WEBVTT - Selena with Mala Muñoz

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<v Speaker 1>On the Beck dol Cast, the questions asked if movies

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<v Speaker 1>have women and them, are all their discussions just boyfriends

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<v Speaker 1>and husbands, or do they have individualism the patriarchy zef

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<v Speaker 1>in best start changing it with the beck Del Cast.

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<v Speaker 1>Welcome to the Bechdel Cast. My name is Jamie Loftus,

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<v Speaker 1>my name is Caitlin Darante, and today is a much

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<v Speaker 1>requested episode that we're excited to bring you. But first,

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<v Speaker 1>it is our sacred duty, our soul and duty, our

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<v Speaker 1>only duty in this lifetime to tell you what the

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<v Speaker 1>podcast is about, which we don't always remember to do.

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<v Speaker 1>I thought you were going to say that, like it's

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<v Speaker 1>our sacred duty to to sing, since we've been doing

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<v Speaker 1>that a week lately, we have been singing quite a bit,

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<v Speaker 1>I feel like, because I mean, if you've clicked on

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<v Speaker 1>the episode, you know, I just it would not be

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<v Speaker 1>you know, I can imitate a Disney orchestra, but I

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<v Speaker 1>can't be Selina. So I'm it's best if we know.

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<v Speaker 1>Although I have heard I mean when when Selena songs

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<v Speaker 1>come up at karaoke, they always are the most spirited

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<v Speaker 1>performance as whether they are good or really bad. Um,

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<v Speaker 1>but yes, it's our those our sacred duty to pod

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<v Speaker 1>in this life. Yeah when in our podcast, it is

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<v Speaker 1>a podcast where we examine movies from an intersectional feminist lens.

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<v Speaker 1>That's true, and what we've noticed is that a lot

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<v Speaker 1>of movies do a very bad job. Hold on, no,

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<v Speaker 1>it's true. Um, And we use the Bechtel tests simply

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<v Speaker 1>as a jumping off point to inspire a much larger conversation.

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<v Speaker 1>And the Bechtel Test, of course, is a media metric

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<v Speaker 1>created by queer cartoonist Alison Becktel, sometimes called the Bechtel

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<v Speaker 1>Wallace Test and by our standards because there's some different

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<v Speaker 1>renditions of the test, but the one that we use

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<v Speaker 1>is two people with names of any marginalized gender speak

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<v Speaker 1>to each other about something other than a man for

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<v Speaker 1>at least two lines of dialogue. You think it would happen,

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<v Speaker 1>but you think it would happen more than it does.

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<v Speaker 1>But today is I'm really excited. It has been a

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<v Speaker 1>much requested episode that I think we've gotten another spike

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<v Speaker 1>in request recently because of the recent TV adaptation which

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<v Speaker 1>I also watched, and I'm interested to talk about. UM.

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<v Speaker 1>So let's bring our guests into the mix. Yes, let's

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<v Speaker 1>do it. She is a writer and the co host

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<v Speaker 1>and co producer of the podcast Locator Radio. It's Malomnios. Hello, Hi, welcome,

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<v Speaker 1>thank you, thank you for having me. I'm extremely excited

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<v Speaker 1>to talk about this movie, and I mean the Bechdel

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<v Speaker 1>test in general, but like even the invitation, I had

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<v Speaker 1>never thought of this before in relation to Selena the movie,

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<v Speaker 1>Like it had never occurred to me to apply this

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<v Speaker 1>metric to the film. So I've never talked about this

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<v Speaker 1>before in relation to the film. Um, so I'm excited.

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<v Speaker 1>I'm excited too. Well, part of it is like when

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<v Speaker 1>we cover biopics, which we haven't done a whole ton of,

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<v Speaker 1>but we've done some. Sometimes there's kind of like just

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<v Speaker 1>a trickier conversation around doing a biopic because it's a

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<v Speaker 1>story about a real life person versus like a completely

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<v Speaker 1>fictional character. So like you know, sometimes like the conversations

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<v Speaker 1>that we tend to have get a little trickier when

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<v Speaker 1>it's a biopic. But you know, Bectal test does apply

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<v Speaker 1>to Selena. And yeah, for sure, Yeah, it was interesting.

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<v Speaker 1>I will first, Um, I guess let's talk about what

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<v Speaker 1>our personal histories with this movie. And I guess, well,

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<v Speaker 1>let's extend that to Selena in in general. You know,

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<v Speaker 1>I identify as Chicana. I'm Mexican American born in ninety

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<v Speaker 1>two in l A County and raised by two Mexican Americans. Right. Um,

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<v Speaker 1>my father identifies as Chicano, and he's from California. He's

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<v Speaker 1>from Bakersfield, and my mom is from l A. Um,

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<v Speaker 1>depending how do you count. I'm like third or fourth

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<v Speaker 1>generation Mexican American. And so I found Selina by way

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<v Speaker 1>of just existing and being raised in that house and

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<v Speaker 1>via my kind of like I really connected with her

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<v Speaker 1>because she's also like a second third gen Mexican American

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<v Speaker 1>raised by Mexican Americans. And she also had a very

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<v Speaker 1>public sort of relationship with her learning of the Spanish

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<v Speaker 1>language and her music was around. You know. The movie

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<v Speaker 1>came out in the nineties. She was murdered in the nineties,

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<v Speaker 1>and she was um twenty two, and I grew up

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<v Speaker 1>with her, you know, as a nineties baby. So the

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<v Speaker 1>film is one of those movies that there are periods

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<v Speaker 1>of time where it's just I have memories of the

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<v Speaker 1>movie just being on, like on repeat, eat in the house,

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<v Speaker 1>you know, like somebody left the DVD in and then

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<v Speaker 1>it just keeps closing. The next time on TV, it's

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<v Speaker 1>back on the movie. And then when you're you're walking

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<v Speaker 1>with the kitchen, you stop and you stand because it's playing,

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<v Speaker 1>and it's just a cycle. For so, you know, very much,

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<v Speaker 1>just in my life and as an adult, getting really

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<v Speaker 1>into the sort of fandom of Selena, especially here in

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<v Speaker 1>l A who among us has not donned a Selena

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<v Speaker 1>costume for Halloween or for a karaoke night, a Selena

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<v Speaker 1>Oaky night at east Side Love. You know what, I'm

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<v Speaker 1>the bi monthly like anniversaries and celebrations, the countless fan

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<v Speaker 1>accounts and Facebook and Instagram and YouTube pages and channels

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<v Speaker 1>about her, the Selena impersonators, the shows, the Coma Left

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<v Speaker 1>Lord festival, you know that anything for Selena's this, that, that, that, that,

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<v Speaker 1>all of it. I'm in it. I go to the

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<v Speaker 1>party's the Selena techno Cumbia. I love the drag queens,

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<v Speaker 1>have the merch um. It's it's all things all Selena

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<v Speaker 1>all the time. Hell yeah, yeah, I love it. And

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<v Speaker 1>she has such iconic looks that like, yeah, replicating all

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<v Speaker 1>the looks, yeah, all the highwaisted pants, all the crops,

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<v Speaker 1>the red lips, the hair, all of it, because she

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<v Speaker 1>was dawning looks that were like they're easy for for

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<v Speaker 1>like a girl who looks like her or who's somewhere

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<v Speaker 1>in that that range. You know, it's like, we can,

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<v Speaker 1>we can wear these looks and like really rock them,

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<v Speaker 1>and they're accessible. She wasn't serving Kylie Jenner, you know,

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<v Speaker 1>she was serving Selena keepinning up from Corpus Christie and inaccessible.

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<v Speaker 1>And and that's why so many women today continue to

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<v Speaker 1>replicate her aesthetic because it's like, oh, yeah, this is ours,

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<v Speaker 1>we can rock this, this is easy. We do this anyways.

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<v Speaker 1>We would have done this regardless. You know. A friend

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<v Speaker 1>of the pod, uh, Danny Fernandez has done some incredible

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<v Speaker 1>Selena looks over the years. Truly, concur I agree, shout

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<v Speaker 1>out Danny, Danny another iconic Kanda. We love it, We

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<v Speaker 1>love Jamie. What about you your history and relationship? Um

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<v Speaker 1>I I've known Selena's music since I was really young.

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<v Speaker 1>I didn't know uh any like I guess specific details

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<v Speaker 1>of her life. I kind of just knew the general

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<v Speaker 1>overview of her life. But when I was little. I

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<v Speaker 1>just remember this the other day, By when I was little,

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<v Speaker 1>I did uh like ballet Dance to Dreaming of You,

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<v Speaker 1>and it was like a herd of little girls in

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<v Speaker 1>pink dresses, just like flailing around. And so I remember

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<v Speaker 1>learning a little bit about Selena, because that would have

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<v Speaker 1>been maybe like five years after she died. I was

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<v Speaker 1>um and and then I didn't learn more about her

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<v Speaker 1>life and kind of the fan culture around her life

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<v Speaker 1>until kind of a couple of years ago where another

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<v Speaker 1>friend of the pod uh Melissa Lozada Oliva, who's an

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<v Speaker 1>incredible poet and writes about Selena pretty extensively, And it

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<v Speaker 1>was just through interacting with her work and just talking

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<v Speaker 1>with her that I learned more about Selena's life. So

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<v Speaker 1>as far as the movie goes, I'd seen it in

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<v Speaker 1>like bits and pieces over the years, but I hadn't

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<v Speaker 1>really like sat with it um before a couple of

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<v Speaker 1>weeks ago to get ready for this show what About You, Caitlin.

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<v Speaker 1>I admittedly had never seen this movie and only had

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<v Speaker 1>a general understanding or general sense of Selena. I knew

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<v Speaker 1>her as an icon, and I knew just the tragic

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<v Speaker 1>story of her murder, but I I didn't know a

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<v Speaker 1>whole lot. And it wasn't until I saw this movie

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<v Speaker 1>that I was like, oh my gosh, she was amazing.

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<v Speaker 1>And now I I was like, I'm gonna listen to

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<v Speaker 1>Selena songs on Spotify and so now I and I

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<v Speaker 1>have like Komala Floor stuck in my head right at

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<v Speaker 1>this very moment, like so yeah, I uh in a

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<v Speaker 1>in a short time now have become a pretty big fan,

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<v Speaker 1>all thanks to Selena the movie. And I also watched

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<v Speaker 1>the series on Netflix to kind of prepare for this

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<v Speaker 1>episode and did a bunch of reading and yeah, listen

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<v Speaker 1>to a bunch of our music and yeah, so that's uh,

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<v Speaker 1>that's kind of where I'm at. Well, I wanted to

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<v Speaker 1>ask you before we kind of just jump into the

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<v Speaker 1>meat of the movie. So I found this and Kyl

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<v Speaker 1>found it as well. This amazing interview you did with

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<v Speaker 1>Vice around the time that the series was coming out.

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<v Speaker 1>And I mean there were certainly a lot of takes

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<v Speaker 1>on the series, um, but you you spoke like really

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<v Speaker 1>in depth about where Latin X representation is at in

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<v Speaker 1>Hollywood right now, and so I kind of wanted to

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<v Speaker 1>start before we jump into the hyper details of the movie,

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<v Speaker 1>just talking a little bit about that because Selena is such,

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<v Speaker 1>you know, such a huge figure. But you know, you're

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<v Speaker 1>you're saying that there should be absolutely more figures in

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<v Speaker 1>the Latino community represented, So, um, yeah, I just would

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<v Speaker 1>like to kind of open that up. Yeah, So I

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<v Speaker 1>want to start by saying that I have been talking

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<v Speaker 1>about Selena a lot recently online because um of Selena

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<v Speaker 1>the series, right, So it brought up a lot of

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<v Speaker 1>conversations a new and what folks in the creative space

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<v Speaker 1>have pointed out and in the fandom have pointed out

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<v Speaker 1>is that there's been a lot of activity around Selena

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<v Speaker 1>in the past few years. The Matt Cosmetics line, the

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<v Speaker 1>Ever twenty one line, the series, I feel like more

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<v Speaker 1>Selena like impersonators and tribute artists and bands more than ever,

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<v Speaker 1>and a lot of activity from the fandom on the internet.

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<v Speaker 1>So she has this enduring legacy that has had like

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<v Speaker 1>a spike. And so with the series, there were so

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<v Speaker 1>many things going on with the series, and I have

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<v Speaker 1>been putting out like I g t V videos to

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<v Speaker 1>give my actions and my reviews of even the promo material,

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<v Speaker 1>the trailer they put out like in at this point

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<v Speaker 1>and then one itself. So I've been like really kind

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<v Speaker 1>of just digging in and um, so all that to say,

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<v Speaker 1>you know, sometimes when women criticize things and analyze things

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<v Speaker 1>and give opinions on things like TV shows and pop

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<v Speaker 1>culture icons. Um, you know, I experienced a lot of

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<v Speaker 1>online I'm a hater. I just am mad that they

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<v Speaker 1>didn't cast me as Selena. I'm a relationship with my father,

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<v Speaker 1>i am a traitor to the Latin community, and I'm

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<v Speaker 1>tearing us all down. You know, the list goes on

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<v Speaker 1>very chill, very chill reactions to having an opinion, very

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<v Speaker 1>about a television show about So that being said, I

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<v Speaker 1>love Selena, and I recognize that when somebody like Selena

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<v Speaker 1>a huge talent of just boundless, you know, potential cut

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<v Speaker 1>way too short. I'm talking about somebody like this, like

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<v Speaker 1>she was so amazing and so talented and so gifted,

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<v Speaker 1>but also such a professional. She was going places and

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<v Speaker 1>an icon like her, we can expect to see her

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<v Speaker 1>everywhere forever. Tattoos, people have Selena rooms in their houses.

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<v Speaker 1>I've been to to Selena super Fan like a house

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<v Speaker 1>in Texas. Uh. I went down there with the podcast

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<v Speaker 1>to like do a speaking engagement in South Texas, and

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<v Speaker 1>the woman who was hosting us, she took us to

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<v Speaker 1>her house real quick and she had a Selena room

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<v Speaker 1>not in common build with merch you know what I mean,

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<v Speaker 1>So not unlike Marilyn Monroe or Elvis Presley, you know,

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<v Speaker 1>or Tina Turner, any icon of this status. We're going

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<v Speaker 1>to see her on on all kinds of products and

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<v Speaker 1>on TV and in film and commercials forever. It's to

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<v Speaker 1>be expected. There's nothing wrong wrong on some level with it,

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<v Speaker 1>and it's almost speaks to how legendary she truly is.

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<v Speaker 1>At the same time, at the same time, there are

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<v Speaker 1>so like few examples of her level of talent, but

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<v Speaker 1>there are more people and more figures who possessed and

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<v Speaker 1>possess her level of talent in the Latin X and

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<v Speaker 1>the Latin American space, and I would love to learn

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<v Speaker 1>about them as well and see more of those figures

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<v Speaker 1>as well, and have that magnitude of you know, social

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<v Speaker 1>awareness and appreciation for their work and talent as well

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<v Speaker 1>from Black artists from Latin America, Indigenous artists from Latin America,

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<v Speaker 1>and US Latin X artists from a lot of different

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<v Speaker 1>ethnic and cultural backgrounds. And as a Mexican American, I

0:13:49.600 --> 0:13:53.679
<v Speaker 1>want to apply like a lens that complicates Mexi centrism

0:13:54.120 --> 0:13:57.600
<v Speaker 1>and that allows us to say, yes, this is great,

0:13:58.080 --> 0:14:01.679
<v Speaker 1>also we can we want more, right, you know. So

0:14:01.760 --> 0:14:06.120
<v Speaker 1>that's that's kind of where my take on the Selena

0:14:06.240 --> 0:14:09.960
<v Speaker 1>and representation because I don't think that this is necessarily

0:14:10.000 --> 0:14:14.800
<v Speaker 1>a celebration of like more representation. M it's kind of

0:14:14.800 --> 0:14:19.640
<v Speaker 1>a rehashing of something that we've seen, and it's not

0:14:19.680 --> 0:14:22.240
<v Speaker 1>as though it's undeserved. And of course you'd want to

0:14:22.320 --> 0:14:26.240
<v Speaker 1>highlight a figure like Selena in movies and TV and stuff,

0:14:26.280 --> 0:14:30.680
<v Speaker 1>but there's just so few stories with Latin X characters

0:14:30.720 --> 0:14:35.800
<v Speaker 1>in mainstream American media that we should see stories about

0:14:35.920 --> 0:14:40.000
<v Speaker 1>people with more just kind of average lives who didn't

0:14:40.200 --> 0:14:44.680
<v Speaker 1>rise to superstardom, because I mean, just so many different

0:14:44.720 --> 0:14:48.240
<v Speaker 1>people with so many different experiences deserve to have their

0:14:48.280 --> 0:14:51.120
<v Speaker 1>story told, and you know, we just need to see

0:14:51.160 --> 0:14:55.080
<v Speaker 1>a wider scope of Latin X stories in general. Yeah,

0:14:55.120 --> 0:14:57.880
<v Speaker 1>I mean, how many different kinds of white families do

0:14:57.920 --> 0:15:00.880
<v Speaker 1>you see on TV? And in movies like a ba

0:15:00.960 --> 0:15:06.120
<v Speaker 1>jillion they make them up like there it is, it's

0:15:06.120 --> 0:15:09.960
<v Speaker 1>always so yeah, like it it is like just some

0:15:10.040 --> 0:15:13.280
<v Speaker 1>bare minimum ship and it's always really frustrating, especially when

0:15:13.760 --> 0:15:17.880
<v Speaker 1>it's a cultural figure who's so like who is as

0:15:17.960 --> 0:15:21.560
<v Speaker 1>amazing as Selena is. It's like, it's not knocking Selena

0:15:21.640 --> 0:15:25.680
<v Speaker 1>to say that there should be more like that's that's

0:15:25.720 --> 0:15:30.640
<v Speaker 1>part of what she was fighting for. Yeah. Um, So

0:15:30.720 --> 0:15:35.880
<v Speaker 1>it's really interesting to also see how like people shut

0:15:35.920 --> 0:15:41.600
<v Speaker 1>down criticism. In my experience talking about Selena recently, the

0:15:42.200 --> 0:15:45.600
<v Speaker 1>number of men specifically and including queer men, which I

0:15:45.600 --> 0:15:48.400
<v Speaker 1>think is really important to talk about in fandom circles

0:15:48.960 --> 0:15:52.560
<v Speaker 1>because we all like love and appreciate a queer fan

0:15:52.640 --> 0:15:56.720
<v Speaker 1>base because queer fans have the best taste, and really

0:15:57.280 --> 0:16:01.040
<v Speaker 1>it's true, like true europe queer icon, it's because your

0:16:01.040 --> 0:16:03.440
<v Speaker 1>fan base has taste and you're really delivering something of

0:16:03.520 --> 0:16:07.160
<v Speaker 1>high quality, and that's what gives an artist staying power

0:16:07.280 --> 0:16:12.080
<v Speaker 1>and lasting power. Like in the pop culture space pointbling period,

0:16:12.120 --> 0:16:14.640
<v Speaker 1>if you're a diva, like, you're not a diva unless

0:16:14.640 --> 0:16:18.560
<v Speaker 1>you have queer fan base, and that's true. Queens dressing

0:16:18.640 --> 0:16:22.240
<v Speaker 1>up as you like you haven't done it right. So

0:16:22.440 --> 0:16:26.640
<v Speaker 1>but there is can still be a toxic masculinity among

0:16:26.760 --> 0:16:30.720
<v Speaker 1>your men, among gay men in particular, and so you

0:16:30.760 --> 0:16:33.960
<v Speaker 1>know within the Latin X space that queer macheese will

0:16:33.960 --> 0:16:36.720
<v Speaker 1>exist and that queer misogyny exists, and it for me

0:16:36.800 --> 0:16:38.680
<v Speaker 1>came out in these ways that a number of queer

0:16:38.720 --> 0:16:42.600
<v Speaker 1>men and straight men, Latin X men, Mexican American cheka

0:16:42.640 --> 0:16:47.600
<v Speaker 1>woman telling me as a Latino community, we must uplift

0:16:47.720 --> 0:16:52.560
<v Speaker 1>like everything Latin or everything Mexican or the or they Netflix,

0:16:52.760 --> 0:16:53.960
<v Speaker 1>They're going to think that we don't know how to

0:16:53.960 --> 0:16:56.120
<v Speaker 1>support each other. They're never gonna give us anything ever. Again,

0:16:56.760 --> 0:16:59.160
<v Speaker 1>I'm like, you guys are still fucking dramatic. First of all,

0:16:59.240 --> 0:17:01.920
<v Speaker 1>she has a feature as the fucking series and it's

0:17:01.960 --> 0:17:05.040
<v Speaker 1>the number one show on Netflix. Kenna Bitch Rant on

0:17:05.080 --> 0:17:10.320
<v Speaker 1>her own Instagram page, Lord under the Bags were all

0:17:10.400 --> 0:17:12.880
<v Speaker 1>Latinos to support all of it, and I'm like, look,

0:17:13.040 --> 0:17:15.600
<v Speaker 1>you know how many motherfuckers have a Spanish surname. You

0:17:15.640 --> 0:17:18.679
<v Speaker 1>think I'm a community with everybody with the Spanish last name?

0:17:18.720 --> 0:17:24.760
<v Speaker 1>Absolutely not. Also, that's what you're advocating for, is like?

0:17:25.000 --> 0:17:29.600
<v Speaker 1>More so like, what's the problem people are addicted to

0:17:29.640 --> 0:17:35.880
<v Speaker 1>being mad? Um? Yeah, okay, should we talk about the

0:17:35.920 --> 0:17:40.639
<v Speaker 1>movie and recap it? Let's do it? Okay, so um,

0:17:40.680 --> 0:17:45.440
<v Speaker 1>obviously this is a biopic about Selena Kentonia, the iconic

0:17:45.600 --> 0:17:51.200
<v Speaker 1>Tejano music musician. We open in media rez to get

0:17:51.880 --> 0:17:56.480
<v Speaker 1>very film school and everybody. Um was that me again?

