WEBVTT - Amy Adams / "Vice"

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<v Speaker 1>You're listening to Playback, a Variety I Heart Radio podcast.

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<v Speaker 1>I'm your host, Variety Awards Editor Chris Tapley. We're kicking

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<v Speaker 1>off three weeks of chats with OSCAR nominees this week,

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<v Speaker 1>beginning with Amy Adams, who picked up her sixth nomination

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<v Speaker 1>for playing Dick Cheney and for playing Lynn Cheney and Vice.

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<v Speaker 1>I think if Amy Adams played Dick Cheney in this movie,

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<v Speaker 1>that would be something to write home about. Holy crap. No, Uh,

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<v Speaker 1>she plays Lynn Chaney in the films. She got her

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<v Speaker 1>sixth nomination in fourteen years, which is incredible, particularly when

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<v Speaker 1>you consider the fact that she kind of hit the

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<v Speaker 1>ground running with OSCAR nominations, uh, landing one for June

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<v Speaker 1>Bug in two thousand five. And uh, she's one of

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<v Speaker 1>our most unrewarded actresses on that score, six nominations without

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<v Speaker 1>a win so far. Maybe she'll finally pull it off

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<v Speaker 1>for Vice. We talked about that film and all the

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<v Speaker 1>films she's been nominated for in fact, which is quite

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<v Speaker 1>a collection of films. And again, she's I think she's

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<v Speaker 1>one of the sweetest people in the business. She was

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<v Speaker 1>one of our first guests early on here at Playback

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<v Speaker 1>and We're so pleased to have her back. So here

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<v Speaker 1>is my chat with Amy Adams. It's it's always fun

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<v Speaker 1>to get a movie out there. Um, thank you to

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<v Speaker 1>get it seen. You know, there's always so much anticipation,

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<v Speaker 1>and you know, especially when it's Adam and it's Christian

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<v Speaker 1>and I've had all you guys on the show. I

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<v Speaker 1>don't think I've ever had this many people from one

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<v Speaker 1>movie on the show. I did Christian and Sam together.

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<v Speaker 1>Now here we are with you all right, we are

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<v Speaker 1>up and running. Okay, everyone, no big deal, We're just

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<v Speaker 1>here with Amy Adams. UM, six time Oscar nominee. A

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<v Speaker 1>thank you for coming on the show. Thank you for

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<v Speaker 1>having your returning champ, so to speak. One of the

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<v Speaker 1>few that we've had a second time on the show. Yeah,

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<v Speaker 1>it was tell you Right, Tell you Right. That's episode

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<v Speaker 1>number two, by the way, this is like number one,

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<v Speaker 1>oh four. Oh my goodness, congratulations. That's really cool. That

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<v Speaker 1>was a fun one though. I love doing them and

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<v Speaker 1>tell you right. I'll love going to tell you right. Obviously,

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<v Speaker 1>it's beautiful. It's so beautiful. I wish I had more

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<v Speaker 1>time there. I kind of just go and hang out.

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<v Speaker 1>You can actually watch movies when you're there, if you're

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<v Speaker 1>able to spend time there. But yes, the Oscar nominated

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<v Speaker 1>Star of Vice. Congratulations on that. Thank you. What was

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<v Speaker 1>your morning like when you got the news? Were you here? Yeah?

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<v Speaker 1>I was here so in early morning. Then yeah, I

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<v Speaker 1>got a phone call and that was fun. It's always fun. Um.

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<v Speaker 1>I wasn't anticipating it one way or the other, but

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<v Speaker 1>I was happy to hear about everyone's nominations. For me,

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<v Speaker 1>that's always fun to be nominated with a bunch of

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<v Speaker 1>a bunch of people from the films. It's a good feeling. Yeah,

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<v Speaker 1>that thing was like eight nominations. That's one of my

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<v Speaker 1>favorite movies of the year. I love it. I think

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<v Speaker 1>it's delicious. Uh, you know, it's what's interesting to me though,

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<v Speaker 1>it's been a bit of a divisive movie. I mean,

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<v Speaker 1>have you been surprised by some of the reviews to advice?

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<v Speaker 1>Do you pay attention to them? I don't always pay

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<v Speaker 1>attention to reviews. Um. Sometimes I like to read like

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<v Speaker 1>one or two good and one or two bad, just

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<v Speaker 1>so I understand sort of people's perspective. I'd like to

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<v Speaker 1>be balanced. Um, it was interesting the level of of

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<v Speaker 1>divisiveness like this sort of passion. People had both ways.

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<v Speaker 1>You know, I think that's that was really um. That

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<v Speaker 1>was really interesting, and in a way it kind of

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<v Speaker 1>reflects the times that we're in that it's you know, um.

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<v Speaker 1>But but there were people on both sides of the

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<v Speaker 1>aisle who either liked or didn't like the film who responded,

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<v Speaker 1>I love the film and I love um Adam McKay's

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<v Speaker 1>unique storytelling devices. And so for me, I'm I'm I'm

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<v Speaker 1>in the I mean, of course I'm in it, but

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<v Speaker 1>I'm in the camp of really loving it. It's good

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<v Speaker 1>to have strong reactions as opposed to it was okay,

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<v Speaker 1>you want to get for dinner, you know, just forget

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<v Speaker 1>about it. Within being in different in difference is kind

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<v Speaker 1>of one of my least favorite things in general in life.

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<v Speaker 1>Although I really don't like not being liked, do you

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<v Speaker 1>know what I mean? That like stresses me out. Would

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<v Speaker 1>be strange. Otherwise, I think, is there anyone who just

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<v Speaker 1>loves not being liked? Like? Probably? Actually, particularly in my field,

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<v Speaker 1>I think, okay, the people who like to rouse, I

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<v Speaker 1>got it, well, you know, I like that there's a conversation,

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<v Speaker 1>you know what I mean? And I will say there's

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<v Speaker 1>a conversation around vice. So, um, I think, especially when

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<v Speaker 1>we're dealing with political elements, conversation is important. Yeah. So

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<v Speaker 1>when you got the script, did it read how it

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<v Speaker 1>was finally presented? Did it read on the page as

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<v Speaker 1>irreverent as it is the filmmaking is because I'm always

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<v Speaker 1>curious about that translation translation, you know, I guess may

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<v Speaker 1>because I was looking at it from a character point

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<v Speaker 1>of view and the way that the characters were developed.

