1 00:00:08,400 --> 00:00:11,280 Speaker 1: Welcome to Daily Variety, your daily dose of news and 2 00:00:11,320 --> 00:00:16,640 Speaker 1: analysis for entertainment industry insiders. It's Wednesday, September tenth, twenty 3 00:00:16,680 --> 00:00:20,120 Speaker 1: twenty five. I'm your host, Cynthia Littleton. I am co 4 00:00:20,239 --> 00:00:24,159 Speaker 1: editor in chief of Variety alongside Ramin Setuda. I'm in 5 00:00:24,320 --> 00:00:27,280 Speaker 1: LA He's in New York, and Variety has reporters around 6 00:00:27,320 --> 00:00:31,120 Speaker 1: the world covering the business of entertainment. In today's episode, 7 00:00:31,200 --> 00:00:34,160 Speaker 1: we'll have our cover story segment with TV editor Michael 8 00:00:34,159 --> 00:00:37,480 Speaker 1: Schneider discussing the quality time that he spent with one 9 00:00:37,640 --> 00:00:41,120 Speaker 1: Kathy Bates. She's the cover star of our annual pre 10 00:00:41,320 --> 00:00:45,320 Speaker 1: Emmy Awards issue. And we'll also hear from Emily longeretta 11 00:00:45,560 --> 00:00:49,040 Speaker 1: senior TV features editor, on how she puts together our 12 00:00:49,080 --> 00:00:53,159 Speaker 1: annual TV Producer's Impact List. But before we get to that, 13 00:00:53,360 --> 00:00:55,880 Speaker 1: here are a few headlines just in this morning that 14 00:00:55,960 --> 00:00:59,440 Speaker 1: you need to know. Netflix and Amazon have joined forces 15 00:00:59,480 --> 00:01:02,760 Speaker 1: in the effort to sell more advertising. The tech giants 16 00:01:02,800 --> 00:01:06,880 Speaker 1: will team up to share programmatic revenue opportunities. It's a 17 00:01:06,920 --> 00:01:11,240 Speaker 1: sign that programmatic advertising inventory, the low hanging fruit of 18 00:01:11,319 --> 00:01:15,399 Speaker 1: Internet advertising, is feeling the impact on the flood of 19 00:01:15,520 --> 00:01:20,360 Speaker 1: inventory unleashed in recent years by outlets including Netflix and Amazon. 20 00:01:20,520 --> 00:01:23,840 Speaker 1: More Netflix News. Netflix has set October ninth as the 21 00:01:23,880 --> 00:01:28,960 Speaker 1: launch date for its Victoria Beckham docuseries titled Beckham. Fathom 22 00:01:29,080 --> 00:01:32,280 Speaker 1: Entertainment plans to celebrate one hundred years of Dick Vandyke 23 00:01:32,319 --> 00:01:36,679 Speaker 1: in December. The independent film distributor will run the retrospective 24 00:01:36,720 --> 00:01:41,280 Speaker 1: feature Dick Van dyke hundredth Celebration in theaters as a 25 00:01:41,319 --> 00:01:45,480 Speaker 1: two night event on December thirteenth and December fourteenth. Dick 26 00:01:45,600 --> 00:01:49,440 Speaker 1: van Dyke hits the century mark on December fourteenth. All 27 00:01:49,520 --> 00:01:52,080 Speaker 1: of these stories and so much more can be found 28 00:01:52,160 --> 00:01:57,520 Speaker 1: on Variety dot Com. Right now. Now, we turn to 29 00:01:57,560 --> 00:02:01,400 Speaker 1: conversations with Variety journalists about news and friends and show business. 30 00:02:01,440 --> 00:02:04,960 Speaker 1: In today's cover story segment, Michael Schneider tells all about 31 00:02:04,960 --> 00:02:09,200 Speaker 1: his time with the awesome and Emmy nominated star Kathy Bates. 32 00:02:09,800 --> 00:02:12,080 Speaker 1: Before we talked to Mike. Let's hear a clip from 33 00:02:12,160 --> 00:02:14,760 Speaker 1: Bates talking about how she came to star in the 34 00:02:14,800 --> 00:02:18,280 Speaker 1: CBS drama Matt Locke that earned her this Emmy nomination. 35 00:02:19,000 --> 00:02:21,919 Speaker 1: This comes from Varieties Actors on Actress series that ran 36 00:02:22,000 --> 00:02:25,480 Speaker 1: in June. Bates is conversing here with Billy Bob Thornton. 