1 00:00:03,600 --> 00:00:06,800 Speaker 1: Reality with the King is hosted by me, Carlos King. 2 00:00:07,080 --> 00:00:10,239 Speaker 1: I'm an executive producer who have produced some of your 3 00:00:10,240 --> 00:00:13,560 Speaker 1: favorite shows from the Real Housewives in Atlanta, New Jersey 4 00:00:13,920 --> 00:00:17,320 Speaker 1: and my own creation, The Love and Marriage Franchise and 5 00:00:17,520 --> 00:00:23,040 Speaker 1: Bell Collective. Every episode we recap reality television from the 6 00:00:23,079 --> 00:00:27,680 Speaker 1: Real Housewives Franchise to The Bachelor or Selling Sunset, in 7 00:00:27,720 --> 00:00:31,680 Speaker 1: addition to celebrity guests, whether in the unscripted space or 8 00:00:31,720 --> 00:00:37,479 Speaker 1: scripted as well. I want to start off by saying this, 9 00:00:38,000 --> 00:00:41,559 Speaker 1: it is a privilege to be in this seat to 10 00:00:41,640 --> 00:00:47,360 Speaker 1: where I have created a safe space for In the beginning, 11 00:00:47,360 --> 00:00:50,800 Speaker 1: it was just reality stars, but courtesy of the. 12 00:00:50,840 --> 00:00:54,720 Speaker 2: Platform being huge, thanks to each and every one. 13 00:00:54,560 --> 00:00:57,800 Speaker 1: Of you who are on this live all the rain 14 00:00:57,880 --> 00:01:03,560 Speaker 1: drops for leaving and sharing it. And so a woman 15 00:01:03,600 --> 00:01:09,160 Speaker 1: who works for me, her hairdresser this morning, was talking 16 00:01:09,160 --> 00:01:12,520 Speaker 1: about the Chantell Christy interview. So I don't take any 17 00:01:12,520 --> 00:01:14,720 Speaker 1: of this for granted. It is a privilege to be 18 00:01:14,800 --> 00:01:18,800 Speaker 1: in this position, and it's such a privilege, more so 19 00:01:19,560 --> 00:01:23,880 Speaker 1: when you have reality stars and celebrities reached out to 20 00:01:24,040 --> 00:01:27,920 Speaker 1: you to say I would like to give you thank you, 21 00:01:28,000 --> 00:01:31,240 Speaker 1: I would like to give you my interview I want 22 00:01:31,240 --> 00:01:33,080 Speaker 1: to give it to you, and I want to give 23 00:01:33,080 --> 00:01:36,320 Speaker 1: it to you because you're able to have a conversation 24 00:01:36,959 --> 00:01:40,680 Speaker 1: without attacking somebody, and that means the world to me. Right, 25 00:01:41,560 --> 00:01:45,000 Speaker 1: And I thank all of you guys for supporting Reality 26 00:01:45,040 --> 00:01:48,800 Speaker 1: but the King, for supporting my channel, and for supporting 27 00:01:48,800 --> 00:01:52,120 Speaker 1: the interview, the interview. Excuse me by even watching it, 28 00:01:52,720 --> 00:01:57,800 Speaker 1: whether or not you walked away from the interview disliking 29 00:01:57,880 --> 00:02:02,960 Speaker 1: chantell More or understanding her more, What Maden is to 30 00:02:03,040 --> 00:02:04,680 Speaker 1: me is that you guys spent. 31 00:02:04,600 --> 00:02:06,360 Speaker 2: Time to check it out. 32 00:02:06,520 --> 00:02:09,040 Speaker 1: And what maddens to me is the fact that you 33 00:02:09,120 --> 00:02:13,480 Speaker 1: guys had time to leave a comment. We have ten 34 00:02:13,520 --> 00:02:17,640 Speaker 1: thousand comments in an interview that dropped four days ago. 35 00:02:18,960 --> 00:02:21,840 Speaker 1: We have close to three hundred thousand views in four days, 36 00:02:22,040 --> 00:02:26,240 Speaker 1: which is like Nini leaks, Lisa Ray McCoy level numbers 37 00:02:26,560 --> 00:02:29,400 Speaker 1: that has happened in that magnitude. So I thank all 38 00:02:29,400 --> 00:02:31,600 Speaker 1: of you for checking it out, for checking it out 39 00:02:32,040 --> 00:02:33,520 Speaker 1: because you did not have to. 40 00:02:34,800 --> 00:02:36,600 Speaker 2: What I would like to address is this. 41 00:02:37,320 --> 00:02:39,600 Speaker 1: A lot of you guys have had a lot of 42 00:02:39,680 --> 00:02:42,280 Speaker 1: comments saying, well, Carlos, we don't feel like you held 43 00:02:42,880 --> 00:02:47,880 Speaker 1: Chantel Christy accountable. I hear you I see you, and 44 00:02:47,919 --> 00:02:51,200 Speaker 1: I want to start the live talking about this. 45 00:02:51,919 --> 00:02:54,079 Speaker 2: Let's bring on Claudia in Toxtin. 46 00:02:57,200 --> 00:03:03,520 Speaker 3: So Carlos. Then people wanted to hear them. People wanted 47 00:03:03,560 --> 00:03:07,720 Speaker 3: to hear Shantel Christie say I should not have touched 48 00:03:07,800 --> 00:03:10,639 Speaker 3: my mother, I should not have talked to my mama 49 00:03:10,800 --> 00:03:13,400 Speaker 3: like that and I was wrong, and they did not 50 00:03:13,480 --> 00:03:16,280 Speaker 3: hear her say that, and that's where the disconnect was. Now, 51 00:03:16,280 --> 00:03:19,799 Speaker 3: I'm not gonna say she's supposed to say that. I'm 52 00:03:19,800 --> 00:03:22,280 Speaker 3: not gonna say she was not supposed to say that. 53 00:03:22,680 --> 00:03:24,880 Speaker 3: I just think that's where the disconnect was for a 54 00:03:24,880 --> 00:03:27,600 Speaker 3: lot of people. But I think it's something really likable 55 00:03:27,639 --> 00:03:31,480 Speaker 3: about her personality. And I really hate that a lot 56 00:03:31,520 --> 00:03:34,480 Speaker 3: of our introduction to her was her cussing her mama 57 00:03:34,520 --> 00:03:39,000 Speaker 3: out and physically, you know, pushing on her mama. I 58 00:03:39,040 --> 00:03:42,800 Speaker 3: hate that that's how we met her, but that's what happened. 59 00:03:42,800 --> 00:03:44,560 Speaker 3: But shout out to her for being brave enough she 60 00:03:44,600 --> 00:03:47,080 Speaker 3: took this. She was a good sport, I think, and 61 00:03:47,200 --> 00:03:49,280 Speaker 3: she's taking it he will. And I thought she gave 62 00:03:49,320 --> 00:03:51,560 Speaker 3: a great interview, So it was good to see that. 63 00:03:51,720 --> 00:03:53,960 Speaker 3: But that's about it for me. 64 00:03:54,440 --> 00:03:55,520 Speaker 2: Yeah, what was so. 65 00:03:55,640 --> 00:03:57,920 Speaker 1: I'm going to get to you, to say, Claudia, but 66 00:03:58,080 --> 00:04:00,640 Speaker 1: Dustin the best part to me was this, and this 67 00:04:00,720 --> 00:04:03,320 Speaker 1: is the reason why I love what we do. 68 00:04:03,480 --> 00:04:04,000 Speaker 2: Honestly. 69 00:04:04,920 --> 00:04:09,080 Speaker 1: I love the fact that Chantelle reached out to me 70 00:04:09,680 --> 00:04:14,920 Speaker 1: after watching Me and Dustin recap that episode. Yeah, like 71 00:04:15,560 --> 00:04:19,040 Speaker 1: it did not steer her in a direction of they 72 00:04:19,040 --> 00:04:23,680 Speaker 1: don't fucking me. It was the fact that she watched 73 00:04:23,720 --> 00:04:28,000 Speaker 1: me and Dustin. Me and Dustin had two different views 74 00:04:27,320 --> 00:04:33,520 Speaker 1: on the actual moment, and it was nice that she 75 00:04:33,760 --> 00:04:35,840 Speaker 1: still said I. 76 00:04:36,000 --> 00:04:38,200 Speaker 2: Saw you when you watched it. She gave us a 77 00:04:38,200 --> 00:04:40,440 Speaker 2: shot off through time. She said. I know Dustin said 78 00:04:41,760 --> 00:04:44,800 Speaker 2: I disrespect the black Hold, but to me, it's this. 79 00:04:45,880 --> 00:04:48,360 Speaker 1: I want to bring that up to say that what 80 00:04:48,400 --> 00:04:51,880 Speaker 1: I love about this platform is the fact that all 81 00:04:51,960 --> 00:04:52,880 Speaker 1: three of us can be. 82 00:04:52,800 --> 00:04:54,200 Speaker 2: Honest with our feelings. 83 00:04:54,800 --> 00:04:57,640 Speaker 1: And it may not be the most popular take, but 84 00:04:58,279 --> 00:05:00,599 Speaker 1: it's more so about the people that I can say, 85 00:05:01,240 --> 00:05:07,240 Speaker 1: although I disagree with him, I appreciate and understand his take. 86 00:05:07,440 --> 00:05:09,840 Speaker 1: So I want to give Dustin props too, because Chantelle, 87 00:05:10,480 --> 00:05:14,720 Speaker 1: if you watch an interview, Dustin gave his out of 88 00:05:14,839 --> 00:05:19,160 Speaker 1: to god Troup and even Chantelle said, I actually see 89 00:05:19,240 --> 00:05:20,200 Speaker 1: Dustin's point of view. 90 00:05:20,320 --> 00:05:21,400 Speaker 2: And that's all we can do. 91 00:05:21,600 --> 00:05:23,960 Speaker 3: Yeah, I wasn't trying to disrespect her. You know what 92 00:05:24,040 --> 00:05:28,400 Speaker 3: I'm saying. That's a very sensitive, very personal matter between 93 00:05:28,400 --> 00:05:30,760 Speaker 3: a mama and a daughter, you know what I'm saying. 94 00:05:30,760 --> 00:05:34,400 Speaker 3: So even as a person offering commentary, there's a line there, 95 00:05:34,600 --> 00:05:36,400 Speaker 3: you know what I'm saying that you just don't cross. 96 00:05:36,680 --> 00:05:39,400 Speaker 3: I wasn't trying to disrespect her. I was just offering 97 00:05:39,440 --> 00:05:41,760 Speaker 3: commentary on what we saw, you know what I'm saying 98 00:05:41,800 --> 00:05:44,039 Speaker 3: on the screen. So I'm glad she was able to 99 00:05:44,080 --> 00:05:46,360 Speaker 3: receive it well, and it feel good to see her 100 00:05:47,040 --> 00:05:49,520 Speaker 3: have her say I think you are a perfect sounding 101 00:05:49,560 --> 00:05:52,880 Speaker 3: board for her. So fuck with them. People had to say, Carlos, No, 102 00:05:53,040 --> 00:05:55,760 Speaker 3: I'm good, I have. 103 00:05:55,760 --> 00:05:56,240 Speaker 4: A new mike. 104 00:05:56,279 --> 00:05:58,640 Speaker 5: I don't know if people said someone said my side 105 00:05:58,760 --> 00:06:00,360 Speaker 5: saying I'm gonna tend can let me know if this 106 00:06:00,400 --> 00:06:02,280 Speaker 5: mic is better or worse, and I will one day 107 00:06:02,279 --> 00:06:03,920 Speaker 5: get it right after twenty years in the business. 108 00:06:04,120 --> 00:06:06,960 Speaker 4: Okay. So I did see a lot of people. 109 00:06:06,760 --> 00:06:10,480 Speaker 5: Saying, you know, holds her. I know I've given Jenckie. 110 00:06:11,279 --> 00:06:15,400 Speaker 5: Carlos didn't hold her accountable. They wanted more accountability more. 111 00:06:15,680 --> 00:06:17,680 Speaker 5: I did take notes as a journalists Okay, I did 112 00:06:17,720 --> 00:06:18,200 Speaker 5: take notes. 113 00:06:19,120 --> 00:06:20,599 Speaker 4: I didn't see what she did say. 114 00:06:20,960 --> 00:06:23,960 Speaker 5: I think in her way she gave her accountability, but 115 00:06:24,000 --> 00:06:26,080 Speaker 5: it's not what the masses want. And I think a 116 00:06:26,080 --> 00:06:29,280 Speaker 5: lot of times with reality television, and you know it 117 00:06:29,320 --> 00:06:33,400 Speaker 5: was commentary, it's almost like the movie Gladiators, like we 118 00:06:33,480 --> 00:06:35,400 Speaker 5: want to see blood, we want to see them gravel, 119 00:06:35,440 --> 00:06:37,640 Speaker 5: we want to see them crying, snotty nose. 120 00:06:37,720 --> 00:06:40,240 Speaker 4: I'm so sorry, and everyone's not wired like that. 121 00:06:40,520 --> 00:06:44,680 Speaker 5: For some people, it's like they struggled with saying I 122 00:06:44,839 --> 00:06:46,680 Speaker 5: was wrong, and I didn't see in her notes that 123 00:06:46,720 --> 00:06:48,800 Speaker 5: she did say that she was wrong, and she said, 124 00:06:48,800 --> 00:06:50,760 Speaker 5: I don't want to blame it on my post part 125 00:06:50,839 --> 00:06:52,240 Speaker 5: of I was nine months out. 126 00:06:52,680 --> 00:06:55,680 Speaker 4: It's still no excuse for my behavior. 127 00:06:56,240 --> 00:06:59,159 Speaker 5: I feel like because she didn't spend the majority of 128 00:06:59,200 --> 00:07:01,000 Speaker 5: the interview, like people want to see blood. 129 00:07:01,000 --> 00:07:03,479 Speaker 4: When we're mad at someone, we don't just like giving 130 00:07:03,480 --> 00:07:03,840 Speaker 4: them a. 131 00:07:03,760 --> 00:07:06,239 Speaker 5: Pass, Like we don't just like, well, she said sorry, 132 00:07:06,240 --> 00:07:09,080 Speaker 5: we'd be like no if that. We want to see 133 00:07:09,080 --> 00:07:11,760 Speaker 5: her breakdown. We want to see her apologize the way 134 00:07:11,880 --> 00:07:13,360 Speaker 5: we want to see her apologize. 135 00:07:13,360 --> 00:07:15,800 Speaker 4: Oh, we want to see her taking now could she 136 00:07:15,800 --> 00:07:17,320 Speaker 4: have taken more? Of course? 137 00:07:17,640 --> 00:07:21,000 Speaker 5: Could she have taken less, of course, and could Carlos 138 00:07:21,000 --> 00:07:23,840 Speaker 5: have been hard on her, of course, but definitely want 139 00:07:23,840 --> 00:07:27,400 Speaker 5: to have a safe space for other guests to come forward. Yes, 140 00:07:27,920 --> 00:07:30,080 Speaker 5: And it's a very tricky game and a dance we 141 00:07:30,120 --> 00:07:31,800 Speaker 5: have to play in these types of shows when we 142 00:07:31,840 --> 00:07:34,360 Speaker 5: are intubate people and we want more people to come 143 00:07:34,360 --> 00:07:35,160 Speaker 5: to our platforms. 144 00:07:35,360 --> 00:07:37,040 Speaker 4: It's not like the days of Howard. 145 00:07:36,760 --> 00:07:38,600 Speaker 5: Stern when you went in there knowing you go into 146 00:07:38,640 --> 00:07:40,560 Speaker 5: the lions, then they about to writ me a new 147 00:07:40,560 --> 00:07:41,920 Speaker 5: one that's not even. 148 00:07:41,760 --> 00:07:42,600 Speaker 4: Carlo says vibe. 149 00:07:42,600 --> 00:07:45,160 Speaker 5: Carlos is not that type of interview or he is 150 00:07:45,200 --> 00:07:47,360 Speaker 5: the one that lots of people What do they mostly 151 00:07:47,360 --> 00:07:50,280 Speaker 5: say about Carlos King's interviews. I didn't like this person, 152 00:07:50,400 --> 00:07:53,120 Speaker 5: but I came away from this interview liking the person more. 153 00:07:53,440 --> 00:07:55,640 Speaker 5: You'll never get those kind of interviews. If he just 154 00:07:55,680 --> 00:07:57,680 Speaker 5: goes to the drug that there's other people that can 155 00:07:57,720 --> 00:07:59,960 Speaker 5: do that. And if that's too want, then that's not 156 00:08:00,080 --> 00:08:02,840 Speaker 5: calls this platform. You should go somewhere else. I think 157 00:08:02,880 --> 00:08:05,760 Speaker 5: you need a faith where you know his job is 158 00:08:05,800 --> 00:08:09,560 Speaker 5: to be objective, and he does give his opinion several times, 159 00:08:09,760 --> 00:08:12,240 Speaker 5: but like I just feel like people want blood. Sometimes 160 00:08:12,280 --> 00:08:14,720 Speaker 5: I get and I'm not. That does not mean she's right. 161 00:08:15,640 --> 00:08:18,080 Speaker 5: But his job is to provide a place to be 162 00:08:18,280 --> 00:08:22,679 Speaker 5: interviewed to us, for us to view into what she's thinking, 163 00:08:22,800 --> 00:08:25,080 Speaker 5: not for us to put on her what we think. 164 00:08:25,320 --> 00:08:29,880 Speaker 2: Hello, you know, so that's yeah, I'm sorry, go Claudia. 165 00:08:30,000 --> 00:08:32,280 Speaker 5: Oh I'm saying that's just what an interview was. And 166 00:08:33,280 --> 00:08:36,640 Speaker 5: I don't know, I just feel like I get what 167 00:08:36,679 --> 00:08:37,160 Speaker 5: you're doing. 168 00:08:37,440 --> 00:08:37,959 Speaker 4: I get it. 169 00:08:38,480 --> 00:08:38,720 Speaker 6: Well. 170 00:08:38,960 --> 00:08:43,080 Speaker 1: Well, the beauty of you, Claudia is you're the I 171 00:08:43,120 --> 00:08:46,920 Speaker 1: figure the only person I interview twice on my podcast, 172 00:08:47,679 --> 00:08:53,319 Speaker 1: and everything you said is true because of your experience 173 00:08:53,679 --> 00:08:57,600 Speaker 1: stepping into my college, after your experience on TGIF, and 174 00:08:57,760 --> 00:09:00,679 Speaker 1: I was the first person to interview you. Claudia has 175 00:09:01,000 --> 00:09:02,800 Speaker 1: other people. She's gonna talk it to us well, I 176 00:09:02,800 --> 00:09:05,480 Speaker 1: mean spocking to us well. But I also think this 177 00:09:06,679 --> 00:09:07,960 Speaker 1: it's one of those things. 178 00:09:07,679 --> 00:09:11,120 Speaker 2: Where it's the beauty of journalism. 179 00:09:11,280 --> 00:09:13,080 Speaker 1: And I know a lot of people have been grown 180 00:09:13,120 --> 00:09:15,520 Speaker 1: up in the days like we all have where you 181 00:09:15,600 --> 00:09:18,880 Speaker 1: had either have Oprah, you have Warbara Walters, or you 182 00:09:18,920 --> 00:09:22,560 Speaker 1: had Dying Sawyer and these were three very different style 183 00:09:22,800 --> 00:09:25,280 Speaker 1: of interviews. And that's the reason why I sat at 184 00:09:25,320 --> 00:09:28,560 Speaker 1: the top. I appreciate anybody who says yes and listen, 185 00:09:29,000 --> 00:09:31,920 Speaker 1: no shade. There are people who say no to me. 186 00:09:32,600 --> 00:09:38,120 Speaker 1: There are people who's like, Okay, I did not think 187 00:09:38,160 --> 00:09:39,000 Speaker 1: I was gonna bring this up. 188 00:09:39,040 --> 00:09:42,640 Speaker 2: I'm gonna bring it up, but whatever, I'll keep it cute. 189 00:09:43,440 --> 00:09:44,319 Speaker 2: What y'all don't know. 190 00:09:44,440 --> 00:09:47,240 Speaker 1: Is somebody I was supposed to interview. 191 00:09:50,280 --> 00:09:55,920 Speaker 2: Who said yes, said no after what after. 192 00:09:58,080 --> 00:10:04,360 Speaker 1: Much thought and consideration, no, no, no no no no no 193 00:10:04,360 --> 00:10:09,240 Speaker 1: no no. The feedback was this, when you do a 194 00:10:09,400 --> 00:10:15,080 Speaker 1: Carlos King interview, you're you're naked meeting. 195 00:10:15,240 --> 00:10:17,280 Speaker 2: I have to I have to answer you. 196 00:10:17,480 --> 00:10:19,960 Speaker 1: Like they said, you have a way of getting the 197 00:10:20,000 --> 00:10:23,560 Speaker 1: truth out of people. And although I'm ready to do that, 198 00:10:24,240 --> 00:10:26,800 Speaker 1: I'm not ready to be naked right now. 199 00:10:26,920 --> 00:10:27,920 Speaker 2: I'm not ready for it. 200 00:10:27,920 --> 00:10:30,559 Speaker 7: So that's honest. 201 00:10:31,200 --> 00:10:33,960 Speaker 1: So what the world doesn't know is this that happened. 202 00:10:34,160 --> 00:10:36,840 Speaker 1: This is a true story that happened the day before 203 00:10:37,000 --> 00:10:38,080 Speaker 1: Chantelle reached out to me. 204 00:10:39,360 --> 00:10:40,160 Speaker 4: Are you at somebody? 205 00:10:41,600 --> 00:10:41,760 Speaker 5: Yes? 206 00:10:43,360 --> 00:10:44,000 Speaker 4: Who was it? 207 00:10:45,720 --> 00:10:46,320 Speaker 2: Anyways? 208 00:10:46,520 --> 00:10:52,280 Speaker 4: So, as a former journalist's supposed to. 209 00:10:56,760 --> 00:10:58,480 Speaker 2: My point is this. 210 00:10:59,600 --> 00:11:03,160 Speaker 1: When I got the DGM from Chantelle, y'all know I'm spiritual. 