WEBVTT - Episode 281 "HITMAKA"

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<v Speaker 1>World with me here you know BT, no how it

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<v Speaker 1>goes shout out oct no real color? What we see

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<v Speaker 1>the whole game?

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<v Speaker 2>Wait the ball something?

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<v Speaker 1>Oh you can't stand on their own swee see, I

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<v Speaker 1>already know you can't bother with me because up with

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<v Speaker 1>the squad of me, they get a little They called me.

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<v Speaker 3>Love Love.

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<v Speaker 4>He Love.

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<v Speaker 5>Baller Alert Welcome to the ball and Show podcasts available

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<v Speaker 5>everywhere you get your podcast. Please continue to like, subscribe,

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<v Speaker 5>and share YouTube page at baller Alert TV. One time

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<v Speaker 5>for the A three C weekend killed that. You know

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<v Speaker 5>what I'm saying. I go by the name of ferri Cemeter.

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<v Speaker 5>I go by the name you know BT.

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<v Speaker 6>See tea with that him making.

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<v Speaker 2>The building snap with us, bro we do snaps, We

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<v Speaker 2>do snaps.

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<v Speaker 5>What's up, sir, bro Man?

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<v Speaker 2>He got it cold here now.

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<v Speaker 5>Funny funny thing, Yeah, yeah, I just got funny funny

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<v Speaker 5>thing about him.

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<v Speaker 2>Maker.

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<v Speaker 5>He was in the group chat. We was like, hey, man,

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<v Speaker 5>are you coming? Are you coming? Here?

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<v Speaker 2>You coming?

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<v Speaker 5>He's like, Bro, I'm not like that.

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<v Speaker 2>We just want to.

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<v Speaker 6>And he's on time, very punctual.

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<v Speaker 2>You have no idea the stuff we have crazy off

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<v Speaker 2>to get people. These show up on time. A lot

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<v Speaker 2>of people don't know, like it's crazy because like I

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<v Speaker 2>walk like through fine lines, like I'm an artist still

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<v Speaker 2>because I'm putting out my producer album on top of

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<v Speaker 2>the year, but I'm an executive as well. You know

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<v Speaker 2>what I'm saying. I got joint ventures and like I

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<v Speaker 2>got artists like a publishing company. I got different rights,

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<v Speaker 2>so I got to be on my shit, you know

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<v Speaker 2>what I'm saying, Like what I do kind of it's

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<v Speaker 2>a domino effect that affects so many different lines. So

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<v Speaker 2>I kind of like to be punctual, you know what

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<v Speaker 2>I'm saying, and be on time. If I did came later,

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<v Speaker 2>it probably showed that with some rose or something like

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<v Speaker 2>that for y'all, a bottle or something like trying to

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<v Speaker 2>like smove it over.

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<v Speaker 7>But nah, no, you know a lot of times it

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<v Speaker 7>shows the difference between season people season vests and then

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<v Speaker 7>the new artists, because new artists are always trying to

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<v Speaker 7>get their diva on.

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<v Speaker 6>But you know, the season vets be like I got

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<v Speaker 6>to get this work done.

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<v Speaker 8>Yea.

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<v Speaker 2>I kind of think, cause we kind of just artists

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<v Speaker 2>that are bigger artists and people that have been in

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<v Speaker 2>the game a season. You really like once you win

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<v Speaker 2>the motion of it's like, Okay, this shit a job,

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<v Speaker 2>you know what I'm saying. I think that the only

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<v Speaker 2>time it ain't a job for me is when when

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<v Speaker 2>I'm in the studio, which I'm in the studio twenty

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<v Speaker 2>four seven, cause it's like I be scared, like man,

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<v Speaker 2>Like if I leave now, and you know, it might

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<v Speaker 2>be two am, but and I might be lit and

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<v Speaker 2>be like man, but if I leave four am, the

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<v Speaker 2>craziest idea might happen or something or somebody might be

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<v Speaker 2>working or out work in me. I want to, like

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<v Speaker 2>I pray to be like for real or one of

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<v Speaker 2>these niggas like yo, for real to go to the

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<v Speaker 2>studio at three and leave it ten. If it don't

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<v Speaker 2>happen between three and ten, the fuck it for real? Yeah,

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<v Speaker 2>because you got family kids, you know what I'm saying.

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<v Speaker 2>Shit like that. I respect that lifestyle, like people really

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<v Speaker 2>treating shit like a job for real.

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<v Speaker 7>Well, this should be a fun show because you know,

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<v Speaker 7>I like you because you are like unfiltered and you

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<v Speaker 7>speak your mind, you speak your truth, and I respect

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<v Speaker 7>that a lot.

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<v Speaker 2>So we're going to just run show with us, Okay?

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<v Speaker 2>Is that cool? We're going to get your business a

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<v Speaker 2>little bit fall alert.

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<v Speaker 6>In case you missed it.

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<v Speaker 7>Braxton and her the contestant from Queen's Court Jr. They

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<v Speaker 7>have broken up, been.

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<v Speaker 3>A lawyer and going on TV and all that, you know,

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<v Speaker 3>the reality show. I always wondered, like, how did they

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<v Speaker 3>like work out for him?

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<v Speaker 2>That's the white dude, Yeah, the white guy. Weren't they

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<v Speaker 2>just together on Instagram?

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<v Speaker 7>They had a whole YouTube and everything they had like

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<v Speaker 7>on the YouTube show and they were they was doing

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<v Speaker 7>their thing.

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<v Speaker 6>And you know, this is like a surprise, not just me, man,

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<v Speaker 6>I love Tamar.

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<v Speaker 2>Yeah, just hey, Tamo, just stay single for a little bit, man,

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<v Speaker 2>keep it pee. Every woman doesn't just want to be single.

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<v Speaker 2>She could be single with friends.

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<v Speaker 3>But he said what I don't understand why he put

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<v Speaker 3>out a statement that said he broke up with her.

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<v Speaker 2>Hey, he just wanted to put it out.

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<v Speaker 6>And he said that it wasn't for fame. He wasn't.

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<v Speaker 2>Then why make a statement. Maybe he had to.

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<v Speaker 3>Man, you can't say you don't want to be famous

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<v Speaker 3>and you do everything famous people do.

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<v Speaker 2>I think it's probably like pr or something like behind

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<v Speaker 2>that situation of motivating that, like as a man like

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<v Speaker 2>I ain't really liking the rush to like go to

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<v Speaker 2>no in that until like you know what I'm saying,

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<v Speaker 2>Like I'm no longer you know what I'm saying, Like

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<v Speaker 2>I'm single. Guys.

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<v Speaker 6>Yeah, they just let it feezle out.

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<v Speaker 7>But they were engaged, So I think maybe that's why

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<v Speaker 7>he wanted to say something.

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<v Speaker 2>Maybe he's dating somebody else and had to put that

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<v Speaker 2>out there just for me.

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<v Speaker 7>You know, he never knows because he would because she

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<v Speaker 7>they got together on The Queen's Court, which is a

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<v Speaker 7>TV show.

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<v Speaker 6>Look, she was looking for love and you know he

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<v Speaker 6>proposed her on the show.

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<v Speaker 2>Hey ma, stot looking for love? How are you gonna

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<v Speaker 2>tell her that they did it? Come find you? Just

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<v Speaker 2>let it come to you. That's what she did. She'd

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<v Speaker 2>been around Tamar like that.

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<v Speaker 6>No, no, no, no, I know you have you worked

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<v Speaker 6>with her before?

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<v Speaker 2>She mad cool Like I think that y'all are really

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<v Speaker 2>a fuck with her, Like she's super solid.

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<v Speaker 5>Come on the show Man show table, I think she

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<v Speaker 5>will man.

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<v Speaker 7>Another one looking for love but not black love is

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<v Speaker 7>Terrell Owens. He was on Live with O Joe Sinko.

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<v Speaker 6>He was telling about his experience with black women and

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<v Speaker 6>how it wasn't good.

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<v Speaker 2>My experiences with black women growing up wasn't so good

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<v Speaker 2>when I started dating white girls. My first experience with

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<v Speaker 2>white girls is when I went to college. I tried

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<v Speaker 2>to date some black girls when I was in college.

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<v Speaker 2>They did not like me. I was skinny, I was strong, right.

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<v Speaker 2>I was teached from high school even college. I got

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<v Speaker 2>teached for being dark skinned.

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<v Speaker 5>Now that now, when you started dating these other types

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<v Speaker 5>of women, was the check involved? Did you start getting

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<v Speaker 5>to check and then these were who accepted you at

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<v Speaker 5>that particular moment.

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<v Speaker 2>I don't.

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<v Speaker 5>I don't have enough enough contact.

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<v Speaker 3>Well, he said he was in college, right, So if

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<v Speaker 3>you're in college and he went to the NFL, I'm

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<v Speaker 3>pretty sure he was probably pretty damn good in college

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<v Speaker 3>ben athlete, right, So I think that it's an obvious

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<v Speaker 3>reason why he was chose by particular women.

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<v Speaker 2>What college did he go to? That's key.

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<v Speaker 5>I think a terre Oones went to Middle Tennessee State.

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<v Speaker 2>I don't have my phone white or a dominantly back. Yeah,

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<v Speaker 2>don't check that.

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<v Speaker 1>I know.

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<v Speaker 5>I know he didn't go to a I know terrell

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<v Speaker 5>Oones didn't go to a big school he went.

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<v Speaker 6>We know he didn't go to HBCU.

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<v Speaker 2>To me, it would be like it would be like

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<v Speaker 2>news to me if like he went to an HBC

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<v Speaker 2>or whatever. And then it was like, nah, I'm just

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<v Speaker 2>only deal with white girls, you know what I'm saying.

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<v Speaker 2>Like then it been like, yeah, we stereotypically like that.

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<v Speaker 2>Maybe that's oh.

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<v Speaker 7>Yeah, And I think you will have a problem, like

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<v Speaker 7>especially online with preferences, because you know, you have had

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<v Speaker 7>like controversy with your preference online and people.

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<v Speaker 2>Have said, see that's cap though. See look a lot

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<v Speaker 2>of people they keep dialing back in to old me.

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<v Speaker 2>You gotta re meet me, Like I grew up in

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<v Speaker 2>this own industry, Like I grew up when World Star

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<v Speaker 2>came out, the funny jokes or things that I said

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<v Speaker 2>or things that I was doing, they like right now,

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<v Speaker 2>I would never say none of that lame shit or

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<v Speaker 2>whatever it was lame. I grew up in front of

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<v Speaker 2>the camera, So I take accountability for who I was.

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<v Speaker 2>But were talking about situations that are that was in

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<v Speaker 2>two thousand and seven, that's fifteen years ago. You know

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<v Speaker 2>what I'm saying, sixteen years ago, I'm not the same

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<v Speaker 2>person I was then, And you know I can't really

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<v Speaker 2>you know, get that out people mind. But I think

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<v Speaker 2>that when you're in this limelight, it don't matter what

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<v Speaker 2>you do. It's just like similar to people grabbing old.

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<v Speaker 5>Tweets from two thousand and five when such and such

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<v Speaker 5>or Kevin Harden.

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<v Speaker 2>You know what I'm saying, like you got to remeet me.

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<v Speaker 2>I'm not that same nigga no more. And like I

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<v Speaker 2>take full accountability for what was said, and that the

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<v Speaker 2>record showed it. That's not really the case of whatever

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<v Speaker 2>it was or what was said. I don't even like

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<v Speaker 2>to speak.

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<v Speaker 7>On that, you know what I'm saying, no facts, And

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<v Speaker 7>you know, the unfortunate part is you grew up in

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<v Speaker 7>the limelight, you know, and people don't forget. It's easily,

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<v Speaker 7>especially the women who were hurt by it. They like

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<v Speaker 7>I remember, you know, and it's like you can't move on.

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<v Speaker 3>It's hard to move on from that if you really

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<v Speaker 3>think about it, if you as a normal person, people

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<v Speaker 3>not talking about what you did in middle school, right,

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<v Speaker 3>you know what I'm saying. But you know, when you

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<v Speaker 3>famous and you become bigger and bigger, people try to

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<v Speaker 3>bring you back down, like, hey, I know you up there,

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<v Speaker 3>but let me bring you back down here, you know.

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<v Speaker 2>So I feel like that's just kind of how the

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<v Speaker 2>internet is, though, Like people gotta remember, I'm in my

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<v Speaker 2>thirties now, Like I was literally like twenty you know

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<v Speaker 2>what I'm saying. Those states happened nineteen twenty or whatever,

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<v Speaker 2>and I made mistakes, you know, and.

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<v Speaker 5>Glad I'm glad I won't I was thinking the same,

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<v Speaker 5>bad person. I was thinking the same You're a very

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<v Speaker 5>bad person. I was very aged in my twenties almost

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<v Speaker 5>two decades.

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<v Speaker 2>Well, actually my career is over two decades because I

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<v Speaker 2>was signed to DMX first when it was Iceberg first.

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<v Speaker 2>But like, if you could be in this game twenty

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<v Speaker 2>plus years and still be successful and just having, you

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<v Speaker 2>know what I'm saying, a good vibe going on. Man,

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<v Speaker 2>I ain't gonna lie like whatever happened, like I said,

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<v Speaker 2>I wouldn't change it, you know, but I learned from

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<v Speaker 2>a lot of different mistakes and it's just bringing another

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<v Speaker 2>level of clarity to where I'm.

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<v Speaker 7>Moving forward to fact, speaking of bringing up old stuff,

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<v Speaker 7>there was a resurface clip of Kanye West from twenty

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<v Speaker 7>eighteen on the phone call saying that it's an industry plant.

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<v Speaker 6>That's why fucking Cardon b was over there, Cardon b

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<v Speaker 6>is a plant.

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<v Speaker 8>Follow us from an Audi.

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<v Speaker 2>She don't run her reps.

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<v Speaker 8>She just did like sound as ignorant as possible and

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<v Speaker 8>then make songs like fuck him and you get some money.

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<v Speaker 8>You know, she's literally replaced, you know Nicki Minaj purposely

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<v Speaker 8>that they put her there.

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<v Speaker 5>I personally hate stuff like that happening because it's so

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<v Speaker 5>hard and sometimes it's really taken out of context, Like

0:09:20.440 --> 0:09:23.680
<v Speaker 5>I really wish that we heard the entire conversation of.

0:09:23.720 --> 0:09:26.400
<v Speaker 3>That all the Well, what I don't like is the

0:09:26.520 --> 0:09:29.839
<v Speaker 3>fact that we've all said things about people that we

0:09:30.000 --> 0:09:33.079
<v Speaker 3>don't know, right, So he could have said that it

0:09:33.280 --> 0:09:36.559
<v Speaker 3>actually met her and went to the studio with her opinion, Like,

0:09:37.280 --> 0:09:39.920
<v Speaker 3>oh shit, she actually does this, She actually does this.

0:09:40.080 --> 0:09:43.760
<v Speaker 2>Okay, she's actually adope her saying with about Tamar, Yeah,

0:09:43.760 --> 0:09:46.120
<v Speaker 2>for sure, exactly. I Mean the truth of the matter

0:09:46.360 --> 0:09:49.040
<v Speaker 2>is that us as a culture and a generation, we

0:09:49.200 --> 0:09:52.520
<v Speaker 2>just migrate towards negativity fast and the positive shit. So

0:09:52.679 --> 0:09:54.520
<v Speaker 2>if you look at it, when they put the clips out,

0:09:54.600 --> 0:09:57.360
<v Speaker 2>even though they've been like dissected and turned into smaller

0:09:57.440 --> 0:09:59.640
<v Speaker 2>clips of what, you don't understand what he's saying. If

0:09:59.679 --> 0:10:02.599
<v Speaker 2>still twenty eighteen, Kanye just did a record. He was

0:10:02.679 --> 0:10:05.440
<v Speaker 2>just on Cardi b single with Little Dirt called hot Shit.

0:10:05.840 --> 0:10:10.160
<v Speaker 2>So clearly something happened in between twenty eighteen to right

0:10:10.280 --> 0:10:12.600
<v Speaker 2>now for them to get over that. But people will

0:10:12.640 --> 0:10:14.760
<v Speaker 2>prefer to go and dial into that be like all right,

0:10:14.960 --> 0:10:18.400
<v Speaker 2>he's a fuck nigga da da. But people gotta stop

0:10:18.440 --> 0:10:20.559
<v Speaker 2>really caring about like the internet for real free and

0:10:21.000 --> 0:10:23.200
<v Speaker 2>clearly they don't because Cardi, I think she put out

0:10:23.240 --> 0:10:24.559
<v Speaker 2>something that was just like a hard.

0:10:26.280 --> 0:10:29.400
<v Speaker 6>Because he was bigger her for the hot Hot record exactly.