37 00:02:25,840 --> 00:02:28,880 Speaker 2: You know, when I first read the script, I thought 38 00:02:28,880 --> 00:02:32,000 Speaker 2: this is just episodic, you know, and I'm not interested 39 00:02:32,000 --> 00:02:34,839 Speaker 2: in doing that, you know. And then I finally got 40 00:02:34,880 --> 00:02:37,120 Speaker 2: to the end and there's this twist where this woman 41 00:02:37,240 --> 00:02:41,600 Speaker 2: is actually on a mission to bring some justice for 42 00:02:41,680 --> 00:02:45,160 Speaker 2: her daughter. That's when I just said, oh, yeah, I'm in. 43 00:02:45,639 --> 00:02:48,200 Speaker 2: I'm in, because I really had one foot out the door. 44 00:02:48,480 --> 00:02:49,200 Speaker 1: Really yeah. 45 00:02:49,320 --> 00:02:52,240 Speaker 2: I just felt that I was getting small roles that 46 00:02:52,280 --> 00:02:54,880 Speaker 2: a lot in films that I loved that people were 47 00:02:54,919 --> 00:02:58,720 Speaker 2: not seeing, and I just began to ask myself, you know, 48 00:02:58,840 --> 00:03:00,760 Speaker 2: is this what I want to keep doing? Do I 49 00:03:00,800 --> 00:03:04,920 Speaker 2: want to sell the house and maybe move to France, 50 00:03:05,080 --> 00:03:06,840 Speaker 2: you know, and call. 51 00:03:06,680 --> 00:03:09,320 Speaker 1: It today, Michael, thank you for taking time out of 52 00:03:09,360 --> 00:03:12,920 Speaker 1: your busy Emmy week to talk to us about the 53 00:03:13,040 --> 00:03:14,200 Speaker 1: great Kathy Bates. 54 00:03:14,560 --> 00:03:17,600 Speaker 3: Always glad to talk about the one and only national 55 00:03:17,639 --> 00:03:19,240 Speaker 3: treasure that is Kathy Bates. 56 00:03:19,600 --> 00:03:22,120 Speaker 1: The issue that comes out the week before the Emmy Awards. 57 00:03:22,560 --> 00:03:25,440 Speaker 1: Always in the last bunch of years has featured a 58 00:03:25,520 --> 00:03:29,440 Speaker 1: past Emmy winner, somebody who can reflect on the experience, 59 00:03:29,480 --> 00:03:32,720 Speaker 1: what it means to bring home one of those gold statuettes. 60 00:03:33,000 --> 00:03:36,400 Speaker 1: Tell us about your experience with the awesomeness of Kathy Bates. 61 00:03:36,800 --> 00:03:39,080 Speaker 3: She's one of the great stories of the year when 62 00:03:39,080 --> 00:03:41,880 Speaker 3: you look at what a smash Matlock has become and 63 00:03:41,920 --> 00:03:44,240 Speaker 3: how Kathy Bates was at the center of it, and 64 00:03:44,880 --> 00:03:47,600 Speaker 3: she's just really having the time of her life. It's 65 00:03:47,640 --> 00:03:52,200 Speaker 3: infectious talking to her. She looks fantastic, she's got more 66 00:03:52,360 --> 00:03:55,880 Speaker 3: energy than she's had in years, and she's just present. 67 00:03:55,960 --> 00:03:59,680 Speaker 3: She's got these beautiful blue eyes and she's always looking 68 00:03:59,720 --> 00:03:59,960 Speaker 3: at you. 69 00:04:00,960 --> 00:04:03,960 Speaker 1: I guess you know how scene partners from many decades 70 00:04:04,000 --> 00:04:06,840 Speaker 1: have felt. Tell us about the setting and where you 71 00:04:06,880 --> 00:04:09,000 Speaker 1: sat with her. You got to spend some time being 72 00:04:09,000 --> 00:04:11,240 Speaker 1: a fly on the wall on the set of Matlock. 