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<v Speaker 1>I mean, I knew, I know, Adam is um very

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<v Speaker 1>political and he has very strong points of view, so

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<v Speaker 1>I knew he was going to put that in. But

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<v Speaker 1>you know, there's always a slight difference between the script

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<v Speaker 1>and the final product, and so I knew that, you know,

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<v Speaker 1>diving into it with Adam, he was going to have

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<v Speaker 1>a take on it. But the script itself was very

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<v Speaker 1>solid and felt very um, it just felt very matter

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<v Speaker 1>of fact. You know, his storytelling techniques aren't so you

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<v Speaker 1>always knew that there was going to be that. But

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<v Speaker 1>for instance, are you reading half with you the script?

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<v Speaker 1>There's a credit role, Yeah, exactly, that's in there. Um,

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<v Speaker 1>the Shakespearean scene is in there. There's even more that

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<v Speaker 1>didn't make it in, like the musical number, which I

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<v Speaker 1>wasn't involved in, so I tell no, no, I mean,

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<v Speaker 1>trust me. I was really you know, anyone who knows

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<v Speaker 1>me is like I would have just shown up just

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<v Speaker 1>to be a dancer, you know, I'd like to be

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<v Speaker 1>an easter egg in the musical number. But I saw

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<v Speaker 1>the musical number and it's amazing. I believe. He said

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<v Speaker 1>he's going to try to put it on the DVD.

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<v Speaker 1>I hope it makes it out. We hope he does.

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<v Speaker 1>I hope he does that. And then he sort of

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<v Speaker 1>teased that he might do like a twenty minute a

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<v Speaker 1>short phone, a short about the early stuff, because when

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<v Speaker 1>you meet my character in the script, it's already like

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<v Speaker 1>twenty minutes, and so it was. It was definitely I

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<v Speaker 1>approached that scene with a certain sort of energy of

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<v Speaker 1>already knowing who Lynn is. So it's a really fun

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<v Speaker 1>introduction in that way because it wasn't the initial introduction

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<v Speaker 1>to the character. It's funny. Yeah, let's talk about that

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<v Speaker 1>getting to know Lynn researching was this uh significant element

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<v Speaker 1>of research compared to other roles you've done, or you know,

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<v Speaker 1>just tell me about that. I mean to some yes,

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<v Speaker 1>actually I didn't know a lot about her. And um,

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<v Speaker 1>I knew people's opinions, so in one way I had

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<v Speaker 1>to really, um, I just had to kind of let

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<v Speaker 1>go of my own opinion or my own politics and

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<v Speaker 1>go back because I had started watching video on her,

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<v Speaker 1>because I of course I'm like, oh, I'm playing somebody.

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<v Speaker 1>What do they look like, what do they sound like?

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<v Speaker 1>How do they act? What? You know? So I went

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<v Speaker 1>straight to sort of more video research. And then I

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<v Speaker 1>realized I was not I was coming out her from

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<v Speaker 1>a place that wasn't going to be productive in creating

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<v Speaker 1>a character that felt real and grounded and balanced. And

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<v Speaker 1>so I stopped watching the videos for a period of

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<v Speaker 1>time and went back and did my reading and like

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<v Speaker 1>did the did the real research and trying to figure

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<v Speaker 1>out who she was as opposed to who she is

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<v Speaker 1>now or people's opinions or or my own opinions. The

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<v Speaker 1>hardest part of that, as far as instilling it and

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<v Speaker 1>making it a character, and you always talk about playing

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<v Speaker 1>real life people, like staying away from anything that's like

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<v Speaker 1>an impersonation or anything. Just finding an actual character in there.

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<v Speaker 1>What was the hardest kind of through line to find there?

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<v Speaker 1>I guess, I mean, I think the biggest challenge for me,

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<v Speaker 1>was just creating a character that aged, for you know,

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<v Speaker 1>fifty years and still felt like the same person, but

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<v Speaker 1>went through an evolution, and creating that in a way

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<v Speaker 1>that felt subtle and real as opposed to UM, what

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<v Speaker 1>I'm doing it with Christians, So it makes it a

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<v Speaker 1>lot easier, UM, but in with with Lynn and so

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<v Speaker 1>it's so strange too because everything even that I read

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<v Speaker 1>about her, saw about her that wasn't written by her,

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<v Speaker 1>was based on her past a certain age. So going

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<v Speaker 1>back into research, I really had to sort of, I guess,

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<v Speaker 1>triangulate between what people had told Adam. Adam sent me

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<v Speaker 1>these amazing this amazing letter somebody had written, and then

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<v Speaker 1>there was an article someone had written about the two

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<v Speaker 1>of them, and then UM sources, you know, we had sources,

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<v Speaker 1>and then kind of watching how people reacted to her

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<v Speaker 1>and kind of trying to understand how she got that

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<v Speaker 1>way and drawing conclusions about kind of what what about

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<v Speaker 1>her past, what about her experience? UM created that kind

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<v Speaker 1>of ambition and that kind of drive and that kind

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<v Speaker 1>of focus, so that it was coming from a place

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<v Speaker 1>that didn't feel purely Shakespearean, you know, and felt a

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<v Speaker 1>little felt more grounded, but It's always important to me.

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<v Speaker 1>Is I like my characters to feel like you could

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<v Speaker 1>meet them on the street. What do you think that

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<v Speaker 1>Drive was about? I mean, that's what I told Adam.

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<v Speaker 1>It's what I've told everyone about this movie. What I

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<v Speaker 1>come away from this movie thinking is why, you know

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<v Speaker 1>all of that push for power? Uh, you know, specifically

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<v Speaker 1>regarding Dick Cheney, he doesn't need the money, He's not

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<v Speaker 1>necessarily getting the credit because you know VP and everything.

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<v Speaker 1>It's just like this push for power and why? And

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<v Speaker 1>you got any ideas? I mean, I have ideas. I

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<v Speaker 1>have no conclusive, conclusory evidence, you know, But in looking

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<v Speaker 1>at Lynn in particular, I mean, I think you get

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<v Speaker 1>to a point in life where you can lose perspective

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<v Speaker 1>if you don't um. It's easy to lose perspective in

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<v Speaker 1>the pursuit of power or or wealth, I think. And

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<v Speaker 1>I don't know that that's what happened to Lynne, but

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<v Speaker 1>I do know in the beginning she um she came

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<v Speaker 1>from a real rough upbringing, and she doesn't talk about

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<v Speaker 1>it in the way that's sort of our society talks about.

