1 00:00:00,760 --> 00:00:17,520 Speaker 1: I am all in. Oh, thank you. I am all 2 00:00:17,600 --> 00:00:22,159 Speaker 1: in with Scott Patterson and I Heart Radio podcast. All right, 3 00:00:22,200 --> 00:00:26,040 Speaker 1: hevery everybody, welcome back. This is Scott Patterson and this 4 00:00:26,120 --> 00:00:30,000 Speaker 1: is the I Am All In podcast I Heart Radio. 5 00:00:30,320 --> 00:00:34,440 Speaker 1: What an episode? My god? Was this episode fun? Or what? 6 00:00:35,200 --> 00:00:38,120 Speaker 1: We're gonna bring in Riley now? And we're going to 7 00:00:38,200 --> 00:00:43,840 Speaker 1: do synopsis of Double Date? So twelve, go ahead, Roley. 8 00:00:44,080 --> 00:00:48,960 Speaker 1: This is episode twelve, Double Date Air date, January one. Lane, 9 00:00:49,040 --> 00:00:52,000 Speaker 1: convinced that Dean's friend is the boy for her, convinces 10 00:00:52,080 --> 00:00:55,280 Speaker 1: Rory to double date with her. Laura. Laie reluctantly accepts 11 00:00:55,280 --> 00:00:59,880 Speaker 1: a double blind date with Jackson, Sukie and Jackson's cousin. Rude. 12 00:01:00,560 --> 00:01:05,760 Speaker 1: You asked out? You asked out? I did twice twice, 13 00:01:05,840 --> 00:01:10,120 Speaker 1: and and not denied twice but interrupted twice. What it 14 00:01:10,200 --> 00:01:15,280 Speaker 1: was like asking out? Datus interrupt us, Mrs Mrs Kim 15 00:01:15,360 --> 00:01:19,920 Speaker 1: comes storming in looking for Lane, like throwing a mom 16 00:01:20,040 --> 00:01:22,880 Speaker 1: fit right in the middle of my asking out, Laurel. Right, 17 00:01:22,959 --> 00:01:26,320 Speaker 1: it just it just I just kept getting jammed up. Oh, 18 00:01:26,440 --> 00:01:28,000 Speaker 1: we listen to it? Why don't we listen to that? 19 00:01:28,480 --> 00:01:37,000 Speaker 1: Let's go ahead, you know, maybe sometime we could again 20 00:01:37,160 --> 00:01:47,400 Speaker 1: Eastern playing it again, you know, maybe sometime we could moments. 21 00:01:49,320 --> 00:01:53,680 Speaker 1: Do you remember it? I don't, and I really like 22 00:01:54,720 --> 00:01:56,920 Speaker 1: and I don't like watching myself, but I like watching 23 00:01:56,920 --> 00:02:00,480 Speaker 1: this stuff because it's so underplayed, and I really like it. 24 00:02:00,480 --> 00:02:03,920 Speaker 1: It's it's small, you know, the acting is small, so 25 00:02:03,960 --> 00:02:07,600 Speaker 1: it can be big, and it's just I really liked it. Um. 26 00:02:07,640 --> 00:02:12,000 Speaker 1: I enjoyed that and her look when after waitingnute at 27 00:02:12,040 --> 00:02:14,920 Speaker 1: the end he does it again and he's successful. Right 28 00:02:15,000 --> 00:02:17,520 Speaker 1: at the end of it, he's successful. She's wearing that 29 00:02:17,600 --> 00:02:19,880 Speaker 1: she's she has a ponytail, and she's wearing that top, 30 00:02:19,960 --> 00:02:23,839 Speaker 1: that cool looking top that she had on. And yeah, 31 00:02:23,919 --> 00:02:25,400 Speaker 1: that time, it was more like, oh, we'll do it 32 00:02:25,440 --> 00:02:28,960 Speaker 1: again sometimes right right, right right. It was more casual. 33 00:02:29,280 --> 00:02:31,800 Speaker 1: But didn't she look so good when she when she 34 00:02:32,000 --> 00:02:36,919 Speaker 1: looked at me as I was going back behind the counter. 35 00:02:37,760 --> 00:02:40,480 Speaker 1: You mean tall, tall Lorea Lie, tall tall Lorea Lie 36 00:02:40,520 --> 00:02:43,160 Speaker 1: with her big ears, right tall, her size and what 37 00:02:43,280 --> 00:02:47,399 Speaker 1: size shoe do you wear? So we're gonna get into 38 00:02:47,400 --> 00:02:50,800 Speaker 1: all this. We're gonna get into uh uh double date. 39 00:02:50,919 --> 00:02:53,800 Speaker 1: What an episode, guys. This was. This was just a 40 00:02:53,880 --> 00:02:56,680 Speaker 1: laugh riot from beginning to end. It could have been 41 00:02:56,720 --> 00:03:01,360 Speaker 1: called double double date. Yes, could have been all, you know, 42 00:03:02,520 --> 00:03:06,840 Speaker 1: the attack of Lane's mom. I had such higher hopes 43 00:03:06,880 --> 00:03:10,440 Speaker 1: for Lane's date, and then that didn't turn out how 44 00:03:10,480 --> 00:03:15,760 Speaker 1: I hoped it would. Yeah, she tried, She tried, Lane tried. 45 00:03:15,919 --> 00:03:18,320 Speaker 1: It was a valiant effort to try to get some 46 00:03:18,440 --> 00:03:23,400 Speaker 1: kind of intelligence out of this boy. Um, there was 47 00:03:23,720 --> 00:03:28,800 Speaker 1: no intelligence to be had out of this young boy, 48 00:03:29,720 --> 00:03:33,600 Speaker 1: Dean's friend. I guess he's a bro, he's a good 49 00:03:33,680 --> 00:03:35,920 Speaker 1: dude and all that, but man, I tell you he's 50 00:03:36,000 --> 00:03:40,160 Speaker 1: not yet turned into dating material. Yeah, he wasn't the 51 00:03:40,360 --> 00:03:45,400 Speaker 1: he wasn't the word smith. Lane was hoping he's no Dean. 52 00:03:45,520 --> 00:03:47,720 Speaker 1: Let me tell you. Watching this episode, I was like, 53 00:03:48,280 --> 00:03:51,720 Speaker 1: Dean is such a babe, like kissing her and doing 54 00:03:51,720 --> 00:03:53,440 Speaker 1: all that kind of stuff. I was like, if I 55 00:03:53,480 --> 00:03:56,800 Speaker 1: was Rory, I would be all about Dean, which she is. 56 00:03:56,920 --> 00:04:02,640 Speaker 1: But major hot points for in this episode. He was, 57 00:04:03,080 --> 00:04:07,320 Speaker 1: you know, quite adamant that he wanted to chew on 58 00:04:07,440 --> 00:04:11,640 Speaker 1: her face when he wanted to do it. He didn't 59 00:04:11,680 --> 00:04:14,760 Speaker 1: want to listen, he didn't want to do favors. He 60 00:04:15,000 --> 00:04:19,560 Speaker 1: just wanted to mc daddy, mcdaddy, mcdaddy, let's break down, 61 00:04:19,640 --> 00:04:23,440 Speaker 1: Mrs Kim because what do we think of Mrs Kim? 62 00:04:23,560 --> 00:04:27,119 Speaker 1: Is she way too strict? Is she just look looking 63 00:04:27,120 --> 00:04:31,160 Speaker 1: out for her daughter's best interest? Is she just out 64 00:04:31,160 --> 00:04:34,760 Speaker 1: of her mind? Mrs Kim is so strict. But it 65 00:04:34,800 --> 00:04:37,920 Speaker 1: puts Rory in this predicament that we've seen a couple 66 00:04:37,920 --> 00:04:41,039 Speaker 1: of times where she has to lie to do what 67 00:04:41,160 --> 00:04:44,400 Speaker 1: Lane wants, you know, or Lane is always hiding out 68 00:04:44,400 --> 00:04:50,440 Speaker 1: at their house or uh. In this case, even Rory's 69 00:04:50,480 --> 00:04:54,159 Speaker 1: in trouble because she lied, which makes lore Lie upset. 70 00:04:55,000 --> 00:05:00,800 Speaker 1: So it is sort of a situation ship. What was 71 00:05:00,839 --> 00:05:06,720 Speaker 1: the lie? She she lied? Date? Right? We right, she 72 00:05:06,720 --> 00:05:08,360 Speaker 1: couldn't go on a date. It's supposed to be at 73 00:05:08,440 --> 00:05:11,160 Speaker 1: Rory's house, and she's at the movies with the boy 74 00:05:11,320 --> 00:05:14,080 Speaker 1: and she's not supposed to be and and and and 75 00:05:14,160 --> 00:05:16,800 Speaker 1: Rory didn't tell Laura Liae that Lane was going to 76 00:05:16,880 --> 00:05:19,720 Speaker 1: be on the date either yeah, or she didn't tell 77 00:05:19,760 --> 00:05:23,400 Speaker 1: her that Lane wasn't allowed to go. Yeah, because Rory 78 00:05:23,480 --> 00:05:26,000 Speaker 1: told Laura Lee, I'm going We're going to the movies 79 00:05:26,000 --> 00:05:31,000 Speaker 1: with Dean, but didn't fail to or didn't say that, Hey, 80 00:05:31,200 --> 00:05:34,440 Speaker 1: Mrs Kim doesn't know this play right? And then you 81 00:05:34,480 --> 00:05:36,600 Speaker 1: know that puts Laura in a bad spot because now 82 00:05:36,680 --> 00:05:39,560 Speaker 1: Mrs Kim can't trust her going forward. And I don't 83 00:05:39,560 --> 00:05:42,480 Speaker 1: think Laura Lee will lie as a mom to another mom. 84 00:05:42,800 --> 00:05:47,839 Speaker 1: She won't do it. Yeah, she definitely has mom code. 85 00:05:47,880 --> 00:05:51,800 Speaker 1: So I think it's there are challenging elements for Rory 86 00:05:51,839 --> 00:05:56,640 Speaker 1: and Lane because they want to do things and they 87 00:05:57,200 --> 00:05:58,880 Speaker 1: you know, it goes back to even the candy bar. 88 00:05:58,920 --> 00:06:04,279 Speaker 1: Oh that's mine. They've a lion to Mrs Kim since uh, 89 00:06:04,640 --> 00:06:07,919 Speaker 1: episode two or whatever episode that was, But that was 90 00:06:08,120 --> 00:06:11,240 Speaker 1: that when Laura I went to see Mrs Kim. That 91 00:06:11,320 --> 00:06:14,919 Speaker 1: was a powerful scene. It was a beautifully acted scene 92 00:06:14,920 --> 00:06:20,480 Speaker 1: by Emily Corona. Wow. Yes, And it's it could be 93 00:06:20,560 --> 00:06:25,000 Speaker 1: hurtful to Laurel that there's judgment. Even though Laura LA 94 00:06:25,160 --> 00:06:29,240 Speaker 1: has proven herself to be in a really excellent mother, 95 00:06:30,320 --> 00:06:34,200 Speaker 1: Mrs Kim still has judgment, right, she's blaming Laureala for 96 00:06:34,240 --> 00:06:36,159 Speaker 1: that when it's not her faults. And Laura LA shows 97 00:06:36,240 --> 00:06:39,960 Speaker 1: up and now Emily mrs Kim sees her as like, 98 00:06:40,040 --> 00:06:43,520 Speaker 1: you're a screw up and Laura I admits that, yeah, 99 00:06:43,560 --> 00:06:47,200 Speaker 1: I screwed up and I'll never be what the mom? That? 100 00:06:48,480 --> 00:06:50,680 Speaker 1: What did she say? She sails? She said something so 101 00:06:50,720 --> 00:06:54,440 Speaker 1: self deprecated. She goes and very nasty, but she handled 102 00:06:54,440 --> 00:06:57,680 Speaker 1: it beautifully. Mrs Kim said, I hope I don't want 103 00:06:58,279 --> 00:07:02,240 Speaker 1: Lane to turn out like you, And she said, you 104 00:07:02,279 --> 00:07:04,240 Speaker 1: know what, I don't want Lane to turn out like 105 00:07:04,360 --> 00:07:10,080 Speaker 1: me either, And what a what a moment? My god? Um, 106 00:07:10,080 --> 00:07:11,760 Speaker 1: and I don't want and I don't want Rory to 107 00:07:11,800 --> 00:07:14,880 Speaker 1: turn out like me either. Again, Yeah, Mrs Kim has 108 00:07:14,920 --> 00:07:20,400 Speaker 1: the best of intentions, she just has a first way. Well, 109 00:07:20,480 --> 00:07:24,680 Speaker 1: I mean, you know, trust is a big deal. I 110 00:07:24,720 --> 00:07:27,920 Speaker 1: mean it's it's a big deal. I think it's also 111 00:07:27,920 --> 00:07:30,960 Speaker 1: a respect thing, at least with you know, mother daughter. 112 00:07:31,200 --> 00:07:33,440 Speaker 1: With my family, it's the same thing. You know. It's 113 00:07:33,440 --> 00:07:36,720 Speaker 1: like if your dad gives you these rules, you follow them. 114 00:07:36,760 --> 00:07:39,760 Speaker 1: And Lane wasn't doing that. So I think Mrs Kim 115 00:07:40,200 --> 00:07:43,080 Speaker 1: saw red when she found out that not only was 116 00:07:43,080 --> 00:07:46,400 Speaker 1: her daughter lying, but she also wasn't obeying her and 117 00:07:46,440 --> 00:07:51,480 Speaker 1: respecting her. Very interesting dynamic and what a powerful actress 118 00:07:51,560 --> 00:07:56,680 Speaker 1: coming into Luke's diner, breaking up my moment, my moment? 