WEBVTT - Episode 5: The Necklace

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<v Speaker 1>The Manawat Caves is intended for mature audiences. It contains

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<v Speaker 1>strong language and depictions of bullying, violence, and sexual assault

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<v Speaker 1>that some may find disturbing. Listener discretion is advised. Also,

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<v Speaker 1>this is an extremely immersive experience and headphones are recommended.

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<v Speaker 1>You're listening to The Manawat Caves, a production of iHeartRadio,

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<v Speaker 1>Blumhouse Television and Psycopia Pictures. Okay, oh, guess six eleven am.

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<v Speaker 1>I'm sitting at a gas station park a lot. I

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<v Speaker 1>don't remember coming here. I swear I was being attacked,

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<v Speaker 1>like by a swarm of bats. And I know I

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<v Speaker 1>saw the driver's side window crack when a batting. I

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<v Speaker 1>know I saw that both the windows fine. Now that

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<v Speaker 1>he the hairline fracture. There's a prompet for bad with

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<v Speaker 1>the twelve pack of beer sitting in the passenger seat

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<v Speaker 1>of my cart. No idea how it got there. I

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<v Speaker 1>recognize this gas station, yes I do it. Snear Tyler's place,

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<v Speaker 1>which means I must have decided to drive out here

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<v Speaker 1>and talk to him in person. Maybe stay the night,

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<v Speaker 1>explains the beer man. You've reached Tyler Wilson Wilson Repair Services,

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<v Speaker 1>leave a message and we'll get back to you as

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<v Speaker 1>soon as possible. Thanks and have a great day. Hey man,

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<v Speaker 1>it's Julian. Listen, and I'm taking you up on your

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<v Speaker 1>offer to let me stay your place for a few

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<v Speaker 1>The motel ain't exactly working out. If it's cool, I'm

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<v Speaker 1>actually heading over there now. Probably best for us to

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<v Speaker 1>talk in person. Anyway. I got out of the car,

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<v Speaker 1>walked to the door. It was already open, so I

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<v Speaker 1>just walked in. Tyler, I know you're walking like that.

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<v Speaker 1>H Tyler, Tyler, what's gone? Oh my god? I think

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<v Speaker 1>he was the quiet one. He wore this silver cross

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<v Speaker 1>round his neck like a flashy reminder of the inequities

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<v Speaker 1>of life. Like some people can be as statistic as

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<v Speaker 1>they please with no consequences. Did I pass? I guess

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<v Speaker 1>you know you're the better than you used to? Could

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<v Speaker 1>I put you maybe in tail with a big show

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<v Speaker 1>to see your old buddy James Benshall. Get the jab.

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<v Speaker 1>It's gonna be quiet. I Dispectator's part. You don't understand

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<v Speaker 1>I had to come back when you should have resisted

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<v Speaker 1>that urge. The beasts of don to true to you're

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<v Speaker 1>playing with fire, hear you have no idea what you, messment.

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<v Speaker 1>It's not just for me. I'm trying to do the

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<v Speaker 1>righting here for fans. I'm trying to help him a

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<v Speaker 1>little too fucking late for that, don't you think? Then?

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<v Speaker 1>Of course, there's witness testimony from one of his own

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<v Speaker 1>classmates that James Fincher had Deacon Hadley's necklace, a silver

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<v Speaker 1>crucifix in his possession the day after the boys went missing,

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<v Speaker 1>and this witness described what appeared to be bloodstains on

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<v Speaker 1>that crucifix. Ladies and gentlemen of the jury, the offense

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<v Speaker 1>is a charade. There is no doubt as to who

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<v Speaker 1>killed Thomas and Deacon happening. The murderer sits before you

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<v Speaker 1>in this very room. August eight, eleven, eleven PM. My

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<v Speaker 1>mind is playing tricks on me. It feels like I'm

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<v Speaker 1>lost in a house, and mirrors, the blackouts in the

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<v Speaker 1>nightmares are happening more frequently. I'm I'm really scared. Right now.

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<v Speaker 1>I'm sitting on a bench at the Old View Cemetery

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<v Speaker 1>where my mother and father are buried. I can see

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<v Speaker 1>their graves from here, right up there in that hill.

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<v Speaker 1>I know I om a visit, but I guess I'm

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<v Speaker 1>not ready for that, yet it's just close enough for now.

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<v Speaker 1>I don't know how long I've been here or how

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<v Speaker 1>I got here. I assume my car is around somewhere.

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<v Speaker 1>But the last thing I remember, I was at Dina's house.

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<v Speaker 1>Joe Campbell was there too, and Fincher's defense attorney LeBlanc.

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<v Speaker 1>But a lot has happened since then. I just don't

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<v Speaker 1>know what I remember. I went to Tyler's and I

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<v Speaker 1>found his house all smashed up the fuck Okay, according

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<v Speaker 1>to my log, that was on the sixth, two days ago.

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<v Speaker 1>I don't remember pressing record, and yet I feel like

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<v Speaker 1>it's all here somehow. In this recording, I made a

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<v Speaker 1>Tyler's place. This is the epicenter, ground zero for the

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<v Speaker 1>fog and the ghost, and maybe Tyler himself holds the

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<v Speaker 1>key to unlock the truth wherever he is. I've played

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<v Speaker 1>it back three times already. I'm searching for something. What

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<v Speaker 1>am I missing? Tyler? Tyler? You go on, come on,

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<v Speaker 1>get out of here. Hit the hell out of here.

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<v Speaker 1>Jesus Christ, Jesus Christ. Okay, so I'll just sixty two thirteen. Damn,

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<v Speaker 1>I'm at Tyler's cabin out off through twenty six. He

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<v Speaker 1>invited me I didn't break in. Okay, I want that

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<v Speaker 1>own record. I didn't break in. The door was already

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<v Speaker 1>unlocked when I got here. That's normal round here. I mean,

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<v Speaker 1>I let myself in when he didn't answer, and I

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<v Speaker 1>didn't think hell, the TV was still on. Okay, there

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<v Speaker 1>seems to be signs of a sign of a struggle.