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<v Speaker 1>You know, everyone's so open and just like shares about

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<v Speaker 1>their pain and their trauma. She's honest about it in

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<v Speaker 1>her book, but she almost tells it with sort of

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<v Speaker 1>this romanticized like everything feels like it's shot and soft

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<v Speaker 1>focused in the way that she tells her story about

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<v Speaker 1>you know, her the tragedies and her family's history and

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<v Speaker 1>her dad's you know, problems with gambling or you know,

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<v Speaker 1>having to move out of her house into an apartment

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<v Speaker 1>because they lost their house, and going to the state

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<v Speaker 1>championships for baton twirling and seeing the girls of privilege

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<v Speaker 1>and understanding that she was one of the only ones

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<v Speaker 1>there in a handmade costume, you know, little things that

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<v Speaker 1>you start to go I kind of see, I'm seeing

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<v Speaker 1>where you know, she created a realm, a real drive,

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<v Speaker 1>and understanding that it was going to be up to

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<v Speaker 1>her to get herself out of her situation, and she

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<v Speaker 1>wanted to. Um. I think she learned very early that

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<v Speaker 1>her hard work could be rewarded, and so I think

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<v Speaker 1>she kind of just had this amazing focus and work

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<v Speaker 1>ethic and it didn't matter if it was baton twirling

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<v Speaker 1>or you know, um getting the husband or whatever it

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<v Speaker 1>was when she whipping him into shape, but it was

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<v Speaker 1>it was as soon as I felt this reading it,

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<v Speaker 1>and there was this I actually really liked this because

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<v Speaker 1>I know ambition still feels like such a dirty word,

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<v Speaker 1>especially for women to be like, I'm ambitious. It just

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<v Speaker 1>doesn't I know. Rhese Witherspoon talked about this and speech

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<v Speaker 1>and it's it's worth looking up. And so I felt

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<v Speaker 1>that Lynn didn't feel apologetic about being ambitious. She saw

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<v Speaker 1>it as I decided I wanted to be the best girl,

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<v Speaker 1>and I used to fantasize about the dress sidewear and gosh, darnett,

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<v Speaker 1>I did it and I wore the dress, you know,

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<v Speaker 1>and she's proud of herself, and that's something that isn't

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<v Speaker 1>instilled often about um ambition in women, and you know,

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<v Speaker 1>it's it's not always seen the same way. Yeah, I mean,

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<v Speaker 1>the whole thing makes for a fascinating psychological study, obviously.

0:12:49.280 --> 0:12:51.880
<v Speaker 1>I know, I think I love psychology, which is always

0:12:51.920 --> 0:12:53.920
<v Speaker 1>trying to break down my characters and this sort of

0:12:53.960 --> 0:12:58.000
<v Speaker 1>like amateur psychologist, right, it's part of what you guys do. Yeah,

0:12:58.000 --> 0:12:59.560
<v Speaker 1>it's the most fun part of my work for me,

0:12:59.679 --> 0:13:02.680
<v Speaker 1>is is going on in there. Yeah. Yeah. I also

0:13:02.720 --> 0:13:06.319
<v Speaker 1>wanted to talk about your just your your fellow nominees

0:13:06.360 --> 0:13:09.480
<v Speaker 1>in the Supporting Actors category that year. It's a fascinating lineup.

0:13:09.520 --> 0:13:12.240
<v Speaker 1>I mean Regina King, you know, I was hopeful she

0:13:12.240 --> 0:13:16.280
<v Speaker 1>would make the cut and she did for Could Talk. Yeah,

0:13:16.640 --> 0:13:19.680
<v Speaker 1>you know, fantastic performance. The ladies from the favorite Rachel

0:13:19.679 --> 0:13:23.480
<v Speaker 1>Weiss and Emma Stone, and I was so thrilled to

0:13:23.480 --> 0:13:25.840
<v Speaker 1>see Marina did a very good in for Roma, which

0:13:25.840 --> 0:13:28.680
<v Speaker 1>was such an interesting inclusion as well. What have you

0:13:28.840 --> 0:13:30.960
<v Speaker 1>had a chance to see movies this year? Have you

0:13:30.960 --> 0:13:32.360
<v Speaker 1>had to just see their movies this year? I'm just

0:13:32.400 --> 0:13:34.680
<v Speaker 1>curious what you think. I've seen some movies. Um, I

0:13:34.720 --> 0:13:37.719
<v Speaker 1>haven't seen everybody's movies. I feel bad about that. UM,

0:13:37.760 --> 0:13:39.839
<v Speaker 1>I definitely will see I'm in the middle of all

0:13:39.880 --> 0:13:46.120
<v Speaker 1>of my h viewing at this point. Um, and I'm

0:13:46.160 --> 0:13:49.439
<v Speaker 1>excited there. I know them all. You guys are running

0:13:49.440 --> 0:13:51.520
<v Speaker 1>into each other all of the Yeah, but also as people,

0:13:51.520 --> 0:13:55.240
<v Speaker 1>they're awesome and their previous work. I'm I'm a huge fan.

0:13:56.240 --> 0:14:01.240
<v Speaker 1>Um Regina, I have like a major girl crush on

0:14:01.280 --> 0:14:03.720
<v Speaker 1>because she's just got the night the best energy and

0:14:03.920 --> 0:14:07.080
<v Speaker 1>UM yeah, I'm It's a It's a fun category to

0:14:07.080 --> 0:14:08.400
<v Speaker 1>be a part of. I always have a good time

0:14:08.440 --> 0:14:11.360
<v Speaker 1>with with the women. It's it's interesting the narrative always

0:14:11.679 --> 0:14:14.320
<v Speaker 1>sets women up in such I don't know if it

0:14:14.360 --> 0:14:16.120
<v Speaker 1>does with men. Does it do this with men? Where

0:14:16.120 --> 0:14:20.520
<v Speaker 1>like men are really like, you know, like battling out.

0:14:20.920 --> 0:14:22.560
<v Speaker 1>I don't know what they do that like women, it

0:14:22.640 --> 0:14:27.280
<v Speaker 1>feels like it's like like that we're like in deep competition.

0:14:27.440 --> 0:14:30.200
<v Speaker 1>Like I have like voodoo dolls of these girls or something,

0:14:30.240 --> 0:14:32.360
<v Speaker 1>and I'm like, no, I'd be happy for any of them.

0:14:32.640 --> 0:14:34.480
<v Speaker 1>I think maybe some of that plays a part in

0:14:34.480 --> 0:14:37.880
<v Speaker 1>every category. Yeah, but you know, I guess our society

0:14:37.880 --> 0:14:41.080
<v Speaker 1>does like to put women against each other. So well,

0:14:42.040 --> 0:14:46.080
<v Speaker 1>it's not it's just not true and not against anybody. Well,

0:14:46.120 --> 0:14:49.160
<v Speaker 1>that's not true. I'm not against anybody an actor in

0:14:49.200 --> 0:14:52.800
<v Speaker 1>my category. There's some human beings that date back to

0:14:52.880 --> 0:14:57.840
<v Speaker 1>junior high. I still have ay those No, can you

0:14:57.880 --> 0:15:06.520
<v Speaker 1>imagine Billy Madison? Now that's so funny. I'm now, I'm sorry.