211 00:11:02,800 --> 00:11:03,720 Speaker 2: So Claudia, wake up. 212 00:11:04,320 --> 00:11:07,479 Speaker 8: When I got the dream from Chantel, I said to myself, 213 00:11:08,080 --> 00:11:12,520 Speaker 8: here's somebody who doesn't know me, star being enough to 214 00:11:12,640 --> 00:11:17,720 Speaker 8: have its tense conversation. It still said I only want to. 215 00:11:17,720 --> 00:11:21,120 Speaker 2: Talk to you. So I sell that to say, it's 216 00:11:21,200 --> 00:11:24,280 Speaker 2: what you. Claudia does it and I do. 217 00:11:24,880 --> 00:11:28,240 Speaker 1: All we can do is be ourselves and and hope 218 00:11:28,240 --> 00:11:33,480 Speaker 1: that people walk away even understanding us. More So, Listen, 219 00:11:33,720 --> 00:11:36,200 Speaker 1: I appreciate the fact that she reached out, and I 220 00:11:36,240 --> 00:11:39,360 Speaker 1: appreciate that for everybody who does say yes, because listen, 221 00:11:39,920 --> 00:11:42,520 Speaker 1: this is a tough business. There's a lot of podcasts, 222 00:11:43,000 --> 00:11:45,760 Speaker 1: there's a lot of people who do interviews, so I'm 223 00:11:45,800 --> 00:11:49,440 Speaker 1: never I don't take for granted where someone says yes, 224 00:11:49,600 --> 00:11:51,479 Speaker 1: because it's not always guaranteed. 225 00:11:52,679 --> 00:11:55,560 Speaker 5: I keep saying the seeing the accountability thing in the comments, 226 00:11:55,559 --> 00:11:58,120 Speaker 5: like they I would like to know, Like what more 227 00:11:58,240 --> 00:11:59,520 Speaker 5: did did did you? 228 00:11:59,720 --> 00:12:01,280 Speaker 2: Did you think? I think I get it? 229 00:12:01,720 --> 00:12:06,040 Speaker 1: Listen, Claudia, the reason why I was happy with the 230 00:12:06,080 --> 00:12:09,160 Speaker 1: way you eloquently spoke about it is I think people 231 00:12:09,200 --> 00:12:09,760 Speaker 1: want to blood. 232 00:12:09,840 --> 00:12:16,439 Speaker 2: Let's have a real conversation. Guess what, I get it. 233 00:12:16,800 --> 00:12:20,920 Speaker 1: We have never we have never in the history of 234 00:12:21,000 --> 00:12:24,720 Speaker 1: reality TV seeing a black mother and daughter have a 235 00:12:24,720 --> 00:12:28,680 Speaker 1: physical altercation. We've never seen it. We were all triggered 236 00:12:28,720 --> 00:12:32,559 Speaker 1: by it. We were all upset. We all were upset 237 00:12:32,600 --> 00:12:36,000 Speaker 1: about it, and I am we watch my recap of Dustin, 238 00:12:36,800 --> 00:12:38,520 Speaker 1: I said to Dustin, I said us. 239 00:12:38,559 --> 00:12:40,679 Speaker 2: When I watched it, I got emotional. 240 00:12:41,559 --> 00:12:44,079 Speaker 1: And I text Jackie because I know her, and I said, 241 00:12:44,920 --> 00:12:48,319 Speaker 1: I'm praying for y'all like this. I could not imagine 242 00:12:49,000 --> 00:12:50,800 Speaker 1: being a producer watching that on the phone. 243 00:12:50,840 --> 00:12:51,440 Speaker 7: I just couldn't. 244 00:12:51,480 --> 00:12:52,360 Speaker 2: A mother and a daughter. 245 00:12:53,120 --> 00:12:56,640 Speaker 1: I understand, Claudia, that people are angry. I understand that 246 00:12:56,679 --> 00:12:59,280 Speaker 1: people want to blood. I understand that people. 247 00:12:59,520 --> 00:13:00,400 Speaker 2: Claudia, you hit it. 248 00:13:00,600 --> 00:13:05,600 Speaker 1: I think people wanted her to constantly say it and 249 00:13:05,720 --> 00:13:12,000 Speaker 1: say it and say it. And I appreciate those who 250 00:13:12,120 --> 00:13:14,040 Speaker 1: watched the full two hours. 251 00:13:17,520 --> 00:13:17,840 Speaker 2: Thank you. 252 00:13:19,720 --> 00:13:23,320 Speaker 1: For those Hey, Dustin, No, a lot of people were 253 00:13:23,400 --> 00:13:25,239 Speaker 1: leaving negative comments after thirty. 254 00:13:24,960 --> 00:13:28,079 Speaker 2: Minutes, so listen. I appreciate those. I love y'all. 255 00:13:30,040 --> 00:13:32,720 Speaker 1: Like and Dustin hit it. Dustin said, she said it. 256 00:13:32,760 --> 00:13:35,920 Speaker 1: She said, I'm sorry, she said. I'm not making no excuses. 257 00:13:36,040 --> 00:13:37,679 Speaker 1: I did what I did, I said what I said. 258 00:13:38,200 --> 00:13:39,640 Speaker 2: But here is. 259 00:13:39,559 --> 00:13:43,000 Speaker 1: What was my experience leading up to it. And I 260 00:13:43,000 --> 00:13:46,200 Speaker 1: also want to say this, and and this is not 261 00:13:46,280 --> 00:13:49,360 Speaker 1: what no Ona's talking about. That I can because I'm producer, 262 00:13:50,480 --> 00:13:53,600 Speaker 1: and that Qualitia can because she is a reality star, 263 00:13:53,960 --> 00:13:56,800 Speaker 1: and that dust can stand because Dustin is a historian 264 00:13:56,880 --> 00:14:02,679 Speaker 1: of unscripted television. When you have somebody that has been 265 00:14:02,720 --> 00:14:06,559 Speaker 1: on TV, that's okay. When you have somebody that's been 266 00:14:06,600 --> 00:14:11,760 Speaker 1: on TV for more than ten seasons, we all know 267 00:14:11,880 --> 00:14:14,840 Speaker 1: that there's certain people that got their faith. Their fans 268 00:14:15,040 --> 00:14:17,920 Speaker 1: love them, and they can do nothing wrong. 269 00:14:21,040 --> 00:14:25,760 Speaker 2: There is this fan base. And this is what somebody 270 00:14:25,760 --> 00:14:27,240 Speaker 2: said to me over the weekend. 271 00:14:28,000 --> 00:14:31,280 Speaker 1: They said, baby Jackie got fans, And I said, yes, 272 00:14:31,880 --> 00:14:34,840 Speaker 1: I think what you and I talk about. And Clauda, 273 00:14:34,840 --> 00:14:38,000 Speaker 1: you said this about Juice Dora. There's certain fans that 274 00:14:38,240 --> 00:14:42,440 Speaker 1: like the Vets or the Ogs. A new bee coming in. 275 00:14:42,800 --> 00:14:46,320 Speaker 1: Clauda experienced this. When a newbie comes in, you kind 276 00:14:46,320 --> 00:14:48,960 Speaker 1: of side more with the Ogs. And I think when 277 00:14:48,960 --> 00:14:51,480 Speaker 1: it comes to this interview, I think at the end 278 00:14:51,480 --> 00:14:53,920 Speaker 1: of the day, we're all triggered by seeing what we saw. 279 00:14:54,040 --> 00:14:56,080 Speaker 2: We've never seen it before, and we didn't grow up 280 00:14:56,080 --> 00:14:56,400 Speaker 2: that way. 281 00:14:56,440 --> 00:14:58,760 Speaker 1: We grew up with don't talk back to your parents, 282 00:14:58,840 --> 00:15:01,520 Speaker 1: and I grew up that way too. I think that's 283 00:15:01,560 --> 00:15:03,480 Speaker 1: one side. I think the other side of the look, 284 00:15:03,560 --> 00:15:05,560 Speaker 1: Jackie is a legend. She's look, she's one of the 285 00:15:05,600 --> 00:15:09,440 Speaker 1: greatest reality he starts of all time. Justin eloquently saying 286 00:15:09,480 --> 00:15:12,560 Speaker 1: our recap, he said, yeah, this is the first time 287 00:15:12,560 --> 00:15:14,800 Speaker 1: about Jackie's side, and he's a fan of the show, 288 00:15:15,440 --> 00:15:18,040 Speaker 1: so I think a lot of that went into it too. Well, look, 289 00:15:18,200 --> 00:15:22,080 Speaker 1: it's okay, nobody my thing is this the people of 290 00:15:22,200 --> 00:15:25,920 Speaker 1: the comments. None of y'all are wrong. It's y'all opinion, 291 00:15:26,440 --> 00:15:30,640 Speaker 1: just like Claudia, myself and Dustin aren't wrong when we 292 00:15:30,760 --> 00:15:32,240 Speaker 1: recap shows. 293 00:15:33,200 --> 00:15:35,520 Speaker 3: No, but schan Tail was wrong for cussing her mama 294 00:15:35,520 --> 00:15:38,920 Speaker 3: out and for pushing there. I think people just wanted 295 00:15:38,960 --> 00:15:42,120 Speaker 3: to hear her say that more plainly than she said 296 00:15:42,120 --> 00:15:44,680 Speaker 3: it in the interview. The only takeaway, and we didn't 297 00:15:44,680 --> 00:15:47,440 Speaker 3: talk enough about this shit right on. The only takeaway 298 00:15:47,480 --> 00:15:49,440 Speaker 3: I have for the interview that I wish she would 299 00:15:49,440 --> 00:15:53,440 Speaker 3: have answered differently is when you asked her about the 300 00:15:53,480 --> 00:15:55,600 Speaker 3: connect or she started speaking about, because I don't really 301 00:15:55,600 --> 00:15:58,080 Speaker 3: even think it was a question. But when she started 302 00:15:58,080 --> 00:16:01,960 Speaker 3: talking about her relationship with Denee and Brittany and she 303 00:16:02,080 --> 00:16:06,880 Speaker 3: started offering I guess what she thought was going to 304 00:16:06,920 --> 00:16:12,160 Speaker 3: substantiate their relationship. Well, we all got kids the same 305 00:16:12,280 --> 00:16:14,680 Speaker 3: as she used to date. This basketball it was just 306 00:16:14,720 --> 00:16:17,480 Speaker 3: the thinnest you know what I'm saying thread to connect 307 00:16:17,480 --> 00:16:20,040 Speaker 3: them at all, and it did not help her case. 308 00:16:20,480 --> 00:16:23,480 Speaker 3: That is one area where I was like, Okay, come on, Chantale, Damn, 309 00:16:23,480 --> 00:16:24,160 Speaker 3: come on, Banna. 310 00:16:24,360 --> 00:16:25,560 Speaker 7: Ain't there with Jackie. 311 00:16:27,160 --> 00:16:30,360 Speaker 2: Come on, Dustin, please say daughter. 312 00:16:31,400 --> 00:16:34,760 Speaker 3: Let me say my daughter. Okay, my daughter, me and 313 00:16:34,840 --> 00:16:38,320 Speaker 3: my daughter. Remember when they rolled up Andrea and Orlando 314 00:16:38,480 --> 00:16:40,560 Speaker 3: that time. You want to talk about my daughter? 315 00:16:40,880 --> 00:16:43,880 Speaker 7: D O T T E R. That's Jackie. Now my daughter. 316 00:16:44,280 --> 00:16:47,000 Speaker 7: I'm gonna talk what about your daughter? They said she's 317 00:16:47,040 --> 00:16:48,840 Speaker 7: a beauty. Remember what she thought? 318 00:16:49,600 --> 00:16:50,520 Speaker 4: It was gonna be hard? 319 00:16:50,840 --> 00:16:54,120 Speaker 5: Like being objective here because I have not been watching 320 00:16:54,160 --> 00:16:55,560 Speaker 5: basketball wives, I'm going to start. 321 00:16:55,760 --> 00:17:02,880 Speaker 4: Actually, when you have a relationship the daughter family, it's 322 00:17:02,920 --> 00:17:03,680 Speaker 4: so complex. 323 00:17:03,760 --> 00:17:06,359 Speaker 5: It's not as limited to what we have seen in 324 00:17:06,359 --> 00:17:08,720 Speaker 5: a season or two or five or even ten like. 325 00:17:08,800 --> 00:17:11,840 Speaker 5: There's usually deep seated issues that are from ten years ago, 326 00:17:11,920 --> 00:17:13,480 Speaker 5: twenty years ago, thirty years ago. 327 00:17:13,480 --> 00:17:14,800 Speaker 4: That are just unresolved things. 328 00:17:15,240 --> 00:17:17,320 Speaker 5: And a lot of times you go on reality to 329 00:17:17,359 --> 00:17:20,480 Speaker 5: me without squashing those things, and they're gonna come out eventually, 330 00:17:20,800 --> 00:17:22,600 Speaker 5: So we could be mad and be like, oh my god, 331 00:17:22,600 --> 00:17:25,480 Speaker 5: I can't believe she disrespected her mom or whatever, But 332 00:17:25,520 --> 00:17:28,000 Speaker 5: then we don't know what other things she's still harping 333 00:17:28,040 --> 00:17:30,479 Speaker 5: on from years ago, not to say right, And this 334 00:17:30,560 --> 00:17:32,959 Speaker 5: is this hypothetical y'all before y'all say I'm taking her 335 00:17:33,000 --> 00:17:35,800 Speaker 5: side over Jackie, I'll let me some Jackie, okay, and 336 00:17:35,880 --> 00:17:39,040 Speaker 5: vice versa. Jackie may have some unresolved things with her daughter, 337 00:17:39,080 --> 00:17:41,840 Speaker 5: and a lot of times, unfortunately, reality brings out the 338 00:17:41,840 --> 00:17:44,560 Speaker 5: worst parts of it. You know, if it's not squashed 339 00:17:44,560 --> 00:17:46,479 Speaker 5: before you go on, it's gonna come out on necklace 340 00:17:46,520 --> 00:17:50,000 Speaker 5: for a romantic relationships, friendships, you think you can go 341 00:17:50,080 --> 00:17:53,880 Speaker 5: on there and outs out produce yourselves, you won't. It's 342 00:17:53,880 --> 00:17:57,600 Speaker 5: gonna come out. And you know, I'm sure there's like many, many, 343 00:17:57,600 --> 00:18:00,199 Speaker 5: many incidents both of them can name where they were 344 00:18:00,280 --> 00:18:02,440 Speaker 5: hurt by each other, and it's gonna come out. And 345 00:18:02,480 --> 00:18:04,639 Speaker 5: when we'd be like, heyn, why did go left like that? Well, 346 00:18:04,720 --> 00:18:06,840 Speaker 5: that wasn't just about that day or that week or 347 00:18:06,840 --> 00:18:10,200 Speaker 5: that month or that year. That was a lifetime of saints. 348 00:18:10,480 --> 00:18:14,040 Speaker 4: Yeah, you know, And then Jackie is also very good. 349 00:18:13,960 --> 00:18:17,120 Speaker 5: At reality, she knows what to do, which that would 350 00:18:17,240 --> 00:18:19,639 Speaker 5: It's very difficult when you're in a scene with someone 351 00:18:19,640 --> 00:18:22,480 Speaker 5: that knows what they're doing and you're not. You're gonna 352 00:18:22,480 --> 00:18:24,359 Speaker 5: look crazy no matter what. But at the end of 353 00:18:24,400 --> 00:18:26,840 Speaker 5: the day, also, fighting your mother on camera is the 354 00:18:26,960 --> 00:18:33,600 Speaker 5: net and your mom's y'all swinging, Like swinging on your 355 00:18:33,600 --> 00:18:36,720 Speaker 5: mom on camera or real life is nuts. 356 00:18:37,160 --> 00:18:39,520 Speaker 3: I wanted Precious to fight her mama though. That's one 357 00:18:39,560 --> 00:18:42,160 Speaker 3: instance where I wanted to to fight them. I want 358 00:18:42,200 --> 00:18:46,240 Speaker 3: to po Mary Ass in that movie so bad as Precious. 359 00:18:46,440 --> 00:18:53,040 Speaker 7: I want to get her man. That's what. 360 00:18:56,280 --> 00:19:00,399 Speaker 1: Popeye's chicken at all. But all all just the side. 361 00:19:00,840 --> 00:19:02,040 Speaker 1: Thank y'all for watching it. 362 00:19:02,160 --> 00:19:04,440 Speaker 2: I love you guys. I love the comments, all ten 363 00:19:04,480 --> 00:19:05,040 Speaker 2: thousand of them. 364 00:19:05,160 --> 00:19:05,440 Speaker 6: Child. 365 00:19:05,880 --> 00:19:07,280 Speaker 2: And if you haven't watched. 366 00:19:07,080 --> 00:19:09,879 Speaker 1: A Chantel Christy interview, it is still up on my 367 00:19:09,960 --> 00:19:12,760 Speaker 1: YouTube channel, so make sure you watch it. Leave a comment. 368 00:19:12,760 --> 00:19:14,239 Speaker 1: I want to see what you got to say about it. 369 00:19:14,440 --> 00:19:19,120 Speaker 1: But all all jokes aside, thank y'all. And look, I'm 370 00:19:19,200 --> 00:19:23,960 Speaker 1: still praying for the healing of the Christies, like it's 371 00:19:24,800 --> 00:19:29,360 Speaker 1: I hope they can find some sort of resolve. This 372 00:19:29,440 --> 00:19:32,680 Speaker 1: is reality with the King, and I'm Carlos King, Let's 373 00:19:32,680 --> 00:19:34,280 Speaker 1: get back into the show. 374 00:19:35,240 --> 00:19:37,479 Speaker 2: It looks like there would not be a resolve when 375 00:19:37,520 --> 00:19:41,199 Speaker 2: it comes to Ken, Trisia, and Marquez. 376 00:19:41,280 --> 00:19:46,119 Speaker 1: So let's get into the most recent episode of Love 377 00:19:46,480 --> 00:19:49,679 Speaker 1: and Marriage Huntsville. So, as you all know, we are 378 00:19:49,800 --> 00:19:55,560 Speaker 1: back celebrating season ten of Love and Marriage Huntsville, where 379 00:19:55,800 --> 00:19:59,640 Speaker 1: we are three episodes in and it's already started off 380 00:19:59,640 --> 00:20:04,080 Speaker 1: a little easy because of the dynamic between Ken, Tricia, 381 00:20:04,240 --> 00:20:08,080 Speaker 1: and Marquez. So, for those who don't know, Ken and 382 00:20:08,200 --> 00:20:11,680 Speaker 1: Tricia are the newest cast members to Love in Mats Huntsville. 383 00:20:12,359 --> 00:20:16,359 Speaker 1: They're in a relationship. They live together. They're not married 384 00:20:16,960 --> 00:20:22,720 Speaker 1: because technically Tricia is still married to her high school 385 00:20:22,760 --> 00:20:23,920 Speaker 1: sweetheart Marquez. 386 00:20:24,640 --> 00:20:29,639 Speaker 2: Until this let me be careful so not give things away. 387 00:20:30,359 --> 00:20:38,200 Speaker 1: At the time of the episodes airing, they're still married. Okay, 388 00:20:38,720 --> 00:20:43,320 Speaker 1: they have two kids. Ken and Tricia live together with 389 00:20:43,400 --> 00:20:47,680 Speaker 1: her kids. Marquess is in and out of Marquess lives 390 00:20:47,720 --> 00:20:51,840 Speaker 1: in Atlanta. By the way, I saw Marquess over the weekend. 391 00:20:52,320 --> 00:20:54,440 Speaker 7: M what y'all talk about? 392 00:20:58,240 --> 00:21:00,520 Speaker 4: Where'd just them? 393 00:21:00,840 --> 00:21:09,960 Speaker 1: I saw him out and about in Atlanta. 394 00:21:10,680 --> 00:21:13,320 Speaker 2: No, you know what, you know what dust it, I'll 395 00:21:13,359 --> 00:21:15,359 Speaker 2: have Marquess tell y'all. Marquess will tell y'all what we 396 00:21:15,359 --> 00:21:17,800 Speaker 2: talked about. But what I will say is I was 397 00:21:17,800 --> 00:21:18,880 Speaker 2: happy to see him. 398 00:21:19,240 --> 00:21:21,840 Speaker 1: And what I will say is this it's a very 399 00:21:21,880 --> 00:21:25,919 Speaker 1: complicated situation. What we saw in the premiere episode was 400 00:21:26,680 --> 00:21:30,480 Speaker 1: Marquess dropping off his daughter. He got into a verbal 401 00:21:30,560 --> 00:21:34,440 Speaker 1: altercation or spat rather with Tricia's friend Sharon. 402 00:21:35,240 --> 00:21:39,600 Speaker 3: Yeah, go ahead, I mean, I just I didn't mean 403 00:21:39,640 --> 00:21:41,840 Speaker 3: it interject, but it just came in my head because 404 00:21:41,840 --> 00:21:44,520 Speaker 3: that was crazy. First of all, and I'm by no 405 00:21:44,600 --> 00:21:47,320 Speaker 3: means taking sides before anybody starts with that ship. 406 00:21:47,359 --> 00:21:49,720 Speaker 7: I'm just talking about what we saw in the television. Right. 407 00:21:50,359 --> 00:21:52,119 Speaker 7: That lady was completely out of line. 408 00:21:52,520 --> 00:21:55,439 Speaker 3: Okay, you only been friends with Tricia for four years, 409 00:21:55,480 --> 00:21:56,760 Speaker 3: that means you a new friend. 