73 00:04:11,480 --> 00:04:13,840 Speaker 3: I got a chance to go to the Paramount lot 74 00:04:14,200 --> 00:04:16,839 Speaker 3: on an afternoon and sit in and watch them shoot 75 00:04:16,880 --> 00:04:20,880 Speaker 3: a couple of scenes, and Kathy was there also Jason Ritter, 76 00:04:21,200 --> 00:04:24,840 Speaker 3: who is a lovely human being, as well Sky Marshall, 77 00:04:25,000 --> 00:04:29,000 Speaker 3: who co stars. It's really a love story the show, 78 00:04:29,040 --> 00:04:32,039 Speaker 3: between Sky Marshall's character and Kathy Bates's character. It was 79 00:04:32,279 --> 00:04:35,480 Speaker 3: interesting to see that Kathy Bates is still human. She 80 00:04:35,520 --> 00:04:37,720 Speaker 3: was struggling with the line. It was almost a tongue 81 00:04:37,760 --> 00:04:39,880 Speaker 3: twister of a line. But it was so sweet to 82 00:04:39,880 --> 00:04:42,960 Speaker 3: see Sky Marshall pull her aside and they rehearsed together 83 00:04:43,480 --> 00:04:46,440 Speaker 3: to nail it down, and then they got it. But 84 00:04:46,600 --> 00:04:49,400 Speaker 3: you know, the shooting was running late, and I was 85 00:04:49,440 --> 00:04:52,320 Speaker 3: exhausted by the way I was sitting there for several hours, 86 00:04:52,360 --> 00:04:54,800 Speaker 3: and so I was like, well, is Kathy Bates going 87 00:04:54,839 --> 00:04:57,760 Speaker 3: to be up for talking to me at seven o'clock 88 00:04:57,800 --> 00:05:01,240 Speaker 3: at night after a long day of shooting. If anything, 89 00:05:01,320 --> 00:05:03,400 Speaker 3: I think she was more ready to go than I was. 90 00:05:03,560 --> 00:05:05,960 Speaker 1: So the great color that you capture in your cover story, 91 00:05:06,000 --> 00:05:10,600 Speaker 1: which publishes today September tenth in print and online. Folks, 92 00:05:10,640 --> 00:05:13,120 Speaker 1: please go chase it down. It's such a good read. 93 00:05:13,160 --> 00:05:16,320 Speaker 1: But you really just capture she is so invested in 94 00:05:16,360 --> 00:05:18,960 Speaker 1: this show. There's none of like I'm going to show up, 95 00:05:19,080 --> 00:05:21,960 Speaker 1: You'll shoot my scenes and then everybody else will work 96 00:05:22,000 --> 00:05:23,440 Speaker 1: for the rest of the week and shoot around me 97 00:05:23,680 --> 00:05:25,839 Speaker 1: like she is at the center of this show. 98 00:05:26,120 --> 00:05:28,800 Speaker 3: This show means a lot to her, and she's also 99 00:05:28,839 --> 00:05:32,839 Speaker 3: developed a great bond with Jenny Snyder Erman, who created 100 00:05:32,920 --> 00:05:36,400 Speaker 3: this twist on Matt Locke and really is giving her 101 00:05:36,480 --> 00:05:39,280 Speaker 3: some really fun things to do on this show. One 102 00:05:39,360 --> 00:05:42,200 Speaker 3: of the important things that we talk about is how 103 00:05:42,240 --> 00:05:44,760 Speaker 3: she wanted to make sure that Matt Lock shot here 104 00:05:44,760 --> 00:05:48,040 Speaker 3: in Los Angeles, and she made that a priority if 105 00:05:48,040 --> 00:05:50,280 Speaker 3: they were going to cast her, this was going to 106 00:05:50,320 --> 00:05:53,039 Speaker 3: shoot not too far from her house. And she was 107 00:05:53,080 --> 00:05:55,679 Speaker 3: able to pull that off and the studio was able 108 00:05:55,720 --> 00:05:58,360 Speaker 3: to make it work, and that's allowed this cast and 109 00:05:58,360 --> 00:06:00,720 Speaker 3: crew to live in Los Angeles, to go home at 110 00:06:00,839 --> 00:06:03,280 Speaker 3: night something that And when I talked to Jason Ritter, 111 00:06:03,400 --> 00:06:05,920 Speaker 3: he was really grateful for because he and his wife, 112 00:06:06,120 --> 00:06:10,159 Speaker 3: Melie Lynskey, they're busy folks. Melanie is shooting in Vancouver 113 00:06:10,279 --> 00:06:12,240 Speaker 3: a chunk of the year, so it's nice that he's 114 00:06:12,240 --> 00:06:15,200 Speaker 3: here in Los Angeles with the kids when she's up working. 115 00:06:15,279 --> 00:06:17,800 Speaker 3: So it's just such a good vibe on that set. 116 00:06:17,920 --> 00:06:20,400 Speaker 3: People seem to really enjoy being there. 