1 00:00:00,240 --> 00:00:04,760 Speaker 1: Hello the Internet, and welcome to this episode of Happy 2 00:00:04,880 --> 00:00:13,320 Speaker 1: trenventee hundredth anniversarys. Wow Wow, Wow Wow nifteen hundred trendventeenth 3 00:00:13,600 --> 00:00:16,880 Speaker 1: one hundred. And I still look at you the same way, honey, 4 00:00:17,880 --> 00:00:20,520 Speaker 1: You're still beautiful, You're still the apple of my bid. 5 00:00:21,600 --> 00:00:21,840 Speaker 2: Trump. 6 00:00:21,960 --> 00:00:25,959 Speaker 3: Please, I can't don't use an affect Jack to really 7 00:00:25,960 --> 00:00:28,040 Speaker 3: embrace it, really embrace our love for each other. 8 00:00:28,080 --> 00:00:31,400 Speaker 1: Don't use an affects entered my bedroom? 9 00:00:31,760 --> 00:00:36,840 Speaker 4: Is I just have to do Trump voice all the time, Jesus, Yeah, 10 00:00:36,920 --> 00:00:41,240 Speaker 4: seventeen hundred, don't yes me, seventeen hundred episodes, yes show, 11 00:00:41,360 --> 00:00:45,760 Speaker 4: said Justin. Super producer Justin was like, oh, by the way, 12 00:00:45,760 --> 00:00:47,760 Speaker 4: coming up, Yeah, I will. 13 00:00:47,680 --> 00:00:52,879 Speaker 1: Not be here for it tomorrow Friday. Friday's episode will 14 00:00:52,960 --> 00:00:56,760 Speaker 1: be there venteen hundred. Tomorrow's will be the one thousand, 15 00:00:56,840 --> 00:01:02,200 Speaker 1: six hundred and ninety ninth sixty nine, sixteen ninety nine 16 00:01:02,240 --> 00:01:05,920 Speaker 1: and my favorite sexual position. Don't ask what it is. 17 00:01:06,160 --> 00:01:07,839 Speaker 1: It's a mess. Yeah. 18 00:01:08,600 --> 00:01:10,319 Speaker 3: Yeah, I'm just gonna say, like, what was happening? And 19 00:01:10,560 --> 00:01:12,360 Speaker 3: I'd imagine it's something to do with the year. 20 00:01:12,280 --> 00:01:16,600 Speaker 2: Sixteen ninety nine, right right, I like to sixteen ninety nine. 21 00:01:16,680 --> 00:01:18,800 Speaker 3: You know what I mean when there was a violent 22 00:01:18,800 --> 00:01:19,840 Speaker 3: earthquake in Java. 23 00:01:20,640 --> 00:01:24,600 Speaker 1: Yeah, yeah, yeah, that's what it involves. Having people shake 24 00:01:24,640 --> 00:01:27,400 Speaker 1: your bed. It's a little like floating, it's a little 25 00:01:27,480 --> 00:01:31,600 Speaker 1: like you know. Anyways, I'm Jack, Yeah, still Jack is 26 00:01:31,640 --> 00:01:35,759 Speaker 1: still still got the khakis with a cuff of the crease, 27 00:01:36,680 --> 00:01:39,880 Speaker 1: still from day one. Still and I'm thrilled to be 28 00:01:39,959 --> 00:01:43,880 Speaker 1: joined as always by my co host, mister Miles Man. 29 00:01:43,959 --> 00:01:46,320 Speaker 2: Yeah, that's that's it's it is, right, man. 30 00:01:46,400 --> 00:01:49,400 Speaker 3: Seventeen hundred feels a number seventeen, you know it doesn't know? 31 00:01:50,040 --> 00:01:53,640 Speaker 1: Yeah, we stay consistent, stay consistent. Still don't know what 32 00:01:53,680 --> 00:01:57,720 Speaker 1: the fuck I'm doing? Still all right, Still nervous as hell, 33 00:01:58,120 --> 00:02:00,760 Speaker 1: Still nervous as hell, and I still will have sweat 34 00:02:00,800 --> 00:02:02,520 Speaker 1: coming through the butt of my pants. 35 00:02:03,680 --> 00:02:06,080 Speaker 2: Do you sit in something dead? Yeah? 36 00:02:06,240 --> 00:02:07,919 Speaker 1: Yeah, yeah, let's go with that. 37 00:02:09,280 --> 00:02:11,400 Speaker 2: Dang stuff everywhere on my seat. 38 00:02:12,919 --> 00:02:16,600 Speaker 1: I must have sat on a fucking thing of watermelon 39 00:02:16,720 --> 00:02:24,680 Speaker 1: or something. I think crud. Anyway, that even mean, Oh man, 40 00:02:24,880 --> 00:02:27,920 Speaker 1: got a couple of humming birds going crazy in the yard, 41 00:02:28,040 --> 00:02:32,400 Speaker 1: Miles video, get it out. I know I wish I was, dude. 42 00:02:32,440 --> 00:02:35,440 Speaker 3: I know you're not lying because your eyes are sparkling 43 00:02:35,720 --> 00:02:37,480 Speaker 3: like I get your one true love. 44 00:02:38,720 --> 00:02:41,919 Speaker 1: There's two of them. There's two of them, and they're 45 00:02:41,960 --> 00:02:51,600 Speaker 1: just like a prince y the uh and the arena 46 00:02:51,880 --> 00:02:55,239 Speaker 1: and yes, you ever hear one of those things fly by, 47 00:02:55,320 --> 00:03:00,640 Speaker 1: it's like a oh yeah, It's like anyways, this episode 48 00:03:00,680 --> 00:03:08,600 Speaker 1: is just gonna be me doing Hummingbird, all right, Miles. 