Speaker 1: The Manawat Caves is intended for mature audiences. It contains
Speaker 1: strong language and depictions of bullying, violence, and sexual assault
Speaker 1: that some may find disturbing. Listener discretion is advised. Also,
Speaker 1: this is an extremely immersive experience and headphones are recommended.
Speaker 1: You're listening to The Manawat Caves, a production of iHeartRadio,
Speaker 1: Blumhouse Television and Psycopia Pictures. Okay, oh, guess six eleven am.
Speaker 1: I'm sitting at a gas station park a lot. I
Speaker 1: don't remember coming here. I swear I was being attacked,
Speaker 1: like by a swarm of bats. And I know I
Speaker 1: saw the driver's side window crack when a batting. I
Speaker 1: know I saw that both the windows fine. Now that
Speaker 1: he the hairline fracture. There's a prompet for bad with
Speaker 1: the twelve pack of beer sitting in the passenger seat
Speaker 1: of my cart. No idea how it got there. I
Speaker 1: recognize this gas station, yes I do it. Snear Tyler's place,
Speaker 1: which means I must have decided to drive out here
Speaker 1: and talk to him in person. Maybe stay the night,
Speaker 1: explains the beer man. You've reached Tyler Wilson Wilson Repair Services,
Speaker 1: leave a message and we'll get back to you as
Speaker 1: soon as possible. Thanks and have a great day. Hey man,
Speaker 1: it's Julian. Listen, and I'm taking you up on your
Speaker 1: offer to let me stay your place for a few
Speaker 1: The motel ain't exactly working out. If it's cool, I'm
Speaker 1: actually heading over there now. Probably best for us to
Speaker 1: talk in person. Anyway. I got out of the car,
Speaker 1: walked to the door. It was already open, so I
Speaker 1: just walked in. Tyler, I know you're walking like that.
Speaker 1: H Tyler, Tyler, what's gone? Oh my god? I think
Speaker 1: he was the quiet one. He wore this silver cross
Speaker 1: round his neck like a flashy reminder of the inequities
Speaker 1: of life. Like some people can be as statistic as
Speaker 1: they please with no consequences. Did I pass? I guess
Speaker 1: you know you're the better than you used to? Could
Speaker 1: I put you maybe in tail with a big show
Speaker 1: to see your old buddy James Benshall. Get the jab.
Speaker 1: It's gonna be quiet. I Dispectator's part. You don't understand
Speaker 1: I had to come back when you should have resisted
Speaker 1: that urge. The beasts of don to true to you're
Speaker 1: playing with fire, hear you have no idea what you, messment.
Speaker 1: It's not just for me. I'm trying to do the
Speaker 1: righting here for fans. I'm trying to help him a
Speaker 1: little too fucking late for that, don't you think? Then?
Speaker 1: Of course, there's witness testimony from one of his own
Speaker 1: classmates that James Fincher had Deacon Hadley's necklace, a silver
Speaker 1: crucifix in his possession the day after the boys went missing,
Speaker 1: and this witness described what appeared to be bloodstains on
Speaker 1: that crucifix. Ladies and gentlemen of the jury, the offense
Speaker 1: is a charade. There is no doubt as to who
Speaker 1: killed Thomas and Deacon happening. The murderer sits before you
Speaker 1: in this very room. August eight, eleven, eleven PM. My
Speaker 1: mind is playing tricks on me. It feels like I'm
Speaker 1: lost in a house, and mirrors, the blackouts in the
Speaker 1: nightmares are happening more frequently. I'm I'm really scared. Right now.
Speaker 1: I'm sitting on a bench at the Old View Cemetery
Speaker 1: where my mother and father are buried. I can see
Speaker 1: their graves from here, right up there in that hill.
Speaker 1: I know I om a visit, but I guess I'm
Speaker 1: not ready for that, yet it's just close enough for now.
Speaker 1: I don't know how long I've been here or how
Speaker 1: I got here. I assume my car is around somewhere.
Speaker 1: But the last thing I remember, I was at Dina's house.