117 00:06:20,800 --> 00:06:24,240 Speaker 1: To talk about what this late in life physical transformation 118 00:06:24,320 --> 00:06:26,720 Speaker 1: has meant for her. It's really touching and it's one 119 00:06:26,720 --> 00:06:29,240 Speaker 1: of those stars they're just like us, you know. 120 00:06:29,480 --> 00:06:30,120 Speaker 3: Yeah. 121 00:06:30,320 --> 00:06:35,479 Speaker 1: Also telling about the greatness of Kathy Bates is the 122 00:06:35,600 --> 00:06:38,039 Speaker 1: number of people that apparently ran to the phone to 123 00:06:38,120 --> 00:06:39,960 Speaker 1: talk to you about how great she was. You have 124 00:06:40,040 --> 00:06:45,279 Speaker 1: some fantastic secondary interviews people that tell really good anecdotes, 125 00:06:45,360 --> 00:06:48,520 Speaker 1: not just platitudes, but really good anecdotes about what makes 126 00:06:48,560 --> 00:06:50,239 Speaker 1: her such a good actor. 127 00:06:50,839 --> 00:06:52,920 Speaker 3: There were so many great stories that I couldn't even 128 00:06:53,000 --> 00:06:56,120 Speaker 3: get in as much as I wanted to. Is Sam Rockwell, 129 00:06:56,440 --> 00:07:00,479 Speaker 3: who really opens up my story because he specifically he 130 00:07:00,640 --> 00:07:03,719 Speaker 3: had the through line of calling Kathy Bates say badass, 131 00:07:04,279 --> 00:07:07,400 Speaker 3: and I kind of just loved how enthusiastic he was 132 00:07:07,440 --> 00:07:09,960 Speaker 3: talking about her. He told this great story of one 133 00:07:09,960 --> 00:07:12,400 Speaker 3: time she came over to his house for a dinner party, 134 00:07:12,640 --> 00:07:15,000 Speaker 3: but because she had to loop a movie the next day, 135 00:07:15,360 --> 00:07:18,600 Speaker 3: that entire evening she was speaking in an Irish accent. 136 00:07:19,560 --> 00:07:23,280 Speaker 3: So the entire dinner party she's in, she's so committed 137 00:07:23,320 --> 00:07:27,120 Speaker 3: to the job that she wouldn't break that that accent 138 00:07:27,960 --> 00:07:30,280 Speaker 3: because she was going to loop the next day. Just 139 00:07:30,360 --> 00:07:34,120 Speaker 3: great stories like that from folks. John Travolta just want 140 00:07:34,160 --> 00:07:36,680 Speaker 3: to step back a little bit about the opportunities that 141 00:07:36,720 --> 00:07:39,360 Speaker 3: are out there for older actors that you know, I 142 00:07:39,360 --> 00:07:42,040 Speaker 3: think used to be consigned to maybe a guest shot 143 00:07:42,120 --> 00:07:45,560 Speaker 3: here and there, but now there are whether it's Gene Smart, 144 00:07:45,600 --> 00:07:48,440 Speaker 3: whether it's Ted Danson, whether it's Harrison Ford, like, there 145 00:07:48,520 --> 00:07:51,840 Speaker 3: is a real opportunity now for people. What is your 146 00:07:51,920 --> 00:07:55,320 Speaker 3: read on what is creating these opportunities. Yeah, I think 147 00:07:55,360 --> 00:07:58,640 Speaker 3: it's a couple of things. The streaming era has allowed 148 00:07:58,680 --> 00:08:02,840 Speaker 3: for more opportunity from a volume perspective of more stories 149 00:08:02,840 --> 00:08:05,840 Speaker 3: to be told. I think there's also just a level 150 00:08:05,840 --> 00:08:08,960 Speaker 3: of nostalgia that's fueling a lot of the content that's 151 00:08:09,000 --> 00:08:12,480 Speaker 3: working now. Reboot mania means that naturally, these are going 152 00:08:12,520 --> 00:08:15,000 Speaker 3: to be older stars now who return to do some 153 00:08:15,040 --> 00:08:18,600 Speaker 3: of these shows because these are familiar faces and sometimes 154 00:08:18,600 --> 00:08:21,480 Speaker 3: familiar franchises. A man on the inside. The show that 155 00:08:21,520 --> 00:08:23,720 Speaker 3: you mentioned that to Dance and starred, a good chunk 156 00:08:23,760 --> 00:08:26,560 Speaker 3: of that cast was actors of a certain age that 157 00:08:26,800 --> 00:08:29,080 Speaker 3: got to return