WEBVTT - Mini Crush #126

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio. Hey, everybody,

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<v Speaker 1>welcome to Movie Crush. On a Monday, it's a many

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<v Speaker 1>with Noel back in the house. The greatst Adventure is

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<v Speaker 1>on Movie Crush. Sorry, dude, I was listening back to

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<v Speaker 1>that episode we did what we were talking about, the Hobbit,

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<v Speaker 1>and I just I've got that stuck in my head

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<v Speaker 1>now and that voice and you do a kind of

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<v Speaker 1>quavery voice thing that's sort of like that guy, you

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<v Speaker 1>know what just happened in the car? No uh, Ruby

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<v Speaker 1>is art right now. It's it's the saddest art camp.

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<v Speaker 1>It's her and three girls because of distancing. But these

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<v Speaker 1>are the only children she's seen and months and months

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<v Speaker 1>and months, so it's been kind of great. But we

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<v Speaker 1>were on the way and I was playing you know kids,

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<v Speaker 1>little kids like ween huh, Like it makes sense at tracks.

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<v Speaker 1>I was not aware of that, but yet. Yeah. A

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<v Speaker 1>lot of their stuff is like very kid friendly, I mean,

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<v Speaker 1>while also being completely not kid friendly, but musically it

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<v Speaker 1>sounds very fun and kids like I put on spinealman ingitis,

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<v Speaker 1>which has that mommy well there's also the little kid

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<v Speaker 1>voice that layered on top of it, and I didn't

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<v Speaker 1>want her hearing the main lines, which is it really

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<v Speaker 1>hurts mommy, Am I gonna die? Please don't let me die? Yes,

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<v Speaker 1>So I kept saying, please let me fly? Am I

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<v Speaker 1>gonna fly? And uh I turned, you know, the song

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<v Speaker 1>went off, and then she's in the pack, he going,

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<v Speaker 1>am I godly, mommy, please let me fly? All right? Oh,

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<v Speaker 1>my parents, you're dead of the year. You're making a little, uh,

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<v Speaker 1>a little bad seed kind of situation here, chuck. That's amazing.

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<v Speaker 1>And she also was just started singing Yellow Submarine, a

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<v Speaker 1>song that I have never played for her before, out

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<v Speaker 1>of nowhere. I know. It's like your kids just start

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<v Speaker 1>singing the Beatles out of nowhere. That's a good sign.

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<v Speaker 1>Where'd you get ahold of Yellow Submarine? I wonder, I

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<v Speaker 1>mean somebody. They probably played it in the art class's yeah,

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<v Speaker 1>that makes sense, it makes sense. How are you, sir?

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<v Speaker 1>I'm okay, man. I don't know if you can say.

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<v Speaker 1>I've got a little more background actually going on in

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<v Speaker 1>a stewd here. I got that orange the mic coming

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<v Speaker 1>down from on high. I got one of these little

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<v Speaker 1>bloom arm things, and I got my little uh, you're

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<v Speaker 1>see one of these guys. Yeah, let's uh play it

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<v Speaker 1>in all anyway, you get the pictures. It's a melodica,

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<v Speaker 1>and that was the Jurassic Park theme. It's a melodica

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<v Speaker 1>for those of you that don't know. It's one of

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<v Speaker 1>those keyboards as a blow tube and you supply sound

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<v Speaker 1>through your morning breath exactly my morning coffee breath. Uh.

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<v Speaker 1>Not to be shared with others unless you have your

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<v Speaker 1>own mouthpiece. Um. But yeah, you can't really see it.

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<v Speaker 1>But I've got like all my stuff. I've got a

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<v Speaker 1>full drum kid in here. Now, I've got my little

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<v Speaker 1>keyboard rigs set up here, got my guitars hanging on

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<v Speaker 1>the Is that a laptop? Uh? Or is it a desktop?

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<v Speaker 1>What i'mut the computer I'm using. Yeah, yeah, it's a laptop.

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<v Speaker 1>But I have a second monitor up on like my

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<v Speaker 1>little shelf here, and then I got my my new

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<v Speaker 1>monitor speakers and I'm set to go, Chuck, I'm ready

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<v Speaker 1>to rock. Well, my question, nol is, can you pick

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<v Speaker 1>up the goddamn laptop? And it's tethered, Chuck, it's tether

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<v Speaker 1>Do you mean tethers a laptop? It's got like a dongle.

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<v Speaker 1>It's just going into the sound card. It's going in

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<v Speaker 1>the sound card. It's got the word I don't want

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<v Speaker 1>to hear about your dongle. It's it's it's it's a

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<v Speaker 1>pretty nice dongle. Chuck. Too early for that, Never too

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<v Speaker 1>early for a dongle. My friend, is your dongle circumcised? No,

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<v Speaker 1>it's it's it's it's uncut, uncut Jim, uncut. We call

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<v Speaker 1>it old uncut Jim. That's that's that's my nickname. Speaking

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<v Speaker 1>of which, dude, I had my dear friend Harry Um,

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<v Speaker 1>who hadn't seen anybody and during all this, are you

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<v Speaker 1>still talking about your penis? No? This is my dear friend,

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<v Speaker 1>Harry his real name. He's got the best day. He

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<v Speaker 1>sounds like a villain on Charles Dickens novels. Name is

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<v Speaker 1>Harry Grimes and I should I should, you know? But

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<v Speaker 1>he hadn't talked to seen a single person in all

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<v Speaker 1>of this, and uh, I got him up here and

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<v Speaker 1>he like was telling me how he would go days

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<v Speaker 1>without speaking, and I was just like fun man, that

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<v Speaker 1>was he quarantined for real zies but interesting, yeah, exactly.

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<v Speaker 1>But he came up here and hung out for a

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<v Speaker 1>couple of days and we watched. We did it back

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<v Speaker 1>to back, a twenty four anxiety double feature. We did

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<v Speaker 1>the Lighthouse followed by Uncut Gems and it was a hoot,

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<v Speaker 1>and you also sat back to back. Because of exactly,

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<v Speaker 1>I want to apologize to everyone about the audio issues

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<v Speaker 1>I had on last week's episode. I recorded down here

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<v Speaker 1>with Emily, and I think what happened was it recorded

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<v Speaker 1>me through the little built in mic on my recording

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<v Speaker 1>unit and not my sure what are these SM seven

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<v Speaker 1>b SIM seven b, and it recorded Emily through her

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<v Speaker 1>sure S M seven b, so she was very loud

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<v Speaker 1>and also sniffley because she has allergies. Uh, And it

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<v Speaker 1>sounded like I was in a different room. So you know,

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<v Speaker 1>a rare audio glitch where we're doing the best we can.

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<v Speaker 1>So Big apologizes good episode two. So I I gotta

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<v Speaker 1>say due as I listened to other podcasts, which I,

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<v Speaker 1>to be completely honest, don't that much because of all

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<v Speaker 1>the podcast that we do work. First, the audio quality

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<v Speaker 1>swings wide, my friend, especially during all of this, so

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<v Speaker 1>it'll beat yourself up over it. A little hiccup like

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<v Speaker 1>that is to be to be expected from time to

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<v Speaker 1>time during all I appreciate that people were generally nice

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<v Speaker 1>and the people, I mean, no one was mean, but

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<v Speaker 1>some people were like, I'm sorry, I just couldn't listen

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<v Speaker 1>to this one. I had to turn it off. I

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<v Speaker 1>was like, all right, but you know that happens. Uh,

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<v Speaker 1>so nol. I figured we'd do a little gaming corner

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<v Speaker 1>since we've been talking about games a lot lately. I

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<v Speaker 1>finally started Last of Us two last night. Emily had

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<v Speaker 1>a zoom call with some old friends starting at eight,

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<v Speaker 1>right after Ruby went to bed. So I was like,

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<v Speaker 1>I got and this was a long sort of party calls, like,

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<v Speaker 1>so I got a few hours here and it's time

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<v Speaker 1>to pop it in. It's dark outside, and so I

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<v Speaker 1>played for about I played, like the first two hours

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<v Speaker 1>of the game. Have you started it? I have not.

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<v Speaker 1>What's your what's your early uh? What's the word I'm

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<v Speaker 1>looking for it check early impression. Early impression is um

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<v Speaker 1>great so far. I mean, you know it. I don't

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<v Speaker 1>want to give anything away, but you know it's very

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<v Speaker 1>film and movie like, just like the other one, and

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<v Speaker 1>that it starts off with a lot of non gameplay

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<v Speaker 1>stuff that's that's just good to sit through and rewarding.

