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Speaker 1: It's with Jenny Garth and Tori Spelling. Oh hi, you guys,

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Speaker 1: guess what. It's another episode of not On O MG,

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Speaker 1: oh my god. It's like groundhogs Day, a good way

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Speaker 1: in the best way. Look at us. Why are you

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Speaker 1: guys so cute? Um? It's hoodie Day? You didn't get

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Speaker 1: the memo? Yeah, because this is what best friends do.

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Speaker 1: Like we always show up and are wearing similar things,

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Speaker 1: similar colors. We both had hoods on today And when

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Speaker 1: I jumped into the zoom and was like, is this

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Speaker 1: new merch? Because I feel like a garden No when

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Speaker 1: I wear a hoodie, though, you guys, you'd be a

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Speaker 1: cute garden. Wait, Jenny, did I see that you found

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Speaker 1: like a box of merch? And You're like, should I

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Speaker 1: sell these? And I wanted to tell you yes, yes, No,

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Speaker 1: I have a This is all her fault, by my fault. Okay,

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Speaker 1: you tell the story because you're better. We we I

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Speaker 1: have a box of Kelly T shirts in my garage.

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Speaker 1: Story about it. But I have a box of Kelly

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Speaker 1: T shirts in my garage that I just found and

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Speaker 1: nobody to wear them. We did this like fan convention

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Speaker 1: a long time ago and years ago what was it

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Speaker 1: five years ago? I was pregnant with both, so like

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Speaker 1: five and a half years ago and we uh yeah,

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Speaker 1: So I they said you could have merch on your table.

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Speaker 1: So I told her like, oh hey, they said you

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Speaker 1: can have merch on But the last minute she goes

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Speaker 1: you made. I was like what. I was like, yeah,

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Speaker 1: you gotta do it. You gotta get merch made. It

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Speaker 1: wasn't that last minute, because then she went and had

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Speaker 1: tons of merchmide and then she's like, okay, so how

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Speaker 1: am I getting my march there? I was like, oh,

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Speaker 1: you really did that. I didn't do it. YEAHY did

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Speaker 1: it all well. And then I scrambled and got somewhere

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Speaker 1: to make me Donna Martin graduates T shirts in twenty

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Speaker 1: four hours because I was nervous I wouldn't have any merch.

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Speaker 1: But you got left with how much march a lot?

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Speaker 1: You overmarched. I overmarched. Do something with it. Let's make

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Speaker 1: a big blanket. Whoa what are what are they? I

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Speaker 1: want the T shirt T shirts. I'll get them out

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Speaker 1: of the scary T shirts. He's on my house. Yeah

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Speaker 1: oh that and then some we have a big episode

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Speaker 1: this week, though another stalked full of Shenanigan's at college.

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Speaker 1: I think it's stoked full. Yeah. Did you think it

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Speaker 1: was shocked full? Shocked full? Chocked? It's chocked full yeah

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Speaker 1: or stalked? I guess yeah. Whatever, it all works anyway.

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Speaker 1: Season four, episode five Radio Days, aired October six. Synopsis.

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Speaker 1: Donna has had enough of the graveyard shift. Brenda blows

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Speaker 1: her first job. Steve tries to break up with Celeste

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Speaker 1: but realize is he loves her. Kelly is tired of

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Speaker 1: forcing Dylan to join her at parties, and John Sears

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Speaker 1: is waiting in the wings to strike while Kelly is alone. Meanwhile,

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Speaker 1: Andrea is getting too close for comfort with her teacher

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Speaker 1: Dan Ruben. Directed by Richard Lang, written by Richard Goldliance

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Speaker 1: who dad never heard of him. I don't know him. Sorry,

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Speaker 1: no offense. Richard is did a great job. It was

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Speaker 1: It was a good episode. Wait, dude, what ah this episode? Amy?

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Speaker 1: You are chomping at the bit to talk about something

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Speaker 1: at the very end, and we're not gonna let you

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Speaker 1: do it. No, no, nope, You're gonna have to wait. Okay,

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Speaker 1: let's let's talk about all the different fingers of this episode.

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Speaker 1: It seems like it's not like an ABC storyline anymore.

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Speaker 1: It's like every character has their own thing, and every

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Speaker 1: episode we kind of touch on where that character is

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Speaker 1: in their story, which is kind of cool. It's I'm

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Speaker 1: not mad at that, but it makes it a lot

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Speaker 1: to talk about because there's so many characters. So let's

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Speaker 1: just start with like, let's just jump in with the

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Speaker 1: Donna and David on the radio. Did you all get

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Speaker 1: a memo? Though? Flower dresses only literally floral? Floral everywhere?

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Speaker 1: And look what is finally making an entrance Timberland's. This

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Speaker 1: is the point in the program where Timberland's gave Doc

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Speaker 1: Martin's a run for their money. The other the other

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Speaker 1: guy saw the other day, I saw a guy wearing

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Speaker 1: timberland boots but with a five inch heel. Still let up.

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Speaker 1: What yeah, he was working. He was a crew member

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Speaker 1: on a show I did in New York and he

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Speaker 1: worked in them for fifteen sixteen hours. What yeah, he

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Speaker 1: was amazing anyway, still killing it, sore of flower dresses, floral.

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Speaker 1: But we start off with with Donna and David. Very

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Speaker 1: you're very, very cranky in the Morning's. Apparently I'm disgusted.

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Speaker 1: Kelly is disgusting, Like oh, you want some coffee? And

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Speaker 1: I was like, that's my worst nightmare. Someone like that

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Speaker 1: in the morning. Thank God. Neither of us are actually

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Speaker 1: like nope, nope, but David David's room. Did you feel

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Speaker 1: like maybe David's room might be smelly? What was it

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Speaker 1: a four? It was like a fort? Why are there

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Speaker 1: like thing? What was he building a fort? Like? Was

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Speaker 1: he trying to block out the light with the It's

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Speaker 1: really a choice choice. It was reminiscent of a boy's

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Speaker 1: sort of dorm for turning room. I know he's department,

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Speaker 1: but that's what they look like. Mattress one hung up

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Speaker 1: every fabric. Yeah, it did look stinky though he sleeps

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Speaker 1: in a lot of jewelry too, But just one ear ring?

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Speaker 1: Remember when it was one airring and then when for

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Speaker 1: a while it was two ear rings. Yeah, I don't

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Speaker 1: know what it is now. Are the rings at all

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Speaker 1: anymore in style or on him? Brian? I think he

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Speaker 1: went back to wearing ear rings again. I don't know

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Speaker 1: if it's too I don't know. We got to look

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Speaker 1: it up. We need to find out because I'm curious.

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Speaker 1: But your outfits were so cute in this episode, and

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Speaker 1: your little pigtails and you know, I love your hair

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Speaker 1: when it's all natural looking like that. You know, I

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Speaker 1: hated it, of course, But you're so tan? Hello, how

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Speaker 1: does one get that tan? Because you're not that tan anymore.

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Speaker 1: I'm not because keep in mind, it was the nineties.

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Speaker 1: We didn't know the research, and tanning beds were very

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Speaker 1: in And you know what, UM not sad that I

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Speaker 1: don't go to tanning beds anymore because I'm protecting my skin,

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Speaker 1: but I do miss those twelve minutes of peace and quiet,

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Speaker 1: I know, right nice? Did you ever have one in

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Speaker 1: your house? No? Did you? What? No? I didn't have one.

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Speaker 1: The I know somebody that had one, but wasn't me

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Speaker 1: really someone we know? Interesting? Oh no, But I used

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Speaker 1: to love going like you know, that was like the

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Speaker 1: weekly thing. Get your nails done, get your twelve minute

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Speaker 1: tan on, lay in the bed. They would have the

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Speaker 1: stickers you could put on like a little heart, and

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Speaker 1: when you would tan around the hearts, you come away

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Speaker 1: and you have like an imprint, a white hard We

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Speaker 1: know we were microwaving our innards. No longer do that?

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Speaker 1: Do people do that? I think they still do it.

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Speaker 1: They're still they're still tanning beds is that a thing.

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Speaker 1: I thought they would have gone out of business by now.

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Speaker 1: And interesting, Okay, well, obviously you guys go for the

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Speaker 1: spray because there's no harm in the spray, yes is, Yeah,

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Speaker 1: there probably is in the spray. You can inhale that

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Speaker 1: toxic whatever. Well, why are you sniffing in when it sprang? On?

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Speaker 1: Hold your breath? You can't hold your breath out on three,

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Speaker 1: remember the time bight and we got spray tans and

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Speaker 1: we went to like a machine right, which we both

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Speaker 1: got freaked out because we hadn't done it in like

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Speaker 1: twenty years, and it was like turned and we got

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Speaker 1: freaked down. We was like, I have turned. I didn't know,

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Speaker 1: and yeah, Jenn had the same experience. We both came

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Speaker 1: out very bewildered. And then it progressed that tan so

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Speaker 1: halfway through filming the next day we had turned into

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Speaker 1: I was so orange. That's the that's the day of

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Speaker 1: we were arriving at the convention. I'll never forget it

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Speaker 1: in that big hotel with all that natural light, and

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Speaker 1: I couldn't hide it. There was no amount of makeup

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Speaker 1: that would make me not look orange. And it it's

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Speaker 1: got worse, Like in the morning You're like, do I

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Speaker 1: look tan? And I was like, yeah, you look really

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Speaker 1: tann it's looking good. And then literally an hour later,

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Speaker 1: I'm like, it's getting darker. And then like we were

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Speaker 1: in the elevator going down and we looked and she

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Speaker 1: was way darker than me, but it was like orange.