and do some great work, like a 158 00:08:29,200 --> 00:08:32,640 Speaker 3: Sally Struthers. Oh and that was and I'm fantastic to 159 00:08:32,640 --> 00:08:33,640 Speaker 3: see that show work. 160 00:08:34,080 --> 00:08:36,280 Speaker 1: I saw a panel with Michael Sher talking. He just 161 00:08:36,320 --> 00:08:39,760 Speaker 1: went on and on about these were such pros. They 162 00:08:39,840 --> 00:08:43,200 Speaker 1: hit it, they nailed it first time, second time. I 163 00:08:43,280 --> 00:08:46,560 Speaker 1: remember vividly him saying that things just went so fast 164 00:08:46,679 --> 00:08:49,720 Speaker 1: because they were such pros and knew what they were doing. 165 00:08:49,920 --> 00:08:52,600 Speaker 1: Did you get a sense, Mike from Kathy about anything 166 00:08:52,640 --> 00:08:55,720 Speaker 1: else beyond Matt Locke Season two, which has already been renewed. 167 00:08:55,880 --> 00:08:57,839 Speaker 1: Anything big on the horizon for her that we should 168 00:08:57,840 --> 00:08:58,160 Speaker 1: watch for. 169 00:08:58,800 --> 00:09:01,640 Speaker 3: I think Matt Locke is of her focus right now, 170 00:09:01,880 --> 00:09:06,040 Speaker 3: so that's generally what we talked about, but she's i think, 171 00:09:06,080 --> 00:09:08,320 Speaker 3: excited to do more now. One of the things that 172 00:09:08,360 --> 00:09:11,199 Speaker 3: she talked about was the fact that before Matt Locke 173 00:09:11,200 --> 00:09:13,000 Speaker 3: she kind of felt like things were on the down 174 00:09:13,040 --> 00:09:16,440 Speaker 3: swing and that maybe it was time to hang it up, 175 00:09:16,679 --> 00:09:18,640 Speaker 3: but now she's reinvigorated. 176 00:09:18,840 --> 00:09:21,480 Speaker 1: Well again, thank you for taking the time and writing 177 00:09:21,760 --> 00:09:25,120 Speaker 1: a terrific portrait. Profiles of very well known people are 178 00:09:25,160 --> 00:09:27,840 Speaker 1: always a particular challenge because you've got to find that 179 00:09:27,960 --> 00:09:30,960 Speaker 1: new way in. Fortunately, Kathy has so much going on, 180 00:09:31,000 --> 00:09:32,000 Speaker 1: you had a lot to work. 181 00:09:31,840 --> 00:09:33,199 Speaker 3: With, so it was a pleasure. 182 00:09:36,000 --> 00:09:40,360 Speaker 1: And now here's Emily Longeretta discussing Variety's TV Producer's Impact 183 00:09:40,400 --> 00:09:44,720 Speaker 1: Report and what it takes to make the cut. Emily Longretta, 184 00:09:44,840 --> 00:09:45,720 Speaker 1: thanks for joining you. 185 00:09:46,000 --> 00:09:46,920 Speaker 4: Thank you, Cynthia. 186 00:09:47,080 --> 00:09:50,480 Speaker 1: In addition to covering the Emmy Awards Soup to Nuts 187 00:09:50,679 --> 00:09:53,240 Speaker 1: virtually three hundred and sixty five days a year, you 188 00:09:53,360 --> 00:09:56,960 Speaker 1: also oversee many other features for A Variety, including in 189 00:09:57,000 --> 00:10:00,840 Speaker 1: the September tenth issue published in print and online on 190 00:10:00,920 --> 00:10:04,560 Speaker 1: Variety dot Com. Right now is our annual drum Roll 191 00:10:04,640 --> 00:10:08,760 Speaker 1: Please TV Producer's Impact List, and that is quite a 192 00:10:08,800 --> 00:10:11,800 Speaker 1: lot for you to sift through and find people that 193 00:10:11,840 --> 00:10:14,760 Speaker 1: are really making a difference. Emily, where do you start 194 00:10:14,960 --> 00:10:17,400 Speaker 1: in terms of putting this annual list together? 