0:10:29.320 --> 0:10:31.440
<v Speaker 3>What I mean, God bless and shout out to Cardi

0:10:31.720 --> 0:10:33.439
<v Speaker 3>that was that was a good way to respond to

0:10:33.600 --> 0:10:34.880
<v Speaker 3>some negative ish man.

0:10:35.080 --> 0:10:36.560
<v Speaker 6>Do you think there are industry plants?

0:10:36.760 --> 0:10:39.280
<v Speaker 3>What does that mean though, to y'all, like Western, Well,

0:10:39.320 --> 0:10:42.439
<v Speaker 3>an industry plant, I'm gonna say what I've seen on

0:10:42.480 --> 0:10:45.840
<v Speaker 3>the internet. An industry plant is somebody that is put

0:10:45.880 --> 0:10:49.880
<v Speaker 3>in this industry that gets a bunch of writers and

0:10:50.080 --> 0:10:52.960
<v Speaker 3>producers and they have all these people hot, and everybody's

0:10:53.000 --> 0:10:53.720
<v Speaker 3>industry planting.

0:10:53.880 --> 0:10:56.480
<v Speaker 5>I would say, I would say industry plan is someone

0:10:56.600 --> 0:10:58.720
<v Speaker 5>who doesn't respect the culture.

0:10:58.840 --> 0:11:02.640
<v Speaker 2>But that was put there too. Culture vulture, culture vulture. Okay,

0:11:02.720 --> 0:11:05.080
<v Speaker 2>see that's two different perspectives. That's just talking about from

0:11:05.120 --> 0:11:07.720
<v Speaker 2>the creates creative, you know what I'm saying, and making

0:11:07.800 --> 0:11:10.880
<v Speaker 2>of the song. Everybody collaborates, so like I don't want

0:11:10.920 --> 0:11:13.760
<v Speaker 2>people to get that twisted up, Like collaboration is key.

0:11:13.920 --> 0:11:17.040
<v Speaker 2>So if you think about it, like Quincy Jones in

0:11:17.080 --> 0:11:20.079
<v Speaker 2>the studio with Michael Jackson Rod Temperton, this is back

0:11:20.120 --> 0:11:22.240
<v Speaker 2>when they had full bands making the Beast and what

0:11:22.440 --> 0:11:24.400
<v Speaker 2>no laptopp and fruy loops and it was probably like

0:11:24.480 --> 0:11:26.640
<v Speaker 2>twenty thirty niggas to walk through that studio on one

0:11:26.760 --> 0:11:28.840
<v Speaker 2>day to make one thing to make off the wall

0:11:29.000 --> 0:11:31.319
<v Speaker 2>or anything that we vibe into. Now, I think it's

0:11:31.360 --> 0:11:35.559
<v Speaker 2>just a stigma with rap that it's like they wanted

0:11:35.600 --> 0:11:38.319
<v Speaker 2>to be autobiographical from you so they can connect to

0:11:38.440 --> 0:11:41.640
<v Speaker 2>you instead of connecting to the story that you're putting

0:11:41.679 --> 0:11:43.679
<v Speaker 2>out there. So that's kind of like where it get jaded.

0:11:43.720 --> 0:11:46.480
<v Speaker 2>But I think everybody collaborates on an industry plan. Like

0:11:46.559 --> 0:11:50.400
<v Speaker 2>to me, an industry plan is just like it's just

0:11:50.480 --> 0:11:52.360
<v Speaker 2>a fucked up way to be like, man, like you

0:11:52.520 --> 0:11:54.679
<v Speaker 2>really like you won, you know what I'm saying, Like

0:11:54.960 --> 0:11:57.640
<v Speaker 2>at his little nas extit industry plan, I don't think

0:11:57.679 --> 0:11:59.679
<v Speaker 2>so I don't think so he's talented, you know what

0:11:59.720 --> 0:12:02.000
<v Speaker 2>I'm say. How you don't know his story, You don't

0:12:02.040 --> 0:12:03.800
<v Speaker 2>know his struggle or what he went through to do that.

0:12:04.240 --> 0:12:06.560
<v Speaker 2>But when you when people start seeing you come out

0:12:06.600 --> 0:12:09.280
<v Speaker 2>of nowhere, and then you got the right marketing, promotion

0:12:09.559 --> 0:12:11.720
<v Speaker 2>and good budget behind you, and you got a good

0:12:11.800 --> 0:12:16.760
<v Speaker 2>record everywhere, and you MTV Awards, VMA, Grammy blah blah blah.

0:12:17.400 --> 0:12:19.640
<v Speaker 2>Did the same shit that Maclamore. They did the same

0:12:19.679 --> 0:12:21.679
<v Speaker 2>shit to all these different niggas. So I mean, it's

0:12:21.720 --> 0:12:23.760
<v Speaker 2>just niggas just got just be like, man, don't say

0:12:23.760 --> 0:12:26.040
<v Speaker 2>industry planning. Like man, you got a big marketing budget, bro.

0:12:26.200 --> 0:12:28.640
<v Speaker 6>Like No, I think an industry plan is somebody like

0:12:28.880 --> 0:12:29.560
<v Speaker 6>Milli Vanilli.

0:12:30.000 --> 0:12:30.040
<v Speaker 5>Like.

0:12:30.320 --> 0:12:34.280
<v Speaker 7>The producers wanted a record, but they weren't, as you know,

0:12:35.040 --> 0:12:39.240
<v Speaker 7>appealing to the eye enough to sell records. So they

0:12:39.320 --> 0:12:42.000
<v Speaker 7>got these good looking guys to just mouth, you know,

0:12:42.160 --> 0:12:45.920
<v Speaker 7>the words, and the producers and people who could not

0:12:46.160 --> 0:12:48.040
<v Speaker 7>you know, sell the records get the money, but the

0:12:48.920 --> 0:12:52.040
<v Speaker 7>people who are actually doing it, they're not getting receiving anything.

0:12:52.280 --> 0:12:54.640
<v Speaker 6>And then they got exposed on a performance.

0:12:55.440 --> 0:12:58.679
<v Speaker 2>Fun fact about that that Kevin Lows wrote, Girl you

0:12:58.800 --> 0:12:59.280
<v Speaker 2>know it's true.

0:13:02.800 --> 0:13:04.640
<v Speaker 7>So he didn't feel like he was you know, he

0:13:04.679 --> 0:13:10.240
<v Speaker 7>could go out there and do it himself. All right,

0:13:10.320 --> 0:13:12.079
<v Speaker 7>Let's move on to love versus money.

0:13:12.480 --> 0:13:15.960
<v Speaker 2>It's love versus money on the ball or alert show.

0:13:16.720 --> 0:13:18.160
<v Speaker 7>All right, So I'm gonna give a couple and you

0:13:18.280 --> 0:13:20.040
<v Speaker 7>let me know if they're there for the love or

0:13:20.200 --> 0:13:21.360
<v Speaker 7>is it just business.

0:13:22.200 --> 0:13:26.840
<v Speaker 6>Today we have Joey Chavez and Travon Diggs.

0:13:27.160 --> 0:13:28.920
<v Speaker 2>Well, Jeorde just tattooed his name.

0:13:31.920 --> 0:13:32.559
<v Speaker 6>I love her back.

0:13:32.720 --> 0:13:37.720
<v Speaker 5>Yeah wow, so he can have a view of that thing. Okay, Yeah,

0:13:39.000 --> 0:13:41.679
<v Speaker 5>I definitely think that this is a potential love. I

0:13:41.720 --> 0:13:45.200
<v Speaker 5>don't want to say love, but you know, I don't

0:13:45.200 --> 0:13:47.120
<v Speaker 5>think that this is for the money. I don't think

0:13:47.160 --> 0:13:50.800
<v Speaker 5>this is for the money because from now side looking in,

0:13:51.320 --> 0:13:52.600
<v Speaker 5>I think it's potentially love.

0:13:52.760 --> 0:13:55.440
<v Speaker 2>Yeah, I mean I think it's love. I think it's love.

0:13:55.720 --> 0:13:55.880
<v Speaker 7>You know.

0:13:57.600 --> 0:14:00.200
<v Speaker 3>I feel like they've been together for for some time now.

0:14:00.559 --> 0:14:05.520
<v Speaker 3>And you know that that tattoo is that's love, that

0:14:06.280 --> 0:14:10.560
<v Speaker 3>file that is it's all b E that's love.

0:14:12.400 --> 0:14:17.319
<v Speaker 2>So I got mad girls names tattooed on Okay, okay,

0:14:17.800 --> 0:14:18.720
<v Speaker 2>really yeah?

0:14:19.160 --> 0:14:20.160
<v Speaker 6>How many girls you got on?

0:14:20.280 --> 0:14:20.320
<v Speaker 3>You?

0:14:21.080 --> 0:14:26.840
<v Speaker 2>Like five? My life? It's a it's a chapter. It happened,

0:14:26.880 --> 0:14:28.880
<v Speaker 2>you know what I'm saying. Like, unless I tell you

0:14:28.880 --> 0:14:30.640
<v Speaker 2>you know what I'm saying, you're not gonna know what

0:14:30.880 --> 0:14:34.800
<v Speaker 2>what it really is or whatever. But mischoles got a

0:14:34.880 --> 0:14:37.800
<v Speaker 2>girl what a girl name tattoo? But she was part

0:14:37.840 --> 0:14:39.640
<v Speaker 2>of my crew to girl that saying the business cash

0:14:39.800 --> 0:14:42.880
<v Speaker 2>or whatever, Yeah and everything. I got it, But I

0:14:43.000 --> 0:14:44.720
<v Speaker 2>feel laying to cover it up. It's just like it

0:14:44.800 --> 0:14:47.440
<v Speaker 2>was a moment that happened in my life and moved on,

0:14:47.680 --> 0:14:50.240
<v Speaker 2>you know, and you continue to just create history. That's

0:14:50.360 --> 0:14:53.280
<v Speaker 2>like when Baby fell out, Remember because I really got

0:14:53.360 --> 0:14:55.360
<v Speaker 2>this from Baby. Remember how nim niggas had like all

0:14:55.400 --> 0:14:58.440
<v Speaker 2>the hot boys names on each other whatever. It's kind

0:14:58.480 --> 0:15:00.120
<v Speaker 2>of like what if I do like an ext it

0:15:00.280 --> 0:15:02.120
<v Speaker 2>like nah, fuck this nigga, you know what. It's kind

0:15:02.160 --> 0:15:04.240
<v Speaker 2>of felt weird. So I just were you drunk when

0:15:04.280 --> 0:15:07.120
<v Speaker 2>you got those tattoos? Gonna lie, this was so long ago.

0:15:07.160 --> 0:15:08.800
<v Speaker 2>I was probably like all types of.

0:15:10.320 --> 0:15:12.080
<v Speaker 6>Now. But you know what does that mean though? Is

0:15:12.160 --> 0:15:14.920
<v Speaker 6>it is it like a great gift to give somebody,

0:15:15.200 --> 0:15:17.280
<v Speaker 6>like if I tatch you on my body.

0:15:17.520 --> 0:15:20.000
<v Speaker 2>Some people take it differently. Yeah, It's kind of like

0:15:20.120 --> 0:15:22.760
<v Speaker 2>what perspective you coming from like I think that certain

0:15:22.960 --> 0:15:26.480
<v Speaker 2>relationships or whatever, it's like validating like I'm yours or

0:15:26.840 --> 0:15:29.480
<v Speaker 2>your mind or this type of situation. But for me,

0:15:29.840 --> 0:15:31.560
<v Speaker 2>it was just out of love, like we was a crew,

0:15:31.760 --> 0:15:35.320
<v Speaker 2>so speaking on that particular tattoo, but I mean the

0:15:35.440 --> 0:15:37.280
<v Speaker 2>other ones, it was just like spur of the moment

0:15:37.480 --> 0:15:39.160
<v Speaker 2>like that used to be like my first date, like

0:15:39.280 --> 0:15:41.080
<v Speaker 2>back in the day, like like oh, let's go get

0:15:41.120 --> 0:15:42.920
<v Speaker 2>tatted or let's have a tattoo man come through the

0:15:42.920 --> 0:15:47.120
<v Speaker 2>shot house or whatever and turn into that now some

0:15:47.280 --> 0:15:48.520
<v Speaker 2>rapper ship for really.

0:15:50.040 --> 0:15:52.920
<v Speaker 6>Now it's tink on. Did she make one of the tattoos?

0:15:53.880 --> 0:15:56.880
<v Speaker 7>Okay, because y'all made love versus money a couple couple

0:15:56.920 --> 0:16:01.560
<v Speaker 7>of episodes ago, Pink and hit Maker, Oh man, you

0:16:01.600 --> 0:16:03.680
<v Speaker 7>know ting recently said he eats her ass.

0:16:04.120 --> 0:16:05.080
<v Speaker 2>He eats my ass.

0:16:06.680 --> 0:16:08.800
<v Speaker 5>From the rule to the tool to you know.

0:16:13.040 --> 0:16:17.600
<v Speaker 2>Well, if he' n asked, that's gotta be well, I

0:16:17.640 --> 0:16:17.920
<v Speaker 2>don't know.

0:16:18.200 --> 0:16:20.240
<v Speaker 6>So they've been on the loaf for a minute. I've

0:16:20.240 --> 0:16:21.760
<v Speaker 6>been silent about our relationship.

0:16:21.880 --> 0:16:23.840
<v Speaker 2>I've been silent about us fucking.

0:16:24.080 --> 0:16:26.720
<v Speaker 3>They was in a relationship and they broke up because

0:16:26.800 --> 0:16:29.280
<v Speaker 3>they it was some you know, pans getting put on

0:16:29.840 --> 0:16:30.720
<v Speaker 3>somebody allegedly.

0:16:30.920 --> 0:16:32.720
<v Speaker 2>She definitely put her hands on me.

0:16:33.080 --> 0:16:34.440
<v Speaker 3>You don't want to say it, I'm a say it,

0:16:35.520 --> 0:16:37.480
<v Speaker 3>and I know this is this is rare for me

0:16:37.560 --> 0:16:37.960
<v Speaker 3>to say this.

0:16:38.960 --> 0:16:42.200
<v Speaker 2>I think that it's love. I definitely don't think it's

0:16:42.280 --> 0:16:42.760
<v Speaker 2>for money.

0:16:42.920 --> 0:16:45.520
<v Speaker 6>This man has really been manipulating my situation.

0:16:46.280 --> 0:16:48.360
<v Speaker 5>And I won't bash him because we make great music.

0:16:48.920 --> 0:16:52.360
<v Speaker 2>But I finally understand that it isn't love. It's more

0:16:52.440 --> 0:16:55.640
<v Speaker 2>so money. Damn. I'm not gonna talk too crazy about

0:16:55.680 --> 0:16:57.160
<v Speaker 2>it because I still got a lot of respect, but

0:16:57.240 --> 0:16:59.360
<v Speaker 2>now it wasn't a money thing. Like I think that

0:16:59.760 --> 0:17:02.440
<v Speaker 2>we were working together and we had did three albums, right,

0:17:02.840 --> 0:17:05.719
<v Speaker 2>and we were in the process of like restructuring our

0:17:05.800 --> 0:17:08.360
<v Speaker 2>business how we did business together because I was executive

0:17:08.359 --> 0:17:11.119
<v Speaker 2>producing the projects or whatever. So we had decided to

0:17:11.240 --> 0:17:15.639
<v Speaker 2>do something with the business, and to be perfectly honest,

0:17:15.720 --> 0:17:18.040
<v Speaker 2>it just didemed go out that way. She decided to

0:17:18.119 --> 0:17:20.840
<v Speaker 2>go a different direction. So when that happened, I kind

0:17:20.840 --> 0:17:24.720
<v Speaker 2>of like fell back from the situation because it just

0:17:25.040 --> 0:17:27.080
<v Speaker 2>it just I don't know, like I've worked a lot

0:17:27.200 --> 0:17:29.119
<v Speaker 2>and I just didn't want to be in a position

0:17:29.240 --> 0:17:31.000
<v Speaker 2>of where I felt like we weren't in sync. But

0:17:31.040 --> 0:17:33.080
<v Speaker 2>I felt like we could coexist and still create and

0:17:33.200 --> 0:17:35.240
<v Speaker 2>do whatever we wanted to do. So I just fell

0:17:35.280 --> 0:17:36.600
<v Speaker 2>back and that was pretty much it.

0:17:36.960 --> 0:17:39.840
<v Speaker 6>So she wanted to work with other producers maybe nah.

