WEBVTT - QLS Classic: Deon Cole

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<v Speaker 1>Of Course Love Supreme is a production of I Heart Radio.

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<v Speaker 1>This classic episode was produced by the team at Pandora.

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<v Speaker 1>What Up, y'all, It's like yeah, And this week's q

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<v Speaker 1>l S classic guests is actor, writer, and comedian Dion Cole.

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<v Speaker 1>Listen as he talks about black is, the art of

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<v Speaker 1>the Stolen joke and his time writing for Conan and

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<v Speaker 1>a Tonight Show. You don't want to miss this one.

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<v Speaker 1>Oh that's right, you already did, so catch up. This

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<v Speaker 1>episode originally released September twentie s. Roll Call Supremo, roll

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<v Speaker 1>Call sum roll Call roll is here. Yeah, I won't

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<v Speaker 1>steer you wrong. Yeah. When you cook my right some beans? Yeah,

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<v Speaker 1>the radio better be on. Frema roll call, Frima Prima

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<v Speaker 1>roll Call. My name is Fonte. Watch how I kick it? Yeah? Hey,

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<v Speaker 1>what's up? White girl? Yeah? I got your mere ticket

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<v Speaker 1>Roma Frema roll my name is Sugar. Yeah with the uncle. Yeah,

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<v Speaker 1>full disclosure. Yeah, just smoked a big boy rolla roll call.

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<v Speaker 1>I'm unpaid bill. Yeah, and times is tough. Yeah, what

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<v Speaker 1>has a big dick? Yeah? And hangs up. Roll Call

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<v Speaker 1>Sua Suprema roll Call. It's like with the plan, better

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<v Speaker 1>watch out, Dion. Yeah, I love me some Diane call.

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<v Speaker 1>My name is de yeah, and I'm with y'all. Yeah,

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<v Speaker 1>I don't rhyme much. Yeah, but who knows that? So

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<v Speaker 1>roll call roll hold it, Ladies and gentlemen, check out

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<v Speaker 1>unpaid Bill trying to flex on us. Like of all

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<v Speaker 1>your roll call versus, I thought that was so perfect.

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<v Speaker 1>It was that I felt like you were doing it

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<v Speaker 1>despite us, because you know that we always judge you

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<v Speaker 1>for not being on subject whoever the guest is. But

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<v Speaker 1>I was on subject today. That's amazing, Ladies and gentlemen.

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<v Speaker 1>This is Love Supreme only on Pandora. Welcoming you guys.

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<v Speaker 1>I'm here with teams Supreme, Sigo, Sugar, Steve Equal. It's

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<v Speaker 1>gonna fall out this one over here. Let's just finished

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<v Speaker 1>right now and played through the pain. Okay, but I'm

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<v Speaker 1>paid Bill with his relevant verses, so relevant, and it's

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<v Speaker 1>like you name, it's we found it. It's not it's version.

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<v Speaker 1>You know, it's like my name. We're saying your new

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<v Speaker 1>name on the show is n you know what's funny.

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<v Speaker 1>I wasn't like, I'll take it. It's a upgrade. No,

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<v Speaker 1>it's like a right, Yeah, I try that once would

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<v Speaker 1>come on from the roots. It was gonna be It's Jimmy,

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<v Speaker 1>but then he became fake Muslims, so then you know

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<v Speaker 1>they were Yeah, that was just name James. Great anyway,

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<v Speaker 1>ladies and gentlemen, Uh, we are honored today to have

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<v Speaker 1>our guests. I have to say that full disclosure. Uh,

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<v Speaker 1>this is this was a surprise. Uh for a lot

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<v Speaker 1>of us. Happy is a welcome surprise. But we're very

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<v Speaker 1>welcome surprise. Because I wanted to let you know that

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<v Speaker 1>your your your Netflix half hour special on the Stand

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<v Speaker 1>Ups is one of my favorite things ever. Your your

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<v Speaker 1>history with Conan. I'm a Conan fan, and you know

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<v Speaker 1>all the things you you were actually writing on the

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<v Speaker 1>tonight show. We were in there. But ladies and gentlemen,

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<v Speaker 1>please from Blackish, from Angie Tribeca. Uh, one of my

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<v Speaker 1>favorite comedians. This is Dion Cole right now, blown away

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<v Speaker 1>right now. We're fans were great man, fans of OD.

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<v Speaker 1>This is great man. I thought Dean Sanders was coming.

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<v Speaker 1>I was gonna say, part of me was going to

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<v Speaker 1>is he gonna do it? Must be the money reference.

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<v Speaker 1>I gotta I gotta let him know, man school, you

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<v Speaker 1>know it's yeah, sorry for doing how you doing today. Man,

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<v Speaker 1>I'm man, I'm good man. Just got off works. Was

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<v Speaker 1>about to say, you literally came from the set. Yeah,

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<v Speaker 1>we're shooting Black its man. This is season four, Yeah,

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<v Speaker 1>the season four. Yeah, so I just left to say,

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<v Speaker 1>come on, came on over here, man, you're shooting the

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<v Speaker 1>first episode of the season. We're actually on episode four. Okay, yeah,

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<v Speaker 1>studying five. We just got the disclosure were I believe

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<v Speaker 1>that the roots are involved in the premier episode, slavery.

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<v Speaker 1>It's us Yeah, to say that with such alacrity clarity,

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<v Speaker 1>you know, slavery sitting on the porch. You know that

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<v Speaker 1>makes sense. Okay, yeah, we once words. Thank you. It's

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<v Speaker 1>it's drade. Everybody celebrate. Yea. So what is well? I

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<v Speaker 1>want to know about your your your routine with Black

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<v Speaker 1>is which you know I feel? Is it almost blasphemous

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<v Speaker 1>for me to say that I feel that this is

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<v Speaker 1>the show is just as important? Uh cosby show go ahead?

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<v Speaker 1>Can I say that? I think you can. I would

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<v Speaker 1>even say it's more no no, no no, no, no no, that

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<v Speaker 1>we only got deep with like the joint episode. It

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<v Speaker 1>was a different no, it was a different time and

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<v Speaker 1>and cos was important. But I think the thing with Cosby.

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<v Speaker 1>The different between Cosby and Blackish, and that I see

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<v Speaker 1>is that Cosby Show was a show that could have

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<v Speaker 1>been about any family, you know what I'm saying. They

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<v Speaker 1>could have been white, they could have been whatever. But

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<v Speaker 1>Blackish is specifically about a black family, you know what

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<v Speaker 1>I mean. And to me, that makes a huge difference.

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<v Speaker 1>And I see it in the characters. I mean, my

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<v Speaker 1>kids watch the show and they love it, and they

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<v Speaker 1>can it's it's very different. It's very different. Well, I

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<v Speaker 1>love it, you know, and I was afraid to say that.

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<v Speaker 1>I've felt that it was not only as important, but

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<v Speaker 1>probably more important, more relevant to this generation than way

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<v Speaker 1>more relevant y'all say, more free. So that's a great advantage, think, yeah,

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<v Speaker 1>I mean, I think you know this day and time.

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<v Speaker 1>I mean, I think with the Cosby Show, it was

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<v Speaker 1>the fact that we had a black family with good jobs,

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<v Speaker 1>whole family like that was important to see that, like

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<v Speaker 1>I think, and for that to be a pioneer show

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<v Speaker 1>like that, that's what made that great, I mean important.

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<v Speaker 1>I guess you could say we're following the same footsteps,

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<v Speaker 1>but I think we tackle harder issues and more relevant

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<v Speaker 1>issues that apply to everybody today. Y'all talked to the audience.

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<v Speaker 1>I think, yeah, y'all like the whole the scene with

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<v Speaker 1>Anthony would Um the Obama where he talked about, you know,

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<v Speaker 1>seeing Obama and everybody was every black person was nervous,

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<v Speaker 1>Like that was real, this conversation at work. Oh yeah, yeah, yeah, absolutely.

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<v Speaker 1>But it's important to show both sides too, you know,

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<v Speaker 1>not just short from my perspective, that's I think that's

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<v Speaker 1>important with what we do to we also show, you know,

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<v Speaker 1>a chick who voted for Trump and why she voted

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<v Speaker 1>for him, you know, in order for people to get

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<v Speaker 1>clarity on you know why, you know, people feel as

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<v Speaker 1>though that was the way to go, you know, as

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<v Speaker 1>far as voting this concern. So how long have you

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<v Speaker 1>been doing comedy about this? October would be twenty four,

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<v Speaker 1>twenty five years. What, Yeah, she started back like nine.

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<v Speaker 1>Where were you born? Chicago? I'm from Chico. Still stay there, yeah,

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<v Speaker 1>still yeah. When I ain't filming, I'm always back home.

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<v Speaker 1>I just left home. I just left home last weekend.

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<v Speaker 1>We did a big benefit with Chance. He did like

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<v Speaker 1>thirty thousand backpacks with supplies to kids and you know, right,

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<v Speaker 1>yeah getting there. So yeah, I'm always there. Man, I

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<v Speaker 1>was trying to be as active as posible. So I

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<v Speaker 1>know that Chicago is, uh, it is a big city

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<v Speaker 1>for comedy because I know that at least of the

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<v Speaker 1>SNL alumni or whatnot comes through I guess the Second

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<v Speaker 1>City out there absolutely, So did you have to get

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<v Speaker 1>into that fraternity too? Well? Now, because it different for

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<v Speaker 1>black comedians because I don't hear much of black comedians

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<v Speaker 1>going through the Groundlings or no they don't. I mean

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<v Speaker 1>because it's it's a it's a north Side thing in

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<v Speaker 1>the south Side thing. That's that's more like north Side.

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<v Speaker 1>A lot of South Side comics. They come up the

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<v Speaker 1>ranks just doing bars and whatever clubs that they can

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<v Speaker 1>or whatever. But we fortunately had the opportunity to go

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<v Speaker 1>through Second City. But we created our own skets troop

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<v Speaker 1>call Forgotten City, and we used to perform. Yeah, basically

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<v Speaker 1>because is there a politic game going on in there?

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<v Speaker 1>I mean, I'm well, honestly, to be real with you,

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<v Speaker 1>I think it's just a lot of cats couldn't afford

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<v Speaker 1>those classes and they couldn't afford to get in there.

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<v Speaker 1>So that's a school. Yeah, at the PA, all of

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<v Speaker 1>those kind of places out of those classes running like,

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<v Speaker 1>what's I can tell you because I'm broken I paid

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<v Speaker 1>for Yes, I've done like that's why she's so funny. Yeah,

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<v Speaker 1>like it like a good three hundred dollars or something

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<v Speaker 1>like that. You see what's it called out here? You? Yeah? Wait,

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<v Speaker 1>this is a muppet newsplash. I'm not saying that studios.

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<v Speaker 1>So you really fit Philly improv? Really? I mean how

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<v Speaker 1>long it was? It's a program, so it was like

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<v Speaker 1>two months. I'm kind of improv theater group too. We

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<v Speaker 1>performed at Relish out in Philly at the eating place.

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<v Speaker 1>Yet still to baking. I'm not doing when I'm not

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<v Speaker 1>doing question Love Sapareme, I'm working on comedy and writing. Yes,

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<v Speaker 1>I did not know this. It's dope. Yeah, I posted

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<v Speaker 1>all the time. Well I don't be reading talking at you. Well,

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<v Speaker 1>I don't read question. Yeah, I don't be reading. However,

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<v Speaker 1>this is one of the first shows of our second season,

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<v Speaker 1>and I'm shocked that you haven't said that to you. Well, no,

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<v Speaker 1>I haven't really pimped that fact. With all the comedians

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<v Speaker 1>that we had on Funny, I think what we had

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<v Speaker 1>we had Gerard Carmichael on it, who was the other

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<v Speaker 1>comedian that we had Chris Rock. I made a couple

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<v Speaker 1>of references and y'all shot me down real fast. I didn't.

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<v Speaker 1>I was very serious, and I was like, oh, I

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<v Speaker 1>started sweating and getting nervous, like, oh shit, he just

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<v Speaker 1>shot down my whole dream. I'm out here taking classes

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<v Speaker 1>doing flappers and ship Okay. So as a person that's

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<v Speaker 1>that's been in the system. So as a person that's

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<v Speaker 1>been in the system, and you know, I don't I

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<v Speaker 1>don't know if you consider it thriving or just a

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<v Speaker 1>continuing journey. But I mean you you've been on Conan's

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<v Speaker 1>writing staff and that sort of thing, so you utilize

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<v Speaker 1>the education that you got to get to that position.

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<v Speaker 1>And like, as a person searching, so what is the

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<v Speaker 1>how does one even get into that world? Okay? First

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<v Speaker 1>of you gotta pay. Do they accept anyone well me?

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<v Speaker 1>Well me personally? When it came to us with Second City,

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<v Speaker 1>that was something that we did. We were on our

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<v Speaker 1>own sketches and we did our own shows. So people

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<v Speaker 1>from Second City came and saw us and gave us

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<v Speaker 1>a night at their facility to perform our sketches, and

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<v Speaker 1>then we used to have people come there and we

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<v Speaker 1>did that for a while after the group broke up.

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<v Speaker 1>Many people were in the truth, it was like nine

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<v Speaker 1>of us. Were you the most prominent member? Like, were

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<v Speaker 1>there other people there? It was some other Yeah, we

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<v Speaker 1>were all equally around across the board as far as

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<v Speaker 1>like writing this concern, as far as perform and we

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<v Speaker 1>were all equal, I mean the performance wise creatively and

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<v Speaker 1>all of that themselves down today that were I mean,

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<v Speaker 1>they're still rocking or whatever, but you know, I don't

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<v Speaker 1>don't know as far as like mainstream wise, but they're

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<v Speaker 1>still getting down or whatever. But we broke up on

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<v Speaker 1>some true Hollywood ship and what happened it was nine

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<v Speaker 1>of you. Yeah, yeah, I was what happened. Man. We

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<v Speaker 1>came out to l A. We showcase for Puffy, and

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<v Speaker 1>we showcase for brill Stein and Gray. We did what

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<v Speaker 1>was that? My bad? That was you. I didn't realize

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<v Speaker 1>that I was actually watching your was just a weird. Sorry.

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<v Speaker 1>So so yes, came out around here, we showcase and

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<v Speaker 1>then they signed us and gave us some money. At

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<v Speaker 1>think of game. It's like eighties Stacks and our manager

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<v Speaker 1>when the rent limos and had bitches and a kind

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<v Speaker 1>of ship. Man. Yeah, it blew our whole fucking thing

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<v Speaker 1>man and then we all broke up after that. Yeah,

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<v Speaker 1>it was crazy. So I was already out here at

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<v Speaker 1>that point. No, we just came out here the showcase

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<v Speaker 1>and went back to Chicago. But then I had I

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<v Speaker 1>had went through this other showcase called Aspen and ended

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<v Speaker 1>up meeting this guy who worked for Conan, and he

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<v Speaker 1>asked me to come on the show and perform as

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<v Speaker 1>a guest, and I went on. As soon as I

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<v Speaker 1>got off stage, Conan asked me to write for him,

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<v Speaker 1>like like like two weeks later. I didn't have to

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<v Speaker 1>submit nothing to nothing And what was the time in between?

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<v Speaker 1>How much time in between y'all and that l a

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<v Speaker 1>trip and then the Aspen situation that took him, No,

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<v Speaker 1>I took about probably about probably about two years after that. Yeah,

0:15:45.360 --> 0:15:47.960
<v Speaker 1>and then I rock with Corner. Anything I have auditioned

0:15:47.960 --> 0:15:50.520
<v Speaker 1>for and I never got even to this day, Like

0:15:50.560 --> 0:15:54.440
<v Speaker 1>with Conan, I've always fun with people, all vibes. People

0:15:54.520 --> 0:15:57.560
<v Speaker 1>always been like, Yo, you're a cool motherfucker, let's rock,

0:15:57.640 --> 0:15:59.880
<v Speaker 1>or you're smart, motherfucker, let's rock. And it's always been

0:15:59.920 --> 0:16:03.000
<v Speaker 1>like that, and they've never been like audition for something.

0:16:03.040 --> 0:16:06.040
<v Speaker 1>And I get like with Conan, he just liked me

0:16:06.160 --> 0:16:08.560
<v Speaker 1>and told me to show up and I ended up

0:16:08.600 --> 0:16:11.480
<v Speaker 1>writing for him, Like I submitted nothing nothing Blackish. I

0:16:11.520 --> 0:16:14.440
<v Speaker 1>went over there or right, and the guy that well,

0:16:15.240 --> 0:16:17.680
<v Speaker 1>actually it was Charlie Murphy was supposed to be playing

0:16:17.680 --> 0:16:20.640
<v Speaker 1>a character that I play on Blackish, and yeah, he

0:16:20.640 --> 0:16:22.760
<v Speaker 1>didn't want to do it. That's why my name Charlie

0:16:22.760 --> 0:16:25.400
<v Speaker 1>on the show. And he didn't. He didn't want to

0:16:25.440 --> 0:16:28.600
<v Speaker 1>do it. So I ended up since I was writing

0:16:28.600 --> 0:16:30.920
<v Speaker 1>for the character, I knew how the character was gonna

0:16:30.960 --> 0:16:34.320
<v Speaker 1>be and what's and so they had me play that

0:16:34.440 --> 0:16:37.040
<v Speaker 1>character once and I ended up getting it. Then I

0:16:37.040 --> 0:16:39.880
<v Speaker 1>got this other show, car and Tribeca with Stephen Correll,

0:16:40.000 --> 0:16:44.000
<v Speaker 1>and I was supposed to be the lieutenant on there,

0:16:44.080 --> 0:16:46.800
<v Speaker 1>and Steve didn't want me to be, uh the same,

0:16:47.040 --> 0:16:51.960
<v Speaker 1>a black, screaming lieutenant, a cliche lieutenant, so he wrote

0:16:52.000 --> 0:16:54.560
<v Speaker 1>a character for me. I wasn't even in that show

0:16:54.560 --> 0:16:56.840
<v Speaker 1>and he just wrote a character for me. So this

0:16:56.920 --> 0:17:00.360
<v Speaker 1>has been going on and on my whole career, where

0:17:00.400 --> 0:17:04.520
<v Speaker 1>it's just never Yeah, it's never been like anything because

0:17:04.560 --> 0:17:07.439
<v Speaker 1>I think when you audition for ship, they're looking for

0:17:07.480 --> 0:17:09.800
<v Speaker 1>a certain type in their head and you just don't

0:17:10.119 --> 0:17:13.479
<v Speaker 1>match what they're looking for. I think because you probably

0:17:13.520 --> 0:17:17.000
<v Speaker 1>saw original so different, they really can't pinpoint you and

0:17:17.040 --> 0:17:20.439
<v Speaker 1>ship you know, sou but they but that you dope,

0:17:20.760 --> 0:17:22.439
<v Speaker 1>you know what I mean, And they all remember you

0:17:22.520 --> 0:17:25.280
<v Speaker 1>laid on for some other ship. But so how do

0:17:25.359 --> 0:17:29.680
<v Speaker 1>you make because I mean, of all the the the

0:17:29.800 --> 0:17:35.359
<v Speaker 1>arts that you can be, be acting, musician, chef, I

0:17:35.359 --> 0:17:39.320
<v Speaker 1>feel like comedy is one of the hardest things. Like,

0:17:39.560 --> 0:17:43.880
<v Speaker 1>at what point are you saying to yourself, I want

0:17:43.880 --> 0:17:45.520
<v Speaker 1>to make it as a comedian or are you even

0:17:45.560 --> 0:17:49.280
<v Speaker 1>saying that? Well, me, you originally got into comedy. Someone

0:17:49.320 --> 0:17:51.800
<v Speaker 1>bet you fifty bucks. Yeah, I read that on wiki somewhere.

