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Speaker 1: So they go to Shakira and she's like that was good,

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Speaker 1: like you have good range or whatever. And then they

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Speaker 1: go to me and then I'm like, you think that

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Speaker 1: was good? Check this out. I get up there, I

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Speaker 1: do my moves and Blake Shelton is it goes? Now

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Speaker 1: that's bossy. I know I watched Hey well Gome Dowll.

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Speaker 1: I would have Okay, it's the guys are kicking button

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Speaker 1: dropping names in the red carpet lineback hallways of this

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Speaker 1: industry week call show this What Up? What Up? First,

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Speaker 1: a little introduction the you know, we have stuff that

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Speaker 1: we do outside of this podcast, in movies and TV

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Speaker 1: and stuff like that. It's not just coming on here

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Speaker 1: and like doll stories like all all week we have

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Speaker 1: there's a fucking joke to us. We have other stuff

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Speaker 1: going on. And related to that, Sean has had a

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Speaker 1: little procedure that you we want to explain it because

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Speaker 1: I've got a big movie role and you might hear

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Speaker 1: something a little different when you hear me speaking in

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Speaker 1: this episode, and it is, of course, I've had one

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Speaker 1: of my front teeth removed and so maybe it'll sound

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Speaker 1: a little goofy to you. And that's okay, because what

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Speaker 1: happened for me is I got this great script. I

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Speaker 1: haven't read the whole thing, or even most of it,

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Speaker 1: but I saw that the main character had a Southern accent,

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Speaker 1: and I thought, I can wrap my head around this character.

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Speaker 1: They were offering me the role, and uh, and I thought,

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Speaker 1: I can wrap my head around this character. He's Southern,

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Speaker 1: so he's probably some backwoods, fucking dumb fuck, and he's

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Speaker 1: probably missing some of his teeth, and he fucks his

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Speaker 1: cousin with a possum skin condom or whatever the shit

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Speaker 1: those fucking real He probably almost said a bad our word.

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Speaker 1: But I'm not gonna sick because I know people don't

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Speaker 1: like that and I don't want to get sued.

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Speaker 2: But anyway, I went to the dentist, and yeah, this.

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Speaker 1: Character is he saw a tomato on a soup can

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Speaker 1: and he said, hmm, that was good, and you tried

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Speaker 1: to take a big bite for lunch.

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Speaker 2: Tried to bite into the soup can because he thought

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Speaker 2: the can itself was a tomato. Now, I think that's right.

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Speaker 2: I went to the dentist. Yes, big Hollywood stars go

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Speaker 2: to the dentist too. I know you have to go.

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Speaker 2: It's a little different for us. They play nice music.

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Speaker 2: We have some cocktails. Pretty girls there.

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Speaker 1: You tie a string, you guys at home.

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Speaker 2: I know you guys at home.

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Speaker 1: You tie one tier tooth and then you slam the

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Speaker 1: door is as hard as you can. Blood everywhere.

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Speaker 2: But what the dentist does is they put in a

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Speaker 2: piece of gauze to catch the blood, and instead of

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Speaker 2: slamming a door, they just sort of gently chisel it

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Speaker 2: out with a little rock hammer like you used in

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Speaker 2: shosh Ink to make the tunnel behind the Rita Hayworth poster.

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Speaker 1: And so.

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Speaker 2: I'm missing that tooth for this big Hollywood role, and

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Speaker 2: I think it's worth it. And you're gonna maybe hear

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Speaker 2: some strange essays or whatever else this.

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Speaker 1: Sounds, or a little to make a little saliva, just

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Speaker 1: gently dropping onto the microphone.

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Speaker 2: And I'll be experimenting throughout with shoving some paper in

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Speaker 2: there or a little bit of wax or something to

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Speaker 2: try to but I've been doing it for the past

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Speaker 2: couple of days and nothing really does work. So in general,

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Speaker 2: it just makes me talk strange in a different way.

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Speaker 2: And that's Hollywood, baby.

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Speaker 1: Let's listen. We want to do something We've talked so

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Speaker 1: much about our own lives and our own experiences and

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Speaker 1: given you so many lessons about what we go through.

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Speaker 1: But we thought we would do a segment. It can

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Speaker 1: be really helpful. It's called a day in the Life

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Speaker 1: because we love the Beatles, all Beatles stuff. Those guys

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Speaker 1: changed everything.

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Speaker 2: Any one of them would have been the greatest recording

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Speaker 2: artist if they just had a band of a bunch

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Speaker 2: of losers. Any one of them could have written enough

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Speaker 2: good songs to be a superstar.

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Speaker 1: And the musician ship and the song oh my God, and.

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Speaker 2: The fact that all of them knew each other and

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Speaker 2: what's more, did music together is what really makes them unparalleled.

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Speaker 2: And you know and mediasly so fragmented now that even

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Speaker 2: if there was a band that good, there never will be.

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Speaker 2: Even if there was, they would never be as popular

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Speaker 2: as the Beatles. That's why it's beatlemaniacs and that's us.

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Speaker 1: And you listen to the song. You never hear songs

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Speaker 1: day like there songs where where the lyrics are like poems.

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Speaker 1: Oh yes.

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Speaker 2: And because they had to do codes back then, so

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Speaker 2: if they wanted to sing about taking a drug, they

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Speaker 2: had to find a code word for it. But now

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Speaker 2: you turn on the Raido and Fred Durst is just like,

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Speaker 2: I'm doing it for the Nookie and it's too much.

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Speaker 2: It's like, well, what if the Beatles could call it nonookie?

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Speaker 2: They had to call it Norwegian wood.

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Speaker 1: So A Day in the Life is a segment where

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Speaker 1: we take you through the day of a famous auteur.

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Speaker 1: We've spent a lot of time with a lot of

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Speaker 1: directors and writers and actors and producers and stuff, and

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Speaker 1: so we have a pretty good idea about how a

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Speaker 1: lot of them just go through a normal day. And

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Speaker 1: I guess we wanted to do Alexander Payne.

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Speaker 2: Yes, here's a guy who is not really big enough

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Speaker 2: to do the podcast, so we don't want to kind

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Speaker 2: of waste your time with that, but there is enough

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Speaker 2: interest in him that will walk you through kind of

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Speaker 2: what his typical day is.

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Speaker 1: He's a guy he directed Election Citizen roof uh, stuff

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Speaker 1: like that that that you know and that people watch

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Speaker 1: and it gets awards. He's gotten a lot of big awards.

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Speaker 2: Yes, and has made movies. Now, first thing for him

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Speaker 2: in the morning he wakes up and what do you know,

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Speaker 2: he fell asleep with the TV on and it was

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Speaker 2: on HBO, and maybe he was watching Game of Thrones

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Speaker 2: no spoilers. Engineer Brett got mad that I spoiled them

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Speaker 2: last week, and uh and and what's on is they're

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Speaker 2: rerunning an episode of Hung and it's the one episode

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Speaker 2: that Alexander Payne directed. And he goes, I wonder if

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Speaker 2: people know I directed this. I hope not. I hope

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Speaker 2: they just know me for my famous movies. And he

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Speaker 2: turns off the TV and he goes to grab some brunch.

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Speaker 1: And in his in his kitchen, there's a little like

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Speaker 1: a snow globe that that has the skyline of Omaha

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Speaker 1: in it, Omaha, Nebraska. Because it's really important to him

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Speaker 1: that people think that he cares about his hometown and

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Speaker 1: that he's really attached to it. I think he would

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Speaker 1: really like it if people thought that he still lives there.

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Speaker 1: He lives in Los Angeles, but keeping that little snow

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Speaker 1: globe around in a place where people can see it

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Speaker 1: is great for him because then they say, oh, he

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Speaker 1: probably looks deep into that snow globe to go back

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Speaker 1: to Omaha to remember what it was like.

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Speaker 2: Probably when he's writing, that's how he puts himself in

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Speaker 2: Omaha's shoes.

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Speaker 1: He's so in touch with those characters who don't come

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Speaker 1: from big cities, and it's because he cares so much

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Speaker 1: about his home city. But that snow globe is really

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Speaker 1: just for people to see and to think.

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Speaker 2: That, and he's got them all over the house, and

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Speaker 2: he sort of grabs that snow globe and he tosses

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Speaker 2: in the trash because there are hundreds in every room.

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Speaker 1: So he finishes up with his brunch.

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Speaker 2: And he goes down to get the paper and he says,

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Speaker 2: if they reviewed any of my movies today? And he

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Speaker 2: flips through to the movie reviews.

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Speaker 1: Section, and they did.

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Speaker 2: They reviewed Sideways, and they reviewed Sideways today, and he

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Speaker 2: goes and he goes, oh, that's right. They're talking about

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Speaker 2: the part where he doesn't want to drink Merlau.

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Speaker 1: Yes, And he thinks about it for a second and

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Speaker 1: he thinks, I guess that's the only thing people really

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Speaker 1: remember about that movie.

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Speaker 2: He goes, did I make too much hay out of

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Speaker 2: that Merleau thing in that movie? I guess you know,

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Speaker 2: people remember it, so that's good?

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Speaker 1: But do I wish? But do I wish they remembered

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Speaker 1: something else? Is it a good thing that people remember

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Speaker 1: that every time they see a bottle of Merlau. They're

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Speaker 1: thinking of my movie Sideways. It lives on forever. In

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Speaker 1: that one line, and then.

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Speaker 2: Talked into the newspaper. There's a little note and it's

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Speaker 2: from Thomas Hayden Church and he goes, there is something

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Speaker 2: else people remember from that movie, and Thomas Hayden Church goes,

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Speaker 2: thanks for rejuvenating my career. You really did for me

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Speaker 2: what Tarantino did for Travolta, And that's what all the

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Speaker 2: papers said at the time, and that's why I'm in

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Speaker 2: all these movies now. But then he thinks, wait a minute,

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Speaker 2: you really only did one more movie. You did the

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Speaker 2: big Spider Man movie, and then you went away.

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Speaker 1: Again, and people did not think that Spider Man movie

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Speaker 1: was so good.

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Speaker 2: So he had he's in kind of a tough spot

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Speaker 2: here because he's reading the new Is that.

