WEBVTT - Conversations About Rappers Part 1

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<v Speaker 1>Watch up and welcome back to another episode and No

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<v Speaker 1>Sillers podcast with your host. Now funk that with your

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<v Speaker 1>low glasses, Malone, pet dog. We're back, man, how are thanks?

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<v Speaker 1>How's how's the weather out in the desert? That's hot?

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<v Speaker 1>She saw good though, Man, I ain't wanted them one.

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<v Speaker 1>I spent too much time complaining about something that God

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<v Speaker 1>got control of. Calm. It seems like a waste of time,

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<v Speaker 1>I would agree. I would tend to agree. I'm still

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<v Speaker 1>getting used to looking outside here and I see that

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<v Speaker 1>it's gray and it's raining. I oh, it's gonna be cold,

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<v Speaker 1>and then walking outside and it's still hot. Yeah. Yeah,

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<v Speaker 1>that's a mental adjustment for me. That humidity out in

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<v Speaker 1>uh Florida is like crazy. But again, complaining about the

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<v Speaker 1>weather is a waste of time. Did you um, did

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<v Speaker 1>you see uh what happened with kid Cutty? Did you watch?

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<v Speaker 1>It was a short clip about like I watched like

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<v Speaker 1>Friday night or Saturday morning. It was like he was

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<v Speaker 1>saying something about, you guys, do any of this again.

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<v Speaker 1>I'm leaving it and they did it again and he left. Yeah.

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<v Speaker 1>I don't know what he was thinking. Um. And it's

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<v Speaker 1>funny because I was talking to somebody about it, and

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<v Speaker 1>they were telling me like, uh that him and Kanye

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<v Speaker 1>are ops, and I'm like, Kanye put Cutty on how

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<v Speaker 1>the fund would they be ops? And he felt like

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<v Speaker 1>that matter, Like Kanye went out ahead of time with

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<v Speaker 1>Dirk and it was like, oh, Kanye, you know, did

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<v Speaker 1>that on purpose? And I'm like, what's going on today

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<v Speaker 1>in society? There's a lot of people that are trying

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<v Speaker 1>to have a mental ununderstanding of what other human beings

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<v Speaker 1>are going through without ever asking questions. Like I even

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<v Speaker 1>noticed that when we watch sports and people will tell you, oh,

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<v Speaker 1>this person is mentally weak, and I'm like, how would

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<v Speaker 1>you know if you never talked to that person. But

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<v Speaker 1>they were talking about Kanye's motive, about why he didn't

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<v Speaker 1>headline and why he came out on Dirk set, and

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<v Speaker 1>then we could talk about cutties mentality or his mental

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<v Speaker 1>you know, dealing with it and walking on stage. But

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<v Speaker 1>I'll tell you one thing, walking on stage is the

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<v Speaker 1>worst thing you could do. Um don't get me wrong.

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<v Speaker 1>I think we're at this really tender place in society

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<v Speaker 1>to where they make cater to your emotions. But for

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<v Speaker 1>the most part, humanity has shown to be pretty much

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<v Speaker 1>dicks all the time. Yeah. Yeah, I've been not pleased

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<v Speaker 1>with how well received a number of athletes over the

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<v Speaker 1>last couple of years. As who are you know, I'm

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<v Speaker 1>not gonna do this. I need to take a mental

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<v Speaker 1>health you know, vacation from whatever. Like what was her

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<v Speaker 1>name was? Osaka the tennis player? Like, I've been a

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<v Speaker 1>test fan for a lot of years. Um, I remember

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<v Speaker 1>Monica Celli is getting stabbed literally courtside, you know, and

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<v Speaker 1>coming back and playing, not with the stabbed shoulder, but

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<v Speaker 1>like once the wound healed, she was playing. She didn't

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<v Speaker 1>take at the time off from having to recover from

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<v Speaker 1>being stabbed in the middle of a match. You know.

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<v Speaker 1>Even Nancy Carrigan came back and got a silver medal

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<v Speaker 1>after they clipped her leg with the pipe. Yeah, I mean, well,

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<v Speaker 1>rap is in a weird place. Um, wrap is in

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<v Speaker 1>a super weird place. Like hip hop and rap are different.

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<v Speaker 1>Hip hop is the culture. Rap is the language. M

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<v Speaker 1>you know what I mean, Like you could sing things

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<v Speaker 1>in hip hop. I mean you can sing about experiences,

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<v Speaker 1>you can sing hip hop experiences and it's still be

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<v Speaker 1>hip hop. But like Nick Dogg a hip hop artist, Yeah,

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<v Speaker 1>Nate is a hip hop artist and Future is a

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<v Speaker 1>hip hop artist. But it's it's weird trying to explain

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<v Speaker 1>that with every to everybody, right, because what you have

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<v Speaker 1>now is a generation of kids coming into this genre

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<v Speaker 1>that they call hip hop and be like, well, I

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<v Speaker 1>listen to hip hop music, so I'm hip hop and

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<v Speaker 1>I'm like, that's weird, and I respect it, like I

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<v Speaker 1>get what they're saying, but it's like, you don't have

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<v Speaker 1>to be hip hop too, Like I don't know if

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<v Speaker 1>Dicky Vitale would give a nigga fifty points in the

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<v Speaker 1>game or Skip Bayless would give somebody seventy points in

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<v Speaker 1>the game, Like, you don't have to be, you know,

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<v Speaker 1>actual player to know the game. But for some reason,

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<v Speaker 1>I listened to of people who cover hipop and they're like,

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<v Speaker 1>why cover it? I'm a part of it or I

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<v Speaker 1>am hip hop, and it's like, no, you cover the culture, right,

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<v Speaker 1>But I wanted to focus more on the language and

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<v Speaker 1>the actual people who focus on the language and what's

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<v Speaker 1>going on currently. Um, another kid got killed in Florida

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<v Speaker 1>and people so the way the media outlets reported it,

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<v Speaker 1>I forgot the kid's name. Um, let me don't be

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<v Speaker 1>rude first, and we find out because nine fob he

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<v Speaker 1>was a rapper, all right, Huh he was a rapper, Yeah, exactly,

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<v Speaker 1>And this is my point, right, Um, he's a rapper.

