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Speaker 1: Well, I invited you here, thought I made myself perfectly clear.

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Speaker 2: But you're a guess to my home.

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Speaker 1: You gotta come to be empty, And I said, no, guest,

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Speaker 1: your presences presents enough. I already had too much stuff,

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Speaker 1: So how did you dare to surbey me?

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Speaker 3: Welcome to I said, no gifts. I'm Brichard Winecker. I

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Speaker 3: hope you're having a nice day. I hope wherever you

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Speaker 3: are currently is less on than where I am right now.

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Speaker 3: What else is going on? All my house plants are

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Speaker 3: currently alive. Things are going okay, and I hope they're

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Speaker 3: going even better for you.

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Speaker 2: Oh.

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Speaker 3: I did drive my car directly off the curb today

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Speaker 3: from the gas station. That woke me up. I'm ready

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Speaker 3: to go. The bottom of my car is probably leaking

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Speaker 3: oil at this point, but that's something I'll deal with

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Speaker 3: in the future, because right now I want to I

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Speaker 3: have something else to deal with. Oh, the snake is

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Speaker 3: rattling in the bush.

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Speaker 2: That was the oil for dripping.

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Speaker 3: It's both because when you're dealing with Chris Fleming, you've

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Speaker 3: got snake in the bush and you've got oil on

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Speaker 3: the driveway. Chris, Welcome to my Did I introduce you

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Speaker 3: I feel this is Chris Fleming everyone, one of the

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Speaker 3: all time greats. Oh my god, really of course, and

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Speaker 3: you're wearing sunglasses which we spoke briefly before we again recording,

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Speaker 3: but they look incredible. Yeah, I was worried that might

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Speaker 3: it would be a hard time. I would have a

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Speaker 3: hard time establishing path with these puppies on. But luckily

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Speaker 3: that's established mostly through my through my nose. It's right,

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Speaker 3: I go, I go through the party. That's so that's

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Speaker 3: my that's my bridge. And I are feeling it right now.

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Speaker 3: You know, I'm going to say again, your hair does

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Speaker 3: a lot of the work for you. It's just immediately

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Speaker 3: I feel at peace and welcome in the Chris Fleming

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Speaker 3: aura with your hair.

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Speaker 2: With the Shelley d of course. I mean it's a

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Speaker 2: little sigourney w I like casting them in like a

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Speaker 2: first grade classroom, you know.

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Speaker 3: I love picturing them kind of like Peanuts style characters.

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Speaker 2: What does Jones Jones? Even though there's no other people

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Speaker 2: with their last names or even with the letters jonesy,

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Speaker 2: How are you? Where are you?

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Speaker 3: First of all, I'm in the pagoda. Oh you're in

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Speaker 3: the pagoda. So the last time we there was a

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Speaker 3: chance that you were going to head east.

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Speaker 2: Yeah, yeah, I had the opposite of what's manifest. I

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Speaker 2: had manifest East in me a little while ago. But

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Speaker 2: then I decided, then I backed out.

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Speaker 3: You know, was there any particular reason or was just

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Speaker 3: you didn't want to drive across the country.

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Speaker 2: I go, I go off of primal feelings bridge, that's

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Speaker 2: kind of word, that's kind of what I do. I don't.

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Speaker 2: I don't deliberate. And the day I saw you, how

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Speaker 2: did I seem the day I saw you on your

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Speaker 2: doorsteps seemed you know, you.

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Speaker 3: You seemed in right in between spaces at the time.

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Speaker 3: I mean you were in it. You've darkened my doorway.

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Speaker 3: You were wearing a tank top. Can you can you

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Speaker 3: darken a doorway in a tank top? I don't know,

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Speaker 3: but you did.

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Speaker 2: Darken the darkened the door? Is that? What is that?

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Speaker 2: What people say? You darkened my doorway? Oh? It's I

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Speaker 2: love I love that how you were just I thought

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Speaker 2: you were just making that up. I don't know. I

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Speaker 2: feel like, is it.

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Speaker 3: Sexy or or was I ruining your doorway? No, it's

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Speaker 3: definitely sexy. I mean you had a mask on, you

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Speaker 3: had sunglass. Is you were definitely. I mean, but your

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Speaker 3: arms were laid bare and you were nude arms. Yeah,

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Speaker 3: totally nude arms. A very summary. Look, this was a

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Speaker 3: few weeks ago. We're now, you know, we're headed into

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Speaker 3: fall here, But at the time, I felt like you

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Speaker 3: were torn between coasts. I'm just gonna say it. There

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Speaker 3: was no set plan.

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Speaker 2: There's there's never been a set plan, you know. And

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Speaker 2: and I I'm a I was once described as a

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Speaker 2: butterfly by by by a therapist.

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Speaker 3: Yeah, any particular butterfly monarch. That actually is the end

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Speaker 3: of my knowledge of butterfly names.

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Speaker 2: If you knew more, I would have swamped the bench,

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Speaker 2: I think. I don't. I don't think she necessarily knew

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Speaker 2: breeds either. I don't know. I think but the way

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Speaker 2: she was basically just saying that I'm a flight risk,

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Speaker 2: I'm just I'm really slipped. I have a hard time,

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Speaker 2: kind of hungry. I didn't. I don't think I planted

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Speaker 2: my feet till my thirtieth birthday. Sure, I don't think.

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Speaker 2: I you know, I don't think I had the confidence

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Speaker 2: for stillness through through your twenty third. Just the wind

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Speaker 2: should be blowing you about, you should be flapping your wings,

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Speaker 2: and thank you. Thirty you just give up and plant

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Speaker 2: you get into the pagoda. She was an eighty year

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Speaker 2: old woman and she said she had this really hey

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Speaker 2: y since she texts like this, since she said, you're

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Speaker 2: a betterfy, You're beautiful to a lot of people me.

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Speaker 2: She made some comment that I wasn't her type, and

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Speaker 2: she then went on to say that, and I.

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Speaker 4: Was like, why are you telling me that, doctor Anne?

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Speaker 4: And she said, well, even if we were alone on

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Speaker 4: a desert island for six months, I still wouldn't touch you.

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Speaker 2: I was like, what are you doing?

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Speaker 3: I feel like comparing comparing someone to an animal or

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Speaker 3: a bug or an insect is a good entry point

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Speaker 3: to telling them that you're not not their type? Where

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Speaker 3: to start with them as a human? And you say

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Speaker 3: you're not you know that really is a harsh way

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Speaker 3: to go about it. But suddenly you're thinking of yourself

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Speaker 3: as a butterfly. Okay, I'm not your type of butterfly.

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Speaker 3: Did you did you receive any mental health help from

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Speaker 3: this woman or was she just kind of hitting on

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Speaker 3: you and comparing you to insects?

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Speaker 2: Do you think that that? Okay, yeah, I've been tossing around,

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Speaker 2: so you think she was just nagging me. Yeah, of

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Speaker 2: course it was a long, calm nag. Is that a yeah,

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Speaker 2: that's that's said away. That's going to make me sleep

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Speaker 2: easier because because my take was she just I thought

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Speaker 2: she was just just just just stomping me in the mud.

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Speaker 2: Did I get end today? I opened. I was open

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Speaker 2: to mental health, uh, suggestions from her. I don't know

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Speaker 2: if anything worked. I mean, she was one of those people.

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Speaker 2: She was like more of a mystic I think than okay. Yeah,

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Speaker 2: and so it was kind of more like is she's

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Speaker 2: one of those people that if you ever asked them

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Speaker 2: about being a witch, they they don't answer directly, you know,

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Speaker 2: but they don't react strongly either. Certainly.

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Speaker 3: Yeah, the witch's answer should never be a heart yes

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Speaker 3: or no. I mean, you're essentially a witch. So, I

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Speaker 3: mean I don't know about that, but you're living in

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Speaker 3: the seen where magic.

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Speaker 2: I just did it. That was witch. It was so subtle.

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Speaker 2: I didn't even know. I just that's what that's what

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Speaker 2: we're taught at, which you yeah, you just got witched.

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Speaker 2: That's your break show about to get witched. Yeah, I

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Speaker 2: take the form of many different different woodland creatures. Have

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Speaker 2: you done it.

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Speaker 3: Have you been able to do any type of traveling

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Speaker 3: over the last few months, or is it have you

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Speaker 3: been planted here in Los Angeles? I have.

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Speaker 2: I've been. I've kind of been the the wheel of

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Speaker 2: a car a lot. I've been kind of locomoting around

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Speaker 2: a lot like that. Yeah, have you you know, I've

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Speaker 2: I will go on drive, certainly, but I have I

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Speaker 2: need to do that. I need to do that many

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Speaker 2: hours a day. There are some things so I need

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Speaker 2: to drive for two hours, which I know is not

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Speaker 2: the best in terms of leaving a carbon footprint, but

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Speaker 2: I need to. I'm driving two Hummer stretch hummers. You're

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Speaker 2: kind of like a water score essentially. Yeah. Yeah, yeah,

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Speaker 2: one one leg through each moon roof. Yeah, being towed

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Speaker 2: by a semi truck. And there's a pre prom in

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Speaker 2: each one of mean teens from Laguna Beach. This is

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Speaker 2: a mad Max pre prom and they're all yeah, and

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Speaker 2: they're all fucked up on virgin peanut coladas in the

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Speaker 2: back they're placebo messed. This is just for you to

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Speaker 2: go pick up a plant at the nursery. Yeah, yeah,

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Speaker 2: yeah yeah. Are you moving around a little bit? Are

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Speaker 2: you in a saucer of something? I actually am.

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Speaker 3: I just realize that I'm in a I got a

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Speaker 3: new office chair which doesn't squeak, but it's also a

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Speaker 3: like a twisty office chair. So I'm uh, and my

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Speaker 3: legs are crossed, and so I'm I'm twirling. I'm essentially

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Speaker 3: twirling throughout this podcast. This is yeah, I've seen you

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Speaker 3: appear either. Yeah, the line of your movement has been impossible.

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Speaker 2: I'm squatting in roller skates and just kind of rolling

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Speaker 2: around the room. You got you were you were high

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Speaker 2: up in the corner by the fire alarm for a second,

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Speaker 2: and then you were then you were behind that door.

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Speaker 2: I didn't want to call it out because I know

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Speaker 2: it's not a visual visual format, but I'm just buzzing

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Speaker 2: around the room like a wasp. When was the last

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Speaker 2: time you got stung?

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Speaker 3: I actually got stung last year, and wow, the first

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Speaker 3: time as an adult. And for years heading up to this,

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Speaker 3: I was always that, you know, because I got stung

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Speaker 3: as a kid, and of course it like makes you

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Speaker 3: cry and it's just this horrifying experience. And then you

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Speaker 3: don't get stung for a long time and you forget.

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Speaker 3: You're just like did that hurt?

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Speaker 2: What?

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Speaker 3: But what is that experience? And so I was actually curious,

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Speaker 3: and this hornet did me the favor. It stung me

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Speaker 3: right in the palm, and it of course hurt. I

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Speaker 3: mean it wasn't like devastating, but it hurts. I mean

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Speaker 3: it's a creature defending itself with what it thinks is

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Speaker 3: deadly force.

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Speaker 2: Have you been stung? It was that the kind that

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Speaker 2: does it, the ones that do it, and then I

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Speaker 2: the one that that's that's when it's flattering, right of

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Speaker 2: course you were willing to give up existing to trying

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Speaker 2: to harm me, to harm me slightly. Yeah, I guess

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Speaker 2: they're defending the hive or something. Well, I think there's

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Speaker 2: some that are just absolute dicks, right, Like I think

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Speaker 2: that's I think that's Washston hornets. No, I haven't. I

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Speaker 2: haven't been stung in a while, but I was speaking

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Speaker 2: of someone who did, and and so I've been I've

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Speaker 2: had it on my mind because because I guess there's

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Speaker 2: the difference between when you get it, like as a

198
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Speaker 2: teen and versus like you kind of find out every

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Speaker 2: ten years whether or not you're allergic.

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Speaker 3: Right, Oh, really, so this have been really traumatic for me,

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Speaker 3: And fortunately I had discovered I'm still bulletproof.

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Speaker 2: Yeah, definitely. Yeah, but so you're fine. You got to

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Speaker 2: write you got in the palm. That's kind of that's

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Speaker 2: that's profound. Yeah, it is. You got to write in

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Speaker 2: the pans labyrinth.

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Speaker 3: That is such a great word for palms right over

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Speaker 3: my eyes. I was doing the pants Labyrinth and the

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Speaker 3: bees were trying to uncover my eyes.

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Speaker 2: Do you ever do you ever? Well? I was we

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Speaker 2: were just writing a scene in this thing where someone

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Speaker 2: crashes what you just reminded me of? So where someone crashes.

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Speaker 2: I crashed my best but into an Italian restaurant three

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Speaker 2: times in a row, and on the SD time. Each

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Speaker 2: time I come out with raviolays on my eyes and

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Speaker 2: ID to peel them barnacles. Yeah, exactly. Do you ever

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Speaker 2: you were saying renaming, uh, palm? Do you rename parts

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Speaker 2: of your body? Ever?

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Speaker 3: I don't think I ever have you know? You get yours?

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Speaker 3: You're calling your feet, your dogs, your paws, your your

220
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Speaker 3: border collies, your border colleges, your cocker. I call my

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Speaker 3: feet my bessngies.

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Speaker 2: Do you have any other names for parts of your body? Yeah? Yeah, yeah,

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Speaker 2: my shoulders are my parrot holders. That's so interesting.

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Speaker 3: I was going to ask about your shoulders, and I

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Speaker 3: wonder if that's because of this great shirt you're wearing,

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Speaker 3: or maybe we're just on the same wave length here.

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Speaker 3: But your parrot holders that's great. I've just yeah, apparently

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Speaker 3: there are a lot of native parrots to Los Angeles.

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Speaker 2: There's a there's a theory, and there's like this old

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Speaker 2: wives tale that gets passed around. I used to live

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Speaker 2: in South Pasadena and they they send it up. A

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Speaker 2: pet store either was robbed or burned down in like

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Speaker 2: the thirties, and all these parrots escaped and then repopulate

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Speaker 2: the town, and like every morning, like they scream at

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Speaker 2: your window at five am and just like cause absolute

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Speaker 2: absolute rainforest. I hope.

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Speaker 3: That's kind of like the fun, kind of whimsical version

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Speaker 3: of the alligation or in the sewer story, right.

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Speaker 2: Right, right, It's kind of it's kind of fucked up

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Speaker 2: logic though, because then when there'd be like goldfish and

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Speaker 2: puddles everywhere you went, you know, right, and yeah, just

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Speaker 2: adorable puppies everywhere we go. Durabils in the mailboxes. Right

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Speaker 2: where do gerbils naturally exist?

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Speaker 3: Is that that go.

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Speaker 2: They come into existence. That's where I mean from the

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Speaker 2: dog for the cost of raspberries. Yeah, you could get

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Speaker 2: blueberries today or a gerbil. It's like three ninety nine.

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Speaker 2: Do we want driscolls or the gerb? Have you got

249
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Speaker 2: the gerb? Have you ever owned a gerbil or a rodent? No? Oh,

250
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Speaker 2: My mom was allergic to dogs, and I was a

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Speaker 2: real am, a real dog head, and so I researched

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Speaker 2: all these breeds that were hypoallergenic. I spent like my

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Speaker 2: entire I was like I had beakers and everything, and

254
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Speaker 2: I was doing all these experiments till I was like ten,

255
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Speaker 2: just like going through like new guinea singing dog, all

256
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Speaker 2: these like dangerous animals. But the one that we arrived

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Speaker 2: at was a hedgehog that then cause her any arm,

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Speaker 2: which actually isn't in a rodent, right, it's like some

259
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Speaker 2: other it's like freaky marsupio.

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Speaker 1: Is that right?

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Speaker 2: Yeah? That's Do they have a pouch? I don't know.

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Speaker 2: There are a lot of.

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Speaker 3: Things that have a pouch that probably don't probably shouldn't

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Speaker 3: have a pouch. I feel like a pouch on a marsupial.

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Speaker 3: They're dragging that along the ground. It doesn't feel really

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Speaker 3: evolutionarily correct to me, But I'm pretty sure you.

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Speaker 2: Think that some animals have pouches that don't deserve them.

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Speaker 3: Is that you Yeah, absolutely, they haven't earned them. The

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Speaker 3: only the only animal that I really think has earned it,

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Speaker 3: of course, is the kangaroo. Kangaroo, and otherwise it just

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Speaker 3: feels like a knockoff, or they just haven't earned it,

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Speaker 3: like the hedgehog.

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Speaker 2: Which may not you think like you think the kangaroo

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Speaker 2: is like the head of Cotillion, and everyone else is

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Speaker 2: just showing up with a knockoffs couchbacks. Yeah, that's a

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Speaker 2: good point. I mean a possum that definitely does not

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Speaker 2: deserve that. Wait, does a possums have a pouch?

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Speaker 3: Oh?

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Speaker 2: Yeah, yeah, they're the trash as marsupial. The apossum, this creature.

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Speaker 3: Every time I learned something new about an apossum, the

281
00:15:06,080 --> 00:15:08,760
Speaker 3: scarier it becomes to mean. These things, oh oh yeah,

282
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Speaker 3: came out of a portal at some point. They they

283
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Speaker 3: every one of them looks like it's been alive since

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Speaker 3: the beginning. They are so terrifying. I don't understand why

285
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Speaker 3: there isn't a bigger, a bigger backlash against the most

286
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Speaker 3: people seem okay with the possums. I am scared to death.

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Speaker 2: No, no, no, they're absolute night freaks. I mean they

288
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Speaker 2: have shark teeth, they are they have horrifying They all

289
00:15:38,520 --> 00:15:41,040
Speaker 2: look like they've been rolling around in lint. And they

290
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Speaker 2: have just white eyes with no pupils. Right, Oh is

291
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Speaker 2: that true? I think so? They blind? No, they're tail

292
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Speaker 2: seas on the end of the tail. Yeah, yeah, their

293
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Speaker 2: eyes are just white. They're they're team, they're jagged and yeah.

294
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Speaker 3: And while people aren't looking, the tail kind of goes

295
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Speaker 3: up scorpion style and looks around.

296
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Speaker 2: It's kind of a periscopia. Yeah, yeah. Yeah.

297
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Speaker 3: And those things are thick too, They're extremely thick. I

298
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Speaker 3: mean that you could just slice that up and put

299
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Speaker 3: it on a sandwich, so essentially a horrifying rat sausage.