0:17:56.960 --> 0:18:00.440
<v Speaker 1>Um into the midst of things? Okay, Um, I think

0:18:00.600 --> 0:18:03.080
<v Speaker 1>something I don't know. I don't know Latin. Okay, But

0:18:03.200 --> 0:18:06.960
<v Speaker 1>we opened that way on Selena about to play the

0:18:07.160 --> 0:18:11.120
<v Speaker 1>huge show that she plays at the Houston Astrodome. Um,

0:18:11.200 --> 0:18:15.760
<v Speaker 1>she's at the height of her career. It's February, only

0:18:16.119 --> 0:18:19.199
<v Speaker 1>about a month before she would be murdered. So we

0:18:19.200 --> 0:18:21.879
<v Speaker 1>see her playing this show, and then we cut to

0:18:22.480 --> 0:18:26.440
<v Speaker 1>her father, Abraham, as a young man and member of

0:18:26.640 --> 0:18:30.440
<v Speaker 1>a group called Lost Dinos, who get screwed out of

0:18:30.520 --> 0:18:33.720
<v Speaker 1>doing a gig by a racist club owner who didn't

0:18:33.720 --> 0:18:37.600
<v Speaker 1>know that the Dinos were Mexican. So they go and

0:18:37.640 --> 0:18:41.440
<v Speaker 1>try to play at a club where the clientele is

0:18:41.520 --> 0:18:46.199
<v Speaker 1>mostly Mexican, thinking that they'll fit in, but the crowd

0:18:46.440 --> 0:18:50.960
<v Speaker 1>there doesn't like the Dinos, kind of like white barbershop

0:18:51.080 --> 0:18:55.720
<v Speaker 1>quartet style of music. So, um, there's a bit of

0:18:56.080 --> 0:19:00.760
<v Speaker 1>backlash there. Then we cut to twenty years later, to

0:19:00.920 --> 0:19:08.640
<v Speaker 1>nineteen one now, and Abraham is now Edward Jim's almost Uh,

0:19:08.760 --> 0:19:11.040
<v Speaker 1>we need to talk more about him on this show.

0:19:11.160 --> 0:19:17.000
<v Speaker 1>Another character actor icon for the ages. The first major

0:19:17.000 --> 0:19:20.240
<v Speaker 1>thing I saw him and I think was Battlestar Galactica

0:19:20.560 --> 0:19:25.439
<v Speaker 1>and what I grew up watching Stand and Deliver from

0:19:25.520 --> 0:19:28.680
<v Speaker 1>substitute teachers. That was my Edward James. Almost like any

0:19:28.720 --> 0:19:30.560
<v Speaker 1>time a teacher is sick, there would be like a

0:19:30.560 --> 0:19:33.080
<v Speaker 1>twenty two year old substitute that's like, um, here's a

0:19:33.119 --> 0:19:38.399
<v Speaker 1>movie about math, like inspired, Yeah, and I loved it.

0:19:38.480 --> 0:19:40.600
<v Speaker 1>I was like I could. I could probably recite Stand

0:19:40.680 --> 0:19:45.840
<v Speaker 1>and Deliver from memory at Easter LA Community College. And

0:19:45.920 --> 0:19:47.439
<v Speaker 1>I don't know if they still do this. They probably

0:19:47.440 --> 0:19:50.240
<v Speaker 1>still do. They offer this summer math program for kids

0:19:50.280 --> 0:19:53.800
<v Speaker 1>called the High Miss Galanthan Math Program, and I was, yeah,

0:19:53.840 --> 0:19:55.320
<v Speaker 1>it was, it was. I mean, I mean it was.

0:19:55.359 --> 0:19:57.919
<v Speaker 1>It's cool. It's a great community resource. I went to

0:19:57.920 --> 0:20:00.720
<v Speaker 1>the Highest Glantha math program every s as a kid.

0:20:00.840 --> 0:20:03.959
<v Speaker 1>I was. It was so like, it's just yes, Edward

0:20:04.119 --> 0:20:09.920
<v Speaker 1>and him are everywhere. That's that's so cool. He made

0:20:09.920 --> 0:20:13.440
<v Speaker 1>math sexy. I'm not easy to do, not easy to do,

0:20:13.600 --> 0:20:17.280
<v Speaker 1>so true icon. I want to say, and and Edward

0:20:17.560 --> 0:20:21.679
<v Speaker 1>not Edward, um hemislanta. I want to say he was Bolivian.

0:20:22.960 --> 0:20:28.040
<v Speaker 1>Let me check, yes, yeah, Bolivian American educator. Yeah, oh god,

0:20:28.160 --> 0:20:30.399
<v Speaker 1>that was like l A l A used to feel

0:20:30.480 --> 0:20:33.320
<v Speaker 1>so far away and abstract to me. So I was like, oh, yeah,

0:20:33.320 --> 0:20:36.159
<v Speaker 1>it's like whatever happens in Standing Deliver, that's what l

0:20:36.200 --> 0:20:42.320
<v Speaker 1>A is like. It's a bit of a dramatization, but there. Yes,

0:20:45.680 --> 0:20:48.520
<v Speaker 1>um okay, so we got we have Edward James almost.

0:20:48.720 --> 0:20:52.760
<v Speaker 1>He now has a family including his wife Marcella played

0:20:52.800 --> 0:20:57.440
<v Speaker 1>by Constance Marie, a young son, a b and two daughters,

0:20:57.680 --> 0:21:02.040
<v Speaker 1>Suzette and of course Selina, who I think is eight

0:21:02.160 --> 0:21:04.320
<v Speaker 1>or nine when we first meet her as a child,

0:21:04.720 --> 0:21:08.840
<v Speaker 1>and Abraham's discovers that Selena can sing very very well,

0:21:09.160 --> 0:21:12.720
<v Speaker 1>so he basically makes his family start like form a

0:21:12.760 --> 0:21:16.920
<v Speaker 1>band with a B on bass, Suzette on drums, and

0:21:16.960 --> 0:21:21.000
<v Speaker 1>Selena as the singer. And the kids are reluctant at first,

0:21:21.040 --> 0:21:24.040
<v Speaker 1>but then they keep with it and they start playing

0:21:24.240 --> 0:21:29.240
<v Speaker 1>as Selena I Loostina's at the restaurant that Abraham opens up,

0:21:30.080 --> 0:21:34.840
<v Speaker 1>and Selena discovers that she loves performing. Uh. Then Abraham

0:21:34.920 --> 0:21:37.199
<v Speaker 1>teaches her to sing in Spanish and they have a

0:21:37.240 --> 0:21:42.399
<v Speaker 1>conversation about their identities as Mexican Americans. But then the

0:21:42.480 --> 0:21:45.639
<v Speaker 1>family restaurant has to close down after a few months

0:21:45.720 --> 0:21:50.720
<v Speaker 1>because of the Reagan era economic recession that was an

0:21:50.920 --> 0:21:54.560
<v Speaker 1>iconic I love when there This movie I feel like

0:21:54.600 --> 0:21:56.720
<v Speaker 1>does pretty well with the fact that it's like at

0:21:56.800 --> 0:21:59.359
<v Speaker 1>times of period piece. But I love when in a

0:21:59.440 --> 0:22:03.720
<v Speaker 1>period piece someone just like drops like a hot vocabulary

0:22:03.720 --> 0:22:06.399
<v Speaker 1>word to remind you what year it is where it

0:22:06.520 --> 0:22:08.600
<v Speaker 1>was like they're they're like, why is the why is

0:22:08.600 --> 0:22:13.400
<v Speaker 1>the restaurant closing? And someone responds Reaganomics. I was like, right,

0:22:13.640 --> 0:22:23.280
<v Speaker 1>it is the eighties, right, Reaganomics. Great line. Yeah, So

0:22:24.000 --> 0:22:28.080
<v Speaker 1>the family has to move to leave their home and

0:22:28.119 --> 0:22:31.800
<v Speaker 1>move into an uncle's house, which is when Abraham starts

0:22:31.800 --> 0:22:35.879
<v Speaker 1>trying to kind of ramp up their like music careers

0:22:36.000 --> 0:22:39.479
<v Speaker 1>and book gigs for Selena I Loostino's and get them

0:22:39.520 --> 0:22:41.680
<v Speaker 1>more exposure to see if they might be able to

0:22:41.800 --> 0:22:46.360
<v Speaker 1>kind of earn money this way, and Marcella expresses concerns about,

0:22:46.760 --> 0:22:51.520
<v Speaker 1>you know, people making only space for men in Tahano music,

0:22:52.080 --> 0:22:54.080
<v Speaker 1>which is the type of music that they are now playing,

0:22:54.520 --> 0:22:57.359
<v Speaker 1>and she's worried that Selena, because she's a girl, won't

0:22:57.359 --> 0:22:59.640
<v Speaker 1>be able to get very far. But then we cut

0:22:59.680 --> 0:23:05.159
<v Speaker 1>two nine and Selena is now Jennifer Lopez, and the

0:23:05.200 --> 0:23:09.679
<v Speaker 1>band is really good and they are pretty well established

0:23:09.720 --> 0:23:15.400
<v Speaker 1>Tejano musicians with a following and people love Selena. Uh.

0:23:15.480 --> 0:23:18.600
<v Speaker 1>Then we get this fun scene where their tour bus,

0:23:18.680 --> 0:23:21.960
<v Speaker 1>Big Bertha, gets stuck and these two guys stopped to

0:23:22.040 --> 0:23:24.800
<v Speaker 1>help and it fox their car all up, but they

0:23:24.840 --> 0:23:27.720
<v Speaker 1>don't even care because they love Selena so much and

0:23:27.800 --> 0:23:30.080
<v Speaker 1>they're just like, I'm gonna hang this as a shrine

0:23:30.400 --> 0:23:33.760
<v Speaker 1>on the wall of my garage. Iconic love that scene.

0:23:35.720 --> 0:23:40.960
<v Speaker 1>Then Chris Pettrez played by John Cita, gets brought into

0:23:41.040 --> 0:23:46.240
<v Speaker 1>the band as a guitarist and Selena thinks he's cute

0:23:46.800 --> 0:23:53.520
<v Speaker 1>because he's cute, that's favorite. John Cita as Chris Press specifically,

0:23:53.800 --> 0:23:59.080
<v Speaker 1>is just like like in the film Universe, Jazz Cram

0:23:59.200 --> 0:24:02.879
<v Speaker 1>Dela Crown for me. Yeah, I love him. It's so

0:24:03.040 --> 0:24:07.640
<v Speaker 1>and they're like their chemistry is so good, and you're

0:24:07.720 --> 0:24:11.200
<v Speaker 1>like it's sometimes I'm like, oh, this this romance is

0:24:11.240 --> 0:24:13.240
<v Speaker 1>taking up too much space in the media, But this

0:24:13.240 --> 0:24:15.960
<v Speaker 1>this one, Caleb and I were both like, no, it's beautiful.

0:24:16.480 --> 0:24:18.760
<v Speaker 1>I texted Jamie this morning and I was like, I'm

0:24:18.760 --> 0:24:23.720
<v Speaker 1>obsessed with Chris and Selena, Like their scenes are scenes

0:24:23.760 --> 0:24:27.359
<v Speaker 1>that that I rewind and rewatch, like, you know, like, no,

0:24:27.680 --> 0:24:30.440
<v Speaker 1>I need to rewatch the scene where she told him

0:24:30.480 --> 0:24:33.440
<v Speaker 1>he's a dumb idiate after he trashes the hotel room.

0:24:33.480 --> 0:24:37.760
<v Speaker 1>I must must replay. Yes, it's so like, it's so

0:24:38.760 --> 0:24:41.760
<v Speaker 1>it's I don't know, it should tip over into super melodrama,

0:24:41.800 --> 0:24:45.040
<v Speaker 1>but it somehow doesn't. Where John Cita So I love

0:24:45.040 --> 0:24:47.080
<v Speaker 1>when Selena goes up to him and he's like, I'm

0:24:47.080 --> 0:24:48.879
<v Speaker 1>no good for you. Like he's just like I'm a

0:24:48.920 --> 0:24:52.320
<v Speaker 1>bad boy. You don't understand, and she's like, shut the

0:24:52.359 --> 0:24:55.560
<v Speaker 1>funk up, like perfect, you're not that tough. I love

0:24:55.600 --> 0:24:59.359
<v Speaker 1>this music you spent You've spent a lot of hours

0:24:59.520 --> 0:25:09.719
<v Speaker 1>rehearsing in practicing music, Like please, I love it. So uh,

0:25:09.880 --> 0:25:12.760
<v Speaker 1>Selena thinks he's cute, and then they flirt a little bit.

0:25:13.080 --> 0:25:17.280
<v Speaker 1>They go out for pizza, they start to like each other,

0:25:17.960 --> 0:25:23.800
<v Speaker 1>and then they kiss on the bus, but more like

0:25:24.760 --> 0:25:29.560
<v Speaker 1>because it's danger and someone I forget which character walks

0:25:29.600 --> 0:25:31.919
<v Speaker 1>in on them and it's like, oh my god, I'm

0:25:31.960 --> 0:25:35.960
<v Speaker 1>so sorry, but he I think it's Pete. Yeah, so

0:25:36.280 --> 0:25:39.080
<v Speaker 1>they get caught, but like the real threat is getting

0:25:39.119 --> 0:25:43.680
<v Speaker 1>caught by Abraham, which doesn't happen yet. Meanwhile, they get

0:25:43.680 --> 0:25:47.639
<v Speaker 1>booked for a gig in Monterrey, Mexico, and there's a

0:25:47.640 --> 0:25:50.640
<v Speaker 1>concern about whether or not the band who has made

0:25:50.680 --> 0:25:53.439
<v Speaker 1>up of Mexican Americans will be able to play to

0:25:53.520 --> 0:25:56.679
<v Speaker 1>a Mexican crowd. Um. This is also when we get

0:25:56.720 --> 0:26:00.240
<v Speaker 1>the trouble with Chris where he and and so Lena

0:26:00.280 --> 0:26:03.239
<v Speaker 1>are having to sneak around. There's that whole you know,

0:26:03.280 --> 0:26:07.000
<v Speaker 1>trashing the hotel room scene. Abraham thinks he's a punk. Uh.

0:26:07.160 --> 0:26:09.240
<v Speaker 1>He's like, I'm no good for you, and she's like

0:26:09.280 --> 0:26:12.119
<v Speaker 1>shut up and kiss me um, and he immediately was

0:26:12.160 --> 0:26:18.760
<v Speaker 1>like okay. And so they keep seeing each other in secret,

0:26:19.000 --> 0:26:20.760
<v Speaker 1>and then it turns and then they do the gig

0:26:20.920 --> 0:26:25.400
<v Speaker 1>in Mexico and it turns out the crowds there love Selena.

0:26:25.680 --> 0:26:29.560
<v Speaker 1>So now Selena and Chris have gotten closer. They are

0:26:29.560 --> 0:26:31.439
<v Speaker 1>in love. They want to get married. But this is

0:26:31.480 --> 0:26:35.040
<v Speaker 1>when Abraham finds out about the relationship and he fires Chris,

0:26:35.400 --> 0:26:38.200
<v Speaker 1>but Selena is like, I still want to be with you.

0:26:38.760 --> 0:26:41.000
<v Speaker 1>We have to get married to like show my dad

0:26:41.160 --> 0:26:47.160
<v Speaker 1>that this is serious. So they elope and Abraham finds

0:26:47.160 --> 0:26:49.000
<v Speaker 1>out about it, and he's really upset at first, but

0:26:49.040 --> 0:26:51.920
<v Speaker 1>then he comes around and then that scene where he's like, hi, son,

0:26:52.280 --> 0:26:57.919
<v Speaker 1>welcome to the family. I'm just the ultimate mark of approval,

0:26:58.320 --> 0:27:04.920
<v Speaker 1>kind of acceptance into a American home. Did you bring

0:27:04.920 --> 0:27:13.040
<v Speaker 1>your guitar? Did you bring her guitar? When the Texan

0:27:13.160 --> 0:27:19.479
<v Speaker 1>accents sneak out, I love it. Um. So the band

0:27:19.840 --> 0:27:23.240
<v Speaker 1>is all this while they're they're blowing up. Record sales

0:27:23.280 --> 0:27:27.200
<v Speaker 1>are really good. They're nominated for a Grammy. Selena starts

0:27:27.240 --> 0:27:32.040
<v Speaker 1>working on a crossover English language album. Selena opens a

0:27:32.280 --> 0:27:35.760
<v Speaker 1>boutique because she's always been interested in fashion design, and

0:27:35.760 --> 0:27:39.639
<v Speaker 1>this is when we meet Yolanda Salvidar, who is played

0:27:39.640 --> 0:27:47.240
<v Speaker 1>by Lupe ante Veros, who handles Selena's businesses and also

0:27:47.280 --> 0:27:51.000
<v Speaker 1>as the president of her fan club. Then we get

0:27:51.040 --> 0:27:55.840
<v Speaker 1>another fun scene where Selena and I'm a little unclear

0:27:55.920 --> 0:28:00.280
<v Speaker 1>on this character's name. She calls her Reenie, but then

0:28:00.280 --> 0:28:05.120
<v Speaker 1>I couldn't find her on IMDb as that name. Who

0:28:05.160 --> 0:28:09.280
<v Speaker 1>she she goes to them all with, Yeah, I'm not

0:28:09.520 --> 0:28:13.040
<v Speaker 1>entirely sure who the person is to Selena exactly, but

0:28:13.080 --> 0:28:16.200
<v Speaker 1>she's in the movie from like pretty early on, Mala,

0:28:16.240 --> 0:28:19.120
<v Speaker 1>do you know so? I think so. I think they're

0:28:19.160 --> 0:28:21.040
<v Speaker 1>supposed to be friends. I don't know if she had

0:28:21.080 --> 0:28:23.840
<v Speaker 1>a real life friend like this I don't know how

0:28:23.880 --> 0:28:27.840
<v Speaker 1>many like girlfriends Selena had like in real life, honestly, Um,

0:28:27.840 --> 0:28:31.800
<v Speaker 1>it's honest. It's the like, an enduring friend is not

0:28:31.840 --> 0:28:34.800
<v Speaker 1>necessarily somebody that comes up a lot in like the

0:28:34.800 --> 0:28:37.399
<v Speaker 1>fans spaces. I don't see a lot of that, like

0:28:37.520 --> 0:28:40.200
<v Speaker 1>the bandmates, you see the family, you see Chris, you

0:28:40.240 --> 0:28:44.560
<v Speaker 1>see the backup dancers, you know, um, and in retellings

0:28:44.600 --> 0:28:47.400
<v Speaker 1>and in writings and in readings, and I don't She's

0:28:47.400 --> 0:28:51.600
<v Speaker 1>not somebody that's in real life. Stands out to me. However,

0:28:51.640 --> 0:28:55.160
<v Speaker 1>the actress that played the friend in the movie played

0:28:55.360 --> 0:29:00.520
<v Speaker 1>the mother Marcella in Selena the series. Oh, I didn't

0:29:00.560 --> 0:29:05.200
<v Speaker 1>pick up on that either. Incredible because she's in the

0:29:05.240 --> 0:29:07.800
<v Speaker 1>scene where like they first mate Chris and they're like,

0:29:07.880 --> 0:29:10.920
<v Speaker 1>what like watching him audition basically, So like she's in

0:29:11.360 --> 0:29:13.600
<v Speaker 1>a fair number of scenes and stuff, but they like

0:29:13.640 --> 0:29:15.760
<v Speaker 1>don't really draw that much attention to her. So I

0:29:15.760 --> 0:29:19.400
<v Speaker 1>wasn't exactly sure who she was like to Selena or

0:29:19.440 --> 0:29:21.719
<v Speaker 1>even what her name was. In my notes, I referred

0:29:21.720 --> 0:29:24.120
<v Speaker 1>to her as a friend who's over the house a lot,

0:29:24.160 --> 0:29:28.160
<v Speaker 1>which I can relate with. I was that friend, yeah,

0:29:28.480 --> 0:29:31.160
<v Speaker 1>And it's you know, I'm sure because they I mean,

0:29:31.240 --> 0:29:33.640
<v Speaker 1>it's not like she didn't have friends. Well I don't know.

0:29:33.720 --> 0:29:35.600
<v Speaker 1>I don't know, but it's possible that she had there

0:29:35.640 --> 0:29:37.880
<v Speaker 1>was somebody that a family member or a friend of

0:29:37.880 --> 0:29:39.680
<v Speaker 1>the family or a neighbor that was there all the

0:29:39.720 --> 0:29:43.480
<v Speaker 1>time or definitely possible, But I don't. I wish maybe

0:29:43.960 --> 0:29:46.040
<v Speaker 1>this is actually a really great line of inquiry, like

0:29:46.080 --> 0:29:48.640
<v Speaker 1>I want to I want to know more now, I'd

0:29:48.640 --> 0:29:51.000
<v Speaker 1>be interesting because if they if they did add her,

0:29:51.200 --> 0:29:54.719
<v Speaker 1>I mean, I'm always happy in I mean, we'll talk

0:29:54.760 --> 0:29:56.440
<v Speaker 1>about it. But like one of one of the things

0:29:56.440 --> 0:29:59.680
<v Speaker 1>about this movie is I wish that we saw Selena

0:30:00.000 --> 0:30:02.080
<v Speaker 1>talking to women in her life who weren't just her

0:30:02.160 --> 0:30:05.160
<v Speaker 1>mom a little bit more so whenever that character came in,

0:30:05.200 --> 0:30:07.320
<v Speaker 1>it was like, oh, it would be cool to know,

0:30:07.560 --> 0:30:10.560
<v Speaker 1>you know a little what the context for this person is,

0:30:10.600 --> 0:30:14.680
<v Speaker 1>because we don't see Selena talking to women, you know,

0:30:14.720 --> 0:30:18.320
<v Speaker 1>about her dreams very much, so when she does, it's like, well,

0:30:18.360 --> 0:30:23.640
<v Speaker 1>who is this? Like yeah, right, In any case, a

0:30:23.680 --> 0:30:27.600
<v Speaker 1>friend who's over at the house a lot and Selena

0:30:28.480 --> 0:30:33.080
<v Speaker 1>um go to the mall in l a shortly before

0:30:33.320 --> 0:30:36.440
<v Speaker 1>the Grammys to buy address for this friend, and they

0:30:36.440 --> 0:30:40.120
<v Speaker 1>go into this store where a white lady is racist

0:30:40.160 --> 0:30:44.360
<v Speaker 1>to them. But meanwhile everyone at the mall figures out

0:30:44.400 --> 0:30:46.560
<v Speaker 1>that Selena is there, and there are a bunch of

0:30:46.560 --> 0:30:49.520
<v Speaker 1>like retail and restaurant workers and then also just shoppers

0:30:50.200 --> 0:30:53.760
<v Speaker 1>who are huge fans of Selena, and they rush to

0:30:53.880 --> 0:30:57.800
<v Speaker 1>see her. And then the racist lady looks like a fool.

