WEBVTT - Ep 117: Japanese Breakfast

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<v Speaker 1>I was thinking about this a lot at the GRAMM News.

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<v Speaker 1>I don't have any industry connections. There are all things

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<v Speaker 1>that I've built of just like being an industrious person.

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<v Speaker 2>I guess hello and welcome back to Midnight Chats, a

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<v Speaker 2>podcast of informal interviews with musicians that we love, posted

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<v Speaker 2>weekly at midnight to suit these rather informal conversations. This

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<v Speaker 2>week's episode is hosted by me Stuart Stubbs, editor of

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<v Speaker 2>Loud and Quiet magazine, and tonight's episode is a conversation

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<v Speaker 2>that I had earlier this year, in April twenty twenty two,

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<v Speaker 2>with Michelle Zora aka Japanese Breakfast. We spoke just after

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<v Speaker 2>Michelle had been at the Grammys, where she was nominated

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<v Speaker 2>for two awards, Best New Artist and Best Alternative Album.

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<v Speaker 2>Those took place in Vegas for the first time this year,

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<v Speaker 2>but when I spoke to Michelle, she had relocated to

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<v Speaker 2>upstate New York for a bit of downtime before heading

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<v Speaker 2>back to California for Coachella. We speak about both of

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<v Speaker 2>those things, the Grammys, Coachella, and also her album Jubilee,

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<v Speaker 2>which she released last year. Is her third album, and

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<v Speaker 2>as you're hearing me say to Michelle. I think it's

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<v Speaker 2>a record that only gets better with time. I still

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<v Speaker 2>is into it a hell of a lot. And back

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<v Speaker 2>last year when it was released, we put Japanese Breakfast

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<v Speaker 2>on the cover of our magazine Loud and Quiet. I

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<v Speaker 2>have linked to that interview with Michelle in the show

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<v Speaker 2>notes of this podcast. There's also a few other bits

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<v Speaker 2>and pieces down there. What else can I tell you?

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<v Speaker 2>We also talk a little bit about Michelle's memoir, which

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<v Speaker 2>she released at the same time as she released Jubilee.

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<v Speaker 2>It is a very personal book. Obviously it's a memoir,

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<v Speaker 2>but it's also largely about the death of Michelle's mother,

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<v Speaker 2>which is also what her last two albums have focused

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<v Speaker 2>on in one way or another. And that book, Crying

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<v Speaker 2>in h Mart, has now been picked up for a

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<v Speaker 2>movie deal. It's going to be made into a movie.

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<v Speaker 2>And the book came about after Michelle had a couple

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<v Speaker 2>of essays published, one in Glamour magazine and then a

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<v Speaker 2>second essay of hers was published in The New Yorker,

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<v Speaker 2>and that essentially led to her book deal. If you

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<v Speaker 2>have not heard Michelle's music yet, or the music of

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<v Speaker 2>Japanese Breakfast, then Jubilee I think is a perfect starting point.

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<v Speaker 2>She has a couple of albums before that, Psychopomp also great,

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<v Speaker 2>but for me, Jubilee really is her best work. Yeah,

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<v Speaker 2>I have one thing left to sell to you. I've

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<v Speaker 2>got lots of things to sell to you, but the

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<v Speaker 2>one thing that I'm going to sell to you this

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<v Speaker 2>week is As you may know, this is a podcast

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<v Speaker 2>linked to a music magazine called Loud and Quiet based

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<v Speaker 2>here in London in the and it is predominantly supported

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<v Speaker 2>by a subscribers what we've done this week for a

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<v Speaker 2>limited time. We're not sure how long this is going

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<v Speaker 2>to be a valid offer, so if you're listening to

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<v Speaker 2>this episode far into the future, do check this out.

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<v Speaker 2>But it might not be on But for now, if

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<v Speaker 2>on loudon Quiet dot com. But first here is Michelle's

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<v Speaker 2>Una Japanese breakfast on midnight Chats. Have you managed to

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<v Speaker 2>decompress from the Grammys last week?

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<v Speaker 1>I think I'm in my final day of decompressing. I

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<v Speaker 1>had to do a couple of college readings right afterwards,

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<v Speaker 1>So for that whole week it was a real whirlwind,

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<v Speaker 1>Like my entire body needed to recover from the like

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<v Speaker 1>vanity trauma I inflicted upon it. Like I had these

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<v Speaker 1>really long nails that needed to be shaved off, and

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<v Speaker 1>so my nail beds are very thin underneath, and my

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<v Speaker 1>hair was like matted with wax for three days. So

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<v Speaker 1>it was a real physical recovery after the Grammy.

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<v Speaker 2>Wow, so it's physical as well as mental. I mean,

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<v Speaker 2>how did you how did you find it? Did you like?

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<v Speaker 1>How?

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<v Speaker 2>How was your first Grammy experience?

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<v Speaker 1>People kept asking me if I was nervous, and I

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<v Speaker 1>really wasn't. I'm a pretty high strung person, but I

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<v Speaker 1>felt very relaxed at the Grammys because I didn't have.

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<v Speaker 3>To do anything.

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<v Speaker 1>If I had to perform or something, I would have

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<v Speaker 1>been a wreck. But I just had to go there

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<v Speaker 1>and look hot and chat with people, which you know,

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<v Speaker 1>I paid people to help me with it essentially, And

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<v Speaker 1>so yeah, I just went in having a good time.

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<v Speaker 3>I had no expectations.

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<v Speaker 1>I had a feeling we were probably gonna lose both Grammys,

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<v Speaker 1>but you know, it's it's such a delight to be nominated.

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<v Speaker 1>All of my favorite artists have never won Grammys, so

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<v Speaker 1>I feel an incredibly good company as a Grammy loser. Honestly,

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<v Speaker 1>I mean, be Yor has lost fifteen nominations, so I'm

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<v Speaker 1>in very good company.

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<v Speaker 2>She's never won a Grammy.

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<v Speaker 3>I don't think she has ever won a Grammy.

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<v Speaker 1>I was thinking about it and like, yeah, I think

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<v Speaker 1>she's been nominated like fifteen times. She's probably been in

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<v Speaker 1>the Best Alternative category at least five and has never

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<v Speaker 1>taken one because she doesn't want to play that game,

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<v Speaker 1>because why was she you know? So, Yeah, I'm totally

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<v Speaker 1>into just being in the conversation and I'm totally okay

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<v Speaker 1>with it, and I just had a really great time.

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<v Speaker 3>I went there to just celebrate this.

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<v Speaker 1>Album with the team and the label and the band

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<v Speaker 1>and Vegas, and yeah, I had a great time.

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<v Speaker 2>Your nominations were for Best New Artist and Best Alternative Album, right, Yes,

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<v Speaker 2>I mean that's like congratulations, that's like, it's amazing to

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<v Speaker 2>thank you. Did you have many preconceived notions of what

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<v Speaker 2>it was going to be like before you went and

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<v Speaker 2>what was what was it like? How was it different

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<v Speaker 2>to what you thought maybe was in store for you?

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<v Speaker 3>I thought it was gonna be less fun, honestly. I

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<v Speaker 3>heard that like you don't get water or like.

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<v Speaker 1>Drink, and that there's no food, and I just thought

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<v Speaker 1>it was gonna be really long and boring. But once

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<v Speaker 1>we got in there, uh, because we were up for

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<v Speaker 1>a major category, we actually got like a little table

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<v Speaker 1>on the floor, so we were like in a.

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<v Speaker 3>Really good spot. I was surprised like how close our

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<v Speaker 3>table was.

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<v Speaker 1>And they had like champagne service, so we at least

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<v Speaker 1>got to have like champagne.

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<v Speaker 3>And there was water.

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<v Speaker 1>Uh, and half of the ceremony is really just performances,

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<v Speaker 1>so it got it's really fun and like it's I

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<v Speaker 1>would say, it's like fifty percent major category awards and

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<v Speaker 1>fifty percent just like huge pop performance.

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<v Speaker 3>And so I thought it was gonna be.

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<v Speaker 1>Like really boring awards all the time, but it felt

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<v Speaker 1>like quite fun just because you get to see these

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<v Speaker 1>like stadium pop bands put on like this huge production

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<v Speaker 1>show back to back to back. You could see Billie Eilish, BTS,

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<v Speaker 1>Lady Gaga, justin Bieber, like all these people.

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<v Speaker 3>I would never you know, pay like five.

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<v Speaker 1>Hundred dollars to go see a show and to be

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<v Speaker 1>able to like watch that back to back and have

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<v Speaker 1>these like huge artists actually you know, put on this

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<v Speaker 1>like enormous production was really fun. So I thought it

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<v Speaker 1>was gonna be kind of like a drag once we

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<v Speaker 1>were in the actual award ceremony, but it was.

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<v Speaker 3>It was actually really fun to watch.

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<v Speaker 2>Did you not even feel nervous as your categories were

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<v Speaker 2>coming out, not in the sense of like, oh, I

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<v Speaker 2>might not win, but I feel like I'd be more

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<v Speaker 2>nervous thinking what if I win and I've now got

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<v Speaker 2>I've got to get up there in a second.

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<v Speaker 1>I mean, I feel like no one can judge you

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<v Speaker 1>like you win granty. You know. I knew that there

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<v Speaker 1>was just absolutely no way that we were gonna win

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<v Speaker 1>Best New Artists. I knew one hundred percent. I think

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<v Speaker 1>everyone else did that. Olivia Rodrigue was going to take it,

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<v Speaker 1>and I think that she deserved it. For Best Alternative,

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<v Speaker 1>I thought we had a fighting chance.

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<v Speaker 3>But uh, I who thought that one? It was Saint Vincent,

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<v Speaker 3>you know, which is also well deserved. But I thought

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<v Speaker 3>maybe we had a chance. But I didn't feel too nervous.

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<v Speaker 1>I was just gonna basically think everyone that helped me

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<v Speaker 1>work on the record, So I don't really I didn't

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<v Speaker 1>really feel like I had to make any kind of

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<v Speaker 1>statement because it's also untelevised, so it's, uh, it's like less.

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<v Speaker 2>Pressure, right, Yeah, this was the first year it was untelevised, right,

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<v Speaker 2>it normally is.

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<v Speaker 3>No. I don't know, I don't know.

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<v Speaker 1>I don't think it is ever televised, there's always it not. Yeah,

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<v Speaker 1>there's a sect. There's one ceremony with a bunch of

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<v Speaker 1>other awards that are not as yeah, which includes best Alternative.

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<v Speaker 3>That's not televisied.

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<v Speaker 2>Got yeah, Okay, I don't know.

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<v Speaker 3>I've never really paid attention to this compo.

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<v Speaker 2>So it's this was but this was? Was this the

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<v Speaker 2>first one that was in Vegas for some reason? But no,

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<v Speaker 2>it's normally in LA, but this year was in Vegas

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<v Speaker 2>due to a COVID delay. I think have you been

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<v Speaker 2>to Vegas before then? Or was that your first Vegas trip.

