1 00:00:00,080 --> 00:00:03,520 Speaker 1: First of all, you don't know me. Were all about 2 00:00:03,520 --> 00:00:06,360 Speaker 1: that high school drama. Girl Drama Girl, all about them 3 00:00:06,400 --> 00:00:09,520 Speaker 1: high school queens. We'll take you for a ride in 4 00:00:09,600 --> 00:00:14,720 Speaker 1: our comic Girl Cheering for the Right Drama Queens up 5 00:00:14,840 --> 00:00:17,520 Speaker 1: girl Fashion. But you'll tough, girl. You could sit with us. 6 00:00:17,560 --> 00:00:21,319 Speaker 1: Girl Drama, Queens, Drama, Queens Drama, Queen's Drama Drawn MC, 7 00:00:21,360 --> 00:00:25,920 Speaker 1: Queen's Drama Queens. Well, Hello, Drama Queens fans. We are 8 00:00:25,960 --> 00:00:28,040 Speaker 1: thrilled to be here with you today for our first 9 00:00:28,280 --> 00:00:34,040 Speaker 1: ever bonus listener Q and A episode. It's bonus time, 10 00:00:34,840 --> 00:00:41,760 Speaker 1: you guys. You earned it. What you've won our dear 11 00:00:41,800 --> 00:00:44,920 Speaker 1: and devoted fans who we endore is a quick Q 12 00:00:45,080 --> 00:00:48,040 Speaker 1: and A with us. You guys submit so many amazing questions, 13 00:00:48,040 --> 00:00:50,720 Speaker 1: and you know, we normally do like to listener questions 14 00:00:50,720 --> 00:00:53,680 Speaker 1: at the end of every episode, but we're celebrating the 15 00:00:53,800 --> 00:00:55,800 Speaker 1: end of another year. We've made it to the end 16 00:00:55,840 --> 00:00:59,840 Speaker 1: of one and we're just really barely but we're hanging 17 00:00:59,840 --> 00:01:02,480 Speaker 1: on and we're hanging on together, and we want to 18 00:01:02,480 --> 00:01:04,400 Speaker 1: do it with all of you. So we thought we 19 00:01:04,440 --> 00:01:08,000 Speaker 1: would do a devoted episode that is just a Q 20 00:01:08,160 --> 00:01:10,559 Speaker 1: and A with some of the great questions. You guys 21 00:01:10,560 --> 00:01:13,160 Speaker 1: have submitted, so let's dive in. It's kind of like 22 00:01:13,200 --> 00:01:16,120 Speaker 1: being at a convention. Yeah, it's like we do it 23 00:01:16,160 --> 00:01:23,640 Speaker 1: at a convention. It's like a panel. It's our cyberpanel. Joy, 24 00:01:23,680 --> 00:01:26,920 Speaker 1: what's our first question? Okay? Our first question is from 25 00:01:27,200 --> 00:01:32,080 Speaker 1: sallyar b one two three Hello Darling. Hello. The first question, 26 00:01:32,080 --> 00:01:34,720 Speaker 1: the question is that you've asked, is what is your 27 00:01:34,760 --> 00:01:37,960 Speaker 1: favorite character trait of your character? And do you share 28 00:01:38,400 --> 00:01:43,480 Speaker 1: a trait with your character? It's always a question, it 29 00:01:43,600 --> 00:01:46,480 Speaker 1: is because how can you play a character without some 30 00:01:46,560 --> 00:01:48,800 Speaker 1: of yourself coming through? That's just you know, that's just 31 00:01:49,040 --> 00:01:53,120 Speaker 1: cut you well, the thing that's that our easiest to play, 32 00:01:53,240 --> 00:01:56,440 Speaker 1: or the things that are closest to you. It's and 33 00:01:56,520 --> 00:02:00,680 Speaker 1: it's easier to congratulate a totally separate entity, like I 34 00:02:00,720 --> 00:02:07,400 Speaker 1: really like that my character does. It's kind of self congratulatory. Um, 35 00:02:07,680 --> 00:02:11,119 Speaker 1: but you know, without being a jerk about it. You know, look, 36 00:02:11,160 --> 00:02:14,840 Speaker 1: my favorite character of Haley is her character trait is 37 00:02:14,880 --> 00:02:19,560 Speaker 1: that she is Um, she's got an iron spine. I 38 00:02:19,600 --> 00:02:23,320 Speaker 1: love that about her. You know, it's also a character 39 00:02:23,400 --> 00:02:26,919 Speaker 1: trait that I am that I uh desire to emulate 40 00:02:26,960 --> 00:02:29,720 Speaker 1: in my life. Even though it has gotten me into 41 00:02:29,720 --> 00:02:34,720 Speaker 1: trouble at times because when you get really um staunch 42 00:02:34,880 --> 00:02:37,480 Speaker 1: about things that you believe or that you think are 43 00:02:37,560 --> 00:02:40,800 Speaker 1: right or whatever you know, it can you can kind 44 00:02:40,840 --> 00:02:43,320 Speaker 1: of hunker down on It makes it hard to be flexible. 45 00:02:43,400 --> 00:02:46,160 Speaker 1: But the flip side of that is you don't um 46 00:02:46,800 --> 00:02:49,120 Speaker 1: succumb to pure pressure a lot. It's a there's a 47 00:02:49,120 --> 00:02:52,160 Speaker 1: lot of confidence involved in being able to stand your 48 00:02:52,200 --> 00:02:54,800 Speaker 1: ground with something. So you know, it's a double sided 49 00:02:55,240 --> 00:02:57,679 Speaker 1: a double sided coin or double ledged sore. I don't. 50 00:02:57,760 --> 00:02:59,600 Speaker 1: I don't know, but there's there's good and bad to 51 00:02:59,680 --> 00:03:02,560 Speaker 1: both it. Nevertheless, it is still a character trait that 52 00:03:02,600 --> 00:03:08,800 Speaker 1: I think, ultimately, ultimately, when combined with love, ends up 53 00:03:08,840 --> 00:03:10,960 Speaker 1: being one of the one that I would like to 54 00:03:11,040 --> 00:03:12,840 Speaker 1: keep in my life. Anyway, it ends up being more 55 00:03:12,840 --> 00:03:16,000 Speaker 1: good than bad. I've always respected to that about you, Joy, 56 00:03:16,160 --> 00:03:19,440 Speaker 1: you never cave to peer pressure. You just absolutely know 57 00:03:19,560 --> 00:03:22,560 Speaker 1: what you want and you're true to it. And yes, 58 00:03:23,520 --> 00:03:28,600 Speaker 1: thank you, that's that's so true. What about you guys? Yes, 59 00:03:28,720 --> 00:03:32,840 Speaker 1: So what do you love about Broke? I'm still thinking 60 00:03:32,880 --> 00:03:37,240 Speaker 1: I'm ruminating, okay. I I love that Brooke Davis is 61 00:03:37,320 --> 00:03:40,840 Speaker 1: very bold and unapologetic. I always feel like I'm in 62 00:03:40,880 --> 00:03:43,480 Speaker 1: trouble or I'm bugging somebody, or like I just feel 63 00:03:43,480 --> 00:03:45,640 Speaker 1: like I'm in the way all the time. And I 64 00:03:45,680 --> 00:03:48,600 Speaker 1: think that maybe just like comes from anxiety or whatever. 