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Speaker 1: Better than nothing? It's definitely possible. Then it's that you

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Speaker 1: were just gonna do nothing from here on now. But

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Speaker 1: Alexander Pain thinks, did I really just get his hopes

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Speaker 1: up and make everyone think that he was going to

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Speaker 1: be a big movie start now because of what I did? Mm?

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Speaker 2: So then it's we're done with the paper and it's

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Speaker 2: time to take a little drive down to go to

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Speaker 2: the bathroom at a public restroom in the library. And

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Speaker 2: so you get in the back of your big limousine

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Speaker 2: and you sailia chauffeur to the library and then he

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Speaker 2: takes you in there and you get it in the

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Speaker 2: public restroom. You get on your phone and you start

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Speaker 2: watching a movie.

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Speaker 1: Yeah, you do this in the public library because you

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Speaker 1: read somewhere on a blog somebody said that you use

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Speaker 1: oscars for best at acted screenplay to wipe your butt,

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Speaker 1: and he thought, that's a funny idea. I really should

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Speaker 1: do that. It's very smooth. It doesn't work that well.

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Speaker 1: It picks up very very little of the residue, and

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Speaker 1: then you don't flush it. You still have to keep it.

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Speaker 1: You only have two You have to wash it off

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Speaker 1: in the sink afterwards. But a lot of people have

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Speaker 1: seen you do that now, and so it's a big

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Speaker 1: part of your reputation.

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Speaker 2: And then someone kicks in the door of the stall,

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Speaker 2: a crazy person, and they see your naked body, and

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Speaker 2: you go, this is a little like when I showed

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Speaker 2: Kathy Baits naked body in the movie about Schmidt. And

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Speaker 2: then you go, man, that was really bold of me.

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Speaker 2: Or of her. I don't know, but that is the

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Speaker 2: thing people remember about that movie.

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Speaker 1: Yeah, there's that she was naked, and there's something about

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Speaker 1: Letter to an African Boy. Maybe they're pen pals. People

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Speaker 1: aren't really sure. We don't know what people do remember

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Speaker 1: about all my movies. You think, because your Alexander pain

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Speaker 1: Is the main guy was really good in it.

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Speaker 2: He was good and he was finally playing someone unhappy.

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Speaker 1: People think about like guys like Jack Nicholson and Paul

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Speaker 1: Jamatti and George Clooney and Bruce Dern being really like

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Speaker 1: stripped down and raw in their.

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Speaker 2: Roles and not being very happy.

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Speaker 1: And you think to yourself, well, it's really nice that

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Speaker 1: people say that about me. But also I know in

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Speaker 1: my heart that that was very easy to do. I

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Speaker 1: just made sure they didn't shave for a little while,

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Speaker 1: and I made them wear like kind of bad clothes.

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Speaker 2: I sort of didn't let them comb their hair at.

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Speaker 1: All, and I and you know, like in some cases,

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Speaker 1: I just made them be a little dumb, like for

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Speaker 1: Bruce Dern, I just made them be like cartoonishly stupid.

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Speaker 2: And Clooney pushback on the hair thing, and I buckled

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Speaker 2: pretty fast.

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Speaker 1: And so you know, there's really nothing to that. The

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Speaker 1: thing that people think makes you a good director is

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Speaker 1: actually nothing at all.

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Speaker 2: And now it's time to go throw rocks at the

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Speaker 2: Hollywood sign. So you head on down to the Griffith

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Speaker 2: Park trail and you hike on as close as you

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Speaker 2: can get, and you throw a couple of rocks and

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Speaker 2: you go take that Hollywood. Because you're kind of an outsider,

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Speaker 2: You're more of a Nebraska guy.

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Speaker 1: Really, it's definitely important to you that people think that.

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Speaker 2: And then you kind of dozed off and.

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Speaker 1: You think you're tired from throwing rocks.

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Speaker 2: You think, oh gosh, throwing all those rocks was really tough.

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Speaker 1: I'm going to doze off. But you wake up and

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Speaker 1: somebody was willing to write a script for you and

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Speaker 1: put your name on it. Some really talented writers were

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Speaker 1: just thankful to have your name about a script. And

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Speaker 1: then you say, thanks, guys like, I'll take the script.

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Speaker 1: I'll take a pass at it. Your names can stay

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Speaker 1: on it too.

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Speaker 3: Uh.

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Speaker 1: When it comes to accepting the award at the Oscars,

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Speaker 1: don't play at a speech or anything. People don't really

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Speaker 1: want to hear you talk. They want to hear Alexander Payne.

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Speaker 2: Talk and I might go on a series of talk

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Speaker 2: shows too, and just kind of disavow myself from your

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Speaker 2: version of the script in any way. And that'll be

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Speaker 2: kind of a fun game we play with each other.

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Speaker 1: I'll say, but I'll do it in sort of a

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Speaker 1: coded way. I won't say that the original script was bad.

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Speaker 1: I'll say stuff like, well, the original version we were

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Speaker 1: working with was very different.

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Speaker 2: I'll say it was very different. And don't we all

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Speaker 2: agree this version is good? And you know what, a

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Speaker 2: lot of people did say it was good. And you

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Speaker 2: go home and you had a nice full day. You

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Speaker 2: went to the library like you like to do, and

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Speaker 2: you threw rocks at the Hollywood Sign, and you go

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Speaker 2: to sleep and you have the same dream you have

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Speaker 2: every night, where someone's taking all your awards away.

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Speaker 1: And in your even in your dream, you're upset that

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Speaker 1: all your awards are going away, but you kind of

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Speaker 1: know that, like in your head, you think of those

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Speaker 1: awards as being for election anyway, the awards that you

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Speaker 1: didn't get for election that you know you really should have.

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Speaker 1: You feel like, well, I'm just cashing in on the

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Speaker 1: debt that was owed to me.

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Speaker 2: Then, But in a way too, then you knew this

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Speaker 2: day was coming, and when you wake up, you realize

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Speaker 2: you fell asleep with hbo on and you do it

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Speaker 2: all over again.

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Speaker 1: So that's a day in the life of Alexander Payne.

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Speaker 1: It's it's it's named after our favorite Beatles song, which

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Speaker 1: Little Beatles Trivia is the only Beatles song to begin

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Speaker 1: with like like an article, like uh, or the every

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Speaker 1: other one was like paperback writer.

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Speaker 2: They wouldn't have said, do you know how they made

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Speaker 2: that part of the song where the whole thing goes

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Speaker 2: just totally cuckoo and it like sounds like it's like

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Speaker 2: going insane. Yeah, me too, or wait, tell me if

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Speaker 2: you think if you know the same thing I do.

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Speaker 1: Well, what I heard is that they just went outside

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Speaker 1: and just gathered natural sounds.

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Speaker 2: Oh that's not what I heard. I heard John Lennon

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Speaker 2: was smoking a reefer cigarette too close to the microphone

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Speaker 2: and set the mic on fire.

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Speaker 3: Oh well, I don't I don't think that's well. They

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Speaker 3: did have like they did smoke ree well, they wrote

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Speaker 3: songs about it, but that was like that's stuff that

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Speaker 3: was happening at the at the time.

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Speaker 2: I like to think so too. So we've got a

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Speaker 2: really great guest.

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Speaker 1: Her name is Esther, Yes, Esther Povitsky. She is known

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Speaker 1: as Little Esther and her comedy performances. She's here to

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Speaker 1: talk about her web series and all or other acting

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Speaker 1: work that she does in movies and in TV shows.

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Speaker 1: And she's going to be right here, coming up in

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Speaker 1: one second on Hollywood Handbook.

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Speaker 4: Hollywood Handbook.

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Speaker 2: So he's so needy, right, yeah, yes, did you think

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Speaker 2: it was good? Did you like it? What did you think?

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Speaker 2: And I'm like, I don't know what to tell you,

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Speaker 2: John Sina, I've seen bigger jump kickies. And he goes,

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Speaker 2: oh yeah, bigger than this, and he goes to jump

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Speaker 2: kick me and I catch his feet and I go,

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Speaker 2: you get one, John, one.

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Speaker 1: He only gets one of those with me. Yeah. Yeah, Hey.

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Speaker 1: Welcome to Hollywood Handbook and Insider's guy to kicking button

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Speaker 1: dropping names and the red carpet lineback hallways of this

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Speaker 1: industry we call Showbiz. Welcome, of course, to our guest,

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Speaker 1: Little Esther. You know her as a as a stand

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Speaker 1: up comedian, but she lives in Los Angeles and she

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Speaker 1: she's also an actress and she could you could see yes,

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Speaker 1: she was an executive producer on a podcast like we are.

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Speaker 1: Is it weird? Adults?

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Speaker 2: Thank you on adult swim.

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Speaker 4: No, that's not a fairal audio, it's more of a collective.

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Speaker 1: Oh sounds kind of like dangerous and it's like socialist

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Speaker 1: or something.

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Speaker 4: Right before we get into is this water alcalized?

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Speaker 1: Brett?

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Speaker 5: Brett, it's filtered in some way? I think.

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Speaker 4: Okay, I thought that I requested Alkali water.

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Speaker 1: But that's fine, Brett. What what what's the difference in

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Speaker 1: your mind between filtered and Alkali's water. You seem to

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Speaker 1: think that's relevant that it was filtered.

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Speaker 2: Yeah, you brought that up. You didn't answer yes or no.

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Speaker 5: Do I have to do something to alcoholize it? Do

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Speaker 5: you have to put something in it?

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Speaker 1: Well not now?

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Speaker 2: No, you don't have time.

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Speaker 4: I already took two SIPs, so whatever.

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Speaker 5: I'm sorry about that.

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Speaker 1: Do you want to lie down?

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Speaker 4: It's okay. I'll push through. Oh it's fine.

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Speaker 2: If you want to lie down on the table during

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Speaker 2: the record, that's okay.

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Speaker 4: Thank you.

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Speaker 2: We've had guests do.

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Speaker 1: That more and Morris did more? Did that?

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Speaker 4: Oh my god, I love Lamarn.

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Speaker 1: He's amazing, such a pro.

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Speaker 4: Oh my god, he just texted me like last night,

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Speaker 4: what my god.

