker 1: argument himself. All right, So it's possible. And if if, 127 00:07:24,960 --> 00:07:28,000 Speaker 1: if you had this idea prior to twenty and twelve, 128 00:07:28,280 --> 00:07:31,000 Speaker 1: and you're not Logan Trent, let us know. But I'm 129 00:07:31,080 --> 00:07:34,200 Speaker 1: bestowing Logan Trent with the origin of the Saved by 130 00:07:34,280 --> 00:07:37,520 Speaker 1: the Bell fan theory, which is one of the best. Yeah, 131 00:07:37,560 --> 00:07:41,120 Speaker 1: and um, big shout out to Cracked in Mental Floss 132 00:07:41,160 --> 00:07:45,200 Speaker 1: and our own article and who else is MeTV had 133 00:07:45,240 --> 00:07:50,000 Speaker 1: a good one? Yeah, um Paste Magazine one. Uh, there's 134 00:07:50,040 --> 00:07:53,160 Speaker 1: there's a lot of good fan theory articles out there, 135 00:07:53,320 --> 00:07:56,360 Speaker 1: all right. So at long last, Save by the Bell 136 00:07:56,480 --> 00:07:58,640 Speaker 1: and I like this one. And I don't I don't 137 00:07:58,680 --> 00:08:02,480 Speaker 1: remember watching this show at all, what but I know 138 00:08:02,560 --> 00:08:06,080 Speaker 1: these characters and the gist, so I had to have 139 00:08:06,120 --> 00:08:08,400 Speaker 1: watched it at some point. You didn't watch Saved by 140 00:08:08,440 --> 00:08:11,520 Speaker 1: the Bell. No, it wouldn't. That wouldn't in my wheelhouse, 141 00:08:11,560 --> 00:08:15,880 Speaker 1: I guess not a little older teenage boy slash college Um, 142 00:08:16,000 --> 00:08:18,000 Speaker 1: well they had saved by the Bell of college years. 143 00:08:18,280 --> 00:08:21,960 Speaker 1: They just for you. But I do know these characters, 144 00:08:21,960 --> 00:08:24,640 Speaker 1: so it had to have absorbed into me somehow. Okay, 145 00:08:25,560 --> 00:08:28,600 Speaker 1: So here's the deal. Pre saved by the Bell. This 146 00:08:28,680 --> 00:08:31,239 Speaker 1: I did not know. Um there was a TV show 147 00:08:32,400 --> 00:08:34,600 Speaker 1: was it called Good Morning Miss Bliss? Yes, and it 148 00:08:34,679 --> 00:08:38,000 Speaker 1: was unbearably bad? So he saw that too. Yeah. So 149 00:08:38,040 --> 00:08:40,319 Speaker 1: the idea of this show is there's this boy named Zach. 150 00:08:40,440 --> 00:08:43,400 Speaker 1: This is an Indiana that just Zach Zach Morris. Yeah, 151 00:08:43,480 --> 00:08:47,319 Speaker 1: these Zach played by Mark Paul Gosler, Right, yeah, Um, 152 00:08:48,440 --> 00:08:53,600 Speaker 1: this was an Indiana, of course, not California. And he 153 00:08:53,840 --> 00:08:56,680 Speaker 1: was a troublemaker. And there was a teacher named Miss 154 00:08:56,720 --> 00:08:59,440 Speaker 1: Bliss who was super smart and always thwarted him. She 155 00:08:59,640 --> 00:09:01,920 Speaker 1: was what's the name of the lady who is in 156 00:09:01,960 --> 00:09:05,559 Speaker 1: the original Parent Trap played the two twins Hayley Mills. 157 00:09:05,760 --> 00:09:10,040 Speaker 1: Yeah it was her. Oh okay. Apparently, like Ben, when 158 00:09:10,040 --> 00:09:12,920 Speaker 1: you signed a contract with Disney as a child, they 159 00:09:12,920 --> 00:09:17,679 Speaker 1: own you for life. He has a couple of friends 160 00:09:17,760 --> 00:09:21,679 Speaker 1: named Mikey and Nicky. They're always putting him in his place. 161 00:09:22,559 --> 00:09:25,839 Speaker 1: He has a brother. His parents are divorced, and by 162 00:09:25,880 --> 00:09:28,800 Speaker 1: all accounts Zach Morris and good Morning Miss Bliss is 163 00:09:29,679 --> 00:09:32,679 Speaker 1: a bit of a schlub who's always sort of getting 164 00:09:32,720 --> 00:09:36,160 Speaker 1: his come upance from other people. Yeah, kind of a loser. Yeah, 165 00:09:36,200 --> 00:09:40,760 Speaker 1: basically the opposite of Zach Morris and say By the Bell. 166 00:09:41,360 --> 00:09:45,000 Speaker 1: Did they ever say Zach attack just make that up? No? 167 00:09:45,120 --> 00:09:47,200 Speaker 1: I think so. I think there's a T shirt even 168 00:09:47,240 --> 00:09:50,440 Speaker 1: that said that. So flash forward and how many years 169 00:09:50,520 --> 00:09:54,040 Speaker 1: later was this couple? So good Morning Miss Bliss goes 170 00:09:54,040 --> 00:09:56,800 Speaker 1: off the air. I get the feeling it wasn't very popular, 171 00:09:57,640 --> 00:10:01,080 Speaker 1: or they wouldn't have rebooted it as say By the Bell. 172 00:10:01,559 --> 00:10:05,599 Speaker 1: They would have just you know, kept it going exactly. So, 173 00:10:05,679 --> 00:10:08,360 Speaker 1: say By the Bell comes along. And now Zach is 174 00:10:08,400 --> 00:10:13,800 Speaker 1: at Bayside in California. Right, he's mister everything. He's as 175 00:10:13,840 --> 00:10:16,760 Speaker 1: this article points out, he's the most popular kid in 176 00:10:16,800 --> 00:10:22,160 Speaker 1: school and excels in everything, sports, music, casual, racism, whatever. Right, 177 00:10:22,920 --> 00:10:27,120 Speaker 1: that's that's the logan Trent swording. He's the Alpha and 178 00:10:27,160 --> 00:10:31,200 Speaker 1: his circle friends Mikey and Nikki are gone. Yeah, they're 179 00:10:31,240 --> 00:10:33,960 Speaker 1: just gone. No explanation, right, And there's no explanation for 180 00:10:34,000 --> 00:10:36,160 Speaker 1: any of this, like how he got to California. But 181 00:10:36,240 --> 00:10:39,199 Speaker 1: it's it's the same character, right, it's the exact same character, 182 00:10:39,240 --> 00:10:42,280 Speaker 1: but there are some huge, huge changes, Like at his 183 00:10:42,440 --> 00:10:46,880 Speaker 1: core he is a different person. Actually, not necessarily at 184 00:10:46,920 --> 00:10:49,160 Speaker 1: his core, but as far as how he's treated and 185 00:10:49,240 --> 00:10:53,280 Speaker 1: viewed by his peers and everyone else. Yeah, he's the 186 00:10:53,520 --> 00:10:56,520 Speaker 1: differences night and day. He's not a dweeb anymore. He's 187 00:10:56,559 --> 00:10:59,240 Speaker 1: not a loser. He's he's a total winner. He's Zach 188 00:10:59,280 --> 00:11:03,320 Speaker 1: attack has logan. Trent points out, like, um, if he 189 00:11:03,360 --> 00:11:07,400 Speaker 1: were to miss a quiz, rather than fail, he would 190 00:11:07,440 --> 00:11:09,719 Speaker 1: convince the teacher to hold a bake off, and then 191 00:11:09,720 --> 00:11:12,680 Speaker 1: he would win the bake off by cheating like that. 192 00:11:12,679 --> 00:11:15,520 Speaker 1: That was how like he went through life. And also 193 00:11:15,679 --> 00:11:19,360 Speaker 1: very notably, his parents were no longer divorced, they were married, 194 00:11:19,559 --> 00:11:21,320 Speaker 1: and he didn't have a brother. He was an only 195 00:11:21,400 --> 00:11:25,080 Speaker 1: child and was beloved by all right, Yeah, he had 196 00:11:25,640 --> 00:11:28,000 Speaker 1: I think Slater was went from his rival to his 197 00:11:28,240 --> 00:11:31,520 Speaker 1: um sort of his pal, but his you know, his 198 00:11:31,760 --> 00:11:35,600 Speaker 1: second Yeah, his wingman, right, Screech was around him both, 199 00:11:36,600 --> 00:11:38,800 Speaker 1: but I think he was sort of screeching both, right, Yeah, 200 00:11:38,880 --> 00:11:42,080 Speaker 1: and change much right, Yeah, his screech has always been screeched. 201 00:11:42,120 --> 00:11:43,720 Speaker 1: What can you do? Bill? Stab you in the bar, 202 00:11:44,720 --> 00:11:46,920 Speaker 1: all right, So what's the big reveal? What's the fan theory? 203 00:11:47,080 --> 00:11:50,960 Speaker 1: So the fan theory is that Saved by the Bell 204 00:11:51,840 --> 00:11:57,440 Speaker 1: is the daydream fantasy of Zach Morris who's actually living 205 00:11:57,640 --> 00:12:02,160 Speaker 1: in India, back in Indiana at John Kennedy Junior High, 206 00:12:02,200 --> 00:12:05,080 Speaker 1: and that the whole it's great man, and that the 207 00:12:05,120 --> 00:12:09,560 Speaker 1: whole um, the whole premise of this this fan theory 208 00:12:09,640 --> 00:12:13,560 Speaker 1: is revealed through the theme song, right, right, So in 209 00:12:13,679 --> 00:12:17,680 Speaker 1: the theme song, the theme song talks about like how 210 00:12:17,800 --> 00:12:21,520 Speaker 1: harried Zach is. Yeah, well it's all first person, right, 211 00:12:21,520 --> 00:12:23,280 Speaker 1: but you assume that it's talking about Zach, because the 212 00:12:23,280 --> 00:12:26,400 Speaker 1: whole show is it revolves around Zach. He's the narrator 213 00:12:27,080 --> 00:12:31,200 Speaker 1: um and he's having like a lot of trouble, like 214 00:12:31,280 --> 00:12:33,480 Speaker 1: getting ready and he gets out to the bus just 215 00:12:33,559 --> 00:12:36,200 Speaker 1: in time to see it fly by, and the teacher's 216 00:12:36,280 --> 00:12:38,080 Speaker 1: gonna pop a test and he knows he's in a 217 00:12:38,200 --> 00:12:41,120 Speaker 1: mess and doggate all his homework and if you actually 218 00:12:41,160 --> 00:12:46,120 Speaker 1: watch the show, nothing ever gets Zach. He's untouchable. Yeah, 219 00:12:47,000 --> 00:12:50,440 Speaker 1: So in the theme song it says, it's all right 220 00:12:50,960 --> 00:12:54,599 Speaker 1: because I'm saved by the Bell, right, yes, which this 221 00:12:54,760 --> 00:12:57,760 Speaker 1: fan theory suggests that once once he settles in it 222 00:12:58,120 --> 00:13:00,680 Speaker 1: either settles into class and starts stage, or it gets 223 00:13:00,679 --> 00:13:03,400 Speaker 1: home at night and starts dreaming he can go off 224 00:13:03,400 --> 00:13:06,520 Speaker 1: to bay Side, where he's the biggest winner around. That 225 00:13:06,800 --> 00:13:11,600 Speaker 1: is the bell. Right. So the fact that these lyrics 226 00:13:12,120 --> 00:13:13,720 Speaker 1: by the time I grab my books and I give 227 00:13:13,760 --> 00:13:15,440 Speaker 1: myself a look, I'm at the corner just in time 228 00:13:15,480 --> 00:13:19,320 Speaker 1: to see the bus, and then eventually writing low in 229 00:13:19,360 --> 00:13:22,880 Speaker 1: my chair, so she won't know I'm there, meaning the teacher. 