Speaker 1: Joe Campbell was there too, and Fincher's defense attorney LeBlanc.
Speaker 1: But a lot has happened since then. I just don't
Speaker 1: know what I remember. I went to Tyler's and I
Speaker 1: found his house all smashed up the fuck Okay, according
Speaker 1: to my log, that was on the sixth, two days ago.
Speaker 1: I don't remember pressing record, and yet I feel like
Speaker 1: it's all here somehow. In this recording, I made a
Speaker 1: Tyler's place. This is the epicenter, ground zero for the
Speaker 1: fog and the ghost, and maybe Tyler himself holds the
Speaker 1: key to unlock the truth wherever he is. I've played
Speaker 1: it back three times already. I'm searching for something. What
Speaker 1: am I missing? Tyler? Tyler? You go on, come on,
Speaker 1: get out of here. Hit the hell out of here.
Speaker 1: Jesus Christ, Jesus Christ. Okay, so I'll just sixty two thirteen. Damn,
Speaker 1: I'm at Tyler's cabin out off through twenty six. He
Speaker 1: invited me I didn't break in. Okay, I want that
Speaker 1: own record. I didn't break in. The door was already
Speaker 1: unlocked when I got here. That's normal round here. I mean,
Speaker 1: I let myself in when he didn't answer, and I
Speaker 1: didn't think hell, the TV was still on. Okay, there
Speaker 1: seems to be signs of a sign of a struggle.
Speaker 1: His coffee table is knocked over, there's broken glass everywhere.
Speaker 1: It smells like gum powder. It looks like he was
Speaker 1: eating just like snacks or whatever. And I chip. There's
Speaker 1: chips all over the floor, which is what I imagine
Speaker 1: the possums. After the bookshelf against the wall is broken.
Speaker 1: The shelves are all smashed up, and everything that was
Speaker 1: on them, like books and little knit knacks and then
Speaker 1: whatnot are all over the place. Is that there's a
Speaker 1: shotgun shell? A fuck time? Oh shit? Oh so um,
Speaker 1: there's blood. It's everywhere. I didn't even see it when
Speaker 1: I got in here. How did I not see it?
Speaker 1: I got blood on me, it's all there's blood all
Speaker 1: over my shirt sleeve, all over my shirt sleeve. It
Speaker 1: took me a salo of three minutes of hyperventilating before
Speaker 1: I realized the blood. I was covered and was my
Speaker 1: own most of its least. I was so distraught at
Speaker 1: the state of Tyler's cabin that I didn't even notice
Speaker 1: that I cut my wrist. I'm a shard of glass
Speaker 1: from the coffee table when I rolled it over. That's
Speaker 1: when I got dizzy. These uh episodes, they're happening more often,
Speaker 1: less time in between attacks. This one started with a
Speaker 1: sound banging on glass coming from somewhere in the back
Speaker 1: of Tyler's house. So I followed it, expecting to find
Speaker 1: someone or something like knock getting on a window or something.
Speaker 1: There was nothing, but the knocking didn't stop, and I
Speaker 1: realized that it wasn't coming from the windows at all.
Speaker 1: It was coming from the bathroom. I followed it, but
Speaker 1: the bathroom was empty, too, and I realized it wasn't
Speaker 1: glass from a window I was hearing being banged done.
Speaker 1: It was the glass from the bathroom mirror. I opened
Speaker 1: the medicine cabin and the whole thing like moved, like
Speaker 1: it was loose on its frame. I pulled it all
Speaker 1: out from the wall. I found myself staring into this
Speaker 1: dark void on the other side of the mirror, and
Speaker 1: then one of them hit me in the face the back,
Speaker 1: and the swarm followed an ocean of flying rodents funneling
Speaker 1: through the back of Tyler's medicine cabinet, looking for an
Speaker 1: outlet to go pursue their nightly feeting. They gathered in clumps,
Speaker 1: taking positions on the curtain rod, hanging upside down, staring
Speaker 1: at me. Then one by one they started hissing. I
Speaker 1: turned and I looked into the darkness behind the mirror.
