1 00:00:00,240 --> 00:00:03,640 Speaker 1: The Manawat Caves is intended for mature audiences. It contains 2 00:00:03,680 --> 00:00:07,560 Speaker 1: strong language and depictions of bullying, violence, and sexual assault 3 00:00:07,600 --> 00:00:11,080 Speaker 1: that some may find disturbing. Listener discretion is advised. Also, 4 00:00:11,200 --> 00:00:14,600 Speaker 1: this is an extremely immersive experience and headphones are recommended. 5 00:00:24,480 --> 00:00:28,560 Speaker 1: You're listening to The Manawat Caves, a production of iHeartRadio, 6 00:00:29,120 --> 00:00:44,320 Speaker 1: Blumhouse Television and Psycopia Pictures. Okay, oh, guess six eleven am. 7 00:00:44,400 --> 00:00:46,600 Speaker 1: I'm sitting at a gas station park a lot. I 8 00:00:46,600 --> 00:00:50,880 Speaker 1: don't remember coming here. I swear I was being attacked, 9 00:00:52,040 --> 00:00:55,000 Speaker 1: like by a swarm of bats. And I know I 10 00:00:55,080 --> 00:00:59,000 Speaker 1: saw the driver's side window crack when a batting. I 11 00:00:59,160 --> 00:01:04,040 Speaker 1: know I saw that both the windows fine. Now that 12 00:01:04,240 --> 00:01:08,560 Speaker 1: he the hairline fracture. There's a prompet for bad with 13 00:01:08,640 --> 00:01:10,440 Speaker 1: the twelve pack of beer sitting in the passenger seat 14 00:01:10,480 --> 00:01:17,720 Speaker 1: of my cart. No idea how it got there. I 15 00:01:17,840 --> 00:01:22,960 Speaker 1: recognize this gas station, yes I do it. Snear Tyler's place, 16 00:01:22,959 --> 00:01:24,960 Speaker 1: which means I must have decided to drive out here 17 00:01:25,400 --> 00:01:28,479 Speaker 1: and talk to him in person. Maybe stay the night, 18 00:01:31,319 --> 00:01:52,560 Speaker 1: explains the beer man. You've reached Tyler Wilson Wilson Repair Services, 19 00:01:53,040 --> 00:01:54,560 Speaker 1: leave a message and we'll get back to you as 20 00:01:54,560 --> 00:01:58,400 Speaker 1: soon as possible. Thanks and have a great day. Hey man, 21 00:01:58,400 --> 00:02:02,240 Speaker 1: it's Julian. Listen, and I'm taking you up on your 22 00:02:02,280 --> 00:02:04,680 Speaker 1: offer to let me stay your place for a few 23 00:02:05,120 --> 00:02:09,079 Speaker 1: The motel ain't exactly working out. If it's cool, I'm 24 00:02:09,120 --> 00:02:12,920 Speaker 1: actually heading over there now. Probably best for us to 25 00:02:12,960 --> 00:02:41,680 Speaker 1: talk in person. Anyway. I got out of the car, 26 00:02:42,480 --> 00:02:46,080 Speaker 1: walked to the door. It was already open, so I 27 00:02:46,160 --> 00:02:58,120 Speaker 1: just walked in. Tyler, I know you're walking like that. 28 00:02:59,760 --> 00:03:23,119 Speaker 1: H Tyler, Tyler, what's gone? Oh my god? I think 29 00:03:23,160 --> 00:03:26,320 Speaker 1: he was the quiet one. He wore this silver cross 30 00:03:26,440 --> 00:03:30,200 Speaker 1: round his neck like a flashy reminder of the inequities 31 00:03:30,240 --> 00:03:33,960 Speaker 1: of life. Like some people can be as statistic as 32 00:03:34,000 --> 00:03:47,320 Speaker 1: they please with no consequences. Did I pass? I guess 33 00:03:47,360 --> 00:03:49,000 Speaker 1: you know you're the better than you used to? Could 34 00:03:52,280 --> 00:03:54,320 Speaker 1: I put you maybe in tail with a big show 35 00:03:55,280 --> 00:03:57,600 Speaker 1: to see your old buddy James Benshall. Get the jab. 36 00:03:59,040 --> 00:04:04,080 Speaker 1: It's gonna be quiet. I Dispectator's part. You don't understand 37 00:04:05,000 --> 00:04:07,960 Speaker 1: I had to come back when you should have resisted 38 00:04:08,000 --> 00:04:26,159 Speaker 1: that urge. The beasts of don to true to you're 39 00:04:26,200 --> 00:04:30,040 Speaker 1: playing with fire, hear you have no idea what you, messment. 40 00:04:30,960 --> 00:04:33,680 Speaker 1: It's not just for me. I'm trying to do the 41 00:04:33,760 --> 00:04:38,360 Speaker 1: righting here for fans. I'm trying to help him a 42 00:04:38,480 --> 00:04:48,240 Speaker 1: little too fucking late for that, don't you think? Then? 43 00:04:48,400 --> 00:04:51,920 Speaker 1: Of course, there's witness testimony from one of his own 44 00:04:52,000 --> 00:04:57,200 Speaker 1: classmates that James Fincher had Deacon Hadley's necklace, a silver 45 00:04:57,360 --> 00:05:02,360 Speaker 1: crucifix in his possession the day after the boys went missing, 46 00:05:03,600 --> 00:05:07,159 Speaker 1: and this witness described what appeared to be bloodstains on 47 00:05:07,360 --> 00:05:14,800 Speaker 1: that crucifix. Ladies and gentlemen of the jury, the offense 48 00:05:16,120 --> 00:05:19,880 Speaker 1: is a charade. There is no doubt as to who 49 00:05:19,960 --> 00:05:25,880 Speaker 1: killed Thomas and Deacon happening. The murderer sits before you 50 00:05:26,600 --> 00:05:41,240 Speaker 1: in this very room. August eight, eleven, eleven PM. My 51 00:05:41,279 --> 00:05:45,840 Speaker 1: mind is playing tricks on me. It feels like I'm 52 00:05:45,880 --> 00:05:48,159 Speaker 1: lost in a house, and mirrors, the blackouts in the 53 00:05:48,240 --> 00:06:00,240 Speaker 1: nightmares are happening more frequently. I'm I'm really scared. Right now. 54 00:06:00,240 --> 00:06:02,440 Speaker 1: I'm sitting on a bench at the Old View Cemetery 55 00:06:02,720 --> 00:06:06,159 Speaker 1: where my mother and father are buried. I can see 56 00:06:06,200 --> 00:06:09,200 Speaker 1: their graves from here, right up there in that hill. 57 00:06:10,440 --> 00:06:12,520 Speaker 1: I know I om a visit, but I guess I'm 58 00:06:12,560 --> 00:06:17,120 Speaker 1: not ready for that, yet it's just close enough for now. 59 00:06:18,839 --> 00:06:21,400 Speaker 1: I don't know how long I've been here or how 60 00:06:21,440 --> 00:06:25,320 Speaker 1: I got here. I assume my car is around somewhere. 61 00:06:25,360 --> 00:06:28,279 Speaker 1: But the last thing I remember, I was at Dina's house. 