230 00:13:23,800 --> 00:13:28,600 Speaker 1: This all is Zach and Indiana, right. It describes a 231 00:13:28,640 --> 00:13:32,480 Speaker 1: different person. Doesn't make any sense that these lyrics if 232 00:13:32,480 --> 00:13:34,840 Speaker 1: you'd hadn't not known that that was a show that existed, 233 00:13:35,240 --> 00:13:37,520 Speaker 1: and all you knew was say by the Bell, these 234 00:13:37,600 --> 00:13:40,880 Speaker 1: lyrics don't make any sense exactly, but they do if 235 00:13:41,240 --> 00:13:44,680 Speaker 1: it is all a fantasy in his imagination. Sadly, it 236 00:13:44,760 --> 00:13:48,280 Speaker 1: also makes sense if you think that the producers hired 237 00:13:48,320 --> 00:13:51,000 Speaker 1: the composer before they were really aware of what the 238 00:13:51,000 --> 00:13:53,560 Speaker 1: show is going to be like, and that's what the 239 00:13:53,600 --> 00:13:57,480 Speaker 1: composer came up with lyrics. Wise, yeah, it's not nearly 240 00:13:57,480 --> 00:13:59,600 Speaker 1: as fun. Well. The other thing I like about fan 241 00:13:59,679 --> 00:14:04,800 Speaker 1: theory is that they are almost not real. It's just 242 00:14:04,880 --> 00:14:08,320 Speaker 1: fans having fun. Yeah, but I like the idea to 243 00:14:08,440 --> 00:14:12,040 Speaker 1: imagine like some subversive writer that's like, oh, well, here's 244 00:14:12,040 --> 00:14:15,280 Speaker 1: what we'll do exactly. It's all an elaborate fantasy of 245 00:14:15,360 --> 00:14:18,040 Speaker 1: this Zach guy. I've got one other thing that the 246 00:14:18,280 --> 00:14:21,160 Speaker 1: I think the Cracked article points out, if not someone 247 00:14:21,160 --> 00:14:23,360 Speaker 1: else came up with it later. They pointed out that 248 00:14:23,480 --> 00:14:28,360 Speaker 1: Zach has the power to stop time and address the 249 00:14:28,440 --> 00:14:32,480 Speaker 1: camera like he breaks the fourth wall fairly regularly, and um, 250 00:14:33,120 --> 00:14:36,680 Speaker 1: he can just stop time and move around within this 251 00:14:36,760 --> 00:14:41,200 Speaker 1: frozen time, which also, I mean, that's a weird thing 252 00:14:41,240 --> 00:14:42,960 Speaker 1: for somebody to be able to do if they're not 253 00:14:43,040 --> 00:14:45,400 Speaker 1: in the middle of their own day dream, yeah or 254 00:14:45,520 --> 00:14:49,240 Speaker 1: night dream. I love it, man, that's a good one. Um. 255 00:14:50,080 --> 00:14:56,760 Speaker 1: And you know, things like Mikey and Nikki disappeared at 256 00:14:56,760 --> 00:14:58,880 Speaker 1: one point, Kelly is in love with him and then 257 00:14:58,920 --> 00:15:02,080 Speaker 1: she just is gone with no explanation. Yeah, people kind 258 00:15:02,080 --> 00:15:04,440 Speaker 1: of pop in and out sometimes with no explanation at all. 259 00:15:04,480 --> 00:15:06,360 Speaker 1: I think Kelly dumped him and then like all of 260 00:15:06,400 --> 00:15:09,080 Speaker 1: a sudden, she's gone. And she was like one of 261 00:15:09,080 --> 00:15:13,040 Speaker 1: the characters throughout the entire saved by the bell, right, 262 00:15:13,720 --> 00:15:17,000 Speaker 1: and then she's just gone. Once she dumped Zack. He's 263 00:15:17,000 --> 00:15:18,880 Speaker 1: he's Terry. He's really bad at school, but he got 264 00:15:18,920 --> 00:15:21,000 Speaker 1: a fifteen o two in the SAT. Like all this 265 00:15:21,040 --> 00:15:24,720 Speaker 1: stuff is like dream dream stuff. Right. Well, that's another 266 00:15:24,800 --> 00:15:27,080 Speaker 1: point that Logan Trent makes is that a fifteen o 267 00:15:27,200 --> 00:15:30,680 Speaker 1: two is literally impossible, Like you can't score a fifteen 268 00:15:30,720 --> 00:15:33,280 Speaker 1: o two SAT. Yeah it's fifteen hundred right, Yeah, so 269 00:15:33,360 --> 00:15:36,160 Speaker 1: it's all it's even more evidence that all this is 270 00:15:36,720 --> 00:15:39,640 Speaker 1: made up, and by it apparently a not so smart 271 00:15:39,760 --> 00:15:43,680 Speaker 1: kid man. So that's saved by the bell man. You 272 00:15:43,760 --> 00:15:45,720 Speaker 1: want to take a break and then get get back 273 00:15:45,760 --> 00:15:47,880 Speaker 1: to it. I think so I could do this all day. 274 00:15:48,000 --> 00:16:15,840 Speaker 1: All right, all right, we'll go through a couple of 275 00:16:15,920 --> 00:16:21,120 Speaker 1: quicker ones here. The Fresh Prince is dead. Yeah, I 276 00:16:21,200 --> 00:16:24,080 Speaker 1: kind of really don't need to say anything else, do you. Well? 277 00:16:24,160 --> 00:16:28,680 Speaker 1: In the the TV's theme song where he talks about 278 00:16:28,680 --> 00:16:30,560 Speaker 1: getting in a fight and that's the whole reason he's 279 00:16:30,560 --> 00:16:32,880 Speaker 1: sent to Bill bel Air, Yeah, the Fresh Prince of 280 00:16:32,920 --> 00:16:35,800 Speaker 1: bel Air. It's a TV show from nineteen ninety ninety six, 281 00:16:36,600 --> 00:16:40,400 Speaker 1: and the rap that Will Smith, the real life Will 282 00:16:40,440 --> 00:16:43,000 Speaker 1: Smith actually plays a character named Will Smith, and he 283 00:16:43,040 --> 00:16:45,480 Speaker 1: talks about getting in a fight and getting sent off 284 00:16:45,520 --> 00:16:47,680 Speaker 1: to bel Air to get out, you know, to get 285 00:16:47,760 --> 00:16:51,960 Speaker 1: him away from the rough neighborhood and what Philly West, Philadelphia, 286 00:16:52,800 --> 00:16:56,480 Speaker 1: the Ford and raised. And so the theory is that 287 00:16:56,560 --> 00:17:00,480 Speaker 1: he was actually killed during this fight, right, and that um, 288 00:17:00,760 --> 00:17:05,280 Speaker 1: everything else is you know, his journey in the afterlife. Yeah. 289 00:17:05,359 --> 00:17:07,240 Speaker 1: The cab that picks him up to take him in 290 00:17:07,320 --> 00:17:11,960 Speaker 1: bell Air, the rare cab is supposedly God or some 291 00:17:12,160 --> 00:17:17,000 Speaker 1: sort of um ethereal figure that's taking him to the afterlife, 292 00:17:17,040 --> 00:17:20,920 Speaker 1: which is bell Air. His parents are like basically non existent, 293 00:17:21,080 --> 00:17:25,040 Speaker 1: but they show up a couple of times. This is 294 00:17:25,080 --> 00:17:27,919 Speaker 1: explained away by the fan theory as his parents visiting 295 00:17:27,960 --> 00:17:32,200 Speaker 1: their son's grave. Right, it's pretty awesome. Yeah. And then 296 00:17:32,440 --> 00:17:35,280 Speaker 1: um boys, the men apparently showed up at one point, 297 00:17:35,640 --> 00:17:38,600 Speaker 1: but they were like a heavenly choir. Oh, I don't 298 00:17:38,640 --> 00:17:43,520 Speaker 1: remember that episode. So that put all that together. Fresh 299 00:17:43,600 --> 00:17:47,560 Speaker 1: Prince is dead? That's right. What do you want to 300 00:17:47,600 --> 00:17:50,919 Speaker 1: do next? Should we do? Do the two of them 301 00:17:51,119 --> 00:17:56,040 Speaker 1: from Gilligan's Island? Yeah? The drug one's super lame? Yeah, 302 00:17:56,080 --> 00:17:58,240 Speaker 1: I thought so too. There's this one theory that the 303 00:17:59,200 --> 00:18:02,399 Speaker 1: and this one's right, it's just dumb that mister Howell 304 00:18:02,560 --> 00:18:06,800 Speaker 1: on Gilligan's Island paid Gilligan and the Skipper to take 305 00:18:06,880 --> 00:18:08,440 Speaker 1: him out to see to do a drug deal, which 306 00:18:08,480 --> 00:18:10,800 Speaker 1: is why he has a trunk load of cash. A 307 00:18:10,880 --> 00:18:15,320 Speaker 1: trunk full of cash. Ginger's got a drug habit. Marianne's 308 00:18:15,320 --> 00:18:18,920 Speaker 1: a federal agent. This just sounds like, you know, like 309 00:18:19,960 --> 00:18:23,320 Speaker 1: someone smoked some weed and came up with like like 310 00:18:23,440 --> 00:18:26,200 Speaker 1: someone said, hey, what's your first idea of what Gilligan's 311 00:18:26,200 --> 00:18:29,439 Speaker 1: Island could have been? Other than what it was, they 312 00:18:29,480 --> 00:18:33,560 Speaker 1: would a drug thing. Man. I think he nailed it, 313 00:18:34,760 --> 00:18:38,440 Speaker 1: But there's a better fan theory for Gilligan's Island agreed. 