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<v Speaker 3>I've been to Vegas a couple of times. My members

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<v Speaker 3>of Vegas I have. I have one.

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<v Speaker 1>I went in my childhood with my parents and I

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<v Speaker 1>remember they I actually write about this in my book,

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<v Speaker 1>but they left me in the hotel to go gamble

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<v Speaker 1>and I was an only child and I missed them,

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<v Speaker 1>and so I cleaned the entire hotel room, hoping that

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<v Speaker 1>when they came back that they would be very proud

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<v Speaker 1>of me, not realizing that you know, there's you know,

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<v Speaker 1>room service, housekeeping. But yeah, my mom was like a

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<v Speaker 1>real neat freak, and so I thought if I cleaned

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<v Speaker 1>the hotel room, and they came back that they would be.

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<v Speaker 3>Sad that they looked. And then the other memory I

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<v Speaker 3>have is I played a show one of.

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<v Speaker 1>Our first like DIY shows as Japanese Breakfast in like

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<v Speaker 1>twenty fourteen or twenty fifteen, I booked a show. Shamir

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<v Speaker 1>actually helped me book a show at like a crepe

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<v Speaker 1>restaurant and it was like in a strip mall in

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<v Speaker 1>Las Vegas. There were maybe like ten people there that

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<v Speaker 1>was probably largely there for the crapes, and they kept

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<v Speaker 1>telling us to turn our amps down, and I was like,

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<v Speaker 1>if I turned my amp down any quieter, it.

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<v Speaker 3>Will just be off.

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<v Speaker 1>Like it's at like two five, Like if you turn

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<v Speaker 1>it any lower, it just shuts off.

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<v Speaker 3>And it was not really conducive to a gig.

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<v Speaker 1>But yeah, I've been to I've been to Last Vegas

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<v Speaker 1>a couple of times. I actually was like legally married

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<v Speaker 1>in Las Vegas.

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<v Speaker 2>So right, okay, yeah there a few times. So the

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<v Speaker 2>so that time when you went and cleaned the hotel room,

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<v Speaker 2>I mean, did it work?

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<v Speaker 3>Did your parents They were like embarrassed. I feel like

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<v Speaker 3>they've just felt bad.

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<v Speaker 1>It was like such a needy only child and like

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<v Speaker 1>they left for like two hours and I couldn't handle it.

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<v Speaker 2>Wow, how old were we? How would how old would

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<v Speaker 2>you have been them?

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<v Speaker 3>I like eight or something?

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<v Speaker 2>Okay, right, and so when, so when you were there

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<v Speaker 2>this time for Grammy's time? Did you? I mean, do

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<v Speaker 2>you like that? Are you a fan of Vegas as

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<v Speaker 2>a place. I've never been myself, but I've heard all

0:12:22.280 --> 0:12:25.160
<v Speaker 2>the cliches about it being a really fun place to

0:12:25.200 --> 0:12:26.560
<v Speaker 2>go for a short period of time.

0:12:26.920 --> 0:12:28.160
<v Speaker 3>I hate Las Vegas.

0:12:29.200 --> 0:12:32.360
<v Speaker 1>I feel like there are maybe kids from Las Vegas

0:12:32.400 --> 0:12:34.959
<v Speaker 1>that will tell me that I feel.

0:12:35.240 --> 0:12:37.480
<v Speaker 3>Now, I feel hesitant to say that I hate Las Vegas.

0:12:37.480 --> 0:12:40.880
<v Speaker 1>I hate like the center of Las Vegas or whatever.

0:12:40.960 --> 0:12:44.000
<v Speaker 1>I'm sure that there's like a real I don't know,

0:12:44.040 --> 0:12:49.040
<v Speaker 1>maybe there's like another culture outside of like the downtown,

0:12:49.160 --> 0:12:50.480
<v Speaker 1>like Strip or whatever.

0:12:50.679 --> 0:12:50.960
<v Speaker 3>I mean.

0:12:51.040 --> 0:12:54.120
<v Speaker 1>I feel like I would be pissed off if someone said,

0:12:54.160 --> 0:12:56.439
<v Speaker 1>like I hate Philadelphia and they were like talking about

0:12:56.440 --> 0:12:59.720
<v Speaker 1>like center city, like just like chain restaurant downtown.

0:12:59.800 --> 0:13:02.040
<v Speaker 3>So maybe that's like unfair of me to say about

0:13:02.080 --> 0:13:04.720
<v Speaker 3>Las Vegas. But that type of Las Vegas.

0:13:04.760 --> 0:13:07.880
<v Speaker 1>I'm not like a big gambler, and I'm also get

0:13:07.920 --> 0:13:10.360
<v Speaker 1>lost very easily of a really poor sense of direction.

0:13:10.440 --> 0:13:14.480
<v Speaker 1>So I was like, honestly so overwhelmed about getting lost

0:13:14.520 --> 0:13:17.520
<v Speaker 1>in the casino that I tried not to leave my room.

0:13:17.679 --> 0:13:22.000
<v Speaker 1>Like at one point, I ordered a breakfast room service

0:13:22.200 --> 0:13:24.920
<v Speaker 1>that was like two eggs and like hash browns and

0:13:24.960 --> 0:13:28.960
<v Speaker 1>toasts were like twenty seven dollars, and I ordered room

0:13:28.960 --> 0:13:31.280
<v Speaker 1>service because I was so afraid of leaving the room

0:13:32.040 --> 0:13:33.800
<v Speaker 1>and getting lost that I just.

0:13:33.880 --> 0:13:36.680
<v Speaker 3>Stayed my room.

0:13:38.679 --> 0:13:40.760
<v Speaker 2>I've never thought it, thought of it as the sort

0:13:40.760 --> 0:13:43.360
<v Speaker 2>of place where you would get lost, but I just

0:13:43.400 --> 0:13:46.640
<v Speaker 2>say I've never been. It's obviously huge. How do you

0:13:46.679 --> 0:13:49.120
<v Speaker 2>find like when you come to like a place like London, Like,

0:13:50.000 --> 0:13:51.480
<v Speaker 2>do you tend to get lost everywhere?

0:13:52.160 --> 0:13:54.640
<v Speaker 3>I do. I tend to have like a some kind

0:13:54.679 --> 0:13:58.200
<v Speaker 3>of guardian with me. But I love London. I don't

0:13:58.200 --> 0:13:59.600
<v Speaker 3>feel that way about London at all.

0:14:00.360 --> 0:14:03.720
<v Speaker 2>It's just because you know, we're so like your cities

0:14:03.920 --> 0:14:08.360
<v Speaker 2>are so grid like hmmm, because they're built for cars,

0:14:08.360 --> 0:14:10.480
<v Speaker 2>you know, Like it's quite easy to be like, Okay,

0:14:10.480 --> 0:14:12.839
<v Speaker 2>I'm I'm twenty blocks. I need to go up that way.

0:14:12.880 --> 0:14:13.679
<v Speaker 2>The numbers are going up.

0:14:13.720 --> 0:14:15.920
<v Speaker 1>I need to feel like in London, like I'll be

0:14:16.040 --> 0:14:19.440
<v Speaker 1>okay getting lost because it's so lovely everywhere, and then okay,

0:14:19.600 --> 0:14:22.040
<v Speaker 1>don't want biggest if I get lost, It's.

0:14:21.640 --> 0:14:26.880
<v Speaker 2>Like just hell, so did you after the Grammys? Did

0:14:26.920 --> 0:14:28.560
<v Speaker 2>you go to any of the There must have been

0:14:28.640 --> 0:14:30.360
<v Speaker 2>parties galore in Vegas.

0:14:30.680 --> 0:14:30.960
<v Speaker 3>I don't know.

0:14:31.600 --> 0:14:37.080
<v Speaker 1>I mean, I I heard a rumor that Olivia Rodrigo

0:14:37.240 --> 0:14:39.480
<v Speaker 1>was having a party, but there was a cover charge,

0:14:39.800 --> 0:14:41.880
<v Speaker 1>so I was like, I'm not going to that. And

0:14:41.920 --> 0:14:45.880
<v Speaker 1>then I didn't really hear about Like Jack Antonov invited

0:14:45.920 --> 0:14:48.920
<v Speaker 1>me to like a small gathering, but I was honestly

0:14:48.960 --> 0:14:50.280
<v Speaker 1>like just so wrecked.

0:14:50.320 --> 0:14:51.560
<v Speaker 3>I was like so tired.

0:14:51.880 --> 0:14:55.240
<v Speaker 1>I had kind of celebrated the night before and I

0:14:55.280 --> 0:14:56.960
<v Speaker 1>was just really hungry and wanted to go to bed.

0:14:57.000 --> 0:14:59.320
<v Speaker 1>So I kind of celebrated just like with my band

0:14:59.560 --> 0:15:04.840
<v Speaker 1>and my label and team, and I didn't really do much.

0:15:05.040 --> 0:15:08.320
<v Speaker 1>Maybe I like ruined my Grammy's experience by doing that,

0:15:08.400 --> 0:15:10.840
<v Speaker 1>but I had a fun time. I didn't really go

0:15:10.880 --> 0:15:13.600
<v Speaker 1>into any after parties. I would like to believe there

0:15:13.600 --> 0:15:15.720
<v Speaker 1>weren't as many because it's in Las Vegas, but maybe

0:15:15.760 --> 0:15:18.920
<v Speaker 1>I'm just like not cool enough to know what they are.

0:15:20.320 --> 0:15:22.840
<v Speaker 2>I can't believe I didn't realize some of them charged

0:15:23.040 --> 0:15:24.440
<v Speaker 2>that seems that doesn't seem right.

0:15:25.120 --> 0:15:27.000
<v Speaker 3>Yeah, I don't know. Maybe they had to like pay

0:15:27.000 --> 0:15:28.680
<v Speaker 3>for Paris Hilton's DJ set.

0:15:29.280 --> 0:15:34.800
<v Speaker 2>Right. Well, congratulations on Tubilee. It's such a great record,

0:15:34.880 --> 0:15:38.400
<v Speaker 2>and I think it just gets better over time the

0:15:38.480 --> 0:15:40.840
<v Speaker 2>more I was listening to it again yesterday ahead of this,

0:15:41.600 --> 0:15:43.640
<v Speaker 2>having like hammered it when it came out last year,

0:15:44.320 --> 0:15:47.000
<v Speaker 2>and I think it just kind of gets better. Like

0:15:47.040 --> 0:15:48.800
<v Speaker 2>do you how do you feel about it now with

0:15:49.440 --> 0:15:51.440
<v Speaker 2>a little bit of distance from it coming out and

0:15:51.680 --> 0:15:54.440
<v Speaker 2>obviously like the Grammys kind of may maybe makes you

0:15:54.720 --> 0:15:55.760
<v Speaker 2>reconnect with it a bit.

0:15:56.080 --> 0:15:58.360
<v Speaker 3>Oh, I'm so proud of it, you know.

