WEBVTT - G-Unit Interview

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<v Speaker 1>Real people, real celebrity joined the Breakfast more than everybody

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<v Speaker 1>is DJ Envy, Angela Yee, Charlomagne, the guy we are

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<v Speaker 1>the Breakfast Club got some special guest with us today.

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<v Speaker 1>The original unit brought some liquor with us this morning

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<v Speaker 1>that I thought you was one of the one of

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<v Speaker 1>the Diddy boys. I am no longer, okay, but fifty

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<v Speaker 1>cent units in the building. It's good. That's all good.

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<v Speaker 1>What's the fan vodka about fifth Evan? Like it was,

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<v Speaker 1>it was organic, like the collaboration with me and being okay,

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<v Speaker 1>look together on that one, and then it's it's a

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<v Speaker 1>it's a good it's a good model. Like I um

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<v Speaker 1>Evan stands for the smooth and Dutch, you know what

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<v Speaker 1>I mean. It existed, it was already out in the markets.

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<v Speaker 1>It's like five variations of it and it's already there,

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<v Speaker 1>and then I just came in and you know, put

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<v Speaker 1>behind it. You don't really drink like a healthy vodka

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<v Speaker 1>for I think everything's good modivation and I'm saying and

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<v Speaker 1>then occasionally I get to it like if we these

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<v Speaker 1>guys drink drink black black shirt, is it for me

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<v Speaker 1>and everybody around? Like like even when when we was

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<v Speaker 1>in the on in the neighborhood. It was more like, uh,

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<v Speaker 1>I didn't choose to do everything the same way at

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<v Speaker 1>the same case, them like, because I know I got

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<v Speaker 1>a real Uh yeah, I was like, leave fifty alone?

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<v Speaker 1>Was it? Who wasn't I forgot who wasn't man' asap Rocky. Yeah,

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<v Speaker 1>I'm to leave that man just running. But for the

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<v Speaker 1>place he cool. He was at the basketball game, but

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<v Speaker 1>with him, he didn't really know you know what he's doing.

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<v Speaker 1>He did that to everybody, said everybody the same time.

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<v Speaker 1>What happened? He hit up tattered up Holly and I

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<v Speaker 1>guess you was in her DM was like, who w

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<v Speaker 1>w w now? Sent it to me? She said to you, damn.

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<v Speaker 1>But she knows that the type of person you are, like,

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<v Speaker 1>she knows it's not going to just be smooth. Well,

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<v Speaker 1>you know, I really don't care about you know, I

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<v Speaker 1>don't respond to anything connected to her like that. You know,

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<v Speaker 1>we just don't have that kind of friendship where it

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<v Speaker 1>would be like you're reacting over something so on saying

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<v Speaker 1>like if you guys someone to involved in nightlife, that's

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<v Speaker 1>where you go to meet people, right, Yeah, you know

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<v Speaker 1>what I'm saying hang out like that and then it's

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<v Speaker 1>not we don't have that kind of relationship anyway, So

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<v Speaker 1>don't matter. I totally leave fifty alone. Anybody else you

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<v Speaker 1>can ask for that. You ain't seen nothing wrong. And

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<v Speaker 1>I'm like, if you invest that kind of time money

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<v Speaker 1>into a female, hey, you have the right to speak

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<v Speaker 1>out and say stay away. But you know if you

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<v Speaker 1>I wouldn't say that that's the woman's job. True, you

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<v Speaker 1>know what I mean, like because I think the guy

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<v Speaker 1>like if you're not right there, like you can have

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<v Speaker 1>all of that, you have everything, it's just's your like

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<v Speaker 1>for your wife, who's the gig keeper. She got to

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<v Speaker 1>know from your communication what's acceptable and what's not acceptable

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<v Speaker 1>absolutely and move on that, you know, I mean everything

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<v Speaker 1>else is and that's that's like, that's not my girlfriend.

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<v Speaker 1>They don't really. But there was another video where she

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<v Speaker 1>was I guess how to beat for another girl. They

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<v Speaker 1>said that you drove it to the fight that you

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<v Speaker 1>fail there, drove the fight for a family. I've been

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<v Speaker 1>trying to figure out, like fifty does not act like

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<v Speaker 1>a millionaire like world, I let's go shoot the FAMILYE.

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<v Speaker 1>I ain't never gone just ever get born for you guys,

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<v Speaker 1>like the promo runs, the press run. I love it, man,

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<v Speaker 1>I love it. It's just part of life now, man,

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<v Speaker 1>be smart, stirt forget about that. You're doing these EPs fast?

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<v Speaker 1>Why so fast? Usually it takes a year a year

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<v Speaker 1>and a half, but you guys are really into this

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<v Speaker 1>music real quick. What's crazy is this was like the

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<v Speaker 1>first week. This music is from the first week that

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<v Speaker 1>we did when we did the Summer Jam, showing all

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<v Speaker 1>that following that the week after we recorded this this music,

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<v Speaker 1>first conversation we had that whole being the old beauty

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<v Speaker 1>and Beast that was spoken about in that first conversation.

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<v Speaker 1>To see it playoff now, it's kind of crazy. From

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<v Speaker 1>a business perspective, Why the why the sixth song epiece? Well,

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<v Speaker 1>I mean, it doesn't do any damage to the overall

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<v Speaker 1>brand based on numbers, you know what I mean. So

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<v Speaker 1>it's better to just just give them something to keep

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<v Speaker 1>everyone active in new music coming out, and then it

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<v Speaker 1>creates a content that allows to continue to shoot the

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<v Speaker 1>music videos so we can stay current viral because a

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<v Speaker 1>lot of times people it's different. It's changing so dramatically,

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<v Speaker 1>like the people making different choices for entertainment, like they're

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<v Speaker 1>getting extreaming stuff and doing all kindstus like watching cable.

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<v Speaker 1>How many channels are your cable? So we ain't seeing

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<v Speaker 1>everything that would traditionally we used to have to watch

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<v Speaker 1>up to channel eleven, you know what I'm saying, And

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<v Speaker 1>then we're doing the cable started coming and now it's

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<v Speaker 1>like a hundred channels. Channels you can thousand channels, and

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<v Speaker 1>I don't even have a schedule anymore. Of what I'm watching,

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<v Speaker 1>I just flipped through and took I see something I

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<v Speaker 1>want to look at, you know, I just wrote from that.

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<v Speaker 1>Do you think numbers still matter? I don't. I think

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<v Speaker 1>when when I can't allow numbers to matter because of

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<v Speaker 1>what my numbers were, you know what I mean, like

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<v Speaker 1>thirteen million records and then ten million records, like they

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<v Speaker 1>are gonna have no artists to go diamond again, right.

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<v Speaker 1>But that's that's gotta be scary though, because people now

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<v Speaker 1>not selling the amount of units, and people seem like

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<v Speaker 1>they're still looking at numbers, like the fans don't care

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<v Speaker 1>about it now. The more they look like what he

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<v Speaker 1>did first week, you gotta be I think so well,

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<v Speaker 1>I mean I don't really, that's how impressionable the music

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<v Speaker 1>is like when I think and when you have momentum,

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<v Speaker 1>it's easy for you to sustain it by being active,

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<v Speaker 1>you know what I mean, Like I just watch and

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<v Speaker 1>see if you could create something that special, especially if

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<v Speaker 1>you haven't had that momentum at that point, then it

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<v Speaker 1>says you're in podcast or you got your finger on

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<v Speaker 1>the post of what's going on. But a lot of

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<v Speaker 1>the music that don't watch it now I'm saying it

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<v Speaker 1>it's backwards. Instead of it coming from radio and going

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<v Speaker 1>into the nightclub, it's starting in the nightclub and coming out.

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<v Speaker 1>So like Cocole and Hot, these records are all um,

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<v Speaker 1>they're great album cuts and not single like it wasn't

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<v Speaker 1>written with intention to go to the masses, but it

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<v Speaker 1>becomes that cool thing that everybody's embracing. So as long

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<v Speaker 1>as you've got stuff out there for people to you know,

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<v Speaker 1>to test and play with and you can have those

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<v Speaker 1>records happen. You think release dates are played out, Yeah,

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<v Speaker 1>because an established artists, anyone who who's actually showed records

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<v Speaker 1>like you see when you see Beyonce released the record

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<v Speaker 1>in the middle of the night. Even Drake Slash record

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<v Speaker 1>came out and thinks the call of the mixtape, right, Yeah,

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<v Speaker 1>that was the That was the okay, in case it doesn'tselve,

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<v Speaker 1>you can't really gauge what Numbers is going to do

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<v Speaker 1>and you got to kind of momentum and exposure that

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<v Speaker 1>you need to be current right now. So they're just

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<v Speaker 1>gonna put that there and see what happens. This is

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<v Speaker 1>what Animal Ambition was and it but me making it

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<v Speaker 1>like a mixed state. It's the difference they said the

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<v Speaker 1>Drake albums for him to get off cash Buddy's getting

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<v Speaker 1>his films. I don't know why there's so much of

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<v Speaker 1>a problem over there. I think every time they bring

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<v Speaker 1>like they asked me about MTV about Baby and Way,

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<v Speaker 1>and I was like, no comment. And it's only because

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<v Speaker 1>your relationship with your pops he can forgive you, he

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<v Speaker 1>may not necessarily forgive me, you see what I'm saying.

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<v Speaker 1>And then it's their personal thing. And I'm looking at

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<v Speaker 1>when you just see they had that father son type

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<v Speaker 1>of relationship. I think it's a tough thing for you

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<v Speaker 1>to uh, you know, from the outside to say something.

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<v Speaker 1>But business wise, when everybody on the company say that

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<v Speaker 1>they're not making money or they haven't received royalty checks,

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<v Speaker 1>they gotta be Banks and y'all never I never heard

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<v Speaker 1>you complaining about money. Never, never had a problem. Fifties

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<v Speaker 1>a little crazy, but they all when I can't even

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<v Speaker 1>supposed to get paid, you know what? You know what

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<v Speaker 1>it is with Fifth like and with the whole unit situation.

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<v Speaker 1>It's like even when I came home out of jail,

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<v Speaker 1>it was never like I went back to the hood

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<v Speaker 1>and had a chance for somebody to smoke you in

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<v Speaker 1>the hoods. Once you get a deal and you up there,

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<v Speaker 1>you already know how this game change. I moved straight

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<v Speaker 1>to twenty fifth Streak, right right down the block from

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<v Speaker 1>on Fashion Institute, and then from there me and Banks

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<v Speaker 1>had a call down Battery Park. They say I got

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<v Speaker 1>them kicked out, but it wasn't me. It was I

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<v Speaker 1>believe it was Fifth. It was nice. We had to

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<v Speaker 1>see the Statue of Liberty when we stepped out of Corndo,

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<v Speaker 1>So it was like, you know, we was good. I

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<v Speaker 1>was good when I came home. So in Connecticut and

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<v Speaker 1>Fifth and then they moved to their houses. They had

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<v Speaker 1>the condos in the city. They know basically even like

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<v Speaker 1>to be there in Connecticut, he didn't want to be there,

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<v Speaker 1>like I'm going to be nowhere and yeah, in the

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<v Speaker 1>beginning he was like like, he goes yo, I can't

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<v Speaker 1>see laugh. I'm a huge name, but I'd rather watch

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<v Speaker 1>the Nick game on my TV. That's the way I

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<v Speaker 1>react with Nique, you know what I mean. They're gonna

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<v Speaker 1>be like Banks, the cool guy we thought he was

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<v Speaker 1>as a mogul though, how do you not pay your

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<v Speaker 1>franchise all this though? If you're burn how you don't

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<v Speaker 1>pay what? Well? I think he paid them. I still

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<v Speaker 1>think that their relationship is different. Like I think if

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<v Speaker 1>you say I think that it can get blurry and

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<v Speaker 1>you can feel like this is our money because it's

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<v Speaker 1>father and son and he for a long time he

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<v Speaker 1>put in the Wayne like Wayne's hit. The album was

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<v Speaker 1>his sixth album, right like hen will already be out

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<v Speaker 1>of the game like any place else. Without having the

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<v Speaker 1>passion that our father has for a son, no one

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<v Speaker 1>would continue to pour money to you. Look, even with

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<v Speaker 1>marb did They'll look at it and say, our expectations

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<v Speaker 1>are five hundred thousand pieces, and then their budgeting goes

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<v Speaker 1>to the expectations of five hundred thousand pieces, not the

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<v Speaker 1>as soon as we get something, we're gonna go after

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<v Speaker 1>it to the maximum ability because they felt all we're hot,

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<v Speaker 1>we're heating up, they're feeling you know what I mean?