300
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Speaker 2: And the worst, my least everything about the possums is

301
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Speaker 2: that they speak in soul fedge. Have you have you

302
00:16:31,680 --> 00:16:36,080
Speaker 2: had many run ins with possums in Los Angeles? Oh

303
00:16:36,200 --> 00:16:39,560
Speaker 2: god no. My last running with a possum was actually

304
00:16:39,640 --> 00:16:43,360
Speaker 2: not even what we call possums. But in Australia, we

305
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Speaker 2: Mara Wilson and I were we were being told about

306
00:16:46,760 --> 00:16:49,880
Speaker 2: these possums everywhere, like every austen is like warning us

307
00:16:49,880 --> 00:16:52,160
Speaker 2: about these possums or they would just talk about them,

308
00:16:52,200 --> 00:16:54,320
Speaker 2: throw it around. And then one night after like we

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00:16:54,400 --> 00:16:57,640
Speaker 2: had a bunch of elderberry cocktails, they were like, oh, look, yeah, yeah,

310
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Speaker 2: there's those possums. And the what we saw was something

311
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Speaker 2: that doesn't exist even on Google Images. This is something

312
00:17:04,560 --> 00:17:07,320
Speaker 2: that like in kindergarten, you know, you think you kind

313
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Speaker 2: of you get like the gist of of of animals,

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Speaker 2: you know, your topmost, and then like you learn the

315
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Speaker 2: endangered stuff as it goes on. But these what we

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Speaker 2: saw what the Australians are calling possum. They're about five

317
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Speaker 2: six they they have tiny tiny heads like like head

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Speaker 2: the size they probably weighed about two hundred pounds, but

319
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Speaker 2: heads ahead the size of my fist. Okay, no eyes,

320
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Speaker 2: crop tail, polka dotted like a cow kind of right,

321
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Speaker 2: big fupa big pupa arrow postel hat. These things were

322
00:17:48,640 --> 00:17:55,240
Speaker 2: not what we call possum. Well, I uh, and I

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Speaker 2: assume they travel and herds. This is there were three

324
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Speaker 2: of them. I have a very blurry photo because I

325
00:18:00,680 --> 00:18:02,760
Speaker 2: was screaming at the top of my lungs and jumping

326
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Speaker 2: and I saw them waving around in the air and

327
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Speaker 2: you were just doing everything you could to get a picture.

328
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Speaker 2: I was doing the Copa cavanda up top trying to

329
00:18:12,119 --> 00:18:15,000
Speaker 2: get help. I was waving the helicopters and everything. Yeah,

330
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Speaker 2: I was calling my dad Christ up. It's one in

331
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Speaker 2: the morning.

332
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Speaker 3: I mean, the things that are happening animal wise in

333
00:18:24,160 --> 00:18:33,000
Speaker 3: Australia are I wouldn't even say unnatural supernatural. I would

334
00:18:33,040 --> 00:18:38,320
Speaker 3: go beyond supernatural. I uh, supernatural, I mean I think

335
00:18:39,000 --> 00:18:43,720
Speaker 3: lends some level of mystique, whereas the things in Australia

336
00:18:43,960 --> 00:18:49,679
Speaker 3: are just I It's just there's a black hole spitting

337
00:18:49,720 --> 00:18:54,520
Speaker 3: them out somewhere on and it feels a little Do

338
00:18:54,600 --> 00:18:56,720
Speaker 3: you remember in Super Mario Brothers three that when you

339
00:18:56,800 --> 00:19:00,000
Speaker 3: go to the giant world and everything is large?

340
00:19:00,080 --> 00:19:02,880
Speaker 2: Sure? Sure that that was in Super Mario sixty four too.

341
00:19:03,200 --> 00:19:06,600
Speaker 2: That's right. I feel like Australia's tiny, tiny island or

342
00:19:06,640 --> 00:19:07,320
Speaker 2: something right.

343
00:19:07,280 --> 00:19:11,040
Speaker 3: About as close as we're gonna get to that where

344
00:19:11,119 --> 00:19:14,440
Speaker 3: everything is just seven times larger than it needs to be.

345
00:19:15,480 --> 00:19:18,640
Speaker 3: Everything could just use a little bit of shrinking.

346
00:19:19,920 --> 00:19:22,800
Speaker 2: Yeah. Yeah, and there and a lot of them are

347
00:19:24,000 --> 00:19:28,080
Speaker 2: just temperament wise, are hell bent on chaos. A lot

348
00:19:28,160 --> 00:19:30,960
Speaker 2: of the creatures, like the thing it is called the

349
00:19:31,040 --> 00:19:34,840
Speaker 2: magpie the kids have to wear during magpie season. The

350
00:19:34,960 --> 00:19:38,639
Speaker 2: kids have to wear helmets that have magpie faces painted

351
00:19:38,680 --> 00:19:40,479
Speaker 2: on the top so that they don't get attacked by

352
00:19:40,560 --> 00:19:43,919
Speaker 2: magpie magpies. That but they won't even do something. They

353
00:19:44,080 --> 00:19:47,159
Speaker 2: nest and then they will just like leave within like

354
00:19:47,480 --> 00:19:49,960
Speaker 2: like a four mile radius of their nest. They just

355
00:19:50,359 --> 00:19:52,679
Speaker 2: want to kill everybody, will drill a hole in your

356
00:19:52,760 --> 00:19:59,480
Speaker 2: child's head. Yeah, yeah, the animals there, what I mean,

357
00:19:59,520 --> 00:20:03,760
Speaker 2: They're turning children's skulls into nests all over us. The

358
00:20:03,880 --> 00:20:11,119
Speaker 2: animals are definitely made by our sins, absolutely, Chris, what

359
00:20:11,240 --> 00:20:12,760
Speaker 2: do you think is happening at the bottom of the

360
00:20:12,840 --> 00:20:15,480
Speaker 2: ocean a silent disco?

361
00:20:16,000 --> 00:20:18,720
Speaker 3: So yeah, that probably that makes sense. Actually, you've got

362
00:20:18,760 --> 00:20:22,120
Speaker 3: the fish with the lights on them, You've got well

363
00:20:22,800 --> 00:20:23,879
Speaker 3: absolutely remember.

364
00:20:23,640 --> 00:20:27,000
Speaker 2: The Planet's Deep Sea episode where some of the animals

365
00:20:27,040 --> 00:20:30,080
Speaker 2: are just clearly made up, like clearly cgi.

366
00:20:29,960 --> 00:20:32,920
Speaker 3: Or it's just like like a glitch in a video game.

367
00:20:33,160 --> 00:20:36,920
Speaker 3: Essentially one of them is just a white cube, a

368
00:20:37,080 --> 00:20:42,080
Speaker 3: perfectly cute, a perfectly edged cube, something from an old asplue.

369
00:20:42,800 --> 00:20:45,320
Speaker 2: Just remember there was one animal that was like attached

370
00:20:45,359 --> 00:20:48,239
Speaker 2: to a rock and was just like getting pummeled by

371
00:20:48,280 --> 00:20:53,440
Speaker 2: a waterfall for its entire terrible six year lightspan. What

372
00:20:53,640 --> 00:20:53,800
Speaker 2: is that?

373
00:20:54,080 --> 00:20:57,440
Speaker 3: What is the Greek myth who gets his liver plucked out?

374
00:20:57,840 --> 00:21:00,240
Speaker 3: That feels like the under the sea version of that.

375
00:21:02,240 --> 00:21:05,080
Speaker 3: I can't remember who gets his liver plucked for eternity?

376
00:21:05,160 --> 00:21:12,320
Speaker 2: But Christ, according to mythology, he's as closest I'm going

377
00:21:12,359 --> 00:21:14,480
Speaker 2: to get to a Greek god. Let me ask you, Bridget,

378
00:21:14,480 --> 00:21:16,000
Speaker 2: what do you think is happening at the bottom of.

379
00:21:15,960 --> 00:21:21,959
Speaker 3: The c I think planning. I think a lot of planning, planning, planning, plotting,

380
00:21:22,040 --> 00:21:26,000
Speaker 3: and scheming, that's all. I mean, it's been too quiet,

381
00:21:26,080 --> 00:21:29,000
Speaker 3: too long. They have a lot of space down there.

382
00:21:29,720 --> 00:21:33,040
Speaker 3: And I mean the closest to anyone's gotten is James Cameron,

383
00:21:33,080 --> 00:21:34,880
Speaker 3: and we all know he's probably on their side.

384
00:21:35,320 --> 00:21:39,560
Speaker 2: Uh, it's it's wait, I confuse him with who's the

385
00:21:39,640 --> 00:21:44,399
Speaker 2: other one that wrote Jerry Maguire. Oh that's uh, I

386
00:21:44,480 --> 00:21:49,719
Speaker 2: don't know. Jonathan Nicky. It's based out of a long

387
00:21:49,800 --> 00:21:53,520
Speaker 2: form improv by Jonathan Livnicky. They kind of loo it

388
00:21:53,600 --> 00:21:56,720
Speaker 2: was a documentary about him, Yeah, and it just turned in.

389
00:21:56,800 --> 00:22:00,159
Speaker 2: Tom Cruise kind of kind of got greedy, you.

390
00:22:00,240 --> 00:22:03,480
Speaker 3: Know, uh, you know, little Jonathan later became kind of

391
00:22:03,520 --> 00:22:04,920
Speaker 3: an extreme bodybuilder.

392
00:22:05,920 --> 00:22:06,080
Speaker 4: Yes.

393
00:22:06,760 --> 00:22:09,480
Speaker 3: And the only reason I know this, the only reason

394
00:22:09,520 --> 00:22:12,680
Speaker 3: I know this was I think in about twenty eleven

395
00:22:13,080 --> 00:22:17,399
Speaker 3: New Year's Eve, just it came to me I should

396
00:22:17,440 --> 00:22:21,000
Speaker 3: tweet something about I think Jonathan Libniki has big things

397
00:22:21,040 --> 00:22:24,200
Speaker 3: in store for the new year. Several months later, he's

398
00:22:24,320 --> 00:22:28,840
Speaker 3: all over the news, tanned to all hell muscle.

399
00:22:28,960 --> 00:22:33,000
Speaker 2: You predicted it. I predicted it. You knew Libniki was

400
00:22:33,240 --> 00:22:36,720
Speaker 2: up to something. I knew something told me he had

401
00:22:36,800 --> 00:22:39,600
Speaker 2: something in the works for us. And you're tapped in. Man,

402
00:22:39,960 --> 00:22:41,959
Speaker 2: all you got to do to be a witch's pay attention.

403
00:22:42,080 --> 00:22:44,040
Speaker 2: That's what they say. And that's what that's where. That's

404
00:22:44,080 --> 00:22:46,520
Speaker 2: why you got. You got the vacuum hugged hooked up

405
00:22:46,520 --> 00:22:48,440
Speaker 2: to the walls. You're not even plugged into the and

406
00:22:48,600 --> 00:22:50,560
Speaker 2: you're not you know, it's one of those vacuums.

407
00:22:50,720 --> 00:22:50,879
Speaker 3: Is this?

408
00:22:51,440 --> 00:22:54,480
Speaker 2: You know it's you know, the central vac Is that? Yeah,

409
00:22:54,480 --> 00:22:55,640
Speaker 2: you're on central vac.

410
00:22:58,200 --> 00:22:59,680
Speaker 3: To be able to just put a hose to the

411
00:22:59,720 --> 00:23:04,520
Speaker 3: wall and suddenly you're vacuuming. Oh oh, your walls are

412
00:23:04,600 --> 00:23:06,840
Speaker 3: just full of airs. It's sucking at all times.

413
00:23:07,080 --> 00:23:11,080
Speaker 2: What is that? The house is always in a constant suck.

414
00:23:11,520 --> 00:23:15,880
Speaker 2: Our house is part tornado. I never understood that when

415
00:23:15,920 --> 00:23:19,000
Speaker 2: I saw that as a kid, Right, how does that happening?

416
00:23:19,400 --> 00:23:21,600
Speaker 2: What does that technology and where does it go? Yeah,

417
00:23:21,920 --> 00:23:22,679
Speaker 2: it's always just.

418
00:23:24,280 --> 00:23:27,000
Speaker 3: And it's just blowing into the neighbor's house or where

419
00:23:27,160 --> 00:23:31,000
Speaker 3: is that into the core of the earth, directly into

420
00:23:31,040 --> 00:23:31,920
Speaker 3: the core of the earth.

421
00:23:32,480 --> 00:23:35,800
Speaker 2: Yeah, it's yeah, it is way beneath the foundation and

422
00:23:35,840 --> 00:23:38,680
Speaker 2: it just vacuums everything into the into the magma. The

423
00:23:38,760 --> 00:23:40,480
Speaker 2: middle of the earth is just full of dust and

424
00:23:40,560 --> 00:23:45,840
Speaker 2: gum wrappers. When you said you knew what Jonathan Nikki

425
00:23:45,960 --> 00:23:47,639
Speaker 2: was up to and twenty you're You're like, the only

426
00:23:47,680 --> 00:23:49,800
Speaker 2: way I knew was and I was thinking you were

427
00:23:49,800 --> 00:23:52,359
Speaker 2: going to say you had Google alerts set for Jonathan Nicky.

428
00:23:52,640 --> 00:23:57,560
Speaker 2: Well I do now, yeah, yeah, yeah, wow. He that

429
00:23:57,800 --> 00:24:00,520
Speaker 2: movie was such an embarrassment of riches that it had

430
00:24:00,600 --> 00:24:03,639
Speaker 2: too many. It's like what BookSmart tried to do with

431
00:24:03,800 --> 00:24:07,000
Speaker 2: like twenty characters, you know, they did it with like five,

432
00:24:07,600 --> 00:24:12,119
Speaker 2: Like each one is just like stealing the goddamn show.

433
00:24:12,440 --> 00:24:16,119
Speaker 3: Well, you get Lipniki in there, and you every frame

434
00:24:16,200 --> 00:24:18,520
Speaker 3: he's on it. What is that blog called the perfect

435
00:24:18,560 --> 00:24:21,200
Speaker 3: frame or every frame, a picture or something. I don't know,

436
00:24:21,480 --> 00:24:24,920
Speaker 3: every one of those should just be LIPNICKI just was

437
00:24:25,000 --> 00:24:28,320
Speaker 3: he in another movie post Maguire or was that the

438
00:24:28,440 --> 00:24:31,440
Speaker 3: end of the road for our little Jonathan God.

439
00:24:31,640 --> 00:24:35,280
Speaker 2: I'm sure there's some exposes on where he what he's done,

440
00:24:35,400 --> 00:24:38,720
Speaker 2: But well, I confuse him. He kind of came around

441
00:24:38,760 --> 00:24:41,159
Speaker 2: the same time. He wasn't in Simon Birch. That was

442
00:24:41,200 --> 00:24:44,520
Speaker 2: someone else. No, I think that was Simon Birch. I

443
00:24:44,560 --> 00:24:52,160
Speaker 2: think that was simply Yeah, got it. I forgot about

444
00:24:52,240 --> 00:24:55,120
Speaker 2: Simon Birch. I mean, you can't.

445
00:24:58,400 --> 00:25:00,720
Speaker 3: I feel in that was I do know. I was

446
00:25:00,760 --> 00:25:03,440
Speaker 3: in eighth grade. I remember very specifically Simon Birch coming

447
00:25:03,480 --> 00:25:06,200
Speaker 3: out that year and did not see the film.

448
00:25:06,440 --> 00:25:09,120
Speaker 2: Well, you don't need to. You ever play sim City

449
00:25:09,200 --> 00:25:11,520
Speaker 2: when you were young, Yeah, of course, you know, when

450
00:25:11,560 --> 00:25:15,760
Speaker 2: you were really feeling like an absolute you know, agent

451
00:25:15,800 --> 00:25:18,520
Speaker 2: of chaos, you could just go and select every natural

452
00:25:18,600 --> 00:25:21,840
Speaker 2: disaster right and destroy the town. That was basically what

453
00:25:21,920 --> 00:25:26,359
Speaker 2: happened in Simon Birch. Every bad thing that could happen happen.

454
00:25:28,359 --> 00:25:32,440
Speaker 2: There's a monster stump on Simon Burch. Yeah, there's like

455
00:25:32,480 --> 00:25:39,840
Speaker 2: an alien invasion. It's like there's a brief possession. Yeah,

456
00:25:40,080 --> 00:25:43,440
Speaker 2: that terrible thing. He like, it's really messed up, Like

457
00:25:44,000 --> 00:25:46,080
Speaker 2: you really should watch it. It's really stunning.

458
00:25:46,400 --> 00:25:46,600
Speaker 3: It was.

459
00:25:47,720 --> 00:25:50,639
Speaker 2: It was a big movie for a substitute teacher that

460
00:25:50,720 --> 00:25:54,639
Speaker 2: I had that feels like a substitute teacher movie to

461
00:25:54,720 --> 00:25:58,879
Speaker 2: put in. It's mister hons open is that just like

462
00:25:58,960 --> 00:25:59,600
Speaker 2: the four.

463
00:25:59,640 --> 00:26:05,000
Speaker 3: DV use that the school library has pink flamingos? Of course,

464
00:26:05,560 --> 00:26:07,840
Speaker 3: just all of the John Waters collection.

465
00:26:08,680 --> 00:26:12,000
Speaker 2: John Waters can be played for a seventh grade class.

466
00:26:12,680 --> 00:26:15,520
Speaker 2: That would really that's that should happen. That's what I

467
00:26:15,520 --> 00:26:17,800
Speaker 2: would do if I was substitute teaching again. I put

468
00:26:17,840 --> 00:26:22,200
Speaker 2: it on. Have you substitute teach taught? Absolutely? Really? Oh yeah,

469
00:26:22,320 --> 00:26:24,439
Speaker 2: oh yeah from two thousand and nine to two tho

470
00:26:24,760 --> 00:26:27,480
Speaker 2: it was only like a year actually, yeah, my hometown.

471
00:26:27,560 --> 00:26:32,120
Speaker 2: Right after right after I graduated, I went to I'm

472
00:26:32,160 --> 00:26:36,040
Speaker 2: Afraid So, and by fellow students, the kindergarteners, they would

473
00:26:36,080 --> 00:26:39,639
Speaker 2: chase me around the gym. It was. It was messed up.

