WEBVTT - What's a Rune? (S1 E12, “Double Date”)

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<v Speaker 1>I am all in. Oh, thank you. I am all

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<v Speaker 1>in with Scott Patterson and I Heart Radio podcast. All right,

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<v Speaker 1>hevery everybody, welcome back. This is Scott Patterson and this

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<v Speaker 1>is the I Am All In podcast I Heart Radio.

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<v Speaker 1>What an episode? My god? Was this episode fun? Or what?

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<v Speaker 1>We're gonna bring in Riley now? And we're going to

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<v Speaker 1>do synopsis of Double Date? So twelve, go ahead, Roley.

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<v Speaker 1>This is episode twelve, Double Date Air date, January one. Lane,

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<v Speaker 1>convinced that Dean's friend is the boy for her, convinces

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<v Speaker 1>Rory to double date with her. Laura. Laie reluctantly accepts

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<v Speaker 1>a double blind date with Jackson, Sukie and Jackson's cousin. Rude.

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<v Speaker 1>You asked out? You asked out? I did twice twice,

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<v Speaker 1>and and not denied twice but interrupted twice. What it

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<v Speaker 1>was like asking out? Datus interrupt us, Mrs Mrs Kim

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<v Speaker 1>comes storming in looking for Lane, like throwing a mom

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<v Speaker 1>fit right in the middle of my asking out, Laurel. Right,

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<v Speaker 1>it just it just I just kept getting jammed up. Oh,

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<v Speaker 1>we listen to it? Why don't we listen to that?

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<v Speaker 1>Let's go ahead, you know, maybe sometime we could again

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<v Speaker 1>Eastern playing it again, you know, maybe sometime we could moments.

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<v Speaker 1>Do you remember it? I don't, and I really like

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<v Speaker 1>and I don't like watching myself, but I like watching

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<v Speaker 1>this stuff because it's so underplayed, and I really like it.

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<v Speaker 1>It's it's small, you know, the acting is small, so

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<v Speaker 1>it can be big, and it's just I really liked it. Um.

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<v Speaker 1>I enjoyed that and her look when after waitingnute at

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<v Speaker 1>the end he does it again and he's successful. Right

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<v Speaker 1>at the end of it, he's successful. She's wearing that

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<v Speaker 1>she's she has a ponytail, and she's wearing that top,

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<v Speaker 1>that cool looking top that she had on. And yeah,

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<v Speaker 1>that time, it was more like, oh, we'll do it

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<v Speaker 1>again sometimes right right, right right. It was more casual.

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<v Speaker 1>But didn't she look so good when she when she

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<v Speaker 1>looked at me as I was going back behind the counter.

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<v Speaker 1>You mean tall, tall Lorea Lie, tall tall Lorea Lie

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<v Speaker 1>with her big ears, right tall, her size and what

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<v Speaker 1>size shoe do you wear? So we're gonna get into

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<v Speaker 1>all this. We're gonna get into uh uh double date.

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<v Speaker 1>What an episode, guys. This was. This was just a

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<v Speaker 1>laugh riot from beginning to end. It could have been

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<v Speaker 1>called double double date. Yes, could have been all, you know,

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<v Speaker 1>the attack of Lane's mom. I had such higher hopes

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<v Speaker 1>for Lane's date, and then that didn't turn out how

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<v Speaker 1>I hoped it would. Yeah, she tried, She tried, Lane tried.

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<v Speaker 1>It was a valiant effort to try to get some

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<v Speaker 1>kind of intelligence out of this boy. Um, there was

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<v Speaker 1>no intelligence to be had out of this young boy,

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<v Speaker 1>Dean's friend. I guess he's a bro, he's a good

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<v Speaker 1>dude and all that, but man, I tell you he's

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<v Speaker 1>not yet turned into dating material. Yeah, he wasn't the

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<v Speaker 1>he wasn't the word smith. Lane was hoping he's no Dean.

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<v Speaker 1>Let me tell you. Watching this episode, I was like,

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<v Speaker 1>Dean is such a babe, like kissing her and doing

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<v Speaker 1>all that kind of stuff. I was like, if I

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<v Speaker 1>was Rory, I would be all about Dean, which she is.

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<v Speaker 1>But major hot points for in this episode. He was,

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<v Speaker 1>you know, quite adamant that he wanted to chew on

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<v Speaker 1>her face when he wanted to do it. He didn't

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<v Speaker 1>want to listen, he didn't want to do favors. He

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<v Speaker 1>just wanted to mc daddy, mcdaddy, mcdaddy, let's break down,

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<v Speaker 1>Mrs Kim because what do we think of Mrs Kim?

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<v Speaker 1>Is she way too strict? Is she just look looking

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<v Speaker 1>out for her daughter's best interest? Is she just out

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<v Speaker 1>of her mind? Mrs Kim is so strict. But it

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<v Speaker 1>puts Rory in this predicament that we've seen a couple

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<v Speaker 1>of times where she has to lie to do what

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<v Speaker 1>Lane wants, you know, or Lane is always hiding out

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<v Speaker 1>at their house or uh. In this case, even Rory's

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<v Speaker 1>in trouble because she lied, which makes lore Lie upset.

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<v Speaker 1>So it is sort of a situation ship. What was

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<v Speaker 1>the lie? She she lied? Date? Right? We right, she

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<v Speaker 1>couldn't go on a date. It's supposed to be at

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<v Speaker 1>Rory's house, and she's at the movies with the boy

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<v Speaker 1>and she's not supposed to be and and and and

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<v Speaker 1>Rory didn't tell Laura Liae that Lane was going to

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<v Speaker 1>be on the date either yeah, or she didn't tell

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<v Speaker 1>her that Lane wasn't allowed to go. Yeah, because Rory

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<v Speaker 1>told Laura Lee, I'm going We're going to the movies

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<v Speaker 1>with Dean, but didn't fail to or didn't say that, Hey,

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<v Speaker 1>Mrs Kim doesn't know this play right? And then you

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<v Speaker 1>know that puts Laura in a bad spot because now

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<v Speaker 1>Mrs Kim can't trust her going forward. And I don't

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<v Speaker 1>think Laura Lee will lie as a mom to another mom.

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<v Speaker 1>She won't do it. Yeah, she definitely has mom code.

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<v Speaker 1>So I think it's there are challenging elements for Rory

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<v Speaker 1>and Lane because they want to do things and they

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<v Speaker 1>you know, it goes back to even the candy bar.

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<v Speaker 1>Oh that's mine. They've a lion to Mrs Kim since uh,

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<v Speaker 1>episode two or whatever episode that was, But that was

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<v Speaker 1>that when Laura I went to see Mrs Kim. That

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<v Speaker 1>was a powerful scene. It was a beautifully acted scene

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<v Speaker 1>by Emily Corona. Wow. Yes, And it's it could be

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<v Speaker 1>hurtful to Laurel that there's judgment. Even though Laura LA

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<v Speaker 1>has proven herself to be in a really excellent mother,

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<v Speaker 1>Mrs Kim still has judgment, right, she's blaming Laureala for

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<v Speaker 1>that when it's not her faults. And Laura LA shows

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<v Speaker 1>up and now Emily mrs Kim sees her as like,

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<v Speaker 1>you're a screw up and Laura I admits that, yeah,

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<v Speaker 1>I screwed up and I'll never be what the mom? That?

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<v Speaker 1>What did she say? She sails? She said something so

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<v Speaker 1>self deprecated. She goes and very nasty, but she handled

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<v Speaker 1>it beautifully. Mrs Kim said, I hope I don't want

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<v Speaker 1>Lane to turn out like you, And she said, you

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<v Speaker 1>know what, I don't want Lane to turn out like

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<v Speaker 1>me either, And what a what a moment? My god? Um,

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<v Speaker 1>and I don't want and I don't want Rory to

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<v Speaker 1>turn out like me either. Again, Yeah, Mrs Kim has

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<v Speaker 1>the best of intentions, she just has a first way. Well,

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<v Speaker 1>I mean, you know, trust is a big deal. I

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<v Speaker 1>mean it's it's a big deal. I think it's also

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<v Speaker 1>a respect thing, at least with you know, mother daughter.

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<v Speaker 1>With my family, it's the same thing. You know. It's

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<v Speaker 1>like if your dad gives you these rules, you follow them.

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<v Speaker 1>And Lane wasn't doing that. So I think Mrs Kim

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<v Speaker 1>saw red when she found out that not only was

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<v Speaker 1>her daughter lying, but she also wasn't obeying her and

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<v Speaker 1>respecting her. Very interesting dynamic and what a powerful actress

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<v Speaker 1>coming into Luke's diner, breaking up my moment, my moment?

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<v Speaker 1>Where is my moment? Here we go? You know, maybe

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<v Speaker 1>sometime we could. I wonder what would have happened had

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<v Speaker 1>Mrs Kim not just like barged into the diner. Would

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<v Speaker 1>you have gotten your kiss you years earlier? No? I

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<v Speaker 1>think she delayed it a little bit, not much. Who

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<v Speaker 1>knows if if things were to go stay on his plans, Um, yeah,

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<v Speaker 1>would have happened probably that year, that season. But yeah,

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<v Speaker 1>life got in the way for four years. We weren't

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<v Speaker 1>ready for it. Wait, what card game was that you

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<v Speaker 1>guys were playing? Five card draw? Is that coker? But

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<v Speaker 1>you let her break the rules but I did. I

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<v Speaker 1>gave her four extra and if you want four cards,

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<v Speaker 1>you have to show your ace. The only way you

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<v Speaker 1>can get four cards is to have an ace. And

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<v Speaker 1>I didn't require that. She showed me right, So I

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<v Speaker 1>was just like, really, just like you, just you just

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<v Speaker 1>really like her? Yeah, I like her scene I did.

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<v Speaker 1>I liked when he pulled when he pulled out the

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<v Speaker 1>deck of cards. I think that was cool because I mean,

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<v Speaker 1>when I grew up playing cards, That's what we do

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<v Speaker 1>on these coasts. We played a lot of cards when

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<v Speaker 1>our kids. We gambled when our kids. It was unbelievable.

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<v Speaker 1>Do we feel that Jackson and Suki are on their

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<v Speaker 1>way now? That was some of the best acted stuff

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<v Speaker 1>I've seen yet. Those two together were magic. That was hysterical,

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<v Speaker 1>and the moment that laurelized just like not she doesn't

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<v Speaker 1>know what's going on. She's just trying to figure out

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<v Speaker 1>why these two are being so awkward and and tentative

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<v Speaker 1>with one another. It was hysterical. Was that a great scene? Oh? Sure, no,

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<v Speaker 1>you can lie to No, thank you? Right? It was

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<v Speaker 1>completely different behavior with their normal and everyone can relate

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<v Speaker 1>because Suki did throw it out there and then they

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<v Speaker 1>never get the day and she doesn't want to be

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<v Speaker 1>the one to say it again. Yeah, but come on,

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<v Speaker 1>he's gotta he's got to grow a pair and and

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<v Speaker 1>call him like, come on, I agree? What the heck

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<v Speaker 1>was that all about? Like she should like be be

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<v Speaker 1>a modern woman and you call him no, you want

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<v Speaker 1>to go out sometime? Yeah? What about Suki's palm hair

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<v Speaker 1>upd favorite? It was so like promsk in her dress,

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<v Speaker 1>she looks I loved, I loved everything about the whole

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<v Speaker 1>double day. How can you not love Melissa McCarthy, I mean,

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<v Speaker 1>what what a performance? What what a just incredibly likable

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<v Speaker 1>actress person, so vulnerable, so sweet, you can't not root

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<v Speaker 1>for her? I mean it's it's impossible. It's humanly impossible

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<v Speaker 1>not to root for her. Um, just just great stuff,

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<v Speaker 1>really great stuff. Um, what else can and there was

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<v Speaker 1>there was no Emily in this at all? Was there?

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<v Speaker 1>I noticed there was no only no clown pillow either.

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<v Speaker 1>It was very It was less stressful an episode, even

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<v Speaker 1>with the Max Parlick stuff and going after Laurela that way.

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<v Speaker 1>It was it just seemed like, you know, Emily's character

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<v Speaker 1>does introduce an element of stress, um, very entertaining where

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<v Speaker 1>he needed um, but the tension really ratchets up when

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<v Speaker 1>she comes on screen. That was missing in this episode.