195 00:10:18,080 --> 00:10:21,040 Speaker 4: There are so many talented producers in this business, and 196 00:10:21,080 --> 00:10:23,480 Speaker 4: there are so many people that go behind every one 197 00:10:23,559 --> 00:10:25,520 Speaker 4: of the shows we watch. One of the things I 198 00:10:25,559 --> 00:10:27,280 Speaker 4: really wanted to make sure we were doing this year 199 00:10:27,280 --> 00:10:30,800 Speaker 4: with this list is not just highlighting the shows that 200 00:10:30,960 --> 00:10:34,240 Speaker 4: are continuously nominated for things. I really wanted to also 201 00:10:34,480 --> 00:10:38,040 Speaker 4: highlight some of the producers that maybe aren't talked about 202 00:10:38,040 --> 00:10:40,880 Speaker 4: a ton and aren't doing these really prestige shows, but 203 00:10:40,920 --> 00:10:45,120 Speaker 4: are still creating really good storytelling on TV. I started 204 00:10:45,160 --> 00:10:47,640 Speaker 4: asking our staff what shows are you guys watching, What 205 00:10:47,720 --> 00:10:50,280 Speaker 4: really creative things are you seeing on TV? What things 206 00:10:50,320 --> 00:10:52,960 Speaker 4: are we talking about? Of course, I ask for submissions 207 00:10:52,960 --> 00:10:55,960 Speaker 4: and I got almost five hundred submissions this year from 208 00:10:56,120 --> 00:10:59,000 Speaker 4: teams who want to highlight their producer. I go through 209 00:10:59,000 --> 00:11:00,800 Speaker 4: every single one and go through and see what shows 210 00:11:00,800 --> 00:11:03,560 Speaker 4: people are really making an impact this year, and that 211 00:11:03,679 --> 00:11:04,880 Speaker 4: is a lot of the show that we'll see at 212 00:11:04,880 --> 00:11:07,640 Speaker 4: the Emmys this weekend, but it's also some other shows, 213 00:11:07,679 --> 00:11:10,040 Speaker 4: some other shows that maybe blew under the radar for 214 00:11:10,120 --> 00:11:12,679 Speaker 4: some Taylor Sheridan is actually a perfect example of this 215 00:11:12,720 --> 00:11:15,480 Speaker 4: because while he's not a newcomer by any means, he 216 00:11:15,520 --> 00:11:18,240 Speaker 4: doesn't see a lot of awards, glitter or glam. But 217 00:11:18,400 --> 00:11:22,560 Speaker 4: he had Lioness Landman nineteen twenty three, Mayor of Kingstone, 218 00:11:22,640 --> 00:11:24,840 Speaker 4: all on TV this year. And then there's people like 219 00:11:24,880 --> 00:11:28,079 Speaker 4: Ben Watkins who created Cross on Prime Video and got 220 00:11:28,120 --> 00:11:31,360 Speaker 4: forty million viewers and got an immediate season two pick up. 221 00:11:31,360 --> 00:11:34,200 Speaker 4: And he shows that again not big award hitters, but 222 00:11:34,400 --> 00:11:36,560 Speaker 4: are getting a lot of views. And I think that 223 00:11:36,559 --> 00:11:37,920 Speaker 4: that's important to highlight. 224 00:11:37,600 --> 00:11:42,040 Speaker 1: Those America watches a lot of television. I love that 225 00:11:42,080 --> 00:11:44,320 Speaker 1: you're looking for that. We do do a lot of 226 00:11:44,400 --> 00:11:49,439 Speaker 1: lists at vright, but we take them seriously. We have criteria, 227 00:11:49,800 --> 00:11:53,280 Speaker 1: We look across the landscape and every year, undoubtedly some 228 00:11:53,320 --> 00:11:55,800 Speaker 1: folks are going to be disappointed. There is a finite 229 00:11:55,880 --> 00:11:58,520 Speaker 1: number that you can put on what were some of 230 00:11:58,559 --> 00:12:01,040 Speaker 1: the things that were really import for you in terms 231 00:12:01,120 --> 00:12:02,440 Speaker 1: of making the cut this year. 232 00:12:02,880 --> 00:12:05,760 Speaker 4: So this year we decided to focus on shows that 233 00:12:05,800 --> 00:12:08,040 Speaker 4: came out during the Emmy window. It's during that window 234 00:12:08,080 --> 00:12:11,240 Speaker 4: of May thirty, twenty twenty four to June first, twenty 235 00:12:11,280 --> 00:12:11,720 Speaker 4: twenty five. 236 00:12:11,880 --> 00:12:14,160 Speaker 1: You will go to your grave knowing those dates. 