0:17:40.200 --> 0:17:45.040
<v Speaker 2>So in reality, the situation that happened with that is

0:17:45.119 --> 0:17:47.000
<v Speaker 2>that once we decided that we weren't going to do

0:17:47.119 --> 0:17:50.360
<v Speaker 2>business together on a broader scale, then I fell back,

0:17:50.480 --> 0:17:52.800
<v Speaker 2>and then she decided and she came back and was like,

0:17:52.880 --> 0:17:54.440
<v Speaker 2>you know what, I was wrong, I do want to

0:17:54.480 --> 0:17:56.600
<v Speaker 2>work with you. And then we did an agreement for

0:17:56.720 --> 0:17:59.000
<v Speaker 2>us to work together, and we worked together like in

0:17:59.119 --> 0:18:01.440
<v Speaker 2>earlier August whatever, and I was like the first time

0:18:01.520 --> 0:18:04.880
<v Speaker 2>that we were like really like speaking together or collaborating

0:18:04.960 --> 0:18:08.879
<v Speaker 2>or doing anything together from like maybe March, Like we

0:18:08.960 --> 0:18:11.680
<v Speaker 2>probably ain't spoke to each other like from March to August.

0:18:11.840 --> 0:18:14.760
<v Speaker 2>So that's when we like kind of collectively came back

0:18:14.800 --> 0:18:17.240
<v Speaker 2>together did like we did twenty songs in like seven days. Now,

0:18:17.320 --> 0:18:19.200
<v Speaker 2>do you guys think that or do you feel like

0:18:19.240 --> 0:18:21.600
<v Speaker 2>there's something still there or that's completely done? That chapter's

0:18:21.640 --> 0:18:26.200
<v Speaker 2>close on a relationship level. To me, I just think

0:18:26.280 --> 0:18:29.640
<v Speaker 2>like when certain lines get crossed, like I just kind

0:18:29.680 --> 0:18:31.679
<v Speaker 2>of like, I think it's best that we go our

0:18:31.720 --> 0:18:34.760
<v Speaker 2>separate ways or whatever, and we had already went our

0:18:34.800 --> 0:18:37.040
<v Speaker 2>separate ways, like we weren't dating, you know, when that

0:18:37.160 --> 0:18:39.560
<v Speaker 2>wo that shit hit the headlines or whatever, we weren't dating.

0:18:40.040 --> 0:18:42.000
<v Speaker 2>Like we weren't speaking out, like I told y'all, Like

0:18:42.080 --> 0:18:45.040
<v Speaker 2>we weren't having any type of dialogue at all from

0:18:45.200 --> 0:18:47.600
<v Speaker 2>March into August. And then they came back to the

0:18:47.680 --> 0:18:50.119
<v Speaker 2>table through her management and her team or whatever, and

0:18:50.200 --> 0:18:52.520
<v Speaker 2>said that we wanted to work again, and we decided

0:18:52.560 --> 0:18:53.960
<v Speaker 2>to work again, and it went.

0:18:53.880 --> 0:18:57.000
<v Speaker 7>Well, you know, but she obviously had some feelings towards it,

0:18:57.119 --> 0:18:59.840
<v Speaker 7>because if she got mad that you were at arrest

0:19:00.280 --> 0:19:02.480
<v Speaker 7>and didn't speak to her, you know, it's kind of like,

0:19:03.400 --> 0:19:05.280
<v Speaker 7>you know, she kind of felt a certain type of way,

0:19:05.760 --> 0:19:07.400
<v Speaker 7>like emotions were still involved.

0:19:07.680 --> 0:19:09.720
<v Speaker 2>It's always gonna be like that, you know, Like me

0:19:09.840 --> 0:19:12.680
<v Speaker 2>and her, we did so many monumental things together. That's

0:19:12.720 --> 0:19:14.760
<v Speaker 2>a part of like a huge like a chapter in

0:19:14.800 --> 0:19:17.080
<v Speaker 2>her life and a chapter in my life. That like

0:19:17.359 --> 0:19:19.840
<v Speaker 2>it's three years of us working together, you know and

0:19:20.000 --> 0:19:23.160
<v Speaker 2>just going crazy. So I kind of feel like maybe

0:19:23.240 --> 0:19:25.719
<v Speaker 2>that could have been there, and me being an older guy,

0:19:25.840 --> 0:19:27.560
<v Speaker 2>like I'm almost ten years older than the team I'm

0:19:27.600 --> 0:19:29.439
<v Speaker 2>like nine years older than her. She's twenty seven. I'm

0:19:29.480 --> 0:19:32.280
<v Speaker 2>thirty seven. So it's kind of like it's a difference

0:19:32.400 --> 0:19:34.879
<v Speaker 2>of balance. Like so when certain things happened with me,

0:19:35.119 --> 0:19:37.520
<v Speaker 2>like she might not have seen it through my perspective,

0:19:37.560 --> 0:19:40.719
<v Speaker 2>through my POV, and I stepped back a little bit,

0:19:40.840 --> 0:19:42.399
<v Speaker 2>you know what I'm saying, just to kind of like

0:19:43.000 --> 0:19:45.879
<v Speaker 2>understand what was going on. And you know, I mean

0:19:46.200 --> 0:19:48.200
<v Speaker 2>I can't speak for what her feelings was. You know,

0:19:48.400 --> 0:19:50.720
<v Speaker 2>clearly it was some type of feeling to the situation,

0:19:50.960 --> 0:19:53.119
<v Speaker 2>but at that point, like I didn't even you know,

0:19:53.440 --> 0:19:56.600
<v Speaker 2>I was already like moving in a different direction. And

0:19:56.720 --> 0:19:58.320
<v Speaker 2>I know you was probably kind of hurt that she

0:19:58.560 --> 0:20:01.520
<v Speaker 2>went to the Internet. And instead of a lot of things,

0:20:02.440 --> 0:20:05.159
<v Speaker 2>I wasn't necessarily hurt. I was just more embarrassed for

0:20:05.320 --> 0:20:07.560
<v Speaker 2>her and for me at the same time. You know,

0:20:07.720 --> 0:20:10.520
<v Speaker 2>cause for me, I was embarrassed for her first cause

0:20:10.520 --> 0:20:12.800
<v Speaker 2>it's like I never seen like she she not Like

0:20:12.920 --> 0:20:16.000
<v Speaker 2>I never wanted that, at least any type of scandalous

0:20:16.040 --> 0:20:17.679
<v Speaker 2>type shit, you know what I'm saying on the internet

0:20:17.960 --> 0:20:19.920
<v Speaker 2>to involve me in it. Like we would sit and

0:20:20.040 --> 0:20:22.399
<v Speaker 2>talk about situations like that or whatever and just be

0:20:22.560 --> 0:20:24.840
<v Speaker 2>like damn, Like that's crazy, like we would see that,

0:20:25.000 --> 0:20:28.160
<v Speaker 2>but it was unfortunate for me. I mean, shit, I'm

0:20:28.640 --> 0:20:30.600
<v Speaker 2>we just got to be talking. I'm still a Heisberg

0:20:30.720 --> 0:20:33.439
<v Speaker 2>young bird, like I'm kind of like.

0:20:35.160 --> 0:20:35.960
<v Speaker 6>For a long time.

0:20:36.119 --> 0:20:39.119
<v Speaker 3>Yeah, a lot of people didn't know y'all dated until

0:20:39.880 --> 0:20:40.840
<v Speaker 3>that that situation.

0:20:41.240 --> 0:20:43.520
<v Speaker 2>I think she just probably made an impulsive you know

0:20:43.560 --> 0:20:47.680
<v Speaker 2>what I'm saying, decision and get that, And unfortunately you

0:20:47.840 --> 0:20:50.560
<v Speaker 2>can't take back those situations in real time once they

0:20:50.640 --> 0:20:53.119
<v Speaker 2>really happened. And I'm just not like an internet nigga

0:20:53.200 --> 0:20:54.760
<v Speaker 2>at all, you know what I'm saying, Like, if I'm

0:20:54.760 --> 0:20:56.239
<v Speaker 2>gonna come and be on the internet, I'm gonna come

0:20:56.280 --> 0:20:59.199
<v Speaker 2>and talk my piece or speak any anybody. Look at

0:20:59.240 --> 0:21:02.879
<v Speaker 2>my Instagram. Just literally accomplishments or me working in the

0:21:02.920 --> 0:21:06.119
<v Speaker 2>studio so much shit, Platinum records, Yeah, sold like over

0:21:06.160 --> 0:21:09.200
<v Speaker 2>one hundred and fifty million records, Like not even like

0:21:09.280 --> 0:21:11.840
<v Speaker 2>a thing, you know. So it was definitely love. Going

0:21:11.880 --> 0:21:14.480
<v Speaker 2>back to the concept of the whole thing, it was love.

0:21:15.080 --> 0:21:17.760
<v Speaker 2>It wasn't it wasn't the money situation, you know, Like,

0:21:18.040 --> 0:21:21.119
<v Speaker 2>and I still got your love, yeah, yeah, of course

0:21:21.400 --> 0:21:23.280
<v Speaker 2>I still got mad love and respect for her. You

0:21:23.320 --> 0:21:25.560
<v Speaker 2>know what I'm saying. And the real thing is, like

0:21:25.600 --> 0:21:27.840
<v Speaker 2>a lot of people got to dial into this when

0:21:27.880 --> 0:21:30.000
<v Speaker 2>you say you love somebody, if y'all don't end out

0:21:30.119 --> 0:21:32.800
<v Speaker 2>in like a super bad situation, you know what I'm saying, Like,

0:21:32.880 --> 0:21:36.040
<v Speaker 2>cause this situation was this situation. It wasn't the greatest.

0:21:36.119 --> 0:21:37.880
<v Speaker 2>You know, I would have preferred it win another way,

0:21:38.280 --> 0:21:42.240
<v Speaker 2>but man, like, I'm gonna want to be happy, and

0:21:42.520 --> 0:21:44.000
<v Speaker 2>I still love her, and I wanted to be the

0:21:44.040 --> 0:21:46.159
<v Speaker 2>most successful she can be in it. I still love her,

0:21:46.560 --> 0:21:48.840
<v Speaker 2>she being with someone else or whatever, you know, Like

0:21:48.960 --> 0:21:50.960
<v Speaker 2>I really got genuine love, Like I look at it

0:21:51.080 --> 0:21:53.680
<v Speaker 2>like family. So it's just unfortunate that she let the

0:21:53.800 --> 0:21:54.840
<v Speaker 2>internet in ToIP business.

0:21:54.880 --> 0:21:56.639
<v Speaker 7>You know, at that moment, Dang, man, I thought this

0:21:56.800 --> 0:22:00.200
<v Speaker 7>was gonna last. Man, like the Chicago connection, Man, this

0:22:00.320 --> 0:22:02.359
<v Speaker 7>is gonna be be it.

0:22:03.119 --> 0:22:05.480
<v Speaker 2>I mean, you know, I'm not the same person I

0:22:05.720 --> 0:22:08.359
<v Speaker 2>was when we initially started working together and vibbing together,

0:22:08.440 --> 0:22:11.360
<v Speaker 2>and she's not the same person. And what I'm mad

0:22:11.520 --> 0:22:15.159
<v Speaker 2>enough to say is that, man, Like, in reality, what

0:22:15.240 --> 0:22:16.920
<v Speaker 2>I learned when dealing with her is that like we

0:22:17.080 --> 0:22:19.159
<v Speaker 2>both like put each other, Like we've been through so

0:22:19.240 --> 0:22:21.560
<v Speaker 2>many trials, tripulations, that we put each other first. You

0:22:21.600 --> 0:22:23.280
<v Speaker 2>know what I'm saying. I put myself first and she

0:22:23.400 --> 0:22:26.119
<v Speaker 2>put herself first. So like, let's not you know what

0:22:26.160 --> 0:22:28.760
<v Speaker 2>I'm saying, crash out behind it. Let's keep being successful.

0:22:28.800 --> 0:22:31.120
<v Speaker 2>And you know what I'm saying, understand like the thought

0:22:31.160 --> 0:22:34.760
<v Speaker 2>process between both of us, like man, like we just

0:22:34.800 --> 0:22:35.440
<v Speaker 2>had it to win it.

0:22:35.680 --> 0:22:37.480
<v Speaker 6>Do you ever see yourself getting married?

0:22:39.200 --> 0:22:42.680
<v Speaker 2>I don't know, Like a lot of people UH want

0:22:42.720 --> 0:22:43.960
<v Speaker 2>me to, Like, you know what I'm.

0:22:43.800 --> 0:22:47.320
<v Speaker 6>Saying, You think you're not a marriage guy?

0:22:49.400 --> 0:22:50.440
<v Speaker 2>Got a relationship guy?

0:22:50.680 --> 0:22:52.720
<v Speaker 6>Okay, cause you're like a ladies man. You got a

0:22:52.760 --> 0:22:53.399
<v Speaker 6>lot of ladies.

0:22:53.920 --> 0:22:56.680
<v Speaker 2>Are you in a relationship or no? No, I don't

0:22:56.680 --> 0:23:00.600
<v Speaker 2>believe in having just like one woman. But I'm open

0:23:00.680 --> 0:23:02.920
<v Speaker 2>and I'm honest upfront about it. You know what I'm saying.

0:23:02.920 --> 0:23:05.200
<v Speaker 2>I'm not saying I can't only be with one woman,

0:23:05.480 --> 0:23:07.760
<v Speaker 2>but I just want to be like transparent of what

0:23:07.920 --> 0:23:11.560
<v Speaker 2>the real, the reality of my lifestyle and what I

0:23:11.640 --> 0:23:13.920
<v Speaker 2>got going on because a lot of times when I

0:23:13.960 --> 0:23:18.040
<v Speaker 2>start these relationships with women, we're friends first, so and

0:23:18.760 --> 0:23:20.360
<v Speaker 2>we don't even know each other. And you just told

0:23:20.400 --> 0:23:21.720
<v Speaker 2>me I was the ladies man, and this that and

0:23:21.800 --> 0:23:23.560
<v Speaker 2>the third so you kind of know the nigga you're

0:23:23.600 --> 0:23:26.720
<v Speaker 2>going to talk to or whatever before you go put

0:23:26.760 --> 0:23:29.040
<v Speaker 2>your fucking like you already got your foot in the pool.

0:23:29.119 --> 0:23:32.359
<v Speaker 7>Halfways from your public track record, it looks like you

0:23:32.600 --> 0:23:33.639
<v Speaker 7>like you the ladies.

0:23:33.720 --> 0:23:34.879
<v Speaker 6>Man, it just seems that.

0:23:35.040 --> 0:23:36.520
<v Speaker 2>Man, Yeah, I do very much.

0:23:36.560 --> 0:23:39.000
<v Speaker 7>So what do the women say when you put that

0:23:39.280 --> 0:23:41.800
<v Speaker 7>out there to them? Are they okay with that? And

0:23:41.880 --> 0:23:43.359
<v Speaker 7>then they find out they're really not?

0:23:44.760 --> 0:23:47.760
<v Speaker 2>I don't think that. It's more so like, okay, well,

0:23:47.800 --> 0:23:50.679
<v Speaker 2>I'm just into being like best friends and building situations

0:23:50.760 --> 0:23:53.719
<v Speaker 2>with people, you know, And then at the age I am,

0:23:53.880 --> 0:23:55.760
<v Speaker 2>of course, I don't have no kids, don't have anohing,

0:23:55.880 --> 0:23:57.800
<v Speaker 2>so I'm gonna take it there, you know what I'm

0:23:57.800 --> 0:24:00.760
<v Speaker 2>saying at some point eventually. But at the same token,

0:24:00.800 --> 0:24:03.760
<v Speaker 2>it's more so I don't know. I'm just I'm just

0:24:03.840 --> 0:24:05.480
<v Speaker 2>in love with my career right now. Honestly.

0:24:05.920 --> 0:24:08.800
<v Speaker 4>We'll be right back with more of the Baller Alert Show.

0:24:13.640 --> 0:24:16.360
<v Speaker 4>You're listening to a special edition of The Baller Alert Show.

0:24:16.520 --> 0:24:19.320
<v Speaker 2>Whatever y'all boy hit making a building man? They want

0:24:19.359 --> 0:24:21.520
<v Speaker 2>to know who do the tag and shit hit Maker?

0:24:22.200 --> 0:24:23.360
<v Speaker 2>Ball Alert back.

0:24:23.280 --> 0:24:25.199
<v Speaker 7>With more of the Baller Alert Show. We got hit

0:24:25.280 --> 0:24:30.520
<v Speaker 7>maker in the building. You have so many accomplishments and

0:24:30.640 --> 0:24:32.840
<v Speaker 7>you have done so much that we know. But just

0:24:32.920 --> 0:24:35.439
<v Speaker 7>for the audience, can you just explain a little bit

0:24:35.480 --> 0:24:40.560
<v Speaker 7>of your background. We know you're from Chicago, you was privileged, Yeah.

0:24:40.560 --> 0:24:41.680
<v Speaker 5>Were you raised in the suburbs?