119 00:07:56,760 --> 00:07:59,640 Speaker 1: Where is my moment? Here we go? You know, maybe 120 00:08:00,080 --> 00:08:06,960 Speaker 1: sometime we could. I wonder what would have happened had 121 00:08:07,080 --> 00:08:10,040 Speaker 1: Mrs Kim not just like barged into the diner. Would 122 00:08:10,080 --> 00:08:16,920 Speaker 1: you have gotten your kiss you years earlier? No? I 123 00:08:16,960 --> 00:08:19,440 Speaker 1: think she delayed it a little bit, not much. Who 124 00:08:19,440 --> 00:08:28,200 Speaker 1: knows if if things were to go stay on his plans, Um, yeah, 125 00:08:28,240 --> 00:08:32,560 Speaker 1: would have happened probably that year, that season. But yeah, 126 00:08:32,800 --> 00:08:36,640 Speaker 1: life got in the way for four years. We weren't 127 00:08:36,679 --> 00:08:40,600 Speaker 1: ready for it. Wait, what card game was that you 128 00:08:40,600 --> 00:08:45,880 Speaker 1: guys were playing? Five card draw? Is that coker? But 129 00:08:46,000 --> 00:08:48,880 Speaker 1: you let her break the rules but I did. I 130 00:08:48,920 --> 00:08:54,760 Speaker 1: gave her four extra and if you want four cards, 131 00:08:54,760 --> 00:08:56,400 Speaker 1: you have to show your ace. The only way you 132 00:08:56,400 --> 00:08:58,400 Speaker 1: can get four cards is to have an ace. And 133 00:08:58,440 --> 00:09:00,520 Speaker 1: I didn't require that. She showed me right, So I 134 00:09:00,600 --> 00:09:02,720 Speaker 1: was just like, really, just like you, just you just 135 00:09:02,760 --> 00:09:07,880 Speaker 1: really like her? Yeah, I like her scene I did. 136 00:09:07,920 --> 00:09:09,480 Speaker 1: I liked when he pulled when he pulled out the 137 00:09:09,520 --> 00:09:11,920 Speaker 1: deck of cards. I think that was cool because I mean, 138 00:09:11,920 --> 00:09:14,600 Speaker 1: when I grew up playing cards, That's what we do 139 00:09:14,640 --> 00:09:16,520 Speaker 1: on these coasts. We played a lot of cards when 140 00:09:16,559 --> 00:09:18,880 Speaker 1: our kids. We gambled when our kids. It was unbelievable. 141 00:09:19,520 --> 00:09:22,640 Speaker 1: Do we feel that Jackson and Suki are on their 142 00:09:22,640 --> 00:09:28,280 Speaker 1: way now? That was some of the best acted stuff 143 00:09:28,679 --> 00:09:32,960 Speaker 1: I've seen yet. Those two together were magic. That was hysterical, 144 00:09:33,240 --> 00:09:36,200 Speaker 1: and the moment that laurelized just like not she doesn't 145 00:09:36,200 --> 00:09:37,720 Speaker 1: know what's going on. She's just trying to figure out 146 00:09:37,760 --> 00:09:41,000 Speaker 1: why these two are being so awkward and and tentative 147 00:09:41,040 --> 00:09:45,360 Speaker 1: with one another. It was hysterical. Was that a great scene? Oh? Sure, no, 148 00:09:45,520 --> 00:09:48,440 Speaker 1: you can lie to No, thank you? Right? It was 149 00:09:48,480 --> 00:09:52,400 Speaker 1: completely different behavior with their normal and everyone can relate 150 00:09:52,440 --> 00:09:55,000 Speaker 1: because Suki did throw it out there and then they 151 00:09:55,040 --> 00:09:57,840 Speaker 1: never get the day and she doesn't want to be 152 00:09:57,880 --> 00:10:00,880 Speaker 1: the one to say it again. Yeah, but come on, 153 00:10:01,040 --> 00:10:03,320 Speaker 1: he's gotta he's got to grow a pair and and 154 00:10:03,400 --> 00:10:06,920 Speaker 1: call him like, come on, I agree? What the heck 155 00:10:07,040 --> 00:10:09,720 Speaker 1: was that all about? Like she should like be be 156 00:10:09,800 --> 00:10:12,559 Speaker 1: a modern woman and you call him no, you want 157 00:10:12,559 --> 00:10:16,520 Speaker 1: to go out sometime? Yeah? What about Suki's palm hair 158 00:10:16,640 --> 00:10:23,720 Speaker 1: upd favorite? It was so like promsk in her dress, 159 00:10:23,800 --> 00:10:27,120 Speaker 1: she looks I loved, I loved everything about the whole 160 00:10:27,200 --> 00:10:30,000 Speaker 1: double day. How can you not love Melissa McCarthy, I mean, 161 00:10:30,040 --> 00:10:34,960 Speaker 1: what what a performance? What what a just incredibly likable 162 00:10:35,320 --> 00:10:41,720 Speaker 1: actress person, so vulnerable, so sweet, you can't not root 163 00:10:41,760 --> 00:10:45,119 Speaker 1: for her? I mean it's it's impossible. It's humanly impossible 164 00:10:45,120 --> 00:10:49,480 Speaker 1: not to root for her. Um, just just great stuff, 165 00:10:49,520 --> 00:10:55,760 Speaker 1: really great stuff. Um, what else can and there was 166 00:10:55,840 --> 00:10:58,199 Speaker 1: there was no Emily in this at all? Was there? 167 00:10:58,240 --> 00:11:01,600 Speaker 1: I noticed there was no only no clown pillow either. 168 00:11:01,679 --> 00:11:04,600 Speaker 1: It was very It was less stressful an episode, even 169 00:11:04,600 --> 00:11:08,800 Speaker 1: with the Max Parlick stuff and going after Laurela that way. 170 00:11:08,800 --> 00:11:11,760 Speaker 1: It was it just seemed like, you know, Emily's character 171 00:11:11,880 --> 00:11:17,400 Speaker 1: does introduce an element of stress, um, very entertaining where 172 00:11:17,400 --> 00:11:21,040 Speaker 1: he needed um, but the tension really ratchets up when 173 00:11:21,120 --> 00:11:24,480 Speaker 1: she comes on screen. That was missing in this episode. 174 00:11:24,480 --> 00:11:28,600 Speaker 1: There was far less tension um because I think what 175 00:11:28,600 --> 00:11:32,760 Speaker 1: what what Mrs Kim was doing was real and powerful, 176 00:11:32,840 --> 00:11:35,760 Speaker 1: but sort of more comedic, you know what I'm saying. 177 00:11:35,800 --> 00:11:39,800 Speaker 1: It was more um, Oh, it was just funnier stuff. 178 00:11:40,400 --> 00:11:49,520 Speaker 1: You know. Maybe sometimes we could Oh my god, did 179 00:11:49,600 --> 00:11:57,600 Speaker 1: you hear the accent so much? You know, maybe some 180 00:11:57,720 --> 00:12:08,760 Speaker 1: time we could sometime you had an accent? What is 181 00:12:08,800 --> 00:12:14,280 Speaker 1: that accent? Gilmore? Yeah, that's the Gilmore. I was trying 182 00:12:14,320 --> 00:12:16,040 Speaker 1: to find the character, you know, in the beginning of 183 00:12:16,080 --> 00:12:26,319 Speaker 1: the series, and uh, you know, sometime you good, it's 184 00:12:26,600 --> 00:12:34,280 Speaker 1: how you're doing. Maybe sometime God, you guys, I would 185 00:12:34,320 --> 00:12:38,240 Speaker 1: so shook when it happened. I think I didn't remember 186 00:12:38,400 --> 00:12:41,080 Speaker 1: from the other five times I've seen this episode, and 187 00:12:41,080 --> 00:12:42,880 Speaker 1: then all of a sudden, I'm like, oh my god, 188 00:12:43,200 --> 00:12:46,000 Speaker 1: like alone, I'm talking to the TV. Oh my god. 189 00:12:46,280 --> 00:12:51,959 Speaker 1: Oh he's asked around twice. I mean, I was going 190 00:12:52,000 --> 00:12:53,600 Speaker 1: to the hoop. I don't know if I was going 191 00:12:53,640 --> 00:12:57,200 Speaker 1: to hoop very strong, but I was going to the hoop. Yes, 192 00:12:57,640 --> 00:13:01,079 Speaker 1: I agree with it. I got foul. Mrs Kim fouled 193 00:13:01,120 --> 00:13:04,560 Speaker 1: me and she found I couldn't get to the hope. 194 00:13:05,000 --> 00:13:08,160 Speaker 1: Maybe it wasn't strong, but it was real. It was real, Yeah, 195 00:13:09,040 --> 00:13:11,880 Speaker 1: but I think it was strong. It was like, I mean, 196 00:13:11,960 --> 00:13:16,920 Speaker 1: let's compare the methodology of a Max mctina versus a Luke. 197 00:13:17,640 --> 00:13:20,520 Speaker 1: I mean, what do you guys prefer. Yeah, Max is 198 00:13:20,559 --> 00:13:23,240 Speaker 1: coming in hot, and it's coming too hot, like just 199 00:13:23,360 --> 00:13:25,640 Speaker 1: like he's going to get called for an offensive foul. 200 00:13:26,360 --> 00:13:28,760 Speaker 1: He's coming too strong to the hoop. You know, we 201 00:13:28,840 --> 00:13:31,920 Speaker 1: called that quick out of the shoots, so you never 202 00:13:32,080 --> 00:13:36,520 Speaker 1: want to trust too quick out of the shoots. It's like, oh, 203 00:13:36,760 --> 00:13:41,000 Speaker 1: dial it back. Yeah, he came in too hot, and 204 00:13:41,080 --> 00:13:44,880 Speaker 1: that's why it's if you want a girl like Laurela, 205 00:13:45,400 --> 00:13:47,760 Speaker 1: you better be a little crafty about it. You better 206 00:13:47,800 --> 00:13:50,720 Speaker 1: be kind of you know, just subtle, under the radar 207 00:13:50,960 --> 00:13:53,720 Speaker 1: when she least expect it, like boom. You know what 208 00:13:53,760 --> 00:13:58,640 Speaker 1: I mean? Can I give an off the wall comparison? Different, different, 209 00:13:58,840 --> 00:14:03,720 Speaker 1: but yet the same Carrie and Mr Big because she 210 00:14:03,880 --> 00:14:06,800 Speaker 1: did not come quick out of the shoots. And it's like, 211 00:14:07,040 --> 00:14:14,160 Speaker 1: that's why it worked for all those years. Oh, get yourself. 212 00:14:16,600 --> 00:14:19,000 Speaker 1: I know what it is. I've seen episodes. I like it, 213 00:14:19,080 --> 00:14:22,120 Speaker 1: but I just never watched it from beginning. Then it's 214 00:14:22,160 --> 00:14:24,640 Speaker 1: just that dance. It's that dance that you and Lorela 215 00:14:24,680 --> 00:14:28,800 Speaker 1: are going to do, and it's going to last because 216 00:14:29,560 --> 00:14:32,920 Speaker 1: you're not just like in our face. I didn't realize 217 00:14:32,960 --> 00:14:35,160 Speaker 1: I was on her this quick. I'm trying to close 218 00:14:35,240 --> 00:14:38,440 Speaker 1: that deal started in episode two when she asked if 219 00:14:38,440 --> 00:14:43,640 Speaker 1: you were cute? That was the biggest dead giveaway of anything. 220 00:14:43,960 --> 00:14:46,560 Speaker 1: Do you think Luke is cute? I'll never forget it. 221 00:14:47,040 --> 00:14:49,160 Speaker 1: I got a full bucket of golf balls, have only 222 00:14:49,200 --> 00:14:50,600 Speaker 1: hit a couple of balls. I got a lot of 223 00:14:50,600 --> 00:14:54,360 Speaker 1: balls left. It's a really unfortunate way of putting it. 224 00:14:54,400 --> 00:15:00,200 Speaker 1: I just heard myself say that, really, really, what what 225 00:15:00,400 --> 00:15:03,360 Speaker 1: is a rune. What is a ruin? The name my 226 00:15:03,440 --> 00:15:05,480 Speaker 1: parents gave me, that's what it is. No, No, what 227 00:15:05,680 --> 00:15:08,680 Speaker 1: is it rune? How did they name you Ruin? What 228 00:15:08,800 --> 00:15:12,320 Speaker 1: is it ruin? You see it? Do? At the counter? 229 00:15:12,600 --> 00:15:17,960 Speaker 1: She's like says up about what's a room? What's a rune? God? 230 00:15:18,520 --> 00:15:21,560 Speaker 1: I mean, did she just want to smack him? Or 231 00:15:21,560 --> 00:15:23,880 Speaker 1: what I mean? Did he? He's so deserved it. When 232 00:15:23,920 --> 00:15:26,560 Speaker 1: she wanted to powder her nose, he said to her, 233 00:15:26,600 --> 00:15:28,040 Speaker 1: he under his breath, he looked at her, goes he 234 00:15:28,160 --> 00:15:30,160 Speaker 1: better get a lot of powder. Gonna need a lot 235 00:15:30,160 --> 00:15:35,880 Speaker 1: of powder for that. No, no, he Danielle caught something 236 00:15:36,800 --> 00:15:40,120 Speaker 1: amazing that I did not notice that she can reveal 237 00:15:40,240 --> 00:15:43,360 Speaker 1: to the world. What what is this? When they were 238 00:15:43,400 --> 00:15:50,600 Speaker 1: at dinner, did you see rune beheading the butter and 239 00:15:50,640 --> 00:15:53,760 Speaker 1: then and then in another shot and then another shot. 240 00:15:54,000 --> 00:15:58,000 Speaker 1: The swan was still still had a head. So he 241 00:15:58,840 --> 00:16:01,080 Speaker 1: that was a little against us, as he Yeah, he's 242 00:16:01,720 --> 00:16:08,440 Speaker 1: beheading the swans butter. Swans. Fancy. I had to rewind 243 00:16:08,480 --> 00:16:10,720 Speaker 1: it like five times because it's like he did not 244 00:16:10,840 --> 00:16:13,720 Speaker 1: just do that. Now, what is your gut that he 245 00:16:13,800 --> 00:16:15,880 Speaker 1: was directed to do that? Or he thought of it? 246 00:16:16,040 --> 00:16:19,960 Speaker 1: Because we will ask him. We will ask him. I 247 00:16:20,000 --> 00:16:25,040 Speaker 1: think I'm gonna put my money on that's his choice. 