49 00:03:08,960 --> 00:03:12,079 Speaker 1: There were some primaries last night. 50 00:03:12,160 --> 00:03:15,880 Speaker 3: Yeah, yeah, big winners or not big winners really just 51 00:03:15,919 --> 00:03:16,919 Speaker 3: a bunch of losers. 52 00:03:17,240 --> 00:03:20,639 Speaker 1: Yeah. The big story is like people far to the 53 00:03:20,760 --> 00:03:25,519 Speaker 1: left and far to the right both had bad nights. Yeah, 54 00:03:25,639 --> 00:03:28,800 Speaker 1: endorsed candidates did badly. 55 00:03:29,320 --> 00:03:34,200 Speaker 3: Took ells in let's see Utah, South Carolina, Colorado, and 56 00:03:34,240 --> 00:03:37,000 Speaker 3: it was all like the freakiest people like to Like 57 00:03:37,160 --> 00:03:40,200 Speaker 3: in South Carolina, there was like that black pastor. He 58 00:03:40,360 --> 00:03:43,600 Speaker 3: was calling for teachers who were like supportive of LGBTQ 59 00:03:43,720 --> 00:03:46,200 Speaker 3: students or as he said, pushing the agenda to be 60 00:03:46,360 --> 00:03:51,240 Speaker 3: immediately terminated. He also lied about having a degree or 61 00:03:51,560 --> 00:03:54,640 Speaker 3: you know, his completely obscured his military service. 62 00:03:55,720 --> 00:04:01,320 Speaker 1: Sounds like a Trump candidate. He did not survive. No, no, no. 63 00:04:01,880 --> 00:04:04,560 Speaker 3: Then in Colorado there was also the state GOP chair 64 00:04:04,560 --> 00:04:05,600 Speaker 3: who was running for the house. 65 00:04:05,960 --> 00:04:08,200 Speaker 2: He also lost. He was a trumpy dude too. 66 00:04:08,760 --> 00:04:11,840 Speaker 3: He was someone who also had sent an email from 67 00:04:12,000 --> 00:04:15,680 Speaker 3: the it's like his official state GOP account with an 68 00:04:15,680 --> 00:04:18,880 Speaker 3: email that was titled God Hates Pride. 69 00:04:19,040 --> 00:04:23,120 Speaker 1: So the culture warship didn't didn't didn't work for them, 70 00:04:23,440 --> 00:04:26,880 Speaker 1: But it also being thrown in with that as like, 71 00:04:27,040 --> 00:04:31,560 Speaker 1: and guess who else lost? Representative Jamal Bowman, one of 72 00:04:31,600 --> 00:04:36,760 Speaker 1: the squad, he lost, And this is a stinging rebuke 73 00:04:37,200 --> 00:04:40,839 Speaker 1: for the squad, and like it's being put in with 74 00:04:40,920 --> 00:04:43,520 Speaker 1: the Trump stuff as if like people are just too 75 00:04:43,640 --> 00:04:49,400 Speaker 1: actually rejecting the extremes. And you know the thing with 76 00:04:49,480 --> 00:04:53,279 Speaker 1: Jamal Bowman's cases, it turns out it was the most 77 00:04:53,320 --> 00:04:56,599 Speaker 1: that was ever spent on a house race. And the 78 00:04:56,680 --> 00:04:58,680 Speaker 1: reason for that is be primary, a. 79 00:04:58,720 --> 00:05:02,000 Speaker 2: Fucking primary, not for the general. For a primary. 80 00:05:02,160 --> 00:05:08,839 Speaker 1: Yes, and that's because the American Israel Public Affairs Committee, 81 00:05:09,200 --> 00:05:14,400 Speaker 1: a pack otherwise known as UH just spent an incredible 82 00:05:14,400 --> 00:05:18,920 Speaker 1: amount because he was critical of Israel. And yeah, and. 83 00:05:18,839 --> 00:05:20,400 Speaker 3: It's weird to see how some of the people are 84 00:05:20,440 --> 00:05:23,400 Speaker 3: describing it's like and in his words, you know, his 85 00:05:23,480 --> 00:05:29,080 Speaker 3: harsh criticisms, like describing a genocide in Gaza. Yeah, I 86 00:05:29,120 --> 00:05:34,120 Speaker 3: mean a victory for I don't know, people who are fine. Again, 87 00:05:34,160 --> 00:05:36,240 Speaker 3: this is like the thing we talk about this is 88 00:05:36,680 --> 00:05:39,719 Speaker 3: this is a pack, right, We're talking about an entire 89 00:05:40,040 --> 00:05:43,680 Speaker 3: pack put together to be able to sway our Congress 90 00:05:44,080 --> 00:05:47,640 Speaker 3: to have the kinds of legislation that are favorable for 91 00:05:47,680 --> 00:05:52,039 Speaker 3: this other country, for Israel that and so