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Speaker 1: Real people, real celebrity joined the Breakfast more than everybody

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Speaker 1: is DJ Envy, Angela Yee, Charlomagne, the guy we are

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Speaker 1: the Breakfast Club got some special guest with us today.

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Speaker 1: The original unit brought some liquor with us this morning

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Speaker 1: that I thought you was one of the one of

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Speaker 1: the Diddy boys. I am no longer, okay, but fifty

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Speaker 1: cent units in the building. It's good. That's all good.

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Speaker 1: What's the fan vodka about fifth Evan? Like it was,

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Speaker 1: it was organic, like the collaboration with me and being okay,

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Speaker 1: look together on that one, and then it's it's a

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Speaker 1: it's a good it's a good model. Like I um

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Speaker 1: Evan stands for the smooth and Dutch, you know what

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Speaker 1: I mean. It existed, it was already out in the markets.

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Speaker 1: It's like five variations of it and it's already there,

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Speaker 1: and then I just came in and you know, put

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Speaker 1: behind it. You don't really drink like a healthy vodka

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Speaker 1: for I think everything's good modivation and I'm saying and

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Speaker 1: then occasionally I get to it like if we these

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Speaker 1: guys drink drink black black shirt, is it for me

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Speaker 1: and everybody around? Like like even when when we was

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Speaker 1: in the on in the neighborhood. It was more like, uh,

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Speaker 1: I didn't choose to do everything the same way at

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Speaker 1: the same case, them like, because I know I got

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Speaker 1: a real Uh yeah, I was like, leave fifty alone?

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Speaker 1: Was it? Who wasn't I forgot who wasn't man' asap Rocky. Yeah,

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Speaker 1: I'm to leave that man just running. But for the

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Speaker 1: place he cool. He was at the basketball game, but

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Speaker 1: with him, he didn't really know you know what he's doing.

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Speaker 1: He did that to everybody, said everybody the same time.

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Speaker 1: What happened? He hit up tattered up Holly and I

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Speaker 1: guess you was in her DM was like, who w

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Speaker 1: w w now? Sent it to me? She said to you, damn.

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Speaker 1: But she knows that the type of person you are, like,

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Speaker 1: she knows it's not going to just be smooth. Well,

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Speaker 1: you know, I really don't care about you know, I

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Speaker 1: don't respond to anything connected to her like that. You know,

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Speaker 1: we just don't have that kind of friendship where it

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Speaker 1: would be like you're reacting over something so on saying

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Speaker 1: like if you guys someone to involved in nightlife, that's

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Speaker 1: where you go to meet people, right, Yeah, you know

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Speaker 1: what I'm saying hang out like that and then it's

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Speaker 1: not we don't have that kind of relationship anyway, So

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Speaker 1: don't matter. I totally leave fifty alone. Anybody else you

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Speaker 1: can ask for that. You ain't seen nothing wrong. And

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Speaker 1: I'm like, if you invest that kind of time money

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Speaker 1: into a female, hey, you have the right to speak

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Speaker 1: out and say stay away. But you know if you

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Speaker 1: I wouldn't say that that's the woman's job. True, you

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Speaker 1: know what I mean, like because I think the guy

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Speaker 1: like if you're not right there, like you can have

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Speaker 1: all of that, you have everything, it's just's your like

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Speaker 1: for your wife, who's the gig keeper. She got to

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Speaker 1: know from your communication what's acceptable and what's not acceptable

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Speaker 1: absolutely and move on that, you know, I mean everything

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Speaker 1: else is and that's that's like, that's not my girlfriend.

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Speaker 1: They don't really. But there was another video where she

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Speaker 1: was I guess how to beat for another girl. They

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Speaker 1: said that you drove it to the fight that you

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Speaker 1: fail there, drove the fight for a family. I've been

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Speaker 1: trying to figure out, like fifty does not act like

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Speaker 1: a millionaire like world, I let's go shoot the FAMILYE.

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Speaker 1: I ain't never gone just ever get born for you guys,

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Speaker 1: like the promo runs, the press run. I love it, man,

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Speaker 1: I love it. It's just part of life now, man,

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Speaker 1: be smart, stirt forget about that. You're doing these EPs fast?

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Speaker 1: Why so fast? Usually it takes a year a year

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Speaker 1: and a half, but you guys are really into this

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Speaker 1: music real quick. What's crazy is this was like the

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Speaker 1: first week. This music is from the first week that

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Speaker 1: we did when we did the Summer Jam, showing all

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Speaker 1: that following that the week after we recorded this this music,

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Speaker 1: first conversation we had that whole being the old beauty

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Speaker 1: and Beast that was spoken about in that first conversation.

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Speaker 1: To see it playoff now, it's kind of crazy. From

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Speaker 1: a business perspective, Why the why the sixth song epiece? Well,

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Speaker 1: I mean, it doesn't do any damage to the overall

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Speaker 1: brand based on numbers, you know what I mean. So

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Speaker 1: it's better to just just give them something to keep

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Speaker 1: everyone active in new music coming out, and then it

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Speaker 1: creates a content that allows to continue to shoot the

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Speaker 1: music videos so we can stay current viral because a

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Speaker 1: lot of times people it's different. It's changing so dramatically,

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Speaker 1: like the people making different choices for entertainment, like they're

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Speaker 1: getting extreaming stuff and doing all kindstus like watching cable.

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Speaker 1: How many channels are your cable? So we ain't seeing

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Speaker 1: everything that would traditionally we used to have to watch

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Speaker 1: up to channel eleven, you know what I'm saying, And

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Speaker 1: then we're doing the cable started coming and now it's

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Speaker 1: like a hundred channels. Channels you can thousand channels, and

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Speaker 1: I don't even have a schedule anymore. Of what I'm watching,

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Speaker 1: I just flipped through and took I see something I

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Speaker 1: want to look at, you know, I just wrote from that.

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Speaker 1: Do you think numbers still matter? I don't. I think

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Speaker 1: when when I can't allow numbers to matter because of

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Speaker 1: what my numbers were, you know what I mean, like

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Speaker 1: thirteen million records and then ten million records, like they

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Speaker 1: are gonna have no artists to go diamond again, right.

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Speaker 1: But that's that's gotta be scary though, because people now

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Speaker 1: not selling the amount of units, and people seem like

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Speaker 1: they're still looking at numbers, like the fans don't care

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Speaker 1: about it now. The more they look like what he

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Speaker 1: did first week, you gotta be I think so well,

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Speaker 1: I mean I don't really, that's how impressionable the music

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Speaker 1: is like when I think and when you have momentum,

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Speaker 1: it's easy for you to sustain it by being active,

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Speaker 1: you know what I mean, Like I just watch and

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Speaker 1: see if you could create something that special, especially if

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Speaker 1: you haven't had that momentum at that point, then it

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Speaker 1: says you're in podcast or you got your finger on

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Speaker 1: the post of what's going on. But a lot of

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Speaker 1: the music that don't watch it now I'm saying it

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Speaker 1: it's backwards. Instead of it coming from radio and going

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Speaker 1: into the nightclub, it's starting in the nightclub and coming out.

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Speaker 1: So like Cocole and Hot, these records are all um,

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Speaker 1: they're great album cuts and not single like it wasn't

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Speaker 1: written with intention to go to the masses, but it

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Speaker 1: becomes that cool thing that everybody's embracing. So as long

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Speaker 1: as you've got stuff out there for people to you know,

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Speaker 1: to test and play with and you can have those

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Speaker 1: records happen. You think release dates are played out, Yeah,

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Speaker 1: because an established artists, anyone who who's actually showed records

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Speaker 1: like you see when you see Beyonce released the record

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Speaker 1: in the middle of the night. Even Drake Slash record

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Speaker 1: came out and thinks the call of the mixtape, right, Yeah,

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Speaker 1: that was the That was the okay, in case it doesn'tselve,

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Speaker 1: you can't really gauge what Numbers is going to do

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Speaker 1: and you got to kind of momentum and exposure that

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Speaker 1: you need to be current right now. So they're just

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Speaker 1: gonna put that there and see what happens. This is

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Speaker 1: what Animal Ambition was and it but me making it

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Speaker 1: like a mixed state. It's the difference they said the

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Speaker 1: Drake albums for him to get off cash Buddy's getting

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Speaker 1: his films. I don't know why there's so much of

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Speaker 1: a problem over there. I think every time they bring

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Speaker 1: like they asked me about MTV about Baby and Way,

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Speaker 1: and I was like, no comment. And it's only because

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Speaker 1: your relationship with your pops he can forgive you, he

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Speaker 1: may not necessarily forgive me, you see what I'm saying.

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Speaker 1: And then it's their personal thing. And I'm looking at

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Speaker 1: when you just see they had that father son type

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Speaker 1: of relationship. I think it's a tough thing for you

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Speaker 1: to uh, you know, from the outside to say something.

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Speaker 1: But business wise, when everybody on the company say that

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Speaker 1: they're not making money or they haven't received royalty checks,

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Speaker 1: they gotta be Banks and y'all never I never heard

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Speaker 1: you complaining about money. Never, never had a problem. Fifties

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Speaker 1: a little crazy, but they all when I can't even

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Speaker 1: supposed to get paid, you know what? You know what

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Speaker 1: it is with Fifth like and with the whole unit situation.

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Speaker 1: It's like even when I came home out of jail,

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Speaker 1: it was never like I went back to the hood

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Speaker 1: and had a chance for somebody to smoke you in

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Speaker 1: the hoods. Once you get a deal and you up there,

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Speaker 1: you already know how this game change. I moved straight

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Speaker 1: to twenty fifth Streak, right right down the block from

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Speaker 1: on Fashion Institute, and then from there me and Banks

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Speaker 1: had a call down Battery Park. They say I got

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Speaker 1: them kicked out, but it wasn't me. It was I

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Speaker 1: believe it was Fifth. It was nice. We had to

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Speaker 1: see the Statue of Liberty when we stepped out of Corndo,

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Speaker 1: So it was like, you know, we was good. I

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Speaker 1: was good when I came home. So in Connecticut and

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Speaker 1: Fifth and then they moved to their houses. They had

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Speaker 1: the condos in the city. They know basically even like

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Speaker 1: to be there in Connecticut, he didn't want to be there,

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Speaker 1: like I'm going to be nowhere and yeah, in the

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Speaker 1: beginning he was like like, he goes yo, I can't

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Speaker 1: see laugh. I'm a huge name, but I'd rather watch

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Speaker 1: the Nick game on my TV. That's the way I

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Speaker 1: react with Nique, you know what I mean. They're gonna

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Speaker 1: be like Banks, the cool guy we thought he was

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Speaker 1: as a mogul though, how do you not pay your

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Speaker 1: franchise all this though? If you're burn how you don't

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Speaker 1: pay what? Well? I think he paid them. I still

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Speaker 1: think that their relationship is different. Like I think if

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Speaker 1: you say I think that it can get blurry and

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Speaker 1: you can feel like this is our money because it's

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Speaker 1: father and son and he for a long time he

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Speaker 1: put in the Wayne like Wayne's hit. The album was

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Speaker 1: his sixth album, right like hen will already be out

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Speaker 1: of the game like any place else. Without having the

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Speaker 1: passion that our father has for a son, no one

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Speaker 1: would continue to pour money to you. Look, even with

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Speaker 1: marb did They'll look at it and say, our expectations

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Speaker 1: are five hundred thousand pieces, and then their budgeting goes

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Speaker 1: to the expectations of five hundred thousand pieces, not the

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Speaker 1: as soon as we get something, we're gonna go after

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Speaker 1: it to the maximum ability because they felt all we're hot,

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Speaker 1: we're heating up, they're feeling you know what I mean?