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<v Speaker 1>And I hate to do this because I don't like

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<v Speaker 1>calling people's name, but it's for a greater point. Uh

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<v Speaker 1>God damn. They got this whole article on him on

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<v Speaker 1>Fox News. His name is ROLLI Bands Okay out of Florida,

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<v Speaker 1>and he posted something on this social media to the

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<v Speaker 1>effect of, like, my enemies know where I'll be at

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<v Speaker 1>or where I'm sleeping at. Whenever they're ready, they could

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<v Speaker 1>come see me. And he died. You know, we got

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<v Speaker 1>killed within the within you know, a window of that time,

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<v Speaker 1>five to ten minutes. And everybody assumed that, like his

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<v Speaker 1>ops followed him on Instagram, as they say, the ops,

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<v Speaker 1>his opposition followed him on Instagram and decided like, okay,

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<v Speaker 1>he's putting that up, let me go kill it. And

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<v Speaker 1>that's pretty quick. Yeah. I'm like, as somebody who's been

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<v Speaker 1>a part of the criminal underworld for a lot of

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<v Speaker 1>years before I started making music, and even during that time,

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<v Speaker 1>most likely that's not how it goes, you know what

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<v Speaker 1>I'm saying. Um, and it forced another conversation. Somebody kept

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<v Speaker 1>asking me, was being a rapper the most dangerous job

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<v Speaker 1>in the world, And I'm like, like, ideally, it's the

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<v Speaker 1>easiest job in the world, right to be a rapper.

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<v Speaker 1>And I'm like, what you're rapping about is everything, like

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<v Speaker 1>nobody to come funk you up, watch what you say

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<v Speaker 1>about people. Did you ever have any of your find

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<v Speaker 1>yourself in the mix of any rap or hip hop music,

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<v Speaker 1>general music? Nine? You know basic regular one, seventeenth related ship.

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<v Speaker 1>You know that that occurred as a result of of

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<v Speaker 1>your artistic career solely that you were in the mix

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<v Speaker 1>of that didn't get out really um where you were

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<v Speaker 1>like this is getting a little temperature in the room,

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<v Speaker 1>a little warm. No, I never got that far. But

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<v Speaker 1>there were certain times, like my neighborhood and a neighborhood

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<v Speaker 1>that I grew up pretty much like looking up to

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<v Speaker 1>every g person there. I'm on a part right coolios

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<v Speaker 1>from onnaport a lot of a lot of niggas I

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<v Speaker 1>looked up to my whole life, just like my older

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<v Speaker 1>homes from neighborhood for me, um, they were from monapart

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<v Speaker 1>compter crypt like it's a really close neighborhood to where

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<v Speaker 1>I'm from, and they started, you know, my generation or

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<v Speaker 1>younger um started. They started having issues over a dice

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<v Speaker 1>game and it went bad. And even though we pretty

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<v Speaker 1>much been thinking Steves as long as I could remember,

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<v Speaker 1>for that time being, it was like problems. I mean,

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<v Speaker 1>people was getting shot at, people was getting shot. They

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<v Speaker 1>got bad. The long story short, I had put out

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<v Speaker 1>that good, and that good became like my biggest party song.

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<v Speaker 1>And there's a line in the stone where I say,

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<v Speaker 1>um something about mashing like potatoes or mashing like tatoes.

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<v Speaker 1>And I was getting calls from people over there or

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<v Speaker 1>certain homies that was like, glasses, is this in the

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<v Speaker 1>hood and this new song? And I guess culturally that's

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<v Speaker 1>how you dissed the neighborhoo, which is weird because I've

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<v Speaker 1>never beef with them as long as I can remember,

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<v Speaker 1>like since a kid, So I never even knew how

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<v Speaker 1>to this mo on the park like again, firm, different people,

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<v Speaker 1>Big Mike, you know so many geez I look up

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<v Speaker 1>to from over there that I never really realized that's

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<v Speaker 1>how you dissed them, And uh, it was just weird,

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<v Speaker 1>And I was like, bro, why would y'all be thinking,

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<v Speaker 1>why would y'all be thinking I would be this in

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<v Speaker 1>y'all community, like in a song about sleeping with girls

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<v Speaker 1>or a period like like y'all know we know each

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<v Speaker 1>other our whole life. Why would I Why would I

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<v Speaker 1>be dissing y'all in a song like I don't care

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<v Speaker 1>what's going on? Like if that was a real issue,

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<v Speaker 1>I would see somebody in person and have my issue.

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<v Speaker 1>I wouldn't make a rap record in like, you know,

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<v Speaker 1>performing like I don't think that's really the thing for me.

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<v Speaker 1>Long story short, it got resolved real fast, But it

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<v Speaker 1>was just weird to me, um to think that somebody

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<v Speaker 1>would be thinking I would be thinking about them in

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<v Speaker 1>a rap record when I'm talking about sleep over women.