248 00:16:26,400 --> 00:16:29,600 Speaker 1: I think he came up with that. If he did, 249 00:16:30,080 --> 00:16:33,840 Speaker 1: he is a genius. Yes, there's, there's and worthy of 250 00:16:33,880 --> 00:16:36,320 Speaker 1: the award he won. He won an Independent Spirit Award 251 00:16:36,320 --> 00:16:39,160 Speaker 1: for Best Supporting Mail on drug Store Cowboy by the Way, 252 00:16:39,520 --> 00:16:43,400 Speaker 1: Little fact toy. Yes, he's just he's he's he's quite 253 00:16:43,440 --> 00:16:46,200 Speaker 1: and he was in blow with Johnny Depp. He's the 254 00:16:46,240 --> 00:16:48,200 Speaker 1: guy that gave him up at the end of the film. 255 00:16:48,240 --> 00:16:51,840 Speaker 1: He was in Ferrispieler's Day Off and Can't Buy Me Love. Yeah, 256 00:16:52,000 --> 00:16:53,640 Speaker 1: I know that, but I see he's also in blow 257 00:16:53,680 --> 00:16:59,280 Speaker 1: with Johnny Depp. He's so I love Max Perlck's so icon. 258 00:17:00,680 --> 00:17:05,960 Speaker 1: He's that guy gonna I need more, I need more? 259 00:17:06,040 --> 00:17:07,920 Speaker 1: What what do you want me to do? It's like, 260 00:17:08,000 --> 00:17:10,399 Speaker 1: you know, you only make one flight, a couple of 261 00:17:10,440 --> 00:17:16,880 Speaker 1: flights a week. We need more, We need more. What 262 00:17:17,800 --> 00:17:23,080 Speaker 1: he's on Today's part way? Max Perlock is coming on today? Alright, alright, 263 00:17:23,119 --> 00:17:25,320 Speaker 1: let's get Max on right now. Can't wait to talk 264 00:17:25,320 --> 00:17:30,720 Speaker 1: to him. Let's get him on. Run Run buddy, Hello, 265 00:17:31,119 --> 00:17:37,480 Speaker 1: hey budd, what's happening? Where are you I'm at home 266 00:17:37,960 --> 00:17:42,159 Speaker 1: in Okay, cool by the piano. There you go, Buddy, 267 00:17:42,280 --> 00:17:46,479 Speaker 1: Nice to see you, Max Perlick, Ladies and Gentlemen. Here 268 00:17:46,520 --> 00:17:48,960 Speaker 1: he is. He appeared as Ruining a total of three episodes. 269 00:17:49,680 --> 00:17:53,439 Speaker 1: He's an American film television actor's career began when he 270 00:17:53,520 --> 00:17:55,960 Speaker 1: dropped out of high school to pursue a small part 271 00:17:56,080 --> 00:18:00,639 Speaker 1: in Ferris Bueller's Day Off, and then appeared and Can't 272 00:18:00,640 --> 00:18:05,800 Speaker 1: Buy Me Love? Playing Close eight drug Store Cowboy eighty nine. 273 00:18:05,840 --> 00:18:08,960 Speaker 1: He won the Independent Spirit Award for Best Supporting Mail 274 00:18:09,720 --> 00:18:15,040 Speaker 1: and Drugs Store Cowboy. Wow Um. And also it doesn't 275 00:18:15,040 --> 00:18:18,000 Speaker 1: mention here, but one of my favorite movies Blow Uh 276 00:18:18,200 --> 00:18:20,879 Speaker 1: you were You were also in Blow opposite Johnny Depp, 277 00:18:21,480 --> 00:18:23,520 Speaker 1: and I have some questions for you about that on 278 00:18:23,600 --> 00:18:27,080 Speaker 1: television here and Gilmore Girls Charmed. My name is Earl Terminator, 279 00:18:27,119 --> 00:18:32,600 Speaker 1: Sarah Connor Chronicles, Luscious Jackson, Max, Welcome to I Am 280 00:18:32,680 --> 00:18:37,360 Speaker 1: All In podcast. How you doing pal? Huh? Thank you? 281 00:18:40,160 --> 00:18:44,320 Speaker 1: So so you've appeared in in some iconic projects, uh 282 00:18:44,600 --> 00:18:47,240 Speaker 1: like Ferris bure Loose, Day Off and Charms. How how 283 00:18:47,280 --> 00:18:50,080 Speaker 1: did you get tell us about the process of getting 284 00:18:51,000 --> 00:18:58,560 Speaker 1: the role of Roon on Gilmore Ruin was put to me. Uh, 285 00:18:58,600 --> 00:19:05,600 Speaker 1: and I was really excited about the professionals and the 286 00:19:06,040 --> 00:19:12,879 Speaker 1: skill sets that they had. Uh Palladino uh uh Lauren 287 00:19:13,520 --> 00:19:19,200 Speaker 1: uh uh ed ed Edward Herman is it Edward Herman? 288 00:19:20,160 --> 00:19:26,600 Speaker 1: I mean amazing casting, amazing production staff, writing staff. They 289 00:19:26,680 --> 00:19:31,040 Speaker 1: had a system that was just locked in and all 290 00:19:31,080 --> 00:19:33,840 Speaker 1: you had to do is basically, in my opinion, to 291 00:19:33,920 --> 00:19:37,040 Speaker 1: show up and be able to make it sing. And 292 00:19:37,080 --> 00:19:39,720 Speaker 1: if you had to have that cadence, you know, with 293 00:19:39,840 --> 00:19:43,920 Speaker 1: their with the material was just if you understood any 294 00:19:44,000 --> 00:19:48,680 Speaker 1: kind of any kind of tone, if you had any 295 00:19:48,760 --> 00:19:52,640 Speaker 1: kind of musical inclinations, you did well with with their 296 00:19:52,920 --> 00:19:57,600 Speaker 1: writing because it was really just about the tempo. You know. Yeah, 297 00:19:57,640 --> 00:20:00,280 Speaker 1: it felt it felt like an Iambic almost, you know, 298 00:20:00,320 --> 00:20:03,440 Speaker 1: there was there definitely was a rhythm to it. Absolutely, 299 00:20:03,640 --> 00:20:07,879 Speaker 1: um yeah, you know, and you know I've been on 300 00:20:09,040 --> 00:20:10,399 Speaker 1: you know, I did a sign Feld that I was 301 00:20:10,480 --> 00:20:13,400 Speaker 1: very organized and buttoned down. I did All and Will 302 00:20:13,480 --> 00:20:15,280 Speaker 1: and Grace. I did some other stuff before I got 303 00:20:15,320 --> 00:20:18,680 Speaker 1: Gilmore and it was all really smooth, sailing, great cruise. 304 00:20:18,720 --> 00:20:22,359 Speaker 1: Did Gilmore more of the same. But then after after 305 00:20:22,480 --> 00:20:24,760 Speaker 1: I did Gilmore, I did a couple of series and 306 00:20:24,800 --> 00:20:28,080 Speaker 1: it was just kind of a mess, you know. It 307 00:20:28,240 --> 00:20:31,240 Speaker 1: was I really missed that whole Gilmore crew and how 308 00:20:31,480 --> 00:20:34,520 Speaker 1: how cracked they were, you know, and how they really 309 00:20:34,560 --> 00:20:36,520 Speaker 1: had it or it was kubricky and you know, it's 310 00:20:36,560 --> 00:20:39,840 Speaker 1: like Stanley Kubrick was known for his organization and that 311 00:20:39,840 --> 00:20:41,760 Speaker 1: that's what you need to bring to bear on a 312 00:20:42,119 --> 00:20:44,280 Speaker 1: on a TV set. So tell us a little bit 313 00:20:44,280 --> 00:20:46,880 Speaker 1: about your first day on set. What you can remember 314 00:20:46,920 --> 00:20:51,960 Speaker 1: being a first day on set. I remember being nervous 315 00:20:52,280 --> 00:20:59,880 Speaker 1: um because I felt, you know, it was high bar two. 316 00:21:00,320 --> 00:21:03,119 Speaker 1: I was always just nervous because there was a lot 317 00:21:03,200 --> 00:21:06,439 Speaker 1: of people, uh that You're always used to seeing the 318 00:21:06,440 --> 00:21:12,199 Speaker 1: positions of the the different guys crew, but when it 319 00:21:12,240 --> 00:21:17,800 Speaker 1: comes to being in touch with the material, I always 320 00:21:17,840 --> 00:21:21,520 Speaker 1: just felt like I needed to really be it focused 321 00:21:21,520 --> 00:21:24,520 Speaker 1: and I just wanted to to just watch as much 322 00:21:24,560 --> 00:21:30,240 Speaker 1: as possible and absorb their process, the workings for the 323 00:21:30,280 --> 00:21:33,520 Speaker 1: cast and how you guys were working to just kind 324 00:21:33,520 --> 00:21:36,200 Speaker 1: of tap into that so that I could do my 325 00:21:36,200 --> 00:21:39,920 Speaker 1: my due diligence. And I was just trying to mesh 326 00:21:39,960 --> 00:21:42,199 Speaker 1: with you know, get a get a good feel, you know, 327 00:21:42,359 --> 00:21:45,000 Speaker 1: and it's always it's like you're the new kid in 328 00:21:45,080 --> 00:21:48,560 Speaker 1: school because you're you know, your guests are you know 329 00:21:49,160 --> 00:21:52,360 Speaker 1: that feeling that you kind of I built my resume 330 00:21:52,840 --> 00:21:56,960 Speaker 1: in the nineties on guest starring on big sitcoms, and yeah, 331 00:21:56,960 --> 00:22:00,880 Speaker 1: it's nerve wracking, really nerve wracking. I did a Einfeld 332 00:22:01,240 --> 00:22:03,359 Speaker 1: and that was really nerve wracking, because that's like getting 333 00:22:03,359 --> 00:22:04,800 Speaker 1: called up to the big leagues and you don't know 334 00:22:04,840 --> 00:22:09,080 Speaker 1: if you're ready or not, you know, but I get it. Yeah, 335 00:22:09,480 --> 00:22:13,680 Speaker 1: I just know that I aspire to be with it 336 00:22:14,040 --> 00:22:18,280 Speaker 1: and be in, you know, for the greater good and 337 00:22:18,440 --> 00:22:21,840 Speaker 1: be able to to tap into what the writer has 338 00:22:22,880 --> 00:22:27,720 Speaker 1: put down and at the very least expects the cadiens 339 00:22:27,800 --> 00:22:30,760 Speaker 1: to be there. And you you hope, and you wish 340 00:22:30,760 --> 00:22:34,199 Speaker 1: you can hire the right athletes to go to that 341 00:22:34,400 --> 00:22:36,879 Speaker 1: for you. And and I just felt really lucky, and 342 00:22:37,200 --> 00:22:40,359 Speaker 1: I felt like I was in good a really good company, 343 00:22:40,400 --> 00:22:43,160 Speaker 1: and I wanted to I wanted to do well, that's 344 00:22:43,200 --> 00:22:45,119 Speaker 1: kind of what I remember. Well, you hit it out 345 00:22:45,160 --> 00:22:48,200 Speaker 1: of the park, pal, what a great episode. Hysterically funny. 