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<v Speaker 1>I think that's what makes those stories so rich or

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<v Speaker 1>that story so rich. It's cool to see Ellie older

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<v Speaker 1>and you know, more of capable and um, yeah, that's

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<v Speaker 1>about all I want to say about it so far.

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<v Speaker 1>I mean, it looks amazing. Of course, I will say

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<v Speaker 1>this at having played Dead Red so much lately. The horse, ah,

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<v Speaker 1>the horse play, for lack of a better word, the

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<v Speaker 1>horse interaction or what do you call it? The interface

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<v Speaker 1>is much much better in Red Dead. Uh. And once

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<v Speaker 1>you if you're going from playing that literally that day

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<v Speaker 1>to then switching over to this, it feels a little

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<v Speaker 1>clunkier because you just don't have as much control on

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<v Speaker 1>over the horse as you want. Chuck for the records.

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<v Speaker 1>Spoiler alert. There's a horse. There was a horse in

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<v Speaker 1>the first one, was there really? Yeah? I didn't remember

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<v Speaker 1>the horse. Yeah there was a horse at some point

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<v Speaker 1>that they had horses later in the game, but yeah,

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<v Speaker 1>it um and I hadn't played the first one in

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<v Speaker 1>so long. It was It's kind of neat being thrown

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<v Speaker 1>back into that world after so much Red Dead. All

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<v Speaker 1>of a sudden I was back in the Last of

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<v Speaker 1>Us world and I was like, oh, yeah, I remember,

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<v Speaker 1>I remember why I loved this game so much. Yeah,

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<v Speaker 1>I was a huge fan of the first game. Um

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<v Speaker 1>it's I'm I'm really excited to play it. I don't

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<v Speaker 1>know that I'm going to get to it for a while.

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<v Speaker 1>I've got a couple of games that I haven't finished

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<v Speaker 1>on PS four. But I just got myself a Nintendo Switch,

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<v Speaker 1>the coveted Nintendo Switch, so I got there. Huh yeah,

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<v Speaker 1>it's great, man, It's a really really clever system. Like

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<v Speaker 1>it's just I don't know, Nintendo so good at designing

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<v Speaker 1>like hardware, and also like their games are just next level,

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<v Speaker 1>like they're just pure fun. So I got Mario Kart

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<v Speaker 1>eight Deluxe, which I already was playing on the WU,

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<v Speaker 1>which I got rid of. It's basically the same game,

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<v Speaker 1>just a little bit remastered and higher definitions. So I'll

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<v Speaker 1>continue playing that and playing that online a good bit.

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<v Speaker 1>And then I got this game Super Smash Brothers U,

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<v Speaker 1>where it's basically like a fighting game, but with all

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<v Speaker 1>the Nintendo characters from throughout time, and all of the

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<v Speaker 1>stages are like different stages from like all these classic

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<v Speaker 1>Nintendo games. And it's not like a regular fighting game

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<v Speaker 1>where you wear someone's like health down. It's at all

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<v Speaker 1>these different rules. It's more like a sumo mats where

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<v Speaker 1>you have to knock them out of this ring multiple times,

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<v Speaker 1>and I don't know, it's just like it's something about

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<v Speaker 1>the dynamic and the balance of it. It's just like

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<v Speaker 1>super addictive. I've been playing the hell out of that game.

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<v Speaker 1>And it's your daughter, which she's super excited when it

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<v Speaker 1>showed up. Well, she was at a town at the time. Um,

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<v Speaker 1>and I'm terrible at surprised as so I told her

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<v Speaker 1>it was coming. But yeah, she's been rocking Animal Crossing,

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<v Speaker 1>which is so oh not my bag. I'm realizing, I'm

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<v Speaker 1>I don't know. I've got some friends that I really

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<v Speaker 1>respect that that are so into it, so I'm gonna

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<v Speaker 1>give it a shot. But it's like, you know, you

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<v Speaker 1>make your little house and you make you decorate your island,

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<v Speaker 1>and it's all about just like going with the flow

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<v Speaker 1>and like you fish in the river and all this

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<v Speaker 1>and collect apples from the trees and uh. She loves it.

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<v Speaker 1>And you can play what you can go visit your

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<v Speaker 1>friends islands and do stuff together and that's a big

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<v Speaker 1>part of the appeal. So yeah, she's all about and

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<v Speaker 1>she's good at other games too. She's really good at

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<v Speaker 1>Mario Karr. We can play that together. She's getting really

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<v Speaker 1>good at smash Bros. So yeah, it was a very

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<v Speaker 1>worthy purchase. I really love it. It's nice. I love it.

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<v Speaker 1>Um I was. It seems like I have all my

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<v Speaker 1>most embarrassing moments when Emily comes around. When I'm playing

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<v Speaker 1>Red Dead. There are these two women, or at least

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<v Speaker 1>they were female characters. You never know who's playing these

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<v Speaker 1>characters in your life, but in the game, there were

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<v Speaker 1>these two women that just we're kicking my assenal like

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<v Speaker 1>out of nowhere. I was, they were griefing me. I

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<v Speaker 1>was just doing my thing, doing my hunting operation, and

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<v Speaker 1>they came up and I did my usual thing, which

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<v Speaker 1>is I wave and I'm like hi, and I kind

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<v Speaker 1>of nod my head. I'm like friendly guy here. And

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<v Speaker 1>she came up noll and just fucking tackled me and

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<v Speaker 1>flipped me over and hog tied me and and rode

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<v Speaker 1>me around on her horse. And then she I got free.

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<v Speaker 1>She punched me with her friend, she hog tied me again,

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<v Speaker 1>left me on the ground, and Emily had just happened

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<v Speaker 1>to come in there, and she's laughing her ass off,

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<v Speaker 1>because you know, when you're hog tied. You can break

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<v Speaker 1>free if you hit that button like four times. I

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<v Speaker 1>didn't know that was like I said, I haven't played

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<v Speaker 1>the online component of that, but that that's delightful. And

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<v Speaker 1>also why would you put yourself through that chuck? Didn't

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<v Speaker 1>you say this has happened to you before? Are you okay?

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<v Speaker 1>Are you okay? I'm fine? It wasn't that egg on

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<v Speaker 1>my face. It was embarrassing. I was just getting this

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<v Speaker 1>ship kicked out of me and then I got mad,

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<v Speaker 1>and you know, I finally got free and was able

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<v Speaker 1>to kill one of them, and that just made it worse.

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<v Speaker 1>Then then they were like obsessed with finding me and

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<v Speaker 1>hog dyeing me, like I'm not good enough to I

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<v Speaker 1>think once you play a long long time, you just

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<v Speaker 1>want to get more creative and how you kick the

0:12:14.120 --> 0:12:16.600
<v Speaker 1>ship out of people, and it's not fun to just

0:12:16.640 --> 0:12:19.360
<v Speaker 1>like pull out your shotguns. So they were doing all

0:12:19.400 --> 0:12:21.880
<v Speaker 1>sorts of creative things. They were dragging me with a

0:12:21.880 --> 0:12:26.720
<v Speaker 1>horse psychological torture, dude, that is bonkers. Yeah, it was.

0:12:27.520 --> 0:12:30.760
<v Speaker 1>It was pretty Who are these sadists? This is uh?

0:12:30.800 --> 0:12:35.719
<v Speaker 1>This is alarming. It was who knows? Who knows? So no,

0:12:35.960 --> 0:12:39.760
<v Speaker 1>we're gonna start off here did we catch up? Oh? Yeah,

0:12:40.160 --> 0:12:43.760
<v Speaker 1>we're caught Yeah? Are we good? Yeah? I felt like

0:12:44.000 --> 0:12:45.680
<v Speaker 1>something else I was going to ask you about was

0:12:45.720 --> 0:12:47.920
<v Speaker 1>that gaming corner? Is it is? Game? Is this coming?

0:12:48.000 --> 0:12:50.040
<v Speaker 1>This is there's still more gaming talk? Or was that

0:12:50.120 --> 0:12:52.400
<v Speaker 1>and now that that was gaming? Anything else that I

0:12:52.400 --> 0:12:54.280
<v Speaker 1>was making sure that wasn't just a preamble to the

0:12:54.320 --> 0:12:59.360
<v Speaker 1>real gaming corner people be like kill me God. Some

0:12:59.360 --> 0:13:02.360
<v Speaker 1>people love it, but um, I'm waiting for someone to

0:13:02.400 --> 0:13:04.880
<v Speaker 1>come along and kick my ass and then speak through

0:13:04.880 --> 0:13:11.120
<v Speaker 1>my television and say, are you chuck for a movie? Crush?