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Speaker 1: He said he did stick with it. I don't think

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Speaker 1: it would have happened if it was he was with

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Speaker 1: another company. I think they would let him go by it. Yeah,

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Speaker 1: how did he determine who gets what? Though? Like you said,

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Speaker 1: you gave Yale too much money, A banks too much money?

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Speaker 1: Do you term who gets well? Now I did practice.

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Speaker 1: The reason why in the scope then not on in

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Speaker 1: the scope is their contracts were designed on the old

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Speaker 1: music making too much money. Yeah. So it's like they

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Speaker 1: would have had to pay them seven hundred and fifty

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Speaker 1: thousand in advance for the next record, and they go,

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Speaker 1: what we can get the new kid the transition of

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Speaker 1: the three sixty deal that hadn't happen after me? Yeah,

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Speaker 1: after after three sixty deal, can't they said that wasn't

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Speaker 1: gonna happen again, you know, like and it was like

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Speaker 1: when they implemented that thing in the deal, I thought

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Speaker 1: they would be expanding the building or trying to do

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Speaker 1: what Wanna was doing, because Wanna was paying for they

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Speaker 1: were financing Chris doing a brand assets to try and

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Speaker 1: facilitate the deal making process to make more money. Right,

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Speaker 1: So it's like, we're gonna do this through sixty deal,

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Speaker 1: but we have this arm that's gonna go find you

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Speaker 1: the deal. And they didn't even do that. They just said,

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Speaker 1: if you get a deal, we get a piece. Do

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Speaker 1: you still love the music? Thal because you make money

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Speaker 1: from liquor underwater you knowends to make money. So why

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Speaker 1: is the music because it has to be the least well,

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Speaker 1: it may not be the biggest financial piece, but it's

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Speaker 1: still it's still a passion connected to it. It's the

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Speaker 1: reason why everything else I'm able to do all those things.

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Speaker 1: And and it's you know, the feeling you got that

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Speaker 1: song to come on one o'clock in the morning, and

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Speaker 1: it's that song like I feel like I always I'm

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Speaker 1: always the record away because of how big my profile is.

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Speaker 1: So you make a song and it shifts back to

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Speaker 1: you bet right back in the middle of everything that's

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Speaker 1: at the top of music culture. Right. A lot of

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Speaker 1: people have that hot song the moment, but they don't

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Speaker 1: have that hot song for life, Like Bable turned twenty

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Speaker 1: one yesterday and yeah, like that those records a timeless

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Speaker 1: They're gonna be there like it's just it marks a

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Speaker 1: whole period of of our actual music. It's like and

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Speaker 1: and Wayne has it for that period that the Carter came,

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Speaker 1: you know what I mean, And that Drake that that

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Speaker 1: first album is it's his spot. Like you don't have

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Speaker 1: artists come in and they don't have that period where

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Speaker 1: it's that's happening right in the music culture, you know

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Speaker 1: what I mean. And we gotta always because it marks

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Speaker 1: like it marks time, like you don't have a person

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Speaker 1: pickus that's that's our song, Like when they go out

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Speaker 1: of couples, that's their favorite joint, and then what comes

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Speaker 1: on it takes them right back to the things that

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Speaker 1: were doing back then, right, you know. And that's what

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Speaker 1: I think that when people stereotype the Unit a lot,

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Speaker 1: I mean because when when we heard first heard fifty

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Speaker 1: it first heard the Unit, it was gun busting, shooting,

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Speaker 1: punch you in the face, we mobbed an out, but

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Speaker 1: all that was really happening. But it was like you

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Speaker 1: already know the party's involved, right, But now that it's

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Speaker 1: hard now because it's like you're not there anymore. You

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Speaker 1: don't have to run around queens and punch people and

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Speaker 1: fight people. And now it's it's more diverse. Even the

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Speaker 1: second song off the I'm grown right but you know,

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Speaker 1: and it's it's a different like everybody. All the audience

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Speaker 1: got older with us, So the majority has to be

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Speaker 1: into the content of the material or they're gonna look

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Speaker 1: at it and go, what are you talking about? Like

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Speaker 1: you're watching in hip hop, they're trending so hard, like

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Speaker 1: the things that I fell in love with have felt

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Speaker 1: out of the culture, Like it was important for you

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Speaker 1: to have something that made the music you or made

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Speaker 1: it special unique from you. And now they're following each other.

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Speaker 1: I hit New York artists say it's trapping out a band. Ugh,

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Speaker 1: you know what I'm saying, And I'm like, what is it?

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Speaker 1: Hold up? Okay, I got it. Took me a second,

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Speaker 1: you know what I'm saying to get and there I go.

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Speaker 1: It's yeah, you gotta even the hot hot record from

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Speaker 1: Bobby and him that sounds like drill music to me.

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Speaker 1: That's Chief Free Bobby Smurder. You know what I'm saying.

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Speaker 1: Why I didn't want to make Bell? Yeah? Why did you? Why?

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Speaker 1: If she was signing he would you have got him already.

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Speaker 1: I had to. He would have been out of it

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Speaker 1: I got. I had I got guys that were an

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Speaker 1: artists that I built up. Man, Bobby would have been

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Speaker 1: out my little, my little, my son, like my my baby,

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Speaker 1: Hove is my Trav's big brother is my baby. Every

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Speaker 1: time he got in trouble with my house, it was

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Speaker 1: like his bell was like a million dollars dollars and

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Speaker 1: he was hitting him like that and she's done blazing.

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Speaker 1: He was connected to me, right, you know what I mean.

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Speaker 1: So I was like when they did that, I was like,

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Speaker 1: get him. He don't look for trouble, but he warns

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Speaker 1: people that find trouble finds him in Connecticut, like you

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Speaker 1: gotta get in the car and drive. Mind from right,

284
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Speaker 1: Like he just he differently, like he went through something.

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Speaker 1: When travel is saying the things that he was saying,

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Speaker 1: you know what I'm saying, It was like what you're doing,

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Speaker 1: like you just pushed us away from you trying to

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Speaker 1: get a mixtape to work, you know what I mean.

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Speaker 1: It's like he can't see me to talk about it.

290
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Speaker 1: But the Travis, like I had none to do it.

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Speaker 1: That kid like he's a little guy trying well. He

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Speaker 1: was actually trying to do what he see me doing

293
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Speaker 1: at different. But I kind of saw him saying that things.

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Speaker 1: You know, if you gave him, you gave him motorcycles.

295
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Speaker 1: Everybody in the project's motorcycles. He was the first one. Yeah,

296
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Speaker 1: I didn't even give one get a motorbike. You don't

297
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Speaker 1: think it's a little different with you though, because you

298
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Speaker 1: actually everybody knows you put in work in the street

299
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Speaker 1: and you had to be for real street dude. But

300
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Speaker 1: they come in and they see it work on a

301
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Speaker 1: rap formula and feel like I can do the rap formula.

302
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Speaker 1: But then it gets real for them in the streets

303
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Speaker 1: because of that, right, and then it just you see

304
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Speaker 1: all the way across the board, like you see it.

305
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Speaker 1: You see him choose, but they noticed understand it to

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Speaker 1: go after a crazy nineties instead of to come to me,

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Speaker 1: you see what I'm saying, Like, and it's like, I

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00:16:04,040 --> 00:16:05,920
Speaker 1: don't know why they did that because that didn't make

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Speaker 1: no sense at all to me. But I felt like

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Speaker 1: I was trying to brush the dirt off him from

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Speaker 1: what just happened by creating more conversation, like like about

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Speaker 1: something else that's going on. But you know it was

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Speaker 1: that was kind of sucking more. But I think that

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Speaker 1: it's just confusion right now with the g unit and

315
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Speaker 1: moving Gene around because it gets coarsely and everything is

316
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Speaker 1: it's more independent now. So so how does that work now?

317
00:16:28,800 --> 00:16:31,080
Speaker 1: Because before it was the label, the labels taking everybody else.

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Speaker 1: We all go together. But now it's like it's it's

319
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Speaker 1: fifty in Caroline, So you gotta pay for the movement

320
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Speaker 1: of banks. Kid kid yae yo buck And like, you

321
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Speaker 1: know the other day, you know, I know you don't smoke.

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Speaker 1: I walked to the car the other day. Man, when

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Speaker 1: I got home, my wife was like, you were smoking.

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Speaker 1: I was like, this is just I just gave that

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Speaker 1: I stepped in the car. What I said it was

326
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Speaker 1: if I got pulled on it with a straight to jail.

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Speaker 1: I didn't. We rappers, man, we do a rap not you.

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00:17:06,720 --> 00:17:13,919
Speaker 1: You're different. Let me tell you. Fifty Boo Boo always

329
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Speaker 1: been a dude on the block. Maybe like oh man,

330
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Speaker 1: here he comes, Like that's just I'm used to it.

331
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Speaker 1: And I was always yeah, but he he'd been in

332
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Speaker 1: the streets with the best of them. Like it's real,

333
00:17:24,760 --> 00:17:26,720
Speaker 1: Like it's not not bullying, you know what I think.

334
00:17:26,840 --> 00:17:29,800
Speaker 1: Like they said the same thing about Joel by fact

335
00:17:29,880 --> 00:17:32,040
Speaker 1: Joe it's just prior to you know what I mean.