0:17:53.119 --> 0:17:56.240
<v Speaker 1>Do But because I never was like, no, no funny motherfucker,

0:17:56.440 --> 0:17:58.879
<v Speaker 1>Like I never was like that, Like I never was.

0:17:59.000 --> 0:18:02.160
<v Speaker 1>I always was quiet and kind of have my own

0:18:02.200 --> 0:18:05.520
<v Speaker 1>thoughts whatever. I overthought everything though, and I think people

0:18:05.520 --> 0:18:08.560
<v Speaker 1>thought that was hilarious and my boy bet meeting on

0:18:08.680 --> 0:18:10.679
<v Speaker 1>stage and I went on there and did it or whatever.

0:18:10.840 --> 0:18:12.840
<v Speaker 1>But how many minutes you what was your first joke?

0:18:13.000 --> 0:18:17.440
<v Speaker 1>Like four minutes I did joke about Sunny Delight. What

0:18:18.640 --> 0:18:21.280
<v Speaker 1>I just talked about how that motherfucker they was playing

0:18:21.320 --> 0:18:24.359
<v Speaker 1>soccer and they all rushed his refrigerator and everybody was

0:18:24.400 --> 0:18:26.800
<v Speaker 1>in his ship, grabbing ship. And I was like that

0:18:26.800 --> 0:18:32.720
<v Speaker 1>that couldn't been a black household. And yeah, like Nick's

0:18:32.720 --> 0:18:38.080
<v Speaker 1>had to grout of water holes absolutely, because I said

0:18:38.080 --> 0:18:40.520
<v Speaker 1>that was my first joke ever, and I did that

0:18:40.560 --> 0:18:46.720
<v Speaker 1>ship repeatedly ever ever, for like two years straight. You

0:18:46.840 --> 0:18:48.720
<v Speaker 1>just like kept it to the point where mother fuckers

0:18:48.800 --> 0:18:56.000
<v Speaker 1>was saying it with me because everybody said the punchline

0:18:56.040 --> 0:19:00.359
<v Speaker 1>with me. That's a funny joke when you people know

0:19:00.440 --> 0:19:02.200
<v Speaker 1>the joke and they still want to be Yeah. Yeah,

0:19:02.320 --> 0:19:08.240
<v Speaker 1>but but it was hard commercial commercial. Yeah, so is

0:19:08.240 --> 0:19:11.960
<v Speaker 1>it comedy is high? Yeah? I was gonna say, because

0:19:12.200 --> 0:19:16.080
<v Speaker 1>you you have to speak two languages. Yeah, Like now,

0:19:16.920 --> 0:19:22.879
<v Speaker 1>is it to the point where that you're juggling, uh

0:19:23.000 --> 0:19:28.000
<v Speaker 1>acting you're no with your black audience and also the

0:19:28.000 --> 0:19:30.879
<v Speaker 1>white audiences that come in or did you just immediately

0:19:31.440 --> 0:19:36.160
<v Speaker 1>integrate with Uh? What's what's the what's the comedy spot

0:19:36.760 --> 0:19:39.359
<v Speaker 1>that's named after the guy Harry? I don't know if

0:19:39.359 --> 0:19:45.120
<v Speaker 1>it's Harry carry spot in Chicago. Um, Uh, it's not

0:19:45.280 --> 0:19:48.879
<v Speaker 1>like Danger Fields, it's it's it's a comedy club and

0:19:49.080 --> 0:20:00.640
<v Speaker 1>his face, this guy's faces the logos, but it's like glasses. Hilarious, hilarious.

0:20:02.280 --> 0:20:07.359
<v Speaker 1>In Chicago, there is there's a famous comedy club that

0:20:08.320 --> 0:20:14.040
<v Speaker 1>in Chicago. Yeah, it's you're talking about all jokes aside. No,

0:20:14.320 --> 0:20:17.000
<v Speaker 1>it's I was about to say that's back in the

0:20:17.119 --> 0:20:22.800
<v Speaker 1>day that was closed. I'm trying to chuck Harry, is

0:20:22.840 --> 0:20:26.160
<v Speaker 1>it not Harry, Harry carry ain't opened up. No, goddamn,

0:20:29.080 --> 0:20:35.280
<v Speaker 1>all right, this is like bust left breaking news. There's

0:20:35.320 --> 0:20:39.800
<v Speaker 1>no place like Okay, whatever, I just he'll come to

0:20:39.840 --> 0:20:42.320
<v Speaker 1>you when it was all over. Yeah, I had a

0:20:42.400 --> 0:20:57.800
<v Speaker 1>bolt two days later. Hilarious. So what was your household like?

0:20:58.720 --> 0:21:08.320
<v Speaker 1>Growing up? Man? Blackest ship only the only child find

0:21:08.320 --> 0:21:10.760
<v Speaker 1>out how to half sister later on out a place

0:21:10.840 --> 0:21:13.920
<v Speaker 1>that growing up she had passed. But I grew up

0:21:13.960 --> 0:21:17.479
<v Speaker 1>in South Southe Chicago, gang infested all that ship. My

0:21:17.520 --> 0:21:20.920
<v Speaker 1>mother moved me. My mother moved me to the suburbs

0:21:21.960 --> 0:21:23.840
<v Speaker 1>because she didn't want me to get caught up in

0:21:23.880 --> 0:21:26.880
<v Speaker 1>the games, because my cousins and ship, they was all affiliated.

0:21:26.920 --> 0:21:30.160
<v Speaker 1>So she moved me to the suburbs, which became almost

0:21:30.160 --> 0:21:34.119
<v Speaker 1>a culture shot because I ended up fighting more in

0:21:34.160 --> 0:21:36.800
<v Speaker 1>the suburbs than in the city, and I was fighting

0:21:36.840 --> 0:21:40.199
<v Speaker 1>the one person as the only black person, so I

0:21:40.240 --> 0:21:45.960
<v Speaker 1>stopped fighting the whole integration. Yeah, I got out there.

0:21:46.000 --> 0:21:49.560
<v Speaker 1>They used to pull their cars on our lawn, spinning tires,

0:21:49.720 --> 0:21:53.159
<v Speaker 1>funk out and I was fucked up. And it was

0:21:53.560 --> 0:21:56.320
<v Speaker 1>this family called the Gabarziks and ship they used to

0:21:56.320 --> 0:22:08.760
<v Speaker 1>throw like batteries like Gabarziks used to Yeah, it used

0:22:08.800 --> 0:22:11.359
<v Speaker 1>to be real mess stuff. But I wouldn't have had

0:22:11.359 --> 0:22:13.480
<v Speaker 1>it no other way because when I moved out there,

0:22:13.760 --> 0:22:17.320
<v Speaker 1>I stopped this this dude name Rich and he used

0:22:17.359 --> 0:22:21.000
<v Speaker 1>to turn me on like Zeppelin and like a whole

0:22:21.000 --> 0:22:24.480
<v Speaker 1>bunch of cool ass rock ship, like like like like

0:22:24.920 --> 0:22:29.280
<v Speaker 1>your Floyd and Stones and just and I used to

0:22:29.320 --> 0:22:31.600
<v Speaker 1>teach him. I used to play hip hop for him.

0:22:31.840 --> 0:22:33.800
<v Speaker 1>He ain't know ship about hip hop. So me and

0:22:33.880 --> 0:22:37.240
<v Speaker 1>him became like real tight because I just hang't out

0:22:37.240 --> 0:22:40.080
<v Speaker 1>with him every day on some cool ship and just

0:22:40.240 --> 0:22:42.280
<v Speaker 1>vibe out with him. And you know, I just learned

0:22:42.320 --> 0:22:45.000
<v Speaker 1>a lot and learned how to be you know, like

0:22:46.280 --> 0:22:50.720
<v Speaker 1>in a way not biased, but understand. Me and him

0:22:50.720 --> 0:22:54.760
<v Speaker 1>had to understanding that I wish everyone else had, you

0:22:54.800 --> 0:22:58.120
<v Speaker 1>know what that Yeah, and it was and he wasn't

0:22:58.119 --> 0:23:00.199
<v Speaker 1>trying to be black, and I wasn't trying to be right,

0:23:00.320 --> 0:23:03.440
<v Speaker 1>It was just y'all. We were very much interested into

0:23:03.440 --> 0:23:07.760
<v Speaker 1>each other's culture. Yeah, so I guess that formed us

0:23:07.800 --> 0:23:12.679
<v Speaker 1>to who we are. You know today, you know what,

0:23:12.720 --> 0:23:14.600
<v Speaker 1>I haven't seen Rich and I don't know how long

0:23:14.760 --> 0:23:17.160
<v Speaker 1>or whatever. But back then we used to be trying

0:23:17.160 --> 0:23:24.240
<v Speaker 1>to twitter you like, remember, I don't know where Rich

0:23:24.400 --> 0:23:27.439
<v Speaker 1>is a bullshit? I wish I did, though, So did

0:23:27.520 --> 0:23:31.359
<v Speaker 1>that play kind of a role in developing your comedy? Like? Yeah,

0:23:31.440 --> 0:23:33.760
<v Speaker 1>because when they came to write, and I didn't want

0:23:33.800 --> 0:23:36.840
<v Speaker 1>to write just black Ship, you know what I mean?

0:23:36.880 --> 0:23:39.760
<v Speaker 1>I wanted to write that was like for everybody because

0:23:39.800 --> 0:23:42.800
<v Speaker 1>I felt like I would have to do it anyway,

0:23:43.240 --> 0:23:45.280
<v Speaker 1>So why would I just why would I bullshit? And

0:23:45.359 --> 0:23:48.040
<v Speaker 1>right all black Ship? Now I could just take my time,

0:23:48.160 --> 0:23:51.600
<v Speaker 1>focus and write for everybody right now, right that joke

0:23:51.680 --> 0:23:55.160
<v Speaker 1>for everyone. If it don't work, make that motherfucker work.

0:23:55.240 --> 0:23:58.800
<v Speaker 1>And if it don't leave it alone. Yeah, Well, who's

0:23:58.840 --> 0:24:02.119
<v Speaker 1>mentoring you by this sport? Like who's teaching you as

0:24:02.160 --> 0:24:04.960
<v Speaker 1>far as coming after the bet? And you're like, Okay,

0:24:05.040 --> 0:24:09.040
<v Speaker 1>I could do this for real? George l Borne, Deal Givings,

0:24:09.400 --> 0:24:13.800
<v Speaker 1>Bernie MacKenny, how Tony Schofield. These are the people that

0:24:13.800 --> 0:24:16.920
<v Speaker 1>that I that mentored me coming up. Steve Harvey used

0:24:16.920 --> 0:24:19.000
<v Speaker 1>to come to Chicago all the time and he used

0:24:19.040 --> 0:24:21.720
<v Speaker 1>to always be there and you know, take me under

0:24:21.720 --> 0:24:24.920
<v Speaker 1>this wing or whatever. But it was it was. It

0:24:25.080 --> 0:24:28.680
<v Speaker 1>was George will Borne and A Dell and like I said, Bernie,

0:24:28.680 --> 0:24:32.320
<v Speaker 1>Bernie had like tough love, but he used to really

0:24:32.359 --> 0:24:34.239
<v Speaker 1>look out for us and like he used to be

0:24:34.280 --> 0:24:36.000
<v Speaker 1>like this used to have this place called the Cotton

0:24:36.040 --> 0:24:38.720
<v Speaker 1>Club in Chicago. In order for you to follow Bernie,

0:24:39.240 --> 0:24:40.840
<v Speaker 1>I mean, the only way you can get on stage

0:24:40.880 --> 0:24:44.120
<v Speaker 1>is if you can follow Bernie, and Bernie would dismantle

0:24:44.240 --> 0:24:46.360
<v Speaker 1>that motherfucker. You would have to go up at them.

0:24:46.400 --> 0:24:48.800
<v Speaker 1>And if you couldn't do it, you would never play

0:24:48.840 --> 0:24:51.719
<v Speaker 1>that motherfucker again or whatever. But they or they just

0:24:51.760 --> 0:24:55.760
<v Speaker 1>be silent. Now they'll be sometimes booze, sometimes silent, whatever.

0:24:55.800 --> 0:24:57.560
<v Speaker 1>But if you was horrible, you just had to get

0:24:57.600 --> 0:25:00.800
<v Speaker 1>the funk up out of that whatever. But it so great,

0:25:01.000 --> 0:25:02.399
<v Speaker 1>you know, because he used to have a lot of

0:25:02.880 --> 0:25:05.359
<v Speaker 1>people that came there and his night was so great.

0:25:05.400 --> 0:25:08.480
<v Speaker 1>It ended up being a television show called Midnight Mac.

0:25:08.600 --> 0:25:12.040
<v Speaker 1>It used to be coming on HBO. Remember that it

0:25:12.119 --> 0:25:13.720
<v Speaker 1>used to be so great. He used to placed a

0:25:14.040 --> 0:25:16.919
<v Speaker 1>place called Miltreineers where he had the dancers and the

0:25:17.000 --> 0:25:19.719
<v Speaker 1>mac dancers dances and the band and yeah, he used

0:25:19.760 --> 0:25:22.560
<v Speaker 1>to have an old show. It came on HBO because

0:25:22.600 --> 0:25:25.200
<v Speaker 1>of the room that we used to do. Phillis himI

0:25:25.320 --> 0:25:27.720
<v Speaker 1>used to come in there. Used to be crazy, She's

0:25:27.800 --> 0:25:30.560
<v Speaker 1>come on stage and just be like, why are you

0:25:30.600 --> 0:25:32.600
<v Speaker 1>in the middle of your set? Should just come grab

0:25:32.640 --> 0:25:34.400
<v Speaker 1>the mic and be like, oh, we need to wait

0:25:34.440 --> 0:25:37.560
<v Speaker 1>yourselver here? Where's this bitch? And didn't get the mic

0:25:37.640 --> 0:25:41.520
<v Speaker 1>back back down, like like you'll be like, who the

0:25:41.520 --> 0:25:43.320
<v Speaker 1>hell are you? Like a lot of people didn't know

0:25:43.400 --> 0:25:46.639
<v Speaker 1>who she was and should be like she'd come up

0:25:46.680 --> 0:25:50.440
<v Speaker 1>there like motherfucker's on fire too? Was was? Was Robin

0:25:50.520 --> 0:25:52.960
<v Speaker 1>Harris still around that time? Was just trying to get

0:25:53.119 --> 0:25:55.480
<v Speaker 1>Robin was around at that time too, but he wasn't

0:25:55.520 --> 0:25:57.560
<v Speaker 1>like at the club out there. He was like more

0:25:57.600 --> 0:26:00.480
<v Speaker 1>in l A. He was in l A around that time.

0:26:00.560 --> 0:26:01.960
<v Speaker 1>Did you ever get a chance to see him in

0:26:02.160 --> 0:26:05.600
<v Speaker 1>the city or see some of his Harris I never

0:26:05.640 --> 0:26:08.560
<v Speaker 1>even ran in the robbing Harris. I hope never know.

0:26:08.880 --> 0:26:11.119
<v Speaker 1>So Bernie was the main about it when you came on,

0:26:11.200 --> 0:26:14.520
<v Speaker 1>Bernie was yeah, Bernie was yeah, that was that was

0:26:14.720 --> 0:26:18.520
<v Speaker 1>motherfucker forever Bernie. Yeah. I wanted a deal to be

0:26:18.680 --> 0:26:21.320
<v Speaker 1>like that. I just wanted her was fired too, man,

0:26:21.480 --> 0:26:23.280
<v Speaker 1>That's what I'm saying. I always wanted her to be bigger.

0:26:23.640 --> 0:26:28.840
<v Speaker 1>From Death Comedy Jam three times was fire. Kenny how

0:26:28.880 --> 0:26:32.400
<v Speaker 1>I was fired too. Kenny was a monster on the road.

0:26:32.600 --> 0:26:34.879
<v Speaker 1>A lot of people don't didn't want to follow Kenny

0:26:34.880 --> 0:26:36.959
<v Speaker 1>how To. He was he was a beast. So so

0:26:37.040 --> 0:26:42.080
<v Speaker 1>back then, I mean, was your aspiration two Eventually, like

0:26:42.119 --> 0:26:45.040
<v Speaker 1>one day I'll get on Death cham or I mean

0:26:45.200 --> 0:26:51.000
<v Speaker 1>Death Death Comedy Jam or um. Like I'm sure earlier

0:26:51.000 --> 0:26:52.840
<v Speaker 1>you had to choose what circuit you were going to do.

0:26:53.400 --> 0:26:56.320
<v Speaker 1>And I don't know what the chipling circuit is for

0:26:56.440 --> 0:27:00.240
<v Speaker 1>black comics versus mainstream comics. You know where It's like

0:27:00.280 --> 0:27:03.200
<v Speaker 1>in New York. If you start working out at Boston

0:27:03.240 --> 0:27:07.080
<v Speaker 1>Comedy Club or catch a rising star, chances are you

0:27:07.200 --> 0:27:12.640
<v Speaker 1>might hit that mainstream you know lane. But there's also

0:27:12.680 --> 0:27:16.440
<v Speaker 1>the danger being stuck in the kind of the black

0:27:16.520 --> 0:27:19.159
<v Speaker 1>lane that doesn't allow you to go outside of Yeah, no,

0:27:19.320 --> 0:27:21.119
<v Speaker 1>you can get you can get caught on the South

0:27:21.119 --> 0:27:24.000
<v Speaker 1>side of Chicago doing bar at the bar, at the bar,

0:27:24.119 --> 0:27:28.000
<v Speaker 1>and then next thing, you know, all your material is

0:27:28.000 --> 0:27:31.200
<v Speaker 1>is geared towards who's the next bit walking in the door,

0:27:31.359 --> 0:27:38.840
<v Speaker 1>and that would be your whole set. But also do this.

0:27:39.320 --> 0:27:41.560
<v Speaker 1>But then you had to take your own initiative and go.

0:27:41.800 --> 0:27:43.640
<v Speaker 1>Like I said in the get Go, if you're gonna

0:27:43.640 --> 0:27:46.520
<v Speaker 1>write a joke and you're thinking about being around for

0:27:46.560 --> 0:27:48.880
<v Speaker 1>a while, you're gonna write a joke that's for everybody

0:27:48.920 --> 0:27:50.919
<v Speaker 1>at that time. So it was important for me to

0:27:51.520 --> 0:27:54.200
<v Speaker 1>hang out up north and do stuff up North and

0:27:54.240 --> 0:27:57.119
<v Speaker 1>north side of Chicago. It was predominantly white or whatever,

0:27:57.160 --> 0:27:59.879
<v Speaker 1>and I mean where it was white and uh, you know,

0:28:00.080 --> 0:28:02.359
<v Speaker 1>keep your chops up like that or whatever, because yeah,

0:28:02.560 --> 0:28:04.520
<v Speaker 1>it would be hard to get I mean, it would

0:28:04.520 --> 0:28:06.199
<v Speaker 1>be easy for you to get caught up into that

0:28:06.320 --> 0:28:12.560
<v Speaker 1>chipless So for your creative process, um, how do you developed?