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<v Speaker 1>He said he did stick with it. I don't think

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<v Speaker 1>it would have happened if it was he was with

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<v Speaker 1>another company. I think they would let him go by it. Yeah,

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<v Speaker 1>how did he determine who gets what? Though? Like you said,

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<v Speaker 1>you gave Yale too much money, A banks too much money?

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<v Speaker 1>Do you term who gets well? Now I did practice.

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<v Speaker 1>The reason why in the scope then not on in

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<v Speaker 1>the scope is their contracts were designed on the old

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<v Speaker 1>music making too much money. Yeah. So it's like they

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<v Speaker 1>would have had to pay them seven hundred and fifty

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<v Speaker 1>thousand in advance for the next record, and they go,

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<v Speaker 1>what we can get the new kid the transition of

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<v Speaker 1>the three sixty deal that hadn't happen after me? Yeah,

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<v Speaker 1>after after three sixty deal, can't they said that wasn't

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<v Speaker 1>gonna happen again, you know, like and it was like

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<v Speaker 1>when they implemented that thing in the deal, I thought

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<v Speaker 1>they would be expanding the building or trying to do

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<v Speaker 1>what Wanna was doing, because Wanna was paying for they

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<v Speaker 1>were financing Chris doing a brand assets to try and

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<v Speaker 1>facilitate the deal making process to make more money. Right,

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<v Speaker 1>So it's like, we're gonna do this through sixty deal,

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<v Speaker 1>but we have this arm that's gonna go find you

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<v Speaker 1>the deal. And they didn't even do that. They just said,

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<v Speaker 1>if you get a deal, we get a piece. Do

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<v Speaker 1>you still love the music? Thal because you make money

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<v Speaker 1>from liquor underwater you knowends to make money. So why

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<v Speaker 1>is the music because it has to be the least well,

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<v Speaker 1>it may not be the biggest financial piece, but it's

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<v Speaker 1>still it's still a passion connected to it. It's the

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<v Speaker 1>reason why everything else I'm able to do all those things.

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<v Speaker 1>And and it's you know, the feeling you got that

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<v Speaker 1>song to come on one o'clock in the morning, and

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<v Speaker 1>it's that song like I feel like I always I'm

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<v Speaker 1>always the record away because of how big my profile is.

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<v Speaker 1>So you make a song and it shifts back to

0:11:51.960 --> 0:11:55.400
<v Speaker 1>you bet right back in the middle of everything that's

0:11:55.440 --> 0:11:59.000
<v Speaker 1>at the top of music culture. Right. A lot of

0:11:59.000 --> 0:12:00.720
<v Speaker 1>people have that hot song the moment, but they don't

0:12:00.720 --> 0:12:02.720
<v Speaker 1>have that hot song for life, Like Bable turned twenty

0:12:02.760 --> 0:12:07.000
<v Speaker 1>one yesterday and yeah, like that those records a timeless

0:12:07.000 --> 0:12:09.520
<v Speaker 1>They're gonna be there like it's just it marks a

0:12:09.600 --> 0:12:13.000
<v Speaker 1>whole period of of our actual music. It's like and

0:12:13.200 --> 0:12:16.120
<v Speaker 1>and Wayne has it for that period that the Carter came,

0:12:16.600 --> 0:12:18.400
<v Speaker 1>you know what I mean, And that Drake that that

0:12:18.559 --> 0:12:21.000
<v Speaker 1>first album is it's his spot. Like you don't have

0:12:21.200 --> 0:12:23.440
<v Speaker 1>artists come in and they don't have that period where

0:12:24.600 --> 0:12:27.040
<v Speaker 1>it's that's happening right in the music culture, you know

0:12:27.080 --> 0:12:30.080
<v Speaker 1>what I mean. And we gotta always because it marks

0:12:30.160 --> 0:12:31.520
<v Speaker 1>like it marks time, like you don't have a person

0:12:31.600 --> 0:12:33.719
<v Speaker 1>pickus that's that's our song, Like when they go out

0:12:33.720 --> 0:12:37.280
<v Speaker 1>of couples, that's their favorite joint, and then what comes

0:12:37.320 --> 0:12:38.880
<v Speaker 1>on it takes them right back to the things that

0:12:38.960 --> 0:12:41.959
<v Speaker 1>were doing back then, right, you know. And that's what

0:12:42.040 --> 0:12:44.320
<v Speaker 1>I think that when people stereotype the Unit a lot,

0:12:44.360 --> 0:12:46.240
<v Speaker 1>I mean because when when we heard first heard fifty

0:12:46.280 --> 0:12:49.960
<v Speaker 1>it first heard the Unit, it was gun busting, shooting,

0:12:50.120 --> 0:12:52.040
<v Speaker 1>punch you in the face, we mobbed an out, but

0:12:52.120 --> 0:12:57.800
<v Speaker 1>all that was really happening. But it was like you

0:12:57.880 --> 0:13:04.160
<v Speaker 1>already know the party's involved, right, But now that it's

0:13:04.200 --> 0:13:06.839
<v Speaker 1>hard now because it's like you're not there anymore. You

0:13:06.920 --> 0:13:09.319
<v Speaker 1>don't have to run around queens and punch people and

0:13:09.520 --> 0:13:12.839
<v Speaker 1>fight people. And now it's it's more diverse. Even the

0:13:13.080 --> 0:13:16.120
<v Speaker 1>second song off the I'm grown right but you know,

0:13:16.480 --> 0:13:20.600
<v Speaker 1>and it's it's a different like everybody. All the audience

0:13:20.720 --> 0:13:23.319
<v Speaker 1>got older with us, So the majority has to be

0:13:23.440 --> 0:13:25.640
<v Speaker 1>into the content of the material or they're gonna look

0:13:25.640 --> 0:13:27.719
<v Speaker 1>at it and go, what are you talking about? Like

0:13:28.240 --> 0:13:31.319
<v Speaker 1>you're watching in hip hop, they're trending so hard, like

0:13:31.480 --> 0:13:33.959
<v Speaker 1>the things that I fell in love with have felt

0:13:33.960 --> 0:13:36.439
<v Speaker 1>out of the culture, Like it was important for you

0:13:36.600 --> 0:13:40.400
<v Speaker 1>to have something that made the music you or made

0:13:40.440 --> 0:13:44.280
<v Speaker 1>it special unique from you. And now they're following each other.

0:13:44.280 --> 0:13:46.480
<v Speaker 1>I hit New York artists say it's trapping out a band. Ugh,

0:13:47.360 --> 0:13:49.120
<v Speaker 1>you know what I'm saying, And I'm like, what is it?

0:13:50.400 --> 0:13:53.360
<v Speaker 1>Hold up? Okay, I got it. Took me a second,

0:13:54.080 --> 0:13:55.439
<v Speaker 1>you know what I'm saying to get and there I go.

0:13:55.960 --> 0:14:00.920
<v Speaker 1>It's yeah, you gotta even the hot hot record from

0:14:00.920 --> 0:14:02.719
<v Speaker 1>Bobby and him that sounds like drill music to me.

0:14:02.840 --> 0:14:05.680
<v Speaker 1>That's Chief Free Bobby Smurder. You know what I'm saying.

0:14:06.040 --> 0:14:08.120
<v Speaker 1>Why I didn't want to make Bell? Yeah? Why did you? Why?

0:14:08.720 --> 0:14:10.559
<v Speaker 1>If she was signing he would you have got him already.

0:14:10.600 --> 0:14:12.079
<v Speaker 1>I had to. He would have been out of it

0:14:12.240 --> 0:14:14.360
<v Speaker 1>I got. I had I got guys that were an

0:14:14.440 --> 0:14:18.679
<v Speaker 1>artists that I built up. Man, Bobby would have been

0:14:18.679 --> 0:14:22.240
<v Speaker 1>out my little, my little, my son, like my my baby,

0:14:22.960 --> 0:14:27.600
<v Speaker 1>Hove is my Trav's big brother is my baby. Every

0:14:27.640 --> 0:14:29.280
<v Speaker 1>time he got in trouble with my house, it was

0:14:29.360 --> 0:14:33.000
<v Speaker 1>like his bell was like a million dollars dollars and

0:14:33.160 --> 0:14:35.480
<v Speaker 1>he was hitting him like that and she's done blazing.

0:14:37.080 --> 0:14:39.200
<v Speaker 1>He was connected to me, right, you know what I mean.

0:14:39.280 --> 0:14:41.560
<v Speaker 1>So I was like when they did that, I was like,

0:14:41.960 --> 0:14:44.720
<v Speaker 1>get him. He don't look for trouble, but he warns

0:14:44.760 --> 0:14:48.280
<v Speaker 1>people that find trouble finds him in Connecticut, like you

0:14:48.320 --> 0:14:52.560
<v Speaker 1>gotta get in the car and drive. Mind from right,

0:14:53.600 --> 0:14:56.800
<v Speaker 1>Like he just he differently, like he went through something.

0:14:56.960 --> 0:14:58.760
<v Speaker 1>When travel is saying the things that he was saying,

0:14:59.320 --> 0:15:01.600
<v Speaker 1>you know what I'm saying, It was like what you're doing,

0:15:01.720 --> 0:15:04.960
<v Speaker 1>like you just pushed us away from you trying to

0:15:05.000 --> 0:15:07.920
<v Speaker 1>get a mixtape to work, you know what I mean.

0:15:08.120 --> 0:15:09.760
<v Speaker 1>It's like he can't see me to talk about it.

0:15:09.880 --> 0:15:12.520
<v Speaker 1>But the Travis, like I had none to do it.

0:15:12.600 --> 0:15:15.760
<v Speaker 1>That kid like he's a little guy trying well. He

0:15:15.840 --> 0:15:17.600
<v Speaker 1>was actually trying to do what he see me doing

0:15:18.160 --> 0:15:20.400
<v Speaker 1>at different. But I kind of saw him saying that things.

0:15:20.640 --> 0:15:22.520
<v Speaker 1>You know, if you gave him, you gave him motorcycles.