0:24:41.920 --> 0:24:45.280
<v Speaker 2>My early life, like up until like sixth grade, I

0:24:45.400 --> 0:24:47.800
<v Speaker 2>was probably in the urbs or whatever. But I moved

0:24:47.880 --> 0:24:51.000
<v Speaker 2>to the East Side with my father on eighty first

0:24:51.080 --> 0:24:53.920
<v Speaker 2>and Elis. I went to school right over there, and

0:24:53.960 --> 0:24:56.159
<v Speaker 2>then from there I transition and went kind of like

0:24:56.280 --> 0:24:59.160
<v Speaker 2>to a Foster Park into that area, and I lived

0:24:59.200 --> 0:25:01.080
<v Speaker 2>there with my father all the way up until I

0:25:01.280 --> 0:25:04.680
<v Speaker 2>left Chicago and kind of went to LA And I

0:25:05.000 --> 0:25:08.040
<v Speaker 2>got my first start in LA. My first song Sexy

0:25:08.119 --> 0:25:10.600
<v Speaker 2>Lady I Ain't Gonna Like. So that was your first

0:25:11.240 --> 0:25:11.840
<v Speaker 2>big record?

0:25:12.600 --> 0:25:14.480
<v Speaker 6>Well, he was Iceberg, I was with.

0:25:16.280 --> 0:25:18.119
<v Speaker 5>I want you to talk about that real quick, because

0:25:18.200 --> 0:25:22.640
<v Speaker 5>that's kind of like an untapped How did the DMX

0:25:22.760 --> 0:25:24.840
<v Speaker 5>situation happen? So how were you?

0:25:25.240 --> 0:25:25.280
<v Speaker 8>So?

0:25:25.640 --> 0:25:30.680
<v Speaker 2>I was probably like thirteen fourteen and always been into music,

0:25:31.080 --> 0:25:34.920
<v Speaker 2>excuse me, and I went and I had a bunch

0:25:34.960 --> 0:25:37.680
<v Speaker 2>of guys that were street guys that was in Chicago

0:25:38.119 --> 0:25:40.439
<v Speaker 2>that really invested the money behind us, and I ended

0:25:40.480 --> 0:25:43.520
<v Speaker 2>up meeting my mentor Bugs and Boogs is the guy

0:25:43.600 --> 0:25:47.159
<v Speaker 2>that kind of like under noo id best friends of

0:25:47.240 --> 0:25:49.480
<v Speaker 2>Kanye West, all these different people and had these different

0:25:49.520 --> 0:25:52.240
<v Speaker 2>relationships and kind of like formed and turned me into

0:25:52.280 --> 0:25:54.520
<v Speaker 2>a producer. So at that point, the street dudes this

0:25:54.680 --> 0:25:56.840
<v Speaker 2>back in the day, like they had connections and they

0:25:56.880 --> 0:26:00.560
<v Speaker 2>had money. So I had a big working on crazy

0:26:00.680 --> 0:26:03.600
<v Speaker 2>Like jay Z wanted to sign me every label. I

0:26:03.680 --> 0:26:05.960
<v Speaker 2>think it was like twelve different labels, and I just

0:26:06.080 --> 0:26:09.760
<v Speaker 2>went from previously asking my father to purchase me Fleshing

0:26:09.800 --> 0:26:12.400
<v Speaker 2>my Flesh, Flood of my Blood dmx CD for Christmas

0:26:12.760 --> 0:26:14.920
<v Speaker 2>and DMX was like the biggest shit in the world

0:26:15.000 --> 0:26:17.840
<v Speaker 2>to me, Like jay Z's my favorite rapper. But DMX

0:26:17.880 --> 0:26:21.200
<v Speaker 2>at that point was just bar none the guy. And

0:26:22.000 --> 0:26:25.320
<v Speaker 2>we ended up meeting at what these bitches want from

0:26:25.320 --> 0:26:28.320
<v Speaker 2>a Nigga video And we was in LA and like

0:26:29.240 --> 0:26:31.280
<v Speaker 2>he had his trailer and I never forget when I

0:26:31.320 --> 0:26:33.399
<v Speaker 2>first met him or whatever, like they rushed me up

0:26:33.440 --> 0:26:35.200
<v Speaker 2>to him like yo, Like I was like four foot

0:26:35.280 --> 0:26:36.920
<v Speaker 2>four or some shit like that. Back then, I was

0:26:37.000 --> 0:26:39.280
<v Speaker 2>like a little bitty nigga and they was like, yo,

0:26:39.560 --> 0:26:42.680
<v Speaker 2>meet Iceberg and fucking you like shorty, uh, I'm gonna

0:26:42.680 --> 0:26:44.200
<v Speaker 2>go smoke this weed real quick, and he got like

0:26:44.240 --> 0:26:46.280
<v Speaker 2>two girls with him or whatever, like I'm going ahead

0:26:46.280 --> 0:26:48.000
<v Speaker 2>and listen, smoke this and I'll come back and see

0:26:48.040 --> 0:26:51.399
<v Speaker 2>you went smoked that shit they sent me on the

0:26:51.480 --> 0:26:53.680
<v Speaker 2>trailer and I was just like it was like rap

0:26:53.960 --> 0:26:55.760
<v Speaker 2>because it's back in the day. It's like it's weird now,

0:26:55.840 --> 0:26:58.960
<v Speaker 2>like you got to have so much social media presence.

0:27:00.560 --> 0:27:04.040
<v Speaker 5>Yeah, radio like DJ's PLAYGGA was just like rap, like

0:27:04.240 --> 0:27:06.359
<v Speaker 5>just a rap, Like I'm like, you want to hear

0:27:06.359 --> 0:27:06.760
<v Speaker 5>my demo?

0:27:07.000 --> 0:27:07.800
<v Speaker 1>No rap?

0:27:09.160 --> 0:27:11.480
<v Speaker 6>They want the raw talent supposed to today it was

0:27:11.480 --> 0:27:12.000
<v Speaker 6>already made.

0:27:12.119 --> 0:27:15.639
<v Speaker 2>So I kind of like I spit like a fast

0:27:15.720 --> 0:27:18.440
<v Speaker 2>tongue twister like twister like west Side Chicago stick. I

0:27:18.440 --> 0:27:20.680
<v Speaker 2>don't know nothing, smoker, and he was like, Yo, Shorty,

0:27:20.800 --> 0:27:23.240
<v Speaker 2>I don't know what the fuck you're talking about. Slow down,

0:27:23.480 --> 0:27:26.200
<v Speaker 2>say something different. So I said like a slower rap

0:27:26.400 --> 0:27:29.040
<v Speaker 2>that was like forty bars and he was like, Yo,

0:27:29.080 --> 0:27:31.040
<v Speaker 2>I'm gonna sign you. Like they cain't even listen to

0:27:31.119 --> 0:27:33.600
<v Speaker 2>my demo, Like niggas just right there like yo. On

0:27:33.680 --> 0:27:36.800
<v Speaker 2>the spot on the trailer, everybody goes crazy. I'm a

0:27:36.920 --> 0:27:40.280
<v Speaker 2>little young kid. I had more bricks than motherfucking Pablo

0:27:40.440 --> 0:27:42.600
<v Speaker 2>Esketball in my rap. So I was just the wildest

0:27:42.680 --> 0:27:44.720
<v Speaker 2>young nigga and just going crazy with a bunch of

0:27:44.720 --> 0:27:47.040
<v Speaker 2>street niggas. And they was just like, yo, I'm gonna

0:27:47.040 --> 0:27:49.280
<v Speaker 2>sign you, and he was like on the spot. So

0:27:49.440 --> 0:27:52.440
<v Speaker 2>at that point, shit, that was my journey with DMX

0:27:52.480 --> 0:27:54.320
<v Speaker 2>from right there. I came back to the video shoot

0:27:54.359 --> 0:27:56.960
<v Speaker 2>the next day and fucking Kevin Lows was. I was

0:27:57.000 --> 0:27:58.920
<v Speaker 2>sitting there and I was smoking a blunt and Kevin

0:27:58.960 --> 0:28:01.560
<v Speaker 2>Lows like many life about to change, and they was

0:28:01.720 --> 0:28:04.600
<v Speaker 2>playing my demo, our DMX trailer like winting that shit,

0:28:04.680 --> 0:28:07.359
<v Speaker 2>going crazy and clasting, And that was the start of

0:28:07.400 --> 0:28:08.080
<v Speaker 2>my career with him.

0:28:08.560 --> 0:28:10.160
<v Speaker 6>Where did the name Iceberg come from?

0:28:10.359 --> 0:28:12.800
<v Speaker 2>I used to wear a hell of Iceberg clothes, Like

0:28:13.119 --> 0:28:14.840
<v Speaker 2>I got that shit tiled on me. Still, how's your

0:28:14.840 --> 0:28:15.720
<v Speaker 2>favorite clothing lines?

0:28:15.920 --> 0:28:17.680
<v Speaker 5>Yeah, like that was the ball and shit that was

0:28:17.800 --> 0:28:20.520
<v Speaker 5>like the fucking chrome mark at this area right now,

0:28:20.600 --> 0:28:22.440
<v Speaker 5>you know what I'm saying, Like it was very expensive.

0:28:22.520 --> 0:28:25.280
<v Speaker 5>When did you change it? The young Bird Eve changed

0:28:25.320 --> 0:28:27.280
<v Speaker 5>my name to young Bird. So I'm like this back

0:28:27.359 --> 0:28:31.560
<v Speaker 5>in like them yeah, Rough Riders. Yeah, my first songwriting

0:28:31.600 --> 0:28:34.440
<v Speaker 5>placement ever. Like she was like a super mentor to me,

0:28:34.520 --> 0:28:36.760
<v Speaker 5>and like I used to live at like, man, I

0:28:36.840 --> 0:28:39.880
<v Speaker 5>used to be around Eve everywhere, Troy Carter, Jay, Irving,

0:28:40.040 --> 0:28:42.360
<v Speaker 5>all these different guys or whatever they used to manage her.

0:28:42.760 --> 0:28:46.840
<v Speaker 5>And my first writing place was Eve. I did Evolution.

0:28:47.320 --> 0:28:49.680
<v Speaker 2>It was the title track of her last album that

0:28:49.800 --> 0:28:52.000
<v Speaker 2>she dropped or whatever on Rough Riders or whatever, and

0:28:52.400 --> 0:28:54.400
<v Speaker 2>I wrote the hook and I was I actually got

0:28:54.480 --> 0:28:57.680
<v Speaker 2>vocals still on the record. But you know, she was

0:28:57.920 --> 0:28:59.760
<v Speaker 2>this back in the day when nigga was like popping,

0:29:00.080 --> 0:29:02.040
<v Speaker 2>and like you know how Dame Bash got there and

0:29:02.360 --> 0:29:05.440
<v Speaker 2>she's like burging ten though you like young burging ten

0:29:05.560 --> 0:29:07.479
<v Speaker 2>da da da, you call me young Bergen. That's how

0:29:07.520 --> 0:29:07.880
<v Speaker 2>it happened.

0:29:08.280 --> 0:29:12.200
<v Speaker 7>A lot of women have had great hands in your career.

0:29:12.800 --> 0:29:15.040
<v Speaker 7>Can you talk about what Nicki Minaj did.

0:29:15.000 --> 0:29:17.680
<v Speaker 2>For you, Man, I ain't gonna lie like Nicki kind

0:29:17.720 --> 0:29:20.600
<v Speaker 2>of like came in and changed my life and kind

0:29:20.640 --> 0:29:23.400
<v Speaker 2>of restructured the whole shit. So, like, I'm real big

0:29:23.480 --> 0:29:26.320
<v Speaker 2>into manifesting things, you know, like going into the studio,

0:29:26.480 --> 0:29:29.160
<v Speaker 2>making a record, doing something or whatever. So I went

0:29:29.240 --> 0:29:31.520
<v Speaker 2>to the studio, I just signed my first publishing deal

0:29:31.560 --> 0:29:34.760
<v Speaker 2>with APG or second publishing deal, and Mike Caroon had

0:29:34.800 --> 0:29:37.560
<v Speaker 2>me in a studio and I went in there and

0:29:37.600 --> 0:29:39.120
<v Speaker 2>I did a reference and I did a hook on

0:29:39.200 --> 0:29:41.080
<v Speaker 2>this track and I named it Nicky and hit Maker,

0:29:41.520 --> 0:29:43.280
<v Speaker 2>and I went and pulled up on my bro one

0:29:43.400 --> 0:29:46.240
<v Speaker 2>day at the studio and the next day, excuse me,

0:29:46.320 --> 0:29:47.680
<v Speaker 2>the very next day, I went put up on my

0:29:47.760 --> 0:29:50.160
<v Speaker 2>guy sound shut out to Sounds. He was working in

0:29:50.200 --> 0:29:52.560
<v Speaker 2>the studio. He had the high hand. He was going crazy.

0:29:52.960 --> 0:29:55.080
<v Speaker 2>And then my bro doc was like, yo, I just

0:29:55.120 --> 0:29:57.120
<v Speaker 2>seen Nicki Minaj. She in the other room, and I'm like,

0:29:57.240 --> 0:29:59.280
<v Speaker 2>for real, I'm like, yo, go tell her. I want

0:29:59.320 --> 0:30:01.080
<v Speaker 2>to holler at her. He said. He went over that

0:30:01.160 --> 0:30:03.120
<v Speaker 2>talked to her security like we're gonna come back and

0:30:03.200 --> 0:30:05.640
<v Speaker 2>get you in twenty minutes. And then shit, they came

0:30:05.720 --> 0:30:07.640
<v Speaker 2>back and got me in twenty minutes. And I went there.

0:30:07.680 --> 0:30:09.560
<v Speaker 2>I just press played on a record I did the

0:30:09.720 --> 0:30:12.560
<v Speaker 2>previous night, a bunch of other shit. She was fucking

0:30:12.640 --> 0:30:14.720
<v Speaker 2>with it, and that allowed me to do like four

0:30:14.800 --> 0:30:16.640
<v Speaker 2>or five records. I think it's four or five records

0:30:16.680 --> 0:30:20.120
<v Speaker 2>on that Pink Print album. Oh shit, she really just

0:30:20.200 --> 0:30:22.720
<v Speaker 2>gave me her studio, Like the best thing she ever

0:30:22.800 --> 0:30:25.360
<v Speaker 2>did for me, like was She's giving me free reign

0:30:25.440 --> 0:30:27.720
<v Speaker 2>and be creative. Like she was just like, yo, whether

0:30:27.760 --> 0:30:30.720
<v Speaker 2>I'm here or I'm not here, just pull up every day,

0:30:30.840 --> 0:30:33.560
<v Speaker 2>like pull up, you got new shit. Let's just vibe out.

0:30:33.600 --> 0:30:35.480
<v Speaker 2>And she kind of put me in position to where

0:30:35.600 --> 0:30:37.680
<v Speaker 2>like people are like what the fuck is young Bird

0:30:37.800 --> 0:30:40.080
<v Speaker 2>doing in Niki Studio with Nicki Minaj? And like she

0:30:40.120 --> 0:30:43.400
<v Speaker 2>would take me to how are you this time? This

0:30:43.560 --> 0:30:46.880
<v Speaker 2>right before Love and Hip Hop at the Break it's

0:30:47.000 --> 0:30:52.040
<v Speaker 2>like two thousand twelve or something like that, whatever Pink

0:30:52.120 --> 0:30:54.640
<v Speaker 2>Brain came out, it's like thirteen. This is like one

0:30:54.720 --> 0:30:57.000
<v Speaker 2>of them moments to where like even a records that

0:30:57.040 --> 0:30:58.920
<v Speaker 2>I did, like I feel like I did like classic

0:30:59.080 --> 0:31:00.960
<v Speaker 2>Nicki Minaj, wrak I do your favorite with her and

0:31:01.040 --> 0:31:03.640
<v Speaker 2>Jeremiah still see girls pulling that you were lucky to

0:31:03.760 --> 0:31:05.800
<v Speaker 2>give my mean ass like you and all these different

0:31:05.840 --> 0:31:07.880
<v Speaker 2>records or whatever. Like I did a lot of great

0:31:07.880 --> 0:31:10.360
<v Speaker 2>work with her on that project, and I'm really proud

0:31:10.360 --> 0:31:13.280
<v Speaker 2>of how was Nikki as a as a person To me,

0:31:13.480 --> 0:31:15.720
<v Speaker 2>it was it was all gracious, It was all beautiful,

0:31:15.800 --> 0:31:17.840
<v Speaker 2>you know what I'm saying, Like she ain't do nothing

0:31:17.840 --> 0:31:20.600
<v Speaker 2>but show me love. I mean I'm sure that uh

0:31:21.800 --> 0:31:24.680
<v Speaker 2>it's politics to whatever situation that go on, but like

0:31:24.760 --> 0:31:28.280
<v Speaker 2>me personally, like it wasn't. It wasn't never like nothing crazy,

0:31:28.440 --> 0:31:31.959
<v Speaker 2>Like I think, you know, it's weird, Like we had

0:31:32.000 --> 0:31:35.680
<v Speaker 2>like a brother sister relationship. So I wouldn't compare my

0:31:35.800 --> 0:31:37.960
<v Speaker 2>relationship to somebody that she worked with, because like I

0:31:38.120 --> 0:31:40.920
<v Speaker 2>was really there, Like I was really with her every day,

0:31:41.200 --> 0:31:43.920
<v Speaker 2>like we were really like sharing real experiences or whatever,

0:31:44.000 --> 0:31:46.120
<v Speaker 2>and like it kind of like opened my eyes. It

0:31:46.200 --> 0:31:47.520
<v Speaker 2>was kind of like boot camp for me. It is

0:31:47.560 --> 0:31:49.600
<v Speaker 2>like a songwriter producer type shit for it.

