WEBVTT - Selects: Knife Throwing: Super Cool

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<v Speaker 1>M Hey, everybody, it's Josh and for this week's select,

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<v Speaker 1>I've chosen a member of our surprisingly extensive circus art suite,

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<v Speaker 1>our episode on knife throwing, thanks to Laverne and Shirley.

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<v Speaker 1>I always thought it was a gimmick, not actually real,

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<v Speaker 1>but boy, did this episode open my eyes. I hope

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<v Speaker 1>it opened your eyes too, to the awesomeness of knife throwing. Enjoy.

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<v Speaker 1>Welcome to Stuff You Should Know, a production of I

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<v Speaker 1>Heart Radio. Hey, and welcome to the podcast. I'm Josh Clark.

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<v Speaker 1>There's Charles Chuck Bryant, and there's this stuff you should

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<v Speaker 1>all right, this bears some explanation. So I was doing

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<v Speaker 1>my Stevie from Malcolm in the Middle of Impression, which

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<v Speaker 1>one is Stevie. He was the kid in the wheelchair

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<v Speaker 1>who's like breathed like that, who talked like that because

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<v Speaker 1>he he had serious asthma. Yeah, he remember him. Was

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<v Speaker 1>he just like a classmate? Yeah? He was like his

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<v Speaker 1>best friend, I believe I remember. I like, I like

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<v Speaker 1>that show that. Yeah, well that's not what I was doing. Really. No,

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<v Speaker 1>we're slightly out of breath because we just had a

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<v Speaker 1>fire alarm. Yeah, we had to walk down four stairs

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<v Speaker 1>four flights of stairs and not like this, the one,

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<v Speaker 1>the kind of flight where it's like down, landing down again,

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<v Speaker 1>the two flights. Yeah, so we walked down eight flights

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<v Speaker 1>of stairs and then walked back eight more. Right when

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<v Speaker 1>we got down, stopped and immediately turned around to go

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<v Speaker 1>back in. It was ridiculous. It was the kind of

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<v Speaker 1>thing that makes you say, maybe I will only next time.

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<v Speaker 1>It was a fire alarm. I was prepared to hide

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<v Speaker 1>in the studio and keep working. Yeah, we thought about it,

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<v Speaker 1>but there's a fire marshal who works here, so you

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<v Speaker 1>can't can't run a foul him. Man, he got on

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<v Speaker 1>that orange best quick changes everything. So I ever heard

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<v Speaker 1>of those guys that sneak into places with those vests? Yes,

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<v Speaker 1>I have, I don't is there a name for what

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<v Speaker 1>I think these? I'm sure more than one person has

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<v Speaker 1>done this, But there's these two guys in particular who

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<v Speaker 1>uh kind of got I don't know about famous, but

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<v Speaker 1>made a name for themselves for putting on the orange

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<v Speaker 1>vests and saying basically like, if you wear one of these,

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<v Speaker 1>you can get in anywhere you want. Amost, if you

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<v Speaker 1>have orange vest on, you look like you're supposed to

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<v Speaker 1>be there. Well, yeah, you gotta have that steely sense

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<v Speaker 1>of nerve and Alwaukie talkie is probably a good thing

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<v Speaker 1>to have to Yeah, but they can go anywhere because

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<v Speaker 1>the orange vest guy that means that's something's wrong in

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<v Speaker 1>the orange vest guy has to take care of it. Yeah,

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<v Speaker 1>Like they showed pictures in the in front of a

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<v Speaker 1>I can't remember what show it was, but a big,

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<v Speaker 1>big concert where they were in that buffer area between

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<v Speaker 1>the people in the stage, right, yeah, and fred Durst

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<v Speaker 1>is like, oh, there's an orange guest, the best guy.

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<v Speaker 1>Something must be going on. What year was a h

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<v Speaker 1>This would been two thousand two maybe the fred Dorst

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<v Speaker 1>ears Great Years, the Wonder Years. Right, Well, man, I'm

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<v Speaker 1>hot now too. I'm I feel good. I got like that,

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<v Speaker 1>got the endorphins fall and this is gonna be a

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<v Speaker 1>cool episode, buddy. Well the irony is I so grossly

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<v Speaker 1>out of shape. I started getting on the peloton yeah

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<v Speaker 1>last week, so I've been and this is not a

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<v Speaker 1>plug for pellets, I guess it is, but it's not

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<v Speaker 1>an ad, but I've been getting on that thing. So

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<v Speaker 1>my legs are ham rubber rubber band hams right now. Anyway, Yeah, Hey,

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<v Speaker 1>y'all prepare yourself for the rubber band ham. That's hey,

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<v Speaker 1>will you indulge me for one moment? Oh man, I've

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<v Speaker 1>been waiting for you to ask me that for a

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<v Speaker 1>long time. Alright, So I've got the old side get

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<v Speaker 1>going with Movie Crush, my podcast where every Friday I

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<v Speaker 1>sit down with someone awesome and talk about their favorite

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<v Speaker 1>movie and kill it. Thank you. But I have now

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<v Speaker 1>added a second weekly episode that publishes on Monday called

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<v Speaker 1>Mini Crushes, And that's where I just sit in here

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<v Speaker 1>with producer Noel. He's sort of the omniscient voice of God, uh,

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<v Speaker 1>and he sort of chimes in, and I source a

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<v Speaker 1>lot of questions from Facebook to the Movie Crush Facebook page,

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<v Speaker 1>um listener mails, I do recommendations. It's just a really

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<v Speaker 1>interactive fan based experience. So I want to plug the

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<v Speaker 1>Mini Crushes and let everyone know that. Yesterday I dropped

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<v Speaker 1>a very special mini Crush, which was The Chuck and

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<v Speaker 1>it's Emily's podcast debut. Oh congratulations, man, that's right. It's

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<v Speaker 1>called The Chuck and Emily drink wine uh and talk

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<v Speaker 1>about the Oscar nominations. Oh yes, yeah, So we recorded

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<v Speaker 1>this thing at home. We put the kid to bed

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<v Speaker 1>and broke out some nice wine and did our pre

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<v Speaker 1>Oscar round up, So that dropped yesterday, and then next Monday,

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<v Speaker 1>the day after the Oscars, we're going to have our

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<v Speaker 1>post Oscar round up where we talked about who won

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<v Speaker 1>and what the speeches were like and who wore it best.

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<v Speaker 1>That's awesome, man, Emily is going to be a star. Chuck. Yeah,

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<v Speaker 1>she was actually pretty great. And if you want a

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<v Speaker 1>little peek behind the merrital curtain, uh, this is this

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<v Speaker 1>is your chance. So yeah, if you could check out

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<v Speaker 1>movie Crush on Apple podcasts or where we get your podcasts.

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<v Speaker 1>Nice man, do you feel indulged? Very much? Good? All right,

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<v Speaker 1>let's talk about knife throwing. So I'm a little psyched

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<v Speaker 1>about this because knife throwing taps into my ninja training

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<v Speaker 1>that I did under Tommy Roper as I'm sure I've

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<v Speaker 1>mentioned before, uh reading about this researching it. I never

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<v Speaker 1>threw knives. We never made it that far, and maybe

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<v Speaker 1>now I'll be I'll be hang gliding throwing knives at

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<v Speaker 1>the same time. I'm going to get into both at once.

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<v Speaker 1>But I did a little throwing star stuff. Throwing star

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<v Speaker 1>is like the dummies, Uh, knife throwing because that thing

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<v Speaker 1>always sticks, right, Yeah, I mean, depending on how many

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<v Speaker 1>spikes you got coming off of it, and how many

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<v Speaker 1>beers you've had, um, and and whether the tree is

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<v Speaker 1>actually like a metal pole or not, you're probably gonna

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<v Speaker 1>stick a throwing star. Throwing a knife is an entirely

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<v Speaker 1>different endeavor, and it's something that anybody can do. That

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<v Speaker 1>Nicholas Jerbis or Gervous never met him yet. Um, he

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<v Speaker 1>points out, this is actually kind of like a low

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<v Speaker 1>hanging hobby that you could. You can get a set

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<v Speaker 1>of knives for ten fifteen bucks apiece. You probably one

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<v Speaker 1>about five is well, we'll explain why, um, maybe six.

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<v Speaker 1>You just practice, get yourself a good block of wood,

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<v Speaker 1>and practice, and anybody can do this. It's not like

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<v Speaker 1>you're born to throw knives. You practice and if you

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<v Speaker 1>like it, you keep going and you just get better

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<v Speaker 1>and better at it, and you can impress your friends

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<v Speaker 1>and neighbors. Yes, and here's the point in the show

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<v Speaker 1>where we issue our c o A. Kids, if you're

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<v Speaker 1>out there, do not go get a steak knife from

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<v Speaker 1>your drawer and start throwing it at your dog. That

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<v Speaker 1>is not a throwing knife. And never throw anything at

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<v Speaker 1>your dog. Kids, I will come find you. Yeah, never

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<v Speaker 1>throw anything at anybody that's sharp. But um, throwing knives

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<v Speaker 1>are built to throw. They're weighted and balanced to throw.