0:28:13.240 --> 0:28:17.040
<v Speaker 1>How do you develop or protect a joke or an idea?

0:28:17.400 --> 0:28:21.840
<v Speaker 1>So say like ninety four, what was popping? Okay, it's

0:28:21.880 --> 0:28:25.240
<v Speaker 1>o J time, and so I'm certain that there's seven

0:28:25.280 --> 0:28:27.960
<v Speaker 1>of you at your particular spot that are like trying

0:28:27.960 --> 0:28:30.639
<v Speaker 1>to figure out what your angle it's going to be

0:28:30.680 --> 0:28:34.800
<v Speaker 1>on O J. R Now, I'm always certain that like Chappelle,

0:28:34.800 --> 0:28:40.440
<v Speaker 1>for instance, mainly works at like five secret spots that

0:28:40.520 --> 0:28:44.080
<v Speaker 1>he knows that Hollywood writers won't be at like he

0:28:44.120 --> 0:28:46.280
<v Speaker 1>won't do no l A spots because he's afraid that.

0:28:46.680 --> 0:28:48.360
<v Speaker 1>He said that some of his jokes mild le one

0:28:48.400 --> 0:28:53.160
<v Speaker 1>Family Guy, Yeah, mine too. I had a joke called

0:28:53.160 --> 0:28:57.400
<v Speaker 1>balls Date that I used to do that the Cleveland show.

0:28:57.400 --> 0:28:59.640
<v Speaker 1>Balls Date to have a joke. You can look at

0:28:59.680 --> 0:29:02.520
<v Speaker 1>it on the internet. While talk about I'll talk about

0:29:02.560 --> 0:29:07.440
<v Speaker 1>Wesley Pipes the poem. He talk about how he'd be

0:29:07.480 --> 0:29:10.440
<v Speaker 1>talking when he'd be fucking how he'd just he's a

0:29:10.440 --> 0:29:16.320
<v Speaker 1>real person, Yeah, he got his but he'd be talking

0:29:16.320 --> 0:29:19.000
<v Speaker 1>to women crazy, when he'd be hitting touching me. Yeah,

0:29:19.000 --> 0:29:20.760
<v Speaker 1>he'd be like, come on, don't make me look bad,

0:29:20.840 --> 0:29:24.560
<v Speaker 1>bit doing like may He'd be saying outland this ship.

0:29:24.680 --> 0:29:27.440
<v Speaker 1>And so I was talking about how he was talking

0:29:27.480 --> 0:29:29.920
<v Speaker 1>a woman to go balls deep or whatever. And next

0:29:29.960 --> 0:29:31.840
<v Speaker 1>thing I know, I said a few years later, she

0:29:32.000 --> 0:29:34.880
<v Speaker 1>was on Family Guy a whole song about it. Yeah,

0:29:34.920 --> 0:29:38.240
<v Speaker 1>because when Tyre when Tyra Banks came on our show,

0:29:38.320 --> 0:29:42.840
<v Speaker 1>we did balls Deep as her walk on because Junior

0:29:42.960 --> 0:29:48.520
<v Speaker 1>sing that's so Then I have a whole skin about

0:29:48.600 --> 0:29:50.920
<v Speaker 1>balls deep and I used to do that ship all

0:29:51.080 --> 0:29:53.480
<v Speaker 1>the time. So how do you protect that? How do

0:29:53.520 --> 0:29:56.920
<v Speaker 1>you There's really no way to protect it. Basically, you

0:29:56.920 --> 0:29:59.520
<v Speaker 1>you have to I mean, like, that's why I don't

0:29:59.560 --> 0:30:02.720
<v Speaker 1>like to cliche ship, you know what I mean? Because

0:30:02.760 --> 0:30:06.000
<v Speaker 1>I know if I think of something that easy is

0:30:06.040 --> 0:30:09.040
<v Speaker 1>seventeen million other casts that's gonna be thinking the same thing.

0:30:09.080 --> 0:30:11.320
<v Speaker 1>So I try to stay away from ship like that

0:30:11.360 --> 0:30:15.560
<v Speaker 1>unless I have a very unique perspective on it or whatever.

0:30:15.640 --> 0:30:17.960
<v Speaker 1>Other than that. The way that I think, in the

0:30:18.000 --> 0:30:20.960
<v Speaker 1>way my delivery is I try to make it where

0:30:21.000 --> 0:30:25.560
<v Speaker 1>you can't even you can't even twist that joke. You

0:30:25.600 --> 0:30:27.880
<v Speaker 1>can't even make it yours in the sense you know,

0:30:28.120 --> 0:30:30.880
<v Speaker 1>you could probably take it and do a rendition of it,

0:30:30.920 --> 0:30:34.400
<v Speaker 1>but you will never deliver it with my cadence or whatever.

0:30:34.640 --> 0:30:36.479
<v Speaker 1>You know, but you can take it and you can

0:30:36.480 --> 0:30:39.280
<v Speaker 1>get another idea from it, like and make a song.

0:30:39.880 --> 0:30:42.160
<v Speaker 1>Yes she can so, because I didn't think to write

0:30:42.200 --> 0:30:46.320
<v Speaker 1>a song. So how do you feel, I mean, do

0:30:46.320 --> 0:30:48.320
<v Speaker 1>you just like saying well to the to the other

0:30:48.320 --> 0:30:51.360
<v Speaker 1>writers who did do that. Basically you just look at it,

0:30:51.400 --> 0:30:53.520
<v Speaker 1>like you know, you believe in yourself and gold for

0:30:53.560 --> 0:30:58.760
<v Speaker 1>those who stole you know, I'll make up some more. So,

0:30:59.000 --> 0:31:05.000
<v Speaker 1>I mean, how do you confront Is there a confrontation

0:31:05.120 --> 0:31:08.480
<v Speaker 1>method or whatever? Like if you hear your joke, you

0:31:08.600 --> 0:31:10.840
<v Speaker 1>just have to approach that person if you hear him

0:31:10.880 --> 0:31:14.160
<v Speaker 1>say it. If you had a situation where it's like yeah,

0:31:14.400 --> 0:31:16.880
<v Speaker 1>at what time, I was in St. Louis with Kenny

0:31:16.920 --> 0:31:20.400
<v Speaker 1>How and Kenny had like nine dudes with him and

0:31:20.440 --> 0:31:22.160
<v Speaker 1>I ain't know nothing them. I just knew Kenny and

0:31:22.200 --> 0:31:25.000
<v Speaker 1>we walked in this comedy club and this dude was

0:31:25.120 --> 0:31:30.080
<v Speaker 1>actually doing my balls deep joke for line for line,

0:31:30.080 --> 0:31:32.120
<v Speaker 1>and when he got off stage, like confront of them,

0:31:32.160 --> 0:31:34.840
<v Speaker 1>like why would you do that? Like that's taking money

0:31:34.880 --> 0:31:36.920
<v Speaker 1>on my pocket. Now about if I come down here

0:31:36.960 --> 0:31:38.800
<v Speaker 1>and I have to do that joke, everybody gonna think

0:31:38.840 --> 0:31:41.120
<v Speaker 1>that I instill Joe ship when you're steal in mind

0:31:41.200 --> 0:31:44.520
<v Speaker 1>and he's sitting up like, yo, man, I ain't still

0:31:44.600 --> 0:31:46.840
<v Speaker 1>your joke, and I'm like you did, Like I'm like

0:31:46.920 --> 0:31:51.600
<v Speaker 1>I'm gready like put hands on this mother. They talked

0:31:51.600 --> 0:31:53.160
<v Speaker 1>about this on how we'd string all the time, about

0:31:54.560 --> 0:31:57.320
<v Speaker 1>all the time, and how Bill Man was my man

0:31:57.360 --> 0:32:04.920
<v Speaker 1>building died the comedian and everybody's like one of them, dude.

0:32:04.920 --> 0:32:07.320
<v Speaker 1>It's it's a lot of it's a lot of motherfucker's

0:32:07.320 --> 0:32:10.320
<v Speaker 1>out here. Some of your favorite comedians to be out

0:32:11.120 --> 0:32:14.760
<v Speaker 1>motherfucker's jokes because they know that the last dream. Yeah,

0:32:14.760 --> 0:32:16.920
<v Speaker 1>ain't nobody gonna tellt them. Then people don't think that

0:32:17.040 --> 0:32:19.320
<v Speaker 1>you're jokes. That's why I member, I did another joke

0:32:19.360 --> 0:32:21.400
<v Speaker 1>on my special when somebody was telling me somebody it

0:32:21.480 --> 0:32:24.320
<v Speaker 1>was somebody else joke, and I'm like, no, motherfucker, you

0:32:24.360 --> 0:32:26.400
<v Speaker 1>don't know who did it first, you know what I mean?

0:32:26.480 --> 0:32:29.320
<v Speaker 1>I did that ship first, you know. So it's that

0:32:29.400 --> 0:32:31.160
<v Speaker 1>kind of the danger of working and stuff out in

0:32:31.200 --> 0:32:33.600
<v Speaker 1>clubs and stuff like that. It is the thing because

0:32:33.840 --> 0:32:36.480
<v Speaker 1>sometimes you'll show up and there'll be nine comics in

0:32:36.520 --> 0:32:38.640
<v Speaker 1>the back of the room just sitting there, you know,

0:32:38.680 --> 0:32:41.080
<v Speaker 1>and they'll be watching you work out. Some of them

0:32:41.080 --> 0:32:43.400
<v Speaker 1>will come up to you and be like, yo, I

0:32:43.440 --> 0:32:45.640
<v Speaker 1>gotta tag for you. Let me help you and give

0:32:45.680 --> 0:32:47.440
<v Speaker 1>you a bit of something, and that be cool when

0:32:47.480 --> 0:32:49.360
<v Speaker 1>they do that ship, but the other ones they just

0:32:49.400 --> 0:32:52.520
<v Speaker 1>be mad quiet, go home and write something similar to

0:32:52.600 --> 0:32:55.760
<v Speaker 1>that ship or you know whatever, and now they got

0:32:55.760 --> 0:32:58.680
<v Speaker 1>a hot fucking twenty minutes and ship you ain't never

0:32:58.800 --> 0:33:00.960
<v Speaker 1>you never see them work out needed. So when you

0:33:01.000 --> 0:33:03.400
<v Speaker 1>say attack, what does that mean in comedy terms? I

0:33:03.400 --> 0:33:05.640
<v Speaker 1>mean like if I if I do a joke and

0:33:05.680 --> 0:33:08.320
<v Speaker 1>it's okay, but you thought of something clever, you can

0:33:08.320 --> 0:33:10.240
<v Speaker 1>come up to me and be like, Yo, that was funny,

0:33:10.280 --> 0:33:13.600
<v Speaker 1>but at this on that and oh yeah great, you

0:33:13.640 --> 0:33:19.040
<v Speaker 1>know what does Brennan Brennan Brennan is the king of

0:33:19.280 --> 0:33:22.040
<v Speaker 1>walking up to since, Yo, why don't you and say

0:33:22.040 --> 0:33:24.280
<v Speaker 1>it like that? And then I'll see that happen. Neil

0:33:24.480 --> 0:33:26.680
<v Speaker 1>is my dude when it comes to right. And Neil

0:33:26.760 --> 0:33:29.200
<v Speaker 1>had a room here on Sunday nights. Man, when we'll

0:33:29.200 --> 0:33:30.960
<v Speaker 1>go up in there and work out on ship and

0:33:31.600 --> 0:33:34.680
<v Speaker 1>always constantly having fresh ship, always working our ship. Well,

0:33:34.760 --> 0:33:37.200
<v Speaker 1>come up to you on a heartbeat. He'll do it

0:33:37.240 --> 0:33:40.200
<v Speaker 1>before he even go on. Like if you before him

0:33:40.400 --> 0:33:42.880
<v Speaker 1>and you get all stage and heat next he'll tell

0:33:42.960 --> 0:33:46.240
<v Speaker 1>your tag on your ship and then go do his ship.

0:33:47.280 --> 0:33:49.880
<v Speaker 1>You know, like that's wanted to coach, you know what

0:33:49.920 --> 0:33:53.120
<v Speaker 1>I mean? Like, yeah, Neil is the monster with that. Yeah,

0:33:53.160 --> 0:33:55.480
<v Speaker 1>shout out to Meil. So how long did you stay

0:33:55.520 --> 0:33:57.880
<v Speaker 1>in Chicago before you broke out? I don't know to

0:33:57.960 --> 0:34:00.640
<v Speaker 1>New York or l A, like we're you and I

0:34:00.800 --> 0:34:04.080
<v Speaker 1>when I came out here, like in two thousand and seven,

0:34:04.160 --> 0:34:06.400
<v Speaker 1>it's been like ten years. But when I first came

0:34:06.440 --> 0:34:09.799
<v Speaker 1>out here, it was I used to like hate it,

0:34:09.880 --> 0:34:14.000
<v Speaker 1>Like was it like starting over again or no, because

0:34:14.480 --> 0:34:18.120
<v Speaker 1>everybody knew in the comedy world. They knew as far

0:34:18.160 --> 0:34:20.759
<v Speaker 1>as black comics. They knew exactly who I was, and

0:34:21.080 --> 0:34:23.640
<v Speaker 1>they and they gave me, you know, the proper do

0:34:23.840 --> 0:34:27.279
<v Speaker 1>or whatever. But it just was so lame out here.

0:34:27.320 --> 0:34:29.759
<v Speaker 1>To me. I was just like these my lame this ship,

0:34:29.880 --> 0:34:33.239
<v Speaker 1>lame fuck this ship. This is then like Chicago, and

0:34:33.239 --> 0:34:35.839
<v Speaker 1>I always be hauling at Chicago ship. And then one

0:34:35.920 --> 0:34:39.319
<v Speaker 1>day this comedian they Dominique, saw me in front of

0:34:39.360 --> 0:34:42.120
<v Speaker 1>the Comedy Still and I was like, these lame motherfucker's

0:34:42.120 --> 0:34:44.400
<v Speaker 1>out here, fun this ship, this they like Chicago. She

0:34:44.480 --> 0:34:48.640
<v Speaker 1>was like, we'll go home, nigger yeah. And I was like, well,

0:34:48.760 --> 0:34:50.640
<v Speaker 1>she was like that's all I have here here. You

0:34:50.680 --> 0:34:53.080
<v Speaker 1>talk about the Chicago this and that in hw l A,

0:34:53.480 --> 0:34:55.799
<v Speaker 1>this this. She was like, l A was this way

0:34:55.880 --> 0:34:58.160
<v Speaker 1>before you came out here, It's gonna be this way

0:34:58.200 --> 0:34:59.880
<v Speaker 1>when you leave. She was like, you either play the

0:35:00.000 --> 0:35:02.839
<v Speaker 1>I ain't gonna take you. That's all, motherfucker. I don't

0:35:02.880 --> 0:35:05.600
<v Speaker 1>know why that stuck with me, but that was that

0:35:05.719 --> 0:35:09.719
<v Speaker 1>big that my career shifted. I think a month two

0:35:09.719 --> 0:35:15.080
<v Speaker 1>months after that, I got Coner. Yea, so all right,

0:35:16.000 --> 0:35:17.920
<v Speaker 1>and I'm glad you're here. I want to have the

0:35:18.160 --> 0:35:24.359
<v Speaker 1>l A rabbit hole discussion. I mean, I'm always hearing

0:35:24.400 --> 0:35:28.000
<v Speaker 1>people like, man, I can't you know Ellie's mad phone email,

0:35:28.080 --> 0:35:32.680
<v Speaker 1>Eli's you know what? Am I missing the memo? Like?

0:35:32.760 --> 0:35:37.640
<v Speaker 1>Am I the only one that enjoys Los Angeles? Now?

0:35:38.320 --> 0:35:44.719
<v Speaker 1>Your experience different than the average? No, but here it

0:35:44.840 --> 0:35:47.560
<v Speaker 1>is Los Angeles to me. Like I said, now, I

0:35:47.719 --> 0:35:53.120
<v Speaker 1>enjoyed Los Angeles. At that time, I was comparing apples

0:35:53.239 --> 0:35:56.160
<v Speaker 1>to oranges in a sense. And as far as my

0:35:56.280 --> 0:36:00.000
<v Speaker 1>career is concerned, once I switched, my mind stayed around,

0:36:00.360 --> 0:36:04.279
<v Speaker 1>understood exactly what I needed to do and to do it.

0:36:04.760 --> 0:36:08.080
<v Speaker 1>Then after that everything became easy and it became something

0:36:08.239 --> 0:36:10.120
<v Speaker 1>I was like, Okay, I get it. This is just

0:36:10.640 --> 0:36:13.040
<v Speaker 1>another planet out here, just like New York is another

0:36:13.080 --> 0:36:15.440
<v Speaker 1>planet to me. But are you are you judging from

0:36:15.440 --> 0:36:19.600
<v Speaker 1>a perspective? Okay, so from a musical perspective, like I

0:36:19.719 --> 0:36:23.840
<v Speaker 1>know that um. In the jazz world, New York jazz

0:36:23.920 --> 0:36:26.000
<v Speaker 1>musicians used to always look down on the l A

0:36:26.080 --> 0:36:30.480
<v Speaker 1>jazz musicians and actually music New York session musicians used

0:36:30.520 --> 0:36:33.960
<v Speaker 1>to always look down on l A session musicians because

0:36:33.960 --> 0:36:36.920
<v Speaker 1>it was just a different type. They were more easy going,

0:36:37.200 --> 0:36:39.239
<v Speaker 1>like a lot of that yacht rocky here, like the

0:36:39.280 --> 0:36:42.880
<v Speaker 1>sound of Toto, that's smooth, Michael McDonald's stuff. It's you know,

0:36:42.920 --> 0:36:46.240
<v Speaker 1>it's like and it represents what l A is about,

0:36:46.280 --> 0:36:50.200
<v Speaker 1>a breezy, sunshine sort of state of mind, which is

0:36:50.400 --> 0:36:52.960
<v Speaker 1>less gritty and roll than what what's on the East Coast.

0:36:53.440 --> 0:36:56.040
<v Speaker 1>So you're saying that is it the level of comedy

0:36:56.200 --> 0:37:02.680
<v Speaker 1>out here or just but a comedy. I'm from the Midwest,

0:37:02.760 --> 0:37:06.600
<v Speaker 1>where what we talked about is real blue collar ship,

0:37:06.680 --> 0:37:08.719
<v Speaker 1>and this is what it is when you're going to

0:37:08.719 --> 0:37:12.000
<v Speaker 1>the East coast. East Coast comics talk about different stuff,

0:37:12.000 --> 0:37:14.399
<v Speaker 1>and I'm talking about the majority. Ain't saying all of them,

0:37:14.440 --> 0:37:17.200
<v Speaker 1>but they would do more Haitian jokes. So they'll do

0:37:17.400 --> 0:37:21.319
<v Speaker 1>jokes about doms, Domnicans or some ship you know, each

0:37:21.360 --> 0:37:24.000
<v Speaker 1>comic or go on stags and they'll have their Dominican

0:37:24.239 --> 0:37:27.360
<v Speaker 1>or Chinese man or Puerto Rican ship. You come to

0:37:27.600 --> 0:37:32.919
<v Speaker 1>l A. Everybody had a you know, audition joke, how

0:37:32.960 --> 0:37:36.759
<v Speaker 1>the women are the cars of the weed. It's always that,

0:37:36.960 --> 0:37:40.000
<v Speaker 1>you know, And where I was from, we would look

0:37:40.000 --> 0:37:42.600
<v Speaker 1>at all of that and we would we had all

0:37:42.640 --> 0:37:46.839
<v Speaker 1>of that, so we were more well rounded, I think,

0:37:46.880 --> 0:37:49.719
<v Speaker 1>you know, as far as our experiences and our environment

0:37:49.840 --> 0:37:54.040
<v Speaker 1>or whatever. So I think that's why, Um, when I

0:37:54.120 --> 0:37:57.560
<v Speaker 1>came out here, I was more disappointed at the time,

0:37:57.600 --> 0:38:00.719
<v Speaker 1>but then I realized that that's what know. They only

0:38:00.760 --> 0:38:03.440
<v Speaker 1>know what they know, and I started embracing what they

0:38:03.520 --> 0:38:06.319
<v Speaker 1>knew and started liking what they was doing, and then

0:38:06.400 --> 0:38:09.920
<v Speaker 1>started incorporating some of these stories in the mind's situation.

