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Speaker 1: Hi, hello, good morning.

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Speaker 2: Move my iPad closer. I need to be prepared. You

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Speaker 2: know what I'm supposed to be doing.

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Speaker 1: I always forget one step, one critical step, right.

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Speaker 2: Yeah, yeah, usually brushing my teeth. No good thing, good thing.

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Speaker 1: We're on zoom and not in person, right.

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Speaker 2: No, No, I brushed my teeth and I even worked

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Speaker 2: out this morning. I came back from Canada. I was

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Speaker 2: working and I got totally out of my little routine.

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Speaker 2: So I'm like trying to get back into the swing

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Speaker 2: of things.

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Speaker 1: Good for you, Yay. It's summer, it's a new season.

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Speaker 2: It's trying.

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Speaker 1: Is it like reverse culture shock?

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Speaker 2: Like it's well, it's reverse culture shock. And it's also, uh,

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Speaker 2: I have a I have a really hard time going

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Speaker 2: from working to not working. Oh right, it's like a

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Speaker 2: train crash. I just I go off the rails. I

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Speaker 2: don't know what's happening. I sleep for like fourteen hours

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Speaker 2: and then I'm like, I've got nothing to It's it's

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Speaker 2: been it's been an interesting week. Oh, but I'm here

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Speaker 2: and I'm happy and I'm feeling better today.

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Speaker 1: Oh good, yay, yay. Oh, I'm glad. I've missed you and.

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Speaker 2: I I've missed you too. It missed your face.

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Speaker 1: I know, thank you. I've got my I've I've resorted.

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Speaker 1: I'm waving my white flag. I'm just wearing my readers

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Speaker 1: now and so so cute.

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Speaker 2: But they look cute.

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Speaker 1: I've increased the font to sixteen point font like and

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Speaker 1: I'm but I'm still just like.

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Speaker 2: Do you have like Stamos's phone? You know how I

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Speaker 2: was to make fun of John finally checks messages as

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Speaker 2: I can between his text messages across the room. Yeah, Oh,

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Speaker 2: like how every text must be so long.

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Speaker 1: It's like one word perm It's just like, yeah, it's.

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Speaker 2: Like one word per line. Sorry not to out you, John,

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Speaker 2: but yeah.

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Speaker 1: I'm there. I'm right there, increasing the font on my phone,

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Speaker 1: increasing the font on my computer, and wearing readers.

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Speaker 2: So I am holding on for dear life with my

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Speaker 2: actually not for dear life. I have great vision and

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Speaker 2: I'm I'm hoping that that will stay. Yeah.

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Speaker 1: So you do have great vision, great skin, great teeth,

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Speaker 1: you tan well, like you have a lot.

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Speaker 2: Going for you. Yeah, but there's some there's some drawbacks

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Speaker 2: to me too, you know what I mean. Eventually there's

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Speaker 2: a few, right, there's a few things that are like, oh,

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Speaker 2: but it's balanced out by you know, some neurodivergent ADHD

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Speaker 2: addictive things. But you know, it's a hey, we're all

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Speaker 2: doing our best. Who just walked by in your back?

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Speaker 1: That was Michael and he's got Holly, he's got come

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Speaker 1: see Hi, come here, I need You're probably gonna this

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Speaker 1: might be a clip on our This is gonna be

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Speaker 1: a clip on the podcast.

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Speaker 2: I'm a holy look at.

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Speaker 1: Seventeen year old hospice dog who's just hanging on.

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Speaker 2: I know, like she's she's more alert than most you know,

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Speaker 2: older humans.

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Speaker 1: Right, that's for sure.

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Speaker 2: Do you want to sit well, she's not wearing glasses,

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Speaker 2: so she's up because she got one on you there.

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Speaker 1: Yes, she's on her regime. She's on her like five

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Speaker 1: different medications per day.

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Speaker 2: Regime, her regiment, her regimen, you man and Hersion's her regime.

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Speaker 2: Unless she's planning on taking over the country. Yes, I'd

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Speaker 2: vote for Holly Holly for president, Hally's regime for president. Yes, no,

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Speaker 2: she I'm so happy to see her. Everyone was very

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Speaker 2: worried about her for her a little moment there.

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Speaker 1: Yes, she had a big scare a couple months ago.

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Speaker 2: We thought we were going to lose her. She's good.

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Speaker 1: I mean, she's seventeen, she has heart disease, she has

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Speaker 1: kidney disease, and she's still here.

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Speaker 2: She's a fighter, right, She's like, look, I'm just hanging

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Speaker 2: out here. Just let me do my thing. She's great.

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Speaker 1: She has to go potty, so she's gonna go.

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Speaker 2: Yeah, she's like the dogs like, I have things to do.

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Speaker 2: I actually can't be a part of your podcast.

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Speaker 1: The dog is very busy.

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Speaker 2: Yes, so yeah. Special appearance by Holly Yay.

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Speaker 1: Oh, anyways, not to interrupt talking about your flaws. Let's

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Speaker 1: get back to that.

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Speaker 2: Oh no, please, but let's move on to the doge

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Speaker 2: that things were bringing it back up. You know, I

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Speaker 2: think we've I think the world's focused on those quite enough.

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Speaker 2: They were good. It's fine. You know, we're all a

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Speaker 2: mixed bag. Really. Oh yeah, we all have our you know,

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Speaker 2: we've got our We got our and I don't even

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Speaker 2: some of my my my minus says, I've come turned

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Speaker 2: out to be pluses. And I always like to I

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Speaker 2: always like to try and you know, flip it a

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Speaker 2: little bit and be like, well, I like that. Some

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Speaker 2: some things are negative, but you know it can lead

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Speaker 2: you to positive stuff.

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Speaker 1: So I've thought that too, you know, as a lifelong

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Speaker 1: sufferer of anxiety, I was always like hated that about

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Speaker 1: myself because it is crippling at times.

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Speaker 2: Yeah, but not like but you know what, that makes

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Speaker 2: me a very.

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Speaker 1: Sensitive person who stops and thinks about things, and yeah,

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Speaker 1: thinks about other people's feelings. And you know, I'm just

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Speaker 1: I'm kind of a deep thinker, a cerebral thinker, and

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Speaker 1: so that in that sense, the anxiety is positive. I'm

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Speaker 1: well for I'm very well prepared for all of my.

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Speaker 2: Things, right exactly. There are great things about being an

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Speaker 2: anxious individual. Sleeping is probably not one of them.

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Speaker 1: But uh, hey, no sleep is sleep is the best.

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Speaker 2: No sleep is sleep is my that is my Like, oh,

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Speaker 2: I'm just gonna go turn off that, just like, let's

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Speaker 2: go to a deep state of not thinking.

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Speaker 1: That's great, it's the best. I love a good night sleep.

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Speaker 1: I always feel like a new woman in the morning,

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Speaker 1: right bed a big advocate of.

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Speaker 2: Lots of sleep. Well, speaking of new women, we're onto

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Speaker 2: a new season. That that was a terrible segue, but

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Speaker 2: I was something was new. I like, what woman is new?

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Speaker 1: I'm trying to remember in.

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Speaker 2: The seas I'm in my own mind. No, no, I

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Speaker 2: was just saying new knew us. We woke up on

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Speaker 2: the right side of the bed today and we're we're

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Speaker 2: in a new season, season episode two, Season three. I

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Speaker 2: love this. Can't believe how far we've gotten.

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Speaker 1: This is one of my favorite episodes of all time?

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Speaker 1: Is it?

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Speaker 2: I love this episode. I love you in this episode.

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Speaker 2: And I was like, as I watched the episode, I

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Speaker 2: was dying to be like, Oh my god, were you

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Speaker 2: like mortified or was this funny or was this mortifying

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Speaker 2: at the time? And hilarious? Now I've got questions. We'll

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Speaker 2: get in We'll get into it. I also have some thoughts.

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Speaker 1: Oh, oh good because I have yah and not like.

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Speaker 2: Thhot thoughts, but like actual cerebral thoughts.

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Speaker 1: Wait, what's thot thoughts?

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Speaker 2: Thought I'd make in the stallion? Oh like, yeah, is

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Speaker 2: it thought because it's an acronym h O T. Wait

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Speaker 2: what's that that hoe over there? That's what it is.

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Speaker 2: That's what thought stands for.

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Speaker 1: I never knew that.