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<v Speaker 1>They're not like regular old knives. And we'll get into

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<v Speaker 1>all that. But just if you really want to try

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<v Speaker 1>throwing knives, go ask mom and dad or Tommy Roper

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<v Speaker 1>and get ready, get ready for a no, and then

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<v Speaker 1>and then play them this podcast where it is an

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<v Speaker 1>actual um circus art. And please, for the love of God,

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<v Speaker 1>tell me this is the last one. I don't think

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<v Speaker 1>of the circus arts. No, it's not. What else is?

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<v Speaker 1>There's a bunch we've done the Globe of Death, flame

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<v Speaker 1>swallowing lions, aiming swords, swallowing sword swallowing. H we did

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<v Speaker 1>circus families, just straight up circus families. Human cannonball has

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<v Speaker 1>got to be it. I don't think so, man. I

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<v Speaker 1>think it's going to keep going into clouns clowns for sure. Yeah, um,

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<v Speaker 1>they haven't. Don't want to p T Barnum though, No,

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<v Speaker 1>you mean Hugh Jackman, what is it, Chuck Stradomas, I

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<v Speaker 1>don't know something like that. I make one lucky casting

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<v Speaker 1>call predict, one sexual predator and one bad Lifetime movie

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<v Speaker 1>or what what was shark Nato sci fi sci fi movie?

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<v Speaker 1>Three Little Things? That's all. That doesn't make me Nuxtra

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<v Speaker 1>Domans haven't won the lottery yet. I think of all

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<v Speaker 1>the things I have said that didn't come true right

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<v Speaker 1>way more. Yeah, I guess that's true. You know, yeah,

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<v Speaker 1>whatever writes in and well that didn't happen, right, you

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<v Speaker 1>really got that. Actually, they do right in to tell

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<v Speaker 1>us we got stuff wrong a lot. That's so we're

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<v Speaker 1>gonna take this seriously because we want you ten year

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<v Speaker 1>olds out there who want to get your parents to

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<v Speaker 1>let you do this, to to see that you're taking

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<v Speaker 1>this seriously by listening to this podcast. First. Okay, that's right.

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<v Speaker 1>So what we're talking about specifically is known as uh

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<v Speaker 1>somewhat ironically as an impalement act um, which is really

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<v Speaker 1>weird thing to call it. It's well, it's um, yeah,

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<v Speaker 1>it really is. I think it's a little tongue in cheek,

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<v Speaker 1>you think, because the point is to not right, The

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<v Speaker 1>point is to not impale somebody with this kind of thing, right,

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<v Speaker 1>that's right. And and impalement acts are an umbrella term

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<v Speaker 1>that cover not just knife throwing but bull whip cracking, oh, shoot,

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<v Speaker 1>sharp shooting, archery, William tell kind of thing. All of

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<v Speaker 1>those fall under the the umbrella term of impalement acts.

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<v Speaker 1>Jerry's undressing over there to our left, she got very

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<v Speaker 1>hot in the fire drop. Um. All right, so this

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<v Speaker 1>goes back if we can get back on the way

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<v Speaker 1>back machine, Um, all the way back to the late

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<v Speaker 1>nineteenth century. We to go back here further than that.

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<v Speaker 1>Are you gonna go like to ancient times? No? No,

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<v Speaker 1>We'll still will just go to the nineteenth century because

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<v Speaker 1>I'm sure Chinese people in ancient times through stuff that's

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<v Speaker 1>stuck in walls. Well, I looked at I looked up

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<v Speaker 1>the oldest knife and started everything. Apparently they did. Apparently

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<v Speaker 1>they found the oldest knife five thousand years ago. Oh,

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<v Speaker 1>the oldest knife knife. So we've been using knives longer

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<v Speaker 1>than there have been modern humans, yeah, for sure. And

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<v Speaker 1>then we at some point, probably about four hundred and

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<v Speaker 1>ninety nine thousand years ago, we started throwing knives because

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<v Speaker 1>it's stabbing is okay, but throwing a knife is when

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<v Speaker 1>you really can come to appreciate what a knife does, okay,

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<v Speaker 1>And there was nothing better in it, like an eighties movie.

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<v Speaker 1>Then when like James Bond through a knife and I

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<v Speaker 1>got a guy or American ninja. That's what I was

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<v Speaker 1>trained on. Um. All right, so wild uh wild West shows,

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<v Speaker 1>Buffalo Bill and his Wild West Shows travel throughout the

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<v Speaker 1>United States, throughout Europe. Um knife throwing became a big

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<v Speaker 1>spectacle at things like this, as well as obviously sharp

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<v Speaker 1>shooting and ye probably archery. They probably did all the

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<v Speaker 1>impalement arts. They definitely did um and they really brought

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<v Speaker 1>it to the world, um to the to the point

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<v Speaker 1>where you can just basically say that's where it started,

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<v Speaker 1>was Buffalo Bill's Wild West Show. Yeah. And this is

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<v Speaker 1>one of those things where, through a modern lens, it

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<v Speaker 1>it is incredibly misogynistic to think about the fact that

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<v Speaker 1>you say, hey, let me take a scantily clad woman,

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<v Speaker 1>a target girl, yeah that's what they call him, a

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<v Speaker 1>target girl, and throw knives at her. Yeah, just stand there,

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<v Speaker 1>throw knives near her. It's always a lady. She's always

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<v Speaker 1>got on like a bikini or something. She's just like

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<v Speaker 1>almost like wild West steampunk renaissance fair thing, right, you know,

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<v Speaker 1>just to cover all of the all of the geek

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<v Speaker 1>boys dreams and desires. Right, But when you look at

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<v Speaker 1>it to the modern lens, it's like, man, that that

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<v Speaker 1>is totally misogynistic to Uh, that is the act. Um,

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<v Speaker 1>it's got a burlesque thing going on. Yeah sure, I

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<v Speaker 1>mean you can see what they're trying to do is

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<v Speaker 1>is toillate to the young boys in the audience. They're

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<v Speaker 1>trying to sell tickets, and it probably wouldn't have sold

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<v Speaker 1>as many tickets if they just had build a farmhand

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<v Speaker 1>with a balloon in his mouth getting popped, you know.

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<v Speaker 1>I mean, it's still pretty cool. You're still seeing the

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<v Speaker 1>same thing. But yeah, it's just basically tradition and customed

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<v Speaker 1>to have a scantily clad woman as your target girl. Again,

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<v Speaker 1>that's what they call him, is the target girl, and

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<v Speaker 1>that is the one of the two people involved in

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<v Speaker 1>this impalement act. That's right. Um, we mentioned the balloon

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<v Speaker 1>in the mouth. That was one of the big tricks.

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<v Speaker 1>There was a German husband and wife named the Gibsons

0:12:47.240 --> 0:12:51.800
<v Speaker 1>who introduced the very famous wheel of death in at

0:12:51.800 --> 0:12:54.400
<v Speaker 1>the Ringling Brothers show at in Madison Square Garden. Have

0:12:55.000 --> 0:12:57.880
<v Speaker 1>you seen this? Oh yeah, okay, So I had seen

0:12:57.960 --> 0:13:00.760
<v Speaker 1>stuff like with knife throwing before, and I thought Flee

0:13:00.800 --> 0:13:03.640
<v Speaker 1>Circus was another one. Do you remember our Flee Circus

0:13:03.720 --> 0:13:06.480
<v Speaker 1>episode where it turns out that Flee Circus has actually

0:13:06.520 --> 0:13:09.520
<v Speaker 1>involved real fleas. That was the best of the circus arts,

0:13:09.559 --> 0:13:11.640
<v Speaker 1>and everybody thought it was like, no, it's magnets or

0:13:11.760 --> 0:13:15.400
<v Speaker 1>just your imagination power of suggestion, and that's just not

0:13:15.480 --> 0:13:20.080
<v Speaker 1>the case. The same thing applies to knife throwing impalement acts.

0:13:20.160 --> 0:13:23.280
<v Speaker 1>Like I always thought, did you really? Yeah? I thought

0:13:23.400 --> 0:13:26.000
<v Speaker 1>I think there was like a Happy Days or something

0:13:26.080 --> 0:13:29.520
<v Speaker 1>like that where somebody gets volunteered. There's definitely an I

0:13:29.600 --> 0:13:33.080
<v Speaker 1>Love Lucy with a knife act where she's the target girl.

0:13:33.480 --> 0:13:37.880
<v Speaker 1>But there's some show where maybe Laverne and surely not

0:13:38.000 --> 0:13:40.840
<v Speaker 1>I think about it. Anyway, the guys throwing them and

0:13:40.960 --> 0:13:44.160
<v Speaker 1>like the knives are coming out of the backboard around them,

0:13:44.240 --> 0:13:48.120
<v Speaker 1>So it's all an illusion, right, That is not true.