0:31:00.920 --> 0:31:05.160
<v Speaker 1>She deserves, she very much deserves. And then the Selena

0:31:05.320 --> 0:31:09.000
<v Speaker 1>is like, actually, we don't want your dress and screw you.

0:31:09.360 --> 0:31:16.280
<v Speaker 1>Jayla really delivers that line. It's really very cathartic. Okay,

0:31:16.360 --> 0:31:19.360
<v Speaker 1>So then we see them at the Grammys. Selena wins

0:31:19.360 --> 0:31:23.640
<v Speaker 1>a Grammy. Things are going great until the family starts

0:31:23.640 --> 0:31:28.200
<v Speaker 1>to notice some discrepancies with the finances of Selena's businesses

0:31:28.320 --> 0:31:32.320
<v Speaker 1>and they realize that Yolanda is probably behind it, but

0:31:32.400 --> 0:31:35.240
<v Speaker 1>Yolanda denies it. Um then we cut back to that

0:31:35.240 --> 0:31:39.720
<v Speaker 1>scene at the very beginning from the Houston Astrodome, which

0:31:39.840 --> 0:31:44.000
<v Speaker 1>kind of sort of morphs into the murder of Selena

0:31:44.280 --> 0:31:48.880
<v Speaker 1>by Yolanda. And Selena has been shot, She's rushed to

0:31:48.880 --> 0:31:53.720
<v Speaker 1>the hospital, she dies, her family mourns, her fans mourn.

0:31:54.000 --> 0:31:59.160
<v Speaker 1>There are vigils with huge crowds of all of Selena's supporters,

0:31:59.560 --> 0:32:02.080
<v Speaker 1>and then we get a montage of footage of the

0:32:02.120 --> 0:32:06.320
<v Speaker 1>real Selena Quitania and that kind of closes out the movie.

0:32:07.640 --> 0:32:11.520
<v Speaker 1>So that is the story. Let's take a quick break

0:32:11.560 --> 0:32:21.440
<v Speaker 1>and then we'll come back to discuss where where to begin.

0:32:21.640 --> 0:32:23.560
<v Speaker 1>I guess one thing that stood out to me that

0:32:23.600 --> 0:32:26.040
<v Speaker 1>I just I didn't know. I didn't I knew nothing

0:32:26.080 --> 0:32:29.520
<v Speaker 1>about the production history of this movie. I didn't realize

0:32:29.560 --> 0:32:35.480
<v Speaker 1>how soon after Selena's death this movie was shot and released.

0:32:35.480 --> 0:32:39.800
<v Speaker 1>It was very, very um quick. Yeah, I just, um,

0:32:39.840 --> 0:32:42.320
<v Speaker 1>that's just kind of a rogue observation. I didn't realize

0:32:42.360 --> 0:32:46.240
<v Speaker 1>it was, you know, basically two years after Yeah, because

0:32:46.280 --> 0:32:50.360
<v Speaker 1>she was murdered in and just thinking about what it

0:32:50.480 --> 0:32:53.840
<v Speaker 1>takes to get a movie greenlit and up and running

0:32:53.840 --> 0:32:56.280
<v Speaker 1>and written and cast and all these things. I feel

0:32:56.320 --> 0:32:58.200
<v Speaker 1>like it was almost it was like right after she

0:32:58.280 --> 0:33:00.840
<v Speaker 1>was murdered, they got into talks about it and they

0:33:00.840 --> 0:33:05.440
<v Speaker 1>got started. I could assume it appeared I read that, um,

0:33:05.480 --> 0:33:08.880
<v Speaker 1>there were a lot of like non official biographies like

0:33:09.160 --> 0:33:12.200
<v Speaker 1>in the works right after her death, and the Kingtonia

0:33:12.280 --> 0:33:15.480
<v Speaker 1>family was just like, all right, we gotta if people

0:33:15.520 --> 0:33:19.240
<v Speaker 1>are gonna try to make movies that might misrepresent Selena's story,

0:33:19.320 --> 0:33:22.080
<v Speaker 1>like let's just nip this in the bud and like

0:33:22.240 --> 0:33:25.640
<v Speaker 1>be a part of doing this ourselves. Because Abraham Kingtonia

0:33:25.840 --> 0:33:29.280
<v Speaker 1>is one of the executive producers of this movie, so

0:33:29.480 --> 0:33:31.640
<v Speaker 1>they kind of this is the one they signed off on,

0:33:31.760 --> 0:33:36.600
<v Speaker 1>and there's a lot of conversations with the director, Gregory Nova,

0:33:36.680 --> 0:33:40.000
<v Speaker 1>and he came in and talked too many members of

0:33:40.040 --> 0:33:43.600
<v Speaker 1>the family and just like basically got Selena's whole life

0:33:43.600 --> 0:33:48.000
<v Speaker 1>story and um then adapted it to this screenplay and

0:33:48.080 --> 0:33:51.200
<v Speaker 1>this movie. So yeah, but I think that was kind

0:33:51.240 --> 0:33:53.760
<v Speaker 1>of why it all happened so quickly, because there was

0:33:54.320 --> 0:33:59.160
<v Speaker 1>other productions like maybe about to like mess the story up,

0:33:59.400 --> 0:34:01.920
<v Speaker 1>so they were let's let's do it right before they

0:34:01.960 --> 0:34:05.760
<v Speaker 1>do it wrong. Yeah. Yeah, And I want to say

0:34:05.920 --> 0:34:09.200
<v Speaker 1>it was m I want to liot this up now,

0:34:09.239 --> 0:34:12.359
<v Speaker 1>but it was either the director, Gregory Nava or one

0:34:12.400 --> 0:34:18.359
<v Speaker 1>of the producers Sparsa, who had a teenage daughter who

0:34:18.400 --> 0:34:21.359
<v Speaker 1>at the time before Selena's death was a Selena fan

0:34:21.440 --> 0:34:25.520
<v Speaker 1>and who was really into Selena, and his daughter was

0:34:25.560 --> 0:34:29.160
<v Speaker 1>sort of one of the catalyst behind she went like

0:34:29.160 --> 0:34:32.759
<v Speaker 1>like turning Selena's life and death into a story. I

0:34:32.800 --> 0:34:34.839
<v Speaker 1>don't know, a fact check can be done, but it's

0:34:34.880 --> 0:34:37.960
<v Speaker 1>either either a Sparta or Nava who had a teen

0:34:38.040 --> 0:34:40.319
<v Speaker 1>daughter who was a Selena fan. And I think that's

0:34:40.360 --> 0:34:45.160
<v Speaker 1>important to talk about two because her fandom also inspired

0:34:45.160 --> 0:34:49.520
<v Speaker 1>and influenced and kind of asked for the films to

0:34:49.560 --> 0:34:52.359
<v Speaker 1>sort of memorialize her, and I think it is sort

0:34:52.400 --> 0:34:56.600
<v Speaker 1>of there is a sort of timeline around like a

0:34:56.640 --> 0:35:00.160
<v Speaker 1>major event having to do with the celebrity and end

0:35:00.160 --> 0:35:04.680
<v Speaker 1>of keeping that momentum, going to put her story to

0:35:04.760 --> 0:35:07.200
<v Speaker 1>as many people as possible, and because I think on

0:35:07.200 --> 0:35:09.160
<v Speaker 1>on the one hand it's like shrewd business, but on

0:35:09.160 --> 0:35:11.960
<v Speaker 1>the other hand, it's like no, she we do. We

0:35:12.040 --> 0:35:14.400
<v Speaker 1>do want people to know about her and what happened

0:35:14.400 --> 0:35:16.720
<v Speaker 1>to her, and we also want people to hear her music.

0:35:16.960 --> 0:35:18.480
<v Speaker 1>And what I love about the film is it's such

0:35:18.480 --> 0:35:21.799
<v Speaker 1>a concert film. And what I didn't realize was that

0:35:21.880 --> 0:35:24.719
<v Speaker 1>growing up I was watching on beaches and DVD on

0:35:25.160 --> 0:35:27.640
<v Speaker 1>you know, just TV screens, and a couple of years

0:35:27.680 --> 0:35:30.040
<v Speaker 1>ago at the I want to say the Hungarian American

0:35:30.080 --> 0:35:33.799
<v Speaker 1>Cultural Center, there was this event where they rent out

0:35:33.360 --> 0:35:37.000
<v Speaker 1>of this big vintage theater from like what the thirties

0:35:37.080 --> 0:35:39.440
<v Speaker 1>or something with the huge screen and the seats and stuff,

0:35:39.760 --> 0:35:42.560
<v Speaker 1>and they played Selena the Selena the Movie on the

0:35:42.560 --> 0:35:45.560
<v Speaker 1>big screen, and they interviewed Constance Marie and a few

0:35:45.560 --> 0:35:50.640
<v Speaker 1>other people from the film, and Um, I never realized, No,

0:35:50.840 --> 0:35:52.600
<v Speaker 1>this movie was meant to be watched on the big

0:35:52.640 --> 0:35:54.960
<v Speaker 1>screen as and as if you were at a concert,

0:35:55.160 --> 0:35:57.880
<v Speaker 1>because you're in from the perspective of the audience for

0:35:57.960 --> 0:35:59.600
<v Speaker 1>so much of it, and so much of it is

0:36:00.040 --> 0:36:03.239
<v Speaker 1>recreating the sound in the space when she was performing,

0:36:03.360 --> 0:36:07.560
<v Speaker 1>you know, So, yeah, that's amazing. I like, I I

0:36:07.640 --> 0:36:10.680
<v Speaker 1>also really appreciate how I don't know, I feel like

0:36:10.680 --> 0:36:12.960
<v Speaker 1>in most biopics they cut off the song, they're like

0:36:13.000 --> 0:36:16.319
<v Speaker 1>all right, you know, but they they let it go.

0:36:16.480 --> 0:36:19.520
<v Speaker 1>And I feel like having the context of her passing

0:36:19.520 --> 0:36:22.560
<v Speaker 1>away pretty recently is also like, I don't know, I mean,

0:36:23.200 --> 0:36:26.520
<v Speaker 1>I it seems like almost like a healing thing as well,

0:36:26.600 --> 0:36:29.920
<v Speaker 1>to to be showing all of the music and like

0:36:30.000 --> 0:36:36.200
<v Speaker 1>really meticulously recreating those scenes. I was also impressed by, um,

0:36:36.360 --> 0:36:39.080
<v Speaker 1>the fact that the family was so involved in this production,

0:36:39.200 --> 0:36:42.759
<v Speaker 1>and also, you know, don't like they they do come

0:36:42.760 --> 0:36:45.160
<v Speaker 1>off as flawed characters still, I feel like that's a

0:36:45.280 --> 0:36:49.439
<v Speaker 1>kind of common biopic fumble where the subjects were either

0:36:49.640 --> 0:36:52.440
<v Speaker 1>you know, at least living, if not actually involved, where

0:36:52.480 --> 0:36:58.240
<v Speaker 1>sometimes they're like, well I don't mention that, but right, yeah,

0:36:58.360 --> 0:37:02.440
<v Speaker 1>I mean I I don't know how exactly faithful everything

0:37:02.800 --> 0:37:05.600
<v Speaker 1>was here. I'm sure you know a lot more than

0:37:05.840 --> 0:37:09.880
<v Speaker 1>I do. Malla, and and the way the series portrays

0:37:09.920 --> 0:37:12.280
<v Speaker 1>it is also very different in like a different tone,

0:37:13.160 --> 0:37:16.200
<v Speaker 1>uh where sometimes I'm like, I don't I think Abraham

0:37:16.360 --> 0:37:19.080
<v Speaker 1>is being very manipulative, but then the TV show goes

0:37:19.120 --> 0:37:21.800
<v Speaker 1>like boeing and I'm like, oh, I'm supposed to be laughing.

0:37:22.840 --> 0:37:31.080
<v Speaker 1>Um ut, very stut observation. Yes, real strange, um but

0:37:31.280 --> 0:37:33.640
<v Speaker 1>at least at least you know, in this one you

0:37:33.680 --> 0:37:38.880
<v Speaker 1>have Edward James almost who gives Abraham's negative quality like

0:37:38.920 --> 0:37:44.120
<v Speaker 1>they shine through in his performance, which, um yeah, I

0:37:44.120 --> 0:37:46.759
<v Speaker 1>don't know. I was impressed, you know two years later

0:37:46.840 --> 0:37:49.759
<v Speaker 1>that there was some nuance to how the family was depicted.

0:37:52.760 --> 0:37:59.480
<v Speaker 1>My goodness. So I in my conversations about Selena and

0:37:59.520 --> 0:38:04.520
<v Speaker 1>Selena the series, Abraham is so important and comes up

0:38:04.640 --> 0:38:08.400
<v Speaker 1>so much because I mean, again, like culturally on a

0:38:08.480 --> 0:38:11.800
<v Speaker 1>very culturally specific way, like a family like Selena's family,

0:38:11.920 --> 0:38:14.359
<v Speaker 1>and being that she worked with her family and they

0:38:14.400 --> 0:38:16.319
<v Speaker 1>spent so many hours and so many years of her

0:38:16.360 --> 0:38:18.719
<v Speaker 1>life from her most formative years starting when she was

0:38:18.760 --> 0:38:22.480
<v Speaker 1>like ten, rehearsing, touring and on the bus together and working.

0:38:22.520 --> 0:38:24.680
<v Speaker 1>And that's a lot of hours and a lot of

0:38:24.719 --> 0:38:28.839
<v Speaker 1>time to with your family. We're already super claustrophobic as

0:38:28.840 --> 0:38:31.960
<v Speaker 1>a people, and they want they keep us in the

0:38:32.000 --> 0:38:33.600
<v Speaker 1>house for as long as they possibly. They keep us

0:38:33.600 --> 0:38:35.040
<v Speaker 1>in the womb for as long as possible, and they

0:38:35.080 --> 0:38:38.799
<v Speaker 1>keep us possible having three or four generations in a

0:38:38.880 --> 0:38:41.439
<v Speaker 1>house and people stay until they get married. And that's

0:38:41.480 --> 0:38:45.360
<v Speaker 1>the desire and the expectation. Very normal, you know. Um,

0:38:45.560 --> 0:38:47.759
<v Speaker 1>the idea of like not being surrounded by family at

0:38:47.760 --> 0:38:49.799
<v Speaker 1>all times for some of us, for a lot of us,

0:38:50.080 --> 0:38:52.799
<v Speaker 1>is is very foreign, is very different. So on the

0:38:52.800 --> 0:38:55.960
<v Speaker 1>one hand, it's like, I wonder if even applying the

0:38:56.160 --> 0:38:59.279
<v Speaker 1>like the beck told test to Selena specifically is even

0:38:59.320 --> 0:39:02.680
<v Speaker 1>a fair metric, if it's even relevant on a very

0:39:02.719 --> 0:39:05.640
<v Speaker 1>specific level. Because she was murdered when she was twenty two,

0:39:05.680 --> 0:39:07.640
<v Speaker 1>she spent so much of her life with her family.

0:39:08.080 --> 0:39:10.799
<v Speaker 1>How much time did she spend alone? How much time

0:39:10.880 --> 0:39:14.719
<v Speaker 1>did she spend with non family? Probably not that much.

0:39:16.000 --> 0:39:18.719
<v Speaker 1>You know, she had to Elope like she had to

0:39:18.800 --> 0:39:24.160
<v Speaker 1>Elope and Abraham and to productions, Abraham being an official

0:39:24.239 --> 0:39:26.680
<v Speaker 1>producer on Selena the movie, an sling of the series,

0:39:27.040 --> 0:39:30.400
<v Speaker 1>presents himself as a complex and flawed person. Oh very

0:39:30.480 --> 0:39:33.360
<v Speaker 1>much so. And there's a certain level of self awareness

0:39:33.400 --> 0:39:37.080
<v Speaker 1>amongst Mexican dads. They know that they could be a

0:39:37.160 --> 0:39:40.920
<v Speaker 1>little tough and harsh and a little being very generous. Um.

0:39:40.960 --> 0:39:43.200
<v Speaker 1>They know how they are. They know they know themselves,

0:39:43.680 --> 0:39:46.160
<v Speaker 1>you know, and they'll talk about it. They own it.

0:39:46.680 --> 0:39:50.040
<v Speaker 1>But we're not complicating the tension and the impact that

0:39:50.040 --> 0:39:52.640
<v Speaker 1>that has. It's not enough to be self aware sometimes,

0:39:53.239 --> 0:39:56.680
<v Speaker 1>what's the impact and what's the tension. Maria Gutsia as

0:39:56.719 --> 0:40:00.960
<v Speaker 1>a journalist from South Texas and she just put out

0:40:00.960 --> 0:40:05.120
<v Speaker 1>a podcast called Anything for Selena. Yes, And the second

0:40:05.160 --> 0:40:09.680
<v Speaker 1>episode is all about this daughter father Mexican American relationship

0:40:09.760 --> 0:40:12.640
<v Speaker 1>and really dives into that complexity with Abraham and you

0:40:12.680 --> 0:40:15.680
<v Speaker 1>hear from him and he speaks and it's it's amazing,

0:40:15.760 --> 0:40:19.400
<v Speaker 1>honestly to hear that's so cool. Yeah, I listened to

0:40:19.440 --> 0:40:23.080
<v Speaker 1>the first episode and realm like really enjoying it. Yeah,

0:40:22.640 --> 0:40:27.479
<v Speaker 1>I was curious about Yeah, how I mean, starting yeah

0:40:27.560 --> 0:40:31.320
<v Speaker 1>with with Abraham's character. I don't know. I mean my

0:40:31.440 --> 0:40:34.640
<v Speaker 1>feeling as far as the Bechdel test goes for this,

0:40:35.440 --> 0:40:39.160
<v Speaker 1>I feel like, I don't know. It's it is complicated

0:40:39.160 --> 0:40:41.239
<v Speaker 1>whenever it's a biopic, because you're not going to like

0:40:41.600 --> 0:40:44.880
<v Speaker 1>add in new characters unless that friend truly is fictional.

0:40:44.960 --> 0:40:47.120
<v Speaker 1>But like you're not going to add in new characters

0:40:47.160 --> 0:40:50.840
<v Speaker 1>just to have the movie past the Bechtel test. But

0:40:50.880 --> 0:40:52.719
<v Speaker 1>there were like small things where I was like, well,

0:40:52.760 --> 0:40:56.160
<v Speaker 1>I wish that, you know, like Susan's right there and

0:40:56.920 --> 0:41:00.120
<v Speaker 1>her mom's right there, like there's so much more, but

0:41:00.200 --> 0:41:02.040
<v Speaker 1>like she does, But it felt to me like there

0:41:02.120 --> 0:41:05.800
<v Speaker 1>was way more of an emphasis on the father daughter

0:41:05.960 --> 0:41:08.759
<v Speaker 1>relationship than it was on the mother daughter relationship. And

0:41:08.800 --> 0:41:12.440
<v Speaker 1>maybe that you know, again, when you're adapting a person's

0:41:12.480 --> 0:41:16.520
<v Speaker 1>whole life and like yeah, yeah, you don't have that

0:41:16.600 --> 0:41:18.880
<v Speaker 1>much time. You have to kind of figure out what's

0:41:18.920 --> 0:41:23.160
<v Speaker 1>maybe what are the biggest opportunities for tension in a story,

0:41:23.320 --> 0:41:25.480
<v Speaker 1>and like what are the most kind of dramatic moments,

0:41:25.520 --> 0:41:27.560
<v Speaker 1>because those are going to be the things you want

0:41:27.560 --> 0:41:31.120
<v Speaker 1>to showcase in a cinematic story. But I'm still just

0:41:31.200 --> 0:41:34.520
<v Speaker 1>like I'd like to see more interactions with Selena and

0:41:34.560 --> 0:41:37.759
<v Speaker 1>her mother, even if you know, the ones with Abraham

0:41:37.880 --> 0:41:43.600
<v Speaker 1>or maybe more wrought with tension. Yeah, I don't know. Yeah,

0:41:43.800 --> 0:41:46.799
<v Speaker 1>I like to believe because we don't. We never hear

0:41:46.880 --> 0:41:51.480
<v Speaker 1>from Marcella, we never hear from mom, and like notoriously historically,

0:41:51.800 --> 0:41:56.520
<v Speaker 1>even in um, you know, nineties accounts of the aftermath

0:41:56.640 --> 0:41:59.759
<v Speaker 1>of Selena's murder, and Maria Garcia talks about this on

0:41:59.760 --> 0:42:02.480
<v Speaker 1>her podcast as well, and this sort of archival footage

0:42:02.520 --> 0:42:06.960
<v Speaker 1>is brought in um from journalists and such that Marcella's

0:42:07.040 --> 0:42:09.640
<v Speaker 1>just is not around and she's not public and she

0:42:09.680 --> 0:42:11.919
<v Speaker 1>doesn't make statements, and the same was sort of true

0:42:11.920 --> 0:42:14.799
<v Speaker 1>when Selena was performing. And I think one thing with

0:42:14.880 --> 0:42:17.960
<v Speaker 1>the movie being a concert film is Selena had a

0:42:17.960 --> 0:42:21.239
<v Speaker 1>particular relationship to her father Visa via music, you know,

0:42:22.120 --> 0:42:26.000
<v Speaker 1>and didn't share with her mom. Um. And I wonder if,

0:42:26.080 --> 0:42:29.840
<v Speaker 1>like I always wonder, and again coming from a culturally

0:42:29.880 --> 0:42:33.880
<v Speaker 1>specific place, well, if we had scenes with Selena and

0:42:33.880 --> 0:42:36.080
<v Speaker 1>her mom, how much of it would be about not

0:42:36.200 --> 0:42:39.160
<v Speaker 1>the music right and how much of it would be

0:42:39.200 --> 0:42:43.680
<v Speaker 1>about Selena's specific hopes, dreams, wants, desires, um, how much

0:42:43.680 --> 0:42:47.640
<v Speaker 1>would it be Selena really going to mom is a confidante,

0:42:48.440 --> 0:42:51.400
<v Speaker 1>to bounce off of each other, you know, and to

0:42:51.480 --> 0:42:55.560
<v Speaker 1>kind of recover from their time with Abraham, which is

0:42:55.600 --> 0:42:59.239
<v Speaker 1>so much of mother daughter Mexican American dynamics. Is like

0:42:59.600 --> 0:43:03.680
<v Speaker 1>we're being to each other about dad, right or mom

0:43:03.800 --> 0:43:07.880
<v Speaker 1>is is it's okay? You know how your dad is like,

0:43:07.960 --> 0:43:11.279
<v Speaker 1>it'll be fine, let him cool off. And how many

0:43:11.320 --> 0:43:14.640
<v Speaker 1>of those scenes again Abraham as producer, because Marcella is

0:43:14.640 --> 0:43:16.960
<v Speaker 1>not the producer, Abraham, how many of those scenes are

0:43:16.960 --> 0:43:18.960
<v Speaker 1>we going to be allowed to see? Or does he

0:43:19.080 --> 0:43:23.120
<v Speaker 1>even know about? How much? To even knowledge? It could

0:43:23.120 --> 0:43:26.640
<v Speaker 1>have been a ship talking absolute party every single night.