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Speaker 2: And it's like you can be like a thought. Yeah,

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Speaker 2: like it's a thing. Oh like it's sort of like

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Speaker 2: you can it can be both a good thing or

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Speaker 2: a bad thing. Okay, you know what I mean, you

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Speaker 2: can have like thought girl summer, or it can be

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Speaker 2: like that thought over there is talking to my you

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Speaker 2: know whatever. So yeah, I'm lone away. I'm glad that

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Speaker 2: we've I'm so glad that we've taken this uh ride

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Speaker 2: down how podcast, I gotta, I gotta.

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Speaker 1: I got a.

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Speaker 2: Straining thought because you're hot, You're you're a hot thought.

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Speaker 1: All this talk about thought, thoughts, thoughts or thought whatever,

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Speaker 1: I don't know.

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Speaker 2: Yeah, anyway, it's it's thought is is Anyway, We've we've

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Speaker 2: spent far too much time on this.

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Speaker 1: People get with it. How Arede tan Rito's girls.

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Speaker 2: It's I mean, I know what what a thought is.

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Speaker 2: I'm trying to help our listeners and you.

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Speaker 1: I need it. I need all thet I need all

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Speaker 1: the help.

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Speaker 2: I can get. Now, when you go to your next

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Speaker 2: Megan the Stallion concert, you'll be like, I know what

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Speaker 2: a thought is? Okay, I'm well prepared for my I'll

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Speaker 2: take you to that one, and you can take me

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Speaker 2: to New Kids and we'll and there we go.

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Speaker 1: Hey, they're coming, they're coming to so Call next month

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Speaker 1: and they're gonna be on iHeart Radio Festival in Vegas.

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Speaker 2: Saw that I.

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Speaker 1: Wonder if only we had a connection to I Heart Radio.

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Speaker 2: To get to what I heeart festival. I wonder if sure,

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Speaker 2: I'm sure there are so long shot strings you could

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Speaker 2: pull a b I don't know and grovel somewhere on

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Speaker 2: someone's asking me please please.

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Speaker 1: Yeah, very exciting, very exciting.

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Speaker 2: But new kids, it's a new kid summer, here you go.

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Speaker 2: It is speaking of new kids, new school, new season, new.

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Speaker 1: School year, new thoughts, new thoughts.

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Speaker 2: But yeah, this episode, I definitely it was. There were

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Speaker 2: a couple moments where I was like, oh, and then,

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Speaker 2: but the rest of it was hilarious to me. Yeah.

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Speaker 1: Oh, this is just one of those episodes I think

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Speaker 1: about when I think about Full House as a whole,

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Speaker 1: I think about this episode and probably like three other episodes,

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Speaker 1: but this one always sticks out in my mind. So anyways,

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Speaker 1: let's get into it.

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Speaker 2: Let's get into it, because this is such a great one.

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Speaker 1: Such a good one. Welcome back to how Rude tan

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Speaker 1: Rito's I'm Andrea Barber and I'm Jodie Sweeten, and today

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Speaker 1: we're discussing season three, episode two, called Back to School Blues.

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Speaker 1: It originally aired on September twenty ninth, nineteen eighty nine

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Speaker 1: and it goes a little something like this. DJ goes

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Speaker 1: to her first day of junior high and figures out

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Speaker 1: that it's much different than elementary school. When the older

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Speaker 1: popular girls tease her, she tries to change herself, but

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Speaker 1: it doesn't turn out the way she wants it to.

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Speaker 1: Oh so relatable, Oh so relatable.

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Speaker 2: From middle junior high. Yeah, yeah, junior high, middle school

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Speaker 2: this yeah.

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Speaker 1: Oh, it's big milestones here, big milestones for sure. It

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Speaker 1: was directed by Billy Fausta Coffee Coffee, coffee right, and

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Speaker 1: written by Jeff Franklin. Yay, we have some great guest

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Speaker 1: stars this week. We have Lucy Lee Flippin as the

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Speaker 1: teacher miss Agbobbian Is that her real name?

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Speaker 2: Not obviously miss Agbobbyan, but Lucy Lee Flippin'.

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Speaker 1: I don't know if that's a stage name, we're a

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Speaker 1: real name, but it's great either way.

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Speaker 2: I'm in And she was.

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Speaker 1: She's best known as the school teacher Eliza Jane Wilder

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Speaker 1: on Little House in the Prairie. Ah, yes, that's yes,

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Speaker 1: I'm like, she looks kind of familiar.

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Speaker 2: Not that I wait, she played Eliza Jane Wilder. Yeah,

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Speaker 2: the teacher see Leaflippin played Eliza Jane Wilder. Yeah, a

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Speaker 2: lot of three names. And we have another one coming

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Speaker 2: up too.

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Speaker 1: Oh we do, oh yeah, we do. Oh yes, very

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Speaker 1: exciting and Lucy Lee was also known as Frank Castlebury

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Speaker 1: in the TV show Flow, which was a spin off

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Speaker 1: of the sitcom Alice. Next, we have Anne Marie McAvoy

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Speaker 1: as the legendary Kathy Santoni.

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Speaker 2: We finally meet Kathy Santoni and put a face to

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Speaker 2: the name we have we met Kathy at this point,

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Speaker 2: she has been merely a mention.

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Speaker 1: We've talked about her. Remember she kind of stole when

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Speaker 1: Jonathan Brandis, well, yeah, yeah, she DJ. Then he went

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Speaker 1: for Kathy Santoni. We've talked about her a few times.

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Speaker 2: She spent She's sort of the like, not the nemesis,

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Speaker 2: because she's not like a mean girl per se, but

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Speaker 2: she's just like she's just kind of the thorn in

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Speaker 2: like DJ and Kimmy's side. I feel like she's like

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Speaker 2: the like the girl who's becoming popular and it's like.

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Speaker 1: Oh yeah, she's the antithesis of right, DJ and Kimmy.

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Speaker 1: She's like she's popular, she's developed, she's like, right, the

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Speaker 1: it girl now and it's very intimidating, but oh, I

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Speaker 1: love it.

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Speaker 2: I love it.

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Speaker 1: This is her first of four episodes of Full House. Uh.

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Speaker 1: And she was also in Children of the Corn. Oh.

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Speaker 1: I don't know if you knew that.

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Speaker 2: I did not, but I do love that movie.

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Speaker 1: Mm hmm. Next we have Shonda Whipple as mean girl Colleen,

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Speaker 1: and she's known for a gazillion guest appearances. She was

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Speaker 1: a quintessential child star. Right, She's in Highway to Heaven,

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Speaker 1: Punky Brewsters, Small Wonder Kids Incorporated, Who's the Boss, and

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Speaker 1: Growing Pains, all of.

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Speaker 2: The best, all of the best, like, oh, love it.

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Speaker 1: And she also appeared in the movie Purple People Eater

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Speaker 1: nineteen eighty eight.

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Speaker 2: I don't that's a classic.

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Speaker 1: It's just hey, we we watch it. We rewatch it

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Speaker 1: every every Christmas. I'm just kidding.

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Speaker 2: Yeah, it's yeah, it is a huge tradition in my family,

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Speaker 2: The Purple People Eater.

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Speaker 1: That's almost as good as a Skateboard Kid two, which

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Speaker 1: was we still have to watch that.

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Speaker 2: And oh my god, Skateboard Kid too. Skateboard it was

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Speaker 2: Skateboard Kid two.

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Speaker 1: That's the movie I did when I was fifteen. Right,

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Speaker 1: it's the worst. It's the worst.

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Speaker 2: Well, it was worse than Skateboy Kid one.

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Speaker 1: That's it was definitely worse than that. But it was

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Speaker 1: just like bad special effects super cheese. Anyways, I'm getting off.

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Speaker 2: Okay, Well, well that's gonna be I feel like that's uh,

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Speaker 2: that's gonna be a minis at some point. Anyway, it's

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Speaker 2: gotta be gotta be.

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Speaker 1: Yeah. And then last, but certainly not least, we have

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Speaker 1: Chantell Stebbins as Susan, also known for the mini series

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Speaker 1: I know, my first name is Stephen and a ghost ship.

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Speaker 1: I think she must be the friend at the end,

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Speaker 1: the where DJ finds some decent friends, because I'm like, yeah, Susan,

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Speaker 1: I don't know who Susan is. It must be the

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Speaker 1: one of the nice.