314 00:18:39,000 --> 00:18:43,120 Speaker 1: Gilligan's Island is Hell. That this, like The Fresh Prince 315 00:18:43,200 --> 00:18:45,560 Speaker 1: of bel Air, takes place in the afterlife, but not 316 00:18:45,720 --> 00:18:49,240 Speaker 1: in Heaven, in Hell, or at least in purgatory. That 317 00:18:49,400 --> 00:18:55,600 Speaker 1: the Minnows shipwreck caused everyone on board to drown, and 318 00:18:55,840 --> 00:18:58,919 Speaker 1: that in Hell, each one of the characters represents one 319 00:18:58,960 --> 00:19:03,920 Speaker 1: of the seven Deadly sins. Ginger's lust, Marianne is envy, 320 00:19:04,800 --> 00:19:10,720 Speaker 1: Professors Pride, Thurston, Hell of course is greed. Missus Howell, 321 00:19:10,800 --> 00:19:14,400 Speaker 1: I've seen his sloth and gluttony seen that too. I've 322 00:19:14,440 --> 00:19:17,560 Speaker 1: also seen Skipper as either gluttony or wrath. Wrath makes 323 00:19:17,600 --> 00:19:20,119 Speaker 1: a lot more sense. And then Gilligan is sloth or 324 00:19:20,440 --> 00:19:23,680 Speaker 1: is Satan himself? Yeah. And one of the giveaways for 325 00:19:23,800 --> 00:19:26,920 Speaker 1: Gilligan being Satan, well there's two of them. One is 326 00:19:26,960 --> 00:19:30,080 Speaker 1: that he's always wearing a red shirt. Oh well, so 327 00:19:30,400 --> 00:19:34,080 Speaker 1: obviously Satan because Satan wore a red Rugby shirt. Right. 328 00:19:34,720 --> 00:19:39,280 Speaker 1: And then he's always although it seems like it's always accidental, 329 00:19:39,440 --> 00:19:42,600 Speaker 1: he's always thwarting their plans, like every time they get 330 00:19:42,720 --> 00:19:45,159 Speaker 1: something something going to get off of the island, right, 331 00:19:45,359 --> 00:19:47,800 Speaker 1: Gilligan is the one who somehow screws it up and 332 00:19:47,840 --> 00:19:50,720 Speaker 1: they're stuck there again. So he's keeping them in hell. 333 00:19:51,440 --> 00:19:56,879 Speaker 1: And this one actually has legs. Yeah, apparently. Sherwood Schwartz, 334 00:19:57,000 --> 00:20:01,600 Speaker 1: the creator of Gilligan's Island, in a book, confirmed that 335 00:20:01,760 --> 00:20:04,560 Speaker 1: they did. It was his idea that they did stand 336 00:20:04,640 --> 00:20:07,000 Speaker 1: for the Seven Deadly Sins. Yeah, is that right? Yeah, 337 00:20:07,960 --> 00:20:10,440 Speaker 1: So there you go one of the rare fan theories 338 00:20:10,480 --> 00:20:14,280 Speaker 1: that actually was true. And I wonder whoever whoever thought 339 00:20:14,320 --> 00:20:18,040 Speaker 1: of that was like, no, yeah, I was right. Well 340 00:20:18,160 --> 00:20:20,040 Speaker 1: that makes me wonder if somehow it got out or 341 00:20:20,080 --> 00:20:24,600 Speaker 1: something maybe or he was retroactively just being like, yeah, yeah, 342 00:20:24,600 --> 00:20:30,200 Speaker 1: that's what I meant. Here's a quick spot from Star 343 00:20:30,280 --> 00:20:33,280 Speaker 1: Trek one that I kind of liked. We'll do both 344 00:20:33,320 --> 00:20:36,280 Speaker 1: of the Star Trek ones about that. Okay, um and 345 00:20:37,320 --> 00:20:41,760 Speaker 1: Um on record is not having watched Star Trek Yeah, 346 00:20:41,760 --> 00:20:45,840 Speaker 1: I mean me neither. But in Star Trek six, the 347 00:20:46,000 --> 00:20:53,639 Speaker 1: Undiscovered Country, the Undiscovered Country. Sorry, people are so mad 348 00:20:53,680 --> 00:20:57,120 Speaker 1: at me right now, Trek He's yeah. Uh. And an 349 00:20:57,200 --> 00:21:01,560 Speaker 1: ancestor of mine maintained that when you eliminate impossible, whatever remains, 350 00:21:02,040 --> 00:21:04,840 Speaker 1: however improbable, must be the truth. And that was Spock 351 00:21:04,920 --> 00:21:07,920 Speaker 1: in that movie. And the source of that was Sherlock 352 00:21:07,960 --> 00:21:11,080 Speaker 1: Holmes himself, from the Sign of four, from an eighteen 353 00:21:11,240 --> 00:21:16,200 Speaker 1: ninety book. And so the idea here is that Spock 354 00:21:16,320 --> 00:21:20,159 Speaker 1: is related to Sherlock Holmes. It's a little weird, how 355 00:21:20,160 --> 00:21:22,080 Speaker 1: about that? But I could see it. I mean they're 356 00:21:22,080 --> 00:21:26,119 Speaker 1: both pretty rational. Yeah. Well, Sherlock Holmes he loved his speedballs. 357 00:21:26,160 --> 00:21:28,800 Speaker 1: I don't think Spock was ever into those. No, he 358 00:21:28,960 --> 00:21:32,080 Speaker 1: was more evolved. You know, Sherlock Holmes loves speedballs, though, 359 00:21:32,119 --> 00:21:35,680 Speaker 1: don't you. I did not. Doesn't surprise me. It surprised 360 00:21:35,760 --> 00:21:39,679 Speaker 1: me at first. Really. Yeah, So there's another Star Trek one. 361 00:21:39,720 --> 00:21:45,439 Speaker 1: I love this one that Andy Griffith is the pre 362 00:21:45,920 --> 00:21:53,239 Speaker 1: apocalyptic world that leads into Star Trek and this one 363 00:21:53,400 --> 00:21:57,359 Speaker 1: is pretty awesome. So it's based on a Star Trek 364 00:21:57,480 --> 00:22:01,840 Speaker 1: episode Chuck Mirie m Iry like Syrie but with an M. 365 00:22:02,560 --> 00:22:06,480 Speaker 1: Yeah and um. In this episode, the Star Trek crew 366 00:22:06,600 --> 00:22:12,440 Speaker 1: beams down to Earth and it's very obvious it's Mayberry. 367 00:22:12,960 --> 00:22:16,760 Speaker 1: But it's like a poke post apocalyptic Mayberry. It's peopled 368 00:22:16,960 --> 00:22:19,800 Speaker 1: entirely by kids. And the reason why it's people entirely 369 00:22:19,880 --> 00:22:23,760 Speaker 1: by kids because some disease has broken out where you 370 00:22:24,119 --> 00:22:28,440 Speaker 1: die at the onset of puberty. Yeah, and it's uh, 371 00:22:28,640 --> 00:22:32,359 Speaker 1: well it is Mayberry because it is Mayberry. It's literally 372 00:22:32,440 --> 00:22:35,920 Speaker 1: the same backlot that they shot both shows at and 373 00:22:36,040 --> 00:22:40,000 Speaker 1: they just outfitted Mayberry to be post apocalyptic right down 374 00:22:40,080 --> 00:22:43,200 Speaker 1: to like Floyd's barbershop. Yeah, but I think they just 375 00:22:43,280 --> 00:22:45,280 Speaker 1: scratched out Floyd. They scratched out the f and it 376 00:22:45,359 --> 00:22:47,440 Speaker 1: just said Lloyd. Oh did it? I don't know. I 377 00:22:47,520 --> 00:22:49,640 Speaker 1: think it's said Floyd's. Did it really? Yeah? Oh it's 378 00:22:49,680 --> 00:22:51,399 Speaker 1: that on the nose huh. I think. So, Oh, this 379 00:22:51,520 --> 00:22:55,480 Speaker 1: one's great. This is a great fan thing. Well there's 380 00:22:55,480 --> 00:23:02,600 Speaker 1: another Part two that the kid who played Barney's cousin, Virgil. Uh, 381 00:23:02,880 --> 00:23:07,760 Speaker 1: he actually appears in this Star Trek episode. What Yeah, 382 00:23:07,840 --> 00:23:11,320 Speaker 1: so it's full circle. Gene Roddenberry was like, I'm gonna 383 00:23:11,400 --> 00:23:13,159 Speaker 1: come up with a fan theory. No one knows what 384 00:23:13,280 --> 00:23:15,720 Speaker 1: those are yet, but I'm going to lay it down 385 00:23:15,800 --> 00:23:19,560 Speaker 1: for him decades from now the internet comes around. I 386 00:23:19,600 --> 00:23:21,600 Speaker 1: don't know what that is, but it's going to be something. 387 00:23:21,960 --> 00:23:25,959 Speaker 1: I'm Gene Roddenberry. You know the beginning of Andy Griffith 388 00:23:26,320 --> 00:23:28,840 Speaker 1: when they're you know, walking down to the lake and 389 00:23:28,920 --> 00:23:31,000 Speaker 1: he skipped the stones on the lake. Yeah, it's like 390 00:23:31,320 --> 00:23:34,520 Speaker 1: right in the Hollywood Hills, is that right? Yeah? My 391 00:23:34,640 --> 00:23:36,800 Speaker 1: brother drove me up there one time and it's like 392 00:23:36,880 --> 00:23:40,280 Speaker 1: this look familiar and he started whistling the theme song 393 00:23:40,359 --> 00:23:42,960 Speaker 1: and I was like no, wow. He said yeah, and 394 00:23:43,000 --> 00:23:46,280 Speaker 1: he's like the bat Caves like over there. Oh yeah yeah, 395 00:23:46,280 --> 00:23:48,679 Speaker 1: and it's sort of you know, killed my dreams. Well, 396 00:23:48,680 --> 00:23:54,520 Speaker 1: the same with mash Too. That's like the Hollywood Hills. Well, 397 00:23:54,600 --> 00:23:58,920 Speaker 1: like the mountains behind Malibu Rum when you fly into 398 00:23:59,119 --> 00:24:01,280 Speaker 1: La you can and you're looking for You're like, oh, 399 00:24:01,640 --> 00:24:04,680 Speaker 1: I totally see that. That. What we're talking about is 400 00:24:04,720 --> 00:24:10,960 Speaker 1: the helicopter in the opening montage for Mash Yeah, was 401 00:24:12,600 --> 00:24:15,879 Speaker 1: like it's supposedly flying through Korea, but it's actually Yes, 402 00:24:15,920 --> 00:24:19,600 Speaker 1: it's California where they're shooting, which is way cheaper to shoot. Yeah, 403 00:24:19,680 --> 00:24:22,080 Speaker 1: we shot. I mean I shot a TV commercial over there, 404 00:24:22,760 --> 00:24:24,480 Speaker 1: and I think we talked about this before. There's you 405 00:24:24,560 --> 00:24:26,639 Speaker 1: know one of the jeeps is still out there. Oh no, 406 00:24:26,720 --> 00:24:29,440 Speaker 1: I don't remember that rusted out and overgrown with weeds. 407 00:24:29,800 --> 00:24:32,800 Speaker 1: Huh and um. But yeah, it's like an old army jeep. Yeah, 408 00:24:32,800 --> 00:24:34,960 Speaker 1: there are a couple of little remnants. Jamie Farr still 409 00:24:34,960 --> 00:24:37,400 Speaker 1: out there, like, hey, how you doing, Thanks for visiting. 410 00:24:37,640 --> 00:24:41,080 Speaker 1: You need anyone today? Can I get a lift back background? 