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Speaker 1: So true. What about the time we got a spray

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Speaker 1: tan in our apartment that one time the lady came

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Speaker 1: over with her little pop up thing and spray tanned us.

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Speaker 1: And you were in your tent butt naked, and the

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Speaker 1: tent was like, it's just like four sides and there's

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Speaker 1: no roof. And I was on the phone. I was

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Speaker 1: on the phone with my husband on face time, and

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Speaker 1: he was like, what are you guys doing? So I

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Speaker 1: like put my phone up over the top of the

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Speaker 1: man and he saw your whole body naked. That's not

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Speaker 1: in funny. Sorry, he'll never forget again. I know he

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Speaker 1: can't see it now. That's why he whenever he sees me,

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Speaker 1: doesn't look at me the same way things. You know,

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Speaker 1: what's great, Eazy, is that we realized Dan Rubin the

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Speaker 1: r A is also a teacher. Is that allowed even wow,

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Speaker 1: the only college going here that was good. That was

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Speaker 1: good transition. Okay, we're gonna switch to that storyline. Okay,

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Speaker 1: well that's what comes where we done with Donna and David. Wait, yeah,

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Speaker 1: Donna guess radio show keep going, keeps going. Donna, she

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Speaker 1: can't take it anymore. She goes into quit. She gets

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Speaker 1: her own radio show, she shoved on the air. She

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Speaker 1: does it. It's a huge success. The next here we

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Speaker 1: go and then David finds out the pool party because

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Speaker 1: the girls were like, oh my god, and that party. Wait,

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Speaker 1: you're going to Okay, so everybody, we're gonna go back.

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Speaker 1: We're gonna go calmly go back. Thank you Amy for

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Speaker 1: trying to get us back on the rails. But I

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Speaker 1: just wanted to talk about that. David is so stressed

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Speaker 1: out all the time, and he's kind of mean. Anybody

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Speaker 1: else feel that way, But this happens with teens when

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Speaker 1: they get stressed. I see my kids going through it.

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Speaker 1: They get kind of snippity. Yeah, he's a bit reliant

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Speaker 1: on Donna, like a bit like codependent. It's just let

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Speaker 1: her do her thing, you do your thing. I don't know.

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Speaker 1: Am I the only one that sort of sees that.

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Speaker 1: I understand why he's upset. There's a their a package

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Speaker 1: deal in his mind. Yeah, but done. Then Donna goes

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Speaker 1: and basically gets her own podcast before before podcasts or

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Speaker 1: even a thing you were like talking all about see

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Speaker 1: like we do, go off, going off on. I didn't

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Speaker 1: like the way I looked. Wait, should I take mine off? Probably? No,

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Speaker 1: you look actually cuter in it. Okay, okay, but yeah

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Speaker 1: you add your own podt past, which I thought was

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Speaker 1: pretty progressive. Wow, did Hanna was over? Then his girlfriend

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Speaker 1: came back to town. That guy's like, get out, But

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Speaker 1: I'm sad that Donna wants to quit the radio show

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Speaker 1: altogether though she's exhausted. Ti. Ti, Yeah, I know, but

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Speaker 1: you don't get that. Well, welcome to life. You've seen

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Speaker 1: how funny? Like, Yeah, I'm gonna write my essay on

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Speaker 1: the bags under my eyes or something, and I did.

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Speaker 1: I had literal bags under my eyes. I think it's

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Speaker 1: important to note that Donna's essay was the one that

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Speaker 1: the professor teacher loved. Donna is really has a shot

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Speaker 1: at being a real student, and maybe she's realizing that

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Speaker 1: and it's a priority, Whereas I don't know if she

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Speaker 1: lives David Silver's dreams. You're right, ya, reel it in

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Speaker 1: and do what she wants to do. Speaking of her essay,

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Speaker 1: I was really good because I thought I was really good. Uh.

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Speaker 1: Speaking of her essay, I was really happy because I

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Speaker 1: thought this entire show went and never made the connection

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Speaker 1: between Doc Martin and Doc Martin's and the Donna wore them.

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Speaker 1: I was like, what a missed opportunity. But they did

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Speaker 1: acknowledge it. They did, and Doc Martin was upset and

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Speaker 1: thought she was making fun of him by wearing them.

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Speaker 1: You know what I was upset about was the college classrooms.

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Speaker 1: I mean what high school? Yeah, that looked like little

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Speaker 1: house in the prairie classrooms, like with a blackboard. What

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Speaker 1: those We're like circuit. That's a great thing, Jenny, because

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Speaker 1: that is not what a That is not what they

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Speaker 1: would look like. Especially at California University. They have little

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Speaker 1: desks like elementary school? Is that what the desks looked

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Speaker 1: look like they're straight out of and you know that

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Speaker 1: show about Anne what's the and with knee yes and

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Speaker 1: yeah when Amy do that, they don't have little desks

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Speaker 1: like that. I would assume that California University is like

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Speaker 1: a huge school, so you'd go to a giant lecture

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Speaker 1: hall like a like going to an like other shows

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Speaker 1: the station. Yeah, and there's no wow. This literally looked

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Speaker 1: like they redressed our high school set but painted everything. Brad.

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Speaker 1: Now that you do sometimes have these classes that are

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Speaker 1: like sections. So you have your big giant lecture and

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Speaker 1: then you go to this section and that would be smaller,

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Speaker 1: but still it doesn't two classes now, you guys, and

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Speaker 1: they're both in little tiny desks with blackboards. It's a

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Speaker 1: it's yeahlogy not no like even my my kids, like

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Speaker 1: elementary school, my kids classes look like that, but even

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Speaker 1: my teens in high school they have like benches they

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Speaker 1: sit on, or like tables, communal tables and stuff. I

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Speaker 1: don't know. I don't know either, but Amy, to your point,

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Speaker 1: it is weird that the r A. That's right. I

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Speaker 1: thought maybe he was a t A like he was.

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Speaker 1: That could be right, tast in But we don't really know.

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Speaker 1: We don't know, but we do know that he's got

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Speaker 1: the hots for Andrea. And we do know that he

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Speaker 1: forever is just one name, Dan Ruben. Yeah, and we

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Speaker 1: do know that he likes to bicycle. These are all

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Speaker 1: things we know about him. What let's talk about, um,

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Speaker 1: I want to talk about Stephen Celeste. Do you want

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Speaker 1: to talk about Brenda getting a job both? But did

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Speaker 1: you hear somebody say I'm assuming it was Steve panty

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Speaker 1: raid at the Alpha House. I did hear it. I

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Speaker 1: didn't hear that panty raid. You missed that line completely.

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Speaker 1: Would have gagged. Yeah, But then I was confused what

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Speaker 1: a panty raid means. I think I think in the

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Speaker 1: I don't know, animal house days, I think it was

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Speaker 1: like they would go in and steal the underwear. I

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Speaker 1: guess that was the theory of it. I don't it's

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Speaker 1: not even real. Oh my god, you gotta lock up

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Speaker 1: your Endy's now. She's the things we women have to do,

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Speaker 1: a lot of jeans with belts and tucked in shirts,

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Speaker 1: a lot of gene on gene action. When Stephen Celeste

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Speaker 1: were making out in the bed, all I could focus

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Speaker 1: on was all the gene tangle on the bed and

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Speaker 1: you button leg wrapped around him. It was a lot.

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Speaker 1: She's very pretty beautiful. Oh my god. Fred Siegel shout

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Speaker 1: out to Fred Segell. Were you guys? No? Wait, so

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Speaker 1: did they say they were she was applying for a

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Speaker 1: job at Maxwell's. Yeah, they use the name Maxwell's, but

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Speaker 1: it was fred Siegel's. Well, maybe the was in Maxwell's

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Speaker 1: within fred Siegel, because Maxwell's is back at the Malibu

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Speaker 1: Country Mart, right, and Maxwell's at the time was really

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Speaker 1: almost diagonal, kind of ish to fred Siegel. It was

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Speaker 1: right in the neighborhood. There was not a Maxwell's section. Wait,

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Speaker 1: when did she say she's applying to Maxwell's. That's what

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Speaker 1: I thought she said. She said that in the very beginning,

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Speaker 1: and then she goes to fred Siegel free because we

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Speaker 1: usually called it Fred's Siegel. Yeah, so I wonder if

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Speaker 1: they shot two things, like to application processes, and they

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Speaker 1: dropped the Maxwell's one. Well, no, because Celeste works at Maxwell's.

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Speaker 1: But here's what's weird. The first scene where she goes

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Speaker 1: to see her, you see Fred Siegell, and then she

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Speaker 1: goes into the store. But when Steve goes back to

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Speaker 1: see Celeste, it seemed like a totally different entrance because

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Speaker 1: different Yeah, that was like the back entrance, different sections.

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Speaker 1: You know what. Maybe we're wrong. Maybe Maxwell's had a

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Speaker 1: tiny little station within fred Siegel that they have little

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Speaker 1: air he is, but it's just so iconically Fred Segell

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Speaker 1: and we've talked about shopping at fred Segull before that's

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Speaker 1: odd to do it? What's Fred Siegell and it's Heyday.