346 00:22:48,520 --> 00:22:52,000 Speaker 1: I mean, just you know, being so contentious with with 347 00:22:52,080 --> 00:22:55,600 Speaker 1: Laurel I and he's calling her an East German basketball 348 00:22:55,600 --> 00:22:59,119 Speaker 1: player and she's too tall, and I mean that was hysterical, 349 00:23:00,240 --> 00:23:04,159 Speaker 1: absolutely hysterical, to be fair. I mean, Room, you know, 350 00:23:04,400 --> 00:23:07,879 Speaker 1: really had great aspirations of becoming a you know, a 351 00:23:08,400 --> 00:23:12,520 Speaker 1: top rate cort of culturist and caret grower, and he, uh, 352 00:23:12,720 --> 00:23:17,080 Speaker 1: you know, he didn't tell Jackson about his aspirations, but 353 00:23:17,160 --> 00:23:21,240 Speaker 1: he was going to take over Jackson's business. And you know, 354 00:23:21,280 --> 00:23:23,000 Speaker 1: if they would have let him go, Jackson would have 355 00:23:23,040 --> 00:23:25,119 Speaker 1: been out on his heels, and you know, ruined had 356 00:23:25,160 --> 00:23:29,120 Speaker 1: taken over his identity. So that's so let me ask 357 00:23:29,160 --> 00:23:32,639 Speaker 1: you this. Uh, A lot of people on this staff 358 00:23:32,720 --> 00:23:35,080 Speaker 1: want to know. His producers want to know. Was it 359 00:23:35,240 --> 00:23:38,520 Speaker 1: your idea to cut the heads off the butter Swans? Yeah? 360 00:23:38,720 --> 00:23:40,520 Speaker 1: I knew, I knew it. I was right. I won 361 00:23:40,600 --> 00:23:43,080 Speaker 1: the bet, I won the I didn't know whether I 362 00:23:43,200 --> 00:23:45,880 Speaker 1: get captured. But then I remember the deep going, oh, yeah, 363 00:23:45,920 --> 00:23:49,160 Speaker 1: we gotta go around and get a single the the 364 00:23:49,160 --> 00:23:51,439 Speaker 1: the butt because I was just like, what can I do? 365 00:23:52,320 --> 00:23:54,200 Speaker 1: Because I'm just saying over here, what what kind of 366 00:23:54,240 --> 00:23:56,879 Speaker 1: business can I? You know, they do back? You know, 367 00:23:57,160 --> 00:24:01,720 Speaker 1: I'm just trying to think about the editor, you know, true. Yeah, 368 00:24:01,800 --> 00:24:03,720 Speaker 1: that's that's one of the things actors have to think 369 00:24:03,720 --> 00:24:08,159 Speaker 1: about as the editor by accident. I guess it was 370 00:24:08,200 --> 00:24:10,000 Speaker 1: by accident, but I just kind of was looked it 371 00:24:10,080 --> 00:24:12,160 Speaker 1: up so I could watch the episode before I got 372 00:24:12,160 --> 00:24:15,960 Speaker 1: a link. And somebody who's a reviewer or like a fan, 373 00:24:16,280 --> 00:24:19,560 Speaker 1: a really big fan of your of the show, was 374 00:24:19,680 --> 00:24:22,280 Speaker 1: reviewing the episode and when my scene came on, when 375 00:24:22,280 --> 00:24:24,600 Speaker 1: he saw me, he's like, who's that guy think he is? 376 00:24:24,640 --> 00:24:28,720 Speaker 1: That guy is a little prick? Is he? What a 377 00:24:28,840 --> 00:24:33,160 Speaker 1: lame punk? Really? Really know? Is that what you think? 378 00:24:34,000 --> 00:24:39,399 Speaker 1: And he was just like and then it was hilarious. 379 00:24:39,600 --> 00:24:45,120 Speaker 1: It was really good. That's very colorful language from from 380 00:24:46,880 --> 00:24:50,119 Speaker 1: I Take my Head Off America. There you go? And 381 00:24:50,160 --> 00:24:52,320 Speaker 1: what was it like working with Lauren Graham? Did you 382 00:24:52,760 --> 00:24:57,280 Speaker 1: did you? Did you enjoy that? Professional h just amazing 383 00:24:57,320 --> 00:25:00,960 Speaker 1: girl had a lot of weight on her shoulders and 384 00:25:01,080 --> 00:25:06,679 Speaker 1: she just handled it like class acts, smooth, smooth the operator, 385 00:25:07,600 --> 00:25:13,640 Speaker 1: really a nice, well mannered, down to earth What more 386 00:25:13,680 --> 00:25:16,000 Speaker 1: can you want? You know? She just she made it 387 00:25:16,040 --> 00:25:18,800 Speaker 1: releasy on me, as did everyone else there. And all 388 00:25:18,800 --> 00:25:20,960 Speaker 1: I had to do with my eyes would show up 389 00:25:20,960 --> 00:25:24,240 Speaker 1: into a part of this great happening right right? Did 390 00:25:24,240 --> 00:25:27,000 Speaker 1: you know that? Did you know that you were going 391 00:25:27,080 --> 00:25:28,800 Speaker 1: to do more episodes or what they just book you 392 00:25:28,800 --> 00:25:32,040 Speaker 1: one at a time, as I remember, I think they 393 00:25:32,080 --> 00:25:36,199 Speaker 1: were one at a time, right, I just remember I 394 00:25:36,240 --> 00:25:39,840 Speaker 1: had Ted Demi passed away on the last episode I 395 00:25:39,920 --> 00:25:42,720 Speaker 1: was doing. It, just passed them at the basketball playing 396 00:25:42,720 --> 00:25:46,360 Speaker 1: basketball down in Venice, runt of mine and we had 397 00:25:46,520 --> 00:25:50,119 Speaker 1: we were we had a working relationship in them and uh, 398 00:25:52,440 --> 00:25:55,240 Speaker 1: I was really tore up about it and I couldn't 399 00:25:55,240 --> 00:25:58,040 Speaker 1: get finished this episode, this last episode I was doing, 400 00:25:58,200 --> 00:26:01,760 Speaker 1: which was a holiday episode. I did my best, you know, 401 00:26:01,960 --> 00:26:03,919 Speaker 1: I struggled through it. But they were really kind to me. 402 00:26:03,960 --> 00:26:06,440 Speaker 1: Everyone was so sweet. But I just, yeah, I remember 403 00:26:06,520 --> 00:26:09,080 Speaker 1: that was something that was going on for the audience. 404 00:26:09,200 --> 00:26:13,760 Speaker 1: Ted Demi was the director of Blow, the film you 405 00:26:13,840 --> 00:26:16,240 Speaker 1: did with Johnny Depp. Did he write the Did he 406 00:26:16,280 --> 00:26:20,080 Speaker 1: write the film as well? No? Jed wrote he did 407 00:26:20,560 --> 00:26:24,119 Speaker 1: script rewrites, but he uh didn't. He didn't write the 408 00:26:24,119 --> 00:26:29,440 Speaker 1: original screen. Okay, him and he and uh Bruce Porter 409 00:26:29,560 --> 00:26:37,280 Speaker 1: and it was Nick Cassavetti's John, right, I know, And 410 00:26:37,680 --> 00:26:42,120 Speaker 1: Nick wrote the Nick wrote that yeah it Ted was 411 00:26:42,119 --> 00:26:47,040 Speaker 1: was contributing to it. Oh my goodness. Okay. Nick Cassavetti's 412 00:26:47,080 --> 00:26:49,439 Speaker 1: is the son of John Cassavetti is the great actor 413 00:26:49,520 --> 00:26:53,080 Speaker 1: and great independent director. I think it was it was him. 414 00:26:53,119 --> 00:26:57,920 Speaker 1: Bruce Porter wrote the the book, the novel, but I'm 415 00:26:57,920 --> 00:27:01,120 Speaker 1: not positive that Nick Nick could have done the other front. 416 00:27:01,160 --> 00:27:05,760 Speaker 1: We also did a phone called Beautiful Girls together. Ted 417 00:27:05,880 --> 00:27:08,640 Speaker 1: was a great director. He did uh Life, He did 418 00:27:08,880 --> 00:27:12,159 Speaker 1: the ref Dennis Leary was one of his great friends. 419 00:27:13,400 --> 00:27:15,920 Speaker 1: But anyway, yeah, I had a great great I love 420 00:27:16,160 --> 00:27:18,359 Speaker 1: Ted with all my heart and I miss him dearly. 421 00:27:19,400 --> 00:27:21,119 Speaker 1: He was a great great was a big loss. I 422 00:27:21,200 --> 00:27:23,440 Speaker 1: remember that was very shocking, and he was very young. 423 00:27:24,520 --> 00:27:30,439 Speaker 1: Ted Ted just had you know, he started your MTV raps. 424 00:27:30,600 --> 00:27:33,480 Speaker 1: That was his first gig and he was the producer 425 00:27:33,600 --> 00:27:36,520 Speaker 1: that and uh he had just all three was Johnny 426 00:27:36,520 --> 00:27:38,879 Speaker 1: and I and Ted had had our second kids at 427 00:27:38,920 --> 00:27:42,040 Speaker 1: the time, and it was his kid was like three 428 00:27:42,080 --> 00:27:46,520 Speaker 1: weeks four weeks old. Next tragic. I want to love it. 429 00:27:47,760 --> 00:28:01,600 Speaker 1: You give me one second. I'm sorry. I'm sorry. I 430 00:28:01,600 --> 00:28:04,920 Speaker 1: get cause I get. I always get emotional talked about 431 00:28:04,960 --> 00:28:09,560 Speaker 1: said I apologize, No, no need to apologize. Totally understand. 432 00:28:10,840 --> 00:28:13,720 Speaker 1: So let's get back to Ruin a little bit. Okay, 433 00:28:14,080 --> 00:28:19,320 Speaker 1: what is seriously like they? You know, I know, Laurel, 434 00:28:19,400 --> 00:28:21,640 Speaker 1: I asked you in the episode what is a ruin? 435 00:28:21,760 --> 00:28:23,560 Speaker 1: But I would like to know what is it? Do 436 00:28:23,600 --> 00:28:26,399 Speaker 1: you know what a ruin is? No? Do you do? 437 00:28:26,440 --> 00:28:28,080 Speaker 1: You know what a ruin? I mean I had my 438 00:28:28,119 --> 00:28:30,199 Speaker 1: own kind of idea. Well, there was a game when 439 00:28:30,240 --> 00:28:32,560 Speaker 1: I was a kid that you played ruins. There's a game. 440 00:28:33,040 --> 00:28:34,639 Speaker 1: I don't know if it's a game, but they're based 441 00:28:34,680 --> 00:28:40,520 Speaker 1: on um, you know, ruins were sort of headpieces, right, 442 00:28:40,920 --> 00:28:43,320 Speaker 1: is like a Dungeons and Dragon's type of a deal. 443 00:28:44,600 --> 00:28:46,920 Speaker 1: Ruin like ruin like a like a tale, like a 444 00:28:47,040 --> 00:28:52,960 Speaker 1: like an old like a scary uh like uh remember 445 00:28:52,960 --> 00:28:55,360 Speaker 1: it of some place? Yeah, I don't know. They were 446 00:28:55,400 --> 00:28:58,120 Speaker 1: like I don't know that. They were like these uh 447 00:28:58,400 --> 00:29:00,520 Speaker 1: made out of stone and they were wrecked angular and 448 00:29:00,560 --> 00:29:04,520 Speaker 1: there were runs and they had symbols on them. You 449 00:29:04,560 --> 00:29:06,440 Speaker 1: sort of can tell that you throw the ruins in 450 00:29:06,480 --> 00:29:08,840 Speaker 1: a certain pattern, you tell the future or something like that. 451 00:29:09,000 --> 00:29:12,840 Speaker 1: Or they're like teri cards like dice kind of yeah, 452 00:29:13,280 --> 00:29:17,640 Speaker 1: but they're big, Yeah, they're anyway. So maybe that as 453 00:29:17,920 --> 00:29:19,720 Speaker 1: it was like the magic eight ball type of a 454 00:29:19,800 --> 00:29:23,360 Speaker 1: Dane right right, Like you threw it down like dice, 455 00:29:23,440 --> 00:29:25,040 Speaker 1: you never know what you're gonna get. Maybe that was 456 00:29:25,080 --> 00:29:30,360 Speaker 1: the point. Maybe that's why you were named Rune. Yeah, 457 00:29:30,440 --> 00:29:34,520 Speaker 1: I think that's brilliantly. I think you did it. I 458 00:29:34,560 --> 00:29:47,120 Speaker 1: think that's he's counted chat. Oh my goodness. So you 459 00:29:47,120 --> 00:29:49,680 Speaker 1: didn't your character didn't like Laurela at all? Was it? 460 00:29:50,680 --> 00:29:53,800 Speaker 1: Let me ask you, was it? Was it difficult in 461 00:29:53,840 --> 00:29:57,960 Speaker 1: those scenes keeping a straight face doing those in those 462 00:29:58,000 --> 00:30:00,680 Speaker 1: lines or did you really believe it when you were 463 00:30:00,800 --> 00:30:03,920 Speaker 1: saying that stuff? Well, I mean, it's all part of 464 00:30:03,960 --> 00:30:06,600 Speaker 1: the package, buddy, you know, I got to bring something 465 00:30:06,640 --> 00:30:08,440 Speaker 1: to the game there. You know, I had to have 466 00:30:08,600 --> 00:30:13,880 Speaker 1: something intense, you know, a whole kind of uh good. 467 00:30:14,040 --> 00:30:20,000 Speaker 1: But I had to do the the rude mumbo to 468 00:30:20,040 --> 00:30:23,960 Speaker 1: be able to to I had to really believe all 469 00:30:23,960 --> 00:30:26,680 Speaker 1: of that. I had to bring it, buddy. You know, 470 00:30:26,720 --> 00:30:28,360 Speaker 1: it's easy. I don't get up like you know. It 471 00:30:28,360 --> 00:30:30,280 Speaker 1: ain't easy like this getting up like this. You know, 472 00:30:30,560 --> 00:30:33,720 Speaker 1: you you you think this is just it comes out 473 00:30:33,720 --> 00:30:36,440 Speaker 1: of the package like this, But no, there's a lot 474 00:30:36,440 --> 00:30:40,080 Speaker 1: of thought that goes into these uh these rooms here. 475 00:30:40,760 --> 00:30:44,800 Speaker 1: So yeah, I mean it looks easy. But to be 476 00:30:44,880 --> 00:30:48,320 Speaker 1: able to do these brutal things with the butter, you know, 477 00:30:48,440 --> 00:30:50,360 Speaker 1: that's a lot of guts, a lot of a lot 478 00:30:50,400 --> 00:30:53,280 Speaker 1: of normal people would do would be a clue. It 479 00:30:53,280 --> 00:30:56,040 Speaker 1: would be a clue on them. You know what the 480 00:30:56,040 --> 00:31:02,160 Speaker 1: clue is the two Chois. It's like a Kiki's It's like, 481 00:31:02,520 --> 00:31:05,720 Speaker 1: you know, you get coist with something cursed, you get cursed. 