0:15:58.520 --> 0:16:01.360
<v Speaker 1>I mean when you when you make something, I feel

0:16:01.360 --> 0:16:03.720
<v Speaker 1>like you always have this feeling that it's like the

0:16:03.760 --> 0:16:06.760
<v Speaker 1>best thing that you've made. But I really felt that way,

0:16:06.880 --> 0:16:13.040
<v Speaker 1>and it's really validating to have it be, you know,

0:16:13.120 --> 0:16:16.320
<v Speaker 1>my most successful record. I'm I feel like I'm in

0:16:16.360 --> 0:16:20.560
<v Speaker 1>this new place now where I've just been. It's been

0:16:20.600 --> 0:16:26.240
<v Speaker 1>so charmed. This musical project has only gone up and up,

0:16:26.320 --> 0:16:28.440
<v Speaker 1>and so I think I'm I'm sort of been in

0:16:28.520 --> 0:16:32.520
<v Speaker 1>this sphere of like when is this plateau gonna come? Like?

0:16:32.560 --> 0:16:36.560
<v Speaker 3>When am I going to make a record that causes

0:16:36.600 --> 0:16:38.840
<v Speaker 3>the Descent, But.

0:16:38.800 --> 0:16:40.600
<v Speaker 1>Yeah, I mean, I was just talking to my husband

0:16:40.600 --> 0:16:42.880
<v Speaker 1>about this, about how you know, when you first put

0:16:42.880 --> 0:16:47.600
<v Speaker 1>out a record, you're just so nervous to put on

0:16:47.680 --> 0:16:49.840
<v Speaker 1>the live show, and there's so much pressure because it

0:16:49.840 --> 0:16:53.080
<v Speaker 1>feels like you up into the very moment that you

0:16:53.160 --> 0:16:54.320
<v Speaker 1>go on tour, it's up.

0:16:54.200 --> 0:16:56.520
<v Speaker 3>To you to like build it up the way that

0:16:56.560 --> 0:16:57.200
<v Speaker 3>it needs to be.

0:16:57.440 --> 0:17:00.720
<v Speaker 1>And now that it's been almost a year, it's not

0:17:00.800 --> 0:17:03.080
<v Speaker 1>even almost a year, I guess it's almost a year

0:17:03.360 --> 0:17:07.320
<v Speaker 1>that the record's been out. It feels like I can

0:17:07.359 --> 0:17:10.600
<v Speaker 1>finally just relax and enjoy the album and like.

0:17:10.960 --> 0:17:12.960
<v Speaker 3>The show just is what the show is.

0:17:13.080 --> 0:17:16.399
<v Speaker 1>You know, We've built this like machine that operates really

0:17:16.440 --> 0:17:20.040
<v Speaker 1>well and I can just go back to hopefully enjoying

0:17:20.720 --> 0:17:24.520
<v Speaker 1>these performances because I was such a ball of nerves

0:17:25.040 --> 0:17:27.960
<v Speaker 1>in the fall hoping that we could. You know, we

0:17:28.119 --> 0:17:31.040
<v Speaker 1>just scaled up so tremendously, Like we scaled up to

0:17:31.160 --> 0:17:34.440
<v Speaker 1>six piece band and we brought on, you know, two

0:17:34.520 --> 0:17:38.160
<v Speaker 1>more crew members, and it just scaled up.

0:17:38.960 --> 0:17:41.439
<v Speaker 3>The show is so much And now I feel like

0:17:41.480 --> 0:17:42.560
<v Speaker 3>we've finally.

0:17:43.680 --> 0:17:47.040
<v Speaker 1>Risen to the occasion and I can just enjoy myself

0:17:47.080 --> 0:17:51.800
<v Speaker 1>again because it was so nerve wracking for the first year, at.

0:17:51.840 --> 0:17:52.800
<v Speaker 3>Least that's my hope.

0:17:52.840 --> 0:17:55.399
<v Speaker 1>But going into Coachella and these big festivals, like, I

0:17:55.480 --> 0:17:58.960
<v Speaker 1>just feel really ready and I'd like to just relax

0:17:59.119 --> 0:18:01.920
<v Speaker 1>and enjoy the ride at this point because last year

0:18:02.000 --> 0:18:02.840
<v Speaker 1>was so stressful.

0:18:03.080 --> 0:18:05.240
<v Speaker 2>Have you done Coachella before, either as a fan or

0:18:05.240 --> 0:18:06.440
<v Speaker 2>as an artist?

0:18:06.880 --> 0:18:10.960
<v Speaker 3>I played as an artist. I think in twenty eighteen.

0:18:11.160 --> 0:18:13.320
<v Speaker 2>You're kind of going into that knowing what you're what

0:18:13.320 --> 0:18:14.439
<v Speaker 2>you're getting into.

0:18:14.760 --> 0:18:18.200
<v Speaker 1>Yeah. I love Coachella. Honestly, I had a blast when

0:18:18.200 --> 0:18:18.760
<v Speaker 1>we played there.

0:18:19.400 --> 0:18:21.480
<v Speaker 2>I went like years and years. I went in two

0:18:21.520 --> 0:18:26.080
<v Speaker 2>thousand and five. It's any time I've been well. Back

0:18:26.080 --> 0:18:28.320
<v Speaker 2>then it was only two days, it was only one weekend,

0:18:28.640 --> 0:18:30.600
<v Speaker 2>and it wasn't really a thing. It wasn't really much

0:18:30.600 --> 0:18:34.000
<v Speaker 2>of a big thing. It didn't feel like that. It

0:18:34.119 --> 0:18:39.800
<v Speaker 2>was depeche Mode and Tall but in the in the

0:18:39.880 --> 0:18:44.679
<v Speaker 2>day Tool played Yeah, Yeah, Tall and depeche Mode. But

0:18:44.760 --> 0:18:48.280
<v Speaker 2>in the day, like Kanye played. In the day Madonna played.

0:18:48.880 --> 0:18:50.359
<v Speaker 2>I think it's her only festival set.

0:18:50.440 --> 0:18:56.200
<v Speaker 1>Wait, Madonna didn't headline no Mode Madonna.

0:18:56.280 --> 0:18:57.240
<v Speaker 3>That's crazy.

0:18:57.280 --> 0:18:59.880
<v Speaker 2>She played in the middle of the day in ten

0:19:00.359 --> 0:19:04.359
<v Speaker 2>That's wild and for a really short set. She probably

0:19:04.400 --> 0:19:06.520
<v Speaker 2>only played for about twenty minutes in the end because

0:19:06.520 --> 0:19:07.600
<v Speaker 2>she was really late coming on.

0:19:08.040 --> 0:19:08.679
<v Speaker 3>Oh wow.

0:19:08.920 --> 0:19:10.760
<v Speaker 2>She didn't seem to have a good time because she

0:19:10.760 --> 0:19:11.360
<v Speaker 2>as well, like.

0:19:11.359 --> 0:19:14.440
<v Speaker 3>Why am I not headlining? I like my I think

0:19:14.480 --> 0:19:18.359
<v Speaker 3>she is like the highest paid tour before, like touring artist.

0:19:19.000 --> 0:19:21.479
<v Speaker 2>Yeah, I can imagine that. Yeah, fully, I think it's

0:19:21.520 --> 0:19:23.360
<v Speaker 2>the only festival she's ever done. I don't think she's

0:19:23.359 --> 0:19:25.080
<v Speaker 2>done one since. I don't think she's done one before

0:19:25.119 --> 0:19:28.840
<v Speaker 2>because she was like, why is tool tool playing above me?

0:19:30.160 --> 0:19:32.840
<v Speaker 2>But it was kind of weird because you know, Madonna

0:19:33.080 --> 0:19:34.879
<v Speaker 2>doing a festival set. I was like, well, this is

0:19:34.960 --> 0:19:38.240
<v Speaker 2>just going to be incredible. But she kind of only played,

0:19:39.480 --> 0:19:42.159
<v Speaker 2>you know, she only played I'd say maybe six or

0:19:42.200 --> 0:19:44.560
<v Speaker 2>seven songs if I remember correctly, and a lot of

0:19:44.640 --> 0:19:47.320
<v Speaker 2>them were like real deep cuts off of new records.

0:19:47.960 --> 0:19:51.680
<v Speaker 2>And then she was like fuck you all, yeah, yeah, exactly,

0:19:51.800 --> 0:19:54.600
<v Speaker 2>and she kind of did it with just to I

0:19:54.600 --> 0:19:56.679
<v Speaker 2>don't think she had a band. I think it was

0:19:56.720 --> 0:19:59.240
<v Speaker 2>to backing. It was almost like she was a special

0:19:59.280 --> 0:20:01.480
<v Speaker 2>secret guest, but she wasn't. She was on the bill

0:20:01.600 --> 0:20:06.000
<v Speaker 2>like she It was kind of weird, but like this

0:20:06.160 --> 0:20:09.000
<v Speaker 2>was cool. Yeah, it was cool. It was cool to

0:20:09.000 --> 0:20:11.840
<v Speaker 2>see it. It was like the tent was rammed and

0:20:11.880 --> 0:20:15.600
<v Speaker 2>it was a thousand degrees in there. It was really uncomfortable.

0:20:15.880 --> 0:20:17.880
<v Speaker 2>It was kind of weird. I remember when I got

0:20:17.880 --> 0:20:20.560
<v Speaker 2>to La and I told I met some I saw

0:20:20.600 --> 0:20:23.520
<v Speaker 2>some people, like we bumped into some people and they

0:20:23.520 --> 0:20:25.080
<v Speaker 2>were asking why we were in town, and we said, oh,

0:20:25.080 --> 0:20:27.560
<v Speaker 2>we're going to Coachella. They didn't really know what it

0:20:27.640 --> 0:20:30.159
<v Speaker 2>was that. They were like, oh, what is that? They

0:20:30.160 --> 0:20:33.080
<v Speaker 2>thought they thought we were talking about a book festival.

0:20:34.400 --> 0:20:37.639
<v Speaker 1>I think that the La Times Book Festival was around

0:20:37.960 --> 0:20:38.639
<v Speaker 1>the same.

0:20:38.440 --> 0:20:39.960
<v Speaker 2>Time, right, and maybe it was that.

0:20:40.160 --> 0:20:44.400
<v Speaker 3>Yeah, I'm a big fan of the catering. Coachella was like, weirdly.

0:20:44.119 --> 0:20:47.520
<v Speaker 1>One of our first festivals that we ever played, and

0:20:48.080 --> 0:20:51.600
<v Speaker 1>they definitely treat their artists like super well, and I

0:20:51.640 --> 0:20:53.120
<v Speaker 1>thought that all festivals.

0:20:52.720 --> 0:20:54.159
<v Speaker 3>Were going to be like that moving forward.

0:20:54.200 --> 0:20:57.639
<v Speaker 1>And really Coachella that has like ten different types of

0:20:57.680 --> 0:21:01.840
<v Speaker 1>spa water and like PoCA stage and like all these desserts,

0:21:01.920 --> 0:21:07.400
<v Speaker 1>so I just like really enjoy like eating my fill there.