410 00:21:57,080 --> 00:21:57,520 Speaker 7: Okay. 411 00:21:57,800 --> 00:22:00,240 Speaker 3: Second of all, you don't have nothing to do with 412 00:22:00,320 --> 00:22:03,520 Speaker 3: none of this. So all that questioning and what does 413 00:22:03,600 --> 00:22:06,919 Speaker 3: she say when he walked in? She said something. She 414 00:22:07,000 --> 00:22:07,919 Speaker 3: started off by. 415 00:22:07,760 --> 00:22:10,760 Speaker 4: Saying he came in with and it's like, well, did. 416 00:22:10,600 --> 00:22:13,800 Speaker 7: You hear some Caudi or something like that? She said, 417 00:22:14,240 --> 00:22:15,240 Speaker 7: I'm like, you. 418 00:22:16,720 --> 00:22:18,560 Speaker 3: Ain't even in this, you know what I'm saying, Like, 419 00:22:18,640 --> 00:22:21,000 Speaker 3: she needs to shut up. That's what she needs to do, 420 00:22:21,080 --> 00:22:22,920 Speaker 3: and she needs to stay out of it because it 421 00:22:22,960 --> 00:22:25,399 Speaker 3: don't have nothing to do with her. And she really 422 00:22:25,920 --> 00:22:28,919 Speaker 3: lit a flame, you know, pour gasoline on a flame. 423 00:22:29,040 --> 00:22:29,760 Speaker 7: You know what I'm saying. 424 00:22:29,760 --> 00:22:33,680 Speaker 3: In that situation that's already tense, already completely fucked up, 425 00:22:34,000 --> 00:22:36,800 Speaker 3: needs so much work, needs so much help. And here 426 00:22:36,920 --> 00:22:42,520 Speaker 3: she come with a Cassie haircut talking about some uh 427 00:22:42,880 --> 00:22:44,880 Speaker 3: she was sure hair was shaved on the side, talking 428 00:22:44,920 --> 00:22:48,800 Speaker 3: about some uh uh, just having an opinion, you know 429 00:22:48,800 --> 00:22:50,439 Speaker 3: what I'm saying, on some shit that she didn't have 430 00:22:50,440 --> 00:22:51,399 Speaker 3: no place speaking on. 431 00:22:51,520 --> 00:22:52,560 Speaker 7: I did not like that. 432 00:22:52,880 --> 00:22:56,440 Speaker 3: And Marquiz is a troll, Okay, a straight up troll, 433 00:22:56,760 --> 00:22:59,320 Speaker 3: and that triggered him in that way. And did hear 434 00:22:59,359 --> 00:23:02,240 Speaker 3: come the mess they could have gotten somewhere without her 435 00:23:02,280 --> 00:23:05,119 Speaker 3: ass And I just didn't understand why she was inserting 436 00:23:05,200 --> 00:23:06,359 Speaker 3: herself in that conversation. 437 00:23:07,600 --> 00:23:10,440 Speaker 5: It's yes, because of the TV show and because people 438 00:23:10,560 --> 00:23:13,800 Speaker 5: trying to make their marks early on, because I feel 439 00:23:13,800 --> 00:23:14,720 Speaker 5: like in real life. 440 00:23:14,520 --> 00:23:15,840 Speaker 4: No one would ever really do that. 441 00:23:15,880 --> 00:23:18,240 Speaker 5: In real life, I think people have batteries in that back, 442 00:23:18,359 --> 00:23:21,800 Speaker 5: especially New reality folks, but people do definitely want to 443 00:23:21,840 --> 00:23:23,760 Speaker 5: show off liver. But like you, feel like you have 444 00:23:23,840 --> 00:23:26,400 Speaker 5: to make something happen instead of just letting the scene 445 00:23:26,600 --> 00:23:27,800 Speaker 5: letting might happen. 446 00:23:27,960 --> 00:23:30,280 Speaker 4: I feel like she was like, well, let me just 447 00:23:30,480 --> 00:23:33,120 Speaker 4: be a little messy for the scene. That's one thing. 448 00:23:33,200 --> 00:23:35,600 Speaker 5: Like she could just chills and let him pop off 449 00:23:35,640 --> 00:23:37,919 Speaker 5: first and then jump in. And I didn't think if 450 00:23:37,960 --> 00:23:39,720 Speaker 5: you've been friends zone before years, I mean, that's not 451 00:23:39,880 --> 00:23:41,840 Speaker 5: like you just became friends, that's enough time. 452 00:23:41,720 --> 00:23:42,200 Speaker 2: To happen to you. 453 00:23:42,800 --> 00:23:44,440 Speaker 4: But nobody asked her. 454 00:23:44,200 --> 00:23:47,199 Speaker 5: Like you made it where your friend now has to 455 00:23:47,200 --> 00:23:50,000 Speaker 5: decide and she wants to have her homegirls back or 456 00:23:50,040 --> 00:23:53,520 Speaker 5: her exes back, and it's on camera, so everything's times ten. 457 00:23:53,960 --> 00:23:57,199 Speaker 5: Now he hows cameras they're let me match energy, so 458 00:23:57,280 --> 00:23:59,360 Speaker 5: I can't go out, and I like, no punk right, 459 00:23:59,560 --> 00:24:02,639 Speaker 5: So you got this and that's what happens because people 460 00:24:02,680 --> 00:24:04,040 Speaker 5: want to show off for the cameras. 461 00:24:04,080 --> 00:24:06,200 Speaker 4: That's what I kind of feel. I feel like it 462 00:24:06,240 --> 00:24:08,800 Speaker 4: was elevated because people will watch it. 463 00:24:09,240 --> 00:24:13,359 Speaker 1: I think you think it was elevated from marquas perspective 464 00:24:13,480 --> 00:24:15,200 Speaker 1: or Sharon's perspective or both. 465 00:24:15,600 --> 00:24:18,800 Speaker 5: Sharon first and then Mark has responding to her both 466 00:24:18,880 --> 00:24:20,359 Speaker 5: like you know, I am about to look like she's 467 00:24:20,400 --> 00:24:22,560 Speaker 5: punking me walking into the housepital my you know my 468 00:24:22,640 --> 00:24:23,040 Speaker 5: kids are? 469 00:24:23,080 --> 00:24:24,400 Speaker 4: I feel like she started it? 470 00:24:24,720 --> 00:24:25,120 Speaker 2: She did. 471 00:24:25,600 --> 00:24:28,040 Speaker 5: It wasn't major, but it was enough to like an 472 00:24:28,080 --> 00:24:31,119 Speaker 5: already tense situation, or don't take that much of gasoline 473 00:24:31,119 --> 00:24:32,560 Speaker 5: to make that flame go of higher? 474 00:24:32,680 --> 00:24:35,280 Speaker 7: True, she started it? 475 00:24:35,320 --> 00:24:35,800 Speaker 6: I did. 476 00:24:37,200 --> 00:24:37,640 Speaker 2: So then? 477 00:24:38,119 --> 00:24:40,760 Speaker 1: Could you know what was so interesting about it is? 478 00:24:40,880 --> 00:24:45,040 Speaker 1: Prior to that scene, you did see Ken and Marquaz 479 00:24:45,200 --> 00:24:47,679 Speaker 1: meet up one on one too. 480 00:24:48,720 --> 00:24:50,800 Speaker 2: Oh, go ahead, Dustin, that was crazy. 481 00:24:51,000 --> 00:24:51,560 Speaker 7: Stop trying. 482 00:24:51,560 --> 00:24:54,000 Speaker 3: You got to stop trying with motherfuckers sometimes. You know 483 00:24:54,000 --> 00:24:56,480 Speaker 3: what I'm saying. This has been going on for years. 484 00:24:56,480 --> 00:24:57,960 Speaker 3: This is what we what do we call it in 485 00:24:58,000 --> 00:25:00,560 Speaker 3: our line of work at multi year pregnant shit right 486 00:25:00,840 --> 00:25:04,760 Speaker 3: that this has been going on between Tricia and Marcus. 487 00:25:05,240 --> 00:25:08,200 Speaker 3: You know what I'm saying, Like, you know how he is, Ken, 488 00:25:08,480 --> 00:25:11,200 Speaker 3: You know how he is too. Stop trying to build 489 00:25:11,240 --> 00:25:13,800 Speaker 3: a bridge and make an inroads where there isn't one. 490 00:25:13,920 --> 00:25:17,080 Speaker 3: Focus everything on them kids. They have beautiful children together, 491 00:25:17,119 --> 00:25:19,879 Speaker 3: by the way. Focus everything on them children, you know 492 00:25:19,920 --> 00:25:24,800 Speaker 3: what I'm saying, And just eliminate any unnecessary communication. You 493 00:25:24,880 --> 00:25:27,240 Speaker 3: can't make him change and be a different person. He's 494 00:25:27,280 --> 00:25:30,399 Speaker 3: exactly who he is and they know that by now, 495 00:25:30,600 --> 00:25:32,879 Speaker 3: so Ken banging his head against the wall trying to 496 00:25:32,880 --> 00:25:35,160 Speaker 3: figure out how to put a what do they take 497 00:25:35,240 --> 00:25:39,480 Speaker 3: a square peg? And whatever the fucking saying is stop 498 00:25:40,240 --> 00:25:42,360 Speaker 3: just stop. That was crazy to me that he went 499 00:25:42,400 --> 00:25:44,800 Speaker 3: and met up. I understand that it gave us something 500 00:25:44,840 --> 00:25:47,040 Speaker 3: interesting to look at. But again, this is the difference 501 00:25:47,040 --> 00:25:50,639 Speaker 3: between a television showing what would likely happen in real life. 502 00:25:50,760 --> 00:25:52,720 Speaker 3: Because I wish I be Damn you think I would 503 00:25:52,720 --> 00:25:55,560 Speaker 3: have set up there talking if I was Ken talking 504 00:25:55,600 --> 00:25:58,320 Speaker 3: to my kids about what you know what I'm saying, No, 505 00:25:58,760 --> 00:26:01,080 Speaker 3: we don't have nothing to talk about but this. 506 00:26:01,359 --> 00:26:04,000 Speaker 2: But this was so interesting, Dustin, so in real life. 507 00:26:04,040 --> 00:26:05,280 Speaker 2: So obviously after. 508 00:26:05,040 --> 00:26:06,960 Speaker 1: We take the reunion, we have like a couple of 509 00:26:07,040 --> 00:26:11,200 Speaker 1: months of hiatus before we. 510 00:26:10,040 --> 00:26:12,439 Speaker 2: Resume with this with with the with the next season. 511 00:26:13,080 --> 00:26:18,280 Speaker 1: So after that reunion, Dustin, what's interesting is they I 512 00:26:18,320 --> 00:26:20,639 Speaker 1: think Ken, if I got this mistake in Ken, let 513 00:26:20,720 --> 00:26:24,560 Speaker 1: me know, I believe Ken made the effort after the 514 00:26:24,640 --> 00:26:29,200 Speaker 1: reunion where they did get into it too, offered an 515 00:26:29,200 --> 00:26:34,440 Speaker 1: olive branch too to Marquez. And what was so interesting 516 00:26:34,600 --> 00:26:36,560 Speaker 1: is when we got back in production, he was like, 517 00:26:37,080 --> 00:26:40,440 Speaker 1: me and Marquez are working on being better because I think, 518 00:26:40,880 --> 00:26:43,360 Speaker 1: and that's the beauty of TV. You see your behavior 519 00:26:43,440 --> 00:26:45,080 Speaker 1: or you see your actions and you're like, you know 520 00:26:45,119 --> 00:26:46,160 Speaker 1: what I could have done better? 521 00:26:46,760 --> 00:26:51,360 Speaker 2: And I think that's the reason why Ken felt so upset. 522 00:26:50,680 --> 00:26:55,960 Speaker 1: When Sharon my sharing when Tricia told him how Marquez 523 00:26:56,000 --> 00:26:57,080 Speaker 1: did walk up in the house. 524 00:26:57,119 --> 00:26:59,640 Speaker 2: And just just so y'all know, Marquez was. 525 00:26:59,600 --> 00:26:59,840 Speaker 6: Not my. 526 00:27:01,760 --> 00:27:04,520 Speaker 2: Production we had. He was not miked. 527 00:27:05,119 --> 00:27:07,200 Speaker 4: Boom and the boom sound real good. 528 00:27:07,280 --> 00:27:12,120 Speaker 1: Yes he was we had so so for the audience too. 529 00:27:12,320 --> 00:27:15,600 Speaker 1: That wasn't a fake scene production. We had no idea 530 00:27:16,080 --> 00:27:19,000 Speaker 1: that Marquess was about to walk in. That scene was 531 00:27:19,040 --> 00:27:23,440 Speaker 1: strictly supposed to be about Tricia and Sharon discussing their 532 00:27:23,520 --> 00:27:29,920 Speaker 1: situation when they saw when they saw Marquess pull up 533 00:27:30,640 --> 00:27:35,000 Speaker 1: and with his daughter, they of course followed my rule, 534 00:27:35,040 --> 00:27:35,560 Speaker 1: which is you. 535 00:27:35,560 --> 00:27:37,000 Speaker 2: Follow the reality. 536 00:27:37,520 --> 00:27:39,560 Speaker 1: And he walked a been there and that's why you 537 00:27:39,600 --> 00:27:44,000 Speaker 1: saw Tricia like, I know, this did not just walking 538 00:27:44,040 --> 00:27:44,600 Speaker 1: in my house. 539 00:27:45,160 --> 00:27:48,359 Speaker 2: So it wasn't it wasn't fake. He wasn't Mike. He 540 00:27:48,480 --> 00:27:49,000 Speaker 2: was not Mike. 541 00:27:49,480 --> 00:27:55,440 Speaker 3: And that's why that day. 542 00:27:56,280 --> 00:28:01,679 Speaker 5: Just like like I would have reacted, I'd be like 543 00:28:01,840 --> 00:28:04,639 Speaker 5: more like stunning and someone came up in my house 544 00:28:04,680 --> 00:28:05,960 Speaker 5: than when I was filming. 545 00:28:05,600 --> 00:28:08,080 Speaker 3: Like like, baby, I would have been on my feet 546 00:28:08,119 --> 00:28:10,360 Speaker 3: so fast with my finger pointed, get the fuck out 547 00:28:10,359 --> 00:28:13,919 Speaker 3: of here. Outd have been so fast going off immediately 548 00:28:13,960 --> 00:28:14,879 Speaker 3: walking in my house. 549 00:28:15,200 --> 00:28:17,600 Speaker 4: I think it'd be a lot less issues. And again 550 00:28:17,680 --> 00:28:21,280 Speaker 4: I'm new to this show. If they gotta get that 551 00:28:21,359 --> 00:28:24,959 Speaker 4: divorce and too many weird stool attachments, like that's just 552 00:28:25,000 --> 00:28:27,840 Speaker 4: so weird, Like get that divorce done. You know you 553 00:28:27,840 --> 00:28:30,000 Speaker 4: got a new man there raising he says it, those 554 00:28:30,040 --> 00:28:32,040 Speaker 4: are my kids, he goes, but this is my family now. 555 00:28:32,080 --> 00:28:34,159 Speaker 5: And I was like, oh, I can see why marks 556 00:28:34,160 --> 00:28:37,480 Speaker 5: will be you know, triggered by that, Like that's gotta 557 00:28:37,480 --> 00:28:40,000 Speaker 5: be a gut punch like ough, Like I'm not the 558 00:28:40,040 --> 00:28:41,680 Speaker 5: house with the kids, but that dig that and that's 559 00:28:41,680 --> 00:28:44,840 Speaker 5: not your fel that's my family. So you got some 560 00:28:44,920 --> 00:28:48,360 Speaker 5: boundaries like divorce, get that, get that squared away. 561 00:28:48,360 --> 00:28:50,400 Speaker 4: I don't know who's holds who's holding up the divorce? 562 00:28:51,240 --> 00:28:52,320 Speaker 4: What's what's the hold up? 563 00:28:52,800 --> 00:28:54,400 Speaker 2: Dustin? Would you like to answer that? 564 00:28:54,920 --> 00:28:57,080 Speaker 7: So here's what I heard. 565 00:28:57,520 --> 00:29:06,960 Speaker 3: So, according to Marquez, Tricia and Ken inappropriately or issues 566 00:29:07,000 --> 00:29:09,600 Speaker 3: some paperwork that did not list one of their children. 567 00:29:09,640 --> 00:29:11,920 Speaker 3: Because I think one of the children is a minor, right, 568 00:29:11,960 --> 00:29:15,080 Speaker 3: and the other one is above eighteen. And the paperwork, 569 00:29:15,120 --> 00:29:18,320 Speaker 3: according to Ken, according to Marquez, did not have that 570 00:29:18,440 --> 00:29:20,959 Speaker 3: on there. But as we've seen this week, when they 571 00:29:21,000 --> 00:29:23,600 Speaker 3: was putting that paper in his face like this, that 572 00:29:24,040 --> 00:29:27,240 Speaker 3: paper had the child's name on it, and Ken was 573 00:29:27,240 --> 00:29:28,960 Speaker 3: about to push his finger through that paper. 574 00:29:29,000 --> 00:29:31,680 Speaker 7: He was so goddamn mad when he was it's right there, 575 00:29:31,960 --> 00:29:34,440 Speaker 7: it's right there. You don't see it. That's when he 576 00:29:34,560 --> 00:29:35,040 Speaker 7: was doing that. 577 00:29:35,080 --> 00:29:36,960 Speaker 4: He was there. 578 00:29:37,360 --> 00:29:40,560 Speaker 3: Because Marquez is a troll, and I don't know see 579 00:29:40,600 --> 00:29:43,400 Speaker 3: me personally, I'd have been like, so what are you saying? 580 00:29:43,640 --> 00:29:46,760 Speaker 3: Because I don't want to be married to you anymore, Marquez, 581 00:29:47,040 --> 00:29:49,720 Speaker 3: So please don't misunderstand. 582 00:29:48,920 --> 00:29:49,440 Speaker 7: Any of this. 583 00:29:50,200 --> 00:29:53,760 Speaker 3: I'm not omitting names in an attempt to stay married 584 00:29:53,760 --> 00:29:55,360 Speaker 3: to you. I don't want to be married to you. 585 00:29:55,720 --> 00:29:58,320 Speaker 3: That's what needs to be said. But Tricia has this 586 00:29:58,400 --> 00:30:01,240 Speaker 3: thing where she just gets in and she goes into 587 00:30:01,600 --> 00:30:04,000 Speaker 3: a back and forth and just plays off of whatever 588 00:30:04,040 --> 00:30:07,600 Speaker 3: the last thing the person that she's arguing with says. So, like, Claudia, 589 00:30:07,600 --> 00:30:10,400 Speaker 3: if you and Tricia have a back and forth verbally 590 00:30:10,720 --> 00:30:12,440 Speaker 3: and you tell her, well, I didn't like what you did. 591 00:30:12,480 --> 00:30:14,360 Speaker 7: She'll say, well, I didn't like what you did, you 592 00:30:14,400 --> 00:30:15,600 Speaker 7: know what I mean? She does that. 593 00:30:15,520 --> 00:30:17,360 Speaker 3: Instead of getting to the root of the issue, and 594 00:30:17,440 --> 00:30:21,640 Speaker 3: she's talking about shit. So that's what happened. So the 595 00:30:21,720 --> 00:30:24,240 Speaker 3: last time we checked, that's why they were still married. 596 00:30:25,400 --> 00:30:26,840 Speaker 4: Marquez is a little bit of a high head, A 597 00:30:26,880 --> 00:30:27,760 Speaker 4: little bit what you say. 598 00:30:29,360 --> 00:30:32,200 Speaker 3: I think Marquez has a he's a troll. He don't 599 00:30:32,240 --> 00:30:33,920 Speaker 3: mind stirring the pot if he knows it's going to 600 00:30:33,960 --> 00:30:36,040 Speaker 3: get on your fucking nerves, and he has an issue 601 00:30:36,040 --> 00:30:36,280 Speaker 3: with you. 602 00:30:37,040 --> 00:30:38,760 Speaker 7: So I think that's the kind of person he is. 603 00:30:38,760 --> 00:30:41,240 Speaker 3: I wouldn't say a hot head, because Ken was hot 604 00:30:41,640 --> 00:30:44,120 Speaker 3: in that scene. Carlos, why didn't we see the damn 605 00:30:44,160 --> 00:30:47,520 Speaker 3: fight too? That's what I'm tired of. Show the damn fight. 606 00:30:47,880 --> 00:30:50,520 Speaker 3: You can't drink. You can't drink us that damn close. 607 00:30:50,840 --> 00:30:52,520 Speaker 3: You know what I'm saying to it? We want to 608 00:30:52,560 --> 00:30:54,960 Speaker 3: see it. Can we please get a bonus cut, a 609 00:30:55,040 --> 00:30:58,840 Speaker 3: director's cut or something. Stop blacking the screen out, Carlos, Damn, 610 00:30:59,240 --> 00:31:02,640 Speaker 3: we walked, I get I get blamed. 611 00:31:02,760 --> 00:31:07,479 Speaker 4: This just putting the tip in and I'll give us 612 00:31:07,480 --> 00:31:08,160 Speaker 4: the whole shafting. 613 00:31:08,280 --> 00:31:11,200 Speaker 7: That's what I'm saying, man, we're trying to welcome. 614 00:31:10,800 --> 00:31:13,560 Speaker 2: To my twenties. That's what my twenties was like. So look, 615 00:31:13,840 --> 00:31:16,880 Speaker 2: what I will say is this. 616 00:31:23,440 --> 00:31:26,520 Speaker 1: Every look, it's not my decision. 617 00:31:27,760 --> 00:31:30,000 Speaker 2: It's not I'll just leave that that. 618 00:31:30,000 --> 00:31:31,520 Speaker 7: It's not my decision. It's not my good. 619 00:31:32,000 --> 00:31:34,760 Speaker 1: But but but but but but I do want to 620 00:31:34,760 --> 00:31:39,440 Speaker 1: ask all something about this based on what you two 621 00:31:39,640 --> 00:31:43,200 Speaker 1: have seen in that scene. These are the questions that 622 00:31:43,440 --> 00:31:48,840 Speaker 1: were position on social media over the weekend. Do y'all 623 00:31:48,960 --> 00:31:55,479 Speaker 1: think that Tricia and Marquaz are still in love with 624 00:31:55,520 --> 00:31:58,760 Speaker 1: each other and that's evident based on what you guys seen, 625 00:31:58,960 --> 00:32:02,520 Speaker 1: and that can should move away from this relationship. 