482 00:31:05,760 --> 00:31:12,200 Speaker 1: Oh Coist got even speaking like one of the three stooges. 483 00:31:14,080 --> 00:31:19,720 Speaker 1: Don't get Choist all right? Um um so really so 484 00:31:19,760 --> 00:31:22,000 Speaker 1: it was it was it was just you really felt 485 00:31:22,040 --> 00:31:24,920 Speaker 1: that you didn't have to fight laughing, There was no 486 00:31:25,480 --> 00:31:28,320 Speaker 1: It was just that was you really possessed that character 487 00:31:28,360 --> 00:31:31,320 Speaker 1: and you really hate because you really committed to that. 488 00:31:32,280 --> 00:31:33,800 Speaker 1: I mean it's a good piece of acting because you 489 00:31:33,840 --> 00:31:37,000 Speaker 1: really I really believe that you disliked her. Well I didn't, 490 00:31:37,080 --> 00:31:39,160 Speaker 1: you know, I mean she didn't do you know what. 491 00:31:39,440 --> 00:31:42,760 Speaker 1: She's not making me the supermunts of ball super give 492 00:31:42,800 --> 00:31:45,200 Speaker 1: me a pillow or to lay my head on. I mean, 493 00:31:45,240 --> 00:31:48,959 Speaker 1: what kind of services she I really just wanted to 494 00:31:49,720 --> 00:31:52,840 Speaker 1: get get Jackson alone to be able rude wanted to 495 00:31:52,840 --> 00:31:55,640 Speaker 1: get him alone, to be able to get his secrets 496 00:31:55,680 --> 00:32:00,760 Speaker 1: about carrots, you know, really about a lot of other vegetables. Uh. 497 00:32:01,440 --> 00:32:04,040 Speaker 1: And and I think Brad Jackson has known back home 498 00:32:04,600 --> 00:32:07,920 Speaker 1: as a you know, he has a sub special growing process. 499 00:32:08,360 --> 00:32:10,880 Speaker 1: And now that he's in the big town, I want 500 00:32:10,880 --> 00:32:13,120 Speaker 1: to be able to come and and take over. There 501 00:32:13,240 --> 00:32:17,040 Speaker 1: was My family had told me that now's your chance, 502 00:32:17,120 --> 00:32:19,320 Speaker 1: the big time, the big time in the big town 503 00:32:19,360 --> 00:32:22,960 Speaker 1: and stars. Yes, go see your cousins, the Backlub, the 504 00:32:23,000 --> 00:32:25,840 Speaker 1: back club. Yeah, got you, the big the big town 505 00:32:25,960 --> 00:32:29,960 Speaker 1: is starting. Okay, back lub that circle, sure, sure, sure, no, 506 00:32:30,120 --> 00:32:33,720 Speaker 1: I know, I love that. Yeah, I know. That was 507 00:32:33,760 --> 00:32:37,240 Speaker 1: my home for seven years. Yeah, um see you coming 508 00:32:37,280 --> 00:32:38,959 Speaker 1: in one day. And I didn't say that. I just 509 00:32:39,000 --> 00:32:42,520 Speaker 1: opened the door to the donut shop and I looked over. 510 00:32:42,680 --> 00:32:44,360 Speaker 1: You know my mom worked on the show too, right, 511 00:32:45,240 --> 00:32:50,400 Speaker 1: Linda Porter? Yeah, yeah, yeah, no, I know, I know. 512 00:32:51,680 --> 00:32:54,600 Speaker 1: Was we never worked together? Bear, I think we we 513 00:32:54,680 --> 00:32:58,960 Speaker 1: never really did any seems together. And that's strange. Why 514 00:32:59,280 --> 00:33:02,360 Speaker 1: did David right before she passed we did this, uh 515 00:33:02,640 --> 00:33:05,640 Speaker 1: wild not wild Heart? But what is it? David Lynch 516 00:33:05,760 --> 00:33:09,320 Speaker 1: is a twin peaks? The people go together. My mom 517 00:33:09,360 --> 00:33:15,880 Speaker 1: was brilliant, passed away. She passed away. It's a try. 518 00:33:16,400 --> 00:33:21,040 Speaker 1: I'm sorry. She's up there on Mount Heron, up there 519 00:33:21,520 --> 00:33:25,360 Speaker 1: with the She's with all the you know, important Jewish 520 00:33:25,360 --> 00:33:28,680 Speaker 1: people up there. What is it Mount SINAI. There you 521 00:33:28,680 --> 00:33:32,680 Speaker 1: go up there next to Disney, across from Disney, they're waving. 522 00:33:34,320 --> 00:33:37,680 Speaker 1: You're still sending my checks. They have like eyes on 523 00:33:37,760 --> 00:33:40,240 Speaker 1: their money over there. Well, I mean you laugh, but 524 00:33:40,280 --> 00:33:43,600 Speaker 1: I mean they're picturing that. You know, I needed to 525 00:33:43,600 --> 00:33:45,520 Speaker 1: come and have lunch with me before I passed away 526 00:33:45,600 --> 00:33:47,800 Speaker 1: up at the Mount SINAI. We have to have a 527 00:33:47,880 --> 00:33:50,480 Speaker 1: lunch of that. Why why are we gonna have lunch? 528 00:33:51,000 --> 00:33:53,320 Speaker 1: So I already pictured that. She already pictured it. That 529 00:33:53,360 --> 00:33:56,680 Speaker 1: we haven't lunched. U. She was mad that I didn't 530 00:33:56,680 --> 00:34:01,040 Speaker 1: want to go. I was scared of it. Why before 531 00:34:01,080 --> 00:34:04,120 Speaker 1: she passed away? I love every good about any of 532 00:34:04,200 --> 00:34:10,200 Speaker 1: us comes from totally agree. Yeah, it is true, very 533 00:34:10,320 --> 00:34:14,399 Speaker 1: very true. Um yeah, I lost my mom and oh 534 00:34:14,440 --> 00:34:17,080 Speaker 1: eight and the last I spent the last week of 535 00:34:17,080 --> 00:34:20,600 Speaker 1: her life with her, slept in the room with her. 536 00:34:20,960 --> 00:34:24,320 Speaker 1: Um it was quite something. It was the most magical 537 00:34:24,760 --> 00:34:28,520 Speaker 1: seven days of my life. UM. I mean the love 538 00:34:28,640 --> 00:34:31,279 Speaker 1: that was coming out of her, and I mean it 539 00:34:31,400 --> 00:34:34,000 Speaker 1: was just amazing the way she just hung in there 540 00:34:34,000 --> 00:34:37,080 Speaker 1: for her kids, you know, wanting to just soak up 541 00:34:37,120 --> 00:34:40,240 Speaker 1: everything that was, you know, the last bits of love 542 00:34:40,280 --> 00:34:43,960 Speaker 1: and joy that was she was going to experience. Um 543 00:34:44,080 --> 00:34:46,240 Speaker 1: so I was, Yeah, I feel for you, buddy, sorry 544 00:34:46,280 --> 00:34:52,279 Speaker 1: for your loss. Man likewise, yeah, um so you basically 545 00:34:52,360 --> 00:34:56,480 Speaker 1: your character roun. You pretty much roasted Laura in the 546 00:34:56,640 --> 00:34:59,719 Speaker 1: entire episode. What you what I mean? I think we're 547 00:34:59,719 --> 00:35:03,480 Speaker 1: already know how you, um I feel about her. You've 548 00:35:03,480 --> 00:35:06,560 Speaker 1: stated this, um but here's some of your greatest lines. 549 00:35:06,640 --> 00:35:11,840 Speaker 1: She's like a basketball player. Ok uh. What was the 550 00:35:11,880 --> 00:35:15,520 Speaker 1: bearded lady busy tonight or something? And then you stood 551 00:35:15,600 --> 00:35:18,319 Speaker 1: up and said, Okay, I'm getting really bored. First I 552 00:35:18,360 --> 00:35:22,480 Speaker 1: get stuck with her, and let me ask you this. 553 00:35:22,560 --> 00:35:25,520 Speaker 1: Let me ask you this. We did did Brenda? Did 554 00:35:25,520 --> 00:35:27,879 Speaker 1: Brenda Mayban in the wardrobe department tell you to wear 555 00:35:27,920 --> 00:35:29,759 Speaker 1: your hat the entire time? Your hat and coat the 556 00:35:29,880 --> 00:35:33,120 Speaker 1: entire time? Because it kind of was I'm a bald Jew. 557 00:35:33,200 --> 00:35:36,480 Speaker 1: What do you want for me? I want an answer. 558 00:35:36,719 --> 00:35:39,839 Speaker 1: I want an answer. I want an answer. If if 559 00:35:39,920 --> 00:35:41,719 Speaker 1: Brenda told you to wear the hat to the whole time, 560 00:35:41,760 --> 00:35:43,319 Speaker 1: was that your I wish I could give you the 561 00:35:43,360 --> 00:35:46,560 Speaker 1: true answer for that, the real answer aside from what 562 00:35:46,600 --> 00:35:50,520 Speaker 1: I just said. But but I mean, it's completely appropriate 563 00:35:50,520 --> 00:35:53,000 Speaker 1: because you were not settling in by the way you 564 00:35:53,040 --> 00:36:02,759 Speaker 1: have a very attractive head. You do, yeah, Billy. So 565 00:36:02,920 --> 00:36:11,120 Speaker 1: let's see. Uh all right, we're gonna do a little 566 00:36:11,160 --> 00:36:16,279 Speaker 1: section now called rapid Fire. You ready, I'm gonna throw 567 00:36:16,320 --> 00:36:19,120 Speaker 1: some questions at you? All right? How do you take 568 00:36:19,160 --> 00:36:26,080 Speaker 1: your coffee? Creamy sugar? Can you smell snow? No? Best 569 00:36:26,120 --> 00:36:30,959 Speaker 1: memory of Gilmore Girls I love when I couldn't hack. 570 00:36:31,200 --> 00:36:35,080 Speaker 1: I was struggling with Ted's death and I didn't want to. 571 00:36:36,040 --> 00:36:40,040 Speaker 1: I wanted so much to do good and but I 572 00:36:40,520 --> 00:36:44,160 Speaker 1: and they were so professional and so kind, these girls 573 00:36:44,280 --> 00:36:47,359 Speaker 1: who lead, who ran the show, and they had they go, 574 00:36:47,440 --> 00:36:52,080 Speaker 1: you know what, we're chicks, we get you done. We'll 575 00:36:52,120 --> 00:36:55,000 Speaker 1: handle it, don't sweat it. And they were so graceful 576 00:36:55,080 --> 00:36:58,359 Speaker 1: about letting me down off of my you know, where 577 00:36:58,360 --> 00:37:02,520 Speaker 1: I had built my stress up to and I was struggling, 578 00:37:02,640 --> 00:37:06,160 Speaker 1: and it was so kind and so graceful that I 579 00:37:06,239 --> 00:37:10,640 Speaker 1: just was felt well handled and just less to have 580 00:37:10,760 --> 00:37:13,920 Speaker 1: been able to work amongst you know you guys. That's 581 00:37:14,000 --> 00:37:17,560 Speaker 1: my favorite moment because I could say all kinds of wishy, washy, 582 00:37:17,680 --> 00:37:21,000 Speaker 1: you know, made up stuff, but it wouldn't be meaningful 583 00:37:21,040 --> 00:37:24,799 Speaker 1: to you and would be true. The cast member that 584 00:37:24,840 --> 00:37:30,000 Speaker 1: you've texted most recently from Guilt from Gilmore from Gilmore 585 00:37:30,520 --> 00:37:34,000 Speaker 1: And if you haven't, that's okay, No I haven't. I 586 00:37:34,040 --> 00:37:38,799 Speaker 1: was gonna say it's his actor, Alissandro Devot de Vola. Oh, sure, 587 00:37:38,880 --> 00:37:42,680 Speaker 1: he's terrific. So I've got you here, And as long 588 00:37:42,760 --> 00:37:44,080 Speaker 1: as I have you here, I want to ask you 589 00:37:44,200 --> 00:37:49,480 Speaker 1: one non Gilmore related question. I think Johnny Depp is. 590 00:37:50,040 --> 00:37:52,600 Speaker 1: I don't know if he's considered an underrated actor. I 591 00:37:52,600 --> 00:37:56,560 Speaker 1: think he's getting his accolades as as a craftsman, as 592 00:37:56,560 --> 00:37:58,560 Speaker 1: an actor. But what was it like working with him 593 00:37:59,360 --> 00:38:03,160 Speaker 1: on Blow? Because those those those scenes were electric, they 594 00:38:03,200 --> 00:38:05,560 Speaker 1: really were. We started off together. I don't know if 595 00:38:05,560 --> 00:38:08,680 Speaker 1: you know this, but Ted had me bring him the 596 00:38:08,719 --> 00:38:12,000 Speaker 1: script because he couldn't get at him through the channels, 597 00:38:12,880 --> 00:38:15,320 Speaker 1: and so I went up to his house and uh, 598 00:38:15,400 --> 00:38:18,759 Speaker 1: and it was incredibly inappropriate thing for me to do. 599 00:38:18,840 --> 00:38:21,160 Speaker 1: I put it off for months. For a couple of months. 