0:13:48.400 --> 0:13:52.200
<v Speaker 1>In knife acts, you're if you're the target girl, a

0:13:52.320 --> 0:13:57.360
<v Speaker 1>dude is throwing twelve inch long, extremely sharp, pointy knives

0:13:58.040 --> 0:13:59.920
<v Speaker 1>right at your head and it's trying to get his

0:14:00.120 --> 0:14:04.120
<v Speaker 1>close as possible to you without hitting you. And again

0:14:04.160 --> 0:14:07.120
<v Speaker 1>it's not just that's just the profile where they're throwing

0:14:07.200 --> 0:14:09.720
<v Speaker 1>knives around you and making like a chalk outline of

0:14:09.800 --> 0:14:13.200
<v Speaker 1>your of your body. That's the profile. But there's other ones,

0:14:13.280 --> 0:14:16.280
<v Speaker 1>like holding a cigarette in your mouth and knocking the

0:14:16.360 --> 0:14:19.720
<v Speaker 1>ash off with a knife, or you're holding a flower

0:14:19.760 --> 0:14:22.200
<v Speaker 1>in your mouth and they slowly like cut the stem

0:14:22.240 --> 0:14:25.760
<v Speaker 1>off piece by piece. There's some some pretty interesting things

0:14:25.760 --> 0:14:29.040
<v Speaker 1>that people have done with knife acts. Yeah, sometimes, and

0:14:29.080 --> 0:14:32.360
<v Speaker 1>this is the riskiest of all moves. Riskier even more

0:14:32.400 --> 0:14:34.480
<v Speaker 1>so than the Wheel of death is when they do

0:14:34.560 --> 0:14:37.760
<v Speaker 1>the and they covered the target over with paper. Yeah,

0:14:37.760 --> 0:14:40.160
<v Speaker 1>the veiled wheel of death, so you can't even see

0:14:40.200 --> 0:14:42.360
<v Speaker 1>that spinning who is behind there? You just have to

0:14:42.400 --> 0:14:45.600
<v Speaker 1>have it timed completely perfectly right. But if you take

0:14:45.640 --> 0:14:49.480
<v Speaker 1>a step back and think about this, there is nothing

0:14:49.640 --> 0:14:56.000
<v Speaker 1>about that act that should allow you to say, oh,

0:14:56.040 --> 0:14:59.040
<v Speaker 1>if I throw like this, I will I will miss

0:14:59.120 --> 0:15:02.040
<v Speaker 1>the person because they're spinning, so you have to know

0:15:02.040 --> 0:15:04.480
<v Speaker 1>where their body is at every second. But you've taken

0:15:04.480 --> 0:15:08.040
<v Speaker 1>away how you know that, which is your vision because

0:15:08.040 --> 0:15:10.960
<v Speaker 1>they're behind a big sheet of paper that you're throwing

0:15:11.040 --> 0:15:14.040
<v Speaker 1>knives through. And there's this guy who will talk about

0:15:14.040 --> 0:15:16.640
<v Speaker 1>it a little further. His name is the Great throw Denie.

0:15:17.080 --> 0:15:22.400
<v Speaker 1>I love this guy. Uh he he has done something.

0:15:22.520 --> 0:15:26.520
<v Speaker 1>It's probably the most dangerous, most impressive knife throwing act

0:15:26.600 --> 0:15:30.000
<v Speaker 1>anyone's ever done. He did the veiled wheel of death

0:15:30.480 --> 0:15:34.280
<v Speaker 1>with two target girls on it. So he has two

0:15:34.320 --> 0:15:38.640
<v Speaker 1>girls strapped to a board, spinning behind a big piece

0:15:38.640 --> 0:15:40.680
<v Speaker 1>of paper that he can't see them through, and he's

0:15:40.720 --> 0:15:44.040
<v Speaker 1>throwing knives at them. Yes, very fast. The guy threw

0:15:44.080 --> 0:15:47.120
<v Speaker 1>him on an average of a knife every point five

0:15:47.240 --> 0:15:52.400
<v Speaker 1>nine seconds, UM, and he didn't hit either one of them. Amazing.

0:15:52.920 --> 0:15:54.720
<v Speaker 1>It is amazing. It's so amazing. I think we should

0:15:54.720 --> 0:16:22.880
<v Speaker 1>take a break and re regroup. We're back. We just

0:16:22.920 --> 0:16:28.160
<v Speaker 1>watched uh one hour of grade thirteen even videos. Uh.

0:16:28.200 --> 0:16:31.840
<v Speaker 1>He apparently caught on like in its fifties. Yeah. I

0:16:31.880 --> 0:16:33.320
<v Speaker 1>was like, hey, I'm pretty good at this. Back in

0:16:34.440 --> 0:16:37.320
<v Speaker 1>just I guess somebody was like, maybe have you tried

0:16:37.360 --> 0:16:39.200
<v Speaker 1>throwing knives? And he said no, I haven't, And they

0:16:39.200 --> 0:16:41.560
<v Speaker 1>were like, well, tried throwing knives and he said, well, fine,

0:16:41.600 --> 0:16:43.760
<v Speaker 1>I will. A couple of weeks later, he tried throwing

0:16:43.840 --> 0:16:46.640
<v Speaker 1>knives and he said I really like this. Um. He

0:16:46.720 --> 0:16:49.680
<v Speaker 1>said it felt natural and right. So he started throwing

0:16:49.720 --> 0:16:54.280
<v Speaker 1>knives and entered competitions and UM started winning. I think

0:16:54.280 --> 0:16:56.640
<v Speaker 1>he became world champion. With him like two years he

0:16:56.680 --> 0:17:00.640
<v Speaker 1>beat the other four people. Uh, and then he said,

0:17:00.680 --> 0:17:03.560
<v Speaker 1>you know what, this is fun and all like these competitions,

0:17:03.600 --> 0:17:06.520
<v Speaker 1>but I think I want to try and act like

0:17:06.560 --> 0:17:09.199
<v Speaker 1>an old throwback impalement act. So we started one when

0:17:09.400 --> 0:17:14.120
<v Speaker 1>by tuxedo and basically bought his wife Barbara target girl.

0:17:14.160 --> 0:17:18.000
<v Speaker 1>Get up that his uh target girl one of them. Yeah,

0:17:18.040 --> 0:17:20.359
<v Speaker 1>I think she may have been the original one. Uh.

0:17:20.560 --> 0:17:22.919
<v Speaker 1>Taught her to smoke cigarettes so he could knock the

0:17:23.000 --> 0:17:25.119
<v Speaker 1>ash off of the end of him. And there you go.

0:17:26.520 --> 0:17:29.879
<v Speaker 1>Impalement act achieved. But not only that, Chuck like the

0:17:29.920 --> 0:17:34.720
<v Speaker 1>guy is like legitimately the best knife thrower on the planet. Well,

0:17:34.800 --> 0:17:36.800
<v Speaker 1>he's one of them. He holds a record for fastest.

0:17:36.880 --> 0:17:39.720
<v Speaker 1>But boy, you go down a YouTube rabbit hole and

0:17:39.840 --> 0:17:45.000
<v Speaker 1>to like people like Ralph Thorne and better than Great Thordini. Huh,

0:17:45.280 --> 0:17:47.879
<v Speaker 1>well Great Thordini does the impalement act as in the

0:17:47.960 --> 0:17:51.160
<v Speaker 1>Circus art. Ralph Thorn is like, if you're running through

0:17:51.160 --> 0:17:55.080
<v Speaker 1>the woods chasing somebody, I haven't seen this guy and

0:17:55.080 --> 0:17:57.160
<v Speaker 1>this is well that's the Thorn style. We'll get into

0:17:57.160 --> 0:17:59.800
<v Speaker 1>those styles later, okay, but um yeah, he will like

0:18:00.000 --> 0:18:01.840
<v Speaker 1>bunch himself off of a tree stump in the air

0:18:02.240 --> 0:18:05.320
<v Speaker 1>and throwing behind his back. And see now that's basically

0:18:05.359 --> 0:18:10.040
<v Speaker 1>the training I was. Yeah, yeah, like martial arts, real world,

0:18:10.480 --> 0:18:17.920
<v Speaker 1>suburban neighborhood dangers. There's a raccoon. Oh no, no, no, no,

0:18:18.000 --> 0:18:21.800
<v Speaker 1>you're not throwing a raccoons. Um, alright, so the raccoon

0:18:21.880 --> 0:18:27.240
<v Speaker 1>comes at me. Well sure, okay, Um, here's what you

0:18:27.240 --> 0:18:29.399
<v Speaker 1>need if you if you're gonna throw a knife, you

0:18:29.440 --> 0:18:32.120
<v Speaker 1>need a throwing knife. Throwing knife. Like I said, it's

0:18:32.119 --> 0:18:34.960
<v Speaker 1>not a steak knife. It is very much made to

0:18:35.040 --> 0:18:38.159
<v Speaker 1>be thrown. It is balanced so that you throw it.

0:18:38.520 --> 0:18:40.879
<v Speaker 1>And we'll talk about the different ways that they're balanced.

0:18:41.200 --> 0:18:45.800
<v Speaker 1>But one thing they're not is sharp on the sides.

0:18:45.960 --> 0:18:48.760
<v Speaker 1>Yeah they're very pointy, but um they're dull on the

0:18:48.800 --> 0:18:50.600
<v Speaker 1>edges because you're gonna a lot of times to be

0:18:50.640 --> 0:18:55.359
<v Speaker 1>throwing it by that blade. Um, so get a knife

0:18:55.400 --> 0:19:01.399
<v Speaker 1>for throwing. The old saying, Um, sharp of point, sharper

0:19:01.480 --> 0:19:07.040
<v Speaker 1>point is the point, sharp of edge? It doesn't It

0:19:07.080 --> 0:19:11.240
<v Speaker 1>does you no good? That old Yeah, that's a great thing.