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00:17:32,119 --> 00:17:34,439
Speaker 1: And I never picked my shots. I just looked at

337
00:17:34,480 --> 00:17:38,720
Speaker 1: see they was helping. His loyalty made him help with

338
00:17:38,880 --> 00:17:42,920
Speaker 1: the honey guns, honey clips, y'all. And then I had

339
00:17:42,960 --> 00:17:47,680
Speaker 1: to make sure that that didn't we can do John,

340
00:17:48,000 --> 00:17:50,040
Speaker 1: so I went after him and Jada, you know what

341
00:17:50,040 --> 00:17:51,960
Speaker 1: I'm saying. But it wasn't personal, so it was able.

342
00:17:52,119 --> 00:17:54,560
Speaker 1: He's able to resolve it as Chris passed. And then

343
00:17:54,600 --> 00:17:58,680
Speaker 1: he's not like, you gotta watch. You gotta watch the

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00:17:58,720 --> 00:18:00,640
Speaker 1: person that you have an alter case. You gotta see

345
00:18:00,640 --> 00:18:02,520
Speaker 1: who they are, like you see me look closer into it.

346
00:18:03,080 --> 00:18:06,440
Speaker 1: And then I knew that if it would be bumped

347
00:18:06,480 --> 00:18:08,680
Speaker 1: heads for relled, it would be something like we would

348
00:18:08,680 --> 00:18:11,000
Speaker 1: go back and forth. It'd be bad. You know. I

349
00:18:11,119 --> 00:18:13,800
Speaker 1: started looking through the crew a little bit and pictures.

350
00:18:13,840 --> 00:18:18,680
Speaker 1: I'm looking in the background. I'm investigating, like who that?

351
00:18:19,480 --> 00:18:22,119
Speaker 1: But y'all cool? Though they said they said you was

352
00:18:22,280 --> 00:18:25,040
Speaker 1: at the Baby Faith concert last week by yourself. I ran,

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Speaker 1: I took my aut I took my aunt, Yeah, I

354
00:18:27,400 --> 00:18:32,760
Speaker 1: took my Joe's day boy. It was clean. As I

355
00:18:32,840 --> 00:18:35,840
Speaker 1: was like, yeah, okay, I said, what is going on?

356
00:18:35,960 --> 00:18:39,119
Speaker 1: I'm almost making deals behind the scenes on us. She

357
00:18:39,320 --> 00:18:41,800
Speaker 1: was going on here because he had but yeah, and

358
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Speaker 1: it wasn't he shortly I was she was smoking, you know.

359
00:18:45,480 --> 00:18:47,680
Speaker 1: I hope that was the right thing for me to say.

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00:18:48,359 --> 00:18:53,879
Speaker 1: I think that was his wife. I think so. I mean,

361
00:18:53,920 --> 00:18:56,040
Speaker 1: you just just look look like he's a good spirit.

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Speaker 1: You know. It's cool. Like um, the baby Face Show,

363
00:19:00,359 --> 00:19:02,080
Speaker 1: that was more fun than I expected it to be.

364
00:19:02,840 --> 00:19:07,040
Speaker 1: Like I didn't realize how many records he wrote because

365
00:19:07,080 --> 00:19:09,160
Speaker 1: he went to that little part portion of his show

366
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Speaker 1: and it felt like thirty years of hits. Wow. He

367
00:19:14,200 --> 00:19:16,639
Speaker 1: was performing all night, hit after hit after hit hit,

368
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Speaker 1: and it was like it gets to a point like, well,

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Speaker 1: you know how like even now the music businesses like that,

370
00:19:23,000 --> 00:19:25,840
Speaker 1: like they go who Who's Who's high? Okay, let's uh

371
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Speaker 1: get hit boy or get DJ Mustard or get you

372
00:19:29,359 --> 00:19:31,440
Speaker 1: know what I mean, different joints like and I I

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Speaker 1: understand that, but I haven't operated that way. I've always

374
00:19:36,359 --> 00:19:40,960
Speaker 1: made records for guys that you didn't know them from nowhere,

375
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Speaker 1: and I didn't know him. I just they just had

376
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Speaker 1: something that inspired me. Like it was the kid um

377
00:19:46,960 --> 00:19:52,600
Speaker 1: rob Reef did what up? Gangster? Um? I get money?

378
00:19:52,720 --> 00:19:56,200
Speaker 1: The kid Ape that was his first record, Mini Mafia

379
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Speaker 1: twenty one. Question is different dangerous LLC? Like these guys

380
00:20:00,200 --> 00:20:03,480
Speaker 1: up the guys I worked with that didn't have momentum,

381
00:20:03,960 --> 00:20:06,920
Speaker 1: just had the record I needed at the time, So

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00:20:07,160 --> 00:20:09,239
Speaker 1: you know, you gotta kind of that's the only way

383
00:20:09,280 --> 00:20:12,920
Speaker 1: you find something that I feel like is it's new. Yeah?

384
00:20:13,960 --> 00:20:17,960
Speaker 1: Why why you never did the second album? I don't know, man,

385
00:20:18,000 --> 00:20:19,520
Speaker 1: it was just a lot going on. I think it

386
00:20:19,600 --> 00:20:21,760
Speaker 1: was politics with Interscope and it was just a lot

387
00:20:21,880 --> 00:20:24,240
Speaker 1: going on at that time. But I got advance for it,

388
00:20:24,320 --> 00:20:30,320
Speaker 1: I got paid for I got paid to get contractually.

389
00:20:30,359 --> 00:20:33,159
Speaker 1: They had to Yeah, get that money, so got it,

390
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Speaker 1: That's what I'm saying to you. So they got paid

391
00:20:34,920 --> 00:20:38,360
Speaker 1: out like that, and then it was time for then

392
00:20:38,440 --> 00:20:42,280
Speaker 1: to spend more marketing dollars on it for that, you know,

393
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Speaker 1: to go into the next cycle. And it's like do

394
00:20:46,119 --> 00:20:47,560
Speaker 1: we want to do that or do we want to

395
00:20:47,680 --> 00:20:51,760
Speaker 1: change our model? Right with the climate of things is

396
00:20:51,800 --> 00:20:54,280
Speaker 1: then and they had to adjustments. Like I think any

397
00:20:54,320 --> 00:20:56,800
Speaker 1: business you have to do that. You have a lot

398
00:20:56,880 --> 00:20:59,320
Speaker 1: of people around you, you know what I mean. Like

399
00:20:59,359 --> 00:21:00,879
Speaker 1: I said, I be at a store and somebody like

400
00:21:00,960 --> 00:21:02,159
Speaker 1: your fifths on the line. You know what I mean,

401
00:21:02,480 --> 00:21:04,560
Speaker 1: You have a lot of friends around you. You feel

402
00:21:04,600 --> 00:21:07,280
Speaker 1: like you pay people necessarily almost like to be your

403
00:21:07,320 --> 00:21:09,560
Speaker 1: friends because it's what work are they doing, because it

404
00:21:09,600 --> 00:21:11,680
Speaker 1: seems like everything is so structured. Now. Yeah, you look.

405
00:21:11,800 --> 00:21:14,119
Speaker 1: Look if you say seventy percent of people who have

406
00:21:14,200 --> 00:21:16,600
Speaker 1: a job were referred by a friend, what happens when

407
00:21:16,640 --> 00:21:20,680
Speaker 1: you become the job. You start to give those people

408
00:21:20,960 --> 00:21:22,920
Speaker 1: that you would be comfortable with as your friends the

409
00:21:23,080 --> 00:21:27,040
Speaker 1: job or the position, even if there not as season

410
00:21:27,560 --> 00:21:29,600
Speaker 1: or prepared for it. You'll bring them around early. Like

411
00:21:29,640 --> 00:21:33,920
Speaker 1: I've had kids that like like bring them in and

412
00:21:34,000 --> 00:21:36,600
Speaker 1: I go follow you what you wanted to do? Be

413
00:21:36,720 --> 00:21:39,280
Speaker 1: to a manager? Okay, look, go follow them to a manager.

414
00:21:39,520 --> 00:21:45,680
Speaker 1: Here your assistant, make him do everything. He's his assistant,

415
00:21:46,320 --> 00:21:48,840
Speaker 1: do everything. And he didn't know he was his replacement.

416
00:21:49,200 --> 00:21:53,240
Speaker 1: My tour manager came to watch the same process watching,

417
00:21:53,359 --> 00:21:56,400
Speaker 1: you know what I mean. He came for thirteen years. Yeah,

418
00:21:56,440 --> 00:21:58,280
Speaker 1: like all came in and it was like the guy,

419
00:21:58,359 --> 00:22:00,520
Speaker 1: you go with him, work with him to go work

420
00:22:00,840 --> 00:22:02,919
Speaker 1: as an assistant for the tour manager. And then when

421
00:22:02,960 --> 00:22:06,480
Speaker 1: the other artists comes, they can handle going to take

422
00:22:06,680 --> 00:22:09,800
Speaker 1: facilitate banks. So I'm still manage my he's my DJ

423
00:22:10,000 --> 00:22:12,040
Speaker 1: and my book and age. I think it all happened

424
00:22:12,040 --> 00:22:15,040
Speaker 1: too fast with Union. We went from fifty Grandmother Crib

425
00:22:15,119 --> 00:22:18,800
Speaker 1: to all of this. It seemed like it was a

426
00:22:19,040 --> 00:22:21,800
Speaker 1: slow process in a way that we saw because they

427
00:22:21,800 --> 00:22:24,560
Speaker 1: didn't see the Columbia process. I don't think a lot

428
00:22:24,600 --> 00:22:27,399
Speaker 1: of people remember that. I don't remember Doll, That's what

429
00:22:27,480 --> 00:22:29,760
Speaker 1: I'm saying. A lot of people don't remember the Columbia process.

430
00:22:29,840 --> 00:22:31,720
Speaker 1: They just remember him getting shot. We was on and

431
00:22:31,760 --> 00:22:33,399
Speaker 1: then coming back out with the music. I was on

432
00:22:33,520 --> 00:22:36,119
Speaker 1: the Cash Money tour right before they opened the curtain,

433
00:22:36,320 --> 00:22:41,880
Speaker 1: right me and fifty and the Money Swiss t K. Kirkland.

434
00:22:45,760 --> 00:22:47,960
Speaker 1: It was funny as a mother, like it was like

435
00:22:48,080 --> 00:22:51,760
Speaker 1: that baby, and then would come helicopter Drew. He was

436
00:22:51,800 --> 00:22:54,159
Speaker 1: smoking hot. That was crazy all that, and it's like

437
00:22:54,840 --> 00:22:58,840
Speaker 1: going on before anybody, Like, yeah, people remember because they

438
00:22:58,840 --> 00:23:00,959
Speaker 1: didn't get there yet, right they were still on their

439
00:23:01,000 --> 00:23:02,320
Speaker 1: way in and stuff like that. But it was like

440
00:23:02,520 --> 00:23:04,800
Speaker 1: it was an experience and it was able to put

441
00:23:04,880 --> 00:23:07,040
Speaker 1: us in front of like in the sheds. I was

442
00:23:07,040 --> 00:23:10,159
Speaker 1: always amazed how you took Buck, because Buck was on

443
00:23:10,280 --> 00:23:12,720
Speaker 1: the fence of signing with either you or juvenile. It

444
00:23:12,800 --> 00:23:14,520
Speaker 1: was like right in the middle of juvenil, like you said,

445
00:23:14,640 --> 00:23:17,400
Speaker 1: was on fire at that time. He had this out

446
00:23:17,440 --> 00:23:19,359
Speaker 1: and then he decided, I never understand how you did that.