474
00:26:40,560 --> 00:26:43,320
Speaker 2: They would call me at like four am and they'd

475
00:26:43,359 --> 00:26:47,040
Speaker 2: be this wonderful woman Cheryl, Yeah, because those are the

476
00:26:47,119 --> 00:26:49,680
Speaker 2: hours and she has died or whatever, and if we

477
00:26:49,800 --> 00:26:51,800
Speaker 2: need to write somebody, and she would give me the

478
00:26:51,800 --> 00:26:54,040
Speaker 2: pick of the litter whatever. She'd be like, you want

479
00:26:54,080 --> 00:26:56,240
Speaker 2: to teach eighth grade tech ed today? Or you want

480
00:26:56,280 --> 00:27:00,600
Speaker 2: to teach second grade? I mean the people who teach

481
00:27:00,720 --> 00:27:04,040
Speaker 2: like kindergarten through third grade. It's like you are risking

482
00:27:04,080 --> 00:27:08,239
Speaker 2: your life because those kids are just they are.

483
00:27:09,080 --> 00:27:11,840
Speaker 3: Yeah you say this, And I did like an after

484
00:27:11,960 --> 00:27:15,520
Speaker 3: school job teaching second graders. And you know, I'm not

485
00:27:15,600 --> 00:27:18,040
Speaker 3: a large man. There were a lot of elementary schoolers

486
00:27:18,040 --> 00:27:21,439
Speaker 3: who were quiet powered to you. They were essentially my size,

487
00:27:21,800 --> 00:27:24,800
Speaker 3: and they have no qualms about being mean to you.

488
00:27:25,520 --> 00:27:29,639
Speaker 2: So no, no, no, no. If you have a single

489
00:27:29,720 --> 00:27:33,320
Speaker 2: pimple right then you then they diagnosed you with chicken

490
00:27:33,400 --> 00:27:41,520
Speaker 2: poks immediately. What's that about? I look like you're really

491
00:27:41,600 --> 00:27:45,760
Speaker 2: going through it. Did you have any real problem? Students?

492
00:27:46,520 --> 00:27:48,440
Speaker 3: I feel like you would be a great substitute teacher.

493
00:27:48,480 --> 00:27:50,040
Speaker 3: I feel like you'd be smoking in class.

494
00:27:50,359 --> 00:27:54,400
Speaker 2: Oh yeah, yeah, no, I was. I was quite good

495
00:27:54,560 --> 00:27:56,399
Speaker 2: at it. It was one of my few one of

496
00:27:56,440 --> 00:27:59,200
Speaker 2: my one of my the only jobs I was I

497
00:27:59,320 --> 00:28:01,399
Speaker 2: was good at. I wasn't good at teaching them anything.

498
00:28:01,720 --> 00:28:05,760
Speaker 2: But you don't have to or you know a word.

499
00:28:05,800 --> 00:28:08,080
Speaker 2: So but I didn't even. I didn't do any of

500
00:28:08,119 --> 00:28:11,639
Speaker 2: that either. It was it was mostly just kind of

501
00:28:12,480 --> 00:28:16,000
Speaker 2: some wrap sessions, you know. Oh, there was one class

502
00:28:16,040 --> 00:28:18,120
Speaker 2: where I would do a physical challenge and we would

503
00:28:18,160 --> 00:28:20,600
Speaker 2: we would have to they would pick one of their

504
00:28:20,640 --> 00:28:24,000
Speaker 2: own to race me up a hill and I always lost,

505
00:28:24,080 --> 00:28:26,200
Speaker 2: and I would like almost throw up from you would

506
00:28:26,359 --> 00:28:28,520
Speaker 2: pick one of their own. This is like the lottery

507
00:28:28,680 --> 00:28:33,800
Speaker 2: or something. This is Shirley Jackson store. It's called one

508
00:28:33,880 --> 00:28:38,000
Speaker 2: of their own. And better man who's beaten to death

509
00:28:38,080 --> 00:28:43,560
Speaker 2: by children? That is substitute teaching. You never never, no, no, no.

510
00:28:44,240 --> 00:28:46,800
Speaker 2: But I talked to a huge game somebody who would

511
00:28:46,840 --> 00:28:50,920
Speaker 2: be fast. You're slender, you know. You know it takes

512
00:28:50,960 --> 00:28:52,640
Speaker 2: a while for the twins to cook up. You know

513
00:28:52,720 --> 00:28:55,719
Speaker 2: that's because they're so long. Yeah yeah, And I'm really

514
00:28:55,760 --> 00:29:00,600
Speaker 2: institute teacher Khakis and probably not ready to run. Yeah yeah.

515
00:29:01,040 --> 00:29:03,680
Speaker 2: Did you ever you ever teach? I didn't. Besides the

516
00:29:03,760 --> 00:29:04,920
Speaker 2: after school I did that thing.

517
00:29:05,080 --> 00:29:07,240
Speaker 3: And then I was also a lunch lady for a period,

518
00:29:07,520 --> 00:29:11,719
Speaker 3: and oh my god, really I was Oh yes, an

519
00:29:11,800 --> 00:29:13,880
Speaker 3: elementary school in Riverton, Utah.

520
00:29:14,240 --> 00:29:15,240
Speaker 2: I was.

521
00:29:16,800 --> 00:29:21,400
Speaker 3: The one male member of the cafeteria staff, and I

522
00:29:21,520 --> 00:29:24,080
Speaker 3: was also the one member who was like under probably

523
00:29:24,320 --> 00:29:27,560
Speaker 3: sixty years old. And I worked with a lovely bunch

524
00:29:27,600 --> 00:29:28,120
Speaker 3: of ladies.

525
00:29:28,760 --> 00:29:29,000
Speaker 2: Yeah.

526
00:29:29,120 --> 00:29:33,640
Speaker 3: But I was hired because one student had a what's

527
00:29:33,720 --> 00:29:37,000
Speaker 3: called PKU. She couldn't eat protein. So I was in

528
00:29:37,080 --> 00:29:41,320
Speaker 3: charge of making like olive tacos for her or I'm

529
00:29:41,320 --> 00:29:45,400
Speaker 3: gonna have any protein. No protein, it's a genetic disorder,

530
00:29:45,440 --> 00:29:45,880
Speaker 3: I believe.

531
00:29:46,400 --> 00:29:46,680
Speaker 2: Wow.

532
00:29:46,760 --> 00:29:49,240
Speaker 3: So I was in charge of making these odd little

533
00:29:49,320 --> 00:29:51,680
Speaker 3: meals and then would help the ladies out when I

534
00:29:51,760 --> 00:29:52,800
Speaker 3: was done making the meals.

535
00:29:53,320 --> 00:30:00,720
Speaker 2: You're making raspberry steaks and stuff. Yeah, exactly, water cake. Wow.

536
00:30:00,960 --> 00:30:03,200
Speaker 2: I worked with a bunch of ladies for a while.

537
00:30:03,720 --> 00:30:07,480
Speaker 2: There's six six older women. When I was in front

538
00:30:07,520 --> 00:30:09,160
Speaker 2: of work at the front of desk at a health

539
00:30:09,200 --> 00:30:13,080
Speaker 2: club for a little while. When you get close, No, no,

540
00:30:13,240 --> 00:30:18,080
Speaker 2: this was two thousand and six in Massave juice. Sorry,

541
00:30:18,120 --> 00:30:22,520
Speaker 2: that's that's a time. That's not a place in Massachusetts

542
00:30:22,640 --> 00:30:24,440
Speaker 2: to me. But it wasn't la know it was ten

543
00:30:24,480 --> 00:30:29,400
Speaker 2: and six, so sorry. Yeah, and it was one of

544
00:30:29,440 --> 00:30:32,480
Speaker 2: those yeah, and those women, ay, I was. I just

545
00:30:32,520 --> 00:30:34,560
Speaker 2: started doing stand up and they would come to my

546
00:30:34,680 --> 00:30:37,760
Speaker 2: shows and Marshal, my boss, she would heckle me. So

547
00:30:38,160 --> 00:30:40,720
Speaker 2: she would just like she would be so loud during

548
00:30:40,720 --> 00:30:42,840
Speaker 2: the whole show that she that like the club owner

549
00:30:42,880 --> 00:30:46,160
Speaker 2: would be like, hey, like if you can, can you

550
00:30:46,240 --> 00:30:49,400
Speaker 2: want to like announce your friend and then like a

551
00:30:49,480 --> 00:30:51,800
Speaker 2: will you stop talking? And she would like bring me

552
00:30:51,920 --> 00:30:55,520
Speaker 2: up on the stage. That's three times you've got to

553
00:30:55,560 --> 00:30:58,560
Speaker 2: get back in touch with this person. I know I'm

554
00:30:58,680 --> 00:31:02,480
Speaker 2: really bad at that. Oh I'd lose touch. I you know,

555
00:31:02,720 --> 00:31:07,280
Speaker 2: you gotta you gotta lose touch. You gotta leave them

556
00:31:07,320 --> 00:31:10,480
Speaker 2: all behind. You've got to cut ties. You got to

557
00:31:10,520 --> 00:31:14,120
Speaker 2: cross the you got to afford the river. You can't

558
00:31:14,200 --> 00:31:16,080
Speaker 2: look back. You got to you gotta be like Matt

559
00:31:16,200 --> 00:31:18,160
Speaker 2: ingeberts In and put your phone on. Do not disturb

560
00:31:19,480 --> 00:31:23,040
Speaker 2: you ever breakthrough that e Does he ever allow you in? Yeah? Occasionally.

561
00:31:23,120 --> 00:31:25,280
Speaker 3: That's something he and I have in common and something

562
00:31:25,320 --> 00:31:28,520
Speaker 3: I think that was really a turning point for just

563
00:31:29,400 --> 00:31:32,440
Speaker 3: my mental well being. It wasn't about twenty twelve I

564
00:31:32,560 --> 00:31:35,360
Speaker 3: realized I cannot have the phone on vibrate, I cannot

565
00:31:35,400 --> 00:31:37,600
Speaker 3: have a sound. This has just got to be a

566
00:31:37,680 --> 00:31:40,920
Speaker 3: silent device that I look at occasionally, and so I

567
00:31:41,000 --> 00:31:43,560
Speaker 3: miss essentially every call that comes in, which.

568
00:31:43,400 --> 00:31:44,920
Speaker 2: Is well, if you look at it it's like thirty

569
00:31:44,960 --> 00:31:45,720
Speaker 2: five missed calls.

570
00:31:46,600 --> 00:31:49,280
Speaker 3: I'll call the person back and hope that somebody hasn't died.

571
00:31:49,640 --> 00:31:52,880
Speaker 3: But you know, I can't the whoever thought of the

572
00:31:52,960 --> 00:31:56,560
Speaker 3: feature that. You know, the phone will buzz or ding

573
00:31:56,760 --> 00:31:59,160
Speaker 3: once and then if you haven't looked at it, it

574
00:31:59,200 --> 00:32:03,640
Speaker 3: will do it againlater should absolutely be put in a

575
00:32:04,600 --> 00:32:05,520
Speaker 3: I don't know, work.

576
00:32:05,480 --> 00:32:07,000
Speaker 2: A compromising position.

577
00:32:08,600 --> 00:32:12,160
Speaker 3: Position, because that is the most irritating thing I can

578
00:32:12,240 --> 00:32:16,000
Speaker 3: possibly imagine. My phone's on total silent, my voicemail boxes

579
00:32:16,000 --> 00:32:17,600
Speaker 3: is essentially always pull.

580
00:32:19,160 --> 00:32:23,640
Speaker 2: To. Yeah, I feel like you could get away with

581
00:32:23,720 --> 00:32:27,800
Speaker 2: a ring tone. Oh I do? Oh yeah, yeah, full

582
00:32:27,840 --> 00:32:28,600
Speaker 2: blast you mean.

583
00:32:28,560 --> 00:32:34,480
Speaker 3: William tell overture. I feel like that's the classic ringtone.

584
00:32:34,800 --> 00:32:38,760
Speaker 2: My friend tried to she tried to make the Grizzly

585
00:32:38,840 --> 00:32:45,680
Speaker 2: Man audio her ring. Yeah, that's just that I thought

586
00:32:45,720 --> 00:32:50,160
Speaker 2: when you said that, it's really that's really bad. No,

587
00:32:51,240 --> 00:32:53,880
Speaker 2: I don't. I just I just do vibrate and then

588
00:32:54,080 --> 00:32:56,120
Speaker 2: so I just have phantom vibrating all day. I just

589
00:32:56,160 --> 00:32:59,040
Speaker 2: think that my my hips actually vibrate quite a bit. Yeah,

590
00:32:59,040 --> 00:33:01,680
Speaker 2: you're kind of just buzzing a town. I got zumba body,

591
00:33:02,920 --> 00:33:07,160
Speaker 2: I got the phantom zoomba are you in shorts right now?

592
00:33:07,400 --> 00:33:09,560
Speaker 2: I am in shorts. Are you check them out? Let's

593
00:33:09,560 --> 00:33:12,560
Speaker 2: see these Those are great shorts. Those are comfortable. Yeah,

594
00:33:12,560 --> 00:33:15,560
Speaker 2: they get tighter in the wash, so they really hug. Yeah.

595
00:33:15,600 --> 00:33:18,320
Speaker 3: I've got to have a I've got various scrunny legs.

596
00:33:18,320 --> 00:33:21,800
Speaker 3: I've got to have a recently washed short, or it

597
00:33:21,840 --> 00:33:25,960
Speaker 3: looks like I'm wearing a diaper. Yeah, so that's my

598
00:33:26,320 --> 00:33:31,840
Speaker 3: I'm actually eagerly anticipating Gene season. But I'm also recently

599
00:33:31,920 --> 00:33:35,280
Speaker 3: had a premonition that we're very close. We're teetering on

600
00:33:35,360 --> 00:33:39,480
Speaker 3: the edge of cargo pants making a full comeback, and

601
00:33:39,600 --> 00:33:42,400
Speaker 3: I wow, I think, wow, and that's going to be

602
00:33:42,480 --> 00:33:44,840
Speaker 3: a you know, I've already lived through one era of that,

603
00:33:45,280 --> 00:33:47,520
Speaker 3: and I think that we're getting close to another. And

604
00:33:47,640 --> 00:33:49,400
Speaker 3: it makes me sick that I have to do it again.

605
00:33:49,560 --> 00:33:51,760
Speaker 3: Does does fashion exist anymore?

606
00:33:52,480 --> 00:33:52,640
Speaker 2: You know?

607
00:33:52,880 --> 00:33:55,719
Speaker 3: I've this has actually been a topic on this podcast

608
00:33:55,760 --> 00:33:58,440
Speaker 3: a couple of times because I'm very worried, and it doesn't.

609
00:33:58,600 --> 00:34:00,560
Speaker 3: It seems like we are post fashion, and so that's

610
00:34:00,560 --> 00:34:02,920
Speaker 3: what I'm holding on to. I just won't wear cargo pants,

611
00:34:03,400 --> 00:34:06,320
Speaker 3: I'll say, you know, I'm not I'm not up with

612
00:34:06,400 --> 00:34:07,560
Speaker 3: the trend of cargo pants.

613
00:34:07,640 --> 00:34:10,520
Speaker 2: I'm gonna let just be a thing. You're gonna wear,

614
00:34:10,560 --> 00:34:13,680
Speaker 2: just a full latex one that with no divide. Right,

615
00:34:14,800 --> 00:34:19,000
Speaker 2: that's my look, just a full allus in orderland caterpillar.

616
00:34:19,560 --> 00:34:22,480
Speaker 2: You have to be carried by other human beings or

617
00:34:22,800 --> 00:34:26,080
Speaker 2: carted around or dragged by a komatsu. That's a that's

618
00:34:26,120 --> 00:34:30,120
Speaker 2: at least my spring look. Yeah yeah, yeah, the taper

619
00:34:30,200 --> 00:34:35,560
Speaker 2: off tail, I'm not doing a wide leg tail tapered

620
00:34:35,640 --> 00:34:39,840
Speaker 2: leg taper. You want to closed close little nightmare before

621
00:34:39,960 --> 00:34:40,600
Speaker 2: Christmas hill.

622
00:34:47,719 --> 00:34:51,400
Speaker 3: We earlier in the podcast, I uh mentioned that you

623
00:34:51,520 --> 00:34:56,839
Speaker 3: had darkened my doorstep doorway. We've never really come around

624
00:34:56,880 --> 00:34:59,800
Speaker 3: to whether that's a phrase or not. Tank top s

625
00:35:00,200 --> 00:35:03,200
Speaker 3: your mailbox. You smash my mailbox. You drove by in

626
00:35:03,320 --> 00:35:08,840
Speaker 3: a Suzuki sidekick with a baseball bat and just smash

627
00:35:08,960 --> 00:35:14,040
Speaker 3: my mailbox, just my fifth Yeah. Weeks later you show

628
00:35:14,120 --> 00:35:16,359
Speaker 3: up again, and of course this time I've got my mace.

629
00:35:17,400 --> 00:35:22,719
Speaker 2: I got my taser and mace like a swinging well.

630
00:35:22,760 --> 00:35:25,240
Speaker 2: I also have that that's on that's on my holster,

631
00:35:25,920 --> 00:35:30,920
Speaker 2: your ankle asaurus. But I you know, I peek out

632
00:35:30,960 --> 00:35:33,359
Speaker 2: the door and I see you standing there, and I think,

633
00:35:34,000 --> 00:35:36,120
Speaker 2: does this have to do with him smashing the mailbox

634
00:35:36,239 --> 00:35:38,879
Speaker 2: or what is it? But you were singing, Yeah, I hear,

635
00:35:39,000 --> 00:35:40,320
Speaker 2: That's that's why I came to the door in the

636
00:35:40,360 --> 00:35:43,120
Speaker 2: first place. This is, you know, three am. I've got

637
00:35:43,160 --> 00:35:45,120
Speaker 2: my night cap on, I've got my night.

638
00:35:45,080 --> 00:35:51,600
Speaker 3: Gown, and I was holding notes. I hear, like the

639
00:35:52,080 --> 00:35:55,840
Speaker 3: the wind chimes start to just really whale, I'll just

640
00:35:55,880 --> 00:35:59,960
Speaker 3: say whale. And then I hear this light singing. I think,

641
00:36:00,520 --> 00:36:03,160
Speaker 3: who's at the door? So I go and peek out.

642
00:36:03,200 --> 00:36:07,799
Speaker 3: It's Chris tank Top on his shoulders. He's holding a bag.