being so 92 00:05:52,120 --> 00:05:54,440 Speaker 3: for people like, wow, is the most money spent? I 93 00:05:54,480 --> 00:05:56,800 Speaker 3: think I think we need to examine that a little 94 00:05:56,800 --> 00:06:01,040 Speaker 3: bit closer, seems because Miles seems well a lot of 95 00:06:01,080 --> 00:06:03,520 Speaker 3: people said, what if you put another country in there, like, 96 00:06:04,080 --> 00:06:06,680 Speaker 3: especially when that was, you know, from American foreign policy 97 00:06:06,720 --> 00:06:11,080 Speaker 3: seen as adversarial, like a Russian pack backed congress person 98 00:06:11,360 --> 00:06:15,400 Speaker 3: dumping this pack, dumping millions to get someone out. Yeah, yeah, 99 00:06:15,440 --> 00:06:19,840 Speaker 3: it's it's really fucking strange. And I get that like 100 00:06:19,920 --> 00:06:23,120 Speaker 3: that district is like a very like you know, you 101 00:06:23,240 --> 00:06:25,440 Speaker 3: kind of have to It's not all just sort of 102 00:06:25,520 --> 00:06:28,159 Speaker 3: one note there, and it's kind of like an army 103 00:06:28,480 --> 00:06:31,600 Speaker 3: as some people describe a Democrat area, but also has 104 00:06:31,640 --> 00:06:35,440 Speaker 3: parts of the Bronx. It's uh, I don't know, but 105 00:06:35,600 --> 00:06:37,920 Speaker 3: like all the coverage around it has really just been 106 00:06:37,960 --> 00:06:42,360 Speaker 3: like Wow, a rebuke of Jamal Bowman's extremism. 107 00:06:42,560 --> 00:06:46,320 Speaker 1: That's so fucking fucked. The squad really has an egg 108 00:06:46,360 --> 00:06:49,760 Speaker 1: on their face today. And you see other people say 109 00:06:49,839 --> 00:06:53,120 Speaker 1: like Trump like yeah, there are other people. 110 00:06:52,880 --> 00:06:54,400 Speaker 3: Who are just saying, like, you know, Biden needs all 111 00:06:54,400 --> 00:06:56,360 Speaker 3: the support he can get, so like, we don't have 112 00:06:56,440 --> 00:06:58,880 Speaker 3: time for people who are like not on board with 113 00:06:58,920 --> 00:07:01,680 Speaker 3: the agenda. And it's like this is the that's like 114 00:07:01,800 --> 00:07:04,919 Speaker 3: the worst way to describe, like why Jabal Bowman should 115 00:07:04,920 --> 00:07:06,120 Speaker 3: have been voted out. And there are a lot of 116 00:07:06,160 --> 00:07:09,560 Speaker 3: people who are very critical of Latimer's time and his 117 00:07:09,640 --> 00:07:11,200 Speaker 3: work he's done in Westchester County. 118 00:07:11,760 --> 00:07:16,360 Speaker 1: So Latimer is the opponent who defeated him. Yeah, yeah, 119 00:07:16,480 --> 00:07:20,200 Speaker 1: all right, So that's a little bit more on a 120 00:07:20,240 --> 00:07:25,240 Speaker 1: headline you probably saw. It's another headline that's making the rounds. 121 00:07:25,560 --> 00:07:30,000 Speaker 1: It's so hot in DC. Lincoln's wax head melted off. 122 00:07:31,040 --> 00:07:35,320 Speaker 1: There's a wax statue in Washington, d C. People like, 123 00:07:35,400 --> 00:07:40,240 Speaker 1: it's so damn hot, Damn head fell off, dang head melted. 124 00:07:40,720 --> 00:07:45,360 Speaker 1: Pet's heads are falling off, Damn statues heads are melting off. 125 00:07:47,120 --> 00:07:48,120 Speaker 2: So the first. 126 00:07:47,960 --> 00:07:51,840 Speaker 1: Question this raises is why they're statue made of wax 127 00:07:51,920 --> 00:07:56,600 Speaker 1: miles that's not one of the medium's sculptors usually work with. 128 00:07:57,440 --> 00:07:59,600 Speaker 3: Yeah, and I think while most people are like, oh 129 00:07:59,680 --> 00:08:04,000 Speaker 3: my god, dude, wax Lincoln melted in the sun, I 130 00:08:04,000 --> 00:08:06,760 Speaker 3: think people don't realize too that this was like the 131 00:08:06,800 --> 00:08:11,600 Speaker 3: work of an artist named Sandy Williams the fourth and 132 00:08:11,960 --> 00:08:15,760 Speaker 3: was just saying, like, apparently it's also a candle and 133 00:08:15,920 --> 00:08:17,240 Speaker 3: it's just melt perfect. 134 00:08:17,280 --> 00:08:21,640 Speaker 1: Since I've never seen a large wax anything that shouldn't 135 00:08:21,680 --> 00:08:24,760 Speaker 1: also probably be a candle as well, you know. 136 00:08:25,040 --> 00:08:27,760 Speaker 3: Yeah, yeah, they said, the installation is quote a direct 137 00:08:27,800 --> 00:08:31,280 Speaker 3: commentary on DC's history of Civil War era contraband camps. 