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Speaker 1: Do you guys remember, like yes, oh yes, that's where

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Speaker 1: we all shopped. Oh yeah, I spent some money. There

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Speaker 1: is the Fred Siegal still on Melrose? Yes, so just

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Speaker 1: the Santa Monica ones. Yeah, that one's gone. Mel Rose

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Speaker 1: one was always better. So what do we think of Brenda? See,

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Speaker 1: this is the part that threw me, is that Brenda's like,

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Speaker 1: I need a job. I need to start my career

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Speaker 1: in retail. Well she needs money to be able to

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Speaker 1: start her career? Does she need money? Like? What's her

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Speaker 1: big passion for needing the job? Independence? Probably I would,

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Speaker 1: I would guess. But how then she she just conveniently

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Speaker 1: ends up in Jim's office taking his job, and then

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Speaker 1: it turns into the Brady Bunch episode. I'm sorry they

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Speaker 1: already did that story. And on the Brady Bunch win

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Speaker 1: I think it was either Greg or Peter. They lose

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Speaker 1: the poster at Magic Mountain. Everybody's seen it. Yeah, one

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Speaker 1: of my favorite episodes. And then that's what happened with Brenda.

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Speaker 1: She didn't lose This a little cliche for me that

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Speaker 1: like she's not going to screw that up, and then

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Speaker 1: she likes not Brenda drives off in her station wagon.

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Speaker 1: Whose cars that? Jim's right, who drives the station wagon?

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Speaker 1: I've never cyndys it must be Oh yeah. I also

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Speaker 1: just thought it was so captain obvious, like she's like,

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Speaker 1: oh Dad, I'm on it, but first I'm going to

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Speaker 1: stop by the pool party. And immediately I'm like, this

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Speaker 1: is the one where she and they always say which

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Speaker 1: shows saw coming so and then she's way too responsible

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Speaker 1: for that. That's not a Brenda move, you know what

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Speaker 1: I mean? Like no, and she she didn't. She didn't

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Speaker 1: let dancing though. I think that made her forget. I mean,

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Speaker 1: I remember being scarred by that scene when I when

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Speaker 1: we filmed it, Like the just the watching of that

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Speaker 1: dancing was so great. But I thought it was so good,

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Speaker 1: like they were great. I think the whole everybody dancing together,

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Speaker 1: like the whole dance party was really cute. And I

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Speaker 1: loved the pan across with the big guy in the

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Speaker 1: red shirt. He is my favorite, and he was like

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Speaker 1: a contender, like he almost won the contest. But to understand,

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Speaker 1: I have a story about that. There's a reason there's

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Speaker 1: a reason I didn't. I didn't dance. It wasn't supposed

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Speaker 1: to be Brenda and David what so. I had been

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Speaker 1: in a car accident and got whiplash and I was okay,

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Speaker 1: But I remember this day forever because two things happened.

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Speaker 1: One like a massage like therapist like a chiropractor had

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Speaker 1: to come to the trailer because we're filming somewhere and

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Speaker 1: we weren't on set filming that obviously, and we're on

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Speaker 1: me in the trailer, and I had to do that

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Speaker 1: for weeks whatever, like physical therapy. And then also the

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Speaker 1: bad boyfriend I've talked about before, we had this blowout

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Speaker 1: fight because he didn't even give a ship that I

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Speaker 1: got hurt. And I was like crying in my trailer

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Speaker 1: in between physical therapy, crying hysterically and then having to

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Speaker 1: get my makeup reapplied and then go to set and

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Speaker 1: film all day long at that party and pretend to

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Speaker 1: have fun. But that's why I didn't dance. You were

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Speaker 1: supposed to being with him, So I completely took it

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Speaker 1: as you pulled Brenda aside and you said I need

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Speaker 1: you to do something for me, and I thought you

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Speaker 1: told her to dance. With him so they would win.

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Speaker 1: Not originally whoa, because I thought like that Brenda was

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Speaker 1: known as the best dancer or something. And then you

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Speaker 1: did that for David so that he could win and

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Speaker 1: feel great and not feel so like that does make

351
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Speaker 1: a lot more sense, but that's how it played out.

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Speaker 1: But those dance moves were a little too sexual. Watching

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Speaker 1: my boyfriend and best friend, I loved it. They were

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Speaker 1: they were touching crotches. There were crotched me uncomfortable. I'm

355
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Speaker 1: not gonna lie. And then he panded Donna each time

356
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Speaker 1: and she's just smiling, and I was like, standing right

357
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Speaker 1: by them, guys were was Shannon known as a good dancer.

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Speaker 1: She's a good little sexy dancer. She had her move

359
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Speaker 1: that move, She's got the moves of the GRINDI moves. Yeah,

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Speaker 1: I think I think she was a good dancer. It

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Speaker 1: was a moment to show them off because we've seen

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Speaker 1: her dance a couple other times where we knew, oh,

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Speaker 1: you're good. When David dances, though, I just it's the

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Speaker 1: same as in the hallway when he's like, but he

365
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Speaker 1: always looks up like, what are you looking at? What's

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Speaker 1: up there? I just wouldn't know the dance, the dance

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Speaker 1: Gods please, that's like very like, what what was that movie?

368
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Speaker 1: Can't Bind Me Love? And he does the Ronnie whatever.

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Speaker 1: It was like, it's all that stupid dance. That stupid

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Speaker 1: dance was fun. The pool party was fun, although until

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Speaker 1: we had to go in the water. You remember how

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Speaker 1: cold it was? It was cute at the way everybody

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Speaker 1: jumped in the pool, but I don't remember it was cold.

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Speaker 1: It was really cold. Oh it looked dangerous, like haphazard,

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Speaker 1: like somebody. Yeah, and I was worried they were going

376
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Speaker 1: to fall on my neck. Oh and you had to

377
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Speaker 1: jump in? Yes? Oh yeah, okay, we God, there's so

378
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Speaker 1: much What about when when Celeste pegs Steve with the

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Speaker 1: beach ball and his reaction is like so like it

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Speaker 1: hurts so bad. He was being so inappropriate with was

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Speaker 1: her name, Leslie? Yeah? Yeah, okay, Boss number one? Do

382
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Speaker 1: you remember the jumping in because you obviously really only

383
00:24:03,040 --> 00:24:05,920
Speaker 1: had one take on that, and take tell me everything.

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Speaker 1: I don't remember hair, poor bloke's hair. It's all down,

385
00:24:13,040 --> 00:24:16,000
Speaker 1: like what down I thought it was. Can you guys

386
00:24:16,080 --> 00:24:22,560
Speaker 1: remember from that? Apparently it was cold, that's all I got.

387
00:24:22,760 --> 00:24:29,320
Speaker 1: But I didn't even have that. I feel like there

388
00:24:29,400 --> 00:24:30,919
Speaker 1: was a lot going on for me that day and

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Speaker 1: I didn't want to jump in because I was freaking

390
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Speaker 1: out hibout my neck and like, I don't know, I

391
00:24:35,720 --> 00:24:37,960
Speaker 1: remember I wasn't having a good day, but I remember

392
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Speaker 1: Jen was really nice to me that day, and in

393
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Speaker 1: between you were and in between scenes we were sitting

394
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Speaker 1: and you were like talking to me about stuff and

395
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Speaker 1: helping me. Okay, Well it just leads us right into

396
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Speaker 1: the to the John Sears conversation. Is this that's all

397
00:24:53,280 --> 00:24:57,159
Speaker 1: we want to talk? Baby? Or what? Or hot or hot?

398
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Speaker 1: I can't. I think it's he's laying on the creep

399
00:25:01,440 --> 00:25:06,880
Speaker 1: vibes way too thick here. It's it's so cute, but

400
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Speaker 1: I can't. Why does he come at it from that angle?

401
00:25:09,800 --> 00:25:13,800
Speaker 1: He's so handsome and so you know, charming, Like, why

402
00:25:13,840 --> 00:25:16,640
Speaker 1: does he have to be creepy? He directed that way

403
00:25:16,720 --> 00:25:21,240
Speaker 1: working for him, made out with him. Okay, from an

404
00:25:21,240 --> 00:25:24,639
Speaker 1: outside standpoint, it's not working for me. And I wanted

405
00:25:24,680 --> 00:25:27,840
Speaker 1: to work because I think I physically they're so cute

406
00:25:27,840 --> 00:25:30,600
Speaker 1: together and I want to love triangle things. Yeah, I

407
00:25:30,640 --> 00:25:33,200
Speaker 1: wanted to work, but from every second, I'm just like,

408
00:25:33,840 --> 00:25:38,919
Speaker 1: you really so aggressive? He doesn't give up easily, especially

409
00:25:38,960 --> 00:25:42,320
Speaker 1: when it's worth it. What is he talking about? What

410
00:25:42,720 --> 00:25:45,640
Speaker 1: when it's worth you know what? I really appreciate help

411
00:25:45,720 --> 00:25:48,119
Speaker 1: you and slice and dice. I think so because he

412
00:25:48,160 --> 00:25:50,680
Speaker 1: stalks her, He follows her home or gets her address

413
00:25:50,720 --> 00:25:54,119
Speaker 1: from somebody else, which is definitely creepy, and goes up

414
00:25:54,119 --> 00:25:57,080
Speaker 1: the stairs her home, goes up there on the on

415
00:25:57,119 --> 00:26:03,960
Speaker 1: their private deck on uninvited. Then why did she like him?

416
00:26:04,000 --> 00:26:08,040
Speaker 1: Apparently she is um attract or his charm when he

417
00:26:08,080 --> 00:26:10,760
Speaker 1: says things like, now you really know how to work

418
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Speaker 1: a hot dog, don't you? Oh my god, I missed that.