0:38:10.080 --> 0:38:12.239
<v Speaker 1>It's by being a fish out of water, you know

0:38:12.280 --> 0:38:14.719
<v Speaker 1>what I mean? And how did you know when it

0:38:14.840 --> 0:38:18.040
<v Speaker 1>was I didn't know it was time you tried. Yeah. Yeah,

0:38:18.160 --> 0:38:20.880
<v Speaker 1>But it's cool though. I mean, you know, sometimes I

0:38:20.920 --> 0:38:24.320
<v Speaker 1>put myself in tripped out situations in order to write

0:38:24.480 --> 0:38:26.120
<v Speaker 1>because it is such a difference. Like I'm from d C.

0:38:26.360 --> 0:38:29.080
<v Speaker 1>So it is like a culture coming. I'll go to

0:38:29.160 --> 0:38:32.279
<v Speaker 1>a dog race and just sit there just the right

0:38:36.239 --> 0:38:38.280
<v Speaker 1>The only nick is sitting in there, just looking around.

0:38:39.800 --> 0:38:42.680
<v Speaker 1>The dumb and ship ever, but I got a hot

0:38:42.719 --> 0:38:47.799
<v Speaker 1>for team when I leave it. So all right, your

0:38:51.680 --> 0:38:56.720
<v Speaker 1>een a dog right in your mind? In your mind

0:38:57.000 --> 0:39:02.799
<v Speaker 1>is having a hot twenty? Is there a pressure to

0:39:03.160 --> 0:39:07.759
<v Speaker 1>refurbish it every month? Oh? Absolutely you have to. I

0:39:07.760 --> 0:39:11.160
<v Speaker 1>I try to refresh your refreshing every year. But I

0:39:11.200 --> 0:39:13.600
<v Speaker 1>tried to move out. And how hard is it to

0:39:13.719 --> 0:39:16.680
<v Speaker 1>let go of your gym? Oh my god? Because like,

0:39:16.840 --> 0:39:18.920
<v Speaker 1>and again, I'm not a comedian, but I know that

0:39:19.000 --> 0:39:22.759
<v Speaker 1>as a DJ, I know that these three songs they're

0:39:22.760 --> 0:39:26.680
<v Speaker 1>gonna work, like you know, but then it's like yeah,

0:39:26.719 --> 0:39:29.000
<v Speaker 1>but then it's like one I made like my ninth appearance,

0:39:29.000 --> 0:39:31.400
<v Speaker 1>and people know, like, oh, he's about to play poison,

0:39:32.640 --> 0:39:35.880
<v Speaker 1>Like they know what I'm gonna do, and it's and

0:39:35.920 --> 0:39:38.400
<v Speaker 1>it's so one of the hardest things for me to do.

0:39:38.520 --> 0:39:42.120
<v Speaker 1>In December, I always take like my most popular joints

0:39:42.440 --> 0:39:44.879
<v Speaker 1>and just raise them out to set and I gotta

0:39:44.880 --> 0:39:48.480
<v Speaker 1>start all over again. So how do you how you

0:39:48.480 --> 0:39:51.399
<v Speaker 1>know it's the same way, like you you it's so

0:39:51.480 --> 0:39:54.080
<v Speaker 1>hard to get rid of those gems. But then again,

0:39:54.120 --> 0:39:56.880
<v Speaker 1>it goes back to trusting yourself. You have to like

0:39:56.960 --> 0:39:59.799
<v Speaker 1>when people steal your jokes, you have to go all right. Well,

0:40:00.000 --> 0:40:02.560
<v Speaker 1>you know I'm gonna write another. You know, somebody asked

0:40:02.600 --> 0:40:04.319
<v Speaker 1>me one time in the interview that was like, what's

0:40:04.360 --> 0:40:06.200
<v Speaker 1>your favorite joke? And I was like, I ain't wrote

0:40:06.239 --> 0:40:09.759
<v Speaker 1>it yet. I really don't figure that. I'd always keep

0:40:09.800 --> 0:40:11.920
<v Speaker 1>that in mind. I haven't wrote that motherfucker yet. And

0:40:11.960 --> 0:40:16.239
<v Speaker 1>so I constantly am in mode of being a sponge.

0:40:16.440 --> 0:40:19.400
<v Speaker 1>I'm not no silly dude like that, but I'm always

0:40:19.400 --> 0:40:22.439
<v Speaker 1>paying attention to anything and everything that happened in order

0:40:22.440 --> 0:40:26.719
<v Speaker 1>for me to constantly have that kind of material. So

0:40:26.920 --> 0:40:29.239
<v Speaker 1>the times that we live in right now, in two

0:40:31.080 --> 0:40:37.719
<v Speaker 1>and which um news is constantly changing, we're living we're

0:40:37.760 --> 0:40:41.680
<v Speaker 1>living in a time period in which you literally won't

0:40:41.680 --> 0:40:44.000
<v Speaker 1>be all that surprise if you're going to be told

0:40:44.000 --> 0:40:47.000
<v Speaker 1>we're about to have a nuclear war. Yes, um, it's

0:40:47.040 --> 0:40:49.279
<v Speaker 1>now to the point that if a riot breaks out

0:40:49.320 --> 0:40:53.200
<v Speaker 1>in a certain place, you're not all that surprise if wait, wait,

0:40:53.200 --> 0:40:56.399
<v Speaker 1>wait it's a riot breaking down, Yes there is right now,

0:40:56.480 --> 0:41:08.760
<v Speaker 1>and where he pointed to, when let's roll, that's glad

0:41:08.760 --> 0:41:11.359
<v Speaker 1>we did this practice run. Now we know I'm about

0:41:11.400 --> 0:41:14.640
<v Speaker 1>to say, like, I don't know what your your partner

0:41:14.680 --> 0:41:18.160
<v Speaker 1>in case goes down like he's a guy's signal that man,

0:41:18.239 --> 0:41:25.640
<v Speaker 1>let's let's go. I grabbed because after your sheat screamed. Anyway,

0:41:25.719 --> 0:41:35.399
<v Speaker 1>my my point is that, um it's like, my point

0:41:35.480 --> 0:41:38.800
<v Speaker 1>is that I've been spending like the last month or

0:41:38.800 --> 0:41:43.520
<v Speaker 1>so observing all the comics that have been coming through

0:41:43.920 --> 0:41:49.319
<v Speaker 1>um Chappelle's residency at Radio City. Now some of them

0:41:49.360 --> 0:41:52.080
<v Speaker 1>have been complaining. You know. The thing is like, when

0:41:52.080 --> 0:41:53.719
<v Speaker 1>you're at Radio City, you want to put your best

0:41:53.760 --> 0:41:56.520
<v Speaker 1>foot forward, you know, because Dave has hot lineups and

0:41:56.600 --> 0:41:58.480
<v Speaker 1>you know all the celebrities in there, and so you

0:41:58.520 --> 0:42:00.840
<v Speaker 1>want to put your best foot for it. But then

0:42:01.320 --> 0:42:03.279
<v Speaker 1>like a lot of them are getting mysed because it's

0:42:03.320 --> 0:42:07.239
<v Speaker 1>like damn Trump changing the news again, making this joke irrelevant. Now,

0:42:07.400 --> 0:42:11.960
<v Speaker 1>I gotta I gotta scrap my my thirty minutes set

0:42:12.040 --> 0:42:19.759
<v Speaker 1>and reset it for exactly And it's not so I'm

0:42:19.760 --> 0:42:23.480
<v Speaker 1>saying that, you know, I know that in bad times,

0:42:24.800 --> 0:42:28.280
<v Speaker 1>the worst that times are, the better is for comedians

0:42:28.280 --> 0:42:31.080
<v Speaker 1>at least have subject mattered to to make fun of it.

0:42:31.120 --> 0:42:35.760
<v Speaker 1>But because the times we live in so unprecedented, unprecedented

0:42:35.760 --> 0:42:40.120
<v Speaker 1>with with constantly changing news, how does that affect you

0:42:40.280 --> 0:42:44.640
<v Speaker 1>as that hot twenty Like I said, before. I can't

0:42:44.680 --> 0:42:49.480
<v Speaker 1>write a lot of just ship this in your face

0:42:49.640 --> 0:42:52.600
<v Speaker 1>because it's too easy and it's too easy, and I

0:42:52.640 --> 0:42:55.520
<v Speaker 1>think everybody else is gonna write something that easy. So

0:42:55.960 --> 0:43:01.040
<v Speaker 1>I don't have a lot of current topical material. Like,

0:43:01.120 --> 0:43:03.600
<v Speaker 1>so you don't do much crowd work, That's what I mean.

0:43:03.960 --> 0:43:07.160
<v Speaker 1>I do sometimes, but I'm not, I'm not. I'm not

0:43:07.320 --> 0:43:10.120
<v Speaker 1>based on that. I don't like to get an audience

0:43:10.200 --> 0:43:12.680
<v Speaker 1>what they want. I'm a type of comic where you

0:43:12.719 --> 0:43:15.399
<v Speaker 1>have to you have to come into my world, you know,

0:43:15.480 --> 0:43:17.400
<v Speaker 1>And once you in my world, then I can go

0:43:17.440 --> 0:43:19.440
<v Speaker 1>wherever with you. But if I keep giving you what

0:43:19.520 --> 0:43:21.960
<v Speaker 1>you want, then I'm a slave to you, and then

0:43:22.040 --> 0:43:27.880
<v Speaker 1>you're they're getting fed what you eat and what you expect.

0:43:27.960 --> 0:43:29.759
<v Speaker 1>The way you describe the r like the kind of

0:43:29.760 --> 0:43:31.600
<v Speaker 1>way you talk about the comedy is the same way

0:43:31.600 --> 0:43:34.719
<v Speaker 1>I think about rhymen. You know what I'm saying. Because

0:43:34.719 --> 0:43:38.279
<v Speaker 1>it's like you can't almost yeah, Like you can't write

0:43:38.320 --> 0:43:41.400
<v Speaker 1>like if you try to write about, okay, what happened

0:43:41.400 --> 0:43:43.359
<v Speaker 1>on love and hip hop this week, and you try

0:43:43.440 --> 0:43:45.840
<v Speaker 1>to put that and make that a punch line or whatever,

0:43:46.480 --> 0:43:49.640
<v Speaker 1>that ship is old. So you have to write about

0:43:49.760 --> 0:43:53.680
<v Speaker 1>like things that are universal, like things that are timeless

0:43:54.000 --> 0:44:02.800
<v Speaker 1>balls deepest universal balls. So let me ask, because, Um,

0:44:02.920 --> 0:44:07.880
<v Speaker 1>when I watched the Netflix special, I was so happy

0:44:07.960 --> 0:44:12.200
<v Speaker 1>because one of my I hate this moment. It's like,

0:44:12.640 --> 0:44:15.239
<v Speaker 1>like you ever hate, like when someone wants to tell

0:44:15.239 --> 0:44:19.640
<v Speaker 1>you who they you remind them of, like no one wanted,

0:44:20.600 --> 0:44:27.279
<v Speaker 1>no one weren't, Like I mean, is the king of

0:44:27.400 --> 0:44:30.439
<v Speaker 1>letting you know who you look like and you don't

0:44:30.440 --> 0:44:33.040
<v Speaker 1>look like her like at all, as long as they

0:44:33.080 --> 0:44:37.000
<v Speaker 1>like legendary or something. The reason why I loved your

0:44:37.040 --> 0:44:41.759
<v Speaker 1>Netflix special was that you kind of you kind of

0:44:41.800 --> 0:44:48.920
<v Speaker 1>did this this this random, non secretive thing that one

0:44:48.960 --> 0:44:51.880
<v Speaker 1>of my favorite comedians, Mitch Hedberg, was the king of

0:44:53.360 --> 0:44:58.200
<v Speaker 1>where you just had all these random asides that weren't

0:44:58.239 --> 0:44:59.800
<v Speaker 1>you know, it weren't. It wasn't of a time p

0:45:00.040 --> 0:45:02.520
<v Speaker 1>it it was about you. But it's just you just

0:45:02.560 --> 0:45:04.880
<v Speaker 1>going through a list of things. And you know, since

0:45:04.960 --> 0:45:09.120
<v Speaker 1>Mitch Hedberg has has passed away, Stephen what's his name,

0:45:09.200 --> 0:45:12.520
<v Speaker 1>Stephen right, Stephen Wright was sort of in that lane

0:45:12.760 --> 0:45:15.600
<v Speaker 1>where like he would just let time go by, yeah

0:45:15.640 --> 0:45:19.120
<v Speaker 1>and then say something, And I was like, I always

0:45:19.200 --> 0:45:23.600
<v Speaker 1>wanted to know, Like I cannot wait for a black

0:45:23.640 --> 0:45:27.920
<v Speaker 1>comedian to take that lean. You took that lean, so

0:45:28.440 --> 0:45:30.759
<v Speaker 1>thank you. I think I think I think it's I

0:45:30.800 --> 0:45:34.239
<v Speaker 1>think the rhythm is no rhythm, you know, And and

0:45:34.600 --> 0:45:36.640
<v Speaker 1>that's that's the way that I leoked at it as

0:45:36.640 --> 0:45:40.239
<v Speaker 1>far as approaching and I felt the lack of rhythm,

0:45:40.360 --> 0:45:43.000
<v Speaker 1>it is groovy, you know what I mean? It was

0:45:43.120 --> 0:45:45.840
<v Speaker 1>like silence is good too, because a lot of people

0:45:46.200 --> 0:45:49.160
<v Speaker 1>don't trust silence, and let like, how do you? How

0:45:49.160 --> 0:45:52.239
<v Speaker 1>do you do? That is just as great as applause

0:45:52.920 --> 0:45:55.120
<v Speaker 1>because it lets you know that you have them and

0:45:55.200 --> 0:45:57.759
<v Speaker 1>unless them, let you know that they're paying attention. And

0:45:57.800 --> 0:46:00.959
<v Speaker 1>then and then also you can guide them wherever you want.

0:46:01.040 --> 0:46:03.080
<v Speaker 1>You can make a left of right, you can bag

0:46:03.200 --> 0:46:05.680
<v Speaker 1>up whatever you want to do at that moment. And

0:46:05.760 --> 0:46:08.239
<v Speaker 1>you need to test that throughout your sets that you

0:46:08.360 --> 0:46:11.000
<v Speaker 1>need to be quiet sometime just to see where they're

0:46:11.040 --> 0:46:14.760
<v Speaker 1>at and then also to get your your thoughts together.

0:46:15.000 --> 0:46:18.520
<v Speaker 1>Well you know, but but in experimenting, how do you

0:46:20.840 --> 0:46:23.800
<v Speaker 1>what happens if you get turbulence in your set and

0:46:24.320 --> 0:46:26.800
<v Speaker 1>you knew that didn't work, but you don't want to

0:46:26.840 --> 0:46:28.919
<v Speaker 1>give it away that there have that joke didn't work

0:46:28.960 --> 0:46:32.200
<v Speaker 1>you just like for me, personally, anytime I do a

0:46:32.280 --> 0:46:35.640
<v Speaker 1>joke that don't work, I purposely do it in front

0:46:35.719 --> 0:46:38.000
<v Speaker 1>of a joke that I know it's gonna work. So

0:46:38.120 --> 0:46:40.880
<v Speaker 1>I'll do this, but I know I got this fire

0:46:40.920 --> 0:46:44.160
<v Speaker 1>one coming next, or I'll do a fire one first,

0:46:44.480 --> 0:46:47.400
<v Speaker 1>or I'll put it in between two. Yeah, I sound

0:46:47.400 --> 0:46:51.440
<v Speaker 1>with you, between two in order to give it the

0:46:51.560 --> 0:46:54.359
<v Speaker 1>legs that it need at just in case it doesn't work.

0:46:54.360 --> 0:46:57.680
<v Speaker 1>I'm I'm gonna put that right between two great ass jokes,

0:46:57.920 --> 0:46:59.440
<v Speaker 1>you know. So it's an example for you of a

0:46:59.520 --> 0:47:03.360
<v Speaker 1>joke that you were unsure of or something that for

0:47:03.440 --> 0:47:05.560
<v Speaker 1>you that it's something that you had to joke. I

0:47:05.560 --> 0:47:09.000
<v Speaker 1>had this joke that I and me. Also, another thing

0:47:09.080 --> 0:47:11.920
<v Speaker 1>that I do is funny. It's funny regardless. And I

0:47:12.000 --> 0:47:16.200
<v Speaker 1>learned this from Conan that you know, every moment can't

0:47:16.200 --> 0:47:19.520
<v Speaker 1>be magical. If it was, then we wouldn't have magical moments.

0:47:19.960 --> 0:47:22.520
<v Speaker 1>So I would think that I would take jokes that

0:47:22.640 --> 0:47:25.799
<v Speaker 1>purposely wouldn't work, just to set up the next one.

0:47:26.000 --> 0:47:28.759
<v Speaker 1>But that would be funny to have a joke that

0:47:28.800 --> 0:47:33.400
<v Speaker 1>didn't work, Yeah, like a dead moment. Yes, I wouldn't

0:47:33.440 --> 0:47:44.160
<v Speaker 1>purposely do that. I had a joke, Yeah, Yeah, because

0:47:44.160 --> 0:47:47.839
<v Speaker 1>I think that that, you know, because that's a that's

0:47:47.840 --> 0:47:51.719
<v Speaker 1>a moment of honesty, that that that's a moment of

0:47:51.880 --> 0:47:55.479
<v Speaker 1>vulnerability that I showed the audience that I'm not as

0:47:55.560 --> 0:47:58.520
<v Speaker 1>together as you think I am. I had this joke

0:47:58.719 --> 0:48:00.600
<v Speaker 1>that I used to always do. I used to be

0:48:00.640 --> 0:48:04.440
<v Speaker 1>like Tiger Woods doesn't want to say he's black, but

0:48:04.520 --> 0:48:07.320
<v Speaker 1>his father's black and his mother's tie. I'm just gonna

0:48:07.320 --> 0:48:16.600
<v Speaker 1>call him a formal nigger. No, that would never get

0:48:16.640 --> 0:48:24.120
<v Speaker 1>a laugh. I don't know why, YO knew. No one laughed,

0:48:24.360 --> 0:48:29.880
<v Speaker 1>But I would purposely do that joke every time, just

0:48:29.880 --> 0:48:32.920
<v Speaker 1>just and then I would sit there and would not

0:48:33.200 --> 0:48:37.920
<v Speaker 1>move until people like it made it funnier because people

0:48:37.920 --> 0:48:44.319
<v Speaker 1>were like what, like, what is he talking about? But

0:48:44.360 --> 0:48:46.239
<v Speaker 1>that that was what I used to do, you know,

0:48:46.320 --> 0:48:49.200
<v Speaker 1>back in the day. I'll walk on stage this when

0:48:49.200 --> 0:48:52.760
<v Speaker 1>I first started, I'll walk on stage with like a saxophone.