138 00:08:32,760 --> 00:08:36,160 Speaker 2: So this is I don't know, his head fell off. 139 00:08:36,240 --> 00:08:38,680 Speaker 1: Cool, but the head was meant to fall off, like 140 00:08:38,720 --> 00:08:42,280 Speaker 1: that was part of the idea. Was that as a 141 00:08:42,559 --> 00:08:46,360 Speaker 1: statement about how hot, how damn hot it's getting. 142 00:08:47,400 --> 00:08:49,559 Speaker 2: Yeah, it's necessarily about that, I think. 143 00:08:49,559 --> 00:08:52,760 Speaker 3: But the thing was they just they like the shifting 144 00:08:52,920 --> 00:08:55,320 Speaker 3: nature of the wax statue was part of the intent 145 00:08:55,360 --> 00:08:57,960 Speaker 3: of the artist, you know, just like, yeah, it's interesting, 146 00:08:58,000 --> 00:08:58,520 Speaker 3: it changes. 147 00:08:59,840 --> 00:09:04,040 Speaker 1: I sure did change. His damn head fell off our 148 00:09:05,320 --> 00:09:10,320 Speaker 1: very own Brian the editor has rated this one. Uh 149 00:09:10,600 --> 00:09:14,120 Speaker 1: he said, Nah, that's whank. Uh. I put in a 150 00:09:14,160 --> 00:09:17,240 Speaker 1: good word, Sandy. I put in a good word on 151 00:09:17,320 --> 00:09:22,760 Speaker 1: behalf of your sculpture, you know, and unfortunately it has 152 00:09:22,800 --> 00:09:26,640 Speaker 1: been rated officially a wank uh. Brian just put his 153 00:09:26,920 --> 00:09:29,440 Speaker 1: video on to give us the jack offhand motion, so 154 00:09:30,000 --> 00:09:36,199 Speaker 1: uh it's to be fair. Oh my god, he much madam. 155 00:09:37,480 --> 00:09:42,120 Speaker 1: He's curious every time he goes up, like he can't 156 00:09:42,160 --> 00:09:43,839 Speaker 1: go to any madam to so because they think he's 157 00:09:43,920 --> 00:09:46,760 Speaker 1: actually jacking off because he just goes in and makes 158 00:09:46,800 --> 00:09:52,320 Speaker 1: the jack offhand motion so so vigorously that Yeah. Uh, 159 00:09:52,360 --> 00:09:55,400 Speaker 1: there's some new AI bullshit. A Toys r Us commercial 160 00:09:55,960 --> 00:10:00,080 Speaker 1: looks like ship, what are they doing? They so they 161 00:10:00,160 --> 00:10:03,160 Speaker 1: released an ad that was made using the AI text 162 00:10:03,160 --> 00:10:06,720 Speaker 1: to video tools Sora. Yeah, it shows us. They're like 163 00:10:06,840 --> 00:10:11,320 Speaker 1: do you ever wonder where Toys r Us came from? No? 164 00:10:11,760 --> 00:10:14,840 Speaker 1: It was oh shit, sorry, never mind. 165 00:10:14,880 --> 00:10:18,360 Speaker 2: Creating of the imagination of a young Charles Laser. I 166 00:10:18,400 --> 00:10:18,840 Speaker 2: don't care. 167 00:10:19,320 --> 00:10:22,360 Speaker 1: No, I don't give a fuck, not like this, especially. 168 00:10:22,000 --> 00:10:25,280 Speaker 3: When they're like the first ever brand film created with SORA. 169 00:10:25,640 --> 00:10:26,199 Speaker 1: That's what's so. 170 00:10:26,200 --> 00:10:29,480 Speaker 3: Weird about this, Like I don't know why I was 171 00:10:29,520 --> 00:10:31,840 Speaker 3: trying to connect the dots, like in terms of company 172 00:10:31,840 --> 00:10:34,840 Speaker 3: ownership as to why they're using Toys r Us to 173 00:10:35,040 --> 00:10:39,920 Speaker 3: like so heavily branded as this Sora thing because obviously 174 00:10:39,960 --> 00:10:42,520 Speaker 3: you're only doing this because it benefits you know, like 175 00:10:42,559 --> 00:10:46,000 Speaker 3: open a Yeah, yeah, so where's your who's who's got 176 00:10:46,080 --> 00:10:47,800 Speaker 3: the stake in that? That's like, oh yeah, I can 177 00:10:48,200 --> 00:10:49,800 Speaker 3: I own toys r us, I can get them. 178 00:10:49,880 --> 00:10:50,160 Speaker 1: I can. 179 00:10:50,360 --> 00:10:53,520 Speaker 3: I can force them to debase themselves with the terrible 180 00:10:53,600 --> 00:10:58,800 Speaker 3: AI brand film that they debuted at can Yeah they can. 181 00:10:59,400 --> 00:11:05,120 Speaker 1: Film Fest is usually followed always followed pretty closely by 182 00:11:05,200 --> 00:11:10,640 Speaker 1: the can add Festival, and. 183 00:11:09,440 --> 00:11:11,040 Speaker 2: For lack of a better description. 