Speaker 1: Then I crawled through the hole. I found myself standing
Speaker 1: on familiar ground. I was back in the fucking cave,
Speaker 1: and I greeted their depths like an ottle friend. And
Speaker 1: I heard a terrifying voice coming from somewhere behind me.
Speaker 1: It was Deacon Hadley words. I couldn't make out, words
Speaker 1: echoing off the wet cave walls, so I walked deeper in,
Speaker 1: and then I heard his voice cut short. Next thing
Speaker 1: I knew, I was back in the bedroom. I grew
Speaker 1: up in just like before, and so was the gray Man,
Speaker 1: decayed and rasping, ben and rotting in the shadows. What
Speaker 1: are gone? What the fucking okay? I'm not sure how
Speaker 1: long I was gone or exactly when I came back,
Speaker 1: but when I regained my consciousness. I was sitting neatly
Speaker 1: on the floor at Tyler's place, and the cut on
Speaker 1: my hand had already started clotting over, just like before,
Speaker 1: and just like now. I don't remember the events themselves
Speaker 1: how I ended up where I did. I only remember
Speaker 1: the nightmare. I hauled myself up off the ground, made
Speaker 1: my way half conscious, to my car, and I drove myself, yes,
Speaker 1: one handed, to the hospital for stitches. Of course, once
Speaker 1: I was there, they wanted to know how I got cut.
Speaker 1: I thought about lying. I slept on a rock, was
Speaker 1: clumsy with a table saw. I got two confident pitting
Speaker 1: an avocado. But I knew my blood was all over
Speaker 1: Tyler's living room floor at this point, mixed with whatever
Speaker 1: other blood was already there. If it didn't look like
Speaker 1: a crime scene before I got there, it's sure as
Speaker 1: hell did after. So I went ahead and I filed
Speaker 1: the formal report. Julian, how are you doing? So? I
Speaker 1: kept my recorder going when I went into the sheriff station,
Speaker 1: where I was reunited with Sheriff Kirby Hooper. He looks
Speaker 1: old now, pale, gaunt. Sure if I want to follow
Speaker 1: a missing person support for Tyler Wilson. People disappear all
Speaker 1: the time, Julian, what makes you think Tyler is missing?
Speaker 1: Sides of the struggle at his house signs of a struggle.
Speaker 1: I'm just telling you what I saw. It looked at
Speaker 1: me like there had been a struggle. And what were
Speaker 1: you doing in his house? Well, he invited me. Why
Speaker 1: does anyone go to anyone's house. There's no need to
Speaker 1: get defensive. I'm not. We just need to find him.
Speaker 1: My job is to find answers. And if your friend
Speaker 1: is missing, that brings up a lot of questions. Why
Speaker 1: don't we start with you telling me what you know.
Speaker 1: If memories served me correctly, you've been quite helpful and
Speaker 1: giving me the answers that I needed in the past.
Speaker 1: Sun bitch all but admitted to coersion, as if I'm
Speaker 1: not already painfully fucking aware. If he had just come
Speaker 1: out and said it, we would have probably had everything
Speaker 1: we needed to get Finch off death Row. But he
Speaker 1: knew better. Sheriff Hooper maybe a shit hell, but he's cautious,
Speaker 1: unlike the rest of his boys and Brown. What happened
Speaker 1: next was all a bit of a ship show man
Speaker 1: of walks fine a stampede into Tyler's house, touching everything,
Speaker 1: knocking shit over. If there was any evidence in there
Speaker 1: as to what happened to Tyler, it was all immediately
Speaker 1: tainted by idiot cops who had not been properly trained
Speaker 1: on how to preserve a crime scene. One rookie officer
Speaker 1: right out of high school. We even started cleaning up
Speaker 1: the place. Or maybe it wasn't even stupidity, Maybe it
Speaker 1: was just made to look like stupidity. I mean, it
Speaker 1: wasn't exactly in Hooper's interest to take any action that
Speaker 1: might reopen the Hadley murder case. Those cops did come
Speaker 1: away with one interesting fund, however, No, I'm not really
Speaker 1: sure how I feel about it yet. A necklace. The necklace,
Speaker 1: a small cross a crucifix hanging from a silver chain
Speaker 1: may not have seemed two odds your average passer by,
Speaker 1: but to anyone who knew Tyler well, Tyler was an
Speaker 1: outspoken atheist, probably the only one in Manuel County. That
Speaker 1: cross didn't belong to him, but it did look awfully familiar.