419
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Speaker 1: Oh my god. Oh it's at the pool party when

420
00:26:16,359 --> 00:26:19,800
Speaker 1: they're standing there right before Dylan shows up, and he says,

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Speaker 1: you really know how to work a hot dog? I can't.

422
00:26:27,600 --> 00:26:32,360
Speaker 1: Oh my god. He is who who? Whoever? Wrote his stuff?

423
00:26:32,640 --> 00:26:36,160
Speaker 1: Because it's so different, because he's like, how's the most

424
00:26:36,200 --> 00:26:38,480
Speaker 1: beautiful girl in the freshman class? And then he says,

425
00:26:38,520 --> 00:26:40,520
Speaker 1: I'm only leaving so I don't have to share you,

426
00:26:40,920 --> 00:26:44,720
Speaker 1: Like it's very like every single time. Richard Glance Richard

427
00:26:44,720 --> 00:26:48,800
Speaker 1: Glance only writer on this one. Yeah, he must have

428
00:26:48,840 --> 00:26:52,640
Speaker 1: written that he's the voice Sears apparently does one writer

429
00:26:52,760 --> 00:26:54,720
Speaker 1: write the whole thing. That wasn't like a writer's room

430
00:26:55,320 --> 00:26:57,359
Speaker 1: there is, there's a writer's room, but they got he

431
00:26:57,440 --> 00:26:59,440
Speaker 1: got soul credit, so it means he did it. Did

432
00:26:59,520 --> 00:27:05,560
Speaker 1: wasn't like he did the majoritya. So okay, do you

433
00:27:05,560 --> 00:27:10,840
Speaker 1: guys like him? John's ears? Yeah? Do you guys like him?

434
00:27:10,920 --> 00:27:18,000
Speaker 1: Jenny and Tory No. I remembered liking him on camera,

435
00:27:18,320 --> 00:27:21,000
Speaker 1: but now watching it back, I'm like, no, I'm not

436
00:27:21,080 --> 00:27:23,440
Speaker 1: liking him from any I don't believe him from any second.

437
00:27:23,480 --> 00:27:25,199
Speaker 1: I feel like he just wants to kill her. Like

438
00:27:25,560 --> 00:27:30,320
Speaker 1: it's really not Donna. It was different when Jake would say, like,

439
00:27:30,440 --> 00:27:33,440
Speaker 1: you know, kind of dark bad boy lines to her.

440
00:27:33,760 --> 00:27:36,200
Speaker 1: There was still something about him that I was like, Oh,

441
00:27:36,560 --> 00:27:40,240
Speaker 1: it was hot, this guy's delivering it, and it's not hot.

442
00:27:40,440 --> 00:27:48,399
Speaker 1: It's Donna doesn't like him. M hmm. You can tell now.

443
00:27:48,560 --> 00:27:51,639
Speaker 1: My next question would be for you both, is this

444
00:27:51,760 --> 00:27:55,480
Speaker 1: the Kelly? Is this what you think Kelly would have done?

445
00:27:57,480 --> 00:28:00,960
Speaker 1: Like I would have never had Kelly written Kelly to

446
00:28:01,000 --> 00:28:04,439
Speaker 1: do this. I hated at the end that she kissed

447
00:28:04,440 --> 00:28:09,040
Speaker 1: this guy. I was like, what the what are you doing?

448
00:28:09,080 --> 00:28:11,640
Speaker 1: I know you're an idiot. Like I was like he's

449
00:28:11,680 --> 00:28:14,080
Speaker 1: obviously trying to break you guys up and come between you.

450
00:28:14,160 --> 00:28:16,520
Speaker 1: Like what. I hated it. I hated it. I just

451
00:28:16,560 --> 00:28:19,080
Speaker 1: needed him to be more convincing, Like he should have

452
00:28:19,160 --> 00:28:21,480
Speaker 1: come in nice, something about him that like wood or

453
00:28:21,600 --> 00:28:24,200
Speaker 1: over and then if he's going to turn creep, turn creep.

454
00:28:24,240 --> 00:28:26,560
Speaker 1: But like the way he came in at it, I

455
00:28:26,600 --> 00:28:28,760
Speaker 1: feel like Kelly never would have gone for a guy

456
00:28:28,800 --> 00:28:31,800
Speaker 1: like this. The only thing he really his only argument

457
00:28:31,880 --> 00:28:35,119
Speaker 1: was like, you deserve somebody who doesn't ignore you, like

458
00:28:35,600 --> 00:28:40,080
Speaker 1: and that for her was pegging, really triggering what she

459
00:28:40,240 --> 00:28:44,880
Speaker 1: was already feeling because Dylan's kind of been a little

460
00:28:44,880 --> 00:28:48,280
Speaker 1: bit more self involved and kind of boring. But do

461
00:28:48,320 --> 00:28:54,920
Speaker 1: we think that Kelly is fully overreacting, Like when Dylan

462
00:28:54,960 --> 00:28:57,760
Speaker 1: says like, hey, I'll go do my poetry or whatever

463
00:28:57,800 --> 00:29:00,520
Speaker 1: he needs his lecture it was his lecture you go

464
00:29:00,600 --> 00:29:02,440
Speaker 1: to the pool party, will meet up after and she

465
00:29:02,840 --> 00:29:06,000
Speaker 1: flips her lip. I was I wrote down, Kelly's a

466
00:29:06,040 --> 00:29:12,320
Speaker 1: little reactive, just a little reactive that time of the month. Okay,

467
00:29:12,400 --> 00:29:13,880
Speaker 1: So I just want to break this down a little

468
00:29:13,880 --> 00:29:18,160
Speaker 1: bit more. I for me, it became two things. One

469
00:29:18,480 --> 00:29:21,320
Speaker 1: a TV show where I'm like, Okay, I get it.

470
00:29:21,560 --> 00:29:26,280
Speaker 1: This is juicy, this is drama. Then two I was like,

471
00:29:26,520 --> 00:29:28,480
Speaker 1: is this the move Kelly would have made? And I

472
00:29:28,640 --> 00:29:33,400
Speaker 1: think maybe she would. They didn't. They just set it

473
00:29:33,520 --> 00:29:37,200
Speaker 1: up a little differently, like don't you want your audience

474
00:29:37,280 --> 00:29:40,520
Speaker 1: to want them to be together? You want them inevitably

475
00:29:41,320 --> 00:29:43,760
Speaker 1: it to be Dylan and Kelly, But you want something here,

476
00:29:43,800 --> 00:29:46,160
Speaker 1: you want to be into it. You want the audience

477
00:29:46,240 --> 00:29:48,840
Speaker 1: to want John Sears and Kelly. Yeah. But for the

478
00:29:48,960 --> 00:29:52,520
Speaker 1: moment I was like, no, no, no, don't let it happened.

479
00:29:52,600 --> 00:29:56,720
Speaker 1: I think they want the audience to be aghast because

480
00:29:56,840 --> 00:29:59,760
Speaker 1: we love Kelly and Dylan's so it's like, what is

481
00:29:59,840 --> 00:30:02,640
Speaker 1: she And also for the people that don't love Kelly

482
00:30:02,680 --> 00:30:05,720
Speaker 1: and Dylan, that are Brenda and Dylan Camp, they were like,

483
00:30:05,920 --> 00:30:09,680
Speaker 1: see this bimbo is cheating on Dylan now, like like

484
00:30:09,800 --> 00:30:13,600
Speaker 1: they're making Kelly look real bad, even worse than they

485
00:30:13,640 --> 00:30:23,600
Speaker 1: already did. Interesting, right, maybe they're evil geniuses. M I'm

486
00:30:23,640 --> 00:30:26,400
Speaker 1: gonna take it that far. I feel like her like

487
00:30:26,600 --> 00:30:28,680
Speaker 1: flipping her lid was just so we could get her

488
00:30:28,760 --> 00:30:30,520
Speaker 1: to be like, Okay, fine, I'll go for John Sears

489
00:30:30,560 --> 00:30:32,920
Speaker 1: and kiss him. Like it was just so out of

490
00:30:32,960 --> 00:30:35,320
Speaker 1: the blue, right, And then even when Dylan shows up

491
00:30:35,320 --> 00:30:37,360
Speaker 1: at the pool party and he gets all jelly and

492
00:30:37,480 --> 00:30:41,040
Speaker 1: has that face off with with John, which was a

493
00:30:41,120 --> 00:30:47,840
Speaker 1: little comical. His hand so oh yeah, he was so

494
00:30:48,120 --> 00:30:51,640
Speaker 1: like cocky and confident that it was hot. But in

495
00:30:51,760 --> 00:30:56,120
Speaker 1: that situation, because John could have taken Dylan probably physically,

496
00:30:56,880 --> 00:31:01,440
Speaker 1: he would dominate that fight. But because has Dylan has

497
00:31:01,520 --> 00:31:06,400
Speaker 1: such a competence about him, he intimidates the guy out

498
00:31:06,480 --> 00:31:11,440
Speaker 1: of out of it, which I loved seeing. I don't know,

499
00:31:11,640 --> 00:31:13,240
Speaker 1: isn't there that pardon all of us that wants a

500
00:31:13,240 --> 00:31:16,920
Speaker 1: guy to stand up like that and be like for you, yeah,

501
00:31:17,680 --> 00:31:23,720
Speaker 1: it's a little ninko. What do you mean? Both these

502
00:31:23,840 --> 00:31:27,160
Speaker 1: boys acting like that because they're boys, I think they

503
00:31:27,200 --> 00:31:30,640
Speaker 1: would be acting much more like Steve. Boys in college

504
00:31:30,680 --> 00:31:33,160
Speaker 1: are so like having a great time. They are not

505
00:31:33,880 --> 00:31:38,520
Speaker 1: going to throw down over over a girl. It's Kelly Taylor, Hello,

506
00:31:39,160 --> 00:31:43,840
Speaker 1: the most beautiful girl. I mean exceptions, and she's one.