0:21:08.480 --> 0:21:11.960
<v Speaker 2>How do you find the British festivals be honest food wise?

0:21:12.400 --> 0:21:15.159
<v Speaker 1>Oh? I do not want to get in trouble over there.

0:21:15.160 --> 0:21:18.720
<v Speaker 1>I've gotten in trouble before for criticizing.

0:21:18.680 --> 0:21:22.600
<v Speaker 3>Food in the UK, but I do like some food

0:21:22.640 --> 0:21:25.639
<v Speaker 3>in the UK that I've had. But I had so

0:21:25.760 --> 0:21:27.439
<v Speaker 3>many people like attack me.

0:21:27.560 --> 0:21:29.520
<v Speaker 1>I like tweeted something about it because I just like

0:21:30.000 --> 0:21:32.080
<v Speaker 1>it wasn't necessarily that I was talking about the UK

0:21:32.240 --> 0:21:34.520
<v Speaker 1>food as a whole, just like the food that I

0:21:34.600 --> 0:21:37.879
<v Speaker 1>happened to eat for the past week had been a

0:21:37.920 --> 0:21:41.320
<v Speaker 1>string of bad decisions, I guess, and then I got

0:21:41.359 --> 0:21:48.600
<v Speaker 1>I got so many people that were very upset, So

0:21:48.720 --> 0:21:50.280
<v Speaker 1>now I'm I'm terrible.

0:21:50.280 --> 0:21:57.440
<v Speaker 2>You've got to be careful commenting. One thing I love

0:21:57.520 --> 0:22:02.639
<v Speaker 2>about the Japanese Breakfast is kind of how hands on

0:22:02.680 --> 0:22:06.040
<v Speaker 2>you are with it and how like the DIY ethic

0:22:06.080 --> 0:22:08.400
<v Speaker 2>of it, like the videos, the fact that you direct

0:22:08.680 --> 0:22:10.359
<v Speaker 2>more or less all the videos and you get your

0:22:10.400 --> 0:22:13.520
<v Speaker 2>friends in them, but there's also such a huge attention

0:22:13.640 --> 0:22:18.120
<v Speaker 2>to detail within those things. When did you first get

0:22:18.160 --> 0:22:22.200
<v Speaker 2>into that sort of DIY culture that is kind of

0:22:22.240 --> 0:22:24.040
<v Speaker 2>at the heart of the band.

0:22:25.359 --> 0:22:27.800
<v Speaker 3>I mean, that's how I got into music from the beginning.

0:22:27.920 --> 0:22:31.720
<v Speaker 1>You know, when people ask like what inspired me to

0:22:31.720 --> 0:22:34.399
<v Speaker 1>get involved with music? You know, I was going to

0:22:34.480 --> 0:22:38.680
<v Speaker 1>shows at like fifteen sixteen, but it didn't ever feel

0:22:38.680 --> 0:22:42.520
<v Speaker 1>accessible until I saw like a DIY show that some

0:22:42.640 --> 0:22:46.120
<v Speaker 1>upperclassmen at my high school were throwing at a coffee shop,

0:22:46.160 --> 0:22:47.600
<v Speaker 1>and that was the first time I was like, oh,

0:22:47.720 --> 0:22:50.680
<v Speaker 1>I know these people, what they're making is not necessarily

0:22:50.760 --> 0:22:55.040
<v Speaker 1>like exceptional, but it's charming. They all have something to say,

0:22:55.080 --> 0:22:57.880
<v Speaker 1>and they all have their own unique style, and that's

0:22:57.880 --> 0:23:01.639
<v Speaker 1>something that I could do, especially as someone that you know,

0:23:01.960 --> 0:23:05.000
<v Speaker 1>learned how to play the guitar pretty late. Later I guess,

0:23:05.040 --> 0:23:07.120
<v Speaker 1>you know, sixteen is not too late, but at the time,

0:23:07.160 --> 0:23:09.400
<v Speaker 1>it felt like I was kind of starting late. And

0:23:10.960 --> 0:23:13.439
<v Speaker 1>you know, I never was very confident about my voice,

0:23:14.440 --> 0:23:18.440
<v Speaker 1>but I wanted. I had so many ideas and stories

0:23:18.480 --> 0:23:22.040
<v Speaker 1>I wanted to tell, and I just loved songwriting very quickly.

0:23:23.119 --> 0:23:29.760
<v Speaker 1>And I loved, yeah, just that whole DIY ethic, like

0:23:29.800 --> 0:23:31.800
<v Speaker 1>of just you know, you book your own shows, you

0:23:31.960 --> 0:23:35.000
<v Speaker 1>promote your own shows, you you know, reach out to

0:23:35.040 --> 0:23:39.239
<v Speaker 1>the city paper to write about your album, and I

0:23:39.359 --> 0:23:40.000
<v Speaker 1>just I.

0:23:39.960 --> 0:23:41.440
<v Speaker 3>Loved doing that.

0:23:41.560 --> 0:23:43.879
<v Speaker 1>It made me feel like I was, I guess, you know,

0:23:44.440 --> 0:23:46.800
<v Speaker 1>in charge of my own destiny.

0:23:46.320 --> 0:23:50.000
<v Speaker 3>In some ways, and so yeah, that was just really

0:23:50.080 --> 0:23:52.040
<v Speaker 3>how I got my start.

0:23:52.080 --> 0:23:55.520
<v Speaker 1>And then as we grew, it made me really able

0:23:55.560 --> 0:23:59.200
<v Speaker 1>to appreciate what other people could bring to the project.

0:23:59.240 --> 0:24:03.679
<v Speaker 1>But that was just always it felt like artists like

0:24:03.880 --> 0:24:06.960
<v Speaker 1>Mount Eerie and you know, all the K Records bands,

0:24:07.040 --> 0:24:10.000
<v Speaker 1>and that's like what they did, and that was the

0:24:10.080 --> 0:24:13.640
<v Speaker 1>art that I loved. And even just like doing your

0:24:13.680 --> 0:24:17.640
<v Speaker 1>own like cutout collage, album design and stuff like that.

0:24:17.640 --> 0:24:18.920
<v Speaker 3>That was sort of how I started.

0:24:18.960 --> 0:24:23.760
<v Speaker 1>And then as we became bigger, having loftier ideas and

0:24:23.800 --> 0:24:28.400
<v Speaker 1>getting more professional people involved to make the.

0:24:28.359 --> 0:24:31.120
<v Speaker 3>Project bigger was like such a fun part of it

0:24:31.160 --> 0:24:31.439
<v Speaker 3>for me.

0:24:32.000 --> 0:24:34.280
<v Speaker 2>So at what point did you do the June Project,

0:24:34.480 --> 0:24:38.520
<v Speaker 2>which was a Tumblr project where you wrote and recorded

0:24:38.560 --> 0:24:41.560
<v Speaker 2>a new song every day throughout the whole of June,

0:24:42.080 --> 0:24:45.480
<v Speaker 2>thirty songs in thirty days and uploaded them to Tumbler.

0:24:46.359 --> 0:24:50.560
<v Speaker 1>I think that was like twenty thirteen or yeah, maybe

0:24:50.640 --> 0:24:51.640
<v Speaker 1>late twenty thirteen.

0:24:52.200 --> 0:24:56.000
<v Speaker 2>Did you find that that easy to like bash these

0:24:56.000 --> 0:24:58.000
<v Speaker 2>songs out? Like, have you always found it easy to

0:24:58.040 --> 0:24:59.160
<v Speaker 2>write songs?

0:25:00.320 --> 0:25:04.160
<v Speaker 3>Yeah? I do think that writing songs for the most

0:25:04.160 --> 0:25:06.359
<v Speaker 3>part has come pretty easily to me.

0:25:07.160 --> 0:25:10.159
<v Speaker 1>But I think at that time, you know, you have

0:25:10.320 --> 0:25:12.720
<v Speaker 1>periods where you get a little stuck and you start

0:25:12.760 --> 0:25:15.240
<v Speaker 1>to overthink things, and so that was my way of

0:25:15.359 --> 0:25:19.200
<v Speaker 1>kind of creating this project or like this little game

0:25:19.840 --> 0:25:23.600
<v Speaker 1>to get me out of that slump. And I was

0:25:23.640 --> 0:25:25.879
<v Speaker 1>working like three jobs at the time, so it was

0:25:25.960 --> 0:25:29.960
<v Speaker 1>tough to find time to do. But it was just

0:25:30.000 --> 0:25:31.359
<v Speaker 1>a way of just like, even if you only have

0:25:31.440 --> 0:25:33.879
<v Speaker 1>ten minutes, you have to write and record something. And

0:25:33.960 --> 0:25:38.240
<v Speaker 1>at the end, like I really only hated two songs.

0:25:38.240 --> 0:25:41.479
<v Speaker 1>I only find like two songs completely like wretched, but

0:25:41.800 --> 0:25:44.760
<v Speaker 1>a lot of them are just what ended up being

0:25:44.840 --> 0:25:48.639
<v Speaker 1>really wonderful raw source material for It's kind of like

0:25:48.680 --> 0:25:51.639
<v Speaker 1>a rough draft for something that you edit into something

0:25:51.680 --> 0:25:54.440
<v Speaker 1>that's that's good later on. Like I think there was

0:25:54.480 --> 0:25:57.240
<v Speaker 1>a lot of songs that came off of that project

0:25:57.280 --> 0:26:00.119
<v Speaker 1>that ended up on Soft Sounds and Psychopomp, and I

0:26:00.160 --> 0:26:02.560
<v Speaker 1>still really like and think about revisiting today.

0:26:02.720 --> 0:26:05.239
<v Speaker 3>So I always think about doing that again because it

0:26:05.280 --> 0:26:05.520
<v Speaker 3>was so.

0:26:05.640 --> 0:26:08.320
<v Speaker 1>Helpful for me, and you know, no one was listening

0:26:08.440 --> 0:26:11.200
<v Speaker 1>at that time, so it really didn't matter.

0:26:12.520 --> 0:26:16.200
<v Speaker 2>I guess it also teaches you to be less precious

0:26:16.240 --> 0:26:18.760
<v Speaker 2>about the thing, because I think when you're creating anything,

0:26:19.000 --> 0:26:22.679
<v Speaker 2>whether it's a song or a painting or writing, that

0:26:23.359 --> 0:26:27.360
<v Speaker 2>you can be crippled by the overwhelming sense of starting

0:26:27.359 --> 0:26:29.640
<v Speaker 2>something because you think you might start down the wrong

0:26:29.840 --> 0:26:31.959
<v Speaker 2>road or and then you end up just not actually

0:26:31.960 --> 0:26:34.800
<v Speaker 2>doing anything because you're just sat there thinking, well, what

0:26:34.840 --> 0:26:37.760
<v Speaker 2>if this isn't brilliant? You know, and you can if

0:26:37.800 --> 0:26:39.840
<v Speaker 2>you can get to that point where you're you do

0:26:39.880 --> 0:26:42.800
<v Speaker 2>a project like that where it's about you set yourself

0:26:42.800 --> 0:26:45.760
<v Speaker 2>the challenge and it doesn't matter if it's necessarily brilliant.