Speaker 1: In fact, anybody who has lived in the area long
Speaker 1: enough would probably have recognized it, if not from the
Speaker 1: gaudy chain, then from the initials edged into the back
Speaker 1: of it. DH I remember that necklace. I used to
Speaker 1: sit behind Deacon have the inphasicis class, and I remember
Speaker 1: staring at that exact chain pressed into the pink, freckled
Speaker 1: skin on the back of his neck. I remember thinking
Speaker 1: it was ironic to someone who took such joy and
Speaker 1: the torment of others flaunted a symbol of faith and
Speaker 1: compassion so publicly. There was no doubt as to who
Speaker 1: the neck was belonged to. There was no doubt it
Speaker 1: was the infamous missing necklace. The Dully Tapper testified about
Speaker 1: under oath and James Sincer's trial. Man, what did James
Speaker 1: Spencer say to you that day? Well, Sir hey kind
Speaker 1: of right about it, about knowing where they was at,
Speaker 1: where who was that Thomas and Dickon Hadley? Sir said
Speaker 1: he knew what had happened to them, and what did
Speaker 1: he say happened to them? Said that it was for
Speaker 1: him to know and for everyone else to find out,
Speaker 1: said they would too find out. Sir Son, Enough he
Speaker 1: said it, he said. And did you believe him, honestly,
Speaker 1: not really until he showed me the cross. The cross.
Speaker 1: It was the silver cross with Jesus crucified the one
Speaker 1: Deacon always wore. Fincher dangles in front of me and says,
Speaker 1: that's what happens when you mess with the Finchers and
Speaker 1: tells me I'll end up saying if I don't leave him,
Speaker 1: be his sister too. Says I better keep my mouth
Speaker 1: shut too, or what go on, shoe, or he'd kill me.
Speaker 1: They never proved the finch had Deacon's necklace. It was
Speaker 1: never found, but the missing crucifix necklace received significant press
Speaker 1: attention during the trial. So what the hell was the
Speaker 1: silver necklace doing in Tyler's bathroom cabinet? Randomly, Tyler Wilson
Speaker 1: goes missing and Deacon Hadley's cross is discovered in his
Speaker 1: house less than a week before James Fincher's execution, being
Speaker 1: the Duley Tapper was the cop that found it. Rumors
Speaker 1: are already spreading faster than skunk wind. People around town
Speaker 1: are speculating, and tensions are high. Well, just look at
Speaker 1: this standing room only I get it. The town needs
Speaker 1: somewhere to turn for answers, for comfort, and of course
Speaker 1: Reverend Perkins has seized the opportunity. All right, all right,
Speaker 1: y'all settling now, now I know why it's been so
Speaker 1: long since some of you've been in here. And don't
Speaker 1: you worry just because you wander the field, that doesn't
Speaker 1: mean you've strayed from the flock. I know that God
Speaker 1: knows that. But I also know why you've chosen to
Speaker 1: come back today. It's because you're afraid, And of course
Speaker 1: you are. Thomas and Deacon Hadley joined the Lord fourteen
Speaker 1: years ago this past May. But the Lord truly does
Speaker 1: work miracles, giving each and every one of us the
Speaker 1: strength the power through him to carry on, to keep
Speaker 1: the faith, to know that God is cradling those boys
Speaker 1: in his kingdom, safe and sheltered from the debauchery and
Speaker 1: sends of mankind on earth. But now now we are reminded,
Speaker 1: and it's hard to not assume the worst, that the
Speaker 1: devil has been living amongst us all this time. Well,
Speaker 1: I have news for you. He has. He has been
Speaker 1: living among us, and he is still here walking among us.