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<v Speaker 1>There was far less tension um because I think what

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<v Speaker 1>what what Mrs Kim was doing was real and powerful,

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<v Speaker 1>but sort of more comedic, you know what I'm saying.

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<v Speaker 1>It was more um, Oh, it was just funnier stuff.

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<v Speaker 1>You know. Maybe sometimes we could Oh my god, did

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<v Speaker 1>you hear the accent so much? You know, maybe some

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<v Speaker 1>time we could sometime you had an accent? What is

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<v Speaker 1>that accent? Gilmore? Yeah, that's the Gilmore. I was trying

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<v Speaker 1>to find the character, you know, in the beginning of

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<v Speaker 1>the series, and uh, you know, sometime you good, it's

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<v Speaker 1>how you're doing. Maybe sometime God, you guys, I would

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<v Speaker 1>so shook when it happened. I think I didn't remember

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<v Speaker 1>from the other five times I've seen this episode, and

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<v Speaker 1>then all of a sudden, I'm like, oh my god,

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<v Speaker 1>like alone, I'm talking to the TV. Oh my god.

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<v Speaker 1>Oh he's asked around twice. I mean, I was going

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<v Speaker 1>to the hoop. I don't know if I was going

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<v Speaker 1>to hoop very strong, but I was going to the hoop. Yes,

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<v Speaker 1>I agree with it. I got foul. Mrs Kim fouled

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<v Speaker 1>me and she found I couldn't get to the hope.

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<v Speaker 1>Maybe it wasn't strong, but it was real. It was real, Yeah,

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<v Speaker 1>but I think it was strong. It was like, I mean,

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<v Speaker 1>let's compare the methodology of a Max mctina versus a Luke.

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<v Speaker 1>I mean, what do you guys prefer. Yeah, Max is

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<v Speaker 1>coming in hot, and it's coming too hot, like just

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<v Speaker 1>like he's going to get called for an offensive foul.

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<v Speaker 1>He's coming too strong to the hoop. You know, we

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<v Speaker 1>called that quick out of the shoots, so you never

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<v Speaker 1>want to trust too quick out of the shoots. It's like, oh,

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<v Speaker 1>dial it back. Yeah, he came in too hot, and

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<v Speaker 1>that's why it's if you want a girl like Laurela,

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<v Speaker 1>you better be a little crafty about it. You better

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<v Speaker 1>be kind of you know, just subtle, under the radar

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<v Speaker 1>when she least expect it, like boom. You know what

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<v Speaker 1>I mean? Can I give an off the wall comparison? Different, different,

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<v Speaker 1>but yet the same Carrie and Mr Big because she

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<v Speaker 1>did not come quick out of the shoots. And it's like,

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<v Speaker 1>that's why it worked for all those years. Oh, get yourself.

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<v Speaker 1>I know what it is. I've seen episodes. I like it,

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<v Speaker 1>but I just never watched it from beginning. Then it's

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<v Speaker 1>just that dance. It's that dance that you and Lorela

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<v Speaker 1>are going to do, and it's going to last because

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<v Speaker 1>you're not just like in our face. I didn't realize

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<v Speaker 1>I was on her this quick. I'm trying to close

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<v Speaker 1>that deal started in episode two when she asked if

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<v Speaker 1>you were cute? That was the biggest dead giveaway of anything.

0:14:43.960 --> 0:14:46.560
<v Speaker 1>Do you think Luke is cute? I'll never forget it.

0:14:47.040 --> 0:14:49.160
<v Speaker 1>I got a full bucket of golf balls, have only

0:14:49.200 --> 0:14:50.600
<v Speaker 1>hit a couple of balls. I got a lot of

0:14:50.600 --> 0:14:54.360
<v Speaker 1>balls left. It's a really unfortunate way of putting it.

0:14:54.400 --> 0:15:00.200
<v Speaker 1>I just heard myself say that, really, really, what what

0:15:00.400 --> 0:15:03.360
<v Speaker 1>is a rune. What is a ruin? The name my

0:15:03.440 --> 0:15:05.480
<v Speaker 1>parents gave me, that's what it is. No, No, what

0:15:05.680 --> 0:15:08.680
<v Speaker 1>is it rune? How did they name you Ruin? What

0:15:08.800 --> 0:15:12.320
<v Speaker 1>is it ruin? You see it? Do? At the counter?

0:15:12.600 --> 0:15:17.960
<v Speaker 1>She's like says up about what's a room? What's a rune? God?

0:15:18.520 --> 0:15:21.560
<v Speaker 1>I mean, did she just want to smack him? Or

0:15:21.560 --> 0:15:23.880
<v Speaker 1>what I mean? Did he? He's so deserved it. When

0:15:23.920 --> 0:15:26.560
<v Speaker 1>she wanted to powder her nose, he said to her,

0:15:26.600 --> 0:15:28.040
<v Speaker 1>he under his breath, he looked at her, goes he

0:15:28.160 --> 0:15:30.160
<v Speaker 1>better get a lot of powder. Gonna need a lot

0:15:30.160 --> 0:15:35.880
<v Speaker 1>of powder for that. No, no, he Danielle caught something

0:15:36.800 --> 0:15:40.120
<v Speaker 1>amazing that I did not notice that she can reveal

0:15:40.240 --> 0:15:43.360
<v Speaker 1>to the world. What what is this? When they were

0:15:43.400 --> 0:15:50.600
<v Speaker 1>at dinner, did you see rune beheading the butter and

0:15:50.640 --> 0:15:53.760
<v Speaker 1>then and then in another shot and then another shot.

0:15:54.000 --> 0:15:58.000
<v Speaker 1>The swan was still still had a head. So he

0:15:58.840 --> 0:16:01.080
<v Speaker 1>that was a little against us, as he Yeah, he's

0:16:01.720 --> 0:16:08.440
<v Speaker 1>beheading the swans butter. Swans. Fancy. I had to rewind

0:16:08.480 --> 0:16:10.720
<v Speaker 1>it like five times because it's like he did not

0:16:10.840 --> 0:16:13.720
<v Speaker 1>just do that. Now, what is your gut that he

0:16:13.800 --> 0:16:15.880
<v Speaker 1>was directed to do that? Or he thought of it?

0:16:16.040 --> 0:16:19.960
<v Speaker 1>Because we will ask him. We will ask him. I

0:16:20.000 --> 0:16:25.040
<v Speaker 1>think I'm gonna put my money on that's his choice.

0:16:26.400 --> 0:16:29.600
<v Speaker 1>I think he came up with that. If he did,

0:16:30.080 --> 0:16:33.840
<v Speaker 1>he is a genius. Yes, there's, there's and worthy of

0:16:33.880 --> 0:16:36.320
<v Speaker 1>the award he won. He won an Independent Spirit Award

0:16:36.320 --> 0:16:39.160
<v Speaker 1>for Best Supporting Mail on drug Store Cowboy by the Way,

0:16:39.520 --> 0:16:43.400
<v Speaker 1>Little fact toy. Yes, he's just he's he's he's quite

0:16:43.440 --> 0:16:46.200
<v Speaker 1>and he was in blow with Johnny Depp. He's the

0:16:46.240 --> 0:16:48.200
<v Speaker 1>guy that gave him up at the end of the film.

0:16:48.240 --> 0:16:51.840
<v Speaker 1>He was in Ferrispieler's Day Off and Can't Buy Me Love. Yeah,

0:16:52.000 --> 0:16:53.640
<v Speaker 1>I know that, but I see he's also in blow

0:16:53.680 --> 0:16:59.280
<v Speaker 1>with Johnny Depp. He's so I love Max Perlck's so icon.

0:17:00.680 --> 0:17:05.960
<v Speaker 1>He's that guy gonna I need more, I need more?

0:17:06.040 --> 0:17:07.920
<v Speaker 1>What what do you want me to do? It's like,

0:17:08.000 --> 0:17:10.399
<v Speaker 1>you know, you only make one flight, a couple of

0:17:10.440 --> 0:17:16.880
<v Speaker 1>flights a week. We need more, We need more. What

0:17:17.800 --> 0:17:23.080
<v Speaker 1>he's on Today's part way? Max Perlock is coming on today? Alright, alright,

0:17:23.119 --> 0:17:25.320
<v Speaker 1>let's get Max on right now. Can't wait to talk

0:17:25.320 --> 0:17:30.720
<v Speaker 1>to him. Let's get him on. Run Run buddy, Hello,

0:17:31.119 --> 0:17:37.480
<v Speaker 1>hey budd, what's happening? Where are you I'm at home

0:17:37.960 --> 0:17:42.159
<v Speaker 1>in Okay, cool by the piano. There you go, Buddy,

0:17:42.280 --> 0:17:46.479
<v Speaker 1>Nice to see you, Max Perlick, Ladies and Gentlemen. Here

0:17:46.520 --> 0:17:48.960
<v Speaker 1>he is. He appeared as Ruining a total of three episodes.

0:17:49.680 --> 0:17:53.439
<v Speaker 1>He's an American film television actor's career began when he

0:17:53.520 --> 0:17:55.960
<v Speaker 1>dropped out of high school to pursue a small part

0:17:56.080 --> 0:18:00.639
<v Speaker 1>in Ferris Bueller's Day Off, and then appeared and Can't

0:18:00.640 --> 0:18:05.800
<v Speaker 1>Buy Me Love? Playing Close eight drug Store Cowboy eighty nine.

0:18:05.840 --> 0:18:08.960
<v Speaker 1>He won the Independent Spirit Award for Best Supporting Mail

0:18:09.720 --> 0:18:15.040
<v Speaker 1>and Drugs Store Cowboy. Wow Um. And also it doesn't

0:18:15.040 --> 0:18:18.000
<v Speaker 1>mention here, but one of my favorite movies Blow Uh

0:18:18.200 --> 0:18:20.879
<v Speaker 1>you were You were also in Blow opposite Johnny Depp,

0:18:21.480 --> 0:18:23.520
<v Speaker 1>and I have some questions for you about that on

0:18:23.600 --> 0:18:27.080
<v Speaker 1>television here and Gilmore Girls Charmed. My name is Earl Terminator,

0:18:27.119 --> 0:18:32.600
<v Speaker 1>Sarah Connor Chronicles, Luscious Jackson, Max, Welcome to I Am

0:18:32.680 --> 0:18:37.360
<v Speaker 1>All In podcast. How you doing pal? Huh? Thank you?

0:18:40.160 --> 0:18:44.320
<v Speaker 1>So so you've appeared in in some iconic projects, uh

0:18:44.600 --> 0:18:47.240
<v Speaker 1>like Ferris bure Loose, Day Off and Charms. How how

0:18:47.280 --> 0:18:50.080
<v Speaker 1>did you get tell us about the process of getting

0:18:51.000 --> 0:18:58.560
<v Speaker 1>the role of Roon on Gilmore Ruin was put to me. Uh,

0:18:58.600 --> 0:19:05.600
<v Speaker 1>and I was really excited about the professionals and the

0:19:06.040 --> 0:19:12.879
<v Speaker 1>skill sets that they had. Uh Palladino uh uh Lauren

0:19:13.520 --> 0:19:19.200
<v Speaker 1>uh uh ed ed Edward Herman is it Edward Herman?

0:19:20.160 --> 0:19:26.600
<v Speaker 1>I mean amazing casting, amazing production staff, writing staff. They

0:19:26.680 --> 0:19:31.040
<v Speaker 1>had a system that was just locked in and all

0:19:31.080 --> 0:19:33.840
<v Speaker 1>you had to do is basically, in my opinion, to

0:19:33.920 --> 0:19:37.040
<v Speaker 1>show up and be able to make it sing. And

0:19:37.080 --> 0:19:39.720
<v Speaker 1>if you had to have that cadence, you know, with

0:19:39.840 --> 0:19:43.920
<v Speaker 1>their with the material was just if you understood any

0:19:44.000 --> 0:19:48.680
<v Speaker 1>kind of any kind of tone, if you had any

0:19:48.760 --> 0:19:52.640
<v Speaker 1>kind of musical inclinations, you did well with with their

0:19:52.920 --> 0:19:57.600
<v Speaker 1>writing because it was really just about the tempo. You know. Yeah,

0:19:57.640 --> 0:20:00.280
<v Speaker 1>it felt it felt like an Iambic almost, you know,

0:20:00.320 --> 0:20:03.440
<v Speaker 1>there was there definitely was a rhythm to it. Absolutely,

0:20:03.640 --> 0:20:07.879
<v Speaker 1>um yeah, you know, and you know I've been on

0:20:09.040 --> 0:20:10.399
<v Speaker 1>you know, I did a sign Feld that I was

0:20:10.480 --> 0:20:13.400
<v Speaker 1>very organized and buttoned down. I did All and Will

0:20:13.480 --> 0:20:15.280
<v Speaker 1>and Grace. I did some other stuff before I got

0:20:15.320 --> 0:20:18.680
<v Speaker 1>Gilmore and it was all really smooth, sailing, great cruise.