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<v Speaker 1>His coffee table is knocked over, there's broken glass everywhere.

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<v Speaker 1>It smells like gum powder. It looks like he was

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<v Speaker 1>eating just like snacks or whatever. And I chip. There's

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<v Speaker 1>chips all over the floor, which is what I imagine

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<v Speaker 1>the possums. After the bookshelf against the wall is broken.

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<v Speaker 1>The shelves are all smashed up, and everything that was

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<v Speaker 1>on them, like books and little knit knacks and then

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<v Speaker 1>whatnot are all over the place. Is that there's a

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<v Speaker 1>shotgun shell? A fuck time? Oh shit? Oh so um,

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<v Speaker 1>there's blood. It's everywhere. I didn't even see it when

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<v Speaker 1>I got in here. How did I not see it?

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<v Speaker 1>I got blood on me, it's all there's blood all

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<v Speaker 1>over my shirt sleeve, all over my shirt sleeve. It

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<v Speaker 1>took me a salo of three minutes of hyperventilating before

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<v Speaker 1>I realized the blood. I was covered and was my

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<v Speaker 1>own most of its least. I was so distraught at

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<v Speaker 1>the state of Tyler's cabin that I didn't even notice

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<v Speaker 1>that I cut my wrist. I'm a shard of glass

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<v Speaker 1>from the coffee table when I rolled it over. That's

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<v Speaker 1>when I got dizzy. These uh episodes, they're happening more often,

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<v Speaker 1>less time in between attacks. This one started with a

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<v Speaker 1>sound banging on glass coming from somewhere in the back

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<v Speaker 1>of Tyler's house. So I followed it, expecting to find

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<v Speaker 1>someone or something like knock getting on a window or something.

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<v Speaker 1>There was nothing, but the knocking didn't stop, and I

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<v Speaker 1>realized that it wasn't coming from the windows at all.

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<v Speaker 1>It was coming from the bathroom. I followed it, but

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<v Speaker 1>the bathroom was empty, too, and I realized it wasn't

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<v Speaker 1>glass from a window I was hearing being banged done.

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<v Speaker 1>It was the glass from the bathroom mirror. I opened

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<v Speaker 1>the medicine cabin and the whole thing like moved, like

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<v Speaker 1>it was loose on its frame. I pulled it all

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<v Speaker 1>out from the wall. I found myself staring into this

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<v Speaker 1>dark void on the other side of the mirror, and

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<v Speaker 1>then one of them hit me in the face the back,

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<v Speaker 1>and the swarm followed an ocean of flying rodents funneling

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<v Speaker 1>through the back of Tyler's medicine cabinet, looking for an

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<v Speaker 1>outlet to go pursue their nightly feeting. They gathered in clumps,

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<v Speaker 1>taking positions on the curtain rod, hanging upside down, staring

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<v Speaker 1>at me. Then one by one they started hissing. I

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<v Speaker 1>turned and I looked into the darkness behind the mirror.

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<v Speaker 1>Then I crawled through the hole. I found myself standing

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<v Speaker 1>on familiar ground. I was back in the fucking cave,

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<v Speaker 1>and I greeted their depths like an ottle friend. And

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<v Speaker 1>I heard a terrifying voice coming from somewhere behind me.

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<v Speaker 1>It was Deacon Hadley words. I couldn't make out, words

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<v Speaker 1>echoing off the wet cave walls, so I walked deeper in,

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<v Speaker 1>and then I heard his voice cut short. Next thing

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<v Speaker 1>I knew, I was back in the bedroom. I grew

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<v Speaker 1>up in just like before, and so was the gray Man,

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<v Speaker 1>decayed and rasping, ben and rotting in the shadows. What

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<v Speaker 1>are gone? What the fucking okay? I'm not sure how

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<v Speaker 1>long I was gone or exactly when I came back,

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<v Speaker 1>but when I regained my consciousness. I was sitting neatly

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<v Speaker 1>on the floor at Tyler's place, and the cut on

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<v Speaker 1>my hand had already started clotting over, just like before,

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<v Speaker 1>and just like now. I don't remember the events themselves

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<v Speaker 1>how I ended up where I did. I only remember

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<v Speaker 1>the nightmare. I hauled myself up off the ground, made

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<v Speaker 1>my way half conscious, to my car, and I drove myself, yes,

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<v Speaker 1>one handed, to the hospital for stitches. Of course, once

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<v Speaker 1>I was there, they wanted to know how I got cut.

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<v Speaker 1>I thought about lying. I slept on a rock, was

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<v Speaker 1>clumsy with a table saw. I got two confident pitting

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<v Speaker 1>an avocado. But I knew my blood was all over

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<v Speaker 1>Tyler's living room floor at this point, mixed with whatever

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<v Speaker 1>other blood was already there. If it didn't look like

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<v Speaker 1>a crime scene before I got there, it's sure as

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<v Speaker 1>hell did after. So I went ahead and I filed

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<v Speaker 1>the formal report. Julian, how are you doing? So? I

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<v Speaker 1>kept my recorder going when I went into the sheriff station,

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<v Speaker 1>where I was reunited with Sheriff Kirby Hooper. He looks

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<v Speaker 1>old now, pale, gaunt. Sure if I want to follow

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<v Speaker 1>a missing person support for Tyler Wilson. People disappear all

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<v Speaker 1>the time, Julian, what makes you think Tyler is missing?

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<v Speaker 1>Sides of the struggle at his house signs of a struggle.

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<v Speaker 1>I'm just telling you what I saw. It looked at

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<v Speaker 1>me like there had been a struggle. And what were

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<v Speaker 1>you doing in his house? Well, he invited me. Why

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<v Speaker 1>does anyone go to anyone's house. There's no need to

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<v Speaker 1>get defensive. I'm not. We just need to find him.