0:13:11.440 --> 0:13:13.120
<v Speaker 1>Because my name, you know, I wasn't one of these

0:13:13.120 --> 0:13:16.959
<v Speaker 1>people that thought of some clever name. Well not even clever.

0:13:17.040 --> 0:13:20.800
<v Speaker 1>Most of them are just like, you know, kill myister

0:13:20.960 --> 0:13:25.280
<v Speaker 1>three thousand and torture King, and there's all these disturbing names.

0:13:25.360 --> 0:13:27.800
<v Speaker 1>You know, kill myister three k dude, Oh my god,

0:13:28.040 --> 0:13:34.480
<v Speaker 1>he's a legend, a legend at playing video games. All right, So, Nol,

0:13:34.800 --> 0:13:36.440
<v Speaker 1>this is a question I don't know why I've never

0:13:36.480 --> 0:13:39.960
<v Speaker 1>asked before. It's very simple. It is what's your favorite

0:13:39.960 --> 0:13:43.280
<v Speaker 1>black and white movie? I saw that and I like

0:13:43.400 --> 0:13:45.400
<v Speaker 1>it because it could be like a classic or it

0:13:45.440 --> 0:13:49.199
<v Speaker 1>could be like a stylized art kind of blacks, right,

0:13:50.360 --> 0:13:52.600
<v Speaker 1>it could be Sky Captain in the World of Tomorrow.

0:13:53.480 --> 0:13:56.480
<v Speaker 1>Was that that wasn't really fully black? And why was it? No,

0:13:56.640 --> 0:13:58.400
<v Speaker 1>We had this conversation. It was it was sort of

0:13:58.440 --> 0:14:03.160
<v Speaker 1>a very desaturated that I'm thinking of Sin City, which

0:14:03.200 --> 0:14:06.920
<v Speaker 1>was similar in tone, like in terms of like the design.

0:14:07.360 --> 0:14:09.760
<v Speaker 1>I quite enjoyed us since the first one. Oh yeah,

0:14:09.760 --> 0:14:13.240
<v Speaker 1>it's great. That looks good. So we're gonna start off

0:14:13.280 --> 0:14:17.360
<v Speaker 1>with the top post here from Christine Fordham. Not only

0:14:17.480 --> 0:14:19.320
<v Speaker 1>my favorite black and white movie, but one of my

0:14:19.360 --> 0:14:23.280
<v Speaker 1>favorite movies overall, starring one of my favorite actors. M

0:14:23.320 --> 0:14:28.600
<v Speaker 1>with Peter Laurie, directed by the incomparable Fritz Lang. Creepy, creepy,

0:14:28.600 --> 0:14:33.480
<v Speaker 1>atmospheric goodness. Close runner up is Freaks, also creepy and thoughtful. Yeah,

0:14:33.480 --> 0:14:36.200
<v Speaker 1>I've never seen him. I've actually seen him. I'm surprised,

0:14:36.400 --> 0:14:39.240
<v Speaker 1>like like we've talked about, I I haven't seen a

0:14:39.240 --> 0:14:43.000
<v Speaker 1>ton of of these these great classics. But he whistles.

0:14:43.000 --> 0:14:45.040
<v Speaker 1>He's like a serial killer kind of. It's sort of

0:14:45.040 --> 0:14:49.120
<v Speaker 1>a like a really early serial killer movie. And he whistles.

0:14:49.160 --> 0:14:53.760
<v Speaker 1>That's how you know he's coming. That's creepy. Yeah, you

0:14:53.840 --> 0:14:56.560
<v Speaker 1>know what is the whistle? Is it? Is it a

0:14:56.560 --> 0:14:59.600
<v Speaker 1>token song like a I think it is and I

0:14:59.600 --> 0:15:01.600
<v Speaker 1>can't or what it is, something like the Farmer in

0:15:01.680 --> 0:15:04.720
<v Speaker 1>the Dell or something like that, but I can't quite

0:15:04.800 --> 0:15:07.600
<v Speaker 1>recall what that is. It's the same one every time.

0:15:08.920 --> 0:15:11.360
<v Speaker 1>Moving on to U and think of your answer to no,

0:15:11.360 --> 0:15:14.720
<v Speaker 1>old oh cannon a twelve Angry men. Actors do so

0:15:14.800 --> 0:15:18.440
<v Speaker 1>much with just facial expressions, fantastic lessons to teach everyone.

0:15:20.280 --> 0:15:22.960
<v Speaker 1>The rare black and white comedy from top fan and

0:15:23.000 --> 0:15:26.760
<v Speaker 1>old friend Jessica Medina or Medina, she's like, no, it's

0:15:26.760 --> 0:15:29.840
<v Speaker 1>not or it's one or the other. Dude, learn it,

0:15:31.200 --> 0:15:36.080
<v Speaker 1>but she goes with young Frankenstein classic and I don't.

0:15:36.120 --> 0:15:38.800
<v Speaker 1>I guess he wasn't directly involved in this. But Carl Reiner.

0:15:39.000 --> 0:15:42.239
<v Speaker 1>We just lost Carl Reiner. I think he was ninety

0:15:42.760 --> 0:15:45.640
<v Speaker 1>seven years old or something like that, like crazy, yeah,

0:15:46.040 --> 0:15:50.280
<v Speaker 1>legend end in a contemporary of and good friend of

0:15:50.320 --> 0:15:52.960
<v Speaker 1>mel Brooks. So yeah, of course I'm glad you remember that.

0:15:53.000 --> 0:15:55.320
<v Speaker 1>No to shout out it seems like we lost someone

0:15:55.360 --> 0:16:04.760
<v Speaker 1>else too recently or am I thinking something? Oh, I

0:16:04.800 --> 0:16:08.440
<v Speaker 1>can't tell you what you're thinking about? Check Mr. That

0:16:08.600 --> 0:16:11.480
<v Speaker 1>is you're not you're not doing a s MR. Right, Chuck.

0:16:11.560 --> 0:16:14.680
<v Speaker 1>That is not what a SMR. Really, it's not a

0:16:14.680 --> 0:16:17.920
<v Speaker 1>constant off keytone. No, it's no, it's it's meant to

0:16:17.960 --> 0:16:21.000
<v Speaker 1>be just whispers. It's like it's like this is the

0:16:21.080 --> 0:16:25.480
<v Speaker 1>sound of my voice like that. You get the tingles?

0:16:25.600 --> 0:16:29.320
<v Speaker 1>Should getting the tingles? I pretending pretense. Stop it. I'm

0:16:29.320 --> 0:16:32.720
<v Speaker 1>gonna pretend to give you a haircut. Chuck. Oh yeah,

0:16:32.800 --> 0:16:35.040
<v Speaker 1>that's that's that's a big one too, Give me a

0:16:35.080 --> 0:16:39.920
<v Speaker 1>little tingle. Remember American History X. I don't think it

0:16:39.960 --> 0:16:41.520
<v Speaker 1>was all in black and way, but they were like

0:16:41.640 --> 0:16:47.880
<v Speaker 1>the flashbacks were maybe, but uh that one heavy. Yeah.

0:16:48.360 --> 0:16:50.280
<v Speaker 1>Did you ever see Green Room? Did we talk about that?

0:16:50.360 --> 0:16:52.800
<v Speaker 1>I really enjoyed Green Room. I mean it's a it's

0:16:52.800 --> 0:16:56.160
<v Speaker 1>a slog. It's very like it's it's it's it's intense.

0:16:56.440 --> 0:16:58.400
<v Speaker 1>Actually had this conversation with somebody of the dying about

0:16:58.400 --> 0:17:01.840
<v Speaker 1>how American History X. They're both about neo Nazi kind

0:17:01.840 --> 0:17:04.919
<v Speaker 1>of culture. American History ACTS is much more of like

0:17:04.960 --> 0:17:09.400
<v Speaker 1>an allegorical kind of like you know, um teachable kind

0:17:09.440 --> 0:17:11.480
<v Speaker 1>of thing where you really like take away like, oh,

0:17:11.520 --> 0:17:13.880
<v Speaker 1>this is where this hate comes from. Whereas Green Room

0:17:14.000 --> 0:17:17.479
<v Speaker 1>is more of like a murder kind of like you know,

0:17:17.760 --> 0:17:20.919
<v Speaker 1>escape torture porn kind of thing. I didn't find it

0:17:20.960 --> 0:17:24.720
<v Speaker 1>to be as like, you know, meaningful in terms of like,

0:17:24.800 --> 0:17:28.359
<v Speaker 1>you know, understanding that motivations behind the characters. They're just

0:17:28.400 --> 0:17:32.359
<v Speaker 1>kind of like played like movie monsters. Basically, Yeah, it

0:17:32.520 --> 0:17:34.560
<v Speaker 1>is not heavy at all, but I thought it was

0:17:35.400 --> 0:17:39.240
<v Speaker 1>sort of a pulpy thrill ride type of film. Totally. Yeah.