626 00:32:04,320 --> 00:32:05,400 Speaker 7: Claudia, what you think? 627 00:32:06,200 --> 00:32:08,240 Speaker 5: I don't know if I know enough say she they're 628 00:32:08,280 --> 00:32:10,880 Speaker 5: in love, but there's definitely still some feelings there, but 629 00:32:10,920 --> 00:32:12,680 Speaker 5: there should be had two kids with this person. 630 00:32:13,680 --> 00:32:15,240 Speaker 4: I don't know if there's still love. 631 00:32:15,400 --> 00:32:17,840 Speaker 5: I think Mark Kuz is showing that he's still a 632 00:32:17,920 --> 00:32:22,120 Speaker 5: little bit like he don't feel like he's replaced Mebuh. 633 00:32:22,240 --> 00:32:23,000 Speaker 4: That can't feel good. 634 00:32:23,040 --> 00:32:25,400 Speaker 5: Listen, you out the chicken coop and a new roal 635 00:32:25,480 --> 00:32:29,440 Speaker 5: cities in the chicken coop with your eggs. Old Lady 636 00:32:29,760 --> 00:32:34,920 Speaker 5: laying your eggs showing his cop You know what I'm saying. 637 00:32:37,960 --> 00:32:40,360 Speaker 4: You know what I'm saying. That can't worm. 638 00:32:41,720 --> 00:32:44,000 Speaker 7: No, Patricia said it was a hot dog. 639 00:32:44,080 --> 00:32:47,040 Speaker 3: Remember in the in the in the episode, she said, 640 00:32:47,080 --> 00:32:48,560 Speaker 3: he came out here this out. 641 00:32:48,480 --> 00:32:58,680 Speaker 9: Remember the way something box people in the nothing Are 642 00:32:58,720 --> 00:32:59,800 Speaker 9: we going to listen? 643 00:33:00,080 --> 00:33:03,360 Speaker 1: That'ster's on tour if you're in Atlanta August sixteenth. He 644 00:33:03,440 --> 00:33:05,360 Speaker 1: has a second show that's been added because the first 645 00:33:05,400 --> 00:33:06,040 Speaker 1: one sold out. 646 00:33:06,520 --> 00:33:09,320 Speaker 2: Yes, are you going to like this impersonation? 647 00:33:10,240 --> 00:33:13,480 Speaker 3: You know I'm an old school I am inspired by 648 00:33:13,480 --> 00:33:15,640 Speaker 3: the old school grades of comedy. I come from the 649 00:33:15,680 --> 00:33:19,080 Speaker 3: school of death comedy, jam and comic View and Eddie 650 00:33:19,120 --> 00:33:22,760 Speaker 3: Murphy Ross so hell yeah, and lots of impressions, lots 651 00:33:22,800 --> 00:33:24,800 Speaker 3: of physical comedy, lots of ship talking. 652 00:33:24,920 --> 00:33:26,760 Speaker 7: Yes, there will be impressions. 653 00:33:27,160 --> 00:33:32,800 Speaker 3: Absolutely, Claudia know she's Claudia has seen it yet. 654 00:33:32,840 --> 00:33:35,640 Speaker 5: The Negro's next. That's no left and right. Oh myth 655 00:33:36,440 --> 00:33:38,720 Speaker 5: They need to make a movie about him. Twenty Ways, 656 00:33:38,840 --> 00:33:44,960 Speaker 5: Bubble of Bag, mar Marquis Marquette, whatever, Homeboy and old Girl. 657 00:33:46,520 --> 00:33:48,520 Speaker 4: When guys, when you break up with your hand right 658 00:33:49,840 --> 00:33:51,320 Speaker 4: appreciates are so bad? 659 00:33:51,680 --> 00:33:54,520 Speaker 5: It's most likely the man's gonna find other woman before 660 00:33:54,560 --> 00:33:55,880 Speaker 5: the woman finds another man. 661 00:33:55,880 --> 00:33:56,880 Speaker 4: Especially when you have kids. 662 00:33:56,920 --> 00:33:58,840 Speaker 10: A lot of times, guys like you ain't never gonna 663 00:33:58,840 --> 00:34:00,880 Speaker 10: find another one with another and you got two kids, 664 00:34:00,920 --> 00:34:03,360 Speaker 10: fools that I'll watch you guys be liked when that 665 00:34:03,440 --> 00:34:05,400 Speaker 10: girl move on with some and someone else comes in 666 00:34:05,480 --> 00:34:07,640 Speaker 10: and let alone, another man comes in and wants to 667 00:34:07,720 --> 00:34:09,560 Speaker 10: take care of those kids too, or want to be 668 00:34:09,600 --> 00:34:12,360 Speaker 10: there for that's gotta be like that, does't you know 669 00:34:12,440 --> 00:34:13,520 Speaker 10: that's got to be pissed them off? 670 00:34:14,120 --> 00:34:16,800 Speaker 3: Well, didn't do your job and be more present and 671 00:34:16,960 --> 00:34:19,160 Speaker 3: so that he can be her man and you can 672 00:34:19,239 --> 00:34:21,759 Speaker 3: be their father. To me, I don't know, y'all know 673 00:34:21,800 --> 00:34:23,719 Speaker 3: how I have very rigid views when it comes to 674 00:34:23,880 --> 00:34:26,680 Speaker 3: like the way men show up in relationships. 675 00:34:27,000 --> 00:34:30,000 Speaker 7: I just you know what I'm shout out to Mika Smith. 676 00:34:30,040 --> 00:34:32,239 Speaker 7: I love y'all too. I love it. D I'm gonna come. 677 00:34:32,360 --> 00:34:36,880 Speaker 7: We just I'm coming. But anyway, he needs to step up. 678 00:34:36,960 --> 00:34:38,960 Speaker 3: See what you do is if you're a person who's 679 00:34:38,960 --> 00:34:41,759 Speaker 3: affected by things in that way, you eliminate the risk. 680 00:34:42,120 --> 00:34:43,960 Speaker 3: And the way that he could eliminate the risk is 681 00:34:44,040 --> 00:34:46,880 Speaker 3: by showing up and being present, paying for everything for 682 00:34:47,000 --> 00:34:50,760 Speaker 3: his damn children. Stop offering other people's food and drinks 683 00:34:50,800 --> 00:34:53,160 Speaker 3: to guests. You know what I'm saying, Stop doing that 684 00:34:53,600 --> 00:34:55,319 Speaker 3: coming up in their house talking about do you want 685 00:34:55,320 --> 00:34:58,120 Speaker 3: something to drink to this lady? Where'd you gonna get 686 00:34:58,120 --> 00:35:00,919 Speaker 3: it from? That's Kin's refrigerator. You know what I'm saying, 687 00:35:01,000 --> 00:35:03,200 Speaker 3: Like you can't. Markis got it. That's why I say 688 00:35:03,239 --> 00:35:05,399 Speaker 3: he trolls because I know he's aware when he does 689 00:35:05,480 --> 00:35:08,000 Speaker 3: those things. But if he's a man that's affected by 690 00:35:08,080 --> 00:35:11,000 Speaker 3: that and made to feel inadequate, which I think is 691 00:35:11,040 --> 00:35:13,680 Speaker 3: a lot of what we see, I think he feels inadequate, 692 00:35:14,120 --> 00:35:18,239 Speaker 3: and it's a literal physical comparison, you know what I'm saying. 693 00:35:18,360 --> 00:35:20,960 Speaker 3: Ken is bigger and stronger than him, and he's showing 694 00:35:21,080 --> 00:35:22,880 Speaker 3: up handling your responsibilities. 695 00:35:23,120 --> 00:35:27,520 Speaker 7: I think Markuiz feels minimized in that way. 696 00:35:28,920 --> 00:35:32,719 Speaker 2: So yeah, yeah, and also think this too. I think 697 00:35:32,800 --> 00:35:34,440 Speaker 2: a lot of it goes to show that. 698 00:35:34,600 --> 00:35:38,759 Speaker 1: Look, when you have an a tense situation based on 699 00:35:39,040 --> 00:35:41,920 Speaker 1: the former well I can't even say former because they're 700 00:35:41,920 --> 00:35:45,480 Speaker 1: still married technically, right, And then you have Ken, who 701 00:35:45,880 --> 00:35:48,880 Speaker 1: obviously is in love with Trish, He's in love with 702 00:35:48,960 --> 00:35:52,640 Speaker 1: the kids, he's taking care of his mainly responsibilities. 703 00:35:53,600 --> 00:35:55,120 Speaker 2: Why do you guys think though? 704 00:35:55,360 --> 00:35:58,840 Speaker 1: Before we move on to Marceau and Maurice, why do 705 00:35:58,920 --> 00:35:59,840 Speaker 1: you guys feel though that? 706 00:36:00,080 --> 00:36:03,160 Speaker 2: But the audience is strictly blaming Tricia. 707 00:36:03,680 --> 00:36:06,319 Speaker 1: They felt like this is Tricia's fault and a lot 708 00:36:06,400 --> 00:36:10,719 Speaker 1: of them want Can to leave her and they don't 709 00:36:10,760 --> 00:36:11,640 Speaker 1: feel like can. 710 00:36:12,120 --> 00:36:14,839 Speaker 2: I'm sorry, they don't feel like Tricia's good enough for Can. 711 00:36:15,840 --> 00:36:17,959 Speaker 4: They always be blaming the black the black woman. 712 00:36:18,000 --> 00:36:20,200 Speaker 5: It's always her. It's our fault for every single thing. 713 00:36:20,239 --> 00:36:22,080 Speaker 5: When it's men acting up, Oh what did you do 714 00:36:22,239 --> 00:36:24,239 Speaker 5: to make him do that? When you get raped? What 715 00:36:24,480 --> 00:36:26,279 Speaker 5: was you wearing when you get beat up? 716 00:36:26,360 --> 00:36:26,480 Speaker 1: Oh? 717 00:36:26,600 --> 00:36:29,360 Speaker 5: What did you say that pissed him off? It's annoying 718 00:36:29,440 --> 00:36:31,840 Speaker 5: as hell, and I'm sick of it. I mean, I 719 00:36:31,920 --> 00:36:34,080 Speaker 5: haven't seen anything. Again, I'm new to the show. I 720 00:36:34,120 --> 00:36:36,839 Speaker 5: haven't seen the blatant anything, blatantly wrong that she did. 721 00:36:37,280 --> 00:36:38,600 Speaker 5: But I think that's just like kind of what. 722 00:36:38,640 --> 00:36:40,719 Speaker 4: Our society does. And it's not just other men, it's 723 00:36:40,760 --> 00:36:43,279 Speaker 4: other women too. And I don't know, I don't know. 724 00:36:44,239 --> 00:36:46,560 Speaker 3: I think there's two factors too here that do come 725 00:36:46,600 --> 00:36:52,040 Speaker 3: into play. We were introduced to Tricia. She was surrounded 726 00:36:52,080 --> 00:36:54,640 Speaker 3: by a lot of questions. Remember we were met When 727 00:36:54,680 --> 00:36:58,400 Speaker 3: we met her, she lied about knowing Martel, and so 728 00:36:58,560 --> 00:37:00,680 Speaker 3: a lot of people feel like Tricia is a liar. 729 00:37:00,800 --> 00:37:03,759 Speaker 3: They don't believe anything that she says, and so that 730 00:37:04,000 --> 00:37:06,680 Speaker 3: kind of places her in their scope when it comes 731 00:37:06,920 --> 00:37:09,880 Speaker 3: to playing the blame game, right. And another thing, Tricia 732 00:37:10,000 --> 00:37:12,560 Speaker 3: do look like she always sneaking, you know what I'm saying, 733 00:37:12,600 --> 00:37:14,880 Speaker 3: Like when she be in these scenes, tell her, you know, 734 00:37:15,040 --> 00:37:17,480 Speaker 3: she always looks sneaking, like she's sneaking doing something. And 735 00:37:17,520 --> 00:37:19,440 Speaker 3: I think that's what makes people feel like that, you 736 00:37:19,480 --> 00:37:20,880 Speaker 3: know what I'm saying when it comes to her. 737 00:37:21,280 --> 00:37:24,279 Speaker 4: So, so does she look sneaky or do you think 738 00:37:24,360 --> 00:37:25,320 Speaker 4: she is sneaky? 739 00:37:25,600 --> 00:37:27,880 Speaker 7: I think she looks sneaky, but so. 740 00:37:28,000 --> 00:37:30,719 Speaker 4: You could look sneaky even not be sneaky, right, I think. 741 00:37:30,680 --> 00:37:33,040 Speaker 3: She looks sneaky and I think she lied about how 742 00:37:33,200 --> 00:37:35,719 Speaker 3: she knows Martell when she came onto the show, And 743 00:37:35,800 --> 00:37:38,279 Speaker 3: I think that's a toxic combination when it comes to 744 00:37:39,160 --> 00:37:40,920 Speaker 3: people believe in what you have to say. 745 00:37:41,080 --> 00:37:43,239 Speaker 5: And then on reality TV there is no forgiveness. Like 746 00:37:43,280 --> 00:37:45,480 Speaker 5: we talked about her beginning, you mess up the one 747 00:37:45,960 --> 00:37:49,239 Speaker 5: one time, that's it. You know you are always going 748 00:37:49,280 --> 00:37:50,399 Speaker 5: to be looked through through that lens. 749 00:37:50,480 --> 00:37:53,040 Speaker 7: But Lot, that's why King friends want him to leave 750 00:37:53,120 --> 00:37:54,600 Speaker 7: her Kiv's friends. 751 00:37:54,760 --> 00:37:56,600 Speaker 3: He was like, you zoom out and look at the 752 00:37:56,680 --> 00:37:59,480 Speaker 3: whole puzzle, Like you got to look at the whole puzzle, 753 00:37:59,560 --> 00:38:02,320 Speaker 3: Like why are you doing this? Basically that's what he 754 00:38:02,480 --> 00:38:04,400 Speaker 3: was asking Ken, like why are you staying in this 755 00:38:04,520 --> 00:38:05,320 Speaker 3: damn relationship? 756 00:38:05,400 --> 00:38:08,719 Speaker 7: Yeah, And Chris Flincher sat up there not when he 757 00:38:08,840 --> 00:38:10,120 Speaker 7: was saying it. Chris Flincher was. 758 00:38:10,120 --> 00:38:14,680 Speaker 2: Like, yeah, so I do want to I do want 759 00:38:14,719 --> 00:38:17,280 Speaker 2: to talk to you guys about this. Listen. The beauty 760 00:38:17,440 --> 00:38:18,399 Speaker 2: of Monday. 761 00:38:18,120 --> 00:38:21,440 Speaker 1: Night Live is the fact that this is live, this 762 00:38:21,640 --> 00:38:24,960 Speaker 1: is not take and you never know who's gonna pop in. 763 00:38:25,840 --> 00:38:31,960 Speaker 1: So Dustin and Claudia, look, look, there's a lot that 764 00:38:32,160 --> 00:38:35,839 Speaker 1: happened on this episode of Love and Matche hunts Bill. 765 00:38:36,480 --> 00:38:38,759 Speaker 1: So it would be remiss of me not to bring 766 00:38:38,840 --> 00:38:42,880 Speaker 1: on somebody to have a real conversation. Ladies jumped to men, 767 00:38:43,160 --> 00:38:46,000 Speaker 1: gaze and bathe and all the rain drops around the world. 768 00:38:46,520 --> 00:38:49,560 Speaker 1: Give it up for the man, the myth, the chocolate 769 00:38:49,560 --> 00:38:50,080 Speaker 1: in the bottle. 770 00:38:50,560 --> 00:39:02,160 Speaker 2: Marcel, Marcel, what's having this? Marceau all horizontally. 771 00:39:05,040 --> 00:39:07,440 Speaker 5: Okay, work and you are too far, like if you 772 00:39:07,480 --> 00:39:09,360 Speaker 5: can bring in a little closely there you go. 773 00:39:13,320 --> 00:39:15,399 Speaker 11: Like I'm sitting all the way now see you look 774 00:39:16,800 --> 00:39:18,399 Speaker 11: when Carlos says jump, I jump. 775 00:39:18,480 --> 00:39:20,000 Speaker 6: I'm just getting off the plane. 776 00:39:20,120 --> 00:39:24,840 Speaker 11: I'm at the the lounge and I'm like, yes, you 777 00:39:24,920 --> 00:39:28,040 Speaker 11: know so this Carlos when we say asked me to 778 00:39:28,040 --> 00:39:29,000 Speaker 11: do someone, I say, yes. 779 00:39:31,680 --> 00:39:36,160 Speaker 2: I appreciate you. Marcel. Marcell was just so so first 780 00:39:36,200 --> 00:39:39,720 Speaker 2: of all, Marcel me Claudia Jordan. 781 00:39:40,640 --> 00:39:41,640 Speaker 4: I think he did my show. 782 00:39:41,840 --> 00:39:44,919 Speaker 5: He did, Yeah, you did my show before out Loud 783 00:39:45,600 --> 00:39:47,120 Speaker 5: and I came to the lounge one time. 784 00:39:47,040 --> 00:39:49,839 Speaker 6: And himself, Oh you can't. 785 00:39:49,960 --> 00:39:53,440 Speaker 4: You went to black Yep with Fundy Neva. Right, it 786 00:39:53,600 --> 00:39:57,279 Speaker 4: was years ago, Okay, now it was. 787 00:39:57,400 --> 00:39:59,640 Speaker 6: It wasn't need but it was with some other people. 788 00:39:59,719 --> 00:40:03,080 Speaker 6: It was, oh god, what was that one? It was 789 00:40:03,160 --> 00:40:03,799 Speaker 6: out for play. 790 00:40:04,520 --> 00:40:06,600 Speaker 4: Yeah, I thought he was there. He was there. Oh, 791 00:40:06,640 --> 00:40:07,080 Speaker 4: I'm old. 792 00:40:07,160 --> 00:40:09,200 Speaker 5: My memory is trash. I'm I've been crying all day 793 00:40:09,239 --> 00:40:10,840 Speaker 5: with my cat, so I don't know what's happening. 794 00:40:10,920 --> 00:40:14,799 Speaker 6: Sorry, oh you got a cat cry. 795 00:40:16,000 --> 00:40:18,200 Speaker 4: I had to take it. Dans had to put her down. Today. 796 00:40:18,760 --> 00:40:21,640 Speaker 5: She live, but it's it's I'm going it anyway, I'm 797 00:40:22,040 --> 00:40:23,759 Speaker 5: sorry's out the whole nother time. 798 00:40:24,520 --> 00:40:27,560 Speaker 4: It's about you right now. But anyways, hello, welcome. 799 00:40:27,280 --> 00:40:27,680 Speaker 2: To the show. 800 00:40:29,040 --> 00:40:30,239 Speaker 6: Hey not how are you? Hey? 801 00:40:30,320 --> 00:40:33,920 Speaker 2: Guys, and you and you know I'm Dustin already, So 802 00:40:34,480 --> 00:40:35,280 Speaker 2: what's Marshall? 803 00:40:36,080 --> 00:40:40,080 Speaker 7: I know I know that Dustin, You're good, chilling brother, chilling. 804 00:40:41,560 --> 00:40:44,600 Speaker 1: So Marceau, thank you for stepping into the lounge and 805 00:40:44,760 --> 00:40:48,880 Speaker 1: onto the show. So while I have you, and before 806 00:40:48,920 --> 00:40:51,040 Speaker 1: we get into you and your brother having an argument 807 00:40:51,320 --> 00:40:53,640 Speaker 1: over the Golden Child, I do want. 808 00:40:53,520 --> 00:40:54,520 Speaker 2: To ask you this question. 809 00:40:54,640 --> 00:40:58,400 Speaker 1: First though, you saw what happened between Ken, Trisha and 810 00:40:58,520 --> 00:41:04,200 Speaker 1: Marquez last season. We saw you talk to Marquez about 811 00:41:04,920 --> 00:41:09,080 Speaker 1: how you felt his behavior was and and you know, 812 00:41:09,320 --> 00:41:10,360 Speaker 1: not being there at the. 813 00:41:10,360 --> 00:41:12,000 Speaker 2: Time he should have been all those things. 814 00:41:12,600 --> 00:41:17,120 Speaker 1: When you watch the altercation that happened between Ken and 815 00:41:17,320 --> 00:41:21,319 Speaker 1: Marquez in front of Trician Sharon, what are your thoughts 816 00:41:21,400 --> 00:41:23,200 Speaker 1: and all of that that went down. 817 00:41:26,800 --> 00:41:30,000 Speaker 6: My thoughts are is that you know, when you get 818 00:41:30,120 --> 00:41:32,960 Speaker 6: people together, like you get one. 819 00:41:32,880 --> 00:41:36,560 Speaker 11: Side, you can get the truth, but you're always getting 820 00:41:36,600 --> 00:41:40,480 Speaker 11: different perspectives. And so what I understand about relationships is 821 00:41:40,520 --> 00:41:43,360 Speaker 11: that you know, when I'm talking to Trish, she's telling 822 00:41:43,440 --> 00:41:45,320 Speaker 11: me everything from. 823 00:41:45,239 --> 00:41:47,640 Speaker 6: Her perspective and what Marquez did. 824 00:41:48,080 --> 00:41:50,480 Speaker 11: And when I'm talking to Marquis, he's telling me everything 825 00:41:50,520 --> 00:41:52,719 Speaker 11: what Tris did, but no one's taking accountability for it. 826 00:41:53,000 --> 00:41:54,680 Speaker 11: And so I know we're missing a lot of the 827 00:41:54,840 --> 00:41:57,640 Speaker 11: story as far as what the did, what they felt, 828 00:41:57,680 --> 00:41:59,800 Speaker 11: what's really going on in the situation. 