0:15:06.520 --> 0:15:10.720
<v Speaker 1>I'm thinking about all the ladies. They're awesome, like and

0:15:10.760 --> 0:15:13.200
<v Speaker 1>I also wanted to talk about your just your previous nominations.

0:15:13.200 --> 0:15:14.760
<v Speaker 1>If you, if you'd be willing to kind of look

0:15:14.800 --> 0:15:17.680
<v Speaker 1>back with me. You're very prolific actress to begin with,

0:15:17.960 --> 0:15:21.800
<v Speaker 1>but to be prolific with you know, award nominated, award

0:15:21.840 --> 0:15:28.680
<v Speaker 1>winning work is stunning. I mean years, it's insane. I mean,

0:15:28.760 --> 0:15:31.440
<v Speaker 1>since you pretty much leapt onto the scene. Um well,

0:15:31.480 --> 0:15:33.680
<v Speaker 1>and so to speak, I mean, obviously you were working

0:15:33.720 --> 0:15:35.880
<v Speaker 1>hard before you broke out in June Bug. But let's

0:15:35.880 --> 0:15:38.280
<v Speaker 1>start with June Bug, your first nomination. You know what

0:15:38.320 --> 0:15:41.920
<v Speaker 1>comes to mind? Want to talk about June Bug. That

0:15:42.040 --> 0:15:49.880
<v Speaker 1>was unexpected and um thrilling, it's it's It's why I

0:15:49.920 --> 0:15:54.560
<v Speaker 1>always approached awards season with a great at like I

0:15:54.640 --> 0:15:57.000
<v Speaker 1>tried to have a great attitude and to look at

0:15:57.000 --> 0:16:00.160
<v Speaker 1>the gifts of it, because I would not be I

0:16:00.160 --> 0:16:05.880
<v Speaker 1>am today if um people hadn't gone behind me for

0:16:05.960 --> 0:16:09.320
<v Speaker 1>June Bug, and I hadn't sort of gone through that

0:16:09.400 --> 0:16:14.000
<v Speaker 1>awards season and introduced people to the work. So it

0:16:14.120 --> 0:16:19.080
<v Speaker 1>can really Um, I'm so grateful that it brought attention

0:16:19.120 --> 0:16:21.960
<v Speaker 1>to a really small film. It didn't have a big budget,

0:16:22.160 --> 0:16:25.080
<v Speaker 1>didn't have a big publicity budget, and so it was

0:16:25.200 --> 0:16:29.200
<v Speaker 1>it was great. Um, it's great to be a part

0:16:29.240 --> 0:16:35.720
<v Speaker 1>of that. It was a real overwhelming experience and sort

0:16:35.760 --> 0:16:39.440
<v Speaker 1>of like yeah, I bet, I mean, you're right in

0:16:39.480 --> 0:16:41.360
<v Speaker 1>the business there. And then I feel like I always

0:16:41.360 --> 0:16:45.320
<v Speaker 1>looked like this tell your pardon and singing on the stage,

0:16:45.680 --> 0:16:48.560
<v Speaker 1>and it was the year that I will never forget that.

0:16:48.640 --> 0:16:50.200
<v Speaker 1>It was the year for heart out here for a

0:16:50.240 --> 0:16:52.920
<v Speaker 1>pimp and watching like that on stage, I was like,

0:16:52.960 --> 0:16:57.480
<v Speaker 1>this is so awesome. You know it's hard at he

0:16:57.760 --> 0:17:00.560
<v Speaker 1>I got to interduce three six Mafia that year. My gosh,

0:17:00.560 --> 0:17:04.000
<v Speaker 1>it's any way, So it was that was one of

0:17:04.000 --> 0:17:07.439
<v Speaker 1>my favorite interviews ever. Oh yeah, I exactly because I

0:17:07.480 --> 0:17:09.480
<v Speaker 1>wanted to know what was the nominees launching like for

0:17:09.520 --> 0:17:11.080
<v Speaker 1>those guys. I was like, tell me about that. And

0:17:11.080 --> 0:17:14.160
<v Speaker 1>they're like, man, you're used to being in the studio

0:17:14.960 --> 0:17:17.199
<v Speaker 1>smelling like some stuff you probably shouldn't be smelling like.

0:17:18.040 --> 0:17:19.840
<v Speaker 1>And then they pull a switcher and you're you're sitting

0:17:19.880 --> 0:17:23.080
<v Speaker 1>there with Reach with a spoon and she's sexy man

0:17:23.720 --> 0:17:25.800
<v Speaker 1>and Steven Spielber. It's the greatest interview I have ever done.

0:17:25.800 --> 0:17:29.679
<v Speaker 1>I remember, well, that's kind I mean, that's honestly what

0:17:29.720 --> 0:17:32.880
<v Speaker 1>I felt like. Me my poor husband, he um we

0:17:32.960 --> 0:17:36.480
<v Speaker 1>go back to that season because he made uh, I'm

0:17:36.480 --> 0:17:39.160
<v Speaker 1>so so sorry, Darren. He went to an Apple Martini

0:17:39.200 --> 0:17:43.040
<v Speaker 1>phase and so he was like, oh, three drinks. It SAgs.

0:17:43.200 --> 0:17:44.960
<v Speaker 1>The next thing you know, he's got his arms around

0:17:45.040 --> 0:17:47.240
<v Speaker 1>David streuth Are and I'm like, Darren, you don't actually

0:17:47.280 --> 0:17:49.679
<v Speaker 1>know him, you know that right, Like he might be

0:17:49.960 --> 0:17:53.480
<v Speaker 1>uh being a little too familiar with everybody because he

0:17:53.560 --> 0:17:56.600
<v Speaker 1>was so excited. We were both so excited to meet everybody.

0:17:56.640 --> 0:17:59.560
<v Speaker 1>But I was like doing on, you know, I was

0:17:59.640 --> 0:18:03.560
<v Speaker 1>trying to don't are you kidding? It's the best show ever.

0:18:03.640 --> 0:18:05.440
<v Speaker 1>I was like, I think he likes you a lot.

0:18:05.520 --> 0:18:09.119
<v Speaker 1>You should encourage this, Like I was, I'm I'm bad

0:18:09.200 --> 0:18:11.520
<v Speaker 1>like that if someone's like going down the road, as

0:18:11.520 --> 0:18:15.720
<v Speaker 1>long as it's not harmful and is a great show. Um.

0:18:15.720 --> 0:18:19.240
<v Speaker 1>But I was reminding him that um at SAG's this

0:18:19.359 --> 0:18:22.080
<v Speaker 1>past SAG Awards, I was like, do you remember your

0:18:22.080 --> 0:18:25.040
<v Speaker 1>Apple Martini place? I mean there was a time he

0:18:25.119 --> 0:18:32.800
<v Speaker 1>was close talking Steven Spielberg about having knowing every word too.