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<v Speaker 1>That it was really strange, was there? Like does your

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<v Speaker 1>neighborhood really or is it a little too far down

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<v Speaker 1>the street to have any type of relationship or interaction

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<v Speaker 1>with Bounty Hunters because like Jay rocks from there and

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<v Speaker 1>you you have a professional relationship with him, right, Yeah,

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<v Speaker 1>I mean we're close enough to have problems. I mean

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<v Speaker 1>we had social issues before, something with chocolate, something with

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<v Speaker 1>a couple of homies, but it's always been amicably resolved.

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<v Speaker 1>I mean it was always resolved in a really you know,

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<v Speaker 1>excellent manner. You know, Um, really it's some my younger

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<v Speaker 1>homies got some crazy ship going on, but I'm not

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<v Speaker 1>tapped into it, you know. I mean, I wouldn't know

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<v Speaker 1>what the fund is going on, but it wouldn't be

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<v Speaker 1>with the Bonny. And it's just always been pretty much

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<v Speaker 1>fruitful relationship with the Tommies from the pretty much from

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<v Speaker 1>the Jordan's Downs, Imperial Courts, Nikolason Guards has always been cool. Um,

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<v Speaker 1>no sense you had to have had a thing was

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<v Speaker 1>for the pj's. I mean my older homies did, but

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<v Speaker 1>not my interation like that was like a perpetual thing.

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<v Speaker 1>Yeah no, no, um, really, most very few gang wars

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<v Speaker 1>are perpetual like that, Like the sixties and the Eight

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<v Speaker 1>Trades are like that kind of situation. But then they'll

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<v Speaker 1>go it'll it'll be months and close to a year,

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<v Speaker 1>and nobody may get shot in that incident. What I'm saying,

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<v Speaker 1>they're not going at it. But then sometimes it heats

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<v Speaker 1>up and something bad happened and they go at it.

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<v Speaker 1>But no Sillers gl Peter Bias for me in the

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<v Speaker 1>spot and we're doing what we do. Um, but I

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<v Speaker 1>wanted to talk to you about rapping, and I feel

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<v Speaker 1>like it's a conversation that needs to be had. Um

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<v Speaker 1>wrapping is is a particular language that almost anybody could speak.

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<v Speaker 1>It's not like like hip hop is street urban, right,

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<v Speaker 1>So that's it's the culture of street urban people, right.

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<v Speaker 1>And whether you're criminal or not, you know that that

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<v Speaker 1>lifestyle shaped your life. Like if you listen to Good

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<v Speaker 1>Kid Man City, it's the exact opposite of maybe my

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<v Speaker 1>experiences as a participant, but it pretty much shaped his life,

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<v Speaker 1>you know, Kendrick's life as an observer. But then there's

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<v Speaker 1>other genres like what Jack Harlowe is doing, right, which

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<v Speaker 1>is a level of mainstream rap. And rap is a

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<v Speaker 1>wide open thing because it's it's as simple as words,

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<v Speaker 1>being witty with words, but the times when being witty

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<v Speaker 1>with words can be dangerous. That's what I want to

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<v Speaker 1>talk to you about. I felt like that was a

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<v Speaker 1>conversation that we don't have um right now. Thug is

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<v Speaker 1>Thug and Gunna and their team is fighting uh a

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<v Speaker 1>Rico charge right down in Georgia, and people are talking

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<v Speaker 1>about them using their rap lyrics as evidence in the case.

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<v Speaker 1>And it's a bit misleading because they have real evidence

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<v Speaker 1>and real snitches in that case, you know, but they

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<v Speaker 1>know it's sensationalized to say we're using rap lyrics. Mm hmm,

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<v Speaker 1>you know what I'm saying. So wrapping is a language

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<v Speaker 1>that anybody can speak. And you know, especially in today's

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<v Speaker 1>time where all the equipment is cheat you can get

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<v Speaker 1>free beats off YouTube. Anybody can rap. But I'm not

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<v Speaker 1>sure I like the concept of calling everybody a rapper,

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<v Speaker 1>like particularly this kid rolling bands, rest his soul, shout

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<v Speaker 1>out to his family. I pray for them, you know

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<v Speaker 1>what I mean, to find piece with what's going on,

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<v Speaker 1>you know what I'm saying. But somebody could work at

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<v Speaker 1>In and Out you I mean Burger or they could

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<v Speaker 1>work at Guineas for ten years and if they make

0:14:09.760 --> 0:14:14.120
<v Speaker 1>ten songs, right, somebody would consider them a rapper once

0:14:14.160 --> 0:14:18.840
<v Speaker 1>they die. Like I've never heard I've never heard the

0:14:18.920 --> 0:14:21.280
<v Speaker 1>name Roaldi bands. I don't know too many people that

0:14:21.360 --> 0:14:25.880
<v Speaker 1>posted this music before. I'm pretty avid on new stuff

0:14:25.920 --> 0:14:30.480
<v Speaker 1>coming out, like I always hear names, but I think

0:14:30.520 --> 0:14:34.800
<v Speaker 1>they use the term rapper because it's sensationalizes the genre itself.

0:14:35.880 --> 0:14:38.760
<v Speaker 1>It's like, oh, up and coming or a rapper another

0:14:38.840 --> 0:14:42.560
<v Speaker 1>rapper gets killed, and it's like then I heard Charleston

0:14:42.560 --> 0:14:45.760
<v Speaker 1>White saying that, you know all the rappers, and it's like, bro,

0:14:45.880 --> 0:14:48.840
<v Speaker 1>this ship is just a job. It's just a job,

0:14:48.960 --> 0:14:52.040
<v Speaker 1>like being a postman, you know what I mean. Does

0:14:52.080 --> 0:14:56.720
<v Speaker 1>the postman have influence on the community? Fuck? Yeah, you know.