643
00:36:08,360 --> 00:36:10,520
Speaker 3: And we had to actually discuss you being on this

644
00:36:10,640 --> 00:36:14,560
Speaker 3: podcast prior to this, and you know, our relationship is

645
00:36:14,960 --> 00:36:18,400
Speaker 3: full of ups and downs, and so we had planned

646
00:36:18,440 --> 00:36:20,200
Speaker 3: on you and being on this podcast, and of course

647
00:36:20,200 --> 00:36:23,279
Speaker 3: it's called I said, no gifts. I thought, God knows

648
00:36:23,320 --> 00:36:25,319
Speaker 3: what Chris is going to do now. But you were

649
00:36:25,360 --> 00:36:27,120
Speaker 3: holding a bag and you gave it to me and

650
00:36:27,160 --> 00:36:31,160
Speaker 3: then vanished with the the promise that you may be

651
00:36:31,320 --> 00:36:34,319
Speaker 3: headed to the East coast. So I thought, I don't

652
00:36:34,760 --> 00:36:37,640
Speaker 3: Tampa what this is yet. Back to Tampa.

653
00:36:37,960 --> 00:36:40,200
Speaker 2: I was opening a restaurant in an airport in Tampa.

654
00:36:40,600 --> 00:36:45,640
Speaker 2: At Tampa International, and you've now launched the restaurant. It's

655
00:36:45,640 --> 00:36:53,480
Speaker 2: a closed. This is a bullshit Chris is bullshit eatery,

656
00:36:54,160 --> 00:36:58,400
Speaker 2: Chris is bullshit eat station opened and closed just like that.

657
00:36:59,360 --> 00:37:02,680
Speaker 2: But to Tampa it will be remembered and it will

658
00:37:03,280 --> 00:37:05,480
Speaker 2: just kind of sit there empty in the Tampa airport

659
00:37:05,560 --> 00:37:08,360
Speaker 2: for years to come. But I put this bag in

660
00:37:08,440 --> 00:37:10,320
Speaker 2: my closet and I just thought, well, we'll get to

661
00:37:10,400 --> 00:37:12,040
Speaker 2: it when we get to the podcast. I'll ask him.

662
00:37:12,040 --> 00:37:14,080
Speaker 2: Then I got to get to bed. You didn't get

663
00:37:14,120 --> 00:37:16,759
Speaker 2: curious in the night. You didn't get curious at night.

664
00:37:16,800 --> 00:37:18,719
Speaker 2: I'm ready to go back to sleep, and for all

665
00:37:18,719 --> 00:37:20,720
Speaker 2: I knew it was this was all just a dream.

666
00:37:21,440 --> 00:37:23,480
Speaker 2: So no, I saw you go back to sleep when

667
00:37:23,480 --> 00:37:25,920
Speaker 2: I was I was. I did stick around a little bit,

668
00:37:25,960 --> 00:37:28,719
Speaker 2: and I saw you creep back comforting. I saw you

669
00:37:28,800 --> 00:37:29,360
Speaker 2: creep back in.

670
00:37:29,600 --> 00:37:32,400
Speaker 3: I appreciate you just kind of bing the mother to

671
00:37:32,520 --> 00:37:35,520
Speaker 3: me at that point and letting baby get back to sleep.

672
00:37:36,719 --> 00:37:44,920
Speaker 2: Yeah, I'm an MG, but you are You're an OGMG

673
00:37:45,520 --> 00:37:49,640
Speaker 2: in the classic mother Goose, Ye your money, old goose,

674
00:37:51,480 --> 00:37:52,840
Speaker 2: Old goose, mother Goose.

675
00:37:54,760 --> 00:37:57,840
Speaker 3: But weeks later, as this podcast came to be, or

676
00:37:57,960 --> 00:37:59,759
Speaker 3: as we got closer to recording, I thought I should

677
00:37:59,800 --> 00:38:02,200
Speaker 3: look at the closet and see that bag is still there.

678
00:38:02,280 --> 00:38:04,320
Speaker 3: For all I knew, it could have dissolved or vanished

679
00:38:04,320 --> 00:38:04,960
Speaker 3: again in the night.

680
00:38:05,160 --> 00:38:07,560
Speaker 2: I could have taken it back. Yeah, right, And but

681
00:38:07,719 --> 00:38:08,120
Speaker 2: here it is.

682
00:38:08,200 --> 00:38:10,840
Speaker 3: And I have to ask you, is I mean, the

683
00:38:10,880 --> 00:38:13,200
Speaker 3: podcast is a pretty I mean, it's pretty clear what

684
00:38:13,360 --> 00:38:15,160
Speaker 3: I want out of this, and it's that I don't

685
00:38:15,160 --> 00:38:15,680
Speaker 3: want gifts.

686
00:38:15,719 --> 00:38:20,200
Speaker 2: But is this a gift for me? Yeah? You know,

687
00:38:20,400 --> 00:38:22,840
Speaker 2: I knew that, and I know that that's, you know,

688
00:38:23,000 --> 00:38:27,640
Speaker 2: inappropriate to do that, but based on where I'm from

689
00:38:27,760 --> 00:38:32,480
Speaker 2: and everything, it just seemed like it's just maybe it's

690
00:38:32,480 --> 00:38:34,840
Speaker 2: the contrarian in me. I don't know, or anti Sorry

691
00:38:34,880 --> 00:38:37,719
Speaker 2: if I'm told you know that, I can't sure. It's

692
00:38:37,800 --> 00:38:40,200
Speaker 2: just in the pantry I got. I'm in there, you're

693
00:38:40,239 --> 00:38:43,120
Speaker 2: eating the cookies. You've got your hands, I'm standing, I'm

694
00:38:43,280 --> 00:38:46,160
Speaker 2: I'm doing the Fox Star, I'm hanging in the pantry. Okay,

695
00:38:47,080 --> 00:38:49,640
Speaker 2: I'm eating the checks. So yeah, I don't know. I

696
00:38:49,760 --> 00:38:51,880
Speaker 2: just figured I don't know, it's it was the forbidden

697
00:38:51,960 --> 00:38:54,000
Speaker 2: fruit aspect of it for me that maybe get it

698
00:38:54,080 --> 00:38:56,919
Speaker 2: for you. Okay, Yeah, Well, I mean, should I open

699
00:38:56,960 --> 00:38:59,399
Speaker 2: it here on the podcast. I would love that. Yeah,

700
00:38:59,520 --> 00:39:01,600
Speaker 2: I would love for you to do that. Yeah, yeah,

701
00:39:01,760 --> 00:39:02,960
Speaker 2: Mike and Mike in stand I.

702
00:39:02,960 --> 00:39:05,320
Speaker 3: Should say, uh, it's now in a green. You know

703
00:39:05,400 --> 00:39:06,799
Speaker 3: when it initially came to me, it was in more

704
00:39:06,840 --> 00:39:11,000
Speaker 3: of a plastic shopping bang. And it's now in a green,

705
00:39:11,120 --> 00:39:15,600
Speaker 3: this beautifully wrapped green what appears to be also a

706
00:39:15,760 --> 00:39:17,000
Speaker 3: reusable shopping bag.

707
00:39:17,280 --> 00:39:20,440
Speaker 2: Well, you started a plastic bag. It ages really well

708
00:39:20,520 --> 00:39:24,120
Speaker 2: with the type of plastic that I gave you. It

709
00:39:24,760 --> 00:39:27,279
Speaker 2: dresses itself up over time. And do I see like

710
00:39:27,320 --> 00:39:30,640
Speaker 2: a little fuchia wrapping paper inside pink?

711
00:39:31,080 --> 00:39:32,879
Speaker 3: This is something that could you know this plastic will

712
00:39:32,920 --> 00:39:34,680
Speaker 3: last generations. I'll pass it down.

713
00:39:35,640 --> 00:39:37,640
Speaker 2: You know that the coloring, the pink in the and

714
00:39:37,760 --> 00:39:40,840
Speaker 2: the green. And I know this is an audio format,

715
00:39:41,000 --> 00:39:43,560
Speaker 2: but for you Bridger, what that is to me is

716
00:39:43,719 --> 00:39:45,719
Speaker 2: you ever see that the hit Nicole Nick Junior show

717
00:39:45,760 --> 00:39:49,120
Speaker 2: Eureka's Castle. I never saw Eureka's Castle. Okay, there's a

718
00:39:49,239 --> 00:39:52,040
Speaker 2: there's a there's a dragon, looks kind of like a horse.

719
00:39:52,560 --> 00:39:56,320
Speaker 2: Who's in it? Who with that exact coloring? Interest? And

720
00:39:56,400 --> 00:39:58,520
Speaker 2: it was it was It was the first TV show

721
00:39:58,560 --> 00:40:03,000
Speaker 2: that I ever truly enjoyed. And what was the premise

722
00:40:03,040 --> 00:40:06,200
Speaker 2: of Eureka's Castle. It was it was like a botched

723
00:40:06,320 --> 00:40:09,279
Speaker 2: imagine like a botched Jim Henson. Like, imagine if we

724
00:40:09,360 --> 00:40:11,719
Speaker 2: lived in a world where other people tried their hand

725
00:40:11,920 --> 00:40:14,560
Speaker 2: at Jim Henson's style puppetry, right, you know, very few

726
00:40:14,640 --> 00:40:20,280
Speaker 2: have tried, but this these ones had, They had some pizazz.

727
00:40:20,600 --> 00:40:22,920
Speaker 2: There was like there was a bat. There were these

728
00:40:22,960 --> 00:40:26,160
Speaker 2: two swamp twins that were chemically dependent on peanut butter

729
00:40:26,920 --> 00:40:29,320
Speaker 2: and yeah, yeah, they were like they lived in the

730
00:40:29,480 --> 00:40:32,400
Speaker 2: basement and the swamp and like, and they were always

731
00:40:32,480 --> 00:40:35,040
Speaker 2: wet and like you would show them peanut butter and they.

732
00:40:38,920 --> 00:40:38,960
Speaker 3: Like.

733
00:40:39,040 --> 00:40:45,560
Speaker 2: And then there was developing. Yeah, yeah, I'm developing a

734
00:40:45,640 --> 00:40:48,200
Speaker 2: reboot for it. But yeah, anyway, so that's okay, and

735
00:40:48,320 --> 00:40:50,480
Speaker 2: it's it was a fantastic show. But anyway, sorry, sorry,

736
00:40:50,480 --> 00:40:52,960
Speaker 2: please do keep going Eureka's Castle. Aside, I'm gonna I'm

737
00:40:52,960 --> 00:40:56,000
Speaker 2: gonna open this gift beautify it wrapped. I would say,

738
00:40:56,040 --> 00:40:59,600
Speaker 2: a team effort and let's see what's in here. So

739
00:41:00,080 --> 00:41:02,040
Speaker 2: here we go to the inner shell of a lot

740
00:41:02,120 --> 00:41:05,440
Speaker 2: of tissues. Yeah, a lot of tissue. Tissue is crucial

741
00:41:05,520 --> 00:41:07,600
Speaker 2: with a gift bag otherwise, what's the garbage?

742
00:41:08,480 --> 00:41:10,360
Speaker 3: How much weight isn't isn't that? Do you think that

743
00:41:10,760 --> 00:41:13,239
Speaker 3: what I'm currently holding? Yeah, I'm going to say this

744
00:41:13,440 --> 00:41:18,160
Speaker 3: is like I would say point eight ounces point ounces Okay,

745
00:41:18,840 --> 00:41:21,879
Speaker 3: actually no that I don't think that that that would

746
00:41:21,920 --> 00:41:23,880
Speaker 3: weigh nothing. I would say what I was trying to

747
00:41:23,920 --> 00:41:26,960
Speaker 3: say was point eight pounds. So I'm saying I'm actually

748
00:41:26,960 --> 00:41:29,320
Speaker 3: gonna say eleven ounces. We're not quite at a pound

749
00:41:29,760 --> 00:41:31,200
Speaker 3: or a few ounces, shy.

750
00:41:32,120 --> 00:41:34,440
Speaker 2: This was my backup idea for a gift. I know

751
00:41:34,520 --> 00:41:36,560
Speaker 2: that you said you did ask for no gifts, but

752
00:41:36,920 --> 00:41:39,439
Speaker 2: this was my backup, my first ide My first idea

753
00:41:39,480 --> 00:41:41,480
Speaker 2: for you was, oh, of course, Shelty. I was going

754
00:41:41,560 --> 00:41:43,080
Speaker 2: to be a sheltery. I thought that would be a

755
00:41:43,280 --> 00:41:45,759
Speaker 2: chelty dog. Yeah, a shell and cheap dog.

756
00:41:48,200 --> 00:41:49,960
Speaker 3: I would have loved that, you know, I would have.

757
00:41:51,239 --> 00:41:52,960
Speaker 3: I would have taken care of it as if it

758
00:41:53,040 --> 00:41:53,640
Speaker 3: were my own.

759
00:41:54,000 --> 00:41:57,840
Speaker 2: And he was going to be elderly. I love an

760
00:41:57,880 --> 00:42:01,600
Speaker 2: elderly dog. Yeah, yeah, but anyway, I didn't. I didn't

761
00:42:01,600 --> 00:42:04,640
Speaker 2: give you him. Well, you know, there's always another episode

762
00:42:04,680 --> 00:42:09,279
Speaker 2: that you can Yeah, yeah, that's with the dog. Weigh

763
00:42:09,400 --> 00:42:10,399
Speaker 2: me down with the dog.

764
00:42:11,160 --> 00:42:13,240
Speaker 3: I'm now going to open this. Let's see what's happening

765
00:42:13,280 --> 00:42:20,160
Speaker 3: in here. Oh, oh my god, there's a receipt.

766
00:42:20,239 --> 00:42:21,200
Speaker 2: Did you mean to leave the.

767
00:42:24,280 --> 00:42:29,400
Speaker 3: This is from Hodgin's Antiques. This is really something. This

768
00:42:29,600 --> 00:42:34,680
Speaker 3: is really something that Yeah, oh my god, you've given

769
00:42:34,760 --> 00:42:39,640
Speaker 3: me what is a essentially a like a mask for

770
00:42:39,800 --> 00:42:40,719
Speaker 3: a masquerade ball.

771
00:42:41,480 --> 00:42:44,239
Speaker 2: Yeah, I see. Should I put this on for a minute?

772
00:42:44,280 --> 00:42:47,920
Speaker 2: I mean this will become muffled for a moment. Put

773
00:42:48,040 --> 00:42:49,600
Speaker 2: on for more than a minute, Bridge, this is your

774
00:42:49,640 --> 00:42:52,680
Speaker 2: mask now. Oh yes, I'm going to screenshot you right

775
00:42:52,719 --> 00:42:55,120
Speaker 2: now if you don't mind, so, I'm.

776
00:42:55,000 --> 00:42:59,200
Speaker 3: Going to talk a little bit louder. I hope that

777
00:42:59,800 --> 00:43:02,400
Speaker 3: the audio is coming through in some way through the podcast.

778
00:43:03,120 --> 00:43:04,160
Speaker 2: It is, I'm hearing you.

779
00:43:05,200 --> 00:43:08,000
Speaker 3: Ideally, this is how I would record every episode of

780
00:43:08,080 --> 00:43:10,440
Speaker 3: a podcast. I mean, this is how I'd like to

781
00:43:10,480 --> 00:43:13,880
Speaker 3: start every zoom. At the very least, it's frightening, but

782
00:43:14,000 --> 00:43:15,080
Speaker 3: it's also joyous.

783
00:43:15,760 --> 00:43:20,120
Speaker 2: Your power has exponentially increased. I'm gonna I'm going to

784
00:43:20,160 --> 00:43:24,040
Speaker 2: remove it for a moment. I feel like I'm a

785
00:43:24,080 --> 00:43:26,640
Speaker 2: different person when I'm in the mask. Well that's the power,

786
00:43:26,680 --> 00:43:30,279
Speaker 2: that's the beauty of the mask. Bridger. That's true. You

787
00:43:30,360 --> 00:43:32,680
Speaker 2: wear that around who do you become? Who do you

788
00:43:32,760 --> 00:43:34,800
Speaker 2: when you Who do you become when you wear it?

789
00:43:34,880 --> 00:43:36,879
Speaker 2: And who are you again when you remove it? That's

790
00:43:36,960 --> 00:43:38,640
Speaker 2: those are two big questions that you want to think

791
00:43:38,680 --> 00:43:41,080
Speaker 2: of when you wear the mask. Just now, I was

792
00:43:41,120 --> 00:43:45,640
Speaker 2: a silver emperor. Yes, it's all become at a different

793
00:43:45,680 --> 00:43:48,919
Speaker 2: time wearing this mask as a whole other story. Yes,

794
00:43:49,600 --> 00:43:52,320
Speaker 2: are you? Are you a big mask owner? I'm a

795
00:43:52,360 --> 00:43:58,200
Speaker 2: real mask giver. Yeah, I like to give I So

796
00:43:58,280 --> 00:44:01,440
Speaker 2: I walked by that place is right by my boba shot, okay,

797
00:44:01,640 --> 00:44:03,879
Speaker 2: and so I see it every day and they hang

798
00:44:04,000 --> 00:44:07,440
Speaker 2: the masks out. It's like kind of like like a

799
00:44:07,680 --> 00:44:10,560
Speaker 2: like a little trap for me because when I see it,

800
00:44:10,600 --> 00:44:13,640
Speaker 2: I got to have it. Yeah. No, I love that

801
00:44:13,800 --> 00:44:17,640
Speaker 2: kind of comedian Larte style. I just I think it's

802
00:44:17,680 --> 00:44:19,279
Speaker 2: a good thing to have. I think it's a good

803
00:44:19,280 --> 00:44:20,640
Speaker 2: thing to put up in your wall. I think it's

804
00:44:20,640 --> 00:44:23,480
Speaker 2: a good thing to wear. I think it's Yeah, I

805
00:44:23,560 --> 00:44:26,880
Speaker 2: think it's I mean, I'm also like a real supporter

806
00:44:27,000 --> 00:44:29,959
Speaker 2: of the whole eyes wide hut concept. Right of course,

807
00:44:30,160 --> 00:44:33,080
Speaker 2: I only just recently saw that movie. You know, what

808
00:44:33,160 --> 00:44:34,719
Speaker 2: did you think? What did you think? I had a

809
00:44:34,760 --> 00:44:36,359
Speaker 2: wonderful time it's such a good time.