0:17:39.320 --> 0:17:40.920
<v Speaker 1>I just think, you know, in this day and age,

0:17:41.600 --> 0:17:45.360
<v Speaker 1>if you're gonna talk about Neo Nazis, something about say

0:17:45.440 --> 0:17:47.960
<v Speaker 1>something about it, have something to say because something I

0:17:47.960 --> 0:17:50.240
<v Speaker 1>don't know but which that was years ago. But uh,

0:17:50.600 --> 0:17:53.119
<v Speaker 1>that's just looking back on it, I feel it has

0:17:52.960 --> 0:17:57.760
<v Speaker 1>a little thin in that department. Yeah, like if anything

0:17:58.840 --> 0:18:02.440
<v Speaker 1>the band could well din't. It feels just so contrived

0:18:02.440 --> 0:18:05.040
<v Speaker 1>if they're like liberal do gooders who win in the end.

0:18:05.160 --> 0:18:08.440
<v Speaker 1>You know, Yeah, I don't. I'm not I like what

0:18:08.520 --> 0:18:10.800
<v Speaker 1>it was. I'm just saying it's like, you know, I'm

0:18:10.800 --> 0:18:12.639
<v Speaker 1>not saying you gotta take a stand and you have

0:18:12.720 --> 0:18:15.359
<v Speaker 1>to like have some kind of deeper meaning. But that

0:18:15.400 --> 0:18:18.560
<v Speaker 1>movie was really just kind of slasher, like a slasher

0:18:18.640 --> 0:18:23.120
<v Speaker 1>movie with my Nazis. There's such a snob. I know,

0:18:23.640 --> 0:18:27.040
<v Speaker 1>I get it from my mom. Oh the opera singer

0:18:29.040 --> 0:18:33.760
<v Speaker 1>so old friend. Kristen Egan says, the Apartment, the Thin Man,

0:18:34.359 --> 0:18:36.840
<v Speaker 1>Swing Time, and the Purple Rose of Cairo, or to

0:18:36.960 --> 0:18:40.680
<v Speaker 1>choose one. I want to see all of these. You

0:18:40.720 --> 0:18:45.240
<v Speaker 1>haven't seen any of those? Have you? Definitely not stop gaming,

0:18:45.280 --> 0:18:52.560
<v Speaker 1>nol no, let me see here. Sophie Cobal says, Double

0:18:52.600 --> 0:18:57.200
<v Speaker 1>Indemnity best film, noir movie ever, beautiful movie, dramatic and sultry.

0:18:58.960 --> 0:19:03.320
<v Speaker 1>You know, sulture, you say. Maddie Baldwin says, something like

0:19:03.400 --> 0:19:05.240
<v Speaker 1>a hot first black and white movie I ever saw.

0:19:05.880 --> 0:19:07.720
<v Speaker 1>Amaze me how much it just sucked me into the

0:19:07.720 --> 0:19:11.800
<v Speaker 1>point where I didn't even notice. Yeah, it's interesting. I

0:19:11.800 --> 0:19:14.320
<v Speaker 1>don't I don't think he necessarily means this. Maddie doesn't,

0:19:14.359 --> 0:19:17.160
<v Speaker 1>but um, I think some people are turned off by

0:19:17.160 --> 0:19:20.480
<v Speaker 1>black and white films. I don't think a ton of people,

0:19:20.480 --> 0:19:22.520
<v Speaker 1>but I know some people are like, it didn't even

0:19:22.560 --> 0:19:24.200
<v Speaker 1>bother me or something that it was black and white,

0:19:24.240 --> 0:19:26.399
<v Speaker 1>and like, oh, what do you mean bother you? It's great,

0:19:26.560 --> 0:19:29.000
<v Speaker 1>that's weird. Yeah, I mean, it's it's such a you know,

0:19:29.080 --> 0:19:33.720
<v Speaker 1>it's obviously a um difference, you know, you have to

0:19:33.720 --> 0:19:36.720
<v Speaker 1>shoot differently, like youah, Like the lighting has to it's

0:19:36.720 --> 0:19:39.280
<v Speaker 1>a certain look and it requires a lot more like

0:19:39.440 --> 0:19:41.800
<v Speaker 1>depth than something about it, Like it has to be

0:19:41.840 --> 0:19:44.920
<v Speaker 1>done really masterfully to to look right and not look flat. Um,

0:19:45.040 --> 0:19:46.920
<v Speaker 1>Casey Pegram would be a good person to talk about,

0:19:46.960 --> 0:19:50.919
<v Speaker 1>like the craft behind shooting in black and white and

0:19:50.960 --> 0:19:54.920
<v Speaker 1>like what you know what that takes versus shooting in color. Um.

0:19:54.960 --> 0:19:57.359
<v Speaker 1>But yeah, now, I don't. I don't think it's a

0:19:57.400 --> 0:19:59.240
<v Speaker 1>drawback at all. I think you can actually, like really

0:20:00.160 --> 0:20:02.560
<v Speaker 1>to be a powerful tool, as we know a lot

0:20:02.600 --> 0:20:06.560
<v Speaker 1>of like modern films make that choice on purpose. Are

0:20:06.560 --> 0:20:13.359
<v Speaker 1>you talking about your penis again? Absolutely? Always? I'm so sorry.

0:20:13.640 --> 0:20:16.480
<v Speaker 1>Everyone's apologize. I don't know why I'm being so silly.

0:20:16.600 --> 0:20:20.359
<v Speaker 1>You are being so crashed today, Chuck, Well, he's a

0:20:20.400 --> 0:20:23.680
<v Speaker 1>powerful tool. Come on, I didn't. I didn't even know

0:20:23.720 --> 0:20:25.480
<v Speaker 1>what you were talking about. I didn't even catch that.

0:20:25.520 --> 0:20:28.800
<v Speaker 1>I'm like what I was talking about the craft of

0:20:29.320 --> 0:20:33.159
<v Speaker 1>filmmaking and Chara Scorel lighting, I know, And I'm just

0:20:33.400 --> 0:20:36.240
<v Speaker 1>crass over here. I'm feeling very childish. I love it, Chuck,

0:20:36.280 --> 0:20:40.160
<v Speaker 1>I love this energy. So Joe Burns, one of Earl

0:20:40.200 --> 0:20:42.440
<v Speaker 1>pal says, The Man who Wasn't There one of my

0:20:42.480 --> 0:20:46.560
<v Speaker 1>favorite Cohen Brothers film and underrated too. I agree, my

0:20:46.640 --> 0:20:48.360
<v Speaker 1>friend and I haven't seen that one a long time,

0:20:48.400 --> 0:20:51.400
<v Speaker 1>but it'll be coming up on our film series with

0:20:51.560 --> 0:20:54.840
<v Speaker 1>Ben Harrison soon enough. You haven't seen The Man who

0:20:54.880 --> 0:20:57.480
<v Speaker 1>Wasn't There? No, I haven't seen it since it came out.

0:20:57.520 --> 0:20:59.480
<v Speaker 1>Oh Got, you got? You got? It's the one time

0:20:59.840 --> 0:21:02.560
<v Speaker 1>it I don't know, I never I don't remember ever

0:21:02.560 --> 0:21:04.960
<v Speaker 1>seeing that come out in theaters. I was first made

0:21:04.960 --> 0:21:08.239
<v Speaker 1>aware of it on DVD, which is funny because I mean,

0:21:08.240 --> 0:21:10.560
<v Speaker 1>I was very aware of Going Brothers, but that one

0:21:10.600 --> 0:21:13.879
<v Speaker 1>seems to have gotten a less wide release maybe or something.