507
00:31:45,320 --> 00:31:49,360
Speaker 1: I just don't know how. I don't know, you don't know.

508
00:31:50,320 --> 00:31:54,880
Speaker 1: It's just it's like, I love it all. I love

509
00:31:54,960 --> 00:31:56,880
Speaker 1: the drama, I love the whole thing, but I'm like,

510
00:31:58,080 --> 00:32:00,640
Speaker 1: what is going on? Like John Sears, Let's be honest,

511
00:32:00,680 --> 00:32:04,120
Speaker 1: you can get any girl. Why is he like chasing

512
00:32:04,160 --> 00:32:09,360
Speaker 1: after her so hard? She's got a boyfriend. Kelly waited

513
00:32:09,400 --> 00:32:11,960
Speaker 1: forever for Dylan. They've been through these ups and downs.

514
00:32:12,000 --> 00:32:15,480
Speaker 1: Why is she just gonna kiss this kind of you

515
00:32:15,600 --> 00:32:17,800
Speaker 1: just said it. John's here, is gonna have any girl

516
00:32:17,920 --> 00:32:21,200
Speaker 1: he wants. They probably all throw themselves at him, but

517
00:32:21,520 --> 00:32:24,000
Speaker 1: Kelly he kind of can't have, right, so that she

518
00:32:24,080 --> 00:32:26,600
Speaker 1: blows them off. She has a boyfriend, so she's the

519
00:32:26,640 --> 00:32:29,360
Speaker 1: one he's going to go after. Why is that the case?

520
00:32:31,880 --> 00:32:34,800
Speaker 1: Like you can't you want what you can't have. That's

521
00:32:34,880 --> 00:32:55,720
Speaker 1: just life, like every okay, a couple of like little

522
00:32:55,760 --> 00:32:58,680
Speaker 1: tidbits one Brenda and the job, and then she ends

523
00:32:58,720 --> 00:33:03,400
Speaker 1: up with the famous TV So Difficult that producer guy.

524
00:33:03,480 --> 00:33:06,640
Speaker 1: Oh my god, he made me laugh out loud. Uh.

525
00:33:06,720 --> 00:33:09,480
Speaker 1: And then she goes into the kids, the babysitting room,

526
00:33:09,840 --> 00:33:14,120
Speaker 1: and there we see Chuck and Karen's kids. Because any

527
00:33:14,240 --> 00:33:17,080
Speaker 1: time there's a scene with children in it, we always

528
00:33:17,120 --> 00:33:21,920
Speaker 1: had Chuck and Karen's two cute, little redheaded children because

529
00:33:21,960 --> 00:33:24,640
Speaker 1: they were cheap, probably free, they wanted to do it.

530
00:33:26,720 --> 00:33:28,880
Speaker 1: They I wonder how many times they appeared on our

531
00:33:28,880 --> 00:33:32,520
Speaker 1: show because it was a lot a lot better. It's

532
00:33:32,520 --> 00:33:34,880
Speaker 1: always like a family event and Karen would bring them

533
00:33:34,920 --> 00:33:41,840
Speaker 1: down and super cute. But yeah, I mean, what did

534
00:33:41,880 --> 00:33:44,080
Speaker 1: you guys, Okay, did you guys feel like there was

535
00:33:44,160 --> 00:33:47,400
Speaker 1: a difference in the direction on the show this week?

536
00:33:48,040 --> 00:33:51,680
Speaker 1: Like the cinematography. There were so many extreme close ups

537
00:33:52,160 --> 00:33:54,400
Speaker 1: that it was like whoa, back the camera. Like I

538
00:33:54,480 --> 00:33:57,640
Speaker 1: felt like there were in a number of scenes with

539
00:33:57,760 --> 00:34:00,920
Speaker 1: different characters that were just close ups that were unexplained

540
00:34:01,280 --> 00:34:04,840
Speaker 1: out of nowhere, and it took me out every time,

541
00:34:05,000 --> 00:34:07,440
Speaker 1: like it was just too a little too close. I

542
00:34:07,480 --> 00:34:09,080
Speaker 1: didn't know what it was, but I was like, when

543
00:34:09,120 --> 00:34:11,560
Speaker 1: did I get backs under my eyes? I was like, eighteen,

544
00:34:11,719 --> 00:34:19,759
Speaker 1: what the hell is happening? They were not flattering too

545
00:34:19,840 --> 00:34:23,800
Speaker 1: close close back that camera. I didn't notice it, but

546
00:34:24,560 --> 00:34:28,640
Speaker 1: nowadays we would tell them. But we didn't know. But

547
00:34:28,760 --> 00:34:32,440
Speaker 1: nowadays and anytime a camera comes within ten feet of me,

548
00:34:32,480 --> 00:34:34,920
Speaker 1: I'm like, whoa, I think you should probably back up

549
00:34:34,920 --> 00:34:37,280
Speaker 1: a little bit. Well, so, wait, here's a dumble question.

550
00:34:37,760 --> 00:34:39,840
Speaker 1: I would assume a close up the cameras in the

551
00:34:39,920 --> 00:34:42,800
Speaker 1: same spot and they just zoom it in. Is a

552
00:34:42,840 --> 00:34:45,680
Speaker 1: close up the cameras actually like super close to you?

553
00:34:46,920 --> 00:34:48,920
Speaker 1: It depends on what lens they have on it. Like,

554
00:34:50,000 --> 00:34:52,640
Speaker 1: there's so many variables. But a lot of times close

555
00:34:53,440 --> 00:34:55,799
Speaker 1: when you like the master the whole scene and then

556
00:34:55,840 --> 00:34:58,040
Speaker 1: they just zoom into you. It's not that they are

557
00:34:58,120 --> 00:35:00,399
Speaker 1: times when the cameras like very close to your face.

558
00:35:00,920 --> 00:35:06,319
Speaker 1: There have been times. Yeah, is that hard to act? Uh? Yeah,

559
00:35:06,480 --> 00:35:15,560
Speaker 1: sometimes it can be pretty distracting. Stephen celeste ye so sensitive.

560
00:35:16,040 --> 00:35:19,000
Speaker 1: We have to he's so sensitive? And what why he

561
00:35:19,120 --> 00:35:20,719
Speaker 1: was such an ass? Why did he want to break

562
00:35:20,800 --> 00:35:22,680
Speaker 1: up with her just because he wanted to? Why do

563
00:35:22,719 --> 00:35:27,719
Speaker 1: you say sensitive? Yeah, that scene with him eating ice

564
00:35:27,800 --> 00:35:32,360
Speaker 1: cream with Jim and Brandon, He's just so sensy and

565
00:35:32,400 --> 00:35:35,239
Speaker 1: whenever he gets on the verge of like being emotional,

566
00:35:35,520 --> 00:35:40,279
Speaker 1: his voice is like so sensitive it makes me I

567
00:35:40,320 --> 00:35:42,600
Speaker 1: don't know what to do? Like that much? Is this

568
00:35:42,680 --> 00:35:46,400
Speaker 1: little very cute scene that was a very cute scene

569
00:35:46,480 --> 00:35:50,120
Speaker 1: with the ice cream again the vanilla ice cream, but

570
00:35:50,200 --> 00:35:52,359
Speaker 1: that was very cute with the three boys. We don't

571
00:35:52,400 --> 00:35:55,840
Speaker 1: get that a lot. And then sort of giving him advice.

572
00:35:55,920 --> 00:35:58,239
Speaker 1: So basically we go on this episode, Steve wants to

573
00:35:58,320 --> 00:36:00,960
Speaker 1: break up with her, but then he makes out with

574
00:36:01,080 --> 00:36:07,160
Speaker 1: her and then he upsets her and then he because

575
00:36:07,200 --> 00:36:09,319
Speaker 1: she was what's going to happen with this relationship? Are

576
00:36:09,360 --> 00:36:11,040
Speaker 1: they going to stay together? Are they going to break up?

577
00:36:11,080 --> 00:36:13,320
Speaker 1: I just I need to know. Do you do you know?

578
00:36:14,200 --> 00:36:17,480
Speaker 1: M hm oh, Tori, you don't know. Well, I know

579
00:36:17,640 --> 00:36:19,920
Speaker 1: eventually they break up. I just feel like she's on

580
00:36:20,040 --> 00:36:21,920
Speaker 1: it for a bit longer, but I don't know she is.

581
00:36:23,040 --> 00:36:26,120
Speaker 1: Wasn't me or in that specifically in that scene with

582
00:36:26,520 --> 00:36:31,480
Speaker 1: the ice cream, was Steve's hair higher than normal? Was

583
00:36:31,600 --> 00:36:39,120
Speaker 1: the poof taller? I didn't notice. I didn't notice. I noticed,

584
00:36:39,360 --> 00:36:41,960
Speaker 1: like noticeably. Yeah, Like I was like like I could

585
00:36:41,960 --> 00:36:45,799
Speaker 1: almost see through, like he like diffused it that day

586
00:36:45,920 --> 00:36:51,520
Speaker 1: or sprayed it. I don't know, a lot of shirtless

587
00:36:51,960 --> 00:36:55,560
Speaker 1: a lot of shirtless stuff, like you always love. He's

588
00:36:55,600 --> 00:37:01,359
Speaker 1: playful and age felt it felt oddly age inappropriate when

589
00:37:01,400 --> 00:37:03,719
Speaker 1: he was walking into school with his briefcase and he

590
00:37:03,800 --> 00:37:08,239
Speaker 1: looked like a lawyer, looked like a nine year old lawyer.