Speaker 1: The Bible tells us be sober, be vigilant, because your adversary,
Speaker 1: the Devil, as a roaring line, walketh about, seeking whom
Speaker 1: he may devour. Now you say it to me, bot Reverend,
Speaker 1: I thought we caught. The Devil's servant, James Fincher is
Speaker 1: riding away on death road for murder. Into that. I say,
Speaker 1: thank the Lord, But lo, even with James Fincher's execution
Speaker 1: right around the corner, the devil has made his presence
Speaker 1: known again. He has slithered into our midst intent on
Speaker 1: causing further harm to our faithful community, sowing his seeds
Speaker 1: of doubt and working to upend justice. The devil is cunning.
Speaker 1: Here is a trickster. Are we so arrogant us to
Speaker 1: believe he could not outsmart us? Consider with me, folks,
Speaker 1: that someone was working behind James Fincher that night so
Speaker 1: long ago, and consider that he may still be freely
Speaker 1: walking amongst us. Because what is happening here and now
Speaker 1: to our proud little town is the devil's work. You'd
Speaker 1: better believe that is the devil's work, and you'll know
Speaker 1: that the devil works hard. The town has lost its
Speaker 1: collective shit after that sermon, an authority figure in the
Speaker 1: community is now telling everyone outright to be afraid. He's
Speaker 1: taken the vague suspicions that were swimming around in people's
Speaker 1: heads and he's solidified them into the threat of a
Speaker 1: killer on the loose in their own backyard. The boogeyman
Speaker 1: is still out there. Folks. You could end up just
Speaker 1: like those boys. You will end up just like those boys.
Speaker 1: Repent your sins and pay the church. God will protect
Speaker 1: you if you open your wallet and follow those in
Speaker 1: power and the people. They're eating it up. Hooper isn't
Speaker 1: going to object. Even in his heyday, he was always
Speaker 1: in perkins pocket. But now Kirby Hooper is an old dog.
Speaker 1: He doesn't have the stam not run two laps around
Speaker 1: the sheriff station. Let a little track down a killer.
Speaker 1: So why not let Reverend Perkins do the heavy lifting.
Speaker 1: If Perkins can scare up the town good enough, convince
Speaker 1: them to start thinking irrationally pointing fingers at one another,
Speaker 1: well Hooper can do exactly like he did with James Fincher,
Speaker 1: sit back and wait for the town to tell him
Speaker 1: who to put away. No actual detective work needed. Hell,
Speaker 1: this whole thing is a blessing Hooper's approvable rate and
Speaker 1: will go through the roof. Come next election, he'll rake
Speaker 1: in the dough. I'll sit him back, getting fatter work
Speaker 1: in the system at its finest. New message in the
Speaker 1: team in spak Spotsville posts. I want to let you
Speaker 1: know we are running a piece on the Tyler Wilson
Speaker 1: investigation as a sidebar to the Fincher execution story. I
Speaker 1: understand you were the last one to visit Tyler before
Speaker 1: his disappearance. I think they're calling it anyway. I just
Speaker 1: wanted to let you know that we are mentioning you,
Speaker 1: and we'd like to include any comments that you'd like
Speaker 1: to put in there as well. So, yeah, just get
Speaker 1: back to me when you can. Oh. Yeah. In the meantime,
Speaker 1: I'm still working on that interview tape you asked from me,
Speaker 1: you know, the one with a detective Smith. Message. Next message,
Speaker 1: send through, next message, send Julian. I'll have Joe Campbell
Speaker 1: and our journing this to Rank coming over to night
Speaker 1: at seven, thanking that for you, to her invest of
Speaker 1: you that just need only back Dina Fincher. She's small,
Speaker 1: but you couldn't pay me to get on her bad side.
Speaker 1: She's got a fire in her that burns hotter than
Speaker 1: any hell Perkins could dream of. So when she says
Speaker 1: to call her right back, you do. We met up
Speaker 1: about an hour after she left that message back at
Speaker 1: her house. Problem is, by the time I got there,
Speaker 1: I was hard to be coming unstable again. Well you
Speaker 1: don't look so hot, Julian, just saying I've had better weeks.