0:18:33.680 --> 0:18:36.199
<v Speaker 1>I ting to Indiana Jones and the Temple him too,

0:18:36.440 --> 0:18:39.560
<v Speaker 1>because he has a record of it, and so he's like, dude,

0:18:39.600 --> 0:18:41.600
<v Speaker 1>bro man. I was like, oh my gosh, you just

0:18:41.720 --> 0:18:44.640
<v Speaker 1>dude Broman, Steven spob I love you so much. You're

0:18:44.680 --> 0:18:47.399
<v Speaker 1>so insane. Oh but That's why I love my husband

0:18:47.480 --> 0:18:52.080
<v Speaker 1>is he just makes me laugh because he gets so excited. Sorry, guys,

0:18:53.160 --> 0:18:57.600
<v Speaker 1>she's literally crying. Guys, Stephen looks at me because you're driving, right,

0:18:58.440 --> 0:19:04.240
<v Speaker 1>Oh yeah, oh yeah, Dare's gonna kill me. He's so

0:19:04.320 --> 0:19:07.919
<v Speaker 1>funny though, I'm not sorry. I don't. You don't have to.

0:19:08.160 --> 0:19:10.320
<v Speaker 1>I love it because I will say this about my husband.

0:19:10.400 --> 0:19:16.000
<v Speaker 1>He really is a true lover of film and and

0:19:16.080 --> 0:19:19.879
<v Speaker 1>one of the nicest, most social people. Like I'm definitely

0:19:19.880 --> 0:19:21.560
<v Speaker 1>the person that goes to a party and I'm like,

0:19:21.640 --> 0:19:26.159
<v Speaker 1>find me a couch chair, a corner, whatever, and he's like,

0:19:26.240 --> 0:19:28.560
<v Speaker 1>you're good. He gets me settled, and then I don't

0:19:28.560 --> 0:19:33.000
<v Speaker 1>see him for like an hour. Good, get you anything,

0:19:33.080 --> 0:19:38.240
<v Speaker 1>You're good. And then he just he's just very friendly friendly.

0:19:39.000 --> 0:19:41.320
<v Speaker 1>Is that you think. We just watched him with my daughter.

0:19:41.359 --> 0:19:44.040
<v Speaker 1>We covered her eyes during certain parts. Yeah, I know,

0:19:44.080 --> 0:19:45.800
<v Speaker 1>it's sacrilege. I just think it's the best one. No,

0:19:45.960 --> 0:19:48.000
<v Speaker 1>that's okay. I'm I'm a I'm a fan of the

0:19:48.080 --> 0:19:50.920
<v Speaker 1>last weece sad. Yeah, it's awesome too. I like the

0:19:50.960 --> 0:19:52.840
<v Speaker 1>first one too. I like them all. We just again,

0:19:52.920 --> 0:19:56.920
<v Speaker 1>we did that with my daughter, um couple weeks ago.

0:19:56.960 --> 0:20:02.879
<v Speaker 1>Which one does she like? She liked the like that one. Sorry,

0:20:02.920 --> 0:20:06.720
<v Speaker 1>I'm I can't stop thinking of Darren Cooks talking everybody, Well,

0:20:06.760 --> 0:20:08.400
<v Speaker 1>this is gonna be a fun segue. Let's talk about

0:20:08.400 --> 0:20:17.040
<v Speaker 1>doubt three years later. Yeah, you know Powerhouse cast Meryl Streep,

0:20:17.160 --> 0:20:20.600
<v Speaker 1>Violet Davis like, great, Phil Hoffman, what what do you

0:20:20.600 --> 0:20:26.320
<v Speaker 1>recall of that movie and and that season. I'm that

0:20:26.440 --> 0:20:29.520
<v Speaker 1>was an amazing experience for me working on that film

0:20:29.560 --> 0:20:32.760
<v Speaker 1>to get to dive into a character study and we

0:20:32.760 --> 0:20:35.679
<v Speaker 1>were in rehearsals to get to do that. At that

0:20:35.720 --> 0:20:41.199
<v Speaker 1>point in my career with Philip and Meryll was I

0:20:41.280 --> 0:20:42.960
<v Speaker 1>keep saying a gift, but it is a gift. I

0:20:42.960 --> 0:20:47.720
<v Speaker 1>mean I was able to watch these two masters um

0:20:47.720 --> 0:20:51.359
<v Speaker 1>working their craft and it it taught me so much.

0:20:51.400 --> 0:20:56.280
<v Speaker 1>And it was strange because that year at the Oscars,

0:20:56.280 --> 0:20:58.320
<v Speaker 1>I went through like a whole like the first Oscars,

0:20:58.320 --> 0:20:59.919
<v Speaker 1>which is so overwhelming, and then I'm like, oh my

0:21:00.000 --> 0:21:02.040
<v Speaker 1>am I doing back here? Like I don't belong here?

0:21:02.160 --> 0:21:05.840
<v Speaker 1>This is too much Almost I got a little overwhelmed

0:21:06.000 --> 0:21:10.280
<v Speaker 1>during that season. I think was it different than even

0:21:10.280 --> 0:21:12.240
<v Speaker 1>than it is now. This is just ten years ago,

0:21:12.320 --> 0:21:14.399
<v Speaker 1>but it's the evolution of the season and how much

0:21:14.440 --> 0:21:16.439
<v Speaker 1>work you guys end up having to dude, to promote.

0:21:16.720 --> 0:21:19.240
<v Speaker 1>It's different for each film and sort of the way

0:21:19.280 --> 0:21:24.399
<v Speaker 1>that it gets rolled out, you know. Um that one,

0:21:24.480 --> 0:21:30.160
<v Speaker 1>it was so much of having done Enchanted and having

0:21:30.200 --> 0:21:37.600
<v Speaker 1>that come out and then really transitioning into I'm doubt

0:21:37.640 --> 0:21:43.679
<v Speaker 1>from Enchanted. It's just yeah. So it was I was

0:21:46.800 --> 0:21:49.280
<v Speaker 1>like that moment where I decide how honest to be.

0:21:51.160 --> 0:21:53.760
<v Speaker 1>It was like I really wanted to be taken seriously,

0:21:54.200 --> 0:21:57.320
<v Speaker 1>but at the same time not. I think a lot

0:21:57.320 --> 0:21:59.359
<v Speaker 1>of people will be like, like I would make a

0:21:59.440 --> 0:22:02.400
<v Speaker 1>joke because I, as Philip and Meryl would be asked

0:22:02.400 --> 0:22:04.760
<v Speaker 1>about sort of diving into these deep characters, and then

0:22:04.760 --> 0:22:07.399
<v Speaker 1>they'd get to me and say, so, what was harder

0:22:07.440 --> 0:22:09.720
<v Speaker 1>to wear a princess dress or a habit? And I

0:22:09.800 --> 0:22:11.760
<v Speaker 1>was like, oh, no, is this what people think about me?