810
00:44:36,520 --> 00:44:39,279
Speaker 3: You know. It's not my favorite of his movies, but

811
00:44:40,440 --> 00:44:42,719
Speaker 3: certainly an experience.

812
00:44:43,520 --> 00:44:46,759
Speaker 2: The whole movie to me feels like and maybe it's

813
00:44:46,800 --> 00:44:49,600
Speaker 2: because he died like right after he finished it, but

814
00:44:49,960 --> 00:44:52,040
Speaker 2: it feels like a hole. It's like it's like a

815
00:44:52,120 --> 00:44:55,040
Speaker 2: winding down type thing. Yeah, it does feel that way.

816
00:44:55,600 --> 00:44:59,120
Speaker 2: It's just like you're kind of coolly driving the bus

817
00:44:59,160 --> 00:45:02,239
Speaker 2: and back into the state. It's not it's not like.

818
00:45:02,920 --> 00:45:07,280
Speaker 3: Thrilling kind of doesn't really go anywhere.

819
00:45:08,080 --> 00:45:10,839
Speaker 2: No, no, no, it ends back up with kid min

820
00:45:10,920 --> 00:45:13,760
Speaker 2: eating double stuff oreos in the kitchen like it never happened.

821
00:45:14,360 --> 00:45:17,480
Speaker 2: And Tom Cruis's character's name, he shares a last name

822
00:45:17,520 --> 00:45:20,680
Speaker 2: with my best friend, so it's like it's his name

823
00:45:20,760 --> 00:45:23,040
Speaker 2: is Tom Hartford. I'm not interested in that. I'm just

824
00:45:23,120 --> 00:45:25,839
Speaker 2: interested in finding out who your best friend is, Chris

825
00:45:25,920 --> 00:45:34,920
Speaker 2: Hartford Hartford. If I was like Mitt Romney, you mitten

826
00:45:35,040 --> 00:45:39,919
Speaker 2: Ann out on the boat, just yeah, we all agree

827
00:45:39,960 --> 00:45:43,120
Speaker 2: on a lot of stuff, but we're best friends. Actually

828
00:45:43,160 --> 00:45:46,400
Speaker 2: we do agree, yeah, and everything. It helps him with everything.

829
00:45:46,760 --> 00:45:50,680
Speaker 2: Me and Mitt. Yeah, no, Bridge right that that mask,

830
00:45:50,760 --> 00:45:52,319
Speaker 2: I saw it and I thought of you. I think

831
00:45:52,360 --> 00:45:55,400
Speaker 2: it has that kind of spells on it? Should I

832
00:45:55,440 --> 00:45:59,399
Speaker 2: ring them into the microphone? Yeah? Yeah, yeah, yeah, yeah.

833
00:46:00,400 --> 00:46:03,480
Speaker 2: You know it's playful. It's also it's also it has

834
00:46:03,520 --> 00:46:05,400
Speaker 2: the potential to be a little icy, you know, in

835
00:46:05,480 --> 00:46:07,960
Speaker 2: a good way. Oh right, I think it's got like

836
00:46:08,040 --> 00:46:11,239
Speaker 2: a good I think it's poised. I think it's yeah, no,

837
00:46:11,320 --> 00:46:13,040
Speaker 2: I think I think it's got everything. And it's also

838
00:46:13,280 --> 00:46:16,239
Speaker 2: obviously got it's got the ability to dazzle. Right, it's

839
00:46:16,280 --> 00:46:18,319
Speaker 2: got the ebbs. I mean, that's the first thing it does,

840
00:46:18,360 --> 00:46:20,320
Speaker 2: and it'll be the last thing it does, is dazzle.

841
00:46:20,760 --> 00:46:23,320
Speaker 2: I mean we're currently I mean, and this is also

842
00:46:23,520 --> 00:46:26,359
Speaker 2: deeply topical. We're in the middle of a pandemic. Uh

843
00:46:26,719 --> 00:46:32,200
Speaker 2: you know what, what are you talking about? Chris? The

844
00:46:32,320 --> 00:46:34,640
Speaker 2: less you know, the better. All I can say is,

845
00:46:34,880 --> 00:46:37,400
Speaker 2: hit up a party, go to a grocery store. I

846
00:46:37,480 --> 00:46:42,400
Speaker 2: have been What do you mean? What do you think

847
00:46:42,400 --> 00:46:47,040
Speaker 2: I do every night? Big parties with young Hollywood? Yeah no,

848
00:46:48,200 --> 00:46:52,600
Speaker 2: no shoes you have? And the Twitch gamer gang and

849
00:46:52,719 --> 00:46:56,600
Speaker 2: the creator mansions. Is that what those are called? I've

850
00:46:56,680 --> 00:47:01,040
Speaker 2: just looked TikTok mansions. Yes, the TikTok mansions are in

851
00:47:01,120 --> 00:47:06,000
Speaker 2: the Librea tar pits and each one TikTok mansion is

852
00:47:06,040 --> 00:47:08,480
Speaker 2: the tiny elephant, and then the other one is the

853
00:47:08,560 --> 00:47:11,600
Speaker 2: other TikTok mantain. It's the big mob elephant and they

854
00:47:12,160 --> 00:47:16,040
Speaker 2: make TikTok content there and they can't leave. It's actually

855
00:47:16,080 --> 00:47:18,439
Speaker 2: a concept I think that I've like read as many

856
00:47:18,520 --> 00:47:21,400
Speaker 2: specscripts about it's like content creators being like under like

857
00:47:21,640 --> 00:47:24,320
Speaker 2: not being allowed to leave a property. But it's become

858
00:47:24,400 --> 00:47:25,840
Speaker 2: like I think that is truly what it is. I

859
00:47:25,880 --> 00:47:27,759
Speaker 2: think they are like, they can't leave, you can live.

860
00:47:28,400 --> 00:47:32,160
Speaker 2: I think they can. I think I think they live.

861
00:47:32,280 --> 00:47:35,680
Speaker 2: They live there on dance here, but you may never leave.

862
00:47:36,160 --> 00:47:40,440
Speaker 2: You can dance, you can't ever leave. Yeah, I like that.

863
00:47:40,480 --> 00:47:42,920
Speaker 2: They can't leave. Yeah, they can't. They can't ever go outside.

864
00:47:43,680 --> 00:47:45,759
Speaker 3: I watched a tour of one. I think it was

865
00:47:45,840 --> 00:47:49,560
Speaker 3: like pro gamers who have all moved into some Beverly hills,

866
00:47:49,640 --> 00:47:52,480
Speaker 3: like fifty million dollar mansion, and it was, you know,

867
00:47:52,560 --> 00:47:54,440
Speaker 3: it was the epitome of taste and class.

868
00:47:54,640 --> 00:47:55,360
Speaker 2: Let's just leave.

869
00:47:57,120 --> 00:48:04,320
Speaker 3: A mini refrigerator on every wall, just essentially a monster

870
00:48:04,560 --> 00:48:12,000
Speaker 3: energy went to architectural school. Yeah, yeah, it's an interesting

871
00:48:12,480 --> 00:48:13,759
Speaker 3: phenomenon we're dealing with.

872
00:48:14,360 --> 00:48:18,520
Speaker 2: Uh. Yeah, I love when people get tons of money.

873
00:48:19,000 --> 00:48:21,120
Speaker 2: Like I'm always like I'm one of those people are

874
00:48:21,120 --> 00:48:23,160
Speaker 2: and like show me what happened, Like I want to

875
00:48:23,200 --> 00:48:25,360
Speaker 2: see what what what happens when they get it.

876
00:48:25,520 --> 00:48:27,560
Speaker 3: Well, it's a little bit like dumping the ooze on

877
00:48:27,680 --> 00:48:29,840
Speaker 3: the turtle. It's like, what's gonna happen?

878
00:48:30,320 --> 00:48:32,480
Speaker 2: I mean, what do you mean dumping the ooze on

879
00:48:32,560 --> 00:48:35,480
Speaker 2: the turtle? You know, like you know from Ninsha turtles.

880
00:48:35,520 --> 00:48:39,239
Speaker 3: You know they've got this green ooze and you drop

881
00:48:39,320 --> 00:48:41,040
Speaker 3: that ooze on something and you don't know what you're

882
00:48:41,040 --> 00:48:42,719
Speaker 3: actually going to get. You might get a teenager, you

883
00:48:42,800 --> 00:48:44,279
Speaker 3: may get a wise old rat.

884
00:48:44,920 --> 00:48:48,319
Speaker 2: Uh. It's like finding the vaccine. Like you could think

885
00:48:48,480 --> 00:48:54,120
Speaker 2: we could be mixing avocado oil and and like bras

886
00:48:54,840 --> 00:48:58,279
Speaker 2: and sprite remix and that can be it. You know,

887
00:49:01,320 --> 00:49:04,200
Speaker 2: if you're sitting on the couch the right way and

888
00:49:04,360 --> 00:49:09,959
Speaker 2: you hit yeah. I mean you don't know until you try.

889
00:49:10,719 --> 00:49:14,480
Speaker 2: You ever have those those fruit slice candies, Like they're

890
00:49:14,520 --> 00:49:17,440
Speaker 2: non branded, and I've heard they're big in the Jewish community,

891
00:49:17,719 --> 00:49:20,640
Speaker 2: but I would have to go to specialty candy stores

892
00:49:20,680 --> 00:49:24,359
Speaker 2: and like like I like my aunts would always bring

893
00:49:24,440 --> 00:49:26,680
Speaker 2: them to me almost as like a like a peace

894
00:49:26,760 --> 00:49:29,799
Speaker 2: offering at every event, they would like, they wouldn't bring

895
00:49:29,840 --> 00:49:32,320
Speaker 2: anyone anything else, but they'd bring me these fruit slices.

896
00:49:32,520 --> 00:49:40,640
Speaker 2: Events were constantly a war with people the offerings. Yeah, yeah,

897
00:49:40,719 --> 00:49:43,200
Speaker 2: a lot of family wars that I was at the

898
00:49:43,320 --> 00:49:46,239
Speaker 2: center of, and they would try to be putting them

899
00:49:46,280 --> 00:49:50,120
Speaker 2: out by yeah, being diplomatic with me. Did you know

900
00:49:50,160 --> 00:49:50,759
Speaker 2: what I'm talking about.

901
00:49:50,760 --> 00:49:54,359
Speaker 3: It's like like weirdly accurate or like weirdly realistic looking

902
00:49:54,440 --> 00:49:55,480
Speaker 3: little pieces of fruit.

903
00:49:56,280 --> 00:49:59,040
Speaker 2: It's hard to know because I just yeah, it's like

904
00:49:59,080 --> 00:50:01,919
Speaker 2: if you were to cut an ringe kind of thing. Yeah,

905
00:50:02,120 --> 00:50:05,920
Speaker 2: but they're blue raspberry. Oh my god, Oh blue raspberry.

906
00:50:06,000 --> 00:50:09,920
Speaker 2: I mean, as far as it's the king of flavors, always, always,

907
00:50:10,120 --> 00:50:11,640
Speaker 2: you know, it's so much fun.

908
00:50:11,880 --> 00:50:15,400
Speaker 3: If the nineteen nineties brought us anything, it's blue raspberry,

909
00:50:16,640 --> 00:50:19,400
Speaker 3: which I mean it's you've got blue raspberry on one

910
00:50:19,480 --> 00:50:21,520
Speaker 3: end of the spectrum and banana on the other, and

911
00:50:23,360 --> 00:50:25,600
Speaker 3: then you've got various other things happening in between. But

912
00:50:25,640 --> 00:50:31,279
Speaker 3: blue raspberry, I mean, the history of the invention of

913
00:50:31,320 --> 00:50:35,480
Speaker 3: blue raspberry, what genius. There's no such thing as a

914
00:50:35,520 --> 00:50:37,000
Speaker 3: blue raspberry nature is there?

915
00:50:37,480 --> 00:50:37,520
Speaker 2: No?

916
00:50:37,840 --> 00:50:37,880
Speaker 3: No?

917
00:50:38,080 --> 00:50:42,200
Speaker 2: And and whoever came up with that new exam there's

918
00:50:42,239 --> 00:50:45,320
Speaker 2: there's there's probably a word for it, maybe in German

919
00:50:45,440 --> 00:50:48,799
Speaker 2: or something, but like for how satisfying it is when

920
00:50:48,840 --> 00:50:52,080
Speaker 2: you think of of what a blue like eating blue

921
00:50:52,160 --> 00:50:58,279
Speaker 2: raspberry like it's it's it's so titillating. Maybe it's like

922
00:50:59,120 --> 00:51:01,440
Speaker 2: tied up with the whole, like Yoshi's Island type thing.

923
00:51:01,520 --> 00:51:04,160
Speaker 3: Oh, it does feel like something a fruit that Yoshi

924
00:51:04,160 --> 00:51:04,879
Speaker 3: would have to eat.

925
00:51:05,239 --> 00:51:08,960
Speaker 2: My sister one time when I had a I think

926
00:51:09,000 --> 00:51:11,799
Speaker 2: I had food poisoning, and my sister was in her

927
00:51:11,960 --> 00:51:15,080
Speaker 2: room when we were growing up, and she was blasting

928
00:51:15,160 --> 00:51:21,839
Speaker 2: the Yoshi's Island theme, the Yoshi story theme song as

929
00:51:21,920 --> 00:51:24,239
Speaker 2: I was vomiting in her bathroom and I just was

930
00:51:24,360 --> 00:51:26,360
Speaker 2: like begging her to stop, and she couldn't hear me.

931
00:51:26,440 --> 00:51:29,200
Speaker 2: I was like, please further love, please turn it out.

932
00:51:32,320 --> 00:51:33,360
Speaker 2: It's just like taunting me.

933
00:51:34,080 --> 00:51:38,000
Speaker 3: Yeah, that feels like real. Uh, you know that could

934
00:51:38,000 --> 00:51:41,279
Speaker 3: be used in torture situations. That song is, Yeah, that's

935
00:51:41,320 --> 00:51:42,719
Speaker 3: a definitely guantanamo hit.

936
00:51:42,920 --> 00:51:47,160
Speaker 2: I have number three, number three months played on Guano.

937
00:51:47,520 --> 00:51:51,080
Speaker 2: It's a very odd little song. Is it cars for kids? Yo,

938
00:51:51,160 --> 00:51:57,040
Speaker 2: Max Yoshi's Store, Lose Yourself and that I want to

939
00:51:57,080 --> 00:51:59,960
Speaker 2: hear a mashup of Lose Yourself and the Yoshi Store

940
00:52:02,360 --> 00:52:06,120
Speaker 2: can make it happen. Podcast listeners reach out to your

941
00:52:06,320 --> 00:52:13,120
Speaker 2: mashup friends put this together for us too. The mash

942
00:52:13,200 --> 00:52:15,279
Speaker 2: up what is no longer in vogue, But I'll tell

943
00:52:15,320 --> 00:52:20,680
Speaker 2: you what I love a mashup. It's the blue raspberry thing.

944
00:52:20,880 --> 00:52:23,000
Speaker 2: That's what you like. It's it's it's two things that

945
00:52:23,000 --> 00:52:26,880
Speaker 2: shouldn't be that are. It's titillating. Have you ever been

946
00:52:26,920 --> 00:52:29,560
Speaker 2: to a masquerade ball? I mean I've been to like

947
00:52:29,680 --> 00:52:33,239
Speaker 2: Sarah Lawrence parties where they try to do that kind

948
00:52:33,239 --> 00:52:36,479
Speaker 2: of thing. I'm not familiar with Sarah Lawrence party. Oh sorry,

949
00:52:36,560 --> 00:52:41,279
Speaker 2: Sarah Lawrence University is on. It's where Julius Styles went

950
00:52:41,360 --> 00:52:44,320
Speaker 2: and ten Things I Hate about you or maybe you

951
00:52:44,360 --> 00:52:46,200
Speaker 2: never see her go, but that's like where it's like

952
00:52:46,320 --> 00:52:49,719
Speaker 2: her fumba and Louise Cliff that's like it's it's that's

953
00:52:49,760 --> 00:52:54,120
Speaker 2: where she ends up. And it's just like a very morose,

954
00:52:54,640 --> 00:53:01,200
Speaker 2: formally all women's college where it's a lot of a

955
00:53:01,280 --> 00:53:06,160
Speaker 2: lot of people that identify as you know, black sheeps

956
00:53:06,320 --> 00:53:09,279
Speaker 2: of their communities go and they don't speak to each

957
00:53:09,320 --> 00:53:11,680
Speaker 2: other when they're there, and at parties sometimes they would.

958
00:53:12,000 --> 00:53:15,160
Speaker 2: They would literally just be asleep, all lining up against

959
00:53:15,200 --> 00:53:15,520
Speaker 2: a wall.

960
00:53:16,239 --> 00:53:20,200
Speaker 3: And so yeah, yeah, I am not able to uh

961
00:53:21,680 --> 00:53:23,120
Speaker 3: if you're going to tell me something I needed in

962
00:53:23,200 --> 00:53:26,640
Speaker 3: the context of Julia Styles that she's kind.

963
00:53:26,480 --> 00:53:30,600
Speaker 2: Of my my as far as a visual, visual or

964
00:53:30,600 --> 00:53:35,360
Speaker 2: audio learner, you're a Julia Styles learner. Can can Hollywood

965
00:53:35,400 --> 00:53:40,000
Speaker 2: stop making Julia Styles play narcs for one guy? Damn second? Yeah,

966
00:53:40,120 --> 00:53:42,320
Speaker 2: let her have some fun, let her be the fun person.

967
00:53:42,880 --> 00:53:44,839
Speaker 2: Let her have those They did and say the last

968
00:53:44,920 --> 00:53:47,239
Speaker 2: dance and then they were like, that's enough. You've had

969
00:53:47,320 --> 00:53:48,960
Speaker 2: your fill, Julia, You've.

970
00:53:48,880 --> 00:53:52,560
Speaker 3: Had Yeah, you filled your cup. Now get back to

971
00:53:52,760 --> 00:53:57,279
Speaker 3: be in the hall security. You know, I've never been

972
00:53:57,320 --> 00:53:59,600
Speaker 3: to a masquerade ball. I uh, you know, I guess

973
00:53:59,640 --> 00:54:02,760
Speaker 3: the close this is a wedding or prom or something.