0:26:45.760 --> 0:26:49.200
<v Speaker 2>It's just about the exercise doing something. It lets you

0:26:49.200 --> 0:26:51.400
<v Speaker 2>you let go of that a little bit, that preciousness

0:26:51.400 --> 0:26:52.800
<v Speaker 2>that comes with creating.

0:26:54.000 --> 0:26:56.560
<v Speaker 3>I mean, that's very much how I try to do

0:26:57.200 --> 0:27:01.720
<v Speaker 3>all my work now, in a way to just show

0:27:01.800 --> 0:27:02.639
<v Speaker 3>up and do it.

0:27:02.680 --> 0:27:05.800
<v Speaker 1>When I wrote my book, similarly, I was like, you

0:27:05.880 --> 0:27:08.359
<v Speaker 1>have to just write a thousand words every day until

0:27:08.359 --> 0:27:11.720
<v Speaker 1>you hit eighty thousand words. And you know, a lot

0:27:11.720 --> 0:27:13.919
<v Speaker 1>of it was garbage. But when you go back, like

0:27:13.960 --> 0:27:15.760
<v Speaker 1>you have, you come up. Even if you just like

0:27:15.960 --> 0:27:20.119
<v Speaker 1>delete the entire every single thing except for a sentence,

0:27:20.119 --> 0:27:23.760
<v Speaker 1>sometimes that sentence really unlocks things that something really great.

0:27:24.440 --> 0:27:26.280
<v Speaker 1>I did that again for my screenplay, where I was

0:27:26.320 --> 0:27:29.720
<v Speaker 1>just like, I'm gonna write five pages every day until

0:27:29.720 --> 0:27:30.240
<v Speaker 1>I hit it.

0:27:30.320 --> 0:27:32.119
<v Speaker 3>And so that tends to be.

0:27:33.760 --> 0:27:38.440
<v Speaker 1>It was a that project really unlocked something for me creatively.

0:27:38.840 --> 0:27:41.280
<v Speaker 1>I think that that's just what I need as an

0:27:41.359 --> 0:27:42.879
<v Speaker 1>artist to get through things.

0:27:43.200 --> 0:27:47.359
<v Speaker 2>How was writing your memoir, which is called Crying in h.

0:27:47.440 --> 0:27:52.000
<v Speaker 1>Mot Yeah, I mean at the time, it was like,

0:27:52.160 --> 0:27:53.520
<v Speaker 1>I've never felt.

0:27:53.680 --> 0:27:54.919
<v Speaker 3>Like a stupid or person.

0:27:55.840 --> 0:27:58.320
<v Speaker 1>I took that, but I think in a way I

0:27:58.359 --> 0:28:00.480
<v Speaker 1>had this like false confidence because I was like, oh,

0:28:00.640 --> 0:28:03.080
<v Speaker 1>I've written, you know, a number of records before, I've

0:28:03.119 --> 0:28:05.720
<v Speaker 1>overseen these large creative projects. I can if I can

0:28:05.760 --> 0:28:07.960
<v Speaker 1>do that, I can, I can probably do this. But

0:28:08.080 --> 0:28:10.359
<v Speaker 1>it was it's such a long time. I was actually

0:28:10.359 --> 0:28:12.000
<v Speaker 1>just talking to my husband about this, and I was like,

0:28:12.600 --> 0:28:15.719
<v Speaker 1>we have a mutual friend whose ex used to do

0:28:15.760 --> 0:28:17.280
<v Speaker 1>these like really long.

0:28:18.040 --> 0:28:21.399
<v Speaker 3>Trails like which I just I'm not like a hi.

0:28:21.880 --> 0:28:24.240
<v Speaker 3>My husband and I are not hikers, even though we

0:28:24.320 --> 0:28:24.840
<v Speaker 3>like the woods.

0:28:25.320 --> 0:28:28.920
<v Speaker 1>I like just sitting inside in the list or sitting outside.

0:28:29.040 --> 0:28:31.920
<v Speaker 1>I'm not a big hiker. I hate I hate it,

0:28:32.200 --> 0:28:34.399
<v Speaker 1>but I don't. I don't get a lot of joy

0:28:34.440 --> 0:28:39.120
<v Speaker 1>from walking and hiking, and a lot of my friends

0:28:39.520 --> 0:28:40.400
<v Speaker 1>think that that's weird.

0:28:40.920 --> 0:28:41.720
<v Speaker 3>But I have other.

0:28:41.600 --> 0:28:44.240
<v Speaker 1>Friends too that like we'll go on these like huge

0:28:44.360 --> 0:28:47.560
<v Speaker 1>trails for like months and lose like twenty pounds and

0:28:47.640 --> 0:28:50.880
<v Speaker 1>have like swollen feed and I'm just like I don't

0:28:50.920 --> 0:28:54.320
<v Speaker 1>get that at all. I was saying, you know, writing

0:28:54.360 --> 0:28:55.360
<v Speaker 1>a book is kind.

0:28:55.160 --> 0:28:58.120
<v Speaker 3>Of like a mental everest.

0:28:58.360 --> 0:29:01.280
<v Speaker 1>You know, it's like climbing like the the highest mountain

0:29:02.160 --> 0:29:06.040
<v Speaker 1>mentally because and and that's like the kind of hiking

0:29:06.080 --> 0:29:09.480
<v Speaker 1>I enjoy, if that makes sense. It's like I like

0:29:09.600 --> 0:29:13.800
<v Speaker 1>to take on like these giant projects like in my mind,

0:29:13.880 --> 0:29:15.720
<v Speaker 1>and that's like, I guess, like kind of the closest

0:29:15.720 --> 0:29:19.440
<v Speaker 1>I get to what other people find joy and like

0:29:19.520 --> 0:29:23.280
<v Speaker 1>long hikes or something. So yeah, lately I've been I've

0:29:23.320 --> 0:29:25.680
<v Speaker 1>been really wanting to do it again because it is

0:29:25.760 --> 0:29:28.840
<v Speaker 1>just like it's such a lofty project, but it's so

0:29:29.000 --> 0:29:31.920
<v Speaker 1>fun to kind of torture yourself over for years and years.

0:29:32.440 --> 0:29:35.920
<v Speaker 2>Yeah, It's it's quite a masochistic thing, isn't it. Writing

0:29:36.000 --> 0:29:39.760
<v Speaker 2>It's really rewarding, but it can be brutally painful when

0:29:39.760 --> 0:29:42.800
<v Speaker 2>you're just staring at at a blank page. How long

0:29:42.800 --> 0:29:46.760
<v Speaker 2>did it take you to write the book on and off?

0:29:46.920 --> 0:29:51.920
<v Speaker 3>Probably like to four to five years.

0:29:52.240 --> 0:29:56.280
<v Speaker 2>That was running alongside you writing records and everything else.

0:29:56.320 --> 0:29:56.800
<v Speaker 3>I preciate.

0:29:57.840 --> 0:30:03.200
<v Speaker 1>Yeah, I feel like I started probably in like I

0:30:03.560 --> 0:30:06.520
<v Speaker 1>wrote the first essay that it was based on, I

0:30:06.560 --> 0:30:12.520
<v Speaker 1>think in like early in like twenty in twenty fifteen,

0:30:12.640 --> 0:30:15.720
<v Speaker 1>maybe late twenty fifteen, and so a lot of those

0:30:15.800 --> 0:30:18.760
<v Speaker 1>like ended up being like repurposed into the book. And

0:30:18.800 --> 0:30:21.960
<v Speaker 1>then I feel like there was probably two or three

0:30:22.040 --> 0:30:26.240
<v Speaker 1>more concentrated years, but probably like four to six loose years.

0:30:26.760 --> 0:30:30.120
<v Speaker 2>That first essay which was published in The New Yorker.

0:30:30.800 --> 0:30:33.200
<v Speaker 1>There was actually an essay before that that was in

0:30:33.360 --> 0:30:38.000
<v Speaker 1>Glamour magazine. But the thing, the essay called Crying in

0:30:38.120 --> 0:30:40.160
<v Speaker 1>h Mart was the second essay I wrote, and it

0:30:40.240 --> 0:30:41.600
<v Speaker 1>was actually I.

0:30:41.560 --> 0:30:43.680
<v Speaker 3>Had already started writing the book by then. I had

0:30:43.720 --> 0:30:46.920
<v Speaker 3>written like the first five chapters that ended up you know,

0:30:47.040 --> 0:30:49.200
<v Speaker 3>being edited down, and you know.

0:30:49.720 --> 0:30:51.360
<v Speaker 1>Like a couple of the chapters ended up not being

0:30:51.360 --> 0:30:54.680
<v Speaker 1>in the book. But yeah, I actually I cleaned up

0:30:54.720 --> 0:30:56.800
<v Speaker 1>the first chapter and that's what I sent into The

0:30:56.840 --> 0:30:57.400
<v Speaker 1>New Yorker.

0:30:57.960 --> 0:31:00.960
<v Speaker 2>Throughout all of that process, where you did you have

0:31:01.160 --> 0:31:03.400
<v Speaker 2>like a book deal? Did you know where this was

0:31:03.440 --> 0:31:05.560
<v Speaker 2>going or were you writing this ad that went early

0:31:05.640 --> 0:31:08.280
<v Speaker 2>doors were you just writing for yourself and thinking I'm

0:31:08.280 --> 0:31:09.960
<v Speaker 2>going to write a book and then we're deal with

0:31:10.040 --> 0:31:12.760
<v Speaker 2>getting it out there later once it's done.

0:31:13.080 --> 0:31:13.440
<v Speaker 3>Yeah.

0:31:13.480 --> 0:31:19.959
<v Speaker 1>So I I had some encouragement from this Glamor essay

0:31:20.440 --> 0:31:24.800
<v Speaker 1>that won the contest in twenty sixteen, and one of

0:31:24.800 --> 0:31:27.800
<v Speaker 1>the things I won was like it was published.

0:31:27.400 --> 0:31:28.240
<v Speaker 3>In the magazine.

0:31:28.440 --> 0:31:32.560
<v Speaker 1>I had a meeting with a literary agent and I

0:31:32.600 --> 0:31:34.080
<v Speaker 1>won like five thousand dollars.

0:31:34.120 --> 0:31:36.800
<v Speaker 3>So I left my job because.