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<v Speaker 1>My job is to find answers. And if your friend

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<v Speaker 1>is missing, that brings up a lot of questions. Why

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<v Speaker 1>don't we start with you telling me what you know.

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<v Speaker 1>If memories served me correctly, you've been quite helpful and

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<v Speaker 1>giving me the answers that I needed in the past.

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<v Speaker 1>Sun bitch all but admitted to coersion, as if I'm

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<v Speaker 1>not already painfully fucking aware. If he had just come

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<v Speaker 1>out and said it, we would have probably had everything

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<v Speaker 1>we needed to get Finch off death Row. But he

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<v Speaker 1>knew better. Sheriff Hooper maybe a shit hell, but he's cautious,

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<v Speaker 1>unlike the rest of his boys and Brown. What happened

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<v Speaker 1>next was all a bit of a ship show man

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<v Speaker 1>of walks fine a stampede into Tyler's house, touching everything,

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<v Speaker 1>knocking shit over. If there was any evidence in there

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<v Speaker 1>as to what happened to Tyler, it was all immediately

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<v Speaker 1>tainted by idiot cops who had not been properly trained

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<v Speaker 1>on how to preserve a crime scene. One rookie officer

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<v Speaker 1>right out of high school. We even started cleaning up

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<v Speaker 1>the place. Or maybe it wasn't even stupidity, Maybe it

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<v Speaker 1>was just made to look like stupidity. I mean, it

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<v Speaker 1>wasn't exactly in Hooper's interest to take any action that

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<v Speaker 1>might reopen the Hadley murder case. Those cops did come

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<v Speaker 1>away with one interesting fund, however, No, I'm not really

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<v Speaker 1>sure how I feel about it yet. A necklace. The necklace,

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<v Speaker 1>a small cross a crucifix hanging from a silver chain

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<v Speaker 1>may not have seemed two odds your average passer by,

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<v Speaker 1>but to anyone who knew Tyler well, Tyler was an

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<v Speaker 1>outspoken atheist, probably the only one in Manuel County. That

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<v Speaker 1>cross didn't belong to him, but it did look awfully familiar.

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<v Speaker 1>In fact, anybody who has lived in the area long

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<v Speaker 1>enough would probably have recognized it, if not from the

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<v Speaker 1>gaudy chain, then from the initials edged into the back

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<v Speaker 1>of it. DH I remember that necklace. I used to

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<v Speaker 1>sit behind Deacon have the inphasicis class, and I remember

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<v Speaker 1>staring at that exact chain pressed into the pink, freckled

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<v Speaker 1>skin on the back of his neck. I remember thinking

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<v Speaker 1>it was ironic to someone who took such joy and

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<v Speaker 1>the torment of others flaunted a symbol of faith and

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<v Speaker 1>compassion so publicly. There was no doubt as to who

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<v Speaker 1>the neck was belonged to. There was no doubt it

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<v Speaker 1>was the infamous missing necklace. The Dully Tapper testified about

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<v Speaker 1>under oath and James Sincer's trial. Man, what did James

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<v Speaker 1>Spencer say to you that day? Well, Sir hey kind

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<v Speaker 1>of right about it, about knowing where they was at,

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<v Speaker 1>where who was that Thomas and Dickon Hadley? Sir said

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<v Speaker 1>he knew what had happened to them, and what did

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<v Speaker 1>he say happened to them? Said that it was for

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<v Speaker 1>him to know and for everyone else to find out,

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<v Speaker 1>said they would too find out. Sir Son, Enough he

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<v Speaker 1>said it, he said. And did you believe him, honestly,

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<v Speaker 1>not really until he showed me the cross. The cross.

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<v Speaker 1>It was the silver cross with Jesus crucified the one

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<v Speaker 1>Deacon always wore. Fincher dangles in front of me and says,

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<v Speaker 1>that's what happens when you mess with the Finchers and

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<v Speaker 1>tells me I'll end up saying if I don't leave him,

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<v Speaker 1>be his sister too. Says I better keep my mouth

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<v Speaker 1>shut too, or what go on, shoe, or he'd kill me.

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<v Speaker 1>They never proved the finch had Deacon's necklace. It was

0:18:51.800 --> 0:18:55.800
<v Speaker 1>never found, but the missing crucifix necklace received significant press

0:18:55.840 --> 0:19:00.560
<v Speaker 1>attention during the trial. So what the hell was the

0:19:00.640 --> 0:19:06.240
<v Speaker 1>silver necklace doing in Tyler's bathroom cabinet? Randomly, Tyler Wilson

0:19:06.280 --> 0:19:09.520
<v Speaker 1>goes missing and Deacon Hadley's cross is discovered in his

0:19:09.640 --> 0:19:15.440
<v Speaker 1>house less than a week before James Fincher's execution, being

0:19:15.480 --> 0:19:18.159
<v Speaker 1>the Duley Tapper was the cop that found it. Rumors

0:19:18.160 --> 0:19:21.520
<v Speaker 1>are already spreading faster than skunk wind. People around town

0:19:21.560 --> 0:19:32.439
<v Speaker 1>are speculating, and tensions are high. Well, just look at

0:19:32.440 --> 0:19:37.000
<v Speaker 1>this standing room only I get it. The town needs

0:19:37.000 --> 0:19:40.959
<v Speaker 1>somewhere to turn for answers, for comfort, and of course

0:19:41.720 --> 0:19:45.800
<v Speaker 1>Reverend Perkins has seized the opportunity. All right, all right,

0:19:45.880 --> 0:19:54.680
<v Speaker 1>y'all settling now, now I know why it's been so

0:19:54.720 --> 0:19:57.720
<v Speaker 1>long since some of you've been in here. And don't