62 00:06:28,640 --> 00:06:32,920 Speaker 1: Joe Campbell was there too, and Fincher's defense attorney LeBlanc. 63 00:06:33,760 --> 00:06:37,040 Speaker 1: But a lot has happened since then. I just don't 64 00:06:37,080 --> 00:06:46,520 Speaker 1: know what I remember. I went to Tyler's and I 65 00:06:46,560 --> 00:06:55,120 Speaker 1: found his house all smashed up the fuck Okay, according 66 00:06:55,160 --> 00:06:58,760 Speaker 1: to my log, that was on the sixth, two days ago. 67 00:07:00,960 --> 00:07:05,800 Speaker 1: I don't remember pressing record, and yet I feel like 68 00:07:05,800 --> 00:07:09,320 Speaker 1: it's all here somehow. In this recording, I made a 69 00:07:09,360 --> 00:07:13,320 Speaker 1: Tyler's place. This is the epicenter, ground zero for the 70 00:07:13,360 --> 00:07:16,600 Speaker 1: fog and the ghost, and maybe Tyler himself holds the 71 00:07:16,680 --> 00:07:20,040 Speaker 1: key to unlock the truth wherever he is. I've played 72 00:07:20,080 --> 00:07:24,080 Speaker 1: it back three times already. I'm searching for something. What 73 00:07:24,160 --> 00:07:44,720 Speaker 1: am I missing? Tyler? Tyler? You go on, come on, 74 00:07:44,800 --> 00:07:46,280 Speaker 1: get out of here. Hit the hell out of here. 75 00:07:49,360 --> 00:08:00,440 Speaker 1: Jesus Christ, Jesus Christ. Okay, so I'll just sixty two thirteen. Damn, 76 00:08:00,480 --> 00:08:03,600 Speaker 1: I'm at Tyler's cabin out off through twenty six. He 77 00:08:03,720 --> 00:08:07,080 Speaker 1: invited me I didn't break in. Okay, I want that 78 00:08:07,160 --> 00:08:09,440 Speaker 1: own record. I didn't break in. The door was already 79 00:08:09,520 --> 00:08:14,000 Speaker 1: unlocked when I got here. That's normal round here. I mean, 80 00:08:14,040 --> 00:08:17,560 Speaker 1: I let myself in when he didn't answer, and I 81 00:08:17,600 --> 00:08:22,960 Speaker 1: didn't think hell, the TV was still on. Okay, there 82 00:08:23,000 --> 00:08:27,320 Speaker 1: seems to be signs of a sign of a struggle. 83 00:08:27,440 --> 00:08:31,160 Speaker 1: His coffee table is knocked over, there's broken glass everywhere. 84 00:08:31,160 --> 00:08:36,160 Speaker 1: It smells like gum powder. It looks like he was 85 00:08:36,200 --> 00:08:38,840 Speaker 1: eating just like snacks or whatever. And I chip. There's 86 00:08:38,880 --> 00:08:41,000 Speaker 1: chips all over the floor, which is what I imagine 87 00:08:41,040 --> 00:08:45,720 Speaker 1: the possums. After the bookshelf against the wall is broken. 88 00:08:45,840 --> 00:08:48,080 Speaker 1: The shelves are all smashed up, and everything that was 89 00:08:48,120 --> 00:08:50,360 Speaker 1: on them, like books and little knit knacks and then 90 00:08:50,400 --> 00:08:55,880 Speaker 1: whatnot are all over the place. Is that there's a 91 00:08:55,920 --> 00:09:06,280 Speaker 1: shotgun shell? A fuck time? Oh shit? Oh so um, 92 00:09:07,559 --> 00:09:10,880 Speaker 1: there's blood. It's everywhere. I didn't even see it when 93 00:09:10,880 --> 00:09:12,520 Speaker 1: I got in here. How did I not see it? 94 00:09:12,559 --> 00:09:16,200 Speaker 1: I got blood on me, it's all there's blood all 95 00:09:16,240 --> 00:09:21,240 Speaker 1: over my shirt sleeve, all over my shirt sleeve. It 96 00:09:21,320 --> 00:09:23,960 Speaker 1: took me a salo of three minutes of hyperventilating before 97 00:09:23,960 --> 00:09:25,920 Speaker 1: I realized the blood. I was covered and was my 98 00:09:26,000 --> 00:09:31,040 Speaker 1: own most of its least. I was so distraught at 99 00:09:31,040 --> 00:09:33,160 Speaker 1: the state of Tyler's cabin that I didn't even notice 100 00:09:33,160 --> 00:09:34,920 Speaker 1: that I cut my wrist. I'm a shard of glass 101 00:09:34,960 --> 00:09:40,680 Speaker 1: from the coffee table when I rolled it over. That's 102 00:09:40,679 --> 00:09:46,920 Speaker 1: when I got dizzy. These uh episodes, they're happening more often, 103 00:09:47,760 --> 00:09:51,520 Speaker 1: less time in between attacks. This one started with a 104 00:09:51,600 --> 00:09:55,920 Speaker 1: sound banging on glass coming from somewhere in the back 105 00:09:55,920 --> 00:09:59,960 Speaker 1: of Tyler's house. So I followed it, expecting to find 106 00:10:00,160 --> 00:10:03,400 Speaker 1: someone or something like knock getting on a window or something. 107 00:10:05,320 --> 00:10:08,920 Speaker 1: There was nothing, but the knocking didn't stop, and I 108 00:10:08,960 --> 00:10:11,559 Speaker 1: realized that it wasn't coming from the windows at all. 109 00:10:12,200 --> 00:10:15,640 Speaker 1: It was coming from the bathroom. I followed it, but 110 00:10:15,720 --> 00:10:20,760 Speaker 1: the bathroom was empty, too, and I realized it wasn't 111 00:10:20,800 --> 00:10:23,200 Speaker 1: glass from a window I was hearing being banged done. 112 00:10:24,600 --> 00:10:30,240 Speaker 1: It was the glass from the bathroom mirror. I opened 113 00:10:30,240 --> 00:10:34,200 Speaker 1: the medicine cabin and the whole thing like moved, like 114 00:10:34,280 --> 00:10:37,680 Speaker 1: it was loose on its frame. I pulled it all 115 00:10:37,720 --> 00:10:42,200 Speaker 1: out from the wall. I found myself staring into this 116 00:10:42,559 --> 00:10:52,880 Speaker 1: dark void on the other side of the mirror, and 117 00:10:52,960 --> 00:10:56,880 Speaker 1: then one of them hit me in the face the back, 118 00:10:57,720 --> 00:11:06,680 Speaker 1: and the swarm followed an ocean of flying rodents funneling 119 00:11:06,760 --> 00:11:10,600 Speaker 1: through the back of Tyler's medicine cabinet, looking for an 120 00:11:10,640 --> 00:11:15,520 Speaker 1: outlet to go pursue their nightly feeting. They gathered in clumps, 121 00:11:16,440 --> 00:11:20,920 Speaker 1: taking positions on the curtain rod, hanging upside down, staring 122 00:11:20,960 --> 00:11:28,240 Speaker 1: at me. Then one by one they started hissing. I 123 00:11:28,440 --> 00:11:31,240 Speaker 1: turned and I looked into the darkness behind the mirror. 