600 00:38:21,360 --> 00:38:23,520 Speaker 1: We weren't going to get the budget. If we could 601 00:38:23,640 --> 00:38:31,239 Speaker 1: get him through Bob, Bob Shay and Bob what's his name? 602 00:38:31,480 --> 00:38:34,560 Speaker 1: You know, the Italians, the guy that got bounced, you know, 603 00:38:34,600 --> 00:38:38,640 Speaker 1: the guy what was his name? Mike de Luca? Yeah, 604 00:38:39,280 --> 00:38:41,799 Speaker 1: you got it. They were all. They were all and 605 00:38:42,000 --> 00:38:49,200 Speaker 1: you know, uh Kerry, Uh Jerry, Uh Cherry. What the 606 00:38:49,200 --> 00:38:51,080 Speaker 1: heck was this guy's name. I'm sorry this is so 607 00:38:51,160 --> 00:38:54,120 Speaker 1: long though, But in any case, I know you're talking 608 00:38:54,120 --> 00:38:58,200 Speaker 1: about is another independent financer, producer Carry. His name is 609 00:38:58,239 --> 00:39:04,040 Speaker 1: carry Um carry Woods. So carry Woods was in on 610 00:39:04,040 --> 00:39:07,040 Speaker 1: Beautiful Girls this picture we did so in any case, 611 00:39:07,680 --> 00:39:12,319 Speaker 1: the wine scenes did that one, so we they there 612 00:39:12,400 --> 00:39:14,719 Speaker 1: was a lot of pressure. I would just I grew up. 613 00:39:14,960 --> 00:39:17,880 Speaker 1: I became really good friends with an actor to Matt Dylan, 614 00:39:17,920 --> 00:39:20,040 Speaker 1: and Matt was the best man at my wedding. God 615 00:39:20,040 --> 00:39:22,720 Speaker 1: bless him. He's been a good friend. We both collect 616 00:39:23,040 --> 00:39:27,120 Speaker 1: seventy eight in Latin. We're both you know, really into jazz. 617 00:39:27,160 --> 00:39:30,000 Speaker 1: And so I went up to Johnny with the script 618 00:39:30,600 --> 00:39:33,479 Speaker 1: and uh, I'm like, hey man, you know I told 619 00:39:33,520 --> 00:39:35,880 Speaker 1: Ted for months, I can't do this. Is like, you know, 620 00:39:36,120 --> 00:39:37,839 Speaker 1: I started off my career with Johnny. We did an 621 00:39:38,080 --> 00:39:41,680 Speaker 1: a five short film together in eighty five which nobody 622 00:39:41,719 --> 00:39:44,239 Speaker 1: knows about, and it was how you got your tape 623 00:39:44,239 --> 00:39:46,920 Speaker 1: on yourself when you want to get in industry and 624 00:39:46,960 --> 00:39:49,400 Speaker 1: you didn't have an agent. They had an agent. They 625 00:39:49,440 --> 00:39:52,840 Speaker 1: were with her Tobias and associates. It was like everybody 626 00:39:52,840 --> 00:39:54,840 Speaker 1: and their mother was at disguise place. And he was 627 00:39:54,880 --> 00:39:58,680 Speaker 1: a throwback, this old agent, this old man. He was like, God, 628 00:39:58,719 --> 00:40:01,000 Speaker 1: you have been like seventies up. Man. He brought me 629 00:40:01,040 --> 00:40:02,319 Speaker 1: in this office. He goes, hey, what do you want 630 00:40:02,320 --> 00:40:04,799 Speaker 1: a scotch kid? I said, I'm fifteen, sir. He goes, 631 00:40:04,840 --> 00:40:07,759 Speaker 1: all right, well, welcome to the shop. You know this 632 00:40:07,800 --> 00:40:09,759 Speaker 1: old man, he was great, old man. Heart Tooby. It 633 00:40:09,800 --> 00:40:15,160 Speaker 1: was Johnny Depp, Jason get Trick, little known name from 634 00:40:15,160 --> 00:40:19,920 Speaker 1: back in. It was Johnny Geen, Amelia Stufs, Sean Pat, 635 00:40:20,000 --> 00:40:25,160 Speaker 1: Chris penn Uh, Johnny Sherrilyn Fan. So that's how we met. 636 00:40:25,360 --> 00:40:27,480 Speaker 1: We went to an audition at this woman's house. It 637 00:40:27,560 --> 00:40:30,160 Speaker 1: was Johnny Sherlyn and myself and we got into it. 638 00:40:30,440 --> 00:40:33,759 Speaker 1: Johnny and I got into like a physical improv same 639 00:40:33,800 --> 00:40:36,840 Speaker 1: by accident with these characters, and we fell and Johnny 640 00:40:36,880 --> 00:40:39,839 Speaker 1: had this arrowhead medallion and it went and hit him 641 00:40:39,880 --> 00:40:41,640 Speaker 1: in his eyes. So all through the film he's got 642 00:40:41,719 --> 00:40:43,799 Speaker 1: a black eye in the shape of an arrowhead under 643 00:40:43,880 --> 00:40:47,360 Speaker 1: his eye. When we when we were ut, we wrestled, 644 00:40:48,000 --> 00:40:50,680 Speaker 1: but we have this VHS tape and I'm sure he 645 00:40:50,760 --> 00:40:54,800 Speaker 1: probably liked either had it all like take it. I 646 00:40:55,000 --> 00:40:56,960 Speaker 1: don't know how you could get that like from a 647 00:40:57,080 --> 00:40:59,200 Speaker 1: F five, but I haven't seen it since then, but 648 00:40:59,280 --> 00:41:03,280 Speaker 1: it was like it was really like the night before 649 00:41:04,120 --> 00:41:07,600 Speaker 1: the night before we filmed. On the first day at 650 00:41:07,640 --> 00:41:09,239 Speaker 1: my house, I was supposed to tell my dad that 651 00:41:09,320 --> 00:41:12,920 Speaker 1: we were gonna film there in my room and they 652 00:41:12,960 --> 00:41:16,120 Speaker 1: were having copy and I go the crews here and 653 00:41:16,160 --> 00:41:18,280 Speaker 1: they had their kids are bringing out of these lines. 654 00:41:19,200 --> 00:41:23,040 Speaker 1: Why are like long long power chords and stuff for lights? 655 00:41:23,080 --> 00:41:25,640 Speaker 1: And my dad just left without saying. He was so bissed, 656 00:41:26,360 --> 00:41:29,200 Speaker 1: and he called me. He's like when we come back now, like, yeah, 657 00:41:29,320 --> 00:41:32,560 Speaker 1: I'm sorry, I'm really sorry. He's like, wow, you really 658 00:41:32,600 --> 00:41:35,000 Speaker 1: pissed me off, Max. And I'm like, okay, well you 659 00:41:35,080 --> 00:41:36,640 Speaker 1: wanted me to do so you said I had to 660 00:41:36,719 --> 00:41:39,640 Speaker 1: drop out. I had to do something, trying to do something. 661 00:41:40,120 --> 00:41:41,879 Speaker 1: He said, you're not gonna get it done this way. 662 00:41:41,920 --> 00:41:44,319 Speaker 1: You're not gonna be a professional unless you study under 663 00:41:44,400 --> 00:41:47,680 Speaker 1: masters from years old. And I said, I never said 664 00:41:47,719 --> 00:41:50,200 Speaker 1: I wanted to be an actor. I said I I 665 00:41:51,560 --> 00:41:54,440 Speaker 1: want to try to do something, you know, and you 666 00:41:54,480 --> 00:41:56,520 Speaker 1: know you're struggling with your dad. And I've never been 667 00:41:56,600 --> 00:41:58,839 Speaker 1: really beaten by my father. Maybe I should have been 668 00:41:59,360 --> 00:42:02,320 Speaker 1: that was you know probably no, no, no, you didn't 669 00:42:02,360 --> 00:42:05,759 Speaker 1: miss out on anything, trust me. And I was like, 670 00:42:06,080 --> 00:42:08,480 Speaker 1: I worked at a punk rock club. I would speak 671 00:42:08,480 --> 00:42:10,160 Speaker 1: out at fourteen years old and I worked at this 672 00:42:10,520 --> 00:42:13,719 Speaker 1: punk rock club in Hollywood. I was watching, like inadvertently 673 00:42:13,880 --> 00:42:17,480 Speaker 1: that the whole music scene, like the genre being created 674 00:42:17,520 --> 00:42:20,240 Speaker 1: with punk and rock and roll, rockabilly and country western 675 00:42:20,320 --> 00:42:22,320 Speaker 1: and all this stuff. And it was all these great 676 00:42:23,680 --> 00:42:28,000 Speaker 1: passionate musicians, but it was this tight knit scene people 677 00:42:28,040 --> 00:42:30,520 Speaker 1: that just wanted to go jam. Hour after I sold, 678 00:42:30,600 --> 00:42:32,120 Speaker 1: like eight in the morning, you wound up and they 679 00:42:32,120 --> 00:42:39,759 Speaker 1: were iconic uh road road road signs on this you 680 00:42:39,840 --> 00:42:44,360 Speaker 1: know highway of uh you know, of of mystery and 681 00:42:44,640 --> 00:42:47,600 Speaker 1: desire that I grew up in the eighties and you 682 00:42:47,680 --> 00:42:50,000 Speaker 1: know Hollywood, you know, being a fly on the wall. 683 00:42:50,040 --> 00:42:51,759 Speaker 1: And I was too young to be at these over 684 00:42:51,840 --> 00:42:53,640 Speaker 1: twenty one clubs and you just couldn't get rid of 685 00:42:54,120 --> 00:42:56,480 Speaker 1: because the cops didn't mind me, so I could get 686 00:42:56,560 --> 00:42:59,160 Speaker 1: arrested in I worked at over twenty one club. I 687 00:42:59,200 --> 00:43:02,000 Speaker 1: was a DJ and all the nightclubs in l A 688 00:43:02,160 --> 00:43:04,000 Speaker 1: when I was a kid, and so I got it 689 00:43:04,239 --> 00:43:07,879 Speaker 1: so you gave You gave the script to Johnny. Yeah, 690 00:43:07,960 --> 00:43:10,440 Speaker 1: how you give and he and he read the script 691 00:43:10,520 --> 00:43:14,479 Speaker 1: and he liked it, and he saw the twenty million 692 00:43:14,520 --> 00:43:19,680 Speaker 1: dollar offer attached to it, and Jed said, tell him, 693 00:43:19,760 --> 00:43:23,160 Speaker 1: there's twenty million dollars attached to this and give up 694 00:43:23,239 --> 00:43:25,719 Speaker 1: the script. And you're the first. You know your cast 695 00:43:25,840 --> 00:43:28,800 Speaker 1: Max already, but just do this for us. And I 696 00:43:28,880 --> 00:43:32,839 Speaker 1: really felt uncomfortable doing it. And yeah, but you gotta 697 00:43:32,880 --> 00:43:35,880 Speaker 1: do you gotta bring people together. Uh, you don't know 698 00:43:36,040 --> 00:43:37,800 Speaker 1: that you're supposed to do stuff like that. That's a 699 00:43:37,880 --> 00:43:40,919 Speaker 1: really tough thing, taking twenty million dollars to your friend. Yeah, 700 00:43:41,800 --> 00:43:43,920 Speaker 1: well you never asked for anything. You don't what you 701 00:43:44,000 --> 00:43:46,520 Speaker 1: gonna do it? Awkward situation. I think you were asking 702 00:43:46,600 --> 00:43:51,000 Speaker 1: for anything. I think you were giving him something, you 703 00:43:51,080 --> 00:43:53,120 Speaker 1: know what I mean? No, but I hear you. It's 704 00:43:53,239 --> 00:43:56,920 Speaker 1: it's a tough favor to ask. But I don't know. 705 00:43:57,719 --> 00:44:00,320 Speaker 1: You know, he was a guy for the for he 706 00:44:00,440 --> 00:44:04,080 Speaker 1: made it happen, and so everybody, you know, did their part. 707 00:44:04,280 --> 00:44:06,760 Speaker 1: It was a good film. It was a fun film 708 00:44:06,840 --> 00:44:09,560 Speaker 1: to watch. It was a really good editing of the 709 00:44:09,600 --> 00:44:11,680 Speaker 1: film with Ted and we were buddies. Tight You know, 710 00:44:12,400 --> 00:44:15,400 Speaker 1: I'd like, I think you really you know, we you 711 00:44:15,480 --> 00:44:19,239 Speaker 1: know he you know he. Uh. It was just such 712 00:44:19,280 --> 00:44:22,279 Speaker 1: a givving and a guy like that just said to you, hey, guys, 713 00:44:22,320 --> 00:44:23,279 Speaker 1: you want to be a part of this, come on, 714 00:44:23,400 --> 00:44:27,360 Speaker 1: let's go. Hey, come on, you guys want to do 715 00:44:27,840 --> 00:44:30,600 Speaker 1: to have fun. I like you guys to you know, 716 00:44:30,760 --> 00:44:33,000 Speaker 1: you know your energy that you bring and you would 717 00:44:33,000 --> 00:44:36,640 Speaker 1: say things like that that were true you know about 718 00:44:37,280 --> 00:44:41,040 Speaker 1: you know, the people that he was bringing together. But