829 00:42:00,080 --> 00:42:02,160 Speaker 6: And so that's why to me, it's a little hard 830 00:42:02,200 --> 00:42:03,880 Speaker 6: to understand when. 831 00:42:05,239 --> 00:42:08,640 Speaker 12: You know, then this unfinished business there is For me, 832 00:42:09,280 --> 00:42:11,040 Speaker 12: I can see through the line of this unfinished business 833 00:42:11,040 --> 00:42:14,160 Speaker 12: when it jumps to Marquez and Trish, and I think 834 00:42:14,239 --> 00:42:16,920 Speaker 12: that's what we're getting the residue of. 835 00:42:20,239 --> 00:42:22,480 Speaker 2: Do you think that Ken and. 836 00:42:24,040 --> 00:42:27,960 Speaker 1: Do you think Ken and Tricia will last while this 837 00:42:28,239 --> 00:42:32,799 Speaker 1: divorce is still not finalized, or do you think they're 838 00:42:32,840 --> 00:42:33,759 Speaker 1: going to work through it? 839 00:42:39,239 --> 00:42:43,280 Speaker 11: So I personally think that they have their biggest issue 840 00:42:43,360 --> 00:42:48,120 Speaker 11: right now is now they have a crowd watching, and 841 00:42:48,280 --> 00:42:51,520 Speaker 11: so now they have they have they got a little 842 00:42:51,520 --> 00:42:53,640 Speaker 11: bit more at stake right now. It's easy to walk 843 00:42:53,680 --> 00:42:55,359 Speaker 11: a line, but when you put it ten thousand feet 844 00:42:55,360 --> 00:42:57,719 Speaker 11: in the air and change the dynamics of it, and 845 00:42:57,880 --> 00:43:01,160 Speaker 11: so now I think that it's hard to do this 846 00:43:01,239 --> 00:43:04,080 Speaker 11: when you're being called stupid, it's hard to do this 847 00:43:04,320 --> 00:43:06,680 Speaker 11: when you've got a lot of opinions, when you got 848 00:43:06,719 --> 00:43:09,080 Speaker 11: a lot more dms, when you got a lot more 849 00:43:09,600 --> 00:43:14,000 Speaker 11: people coming to you saying, hey, you know the you know. 850 00:43:14,120 --> 00:43:15,120 Speaker 6: The you should leave thems? 851 00:43:15,760 --> 00:43:17,879 Speaker 11: You know the you should leave them are present, They're 852 00:43:17,880 --> 00:43:19,839 Speaker 11: gonna be here, And I think it's hard to walk 853 00:43:19,880 --> 00:43:22,600 Speaker 11: that line right there and then it's hard to do 854 00:43:22,840 --> 00:43:27,480 Speaker 11: this sometimes feeling stupid but then being called stupid over 855 00:43:27,520 --> 00:43:29,520 Speaker 11: and over and over. I think powerful Ken, I think 856 00:43:29,560 --> 00:43:32,480 Speaker 11: it's hard for uh, you know, that's a hard dynamic, 857 00:43:32,600 --> 00:43:33,239 Speaker 11: especially in love. 858 00:43:34,520 --> 00:43:36,800 Speaker 4: Does it also make you fight harder sometimes, like to 859 00:43:37,040 --> 00:43:39,440 Speaker 4: prove than they say is wrong? Does that also help 860 00:43:39,480 --> 00:43:40,640 Speaker 4: you sometimes in these shows? 861 00:43:43,040 --> 00:43:46,759 Speaker 11: Yeah, when you're running while you're tired, you get that 862 00:43:47,160 --> 00:43:50,560 Speaker 11: burst of energy that lasts about less than one hundred 863 00:43:50,600 --> 00:43:54,200 Speaker 11: meters and then you're back to being dog ass tired. 864 00:43:54,560 --> 00:43:56,480 Speaker 11: And so I think that while you're doing it, you 865 00:43:56,560 --> 00:43:58,920 Speaker 11: want to say, hey, babe, back against the wall, me 866 00:43:58,960 --> 00:44:02,839 Speaker 11: and you versus the world. And he takes a couple 867 00:44:02,880 --> 00:44:05,319 Speaker 11: more episodes, come more being called stupids, a couple more 868 00:44:05,360 --> 00:44:07,879 Speaker 11: bullshit than you're like, hey man, what am I really 869 00:44:08,000 --> 00:44:08,399 Speaker 11: doing here? 870 00:44:10,280 --> 00:44:12,680 Speaker 7: You've seen a lot of people calling Ken stupid myself. 871 00:44:15,000 --> 00:44:18,040 Speaker 6: Oh yeah, broyh yeah yeah yeah yeah. 872 00:44:18,400 --> 00:44:22,000 Speaker 11: And because it's not because Ken's stupid, it's because Ken 873 00:44:22,120 --> 00:44:24,480 Speaker 11: is so short of himself with the answers. You know 874 00:44:24,520 --> 00:44:27,080 Speaker 11: what I'm saying, Oh no, no, no, no no. Remember 875 00:44:27,160 --> 00:44:30,239 Speaker 11: a hanging over with Oh Boy. It was like, oh, oh, 876 00:44:30,520 --> 00:44:33,400 Speaker 11: my wife doesn't do that. She doesn't like semen. And 877 00:44:33,520 --> 00:44:38,960 Speaker 11: he's like, okay, buddy, don't be that guy. 878 00:44:40,320 --> 00:44:43,399 Speaker 4: What do you think about him? What do you think 879 00:44:43,400 --> 00:44:45,719 Speaker 4: about Ken? What do you think about Ken? 880 00:44:46,360 --> 00:44:48,759 Speaker 11: I think Ken's a I think Ken's a good guy. 881 00:44:49,040 --> 00:44:52,399 Speaker 11: I think Ken, Ken is a good guy. Ken has 882 00:44:52,480 --> 00:44:59,520 Speaker 11: this Ken is going to meet he uh, that's my guy. 883 00:44:59,640 --> 00:45:02,880 Speaker 11: But he goes through the same stuff that that handsome 884 00:45:02,960 --> 00:45:06,040 Speaker 11: men go through later on in life, and medium attractive 885 00:45:06,080 --> 00:45:07,719 Speaker 11: guys go through earlier life. 886 00:45:07,960 --> 00:45:09,680 Speaker 6: You know, like I learned this lesson? 887 00:45:13,840 --> 00:45:14,719 Speaker 2: What do you mean that? 888 00:45:15,040 --> 00:45:15,440 Speaker 6: What is that? 889 00:45:15,600 --> 00:45:16,200 Speaker 2: Break that down? 890 00:45:16,320 --> 00:45:24,120 Speaker 6: Please? Okay? And I'm not saying this about that situation. 891 00:45:24,680 --> 00:45:28,359 Speaker 11: All right, I'm not saying this, but sometimes you can 892 00:45:28,400 --> 00:45:30,440 Speaker 11: be a great guy and just not her first choice 893 00:45:31,200 --> 00:45:34,200 Speaker 11: or she's not into you, or whatever. 894 00:45:34,000 --> 00:45:36,360 Speaker 6: Situation may be. You might have all of this stuff 895 00:45:36,400 --> 00:45:39,080 Speaker 6: stacked up right here, but it just doesn't. 896 00:45:38,840 --> 00:45:41,120 Speaker 11: Line up, and you don't understand why, because you thought 897 00:45:41,239 --> 00:45:45,160 Speaker 11: that the relationships were on you. You thought that if 898 00:45:45,239 --> 00:45:47,440 Speaker 11: I just be a good guy, then it'll all fall 899 00:45:47,520 --> 00:45:50,719 Speaker 11: in place. And you learn later on in life that 900 00:45:52,360 --> 00:45:56,759 Speaker 11: sometimes it's just you know, bad timing. Bro, You don't 901 00:45:56,760 --> 00:45:59,040 Speaker 11: think that right now. I think it's a tough situation 902 00:45:59,520 --> 00:46:02,719 Speaker 11: because you two people that like each other, but the 903 00:46:02,880 --> 00:46:06,080 Speaker 11: idea of that next step is tough. 904 00:46:06,440 --> 00:46:08,920 Speaker 4: Do you think she's settling for him? Like, like you 905 00:46:09,440 --> 00:46:13,000 Speaker 4: kind of give that analogy, Like you know later she's not. 906 00:46:13,160 --> 00:46:15,400 Speaker 4: He's not her first choice. Like you know, when we 907 00:46:15,480 --> 00:46:17,600 Speaker 4: get older, we're like, all right, we might as well. 908 00:46:17,719 --> 00:46:19,400 Speaker 4: I might as well get with him. He's a nice guy. 909 00:46:19,520 --> 00:46:20,200 Speaker 4: Is it kind of like that? 910 00:46:25,080 --> 00:46:29,120 Speaker 11: You know, I'm not gonna I'm not gonna fully agree 911 00:46:29,160 --> 00:46:32,600 Speaker 11: with trick Daddy, but I will say that settling ain't 912 00:46:32,600 --> 00:46:34,520 Speaker 11: a bad thing. You might want to make your decisions 913 00:46:34,520 --> 00:46:36,640 Speaker 11: while you're in your prime, and after you get into 914 00:46:36,680 --> 00:46:38,840 Speaker 11: your prime, you might want to start thinking about settling. 915 00:46:40,280 --> 00:46:52,279 Speaker 6: Mm. Well, of it. It's not a bad thing. It's 916 00:46:52,320 --> 00:46:56,160 Speaker 6: not a bad thing. Because no, I don't think she's settling. 917 00:46:56,320 --> 00:46:58,080 Speaker 6: I think that she's just not in the place right 918 00:46:58,160 --> 00:46:58,800 Speaker 6: now where. 919 00:47:00,120 --> 00:47:03,400 Speaker 11: I think she wants to have fun and the idea 920 00:47:03,560 --> 00:47:08,440 Speaker 11: of getting off this long marriage and this crazy roller 921 00:47:08,480 --> 00:47:12,839 Speaker 11: coaster and then jumping right onto another one is dang, 922 00:47:13,320 --> 00:47:15,719 Speaker 11: can you let me get a drink first, Let me 923 00:47:15,840 --> 00:47:16,799 Speaker 11: take a break first, let. 924 00:47:16,760 --> 00:47:21,799 Speaker 6: Me wind down. So I'm like, that's what that might 925 00:47:21,880 --> 00:47:25,880 Speaker 6: be some of that, But again. 926 00:47:25,760 --> 00:47:30,680 Speaker 2: Marcel, I don't know. I think that no, no, no, no, 927 00:47:30,960 --> 00:47:33,000 Speaker 2: I think the beauty listen Marcel. Always. 928 00:47:33,800 --> 00:47:36,040 Speaker 1: One of the meaning reasons I love Marcel is because 929 00:47:36,040 --> 00:47:39,759 Speaker 1: Marcel has a lot of wisdom and insight when it 930 00:47:39,840 --> 00:47:43,960 Speaker 1: comes to things, because he's able to see things obviously 931 00:47:44,160 --> 00:47:47,600 Speaker 1: from his perspective. And I think it's I think it's 932 00:47:47,600 --> 00:47:50,680 Speaker 1: an interesting dialogue because there is a big topic of 933 00:47:50,800 --> 00:47:55,600 Speaker 1: conversation about settling and when you do reach a certain age, 934 00:47:56,200 --> 00:47:59,839 Speaker 1: are you just happy to be with somebody that checks 935 00:47:59,880 --> 00:48:03,719 Speaker 1: the boxes of what works for you in the during 936 00:48:03,800 --> 00:48:07,680 Speaker 1: the life that you're living right now versus what you said, 937 00:48:07,840 --> 00:48:08,919 Speaker 1: like walking. 938 00:48:08,840 --> 00:48:09,960 Speaker 2: Or running while you're tired? 939 00:48:10,560 --> 00:48:15,400 Speaker 1: Am I am I going to risk losing something that 940 00:48:15,600 --> 00:48:21,240 Speaker 1: seems right on paper to go after something that forces 941 00:48:21,400 --> 00:48:25,359 Speaker 1: me to just continue to be on this roller coaster ride. 942 00:48:26,520 --> 00:48:28,880 Speaker 7: Do y'all think Ken is settling too, and. 943 00:48:30,760 --> 00:48:34,120 Speaker 6: And turloughs real talk like there's not a lot of 944 00:48:34,200 --> 00:48:37,600 Speaker 6: guys out there like Ken. There's not. There's not a 945 00:48:37,680 --> 00:48:38,920 Speaker 6: lot of guys out there like Ken. 946 00:48:39,040 --> 00:48:42,040 Speaker 11: So Ken's value is going Oh, I'm not saying Trici's 947 00:48:42,080 --> 00:48:43,880 Speaker 11: value is going down, but Ken is going up. 948 00:48:45,480 --> 00:48:46,400 Speaker 6: Ships drink. 949 00:48:49,120 --> 00:48:51,760 Speaker 2: Well, listen. I just discovered Ken on TikTok. 950 00:48:52,280 --> 00:48:57,920 Speaker 1: My algorithm found Ken and does to Claudia and marcel 951 00:48:58,120 --> 00:49:01,200 Speaker 1: I spent. I was traveling today and I'm reading all 952 00:49:01,239 --> 00:49:05,360 Speaker 1: of the comments of Kn's TikTok posts, and what I 953 00:49:05,440 --> 00:49:08,960 Speaker 1: will say is unfortunately, because Ken's in a relationship, and 954 00:49:09,040 --> 00:49:13,160 Speaker 1: I figure ladies are Jezebels for doing this, but our names. 955 00:49:13,800 --> 00:49:17,720 Speaker 1: There's a lot of women, Claudia in the comments telling 956 00:49:17,840 --> 00:49:20,840 Speaker 1: Ken to lead, Tricia telling Ken you're too good of 957 00:49:20,920 --> 00:49:26,520 Speaker 1: a woman, telling Ken dip this chocolate in my strawberry shake. 958 00:49:27,840 --> 00:49:30,719 Speaker 1: There's a lot of there's a lot of women who 959 00:49:31,160 --> 00:49:36,200 Speaker 1: is encouraging Can to leave his situation. And what I 960 00:49:36,280 --> 00:49:37,920 Speaker 1: do want to talk to and I want to move 961 00:49:37,960 --> 00:49:40,160 Speaker 1: on to you and Marion while I have you, mar So, 962 00:49:40,360 --> 00:49:42,839 Speaker 1: but I do want to raise this question. We hear 963 00:49:43,000 --> 00:49:47,120 Speaker 1: lots of times about how marriages on reality television oftentimes 964 00:49:47,239 --> 00:49:47,880 Speaker 1: in a divorce. 965 00:49:48,040 --> 00:49:48,200 Speaker 7: Right. 966 00:49:48,520 --> 00:49:50,000 Speaker 2: So we're not gonna talk about that right now. 967 00:49:50,560 --> 00:49:52,880 Speaker 1: But what we don't spend a lot of time talking 968 00:49:52,880 --> 00:49:58,319 Speaker 1: about is that reality TV glow. Right, What happens when 969 00:49:59,680 --> 00:50:02,480 Speaker 1: you the world knows you're in a relationship and you 970 00:50:02,680 --> 00:50:06,359 Speaker 1: happen to be a handsome individual and there's a lot 971 00:50:06,440 --> 00:50:10,960 Speaker 1: of women who want you based on them thinking the 972 00:50:11,080 --> 00:50:15,560 Speaker 1: woman you have does not deserve you. Did that happen 973 00:50:15,640 --> 00:50:18,359 Speaker 1: to you, Marcel once the show started popping and your 974 00:50:18,520 --> 00:50:24,120 Speaker 1: medium ugly status grew into being a handsome fellow like 975 00:50:24,200 --> 00:50:25,080 Speaker 1: your brother Maurice. 976 00:50:28,520 --> 00:50:31,319 Speaker 11: Well, Carlos, I will say this that I'm not I mean, 977 00:50:31,520 --> 00:50:35,240 Speaker 11: I'm gonna get beat up for this, but I'll pledged 978 00:50:35,320 --> 00:50:40,600 Speaker 11: Q the HBCU, all right, I've been popping. So this 979 00:50:40,800 --> 00:50:43,920 Speaker 11: this this this new world walk of fame, and righteously 980 00:50:44,280 --> 00:50:47,279 Speaker 11: I'm so happy that in college I was on that 981 00:50:47,400 --> 00:50:48,080 Speaker 11: same level. 982 00:50:48,640 --> 00:50:53,800 Speaker 6: So this doesn't this ain't new. But yeah, you get that, 983 00:50:53,880 --> 00:50:56,200 Speaker 6: you get a lot of d ms, and I wouldn't. 984 00:50:56,280 --> 00:50:57,400 Speaker 6: I wouldn't. I wouldn't. 985 00:50:57,440 --> 00:51:02,200 Speaker 11: I wouldn't like bro simmer down now because all of 986 00:51:02,280 --> 00:51:04,279 Speaker 11: that stuff that you think that you wouldn't do. 987 00:51:04,880 --> 00:51:09,920 Speaker 6: First of all, you know they would do. And and 988 00:51:10,320 --> 00:51:13,680 Speaker 6: it's not even it's not cuse worth it. But them 989 00:51:13,800 --> 00:51:14,800 Speaker 6: d ms do be dumping. 990 00:51:16,760 --> 00:51:26,360 Speaker 4: Really okay, I'm looking at some of my DM are trash. 991 00:51:26,840 --> 00:51:27,160 Speaker 2: They are. 992 00:51:27,480 --> 00:51:29,640 Speaker 4: They do not reflect I feel like my success level. 993 00:51:29,680 --> 00:51:31,120 Speaker 4: I'm a little bit offended on my dms. 994 00:51:31,120 --> 00:51:33,520 Speaker 5: I feel like Instagram is mess with my algorithm and 995 00:51:33,560 --> 00:51:34,680 Speaker 5: they put me in a weird space. 996 00:51:34,719 --> 00:51:36,520 Speaker 4: You should see my DM. I would share them. 997 00:51:36,840 --> 00:51:41,520 Speaker 5: It is very like, I don't know, it's messing my 998 00:51:41,600 --> 00:51:44,000 Speaker 5: self esteem. I'm like, I deserve better DM than this. 999 00:51:44,560 --> 00:51:46,600 Speaker 4: I a lot of mentally ill on my dms. 1000 00:51:46,400 --> 00:51:52,320 Speaker 6: And of ill Claudia, Claudia not going back to trick daddy. 1001 00:51:52,400 --> 00:52:01,280 Speaker 6: But but what I'm saying, I'm it's just it's. 1002 00:52:01,640 --> 00:52:09,279 Speaker 4: You're saying I hit the walls. M h, you got 1003 00:52:09,280 --> 00:52:09,880 Speaker 4: a back connection. 1004 00:52:10,040 --> 00:52:11,320 Speaker 6: I think upgrade that. 1005 00:52:16,480 --> 00:52:18,839 Speaker 4: I think Black needs to upgrade their WiFi. I can't 1006 00:52:18,880 --> 00:52:19,680 Speaker 4: hate you right now. 1007 00:52:21,560 --> 00:52:23,720 Speaker 6: This ain't Black, this is this is a Centurion lounge. 1008 00:52:23,719 --> 00:52:25,839 Speaker 4: You talk to them, Oh them too. 1009 00:52:28,400 --> 00:52:31,120 Speaker 6: No, but no, I'm not saying that you hit your wall. 1010 00:52:31,120 --> 00:52:32,759 Speaker 6: Absolutely not. I'm saying that. 1011 00:52:35,400 --> 00:52:38,480 Speaker 11: And the the more rare you get and the more. 1012 00:52:38,960 --> 00:52:42,080 Speaker 11: Everybody ain't shopping for Ferraris. So if you are a 1013 00:52:42,239 --> 00:52:44,760 Speaker 11: nice Ferrari or a bit ley or being. 1014 00:52:44,680 --> 00:52:46,160 Speaker 6: You're gonna sit on the shlf a little longer. 1015 00:52:47,800 --> 00:52:53,319 Speaker 5: Okay, I'm seeing a lot of comments from the rain 1016 00:52:53,400 --> 00:52:59,279 Speaker 5: drops saying that on Ken's TikTok, he's liking a lot 1017 00:52:59,360 --> 00:52:59,920 Speaker 5: of a comment. 1018 00:53:00,320 --> 00:53:01,560 Speaker 4: We're they're saying he's single. 1019 00:53:05,080 --> 00:53:06,160 Speaker 7: That's a Carlos question. 1020 00:53:06,600 --> 00:53:09,800 Speaker 4: What do tail Carlos? 1021 00:53:10,680 --> 00:53:13,440 Speaker 1: All I would say is we are currently shooting Love 1022 00:53:13,480 --> 00:53:16,640 Speaker 1: and matrig Huntsville, and one thing that we do is 1023 00:53:16,760 --> 00:53:19,960 Speaker 1: follow the reality. But but, but I do want to 1024 00:53:19,960 --> 00:53:21,920 Speaker 1: ask you one more question, Marcel before we move on 1025 00:53:22,000 --> 00:53:25,160 Speaker 1: to Maurice and you, what advice would you give Claudia. 1026 00:53:25,239 --> 00:53:33,320 Speaker 1: Claudia is a beautiful woman, she is educated. Because Claudia 1027 00:53:33,760 --> 00:53:36,480 Speaker 1: Cadia has well call you tell your own story child 1028 00:53:36,520 --> 00:53:39,200 Speaker 1: to Marcel. Marceau has a lot of wisdom. Marcell has 1029 00:53:39,239 --> 00:53:45,040 Speaker 1: been married fifteen years? Is it Marceau fifteen going on fifteen? 1030 00:53:47,960 --> 00:53:50,359 Speaker 2: I'm sorry start this month. 1031 00:53:51,880 --> 00:53:54,680 Speaker 1: So Marcel is going on nineteen years of marriage and 1032 00:53:54,800 --> 00:53:57,520 Speaker 1: Marceau has a lot of wisdom. So I would love 1033 00:53:57,600 --> 00:54:00,919 Speaker 1: for you, as a heterosexual black man and to give 1034 00:54:00,960 --> 00:54:02,319 Speaker 1: the beautiful Claudia Jordan. 1035 00:54:02,480 --> 00:54:07,480 Speaker 2: Any advice you think she may need. Uh, Claudia is single, Claudia, 1036 00:54:09,040 --> 00:54:09,680 Speaker 2: I am single. 1037 00:54:10,120 --> 00:54:10,480 Speaker 4: Choice. 1038 00:54:11,000 --> 00:54:13,400 Speaker 5: I see my friends going through it on social media 1039 00:54:13,680 --> 00:54:15,320 Speaker 5: and all y'all in the reality shows. 1040 00:54:15,800 --> 00:54:17,600 Speaker 4: I have a lot of peace in my house. No 1041 00:54:17,719 --> 00:54:19,160 Speaker 4: one is leaving the cap off. 1042 00:54:19,080 --> 00:54:22,560 Speaker 5: The toothpaste, and the toilet seat is down, and my 1043 00:54:22,680 --> 00:54:23,719 Speaker 5: house is spotless. 