124 00:11:33,360 --> 00:11:42,000 Speaker 1: Then I crawled through the hole. I found myself standing 125 00:11:42,080 --> 00:11:47,360 Speaker 1: on familiar ground. I was back in the fucking cave, 126 00:11:48,679 --> 00:11:52,400 Speaker 1: and I greeted their depths like an ottle friend. And 127 00:11:52,520 --> 00:11:56,880 Speaker 1: I heard a terrifying voice coming from somewhere behind me. 128 00:11:57,840 --> 00:12:02,160 Speaker 1: It was Deacon Hadley words. I couldn't make out, words 129 00:12:02,200 --> 00:12:06,600 Speaker 1: echoing off the wet cave walls, so I walked deeper in, 130 00:12:08,040 --> 00:12:11,760 Speaker 1: and then I heard his voice cut short. Next thing 131 00:12:11,800 --> 00:12:14,240 Speaker 1: I knew, I was back in the bedroom. I grew 132 00:12:14,320 --> 00:12:19,480 Speaker 1: up in just like before, and so was the gray Man, 133 00:12:20,320 --> 00:12:27,480 Speaker 1: decayed and rasping, ben and rotting in the shadows. What 134 00:12:27,640 --> 00:12:41,679 Speaker 1: are gone? What the fucking okay? I'm not sure how 135 00:12:41,720 --> 00:12:44,080 Speaker 1: long I was gone or exactly when I came back, 136 00:12:44,760 --> 00:12:47,680 Speaker 1: but when I regained my consciousness. I was sitting neatly 137 00:12:47,720 --> 00:12:51,160 Speaker 1: on the floor at Tyler's place, and the cut on 138 00:12:51,280 --> 00:12:55,319 Speaker 1: my hand had already started clotting over, just like before, 139 00:12:55,679 --> 00:12:59,599 Speaker 1: and just like now. I don't remember the events themselves 140 00:12:59,720 --> 00:13:03,400 Speaker 1: how I ended up where I did. I only remember 141 00:13:03,400 --> 00:13:08,360 Speaker 1: the nightmare. I hauled myself up off the ground, made 142 00:13:08,400 --> 00:13:12,000 Speaker 1: my way half conscious, to my car, and I drove myself, yes, 143 00:13:12,160 --> 00:13:17,960 Speaker 1: one handed, to the hospital for stitches. Of course, once 144 00:13:18,040 --> 00:13:19,760 Speaker 1: I was there, they wanted to know how I got cut. 145 00:13:20,600 --> 00:13:23,600 Speaker 1: I thought about lying. I slept on a rock, was 146 00:13:23,600 --> 00:13:26,360 Speaker 1: clumsy with a table saw. I got two confident pitting 147 00:13:26,360 --> 00:13:30,200 Speaker 1: an avocado. But I knew my blood was all over 148 00:13:30,360 --> 00:13:33,920 Speaker 1: Tyler's living room floor at this point, mixed with whatever 149 00:13:33,960 --> 00:13:37,280 Speaker 1: other blood was already there. If it didn't look like 150 00:13:37,320 --> 00:13:40,200 Speaker 1: a crime scene before I got there, it's sure as 151 00:13:40,240 --> 00:13:43,400 Speaker 1: hell did after. So I went ahead and I filed 152 00:13:43,440 --> 00:13:56,640 Speaker 1: the formal report. Julian, how are you doing? So? I 153 00:13:56,760 --> 00:13:59,240 Speaker 1: kept my recorder going when I went into the sheriff station, 154 00:14:00,000 --> 00:14:03,679 Speaker 1: where I was reunited with Sheriff Kirby Hooper. He looks 155 00:14:03,679 --> 00:14:07,960 Speaker 1: old now, pale, gaunt. Sure if I want to follow 156 00:14:07,960 --> 00:14:15,600 Speaker 1: a missing person support for Tyler Wilson. People disappear all 157 00:14:15,600 --> 00:14:19,320 Speaker 1: the time, Julian, what makes you think Tyler is missing? 158 00:14:19,880 --> 00:14:24,120 Speaker 1: Sides of the struggle at his house signs of a struggle. 159 00:14:24,560 --> 00:14:26,400 Speaker 1: I'm just telling you what I saw. It looked at 160 00:14:26,400 --> 00:14:28,080 Speaker 1: me like there had been a struggle. And what were 161 00:14:28,120 --> 00:14:30,840 Speaker 1: you doing in his house? Well, he invited me. Why 162 00:14:30,840 --> 00:14:33,400 Speaker 1: does anyone go to anyone's house. There's no need to 163 00:14:33,400 --> 00:14:36,840 Speaker 1: get defensive. I'm not. We just need to find him. 164 00:14:37,160 --> 00:14:41,320 Speaker 1: My job is to find answers. And if your friend 165 00:14:41,440 --> 00:14:45,360 Speaker 1: is missing, that brings up a lot of questions. Why 166 00:14:45,360 --> 00:14:47,280 Speaker 1: don't we start with you telling me what you know. 167 00:14:48,560 --> 00:14:53,040 Speaker 1: If memories served me correctly, you've been quite helpful and 168 00:14:53,160 --> 00:14:55,440 Speaker 1: giving me the answers that I needed in the past. 169 00:15:01,160 --> 00:15:05,600 Speaker 1: Sun bitch all but admitted to coersion, as if I'm 170 00:15:05,640 --> 00:15:08,320 Speaker 1: not already painfully fucking aware. If he had just come 171 00:15:08,360 --> 00:15:10,840 Speaker 1: out and said it, we would have probably had everything 172 00:15:10,920 --> 00:15:14,000 Speaker 1: we needed to get Finch off death Row. But he 173 00:15:14,080 --> 00:15:18,600 Speaker 1: knew better. Sheriff Hooper maybe a shit hell, but he's cautious, 174 00:15:19,400 --> 00:15:22,920 Speaker 1: unlike the rest of his boys and Brown. What happened 175 00:15:22,960 --> 00:15:25,480 Speaker 1: next was all a bit of a ship show man 176 00:15:25,480 --> 00:15:29,040 Speaker 1: of walks fine a stampede into Tyler's house, touching everything, 177 00:15:29,760 --> 00:15:32,680 Speaker 1: knocking shit over. If there was any evidence in there 178 00:15:32,720 --> 00:15:34,880 Speaker 1: as to what happened to Tyler, it was all immediately 179 00:15:34,920 --> 00:15:37,920 Speaker 1: tainted by idiot cops who had not been properly trained 180 00:15:38,040 --> 00:15:41,200 Speaker 1: on how to preserve a crime scene. One rookie officer 181 00:15:41,320 --> 00:15:43,240 Speaker 1: right out of high school. We even started cleaning up 182 00:15:43,240 --> 00:15:48,000 Speaker 1: the place. Or maybe it wasn't even stupidity, Maybe it 183 00:15:48,040 --> 