0:19:57.760 --> 0:20:01.800
<v Speaker 1>you worry just because you wander the field, that doesn't

0:20:01.840 --> 0:20:05.720
<v Speaker 1>mean you've strayed from the flock. I know that God

0:20:05.760 --> 0:20:09.320
<v Speaker 1>knows that. But I also know why you've chosen to

0:20:09.359 --> 0:20:16.840
<v Speaker 1>come back today. It's because you're afraid, And of course

0:20:16.880 --> 0:20:22.600
<v Speaker 1>you are. Thomas and Deacon Hadley joined the Lord fourteen

0:20:22.680 --> 0:20:27.320
<v Speaker 1>years ago this past May. But the Lord truly does

0:20:27.359 --> 0:20:30.919
<v Speaker 1>work miracles, giving each and every one of us the

0:20:31.000 --> 0:20:35.800
<v Speaker 1>strength the power through him to carry on, to keep

0:20:35.840 --> 0:20:39.240
<v Speaker 1>the faith, to know that God is cradling those boys

0:20:39.240 --> 0:20:43.159
<v Speaker 1>in his kingdom, safe and sheltered from the debauchery and

0:20:43.400 --> 0:20:49.560
<v Speaker 1>sends of mankind on earth. But now now we are reminded,

0:20:49.840 --> 0:20:52.000
<v Speaker 1>and it's hard to not assume the worst, that the

0:20:52.119 --> 0:20:55.920
<v Speaker 1>devil has been living amongst us all this time. Well,

0:20:55.960 --> 0:20:59.640
<v Speaker 1>I have news for you. He has. He has been

0:20:59.760 --> 0:21:06.360
<v Speaker 1>living among us, and he is still here walking among us.

0:21:07.720 --> 0:21:11.760
<v Speaker 1>The Bible tells us be sober, be vigilant, because your adversary,

0:21:11.880 --> 0:21:15.520
<v Speaker 1>the Devil, as a roaring line, walketh about, seeking whom

0:21:15.520 --> 0:21:19.240
<v Speaker 1>he may devour. Now you say it to me, bot Reverend,

0:21:19.680 --> 0:21:22.440
<v Speaker 1>I thought we caught. The Devil's servant, James Fincher is

0:21:22.520 --> 0:21:24.920
<v Speaker 1>riding away on death road for murder. Into that. I say,

0:21:25.119 --> 0:21:29.760
<v Speaker 1>thank the Lord, But lo, even with James Fincher's execution

0:21:29.920 --> 0:21:32.880
<v Speaker 1>right around the corner, the devil has made his presence

0:21:32.960 --> 0:21:39.480
<v Speaker 1>known again. He has slithered into our midst intent on

0:21:39.640 --> 0:21:43.919
<v Speaker 1>causing further harm to our faithful community, sowing his seeds

0:21:43.920 --> 0:21:48.879
<v Speaker 1>of doubt and working to upend justice. The devil is cunning.

0:21:49.560 --> 0:21:53.000
<v Speaker 1>Here is a trickster. Are we so arrogant us to

0:21:53.040 --> 0:21:58.480
<v Speaker 1>believe he could not outsmart us? Consider with me, folks,

0:21:58.720 --> 0:22:03.920
<v Speaker 1>that someone was working behind James Fincher that night so

0:22:03.960 --> 0:22:09.240
<v Speaker 1>long ago, and consider that he may still be freely

0:22:09.280 --> 0:22:14.000
<v Speaker 1>walking amongst us. Because what is happening here and now

0:22:14.119 --> 0:22:18.600
<v Speaker 1>to our proud little town is the devil's work. You'd

0:22:18.640 --> 0:22:22.560
<v Speaker 1>better believe that is the devil's work, and you'll know

0:22:22.920 --> 0:22:32.040
<v Speaker 1>that the devil works hard. The town has lost its

0:22:32.119 --> 0:22:37.080
<v Speaker 1>collective shit after that sermon, an authority figure in the

0:22:37.119 --> 0:22:40.880
<v Speaker 1>community is now telling everyone outright to be afraid. He's

0:22:40.880 --> 0:22:43.600
<v Speaker 1>taken the vague suspicions that were swimming around in people's

0:22:43.600 --> 0:22:46.480
<v Speaker 1>heads and he's solidified them into the threat of a

0:22:46.600 --> 0:22:50.879
<v Speaker 1>killer on the loose in their own backyard. The boogeyman

0:22:51.040 --> 0:22:54.000
<v Speaker 1>is still out there. Folks. You could end up just

0:22:54.160 --> 0:22:58.840
<v Speaker 1>like those boys. You will end up just like those boys.

0:22:59.080 --> 0:23:04.040
<v Speaker 1>Repent your sins and pay the church. God will protect

0:23:04.080 --> 0:23:08.760
<v Speaker 1>you if you open your wallet and follow those in

0:23:08.840 --> 0:23:17.960
<v Speaker 1>power and the people. They're eating it up. Hooper isn't

0:23:17.960 --> 0:23:21.280
<v Speaker 1>going to object. Even in his heyday, he was always

0:23:21.280 --> 0:23:25.960
<v Speaker 1>in perkins pocket. But now Kirby Hooper is an old dog.

0:23:26.760 --> 0:23:29.000
<v Speaker 1>He doesn't have the stam not run two laps around

0:23:29.000 --> 0:23:31.119
<v Speaker 1>the sheriff station. Let a little track down a killer.

0:23:32.040 --> 0:23:34.800
<v Speaker 1>So why not let Reverend Perkins do the heavy lifting.