447
00:23:19,440 --> 00:23:23,399
Speaker 1: It wasn't Julie had looked I talked a buck and

448
00:23:23,480 --> 00:23:26,320
Speaker 1: didn't say anything to him about working with him. Like

449
00:23:26,440 --> 00:23:28,359
Speaker 1: I knew how you get around someone when you say, yo,

450
00:23:28,720 --> 00:23:32,040
Speaker 1: he's dope, like he has cool energy to him. It's good,

451
00:23:32,480 --> 00:23:35,119
Speaker 1: but you don't want to violate the person that they

452
00:23:35,240 --> 00:23:37,920
Speaker 1: connected to because they did with someone right, you know,

453
00:23:38,040 --> 00:23:40,640
Speaker 1: and I go I didn't say anything, but Julie had

454
00:23:41,359 --> 00:23:44,520
Speaker 1: reached to Banks. He liked Banks, so he was talking

455
00:23:44,680 --> 00:23:47,520
Speaker 1: like he was talking to him. Remember we came back

456
00:23:47,560 --> 00:23:49,120
Speaker 1: and we had because look what I did was when

457
00:23:49,119 --> 00:23:52,679
Speaker 1: I heard from somebody else it was around us, one

458
00:23:52,720 --> 00:23:54,520
Speaker 1: of the homies. It was there. He was like, yo,

459
00:23:54,760 --> 00:23:58,080
Speaker 1: Banks said, Julie was feeling him like that said, oh word,

460
00:23:59,040 --> 00:24:02,040
Speaker 1: I hadn't done anything. Yeah, well Banks, like we started

461
00:24:02,040 --> 00:24:04,560
Speaker 1: to g and it street tape momentum. So I was like,

462
00:24:06,720 --> 00:24:10,680
Speaker 1: I had his contracts released done and I was telling

463
00:24:10,800 --> 00:24:12,320
Speaker 1: them how you could go do what you want to do?

464
00:24:12,720 --> 00:24:17,840
Speaker 1: You look crazy on UTP. Banks like look crazy to

465
00:24:17,880 --> 00:24:24,159
Speaker 1: even discussing it. There's never a reality man, like I

466
00:24:24,280 --> 00:24:25,760
Speaker 1: just said. I said to him, I was like, yo,

467
00:24:26,200 --> 00:24:28,280
Speaker 1: but because I heard it from someone else, it means

468
00:24:28,359 --> 00:24:31,560
Speaker 1: it in my mind it met It was some excitement

469
00:24:31,640 --> 00:24:34,040
Speaker 1: to it, you know what I'm saying. And he was

470
00:24:34,080 --> 00:24:36,000
Speaker 1: repeating it to one of the other them. I said,

471
00:24:36,000 --> 00:24:37,800
Speaker 1: you said that I got to release done and say

472
00:24:37,880 --> 00:24:41,440
Speaker 1: how you get just sign that? I always wondered when

473
00:24:41,440 --> 00:24:45,200
Speaker 1: did y'all realize y'all like really had something with what

474
00:24:45,520 --> 00:24:47,960
Speaker 1: you know? What happened is we went through a process.

475
00:24:48,000 --> 00:24:50,000
Speaker 1: I would say, like, who are you as an artist?

476
00:24:50,200 --> 00:24:51,840
Speaker 1: What are you doing? So we don't make the mistake

477
00:24:51,920 --> 00:24:54,840
Speaker 1: of marketing you one way and then it doesn't allow

478
00:24:54,880 --> 00:24:56,320
Speaker 1: you to do things that you want to do? And

479
00:24:58,400 --> 00:25:02,080
Speaker 1: was yea was he's the drug? Yeah? He wanted to

480
00:25:02,160 --> 00:25:05,000
Speaker 1: write that content from one, three, four, And this is

481
00:25:05,040 --> 00:25:07,159
Speaker 1: why I thought to get fellon and different things that

482
00:25:07,280 --> 00:25:11,240
Speaker 1: he did or the concepts for those records that happened,

483
00:25:11,280 --> 00:25:13,359
Speaker 1: like he'll do that, what even the mixtape series is?

484
00:25:14,040 --> 00:25:20,399
Speaker 1: But and then Banks I would go, yo, you should

485
00:25:20,680 --> 00:25:25,520
Speaker 1: you should write about girls? M He go what like

486
00:25:26,359 --> 00:25:29,600
Speaker 1: like like it wasn't that cool? He was open off

487
00:25:29,640 --> 00:25:31,640
Speaker 1: to that one line he said, when the only way

488
00:25:31,680 --> 00:25:33,600
Speaker 1: I cat blue balls is if she wear a blue

489
00:25:33,680 --> 00:25:38,520
Speaker 1: lipstick that get a photo. It's like every time he

490
00:25:38,600 --> 00:25:41,440
Speaker 1: said something that related to women, he would say a

491
00:25:41,560 --> 00:25:45,080
Speaker 1: cooler line. But see that came. That guy came because

492
00:25:45,880 --> 00:25:49,280
Speaker 1: Smile was first. So the girls coming up. I like

493
00:25:49,400 --> 00:25:51,919
Speaker 1: the Smile record, and then they coming out. He got up,

494
00:25:52,000 --> 00:25:53,639
Speaker 1: no you don't love me, and Buck got you know

495
00:25:53,640 --> 00:25:58,160
Speaker 1: what I mean. I like it, but it's when you rather,

496
00:25:58,280 --> 00:26:01,880
Speaker 1: I'm telling you, when you right around the girls. When

497
00:26:01,920 --> 00:26:04,560
Speaker 1: he started to do things that is in that lane,

498
00:26:04,640 --> 00:26:06,959
Speaker 1: like even I don't deserve you the different joints? Did

499
00:26:07,040 --> 00:26:13,679
Speaker 1: he do it be on point point? Mama said, I'm

500
00:26:13,840 --> 00:26:15,240
Speaker 1: knock you out. You know what I'm saying. No, I'm

501
00:26:15,280 --> 00:26:18,800
Speaker 1: not saying it. It was I'm not saying other people

502
00:26:18,960 --> 00:26:20,680
Speaker 1: want to be looked at and just see girls like

503
00:26:20,800 --> 00:26:24,040
Speaker 1: no offense. You know what I mean, fabulous right about

504
00:26:24,640 --> 00:26:27,080
Speaker 1: but fabulous right girls. But all his mixtapes is all

505
00:26:27,160 --> 00:26:29,680
Speaker 1: street because he's aiming at the street. But we know

506
00:26:29,840 --> 00:26:31,440
Speaker 1: what he does, like if you get ready to get

507
00:26:31,760 --> 00:26:34,040
Speaker 1: you got an R and B artist singing something that's

508
00:26:34,160 --> 00:26:37,639
Speaker 1: that's hot. You need fat you want to sign that

509
00:26:37,760 --> 00:26:40,000
Speaker 1: off to make it of fish you but fat voice

510
00:26:40,040 --> 00:26:42,000
Speaker 1: on it. Let me hear it, and I'm excited about it.

511
00:26:42,080 --> 00:26:44,480
Speaker 1: It feels good to me, right, you know from just

512
00:26:44,600 --> 00:26:46,879
Speaker 1: the way he came up that he's done that consistently

513
00:26:46,960 --> 00:26:49,480
Speaker 1: in his career. Good. So when I hear it, I go, yeah,

514
00:26:49,600 --> 00:26:52,280
Speaker 1: hit like the last one, you know what I mean?

515
00:26:52,359 --> 00:26:55,359
Speaker 1: Like when he did the waiting for the right moment

516
00:26:55,440 --> 00:26:58,040
Speaker 1: to collaborate with artists, for me, it's like, I don't

517
00:26:58,160 --> 00:27:01,720
Speaker 1: do the you see now it's koombay y'ah my lord,

518
00:27:01,800 --> 00:27:08,000
Speaker 1: like everybody like everybody was turning into one fraternity, our culture,

519
00:27:08,000 --> 00:27:10,359
Speaker 1: and then when you had me, I was sit and

520
00:27:10,400 --> 00:27:12,760
Speaker 1: wait until I felt like it's the right time for

521
00:27:12,880 --> 00:27:15,280
Speaker 1: me to work with the artists like Soldier Boy. If

522
00:27:15,280 --> 00:27:17,639
Speaker 1: you noticed when we did the record, it wasn't because

523
00:27:17,960 --> 00:27:20,480
Speaker 1: I was so impressed with his lyrical performance. I was

524
00:27:20,560 --> 00:27:22,840
Speaker 1: impressed with the idea of a kid producing the record

525
00:27:22,880 --> 00:27:25,600
Speaker 1: and having a hit that big at sixteen years old.

526
00:27:25,960 --> 00:27:28,920
Speaker 1: I know it made Christmas. It changed everything around but

527
00:27:29,119 --> 00:27:31,639
Speaker 1: his house, everybody was in a different space because of

528
00:27:31,760 --> 00:27:36,359
Speaker 1: the record, And I'm like that, so you produced it too, Okay,

529
00:27:36,440 --> 00:27:39,199
Speaker 1: I gotta like that, and I didn't work with him

530
00:27:39,280 --> 00:27:42,040
Speaker 1: until the influences kind of got him, like and he

531
00:27:42,960 --> 00:27:45,600
Speaker 1: he was having problems with the he was doing the

532
00:27:45,680 --> 00:27:48,119
Speaker 1: Gucci man, you know what I mean. He had so

533
00:27:48,200 --> 00:27:50,240
Speaker 1: a little cocaine and stuff like that around at the

534
00:27:50,280 --> 00:27:52,879
Speaker 1: time of the Superhead thing was happening, and it was

535
00:27:52,960 --> 00:27:55,600
Speaker 1: so much confusion for him. And I'm like, I do

536
00:27:55,680 --> 00:28:00,880
Speaker 1: it now. Then he later had kind worked with them,

537
00:28:01,720 --> 00:28:04,760
Speaker 1: part work with them. It changed how you know, people

538
00:28:04,800 --> 00:28:07,960
Speaker 1: felt about so you know, it's a good timing with

539
00:28:08,080 --> 00:28:11,080
Speaker 1: that one. And then and I just was thinking myself.