0:48:54.680 --> 0:49:02.560
<v Speaker 1>I would never play. I'll do fifteen minutes old and

0:49:02.560 --> 0:49:16.560
<v Speaker 1>and then just leave. I didn't even play this, they're

0:49:16.560 --> 0:49:21.600
<v Speaker 1>gonna play. He forgot the play. I'll bring like a flute,

0:49:21.920 --> 0:49:27.479
<v Speaker 1>uh uh, I mean like hamonica, and would never play

0:49:27.520 --> 0:49:32.000
<v Speaker 1>that ship just just you know, just twist it up. Dude,

0:49:32.040 --> 0:49:37.879
<v Speaker 1>you gotta do that the next special, just wear a sexphone. Right.

0:49:41.440 --> 0:49:45.520
<v Speaker 1>You remember explained about the whole polarization thing. Yeah. Yeah,

0:49:45.760 --> 0:49:49.240
<v Speaker 1>So Chappelle does his trick where he polarized his audience

0:49:49.280 --> 0:49:52.319
<v Speaker 1>by you know, when you see him perform milk take

0:49:52.320 --> 0:49:56.040
<v Speaker 1>a cigarette and then he'll he won't puffe it. He'll

0:49:56.120 --> 0:50:00.360
<v Speaker 1>light the cigarette and won't puff it. And he and

0:50:00.400 --> 0:50:03.480
<v Speaker 1>he knocks this thing with his knee. Yeah, every time

0:50:03.520 --> 0:50:06.440
<v Speaker 1>he hits his knee with the after the punch, Like, yeah,

0:50:07.000 --> 0:50:09.919
<v Speaker 1>like that to me, you know, you with the saxophone

0:50:09.960 --> 0:50:14.719
<v Speaker 1>and never use it. Used to I used to do

0:50:14.760 --> 0:50:18.359
<v Speaker 1>that a lot. I first started just to keep people going,

0:50:18.600 --> 0:50:26.759
<v Speaker 1>what what so? What was it like? Um in the

0:50:26.760 --> 0:50:32.680
<v Speaker 1>the Conan camp because I know that his particular brand

0:50:32.719 --> 0:50:38.920
<v Speaker 1>of of of writers, at least from my perspective, um,

0:50:38.960 --> 0:50:40.319
<v Speaker 1>you know, I mean it was it seemed like it

0:50:40.360 --> 0:50:45.080
<v Speaker 1>was part national lampoons, like you know, like college uh

0:50:45.600 --> 0:50:49.120
<v Speaker 1>ivy League level humor some and you know like there

0:50:49.200 --> 0:50:55.200
<v Speaker 1>was the master baiting bear like kind of like Conan humor. Um.

0:50:55.320 --> 0:50:58.520
<v Speaker 1>How first of all, were you quote the only guy

0:50:58.560 --> 0:51:00.880
<v Speaker 1>in the room? And I think you know what I

0:51:00.880 --> 0:51:06.640
<v Speaker 1>mean by quote? Got like the rest. So I was

0:51:06.800 --> 0:51:10.239
<v Speaker 1>I was the very first and only to this day

0:51:10.360 --> 0:51:14.880
<v Speaker 1>black rider that Couner has ever had. Yes and yikes,

0:51:15.160 --> 0:51:18.560
<v Speaker 1>yeah wait, not even what's his name? I thought what's

0:51:18.560 --> 0:51:20.600
<v Speaker 1>his name? Was on the show for a second um

0:51:20.840 --> 0:51:25.359
<v Speaker 1>cribe enthusiasm. He was Jooth was not a Coning writer

0:51:25.440 --> 0:51:30.880
<v Speaker 1>at one point, j did you have any parameters or

0:51:30.880 --> 0:51:33.640
<v Speaker 1>did he just say go for it? Well? When I

0:51:33.680 --> 0:51:36.440
<v Speaker 1>first started, I was with all these Emmy Award winning

0:51:36.440 --> 0:51:41.080
<v Speaker 1>writers that went to Brown University, and I tried to

0:51:41.120 --> 0:51:43.440
<v Speaker 1>write like that. When I first started, how do you

0:51:43.480 --> 0:51:45.960
<v Speaker 1>find your tribe in your I just was trying to

0:51:46.000 --> 0:51:49.000
<v Speaker 1>write like them, and like none of that was working. No,

0:51:49.160 --> 0:51:52.719
<v Speaker 1>I was working. And one day they were writing this

0:51:52.800 --> 0:51:57.960
<v Speaker 1>bit about Andy Rector, uh going to october Fest and

0:51:58.120 --> 0:52:00.040
<v Speaker 1>I didn't know what that was and I was like,

0:52:00.120 --> 0:52:02.120
<v Speaker 1>what's that? It was like it's a German drinking day

0:52:02.200 --> 0:52:04.680
<v Speaker 1>and I was just like, why everybody got drinking day

0:52:04.680 --> 0:52:07.800
<v Speaker 1>with black people? And Coning at that day was like

0:52:07.840 --> 0:52:10.000
<v Speaker 1>once you write that up, and I was like, uh,

0:52:10.880 --> 0:52:12.400
<v Speaker 1>I was like really He was like yeah, So I

0:52:12.440 --> 0:52:13.600
<v Speaker 1>wrote it up and he was like, and I want

0:52:13.640 --> 0:52:16.960
<v Speaker 1>you to come out on the show and explain that,

0:52:17.239 --> 0:52:19.279
<v Speaker 1>and I was like okay, and I went out and

0:52:19.320 --> 0:52:23.560
<v Speaker 1>explained it. It blew up. Then I think something else

0:52:23.640 --> 0:52:27.560
<v Speaker 1>came up where I was like they were they were

0:52:27.560 --> 0:52:29.400
<v Speaker 1>they were talking about a hunting house or something, and

0:52:29.520 --> 0:52:31.360
<v Speaker 1>I was like that ship ain't scary to black people.

0:52:31.440 --> 0:52:33.880
<v Speaker 1>This scary to black people, and they just like write

0:52:33.880 --> 0:52:36.400
<v Speaker 1>that up. So it became this thing where it was

0:52:36.480 --> 0:52:44.000
<v Speaker 1>like my world with Conan's world colliding. It was like yes,

0:52:44.400 --> 0:52:47.719
<v Speaker 1>So it was this dynamic that we had that well,

0:52:47.760 --> 0:52:52.480
<v Speaker 1>it's funny. So it led to me writing my way

0:52:53.160 --> 0:52:56.040
<v Speaker 1>okay that they couldn't right now, Yeah, you needed your

0:52:56.120 --> 0:53:00.759
<v Speaker 1>voice like became my became my my voice in my

0:53:00.880 --> 0:53:04.000
<v Speaker 1>perspective that they couldn't write. So then they led me

0:53:04.040 --> 0:53:06.279
<v Speaker 1>to have my own lane, you know what I mean,

0:53:06.360 --> 0:53:09.759
<v Speaker 1>and doing my own thing or whatever. But yeah, and

0:53:10.280 --> 0:53:13.319
<v Speaker 1>that to just this black dude from the South side

0:53:13.320 --> 0:53:17.120
<v Speaker 1>of Chicago kicking there with this super white dude Harvard

0:53:17.160 --> 0:53:21.279
<v Speaker 1>graduated from Boston and US collide and but being like damn,

0:53:21.320 --> 0:53:25.000
<v Speaker 1>they're best friends, you know. So it worked. So assuming

0:53:25.120 --> 0:53:30.440
<v Speaker 1>that no NDA was signed, Um, both you and I

0:53:30.520 --> 0:53:36.040
<v Speaker 1>have something in common. Uh, we both at one point

0:53:36.960 --> 0:53:40.600
<v Speaker 1>and I still do work for the Tonight show. Yes,

0:53:43.000 --> 0:53:52.239
<v Speaker 1>now that was a really weird preference. The thing is is,

0:53:54.440 --> 0:54:01.080
<v Speaker 1>what what was the writer's room like when word first

0:54:01.160 --> 0:54:04.759
<v Speaker 1>got out that oh, we might not be on the

0:54:04.760 --> 0:54:07.720
<v Speaker 1>show anymore. Because the thing is like, once you get Tonight,

0:54:07.920 --> 0:54:10.520
<v Speaker 1>it's such a legacy that everyone thinks like, oh, it's

0:54:10.560 --> 0:54:13.520
<v Speaker 1>gonna be a thirty year run, you know, Johnny Carson,

0:54:13.560 --> 0:54:17.440
<v Speaker 1>thirty years. They years, and that's what we thought. And

0:54:17.480 --> 0:54:19.600
<v Speaker 1>when you yeah, you guys got to your second year

0:54:19.640 --> 0:54:22.960
<v Speaker 1>and it's like, wait a minute, what's going on here? Yeah,

0:54:23.280 --> 0:54:26.759
<v Speaker 1>like the writer's room was like and you all moved

0:54:26.800 --> 0:54:29.040
<v Speaker 1>to Los Angeles, but for that, like did you come

0:54:29.040 --> 0:54:30.960
<v Speaker 1>to New York at all? For any of them? Remember,

0:54:31.040 --> 0:54:33.759
<v Speaker 1>like they moved from New York and came here for

0:54:33.800 --> 0:54:36.320
<v Speaker 1>the show. I came on as a guest. I wasn't

0:54:36.360 --> 0:54:38.319
<v Speaker 1>even a part of the camp when it came. And

0:54:38.360 --> 0:54:41.720
<v Speaker 1>then after the they were there for like four months,

0:54:41.920 --> 0:54:45.480
<v Speaker 1>and then that's when then you were and then and

0:54:45.520 --> 0:54:48.600
<v Speaker 1>then and then I got hired or whatever. But when

0:54:48.600 --> 0:54:51.280
<v Speaker 1>we when they wouldn't move that time slot, and Conan

0:54:51.440 --> 0:54:55.280
<v Speaker 1>was like, yo, I'm leaving it. Just I was still

0:54:55.360 --> 0:54:59.160
<v Speaker 1>kind of like not knowing that history was be amazed

0:54:59.200 --> 0:55:01.440
<v Speaker 1>fast television, right sir. And like I was, I was

0:55:01.440 --> 0:55:07.520
<v Speaker 1>still like, yo, this banking sketches out and whatever. Like

0:55:07.680 --> 0:55:12.000
<v Speaker 1>everybody else was like, we moved from New York to here.

0:55:12.320 --> 0:55:15.359
<v Speaker 1>They just sold their houses and York you know, the

0:55:15.400 --> 0:55:16.960
<v Speaker 1>move that because they think and it was gonna be

0:55:16.960 --> 0:55:19.640
<v Speaker 1>a thirty year there. I was. I was there for

0:55:19.680 --> 0:55:24.440
<v Speaker 1>their last days. It was crushing, right, but we we

0:55:24.440 --> 0:55:28.480
<v Speaker 1>we went, we went ham We was like, okay, well,

0:55:28.560 --> 0:55:32.080
<v Speaker 1>let's just spend all of their money. You were never

0:55:32.120 --> 0:55:36.080
<v Speaker 1>that last episode, Yeah, okay, we had the roll we

0:55:36.080 --> 0:55:40.799
<v Speaker 1>we had the Rolling Stones song. Yeah play, yes, we

0:55:40.960 --> 0:55:47.520
<v Speaker 1>played repeatedly during the show, so we had to pay

0:55:47.640 --> 0:55:51.040
<v Speaker 1>for the licenses for that. I almost got in trouble. Well, yeah,

0:55:51.120 --> 0:55:56.000
<v Speaker 1>when I watched that last episode, Uh, they had also

0:55:56.040 --> 0:56:01.440
<v Speaker 1>played Julia by the Beatles four times. There's five songs

0:56:01.440 --> 0:56:04.879
<v Speaker 1>by the Beatles are like untouchable and it's near like

0:56:05.120 --> 0:56:10.560
<v Speaker 1>seven hundred thousand dollars per uth and I had tweeted

0:56:10.560 --> 0:56:13.800
<v Speaker 1>that out and that was the first time that the

0:56:13.840 --> 0:56:17.160
<v Speaker 1>Comcast people or you know, like called called my manager

0:56:17.239 --> 0:56:21.160
<v Speaker 1>like can we control mirrors account? Because I can say like, oh, ship,

0:56:21.560 --> 0:56:29.040
<v Speaker 1>see about to pay They're like, can you get tweet?

0:56:29.719 --> 0:56:33.080
<v Speaker 1>We don't want our bosses to know how much money

0:56:33.080 --> 0:56:36.480
<v Speaker 1>were wasting. Hilarious. Yeah, but how much did that last

0:56:36.520 --> 0:56:40.799
<v Speaker 1>episode costs? Because y'all did like y'all destroyed a very

0:56:40.800 --> 0:56:49.520
<v Speaker 1>expensive card. They destroy they some of the horse we had,

0:56:49.880 --> 0:56:56.560
<v Speaker 1>like this thorough bred horse that costs like millions, and

0:56:56.840 --> 0:57:00.880
<v Speaker 1>we was like, oh yeah, we was it, like you know,

0:57:01.080 --> 0:57:02.759
<v Speaker 1>and they didn't want us to do that. We had

0:57:02.760 --> 0:57:08.600
<v Speaker 1>these ancient bones flew in, these uh dinosaur bones flew

0:57:08.800 --> 0:57:16.080
<v Speaker 1>in some contexts into this because yeah, give me some

0:57:16.120 --> 0:57:18.600
<v Speaker 1>context to the Late Night Wars or whatever. So Conan,

0:57:18.760 --> 0:57:21.560
<v Speaker 1>you were writer for Conan and then what happened The

0:57:21.600 --> 0:57:25.160
<v Speaker 1>show just got canceled, like Jay Leno gave him the

0:57:25.200 --> 0:57:27.840
<v Speaker 1>show and then we had the show, and then they

0:57:27.880 --> 0:57:31.040
<v Speaker 1>wanted to move the Tonight Show from eleven thirty to twelve.

0:57:31.200 --> 0:57:34.680
<v Speaker 1>Conan was like, it's been eleven thirty since the beginning

0:57:34.760 --> 0:57:37.840
<v Speaker 1>of it Tonight Show, how dare you move the time slides?

0:57:38.400 --> 0:57:40.120
<v Speaker 1>And they was like, we want to move it and

0:57:40.200 --> 0:57:44.080
<v Speaker 1>so Jay can have the So Jay can have the

0:57:44.120 --> 0:57:45.880
<v Speaker 1>eleven thirty spot, and it was like he was like,

0:57:45.920 --> 0:57:48.000
<v Speaker 1>he wasn't he wasn't gonna do it. He wasn't gonna,

0:57:48.600 --> 0:57:52.880
<v Speaker 1>you know, go against the integrity of the show. Connor

0:57:53.040 --> 0:57:56.000
<v Speaker 1>was like, oh I'm out, and they gave him forty

0:57:56.000 --> 0:58:02.240
<v Speaker 1>five million to leave and he left. Yeah, it was

0:58:02.040 --> 0:58:05.360
<v Speaker 1>it was crazy, you know. But we went on tour

0:58:05.440 --> 0:58:08.600
<v Speaker 1>after that because he couldn't be on TV or radio

0:58:08.680 --> 0:58:11.400
<v Speaker 1>or nothing like that. So we toured for like three months.

0:58:12.000 --> 0:58:15.800
<v Speaker 1>So you were you yeah, I closed. I'd like I

0:58:15.880 --> 0:58:18.480
<v Speaker 1>went second to last doing stand up. I was doing

0:58:18.520 --> 0:58:20.800
<v Speaker 1>like ten fifteen minutes to stand up every night. We

0:58:20.800 --> 0:58:25.360
<v Speaker 1>was doing like between two thousand and fifteen thousand seats.

0:58:25.360 --> 0:58:29.840
<v Speaker 1>It was like that was like some rolling Stone ship

0:58:29.920 --> 0:58:32.880
<v Speaker 1>because it was a movement because everybody loved Conan at

0:58:32.920 --> 0:58:34.800
<v Speaker 1>that time and they knew that they did them wrong.

0:58:34.880 --> 0:58:38.760
<v Speaker 1>So everywhere we went it was like crazy. And like

0:58:38.880 --> 0:58:42.640
<v Speaker 1>every city we went to, whoever the celebrity was, I

0:58:42.680 --> 0:58:44.720
<v Speaker 1>was known in that city, they would come out on

0:58:44.840 --> 0:58:48.480
<v Speaker 1>stage with Conan. So we was with like Neil Diamond

0:58:48.600 --> 0:58:52.520
<v Speaker 1>and Eddie Vetter and like all these people that I like,

0:58:52.920 --> 0:58:56.800
<v Speaker 1>beyond my comprehensiveive meeting, like hanging out with him. It

0:58:56.920 --> 0:59:00.240
<v Speaker 1>was crazy. Like I remember when we finished the tour,

0:59:00.400 --> 0:59:04.560
<v Speaker 1>I got to my apartment and called my Renos plays

0:59:04.600 --> 0:59:18.320
<v Speaker 1>asking for chicken fingers and ship fadus rand I was gone, boy,

0:59:18.920 --> 0:59:21.840
<v Speaker 1>we did Bonaru. We did like because you know, Cone

0:59:21.920 --> 0:59:24.000
<v Speaker 1>is a musical guy too. You know. They played the

0:59:24.040 --> 0:59:26.919
<v Speaker 1>guitar and ship, you know, so we caught it. Cut

0:59:26.920 --> 0:59:30.360
<v Speaker 1>an album with Jack White was in Nashville. It was

0:59:30.560 --> 0:59:35.240
<v Speaker 1>crazy y'all album, Like it was crazy. Are you and

0:59:35.280 --> 0:59:38.080
<v Speaker 1>Cony y'all still cool? Now? Y'all still work? How many

0:59:38.120 --> 0:59:40.040
<v Speaker 1>years did you do on the TBS show before you

0:59:40.120 --> 0:59:43.920
<v Speaker 1>left my show? No No for Cony? Did you go

0:59:43.960 --> 0:59:46.320
<v Speaker 1>with Conan into TV? Yeah? Yeah, I went over there.