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Speaker 2: More funny when he was texting me really no.

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Speaker 4: He texted me like really late. He was like, are

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Speaker 4: you in Pitch Perfect too? And I was like, I

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Speaker 4: don't know yet. It was so funny.

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Speaker 1: Oh wow, that is funny. He does these very random emojis,

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Speaker 1: like he goes so deep into the emoji list.

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Speaker 2: I don't even know that it was an emoji an octopus.

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Speaker 4: I know, I know. He's so great, especially on Snapchat too.

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Speaker 4: I don't know, you guys know him.

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Speaker 1: That's awesome.

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Speaker 2: Yes, yeah, yeah, yeah, best. It's a small town. It

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Speaker 2: feels like a big city, but it's a small town.

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Speaker 4: That's so true.

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Speaker 1: Esther, you have a web series?

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Speaker 4: I do. What's a digital series?

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Speaker 1: Oh yeah, yeah, yeah, and it's it is on the web.

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Speaker 4: Yeah, it's digital.

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Speaker 2: I have that written here. Yeah it's digital. Yeah. So

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Speaker 2: it's a digital web series and it's on.

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Speaker 4: MTV, MTV, MTV Digital.

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Speaker 2: Yeah.

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Speaker 4: It's called Esther with Hot Chicks and I just interview

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Speaker 4: hot girls.

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Speaker 2: I love the title, thank you so much.

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Speaker 1: Oh my god.

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Speaker 4: Things. It's kind of a vanity project, but I love it.

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Speaker 1: It's like a punch right in like the face, but

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Speaker 1: like good, like it really gets you, like so fired

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Speaker 1: up to to like watch.

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Speaker 2: Yeah, it's a friendly punch.

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Speaker 1: Yeah.

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Speaker 4: And it's based on a blog, a really sure blog

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Speaker 4: that I ran, yes, and yeah, it's just been doing

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Speaker 4: really well and it's really well received and really well commented.

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Speaker 1: Great.

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Speaker 4: Yeah, thank you so much, Esther.

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Speaker 1: Why do you think so many other performers are scared

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Speaker 1: to take their ship on the web where they like

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Speaker 1: they insist on And can I give an example?

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Speaker 2: I love it because I saw Captain America Winter Soldier yesterday,

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Speaker 2: Oh really fun, and Kobe Smolders is in that. And

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Speaker 2: now Kobe Smoulders is now in The Avengers, which is

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Speaker 2: one of the most popular movie series. And she was

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Speaker 2: on How I Met Your Mother, which is one of

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Speaker 2: the most popular TV series, And yet she's not doing

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Speaker 2: any web series. And it's like, why is she such

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Speaker 2: a coward that she liked She just not think she

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Speaker 2: can hack it.

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Speaker 1: She keeps doing movies and TV shows.

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Speaker 2: And if I could bring up another quick example, I

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Speaker 2: saw Captain America Winter Soldier yesterday which had some great

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Speaker 2: action sequences, and Emily Van Camp was in it, and

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Speaker 2: she is now in this Captain America Avengers kind of movie,

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Speaker 2: which is one of the most popular film series, and

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Speaker 2: she's Unrevenge, which is a really popular TV series. But

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Speaker 2: I'm sorry, I haven't seen her in any web series.

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Speaker 4: That's I totally hear that. And it's weird because like

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Speaker 4: I feel like my web series appearances and projects are

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Speaker 4: like my bread and butter. Like I don't know what

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Speaker 4: I would do without those, and that all these you

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Speaker 4: see today, like all these big names, and they're just

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Speaker 4: denying this amazing platform for artists.

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Speaker 1: They're just wobbling. Yeah, do you ever get scared?

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Speaker 4: I mean that's so hard to answer because it's like, yes,

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Speaker 4: there's fear in all of us. But like my thing

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Speaker 4: is just like be brave. You know, that's a tattoo.

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Speaker 4: I have it. I have a tattooed on my leg.

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Speaker 4: It's like be brave. So every time like I am

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Speaker 4: not brave, I just look at my leg and I'm like,

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Speaker 4: just on your leg, Yeah, I can do it. It's great.

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Speaker 4: By the way, Colby is like amazing. She I swear

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Speaker 4: to she knows like all of the best SMOOTHI places. Like,

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Speaker 4: if you're ever in the first movie, just text Colby

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Speaker 4: and she'll like she's great. I love her.

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Speaker 2: Wow, she's a friend, and I don't mean to shit

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Speaker 2: on her, huh. But at the same time, like, why

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Speaker 2: is she not in a web series? And why is

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Speaker 2: she so scared? And I think, and this is a

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Speaker 2: pet theory of mine, but I think it might be

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Speaker 2: because web content is the only content that we enjoy

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Speaker 2: in our home, and so it's very intimate.

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Speaker 4: Oh yeah, okay.

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Speaker 2: Because if you want to see a movie, you go

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Speaker 2: to the theater. Yeah, And if you want to watch

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Speaker 2: television you have to go to like a nice restaurant, right,

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Speaker 2: But if you want to watch web series, you can

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Speaker 2: actually sit down with your little cousin and have him

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Speaker 2: set up the Internet for you and just watch it

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Speaker 2: right in your own bedroom, in your back and just do.

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Speaker 1: It in bed.

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Speaker 4: I'm glad that you bring that up, because I do

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Speaker 4: feel that part of my art is all about intimacy

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Speaker 4: and being really connected with my audience. And I feel

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Speaker 4: like that's why the web is such a great platform

441
00:22:31,600 --> 00:22:36,480
Speaker 4: for my you know, visuals, visualizations. It's like these are

442
00:22:37,040 --> 00:22:39,119
Speaker 4: things that people can watch in their own homes.

443
00:22:39,400 --> 00:22:41,520
Speaker 2: And speaking of intimacy, you were talking about some of

444
00:22:41,520 --> 00:22:44,080
Speaker 2: the people you had sex with before we started recording.

445
00:22:44,119 --> 00:22:46,439
Speaker 4: Oh my god, I do not think that's great to

446
00:22:46,520 --> 00:22:51,639
Speaker 4: talk about just only because like you know, in Hollywood,

447
00:22:51,640 --> 00:22:55,840
Speaker 4: there are a lot of openly gay actors and you know,

448
00:22:56,080 --> 00:22:59,120
Speaker 4: it's it is what it is. You come out as

449
00:22:59,160 --> 00:23:03,479
Speaker 4: gay for your and some of these actors, you know,

450
00:23:03,560 --> 00:23:06,359
Speaker 4: they have other interests and I have you know, slept

451
00:23:06,400 --> 00:23:08,440
Speaker 4: with some of them, and I don't want to out

452
00:23:08,960 --> 00:23:10,480
Speaker 4: anyone to name any names.

453
00:23:10,760 --> 00:23:13,200
Speaker 1: Well now just say let's just say now we're talking

454
00:23:13,200 --> 00:23:16,439
Speaker 1: about a different thing where we just say actors' names

455
00:23:16,880 --> 00:23:19,600
Speaker 1: and so it's not part of the other discussion. Okay,

456
00:23:19,600 --> 00:23:21,679
Speaker 1: But now we're just saying the names of some actors

457
00:23:21,720 --> 00:23:24,560
Speaker 1: as part of a different thing, just listing them off right.

458
00:23:24,640 --> 00:23:27,119
Speaker 4: Okay. So for example, Neil.

459
00:23:26,840 --> 00:23:30,200
Speaker 1: Patrick Harris, he's an actor who's very.

460
00:23:30,000 --> 00:23:32,359
Speaker 4: Famous and people think he's gay.

461
00:23:33,240 --> 00:23:34,480
Speaker 1: A lot of people do think that.

462
00:23:34,720 --> 00:23:37,479
Speaker 2: But yeah, you know, he even thought that is what

463
00:23:37,520 --> 00:23:39,920
Speaker 2: he said, which it's weird.

464
00:23:39,960 --> 00:23:43,280
Speaker 4: It's like, why are you hitting on me?

465
00:23:43,600 --> 00:23:46,000
Speaker 1: You know, And now it's now let's go back to

466
00:23:46,080 --> 00:23:50,840
Speaker 1: the other conversation about actors who you have slept with,

467
00:23:51,119 --> 00:23:52,720
Speaker 1: and let's talk about that kind of stuff that like

468
00:23:52,800 --> 00:23:55,720
Speaker 1: a certain one of those actors would like to do sexually.

469
00:23:56,680 --> 00:24:00,680
Speaker 4: So for example, I mean they just like, are really

470
00:24:00,840 --> 00:24:04,159
Speaker 4: into like my body and just like totally you know,

471
00:24:04,480 --> 00:24:06,760
Speaker 4: going down on me and stuff. That's the main thing.

472
00:24:06,920 --> 00:24:08,080
Speaker 1: What about your butt.

473
00:24:07,920 --> 00:24:10,520
Speaker 4: That Yeah, obviously there's a lot of that as well,

474
00:24:10,600 --> 00:24:12,159
Speaker 4: but it's just it's just frustrating.

475
00:24:12,160 --> 00:24:12,280
Speaker 5: You know.

476
00:24:12,359 --> 00:24:15,280
Speaker 4: It's like, I get that careers are important to us,

477
00:24:15,320 --> 00:24:18,679
Speaker 4: but like, be real, if you're straight, just let the

478
00:24:18,720 --> 00:24:20,919
Speaker 4: world know. You don't have to hide it. It's just

479
00:24:20,960 --> 00:24:23,800
Speaker 4: like be who you are. Yeah, that frustrates me.

480
00:24:24,840 --> 00:24:28,280
Speaker 1: Well there, and also that that Brian Singer recently, I

481
00:24:28,280 --> 00:24:30,320
Speaker 1: don't know if you heard this story in the news,

482
00:24:30,359 --> 00:24:32,199
Speaker 1: that he would go so far as to pretend that

483
00:24:32,320 --> 00:24:35,080
Speaker 1: he raped a seventeen year old boy. Yeah, that's absurd,

484
00:24:35,200 --> 00:24:37,639
Speaker 1: just to perpetuate this thing that like you have to

485
00:24:37,720 --> 00:24:41,040
Speaker 1: be it's a sexual predator in order to meanwhile it's

486
00:24:41,080 --> 00:24:41,560
Speaker 1: your career.