0:19:11.520 --> 0:19:14.960
<v Speaker 1>Like that should go on a T shirt. You should so. Um, yeah,

0:19:15.000 --> 0:19:17.160
<v Speaker 1>you want a sharp point. But there's there's nothing about

0:19:17.160 --> 0:19:19.000
<v Speaker 1>a sharp edge that's going to help you in any way,

0:19:19.000 --> 0:19:22.760
<v Speaker 1>shape or form, because the whole point again is the

0:19:22.800 --> 0:19:25.760
<v Speaker 1>point that's gonna stick into that end of whatever that

0:19:26.200 --> 0:19:30.520
<v Speaker 1>target is, which is usually a block of wood. Right. So, um,

0:19:30.720 --> 0:19:33.680
<v Speaker 1>depending on where how you're going to throw it, you

0:19:33.720 --> 0:19:36.600
<v Speaker 1>want to throw the heavy end first. And there's a

0:19:36.640 --> 0:19:40.119
<v Speaker 1>reason for this. The reason is is that, if you

0:19:40.240 --> 0:19:45.880
<v Speaker 1>want to get technical about it, velocity equals um distance

0:19:46.080 --> 0:19:49.320
<v Speaker 1>divided by time, right. And when you're throwing a knife,

0:19:49.400 --> 0:19:53.600
<v Speaker 1>especially the heavy end first, the heavy end has traveled

0:19:53.840 --> 0:19:56.679
<v Speaker 1>a further distance in the same amount of time than

0:19:56.720 --> 0:20:00.359
<v Speaker 1>the lighter end. This friends creates something very parting a

0:20:00.440 --> 0:20:05.680
<v Speaker 1>knife throwing, although not fundamental, which is spin. Okay, And

0:20:05.800 --> 0:20:08.440
<v Speaker 1>so if you throw the throw the knife, you're gonna

0:20:08.440 --> 0:20:11.879
<v Speaker 1>throw it either blade end or handle end. And the

0:20:12.119 --> 0:20:18.320
<v Speaker 1>end regards what you're holding when you throw it. And

0:20:18.359 --> 0:20:21.920
<v Speaker 1>if you're holding say a knife handle, and you're throwing

0:20:21.960 --> 0:20:25.840
<v Speaker 1>it from the handle end, you're the front of the knife.

0:20:25.880 --> 0:20:28.080
<v Speaker 1>The point is going to be weighted. It's going to

0:20:28.119 --> 0:20:31.240
<v Speaker 1>be heavier so that that starts the spin. If you're

0:20:31.280 --> 0:20:34.560
<v Speaker 1>throwing it blade first, the handle itself will be heavier

0:20:35.280 --> 0:20:37.640
<v Speaker 1>so that will start the spin. And there's a couple

0:20:37.640 --> 0:20:42.480
<v Speaker 1>of different depending on which way you're throwing. There's a

0:20:43.240 --> 0:20:46.080
<v Speaker 1>the spin is going to take place over this the

0:20:46.200 --> 0:20:51.080
<v Speaker 1>course of um a very short distance actually, and so

0:20:51.359 --> 0:20:53.440
<v Speaker 1>let me let me just back up a second here.

0:20:54.640 --> 0:20:59.920
<v Speaker 1>There's there's some factors involved. Okay. They are distanced to target,

0:21:00.480 --> 0:21:05.080
<v Speaker 1>length of NiFe, weight and balance and then knife type. Right,

0:21:05.160 --> 0:21:07.840
<v Speaker 1>So the distance the target is going to is going

0:21:07.880 --> 0:21:14.120
<v Speaker 1>to tell you what type of throw you want. That's right. Um,

0:21:14.480 --> 0:21:18.239
<v Speaker 1>the kind of knife. Uh, they say, for every good

0:21:18.320 --> 0:21:19.960
<v Speaker 1>rule of thumb here, just throw it out. But they

0:21:19.960 --> 0:21:24.000
<v Speaker 1>do mention a rule of thumb regardless. That says a

0:21:24.040 --> 0:21:28.399
<v Speaker 1>blade that weighs about one ounce per inch, so in

0:21:28.400 --> 0:21:31.719
<v Speaker 1>this per inch of your the whole knife. Yeah, so um,

0:21:32.640 --> 0:21:35.080
<v Speaker 1>they shouldn't. Well, you can throw it ever you want,

0:21:35.160 --> 0:21:40.240
<v Speaker 1>but ten to sixteen ounces is a good starter knife, uh,

0:21:40.480 --> 0:21:42.560
<v Speaker 1>you know, and about that long or maybe twelve to

0:21:42.600 --> 0:21:46.120
<v Speaker 1>four fourteen inches and about that many ounces is where

0:21:46.160 --> 0:21:48.560
<v Speaker 1>you want to start off as a beginner. And all

0:21:48.640 --> 0:21:50.960
<v Speaker 1>kinds of shapes too, Like some of them are like

0:21:51.000 --> 0:21:56.200
<v Speaker 1>little spears. Uh, some have multiple points more like throwing stars. Uh.

0:21:56.480 --> 0:21:59.080
<v Speaker 1>They really run the gamut right and the um. So

0:21:59.200 --> 0:22:01.320
<v Speaker 1>depending on how you're gonna throw, whether it's a handle

0:22:01.320 --> 0:22:03.720
<v Speaker 1>throw or a blade throw. The weight of the knife

0:22:03.840 --> 0:22:05.760
<v Speaker 1>is going to be either in the handle or the blade.

0:22:05.760 --> 0:22:08.400
<v Speaker 1>It's going to be the opposite of where you're holding

0:22:08.400 --> 0:22:12.760
<v Speaker 1>the knife. Um. And if you throw holding the blade,

0:22:13.160 --> 0:22:16.160
<v Speaker 1>you're going to throw a half turn. It's a half

0:22:16.160 --> 0:22:19.560
<v Speaker 1>turn throw right. And the reason they call it that

0:22:19.640 --> 0:22:22.639
<v Speaker 1>is because the knife only makes one half turn. The

0:22:23.160 --> 0:22:27.760
<v Speaker 1>blade straightens out from your hand toward the target, and

0:22:27.760 --> 0:22:29.879
<v Speaker 1>then that's the only turn it makes. Yeah, it's not

0:22:29.960 --> 0:22:31.840
<v Speaker 1>like in the movies a lot of times you'll see

0:22:31.840 --> 0:22:35.080
<v Speaker 1>you go right and turn like nine times and stick

0:22:35.160 --> 0:22:38.199
<v Speaker 1>the guy in the forehead. That's really not what you're

0:22:38.240 --> 0:22:41.040
<v Speaker 1>doing with knife throwing. No, it's basically if you if

0:22:41.040 --> 0:22:42.920
<v Speaker 1>you're throwing it by the blade, it's gonna make one

0:22:42.960 --> 0:22:46.080
<v Speaker 1>half turn and that's it. So you if your blade throwing,

0:22:46.119 --> 0:22:49.680
<v Speaker 1>you would stand closest to the target, right, So if

0:22:49.680 --> 0:22:52.000
<v Speaker 1>some guys coming at you dressed as a raccoon and

0:22:52.040 --> 0:22:53.600
<v Speaker 1>you know he's gonna hurt you and you can throw

0:22:53.640 --> 0:22:55.520
<v Speaker 1>a knife and he's real close, you would throw by

0:22:55.520 --> 0:22:59.120
<v Speaker 1>the blade. That's right. Uh. And in fact, I don't

0:22:59.119 --> 0:23:01.520
<v Speaker 1>even know if it's possible bowl to throw a knife

0:23:01.520 --> 0:23:03.400
<v Speaker 1>like they do in the movies that I don't think

0:23:03.400 --> 0:23:06.159
<v Speaker 1>so just tumbles because every video I saw there, like

0:23:06.200 --> 0:23:08.960
<v Speaker 1>you try and prevent tumbling as much as you can,

0:23:09.480 --> 0:23:13.160
<v Speaker 1>Like that's the whole game. It's too because physics says

0:23:13.240 --> 0:23:16.520
<v Speaker 1>that a revolving object that suddenly breaks free will continue

0:23:16.520 --> 0:23:18.880
<v Speaker 1>to move in a straight line tangential to the point

0:23:18.920 --> 0:23:22.960
<v Speaker 1>at which it's released. In other words, that release points

0:23:22.960 --> 0:23:24.719
<v Speaker 1>a little tricky. You know, you gotta dial that in.