0:23:36.000 --> 0:23:38.399
<v Speaker 1>If Perkins can scare up the town good enough, convince

0:23:38.440 --> 0:23:41.600
<v Speaker 1>them to start thinking irrationally pointing fingers at one another,

0:23:41.600 --> 0:23:44.400
<v Speaker 1>well Hooper can do exactly like he did with James Fincher,

0:23:45.520 --> 0:23:48.399
<v Speaker 1>sit back and wait for the town to tell him

0:23:48.400 --> 0:23:51.960
<v Speaker 1>who to put away. No actual detective work needed. Hell,

0:23:52.040 --> 0:23:55.639
<v Speaker 1>this whole thing is a blessing Hooper's approvable rate and

0:23:55.640 --> 0:23:58.400
<v Speaker 1>will go through the roof. Come next election, he'll rake

0:23:58.480 --> 0:24:02.560
<v Speaker 1>in the dough. I'll sit him back, getting fatter work

0:24:02.560 --> 0:24:15.159
<v Speaker 1>in the system at its finest. New message in the

0:24:15.200 --> 0:24:19.040
<v Speaker 1>team in spak Spotsville posts. I want to let you

0:24:19.080 --> 0:24:21.840
<v Speaker 1>know we are running a piece on the Tyler Wilson

0:24:21.840 --> 0:24:25.520
<v Speaker 1>investigation as a sidebar to the Fincher execution story. I

0:24:25.680 --> 0:24:28.399
<v Speaker 1>understand you were the last one to visit Tyler before

0:24:28.560 --> 0:24:32.959
<v Speaker 1>his disappearance. I think they're calling it anyway. I just

0:24:32.960 --> 0:24:35.119
<v Speaker 1>wanted to let you know that we are mentioning you,

0:24:35.320 --> 0:24:38.320
<v Speaker 1>and we'd like to include any comments that you'd like

0:24:38.400 --> 0:24:41.000
<v Speaker 1>to put in there as well. So, yeah, just get

0:24:41.040 --> 0:24:43.680
<v Speaker 1>back to me when you can. Oh. Yeah. In the meantime,

0:24:43.920 --> 0:24:46.119
<v Speaker 1>I'm still working on that interview tape you asked from me,

0:24:46.760 --> 0:24:51.120
<v Speaker 1>you know, the one with a detective Smith. Message. Next message,

0:24:51.280 --> 0:24:56.719
<v Speaker 1>send through, next message, send Julian. I'll have Joe Campbell

0:24:56.760 --> 0:24:58.879
<v Speaker 1>and our journing this to Rank coming over to night

0:24:58.960 --> 0:25:01.560
<v Speaker 1>at seven, thanking that for you, to her invest of

0:25:01.640 --> 0:25:10.240
<v Speaker 1>you that just need only back Dina Fincher. She's small,

0:25:10.600 --> 0:25:12.879
<v Speaker 1>but you couldn't pay me to get on her bad side.

0:25:13.800 --> 0:25:16.080
<v Speaker 1>She's got a fire in her that burns hotter than

0:25:16.200 --> 0:25:19.240
<v Speaker 1>any hell Perkins could dream of. So when she says

0:25:19.280 --> 0:25:22.520
<v Speaker 1>to call her right back, you do. We met up

0:25:22.520 --> 0:25:24.840
<v Speaker 1>about an hour after she left that message back at

0:25:24.840 --> 0:25:30.200
<v Speaker 1>her house. Problem is, by the time I got there,

0:25:30.240 --> 0:25:36.879
<v Speaker 1>I was hard to be coming unstable again. Well you

0:25:36.880 --> 0:25:40.560
<v Speaker 1>don't look so hot, Julian, just saying I've had better weeks.

0:25:41.080 --> 0:25:43.880
<v Speaker 1>How are you holding up? DNA? Well? Between them putting

0:25:43.880 --> 0:25:46.000
<v Speaker 1>me back on the graveyard shift at work, A sick

0:25:46.040 --> 0:25:48.360
<v Speaker 1>dog who's vet bills I can't afford. Am I delinquents

0:25:48.400 --> 0:25:51.360
<v Speaker 1>on sneaking out every night while I'm working. Just lovely,

0:25:51.880 --> 0:25:54.600
<v Speaker 1>but frankly, Julian, just how my disposition is situated right

0:25:54.720 --> 0:25:57.320
<v Speaker 1>now don't matter. The only thing that matters is saving

0:25:57.359 --> 0:25:59.760
<v Speaker 1>my brother's life. You feel me? Oh, yeah, of course

0:25:59.760 --> 0:26:05.240
<v Speaker 1>I don't. I'm okay, thanks, How about you, Jill, No,

0:26:05.359 --> 0:26:08.000
<v Speaker 1>I'm fine. Thanks. I'm just gonna set this on the

0:26:08.040 --> 0:26:12.320
<v Speaker 1>table if that's okay. Come on, and mister le Blanc.

0:26:12.520 --> 0:26:16.760
<v Speaker 1>This is Julian Sollas. Oh, this is Julian Good. I

0:26:16.800 --> 0:26:19.160
<v Speaker 1>was hoping you've been joining us today. Well, when data

0:26:19.200 --> 0:26:22.080
<v Speaker 1>Fitcher calls you pick up, I'm glad you decided to

0:26:22.160 --> 0:26:26.119
<v Speaker 1>officially join our defense team. Whatever you need you just

0:26:26.200 --> 0:26:28.960
<v Speaker 1>let me know. Well, we needed your signature. I've already

0:26:28.960 --> 0:26:31.640
<v Speaker 1>prepared a let her on your bath. I'm abound legal

0:26:31.640 --> 0:26:33.680
<v Speaker 1>a little let you know that the language here has suggested,

0:26:33.840 --> 0:26:35.280
<v Speaker 1>so take a minute and read it over. But if

0:26:35.280 --> 0:26:38.120
<v Speaker 1>you can sign him, yeah, sure of course, I'm happy

0:26:38.119 --> 0:26:41.200
<v Speaker 1>to make any edits. Dina, do you ever print it? No?