0:43:26.680 --> 0:43:31.120
<v Speaker 1>You never know. That's really, That's really I never I

0:43:31.200 --> 0:43:32.960
<v Speaker 1>never picked up on the fact that it seems like

0:43:33.160 --> 0:43:35.640
<v Speaker 1>in UM and then on Selina the series, is it

0:43:35.960 --> 0:43:39.279
<v Speaker 1>Abraham and Suzette who are involved? Is ab involved in

0:43:39.320 --> 0:43:43.360
<v Speaker 1>the series? It's it's Abraham, A, b and Susette are

0:43:43.400 --> 0:43:47.680
<v Speaker 1>all in. Marcella is not so much not enough titled

0:43:47.840 --> 0:43:52.160
<v Speaker 1>public written about way anyways? Right? I mean, I will say,

0:43:52.280 --> 0:43:56.400
<v Speaker 1>as far as how Marcella is portrayed in this movie,

0:43:56.480 --> 0:43:59.600
<v Speaker 1>I do like any scene that she and Selena have together.

0:43:59.760 --> 0:44:04.400
<v Speaker 1>I really like like the I like that she is,

0:44:04.480 --> 0:44:07.000
<v Speaker 1>So I mean, I don't know if I feel like,

0:44:07.040 --> 0:44:09.880
<v Speaker 1>for the little screen time she has comparatively like you

0:44:09.920 --> 0:44:12.160
<v Speaker 1>do kind of get a feeling for what the push

0:44:12.239 --> 0:44:14.800
<v Speaker 1>and pull in her life is of, Like she um

0:44:14.960 --> 0:44:18.520
<v Speaker 1>doesn't want to upset her husband, but that doesn't stop

0:44:18.600 --> 0:44:21.799
<v Speaker 1>her from telling him how she feels about stuff, even

0:44:21.840 --> 0:44:24.560
<v Speaker 1>though she doesn't necessarily have the final say. I like

0:44:24.680 --> 0:44:28.040
<v Speaker 1>that she, you know, is able to like speak openly

0:44:28.080 --> 0:44:30.960
<v Speaker 1>with Selena and be like, yeah, this is bullshit, but

0:44:31.040 --> 0:44:33.920
<v Speaker 1>let's navigate it how we can and then let's the

0:44:34.440 --> 0:44:37.520
<v Speaker 1>I feel like the maybe maybe the last like meaty

0:44:37.640 --> 0:44:41.279
<v Speaker 1>scene we have with them is when Selena is saying

0:44:41.360 --> 0:44:44.040
<v Speaker 1>that she wants to have a baby and she like

0:44:44.560 --> 0:44:47.160
<v Speaker 1>has these so those are like I feel like, yeah,

0:44:47.239 --> 0:44:50.839
<v Speaker 1>it is with when Selena is talking to women that

0:44:50.960 --> 0:44:53.680
<v Speaker 1>you get to know her the best, and when she's

0:44:53.719 --> 0:45:00.640
<v Speaker 1>talking to Abraham the plot is being moved forward basically, Yeah,

0:45:00.680 --> 0:45:03.480
<v Speaker 1>because I love those moments where it's like when she

0:45:03.560 --> 0:45:07.600
<v Speaker 1>talks to a friend who's over a lot about um

0:45:07.640 --> 0:45:10.640
<v Speaker 1>about how she's interested in fashion and like this is

0:45:10.640 --> 0:45:13.719
<v Speaker 1>a whole other side of herself that she um like

0:45:13.840 --> 0:45:16.839
<v Speaker 1>wants to get into and and then when she talks

0:45:16.840 --> 0:45:18.919
<v Speaker 1>to her mom, she's talking more about like what her

0:45:19.040 --> 0:45:22.080
<v Speaker 1>goals are personally, and you know, I want to get married,

0:45:22.120 --> 0:45:23.960
<v Speaker 1>I want to have a kid on top of a career,

0:45:24.040 --> 0:45:26.120
<v Speaker 1>and I really like those I just I just wish

0:45:26.160 --> 0:45:29.040
<v Speaker 1>that there was like a little bit more of that.

0:45:29.160 --> 0:45:30.680
<v Speaker 1>I don't know, I mean, you only have so much

0:45:30.719 --> 0:45:35.000
<v Speaker 1>time in a biopic, But in those moments, I was like, oh, yeah,

0:45:35.000 --> 0:45:40.040
<v Speaker 1>she's like two, Like she's interested in a lot of

0:45:40.120 --> 0:45:44.160
<v Speaker 1>different stuff. She's like hasn't fully figured herself out. And

0:45:45.239 --> 0:45:48.000
<v Speaker 1>it's such a like an interesting phase of life to

0:45:48.040 --> 0:45:50.520
<v Speaker 1>hear people talk to each other about. So I just

0:45:50.520 --> 0:45:51.920
<v Speaker 1>wish there was like a little bit more of it.

0:45:52.040 --> 0:45:55.600
<v Speaker 1>But yeah, I got two hours. Yeah I will say

0:45:55.640 --> 0:45:58.319
<v Speaker 1>that I think maybe, and I honestly would have to

0:45:58.360 --> 0:46:00.640
<v Speaker 1>go back and watch like again again, like with a

0:46:00.840 --> 0:46:03.120
<v Speaker 1>very fine tooth comb. But I want to say maybe

0:46:03.560 --> 0:46:08.040
<v Speaker 1>the only scene with only women talking to each other

0:46:08.040 --> 0:46:12.680
<v Speaker 1>about another woman is this scene at Selena's fashion show

0:46:12.680 --> 0:46:15.280
<v Speaker 1>where Yolanda is talking to the other Senoras about giving

0:46:15.320 --> 0:46:19.720
<v Speaker 1>Selena a gift. Yes, yeah, but it's sucked up because

0:46:19.719 --> 0:46:23.839
<v Speaker 1>it's like sinister because you want to and I don't

0:46:23.880 --> 0:46:26.439
<v Speaker 1>think those other ladies again, I'd have to go back

0:46:26.440 --> 0:46:29.719
<v Speaker 1>and look and listened to how Yolanda addresses those senoras.

0:46:29.719 --> 0:46:33.160
<v Speaker 1>But I don't know if they're named. You know, um,

0:46:33.200 --> 0:46:36.160
<v Speaker 1>I want to say no and this and this and

0:46:36.200 --> 0:46:38.839
<v Speaker 1>if so. It was like a quick exchange. I mean

0:46:38.880 --> 0:46:41.520
<v Speaker 1>the things as far as the Bechtel test goes, I

0:46:41.520 --> 0:46:43.960
<v Speaker 1>mean there were a few. One of the things that

0:46:44.000 --> 0:46:46.080
<v Speaker 1>made me laugh because I like that technically passes two

0:46:46.160 --> 0:46:51.800
<v Speaker 1>lines of dialogue is when Selena is uh stealing Susette's chips.

0:46:52.400 --> 0:46:57.920
<v Speaker 1>That passes the PacTel test. We did it, chips passes,

0:46:58.920 --> 0:47:03.600
<v Speaker 1>That works ower There are definitely moments, but yeah, I

0:47:03.600 --> 0:47:06.799
<v Speaker 1>mean as far as Selena is usually talking to her

0:47:06.920 --> 0:47:10.160
<v Speaker 1>mom about either her dad or Chris. But there are

0:47:10.239 --> 0:47:13.800
<v Speaker 1>some exceptions, but but usually it's Dad or Chris because

0:47:13.800 --> 0:47:16.239
<v Speaker 1>those are kind of the two relationships that are the

0:47:16.320 --> 0:47:20.279
<v Speaker 1>engine of the movie. Yeah, given the most focus. And

0:47:20.480 --> 0:47:25.319
<v Speaker 1>I wonder, like this movie was written and directed by

0:47:25.360 --> 0:47:29.279
<v Speaker 1>a man, Gregory Nava, and I wonder if it had

0:47:29.320 --> 0:47:32.880
<v Speaker 1>been approached differently or for a woman was telling the story,

0:47:32.920 --> 0:47:36.440
<v Speaker 1>if she would have given more focus to Selena's relationships

0:47:36.480 --> 0:47:39.120
<v Speaker 1>with other women in her life. I don't know. Food

0:47:39.360 --> 0:47:44.319
<v Speaker 1>food forgot, but it's it's a sort of similar set

0:47:44.400 --> 0:47:47.040
<v Speaker 1>up with the series or you have again you know

0:47:47.120 --> 0:47:49.840
<v Speaker 1>Q Productions Abraham and A. B. Susette is involved in

0:47:50.080 --> 0:47:52.880
<v Speaker 1>as well. But you know, Abraham is a very strong force.

0:47:53.400 --> 0:47:55.040
<v Speaker 1>He is in his family, and he's the head of

0:47:55.040 --> 0:47:56.839
<v Speaker 1>the house, and he's the head of two productions, and

0:47:56.920 --> 0:48:00.480
<v Speaker 1>he's in charge and in control of the estate and

0:48:00.520 --> 0:48:03.200
<v Speaker 1>all things Selena. He just quite simply is and always

0:48:03.200 --> 0:48:08.840
<v Speaker 1>has been. And the showrunners and the men who um

0:48:08.880 --> 0:48:11.960
<v Speaker 1>you know owned and founded the production studio and who

0:48:12.120 --> 0:48:14.399
<v Speaker 1>who made the series. You know, their men there their

0:48:14.480 --> 0:48:17.680
<v Speaker 1>latin x they're latinos. And I know that the writer's room,

0:48:17.480 --> 0:48:20.160
<v Speaker 1>I know they boast like you know, a very heavy

0:48:20.280 --> 0:48:24.200
<v Speaker 1>like woman in LGBT writer's room. But you know, uh,

0:48:24.560 --> 0:48:26.239
<v Speaker 1>we're in l A and we hear things, and people

0:48:26.239 --> 0:48:29.400
<v Speaker 1>gossip and people chatted and people have are working on

0:48:29.480 --> 0:48:30.919
<v Speaker 1>you know what I mean, Like people work on things,

0:48:31.000 --> 0:48:32.560
<v Speaker 1>and people know people who work on things, and then

0:48:32.600 --> 0:48:38.560
<v Speaker 1>we all talk about it. The talk of the talk

0:48:38.560 --> 0:48:43.720
<v Speaker 1>of the town is um that the incredibly talented writer's

0:48:43.760 --> 0:48:47.040
<v Speaker 1>room you know wrote essentially wrote a script and that

0:48:47.600 --> 0:48:49.759
<v Speaker 1>you know, good old Abraham, who is my favorite. I

0:48:49.760 --> 0:48:52.520
<v Speaker 1>do love Abraham, but we all have complicated relationships with

0:48:52.560 --> 0:48:55.480
<v Speaker 1>these men, and um, good old Abraham. I guess reviewed

0:48:55.480 --> 0:48:57.520
<v Speaker 1>the script and didn't like a lot of things and

0:48:57.520 --> 0:48:59.719
<v Speaker 1>and sent it back and said, rewrite it. And then

0:48:59.719 --> 0:49:01.640
<v Speaker 1>they did it, and and now we have what we have, right,

0:49:01.680 --> 0:49:05.080
<v Speaker 1>And so I'm not shocked, you know, at all by

0:49:05.120 --> 0:49:08.000
<v Speaker 1>the gender dynamics. I think it's very much to be expected.

0:49:08.040 --> 0:49:10.320
<v Speaker 1>And I just and again, and I know our dads

0:49:10.480 --> 0:49:12.279
<v Speaker 1>can do a lot for us, and they really want to.

0:49:12.400 --> 0:49:14.839
<v Speaker 1>They really do have the best of intentions. They want

0:49:14.880 --> 0:49:17.880
<v Speaker 1>to believe that they can provide everything, that they understand

0:49:17.920 --> 0:49:20.160
<v Speaker 1>everything that they've got to cover, that they're in control.

0:49:20.520 --> 0:49:22.600
<v Speaker 1>There's an issue, they can handle it. They know their

0:49:22.680 --> 0:49:26.840
<v Speaker 1>kids super super well. But again, in a family like Selena's,

0:49:26.840 --> 0:49:29.719
<v Speaker 1>for her to Elope is no small feet. It's not

0:49:29.760 --> 0:49:31.799
<v Speaker 1>a minor thing to talk about. It's not a just

0:49:32.040 --> 0:49:35.840
<v Speaker 1>oh okay, now, that's like a huge, like huge, like

0:49:36.040 --> 0:49:39.320
<v Speaker 1>nuclear bomb level deal like in a house like hers

0:49:39.360 --> 0:49:41.359
<v Speaker 1>and a family like hers in the culture and at

0:49:41.360 --> 0:49:43.759
<v Speaker 1>the time, like, no, this is not something to just

0:49:43.880 --> 0:49:47.800
<v Speaker 1>skim over and kind of forget happened. There. There was

0:49:47.840 --> 0:49:52.120
<v Speaker 1>a there was years intention and build up and unhappiness

0:49:52.360 --> 0:49:56.960
<v Speaker 1>and and distress leading up to that decision for her, honestly,

0:49:57.280 --> 0:49:59.879
<v Speaker 1>because it's one of those things that like, oh, my God,

0:50:00.040 --> 0:50:03.640
<v Speaker 1>wouldn't dream of it, dear Lord, even my sanity and

0:50:03.719 --> 0:50:05.839
<v Speaker 1>my life and my safety and my peace too much

0:50:05.960 --> 0:50:09.640
<v Speaker 1>like I feel to not to to go off and

0:50:09.640 --> 0:50:12.759
<v Speaker 1>get married against your father's express wishes, and to not

0:50:12.840 --> 0:50:14.880
<v Speaker 1>have your mom and your family there and they don't know,

0:50:14.960 --> 0:50:17.440
<v Speaker 1>and it's in secret and it's not part of your

0:50:17.440 --> 0:50:20.040
<v Speaker 1>religious tradition with family, and no, no, no no, no, no no.

0:50:21.880 --> 0:50:25.120
<v Speaker 1>So I know that there are just things that our

0:50:25.200 --> 0:50:27.520
<v Speaker 1>dads cannot do for us, cannot provide for us, and

0:50:27.560 --> 0:50:30.600
<v Speaker 1>will never understand about us. I would never I love

0:50:30.680 --> 0:50:33.040
<v Speaker 1>my dad, super involved, super supportive to this day. I

0:50:33.080 --> 0:50:36.279
<v Speaker 1>would never ever ever want my dad to tell my

0:50:36.280 --> 0:50:40.040
<v Speaker 1>life story. Are you kidding me? How? No? I'm a

0:50:40.080 --> 0:50:43.280
<v Speaker 1>grown woman. He can't. And I feel similarly about Selina.

0:50:43.440 --> 0:50:46.400
<v Speaker 1>She was, She was a grown woman. She was super sexy,

0:50:46.680 --> 0:50:48.640
<v Speaker 1>super sexy, and she knew it. She was a bad

0:50:48.640 --> 0:50:51.000
<v Speaker 1>bitch and she knew it. She was hell confident. She

0:50:51.040 --> 0:50:53.120
<v Speaker 1>was a sex symbol and she fucking knew it. I

0:50:53.160 --> 0:50:58.080
<v Speaker 1>hate hearing interviews and descriptions from you know, her living family,

0:50:58.120 --> 0:51:01.600
<v Speaker 1>but also from people who who created media about her.

0:51:01.719 --> 0:51:03.560
<v Speaker 1>She was so sweet. She was so nice. She was

0:51:03.600 --> 0:51:06.320
<v Speaker 1>so sweet, she was so nice. She was nice girl nice.

0:51:06.640 --> 0:51:09.799
<v Speaker 1>She just nice, nice girl, nice, super nice girl. She's

0:51:09.840 --> 0:51:11.640
<v Speaker 1>a sucking baddie. She's a bad bit. She was a

0:51:11.680 --> 0:51:15.399
<v Speaker 1>genius's out. She knew it. She fucking knew it, dude,

0:51:15.440 --> 0:51:17.560
<v Speaker 1>you know what I mean. She loved her man and

0:51:17.640 --> 0:51:19.520
<v Speaker 1>she was all about her man. She was all about

0:51:19.560 --> 0:51:22.560
<v Speaker 1>her dude. And they were sharing a bus. They were

0:51:22.560 --> 0:51:25.000
<v Speaker 1>on a tiny little bus, all these people, you know,

0:51:25.160 --> 0:51:28.520
<v Speaker 1>it was no, she wasn't and again accounts she wasn't

0:51:28.600 --> 0:51:32.880
<v Speaker 1>hiding her relationship. She she was openly affectionate. That was

0:51:32.920 --> 0:51:35.799
<v Speaker 1>her boo, that was her man, that was her dude. Like,

0:51:35.960 --> 0:51:39.200
<v Speaker 1>fuck you, you you know what I mean. And it was

0:51:39.239 --> 0:51:41.000
<v Speaker 1>a big fuck you when she went and eloped and

0:51:41.000 --> 0:51:43.520
<v Speaker 1>she said, nope, I'm making my own decision. And for

0:51:43.600 --> 0:51:46.400
<v Speaker 1>somebody who didn't have a traditional high school graduation, didn't

0:51:46.440 --> 0:51:50.520
<v Speaker 1>have traditional markers of like adolescence and adulthood. Because she

0:51:50.600 --> 0:51:52.920
<v Speaker 1>was neighboring and working and earning money and being a

0:51:52.960 --> 0:51:56.960
<v Speaker 1>celeb at such a young age, I consider her eloping

0:51:57.040 --> 0:51:59.799
<v Speaker 1>being her like, this is my mark of official and

0:52:00.000 --> 0:52:02.600
<v Speaker 1>treat into adulthood and womanhood. And I'm taking my man's

0:52:02.680 --> 0:52:10.279
<v Speaker 1>last name, you know what I mean, Like you love

0:52:10.280 --> 0:52:15.040
<v Speaker 1>you guys, But enough right that. But that seemed to

0:52:15.280 --> 0:52:17.680
<v Speaker 1>like the scene where she's just telling Chris like we're

0:52:18.280 --> 0:52:21.600
<v Speaker 1>we're doing this, and because it's like he's well aware

0:52:21.640 --> 0:52:24.239
<v Speaker 1>of what the risk is there. It's like a risk

0:52:24.239 --> 0:52:26.520
<v Speaker 1>to her career, risk to the family, risk to everything.

0:52:26.640 --> 0:52:32.040
<v Speaker 1>And I it's so I hadn't really considered I mean,

0:52:32.080 --> 0:52:35.440
<v Speaker 1>first of all, the idea that your dad would be

0:52:35.520 --> 0:52:38.160
<v Speaker 1>overseeing the biopic and the TV series of your life

0:52:38.239 --> 0:52:42.160
<v Speaker 1>absolutely horrifying and of course, and it's gonna and I

0:52:42.680 --> 0:52:45.080
<v Speaker 1>never thought of it that way. Of like, of course

0:52:45.280 --> 0:52:48.640
<v Speaker 1>her like, her sexuality is going to be inherently played

0:52:48.680 --> 0:52:52.920
<v Speaker 1>down because her dad, like it would be weird if

0:52:52.960 --> 0:52:55.640
<v Speaker 1>he was like, no, include all the sex you want,

0:52:55.719 --> 0:53:00.200
<v Speaker 1>like that's the year two. So I'd never consider it

0:53:00.320 --> 0:53:02.759
<v Speaker 1>that way. That that totally and so it's like we

0:53:02.800 --> 0:53:05.920
<v Speaker 1>are I don't know it. It makes me so curious

0:53:05.960 --> 0:53:08.080
<v Speaker 1>because it's like if if your family are the main

0:53:08.120 --> 0:53:10.279
<v Speaker 1>people in your life and they are also the ones

0:53:10.360 --> 0:53:13.960
<v Speaker 1>carrying your legacy to an extent, you're you're this mythic

0:53:14.040 --> 0:53:17.480
<v Speaker 1>figure because there are parts that either your family is like, oh,

0:53:17.600 --> 0:53:19.960
<v Speaker 1>I don't like that's weird to think about, like my

0:53:20.040 --> 0:53:23.000
<v Speaker 1>daughter like being sexually confident. I don't want to think

0:53:23.040 --> 0:53:25.680
<v Speaker 1>about that. Or there's just like these kind of elements

0:53:25.719 --> 0:53:28.839
<v Speaker 1>that will just become more of a miss than than

0:53:29.400 --> 0:53:34.319
<v Speaker 1>who she was. That's like damn, yep, yep, I have

0:53:34.400 --> 0:53:38.000
<v Speaker 1>to go on a walk. Let's process, let's process. Um.