487
00:24:41,640 --> 00:24:48,040
Speaker 2: Yeah, and that because there's that whole velveteen Mafia thing

488
00:24:48,160 --> 00:24:50,480
Speaker 2: going that he wants to be a part of. But meanwhile,

489
00:24:50,480 --> 00:24:54,439
Speaker 2: Brian Singer is given us to the good stuff.

490
00:24:54,160 --> 00:24:56,040
Speaker 1: On the reg Yeah.

491
00:24:56,119 --> 00:24:58,680
Speaker 4: Yeah, it is frustrating in that sense as well.

492
00:24:59,000 --> 00:25:00,320
Speaker 2: Are you going to do the X Men s stuff?

493
00:25:01,320 --> 00:25:01,600
Speaker 3: Oh?

494
00:25:01,960 --> 00:25:05,000
Speaker 4: The x Men the movie movie? I don't know yet.

495
00:25:05,080 --> 00:25:07,600
Speaker 4: I have a few scheduling convex coming up, so we

496
00:25:07,680 --> 00:25:10,160
Speaker 4: haven't aligned the dates yet, but I'm hoping to work

497
00:25:10,200 --> 00:25:10,520
Speaker 4: it out.

498
00:25:11,320 --> 00:25:16,119
Speaker 1: Are you getting in shade? Okay, I'm just looking at

499
00:25:16,160 --> 00:25:17,439
Speaker 1: you and I'm just kind of thank you.

500
00:25:17,560 --> 00:25:22,119
Speaker 4: First of all, thank you? No, I uh so when

501
00:25:22,160 --> 00:25:24,119
Speaker 4: I this is like a common thing that people know,

502
00:25:24,200 --> 00:25:27,480
Speaker 4: and I'd love to explain it here. When I started

503
00:25:27,480 --> 00:25:29,800
Speaker 4: my career in comedy, I was a little bit heavier,

504
00:25:29,840 --> 00:25:33,640
Speaker 4: and it was it was a problem. Yeah, I mean

505
00:25:33,960 --> 00:25:37,840
Speaker 4: I guess, but like so then you know, you're doing

506
00:25:37,880 --> 00:25:40,200
Speaker 4: comedy for a couple of years and like who comes

507
00:25:40,200 --> 00:25:43,240
Speaker 4: along Uta? They're like, we want to sign you, and

508
00:25:43,280 --> 00:25:45,639
Speaker 4: I'm like, oh my god, this is great and what

509
00:25:45,760 --> 00:25:47,840
Speaker 4: a lot of people some in the industry not. It'es

510
00:25:47,880 --> 00:25:49,640
Speaker 4: like once you sign on with one of the top

511
00:25:49,680 --> 00:25:53,240
Speaker 4: five agencies, like you have to get your shit together.

512
00:25:53,320 --> 00:25:56,960
Speaker 4: Like there are way ins every Tuesday morning and you're agent.

513
00:25:57,080 --> 00:25:58,680
Speaker 2: Oh Uta does them on Tuesdays?

514
00:25:58,760 --> 00:25:58,960
Speaker 1: Yeah?

515
00:25:59,000 --> 00:25:59,640
Speaker 4: They do?

516
00:25:59,640 --> 00:26:00,000
Speaker 1: Do you?

517
00:26:00,680 --> 00:26:01,359
Speaker 4: Have you heard others?

518
00:26:01,440 --> 00:26:04,560
Speaker 2: The wi nds are on Thursdays, which is so much

519
00:26:04,560 --> 00:26:05,080
Speaker 2: better for me.

520
00:26:05,600 --> 00:26:08,359
Speaker 4: Yeah, that's cool. I think Tuesday is fair because it

521
00:26:08,400 --> 00:26:10,280
Speaker 4: gives you just like a day after the weekend to

522
00:26:10,359 --> 00:26:12,159
Speaker 4: like get your shit together. But yes, so we have

523
00:26:12,160 --> 00:26:14,439
Speaker 4: our Tuesday ends and those are what really motivated me

524
00:26:14,520 --> 00:26:17,680
Speaker 4: to lose the extra thirty pounds I had to lose.

525
00:26:18,119 --> 00:26:21,119
Speaker 4: And I'm still working towards my goal of ninety but

526
00:26:22,080 --> 00:26:23,840
Speaker 4: I'm at ninety eight right now, so I think we'll

527
00:26:23,840 --> 00:26:24,520
Speaker 4: get there.

528
00:26:24,800 --> 00:26:29,040
Speaker 1: Ninety eight pounds lost or oh, I'm sorry, y, you

529
00:26:29,080 --> 00:26:29,919
Speaker 1: weigh ninety.

530
00:26:29,880 --> 00:26:31,840
Speaker 4: Weigh ninety eight pounds and I'm looking to get down

531
00:26:31,880 --> 00:26:34,040
Speaker 4: to ninety so that I can, you know, qualify for

532
00:26:34,160 --> 00:26:37,840
Speaker 4: more a list like more having just rolls with more lines,

533
00:26:37,920 --> 00:26:39,360
Speaker 4: more speaking parts, and.

534
00:26:39,320 --> 00:26:41,280
Speaker 2: You will have lost a total of ninety pounds at

535
00:26:41,280 --> 00:26:43,159
Speaker 2: that point. Is that what you're saying?

536
00:26:43,600 --> 00:26:46,720
Speaker 4: No, no, no, I will be ninety pounds at that point.

537
00:26:47,440 --> 00:26:53,080
Speaker 4: From it's not proper to say you're starting weight, but sure,

538
00:26:53,359 --> 00:26:55,880
Speaker 4: you know you get the picture.

539
00:26:55,480 --> 00:27:00,040
Speaker 1: I'm well, now let's go to a different conversation and

540
00:27:00,040 --> 00:27:02,600
Speaker 1: we're not talking about wait necessarily, we're just saying numbers.

541
00:27:02,960 --> 00:27:10,520
Speaker 4: Okay, So I would say one thirty, yuck, it's awful.

542
00:27:10,600 --> 00:27:13,440
Speaker 4: I'm five feet tall. That's like obese. It is obese.

543
00:27:13,480 --> 00:27:15,560
Speaker 4: It says it on my driver's license that I used

544
00:27:15,600 --> 00:27:19,359
Speaker 4: to be obese, so it's difficult.

545
00:27:19,440 --> 00:27:20,919
Speaker 2: That's why you drive so carefully.

546
00:27:21,160 --> 00:27:23,760
Speaker 4: I do well. I try not get pulled over, right,

547
00:27:24,359 --> 00:27:26,800
Speaker 4: That's why I can't drive up to Uber and anywhere.

548
00:27:26,920 --> 00:27:28,640
Speaker 2: Yeah, because when you have a drive on pass, it's

549
00:27:28,640 --> 00:27:31,679
Speaker 2: a lot. I've seen you before you roller blade in.

550
00:27:32,240 --> 00:27:34,480
Speaker 4: Yeah, I'll roller blade. I've been known to do that,

551
00:27:34,560 --> 00:27:38,120
Speaker 4: and I usually actually don't have Sorry, i'm getting over

552
00:27:38,160 --> 00:27:42,000
Speaker 4: a little thing from my travels, but usually I don't

553
00:27:42,040 --> 00:27:43,800
Speaker 4: have a drive on pass just because the lock guys

554
00:27:44,480 --> 00:27:46,920
Speaker 4: know me. I'm very unique and there aren't many people

555
00:27:47,040 --> 00:27:49,320
Speaker 4: like me, so they remember I tend to.

556
00:27:49,240 --> 00:27:52,280
Speaker 1: Be women comedians. Yeah, you're the only one who limbo's

557
00:27:52,320 --> 00:27:53,520
Speaker 1: under the gate on rollerblodes.

558
00:27:54,000 --> 00:27:55,879
Speaker 4: I've done that. Yeah, you know, I'm silly. I have

559
00:27:55,880 --> 00:27:57,040
Speaker 4: a silly side for sure.

560
00:27:57,359 --> 00:28:01,080
Speaker 1: The lot entry bit that you have, this is so important,

561
00:28:01,920 --> 00:28:03,840
Speaker 1: and this is something we haven't talked about. That that

562
00:28:03,960 --> 00:28:06,119
Speaker 1: is a nice thing, like the way you present yourself,

563
00:28:06,680 --> 00:28:09,560
Speaker 1: like to the people at the gate as much as

564
00:28:09,560 --> 00:28:11,199
Speaker 1: the people in the room that you're having meetings with,

565
00:28:11,240 --> 00:28:13,439
Speaker 1: like you're asking for water. Bit we have talked about.

566
00:28:13,760 --> 00:28:16,320
Speaker 1: But the bit that you do when you actually go

567
00:28:16,400 --> 00:28:17,720
Speaker 1: on to the lot.

568
00:28:17,480 --> 00:28:21,280
Speaker 2: Well, if you think they're not radioing up and saying, hey,

569
00:28:21,840 --> 00:28:24,840
Speaker 2: someone just crack my whole shit up with a funny

570
00:28:24,920 --> 00:28:30,200
Speaker 2: rollerblade limbo and letting Kevin Riley or a less Moonvie's No.

571
00:28:31,520 --> 00:28:33,520
Speaker 2: I think it was that girl little esther.

572
00:28:34,359 --> 00:28:37,320
Speaker 1: Yours is really special, if you like, if you're interested

573
00:28:37,400 --> 00:28:40,520
Speaker 1: in sharing yours now that you've sort of played out

574
00:28:40,520 --> 00:28:42,240
Speaker 1: and you aren't really going to use it anymore.

575
00:28:42,680 --> 00:28:42,920
Speaker 3: Mmm.

576
00:28:43,640 --> 00:28:48,000
Speaker 2: Yeah, well it was topical, so that's why I'm not

577
00:28:48,080 --> 00:28:49,400
Speaker 2: doing it as much.

578
00:28:50,560 --> 00:28:53,040
Speaker 4: I do think you're onto something though. It's like, be

579
00:28:53,520 --> 00:28:57,720
Speaker 4: nice to the door guy, be nice to the guy

580
00:28:57,840 --> 00:28:59,800
Speaker 4: who lets you into the lot, be nice to the

581
00:28:59,840 --> 00:29:01,760
Speaker 4: g be nice to the guy driving the golf cart.