00:15:50,920 Speaker 1: was just made to look like stupidity. I mean, it 184 00:15:51,000 --> 00:15:53,600 Speaker 1: wasn't exactly in Hooper's interest to take any action that 185 00:15:53,720 --> 00:15:59,440 Speaker 1: might reopen the Hadley murder case. Those cops did come 186 00:15:59,480 --> 00:16:04,280 Speaker 1: away with one interesting fund, however, No, I'm not really 187 00:16:04,280 --> 00:16:11,680 Speaker 1: sure how I feel about it yet. A necklace. The necklace, 188 00:16:13,120 --> 00:16:16,520 Speaker 1: a small cross a crucifix hanging from a silver chain 189 00:16:17,000 --> 00:16:19,560 Speaker 1: may not have seemed two odds your average passer by, 190 00:16:20,160 --> 00:16:23,600 Speaker 1: but to anyone who knew Tyler well, Tyler was an 191 00:16:23,600 --> 00:16:28,080 Speaker 1: outspoken atheist, probably the only one in Manuel County. That 192 00:16:28,240 --> 00:16:31,800 Speaker 1: cross didn't belong to him, but it did look awfully familiar. 193 00:16:31,840 --> 00:16:34,760 Speaker 1: In fact, anybody who has lived in the area long 194 00:16:34,840 --> 00:16:37,720 Speaker 1: enough would probably have recognized it, if not from the 195 00:16:37,760 --> 00:16:40,560 Speaker 1: gaudy chain, then from the initials edged into the back 196 00:16:40,600 --> 00:16:48,120 Speaker 1: of it. DH I remember that necklace. I used to 197 00:16:48,160 --> 00:16:51,040 Speaker 1: sit behind Deacon have the inphasicis class, and I remember 198 00:16:51,080 --> 00:16:54,600 Speaker 1: staring at that exact chain pressed into the pink, freckled 199 00:16:54,640 --> 00:16:57,960 Speaker 1: skin on the back of his neck. I remember thinking 200 00:16:58,000 --> 00:17:01,760 Speaker 1: it was ironic to someone who took such joy and 201 00:17:01,880 --> 00:17:05,000 Speaker 1: the torment of others flaunted a symbol of faith and 202 00:17:05,040 --> 00:17:09,200 Speaker 1: compassion so publicly. There was no doubt as to who 203 00:17:09,240 --> 00:17:12,119 Speaker 1: the neck was belonged to. There was no doubt it 204 00:17:12,160 --> 00:17:15,399 Speaker 1: was the infamous missing necklace. The Dully Tapper testified about 205 00:17:16,480 --> 00:17:21,840 Speaker 1: under oath and James Sincer's trial. Man, what did James 206 00:17:21,840 --> 00:17:31,359 Speaker 1: Spencer say to you that day? Well, Sir hey kind 207 00:17:31,359 --> 00:17:35,600 Speaker 1: of right about it, about knowing where they was at, 208 00:17:36,480 --> 00:17:42,360 Speaker 1: where who was that Thomas and Dickon Hadley? Sir said 209 00:17:42,400 --> 00:17:45,760 Speaker 1: he knew what had happened to them, and what did 210 00:17:45,800 --> 00:17:51,399 Speaker 1: he say happened to them? Said that it was for 211 00:17:51,520 --> 00:17:53,840 Speaker 1: him to know and for everyone else to find out, 212 00:17:55,240 --> 00:17:59,480 Speaker 1: said they would too find out. Sir Son, Enough he 213 00:17:59,560 --> 00:18:05,280 Speaker 1: said it, he said. And did you believe him, honestly, 214 00:18:06,760 --> 00:18:13,000 Speaker 1: not really until he showed me the cross. The cross. 215 00:18:13,880 --> 00:18:19,480 Speaker 1: It was the silver cross with Jesus crucified the one 216 00:18:19,560 --> 00:18:23,240 Speaker 1: Deacon always wore. Fincher dangles in front of me and says, 217 00:18:23,960 --> 00:18:26,879 Speaker 1: that's what happens when you mess with the Finchers and 218 00:18:26,960 --> 00:18:29,200 Speaker 1: tells me I'll end up saying if I don't leave him, 219 00:18:29,240 --> 00:18:34,280 Speaker 1: be his sister too. Says I better keep my mouth 220 00:18:34,280 --> 00:18:44,040 Speaker 1: shut too, or what go on, shoe, or he'd kill me. 221 00:18:48,880 --> 00:18:51,760 Speaker 1: They never proved the finch had Deacon's necklace. It was 222 00:18:51,800 --> 00:18:55,800 Speaker 1: never found, but the missing crucifix necklace received significant press 223 00:18:55,840 --> 00:19:00,560 Speaker 1: attention during the trial. So what the hell was the 224 00:19:00,640 --> 00:19:06,240 Speaker 1: silver necklace doing in Tyler's bathroom cabinet? Randomly, Tyler Wilson 225 00:19:06,280 --> 00:19:09,520 Speaker 1: goes missing and Deacon Hadley's cross is discovered in his 226 00:19:09,640 --> 00:19:15,440 Speaker 1: house less than a week before James Fincher's execution, being 227 00:19:15,480 --> 00:19:18,159 Speaker 1: the Duley Tapper was the cop that found it. Rumors 228 00:19:18,160 --> 00:19:21,520 Speaker 1: are already spreading faster than skunk wind. People around town 229 00:19:21,560 --> 00:19:32,439 Speaker 1: are speculating, and tensions are high. Well, just look at 230 00:19:32,440 --> 00:19:37,000 Speaker 1: this standing room only I get it. The town needs 231 00:19:37,000 --> 00:19:40,959 Speaker 1: somewhere to turn for answers, for comfort, and of course 232 00:19:41,720 --> 00:19:45,800 Speaker 1: Reverend Perkins has seized the opportunity. All right, all right, 233 00:19:45,880 --> 00:19:54,680 Speaker 1: y'all settling now, now I know why it's been so 234 00:19:54,720 --> 00:19:57,720 Speaker 1: long since some of you've been in here. And don't 235 00:19:57,760 --> 00:20:01,800 Speaker 1: you worry just because you wander the field, that doesn't 236 00:20:01,840 --> 00:20:05,720 Speaker 1: mean you've strayed from the flock. I know that God 237 00:20:05,760 --> 00:20:09,320 Speaker 1: knows that. But I also know why you've chosen to 238 00:20:09,359 --> 00:20:16,840 Speaker 1: come back today. It's because you're afraid, And of course 239 00:20:16,880 --> 00:20:22,600 Speaker 1: you are. Thomas and Deacon Hadley joined the Lord fourteen 240 00:20:22,680 --> 00:20:27,320 Speaker 1: years ago this past May. But the Lord truly does 241 00:20:27,359 --> 00:20:30,919 Speaker 1: work miracles, giving each and every one of us the 242 00:20:31,000 --> 00:20:35,800 Speaker 1: strength the power through him to carry