974
00:54:03,640 --> 00:54:05,479
Speaker 2: But how great would it be to wear a mask

975
00:54:05,640 --> 00:54:07,000
Speaker 2: to a ball? I mean they were they were so

976
00:54:07,120 --> 00:54:09,839
Speaker 2: smart back in the day, like to because then you're

977
00:54:09,920 --> 00:54:13,440
Speaker 2: just going off of bizazz instead of like what you

978
00:54:13,760 --> 00:54:15,920
Speaker 2: like physical. It's great, it's a great idea.

979
00:54:16,120 --> 00:54:18,800
Speaker 3: It really levels the playing field for everybody. And you know,

980
00:54:19,160 --> 00:54:21,800
Speaker 3: a pauper for a night can become a prince. And

981
00:54:22,000 --> 00:54:24,520
Speaker 3: I think they have the funds to acquire gorgeous, a

982
00:54:24,600 --> 00:54:27,760
Speaker 3: beautiful the head to the antique store, a silver mask.

983
00:54:28,040 --> 00:54:30,600
Speaker 2: Yeah. Do you think silver was the right color for you?

984
00:54:30,640 --> 00:54:31,080
Speaker 2: I think it was.

985
00:54:31,120 --> 00:54:34,160
Speaker 3: I think silver is perfect. I think silver is you know,

986
00:54:34,280 --> 00:54:37,320
Speaker 3: it's it gives me a little extra I think people

987
00:54:38,000 --> 00:54:41,560
Speaker 3: the first thought is gold for you, you know, because

988
00:54:41,560 --> 00:54:44,960
Speaker 3: of my hair, and but I think silver adds an

989
00:54:44,960 --> 00:54:47,640
Speaker 3: extra level of disguise. So when I'm wandering around my

990
00:54:47,640 --> 00:54:49,120
Speaker 3: neighborhood in this, nobody's going to know.

991
00:54:50,080 --> 00:54:53,640
Speaker 2: Gold is tough because I need to wear gold. You

992
00:54:54,200 --> 00:54:57,480
Speaker 2: do kind of always look like Michael Jackson and remember

993
00:54:57,520 --> 00:55:00,480
Speaker 2: the Time music video whatever, and that's the and that's

994
00:55:00,520 --> 00:55:03,239
Speaker 2: like the best you're gonna You're gonna look right right

995
00:55:03,800 --> 00:55:09,320
Speaker 2: like white and gold. It's like I always, I've always,

996
00:55:09,400 --> 00:55:12,839
Speaker 2: like you know, kind of thought about toss the idea

997
00:55:12,880 --> 00:55:15,960
Speaker 2: around in my head, like I like, why I shouldn't

998
00:55:16,040 --> 00:55:16,880
Speaker 2: be wearing more gold?

999
00:55:18,080 --> 00:55:20,200
Speaker 3: I feel like, but you could get away with some

1000
00:55:20,320 --> 00:55:25,759
Speaker 3: gold wrist chains. Yeah, heavy gold chain around the neck. Yeah,

1001
00:55:25,920 --> 00:55:29,480
Speaker 3: like one that like ends in the zyphiite right exactly where,

1002
00:55:29,760 --> 00:55:32,359
Speaker 3: like it looks physically uncomfortable. It's like, is that hitting

1003
00:55:32,440 --> 00:55:38,120
Speaker 3: his bone all the time? Yes, well, yeah, a chain

1004
00:55:38,239 --> 00:55:40,440
Speaker 3: that ends with like a little my face right here

1005
00:55:42,560 --> 00:55:49,640
Speaker 3: it says, hey, I mean Halloween is just around the corner.

1006
00:55:49,640 --> 00:55:51,920
Speaker 3: Are you gonna Are you going to do anything for Halloween?

1007
00:55:52,080 --> 00:55:54,439
Speaker 3: Or you know, this year feels like we're shutting it down.

1008
00:55:55,120 --> 00:55:58,520
Speaker 2: It's just what's tough. It's like nearing the holidays. It's

1009
00:55:58,719 --> 00:56:01,479
Speaker 2: it's like that in a way that pandemic did happen

1010
00:56:01,520 --> 00:56:03,800
Speaker 2: at that at a time. That was nice because in

1011
00:56:03,840 --> 00:56:07,560
Speaker 2: the beginning, like we aside from like or in my culture,

1012
00:56:07,600 --> 00:56:10,200
Speaker 2: I guess I don't know what holidays another, but like

1013
00:56:10,320 --> 00:56:13,279
Speaker 2: in like the big ones and like you know, they're

1014
00:56:13,320 --> 00:56:17,760
Speaker 2: all crammed into remember December. The fact that we're about

1015
00:56:17,800 --> 00:56:20,560
Speaker 2: to get all that, you know, pummeled, it's like it's

1016
00:56:20,680 --> 00:56:24,360
Speaker 2: gonna like, yeah, it's going to be really weird. Halloween

1017
00:56:24,880 --> 00:56:29,680
Speaker 2: will certainly still be happening, because that's a state of mind. Sure, sure,

1018
00:56:30,000 --> 00:56:34,480
Speaker 2: you're just feeling spooky. Yes, yes, they feel you can.

1019
00:56:35,280 --> 00:56:38,960
Speaker 2: You can very very easily frighten your own self and

1020
00:56:39,040 --> 00:56:40,600
Speaker 2: your own home, right you.

1021
00:56:40,920 --> 00:56:41,040
Speaker 1: Uh.

1022
00:56:41,840 --> 00:56:44,000
Speaker 3: Leanne Rhymes said it best. I think you can't kill

1023
00:56:44,040 --> 00:56:44,520
Speaker 3: the Moonlight?

1024
00:56:45,600 --> 00:56:48,719
Speaker 2: Is that is that that song? Yeah? Yeah, I feel

1025
00:56:48,719 --> 00:56:50,919
Speaker 2: like that about Halloween getting taken away from us. Yeah,

1026
00:56:51,960 --> 00:56:54,400
Speaker 2: Rymes Leanne Ryan saved it.

1027
00:56:54,640 --> 00:56:59,360
Speaker 3: She her empowering Halloween anthem can't kill the Moonlight and

1028
00:57:00,239 --> 00:57:04,200
Speaker 3: be more topical this year. So hopefully this podcast will

1029
00:57:05,280 --> 00:57:07,840
Speaker 3: increase her sales and LeeAnne will.

1030
00:57:09,520 --> 00:57:13,520
Speaker 2: Awe yes, she'll retain the crown. It's surging because yeah,

1031
00:57:13,640 --> 00:57:15,719
Speaker 2: back when Bob Dole tried to take away Halloween and

1032
00:57:15,800 --> 00:57:18,600
Speaker 2: LeAnn Rhymes ret least can't fight the Moonlight. Oh is

1033
00:57:18,640 --> 00:57:21,000
Speaker 2: it called can't fight the moonlight? What is it called?

1034
00:57:21,520 --> 00:57:26,840
Speaker 2: I think? Oh, which is different? Can't can't? I actually

1035
00:57:26,840 --> 00:57:30,040
Speaker 2: think thematically it works for Halloween either way. Oh, definitely

1036
00:57:30,240 --> 00:57:34,200
Speaker 2: the moon Leanne Ryan and Rhyme's sounds kind of like

1037
00:57:34,640 --> 00:57:40,360
Speaker 2: like creepy right right, going to you kind of like

1038
00:57:40,440 --> 00:57:43,320
Speaker 2: a second. But I think it was just the spookiness

1039
00:57:43,360 --> 00:57:47,360
Speaker 2: overwhelmed us and we're back. It's because I I went

1040
00:57:47,440 --> 00:57:51,120
Speaker 2: to LeAnn Rhymes dot com you started torrenting her discography.

1041
00:57:51,400 --> 00:57:52,520
Speaker 2: Can't fight them at night? Got it?

1042
00:57:53,320 --> 00:57:55,680
Speaker 3: Can't fight the moonlight? Could use a few more like

1043
00:57:55,920 --> 00:57:59,920
Speaker 3: chains being dragged across the ground or bones clinking, you know,

1044
00:58:00,080 --> 00:58:02,959
Speaker 3: But there's always a room for a me remix or again,

1045
00:58:03,000 --> 00:58:08,680
Speaker 3: a mashup a man moaning just from underground the entire time,

1046
00:58:08,800 --> 00:58:15,480
Speaker 3: just a base level moaning, a.

1047
00:58:15,560 --> 00:58:23,200
Speaker 2: Horse really far away. Leahne rhymes, is the headless Horseman

1048
00:58:25,320 --> 00:58:28,000
Speaker 2: isn't the best? Isn't the best story? Oh wait?

1049
00:58:28,120 --> 00:58:33,480
Speaker 3: The headless Horseman phenomenal. Always scary, so scary it will

1050
00:58:33,520 --> 00:58:35,919
Speaker 3: scare me until you know, a lot of things don't

1051
00:58:35,960 --> 00:58:38,680
Speaker 3: scare me that much anymore, but a headless horseman the

1052
00:58:39,120 --> 00:58:43,520
Speaker 3: you know, the old colonial backdrop we've got, We've got

1053
00:58:43,560 --> 00:58:44,960
Speaker 3: pork about crane.

1054
00:58:45,560 --> 00:58:47,760
Speaker 2: And the only character in media I that it related to.

1055
00:58:50,480 --> 00:58:53,880
Speaker 3: I mean you, I mean you have taught ask about

1056
00:58:54,040 --> 00:58:57,000
Speaker 3: crane is taught. You've kind of got you cut a

1057
00:58:57,080 --> 00:58:57,960
Speaker 3: slim road.

1058
00:58:58,840 --> 00:59:01,200
Speaker 2: I have rode as a about crane has road.

1059
00:59:01,280 --> 00:59:07,000
Speaker 3: Right, I mean you You've been across plenty of bridge.

1060
00:59:08,360 --> 00:59:15,160
Speaker 2: And uh been chased. I have been chased. I would

1061
00:59:15,840 --> 00:59:18,600
Speaker 2: be chased across a bridge. All I want.

1062
00:59:21,000 --> 00:59:23,120
Speaker 3: To successfully get to the other side of a bridge

1063
00:59:23,160 --> 00:59:26,320
Speaker 3: and my enemy is on the other side. Oh satisfaction.

1064
00:59:27,040 --> 00:59:32,520
Speaker 2: I think that story gave me OCD. Wow. If you

1065
00:59:32,640 --> 00:59:33,720
Speaker 2: don't cross the bridge to the.

1066
00:59:34,640 --> 00:59:38,400
Speaker 3: All right, Oh yeah, of course that's I feel like

1067
00:59:38,440 --> 00:59:40,880
Speaker 3: a lot of old fairy tales and that sort of thing.

1068
00:59:41,440 --> 00:59:43,960
Speaker 3: Do have some sort of OCD element built in where

1069
00:59:44,000 --> 00:59:46,160
Speaker 3: it's just like absolutely, there's this rule, and if this

1070
00:59:46,320 --> 00:59:49,240
Speaker 3: rule is broke, broken, your head will.

1071
00:59:49,120 --> 00:59:51,920
Speaker 2: Get a dumpkin smashed right into your tramp stamp.

1072
00:59:55,560 --> 00:59:57,160
Speaker 3: Chris, I feel like it's time to play a game.

1073
00:59:57,240 --> 01:00:00,400
Speaker 3: Do you want to play Gift Master or gift or

1074
01:00:00,440 --> 01:00:00,800
Speaker 3: a curse?

1075
01:00:02,280 --> 01:00:02,959
Speaker 2: Gift or a curse?

1076
01:00:03,080 --> 01:00:07,280
Speaker 3: Okay, cool, give me a number between one and ten nine. Okay,

1077
01:00:07,320 --> 01:00:10,600
Speaker 3: I need to do some calculating. So while I do this,

1078
01:00:10,920 --> 01:00:13,240
Speaker 3: you've got a minute or so to promote something, to

1079
01:00:13,320 --> 01:00:15,320
Speaker 3: recommend something, to just say whatever you want.

1080
01:00:15,360 --> 01:00:17,680
Speaker 2: You have the microphone. I'll be right back, all.

1081
01:00:17,640 --> 01:00:18,920
Speaker 3: Right, I.

1082
01:00:20,480 --> 01:00:23,600
Speaker 2: Would like to recommend I'd like to promote the film

1083
01:00:23,720 --> 01:00:30,120
Speaker 2: Jerry Maguire is new. It's good. It's got like a

1084
01:00:30,320 --> 01:00:35,000
Speaker 2: huge running length, so you can like sit with it

1085
01:00:35,320 --> 01:00:38,040
Speaker 2: and watch it for as long as you want. You

1086
01:00:38,160 --> 01:00:41,840
Speaker 2: got Renee es Elwigger has a sister in it who's

1087
01:00:41,920 --> 01:00:48,000
Speaker 2: really calming. Her name is Bonnie Rait. She's like she's

1088
01:00:48,040 --> 01:00:50,920
Speaker 2: the kind of lady that you know. Renee spills like

1089
01:00:51,240 --> 01:00:55,600
Speaker 2: like mashed potatoes and like toxic waste on her jumper

1090
01:00:55,720 --> 01:00:58,640
Speaker 2: right before I eving to go out with Tom some

1091
01:00:58,800 --> 01:01:03,280
Speaker 2: great wholays Jerry McGuire film, and you know, she like

1092
01:01:03,680 --> 01:01:06,880
Speaker 2: stays very level headed and cool, and it's like it's okay,

1093
01:01:07,880 --> 01:01:12,480
Speaker 2: it's okay, stick calm, just put on this wet white tea.

1094
01:01:13,720 --> 01:01:17,040
Speaker 2: Everything's going to be good. And then that's also, Oh,

1095
01:01:17,120 --> 01:01:17,480
Speaker 2: you're back.

1096
01:01:17,960 --> 01:01:19,320
Speaker 3: I'm glad you were able to get the word out

1097
01:01:19,360 --> 01:01:22,560
Speaker 3: about Jerry McGuire. I feel looking up on Jerry McGuire

1098
01:01:22,600 --> 01:01:27,560
Speaker 3: dot com. This podcast is between Lene Rhymes and Jerry McGuire.

1099
01:01:27,920 --> 01:01:30,200
Speaker 3: I feel like this could have been recorded in late

1100
01:01:30,320 --> 01:01:33,400
Speaker 3: nineteen ninety six and no one would know any better.

1101
01:01:35,880 --> 01:01:38,960
Speaker 3: I mean, for listeners, for all you know, this was

1102
01:01:39,040 --> 01:01:43,440
Speaker 3: recorded four years millennium. Oh what I have one more

1103
01:01:43,480 --> 01:01:46,520
Speaker 3: point about Jerry McGuire. The use is it uses Bruce

1104
01:01:46,560 --> 01:01:50,000
Speaker 3: Springsteen's Secret Garden for eleven.

1105
01:01:49,680 --> 01:01:53,520
Speaker 2: Seconds worth worth the two hundred thousand dollars.

1106
01:01:54,120 --> 01:02:02,600
Speaker 5: D dude, she's got a secret guy. She's got Jonathan Litnig,

1107
01:02:05,000 --> 01:02:05,800
Speaker 5: she's got.

1108
01:02:07,760 --> 01:02:08,760
Speaker 2: On the bag.

1109
01:02:08,880 --> 01:02:13,479
Speaker 3: It's clean, Chris, this is how gift or a curse works.

1110
01:02:13,520 --> 01:02:15,600
Speaker 3: I'm going to tell you three things. You're gonna tell

1111
01:02:15,640 --> 01:02:17,080
Speaker 3: me if they're a gift or a curse and why

1112
01:02:17,520 --> 01:02:19,520
Speaker 3: and I'll tell you if you're right or wrong. There

1113
01:02:19,560 --> 01:02:24,840
Speaker 3: are correct answers, So of course, first up, let's see here.

1114
01:02:24,960 --> 01:02:27,480
Speaker 3: You know I always just loose track of them almost immediately.

1115
01:02:27,640 --> 01:02:28,160
Speaker 2: Oh here we go.

1116
01:02:28,240 --> 01:02:32,560
Speaker 3: Okay, gift he a curse? Experimental ice cream flavors.

1117
01:02:38,200 --> 01:02:49,840
Speaker 2: Like hibiscus radish right, you know, rose lamb a curse?

1118
01:02:50,840 --> 01:02:56,840
Speaker 2: And why elitist exclusive? It's exclusive? I don't stand for it.

1119
01:02:57,960 --> 01:03:01,640
Speaker 2: It's more about it's more about feeling good about yourself

1120
01:03:01,800 --> 01:03:05,600
Speaker 2: for for liking it, for saying I like I like this,

1121
01:03:06,960 --> 01:03:11,120
Speaker 2: I enjoy this crab cantalope flavor than it is about

1122
01:03:11,160 --> 01:03:11,920
Speaker 2: actually enjoying it.

1123
01:03:12,240 --> 01:03:15,560
Speaker 3: So curse absolutely. I mean that, I mean that it's

1124
01:03:15,720 --> 01:03:18,880
Speaker 3: kind of a softball. We all know that experimental ice

1125
01:03:18,920 --> 01:03:21,120
Speaker 3: cream flavors are a curse. Why am I going out

1126
01:03:21,160 --> 01:03:23,080
Speaker 3: for a treat if it's going to be a challenge.

1127
01:03:23,200 --> 01:03:27,040
Speaker 3: No treat should be a challenge. It's a you know,

1128
01:03:27,160 --> 01:03:30,680
Speaker 3: and they're more stuffing it, more expensive ice cream retailers,

1129
01:03:30,720 --> 01:03:33,640
Speaker 3: and so you're paying what five six dollars to not

1130
01:03:33,880 --> 01:03:38,360
Speaker 3: enjoy something I don't understand. Just give me a classic

1131
01:03:38,440 --> 01:03:41,720
Speaker 3: peanut butter, give me a mint chip rough.

1132
01:03:41,600 --> 01:03:45,720
Speaker 2: Yeahad Actually, don't even give it. I don't. Don't give

1133
01:03:45,720 --> 01:03:48,040
Speaker 2: it to me cold. Give me fudge. I don't understand

1134
01:03:48,040 --> 01:03:51,000
Speaker 2: why ice cream is it's uncomfortable. It's like it's the

1135
01:03:51,000 --> 01:03:52,720
Speaker 2: same thing about red hots. Don't have it, make it.

1136
01:03:52,800 --> 01:03:55,400
Speaker 2: They take the comfort out, take the discomfort out. Give

1137
01:03:55,440 --> 01:03:58,080
Speaker 2: me like an ice cream. I don't like being cold. Man.