0:31:36.520 --> 0:31:40.680
<v Speaker 1>My music career was also kind of like starting to

0:31:40.720 --> 0:31:42.640
<v Speaker 1>bubble up. So I was like, Okay, I have this

0:31:42.720 --> 0:31:46.000
<v Speaker 1>like landing money in case it doesn't go well, and

0:31:46.040 --> 0:31:48.320
<v Speaker 1>I'm starting to get these offers and so I'll give

0:31:48.360 --> 0:31:53.600
<v Speaker 1>it a try again. But the once that Glamor I

0:31:53.640 --> 0:31:57.360
<v Speaker 1>Say was published, I started getting contacted by a few

0:31:57.400 --> 0:32:01.360
<v Speaker 1>literary agents. But I wasn't ready to really think about

0:32:01.360 --> 0:32:03.920
<v Speaker 1>it yet because like Psycho Bomp had just came out,

0:32:04.240 --> 0:32:06.440
<v Speaker 1>and Psycho Bomb was getting this attention that I had

0:32:06.600 --> 0:32:09.320
<v Speaker 1>never gotten before as a musician, and I was like, okay,

0:32:09.360 --> 0:32:12.160
<v Speaker 1>this is finally my chance. I was offered like a

0:32:12.200 --> 0:32:15.200
<v Speaker 1>five week North American tour with Mitzki, and I was like, Okay,

0:32:15.240 --> 0:32:16.760
<v Speaker 1>this is my focus right now.

0:32:16.800 --> 0:32:18.360
<v Speaker 3>I can't think about writing a book.

0:32:18.800 --> 0:32:21.000
<v Speaker 1>So then I went on tour for like a year

0:32:21.280 --> 0:32:23.360
<v Speaker 1>and then or like maybe a year and a half

0:32:23.440 --> 0:32:27.440
<v Speaker 1>or two years, and then in twenty seventeen or eight

0:32:27.960 --> 0:32:32.080
<v Speaker 1>maybe December of twenty seventeen or eighteen, I can't remember,

0:32:32.520 --> 0:32:36.320
<v Speaker 1>but I started. I went, We've toured Asia, and my

0:32:36.440 --> 0:32:40.160
<v Speaker 1>husband and I stayed in Seoul for like six weeks afterwards,

0:32:40.200 --> 0:32:42.800
<v Speaker 1>because it was like December January we were off, and

0:32:42.840 --> 0:32:45.160
<v Speaker 1>I was like, I've been wanting to like start writing

0:32:45.280 --> 0:32:47.920
<v Speaker 1>what I think could be this book, and so I

0:32:47.960 --> 0:32:50.160
<v Speaker 1>wrote Crying in h one, which was the first chapter,

0:32:50.240 --> 0:32:54.360
<v Speaker 1>and five more really messy chapters and started it. And

0:32:54.400 --> 0:32:58.440
<v Speaker 1>then in twenty eighteen, I got connected to the New

0:32:58.520 --> 0:33:01.440
<v Speaker 1>Yorker and they were like, send us some writing, and

0:33:01.440 --> 0:33:04.240
<v Speaker 1>so I sent them the first chapter. And then when

0:33:04.240 --> 0:33:08.840
<v Speaker 1>it was published in the New Yorker, that's when like

0:33:09.000 --> 0:33:12.840
<v Speaker 1>my sort of literary profile like blew open. Then I

0:33:12.920 --> 0:33:16.160
<v Speaker 1>was getting like a ton of emails from literary agents

0:33:16.200 --> 0:33:19.640
<v Speaker 1>and publishers about turning it into a book.

0:33:19.680 --> 0:33:23.360
<v Speaker 3>And the same literary agents.

0:33:23.000 --> 0:33:25.880
<v Speaker 1>That I had won the contest with also happened to

0:33:25.960 --> 0:33:30.080
<v Speaker 1>be my college professor's agent. So I really trusted her

0:33:30.120 --> 0:33:32.560
<v Speaker 1>and really liked her, and she ended up getting me

0:33:32.600 --> 0:33:37.840
<v Speaker 1>a book deal. I think in twenty and maybe February

0:33:37.880 --> 0:33:41.720
<v Speaker 1>of twenty nineteen, or yeah, twenty eighteen.

0:33:41.520 --> 0:33:42.640
<v Speaker 3>Or sorry, I'm not really great with it.

0:33:43.960 --> 0:33:45.480
<v Speaker 1>And then I had a book deal and then it

0:33:45.520 --> 0:33:48.440
<v Speaker 1>was like, Okay, you got a bunch of money. Now

0:33:48.440 --> 0:33:50.480
<v Speaker 1>you have to actually write the book. So I wrote

0:33:50.480 --> 0:33:52.440
<v Speaker 1>a lot of the book on tours and stuff like that,

0:33:52.520 --> 0:33:55.560
<v Speaker 1>and then every time we would have a few weeks off,

0:33:55.600 --> 0:33:58.000
<v Speaker 1>I would kind of hunker down and write some more.

0:33:58.080 --> 0:34:00.719
<v Speaker 1>But yeah, from like twenty nineteen, that was when I

0:34:00.760 --> 0:34:04.240
<v Speaker 1>was like really writing very seriously.

0:34:04.520 --> 0:34:07.840
<v Speaker 2>In terms of, you know, putting having an essay published

0:34:07.880 --> 0:34:12.320
<v Speaker 2>in the New Yorker and then suddenly being inundated with agents.

0:34:12.760 --> 0:34:16.239
<v Speaker 2>Is that a typical response to somebody putting out an

0:34:16.360 --> 0:34:19.840
<v Speaker 2>essay in the New Yorker? Or is that a testament

0:34:19.880 --> 0:34:22.120
<v Speaker 2>to the strength of that essay? Do you have any

0:34:22.200 --> 0:34:25.120
<v Speaker 2>kind of idea of this? Is that the norm? Or

0:34:25.239 --> 0:34:27.200
<v Speaker 2>is this like quite a rarefied thing.

0:34:28.560 --> 0:34:31.640
<v Speaker 1>I really have no idea, but I think that, you know,

0:34:32.600 --> 0:34:36.840
<v Speaker 1>it helped that the response to it was so large,

0:34:37.000 --> 0:34:40.040
<v Speaker 1>like people like shared that essay a lot and really

0:34:40.080 --> 0:34:42.799
<v Speaker 1>related to it. And the only other thing that I

0:34:42.840 --> 0:34:46.400
<v Speaker 1>can think of is there was a short story in

0:34:46.440 --> 0:34:47.480
<v Speaker 1>the New Yorker called like.

0:34:47.560 --> 0:34:52.440
<v Speaker 3>Cat person or something, and that also kind of like

0:34:52.520 --> 0:34:56.160
<v Speaker 3>went viral, and that that person also got a book deal,

0:34:56.200 --> 0:34:57.120
<v Speaker 3>So I think it has to do.

0:34:57.239 --> 0:34:59.719
<v Speaker 1>I mean, it's obviously like such an honor in a

0:34:59.760 --> 0:35:03.680
<v Speaker 1>rep all presidious thing to be published in New Yorker period,

0:35:03.760 --> 0:35:06.359
<v Speaker 1>but it also really helps when it kind of takes

0:35:06.400 --> 0:35:08.280
<v Speaker 1>off with readers.

0:35:08.600 --> 0:35:12.520
<v Speaker 2>Sure, and that was that getting shared. Did you have

0:35:12.600 --> 0:35:15.759
<v Speaker 2>a conscious effort to were you promoting that or was

0:35:15.840 --> 0:35:18.279
<v Speaker 2>it just did it just naturally have those legs and

0:35:18.320 --> 0:35:20.879
<v Speaker 2>got shared around from people reading it.

0:35:21.160 --> 0:35:23.880
<v Speaker 1>I mean I was a much smaller artist at that time,

0:35:24.760 --> 0:35:27.360
<v Speaker 1>and certainly I wasn't like this is going to blow

0:35:27.400 --> 0:35:27.719
<v Speaker 1>me up.

0:35:27.880 --> 0:35:29.799
<v Speaker 3>I was just like, I'm really proud of this thing

0:35:29.840 --> 0:35:32.840
<v Speaker 3>that I wrote and here it is. But I wasn't

0:35:32.880 --> 0:35:35.759
<v Speaker 3>like there was no like marketing campaign behind it.

0:35:36.760 --> 0:35:40.040
<v Speaker 1>I definitely did not expect the response that it got,

0:35:40.080 --> 0:35:41.839
<v Speaker 1>but I think it was, you know, not.

0:35:43.960 --> 0:35:46.480
<v Speaker 3>As common of a thing to write about. At the time.

0:35:46.640 --> 0:35:49.200
<v Speaker 1>It felt like a very niche topic in my mind,

0:35:49.280 --> 0:35:51.080
<v Speaker 1>and then I didn't realize that there were just a

0:35:51.120 --> 0:35:54.440
<v Speaker 1>bunch of people who also felt that way and had

0:35:54.440 --> 0:35:56.040
<v Speaker 1>never gotten to read anything about it.

0:35:56.560 --> 0:35:59.320
<v Speaker 2>Yeah, it must be like, you must be really proud

0:35:59.320 --> 0:36:03.560
<v Speaker 2>of the fact that your two endeavors, one in music

0:36:03.760 --> 0:36:07.640
<v Speaker 2>and one in writing. I've kind of got these two

0:36:07.719 --> 0:36:10.080
<v Speaker 2>lives of their own. And of course, now as you

0:36:10.200 --> 0:36:14.560
<v Speaker 2>become a better known musician and writer, they kind of

0:36:14.560 --> 0:36:16.399
<v Speaker 2>play off each other and they help each other a bit.

0:36:16.440 --> 0:36:18.680
<v Speaker 2>But it does feel like those two things for you

0:36:18.760 --> 0:36:24.320
<v Speaker 2>happened kind of independently on the strength of the thing itself,

0:36:24.400 --> 0:36:27.000
<v Speaker 2>rather than, oh, you're going to get a book deal

0:36:27.040 --> 0:36:31.520
<v Speaker 2>because you're a known musician, which which you know does happen.

0:36:31.640 --> 0:36:33.880
<v Speaker 2>Like that must feel like extra Does that feel extra

0:36:33.920 --> 0:36:36.880
<v Speaker 2>rewarding that you kind of just got them both on

0:36:36.920 --> 0:36:39.040
<v Speaker 2>the strength of the of the work itself.

0:36:40.320 --> 0:36:41.120
<v Speaker 3>Yeah, totally.

0:36:41.280 --> 0:36:44.319
<v Speaker 1>I mean I feel like, in a way, when the

0:36:44.760 --> 0:36:48.440
<v Speaker 1>last year started in twenty I guess when twenty one started,

0:36:48.480 --> 0:36:50.520
<v Speaker 1>I was like, one of these things is going to fail,

0:36:50.719 --> 0:36:52.480
<v Speaker 1>you know, I mean, but at least I like I'm

0:36:52.480 --> 0:36:57.080
<v Speaker 1>putting to like rolling two dice here and in a

0:36:57.120 --> 0:37:01.319
<v Speaker 1>way and also sorry makes like metapor, but like it

0:37:01.360 --> 0:37:04.319
<v Speaker 1>feels like I planted a bunch of seeds expecting them

0:37:04.360 --> 0:37:07.880
<v Speaker 1>to die and they're both like just took off, you know,

0:37:07.960 --> 0:37:10.279
<v Speaker 1>in this way that I didn't really anticipate, and I'm

0:37:10.280 --> 0:37:12.000
<v Speaker 1>really relieved that they did.