0:14:56.840 --> 0:14:59.560
<v Speaker 1>Does the president have influence on the community. Yes, that's

0:14:59.680 --> 0:15:02.840
<v Speaker 1>doctor just have influences on the community. Yet but for

0:15:02.880 --> 0:15:07.640
<v Speaker 1>some reason, rap is singled out consistently, you know, amongst

0:15:08.840 --> 0:15:11.720
<v Speaker 1>the financially valuable or elite, like it's some kind of

0:15:11.800 --> 0:15:16.800
<v Speaker 1>extra influential thing versus a movie star. And I just

0:15:16.840 --> 0:15:18.720
<v Speaker 1>wanted to see where you really set with that. How

0:15:18.760 --> 0:15:22.080
<v Speaker 1>did you feel about that? Well, I think I've said

0:15:22.120 --> 0:15:27.760
<v Speaker 1>before that I find it odd the way music has

0:15:27.800 --> 0:15:34.400
<v Speaker 1>always been seen differently as an art form by critical

0:15:34.440 --> 0:15:38.760
<v Speaker 1>media in regards to what happens outside the confine of

0:15:38.800 --> 0:15:42.400
<v Speaker 1>the piece of art than movies have. You know, like

0:15:43.240 --> 0:15:48.200
<v Speaker 1>you could be like Miami rip Ross not l Across,

0:15:49.680 --> 0:15:53.200
<v Speaker 1>to the best of mine understanding, is not a large

0:15:53.200 --> 0:15:58.960
<v Speaker 1>scale drug trafficker. He's making content about that in the

0:15:59.040 --> 0:16:03.520
<v Speaker 1>same way that Mario Puzzo was never a godfather, don

0:16:05.280 --> 0:16:08.080
<v Speaker 1>you know? So, so you look at the way certain artists,

0:16:08.320 --> 0:16:12.200
<v Speaker 1>even like Ozzy Osborne getting blamed for like kids committing

0:16:12.200 --> 0:16:14.200
<v Speaker 1>suicide or something like that, you know in the eighties,

0:16:14.240 --> 0:16:16.880
<v Speaker 1>like having to go to court over it. There's a

0:16:16.920 --> 0:16:25.320
<v Speaker 1>different perceived responsibility or perceived parallel between music and between

0:16:26.760 --> 0:16:30.160
<v Speaker 1>movies and television. You make like Sevestal Slone all his

0:16:30.240 --> 0:16:33.760
<v Speaker 1>movies incredibly violence. Somebody's a big Rambo fan and goes crazy,

0:16:35.640 --> 0:16:42.680
<v Speaker 1>I was going after Sylvester, you know, I really don't know.

0:16:42.800 --> 0:16:45.400
<v Speaker 1>I mean, I think maybe because of the target audience

0:16:46.320 --> 0:16:51.160
<v Speaker 1>and because people kind of go like a lot of

0:16:51.160 --> 0:16:56.000
<v Speaker 1>stuff happens statistically between like say those ages of like

0:16:56.960 --> 0:17:00.960
<v Speaker 1>fourteen fifteen and like early twenties, right, and there's a

0:17:01.000 --> 0:17:04.480
<v Speaker 1>lot of people who historically or once certainly once the

0:17:04.520 --> 0:17:08.399
<v Speaker 1>invention of the headphone or the portable music device came around,

0:17:08.880 --> 0:17:12.240
<v Speaker 1>that would go to their room and listen to music.

0:17:12.280 --> 0:17:14.720
<v Speaker 1>And people would think, oh, they're going to listen to

0:17:14.800 --> 0:17:18.680
<v Speaker 1>music and becoming weird. It's like, no, they were, they

0:17:18.720 --> 0:17:20.600
<v Speaker 1>were weird. They were going to listen to music to

0:17:20.600 --> 0:17:25.399
<v Speaker 1>deal with it, you know what. Whatever, Yeah, I agree,

0:17:25.480 --> 0:17:28.480
<v Speaker 1>music is not the inspiration. Music is the soundtrack of

0:17:28.560 --> 0:17:34.240
<v Speaker 1>life for some somehow rappers are being blamed like they're

0:17:34.280 --> 0:17:39.639
<v Speaker 1>the inspiration versus the soundtrack for existing things happening. Like

0:17:41.840 --> 0:17:45.199
<v Speaker 1>rappers don't really create as much lingo, Like usually the

0:17:45.280 --> 0:17:48.439
<v Speaker 1>streets are talking a certain way, or humanity is talking

0:17:48.480 --> 0:17:51.560
<v Speaker 1>a certain way, and rappers pick up the lingo and

0:17:51.720 --> 0:17:54.159
<v Speaker 1>it could get popular because of them, but rest as

0:17:54.240 --> 0:18:01.359
<v Speaker 1>sure somebody's talking that way. Yeah, totally. I think Also,

0:18:01.440 --> 0:18:06.560
<v Speaker 1>like because of the nature of the way music is

0:18:06.600 --> 0:18:09.120
<v Speaker 1>always coming out all the time, so like rap music

0:18:09.160 --> 0:18:12.600
<v Speaker 1>tends to come out in a pretty steady stream, and

0:18:12.680 --> 0:18:16.680
<v Speaker 1>it's to a degree largely like if if we're bringing

0:18:16.680 --> 0:18:20.840
<v Speaker 1>it up into movies, it's always like say an action movie.