0:31:49.800 --> 0:31:51.560
<v Speaker 7>But you had your own hits at this time too,

0:31:51.600 --> 0:31:58.320
<v Speaker 7>because you had sexy can I sexy lady, you had

0:31:58.360 --> 0:31:59.320
<v Speaker 7>success of your own.

0:31:59.400 --> 0:32:02.160
<v Speaker 6>What was that like when you started, you know, cranking

0:32:02.200 --> 0:32:02.880
<v Speaker 6>out those hits?

0:32:04.200 --> 0:32:06.960
<v Speaker 2>Damn The crazy thing is like sexy Lady, Like I

0:32:07.120 --> 0:32:09.040
<v Speaker 2>used to go in the club. It was a club

0:32:09.200 --> 0:32:14.320
<v Speaker 2>called Damn he forgetting the name of this shit. But

0:32:14.760 --> 0:32:17.560
<v Speaker 2>shout out to my dogs TK. He helps a lot

0:32:17.560 --> 0:32:19.320
<v Speaker 2>of people say they catalogs and shit right now. He

0:32:19.440 --> 0:32:21.360
<v Speaker 2>was a club promoter. I used to go in there

0:32:21.400 --> 0:32:23.640
<v Speaker 2>and like a chinchilla, like every night and perform that

0:32:23.680 --> 0:32:26.560
<v Speaker 2>shit or whatever. It's hot as hell, you know what

0:32:26.600 --> 0:32:28.960
<v Speaker 2>I'm saying. But I wanted people to see me. And

0:32:29.040 --> 0:32:31.560
<v Speaker 2>my manager at the time was another club promoter for

0:32:31.640 --> 0:32:33.960
<v Speaker 2>the club, so like we would go to La Rouse

0:32:34.040 --> 0:32:35.920
<v Speaker 2>and get like bottles of liquor or whatever, and he

0:32:35.920 --> 0:32:37.680
<v Speaker 2>would sneak him in the back and bring him out

0:32:37.720 --> 0:32:40.000
<v Speaker 2>of the mock like he was mother fucking buying bottles

0:32:40.040 --> 0:32:42.440
<v Speaker 2>and shit. And DJ Echo was a main DJ and

0:32:42.520 --> 0:32:44.480
<v Speaker 2>Power one th six at the time, and they would

0:32:44.480 --> 0:32:47.680
<v Speaker 2>spin my shit and then from there I came in

0:32:47.760 --> 0:32:49.600
<v Speaker 2>like a setting like this or whatever, and I went

0:32:49.640 --> 0:32:52.040
<v Speaker 2>and told my life story in front of Dje Man

0:32:52.120 --> 0:32:54.640
<v Speaker 2>the whole Power one on six staff, and they were like, yeah,

0:32:54.640 --> 0:32:56.480
<v Speaker 2>we're gonna get this record a shot. And the record

0:32:57.200 --> 0:32:59.080
<v Speaker 2>got a shot and it was the number one record,

0:32:59.120 --> 0:33:02.200
<v Speaker 2>like it was how rotation number one in La before

0:33:02.240 --> 0:33:04.080
<v Speaker 2>I ever had a record deal, and that prompted me

0:33:04.480 --> 0:33:07.200
<v Speaker 2>to get my label deal with Epic Records being from

0:33:07.240 --> 0:33:11.040
<v Speaker 2>there like I had Sexy Can I, but I had

0:33:11.120 --> 0:33:13.920
<v Speaker 2>the business first with my artist Cash at the time.

0:33:14.000 --> 0:33:15.640
<v Speaker 2>And I loved that record, like I like that, I'm

0:33:15.680 --> 0:33:17.880
<v Speaker 2>just gonna be like one of them ones like is

0:33:17.920 --> 0:33:20.400
<v Speaker 2>out of here. The label wanted me to do Sexy

0:33:20.480 --> 0:33:23.800
<v Speaker 2>Cana and like, I was like, bro, like I'm about

0:33:23.840 --> 0:33:26.120
<v Speaker 2>to be the sexiest nigga in fucking America. You know

0:33:26.160 --> 0:33:28.520
<v Speaker 2>what I'm saying, Like yo, from Sexy Lady to Sexy

0:33:28.600 --> 0:33:32.360
<v Speaker 2>can I. So I was just like no. And long

0:33:32.440 --> 0:33:34.640
<v Speaker 2>story short, I think Charlie Walker was the president of

0:33:34.680 --> 0:33:36.240
<v Speaker 2>the company at the time. He brought me a chain.

0:33:36.320 --> 0:33:37.720
<v Speaker 5>I'm like, yo, he like, what do you need to

0:33:37.760 --> 0:33:39.880
<v Speaker 5>do this record? I'm like, I want to epic record chain.

0:33:40.120 --> 0:33:41.920
<v Speaker 5>You got to call Jason and Jueler right now and

0:33:42.000 --> 0:33:44.120
<v Speaker 5>buy me a chain. When brought me a chain, so

0:33:44.920 --> 0:33:48.720
<v Speaker 5>shit from fucking from the Loewe's Hotel to Wet Willie's,

0:33:48.840 --> 0:33:50.920
<v Speaker 5>we walked down the street and I wrote the verses

0:33:51.520 --> 0:33:52.680
<v Speaker 5>to a fucking Sexy.

0:33:52.440 --> 0:33:54.560
<v Speaker 2>Cana and then went and did the song in Miami

0:33:54.720 --> 0:33:55.440
<v Speaker 2>and was done with it.

0:33:55.760 --> 0:34:00.800
<v Speaker 5>So very few artists have two careers. I feel like

0:34:00.920 --> 0:34:05.800
<v Speaker 5>you had three, Yeah, because when did hit makers start?

0:34:06.960 --> 0:34:09.320
<v Speaker 2>I ain't had no hits. That's what was crazy. It

0:34:09.400 --> 0:34:12.200
<v Speaker 2>was really a ballsy move. Like I was in Miami

0:34:12.320 --> 0:34:14.080
<v Speaker 2>and like trying to find my way in Like I

0:34:14.239 --> 0:34:17.280
<v Speaker 2>was just writing records and this is like a prior

0:34:17.320 --> 0:34:19.440
<v Speaker 2>to me working with Tamar doing the one for her

0:34:19.640 --> 0:34:22.279
<v Speaker 2>on her album Loving War and shit like that, and

0:34:22.400 --> 0:34:24.760
<v Speaker 2>I was just in the studio with my god Jordan Hollywood,

0:34:24.880 --> 0:34:27.720
<v Speaker 2>just making hooks or whatever. Because I realized in Miami

0:34:27.840 --> 0:34:30.319
<v Speaker 2>that my shit was still hot. They just didn't want

0:34:30.320 --> 0:34:33.600
<v Speaker 2>it from me, you know what I'm saying. And it

0:34:33.719 --> 0:34:36.440
<v Speaker 2>fucked me up because it's like I ain't no ugly nigga,

0:34:36.520 --> 0:34:38.000
<v Speaker 2>you know what I'm saying, Like I ain't no la,

0:34:38.160 --> 0:34:40.240
<v Speaker 2>you know what I'm saying. Like I'm still like dealing

0:34:40.320 --> 0:34:43.879
<v Speaker 2>with beautiful women, like I was still living a rapper life.

0:34:43.920 --> 0:34:46.279
<v Speaker 2>But it's just like with the Internet come in and

0:34:46.360 --> 0:34:48.400
<v Speaker 2>all the other shit, like they just didn't want it

0:34:48.520 --> 0:34:51.480
<v Speaker 2>from me. Me working with Nikki and all this shit.

0:34:51.560 --> 0:34:53.920
<v Speaker 2>Like I'm literally doing Nicki album while we shooting Love

0:34:53.960 --> 0:34:55.920
<v Speaker 2>and hip Hop at the same time. Like Love and

0:34:56.000 --> 0:34:57.800
<v Speaker 2>hip Hop was like a guilty pleasure, you know what

0:34:57.840 --> 0:34:59.359
<v Speaker 2>I'm saying. For a lot of people, it was still

0:34:59.440 --> 0:35:02.440
<v Speaker 2>early on. It was real people that was like you

0:35:02.480 --> 0:35:05.320
<v Speaker 2>could see in real time. So with me turning the

0:35:05.400 --> 0:35:08.000
<v Speaker 2>hit maker, I probably think it was like twenty twelve

0:35:08.239 --> 0:35:09.759
<v Speaker 2>and I just said it like I was just like

0:35:09.840 --> 0:35:10.279
<v Speaker 2>hit making.

0:35:10.640 --> 0:35:13.239
<v Speaker 5>Who's Who's that on that drop? By the way, as

0:35:13.280 --> 0:35:17.440
<v Speaker 5>you continue, he got on his record call Yeah, I

0:35:17.520 --> 0:35:20.719
<v Speaker 5>did it for DJ Infamous first, Like I was just saying,

0:35:20.800 --> 0:35:22.920
<v Speaker 5>from his last night. He had a record that went

0:35:23.000 --> 0:35:26.040
<v Speaker 5>crazy called Double Cup with to Chris Juicy J. I

0:35:26.200 --> 0:35:29.480
<v Speaker 5>was on the hook and jeezy and fucking up.

0:35:29.520 --> 0:35:30.879
<v Speaker 2>I was at the shoot. That was the first time

0:35:31.200 --> 0:35:33.719
<v Speaker 2>I said it like publicly, and shit, I was like,

0:35:33.880 --> 0:35:36.120
<v Speaker 2>fuck it, I'm just riding out with this hit maker

0:35:36.360 --> 0:35:39.200
<v Speaker 2>and it just happened organically. But and then love and

0:35:39.280 --> 0:35:43.800
<v Speaker 2>hip hop continues also go ahead, what you know?

0:35:43.960 --> 0:35:45.640
<v Speaker 7>That was just an error, Like you said, it was

0:35:45.719 --> 0:35:48.879
<v Speaker 7>a part of you know, that was when golden love

0:35:48.920 --> 0:35:51.400
<v Speaker 7>and hip hop was really good, Like everybody was locked in.

0:35:51.480 --> 0:35:53.800
<v Speaker 7>They was doing watch parties and all that stuff, and

0:35:53.920 --> 0:35:56.360
<v Speaker 7>you were a part of that. I was just asking

0:35:56.400 --> 0:35:58.000
<v Speaker 7>about your experience in that time.

0:35:58.080 --> 0:36:00.759
<v Speaker 2>Did you like it? Yeah? So from that time, I'm

0:36:00.840 --> 0:36:03.600
<v Speaker 2>in I'm living here in Atlanta, so I said, heit

0:36:03.680 --> 0:36:06.440
<v Speaker 2>Maker in Miami. I moved to Atlanta. That's how I

0:36:06.520 --> 0:36:09.399
<v Speaker 2>was able to do the record with Infamous, and I'm

0:36:09.480 --> 0:36:11.160
<v Speaker 2>just moving around out here, and I just felt like

0:36:11.200 --> 0:36:14.040
<v Speaker 2>it was like super clickie you know what I'm saying,

0:36:14.040 --> 0:36:16.000
<v Speaker 2>which is still probably is like Polo and them be

0:36:16.120 --> 0:36:18.719
<v Speaker 2>over here, and Tricky and them over here or whatever,

0:36:18.760 --> 0:36:21.520
<v Speaker 2>and Tea Pain is all the way over there. You

0:36:21.600 --> 0:36:24.799
<v Speaker 2>know what I'm saying, Like trying to make some shit happen,

0:36:24.880 --> 0:36:25.600
<v Speaker 2>you know what I'm saying.

0:36:25.719 --> 0:36:26.000
<v Speaker 1>Like, so.

0:36:27.840 --> 0:36:29.960
<v Speaker 2>I'm like, fucking I'm moving back to LA. And I

0:36:30.120 --> 0:36:33.680
<v Speaker 2>moved back to LA and the girl Hazel, she she

0:36:33.880 --> 0:36:35.719
<v Speaker 2>kind of came to me like, Yo, we're doing love

0:36:35.760 --> 0:36:37.440
<v Speaker 2>and hip hop. Ray J's on it. At that point,

0:36:37.480 --> 0:36:39.720
<v Speaker 2>I ain't talked to ray J and I these people

0:36:39.880 --> 0:36:43.479
<v Speaker 2>whatever and so long, and She's like, Yo, such and such,

0:36:43.560 --> 0:36:46.120
<v Speaker 2>such and such. And me and Hazel was cool because

0:36:46.120 --> 0:36:48.040
<v Speaker 2>I've known her since I was young bird or whatever.

0:36:48.200 --> 0:36:52.439
<v Speaker 2>So it wasn't never like a dating situation or nothing

0:36:52.480 --> 0:36:53.800
<v Speaker 2>like that. We was just cool. When she brought it

0:36:53.880 --> 0:36:56.279
<v Speaker 2>to the table, like yo, like I'm your homegirl, this

0:36:56.440 --> 0:36:58.480
<v Speaker 2>what's up? Blah blah blah. So we did it and

0:36:58.560 --> 0:37:02.120
<v Speaker 2>then the camera just start I mean, once it all

0:37:02.239 --> 0:37:04.479
<v Speaker 2>came to the table, it was mad.

0:37:05.080 --> 0:37:05.320
<v Speaker 4>It was.

0:37:05.480 --> 0:37:08.440
<v Speaker 2>It was very interesting because like, so y'all weren't a

0:37:08.480 --> 0:37:10.360
<v Speaker 2>couple on the show. I'm gonna break it down. So

0:37:10.800 --> 0:37:13.360
<v Speaker 2>once it all came to the tables, fad interesting because

0:37:13.480 --> 0:37:17.040
<v Speaker 2>like when uh, the cast kind of assembled, like we

0:37:17.200 --> 0:37:19.440
<v Speaker 2>all assembled, like I think we were in Santa Monica

0:37:19.960 --> 0:37:23.560
<v Speaker 2>like for like a meet just to see everybody or whatever,

0:37:23.680 --> 0:37:27.080
<v Speaker 2>and like I've been with like multiple girls that was

0:37:27.120 --> 0:37:31.399
<v Speaker 2>on the cast, so like it was very weird. Ill

0:37:31.480 --> 0:37:33.560
<v Speaker 2>slept with not been in a relationship.

0:37:33.680 --> 0:37:35.360
<v Speaker 6>Before, like before the season started.

0:37:35.440 --> 0:37:38.319
<v Speaker 2>Oh in La, it's l a ship, like I lived there.

0:37:38.520 --> 0:37:39.600
<v Speaker 2>I'm young berg in La.

0:37:39.760 --> 0:37:42.680
<v Speaker 3>Like all these people are people that happen, so you

0:37:42.760 --> 0:37:45.120
<v Speaker 3>have to take the producers like my past life.

0:37:45.080 --> 0:37:49.600
<v Speaker 2>Like you know what I'm saying. Life Like they kind

0:37:49.640 --> 0:37:51.640
<v Speaker 2>of like it was just weird and Morna was like,

0:37:51.719 --> 0:37:56.480
<v Speaker 2>so bird, who have you? I'm like, you know I

0:37:56.600 --> 0:37:58.759
<v Speaker 2>used to. It was just it was just weird. It

0:37:58.880 --> 0:38:00.960
<v Speaker 2>was just bad. So we get on them.

0:38:01.040 --> 0:38:04.040
<v Speaker 6>And there wasn't a lot of ladies on that that season.

0:38:04.840 --> 0:38:11.320
<v Speaker 2>Well, to be honest, when we initially started the season,

0:38:11.520 --> 0:38:15.360
<v Speaker 2>I was dating somebody else and out of respect for

0:38:15.480 --> 0:38:18.239
<v Speaker 2>whatever she dealing with right now whatever, and got going on.

0:38:18.480 --> 0:38:20.480
<v Speaker 2>I ain't gonna say her name, but I was dating.