582
00:29:01,880 --> 00:29:04,840
Speaker 4: You never know who's in direct connection with a studio

583
00:29:04,840 --> 00:29:06,680
Speaker 4: ahead or an executive or.

584
00:29:06,600 --> 00:29:09,040
Speaker 1: It's like an undercover is an undercover boss.

585
00:29:09,200 --> 00:29:11,640
Speaker 4: That is exactly true, Like you never know if if

586
00:29:11,680 --> 00:29:14,760
Speaker 4: they're just the president of CBS, like you said, it

587
00:29:14,840 --> 00:29:16,480
Speaker 4: is just like undercover hanging.

588
00:29:16,160 --> 00:29:18,800
Speaker 2: Out and we's Moonbe's daughter. I think drives a golf

589
00:29:18,800 --> 00:29:19,480
Speaker 2: cart right now.

590
00:29:20,360 --> 00:29:22,880
Speaker 4: Really yeah, oh my god, that's crazy.

591
00:29:23,080 --> 00:29:29,680
Speaker 1: I heard that she's also a big girl. It's about convenience.

592
00:29:29,720 --> 00:29:31,920
Speaker 1: She's doing very well and it's not her job.

593
00:29:32,600 --> 00:29:35,520
Speaker 2: No, she just drives a golf cart from Wow.

594
00:29:35,320 --> 00:29:38,480
Speaker 4: I didn't even know that. Room to room's great person

595
00:29:38,600 --> 00:29:39,000
Speaker 4: to meet.

596
00:29:40,360 --> 00:29:44,680
Speaker 2: Yeah, esther, did you see office space?

597
00:29:45,480 --> 00:29:46,840
Speaker 4: Oh my god I did. Oh my god, I just

598
00:29:46,840 --> 00:29:49,120
Speaker 4: spilled water all over myself. I'm such a klutz.

599
00:29:50,160 --> 00:29:51,400
Speaker 1: You do have a silly side.

600
00:29:51,480 --> 00:29:52,080
Speaker 4: I thank you.

601
00:29:52,520 --> 00:29:55,000
Speaker 1: I really like it because, like to see you and

602
00:29:55,040 --> 00:29:57,240
Speaker 1: all these other actresses, you would think, because you handle

603
00:29:57,280 --> 00:30:00,000
Speaker 1: yourself with such grace when you're doing a role in things,

604
00:30:00,320 --> 00:30:01,080
Speaker 1: thank you well.

605
00:30:01,080 --> 00:30:04,160
Speaker 4: That comes down to like twelve years of strict ballet training.

606
00:30:04,240 --> 00:30:04,720
Speaker 4: So thank you.

607
00:30:05,600 --> 00:30:08,040
Speaker 1: But to just know it really humanizes you to know

608
00:30:08,120 --> 00:30:11,400
Speaker 1: that like you will sometimes just like do a funny mistake.

609
00:30:11,480 --> 00:30:11,880
Speaker 1: Oh my god.

610
00:30:11,920 --> 00:30:14,160
Speaker 4: Thanks like that like.

611
00:30:14,080 --> 00:30:17,320
Speaker 2: A person, a human being who goofs up something that

612
00:30:17,360 --> 00:30:20,360
Speaker 2: you just like to sometimes just like wear pjs.

613
00:30:20,960 --> 00:30:23,280
Speaker 1: Yeah I never that was such an interesting thing about you.

614
00:30:23,360 --> 00:30:25,320
Speaker 4: Thank you well. This flannel has product, but it does

615
00:30:25,400 --> 00:30:28,160
Speaker 4: look like less. It looks it looks a little worn,

616
00:30:28,200 --> 00:30:29,200
Speaker 4: but that's just like the.

617
00:30:29,320 --> 00:30:29,720
Speaker 2: Wash of it.

618
00:30:31,840 --> 00:30:35,480
Speaker 4: So yeah, they're product. They send my publicist stuff from

619
00:30:35,520 --> 00:30:37,760
Speaker 4: time to time. It's really nice. Actually it's kind of

620
00:30:38,240 --> 00:30:39,400
Speaker 4: a great gig.

621
00:30:40,440 --> 00:30:47,880
Speaker 1: Yeah yeah, so off of Space. Yeah, you did see it.

622
00:30:48,000 --> 00:30:50,240
Speaker 4: I did see it. I was so young at the time,

623
00:30:50,440 --> 00:30:51,400
Speaker 4: but I did see it.

624
00:30:51,600 --> 00:30:53,280
Speaker 1: What do you remember about it?

625
00:30:53,400 --> 00:30:58,239
Speaker 4: I just remember like just like classic humor and just

626
00:30:58,360 --> 00:31:01,880
Speaker 4: laughing and honestly just being like wow, like these actors

627
00:31:01,960 --> 00:31:05,520
Speaker 4: like they have this show has a voice, this movie

628
00:31:05,520 --> 00:31:08,880
Speaker 4: has a vision. Like totally I get where they're coming from.

629
00:31:08,880 --> 00:31:10,640
Speaker 4: You know, I think the most important thing in comedy

630
00:31:10,680 --> 00:31:12,920
Speaker 4: is like, what are you trying to say? And if

631
00:31:12,960 --> 00:31:16,040
Speaker 4: you can make me laugh while I'm crying, you have me.

632
00:31:16,720 --> 00:31:18,320
Speaker 4: And that, for me is what that movie did.

633
00:31:18,960 --> 00:31:23,360
Speaker 2: And isn't it funny the way offices can be totally?

634
00:31:23,480 --> 00:31:25,480
Speaker 4: Oh my god, people don't think of that. It's so true.

635
00:31:25,520 --> 00:31:28,160
Speaker 4: It's like, yes, we get it's a mundane thing to everyone,

636
00:31:28,240 --> 00:31:31,040
Speaker 4: but like there's small quirks in there that can make

637
00:31:31,040 --> 00:31:32,480
Speaker 4: you laugh any time.

638
00:31:32,760 --> 00:31:38,720
Speaker 1: Yes, what happened to Rob Livingsdale? I don't know where

639
00:31:38,800 --> 00:31:39,040
Speaker 1: is he?

640
00:31:41,040 --> 00:31:44,680
Speaker 2: You know, this town chews people up and it spits

641
00:31:44,720 --> 00:31:49,840
Speaker 2: them out and you hate to think about that sometimes,

642
00:31:50,720 --> 00:31:53,160
Speaker 2: but I think he aged out of the kind of

643
00:31:53,240 --> 00:31:54,840
Speaker 2: roles that he was supposed to be doing.

644
00:31:56,840 --> 00:31:58,360
Speaker 1: And it might get back to what you were saying

645
00:31:58,400 --> 00:32:02,600
Speaker 1: with because he was so overt least straight. Yeah, that

646
00:32:02,920 --> 00:32:05,760
Speaker 1: maybe executives were starting to get a little concerned about

647
00:32:05,760 --> 00:32:07,840
Speaker 1: like what the backlash would be if they hired him

648
00:32:07,840 --> 00:32:09,480
Speaker 1: for more things.

649
00:32:09,480 --> 00:32:14,960
Speaker 2: Whereas if he had maybe pretended to have forced a

650
00:32:14,960 --> 00:32:19,400
Speaker 2: seventeen year old boy to perform for Latio on him,

651
00:32:19,560 --> 00:32:23,880
Speaker 2: he might now be starring in a Big Bang Theory

652
00:32:24,120 --> 00:32:27,480
Speaker 2: or a Captain America Winter Soldier, which to me was

653
00:32:27,560 --> 00:32:31,440
Speaker 2: almost an improvement on the first, which I loved because

654
00:32:32,720 --> 00:32:38,000
Speaker 2: the story got developed in a nice way where you like,

655
00:32:38,800 --> 00:32:41,000
Speaker 2: it honored what they had told you about the characters,

656
00:32:41,040 --> 00:32:42,440
Speaker 2: but you also learned more.

657
00:32:43,680 --> 00:32:46,120
Speaker 1: I liked that there was no cig. I'm tired of

658
00:32:46,160 --> 00:32:51,800
Speaker 1: all the sig thinking, oh, whatever happened to actors and

659
00:32:52,120 --> 00:32:56,040
Speaker 1: actresses doing scenes together and not so much computers?

660
00:32:56,160 --> 00:32:59,360
Speaker 4: Yeah, that's what people forget. It's like, this is an

661
00:32:59,560 --> 00:33:03,240
Speaker 4: art for yes, this is art. We're artists, we have

662
00:33:03,400 --> 00:33:06,640
Speaker 4: artistries and like, let us do that. I hate when

663
00:33:06,760 --> 00:33:10,000
Speaker 4: digital things like that try to replace the real thing.

664
00:33:10,040 --> 00:33:12,440
Speaker 4: It does never work. So it's like it's crazy.

665
00:33:12,840 --> 00:33:15,000
Speaker 2: Whatever happened to just pointing at a camera at two

666
00:33:15,040 --> 00:33:17,960
Speaker 2: people and just saying just go and that's the movie.

667
00:33:18,000 --> 00:33:19,320
Speaker 1: That's the movie, you.

668
00:33:19,280 --> 00:33:21,480
Speaker 2: Know, I mean, that was what some of our favorite

669
00:33:21,520 --> 00:33:22,160
Speaker 2: movies was.

670
00:33:22,640 --> 00:33:25,880
Speaker 4: I actually directed a play that was similar to that.

671
00:33:25,960 --> 00:33:28,760
Speaker 4: It's like, let's just get these two people and let's

672
00:33:28,840 --> 00:33:33,280
Speaker 4: build the movie. I'm sorry, the play through the two artists,

673
00:33:33,320 --> 00:33:35,240
Speaker 4: and it was like it was a great hit in

674
00:33:35,280 --> 00:33:38,960
Speaker 4: my my directing advanced theater studio class. Senior year of

675
00:33:39,040 --> 00:33:40,280
Speaker 4: high school, I got an a. It was the only

676
00:33:40,360 --> 00:33:41,520
Speaker 4: purchased my classy get an.