0:18:21.240 --> 0:18:24.320
<v Speaker 1>You know, It's not like one albums in action movie

0:18:24.320 --> 0:18:28.320
<v Speaker 1>and the next one's like some Aliens movie, you know

0:18:28.320 --> 0:18:32.720
<v Speaker 1>what I mean. So if if you're Sony or if

0:18:32.760 --> 0:18:35.560
<v Speaker 1>you're Paramount and you own a record company and you

0:18:35.640 --> 0:18:39.640
<v Speaker 1>own the news channel and the cable company, it would

0:18:39.720 --> 0:18:46.359
<v Speaker 1>behoo view two market something that might create more parallel

0:18:46.440 --> 0:18:51.400
<v Speaker 1>interest in other spaces that you also own. Mm hmm.

0:18:56.359 --> 0:19:01.399
<v Speaker 1>Do you feel rappers have that type of responsibility now,

0:19:01.800 --> 0:19:05.879
<v Speaker 1>all the rappers, but it's not on the rappers. I

0:19:05.920 --> 0:19:14.919
<v Speaker 1>mean the lag time between content creation and the point

0:19:14.920 --> 0:19:18.199
<v Speaker 1>where the content has been released and listened to and

0:19:18.320 --> 0:19:21.840
<v Speaker 1>something could be possibly derived from that content. It's pretty significant.

0:19:21.880 --> 0:19:25.199
<v Speaker 1>It might be six months to a year. You know,

0:19:26.880 --> 0:19:33.760
<v Speaker 1>that's a lot of foresight. Mm hmmm. I don't know.

0:19:33.840 --> 0:19:37.840
<v Speaker 1>It just gets weirder and weirder to to listen to people. Yesterday,

0:19:37.920 --> 0:19:42.480
<v Speaker 1>I was talking about so it's one thing, right. I

0:19:42.560 --> 0:19:44.960
<v Speaker 1>was telling nucle trash like right, and were talking about

0:19:45.040 --> 0:19:47.920
<v Speaker 1>rap music and hip hop in the mix of everything,

0:19:48.880 --> 0:19:53.840
<v Speaker 1>and I was trying to express to him how like

0:19:54.480 --> 0:19:57.440
<v Speaker 1>it's one thing to rap, like somebody right, it's a

0:19:57.560 --> 0:20:00.600
<v Speaker 1>it's a kid named Slim Jesus that like came out

0:20:00.720 --> 0:20:04.040
<v Speaker 1>and admitted like, yo, you know, I'm not a part

0:20:04.119 --> 0:20:06.240
<v Speaker 1>of drill culture. Like I didn't grow up like that.

0:20:06.320 --> 0:20:08.800
<v Speaker 1>I just like the music, so I wrapped like it.

0:20:09.240 --> 0:20:11.200
<v Speaker 1>But it would be different if he's like, yeah, I'm

0:20:11.200 --> 0:20:13.800
<v Speaker 1>a I'm a drill artist, like I'm I'm I'm really

0:20:13.840 --> 0:20:16.480
<v Speaker 1>a part of a culture. So I think rap is dope,

0:20:16.560 --> 0:20:18.600
<v Speaker 1>you know what I mean? Um, when it's like that,

0:20:19.640 --> 0:20:23.800
<v Speaker 1>But the problem is when you have people rapping about

0:20:23.920 --> 0:20:28.240
<v Speaker 1>lifestyles that they actually are not familiar with, and no

0:20:28.280 --> 0:20:31.480
<v Speaker 1>matter how many times they do it or how convincingly

0:20:32.040 --> 0:20:35.160
<v Speaker 1>they believe they are, it always comes across a bit

0:20:35.240 --> 0:20:38.600
<v Speaker 1>parody is if you didn't grow up next to it

0:20:38.640 --> 0:20:42.200
<v Speaker 1>with like like like like you could wrap about being

0:20:42.240 --> 0:20:45.159
<v Speaker 1>a drug dealer if you live next to a drug dealer,

0:20:45.359 --> 0:20:47.840
<v Speaker 1>like if you knew him and experienced it, and you

0:20:47.840 --> 0:20:50.320
<v Speaker 1>would represent him and wrap even if people mistake it

0:20:50.560 --> 0:20:53.240
<v Speaker 1>to be for you. You can get it off culturally.

0:20:53.640 --> 0:20:56.439
<v Speaker 1>But the problem is when everything you're rapping about is

0:20:56.480 --> 0:20:59.639
<v Speaker 1>something you see through a screen. You know, maybe you

0:20:59.680 --> 0:21:02.240
<v Speaker 1>see it through a phone screen, maybe you see it

0:21:02.240 --> 0:21:04.240
<v Speaker 1>through a TV screen, and then you're like, Okay, I

0:21:04.359 --> 0:21:06.840
<v Speaker 1>see that. I'm going to wrap about it, you know

0:21:06.840 --> 0:21:09.199
<v Speaker 1>what I'm saying. And that's where it comes across a

0:21:09.240 --> 0:21:11.919
<v Speaker 1>bit parody is and you could tell like it won't

0:21:11.960 --> 0:21:15.399
<v Speaker 1>fit on no level. And I was expressing to the

0:21:15.640 --> 0:21:20.119
<v Speaker 1>to him about this about up and coming Latino artists,

0:21:20.720 --> 0:21:22.919
<v Speaker 1>and he he asked me, he was like, well, do

0:21:23.040 --> 0:21:25.760
<v Speaker 1>you think like black people can notice it in black artists?