0:15:22.600 --> 0:15:25.440
<v Speaker 1>Everybody in the project's motorcycles. He was the first one. Yeah,

0:15:25.480 --> 0:15:29.080
<v Speaker 1>I didn't even give one get a motorbike. You don't

0:15:29.120 --> 0:15:30.800
<v Speaker 1>think it's a little different with you though, because you

0:15:31.520 --> 0:15:33.760
<v Speaker 1>actually everybody knows you put in work in the street

0:15:33.800 --> 0:15:35.240
<v Speaker 1>and you had to be for real street dude. But

0:15:35.360 --> 0:15:37.280
<v Speaker 1>they come in and they see it work on a

0:15:37.400 --> 0:15:39.520
<v Speaker 1>rap formula and feel like I can do the rap formula.

0:15:39.520 --> 0:15:40.880
<v Speaker 1>But then it gets real for them in the streets

0:15:40.880 --> 0:15:44.240
<v Speaker 1>because of that, right, and then it just you see

0:15:44.880 --> 0:15:47.080
<v Speaker 1>all the way across the board, like you see it.

0:15:47.160 --> 0:15:55.280
<v Speaker 1>You see him choose, but they noticed understand it to

0:15:55.440 --> 0:16:00.520
<v Speaker 1>go after a crazy nineties instead of to come to me,

0:16:01.920 --> 0:16:04.000
<v Speaker 1>you see what I'm saying, Like, and it's like, I

0:16:04.040 --> 0:16:05.920
<v Speaker 1>don't know why they did that because that didn't make

0:16:05.960 --> 0:16:07.640
<v Speaker 1>no sense at all to me. But I felt like

0:16:08.000 --> 0:16:10.320
<v Speaker 1>I was trying to brush the dirt off him from

0:16:10.360 --> 0:16:14.400
<v Speaker 1>what just happened by creating more conversation, like like about

0:16:14.440 --> 0:16:16.880
<v Speaker 1>something else that's going on. But you know it was

0:16:17.040 --> 0:16:20.200
<v Speaker 1>that was kind of sucking more. But I think that

0:16:20.280 --> 0:16:22.760
<v Speaker 1>it's just confusion right now with the g unit and

0:16:22.840 --> 0:16:25.280
<v Speaker 1>moving Gene around because it gets coarsely and everything is

0:16:25.600 --> 0:16:28.760
<v Speaker 1>it's more independent now. So so how does that work now?

0:16:28.800 --> 0:16:31.080
<v Speaker 1>Because before it was the label, the labels taking everybody else.

0:16:31.120 --> 0:16:34.040
<v Speaker 1>We all go together. But now it's like it's it's

0:16:34.120 --> 0:16:36.560
<v Speaker 1>fifty in Caroline, So you gotta pay for the movement

0:16:36.680 --> 0:16:41.320
<v Speaker 1>of banks. Kid kid yae yo buck And like, you

0:16:41.360 --> 0:16:43.400
<v Speaker 1>know the other day, you know, I know you don't smoke.

0:16:44.240 --> 0:16:47.080
<v Speaker 1>I walked to the car the other day. Man, when

0:16:47.080 --> 0:16:48.600
<v Speaker 1>I got home, my wife was like, you were smoking.

0:16:48.640 --> 0:16:53.200
<v Speaker 1>I was like, this is just I just gave that

0:16:56.520 --> 0:16:58.080
<v Speaker 1>I stepped in the car. What I said it was

0:16:58.160 --> 0:16:59.840
<v Speaker 1>if I got pulled on it with a straight to jail.

0:17:00.000 --> 0:17:06.480
<v Speaker 1>I didn't. We rappers, man, we do a rap not you.

0:17:06.720 --> 0:17:13.919
<v Speaker 1>You're different. Let me tell you. Fifty Boo Boo always

0:17:14.000 --> 0:17:16.119
<v Speaker 1>been a dude on the block. Maybe like oh man,

0:17:16.240 --> 0:17:18.960
<v Speaker 1>here he comes, Like that's just I'm used to it.

0:17:19.119 --> 0:17:22.440
<v Speaker 1>And I was always yeah, but he he'd been in

0:17:22.480 --> 0:17:24.400
<v Speaker 1>the streets with the best of them. Like it's real,

0:17:24.760 --> 0:17:26.720
<v Speaker 1>Like it's not not bullying, you know what I think.

0:17:26.840 --> 0:17:29.800
<v Speaker 1>Like they said the same thing about Joel by fact

0:17:29.880 --> 0:17:32.040
<v Speaker 1>Joe it's just prior to you know what I mean.

0:17:32.119 --> 0:17:34.439
<v Speaker 1>And I never picked my shots. I just looked at

0:17:34.480 --> 0:17:38.720
<v Speaker 1>see they was helping. His loyalty made him help with

0:17:38.880 --> 0:17:42.920
<v Speaker 1>the honey guns, honey clips, y'all. And then I had

0:17:42.960 --> 0:17:47.680
<v Speaker 1>to make sure that that didn't we can do John,

0:17:48.000 --> 0:17:50.040
<v Speaker 1>so I went after him and Jada, you know what

0:17:50.040 --> 0:17:51.960
<v Speaker 1>I'm saying. But it wasn't personal, so it was able.

0:17:52.119 --> 0:17:54.560
<v Speaker 1>He's able to resolve it as Chris passed. And then

0:17:54.600 --> 0:17:58.680
<v Speaker 1>he's not like, you gotta watch. You gotta watch the

0:17:58.720 --> 0:18:00.640
<v Speaker 1>person that you have an alter case. You gotta see

0:18:00.640 --> 0:18:02.520
<v Speaker 1>who they are, like you see me look closer into it.

0:18:03.080 --> 0:18:06.440
<v Speaker 1>And then I knew that if it would be bumped

0:18:06.480 --> 0:18:08.680
<v Speaker 1>heads for relled, it would be something like we would

0:18:08.680 --> 0:18:11.000
<v Speaker 1>go back and forth. It'd be bad. You know. I

0:18:11.119 --> 0:18:13.800
<v Speaker 1>started looking through the crew a little bit and pictures.

0:18:13.840 --> 0:18:18.680
<v Speaker 1>I'm looking in the background. I'm investigating, like who that?

0:18:19.480 --> 0:18:22.119
<v Speaker 1>But y'all cool? Though they said they said you was

0:18:22.280 --> 0:18:25.040
<v Speaker 1>at the Baby Faith concert last week by yourself. I ran,

0:18:25.119 --> 0:18:27.280
<v Speaker 1>I took my aut I took my aunt, Yeah, I

0:18:27.400 --> 0:18:32.760
<v Speaker 1>took my Joe's day boy. It was clean. As I

0:18:32.840 --> 0:18:35.840
<v Speaker 1>was like, yeah, okay, I said, what is going on?

0:18:35.960 --> 0:18:39.119
<v Speaker 1>I'm almost making deals behind the scenes on us. She

0:18:39.320 --> 0:18:41.800
<v Speaker 1>was going on here because he had but yeah, and

0:18:42.000 --> 0:18:45.440
<v Speaker 1>it wasn't he shortly I was she was smoking, you know.

0:18:45.480 --> 0:18:47.680
<v Speaker 1>I hope that was the right thing for me to say.

0:18:48.359 --> 0:18:53.879
<v Speaker 1>I think that was his wife. I think so. I mean,

0:18:53.920 --> 0:18:56.040
<v Speaker 1>you just just look look like he's a good spirit.

0:18:56.440 --> 0:18:59.880
<v Speaker 1>You know. It's cool. Like um, the baby Face Show,

0:19:00.359 --> 0:19:02.080
<v Speaker 1>that was more fun than I expected it to be.

0:19:02.840 --> 0:19:07.040
<v Speaker 1>Like I didn't realize how many records he wrote because

0:19:07.080 --> 0:19:09.160
<v Speaker 1>he went to that little part portion of his show

0:19:09.520 --> 0:19:14.080
<v Speaker 1>and it felt like thirty years of hits. Wow. He

0:19:14.200 --> 0:19:16.639
<v Speaker 1>was performing all night, hit after hit after hit hit,

0:19:16.760 --> 0:19:18.920
<v Speaker 1>and it was like it gets to a point like, well,

0:19:18.960 --> 0:19:22.840
<v Speaker 1>you know how like even now the music businesses like that,

0:19:23.000 --> 0:19:25.840
<v Speaker 1>like they go who Who's Who's high? Okay, let's uh

0:19:26.160 --> 0:19:29.280
<v Speaker 1>get hit boy or get DJ Mustard or get you

0:19:29.359 --> 0:19:31.440
<v Speaker 1>know what I mean, different joints like and I I

0:19:31.640 --> 0:19:36.040
<v Speaker 1>understand that, but I haven't operated that way. I've always

0:19:36.359 --> 0:19:40.960
<v Speaker 1>made records for guys that you didn't know them from nowhere,

0:19:41.000 --> 0:19:42.600
<v Speaker 1>and I didn't know him. I just they just had

0:19:42.680 --> 0:19:46.000
<v Speaker 1>something that inspired me. Like it was the kid um

0:19:46.960 --> 0:19:52.600
<v Speaker 1>rob Reef did what up? Gangster? Um? I get money?

0:19:52.720 --> 0:19:56.200
<v Speaker 1>The kid Ape that was his first record, Mini Mafia

0:19:56.320 --> 0:19:59.960
<v Speaker 1>twenty one. Question is different dangerous LLC? Like these guys

0:20:00.200 --> 0:20:03.480
<v Speaker 1>up the guys I worked with that didn't have momentum,

0:20:03.960 --> 0:20:06.920
<v Speaker 1>just had the record I needed at the time, So

0:20:07.160 --> 0:20:09.239
<v Speaker 1>you know, you gotta kind of that's the only way

0:20:09.280 --> 0:20:12.920
<v Speaker 1>you find something that I feel like is it's new. Yeah?

0:20:13.960 --> 0:20:17.960
<v Speaker 1>Why why you never did the second album? I don't know, man,

0:20:18.000 --> 0:20:19.520
<v Speaker 1>it was just a lot going on. I think it

0:20:19.600 --> 0:20:21.760
<v Speaker 1>was politics with Interscope and it was just a lot

0:20:21.880 --> 0:20:24.240
<v Speaker 1>going on at that time. But I got advance for it,

0:20:24.320 --> 0:20:30.320
<v Speaker 1>I got paid for I got paid to get contractually.

0:20:30.359 --> 0:20:33.159
<v Speaker 1>They had to Yeah, get that money, so got it,

0:20:33.200 --> 0:20:34.880
<v Speaker 1>That's what I'm saying to you. So they got paid

0:20:34.920 --> 0:20:38.360
<v Speaker 1>out like that, and then it was time for then

0:20:38.440 --> 0:20:42.280
<v Speaker 1>to spend more marketing dollars on it for that, you know,

0:20:42.640 --> 0:20:45.960
<v Speaker 1>to go into the next cycle. And it's like do

0:20:46.119 --> 0:20:47.560
<v Speaker 1>we want to do that or do we want to

0:20:47.680 --> 0:20:51.760
<v Speaker 1>change our model? Right with the climate of things is

0:20:51.800 --> 0:20:54.280
<v Speaker 1>then and they had to adjustments. Like I think any

0:20:54.320 --> 0:20:56.800
<v Speaker 1>business you have to do that. You have a lot

0:20:56.880 --> 0:20:59.320
<v Speaker 1>of people around you, you know what I mean. Like

0:20:59.359 --> 0:21:00.879
<v Speaker 1>I said, I be at a store and somebody like

0:21:00.960 --> 0:21:02.159
<v Speaker 1>your fifths on the line. You know what I mean,

0:21:02.480 --> 0:21:04.560
<v Speaker 1>You have a lot of friends around you. You feel

0:21:04.600 --> 0:21:07.280
<v Speaker 1>like you pay people necessarily almost like to be your

0:21:07.320 --> 0:21:09.560
<v Speaker 1>friends because it's what work are they doing, because it

0:21:09.600 --> 0:21:11.680
<v Speaker 1>seems like everything is so structured. Now. Yeah, you look.