0:20:18.720 --> 0:20:22.359
<v Speaker 1>Did Gilmore more of the same. But then after after

0:20:22.480 --> 0:20:24.760
<v Speaker 1>I did Gilmore, I did a couple of series and

0:20:24.800 --> 0:20:28.080
<v Speaker 1>it was just kind of a mess, you know. It

0:20:28.240 --> 0:20:31.240
<v Speaker 1>was I really missed that whole Gilmore crew and how

0:20:31.480 --> 0:20:34.520
<v Speaker 1>how cracked they were, you know, and how they really

0:20:34.560 --> 0:20:36.520
<v Speaker 1>had it or it was kubricky and you know, it's

0:20:36.560 --> 0:20:39.840
<v Speaker 1>like Stanley Kubrick was known for his organization and that

0:20:39.840 --> 0:20:41.760
<v Speaker 1>that's what you need to bring to bear on a

0:20:42.119 --> 0:20:44.280
<v Speaker 1>on a TV set. So tell us a little bit

0:20:44.280 --> 0:20:46.880
<v Speaker 1>about your first day on set. What you can remember

0:20:46.920 --> 0:20:51.960
<v Speaker 1>being a first day on set. I remember being nervous

0:20:52.280 --> 0:20:59.880
<v Speaker 1>um because I felt, you know, it was high bar two.

0:21:00.320 --> 0:21:03.119
<v Speaker 1>I was always just nervous because there was a lot

0:21:03.200 --> 0:21:06.439
<v Speaker 1>of people, uh that You're always used to seeing the

0:21:06.440 --> 0:21:12.199
<v Speaker 1>positions of the the different guys crew, but when it

0:21:12.240 --> 0:21:17.800
<v Speaker 1>comes to being in touch with the material, I always

0:21:17.840 --> 0:21:21.520
<v Speaker 1>just felt like I needed to really be it focused

0:21:21.520 --> 0:21:24.520
<v Speaker 1>and I just wanted to to just watch as much

0:21:24.560 --> 0:21:30.240
<v Speaker 1>as possible and absorb their process, the workings for the

0:21:30.280 --> 0:21:33.520
<v Speaker 1>cast and how you guys were working to just kind

0:21:33.520 --> 0:21:36.200
<v Speaker 1>of tap into that so that I could do my

0:21:36.200 --> 0:21:39.920
<v Speaker 1>my due diligence. And I was just trying to mesh

0:21:39.960 --> 0:21:42.199
<v Speaker 1>with you know, get a get a good feel, you know,

0:21:42.359 --> 0:21:45.000
<v Speaker 1>and it's always it's like you're the new kid in

0:21:45.080 --> 0:21:48.560
<v Speaker 1>school because you're you know, your guests are you know

0:21:49.160 --> 0:21:52.360
<v Speaker 1>that feeling that you kind of I built my resume

0:21:52.840 --> 0:21:56.960
<v Speaker 1>in the nineties on guest starring on big sitcoms, and yeah,

0:21:56.960 --> 0:22:00.880
<v Speaker 1>it's nerve wracking, really nerve wracking. I did a Einfeld

0:22:01.240 --> 0:22:03.359
<v Speaker 1>and that was really nerve wracking, because that's like getting

0:22:03.359 --> 0:22:04.800
<v Speaker 1>called up to the big leagues and you don't know

0:22:04.840 --> 0:22:09.080
<v Speaker 1>if you're ready or not, you know, but I get it. Yeah,

0:22:09.480 --> 0:22:13.680
<v Speaker 1>I just know that I aspire to be with it

0:22:14.040 --> 0:22:18.280
<v Speaker 1>and be in, you know, for the greater good and

0:22:18.440 --> 0:22:21.840
<v Speaker 1>be able to to tap into what the writer has

0:22:22.880 --> 0:22:27.720
<v Speaker 1>put down and at the very least expects the cadiens

0:22:27.800 --> 0:22:30.760
<v Speaker 1>to be there. And you you hope, and you wish

0:22:30.760 --> 0:22:34.199
<v Speaker 1>you can hire the right athletes to go to that

0:22:34.400 --> 0:22:36.879
<v Speaker 1>for you. And and I just felt really lucky, and

0:22:37.200 --> 0:22:40.359
<v Speaker 1>I felt like I was in good a really good company,

0:22:40.400 --> 0:22:43.160
<v Speaker 1>and I wanted to I wanted to do well, that's

0:22:43.200 --> 0:22:45.119
<v Speaker 1>kind of what I remember. Well, you hit it out

0:22:45.160 --> 0:22:48.200
<v Speaker 1>of the park, pal, what a great episode. Hysterically funny.

0:22:48.520 --> 0:22:52.000
<v Speaker 1>I mean, just you know, being so contentious with with

0:22:52.080 --> 0:22:55.600
<v Speaker 1>Laurel I and he's calling her an East German basketball

0:22:55.600 --> 0:22:59.119
<v Speaker 1>player and she's too tall, and I mean that was hysterical,

0:23:00.240 --> 0:23:04.159
<v Speaker 1>absolutely hysterical, to be fair. I mean, Room, you know,

0:23:04.400 --> 0:23:07.879
<v Speaker 1>really had great aspirations of becoming a you know, a

0:23:08.400 --> 0:23:12.520
<v Speaker 1>top rate cort of culturist and caret grower, and he, uh,

0:23:12.720 --> 0:23:17.080
<v Speaker 1>you know, he didn't tell Jackson about his aspirations, but

0:23:17.160 --> 0:23:21.240
<v Speaker 1>he was going to take over Jackson's business. And you know,

0:23:21.280 --> 0:23:23.000
<v Speaker 1>if they would have let him go, Jackson would have

0:23:23.040 --> 0:23:25.119
<v Speaker 1>been out on his heels, and you know, ruined had

0:23:25.160 --> 0:23:29.120
<v Speaker 1>taken over his identity. So that's so let me ask

0:23:29.160 --> 0:23:32.639
<v Speaker 1>you this. Uh, A lot of people on this staff

0:23:32.720 --> 0:23:35.080
<v Speaker 1>want to know. His producers want to know. Was it

0:23:35.240 --> 0:23:38.520
<v Speaker 1>your idea to cut the heads off the butter Swans? Yeah?

0:23:38.720 --> 0:23:40.520
<v Speaker 1>I knew, I knew it. I was right. I won

0:23:40.600 --> 0:23:43.080
<v Speaker 1>the bet, I won the I didn't know whether I

0:23:43.200 --> 0:23:45.880
<v Speaker 1>get captured. But then I remember the deep going, oh, yeah,

0:23:45.920 --> 0:23:49.160
<v Speaker 1>we gotta go around and get a single the the

0:23:49.160 --> 0:23:51.439
<v Speaker 1>the butt because I was just like, what can I do?

0:23:52.320 --> 0:23:54.200
<v Speaker 1>Because I'm just saying over here, what what kind of

0:23:54.240 --> 0:23:56.879
<v Speaker 1>business can I? You know, they do back? You know,

0:23:57.160 --> 0:24:01.720
<v Speaker 1>I'm just trying to think about the editor, you know, true. Yeah,

0:24:01.800 --> 0:24:03.720
<v Speaker 1>that's that's one of the things actors have to think

0:24:03.720 --> 0:24:08.159
<v Speaker 1>about as the editor by accident. I guess it was

0:24:08.200 --> 0:24:10.000
<v Speaker 1>by accident, but I just kind of was looked it

0:24:10.080 --> 0:24:12.160
<v Speaker 1>up so I could watch the episode before I got

0:24:12.160 --> 0:24:15.960
<v Speaker 1>a link. And somebody who's a reviewer or like a fan,

0:24:16.280 --> 0:24:19.560
<v Speaker 1>a really big fan of your of the show, was

0:24:19.680 --> 0:24:22.280
<v Speaker 1>reviewing the episode and when my scene came on, when

0:24:22.280 --> 0:24:24.600
<v Speaker 1>he saw me, he's like, who's that guy think he is?

0:24:24.640 --> 0:24:28.720
<v Speaker 1>That guy is a little prick? Is he? What a

0:24:28.840 --> 0:24:33.160
<v Speaker 1>lame punk? Really? Really know? Is that what you think?

0:24:34.000 --> 0:24:39.399
<v Speaker 1>And he was just like and then it was hilarious.

0:24:39.600 --> 0:24:45.120
<v Speaker 1>It was really good. That's very colorful language from from

0:24:46.880 --> 0:24:50.119
<v Speaker 1>I Take my Head Off America. There you go? And

0:24:50.160 --> 0:24:52.320
<v Speaker 1>what was it like working with Lauren Graham? Did you

0:24:52.760 --> 0:24:57.280
<v Speaker 1>did you? Did you enjoy that? Professional h just amazing

0:24:57.320 --> 0:25:00.960
<v Speaker 1>girl had a lot of weight on her shoulders and

0:25:01.080 --> 0:25:06.679
<v Speaker 1>she just handled it like class acts, smooth, smooth the operator,

0:25:07.600 --> 0:25:13.640
<v Speaker 1>really a nice, well mannered, down to earth What more

0:25:13.680 --> 0:25:16.000
<v Speaker 1>can you want? You know? She just she made it

0:25:16.040 --> 0:25:18.800
<v Speaker 1>releasy on me, as did everyone else there. And all

0:25:18.800 --> 0:25:20.960
<v Speaker 1>I had to do with my eyes would show up

0:25:20.960 --> 0:25:24.240
<v Speaker 1>into a part of this great happening right right? Did

0:25:24.240 --> 0:25:27.000
<v Speaker 1>you know that? Did you know that you were going

0:25:27.080 --> 0:25:28.800
<v Speaker 1>to do more episodes or what they just book you

0:25:28.800 --> 0:25:32.040
<v Speaker 1>one at a time, as I remember, I think they

0:25:32.080 --> 0:25:36.199
<v Speaker 1>were one at a time, right, I just remember I

0:25:36.240 --> 0:25:39.840
<v Speaker 1>had Ted Demi passed away on the last episode I

0:25:39.920 --> 0:25:42.720
<v Speaker 1>was doing. It, just passed them at the basketball playing

0:25:42.720 --> 0:25:46.360
<v Speaker 1>basketball down in Venice, runt of mine and we had

0:25:46.520 --> 0:25:50.119
<v Speaker 1>we were we had a working relationship in them and uh,

0:25:52.440 --> 0:25:55.240
<v Speaker 1>I was really tore up about it and I couldn't

0:25:55.240 --> 0:25:58.040
<v Speaker 1>get finished this episode, this last episode I was doing,

0:25:58.200 --> 0:26:01.760
<v Speaker 1>which was a holiday episode. I did my best, you know,

0:26:01.960 --> 0:26:03.919
<v Speaker 1>I struggled through it. But they were really kind to me.

0:26:03.960 --> 0:26:06.440
<v Speaker 1>Everyone was so sweet. But I just, yeah, I remember

0:26:06.520 --> 0:26:09.080
<v Speaker 1>that was something that was going on for the audience.

0:26:09.200 --> 0:26:13.760
<v Speaker 1>Ted Demi was the director of Blow, the film you

0:26:13.840 --> 0:26:16.240
<v Speaker 1>did with Johnny Depp. Did he write the Did he

0:26:16.280 --> 0:26:20.080
<v Speaker 1>write the film as well? No? Jed wrote he did

0:26:20.560 --> 0:26:24.119
<v Speaker 1>script rewrites, but he uh didn't. He didn't write the

0:26:24.119 --> 0:26:29.440
<v Speaker 1>original screen. Okay, him and he and uh Bruce Porter

0:26:29.560 --> 0:26:37.280
<v Speaker 1>and it was Nick Cassavetti's John, right, I know, And

0:26:37.680 --> 0:26:42.120
<v Speaker 1>Nick wrote the Nick wrote that yeah it Ted was

0:26:42.119 --> 0:26:47.040
<v Speaker 1>was contributing to it. Oh my goodness. Okay. Nick Cassavetti's

0:26:47.080 --> 0:26:49.439
<v Speaker 1>is the son of John Cassavetti is the great actor

0:26:49.520 --> 0:26:53.080
<v Speaker 1>and great independent director. I think it was it was him.