0:37:12.120 --> 0:37:15.080
<v Speaker 3>But you know, I'm from Oregon. My dad was a

0:37:15.120 --> 0:37:15.920
<v Speaker 3>truck broker.

0:37:16.040 --> 0:37:18.680
<v Speaker 1>I don't have any I was thinking about this a

0:37:18.680 --> 0:37:21.719
<v Speaker 1>lot at the Grammys, where I don't have any industry connections.

0:37:21.719 --> 0:37:25.080
<v Speaker 1>They're all things that I've built of just like being

0:37:25.120 --> 0:37:28.520
<v Speaker 1>an industri's person, I guess. And you know, when the

0:37:29.200 --> 0:37:33.200
<v Speaker 1>thing about the Grammys is that, like you know, people always.

0:37:33.040 --> 0:37:34.840
<v Speaker 3>It's a lot of like rubbing elbows or whatever.

0:37:34.880 --> 0:37:37.200
<v Speaker 1>But it was kind of like one I thought about

0:37:37.280 --> 0:37:40.920
<v Speaker 1>it in context of like I wonder who this secret

0:37:41.080 --> 0:37:44.040
<v Speaker 1>society of Grammy voters are, and then I think about

0:37:44.040 --> 0:37:44.520
<v Speaker 1>how did.

0:37:44.360 --> 0:37:45.600
<v Speaker 3>I even get nominated?

0:37:46.080 --> 0:37:49.000
<v Speaker 1>And for the past five years it's been like, oh, well,

0:37:49.000 --> 0:37:51.319
<v Speaker 1>when you played a KXP session and you were like

0:37:51.800 --> 0:37:54.160
<v Speaker 1>nice and kept in touch with Cheryl Waters, maybe Cheryl

0:37:54.200 --> 0:37:57.040
<v Speaker 1>Waters the DJ voted for you. Or every time you

0:37:57.120 --> 0:37:59.400
<v Speaker 1>agreed to do like a local paper, you know, in

0:37:59.400 --> 0:38:02.360
<v Speaker 1>the choir or an interview, maybe Dan de Luca, the

0:38:02.400 --> 0:38:04.839
<v Speaker 1>writer who looked you know, voted for you, or like

0:38:05.280 --> 0:38:08.200
<v Speaker 1>maybe this person from NPR, like all the people in

0:38:08.239 --> 0:38:10.600
<v Speaker 1>your life that you're like just nice to and get

0:38:10.600 --> 0:38:13.400
<v Speaker 1>to know over the past six years of touring and

0:38:13.440 --> 0:38:16.279
<v Speaker 1>putting in the work and doing the interview, Like, it's

0:38:16.360 --> 0:38:17.840
<v Speaker 1>kind of a nice thing to look back on and

0:38:17.920 --> 0:38:21.359
<v Speaker 1>just be like those are like that's completely something that

0:38:21.400 --> 0:38:24.919
<v Speaker 1>you created on your own of just like being a

0:38:24.960 --> 0:38:28.160
<v Speaker 1>good person, I hope you know, and like working hard,

0:38:28.239 --> 0:38:32.120
<v Speaker 1>and so it feels really special that that happened because

0:38:32.120 --> 0:38:34.839
<v Speaker 1>I have no connections to the literary world. I have

0:38:34.880 --> 0:38:37.280
<v Speaker 1>no connections to the music world there. It's all stuff

0:38:37.320 --> 0:38:40.400
<v Speaker 1>that I built on my own, like coming from a

0:38:40.400 --> 0:38:42.719
<v Speaker 1>small town with like you know, I didn't grow up

0:38:42.719 --> 0:38:45.480
<v Speaker 1>in like La or New York or anything. So yeah,

0:38:45.480 --> 0:38:52.040
<v Speaker 1>it feels like especially validating that that happened the way

0:38:52.080 --> 0:38:52.359
<v Speaker 1>that it.

0:38:52.320 --> 0:38:55.879
<v Speaker 2>Did, I guess and crying Hma is being made into

0:38:55.880 --> 0:38:58.839
<v Speaker 2>a film now as wow, I mean, congratuations on that.

0:38:58.840 --> 0:38:59.480
<v Speaker 2>That's amazing.

0:38:59.680 --> 0:38:59.920
<v Speaker 1>If you.

0:39:02.200 --> 0:39:05.120
<v Speaker 2>Like, are you are you allowed to talk about that yet?

0:39:05.160 --> 0:39:07.720
<v Speaker 2>Is it too soon? What can you tell me about

0:39:07.880 --> 0:39:11.160
<v Speaker 2>where where it's where you are in the process and

0:39:11.200 --> 0:39:13.520
<v Speaker 2>what your involvement is in it?

0:39:13.920 --> 0:39:17.440
<v Speaker 1>Yeah, I mean it's still really early stages. I'm actually

0:39:17.440 --> 0:39:21.960
<v Speaker 1>adapting the screenplay. I've written the first draft and I'm

0:39:22.000 --> 0:39:25.239
<v Speaker 1>in the revision process right now. I'm actually that's what

0:39:25.280 --> 0:39:27.160
<v Speaker 1>I'm going to be doing after this podcast is I'm

0:39:27.160 --> 0:39:30.319
<v Speaker 1>like looking at a highlighted notated revision right now.

0:39:31.680 --> 0:39:34.879
<v Speaker 3>But yeah, it's still very early stages. I'm not sure

0:39:34.880 --> 0:39:35.359
<v Speaker 3>what will happen.

0:39:35.400 --> 0:39:37.960
<v Speaker 1>But my producers really like the screenplay and so I'm

0:39:38.040 --> 0:39:40.600
<v Speaker 1>just cleaning it up now to get to the studio,

0:39:40.600 --> 0:39:41.839
<v Speaker 1>hopefully by the end of the month.

0:39:43.040 --> 0:39:45.440
<v Speaker 2>Is it public not? This might be public knowledge and

0:39:45.440 --> 0:39:47.319
<v Speaker 2>maybe I should have just done some better research here.

0:39:47.400 --> 0:39:50.480
<v Speaker 2>But is it do you have? Do you know where

0:39:50.480 --> 0:39:53.799
<v Speaker 2>it's going to be available? Is it for a for

0:39:53.840 --> 0:39:55.920
<v Speaker 2>a network? Is it for a streaming platform?

0:39:56.040 --> 0:39:59.240
<v Speaker 1>Is it? So? It's going to be a feature through

0:39:59.440 --> 0:40:03.320
<v Speaker 1>MGMs Orian Pictures, So.

0:40:03.400 --> 0:40:05.640
<v Speaker 3>I think that their hope. I think the hope is

0:40:05.680 --> 0:40:07.640
<v Speaker 3>that it's theatrical.

0:40:08.640 --> 0:40:10.920
<v Speaker 1>Like that they'll it'll be in theaters and then I

0:40:11.200 --> 0:40:13.120
<v Speaker 1>don't I don't know how that stuff works. I don't

0:40:13.160 --> 0:40:15.200
<v Speaker 1>even know if it will get made. You know, these

0:40:15.400 --> 0:40:17.279
<v Speaker 1>types of things, they don't get made a lot. But

0:40:17.640 --> 0:40:21.279
<v Speaker 1>it feels like the studio and the producers are really

0:40:21.360 --> 0:40:24.120
<v Speaker 1>enthusiastic about it and it has a good chance of

0:40:24.120 --> 0:40:24.800
<v Speaker 1>getting made.

0:40:25.320 --> 0:40:27.600
<v Speaker 3>I think it will get made. I don't know how exactly.

0:40:27.600 --> 0:40:31.040
<v Speaker 3>I supposed to talk about it, but uh, yeah.

0:40:30.880 --> 0:40:33.319
<v Speaker 1>It seems just like you know, it's movies are like

0:40:33.400 --> 0:40:35.360
<v Speaker 1>so much money, and it seems like a lot of

0:40:35.480 --> 0:40:37.200
<v Speaker 1>times things just die in production.

0:40:37.360 --> 0:40:39.920
<v Speaker 3>But I feel I have a good feeling that this

0:40:40.000 --> 0:40:42.239
<v Speaker 3>will be made. And I feel like that's that makes

0:40:42.239 --> 0:40:44.560
<v Speaker 3>it sound like it's not going to be made. But

0:40:45.160 --> 0:40:46.520
<v Speaker 3>I think that people don't realize that.

0:40:46.680 --> 0:40:49.719
<v Speaker 1>Like you get movie deal, you can get like option

0:40:49.840 --> 0:40:51.360
<v Speaker 1>deals like this all the time, and a lot of

0:40:51.360 --> 0:40:52.200
<v Speaker 1>times they'll fall through.

0:40:52.880 --> 0:40:55.400
<v Speaker 2>Yeah, let's be positive though. I think it's gonna get made.

0:40:55.800 --> 0:40:58.320
<v Speaker 1>Like I do, actually think that it will get made.

0:40:58.560 --> 0:41:00.880
<v Speaker 1>You know, there is no indic indicate so far that

0:41:00.960 --> 0:41:01.880
<v Speaker 1>it won't get made.

0:41:02.520 --> 0:41:05.840
<v Speaker 2>You know, and it's it's relatively I mean, there's not

0:41:05.880 --> 0:41:07.920
<v Speaker 2>going to be huge explosions in it, right, it's going

0:41:08.000 --> 0:41:11.000
<v Speaker 2>to be it's not going to be a huge break

0:41:11.000 --> 0:41:13.000
<v Speaker 2>the bank budget. It's not a Marvel film.

0:41:13.160 --> 0:41:15.680
<v Speaker 3>I think I've written it as a Marvel film.

0:41:15.719 --> 0:41:20.239
<v Speaker 2>You've written as a Marvel kid. That's the way to

0:41:20.280 --> 0:41:21.400
<v Speaker 2>succeed these days.

0:41:21.560 --> 0:41:23.960
<v Speaker 1>There's like a huge like car chase scene where I'm

0:41:23.960 --> 0:41:25.919
<v Speaker 1>like making kimchi in the backseat of the car.

0:41:28.200 --> 0:41:29.960
<v Speaker 2>I'm guessing you're going to be as hands on as

0:41:30.000 --> 0:41:32.640
<v Speaker 2>you possibly can be throughout the whole thing, right, I

0:41:32.680 --> 0:41:33.120
<v Speaker 2>don't know.

0:41:33.400 --> 0:41:33.920
<v Speaker 3>I mean.

0:41:36.440 --> 0:41:38.439
<v Speaker 1>I say that I don't want to be, but I

0:41:38.640 --> 0:41:41.520
<v Speaker 1>knowing myself, I probably will want to be in the end.