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Speaker 2: Girls, Yeah, Susan, and the other one at the end, and.

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Speaker 1: The other one, the other one that doesn't speak so

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Speaker 1: she didn't get paid as much.

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Speaker 2: Well she's background so she can't speak right right, not aloud? Yeah?

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Speaker 1: Okay, So we open with our teaser. In the living room,

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Speaker 1: Jesse is counting for a game of hide and seek

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Speaker 1: on the couch and Michelle creeps out from behind the

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Speaker 1: couch and says, here I am Jesse. Picks Michelle up

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Speaker 1: and tells her that's not how you play the game.

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Speaker 1: He explains the game and asks Michelle capiche. We got

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Speaker 1: our very first capiche, ladies, ze.

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Speaker 2: First, I thought we had it in the last season.

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Speaker 1: Did we have one? I don't know, we've had a

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Speaker 1: had Oh, I don't know.

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Speaker 2: Yeah, because the capiche started entering the picture around the

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Speaker 2: time that John went from Elvis to Sinatra.

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Speaker 1: Oh really that?

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Speaker 2: Yeah? The capeche, I feel like, came in around season

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Speaker 2: two when we started leaning more into the rat pack thing. Okay,

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Speaker 2: also evidenced by the fabulous suspenders and silk shirts in

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Speaker 2: this episode.

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Speaker 1: I noticed that he definitely has a little shift in

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Speaker 1: his wardrobe.

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Speaker 2: Is we're heading more towards rat pack? We've we've started

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Speaker 2: as rock or Jesse. Season two was a little kind

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Speaker 2: of moving out of that, and now we're fully into suspenders,

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Speaker 2: wingtips and silk shirts.

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Speaker 1: Okay, I'm here for it. I like it. I'm here

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Speaker 1: And this is how I learned what the word capiche means.

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Speaker 1: Like it's this is full house is educational. It is

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Speaker 1: educationally it has taught us so many lessons and.

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Speaker 2: Reading Rainbow sasame Street full House.

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Speaker 1: That you know what. That is not even debatable. That

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Speaker 1: is a fact.

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Speaker 2: Yeah.

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Speaker 1: So Jesse proposes that they play again, and this time

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Speaker 1: he'll be the one who hides. Michelle counts as Jesse

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Speaker 1: leaves to hide, she counts to five before saying again,

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Speaker 1: here I am. Jesse pops out from behind the couch,

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Speaker 1: looking disappointed, and Michelle tells him I win again, capiche,

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Speaker 1: and Jesse responds capiche and tackles her on the couch.

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Speaker 1: Oh so cute.

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Speaker 2: I didn't know I was a capeche. I wonder where.

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Speaker 2: I mean, I know where it came from, but like,

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Speaker 2: was it a Is it like a thing that John

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Speaker 2: said often or was it just a new we're trying

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Speaker 2: out some new uh something and have mercy alternative? Yeah,

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Speaker 2: I wonder.

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Speaker 1: My gut feeling is that it's a John. But I

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Speaker 1: don't know why I feel that way.

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Speaker 2: Well, because it's a very because it's a John, because

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Speaker 2: we know John, and because we know that if something

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Speaker 2: made it into the script and stuck around that it

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Speaker 2: was probably something that he was like I'm going to

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Speaker 2: say this, like.

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Speaker 1: Yeah, it doesn't matter, definitely doesn't.

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Speaker 2: Maybe his idea, Yeah, yeah, okay.

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Speaker 1: Let's let's that's our consensus is that this originated with John, and.

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Speaker 2: It originated with John, and all I care about is

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Speaker 2: the suspender right right, and he's super tan. So you

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Speaker 2: can tell this is early beginning part of the season,

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Speaker 2: after we've all come back from summer.

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Speaker 1: Well in Hawaii, Like you are also dang tan because

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Speaker 1: this was the episode after Hawaii, and so I'm like,

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Speaker 1: they really.

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Speaker 2: Well, but Hawaii was season two.

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Speaker 1: We no, no, no, no no, that was the last episode

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Speaker 1: that was That's right, first of season. Yeah, so I

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Speaker 1: feel like I don't know when you guys went to

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Speaker 1: Hawaii or when we went to Hawaii, but yeah, your

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Speaker 1: Hawaiian tans are definitely still definitely full in effect here.

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Speaker 1: And then there's Me Pale Me, who walks in and whatever.

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Speaker 1: So next we are in the girls room. DJ is

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Speaker 1: fixing her hair and Steph says DJ, if it's not

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Speaker 1: ready by now, put on a hat. DJ explains that

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Speaker 1: it's her first day of junior high school and she

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Speaker 1: wants to look perfect. After fiddling it with it some more,

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Speaker 1: she gets her hair just right. She has Steph help

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Speaker 1: her spray her hair do with two cans of hair spray.

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Speaker 1: Steph pokes the hair and admits very natural. Yeah, what

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Speaker 1: were okay, what were you using? It? Was it? Was

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Speaker 1: it hairspray or was it?

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Speaker 2: Like no, I think it was just it was like, uh,

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Speaker 2: water vapor, just water vapor.

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Speaker 1: Okay.

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Speaker 2: So it looks like spray, Yeah, like a spray eavy

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Speaker 2: on misted sort of things. So it looks like hairspray,

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Speaker 2: but you're not actually just inhaling two cans of hairspray.

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Speaker 1: Okay, good, because I got worried for your for your

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Speaker 1: lungs for a minute. There.

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Speaker 2: No, we're not. We're not inhaling hairspray.

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Speaker 1: Okay. Good. So DJ is excited to finally go to

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Speaker 1: a school without a sandbox. Stephanie asks how can she

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Speaker 1: be so happy if they will no longer be attending

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Speaker 1: school together. DJ explains that she is a young adult

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Speaker 1: and Stephanie is a child, so starting now they're going

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Speaker 1: to be living different lives. Stuff points out that they

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Speaker 1: don't even live in separate rooms.

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Speaker 2: She's the voice of reason. You can't really is like

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Speaker 2: I don't, Yeah, you can't. We're not living very separate lives.

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Speaker 1: You cannot argue with Stephanie's reason because she's just she

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Speaker 1: has the best comebacks. So Stuff puts her arm around

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Speaker 1: DJ and begs her to stay at school with her.

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Speaker 1: She needs a big sister to stick up for her.

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Speaker 1: What if someone calls her a lameoid zombie dog?

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Speaker 2: That would be horrific.

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Speaker 1: That's the worst possible thing that could happen to a

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Speaker 1: second grader, right.

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Speaker 2: I was like, wait, did I make that upward? Did

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Speaker 2: someone write that? I want to true someone wrote it,

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Speaker 2: but it was a strange I was like, wow, I

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Speaker 2: thought that too.

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Speaker 1: I was like, I wonder, I wonder if Jody, like

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Speaker 1: not not that you would add lib at that age,

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Speaker 1: but like, yeah, it sounded like maybe it came from you.

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Speaker 2: It was it was written up. I guess it was

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Speaker 2: written okay.

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Speaker 1: So DJ says she didn't have a big sister to

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Speaker 1: stand up for her, and she was fine. Steph says

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Speaker 1: that when she gets to junior high, DJ will be

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Speaker 1: in high school, and when she finally gets to high school,

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Speaker 1: DJ will be in college. And then when she gets

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Speaker 1: to college, DJ will be working at McDonald's. Hey, don't

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Speaker 1: knock it. I've got, yeah, my seventeen year olds looking

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Speaker 1: for a job right now. So I'm like, don't knock it.

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Speaker 2: You know, Hey, jobs are important, everybody. We all need

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Speaker 2: jobs of varying degrees.

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Speaker 1: Absolutely not knocking that sure. So next we're in the

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Speaker 1: living room. Joey's on the phone with a client while pacing,

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Speaker 1: and Jesse trails behind him, listening attentively.

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Speaker 2: With more suspenders on, more suspenders.

400
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Speaker 1: I like this look. I really like this.

401
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Speaker 2: Low suspenders and that shirt. You can see the silk

402
00:19:30,280 --> 00:19:33,760
Speaker 2: it is. It is still probably not great for sweating in,

403
00:19:33,880 --> 00:19:34,800
Speaker 2: but it's lovely.

404
00:19:35,040 --> 00:19:38,200
Speaker 1: I'm sure he was sweating profusely under those hot lights.