anyway, 719 00:44:41,080 --> 00:44:46,839 Speaker 1: I'm sorry Ted, Ted. Uh definitely was a sweetheart. Yeah, 720 00:44:48,280 --> 00:44:50,640 Speaker 1: well you're a sweetheart to You're a sweet guy, Max, 721 00:44:50,920 --> 00:44:54,719 Speaker 1: And uh, thank you for spending time with us. Thank 722 00:44:54,800 --> 00:44:57,719 Speaker 1: you for sharing these stories. Uh and we would love 723 00:44:57,800 --> 00:45:00,160 Speaker 1: to have you back on at some point and uh 724 00:45:00,600 --> 00:45:05,719 Speaker 1: any time. This was this was a very uh a 725 00:45:05,880 --> 00:45:09,320 Speaker 1: very interesting uh journey back in time. And uh, I 726 00:45:09,400 --> 00:45:13,239 Speaker 1: hope it didn't tax you emotionally too much. But I 727 00:45:13,400 --> 00:45:16,239 Speaker 1: think I think everybody can see and hear that Max 728 00:45:16,280 --> 00:45:20,080 Speaker 1: Perlock is the real deal. This is what an actor is. 729 00:45:20,880 --> 00:45:26,120 Speaker 1: A committed UM actor who feels everything that he does 730 00:45:26,280 --> 00:45:29,120 Speaker 1: or he can't do it, and that's the soul of 731 00:45:29,239 --> 00:45:32,160 Speaker 1: what we do UM. And some people are just a 732 00:45:32,239 --> 00:45:35,279 Speaker 1: little more committed to their craft than others. And it's 733 00:45:35,320 --> 00:45:38,879 Speaker 1: pretty clear that you're one of those uh, very very 734 00:45:38,960 --> 00:45:43,719 Speaker 1: committed artists who um, you know, creates from the very 735 00:45:43,960 --> 00:45:47,640 Speaker 1: uh depths of his soul. And we appreciate it because 736 00:45:47,680 --> 00:45:52,839 Speaker 1: you gave a very very memorable performance and I had 737 00:45:52,840 --> 00:45:54,840 Speaker 1: a lot of fun with and guess what, the audience 738 00:45:54,880 --> 00:46:00,600 Speaker 1: had a tremendous amount of time, tremendous time uh watching 739 00:46:00,640 --> 00:46:03,520 Speaker 1: your work, man, So thank you for that. Okay. I 740 00:46:04,120 --> 00:46:06,640 Speaker 1: enjoy what I saw when I watched it. It made me, 741 00:46:07,600 --> 00:46:10,800 Speaker 1: you know, very warm inside. And when I saw what 742 00:46:11,200 --> 00:46:14,080 Speaker 1: the work that you know, in all of the episodes 743 00:46:14,160 --> 00:46:17,600 Speaker 1: that you guys put together, and I just enjoy watching 744 00:46:17,719 --> 00:46:22,680 Speaker 1: the Truth of Gilmore Girls. So bravo, thank you, buddy. Hey, alright, 745 00:46:23,200 --> 00:46:32,360 Speaker 1: much love to you man, giving you a big hug. Okay, alight. Wow. Wow, 746 00:46:35,760 --> 00:46:39,600 Speaker 1: that's an actor for you right there. That's an actor 747 00:46:40,239 --> 00:46:48,920 Speaker 1: living it. You know, people, people don't understand sometimes what 748 00:46:49,080 --> 00:46:56,400 Speaker 1: it takes to do this job. I'm Riley, and this 749 00:46:56,480 --> 00:46:59,040 Speaker 1: is your pop culture. First, we have Rory Yoga oh 750 00:46:59,120 --> 00:47:02,280 Speaker 1: no really, Lane, a very misunderstood artist and the Beatles 751 00:47:02,320 --> 00:47:05,080 Speaker 1: would have broken up anyway. Yoko Ono was married to 752 00:47:05,080 --> 00:47:08,160 Speaker 1: the Beatles John Lennon. Together they had a son named 753 00:47:08,239 --> 00:47:11,800 Speaker 1: Sean Lennon and Yoko Ono means one child in Japanese. 754 00:47:12,360 --> 00:47:14,399 Speaker 1: She had a guest appearance on the TV show Matt 755 00:47:14,480 --> 00:47:18,839 Speaker 1: About You called Yoko Said, and the Bear Naked Ladies 756 00:47:18,840 --> 00:47:21,840 Speaker 1: wrote a song called be My Yoko Ono. Yeah. You know. 757 00:47:21,960 --> 00:47:26,680 Speaker 1: The Beatles were uh at odds at that time, but 758 00:47:26,840 --> 00:47:30,759 Speaker 1: John and Paul basically hated each other um and they 759 00:47:30,800 --> 00:47:33,400 Speaker 1: didn't want to be in the same room. And George, 760 00:47:33,920 --> 00:47:36,279 Speaker 1: George was trying to get out of the band. He 761 00:47:36,440 --> 00:47:39,160 Speaker 1: was sick of all the arguing, and he was sick 762 00:47:39,280 --> 00:47:44,040 Speaker 1: of getting his great songs rejected. His great songs were 763 00:47:44,080 --> 00:47:47,640 Speaker 1: not getting on the albums. It probably wasn't yoos. It 764 00:47:47,760 --> 00:47:50,800 Speaker 1: probably wasn't Yoko's fault, because George wanted out a couple 765 00:47:50,840 --> 00:47:54,400 Speaker 1: of times, and I think he even delivered uh to 766 00:47:54,800 --> 00:47:58,200 Speaker 1: who was it at their manager, like I'm leaving the band. 767 00:47:58,480 --> 00:48:00,279 Speaker 1: I can't stand this. I'm gonna go make my own 768 00:48:00,280 --> 00:48:04,400 Speaker 1: album because I like they Paul rejected um while my 769 00:48:04,560 --> 00:48:08,200 Speaker 1: guitar gently weeps. If you can believe that, I do 770 00:48:08,400 --> 00:48:11,000 Speaker 1: think there's a chance, though, you'll go. And John could 771 00:48:11,040 --> 00:48:14,399 Speaker 1: have been having dinner and he's like, should I stay? 772 00:48:14,680 --> 00:48:18,520 Speaker 1: And she's like, nah, go. That could have happened, but 773 00:48:18,640 --> 00:48:22,319 Speaker 1: it's I just think those guys were together for so long, 774 00:48:22,400 --> 00:48:24,880 Speaker 1: since the time they were sixteen years old. They went 775 00:48:24,960 --> 00:48:28,200 Speaker 1: to Germany together and they were in Hamburg and they 776 00:48:28,239 --> 00:48:30,799 Speaker 1: were eight seventeen, eighteen and nineteen. I think John might 777 00:48:30,840 --> 00:48:33,400 Speaker 1: have been twenty at that time. John was the oldest, 778 00:48:34,120 --> 00:48:37,960 Speaker 1: but I mean George was seventeen, I think maybe eighteen, 779 00:48:38,000 --> 00:48:41,319 Speaker 1: but seventeen years old, and he wanted out. He wanted out, 780 00:48:41,640 --> 00:48:44,880 Speaker 1: he wanted out. So I don't think Yoko had a 781 00:48:44,960 --> 00:48:47,919 Speaker 1: lot to do with it. Rory says, okay, I must 782 00:48:47,960 --> 00:48:52,400 Speaker 1: listen to anyone named Claudine La j Claudine is a singer, actress, dancer, 783 00:48:52,520 --> 00:48:55,760 Speaker 1: and recording artists popular during the nineteen sixties and nineteen seventies. 784 00:48:56,120 --> 00:48:59,120 Speaker 1: She was married two times. She actually shot and killed 785 00:48:59,160 --> 00:49:01,960 Speaker 1: her boyfriend and Olympic skier and only spent thirty days 786 00:49:02,000 --> 00:49:04,600 Speaker 1: in jail for it. And one of our marriages was 787 00:49:04,680 --> 00:49:08,480 Speaker 1: to Andy Williams, who discovered the Osmond's yea Spider Savage 788 00:49:08,840 --> 00:49:12,520 Speaker 1: the skier. He was a very popular guy in Aspen. 789 00:49:13,160 --> 00:49:15,640 Speaker 1: He was an entrepreneur, after his skiing career. He was 790 00:49:15,920 --> 00:49:17,440 Speaker 1: he was I think he was an Olympic skier and 791 00:49:17,480 --> 00:49:19,279 Speaker 1: then a pro. They used to have a pro ski 792 00:49:19,560 --> 00:49:22,560 Speaker 1: racing circuit that they would televise on NBC ABC every weekend. 793 00:49:22,600 --> 00:49:25,200 Speaker 1: It was like the um Wide World of Sports that 794 00:49:25,200 --> 00:49:28,400 Speaker 1: always had the pros racing in tandem. They'd have the 795 00:49:28,480 --> 00:49:31,759 Speaker 1: dual courses right side by side, and Spider Savage was 796 00:49:32,480 --> 00:49:35,399 Speaker 1: one of the leading money winners. Laura La to Luke, 797 00:49:35,880 --> 00:49:39,880 Speaker 1: that's very Richard Simmons, of you a great one. Richard 798 00:49:39,920 --> 00:49:42,920 Speaker 1: Simmons is famous for his red and white shorts. He 799 00:49:43,120 --> 00:49:45,919 Speaker 1: found an anonymous note attached to his car about his weight, 800 00:49:46,040 --> 00:49:49,439 Speaker 1: and this ultimately led to his body transformation. His most 801 00:49:49,680 --> 00:49:52,840 Speaker 1: famous workout tapes were Sweating to the Oldies and Sweat 802 00:49:52,880 --> 00:49:55,880 Speaker 1: and Shout and Richard Simmons is still alive, but no 803 00:49:55,960 --> 00:49:58,759 Speaker 1: one knows where he is. He disappeared. The topic became 804 00:49:58,800 --> 00:50:01,960 Speaker 1: a codtast called seeing Richard Simmons. I bet you you 805 00:50:02,040 --> 00:50:03,960 Speaker 1: know what, I bet you he's a Gilmore fan and 806 00:50:04,120 --> 00:50:06,560 Speaker 1: let's get him on the show. That is an excellent podcast, 807 00:50:06,640 --> 00:50:09,480 Speaker 1: by the way, that's that's a good good Which one 808 00:50:10,320 --> 00:50:13,520 Speaker 1: having him on this show or his own Missing Richard Simmons, 809 00:50:13,960 --> 00:50:16,120 Speaker 1: and nobody can find him. But after you give us 810 00:50:16,160 --> 00:50:18,880 Speaker 1: five stars, pop on over to Missing Richard Simmons and 811 00:50:19,280 --> 00:50:23,040 Speaker 1: take a listen. Laura, look, I know that Mrs Kim 812 00:50:23,120 --> 00:50:26,120 Speaker 1: and Robert Duval in The Great Santina share striking resemblance, 813 00:50:26,239 --> 00:50:29,720 Speaker 1: but she is Lane's mom, a nineteen seventy nine American 814 00:50:29,800 --> 00:50:33,080 Speaker 1: drama film based on Pat Conroy's novel The Great Santini. 815 00:50:33,680 --> 00:50:37,400 Speaker 1: The Great Santina's original name was Wilburt Bull Meetchum and 816 00:50:37,520 --> 00:50:40,000 Speaker 1: Robert Duval was an American actor that has been nominated 817 00:50:40,040 --> 00:50:44,000 Speaker 1: for seven Academy Awards and seven Golden Globe Awards. Robert's 818 00:50:44,080 --> 00:50:46,960 Speaker 1: three biggest movies were Apocalypse Now, The Godfather, and The 819 00:50:47,040 --> 00:50:50,719 Speaker 1: Tom Cruise Classic Days of Summer Wrong. His biggest movie 820 00:50:50,840 --> 00:50:55,000 Speaker 1: was To Kill a Mockingbird launched him. He's still alive 821 00:50:55,120 --> 00:51:00,600 Speaker 1: and in is ninety years old. Laura Lee says, you're nervous. 822 00:51:01,480 --> 00:51:03,360 Speaker 1: You don't have some guy staring at you like he 823 00:51:03,560 --> 00:51:08,279 Speaker 1: shared and you're the kid from mask so Um Share 824 00:51:08,360 --> 00:51:12,240 Speaker 1: plays Rusty Davis, the mom of Rocky. Eric Saltz plays 825 00:51:12,320 --> 00:51:16,840 Speaker 1: Rocky Dennis, and actor Eric Saltz wore so much makeup 826 00:51:16,960 --> 00:51:19,520 Speaker 1: for the movie, so he had to present idea security 827 00:51:19,600 --> 00:51:22,000 Speaker 1: at a post production party to prove who he was. 828 00:51:23,360 --> 00:51:27,120 Speaker 1: Eric Stoltz was the original. Uh, he was casting back 829 00:51:27,160 --> 00:51:28,680 Speaker 1: to the future and they fired him and they hired 830 00:51:28,719 --> 00:51:30,480 Speaker 1: Michael Jacks. Yes, and if you go on YouTube you 831 00:51:30,520 --> 00:51:34,879 Speaker 1: can even see some of his scenes. Really yeah, Lane 832 00:51:34,920 --> 00:51:41,440 Speaker 1: says Beethoven, the one with the dog. So Beethoven, American 833 00:51:41,560 --> 00:51:45,280 Speaker 1: family comedy about a st Bernard. The dog playing Beethoven 834 00:51:45,400 --> 00:51:48,560 Speaker 1: had twelve doubles and one of them was actually named Beethoven. 