0:38:20.560 --> 0:38:23.719
<v Speaker 2>I was in a whole relationship with another girl was

0:38:23.800 --> 0:38:26.319
<v Speaker 2>on the show. Yeah, that's a very popular girl right now.

0:38:26.920 --> 0:38:30.160
<v Speaker 2>So we were dating and like it was weird for us,

0:38:30.239 --> 0:38:31.959
<v Speaker 2>you know what I'm saying, And like I was trying

0:38:31.960 --> 0:38:33.840
<v Speaker 2>to like get used to what was going on. It

0:38:34.000 --> 0:38:36.400
<v Speaker 2>was like super weird. And I remember I went to

0:38:36.520 --> 0:38:39.279
<v Speaker 2>Miami to work with Diddy on an album that he

0:38:39.440 --> 0:38:42.080
<v Speaker 2>was working on around that time, and I came back

0:38:42.160 --> 0:38:46.200
<v Speaker 2>and Monad fired off the show like so look I

0:38:46.280 --> 0:38:49.000
<v Speaker 2>come back. This is what's so crazy. I come back

0:38:49.040 --> 0:38:51.279
<v Speaker 2>from Miami and they pick you up, you know, they

0:38:51.280 --> 0:38:53.640
<v Speaker 2>don't like at that point, Like they come pick you

0:38:53.760 --> 0:38:55.480
<v Speaker 2>up in like a minivan or some shit and they

0:38:55.520 --> 0:38:57.680
<v Speaker 2>got sorok or whatever, and like you go and get

0:38:57.800 --> 0:38:59.359
<v Speaker 2>them ani van and they tell you what they were

0:38:59.640 --> 0:39:02.239
<v Speaker 2>they yo, well, like shorts and a T shirt and

0:39:02.280 --> 0:39:03.960
<v Speaker 2>blah blah blah. So I'm thinking I'm fin gonna play

0:39:04.000 --> 0:39:06.640
<v Speaker 2>basketball like Soldier boy, and what these niggas are some

0:39:06.800 --> 0:39:10.080
<v Speaker 2>like O Marion, I'm drinking in the van. We get

0:39:10.160 --> 0:39:14.839
<v Speaker 2>there and we at Hazel House and at that point

0:39:14.920 --> 0:39:16.560
<v Speaker 2>I was like, damn, what is this, you know, like

0:39:16.680 --> 0:39:19.000
<v Speaker 2>cause I was dating the other person that was on

0:39:19.080 --> 0:39:21.800
<v Speaker 2>the show, and I'm like, yo, I'm not doing a

0:39:21.880 --> 0:39:23.879
<v Speaker 2>scene like I'm not doing this like this ship lane,

0:39:24.040 --> 0:39:26.080
<v Speaker 2>like y'all trying to make me look like I'm two timing,

0:39:26.160 --> 0:39:28.120
<v Speaker 2>you know what I'm saying, like blah blah blah, and

0:39:28.239 --> 0:39:31.120
<v Speaker 2>Mona just appeared out of there like Kruella Deville like

0:39:31.280 --> 0:39:34.640
<v Speaker 2>burg let me talk, let me talk to you. You

0:39:34.800 --> 0:39:37.239
<v Speaker 2>make Stevie jb loving hip by Bollywood, and I'm just

0:39:37.360 --> 0:39:40.759
<v Speaker 2>like yo whatever. In the end, they told me that

0:39:40.840 --> 0:39:43.200
<v Speaker 2>they end up firing the girl that I was dating,

0:39:44.000 --> 0:39:46.680
<v Speaker 2>and because we had kind of fell out that weekend,

0:39:46.800 --> 0:39:48.440
<v Speaker 2>like I went out that weekend and me and her

0:39:48.600 --> 0:39:51.440
<v Speaker 2>fell out, like broke up, and then they told me

0:39:51.600 --> 0:39:53.879
<v Speaker 2>fire and then she was just like, yo, you gotta

0:39:53.960 --> 0:39:56.000
<v Speaker 2>do this. And at that point, nobody knew like me

0:39:56.080 --> 0:39:58.440
<v Speaker 2>as hit Maker or anything I had going on. So

0:39:58.600 --> 0:40:02.920
<v Speaker 2>I wanted to expose because Nikki and Diddy and different

0:40:02.960 --> 0:40:05.120
<v Speaker 2>people that I were working with were perfectly fine with

0:40:05.239 --> 0:40:07.279
<v Speaker 2>me saying that I was working with them currently on

0:40:07.360 --> 0:40:09.600
<v Speaker 2>the show. So that was kind of like the piece

0:40:09.680 --> 0:40:12.360
<v Speaker 2>of the situation that I was trying to hold on to.

0:40:12.920 --> 0:40:14.880
<v Speaker 2>And then shit, I walked in there and they just

0:40:14.920 --> 0:40:17.640
<v Speaker 2>turned on me in a hazel e relationship. Now, mind

0:40:17.719 --> 0:40:20.240
<v Speaker 2>you I'm not saying nothing wrong about Hazel Wee because

0:40:20.960 --> 0:40:24.000
<v Speaker 2>in hindsight, I do still have a lot of love

0:40:24.040 --> 0:40:26.160
<v Speaker 2>for Hazelweed. Like a lot of different things happen. I

0:40:26.239 --> 0:40:28.799
<v Speaker 2>know that that was a traumatic period of her life

0:40:28.920 --> 0:40:31.000
<v Speaker 2>or whatever, and like we were all young trying to

0:40:31.080 --> 0:40:34.320
<v Speaker 2>figure it out, and you know, like I'm not finna

0:40:34.320 --> 0:40:36.440
<v Speaker 2>be the person that's talking down on her whatever, Like

0:40:36.800 --> 0:40:39.000
<v Speaker 2>I had I dealt with her before, you know what

0:40:39.080 --> 0:40:42.200
<v Speaker 2>I'm saying, But we wasn't into like a deep rooted

0:40:42.360 --> 0:40:46.040
<v Speaker 2>relationship to where it is. But the alcohol, the cameras

0:40:46.520 --> 0:40:49.080
<v Speaker 2>and just what the show does, because what they don't

0:40:49.160 --> 0:40:51.440
<v Speaker 2>tell is that they don't get paid unless you win

0:40:51.480 --> 0:40:54.040
<v Speaker 2>a show. I can't speak for her, so I know

0:40:54.160 --> 0:40:56.200
<v Speaker 2>what my motive was, you know what I'm saying. Like,

0:40:56.360 --> 0:40:58.640
<v Speaker 2>so me turning up and doing all this other shit

0:40:58.760 --> 0:41:00.480
<v Speaker 2>is just like yo, I'm doing all this, I'm not

0:41:00.560 --> 0:41:03.200
<v Speaker 2>getting paid, And like I just look back at that

0:41:03.320 --> 0:41:06.520
<v Speaker 2>time and like I really am truly embarrassed by the shit,

0:41:06.600 --> 0:41:09.480
<v Speaker 2>cause it's like man like people still are attached to

0:41:09.600 --> 0:41:11.800
<v Speaker 2>that and still carrying that And I'm a whole different

0:41:11.840 --> 0:41:14.759
<v Speaker 2>person in my career, a whole nother nigga. But a

0:41:14.840 --> 0:41:17.399
<v Speaker 2>lot of things that happen in that situation. People will

0:41:17.440 --> 0:41:19.800
<v Speaker 2>attach it to it and be like, oh well, and

0:41:20.040 --> 0:41:21.920
<v Speaker 2>to me, it's like it's ten years ago. You know,

0:41:22.040 --> 0:41:22.919
<v Speaker 2>it's a decade ago.

0:41:23.040 --> 0:41:23.920
<v Speaker 6>But I feel you.

0:41:24.640 --> 0:41:26.560
<v Speaker 2>I got love for Hazewee, you know what I'm saying.

0:41:26.600 --> 0:41:29.040
<v Speaker 2>I got love for all those different people. And you know, like,

0:41:29.360 --> 0:41:31.200
<v Speaker 2>I just hate what the show does to people. It

0:41:31.360 --> 0:41:33.480
<v Speaker 2>kind of put you in a mix of having to

0:41:33.960 --> 0:41:36.680
<v Speaker 2>continue to do it. And I'm just grateful to be

0:41:36.880 --> 0:41:39.400
<v Speaker 2>out and I'm wishing nothing but love and like to

0:41:39.480 --> 0:41:40.920
<v Speaker 2>all them. We'll be right back.

0:41:41.120 --> 0:41:43.560
<v Speaker 4>Stay tuned with more of The ball Er Alert Show.

0:41:51.080 --> 0:41:53.759
<v Speaker 4>You're listening to a special edition of The Baller Alert Show.

0:41:54.040 --> 0:41:56.879
<v Speaker 2>Whatever y'all boy hit making a building Man. They want

0:41:56.880 --> 0:41:59.040
<v Speaker 2>to know who do the tag and shit hit Maka.

0:42:00.400 --> 0:42:01.239
<v Speaker 2>I got a question for you.

0:42:01.960 --> 0:42:04.640
<v Speaker 5>I'm a big mental health person and I asked everyone

0:42:04.760 --> 0:42:06.759
<v Speaker 5>that we interview. You seem like you're in a very

0:42:07.560 --> 0:42:12.800
<v Speaker 5>stable mental space right now. Do you talk to somebody,

0:42:13.000 --> 0:42:15.560
<v Speaker 5>do you get counseling, do you go to therapy or

0:42:16.320 --> 0:42:18.160
<v Speaker 5>is that just something that's just how you are.

0:42:18.360 --> 0:42:21.279
<v Speaker 2>I'm not per se in therapy. I talk to people

0:42:21.360 --> 0:42:23.120
<v Speaker 2>and I got different people that I can lean on

0:42:23.280 --> 0:42:25.799
<v Speaker 2>and I really respect their opinion. But I just think

0:42:25.880 --> 0:42:28.280
<v Speaker 2>that I've just been doing a lot of self reflecting,

0:42:28.320 --> 0:42:29.520
<v Speaker 2>you know what I'm saying, Like what did I do

0:42:29.640 --> 0:42:32.000
<v Speaker 2>wrong in this situation? Where was I Where did I

0:42:32.080 --> 0:42:34.120
<v Speaker 2>play a partner? Shit? You know, like what could I

0:42:34.280 --> 0:42:37.160
<v Speaker 2>could have changed and made better? And like I think

0:42:37.200 --> 0:42:40.239
<v Speaker 2>it's all it's all functioning off ego and just like

0:42:40.400 --> 0:42:42.239
<v Speaker 2>wanting something to prove, like a lot of shit you

0:42:42.280 --> 0:42:45.120
<v Speaker 2>gotta remember, like trials and tribulations and shit that I

0:42:45.200 --> 0:42:47.760
<v Speaker 2>went through, Like I always felt like I was overly talented,

0:42:48.040 --> 0:42:50.120
<v Speaker 2>that I was working harder than a lot of different people,

0:42:50.160 --> 0:42:52.080
<v Speaker 2>and I had that chip on my shoulder, like you know,

0:42:52.239 --> 0:42:55.000
<v Speaker 2>because of trials and tribulations that happened when I'm young,

0:42:55.080 --> 0:42:57.440
<v Speaker 2>berg or things that might have happened on love and

0:42:57.480 --> 0:43:00.120
<v Speaker 2>hip hop. I'm still carrying that type of baggage with

0:43:00.200 --> 0:43:02.000
<v Speaker 2>me because people are not looking at me for who

0:43:02.080 --> 0:43:04.279
<v Speaker 2>I feel like I am. But once I learned that

0:43:04.400 --> 0:43:07.800
<v Speaker 2>I can't, I can't. It's gonna do me better to

0:43:07.920 --> 0:43:10.600
<v Speaker 2>not be on Instagram looking at the comments, be like

0:43:10.640 --> 0:43:12.759
<v Speaker 2>how the fuck you niggas don't know? How were we

0:43:12.880 --> 0:43:13.200
<v Speaker 2>sitting here?

0:43:13.280 --> 0:43:16.880
<v Speaker 5>How y'all talking about love of money versus money and

0:43:17.120 --> 0:43:19.520
<v Speaker 5>I'm younger. I've been getting money for so I've been

0:43:19.640 --> 0:43:22.520
<v Speaker 5>successful for a long time, Like I've sold one hundred

0:43:22.520 --> 0:43:23.360
<v Speaker 5>and fifty million records.

0:43:23.360 --> 0:43:25.800
<v Speaker 2>It's hit maker, you know what I'm saying. So wanting

0:43:25.920 --> 0:43:27.960
<v Speaker 2>to overly try and prove it, like you know what

0:43:28.000 --> 0:43:30.359
<v Speaker 2>I'm saying, and do all this other different stuff. It's like, man,

0:43:31.160 --> 0:43:33.759
<v Speaker 2>when you really at a good space, just knowing, Like, man,

0:43:33.800 --> 0:43:36.160
<v Speaker 2>sit as long as the people around me happy and

0:43:36.239 --> 0:43:38.719
<v Speaker 2>I'm providing for the people that's around me and my team,

0:43:38.840 --> 0:43:41.239
<v Speaker 2>and I'm building and I'm still going this way and

0:43:41.320 --> 0:43:43.480
<v Speaker 2>I'm going up, then I can't really worry about all

0:43:43.480 --> 0:43:45.239
<v Speaker 2>the bullshit that's going that way.

0:43:45.600 --> 0:43:48.160
<v Speaker 3>Do you feel like that you finally getting like your

0:43:48.239 --> 0:43:49.720
<v Speaker 3>flowers being hit maker?

0:43:50.160 --> 0:43:53.600
<v Speaker 2>Is a hit maker or hit maker? H maker? Hit maker? Yeah? Maker?

0:43:54.440 --> 0:43:54.680
<v Speaker 4>Yeah?

0:43:55.040 --> 0:43:59.959
<v Speaker 2>Yeah for sure. Yeah. I mean I ain't really worry

0:44:00.040 --> 0:44:02.160
<v Speaker 2>about flowers no more. Like last year, I want Producer

0:44:02.160 --> 0:44:04.080
<v Speaker 2>of the Year the BT Awards. We hear again I'm

0:44:04.120 --> 0:44:06.040
<v Speaker 2>nominated again, Like I don't really care about it. I've

0:44:06.040 --> 0:44:09.400
<v Speaker 2>been nominated for Grammy like fifteen times, Like all that

0:44:09.520 --> 0:44:14.160
<v Speaker 2>flowers and shit like it's just like you searching for acceptance.

0:44:14.239 --> 0:44:16.040
<v Speaker 2>You want people to be like you know what I'm saying,

0:44:16.080 --> 0:44:18.080
<v Speaker 2>Like I respect what you do, Like when I you

0:44:18.239 --> 0:44:20.640
<v Speaker 2>look up, you know when I get my flowers like

0:44:20.800 --> 0:44:23.560
<v Speaker 2>right now, that they'll be like like I consciously made

0:44:23.560 --> 0:44:25.759
<v Speaker 2>an effort, like I remember, like people gonna find a

0:44:25.800 --> 0:44:27.680
<v Speaker 2>tweet and look at it at some day like where

0:44:27.680 --> 0:44:30.000
<v Speaker 2>I was like, man, I'm about to flip every song

0:44:30.120 --> 0:44:31.879
<v Speaker 2>I grew up with on one, O six and park

0:44:31.920 --> 0:44:34.480
<v Speaker 2>and be the puff daddy this generation and bring this

0:44:34.680 --> 0:44:38.080
<v Speaker 2>sound back and bring all these different shits back. I

0:44:38.239 --> 0:44:40.600
<v Speaker 2>did it so much, and I did it so well

0:44:40.760 --> 0:44:43.239
<v Speaker 2>that people found it like as a cheek code.

0:44:43.239 --> 0:44:45.560
<v Speaker 5>It's infected the whole culture right now, you know what

0:44:45.600 --> 0:44:48.080
<v Speaker 5>I'm saying, Like niggas that don't even know the songs

0:44:48.120 --> 0:44:50.759
<v Speaker 5>that they flipping. Its flipping songs because they feel like yo,

0:44:50.880 --> 0:44:52.520
<v Speaker 5>let me go get this old song or whatever. But

0:44:52.680 --> 0:44:55.080
<v Speaker 5>I really learned that from the niggas that came before me,

0:44:55.280 --> 0:44:58.319
<v Speaker 5>the JD's, the no IDE's, the Kanye's.