1138
01:03:58,200 --> 01:04:01,880
Speaker 2: I got like, I get it. I get frostbite easy

1139
01:04:01,920 --> 01:04:04,640
Speaker 2: on my cheek. Oh okay, sure, I'm not going to

1140
01:04:04,680 --> 01:04:06,160
Speaker 2: just put myself in that I did a rod for

1141
01:04:06,240 --> 01:04:07,480
Speaker 2: no reason. Give me fudge.

1142
01:04:07,520 --> 01:04:09,960
Speaker 3: You're headed to the fudge shop, which is always spelled

1143
01:04:10,000 --> 01:04:11,240
Speaker 3: with a double pn an e.

1144
01:04:12,760 --> 01:04:12,800
Speaker 2: U.

1145
01:04:13,840 --> 01:04:16,240
Speaker 3: I can I can understand that. I rarely do I

1146
01:04:16,320 --> 01:04:20,960
Speaker 3: think I should get some fudge, but I like that attitude.

1147
01:04:21,000 --> 01:04:22,720
Speaker 3: I mean, I think fudge that's because you're not at

1148
01:04:22,760 --> 01:04:25,960
Speaker 3: the end of your life, you know, looking back. That's

1149
01:04:26,160 --> 01:04:28,640
Speaker 3: that's why everyone gets to the end of their life

1150
01:04:28,640 --> 01:04:30,360
Speaker 3: and thinks I should have eaten more fudge.

1151
01:04:30,720 --> 01:04:34,760
Speaker 2: Yeah, we're moving around too fast to stop, and me like,

1152
01:04:34,840 --> 01:04:36,960
Speaker 2: I deserve some fudge right now. I mean, you ever

1153
01:04:37,000 --> 01:04:40,640
Speaker 2: have panucci? What's panucci? It's like a maple. I didn't

1154
01:04:40,680 --> 01:04:42,600
Speaker 2: know what it was. I didn't know I was really

1155
01:04:42,640 --> 01:04:45,200
Speaker 2: bad at Like if you tell me something something and

1156
01:04:45,240 --> 01:04:47,160
Speaker 2: it's like, that's what that is. I justop Panucci. I

1157
01:04:47,320 --> 01:04:50,120
Speaker 2: just described it as Panucci. But it's like it's almost

1158
01:04:50,160 --> 01:04:54,480
Speaker 2: like those candy corn pumpkins. Oh okay, you're losing me.

1159
01:04:55,040 --> 01:04:57,080
Speaker 2: But if they were good, they were like like you

1160
01:04:57,160 --> 01:04:58,760
Speaker 2: know how you know how good they look and how

1161
01:04:58,800 --> 01:05:00,280
Speaker 2: good that you think they're going to be when you

1162
01:05:00,360 --> 01:05:02,040
Speaker 2: have them, and then you're like, this is going to

1163
01:05:02,240 --> 01:05:03,080
Speaker 2: never leave my system.

1164
01:05:03,200 --> 01:05:05,000
Speaker 3: Somewhere between grainy and waxy.

1165
01:05:08,040 --> 01:05:10,000
Speaker 2: It's like that. But if it was actually what you

1166
01:05:10,320 --> 01:05:12,200
Speaker 2: wanted it to be, and tell me the name again,

1167
01:05:12,320 --> 01:05:16,600
Speaker 2: Panucci Panucci. So that's a pe n like penis, but

1168
01:05:16,640 --> 01:05:20,720
Speaker 2: then it goes you see. You see, that's that's how

1169
01:05:20,760 --> 01:05:23,240
Speaker 2: I learned spelling. It always has to be around penis,

1170
01:05:23,640 --> 01:05:28,959
Speaker 2: penis based and like penis. You see.

1171
01:05:29,200 --> 01:05:31,840
Speaker 3: H Okay, I'm gonna have maple flavored. I love a

1172
01:05:31,880 --> 01:05:36,120
Speaker 3: maple flavor. I love a maple donut. Same maple, sir,

1173
01:05:36,320 --> 01:05:39,760
Speaker 3: old fashioned, give it to me. M A T has

1174
01:05:39,960 --> 01:05:44,640
Speaker 3: asked bless Emma Thompson. No, this is from listener Hannah

1175
01:05:44,720 --> 01:05:47,840
Speaker 3: no last name, so you know this could be one

1176
01:05:47,880 --> 01:05:54,440
Speaker 3: of the Hannah Amazon Television series original. She's an assassin.

1177
01:05:54,840 --> 01:05:58,120
Speaker 3: She this is a little girl who can kill. She

1178
01:05:58,400 --> 01:06:04,880
Speaker 3: has written into the podcast to suggest airport airport massage

1179
01:06:04,920 --> 01:06:06,600
Speaker 3: shops gifter a curse.

1180
01:06:07,760 --> 01:06:14,000
Speaker 2: Oh, it's a curse. Why because because you are you

1181
01:06:14,160 --> 01:06:16,680
Speaker 2: have to show your massage face to the world. The

1182
01:06:16,720 --> 01:06:20,280
Speaker 2: whole point of feeling pleasure is being able to relief,

1183
01:06:20,520 --> 01:06:22,520
Speaker 2: is being able to do it under under a bridge.

1184
01:06:22,720 --> 01:06:25,040
Speaker 2: You know, you want to be alone, but to have

1185
01:06:25,160 --> 01:06:28,240
Speaker 2: to be on display while you're while you're feeling relief,

1186
01:06:28,400 --> 01:06:33,720
Speaker 2: comfort and pleasure, that is that is an absolute curse. So, yeah, cursed.

1187
01:06:34,720 --> 01:06:42,800
Speaker 3: All of your massages are being done by trolls under bridge. Yes, yes, again, Wow,

1188
01:06:43,040 --> 01:06:45,919
Speaker 3: I mean you're you're you're two for two here, of course.

1189
01:06:46,080 --> 01:06:49,880
Speaker 3: I mean what scenario do you feel comfortable in an airport?

1190
01:06:50,280 --> 01:06:50,400
Speaker 5: Uh?

1191
01:06:50,800 --> 01:06:54,000
Speaker 3: Comfortable enough to just suddenly have a stranger rubbing your body?

1192
01:06:54,240 --> 01:06:59,320
Speaker 3: I would be the tension I would be, you know, mattle,

1193
01:06:59,720 --> 01:07:05,800
Speaker 3: Just get a chair, quiet and serene, and I need

1194
01:07:05,880 --> 01:07:08,919
Speaker 3: to be away from others. You know, it's the same

1195
01:07:08,960 --> 01:07:11,360
Speaker 3: thing with the mall people getting message in the middle

1196
01:07:11,360 --> 01:07:13,560
Speaker 3: of the mall. What are what has happened to you

1197
01:07:14,160 --> 01:07:17,440
Speaker 3: that that's led you to this? I don't understand it

1198
01:07:17,480 --> 01:07:17,800
Speaker 3: as well.

1199
01:07:17,880 --> 01:07:20,040
Speaker 2: I think it's the Messus's friends that it's just a

1200
01:07:20,160 --> 01:07:22,920
Speaker 2: marketing thing. I don't think anyone. I think it's I

1201
01:07:22,960 --> 01:07:26,200
Speaker 2: mean maybe psychopaths, but like I know that's what it is.

1202
01:07:26,680 --> 01:07:27,360
Speaker 5: You know what that is.

1203
01:07:27,480 --> 01:07:29,840
Speaker 2: It's the same thing with the that the Israeli government does,

1204
01:07:30,440 --> 01:07:33,120
Speaker 2: uh Israel. It's like it's really a TSA or whatever too.

1205
01:07:34,080 --> 01:07:36,160
Speaker 2: They don't really you don't go through any screen. They

1206
01:07:36,200 --> 01:07:38,760
Speaker 2: just psychologically analyze you to make sure you're not going

1207
01:07:38,840 --> 01:07:40,840
Speaker 2: to be like be up to no good on the

1208
01:07:40,880 --> 01:07:44,280
Speaker 2: plane in the airport. How do they do? They just

1209
01:07:44,440 --> 01:07:46,000
Speaker 2: I guess they're just like really good at reading like

1210
01:07:46,720 --> 01:07:50,840
Speaker 2: the facial cues and like airport massage. Yeah, they ask

1211
01:07:50,880 --> 01:07:52,960
Speaker 2: you a box of your briefs. But like in America,

1212
01:07:53,000 --> 01:07:55,640
Speaker 2: it's probably like if you are willing to subject you,

1213
01:07:55,760 --> 01:07:57,400
Speaker 2: if you're willing to put yourself out there and get

1214
01:07:57,480 --> 01:08:00,320
Speaker 2: an airport massage, you're probably put on a watch. You're

1215
01:08:00,400 --> 01:08:06,040
Speaker 2: probably yeah, that's what that is. Insecurity. Yes, that's homeland security.

1216
01:08:06,080 --> 01:08:09,880
Speaker 2: That's all that is. Okay, fantastic. My sister saw Eric

1217
01:08:09,960 --> 01:08:10,880
Speaker 2: Andre getting them once.

1218
01:08:11,600 --> 01:08:14,600
Speaker 3: I mean, of course that's the one person that I

1219
01:08:14,760 --> 01:08:16,519
Speaker 3: can imagine getting an airport.

1220
01:08:16,880 --> 01:08:18,880
Speaker 2: Yeah, yeah, I'm charmed by that.

1221
01:08:19,080 --> 01:08:24,320
Speaker 3: Yeah, of course, fully on board for Eric andre An Airports. Otherwise,

1222
01:08:24,320 --> 01:08:26,800
Speaker 3: there's something going on with you, and I don't know

1223
01:08:26,840 --> 01:08:30,040
Speaker 3: what to tell anybody. Okay, two out of two, we're

1224
01:08:30,160 --> 01:08:33,920
Speaker 3: headed into the final thing here. This is a gift

1225
01:08:33,960 --> 01:08:38,559
Speaker 3: for a curse. Okay, the Golden Age of television gift?

1226
01:08:38,560 --> 01:08:45,439
Speaker 2: He a curse. It's a gift. Why it's the golden

1227
01:08:45,479 --> 01:08:54,639
Speaker 2: age of television. That's your reasoning, that's your reasoning. Yeah,

1228
01:08:54,640 --> 01:08:55,599
Speaker 2: it's in the name. What do you mean?

1229
01:08:55,680 --> 01:09:00,400
Speaker 3: Of course it's a gift, Chris. You have been flying

1230
01:09:00,600 --> 01:09:03,360
Speaker 3: so high. The butterfly flies so high, but it can

1231
01:09:03,479 --> 01:09:04,320
Speaker 3: only go so far.

1232
01:09:04,680 --> 01:09:05,639
Speaker 2: And say that you've.

1233
01:09:05,520 --> 01:09:09,719
Speaker 3: Incinerated in the sun. The Golden age of television's a curse.

1234
01:09:10,840 --> 01:09:13,479
Speaker 3: What a golden age is always a curse because every

1235
01:09:13,520 --> 01:09:15,719
Speaker 3: other age beyond it is no longer golden.

1236
01:09:16,400 --> 01:09:18,640
Speaker 2: Wait, the gold is the golden age of television, like

1237
01:09:18,720 --> 01:09:20,599
Speaker 2: mad Man, I thought you were talking about like the thirties.

1238
01:09:20,760 --> 01:09:23,240
Speaker 3: You name it, you, I mean the golden fish of

1239
01:09:23,320 --> 01:09:26,840
Speaker 3: television is also deeply personal. So what's your going ranche

1240
01:09:26,880 --> 01:09:31,200
Speaker 3: of television? I guess I don't know. I am Okay,

1241
01:09:31,200 --> 01:09:33,360
Speaker 3: that's silent film. Okay, I'm sorry. I guess I guess

1242
01:09:33,479 --> 01:09:36,240
Speaker 3: you were when you said that. I imagine the Twilight Zone.

1243
01:09:36,880 --> 01:09:39,479
Speaker 3: Now I think the you know, at least as far

1244
01:09:39,560 --> 01:09:48,519
Speaker 3: as contemporary peel oh, the current I think television critics

1245
01:09:48,520 --> 01:09:50,599
Speaker 3: will tell you the golden age of television probably lasted

1246
01:09:50,640 --> 01:09:55,040
Speaker 3: between two thousand and nine and two thousand and probably seventeen.

1247
01:09:55,680 --> 01:10:02,000
Speaker 2: When you say when ended at the one TV show,

1248
01:10:02,080 --> 01:10:03,160
Speaker 2: was it suits that ended?

1249
01:10:03,200 --> 01:10:10,959
Speaker 3: It suits any golden age. So it was like Breaking Bad, Bad, Madmen,

1250
01:10:11,520 --> 01:10:16,840
Speaker 3: the Wire, the Spective, True Detective. What else have we

1251
01:10:17,320 --> 01:10:20,880
Speaker 3: The Fuller House, Fuller House, you know I have. I

1252
01:10:21,640 --> 01:10:26,200
Speaker 3: have been to Jeff Franklin's home, really, which is built

1253
01:10:26,360 --> 01:10:31,439
Speaker 3: on the site of the Manson murders. And uh, two

1254
01:10:31,479 --> 01:10:34,760
Speaker 3: weeks after I met my boyfriend, he was doing a

1255
01:10:35,400 --> 01:10:38,400
Speaker 3: these living room shows that are like hosted of these

1256
01:10:38,720 --> 01:10:40,400
Speaker 3: mansions or whatever, and he was singing, and when he

1257
01:10:40,479 --> 01:10:44,559
Speaker 3: invited me, I went, and it was, you know, of course,

1258
01:10:45,160 --> 01:10:48,439
Speaker 3: exactly as horrible as you can possibly. There's a shark tank,

1259
01:10:49,200 --> 01:10:51,880
Speaker 3: there's a wall in the house that is just a

1260
01:10:52,080 --> 01:10:56,479
Speaker 3: collectible place with Elvis on them. It is the bottom

1261
01:10:56,560 --> 01:10:57,040
Speaker 3: of taste.

1262
01:10:58,800 --> 01:11:01,400
Speaker 2: Well, I'm with you up for the shark tank aspect

1263
01:11:01,479 --> 01:11:04,920
Speaker 2: of that. Are there actual sharks in there?

1264
01:11:05,360 --> 01:11:08,080
Speaker 3: Yeah, there were actual sharks. This was maybe one of

1265
01:11:08,120 --> 01:11:10,040
Speaker 3: the most surreal moments of my entire life.

1266
01:11:11,200 --> 01:11:16,240
Speaker 2: I love that. I love. I cannot wait to get

1267
01:11:16,280 --> 01:11:20,040
Speaker 2: exotic animal money. That's that's what I want. So that's

1268
01:11:20,080 --> 01:11:23,280
Speaker 2: how the only reason I wanted shark my first bind

1269
01:11:23,320 --> 01:11:30,120
Speaker 2: o fasa. Hey what fasasa fasa. I'll send it to you.

1270
01:11:30,600 --> 01:11:34,639
Speaker 2: It's like a it's like a South American horse cat. Oh,

1271
01:11:36,320 --> 01:11:40,800
Speaker 2: it's like they have a tiny little head. And you

1272
01:11:40,920 --> 01:11:46,000
Speaker 2: love an animal with the tiny head. Yeah, abortion, you

1273
01:11:46,080 --> 01:11:48,719
Speaker 2: gotta see that. You gotta see it. Naturally cropped ears.

1274
01:11:49,479 --> 01:11:51,839
Speaker 2: I'm chatting it to you right now and to Steven.

1275
01:11:52,439 --> 01:11:52,800
Speaker 4: This thing.

1276
01:11:53,439 --> 01:11:57,200
Speaker 2: Yeah, check that out. Hopefully that's right. Hopefully I did

1277
01:11:57,280 --> 01:11:58,920
Speaker 2: copy it and just didn't send you something else on

1278
01:11:58,960 --> 01:12:03,320
Speaker 2: my clipboard, because that's better revealing what I copy. It's

1279
01:12:03,560 --> 01:12:08,280
Speaker 2: f A s A f o s okays falsa. Yeah,

1280
01:12:08,280 --> 01:12:10,640
Speaker 2: it's an animal that everyone's kind of agreed to not

1281
01:12:10,760 --> 01:12:15,479
Speaker 2: talk about. Oh, you've chatted it to me. Yeah, yeah, okay,

1282
01:12:15,560 --> 01:12:20,360
Speaker 2: let me click this. Yeah beautiful. Oh this is uh

1283
01:12:20,880 --> 01:12:26,320
Speaker 2: like a land order. This is the otter of the

1284
01:12:26,400 --> 01:12:29,760
Speaker 2: mountain or the desert toward the jungle. I think I

1285
01:12:29,800 --> 01:12:33,880
Speaker 2: would make it a tape heir too. What t a

1286
01:12:34,000 --> 01:12:36,679
Speaker 2: p I R. It's like a it's like a pig horse.

1287
01:12:37,400 --> 01:12:39,080
Speaker 3: Wow, this is a whole new world for me. I

1288
01:12:39,160 --> 01:12:41,920
Speaker 3: feel like, oh, of course, yeah, I'm familiar with this creature.

1289
01:12:42,040 --> 01:12:44,160
Speaker 3: I see you owning both of these and at some

1290
01:12:44,200 --> 01:12:47,759
Speaker 3: point we want to oh, right, a while.

1291
01:12:47,600 --> 01:12:49,960
Speaker 2: Ago you but you need to get a dangerous animal

1292
01:12:50,040 --> 01:12:52,120
Speaker 2: license for that. And also they're very dangerous.

1293
01:12:51,760 --> 01:12:56,040
Speaker 3: And don't rule anything out. Yeah, well you got two

1294
01:12:56,040 --> 01:12:58,880
Speaker 3: out of three on gift or a curse. It's better

1295
01:12:58,960 --> 01:13:05,360
Speaker 3: than some, worse than others. But it's your own personal score.

1296
01:13:05,600 --> 01:13:07,519
Speaker 2: So yeah, that's me in general.

1297
01:13:11,240 --> 01:13:14,280
Speaker 3: Let's answer some questions. This is called I said no questions,

1298
01:13:14,320 --> 01:13:17,439
Speaker 3: and people writing into I said no gifts at gmail

1299
01:13:17,520 --> 01:13:20,680
Speaker 3: dot com and they have, you know, they have hit

1300
01:13:20,800 --> 01:13:22,920
Speaker 3: a point in their life that they have no choice

1301
01:13:22,960 --> 01:13:25,760
Speaker 3: but to reach out to a podcast for answers. So

1302
01:13:26,560 --> 01:13:29,599
Speaker 3: let me read the first one to you. This is Bridger.