0:21:25.760 --> 0:21:29.040
<v Speaker 1>I'm like, hell, yeah, we always know when somebody is

0:21:29.080 --> 0:21:31.480
<v Speaker 1>not you know, when they're just rapping and they're truly

0:21:31.520 --> 0:21:34.520
<v Speaker 1>a part of that culture. I used the line I

0:21:34.560 --> 0:21:36.880
<v Speaker 1>was talking. I had the same conversation like five days ago,

0:21:37.240 --> 0:21:39.480
<v Speaker 1>and I said, yeah, there's there's a lot of artists

0:21:39.600 --> 0:21:42.640
<v Speaker 1>right now that are really popular, and you can if

0:21:42.640 --> 0:21:44.880
<v Speaker 1>you listen to hard enough, you can hear the quarterly

0:21:44.960 --> 0:21:50.840
<v Speaker 1>reports and the records. How hard is it for you

0:21:50.920 --> 0:21:53.000
<v Speaker 1>to tell when you're listening to rap was legiti and

0:21:53.040 --> 0:21:55.479
<v Speaker 1>what was not legit? I mean to me, it's not

0:21:55.640 --> 0:21:59.760
<v Speaker 1>It's not hard. Um, I don't. I don't. I haven't

0:21:59.800 --> 0:22:02.760
<v Speaker 1>listen to a lot of newer stuff closely enough to

0:22:02.800 --> 0:22:04.760
<v Speaker 1>pay attention. I'm just kind of listening to drum beats

0:22:04.800 --> 0:22:06.560
<v Speaker 1>at this point in time. You know, it's background noise.

0:22:07.600 --> 0:22:11.760
<v Speaker 1>But like when I was younger, yeah, it's it wasn't

0:22:12.040 --> 0:22:16.360
<v Speaker 1>challenging that, you know, tell a lot of a lot

0:22:16.400 --> 0:22:20.880
<v Speaker 1>of the stuff that like like PMC talking about guys

0:22:20.920 --> 0:22:24.320
<v Speaker 1>spitting fake dope prices on the ozone, you know interview

0:22:24.560 --> 0:22:29.080
<v Speaker 1>back way back in the day, that wasn't new necessarily

0:22:29.119 --> 0:22:32.840
<v Speaker 1>news to me. You know, I'm just like these you know,

0:22:32.920 --> 0:22:36.800
<v Speaker 1>some guy says I I some guy originally got very

0:22:36.840 --> 0:22:39.560
<v Speaker 1>popular because he came out and said I made a

0:22:39.680 --> 0:22:42.720
<v Speaker 1>hundred thousand dollars I bought five of these at this

0:22:42.840 --> 0:22:45.080
<v Speaker 1>and I moved him for that, And then another guy

0:22:45.359 --> 0:22:47.760
<v Speaker 1>came out and said, well, that made have a lot

0:22:47.760 --> 0:22:51.800
<v Speaker 1>of money. I sold twenty and bought a million dollar

0:22:51.880 --> 0:22:55.280
<v Speaker 1>house and a chain, and I sold mine for blank

0:22:55.400 --> 0:23:11.440
<v Speaker 1>It's like you only said that because he said that. Wow. Um,

0:23:11.520 --> 0:23:14.560
<v Speaker 1>it's not as easy for the general public to be

0:23:14.640 --> 0:23:18.399
<v Speaker 1>able to tell though. Yeah, that's that's yeah, that's true.

0:23:18.480 --> 0:23:21.919
<v Speaker 1>That's true. And I noticed early in my career I

0:23:22.000 --> 0:23:27.000
<v Speaker 1>never felt the pressure to to be over expressive about

0:23:27.000 --> 0:23:31.200
<v Speaker 1>who I was because you know where I come from.

0:23:31.240 --> 0:23:33.800
<v Speaker 1>If somebody says something, it's easy to check up on

0:23:33.840 --> 0:23:37.400
<v Speaker 1>who that person is, Like any rapper in California, not

0:23:37.480 --> 0:23:40.920
<v Speaker 1>just at l A, any rapper in California. Hell, honestly,

0:23:41.000 --> 0:23:44.320
<v Speaker 1>for me, any rapper across the country. Fear me. I

0:23:44.359 --> 0:23:48.000
<v Speaker 1>could tell. I could find out it's one degree of

0:23:48.080 --> 0:23:52.280
<v Speaker 1>separation if at best two or three, and I can

0:23:52.320 --> 0:23:56.240
<v Speaker 1>tell you how legit that person street activity is. Yeah.

0:23:56.440 --> 0:24:01.840
<v Speaker 1>I don't think I've ever cared about it, you know, Um,

0:24:02.080 --> 0:24:04.639
<v Speaker 1>long as they're not trying to overpass it off like

0:24:04.680 --> 0:24:08.440
<v Speaker 1>it's legit, Like if they're just rapping about it, I'm

0:24:08.480 --> 0:24:11.200
<v Speaker 1>not super vesting in it. Like if your music is good.

0:24:11.240 --> 0:24:14.600
<v Speaker 1>I'm cool with it. But it really became important to

0:24:14.600 --> 0:24:17.160
<v Speaker 1>me over the last three years to separate hip hop

0:24:17.240 --> 0:24:23.199
<v Speaker 1>from rapping. Like Debbie Harry from Blondie was rapping. I

0:24:23.240 --> 0:24:28.359
<v Speaker 1>mean it, rap is different. So I just think about

0:24:28.400 --> 0:24:31.280
<v Speaker 1>that a lot, and and and yesterday I was on

0:24:31.359 --> 0:24:33.320
<v Speaker 1>No Jumper and I was talking to them about it,

0:24:33.359 --> 0:24:36.120
<v Speaker 1>and I was really trying to explain to them why

0:24:36.119 --> 0:24:40.119
<v Speaker 1>it was so important to to identify rapping as his

0:24:40.280 --> 0:24:45.119
<v Speaker 1>own you know, um, just vocal expression. Because you know,

0:24:45.200 --> 0:24:48.320
<v Speaker 1>over the next thirty six months, we're going to get

0:24:48.320 --> 0:24:51.640
<v Speaker 1>an on slot of people who are not culturally connected

0:24:52.000 --> 0:24:56.960
<v Speaker 1>to any urban street appearance, but they've listened to certain

0:24:57.040 --> 0:24:59.280
<v Speaker 1>hip hop artists and they decided to become a rapper.