0:53:38.040 --> 0:53:41.560
<v Speaker 1>I always need therapy after I talked about Selena every time, always,

0:53:41.600 --> 0:53:44.080
<v Speaker 1>it always sends me into spiral um. But now I

0:53:44.160 --> 0:53:47.200
<v Speaker 1>think about, Look, I've been podcasting for four years. I've

0:53:47.360 --> 0:53:49.719
<v Speaker 1>me and like my co host Yosa for look at

0:53:49.719 --> 0:53:52.640
<v Speaker 1>Thought our radio. We've gotten like Forbes features and l

0:53:52.680 --> 0:53:55.400
<v Speaker 1>A times like you know, write ups and in print

0:53:55.480 --> 0:53:58.200
<v Speaker 1>and Cosmo, and we throw parties. And my parents have

0:53:58.239 --> 0:54:00.520
<v Speaker 1>been to my events and like, I been doing this

0:54:00.600 --> 0:54:02.840
<v Speaker 1>and it's I'm doing it at a level where I

0:54:02.880 --> 0:54:06.080
<v Speaker 1>feel like it's a big deal. My dad still refers

0:54:06.080 --> 0:54:10.480
<v Speaker 1>to my podcast as of vlogs. Oh my god, our

0:54:10.560 --> 0:54:14.200
<v Speaker 1>dads are just going to get things wrong intention because

0:54:14.239 --> 0:54:16.200
<v Speaker 1>they don't like us, not because our dads are going

0:54:16.239 --> 0:54:18.279
<v Speaker 1>to get things wrong, and there's so many things our

0:54:18.320 --> 0:54:22.120
<v Speaker 1>dads don't fucking knowing everything with her daddy, Are you

0:54:22.160 --> 0:54:24.799
<v Speaker 1>kidding me? Right? Like I mean, and you even see

0:54:24.840 --> 0:54:27.160
<v Speaker 1>that in the movie that her dad co signed that

0:54:27.200 --> 0:54:31.520
<v Speaker 1>she didn't tell everything to her dad, Like, yeah, I

0:54:32.239 --> 0:54:34.520
<v Speaker 1>thank you for kind of contextualizing the I mean, it's

0:54:34.560 --> 0:54:37.960
<v Speaker 1>like the movie tells you that the eloping is a

0:54:38.040 --> 0:54:41.080
<v Speaker 1>fuck you. But even in the context of yeah, just

0:54:41.160 --> 0:54:44.520
<v Speaker 1>how how controlled and regimented her life was of like

0:54:44.600 --> 0:54:50.040
<v Speaker 1>her asserting herself in any like in any way that

0:54:50.160 --> 0:54:53.719
<v Speaker 1>had an actual impact in And also like I don't know,

0:54:54.040 --> 0:54:55.560
<v Speaker 1>at least as far as the movie goes, it's like,

0:54:55.600 --> 0:54:59.400
<v Speaker 1>oh she is. She's like asserting herself as the breadwinner

0:54:59.440 --> 0:55:01.200
<v Speaker 1>of the family too, because it's like, what are you

0:55:01.200 --> 0:55:05.839
<v Speaker 1>gonna do? Fire me? I'm Selina. You can't fire me,

0:55:05.960 --> 0:55:07.880
<v Speaker 1>so you're just going to have to deal with my decision.

0:55:09.520 --> 0:55:13.520
<v Speaker 1>She's so cool. She's so cool. She's super cool. And

0:55:13.560 --> 0:55:16.319
<v Speaker 1>I feel like, you know, we do a disservice when

0:55:16.360 --> 0:55:19.800
<v Speaker 1>we don't like point these things out, because I want

0:55:20.080 --> 0:55:23.080
<v Speaker 1>that part of her to be remembered, or at least

0:55:23.120 --> 0:55:25.040
<v Speaker 1>I want us to think about it or ask about it.

0:55:25.080 --> 0:55:27.080
<v Speaker 1>I want us to want to know more you know

0:55:27.239 --> 0:55:32.359
<v Speaker 1>about about her internal life, and it's I like, I

0:55:32.360 --> 0:55:34.879
<v Speaker 1>mean the same there's I don't know. I mean as

0:55:34.920 --> 0:55:38.759
<v Speaker 1>far as how the movie is like Rights Selena, I do,

0:55:38.880 --> 0:55:42.439
<v Speaker 1>I mean, she's she is actively voicing her opinion at

0:55:42.480 --> 0:55:47.719
<v Speaker 1>every step, and sometimes her opinion gets steamrolled. But that

0:55:47.840 --> 0:55:50.560
<v Speaker 1>was what was happening in her life, it seemed like.

0:55:50.600 --> 0:55:53.359
<v Speaker 1>But I really liked how just the way that it

0:55:53.440 --> 0:55:57.719
<v Speaker 1>was written, there's really no point where she doesn't say

0:55:57.760 --> 0:56:01.399
<v Speaker 1>what she's thinking about something, even when sometimes she's trying

0:56:01.440 --> 0:56:04.800
<v Speaker 1>to protect someone's feelings or trying to kind of negotiate. Yeah,

0:56:04.880 --> 0:56:07.719
<v Speaker 1>Like she says what's on her mind, and she chooses

0:56:07.719 --> 0:56:10.200
<v Speaker 1>her I guess chooses her battles in terms of like

0:56:10.200 --> 0:56:12.200
<v Speaker 1>when she's going to do the funk you. But I

0:56:12.719 --> 0:56:14.920
<v Speaker 1>don't know, I felt like a pretty well rounded as

0:56:15.239 --> 0:56:17.560
<v Speaker 1>far as like something You're dead would sign off on

0:56:17.800 --> 0:56:21.440
<v Speaker 1>a pretty like well rounded portrait of like how active

0:56:21.440 --> 0:56:23.680
<v Speaker 1>and outspoken she was, even when she didn't, you know,

0:56:23.760 --> 0:56:27.920
<v Speaker 1>win that particular battle. Yeah, And I almost feel like

0:56:27.960 --> 0:56:31.520
<v Speaker 1>the proximity to her death allowed for there were enough

0:56:31.560 --> 0:56:34.600
<v Speaker 1>people around who knew her and who remembered her and

0:56:34.640 --> 0:56:36.800
<v Speaker 1>how she was and the way that she spoke that

0:56:36.920 --> 0:56:39.560
<v Speaker 1>I don't think that they could have I don't think

0:56:39.560 --> 0:56:42.879
<v Speaker 1>it could have been written any other way. Honestly. That's

0:56:42.880 --> 0:56:44.839
<v Speaker 1>one of my big gripes with Selee the series is

0:56:44.880 --> 0:56:47.040
<v Speaker 1>we're over twenty years away from her death at this

0:56:47.120 --> 0:56:50.320
<v Speaker 1>point and her murder at this point. I mean, watching

0:56:50.400 --> 0:56:54.279
<v Speaker 1>Selena the series, she has very little screen time, very

0:56:54.280 --> 0:56:58.319
<v Speaker 1>few lines, very quiet hers like an episode where they

0:56:58.320 --> 0:57:00.200
<v Speaker 1>around the bus and they keep telling her to shut up,

0:57:00.360 --> 0:57:03.399
<v Speaker 1>you know. And I hate that fucking word now because

0:57:03.400 --> 0:57:06.800
<v Speaker 1>I used it like six times and remember that I

0:57:08.560 --> 0:57:10.720
<v Speaker 1>and you know, And there's multiple scenes like that throughout

0:57:10.760 --> 0:57:14.360
<v Speaker 1>the series. There in restaurant somewhere and Abe made some

0:57:14.520 --> 0:57:17.480
<v Speaker 1>slick sucking comment about my sister can't even talk, you know,

0:57:17.760 --> 0:57:20.400
<v Speaker 1>what do you expect from her? And it read is

0:57:20.520 --> 0:57:23.720
<v Speaker 1>very bitter and it is very jealous and it's very um.

0:57:24.080 --> 0:57:26.200
<v Speaker 1>I felt like this time around, with cleaning the series

0:57:26.360 --> 0:57:29.200
<v Speaker 1>so far away from her. You know, Aby has his

0:57:29.280 --> 0:57:32.280
<v Speaker 1>own illustrious career, and I mean that in Kumbia and

0:57:32.360 --> 0:57:34.520
<v Speaker 1>as a producer and with the Gumbia Kings, and he

0:57:34.600 --> 0:57:37.200
<v Speaker 1>is a legend in his own right. He is a

0:57:37.280 --> 0:57:40.120
<v Speaker 1>very talented songwriter and and her fusion with her brother

0:57:40.440 --> 0:57:43.880
<v Speaker 1>really brought their music to life. However, maybe is also

0:57:43.920 --> 0:57:47.960
<v Speaker 1>a fucking mess. Dude, Like, he's a mess and he

0:57:48.000 --> 0:57:51.400
<v Speaker 1>his his career. He's not a legend the way that

0:57:51.440 --> 0:57:54.080
<v Speaker 1>she's a legend. She was the star. People showed up

0:57:54.160 --> 0:57:56.880
<v Speaker 1>for her. She was the headliner. It was her and

0:57:56.920 --> 0:57:59.000
<v Speaker 1>it's always been her and it's still her. So for

0:57:59.040 --> 0:58:01.480
<v Speaker 1>the series, it read very like they muted her. They

0:58:01.560 --> 0:58:05.000
<v Speaker 1>toned her down in every way, and um, she has

0:58:05.040 --> 0:58:08.400
<v Speaker 1>practically no lines. So I appreciate that. In the movie, yeah,

0:58:08.520 --> 0:58:12.160
<v Speaker 1>you get a sense for her personality and her opinions

0:58:12.160 --> 0:58:15.240
<v Speaker 1>and her feelings. And I appreciate that because she wasn't

0:58:15.280 --> 0:58:17.880
<v Speaker 1>a shrinking violet. She wasn't a wallflower, you know, her

0:58:17.960 --> 0:58:21.640
<v Speaker 1>dad wasn't wasn't designing her costumes and doing her choreography

0:58:21.720 --> 0:58:23.880
<v Speaker 1>from her. That was from her. She was doing that.

0:58:24.840 --> 0:58:27.480
<v Speaker 1>You know. She was a creative genius. And so I'm

0:58:27.520 --> 0:58:32.080
<v Speaker 1>happy that that that part is there. Yeah. The yeah,

0:58:32.080 --> 0:58:34.040
<v Speaker 1>this series, I mean, I know this is not a

0:58:34.040 --> 0:58:37.520
<v Speaker 1>podcast about the series, but uh, the series was so

0:58:37.640 --> 0:58:39.680
<v Speaker 1>confusing to me as I'm like, do you have all

0:58:39.720 --> 0:58:42.560
<v Speaker 1>this extra time, this would be all the all of

0:58:42.560 --> 0:58:44.760
<v Speaker 1>our like mini grapes here of like, oh, it would

0:58:44.800 --> 0:58:47.160
<v Speaker 1>have been cool to know like a little more about

0:58:47.160 --> 0:58:49.320
<v Speaker 1>her dreams and a little more about this. And it's like,

0:58:49.360 --> 0:58:51.200
<v Speaker 1>all of a sudden, you have ten hours to do that,

0:58:51.840 --> 0:58:55.360
<v Speaker 1>but where was it? Yeah? Why not capitalize on opportunities

0:58:55.400 --> 0:58:58.600
<v Speaker 1>to showcase Selena more? Yeah, I do appreciate in the

0:58:58.640 --> 0:59:01.680
<v Speaker 1>movie that we just get this well rounded character because

0:59:01.720 --> 0:59:05.400
<v Speaker 1>Selena in real life, like real life people are are

0:59:05.840 --> 0:59:08.400
<v Speaker 1>well rounded people. Because we talk so much on this

0:59:08.440 --> 0:59:14.040
<v Speaker 1>podcast about fictional characters in movies, fictional women are usually

0:59:14.080 --> 0:59:17.480
<v Speaker 1>written to be just so flat and one dimensional and

0:59:18.080 --> 0:59:21.560
<v Speaker 1>just don't feel like real people. So you know, I

0:59:21.760 --> 0:59:25.520
<v Speaker 1>do when you adapt a real person onto the screen

0:59:26.440 --> 0:59:29.280
<v Speaker 1>and you do it well, you get those nuances of

0:59:29.280 --> 0:59:32.320
<v Speaker 1>their character and you get those all those dimensions because

0:59:32.360 --> 0:59:36.439
<v Speaker 1>you see you see Selena being sexy, and you see

0:59:36.440 --> 0:59:39.400
<v Speaker 1>her being playful, you see her being smart, you see

0:59:39.440 --> 0:59:42.840
<v Speaker 1>her being a very talented musician. You see her learning

0:59:42.960 --> 0:59:46.840
<v Speaker 1>and grow and just like the whole what you experience

0:59:46.960 --> 0:59:49.240
<v Speaker 1>in life as a person, you know, we see her

0:59:49.320 --> 0:59:51.400
<v Speaker 1>go through. And one of the things I especially liked

0:59:51.440 --> 0:59:55.000
<v Speaker 1>about the character, and I anytime there's a head of

0:59:55.080 --> 0:59:58.040
<v Speaker 1>roal romance in a movie, I'm usually just like my

0:59:58.120 --> 1:00:03.400
<v Speaker 1>default is just like okay, this in But like I

1:00:03.480 --> 1:00:07.320
<v Speaker 1>loved the way the romance develops in this movie because

1:00:07.360 --> 1:00:11.280
<v Speaker 1>like you actually see like the common ground that they share,

1:00:11.560 --> 1:00:15.840
<v Speaker 1>and like you see them flirting in like a cute way.

1:00:16.000 --> 1:00:19.200
<v Speaker 1>The scene when they're at like eating pizza together and

1:00:19.240 --> 1:00:21.160
<v Speaker 1>like he's like trying to be all tough with his

1:00:22.000 --> 1:00:25.520
<v Speaker 1>hot so it's like a start of cringe, but it's

1:00:25.520 --> 1:00:29.240
<v Speaker 1>so cute. It's cute. And then he's like dumping like

1:00:29.560 --> 1:00:32.760
<v Speaker 1>cholula all over his pizza, and then she's just like, Okay,

1:00:32.760 --> 1:00:34.840
<v Speaker 1>good luck with that, Like I know that's gonna go

1:00:34.880 --> 1:00:37.000
<v Speaker 1>horribly for you, and it does, and then they just

1:00:37.040 --> 1:00:40.120
<v Speaker 1>like laugh about it and they're oh, I just like yeah,

1:00:40.160 --> 1:00:44.480
<v Speaker 1>the whole the whole relationship. I just liked how they

1:00:44.560 --> 1:00:48.760
<v Speaker 1>chose to approach that and just like and especially because

1:00:49.240 --> 1:00:52.680
<v Speaker 1>you see Selena and I'm not exactly sure this how

1:00:52.720 --> 1:00:55.880
<v Speaker 1>accurate this was to her real life, but like she's

1:00:55.960 --> 1:00:59.160
<v Speaker 1>kind of the one to initiate that relationship, Like she's

1:00:59.240 --> 1:01:03.280
<v Speaker 1>the one who like kind of approaches him and says like, oh, hey,

1:01:03.320 --> 1:01:05.400
<v Speaker 1>your haircuts really nice, and hey, do you want to

1:01:05.400 --> 1:01:08.280
<v Speaker 1>go get some pizza with me? And like she's kind

1:01:08.280 --> 1:01:10.480
<v Speaker 1>of calling the shots in a way that you don't

1:01:10.480 --> 1:01:14.960
<v Speaker 1>often see women doing in media. It's all about like, oh,

1:01:15.000 --> 1:01:17.080
<v Speaker 1>women have to you know, were expected to just sort

1:01:17.120 --> 1:01:20.240
<v Speaker 1>of like sit idly by while the man pursues them.

1:01:20.280 --> 1:01:22.760
<v Speaker 1>And I was like, yeah, go get it, Selena, Like

1:01:23.560 --> 1:01:25.680
<v Speaker 1>I love that. I love it. I love it because

1:01:25.720 --> 1:01:28.280
<v Speaker 1>she she you know, and again, she was the star

1:01:28.640 --> 1:01:30.840
<v Speaker 1>and was already established in a name. And I think

1:01:30.880 --> 1:01:35.040
<v Speaker 1>that genuinely, Chris Perez was intimidated entering into the family

1:01:35.040 --> 1:01:38.560
<v Speaker 1>and entering into the band, you know, I think that genuinely.

1:01:38.680 --> 1:01:40.760
<v Speaker 1>And she was the princess and the queen, you know,

1:01:40.880 --> 1:01:43.800
<v Speaker 1>and the apple of everybody's eye, the center of attention.

1:01:43.960 --> 1:01:46.960
<v Speaker 1>And I not that Chris Perez is like, you know,

1:01:47.200 --> 1:01:49.920
<v Speaker 1>doesn't have a backbone, or didn't approach or didn't shoot

1:01:49.960 --> 1:01:52.320
<v Speaker 1>his shot, because I also believe that, you know, they

1:01:53.040 --> 1:01:54.880
<v Speaker 1>noticed each other. I think she knew that was her

1:01:54.880 --> 1:01:58.280
<v Speaker 1>man's like, you know, for at first site day one,

1:01:58.360 --> 1:02:02.400
<v Speaker 1>She's like, No, that's that's all me, that's my that's

1:02:02.440 --> 1:02:06.640
<v Speaker 1>my man. Out of the way. Yeah, I do believe

1:02:06.680 --> 1:02:09.360
<v Speaker 1>that that was probably true of her real life dynamic

1:02:09.400 --> 1:02:13.680
<v Speaker 1>with him, that I was having the same like kind

1:02:13.720 --> 1:02:17.920
<v Speaker 1>of brain because because you know, it's like, oh, every

1:02:17.960 --> 1:02:21.320
<v Speaker 1>movie is gonna you know, shoehorn in ahead of a romance,

1:02:21.320 --> 1:02:24.360
<v Speaker 1>but that's like it's not shoehorn in it. It's like

1:02:24.440 --> 1:02:28.560
<v Speaker 1>that relationship if it works the way I mean also

1:02:28.680 --> 1:02:30.840
<v Speaker 1>it obviously worked in real life, but like the way

1:02:30.880 --> 1:02:34.360
<v Speaker 1>it's written is so cool, and it's like, why don't

1:02:34.400 --> 1:02:39.800
<v Speaker 1>people just write relationships like this more frequently, where like

1:02:40.280 --> 1:02:43.560
<v Speaker 1>the relationship means more to her than just this like

1:02:43.920 --> 1:02:46.800
<v Speaker 1>abstract and like I'm a straight lady, so I have

1:02:46.880 --> 1:02:48.880
<v Speaker 1>to want to get married right now. Like that's not

1:02:49.320 --> 1:02:53.080
<v Speaker 1>what that relationship meant to her exclusively, Like she did

1:02:53.120 --> 1:02:56.080
<v Speaker 1>want to marry him, but it also was like that

1:02:56.120 --> 1:02:59.440
<v Speaker 1>relationship was like how she was kind of taking control

1:02:59.440 --> 1:03:01.320
<v Speaker 1>of her life a little bit, and like he was

1:03:01.440 --> 1:03:05.480
<v Speaker 1>supportive and he wasn't, Like I mean, it's it seems

1:03:05.520 --> 1:03:07.560
<v Speaker 1>like there were people in Selena's family and in her

1:03:07.800 --> 1:03:09.960
<v Speaker 1>life who were kind of like threatened by her being

1:03:09.960 --> 1:03:13.560
<v Speaker 1>the center of attention and Chris wasn't. And he was like, no,

1:03:13.640 --> 1:03:15.920
<v Speaker 1>I like to work with you, and I'm not threatened

1:03:15.920 --> 1:03:20.280
<v Speaker 1>by you being you know, yourself, and so it was like,

1:03:20.560 --> 1:03:22.960
<v Speaker 1>I don't know. I guess you just don't see healthy

1:03:23.000 --> 1:03:25.600
<v Speaker 1>relationships on screen a lot, because I was like, oh,

1:03:25.760 --> 1:03:29.200
<v Speaker 1>this is a partnership where they are both like, you know,

1:03:29.240 --> 1:03:34.000
<v Speaker 1>they're growing as people through I'm like getting emotional. Yeah,

1:03:34.080 --> 1:03:37.040
<v Speaker 1>but they're they're like they're like growing together and you

1:03:37.040 --> 1:03:39.760
<v Speaker 1>you know why they like each other and they just

1:03:39.840 --> 1:03:44.280
<v Speaker 1>compliment each other and so and when it's written like that,

1:03:44.600 --> 1:03:47.000
<v Speaker 1>then I don't know, I have no problem with it.

1:03:47.040 --> 1:03:49.280
<v Speaker 1>You're like, oh, this isn't just like I need to

1:03:49.360 --> 1:03:53.520
<v Speaker 1>marry because of the because the movie is about to end. Like,

1:03:53.600 --> 1:03:56.360
<v Speaker 1>that's not what it is at all. Right, It's beautiful.

1:03:56.560 --> 1:03:59.840
<v Speaker 1>It's beautiful, and I put Selena and Chris on part this.