0:21:13.920 --> 0:21:16.200
<v Speaker 1>I don't know. Well, there wasn't a video game tie in,

0:21:16.320 --> 0:21:20.440
<v Speaker 1>so and I am talking about uh and and it's

0:21:20.480 --> 0:21:29.919
<v Speaker 1>wide release. H my god? What has happened here? We

0:21:30.000 --> 0:21:34.160
<v Speaker 1>have turned a corner to the last last episode, last

0:21:34.160 --> 0:21:37.000
<v Speaker 1>episode ever. Well, according to our iTunes reviews, the show

0:21:37.000 --> 0:21:40.040
<v Speaker 1>should have ended a long time ago, So really are they?

0:21:40.680 --> 0:21:42.760
<v Speaker 1>I'm kidding, Chuck? I I do it a little rabbit

0:21:42.800 --> 0:21:45.880
<v Speaker 1>hole of iTunes reviews sometimes and I very cathartically from

0:21:45.880 --> 0:21:48.800
<v Speaker 1>my own mental health post the bad ones that call

0:21:48.920 --> 0:21:51.080
<v Speaker 1>me out by name on my Instagram story just so

0:21:51.119 --> 0:21:55.960
<v Speaker 1>people can comment and say nice things. That's funny. But

0:21:56.000 --> 0:21:58.720
<v Speaker 1>there was literally one that was like, oh you'll love

0:21:58.760 --> 0:22:00.439
<v Speaker 1>this one, chuck. It was frozen for the shows for

0:22:00.520 --> 0:22:03.600
<v Speaker 1>ridiculous issue with someone was like, really enjoyed the show.

0:22:04.119 --> 0:22:10.840
<v Speaker 1>But lately it seems like Knowles developed an attitude unsubscribed

0:22:12.800 --> 0:22:15.160
<v Speaker 1>And did you say I haven't developed an attitude fuck

0:22:15.200 --> 0:22:17.520
<v Speaker 1>you exactly. Well, that's the thing about iTunes, because you

0:22:17.560 --> 0:22:20.920
<v Speaker 1>can't clap back, man, you can't back. You just get

0:22:20.920 --> 0:22:24.600
<v Speaker 1>clapped on. Oh God, bless him. Well, you know what.

0:22:24.640 --> 0:22:26.800
<v Speaker 1>And all we have our our listeners here who love

0:22:26.920 --> 0:22:30.000
<v Speaker 1>us and who depend on us each week to be

0:22:30.080 --> 0:22:32.439
<v Speaker 1>silly and talk about movies and and that's all I

0:22:32.480 --> 0:22:35.880
<v Speaker 1>care about totally. Everyone everyone else can get bent. Absolutely

0:22:36.280 --> 0:22:39.679
<v Speaker 1>all I care about it these movie crusher and my family.

0:22:39.720 --> 0:22:42.399
<v Speaker 1>It's so crazy how much response you get when you

0:22:42.440 --> 0:22:45.399
<v Speaker 1>post these things. I'm always blown away by the level

0:22:45.480 --> 0:22:50.199
<v Speaker 1>of thoughtfulness and just charm and their lovely, lovely humans.

0:22:50.720 --> 0:22:53.720
<v Speaker 1>Lovely you know. I agree. We're gonna go with Jason. Wow.

0:22:53.760 --> 0:22:56.600
<v Speaker 1>I didn't know you could just have one name on Facebook,

0:22:57.240 --> 0:22:59.719
<v Speaker 1>I guess, So did you know that have you ever

0:22:59.720 --> 0:23:02.760
<v Speaker 1>seen one? Namer I don't know how you do that.

0:23:02.840 --> 0:23:05.760
<v Speaker 1>It usually makes you fill in all the fields. Hey,

0:23:05.880 --> 0:23:10.199
<v Speaker 1>Jason found a work around. He goes with ed Wood

0:23:10.320 --> 0:23:13.280
<v Speaker 1>and the third Man Boy. I agree with both of those.

0:23:13.400 --> 0:23:15.840
<v Speaker 1>Edward is you know we talked about that with Alex

0:23:15.880 --> 0:23:18.960
<v Speaker 1>on this show. The photography in that movie is top notch.

0:23:21.160 --> 0:23:23.879
<v Speaker 1>Amanda Caroen, one of our old friends, says, rear window

0:23:24.480 --> 0:23:27.840
<v Speaker 1>to capture so much in so little space, why do

0:23:27.880 --> 0:23:32.639
<v Speaker 1>I think that rear window was not black and white? Uh?

0:23:32.760 --> 0:23:36.520
<v Speaker 1>You know, I'm thinking maybe wasn't either. I've definitely seen it,

0:23:36.520 --> 0:23:38.560
<v Speaker 1>but it's been a long time. It's not black and

0:23:38.600 --> 0:23:42.600
<v Speaker 1>white and all. It's cola dang it. But you know what,

0:23:42.680 --> 0:23:46.200
<v Speaker 1>I'm gonna forgive that because it feels like it could

0:23:46.200 --> 0:23:49.320
<v Speaker 1>have been black and white. Amanda. It does feel that

0:23:49.359 --> 0:23:52.000
<v Speaker 1>way in your mind, and maybe your memories are starting

0:23:52.040 --> 0:23:55.040
<v Speaker 1>black and white, you know. Yeah. And she actually had

0:23:55.080 --> 0:23:58.040
<v Speaker 1>a couple of folks top fan Martin Kid and Jennifer

0:23:58.119 --> 0:24:02.160
<v Speaker 1>Lewis also said so it's in color, and Martin even

0:24:02.240 --> 0:24:05.880
<v Speaker 1>used the British spelling of color. So you know, he's right.

0:24:07.040 --> 0:24:08.960
<v Speaker 1>You don't throw that you in there unless you're pretty sure.

0:24:09.320 --> 0:24:14.440
<v Speaker 1>I chatted quite extensively last night with a listener from

0:24:14.520 --> 0:24:18.760
<v Speaker 1>the U K from nodding him and it was really cool.

0:24:19.160 --> 0:24:21.439
<v Speaker 1>We talked about politics and stuff, and he gave me

0:24:21.480 --> 0:24:25.040
<v Speaker 1>a great nickname that the Brits used for their prime minister.

0:24:25.119 --> 0:24:32.760
<v Speaker 1>They call him Bojo Bojo Bojo the Bozo. Probably exactly

0:24:33.680 --> 0:24:37.200
<v Speaker 1>what should we call our president Noel? Mr? Mr President?

0:24:37.440 --> 0:24:41.479
<v Speaker 1>Fucking fucking idiot. I don't know, boy, he seems to

0:24:41.560 --> 0:24:45.760
<v Speaker 1>just be content to take this down in flames. I mean,

0:24:45.960 --> 0:24:51.440
<v Speaker 1>I look, I almost am like done even talking about it.

0:24:51.440 --> 0:24:55.720
<v Speaker 1>It's just I just I'm ready to just see what happens.

0:24:55.920 --> 0:25:00.479
<v Speaker 1>But also, like god, what if he doesn't abdicate throne,

0:25:01.320 --> 0:25:03.679
<v Speaker 1>you know what I mean? What if he loses and

0:25:03.720 --> 0:25:07.560
<v Speaker 1>then he like won't leave. I just can't picture him graciously,

0:25:08.000 --> 0:25:12.600
<v Speaker 1>you know, conceding anything. Ever. That's because that's literally impossible.

0:25:12.720 --> 0:25:16.160
<v Speaker 1>No Um, I think he will either drop out beforehand,

0:25:16.200 --> 0:25:19.280
<v Speaker 1>if the writings on the wall, or he will lose

0:25:19.560 --> 0:25:22.880
<v Speaker 1>and claim voter fraud and try and get courts involved.

0:25:23.680 --> 0:25:26.120
<v Speaker 1>I don't know, No, why are we talking politics? We're not.

0:25:26.400 --> 0:25:29.720
<v Speaker 1>People didn't come here for politics. They came here for

0:25:29.720 --> 0:25:33.000
<v Speaker 1>for for crushing all right, let's keep crushing Schindler's list.

0:25:33.119 --> 0:25:36.080
<v Speaker 1>This is from Amy. Oh boy, you know, I'm gonna

0:25:36.119 --> 0:25:41.480
<v Speaker 1>love this name. But Nini Schindler's by far been reading

0:25:41.560 --> 0:25:43.840
<v Speaker 1>so many good books about World War Two lately. It

0:25:43.920 --> 0:25:46.560
<v Speaker 1>all breaks my heart. Yeah, Amy, I'm with you there.