411 00:24:41,480 --> 00:24:44,960 Speaker 1: I'll be I'm cheap. That's terrible. Is he still around? 412 00:24:46,000 --> 00:24:50,040 Speaker 1: I'm supposed to know this. He's like my hometown's favorite son. 413 00:24:50,359 --> 00:24:53,200 Speaker 1: Oh was he really from there? From Toledo? Yeah? Is 414 00:24:53,240 --> 00:24:54,920 Speaker 1: that why they did wrote that into the show. Yeah, 415 00:24:55,000 --> 00:24:57,080 Speaker 1: and he's always talking about Tony Paco's, which is a 416 00:24:57,119 --> 00:24:59,240 Speaker 1: real place. Oh yeah, I knew all that, but I 417 00:24:59,320 --> 00:25:01,080 Speaker 1: didn't know if it was. Yeah, I know, Jamie Farr 418 00:25:01,160 --> 00:25:03,719 Speaker 1: is definitely from Toledo. Okay, well he saw they never 419 00:25:03,840 --> 00:25:07,760 Speaker 1: let you forget it. Yeah, he's eighty two. Hey, Jamie Farr, 420 00:25:07,880 --> 00:25:14,679 Speaker 1: godspeedzer Um what else we got? So? Um? This one 421 00:25:14,800 --> 00:25:17,760 Speaker 1: is one of my favorites. This good one. Garfield, Oh yeah, 422 00:25:18,359 --> 00:25:22,880 Speaker 1: is dying alone in an abandoned house. Yeah, and everything 423 00:25:23,000 --> 00:25:27,399 Speaker 1: that you've seen in all except I believe six of 424 00:25:27,520 --> 00:25:30,440 Speaker 1: the Garfield strips, all of them that have been going 425 00:25:30,480 --> 00:25:34,720 Speaker 1: on since nineteen seventy seven, is the hallucination of a dying, 426 00:25:34,840 --> 00:25:38,440 Speaker 1: starving cat in an abandoned house. Yeah. I was way 427 00:25:38,560 --> 00:25:42,480 Speaker 1: into Garfield. Yeah, Garfield was great, but the books Garfield 428 00:25:42,520 --> 00:25:44,800 Speaker 1: and bloom County were my two biggies. I was never 429 00:25:44,880 --> 00:25:50,760 Speaker 1: into bloom County. Oh man, I loved it. I did 430 00:25:50,840 --> 00:25:52,920 Speaker 1: love Garfield, though, I mean it was a little bloom 431 00:25:52,920 --> 00:25:54,879 Speaker 1: County is a little more advanced, I think, sure, and 432 00:25:54,960 --> 00:25:58,639 Speaker 1: it's humor, which I still got. But Garfield was like 433 00:25:58,760 --> 00:26:01,560 Speaker 1: kind of perfect for ten year Chuck. It was perfect. 434 00:26:02,920 --> 00:26:05,159 Speaker 1: So what you're talking about is, in October of nineteen 435 00:26:05,200 --> 00:26:08,359 Speaker 1: eighty nine, Jim Davis, the creative Garfield, said, you know 436 00:26:08,359 --> 00:26:10,240 Speaker 1: what I'm gonna do. I'm gonna put out six strips 437 00:26:10,280 --> 00:26:15,119 Speaker 1: in a row that are not funny. No, they're actually 438 00:26:15,200 --> 00:26:17,359 Speaker 1: kind of unsightling. Yeah, very bleak. And if you go 439 00:26:17,440 --> 00:26:19,399 Speaker 1: and look at these strips you can find them online. 440 00:26:19,400 --> 00:26:24,880 Speaker 1: Obviously it's Garfield alone in an abandoned house and it's 441 00:26:25,119 --> 00:26:29,680 Speaker 1: really heavy. Yeah. Garfield wakes up in the first strip 442 00:26:30,080 --> 00:26:32,840 Speaker 1: and no one's around and he's starting to get a 443 00:26:32,880 --> 00:26:35,800 Speaker 1: little panicked, and then it just kind of continues on 444 00:26:36,000 --> 00:26:39,639 Speaker 1: and his panic continues to build over the course of 445 00:26:39,720 --> 00:26:44,560 Speaker 1: this six strips, and finally in the last one, I believe, 446 00:26:46,040 --> 00:26:49,040 Speaker 1: he wakes up and John and Odie are there and 447 00:26:49,119 --> 00:26:52,280 Speaker 1: everything's back to normally so happy. Yeah, but leading up 448 00:26:52,320 --> 00:26:54,760 Speaker 1: to that point in strip like three four to five, 449 00:26:55,400 --> 00:26:59,440 Speaker 1: it's it's getting a little freaky. Yeah, And again, like 450 00:26:59,520 --> 00:27:01,800 Speaker 1: you said, there's nothing funny about it's not it wasn't 451 00:27:01,840 --> 00:27:04,159 Speaker 1: intended to be funny. It was intended to scare. And 452 00:27:04,600 --> 00:27:07,760 Speaker 1: the idea is is that what we're seeing in these 453 00:27:07,840 --> 00:27:12,000 Speaker 1: six strips or the actual reality of Garfield and that 454 00:27:12,119 --> 00:27:14,960 Speaker 1: everything else he finally manages to go back to is 455 00:27:15,640 --> 00:27:19,640 Speaker 1: basically dying fever dream. Yeah. Feature John and Odie. Yeah, 456 00:27:19,680 --> 00:27:22,200 Speaker 1: but well they disappear though in that strip too at 457 00:27:22,240 --> 00:27:24,480 Speaker 1: the end. Yeah, like they appear and then like he 458 00:27:24,560 --> 00:27:26,520 Speaker 1: goes to give him food and then they like disappear 459 00:27:27,000 --> 00:27:30,200 Speaker 1: and he's alone again at the end of that sixth strip. Yeah, 460 00:27:30,280 --> 00:27:34,399 Speaker 1: oh okay, So he's hallucinated them and then is alone, 461 00:27:34,600 --> 00:27:37,479 Speaker 1: okay and abandoned. So that's why okay, right, So then 462 00:27:37,600 --> 00:27:40,639 Speaker 1: that backs up that whole idea that yeah, they're just 463 00:27:40,720 --> 00:27:44,080 Speaker 1: a hallucination because they're demonstrated as an hallucination in that 464 00:27:44,240 --> 00:27:47,320 Speaker 1: sixth series strip. Yeah, and he's six strips series. That 465 00:27:47,520 --> 00:27:50,880 Speaker 1: was his intent was very much to do something sad 466 00:27:51,040 --> 00:27:54,080 Speaker 1: and different, and I think he heard quite a bit 467 00:27:54,200 --> 00:27:56,920 Speaker 1: from the fans like what is going on? Right, And 468 00:27:57,160 --> 00:28:00,320 Speaker 1: then apparently he kind of laughed at the idea when 469 00:28:00,520 --> 00:28:04,560 Speaker 1: someone said, Hey, you realize what people think, that this 470 00:28:04,720 --> 00:28:07,040 Speaker 1: is all a big hallucination, like every other strip you've 471 00:28:07,119 --> 00:28:10,080 Speaker 1: drawn as a hallucination of this dying cat. And he 472 00:28:10,200 --> 00:28:12,880 Speaker 1: laughed about it. But like, what what else were people 473 00:28:12,920 --> 00:28:15,920 Speaker 1: supposed to think? Yeah, that he just got really heavy 474 00:28:16,000 --> 00:28:18,560 Speaker 1: and weird for six strips. And I think the other 475 00:28:18,640 --> 00:28:20,560 Speaker 1: thing that was so off putting about it too, is 476 00:28:20,600 --> 00:28:25,800 Speaker 1: it resolves or there is no resolution. I think on 477 00:28:25,960 --> 00:28:28,479 Speaker 1: that that seventh day, the Sunday one just picks up 478 00:28:28,520 --> 00:28:31,680 Speaker 1: like everything's totally normal, and it never saw, which makes 479 00:28:31,720 --> 00:28:34,879 Speaker 1: it even more unsettling. Yeah, and then Chuck, there's a 480 00:28:36,000 --> 00:28:38,640 Speaker 1: there's a clear I don't know if it was a 481 00:28:38,760 --> 00:28:42,120 Speaker 1: reference to it or coincidence or whatever, but there's this 482 00:28:42,400 --> 00:28:47,960 Speaker 1: um animated movie called Allegro non Tropo and there's a 483 00:28:48,440 --> 00:28:53,680 Speaker 1: segment in it, what's the name of the segment, valse 484 00:28:53,760 --> 00:28:56,840 Speaker 1: triste about a cat that turns out to be a 485 00:28:56,880 --> 00:28:59,240 Speaker 1: ghost cat. Have you ever seen it? No, it's very good. 486 00:28:59,360 --> 00:29:02,440 Speaker 1: Oh yeah, haunting. But it sort of parallels this Garfield 487 00:29:02,480 --> 00:29:05,520 Speaker 1: story very much. So, whether or not was purposeful, we 488 00:29:05,560 --> 00:29:08,200 Speaker 1: don't know that part, right, or did Jim Davis like 489 00:29:08,320 --> 00:29:11,760 Speaker 1: discount that too. I've never heard whether or not he 490 00:29:11,920 --> 00:29:15,800 Speaker 1: discounts that. Yeah, but that's definitely go check out the 491 00:29:15,840 --> 00:29:19,040 Speaker 1: Garfield strips. Just just look up like Garfield dead or 492 00:29:19,200 --> 00:29:21,800 Speaker 1: dying or whatever, Yeah, and it'll bring him up. But 493 00:29:22,080 --> 00:29:25,040 Speaker 1: um also, just I'm sure it's on YouTube. Just look 494 00:29:25,120 --> 00:29:30,440 Speaker 1: up vals va ls tres triste and it will. It'll 495 00:29:30,480 --> 00:29:34,400 Speaker 1: get to you. It's very sad and you should plug 496 00:29:34,480 --> 00:29:38,280 Speaker 1: your favorite thing ever, which is Garfield without Garfield. Oh yeah, 497 00:29:38,320 --> 00:29:41,600 Speaker 1: that's great. Yeah, which in that case, it was John 498 00:29:42,080 --> 00:29:44,960 Speaker 1: who was just crazy and hallucinating right, Yeah, you could 499 00:29:45,000 --> 00:29:47,400 Speaker 1: make a pretty good case that John was out of 500 00:29:47,480 --> 00:29:51,200 Speaker 1: his mind when you take Garfield out any given strip 501 00:29:51,560 --> 00:29:55,160 Speaker 1: and it's just John like, yeah, shouting out loud, like 502 00:29:55,360 --> 00:29:57,880 Speaker 1: he's just like like putting his head down on the counter. 503 00:29:58,160 --> 00:30:01,680 Speaker 1: Good stuff. Yeah, I forgot it about that. You want 504 00:30:01,680 --> 00:30:04,160 Speaker 1: to take a break, Yeah, we'll take a break and 505 00:30:04,320 --> 00:30:06,720 Speaker 1: go through another couple of quickies and then the big Daddy. 