1044 00:54:23,800 --> 00:54:28,040 Speaker 2: I'm good, it is, Carlos. 1045 00:54:28,440 --> 00:54:30,320 Speaker 6: Okay, So no, I want to know. 1046 00:54:31,280 --> 00:54:33,480 Speaker 2: Oh, go ahead, I'm sorry, I'm gonna let I'm gonna 1047 00:54:33,560 --> 00:54:34,600 Speaker 2: let Marce Claudia talk. 1048 00:54:35,120 --> 00:54:36,759 Speaker 5: I do say that they do say you have a 1049 00:54:36,760 --> 00:54:38,440 Speaker 5: lot of wisdom to comments, and they say you have 1050 00:54:38,719 --> 00:54:41,160 Speaker 5: very strong views on women and all that, let's hear it. 1051 00:54:43,800 --> 00:54:47,160 Speaker 11: But I would say this, I would say, and I 1052 00:54:47,360 --> 00:54:49,560 Speaker 11: just know from the outside looking in, and so it 1053 00:54:49,920 --> 00:54:53,120 Speaker 11: has to be a general perspective. But of course I 1054 00:54:53,280 --> 00:54:57,120 Speaker 11: think that there are so many different attributes that you know, 1055 00:54:57,120 --> 00:55:01,480 Speaker 11: a woman like yourself would have. I would say, don't 1056 00:55:01,520 --> 00:55:04,640 Speaker 11: be afraid to open yourself up to the guy that 1057 00:55:04,719 --> 00:55:11,399 Speaker 11: you wouldn't normally talk to, right, because he's kid it real, 1058 00:55:11,440 --> 00:55:15,799 Speaker 11: all right, Men of a certain status, they're gonna put 1059 00:55:15,840 --> 00:55:20,000 Speaker 11: up with a certain stuff. You know, and if you 1060 00:55:20,080 --> 00:55:21,640 Speaker 11: want to, if you want to talk to a guy 1061 00:55:21,760 --> 00:55:25,040 Speaker 11: that's a boss, a guy that's the leader, a guy 1062 00:55:25,160 --> 00:55:27,719 Speaker 11: that's over his own thing and has achieved a certain 1063 00:55:27,719 --> 00:55:28,480 Speaker 11: amount of success. 1064 00:55:29,200 --> 00:55:34,360 Speaker 6: I continue this right now. He's normally used to saying 1065 00:55:34,520 --> 00:55:36,359 Speaker 6: something and people replying yes, sir. 1066 00:55:36,880 --> 00:55:39,799 Speaker 11: Right on top of that, rose okay. He's normally used 1067 00:55:39,840 --> 00:55:42,680 Speaker 11: to his words achieving things. He's not a stupid guy. 1068 00:55:43,000 --> 00:55:46,080 Speaker 11: He's not a guy that lacks ambition. But he's a 1069 00:55:46,160 --> 00:55:48,560 Speaker 11: guy that gets what he wants because he goes after it, 1070 00:55:48,680 --> 00:55:51,560 Speaker 11: because he's willing to make the sacrifice, because he's gonna 1071 00:55:52,080 --> 00:55:53,440 Speaker 11: He's generally intelligent. 1072 00:55:53,480 --> 00:55:55,520 Speaker 6: So that's the kind of guy you want. Well, that 1073 00:55:55,680 --> 00:55:59,799 Speaker 6: means that you being of a you know, a great 1074 00:56:00,320 --> 00:56:01,400 Speaker 6: and strung I. 1075 00:56:01,480 --> 00:56:04,239 Speaker 11: Mean you have to fall in line with that, you know, 1076 00:56:04,400 --> 00:56:08,160 Speaker 11: he that guy is not used to struggling with things 1077 00:56:08,239 --> 00:56:10,759 Speaker 11: that he wants that he's you know, to. 1078 00:56:10,800 --> 00:56:17,880 Speaker 6: Be successful poor. Does that make sense? No, it doesn't. 1079 00:56:19,360 --> 00:56:21,920 Speaker 4: Saying if a man got something going on, shut the 1080 00:56:22,040 --> 00:56:24,320 Speaker 4: fuck up, don't talk back. He is he said, not 1081 00:56:24,520 --> 00:56:26,240 Speaker 4: nobody pushing back, and you be quiet. 1082 00:56:26,280 --> 00:56:27,840 Speaker 5: You know your role, you know your place, and you 1083 00:56:28,120 --> 00:56:30,520 Speaker 5: us if you want a man of a certain status 1084 00:56:31,160 --> 00:56:32,160 Speaker 5: kind of right in that shell. 1085 00:56:32,680 --> 00:56:36,160 Speaker 11: I'm saying a portion of that is, but I say, 1086 00:56:36,320 --> 00:56:42,440 Speaker 11: exercise your femininity and that is the uh that that 1087 00:56:42,840 --> 00:56:47,719 Speaker 11: that's what breaks down masculinity, the femininity, not paid up 1088 00:56:47,960 --> 00:56:52,280 Speaker 11: masculinity from a woman. So one a woman that's alpha 1089 00:56:52,320 --> 00:56:54,560 Speaker 11: with what they think is an awful woman that just 1090 00:56:55,680 --> 00:56:57,879 Speaker 11: really's mouth that right there. 1091 00:56:58,200 --> 00:57:00,840 Speaker 6: That's just like a guy, a guy of major status 1092 00:57:00,920 --> 00:57:01,319 Speaker 6: talking to. 1093 00:57:03,040 --> 00:57:08,080 Speaker 11: A weaker man versus the femininity is what actually breaks 1094 00:57:08,160 --> 00:57:11,040 Speaker 11: that doubt in the guy. So that's what the guy's 1095 00:57:11,080 --> 00:57:13,759 Speaker 11: looking for to a guy of that of the god 1096 00:57:13,800 --> 00:57:15,360 Speaker 11: that you're looking for once. 1097 00:57:15,239 --> 00:57:18,760 Speaker 5: The woman needs Oh, I totally understand that. I definitely 1098 00:57:18,800 --> 00:57:22,080 Speaker 5: live in my femininity in the household. I will say 1099 00:57:22,080 --> 00:57:23,480 Speaker 5: I will speak for a lot of women with this. 1100 00:57:25,040 --> 00:57:30,120 Speaker 5: Most women, when they actually come in contact with actual 1101 00:57:30,280 --> 00:57:33,600 Speaker 5: masculinity and not just loud mouth Boston, it's just because 1102 00:57:33,640 --> 00:57:37,120 Speaker 5: they have a penis, would love to fall in place 1103 00:57:37,360 --> 00:57:39,800 Speaker 5: or fall into the femininity and love to let a 1104 00:57:39,880 --> 00:57:42,000 Speaker 5: man lead. I think a lot of times when women 1105 00:57:42,120 --> 00:57:44,600 Speaker 5: don't is when they're not really respecting that man because 1106 00:57:44,640 --> 00:57:48,120 Speaker 5: he may have shown some weakness or some bitch assness 1107 00:57:48,840 --> 00:57:52,560 Speaker 5: or some lack of leadership and then they're like, I 1108 00:57:52,640 --> 00:57:55,000 Speaker 5: don't trust you, you know, and I think you have 1109 00:57:55,120 --> 00:57:58,440 Speaker 5: to like, you know, when that master man sees is 1110 00:57:58,520 --> 00:58:01,040 Speaker 5: in his masculinity, a woman is gonna she's going to 1111 00:58:01,160 --> 00:58:02,520 Speaker 5: be a support, a nurture. 1112 00:58:02,640 --> 00:58:04,959 Speaker 4: When she doesn't have respective and see it, she's gonna 1113 00:58:05,000 --> 00:58:05,480 Speaker 4: pop off. 1114 00:58:05,680 --> 00:58:08,120 Speaker 5: Or that woman could also have some issues herself. Well, 1115 00:58:08,160 --> 00:58:10,040 Speaker 5: I'm not going to say all women are sitting here 1116 00:58:10,120 --> 00:58:12,560 Speaker 5: being perfect, because they're not. You know, there's plenty of 1117 00:58:12,560 --> 00:58:15,480 Speaker 5: people that that you know, we'll see a good thing coming. 1118 00:58:15,360 --> 00:58:16,040 Speaker 4: And mess it up. 1119 00:58:22,520 --> 00:58:31,520 Speaker 3: In line, Claudia, do you how do from a woman's perspective, right, 1120 00:58:31,680 --> 00:58:33,760 Speaker 3: how do you all wh if you see a guy 1121 00:58:33,840 --> 00:58:37,040 Speaker 3: that is or if you start talking to a man 1122 00:58:37,200 --> 00:58:41,280 Speaker 3: right and he has views on let's say gender roles 1123 00:58:41,360 --> 00:58:44,080 Speaker 3: right that are really traditional and he's basically beating his 1124 00:58:44,280 --> 00:58:46,919 Speaker 3: chest in an effort to say, you know, like my house, 1125 00:58:47,000 --> 00:58:48,080 Speaker 3: my rules type shit. 1126 00:58:48,600 --> 00:58:51,200 Speaker 7: What do women like you think about men like that? 1127 00:58:51,360 --> 00:58:55,040 Speaker 3: Do you view that as them posturing or positioning themselves 1128 00:58:55,080 --> 00:58:58,280 Speaker 3: to mask some insecurity or like what how does that 1129 00:58:58,520 --> 00:59:02,040 Speaker 3: land on a woman like you who's successful right in 1130 00:59:02,120 --> 00:59:02,840 Speaker 3: your own right? 1131 00:59:03,560 --> 00:59:05,760 Speaker 7: You have all the boxes checked, you know, you have 1132 00:59:05,920 --> 00:59:09,200 Speaker 7: your own home, you have options. You know what I mean? 1133 00:59:09,760 --> 00:59:12,880 Speaker 3: How do you view men that show up that way 1134 00:59:13,280 --> 00:59:17,960 Speaker 3: in relationship and immediately try to establish like a hierarchy? 1135 00:59:18,240 --> 00:59:20,520 Speaker 7: You know what I'm saying? How does that make you feel? 1136 00:59:21,080 --> 00:59:25,720 Speaker 4: I always thought that men that actually have it, like, like, really, 1137 00:59:26,240 --> 00:59:28,320 Speaker 4: whose house phone is that? It's easy? My house bowing? 1138 00:59:29,080 --> 00:59:29,800 Speaker 4: We got a help phones. 1139 00:59:31,240 --> 00:59:31,720 Speaker 2: I love it. 1140 00:59:31,960 --> 00:59:33,560 Speaker 4: I'm not alone. You've got housephones? 1141 00:59:34,920 --> 00:59:35,960 Speaker 7: No, that's my intercom? 1142 00:59:36,520 --> 00:59:39,080 Speaker 2: Okay, oh you got Oh somebody have company? 1143 00:59:40,080 --> 00:59:42,080 Speaker 4: Well let me make this that oh we lost them. 1144 00:59:42,640 --> 00:59:43,200 Speaker 4: I will say this. 1145 00:59:43,520 --> 00:59:46,400 Speaker 5: I think men that really actually have those qualities that 1146 00:59:46,480 --> 00:59:48,920 Speaker 5: are that are actual leaders don't have to tell you. 1147 00:59:49,000 --> 00:59:50,840 Speaker 4: I think real power is quiet. 1148 00:59:50,920 --> 00:59:52,880 Speaker 5: You don't have to tell me because guess what, I'm 1149 00:59:53,040 --> 00:59:56,920 Speaker 5: peeping you, I'm looking at you, and I will recognize, oh, 1150 00:59:57,000 --> 00:59:57,640 Speaker 5: he got to go on. 1151 00:59:57,840 --> 00:59:59,720 Speaker 4: This is a man, This is a man. I think 1152 00:59:59,800 --> 01:00:02,400 Speaker 4: the men that are like I'm the man, I'm the man, 1153 01:00:03,120 --> 01:00:04,440 Speaker 4: really not just like you. 1154 01:00:04,480 --> 01:00:07,280 Speaker 5: Know people that are out here saying I'll make moves 1155 01:00:07,360 --> 01:00:10,680 Speaker 5: in silence. You're not making moves in silence. You're announcing it. 1156 01:00:10,880 --> 01:00:13,400 Speaker 5: Like I feel like, you know, we're all smart enough 1157 01:00:13,480 --> 01:00:16,920 Speaker 5: and perceptive enough to notice it. I love a strong, 1158 01:00:17,040 --> 01:00:19,200 Speaker 5: silent man where I can just pick it up myself 1159 01:00:19,280 --> 01:00:23,240 Speaker 5: and see it. You have me in check without having 1160 01:00:23,280 --> 01:00:25,680 Speaker 5: to tell me you're about to put me there or 1161 01:00:26,360 --> 01:00:27,800 Speaker 5: you go all listen at me. I'm gonna want you 1162 01:00:27,840 --> 01:00:31,000 Speaker 5: because I admire you, i admire strength, i admire masculinity. 1163 01:00:31,320 --> 01:00:33,840 Speaker 5: I'm attracted to that. I'm gonna be like, yo, you 1164 01:00:33,880 --> 01:00:35,600 Speaker 5: gotta going on. I don't have to question him. 1165 01:00:35,960 --> 01:00:38,280 Speaker 4: A lot of times we pop off like we don't like, 1166 01:00:38,400 --> 01:00:41,480 Speaker 4: we're seeing you be irresponsible, not doing what you have 1167 01:00:41,600 --> 01:00:44,240 Speaker 4: that you said you're gonna do, not being a man 1168 01:00:44,280 --> 01:00:47,040 Speaker 4: of integrity and all that, So then we lose respect 1169 01:00:47,120 --> 01:00:48,640 Speaker 4: for you, and then we pop off. And then these 1170 01:00:48,680 --> 01:00:50,520 Speaker 4: men be like, she don't want to listen to us, 1171 01:00:50,600 --> 01:00:55,520 Speaker 4: she doesn't choose not with her feminine. You're masculine, because. 1172 01:00:55,400 --> 01:00:58,520 Speaker 5: Someone's got to be the man, and if it's not you, 1173 01:01:00,200 --> 01:01:03,320 Speaker 5: fortunately we have to step up. We would prefer to 1174 01:01:03,440 --> 01:01:06,720 Speaker 5: not have to be the man. No masculine woman got 1175 01:01:06,760 --> 01:01:08,920 Speaker 5: there because she wanted to be. It was from a 1176 01:01:09,120 --> 01:01:09,560 Speaker 5: lack of. 1177 01:01:11,400 --> 01:01:12,760 Speaker 4: You coming there on your man. 1178 01:01:12,840 --> 01:01:15,200 Speaker 5: Shit, you're gonna get a feminine woman, She's gonna fall 1179 01:01:15,280 --> 01:01:17,640 Speaker 5: back unless she's mentally ill and they're awesome out there. 1180 01:01:17,920 --> 01:01:18,800 Speaker 4: Listen, all the women. 1181 01:01:18,640 --> 01:01:21,280 Speaker 5: Ain't perfect, but for the most part, I mean, I'll 1182 01:01:21,320 --> 01:01:23,720 Speaker 5: fall back when I see you you handle things, you know, 1183 01:01:23,840 --> 01:01:25,840 Speaker 5: you fix things about me telling you I don't have to, Like, 1184 01:01:25,920 --> 01:01:27,760 Speaker 5: I don't know one wants the nag that ain't cute. 1185 01:01:28,160 --> 01:01:31,760 Speaker 3: I just think the notion of like people feeling like 1186 01:01:31,840 --> 01:01:35,240 Speaker 3: a woman has to fall back quote unquote, and that 1187 01:01:35,840 --> 01:01:37,640 Speaker 3: that's just crazy to me, because I mean, what are 1188 01:01:37,680 --> 01:01:39,560 Speaker 3: we like, what are we saying here? Like when you 1189 01:01:39,680 --> 01:01:43,400 Speaker 3: find a partner that works, In order for a relationship 1190 01:01:43,440 --> 01:01:45,840 Speaker 3: between a man and a woman to sustain, the woman 1191 01:01:45,920 --> 01:01:48,480 Speaker 3: has to shrink herself in some way and allow him 1192 01:01:48,520 --> 01:01:51,200 Speaker 3: to be you know, I just don't don't. 1193 01:01:51,360 --> 01:01:52,920 Speaker 7: I don't know. But I'm a gag nigga, So what 1194 01:01:53,040 --> 01:01:57,760 Speaker 7: do I know? You know what my story a lot? 1195 01:01:58,120 --> 01:01:58,960 Speaker 4: I think you know a lot. 1196 01:01:59,320 --> 01:02:01,720 Speaker 5: And I think that that is a problem, like that 1197 01:02:01,880 --> 01:02:04,320 Speaker 5: caveman shoot is for the birds, But that was a 1198 01:02:04,400 --> 01:02:07,440 Speaker 5: system that was kind of set up like keep you uneducated, 1199 01:02:07,640 --> 01:02:10,400 Speaker 5: just pregnant, just being there to be a thing of 1200 01:02:10,480 --> 01:02:12,840 Speaker 5: pleasure for men and not really have a say. And 1201 01:02:13,280 --> 01:02:16,040 Speaker 5: some men may confuse a woman having an opinion with 1202 01:02:16,240 --> 01:02:19,680 Speaker 5: not being feminine, like you should just not push back 1203 01:02:19,720 --> 01:02:21,480 Speaker 5: at all or not have an opinion. And I think 1204 01:02:21,520 --> 01:02:24,360 Speaker 5: that's crazy. I do think that people need to check 1205 01:02:24,520 --> 01:02:27,640 Speaker 5: how they speak to each other. Man to women and 1206 01:02:27,840 --> 01:02:30,040 Speaker 5: women to man is not a one way street. You know, 1207 01:02:30,080 --> 01:02:32,240 Speaker 5: if you love someone, you care about someone, you should 1208 01:02:32,480 --> 01:02:34,800 Speaker 5: care about their opinions and want them to contribute to this. 1209 01:02:35,000 --> 01:02:39,680 Speaker 3: Yeah, I don't know what. So Marcel's Internet service was 1210 01:02:39,760 --> 01:02:42,960 Speaker 3: messing up? Yeah, so lifted Marcel. 1211 01:02:43,440 --> 01:02:54,560 Speaker 4: To masculine Marcel. Not so fast, a woman, shut your mouth. 1212 01:02:55,400 --> 01:02:56,040 Speaker 4: He is back. 1213 01:02:57,840 --> 01:03:01,560 Speaker 2: So Martha, I don't like to are you going myself? 1214 01:03:01,600 --> 01:03:02,120 Speaker 2: You can hear us. 1215 01:03:04,440 --> 01:03:06,440 Speaker 6: I hope we're better now, Yeah. 1216 01:03:06,600 --> 01:03:08,400 Speaker 2: Much better, much better, just in times. 1217 01:03:08,440 --> 01:03:10,880 Speaker 6: So let's sten my burning I heard I felt claudy 1218 01:03:10,920 --> 01:03:11,600 Speaker 6: and customed me out. 1219 01:03:12,400 --> 01:03:14,120 Speaker 4: No, not at all. 1220 01:03:14,960 --> 01:03:15,320 Speaker 2: I don't. 1221 01:03:15,400 --> 01:03:17,080 Speaker 4: I don't think you're a problematic man. 1222 01:03:17,120 --> 01:03:17,520 Speaker 7: I really know. 1223 01:03:17,880 --> 01:03:20,200 Speaker 5: You've always been cool to me, and we've I've interviewed 1224 01:03:20,200 --> 01:03:23,280 Speaker 5: you before. You you're cool to me. I like these 1225 01:03:23,360 --> 01:03:25,880 Speaker 5: kind of conversations. I think like we should have one 1226 01:03:25,880 --> 01:03:28,720 Speaker 5: of these conversations to each other, not just you and 1227 01:03:28,800 --> 01:03:30,480 Speaker 5: your homeboys and me and my homegorls. 1228 01:03:30,720 --> 01:03:32,840 Speaker 6: Wrong, you think I'm a big on gender roles. 1229 01:03:37,440 --> 01:03:39,560 Speaker 4: Let's ask the chat chat. Is he what do you 1230 01:03:39,600 --> 01:03:42,360 Speaker 4: think about Marise and gender roles? Is he a chauveness? 1231 01:03:42,480 --> 01:03:43,240 Speaker 4: He listening right now? 1232 01:03:44,440 --> 01:03:49,080 Speaker 6: Y'all think I'm not choven this. I'm not choven this 1233 01:03:49,240 --> 01:03:52,000 Speaker 6: at all. I don't. I don't. I believe in gender roles, 1234 01:03:52,080 --> 01:03:55,480 Speaker 6: but I don't believe in I don't believe one roll 1235 01:03:55,560 --> 01:03:56,280 Speaker 6: is above the other. 1236 01:03:57,120 --> 01:04:00,400 Speaker 11: Perfect you know, I believe in both are necessary and 1237 01:04:01,000 --> 01:04:03,360 Speaker 11: two of the same roles. And you know, would you 1238 01:04:03,440 --> 01:04:06,200 Speaker 11: rather have a car within two steering wheels and no hingine? 1239 01:04:06,840 --> 01:04:08,200 Speaker 11: No anything has a role. 1240 01:04:08,240 --> 01:04:12,720 Speaker 8: And if she plays part exactly erectly, well, let's talk 1241 01:04:12,760 --> 01:04:16,080 Speaker 8: about the part you played in your brother's relationship with 1242 01:04:16,240 --> 01:04:17,480 Speaker 8: his step son Jalen. 1243 01:04:18,160 --> 01:04:22,440 Speaker 1: That caused a big stir of social media. Marcel, for 1244 01:04:22,640 --> 01:04:23,320 Speaker 1: the record, I. 1245 01:04:23,400 --> 01:04:23,760 Speaker 2: Did do it. 1246 01:04:23,880 --> 01:04:26,560 Speaker 6: Call over the weekend, let me do something, Let me 1247 01:04:26,680 --> 01:04:29,520 Speaker 6: change my wife podcast. Y'all are breaking up on the side. 1248 01:04:32,520 --> 01:04:34,160 Speaker 4: I see you that drink back up? 1249 01:04:34,600 --> 01:04:35,480 Speaker 2: I see okay? 1250 01:04:35,960 --> 01:04:42,120 Speaker 4: Are he ready for people in the like? Can we 1251 01:04:42,240 --> 01:04:45,000 Speaker 4: move on? Claudia is not the topic tonight, Hey. 1252 01:04:45,000 --> 01:04:51,600 Speaker 2: Claudia, she's on the topic. She's Claudia is the only female. Hey, 1253 01:04:51,640 --> 01:04:52,200 Speaker 2: pro Now. 1254 01:04:54,760 --> 01:04:56,280 Speaker 7: She's always the damn topic. 