405
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Speaker 1: But hey, you know what, the whole look worked. It

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00:19:40,520 --> 00:19:44,960
Speaker 1: worked for me anyways. So Joey conveys his and Jesse's

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Speaker 1: excitement to the client and their eagerness to share their ideas,

408
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Speaker 1: while Jesse continues grabbing the phone from him and repeating

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Speaker 1: exactly what Joey said, just adding the word extremely before it.

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Speaker 1: The doorbell rings and Joey says to Jesse, you get

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Speaker 1: the door, don't worry, I'll say everything twice. Jesse runs

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Speaker 1: to the door and it's Becky. Jessegay, Hey, thank goodness

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00:20:06,440 --> 00:20:09,840
Speaker 1: for Beckye. Jesse knows that she's there because she couldn't

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Speaker 1: get through the day without a good morning kiss. Becky

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Speaker 1: tells him she's there because Danny needs a ride to work,

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Speaker 1: but as long as she's there and they kiss. Kimmy

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Speaker 1: enters through the front door, sees the kiss and asks

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Speaker 1: this early, I hope you brushed.

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Speaker 2: Thank you, Kimmy. Thank you. They yeah, you walked in.

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Speaker 2: You're like, excuse me, you're blocking the door with your

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00:20:32,000 --> 00:20:33,600
Speaker 2: making out again.

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Speaker 1: Yes, like normally I would say, Jane, Kimmy, that was rude,

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Speaker 1: but no, they served this, Kimmy.

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Speaker 2: This was yeah. Yeah. Yeah.

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Speaker 1: I've also noticed that my hair is slightly less offensive

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Speaker 1: than season two.

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Speaker 2: It has deflated considerable.

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Speaker 1: It's deflated. I've got like a little the little half up. Yeah.

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Speaker 2: Yeah, it definitely looks more like it's actually growing out

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Speaker 2: of your head.

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Speaker 1: Yes, it doesn't look like a wig anymore. It looks

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00:21:01,840 --> 00:21:05,679
Speaker 1: like real hair. It's got like that wavness to it. Yeah,

433
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Speaker 1: I mean it's not it looks great. It's not my

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Speaker 1: best hair, but it's way better than season two.

435
00:21:10,000 --> 00:21:13,280
Speaker 2: It's I don't know, the bar at the bar is

436
00:21:13,320 --> 00:21:13,880
Speaker 2: pretty low.

437
00:21:15,920 --> 00:21:17,480
Speaker 1: I don't know what the hell happened to.

438
00:21:17,480 --> 00:21:19,800
Speaker 2: Your air in season two, but it was it was

439
00:21:19,840 --> 00:21:20,320
Speaker 2: a thing.

440
00:21:20,880 --> 00:21:25,040
Speaker 1: It was this gigantic well she's you know, she's going

441
00:21:25,080 --> 00:21:27,040
Speaker 1: to junior high. Now, she's got to have better hair.

442
00:21:27,280 --> 00:21:29,119
Speaker 2: Yeah, yeah, you can't, ye, you can't walk in with

443
00:21:29,160 --> 00:21:29,560
Speaker 2: hair like that.

444
00:21:29,880 --> 00:21:32,280
Speaker 1: She in no way, she wouldn't last a day with that.

445
00:21:32,480 --> 00:21:35,560
Speaker 2: Fit in the door. Yeah.

446
00:21:35,600 --> 00:21:38,600
Speaker 1: So Jesse proposes that this is the year that maybe

447
00:21:38,680 --> 00:21:41,400
Speaker 1: dj should pick Kimmy up on the way to school instead,

448
00:21:42,040 --> 00:21:45,280
Speaker 1: to which Kimmy responds, no, can do. My dad eats

449
00:21:45,280 --> 00:21:48,760
Speaker 1: his breakfast in his underwear, and that's not you know.

450
00:21:48,920 --> 00:21:51,320
Speaker 2: Or things we know about the Gibblers.

451
00:21:51,320 --> 00:21:53,480
Speaker 1: Well makes sense to me, of course he eats in

452
00:21:53,520 --> 00:21:54,800
Speaker 1: his underwear. Why get dressed.

453
00:21:55,280 --> 00:21:58,680
Speaker 2: They've got a pet ostrich. The underwear eating breakfast is

454
00:21:58,720 --> 00:21:59,919
Speaker 2: not the weirdest thing that they do.

455
00:22:00,160 --> 00:22:02,879
Speaker 1: This is the least concerning thing about the Ghibblers, right.

456
00:22:02,800 --> 00:22:03,440
Speaker 2: Yeah, exactly.

457
00:22:04,680 --> 00:22:07,520
Speaker 1: So Joey finishes up his phone call and Jesse runs

458
00:22:07,560 --> 00:22:11,359
Speaker 1: up to him, asking what happened. Joey excitedly breaks the news,

459
00:22:11,440 --> 00:22:13,720
Speaker 1: explaining that they are going to be meeting up with

460
00:22:13,760 --> 00:22:17,600
Speaker 1: the client and pitching the idea over a game of golf.

461
00:22:18,720 --> 00:22:21,320
Speaker 2: We know how excited Joey is about golf from Hawaii.

462
00:22:21,600 --> 00:22:24,360
Speaker 1: Oh yeah, yeah, that's right. Oh I forgot about that

463
00:22:24,560 --> 00:22:27,240
Speaker 1: this is a good through line. Yeah, he's still still

464
00:22:27,240 --> 00:22:32,439
Speaker 1: into golf, but Jesse is not. Jesse immediately declines this idea,

465
00:22:32,960 --> 00:22:36,800
Speaker 1: saying golf is a game for little ladies. Becky buttson,

466
00:22:37,040 --> 00:22:40,400
Speaker 1: I play golf, and Jesse quickly adds, oh and hot

467
00:22:40,440 --> 00:22:44,920
Speaker 1: young babes, which is funny because Laurie really does love golf.

468
00:22:45,240 --> 00:22:47,240
Speaker 2: H Lori and Dave are both very big golfers.

469
00:22:47,600 --> 00:22:50,920
Speaker 1: Yeah, so Joey walks over, laughing to himself, and Jesse

470
00:22:51,040 --> 00:22:55,520
Speaker 1: asks what Joey says? You can't play golf, can you?

471
00:22:56,560 --> 00:22:58,960
Speaker 1: Joey and Jesse hit each other back and forth, fighting

472
00:22:59,000 --> 00:23:01,960
Speaker 1: about whether or not Jesse he can play golf. Jesse

473
00:23:02,040 --> 00:23:05,720
Speaker 1: gets up and demonstrates himself playing golf and describes a

474
00:23:05,760 --> 00:23:09,880
Speaker 1: game of miniature golf, the best kind of golf, that is.

475
00:23:09,960 --> 00:23:11,640
Speaker 1: You know, why bother with the real thing?

476
00:23:12,240 --> 00:23:15,000
Speaker 2: When you come any distance, I need wind mills, yes.

477
00:23:14,960 --> 00:23:19,280
Speaker 1: Wind mills. Clown mouths. Yeah, like bridges, and the clown

478
00:23:19,280 --> 00:23:22,560
Speaker 1: mouths are a little freaky, but well okay, but wind mills,

479
00:23:22,840 --> 00:23:25,439
Speaker 1: wind mills, wind mills, yeah, and those little mazes. You

480
00:23:25,440 --> 00:23:27,520
Speaker 1: know how you have to get through the maids. Oh,

481
00:23:27,920 --> 00:23:28,480
Speaker 1: it's as.

482
00:23:28,480 --> 00:23:30,120
Speaker 2: Volcano love it.

483
00:23:30,960 --> 00:23:34,240
Speaker 1: So Danny cheerfully walks into the room, shouting, girls, I

484
00:23:34,280 --> 00:23:38,399
Speaker 1: have your lunches, and DJ responds, Dad, we're right behind you.

485
00:23:39,520 --> 00:23:42,680
Speaker 1: Kimmy tells mister Tanner to wake up. In junior high,

486
00:23:42,840 --> 00:23:44,600
Speaker 1: the cool kids buy their lunch.

487
00:23:45,160 --> 00:23:48,520
Speaker 2: Oh, yes, I remember this transition. This hasn'tened then. I'm

488
00:23:48,520 --> 00:23:50,920
Speaker 2: pretty sure that they just don't eat lunch at all. No,

489
00:23:51,080 --> 00:23:53,960
Speaker 2: did you eat? Yeah? I had a Snickers And you're like, what.