0:59:46.360 --> 0:59:49.360
<v Speaker 1>I was over there like six years, six years. Then

0:59:49.400 --> 0:59:52.480
<v Speaker 1>I had my own show called black Box, and then

0:59:52.520 --> 0:59:54.919
<v Speaker 1>at the Black Box. That's when I left and went

0:59:54.960 --> 0:59:59.640
<v Speaker 1>to black That was a sleeper black. They didn't they

0:59:59.640 --> 1:00:02.040
<v Speaker 1>didn't get behind me at all. They was trying to

1:00:02.080 --> 1:00:04.280
<v Speaker 1>promote it like it was some kicking the nuts that

1:00:04.440 --> 1:00:08.600
<v Speaker 1>show and ship, you know, but we was doing We

1:00:08.640 --> 1:00:12.120
<v Speaker 1>was doing topical ship, were talking about what was in

1:00:12.160 --> 1:00:14.720
<v Speaker 1>the news. But they was promoting us as if we

1:00:14.720 --> 1:00:17.640
<v Speaker 1>were showing yeah, like some toss ship and it went't

1:00:17.640 --> 1:00:19.920
<v Speaker 1>like that. We were talking about a Manda Binds and

1:00:20.120 --> 1:00:22.480
<v Speaker 1>all kinds of ship that anything that was in the news,

1:00:22.560 --> 1:00:24.440
<v Speaker 1>you know, but it was it was a great show,

1:00:24.520 --> 1:00:27.440
<v Speaker 1>but it was all white network at the time. And

1:00:27.560 --> 1:00:30.280
<v Speaker 1>you know, TBS used to be a network for baseball,

1:00:30.880 --> 1:00:33.720
<v Speaker 1>and so all these shows used to cater to the

1:00:33.760 --> 1:00:38.320
<v Speaker 1>white American baseball guy. And then I come along. They're like,

1:00:38.520 --> 1:00:41.560
<v Speaker 1>what those two guys, I know, you'll talk about them

1:00:41.600 --> 1:00:44.040
<v Speaker 1>all the time on Vice. They're like a kind of

1:00:44.080 --> 1:00:55.280
<v Speaker 1>like they might have been inspired by. Yeah, how did

1:00:55.760 --> 1:01:01.080
<v Speaker 1>you come across Kenya? Uh? It was agent by the

1:01:01.160 --> 1:01:04.360
<v Speaker 1>name of tam Are going. She was talking to Kenya.

1:01:04.560 --> 1:01:07.120
<v Speaker 1>Kenya was talking to her about some writers that she needed,

1:01:07.240 --> 1:01:09.840
<v Speaker 1>and she was like, yo, Dion just finished up on Conan,

1:01:10.240 --> 1:01:13.080
<v Speaker 1>you should go. You should have them come over. And

1:01:13.120 --> 1:01:15.760
<v Speaker 1>he was like all right, But Kenya had knew my

1:01:15.840 --> 1:01:18.600
<v Speaker 1>work and I knew a Kenya too, and so I

1:01:18.680 --> 1:01:21.360
<v Speaker 1>went over there for an interview and talked to him,

1:01:21.560 --> 1:01:24.240
<v Speaker 1>like I said, that's when we met about talking about

1:01:24.240 --> 1:01:27.840
<v Speaker 1>this Charlie character and all of that, and then um man,

1:01:27.880 --> 1:01:31.640
<v Speaker 1>it just at the uh Charlie didn't want to do it.

1:01:31.680 --> 1:01:34.520
<v Speaker 1>It just what it did. So did I hear you? Right?

1:01:34.560 --> 1:01:37.560
<v Speaker 1>You right for yourself for that character? No, I don't

1:01:37.600 --> 1:01:41.640
<v Speaker 1>now at that time, No, I never did. I was

1:01:41.680 --> 1:01:44.240
<v Speaker 1>just writing for I was I was going to write

1:01:44.640 --> 1:01:48.120
<v Speaker 1>for that character. But the way that I envisioned the

1:01:48.240 --> 1:01:52.440
<v Speaker 1>character of being me and Kenya only knew how that

1:01:52.560 --> 1:01:55.960
<v Speaker 1>character should be. So when Charlie didn't want to do it,

1:01:56.160 --> 1:01:58.720
<v Speaker 1>Keny was like, well, I want to find nobody else

1:01:58.760 --> 1:02:00.400
<v Speaker 1>and try to show them how to do. Want you

1:02:00.440 --> 1:02:02.440
<v Speaker 1>to just be that character from me? And how did

1:02:02.440 --> 1:02:04.320
<v Speaker 1>he describe that character to you? Like, what was he

1:02:04.360 --> 1:02:06.440
<v Speaker 1>to be? Well, he just told me that it was

1:02:06.480 --> 1:02:10.840
<v Speaker 1>this guy that works with Anthony and he uh, he's

1:02:10.880 --> 1:02:13.200
<v Speaker 1>just a friend that that comes that came into the

1:02:13.240 --> 1:02:16.240
<v Speaker 1>office and that you know, just chops it up with Anthony.

1:02:16.360 --> 1:02:19.080
<v Speaker 1>And I was more and you know, actually the character

1:02:19.160 --> 1:02:22.360
<v Speaker 1>is mainly based off of Kenya. Kenya. Is that guy

1:02:22.520 --> 1:02:33.120
<v Speaker 1>he Anthony? Your characters Kenya Kenya, Yeah, Kenya. It's like

1:02:33.280 --> 1:02:39.240
<v Speaker 1>it's like a split personality thing with Kenya. Kenya. Kenya

1:02:39.440 --> 1:02:43.240
<v Speaker 1>is that awkward guy in the office. Yeah, Kenya was

1:02:43.280 --> 1:02:47.480
<v Speaker 1>that guy with his family situation, you know, And that's

1:02:47.480 --> 1:02:52.840
<v Speaker 1>what irresponsible. That's the great thing about Anthony's character on

1:02:52.880 --> 1:02:56.400
<v Speaker 1>the show for those that watch it. When Anthony is

1:02:56.440 --> 1:02:59.160
<v Speaker 1>at home, he's an idiot. When he's in the office,

1:02:59.160 --> 1:03:02.600
<v Speaker 1>he's brilliant. Yeah, and he just he he plays this.

1:03:02.800 --> 1:03:06.280
<v Speaker 1>He played he flip flops. This character that's you know,

1:03:06.840 --> 1:03:10.160
<v Speaker 1>crazy to see him. So is that typical to have

1:03:10.920 --> 1:03:13.800
<v Speaker 1>one person right for one character, because I know that

1:03:14.680 --> 1:03:18.600
<v Speaker 1>in the case the thirty Rock um, Donald Glover's job

1:03:18.880 --> 1:03:21.880
<v Speaker 1>was to write and be the voice of Tracy Morgan's

1:03:22.280 --> 1:03:25.600
<v Speaker 1>character on thirty Rocks and just right for him. So

1:03:26.840 --> 1:03:30.320
<v Speaker 1>you know, like when you're getting this job, before you

1:03:30.320 --> 1:03:35.480
<v Speaker 1>were on the show, your job wasn't to contribute an

1:03:35.600 --> 1:03:38.880
<v Speaker 1>ideal line for the for the story, for the plot

1:03:38.960 --> 1:03:44.440
<v Speaker 1>or anything. It was like, what would this character said? Well,

1:03:44.480 --> 1:03:46.600
<v Speaker 1>I don't know, because I didn't. I didn't get that far.

1:03:46.800 --> 1:03:50.640
<v Speaker 1>All the furthest I got was, hey, it's this guy,

1:03:50.720 --> 1:03:53.840
<v Speaker 1>ain't childie. And I never wrote on a sick I

1:03:53.920 --> 1:03:58.600
<v Speaker 1>never only wrote for late night and yeah, yeah, it's

1:03:58.600 --> 1:04:02.440
<v Speaker 1>totally late late night, it's current. Late night is fast paced.

1:04:02.880 --> 1:04:04.760
<v Speaker 1>Next thing you know, twelve hours is gone buy and

1:04:04.800 --> 1:04:07.520
<v Speaker 1>you're like, god damn, yeah, yeah, you gotta do it

1:04:07.560 --> 1:04:09.360
<v Speaker 1>all over again. The next day you're in the news,

1:04:09.680 --> 1:04:12.160
<v Speaker 1>you're getting premises sent that you you gotta write descript.

1:04:12.160 --> 1:04:15.280
<v Speaker 1>It's like that with television. You know, you got months

1:04:15.320 --> 1:04:18.520
<v Speaker 1>to prep beforehand, and then you get the skirts easier.

1:04:19.640 --> 1:04:23.400
<v Speaker 1>I mean yeah, because yeah, yeah, yeah, because you got

1:04:23.760 --> 1:04:28.400
<v Speaker 1>you got to be funny, funny within minutes, Like every

1:04:28.440 --> 1:04:31.160
<v Speaker 1>second has got to be funny. On late night a monologue,

1:04:31.440 --> 1:04:34.840
<v Speaker 1>set up punchline, set up punch line, and you got it.

1:04:35.120 --> 1:04:36.959
<v Speaker 1>And then after that you got like just a few

1:04:37.040 --> 1:04:40.040
<v Speaker 1>minutes and before you know, the guests come out, you

1:04:40.080 --> 1:04:43.000
<v Speaker 1>know what I mean. So you gotta you gotta hit it,

1:04:43.080 --> 1:04:47.160
<v Speaker 1>like like tonight show now that y'all want, like it's

1:04:47.200 --> 1:04:51.240
<v Speaker 1>gotta be snappy, you know. But television, yeah, you got

1:04:51.280 --> 1:04:54.200
<v Speaker 1>time to prep and write, you know, get it together,

1:04:54.480 --> 1:04:57.600
<v Speaker 1>did you? Was it a transition for you going from

1:04:57.920 --> 1:05:00.720
<v Speaker 1>writing to like now having to add you know what

1:05:00.760 --> 1:05:03.200
<v Speaker 1>I'm saying, Like now, like but I was always like

1:05:03.640 --> 1:05:07.640
<v Speaker 1>loving acting, you know what I'm saying? Writing writing was

1:05:07.840 --> 1:05:10.919
<v Speaker 1>writing was more stressful to me than acting, because yeah,

1:05:10.920 --> 1:05:12.760
<v Speaker 1>because you have to be funny. You have to like

1:05:12.880 --> 1:05:15.680
<v Speaker 1>constantly come up with stuff, will constantly be funny and

1:05:15.720 --> 1:05:20.640
<v Speaker 1>not be funny to yourself. You gotta be funny to

1:05:20.720 --> 1:05:25.160
<v Speaker 1>the world, like it's gotta it's gotta old, young black

1:05:25.240 --> 1:05:31.560
<v Speaker 1>white man women. So are you trying to pander to

1:05:31.680 --> 1:05:36.320
<v Speaker 1>the room knowing that culturally their brand of humor is

1:05:36.320 --> 1:05:39.240
<v Speaker 1>a little bit different than yours, Like, do you have

1:05:39.320 --> 1:05:42.440
<v Speaker 1>to skewer the degrees a little bit so that you're like, okay,

1:05:42.480 --> 1:05:45.400
<v Speaker 1>if it hits these I'm assuming you have ten, eleven,

1:05:45.480 --> 1:05:50.120
<v Speaker 1>twelve writers in Conan's room. Are you in your mind saying, okay,

1:05:50.120 --> 1:05:54.320
<v Speaker 1>I got just okay, that's good. I have to adjust

1:05:54.360 --> 1:05:58.000
<v Speaker 1>to them or they don't know what funny is. Let

1:05:58.000 --> 1:06:01.120
<v Speaker 1>me just know it's No, it's you think can demographically

1:06:01.160 --> 1:06:03.960
<v Speaker 1>and you also thinking about Conan. You're thinking about how

1:06:04.000 --> 1:06:06.760
<v Speaker 1>his humor is, and then you're thinking about your demographic

1:06:06.840 --> 1:06:08.960
<v Speaker 1>that's listening to this, and you have to make sure

1:06:09.080 --> 1:06:11.400
<v Speaker 1>that your material. So if he thinks it's funny, then

1:06:11.440 --> 1:06:13.560
<v Speaker 1>you're like, I'm cool because I care about the writers

1:06:13.760 --> 1:06:15.560
<v Speaker 1>or your head writer and that sort of thing. No,

1:06:15.640 --> 1:06:19.280
<v Speaker 1>because you're already thinking what Conan might think. You're thinking

1:06:19.320 --> 1:06:23.040
<v Speaker 1>what the head writer would think too. But your your

1:06:23.240 --> 1:06:26.760
<v Speaker 1>your main purpose is what Conan thinks. It's not even

1:06:26.880 --> 1:06:29.880
<v Speaker 1>the demographic, because you can have something edgy and Conan

1:06:29.960 --> 1:06:32.080
<v Speaker 1>might let it slide through and go oh, yeah, yeah,

1:06:32.080 --> 1:06:35.160
<v Speaker 1>I like that, but you you ain't even thinking about

1:06:35.280 --> 1:06:38.760
<v Speaker 1>because it's been many times where I hadn't wrote sketches

1:06:38.840 --> 1:06:41.880
<v Speaker 1>and I thought they were brilliant and Conan like nope.

1:06:42.400 --> 1:06:45.040
<v Speaker 1>You know, like one time I had this thing where

1:06:45.080 --> 1:06:48.920
<v Speaker 1>I had like fifty suit coats come in where Conan

1:06:49.280 --> 1:06:52.320
<v Speaker 1>had to try on fifty Steve Harvey suit coats that

1:06:52.400 --> 1:07:00.280
<v Speaker 1>I was that I want him to do. Yeah, yeah,

1:07:00.480 --> 1:07:11.120
<v Speaker 1>like Steve never been just like it. He got it.

1:07:11.320 --> 1:07:17.240
<v Speaker 1>He just was like nah, And then I had to

1:07:17.280 --> 1:07:24.040
<v Speaker 1>get all fifty in them suits sent back. Because when

1:07:24.080 --> 1:07:25.880
<v Speaker 1>when you first think of it, when when you get

1:07:25.920 --> 1:07:28.280
<v Speaker 1>to work at like nine in the morning, you're looking

1:07:28.320 --> 1:07:31.360
<v Speaker 1>at two D premises and then at the premises you

1:07:31.400 --> 1:07:33.680
<v Speaker 1>write up a couple of jokes to pitch it to

1:07:33.680 --> 1:07:36.080
<v Speaker 1>the head right, and he go, that's funny. At that moment,

1:07:36.160 --> 1:07:38.360
<v Speaker 1>you gotta write a script and send her heads up

1:07:38.400 --> 1:07:44.600
<v Speaker 1>to the whole department which is casting props, uh, electrical whatever,

1:07:44.680 --> 1:07:49.040
<v Speaker 1>and they look at your script. Everybody's building casting everything,

1:07:49.600 --> 1:07:53.520
<v Speaker 1>shopping all wire. You writing the script, lunch, come, you

1:07:53.640 --> 1:07:56.960
<v Speaker 1>go downstairs and you rehearse that ship. Everything got to

1:07:57.040 --> 1:08:00.320
<v Speaker 1>be in order. And that's just one bite bite and

1:08:00.360 --> 1:08:02.200
<v Speaker 1>don't want me tell you something? Can it come out?

1:08:02.240 --> 1:08:04.320
<v Speaker 1>And he looked at that ship and if it ain't funny,

1:08:04.720 --> 1:08:06.920
<v Speaker 1>send all that ship back. Let me tell you something,

1:08:07.840 --> 1:08:11.400
<v Speaker 1>all right, Steve, And I can relate to this what

1:08:11.560 --> 1:08:18.559
<v Speaker 1>he just described, because nothing is more painful then when

1:08:19.160 --> 1:08:22.080
<v Speaker 1>a sketch, especially when music is involved on the Tonight

1:08:22.080 --> 1:08:26.120
<v Speaker 1>Show and the writer makes you slave over a mix

1:08:26.240 --> 1:08:29.559
<v Speaker 1>and you put four or five hours behind this ship

1:08:31.040 --> 1:08:33.280
<v Speaker 1>and then you realize, like by the fifth hour that

1:08:33.320 --> 1:08:36.759
<v Speaker 1>you're just doing a demo that's going to be submitted

1:08:36.800 --> 1:08:41.800
<v Speaker 1>to Jimmy to see to see and it doesn't make

1:08:42.760 --> 1:08:46.080
<v Speaker 1>And then just like they struggle, like, Okay, it's fine,

1:08:46.200 --> 1:08:50.400
<v Speaker 1>and I'm like that, I know that, I know that

1:08:50.439 --> 1:08:56.080
<v Speaker 1>payment arranging melodies. But it's weird though that because even

1:08:56.120 --> 1:09:00.400
<v Speaker 1>as you say that, I'm like, yo, doesn't cone and

1:09:00.479 --> 1:09:05.719
<v Speaker 1>realized the viral gold of seeing him in the Steve

1:09:05.720 --> 1:09:08.320
<v Speaker 1>Harvey suit that that will last on the internet forever,

1:09:08.880 --> 1:09:11.240
<v Speaker 1>all the memes and all the jifts that will be made.

1:09:11.800 --> 1:09:17.960
<v Speaker 1>But like, were they even thinking that far ahead into

1:09:17.960 --> 1:09:20.760
<v Speaker 1>the future, because like the stuff we do now, it's

1:09:20.800 --> 1:09:25.280
<v Speaker 1>it's you're you're thinking in so many compartments of like Okay,

1:09:25.400 --> 1:09:29.000
<v Speaker 1>is the sketch genuinely funny? Well? This will they change

1:09:29.040 --> 1:09:32.120
<v Speaker 1>the channel after this thing? But then it's beyond. That's beyond.

1:09:32.560 --> 1:09:34.040
<v Speaker 1>Are they going to watch it in the morning on

1:09:34.080 --> 1:09:37.280
<v Speaker 1>their iPhone in the gym? Is it? Is there something

1:09:37.360 --> 1:09:39.200
<v Speaker 1>visually funny that we can freeze it and then it

1:09:39.240 --> 1:09:41.559
<v Speaker 1>will be made a jeft into you know, there's so

1:09:41.600 --> 1:09:45.240
<v Speaker 1>many levels of marketing. Yeah, yeah, making the way people

1:09:45.280 --> 1:09:47.479
<v Speaker 1>consume it's so different now, like it you know what

1:09:47.520 --> 1:09:49.360
<v Speaker 1>I mean, Like I was, I want to ask you, like,

1:09:49.400 --> 1:09:52.200
<v Speaker 1>does that how does that inform comedy? Because I mean

1:09:52.200 --> 1:09:54.920
<v Speaker 1>it's like I was saying, it's it's no longer comedy

1:09:54.920 --> 1:09:57.000
<v Speaker 1>now is no longer I go to one spot and

1:09:57.040 --> 1:09:58.880
<v Speaker 1>I see a guy on stage, or I'll sit at

1:09:58.880 --> 1:10:03.840
<v Speaker 1>home and I watched body. It can be a snapchat everybody.

1:10:04.040 --> 1:10:08.479
<v Speaker 1>Everybody's funny Right now, there's like a little tension with

1:10:08.680 --> 1:10:13.479
<v Speaker 1>comics and a lot of Instagram people who come out,

1:10:13.600 --> 1:10:16.360
<v Speaker 1>they do a video and then all of a sudden

1:10:17.439 --> 1:10:20.760
<v Speaker 1>it's viral. On Now this person is booked in the

1:10:20.840 --> 1:10:25.000
<v Speaker 1>club and people coming to see them do what like

1:10:25.120 --> 1:10:29.320
<v Speaker 1>I don't know, And it's like taking it takes it

1:10:29.360 --> 1:10:32.240
<v Speaker 1>takes food out of I guess comics who can honestly

1:10:32.320 --> 1:10:35.479
<v Speaker 1>do stand up and really deserve to be there. It

1:10:35.520 --> 1:10:37.880
<v Speaker 1>takes food out their pocket. I guess it's similar to

1:10:38.920 --> 1:10:46.920
<v Speaker 1>models versus Instagram models. What were your feelings like four

1:10:47.120 --> 1:10:50.960
<v Speaker 1>like those buying stars like because there's at least eight

1:10:51.040 --> 1:10:54.120
<v Speaker 1>or nine or ten of them that could if there's

1:10:54.160 --> 1:11:00.719
<v Speaker 1>one in particular that's like extremely popular that uh, when

1:11:01.960 --> 1:11:06.400
<v Speaker 1>this particular person took a meeting with developing our own show,

1:11:06.640 --> 1:11:13.120
<v Speaker 1>like I guess like HBO had called them into develop something. Um,

1:11:13.160 --> 1:11:17.280
<v Speaker 1>it was like a fish out of water situation because

1:11:17.840 --> 1:11:21.599
<v Speaker 1>it's like this person is hilarious and a seven seven

1:11:21.680 --> 1:11:27.640
<v Speaker 1>second vine scenario, but I couldn't adjust at all in

1:11:27.720 --> 1:11:31.920
<v Speaker 1>the real world of the half hour. That's a different thing.