0:26:53.119 --> 0:26:57.920
<v Speaker 1>Bruce Porter wrote the the book, the novel, but I'm

0:26:57.920 --> 0:27:01.120
<v Speaker 1>not positive that Nick Nick could have done the other front.

0:27:01.160 --> 0:27:05.760
<v Speaker 1>We also did a phone called Beautiful Girls together. Ted

0:27:05.880 --> 0:27:08.640
<v Speaker 1>was a great director. He did uh Life, He did

0:27:08.880 --> 0:27:12.159
<v Speaker 1>the ref Dennis Leary was one of his great friends.

0:27:13.400 --> 0:27:15.920
<v Speaker 1>But anyway, yeah, I had a great great I love

0:27:16.160 --> 0:27:18.359
<v Speaker 1>Ted with all my heart and I miss him dearly.

0:27:19.400 --> 0:27:21.119
<v Speaker 1>He was a great great was a big loss. I

0:27:21.200 --> 0:27:23.440
<v Speaker 1>remember that was very shocking, and he was very young.

0:27:24.520 --> 0:27:30.439
<v Speaker 1>Ted Ted just had you know, he started your MTV raps.

0:27:30.600 --> 0:27:33.480
<v Speaker 1>That was his first gig and he was the producer

0:27:33.600 --> 0:27:36.520
<v Speaker 1>that and uh he had just all three was Johnny

0:27:36.520 --> 0:27:38.879
<v Speaker 1>and I and Ted had had our second kids at

0:27:38.920 --> 0:27:42.040
<v Speaker 1>the time, and it was his kid was like three

0:27:42.080 --> 0:27:46.520
<v Speaker 1>weeks four weeks old. Next tragic. I want to love it.

0:27:47.760 --> 0:28:01.600
<v Speaker 1>You give me one second. I'm sorry. I'm sorry. I

0:28:01.600 --> 0:28:04.920
<v Speaker 1>get cause I get. I always get emotional talked about

0:28:04.960 --> 0:28:09.560
<v Speaker 1>said I apologize, No, no need to apologize. Totally understand.

0:28:10.840 --> 0:28:13.720
<v Speaker 1>So let's get back to Ruin a little bit. Okay,

0:28:14.080 --> 0:28:19.320
<v Speaker 1>what is seriously like they? You know, I know, Laurel,

0:28:19.400 --> 0:28:21.640
<v Speaker 1>I asked you in the episode what is a ruin?

0:28:21.760 --> 0:28:23.560
<v Speaker 1>But I would like to know what is it? Do

0:28:23.600 --> 0:28:26.399
<v Speaker 1>you know what a ruin is? No? Do you do?

0:28:26.440 --> 0:28:28.080
<v Speaker 1>You know what a ruin? I mean I had my

0:28:28.119 --> 0:28:30.199
<v Speaker 1>own kind of idea. Well, there was a game when

0:28:30.240 --> 0:28:32.560
<v Speaker 1>I was a kid that you played ruins. There's a game.

0:28:33.040 --> 0:28:34.639
<v Speaker 1>I don't know if it's a game, but they're based

0:28:34.680 --> 0:28:40.520
<v Speaker 1>on um, you know, ruins were sort of headpieces, right,

0:28:40.920 --> 0:28:43.320
<v Speaker 1>is like a Dungeons and Dragon's type of a deal.

0:28:44.600 --> 0:28:46.920
<v Speaker 1>Ruin like ruin like a like a tale, like a

0:28:47.040 --> 0:28:52.960
<v Speaker 1>like an old like a scary uh like uh remember

0:28:52.960 --> 0:28:55.360
<v Speaker 1>it of some place? Yeah, I don't know. They were

0:28:55.400 --> 0:28:58.120
<v Speaker 1>like I don't know that. They were like these uh

0:28:58.400 --> 0:29:00.520
<v Speaker 1>made out of stone and they were wrecked angular and

0:29:00.560 --> 0:29:04.520
<v Speaker 1>there were runs and they had symbols on them. You

0:29:04.560 --> 0:29:06.440
<v Speaker 1>sort of can tell that you throw the ruins in

0:29:06.480 --> 0:29:08.840
<v Speaker 1>a certain pattern, you tell the future or something like that.

0:29:09.000 --> 0:29:12.840
<v Speaker 1>Or they're like teri cards like dice kind of yeah,

0:29:13.280 --> 0:29:17.640
<v Speaker 1>but they're big, Yeah, they're anyway. So maybe that as

0:29:17.920 --> 0:29:19.720
<v Speaker 1>it was like the magic eight ball type of a

0:29:19.800 --> 0:29:23.360
<v Speaker 1>Dane right right, Like you threw it down like dice,

0:29:23.440 --> 0:29:25.040
<v Speaker 1>you never know what you're gonna get. Maybe that was

0:29:25.080 --> 0:29:30.360
<v Speaker 1>the point. Maybe that's why you were named Rune. Yeah,

0:29:30.440 --> 0:29:34.520
<v Speaker 1>I think that's brilliantly. I think you did it. I

0:29:34.560 --> 0:29:47.120
<v Speaker 1>think that's he's counted chat. Oh my goodness. So you

0:29:47.120 --> 0:29:49.680
<v Speaker 1>didn't your character didn't like Laurela at all? Was it?

0:29:50.680 --> 0:29:53.800
<v Speaker 1>Let me ask you, was it? Was it difficult in

0:29:53.840 --> 0:29:57.960
<v Speaker 1>those scenes keeping a straight face doing those in those

0:29:58.000 --> 0:30:00.680
<v Speaker 1>lines or did you really believe it when you were

0:30:00.800 --> 0:30:03.920
<v Speaker 1>saying that stuff? Well, I mean, it's all part of

0:30:03.960 --> 0:30:06.600
<v Speaker 1>the package, buddy, you know, I got to bring something

0:30:06.640 --> 0:30:08.440
<v Speaker 1>to the game there. You know, I had to have

0:30:08.600 --> 0:30:13.880
<v Speaker 1>something intense, you know, a whole kind of uh good.

0:30:14.040 --> 0:30:20.000
<v Speaker 1>But I had to do the the rude mumbo to

0:30:20.040 --> 0:30:23.960
<v Speaker 1>be able to to I had to really believe all

0:30:23.960 --> 0:30:26.680
<v Speaker 1>of that. I had to bring it, buddy. You know,

0:30:26.720 --> 0:30:28.360
<v Speaker 1>it's easy. I don't get up like you know. It

0:30:28.360 --> 0:30:30.280
<v Speaker 1>ain't easy like this getting up like this. You know,

0:30:30.560 --> 0:30:33.720
<v Speaker 1>you you you think this is just it comes out

0:30:33.720 --> 0:30:36.440
<v Speaker 1>of the package like this, But no, there's a lot

0:30:36.440 --> 0:30:40.080
<v Speaker 1>of thought that goes into these uh these rooms here.

0:30:40.760 --> 0:30:44.800
<v Speaker 1>So yeah, I mean it looks easy. But to be

0:30:44.880 --> 0:30:48.320
<v Speaker 1>able to do these brutal things with the butter, you know,

0:30:48.440 --> 0:30:50.360
<v Speaker 1>that's a lot of guts, a lot of a lot

0:30:50.400 --> 0:30:53.280
<v Speaker 1>of normal people would do would be a clue. It

0:30:53.280 --> 0:30:56.040
<v Speaker 1>would be a clue on them. You know what the

0:30:56.040 --> 0:31:02.160
<v Speaker 1>clue is the two Chois. It's like a Kiki's It's like,

0:31:02.520 --> 0:31:05.720
<v Speaker 1>you know, you get coist with something cursed, you get cursed.

0:31:05.760 --> 0:31:12.200
<v Speaker 1>Oh Coist got even speaking like one of the three stooges.

0:31:14.080 --> 0:31:19.720
<v Speaker 1>Don't get Choist all right? Um um so really so

0:31:19.760 --> 0:31:22.000
<v Speaker 1>it was it was it was just you really felt

0:31:22.040 --> 0:31:24.920
<v Speaker 1>that you didn't have to fight laughing, There was no

0:31:25.480 --> 0:31:28.320
<v Speaker 1>It was just that was you really possessed that character

0:31:28.360 --> 0:31:31.320
<v Speaker 1>and you really hate because you really committed to that.

0:31:32.280 --> 0:31:33.800
<v Speaker 1>I mean it's a good piece of acting because you

0:31:33.840 --> 0:31:37.000
<v Speaker 1>really I really believe that you disliked her. Well I didn't,

0:31:37.080 --> 0:31:39.160
<v Speaker 1>you know, I mean she didn't do you know what.

0:31:39.440 --> 0:31:42.760
<v Speaker 1>She's not making me the supermunts of ball super give

0:31:42.800 --> 0:31:45.200
<v Speaker 1>me a pillow or to lay my head on. I mean,

0:31:45.240 --> 0:31:48.959
<v Speaker 1>what kind of services she I really just wanted to

0:31:49.720 --> 0:31:52.840
<v Speaker 1>get get Jackson alone to be able rude wanted to

0:31:52.840 --> 0:31:55.640
<v Speaker 1>get him alone, to be able to get his secrets

0:31:55.680 --> 0:32:00.760
<v Speaker 1>about carrots, you know, really about a lot of other vegetables. Uh.

0:32:01.440 --> 0:32:04.040
<v Speaker 1>And and I think Brad Jackson has known back home

0:32:04.600 --> 0:32:07.920
<v Speaker 1>as a you know, he has a sub special growing process.

0:32:08.360 --> 0:32:10.880
<v Speaker 1>And now that he's in the big town, I want

0:32:10.880 --> 0:32:13.120
<v Speaker 1>to be able to come and and take over. There

0:32:13.240 --> 0:32:17.040
<v Speaker 1>was My family had told me that now's your chance,

0:32:17.120 --> 0:32:19.320
<v Speaker 1>the big time, the big time in the big town

0:32:19.360 --> 0:32:22.960
<v Speaker 1>and stars. Yes, go see your cousins, the Backlub, the

0:32:23.000 --> 0:32:25.840
<v Speaker 1>back club. Yeah, got you, the big the big town

0:32:25.960 --> 0:32:29.960
<v Speaker 1>is starting. Okay, back lub that circle, sure, sure, sure, no,

0:32:30.120 --> 0:32:33.720
<v Speaker 1>I know, I love that. Yeah, I know. That was

0:32:33.760 --> 0:32:37.240
<v Speaker 1>my home for seven years. Yeah, um see you coming

0:32:37.280 --> 0:32:38.959
<v Speaker 1>in one day. And I didn't say that. I just

0:32:39.000 --> 0:32:42.520
<v Speaker 1>opened the door to the donut shop and I looked over.

0:32:42.680 --> 0:32:44.360
<v Speaker 1>You know my mom worked on the show too, right,

0:32:45.240 --> 0:32:50.400
<v Speaker 1>Linda Porter? Yeah, yeah, yeah, no, I know, I know.

0:32:51.680 --> 0:32:54.600
<v Speaker 1>Was we never worked together? Bear, I think we we

0:32:54.680 --> 0:32:58.960
<v Speaker 1>never really did any seems together. And that's strange. Why

0:32:59.280 --> 0:33:02.360
<v Speaker 1>did David right before she passed we did this, uh

0:33:02.640 --> 0:33:05.640
<v Speaker 1>wild not wild Heart? But what is it? David Lynch

0:33:05.760 --> 0:33:09.320
<v Speaker 1>is a twin peaks? The people go together. My mom

0:33:09.360 --> 0:33:15.880
<v Speaker 1>was brilliant, passed away. She passed away. It's a try.

0:33:16.400 --> 0:33:21.040
<v Speaker 1>I'm sorry. She's up there on Mount Heron, up there

0:33:21.520 --> 0:33:25.360
<v Speaker 1>with the She's with all the you know, important Jewish

0:33:25.360 --> 0:33:28.680
<v Speaker 1>people up there. What is it Mount SINAI. There you

0:33:28.680 --> 0:33:32.680
<v Speaker 1>go up there next to Disney, across from Disney, they're waving.