0:21:11.800 --> 0:21:14.119
<v Speaker 1>Look if you say seventy percent of people who have

0:21:14.200 --> 0:21:16.600
<v Speaker 1>a job were referred by a friend, what happens when

0:21:16.640 --> 0:21:20.680
<v Speaker 1>you become the job. You start to give those people

0:21:20.960 --> 0:21:22.920
<v Speaker 1>that you would be comfortable with as your friends the

0:21:23.080 --> 0:21:27.040
<v Speaker 1>job or the position, even if there not as season

0:21:27.560 --> 0:21:29.600
<v Speaker 1>or prepared for it. You'll bring them around early. Like

0:21:29.640 --> 0:21:33.920
<v Speaker 1>I've had kids that like like bring them in and

0:21:34.000 --> 0:21:36.600
<v Speaker 1>I go follow you what you wanted to do? Be

0:21:36.720 --> 0:21:39.280
<v Speaker 1>to a manager? Okay, look, go follow them to a manager.

0:21:39.520 --> 0:21:45.680
<v Speaker 1>Here your assistant, make him do everything. He's his assistant,

0:21:46.320 --> 0:21:48.840
<v Speaker 1>do everything. And he didn't know he was his replacement.

0:21:49.200 --> 0:21:53.240
<v Speaker 1>My tour manager came to watch the same process watching,

0:21:53.359 --> 0:21:56.400
<v Speaker 1>you know what I mean. He came for thirteen years. Yeah,

0:21:56.440 --> 0:21:58.280
<v Speaker 1>like all came in and it was like the guy,

0:21:58.359 --> 0:22:00.520
<v Speaker 1>you go with him, work with him to go work

0:22:00.840 --> 0:22:02.919
<v Speaker 1>as an assistant for the tour manager. And then when

0:22:02.960 --> 0:22:06.480
<v Speaker 1>the other artists comes, they can handle going to take

0:22:06.680 --> 0:22:09.800
<v Speaker 1>facilitate banks. So I'm still manage my he's my DJ

0:22:10.000 --> 0:22:12.040
<v Speaker 1>and my book and age. I think it all happened

0:22:12.040 --> 0:22:15.040
<v Speaker 1>too fast with Union. We went from fifty Grandmother Crib

0:22:15.119 --> 0:22:18.800
<v Speaker 1>to all of this. It seemed like it was a

0:22:19.040 --> 0:22:21.800
<v Speaker 1>slow process in a way that we saw because they

0:22:21.800 --> 0:22:24.560
<v Speaker 1>didn't see the Columbia process. I don't think a lot

0:22:24.600 --> 0:22:27.399
<v Speaker 1>of people remember that. I don't remember Doll, That's what

0:22:27.480 --> 0:22:29.760
<v Speaker 1>I'm saying. A lot of people don't remember the Columbia process.

0:22:29.840 --> 0:22:31.720
<v Speaker 1>They just remember him getting shot. We was on and

0:22:31.760 --> 0:22:33.399
<v Speaker 1>then coming back out with the music. I was on

0:22:33.520 --> 0:22:36.119
<v Speaker 1>the Cash Money tour right before they opened the curtain,

0:22:36.320 --> 0:22:41.880
<v Speaker 1>right me and fifty and the Money Swiss t K. Kirkland.

0:22:45.760 --> 0:22:47.960
<v Speaker 1>It was funny as a mother, like it was like

0:22:48.080 --> 0:22:51.760
<v Speaker 1>that baby, and then would come helicopter Drew. He was

0:22:51.800 --> 0:22:54.159
<v Speaker 1>smoking hot. That was crazy all that, and it's like

0:22:54.840 --> 0:22:58.840
<v Speaker 1>going on before anybody, Like, yeah, people remember because they

0:22:58.840 --> 0:23:00.959
<v Speaker 1>didn't get there yet, right they were still on their

0:23:01.000 --> 0:23:02.320
<v Speaker 1>way in and stuff like that. But it was like

0:23:02.520 --> 0:23:04.800
<v Speaker 1>it was an experience and it was able to put

0:23:04.880 --> 0:23:07.040
<v Speaker 1>us in front of like in the sheds. I was

0:23:07.040 --> 0:23:10.159
<v Speaker 1>always amazed how you took Buck, because Buck was on

0:23:10.280 --> 0:23:12.720
<v Speaker 1>the fence of signing with either you or juvenile. It

0:23:12.800 --> 0:23:14.520
<v Speaker 1>was like right in the middle of juvenil, like you said,

0:23:14.640 --> 0:23:17.400
<v Speaker 1>was on fire at that time. He had this out

0:23:17.440 --> 0:23:19.359
<v Speaker 1>and then he decided, I never understand how you did that.

0:23:19.440 --> 0:23:23.399
<v Speaker 1>It wasn't Julie had looked I talked a buck and

0:23:23.480 --> 0:23:26.320
<v Speaker 1>didn't say anything to him about working with him. Like

0:23:26.440 --> 0:23:28.359
<v Speaker 1>I knew how you get around someone when you say, yo,

0:23:28.720 --> 0:23:32.040
<v Speaker 1>he's dope, like he has cool energy to him. It's good,

0:23:32.480 --> 0:23:35.119
<v Speaker 1>but you don't want to violate the person that they

0:23:35.240 --> 0:23:37.920
<v Speaker 1>connected to because they did with someone right, you know,

0:23:38.040 --> 0:23:40.640
<v Speaker 1>and I go I didn't say anything, but Julie had

0:23:41.359 --> 0:23:44.520
<v Speaker 1>reached to Banks. He liked Banks, so he was talking

0:23:44.680 --> 0:23:47.520
<v Speaker 1>like he was talking to him. Remember we came back

0:23:47.560 --> 0:23:49.120
<v Speaker 1>and we had because look what I did was when

0:23:49.119 --> 0:23:52.679
<v Speaker 1>I heard from somebody else it was around us, one

0:23:52.720 --> 0:23:54.520
<v Speaker 1>of the homies. It was there. He was like, yo,

0:23:54.760 --> 0:23:58.080
<v Speaker 1>Banks said, Julie was feeling him like that said, oh word,

0:23:59.040 --> 0:24:02.040
<v Speaker 1>I hadn't done anything. Yeah, well Banks, like we started

0:24:02.040 --> 0:24:04.560
<v Speaker 1>to g and it street tape momentum. So I was like,

0:24:06.720 --> 0:24:10.680
<v Speaker 1>I had his contracts released done and I was telling

0:24:10.800 --> 0:24:12.320
<v Speaker 1>them how you could go do what you want to do?

0:24:12.720 --> 0:24:17.840
<v Speaker 1>You look crazy on UTP. Banks like look crazy to

0:24:17.880 --> 0:24:24.159
<v Speaker 1>even discussing it. There's never a reality man, like I

0:24:24.280 --> 0:24:25.760
<v Speaker 1>just said. I said to him, I was like, yo,

0:24:26.200 --> 0:24:28.280
<v Speaker 1>but because I heard it from someone else, it means

0:24:28.359 --> 0:24:31.560
<v Speaker 1>it in my mind it met It was some excitement

0:24:31.640 --> 0:24:34.040
<v Speaker 1>to it, you know what I'm saying. And he was

0:24:34.080 --> 0:24:36.000
<v Speaker 1>repeating it to one of the other them. I said,

0:24:36.000 --> 0:24:37.800
<v Speaker 1>you said that I got to release done and say

0:24:37.880 --> 0:24:41.440
<v Speaker 1>how you get just sign that? I always wondered when

0:24:41.440 --> 0:24:45.200
<v Speaker 1>did y'all realize y'all like really had something with what

0:24:45.520 --> 0:24:47.960
<v Speaker 1>you know? What happened is we went through a process.

0:24:48.000 --> 0:24:50.000
<v Speaker 1>I would say, like, who are you as an artist?

0:24:50.200 --> 0:24:51.840
<v Speaker 1>What are you doing? So we don't make the mistake

0:24:51.920 --> 0:24:54.840
<v Speaker 1>of marketing you one way and then it doesn't allow

0:24:54.880 --> 0:24:56.320
<v Speaker 1>you to do things that you want to do? And

0:24:58.400 --> 0:25:02.080
<v Speaker 1>was yea was he's the drug? Yeah? He wanted to

0:25:02.160 --> 0:25:05.000
<v Speaker 1>write that content from one, three, four, And this is

0:25:05.040 --> 0:25:07.159
<v Speaker 1>why I thought to get fellon and different things that

0:25:07.280 --> 0:25:11.240
<v Speaker 1>he did or the concepts for those records that happened,

0:25:11.280 --> 0:25:13.359
<v Speaker 1>like he'll do that, what even the mixtape series is?

0:25:14.040 --> 0:25:20.399
<v Speaker 1>But and then Banks I would go, yo, you should

0:25:20.680 --> 0:25:25.520
<v Speaker 1>you should write about girls? M He go what like

0:25:26.359 --> 0:25:29.600
<v Speaker 1>like like it wasn't that cool? He was open off

0:25:29.640 --> 0:25:31.640
<v Speaker 1>to that one line he said, when the only way

0:25:31.680 --> 0:25:33.600
<v Speaker 1>I cat blue balls is if she wear a blue

0:25:33.680 --> 0:25:38.520
<v Speaker 1>lipstick that get a photo. It's like every time he

0:25:38.600 --> 0:25:41.440
<v Speaker 1>said something that related to women, he would say a

0:25:41.560 --> 0:25:45.080
<v Speaker 1>cooler line. But see that came. That guy came because

0:25:45.880 --> 0:25:49.280
<v Speaker 1>Smile was first. So the girls coming up. I like

0:25:49.400 --> 0:25:51.919
<v Speaker 1>the Smile record, and then they coming out. He got up,

0:25:52.000 --> 0:25:53.639
<v Speaker 1>no you don't love me, and Buck got you know

0:25:53.640 --> 0:25:58.160
<v Speaker 1>what I mean. I like it, but it's when you rather,

0:25:58.280 --> 0:26:01.880
<v Speaker 1>I'm telling you, when you right around the girls. When

0:26:01.920 --> 0:26:04.560
<v Speaker 1>he started to do things that is in that lane,

0:26:04.640 --> 0:26:06.959
<v Speaker 1>like even I don't deserve you the different joints? Did

0:26:07.040 --> 0:26:13.679
<v Speaker 1>he do it be on point point? Mama said, I'm

0:26:13.840 --> 0:26:15.240
<v Speaker 1>knock you out. You know what I'm saying. No, I'm

0:26:15.280 --> 0:26:18.800
<v Speaker 1>not saying it. It was I'm not saying other people

0:26:18.960 --> 0:26:20.680
<v Speaker 1>want to be looked at and just see girls like

0:26:20.800 --> 0:26:24.040
<v Speaker 1>no offense. You know what I mean, fabulous right about

0:26:24.640 --> 0:26:27.080
<v Speaker 1>but fabulous right girls. But all his mixtapes is all

0:26:27.160 --> 0:26:29.680
<v Speaker 1>street because he's aiming at the street. But we know

0:26:29.840 --> 0:26:31.440
<v Speaker 1>what he does, like if you get ready to get

0:26:31.760 --> 0:26:34.040
<v Speaker 1>you got an R and B artist singing something that's

0:26:34.160 --> 0:26:37.639
<v Speaker 1>that's hot. You need fat you want to sign that

0:26:37.760 --> 0:26:40.000
<v Speaker 1>off to make it of fish you but fat voice

0:26:40.040 --> 0:26:42.000
<v Speaker 1>on it. Let me hear it, and I'm excited about it.