506 00:30:31,800 --> 00:30:34,280 Speaker 1: All right, did you see this Breaking Bad one? Yeah? 507 00:30:35,600 --> 00:30:40,440 Speaker 1: This one has spoilers for Breaking Bad and a little 508 00:30:40,480 --> 00:30:42,120 Speaker 1: bit of The Walking Dead, So if you haven't seen that, 509 00:30:42,560 --> 00:30:46,040 Speaker 1: tune out. But there is a theory that's actually, I 510 00:30:46,120 --> 00:30:48,720 Speaker 1: think kind of cool because I love both shows Breaking 511 00:30:48,760 --> 00:30:54,360 Speaker 1: Bad and Walking Dead, that the blue meth from Breaking 512 00:30:54,400 --> 00:31:02,400 Speaker 1: Bad is what caused the zombie outbreak in the Walking Dead. Yeah, 513 00:31:02,840 --> 00:31:05,800 Speaker 1: and I'm bad. Yeah, but I mean it seems like 514 00:31:05,920 --> 00:31:11,440 Speaker 1: they're totally unconnected until you start digging in there. That's right. 515 00:31:11,600 --> 00:31:13,640 Speaker 1: When you look at season one, the character of Glenn 516 00:31:14,360 --> 00:31:17,160 Speaker 1: Hey shout out to Stephen Young, he's a listener. Stuff 517 00:31:17,160 --> 00:31:20,040 Speaker 1: you should know. Yeah what up dog? Hopefully still is 518 00:31:21,080 --> 00:31:25,280 Speaker 1: not anymore. He drives a Red Dodge Challenger in that 519 00:31:25,960 --> 00:31:30,200 Speaker 1: first season, which looks kind of like Walter White's car 520 00:31:30,320 --> 00:31:33,640 Speaker 1: that he eventually ends up with, and then in Breaking Bad, 521 00:31:33,760 --> 00:31:37,080 Speaker 1: when Walter White returns that dodge, he takes it back 522 00:31:37,120 --> 00:31:41,120 Speaker 1: and the managers. The dealership's general manager is named Glenn 523 00:31:42,640 --> 00:31:46,720 Speaker 1: little Thin. The best one is it comes in season 524 00:31:46,800 --> 00:31:49,400 Speaker 1: two if you ask me, yeah, I agree, you take it, buddy, 525 00:31:50,840 --> 00:31:52,880 Speaker 1: Because why you didn't watch either one of these shows? No? No, 526 00:31:52,960 --> 00:31:55,240 Speaker 1: I did. Okay, I saw all Breaking Bad and I've 527 00:31:55,280 --> 00:31:59,040 Speaker 1: seen I can't remember how far I've seemed. Pretty far 528 00:31:59,080 --> 00:32:02,400 Speaker 1: into Walking Dead. I'm behind him Walking Dead by like 529 00:32:02,600 --> 00:32:07,680 Speaker 1: one season. Oh I need to go back catch up. Yeah, anyway, 530 00:32:07,720 --> 00:32:13,640 Speaker 1: season two, Darryl played by Norman Ritas, is um trying 531 00:32:13,680 --> 00:32:18,200 Speaker 1: to take the fever down on tea dog. There's another character, right, 532 00:32:19,200 --> 00:32:24,000 Speaker 1: why's it funny saying dog? So his brother Merle is 533 00:32:24,240 --> 00:32:26,800 Speaker 1: m he is like this bag of drugs basically, so 534 00:32:26,880 --> 00:32:29,280 Speaker 1: he looks through the bag see if there's anything that 535 00:32:29,320 --> 00:32:32,040 Speaker 1: can help bring the fever down. And there is that 536 00:32:32,160 --> 00:32:37,080 Speaker 1: blue crystal meth from Breaking Bath in his bag. So 537 00:32:37,200 --> 00:32:41,680 Speaker 1: that's a good little hint, yep. And then before the 538 00:32:41,800 --> 00:32:46,720 Speaker 1: zombie Apocalypse, Merle, his brother, was actually a drug dealer 539 00:32:47,280 --> 00:32:51,520 Speaker 1: and he described in one episode, his supplier was quote 540 00:32:51,520 --> 00:32:54,120 Speaker 1: a jankie little white guy who threatened him with a 541 00:32:54,200 --> 00:32:58,320 Speaker 1: handgun and said, I'm gonna kill you. B word. Yeah, 542 00:32:58,600 --> 00:33:02,400 Speaker 1: and that very much sounds like Jesse Pinkman. Yeah. The 543 00:33:02,480 --> 00:33:04,320 Speaker 1: only way it could have gotten it across more is 544 00:33:04,360 --> 00:33:08,880 Speaker 1: if he'd mentioned fat stacks or something, right, that would 545 00:33:08,920 --> 00:33:11,440 Speaker 1: have been like super on the nose though. So that's 546 00:33:11,560 --> 00:33:15,959 Speaker 1: that's a pretty fun theory. It is obviously meth equals 547 00:33:16,040 --> 00:33:18,880 Speaker 1: death everybody, that's right, especially Blue. Well. The one thing 548 00:33:18,880 --> 00:33:20,840 Speaker 1: I didn't get was like, what are like all those 549 00:33:20,920 --> 00:33:23,960 Speaker 1: people on meth? But then I thought, no, maybe just 550 00:33:24,040 --> 00:33:26,760 Speaker 1: a certain amount. And then they infected other people with 551 00:33:26,920 --> 00:33:32,520 Speaker 1: their zombie juice. Yeah, okay, I got one. All right. 552 00:33:33,360 --> 00:33:35,080 Speaker 1: This is this is an old one, but I think 553 00:33:35,120 --> 00:33:38,600 Speaker 1: it's a good one. The Flintstones and the jet Sins 554 00:33:38,760 --> 00:33:42,320 Speaker 1: take place at the exact same time. It's a good one. 555 00:33:42,520 --> 00:33:46,560 Speaker 1: That the Flintstones are not prehistoric, they're actually set in 556 00:33:46,680 --> 00:33:52,160 Speaker 1: a post apocalyptic future. And you'd say that doesn't make 557 00:33:52,200 --> 00:33:55,680 Speaker 1: any sense, does it. The author, I think this came 558 00:33:55,760 --> 00:34:00,320 Speaker 1: from mental floss points out why would some cave people 559 00:34:00,800 --> 00:34:04,520 Speaker 1: create record players with whatever they had on hand? No 560 00:34:04,640 --> 00:34:07,200 Speaker 1: one in prehistoric times knew what a record player was, 561 00:34:07,560 --> 00:34:11,000 Speaker 1: But if you were living in the post apocalyptic times, 562 00:34:11,560 --> 00:34:13,960 Speaker 1: you would want to be able to listen to records 563 00:34:14,000 --> 00:34:16,640 Speaker 1: because they'd already been invented. Yeah, so you would figure 564 00:34:16,640 --> 00:34:18,600 Speaker 1: out how to make a bird put its beak on 565 00:34:18,680 --> 00:34:22,440 Speaker 1: a record and use that instead. Why do they celebrate 566 00:34:22,560 --> 00:34:26,600 Speaker 1: Christmas in prehistoric times? Good question. Why Why does the 567 00:34:26,719 --> 00:34:29,560 Speaker 1: music in the flint Stones any popular music has always 568 00:34:29,640 --> 00:34:35,280 Speaker 1: like fifties, like English British invasion type of I forgot 569 00:34:35,360 --> 00:34:40,360 Speaker 1: about that, twitch twitch Yeah. Why do they have a 570 00:34:40,480 --> 00:34:44,800 Speaker 1: banking system? Yeah? Set up. Yeah, that's fairly complex, it is. 571 00:34:45,160 --> 00:34:49,080 Speaker 1: Why are these animals talking? Well, that's just weird. Yeah, 572 00:34:49,160 --> 00:34:52,120 Speaker 1: I don't know if you can like place that at 573 00:34:52,120 --> 00:34:55,080 Speaker 1: the feet of George Jetson the The thing about the Jetsons, though, 574 00:34:55,160 --> 00:34:59,120 Speaker 1: is supposedly they are living up in It's not cloud 575 00:34:59,200 --> 00:35:03,440 Speaker 1: City or orbit City, which is supposedly built in the 576 00:35:03,480 --> 00:35:07,359 Speaker 1: clouds above a small line, which is where the Flintstones 577 00:35:07,440 --> 00:35:10,320 Speaker 1: live below the small line, and allegedly the thing that 578 00:35:10,400 --> 00:35:15,080 Speaker 1: divides them really more than anything is income. Yeah, that 579 00:35:15,200 --> 00:35:17,480 Speaker 1: the Jetsons are wealthy and part of the ones that 580 00:35:17,600 --> 00:35:19,960 Speaker 1: can survive and live up in the clean air. The 581 00:35:20,080 --> 00:35:23,560 Speaker 1: Flintstones are a part that have to scrape by with 582 00:35:23,719 --> 00:35:26,200 Speaker 1: whatever they can find back here on Earth. Well, and 583 00:35:26,320 --> 00:35:29,680 Speaker 1: that George and Fred mirror one another, and that Fred 584 00:35:29,880 --> 00:35:33,400 Speaker 1: labors at this I mean, I don't even know what 585 00:35:33,480 --> 00:35:36,160 Speaker 1: you call that, like a quarry, a quarry, yeah, with 586 00:35:36,360 --> 00:35:40,279 Speaker 1: mister sleet, whereas George works at spacely rockets and it 587 00:35:40,400 --> 00:35:42,520 Speaker 1: sess here in this article works for a total of 588 00:35:42,560 --> 00:35:45,600 Speaker 1: about nine hours a week. And then robots and computers 589 00:35:45,640 --> 00:35:49,280 Speaker 1: handle everything else that's supposedly how our life is supposed 590 00:35:49,320 --> 00:35:51,839 Speaker 1: to be right now, but we're not doing it right. 591 00:35:52,239 --> 00:35:55,200 Speaker 1: Oh really yeah, and now robots are just stealing everyone's job, 592 00:35:56,080 --> 00:35:58,360 Speaker 1: but we don't have anything to show for it except 593 00:35:58,400 --> 00:36:04,239 Speaker 1: for joblessness, but the bad kind. Right. There was a 594 00:36:04,320 --> 00:36:07,400 Speaker 1: movie called The Jetsons Meet the flint Stones, And in 595 00:36:07,560 --> 00:36:12,279 Speaker 1: that very movie, George Jetson visits the past and has 596 00:36:12,320 --> 00:36:15,080 Speaker 1: a little kind of a throwaway comment when he sees 597 00:36:15,160 --> 00:36:18,160 Speaker 1: green grass, and he says that it's something he remembers 598 00:36:18,239 --> 00:36:22,000 Speaker 1: from ancient history. Right, so that one kind of undermines 599 00:36:22,040 --> 00:36:24,600 Speaker 1: the whole idea. Oh, I don't know, well, if he's 600 00:36:24,600 --> 00:36:30,000 Speaker 1: saying that he from ancient history, Oh, I see that part. Yeah, 601 00:36:30,280 --> 00:36:32,240 Speaker 1: like there was an apocalypse and there is no grass. 