Speaker 1: How are you holding up? DNA? Well? Between them putting
Speaker 1: me back on the graveyard shift at work, A sick
Speaker 1: dog who's vet bills I can't afford. Am I delinquents
Speaker 1: on sneaking out every night while I'm working. Just lovely,
Speaker 1: but frankly, Julian, just how my disposition is situated right
Speaker 1: now don't matter. The only thing that matters is saving
Speaker 1: my brother's life. You feel me? Oh, yeah, of course
Speaker 1: I don't. I'm okay, thanks, How about you, Jill, No,
Speaker 1: I'm fine. Thanks. I'm just gonna set this on the
Speaker 1: table if that's okay. Come on, and mister le Blanc.
Speaker 1: This is Julian Sollas. Oh, this is Julian Good. I
Speaker 1: was hoping you've been joining us today. Well, when data
Speaker 1: Fitcher calls you pick up, I'm glad you decided to
Speaker 1: officially join our defense team. Whatever you need you just
Speaker 1: let me know. Well, we needed your signature. I've already
Speaker 1: prepared a let her on your bath. I'm abound legal
Speaker 1: a little let you know that the language here has suggested,
Speaker 1: so take a minute and read it over. But if
Speaker 1: you can sign him, yeah, sure of course, I'm happy
Speaker 1: to make any edits. Dina, do you ever print it? No?
Speaker 1: All right, that's okay. I have won in the car
Speaker 1: ed le Blanc, a tall, tired looking man in his sixties,
Speaker 1: long gray hair, white shirt and a well worn linen
Speaker 1: suit like a southern William Kunstler. The plan was to
Speaker 1: petition a higher court to intervene and hopefully order the
Speaker 1: lower court or maybe man, I'll walk how any district
Speaker 1: attorney to review James Sentcher's case on the grounds that
Speaker 1: the key witnesses testimony have been coerced. That key witness
Speaker 1: it was me. I had to publicly state that my
Speaker 1: deposition fourteen years ago was false. Junior. You okay, yeah,
Speaker 1: I just can I can I get that water? Jimmy
Speaker 1: can get it, Jimmy, Dina? Has the press reached out
Speaker 1: just the usual stuff, But nothing about this Tyler Wilson business.
Speaker 1: No what Tyler Wilson business. Julian hasn't told you? Yeah,
Speaker 1: I just got here, actually told me what. Well. I
Speaker 1: went out to visit Tyler at his place. But when
Speaker 1: I got there, it was all smashed up, looks like
Speaker 1: a forced entry, and Tyler was nowhere to be found.
Speaker 1: I reported it looks like it may have been found.
Speaker 1: Play what's this got to do with my brother? The
Speaker 1: Sheriff's office came out to Tyler's home to investigate, and
Speaker 1: they found the necklace. What necklace? The one that belonged
Speaker 1: to Deacon Hadley silver crucifix? Yes, the one they never found. Yeah,
Speaker 1: I'm familiar. So what's this all mean? Well, it might
Speaker 1: be enough to throw James's criminal trial and question which
Speaker 1: could trigger a postponement of the execution. Seriously, we can
Speaker 1: file a claim of new evidence. What does that do? Exactly?
Speaker 1: Law allows any individual convicted of a crime to move
Speaker 1: the court to overturn their sentence based upon a claim
Speaker 1: of newly discovered evidence. So if we can argue that
Speaker 1: the necklace clearly points to Tyler Wilson, it raises new questions.
Speaker 1: It certainly creates reasonable doubt about james guilt or if
Speaker 1: he acted alone. But it's not Wait a minute, you
Speaker 1: don't think Tyler really did it, though, do you? Well,
Speaker 1: somebody sure as hell did. Yeah, but his house was
Speaker 1: all smashed up, there was blood everywhere. Something happened to Tyler.