65 00:03:49,120 --> 00:03:51,680 Speaker 1: And I love that she is just like, no, I'm here, 66 00:03:51,720 --> 00:03:53,760 Speaker 1: I deserve to be here. Everything's great and I'm awesome. 67 00:03:54,200 --> 00:03:59,360 Speaker 1: That that is something I would love to emulate. I 68 00:03:59,360 --> 00:04:03,160 Speaker 1: think the thing that we are very similar about is 69 00:04:03,200 --> 00:04:05,520 Speaker 1: that we go zero to a hundred real quick in 70 00:04:05,560 --> 00:04:10,520 Speaker 1: defense of the people we love. And you do maybe 71 00:04:10,640 --> 00:04:13,640 Speaker 1: in that hell yeah, oh my god, if anybody talks 72 00:04:13,680 --> 00:04:15,920 Speaker 1: with either of you, it's like it's war. I'm coming 73 00:04:16,000 --> 00:04:20,360 Speaker 1: with a flamethrower, like no ifs. And some people may 74 00:04:20,400 --> 00:04:24,320 Speaker 1: not like that, but that's something I appreciate. Like I 75 00:04:25,200 --> 00:04:29,200 Speaker 1: love hard, I love my people, and whether it's like 76 00:04:29,360 --> 00:04:33,440 Speaker 1: my humans or or us as a human community, I 77 00:04:33,480 --> 00:04:36,680 Speaker 1: think that's standing up for people with a with a 78 00:04:36,800 --> 00:04:40,760 Speaker 1: like ferocious love, not being willing to turn the other 79 00:04:40,839 --> 00:04:46,480 Speaker 1: cheek to injustice or abuse or mistreatment. That's something I am. 80 00:04:46,520 --> 00:04:51,159 Speaker 1: I am. I I like about myself and I like that. Um. 81 00:04:51,200 --> 00:04:53,560 Speaker 1: I like that Brooke has that on like perhaps a 82 00:04:53,960 --> 00:04:58,039 Speaker 1: level eleven out of ten. Yeah, I want to be 83 00:04:58,080 --> 00:05:01,039 Speaker 1: with you in a fight, like we're picking James Joy 84 00:05:01,080 --> 00:05:04,640 Speaker 1: and I are on your teams, Like get behind me, 85 00:05:04,720 --> 00:05:08,080 Speaker 1: let's go, get behind me. I'll take the first punch. 86 00:05:08,960 --> 00:05:13,560 Speaker 1: Weird enough. I actually posted something on my Instagram stories 87 00:05:13,600 --> 00:05:16,120 Speaker 1: today that I copied from somebody else that I think 88 00:05:16,160 --> 00:05:19,719 Speaker 1: really applies to Peyton Um. And it's from Scott Berry Kaufman, 89 00:05:19,800 --> 00:05:24,560 Speaker 1: who is a cognitive scientist and humanistic psychologist, and it says, 90 00:05:24,760 --> 00:05:29,360 Speaker 1: tragic optimism is the search for meaning during the inevitable 91 00:05:29,400 --> 00:05:33,320 Speaker 1: tragedies of human existence and is better for us than 92 00:05:33,360 --> 00:05:39,719 Speaker 1: avoiding darkness and trying to stay positive. And I think 93 00:05:41,279 --> 00:05:43,240 Speaker 1: I know right now. I mean, we've talked about the 94 00:05:43,279 --> 00:05:46,080 Speaker 1: losses that I've experienced in real life this year, you know, 95 00:05:46,160 --> 00:05:51,000 Speaker 1: like in years past, I get really down about them. Um, 96 00:05:51,040 --> 00:05:53,960 Speaker 1: But tragic optimism is something that perhaps I got to 97 00:05:54,080 --> 00:05:57,760 Speaker 1: learn from Peyton who continues to leave a door open, 98 00:05:57,960 --> 00:06:02,400 Speaker 1: like literally in her home, that door is always open Um. 99 00:06:02,480 --> 00:06:06,840 Speaker 1: And perhaps that's a metaphor for her continued optimism that 100 00:06:06,920 --> 00:06:11,400 Speaker 1: even when stuff is just and miserable, there's a chance 101 00:06:11,960 --> 00:06:14,760 Speaker 1: that it could get better. Yeah. I love that. It's 102 00:06:14,800 --> 00:06:17,800 Speaker 1: so truly, that is so true. She does there's always 103 00:06:17,800 --> 00:06:20,880 Speaker 1: like a threat of hope somewhere that that she really 104 00:06:20,920 --> 00:06:23,479 Speaker 1: holds onto, and it's it's like a little light inside 105 00:06:23,520 --> 00:06:26,880 Speaker 1: of her all the time. It's awesome, it's real sad 106 00:06:26,920 --> 00:06:32,239 Speaker 1: when it goes bad. Okay, well, thank you for that question. 107 00:06:34,160 --> 00:06:37,360 Speaker 1: Let's see we've talked about some of these that I'm 108 00:06:37,440 --> 00:06:39,640 Speaker 1: as I'm scrolling through, I'm like, okay, Well, we've talked 109 00:06:39,640 --> 00:06:41,719 Speaker 1: about what the audition process was like. That was in 110 00:06:41,800 --> 00:06:44,920 Speaker 1: one of our earlier Drama Queens episodes, and the characters 111 00:06:44,920 --> 00:06:47,160 Speaker 1: we ended up playing, and who we auditioned for and 112 00:06:47,520 --> 00:06:51,080 Speaker 1: all that. Um a line in the show that you'll 113 00:06:51,120 --> 00:06:55,960 Speaker 1: never forget I can't that was I can't get around 114 00:06:56,120 --> 00:06:58,719 Speaker 1: Dan with his heart attack going you better hope I 115 00:06:58,880 --> 00:07:09,560 Speaker 1: die better if I dies. And yeah, maybe maybe some 116 00:07:09,640 --> 00:07:12,880 Speaker 1: of those questions we've answered we'll come back to at 117 00:07:12,920 --> 00:07:14,680 Speaker 1: some point if we do another one of these, if 118 00:07:14,680 --> 00:07:16,800 Speaker 1: you guys like it. But so, is there a line 119 00:07:16,800 --> 00:07:21,680 Speaker 1: that you remember oof um or that is there a 120 00:07:21,760 --> 00:07:23,760 Speaker 1: line from the show that you say in real life. 121 00:07:24,400 --> 00:07:26,960 Speaker 1: I don't know if there's a line, a specific line 122 00:07:27,000 --> 00:07:32,160 Speaker 1: I say in real life, but I think the that 123 00:07:32,280 --> 00:07:34,880 Speaker 1: moment in I think it might have been season four 124 00:07:35,880 --> 00:07:38,920 Speaker 1: UM where we did the storyline where we all had 125 00:07:38,960 --> 00:07:42,440 Speaker 1: to take the pictures that represented us and like really 126 00:07:42,480 --> 00:07:46,200 Speaker 1: got vulnerable about feeling like she was not enough. That 127 00:07:46,200 --> 00:07:51,400 Speaker 1: that has stuck with me because that that was one 128 00:07:51,440 --> 00:07:53,520 Speaker 1: of the things that was put on the show, you know, 129 00:07:53,560 --> 00:07:55,840 Speaker 1: based on a conversation I had about my