0:23:25.680 --> 0:23:27.840
<v Speaker 1>But we'll get to that too. And on the actual

0:23:27.880 --> 0:23:32.440
<v Speaker 1>throwing right, um, so the uh. The next the next

0:23:32.480 --> 0:23:36.840
<v Speaker 1>furthest away from the target is if you're holding the

0:23:36.840 --> 0:23:40.080
<v Speaker 1>the knife by the handle and you're throwing it, it's

0:23:40.119 --> 0:23:43.160
<v Speaker 1>going to make that's a full turn, full spin uh,

0:23:43.520 --> 0:23:46.639
<v Speaker 1>to where the blade goes from facing the target, facing

0:23:46.640 --> 0:23:48.760
<v Speaker 1>away from the target, and back to facing the target

0:23:48.840 --> 0:23:52.399
<v Speaker 1>in time to stick into that target and not embarrassing

0:23:52.520 --> 0:23:54.920
<v Speaker 1>he bounce off because it hit the blade or the

0:23:54.960 --> 0:23:58.439
<v Speaker 1>handle first. But it's very humiliating, so humility. Uh. And

0:23:58.480 --> 0:24:00.879
<v Speaker 1>then the last one is the furthest thrown away And

0:24:00.880 --> 0:24:03.800
<v Speaker 1>it's about the most you would ever want a blade

0:24:03.880 --> 0:24:07.760
<v Speaker 1>to turn, which is two times. That's about thirty ft

0:24:07.880 --> 0:24:10.960
<v Speaker 1>or about ten meters away from your target. You could

0:24:11.240 --> 0:24:14.679
<v Speaker 1>possibly get it to spin twice, but usually you just

0:24:14.720 --> 0:24:18.920
<v Speaker 1>wanted to spin once or half and that's it. Yeah,

0:24:19.000 --> 0:24:21.960
<v Speaker 1>And uh, did you say a half turns about seven

0:24:22.040 --> 0:24:23.720
<v Speaker 1>or eight feet. I don't think I did. I just

0:24:23.760 --> 0:24:25.920
<v Speaker 1>said it was the closest. Yeah, about seven or eight feet.

0:24:25.920 --> 0:24:28.199
<v Speaker 1>It depends full spin about twelve to fifteen And like

0:24:28.240 --> 0:24:33.000
<v Speaker 1>you said, the the great throw Dni double Bondini double

0:24:33.200 --> 0:24:38.520
<v Speaker 1>twist is up to Yeah. Although one of these other

0:24:38.520 --> 0:24:40.960
<v Speaker 1>throws that we're gonna get into, this thorn throw. One

0:24:41.000 --> 0:24:44.000
<v Speaker 1>of the benefits is you can throw from anywhere, supposedly.

0:24:44.640 --> 0:24:46.679
<v Speaker 1>So we're gonna take one more break and then we're

0:24:46.680 --> 0:24:49.840
<v Speaker 1>gonna come back and teach you a little bit about

0:24:49.880 --> 0:24:53.119
<v Speaker 1>throwing and then, uh, what to look for in a

0:24:53.160 --> 0:25:21.720
<v Speaker 1>good knife. Okay, so you've got you know about how

0:25:21.720 --> 0:25:23.520
<v Speaker 1>close you want to stay into the target, depending on

0:25:23.560 --> 0:25:26.719
<v Speaker 1>whether you're holding the knife by the blade or the handle.

0:25:27.680 --> 0:25:29.879
<v Speaker 1>The good thing is is there are a couple of

0:25:29.880 --> 0:25:32.240
<v Speaker 1>different grips, but they're very similar. So if you're like,

0:25:32.280 --> 0:25:34.040
<v Speaker 1>I want to get into blade throwing first because that

0:25:34.080 --> 0:25:39.320
<v Speaker 1>looks pretty cool, you're going to basically pinch the blade

0:25:39.320 --> 0:25:41.440
<v Speaker 1>of the knife and remember these are not sharp edges,

0:25:41.520 --> 0:25:43.840
<v Speaker 1>so you should be fine if you do. If you

0:25:43.880 --> 0:25:46.439
<v Speaker 1>I saw, if you are using a sharp edge knife,

0:25:46.760 --> 0:25:49.640
<v Speaker 1>you want to hold the blunt end. But you don't

0:25:49.680 --> 0:25:51.040
<v Speaker 1>want to do that. You don't even want to do that,

0:25:51.480 --> 0:25:53.600
<v Speaker 1>so so it doesn't really matter which way you're holding it.

0:25:53.600 --> 0:25:55.200
<v Speaker 1>But if you if it is sharp on what edge,

0:25:55.359 --> 0:25:57.520
<v Speaker 1>hold the other edge and you're just basically pinching it

0:25:57.600 --> 0:26:00.960
<v Speaker 1>between your your thumb and your first three fingers just

0:26:01.000 --> 0:26:03.200
<v Speaker 1>a little pitch. Yeah, it's just just a teeny pinch.

0:26:03.359 --> 0:26:06.640
<v Speaker 1>Maybe stick your pinky out for effecture, all right, and

0:26:06.680 --> 0:26:09.679
<v Speaker 1>that that's the blade throw. Yeah, and you've already got

0:26:09.720 --> 0:26:11.240
<v Speaker 1>your target. By the way, at this point, I know

0:26:11.280 --> 0:26:15.399
<v Speaker 1>you mentioned a block of wood, but they recommend um

0:26:15.520 --> 0:26:19.200
<v Speaker 1>aims small. What does it start? Small? Aim small? Yeah,

0:26:19.240 --> 0:26:22.919
<v Speaker 1>which is don't don't You don't need a tree trunk

0:26:23.560 --> 0:26:26.760
<v Speaker 1>um sliced up and put on a wall like you

0:26:26.840 --> 0:26:29.119
<v Speaker 1>just need, like whatever, a little twelve inch by twelve

0:26:29.160 --> 0:26:31.520
<v Speaker 1>inch block of wood. Or maybe if you want to

0:26:32.160 --> 0:26:33.960
<v Speaker 1>screw a bunch of wood together and then draw a

0:26:33.960 --> 0:26:36.480
<v Speaker 1>target on there, that's fine too. Yeah, you should probably

0:26:36.520 --> 0:26:39.840
<v Speaker 1>glue though, because the screws might your your knife might

0:26:39.840 --> 0:26:44.240
<v Speaker 1>bounce off of them. Yeah, you know if you're using

0:26:44.280 --> 0:26:48.800
<v Speaker 1>metal screws, okay, as opposed to the traditional wooden dell right,

0:26:49.960 --> 0:26:55.399
<v Speaker 1>so umptail joint right, So the the that's the what

0:26:55.480 --> 0:26:57.320
<v Speaker 1>did I say, that's the blade throw? Right, yeah, you

0:26:57.320 --> 0:26:59.680
<v Speaker 1>did blade throw. There's a handle throw too, and this

0:26:59.720 --> 0:27:02.840
<v Speaker 1>one is called a hatchet throw or hammer throw or

0:27:02.880 --> 0:27:05.160
<v Speaker 1>the handle throw you could call it to and everybody

0:27:05.160 --> 0:27:08.560
<v Speaker 1>all know what you're talking about. Yeah, and you stand, uh,

0:27:08.600 --> 0:27:11.119
<v Speaker 1>you're a little further back for this one because you've

0:27:11.160 --> 0:27:15.359
<v Speaker 1>got your your full turn going uh, and then you

0:27:15.440 --> 0:27:17.320
<v Speaker 1>just grip it like a baseball beat and swing away

0:27:17.400 --> 0:27:20.680
<v Speaker 1>right right, close your eyes, and you hope for the best,

0:27:21.080 --> 0:27:26.080
<v Speaker 1>say ninja strike, right yeah yeah. So um. The cool

0:27:26.119 --> 0:27:29.359
<v Speaker 1>thing is what you were saying about starting small, aiming small,

0:27:30.240 --> 0:27:32.680
<v Speaker 1>is that when you when you figure out that there's

0:27:32.680 --> 0:27:35.919
<v Speaker 1>actually just a few mechanics going on here, you'll be

0:27:35.960 --> 0:27:39.320
<v Speaker 1>able to tell what part of your throw is actually off,

0:27:39.760 --> 0:27:43.359
<v Speaker 1>whether it's distance, whether it's when you're releasing, whether it's

0:27:43.440 --> 0:27:47.439
<v Speaker 1>um how you're gripping it. The problems are, the issues

0:27:47.480 --> 0:27:49.960
<v Speaker 1>with your throw will show up, and you'll be able

0:27:50.000 --> 0:27:53.520
<v Speaker 1>to read based on how the knife is landing or sticking?

0:27:54.800 --> 0:27:57.480
<v Speaker 1>What's wrong with your throw? Yeah? Like if you are

0:27:57.560 --> 0:28:03.160
<v Speaker 1>throwing I think blade first and it sticks, but it's

0:28:03.160 --> 0:28:05.439
<v Speaker 1>sticking at a really hard angle where the where the

0:28:05.440 --> 0:28:08.760
<v Speaker 1>handle is pointing down. Then they say, maybe just move

0:28:08.840 --> 0:28:14.600
<v Speaker 1>back six inches with your stance, is it? Yeah, you're right,

0:28:14.640 --> 0:28:17.080
<v Speaker 1>You're right, and then try it again. Yeah, because that

0:28:17.119 --> 0:28:22.160
<v Speaker 1>means that you're the knife didn't get its full rotation right.