on, to keep 243 00:20:35,840 --> 00:20:39,240 Speaker 1: the faith, to know that God is cradling those boys 244 00:20:39,240 --> 00:20:43,159 Speaker 1: in his kingdom, safe and sheltered from the debauchery and 245 00:20:43,400 --> 00:20:49,560 Speaker 1: sends of mankind on earth. But now now we are reminded, 246 00:20:49,840 --> 00:20:52,000 Speaker 1: and it's hard to not assume the worst, that the 247 00:20:52,119 --> 00:20:55,920 Speaker 1: devil has been living amongst us all this time. Well, 248 00:20:55,960 --> 00:20:59,640 Speaker 1: I have news for you. He has. He has been 249 00:20:59,760 --> 00:21:06,360 Speaker 1: living among us, and he is still here walking among us. 250 00:21:07,720 --> 00:21:11,760 Speaker 1: The Bible tells us be sober, be vigilant, because your adversary, 251 00:21:11,880 --> 00:21:15,520 Speaker 1: the Devil, as a roaring line, walketh about, seeking whom 252 00:21:15,520 --> 00:21:19,240 Speaker 1: he may devour. Now you say it to me, bot Reverend, 253 00:21:19,680 --> 00:21:22,440 Speaker 1: I thought we caught. The Devil's servant, James Fincher is 254 00:21:22,520 --> 00:21:24,920 Speaker 1: riding away on death road for murder. Into that. I say, 255 00:21:25,119 --> 00:21:29,760 Speaker 1: thank the Lord, But lo, even with James Fincher's execution 256 00:21:29,920 --> 00:21:32,880 Speaker 1: right around the corner, the devil has made his presence 257 00:21:32,960 --> 00:21:39,480 Speaker 1: known again. He has slithered into our midst intent on 258 00:21:39,640 --> 00:21:43,919 Speaker 1: causing further harm to our faithful community, sowing his seeds 259 00:21:43,920 --> 00:21:48,879 Speaker 1: of doubt and working to upend justice. The devil is cunning. 260 00:21:49,560 --> 00:21:53,000 Speaker 1: Here is a trickster. Are we so arrogant us to 261 00:21:53,040 --> 00:21:58,480 Speaker 1: believe he could not outsmart us? Consider with me, folks, 262 00:21:58,720 --> 00:22:03,920 Speaker 1: that someone was working behind James Fincher that night so 263 00:22:03,960 --> 00:22:09,240 Speaker 1: long ago, and consider that he may still be freely 264 00:22:09,280 --> 00:22:14,000 Speaker 1: walking amongst us. Because what is happening here and now 265 00:22:14,119 --> 00:22:18,600 Speaker 1: to our proud little town is the devil's work. You'd 266 00:22:18,640 --> 00:22:22,560 Speaker 1: better believe that is the devil's work, and you'll know 267 00:22:22,920 --> 00:22:32,040 Speaker 1: that the devil works hard. The town has lost its 268 00:22:32,119 --> 00:22:37,080 Speaker 1: collective shit after that sermon, an authority figure in the 269 00:22:37,119 --> 00:22:40,880 Speaker 1: community is now telling everyone outright to be afraid. He's 270 00:22:40,880 --> 00:22:43,600 Speaker 1: taken the vague suspicions that were swimming around in people's 271 00:22:43,600 --> 00:22:46,480 Speaker 1: heads and he's solidified them into the threat of a 272 00:22:46,600 --> 00:22:50,879 Speaker 1: killer on the loose in their own backyard. The boogeyman 273 00:22:51,040 --> 00:22:54,000 Speaker 1: is still out there. Folks. You could end up just 274 00:22:54,160 --> 00:22:58,840 Speaker 1: like those boys. You will end up just like those boys. 275 00:22:59,080 --> 00:23:04,040 Speaker 1: Repent your sins and pay the church. God will protect 276 00:23:04,080 --> 00:23:08,760 Speaker 1: you if you open your wallet and follow those in 277 00:23:08,840 --> 00:23:17,960 Speaker 1: power and the people. They're eating it up. Hooper isn't 278 00:23:17,960 --> 00:23:21,280 Speaker 1: going to object. Even in his heyday, he was always 279 00:23:21,280 --> 00:23:25,960 Speaker 1: in perkins pocket. But now Kirby Hooper is an old dog. 280 00:23:26,760 --> 00:23:29,000 Speaker 1: He doesn't have the stam not run two laps around 281 00:23:29,000 --> 00:23:31,119 Speaker 1: the sheriff station. Let a little track down a killer. 282 00:23:32,040 --> 00:23:34,800 Speaker 1: So why not let Reverend Perkins do the heavy lifting. 283 00:23:36,000 --> 00:23:38,399 Speaker 1: If Perkins can scare up the town good enough, convince 284 00:23:38,440 --> 00:23:41,600 Speaker 1: them to start thinking irrationally pointing fingers at one another, 285 00:23:41,600 --> 00:23:44,400 Speaker 1: well Hooper can do exactly like he did with James Fincher, 286 00:23:45,520 --> 00:23:48,399 Speaker 1: sit back and wait for the town to tell him 287 00:23:48,400 --> 00:23:51,960 Speaker 1: who to put away. No actual detective work needed. Hell, 288 00:23:52,040 --> 00:23:55,639 Speaker 1: this whole thing is a blessing Hooper's approvable rate and 289 00:23:55,640 --> 00:23:58,400 Speaker 1: will go through the roof. Come next election, he'll rake 290 00:23:58,480 --> 00:24:02,560 Speaker 1: in the dough. I'll sit him back, getting fatter work 291 00:24:02,560 --> 00:24:15,159 Speaker 1: in the system at its finest. New message in the 292 00:24:15,200 --> 00:24:19,040 Speaker 1: team in spak Spotsville posts. I want to let you 293 00:24:19,080 --> 00:24:21,840 Speaker 1: know we are running a piece on the Tyler Wilson 294 00:24:21,840 --> 00:24:25,520 Speaker 1: investigation as a sidebar to the Fincher execution story. I 295 00:24:25,680 --> 00:24:28,399 Speaker 1: understand you were the last one to visit Tyler before 296 00:24:28,560 --> 00:24:32,959 Speaker 1: his disappearance. I think they're calling it anyway. I just 297 00:24:32,960 --> 00:24:35,119 Speaker 1: wanted to let you know that we are mentioning you, 298 00:24:35,320 --> 00:24:38,320 Speaker 1: and we'd like to include any comments that you'd like 299 00:24:38,400 --> 00:24:41,000 Speaker 1: to put in there as well. So, yeah, just get 300 00:24:41,040 --> 00:24:43,680 Speaker 1: back to me when you can. Oh. Yeah. In the meantime, 301 00:24:43,920 --> 00:24:46,119 Speaker 1: I'm still working on that interview tape you asked from me, 302 00:24:46,760 --> 00:24:51,120 Speaker 