540
00:28:11,119 --> 00:28:12,960
Speaker 1: When I went to Los Angeles, I was getting ready

541
00:28:13,520 --> 00:28:15,879
Speaker 1: work on the album. And as soon as I got there,

542
00:28:15,920 --> 00:28:20,800
Speaker 1: I said, um, let me hear the new guys. I

543
00:28:20,920 --> 00:28:25,520
Speaker 1: did Hygie's first song, toot It. I did Jeremiah's uh

544
00:28:25,920 --> 00:28:30,080
Speaker 1: the down on Me record, The Man's Buzzing. Put out

545
00:28:30,119 --> 00:28:32,239
Speaker 1: of those new artists that same night. I recorded all

546
00:28:32,280 --> 00:28:35,119
Speaker 1: those records, put them out, and it's like their first

547
00:28:35,920 --> 00:28:38,840
Speaker 1: real hit hit records outside of well jem I had birthday,

548
00:28:38,880 --> 00:28:41,600
Speaker 1: sect yeah, birthday. Yeah, you two got a relationship with

549
00:28:41,680 --> 00:28:43,960
Speaker 1: Dreke not like that. I don't call to talk to

550
00:28:44,040 --> 00:28:48,080
Speaker 1: him for no reason, like I think that relationship was business,

551
00:28:49,360 --> 00:28:52,760
Speaker 1: you know, Like for a long time I was in

552
00:28:52,840 --> 00:28:56,080
Speaker 1: New York U Nick Player in the middle of la

553
00:28:56,200 --> 00:28:59,640
Speaker 1: locker room, like yeah, realized Interscope was the West Coast

554
00:28:59,680 --> 00:29:02,080
Speaker 1: when its East coast West Coast going on. And I

555
00:29:02,200 --> 00:29:06,640
Speaker 1: never really sort of respond properly to games disrespect what

556
00:29:06,720 --> 00:29:08,800
Speaker 1: it happened because they had some sort of allegiance to

557
00:29:08,880 --> 00:29:11,400
Speaker 1: the West or something else, and I didn't understand it,

558
00:29:11,480 --> 00:29:13,800
Speaker 1: Like I was like, you know, I wrote the records

559
00:29:13,880 --> 00:29:16,960
Speaker 1: like almost Violet. The parole for the things that you

560
00:29:17,040 --> 00:29:20,960
Speaker 1: say are okay. The parameters are high function. So I look,

561
00:29:21,120 --> 00:29:23,360
Speaker 1: I go, if it's okay for you to say I

562
00:29:23,480 --> 00:29:25,000
Speaker 1: have to say any thing as you say about me,

563
00:29:25,080 --> 00:29:27,360
Speaker 1: as long as you can earn some money, then it's

564
00:29:27,400 --> 00:29:30,800
Speaker 1: okay for me to say whatever, because I earned money

565
00:29:30,840 --> 00:29:34,040
Speaker 1: with no problem for the company, you know. And it's

566
00:29:34,080 --> 00:29:37,040
Speaker 1: like I've seen him say it, like why we can't

567
00:29:37,040 --> 00:29:40,240
Speaker 1: get that again, Like, well, we can't make like find

568
00:29:40,280 --> 00:29:43,480
Speaker 1: the artists that can do that again. It's it's a

569
00:29:43,520 --> 00:29:47,160
Speaker 1: lot more than the studio performance that the artists had

570
00:29:47,160 --> 00:29:49,840
Speaker 1: to come out and find themselves in the comfort to

571
00:29:50,040 --> 00:29:52,320
Speaker 1: beat themselves in front of people so they can embrace them,

572
00:29:52,840 --> 00:29:56,880
Speaker 1: like my imperfection is visible at points I get. I

573
00:29:57,000 --> 00:29:59,120
Speaker 1: look in the tactics that I would use on the

574
00:29:59,200 --> 00:30:03,080
Speaker 1: corner you here. So it's if you use the mentality,

575
00:30:03,200 --> 00:30:06,680
Speaker 1: then you take over. I'll just feel work until we

576
00:30:06,760 --> 00:30:08,960
Speaker 1: positioned ourselves to be strong enough to take over. And

577
00:30:09,040 --> 00:30:12,160
Speaker 1: it's just it's just what that process has taught us.

578
00:30:14,240 --> 00:30:18,800
Speaker 1: Because we beat somebody up for doctor Joy, I could say, yeah, nobody,

579
00:30:18,880 --> 00:30:21,080
Speaker 1: it wasn't no, don't disrespect to La, But it was

580
00:30:21,080 --> 00:30:24,160
Speaker 1: a whole bunch of New York dudes beating somebody up

581
00:30:24,200 --> 00:30:26,240
Speaker 1: for Joy. He's cool. I like his music and everything.

582
00:30:26,320 --> 00:30:29,000
Speaker 1: It's just, you know, I just feel when you beat

583
00:30:29,040 --> 00:30:32,960
Speaker 1: somebody up, I feel like they owe you a little bit. Yeah,

584
00:30:33,080 --> 00:30:38,320
Speaker 1: we beat them good. I think that to disconnect between

585
00:30:38,360 --> 00:30:42,800
Speaker 1: me and Jimmy created the distance between me and d Yeah,

586
00:30:42,840 --> 00:30:46,160
Speaker 1: because like you gotta understand, like when Sugar was gonna

587
00:30:46,240 --> 00:30:49,520
Speaker 1: kill Drake, It's gonna kill him because he had because

588
00:30:49,680 --> 00:30:53,760
Speaker 1: Tupac was making number one records and Drey wasn't producing

589
00:30:53,800 --> 00:30:57,640
Speaker 1: No and pockets getting ready to be done. So you

590
00:30:57,720 --> 00:31:00,640
Speaker 1: get him out at five album deal, his first CD,

591
00:31:01,200 --> 00:31:03,840
Speaker 1: All Eyes on Me, Double CD, Come Back, Michael Velly

592
00:31:03,880 --> 00:31:07,000
Speaker 1: Break Street dates. So he's back early with that when

593
00:31:07,080 --> 00:31:09,360
Speaker 1: that one's number one selling, and he got two others

594
00:31:10,080 --> 00:31:14,840
Speaker 1: in the studio doing artwork. He's done with that, moving

595
00:31:14,880 --> 00:31:18,200
Speaker 1: to the Outlaws and doing everything else, and you go out, well,

596
00:31:18,240 --> 00:31:21,920
Speaker 1: how do I keep them? Maybe I give him grace.

597
00:31:24,120 --> 00:31:26,240
Speaker 1: I don't know, Jimmy, something might have to happen to dract,

598
00:31:27,520 --> 00:31:29,440
Speaker 1: you know, like these are the thoughts. And she's still

599
00:31:29,440 --> 00:31:31,120
Speaker 1: trying to kill him. You saw that, but ae weeks

600
00:31:31,120 --> 00:31:34,600
Speaker 1: ago he showed up to the movie. She still want blood.

601
00:31:35,840 --> 00:31:37,800
Speaker 1: I never seen anybody how to kind of fear that

602
00:31:37,920 --> 00:31:40,720
Speaker 1: they had for like for Shu. Shugar came around like

603
00:31:40,800 --> 00:31:43,280
Speaker 1: in the club. Yeah, that's the first time I've seen

604
00:31:43,360 --> 00:31:50,720
Speaker 1: Mexicans with tattoos on these face, Mexicans with him. He

605
00:31:50,840 --> 00:31:56,160
Speaker 1: can't they look they said, Sugar outside man, everything dropped,

606
00:31:56,360 --> 00:32:02,800
Speaker 1: scammeras video people makeup everybody like Sugar is like what

607
00:32:03,000 --> 00:32:06,960
Speaker 1: y'all do? Though, But we came out box opened the

608
00:32:07,000 --> 00:32:08,880
Speaker 1: gun in the gun right there on the boxes, gonna

609
00:32:08,920 --> 00:32:10,680
Speaker 1: come across the street. We don't understand none of that.

610
00:32:13,880 --> 00:32:16,480
Speaker 1: I don't know what they were. That's the first time

611
00:32:16,520 --> 00:32:19,840
Speaker 1: I see people with tattoos on their face. My first

612
00:32:19,920 --> 00:32:24,240
Speaker 1: time in La, I'm like, what the hell? What opened

613
00:32:24,280 --> 00:32:26,600
Speaker 1: the box? To open the box? Get out of there,

614
00:32:26,680 --> 00:32:30,760
Speaker 1: go with Eminem came outside too. Yeah, you know, m

615
00:32:31,600 --> 00:32:34,200
Speaker 1: had a different thing going on like him and Proof

616
00:32:34,960 --> 00:32:38,560
Speaker 1: Proof custom out of a couple of times seeing the

617
00:32:38,640 --> 00:32:41,480
Speaker 1: places up to Proof, he was a wild boy. He

618
00:32:41,520 --> 00:32:44,800
Speaker 1: didn't care, you know, didn't do it, yeah, because I thought.

619
00:32:44,800 --> 00:32:48,160
Speaker 1: I think what happened was trying to shake Proof hand

620
00:32:48,240 --> 00:32:50,600
Speaker 1: and Proof is like you you can get out of

621
00:32:50,640 --> 00:32:56,200
Speaker 1: my fingers words. Proof was crazy man, rest peace and

622
00:32:56,240 --> 00:33:00,520
Speaker 1: Proof did y'all you met up before? He never was

623
00:33:02,000 --> 00:33:05,680
Speaker 1: after that again. After that the thing would in the warshaw.

624
00:33:06,040 --> 00:33:12,320
Speaker 1: I think it was shaky. I was shaky, shaky, no fashion.

625
00:33:12,360 --> 00:33:14,600
Speaker 1: And it always kind of ends up in situations with

626
00:33:14,760 --> 00:33:18,600
Speaker 1: guys that had maybe ten or fifteen more years in

627
00:33:18,680 --> 00:33:21,640
Speaker 1: the street than me, like the Henchman and all that.

628
00:33:23,400 --> 00:33:27,800
Speaker 1: That's the discomfort with you know how they look they

629
00:33:28,080 --> 00:33:33,520
Speaker 1: Grandpa o g o goat. We only celebrate like history

630
00:33:33,600 --> 00:33:37,440
Speaker 1: on February. What you do last week? Boy? You know

631
00:33:37,480 --> 00:33:39,280
Speaker 1: what I'm saying. Because all the other stuff. The young

632
00:33:39,360 --> 00:33:42,200
Speaker 1: boys now they're differently, they even even more intense. Now,

633
00:33:43,080 --> 00:33:44,440
Speaker 1: you know what I mean, so you look at it

634
00:33:44,480 --> 00:33:47,480
Speaker 1: and you go, you gotta know how to play that.