677
00:33:41,400 --> 00:33:44,920
Speaker 1: A so intimate. Yeah, what happened was it about?

678
00:33:45,440 --> 00:33:48,400
Speaker 4: It was about it was about two former lovers.

679
00:33:48,480 --> 00:33:50,200
Speaker 1: Oh yeah, and I actually.

680
00:33:51,080 --> 00:33:54,040
Speaker 4: Yeah, thank you. I brought in a guest director, my

681
00:33:54,200 --> 00:33:56,840
Speaker 4: ex boyfriend who was a student at You at the time,

682
00:33:57,200 --> 00:33:59,440
Speaker 4: and he kind of really influenced the play.

683
00:34:01,600 --> 00:34:04,640
Speaker 2: I know, what's the meanest Internet comment you've ever gotten?

684
00:34:04,760 --> 00:34:04,960
Speaker 1: Esther?

685
00:34:05,320 --> 00:34:08,040
Speaker 4: Oh my god, I would say, like, you have the

686
00:34:08,080 --> 00:34:10,640
Speaker 4: face of a fifteen year old and the body of

687
00:34:11,680 --> 00:34:14,560
Speaker 4: a thirty five year old. That's probably the meanest.

688
00:34:15,920 --> 00:34:16,880
Speaker 2: That's not nice.

689
00:34:16,960 --> 00:34:19,719
Speaker 4: That's not nice. I can't even imagine thirty five.

690
00:34:20,239 --> 00:34:23,480
Speaker 2: Speaking of the age of body parts, you have child

691
00:34:23,520 --> 00:34:25,279
Speaker 2: hands and when you were a child you were a

692
00:34:25,320 --> 00:34:25,880
Speaker 2: hand model.

693
00:34:25,920 --> 00:34:28,640
Speaker 4: Oh my god, did you guys look me up for something?

694
00:34:28,840 --> 00:34:30,480
Speaker 4: Oh my god, I'm so flattered.

695
00:34:31,560 --> 00:34:35,360
Speaker 2: My little cousin is pretty big whiz with computer stuff.

696
00:34:35,600 --> 00:34:36,719
Speaker 1: Sam.

697
00:34:36,920 --> 00:34:42,160
Speaker 4: Okay, yes, I did my first taste of the acting bug,

698
00:34:42,640 --> 00:34:46,480
Speaker 4: so to speak, was a bug. Yeah. I uh you know,

699
00:34:46,640 --> 00:34:51,080
Speaker 4: that's just like the saying taste the acting bug. I

700
00:34:51,120 --> 00:34:54,920
Speaker 4: became a hand model. I was with a teleent agency

701
00:34:54,920 --> 00:34:58,319
Speaker 4: in Chicago, and I hand modeled for the American Girl

702
00:34:58,320 --> 00:35:00,719
Speaker 4: Dog catalog. And it was it was a lot of work,

703
00:35:00,760 --> 00:35:02,040
Speaker 4: you know, but it was worth it.

704
00:35:02,080 --> 00:35:04,240
Speaker 2: I wasn't which dolls were you holding.

705
00:35:04,840 --> 00:35:08,000
Speaker 4: I held a collection called like the Tiny Collection, So

706
00:35:08,080 --> 00:35:10,240
Speaker 4: I was really working because my hands are so small.

707
00:35:10,440 --> 00:35:12,560
Speaker 2: Were they miniature versions of the classic dolls?

708
00:35:12,600 --> 00:35:13,680
Speaker 1: They were? So?

709
00:35:13,760 --> 00:35:18,240
Speaker 2: Were you holding Molly, Samantha, Molly, Felicity, all of the girls?

710
00:35:18,320 --> 00:35:20,680
Speaker 4: Yeah, and all of like their accessories. I'm so excited,

711
00:35:20,719 --> 00:35:22,280
Speaker 4: you know about it. It's like awesome.

712
00:35:22,640 --> 00:35:25,239
Speaker 2: Well, I was in Williamsburg, Virginia when they premiered the

713
00:35:25,280 --> 00:35:30,240
Speaker 2: American Girl doll Felicity no way, she was from colonial times.

714
00:35:30,760 --> 00:35:33,160
Speaker 4: Oh my god, that's amazing. That was so cool. We

715
00:35:33,160 --> 00:35:34,240
Speaker 4: should have like a reunion.

716
00:35:34,360 --> 00:35:37,160
Speaker 2: They had great rock candy down there in the Williamsburg

717
00:35:37,440 --> 00:35:40,040
Speaker 2: community where they have old time candy shops.

718
00:35:40,640 --> 00:35:41,799
Speaker 4: I could totally see that.

719
00:35:42,040 --> 00:35:45,640
Speaker 2: Yeah, and big jawbreakers the size of your fist. I

720
00:35:45,640 --> 00:35:47,520
Speaker 2: mean that thing will really break your jaw, not like

721
00:35:47,560 --> 00:35:48,880
Speaker 2: the ones I make nowadays.

722
00:35:50,719 --> 00:35:52,000
Speaker 4: I hear that for sure.

723
00:35:52,400 --> 00:35:56,120
Speaker 1: Now you have small hands, I do. And they wanted

724
00:35:56,160 --> 00:36:00,399
Speaker 1: you to hold a small doll so it would look

725
00:36:00,880 --> 00:36:03,439
Speaker 1: like a normal sized doll, and they get people into

726
00:36:03,480 --> 00:36:06,279
Speaker 1: buying a very tiny doll.

727
00:36:06,440 --> 00:36:08,319
Speaker 4: It was I mean, I think, you know, I was

728
00:36:08,360 --> 00:36:10,759
Speaker 4: so young at the time that I wasn't aware if

729
00:36:10,760 --> 00:36:13,719
Speaker 4: that was the case, but that's that was, you know.

730
00:36:13,840 --> 00:36:16,640
Speaker 4: I was just like, hey, I'm I'm a ten year old.

731
00:36:16,760 --> 00:36:19,319
Speaker 4: I'm here to hand model. When I leave, my parents

732
00:36:19,360 --> 00:36:21,720
Speaker 4: are going to buy me an inflatable chair as a present,

733
00:36:21,840 --> 00:36:24,000
Speaker 4: and it's going to be worth it. And you know,

734
00:36:24,200 --> 00:36:27,080
Speaker 4: you do that job and it's like there are a

735
00:36:27,120 --> 00:36:29,760
Speaker 4: lot of downfalls. It's like, yes, it paid for my college,

736
00:36:29,840 --> 00:36:31,920
Speaker 4: But did I have to like wear some screen on

737
00:36:31,920 --> 00:36:33,759
Speaker 4: my hands unnecessarily all the time?

738
00:36:33,840 --> 00:36:34,439
Speaker 1: Yeah? I did.

739
00:36:34,560 --> 00:36:36,160
Speaker 4: Like it's a hard gig.

740
00:36:36,400 --> 00:36:38,840
Speaker 2: They try to get a chair, I'm sorry logo on

741
00:36:38,880 --> 00:36:39,799
Speaker 2: the inflatable chair.

742
00:36:41,239 --> 00:36:45,000
Speaker 4: Was there a logo? You know? Back in that time,

743
00:36:45,200 --> 00:36:48,279
Speaker 4: it was like a male order thing, like from a magazine.

744
00:36:48,640 --> 00:36:49,439
Speaker 4: So I don't know.

745
00:36:49,560 --> 00:36:50,560
Speaker 1: There were no logos.

746
00:36:50,640 --> 00:36:52,440
Speaker 2: Yeah, I don't it was before logos.

747
00:36:52,600 --> 00:36:55,760
Speaker 4: It was before logos, Yeah, in like the late nineties.

748
00:36:57,160 --> 00:36:58,240
Speaker 2: Okay, he had something.

749
00:36:58,400 --> 00:37:01,200
Speaker 1: Well, I just wanted to talk about it. When you

750
00:37:01,280 --> 00:37:04,000
Speaker 1: are so young and it's easy for you to be

751
00:37:04,080 --> 00:37:07,319
Speaker 1: exploited sometimes, especially in modeling, they can sort of get

752
00:37:07,320 --> 00:37:10,319
Speaker 1: away with some things. I don't know if you had

753
00:37:10,360 --> 00:37:11,480
Speaker 1: any experience with that.

754
00:37:13,239 --> 00:37:16,680
Speaker 4: If I did, I just you know, those are things

755
00:37:16,719 --> 00:37:19,640
Speaker 4: I work out in therapy, usually.

756
00:37:20,560 --> 00:37:24,200
Speaker 1: Therapy or what if we just did this, we'll leave

757
00:37:24,239 --> 00:37:29,080
Speaker 1: aside the conversation about what happened to you when you

758
00:37:29,120 --> 00:37:31,960
Speaker 1: were hand modeling as a little girl. Leaving that aside,

759
00:37:32,080 --> 00:37:37,320
Speaker 1: and now we're just talking about unrelated sexual events, gotcha.

760
00:37:37,480 --> 00:37:42,200
Speaker 1: That don't have to necessarily be connected to uh so

761
00:37:42,600 --> 00:37:45,680
Speaker 1: you as child or anyone somebody that.

762
00:37:45,719 --> 00:37:48,440
Speaker 2: And with someone famous and with someone famous somebody that.

763
00:37:49,000 --> 00:37:51,520
Speaker 4: In general, I would just say the word rape if

764
00:37:51,560 --> 00:37:52,280
Speaker 4: that makes sense.

765
00:37:52,440 --> 00:37:54,920
Speaker 1: Mmmm. And the that's just saying.

766
00:37:54,680 --> 00:37:56,279
Speaker 4: It, that's just throwing that out there.

767
00:37:56,719 --> 00:37:58,479
Speaker 2: It's just a what is a word that can happen?

768
00:37:58,600 --> 00:38:01,799
Speaker 2: And then and then the word pope as well?

769
00:38:02,640 --> 00:38:07,560
Speaker 4: Yeah why not? Yeah, but let's talk about something more positive.

770
00:38:08,080 --> 00:38:11,800
Speaker 4: I'm sorry, I'm getting a text. One second it's Kendall.