real life 130 00:07:56,600 --> 00:07:59,480 Speaker 1: and it felt very naked and scary in the way 131 00:07:59,480 --> 00:08:02,120 Speaker 1: that you talk about you know, it feeling very naked 132 00:08:02,120 --> 00:08:05,520 Speaker 1: and scary, and the confessional um in season two, episode 133 00:08:06,360 --> 00:08:12,440 Speaker 1: five and ah to see the response of that and 134 00:08:12,480 --> 00:08:14,840 Speaker 1: how much it meant to fans then and how much 135 00:08:14,880 --> 00:08:19,200 Speaker 1: it continues to me into fans now, it really cemented 136 00:08:20,200 --> 00:08:25,400 Speaker 1: the the kind of holy invitation of real vulnerability for 137 00:08:25,440 --> 00:08:29,160 Speaker 1: me and I I know that isn't exactly a line, 138 00:08:30,080 --> 00:08:32,400 Speaker 1: but the line that goes along with it is you 139 00:08:32,440 --> 00:08:35,319 Speaker 1: know Brooks quote about people are going to label you 140 00:08:35,360 --> 00:08:37,680 Speaker 1: and it's you know, it's how you overcome those labels, 141 00:08:37,679 --> 00:08:39,640 Speaker 1: and it goes on and on. I just love that. 142 00:08:39,760 --> 00:08:43,400 Speaker 1: I love I loved that so much and that has 143 00:08:43,440 --> 00:08:47,520 Speaker 1: really stuck with me. That's awesome. Do you guys have 144 00:08:47,640 --> 00:08:54,920 Speaker 1: like a specific line rather than you better characters? I do. 145 00:08:55,120 --> 00:08:58,200 Speaker 1: I can't. I can't think of anything right now. My 146 00:08:58,440 --> 00:09:03,520 Speaker 1: love language is when will do things for you, like um, 147 00:09:03,640 --> 00:09:06,600 Speaker 1: without you asking, you know, when they anticipate your needs 148 00:09:06,840 --> 00:09:09,880 Speaker 1: or they just like handle something that you're too overwhelmed 149 00:09:09,920 --> 00:09:13,280 Speaker 1: to handle. And so I like this mantra in the 150 00:09:13,320 --> 00:09:15,720 Speaker 1: back of my head for years has been that line 151 00:09:15,720 --> 00:09:19,800 Speaker 1: that Peyton says at Lucas and Lindsay's wedding in like 152 00:09:20,160 --> 00:09:22,440 Speaker 1: the dream where she says, when you fixed my car, 153 00:09:22,559 --> 00:09:26,559 Speaker 1: you fixed my heart. And it's like you did a 154 00:09:26,640 --> 00:09:28,040 Speaker 1: thing that I don't know how to do, and you 155 00:09:28,080 --> 00:09:30,520 Speaker 1: took care of like a really high stressed situation for me, 156 00:09:30,720 --> 00:09:33,480 Speaker 1: and it was an act of service. That's my love language. 157 00:09:34,080 --> 00:09:36,120 Speaker 1: And so there will be times when someone does something 158 00:09:36,160 --> 00:09:37,920 Speaker 1: really nice for me and I'm like, when you fix 159 00:09:38,000 --> 00:09:44,200 Speaker 1: my car, you fix my hearty langua. That makes such 160 00:09:44,200 --> 00:09:53,679 Speaker 1: a difference. So hey, somebody's asking us, do we think 161 00:09:53,720 --> 00:09:56,040 Speaker 1: Karen looks more like Nathan's mother and dev looks more 162 00:09:56,080 --> 00:10:02,439 Speaker 1: like Lucas? About that? But for years Chad originally cast 163 00:10:02,480 --> 00:10:04,760 Speaker 1: As didn't he supposed to be supposed to be Nathan, 164 00:10:04,760 --> 00:10:06,160 Speaker 1: and then he decided you want to be Lucas or 165 00:10:06,200 --> 00:10:08,800 Speaker 1: something like that. Yeah, I think there was a casting snaff. 166 00:10:08,800 --> 00:10:11,760 Speaker 1: Who there there was? What's the story behind that? Sof yeah, 167 00:10:11,800 --> 00:10:15,319 Speaker 1: because they wanted Chad to play Nathan. They wanted him 168 00:10:15,360 --> 00:10:17,760 Speaker 1: to play the bad guy. But Chad had played a 169 00:10:17,800 --> 00:10:20,760 Speaker 1: bad guy on Dawson's Creek, so he didn't want to 170 00:10:20,760 --> 00:10:25,200 Speaker 1: play another bad guy. He wanted the chance to play 171 00:10:25,360 --> 00:10:29,720 Speaker 1: you know, this sensitive writer guy. And and so the 172 00:10:29,920 --> 00:10:32,760 Speaker 1: studio was like, well, who do we get to play Nathan? 173 00:10:33,520 --> 00:10:36,640 Speaker 1: And then they go, we can't get rid of her? Yeah, 174 00:10:36,679 --> 00:10:39,160 Speaker 1: like what are we gonna do? Um? So they went 175 00:10:39,160 --> 00:10:41,480 Speaker 1: out on this search and so yeah, we always joked, 176 00:10:42,200 --> 00:10:44,880 Speaker 1: you know, privately as a cast that it's like Nathan 177 00:10:44,920 --> 00:10:50,600 Speaker 1: and Lucas are switched at birth. We should do that sometime, Like, 178 00:10:50,840 --> 00:10:52,560 Speaker 1: you know, we should just do a table read and 179 00:10:52,600 --> 00:10:56,000 Speaker 1: have the boys swap. That would be fun. Oh I 180 00:10:56,000 --> 00:11:01,920 Speaker 1: would love that. I think I would love that so much. Okay, 181 00:11:01,960 --> 00:11:06,000 Speaker 1: Megan Nicole wants to know what do we miss from 182 00:11:06,000 --> 00:11:09,160 Speaker 1: the early two thousand's not low rise jeans. I'll tell 183 00:11:09,160 --> 00:11:14,520 Speaker 1: you right now. Oh my gues, do not bring those back. 184 00:11:14,600 --> 00:11:17,440 Speaker 1: I see them coming, and I don't like it any 185 00:11:17,520 --> 00:11:20,079 Speaker 1: part of those at the only part I want is 186 00:11:20,120 --> 00:11:26,000 Speaker 1: the top part. The missing missing part. What do you 187 00:11:26,000 --> 00:11:30,080 Speaker 1: guys actually missed from I missed life without a cell 188 00:11:30,120 --> 00:11:32,920 Speaker 1: phone in your pocket everywhere you go. I was gonna 189 00:11:32,960 --> 00:11:35,920 Speaker 1: say the same, I missed life with no social media. Yeah, 190 00:11:36,040 --> 00:11:38,840 Speaker 1: I do too. I really missed the bands, guys. I 191 00:11:38,880 --> 00:11:40,960 Speaker 1: missed the band so much. There was a year where, 192 00:11:41,000 --> 00:11:43,800 Speaker 1: like I saw, I saw the White Stripes at one 193 00:11:43,800 --> 00:11:46,560 Speaker 1: of their first shows in New York City. I saw 194 00:11:46,600 --> 00:11:49,920 Speaker 1: the Strokes, I saw like the Beast Boys, I saw 195 00:11:49,960 --> 00:11:53,559 Speaker 1: like weez Are, like every good band, like there was 196 00:11:53,640 --> 00:11:58,080 Speaker 1: so much outcast put out a great album. There was 197 00:11:58,320 --> 00:12:01,920 Speaker 1: such good music and it was an electronic It was 198 00:12:02,000 --> 00:12:08,880 Speaker 1: just really like like basement band rock and roll, and 199 00:12:09,000 --> 00:12:11,679 Speaker 1: the hip hop was really good. I just, yeah, I'm 200 00:12:11,720 --> 00:12:13,960 Speaker 1: going through a thing. Does every old person go through 201 00:12:13,960 --> 00:12:17,280 Speaker 1: that phase where they're like, I missed the good hole day, 202 00:12:17,360 --> 00:12:20,480 Speaker 1: I missed the music of my era. Yeah. I make 203 00:12:20,559 --> 00:12:23,439 Speaker 1: my kids listen to all that stuff on like satellite radio. 