635
00:33:47,600 --> 00:33:50,600
Speaker 1: You can't be out there just playing with right. Absolutely,

636
00:33:51,040 --> 00:33:52,600
Speaker 1: Now what about what about your son? You speak to

637
00:33:52,600 --> 00:33:55,120
Speaker 1: your son to y'all squashed that beef, my world starts

638
00:33:55,120 --> 00:33:59,640
Speaker 1: shooting hoops. You know, I don't do well man, You

639
00:33:59,720 --> 00:34:05,080
Speaker 1: know I think um that Dave. Look, my son's mother

640
00:34:05,200 --> 00:34:12,440
Speaker 1: has done a great job with persuading my son believed

641
00:34:12,480 --> 00:34:15,840
Speaker 1: in with him being up being a privileged child, he's

642
00:34:17,719 --> 00:34:20,359
Speaker 1: still feels the pride. So that's like, say the new

643
00:34:20,440 --> 00:34:22,920
Speaker 1: Jordan's come out and then the retro joints pot and

644
00:34:22,960 --> 00:34:24,920
Speaker 1: it's he want on them about twenty fifty dollars, right,

645
00:34:25,480 --> 00:34:29,400
Speaker 1: and stead up, She'll go, you want to actual the

646
00:34:29,440 --> 00:34:32,239
Speaker 1: sneakers to go? All right, I'll get them for you.

647
00:34:33,480 --> 00:34:37,799
Speaker 1: But I just wish man, your father, I just you're

648
00:34:37,840 --> 00:34:40,040
Speaker 1: supposed to have them all. So if you say that

649
00:34:40,120 --> 00:34:42,239
Speaker 1: you don't even feel the gratification of receiving what you

650
00:34:42,320 --> 00:34:44,560
Speaker 1: want it even though you're getting what you asked for.

651
00:34:45,760 --> 00:34:48,160
Speaker 1: You know, like in support, I've paid over a million

652
00:34:48,200 --> 00:34:50,920
Speaker 1: dollars for him since me and his mother haven't been friends.

653
00:34:52,320 --> 00:34:54,440
Speaker 1: I gave to a twenty five thousand a month for

654
00:34:54,480 --> 00:34:56,839
Speaker 1: six months. I was supposed to be a walking paper book.

655
00:34:56,920 --> 00:34:59,399
Speaker 1: Because she thought she's gonna get fifty five thousand dollars

656
00:34:59,440 --> 00:35:02,400
Speaker 1: a month. She blew it. So when they tell a

657
00:35:02,440 --> 00:35:05,440
Speaker 1: sixty seven hundred dollars a month, like hits in the

658
00:35:05,520 --> 00:35:08,719
Speaker 1: head like somebody throw a rock, and that is an

659
00:35:08,760 --> 00:35:13,000
Speaker 1: adjustment for them me. And then that process she goes on,

660
00:35:13,560 --> 00:35:16,400
Speaker 1: you know, to go get fifty cents house baby mother's

661
00:35:16,440 --> 00:35:18,040
Speaker 1: house instead of the place that she could have gotten.

662
00:35:18,040 --> 00:35:21,360
Speaker 1: It's really affordable in Atlanta, and you know, just the

663
00:35:21,440 --> 00:35:24,759
Speaker 1: kofa sack and the people that surround it make it

664
00:35:24,840 --> 00:35:29,279
Speaker 1: a more expensive you know peace. And then other than that,

665
00:35:29,360 --> 00:35:32,560
Speaker 1: I don't really, I don't have a reason. I used

666
00:35:32,600 --> 00:35:34,640
Speaker 1: the same compass and logics that I will use in

667
00:35:34,680 --> 00:35:39,360
Speaker 1: any other situation for that. And I watched and I

668
00:35:39,480 --> 00:35:43,160
Speaker 1: see when I see someone gravitate to someone that they

669
00:35:43,200 --> 00:35:46,640
Speaker 1: felt like has a problem with me, it tells me

670
00:35:46,800 --> 00:35:49,960
Speaker 1: that in your heart and in your mind, you've become

671
00:35:50,000 --> 00:35:53,360
Speaker 1: my enemy. You don't look at yourself as your enemy though, no, no, no,

672
00:35:53,480 --> 00:35:55,840
Speaker 1: just in general, you know how people find a common

673
00:35:55,880 --> 00:35:59,759
Speaker 1: ground or disliking someone, absolutely your enemies. Enemies are your friends, right,

674
00:36:00,880 --> 00:36:02,880
Speaker 1: they come to you. But when I'm watching it, did

675
00:36:02,920 --> 00:36:05,040
Speaker 1: you be more comfortable around someone that you think is

676
00:36:05,040 --> 00:36:08,640
Speaker 1: the enemy minds than me? Then it says to me

677
00:36:08,800 --> 00:36:10,920
Speaker 1: where you're at mentally. It says that the lads like

678
00:36:10,960 --> 00:36:18,960
Speaker 1: he ordered it hit the enemy is looking back when

679
00:36:19,000 --> 00:36:21,200
Speaker 1: you say when you communicate, like with Bags and them

680
00:36:21,640 --> 00:36:24,920
Speaker 1: Troy money Bags, when I was having issues with preming them,

681
00:36:25,239 --> 00:36:28,840
Speaker 1: I'm comfortable communicating with them because they had that already

682
00:36:28,880 --> 00:36:32,440
Speaker 1: had a problem. Just was my man like these reasons

683
00:36:32,480 --> 00:36:35,840
Speaker 1: why I like, like even kind of dealt with the

684
00:36:35,960 --> 00:36:39,319
Speaker 1: rest of it, you know what I mean? So when

685
00:36:39,440 --> 00:36:42,200
Speaker 1: and they was tied into that and I didn't understand it,

686
00:36:42,280 --> 00:36:44,640
Speaker 1: but he was like it wasn't for him, it was

687
00:36:44,719 --> 00:36:48,320
Speaker 1: fun frame And then I got that perfectly clear because

688
00:36:48,320 --> 00:36:50,319
Speaker 1: I was like, oh, yeah, you should have got him right,

689
00:36:51,280 --> 00:36:52,880
Speaker 1: you know what I'm saying, Like, do you ever let

690
00:36:52,920 --> 00:36:54,480
Speaker 1: anything go? Because there was even a rumor that I

691
00:36:54,520 --> 00:36:55,600
Speaker 1: don't mean, I know it's not true, but it was

692
00:36:55,680 --> 00:36:58,000
Speaker 1: rumor that you bought Murder Inc. And you know, our

693
00:36:58,040 --> 00:37:01,239
Speaker 1: own publish I was like, I'm sure he would try.

694
00:37:01,440 --> 00:37:04,440
Speaker 1: I'm sure he would try. Yeah, it's just you know,

695
00:37:04,520 --> 00:37:08,440
Speaker 1: it's not worth much anymore like that you saw that

696
00:37:08,520 --> 00:37:10,920
Speaker 1: though it was Yeah, I looked at it. I was.

697
00:37:11,440 --> 00:37:14,080
Speaker 1: It even made me look at you know, like that

698
00:37:14,920 --> 00:37:19,719
Speaker 1: what it would cost? I looked just like, yo, how much?

699
00:37:20,160 --> 00:37:22,719
Speaker 1: How much it'd be cool to do that? Like just

700
00:37:22,880 --> 00:37:27,080
Speaker 1: because you because you can't right, you know, they just

701
00:37:27,239 --> 00:37:29,920
Speaker 1: finish it off. You really got in the laws. It

702
00:37:29,960 --> 00:37:32,640
Speaker 1: says when you destroyed, destroyed completely, or you've offered someone

703
00:37:32,719 --> 00:37:36,680
Speaker 1: more passion because you heard them. Let's talk about Power. Now,

704
00:37:37,200 --> 00:37:41,200
Speaker 1: Power is done extremely well. Yeah, next season you're taping it.

705
00:37:41,280 --> 00:37:42,719
Speaker 1: It's about to end. Now, Now what do you think

706
00:37:42,719 --> 00:37:44,600
Speaker 1: about Empire? Because at one time, you throw an Empire

707
00:37:44,760 --> 00:37:48,359
Speaker 1: was kind of a stab stealing what Power was doing? Yeah,

708
00:37:48,520 --> 00:37:50,680
Speaker 1: what they did? They did they stole the art. They

709
00:37:50,760 --> 00:37:52,640
Speaker 1: copied the art for the actual show, and then it

710
00:37:52,760 --> 00:37:57,759
Speaker 1: was like the show so different. Um Like, when I

711
00:37:57,840 --> 00:38:00,840
Speaker 1: watched it, it feels like glick. It feels like because

712
00:38:00,960 --> 00:38:04,640
Speaker 1: the choice to not allowed the ambience of the room,

713
00:38:05,960 --> 00:38:08,279
Speaker 1: it drops out, so it feels like a play like

714
00:38:08,360 --> 00:38:10,279
Speaker 1: when the music when they start rapping and the music

715
00:38:10,360 --> 00:38:18,080
Speaker 1: comes on, it feels like you're watching a televised play opera. Almost. Yeah,

716
00:38:18,400 --> 00:38:20,600
Speaker 1: so I watched it. It is. I had a lot

717
00:38:20,640 --> 00:38:22,600
Speaker 1: of friends on the show, Like it turns Howard Day.

718
00:38:22,640 --> 00:38:26,200
Speaker 1: You got Timberlin's the music supervisor. Yeah, Brian grayjer is

719
00:38:26,200 --> 00:38:29,920
Speaker 1: the producer, the joint even the director communicated with him

720
00:38:29,920 --> 00:38:34,200
Speaker 1: a few times, you know. Naomi. Naomi was running up

721
00:38:34,200 --> 00:38:36,320
Speaker 1: on me. I just said this about my show, this

722
00:38:36,400 --> 00:38:40,239
Speaker 1: and now I said, yeah, but they don't say show. Yeah.

723
00:38:40,440 --> 00:38:43,720
Speaker 1: She kept jumping on me at the CIA, at them.

724
00:38:43,760 --> 00:38:46,560
Speaker 1: When I went to the I was in La doing

725
00:38:46,600 --> 00:38:51,040
Speaker 1: a not an Emmy. I feel like you're trying to

726
00:38:51,040 --> 00:38:53,239
Speaker 1: bake to Roger for a date. Man. Oh no, I

727
00:38:53,280 --> 00:38:55,839
Speaker 1: just didn't want to fight. I just want to fight girls.