1255 01:04:56,720 --> 01:04:59,680 Speaker 2: Oh my god, it was a topic. She's a topic. 1256 01:05:00,240 --> 01:05:03,200 Speaker 4: I've had a rough day today. Okay, no, but no. 1257 01:05:03,360 --> 01:05:05,720 Speaker 2: A lot of people were asked you they could see Shelley. 1258 01:05:05,840 --> 01:05:10,120 Speaker 1: So you dig a lot of people who would like 1259 01:05:10,240 --> 01:05:14,400 Speaker 1: to see Shelley before we move on, because definitely has 1260 01:05:14,440 --> 01:05:16,280 Speaker 1: compand I want to make sure he has enough time to. 1261 01:05:20,520 --> 01:05:23,880 Speaker 2: By the way, justin, I enjoyed your interview with Michael Marquaz. 1262 01:05:23,960 --> 01:05:26,680 Speaker 3: Good job, thank you, thank you very much. I love 1263 01:05:26,760 --> 01:05:28,600 Speaker 3: Michael a lot. It's one of my dear friends. 1264 01:05:28,840 --> 01:05:32,920 Speaker 7: So thank you. Yes, yes we will, won't we? 1265 01:05:34,080 --> 01:05:34,280 Speaker 13: Yeah? 1266 01:05:37,080 --> 01:05:39,160 Speaker 7: Hey, Shelley, what's up, Shelley? 1267 01:05:39,880 --> 01:05:40,600 Speaker 2: Hi, Shelley. 1268 01:05:41,040 --> 01:05:42,640 Speaker 4: Shelly's not doing well today. 1269 01:05:43,000 --> 01:05:44,360 Speaker 5: As I took it to the bed, I thought I 1270 01:05:44,400 --> 01:05:47,400 Speaker 5: had to put it asleep. She's only four point six pounds. 1271 01:05:47,520 --> 01:05:50,800 Speaker 5: She her teeth are messed up. I think she has 1272 01:05:50,840 --> 01:05:54,600 Speaker 5: a kidney problem. She's limping, and I have to give 1273 01:05:54,600 --> 01:05:57,240 Speaker 5: her a steroid. I had to give her antibiotics and 1274 01:05:57,320 --> 01:05:59,120 Speaker 5: I have to give her this something to make her 1275 01:05:59,160 --> 01:05:59,960 Speaker 5: appetite come back. 1276 01:06:01,080 --> 01:06:03,640 Speaker 4: I'm in the vet and that like basically. 1277 01:06:03,360 --> 01:06:05,240 Speaker 5: Saying, what are you gonna do? And I'm like crying. 1278 01:06:05,360 --> 01:06:06,840 Speaker 5: I had to call my ex to come down and 1279 01:06:06,960 --> 01:06:09,440 Speaker 5: like help me with this decision, and I'm like, well, 1280 01:06:09,760 --> 01:06:11,120 Speaker 5: I just feel like I owed it to her to 1281 01:06:11,240 --> 01:06:13,960 Speaker 5: just try whatever little remedies I had that were available, 1282 01:06:14,400 --> 01:06:15,800 Speaker 5: and if she's not better. 1283 01:06:17,560 --> 01:06:19,080 Speaker 4: By the end of the week, I'll probably have to 1284 01:06:19,120 --> 01:06:19,640 Speaker 4: put it asleep. 1285 01:06:19,680 --> 01:06:21,040 Speaker 2: Out of one. I'm sorry, Claudia. 1286 01:06:21,120 --> 01:06:21,520 Speaker 7: I love you. 1287 01:06:22,600 --> 01:06:27,520 Speaker 2: She's love. Yes, we love you, and we're gonna pray 1288 01:06:27,560 --> 01:06:27,720 Speaker 2: for you. 1289 01:06:28,200 --> 01:06:28,400 Speaker 7: Yeah. 1290 01:06:28,720 --> 01:06:31,840 Speaker 5: People on housewives, and I tell you, ever since this 1291 01:06:32,000 --> 01:06:34,640 Speaker 5: cat was on TV, I found she started feeling herself 1292 01:06:34,720 --> 01:06:36,920 Speaker 5: like a little bit, like a little bit er. 1293 01:06:37,320 --> 01:06:37,920 Speaker 4: She's back. 1294 01:06:38,000 --> 01:06:40,920 Speaker 5: She's had a great life in Shelley. I will keep 1295 01:06:40,960 --> 01:06:43,120 Speaker 5: you guys updated. But thank you for everyone that's asked. 1296 01:06:43,120 --> 01:06:45,000 Speaker 5: I know this is not the Claudia Jordan show tonight, 1297 01:06:45,040 --> 01:06:46,200 Speaker 5: but I just sorry. 1298 01:06:46,320 --> 01:06:47,240 Speaker 4: My energy's a little down. 1299 01:06:47,240 --> 01:06:47,480 Speaker 6: I've been. 1300 01:06:47,560 --> 01:06:49,720 Speaker 4: I was in tears all day today because you know, 1301 01:06:49,800 --> 01:06:50,920 Speaker 4: she's like my kid. I've had her. 1302 01:06:51,440 --> 01:06:51,840 Speaker 6: She's better. 1303 01:06:52,360 --> 01:06:55,480 Speaker 4: Yeah five, So yeah, no. 1304 01:06:55,960 --> 01:06:58,959 Speaker 2: We love you, baby, keep us updated for real. Well, okay, 1305 01:07:00,080 --> 01:07:00,479 Speaker 2: that's okay. 1306 01:07:00,480 --> 01:07:02,400 Speaker 1: I think Marcel is back. So I do wanna if 1307 01:07:02,440 --> 01:07:05,640 Speaker 1: Marcel is back, like, okay, you good Marceau and the. 1308 01:07:05,680 --> 01:07:07,280 Speaker 6: Wi Fi sounds so much better now. 1309 01:07:07,520 --> 01:07:08,240 Speaker 7: So there we go. 1310 01:07:08,520 --> 01:07:08,920 Speaker 6: There we go. 1311 01:07:10,080 --> 01:07:12,000 Speaker 2: No perfect timing because. 1312 01:07:14,600 --> 01:07:16,840 Speaker 1: The biggest topic of this episode had a lot to 1313 01:07:16,920 --> 01:07:22,760 Speaker 1: do with the conversation between Maurice and Jalen, Jalen saying 1314 01:07:22,840 --> 01:07:28,600 Speaker 1: that although Maurice is his stepdad, that you, Marceau, were 1315 01:07:28,720 --> 01:07:31,360 Speaker 1: more of a father figure to him. 1316 01:07:32,160 --> 01:07:35,800 Speaker 2: When you heard that, did it make you feel good? 1317 01:07:35,920 --> 01:07:38,280 Speaker 2: But did it also make you feel bad for your brother? 1318 01:07:38,960 --> 01:07:39,880 Speaker 6: Yeah? It did. 1319 01:07:40,000 --> 01:07:44,960 Speaker 11: I mean that's a it's great for you know, someone 1320 01:07:45,080 --> 01:07:47,680 Speaker 11: like Jalen, who I love my nephew. 1321 01:07:47,560 --> 01:07:49,160 Speaker 6: To think of me like that. 1322 01:07:49,760 --> 01:07:53,680 Speaker 11: But of course I'm thinking about Maurice in that moment too, 1323 01:07:54,240 --> 01:07:56,640 Speaker 11: and it's like, dang, you know, because I know Reese. 1324 01:07:56,760 --> 01:08:02,479 Speaker 6: You know that that's that know that that's that's tough blow. 1325 01:08:03,800 --> 01:08:06,720 Speaker 6: That's a tough blow when you come in and your 1326 01:08:07,400 --> 01:08:10,240 Speaker 6: your goal is to come in and be the best 1327 01:08:10,840 --> 01:08:11,840 Speaker 6: father you can be. 1328 01:08:12,600 --> 01:08:12,760 Speaker 5: You know. 1329 01:08:13,600 --> 01:08:18,360 Speaker 6: I think that people don't quite understand the step dad role. 1330 01:08:19,160 --> 01:08:23,800 Speaker 6: And you know it's you know, my son m J. 1331 01:08:24,000 --> 01:08:26,519 Speaker 6: I get stuff wrong with him all the time. Man, 1332 01:08:26,640 --> 01:08:27,240 Speaker 6: It's like, but. 1333 01:08:30,680 --> 01:08:32,759 Speaker 4: He gets he gets his WiFi wrong. 1334 01:08:32,640 --> 01:08:35,800 Speaker 2: To I think his phone's ringing. 1335 01:08:37,960 --> 01:08:40,200 Speaker 7: Restaurant called black and so is the screen. 1336 01:08:42,960 --> 01:08:45,040 Speaker 2: That the what what do you think about that you've 1337 01:08:45,040 --> 01:08:47,240 Speaker 2: been watching themself since season one? Were you surprised by 1338 01:08:47,280 --> 01:08:47,559 Speaker 2: that too? 1339 01:08:50,080 --> 01:08:53,679 Speaker 6: People they want to call you now and call you years. 1340 01:08:54,800 --> 01:08:56,280 Speaker 14: But but. 1341 01:08:57,840 --> 01:09:00,800 Speaker 6: It's tough being to dad. You know this, this is 1342 01:09:00,840 --> 01:09:01,800 Speaker 6: my first crack at it. 1343 01:09:01,880 --> 01:09:04,519 Speaker 11: And so thinking about Maurice coming in a situation where 1344 01:09:04,560 --> 01:09:06,479 Speaker 11: you had to step up and he's gotta you know, 1345 01:09:06,560 --> 01:09:09,040 Speaker 11: be a dan to a twelve year old who doesn't 1346 01:09:09,120 --> 01:09:11,320 Speaker 11: know him, and he's figuring out his way to enter 1347 01:09:11,479 --> 01:09:17,040 Speaker 11: in and figuring out discipline. And you know, that's a 1348 01:09:17,080 --> 01:09:19,080 Speaker 11: self situation. I don't know if too many people that 1349 01:09:19,240 --> 01:09:20,240 Speaker 11: walk in there and get that right. 1350 01:09:20,720 --> 01:09:22,360 Speaker 5: Jalen feels that way with you because like you're not 1351 01:09:22,400 --> 01:09:24,720 Speaker 5: the disciplinarian, so it's you know, you're not really in 1352 01:09:24,800 --> 01:09:25,360 Speaker 5: the house like that. 1353 01:09:25,560 --> 01:09:27,519 Speaker 4: So it's like it's easy, like it's easy to like 1354 01:09:27,640 --> 01:09:30,280 Speaker 4: feel like a closer relationship with you. Like you know, 1355 01:09:31,400 --> 01:09:33,680 Speaker 4: I've been not a step mom, but the girlfriend. 1356 01:09:33,880 --> 01:09:36,240 Speaker 5: Right if someone has kids and then the daughter may 1357 01:09:36,320 --> 01:09:38,280 Speaker 5: I may find the daughter like telling me that she 1358 01:09:38,439 --> 01:09:42,400 Speaker 5: hasn't told her mom, right, because it's like, you know, 1359 01:09:42,840 --> 01:09:44,360 Speaker 5: it was a little bit not as close to the 1360 01:09:44,400 --> 01:09:46,960 Speaker 5: situations easier to talk to in bond with like a 1361 01:09:47,080 --> 01:09:49,640 Speaker 5: cool like the cool adult that I don't have to 1362 01:09:49,680 --> 01:09:51,240 Speaker 5: worry about getting in trouble with you. 1363 01:09:51,720 --> 01:09:52,760 Speaker 4: Perhaps you know. 1364 01:09:53,439 --> 01:09:55,400 Speaker 6: It's it's it's much easier. 1365 01:09:56,640 --> 01:09:58,400 Speaker 11: It's easier to buy ice cream with you, and you 1366 01:09:58,439 --> 01:10:02,400 Speaker 11: gotta buy milk, you know, and you can you can 1367 01:10:02,479 --> 01:10:04,640 Speaker 11: come in to be the one that's always there for 1368 01:10:04,720 --> 01:10:07,840 Speaker 11: the relief. You're not the one talking about filmwork every night, 1369 01:10:08,240 --> 01:10:11,280 Speaker 11: and and and so. But also we have you know, 1370 01:10:11,520 --> 01:10:13,919 Speaker 11: that's one part. But then recent I have different approaches 1371 01:10:14,479 --> 01:10:19,160 Speaker 11: like my oldest son, but oldest son, my only son, MJ. 1372 01:10:19,880 --> 01:10:23,400 Speaker 11: He's he reminds me a lot of Jalen and and 1373 01:10:24,400 --> 01:10:27,520 Speaker 11: you know, and we have more of the same personality, 1374 01:10:28,360 --> 01:10:31,600 Speaker 11: meaning that it's easier to I'm a guy that is 1375 01:10:31,720 --> 01:10:32,639 Speaker 11: rationalize with people. 1376 01:10:33,080 --> 01:10:36,400 Speaker 6: I'm gonna talk to you. I'm not gonna say get 1377 01:10:36,520 --> 01:10:38,320 Speaker 6: up and do it now. I'm gonna let you know. 1378 01:10:38,680 --> 01:10:40,000 Speaker 11: And even though you're gonna look at me and it 1379 01:10:40,200 --> 01:10:43,000 Speaker 11: seem like you're ignoring me, You're gonna get up and 1380 01:10:43,080 --> 01:10:44,960 Speaker 11: do it, you know, And I don't. I don't need 1381 01:10:45,040 --> 01:10:48,680 Speaker 11: to assert my authority on you right then and there, 1382 01:10:49,160 --> 01:10:52,479 Speaker 11: you know, Hey, man, that's what it is. And you know, 1383 01:10:53,320 --> 01:10:55,360 Speaker 11: so it's I think I think it's a combination of 1384 01:10:55,439 --> 01:10:57,680 Speaker 11: two things. One is that I'm an uncle, and two 1385 01:10:57,800 --> 01:10:58,960 Speaker 11: is I have a different approach. 1386 01:11:00,640 --> 01:11:04,240 Speaker 3: It seemed like Maurice was really offended by the conversation 1387 01:11:04,600 --> 01:11:06,479 Speaker 3: when you guys were sitting at the table, you and 1388 01:11:06,960 --> 01:11:10,080 Speaker 3: Letitia and Keimmy and Maurice were discussing it, and Maurice 1389 01:11:10,560 --> 01:11:13,640 Speaker 3: initially like got defensive, like right off rip when you 1390 01:11:13,680 --> 01:11:15,760 Speaker 3: guys started talking about it, so much so that it 1391 01:11:15,840 --> 01:11:17,800 Speaker 3: became like a back and forth between the two of you. 1392 01:11:18,680 --> 01:11:20,320 Speaker 7: Where you think that energy came from. 1393 01:11:20,400 --> 01:11:22,799 Speaker 3: Do you think it's just because it's such a sensitive topic, 1394 01:11:23,040 --> 01:11:25,479 Speaker 3: like and you know, like you expressed earlier, he wants 1395 01:11:25,560 --> 01:11:28,080 Speaker 3: to be a good father and a great father to Jalen. 1396 01:11:28,120 --> 01:11:30,519 Speaker 3: Where you think that defensive nature came from? Because it 1397 01:11:30,560 --> 01:11:32,680 Speaker 3: seemed like that kind of made it hard to get 1398 01:11:32,720 --> 01:11:33,639 Speaker 3: to the root of the matter. 1399 01:11:36,520 --> 01:11:38,519 Speaker 11: You know, I saw a couple of comments about this 1400 01:11:38,720 --> 01:11:41,240 Speaker 11: Dustin and people were like, oh my god, now they're 1401 01:11:41,240 --> 01:11:44,920 Speaker 11: talking about sibling rivalry and they gonna turn the family 1402 01:11:44,960 --> 01:11:45,479 Speaker 11: against each other. 1403 01:11:46,200 --> 01:11:48,360 Speaker 6: Let me tell you something. There's not a human alive 1404 01:11:48,439 --> 01:11:51,640 Speaker 6: that ever argued fuss and fought with more than Maurice Scott. Right, 1405 01:11:51,920 --> 01:11:55,240 Speaker 6: let's just make that clear. There's not a human alive. 1406 01:11:55,320 --> 01:11:55,559 Speaker 5: And so. 1407 01:11:57,400 --> 01:12:03,240 Speaker 13: That's not that argument comes from Marie ree world like, like, 1408 01:12:03,920 --> 01:12:07,880 Speaker 13: you know, Maurice, I'm okay with it. 1409 01:12:08,560 --> 01:12:09,360 Speaker 6: But here's the thing. 1410 01:12:10,400 --> 01:12:12,240 Speaker 11: He doesn't do stuff that he doesn't think is right. 1411 01:12:13,520 --> 01:12:15,599 Speaker 11: It is not going to intentionally do something he thinks 1412 01:12:15,720 --> 01:12:18,439 Speaker 11: is wrong. And so when you come to him telling 1413 01:12:18,479 --> 01:12:22,599 Speaker 11: them that it's wrong, he automatically disagrees with you because 1414 01:12:22,640 --> 01:12:24,439 Speaker 11: he thought it was right. He wouldn't have done it 1415 01:12:24,520 --> 01:12:26,680 Speaker 11: if he wasn't trying to get it right. So when 1416 01:12:26,720 --> 01:12:28,240 Speaker 11: you come in and tell him that I think that 1417 01:12:28,760 --> 01:12:32,080 Speaker 11: in his voice, you can see that the whole sarcast sy. 1418 01:12:32,240 --> 01:12:33,280 Speaker 6: Well, he seems just a dad. 1419 01:12:33,320 --> 01:12:33,880 Speaker 4: He seems just a. 1420 01:12:33,960 --> 01:12:36,920 Speaker 6: Dad, you know, and that that that's hurt. 1421 01:12:37,720 --> 01:12:38,880 Speaker 7: Yeah, I thought so too. 1422 01:12:39,040 --> 01:12:42,920 Speaker 6: That's just hurt. And don't I don't want to be 1423 01:12:43,200 --> 01:12:43,400 Speaker 6: like that. 1424 01:12:43,600 --> 01:12:45,760 Speaker 11: But the challenge is it's like when you have to 1425 01:12:45,880 --> 01:12:50,840 Speaker 11: tell them, hey, his hurt is Valley and you played 1426 01:12:50,880 --> 01:12:52,960 Speaker 11: a part in that hurt, and he doesn't think he 1427 01:12:53,040 --> 01:12:53,920 Speaker 11: played a part in that hurt. 1428 01:12:55,000 --> 01:12:57,320 Speaker 3: I text Carlos after I watched the episode and I 1429 01:12:57,400 --> 01:13:00,920 Speaker 3: told him. I wish Maurice would have told Jalen in 1430 01:13:01,000 --> 01:13:03,160 Speaker 3: that scene, like, man, I love you and I'm glad 1431 01:13:03,200 --> 01:13:05,080 Speaker 3: you my son. Sometimes you just got to say it 1432 01:13:05,240 --> 01:13:08,200 Speaker 3: playing and Maurice was trying to offer examples and going 1433 01:13:08,280 --> 01:13:10,040 Speaker 3: kind of around the world with it. He should have 1434 01:13:10,120 --> 01:13:12,200 Speaker 3: hugged Jalen in that scene and just told him how 1435 01:13:12,240 --> 01:13:14,040 Speaker 3: much he loved him, because that's what it seemed like 1436 01:13:14,560 --> 01:13:17,280 Speaker 3: Jalen needs to hear at the time. But like you said, 1437 01:13:17,960 --> 01:13:20,880 Speaker 3: because of Marie's intentions, right, and he thought that he 1438 01:13:21,000 --> 01:13:22,840 Speaker 3: was trying to do the best he could do. That's 1439 01:13:22,880 --> 01:13:24,760 Speaker 3: probably what caused him to be kind of taking a 1440 01:13:24,840 --> 01:13:27,759 Speaker 3: back in that moment and started defending himself instead. 1441 01:13:29,680 --> 01:13:33,599 Speaker 6: That's the one thing Reese is learning now. 1442 01:13:33,920 --> 01:13:36,400 Speaker 11: I'm saying now, I'm saying probably in his last six 1443 01:13:36,520 --> 01:13:40,400 Speaker 11: seven months, right, he was a quarterback in college and 1444 01:13:41,320 --> 01:13:43,519 Speaker 11: he thinks that if he throws the ball right, it 1445 01:13:43,600 --> 01:13:47,080 Speaker 11: should be a completion. And I keep telling them that 1446 01:13:48,080 --> 01:13:51,840 Speaker 11: communication takes place in the mind of the receiver and 1447 01:13:52,520 --> 01:13:55,880 Speaker 11: it don't matter what you say. If they don't hear it, 1448 01:13:56,840 --> 01:13:59,600 Speaker 11: then it's not a complete pass. And that goes on 1449 01:13:59,680 --> 01:14:02,400 Speaker 11: your that if they don't hear it. If they don't 1450 01:14:02,439 --> 01:14:05,000 Speaker 11: get what you're trying to say, it don't matter, you 1451 01:14:05,080 --> 01:14:08,599 Speaker 11: know what I'm saying. And his argument may be I've 1452 01:14:08,640 --> 01:14:11,920 Speaker 11: said it word, you know, Brook, it don't matter. He 1453 01:14:12,080 --> 01:14:14,040 Speaker 11: was a perfect English when they speak Spanish and see 1454 01:14:14,040 --> 01:14:15,960 Speaker 11: where they get you right? 1455 01:14:17,880 --> 01:14:21,080 Speaker 2: How did you feel when when I'm sorry, Goku? 1456 01:14:21,680 --> 01:14:24,639 Speaker 5: I saw comments about people saying, you know, some people 1457 01:14:24,760 --> 01:14:27,880 Speaker 5: want to just be right and not really like be listening. 1458 01:14:28,200 --> 01:14:30,040 Speaker 4: You know what I'm saying, Like, you know, do you 1459 01:14:30,120 --> 01:14:31,479 Speaker 4: want to be right? You want to be happy? 