204 00:12:23,520 --> 00:12:26,120 Speaker 1: I found a playlist on Apple that's just like the 205 00:12:26,240 --> 00:12:31,720 Speaker 1: Killers and White Stripes. I love that. Yeah. I remember 206 00:12:31,720 --> 00:12:34,240 Speaker 1: when the first Kings of Leon album came out, and 207 00:12:35,160 --> 00:12:40,600 Speaker 1: my life has changed, makes me. I saw them open 208 00:12:40,679 --> 00:12:44,360 Speaker 1: for ben Queller, like they were opening for someone else, 209 00:12:44,480 --> 00:12:47,560 Speaker 1: and I was like, who are these handsome little world 210 00:12:47,920 --> 00:12:53,880 Speaker 1: with those voices and those beats? God, they're just so incredible. Yeah, 211 00:12:54,000 --> 00:12:55,640 Speaker 1: maybe we need to go to one of these one 212 00:12:55,640 --> 00:12:59,240 Speaker 1: of these reunion festivals. Yeah, yeah, we do. I think 213 00:12:59,280 --> 00:13:03,200 Speaker 1: we do. Oh wait, guys, this has nothing to do 214 00:13:03,240 --> 00:13:06,360 Speaker 1: with music, but it does feel romantic and obviously we're 215 00:13:06,400 --> 00:13:09,079 Speaker 1: all romanced by the by the music of the Earliotts. 216 00:13:09,840 --> 00:13:14,120 Speaker 1: Save Metz asks what is your favorite spot for a 217 00:13:14,320 --> 00:13:17,200 Speaker 1: first date? Who do you like to go on a 218 00:13:17,280 --> 00:13:20,480 Speaker 1: first date? I'd like to go for a drive or 219 00:13:22,000 --> 00:13:25,560 Speaker 1: should I tell me more? Well, I have I have 220 00:13:25,720 --> 00:13:31,480 Speaker 1: one first date rule. No makeup, really, no makeup on 221 00:13:31,520 --> 00:13:34,160 Speaker 1: the first date, because if you don't like what you got, 222 00:13:35,240 --> 00:13:37,199 Speaker 1: you don't you don't get to get me all cleaned up. 223 00:13:37,720 --> 00:13:40,600 Speaker 1: I don't. I don't show up a mess. But I don't. 224 00:13:40,679 --> 00:13:42,480 Speaker 1: I mean, I just don't put makeup on for the 225 00:13:42,480 --> 00:13:45,000 Speaker 1: first date because it's like, you gotta you gotta take 226 00:13:45,080 --> 00:13:50,440 Speaker 1: what you see is what you get. I love that. Yeah. Yeah, 227 00:13:50,480 --> 00:13:52,480 Speaker 1: but by the way, why don't you tell us that before? 228 00:13:52,559 --> 00:13:55,920 Speaker 1: We could have saved ourselves so much trouble. You're telling 229 00:13:55,920 --> 00:14:01,320 Speaker 1: you all now? Um? And uh, and the other. And 230 00:14:01,360 --> 00:14:03,520 Speaker 1: guys love it, by the way too, because they're so like, 231 00:14:03,559 --> 00:14:05,760 Speaker 1: oh my god, you don't care, you don't like, you're 232 00:14:05,800 --> 00:14:07,800 Speaker 1: not fuzzy, you know. It's like kind of I think 233 00:14:07,800 --> 00:14:10,080 Speaker 1: it helps them let their guard down a little bit too, 234 00:14:10,080 --> 00:14:12,280 Speaker 1: so they feel like they can relax. And also that's 235 00:14:12,320 --> 00:14:14,200 Speaker 1: why I like not going on dates where you just 236 00:14:14,200 --> 00:14:15,760 Speaker 1: have to sit there and stare at each other. I 237 00:14:15,760 --> 00:14:17,959 Speaker 1: don't love a dinner date. I prefer to go do 238 00:14:18,080 --> 00:14:24,040 Speaker 1: something together because you can you can watch Throwing is great, 239 00:14:24,320 --> 00:14:26,560 Speaker 1: you know what whatever, Like you've got a place where 240 00:14:26,560 --> 00:14:29,520 Speaker 1: you can go throw an ax or shoot a gun 241 00:14:29,680 --> 00:14:31,800 Speaker 1: or shoot a bow and arrow, like, go have some fun. 242 00:14:32,080 --> 00:14:34,720 Speaker 1: But but you can watch how someone problem solves. You 243 00:14:34,720 --> 00:14:36,640 Speaker 1: can see how they interact with the people around them. 244 00:14:36,680 --> 00:14:39,560 Speaker 1: You can talk while there's an activity and you're not 245 00:14:39,600 --> 00:14:42,120 Speaker 1: just forced to stare at each other with that pressure. 246 00:14:42,720 --> 00:14:46,280 Speaker 1: Um yeah, I like an activity date. I don't like 247 00:14:46,400 --> 00:14:51,080 Speaker 1: money on dates, like because because I've been working since 248 00:14:51,080 --> 00:14:54,240 Speaker 1: I graduated high school, there's just this innate guilt where 249 00:14:54,280 --> 00:14:56,440 Speaker 1: I feel like I have to flip the bill for everything, 250 00:14:56,600 --> 00:14:59,800 Speaker 1: and that emasculates some dudes and other dudes are like, 251 00:15:00,160 --> 00:15:03,920 Speaker 1: this is awesome. I'm gonna do this forever. Um, it's 252 00:15:03,960 --> 00:15:08,480 Speaker 1: also a problem. Yeah, there's there's not a win there. Um. 253 00:15:08,640 --> 00:15:12,320 Speaker 1: I liked going on like walks, like, oh I found 254 00:15:12,320 --> 00:15:16,920 Speaker 1: a nice nature trail. Let's go get sweaty to Joy's point, 255 00:15:17,040 --> 00:15:20,200 Speaker 1: no makeup. I'm gonna go make myself look real rough. 256 00:15:20,960 --> 00:15:24,240 Speaker 1: Uh and you're gonna like it? Yeah. Yeah. When Jeff 257 00:15:24,240 --> 00:15:26,040 Speaker 1: and I first met, we did a lot of hiking. 258 00:15:26,040 --> 00:15:28,600 Speaker 1: He saved me from a mountain lion. It was thrilling. 