602 00:36:32,360 --> 00:36:35,400 Speaker 1: But if he visits the past, I don't know. This 603 00:36:35,520 --> 00:36:37,640 Speaker 1: is falling apart. Yeah, where we talk about it. It 604 00:36:37,800 --> 00:36:41,560 Speaker 1: undermines that one. Remember the Great Kazoo? What was up 605 00:36:41,560 --> 00:36:45,279 Speaker 1: with that guy? Yeah, well this is where stuff you 606 00:36:45,280 --> 00:36:50,680 Speaker 1: should know is devolved too. Remember the Great Kazoo? What 607 00:36:51,000 --> 00:36:54,840 Speaker 1: was up with that guy? The whole Christmas thing is 608 00:36:54,960 --> 00:36:57,600 Speaker 1: weird to me that the flint Stones would celebrate Christmas 609 00:36:57,920 --> 00:37:00,640 Speaker 1: when they were clearly supposedly before the birth of Christ 610 00:37:01,120 --> 00:37:04,440 Speaker 1: as being in prehistoric times. Right, No, it doesn't make 611 00:37:04,480 --> 00:37:07,880 Speaker 1: any sense. There's a lot of stuff the Flintstones didn't 612 00:37:07,880 --> 00:37:12,680 Speaker 1: make sense about. How about the Scooby Doo win I 613 00:37:12,760 --> 00:37:16,319 Speaker 1: thought this was pretty great, Yeah, and not Scooby Doo. See, 614 00:37:16,400 --> 00:37:18,279 Speaker 1: this is the difference between a good fan theory and 615 00:37:18,360 --> 00:37:21,680 Speaker 1: a bad one. Bad one. Scooby and Shaggy are always 616 00:37:21,719 --> 00:37:26,200 Speaker 1: stoned because look, they're bumbling, and they're always hungry for 617 00:37:26,360 --> 00:37:30,520 Speaker 1: Scooby snacks, for Scooby snacks. Bad fan theory, good fan theory. 618 00:37:31,120 --> 00:37:36,120 Speaker 1: Scooby Doo takes place after the world economy has shattered, right, 619 00:37:36,400 --> 00:37:40,399 Speaker 1: it's great. Yeah, and there's a lot to it right. Yeah, 620 00:37:40,480 --> 00:37:43,920 Speaker 1: So the idea is that these guys are driving around 621 00:37:43,960 --> 00:37:46,239 Speaker 1: and if you really look at the places that they visit, 622 00:37:46,800 --> 00:37:51,160 Speaker 1: everything's abandoned and run down, always like abandoned amusement park, 623 00:37:51,200 --> 00:37:56,680 Speaker 1: abandoned ski resort, abandoned everything. And not only are these 624 00:37:56,719 --> 00:38:02,000 Speaker 1: places abandoned, they're they're populated did by people who are 625 00:38:02,360 --> 00:38:06,080 Speaker 1: squatting basically in these abandoned places. They live in the 626 00:38:06,160 --> 00:38:10,960 Speaker 1: abandoned place, and the bad guys are yeah, and they 627 00:38:11,080 --> 00:38:15,680 Speaker 1: have no means to support themselves other than by carrying 628 00:38:15,719 --> 00:38:20,080 Speaker 1: out these weird veiled crimes that they try to dress 629 00:38:20,200 --> 00:38:24,680 Speaker 1: up as something other world they which suggests that their geniuses. Right, 630 00:38:24,880 --> 00:38:30,839 Speaker 1: so very very smart people living in squalor and are jobless. Yeah, 631 00:38:31,520 --> 00:38:35,640 Speaker 1: was this cracked? Yeah? So it says that out of 632 00:38:35,640 --> 00:38:38,719 Speaker 1: the twenty seven villains in the original Scooby Doo Where 633 00:38:38,760 --> 00:38:42,040 Speaker 1: Are You Run, twenty three of the twenty seven are 634 00:38:42,120 --> 00:38:46,919 Speaker 1: motivated by monetary gain via theft, smuggling or land speculation. 635 00:38:49,040 --> 00:38:52,200 Speaker 1: And like you said, if these people are geniuses, why 636 00:38:52,239 --> 00:38:54,759 Speaker 1: are they you know, like I'm going to squat in 637 00:38:54,840 --> 00:38:57,719 Speaker 1: this abandoned mansion so I can gain ownership of it. Right, 638 00:38:57,880 --> 00:38:59,840 Speaker 1: It's all very strange. Yeah, and they point out that 639 00:39:00,040 --> 00:39:05,719 Speaker 1: the talents that these people have are indicate a very 640 00:39:05,920 --> 00:39:13,160 Speaker 1: wide variety of specific schooling. Right, Yeah, two were PhDs, 641 00:39:13,200 --> 00:39:16,600 Speaker 1: two or three were PhDs. Two were lawyers, one had 642 00:39:16,600 --> 00:39:19,800 Speaker 1: an ability to produce forged paintings, one could repair boats, 643 00:39:20,000 --> 00:39:22,560 Speaker 1: one was a magician, it's a stunt man. So these 644 00:39:22,600 --> 00:39:28,400 Speaker 1: are highly skilled, highly specialized professions that these people are 645 00:39:28,520 --> 00:39:32,239 Speaker 1: trained in or capable of doing. But yet they're out 646 00:39:32,320 --> 00:39:36,240 Speaker 1: of work and they're pulling off these very elaborate schemes 647 00:39:36,400 --> 00:39:39,319 Speaker 1: rather than just having a job in their profession. Yeah, 648 00:39:39,400 --> 00:39:41,759 Speaker 1: and even Scooby Doo, like when they go into a 649 00:39:41,920 --> 00:39:45,080 Speaker 1: nice vacation spots, it's run down and abandoned. It's like 650 00:39:45,280 --> 00:39:50,560 Speaker 1: Soviet level vacation spot. Yeah, pretty much. So I thought 651 00:39:50,600 --> 00:39:53,080 Speaker 1: this was a great one. That was good. At the 652 00:39:53,200 --> 00:39:55,960 Speaker 1: very least they had some reason to not just have 653 00:39:56,080 --> 00:39:58,719 Speaker 1: it be like normal society that they were living in, 654 00:39:58,840 --> 00:40:01,200 Speaker 1: and like they would you know, like when you go 655 00:40:01,280 --> 00:40:04,000 Speaker 1: back and look at them, they were weird. Yeah, weird 656 00:40:04,080 --> 00:40:08,160 Speaker 1: settings for shows really sparsely populated because it's anime, there's 657 00:40:08,200 --> 00:40:10,080 Speaker 1: no reason to do that. Yeah, I could see if 658 00:40:10,080 --> 00:40:11,480 Speaker 1: you were like, oh wait, not much of a budget, 659 00:40:11,560 --> 00:40:14,480 Speaker 1: so we got to go shoot at this abandoned amusement park. 660 00:40:14,880 --> 00:40:18,080 Speaker 1: But they, like if they are at a restaurant, they're 661 00:40:18,080 --> 00:40:22,239 Speaker 1: almost invariably the only people there. Have you ever noticed that? Yeah, 662 00:40:22,239 --> 00:40:25,120 Speaker 1: it's like a really empty series. It's cool. It makes 663 00:40:25,120 --> 00:40:27,880 Speaker 1: it a little more haunting. I like it. Are you 664 00:40:27,960 --> 00:40:30,080 Speaker 1: ready for the last one? All right? I think we've 665 00:40:30,080 --> 00:40:33,279 Speaker 1: waited well long enough. This one is based on the 666 00:40:33,680 --> 00:40:40,960 Speaker 1: television hospital procedural drama Saint Elsewhere, Right, which Saint Elsewhere 667 00:40:41,480 --> 00:40:43,200 Speaker 1: If you watched it, or even if you didn't and 668 00:40:43,280 --> 00:40:45,640 Speaker 1: you just are a fan of like famous endings of 669 00:40:45,800 --> 00:40:48,960 Speaker 1: TV series, Saint Elsewhere was very famous for its ending 670 00:40:49,560 --> 00:40:52,320 Speaker 1: in that also famous for having a bunch of like 671 00:40:52,440 --> 00:40:56,439 Speaker 1: big stars earlier in their careers. Yeah, Howie Mandel, Denzel, Yeah, 672 00:40:57,320 --> 00:41:01,520 Speaker 1: Ed Begley, Yeah, begs a lot of other people. But 673 00:41:01,640 --> 00:41:05,160 Speaker 1: it very famously ended with um. At the very end, 674 00:41:06,200 --> 00:41:07,919 Speaker 1: it showed a shot at the hospital with a snow 675 00:41:08,000 --> 00:41:11,040 Speaker 1: falling and then you pull back and you realize that 676 00:41:11,640 --> 00:41:16,520 Speaker 1: that was actually a snow globe held by a boy, right, 677 00:41:17,239 --> 00:41:19,319 Speaker 1: and it's kind of mind blowing. It's like, oh my god, right, 678 00:41:19,320 --> 00:41:24,440 Speaker 1: because again, this is real. If you watched er or anything, scrubs, 679 00:41:24,480 --> 00:41:28,600 Speaker 1: what any normal show about hospital life? Yeah, and it's 680 00:41:28,600 --> 00:41:31,799 Speaker 1: about hospital life. That's what Saint Elsewhere was about. Yeah, 681 00:41:31,840 --> 00:41:34,040 Speaker 1: you know it was weird and quirky, but it was 682 00:41:34,840 --> 00:41:37,240 Speaker 1: it was about a hospital. So the idea of drama 683 00:41:37,440 --> 00:41:42,279 Speaker 1: that the last scene of I think six seasons, yes, 684 00:41:42,400 --> 00:41:45,200 Speaker 1: six years, one hundred and thirty seven episodes about a 685 00:41:45,520 --> 00:41:48,400 Speaker 1: life at a hospital and the characters that inhabited and 686 00:41:48,560 --> 00:41:52,640 Speaker 1: worked at this hospital. Yeah, the hospitals in a snow globe. 