0:28:22.200 --> 0:28:25.439
<v Speaker 1>You wanted to basically be sticking straight out perpendicular to

0:28:25.480 --> 0:28:29.040
<v Speaker 1>the target. Yeah, that's a correct throw or as you're

0:28:29.119 --> 0:28:30.760
<v Speaker 1>as you're learning to do this. Yeah. And did you

0:28:30.800 --> 0:28:34.320
<v Speaker 1>say that it's generally your opposite leg of your throwing

0:28:34.359 --> 0:28:38.520
<v Speaker 1>hand forward? Oh yeah, so so yeah, so the stance, yeah,

0:28:38.520 --> 0:28:40.800
<v Speaker 1>I mean generally. But then again I also saw this

0:28:40.920 --> 0:28:46.480
<v Speaker 1>Russian guy that through with his throwing leg or the

0:28:46.520 --> 0:28:49.120
<v Speaker 1>same leg as a throwing hand forward, and he was like,

0:28:49.200 --> 0:28:53.360
<v Speaker 1>you know it all works basically. Was this thing good?

0:28:53.600 --> 0:28:55.880
<v Speaker 1>I knew you had the Italian thing going on, but

0:28:56.880 --> 0:28:59.160
<v Speaker 1>Russian was good. Oh yeah, I can I can do that.

0:28:59.320 --> 0:29:01.480
<v Speaker 1>So let's get into of the throw them. Okay, so

0:29:01.640 --> 0:29:04.040
<v Speaker 1>the stance, I should say, So with the with the stance,

0:29:04.080 --> 0:29:09.200
<v Speaker 1>you're standing with your Um, you're you're throwing arm. The

0:29:09.280 --> 0:29:12.000
<v Speaker 1>leg opposite you're throwing arm is closest to the target,

0:29:12.240 --> 0:29:16.560
<v Speaker 1>kind of like you're throwing a dart, you know. Um, yes, okay,

0:29:17.520 --> 0:29:21.200
<v Speaker 1>like that. Well, actually that's not quite true when I

0:29:21.200 --> 0:29:24.120
<v Speaker 1>throw it. When you throw a dart, your you're the

0:29:24.240 --> 0:29:25.880
<v Speaker 1>leg that is, the foot that is on the line,

0:29:25.960 --> 0:29:29.320
<v Speaker 1>is the same side as your throwing hand, is it. Yeah, okay,

0:29:29.320 --> 0:29:31.880
<v Speaker 1>well this is the opposite of that. Maybe I've been

0:29:31.880 --> 0:29:36.400
<v Speaker 1>throwing darts wrong all this time. So the so the

0:29:36.400 --> 0:29:39.000
<v Speaker 1>the leg opposite you're throwing arm is the one you

0:29:39.040 --> 0:29:43.560
<v Speaker 1>want closest to the target traditionally, right, Traditionally your weight

0:29:43.640 --> 0:29:45.760
<v Speaker 1>is on your back leg, though, is you're throwing, and

0:29:45.800 --> 0:29:49.720
<v Speaker 1>what you're doing is you're gripping the knife however you

0:29:49.720 --> 0:29:54.360
<v Speaker 1>want to blade or handle either way. You line it

0:29:54.440 --> 0:29:58.080
<v Speaker 1>up right with your eye against the target, bring your

0:29:58.160 --> 0:30:03.320
<v Speaker 1>arm back behind your head, and then keeping your wrists straight.

0:30:03.480 --> 0:30:05.760
<v Speaker 1>You don't want to flip your wrist or anything like it.

0:30:06.120 --> 0:30:09.280
<v Speaker 1>You bring it in an arc in front of you,

0:30:09.360 --> 0:30:13.040
<v Speaker 1>and you finish like you are shaking somebody's hand. If

0:30:13.080 --> 0:30:15.600
<v Speaker 1>you're going, hey, how are you right? But I got

0:30:15.640 --> 0:30:19.000
<v Speaker 1>a knife? Right? The thing is here's the thing. You're

0:30:19.000 --> 0:30:23.120
<v Speaker 1>gonna want to release at that handshake part when your

0:30:23.160 --> 0:30:25.040
<v Speaker 1>hand is straight out in front of you, and you're

0:30:25.040 --> 0:30:28.360
<v Speaker 1>gonna find nothing but heartache trying to throw a knife

0:30:28.400 --> 0:30:32.640
<v Speaker 1>like that. Oh, if you release it right at the end.

0:30:32.720 --> 0:30:34.760
<v Speaker 1>Oh no, it goes it'll go straight down, right, it'll

0:30:34.800 --> 0:30:37.160
<v Speaker 1>go down in front of you. Because when you release

0:30:37.200 --> 0:30:39.720
<v Speaker 1>an object that's going in an arc, it wants to

0:30:39.720 --> 0:30:43.640
<v Speaker 1>go straight in a tangential line from the the the

0:30:43.680 --> 0:30:46.440
<v Speaker 1>top of the arc. Right, that's right. So you want

0:30:46.480 --> 0:30:49.800
<v Speaker 1>to release it at the top of the arc. So

0:30:50.600 --> 0:30:54.800
<v Speaker 1>that is I was practicing just in the air, trying

0:30:54.880 --> 0:30:59.400
<v Speaker 1>to to make my brain release it at the top,

0:30:59.480 --> 0:31:02.400
<v Speaker 1>and that is really difficult to do because you think

0:31:02.440 --> 0:31:05.120
<v Speaker 1>initially that the nicest gonna go shooting up into the air.

0:31:05.480 --> 0:31:09.320
<v Speaker 1>It's not. It's gonna go straight. That's right. Pretty neat stuff,

0:31:09.560 --> 0:31:12.680
<v Speaker 1>that's right. And this is just I don't even know

0:31:12.720 --> 0:31:16.080
<v Speaker 1>what the traditional throw was called to you, I know,

0:31:16.480 --> 0:31:19.360
<v Speaker 1>I didn't see a name for it. Well, there are

0:31:19.400 --> 0:31:22.000
<v Speaker 1>some other throws which I might as well go ahead

0:31:22.000 --> 0:31:26.360
<v Speaker 1>and mention I've teased. One is the aforementioned thorn style

0:31:27.040 --> 0:31:30.240
<v Speaker 1>from Ralph Thorne. Okay, that's named after a dude is

0:31:30.320 --> 0:31:33.000
<v Speaker 1>named after a dude. Either way, it sounds cool. Yeah

0:31:33.000 --> 0:31:36.800
<v Speaker 1>this one, Um, did you see this one at all? Inline?

0:31:36.880 --> 0:31:38.600
<v Speaker 1>I didn't see that one. I kind of had an

0:31:38.680 --> 0:31:41.320
<v Speaker 1>idea of what they were talking about based on the article. Yeah,

0:31:41.320 --> 0:31:45.400
<v Speaker 1>they say that it resembles spear throwing. The action, Um,

0:31:45.440 --> 0:31:48.959
<v Speaker 1>I guess, and that you're you're not taking the knife

0:31:49.000 --> 0:31:52.000
<v Speaker 1>like behind your ear. You're sort of just extending your

0:31:52.000 --> 0:31:54.960
<v Speaker 1>whole arm and doing a big almost like you're throwing

0:31:54.960 --> 0:31:57.840
<v Speaker 1>a baseball pitch. Sure, that's what I imagine. Yeah, that's what.

0:31:57.880 --> 0:32:00.240
<v Speaker 1>It sort of looked like, a side arm, sort of

0:32:00.320 --> 0:32:01.640
<v Speaker 1>like a bunch of people were doing it different. And

0:32:01.680 --> 0:32:04.040
<v Speaker 1>then this guy's jumping all over behind his back like

0:32:04.600 --> 0:32:10.440
<v Speaker 1>Thorne style seems to be two just do whatever you want. Okay,

0:32:10.680 --> 0:32:14.120
<v Speaker 1>that's not true. Thorne's probably just like so angry right now.

0:32:14.120 --> 0:32:19.040
<v Speaker 1>He's like, yeah, come out. Uh. Then there was the

0:32:19.120 --> 0:32:23.760
<v Speaker 1>Russian style and this look it's a very compact um,

0:32:24.120 --> 0:32:26.360
<v Speaker 1>the elbow is in near the body, you hold the

0:32:26.440 --> 0:32:29.320
<v Speaker 1>knife behind the ear. Uh. And this I saw it

0:32:29.360 --> 0:32:31.480
<v Speaker 1>was a little bit more like, you know, like that

0:32:31.600 --> 0:32:34.120
<v Speaker 1>kind of thing. So that seems to me like depending

0:32:34.160 --> 0:32:36.240
<v Speaker 1>on how close you're holding your elbow to your body

0:32:36.280 --> 0:32:38.120
<v Speaker 1>like you're gonna chop the top of your ear off.

0:32:38.360 --> 0:32:41.320
<v Speaker 1>Well you want to avoid that, but it's it's more

0:32:41.360 --> 0:32:45.320
<v Speaker 1>like you're pushing it out rather than throwing it like

0:32:45.360 --> 0:32:50.200
<v Speaker 1>a tomahawk. So that's what I thought, Um Moon you

0:32:50.440 --> 0:32:55.520
<v Speaker 1>on style was like where you're basically like shoving the

0:32:56.120 --> 0:33:00.400
<v Speaker 1>knife forward. Well what I saw with that style, And again,

0:33:00.760 --> 0:33:02.640
<v Speaker 1>all these videos were different, so I don't know if

0:33:02.640 --> 0:33:05.880
<v Speaker 1>these people are just I mean, it is YouTube making it.