0:25:01.040 --> 0:25:04.880
<v Speaker 1>They may not be rapping the culture itself, but they

0:25:05.320 --> 0:25:10.520
<v Speaker 1>decided to become a rapper. Mm hmm. Well you gotta

0:25:10.520 --> 0:25:17.120
<v Speaker 1>go where the money is. I guess. Yeah, I'm real.

0:25:17.240 --> 0:25:23.280
<v Speaker 1>Though you don't think that's crazy, It is crazy, for sure.

0:25:24.000 --> 0:25:28.159
<v Speaker 1>On the one hand, from an integrity standpoint, it's absolutely crazy.

0:25:28.200 --> 0:25:34.160
<v Speaker 1>On the other hand, it's a lot easier two make

0:25:34.200 --> 0:25:37.880
<v Speaker 1>a fole X than it is to buy the company

0:25:38.040 --> 0:25:43.480
<v Speaker 1>role X. You know, just kind of, It's a lot

0:25:43.520 --> 0:25:47.639
<v Speaker 1>easier to like make a fake fole X and selling

0:25:47.680 --> 0:25:50.720
<v Speaker 1>a street corner than to actually, what buy a role

0:25:50.880 --> 0:25:52.679
<v Speaker 1>X factory or something like that, you know what I mean, Like,

0:25:52.720 --> 0:25:55.600
<v Speaker 1>it's always easier to do it, to do a knockoff

0:25:55.640 --> 0:26:01.879
<v Speaker 1>that doesn't have the real substance behind it. Just less work.

0:26:02.920 --> 0:26:07.000
<v Speaker 1>Mm hmm. But is it more work when they're trying

0:26:07.000 --> 0:26:09.399
<v Speaker 1>to convince everybody that it is a Rolex. Isn't that

0:26:09.440 --> 0:26:12.080
<v Speaker 1>where the work come in at? No, because Rollox already

0:26:12.080 --> 0:26:16.480
<v Speaker 1>did the work for you. M hmm. That's why I like,

0:26:16.760 --> 0:26:19.720
<v Speaker 1>like when I was saying earlier, if you look back

0:26:19.720 --> 0:26:23.119
<v Speaker 1>at the landscape, you only see the successes as a

0:26:23.200 --> 0:26:27.440
<v Speaker 1>regular person, right, So if you look around and go, okay, well,

0:26:28.200 --> 0:26:32.640
<v Speaker 1>let's see guys who talk about they move a lot

0:26:32.680 --> 0:26:35.480
<v Speaker 1>of drugs, move a lot of records, all I gotta

0:26:35.520 --> 0:26:37.840
<v Speaker 1>do is say I do, and I'll move some records.

0:26:38.240 --> 0:26:40.240
<v Speaker 1>Because all the other ship people talk about that, nobody

0:26:40.280 --> 0:26:43.199
<v Speaker 1>cared to hear, nobody even heard, so you wouldn't even

0:26:43.240 --> 0:26:47.040
<v Speaker 1>get the idea They've already done the market research for

0:26:47.160 --> 0:26:49.640
<v Speaker 1>you by failing their way to success, so to speak.

0:26:49.680 --> 0:26:53.399
<v Speaker 1>To borrow a Kiyasaki term, like they've already done all

0:26:53.400 --> 0:26:56.439
<v Speaker 1>the trial and errors, and all the errors have already

0:26:56.440 --> 0:27:01.080
<v Speaker 1>been paid for, so all you have to do is

0:27:01.119 --> 0:27:06.040
<v Speaker 1>pretty much key in on exactly what's going on. Yeah,

0:27:06.119 --> 0:27:08.439
<v Speaker 1>it's always easier to copy a good idea than to

0:27:08.480 --> 0:27:13.359
<v Speaker 1>create one. Mm hmm. And I think that's kind of

0:27:13.359 --> 0:27:17.639
<v Speaker 1>what we see happening. And I think also, you know,

0:27:17.720 --> 0:27:21.240
<v Speaker 1>you you have a record label that's got the money.

0:27:21.480 --> 0:27:24.760
<v Speaker 1>They go, Okay, well, this guy's got looks good enough

0:27:24.840 --> 0:27:27.000
<v Speaker 1>or sounds decent enough for whatever the hell, will throw

0:27:27.040 --> 0:27:29.800
<v Speaker 1>him on a mustard track and we'll have him sound

0:27:29.880 --> 0:27:31.880
<v Speaker 1>sound like he's such and such or whatever the hell

0:27:31.920 --> 0:27:35.280
<v Speaker 1>he does. And uh, he wants a career bad enough,

0:27:35.320 --> 0:27:37.160
<v Speaker 1>so yeah, we'll go give him a couple hundred thousand

0:27:37.160 --> 0:27:38.840
<v Speaker 1>dollars to go do that, and we'll get whatever out

0:27:38.840 --> 0:27:43.280
<v Speaker 1>of it. So they could pretty much create a successful rapper,

0:27:43.400 --> 0:27:49.440
<v Speaker 1>just in market research, of course, and and the market

0:27:49.480 --> 0:27:54.560
<v Speaker 1>does the research itself, because especially right now, and like,