591
00:37:08,400 --> 00:37:11,040
Speaker 1: But then really age appropriate when he was like goofing

592
00:37:11,080 --> 00:37:14,640
Speaker 1: around in the pool and it was cute. He's kind

593
00:37:14,680 --> 00:37:18,040
Speaker 1: of very Steve like Sanders to make himself like bigger

594
00:37:18,160 --> 00:37:20,279
Speaker 1: than like I'm coming in with a briefcase. Did you

595
00:37:20,360 --> 00:37:22,520
Speaker 1: notice in the opening scene of Well, when they get

596
00:37:22,600 --> 00:37:25,919
Speaker 1: to school that first day, Um, the same girls roller

597
00:37:26,000 --> 00:37:30,200
Speaker 1: skating in the same flag hot pants. I didn't see her.

598
00:37:32,080 --> 00:37:34,719
Speaker 1: They used the same shot from school registration like a

599
00:37:34,800 --> 00:37:39,160
Speaker 1: bigger shot. They thought this is a good shot. Yeah,

600
00:37:39,320 --> 00:37:41,799
Speaker 1: or maybe she just comes to school every single day.

601
00:37:41,960 --> 00:37:45,040
Speaker 1: In that same wait, go back to the scene with

602
00:37:45,160 --> 00:37:48,080
Speaker 1: the ice cream with Steven and Brandon, did anybody else

603
00:37:48,239 --> 00:37:52,400
Speaker 1: really really love them? Line? When Steve said, yeah, but

604
00:37:52,640 --> 00:38:00,120
Speaker 1: Mr green Jeans has other ideas referring to his what

605
00:38:00,560 --> 00:38:03,920
Speaker 1: Mr Green I don't never heard it referred to a jeans,

606
00:38:04,000 --> 00:38:05,759
Speaker 1: But there was a couple of I didn't know what

607
00:38:05,880 --> 00:38:12,239
Speaker 1: that meant. He was saying that his penis. I have

608
00:38:12,400 --> 00:38:18,120
Speaker 1: never heard that phrase. Wait, you've heard that. I've heard that.

609
00:38:19,000 --> 00:38:21,600
Speaker 1: Where did it come from? I don't know who calls

610
00:38:21,640 --> 00:38:27,480
Speaker 1: a penis. Hugh Brandon was an American vocalist, arranger, composer,

611
00:38:27,719 --> 00:38:30,919
Speaker 1: actor known as Mr Green Jeans on the television show

612
00:38:31,080 --> 00:38:36,400
Speaker 1: Captain Kangaroo. Now. I don't know why he compared that

613
00:38:36,840 --> 00:38:40,200
Speaker 1: Mr Green Jeans, can you google? Can you call a penis?

614
00:38:40,320 --> 00:38:44,400
Speaker 1: Mr green Jeans, Mr green Jeans, penis? Let me try that. No,

615
00:38:44,640 --> 00:38:47,440
Speaker 1: that's something bad, can's come up. It's okay, it's okay,

616
00:38:47,680 --> 00:38:54,279
Speaker 1: it's okay. New book reveals Captain Kangaroo's dirty secrets. This

617
00:38:54,360 --> 00:38:57,640
Speaker 1: is getting good. I don't know what that is. Oh lord,

618
00:38:57,760 --> 00:38:59,879
Speaker 1: I don't know. I don't know. If it's a euphemism

619
00:39:00,000 --> 00:39:02,759
Speaker 1: for your P word, I don't know. But what did

620
00:39:02,840 --> 00:39:06,560
Speaker 1: he do? Exactly? Like? Why was I get it? So

621
00:39:06,719 --> 00:39:09,400
Speaker 1: I saw him like flopping around on the pool with

622
00:39:09,480 --> 00:39:11,800
Speaker 1: somebody else. Is that all she's mad about? Or was

623
00:39:11,840 --> 00:39:18,160
Speaker 1: it because also she party? But then he did? Yes,

624
00:39:18,320 --> 00:39:19,840
Speaker 1: I mean I think he's just not paying attention to

625
00:39:19,920 --> 00:39:22,319
Speaker 1: her and she was already passed, and then she came

626
00:39:22,400 --> 00:39:24,520
Speaker 1: and then he's in pool with another girl. If a

627
00:39:24,880 --> 00:39:27,680
Speaker 1: dude is telling his bestie, I want to break up

628
00:39:27,760 --> 00:39:30,160
Speaker 1: with her so I can date a bunch of college girls,

629
00:39:30,560 --> 00:39:39,399
Speaker 1: the girlfriend is obviously probably feeling that, Yeah, yeah, where

630
00:39:39,440 --> 00:39:41,920
Speaker 1: does she go? Where does she come from? She is

631
00:39:42,040 --> 00:39:44,600
Speaker 1: not from their school, She doesn't go to their college.

632
00:39:45,160 --> 00:39:47,879
Speaker 1: She said she goes to a j C. She must

633
00:39:47,920 --> 00:39:53,040
Speaker 1: go to like Santa Mom City. Okay, yeah, that's not

634
00:39:53,120 --> 00:39:56,120
Speaker 1: gonna work out. Sorry, guys, it's here to tell her

635
00:39:56,200 --> 00:39:58,239
Speaker 1: so much. I feel like she's the type of girl

636
00:39:58,400 --> 00:40:01,360
Speaker 1: that boys go into at college or high school and

637
00:40:01,840 --> 00:40:04,360
Speaker 1: they don't want to settle down. It's too soon. But

638
00:40:04,440 --> 00:40:06,399
Speaker 1: if they met them like ten or fifteen years later,

639
00:40:07,000 --> 00:40:10,600
Speaker 1: she would be the one, you know. Yeah, she seems

640
00:40:10,640 --> 00:40:15,160
Speaker 1: to have it all together. Yeah. I really liked the

641
00:40:15,280 --> 00:40:19,960
Speaker 1: scene um with you and Andrea with Donna and Andrea.

642
00:40:20,280 --> 00:40:23,080
Speaker 1: It was so cute and sweeten. It made me miss

643
00:40:23,280 --> 00:40:25,520
Speaker 1: gap and I want to go out to dinner with her.

644
00:40:25,560 --> 00:40:29,719
Speaker 1: We should do that. Yeah, it is really cute if

645
00:40:29,800 --> 00:40:31,880
Speaker 1: that was like her talking to us, like that's the

646
00:40:31,920 --> 00:40:37,600
Speaker 1: way she totally speaks to us. A couple of questions,

647
00:40:37,800 --> 00:40:41,800
Speaker 1: why does Steve live at home or was he just

648
00:40:41,920 --> 00:40:43,880
Speaker 1: home to make out? Was less, like why doesn't he

649
00:40:44,080 --> 00:40:47,239
Speaker 1: live in the keghouse or in a dorm or maybe

650
00:40:47,280 --> 00:40:50,360
Speaker 1: they just went there got more money than it doesn't

651
00:40:50,400 --> 00:40:52,160
Speaker 1: make sense. I thought he was in the keg and

652
00:40:52,239 --> 00:40:56,400
Speaker 1: he lived there, but then his bedroom. I didn't realize

653
00:40:56,560 --> 00:40:59,320
Speaker 1: that was his home bedroom. Those were those glass blocks

654
00:40:59,640 --> 00:41:03,880
Speaker 1: ere I don't even notice it. Wait, yeah, he wouldn't

655
00:41:03,880 --> 00:41:05,640
Speaker 1: be at home for sure. He wouldn't be at home.

656
00:41:05,760 --> 00:41:09,560
Speaker 1: So that's weird. And you guys think that sakout scene.

657
00:41:10,160 --> 00:41:12,640
Speaker 1: She's like, I can do whatever you want me to

658
00:41:12,760 --> 00:41:16,719
Speaker 1: do anything you or cute I just wrote it, or

659
00:41:16,800 --> 00:41:21,239
Speaker 1: cute I don't know, I'm gonna go. I'm on the

660
00:41:21,280 --> 00:41:26,360
Speaker 1: oo oth side of that one. I was just like, wait, okay,

661
00:41:26,400 --> 00:41:29,480
Speaker 1: So the only thing I was thinking about is I

662
00:41:29,640 --> 00:41:32,480
Speaker 1: feel like at this point they've slept together, right, have

663
00:41:32,600 --> 00:41:37,640
Speaker 1: they knock gone all the way they? Oh? I just

664
00:41:37,680 --> 00:41:40,680
Speaker 1: got it? You guys? Sorry, So anything means like like

665
00:41:40,760 --> 00:41:43,800
Speaker 1: a different orifice or what? Like? What is I'm asking

666
00:41:43,880 --> 00:41:47,400
Speaker 1: for a friend? What do you? Because I thought it

667
00:41:47,520 --> 00:41:50,200
Speaker 1: meant I can do we can do anything. And usually

668
00:41:50,200 --> 00:41:51,840
Speaker 1: when a girl says that, she's like, I'm willing to

669
00:41:51,920 --> 00:41:53,480
Speaker 1: go all the way now for the first time, But