728
00:38:56,040 --> 00:38:57,719
Speaker 1: I don't want to fight girls. I gotta just look.

729
00:38:57,760 --> 00:38:59,600
Speaker 1: I said, just wait, wait, how do you deal with

730
00:38:59,680 --> 00:39:03,359
Speaker 1: this one? When she gets out everybody, she's the one

731
00:39:03,400 --> 00:39:05,080
Speaker 1: that's saying something, and you go, a wait, that's not

732
00:39:05,120 --> 00:39:07,919
Speaker 1: the right thing to do anyway, I argue with She's

733
00:39:07,960 --> 00:39:09,759
Speaker 1: not a music artist or someone that you would be

734
00:39:09,800 --> 00:39:13,000
Speaker 1: competing with to generate an interest. So it's like, as

735
00:39:13,040 --> 00:39:14,880
Speaker 1: soon as she says that, I go, let me think

736
00:39:14,920 --> 00:39:18,520
Speaker 1: about this, because so as you kind of find sometimes,

737
00:39:18,560 --> 00:39:20,520
Speaker 1: you know, since that baby boy thing, when I looked

738
00:39:20,520 --> 00:39:23,640
Speaker 1: at the baby Boy. You know, maybe I could be

739
00:39:23,760 --> 00:39:27,080
Speaker 1: Jody without that mama problems. You try to get rich.

740
00:39:27,960 --> 00:39:30,880
Speaker 1: I think she did, she did she she came in.

741
00:39:31,520 --> 00:39:33,640
Speaker 1: I think we read like very in the very beginning.

742
00:39:34,040 --> 00:39:37,920
Speaker 1: And then uh still Tracy Morgan too, you know, and

743
00:39:38,040 --> 00:39:40,920
Speaker 1: it's a lot of it you'll see, like because Hollywood's

744
00:39:40,920 --> 00:39:42,720
Speaker 1: like hurry up and wait, you know, in the process,

745
00:39:42,840 --> 00:39:44,719
Speaker 1: like hurry up, you prepared, now wait till the right

746
00:39:44,760 --> 00:39:48,759
Speaker 1: opportunities come. And it's cool. I got things lined up

747
00:39:48,800 --> 00:39:50,799
Speaker 1: pretty good though this the summers be high. I got

748
00:39:50,880 --> 00:39:55,480
Speaker 1: the Spot movie coming with Melissim Cothi, Jason Salem, Drew Law,

749
00:39:55,520 --> 00:40:00,399
Speaker 1: and then I did h that's in May, and then June.

750
00:40:00,480 --> 00:40:04,879
Speaker 1: Power will be back. Then July South Paw me Jake,

751
00:40:04,960 --> 00:40:08,880
Speaker 1: Jill and Forest, so they'll see me back twice on

752
00:40:08,960 --> 00:40:11,239
Speaker 1: the big screen. While I'm doing television. You're still doing

753
00:40:11,280 --> 00:40:15,160
Speaker 1: the boxing thing. Yeah, my fight. Actually, uh, I'm going

754
00:40:15,200 --> 00:40:18,920
Speaker 1: to Houston right after this to do the press conference

755
00:40:19,000 --> 00:40:25,480
Speaker 1: for Canello versus James Curtly. Yeah, but you got me

756
00:40:25,560 --> 00:40:30,919
Speaker 1: weather Pack, Yeah, I got Champ cham gonna gonna go ahead.

757
00:40:30,920 --> 00:40:34,879
Speaker 1: He's gonna smoke him. So it's gonna look like gonna

758
00:40:34,920 --> 00:40:38,440
Speaker 1: look like it was pumped up for no reason. You're

759
00:40:38,440 --> 00:40:43,920
Speaker 1: going back probably like one point six six now. You

760
00:40:44,000 --> 00:40:47,239
Speaker 1: said the way the point six comes, bro one point

761
00:40:48,239 --> 00:40:52,160
Speaker 1: I've been thinking this out myself. You budgeted it out,

762
00:40:52,200 --> 00:40:54,480
Speaker 1: how much like like wait, let me gotta get me

763
00:40:54,480 --> 00:40:58,960
Speaker 1: a real bad because I know. Look, he focused right

764
00:40:59,000 --> 00:41:01,040
Speaker 1: now too. You can't lose this. We don't have to.

765
00:41:01,680 --> 00:41:04,239
Speaker 1: You can't lose now. He's like, you gotta come right

766
00:41:04,960 --> 00:41:06,920
Speaker 1: and I mean working. I ran into him at the

767
00:41:09,600 --> 00:41:12,759
Speaker 1: hit Barclayers. I popped out on Chris Shaw and I

768
00:41:12,840 --> 00:41:15,439
Speaker 1: came into surprise and then they came backstage to talk.

769
00:41:16,080 --> 00:41:18,520
Speaker 1: So he got your just kicking a little. But that

770
00:41:18,640 --> 00:41:20,680
Speaker 1: the first time you spoke from since all that. It's

771
00:41:20,719 --> 00:41:24,120
Speaker 1: been a while because it's hard for him to make Look,

772
00:41:24,400 --> 00:41:26,400
Speaker 1: he don't have to answer to nobody, like you know,

773
00:41:26,480 --> 00:41:28,560
Speaker 1: you give me, but that fight is probably gonna be

774
00:41:28,640 --> 00:41:31,759
Speaker 1: like eighty hundred million dollars from I don't I don't

775
00:41:31,800 --> 00:41:34,040
Speaker 1: have to talk to him this now. They don't have

776
00:41:34,120 --> 00:41:35,960
Speaker 1: to be anything that we speak to each other about.

777
00:41:36,080 --> 00:41:40,719
Speaker 1: But it's when you there face to face. He go, fi, man,

778
00:41:40,760 --> 00:41:42,560
Speaker 1: why you gotta say that? You say something to go

779
00:41:42,680 --> 00:41:50,160
Speaker 1: everywhere everywhere. Man, You're like, yo, stop, this is not

780
00:41:50,360 --> 00:41:55,680
Speaker 1: like the Tiber FaceTime. So he called me and get

781
00:41:55,719 --> 00:41:57,359
Speaker 1: back to the hotel and stuff like that, and it's

782
00:41:57,400 --> 00:42:03,520
Speaker 1: not I can I can get mad at him. We

783
00:42:03,640 --> 00:42:06,560
Speaker 1: can both get angry when we're not speaking to each

784
00:42:06,560 --> 00:42:11,000
Speaker 1: other at the situation, because then it's like who you

785
00:42:11,120 --> 00:42:14,360
Speaker 1: think you are everything else that agitates you in connection

786
00:42:14,440 --> 00:42:19,080
Speaker 1: to it's like your wife is You're upset with your wife,

787
00:42:19,120 --> 00:42:23,839
Speaker 1: and then I'm irritating. It's really coming from somewhere else,

788
00:42:24,160 --> 00:42:25,920
Speaker 1: but it's going towards you, but it's going towards you

789
00:42:25,960 --> 00:42:27,480
Speaker 1: know what, I'm at that person, and then it will

790
00:42:27,520 --> 00:42:30,120
Speaker 1: be like when we're not communicating with each other, get crazy.

791
00:42:30,120 --> 00:42:32,040
Speaker 1: It really wasn't about money, like you know, like I

792
00:42:32,080 --> 00:42:34,880
Speaker 1: wouldn't say, oh, I'm gonna go in the box and

793
00:42:35,200 --> 00:42:37,960
Speaker 1: so I can make this money off of Floyd, you know,

794
00:42:38,120 --> 00:42:44,680
Speaker 1: And you can't commit to being financial supportive of a

795
00:42:44,760 --> 00:42:47,439
Speaker 1: business and just decide not to. Its easy. I could

796
00:42:47,520 --> 00:42:50,319
Speaker 1: easily suit him for that money back, got it back

797
00:42:50,360 --> 00:42:52,880
Speaker 1: so quick your head would have spun, you know what

798
00:42:52,920 --> 00:42:55,239
Speaker 1: I'm saying, and said there was some damage publicly to

799
00:42:55,360 --> 00:42:59,640
Speaker 1: me going into the category because of me marketing it,

800
00:43:00,480 --> 00:43:04,120
Speaker 1: and and I need additional money for damages. You know.

801
00:43:04,200 --> 00:43:07,200
Speaker 1: But that's like I said, my little brother, So why

802
00:43:07,200 --> 00:43:09,000
Speaker 1: are you gonna? I can see you a little brother.

803
00:43:09,440 --> 00:43:10,920
Speaker 1: So how do y'all line the music up? In the

804
00:43:11,000 --> 00:43:12,799
Speaker 1: midst all of this, you got the EP coming out,

805
00:43:13,680 --> 00:43:16,719
Speaker 1: but banks you're doing a solo? Yeah? Well actually I

806
00:43:16,760 --> 00:43:19,799
Speaker 1: got a solo record on the Beasts yea to called

807
00:43:19,880 --> 00:43:22,279
Speaker 1: Doping in My Lives, so they can, you know, check

808
00:43:22,360 --> 00:43:25,080
Speaker 1: that out, just to segway into my next solo project.

809
00:43:25,120 --> 00:43:27,919
Speaker 1: And Bull put out a dope record that we permitted. Troy,

810
00:43:27,960 --> 00:43:29,120
Speaker 1: I was on the hook. I didn't know if y'all

811
00:43:29,160 --> 00:43:30,920
Speaker 1: had issues. I don't know what that was. You know what,

812
00:43:31,880 --> 00:43:34,120
Speaker 1: I looked at Troy in the very beginning, I'm going,

813
00:43:35,440 --> 00:43:38,160
Speaker 1: here's so much for me, and then I'm not sure

814
00:43:38,480 --> 00:43:41,960
Speaker 1: to like it, but he giving it up though I noticed,

815
00:43:42,080 --> 00:43:44,759
Speaker 1: and that later. Look, I'm telling the process for me.