184 00:11:11,200 --> 00:11:14,040 Speaker 1: Yeah, that's essentially what it is, like advertisers, it's not 185 00:11:14,120 --> 00:11:15,680 Speaker 1: a good it's not good. 186 00:11:16,080 --> 00:11:18,880 Speaker 3: I mean, I get that this thing was a little 187 00:11:18,880 --> 00:11:20,960 Speaker 3: bit cleaned up, but they also had to use actual 188 00:11:21,040 --> 00:11:25,280 Speaker 3: VFX artists to fix the weird fuck ups, like his 189 00:11:25,480 --> 00:11:28,439 Speaker 3: eyeglass like the the what do you call the. 190 00:11:28,920 --> 00:11:31,560 Speaker 1: Your arm of your eye glasses frames. Yeah, the arms 191 00:11:31,600 --> 00:11:32,760 Speaker 1: of the eyeglass. 192 00:11:32,360 --> 00:11:36,120 Speaker 3: Arms were like peeking, like piercing through his ear, Like 193 00:11:36,200 --> 00:11:38,960 Speaker 3: they would change, like when the head would move, because 194 00:11:38,960 --> 00:11:40,440 Speaker 3: this is always happens when you look at a lot 195 00:11:40,440 --> 00:11:41,320 Speaker 3: of video. 196 00:11:41,120 --> 00:11:43,800 Speaker 1: Like the child changed from one shot to the next. 197 00:11:43,800 --> 00:11:49,640 Speaker 1: It's just like a different person, and the glasses completely 198 00:11:49,760 --> 00:11:53,280 Speaker 1: changed those those things were not cleaned up. One thing 199 00:11:53,280 --> 00:11:56,320 Speaker 1: we can tell they cleaned up is they took a 200 00:11:56,360 --> 00:11:59,199 Speaker 1: shot from an earlier like Sora video that got changed 201 00:11:59,240 --> 00:12:06,800 Speaker 1: around that featured a like nineteen fifties bicycle repair shop 202 00:12:07,080 --> 00:12:11,480 Speaker 1: or as it said in the Sora video, bile repeat 203 00:12:11,960 --> 00:12:18,000 Speaker 1: shop bilec Yeah because but anyway, Yeah, toys r Us 204 00:12:18,080 --> 00:12:20,280 Speaker 1: is out of business in the sense that like there 205 00:12:20,320 --> 00:12:23,400 Speaker 1: are no toys r us is in the United States. 206 00:12:24,080 --> 00:12:26,319 Speaker 2: There are I think, yeah. 207 00:12:26,120 --> 00:12:30,520 Speaker 1: So now there Toys r Us is basically the brand 208 00:12:30,640 --> 00:12:34,640 Speaker 1: behind Macy's toys section, and they do still have physical 209 00:12:34,679 --> 00:12:37,880 Speaker 1: stores in Canada. But in case you're wondering what the 210 00:12:37,920 --> 00:12:40,080 Speaker 1: fuck's going on. But even so, like the thing that 211 00:12:40,120 --> 00:12:44,000 Speaker 1: should be cool about this is like the so the 212 00:12:44,000 --> 00:12:48,360 Speaker 1: the plot of the ad video, brand video or whatever 213 00:12:48,360 --> 00:12:52,000 Speaker 1: the fuck that they're like the first ever Sora created 214 00:12:52,080 --> 00:12:55,080 Speaker 1: brand video. I'm like, I didn't know that was a thing, 215 00:12:55,280 --> 00:12:59,640 Speaker 1: So I'm less impressed. But like you would think that 216 00:12:59,760 --> 00:13:03,320 Speaker 1: you'd be able to create cool like a cool the 217 00:13:03,400 --> 00:13:07,320 Speaker 1: kid like dreams of a toy store and then he's 218 00:13:07,360 --> 00:13:10,560 Speaker 1: like floating through this like dream toy store and the 219 00:13:10,640 --> 00:13:14,480 Speaker 1: toys like suck, suck the toys are fucking dog shit. 220 00:13:14,760 --> 00:13:16,600 Speaker 3: They look like the kinds of toys, like you know, 221 00:13:16,679 --> 00:13:19,680 Speaker 3: like when your grandparents don't know shit about toys and 222 00:13:19,720 --> 00:13:21,480 Speaker 3: they're like, I got you this toy and you're like, 223 00:13:21,520 --> 00:13:23,880 Speaker 3: what the fuck is this. 224 00:13:23,240 --> 00:13:26,400 Speaker 1: Toy like object? I got you this toy like object. 225 00:13:26,480 --> 00:13:28,360 Speaker 2: It's a little wind up drumming man. 226 00:13:28,760 --> 00:13:33,839 Speaker 1: Yeah, you're like, I'm thirteen. A bunch of like the 227 00:13:34,120 --> 00:13:38,760 Speaker 1: like generic toy robots and then like sports balls, and 228 00:13:39,160 --> 00:13:39,679 Speaker 1: I get too. 229 00:13:39,920 --> 00:13:42,840 Speaker 3: Maybe it's the mind of someone in the fifties or whatever, 230 00:13:42,920 --> 00:13:43,880 Speaker 3: but like anyway, it's. 231 00:13:43,760 --> 00:13:47,120 Speaker 1: Just it's stupid. It sucks for the man. It's not good. 232 00:13:47,679 --> 00:13:48,080 Speaker 2: I get it. 233 00:13:48,120 --> 00:13:51,559 Speaker 3: But they got lead paint though, which got things pretty cool. 234 00:13:52,160 --> 00:13:56,880 Speaker 1: Yeah, pretty fun stuff. All right, let's take a quick break. 