835 00:51:49,560 --> 00:51:53,759 Speaker 1: The film stars Oliver Platt, Bonnie Hunt, Charles Crowdon, and 836 00:51:53,880 --> 00:51:58,320 Speaker 1: Patricia Heaton all start in the movie. Joseph Gordon Levitt 837 00:51:58,360 --> 00:52:01,239 Speaker 1: made his first ever film appearance as student number one, 838 00:52:02,360 --> 00:52:04,480 Speaker 1: and in addition to the trained dogs on set, a 839 00:52:04,560 --> 00:52:08,239 Speaker 1: mechanical dog was used to achieve facial expressions and reactions 840 00:52:08,560 --> 00:52:11,040 Speaker 1: with Scott. Did you were you ever like in your 841 00:52:11,080 --> 00:52:14,759 Speaker 1: early days? Like bus Boy number two, waiter number three, 842 00:52:15,320 --> 00:52:18,440 Speaker 1: like Joseph Gordon Levit But in big films, No, No, 843 00:52:18,880 --> 00:52:22,000 Speaker 1: I was never an extra. I never did extra work. 844 00:52:22,480 --> 00:52:25,319 Speaker 1: What did you get your sag card for? I think 845 00:52:25,400 --> 00:52:29,200 Speaker 1: I got it for a movie. The first thing I 846 00:52:29,320 --> 00:52:35,799 Speaker 1: did out here was with Tracy Lord's then, no, it wasn't. 847 00:52:35,920 --> 00:52:40,240 Speaker 1: It was a detective. I was a detective. I played 848 00:52:40,239 --> 00:52:43,320 Speaker 1: her husband. She was a detective. We were detectives. It 849 00:52:43,520 --> 00:52:46,600 Speaker 1: was during the I was out on vacation. I got 850 00:52:46,680 --> 00:52:48,600 Speaker 1: this part, was living in New York, and so I 851 00:52:48,640 --> 00:52:50,360 Speaker 1: had to stay out here. And it was during the 852 00:52:52,200 --> 00:52:53,840 Speaker 1: you know, there was a lot of We were shooting 853 00:52:53,920 --> 00:52:56,080 Speaker 1: right in the middle of those Rodney King riots in 854 00:52:56,200 --> 00:53:01,919 Speaker 1: the whole city in the nineties. Yeah, yeah, nine, indeed two, yeah, 855 00:53:02,000 --> 00:53:05,160 Speaker 1: it was. It was yeah, early nineties. Yeah. And they 856 00:53:05,239 --> 00:53:08,600 Speaker 1: had to put us in the back seat of cars, 857 00:53:08,680 --> 00:53:11,200 Speaker 1: down on the floorboards, covered in blankets to get us 858 00:53:11,239 --> 00:53:13,520 Speaker 1: out of that because we were shooting downtown. We were 859 00:53:13,560 --> 00:53:16,480 Speaker 1: shooting downtown the Oscar a former Oscar Meyer. We in 860 00:53:16,520 --> 00:53:19,400 Speaker 1: a warehouse and we're doing all this gunfire and chasing 861 00:53:19,440 --> 00:53:21,440 Speaker 1: each other around building, shooting gun So they had to 862 00:53:21,440 --> 00:53:23,080 Speaker 1: get us out of there. Like two Riley, were you 863 00:53:23,280 --> 00:53:31,560 Speaker 1: born in called intent to kill? It was with Yaffa Kodo, 864 00:53:32,440 --> 00:53:38,520 Speaker 1: Yaffa Kodo Angelo tiff Me, Tracy Lord's uh, and then 865 00:53:38,920 --> 00:53:47,239 Speaker 1: actually Tracy Lords did there It is second billing, yes, yes, 866 00:53:48,400 --> 00:53:51,719 Speaker 1: And then Tracy Lords we'll put on the Instagram, but 867 00:53:51,760 --> 00:53:54,759 Speaker 1: we're all looking at she did. I didn't make it 868 00:53:54,880 --> 00:53:58,880 Speaker 1: on the poster though, say, um, that was just Tracy 869 00:53:59,000 --> 00:54:02,480 Speaker 1: Lord's legs it right, am? I No, I don't think 870 00:54:02,560 --> 00:54:06,239 Speaker 1: that's me? Is that me? Maybe I'm there a thing 871 00:54:06,320 --> 00:54:08,120 Speaker 1: on fire in the background that you can't see. I 872 00:54:08,160 --> 00:54:10,960 Speaker 1: don't know. But she was on an episode of Gilmore Girls. 873 00:54:12,120 --> 00:54:16,640 Speaker 1: Are you actually she actually did an episode of Gilmore Girls. 874 00:54:16,680 --> 00:54:19,640 Speaker 1: I think it was like season four. We are absolutely 875 00:54:19,760 --> 00:54:25,320 Speaker 1: having her one. Yeah, I was. That was I was 876 00:54:25,360 --> 00:54:28,880 Speaker 1: having a good time on that. I was having a 877 00:54:28,960 --> 00:54:31,080 Speaker 1: real I had so I had all my friends visiting 878 00:54:31,120 --> 00:54:32,960 Speaker 1: me every night because we were doing night shoots on 879 00:54:33,000 --> 00:54:36,520 Speaker 1: Hollywood Boulevard car crashes and stuff, and uh so I 880 00:54:36,600 --> 00:54:38,880 Speaker 1: was basically having a party. I just big trailer and 881 00:54:39,360 --> 00:54:41,480 Speaker 1: and I was having a party in there every single night. 882 00:54:41,560 --> 00:54:43,279 Speaker 1: It was so much. Your job is to try to 883 00:54:43,360 --> 00:54:47,360 Speaker 1: find this movie so we can all watch it, and 884 00:54:47,480 --> 00:54:49,799 Speaker 1: then next weekend while I watch saw what Saw Were 885 00:54:49,840 --> 00:54:51,799 Speaker 1: You in? I was? I think I was at four 886 00:54:51,880 --> 00:54:56,520 Speaker 1: and five. I was so horrendously bad and intent to 887 00:54:56,640 --> 00:54:59,800 Speaker 1: kill it's kind of embarrassing. I was so bad and 888 00:55:00,200 --> 00:55:02,600 Speaker 1: movie it was the better for us to watch. Oh 889 00:55:02,719 --> 00:55:07,160 Speaker 1: you'll laugh, You're you'll laugh. We have one more in 890 00:55:07,280 --> 00:55:09,879 Speaker 1: speaking of movies, So this is Attack of the fifty 891 00:55:09,920 --> 00:55:13,080 Speaker 1: ft Woman. Attack of the fifty ft Woman is a 892 00:55:14,200 --> 00:55:17,680 Speaker 1: science fiction horror. The film was shot in eight days 893 00:55:17,920 --> 00:55:21,160 Speaker 1: and was under budget. The film's poster was ranked number 894 00:55:21,239 --> 00:55:24,960 Speaker 1: eight on the Best Movie Posters Ever by Premier magazine, 895 00:55:25,360 --> 00:55:27,920 Speaker 1: and the original title for the film was the Astounding 896 00:55:28,040 --> 00:55:30,640 Speaker 1: giant woman. You know that could be could have been 897 00:55:30,719 --> 00:55:37,120 Speaker 1: Laurel I in Run's eyes, you know, commenting on her 898 00:55:37,239 --> 00:55:41,080 Speaker 1: size constantly. What size is your shoe? How tall are you? 899 00:55:41,800 --> 00:55:45,600 Speaker 1: East referred to her as an East German basketball player 900 00:55:47,800 --> 00:55:50,239 Speaker 1: had the same size shoe as Laurel I, size nine. 901 00:55:51,160 --> 00:55:54,719 Speaker 1: She said it, yeah, and Ruin was like, whoa. It 902 00:55:54,800 --> 00:56:00,200 Speaker 1: made me feel all sorts of things. Oh, I'm fightful, right, 903 00:56:00,239 --> 00:56:03,440 Speaker 1: just got a big foot, so Lawrence probably I don't know, 904 00:56:03,600 --> 00:56:09,960 Speaker 1: she's five eight five nine, yeah, Lawrence tall you Attack 905 00:56:10,000 --> 00:56:12,759 Speaker 1: of the five nine Woman, Attack of the five that 906 00:56:12,960 --> 00:56:15,160 Speaker 1: Maybe that was the original title for Gilmore Girls, The 907 00:56:15,200 --> 00:56:19,600 Speaker 1: Attack of the five nine Woman and her daughter. All right, everybody, 908 00:56:19,680 --> 00:56:23,520 Speaker 1: let's do uh, let's do favorite lines. Let's Riley start 909 00:56:23,600 --> 00:56:26,400 Speaker 1: us off. What's your favorite line in this episode, So 910 00:56:26,520 --> 00:56:29,480 Speaker 1: this has to be probably my favorite line of season one, 911 00:56:29,880 --> 00:56:36,640 Speaker 1: and is you know, maybe sometime we could. No, no, no, 912 00:56:36,760 --> 00:56:38,920 Speaker 1: I have a great line from this episode. I have 913 00:56:39,000 --> 00:56:42,839 Speaker 1: a great line. It is you know, maybe some time 914 00:56:43,280 --> 00:56:48,840 Speaker 1: we could mine's better than all of yours. Hold on 915 00:56:48,920 --> 00:56:55,920 Speaker 1: one second, you know, maybe sometime we could. My favorite 916 00:56:56,000 --> 00:57:04,960 Speaker 1: line is, um, you know, maybe sometime we could the 917 00:57:05,600 --> 00:57:11,680 Speaker 1: jingling door. Maybe sometime we could. I could ring your 918 00:57:11,719 --> 00:57:21,240 Speaker 1: bell maybe sometimes momentous. That's funny, good stuff, good stuff. 919 00:57:21,240 --> 00:57:24,400 Speaker 1: All right, So we're gonna add a little uh section here, 920 00:57:25,440 --> 00:57:28,480 Speaker 1: a wonderful idea from a fan, uh that we're going 921 00:57:28,560 --> 00:57:34,160 Speaker 1: to adopt. It's called required reading and today recommendation, or 922 00:57:34,360 --> 00:57:36,960 Speaker 1: not really a recommendation, it's pretty much a command for 923 00:57:37,080 --> 00:57:42,760 Speaker 1: everybody to read the following the unabridged Journals of Sylvia Plath. 924 00:57:42,960 --> 00:57:46,280 Speaker 1: Rory was reading this book on the bench in front 925 00:57:46,320 --> 00:57:51,760 Speaker 1: of her old high school. And just a little more background. 926 00:57:51,840 --> 00:57:56,560 Speaker 1: She was married to Ted Hughes, who was quite a 927 00:57:56,640 --> 00:58:02,000 Speaker 1: gifted writer poet. He wrote series book of poems called Crow. 928 00:58:02,160 --> 00:58:05,840 Speaker 1: So read Ted Hughes as well. And that's my personal recommendation. 929 00:58:06,440 --> 00:58:10,880 Speaker 1: Classic episode, Classic episode, And uh, don't forget the next 930 00:58:10,920 --> 00:58:14,920 Speaker 1: episode number thirteen. Episode thirteen is concert interrupt Us, so 931 00:58:15,000 --> 00:58:17,320 Speaker 1: I want everybody to watch it, so we're all up 932 00:58:17,360 --> 00:58:20,400 Speaker 1: to speed. Don't forget, everybody. I'm going to be at 933 00:58:20,400 --> 00:58:24,920 Speaker 1: the Mohegan Sun uh this coming weekend. Uh and what 934 00:58:25,120 --> 00:58:30,880 Speaker 1: is it? Uncasville, Unksville, Connecticut at the Mohegan Sun Casino. 935 00:58:31,160 --> 00:58:34,080 Speaker 1: Come on by. I want to say hello to everybody. UM, 936 00:58:35,080 --> 00:58:39,280 Speaker 1: take some photos, share some stories, and I believe we're 937 00:58:39,320 --> 00:58:42,000 Speaker 1: doing a We are going to be doing a podcast 938 00:58:42,240 --> 00:58:46,960 Speaker 1: from the venue Sunday one o'clock with special guest Shawn 939 00:58:47,000 --> 00:58:49,880 Speaker 1: Gun and maybe some other surprise guests as well. We're 940 00:58:49,880 --> 00:58:51,280 Speaker 1: gonna have a lot of fun, do some Q and A. 941 00:58:51,400 --> 00:58:55,000 Speaker 1: So come on by to that panel uh slash podcast 942 00:58:55,080 --> 00:58:58,919 Speaker 1: Sunday at Mohegan Sun and let's have some fun. Guys. 943 00:58:59,120 --> 00:59:01,720 Speaker 1: All right, that's it, Thanks for thanks for tuning in, 944 00:59:02,080 --> 00:59:33,680 Speaker 1: and we'll see you next time, honestly, ga Hey everybody, 945 00:59:33,720 --> 00:59:37,000 Speaker 1: and don't forget. Follow us on Instagram at I Am 946 00:59:37,120 --> 00:59:41,560 Speaker 1: All In podcast and Emailie at Gilmore at I Heart 947 00:59:41,720 --> 00:59:44,640 Speaker 1: radio dot com. Oh you gil More fans. If you're 948 00:59:44,640 --> 00:59:46,439 Speaker 1: looking for the best cup of coffee in the world, 949 00:59:46,520 --> 00:59:50,200 Speaker 1: go to my website. For my company scott ep dot 950 00:59:50,280 --> 00:59:52,320 Speaker 1: com s c O T. T. Y P dot com, 951 00:59:52,440 --> 00:59:56,200 Speaker 1: scott ep dot com Grade one Specialty Coffee