490
00:23:54,280 --> 00:23:55,240
Speaker 1: Why don't they eat?

491
00:23:55,280 --> 00:23:58,920
Speaker 2: That starts somewhere in like junior all of a sudden

492
00:24:00,200 --> 00:24:03,800
Speaker 2: cool for some reason. Eating around other people is one

493
00:24:03,840 --> 00:24:07,200
Speaker 2: of those embarrassing human things that you do where people

494
00:24:07,240 --> 00:24:08,920
Speaker 2: are like, no, you can't, like it looks weird when

495
00:24:08,920 --> 00:24:11,080
Speaker 2: you eat, and you're like, but you're okay, okay.

496
00:24:10,760 --> 00:24:12,840
Speaker 1: But then you have to go six or seven hours

497
00:24:12,880 --> 00:24:14,960
Speaker 1: without eating, like like I need that.

498
00:24:16,359 --> 00:24:19,840
Speaker 2: Just yapping away at each other anyway, So they yeah.

499
00:24:19,720 --> 00:24:22,280
Speaker 1: They don't care, but yeah, this is true. So I

500
00:24:22,280 --> 00:24:24,600
Speaker 1: wonder if they're just pocketing the lunch money.

501
00:24:24,920 --> 00:24:30,119
Speaker 2: Mm see probably, But my kids don't have It's like

502
00:24:30,119 --> 00:24:32,400
Speaker 2: they have a little account at school. Yeah, that's how

503
00:24:32,440 --> 00:24:35,280
Speaker 2: mine work to get like free lunch stuff. Now.

504
00:24:35,480 --> 00:24:41,560
Speaker 1: Oh yeah, yeah, that's right, because all the kids get Yeah. Anyway, okay, anyways, tangent, tangent. So,

505
00:24:41,680 --> 00:24:44,040
Speaker 1: Kimmy tells mister t if you want to be a

506
00:24:44,040 --> 00:24:47,640
Speaker 1: good dad, give her a bag of cash. Danny gives

507
00:24:47,680 --> 00:24:50,080
Speaker 1: DJ some money for lunch and a little extra money

508
00:24:50,080 --> 00:24:51,119
Speaker 1: to make some new friends.

509
00:24:52,040 --> 00:24:55,640
Speaker 2: I feel like that money went straight to Kimmy for sure. Yeah.

510
00:24:56,000 --> 00:24:57,680
Speaker 2: She's like, I mean, since your dad gave them out,

511
00:24:57,880 --> 00:24:58,320
Speaker 2: I'll take it.

512
00:24:58,320 --> 00:25:01,280
Speaker 1: I'll take it right. She's hey, she has a she

513
00:25:01,320 --> 00:25:03,679
Speaker 1: has an ostrich to feed, so she needs a little extra.

514
00:25:03,440 --> 00:25:05,240
Speaker 2: Cash a lot. Yeah.

515
00:25:05,359 --> 00:25:08,280
Speaker 1: Becky tells DJ and Kimmy that junior high is when

516
00:25:08,320 --> 00:25:12,000
Speaker 1: she got her first boyfriend, her first slow dance, and

517
00:25:12,119 --> 00:25:16,280
Speaker 1: her first slow kiss. Danny gives Becky a warning look,

518
00:25:16,359 --> 00:25:18,119
Speaker 1: and she adds, oh, and then I woke up and

519
00:25:18,160 --> 00:25:21,159
Speaker 1: it was all a dream. That seems young to me.

520
00:25:21,200 --> 00:25:23,679
Speaker 1: I mean, granted I'm a little prudish, but I'm like, really,

521
00:25:24,160 --> 00:25:28,240
Speaker 1: junior highs when you get your first boyfriend kiss. Oh.

522
00:25:28,240 --> 00:25:29,160
Speaker 1: I was a late bloomer.

523
00:25:29,200 --> 00:25:31,480
Speaker 2: I was like eighth grade.

524
00:25:31,960 --> 00:25:33,840
Speaker 1: Oh yeah, yeah, I know a lot.

525
00:25:34,119 --> 00:25:36,080
Speaker 2: That's my Yeah, I think I have my Yeah, I

526
00:25:36,080 --> 00:25:38,280
Speaker 2: think I had my first kiss in seventh grade. Oh wow,

527
00:25:38,520 --> 00:25:39,480
Speaker 2: behind the art room.

528
00:25:39,760 --> 00:25:44,359
Speaker 1: Oh really? Yeah? So wait, your first kiss wasn't on

529
00:25:45,320 --> 00:25:47,520
Speaker 1: Full House. Well besides that.

530
00:25:47,520 --> 00:25:49,520
Speaker 2: I don't count that because that is not like that

531
00:25:49,640 --> 00:25:52,320
Speaker 2: was like you know what I mean, like stage kiss

532
00:25:52,680 --> 00:25:55,800
Speaker 2: was yeah, okay, like an actual the one that counted.

533
00:25:56,000 --> 00:25:59,720
Speaker 1: So my then okay, so my first kiss was on

534
00:25:59,800 --> 00:26:02,000
Speaker 1: Full House. But if we're not counting that, yeah, I

535
00:26:02,160 --> 00:26:04,080
Speaker 1: feel so I remember my first kiss. I think I

536
00:26:04,119 --> 00:26:06,320
Speaker 1: was fifteen, so I was late. I mean I was

537
00:26:06,320 --> 00:26:08,560
Speaker 1: already well into high school. I was a late bloomer.

538
00:26:08,760 --> 00:26:11,920
Speaker 2: But whatever, that's okay, that's fine, that's fine.

539
00:26:11,960 --> 00:26:16,679
Speaker 1: Look at me now, uh okay, where am I DJing?

540
00:26:16,840 --> 00:26:17,399
Speaker 2: What's happening?

541
00:26:17,480 --> 00:26:20,240
Speaker 1: What is happening? I'm so distracted now thinking about my first.

542
00:26:20,080 --> 00:26:21,600
Speaker 2: Cais is what happens when we go away for a

543
00:26:21,600 --> 00:26:23,080
Speaker 2: few weeks and then all of a sudden we come back.

544
00:26:23,119 --> 00:26:24,399
Speaker 2: We're like, how do we do this again?

545
00:26:24,480 --> 00:26:26,240
Speaker 1: How do we podcast again?

546
00:26:26,560 --> 00:26:26,800
Speaker 2: Right?

547
00:26:27,560 --> 00:26:31,000
Speaker 1: So, DJ and Kimmy begin to leave when Michelle walks

548
00:26:31,040 --> 00:26:33,800
Speaker 1: in and runs after them, yelling for them to wait

549
00:26:33,840 --> 00:26:34,280
Speaker 1: for her.

550
00:26:34,680 --> 00:26:35,320
Speaker 2: I go to.

551
00:26:36,760 --> 00:26:39,280
Speaker 1: Joey runs up to Michelle to remind her that she

552
00:26:39,320 --> 00:26:44,240
Speaker 1: doesn't start nursery school until next year. Stephanie announces to

553
00:26:44,280 --> 00:26:47,920
Speaker 1: the family, well, I'm going now the only Tanner left

554
00:26:47,960 --> 00:26:51,399
Speaker 1: in my school. Her father tries to interrupt, but she

555
00:26:51,480 --> 00:26:55,600
Speaker 1: keeps going, no, really, it's a beautiful thing. Why is

556
00:26:55,640 --> 00:26:57,920
Speaker 1: Steph suddenly like a forty year old?

557
00:26:58,080 --> 00:27:01,359
Speaker 2: You know she always is. She's got this weird little

558
00:27:01,680 --> 00:27:04,480
Speaker 2: side of her. She's like, no, please, it's fine. I've

559
00:27:04,520 --> 00:27:08,320
Speaker 2: got it myself. Yeah, she's so dramatic. You can get up. Yeah,

560
00:27:08,520 --> 00:27:09,080
Speaker 2: very dramatic.

561
00:27:09,440 --> 00:27:12,000
Speaker 1: Danny knows that she's scared, but he assures her that

562
00:27:12,080 --> 00:27:16,040
Speaker 1: everything's going to be fine. Steph asks, so I shouldn't

563
00:27:16,040 --> 00:27:20,040
Speaker 1: even bother with the phony cough. Steph leaves and everyone

564
00:27:20,080 --> 00:27:22,800
Speaker 1: gives her words of encouragement. As she goes to open

565
00:27:22,840 --> 00:27:25,360
Speaker 1: the door. She turns back one more time and repeats

566
00:27:25,880 --> 00:27:33,919
Speaker 1: the only Tanner and sighs before exiting. Dramatic, dramatic, beautiful performance.