0:44:58.400 --> 0:45:01.839
<v Speaker 2>It's just a different era. This shit sampling. Yeah, bro,

0:45:02.000 --> 0:45:03.680
<v Speaker 2>Like I ain't gonna lie. I don't work with everybody

0:45:03.760 --> 0:45:07.040
<v Speaker 2>like I'm super like fulfilled. My next My next step

0:45:07.160 --> 0:45:09.320
<v Speaker 2>is just to break all the new artists. You know

0:45:09.360 --> 0:45:11.719
<v Speaker 2>what I'm saying, the opera off of the opportunity and

0:45:11.800 --> 0:45:13.640
<v Speaker 2>all the game that I've kind of them been able

0:45:13.680 --> 0:45:16.399
<v Speaker 2>to absorb over my career to the next motherfucker for real.

0:45:16.480 --> 0:45:18.480
<v Speaker 3>Now you're really excited about breaking new artists because I

0:45:19.040 --> 0:45:21.480
<v Speaker 3>feel like it's so hard to break new artists.

0:45:21.520 --> 0:45:25.719
<v Speaker 2>Now, man, that's what I was attempting to do with

0:45:25.880 --> 0:45:28.279
<v Speaker 2>the prior situation that we spoke on, you know what

0:45:28.320 --> 0:45:31.600
<v Speaker 2>I'm saying, because when I bumped into her and we

0:45:31.719 --> 0:45:34.000
<v Speaker 2>started working together, it was more so like, Yo, she

0:45:34.080 --> 0:45:36.320
<v Speaker 2>has a cod following. I want to take this more mainstream.

0:45:36.360 --> 0:45:37.719
<v Speaker 2>We had a number one records together, you know what

0:45:37.760 --> 0:45:39.440
<v Speaker 2>I'm saying. So I know it's capable, but I want

0:45:39.480 --> 0:45:41.520
<v Speaker 2>to take somebody. I think that it's a different level

0:45:41.880 --> 0:45:44.399
<v Speaker 2>to where like Mike Will you know what I'm saying,

0:45:44.880 --> 0:45:46.600
<v Speaker 2>got that look he broke Ray Schremmer, you know what

0:45:46.640 --> 0:45:50.080
<v Speaker 2>I'm saying, Like, it's certain different people that broke different artists,

0:45:50.080 --> 0:45:52.080
<v Speaker 2>and I'm always searching for that. I think that's the

0:45:52.200 --> 0:45:53.640
<v Speaker 2>last piece of the puzzle for my career.

0:45:54.200 --> 0:45:56.800
<v Speaker 3>I've seen a tweet that Bow was talking about he

0:45:56.880 --> 0:45:59.719
<v Speaker 3>got a record out with Chris Brown.

0:46:01.200 --> 0:46:03.640
<v Speaker 2>You know what that's looking like because you commented on it.

0:46:03.719 --> 0:46:06.480
<v Speaker 2>You was like, yeah, it's one of them ones. Is

0:46:06.600 --> 0:46:07.680
<v Speaker 2>it make a record? Yeah?

0:46:08.680 --> 0:46:08.960
<v Speaker 5>It is.

0:46:09.640 --> 0:46:11.520
<v Speaker 2>Shout out to Bow Wow, shout out to c B,

0:46:11.800 --> 0:46:15.680
<v Speaker 2>you know boy, my bro and then me and c B, Like,

0:46:16.280 --> 0:46:18.759
<v Speaker 2>I ain't gonna lie, like when we sit back and

0:46:18.840 --> 0:46:21.040
<v Speaker 2>we talk or whatever we because we talk, you know

0:46:21.080 --> 0:46:23.439
<v Speaker 2>what I'm saying. Like, we speak and it's more so music.

0:46:23.480 --> 0:46:25.640
<v Speaker 2>I'm just sending them music or whatever. We sharing ideas

0:46:25.719 --> 0:46:28.080
<v Speaker 2>and being collaborative. But in the moments that we do

0:46:28.239 --> 0:46:30.160
<v Speaker 2>get to sit down and really talk like man like,

0:46:30.960 --> 0:46:32.680
<v Speaker 2>we both got a lot of respect and love for

0:46:32.800 --> 0:46:34.719
<v Speaker 2>each other. Like we've done a lot, man, I ain't

0:46:34.760 --> 0:46:39.320
<v Speaker 2>gonna lie like, We've done a lot of fucking records together,

0:46:39.400 --> 0:46:41.759
<v Speaker 2>you know what I'm saying. And he's helped to really

0:46:41.840 --> 0:46:44.040
<v Speaker 2>take my career to another level too, So I'm always

0:46:44.080 --> 0:46:46.160
<v Speaker 2>gonna show man love and respecting like it. Man Like,

0:46:46.280 --> 0:46:49.399
<v Speaker 2>I'm excited for Boo because shit, okay, ain't no telling

0:46:49.520 --> 0:46:51.880
<v Speaker 2>like what happened when you catch your CEB hooking, the

0:46:52.080 --> 0:46:54.080
<v Speaker 2>whole shit can change all over again. You know what

0:46:54.120 --> 0:46:56.759
<v Speaker 2>I'm saying, not saying that bo ain't legend, but I'm

0:46:56.800 --> 0:46:59.080
<v Speaker 2>talking about him having a record in motion, you know

0:46:59.120 --> 0:46:59.560
<v Speaker 2>what I'm saying.

0:47:00.239 --> 0:47:02.080
<v Speaker 7>To go back real quick, when we were talking about

0:47:02.080 --> 0:47:04.560
<v Speaker 7>the breaking records, do you feel like Tink's album did

0:47:04.640 --> 0:47:07.120
<v Speaker 7>what you wanted as far as sales and the reception

0:47:07.239 --> 0:47:07.400
<v Speaker 7>of it?

0:47:07.520 --> 0:47:12.320
<v Speaker 2>Oh? Yeah, we did. We did three projects together, so shit,

0:47:12.800 --> 0:47:14.120
<v Speaker 2>we fucking the.

0:47:14.160 --> 0:47:16.440
<v Speaker 6>One with the purple covers, the one I'm talking about that's.

0:47:16.320 --> 0:47:18.520
<v Speaker 2>Pillow Talk, Okay. I was like, yeah, So she had

0:47:18.560 --> 0:47:21.200
<v Speaker 2>our first number one record off that project at radio,

0:47:21.440 --> 0:47:23.920
<v Speaker 2>so that was like a super success for her, you

0:47:23.960 --> 0:47:25.839
<v Speaker 2>know what I'm saying. And that was like a good,

0:47:26.000 --> 0:47:29.319
<v Speaker 2>good moment. And then right after that we came back

0:47:30.000 --> 0:47:33.160
<v Speaker 2>with another project and they all sell well and stream

0:47:33.200 --> 0:47:35.360
<v Speaker 2>well and do well, you know, like I did. We

0:47:35.480 --> 0:47:37.640
<v Speaker 2>did the deals together, so like I know that the

0:47:38.040 --> 0:47:40.800
<v Speaker 2>level up every time that something happened, you know. So

0:47:40.920 --> 0:47:43.560
<v Speaker 2>I'm just extremely happy for her to see somebody that

0:47:44.080 --> 0:47:45.839
<v Speaker 2>from where I'm from, that's you know what I'm saying.

0:47:46.080 --> 0:47:49.200
<v Speaker 2>I was instrumental. I'm not anymore, but I was instrumental

0:47:49.239 --> 0:47:52.520
<v Speaker 2>when involved into putting her in the right situations and

0:47:52.600 --> 0:47:54.480
<v Speaker 2>helping her. You know what I'm saying, to see this

0:47:54.520 --> 0:47:54.880
<v Speaker 2>shit that.

0:47:54.920 --> 0:47:57.560
<v Speaker 6>She get, you feel like she was a step further

0:47:57.640 --> 0:47:59.440
<v Speaker 6>than where she was before she came to you.

0:48:00.000 --> 0:48:01.560
<v Speaker 2>I mean, I think she would say that. I think

0:48:01.600 --> 0:48:04.160
<v Speaker 2>it's evident, Like you could just look at you know

0:48:04.200 --> 0:48:06.279
<v Speaker 2>what I'm saying, her evolution as an artist, and you

0:48:06.320 --> 0:48:08.080
<v Speaker 2>can tell that, you know what I'm saying, Like it's

0:48:08.120 --> 0:48:10.120
<v Speaker 2>pretty it's kind of written on a while. I'm a

0:48:10.200 --> 0:48:13.360
<v Speaker 2>different person I was like those three years ago, So

0:48:13.560 --> 0:48:15.480
<v Speaker 2>I mean it's leveled up together type shit.

0:48:15.640 --> 0:48:20.120
<v Speaker 6>Seems like evolution is very key and you're growing in life.

0:48:21.160 --> 0:48:26.000
<v Speaker 2>Well, ultimately, I'm here to be like the next La Reads,

0:48:26.040 --> 0:48:29.520
<v Speaker 2>the next motherfucking Verry Gordy, like that type of shit,

0:48:29.600 --> 0:48:31.480
<v Speaker 2>you know what I'm saying, Like, that's what the trajectory

0:48:31.560 --> 0:48:34.040
<v Speaker 2>of my career is because I'm great with working with

0:48:34.160 --> 0:48:37.719
<v Speaker 2>everybody and just coming in and putting my sauce on

0:48:37.840 --> 0:48:40.600
<v Speaker 2>these different situations and turning them up. And I really

0:48:40.640 --> 0:48:42.040
<v Speaker 2>want to be that. I want to be that for

0:48:42.440 --> 0:48:44.760
<v Speaker 2>executives and I want to be the guy that actually

0:48:44.880 --> 0:48:47.440
<v Speaker 2>makes the music that's inside the building, that's telling that.

0:48:47.640 --> 0:48:50.279
<v Speaker 2>So a lot of people don't know It's gonna be

0:48:50.320 --> 0:48:52.239
<v Speaker 2>my third year being vice president of A and R

0:48:52.360 --> 0:48:55.719
<v Speaker 2>for Empire. Prior to that, I worked for four years

0:48:55.760 --> 0:48:58.920
<v Speaker 2>at Atlantic Records. Probably sold like forty million records with

0:48:58.960 --> 0:49:01.959
<v Speaker 2>Atlantic Records, from Able to Do, Meek Mills first number

0:49:02.040 --> 0:49:04.560
<v Speaker 2>one to eight, Boogie's first number one, Look Back at

0:49:04.640 --> 0:49:07.520
<v Speaker 2>It Dangerous, all these different records. So a lot of

0:49:07.560 --> 0:49:10.920
<v Speaker 2>people don't know that I'm working inside the system, like

0:49:10.960 --> 0:49:14.319
<v Speaker 2>I'm inside out and outside the type shit, because I'm

0:49:14.360 --> 0:49:16.520
<v Speaker 2>making a record and I'm also the nigga that's inside

0:49:16.560 --> 0:49:17.880
<v Speaker 2>the building that had that conversation?

0:49:18.239 --> 0:49:20.080
<v Speaker 6>Is that your plan for makeup music to be?

0:49:20.320 --> 0:49:20.360
<v Speaker 5>Like?

0:49:21.680 --> 0:49:24.400
<v Speaker 2>So, I'm sorry, yeah, Like that's what be on right now.

0:49:24.480 --> 0:49:26.279
<v Speaker 2>My new album is coming out top of the year,

0:49:26.320 --> 0:49:28.719
<v Speaker 2>and it's it's gonna be it's one of the ones.

0:49:28.800 --> 0:49:30.719
<v Speaker 2>What's it gonna be? I don't even know yet? And

0:49:31.400 --> 0:49:36.759
<v Speaker 2>are you gonna be back rapping? Rapping? I don't know how.

0:49:36.760 --> 0:49:41.160
<v Speaker 5>I might rap once maybe twice. Wait so wait, so wait,

0:49:41.239 --> 0:49:43.040
<v Speaker 5>is this gonna be like a like a like a

0:49:43.080 --> 0:49:45.920
<v Speaker 5>puff album. Yeah for sure, Yeah, it's like a producer.

0:49:46.120 --> 0:49:49.080
<v Speaker 2>Well, it ain't even like a it's done, Like I mean,

0:49:49.440 --> 0:49:50.719
<v Speaker 2>I'm seventy percent done with it.

0:49:50.880 --> 0:49:54.600
<v Speaker 6>Okay, So is make a sound of subsidiary to Empire?

0:49:54.760 --> 0:49:58.200
<v Speaker 2>Yeah, we got a I got joint ventures with Empire,

0:49:58.200 --> 0:50:00.160
<v Speaker 2>and then I also got a joint venture with my

0:50:00.239 --> 0:50:03.560
<v Speaker 2>publishing company with Apach and Wanna Chapel. So like, I

0:50:03.680 --> 0:50:07.000
<v Speaker 2>got a few big deals that's going on. And then

0:50:07.400 --> 0:50:09.600
<v Speaker 2>I got other artists that I signed to other companies

0:50:09.800 --> 0:50:12.759
<v Speaker 2>being my company as well, So my hands kind of

0:50:12.800 --> 0:50:15.160
<v Speaker 2>and everything. For real, are you signing people the Empire

0:50:15.280 --> 0:50:17.279
<v Speaker 2>right now? I can if I want to. It's I

0:50:17.360 --> 0:50:17.919
<v Speaker 2>think it's dope.

0:50:18.280 --> 0:50:20.640
<v Speaker 5>You didn't sign Young Blue, right, No, but I work

0:50:20.680 --> 0:50:23.239
<v Speaker 5>with Young Blue, like, okay. I was just trying to

0:50:23.280 --> 0:50:27.800
<v Speaker 5>make sure, Nah, chill Blue is my guy, and I

0:50:27.920 --> 0:50:30.520
<v Speaker 5>think that yeah, that Blue is a great person. I

0:50:30.640 --> 0:50:33.200
<v Speaker 5>think they did they deal Boosy and them, did they deal?

0:50:33.280 --> 0:50:35.800
<v Speaker 5>The only thing that I know really like my introduction

0:50:35.920 --> 0:50:37.960
<v Speaker 5>in Blue. I ain't gonna lie. I met the Nigga

0:50:38.000 --> 0:50:40.680
<v Speaker 5>Blue in an airport. He was with I think he's

0:50:40.719 --> 0:50:43.200
<v Speaker 5>with his manager with him right now or another guy.

0:50:43.320 --> 0:50:45.040
<v Speaker 5>He was just like like, what's up?

0:50:45.760 --> 0:50:47.960
<v Speaker 2>And this before he was blew up with Empire or

0:50:47.960 --> 0:50:49.800
<v Speaker 2>whatever like, and I was already in my wave and

0:50:49.880 --> 0:50:52.120
<v Speaker 2>he was just like Yo, we're gonna work together. And

0:50:52.200 --> 0:50:54.239
<v Speaker 2>I kind of blew the nigga out, like not you know,

0:50:54.320 --> 0:50:56.279
<v Speaker 2>but not blew them off, but like pauls like you

0:50:56.400 --> 0:50:58.360
<v Speaker 2>know how you in the airport and like it's just

0:50:58.400 --> 0:51:00.480
<v Speaker 2>a quick conversation because you got to you trying to

0:51:00.520 --> 0:51:03.520
<v Speaker 2>catch your flight. And yeah, so from their shit, I

0:51:03.640 --> 0:51:06.160
<v Speaker 2>came back and I never forget I was working with Atlantic,

0:51:06.239 --> 0:51:08.880
<v Speaker 2>and like I kind of felt unappreciated Atlantic because I

0:51:08.920 --> 0:51:10.680
<v Speaker 2>did so much, and I was looking for them to

0:51:10.840 --> 0:51:15.000
<v Speaker 2>like invest into me as a as a as a creative,

0:51:15.160 --> 0:51:17.600
<v Speaker 2>like yo, like okay, cool, I've done I've sold all

0:51:17.600 --> 0:51:20.640
<v Speaker 2>these records. I'm doing this shit, y'all kind of reactionary

0:51:20.760 --> 0:51:23.480
<v Speaker 2>instead of like being like in front of ahead of

0:51:23.520 --> 0:51:25.399
<v Speaker 2>the pack with my career, you know what I'm saying.

0:51:25.520 --> 0:51:28.120
<v Speaker 2>So let me let me go ahead and try and

0:51:28.160 --> 0:51:29.800
<v Speaker 2>figure something else. So I wanted them to buy me

0:51:29.880 --> 0:51:33.040
<v Speaker 2>a studio, like similar to how they did for Drama

0:51:33.440 --> 0:51:37.759
<v Speaker 2>or whatever, or partner up. You're smart because you got

0:51:37.880 --> 0:51:41.279
<v Speaker 2>to understand if Drama God forbid that they stopped doing

0:51:41.360 --> 0:51:44.160
<v Speaker 2>business together, that's still a drama studio. And I learned

0:51:44.200 --> 0:51:46.560
<v Speaker 2>that from Tricky in La the same way he had

0:51:46.640 --> 0:51:49.000
<v Speaker 2>RedZone and all this other stuff. So I was trying

0:51:49.040 --> 0:51:51.879
<v Speaker 2>to pack my career around that, and it just never

0:51:52.000 --> 0:51:55.239
<v Speaker 2>really came to fruition. And Ghazi came in and with

0:51:55.400 --> 0:51:58.000
<v Speaker 2>like a lifesaver like at that point and was like,

0:51:58.280 --> 0:52:00.600
<v Speaker 2>how much money's gonna take to get you out the situation.