0:41:42.200 --> 0:41:44.640
<v Speaker 1>I already have so many like ideas that I'm realizing

0:41:44.760 --> 0:41:47.200
<v Speaker 1>is probably over the line of what I'm supposed to

0:41:47.239 --> 0:41:51.279
<v Speaker 1>be doing. But I would love to be like involved

0:41:51.640 --> 0:41:54.880
<v Speaker 1>and then not involved at all in a way, yeah,

0:41:55.000 --> 0:41:55.799
<v Speaker 1>if that makes sense.

0:41:55.840 --> 0:41:57.320
<v Speaker 3>I'm just too close to the story.

0:41:57.360 --> 0:42:00.160
<v Speaker 1>And I've like, you know, written an entire book about

0:42:00.320 --> 0:42:03.239
<v Speaker 1>and two records and you know, now a screenplay that

0:42:03.320 --> 0:42:05.040
<v Speaker 1>I don't really want to be involved, and I think

0:42:05.080 --> 0:42:08.080
<v Speaker 1>it's just so close to me, Like there's a part,

0:42:08.120 --> 0:42:10.480
<v Speaker 1>there's a sick part of me that's like, why don't

0:42:10.520 --> 0:42:11.440
<v Speaker 1>you just direct this?

0:42:11.560 --> 0:42:12.799
<v Speaker 3>Why don't you just push to that?

0:42:13.560 --> 0:42:16.600
<v Speaker 1>But then I'm like, oh god, that sounds awful, because

0:42:16.640 --> 0:42:19.800
<v Speaker 1>you know, why would I want to relive this story

0:42:19.840 --> 0:42:21.080
<v Speaker 1>anymore than I already have?

0:42:22.160 --> 0:42:22.879
<v Speaker 3>And I think in.

0:42:22.800 --> 0:42:25.319
<v Speaker 1>Any ways, like it needs to be interpreted by someone

0:42:25.360 --> 0:42:28.440
<v Speaker 1>who wasn't involved in this experience at all, and I

0:42:28.480 --> 0:42:31.759
<v Speaker 1>need to like let go of it being you know,

0:42:31.840 --> 0:42:34.759
<v Speaker 1>I think that no matter what happens, like there will

0:42:34.760 --> 0:42:37.040
<v Speaker 1>be parts of it that are cringey for me just

0:42:37.040 --> 0:42:38.719
<v Speaker 1>because it's so close.

0:42:38.640 --> 0:42:39.640
<v Speaker 3>It's my life, you know.

0:42:41.320 --> 0:42:44.040
<v Speaker 1>But yeah, I would love to like be involved in

0:42:44.080 --> 0:42:46.359
<v Speaker 1>the decision making of like the director that takes it

0:42:46.400 --> 0:42:49.319
<v Speaker 1>over and you know, the I have some ideas for

0:42:49.400 --> 0:42:52.640
<v Speaker 1>the actors, not mine part well, I have an idea

0:42:52.680 --> 0:42:54.759
<v Speaker 1>of like what the vibe of who should play me

0:42:54.800 --> 0:42:56.920
<v Speaker 1>should be. I don't know people asking all the time,

0:42:57.000 --> 0:42:58.319
<v Speaker 1>who do you want to play you? And it's like,

0:42:58.640 --> 0:43:02.400
<v Speaker 1>can you name a single half Korean actor? And then

0:43:02.760 --> 0:43:04.879
<v Speaker 1>I'm surprised by how many people are like, oh, that's

0:43:04.920 --> 0:43:06.960
<v Speaker 1>important to you, And it's like, yeah, that's important to me.

0:43:07.480 --> 0:43:10.719
<v Speaker 1>That's not important to me that she has to be

0:43:10.719 --> 0:43:13.279
<v Speaker 1>half Korean. Like the actors have to be Korean. I

0:43:13.280 --> 0:43:15.600
<v Speaker 1>think that they not only need to be they cannot

0:43:15.640 --> 0:43:18.680
<v Speaker 1>be Korean American. I think it's really important that the

0:43:19.520 --> 0:43:21.760
<v Speaker 1>other actors that play like my mom and my aunt

0:43:21.880 --> 0:43:27.480
<v Speaker 1>and k are like actual Korean people, not Korean American people,

0:43:28.719 --> 0:43:31.279
<v Speaker 1>because the accents are really important. And I think that

0:43:31.280 --> 0:43:35.480
<v Speaker 1>that so much of this story is about what gets

0:43:35.520 --> 0:43:38.319
<v Speaker 1>like kind of lost in translation and that frustration of

0:43:38.920 --> 0:43:42.000
<v Speaker 1>that cultural divide that. I think that that needs to

0:43:42.040 --> 0:43:45.000
<v Speaker 1>be like an authentic thing that's in the players involved.

0:43:46.480 --> 0:43:48.359
<v Speaker 2>Yeah, it sounds like you need to be on it, right,

0:43:49.160 --> 0:43:52.680
<v Speaker 2>But I suppose when you're as you progress on, I mean, hey,

0:43:52.760 --> 0:43:56.120
<v Speaker 2>I'm talking to someone has no idea about making films.

0:43:56.200 --> 0:43:59.279
<v Speaker 2>I should say that right now. But I guess as

0:43:59.320 --> 0:44:01.480
<v Speaker 2>it goes along, as the project goes along, you'll be

0:44:01.520 --> 0:44:04.840
<v Speaker 2>able to be as involved as you need to be.

0:44:05.080 --> 0:44:06.880
<v Speaker 2>Or do you want to be like, say, well, you

0:44:06.880 --> 0:44:08.000
<v Speaker 2>know these things are imports me.

0:44:08.160 --> 0:44:09.920
<v Speaker 3>I'm sure. I mean, we'll see.

0:44:10.440 --> 0:44:12.720
<v Speaker 1>Certainly I have ideas, but almost I don't. I would

0:44:12.760 --> 0:44:15.520
<v Speaker 1>like to believe I won't be devastated if they aren't. Like,

0:44:15.560 --> 0:44:18.600
<v Speaker 1>I'm going into this knowing that this world is scary

0:44:18.680 --> 0:44:22.920
<v Speaker 1>and tough, so I think I would be open to

0:44:23.400 --> 0:44:24.560
<v Speaker 1>it letting it go.

0:44:24.680 --> 0:44:28.160
<v Speaker 3>Also, yeah, yeah, sure, but knowing me, probably not.

0:44:30.040 --> 0:44:32.520
<v Speaker 2>It's not going to happen, is it. You can pretend

0:44:32.600 --> 0:44:36.480
<v Speaker 2>it's going to happen to yourself, but it's Yeah, it's

0:44:36.520 --> 0:44:38.680
<v Speaker 2>probably gonna be a hard thing to let go. Because

0:44:38.680 --> 0:44:44.920
<v Speaker 2>you studied creative writing at college. Does that was writing

0:44:45.080 --> 0:44:47.560
<v Speaker 2>just period? Was that your Is that your first love?

0:44:48.480 --> 0:44:49.360
<v Speaker 3>Yeah? I think so.

0:44:49.600 --> 0:44:51.680
<v Speaker 1>I think even when I started writing songs, it was

0:44:51.760 --> 0:44:53.240
<v Speaker 1>like I wasn't.

0:44:53.040 --> 0:44:57.480
<v Speaker 3>Like so in love with any instrument in particular. I

0:44:57.640 --> 0:45:01.120
<v Speaker 3>just love writing songs. It was a beauticul for writing.

0:45:01.840 --> 0:45:06.319
<v Speaker 2>And because so much of your published work is non

0:45:06.440 --> 0:45:12.200
<v Speaker 2>fiction and your a lot of your songs are so autobiographical,

0:45:12.640 --> 0:45:16.560
<v Speaker 2>where does the creative writing course, where does that come

0:45:16.600 --> 0:45:18.719
<v Speaker 2>into it? It was there loads of things tricks that you

0:45:18.840 --> 0:45:21.720
<v Speaker 2>learned there that goes into even the nonfiction things.

0:45:22.120 --> 0:45:25.960
<v Speaker 1>Oh yeah, absolutely, I mean, you know, I don't think

0:45:26.000 --> 0:45:29.120
<v Speaker 1>that nonfiction and fiction are too dissimilar.

0:45:31.320 --> 0:45:32.160
<v Speaker 3>Yeah, I mean like.

0:45:34.000 --> 0:45:36.360
<v Speaker 1>I had a professor, Daniel Tordeu, who was like a

0:45:36.400 --> 0:45:38.920
<v Speaker 1>real mentor to me and is still a good friend,

0:45:39.000 --> 0:45:43.320
<v Speaker 1>and I feel like I learned everything about reading and writing.

0:45:43.120 --> 0:45:45.920
<v Speaker 3>From him and just like what moves you?

0:45:46.080 --> 0:45:50.319
<v Speaker 1>And you know, even I forget how exactly he said this,

0:45:50.400 --> 0:45:53.839
<v Speaker 1>but I remember, you know, like good writing doesn't have

0:45:54.800 --> 0:45:58.440
<v Speaker 1>like a reveal or secrets, and like the best thing

0:45:58.440 --> 0:46:00.360
<v Speaker 1>to do is just put it all out there in

0:46:00.400 --> 0:46:05.000
<v Speaker 1>the first line. And so I remember taking from that

0:46:05.280 --> 0:46:08.319
<v Speaker 1>lesson ever since my mom died, I cried in h mar,

0:46:08.520 --> 0:46:11.439
<v Speaker 1>like that's the entire story right there. There's no I'm

0:46:11.440 --> 0:46:14.800
<v Speaker 1>not revealing that my mom dies like one hundred pages

0:46:14.840 --> 0:46:16.960
<v Speaker 1>in the book, like you know right away that that's

0:46:17.000 --> 0:46:20.279
<v Speaker 1>what the story is. It ruins nothing and it tells

0:46:20.320 --> 0:46:22.319
<v Speaker 1>you exactly what's going to happen right there in for

0:46:22.360 --> 0:46:22.880
<v Speaker 1>a sentence.

0:46:23.239 --> 0:46:25.880
<v Speaker 3>Lessons like that definitely made its.

0:46:25.719 --> 0:46:28.719
<v Speaker 1>Way in or just you know, I mean everything in

0:46:28.760 --> 0:46:31.880
<v Speaker 1>the book it comes from my courses in college.

0:46:31.880 --> 0:46:34.120
<v Speaker 3>I think I am the writer that I am because

0:46:34.120 --> 0:46:35.840
<v Speaker 3>of my studies.

0:46:37.840 --> 0:46:41.960
<v Speaker 2>For previous episodes of Midnight Chats, simply search your podcast

0:46:42.080 --> 0:46:45.239
<v Speaker 2>app and don't forget to follow or subscribe in order

0:46:45.280 --> 0:46:49.120
<v Speaker 2>to receive new episodes as that published every week at midnight.

0:46:49.480 --> 0:46:52.480
<v Speaker 2>The more information on the music magazine that makes this series,

0:46:52.680 --> 0:46:55.400
<v Speaker 2>visit Loud and Quiet dot com.

0:46:56.160 --> 0:46:57.319
<v Speaker 1>Anyway, good night