1: you know, the one with a detective Smith. Message. Next message, 303 00:24:51,280 --> 00:24:56,719 Speaker 1: send through, next message, send Julian. I'll have Joe Campbell 304 00:24:56,760 --> 00:24:58,879 Speaker 1: and our journing this to Rank coming over to night 305 00:24:58,960 --> 00:25:01,560 Speaker 1: at seven, thanking that for you, to her invest of 306 00:25:01,640 --> 00:25:10,240 Speaker 1: you that just need only back Dina Fincher. She's small, 307 00:25:10,600 --> 00:25:12,879 Speaker 1: but you couldn't pay me to get on her bad side. 308 00:25:13,800 --> 00:25:16,080 Speaker 1: She's got a fire in her that burns hotter than 309 00:25:16,200 --> 00:25:19,240 Speaker 1: any hell Perkins could dream of. So when she says 310 00:25:19,280 --> 00:25:22,520 Speaker 1: to call her right back, you do. We met up 311 00:25:22,520 --> 00:25:24,840 Speaker 1: about an hour after she left that message back at 312 00:25:24,840 --> 00:25:30,200 Speaker 1: her house. Problem is, by the time I got there, 313 00:25:30,240 --> 00:25:36,879 Speaker 1: I was hard to be coming unstable again. Well you 314 00:25:36,880 --> 00:25:40,560 Speaker 1: don't look so hot, Julian, just saying I've had better weeks. 315 00:25:41,080 --> 00:25:43,880 Speaker 1: How are you holding up? DNA? Well? Between them putting 316 00:25:43,880 --> 00:25:46,000 Speaker 1: me back on the graveyard shift at work, A sick 317 00:25:46,040 --> 00:25:48,360 Speaker 1: dog who's vet bills I can't afford. Am I delinquents 318 00:25:48,400 --> 00:25:51,360 Speaker 1: on sneaking out every night while I'm working. Just lovely, 319 00:25:51,880 --> 00:25:54,600 Speaker 1: but frankly, Julian, just how my disposition is situated right 320 00:25:54,720 --> 00:25:57,320 Speaker 1: now don't matter. The only thing that matters is saving 321 00:25:57,359 --> 00:25:59,760 Speaker 1: my brother's life. You feel me? Oh, yeah, of course 322 00:25:59,760 --> 00:26:05,240 Speaker 1: I don't. I'm okay, thanks, How about you, Jill, No, 323 00:26:05,359 --> 00:26:08,000 Speaker 1: I'm fine. Thanks. I'm just gonna set this on the 324 00:26:08,040 --> 00:26:12,320 Speaker 1: table if that's okay. Come on, and mister le Blanc. 325 00:26:12,520 --> 00:26:16,760 Speaker 1: This is Julian Sollas. Oh, this is Julian Good. I 326 00:26:16,800 --> 00:26:19,160 Speaker 1: was hoping you've been joining us today. Well, when data 327 00:26:19,200 --> 00:26:22,080 Speaker 1: Fitcher calls you pick up, I'm glad you decided to 328 00:26:22,160 --> 00:26:26,119 Speaker 1: officially join our defense team. Whatever you need you just 329 00:26:26,200 --> 00:26:28,960 Speaker 1: let me know. Well, we needed your signature. I've already 330 00:26:28,960 --> 00:26:31,640 Speaker 1: prepared a let her on your bath. I'm abound legal 331 00:26:31,640 --> 00:26:33,680 Speaker 1: a little let you know that the language here has suggested, 332 00:26:33,840 --> 00:26:35,280 Speaker 1: so take a minute and read it over. But if 333 00:26:35,280 --> 00:26:38,120 Speaker 1: you can sign him, yeah, sure of course, I'm happy 334 00:26:38,119 --> 00:26:41,200 Speaker 1: to make any edits. Dina, do you ever print it? No? 335 00:26:42,840 --> 00:26:44,439 Speaker 1: All right, that's okay. I have won in the car 336 00:26:44,720 --> 00:26:48,000 Speaker 1: ed le Blanc, a tall, tired looking man in his sixties, 337 00:26:48,400 --> 00:26:50,960 Speaker 1: long gray hair, white shirt and a well worn linen 338 00:26:51,080 --> 00:26:54,720 Speaker 1: suit like a southern William Kunstler. The plan was to 339 00:26:54,760 --> 00:26:57,800 Speaker 1: petition a higher court to intervene and hopefully order the 340 00:26:57,840 --> 00:27:00,719 Speaker 1: lower court or maybe man, I'll walk how any district 341 00:27:00,720 --> 00:27:04,320 Speaker 1: attorney to review James Sentcher's case on the grounds that 342 00:27:04,359 --> 00:27:09,240 Speaker 1: the key witnesses testimony have been coerced. That key witness 343 00:27:10,480 --> 00:27:13,760 Speaker 1: it was me. I had to publicly state that my 344 00:27:13,880 --> 00:27:19,200 Speaker 1: deposition fourteen years ago was false. Junior. You okay, yeah, 345 00:27:19,240 --> 00:27:22,040 Speaker 1: I just can I can I get that water? Jimmy 346 00:27:22,040 --> 00:27:25,200 Speaker 1: can get it, Jimmy, Dina? Has the press reached out 347 00:27:25,720 --> 00:27:29,080 Speaker 1: just the usual stuff, But nothing about this Tyler Wilson business. 348 00:27:29,960 --> 00:27:33,640 Speaker 1: No what Tyler Wilson business. Julian hasn't told you? Yeah, 349 00:27:33,680 --> 00:27:39,199 Speaker 1: I just got here, actually told me what. Well. I 350 00:27:39,280 --> 00:27:42,400 Speaker 1: went out to visit Tyler at his place. But when 351 00:27:42,440 --> 00:27:45,119 Speaker 1: I got there, it was all smashed up, looks like 352 00:27:45,160 --> 00:27:48,359 Speaker 1: a forced entry, and Tyler was nowhere to be found. 353 00:27:49,280 --> 00:27:51,960 Speaker 1: I reported it looks like it may have been found. 354 00:27:52,000 --> 00:27:54,159 Speaker 1: Play what's this got to do with my brother? The 355 00:27:54,240 --> 00:27:57,399 Speaker 1: Sheriff's office came out to Tyler's home to investigate, and 356 00:27:57,480 --> 00:28:01,200 Speaker 1: they found the necklace. What necklace? The one that belonged 357 00:28:01,200 --> 00:28:09,800 Speaker 1: to Deacon Hadley silver crucifix? Yes, the one they never found. Yeah, 358 00:28:10,240 --> 00:28:16,640 Speaker 1: I'm familiar. So what's this all mean? Well, it might 359 00:28:16,680 --> 00:28:19,480 Speaker 1: be enough to throw James's criminal trial and question which 360 00:28:19,480 --> 00:28:22,840 Speaker 1: could trigger a postponement of the execution. Seriously, we can 361 00:28:22,840 --> 00:28:26,160 Speaker 1: file a claim of new evidence. What does that do? Exactly? 