259 00:15:29,480 --> 00:15:32,000 Speaker 1: If a guy does ask you out though he's paying, 260 00:15:32,040 --> 00:15:37,600 Speaker 1: I'm sorry, I just he's paying. He asks you out, 261 00:15:37,920 --> 00:15:41,240 Speaker 1: he's paying. If you ask him out, he probably would be. 262 00:15:41,240 --> 00:15:43,120 Speaker 1: He'd probably be a super nice guy. An offer to 263 00:15:43,120 --> 00:15:45,200 Speaker 1: pay anyway, and then you know it's nice to let him. 264 00:15:45,240 --> 00:15:48,480 Speaker 1: But you know, yeah, there's no if answer. Butts about that. 265 00:15:48,520 --> 00:15:51,520 Speaker 1: I think if he asks you, I think that's a 266 00:15:51,640 --> 00:15:54,640 Speaker 1: person who asks another person on a date should pay 267 00:15:54,680 --> 00:15:57,280 Speaker 1: because they invite it. Yeah, Sophia, where are you going 268 00:15:57,320 --> 00:16:02,720 Speaker 1: on your hot date? Oh? Man? Um? Yeah, I love 269 00:16:02,960 --> 00:16:07,120 Speaker 1: I also love to get out and do something. But 270 00:16:07,240 --> 00:16:09,280 Speaker 1: I also man, I mean, you guys know me. I 271 00:16:09,320 --> 00:16:12,480 Speaker 1: love food. I love a good meal, but that's only 272 00:16:14,160 --> 00:16:19,360 Speaker 1: a rally, like we're going oh yeah, oh my god. 273 00:16:19,400 --> 00:16:21,360 Speaker 1: If somebody like took me to the Women's March on 274 00:16:21,400 --> 00:16:25,400 Speaker 1: a date, I'd probably be married already. Um no, Like, 275 00:16:26,920 --> 00:16:30,160 Speaker 1: I don't know. I like, I like to not have 276 00:16:30,200 --> 00:16:32,440 Speaker 1: the pressure of being stuck at a meal. But if 277 00:16:32,480 --> 00:16:35,160 Speaker 1: something's going really well, I love to get a meal. 278 00:16:35,200 --> 00:16:37,560 Speaker 1: So that's why it's fun to like maybe go meet 279 00:16:37,600 --> 00:16:40,800 Speaker 1: to do something like I don't know, I went on 280 00:16:40,840 --> 00:16:44,240 Speaker 1: a great day to New York and to meet like 281 00:16:44,360 --> 00:16:46,320 Speaker 1: with a coffee and go walk the high line and 282 00:16:46,360 --> 00:16:49,120 Speaker 1: then if it's terrible, you're like, this was fun by 283 00:16:49,320 --> 00:16:52,680 Speaker 1: And if it's great, then you go to dinner. Yeah. Yeah, 284 00:16:52,720 --> 00:16:56,000 Speaker 1: I like the option of continuing or leaving. It makes 285 00:16:56,000 --> 00:16:59,720 Speaker 1: me feel like there's not so much pressure different charters. Yeah, 286 00:16:59,760 --> 00:17:01,480 Speaker 1: I just need a parachute that I can pull the 287 00:17:01,520 --> 00:17:04,040 Speaker 1: string on at anytime. I just got a text to 288 00:17:04,119 --> 00:17:11,520 Speaker 1: my friend, I gotta go man totally. Yeah, Um okay, 289 00:17:11,760 --> 00:17:16,000 Speaker 1: I see one that I like. Costa Justinia says which 290 00:17:16,080 --> 00:17:19,760 Speaker 1: guy had the sweetest offscreen personality? I mean, we had 291 00:17:19,800 --> 00:17:22,600 Speaker 1: a lot of great boys on our show, but Tyler Hilton, 292 00:17:22,720 --> 00:17:27,560 Speaker 1: to me, such a fun It's been such a great 293 00:17:27,600 --> 00:17:32,080 Speaker 1: personality and to be the sweetest man. I have to 294 00:17:32,119 --> 00:17:37,800 Speaker 1: play a total sleeves ball. Oh sweet baby Tyler. He's 295 00:17:38,200 --> 00:17:41,960 Speaker 1: Tyler is like a great person to do love scenes with, 296 00:17:42,560 --> 00:17:45,760 Speaker 1: or like any kind of romantic scene with, because he's 297 00:17:45,960 --> 00:17:51,400 Speaker 1: so thoughtful and he's so above board and he's so trustworthy. 298 00:17:51,480 --> 00:17:53,480 Speaker 1: And we had to do when we did this Christmas 299 00:17:53,520 --> 00:17:56,000 Speaker 1: movie together, he and I had to do this scene 300 00:17:56,040 --> 00:17:57,960 Speaker 1: where the director was like, Okay, you two are going 301 00:17:58,000 --> 00:18:00,440 Speaker 1: to kiss, but I want you to make the lean 302 00:18:00,520 --> 00:18:06,000 Speaker 1: into the kiss last as long as humanly possible good, 303 00:18:06,320 --> 00:18:10,000 Speaker 1: which is a very strange acting exercise to do with anyone, 304 00:18:10,040 --> 00:18:15,080 Speaker 1: let alone someone you've been buddies with so intimate, and 305 00:18:15,240 --> 00:18:18,760 Speaker 1: he took it so seriously and he's just the loveliest 306 00:18:18,960 --> 00:18:22,480 Speaker 1: person to act with. Joy, You nailed that one. You win, 307 00:18:22,680 --> 00:18:26,960 Speaker 1: Ding ding ding? Yeah, all right, let's see. GABRIELLEA ninety 308 00:18:27,280 --> 00:18:30,680 Speaker 1: Rose wants to know what's the best professional advice someone 309 00:18:30,760 --> 00:18:36,200 Speaker 1: gave you that you think is worth passing on. Oh, 310 00:18:36,880 --> 00:18:43,840 Speaker 1: best quessional advice. Oh, I've got one go give it. So. 311 00:18:44,760 --> 00:18:48,040 Speaker 1: I remember when we were gearing up to direct shadowing 312 00:18:48,119 --> 00:18:52,960 Speaker 1: directors in Wilmington's and one of the best things that 313 00:18:53,080 --> 00:18:55,240 Speaker 1: I ever heard on our show, and I've taken it 314 00:18:55,280 --> 00:18:58,280 Speaker 1: on every job I've ever worked on. Is that the 315 00:18:58,320 --> 00:19:01,479 Speaker 1: best idea always wins. Yeah, And it doesn't matter if 316 00:19:01,520 --> 00:19:03,919 Speaker 1: it comes from the director, from an actor, from a 317 00:19:03,960 --> 00:19:07,280 Speaker 1: Dolly Grip, someone on the electric team, the craft service person. 318 00:19:07,840 --> 00:19:10,920 Speaker 1: The best idea always wins. And it to me, it's 319 00:19:10,960 --> 00:19:13,840 Speaker 1: the most concise way to say, every single person in 320 00:19:13,880 --> 00:19:17,719 Speaker 1: this room is of equal value, and no one in 321 00:19:17,720 --> 00:19:21,160 Speaker 1: this room can carry their ego as though it means anything. 322 00:19:21,680 --> 00:19:23,439 Speaker 1: You've got to show up and be a team player. 