0:27:54.600 --> 0:27:57.399
<v Speaker 1>look at it this way. Say you have an artist

0:27:57.400 --> 0:28:03.920
<v Speaker 1>who has a huge debut album whatever, and he was

0:28:03.960 --> 0:28:06.879
<v Speaker 1>either independent or signed to some small deal and it's expired,

0:28:07.040 --> 0:28:09.359
<v Speaker 1>Well you can sign him again and pay forty million

0:28:09.400 --> 0:28:12.480
<v Speaker 1>dollars or whatever the hell would be for his deal

0:28:12.520 --> 0:28:15.160
<v Speaker 1>as he's being a big deal, or you could sign

0:28:15.200 --> 0:28:17.919
<v Speaker 1>another guy for one and just make him sound like

0:28:18.000 --> 0:28:23.240
<v Speaker 1>that guy and look like that guy. What's crazy is

0:28:23.280 --> 0:28:26.560
<v Speaker 1>there's a there was a white kid who sounded just

0:28:26.640 --> 0:28:31.399
<v Speaker 1>like little Baby and he made uh I g post

0:28:31.480 --> 0:28:34.119
<v Speaker 1>about it like it's easy to sound like a little Baby.

0:28:34.200 --> 0:28:36.960
<v Speaker 1>He broke it down and start putting together the words

0:28:36.960 --> 0:28:39.440
<v Speaker 1>in the rhymes and put out a song, and the

0:28:39.560 --> 0:28:43.000
<v Speaker 1>fucking song ended up like you know, on Instagram. The

0:28:43.080 --> 0:28:46.240
<v Speaker 1>video ended up streaming like a million, like time, like

0:28:46.280 --> 0:28:49.280
<v Speaker 1>a million what news on Instagram? And I was like,

0:28:49.360 --> 0:28:53.920
<v Speaker 1>this is crazy, it's crazy. And he sounded just like

0:28:54.640 --> 0:29:02.080
<v Speaker 1>Little Baby, sounded just like him. That's funny. Well, case

0:29:02.160 --> 0:29:07.360
<v Speaker 1>in point then I guess so, I mean, I think

0:29:07.400 --> 0:29:10.440
<v Speaker 1>some of the question is also like there was kind

0:29:10.440 --> 0:29:12.720
<v Speaker 1>of that period of time where like street kid cred

0:29:12.880 --> 0:29:17.040
<v Speaker 1>really really mattered a lot in your marketability, and then

0:29:17.080 --> 0:29:19.920
<v Speaker 1>I think hip hop that matters in hip hop because

0:29:20.000 --> 0:29:22.160
<v Speaker 1>hip hop is rooted and like I tell you, street

0:29:22.280 --> 0:29:27.120
<v Speaker 1>urban culture, hud I would say, like that's not like

0:29:27.320 --> 0:29:30.320
<v Speaker 1>that with rap music, like nobody cares to know Jack

0:29:30.360 --> 0:29:33.640
<v Speaker 1>Harlow's background. I mean, nobody cares to know Drake's background.

0:29:33.720 --> 0:29:38.760
<v Speaker 1>It's not really important when it comes to them just rapping. Yeah,

0:29:38.960 --> 0:29:40.440
<v Speaker 1>I was. I was. That was kind of like where

0:29:40.480 --> 0:29:42.760
<v Speaker 1>I was gonna go was like Drake and like maybe

0:29:42.840 --> 0:29:45.520
<v Speaker 1>Kanye and similar around the same time. A few years

0:29:45.520 --> 0:29:52.320
<v Speaker 1>apart kind of broke that paradigm and it seems like

0:29:53.000 --> 0:29:55.240
<v Speaker 1>changed a lot of stuff where it became like you

0:29:55.240 --> 0:29:59.120
<v Speaker 1>could just kind of make some music again. And nobody's

0:29:59.160 --> 0:30:01.960
<v Speaker 1>really asking question. Just asked him it sounds good or not?

0:30:02.760 --> 0:30:09.320
<v Speaker 1>Mm hmm. Yeah. Well, look, we we're gonna double back

0:30:09.360 --> 0:30:11.640
<v Speaker 1>on this as a part two next week. I want

0:30:11.640 --> 0:30:13.880
<v Speaker 1>to bring somebody on and they don't want me to

0:30:13.960 --> 0:30:16.760
<v Speaker 1>keep going further without them, so we're gonna never do

0:30:16.800 --> 0:30:18.680
<v Speaker 1>a part two for the following week, but we're gonna

0:30:18.720 --> 0:30:21.200
<v Speaker 1>knock it awesome. Sounds good outside, Yes, I saw a

0:30:21.240 --> 0:30:24.640
<v Speaker 1>messaging happens all. Something's going on down there, so they

0:30:24.680 --> 0:30:28.040
<v Speaker 1>want to be a part of the conversation. So ar

0:30:28.120 --> 0:30:30.239
<v Speaker 1>to it next week. Look forward to it, man, I'll

0:30:30.280 --> 0:30:36.480
<v Speaker 1>catch yourself good looking out for tuning into the No

0:30:36.600 --> 0:30:40.120
<v Speaker 1>Sellers podcast. Please do us a favorite, subscribe, rate, comment,

0:30:40.200 --> 0:30:42.880
<v Speaker 1>and share. This episode was recorded right here on the

0:30:42.920 --> 0:30:45.960
<v Speaker 1>West coast of the USA and produced by my homeboy

0:30:46.240 --> 0:30:48.960
<v Speaker 1>A King for the Black Effect Podcast Network and not

0:30:49.160 --> 0:30:56.840
<v Speaker 1>Heart Radio. Yeah.