687 00:41:52,719 --> 00:41:55,560 Speaker 1: This is totally out of left field, right, Yeah, make 688 00:41:55,640 --> 00:41:59,600 Speaker 1: it even weirder. In walks who had up to this 689 00:41:59,719 --> 00:42:06,239 Speaker 1: point been the director of surgery. I think Donald Westfall, 690 00:42:06,560 --> 00:42:09,680 Speaker 1: he's the medical director of Saint Elsewhere. Yeah, he walks in. 691 00:42:10,200 --> 00:42:13,160 Speaker 1: He's clearly not a doctor. He's dressed, he's not dressed 692 00:42:13,200 --> 00:42:15,080 Speaker 1: like one. He's like a construction guy. Yeah. The way 693 00:42:15,080 --> 00:42:17,480 Speaker 1: he's talking, he's super like blue collar. All of a sudden, 694 00:42:17,880 --> 00:42:20,880 Speaker 1: and he walks into the room where the boy holding 695 00:42:20,920 --> 00:42:23,040 Speaker 1: the snow globe, whose name we will find out is 696 00:42:23,080 --> 00:42:28,160 Speaker 1: Tommy Westfall. He is Donald Westfall's son in the series 697 00:42:28,160 --> 00:42:30,040 Speaker 1: sant Elsewhere. Yeah, he had been on the show, but 698 00:42:30,120 --> 00:42:33,400 Speaker 1: he was never like a big character, and he had autism, 699 00:42:34,120 --> 00:42:37,280 Speaker 1: and in walks Donald Westfall, who's now a construction worker, 700 00:42:37,360 --> 00:42:39,680 Speaker 1: and says he's talking to his own father. He's like, 701 00:42:39,719 --> 00:42:41,880 Speaker 1: I don't get it, Pops. He just sits around and 702 00:42:42,000 --> 00:42:43,920 Speaker 1: looks at that snow globe all day. I wonder what 703 00:42:44,040 --> 00:42:49,239 Speaker 1: he's thinking in his head, which suggests pretty strongly. Yet 704 00:42:49,520 --> 00:42:53,680 Speaker 1: everything about Saint Elsewhere all one hundred and thirty seven 705 00:42:53,760 --> 00:42:58,320 Speaker 1: episodes took place in the mind of Tommy Westfall, this 706 00:42:58,520 --> 00:43:01,279 Speaker 1: boy with autism, who was sitting there staring at his 707 00:43:01,400 --> 00:43:04,239 Speaker 1: snow globe. Yeah, I mean, in fact, it's it's really 708 00:43:04,680 --> 00:43:06,279 Speaker 1: it was even more on the nose than that. He 709 00:43:06,360 --> 00:43:10,000 Speaker 1: actually says, I don't understand this autism thing, Bob. He's 710 00:43:10,040 --> 00:43:11,960 Speaker 1: my son. I talked to him. I don't even know 711 00:43:12,000 --> 00:43:14,440 Speaker 1: if he can hear me. He sits there all day long, 712 00:43:14,480 --> 00:43:17,560 Speaker 1: in his own world, staring at that toy. What's he 713 00:43:17,680 --> 00:43:21,080 Speaker 1: thinking about? Right? Like, they didn't need to say all that. 714 00:43:21,200 --> 00:43:24,240 Speaker 1: They should have just to me, showed that and showed 715 00:43:24,320 --> 00:43:27,120 Speaker 1: him coming in as a construction guy and maybe just 716 00:43:27,280 --> 00:43:30,239 Speaker 1: looked longingly at the sun. But he's kind of like, 717 00:43:31,000 --> 00:43:37,480 Speaker 1: you get it. Everyone so America is sitting there like what. Yeah. 718 00:43:37,719 --> 00:43:40,880 Speaker 1: At the time, this is what nineteen eighty eight, I 719 00:43:41,000 --> 00:43:43,880 Speaker 1: think when it went off, all of America was just like, 720 00:43:44,080 --> 00:43:47,719 Speaker 1: what just happened? That's really weird. But then in two 721 00:43:47,760 --> 00:43:51,359 Speaker 1: thousand and two it started to get even weirder, right, yeah, 722 00:43:51,440 --> 00:43:55,279 Speaker 1: because there's a TV writer named Dwayne McDuffie, and he 723 00:43:55,440 --> 00:43:58,960 Speaker 1: wrote a post called six Degrees of Saying Elsewhere and 724 00:43:59,080 --> 00:44:03,240 Speaker 1: he points out, wait, everybody, if all of Saint Elsewhere 725 00:44:03,239 --> 00:44:07,239 Speaker 1: it took place just in Tommy Westfall's mind, then that 726 00:44:07,400 --> 00:44:10,840 Speaker 1: means that there's a significant amount of NBC shows that 727 00:44:11,040 --> 00:44:15,480 Speaker 1: also are just in Tommy Westfall's mind. It's come to 728 00:44:15,560 --> 00:44:18,560 Speaker 1: be called the Tommy Westfall hypothesis or the Tommy Westfall 729 00:44:18,719 --> 00:44:24,480 Speaker 1: universe multiverse. Okay, Yeah, and it just spreads and spreads 730 00:44:24,520 --> 00:44:27,240 Speaker 1: and spreads. And there's a really good this Paste article 731 00:44:27,360 --> 00:44:30,400 Speaker 1: called Tommy's World, The TV Legacy of Saint Elsewhere's Tommy 732 00:44:30,440 --> 00:44:35,640 Speaker 1: Westfall Universe is pretty much the definitive outside post on it. Yeah, 733 00:44:36,320 --> 00:44:40,560 Speaker 1: and it lays out a pretty good thread of how 734 00:44:41,200 --> 00:44:46,120 Speaker 1: shows are connected. And since they're connected, that means that 735 00:44:46,200 --> 00:44:48,080 Speaker 1: they're all taking place in the mind of this boy 736 00:44:48,160 --> 00:44:51,600 Speaker 1: with autism, Tommy Westfall. Right, and it goes a little 737 00:44:51,640 --> 00:44:56,480 Speaker 1: something like this. Some of the doctors from Saint Elsewhere 738 00:44:56,520 --> 00:44:59,080 Speaker 1: went to Cheers one time. Okay, so that means Cheers 739 00:44:59,200 --> 00:45:03,359 Speaker 1: is in Tommy westfall mine. Uh. Frasier was a spin 740 00:45:03,400 --> 00:45:06,839 Speaker 1: off of Cheers. Check. That means Frasier isn't real. Yeah, 741 00:45:06,840 --> 00:45:08,239 Speaker 1: you're getting this. We don't need to say that after 742 00:45:08,320 --> 00:45:10,400 Speaker 1: each one, due I think he early drives the point home. 743 00:45:11,840 --> 00:45:15,279 Speaker 1: The John Larocquette show, um, which was actually pretty good. 744 00:45:15,840 --> 00:45:19,320 Speaker 1: John Larrictt's great and that show was very underrated, but 745 00:45:19,480 --> 00:45:22,880 Speaker 1: the lead character played by John laraic Kett was John Hemingway. 746 00:45:24,120 --> 00:45:27,520 Speaker 1: He called in one time on Frasier's talk show. Yeah, 747 00:45:27,560 --> 00:45:30,600 Speaker 1: on Frasier he was one of the collins as that character. Right. 748 00:45:31,600 --> 00:45:36,799 Speaker 1: So now John lara Keett's universe is in Tommy Westfall's mine. 749 00:45:37,080 --> 00:45:41,640 Speaker 1: That's right. So on the John Larricquette show itself, they 750 00:45:41,760 --> 00:45:48,040 Speaker 1: mentioned Yo Yo Dine as a company, a tech company, right, Yeah. 751 00:45:48,160 --> 00:45:52,840 Speaker 1: And in Star Trek, Yo Yo Dine made technology used 752 00:45:53,440 --> 00:45:58,839 Speaker 1: by the Enterprise crew Yo Yo Dine, right, right, Yoyodyne. 753 00:45:58,960 --> 00:46:03,040 Speaker 1: So that means Star Trek is in Tommy Westfall's mind. 754 00:46:03,480 --> 00:46:06,680 Speaker 1: That's right. Yo Yo Dine was also appears again in Angel, 755 00:46:06,760 --> 00:46:10,840 Speaker 1: the TV's Joss Whedon's Angel. It was part of the 756 00:46:11,320 --> 00:46:13,600 Speaker 1: I think he was a client of the law firm 757 00:46:13,960 --> 00:46:18,960 Speaker 1: Wolframan Heart right Angel, Okay, and then Wolfreman Heart was 758 00:46:21,080 --> 00:46:26,359 Speaker 1: representation to another tech company called whalan Utani which made 759 00:46:26,920 --> 00:46:30,640 Speaker 1: tech on the TV show Firefly. Things are getting deep now, right, 760 00:46:30,719 --> 00:46:33,839 Speaker 1: So now Firefly is in Tommy Westfall's mind as well? 761 00:46:34,920 --> 00:46:40,000 Speaker 1: Then whyland Utani ship was in a spaceship graveyard on 762 00:46:40,120 --> 00:46:44,759 Speaker 1: the series in Britain Red Dwarf Right, and then Bring 763 00:46:44,800 --> 00:46:48,000 Speaker 1: it Home and then the Tartists is in the hangar 764 00:46:48,080 --> 00:46:52,200 Speaker 1: bay of the ship Red Dwarf on the show. So 765 00:46:52,360 --> 00:46:58,239 Speaker 1: that means that Firefly, Red Dwarf, and then Doctor Who 766 00:46:59,160 --> 00:47:03,120 Speaker 1: are all in the mind of Tommy Westfall because all 767 00:47:03,200 --> 00:47:07,759 Speaker 1: of them are connected back to Saint Elsewhere. And as 768 00:47:07,840 --> 00:47:10,880 Speaker 1: the author of this paced article points out, this is 769 00:47:11,280 --> 00:47:15,279 Speaker 1: a normal thread. Yeah, it spread to something like more 770 00:47:15,360 --> 00:47:19,560 Speaker 1: than four hundred TV shows being implicated as being in 771 00:47:19,640 --> 00:47:22,759 Speaker 1: the imagination of Tommy Westfall. Yeah. I think the last 772 00:47:22,880 --> 00:47:25,879 Speaker 1: count I saw was four hundred and nineteen shows. It's 773 00:47:25,920 --> 00:47:29,560 Speaker 1: so amazing, which you know, if they just get one more, 774 00:47:29,719 --> 00:47:32,120 Speaker 1: then all of a sudden it's a weed theory, right, yeah, 775 00:47:32,200 --> 00:47:35,759 Speaker 1: you know, yeah, pretty great. Tell him about John Munch though, 776 00:47:35,840 --> 00:47:39,600 Speaker 1: he's like the all star character from Tommy Westfall universe, 777 00:47:39,680 --> 00:47:42,279 Speaker 1: all right. That was Belzer's character on Homicide Life on 778 00:47:42,320 --> 00:47:45,719 Speaker 1: the Street, right, and that was apparently a spinoff from 779 00:47:45,760 --> 00:47:48,120 Speaker 1: Saint Elsewhere. It was related to it somehow, Yeah, I 780 00:47:48,160 --> 00:47:51,480 Speaker 1: think so officially related. But then Munch was on a 781 00:47:51,520 --> 00:47:53,960 Speaker 1: bunch of different shows. Yeah, like his character, not just 782 00:47:54,040 --> 00:47:56,600 Speaker 1: the guy who played him. Yeah, but he got He 783 00:47:56,719 --> 