237 00:12:14,440 --> 00:12:18,040 Speaker 4: One of the big things. There's also producers who shepherd 238 00:12:18,200 --> 00:12:21,439 Speaker 4: young writers and young producers under their teams. That's more 239 00:12:21,480 --> 00:12:23,959 Speaker 4: important than ever. We see that all the time TV's 240 00:12:24,040 --> 00:12:26,520 Speaker 4: changing all the time. Shepherding new writers and producers into 241 00:12:26,520 --> 00:12:28,040 Speaker 4: the group is a really big deal. 242 00:12:28,640 --> 00:12:31,160 Speaker 1: Is there anything that you've gathered doing this over the years. 243 00:12:31,200 --> 00:12:34,440 Speaker 1: Are there any common threads to the super producers out there. 244 00:12:35,040 --> 00:12:37,400 Speaker 4: I think it's that every year they're taking a risk. 245 00:12:37,559 --> 00:12:39,400 Speaker 4: It really comes down to that. I mean, I see 246 00:12:39,480 --> 00:12:42,560 Speaker 4: with Dick Wolf Wolf Productions launched a streaming drama for 247 00:12:42,600 --> 00:12:45,240 Speaker 4: the first time this year. You look at Ryan Murphy 248 00:12:45,240 --> 00:12:48,360 Speaker 4: obviously taking on so many different things, but also he 249 00:12:48,440 --> 00:12:50,600 Speaker 4: came out with Monsters, had such an impact on the 250 00:12:50,600 --> 00:12:53,280 Speaker 4: Menenda's real life. So things like that that are making 251 00:12:53,480 --> 00:12:54,880 Speaker 4: such an impact in a different way. 252 00:12:55,280 --> 00:12:58,280 Speaker 1: Being here in southern California, it's literally been for a 253 00:12:58,360 --> 00:13:01,600 Speaker 1: year every night on the news since the show came out, 254 00:13:01,640 --> 00:13:06,000 Speaker 1: and the impact of storytelling to change people's minds or 255 00:13:06,000 --> 00:13:09,800 Speaker 1: at least open their minds to maybe there is a 256 00:13:09,880 --> 00:13:11,240 Speaker 1: reinterpretation of this. 257 00:13:11,679 --> 00:13:14,679 Speaker 4: Dan Foelman and Sterling k Brown are another two. Obviously, 258 00:13:14,720 --> 00:13:17,680 Speaker 4: Sterling is best known for acting, but he is an 259 00:13:17,679 --> 00:13:19,760 Speaker 4: executive producer in Paradise and the two of them have 260 00:13:19,920 --> 00:13:23,480 Speaker 4: become huge spokespeople for filming in LA And when I'm 261 00:13:23,480 --> 00:13:26,480 Speaker 4: moderated at Televerse recently, they both kind of went off 262 00:13:26,640 --> 00:13:29,120 Speaker 4: tangents about the importance and how they can bring filming 263 00:13:29,160 --> 00:13:31,160 Speaker 4: back to LA and they're making it their mission to 264 00:13:31,240 --> 00:13:34,200 Speaker 4: do this, and it's things like that once again impact 265 00:13:34,280 --> 00:13:36,120 Speaker 4: that has on so many people here. 266 00:13:36,440 --> 00:13:39,319 Speaker 1: Well, Emily, you can't know this because you weren't eavesdropping 267 00:13:39,320 --> 00:13:41,720 Speaker 1: on my conversation with Michael Schneider, but we were just 268 00:13:41,760 --> 00:13:45,280 Speaker 1: talking about that Kathy Bates using her incredible clout on 269 00:13:45,320 --> 00:13:48,120 Speaker 1: Matt Locke to say, this will shoot in LA and 270 00:13:48,160 --> 00:13:50,200 Speaker 1: the ripple effect for all the folks that work on 271 00:13:50,240 --> 00:13:54,440 Speaker 1: that show is really significant. I mean, before I let 272 00:13:54,559 --> 00:13:56,560 Speaker 1: you go, I want to ask you two things. First 273 00:13:56,600 --> 00:13:59,920 Speaker 1: of all, one or two things that you're really curious about. 