235 00:13:57,080 --> 00:14:10,400 Speaker 1: We'll be right back. And we're back. We're and Zamechas 236 00:14:10,520 --> 00:14:18,520 Speaker 1: is back. Bobby Z. Bobby Z. He's dropped a trailer 237 00:14:18,559 --> 00:14:22,920 Speaker 1: for his next film, which seems very so. What we 238 00:14:22,960 --> 00:14:27,520 Speaker 1: can tell it's uh ring camera of the movie because 239 00:14:27,520 --> 00:14:32,160 Speaker 1: it's just a locked shot. It's unmoving camera in a 240 00:14:32,200 --> 00:14:37,400 Speaker 1: single fixed location in space, and it takes place over 241 00:14:37,440 --> 00:14:40,480 Speaker 1: the course of one thousand years. 242 00:14:40,760 --> 00:14:46,440 Speaker 3: Yeah, and like it starts like literally with like The 243 00:14:46,560 --> 00:14:52,160 Speaker 3: Dawn of the Earth, DINOSAURSDS and and then you end 244 00:14:52,240 --> 00:14:55,680 Speaker 3: up with Rober like, Babe, he got Forrest and Jenny 245 00:14:55,760 --> 00:14:56,280 Speaker 3: back together. 246 00:14:56,760 --> 00:15:00,880 Speaker 1: He did. Yeah, so Hanks and right are at it again. 247 00:15:01,480 --> 00:15:03,920 Speaker 1: They're a married couple, and we like see them meet 248 00:15:04,440 --> 00:15:09,480 Speaker 1: in this house. They're then like cursed to live in forever. 249 00:15:10,440 --> 00:15:13,360 Speaker 1: I don't know. Yeah, like they as as teenagers they 250 00:15:13,360 --> 00:15:15,400 Speaker 1: meet in this house. Then I guess Tom Hanks inherits 251 00:15:15,440 --> 00:15:16,640 Speaker 1: the house from his dad or something. 252 00:15:17,600 --> 00:15:21,760 Speaker 3: But all of the action and I check the trailer 253 00:15:21,760 --> 00:15:23,880 Speaker 3: out because if you don't like, I know that there's something 254 00:15:23,960 --> 00:15:26,760 Speaker 3: like these filmmaking terms, but like the camera is just 255 00:15:26,840 --> 00:15:30,760 Speaker 3: basically in one position the entire film. There's there's no 256 00:15:30,880 --> 00:15:33,720 Speaker 3: camera movement, so it really looks like you're watching a 257 00:15:33,800 --> 00:15:36,480 Speaker 3: ring camera that has existed for millions of years and 258 00:15:36,560 --> 00:15:39,200 Speaker 3: drama unfolds in front of it in this like living room. 259 00:15:39,520 --> 00:15:41,960 Speaker 1: Yes, and it's just in a living room. That's that's 260 00:15:42,080 --> 00:15:46,680 Speaker 1: the thing. Living room looking out the front window. And yeah, 261 00:15:46,720 --> 00:15:48,840 Speaker 1: it feels like he looked at the last twenty years 262 00:15:48,840 --> 00:15:51,000 Speaker 1: of movies and effects and was like, you know what 263 00:15:51,200 --> 00:15:55,880 Speaker 1: the coolest thing we have is I'm de aging technology. Yeah, 264 00:15:55,920 --> 00:16:00,320 Speaker 1: the de aging technology in the Irishman, because that is 265 00:16:00,400 --> 00:16:02,960 Speaker 1: the thing that it really seems to be taken advantage of. 266 00:16:03,400 --> 00:16:04,640 Speaker 2: I don't, Zamechus is. 267 00:16:04,760 --> 00:16:07,280 Speaker 1: I mean, like, I'm sorry, man, like you've fallen off. 268 00:16:07,400 --> 00:16:11,320 Speaker 2: Dude, what was the last week? Maybe the like flight. 269 00:16:11,840 --> 00:16:13,720 Speaker 1: Flight I think was the last one that was like 270 00:16:13,960 --> 00:16:16,800 Speaker 1: a passable film. The people I. 271 00:16:16,720 --> 00:16:20,760 Speaker 3: Didn't see Allied, Welcome to Marwin, The Witches or Pinocchio, 272 00:16:20,800 --> 00:16:22,080 Speaker 3: which are his last things. 273 00:16:21,840 --> 00:16:24,640 Speaker 1: That he directed. I watched some of Pinocchio and that 274 00:16:24,680 --> 00:16:29,840 Speaker 1: one is a stink a disaster. Yeah, that's right. 