771
00:38:13,719 --> 00:38:14,120
Speaker 1: Kendall.

772
00:38:15,160 --> 00:38:17,520
Speaker 4: All I'm gonna say is don't be friends with a

773
00:38:17,560 --> 00:38:20,319
Speaker 4: girl who's been on The Kardashian Show if you don't

774
00:38:20,320 --> 00:38:22,000
Speaker 4: want your text bussing all the time.

775
00:38:22,120 --> 00:38:25,440
Speaker 1: Wow, Kendall Gill was on The Kardashian Show. O.

776
00:38:26,480 --> 00:38:33,880
Speaker 4: No, someone else, but her father is an Olympic athlete.

777
00:38:33,160 --> 00:38:38,920
Speaker 1: Okay, yeah, Kendall Ono, she's a sweetheart.

778
00:38:39,280 --> 00:38:45,120
Speaker 2: Kendall Blair. Bonnie Blair is her dad. Hey, you said,

779
00:38:45,160 --> 00:38:47,319
Speaker 2: let's talk about something more positive and I'd love to

780
00:38:47,480 --> 00:38:48,759
Speaker 2: got any life hacks.

781
00:38:50,040 --> 00:38:52,200
Speaker 4: Let me think, Well, this is sort of a life hack.

782
00:38:53,239 --> 00:38:57,279
Speaker 4: I recently became. I made the big transition from just

783
00:38:57,320 --> 00:39:02,600
Speaker 4: a regular actress to someone who is officially offer only.

784
00:39:03,040 --> 00:39:04,280
Speaker 1: Major life hack.

785
00:39:04,400 --> 00:39:08,080
Speaker 2: Oh wow, big life hack. No more dragging your butt

786
00:39:08,120 --> 00:39:09,320
Speaker 2: down to Santa Monica.

787
00:39:09,320 --> 00:39:12,560
Speaker 4: In the middle of it offer only. We had a ceremony,

788
00:39:12,640 --> 00:39:14,319
Speaker 4: My parents flew in. It was a big deal.

789
00:39:14,560 --> 00:39:20,040
Speaker 1: Really nice. Yeah, let's explain what offer only means, because

790
00:39:20,080 --> 00:39:23,400
Speaker 1: if you're listening to this podcast in a place like

791
00:39:24,520 --> 00:39:30,040
Speaker 1: Oklahoma or Nebraska or something, you're used to getting paid

792
00:39:30,560 --> 00:39:35,680
Speaker 1: to do work, like in exchange for like work, well, you.

793
00:39:35,719 --> 00:39:38,120
Speaker 2: Chop a bunch of bricks in half or whatever, and

794
00:39:38,160 --> 00:39:41,160
Speaker 2: then they give you a pile of shekels.

795
00:39:42,239 --> 00:39:45,520
Speaker 1: But out here and like what's happening with Esther, you

796
00:39:45,600 --> 00:39:48,680
Speaker 1: get to a place where people will just give you

797
00:39:48,760 --> 00:39:51,160
Speaker 1: money and you don't actually have to do anything to

798
00:39:51,200 --> 00:39:52,680
Speaker 1: get it. And that's where you are now.

799
00:39:52,719 --> 00:39:55,279
Speaker 4: Well, that is technically a holding deal and I have

800
00:39:55,360 --> 00:39:58,839
Speaker 4: that as well. But offer only means more. Just like

801
00:39:59,760 --> 00:40:02,200
Speaker 4: we have an offer for you. You have bypassed the

802
00:40:02,239 --> 00:40:05,239
Speaker 4: audition process. We're not going to ask you're enough of

803
00:40:05,280 --> 00:40:07,360
Speaker 4: a name, We're not going to ask you to audition

804
00:40:07,520 --> 00:40:11,240
Speaker 4: for our projects. Here's the offer, it's you know whatever,

805
00:40:11,280 --> 00:40:14,480
Speaker 4: it is one hundred k for you know, however many

806
00:40:14,560 --> 00:40:18,080
Speaker 4: episodes of the show or an offer as opposed to like,

807
00:40:18,160 --> 00:40:21,040
Speaker 4: please come audition, it's been really helpful.

808
00:40:22,080 --> 00:40:23,359
Speaker 2: Hayes, Did you not know that?

809
00:40:23,840 --> 00:40:23,920
Speaker 5: No?

810
00:40:24,000 --> 00:40:26,360
Speaker 1: I did, And that's actually exactly what I said, And

811
00:40:27,360 --> 00:40:28,160
Speaker 1: like that's weird.

812
00:40:29,560 --> 00:40:31,160
Speaker 5: Mmmm, that's so weird.

813
00:40:31,280 --> 00:40:34,560
Speaker 1: Not really what you said. No, it is exactly weird

814
00:40:34,200 --> 00:40:39,880
Speaker 1: I said. I said, it's where the offer is money, right.

815
00:40:40,000 --> 00:40:44,640
Speaker 6: Uh, yeah, kind of Esther, wasn't that kind of a

816
00:40:44,640 --> 00:40:46,320
Speaker 6: little weird The way he said it.

817
00:40:46,320 --> 00:40:49,120
Speaker 4: It was weird because you did explain a holding deal

818
00:40:49,200 --> 00:40:51,000
Speaker 4: as opposed to being offer only.

819
00:40:51,040 --> 00:40:57,040
Speaker 1: That was a holding deal what you said. I don't

820
00:40:57,120 --> 00:40:58,359
Speaker 1: understand what this is.

821
00:41:02,560 --> 00:41:07,759
Speaker 6: Oh my god, this is mortifying. I can't even look

822
00:41:07,800 --> 00:41:10,839
Speaker 6: at you right now. I'm so embarrassed for you. This

823
00:41:10,880 --> 00:41:17,839
Speaker 6: is being fucking recorded. Holy shit, dude, we might have

824
00:41:17,880 --> 00:41:19,799
Speaker 6: to cancel the fucking podcast.

825
00:41:20,480 --> 00:41:24,360
Speaker 4: This is so awkward. Oh my god, you guys, it's

826
00:41:24,719 --> 00:41:27,040
Speaker 4: should we just I don't know what to say. I

827
00:41:27,040 --> 00:41:29,719
Speaker 4: could you know what this This is a good time

828
00:41:30,000 --> 00:41:32,200
Speaker 4: for me to announce my new line of self tanning

829
00:41:32,520 --> 00:41:38,000
Speaker 4: lotions that are available at CBS exclusively. They're called Little

830
00:41:38,160 --> 00:41:42,920
Speaker 4: Ester's Tan Lotion, and uh just check those out mm hmm.

831
00:41:43,040 --> 00:41:47,399
Speaker 2: And what makes them special versus say, a bigger name

832
00:41:47,520 --> 00:41:48,359
Speaker 2: brand tan losh?

833
00:41:48,440 --> 00:41:51,640
Speaker 4: Okay, So there they have like more of a glitter infusion,

834
00:41:52,080 --> 00:41:57,359
Speaker 4: and they last longer, and they're made of organic products.

835
00:41:57,719 --> 00:42:00,480
Speaker 2: And this is a little dicey, but you you can

836
00:42:00,520 --> 00:42:02,720
Speaker 2: put them on anywhere, right you can't.

837
00:42:02,840 --> 00:42:05,120
Speaker 4: You can put them anywhere in your body, including your face.

838
00:42:05,920 --> 00:42:08,040
Speaker 1: And yeah, well, of course I know what a holding

839
00:42:08,120 --> 00:42:12,360
Speaker 1: deal is, A talent holding deal. It's sometimes spelled with

840
00:42:12,440 --> 00:42:15,520
Speaker 1: a hyphen talent hyphen holding deal. It's a contract between

841
00:42:15,520 --> 00:42:19,319
Speaker 1: an entertainer or artist and a representing agency, valid while

842
00:42:19,360 --> 00:42:23,640
Speaker 1: the agency is developing a movie, television program, live performance, acts, album,

843
00:42:23,760 --> 00:42:25,760
Speaker 1: or entertainment venue for artist.

844
00:42:27,160 --> 00:42:30,319
Speaker 2: But you didn't know what offer I can even give

845
00:42:30,320 --> 00:42:33,160
Speaker 2: you an example of one. No one ever asked you

846
00:42:33,200 --> 00:42:34,160
Speaker 2: what a holding deal was.

847
00:42:34,239 --> 00:42:39,040
Speaker 1: You like just described it when like, well, of course, well,

848
00:42:39,040 --> 00:42:41,040
Speaker 1: of course I know what the difference between that is

849
00:42:41,600 --> 00:42:45,240
Speaker 1: two offer only Hollywood.

850
00:42:45,120 --> 00:42:46,440
Speaker 2: Is sam stop helping.

851
00:42:46,480 --> 00:42:49,400
Speaker 1: It is something where the Loew's Hollywood Hotel.

852
00:42:52,120 --> 00:42:53,959
Speaker 4: Oh my, oh my god.

853
00:42:55,880 --> 00:42:59,360
Speaker 2: So the tan makes your skin darker? Huh? The lotion, yeah,

854
00:42:59,400 --> 00:42:59,919
Speaker 2: it's great.

855
00:43:00,120 --> 00:43:04,960
Speaker 4: It's totally natural and organic. And you know, I sampled

856
00:43:05,000 --> 00:43:07,960
Speaker 4: a lot of different tailing eng lissions and really made

857
00:43:08,000 --> 00:43:11,560
Speaker 4: the best mix that I felt. You know, I did

858
00:43:11,560 --> 00:43:13,640
Speaker 4: the research, and you know, I'm not going to put

859
00:43:13,640 --> 00:43:16,719
Speaker 4: my name on something that isn't truly the most excellent

860
00:43:16,800 --> 00:43:18,080
Speaker 4: option out there on the market.

861
00:43:18,120 --> 00:43:20,080
Speaker 2: What are their products? Is your name on already?

862
00:43:20,480 --> 00:43:24,960
Speaker 4: So we have our nail polish line, we have leggings.

863
00:43:25,040 --> 00:43:27,640
Speaker 2: Of course, I've seen some lip gloss.