0:26:42.080 --> 0:26:44.480
<v Speaker 1>It feels good to me, right, you know from just

0:26:44.600 --> 0:26:46.879
<v Speaker 1>the way he came up that he's done that consistently

0:26:46.960 --> 0:26:49.480
<v Speaker 1>in his career. Good. So when I hear it, I go, yeah,

0:26:49.600 --> 0:26:52.280
<v Speaker 1>hit like the last one, you know what I mean?

0:26:52.359 --> 0:26:55.359
<v Speaker 1>Like when he did the waiting for the right moment

0:26:55.440 --> 0:26:58.040
<v Speaker 1>to collaborate with artists, for me, it's like, I don't

0:26:58.160 --> 0:27:01.720
<v Speaker 1>do the you see now it's koombay y'ah my lord,

0:27:01.800 --> 0:27:08.000
<v Speaker 1>like everybody like everybody was turning into one fraternity, our culture,

0:27:08.000 --> 0:27:10.359
<v Speaker 1>and then when you had me, I was sit and

0:27:10.400 --> 0:27:12.760
<v Speaker 1>wait until I felt like it's the right time for

0:27:12.880 --> 0:27:15.280
<v Speaker 1>me to work with the artists like Soldier Boy. If

0:27:15.280 --> 0:27:17.639
<v Speaker 1>you noticed when we did the record, it wasn't because

0:27:17.960 --> 0:27:20.480
<v Speaker 1>I was so impressed with his lyrical performance. I was

0:27:20.560 --> 0:27:22.840
<v Speaker 1>impressed with the idea of a kid producing the record

0:27:22.880 --> 0:27:25.600
<v Speaker 1>and having a hit that big at sixteen years old.

0:27:25.960 --> 0:27:28.920
<v Speaker 1>I know it made Christmas. It changed everything around but

0:27:29.119 --> 0:27:31.639
<v Speaker 1>his house, everybody was in a different space because of

0:27:31.760 --> 0:27:36.359
<v Speaker 1>the record, And I'm like that, so you produced it too, Okay,

0:27:36.440 --> 0:27:39.199
<v Speaker 1>I gotta like that, and I didn't work with him

0:27:39.280 --> 0:27:42.040
<v Speaker 1>until the influences kind of got him, like and he

0:27:42.960 --> 0:27:45.600
<v Speaker 1>he was having problems with the he was doing the

0:27:45.680 --> 0:27:48.119
<v Speaker 1>Gucci man, you know what I mean. He had so

0:27:48.200 --> 0:27:50.240
<v Speaker 1>a little cocaine and stuff like that around at the

0:27:50.280 --> 0:27:52.879
<v Speaker 1>time of the Superhead thing was happening, and it was

0:27:52.960 --> 0:27:55.600
<v Speaker 1>so much confusion for him. And I'm like, I do

0:27:55.680 --> 0:28:00.880
<v Speaker 1>it now. Then he later had kind worked with them,

0:28:01.720 --> 0:28:04.760
<v Speaker 1>part work with them. It changed how you know, people

0:28:04.800 --> 0:28:07.960
<v Speaker 1>felt about so you know, it's a good timing with

0:28:08.080 --> 0:28:11.080
<v Speaker 1>that one. And then and I just was thinking myself.

0:28:11.119 --> 0:28:12.960
<v Speaker 1>When I went to Los Angeles, I was getting ready

0:28:13.520 --> 0:28:15.879
<v Speaker 1>work on the album. And as soon as I got there,

0:28:15.920 --> 0:28:20.800
<v Speaker 1>I said, um, let me hear the new guys. I

0:28:20.920 --> 0:28:25.520
<v Speaker 1>did Hygie's first song, toot It. I did Jeremiah's uh

0:28:25.920 --> 0:28:30.080
<v Speaker 1>the down on Me record, The Man's Buzzing. Put out

0:28:30.119 --> 0:28:32.239
<v Speaker 1>of those new artists that same night. I recorded all

0:28:32.280 --> 0:28:35.119
<v Speaker 1>those records, put them out, and it's like their first

0:28:35.920 --> 0:28:38.840
<v Speaker 1>real hit hit records outside of well jem I had birthday,

0:28:38.880 --> 0:28:41.600
<v Speaker 1>sect yeah, birthday. Yeah, you two got a relationship with

0:28:41.680 --> 0:28:43.960
<v Speaker 1>Dreke not like that. I don't call to talk to

0:28:44.040 --> 0:28:48.080
<v Speaker 1>him for no reason, like I think that relationship was business,

0:28:49.360 --> 0:28:52.760
<v Speaker 1>you know, Like for a long time I was in

0:28:52.840 --> 0:28:56.080
<v Speaker 1>New York U Nick Player in the middle of la

0:28:56.200 --> 0:28:59.640
<v Speaker 1>locker room, like yeah, realized Interscope was the West Coast

0:28:59.680 --> 0:29:02.080
<v Speaker 1>when its East coast West Coast going on. And I

0:29:02.200 --> 0:29:06.640
<v Speaker 1>never really sort of respond properly to games disrespect what

0:29:06.720 --> 0:29:08.800
<v Speaker 1>it happened because they had some sort of allegiance to

0:29:08.880 --> 0:29:11.400
<v Speaker 1>the West or something else, and I didn't understand it,

0:29:11.480 --> 0:29:13.800
<v Speaker 1>Like I was like, you know, I wrote the records

0:29:13.880 --> 0:29:16.960
<v Speaker 1>like almost Violet. The parole for the things that you

0:29:17.040 --> 0:29:20.960
<v Speaker 1>say are okay. The parameters are high function. So I look,

0:29:21.120 --> 0:29:23.360
<v Speaker 1>I go, if it's okay for you to say I

0:29:23.480 --> 0:29:25.000
<v Speaker 1>have to say any thing as you say about me,

0:29:25.080 --> 0:29:27.360
<v Speaker 1>as long as you can earn some money, then it's

0:29:27.400 --> 0:29:30.800
<v Speaker 1>okay for me to say whatever, because I earned money

0:29:30.840 --> 0:29:34.040
<v Speaker 1>with no problem for the company, you know. And it's

0:29:34.080 --> 0:29:37.040
<v Speaker 1>like I've seen him say it, like why we can't

0:29:37.040 --> 0:29:40.240
<v Speaker 1>get that again, Like, well, we can't make like find

0:29:40.280 --> 0:29:43.480
<v Speaker 1>the artists that can do that again. It's it's a

0:29:43.520 --> 0:29:47.160
<v Speaker 1>lot more than the studio performance that the artists had

0:29:47.160 --> 0:29:49.840
<v Speaker 1>to come out and find themselves in the comfort to

0:29:50.040 --> 0:29:52.320
<v Speaker 1>beat themselves in front of people so they can embrace them,

0:29:52.840 --> 0:29:56.880
<v Speaker 1>like my imperfection is visible at points I get. I

0:29:57.000 --> 0:29:59.120
<v Speaker 1>look in the tactics that I would use on the

0:29:59.200 --> 0:30:03.080
<v Speaker 1>corner you here. So it's if you use the mentality,

0:30:03.200 --> 0:30:06.680
<v Speaker 1>then you take over. I'll just feel work until we

0:30:06.760 --> 0:30:08.960
<v Speaker 1>positioned ourselves to be strong enough to take over. And

0:30:09.040 --> 0:30:12.160
<v Speaker 1>it's just it's just what that process has taught us.

0:30:14.240 --> 0:30:18.800
<v Speaker 1>Because we beat somebody up for doctor Joy, I could say, yeah, nobody,

0:30:18.880 --> 0:30:21.080
<v Speaker 1>it wasn't no, don't disrespect to La, But it was

0:30:21.080 --> 0:30:24.160
<v Speaker 1>a whole bunch of New York dudes beating somebody up

0:30:24.200 --> 0:30:26.240
<v Speaker 1>for Joy. He's cool. I like his music and everything.

0:30:26.320 --> 0:30:29.000
<v Speaker 1>It's just, you know, I just feel when you beat

0:30:29.040 --> 0:30:32.960
<v Speaker 1>somebody up, I feel like they owe you a little bit. Yeah,

0:30:33.080 --> 0:30:38.320
<v Speaker 1>we beat them good. I think that to disconnect between

0:30:38.360 --> 0:30:42.800
<v Speaker 1>me and Jimmy created the distance between me and d Yeah,

0:30:42.840 --> 0:30:46.160
<v Speaker 1>because like you gotta understand, like when Sugar was gonna

0:30:46.240 --> 0:30:49.520
<v Speaker 1>kill Drake, It's gonna kill him because he had because

0:30:49.680 --> 0:30:53.760
<v Speaker 1>Tupac was making number one records and Drey wasn't producing

0:30:53.800 --> 0:30:57.640
<v Speaker 1>No and pockets getting ready to be done. So you

0:30:57.720 --> 0:31:00.640
<v Speaker 1>get him out at five album deal, his first CD,

0:31:01.200 --> 0:31:03.840
<v Speaker 1>All Eyes on Me, Double CD, Come Back, Michael Velly

0:31:03.880 --> 0:31:07.000
<v Speaker 1>Break Street dates. So he's back early with that when

0:31:07.080 --> 0:31:09.360
<v Speaker 1>that one's number one selling, and he got two others

0:31:10.080 --> 0:31:14.840
<v Speaker 1>in the studio doing artwork. He's done with that, moving

0:31:14.880 --> 0:31:18.200
<v Speaker 1>to the Outlaws and doing everything else, and you go out, well,

0:31:18.240 --> 0:31:21.920
<v Speaker 1>how do I keep them? Maybe I give him grace.

0:31:24.120 --> 0:31:26.240
<v Speaker 1>I don't know, Jimmy, something might have to happen to dract,

0:31:27.520 --> 0:31:29.440
<v Speaker 1>you know, like these are the thoughts. And she's still

0:31:29.440 --> 0:31:31.120
<v Speaker 1>trying to kill him. You saw that, but ae weeks

0:31:31.120 --> 0:31:34.600
<v Speaker 1>ago he showed up to the movie. She still want blood.

0:31:35.840 --> 0:31:37.800
<v Speaker 1>I never seen anybody how to kind of fear that

0:31:37.920 --> 0:31:40.720
<v Speaker 1>they had for like for Shu. Shugar came around like

0:31:40.800 --> 0:31:43.280
<v Speaker 1>in the club. Yeah, that's the first time I've seen

0:31:43.360 --> 0:31:50.720
<v Speaker 1>Mexicans with tattoos on these face, Mexicans with him. He

0:31:50.840 --> 0:31:56.160
<v Speaker 1>can't they look they said, Sugar outside man, everything dropped,

0:31:56.360 --> 0:32:02.800
<v Speaker 1>scammeras video people makeup everybody like Sugar is like what

0:32:03.000 --> 0:32:06.960
<v Speaker 1>y'all do? Though, But we came out box opened the

0:32:07.000 --> 0:32:08.880
<v Speaker 1>gun in the gun right there on the boxes, gonna

0:32:08.920 --> 0:32:10.680
<v Speaker 1>come across the street. We don't understand none of that.