0:25:46.680 --> 0:25:50.000
<v Speaker 1>And it's it's there's that one little splash of color

0:25:50.480 --> 0:25:52.639
<v Speaker 1>with the little girl's dress where you see her in

0:25:52.680 --> 0:25:54.960
<v Speaker 1>the pile or you see her throughout the movie a

0:25:55.000 --> 0:25:56.280
<v Speaker 1>couple of times, and then you see her in the

0:25:56.359 --> 0:26:00.280
<v Speaker 1>in the pile at the end. Really creative. Oh I'm

0:26:00.280 --> 0:26:02.760
<v Speaker 1>actually getting shivers just thinking about it. That that was

0:26:02.800 --> 0:26:06.240
<v Speaker 1>a very powerful movie. It's so funny. You think of

0:26:06.320 --> 0:26:10.520
<v Speaker 1>Spielberg sometimes as being this like temp pole kind of

0:26:11.160 --> 0:26:13.680
<v Speaker 1>you know, shock it aw kind of like, but he's

0:26:13.720 --> 0:26:18.200
<v Speaker 1>he's very thoughtful, Like he's so thoughtful and great at framing,

0:26:18.320 --> 0:26:21.159
<v Speaker 1>and just like he's just everything about him is you know,

0:26:21.240 --> 0:26:23.600
<v Speaker 1>I think he gets not shipped on but like just

0:26:23.640 --> 0:26:27.679
<v Speaker 1>you know, unfairly considered like just so mainstream. But he

0:26:27.760 --> 0:26:33.199
<v Speaker 1>really is very creative in his in his filmmaking, very adept. Yeah,

0:26:33.320 --> 0:26:37.639
<v Speaker 1>and beyond that, he's uh, sure he does his Ready

0:26:37.640 --> 0:26:41.399
<v Speaker 1>Player once, but he also does Amistade and Munich and

0:26:41.480 --> 0:26:46.640
<v Speaker 1>Schindler's List and color Purple and Lincoln like he's he's

0:26:46.680 --> 0:26:49.440
<v Speaker 1>got a he's got a hard on for history. Nol

0:26:49.560 --> 0:26:52.119
<v Speaker 1>Is what I'm saying, was Munich pretty good and I

0:26:52.160 --> 0:26:56.320
<v Speaker 1>didn't see Munich. Muni is great, totally totally good and

0:26:56.560 --> 0:27:00.760
<v Speaker 1>uh very Uh you know. The the story that it's

0:27:00.800 --> 0:27:04.439
<v Speaker 1>about is the Munich Olympics. Yeah, and it's about these

0:27:04.640 --> 0:27:07.000
<v Speaker 1>well I won't tell you, but it's very taught, like

0:27:07.080 --> 0:27:10.679
<v Speaker 1>a taught political thriller. I think I'm gonna try to

0:27:10.720 --> 0:27:13.600
<v Speaker 1>find it, uh this evening and need a movie, Chuck.

0:27:13.600 --> 0:27:16.560
<v Speaker 1>I gotta tell you it's crazy yours. Your skype is

0:27:16.640 --> 0:27:20.040
<v Speaker 1>like about a minute behind your audio. It's like I'm

0:27:20.040 --> 0:27:22.680
<v Speaker 1>I'm I'm paying attention now and I'm seeing you react

0:27:23.200 --> 0:27:27.080
<v Speaker 1>like maybe twenty seconds, but it's it's it's very jarring. Uh.

0:27:27.200 --> 0:27:29.879
<v Speaker 1>It's kind of great though, So are you able to

0:27:29.880 --> 0:27:33.280
<v Speaker 1>follow the conversation? Absolutely? I mean, it's just yeah, it's

0:27:33.320 --> 0:27:36.280
<v Speaker 1>just funny because I've never seen this happen before. So

0:27:36.320 --> 0:27:38.320
<v Speaker 1>the audio is in sync, but the videos off the

0:27:38.400 --> 0:27:43.320
<v Speaker 1>video is like literally like fifteen seconds ish behind, so

0:27:43.320 --> 0:27:44.960
<v Speaker 1>I'll hear you say something and then I'll see you

0:27:45.000 --> 0:27:47.720
<v Speaker 1>say it. Oh god, stop, you're doing it on purpose

0:27:47.760 --> 0:27:51.560
<v Speaker 1>now now I'm just working with everyone making these big

0:27:51.600 --> 0:27:55.960
<v Speaker 1>broad expressions. Alright. Top fan and old friend Harper Smith says,

0:27:56.000 --> 0:27:58.960
<v Speaker 1>frances hah, not an oldie but a goodie. Yeah, Francis

0:27:58.960 --> 0:28:01.080
<v Speaker 1>has great. Okay, that's another one I need to put

0:28:01.119 --> 0:28:03.399
<v Speaker 1>on my list. I've always I really loved Bomboch, but

0:28:03.520 --> 0:28:05.240
<v Speaker 1>I have not. I haven't seen enough of his work.

0:28:05.280 --> 0:28:08.280
<v Speaker 1>I really loved The Squid in the Whale um, and

0:28:08.359 --> 0:28:12.240
<v Speaker 1>I saw Greenberg. Didn't heed you Greenberg? Yeah? And I

0:28:12.280 --> 0:28:15.280
<v Speaker 1>saw one other that I quite enjoyed kicking and screaming.

0:28:15.359 --> 0:28:17.600
<v Speaker 1>Was that his first one? I like that one a

0:28:17.680 --> 0:28:20.440
<v Speaker 1>lot too, But I have not seen Francis ha. Oh boy,

0:28:20.480 --> 0:28:23.280
<v Speaker 1>it's great. People seem to love it. Yeah, it's really

0:28:23.280 --> 0:28:26.840
<v Speaker 1>really good. Andrew Clayton mentions one of my favorite favorite movies,

0:28:26.920 --> 0:28:32.640
<v Speaker 1>Jim Jarmers is Down by Law, wonderful film. John Michael says,

0:28:32.680 --> 0:28:35.400
<v Speaker 1>is it cheating to say clerks? Now? It's not black

0:28:35.400 --> 0:28:39.680
<v Speaker 1>and white? Everyone? That doesn't mean old totally. We talked

0:28:39.680 --> 0:28:42.280
<v Speaker 1>about that from the from the start. Someone also said,

0:28:42.280 --> 0:28:44.800
<v Speaker 1>as young Frankenstein cheating, I'm like, no, these aren't cheats.

0:28:45.080 --> 0:28:48.200
<v Speaker 1>There's no cheating black and white. There's no cheating in

0:28:48.240 --> 0:28:53.920
<v Speaker 1>movie Crush. The only cheater was rear window. That's well yeah.

0:28:53.920 --> 0:28:57.480
<v Speaker 1>Another vote for down by Law from Bonnie lie Brook.

0:28:57.480 --> 0:28:59.200
<v Speaker 1>I don't think i've seen you before, Bonnie. Welcome to

0:28:59.200 --> 0:29:01.680
<v Speaker 1>the show. You'll be an old friend before you know it.

0:29:02.520 --> 0:29:05.000
<v Speaker 1>Our old pal Lisa to sherriffs twelve angry men. Another

0:29:05.080 --> 0:29:08.840
<v Speaker 1>vote for that Philadelphia story. That's from Michelle Lambing, one

0:29:08.880 --> 0:29:11.880
<v Speaker 1>of our oldest of friends. I haven't seen that yet.

0:29:11.920 --> 0:29:15.560
<v Speaker 1>I need to check that out. Oh, under the Cherry Moon,

0:29:15.560 --> 0:29:19.280
<v Speaker 1>remember that Prince. That's the real bad one, right. It's

0:29:19.360 --> 0:29:23.120
<v Speaker 1>not great, but Tammy Fillmore likes it, and she posted

0:29:23.120 --> 0:29:29.080
<v Speaker 1>a great gift of Prince looking sexy as hell. He

0:29:29.240 --> 0:29:34.040
<v Speaker 1>is a sexy man. He certainly was wash one might

0:29:34.120 --> 0:29:37.680
<v Speaker 1>even one might even say a sexy motherfucker. I would,

0:29:37.720 --> 0:29:41.640
<v Speaker 1>he certainly would. He's referring to himself, though he's referring

0:29:41.680 --> 0:29:46.360
<v Speaker 1>to some object of his desire. M hmm, are you

0:29:46.360 --> 0:29:50.920
<v Speaker 1>talking about your penis again? God damn it. Chuck the

0:29:51.040 --> 0:29:53.720
<v Speaker 1>Danger of and Gail kints as the Elephant Man. I've

0:29:53.760 --> 0:29:58.960
<v Speaker 1>never seen that original film. That is a Lynch. Yeah,

0:29:59.320 --> 0:30:02.320
<v Speaker 1>that's I don't know why. Another down by Lawboat from

0:30:02.360 --> 0:30:05.640
<v Speaker 1>John Hurst Roman Holiday from our old pal Jane jen

0:30:05.760 --> 0:30:09.240
<v Speaker 1>Ab Yeah, that's a classic. What a great great movie

0:30:09.600 --> 0:30:14.120
<v Speaker 1>was that with our boy Jimmy Stewart. Roman Holiday was

0:30:16.000 --> 0:30:18.080
<v Speaker 1>Oh wait, now I'm blanking. I want to say Gregory

0:30:18.280 --> 0:30:20.880
<v Speaker 1>know what Gregory Peck? Was it? I know it was.