0:33:34.320 --> 0:33:37.680
<v Speaker 1>You're still sending my checks. They have like eyes on

0:33:37.760 --> 0:33:40.240
<v Speaker 1>their money over there. Well, I mean you laugh, but

0:33:40.280 --> 0:33:43.600
<v Speaker 1>I mean they're picturing that. You know, I needed to

0:33:43.600 --> 0:33:45.520
<v Speaker 1>come and have lunch with me before I passed away

0:33:45.600 --> 0:33:47.800
<v Speaker 1>up at the Mount SINAI. We have to have a

0:33:47.880 --> 0:33:50.480
<v Speaker 1>lunch of that. Why why are we gonna have lunch?

0:33:51.000 --> 0:33:53.320
<v Speaker 1>So I already pictured that. She already pictured it. That

0:33:53.360 --> 0:33:56.680
<v Speaker 1>we haven't lunched. U. She was mad that I didn't

0:33:56.680 --> 0:34:01.040
<v Speaker 1>want to go. I was scared of it. Why before

0:34:01.080 --> 0:34:04.120
<v Speaker 1>she passed away? I love every good about any of

0:34:04.200 --> 0:34:10.200
<v Speaker 1>us comes from totally agree. Yeah, it is true, very

0:34:10.320 --> 0:34:14.399
<v Speaker 1>very true. Um yeah, I lost my mom and oh

0:34:14.440 --> 0:34:17.080
<v Speaker 1>eight and the last I spent the last week of

0:34:17.080 --> 0:34:20.600
<v Speaker 1>her life with her, slept in the room with her.

0:34:20.960 --> 0:34:24.320
<v Speaker 1>Um it was quite something. It was the most magical

0:34:24.760 --> 0:34:28.520
<v Speaker 1>seven days of my life. UM. I mean the love

0:34:28.640 --> 0:34:31.279
<v Speaker 1>that was coming out of her, and I mean it

0:34:31.400 --> 0:34:34.000
<v Speaker 1>was just amazing the way she just hung in there

0:34:34.000 --> 0:34:37.080
<v Speaker 1>for her kids, you know, wanting to just soak up

0:34:37.120 --> 0:34:40.240
<v Speaker 1>everything that was, you know, the last bits of love

0:34:40.280 --> 0:34:43.960
<v Speaker 1>and joy that was she was going to experience. Um

0:34:44.080 --> 0:34:46.240
<v Speaker 1>so I was, Yeah, I feel for you, buddy, sorry

0:34:46.280 --> 0:34:52.279
<v Speaker 1>for your loss. Man likewise, yeah, um so you basically

0:34:52.360 --> 0:34:56.480
<v Speaker 1>your character roun. You pretty much roasted Laura in the

0:34:56.640 --> 0:34:59.719
<v Speaker 1>entire episode. What you what I mean? I think we're

0:34:59.719 --> 0:35:03.480
<v Speaker 1>already know how you, um I feel about her. You've

0:35:03.480 --> 0:35:06.560
<v Speaker 1>stated this, um but here's some of your greatest lines.

0:35:06.640 --> 0:35:11.840
<v Speaker 1>She's like a basketball player. Ok uh. What was the

0:35:11.880 --> 0:35:15.520
<v Speaker 1>bearded lady busy tonight or something? And then you stood

0:35:15.600 --> 0:35:18.319
<v Speaker 1>up and said, Okay, I'm getting really bored. First I

0:35:18.360 --> 0:35:22.480
<v Speaker 1>get stuck with her, and let me ask you this.

0:35:22.560 --> 0:35:25.520
<v Speaker 1>Let me ask you this. We did did Brenda? Did

0:35:25.520 --> 0:35:27.879
<v Speaker 1>Brenda Mayban in the wardrobe department tell you to wear

0:35:27.920 --> 0:35:29.759
<v Speaker 1>your hat the entire time? Your hat and coat the

0:35:29.880 --> 0:35:33.120
<v Speaker 1>entire time? Because it kind of was I'm a bald Jew.

0:35:33.200 --> 0:35:36.480
<v Speaker 1>What do you want for me? I want an answer.

0:35:36.719 --> 0:35:39.839
<v Speaker 1>I want an answer. I want an answer. If if

0:35:39.920 --> 0:35:41.719
<v Speaker 1>Brenda told you to wear the hat to the whole time,

0:35:41.760 --> 0:35:43.319
<v Speaker 1>was that your I wish I could give you the

0:35:43.360 --> 0:35:46.560
<v Speaker 1>true answer for that, the real answer aside from what

0:35:46.600 --> 0:35:50.520
<v Speaker 1>I just said. But but I mean, it's completely appropriate

0:35:50.520 --> 0:35:53.000
<v Speaker 1>because you were not settling in by the way you

0:35:53.040 --> 0:36:02.759
<v Speaker 1>have a very attractive head. You do, yeah, Billy. So

0:36:02.920 --> 0:36:11.120
<v Speaker 1>let's see. Uh all right, we're gonna do a little

0:36:11.160 --> 0:36:16.279
<v Speaker 1>section now called rapid Fire. You ready, I'm gonna throw

0:36:16.320 --> 0:36:19.120
<v Speaker 1>some questions at you? All right? How do you take

0:36:19.160 --> 0:36:26.080
<v Speaker 1>your coffee? Creamy sugar? Can you smell snow? No? Best

0:36:26.120 --> 0:36:30.959
<v Speaker 1>memory of Gilmore Girls I love when I couldn't hack.

0:36:31.200 --> 0:36:35.080
<v Speaker 1>I was struggling with Ted's death and I didn't want to.

0:36:36.040 --> 0:36:40.040
<v Speaker 1>I wanted so much to do good and but I

0:36:40.520 --> 0:36:44.160
<v Speaker 1>and they were so professional and so kind, these girls

0:36:44.280 --> 0:36:47.359
<v Speaker 1>who lead, who ran the show, and they had they go,

0:36:47.440 --> 0:36:52.080
<v Speaker 1>you know what, we're chicks, we get you done. We'll

0:36:52.120 --> 0:36:55.000
<v Speaker 1>handle it, don't sweat it. And they were so graceful

0:36:55.080 --> 0:36:58.359
<v Speaker 1>about letting me down off of my you know, where

0:36:58.360 --> 0:37:02.520
<v Speaker 1>I had built my stress up to and I was struggling,

0:37:02.640 --> 0:37:06.160
<v Speaker 1>and it was so kind and so graceful that I

0:37:06.239 --> 0:37:10.640
<v Speaker 1>just was felt well handled and just less to have

0:37:10.760 --> 0:37:13.920
<v Speaker 1>been able to work amongst you know you guys. That's

0:37:14.000 --> 0:37:17.560
<v Speaker 1>my favorite moment because I could say all kinds of wishy, washy,

0:37:17.680 --> 0:37:21.000
<v Speaker 1>you know, made up stuff, but it wouldn't be meaningful

0:37:21.040 --> 0:37:24.799
<v Speaker 1>to you and would be true. The cast member that

0:37:24.840 --> 0:37:30.000
<v Speaker 1>you've texted most recently from Guilt from Gilmore from Gilmore

0:37:30.520 --> 0:37:34.000
<v Speaker 1>And if you haven't, that's okay, No I haven't. I

0:37:34.040 --> 0:37:38.799
<v Speaker 1>was gonna say it's his actor, Alissandro Devot de Vola. Oh, sure,

0:37:38.880 --> 0:37:42.680
<v Speaker 1>he's terrific. So I've got you here, And as long

0:37:42.760 --> 0:37:44.080
<v Speaker 1>as I have you here, I want to ask you

0:37:44.200 --> 0:37:49.480
<v Speaker 1>one non Gilmore related question. I think Johnny Depp is.

0:37:50.040 --> 0:37:52.600
<v Speaker 1>I don't know if he's considered an underrated actor. I

0:37:52.600 --> 0:37:56.560
<v Speaker 1>think he's getting his accolades as as a craftsman, as

0:37:56.560 --> 0:37:58.560
<v Speaker 1>an actor. But what was it like working with him

0:37:59.360 --> 0:38:03.160
<v Speaker 1>on Blow? Because those those those scenes were electric, they

0:38:03.200 --> 0:38:05.560
<v Speaker 1>really were. We started off together. I don't know if

0:38:05.560 --> 0:38:08.680
<v Speaker 1>you know this, but Ted had me bring him the

0:38:08.719 --> 0:38:12.000
<v Speaker 1>script because he couldn't get at him through the channels,

0:38:12.880 --> 0:38:15.320
<v Speaker 1>and so I went up to his house and uh,

0:38:15.400 --> 0:38:18.759
<v Speaker 1>and it was incredibly inappropriate thing for me to do.

0:38:18.840 --> 0:38:21.160
<v Speaker 1>I put it off for months. For a couple of months.

0:38:21.360 --> 0:38:23.520
<v Speaker 1>We weren't going to get the budget. If we could

0:38:23.640 --> 0:38:31.239
<v Speaker 1>get him through Bob, Bob Shay and Bob what's his name?

0:38:31.480 --> 0:38:34.560
<v Speaker 1>You know, the Italians, the guy that got bounced, you know,

0:38:34.600 --> 0:38:38.640
<v Speaker 1>the guy what was his name? Mike de Luca? Yeah,

0:38:39.280 --> 0:38:41.799
<v Speaker 1>you got it. They were all. They were all and

0:38:42.000 --> 0:38:49.200
<v Speaker 1>you know, uh Kerry, Uh Jerry, Uh Cherry. What the

0:38:49.200 --> 0:38:51.080
<v Speaker 1>heck was this guy's name. I'm sorry this is so

0:38:51.160 --> 0:38:54.120
<v Speaker 1>long though, But in any case, I know you're talking

0:38:54.120 --> 0:38:58.200
<v Speaker 1>about is another independent financer, producer Carry. His name is

0:38:58.239 --> 0:39:04.040
<v Speaker 1>carry Um carry Woods. So carry Woods was in on

0:39:04.040 --> 0:39:07.040
<v Speaker 1>Beautiful Girls this picture we did so in any case,

0:39:07.680 --> 0:39:12.319
<v Speaker 1>the wine scenes did that one, so we they there

0:39:12.400 --> 0:39:14.719
<v Speaker 1>was a lot of pressure. I would just I grew up.

0:39:14.960 --> 0:39:17.880
<v Speaker 1>I became really good friends with an actor to Matt Dylan,

0:39:17.920 --> 0:39:20.040
<v Speaker 1>and Matt was the best man at my wedding. God

0:39:20.040 --> 0:39:22.720
<v Speaker 1>bless him. He's been a good friend. We both collect

0:39:23.040 --> 0:39:27.120
<v Speaker 1>seventy eight in Latin. We're both you know, really into jazz.

0:39:27.160 --> 0:39:30.000
<v Speaker 1>And so I went up to Johnny with the script

0:39:30.600 --> 0:39:33.479
<v Speaker 1>and uh, I'm like, hey man, you know I told

0:39:33.520 --> 0:39:35.880
<v Speaker 1>Ted for months, I can't do this. Is like, you know,

0:39:36.120 --> 0:39:37.839
<v Speaker 1>I started off my career with Johnny. We did an

0:39:38.080 --> 0:39:41.680
<v Speaker 1>a five short film together in eighty five which nobody

0:39:41.719 --> 0:39:44.239
<v Speaker 1>knows about, and it was how you got your tape

0:39:44.239 --> 0:39:46.920
<v Speaker 1>on yourself when you want to get in industry and

0:39:46.960 --> 0:39:49.400
<v Speaker 1>you didn't have an agent. They had an agent. They

0:39:49.440 --> 0:39:52.840
<v Speaker 1>were with her Tobias and associates. It was like everybody

0:39:52.840 --> 0:39:54.840
<v Speaker 1>and their mother was at disguise place. And he was

0:39:54.880 --> 0:39:58.680
<v Speaker 1>a throwback, this old agent, this old man. He was like, God,

0:39:58.719 --> 0:40:01.000
<v Speaker 1>you have been like seventies up. Man. He brought me

0:40:01.040 --> 0:40:02.319
<v Speaker 1>in this office. He goes, hey, what do you want

0:40:02.320 --> 0:40:04.799
<v Speaker 1>a scotch kid? I said, I'm fifteen, sir. He goes,

0:40:04.840 --> 0:40:07.759
<v Speaker 1>all right, well, welcome to the shop. You know this

0:40:07.800 --> 0:40:09.759
<v Speaker 1>old man, he was great, old man. Heart Tooby. It

0:40:09.800 --> 0:40:15.160
<v Speaker 1>was Johnny Depp, Jason get Trick, little known name from

0:40:15.160 --> 0:40:19.920
<v Speaker 1>back in. It was Johnny Geen, Amelia Stufs, Sean Pat,

0:40:20.000 --> 0:40:25.160
<v Speaker 1>Chris penn Uh, Johnny Sherrilyn Fan. So that's how we met.