0:32:13.880 --> 0:32:16.480
<v Speaker 1>I don't know what they were. That's the first time

0:32:16.520 --> 0:32:19.840
<v Speaker 1>I see people with tattoos on their face. My first

0:32:19.920 --> 0:32:24.240
<v Speaker 1>time in La, I'm like, what the hell? What opened

0:32:24.280 --> 0:32:26.600
<v Speaker 1>the box? To open the box? Get out of there,

0:32:26.680 --> 0:32:30.760
<v Speaker 1>go with Eminem came outside too. Yeah, you know, m

0:32:31.600 --> 0:32:34.200
<v Speaker 1>had a different thing going on like him and Proof

0:32:34.960 --> 0:32:38.560
<v Speaker 1>Proof custom out of a couple of times seeing the

0:32:38.640 --> 0:32:41.480
<v Speaker 1>places up to Proof, he was a wild boy. He

0:32:41.520 --> 0:32:44.800
<v Speaker 1>didn't care, you know, didn't do it, yeah, because I thought.

0:32:44.800 --> 0:32:48.160
<v Speaker 1>I think what happened was trying to shake Proof hand

0:32:48.240 --> 0:32:50.600
<v Speaker 1>and Proof is like you you can get out of

0:32:50.640 --> 0:32:56.200
<v Speaker 1>my fingers words. Proof was crazy man, rest peace and

0:32:56.240 --> 0:33:00.520
<v Speaker 1>Proof did y'all you met up before? He never was

0:33:02.000 --> 0:33:05.680
<v Speaker 1>after that again. After that the thing would in the warshaw.

0:33:06.040 --> 0:33:12.320
<v Speaker 1>I think it was shaky. I was shaky, shaky, no fashion.

0:33:12.360 --> 0:33:14.600
<v Speaker 1>And it always kind of ends up in situations with

0:33:14.760 --> 0:33:18.600
<v Speaker 1>guys that had maybe ten or fifteen more years in

0:33:18.680 --> 0:33:21.640
<v Speaker 1>the street than me, like the Henchman and all that.

0:33:23.400 --> 0:33:27.800
<v Speaker 1>That's the discomfort with you know how they look they

0:33:28.080 --> 0:33:33.520
<v Speaker 1>Grandpa o g o goat. We only celebrate like history

0:33:33.600 --> 0:33:37.440
<v Speaker 1>on February. What you do last week? Boy? You know

0:33:37.480 --> 0:33:39.280
<v Speaker 1>what I'm saying. Because all the other stuff. The young

0:33:39.360 --> 0:33:42.200
<v Speaker 1>boys now they're differently, they even even more intense. Now,

0:33:43.080 --> 0:33:44.440
<v Speaker 1>you know what I mean, so you look at it

0:33:44.480 --> 0:33:47.480
<v Speaker 1>and you go, you gotta know how to play that.

0:33:47.600 --> 0:33:50.600
<v Speaker 1>You can't be out there just playing with right. Absolutely,

0:33:51.040 --> 0:33:52.600
<v Speaker 1>Now what about what about your son? You speak to

0:33:52.600 --> 0:33:55.120
<v Speaker 1>your son to y'all squashed that beef, my world starts

0:33:55.120 --> 0:33:59.640
<v Speaker 1>shooting hoops. You know, I don't do well man, You

0:33:59.720 --> 0:34:05.080
<v Speaker 1>know I think um that Dave. Look, my son's mother

0:34:05.200 --> 0:34:12.440
<v Speaker 1>has done a great job with persuading my son believed

0:34:12.480 --> 0:34:15.840
<v Speaker 1>in with him being up being a privileged child, he's

0:34:17.719 --> 0:34:20.359
<v Speaker 1>still feels the pride. So that's like, say the new

0:34:20.440 --> 0:34:22.920
<v Speaker 1>Jordan's come out and then the retro joints pot and

0:34:22.960 --> 0:34:24.920
<v Speaker 1>it's he want on them about twenty fifty dollars, right,

0:34:25.480 --> 0:34:29.400
<v Speaker 1>and stead up, She'll go, you want to actual the

0:34:29.440 --> 0:34:32.239
<v Speaker 1>sneakers to go? All right, I'll get them for you.

0:34:33.480 --> 0:34:37.799
<v Speaker 1>But I just wish man, your father, I just you're

0:34:37.840 --> 0:34:40.040
<v Speaker 1>supposed to have them all. So if you say that

0:34:40.120 --> 0:34:42.239
<v Speaker 1>you don't even feel the gratification of receiving what you

0:34:42.320 --> 0:34:44.560
<v Speaker 1>want it even though you're getting what you asked for.

0:34:45.760 --> 0:34:48.160
<v Speaker 1>You know, like in support, I've paid over a million

0:34:48.200 --> 0:34:50.920
<v Speaker 1>dollars for him since me and his mother haven't been friends.

0:34:52.320 --> 0:34:54.440
<v Speaker 1>I gave to a twenty five thousand a month for

0:34:54.480 --> 0:34:56.839
<v Speaker 1>six months. I was supposed to be a walking paper book.

0:34:56.920 --> 0:34:59.399
<v Speaker 1>Because she thought she's gonna get fifty five thousand dollars

0:34:59.440 --> 0:35:02.400
<v Speaker 1>a month. She blew it. So when they tell a

0:35:02.440 --> 0:35:05.440
<v Speaker 1>sixty seven hundred dollars a month, like hits in the

0:35:05.520 --> 0:35:08.719
<v Speaker 1>head like somebody throw a rock, and that is an

0:35:08.760 --> 0:35:13.000
<v Speaker 1>adjustment for them me. And then that process she goes on,

0:35:13.560 --> 0:35:16.400
<v Speaker 1>you know, to go get fifty cents house baby mother's

0:35:16.440 --> 0:35:18.040
<v Speaker 1>house instead of the place that she could have gotten.

0:35:18.040 --> 0:35:21.360
<v Speaker 1>It's really affordable in Atlanta, and you know, just the

0:35:21.440 --> 0:35:24.759
<v Speaker 1>kofa sack and the people that surround it make it

0:35:24.840 --> 0:35:29.279
<v Speaker 1>a more expensive you know peace. And then other than that,

0:35:29.360 --> 0:35:32.560
<v Speaker 1>I don't really, I don't have a reason. I used

0:35:32.600 --> 0:35:34.640
<v Speaker 1>the same compass and logics that I will use in

0:35:34.680 --> 0:35:39.360
<v Speaker 1>any other situation for that. And I watched and I

0:35:39.480 --> 0:35:43.160
<v Speaker 1>see when I see someone gravitate to someone that they

0:35:43.200 --> 0:35:46.640
<v Speaker 1>felt like has a problem with me, it tells me

0:35:46.800 --> 0:35:49.960
<v Speaker 1>that in your heart and in your mind, you've become

0:35:50.000 --> 0:35:53.360
<v Speaker 1>my enemy. You don't look at yourself as your enemy though, no, no, no,

0:35:53.480 --> 0:35:55.840
<v Speaker 1>just in general, you know how people find a common

0:35:55.880 --> 0:35:59.759
<v Speaker 1>ground or disliking someone, absolutely your enemies. Enemies are your friends, right,

0:36:00.880 --> 0:36:02.880
<v Speaker 1>they come to you. But when I'm watching it, did

0:36:02.920 --> 0:36:05.040
<v Speaker 1>you be more comfortable around someone that you think is

0:36:05.040 --> 0:36:08.640
<v Speaker 1>the enemy minds than me? Then it says to me

0:36:08.800 --> 0:36:10.920
<v Speaker 1>where you're at mentally. It says that the lads like

0:36:10.960 --> 0:36:18.960
<v Speaker 1>he ordered it hit the enemy is looking back when

0:36:19.000 --> 0:36:21.200
<v Speaker 1>you say when you communicate, like with Bags and them

0:36:21.640 --> 0:36:24.920
<v Speaker 1>Troy money Bags, when I was having issues with preming them,

0:36:25.239 --> 0:36:28.840
<v Speaker 1>I'm comfortable communicating with them because they had that already

0:36:28.880 --> 0:36:32.440
<v Speaker 1>had a problem. Just was my man like these reasons

0:36:32.480 --> 0:36:35.840
<v Speaker 1>why I like, like even kind of dealt with the

0:36:35.960 --> 0:36:39.319
<v Speaker 1>rest of it, you know what I mean? So when

0:36:39.440 --> 0:36:42.200
<v Speaker 1>and they was tied into that and I didn't understand it,

0:36:42.280 --> 0:36:44.640
<v Speaker 1>but he was like it wasn't for him, it was

0:36:44.719 --> 0:36:48.320
<v Speaker 1>fun frame And then I got that perfectly clear because

0:36:48.320 --> 0:36:50.319
<v Speaker 1>I was like, oh, yeah, you should have got him right,

0:36:51.280 --> 0:36:52.880
<v Speaker 1>you know what I'm saying, Like, do you ever let

0:36:52.920 --> 0:36:54.480
<v Speaker 1>anything go? Because there was even a rumor that I

0:36:54.520 --> 0:36:55.600
<v Speaker 1>don't mean, I know it's not true, but it was

0:36:55.680 --> 0:36:58.000
<v Speaker 1>rumor that you bought Murder Inc. And you know, our

0:36:58.040 --> 0:37:01.239
<v Speaker 1>own publish I was like, I'm sure he would try.

0:37:01.440 --> 0:37:04.440
<v Speaker 1>I'm sure he would try. Yeah, it's just you know,

0:37:04.520 --> 0:37:08.440
<v Speaker 1>it's not worth much anymore like that you saw that

0:37:08.520 --> 0:37:10.920
<v Speaker 1>though it was Yeah, I looked at it. I was.

0:37:11.440 --> 0:37:14.080
<v Speaker 1>It even made me look at you know, like that

0:37:14.920 --> 0:37:19.719
<v Speaker 1>what it would cost? I looked just like, yo, how much?

0:37:20.160 --> 0:37:22.719
<v Speaker 1>How much it'd be cool to do that? Like just

0:37:22.880 --> 0:37:27.080
<v Speaker 1>because you because you can't right, you know, they just

0:37:27.239 --> 0:37:29.920
<v Speaker 1>finish it off. You really got in the laws. It

0:37:29.960 --> 0:37:32.640
<v Speaker 1>says when you destroyed, destroyed completely, or you've offered someone

0:37:32.719 --> 0:37:36.680
<v Speaker 1>more passion because you heard them. Let's talk about Power. Now,

0:37:37.200 --> 0:37:41.200
<v Speaker 1>Power is done extremely well. Yeah, next season you're taping it.

0:37:41.280 --> 0:37:42.719
<v Speaker 1>It's about to end. Now, Now what do you think

0:37:42.719 --> 0:37:44.600
<v Speaker 1>about Empire? Because at one time, you throw an Empire

0:37:44.760 --> 0:37:48.359
<v Speaker 1>was kind of a stab stealing what Power was doing? Yeah,

0:37:48.520 --> 0:37:50.680
<v Speaker 1>what they did? They did they stole the art. They

0:37:50.760 --> 0:37:52.640
<v Speaker 1>copied the art for the actual show, and then it

0:37:52.760 --> 0:37:57.759
<v Speaker 1>was like the show so different. Um Like, when I

0:37:57.840 --> 0:38:00.840
<v Speaker 1>watched it, it feels like glick. It feels like because

0:38:00.960 --> 0:38:04.640
<v Speaker 1>the choice to not allowed the ambience of the room,

0:38:05.960 --> 0:38:08.279
<v Speaker 1>it drops out, so it feels like a play like

0:38:08.360 --> 0:38:10.279
<v Speaker 1>when the music when they start rapping and the music

0:38:10.360 --> 0:38:18.080
<v Speaker 1>comes on, it feels like you're watching a televised play opera. Almost. Yeah,

0:38:18.400 --> 0:38:20.600
<v Speaker 1>so I watched it. It is. I had a lot

0:38:20.640 --> 0:38:22.600
<v Speaker 1>of friends on the show, Like it turns Howard Day.