567
00:27:34,040 --> 00:27:36,119
Speaker 2: Joy, ste You'll be fine.

568
00:27:36,359 --> 00:27:38,720
Speaker 1: Michelle looks at the adults and says, well, now what,

569
00:27:39,280 --> 00:27:44,840
Speaker 1: and they all shrug in response. Next, we are at

570
00:27:44,840 --> 00:27:48,280
Speaker 1: the Joy Here we go. Oh, I just I love

571
00:27:48,320 --> 00:27:51,600
Speaker 1: this so much. DJ is looking over her schedule as

572
00:27:51,600 --> 00:27:55,160
Speaker 1: a group of popular girls bump into her, saying look out,

573
00:27:55,280 --> 00:28:00,159
Speaker 1: scrub these new kids are so tiny, they're embryonic. They

574
00:28:00,240 --> 00:28:02,359
Speaker 1: laugh as they walk away.

575
00:28:02,600 --> 00:28:05,080
Speaker 2: It was like this was like early Euphoria though with

576
00:28:05,119 --> 00:28:07,760
Speaker 2: the outfits. Oh yeah, it was like who wears stuff

577
00:28:07,800 --> 00:28:09,800
Speaker 2: like this in middle school? Anyway? Yeah?

578
00:28:09,920 --> 00:28:12,359
Speaker 1: No, it was the looks.

579
00:28:12,400 --> 00:28:14,240
Speaker 2: Yeah, it was like the Euphoria high school alvids where

580
00:28:14,240 --> 00:28:17,000
Speaker 2: you're like, who what is Who's wearing this?

581
00:28:17,200 --> 00:28:18,920
Speaker 1: Who wears that to school every day?

582
00:28:19,240 --> 00:28:19,400
Speaker 2: Right?

583
00:28:19,680 --> 00:28:22,040
Speaker 1: It worked though, you know, it works, totally worked.

584
00:28:22,160 --> 00:28:22,440
Speaker 2: Yeah.

585
00:28:22,560 --> 00:28:25,680
Speaker 1: Kimmy spots DJ in the crowd and DJ grabs her tight,

586
00:28:25,920 --> 00:28:29,000
Speaker 1: don't ever leave my side again. A tall boy with

587
00:28:29,040 --> 00:28:32,000
Speaker 1: a mustache walks past, and DJ points at him, saying,

588
00:28:32,480 --> 00:28:34,119
Speaker 1: that kid has a mustache.

589
00:28:34,640 --> 00:28:37,760
Speaker 2: It is the difference in junior high. It's there, the

590
00:28:37,960 --> 00:28:41,840
Speaker 2: wide range. It's like seventh to ninth grade. It's you

591
00:28:41,840 --> 00:28:44,320
Speaker 2: you don't know what you're gonna get. Yeah, there's a

592
00:28:44,480 --> 00:28:47,080
Speaker 2: there's a six foot tall one. There's a kid that

593
00:28:47,160 --> 00:28:50,120
Speaker 2: still looks like he's in fourth grade. There's a girl

594
00:28:50,200 --> 00:28:52,520
Speaker 2: that looks like she could be teaching the class. There's

595
00:28:52,560 --> 00:28:54,480
Speaker 2: a one that's got it picked out like it's just

596
00:28:54,600 --> 00:28:57,560
Speaker 2: they're all over the map, nobody, and they're all a mess. Yeah.

597
00:28:57,680 --> 00:29:00,760
Speaker 1: Yes, junior high is that time period where you just

598
00:29:00,800 --> 00:29:02,920
Speaker 1: can't predict when you're gonna hit puberty.

599
00:29:02,840 --> 00:29:04,480
Speaker 2: When you're get right when it's gonna happen.

600
00:29:04,520 --> 00:29:07,400
Speaker 1: It's so funny, And I'm just going to say that

601
00:29:07,520 --> 00:29:09,800
Speaker 1: kid with the mustache, I'm just going to say that

602
00:29:09,960 --> 00:29:13,960
Speaker 1: is Ripper with the rattails kid, Like I'm just gonna

603
00:29:13,960 --> 00:29:16,080
Speaker 1: say that is my hypothesis.

604
00:29:16,360 --> 00:29:18,840
Speaker 2: Doesn't he kind of look like him too? He totally

605
00:29:18,880 --> 00:29:23,080
Speaker 2: did the facial and and then and a penchant for

606
00:29:23,360 --> 00:29:26,280
Speaker 2: uh for hair yeah yeah expression.

607
00:29:26,320 --> 00:29:27,160
Speaker 1: So that's.

608
00:29:28,920 --> 00:29:30,200
Speaker 2: Is mustache guy.

609
00:29:30,280 --> 00:29:34,719
Speaker 1: Yep, yep. So Kimmy's in shock, she says, these people,

610
00:29:34,760 --> 00:29:38,880
Speaker 1: they're like totally mature. A couple starts making out in

611
00:29:38,920 --> 00:29:41,640
Speaker 1: the hallway, and DJ points it out, saying, where are

612
00:29:41,680 --> 00:29:47,360
Speaker 1: we the young and the restless Junior High? Seriously, Kimmy

613
00:29:47,640 --> 00:29:51,719
Speaker 1: checks dj schedule, realizing they only have one class together,

614
00:29:52,120 --> 00:29:57,040
Speaker 1: six period Spanish. DJ size, great, the only time we're together.

615
00:29:57,320 --> 00:30:01,320
Speaker 1: We can't speak English. A girl walks up to DJ

616
00:30:01,440 --> 00:30:05,480
Speaker 1: and Kimmy and excitedly greets them. DJ asks do we

617
00:30:05,560 --> 00:30:08,640
Speaker 1: know you? And the girl says, duh, we only went

618
00:30:08,640 --> 00:30:12,280
Speaker 1: to school together for the past six years. She reveals

619
00:30:12,280 --> 00:30:17,120
Speaker 1: herself to be the Kathy Santoni. Oh here we are

620
00:30:17,280 --> 00:30:20,200
Speaker 1: rocking a crop top and I'll write a little pencil

621
00:30:20,240 --> 00:30:21,080
Speaker 1: skirt rack.

622
00:30:21,680 --> 00:30:26,400
Speaker 2: I was like, what what's happening? Hey?

623
00:30:26,520 --> 00:30:29,360
Speaker 1: You know this? This was just I love it. I

624
00:30:29,400 --> 00:30:31,560
Speaker 1: love that Kathy Santoni is finally here.

625
00:30:31,720 --> 00:30:34,080
Speaker 2: She's finally here, finally here.

626
00:30:34,760 --> 00:30:37,040
Speaker 1: DJ and Kimmy look at each other and shock and

627
00:30:37,080 --> 00:30:41,320
Speaker 1: then they say in unison, Kathy Santoni. Kimmy admits, you

628
00:30:41,400 --> 00:30:44,000
Speaker 1: grew up, and DJ looks her up and down and

629
00:30:44,040 --> 00:30:50,840
Speaker 1: adds big time. Kathy responds pretty intense summer. Kathy begins

630
00:30:50,880 --> 00:30:52,960
Speaker 1: to tell them everything that she's found out so far.

631
00:30:53,320 --> 00:30:56,160
Speaker 1: All the cute guys take metal shop, and everyone makes

632
00:30:56,160 --> 00:30:57,880
Speaker 1: out after school on the football field.

633
00:30:58,680 --> 00:31:01,720
Speaker 2: Everyone just just it's just just a field full of

634
00:31:01,840 --> 00:31:04,520
Speaker 2: seventh and eighth graders just making out randomly.