Speaker 1: What happened to him is irrelevant far as I'm concerned.
Speaker 1: Is how much responsibility he asked for all this? And
Speaker 1: he ain't here to rebut anything, so it can't be serious.
Speaker 1: Deacon Hadley's necklace was found in his house. That's evidence,
Speaker 1: evidence of what? Why the hell else did he get
Speaker 1: that necklace? Julian, There's any number of ways that he
Speaker 1: could ed it up at Tyler's house. And what kind
Speaker 1: of person keeps some kind of things anyway, I'll tell
Speaker 1: you what parents and murderers. Suddenly it's now on me,
Speaker 1: on my shoulders to implicate Tyler in an effort to
Speaker 1: save Finch, like I have to choose between the two.
Speaker 1: I can correct the thing that triggered all of myself
Speaker 1: loathing and bad decisions that the past fourteen years has wrought,
Speaker 1: but only if I start the process over again by
Speaker 1: doing now exactly what I did, then point at an
Speaker 1: innocent man and call him guilty. There's no relief from
Speaker 1: my past. It's just an opportunity for me to repeat it.
Speaker 1: I never end in a loop of ruining lives and
Speaker 1: in doing so, destroying my own. Sitting there in Diana's
Speaker 1: living room. I was trapped. Just hold on a minute.
Speaker 1: I couldn't breathe. How do you know that someone didn't
Speaker 1: plant it, Julie Tapper or somebody could have broken and
Speaker 1: knocked him out or whatever the planted the necklace before
Speaker 1: taking him wherever they took him. Seriously, Julian, what if
Speaker 1: it's true? What if me showing back up in town,
Speaker 1: poking around and the ship made somebody nervous? What if
Speaker 1: that person needed to find a scapegoat? Can I please?
Speaker 1: Can I please gets the water? June? If something else though,
Speaker 1: Julian Tyler was seen on Friday, good morning after you
Speaker 1: went to his place where Riverbend Maximum Security Institution in
Speaker 1: Nashville apparently paid a visit to James. We don't know where.
Speaker 1: And this time it was like the fog waited until
Speaker 1: I was in a room with other people, like it
Speaker 1: knew we had important business to attend to, like some
Speaker 1: invisible hand, and it was choking the life out of me,
Speaker 1: so I wouldn't be able to do what I was
Speaker 1: there to do, what I was in mana walk, to
Speaker 1: do what I had spent the last half of my
Speaker 1: life needing to do. I was sweating, my vision was swimming,
Speaker 1: and my heart rate was through the roof, and it
Speaker 1: was all overshadowed by this impendent sense of doom. I'm sorry,
Speaker 1: I don't know if I can do this right now. Well,
Speaker 1: when the hell did you want to do it, Julian,
Speaker 1: After my brother's murdered by the same Hold on a minute, Jimmy,
Speaker 1: I felt like somebody had sucked all the air out
Speaker 1: of me. But then I got worse. Here you go, Julie,
Speaker 1: What it wasn't Jimmy walked into the room. It was Tyler,
Speaker 1: casual as you please, and he handed me a glass
Speaker 1: of water. Man, it's a good thing you didn't show
Speaker 1: up in my how things sooner and you did. I
Speaker 1: turned to look back at the other people at the table.
Speaker 1: They weren't there either, but in their places at Finch
Speaker 1: at the head of the table where Dina was supposed
Speaker 1: to be, and Jill and le Blanc were replaced by
Speaker 1: none other, and Deacon and Thomas had people themselves in
Speaker 1: all of their bloody, eviscerated, glory, rotten and disavowed, smiling wide,
Speaker 1: some of their teeth still attacked. The gag was tall there,
Speaker 1: and that was it. I passed out, Julian, God, damn it, Julians.
Speaker 1: What's wrong with them? Jimmy out? Do you see him drop? Onder?
Speaker 1: What happened to him? Must be me? Get out? Now?