1460 01:14:31,640 --> 01:14:34,200 Speaker 5: And it seemed like he it is like he was 1461 01:14:34,240 --> 01:14:36,160 Speaker 5: in a coming from a bad place, but does seem 1462 01:14:36,200 --> 01:14:38,800 Speaker 5: like he wanted to be right, and you know, his 1463 01:14:39,680 --> 01:14:41,320 Speaker 5: his point of view be heard, you know what I mean, 1464 01:14:41,400 --> 01:14:43,519 Speaker 5: and like in his mind, like you said, if you 1465 01:14:43,560 --> 01:14:44,920 Speaker 5: wouldn't do it, if he didn't think he was doing 1466 01:14:44,920 --> 01:14:45,759 Speaker 5: the right thing already. 1467 01:14:47,479 --> 01:14:52,520 Speaker 6: You know, I think Reese has lost in intentions versus. 1468 01:14:55,400 --> 01:14:58,080 Speaker 11: I get I sometimes get lost there too, but get 1469 01:14:58,160 --> 01:15:04,240 Speaker 11: lost in intentions versus is a results And the thought 1470 01:15:04,320 --> 01:15:06,439 Speaker 11: that my heart was in a good place. 1471 01:15:06,520 --> 01:15:08,120 Speaker 6: I wasn't trying to do that. I was trying to 1472 01:15:08,160 --> 01:15:09,560 Speaker 6: make a man out of him. I was trying to 1473 01:15:09,800 --> 01:15:10,920 Speaker 6: do this right here. I was trying. 1474 01:15:11,040 --> 01:15:13,200 Speaker 11: I was doing the own RECEA. Ain't got no other 1475 01:15:13,240 --> 01:15:16,559 Speaker 11: thirteen year old boys, you know at the time. 1476 01:15:16,680 --> 01:15:18,360 Speaker 6: So it's like he is he does he doesn't know. 1477 01:15:19,000 --> 01:15:20,160 Speaker 6: This is a guy that's taking a. 1478 01:15:21,960 --> 01:15:24,000 Speaker 11: By the time a kid that grows up with you 1479 01:15:24,520 --> 01:15:27,920 Speaker 11: is thirteen, you've been with him for thirteen years, and 1480 01:15:28,040 --> 01:15:30,120 Speaker 11: so you know what you do on day thirteen. 1481 01:15:31,240 --> 01:15:34,040 Speaker 6: You're given a thirteen. You're given the test. 1482 01:15:34,120 --> 01:15:38,360 Speaker 11: There were level thirteen, right, You're giving that test right 1483 01:15:38,400 --> 01:15:40,639 Speaker 11: then and there it says how you do and everything 1484 01:15:40,720 --> 01:15:42,280 Speaker 11: you just is gonna be just on that. So it's like, 1485 01:15:42,439 --> 01:15:44,640 Speaker 11: you know, it's like hats off to the guy that 1486 01:15:44,720 --> 01:15:45,400 Speaker 11: can get there right. 1487 01:15:46,960 --> 01:15:50,559 Speaker 4: Hey, where I'm sorry? Where's Dalen's father, his real father, 1488 01:15:50,680 --> 01:15:52,559 Speaker 4: his biological father? Is he not in the picture? 1489 01:15:54,360 --> 01:15:57,200 Speaker 11: I think he's in the picture, but like they're kind 1490 01:15:57,240 --> 01:16:00,479 Speaker 11: of striking up some I don't know, like he's in 1491 01:16:00,600 --> 01:16:01,920 Speaker 11: the picture but not in the the job. 1492 01:16:02,200 --> 01:16:04,800 Speaker 6: I've never met him, but he Jaalen. 1493 01:16:04,640 --> 01:16:09,760 Speaker 11: Talked to him and they've had some somewhat of a relationship. 1494 01:16:09,880 --> 01:16:11,639 Speaker 11: I think that, you know, as he gets older, he's 1495 01:16:11,800 --> 01:16:16,120 Speaker 11: you know, her as some stuff you got stay tuned. 1496 01:16:15,880 --> 01:16:21,040 Speaker 4: For he likes you the best though either what he 1497 01:16:21,200 --> 01:16:23,800 Speaker 4: likes you the most, I. 1498 01:16:23,840 --> 01:16:24,400 Speaker 6: Think we're more. 1499 01:16:25,120 --> 01:16:28,720 Speaker 11: I think if we lived under the same roof, I 1500 01:16:28,800 --> 01:16:31,040 Speaker 11: think he I think that that might change a little bit. 1501 01:16:32,840 --> 01:16:35,600 Speaker 2: Well, one thing that that Tsha Tsiha did say this 1502 01:16:36,120 --> 01:16:36,840 Speaker 2: on My. 1503 01:16:37,000 --> 01:16:40,880 Speaker 1: Reality with the King Show and own that you know, 1504 01:16:41,040 --> 01:16:43,320 Speaker 1: despite what people may think about you on television, mars 1505 01:16:43,360 --> 01:16:45,320 Speaker 1: So they said, when it comes to the kids, you 1506 01:16:45,520 --> 01:16:48,519 Speaker 1: are everyone's favorite when it comes to like. 1507 01:16:48,600 --> 01:16:51,639 Speaker 2: The cousins, the nephews and all of those things. 1508 01:16:52,680 --> 01:16:57,679 Speaker 1: Why do you think that it was hard for Maurice 1509 01:16:57,760 --> 01:17:00,759 Speaker 1: to hear your point of view, to even hear Kimmy's 1510 01:17:00,800 --> 01:17:02,639 Speaker 1: point of view, because I do think what people's missing 1511 01:17:02,840 --> 01:17:04,360 Speaker 1: is Kimmy is his wife. 1512 01:17:04,520 --> 01:17:07,560 Speaker 2: Kimmy is the mother of Jayalen. Kimmy is saying the 1513 01:17:07,640 --> 01:17:09,080 Speaker 2: same thing, and. 1514 01:17:09,600 --> 01:17:15,840 Speaker 1: The audience does feel like Maurice isn't listening to be 1515 01:17:16,560 --> 01:17:21,519 Speaker 1: to to hear them, He's listening to respond. Growing that's 1516 01:17:21,560 --> 01:17:23,600 Speaker 1: your brother and you two are the closest out of 1517 01:17:23,600 --> 01:17:27,719 Speaker 1: your siblings, so growing up, obviously, Maurice has always been smart. 1518 01:17:28,280 --> 01:17:31,519 Speaker 1: Do you think that what is disconnecting that the audience 1519 01:17:31,720 --> 01:17:34,000 Speaker 1: or you or Kimmy may see for Maurice, is that 1520 01:17:34,680 --> 01:17:37,680 Speaker 1: is Maurice just too smart for his own good and 1521 01:17:37,880 --> 01:17:40,360 Speaker 1: he listens to respond like a lawyer does. 1522 01:17:42,360 --> 01:17:49,160 Speaker 11: Reese, Yeah, yeah, I think that you have to the 1523 01:17:49,680 --> 01:17:54,000 Speaker 11: he had. He can't see it, and he can't see it, 1524 01:17:54,080 --> 01:17:54,320 Speaker 11: so he. 1525 01:17:54,400 --> 01:17:57,000 Speaker 6: Doesn't he doesn't believe it exists. 1526 01:17:57,040 --> 01:17:59,120 Speaker 11: I think Maurice, like I said, for the first last 1527 01:17:59,160 --> 01:18:01,320 Speaker 11: six months of totally, I said, this is a new Maurice. 1528 01:18:01,479 --> 01:18:03,519 Speaker 11: And I've known him for forty five years, so this 1529 01:18:03,600 --> 01:18:07,280 Speaker 11: is not a thing, right. He has the inability to 1530 01:18:07,400 --> 01:18:10,480 Speaker 11: see different He had the inability to see different perspectives 1531 01:18:10,640 --> 01:18:13,439 Speaker 11: or even know that different perspectives could exist. 1532 01:18:14,680 --> 01:18:18,599 Speaker 6: He said stuff like I wouldn't do that because that's stupid. 1533 01:18:20,320 --> 01:18:22,800 Speaker 11: But yeah, the inability to be stupid, you know what 1534 01:18:22,840 --> 01:18:25,839 Speaker 11: I'm saying, Like I wouldn't say that because. 1535 01:18:25,600 --> 01:18:28,519 Speaker 6: That doesn't make sense, you know. So I think that, 1536 01:18:29,479 --> 01:18:31,640 Speaker 6: you know. Again, the challenge is like I call it 1537 01:18:31,680 --> 01:18:32,200 Speaker 6: a Reese. 1538 01:18:32,080 --> 01:18:36,320 Speaker 11: World at a lot of times, and Kimmy finally saw 1539 01:18:36,400 --> 01:18:38,880 Speaker 11: it and other people are five he seeing it and 1540 01:18:39,360 --> 01:18:42,439 Speaker 11: Reese righteously now is that it's funny that he's just 1541 01:18:42,640 --> 01:18:45,360 Speaker 11: he's just now in the area that he's even I've 1542 01:18:45,400 --> 01:18:48,240 Speaker 11: seen some changes, but it's like I can notice change 1543 01:18:48,800 --> 01:18:51,040 Speaker 11: from the tone of his voice when he says something, 1544 01:18:51,120 --> 01:18:55,439 Speaker 11: even allowing someone else to have a different perspective. But again, 1545 01:18:55,880 --> 01:18:57,679 Speaker 11: this is going back town kind of the the Counacs 1546 01:18:57,760 --> 01:19:01,920 Speaker 11: and I have with Claudia, and to me, it just 1547 01:19:02,040 --> 01:19:04,480 Speaker 11: reminds me of just like in order to be successful 1548 01:19:04,520 --> 01:19:07,000 Speaker 11: as a black man in this world, you have to 1549 01:19:07,080 --> 01:19:09,240 Speaker 11: be steadfast, You have to be stubborn, you have. 1550 01:19:09,320 --> 01:19:12,880 Speaker 6: To be you know, you hear knows so much and 1551 01:19:13,760 --> 01:19:16,240 Speaker 6: you have to prove so many people wrong that that 1552 01:19:16,360 --> 01:19:17,320 Speaker 6: becomes a way of life. 1553 01:19:18,360 --> 01:19:21,240 Speaker 11: And then all of a sudden, when it's time to listen, 1554 01:19:21,320 --> 01:19:25,639 Speaker 11: when you practice not listening, when you practice tuning people out, 1555 01:19:25,880 --> 01:19:28,519 Speaker 11: and now it's time to listen and take advice, it's like, 1556 01:19:29,040 --> 01:19:30,880 Speaker 11: you know, that becomes more of a chure. 1557 01:19:36,400 --> 01:19:41,760 Speaker 2: Okay, well, there you have it. But my last question, 1558 01:19:41,960 --> 01:19:45,320 Speaker 2: my last question for you is this. The episode ends 1559 01:19:46,200 --> 01:19:51,240 Speaker 2: with Marie's calling you a liar and that's what you do. 1560 01:19:53,240 --> 01:19:55,280 Speaker 2: Did that hurt your feelings hearing that. 1561 01:19:56,439 --> 01:20:00,439 Speaker 11: Carlos, Yeah, it did it did. Because here here's the thing. 1562 01:20:02,760 --> 01:20:06,040 Speaker 11: The one reason why I don't lie is because it 1563 01:20:06,160 --> 01:20:09,120 Speaker 11: makes me feel like a coward, like who are you 1564 01:20:09,240 --> 01:20:10,040 Speaker 11: that I have to lie to? 1565 01:20:11,080 --> 01:20:11,200 Speaker 7: Right? 1566 01:20:11,960 --> 01:20:16,280 Speaker 6: And so I said this in the comments and different things. 1567 01:20:16,360 --> 01:20:20,760 Speaker 6: I said, Okay, do me a favor point out the lie. 1568 01:20:21,840 --> 01:20:24,679 Speaker 6: If I've lie, I'm a liar and I'm always liing. 1569 01:20:25,479 --> 01:20:28,760 Speaker 11: This name one lie that you've ever heard, Like Watissa said, 1570 01:20:29,600 --> 01:20:31,720 Speaker 11: to give me no, I've never caught him in a lie. 1571 01:20:32,600 --> 01:20:34,400 Speaker 6: And she's like, what, you've never got to your husband 1572 01:20:34,439 --> 01:20:41,639 Speaker 6: in a lie in twenty years? Never ever? And people 1573 01:20:42,040 --> 01:20:45,040 Speaker 6: and they say, well, and some people aren't liars. That's 1574 01:20:45,120 --> 01:20:47,519 Speaker 6: just not my thing, all right, because it makes me 1575 01:20:47,600 --> 01:20:50,040 Speaker 6: feel like it makes me feel like a like a whimp, 1576 01:20:50,200 --> 01:20:51,200 Speaker 6: like like we to have. 1577 01:20:51,320 --> 01:20:55,599 Speaker 11: To sit here and tell you something that it's not true. 1578 01:20:55,640 --> 01:20:59,040 Speaker 11: It makes me feel like I'm not good enough. So yeah, 1579 01:20:59,080 --> 01:20:59,880 Speaker 11: I don't I don't like that. 1580 01:21:00,000 --> 01:21:01,960 Speaker 6: And he said, you lie about everything. We stopped. 1581 01:21:02,200 --> 01:21:05,760 Speaker 11: You know, I don't lie right like Stopy and you 1582 01:21:05,840 --> 01:21:08,320 Speaker 11: get but but now, of course when re sais you 1583 01:21:08,400 --> 01:21:10,679 Speaker 11: lie about everything. Now everyone's in the in the world 1584 01:21:10,880 --> 01:21:14,960 Speaker 11: is like, okay, reason's bothers filled the things. 1585 01:21:20,880 --> 01:21:24,880 Speaker 1: You come up with this ship, bro, all right, Mark, 1586 01:21:24,920 --> 01:21:26,960 Speaker 1: So if I'll let you go, there's one question that 1587 01:21:27,000 --> 01:21:29,719 Speaker 1: we get from our super chants This one is directed 1588 01:21:29,720 --> 01:21:31,720 Speaker 1: towards you, and I'm a life for you to answer it. 1589 01:21:32,360 --> 01:21:37,240 Speaker 1: This is from DJ Lesia, who said the huspital streets 1590 01:21:37,320 --> 01:21:41,800 Speaker 1: are saying that black is the headquarters for the cheating husbands. 1591 01:21:42,240 --> 01:21:44,960 Speaker 2: But I love Marcel, he's a dub guy. 1592 01:21:45,640 --> 01:21:48,799 Speaker 1: It's black the headquarters for husbands who are cheating, otherwise 1593 01:21:48,840 --> 01:21:49,880 Speaker 1: to go to and have fun. 1594 01:21:52,040 --> 01:21:53,240 Speaker 6: Carlos, I don't, I don't know. 1595 01:21:54,160 --> 01:21:54,560 Speaker 4: I don't know. 1596 01:21:54,680 --> 01:21:56,800 Speaker 11: I think that blackness a great place to come in 1597 01:21:56,800 --> 01:21:59,679 Speaker 11: here and smoke cigars and fellowship and hang around. 1598 01:21:59,760 --> 01:22:01,680 Speaker 6: I mean, I don't, I don't know those the headquarters 1599 01:22:02,560 --> 01:22:04,400 Speaker 6: for cheating husbands. That that's. 1600 01:22:06,400 --> 01:22:09,519 Speaker 4: Husbands hang out day like that. 1601 01:22:11,720 --> 01:22:17,920 Speaker 15: You know, ship cheated, the husbands unite, They're gonna form 1602 01:22:18,000 --> 01:22:19,000 Speaker 15: boat tron over here. 1603 01:22:19,439 --> 01:22:22,519 Speaker 6: They're gonna buy crying or something like like what do 1604 01:22:22,640 --> 01:22:25,759 Speaker 6: they do damn head quarters from cheaping husband. 1605 01:22:25,960 --> 01:22:28,280 Speaker 4: I mean, that's most of the guard bars of that. 1606 01:22:28,520 --> 01:22:32,720 Speaker 2: But ladies, if your husbands say he's going to the 1607 01:22:32,800 --> 01:22:35,400 Speaker 2: d R, that's fine. But if your husband's saying that 1608 01:22:35,520 --> 01:22:37,920 Speaker 2: a boys are black, watch out now. 1609 01:22:38,240 --> 01:22:43,000 Speaker 11: Watch out, watch out now, Carlos. I appreciate you having 1610 01:22:43,000 --> 01:22:46,840 Speaker 11: me on man, We just I do want to do 1611 01:22:46,920 --> 01:22:49,400 Speaker 11: the same as plugging about me being a terrible You know, 1612 01:22:49,479 --> 01:22:52,240 Speaker 11: I've been a terrible dad for since season one, right. 1613 01:22:53,640 --> 01:22:58,160 Speaker 2: I know, I know, rolland Martin even called you out 1614 01:22:58,240 --> 01:22:58,720 Speaker 2: season one. 1615 01:22:59,280 --> 01:23:01,519 Speaker 6: He's a terrible day. It's because you know, my son 1616 01:23:01,640 --> 01:23:04,000 Speaker 6: had allergies. But now we me and him. I just 1617 01:23:04,080 --> 01:23:08,000 Speaker 6: taking him for a trip to uh to see the 1618 01:23:08,040 --> 01:23:09,240 Speaker 6: Kensler Lamar in Rome. 1619 01:23:09,960 --> 01:23:12,120 Speaker 7: So dope. That's dope as hell, Mark. 1620 01:23:12,200 --> 01:23:15,400 Speaker 6: So yeah, we got a chance to go there. 1621 01:23:15,560 --> 01:23:18,479 Speaker 11: He of course he wanted to see the Pantheon, and 1622 01:23:19,120 --> 01:23:21,320 Speaker 11: we've got a chance to go up to Paderba to 1623 01:23:21,439 --> 01:23:24,280 Speaker 11: see the original boundary of talking to the bottle. 1624 01:23:24,400 --> 01:23:28,000 Speaker 6: We talked and everything. So it's been a really, really, 1625 01:23:28,040 --> 01:23:28,800 Speaker 6: really good trip. 1626 01:23:28,880 --> 01:23:29,000 Speaker 5: Man. 1627 01:23:29,400 --> 01:23:33,360 Speaker 6: We went to Greece too, No no, no, no, Pantheon, 1628 01:23:33,439 --> 01:23:34,120 Speaker 6: not the Parthenon. 1629 01:23:34,760 --> 01:23:35,599 Speaker 4: Okay, gotcha. 1630 01:23:36,000 --> 01:23:37,680 Speaker 15: I had to google at it too, because I was like, 1631 01:23:38,840 --> 01:23:41,560 Speaker 15: I thought we were going to the Parthonon and I 1632 01:23:41,720 --> 01:23:44,920 Speaker 15: was like, bro, it's it's it's seventeen hours away, and 1633 01:23:45,040 --> 01:23:47,280 Speaker 15: it's like, okay, now it's the Pantheon, but it's it's 1634 01:23:47,600 --> 01:23:48,400 Speaker 15: it's just amazing. 1635 01:23:48,479 --> 01:23:50,200 Speaker 6: It was a dope trip, man, So I feel real 1636 01:23:50,240 --> 01:23:52,479 Speaker 6: good about that. Coming back in and so. 1637 01:23:54,200 --> 01:23:56,800 Speaker 7: You go see where they make the wine. You go 1638 01:23:56,880 --> 01:23:58,320 Speaker 7: see what they make the wine. 1639 01:23:59,800 --> 01:24:02,320 Speaker 6: I I think I know where they make that. 1640 01:24:03,160 --> 01:24:10,600 Speaker 14: Okay, you are really a story and he really is. 1641 01:24:10,920 --> 01:24:17,160 Speaker 14: I'd be like, oh gosh, that's the Qualitia. That's Martel 1642 01:24:17,280 --> 01:24:18,600 Speaker 14: holds wine that. 1643 01:24:22,120 --> 01:24:24,720 Speaker 2: Oh gotcha, that's what that was. That's what that was. 1644 01:24:24,880 --> 01:24:27,160 Speaker 1: But no, but Marcel, listen, thanks for taking time out. 1645 01:24:27,280 --> 01:24:30,400 Speaker 1: Marcel just got back from Italy. He took his son 1646 01:24:30,840 --> 01:24:34,439 Speaker 1: on a father son trip. As he just said, so listen, 1647 01:24:34,880 --> 01:24:37,120 Speaker 1: you are a great man. You are a great father, 1648 01:24:37,400 --> 01:24:41,479 Speaker 1: and you are a great reality star. And listen, your 1649 01:24:41,520 --> 01:24:44,400 Speaker 1: great husband too. So I appreciate you, Marcel, and I 1650 01:24:44,439 --> 01:24:50,000 Speaker 1: will see you soon. Thanks for coming, Marshall, taking Marcel. 1651 01:24:51,960 --> 01:25:02,439 Speaker 4: He clicked off. Fancy make sure we and the Wi 1652 01:25:02,560 --> 01:25:04,200 Speaker 4: Fi the glass was more full. 1653 01:25:04,600 --> 01:25:04,880 Speaker 6: See that. 1654 01:25:07,920 --> 01:25:10,280 Speaker 4: I'm not mad at I need something for today's shoot. 1655 01:25:10,520 --> 01:25:10,640 Speaker 7: Yo. 1656 01:25:11,080 --> 01:25:13,280 Speaker 1: No, but listen, thanks for calling. You'll know you're going 1657 01:25:13,320 --> 01:25:15,080 Speaker 1: through a lot this week. Thanks for even showing up. 1658 01:25:15,680 --> 01:25:19,000 Speaker 2: Thanks to do this. Now listen, I hope we were 1659 01:25:19,080 --> 01:25:20,960 Speaker 2: able to distract you at least for. 1660 01:25:22,560 --> 01:25:25,400 Speaker 1: Ninety minutes and put us smile on your face and 1661 01:25:26,320 --> 01:25:28,400 Speaker 1: keep us updating all things Shelley. 1662 01:25:28,520 --> 01:25:31,639 Speaker 4: Yes, I will thank you a pleasure. 1663 01:25:31,720 --> 01:25:38,760 Speaker 1: As always, Reality with the King is executive produced by 1664 01:25:38,840 --> 01:25:43,640 Speaker 1: me Carlos King, produced by Lizzie Nimitz, and a partnership 1665 01:25:43,760 --> 01:25:47,400 Speaker 1: with the Lack Effect Network. You can also find us 1666 01:25:47,439 --> 01:25:50,800 Speaker 1: on my YouTube channel at the Carlos King Underscore