0:30:23.720 --> 0:30:25.560
<v Speaker 1>It's Audrey Hepburn. Is that the one they go on

0:30:25.600 --> 0:30:28.400
<v Speaker 1>the holiday in Rome? It is Gregory Peck? Yeah, I

0:30:28.440 --> 0:30:31.760
<v Speaker 1>was right, Ah, yes, the Peck it's it's when they

0:30:31.800 --> 0:30:35.480
<v Speaker 1>go to Hawaii for for work. It has nothing to

0:30:35.560 --> 0:30:38.680
<v Speaker 1>do with vacation or Rome. Got it. You're kidding me, Chuck,

0:30:39.240 --> 0:30:43.080
<v Speaker 1>you're kidding me. You're pulling my leg. Let me see here.

0:30:43.200 --> 0:30:46.520
<v Speaker 1>Jackie Warren just sup posted a gift of Betty Davis

0:30:46.600 --> 0:30:52.560
<v Speaker 1>from What's the She didn't even put the movie title, Um,

0:30:52.640 --> 0:30:54.720
<v Speaker 1>Baby Jane? Whatever happened to Baby Jane? I think that's

0:30:54.720 --> 0:30:58.320
<v Speaker 1>the name of it. That's a creeps movie. Oh. I

0:30:58.760 --> 0:31:00.960
<v Speaker 1>always thought just from the name that it sounded like

0:31:01.560 --> 0:31:09.440
<v Speaker 1>real charming and cute. No, Baby Jane, Man, whatever happened

0:31:09.440 --> 0:31:14.480
<v Speaker 1>to Baby Jane? It is a very disturbing movie, psychological

0:31:14.520 --> 0:31:19.640
<v Speaker 1>horror film with Betty Davis and Joan Crawford. Plot concerns

0:31:19.680 --> 0:31:23.080
<v Speaker 1>an aging former actress who holds her paraplegic X movie

0:31:23.080 --> 0:31:27.000
<v Speaker 1>star sister captive in an old Hollywood mansion. Does that

0:31:27.040 --> 0:31:29.120
<v Speaker 1>sound like a Romp Knoll? It doesn't. And it looks

0:31:29.120 --> 0:31:36.840
<v Speaker 1>to there's some kind of doll. Wow, this looks like

0:31:36.880 --> 0:31:41.960
<v Speaker 1>some Gray Gardens ship man. This is yeah, I don't

0:31:42.000 --> 0:31:45.320
<v Speaker 1>I've never seen it. I've seen a bunch of clips

0:31:45.320 --> 0:31:49.600
<v Speaker 1>over the years from various retrospectives. But uh, and I

0:31:49.640 --> 0:31:52.400
<v Speaker 1>know Betty Davis just just destroys it in this movie

0:31:52.400 --> 0:31:55.920
<v Speaker 1>as a top notch psychopath. And this is her kind

0:31:55.920 --> 0:31:58.440
<v Speaker 1>of like later in life a little bit. She looks

0:31:58.440 --> 0:32:02.720
<v Speaker 1>like a little more she has been around the book. Yeah,

0:32:02.720 --> 0:32:04.240
<v Speaker 1>they may have aged her up a bit. I can

0:32:04.280 --> 0:32:06.280
<v Speaker 1>see that too, but it's it looks, Oh my god,

0:32:06.400 --> 0:32:10.160
<v Speaker 1>she's really just leaning into this like weird Hollywood kind

0:32:10.200 --> 0:32:15.000
<v Speaker 1>of former ingenue, kind of bitter old lady kind of situation.

0:32:15.000 --> 0:32:24.360
<v Speaker 1>I gotta see this. I am fascinated by this. Uh.

0:32:24.360 --> 0:32:26.880
<v Speaker 1>Here's a great one from Jeff Clark, The Last Picture

0:32:26.920 --> 0:32:31.400
<v Speaker 1>Show from the great great Peter Bogdanovich. What a film

0:32:31.440 --> 0:32:35.800
<v Speaker 1>so good? Uh, and then let's finish up here with

0:32:35.880 --> 0:32:39.320
<v Speaker 1>a couple more a new film and all that you

0:32:39.440 --> 0:32:42.760
<v Speaker 1>just watched again. The Lighthouse that's from Wesley Hall. Dude,

0:32:42.760 --> 0:32:46.800
<v Speaker 1>it's so good, stunning photography. It's unreal. And we talked

0:32:46.800 --> 0:32:49.200
<v Speaker 1>about this, actually we did a we did a brown

0:32:49.280 --> 0:32:52.600
<v Speaker 1>table with with Casey and Um. We were talking about

0:32:52.600 --> 0:32:55.880
<v Speaker 1>how they used these vintage lenses. UM, and it has

0:32:55.960 --> 0:32:59.000
<v Speaker 1>that square aspect ratio, you know, because they wanted to

0:32:59.000 --> 0:33:02.280
<v Speaker 1>like lean The director, Robert Eggers, wanted to lean into

0:33:02.320 --> 0:33:08.400
<v Speaker 1>that claustrophobic kind of feel. Totally works, It's totally rastic.

0:33:09.240 --> 0:33:12.200
<v Speaker 1>I want to see that again. I don't think I'll

0:33:12.200 --> 0:33:15.720
<v Speaker 1>be able to get Emily on board. No, I don't

0:33:15.720 --> 0:33:18.320
<v Speaker 1>think that will be It's really funny though, Chuck. I mean,

0:33:19.080 --> 0:33:21.240
<v Speaker 1>it's just if she's into acting, why why wouldn't she

0:33:21.280 --> 0:33:24.040
<v Speaker 1>be into it. It's not really a horror exactly. It's

0:33:24.080 --> 0:33:28.360
<v Speaker 1>more of a but the just it's just movies that

0:33:28.440 --> 0:33:31.600
<v Speaker 1>cause induce a lot of anxiety. She's just not download that.

0:33:31.600 --> 0:33:35.520
<v Speaker 1>I can understand that. Especially now. All right now, we're

0:33:35.520 --> 0:33:40.320
<v Speaker 1>gonna finish up with a little stream this I've been watching,

0:33:41.400 --> 0:33:43.200
<v Speaker 1>you know. We we finished finally, I don't think I'll

0:33:43.240 --> 0:33:49.840
<v Speaker 1>let you know. We finished Ozark and um, Jesus, time

0:33:49.880 --> 0:33:52.600
<v Speaker 1>with it. Yeah, ending, it's an ending. I actually saw

0:33:52.680 --> 0:33:56.520
<v Speaker 1>coming that very last bit. You know what I'm talking about.

0:33:57.280 --> 0:33:59.320
<v Speaker 1>We don't want to spoil it for anybody. Please check

0:33:59.320 --> 0:34:02.640
<v Speaker 1>out the show. It's so good. I kind of called

0:34:02.640 --> 0:34:08.919
<v Speaker 1>that one. And then we started we needed something lighter. Well,

0:34:08.960 --> 0:34:10.719
<v Speaker 1>I'll tell you what we did. We started Dead to

0:34:10.800 --> 0:34:14.360
<v Speaker 1>Me season two, which we like, but um, it was

0:34:14.400 --> 0:34:17.200
<v Speaker 1>a little a little stressful, and Emily was just like,

0:34:17.200 --> 0:34:19.080
<v Speaker 1>you know what I think I really need because we

0:34:19.120 --> 0:34:21.839
<v Speaker 1>had such a good time with our red Oaks relaxation,

0:34:22.200 --> 0:34:24.279
<v Speaker 1>She's like, I need to go back to something funny,

0:34:24.400 --> 0:34:26.680
<v Speaker 1>and so we started What we Do in the Shadows.