0:33:05.880 --> 0:33:10.480
<v Speaker 1>It's not like they're like, I'm an accredited thornist. But

0:33:10.720 --> 0:33:14.400
<v Speaker 1>the MoMu In style looks like they were having the

0:33:14.480 --> 0:33:17.160
<v Speaker 1>knife like in their hand, like kind of in their

0:33:17.200 --> 0:33:19.560
<v Speaker 1>palm and would throw it. But I don't know if

0:33:19.600 --> 0:33:22.320
<v Speaker 1>that was because of the knife, because the guy on

0:33:22.360 --> 0:33:26.360
<v Speaker 1>there was like, this is a bo bo shurrikan spike

0:33:26.920 --> 0:33:31.000
<v Speaker 1>which is thrown in the Momuen style. And that's what

0:33:31.080 --> 0:33:33.760
<v Speaker 1>this article said to people really get into this online

0:33:33.800 --> 0:33:36.280
<v Speaker 1>online though, right, That's what I did discover. So the

0:33:36.480 --> 0:33:40.200
<v Speaker 1>three the three things, those three types thorn style, Momuan

0:33:40.360 --> 0:33:43.680
<v Speaker 1>and Russian style, those are all styles of knife throwing

0:33:43.680 --> 0:33:46.600
<v Speaker 1>that involved no spin. That's what the common thread that

0:33:46.640 --> 0:33:49.080
<v Speaker 1>they all have yeah, which is pretty cool. It is cool,

0:33:49.120 --> 0:33:51.000
<v Speaker 1>And there's a couple of reasons you want to do this.

0:33:51.120 --> 0:33:53.440
<v Speaker 1>The most knife throwers say that's really tough on the

0:33:53.520 --> 0:33:57.920
<v Speaker 1>joints after a while. Yeah, that's what they say. And um,

0:33:58.040 --> 0:34:01.040
<v Speaker 1>the reason why is because it involves like doing crazy

0:34:01.080 --> 0:34:03.880
<v Speaker 1>like snapping motions with your elbow and your wrist and stuff.

0:34:04.040 --> 0:34:07.000
<v Speaker 1>Whereas with knife throwing, it's just a smooth arc you're

0:34:07.000 --> 0:34:09.640
<v Speaker 1>making it. Almost all of the motion is in your

0:34:09.640 --> 0:34:12.960
<v Speaker 1>shoulder and your elbow, Your wrist stays straight, and you

0:34:13.080 --> 0:34:16.680
<v Speaker 1>just areally generally releasing your grasp on the NiFe. Right,

0:34:17.600 --> 0:34:19.799
<v Speaker 1>do this into his ages all day long? Right? Yeah?

0:34:20.120 --> 0:34:23.560
<v Speaker 1>That with the no spin styles, it is, it's just tougher.

0:34:23.680 --> 0:34:26.160
<v Speaker 1>It's more of a snapping motion. That's like you're gonna

0:34:26.200 --> 0:34:29.440
<v Speaker 1>get tennis elbow after a while. The reason the advantage

0:34:29.480 --> 0:34:31.560
<v Speaker 1>that these have is like, if you're trying to throw

0:34:31.600 --> 0:34:34.160
<v Speaker 1>a knife through a hole, you can't have a twelve

0:34:34.160 --> 0:34:37.480
<v Speaker 1>inch knife spinning making this twenty four inch arc basically

0:34:38.000 --> 0:34:41.000
<v Speaker 1>or or circle. Um, you just want to send it

0:34:41.040 --> 0:34:44.839
<v Speaker 1>straight like a missile through that hole into some dude's leg,

0:34:46.160 --> 0:34:50.640
<v Speaker 1>into his calf, and then you you pounce on him.

0:34:51.520 --> 0:34:54.040
<v Speaker 1>Put your hand over his mouth and nose until he

0:34:54.040 --> 0:34:58.759
<v Speaker 1>falls asleep, and then you can advance further towards the castle. Well,

0:34:58.880 --> 0:35:03.600
<v Speaker 1>the Russian I saw was talking about the first thing

0:35:03.640 --> 0:35:07.160
<v Speaker 1>you do is find the balance point. So he held

0:35:07.200 --> 0:35:10.000
<v Speaker 1>out his finger and put the knife on it until,

0:35:10.440 --> 0:35:12.840
<v Speaker 1>you know, like a little until I found the exact point.

0:35:13.080 --> 0:35:15.560
<v Speaker 1>And he's like, there's a balance point. So once you

0:35:15.600 --> 0:35:17.560
<v Speaker 1>find out where that is, that will teach you exactly

0:35:17.560 --> 0:35:22.640
<v Speaker 1>how to hold it, um in any in any scenario. Basically,

0:35:23.080 --> 0:35:25.040
<v Speaker 1>I know where the balance point is though, So whatever

0:35:25.120 --> 0:35:27.600
<v Speaker 1>you're doing, though, if if this sounds like something you

0:35:27.600 --> 0:35:31.160
<v Speaker 1>want to do, whether it's spin throwing or no spin

0:35:31.200 --> 0:35:35.120
<v Speaker 1>throwing techniques, the key to knife throwing of any kind

0:35:35.320 --> 0:35:39.799
<v Speaker 1>is practice, practice, practice, And this article actually gives a

0:35:39.880 --> 0:35:42.680
<v Speaker 1>really good piece of advice. It says, get a little

0:35:42.719 --> 0:35:45.840
<v Speaker 1>set of throwing knives, the best you can afford, because

0:35:45.920 --> 0:35:49.440
<v Speaker 1>the more expensive they are, typically with them, the better

0:35:49.600 --> 0:35:54.239
<v Speaker 1>the more well made they are. And um, get some,

0:35:54.400 --> 0:35:56.640
<v Speaker 1>get like I said, of three or five or whatever,

0:35:56.719 --> 0:36:00.400
<v Speaker 1>because you're you're going to have to practice rep eatedly.

0:36:00.719 --> 0:36:03.400
<v Speaker 1>And if you have one knife and you're standing fifteen

0:36:03.400 --> 0:36:06.000
<v Speaker 1>feet away you throw it, you have to go get it.

0:36:06.280 --> 0:36:09.000
<v Speaker 1>You throw it again, go get it. That's not nearly

0:36:09.040 --> 0:36:12.040
<v Speaker 1>as fun as trying to throw like five quickly in

0:36:12.080 --> 0:36:14.040
<v Speaker 1>a row. So you're number one, you're going to be

0:36:14.080 --> 0:36:17.000
<v Speaker 1>more entertained. Um. But also if you do, no matter

0:36:17.040 --> 0:36:19.280
<v Speaker 1>how many knives you have, if you start to lose focus,

0:36:19.280 --> 0:36:22.720
<v Speaker 1>if you start to get bored or frustrated, stop because

0:36:22.800 --> 0:36:24.920
<v Speaker 1>if there's one thing about knife throwing, it's meant to

0:36:24.960 --> 0:36:28.680
<v Speaker 1>be fun. And if you're practicing with your friends, uh,

0:36:29.040 --> 0:36:31.120
<v Speaker 1>don't they don't stand to the side of the target.

0:36:31.920 --> 0:36:35.560
<v Speaker 1>They don't stand directly behind you. Um, I would recommend

0:36:35.600 --> 0:36:39.480
<v Speaker 1>they stand well behind you and well to one side

0:36:39.480 --> 0:36:41.879
<v Speaker 1>of you. I've got one even better. Don't even don't

0:36:41.920 --> 0:36:44.440
<v Speaker 1>even let your friends anywhere near you. You you have

0:36:44.560 --> 0:36:47.840
<v Speaker 1>to be alone while you're practicing throwing knives, but you

0:36:47.880 --> 0:36:50.359
<v Speaker 1>have to be in text or phone contact with your

0:36:50.400 --> 0:36:54.720
<v Speaker 1>parents who are watching you from a safe distance, streaming

0:36:54.719 --> 0:36:58.080
<v Speaker 1>it to your parents. Maybe. So, Uh, you should go

0:36:58.120 --> 0:37:00.000
<v Speaker 1>and look at some of these Ralph Thorn videos because

0:37:00.080 --> 0:37:06.640
<v Speaker 1>the funniest, the funniest part is uh the almost um

0:37:06.640 --> 0:37:10.800
<v Speaker 1>not angry, but just his trudge towards the target afterward

0:37:11.440 --> 0:37:14.160
<v Speaker 1>is very like I don't know, it's weird. He'll jump

0:37:14.239 --> 0:37:16.359
<v Speaker 1>up in the air and throw a few and then

0:37:16.400 --> 0:37:20.120
<v Speaker 1>he's just like do do do and then walks over

0:37:20.160 --> 0:37:22.680
<v Speaker 1>and undoes it from the log like, I don't know.

0:37:22.840 --> 0:37:26.160
<v Speaker 1>All the pizzazz leaves as soon as he's thrown. Yeah,

0:37:26.480 --> 0:37:28.400
<v Speaker 1>that's when you need. The pizzazz is during the throwing.