1:11:32.120 --> 1:11:35.559
<v Speaker 1>That's a different Yeah, that's that's two different skills, two

1:11:35.600 --> 1:11:39.360
<v Speaker 1>different things. But they just think, Hey, he's got followers,

1:11:39.439 --> 1:11:42.439
<v Speaker 1>he's got this, then y'all, let's let's throw him some money.

1:11:42.479 --> 1:11:44.960
<v Speaker 1>Let's get his followers. And we can't get his followers,

1:11:45.040 --> 1:11:48.360
<v Speaker 1>then you know, we can add those followers follow us

1:11:48.360 --> 1:11:50.960
<v Speaker 1>to what we got going on, you know. And I

1:11:51.000 --> 1:11:53.439
<v Speaker 1>think that's what it basically is. I think they just

1:11:53.520 --> 1:11:56.160
<v Speaker 1>get them for that, I think, you know, but when

1:11:56.160 --> 1:11:59.120
<v Speaker 1>that vine ship was popping off, I ain't even I wasn't.

1:11:59.120 --> 1:12:01.880
<v Speaker 1>I didn't even realize how big that was when it

1:12:02.000 --> 1:12:05.320
<v Speaker 1>was going on because I wasn't like on it like

1:12:05.360 --> 1:12:07.600
<v Speaker 1>that because I didn't know. I didn't know the magnitude

1:12:07.600 --> 1:12:13.360
<v Speaker 1>that we're doing real comedy out on stage. But you

1:12:13.479 --> 1:12:15.920
<v Speaker 1>take advantage of like social because I follow you on

1:12:16.439 --> 1:12:19.800
<v Speaker 1>yeah around that. Yeah, definitely I messed around. But that's

1:12:19.840 --> 1:12:23.120
<v Speaker 1>just my world and ship, you know what I mean, Like,

1:12:23.200 --> 1:12:26.599
<v Speaker 1>I don't be like you know, and people that I like,

1:12:26.760 --> 1:12:29.439
<v Speaker 1>I followed them and look at the stuff that they

1:12:29.439 --> 1:12:32.639
<v Speaker 1>did or whatever, but put real jokes up in there. No,

1:12:32.720 --> 1:12:39.040
<v Speaker 1>I would not do that. A good buddy of mine

1:12:39.160 --> 1:12:41.920
<v Speaker 1>in Chicago, Um, I have a lot of I don't

1:12:41.960 --> 1:12:43.320
<v Speaker 1>know what it is, like a lot of my comedy

1:12:43.360 --> 1:12:48.240
<v Speaker 1>homies in Chicago Dave ellum, uh yeah Dave and shout

1:12:48.240 --> 1:12:54.960
<v Speaker 1>out the nefertory to she put shout out, um, how

1:12:55.000 --> 1:12:56.920
<v Speaker 1>do you know? They wanted me to ask, how do

1:12:56.960 --> 1:13:01.639
<v Speaker 1>you know as a comedian winning time to move from

1:13:01.640 --> 1:13:04.720
<v Speaker 1>another city? Move leave Chicago and maybe go l A

1:13:04.880 --> 1:13:07.040
<v Speaker 1>or New York, Like, how did you know in your

1:13:07.080 --> 1:13:09.360
<v Speaker 1>journey it's like okay, now signed for me to move. Well,

1:13:09.400 --> 1:13:12.440
<v Speaker 1>I wasn't one of them, my fingers that believed in myself.

1:13:15.439 --> 1:13:19.840
<v Speaker 1>I waited till it came to me to it made

1:13:19.920 --> 1:13:22.559
<v Speaker 1>me go, yo, let's go. You know what I mean.

1:13:22.640 --> 1:13:24.800
<v Speaker 1>I wasn't gonna just go. You know what, I believe

1:13:24.840 --> 1:13:28.280
<v Speaker 1>in myself, let me pack up me and my dreams.

1:13:28.439 --> 1:13:31.120
<v Speaker 1>And now that now that, I was like, yo, it

1:13:31.160 --> 1:13:34.559
<v Speaker 1>has to like come get me and go yo, come

1:13:34.600 --> 1:13:38.599
<v Speaker 1>out here and come do this. Which yes, and that's

1:13:38.640 --> 1:13:41.320
<v Speaker 1>exactly what happened. You know. It came and got me

1:13:41.360 --> 1:13:43.200
<v Speaker 1>and was like okay, you need to come out here

1:13:43.240 --> 1:13:45.760
<v Speaker 1>and do this. And I was like all right, and

1:13:45.800 --> 1:13:47.760
<v Speaker 1>so that's what I did. But as far as just

1:13:47.840 --> 1:13:52.639
<v Speaker 1>jumping up myself now and and and I ain't knocking

1:13:52.640 --> 1:13:56.640
<v Speaker 1>nobody who do that, but I just I wasn't that

1:13:56.840 --> 1:13:59.759
<v Speaker 1>secure with my with myself like that, you know, because

1:13:59.800 --> 1:14:03.559
<v Speaker 1>it wasn't like this was something that I had, you know,

1:14:03.640 --> 1:14:05.120
<v Speaker 1>from a kid. I was like, I want to be

1:14:05.120 --> 1:14:07.920
<v Speaker 1>a kind like someone better me I did. It was

1:14:08.000 --> 1:14:12.320
<v Speaker 1>like whoa yeh, so what did your what did your

1:14:12.320 --> 1:14:16.040
<v Speaker 1>folks do? Like what was their uh what they supported? Yeah?

1:14:16.080 --> 1:14:20.080
<v Speaker 1>I was on television, jumping out of limos, walking right

1:14:20.160 --> 1:14:24.320
<v Speaker 1>in my mama house and taking the garbage out, mopping

1:14:24.360 --> 1:14:27.519
<v Speaker 1>the floor. She had no idea what was going on.

1:14:27.720 --> 1:14:30.000
<v Speaker 1>My mother a Christian, you know, she went the church

1:14:31.200 --> 1:14:36.960
<v Speaker 1>three times a week. She had no idea what was

1:14:37.000 --> 1:14:41.120
<v Speaker 1>going on? Like nothing. All she knew was her baby

1:14:41.120 --> 1:14:45.000
<v Speaker 1>boy didn't work. He woke up at one o'clock every day,

1:14:45.120 --> 1:14:47.720
<v Speaker 1>but he had money to put on the rent in

1:14:47.760 --> 1:14:50.920
<v Speaker 1>the bills. And she was just like, yo, you better

1:14:50.920 --> 1:14:52.560
<v Speaker 1>not be selling drugs. And I don't know how you

1:14:52.600 --> 1:14:55.599
<v Speaker 1>getting your money. And I used telling I was doing comedy.

1:14:55.680 --> 1:15:02.000
<v Speaker 1>She like, you can call it whatever. Parents never believe, right,

1:15:02.880 --> 1:15:10.760
<v Speaker 1>I mean, yeah, talk, oh yeah, yeah, yeah. I can't

1:15:10.840 --> 1:15:18.800
<v Speaker 1>keep off the phone. So when during the period in

1:15:18.800 --> 1:15:23.920
<v Speaker 1>which you took your last quote last day on black Is,

1:15:24.880 --> 1:15:30.240
<v Speaker 1>because Andrew Tribeca was around the corner um, then you

1:15:30.320 --> 1:15:34.320
<v Speaker 1>came back to thank God black Is, Like how did

1:15:34.360 --> 1:15:40.920
<v Speaker 1>that work out? So? Black Ish was always in second position.

1:15:41.120 --> 1:15:43.720
<v Speaker 1>Andrew Tribeca was the show I had first. The only

1:15:43.760 --> 1:15:45.760
<v Speaker 1>reason why I went over the blackest two rights because

1:15:45.760 --> 1:15:50.240
<v Speaker 1>I was waiting on a yes. So I allowed that

1:15:50.400 --> 1:15:52.880
<v Speaker 1>they allowed you to sow the character I play on

1:15:52.920 --> 1:15:56.360
<v Speaker 1>Blackest wasn't even supposed to be like always. It was

1:15:56.360 --> 1:15:58.640
<v Speaker 1>supposed to be like a one time or dale. But

1:15:58.760 --> 1:16:02.080
<v Speaker 1>the character blew up that they kept I kept going back.

1:16:02.240 --> 1:16:07.920
<v Speaker 1>I left was like a one or two. Yeah, I

1:16:08.040 --> 1:16:14.400
<v Speaker 1>left for about eight episodes kids. Yeah, but when I

1:16:14.600 --> 1:16:16.439
<v Speaker 1>when I when I left, I had to go do

1:16:16.520 --> 1:16:20.599
<v Speaker 1>ant try back, and it kind of like went went

1:16:20.720 --> 1:16:23.840
<v Speaker 1>crazy a little bit. And so it got to the

1:16:23.920 --> 1:16:26.000
<v Speaker 1>point where they had to like work with each other

1:16:26.240 --> 1:16:28.439
<v Speaker 1>where they didn't have to. They just made it work.

1:16:28.560 --> 1:16:31.639
<v Speaker 1>TVs was kind enough to go, Okay, we'll let y'all

1:16:32.160 --> 1:16:35.839
<v Speaker 1>use him for this long and so that's just what happened,

1:16:36.000 --> 1:16:38.879
<v Speaker 1>you know. And they went back and forth every season

1:16:39.000 --> 1:16:41.200
<v Speaker 1>with how many episodes I can do and can't do,

1:16:41.479 --> 1:16:44.519
<v Speaker 1>and then it just balanced itself out at the world.

1:16:44.560 --> 1:16:46.280
<v Speaker 1>I don't seem like it's any a lot of actors

1:16:46.320 --> 1:16:49.599
<v Speaker 1>in Hollywood that have that privilege. No, it was unheard

1:16:49.680 --> 1:16:51.439
<v Speaker 1>of a lot of I think a lot of cats.

1:16:51.560 --> 1:16:53.759
<v Speaker 1>Now I started to get it or whatever. I remember

1:16:53.800 --> 1:16:57.680
<v Speaker 1>I was talking to uh uh, Tiffany Hattis, I see.

1:16:57.720 --> 1:16:59.120
<v Speaker 1>It was like, you know, I'm trying to get that

1:16:59.280 --> 1:17:09.519
<v Speaker 1>d white hot, right since we want black is joke

1:17:09.560 --> 1:17:11.759
<v Speaker 1>can I ask you, like, so, as far as shooting scenes,

1:17:11.960 --> 1:17:14.960
<v Speaker 1>do you have like a favorite actor that you like

1:17:15.040 --> 1:17:18.519
<v Speaker 1>to shoot scenes? But of course people love the Diane moments. Yeah,

1:17:18.840 --> 1:17:21.800
<v Speaker 1>but is there like somebody who you really like this man,

1:17:22.040 --> 1:17:27.720
<v Speaker 1>my my office buddies, Peter mackenzie and stuff like Yo

1:17:29.160 --> 1:17:33.519
<v Speaker 1>and Nelson We and Anthony. Those office scenes, man, they're

1:17:33.640 --> 1:17:37.479
<v Speaker 1>so crazy because those guys are just as racist as

1:17:37.600 --> 1:17:41.439
<v Speaker 1>funny as Yeah, but it'd be real ship that will

1:17:41.520 --> 1:17:44.400
<v Speaker 1>be you know what I'm saying. And so man working

1:17:44.439 --> 1:17:47.400
<v Speaker 1>with them guys, man, it's fun to say I love

1:17:47.479 --> 1:17:51.479
<v Speaker 1>playing playing that character as far as like with those guys. Man, Yeah,

1:17:52.120 --> 1:17:53.840
<v Speaker 1>how much stuff gets made up on setting? How much

1:17:53.840 --> 1:17:56.320
<v Speaker 1>stuff is written? Stuff like that, and be honest with you,

1:17:56.479 --> 1:18:01.920
<v Speaker 1>all of its written. Like the scrip. The writers are

1:18:02.120 --> 1:18:07.120
<v Speaker 1>like incredible. They're so brilliant, man, And like after certain

1:18:07.160 --> 1:18:10.800
<v Speaker 1>takes they'll go, Yo, you can freestyle a little bit now,

1:18:11.000 --> 1:18:13.599
<v Speaker 1>let us go. I mean they really open to us

1:18:13.640 --> 1:18:15.920
<v Speaker 1>freestyle or whatever. They'll give us all moments where we

1:18:15.960 --> 1:18:18.480
<v Speaker 1>can add live and throw some stuff in there. Definitely,

1:18:18.640 --> 1:18:21.720
<v Speaker 1>but the scrubby so tight sometime that we don't even

1:18:22.920 --> 1:18:25.439
<v Speaker 1>literally have to you know, because sometimes you can kill

1:18:25.479 --> 1:18:28.080
<v Speaker 1>a joke with a joke. What's the episode you're most

1:18:28.120 --> 1:18:32.760
<v Speaker 1>proud of. I love the Lemonade episode, which is the

1:18:32.800 --> 1:18:38.200
<v Speaker 1>one about Trump being voted on. And another episode I

1:18:38.360 --> 1:18:43.240
<v Speaker 1>really like is the one where I had to babysit. Yeah.

1:18:51.720 --> 1:18:59.519
<v Speaker 1>I was like, I would have loved that was killing Anthony.

1:18:59.600 --> 1:19:01.960
<v Speaker 1>I remember my showed up to work. That's seen her.

1:19:02.840 --> 1:19:07.160
<v Speaker 1>I was like, yeah, you'd be on time over that month,

1:19:09.080 --> 1:19:10.840
<v Speaker 1>showed up and seen how I just I was like,

1:19:10.960 --> 1:19:13.320
<v Speaker 1>can you kind of talk to you? I was like,

1:19:13.360 --> 1:19:15.640
<v Speaker 1>what is she doing? It? Like that's gonna be I

1:19:15.840 --> 1:19:18.320
<v Speaker 1>was like, what, So you didn't know until you got

1:19:18.360 --> 1:19:22.639
<v Speaker 1>on se No, I did that Kenya. They do that ship.

1:19:22.720 --> 1:19:27.719
<v Speaker 1>They're surprised you ship like he wanted your genuine reactions. Man,

1:19:28.439 --> 1:19:31.719
<v Speaker 1>I don't know. I was so nervous too. I was nervous.

1:19:31.840 --> 1:19:37.160
<v Speaker 1>She was fine. I tell you, I'm like, man, TV TV.

1:19:37.320 --> 1:19:39.760
<v Speaker 1>She looked nice on TV and then that, but seeing

1:19:40.160 --> 1:19:42.439
<v Speaker 1>personal life, like you can look you look at her

1:19:42.439 --> 1:19:45.400
<v Speaker 1>and go I get it. Yeah, I get it. I

1:19:45.640 --> 1:19:49.920
<v Speaker 1>get why. I get it. I get it. I get

1:19:49.960 --> 1:19:57.000
<v Speaker 1>why all these niggas is doing and she nicest ship man,

1:19:57.320 --> 1:20:04.840
<v Speaker 1>finest fun. Yeah, you're from cal You ain't from Philly? What? No,

1:20:04.920 --> 1:20:09.920
<v Speaker 1>I'm from DC. I can't get called. Yeah, who do

1:20:10.000 --> 1:20:11.840
<v Speaker 1>you like? Who? Don't want to ask you? Who do

1:20:11.880 --> 1:20:14.479
<v Speaker 1>you like? Down? Like? Who's your like? Cats? Did you

1:20:14.560 --> 1:20:16.920
<v Speaker 1>come out of the house? Yeah? You have comedians that

1:20:16.960 --> 1:20:20.240
<v Speaker 1>you like that that that I go see or I

1:20:20.280 --> 1:20:23.439
<v Speaker 1>mean we'll just cats that you did? Man, Man, it's

1:20:23.560 --> 1:20:27.559
<v Speaker 1>so man. I like Harlan Williams. You ever go see

1:20:27.720 --> 1:20:33.800
<v Speaker 1>Harlan Williams. Like I know who Harlan Williams is hilarious? Man?

1:20:33.960 --> 1:20:41.840
<v Speaker 1>I like J J from Mississippi. Uh, he's hilarious. Um My, man,

1:20:42.080 --> 1:20:47.280
<v Speaker 1>Tony Scofield it's funny and Tony is It's hilarious. And yeah,

1:20:48.760 --> 1:20:50.600
<v Speaker 1>those are get like comics that I look at and

1:20:50.680 --> 1:20:53.880
<v Speaker 1>get inspired by watching. Chris Specter it's funny as hell.

1:20:54.200 --> 1:20:56.160
<v Speaker 1>Is he still doing Is he going out and still doing? Clear?

1:20:56.280 --> 1:20:59.160
<v Speaker 1>He still do shows and stuff. Yeah, he's actually now

1:20:59.320 --> 1:21:04.040
<v Speaker 1>writing on um my other show, Grownish, that we start

1:21:04.080 --> 1:21:08.000
<v Speaker 1>shooting in September. Grownish, it's spin off from Black It's

1:21:08.040 --> 1:21:13.080
<v Speaker 1>too hold because this is it's not called college, It's

1:21:13.120 --> 1:21:20.479
<v Speaker 1>called Grownish. It's gonna be your different world. Yeah, Charlie's

1:21:20.479 --> 1:21:22.760
<v Speaker 1>gonna be on it. Yeah, he played as a JUX

1:21:22.960 --> 1:21:27.479
<v Speaker 1>professor at night and man, yeah it's crazy. He got

1:21:27.560 --> 1:21:34.799
<v Speaker 1>like a prostitutes nothing fetterman trying to get their life together.

1:21:38.680 --> 1:21:41.760
<v Speaker 1>But black does that mean you double up again? Are

1:21:41.800 --> 1:21:44.760
<v Speaker 1>you tripling? Na? Now I do both the studios right

1:21:44.840 --> 1:21:49.320
<v Speaker 1>next to each other, are all right? So what's your like,

1:21:49.880 --> 1:21:59.040
<v Speaker 1>who's your lawyer? What is it? What is your itinerary?

1:21:59.160 --> 1:22:02.599
<v Speaker 1>Then like what time you to be up? So right now,

1:22:03.120 --> 1:22:10.080
<v Speaker 1>like right now, I'm doing Blackish, and then like the

1:22:10.200 --> 1:22:12.680
<v Speaker 1>days that I have off, if I can, I go

1:22:12.800 --> 1:22:15.120
<v Speaker 1>over the coning and might do it better or whatever.