0:26:42.840 --> 0:26:44.439
<v Speaker 1>All right, that's okay. I have won in the car

0:26:44.720 --> 0:26:48.000
<v Speaker 1>ed le Blanc, a tall, tired looking man in his sixties,

0:26:48.400 --> 0:26:50.960
<v Speaker 1>long gray hair, white shirt and a well worn linen

0:26:51.080 --> 0:26:54.720
<v Speaker 1>suit like a southern William Kunstler. The plan was to

0:26:54.760 --> 0:26:57.800
<v Speaker 1>petition a higher court to intervene and hopefully order the

0:26:57.840 --> 0:27:00.719
<v Speaker 1>lower court or maybe man, I'll walk how any district

0:27:00.720 --> 0:27:04.320
<v Speaker 1>attorney to review James Sentcher's case on the grounds that

0:27:04.359 --> 0:27:09.240
<v Speaker 1>the key witnesses testimony have been coerced. That key witness

0:27:10.480 --> 0:27:13.760
<v Speaker 1>it was me. I had to publicly state that my

0:27:13.880 --> 0:27:19.200
<v Speaker 1>deposition fourteen years ago was false. Junior. You okay, yeah,

0:27:19.240 --> 0:27:22.040
<v Speaker 1>I just can I can I get that water? Jimmy

0:27:22.040 --> 0:27:25.200
<v Speaker 1>can get it, Jimmy, Dina? Has the press reached out

0:27:25.720 --> 0:27:29.080
<v Speaker 1>just the usual stuff, But nothing about this Tyler Wilson business.

0:27:29.960 --> 0:27:33.640
<v Speaker 1>No what Tyler Wilson business. Julian hasn't told you? Yeah,

0:27:33.680 --> 0:27:39.199
<v Speaker 1>I just got here, actually told me what. Well. I

0:27:39.280 --> 0:27:42.400
<v Speaker 1>went out to visit Tyler at his place. But when

0:27:42.440 --> 0:27:45.119
<v Speaker 1>I got there, it was all smashed up, looks like

0:27:45.160 --> 0:27:48.359
<v Speaker 1>a forced entry, and Tyler was nowhere to be found.

0:27:49.280 --> 0:27:51.960
<v Speaker 1>I reported it looks like it may have been found.

0:27:52.000 --> 0:27:54.159
<v Speaker 1>Play what's this got to do with my brother? The

0:27:54.240 --> 0:27:57.399
<v Speaker 1>Sheriff's office came out to Tyler's home to investigate, and

0:27:57.480 --> 0:28:01.200
<v Speaker 1>they found the necklace. What necklace? The one that belonged

0:28:01.200 --> 0:28:09.800
<v Speaker 1>to Deacon Hadley silver crucifix? Yes, the one they never found. Yeah,

0:28:10.240 --> 0:28:16.640
<v Speaker 1>I'm familiar. So what's this all mean? Well, it might

0:28:16.680 --> 0:28:19.480
<v Speaker 1>be enough to throw James's criminal trial and question which

0:28:19.480 --> 0:28:22.840
<v Speaker 1>could trigger a postponement of the execution. Seriously, we can

0:28:22.840 --> 0:28:26.160
<v Speaker 1>file a claim of new evidence. What does that do? Exactly?

0:28:26.359 --> 0:28:29.040
<v Speaker 1>Law allows any individual convicted of a crime to move

0:28:29.080 --> 0:28:31.600
<v Speaker 1>the court to overturn their sentence based upon a claim

0:28:31.600 --> 0:28:34.000
<v Speaker 1>of newly discovered evidence. So if we can argue that

0:28:34.040 --> 0:28:38.120
<v Speaker 1>the necklace clearly points to Tyler Wilson, it raises new questions.

0:28:38.160 --> 0:28:41.479
<v Speaker 1>It certainly creates reasonable doubt about james guilt or if

0:28:41.480 --> 0:28:45.240
<v Speaker 1>he acted alone. But it's not Wait a minute, you

0:28:45.240 --> 0:28:47.720
<v Speaker 1>don't think Tyler really did it, though, do you? Well,

0:28:47.760 --> 0:28:50.520
<v Speaker 1>somebody sure as hell did. Yeah, but his house was

0:28:50.560 --> 0:28:55.000
<v Speaker 1>all smashed up, there was blood everywhere. Something happened to Tyler.

0:28:55.240 --> 0:28:57.880
<v Speaker 1>What happened to him is irrelevant far as I'm concerned.

0:28:58.360 --> 0:29:00.480
<v Speaker 1>Is how much responsibility he asked for all this? And

0:29:00.520 --> 0:29:03.720
<v Speaker 1>he ain't here to rebut anything, so it can't be serious.

0:29:04.040 --> 0:29:07.480
<v Speaker 1>Deacon Hadley's necklace was found in his house. That's evidence,

0:29:07.600 --> 0:29:10.080
<v Speaker 1>evidence of what? Why the hell else did he get

0:29:10.120 --> 0:29:12.720
<v Speaker 1>that necklace? Julian, There's any number of ways that he

0:29:12.800 --> 0:29:15.320
<v Speaker 1>could ed it up at Tyler's house. And what kind

0:29:15.360 --> 0:29:18.480
<v Speaker 1>of person keeps some kind of things anyway, I'll tell

0:29:18.480 --> 0:29:23.560
<v Speaker 1>you what parents and murderers. Suddenly it's now on me,

0:29:24.040 --> 0:29:27.280
<v Speaker 1>on my shoulders to implicate Tyler in an effort to

0:29:27.320 --> 0:29:30.320
<v Speaker 1>save Finch, like I have to choose between the two.