323 00:19:23,920 --> 00:19:26,199 Speaker 1: And I say it to myself all the time. The 324 00:19:26,240 --> 00:19:31,520 Speaker 1: best idea always wins. Yeah. I love that. I think 325 00:19:31,640 --> 00:19:34,760 Speaker 1: as an actor, UM, some great advice that I got 326 00:19:34,920 --> 00:19:38,800 Speaker 1: was I don't. I don't know if it's advice as 327 00:19:38,880 --> 00:19:45,280 Speaker 1: much as um just acting a teaching. I don't. I 328 00:19:45,280 --> 00:19:49,120 Speaker 1: don't acting lessons, acting lesson but I don't know. But 329 00:19:49,320 --> 00:19:51,520 Speaker 1: um that and I think we've talked about this before. 330 00:19:51,520 --> 00:19:56,680 Speaker 1: But acting is like listening. And I had never heard 331 00:19:56,760 --> 00:20:01,959 Speaker 1: it phrased that way before, but once I heard phrase, uh, 332 00:20:02,000 --> 00:20:05,879 Speaker 1: everything made so much sense to me. You've got to prepare, 333 00:20:06,160 --> 00:20:08,040 Speaker 1: so you have to know your lines. So the preparation 334 00:20:08,119 --> 00:20:10,520 Speaker 1: of just knowing your lines and knowing who your character is. 335 00:20:10,560 --> 00:20:15,680 Speaker 1: That's all really important, UM, majorly important. But the eight 336 00:20:16,240 --> 00:20:19,719 Speaker 1: or or whatever, just being there on set, you have 337 00:20:19,800 --> 00:20:23,960 Speaker 1: to listen to what's being said, listen verbally and nonverbally, 338 00:20:24,840 --> 00:20:28,280 Speaker 1: or to the verbal and nonverbal communication rather UM. Because 339 00:20:28,760 --> 00:20:32,320 Speaker 1: if the writing is good, which hopefully it is, UM, 340 00:20:32,400 --> 00:20:35,679 Speaker 1: your response, your natural response to whatever it is that 341 00:20:35,720 --> 00:20:39,600 Speaker 1: you're hearing, should collate with what's on the page already, 342 00:20:39,760 --> 00:20:41,879 Speaker 1: and so the words should naturally already come out of 343 00:20:41,920 --> 00:20:44,600 Speaker 1: your mouth. And UM, it just made a really big 344 00:20:44,640 --> 00:20:48,240 Speaker 1: difference for me hearing that, I I UM suddenly felt 345 00:20:48,280 --> 00:20:51,040 Speaker 1: like it was I felt much more free to just 346 00:20:51,080 --> 00:20:52,840 Speaker 1: be in the moment and be and be there as 347 00:20:52,840 --> 00:20:54,399 Speaker 1: long as I knew I had done my prep and 348 00:20:54,440 --> 00:20:57,960 Speaker 1: done my work. You know, you've always been a good listener. Joy, 349 00:20:58,119 --> 00:21:02,080 Speaker 1: I feel like you mastered that. I was. I didn't 350 00:21:02,080 --> 00:21:04,399 Speaker 1: know that lesson yet, and I was like, our wheels 351 00:21:04,400 --> 00:21:08,560 Speaker 1: are always turning. How did she do that? It's fantastic. 352 00:21:08,920 --> 00:21:12,800 Speaker 1: I feel like because we started um doing like, you know, 353 00:21:13,240 --> 00:21:16,000 Speaker 1: carrying a franchise at such a young age. You know, 354 00:21:16,400 --> 00:21:19,440 Speaker 1: there's so many people who are in your ear with 355 00:21:19,480 --> 00:21:22,160 Speaker 1: advice or opinions, and they're like, hey, kid, we're gonna 356 00:21:22,200 --> 00:21:24,600 Speaker 1: do this, and we're gonna do this, and you know, 357 00:21:24,640 --> 00:21:27,760 Speaker 1: this is how you should be doing it. And um, 358 00:21:27,760 --> 00:21:31,359 Speaker 1: my manager, who is like, you know, family to me. 359 00:21:31,400 --> 00:21:33,120 Speaker 1: I've been with her since I was eighteen years old. 360 00:21:33,520 --> 00:21:34,720 Speaker 1: I had come to her and I was like, well, 361 00:21:34,760 --> 00:21:36,680 Speaker 1: so and so I said, and then he said this, 362 00:21:36,960 --> 00:21:38,800 Speaker 1: and then he said we should do this, and she 363 00:21:39,000 --> 00:21:42,000 Speaker 1: just like stopped me and she's like, do you want 364 00:21:42,080 --> 00:21:46,360 Speaker 1: his career? And I was like no. She's like, then 365 00:21:46,440 --> 00:21:52,639 Speaker 1: why do we care what he says? And I was like, oh, oh, 366 00:21:53,040 --> 00:21:57,479 Speaker 1: you're right. And so I I think that finding people 367 00:21:57,680 --> 00:22:01,440 Speaker 1: who have paved the way or who have conducted themselves 368 00:22:01,520 --> 00:22:05,600 Speaker 1: with integrity, and whether they're doing your same exact job 369 00:22:05,680 --> 00:22:11,919 Speaker 1: or something different, people who have the trajectory that you want. Um, 370 00:22:11,960 --> 00:22:13,800 Speaker 1: those are the opinions you value. You have to be 371 00:22:13,920 --> 00:22:17,240 Speaker 1: very careful about what opinions you let in because it 372 00:22:17,320 --> 00:22:21,760 Speaker 1: affects your own self worth, it affects your choices. Um, yeah, 373 00:22:21,800 --> 00:22:25,160 Speaker 1: do you want his career? No? I think that works 374 00:22:25,160 --> 00:22:27,840 Speaker 1: in life too. You know, you choose friends and you 375 00:22:27,880 --> 00:22:30,280 Speaker 1: just pay attention to the friendships that they have. It's 376 00:22:30,320 --> 00:22:33,360 Speaker 1: the it's even in its most basic form, if somebody's 377 00:22:33,400 --> 00:22:36,959 Speaker 1: talking about somebody else to you, they're probably talking about 378 00:22:36,960 --> 00:22:40,760 Speaker 1: you to someone else, So, you know, and I think 379 00:22:40,880 --> 00:22:43,199 Speaker 1: that just paying attention to who people are and what 380 00:22:43,240 --> 00:22:45,240 Speaker 1: they say and and the kind of people that they 381 00:22:45,240 --> 00:22:50,080 Speaker 1: surround themselves with, that is a is a further down there, 382 00:22:50,119 --> 00:22:52,240 Speaker 1: down the line rab or down the rabbit hole of 383 00:22:52,240 --> 00:22:54,040 Speaker 1: of what you're saying. You know, it's it's a really 384 00:22:54,040 --> 00:23:05,800 Speaker 1: good strategy to live by, Hannah says Hannah Hannah seventeen. 