670
00:41:53,560 --> 00:41:55,440
Speaker 1: they've gone all the way before, So why would you

671
00:41:55,480 --> 00:42:01,520
Speaker 1: say that to you? She's they were going to go

672
00:42:01,640 --> 00:42:06,560
Speaker 1: to the movies, So she's saying, we don't wanes we

673
00:42:06,640 --> 00:42:09,720
Speaker 1: can do anything you want, just meaning regular old sex,

674
00:42:09,920 --> 00:42:13,200
Speaker 1: just not any weird You guys, you don't say that

675
00:42:13,320 --> 00:42:16,239
Speaker 1: to someone you constantly have regular old sex with. You

676
00:42:16,280 --> 00:42:19,480
Speaker 1: don't say we can do anything if it's not the

677
00:42:19,560 --> 00:42:23,600
Speaker 1: first Are you guys kidding me? Right now? I don't

678
00:42:23,640 --> 00:42:27,040
Speaker 1: want to have this conversation. I don't know I think

679
00:42:27,120 --> 00:42:29,279
Speaker 1: she's gonna I think she was saying we could do

680
00:42:29,320 --> 00:42:33,960
Speaker 1: anal for the first time. I'm just saying, yeah, if

681
00:42:34,120 --> 00:42:36,880
Speaker 1: if you want to read into that, go ahead that

682
00:42:37,280 --> 00:42:41,399
Speaker 1: that's your interpretation of what celest once. Okay, I don't

683
00:42:41,560 --> 00:42:46,480
Speaker 1: think my experience watching this was my experience. I think

684
00:42:46,520 --> 00:42:48,359
Speaker 1: she was trying to be sexy, just like we don't

685
00:42:48,400 --> 00:42:50,080
Speaker 1: have to go to the movies. We can do anything

686
00:42:50,160 --> 00:42:54,759
Speaker 1: you want, just meaning like fool around. Yeah, yes, sick

687
00:42:54,800 --> 00:43:04,040
Speaker 1: oh noted so much? So much? What do we think

688
00:43:04,120 --> 00:43:07,680
Speaker 1: Cindy was cooking this time? I saw fruit, I saw corn.

689
00:43:08,960 --> 00:43:11,080
Speaker 1: I'm just gonna go on record and say they spent

690
00:43:11,160 --> 00:43:16,480
Speaker 1: a lot of budget on set dressing food items, and

691
00:43:16,600 --> 00:43:19,280
Speaker 1: I don't feel like it's lately always necessary. It's actually

692
00:43:19,280 --> 00:43:23,960
Speaker 1: starting to bother me because the entire counter is always covered.

693
00:43:24,040 --> 00:43:27,600
Speaker 1: Unless she's just a messy likes cook. She just is

694
00:43:27,640 --> 00:43:31,919
Speaker 1: a messy cook. Puts that, puts it everywhere. I would,

695
00:43:31,960 --> 00:43:38,960
Speaker 1: I would, I would feel a good rights that's going

696
00:43:39,040 --> 00:43:44,040
Speaker 1: to prepare. Yeah, Donna calls out Andrea and says, you

697
00:43:44,239 --> 00:43:50,120
Speaker 1: like older men, right, that's my favorite line. She's not wrong, No,

698
00:43:50,480 --> 00:43:53,959
Speaker 1: she's not. Yeah, Andrea and Brenda have more in common

699
00:43:54,000 --> 00:43:56,960
Speaker 1: than they even know. And you kind of finally call

700
00:43:57,000 --> 00:44:01,560
Speaker 1: out the flirtiness with gil mm hmm, like we were

701
00:44:01,600 --> 00:44:06,279
Speaker 1: onto you yea who will never see again? Right never?

702
00:44:06,480 --> 00:44:10,759
Speaker 1: And I think he comes back what more? But I

703
00:44:10,800 --> 00:44:13,000
Speaker 1: could be wrong, but I thought there's one more. I

704
00:44:13,040 --> 00:44:14,680
Speaker 1: don't want to be wrong. If somebody can look, but

705
00:44:14,760 --> 00:44:16,920
Speaker 1: I think he comes back once more. What like a

706
00:44:17,040 --> 00:44:19,920
Speaker 1: David's bachelor at party or something, I mean bachelor party,

707
00:44:22,040 --> 00:44:25,640
Speaker 1: kil Myers comes back. What would be the purpose? Interesting?

708
00:44:26,760 --> 00:44:31,120
Speaker 1: Somebody will look while we while we keep chatting. So um,

709
00:44:33,560 --> 00:44:36,239
Speaker 1: I feel like we've covered it all. Oh my goodness.

710
00:44:36,640 --> 00:44:38,279
Speaker 1: I think there might be a little bit more. I

711
00:44:38,400 --> 00:44:43,359
Speaker 1: have to ask you guys more. Yeah, if you were

712
00:44:43,600 --> 00:44:48,640
Speaker 1: if you were Jim, would you give Brenda a second chance? Totally? Yeah? Right,

713
00:44:49,080 --> 00:44:54,319
Speaker 1: that's his daughter, Yes, but I just feel like he's

714
00:44:56,080 --> 00:44:59,839
Speaker 1: she constantly has him wrapped around her little finger, like girl.

715
00:45:00,000 --> 00:45:02,920
Speaker 1: All I know, but like, why does that bother you

716
00:45:03,080 --> 00:45:18,759
Speaker 1: so much? I don't know. Yeah, I forgot the best

717
00:45:18,880 --> 00:45:23,240
Speaker 1: Brenda line of the whole thing. What pre law premed

718
00:45:23,400 --> 00:45:32,359
Speaker 1: pre menstrual? That is poetry. Richard Goland My notes say

719
00:45:33,239 --> 00:45:36,080
Speaker 1: Dylan seems like a freak Kelly seems like a freak.

720
00:45:36,560 --> 00:45:40,480
Speaker 1: Celeste is overreacting. There's a lot of overreacting for me.

721
00:45:41,719 --> 00:45:44,000
Speaker 1: I think this is what happens when you have a

722
00:45:44,040 --> 00:45:48,520
Speaker 1: new writer write an episode season four, yeah, and doesn't

723
00:45:48,600 --> 00:45:51,560
Speaker 1: know the characters. The characters have been established their voices.

724
00:45:51,680 --> 00:45:53,480
Speaker 1: It's kind of odd not to have him at least

725
00:45:53,520 --> 00:45:57,920
Speaker 1: paired with a more seasoned writer to the show. This

726
00:45:58,080 --> 00:46:01,279
Speaker 1: is what happens. People do to give you information. Mark

727
00:46:01,320 --> 00:46:08,920
Speaker 1: Kylie does return, So Michael Mark Kylie is gil. A

728
00:46:09,000 --> 00:46:11,759
Speaker 1: couple other little tiny tidbits, did you notice? Okay, so

729
00:46:12,360 --> 00:46:15,600
Speaker 1: Brenda is wearing the super cute outfit when she goes

730
00:46:15,760 --> 00:46:17,520
Speaker 1: to the pool party. I think it was maybe jeans

731
00:46:17,560 --> 00:46:20,200
Speaker 1: and a crop top. I can't exactly remember. But then

732
00:46:20,280 --> 00:46:25,360
Speaker 1: when she comes home to say she didn't deliver the papers,

733
00:46:25,800 --> 00:46:28,040
Speaker 1: she's in a completely new outfit. Well, because she got

734
00:46:28,080 --> 00:46:32,640
Speaker 1: wet she jumped in the hole. Also, okay, so you

735
00:46:32,920 --> 00:46:35,640
Speaker 1: jumped in and I guess your hair got wet, so

736
00:46:35,760 --> 00:46:37,960
Speaker 1: you put on a baseball hat. I've never in my

737
00:46:38,160 --> 00:46:42,080
Speaker 1: life seen you wearing a baseball cap, and please God,

738
00:46:42,160 --> 00:46:45,320
Speaker 1: I hope you never do it that. I were so

739
00:46:45,520 --> 00:46:48,320
Speaker 1: distracted in that scene. I was so upset. I was

740
00:46:48,440 --> 00:46:51,160
Speaker 1: just like a perfect end to like a not perfect

741
00:46:51,239 --> 00:46:54,640
Speaker 1: day on set, like as my personal life was in

742
00:46:54,800 --> 00:46:57,000
Speaker 1: shams at the moment. And then I had to wear

743
00:46:57,040 --> 00:47:02,680
Speaker 1: a base Why she bulls? Yeah? I was like, whoa that,

744
00:47:02,840 --> 00:47:04,480
Speaker 1: I've never What did you do with your wet hair?

745
00:47:05,840 --> 00:47:08,800
Speaker 1: You didn't see me after, did you? Oh? On the

746
00:47:08,960 --> 00:47:10,680
Speaker 1: on the I went home, I went to the beach

747
00:47:10,719 --> 00:47:14,960
Speaker 1: apartment and and yeah, it dried, but from the ocean

748
00:47:15,040 --> 00:47:19,840
Speaker 1: air from the ocean. I like, how Steve calls her cell?

749
00:47:20,320 --> 00:47:26,440
Speaker 1: I don't oh, he kept yelling out Celeste Sell Sell

750
00:47:27,080 --> 00:47:34,640
Speaker 1: Sell fucked me still as bugging. I forgot to write

751
00:47:34,680 --> 00:47:37,840
Speaker 1: that down, but yeah, it irritated me. What are you

752
00:47:37,880 --> 00:47:39,959
Speaker 1: gonna call Celeste? Though? You're going to call her cell?