1:22:15.200 --> 1:22:20.960
<v Speaker 1>And then in September still I do bits. I do bits. Ye,

1:22:23.240 --> 1:22:25.400
<v Speaker 1>I do bits, like if something in the news or

1:22:25.400 --> 1:22:27.120
<v Speaker 1>if they call me and be like, yo, can you

1:22:27.200 --> 1:22:28.640
<v Speaker 1>do this, I'd be like, yeah, I come through and

1:22:28.720 --> 1:22:31.040
<v Speaker 1>do it. Or if it's something that I think it's funny,

1:22:31.040 --> 1:22:32.640
<v Speaker 1>I'd be like, man, I think we should do this

1:22:32.800 --> 1:22:34.920
<v Speaker 1>real quick. And then when they go all right, find cool.

1:22:35.000 --> 1:22:36.640
<v Speaker 1>So I'll go over there if I can, if I

1:22:36.680 --> 1:22:38.920
<v Speaker 1>got the time going, then do a bit. But I'll

1:22:38.920 --> 1:22:44.400
<v Speaker 1>do Blackish now, and then September I start Grownish and

1:22:44.479 --> 1:22:46.840
<v Speaker 1>I'll be doing Blackish and Grownish at the same time

1:22:46.920 --> 1:22:50.400
<v Speaker 1>until December, and then December and you try back to start,

1:22:50.720 --> 1:22:54.360
<v Speaker 1>and then I do Angie and Blackish all the way

1:22:54.360 --> 1:22:58.720
<v Speaker 1>into the spring, and then I got my other show

1:22:59.560 --> 1:23:04.280
<v Speaker 1>face Value BT with Want of the Sykes and Tiffany

1:23:04.360 --> 1:23:09.120
<v Speaker 1>hat this that starts September. We shot. We shot twenty

1:23:09.160 --> 1:23:12.000
<v Speaker 1>four episodes already at that. It's it's a it's a

1:23:12.120 --> 1:23:15.240
<v Speaker 1>game show man, It's it's funny. It's it's just we're

1:23:15.280 --> 1:23:26.360
<v Speaker 1>paying people to profile people. That's it pretty much. What's

1:23:26.400 --> 1:23:32.559
<v Speaker 1>like what it is man, it's it's it's it's funny, though,

1:23:32.720 --> 1:23:37.320
<v Speaker 1>it's like you We get these people and Tiffany interviews

1:23:37.400 --> 1:23:40.120
<v Speaker 1>them off the Vegas strip and before they can answer

1:23:40.240 --> 1:23:43.160
<v Speaker 1>the question that she asked them, we asked people on

1:23:43.160 --> 1:23:46.280
<v Speaker 1>the audience. I mean, these contestants whether they think and

1:23:46.400 --> 1:23:48.760
<v Speaker 1>if they guess what they think they might say. Then

1:23:49.120 --> 1:23:54.600
<v Speaker 1>they get okay, yeah, I've saw I've seen the yeas,

1:23:54.680 --> 1:23:57.920
<v Speaker 1>what would you do? Yeah, it's like and then we

1:23:58.080 --> 1:24:01.320
<v Speaker 1>break well. The whole shows you getting to know these characters,

1:24:01.400 --> 1:24:04.800
<v Speaker 1>and then the next act we will say something that

1:24:04.920 --> 1:24:07.400
<v Speaker 1>somebody did and you gotta guess who. And then the

1:24:07.560 --> 1:24:10.560
<v Speaker 1>third act it's like you know who said this. And

1:24:10.680 --> 1:24:13.920
<v Speaker 1>then at the end, whoever wins those three rounds they

1:24:13.960 --> 1:24:16.360
<v Speaker 1>go to the bonus round and then they get to

1:24:16.479 --> 1:24:19.080
<v Speaker 1>choose who they think they know the best and answer

1:24:19.120 --> 1:24:21.680
<v Speaker 1>as many questions possible. Then they win ten thousands. It's

1:24:21.680 --> 1:24:25.840
<v Speaker 1>a derivative of Black White. It's a radio game where

1:24:25.880 --> 1:24:27.880
<v Speaker 1>you play us and you tell somebody scenario and you

1:24:27.920 --> 1:24:31.160
<v Speaker 1>have to guess what they are. Well, it's it's Indians.

1:24:31.240 --> 1:24:45.240
<v Speaker 1>And she said, we all feel that that form. Come on,

1:24:47.080 --> 1:24:49.439
<v Speaker 1>I can't even I can't even ask what's in your

1:24:49.479 --> 1:24:58.519
<v Speaker 1>future because you have six jobs. While you wait a minute,

1:24:58.640 --> 1:25:06.600
<v Speaker 1>I'm the only one who telling job. Yeah, you know,

1:25:06.840 --> 1:25:11.080
<v Speaker 1>I'm just chilling. You know, okay, you're dating. I'm just chilling,

1:25:11.240 --> 1:25:14.120
<v Speaker 1>just chilling me like I know what it means, trying

1:25:14.160 --> 1:25:20.880
<v Speaker 1>to figure It's like we just figure out the world.

1:25:21.960 --> 1:25:28.160
<v Speaker 1>I got my dreams in the suitcase. I asked no questions.

1:25:28.240 --> 1:25:31.200
<v Speaker 1>You got babies. I have a son, Okay, you don't

1:25:31.240 --> 1:25:38.560
<v Speaker 1>treat them like you treat them. He'll be fifteen and September.

1:25:38.680 --> 1:25:41.040
<v Speaker 1>You just started high schools the first year. I just

1:25:41.080 --> 1:25:45.000
<v Speaker 1>took him to school last Wednesday started you know how?

1:25:45.280 --> 1:25:46.600
<v Speaker 1>So yes, I want to ask, so how do you

1:25:46.720 --> 1:25:49.840
<v Speaker 1>go because you still I mean Chicago still? Yeah, So

1:25:49.920 --> 1:25:51.920
<v Speaker 1>how do you balance it between here? Like how long

1:25:52.000 --> 1:25:54.679
<v Speaker 1>you out here? Come he come out here? I go there?

1:25:55.000 --> 1:25:57.439
<v Speaker 1>Or like my mother, I'm booking a flight soon as

1:25:57.439 --> 1:26:00.080
<v Speaker 1>I leave here and bring her out here. And and

1:26:00.240 --> 1:26:03.519
<v Speaker 1>you know when we had these moments where like they

1:26:03.560 --> 1:26:06.040
<v Speaker 1>can come out here during the week or I'll go there,

1:26:06.280 --> 1:26:08.880
<v Speaker 1>you know, just you know, just it's spurred a moment

1:26:08.920 --> 1:26:11.320
<v Speaker 1>all the time. You know, it's nothing like you know,

1:26:11.800 --> 1:26:14.040
<v Speaker 1>we're playing months in advance because we can't do that.

1:26:14.400 --> 1:26:18.400
<v Speaker 1>So how often what's your timeline? Like uh, in terms

1:26:18.439 --> 1:26:21.720
<v Speaker 1>of your shooting schedule being out here and then you say, okay,

1:26:21.720 --> 1:26:23.160
<v Speaker 1>well I gotta break, I can go home, Like how

1:26:23.200 --> 1:26:25.280
<v Speaker 1>long are you out here for? Well, no, I'm I

1:26:25.439 --> 1:26:27.920
<v Speaker 1>stay out here until like I'm done, like right now.

1:26:28.120 --> 1:26:30.240
<v Speaker 1>I'll be out here until like the spring, but I'll

1:26:30.280 --> 1:26:33.679
<v Speaker 1>go home like like Thanksgiving, Christmas, and then whatever little

1:26:33.720 --> 1:26:36.040
<v Speaker 1>moments that I can't get home, then I'll do it

1:26:36.120 --> 1:26:38.000
<v Speaker 1>like a weekend or a couple of days during the

1:26:38.040 --> 1:26:41.320
<v Speaker 1>week if if that can happen, but that that win,

1:26:41.439 --> 1:26:43.680
<v Speaker 1>dude to happen, for that to happen, is right, now

1:26:43.840 --> 1:26:48.000
<v Speaker 1>until like September, until when September here and I started

1:26:48.040 --> 1:26:51.639
<v Speaker 1>doing like both shows and yeah it's gonna be really

1:26:51.680 --> 1:26:56.719
<v Speaker 1>toughugh and then still doing stand up on Saturday. You know, alright,

1:26:56.760 --> 1:27:00.760
<v Speaker 1>I take that. Yeah, I know, I'm like I'm predicting me.

1:27:01.560 --> 1:27:07.120
<v Speaker 1>Uh uh, Dion, Little Real, Antiffany Hattish are all going

1:27:07.160 --> 1:27:13.800
<v Speaker 1>to simultaneously host the BT words. That would be great.

1:27:15.280 --> 1:27:21.760
<v Speaker 1>That would be yo, man, that would be crazy. You literally, yeah, dog,

1:27:21.960 --> 1:27:27.640
<v Speaker 1>I that exhausted me. Just just a dollar shot your

1:27:27.800 --> 1:27:31.120
<v Speaker 1>sons starting high school with in Chicago in the burbs. Yeah,

1:27:39.400 --> 1:27:43.360
<v Speaker 1>how do you feel? Because I have Chicago Tribune updates

1:27:44.640 --> 1:27:50.479
<v Speaker 1>and it's almost like their method of informing you. Usually

1:27:50.520 --> 1:27:53.280
<v Speaker 1>on Sundays they take a grand It's almost like Jerry's kids.

1:27:53.320 --> 1:27:58.240
<v Speaker 1>It's almost a fetish level. Sixty three people shots this weekend,

1:28:01.720 --> 1:28:08.240
<v Speaker 1>Like how do you do you sleep easy at night?

1:28:08.400 --> 1:28:11.280
<v Speaker 1>Like knowing that damn, I don't know. I don't never

1:28:11.400 --> 1:28:14.080
<v Speaker 1>sleep easy, you know, knowing that I got a kid

1:28:14.200 --> 1:28:17.000
<v Speaker 1>that's out that way, you know, But I stayed in

1:28:17.160 --> 1:28:22.160
<v Speaker 1>his life, you know. Fully, I'm always into everything that

1:28:22.320 --> 1:28:25.160
<v Speaker 1>he does. Talk to him every day. You know. His

1:28:25.360 --> 1:28:28.479
<v Speaker 1>mother is the same way. She keep keep keep her

1:28:28.560 --> 1:28:31.880
<v Speaker 1>foot on him, which is great, keep his keep his mind,

1:28:32.120 --> 1:28:35.280
<v Speaker 1>keep his mind, you know, involved in great things. He's

1:28:35.280 --> 1:28:38.360
<v Speaker 1>a great kid, you know. And just keeping busy, you know,

1:28:38.640 --> 1:28:42.240
<v Speaker 1>and and and showing them the proper love, because I

1:28:42.360 --> 1:28:45.320
<v Speaker 1>think that's the problem nowadays with all the gangs in

1:28:45.439 --> 1:28:48.759
<v Speaker 1>Chicago and all around I mean around the country period.

1:28:49.360 --> 1:28:51.920
<v Speaker 1>I mean they're bringing in all the National Guards and

1:28:52.439 --> 1:28:55.200
<v Speaker 1>all these people to protect people in Chicago from all

1:28:55.280 --> 1:29:00.599
<v Speaker 1>the gangs. But I've said it before, Uh, there will

1:29:00.640 --> 1:29:04.519
<v Speaker 1>always be gangs as long as there's no love in

1:29:04.600 --> 1:29:09.360
<v Speaker 1>the household, because they would they're gonna find that love

1:29:09.560 --> 1:29:13.280
<v Speaker 1>within the gang. So if we don't provide them with

1:29:13.479 --> 1:29:17.839
<v Speaker 1>proper love, then you can bring in as many National

1:29:17.960 --> 1:29:21.559
<v Speaker 1>Guards as you want to. You know, they're gonna love

1:29:21.640 --> 1:29:24.240
<v Speaker 1>in that gang. Don't make a difference. So you know,

1:29:24.439 --> 1:29:28.000
<v Speaker 1>we're provide them with that. And so you know, I arrest,

1:29:28.160 --> 1:29:32.040
<v Speaker 1>I arrest, okay with that, you know. But still it's

1:29:32.080 --> 1:29:34.599
<v Speaker 1>always a job being the dad man. You ain't never

1:29:34.720 --> 1:29:36.840
<v Speaker 1>leave about you know what I mean? Or I guess

1:29:36.960 --> 1:29:38.640
<v Speaker 1>last stuff like or do you have any movies in

1:29:38.680 --> 1:29:41.320
<v Speaker 1>the future that you're going to work? Just finished the

1:29:41.400 --> 1:29:49.240
<v Speaker 1>movie with h Nicole Parker and Kimberly Lee and Loretta

1:29:49.320 --> 1:29:53.040
<v Speaker 1>Divine called hair Shot. We just shot that. And I

1:29:53.120 --> 1:29:59.880
<v Speaker 1>did a movie with uh Whitney Cummings called um the

1:30:00.080 --> 1:30:02.920
<v Speaker 1>Female Brain. Yeah, so we're waiting on that to come

1:30:02.960 --> 1:30:06.599
<v Speaker 1>out too, so yeah cool, yeah we shoot those, shout

1:30:06.720 --> 1:30:09.720
<v Speaker 1>those and just then and Cannon waiting to come out

1:30:09.920 --> 1:30:15.200
<v Speaker 1>cool a podcast and uh no podcast? What do you want?

1:30:20.000 --> 1:30:24.200
<v Speaker 1>When did your mixtape coming out? Like, I mean, we

1:30:24.320 --> 1:30:26.720
<v Speaker 1>need the whole package. Let's go all the way with it.

1:30:26.800 --> 1:30:31.960
<v Speaker 1>I am sports, I am on vix album. Shout out

1:30:32.040 --> 1:30:37.679
<v Speaker 1>to vic Man. Yeah go check it out your face.

1:30:39.560 --> 1:30:44.800
<v Speaker 1>You got me man, Dion, thank you for making me

1:30:44.880 --> 1:30:49.599
<v Speaker 1>feel lazy. No, I need more jobs in my life.

1:30:51.200 --> 1:30:58.120
<v Speaker 1>Thank out for having men. Shout out enough now so

1:30:58.800 --> 1:31:01.640
<v Speaker 1>I'm paid built. What What have we learned today? That

1:31:01.800 --> 1:31:05.360
<v Speaker 1>Dion do a lot of ship, do not do a

1:31:05.439 --> 1:31:11.720
<v Speaker 1>lot of dudes. Don't claiming all your seven thousand jobs job.

1:31:12.840 --> 1:31:24.599
<v Speaker 1>He stays stayed doing. What did you learn today? He does?

1:31:29.000 --> 1:31:31.479
<v Speaker 1>I know, you know, you know. And if you watch

1:31:31.600 --> 1:31:34.160
<v Speaker 1>the way that the Netflix special is lit is so

1:31:34.400 --> 1:31:39.800
<v Speaker 1>f funny, but way about the same way that I

1:31:39.880 --> 1:31:42.840
<v Speaker 1>feel that if Leslie Jones makes a move in four

1:31:42.920 --> 1:31:49.560
<v Speaker 1>years to play Nina, right. I believe that he and

1:31:49.640 --> 1:31:53.920
<v Speaker 1>he got a story. Everybody maybe thinking that. I mean,

1:31:54.040 --> 1:31:55.960
<v Speaker 1>one time I was checking in this hotel. This is

1:31:56.040 --> 1:31:58.200
<v Speaker 1>the white girl Rana. To me, it's like, oh my god.

1:31:59.080 --> 1:32:04.760
<v Speaker 1>Hoograph was like alright, cool signing autograph and she goes,

1:32:05.120 --> 1:32:11.400
<v Speaker 1>I love your daughter, and I was like, ship, like

1:32:12.000 --> 1:32:22.080
<v Speaker 1>three different shades different. Watch the Netflix special, it's a

1:32:22.160 --> 1:32:25.800
<v Speaker 1>little bit different. I'm sure there was powder. He looks

1:32:25.800 --> 1:32:29.720
<v Speaker 1>like Richie, no joke, I'll see it, but everybody else do.

1:32:29.920 --> 1:32:41.000
<v Speaker 1>I damn so much. I learned that Dion cos problem

1:32:41.080 --> 1:32:44.200
<v Speaker 1>my hero. Especially that Late Night Ship just amazed me

1:32:44.200 --> 1:32:45.880
<v Speaker 1>because I always had like a hidden thing of like

1:32:46.000 --> 1:32:48.880
<v Speaker 1>writing more questions and ship like that. So you got

1:32:49.000 --> 1:32:57.840
<v Speaker 1>a mentee, a mental That's what I just think. I

1:32:58.080 --> 1:33:07.800
<v Speaker 1>know what that was. You know, it's not a hold up.

1:33:08.080 --> 1:33:10.680
<v Speaker 1>You got the it's a whole fucking word, you know

1:33:10.760 --> 1:33:17.760
<v Speaker 1>what I mean, just the way that it's a whole word.

1:33:18.120 --> 1:33:26.679
<v Speaker 1>I want the job word. We can say that after

1:33:26.800 --> 1:33:37.519
<v Speaker 1>the show. Shoot, thank you, thank you. Learned that we

1:33:37.600 --> 1:33:43.719
<v Speaker 1>want to hold you back all the time. I learned

1:33:43.760 --> 1:33:47.320
<v Speaker 1>that Dion is actually different than the character Charlie because

1:33:47.360 --> 1:33:49.400
<v Speaker 1>it's like you play it so well. I'm like, yo,

1:33:49.680 --> 1:33:52.120
<v Speaker 1>is this really how to do this? But if you're

1:33:52.320 --> 1:33:55.040
<v Speaker 1>lighting day from him and like you're like really a

1:33:55.160 --> 1:33:56.559
<v Speaker 1>spark cat like this, I mean this is the first

1:33:56.560 --> 1:33:59.320
<v Speaker 1>time we've met, but like you played just like you

1:33:59.360 --> 1:34:04.920
<v Speaker 1>played idiot so well. Well. Thank you brother, a lot

1:34:05.000 --> 1:34:08.439
<v Speaker 1>of experience, a lot of I'm a super fan brother,

1:34:08.640 --> 1:34:11.720
<v Speaker 1>Thank you man. This has been an honor man. Thank

1:34:11.760 --> 1:34:15.040
<v Speaker 1>you all so much. Man, this is great. Thank you well.

1:34:15.240 --> 1:34:20.639
<v Speaker 1>On behalf of Unpaid Bill, Uh Boss? What's the other

1:34:20.720 --> 1:34:28.400
<v Speaker 1>bill name? Vacation Bill German, German Bill, October Bill Sugar,

1:34:28.520 --> 1:34:38.080
<v Speaker 1>Steve Tilo and it's La need a job trying to

1:34:38.120 --> 1:34:45.280
<v Speaker 1>get off. Okay, I've learned that I need more jobs

1:34:45.320 --> 1:34:49.599
<v Speaker 1>in my life. This Quest Love on behalf of Quest

1:34:49.640 --> 1:34:52.280
<v Speaker 1>Love Supreme in Team Supreme. Thank you very much. We'll

1:34:52.320 --> 1:35:04.479
<v Speaker 1>talk to you in the nets. Go Around Only on Course.

1:35:04.560 --> 1:35:07.479
<v Speaker 1>Love Supreme is a production of I Heart Radio. This

1:35:07.640 --> 1:35:14.640
<v Speaker 1>classic episode was produced by the team at Pandora. For

1:35:14.760 --> 1:35:17.200
<v Speaker 1>more podcasts for my heart Radio, visit the I heart

1:35:17.280 --> 1:35:20.439
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

1:35:20.479 --> 1:35:21.120
<v Speaker 1>favorite shows.