385 00:23:05,880 --> 00:23:08,480 Speaker 1: Hannah ha ha seventeen. The music on the show was 386 00:23:08,560 --> 00:23:10,640 Speaker 1: so iconic and really made the show what it was. 387 00:23:10,880 --> 00:23:13,639 Speaker 1: Who selected the music and how did they find so 388 00:23:13,680 --> 00:23:19,880 Speaker 1: many great unknown bands and musicians to feature. Lindsay Wolfington 389 00:23:20,040 --> 00:23:22,840 Speaker 1: was a major. I mean she wasn't on the whole 390 00:23:22,880 --> 00:23:24,840 Speaker 1: run of the show, though, was she. I don't think 391 00:23:24,880 --> 00:23:27,280 Speaker 1: she was on from the beginning, but she came on 392 00:23:27,440 --> 00:23:32,080 Speaker 1: pretty early and she was incredible. I mean she brought 393 00:23:32,080 --> 00:23:34,200 Speaker 1: guys like she brought us Kid Cutty when nobody knew 394 00:23:34,240 --> 00:23:38,800 Speaker 1: who Kid cut Outs right, so tapped in. So whether 395 00:23:38,880 --> 00:23:43,000 Speaker 1: it was you know, big bands like I mean all 396 00:23:43,040 --> 00:23:46,560 Speaker 1: of them, I got like Fallout Boy and Angels, and 397 00:23:46,560 --> 00:23:49,320 Speaker 1: airwaves that like really served that sort of emo crowd 398 00:23:49,480 --> 00:23:54,720 Speaker 1: or like Kid Cutty or we got you know, sitting God, 399 00:23:54,760 --> 00:23:58,720 Speaker 1: we had such amazing Cheryl Crowhelo. She was such amazing 400 00:23:58,840 --> 00:24:02,919 Speaker 1: artists on our show. And and it was very cool 401 00:24:03,480 --> 00:24:06,480 Speaker 1: to see, you know, the way that we could help 402 00:24:06,560 --> 00:24:10,640 Speaker 1: break bands. And um, it was still in an era 403 00:24:10,720 --> 00:24:13,800 Speaker 1: where having a sink on a show was so valuable 404 00:24:13,840 --> 00:24:17,000 Speaker 1: to musicians and it was pretty special to be a 405 00:24:17,080 --> 00:24:19,520 Speaker 1: part of that. And and that's really how you know, 406 00:24:19,680 --> 00:24:23,280 Speaker 1: for those of you also curious about this, it's literally 407 00:24:23,320 --> 00:24:25,960 Speaker 1: an entire department that works on a show. It's a 408 00:24:26,040 --> 00:24:31,639 Speaker 1: music supervisor, assistance, it's it's an entire division at a 409 00:24:31,640 --> 00:24:34,480 Speaker 1: at a studio that makes film and television. So it 410 00:24:34,640 --> 00:24:37,600 Speaker 1: is a big undertaking and they did a beautiful job 411 00:24:37,640 --> 00:24:42,199 Speaker 1: on our show. Um, what is one item you wish 412 00:24:42,400 --> 00:24:44,680 Speaker 1: you would have taken from the O T H set? 413 00:24:46,400 --> 00:24:49,159 Speaker 1: That couch and Karen's cafe? The red one, Yeah, the 414 00:24:49,160 --> 00:24:52,240 Speaker 1: one under the window. There was a couch. It was 415 00:24:52,280 --> 00:24:56,840 Speaker 1: like a red kind of like looped material. Was it 416 00:24:56,920 --> 00:24:59,880 Speaker 1: in Trick or was it a Karen's Cafe? I don't 417 00:25:00,280 --> 00:25:02,720 Speaker 1: I think that might have been in Trick. There was 418 00:25:02,720 --> 00:25:05,240 Speaker 1: a red couch that should have been mine. It was 419 00:25:05,280 --> 00:25:10,480 Speaker 1: like super mod mid century. Yeah, the centry mod couch 420 00:25:10,520 --> 00:25:13,000 Speaker 1: and all the fringe lamps I took off. I took 421 00:25:13,040 --> 00:25:14,680 Speaker 1: a whole bunch of stuff. Again, I still stuff for 422 00:25:14,760 --> 00:25:18,639 Speaker 1: everybody else. Hillary, I still furniture for you, like I 423 00:25:18,680 --> 00:25:21,000 Speaker 1: took drawings for you. I was like, this is ridiculous. 424 00:25:21,200 --> 00:25:23,640 Speaker 1: And the craziest part was, which I'm not sure if 425 00:25:23,640 --> 00:25:26,440 Speaker 1: I've ever told any of the fans this, but they 426 00:25:26,480 --> 00:25:30,040 Speaker 1: sent me a bill at the end of Oh yeah, 427 00:25:30,720 --> 00:25:35,160 Speaker 1: they sent me a bill at the end for thousands 428 00:25:35,280 --> 00:25:37,639 Speaker 1: of dollars. Gag when I tell you how much it was. 429 00:25:38,480 --> 00:25:41,679 Speaker 1: And I just responded, I said, are you serious? Like 430 00:25:41,920 --> 00:25:44,920 Speaker 1: what what, what are you going to do with this stuff? 431 00:25:45,320 --> 00:25:47,679 Speaker 1: What do you mean? And they said, well, every single 432 00:25:47,720 --> 00:25:49,399 Speaker 1: thing is you know, invoiced in da da da da. 433 00:25:49,480 --> 00:25:51,399 Speaker 1: And I said, Okay, I'm going to send you a 434 00:25:51,480 --> 00:25:53,600 Speaker 1: check for ten of this amount and we'll call it 435 00:25:53,640 --> 00:25:58,159 Speaker 1: even you sent them anything. Yeah, guys, I have a 436 00:25:58,160 --> 00:26:02,680 Speaker 1: guilt complex. I couldn't would old our wardrobe polaroids on eBay. 437 00:26:03,200 --> 00:26:07,200 Speaker 1: I know they did, dude, they sold wardrobe we wore 438 00:26:07,280 --> 00:26:10,359 Speaker 1: on the show. And I don't know if you guys remember, 439 00:26:10,400 --> 00:26:13,359 Speaker 1: but when they did the joy I don't know if 440 00:26:13,359 --> 00:26:14,919 Speaker 1: we talked about this or not, but when when when 441 00:26:14,960 --> 00:26:17,480 Speaker 1: they did the big We've wrapped at the end of 442 00:26:17,480 --> 00:26:21,080 Speaker 1: season nine warehouse sale, I went in there one day 443 00:26:21,160 --> 00:26:24,719 Speaker 1: with Lisa Goldstein to see what they were selling. They 444 00:26:24,800 --> 00:26:27,400 Speaker 1: were selling every piece of underwear any of us ever 445 00:26:27,440 --> 00:26:32,880 Speaker 1: watched it. I walked over and grabbed a bin and 446 00:26:32,960 --> 00:26:36,480 Speaker 1: took all of it. Thank you, So you have all 447 00:26:36,520 --> 00:26:39,720 Speaker 1: of it? I don't even my godly, I was like, 448 00:26:39,800 --> 00:26:43,879 Speaker 1: this is the grossest thing, like bras and what are 449 00:26:43,920 --> 00:26:46,200 Speaker 1: you talking about? This is so inappropriate. Well, this took 450 00:26:46,240 --> 00:26:49,000 Speaker 1: a dark turn. I took all of it. I was like, 451 00:26:49,080 --> 00:26:50,720 Speaker 1: this is not a thing we're gonna do. Have none 452 00:26:50,720 --> 00:26:53,879 Speaker 1: of you ever watched a true crime show. No, So 453 00:26:53,960 --> 00:26:57,200 Speaker 1: I took it so they could thank you. And there's 454 00:26:57,280 --> 00:27:00,240 Speaker 1: that there's that trade coming back in Brooks there. It 455 00:27:00,359 --> 00:27:04,479 Speaker 1: is Brooke and