635
00:31:04,600 --> 00:31:07,640
Speaker 1: Yeah, yeah, everybody. Well, and that Kimmy asks that everyone

636
00:31:07,880 --> 00:31:11,200
Speaker 1: like she's all so excited to be included, right, And

637
00:31:11,320 --> 00:31:13,160
Speaker 1: Kathy brings her back down and was just like, well

638
00:31:13,160 --> 00:31:18,280
Speaker 1: maybe not everyone. Oh poor Kimmy. The school bell rings

639
00:31:18,320 --> 00:31:21,320
Speaker 1: and this all the students disperse for class. The popular

640
00:31:21,400 --> 00:31:24,320
Speaker 1: girls walk past Kimmy and DJ again, pointing and laughing,

641
00:31:24,360 --> 00:31:27,280
Speaker 1: at them. DJ tells Kimmy, I might go back to

642
00:31:27,320 --> 00:31:31,640
Speaker 1: the sixth grade. Stephanie really needs me. I just I

643
00:31:31,680 --> 00:31:34,000
Speaker 1: can feel it, like I could feel that visceral like

644
00:31:34,880 --> 00:31:37,760
Speaker 1: insecurity and just anxiety.

645
00:31:38,040 --> 00:31:42,160
Speaker 2: Everything. Everything's just miserable and you're like you want to cry,

646
00:31:42,480 --> 00:31:43,959
Speaker 2: but you also are like I'm fine.

647
00:31:44,120 --> 00:31:47,640
Speaker 1: And it's oh the emotions, the emotional roller coaster.

648
00:31:47,720 --> 00:31:52,280
Speaker 2: You hate everyone, yourself, your parents, Yeah, it's it's the word,

649
00:31:52,360 --> 00:31:54,680
Speaker 2: your friends. One minute with somebody, then you're not the

650
00:31:54,720 --> 00:31:58,320
Speaker 2: next then you hate, like, oh god, it's just exhausting. Yeah.

651
00:31:58,440 --> 00:32:01,320
Speaker 1: I this this episode is so relatable. It brought me

652
00:32:01,600 --> 00:32:05,000
Speaker 1: right back to those feelings. Oh yeah. So next, we

653
00:32:05,040 --> 00:32:08,479
Speaker 1: are in the backyard and Joey's practicing his golfing and

654
00:32:08,520 --> 00:32:12,680
Speaker 1: Michelle joins him with her own toy clubs. Joey sits

655
00:32:12,680 --> 00:32:15,440
Speaker 1: her down so she can watch Jesse's golf lesson first

656
00:32:15,760 --> 00:32:20,920
Speaker 1: and Michelle responds, got it, dude, Okay, I'm gonna say

657
00:32:20,920 --> 00:32:23,320
Speaker 1: a little look a little thumb I got a little

658
00:32:23,320 --> 00:32:24,880
Speaker 1: thumbs up. I'm gonna say this is our first. You

659
00:32:24,960 --> 00:32:27,000
Speaker 1: got it, dude, even though she dropped the U.

660
00:32:27,360 --> 00:32:27,960
Speaker 2: This is our first.

661
00:32:27,960 --> 00:32:31,080
Speaker 1: You got it, dude, You got it? Dude, I think so.

662
00:32:32,080 --> 00:32:33,800
Speaker 2: Let's like, I see I keep feeling like, no, I've

663
00:32:33,840 --> 00:32:36,440
Speaker 2: seen that before, but they I don't know.

664
00:32:36,480 --> 00:32:42,040
Speaker 1: Well, our fan Uritos will tell us if right. Yeah,

665
00:32:42,120 --> 00:32:44,520
Speaker 1: they're gonna tell us. But I was very excited. She

666
00:32:44,560 --> 00:32:45,960
Speaker 1: had the thumbs up and everything.

667
00:32:46,000 --> 00:32:49,960
Speaker 2: But it could be. I'm not gonna say it is

668
00:32:50,040 --> 00:32:52,280
Speaker 2: or isn't, because I'm probably wrong either way. Okay, we

669
00:32:52,320 --> 00:32:52,600
Speaker 2: think it.

670
00:32:52,760 --> 00:32:55,200
Speaker 1: I think it is, but if not, Fos, please correct me.

671
00:32:56,440 --> 00:32:59,400
Speaker 1: So Jesse comes out of the house wearing a pastel

672
00:32:59,680 --> 00:33:04,920
Speaker 1: pink golf Outfit's great. I thought he looked great too,

673
00:33:05,600 --> 00:33:09,640
Speaker 1: Like he was. He was looking the part. But yeah, uh,

674
00:33:09,840 --> 00:33:12,520
Speaker 1: but Joey and Michelle burst into laughter at the sight

675
00:33:12,600 --> 00:33:16,240
Speaker 1: of him. Joey reminds Jesse that they're doing this to

676
00:33:16,280 --> 00:33:20,800
Speaker 1: impress the client, and Jesse jokes how by burning out

677
00:33:20,840 --> 00:33:23,520
Speaker 1: his retinas he is.

678
00:33:23,640 --> 00:33:26,560
Speaker 2: He is bright, but you know he is great. But

679
00:33:26,640 --> 00:33:28,200
Speaker 2: he looks great. Yeah.

680
00:33:28,480 --> 00:33:32,360
Speaker 1: Joey tells him to watch his demonstration swing. Jesse watches

681
00:33:32,400 --> 00:33:34,960
Speaker 1: and asks, that's it, that's the whole thing.

682
00:33:35,480 --> 00:33:38,280
Speaker 2: He's a cake. It does look deceptively easy.

683
00:33:38,400 --> 00:33:38,800
Speaker 1: It does.

684
00:33:39,000 --> 00:33:40,680
Speaker 2: It looks very I mean, not that I've ever really

685
00:33:40,760 --> 00:33:43,520
Speaker 2: attempted playing golf, but it looks you're like, ah, just

686
00:33:43,520 --> 00:33:44,440
Speaker 2: swing a thing at a thing.

687
00:33:44,600 --> 00:33:47,840
Speaker 1: Yes, oh no, it's there's a lot more skill involved

688
00:33:47,960 --> 00:33:50,720
Speaker 1: than just that, but it is it looks deceptively simple.

689
00:33:51,760 --> 00:33:54,280
Speaker 1: Jesse takes the club from Joey and proudly tells him

690
00:33:54,320 --> 00:33:58,240
Speaker 1: to watch the kid take care of business. Before taking

691
00:33:58,280 --> 00:34:03,040
Speaker 1: his swing. Jesse circles hips and begins to move like Elvis.

692
00:34:04,120 --> 00:34:08,520
Speaker 1: This is such a John's so great, He's so into this.

693
00:34:09,480 --> 00:34:14,120
Speaker 1: Joey butts in Jess, Elvis never made one golf movie.

694
00:34:14,880 --> 00:34:17,520
Speaker 1: So Jesse practices his swing and hits the club into

695
00:34:17,560 --> 00:34:20,440
Speaker 1: the ground, picking up a mound of grass in the process.

696
00:34:21,120 --> 00:34:25,160
Speaker 1: Michelle says, uh oh, and Joey jokes, very few golfers

697
00:34:25,200 --> 00:34:26,960
Speaker 1: can drive a lawn that far.

698
00:34:27,520 --> 00:34:32,320
Speaker 2: Yeah, that's usually what happens to me. M chunk divots, divots.

699
00:34:33,280 --> 00:34:36,680
Speaker 1: So Joey gets up behind Jesse to give him a

700
00:34:36,719 --> 00:34:37,720
Speaker 1: hand with his stroke.

701
00:34:40,040 --> 00:34:42,800
Speaker 2: Did you really have to write and say that sentence?

702
00:34:44,239 --> 00:34:49,400
Speaker 1: It's accurate, it's.

703
00:34:47,360 --> 00:34:49,239
Speaker 2: True, but you you just know the guy.

704
00:34:49,320 --> 00:34:51,640
Speaker 1: How many takes did it take the guys to get

705
00:34:51,719 --> 00:34:57,040
Speaker 1: through this this scene? Jesse slowly turns his head to

706
00:34:57,040 --> 00:34:59,520
Speaker 1: look at Joey behind him and says, I hope this

707
00:34:59,600 --> 00:35:03,040
Speaker 1: is gold related, and Joey says if it wasn't, he

708
00:35:03,040 --> 00:35:07,480
Speaker 1: wouldn't be doing it. Joey instructs Jesse on exactly what

709
00:35:07,560 --> 00:35:10,400
Speaker 1: to do with his swing. He asks if Jesse is

710
00:35:10,440 --> 00:35:13,839
Speaker 1: ready to try one for himself, and Jesse sarcastically says, no,

711
00:35:14,080 --> 00:35:16,280
Speaker 1: I want to play like this for eighteen holes.