0:40:25.360 --> 0:40:27.480
<v Speaker 1>We went to an audition at this woman's house. It

0:40:27.560 --> 0:40:30.160
<v Speaker 1>was Johnny Sherlyn and myself and we got into it.

0:40:30.440 --> 0:40:33.759
<v Speaker 1>Johnny and I got into like a physical improv same

0:40:33.800 --> 0:40:36.840
<v Speaker 1>by accident with these characters, and we fell and Johnny

0:40:36.880 --> 0:40:39.839
<v Speaker 1>had this arrowhead medallion and it went and hit him

0:40:39.880 --> 0:40:41.640
<v Speaker 1>in his eyes. So all through the film he's got

0:40:41.719 --> 0:40:43.799
<v Speaker 1>a black eye in the shape of an arrowhead under

0:40:43.880 --> 0:40:47.360
<v Speaker 1>his eye. When we when we were ut, we wrestled,

0:40:48.000 --> 0:40:50.680
<v Speaker 1>but we have this VHS tape and I'm sure he

0:40:50.760 --> 0:40:54.800
<v Speaker 1>probably liked either had it all like take it. I

0:40:55.000 --> 0:40:56.960
<v Speaker 1>don't know how you could get that like from a

0:40:57.080 --> 0:40:59.200
<v Speaker 1>F five, but I haven't seen it since then, but

0:40:59.280 --> 0:41:03.280
<v Speaker 1>it was like it was really like the night before

0:41:04.120 --> 0:41:07.600
<v Speaker 1>the night before we filmed. On the first day at

0:41:07.640 --> 0:41:09.239
<v Speaker 1>my house, I was supposed to tell my dad that

0:41:09.320 --> 0:41:12.920
<v Speaker 1>we were gonna film there in my room and they

0:41:12.960 --> 0:41:16.120
<v Speaker 1>were having copy and I go the crews here and

0:41:16.160 --> 0:41:18.280
<v Speaker 1>they had their kids are bringing out of these lines.

0:41:19.200 --> 0:41:23.040
<v Speaker 1>Why are like long long power chords and stuff for lights?

0:41:23.080 --> 0:41:25.640
<v Speaker 1>And my dad just left without saying. He was so bissed,

0:41:26.360 --> 0:41:29.200
<v Speaker 1>and he called me. He's like when we come back now, like, yeah,

0:41:29.320 --> 0:41:32.560
<v Speaker 1>I'm sorry, I'm really sorry. He's like, wow, you really

0:41:32.600 --> 0:41:35.000
<v Speaker 1>pissed me off, Max. And I'm like, okay, well you

0:41:35.080 --> 0:41:36.640
<v Speaker 1>wanted me to do so you said I had to

0:41:36.719 --> 0:41:39.640
<v Speaker 1>drop out. I had to do something, trying to do something.

0:41:40.120 --> 0:41:41.879
<v Speaker 1>He said, you're not gonna get it done this way.

0:41:41.920 --> 0:41:44.319
<v Speaker 1>You're not gonna be a professional unless you study under

0:41:44.400 --> 0:41:47.680
<v Speaker 1>masters from years old. And I said, I never said

0:41:47.719 --> 0:41:50.200
<v Speaker 1>I wanted to be an actor. I said I I

0:41:51.560 --> 0:41:54.440
<v Speaker 1>want to try to do something, you know, and you

0:41:54.480 --> 0:41:56.520
<v Speaker 1>know you're struggling with your dad. And I've never been

0:41:56.600 --> 0:41:58.839
<v Speaker 1>really beaten by my father. Maybe I should have been

0:41:59.360 --> 0:42:02.320
<v Speaker 1>that was you know probably no, no, no, you didn't

0:42:02.360 --> 0:42:05.759
<v Speaker 1>miss out on anything, trust me. And I was like,

0:42:06.080 --> 0:42:08.480
<v Speaker 1>I worked at a punk rock club. I would speak

0:42:08.480 --> 0:42:10.160
<v Speaker 1>out at fourteen years old and I worked at this

0:42:10.520 --> 0:42:13.719
<v Speaker 1>punk rock club in Hollywood. I was watching, like inadvertently

0:42:13.880 --> 0:42:17.480
<v Speaker 1>that the whole music scene, like the genre being created

0:42:17.520 --> 0:42:20.240
<v Speaker 1>with punk and rock and roll, rockabilly and country western

0:42:20.320 --> 0:42:22.320
<v Speaker 1>and all this stuff. And it was all these great

0:42:23.680 --> 0:42:28.000
<v Speaker 1>passionate musicians, but it was this tight knit scene people

0:42:28.040 --> 0:42:30.520
<v Speaker 1>that just wanted to go jam. Hour after I sold,

0:42:30.600 --> 0:42:32.120
<v Speaker 1>like eight in the morning, you wound up and they

0:42:32.120 --> 0:42:39.759
<v Speaker 1>were iconic uh road road road signs on this you

0:42:39.840 --> 0:42:44.360
<v Speaker 1>know highway of uh you know, of of mystery and

0:42:44.640 --> 0:42:47.600
<v Speaker 1>desire that I grew up in the eighties and you

0:42:47.680 --> 0:42:50.000
<v Speaker 1>know Hollywood, you know, being a fly on the wall.

0:42:50.040 --> 0:42:51.759
<v Speaker 1>And I was too young to be at these over

0:42:51.840 --> 0:42:53.640
<v Speaker 1>twenty one clubs and you just couldn't get rid of

0:42:54.120 --> 0:42:56.480
<v Speaker 1>because the cops didn't mind me, so I could get

0:42:56.560 --> 0:42:59.160
<v Speaker 1>arrested in I worked at over twenty one club. I

0:42:59.200 --> 0:43:02.000
<v Speaker 1>was a DJ and all the nightclubs in l A

0:43:02.160 --> 0:43:04.000
<v Speaker 1>when I was a kid, and so I got it

0:43:04.239 --> 0:43:07.879
<v Speaker 1>so you gave You gave the script to Johnny. Yeah,

0:43:07.960 --> 0:43:10.440
<v Speaker 1>how you give and he and he read the script

0:43:10.520 --> 0:43:14.479
<v Speaker 1>and he liked it, and he saw the twenty million

0:43:14.520 --> 0:43:19.680
<v Speaker 1>dollar offer attached to it, and Jed said, tell him,

0:43:19.760 --> 0:43:23.160
<v Speaker 1>there's twenty million dollars attached to this and give up

0:43:23.239 --> 0:43:25.719
<v Speaker 1>the script. And you're the first. You know your cast

0:43:25.840 --> 0:43:28.800
<v Speaker 1>Max already, but just do this for us. And I

0:43:28.880 --> 0:43:32.839
<v Speaker 1>really felt uncomfortable doing it. And yeah, but you gotta

0:43:32.880 --> 0:43:35.880
<v Speaker 1>do you gotta bring people together. Uh, you don't know

0:43:36.040 --> 0:43:37.800
<v Speaker 1>that you're supposed to do stuff like that. That's a

0:43:37.880 --> 0:43:40.919
<v Speaker 1>really tough thing, taking twenty million dollars to your friend. Yeah,

0:43:41.800 --> 0:43:43.920
<v Speaker 1>well you never asked for anything. You don't what you

0:43:44.000 --> 0:43:46.520
<v Speaker 1>gonna do it? Awkward situation. I think you were asking

0:43:46.600 --> 0:43:51.000
<v Speaker 1>for anything. I think you were giving him something, you

0:43:51.080 --> 0:43:53.120
<v Speaker 1>know what I mean? No, but I hear you. It's

0:43:53.239 --> 0:43:56.920
<v Speaker 1>it's a tough favor to ask. But I don't know.

0:43:57.719 --> 0:44:00.320
<v Speaker 1>You know, he was a guy for the for he

0:44:00.440 --> 0:44:04.080
<v Speaker 1>made it happen, and so everybody, you know, did their part.

0:44:04.280 --> 0:44:06.760
<v Speaker 1>It was a good film. It was a fun film

0:44:06.840 --> 0:44:09.560
<v Speaker 1>to watch. It was a really good editing of the

0:44:09.600 --> 0:44:11.680
<v Speaker 1>film with Ted and we were buddies. Tight You know,

0:44:12.400 --> 0:44:15.400
<v Speaker 1>I'd like, I think you really you know, we you

0:44:15.480 --> 0:44:19.239
<v Speaker 1>know he you know he. Uh. It was just such

0:44:19.280 --> 0:44:22.279
<v Speaker 1>a givving and a guy like that just said to you, hey, guys,

0:44:22.320 --> 0:44:23.279
<v Speaker 1>you want to be a part of this, come on,

0:44:23.400 --> 0:44:27.360
<v Speaker 1>let's go. Hey, come on, you guys want to do

0:44:27.840 --> 0:44:30.600
<v Speaker 1>to have fun. I like you guys to you know,

0:44:30.760 --> 0:44:33.000
<v Speaker 1>you know your energy that you bring and you would

0:44:33.000 --> 0:44:36.640
<v Speaker 1>say things like that that were true you know about

0:44:37.280 --> 0:44:41.040
<v Speaker 1>you know, the people that he was bringing together. But anyway,

0:44:41.080 --> 0:44:46.839
<v Speaker 1>I'm sorry Ted, Ted. Uh definitely was a sweetheart. Yeah,

0:44:48.280 --> 0:44:50.640
<v Speaker 1>well you're a sweetheart to You're a sweet guy, Max,

0:44:50.920 --> 0:44:54.719
<v Speaker 1>And uh, thank you for spending time with us. Thank

0:44:54.800 --> 0:44:57.719
<v Speaker 1>you for sharing these stories. Uh and we would love

0:44:57.800 --> 0:45:00.160
<v Speaker 1>to have you back on at some point and uh

0:45:00.600 --> 0:45:05.719
<v Speaker 1>any time. This was this was a very uh a

0:45:05.880 --> 0:45:09.320
<v Speaker 1>very interesting uh journey back in time. And uh, I

0:45:09.400 --> 0:45:13.239
<v Speaker 1>hope it didn't tax you emotionally too much. But I

0:45:13.400 --> 0:45:16.239
<v Speaker 1>think I think everybody can see and hear that Max

0:45:16.280 --> 0:45:20.080
<v Speaker 1>Perlock is the real deal. This is what an actor is.