0:22:11.840 --> 0:22:15.000
<v Speaker 1>They think that it's the same thing, and I'm just

0:22:15.080 --> 0:22:16.960
<v Speaker 1>changed costumes. So that was kind of I kind of

0:22:17.000 --> 0:22:18.719
<v Speaker 1>got in my head a little bit. Was there already

0:22:18.720 --> 0:22:20.760
<v Speaker 1>a natural kind of self consciousness about that or did

0:22:21.160 --> 0:22:24.800
<v Speaker 1>I just have a natural self consciousness anyway? I think,

0:22:25.240 --> 0:22:31.479
<v Speaker 1>But I think I I I didn't expect to be

0:22:31.520 --> 0:22:35.399
<v Speaker 1>taken as seriously as as a fulipan, I mean, Filip

0:22:35.400 --> 0:22:38.760
<v Speaker 1>and Meryl in that are just overwhelmed, overwhelmingly brilliant and

0:22:38.880 --> 0:22:43.960
<v Speaker 1>their their work is amazing. Um. I think it's just

0:22:44.000 --> 0:22:45.840
<v Speaker 1>new to it all, you know. So you're just trying

0:22:45.840 --> 0:22:47.560
<v Speaker 1>to find your way. I think that's what it is.

0:22:48.119 --> 0:22:51.600
<v Speaker 1>How about the Fighter, Uh the first time and I

0:22:51.600 --> 0:22:59.240
<v Speaker 1>found my way now now yeah, um that was fun. Um.

0:22:59.280 --> 0:23:01.160
<v Speaker 1>That was a harder word season because I went through

0:23:01.200 --> 0:23:03.320
<v Speaker 1>I just have my daughter and I was shooting them

0:23:03.359 --> 0:23:07.879
<v Speaker 1>muppets at the same time. So also very different from

0:23:07.960 --> 0:23:13.920
<v Speaker 1>yeah and I So I remember that one just primarily

0:23:13.960 --> 0:23:16.040
<v Speaker 1>because I was burning me. I was like I had

0:23:16.040 --> 0:23:18.200
<v Speaker 1>three candle, Like there wasn't just burning the candle from

0:23:18.200 --> 0:23:20.280
<v Speaker 1>both ends. It was just like it was like burning

0:23:20.320 --> 0:23:22.439
<v Speaker 1>all the candles, burning all the candles, which you know

0:23:22.520 --> 0:23:27.000
<v Speaker 1>a lot of people are doing. But it was a

0:23:27.040 --> 0:23:31.199
<v Speaker 1>fun one. I remember I sing a lot, and I

0:23:31.240 --> 0:23:33.000
<v Speaker 1>talked about this, and I remember I sang to David o'

0:23:33.080 --> 0:23:38.200
<v Speaker 1>russell at the Oscars really yeah in the Delbe Theater,

0:23:38.359 --> 0:23:42.479
<v Speaker 1>in the Delbe Theater. Yeah, what were you singing? Now,

0:23:42.760 --> 0:23:48.720
<v Speaker 1>I'm just like curious. I always I sang to him

0:23:48.760 --> 0:23:51.280
<v Speaker 1>on sets. I sing a lot. It's this is what's

0:23:51.320 --> 0:23:54.600
<v Speaker 1>coming out. I've never told anybody that, So you're getting

0:23:54.640 --> 0:23:56.720
<v Speaker 1>me to be honest, does that sound really cheesy? No,

0:23:56.960 --> 0:23:58.800
<v Speaker 1>that you sing a lot? Or no, that I sang

0:23:58.800 --> 0:24:01.240
<v Speaker 1>to him? Well, I mean, I don't know that. It

0:24:01.280 --> 0:24:03.040
<v Speaker 1>depends on what was going on there. Why did he

0:24:03.080 --> 0:24:05.800
<v Speaker 1>need to be sung to for some reason? Was he like,

0:24:05.800 --> 0:24:10.160
<v Speaker 1>please sing to me, I'm nervous. No? Probably, I think

0:24:10.200 --> 0:24:12.520
<v Speaker 1>case Row is just sort of my anthem for life.

0:24:12.560 --> 0:24:16.240
<v Speaker 1>So maybe the old dinner theater roots are You're coming

0:24:16.240 --> 0:24:22.080
<v Speaker 1>out or something. Then The master I love that movie, Gosh, Masterpiece,

0:24:22.280 --> 0:24:26.840
<v Speaker 1>um Phil Hoffman. Again, that might have been a bit

0:24:26.840 --> 0:24:28.800
<v Speaker 1>of a surprise because I feel I don't I don't recall.

0:24:28.840 --> 0:24:30.879
<v Speaker 1>Maybe I'm wrong, but I feel like there was some

0:24:31.000 --> 0:24:32.800
<v Speaker 1>question as to whether that movie was catching with the

0:24:32.840 --> 0:24:35.160
<v Speaker 1>Academy or not. And then three of you are nominated,

0:24:35.160 --> 0:24:39.800
<v Speaker 1>and it was like, oh, that's amazing. Honestly, some of

0:24:39.840 --> 0:24:42.960
<v Speaker 1>my favorite acting work I've seen from any actors are

0:24:43.080 --> 0:24:46.359
<v Speaker 1>the scenes that fill and walking to together, the scene

0:24:46.359 --> 0:24:51.680
<v Speaker 1>where he's um auditing him. I guess it's called something

0:24:51.680 --> 0:24:56.159
<v Speaker 1>to that that and he's making him go back and

0:24:56.200 --> 0:25:01.320
<v Speaker 1>not blink. It's really I think it's up there with

0:25:01.760 --> 0:25:06.560
<v Speaker 1>some of the best work I've seen any actors do. UM.

0:25:06.600 --> 0:25:09.119
<v Speaker 1>I think that film affected me in a way that

0:25:09.400 --> 0:25:12.800
<v Speaker 1>was unexpected to me. It's the only time that I've

0:25:12.800 --> 0:25:20.120
<v Speaker 1>played a character where I really really like was sad

0:25:20.160 --> 0:25:24.320
<v Speaker 1>about what the character was doing on set. Interesting. How

0:25:24.359 --> 0:25:26.120
<v Speaker 1>do you push that away so you can just play

0:25:26.160 --> 0:25:31.560
<v Speaker 1>the part? I don't know it was. It was the

0:25:31.920 --> 0:25:36.960
<v Speaker 1>final scene of the movie when I'm I'm kind of

0:25:36.960 --> 0:25:39.919
<v Speaker 1>off to the side and then I leave the room.