0:29:31.240 --> 0:29:34.000
<v Speaker 1>I can correct the thing that triggered all of myself

0:29:34.120 --> 0:29:38.479
<v Speaker 1>loathing and bad decisions that the past fourteen years has wrought,

0:29:38.720 --> 0:29:41.880
<v Speaker 1>but only if I start the process over again by

0:29:41.960 --> 0:29:45.600
<v Speaker 1>doing now exactly what I did, then point at an

0:29:45.600 --> 0:29:50.440
<v Speaker 1>innocent man and call him guilty. There's no relief from

0:29:50.480 --> 0:29:54.960
<v Speaker 1>my past. It's just an opportunity for me to repeat it.

0:29:55.480 --> 0:29:57.680
<v Speaker 1>I never end in a loop of ruining lives and

0:29:57.760 --> 0:30:01.880
<v Speaker 1>in doing so, destroying my own. Sitting there in Diana's

0:30:01.920 --> 0:30:05.880
<v Speaker 1>living room. I was trapped. Just hold on a minute.

0:30:05.960 --> 0:30:10.920
<v Speaker 1>I couldn't breathe. How do you know that someone didn't

0:30:10.920 --> 0:30:14.280
<v Speaker 1>plant it, Julie Tapper or somebody could have broken and

0:30:14.360 --> 0:30:17.640
<v Speaker 1>knocked him out or whatever the planted the necklace before

0:30:17.680 --> 0:30:21.000
<v Speaker 1>taking him wherever they took him. Seriously, Julian, what if

0:30:21.040 --> 0:30:24.040
<v Speaker 1>it's true? What if me showing back up in town,

0:30:24.160 --> 0:30:27.360
<v Speaker 1>poking around and the ship made somebody nervous? What if

0:30:27.920 --> 0:30:31.000
<v Speaker 1>that person needed to find a scapegoat? Can I please?

0:30:31.800 --> 0:30:35.160
<v Speaker 1>Can I please gets the water? June? If something else though,

0:30:35.280 --> 0:30:38.680
<v Speaker 1>Julian Tyler was seen on Friday, good morning after you

0:30:38.720 --> 0:30:43.120
<v Speaker 1>went to his place where Riverbend Maximum Security Institution in

0:30:43.240 --> 0:30:46.920
<v Speaker 1>Nashville apparently paid a visit to James. We don't know where.

0:30:48.840 --> 0:30:51.280
<v Speaker 1>And this time it was like the fog waited until

0:30:51.320 --> 0:30:54.160
<v Speaker 1>I was in a room with other people, like it

0:30:54.400 --> 0:30:59.080
<v Speaker 1>knew we had important business to attend to, like some

0:30:59.160 --> 0:31:02.080
<v Speaker 1>invisible hand, and it was choking the life out of me,

0:31:03.520 --> 0:31:05.480
<v Speaker 1>so I wouldn't be able to do what I was

0:31:05.640 --> 0:31:09.000
<v Speaker 1>there to do, what I was in mana walk, to

0:31:09.080 --> 0:31:11.240
<v Speaker 1>do what I had spent the last half of my

0:31:11.320 --> 0:31:16.719
<v Speaker 1>life needing to do. I was sweating, my vision was swimming,

0:31:16.720 --> 0:31:19.640
<v Speaker 1>and my heart rate was through the roof, and it

0:31:19.720 --> 0:31:23.200
<v Speaker 1>was all overshadowed by this impendent sense of doom. I'm sorry,

0:31:23.200 --> 0:31:25.400
<v Speaker 1>I don't know if I can do this right now. Well,

0:31:25.400 --> 0:31:27.000
<v Speaker 1>when the hell did you want to do it, Julian,

0:31:27.080 --> 0:31:30.959
<v Speaker 1>After my brother's murdered by the same Hold on a minute, Jimmy,

0:31:31.880 --> 0:31:35.720
<v Speaker 1>I felt like somebody had sucked all the air out

0:31:35.720 --> 0:31:47.040
<v Speaker 1>of me. But then I got worse. Here you go, Julie,

0:31:47.760 --> 0:31:53.560
<v Speaker 1>What it wasn't Jimmy walked into the room. It was Tyler,

0:31:54.800 --> 0:31:56.800
<v Speaker 1>casual as you please, and he handed me a glass

0:31:56.840 --> 0:31:59.560
<v Speaker 1>of water. Man, it's a good thing you didn't show

0:31:59.600 --> 0:32:05.160
<v Speaker 1>up in my how things sooner and you did. I

0:32:05.240 --> 0:32:07.560
<v Speaker 1>turned to look back at the other people at the table.

0:32:08.360 --> 0:32:12.320
<v Speaker 1>They weren't there either, but in their places at Finch

0:32:13.080 --> 0:32:15.880
<v Speaker 1>at the head of the table where Dina was supposed

0:32:15.920 --> 0:32:19.200
<v Speaker 1>to be, and Jill and le Blanc were replaced by

0:32:19.320 --> 0:32:24.520
<v Speaker 1>none other, and Deacon and Thomas had people themselves in

0:32:24.720 --> 0:32:32.320
<v Speaker 1>all of their bloody, eviscerated, glory, rotten and disavowed, smiling wide,

0:32:33.280 --> 0:32:38.200
<v Speaker 1>some of their teeth still attacked. The gag was tall there,

0:32:42.880 --> 0:33:02.840
<v Speaker 1>and that was it. I passed out, Julian, God, damn it, Julians.

0:33:03.680 --> 0:33:07.080
<v Speaker 1>What's wrong with them? Jimmy out? Do you see him drop? Onder?

0:33:07.160 --> 0:33:09.680
<v Speaker 1>What happened to him? Must be me? Get out? Now?