753
00:47:40,040 --> 00:47:45,560
Speaker 1: I guess so, probably so. And then here comes John

754
00:47:45,600 --> 00:47:48,719
Speaker 1: Sears and she says, leave me alone and then kiss again.

755
00:47:50,120 --> 00:47:54,640
Speaker 1: Please leave me alone? Wait, come in case me. I

756
00:47:54,920 --> 00:47:58,239
Speaker 1: hated her so much. I mean I hated myself. I

757
00:47:58,280 --> 00:48:00,520
Speaker 1: don't know, I hated us with this. Do you have

758
00:48:00,640 --> 00:48:02,680
Speaker 1: to move for his hair as you do with Dylan?

759
00:48:04,160 --> 00:48:06,600
Speaker 1: I was like, what do you mean the hand and

760
00:48:06,640 --> 00:48:09,640
Speaker 1: the hair thing? Yeah, that I'd like to grab ahead

761
00:48:09,760 --> 00:48:15,040
Speaker 1: I'd like to grab what I like to grab her

762
00:48:15,080 --> 00:48:21,200
Speaker 1: guy by the head, keep going gets him. Do you

763
00:48:21,280 --> 00:48:23,960
Speaker 1: hate your acting or do you just hate what they're

764
00:48:24,000 --> 00:48:28,759
Speaker 1: making you do? I hate it all really interacting. I

765
00:48:28,840 --> 00:48:31,120
Speaker 1: think your performance is like good. I hated him my

766
00:48:31,160 --> 00:48:35,640
Speaker 1: acting in this episode also from the tippy top scene

767
00:48:35,920 --> 00:48:40,000
Speaker 1: to the berry bottom scene, from the chipper little like

768
00:48:40,520 --> 00:48:46,560
Speaker 1: he need coffee, You're so great. I hated my voice.

769
00:48:46,760 --> 00:48:49,200
Speaker 1: I hated by the way I was like following you

770
00:48:49,239 --> 00:48:51,439
Speaker 1: around like a little puppy, but it was kind of cute.

771
00:48:51,760 --> 00:48:54,520
Speaker 1: But then I also hated when at the end when

772
00:48:54,600 --> 00:48:57,799
Speaker 1: she's like, go away, I have a boyfriend, and then

773
00:48:57,840 --> 00:49:01,960
Speaker 1: she freaking kisses him. Kick that girl, you know, kick

774
00:49:02,400 --> 00:49:06,239
Speaker 1: kiss Mary kill. I'm gonna kill Kelly. That's kill right now,

775
00:49:06,560 --> 00:49:13,279
Speaker 1: not kill? Oh sorry, kick my kicker. He um. You

776
00:49:13,360 --> 00:49:17,360
Speaker 1: know who was in this episode? Who? Uh? Lex Medlin

777
00:49:17,920 --> 00:49:21,320
Speaker 1: was the frat big shot. He was Remember he was

778
00:49:21,400 --> 00:49:25,520
Speaker 1: cast as your husband in Mystery Girls and we loved

779
00:49:25,640 --> 00:49:28,959
Speaker 1: him so much and are my kids went to school

780
00:49:29,000 --> 00:49:33,440
Speaker 1: with his kids? And remember ABC Family recast And which

781
00:49:34,800 --> 00:49:38,319
Speaker 1: was his name? Is Mark silence? He said? No? Lex

782
00:49:38,440 --> 00:49:42,200
Speaker 1: Medlin played frat big shot? Which which can you tell?

783
00:49:42,239 --> 00:49:45,239
Speaker 1: Me who the Frati shot was. I don't remember seeing him,

784
00:49:45,239 --> 00:49:46,440
Speaker 1: and I looked for him the whole time. So I

785
00:49:46,480 --> 00:49:51,080
Speaker 1: was like, oh, Lexi's in this Wait in one of

786
00:49:51,120 --> 00:49:52,920
Speaker 1: the big n C I s or something right now?

787
00:49:53,000 --> 00:49:55,800
Speaker 1: So he said was which he was on Mystery Girls,

788
00:49:55,840 --> 00:49:59,480
Speaker 1: but then they replaced him but the pilot. So in

789
00:49:59,560 --> 00:50:04,279
Speaker 1: the pilot he was cast as your husband, I remember now,

790
00:50:04,960 --> 00:50:06,880
Speaker 1: and then when we came to series, we had some

791
00:50:06,960 --> 00:50:11,840
Speaker 1: soap looking guy I don't remember. I want to rewatch

792
00:50:11,960 --> 00:50:16,600
Speaker 1: Mystery Girls, honestly. All right, well there's always after season

793
00:50:16,640 --> 00:50:21,959
Speaker 1: ten of this mystery. What do you guys rate this? Oh? Wait,

794
00:50:22,320 --> 00:50:26,240
Speaker 1: we gotta wait, it's official. We have our rating boards.

795
00:50:27,040 --> 00:50:29,319
Speaker 1: I don't know, not get one. I'll not get one

796
00:50:29,360 --> 00:50:32,600
Speaker 1: of those. But you you you sent him and you

797
00:50:32,640 --> 00:50:35,719
Speaker 1: don't have one. Stam it. Okay, I'm gonna say, what

798
00:50:35,840 --> 00:50:39,560
Speaker 1: do I want to give this episode? Wait? Wait me

799
00:50:39,640 --> 00:50:42,560
Speaker 1: hold it at the same time. Wait, my color is

800
00:50:42,640 --> 00:50:47,240
Speaker 1: not a very strong one, but my feelings are strong.

801
00:50:49,000 --> 00:50:52,480
Speaker 1: That's a four. I don't I said, wait for me. Sorry,

802
00:50:53,840 --> 00:50:57,640
Speaker 1: I'm pretty excited. Go on to know you miss it again?

803
00:50:58,080 --> 00:51:04,600
Speaker 1: One to Oh wait, you guys, when I gave it

804
00:51:04,680 --> 00:51:06,960
Speaker 1: a six, Jenny gave it a four and gave it

805
00:51:07,000 --> 00:51:09,960
Speaker 1: a disagree. I'm giving it like eight. Really, you give

806
00:51:10,080 --> 00:51:13,319
Speaker 1: everything an eight five some point five point? What did

807
00:51:13,400 --> 00:51:15,880
Speaker 1: you write a four? We got to get you a

808
00:51:15,960 --> 00:51:18,800
Speaker 1: better marker, but you don't have a plethora of markers

809
00:51:18,880 --> 00:51:20,799
Speaker 1: and came with a pack. Yeah, I got my pack

810
00:51:20,920 --> 00:51:29,760
Speaker 1: hold on this? Should a million percent be a television

811
00:51:29,840 --> 00:51:34,160
Speaker 1: show because it's still not very sub people saw what

812
00:51:34,280 --> 00:51:37,160
Speaker 1: I see in this zoom? Is my four backwards? Am

813
00:51:37,200 --> 00:51:39,160
Speaker 1: I doing it wrong? Now? You did it perfect? My

814
00:51:39,280 --> 00:51:43,000
Speaker 1: six was backwards, but how do you do six? Wasn't?

815
00:51:43,080 --> 00:51:45,400
Speaker 1: None of your numbers were back, but for me, it

816
00:51:45,520 --> 00:51:49,800
Speaker 1: was backwards when I'm looking into this zoom. Whatever you

817
00:51:49,840 --> 00:51:54,960
Speaker 1: w this is, we've got to wrap this up because

818
00:51:55,000 --> 00:51:59,840
Speaker 1: people actually have lives to live. This is not business.

819
00:52:00,360 --> 00:52:07,239
Speaker 1: It should look like but not for me. That's what

820
00:52:07,480 --> 00:52:14,560
Speaker 1: Stephen Celeste we're doing to six? Is? What's that you mean?

821
00:52:16,800 --> 00:52:23,879
Speaker 1: That's just like that's just like bumping feet questions. There

822
00:52:24,000 --> 00:52:28,560
Speaker 1: was a note on the Instagram that I don't I

823
00:52:28,640 --> 00:52:33,080
Speaker 1: only ask my own questions. Send your questions in the Instagram.

824
00:52:33,560 --> 00:52:36,680
Speaker 1: I will ask them all. Yes, send your questions, send

825
00:52:36,880 --> 00:52:42,360
Speaker 1: your feelings. We want them I try to ask good stuff.

826
00:52:43,040 --> 00:52:46,759
Speaker 1: The stuff was our next episode, you guys, Oh yeah,

827
00:52:47,760 --> 00:52:55,960
Speaker 1: what is episode six, Strangers in the Night. You know

828
00:52:56,080 --> 00:53:10,840
Speaker 1: what's coming? Stuff coming? Oh oh, waits with Dylan David David.

829
00:53:10,880 --> 00:53:17,800
Speaker 1: I can't hear you, you said, did he vail? Oh Stewart.

830
00:53:18,600 --> 00:53:20,399
Speaker 1: I have no idea what you guys are talking about,

831
00:53:20,440 --> 00:53:23,800
Speaker 1: but I am looking forward to it. So and we

832
00:53:24,120 --> 00:53:26,960
Speaker 1: we um. We did a fun thing this week too

833
00:53:27,239 --> 00:53:32,080
Speaker 1: with our nine oh two one a mini episode which

834
00:53:32,239 --> 00:53:36,320
Speaker 1: is gonna be coming out. Uh so look for that

835
00:53:36,960 --> 00:53:41,960
Speaker 1: this week, everybody. And that's it. We love you, bye, guys,