Sophia's protective instincts. I was like, you're 456 00:27:04,520 --> 00:27:05,879 Speaker 1: not going to sell under where we were on that 457 00:27:06,000 --> 00:27:07,679 Speaker 1: we were on the show to a serial killer. It's 458 00:27:07,720 --> 00:27:10,920 Speaker 1: not happening. So I took it. Any banks we would 459 00:27:11,000 --> 00:27:15,440 Speaker 1: use for all our skinny demazines, Oh my god, those 460 00:27:15,480 --> 00:27:20,239 Speaker 1: bras with the clear straps. No girl were hot for 461 00:27:20,280 --> 00:27:25,080 Speaker 1: a second. People loved those clear straps. Alright, we've got 462 00:27:25,119 --> 00:27:28,760 Speaker 1: we've got one minute left for one last question. Was 463 00:27:28,760 --> 00:27:32,399 Speaker 1: there any last question? What is one thing that you 464 00:27:32,560 --> 00:27:34,920 Speaker 1: just do for you and your mental health? That's a 465 00:27:35,040 --> 00:27:37,879 Speaker 1: nice question. Yeah, let's just positive thing to send us off. 466 00:27:38,200 --> 00:27:40,000 Speaker 1: Let's let's end on a positive thing. So it's not 467 00:27:40,040 --> 00:27:45,920 Speaker 1: about our bosses trying to sell our gross What's one 468 00:27:46,000 --> 00:27:49,280 Speaker 1: thing that we all do for our mental health just 469 00:27:49,400 --> 00:27:56,119 Speaker 1: for us? I like that? Mm hmm. Well, I read books. Um, 470 00:27:57,000 --> 00:27:59,720 Speaker 1: I know that I'm not doing well mentally when I 471 00:27:59,760 --> 00:28:03,040 Speaker 1: can't read. That is my I let the lightbulbs in 472 00:28:03,080 --> 00:28:08,600 Speaker 1: my house burnout and I don't read, and so I've 473 00:28:08,600 --> 00:28:12,520 Speaker 1: been forcing myself to just like take them in. Yeah, 474 00:28:12,840 --> 00:28:16,239 Speaker 1: it's important. Prayer for me is a big deal. Just 475 00:28:16,280 --> 00:28:18,879 Speaker 1: being able to get somewhere quiet and take even if 476 00:28:18,920 --> 00:28:23,600 Speaker 1: it's like literally a minute, can make a difference for me. Um. 477 00:28:23,640 --> 00:28:26,520 Speaker 1: And I don't do it nearly as often as I 478 00:28:26,520 --> 00:28:30,879 Speaker 1: want to or think I should, but I always feel 479 00:28:30,920 --> 00:28:34,080 Speaker 1: better after I pray. I don't know why I don't 480 00:28:34,080 --> 00:28:37,520 Speaker 1: do it more often. I'm just gonna text you. I 481 00:28:37,560 --> 00:28:42,040 Speaker 1: don't want to do Take a minute right now? God? Yeah, Well, 482 00:28:42,080 --> 00:28:44,000 Speaker 1: I think it can be really hard to do the 483 00:28:44,040 --> 00:28:46,120 Speaker 1: things that we know are good for us, Like I 484 00:28:47,120 --> 00:28:53,200 Speaker 1: when I'm not communing with what I feel connected to, 485 00:28:53,720 --> 00:28:57,040 Speaker 1: or reading or any of the things that also are 486 00:28:57,120 --> 00:28:59,760 Speaker 1: most kind of healthy for me. I noticed that my 487 00:29:00,000 --> 00:29:02,400 Speaker 1: olders start to do this, they creep up by my ears, 488 00:29:03,240 --> 00:29:07,120 Speaker 1: and so I've really it's gonna sound so silly, but 489 00:29:07,200 --> 00:29:09,880 Speaker 1: in the last couple of months, you know, being on set, 490 00:29:10,760 --> 00:29:14,080 Speaker 1: I have been trying to force myself for one minute 491 00:29:14,120 --> 00:29:17,280 Speaker 1: to stretch and think about what's important to me while 492 00:29:17,320 --> 00:29:18,760 Speaker 1: I do it. So I guess it's kind of a 493 00:29:18,760 --> 00:29:23,040 Speaker 1: combination of like relaxing my body and a version of prayer. 494 00:29:23,080 --> 00:29:26,640 Speaker 1: It's like, what if I'm going to move my body, 495 00:29:26,680 --> 00:29:29,240 Speaker 1: if I'm going to open my body to something, what 496 00:29:29,520 --> 00:29:32,040 Speaker 1: is the thing that feels most important to open myself to. 497 00:29:32,560 --> 00:29:35,400 Speaker 1: Can that change my day? Can that take me out 498 00:29:35,440 --> 00:29:38,200 Speaker 1: of the stress response that keeps me from reading books 499 00:29:38,240 --> 00:29:40,280 Speaker 1: but keeps me watching the news at two in the morning, Like, 500 00:29:40,520 --> 00:29:42,600 Speaker 1: I know that's not good for me. When I can't 501 00:29:43,040 --> 00:29:45,120 Speaker 1: turn the news off, I'm like, Okay, we're in a 502 00:29:45,160 --> 00:29:48,360 Speaker 1: We're in a stress response, and I'm I'm trying to 503 00:29:48,600 --> 00:29:55,640 Speaker 1: make that kind of connection be like here in my 504 00:29:55,720 --> 00:29:58,720 Speaker 1: physical body first, and then take it to my mind 505 00:29:58,800 --> 00:30:00,280 Speaker 1: and then take it to what I want my mind 506 00:30:00,320 --> 00:30:05,720 Speaker 1: to feel connected to. Girl, you need to teach tentionality, 507 00:30:05,040 --> 00:30:09,720 Speaker 1: make a major difference. Be like hot tips from a 508 00:30:09,760 --> 00:30:14,720 Speaker 1: hot mess teacher. You, guys, this was fun. Keep sending 509 00:30:14,800 --> 00:30:18,600 Speaker 1: us your questions. I loved this me too. Let's do 510 00:30:18,640 --> 00:30:24,200 Speaker 1: more of these in definitely thank you all all right, 511 00:30:24,280 --> 00:30:29,160 Speaker 1: we'll see la. Hi, guys, Hey, thanks for listening. Don't 512 00:30:29,160 --> 00:30:31,520 Speaker 1: forget to leave us a review. You can also follow 513 00:30:31,600 --> 00:30:35,000 Speaker 1: us on Instagram at Drama Queens O t H or 514 00:30:35,240 --> 00:30:38,800 Speaker 1: email us at Drama Queens at I heart radio dot com. 515 00:30:39,320 --> 00:30:43,920 Speaker 1: See you next time. We all about that high school drama. 516 00:30:43,960 --> 00:30:47,680 Speaker 1: Girl Drama Girl all about them high school Queens. We'll 517 00:30:47,680 --> 00:30:50,760 Speaker 1: take you for a ride in our comic Girl sharing 518 00:30:50,760 --> 00:30:55,760 Speaker 1: for the Drama Queens Up Girl Fashion, but you'll tough, girl, 519 00:30:55,880 --> 00:30:58,920 Speaker 1: You could sit with us. Girl Drama Queens, Drama Queens Drama, 520 00:30:58,960 --> 00:31:02,440 Speaker 1: Queen's Drama, Drama, Queen's Drama Queens