362 00:28:26,359 --> 00:28:29,040 Speaker 1: Law allows any individual convicted of a crime to move 363 00:28:29,080 --> 00:28:31,600 Speaker 1: the court to overturn their sentence based upon a claim 364 00:28:31,600 --> 00:28:34,000 Speaker 1: of newly discovered evidence. So if we can argue that 365 00:28:34,040 --> 00:28:38,120 Speaker 1: the necklace clearly points to Tyler Wilson, it raises new questions. 366 00:28:38,160 --> 00:28:41,479 Speaker 1: It certainly creates reasonable doubt about james guilt or if 367 00:28:41,480 --> 00:28:45,240 Speaker 1: he acted alone. But it's not Wait a minute, you 368 00:28:45,240 --> 00:28:47,720 Speaker 1: don't think Tyler really did it, though, do you? Well, 369 00:28:47,760 --> 00:28:50,520 Speaker 1: somebody sure as hell did. Yeah, but his house was 370 00:28:50,560 --> 00:28:55,000 Speaker 1: all smashed up, there was blood everywhere. Something happened to Tyler. 371 00:28:55,240 --> 00:28:57,880 Speaker 1: What happened to him is irrelevant far as I'm concerned. 372 00:28:58,360 --> 00:29:00,480 Speaker 1: Is how much responsibility he asked for all this? And 373 00:29:00,520 --> 00:29:03,720 Speaker 1: he ain't here to rebut anything, so it can't be serious. 374 00:29:04,040 --> 00:29:07,480 Speaker 1: Deacon Hadley's necklace was found in his house. That's evidence, 375 00:29:07,600 --> 00:29:10,080 Speaker 1: evidence of what? Why the hell else did he get 376 00:29:10,120 --> 00:29:12,720 Speaker 1: that necklace? Julian, There's any number of ways that he 377 00:29:12,800 --> 00:29:15,320 Speaker 1: could ed it up at Tyler's house. And what kind 378 00:29:15,360 --> 00:29:18,480 Speaker 1: of person keeps some kind of things anyway, I'll tell 379 00:29:18,480 --> 00:29:23,560 Speaker 1: you what parents and murderers. Suddenly it's now on me, 380 00:29:24,040 --> 00:29:27,280 Speaker 1: on my shoulders to implicate Tyler in an effort to 381 00:29:27,320 --> 00:29:30,320 Speaker 1: save Finch, like I have to choose between the two. 382 00:29:31,240 --> 00:29:34,000 Speaker 1: I can correct the thing that triggered all of myself 383 00:29:34,120 --> 00:29:38,479 Speaker 1: loathing and bad decisions that the past fourteen years has wrought, 384 00:29:38,720 --> 00:29:41,880 Speaker 1: but only if I start the process over again by 385 00:29:41,960 --> 00:29:45,600 Speaker 1: doing now exactly what I did, then point at an 386 00:29:45,600 --> 00:29:50,440 Speaker 1: innocent man and call him guilty. There's no relief from 387 00:29:50,480 --> 00:29:54,960 Speaker 1: my past. It's just an opportunity for me to repeat it. 388 00:29:55,480 --> 00:29:57,680 Speaker 1: I never end in a loop of ruining lives and 389 00:29:57,760 --> 00:30:01,880 Speaker 1: in doing so, destroying my own. Sitting there in Diana's 390 00:30:01,920 --> 00:30:05,880 Speaker 1: living room. I was trapped. Just hold on a minute. 391 00:30:05,960 --> 00:30:10,920 Speaker 1: I couldn't breathe. How do you know that someone didn't 392 00:30:10,920 --> 00:30:14,280 Speaker 1: plant it, Julie Tapper or somebody could have broken and 393 00:30:14,360 --> 00:30:17,640 Speaker 1: knocked him out or whatever the planted the necklace before 394 00:30:17,680 --> 00:30:21,000 Speaker 1: taking him wherever they took him. Seriously, Julian, what if 395 00:30:21,040 --> 00:30:24,040 Speaker 1: it's true? What if me showing back up in town, 396 00:30:24,160 --> 00:30:27,360 Speaker 1: poking around and the ship made somebody nervous? What if 397 00:30:27,920 --> 00:30:31,000 Speaker 1: that person needed to find a scapegoat? Can I please? 398 00:30:31,800 --> 00:30:35,160 Speaker 1: Can I please gets the water? June? If something else though, 399 00:30:35,280 --> 00:30:38,680 Speaker 1: Julian Tyler was seen on Friday, good morning after you 400 00:30:38,720 --> 00:30:43,120 Speaker 1: went to his place where Riverbend Maximum Security Institution in 401 00:30:43,240 --> 00:30:46,920 Speaker 1: Nashville apparently paid a visit to James. We don't know where. 402 00:30:48,840 --> 00:30:51,280 Speaker 1: And this time it was like the fog waited until 403 00:30:51,320 --> 00:30:54,160 Speaker 1: I was in a room with other people, like it 404 00:30:54,400 --> 00:30:59,080 Speaker 1: knew we had important business to attend to, like some 405 00:30:59,160 --> 00:31:02,080 Speaker 1: invisible hand, and it was choking the life out of me, 406 00:31:03,520 --> 00:31:05,480 Speaker 1: so I wouldn't be able to do what I was 407 00:31:05,640 --> 00:31:09,000 Speaker 1: there to do, what I was in mana walk, to 408 00:31:09,080 --> 00:31:11,240 Speaker 1: do what I had spent the last half of my 409 00:31:11,320 --> 00:31:16,719 Speaker 1: life needing to do. I was sweating, my vision was swimming, 410 00:31:16,720 --> 00:31:19,640 Speaker 1: and my heart rate was through the roof, and it 411 00:31:19,720 --> 00:31:23,200 Speaker 1: was all overshadowed by this impendent sense of doom. I'm sorry, 412 00:31:23,200 --> 00:31:25,400 Speaker 1: I don't know if I can do this right now. Well, 413 00:31:25,400 --> 00:31:27,000 Speaker 1: when the hell did you want to do it, Julian, 414 00:31:27,080 --> 00:31:30,959 Speaker 1: After my brother's murdered by the same Hold on a minute, Jimmy, 415 00:31:31,880 --> 00:31:35,720 Speaker 1: I felt like somebody had sucked all the air out 416 00:31:35,720 --> 00:31:47,040 Speaker 1: of me. But then I got worse. Here you go, Julie, 417 00:31:47,760 --> 00:31:53,560 Speaker 1: What it wasn't Jimmy walked into the room. It was Tyler, 418 00:31:54,800 --> 00:31:56,800 Speaker 1: casual as you please, and he handed me a glass 419 00:31:56,840 --> 00:31:59,560 Speaker 1: of water. Man, it's a good thing you didn't show 420 00:31:59,600 --> 00:32:05,160 Speaker 1: up in my how things sooner and you did. I 421 00:32:05,240 --> 00:32:07,560 Speaker 1: turned to look back at the other people at the table. 