0:34:27.480 --> 0:34:31.320
<v Speaker 1>Very funny, cute, great, great, great great. I watched a

0:34:31.320 --> 0:34:33.239
<v Speaker 1>couple episodes of it a while back and need to

0:34:33.280 --> 0:34:36.080
<v Speaker 1>get back into it. Is that on FX or something

0:34:36.200 --> 0:34:41.560
<v Speaker 1>isn't it or it is f xere streaming. I'm streaming

0:34:41.600 --> 0:34:48.080
<v Speaker 1>it on Hulu and I'm gonna plug. I'm gonna plug.

0:34:48.120 --> 0:34:51.920
<v Speaker 1>Hodgman he uh, he's got a new show coming out.

0:34:51.920 --> 0:34:55.919
<v Speaker 1>I'm looking for the name. Hold on and I'll say

0:34:55.960 --> 0:34:59.600
<v Speaker 1>something interesting. Um, I have been rewatching Key and Peel

0:35:00.560 --> 0:35:04.239
<v Speaker 1>and it may I didn't really realize this at the time, Um,

0:35:04.280 --> 0:35:08.400
<v Speaker 1>but after you know, obviously Jordan Peels fantastic horror. I

0:35:08.440 --> 0:35:11.640
<v Speaker 1>guess work with it is horror satire. It's got comedy,

0:35:11.719 --> 0:35:15.640
<v Speaker 1>but it's straight up, you know, tense horror. You can

0:35:15.719 --> 0:35:17.800
<v Speaker 1>see the seeds of that and a lot of early

0:35:17.880 --> 0:35:20.759
<v Speaker 1>Key and Peel sketches. There's a lot of like, you know,

0:35:20.880 --> 0:35:24.960
<v Speaker 1>anxiety and kind of like you know, um maccawb kind

0:35:25.000 --> 0:35:28.279
<v Speaker 1>of characters and stuff and like, uh, he's you can

0:35:28.320 --> 0:35:31.040
<v Speaker 1>really kind of I wonder what that production was like,

0:35:31.040 --> 0:35:33.960
<v Speaker 1>like if he was really hands on with leading that

0:35:34.280 --> 0:35:36.000
<v Speaker 1>or like you know, the way that he wanted to

0:35:36.040 --> 0:35:37.799
<v Speaker 1>frame things up, or the style they were going for.

0:35:37.840 --> 0:35:39.400
<v Speaker 1>I mean, I'm sure he you know, he wasn't credited

0:35:39.440 --> 0:35:43.000
<v Speaker 1>as a director, but I gotta think that like it's

0:35:43.040 --> 0:35:45.960
<v Speaker 1>also intentional. I mean, honestly, Key and Peel, I think

0:35:45.960 --> 0:35:49.600
<v Speaker 1>it is probably the highest production value sketch comedy show

0:35:50.440 --> 0:35:54.279
<v Speaker 1>ever of all time. Like each yeah, now that their

0:35:54.320 --> 0:35:56.600
<v Speaker 1>stuff was great, because you're right, not only was it

0:35:56.680 --> 0:36:00.400
<v Speaker 1>just all funny. I mean that show was so funny, um,

0:36:00.440 --> 0:36:03.040
<v Speaker 1>and their character work was so fucking creative and great.

0:36:03.120 --> 0:36:07.880
<v Speaker 1>But yeah, it looked awesome and it doesn't often. Yeah

0:36:08.320 --> 0:36:13.040
<v Speaker 1>in the world of super super cinematic. Yeah, I totally agree. Uh. Yeah.

0:36:13.080 --> 0:36:16.480
<v Speaker 1>So Hodgeman and David Reese. Uh, one of my old

0:36:16.480 --> 0:36:18.800
<v Speaker 1>pals to David did the TV show Going Deep with

0:36:18.880 --> 0:36:23.799
<v Speaker 1>David Reese and UM met him through John He's uh

0:36:23.800 --> 0:36:27.200
<v Speaker 1>he wrote a book about pencil sharpening. Uh. David's just

0:36:27.239 --> 0:36:31.360
<v Speaker 1>a great guy, very funny, uh and and a good dude.

0:36:31.719 --> 0:36:35.040
<v Speaker 1>So they have a show that they did, an animated

0:36:35.080 --> 0:36:41.120
<v Speaker 1>show called Dicktown and it is uh the premises it

0:36:41.239 --> 0:36:45.800
<v Speaker 1>is an aging boy detective and his aging bully partner.

0:36:46.360 --> 0:36:52.000
<v Speaker 1>So I think Encyclopedia Brown grows up and his he's

0:36:52.000 --> 0:36:55.360
<v Speaker 1>still solving crimes in his town, and his partner in

0:36:55.480 --> 0:36:58.520
<v Speaker 1>crime now or partner in solving these crimes would be

0:36:58.560 --> 0:37:01.040
<v Speaker 1>the bugs mini character all and up. His former bully

0:37:01.160 --> 0:37:04.800
<v Speaker 1>is now his like assistant partner, and I think Hodgeman

0:37:04.920 --> 0:37:07.520
<v Speaker 1>voices the character, and I believe David might as well.

0:37:08.120 --> 0:37:12.799
<v Speaker 1>And it is premiering July nine on f X f

0:37:13.280 --> 0:37:16.560
<v Speaker 1>x X is Cake and I think Cake is like

0:37:16.600 --> 0:37:21.600
<v Speaker 1>a a compilation of of animated things, and it's premiering

0:37:21.640 --> 0:37:26.360
<v Speaker 1>on Cake. It's like a animation compilation. If I'm not mistaken, God,

0:37:26.719 --> 0:37:28.719
<v Speaker 1>that was all of the things you just said was

0:37:28.760 --> 0:37:34.000
<v Speaker 1>a mouthful. F x X is Cake an animation compilation?

0:37:34.080 --> 0:37:38.640
<v Speaker 1>If I'm not mistaken, Yes, that's the deal. So check

0:37:38.640 --> 0:37:42.920
<v Speaker 1>out Dicktown on f f x X starting July nine.

0:37:43.160 --> 0:37:46.680
<v Speaker 1>Keep wanting to say it's hard, it's really not. I'm

0:37:46.719 --> 0:37:49.719
<v Speaker 1>just a dummy. No, no, don't, don't beat yourself up, Chuck.

0:37:50.200 --> 0:37:52.439
<v Speaker 1>I think it might have those guys on to help

0:37:52.440 --> 0:37:55.400
<v Speaker 1>promote their show and do a little maybe do a

0:37:55.480 --> 0:37:57.760
<v Speaker 1>mini crush type of thing with them at some point.

0:37:58.640 --> 0:38:01.360
<v Speaker 1>Good dudes, support John Hodgman and David Reeve, everybody. I

0:38:01.360 --> 0:38:03.839
<v Speaker 1>love his voice work. He was he played the dad

0:38:03.880 --> 0:38:06.960
<v Speaker 1>in Coral Line, which I really love that movie. And

0:38:07.000 --> 0:38:09.080
<v Speaker 1>he does a good job of this kind of kind

0:38:09.120 --> 0:38:12.919
<v Speaker 1>of goofy, deadpan kind of dad voice, and he's great

0:38:12.920 --> 0:38:16.000
<v Speaker 1>and everything he does, he's just I like that he

0:38:16.040 --> 0:38:18.560
<v Speaker 1>gets to kind of be himself. He talked about this too.

0:38:18.760 --> 0:38:21.000
<v Speaker 1>He doesn't like exactly have to put on a voice

0:38:21.040 --> 0:38:22.880
<v Speaker 1>or do a character. He just kind of it's me

0:38:23.080 --> 0:38:25.399
<v Speaker 1>John Hodgman, and that voice just works because it's so

0:38:25.719 --> 0:38:28.960
<v Speaker 1>you know, singular, that's right, all right, No, I got

0:38:28.960 --> 0:38:30.960
<v Speaker 1>nothing else for this week? Are you good? I'm good man?

0:38:31.640 --> 0:38:34.200
<v Speaker 1>All right everyone, Well, thanks for tuning in and say

0:38:34.200 --> 0:38:51.000
<v Speaker 1>good night, no, goodnight NOL. For more podcasts for My

0:38:51.040 --> 0:38:53.960
<v Speaker 1>Heart Radio, visit the I Heart Radio app, Apple Podcasts,

0:38:54.040 --> 0:38:55.840
<v Speaker 1>or wherever you listen to your favorite shows.