0:25:39.960 --> 0:25:42.639
<v Speaker 1>But the way that they shot that scene, um, they

0:25:42.720 --> 0:25:46.760
<v Speaker 1>kept the cameras rolling and so to prevent when they're

0:25:46.760 --> 0:25:49.320
<v Speaker 1>in on the close ups, to prevent hearing my click click,

0:25:49.880 --> 0:25:51.760
<v Speaker 1>I had to duck to the side. So I'm like

0:25:51.880 --> 0:25:55.040
<v Speaker 1>behind a sound cart and I'm just listening to these

0:25:55.040 --> 0:25:56.960
<v Speaker 1>two actors talk to each other. And I think that's

0:25:57.000 --> 0:25:58.560
<v Speaker 1>part of what it was. When he was saying, you'll

0:25:58.560 --> 0:26:01.520
<v Speaker 1>be my enemy and then he sang slow Boat to China,

0:26:01.520 --> 0:26:05.160
<v Speaker 1>and I still can't um, I still can't talk about

0:26:05.160 --> 0:26:11.480
<v Speaker 1>it without affecting me. And Paul's so genius in that way,

0:26:11.520 --> 0:26:14.840
<v Speaker 1>just keeping the camera and Philip while he sang that

0:26:15.080 --> 0:26:17.680
<v Speaker 1>song in the way that he did. I don't know.

0:26:17.720 --> 0:26:20.640
<v Speaker 1>It just really affected me while it was being filmed

0:26:22.400 --> 0:26:27.560
<v Speaker 1>American hustle quite different as well. How about that the

0:26:27.640 --> 0:26:30.280
<v Speaker 1>kind of variation of material has that always been important

0:26:30.280 --> 0:26:37.920
<v Speaker 1>to you? Yeah? Yeah, I think it's something I um,

0:26:37.920 --> 0:26:41.240
<v Speaker 1>whether it's intentional or not. I'm always attracted to things

0:26:41.640 --> 0:26:46.600
<v Speaker 1>I haven't done. Um or if something feels like a

0:26:46.600 --> 0:26:50.199
<v Speaker 1>new challenge, that's exciting to me. And that season was

0:26:51.359 --> 0:26:54.160
<v Speaker 1>I have been two thousand. That was the next year.

0:26:54.240 --> 0:26:55.919
<v Speaker 1>That was right after the Master, so you were right

0:26:55.960 --> 0:26:59.240
<v Speaker 1>back into it all over again. I mean when you

0:26:59.240 --> 0:27:01.720
<v Speaker 1>when you've been through this season that many times, does

0:27:01.760 --> 0:27:04.320
<v Speaker 1>it ever feel does it start to feel like the

0:27:04.359 --> 0:27:07.520
<v Speaker 1>same thing or does it feel different each time? It

0:27:07.560 --> 0:27:10.679
<v Speaker 1>would because of the movie, but and you're kind of

0:27:10.720 --> 0:27:14.080
<v Speaker 1>going through it with different people in the way, Uh,

0:27:15.240 --> 0:27:21.560
<v Speaker 1>everyone's involvement is different. Um, it does build different every time.

0:27:21.680 --> 0:27:24.240
<v Speaker 1>I I I do think I try to roll with it.

0:27:24.320 --> 0:27:28.960
<v Speaker 1>I really that tends to be, you know, just kind

0:27:28.960 --> 0:27:33.480
<v Speaker 1>of roll with you know, show up, you know, and

0:27:33.760 --> 0:27:36.040
<v Speaker 1>to show up here you are six time nomine I mean,

0:27:36.040 --> 0:27:39.879
<v Speaker 1>that's that's amazing. I mean, such a modest person, but

0:27:39.960 --> 0:27:42.920
<v Speaker 1>it's it's it's that's huge. And I think if I'm wrong,

0:27:43.119 --> 0:27:45.800
<v Speaker 1>I don't think I'm wrong. You and another nominee this year,

0:27:45.840 --> 0:27:49.320
<v Speaker 1>Glenn Close, are the two most nominated performers yet to

0:27:49.880 --> 0:27:52.440
<v Speaker 1>hear their name called on Oscar Night. How crazy is that?

0:27:52.840 --> 0:27:57.119
<v Speaker 1>It's awesome? I mean it is. I'm like, who gets

0:27:57.160 --> 0:28:01.760
<v Speaker 1>to do this? I'm I you can't. I can't really

0:28:01.760 --> 0:28:04.600
<v Speaker 1>put words into it. My husband and I had a

0:28:04.640 --> 0:28:08.200
<v Speaker 1>toast the other night and he said, to your six

0:28:08.359 --> 0:28:10.680
<v Speaker 1>Oscar nomination and I was just like, that doesn't even

0:28:10.680 --> 0:28:13.439
<v Speaker 1>make any sense to me. I'm sure there are trolls

0:28:13.440 --> 0:28:15.280
<v Speaker 1>out there, like it doesn't make sense to us either.

0:28:16.320 --> 0:28:21.399
<v Speaker 1>Nailed it. I love it. I love that. I'm like,

0:28:22.440 --> 0:28:24.960
<v Speaker 1>sunglasses just fell across our eyes everyone, and the words

0:28:25.119 --> 0:28:30.239
<v Speaker 1>deal with it just oh my gosh, I need those

0:28:30.280 --> 0:28:35.919
<v Speaker 1>sunglasses made. That's like, so my personality. I deal with it. Uh,

0:28:36.320 --> 0:28:39.240
<v Speaker 1>that's not really. It's more like I'm being silly. That's

0:28:39.240 --> 0:28:41.880
<v Speaker 1>not really my personality. Um, but it makes me laugh.

0:28:42.400 --> 0:28:45.560
<v Speaker 1>It's the joke of it is my person Um. Look,

0:28:45.760 --> 0:28:49.520
<v Speaker 1>I'm lucky, and there's a lot of actors out there

0:28:50.240 --> 0:28:54.280
<v Speaker 1>who are deserving of attention for their performances. So I

0:28:54.320 --> 0:28:59.360
<v Speaker 1>just feel like I'm I'm lucky. Well vice, Uh, everyone

0:28:59.400 --> 0:29:02.800
<v Speaker 1>should see this movie. It's it's got to be still

0:29:02.840 --> 0:29:05.520
<v Speaker 1>in theaters, right. It's late January, so it's still in theater.