Speaker 1: Should I call an ambulance? Look, he's awake. What Julian,
Speaker 1: You're back with us now, Julian? Who I think? Damn Julian, Julian,
Speaker 1: where are you going? Julian? I don't think it's a
Speaker 1: good idea to go anywhere, Julian, Julian getting up. I
Speaker 1: remember walking out of Dana's house. I don't know how
Speaker 1: I got here. It's just it's too much, the process,
Speaker 1: it's too much. I can't hold it all in my
Speaker 1: head anymore. I'm slipping farther and farther, losing bigger chunks
Speaker 1: of time between my sleep deprivation and these blackouts. My
Speaker 1: brains all twisted and stuttering. I can't get my thoughts
Speaker 1: out right. Jesus, Hello, all from the river bends backs
Speaker 1: an am security institution where you as the charges. Yes,
Speaker 1: this call will be recorded and manatured. Please stand by
Speaker 1: and Julia, Hey Finch, Yeah, it's me. I needed to
Speaker 1: compe me. I donna have my time. Man mean again,
Speaker 1: m Hm, The Ghost and The Dancing The Manoel Caves
Speaker 1: stars Jonathan Tucker as Julian Salis, Eddie Gaffeggy as James Fincher,
Speaker 1: Clark Peters as Detective Solomon Smith, Nick Sercy as Sheriff
Speaker 1: Kirby Hooper, Justin Wellborn as Tyler Wilson, Jill Jane Clements
Speaker 1: as Jill Campbell, Brad Carter as Dooley Tappard, Scott Poythress
Speaker 1: as Reverend Perkins, Samantha Ashley as Deana Fincher, Justin Matthews
Speaker 1: Smith as Paul Salace, Tara Oakes as Laura Salis, Jonathan
Speaker 1: Horn as Deacon Hadley, Alden Kronovitch as Thomas Hadley, Mike
Speaker 1: w Anderson as Griff Washington, Bodie Walter Roth as Jimmy Fincher,
Speaker 1: Brian McClure as Ian Spinks, Larry Clark as Bobby Hadley,
Speaker 1: Paydon Fallis as ed le Blanc, Vic Polisis as William Fowler,
Speaker 1: Nick Dakosky as Richard Rydell, and Aileen Loy as The Darkness,
Speaker 1: with additional performances by Clint mc gowan, Dina Dill, Edward Howard,
Speaker 1: Henry Foster, Brown, Jamie Joseph, Juan Monsalvez, Christopher Curry, Bailey Hyneman,
Speaker 1: David Mitchell, and Bernard Sataro Clark Created by Connel Byrne
Speaker 1: and Dan Bush. Written by Dan Bush, Zoe Cooper and
Speaker 1: Nicholas Dakoski featuring our theme song Killer Inside, written produced
Speaker 1: and performed by Lear Lynn. Our executive producers are Matt Frederick,
Speaker 1: Alexander Williams, Michael Monte, and Courtney Dufrees. Our executive producers
Speaker 1: at Blumhouse Television are Jeremy Gold, Chris Dickey, and Noah Feinberg.
Speaker 1: Produced by Dan Bush, Music by Ben Lovett, Additional music
Speaker 1: by Alexander Rodriguez, edited by Dan Bush, Chris Childs, Stephen
Speaker 1: Perez and David Chen. Sound design by Benjamin Malcolm. Additional
Speaker 1: sound designed by Alexander Rodriguez. Dialogue editing and sound mixing
Speaker 1: by Juan Campus recorded at Studio Awesome in Los Angeles,
Speaker 1: Soundbyte Studio in Atlanta and Echo Mountain in Asheville. Casting
Speaker 1: by Sunday Bowling, Kennedy and Meg Mormon. Our dialect coach
Speaker 1: is Linda Basseesti Assistant director Michael Monty, second assistant director,
Speaker 1: script supervisor and production Coordinator Sarah Klein, Supervising producer Josh Thine.
Speaker 1: Special thanks to Mary Ellen and Jason Davis, Jonathan Deeter,
Speaker 1: and Joe Rickman. The Manoel Caves is a production of iHeartRadio,
Speaker 1: Blumhouse Television, and Psycopia Pictures.