0:38:22.640 --> 0:38:26.200
<v Speaker 1>You got Timberlin's the music supervisor. Yeah, Brian grayjer is

0:38:26.200 --> 0:38:29.920
<v Speaker 1>the producer, the joint even the director communicated with him

0:38:29.920 --> 0:38:34.200
<v Speaker 1>a few times, you know. Naomi. Naomi was running up

0:38:34.200 --> 0:38:36.320
<v Speaker 1>on me. I just said this about my show, this

0:38:36.400 --> 0:38:40.239
<v Speaker 1>and now I said, yeah, but they don't say show. Yeah.

0:38:40.440 --> 0:38:43.720
<v Speaker 1>She kept jumping on me at the CIA, at them.

0:38:43.760 --> 0:38:46.560
<v Speaker 1>When I went to the I was in La doing

0:38:46.600 --> 0:38:51.040
<v Speaker 1>a not an Emmy. I feel like you're trying to

0:38:51.040 --> 0:38:53.239
<v Speaker 1>bake to Roger for a date. Man. Oh no, I

0:38:53.280 --> 0:38:55.839
<v Speaker 1>just didn't want to fight. I just want to fight girls.

0:38:56.040 --> 0:38:57.719
<v Speaker 1>I don't want to fight girls. I gotta just look.

0:38:57.760 --> 0:38:59.600
<v Speaker 1>I said, just wait, wait, how do you deal with

0:38:59.680 --> 0:39:03.359
<v Speaker 1>this one? When she gets out everybody, she's the one

0:39:03.400 --> 0:39:05.080
<v Speaker 1>that's saying something, and you go, a wait, that's not

0:39:05.120 --> 0:39:07.919
<v Speaker 1>the right thing to do anyway, I argue with She's

0:39:07.960 --> 0:39:09.759
<v Speaker 1>not a music artist or someone that you would be

0:39:09.800 --> 0:39:13.000
<v Speaker 1>competing with to generate an interest. So it's like, as

0:39:13.040 --> 0:39:14.880
<v Speaker 1>soon as she says that, I go, let me think

0:39:14.920 --> 0:39:18.520
<v Speaker 1>about this, because so as you kind of find sometimes,

0:39:18.560 --> 0:39:20.520
<v Speaker 1>you know, since that baby boy thing, when I looked

0:39:20.520 --> 0:39:23.640
<v Speaker 1>at the baby Boy. You know, maybe I could be

0:39:23.760 --> 0:39:27.080
<v Speaker 1>Jody without that mama problems. You try to get rich.

0:39:27.960 --> 0:39:30.880
<v Speaker 1>I think she did, she did she she came in.

0:39:31.520 --> 0:39:33.640
<v Speaker 1>I think we read like very in the very beginning.

0:39:34.040 --> 0:39:37.920
<v Speaker 1>And then uh still Tracy Morgan too, you know, and

0:39:38.040 --> 0:39:40.920
<v Speaker 1>it's a lot of it you'll see, like because Hollywood's

0:39:40.920 --> 0:39:42.720
<v Speaker 1>like hurry up and wait, you know, in the process,

0:39:42.840 --> 0:39:44.719
<v Speaker 1>like hurry up, you prepared, now wait till the right

0:39:44.760 --> 0:39:48.759
<v Speaker 1>opportunities come. And it's cool. I got things lined up

0:39:48.800 --> 0:39:50.799
<v Speaker 1>pretty good though this the summers be high. I got

0:39:50.880 --> 0:39:55.480
<v Speaker 1>the Spot movie coming with Melissim Cothi, Jason Salem, Drew Law,

0:39:55.520 --> 0:40:00.399
<v Speaker 1>and then I did h that's in May, and then June.

0:40:00.480 --> 0:40:04.879
<v Speaker 1>Power will be back. Then July South Paw me Jake,

0:40:04.960 --> 0:40:08.880
<v Speaker 1>Jill and Forest, so they'll see me back twice on

0:40:08.960 --> 0:40:11.239
<v Speaker 1>the big screen. While I'm doing television. You're still doing

0:40:11.280 --> 0:40:15.160
<v Speaker 1>the boxing thing. Yeah, my fight. Actually, uh, I'm going

0:40:15.200 --> 0:40:18.920
<v Speaker 1>to Houston right after this to do the press conference

0:40:19.000 --> 0:40:25.480
<v Speaker 1>for Canello versus James Curtly. Yeah, but you got me

0:40:25.560 --> 0:40:30.919
<v Speaker 1>weather Pack, Yeah, I got Champ cham gonna gonna go ahead.

0:40:30.920 --> 0:40:34.879
<v Speaker 1>He's gonna smoke him. So it's gonna look like gonna

0:40:34.920 --> 0:40:38.440
<v Speaker 1>look like it was pumped up for no reason. You're

0:40:38.440 --> 0:40:43.920
<v Speaker 1>going back probably like one point six six now. You

0:40:44.000 --> 0:40:47.239
<v Speaker 1>said the way the point six comes, bro one point

0:40:48.239 --> 0:40:52.160
<v Speaker 1>I've been thinking this out myself. You budgeted it out,

0:40:52.200 --> 0:40:54.480
<v Speaker 1>how much like like wait, let me gotta get me

0:40:54.480 --> 0:40:58.960
<v Speaker 1>a real bad because I know. Look, he focused right

0:40:59.000 --> 0:41:01.040
<v Speaker 1>now too. You can't lose this. We don't have to.

0:41:01.680 --> 0:41:04.239
<v Speaker 1>You can't lose now. He's like, you gotta come right

0:41:04.960 --> 0:41:06.920
<v Speaker 1>and I mean working. I ran into him at the

0:41:09.600 --> 0:41:12.759
<v Speaker 1>hit Barclayers. I popped out on Chris Shaw and I

0:41:12.840 --> 0:41:15.439
<v Speaker 1>came into surprise and then they came backstage to talk.

0:41:16.080 --> 0:41:18.520
<v Speaker 1>So he got your just kicking a little. But that

0:41:18.640 --> 0:41:20.680
<v Speaker 1>the first time you spoke from since all that. It's

0:41:20.719 --> 0:41:24.120
<v Speaker 1>been a while because it's hard for him to make Look,

0:41:24.400 --> 0:41:26.400
<v Speaker 1>he don't have to answer to nobody, like you know,

0:41:26.480 --> 0:41:28.560
<v Speaker 1>you give me, but that fight is probably gonna be

0:41:28.640 --> 0:41:31.759
<v Speaker 1>like eighty hundred million dollars from I don't I don't

0:41:31.800 --> 0:41:34.040
<v Speaker 1>have to talk to him this now. They don't have

0:41:34.120 --> 0:41:35.960
<v Speaker 1>to be anything that we speak to each other about.

0:41:36.080 --> 0:41:40.719
<v Speaker 1>But it's when you there face to face. He go, fi, man,

0:41:40.760 --> 0:41:42.560
<v Speaker 1>why you gotta say that? You say something to go

0:41:42.680 --> 0:41:50.160
<v Speaker 1>everywhere everywhere. Man, You're like, yo, stop, this is not

0:41:50.360 --> 0:41:55.680
<v Speaker 1>like the Tiber FaceTime. So he called me and get

0:41:55.719 --> 0:41:57.359
<v Speaker 1>back to the hotel and stuff like that, and it's

0:41:57.400 --> 0:42:03.520
<v Speaker 1>not I can I can get mad at him. We

0:42:03.640 --> 0:42:06.560
<v Speaker 1>can both get angry when we're not speaking to each

0:42:06.560 --> 0:42:11.000
<v Speaker 1>other at the situation, because then it's like who you

0:42:11.120 --> 0:42:14.360
<v Speaker 1>think you are everything else that agitates you in connection

0:42:14.440 --> 0:42:19.080
<v Speaker 1>to it's like your wife is You're upset with your wife,

0:42:19.120 --> 0:42:23.839
<v Speaker 1>and then I'm irritating. It's really coming from somewhere else,

0:42:24.160 --> 0:42:25.920
<v Speaker 1>but it's going towards you, but it's going towards you

0:42:25.960 --> 0:42:27.480
<v Speaker 1>know what, I'm at that person, and then it will

0:42:27.520 --> 0:42:30.120
<v Speaker 1>be like when we're not communicating with each other, get crazy.

0:42:30.120 --> 0:42:32.040
<v Speaker 1>It really wasn't about money, like you know, like I

0:42:32.080 --> 0:42:34.880
<v Speaker 1>wouldn't say, oh, I'm gonna go in the box and

0:42:35.200 --> 0:42:37.960
<v Speaker 1>so I can make this money off of Floyd, you know,

0:42:38.120 --> 0:42:44.680
<v Speaker 1>And you can't commit to being financial supportive of a

0:42:44.760 --> 0:42:47.439
<v Speaker 1>business and just decide not to. Its easy. I could

0:42:47.520 --> 0:42:50.319
<v Speaker 1>easily suit him for that money back, got it back

0:42:50.360 --> 0:42:52.880
<v Speaker 1>so quick your head would have spun, you know what

0:42:52.920 --> 0:42:55.239
<v Speaker 1>I'm saying, and said there was some damage publicly to

0:42:55.360 --> 0:42:59.640
<v Speaker 1>me going into the category because of me marketing it,

0:43:00.480 --> 0:43:04.120
<v Speaker 1>and and I need additional money for damages. You know.

0:43:04.200 --> 0:43:07.200
<v Speaker 1>But that's like I said, my little brother, So why

0:43:07.200 --> 0:43:09.000
<v Speaker 1>are you gonna? I can see you a little brother.

0:43:09.440 --> 0:43:10.920
<v Speaker 1>So how do y'all line the music up? In the

0:43:11.000 --> 0:43:12.799
<v Speaker 1>midst all of this, you got the EP coming out,

0:43:13.680 --> 0:43:16.719
<v Speaker 1>but banks you're doing a solo? Yeah? Well actually I

0:43:16.760 --> 0:43:19.799
<v Speaker 1>got a solo record on the Beasts yea to called

0:43:19.880 --> 0:43:22.279
<v Speaker 1>Doping in My Lives, so they can, you know, check

0:43:22.360 --> 0:43:25.080
<v Speaker 1>that out, just to segway into my next solo project.

0:43:25.120 --> 0:43:27.919
<v Speaker 1>And Bull put out a dope record that we permitted. Troy,

0:43:27.960 --> 0:43:29.120
<v Speaker 1>I was on the hook. I didn't know if y'all

0:43:29.160 --> 0:43:30.920
<v Speaker 1>had issues. I don't know what that was. You know what,

0:43:31.880 --> 0:43:34.120
<v Speaker 1>I looked at Troy in the very beginning, I'm going,

0:43:35.440 --> 0:43:38.160
<v Speaker 1>here's so much for me, and then I'm not sure

0:43:38.480 --> 0:43:41.960
<v Speaker 1>to like it, but he giving it up though I noticed,

0:43:42.080 --> 0:43:44.759
<v Speaker 1>and that later. Look, I'm telling the process for me.