1:04:00.000 --> 1:04:04.000
<v Speaker 1>It's like some Romeo and Juliette levels of like legendary

1:04:04.600 --> 1:04:09.200
<v Speaker 1>tragic romance. Honestly, and here's here's something too. You know,

1:04:09.560 --> 1:04:13.800
<v Speaker 1>it really is very telling that it's no secret that

1:04:13.840 --> 1:04:18.200
<v Speaker 1>there is a super tumultuous, unhealthy dynamic between the King

1:04:18.240 --> 1:04:22.520
<v Speaker 1>Funnias and Chris Perez. You know, that unhealthy dynamic, the

1:04:22.680 --> 1:04:25.439
<v Speaker 1>keeping him out an arm's length and not wanting him

1:04:25.480 --> 1:04:30.400
<v Speaker 1>to be with Selena romantically, that kind of possessiveness. Abraham

1:04:30.440 --> 1:04:33.160
<v Speaker 1>talks about it in his own way, and it's always

1:04:33.160 --> 1:04:35.720
<v Speaker 1>been out there and it's sort of always been acknowledged.

1:04:35.840 --> 1:04:39.000
<v Speaker 1>You know that he never trusted Chris. You never liked Chris.

1:04:39.040 --> 1:04:41.320
<v Speaker 1>He's a bum musician from the streets on from the streets.

1:04:41.320 --> 1:04:43.160
<v Speaker 1>I know, bum musicians from the streets. When I see

1:04:43.160 --> 1:04:45.080
<v Speaker 1>one that that that that that that that you're young,

1:04:45.120 --> 1:04:46.920
<v Speaker 1>you're beautiful, and you're rich, of course he's gonna love you.

1:04:46.960 --> 1:04:48.880
<v Speaker 1>He's gonna take you away and make you stop performing,

1:04:48.920 --> 1:04:51.120
<v Speaker 1>and he's gonna take you from your family and all

1:04:51.120 --> 1:04:56.680
<v Speaker 1>these things, right, And you know, Chris is the ultimate

1:04:56.720 --> 1:04:59.240
<v Speaker 1>gentleman and has never said anything bad about the family.

1:04:59.800 --> 1:05:03.240
<v Speaker 1>But uh, we all know, because it's a matter of

1:05:03.280 --> 1:05:06.160
<v Speaker 1>a very kind of public conversation that there has been

1:05:06.200 --> 1:05:09.760
<v Speaker 1>litigation the Kingthenias are very litigious. You know, a ton

1:05:09.840 --> 1:05:12.640
<v Speaker 1>of people. I mean, it's it was actually hilarious how

1:05:12.640 --> 1:05:15.640
<v Speaker 1>many text messages I got from my friends and people

1:05:15.640 --> 1:05:17.560
<v Speaker 1>who are in the creative space in the fandom and

1:05:17.600 --> 1:05:20.800
<v Speaker 1>have their own businesses, And I didn't even realize how

1:05:20.800 --> 1:05:23.120
<v Speaker 1>many of them have gotten cease and desist letters from

1:05:23.120 --> 1:05:26.440
<v Speaker 1>the Kienias for creating Selena fand Merge. I mean, I'm like,

1:05:26.800 --> 1:05:29.600
<v Speaker 1>I knew a certain number of people had gotten cease

1:05:29.640 --> 1:05:32.720
<v Speaker 1>and desists, like Selena impersonators and tribute artists that I've

1:05:32.720 --> 1:05:34.920
<v Speaker 1>seen perform in the end, that I know and that

1:05:35.000 --> 1:05:38.520
<v Speaker 1>I know of, but then people that I didn't even

1:05:38.520 --> 1:05:40.880
<v Speaker 1>realize how how far it had gone. And this is

1:05:40.920 --> 1:05:43.440
<v Speaker 1>just I'm one person in my little you know sphere

1:05:43.520 --> 1:05:46.960
<v Speaker 1>here in outlet. But Chris, having written his book you

1:05:47.000 --> 1:05:49.520
<v Speaker 1>Know to Selena with Love, he wanted to do his

1:05:49.560 --> 1:05:53.720
<v Speaker 1>own series about Selena, and the Kienias have been extremely

1:05:53.800 --> 1:05:56.360
<v Speaker 1>litigious with him and have shut things down and have

1:05:56.680 --> 1:06:01.800
<v Speaker 1>been really not nice um historically and continenuously. So it's

1:06:01.920 --> 1:06:04.680
<v Speaker 1>this battle over which of the men in her life

1:06:04.720 --> 1:06:06.880
<v Speaker 1>gets to tell her story and gets to control her

1:06:06.960 --> 1:06:09.880
<v Speaker 1>narrative and her dad. It's it's her dad, and her

1:06:09.920 --> 1:06:14.080
<v Speaker 1>dad does Oh that's a frustrating because it's I mean,

1:06:14.200 --> 1:06:17.080
<v Speaker 1>it's I mean, you you you can never have a

1:06:17.120 --> 1:06:20.880
<v Speaker 1>full picture of a person, but it's like it sounds

1:06:20.920 --> 1:06:24.280
<v Speaker 1>like Chris knew a lot of parts of Selena, like

1:06:24.280 --> 1:06:26.800
<v Speaker 1>in a lot of sides of her personality that her

1:06:26.880 --> 1:06:31.120
<v Speaker 1>dad would never like you just can't. Right. That makes

1:06:31.160 --> 1:06:35.520
<v Speaker 1>me sad. I hope that he's able to someday, because well,

1:06:35.520 --> 1:06:37.080
<v Speaker 1>he does say in the movie, I don't know how

1:06:37.080 --> 1:06:39.920
<v Speaker 1>to let you go, and it's like, well, try a

1:06:40.000 --> 1:06:46.480
<v Speaker 1>little bit, literally, try try it all for a little bit,

1:06:47.840 --> 1:06:54.080
<v Speaker 1>for one day, for one minute, make anny attempt at all. Uh,

1:06:54.160 --> 1:06:56.360
<v Speaker 1>let's take another quick break and then we will come

1:06:56.440 --> 1:07:08.640
<v Speaker 1>right back and we're back. Uh. Speaking of Abraham, the

1:07:09.000 --> 1:07:12.360
<v Speaker 1>scenes the scenes with Abraham in this movie that I

1:07:12.360 --> 1:07:17.560
<v Speaker 1>thought were pretty effective, both in just like the themes

1:07:17.600 --> 1:07:21.200
<v Speaker 1>of Selena's life and also to contextualize I mean, and

1:07:21.240 --> 1:07:23.880
<v Speaker 1>I'm sure that it's maybe a little bit overly generous

1:07:23.920 --> 1:07:27.080
<v Speaker 1>to him, but the just contextualizing where he's coming from

1:07:27.120 --> 1:07:29.720
<v Speaker 1>was I felt like it was pretty clear that to

1:07:29.840 --> 1:07:33.840
<v Speaker 1>an extent, he's like projecting his dreams onto his daughter,

1:07:34.080 --> 1:07:37.920
<v Speaker 1>which is not a I don't know if if I

1:07:37.960 --> 1:07:40.600
<v Speaker 1>were a parent that had been like, oh, I wasn't

1:07:40.640 --> 1:07:42.360
<v Speaker 1>able to achieve my dreams, so now you're going to

1:07:42.680 --> 1:07:45.640
<v Speaker 1>I would not be excited to see that on screen

1:07:45.840 --> 1:07:48.960
<v Speaker 1>because it doesn't It's not the best look in the world.

1:07:49.000 --> 1:07:52.120
<v Speaker 1>And I liked that there were a few scenes with

1:07:52.160 --> 1:07:56.640
<v Speaker 1>them together where he was talking about being Mexican American

1:07:56.840 --> 1:08:01.320
<v Speaker 1>and how that factored into what he wanted for Selena.

1:08:01.360 --> 1:08:03.600
<v Speaker 1>So I wanted to talk about those scenes and your

1:08:03.600 --> 1:08:06.520
<v Speaker 1>opinions on those scenes well, because they were they were

1:08:06.640 --> 1:08:09.439
<v Speaker 1>um as far as like Abraham Selena scenes that were

1:08:09.600 --> 1:08:13.120
<v Speaker 1>like definitely stuck out to me. Yeah, I really love

1:08:13.320 --> 1:08:15.560
<v Speaker 1>all those scenes in the movie as well, because I

1:08:15.600 --> 1:08:17.960
<v Speaker 1>think that's one of the things that the movie does

1:08:18.120 --> 1:08:24.320
<v Speaker 1>really really well is delve into that very classic, very

1:08:24.439 --> 1:08:29.760
<v Speaker 1>now well known conversation about bi cultural identity and neither

1:08:29.800 --> 1:08:32.880
<v Speaker 1>aki nida yeah right, neither from here nor from there,

1:08:33.520 --> 1:08:36.599
<v Speaker 1>um that Mexican Americans and Chicanos have talked about, written about.

1:08:36.640 --> 1:08:39.200
<v Speaker 1>It really engaged with for some time now as far

1:08:39.280 --> 1:08:43.679
<v Speaker 1>as understanding our identity development and our place like racially

1:08:43.720 --> 1:08:46.439
<v Speaker 1>and culturally in the United States. And I think it's

1:08:46.439 --> 1:08:51.320
<v Speaker 1>a very sort of accessible and relatable conversation that a

1:08:51.320 --> 1:08:53.240
<v Speaker 1>lot of our parents have had with us in one

1:08:53.240 --> 1:08:56.240
<v Speaker 1>way or another, depending on you know, when your family

1:08:56.280 --> 1:08:59.000
<v Speaker 1>got here, if your family immigrated at all, right, or

1:08:59.040 --> 1:09:02.280
<v Speaker 1>if you are one of those families that has been

1:09:02.320 --> 1:09:07.280
<v Speaker 1>here for generations on generations on generations in the American Southwest.

1:09:08.240 --> 1:09:11.639
<v Speaker 1>And I also do think that there is a ton

1:09:11.880 --> 1:09:16.800
<v Speaker 1>of very relatable conversations where yeah, you can see the

1:09:16.800 --> 1:09:20.240
<v Speaker 1>projection happening, where you know, Abraham is like, it is

1:09:20.360 --> 1:09:24.639
<v Speaker 1>very clear that this is a passion of his And

1:09:25.000 --> 1:09:27.559
<v Speaker 1>in some of the dialogue in the movie, like in

1:09:27.600 --> 1:09:31.280
<v Speaker 1>her conversation with Chris where he's talking about how his

1:09:31.360 --> 1:09:33.160
<v Speaker 1>parents wanted him to be a doctor, so he became

1:09:33.160 --> 1:09:35.559
<v Speaker 1>a musician. If you are my family and my dad

1:09:35.560 --> 1:09:39.560
<v Speaker 1>would have loved you. We hated rehearsing, right, um in rehearsing,

1:09:39.800 --> 1:09:42.240
<v Speaker 1>And I keep talking about this podcast Anything for Selena

1:09:42.240 --> 1:09:46.400
<v Speaker 1>by um Maria Garcia. But this brings up another piece

1:09:46.439 --> 1:09:49.440
<v Speaker 1>where even as a child, Selena was doing these press

1:09:49.520 --> 1:09:53.679
<v Speaker 1>junkets and she was doing interviews, and um Maria Garcia

1:09:53.760 --> 1:09:56.960
<v Speaker 1>play some of Selena's interviews, and she has a lot

1:09:56.960 --> 1:09:58.720
<v Speaker 1>of interviews online you can watch as an adult, but

1:09:58.760 --> 1:10:02.160
<v Speaker 1>even as a kid, some of her audio where people

1:10:02.200 --> 1:10:04.240
<v Speaker 1>ask her, she gets asked all over the place, you

1:10:04.280 --> 1:10:07.479
<v Speaker 1>know how she feels about having performed for so many

1:10:07.560 --> 1:10:09.840
<v Speaker 1>years and spending so much of her childhood on a bus,

1:10:09.880 --> 1:10:12.679
<v Speaker 1>and spending so much of her childhood with her family

1:10:12.840 --> 1:10:15.519
<v Speaker 1>and on stage and working. And they asked her what

1:10:15.560 --> 1:10:17.400
<v Speaker 1>do you like about performing? Why do you like it?

1:10:17.400 --> 1:10:20.840
<v Speaker 1>And a very young Selena says it's good money, you know,

1:10:21.439 --> 1:10:25.040
<v Speaker 1>you know, and older Selena says, um, I'm I know.

1:10:25.160 --> 1:10:27.320
<v Speaker 1>I didn't have a traditional childhood. Yes, I did school

1:10:27.360 --> 1:10:28.760
<v Speaker 1>by mail, but it was for a good reason. It

1:10:28.800 --> 1:10:30.799
<v Speaker 1>was for a good cause because I was supporting my family.

1:10:31.400 --> 1:10:34.439
<v Speaker 1>And so her real life interviews you hear a lot

1:10:34.479 --> 1:10:38.400
<v Speaker 1>of her talking about this as a job and working

1:10:38.439 --> 1:10:41.320
<v Speaker 1>towards a greater good and doing something that is going

1:10:41.320 --> 1:10:44.519
<v Speaker 1>to benefit and support her family financially, and and in

1:10:44.560 --> 1:10:47.280
<v Speaker 1>the film you have these little snippets of that as well.

1:10:48.360 --> 1:10:50.840
<v Speaker 1>So I think that that's an interesting piece of it too,

1:10:52.560 --> 1:10:55.200
<v Speaker 1>And just to zoom out a little bit and kind

1:10:55.200 --> 1:10:59.600
<v Speaker 1>of just look at the grand scope of American Hollywood,

1:10:59.760 --> 1:11:06.720
<v Speaker 1>main stream cinema, Like those conversations between Selena and Abraham.

1:11:06.720 --> 1:11:09.280
<v Speaker 1>There's one when she's a young girl and he's like,

1:11:09.400 --> 1:11:12.320
<v Speaker 1>you should learn how to sing in Spanish because your

1:11:12.400 --> 1:11:15.280
<v Speaker 1>Mexican and that's beautiful and you know, never forget who

1:11:15.320 --> 1:11:19.000
<v Speaker 1>you are. And like just that initial conversation about identity,

1:11:19.160 --> 1:11:22.479
<v Speaker 1>which the ground work is laid for that in a

1:11:22.560 --> 1:11:26.440
<v Speaker 1>very early scene where Abraham is a part of Lostinos

1:11:26.520 --> 1:11:29.000
<v Speaker 1>and he's like, well, I like to sing do op,

1:11:29.360 --> 1:11:33.920
<v Speaker 1>but I can't do that in like Tahano club because

1:11:33.920 --> 1:11:35.840
<v Speaker 1>that's not the type of music they want to hear.

1:11:36.040 --> 1:11:37.840
<v Speaker 1>But I can't do it at a white club because

1:11:37.880 --> 1:11:41.160
<v Speaker 1>everyone's racist. So like just this like push and pull

1:11:41.200 --> 1:11:45.320
<v Speaker 1>of his identity. And then like he's like, well, I

1:11:45.360 --> 1:11:48.800
<v Speaker 1>want to make sure Selena like understands her roots and

1:11:48.880 --> 1:11:51.479
<v Speaker 1>like is is that's a part of her cultural identity

1:11:51.520 --> 1:11:53.120
<v Speaker 1>and stuff like that. And then there's that scene later

1:11:53.160 --> 1:11:56.760
<v Speaker 1>on in the bus where he's saying how exhausting it

1:11:56.840 --> 1:11:59.080
<v Speaker 1>is to be a Mexican American because you know, you

1:11:59.120 --> 1:12:01.160
<v Speaker 1>have to be twice as perfect as everyone else. You

1:12:01.200 --> 1:12:04.879
<v Speaker 1>have to speak Spanish perfectly, you have to speak English perfectly.

1:12:05.120 --> 1:12:08.160
<v Speaker 1>And just this again, the whole push and pull of

1:12:08.400 --> 1:12:13.439
<v Speaker 1>identity and the fact that that conversation gets had Like

1:12:14.040 --> 1:12:18.360
<v Speaker 1>most mainstream American movies like don't feature a conversation like that,

1:12:18.479 --> 1:12:22.599
<v Speaker 1>So just to have that be present in this movie,

1:12:22.760 --> 1:12:25.120
<v Speaker 1>I was just like that was that was a very

1:12:25.160 --> 1:12:30.599
<v Speaker 1>powerful thing to hear and too just have in the movie. Yeah, yeah,

1:12:30.840 --> 1:12:34.200
<v Speaker 1>super powerful, And it's a really good reminder without explicitly

1:12:34.200 --> 1:12:36.840
<v Speaker 1>saying it it's a reminder that like Abraham was a

1:12:36.840 --> 1:12:40.320
<v Speaker 1>Mexican American, like born in the fifties in South Texas

1:12:40.920 --> 1:12:44.200
<v Speaker 1>and was growing up in a like during the times

1:12:44.240 --> 1:12:48.320
<v Speaker 1>of racial segregation, like probably attended racially segregated schools. His

1:12:48.360 --> 1:12:50.200
<v Speaker 1>family was probably only allowed to buy and live in

1:12:50.240 --> 1:12:53.400
<v Speaker 1>certain neighborhoods, and they probably you know, did racialized work.

1:12:53.720 --> 1:12:57.280
<v Speaker 1>My dad was born in nine in Bakersville, California. Segregation

1:12:57.360 --> 1:13:00.479
<v Speaker 1>was still a thing, signs on storefront windows, dogs or

1:13:00.479 --> 1:13:04.040
<v Speaker 1>Mexicans allowed. He picked cotton and grapes in the fields.

1:13:04.080 --> 1:13:06.880
<v Speaker 1>He was a child laborer, you know, like multiple generations

1:13:06.880 --> 1:13:10.360
<v Speaker 1>of farm workers in the family. And and it's important

1:13:10.360 --> 1:13:13.799
<v Speaker 1>to recognize that Selena is a general one generation removed

1:13:13.800 --> 1:13:16.439
<v Speaker 1>from that as the daughter, so she is the product

1:13:16.479 --> 1:13:20.960
<v Speaker 1>of somebody who survived that's sort of very specific South

1:13:21.080 --> 1:13:26.200
<v Speaker 1>Texas anti Mexican racism. Doing what she's doing and crossing

1:13:26.200 --> 1:13:29.720
<v Speaker 1>over into Mexico and it's like a reclamation, you know.

1:13:29.880 --> 1:13:31.760
<v Speaker 1>And this is how we're going to be successful, is

1:13:31.800 --> 1:13:35.080
<v Speaker 1>by appealing to our people and not necessarily white people,

1:13:35.080 --> 1:13:37.880
<v Speaker 1>because it wasn't white folks filling the Houston Astrodome and

1:13:37.880 --> 1:13:41.160
<v Speaker 1>buying her records and bringing her to stardom. It's it's

1:13:41.200 --> 1:13:43.040
<v Speaker 1>there was a point being proven as well, like no,

1:13:43.240 --> 1:13:47.479
<v Speaker 1>we we can also do this by being ourselves, which

1:13:47.479 --> 1:13:49.639
<v Speaker 1>gets talked about in the movie too. Was like her

1:13:49.800 --> 1:13:53.599
<v Speaker 1>mother being like women are not successful into Hanno music,

1:13:53.800 --> 1:13:58.240
<v Speaker 1>like this is a male dominated genre, just you know,

1:13:58.320 --> 1:14:01.120
<v Speaker 1>saying like I'm not so sure this is going to

1:14:01.200 --> 1:14:07.000
<v Speaker 1>work out because patriarchy, and like, against all odds, Selena

1:14:07.960 --> 1:14:13.559
<v Speaker 1>transcends that and becomes a hugely popular star in that

1:14:13.720 --> 1:14:18.599
<v Speaker 1>genre and also then crosses over with her English album

1:14:18.920 --> 1:14:24.880
<v Speaker 1>and like appeals to a wider audience and just yeah,

1:14:25.360 --> 1:14:27.880
<v Speaker 1>the other the I love I love that scene where

1:14:27.920 --> 1:14:30.519
<v Speaker 1>there on the bus and and the scene we were

1:14:30.520 --> 1:14:32.479
<v Speaker 1>just talking about, and I especially love I just I

1:14:32.520 --> 1:14:36.000
<v Speaker 1>don't know, I feel like it's really rare to see

1:14:36.120 --> 1:14:40.200
<v Speaker 1>like a scene written where different generations are interacting in

1:14:40.320 --> 1:14:43.160
<v Speaker 1>kind of a realistic way, because it's like the younger

1:14:43.200 --> 1:14:45.479
<v Speaker 1>person is always going to be like yeah, I get it,

1:14:45.520 --> 1:14:49.160
<v Speaker 1>but like shut up, like there and I just I just,

1:14:49.280 --> 1:14:52.680
<v Speaker 1>I just I loved how Abraham's kids are interacting with

1:14:52.760 --> 1:14:55.280
<v Speaker 1>him in that scene because they clearly like they know

1:14:55.360 --> 1:14:57.519
<v Speaker 1>he's right, they're taking what he's saying seriously, but they're

1:14:57.520 --> 1:15:00.080
<v Speaker 1>still like okay, but shut up, Like I just I

1:15:00.120 --> 1:15:04.120
<v Speaker 1>don't know the way that the generational divide is made

1:15:04.160 --> 1:15:07.639
<v Speaker 1>clear and that that seems hit. It was really good

1:15:08.320 --> 1:15:11.240
<v Speaker 1>when she's like a good thing we have like tortillas

1:15:11.280 --> 1:15:15.040
<v Speaker 1>and minuto to like keep our strength up, like well

1:15:15.120 --> 1:15:17.960
<v Speaker 1>we used for this oppression, giving him ship the way

1:15:18.120 --> 1:15:20.920
<v Speaker 1>anyone gives their dad ship when he goes on about

1:15:21.720 --> 1:15:23.639
<v Speaker 1>or like I don't know, knowing the words to your

1:15:23.720 --> 1:15:28.680
<v Speaker 1>dad's speech, you can probably right like here we go.