0:45:20.880 --> 0:45:26.120
<v Speaker 1>A committed UM actor who feels everything that he does

0:45:26.280 --> 0:45:29.120
<v Speaker 1>or he can't do it, and that's the soul of

0:45:29.239 --> 0:45:32.160
<v Speaker 1>what we do UM. And some people are just a

0:45:32.239 --> 0:45:35.279
<v Speaker 1>little more committed to their craft than others. And it's

0:45:35.320 --> 0:45:38.879
<v Speaker 1>pretty clear that you're one of those uh, very very

0:45:38.960 --> 0:45:43.719
<v Speaker 1>committed artists who um, you know, creates from the very

0:45:43.960 --> 0:45:47.640
<v Speaker 1>uh depths of his soul. And we appreciate it because

0:45:47.680 --> 0:45:52.839
<v Speaker 1>you gave a very very memorable performance and I had

0:45:52.840 --> 0:45:54.840
<v Speaker 1>a lot of fun with and guess what, the audience

0:45:54.880 --> 0:46:00.600
<v Speaker 1>had a tremendous amount of time, tremendous time uh watching

0:46:00.640 --> 0:46:03.520
<v Speaker 1>your work, man, So thank you for that. Okay. I

0:46:04.120 --> 0:46:06.640
<v Speaker 1>enjoy what I saw when I watched it. It made me,

0:46:07.600 --> 0:46:10.800
<v Speaker 1>you know, very warm inside. And when I saw what

0:46:11.200 --> 0:46:14.080
<v Speaker 1>the work that you know, in all of the episodes

0:46:14.160 --> 0:46:17.600
<v Speaker 1>that you guys put together, and I just enjoy watching

0:46:17.719 --> 0:46:22.680
<v Speaker 1>the Truth of Gilmore Girls. So bravo, thank you, buddy. Hey, alright,

0:46:23.200 --> 0:46:32.360
<v Speaker 1>much love to you man, giving you a big hug. Okay, alight. Wow. Wow,

0:46:35.760 --> 0:46:39.600
<v Speaker 1>that's an actor for you right there. That's an actor

0:46:40.239 --> 0:46:48.920
<v Speaker 1>living it. You know, people, people don't understand sometimes what

0:46:49.080 --> 0:46:56.400
<v Speaker 1>it takes to do this job. I'm Riley, and this

0:46:56.480 --> 0:46:59.040
<v Speaker 1>is your pop culture. First, we have Rory Yoga oh

0:46:59.120 --> 0:47:02.280
<v Speaker 1>no really, Lane, a very misunderstood artist and the Beatles

0:47:02.320 --> 0:47:05.080
<v Speaker 1>would have broken up anyway. Yoko Ono was married to

0:47:05.080 --> 0:47:08.160
<v Speaker 1>the Beatles John Lennon. Together they had a son named

0:47:08.239 --> 0:47:11.800
<v Speaker 1>Sean Lennon and Yoko Ono means one child in Japanese.

0:47:12.360 --> 0:47:14.399
<v Speaker 1>She had a guest appearance on the TV show Matt

0:47:14.480 --> 0:47:18.839
<v Speaker 1>About You called Yoko Said, and the Bear Naked Ladies

0:47:18.840 --> 0:47:21.840
<v Speaker 1>wrote a song called be My Yoko Ono. Yeah. You know.

0:47:21.960 --> 0:47:26.680
<v Speaker 1>The Beatles were uh at odds at that time, but

0:47:26.840 --> 0:47:30.759
<v Speaker 1>John and Paul basically hated each other um and they

0:47:30.800 --> 0:47:33.400
<v Speaker 1>didn't want to be in the same room. And George,

0:47:33.920 --> 0:47:36.279
<v Speaker 1>George was trying to get out of the band. He

0:47:36.440 --> 0:47:39.160
<v Speaker 1>was sick of all the arguing, and he was sick

0:47:39.280 --> 0:47:44.040
<v Speaker 1>of getting his great songs rejected. His great songs were

0:47:44.080 --> 0:47:47.640
<v Speaker 1>not getting on the albums. It probably wasn't yoos. It

0:47:47.760 --> 0:47:50.800
<v Speaker 1>probably wasn't Yoko's fault, because George wanted out a couple

0:47:50.840 --> 0:47:54.400
<v Speaker 1>of times, and I think he even delivered uh to

0:47:54.800 --> 0:47:58.200
<v Speaker 1>who was it at their manager, like I'm leaving the band.

0:47:58.480 --> 0:48:00.279
<v Speaker 1>I can't stand this. I'm gonna go make my own

0:48:00.280 --> 0:48:04.400
<v Speaker 1>album because I like they Paul rejected um while my

0:48:04.560 --> 0:48:08.200
<v Speaker 1>guitar gently weeps. If you can believe that, I do

0:48:08.400 --> 0:48:11.000
<v Speaker 1>think there's a chance, though, you'll go. And John could

0:48:11.040 --> 0:48:14.399
<v Speaker 1>have been having dinner and he's like, should I stay?

0:48:14.680 --> 0:48:18.520
<v Speaker 1>And she's like, nah, go. That could have happened, but

0:48:18.640 --> 0:48:22.319
<v Speaker 1>it's I just think those guys were together for so long,

0:48:22.400 --> 0:48:24.880
<v Speaker 1>since the time they were sixteen years old. They went

0:48:24.960 --> 0:48:28.200
<v Speaker 1>to Germany together and they were in Hamburg and they

0:48:28.239 --> 0:48:30.799
<v Speaker 1>were eight seventeen, eighteen and nineteen. I think John might

0:48:30.840 --> 0:48:33.400
<v Speaker 1>have been twenty at that time. John was the oldest,

0:48:34.120 --> 0:48:37.960
<v Speaker 1>but I mean George was seventeen, I think maybe eighteen,

0:48:38.000 --> 0:48:41.319
<v Speaker 1>but seventeen years old, and he wanted out. He wanted out,

0:48:41.640 --> 0:48:44.880
<v Speaker 1>he wanted out. So I don't think Yoko had a

0:48:44.960 --> 0:48:47.919
<v Speaker 1>lot to do with it. Rory says, okay, I must

0:48:47.960 --> 0:48:52.400
<v Speaker 1>listen to anyone named Claudine La j Claudine is a singer, actress, dancer,

0:48:52.520 --> 0:48:55.760
<v Speaker 1>and recording artists popular during the nineteen sixties and nineteen seventies.

0:48:56.120 --> 0:48:59.120
<v Speaker 1>She was married two times. She actually shot and killed

0:48:59.160 --> 0:49:01.960
<v Speaker 1>her boyfriend and Olympic skier and only spent thirty days

0:49:02.000 --> 0:49:04.600
<v Speaker 1>in jail for it. And one of our marriages was

0:49:04.680 --> 0:49:08.480
<v Speaker 1>to Andy Williams, who discovered the Osmond's yea Spider Savage

0:49:08.840 --> 0:49:12.520
<v Speaker 1>the skier. He was a very popular guy in Aspen.

0:49:13.160 --> 0:49:15.640
<v Speaker 1>He was an entrepreneur, after his skiing career. He was

0:49:15.920 --> 0:49:17.440
<v Speaker 1>he was I think he was an Olympic skier and

0:49:17.480 --> 0:49:19.279
<v Speaker 1>then a pro. They used to have a pro ski

0:49:19.560 --> 0:49:22.560
<v Speaker 1>racing circuit that they would televise on NBC ABC every weekend.

0:49:22.600 --> 0:49:25.200
<v Speaker 1>It was like the um Wide World of Sports that

0:49:25.200 --> 0:49:28.400
<v Speaker 1>always had the pros racing in tandem. They'd have the

0:49:28.480 --> 0:49:31.759
<v Speaker 1>dual courses right side by side, and Spider Savage was

0:49:32.480 --> 0:49:35.399
<v Speaker 1>one of the leading money winners. Laura La to Luke,

0:49:35.880 --> 0:49:39.880
<v Speaker 1>that's very Richard Simmons, of you a great one. Richard

0:49:39.920 --> 0:49:42.920
<v Speaker 1>Simmons is famous for his red and white shorts. He

0:49:43.120 --> 0:49:45.919
<v Speaker 1>found an anonymous note attached to his car about his weight,

0:49:46.040 --> 0:49:49.439
<v Speaker 1>and this ultimately led to his body transformation. His most

0:49:49.680 --> 0:49:52.840
<v Speaker 1>famous workout tapes were Sweating to the Oldies and Sweat

0:49:52.880 --> 0:49:55.880
<v Speaker 1>and Shout and Richard Simmons is still alive, but no

0:49:55.960 --> 0:49:58.759
<v Speaker 1>one knows where he is. He disappeared. The topic became

0:49:58.800 --> 0:50:01.960
<v Speaker 1>a codtast called seeing Richard Simmons. I bet you you

0:50:02.040 --> 0:50:03.960
<v Speaker 1>know what, I bet you he's a Gilmore fan and

0:50:04.120 --> 0:50:06.560
<v Speaker 1>let's get him on the show. That is an excellent podcast,

0:50:06.640 --> 0:50:09.480
<v Speaker 1>by the way, that's that's a good good Which one

0:50:10.320 --> 0:50:13.520
<v Speaker 1>having him on this show or his own Missing Richard Simmons,

0:50:13.960 --> 0:50:16.120
<v Speaker 1>and nobody can find him. But after you give us

0:50:16.160 --> 0:50:18.880
<v Speaker 1>five stars, pop on over to Missing Richard Simmons and

0:50:19.280 --> 0:50:23.040
<v Speaker 1>take a listen. Laura, look, I know that Mrs Kim

0:50:23.120 --> 0:50:26.120
<v Speaker 1>and Robert Duval in The Great Santina share striking resemblance,

0:50:26.239 --> 0:50:29.720
<v Speaker 1>but she is Lane's mom, a nineteen seventy nine American

0:50:29.800 --> 0:50:33.080
<v Speaker 1>drama film based on Pat Conroy's novel The Great Santini.

0:50:33.680 --> 0:50:37.400
<v Speaker 1>The Great Santina's original name was Wilburt Bull Meetchum and

0:50:37.520 --> 0:50:40.000
<v Speaker 1>Robert Duval was an American actor that has been nominated

0:50:40.040 --> 0:50:44.000
<v Speaker 1>for seven Academy Awards and seven Golden Globe Awards. Robert's

0:50:44.080 --> 0:50:46.960
<v Speaker 1>three biggest movies were Apocalypse Now, The Godfather, and The

0:50:47.040 --> 0:50:50.719
<v Speaker 1>Tom Cruise Classic Days of Summer Wrong. His biggest movie

0:50:50.840 --> 0:50:55.000
<v Speaker 1>was To Kill a Mockingbird launched him. He's still alive

0:50:55.120 --> 0:51:00.600
<v Speaker 1>and in is ninety years old. Laura Lee says, you're nervous.

0:51:01.480 --> 0:51:03.360
<v Speaker 1>You don't have some guy staring at you like he

0:51:03.560 --> 0:51:08.279
<v Speaker 1>shared and you're the kid from mask so Um Share

0:51:08.360 --> 0:51:12.240
<v Speaker 1>plays Rusty Davis, the mom of Rocky. Eric Saltz plays

0:51:12.320 --> 0:51:16.840
<v Speaker 1>Rocky Dennis, and actor Eric Saltz wore so much makeup

0:51:16.960 --> 0:51:19.520
<v Speaker 1>for the movie, so he had to present idea security

0:51:19.600 --> 0:51:22.000
<v Speaker 1>at a post production party to prove who he was.

0:51:23.360 --> 0:51:27.120
<v Speaker 1>Eric Stoltz was the original. Uh, he was casting back

0:51:27.160 --> 0:51:28.680
<v Speaker 1>to the future and they fired him and they hired

0:51:28.719 --> 0:51:30.480
<v Speaker 1>Michael Jacks. Yes, and if you go on YouTube you

0:51:30.520 --> 0:51:34.879
<v Speaker 1>can even see some of his scenes. Really yeah, Lane

0:51:34.920 --> 0:51:41.440
<v Speaker 1>says Beethoven, the one with the dog. So Beethoven, American

0:51:41.560 --> 0:51:45.280
<v Speaker 1>family comedy about a st Bernard. The dog playing Beethoven

0:51:45.400 --> 0:51:48.560
<v Speaker 1>had twelve doubles and one of them was actually named Beethoven.

0:51:49.560 --> 0:51:53.759
<v Speaker 1>The film stars Oliver Platt, Bonnie Hunt, Charles Crowdon, and

0:51:53.880 --> 0:51:58.320
<v Speaker 1>Patricia Heaton all start in the movie. Joseph Gordon Levitt

0:51:58.360 --> 0:52:01.239
<v Speaker 1>made his first ever film appearance as student number one,

0:52:02.360 --> 0:52:04.480
<v Speaker 1>and in addition to the trained dogs on set, a

0:52:04.560 --> 0:52:08.239
<v Speaker 1>mechanical dog was used to achieve facial expressions and reactions

0:52:08.560 --> 0:52:11.040
<v Speaker 1>with Scott. Did you were you ever like in your

0:52:11.080 --> 0:52:14.759
<v Speaker 1>early days? Like bus Boy number two, waiter number three,

0:52:15.320 --> 0:52:18.440
<v Speaker 1>like Joseph Gordon Levit But in big films, No, No,

0:52:18.880 --> 0:52:22.000
<v Speaker 1>I was never an extra. I never did extra work.

0:52:22.480 --> 0:52:25.319
<v Speaker 1>What did you get your sag card for? I think

0:52:25.400 --> 0:52:29.200
<v Speaker 1>I got it for a movie. The first thing I

0:52:29.320 --> 0:52:35.799
<v Speaker 1>did out here was with Tracy Lord's then, no, it wasn't.