1303
01:13:29,920 --> 01:13:32,320
Speaker 3: My parents have been strictly quarantining in order to watch

1304
01:13:32,360 --> 01:13:34,679
Speaker 3: my daughter while my husband and I work were both

1305
01:13:34,720 --> 01:13:37,920
Speaker 3: in healthcare. Normally, I would get themself care gifts like

1306
01:13:38,000 --> 01:13:41,200
Speaker 3: pedicures and massages as a thank you for the free babysitting.

1307
01:13:42,280 --> 01:13:44,360
Speaker 3: Any ideas for a thank you gift that doesn't involve

1308
01:13:44,400 --> 01:13:45,679
Speaker 3: exposure to other.

1309
01:13:45,600 --> 01:13:50,600
Speaker 2: People people really turn to you for actually.

1310
01:13:50,320 --> 01:13:52,560
Speaker 3: But yeah, and this is from Katie and Florida. She

1311
01:13:52,680 --> 01:13:55,800
Speaker 3: may may be a former customer of your restaurant at

1312
01:13:56,080 --> 01:13:59,080
Speaker 3: the Tampa Airport for all we know. Yeah, no, she

1313
01:13:59,360 --> 01:14:02,080
Speaker 3: was Katie's looking for, you know, and she wants a

1314
01:14:02,240 --> 01:14:07,200
Speaker 3: gift that does not there's no exposure to other people,

1315
01:14:07,240 --> 01:14:13,600
Speaker 3: and in any other situation, first thought, fireworks spectacular. I

1316
01:14:13,640 --> 01:14:16,920
Speaker 3: would say for her to do for her parents fireworks

1317
01:14:17,200 --> 01:14:20,960
Speaker 3: great idea, But you know, we as we record this,

1318
01:14:21,760 --> 01:14:24,479
Speaker 3: the west coast of the United States is on fire

1319
01:14:25,400 --> 01:14:28,240
Speaker 3: right just being tortured. But she's in Florida, so maybe

1320
01:14:28,280 --> 01:14:30,360
Speaker 3: we don't rule it out because it's very wet there.

1321
01:14:30,600 --> 01:14:31,679
Speaker 2: It's very humid there.

1322
01:14:33,000 --> 01:14:36,720
Speaker 3: So you know, first thought, Katie, your parents, you call

1323
01:14:36,840 --> 01:14:40,360
Speaker 3: them one night, it's maybe they're getting out of bed

1324
01:14:40,400 --> 01:14:43,120
Speaker 3: for this. You say, mom and Dad, look out the window.

1325
01:14:43,640 --> 01:14:45,479
Speaker 3: They look out the window and suddenly there is an

1326
01:14:45,560 --> 01:14:52,760
Speaker 3: expertly choreographed fireworks spectacular. Maybe spells out mom and dad

1327
01:14:52,920 --> 01:14:56,800
Speaker 3: spells out thank you. That's up to you or the

1328
01:14:57,600 --> 01:15:02,120
Speaker 3: pyrotechnic expert, IRA technician. Is that what that person's called.

1329
01:15:03,280 --> 01:15:07,080
Speaker 3: I don't know, Chris, what are you thinking watching the kids?

1330
01:15:07,640 --> 01:15:09,680
Speaker 2: I think you should get them a framed photo of

1331
01:15:09,720 --> 01:15:15,480
Speaker 2: the Everglades? Have you been to the Everglades?

1332
01:15:16,080 --> 01:15:16,120
Speaker 3: No?

1333
01:15:16,760 --> 01:15:16,960
Speaker 5: Yeah?

1334
01:15:17,000 --> 01:15:19,960
Speaker 3: You want an air boat blasting through the evergl.

1335
01:15:19,840 --> 01:15:23,160
Speaker 2: Yes, that's I think where I would make most sense

1336
01:15:24,240 --> 01:15:27,679
Speaker 2: that the vehicle on an airboat going in nice cool

1337
01:15:27,800 --> 01:15:28,839
Speaker 2: fifteen mph.

1338
01:15:32,200 --> 01:15:36,360
Speaker 3: Let's just say Katie fireworks spectacular framed photo of the Everglades.

1339
01:15:37,120 --> 01:15:40,519
Speaker 3: Either of these won't involve any interaction. Or you know,

1340
01:15:40,640 --> 01:15:44,640
Speaker 3: there's always the sending a gift card for dinner to

1341
01:15:44,880 --> 01:15:48,760
Speaker 3: order out. You know, yes, lazy. You've got a lot

1342
01:15:48,800 --> 01:15:51,240
Speaker 3: of work to do, and your parents are probably the last.

1343
01:15:51,280 --> 01:15:53,679
Speaker 3: They've probably been eating a lot of like cold chicken

1344
01:15:53,720 --> 01:15:57,120
Speaker 3: nuggets off your kids plates. Maybe it's time to send

1345
01:15:57,200 --> 01:15:58,559
Speaker 3: mom and dad dinner.

1346
01:15:59,400 --> 01:16:01,840
Speaker 2: I think that door dash or Postmates to work.

1347
01:16:02,160 --> 01:16:05,040
Speaker 3: Yeah, you like, let the person know to just leave

1348
01:16:05,080 --> 01:16:08,120
Speaker 3: it at the doorstep and then mom and dad don't

1349
01:16:08,120 --> 01:16:12,000
Speaker 3: get exposed to anything and suddenly they're having a nice dinner.

1350
01:16:12,400 --> 01:16:14,679
Speaker 3: And maybe you combine all three gifts. I'm a big

1351
01:16:15,040 --> 01:16:19,800
Speaker 3: proponent of combining gifts for confusion and satisfaction.

1352
01:16:20,680 --> 01:16:23,840
Speaker 2: I am The best gift I ever gave was the

1353
01:16:23,920 --> 01:16:26,920
Speaker 2: most enjoyed gift I've ever gave my dad. He will

1354
01:16:26,960 --> 01:16:29,880
Speaker 2: accept no gifts like you much like you, and I

1355
01:16:29,920 --> 01:16:32,800
Speaker 2: gave him a headlamp one year and that that is

1356
01:16:32,920 --> 01:16:34,080
Speaker 2: the finest gift I've ever.

1357
01:16:34,560 --> 01:16:37,720
Speaker 3: Headlamp is a I feel like everybody could use a headlamp.

1358
01:16:38,160 --> 01:16:41,880
Speaker 2: Oh totally, totally so fun. I mean, just to wear

1359
01:16:41,920 --> 01:16:44,200
Speaker 2: one at all times. Why not? Then you're just ready

1360
01:16:44,240 --> 01:16:47,240
Speaker 2: to blast light wherever you go, because you don't want

1361
01:16:47,240 --> 01:16:49,280
Speaker 2: to hold a light, like if you just you can

1362
01:16:49,479 --> 01:16:52,559
Speaker 2: just like push a button and you're illuminating of your

1363
01:16:52,600 --> 01:16:52,960
Speaker 2: own path.

1364
01:16:53,200 --> 01:16:56,400
Speaker 3: Any situation where you need a flashlight, you also need

1365
01:16:56,479 --> 01:17:00,280
Speaker 3: both hands exactly, So headlamps is You're in trouble, right,

1366
01:17:00,439 --> 01:17:02,840
Speaker 3: You're I mean, always always in trouble in the dark.

1367
01:17:02,880 --> 01:17:05,519
Speaker 2: In that type of sit you're in huge trouble with that.

1368
01:17:06,280 --> 01:17:08,040
Speaker 2: If you're if you're in the dark, you are in

1369
01:17:08,240 --> 01:17:12,840
Speaker 2: huge trouble, Katie. I hope that that helps.

1370
01:17:13,280 --> 01:17:15,040
Speaker 3: We have one more to answer here, Chris, and this

1371
01:17:15,120 --> 01:17:17,720
Speaker 3: one starts out with a good day Bridger, So you

1372
01:17:17,840 --> 01:17:20,559
Speaker 3: know you know where that's from. Where that's from. This person,

1373
01:17:20,760 --> 01:17:22,519
Speaker 3: let's just say it right off the bat, is writing

1374
01:17:22,560 --> 01:17:25,200
Speaker 3: in from Australia. This person's name is Patrick and his

1375
01:17:25,400 --> 01:17:27,600
Speaker 3: question is it's not about what to get somebody, but

1376
01:17:27,920 --> 01:17:31,080
Speaker 3: it is what three questions should one ask a person

1377
01:17:31,360 --> 01:17:33,920
Speaker 3: to determine what is a good present to buy for them?

1378
01:17:34,400 --> 01:17:36,960
Speaker 2: Wow? Okay, what are you afraid of?

1379
01:17:37,280 --> 01:17:37,439
Speaker 3: Oh?

1380
01:17:37,680 --> 01:17:45,200
Speaker 2: Perfect? Do you have any food allergies? And what's your

1381
01:17:45,320 --> 01:17:47,360
Speaker 2: least favorite song? Perfect?

1382
01:17:47,920 --> 01:17:52,120
Speaker 3: That's gonna zero in on, essentially the perfect gift for

1383
01:17:52,240 --> 01:17:57,280
Speaker 3: any person. Who do you see when you look in

1384
01:17:57,320 --> 01:18:05,280
Speaker 3: the mirror? How much money do you make a year?

1385
01:18:06,120 --> 01:18:11,559
Speaker 3: Why did you do the last thing you did? Why

1386
01:18:11,640 --> 01:18:16,120
Speaker 3: have you been ignoring my calls? These all feel like,

1387
01:18:17,160 --> 01:18:19,439
Speaker 3: you know, these are going to help narrow down what

1388
01:18:19,520 --> 01:18:21,400
Speaker 3: this person's looking for, what's on their wish list?

1389
01:18:22,160 --> 01:18:28,720
Speaker 2: When did you deactivate Facebook? When was the last time

1390
01:18:28,760 --> 01:18:34,800
Speaker 2: you felt the ocean mask or no mask? Mask or

1391
01:18:34,880 --> 01:18:35,439
Speaker 2: no mask?

1392
01:18:35,840 --> 01:18:38,080
Speaker 3: That's going to tell you, you know, their political stance.

1393
01:18:38,200 --> 01:18:40,200
Speaker 3: That's going to tell you just generally how much time

1394
01:18:40,240 --> 01:18:43,600
Speaker 3: they're spending on the internet and what part of the

1395
01:18:43,680 --> 01:18:46,479
Speaker 3: internet right, how they feel about their lower face. That

1396
01:18:46,720 --> 01:18:48,280
Speaker 3: I mean that all phone is going to give you

1397
01:18:48,720 --> 01:18:50,240
Speaker 3: a wealth of options for gifts.

1398
01:18:50,600 --> 01:18:52,320
Speaker 2: How much time they've spent in Nashville.

1399
01:18:53,640 --> 01:18:55,960
Speaker 3: Yeah, because you don't ask that, then suddenly you're buying

1400
01:18:56,000 --> 01:18:58,200
Speaker 3: them a hard rock Cafe T shirt that they already own.

1401
01:18:59,080 --> 01:19:02,400
Speaker 2: And I think, I think a good question to get

1402
01:19:02,439 --> 01:19:05,280
Speaker 2: to know somebody is what is what is your what

1403
01:19:05,439 --> 01:19:07,479
Speaker 2: is your e break song? And that to me is

1404
01:19:07,600 --> 01:19:10,000
Speaker 2: what if you were driving down a highway and you're

1405
01:19:10,040 --> 01:19:12,640
Speaker 2: listening to radio and a song is playing and you

1406
01:19:12,680 --> 01:19:14,599
Speaker 2: don't want the song to change so bad that you're

1407
01:19:14,600 --> 01:19:18,280
Speaker 2: willing to pull the e brake while driving? What is

1408
01:19:18,360 --> 01:19:18,960
Speaker 2: that song for you?

1409
01:19:19,360 --> 01:19:22,040
Speaker 3: If that's an interesting Uh, that's a great question. I

1410
01:19:22,560 --> 01:19:23,840
Speaker 3: don't even know if I have an answer to that.

1411
01:19:23,880 --> 01:19:24,519
Speaker 3: Do you have an answer?

1412
01:19:24,760 --> 01:19:26,720
Speaker 2: You were listening to Van Halen, Wait what is it?

1413
01:19:27,640 --> 01:19:27,840
Speaker 1: Yeah?

1414
01:19:27,920 --> 01:19:31,720
Speaker 2: Fastcar by Tradie Chapman, And of course we do not

1415
01:19:31,760 --> 01:19:33,960
Speaker 2: speak about what was playing before the Zoom meeting started.

1416
01:19:34,080 --> 01:19:37,040
Speaker 2: That was that was in the confidence. I was playing

1417
01:19:37,080 --> 01:19:39,080
Speaker 2: that too, in absolute utter confidence.

1418
01:19:39,160 --> 01:19:42,240
Speaker 3: Well, actually, I'm ready to scream it from the rooftops

1419
01:19:42,920 --> 01:19:46,040
Speaker 3: man Halen blasting what man Halen song? Was it?

1420
01:19:46,600 --> 01:19:48,800
Speaker 2: Love Comes walking in I think is what it's called.

1421
01:19:49,320 --> 01:19:53,120
Speaker 2: And then you face a change and the thing is

1422
01:19:53,280 --> 01:20:00,720
Speaker 2: the same and the dreams on mad love comes walking beautiful.

1423
01:20:01,320 --> 01:20:03,840
Speaker 3: Well I think that, I mean we that's at least

1424
01:20:04,040 --> 01:20:09,439
Speaker 3: nine questions we gave you, Patrick. Yeah, I don't know

1425
01:20:09,560 --> 01:20:14,600
Speaker 3: that any of those is going to uh, actually, you know,

1426
01:20:14,640 --> 01:20:17,200
Speaker 3: I think they're all perfect. And you just take your

1427
01:20:17,280 --> 01:20:19,680
Speaker 3: take your pick the litter, and go forth and get

1428
01:20:19,720 --> 01:20:23,400
Speaker 3: your friends and family the ideal gift this holiday, and

1429
01:20:23,439 --> 01:20:28,360
Speaker 3: choose the run. Always choose the runt, because that run

1430
01:20:28,439 --> 01:20:32,679
Speaker 3: otherwise is going to be left to die in the run. Chris,

1431
01:20:32,920 --> 01:20:35,280
Speaker 3: I have just had an absolutely wonderful time.

1432
01:20:35,120 --> 01:20:37,880
Speaker 2: With you here. I've had I've had the loveliest time.

1433
01:20:39,080 --> 01:20:45,160
Speaker 3: I'm now the owner of this beautiful, frightening, dazzling masquerade mask,

1434
01:20:45,360 --> 01:20:49,280
Speaker 3: which is going to open a lot of doors for me. Ye,

1435
01:20:50,840 --> 01:20:54,519
Speaker 3: doors close a lot emotionally, physically, a lot of its

1436
01:20:54,680 --> 01:20:55,479
Speaker 3: going to slam shut.

1437
01:20:56,400 --> 01:20:58,479
Speaker 2: So people, you don't realize how many doors you need

1438
01:20:58,560 --> 01:21:01,519
Speaker 2: to close till till you hit a certain level of wisdom.

1439
01:21:01,680 --> 01:21:03,320
Speaker 3: You know, right, You've got to You've got to do.

1440
01:21:03,360 --> 01:21:08,120
Speaker 3: It's editing. It's essentially just editing. Yes, yes, but you know,

1441
01:21:08,800 --> 01:21:11,599
Speaker 3: it's thank you again for this and we're just going

1442
01:21:11,640 --> 01:21:15,000
Speaker 3: to wrap up the podcast here by everyone. I you know,

1443
01:21:15,120 --> 01:21:17,000
Speaker 3: I hope you have our nice rest of your day.

1444
01:21:17,080 --> 01:21:20,160
Speaker 3: I hope that as Halloween creeps around the corner, you

1445
01:21:20,240 --> 01:21:21,920
Speaker 3: find a safe way to put on a mask and

1446
01:21:22,320 --> 01:21:25,160
Speaker 3: sit in your home quietly with some eerie music and

1447
01:21:25,400 --> 01:21:29,920
Speaker 3: Leanne Rimes reach out. Let's get this Halloween. You've got

1448
01:21:29,960 --> 01:21:32,920
Speaker 3: the next monster mash on your hands. So you and

1449
01:21:33,000 --> 01:21:35,559
Speaker 3: I we combine forces and we get this thing back

1450
01:21:35,640 --> 01:21:36,280
Speaker 3: on the charts.

1451
01:21:36,960 --> 01:21:38,200
Speaker 2: Yeah. I love that.

1452
01:21:38,479 --> 01:21:42,519
Speaker 3: Thank you again, and everybody go do your thing. I

1453
01:21:42,640 --> 01:21:46,160
Speaker 3: said no gifts isn't exactly right production. It's engineered by

1454
01:21:46,439 --> 01:21:49,320
Speaker 3: Earth Angel Stephen Ray Morris. The theme song is by

1455
01:21:49,439 --> 01:21:52,400
Speaker 3: miracle Worker Amy Mann. You can follow the show on

1456
01:21:52,520 --> 01:21:55,920
Speaker 3: Instagram and Twitter. At I said no gifts, And if

1457
01:21:55,960 --> 01:21:58,639
Speaker 3: you have a question or need help getting a gift

1458
01:21:58,680 --> 01:22:01,679
Speaker 3: for someone in your life, email me at I said

1459
01:22:01,760 --> 01:22:05,200
Speaker 3: no gifts at gmail dot com. Listen and subscribe on

1460
01:22:05,280 --> 01:22:08,880
Speaker 3: Apple podcast, Stitcher or wherever you found me, and why

1461
01:22:09,000 --> 01:22:10,479
Speaker 3: not leave a review while you're at it?

1462
01:22:12,640 --> 01:22:19,599
Speaker 1: Well, I invited you here, thought I made myself perfectly clear,

1463
01:22:20,920 --> 01:22:26,000
Speaker 1: But you're a guess to my home. You gotta come

1464
01:22:26,080 --> 01:22:33,559
Speaker 1: to me empty, And I said, no guests, your presences, presents,

1465
01:22:33,640 --> 01:22:39,640
Speaker 1: and I already had too much stuff. So how did

1466
01:22:39,760 --> 01:22:42,120
Speaker 1: you dare to surbey me?