0:52:00.840 --> 0:52:04.040
<v Speaker 2>I was like this, He bought me out. And the

0:52:04.120 --> 0:52:06.480
<v Speaker 2>first record I made when I went to Empire was

0:52:06.560 --> 0:52:10.760
<v Speaker 2>Baddest with Blue Chris Brown and a big record record.

0:52:11.000 --> 0:52:13.080
<v Speaker 2>Literally the first day we went in the studio at

0:52:13.320 --> 0:52:15.520
<v Speaker 2>San Francisco, that was the first song we did. How

0:52:15.600 --> 0:52:17.279
<v Speaker 2>hard it was to get Chris to do that hook?

0:52:17.680 --> 0:52:21.560
<v Speaker 2>It wasn't hard at all. I just was was like, Yo,

0:52:21.840 --> 0:52:23.200
<v Speaker 2>we need to get this done. We need to get

0:52:23.239 --> 0:52:25.600
<v Speaker 2>this done, something to record. When he liked the record

0:52:25.640 --> 0:52:27.480
<v Speaker 2>and he fucked with you, he did that and he

0:52:27.640 --> 0:52:30.360
<v Speaker 2>do it and then from there he spawn out and

0:52:30.640 --> 0:52:32.640
<v Speaker 2>broke went on tour with him, and it just opened

0:52:32.680 --> 0:52:34.719
<v Speaker 2>a lot of different doors for the art. It was

0:52:34.800 --> 0:52:37.320
<v Speaker 2>in there, and then from there we did Fireboy Peru

0:52:37.920 --> 0:52:40.759
<v Speaker 2>and Sharon shout out to my boy Ivory Scott. Then

0:52:40.840 --> 0:52:43.200
<v Speaker 2>from there it just went on and did all.

0:52:43.160 --> 0:52:46.120
<v Speaker 5>These teats to say about my brother.

0:52:46.440 --> 0:52:49.200
<v Speaker 2>Iris got Yeah, I'm executive producer of his album that's

0:52:49.200 --> 0:52:51.040
<v Speaker 2>coming out soon too. He just dropped his record with

0:52:51.120 --> 0:52:53.120
<v Speaker 2>Queen Na. Just shout out to Ivory. I'm taking him

0:52:53.120 --> 0:52:56.680
<v Speaker 2>to the BET Awards with me tomorrow. And I just

0:52:56.760 --> 0:52:59.880
<v Speaker 2>went crazy Empire and just did a bust of moves

0:53:00.000 --> 0:53:02.000
<v Speaker 2>out to Eric Belincher. We just had a real big

0:53:02.080 --> 0:53:05.080
<v Speaker 2>record that was Curious that's out right now. The big

0:53:05.200 --> 0:53:07.439
<v Speaker 2>remix coming to you know what I'm saying, top ten record.

0:53:07.480 --> 0:53:09.040
<v Speaker 2>I just start busting my movie.

0:53:09.280 --> 0:53:12.239
<v Speaker 5>So your VP of A and R at Empire. How

0:53:12.280 --> 0:53:16.480
<v Speaker 5>does an artist get at hitmakerl does? Does hitmaker find you?

0:53:16.760 --> 0:53:18.920
<v Speaker 2>And you're not trying both? You know, I just want

0:53:18.960 --> 0:53:20.880
<v Speaker 2>the ship to be good, you know what I'm saying, Like,

0:53:21.239 --> 0:53:24.680
<v Speaker 2>I think that with the success of certain rappers and

0:53:24.840 --> 0:53:27.000
<v Speaker 2>just shit that just be happening overnight or how you

0:53:27.000 --> 0:53:29.719
<v Speaker 2>would say industry plan or whatever the fuck theyers want

0:53:29.760 --> 0:53:33.040
<v Speaker 2>to say, everybody just think it's so easy to do

0:53:33.239 --> 0:53:35.680
<v Speaker 2>this shit now. You know what I'm saying, Like, if

0:53:35.760 --> 0:53:38.360
<v Speaker 2>I look good, if you're a girl and it's like

0:53:38.719 --> 0:53:42.320
<v Speaker 2>I want rap, like like a lot of strippers dances

0:53:42.760 --> 0:53:45.160
<v Speaker 2>people that my first question be like do you love

0:53:45.239 --> 0:53:48.759
<v Speaker 2>this shit? Like would you stop dancing to go and

0:53:48.880 --> 0:53:51.359
<v Speaker 2>do a project or whatever and really put the energy

0:53:51.400 --> 0:53:52.000
<v Speaker 2>into this shit.

0:53:52.280 --> 0:53:55.759
<v Speaker 5>I just think that everybody thinks it's very easy. So

0:53:55.880 --> 0:53:58.040
<v Speaker 5>I want the shit to be seasoned when it meet me.

0:53:58.280 --> 0:53:59.799
<v Speaker 6>So what does make us sound?

0:53:59.800 --> 0:54:00.279
<v Speaker 2>Look for it?

0:54:00.320 --> 0:54:03.359
<v Speaker 6>If you want to be an artist, just work ethic.

0:54:03.440 --> 0:54:05.600
<v Speaker 2>You know, like how we was sitting here and I'm

0:54:05.640 --> 0:54:09.239
<v Speaker 2>sitting there holding like myself up to a high situation.

0:54:09.440 --> 0:54:12.200
<v Speaker 2>I think that you gotta have more work out than me.

0:54:12.320 --> 0:54:14.439
<v Speaker 2>You gotta be in that motherfucker like me. You gotta

0:54:14.480 --> 0:54:16.920
<v Speaker 2>be going just as hard as me. Like I don't sleep,

0:54:17.080 --> 0:54:19.840
<v Speaker 2>like I don't got no personal life. I don't got nothing.

0:54:20.160 --> 0:54:22.640
<v Speaker 2>My whole life is music, which I'm trying to Like

0:54:22.719 --> 0:54:25.520
<v Speaker 2>I we saying I'm gonna procreate soon, but I'm trying

0:54:25.520 --> 0:54:30.160
<v Speaker 2>to figure trying to figure this out here. But I

0:54:30.320 --> 0:54:34.319
<v Speaker 2>just want somebody that that's enthusiastic about doing the work

0:54:34.400 --> 0:54:36.480
<v Speaker 2>as much as I am. You know, like I ain't

0:54:36.480 --> 0:54:38.880
<v Speaker 2>gonna lie, like I ain't gotta do this shit. I

0:54:38.960 --> 0:54:42.680
<v Speaker 2>can hang it up like for real, Like recently, help

0:54:43.080 --> 0:54:45.800
<v Speaker 2>help all my people sell portions of their catalog and

0:54:46.400 --> 0:54:48.319
<v Speaker 2>you know, do those type of deals that people talking

0:54:48.320 --> 0:54:50.239
<v Speaker 2>about and I did one of those deals myself, and

0:54:50.320 --> 0:54:52.320
<v Speaker 2>I was just focused on where you saw some of

0:54:52.360 --> 0:54:55.279
<v Speaker 2>your catalog. Yeah, I made the right financial moves, like

0:54:55.320 --> 0:54:59.000
<v Speaker 2>i'ma keeping honest, like I ain't gotta how much I

0:54:59.040 --> 0:55:00.640
<v Speaker 2>don't want to talk. I don't like talking about finding.

0:55:01.239 --> 0:55:03.640
<v Speaker 5>Did you do like a privacy thing for that not

0:55:03.800 --> 0:55:07.120
<v Speaker 5>to come out? Yeah, of course because it's you, Otherwise

0:55:07.160 --> 0:55:09.919
<v Speaker 5>it would have. I just think that, like the next

0:55:10.640 --> 0:55:12.800
<v Speaker 5>progression of my my career is just not move like

0:55:12.880 --> 0:55:13.320
<v Speaker 5>a nigga.

0:55:13.640 --> 0:55:15.640
<v Speaker 2>You know what I'm saying. I can't stop this, Like

0:55:15.719 --> 0:55:17.080
<v Speaker 2>you know what I'm saying. I love this I got

0:55:17.320 --> 0:55:19.520
<v Speaker 2>I got a million dollars. I was just about to

0:55:19.520 --> 0:55:22.719
<v Speaker 2>say that. Yeah, like, but you have to get rid

0:55:22.760 --> 0:55:25.200
<v Speaker 2>of that if you but I love it. I'm still

0:55:25.239 --> 0:55:27.200
<v Speaker 2>an artist, Like I still love this ship, you know

0:55:27.280 --> 0:55:30.120
<v Speaker 2>what I'm saying. But I'm transitioning to where like I'm

0:55:30.160 --> 0:55:32.560
<v Speaker 2>gonna put this ship up and give it to somebody else,

0:55:32.600 --> 0:55:34.719
<v Speaker 2>and you gonna see me coming here with the suit on.

0:55:34.920 --> 0:55:39.279
<v Speaker 2>You don't give it to man, you can donate it to.

0:55:40.920 --> 0:55:41.080
<v Speaker 5>Son.

0:55:41.400 --> 0:55:42.840
<v Speaker 2>Yeah, we'll put it in a museum.

0:55:43.239 --> 0:55:44.840
<v Speaker 5>So you drop one of those on the floor right

0:55:44.880 --> 0:55:45.640
<v Speaker 5>now before you live.

0:55:45.680 --> 0:55:49.840
<v Speaker 2>It's shout out to mother. Like a lot of these niggas.

0:55:49.840 --> 0:55:53.120
<v Speaker 2>Ship don't really be going like there, Like it's like

0:55:53.320 --> 0:55:57.960
<v Speaker 2>real sound heavy bt, it's real, real deal different. See

0:55:58.040 --> 0:55:59.480
<v Speaker 2>he he real big in a jury.

0:55:59.600 --> 0:56:06.479
<v Speaker 5>So yeah, yeah, yes, sir, I'm that ship heavy.

0:56:07.120 --> 0:56:08.799
<v Speaker 3>Now you said you want to give it away? Now

0:56:08.840 --> 0:56:11.200
<v Speaker 3>you can always donate. I could put it in a

0:56:11.280 --> 0:56:11.840
<v Speaker 3>safe place.

0:56:12.040 --> 0:56:14.600
<v Speaker 2>This is heavy. That's at least what.

0:56:14.800 --> 0:56:16.399
<v Speaker 6>I was just bringing the back of it, it said,

0:56:16.480 --> 0:56:17.239
<v Speaker 6>hit versus tink.

0:56:17.320 --> 0:56:20.640
<v Speaker 2>I'm just saying, wait what wait what she's talking about

0:56:20.719 --> 0:56:23.680
<v Speaker 2>the piece, the Jesus piece? I had this shame, I said,

0:56:23.760 --> 0:56:27.160
<v Speaker 2>hit versus tink. Yeah, I paid like motherfucking uh, so

0:56:27.280 --> 0:56:30.800
<v Speaker 2>you know I'll pay attention to everything. I thought you

0:56:30.920 --> 0:56:33.520
<v Speaker 2>was joking. I did not see that. I think I

0:56:33.640 --> 0:56:36.080
<v Speaker 2>paid like clups to two hundred for this cuban and

0:56:36.160 --> 0:56:38.360
<v Speaker 2>I had this ship and two hundred thousand. Yeah, and

0:56:38.400 --> 0:56:41.279
<v Speaker 2>then on my birthday? How much for the flood of Jesus?

0:56:41.680 --> 0:56:44.480
<v Speaker 2>She put the down payment on it. I paid for

0:56:44.560 --> 0:56:46.640
<v Speaker 2>my birthday? Yeah? How much is all this on the

0:56:46.719 --> 0:56:54.280
<v Speaker 2>drip check? Like almost saying nice? She then he proceeds

0:56:54.320 --> 0:56:55.080
<v Speaker 2>to drink his water.

0:56:59.000 --> 0:57:03.160
<v Speaker 6>Makes you gotta come back. We can pull up in

0:57:03.320 --> 0:57:03.959
<v Speaker 6>La or whatever.

0:57:04.280 --> 0:57:06.040
<v Speaker 2>I gotta go here in Miami. Now I'm in Miami.

0:57:06.120 --> 0:57:06.440
<v Speaker 4>Miami.

0:57:07.440 --> 0:57:08.280
<v Speaker 6>Okay, how's Miami.

0:57:08.440 --> 0:57:13.439
<v Speaker 2>It's beautiful. I got my own studio. I work out. Yes,

0:57:13.719 --> 0:57:15.719
<v Speaker 2>y'all gotta come now, y'all can set up do that

0:57:15.920 --> 0:57:17.920
<v Speaker 2>like y'all should do it remote and just I'll get

0:57:18.000 --> 0:57:19.560
<v Speaker 2>y'all a stud for a couple of days and y'all

0:57:19.640 --> 0:57:23.240
<v Speaker 2>just set up and do Y'allime, Hey, Robin, we on

0:57:23.400 --> 0:57:25.439
<v Speaker 2>the way. That good. We don't need to tell Rob

0:57:25.520 --> 0:57:27.720
<v Speaker 2>We're just gonna pull up. Y'all need to come to Miami.

0:57:27.720 --> 0:57:30.000
<v Speaker 2>I'm sure y'all with the vibe, Like, yes, sir.

0:57:30.280 --> 0:57:33.200
<v Speaker 6>The album coming top of the you make sound yep.

0:57:33.600 --> 0:57:36.560
<v Speaker 2>Shout out to Chris Shawn, Shout out to Free Rocky,

0:57:36.680 --> 0:57:39.840
<v Speaker 2>Shout out to all my people that's involved with the situation, Man,

0:57:39.960 --> 0:57:43.560
<v Speaker 2>Nick bucks Man, salute my brother man. It's just a

0:57:43.640 --> 0:57:46.680
<v Speaker 2>whole bunch of us, all the co producers, co writers,

0:57:46.760 --> 0:57:49.400
<v Speaker 2>everybody that's involved with the situation and the team. Like

0:57:49.480 --> 0:57:51.600
<v Speaker 2>I'm super proud of y'all and like I ain't gonna

0:57:51.640 --> 0:57:55.800
<v Speaker 2>lie like y'all Like eight records at radio right now

0:57:55.960 --> 0:57:59.000
<v Speaker 2>at forty let's just keep going.

0:57:59.080 --> 0:58:01.280
<v Speaker 7>You know, well, I think it's only right if you

0:58:01.320 --> 0:58:03.160
<v Speaker 7>get on the record, So you know you gotta wrap

0:58:03.200 --> 0:58:03.760
<v Speaker 7>you gotta.

0:58:03.840 --> 0:58:06.320
<v Speaker 2>Go do that as sure. All right, best, So when

0:58:06.360 --> 0:58:08.360
<v Speaker 2>we get to Miami and do the next part, you

0:58:08.400 --> 0:58:09.240
<v Speaker 2>know we're gonna wrap.

0:58:09.160 --> 0:58:10.160
<v Speaker 6>This sh up for sure.

0:58:11.480 --> 0:58:14.600
<v Speaker 5>She got publishing stuff, so she's gonna all right, we're.

0:58:14.400 --> 0:58:15.040
<v Speaker 6>Gonna talk about that.

0:58:17.720 --> 0:58:18.000
<v Speaker 4>Alert.

0:58:18.120 --> 0:58:21.000
<v Speaker 6>Say, before we get out of Hito, you gotta hit

0:58:21.120 --> 0:58:21.880
<v Speaker 6>us with a pep talk.

0:58:22.000 --> 0:58:24.280
<v Speaker 2>What up y'all? Ship boy? Hit making a building? Man,

0:58:24.520 --> 0:58:28.040
<v Speaker 2>Stay focused. Pep talk for the day is to stay focused. Man,

0:58:28.400 --> 0:58:31.360
<v Speaker 2>whatever trials and tribulations you may go through, how much

0:58:31.440 --> 0:58:33.720
<v Speaker 2>it seemed like, it's not gonna change, how dark the

0:58:33.840 --> 0:58:36.160
<v Speaker 2>day is. Just know the sun gonna shine tomorrow. So

0:58:36.640 --> 0:58:38.760
<v Speaker 2>put your ass out there, man, get on the ground,

0:58:38.840 --> 0:58:40.480
<v Speaker 2>pause and go crazy with it.

0:58:42.360 --> 0:58:44.480
<v Speaker 4>Can't get enough of baller Alert. Follow us on all

0:58:44.600 --> 0:58:47.840
<v Speaker 4>social media platforms at baller Alert, loog on the baller

0:58:47.880 --> 0:58:48.640
<v Speaker 4>alert dot com