0:52:35.920 --> 0:52:40.240
<v Speaker 1>It was a detective. I was a detective. I played

0:52:40.239 --> 0:52:43.320
<v Speaker 1>her husband. She was a detective. We were detectives. It

0:52:43.520 --> 0:52:46.600
<v Speaker 1>was during the I was out on vacation. I got

0:52:46.680 --> 0:52:48.600
<v Speaker 1>this part, was living in New York, and so I

0:52:48.640 --> 0:52:50.360
<v Speaker 1>had to stay out here. And it was during the

0:52:52.200 --> 0:52:53.840
<v Speaker 1>you know, there was a lot of We were shooting

0:52:53.920 --> 0:52:56.080
<v Speaker 1>right in the middle of those Rodney King riots in

0:52:56.200 --> 0:53:01.919
<v Speaker 1>the whole city in the nineties. Yeah, yeah, nine, indeed two, yeah,

0:53:02.000 --> 0:53:05.160
<v Speaker 1>it was. It was yeah, early nineties. Yeah. And they

0:53:05.239 --> 0:53:08.600
<v Speaker 1>had to put us in the back seat of cars,

0:53:08.680 --> 0:53:11.200
<v Speaker 1>down on the floorboards, covered in blankets to get us

0:53:11.239 --> 0:53:13.520
<v Speaker 1>out of that because we were shooting downtown. We were

0:53:13.560 --> 0:53:16.480
<v Speaker 1>shooting downtown the Oscar a former Oscar Meyer. We in

0:53:16.520 --> 0:53:19.400
<v Speaker 1>a warehouse and we're doing all this gunfire and chasing

0:53:19.440 --> 0:53:21.440
<v Speaker 1>each other around building, shooting gun So they had to

0:53:21.440 --> 0:53:23.080
<v Speaker 1>get us out of there. Like two Riley, were you

0:53:23.280 --> 0:53:31.560
<v Speaker 1>born in called intent to kill? It was with Yaffa Kodo,

0:53:32.440 --> 0:53:38.520
<v Speaker 1>Yaffa Kodo Angelo tiff Me, Tracy Lord's uh, and then

0:53:38.920 --> 0:53:47.239
<v Speaker 1>actually Tracy Lords did there It is second billing, yes, yes,

0:53:48.400 --> 0:53:51.719
<v Speaker 1>And then Tracy Lords we'll put on the Instagram, but

0:53:51.760 --> 0:53:54.759
<v Speaker 1>we're all looking at she did. I didn't make it

0:53:54.880 --> 0:53:58.880
<v Speaker 1>on the poster though, say, um, that was just Tracy

0:53:59.000 --> 0:54:02.480
<v Speaker 1>Lord's legs it right, am? I No, I don't think

0:54:02.560 --> 0:54:06.239
<v Speaker 1>that's me? Is that me? Maybe I'm there a thing

0:54:06.320 --> 0:54:08.120
<v Speaker 1>on fire in the background that you can't see. I

0:54:08.160 --> 0:54:10.960
<v Speaker 1>don't know. But she was on an episode of Gilmore Girls.

0:54:12.120 --> 0:54:16.640
<v Speaker 1>Are you actually she actually did an episode of Gilmore Girls.

0:54:16.680 --> 0:54:19.640
<v Speaker 1>I think it was like season four. We are absolutely

0:54:19.760 --> 0:54:25.320
<v Speaker 1>having her one. Yeah, I was. That was I was

0:54:25.360 --> 0:54:28.880
<v Speaker 1>having a good time on that. I was having a

0:54:28.960 --> 0:54:31.080
<v Speaker 1>real I had so I had all my friends visiting

0:54:31.120 --> 0:54:32.960
<v Speaker 1>me every night because we were doing night shoots on

0:54:33.000 --> 0:54:36.520
<v Speaker 1>Hollywood Boulevard car crashes and stuff, and uh so I

0:54:36.600 --> 0:54:38.880
<v Speaker 1>was basically having a party. I just big trailer and

0:54:39.360 --> 0:54:41.480
<v Speaker 1>and I was having a party in there every single night.

0:54:41.560 --> 0:54:43.279
<v Speaker 1>It was so much. Your job is to try to

0:54:43.360 --> 0:54:47.360
<v Speaker 1>find this movie so we can all watch it, and

0:54:47.480 --> 0:54:49.799
<v Speaker 1>then next weekend while I watch saw what Saw Were

0:54:49.840 --> 0:54:51.799
<v Speaker 1>You in? I was? I think I was at four

0:54:51.880 --> 0:54:56.520
<v Speaker 1>and five. I was so horrendously bad and intent to

0:54:56.640 --> 0:54:59.800
<v Speaker 1>kill it's kind of embarrassing. I was so bad and

0:55:00.200 --> 0:55:02.600
<v Speaker 1>movie it was the better for us to watch. Oh

0:55:02.719 --> 0:55:07.160
<v Speaker 1>you'll laugh, You're you'll laugh. We have one more in

0:55:07.280 --> 0:55:09.879
<v Speaker 1>speaking of movies, So this is Attack of the fifty

0:55:09.920 --> 0:55:13.080
<v Speaker 1>ft Woman. Attack of the fifty ft Woman is a

0:55:14.200 --> 0:55:17.680
<v Speaker 1>science fiction horror. The film was shot in eight days

0:55:17.920 --> 0:55:21.160
<v Speaker 1>and was under budget. The film's poster was ranked number

0:55:21.239 --> 0:55:24.960
<v Speaker 1>eight on the Best Movie Posters Ever by Premier magazine,

0:55:25.360 --> 0:55:27.920
<v Speaker 1>and the original title for the film was the Astounding

0:55:28.040 --> 0:55:30.640
<v Speaker 1>giant woman. You know that could be could have been

0:55:30.719 --> 0:55:37.120
<v Speaker 1>Laurel I in Run's eyes, you know, commenting on her

0:55:37.239 --> 0:55:41.080
<v Speaker 1>size constantly. What size is your shoe? How tall are you?

0:55:41.800 --> 0:55:45.600
<v Speaker 1>East referred to her as an East German basketball player

0:55:47.800 --> 0:55:50.239
<v Speaker 1>had the same size shoe as Laurel I, size nine.

0:55:51.160 --> 0:55:54.719
<v Speaker 1>She said it, yeah, and Ruin was like, whoa. It

0:55:54.800 --> 0:56:00.200
<v Speaker 1>made me feel all sorts of things. Oh, I'm fightful, right,

0:56:00.239 --> 0:56:03.440
<v Speaker 1>just got a big foot, so Lawrence probably I don't know,

0:56:03.600 --> 0:56:09.960
<v Speaker 1>she's five eight five nine, yeah, Lawrence tall you Attack

0:56:10.000 --> 0:56:12.759
<v Speaker 1>of the five nine Woman, Attack of the five that

0:56:12.960 --> 0:56:15.160
<v Speaker 1>Maybe that was the original title for Gilmore Girls, The

0:56:15.200 --> 0:56:19.600
<v Speaker 1>Attack of the five nine Woman and her daughter. All right, everybody,

0:56:19.680 --> 0:56:23.520
<v Speaker 1>let's do uh, let's do favorite lines. Let's Riley start

0:56:23.600 --> 0:56:26.400
<v Speaker 1>us off. What's your favorite line in this episode, So

0:56:26.520 --> 0:56:29.480
<v Speaker 1>this has to be probably my favorite line of season one,

0:56:29.880 --> 0:56:36.640
<v Speaker 1>and is you know, maybe sometime we could. No, no, no,

0:56:36.760 --> 0:56:38.920
<v Speaker 1>I have a great line from this episode. I have

0:56:39.000 --> 0:56:42.839
<v Speaker 1>a great line. It is you know, maybe some time

0:56:43.280 --> 0:56:48.840
<v Speaker 1>we could mine's better than all of yours. Hold on

0:56:48.920 --> 0:56:55.920
<v Speaker 1>one second, you know, maybe sometime we could. My favorite

0:56:56.000 --> 0:57:04.960
<v Speaker 1>line is, um, you know, maybe sometime we could the

0:57:05.600 --> 0:57:11.680
<v Speaker 1>jingling door. Maybe sometime we could. I could ring your

0:57:11.719 --> 0:57:21.240
<v Speaker 1>bell maybe sometimes momentous. That's funny, good stuff, good stuff.

0:57:21.240 --> 0:57:24.400
<v Speaker 1>All right, So we're gonna add a little uh section here,

0:57:25.440 --> 0:57:28.480
<v Speaker 1>a wonderful idea from a fan, uh that we're going

0:57:28.560 --> 0:57:34.160
<v Speaker 1>to adopt. It's called required reading and today recommendation, or

0:57:34.360 --> 0:57:36.960
<v Speaker 1>not really a recommendation, it's pretty much a command for

0:57:37.080 --> 0:57:42.760
<v Speaker 1>everybody to read the following the unabridged Journals of Sylvia Plath.

0:57:42.960 --> 0:57:46.280
<v Speaker 1>Rory was reading this book on the bench in front

0:57:46.320 --> 0:57:51.760
<v Speaker 1>of her old high school. And just a little more background.

0:57:51.840 --> 0:57:56.560
<v Speaker 1>She was married to Ted Hughes, who was quite a

0:57:56.640 --> 0:58:02.000
<v Speaker 1>gifted writer poet. He wrote series book of poems called Crow.

0:58:02.160 --> 0:58:05.840
<v Speaker 1>So read Ted Hughes as well. And that's my personal recommendation.

0:58:06.440 --> 0:58:10.880
<v Speaker 1>Classic episode, Classic episode, And uh, don't forget the next

0:58:10.920 --> 0:58:14.920
<v Speaker 1>episode number thirteen. Episode thirteen is concert interrupt Us, so

0:58:15.000 --> 0:58:17.320
<v Speaker 1>I want everybody to watch it, so we're all up

0:58:17.360 --> 0:58:20.400
<v Speaker 1>to speed. Don't forget, everybody. I'm going to be at

0:58:20.400 --> 0:58:24.920
<v Speaker 1>the Mohegan Sun uh this coming weekend. Uh and what

0:58:25.120 --> 0:58:30.880
<v Speaker 1>is it? Uncasville, Unksville, Connecticut at the Mohegan Sun Casino.

0:58:31.160 --> 0:58:34.080
<v Speaker 1>Come on by. I want to say hello to everybody. UM,

0:58:35.080 --> 0:58:39.280
<v Speaker 1>take some photos, share some stories, and I believe we're

0:58:39.320 --> 0:58:42.000
<v Speaker 1>doing a We are going to be doing a podcast

0:58:42.240 --> 0:58:46.960
<v Speaker 1>from the venue Sunday one o'clock with special guest Shawn

0:58:47.000 --> 0:58:49.880
<v Speaker 1>Gun and maybe some other surprise guests as well. We're

0:58:49.880 --> 0:58:51.280
<v Speaker 1>gonna have a lot of fun, do some Q and A.

0:58:51.400 --> 0:58:55.000
<v Speaker 1>So come on by to that panel uh slash podcast

0:58:55.080 --> 0:58:58.919
<v Speaker 1>Sunday at Mohegan Sun and let's have some fun. Guys.

0:58:59.120 --> 0:59:01.720
<v Speaker 1>All right, that's it, Thanks for thanks for tuning in,

0:59:02.080 --> 0:59:33.680
<v Speaker 1>and we'll see you next time, honestly, ga Hey everybody,

0:59:33.720 --> 0:59:37.000
<v Speaker 1>and don't forget. Follow us on Instagram at I Am

0:59:37.120 --> 0:59:41.560
<v Speaker 1>All In podcast and Emailie at Gilmore at I Heart

0:59:41.720 --> 0:59:44.640
<v Speaker 1>radio dot com. Oh you gil More fans. If you're

0:59:44.640 --> 0:59:46.439
<v Speaker 1>looking for the best cup of coffee in the world,

0:59:46.520 --> 0:59:50.200
<v Speaker 1>go to my website. For my company scott ep dot

0:59:50.280 --> 0:59:52.320
<v Speaker 1>com s c O T. T. Y P dot com,

0:59:52.440 --> 0:59:56.200
<v Speaker 1>scott ep dot com Grade one Specialty Coffee