0:33:09.760 --> 0:33:18.520
<v Speaker 1>Should I call an ambulance? Look, he's awake. What Julian,

0:33:18.600 --> 0:33:34.880
<v Speaker 1>You're back with us now, Julian? Who I think? Damn Julian, Julian,

0:33:35.040 --> 0:33:39.240
<v Speaker 1>where are you going? Julian? I don't think it's a

0:33:39.280 --> 0:34:02.480
<v Speaker 1>good idea to go anywhere, Julian, Julian getting up. I

0:34:02.680 --> 0:34:06.880
<v Speaker 1>remember walking out of Dana's house. I don't know how

0:34:06.920 --> 0:34:14.680
<v Speaker 1>I got here. It's just it's too much, the process,

0:34:15.840 --> 0:34:18.719
<v Speaker 1>it's too much. I can't hold it all in my

0:34:18.760 --> 0:34:24.680
<v Speaker 1>head anymore. I'm slipping farther and farther, losing bigger chunks

0:34:25.080 --> 0:34:29.680
<v Speaker 1>of time between my sleep deprivation and these blackouts. My

0:34:29.719 --> 0:34:36.160
<v Speaker 1>brains all twisted and stuttering. I can't get my thoughts

0:34:36.160 --> 0:35:01.319
<v Speaker 1>out right. Jesus, Hello, all from the river bends backs

0:35:01.320 --> 0:35:05.960
<v Speaker 1>an am security institution where you as the charges. Yes,

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<v Speaker 1>this call will be recorded and manatured. Please stand by

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<v Speaker 1>and Julia, Hey Finch, Yeah, it's me. I needed to

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<v Speaker 1>compe me. I donna have my time. Man mean again,

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<v Speaker 1>m Hm, The Ghost and The Dancing The Manoel Caves

0:36:24.280 --> 0:36:28.680
<v Speaker 1>stars Jonathan Tucker as Julian Salis, Eddie Gaffeggy as James Fincher,

0:36:29.440 --> 0:36:33.400
<v Speaker 1>Clark Peters as Detective Solomon Smith, Nick Sercy as Sheriff

0:36:33.480 --> 0:36:38.080
<v Speaker 1>Kirby Hooper, Justin Wellborn as Tyler Wilson, Jill Jane Clements

0:36:38.080 --> 0:36:42.760
<v Speaker 1>as Jill Campbell, Brad Carter as Dooley Tappard, Scott Poythress

0:36:42.800 --> 0:36:47.560
<v Speaker 1>as Reverend Perkins, Samantha Ashley as Deana Fincher, Justin Matthews

0:36:47.600 --> 0:36:52.080
<v Speaker 1>Smith as Paul Salace, Tara Oakes as Laura Salis, Jonathan

0:36:52.120 --> 0:36:57.200
<v Speaker 1>Horn as Deacon Hadley, Alden Kronovitch as Thomas Hadley, Mike

0:36:57.400 --> 0:37:01.880
<v Speaker 1>w Anderson as Griff Washington, Bodie Walter Roth as Jimmy Fincher,

0:37:02.360 --> 0:37:06.320
<v Speaker 1>Brian McClure as Ian Spinks, Larry Clark as Bobby Hadley,

0:37:06.640 --> 0:37:10.560
<v Speaker 1>Paydon Fallis as ed le Blanc, Vic Polisis as William Fowler,

0:37:10.880 --> 0:37:15.760
<v Speaker 1>Nick Dakosky as Richard Rydell, and Aileen Loy as The Darkness,

0:37:16.239 --> 0:37:20.840
<v Speaker 1>with additional performances by Clint mc gowan, Dina Dill, Edward Howard,

0:37:21.200 --> 0:37:27.760
<v Speaker 1>Henry Foster, Brown, Jamie Joseph, Juan Monsalvez, Christopher Curry, Bailey Hyneman,

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<v Speaker 1>David Mitchell, and Bernard Sataro Clark Created by Connel Byrne

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<v Speaker 1>and Dan Bush. Written by Dan Bush, Zoe Cooper and

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<v Speaker 1>Nicholas Dakoski featuring our theme song Killer Inside, written produced

0:37:42.040 --> 0:37:46.400
<v Speaker 1>and performed by Lear Lynn. Our executive producers are Matt Frederick,

0:37:46.760 --> 0:37:52.160
<v Speaker 1>Alexander Williams, Michael Monte, and Courtney Dufrees. Our executive producers

0:37:52.160 --> 0:37:56.640
<v Speaker 1>at Blumhouse Television are Jeremy Gold, Chris Dickey, and Noah Feinberg.

0:37:57.440 --> 0:38:01.919
<v Speaker 1>Produced by Dan Bush, Music by Ben Lovett, Additional music

0:38:01.960 --> 0:38:06.560
<v Speaker 1>by Alexander Rodriguez, edited by Dan Bush, Chris Childs, Stephen

0:38:06.600 --> 0:38:11.520
<v Speaker 1>Perez and David Chen. Sound design by Benjamin Malcolm. Additional

0:38:11.560 --> 0:38:15.240
<v Speaker 1>sound designed by Alexander Rodriguez. Dialogue editing and sound mixing

0:38:15.280 --> 0:38:19.080
<v Speaker 1>by Juan Campus recorded at Studio Awesome in Los Angeles,

0:38:19.520 --> 0:38:24.040
<v Speaker 1>Soundbyte Studio in Atlanta and Echo Mountain in Asheville. Casting

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<v Speaker 1>by Sunday Bowling, Kennedy and Meg Mormon. Our dialect coach

0:38:27.239 --> 0:38:31.880
<v Speaker 1>is Linda Basseesti Assistant director Michael Monty, second assistant director,

0:38:32.040 --> 0:38:37.840
<v Speaker 1>script supervisor and production Coordinator Sarah Klein, Supervising producer Josh Thine.

0:38:38.600 --> 0:38:42.040
<v Speaker 1>Special thanks to Mary Ellen and Jason Davis, Jonathan Deeter,

0:38:42.400 --> 0:38:46.200
<v Speaker 1>and Joe Rickman. The Manoel Caves is a production of iHeartRadio,

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<v Speaker 1>Blumhouse Television, and Psycopia Pictures.