275 00:16:29,920 --> 00:16:32,200 Speaker 3: And then he did that the Walk movie where the 276 00:16:32,280 --> 00:16:36,440 Speaker 3: dude who did the tight rope walk between the twin towers, Yes, 277 00:16:37,280 --> 00:16:38,320 Speaker 3: Jeorge and Gordon Levitt. 278 00:16:38,520 --> 00:16:42,880 Speaker 1: Yeah, zamesis man, Yeah, it's a That one was a 279 00:16:42,880 --> 00:16:46,280 Speaker 1: big was a big miss. I think how this is like. 280 00:16:46,280 --> 00:16:49,520 Speaker 3: The thing like when we're we've been like lamenting the 281 00:16:49,560 --> 00:16:53,960 Speaker 3: film industry forever now, but like I love that. Zamechas 282 00:16:54,040 --> 00:16:57,400 Speaker 3: is like, here's my idea, man, It fucking this camera 283 00:16:57,520 --> 00:17:00,960 Speaker 3: does not move like from the era of dinosaurs, and 284 00:17:01,000 --> 00:17:03,200 Speaker 3: it all plays out in front and like that's the 285 00:17:03,240 --> 00:17:04,960 Speaker 3: weird thing that the sor is like all. 286 00:17:05,000 --> 00:17:08,240 Speaker 2: Right, all right, yeah, it's got Tom Hanks and Robin right. 287 00:17:08,560 --> 00:17:12,680 Speaker 1: Okay. The thing that like computer effects can do well 288 00:17:12,840 --> 00:17:16,000 Speaker 1: is like make the camera move around and like in weird, 289 00:17:16,280 --> 00:17:19,600 Speaker 1: weird ways and fun ways and show you things from 290 00:17:19,680 --> 00:17:22,920 Speaker 1: angles that you'd never be able to see before. And 291 00:17:22,960 --> 00:17:26,359 Speaker 1: this is like, what if we didn't do that? What 292 00:17:26,440 --> 00:17:31,160 Speaker 1: if we just yeah, it's stationary camera? 293 00:17:32,560 --> 00:17:34,280 Speaker 2: Good luck, man, good luck. 294 00:17:34,640 --> 00:17:39,000 Speaker 1: Yeah, looks like shit. Unfortunately, Well we'll see. Though. 295 00:17:39,800 --> 00:17:41,760 Speaker 2: We still got to see that Coppola movie. 296 00:17:42,040 --> 00:17:44,480 Speaker 1: Well, I mean it's not out yet. He's still got 297 00:17:44,480 --> 00:17:47,760 Speaker 1: to He's still got are distribution. 298 00:17:48,240 --> 00:17:49,880 Speaker 2: I'm like, thinking of the last time we were talking 299 00:17:49,920 --> 00:17:50,800 Speaker 2: about a movie that's coming on. 300 00:17:50,800 --> 00:17:54,320 Speaker 1: I'm like, I got it, Okay, I gotta see this. 301 00:17:54,680 --> 00:17:56,480 Speaker 3: Yeah, And even for that one, it's like, because this 302 00:17:56,560 --> 00:17:59,040 Speaker 3: is going to be a disaster, but knowing like some 303 00:17:59,320 --> 00:18:02,040 Speaker 3: coppolagain high in his fucking trailer all day and coming 304 00:18:02,080 --> 00:18:04,679 Speaker 3: out with this ship that is more exciting to me 305 00:18:04,760 --> 00:18:05,520 Speaker 3: than than this. 306 00:18:05,800 --> 00:18:11,360 Speaker 2: But here also beatle, just. 307 00:18:13,200 --> 00:18:16,720 Speaker 1: I stopped. Also excited to see where m I. A 308 00:18:17,000 --> 00:18:20,960 Speaker 1: Is going with this line of Faraday cages. 309 00:18:21,760 --> 00:18:28,560 Speaker 3: Dude, So am I a man for the fans? 310 00:18:28,680 --> 00:18:30,000 Speaker 2: You know we loved paper. 311 00:18:29,720 --> 00:18:33,480 Speaker 3: Planes, you know, it's you know that she she was 312 00:18:33,680 --> 00:18:36,199 Speaker 3: pretty revolutionary, and then she kind of started saying all 313 00:18:36,280 --> 00:18:39,600 Speaker 3: kinds of stuff that was weird, especially like during the pandemic, 314 00:18:39,760 --> 00:18:43,280 Speaker 3: really things got like wobbly about five G and all 315 00:18:43,280 --> 00:18:46,840 Speaker 3: this ship. She is now coming out with fucking an 316 00:18:47,000 --> 00:18:52,680 Speaker 3: entire clothing line that is meant to like block out 317 00:18:52,800 --> 00:18:56,280 Speaker 3: all kinds of wacky ship you know, like like five 318 00:18:56,440 --> 00:18:59,600 Speaker 3: G rays and like bluetooths, like things that like all 319 00:18:59,640 --> 00:19:04,040 Speaker 3: these visible pollutants electronic things that will interfere with your 320 00:19:04,119 --> 00:19:08,160 Speaker 3: internal safety. There's one hundred dollars what they even call 321 00:19:08,240 --> 00:19:10,960 Speaker 3: the tinfoil hat, which is like a bucket