00:47:59,399 Speaker 1: just popped up in different shows all over the place, 784 00:47:59,480 --> 00:48:01,800 Speaker 1: not even a necessarily just on NBC. Oh yeah. He 785 00:48:01,880 --> 00:48:04,799 Speaker 1: was on X Files and that was Fox, wasn't it. Yeah? Uh, 786 00:48:05,520 --> 00:48:07,960 Speaker 1: Law and Order, The Wire was on the Wire, Yeah, 787 00:48:08,560 --> 00:48:12,719 Speaker 1: and he was on thirty Rock yea. So Munch is 788 00:48:12,800 --> 00:48:15,440 Speaker 1: just sitting there since he was already connected to Saint Elsewhere, 789 00:48:15,680 --> 00:48:18,360 Speaker 1: any show he pops up on, he's obviously in the 790 00:48:18,440 --> 00:48:21,840 Speaker 1: same universe as Saint Elsewhere, which again is in Tommy 791 00:48:21,920 --> 00:48:25,880 Speaker 1: Westfall's mine. So most of the television in the United 792 00:48:25,960 --> 00:48:30,080 Speaker 1: States doesn't exist, come, you know, it doesn't exist except 793 00:48:30,160 --> 00:48:33,640 Speaker 1: in the mind of a boy with autism who likes 794 00:48:33,719 --> 00:48:36,960 Speaker 1: his snow globe. Back in nineteen eighty eight. I wonder 795 00:48:37,560 --> 00:48:40,760 Speaker 1: how much of that was I mean, not pre planned, 796 00:48:40,880 --> 00:48:45,160 Speaker 1: but zero from what I understand. Well, they clearly meant 797 00:48:45,200 --> 00:48:47,200 Speaker 1: to show though that Saint Elsewhere was a figment of 798 00:48:47,280 --> 00:48:50,040 Speaker 1: his imagination, right, But I don't think they even stopped 799 00:48:50,080 --> 00:48:55,239 Speaker 1: and thought, oh well, thats too right, you know. Wow. Well, 800 00:48:55,239 --> 00:48:57,480 Speaker 1: and then most of that stuff came after Saint Elsewhere too, 801 00:48:57,600 --> 00:49:00,640 Speaker 1: So I wonder then if someone kind of ran with it, 802 00:49:00,800 --> 00:49:03,880 Speaker 1: like if there's this inside Cabal and Hollywood and the 803 00:49:04,080 --> 00:49:07,160 Speaker 1: w GA where people are trying to like I'm sure 804 00:49:07,160 --> 00:49:09,360 Speaker 1: try these things together, so it's like putting a Wilhelm 805 00:49:09,440 --> 00:49:18,279 Speaker 1: scream in yeah, which we did incorrectly, very tried, tried, Jerry, Well, 806 00:49:18,520 --> 00:49:21,360 Speaker 1: yeah that was that was just that was in sys 807 00:49:21,440 --> 00:49:26,359 Speaker 1: k jam yep uh you got anything else, no, sir. Well, 808 00:49:26,440 --> 00:49:28,640 Speaker 1: if you want to know more about TV fan theories, 809 00:49:28,680 --> 00:49:31,440 Speaker 1: you can go find them on the internets or send 810 00:49:31,520 --> 00:49:33,200 Speaker 1: one in. Though, if you have one that we didn't 811 00:49:33,200 --> 00:49:36,120 Speaker 1: talk about, yeah, a good one though we defined what 812 00:49:36,239 --> 00:49:39,239 Speaker 1: a fan theory is ak so good one yeah, and 813 00:49:39,360 --> 00:49:44,200 Speaker 1: nothing from Lost Yeah, yeah, just don't bother if you 814 00:49:44,800 --> 00:49:46,960 Speaker 1: already said all that stuff. So since I said I 815 00:49:46,960 --> 00:49:49,040 Speaker 1: already said all that stuff. It's time for listener mail. 816 00:49:51,760 --> 00:49:54,879 Speaker 1: I'm gonna call this hidden Whiskey. Remember our live show 817 00:49:54,880 --> 00:49:58,080 Speaker 1: in Vancouver we talked about the Canadian Club had a 818 00:49:58,200 --> 00:50:00,840 Speaker 1: very special promo in the eighties where they hit cases 819 00:50:00,840 --> 00:50:04,000 Speaker 1: of whiskey all over the world like a big scavenger hunt, 820 00:50:05,000 --> 00:50:09,080 Speaker 1: and not all of that whiskey was found. Remember that? Yeah? 821 00:50:09,160 --> 00:50:13,480 Speaker 1: I remember. So. This guy, Chris Ortloff, writes in about that. 822 00:50:13,600 --> 00:50:16,400 Speaker 1: He said one of them was hidden in Lake Placid, 823 00:50:16,400 --> 00:50:18,480 Speaker 1: New York, a year before the nineteen eighty Olympics, and 824 00:50:18,760 --> 00:50:22,279 Speaker 1: supposedly was never found. And a few years ago, more 825 00:50:22,360 --> 00:50:25,960 Speaker 1: than three decades later, my mother picked up the trail 826 00:50:26,480 --> 00:50:29,000 Speaker 1: when she discovered that it was possibly still out there. 827 00:50:29,960 --> 00:50:33,120 Speaker 1: I love it. This guy's mom was like, what free whiskey? 828 00:50:33,920 --> 00:50:36,000 Speaker 1: I think she was just like, sounds like an adventure. 829 00:50:36,320 --> 00:50:39,200 Speaker 1: You know, I'm just a kidding, you know. Maybe she 830 00:50:39,239 --> 00:50:43,920 Speaker 1: wanted the free whiskey too. A fan of cryptic crossword puzzles, 831 00:50:43,920 --> 00:50:46,520 Speaker 1: word games, and snowshoeing, the allure was too much for 832 00:50:46,600 --> 00:50:48,319 Speaker 1: her to pass up. Well there you have it. Yeah, 833 00:50:48,400 --> 00:50:51,200 Speaker 1: Plus she really liked whiskey. She tracked down a man 834 00:50:51,280 --> 00:50:53,239 Speaker 1: in Connecticut who had previously searched for it, spoke with 835 00:50:53,320 --> 00:50:56,279 Speaker 1: customer service at Canadian Club even and with a couple 836 00:50:56,320 --> 00:50:59,000 Speaker 1: of other leads. She spent months turning over the clues, 837 00:50:59,120 --> 00:51:02,080 Speaker 1: checking current in historical maps, and hiking through the woods 838 00:51:02,080 --> 00:51:05,439 Speaker 1: and fields around Lake Placid. I love this guy's mom. Yeah. 839 00:51:06,800 --> 00:51:08,560 Speaker 1: I sat down with her a few times with my 840 00:51:08,680 --> 00:51:11,480 Speaker 1: thinking cap on in hopes of unraveling the mystery, as 841 00:51:11,520 --> 00:51:13,759 Speaker 1: did many of her friends and relatives. We have lots 842 00:51:13,800 --> 00:51:16,480 Speaker 1: of research and speculation amassed as a result, and I 843 00:51:16,600 --> 00:51:18,200 Speaker 1: was really kind of nervous reading this. I was like, 844 00:51:18,360 --> 00:51:21,359 Speaker 1: she found it right, she didn't find it. Sadly, after 845 00:51:21,440 --> 00:51:23,239 Speaker 1: all the effort and intrigue, we still have no idea 846 00:51:23,320 --> 00:51:25,279 Speaker 1: where it is. Maybe some kids took it years ago, 847 00:51:25,680 --> 00:51:27,880 Speaker 1: could be completely buried by leaves and twigs by now, 848 00:51:28,719 --> 00:51:30,399 Speaker 1: or maybe it's still waiting to be found and someone 849 00:51:30,400 --> 00:51:32,600 Speaker 1: else can crack the case, so to speak. Blame it 850 00:51:32,680 --> 00:51:36,000 Speaker 1: on leaves and twigs. If you were any listeners want 851 00:51:36,000 --> 00:51:38,640 Speaker 1: a chance of some buy now vintage Canadian whiskey, though 852 00:51:39,080 --> 00:51:41,320 Speaker 1: for the very least and enriching walk through the Christine, 853 00:51:41,600 --> 00:51:45,560 Speaker 1: Northern New York wilderness. The clues, as originally printed in 854 00:51:45,680 --> 00:51:48,919 Speaker 1: the cc AD or as follows, and then he gave 855 00:51:48,960 --> 00:51:50,560 Speaker 1: them to me, so you can just look that up 856 00:51:50,600 --> 00:51:56,279 Speaker 1: in the internet. They're out there. It's really well, I 857 00:51:56,320 --> 00:51:59,040 Speaker 1: mean I can't read them all. It's get out your 858 00:51:59,120 --> 00:52:02,719 Speaker 1: Dakota pins, happy hunting, and do share one with me 859 00:52:02,840 --> 00:52:06,080 Speaker 1: if you find it. That is from Chris Ortloff. Thanks Ortloff. 860 00:52:06,120 --> 00:52:08,680 Speaker 1: Will appreciate that you have the last name of a 861 00:52:08,760 --> 00:52:11,720 Speaker 1: person who's only called by their last name, and missus 862 00:52:11,880 --> 00:52:14,359 Speaker 1: Ortloff for at the very least your mom. I don't 863 00:52:14,360 --> 00:52:18,000 Speaker 1: know if that's her name, Madame, Madame Ortlof, I like that. 864 00:52:18,160 --> 00:52:22,640 Speaker 1: It's a great explorer and adventure there. That's how she 865 00:52:23,080 --> 00:52:26,040 Speaker 1: frit Shelf forever be known in Yeah, well, thanks Ortloff 866 00:52:26,120 --> 00:52:28,960 Speaker 1: and Madame Mortloff. If you want to get in touch 867 00:52:29,000 --> 00:52:31,120 Speaker 1: with us to tell us something cool that your mom's done, 868 00:52:31,160 --> 00:52:32,920 Speaker 1: we want to hear that kind of thing just in 869 00:52:33,000 --> 00:52:36,200 Speaker 1: time for Mother's Day too. Yeah. You can tweet to 870 00:52:36,320 --> 00:52:39,320 Speaker 1: us at sysk podcast. You can join us on Facebook, 871 00:52:39,360 --> 00:52:41,560 Speaker 1: dot com, slash Stuff you Should Know. You can send 872 00:52:41,640 --> 00:52:44,160 Speaker 1: us an email The Stuff podcast at HowStuffWorks dot com 873 00:52:44,400 --> 00:52:46,080 Speaker 1: and has always joined us at home on the web. 874 00:52:46,480 --> 00:52:51,480 Speaker 1: Stuff you Should Know dot Com Stuff you Should Know 875 00:52:51,680 --> 00:52:55,160 Speaker 1: is a production of iHeartRadio. For more podcasts my heart Radio, 876 00:52:55,400 --> 00:52:58,840 Speaker 1: visit the iHeartRadio app, Apple podcasts, or wherever you listening 877 00:52:58,840 --> 00:52:59,800 Speaker 1: to your favorite shows.