0:37:28.440 --> 0:37:30.439
<v Speaker 1>The rest is just wasted energy. Yeah, but you don't

0:37:30.440 --> 0:37:33.359
<v Speaker 1>see throw Denie. That's the difference between an impalement act

0:37:33.880 --> 0:37:36.239
<v Speaker 1>in a dude in his backyard on YouTube. Well, throw

0:37:36.280 --> 0:37:38.640
<v Speaker 1>Denie has the smarts to hire an editor to edit

0:37:38.680 --> 0:37:41.040
<v Speaker 1>that part out. Yeah, you know, it's a good point.

0:37:41.920 --> 0:37:44.239
<v Speaker 1>I don't know if we said the great throw Denie's name.

0:37:44.320 --> 0:37:48.120
<v Speaker 1>His name is David ed Amovitch and he's a neat guy.

0:37:49.160 --> 0:37:51.839
<v Speaker 1>Great name. So if you want to know more about

0:37:51.880 --> 0:37:55.560
<v Speaker 1>the great throw Denie or what's what's Thorne's first name,

0:37:55.960 --> 0:37:59.359
<v Speaker 1>Jesse Thorn and the other thing Ralph Thorne, Ralph Thorn,

0:37:59.800 --> 0:38:01.879
<v Speaker 1>or any kind of nice throw and go go check

0:38:01.880 --> 0:38:05.680
<v Speaker 1>out some videos. Again, do not do this unless your

0:38:05.680 --> 0:38:09.040
<v Speaker 1>parents say it's okay, and do it safely. Don't be stupid,

0:38:09.160 --> 0:38:12.359
<v Speaker 1>and never ever throw any living thing ever of any

0:38:12.440 --> 0:38:14.480
<v Speaker 1>kind ever or Josh and Chu are going to be

0:38:14.520 --> 0:38:18.719
<v Speaker 1>so mad at you. Ah. And in the meantime, let's

0:38:18.760 --> 0:38:25.920
<v Speaker 1>listen to some listener. Man. All right, I'm gonna call this, oh,

0:38:25.960 --> 0:38:28.799
<v Speaker 1>welcome back to the fold. This just delighted me. I

0:38:28.920 --> 0:38:31.040
<v Speaker 1>like this one too. You know in April it's gonna

0:38:31.080 --> 0:38:37.319
<v Speaker 1>be ten years, which is just nutty, nutty, nutty. No

0:38:37.320 --> 0:38:39.239
<v Speaker 1>one ever thought we'd be doing this so long. Jerry

0:38:39.280 --> 0:38:42.240
<v Speaker 1>has an age today, now she hasn't, but she's taken

0:38:42.320 --> 0:38:48.239
<v Speaker 1>up more clothes as the podcasts. Uh, she's getting ready

0:38:48.239 --> 0:38:51.960
<v Speaker 1>for her a gig as a target girl. Um all right, guys,

0:38:52.600 --> 0:38:56.280
<v Speaker 1>um and Jerry, whoever, whoever else that Stuff you should

0:38:56.320 --> 0:38:59.319
<v Speaker 1>Know might actually be reading this. I don't know how

0:38:59.400 --> 0:39:01.520
<v Speaker 1>fam will work. This is what she says, this is

0:39:01.520 --> 0:39:04.200
<v Speaker 1>how it works. Yeah, we read it. I realized, Um,

0:39:04.840 --> 0:39:07.359
<v Speaker 1>that the most I'm realistically going to achieve by stating this.

0:39:07.640 --> 0:39:10.280
<v Speaker 1>It's making you feel old. But when I was eleven

0:39:10.360 --> 0:39:13.239
<v Speaker 1>years old in two thousand eleven, Stuff you Should Know

0:39:13.320 --> 0:39:16.200
<v Speaker 1>was my favorite podcast and listen to every episode. Kept

0:39:16.200 --> 0:39:18.480
<v Speaker 1>on listening for a couple of years until I was thirteen,

0:39:18.960 --> 0:39:22.480
<v Speaker 1>when I stopped listening to it because that's what we

0:39:22.520 --> 0:39:24.480
<v Speaker 1>lose them is when they get too cool for school.

0:39:24.560 --> 0:39:27.839
<v Speaker 1>That's right. So for those those were your teenagers who

0:39:27.880 --> 0:39:31.120
<v Speaker 1>have kept listening through your teen years, we think you're cool.

0:39:31.280 --> 0:39:33.879
<v Speaker 1>You're doing it right. Your peers probably don't, but we do.

0:39:34.880 --> 0:39:37.120
<v Speaker 1>I have no idea why I stopped guys up until today.

0:39:37.120 --> 0:39:39.080
<v Speaker 1>I actually figured you guys must have stopped making it,

0:39:39.480 --> 0:39:41.840
<v Speaker 1>and I never bothered to go back and check until today.

0:39:42.160 --> 0:39:45.120
<v Speaker 1>Isn't that funny to think back? To think that someone

0:39:45.200 --> 0:39:48.800
<v Speaker 1>can think back like, oh, remember those guys? Like I

0:39:48.880 --> 0:39:52.280
<v Speaker 1>wonder how long are last? Daily weekly life? So funny.

0:39:52.880 --> 0:39:54.760
<v Speaker 1>I'm not sure how to properly put how I feel

0:39:54.920 --> 0:39:58.319
<v Speaker 1>into words, though, Uh, because not a lot else from

0:39:58.360 --> 0:40:01.400
<v Speaker 1>when I was that age till exist. I grew up

0:40:01.400 --> 0:40:03.400
<v Speaker 1>with the Internet. But poking around Google and looking for

0:40:03.440 --> 0:40:07.120
<v Speaker 1>old sites I used to just uh, it reveals a

0:40:07.160 --> 0:40:11.240
<v Speaker 1>trail of deleted accounts and domain names that no longer resolve.

0:40:11.880 --> 0:40:14.040
<v Speaker 1>What does she find an old computer or something? I

0:40:14.040 --> 0:40:16.960
<v Speaker 1>don't know. Maybe she's definitely taking a trip down memory lane.

0:40:17.000 --> 0:40:19.000
<v Speaker 1>I know, man, I've moved countries, so most of my

0:40:19.000 --> 0:40:21.000
<v Speaker 1>physical stuff was either given away or thrown into a

0:40:21.080 --> 0:40:23.600
<v Speaker 1>landfill across the Atlantic. To fact, the stuff you should

0:40:23.640 --> 0:40:26.960
<v Speaker 1>know still exist and it's still making episodes that are

0:40:27.040 --> 0:40:29.919
<v Speaker 1>just as good as I remember them being as incredible.

0:40:30.200 --> 0:40:33.080
<v Speaker 1>Very nice. Wow, this is crazy. This is from Hazel.

0:40:33.640 --> 0:40:35.319
<v Speaker 1>She has to We have a po box as you

0:40:35.360 --> 0:40:38.239
<v Speaker 1>can send some Jaffa cakes. Oh, this is nice. I

0:40:38.280 --> 0:40:41.759
<v Speaker 1>don't remember if I gave Hazel or address. Well please do.

0:40:41.960 --> 0:40:43.840
<v Speaker 1>But Hazel, if you're right back, we'll give you our

0:40:43.840 --> 0:40:45.840
<v Speaker 1>address and we can get some choppy cakes. Thanks for

0:40:45.880 --> 0:40:49.480
<v Speaker 1>coming back. Yeah, we appreciate that. We're glad to have

0:40:49.840 --> 0:40:52.319
<v Speaker 1>kept the home fires burning for you there, Hazel. I'd

0:40:52.360 --> 0:40:56.280
<v Speaker 1>like to hear from Sarah. Sarah Sparrow, the amazing ninety

0:40:56.360 --> 0:40:58.840
<v Speaker 1>year old fan. Yeah's eleven years old. I think she

0:40:58.920 --> 0:41:01.239
<v Speaker 1>was at the time. No, she was like was she

0:41:01.360 --> 0:41:05.560
<v Speaker 1>like eight or nine? Yeah, I can't remember when she started. Yeah,

0:41:05.600 --> 0:41:08.720
<v Speaker 1>but she was really young. Yeah, she became a cool teenage,

0:41:08.719 --> 0:41:11.480
<v Speaker 1>she definitely did. But maybe she'll become an actually cool

0:41:11.560 --> 0:41:15.200
<v Speaker 1>college student and come back. Yeah. Well thanks a lot, Hazel. Uh,

0:41:15.239 --> 0:41:18.200
<v Speaker 1>if you left us and came back and thought it

0:41:18.239 --> 0:41:20.320
<v Speaker 1>was as good as ever, we can hear that stuff

0:41:20.360 --> 0:41:22.840
<v Speaker 1>all day long. You can tweet to us at s

0:41:22.960 --> 0:41:25.960
<v Speaker 1>y s K podcast. You can join us on Facebook

0:41:26.000 --> 0:41:28.200
<v Speaker 1>dot com, slash stuff You Should Know You can send

0:41:28.239 --> 0:41:30.520
<v Speaker 1>us an email to Stuff Podcast at how Stuff Works

0:41:30.520 --> 0:41:32.359
<v Speaker 1>dot com, and has always joined us at her home

0:41:32.400 --> 0:41:34.920
<v Speaker 1>on the web, Stuff You Snow dot com