1:15:28.800 --> 1:15:32.880
<v Speaker 1>God he's given before. And I love those moments with

1:15:32.920 --> 1:15:35.519
<v Speaker 1>her in a b I love those moments that they

1:15:35.560 --> 1:15:38.320
<v Speaker 1>have throughout the film where it's like, okay, you know

1:15:38.360 --> 1:15:40.360
<v Speaker 1>how Dad is, like you know Dad, I got it.

1:15:40.400 --> 1:15:43.400
<v Speaker 1>I'll handle Dad. You know Dad. Dad is very strong.

1:15:43.520 --> 1:15:45.519
<v Speaker 1>Dad is a force. But they also have their power

1:15:45.560 --> 1:15:48.240
<v Speaker 1>in their way like as siblings or is or in

1:15:48.280 --> 1:15:50.080
<v Speaker 1>relation to their mom or in relation to each other.

1:15:50.760 --> 1:15:52.400
<v Speaker 1>It's like, yeah, Dad has been and bad, but we

1:15:52.439 --> 1:15:54.719
<v Speaker 1>also know which or his strings in which are his buttons,

1:15:54.880 --> 1:15:57.280
<v Speaker 1>and just we know how to work with Dad. Just chill,

1:15:57.360 --> 1:15:59.519
<v Speaker 1>it's fine, we'll do it. We'll get it done. And

1:15:59.560 --> 1:16:06.000
<v Speaker 1>I love at Yeah, I wanted to ask what your

1:16:06.200 --> 1:16:09.640
<v Speaker 1>thoughts because I believe you've spoken about this as well

1:16:09.760 --> 1:16:14.040
<v Speaker 1>in the same article that we were referencing earlier, just

1:16:14.120 --> 1:16:18.880
<v Speaker 1>the general kind of whitewashing of the casting of Selena

1:16:18.960 --> 1:16:22.160
<v Speaker 1>and sort of your thoughts on the actors who have

1:16:22.240 --> 1:16:26.479
<v Speaker 1>been chosen to play her, because to be clear, even

1:16:26.479 --> 1:16:30.839
<v Speaker 1>though Jennifer Lopez and the actor who's cast as Selena

1:16:31.000 --> 1:16:36.200
<v Speaker 1>for the series, Christian Seratos, uh, they are both Latina women,

1:16:36.880 --> 1:16:42.240
<v Speaker 1>there is still an element of erasure happening here. Yeah,

1:16:42.320 --> 1:16:46.760
<v Speaker 1>it's been so interesting, like um, having this conversation like

1:16:46.840 --> 1:16:52.120
<v Speaker 1>in one on the internet, because literally everyone we can

1:16:52.160 --> 1:16:55.679
<v Speaker 1>weigh in, and that is both a terrible and wonderful thing.

1:16:56.640 --> 1:17:02.520
<v Speaker 1>So going back to the very real, historic, well documented,

1:17:02.920 --> 1:17:07.920
<v Speaker 1>well understood, well known history of racism that her family

1:17:07.960 --> 1:17:11.280
<v Speaker 1>experienced as brown people, as people of color, as people

1:17:11.439 --> 1:17:15.639
<v Speaker 1>of Mexican and which meaning for them indigenous descent, right,

1:17:16.439 --> 1:17:18.760
<v Speaker 1>it was a fact of their reality that they were

1:17:19.200 --> 1:17:24.080
<v Speaker 1>non white, racialized people and impacted by that historically. In

1:17:24.160 --> 1:17:28.679
<v Speaker 1>talking about the whitewashing, that is really important to me

1:17:29.040 --> 1:17:33.599
<v Speaker 1>because it's not a separate or imagined part of her story.

1:17:34.000 --> 1:17:39.640
<v Speaker 1>It's very integral and the whitewashing is very subtle, and

1:17:39.720 --> 1:17:43.439
<v Speaker 1>it's multifaceted because it's not just about the skin color

1:17:43.560 --> 1:17:45.759
<v Speaker 1>of the actresses. It's all about the It's also about

1:17:45.760 --> 1:17:50.479
<v Speaker 1>the featurism, right with facial features, especially Selena's like nose

1:17:50.520 --> 1:17:54.080
<v Speaker 1>and lips and her indigenous features. And I hate feeling

1:17:54.080 --> 1:17:56.680
<v Speaker 1>like I'm kind of like, you know, breaking her up

1:17:56.680 --> 1:17:59.080
<v Speaker 1>into body parts and things. But this is what happens.

1:17:59.120 --> 1:18:03.120
<v Speaker 1>And nowhere is that more obvious than in the casting

1:18:03.320 --> 1:18:06.680
<v Speaker 1>where the casting has brought us with Slaris to the

1:18:06.720 --> 1:18:09.800
<v Speaker 1>point where speaking of compartmentalizing and breaking her down to

1:18:09.840 --> 1:18:11.920
<v Speaker 1>body parts, they hired an actress that are so thin

1:18:12.240 --> 1:18:15.879
<v Speaker 1>unfortunately for the character that she was attempting to realize

1:18:15.920 --> 1:18:19.439
<v Speaker 1>on screen that she's wearing extremely obvious button hit padding.

1:18:20.120 --> 1:18:24.240
<v Speaker 1>You know, that is super obvious and a superclown looked

1:18:24.360 --> 1:18:27.679
<v Speaker 1>clownish right in its appearance, and it's very weird and bad.

1:18:27.840 --> 1:18:32.040
<v Speaker 1>Bad costume, bad costume, not a good way. And we've

1:18:32.080 --> 1:18:34.040
<v Speaker 1>all rocked a Selena costume, and a lot of us

1:18:34.080 --> 1:18:38.200
<v Speaker 1>can rock a very convincing Selena and and and the

1:18:38.240 --> 1:18:42.200
<v Speaker 1>butt padding is very insulting because I consider that part

1:18:42.240 --> 1:18:45.800
<v Speaker 1>of the futurism and part of the whitewashing, and you

1:18:45.920 --> 1:18:48.840
<v Speaker 1>can see over time how you have Selena, who's someone

1:18:49.000 --> 1:18:53.760
<v Speaker 1>very undeniably brown and of Native descent, and then j

1:18:53.960 --> 1:18:56.320
<v Speaker 1>Loo has a much slimmer nose and a much smaller

1:18:56.479 --> 1:19:00.759
<v Speaker 1>like button nose, and she's just a wee bit lighter.

1:19:01.400 --> 1:19:04.080
<v Speaker 1>And then the actress now cast per Selena the series,

1:19:04.160 --> 1:19:08.679
<v Speaker 1>her nose is even more slender and she's even lighter

1:19:09.479 --> 1:19:13.160
<v Speaker 1>than j Lo, and I acknowledge that Selena was a technically,

1:19:13.360 --> 1:19:15.080
<v Speaker 1>you know, a light brown, a light skinned woman, but

1:19:15.200 --> 1:19:19.439
<v Speaker 1>brown nonetheless, And again it was brown and Mexican people

1:19:19.880 --> 1:19:22.040
<v Speaker 1>who are filling the seats and going to her shows

1:19:22.080 --> 1:19:25.679
<v Speaker 1>and supporting her and seeing themselves into her, not white people,

1:19:27.160 --> 1:19:31.799
<v Speaker 1>not factually actually factually right. And in watching like Selena

1:19:31.840 --> 1:19:36.160
<v Speaker 1>the series, in real life, Selena, besides her costumes, she

1:19:36.280 --> 1:19:40.360
<v Speaker 1>didn't stand out glaringly from the demographic of her crowd.

1:19:40.960 --> 1:19:44.280
<v Speaker 1>She looked like her crowd. You see now like Selena series,

1:19:44.320 --> 1:19:46.639
<v Speaker 1>and she looks very foreign and different from her crowd.

1:19:46.800 --> 1:19:49.679
<v Speaker 1>It looks like Madonna doing her crossover tour in Mexico,

1:19:50.320 --> 1:19:53.639
<v Speaker 1>you know, it looks like Reeba doing her crossover tour

1:19:53.840 --> 1:19:56.680
<v Speaker 1>in Mexico. And some of those scenes, right, which is

1:19:56.920 --> 1:20:01.360
<v Speaker 1>jarring and noticeable. I think that another place where whitewashing

1:20:01.439 --> 1:20:04.439
<v Speaker 1>has happened with casting is with the dancing and the

1:20:04.520 --> 1:20:07.599
<v Speaker 1>lack of dancing in the series. Right. I think one

1:20:07.640 --> 1:20:10.880
<v Speaker 1>of the amazing things about the movie is that they

1:20:10.920 --> 1:20:13.479
<v Speaker 1>were able to find an actress and a performer in

1:20:13.560 --> 1:20:17.040
<v Speaker 1>j Lo who could execute the dancing, the Columbia and

1:20:17.200 --> 1:20:20.880
<v Speaker 1>the disco and all the other influences, you know, that

1:20:21.200 --> 1:20:25.320
<v Speaker 1>the hand influences and everything else that Selena brought into

1:20:25.400 --> 1:20:28.519
<v Speaker 1>her movement. And I think that's one of the great

1:20:28.600 --> 1:20:31.840
<v Speaker 1>victories and great successes of the film, is casting a

1:20:31.960 --> 1:20:34.799
<v Speaker 1>dancer who could execute and bring the music, the style,

1:20:34.920 --> 1:20:38.880
<v Speaker 1>and the culture and the flavor to life. Um. It's

1:20:38.920 --> 1:20:42.840
<v Speaker 1>one of the pieces that is missing from the series. Yeah,

1:20:43.240 --> 1:20:45.840
<v Speaker 1>and I know that there's been a lot written about it,

1:20:45.880 --> 1:20:48.519
<v Speaker 1>but it was it. It does seem like, in general,

1:20:48.680 --> 1:20:55.160
<v Speaker 1>this series almost regresses from the problems that were already

1:20:55.360 --> 1:20:57.920
<v Speaker 1>you know, well publicized and when well talked about when

1:20:58.080 --> 1:21:01.360
<v Speaker 1>the movie's casting was released. You know, there was pretty

1:21:01.400 --> 1:21:05.800
<v Speaker 1>significant backlash when j Low's casting was announced in the

1:21:05.920 --> 1:21:08.719
<v Speaker 1>first place. Um, for many of the reasons you describe.

1:21:08.760 --> 1:21:13.160
<v Speaker 1>But then instead of course correcting years later, making not

1:21:13.400 --> 1:21:15.959
<v Speaker 1>even the same mistake, you know, kind of an escalated

1:21:16.080 --> 1:21:21.760
<v Speaker 1>version of the same mistake. And what I want to

1:21:22.280 --> 1:21:26.639
<v Speaker 1>push against is this notion that well Selena was white.

1:21:26.840 --> 1:21:29.720
<v Speaker 1>I've literally seen people tweet this. I've seen people write

1:21:29.800 --> 1:21:32.520
<v Speaker 1>this and like send tweet and it's the most preposterous,

1:21:32.600 --> 1:21:38.400
<v Speaker 1>a historical, ridiculous thing I have ever gained to read

1:21:38.720 --> 1:21:44.640
<v Speaker 1>in my life because just the lie, the inaccuracy, and

1:21:44.720 --> 1:21:49.320
<v Speaker 1>there's so much video photo documentation of Selena it's really

1:21:49.360 --> 1:21:53.320
<v Speaker 1>not up for to day, it's really that. So then

1:21:53.880 --> 1:21:57.720
<v Speaker 1>to see the rewriting of history, well, this is what

1:21:57.840 --> 1:21:59.560
<v Speaker 1>she looked like, and this is what this what she

1:21:59.640 --> 1:22:01.680
<v Speaker 1>looked like. It it's like, that's not what she looks like,

1:22:01.880 --> 1:22:04.599
<v Speaker 1>and it's important to remember what she looks like because

1:22:04.640 --> 1:22:08.599
<v Speaker 1>we really haven't had another one since her. And part

1:22:08.640 --> 1:22:11.120
<v Speaker 1>of it is like we have our pop stars, but

1:22:11.200 --> 1:22:15.479
<v Speaker 1>they're very white looking Latin people, super white looking Latin people,

1:22:16.080 --> 1:22:18.800
<v Speaker 1>and it's even as light skinned to Selina was. That's

1:22:18.840 --> 1:22:24.400
<v Speaker 1>how colorist and white supremacist Hollywood and Mexican media is

1:22:24.720 --> 1:22:27.679
<v Speaker 1>that they couldn't even prop up another brown skin girl

1:22:27.840 --> 1:22:30.600
<v Speaker 1>like the real thing. You know, we keep it j

1:22:30.760 --> 1:22:34.719
<v Speaker 1>low and whiter always and we just got a Yalizza

1:22:34.840 --> 1:22:38.880
<v Speaker 1>Barrisio recently, you know, in the last couple few years.

1:22:39.200 --> 1:22:42.519
<v Speaker 1>Um So, the the indigenous and brown representation, even within

1:22:42.600 --> 1:22:45.639
<v Speaker 1>the Mexican communities for women on screen is just not there,

1:22:45.960 --> 1:22:47.640
<v Speaker 1>and it's a crying shame and it's sucked up. And

1:22:47.680 --> 1:22:50.360
<v Speaker 1>I also blame the men in their involvement because I

1:22:50.439 --> 1:22:55.720
<v Speaker 1>think they have very whitewashed um beauty standard goggles that

1:22:55.840 --> 1:23:00.599
<v Speaker 1>they look through. Absolutely. Yeah, well that's a a problem

1:23:00.680 --> 1:23:03.639
<v Speaker 1>that we talk about a lot, just kind of adhering

1:23:03.680 --> 1:23:08.599
<v Speaker 1>to Western beauty standards, and Hollywood has as a terrible

1:23:08.920 --> 1:23:14.040
<v Speaker 1>history of whitewashing or erasing I mean again kind of

1:23:14.160 --> 1:23:16.400
<v Speaker 1>zooming out a little bit. As far as Latin X

1:23:16.479 --> 1:23:21.439
<v Speaker 1>representation in mainstream American movies, the representation has either been

1:23:21.840 --> 1:23:28.200
<v Speaker 1>non existent or they're but full of reductive stereotypes or

1:23:28.960 --> 1:23:34.320
<v Speaker 1>whitewashed with I think pretty commonly white actors playing in

1:23:34.520 --> 1:23:43.040
<v Speaker 1>like British people from England playing Miss Katherine Zeta, right, yeah,

1:23:43.360 --> 1:23:50.800
<v Speaker 1>our favorite Mexican crews are other favorite Mexican Yeah, so

1:23:51.080 --> 1:23:55.880
<v Speaker 1>just like European people playing Latin X characters. I have

1:23:56.000 --> 1:23:59.519
<v Speaker 1>a just a quick list here of some examples. Ben

1:23:59.640 --> 1:24:04.320
<v Speaker 1>Affle plays a real life Mexican American man Antonio J.

1:24:04.560 --> 1:24:15.559
<v Speaker 1>Mendez and Argo Umize I have not seen Argo um

1:24:15.840 --> 1:24:19.120
<v Speaker 1>Al Pacino plays a Puerto Rican character in Carlt's Way.

1:24:19.600 --> 1:24:25.400
<v Speaker 1>Juliette Binoche plays uh Maria Segovia, a real life Chilean

1:24:25.600 --> 1:24:29.920
<v Speaker 1>woman in the movie The thirty Three. Jennifer Connelly plays

1:24:29.960 --> 1:24:34.080
<v Speaker 1>a real life Salvadorian woman in Beautiful Mind. Alicia Nash

1:24:34.880 --> 1:24:40.760
<v Speaker 1>Charlton Heston god This plays a Mexican character in Touch

1:24:40.800 --> 1:24:47.040
<v Speaker 1>of Evil um Unfortunately, our King Alfred Molina has trade

1:24:47.240 --> 1:24:51.040
<v Speaker 1>a real life Mexican artist, Diego Rivera, of course in Frida.

1:24:51.200 --> 1:24:54.479
<v Speaker 1>Like there's a lot of these examples. It's just all

1:24:54.600 --> 1:24:57.599
<v Speaker 1>too common. And to see a version of this happening

1:24:57.800 --> 1:25:01.960
<v Speaker 1>in the casting of projects about Lena, where they are

1:25:02.160 --> 1:25:07.600
<v Speaker 1>erasing real life Selena's indigenous roots and features is like

1:25:09.560 --> 1:25:12.400
<v Speaker 1>there's just no excuse for it. And the racism in

1:25:12.479 --> 1:25:15.200
<v Speaker 1>the casting and in Latin American media is like, does

1:25:15.240 --> 1:25:19.320
<v Speaker 1>a couple of things so it will replace like what

1:25:19.520 --> 1:25:21.519
<v Speaker 1>we would refer to as a mess pisa, right, like

1:25:21.520 --> 1:25:23.840
<v Speaker 1>I would be a mestiza, Selena be messisa like of

1:25:23.920 --> 1:25:27.840
<v Speaker 1>indigenous and European and honestly for many Mexicans that we

1:25:27.880 --> 1:25:30.920
<v Speaker 1>don't always acknowledge or talk about. There's there's also a

1:25:31.000 --> 1:25:35.120
<v Speaker 1>lot of Afro Indigenous and Afro Missisa heritage and communities

1:25:35.160 --> 1:25:38.360
<v Speaker 1>out there. I've seen people tweet that Selena was white.

1:25:38.439 --> 1:25:41.600
<v Speaker 1>I've also seen people tweet that Selena looks Afro Indigenous

1:25:41.680 --> 1:25:44.400
<v Speaker 1>to them, you know, and that a light skinned black

1:25:44.439 --> 1:25:47.639
<v Speaker 1>actress could have played Selena um And it's so it's

1:25:47.760 --> 1:25:51.320
<v Speaker 1>extremely interesting to see the range of how we interpret

1:25:51.400 --> 1:25:54.840
<v Speaker 1>her today. But what happens is the racism as such

1:25:54.960 --> 1:25:58.759
<v Speaker 1>that even a light skin Latina mestiza like Selena gets

1:25:59.520 --> 1:26:02.559
<v Speaker 1>cast by like non Mexican and super white looking people.

1:26:03.520 --> 1:26:07.080
<v Speaker 1>And then you have a ton of Afro Latinos historically

1:26:07.160 --> 1:26:10.720
<v Speaker 1>acting in Hollywood. The racism is such that they never

1:26:10.840 --> 1:26:14.600
<v Speaker 1>are cast as Latino characters ever, and they're not acknowledged

1:26:14.640 --> 1:26:19.040
<v Speaker 1>and celebrated as Latin Latino actors and actresses. Gina Torres

1:26:19.120 --> 1:26:21.880
<v Speaker 1>has is you know, uh after Latino actors, and she

1:26:22.080 --> 1:26:25.720
<v Speaker 1>has been very vocal historically about her racier and exclusion

1:26:26.240 --> 1:26:29.200
<v Speaker 1>from Latin American media spaces, and so she plays like

1:26:29.280 --> 1:26:34.280
<v Speaker 1>black American characters a lot of after Latino actors musicians

1:26:34.800 --> 1:26:39.160
<v Speaker 1>are embraced in black Hollywood and playing Black American African

1:26:39.200 --> 1:26:43.679
<v Speaker 1>American characters, but Latin media's against so racists that they're

1:26:43.720 --> 1:26:46.320
<v Speaker 1>not even seen or recognized at all anywhere. The space

1:26:46.479 --> 1:26:49.680
<v Speaker 1>is not even present for them, right, And so it's

1:26:50.000 --> 1:26:53.080
<v Speaker 1>it's this is how the whitewashing is done of real

1:26:53.240 --> 1:26:56.200
<v Speaker 1>life POC. You know, they're just getting replaced with white

1:26:56.240 --> 1:27:00.479
<v Speaker 1>people are being rejected from the space completely. They cannot

1:27:00.520 --> 1:27:03.320
<v Speaker 1>pass as wid or they were not you know, light enough,

1:27:03.439 --> 1:27:06.479
<v Speaker 1>or if they were black in real life m O

1:27:10.439 --> 1:27:14.760
<v Speaker 1>levels level. I mean, there was even I I saw

1:27:15.240 --> 1:27:19.080
<v Speaker 1>in it may have been from scholarly journal Wikipedia, but

1:27:19.160 --> 1:27:22.559
<v Speaker 1>that there were white actresses in the running to play

1:27:22.640 --> 1:27:26.680
<v Speaker 1>Selena in in nineties seven, like and that Hollywood was like,

1:27:26.760 --> 1:27:30.679
<v Speaker 1>well you should you know, here's j Lo is not white,

1:27:31.200 --> 1:27:35.440
<v Speaker 1>as if that is as if that is a representation,

1:27:36.240 --> 1:27:39.760
<v Speaker 1>when like, it's just so maddening. But it did seem

1:27:39.840 --> 1:27:42.240
<v Speaker 1>like from what I was able to find that at

1:27:42.320 --> 1:27:45.840
<v Speaker 1>least in the early stages of production, there were white

1:27:45.880 --> 1:27:49.000
<v Speaker 1>actresses in the running to to play Selena, which is

1:27:49.080 --> 1:27:52.720
<v Speaker 1>just yeah, and the question that I always have, and

1:27:52.840 --> 1:27:54.880
<v Speaker 1>especially when we're talking about real life people, you know,

1:27:55.040 --> 1:27:57.800
<v Speaker 1>casting as a choice, a lot of people weighing on

1:27:58.120 --> 1:28:00.200
<v Speaker 1>and if we can choose to go lighter and dinner

1:28:00.240 --> 1:28:02.320
<v Speaker 1>and more euro why aren't Why can't we choose to

1:28:02.439 --> 1:28:06.120
<v Speaker 1>go darker and more indigenous? Why can't we go browner?

1:28:06.560 --> 1:28:09.479
<v Speaker 1>Why can't we go fuller? Figured? These choices are made,

1:28:09.520 --> 1:28:12.840
<v Speaker 1>but it's always in the same direction, and it's problematic.