422 00:32:08,360 --> 00:32:12,320 Speaker 1: They weren't there either, but in their places at Finch 423 00:32:13,080 --> 00:32:15,880 Speaker 1: at the head of the table where Dina was supposed 424 00:32:15,920 --> 00:32:19,200 Speaker 1: to be, and Jill and le Blanc were replaced by 425 00:32:19,320 --> 00:32:24,520 Speaker 1: none other, and Deacon and Thomas had people themselves in 426 00:32:24,720 --> 00:32:32,320 Speaker 1: all of their bloody, eviscerated, glory, rotten and disavowed, smiling wide, 427 00:32:33,280 --> 00:32:38,200 Speaker 1: some of their teeth still attacked. The gag was tall there, 428 00:32:42,880 --> 00:33:02,840 Speaker 1: and that was it. I passed out, Julian, God, damn it, Julians. 429 00:33:03,680 --> 00:33:07,080 Speaker 1: What's wrong with them? Jimmy out? Do you see him drop? Onder? 430 00:33:07,160 --> 00:33:09,680 Speaker 1: What happened to him? Must be me? Get out? Now? 431 00:33:09,760 --> 00:33:18,520 Speaker 1: Should I call an ambulance? Look, he's awake. What Julian, 432 00:33:18,600 --> 00:33:34,880 Speaker 1: You're back with us now, Julian? Who I think? Damn Julian, Julian, 433 00:33:35,040 --> 00:33:39,240 Speaker 1: where are you going? Julian? I don't think it's a 434 00:33:39,280 --> 00:34:02,480 Speaker 1: good idea to go anywhere, Julian, Julian getting up. I 435 00:34:02,680 --> 00:34:06,880 Speaker 1: remember walking out of Dana's house. I don't know how 436 00:34:06,920 --> 00:34:14,680 Speaker 1: I got here. It's just it's too much, the process, 437 00:34:15,840 --> 00:34:18,719 Speaker 1: it's too much. I can't hold it all in my 438 00:34:18,760 --> 00:34:24,680 Speaker 1: head anymore. I'm slipping farther and farther, losing bigger chunks 439 00:34:25,080 --> 00:34:29,680 Speaker 1: of time between my sleep deprivation and these blackouts. My 440 00:34:29,719 --> 00:34:36,160 Speaker 1: brains all twisted and stuttering. I can't get my thoughts 441 00:34:36,160 --> 00:35:01,319 Speaker 1: out right. Jesus, Hello, all from the river bends backs 442 00:35:01,320 --> 00:35:05,960 Speaker 1: an am security institution where you as the charges. Yes, 443 00:35:06,920 --> 00:35:10,319 Speaker 1: this call will be recorded and manatured. Please stand by 444 00:35:20,120 --> 00:35:30,480 Speaker 1: and Julia, Hey Finch, Yeah, it's me. I needed to 445 00:35:30,520 --> 00:35:37,960 Speaker 1: compe me. I donna have my time. Man mean again, 446 00:35:50,560 --> 00:36:24,160 Speaker 1: m Hm, The Ghost and The Dancing The Manoel Caves 447 00:36:24,280 --> 00:36:28,680 Speaker 1: stars Jonathan Tucker as Julian Salis, Eddie Gaffeggy as James Fincher, 448 00:36:29,440 --> 00:36:33,400 Speaker 1: Clark Peters as Detective Solomon Smith, Nick Sercy as Sheriff 449 00:36:33,480 --> 00:36:38,080 Speaker 1: Kirby Hooper, Justin Wellborn as Tyler Wilson, Jill Jane Clements 450 00:36:38,080 --> 00:36:42,760 Speaker 1: as Jill Campbell, Brad Carter as Dooley Tappard, Scott Poythress 451 00:36:42,800 --> 00:36:47,560 Speaker 1: as Reverend Perkins, Samantha Ashley as Deana Fincher, Justin Matthews 452 00:36:47,600 --> 00:36:52,080 Speaker 1: Smith as Paul Salace, Tara Oakes as Laura Salis, Jonathan 453 00:36:52,120 --> 00:36:57,200 Speaker 1: Horn as Deacon Hadley, Alden Kronovitch as Thomas Hadley, Mike 454 00:36:57,400 --> 00:37:01,880 Speaker 1: w Anderson as Griff Washington, Bodie Walter Roth as Jimmy Fincher, 455 00:37:02,360 --> 00:37:06,320 Speaker 1: Brian McClure as Ian Spinks, Larry Clark as Bobby Hadley, 456 00:37:06,640 --> 00:37:10,560 Speaker 1: Paydon Fallis as ed le Blanc, Vic Polisis as William Fowler, 457 00:37:10,880 --> 00:37:15,760 Speaker 1: Nick Dakosky as Richard Rydell, and Aileen Loy as The Darkness, 458 00:37:16,239 --> 00:37:20,840 Speaker 1: with additional performances by Clint mc gowan, Dina Dill, Edward Howard, 459 00:37:21,200 --> 00:37:27,760 Speaker 1: Henry Foster, Brown, Jamie Joseph, Juan Monsalvez, Christopher Curry, Bailey Hyneman, 460 00:37:28,160 --> 00:37:33,160 Speaker 1: David Mitchell, and Bernard Sataro Clark Created by Connel Byrne 461 00:37:33,200 --> 00:37:37,080 Speaker 1: and Dan Bush. Written by Dan Bush, Zoe Cooper and 462 00:37:37,239 --> 00:37:42,040 Speaker 1: Nicholas Dakoski featuring our theme song Killer Inside, written produced 463 00:37:42,040 --> 00:37:46,400 Speaker 1: and performed by Lear Lynn. Our executive producers are Matt Frederick, 464 00:37:46,760 --> 00:37:52,160 Speaker 1: Alexander Williams, Michael Monte, and Courtney Dufrees. Our executive producers 465 00:37:52,160 --> 00:37:56,640 Speaker 1: at Blumhouse Television are Jeremy Gold, Chris Dickey, and Noah Feinberg. 466 00:37:57,440 --> 00:38:01,919 Speaker 1: Produced by Dan Bush, Music by Ben Lovett, Additional music 467 00:38:01,960 --> 00:38:06,560 Speaker 1: by Alexander Rodriguez, edited by Dan Bush, Chris Childs, Stephen 468 00:38:06,600 --> 00:38:11,520 Speaker 1: Perez and David Chen. Sound design by Benjamin Malcolm. Additional 469 00:38:11,560 --> 00:38:15,240 Speaker 1: sound designed by Alexander Rodriguez. Dialogue editing and sound mixing 470 00:38:15,280 --> 00:38:19,080 Speaker 1: by Juan Campus recorded at Studio Awesome in Los Angeles, 471 00:38:19,520 --> 00:38:24,040 Speaker 1: Soundbyte Studio in Atlanta and Echo Mountain in Asheville. Casting 472 00:38:24,040 --> 00:38:27,160 Speaker 1: by Sunday Bowling, Kennedy and Meg Mormon. Our dialect coach 473 00:38:27,239 --> 00:38:31,880 Speaker 1: is Linda Basseesti Assistant director Michael Monty, second assistant director, 474 00:38:32,040 --> 00:38:37,840 Speaker 1: script supervisor and production Coordinator Sarah Klein, Supervising producer Josh Thine. 475 00:38:38,600 --> 00:38:42,040 Speaker 1: Special thanks to Mary Ellen and Jason Davis, Jonathan Deeter, 476 00:38:42,400 --> 00:38:46,200 Speaker 1: and Joe Rickman. The Manoel Caves is a production of iHeartRadio, 477 00:38:46,560 --> 00:39:18,160 Speaker 1: Blumhouse Television, and Psycopia Pictures.