864
00:43:27,680 --> 00:43:29,879
Speaker 4: I think, yes, we have a lip glass that's on

865
00:43:30,040 --> 00:43:32,120
Speaker 4: hold right now. Those sold out really fast, and then

866
00:43:32,120 --> 00:43:35,479
Speaker 4: we have crop tops, like glittery crop tops coming soon.

867
00:43:35,680 --> 00:43:37,240
Speaker 2: What about beanbag chairs?

868
00:43:37,440 --> 00:43:40,800
Speaker 4: Beanbag chairs, that's an interesting pitch. I mean, we've talked

869
00:43:40,800 --> 00:43:43,560
Speaker 4: about that because there is such a big demand for

870
00:43:43,640 --> 00:43:46,719
Speaker 4: those right now, especially like celebrity designed beanback chairs, So

871
00:43:46,840 --> 00:43:48,799
Speaker 4: that is something that is in the worst is all.

872
00:43:49,040 --> 00:43:51,360
Speaker 1: It just feels like this is enough, that this is

873
00:43:51,480 --> 00:43:58,120
Speaker 1: enough show how long has this been? Brett just seems

874
00:43:58,120 --> 00:44:01,120
Speaker 1: like we're hitting the same feats over and over again,

875
00:44:01,160 --> 00:44:02,839
Speaker 1: and like we can just get out now.

876
00:44:04,719 --> 00:44:05,800
Speaker 5: Almost thirty minutes.

877
00:44:06,120 --> 00:44:10,560
Speaker 1: That's plenty. Okay, hey, you know and all the stuff

878
00:44:10,600 --> 00:44:11,600
Speaker 1: from a lot.

879
00:44:11,520 --> 00:44:13,520
Speaker 2: Of times I already do thirty five or forty minutes

880
00:44:13,520 --> 00:44:15,560
Speaker 2: with a guest and maybe e when we take some

881
00:44:15,680 --> 00:44:18,319
Speaker 2: out or this one is I think thirty is.

882
00:44:19,200 --> 00:44:21,720
Speaker 4: You haven't even talked about my theatrical vlog yet.

883
00:44:22,400 --> 00:44:25,640
Speaker 2: She has a vlog she wanted to describe. Why do

884
00:44:26,000 --> 00:44:29,759
Speaker 2: you have somewhere to be I mean, well, it's just good.

885
00:44:29,840 --> 00:44:32,120
Speaker 1: I just wanted to be good. And it feels like

886
00:44:32,120 --> 00:44:35,399
Speaker 1: like five minutes ago, it just like we just hit

887
00:44:35,719 --> 00:44:36,360
Speaker 1: a ditch.

888
00:44:36,560 --> 00:44:38,480
Speaker 2: Well that's around the time that you made a pretty

889
00:44:38,480 --> 00:44:40,839
Speaker 2: big goopsie, you know, and I don't think we need

890
00:44:40,880 --> 00:44:42,120
Speaker 2: to dance around it.

891
00:44:43,800 --> 00:44:46,080
Speaker 1: You know, well, I already explained. I already explained that

892
00:44:46,120 --> 00:44:47,440
Speaker 1: I know what it is, and it was you.

893
00:44:47,440 --> 00:44:49,200
Speaker 2: Said something about a hotel or something.

894
00:44:49,239 --> 00:44:52,839
Speaker 4: Can I ask a question, have you ever tried transcendentalmentitation?

895
00:44:53,719 --> 00:44:55,279
Speaker 4: I just brought it up because I think that it's

896
00:44:55,280 --> 00:44:57,480
Speaker 4: something I could see really working for you.

897
00:44:57,600 --> 00:45:00,000
Speaker 2: It's part of what made David Lynch's movie so much better?

898
00:45:00,040 --> 00:45:01,240
Speaker 4: Are now right?

899
00:45:02,600 --> 00:45:06,240
Speaker 1: So you think that'll help me know what stuff is better?

900
00:45:07,840 --> 00:45:09,080
Speaker 2: It would help you focus.

901
00:45:09,320 --> 00:45:11,799
Speaker 4: I think it would just like easier. There's a lot

902
00:45:11,840 --> 00:45:14,920
Speaker 4: of tension coming from your chakras right now, and I

903
00:45:15,040 --> 00:45:19,440
Speaker 4: just feel like some transital meditation mixed with crystal therapy,

904
00:45:19,840 --> 00:45:23,239
Speaker 4: I think you would be like you would be famous

905
00:45:23,280 --> 00:45:24,239
Speaker 4: like the next day.

906
00:45:24,320 --> 00:45:26,799
Speaker 2: I could see that really working for you. Yeah, And

907
00:45:26,840 --> 00:45:29,040
Speaker 2: maybe in a way, maybe what's going on is you

908
00:45:29,080 --> 00:45:32,280
Speaker 2: know so much that it's all jumping.

909
00:45:32,840 --> 00:45:36,440
Speaker 1: Supposed to so much information these days in our phones

910
00:45:36,520 --> 00:45:41,360
Speaker 1: and all this, like always getting calls and like even

911
00:45:41,440 --> 00:45:45,320
Speaker 1: like the labels on like products has like so much information.

912
00:45:45,360 --> 00:45:48,880
Speaker 1: Now we're supposed to look at like calories and like

913
00:45:48,960 --> 00:45:51,239
Speaker 1: also like how much sugar it has and stuff like that,

914
00:45:51,640 --> 00:45:52,200
Speaker 1: and like.

915
00:45:52,760 --> 00:45:55,520
Speaker 4: Do you live near like a radio tower. I'm just

916
00:45:55,600 --> 00:45:57,239
Speaker 4: curious because this is a common thing.

917
00:45:58,400 --> 00:46:00,919
Speaker 1: Well yeah, I mean I want my stuff to come

918
00:46:00,920 --> 00:46:01,840
Speaker 1: in fast.

919
00:46:02,560 --> 00:46:06,839
Speaker 2: Okay, Okay, well maybe it is best then if we

920
00:46:06,880 --> 00:46:08,879
Speaker 2: sort of wrap this one up.

921
00:46:10,360 --> 00:46:12,360
Speaker 1: I usually do it. Okay.

922
00:46:12,760 --> 00:46:17,560
Speaker 2: Uh, little Esther Hayes is gonna wrap us up and

923
00:46:17,640 --> 00:46:21,400
Speaker 2: take you out, and uh he'll.

924
00:46:21,160 --> 00:46:21,680
Speaker 1: Do it now.

925
00:46:22,440 --> 00:46:22,720
Speaker 4: Okay.

926
00:46:24,200 --> 00:46:25,480
Speaker 1: Thank you so much for.

927
00:46:29,320 --> 00:46:35,359
Speaker 2: You want me to handle it. Yeah, Esther, it's just

928
00:46:35,360 --> 00:46:38,520
Speaker 2: been a real treat having you here. Uh is there

929
00:46:38,560 --> 00:46:40,600
Speaker 2: anything you want to plug real quick before you go?

930
00:46:41,400 --> 00:46:44,319
Speaker 4: I would just say check out my web series Esther

931
00:46:44,440 --> 00:46:49,200
Speaker 4: with Hot Chicks on mtvoter dot com and also Twitter

932
00:46:49,920 --> 00:46:54,480
Speaker 4: of course there's Twitter, Instagram and Facebook obviously. And then

933
00:46:54,480 --> 00:46:58,440
Speaker 4: I would also like to say just thank you for

934
00:46:58,440 --> 00:47:00,880
Speaker 4: for tuning in and also keep on being a lookout

935
00:47:00,880 --> 00:47:02,480
Speaker 4: for my next theatrical vlog.

936
00:47:02,800 --> 00:47:06,920
Speaker 2: Okay, and then we're a podcast. We're called Hollywood Handbook

937
00:47:06,920 --> 00:47:09,080
Speaker 2: and that's what you listen to. And you can see

938
00:47:09,120 --> 00:47:13,040
Speaker 2: us on earwolf and iTunes. You could write a review,

939
00:47:13,080 --> 00:47:14,600
Speaker 2: and you can talk to us on the forums, and

940
00:47:14,640 --> 00:47:16,800
Speaker 2: you can like our Facebook page and you can follow

941
00:47:16,880 --> 00:47:20,920
Speaker 2: me on Twitter. I'm at Sean Clements, but don't follow Hayes.

942
00:47:21,560 --> 00:47:22,120
Speaker 1: And then.

943
00:47:23,520 --> 00:47:26,480
Speaker 2: And then we want to say thank you to our

944
00:47:26,480 --> 00:47:29,600
Speaker 2: listener who bought the pro version this week, and his

945
00:47:29,760 --> 00:47:38,480
Speaker 2: name is Washington Monugent. And as a gift, esther is

946
00:47:38,560 --> 00:47:42,880
Speaker 2: gonna tell him the name of one person who we

947
00:47:42,920 --> 00:47:45,600
Speaker 2: thought was one sexual orientation but turns out they're a

948
00:47:45,600 --> 00:47:47,320
Speaker 2: different one.

949
00:47:47,640 --> 00:47:52,000
Speaker 4: Cool, awesome, you guys, Thank you so much.

950
00:47:52,400 --> 00:47:53,520
Speaker 1: Do you want to get to do it?

951
00:47:53,760 --> 00:47:54,640
Speaker 4: Oh right now?

952
00:47:55,280 --> 00:47:59,320
Speaker 2: Yeah, but it's just for Washington mon just for Washington Monugent,

953
00:47:59,360 --> 00:48:02,360
Speaker 2: So everyone else, unplug your earbuds so it can be

954
00:48:02,400 --> 00:48:03,279
Speaker 2: a big one.

955
00:48:03,360 --> 00:48:04,120
Speaker 1: It can be a big one.

956
00:48:04,239 --> 00:48:06,080
Speaker 4: Two three, Zachary Canto.

957
00:48:06,640 --> 00:48:07,080
Speaker 1: Bye.

958
00:48:13,560 --> 00:48:16,520
Speaker 2: This has been an Earwolf Media production, executive producers Jeff

959
00:48:16,600 --> 00:48:19,520
Speaker 2: Ulrick and Scott Ackerman. For more information, visit earwolf dot.

960
00:48:19,400 --> 00:48:34,960
Speaker 1: Com, ear Warf Radio, Boom dot com, The worlf Dead