0:43:44.880 --> 0:43:48.239
<v Speaker 1>I'm just going, you know how my mom I said,

0:43:48.280 --> 0:43:49.719
<v Speaker 1>the things that I fell in love with I've kind

0:43:49.719 --> 0:43:52.360
<v Speaker 1>of faded. It was so important for you to have

0:43:52.520 --> 0:43:56.080
<v Speaker 1>your own sound, your own thing initially that it goes

0:43:58.160 --> 0:43:59.640
<v Speaker 1>of sound like that kind of sound like me that

0:44:00.040 --> 0:44:02.160
<v Speaker 1>oh I remember that I did this kind of melody

0:44:02.760 --> 0:44:06.480
<v Speaker 1>on this song. This is why I'm feeling like this

0:44:06.560 --> 0:44:08.200
<v Speaker 1>about this record. And then I go, oh, this is

0:44:08.600 --> 0:44:11.239
<v Speaker 1>but it's different pieces. It's not necessarily pieces that I

0:44:11.360 --> 0:44:13.920
<v Speaker 1>put out for commercial purposes like on albums. It may

0:44:13.960 --> 0:44:15.879
<v Speaker 1>be something that I did on the mixtape or something,

0:44:16.200 --> 0:44:20.000
<v Speaker 1>but it influenced him. And then it turns into when

0:44:20.040 --> 0:44:24.960
<v Speaker 1>you see him be consistent, it's flattery and you like it.

0:44:25.000 --> 0:44:27.440
<v Speaker 1>You can appreciate it. You see what I'm saying. When

0:44:27.440 --> 0:44:29.440
<v Speaker 1>you when you you got so many guys that you'll

0:44:29.480 --> 0:44:32.320
<v Speaker 1>help them and in every way that you in process,

0:44:32.400 --> 0:44:35.319
<v Speaker 1>and then they'll go because you could have just made

0:44:35.360 --> 0:44:38.920
<v Speaker 1>me a start. All you had to do was say

0:44:39.200 --> 0:44:41.560
<v Speaker 1>this was this and put me this and spend and

0:44:41.719 --> 0:44:43.960
<v Speaker 1>spend the money. You know what I'm saying. Like, so

0:44:44.080 --> 0:44:47.520
<v Speaker 1>they're going, you go, I'm not sure I like that

0:44:48.480 --> 0:44:51.080
<v Speaker 1>until I start to see things from the feel different

0:44:51.080 --> 0:44:54.399
<v Speaker 1>than it's him, and then you know, now I'm cool

0:44:54.400 --> 0:44:56.560
<v Speaker 1>with it. I like it, Like I like all about

0:44:56.600 --> 0:44:59.879
<v Speaker 1>the money, Like he had different joints. To me, that's

0:45:00.000 --> 0:45:02.320
<v Speaker 1>a new version that I get money. You see what

0:45:02.400 --> 0:45:05.880
<v Speaker 1>I'm saying, like, and it's just I watched content repeat itself,

0:45:05.960 --> 0:45:10.120
<v Speaker 1>like the like candy shop is the like a lollipop,

0:45:10.840 --> 0:45:16.360
<v Speaker 1>like um outcasts, ain't nobody dope as me? I dressed

0:45:16.360 --> 0:45:20.640
<v Speaker 1>so facial claim is I'm so fly and I got money,

0:45:20.680 --> 0:45:22.719
<v Speaker 1>And that's a good enough reason about the things I buy.

0:45:23.040 --> 0:45:25.759
<v Speaker 1>Like Banks's record, Like a lot of these songs, I've

0:45:25.840 --> 0:45:29.400
<v Speaker 1>heard the content work and then come around again in

0:45:29.480 --> 0:45:31.480
<v Speaker 1>a new way and a new song and it feels good.

0:45:31.560 --> 0:45:34.160
<v Speaker 1>So I watch it and that's just what that is.

0:45:34.280 --> 0:45:36.840
<v Speaker 1>Like I think it's it's time for new artists to

0:45:36.920 --> 0:45:40.320
<v Speaker 1>come in and from New York it's they're there, but

0:45:40.400 --> 0:45:43.160
<v Speaker 1>they're not getting the shot right. How would you like

0:45:43.200 --> 0:45:45.400
<v Speaker 1>the old Freddie rock kid? I do? I like that

0:45:45.480 --> 0:45:47.560
<v Speaker 1>song like he had to sound it don't sound like

0:45:47.640 --> 0:45:50.560
<v Speaker 1>nothing out of here, you know, it's like like his

0:45:50.719 --> 0:45:57.080
<v Speaker 1>music the way I like the kid Um the Thug Thugs,

0:45:57.280 --> 0:46:01.360
<v Speaker 1>no fun junked up because sometimes I didn't know what

0:46:01.520 --> 0:46:03.359
<v Speaker 1>Young Doug was saying, but I like the way it sound,

0:46:04.000 --> 0:46:06.759
<v Speaker 1>you know what I'm saying, and then being it from

0:46:06.800 --> 0:46:10.200
<v Speaker 1>New Yorker from Jersey and again you're trapping out a

0:46:10.239 --> 0:46:15.040
<v Speaker 1>vand ug. I don't know about that part, you know

0:46:15.080 --> 0:46:16.840
<v Speaker 1>what I'm saying it makes me feel like that you're not.

0:46:17.120 --> 0:46:21.120
<v Speaker 1>Actually it's trending, right, you're saying the things that they say,

0:46:21.200 --> 0:46:24.919
<v Speaker 1>So we're all making Southern based records at that point.

0:46:25.000 --> 0:46:28.920
<v Speaker 1>And it's like when you can't identify what not even

0:46:29.000 --> 0:46:31.640
<v Speaker 1>with who you are, because you sound like the last

0:46:31.719 --> 0:46:34.640
<v Speaker 1>record that came out, but the content in the words

0:46:34.680 --> 0:46:36.680
<v Speaker 1>that you're saying sound like the guy that had a

0:46:36.719 --> 0:46:38.680
<v Speaker 1>hit record, And it becomes one thing that we all

0:46:38.800 --> 0:46:42.239
<v Speaker 1>do you know? And why do you think New York

0:46:42.280 --> 0:46:44.520
<v Speaker 1>executives never recognized the talent that's right here in New

0:46:44.600 --> 0:46:47.160
<v Speaker 1>York because you got signed from outside. It's like like

0:46:47.840 --> 0:46:50.239
<v Speaker 1>got signed from outside? Its why do you never see

0:46:50.280 --> 0:46:52.520
<v Speaker 1>what's right under the nose? You know? What happens a

0:46:52.600 --> 0:46:56.520
<v Speaker 1>lot of times artists didn't have the things that coincided

0:46:56.600 --> 0:47:01.200
<v Speaker 1>with who they say they were. Like, if you're writing

0:47:01.360 --> 0:47:04.160
<v Speaker 1>street music, street orientated music and you're not in the street,

0:47:05.760 --> 0:47:08.160
<v Speaker 1>how does people have a connection to it or feel

0:47:08.160 --> 0:47:09.680
<v Speaker 1>it like that? I heard that that's one of the

0:47:09.760 --> 0:47:12.120
<v Speaker 1>reasons you didn't want to sign Troy because said you

0:47:12.160 --> 0:47:14.440
<v Speaker 1>asked about them, but nobody, well you know I did.

0:47:14.560 --> 0:47:17.960
<v Speaker 1>It didn't have the same But it's all this thing.

0:47:18.320 --> 0:47:23.400
<v Speaker 1>It wasn't like what I was going through. My scenario

0:47:23.560 --> 0:47:25.640
<v Speaker 1>is not something that happens over and over because it's

0:47:25.680 --> 0:47:28.960
<v Speaker 1>not you're not gonna make it. It probably didn't potentially

0:47:29.080 --> 0:47:31.040
<v Speaker 1>get killed in the process, you know what I'm saying,

0:47:31.080 --> 0:47:33.080
<v Speaker 1>Like and it's it's just being real about it. Like

0:47:33.160 --> 0:47:36.560
<v Speaker 1>it's been guys have been in the street, putting in

0:47:36.640 --> 0:47:41.520
<v Speaker 1>work twenty years before. Like these people came in my parents'

0:47:41.560 --> 0:47:44.640
<v Speaker 1>age breaker that you know when way did ten years,

0:47:44.719 --> 0:47:48.680
<v Speaker 1>came back back in the club and everything else, like

0:47:48.800 --> 0:47:51.239
<v Speaker 1>in their experience. So it's like if when you bump

0:47:51.320 --> 0:47:54.200
<v Speaker 1>with them, you usually you usually don't go right right,

0:47:54.880 --> 0:47:57.640
<v Speaker 1>you know, because they'll make the decision and they already

0:47:57.680 --> 0:48:00.520
<v Speaker 1>know the consequences and they're gonna really go. So you

0:48:00.560 --> 0:48:02.200
<v Speaker 1>can't say these things that I was saying on his

0:48:02.280 --> 0:48:04.719
<v Speaker 1>records and that meant it. And then it was like

0:48:05.560 --> 0:48:08.279
<v Speaker 1>for them, their confirmation, them being comfortable to stand next

0:48:08.280 --> 0:48:11.360
<v Speaker 1>to me in that period said who they were to

0:48:11.920 --> 0:48:16.320
<v Speaker 1>everyone else publicly and it but it was really my situation.

0:48:16.440 --> 0:48:24.320
<v Speaker 1>You can't compare everybody's Spreek situations different stream back to

0:48:24.320 --> 0:48:26.080
<v Speaker 1>the music, How often of you guys are gonna drop

0:48:26.480 --> 0:48:29.279
<v Speaker 1>because this is getting more more frequent. Yeah, it's gonna

0:48:29.280 --> 0:48:31.439
<v Speaker 1>be a lot of music coming out. El Chapo coming

0:48:31.520 --> 0:48:34.640
<v Speaker 1>Cold Corner. Um. I think Kick Kick got some New

0:48:34.760 --> 0:48:37.759
<v Speaker 1>Orleans dreams working on. I seen Buck out in the

0:48:37.800 --> 0:48:40.759
<v Speaker 1>in North Carolina seat. He was running around to the clubs. Yeah,

0:48:41.239 --> 0:48:43.759
<v Speaker 1>running around. He you know, he's getting the mixed. He'd

0:48:43.760 --> 0:48:46.680
<v Speaker 1>be working like he stayed where you would see him

0:48:46.680 --> 0:48:49.080
<v Speaker 1>and feel like, oh he did, Like like he's doing it.

0:48:49.160 --> 0:48:51.799
<v Speaker 1>Like they a condition for something different. They don't really

0:48:51.840 --> 0:48:54.880
<v Speaker 1>go to stuff for no reason. Yo got his All

0:48:54.920 --> 0:49:01.000
<v Speaker 1>Star week infer though. Yeah, you know every throw back.

0:49:01.680 --> 0:49:04.600
<v Speaker 1>We appreciate you joining us. The album is out right now.

0:49:05.239 --> 0:49:09.240
<v Speaker 1>Get the vodka, get the underwear draws, get the headphone,

0:49:09.280 --> 0:49:15.680
<v Speaker 1>angles and power coming this summer. Well, it's the breakfast clubs,

0:49:17.040 --> 0:49:17.400
<v Speaker 1>you nit.