816
00:43:44,880 --> 00:43:48,239
Speaker 1: I'm just going, you know how my mom I said,

817
00:43:48,280 --> 00:43:49,719
Speaker 1: the things that I fell in love with I've kind

818
00:43:49,719 --> 00:43:52,360
Speaker 1: of faded. It was so important for you to have

819
00:43:52,520 --> 00:43:56,080
Speaker 1: your own sound, your own thing initially that it goes

820
00:43:58,160 --> 00:43:59,640
Speaker 1: of sound like that kind of sound like me that

821
00:44:00,040 --> 00:44:02,160
Speaker 1: oh I remember that I did this kind of melody

822
00:44:02,760 --> 00:44:06,480
Speaker 1: on this song. This is why I'm feeling like this

823
00:44:06,560 --> 00:44:08,200
Speaker 1: about this record. And then I go, oh, this is

824
00:44:08,600 --> 00:44:11,239
Speaker 1: but it's different pieces. It's not necessarily pieces that I

825
00:44:11,360 --> 00:44:13,920
Speaker 1: put out for commercial purposes like on albums. It may

826
00:44:13,960 --> 00:44:15,879
Speaker 1: be something that I did on the mixtape or something,

827
00:44:16,200 --> 00:44:20,000
Speaker 1: but it influenced him. And then it turns into when

828
00:44:20,040 --> 00:44:24,960
Speaker 1: you see him be consistent, it's flattery and you like it.

829
00:44:25,000 --> 00:44:27,440
Speaker 1: You can appreciate it. You see what I'm saying. When

830
00:44:27,440 --> 00:44:29,440
Speaker 1: you when you you got so many guys that you'll

831
00:44:29,480 --> 00:44:32,320
Speaker 1: help them and in every way that you in process,

832
00:44:32,400 --> 00:44:35,319
Speaker 1: and then they'll go because you could have just made

833
00:44:35,360 --> 00:44:38,920
Speaker 1: me a start. All you had to do was say

834
00:44:39,200 --> 00:44:41,560
Speaker 1: this was this and put me this and spend and

835
00:44:41,719 --> 00:44:43,960
Speaker 1: spend the money. You know what I'm saying. Like, so

836
00:44:44,080 --> 00:44:47,520
Speaker 1: they're going, you go, I'm not sure I like that

837
00:44:48,480 --> 00:44:51,080
Speaker 1: until I start to see things from the feel different

838
00:44:51,080 --> 00:44:54,399
Speaker 1: than it's him, and then you know, now I'm cool

839
00:44:54,400 --> 00:44:56,560
Speaker 1: with it. I like it, Like I like all about

840
00:44:56,600 --> 00:44:59,879
Speaker 1: the money, Like he had different joints. To me, that's

841
00:45:00,000 --> 00:45:02,320
Speaker 1: a new version that I get money. You see what

842
00:45:02,400 --> 00:45:05,880
Speaker 1: I'm saying, like, and it's just I watched content repeat itself,

843
00:45:05,960 --> 00:45:10,120
Speaker 1: like the like candy shop is the like a lollipop,

844
00:45:10,840 --> 00:45:16,360
Speaker 1: like um outcasts, ain't nobody dope as me? I dressed

845
00:45:16,360 --> 00:45:20,640
Speaker 1: so facial claim is I'm so fly and I got money,

846
00:45:20,680 --> 00:45:22,719
Speaker 1: And that's a good enough reason about the things I buy.

847
00:45:23,040 --> 00:45:25,759
Speaker 1: Like Banks's record, Like a lot of these songs, I've

848
00:45:25,840 --> 00:45:29,400
Speaker 1: heard the content work and then come around again in

849
00:45:29,480 --> 00:45:31,480
Speaker 1: a new way and a new song and it feels good.

850
00:45:31,560 --> 00:45:34,160
Speaker 1: So I watch it and that's just what that is.

851
00:45:34,280 --> 00:45:36,840
Speaker 1: Like I think it's it's time for new artists to

852
00:45:36,920 --> 00:45:40,320
Speaker 1: come in and from New York it's they're there, but

853
00:45:40,400 --> 00:45:43,160
Speaker 1: they're not getting the shot right. How would you like

854
00:45:43,200 --> 00:45:45,400
Speaker 1: the old Freddie rock kid? I do? I like that

855
00:45:45,480 --> 00:45:47,560
Speaker 1: song like he had to sound it don't sound like

856
00:45:47,640 --> 00:45:50,560
Speaker 1: nothing out of here, you know, it's like like his

857
00:45:50,719 --> 00:45:57,080
Speaker 1: music the way I like the kid Um the Thug Thugs,

858
00:45:57,280 --> 00:46:01,360
Speaker 1: no fun junked up because sometimes I didn't know what

859
00:46:01,520 --> 00:46:03,359
Speaker 1: Young Doug was saying, but I like the way it sound,

860
00:46:04,000 --> 00:46:06,759
Speaker 1: you know what I'm saying, and then being it from

861
00:46:06,800 --> 00:46:10,200
Speaker 1: New Yorker from Jersey and again you're trapping out a

862
00:46:10,239 --> 00:46:15,040
Speaker 1: vand ug. I don't know about that part, you know

863
00:46:15,080 --> 00:46:16,840
Speaker 1: what I'm saying it makes me feel like that you're not.

864
00:46:17,120 --> 00:46:21,120
Speaker 1: Actually it's trending, right, you're saying the things that they say,

865
00:46:21,200 --> 00:46:24,919
Speaker 1: So we're all making Southern based records at that point.

866
00:46:25,000 --> 00:46:28,920
Speaker 1: And it's like when you can't identify what not even

867
00:46:29,000 --> 00:46:31,640
Speaker 1: with who you are, because you sound like the last

868
00:46:31,719 --> 00:46:34,640
Speaker 1: record that came out, but the content in the words

869
00:46:34,680 --> 00:46:36,680
Speaker 1: that you're saying sound like the guy that had a

870
00:46:36,719 --> 00:46:38,680
Speaker 1: hit record, And it becomes one thing that we all

871
00:46:38,800 --> 00:46:42,239
Speaker 1: do you know? And why do you think New York

872
00:46:42,280 --> 00:46:44,520
Speaker 1: executives never recognized the talent that's right here in New

873
00:46:44,600 --> 00:46:47,160
Speaker 1: York because you got signed from outside. It's like like

874
00:46:47,840 --> 00:46:50,239
Speaker 1: got signed from outside? Its why do you never see

875
00:46:50,280 --> 00:46:52,520
Speaker 1: what's right under the nose? You know? What happens a

876
00:46:52,600 --> 00:46:56,520
Speaker 1: lot of times artists didn't have the things that coincided

877
00:46:56,600 --> 00:47:01,200
Speaker 1: with who they say they were. Like, if you're writing

878
00:47:01,360 --> 00:47:04,160
Speaker 1: street music, street orientated music and you're not in the street,

879
00:47:05,760 --> 00:47:08,160
Speaker 1: how does people have a connection to it or feel

880
00:47:08,160 --> 00:47:09,680
Speaker 1: it like that? I heard that that's one of the

881
00:47:09,760 --> 00:47:12,120
Speaker 1: reasons you didn't want to sign Troy because said you

882
00:47:12,160 --> 00:47:14,440
Speaker 1: asked about them, but nobody, well you know I did.

883
00:47:14,560 --> 00:47:17,960
Speaker 1: It didn't have the same But it's all this thing.

884
00:47:18,320 --> 00:47:23,400
Speaker 1: It wasn't like what I was going through. My scenario

885
00:47:23,560 --> 00:47:25,640
Speaker 1: is not something that happens over and over because it's

886
00:47:25,680 --> 00:47:28,960
Speaker 1: not you're not gonna make it. It probably didn't potentially

887
00:47:29,080 --> 00:47:31,040
Speaker 1: get killed in the process, you know what I'm saying,

888
00:47:31,080 --> 00:47:33,080
Speaker 1: Like and it's it's just being real about it. Like

889
00:47:33,160 --> 00:47:36,560
Speaker 1: it's been guys have been in the street, putting in

890
00:47:36,640 --> 00:47:41,520
Speaker 1: work twenty years before. Like these people came in my parents'

891
00:47:41,560 --> 00:47:44,640
Speaker 1: age breaker that you know when way did ten years,

892
00:47:44,719 --> 00:47:48,680
Speaker 1: came back back in the club and everything else, like

893
00:47:48,800 --> 00:47:51,239
Speaker 1: in their experience. So it's like if when you bump

894
00:47:51,320 --> 00:47:54,200
Speaker 1: with them, you usually you usually don't go right right,

895
00:47:54,880 --> 00:47:57,640
Speaker 1: you know, because they'll make the decision and they already

896
00:47:57,680 --> 00:48:00,520
Speaker 1: know the consequences and they're gonna really go. So you

897
00:48:00,560 --> 00:48:02,200
Speaker 1: can't say these things that I was saying on his

898
00:48:02,280 --> 00:48:04,719
Speaker 1: records and that meant it. And then it was like

899
00:48:05,560 --> 00:48:08,279
Speaker 1: for them, their confirmation, them being comfortable to stand next

900
00:48:08,280 --> 00:48:11,360
Speaker 1: to me in that period said who they were to

901
00:48:11,920 --> 00:48:16,320
Speaker 1: everyone else publicly and it but it was really my situation.

902
00:48:16,440 --> 00:48:24,320
Speaker 1: You can't compare everybody's Spreek situations different stream back to

903
00:48:24,320 --> 00:48:26,080
Speaker 1: the music, How often of you guys are gonna drop

904
00:48:26,480 --> 00:48:29,279
Speaker 1: because this is getting more more frequent. Yeah, it's gonna

905
00:48:29,280 --> 00:48:31,439
Speaker 1: be a lot of music coming out. El Chapo coming

906
00:48:31,520 --> 00:48:34,640
Speaker 1: Cold Corner. Um. I think Kick Kick got some New

907
00:48:34,760 --> 00:48:37,759
Speaker 1: Orleans dreams working on. I seen Buck out in the

908
00:48:37,800 --> 00:48:40,759
Speaker 1: in North Carolina seat. He was running around to the clubs. Yeah,

909
00:48:41,239 --> 00:48:43,759
Speaker 1: running around. He you know, he's getting the mixed. He'd

910
00:48:43,760 --> 00:48:46,680
Speaker 1: be working like he stayed where you would see him

911
00:48:46,680 --> 00:48:49,080
Speaker 1: and feel like, oh he did, Like like he's doing it.

912
00:48:49,160 --> 00:48:51,799
Speaker 1: Like they a condition for something different. They don't really

913
00:48:51,840 --> 00:48:54,880
Speaker 1: go to stuff for no reason. Yo got his All

914
00:48:54,920 --> 00:49:01,000
Speaker 1: Star week infer though. Yeah, you know every throw back.

915
00:49:01,680 --> 00:49:04,600
Speaker 1: We appreciate you joining us. The album is out right now.

916
00:49:05,239 --> 00:49:09,240
Speaker 1: Get the vodka, get the underwear draws, get the headphone,

917
00:49:09,280 --> 00:49:15,680
Speaker 1: angles and power coming this summer. Well, it's the breakfast clubs,

918
00:49:17,040 --> 00:49:17,400
Speaker 1: you nit.