274 00:14:00,080 --> 00:14:02,920 Speaker 1: For the Emmys on Sunday Night, the Big Show. Finally 275 00:14:03,000 --> 00:14:06,120 Speaker 1: on September fourteenth, live on CBS, what are you going 276 00:14:06,160 --> 00:14:06,839 Speaker 1: to be watching for. 277 00:14:07,520 --> 00:14:10,040 Speaker 4: I cannot wait. I am going to be watching for 278 00:14:10,080 --> 00:14:12,800 Speaker 4: all things The Pit. I think that The Pit is 279 00:14:12,840 --> 00:14:15,199 Speaker 4: the show to watch this year. I know San France 280 00:14:15,280 --> 00:14:17,240 Speaker 4: is one people are really thinking it's going to be 281 00:14:17,240 --> 00:14:20,360 Speaker 4: competing with. I think No Wiley is the one to watch. 282 00:14:21,040 --> 00:14:24,600 Speaker 1: Okay, my last last question for you is Emily, you 283 00:14:24,680 --> 00:14:27,120 Speaker 1: have a regular slot where you talk about television and 284 00:14:27,280 --> 00:14:30,320 Speaker 1: entertainment and pop culture on ke CAL, Los Angeles, the 285 00:14:30,400 --> 00:14:32,880 Speaker 1: great all news station. Emily, tell us what time we 286 00:14:32,920 --> 00:14:34,400 Speaker 1: should look for that and tell us what are the 287 00:14:34,440 --> 00:14:35,640 Speaker 1: kind of things that you like to cover. 288 00:14:36,120 --> 00:14:37,960 Speaker 4: Well. I go on a rite around nine forty five 289 00:14:38,040 --> 00:14:41,200 Speaker 4: Pacific time every Wednesday on k CAL News. I talk 290 00:14:41,240 --> 00:14:43,800 Speaker 4: a lot about TV. I talk about the top stories, 291 00:14:43,800 --> 00:14:46,040 Speaker 4: like you said, in pop culture, the top things on TV. 292 00:14:46,200 --> 00:14:48,800 Speaker 4: Sometimes we touch on music. It's really just whatever's the 293 00:14:48,840 --> 00:14:51,760 Speaker 4: buzziest stories in entertainment. So every Wednesday around nine forty 294 00:14:51,800 --> 00:14:53,440 Speaker 4: five in the morning on KEIKEL. 295 00:14:53,760 --> 00:14:55,440 Speaker 1: If you want to get something done, give it to 296 00:14:55,480 --> 00:14:58,720 Speaker 1: a busy person, give it to Emily Longaretta. Thank you 297 00:14:58,760 --> 00:15:01,320 Speaker 1: so much, Emily. I can't wait to see what all 298 00:15:01,360 --> 00:15:02,520 Speaker 1: goes down on Sunday. 299 00:15:03,080 --> 00:15:03,880 Speaker 4: We'll see you there. 300 00:15:06,440 --> 00:15:09,000 Speaker 1: As we close out today's episode, here's a few things 301 00:15:09,040 --> 00:15:12,920 Speaker 1: we're watching for Varieties back on the festival beat. Next week, 302 00:15:13,280 --> 00:15:16,600 Speaker 1: we'll have reporters on the ground producing digital dailies at 303 00:15:16,600 --> 00:15:20,320 Speaker 1: the Finnish Film Fair in Helsinki, at the San Sebastian 304 00:15:20,400 --> 00:15:24,720 Speaker 1: Festival in Spain, and at the Busson International Film Festival 305 00:15:24,760 --> 00:15:28,720 Speaker 1: in South Korea. Before we go, Congrats to Tony Kornheiser 306 00:15:28,720 --> 00:15:33,359 Speaker 1: and Michael Wilbon, the longtime hosts of ESPN's Pardon the Interruption, 307 00:15:33,840 --> 00:15:36,000 Speaker 1: have aked new deals to remain at the helm of 308 00:15:36,000 --> 00:15:38,600 Speaker 1: the show for at least a few more years. That's 309 00:15:38,640 --> 00:15:42,720 Speaker 1: good news for US fans. Thanks for listening. This episode 310 00:15:42,840 --> 00:15:46,440 Speaker 1: was written and reported by me Cynthia Littleton, with contributions 311 00:15:46,480 --> 00:15:50,120 Speaker 1: from Michael Schneider and Emily Longerretta. It was edited by 312 00:15:50,200 --> 00:15:54,400 Speaker 1: Aaron Greenwald. Stick's next hick Picks. Please leave us a 313 00:15:54,440 --> 00:15:57,200 Speaker 1: review at the podcast platform of your choice, and please 314 00:15:57,200 --> 00:15:59,840 Speaker 1: tune in tomorrow for another episode of Daily Variety. 315 00:16:00,080 --> 00:16:02,080 Speaker 2: The most