1:28:13.080 --> 1:28:15.559
<v Speaker 1>And look, there are so many Selena tribute artists who

1:28:15.640 --> 1:28:18.759
<v Speaker 1>are of appropriate age. And I don't like to judge

1:28:18.760 --> 1:28:20.920
<v Speaker 1>actresses based on their age, because if you can act,

1:28:20.960 --> 1:28:23.360
<v Speaker 1>you connect and you can overcome age in a lot

1:28:23.360 --> 1:28:25.600
<v Speaker 1>of ways on screen, but also when you're playing like

1:28:25.640 --> 1:28:28.200
<v Speaker 1>a literal fifteen year old and you're thirty, like things

1:28:28.280 --> 1:28:31.000
<v Speaker 1>happen with that, with with it on screen, just things

1:28:31.080 --> 1:28:34.160
<v Speaker 1>happen with that, you know. And um, I have that

1:28:34.240 --> 1:28:36.719
<v Speaker 1>group with Selena the series and and even with Selena

1:28:36.760 --> 1:28:39.040
<v Speaker 1>the movie. You know, the girls are out there, the

1:28:39.120 --> 1:28:41.280
<v Speaker 1>South Texas girls are out there, and I want to

1:28:41.320 --> 1:28:45.240
<v Speaker 1>come back to Selena was exceptionally talented, but she wasn't

1:28:45.520 --> 1:28:47.519
<v Speaker 1>exceptional as far as her look. There's a lot of

1:28:47.560 --> 1:28:50.120
<v Speaker 1>beautiful girls who look like Selena. A lot of beautiful

1:28:50.120 --> 1:28:53.400
<v Speaker 1>girls who look like Selena and they're out there, so

1:28:54.040 --> 1:28:56.160
<v Speaker 1>you know, I want that to be part of the

1:28:56.240 --> 1:28:58.640
<v Speaker 1>narrative to that these are choices that are made, but

1:28:58.720 --> 1:29:02.599
<v Speaker 1>not for lack of options exactly. Hell yeah, Is there

1:29:02.760 --> 1:29:05.400
<v Speaker 1>was there anything else, um that either of you wanted

1:29:05.439 --> 1:29:07.800
<v Speaker 1>to hit on? I think that that's about everything I have.

1:29:08.800 --> 1:29:12.479
<v Speaker 1>I have a couple of really quick things. One we

1:29:12.680 --> 1:29:19.120
<v Speaker 1>see a makeover montage, but this time it's a man over.

1:29:19.520 --> 1:29:23.200
<v Speaker 1>I love the hair cutting bats unsceen love it the

1:29:23.320 --> 1:29:28.200
<v Speaker 1>cutting of the like punk bracelets off with like wire

1:29:28.280 --> 1:29:33.400
<v Speaker 1>cutters or whatever. That is good. Love that because we

1:29:33.479 --> 1:29:37.759
<v Speaker 1>always talk about you know, makeover montages being reserved mostly

1:29:37.840 --> 1:29:41.439
<v Speaker 1>for women and that being done too like better appeal

1:29:41.520 --> 1:29:44.840
<v Speaker 1>to a man um. Now I feel like that. Yeah,

1:29:44.880 --> 1:29:48.120
<v Speaker 1>this for Selena, it's it's the total opposite where that's

1:29:48.160 --> 1:29:50.360
<v Speaker 1>like one of the few areas of self expression that

1:29:50.479 --> 1:29:54.920
<v Speaker 1>she gets to, you know, really curate for herself. She

1:29:54.960 --> 1:29:58.360
<v Speaker 1>doesn't need a makeover. She's like she's got the instinct,

1:29:58.479 --> 1:30:02.280
<v Speaker 1>like she's got the style. Yeah right right. Um. I

1:30:02.360 --> 1:30:05.840
<v Speaker 1>also just wanted to shout out Suzette for kind of

1:30:06.000 --> 1:30:09.840
<v Speaker 1>breaking barriers as a woman drummer, which I wish got

1:30:09.920 --> 1:30:11.760
<v Speaker 1>touched on in the movie a little bit more. They do.

1:30:12.160 --> 1:30:17.000
<v Speaker 1>Like there's a couple moments where Suzette as a child

1:30:17.280 --> 1:30:20.000
<v Speaker 1>is like, girls don't play drums, and she's like really

1:30:20.280 --> 1:30:23.920
<v Speaker 1>resentful that she got stuck with the drums until she

1:30:24.040 --> 1:30:29.280
<v Speaker 1>realized she was a pioneer. Right. Um, but yeah, I

1:30:29.360 --> 1:30:35.480
<v Speaker 1>just I love you know, women as drummers representation, absolutely,

1:30:35.720 --> 1:30:38.080
<v Speaker 1>I agree. And and being you know, like a plus

1:30:38.120 --> 1:30:40.680
<v Speaker 1>size girl and they plus size the actress and I

1:30:40.720 --> 1:30:46.280
<v Speaker 1>appreciate they They were really um excellent with that casting choice.

1:30:46.320 --> 1:30:48.519
<v Speaker 1>I think as Susette she was great. Yeah, I wish

1:30:48.560 --> 1:30:51.560
<v Speaker 1>she was I wish she had more to do. And

1:30:51.640 --> 1:30:53.479
<v Speaker 1>I loved all her girls and her hats. I loved

1:30:53.520 --> 1:30:59.120
<v Speaker 1>all her also iconic looks that Suzette is delivering. Should

1:30:59.120 --> 1:31:01.120
<v Speaker 1>talk about those as well. Uh. And I think my

1:31:01.200 --> 1:31:06.040
<v Speaker 1>final just little thing was um, women eating on screen representation.

1:31:06.320 --> 1:31:09.760
<v Speaker 1>You have that scene where the pizza She's like, I

1:31:09.800 --> 1:31:11.960
<v Speaker 1>can eat a whole medium pizza by myself and I

1:31:12.040 --> 1:31:15.040
<v Speaker 1>love Pepperoni, and I I scarf to Rito's, and that

1:31:15.120 --> 1:31:17.639
<v Speaker 1>you actually see her eat and not just like talk

1:31:17.800 --> 1:31:20.000
<v Speaker 1>because sometimes we'll have there will be seen. Like I

1:31:20.080 --> 1:31:23.639
<v Speaker 1>always think of there's something about Mary, where Cameron Diaz

1:31:23.720 --> 1:31:27.080
<v Speaker 1>is like, I love going to the baseball game and

1:31:27.320 --> 1:31:30.320
<v Speaker 1>having a corn dog and drinking a bunch of beers.

1:31:31.000 --> 1:31:33.680
<v Speaker 1>She's saying this while at lunch with her girlfriends. They

1:31:33.720 --> 1:31:35.600
<v Speaker 1>all have salads in front of them, and none of

1:31:35.800 --> 1:31:39.120
<v Speaker 1>the characters even eat the salad. That's just like, I think,

1:31:39.240 --> 1:31:45.599
<v Speaker 1>maybe the most um iconic, least feminist moments committed to film.

1:31:45.880 --> 1:31:49.080
<v Speaker 1>That is, like, I'm not like other girls. I'm starving

1:31:49.439 --> 1:31:54.960
<v Speaker 1>like the horrible, horrible, horrible, horrible right she was, And

1:31:55.040 --> 1:31:57.040
<v Speaker 1>I mean I think about it too. She probably ate

1:31:57.080 --> 1:31:59.320
<v Speaker 1>a lot, because that's a lot of calories, a lot

1:31:59.360 --> 1:32:03.840
<v Speaker 1>of performing, letter rehearsing, probably constantly eating. Love that for her.

1:32:04.960 --> 1:32:12.760
<v Speaker 1>She eats the chips, she steals susettees Dorito's. That's feminist. Yeah,

1:32:13.160 --> 1:32:16.760
<v Speaker 1>is there anything else you wanted to touch on? Mala? No,

1:32:16.960 --> 1:32:19.080
<v Speaker 1>I think that was very thorough. I think we got

1:32:19.160 --> 1:32:21.240
<v Speaker 1>all I think we got all of it. I feel

1:32:21.320 --> 1:32:25.840
<v Speaker 1>great about what we've done here today. Yeah. Well, with

1:32:26.080 --> 1:32:33.960
<v Speaker 1>that in mind, does this movie pass the Bechdel Test? Yes? Yeah,

1:32:36.040 --> 1:32:40.519
<v Speaker 1>another win, another another win. Yeah, we have we do see,

1:32:40.600 --> 1:32:42.120
<v Speaker 1>even though I wish there were more than we do.

1:32:42.200 --> 1:32:45.400
<v Speaker 1>See scenes where Selena and Suzette talked to each other

1:32:45.760 --> 1:32:50.519
<v Speaker 1>about you know, music or other things that aren't a

1:32:50.600 --> 1:32:54.680
<v Speaker 1>man Selena and her mother Marcella, which brings us to

1:32:54.840 --> 1:32:59.400
<v Speaker 1>our nipple scale, which is our metric where we rate

1:32:59.479 --> 1:33:04.400
<v Speaker 1>a movie from zero to five nipples based on an

1:33:04.479 --> 1:33:10.760
<v Speaker 1>intersectional feminist examination of the movie, and based on I

1:33:10.880 --> 1:33:13.600
<v Speaker 1>wasn't quite sure where I would land. I think like

1:33:13.840 --> 1:33:16.640
<v Speaker 1>we need, I like needed our conversation to happen to

1:33:17.120 --> 1:33:21.000
<v Speaker 1>to really, um make me figure out what my rating

1:33:21.120 --> 1:33:24.120
<v Speaker 1>was going to be. I want to rate it highly.

1:33:24.640 --> 1:33:26.800
<v Speaker 1>But we also, you know, so many good points were

1:33:26.920 --> 1:33:30.680
<v Speaker 1>brought up about there needs to be more Latin X

1:33:30.760 --> 1:33:39.360
<v Speaker 1>representation in mainstream Hollywood media that is not about the

1:33:39.479 --> 1:33:42.960
<v Speaker 1>same person over and over again. Um, there just needs

1:33:43.040 --> 1:33:46.760
<v Speaker 1>to be a wider scope of stories and people being explored.

1:33:47.360 --> 1:33:52.760
<v Speaker 1>The white washing of Selena in the casting. But then

1:33:52.960 --> 1:33:54.360
<v Speaker 1>you know, at the same time, there's a lot of

1:33:54.400 --> 1:33:57.760
<v Speaker 1>things that I think we're handled really well, the conversations

1:33:57.800 --> 1:34:03.200
<v Speaker 1>about identity, the the relations the romantic relationship. But then

1:34:03.520 --> 1:34:06.360
<v Speaker 1>kind of like on the flip side of that, I'm

1:34:06.400 --> 1:34:09.680
<v Speaker 1>just like, well, I wish there hadn't been so much

1:34:09.760 --> 1:34:13.599
<v Speaker 1>focus on Selena's relationships with these two men in her life,

1:34:13.640 --> 1:34:17.160
<v Speaker 1>her father and and Chris, and that it wasn't so

1:34:17.400 --> 1:34:21.600
<v Speaker 1>filtered through the lens of like Abraham king Toniaz. I

1:34:21.680 --> 1:34:25.120
<v Speaker 1>wish like we could explore other kind of people's perspectives

1:34:25.479 --> 1:34:28.479
<v Speaker 1>of her life, so it wasn't just like filtered through

1:34:29.120 --> 1:34:32.640
<v Speaker 1>his kind of control and lens. So I don't know.

1:34:32.840 --> 1:34:35.320
<v Speaker 1>I'm well, I think I'm going to give it a

1:34:35.800 --> 1:34:41.479
<v Speaker 1>four nipples, and I will give two of them to Selena.

1:34:42.080 --> 1:34:45.280
<v Speaker 1>I will give one to Suzette, and I will give

1:34:45.360 --> 1:34:54.360
<v Speaker 1>one to Suzette's drum. Set'll go, I'll go for as well. Um,

1:34:54.840 --> 1:34:58.000
<v Speaker 1>I think that there there are certainly, I mean, I

1:34:58.080 --> 1:35:00.400
<v Speaker 1>don't know. Especially, I think that I'm coming from a

1:35:00.479 --> 1:35:03.360
<v Speaker 1>slightly biased place, having like watched the movie in a

1:35:03.479 --> 1:35:08.320
<v Speaker 1>series pretty close together and greatly preferring the movie to

1:35:08.439 --> 1:35:12.160
<v Speaker 1>this series. But even even I mean, all things considered,

1:35:12.200 --> 1:35:15.640
<v Speaker 1>I think that the discussion about colorism should continue to

1:35:15.680 --> 1:35:17.800
<v Speaker 1>be had, and as it pertains to this movie and

1:35:17.960 --> 1:35:22.000
<v Speaker 1>to the casting of Selena in particular, because it's like

1:35:22.080 --> 1:35:26.679
<v Speaker 1>how we curate and present our icons over the course

1:35:26.720 --> 1:35:30.000
<v Speaker 1>of years does make a huge, huge, huge difference, And

1:35:30.040 --> 1:35:32.519
<v Speaker 1>I feel like that's you know, just something that is

1:35:32.600 --> 1:35:37.200
<v Speaker 1>always going to warrant further discussion, um, especially because an

1:35:37.439 --> 1:35:41.000
<v Speaker 1>icon is so kind of malleable, and and you should

1:35:41.360 --> 1:35:43.320
<v Speaker 1>you know, as time goes on, you should be getting

1:35:43.640 --> 1:35:48.320
<v Speaker 1>better at representing them, not worse. Um. But in terms

1:35:48.400 --> 1:35:52.360
<v Speaker 1>of how um Selena is written and kind of honored

1:35:52.439 --> 1:35:56.160
<v Speaker 1>in this movie. You know, I'm not a Selena expert,

1:35:56.200 --> 1:35:59.519
<v Speaker 1>but but as far as she's presented, I mean, she's amazing.

1:35:59.720 --> 1:36:05.360
<v Speaker 1>She is like extremely motivated. She is navigating her identity,

1:36:05.439 --> 1:36:08.760
<v Speaker 1>whether that means culturally or as a woman, or just

1:36:08.920 --> 1:36:13.120
<v Speaker 1>as a fucking person who wants some control over their

1:36:13.280 --> 1:36:16.880
<v Speaker 1>own life. And yeah, I mean I'm always going to

1:36:16.960 --> 1:36:20.320
<v Speaker 1>wish that you get the other sides of her. And um,

1:36:21.200 --> 1:36:23.360
<v Speaker 1>I don't know that the telling this that her legacy

1:36:23.439 --> 1:36:26.920
<v Speaker 1>is still kind of a tug of war between two

1:36:27.040 --> 1:36:30.479
<v Speaker 1>male figures in her life is like, I mean, that's

1:36:30.520 --> 1:36:33.240
<v Speaker 1>always going to be the thing, right, is Like you

1:36:33.360 --> 1:36:36.240
<v Speaker 1>just wish that she she could have lived to tell

1:36:36.280 --> 1:36:40.000
<v Speaker 1>her own story. But as as far as this adaptation goes, like,

1:36:40.120 --> 1:36:43.040
<v Speaker 1>I feel like it's you get more of a sense

1:36:43.240 --> 1:36:47.520
<v Speaker 1>of her like spirit and her life and the complications

1:36:47.880 --> 1:36:50.880
<v Speaker 1>of who she was. And I love it, and I've

1:36:50.880 --> 1:36:53.400
<v Speaker 1>watched it more times than I needed to to get ready,

1:36:53.400 --> 1:36:58.640
<v Speaker 1>I watched it four times. It's just because it's a

1:36:58.760 --> 1:37:01.360
<v Speaker 1>really good movie. On top of everything we've talked about,

1:37:01.360 --> 1:37:04.680
<v Speaker 1>it's just a goodass movie. So um so yeah, I'll

1:37:04.680 --> 1:37:08.040
<v Speaker 1>give it four nipples, uh two to Selena and complete

1:37:08.080 --> 1:37:12.160
<v Speaker 1>the set, and then I'll give one to Marcella, and

1:37:12.200 --> 1:37:13.720
<v Speaker 1>then I'll give one to a friend that's at the

1:37:13.800 --> 1:37:21.599
<v Speaker 1>house a lot. She I love it. I think I wanna.

1:37:22.080 --> 1:37:24.800
<v Speaker 1>I mean, because it's Selena. I want I always want

1:37:24.840 --> 1:37:28.120
<v Speaker 1>to give a perfect score, a plus five stars, you know,

1:37:28.720 --> 1:37:31.200
<v Speaker 1>so just off of her name. Off the strength of

1:37:31.360 --> 1:37:35.680
<v Speaker 1>her name and her legacy alone made the film good

1:37:35.800 --> 1:37:38.160
<v Speaker 1>because the source material was so good. It's hard to

1:37:38.240 --> 1:37:42.000
<v Speaker 1>funk up excellent source material, right to funk up excellent

1:37:42.040 --> 1:37:44.320
<v Speaker 1>source material, which is part of my gripe. But the

1:37:44.439 --> 1:37:47.640
<v Speaker 1>movie right like it was true to the material, so

1:37:47.720 --> 1:37:49.760
<v Speaker 1>it was good. So I want to give it five.

1:37:49.880 --> 1:37:51.439
<v Speaker 1>I want to give five nipples and I want to

1:37:51.479 --> 1:37:54.920
<v Speaker 1>get I want to give three nipples to Selena. Yeah yeah,

1:37:54.920 --> 1:37:56.760
<v Speaker 1>I'm gonna give t nipples to Selena though, because I

1:37:56.880 --> 1:37:59.439
<v Speaker 1>want to give one to Marcella because she doesn't get enough.

1:38:00.640 --> 1:38:02.599
<v Speaker 1>I want to susatte and I want to honestly give

1:38:02.640 --> 1:38:04.679
<v Speaker 1>a nipple to Chris Perez because I think that Chris

1:38:04.760 --> 1:38:07.320
<v Speaker 1>Perez was like an advocate for her and still is

1:38:07.439 --> 1:38:10.240
<v Speaker 1>and like very on her side in an empowering sort

1:38:10.280 --> 1:38:13.040
<v Speaker 1>of way. Because I think he as he as a musician,

1:38:13.080 --> 1:38:17.000
<v Speaker 1>could appreciate the artist that she was and the individual

1:38:17.120 --> 1:38:18.920
<v Speaker 1>that she was. So I want to give Chris a

1:38:18.960 --> 1:38:21.400
<v Speaker 1>little shout out because they give him a hard time.

1:38:21.720 --> 1:38:25.680
<v Speaker 1>M I love it, Chris, I mean even the way

1:38:25.720 --> 1:38:31.080
<v Speaker 1>the movie shows him. Chris Perez male feminist certified daddy.

1:38:31.680 --> 1:38:36.760
<v Speaker 1>Yeah yeah, well mama, thank you so much for being here.

1:38:36.840 --> 1:38:40.120
<v Speaker 1>This has been incredible. Yeah, this was fun. Thank you

1:38:40.160 --> 1:38:42.120
<v Speaker 1>for having me and let me know what gress out.

1:38:42.120 --> 1:38:44.160
<v Speaker 1>I can't wait to hear it. Oh my gosh. Yeah,

1:38:44.320 --> 1:38:47.840
<v Speaker 1>and come back anytime. Okay, I have you back. Um,

1:38:48.000 --> 1:38:51.840
<v Speaker 1>where can people check out your stuff? Follow you online,

1:38:51.920 --> 1:38:55.080
<v Speaker 1>check out your podcast? Tell us everything? Oh my god.

1:38:55.160 --> 1:38:57.200
<v Speaker 1>So if you want to leten to my podcast, Um,

1:38:57.280 --> 1:39:00.880
<v Speaker 1>I'm one half of lookal Radio a Radiola, which is

1:39:00.960 --> 1:39:03.920
<v Speaker 1>just a very extra way of saying a podcast posted

1:39:04.880 --> 1:39:08.160
<v Speaker 1>with my good friend and co producer Thesa FM. So

1:39:08.320 --> 1:39:10.960
<v Speaker 1>you can find look at what our radio across streaming

1:39:11.000 --> 1:39:15.479
<v Speaker 1>platforms were online. Follow us on Instagram, on Twitter, TikTok

1:39:15.560 --> 1:39:18.720
<v Speaker 1>look at Underscore radio. If you want to follow me

1:39:18.840 --> 1:39:23.120
<v Speaker 1>as an individual, I'm at Mala Underscore monos on all

1:39:23.200 --> 1:39:26.040
<v Speaker 1>socials and I'm also not only fans, so subscribe to

1:39:26.080 --> 1:39:32.080
<v Speaker 1>my only fans awesome. You can check us out on

1:39:32.160 --> 1:39:35.439
<v Speaker 1>Twitter and Instagram at bechtel Cast. You can subscribe to

1:39:35.680 --> 1:39:38.840
<v Speaker 1>our patreon ak Matreon. It's five dollars a month and

1:39:38.960 --> 1:39:42.559
<v Speaker 1>it gets you access to two bonus episodes every single month.

1:39:42.920 --> 1:39:48.200
<v Speaker 1>Imagine imagine that plus the entire back catalog, which is

1:39:48.400 --> 1:39:52.840
<v Speaker 1>somewhere around like seventy or eighty episodes. Now, so too many,

1:39:53.920 --> 1:39:58.439
<v Speaker 1>There's a lot. I'd say, actually not enough, but there

1:39:58.479 --> 1:40:00.439
<v Speaker 1>you go. Okay, so that is that is the half

1:40:00.600 --> 1:40:05.439
<v Speaker 1>full energy we do need to be bringing. I was

1:40:05.520 --> 1:40:12.760
<v Speaker 1>like still living going how you can also get us

1:40:12.760 --> 1:40:19.400
<v Speaker 1>smirch on t felic dot com, slash the back Pelcast indeed,

1:40:20.200 --> 1:40:23.160
<v Speaker 1>and um, you know. To close out, I would just

1:40:23.320 --> 1:40:30.920
<v Speaker 1>like to say bitty bitty bum bum bye bye bye baby,

1:40:31.040 --> 1:40:31.439
<v Speaker 1>bye bye