hat, which 322 00:19:10,960 --> 00:19:14,920 Speaker 3: has quote one hundred percent brain coverage. Yeah, a two 323 00:19:15,040 --> 00:19:20,160 Speaker 3: hundred dollars data protection dump bag which blocks ninety nine 324 00:19:20,240 --> 00:19:25,200 Speaker 3: point ninety nine percent of electromagnetic radiation, and a two 325 00:19:25,240 --> 00:19:28,720 Speaker 3: hundred dollars quote full protection poncho, which has a full 326 00:19:28,800 --> 00:19:32,840 Speaker 3: coverage gives you full coverage of your brain, gut, lungs, heart, 327 00:19:32,960 --> 00:19:38,320 Speaker 3: and womb. And am I was like, look, man, I 328 00:19:38,400 --> 00:19:42,159 Speaker 3: get it. Like she said, first of all, future backwards 329 00:19:42,240 --> 00:19:46,720 Speaker 3: is are you tough? There's an e that's really left out. 330 00:19:47,000 --> 00:19:50,000 Speaker 1: That's a really good point though, I'd never realized that. 331 00:19:50,320 --> 00:19:51,639 Speaker 2: But then said this. 332 00:19:52,160 --> 00:19:55,600 Speaker 3: Look, if the conspiracy theorists are wrong, good for you. 333 00:19:55,600 --> 00:19:58,679 Speaker 3: You own some beautiful clothes made with pure silver and 334 00:19:58,720 --> 00:20:02,800 Speaker 3: precious metals. But if they are right, you just might 335 00:20:02,840 --> 00:20:04,840 Speaker 3: have saved the future of humanity. 336 00:20:05,760 --> 00:20:07,200 Speaker 1: She talking to herself in the one. 337 00:20:07,240 --> 00:20:09,760 Speaker 2: I don't know, I don't know, I don't know. 338 00:20:10,119 --> 00:20:16,639 Speaker 1: Jack looks great, look good, feel good on this one. Yeah, yeah, yeah, yeah, 339 00:20:16,680 --> 00:20:18,200 Speaker 1: we've lost her. That's all right. 340 00:20:19,840 --> 00:20:23,439 Speaker 3: You gotta you gotta, you gotta get you gotta protect 341 00:20:23,440 --> 00:20:24,879 Speaker 3: your brain, dude from the five G. 342 00:20:25,520 --> 00:20:28,320 Speaker 1: That's all I'm saying. I'm just all I'm saying is 343 00:20:28,320 --> 00:20:30,440 Speaker 1: if you're going to create something called a dump bag 344 00:20:30,600 --> 00:20:32,439 Speaker 1: and I'm not supposed to take a shit in it. 345 00:20:32,680 --> 00:20:35,320 Speaker 1: But that's true. But what are we even doing here? 346 00:20:35,359 --> 00:20:37,680 Speaker 3: It said it blocks nineteen point nine percent of Wi 347 00:20:37,680 --> 00:20:40,280 Speaker 3: Fi four G and five G from reaching your brain, 348 00:20:40,400 --> 00:20:46,160 Speaker 3: made with pure copper and nickel, Faraday fabric and a reversible. 349 00:20:45,680 --> 00:20:46,399 Speaker 1: Two tone design. 350 00:20:47,080 --> 00:20:50,520 Speaker 3: So look, if the conspiracy theorists are wrong, you now 351 00:20:50,520 --> 00:20:55,000 Speaker 3: have beautiful clothing made with precious metals, and if not, 352 00:20:55,600 --> 00:20:57,000 Speaker 3: you may have saved humanity. 353 00:20:57,480 --> 00:21:01,159 Speaker 1: Yeah. Look, if the conspiracy theorists are wrong. You just 354 00:21:01,280 --> 00:21:06,359 Speaker 1: watched an awesome video called Loose Change that you know, 355 00:21:06,400 --> 00:21:10,239 Speaker 1: that's just you just got to enjoy cinema. And if 356 00:21:10,240 --> 00:21:12,959 Speaker 1: they're right, I don't know. Man, right, man. You're welcome, 357 00:21:13,240 --> 00:21:16,520 Speaker 1: You're welcome, You're welcome. All right. Those are some of 358 00:21:16,520 --> 00:21:20,000 Speaker 1: the things that are trending on this Wednesday afternoon. We 359 00:21:20,160 --> 00:21:23,240 Speaker 1: are back tomorrow with the Who last episode of the show. 360 00:21:23,400 --> 00:21:26,560 Speaker 1: Until then, be kind to each other, be kind to yourselves, 361 00:21:27,040 --> 00:21:30,560 Speaker 1: get your vaccines, get your food shots. Don't do anything 362 00:21:30,600 --> 00:21:35,359 Speaker 1: about white supremacist. Don't do nothing about white supremacy. Embrace 363 00:21:35,440 --> 00:21:38,960 Speaker 1: the five G embrace time, Let it in, Let it 364 00:21:39,080 --> 00:21:41,280 Speaker 1: your mouth open so it can enter into your brain 365 00:21:41,359 --> 00:21:51,000 Speaker 1: that way, and we'll talk to you all tomorrow. Bye bye,