0:29:05.520 --> 0:29:07.720
<v Speaker 1>Go see it in theaters. Absolutely, to me, it's one

0:29:07.720 --> 0:29:09.959
<v Speaker 1>of the best movies of the year. I'm gonna close

0:29:10.080 --> 0:29:12.000
<v Speaker 1>by asking you a question I asked Adam, which is

0:29:12.040 --> 0:29:14.560
<v Speaker 1>something we're gonna try to start asking our guests at

0:29:14.560 --> 0:29:16.480
<v Speaker 1>the end of the show. Hopefully haven't answer. Maybe not,

0:29:16.480 --> 0:29:19.240
<v Speaker 1>I don't know. We'll see what is the movie that

0:29:19.320 --> 0:29:21.400
<v Speaker 1>made you fall in love with movies? And take your

0:29:21.400 --> 0:29:23.200
<v Speaker 1>time if you need to think about it, I can edit. No, Well,

0:29:23.240 --> 0:29:25.560
<v Speaker 1>there's different. I guess it's just because there's different movies

0:29:25.600 --> 0:29:27.640
<v Speaker 1>that made me fall in love with movies at different times.

0:29:27.640 --> 0:29:29.440
<v Speaker 1>When I was younger, it was Greece. It was my

0:29:29.520 --> 0:29:32.840
<v Speaker 1>favorite movie and I watched it over and over. But

0:29:33.040 --> 0:29:36.640
<v Speaker 1>if I'm thinking um in a more complex way, in

0:29:36.760 --> 0:29:40.400
<v Speaker 1>high school, we watched Vertigo from Alfred Hitchcock, and it's

0:29:40.400 --> 0:29:45.960
<v Speaker 1>the first time I understood um the artistry and intellect

0:29:46.000 --> 0:29:51.360
<v Speaker 1>behind filmmaking and the use of different devices, the flashbacks

0:29:51.560 --> 0:29:57.000
<v Speaker 1>or different imagery um to help tell the story. And

0:29:57.320 --> 0:30:01.640
<v Speaker 1>that became really really fascinating to me. So if I'm

0:30:01.680 --> 0:30:03.840
<v Speaker 1>thinking of a more sort of mature approach. I'm going

0:30:03.880 --> 0:30:06.040
<v Speaker 1>to go with Vertigo just because that's the first one

0:30:06.120 --> 0:30:12.200
<v Speaker 1>inside of my humanities class um that we broke down,

0:30:12.640 --> 0:30:14.280
<v Speaker 1>and it was the first time i'd ever sort of

0:30:16.200 --> 0:30:19.480
<v Speaker 1>broke down a movie in an artistic and intellectual way

0:30:19.520 --> 0:30:23.360
<v Speaker 1>to look at the filmmakers in the business at all,

0:30:23.480 --> 0:30:27.560
<v Speaker 1>or was there something else? Well, I was already in

0:30:27.600 --> 0:30:30.360
<v Speaker 1>the arts, just from being a dancer, so I was

0:30:30.360 --> 0:30:35.960
<v Speaker 1>always interested in the performing arts, but I didn't really

0:30:35.960 --> 0:30:39.000
<v Speaker 1>think it was a possibility for me to be in movies.

0:30:39.200 --> 0:30:43.960
<v Speaker 1>It just seemed like kind of too big an idea.

0:30:44.000 --> 0:30:46.920
<v Speaker 1>I couldn't wrap my head around it. And I think

0:30:46.920 --> 0:30:49.280
<v Speaker 1>it wasn't until I actually got cast in a movie

0:30:49.320 --> 0:30:51.440
<v Speaker 1>that I thought, oh, this is this is kind of

0:30:51.480 --> 0:30:54.520
<v Speaker 1>what I'm doing anyway, just in a different way. So

0:30:54.760 --> 0:31:00.160
<v Speaker 1>that opened um opened up my mind to the possibility

0:31:00.160 --> 0:31:02.440
<v Speaker 1>that I could act in film. And so I've sort

0:31:02.440 --> 0:31:07.520
<v Speaker 1>of been teaching and training myself since then. What else

0:31:07.520 --> 0:31:10.240
<v Speaker 1>what you got coming up? I know you're working with Joe, right.

0:31:10.440 --> 0:31:14.120
<v Speaker 1>I did just work with Joe right. Oh, he's the best.

0:31:14.200 --> 0:31:17.000
<v Speaker 1>He's so good. He's so good, he was so great

0:31:17.040 --> 0:31:21.680
<v Speaker 1>to work with. He was well, I mean he he

0:31:21.880 --> 0:31:24.360
<v Speaker 1>was so great. That's all I can say. Just blew

0:31:24.400 --> 0:31:27.840
<v Speaker 1>me away. He's so great. I mean, yeah, he was.

0:31:31.000 --> 0:31:34.240
<v Speaker 1>I always love it when actors show up. There's scenes

0:31:34.240 --> 0:31:36.200
<v Speaker 1>where I literally a woman of the window, have like

0:31:36.240 --> 0:31:39.200
<v Speaker 1>a three page monologue and Joe Wright shot it over

0:31:39.200 --> 0:31:45.040
<v Speaker 1>the course of like eight days maybe, and so other

0:31:45.080 --> 0:31:47.480
<v Speaker 1>actors had to sit there and stand for me. And

0:31:47.520 --> 0:31:50.800
<v Speaker 1>he was always there. And I always appreciate that and

0:31:50.920 --> 0:31:56.120
<v Speaker 1>always showing up. I appreciate that about about fellow actors

0:31:56.120 --> 0:31:59.440
<v Speaker 1>when they when they show up for each other. What

0:31:59.480 --> 0:32:02.240
<v Speaker 1>else you got other than that? Nothing, that's it. That's it.

0:32:02.360 --> 0:32:06.840
<v Speaker 1>Vacation hopefully, Um, we'll see. Yeah, I'm really I love

0:32:06.920 --> 0:32:08.680
<v Speaker 1>being at home. I think I travel so much. I'm

0:32:08.720 --> 0:32:12.120
<v Speaker 1>kind of a homebody and so I like having my

0:32:12.200 --> 0:32:15.640
<v Speaker 1>daughter have some consistency. So well, we'll take a little vacation.

0:32:15.680 --> 0:32:19.120
<v Speaker 1>But nothing too nothing too long, especially after she just

0:32:19.280 --> 0:32:21.880
<v Speaker 1>is out of school for like a week. With the telling,

0:32:21.880 --> 0:32:25.800
<v Speaker 1>I was like nope, yeah, yeah, Well congratulations again, Thank

0:32:25.840 --> 0:32:29.840
<v Speaker 1>you deserved and everyone should see it's called advice. Amy Adams,

0:32:30.080 --> 0:32:31.720
<v Speaker 1>thanks for coming on the show again. Thank you. I

0:32:31.720 --> 0:32:32.440
<v Speaker 1>appreciate it.