712
00:35:16,520 --> 00:35:17,040
Speaker 2: Get off.

713
00:35:19,640 --> 00:35:23,080
Speaker 1: Joey hands Jesse a large pink ball to hit. Jesse

714
00:35:23,200 --> 00:35:27,000
Speaker 1: misses the ball completely, hitting the grass again, and Michelle says,

715
00:35:27,360 --> 00:35:28,280
Speaker 1: daddy be mad.

716
00:35:29,160 --> 00:35:30,040
Speaker 2: Yeah.

717
00:35:30,360 --> 00:35:33,240
Speaker 1: Michelle takes a turn practicing her swing on the ball

718
00:35:33,520 --> 00:35:37,279
Speaker 1: and hits it on her first attempt. She says, I'm good,

719
00:35:37,800 --> 00:35:40,879
Speaker 1: and Joey asks Jesse see how she kept her head down.

720
00:35:43,080 --> 00:35:45,600
Speaker 1: Michelle's so confident, Like, I love the confidence of.

721
00:35:45,640 --> 00:35:48,479
Speaker 2: A two second Yeah, I got it. Anyway, I'm done by.

722
00:35:49,680 --> 00:35:52,840
Speaker 1: All right, we're back in the Junior High. DJ walks

723
00:35:52,880 --> 00:35:56,520
Speaker 1: into the cafeteria, nervously scanning the room for a seat.

724
00:35:56,960 --> 00:35:59,480
Speaker 2: Oh, trauma, It's just that's the worst.

725
00:35:59,800 --> 00:36:02,120
Speaker 1: Yeah, Like, who are you gonna sit with? What if

726
00:36:02,120 --> 00:36:03,919
Speaker 1: your friends aren't they're doing that now?

727
00:36:04,360 --> 00:36:06,960
Speaker 2: If I go somewhere or like at like lunch with

728
00:36:07,000 --> 00:36:08,840
Speaker 2: like crews, and you're like, oh no, oh no, I

729
00:36:08,840 --> 00:36:09,440
Speaker 2: have to find.

730
00:36:09,239 --> 00:36:12,600
Speaker 1: This oh no, oh ah. Yeah, it's terrifying. Yeah, it

731
00:36:12,600 --> 00:36:14,920
Speaker 1: doesn't matter how old you are when you walk into.

732
00:36:14,760 --> 00:36:17,520
Speaker 2: A room full of unknowns and you just can't help

733
00:36:17,560 --> 00:36:20,600
Speaker 2: but feel like lame carrying a tray. It's just you

734
00:36:20,600 --> 00:36:23,680
Speaker 2: have a train, you're like the like. It just you

735
00:36:23,800 --> 00:36:25,960
Speaker 2: just feel stupid because now your because I think it

736
00:36:26,000 --> 00:36:29,600
Speaker 2: reminds everyone of being back in like elementary middle school

737
00:36:29,719 --> 00:36:32,680
Speaker 2: and the horrors of going through the lunch line.

738
00:36:32,840 --> 00:36:35,360
Speaker 1: Yeah. Well, because once you're carrying the tray, you're committed.

739
00:36:35,400 --> 00:36:37,520
Speaker 1: People know that you're here to eat lunch. It's not

740
00:36:37,560 --> 00:36:40,440
Speaker 1: like you're just passing through, right, Yeah, exactly, You're here

741
00:36:40,440 --> 00:36:42,160
Speaker 1: to eat lunch. And so if you don't find a

742
00:36:42,320 --> 00:36:46,680
Speaker 1: place to sit, there's nowhere to go go. Right So,

743
00:36:46,760 --> 00:36:49,600
Speaker 1: unbeknownst to DJ, a girl walks in directly behind her.

744
00:36:50,160 --> 00:36:54,240
Speaker 1: The popular girl from before yells and DJ's direction over here,

745
00:36:54,480 --> 00:36:57,200
Speaker 1: I saved you a seat, and DJ walks over to

746
00:36:57,239 --> 00:36:58,160
Speaker 1: her in relief.

747
00:36:58,760 --> 00:37:00,800
Speaker 2: Oh then they've done that. This is the worst O.

748
00:37:01,400 --> 00:37:04,760
Speaker 1: This is relatable. DJ gets to the table and says, thanks,

749
00:37:05,040 --> 00:37:08,160
Speaker 1: my name is and the girl responds, not you scrub,

750
00:37:08,360 --> 00:37:12,719
Speaker 1: The seat's taken, and the girl behind her sits down cool.

751
00:37:14,360 --> 00:37:18,440
Speaker 1: One of the teachers, missus Agbabian, walks in. She reminds

752
00:37:18,520 --> 00:37:21,840
Speaker 1: DJ to keep the aisle clear. Once DJ and the

753
00:37:21,880 --> 00:37:24,719
Speaker 1: teacher are standing next to each other, it becomes very

754
00:37:24,719 --> 00:37:28,880
Speaker 1: clear that they are wearing the exact same outfit.

755
00:37:30,880 --> 00:37:33,960
Speaker 2: Just a hole would have to open up in the

756
00:37:34,000 --> 00:37:36,000
Speaker 2: middle of the school cafeteria and swallow me right that

757
00:37:36,080 --> 00:37:40,040
Speaker 2: in there, like that's it. I'm I'm like beneath the

758
00:37:40,080 --> 00:37:40,760
Speaker 2: school now.

759
00:37:40,600 --> 00:37:42,959
Speaker 1: The hits just keep on coming, like it just keeps

760
00:37:42,960 --> 00:37:43,439
Speaker 1: getting viner.

761
00:37:43,600 --> 00:37:44,840
Speaker 2: And you know what the thing is too, is I

762
00:37:44,840 --> 00:37:47,080
Speaker 2: was like, I actually when I saw her outfit too,

763
00:37:47,120 --> 00:37:48,279
Speaker 2: like in the first Sea, I was like, oh, that's

764
00:37:48,280 --> 00:37:50,919
Speaker 2: a cute outfit. That's a cute little DJ outfit.

765
00:37:50,719 --> 00:37:53,040
Speaker 1: Right, I thought it was stylish for you know, nineteen

766
00:37:53,080 --> 00:37:55,720
Speaker 1: eighty nine, and well it was, Yeah, it was stylish,

767
00:37:55,800 --> 00:37:59,200
Speaker 1: but so the teacher apparently the teacher so too, oh dear.

768
00:37:59,480 --> 00:38:00,440
Speaker 2: Which means it wasn't.

769
00:38:00,760 --> 00:38:06,120
Speaker 1: Yeah. So the whole cafeteria laughs at this discovery, and

770
00:38:06,200 --> 00:38:09,720
Speaker 1: before walking off, the teacher compliments DJ, that's a very

771
00:38:09,760 --> 00:38:15,080
Speaker 1: snappy outfit. Worst the whole cafeteria laughs, including the Ripper

772
00:38:15,120 --> 00:38:18,919
Speaker 1: with the rattails son, Ripper with the ratail Junior. He's

773
00:38:19,040 --> 00:38:20,000
Speaker 1: laughing at her too.

774
00:38:20,480 --> 00:38:27,000
Speaker 2: With Ripper with a rattail mustache. Yes, and DJ, it's

775
00:38:27,040 --> 00:38:29,919
Speaker 2: actually it's Ripper Junior with a mustache. Yeah, but I like, yeah,

776
00:38:29,920 --> 00:38:32,200
Speaker 2: oh yeah, Ripper Junior Tail Junior with a mustache.

777
00:38:32,239 --> 00:38:34,960
Speaker 1: Rattail Junior with a mustache. That's it. That's it.

778
00:38:35,040 --> 00:38:39,480
Speaker 2: That's the name or mustache rattail Junior. That would be

779
00:38:39,480 --> 00:38:42,080
Speaker 2: his official name on his you know, government stuff.

780
00:38:42,120 --> 00:38:47,160
Speaker 1: Oh wait, mustache rattail junior mustache, Ripper with the rattail

781
00:38:47,800 --> 00:38:48,560
Speaker 1: is senior.

782
00:38:48,640 --> 00:38:51,080
Speaker 2: Oh okay, then mustache rattail Junior.

783
00:38:51,239 --> 00:38:52,920
Speaker 1: So what's the nickname? I'm never gonna remember that.

784
00:38:53,000 --> 00:38:55,200
Speaker 2: Rattail is the is the last name? That's where we're going.

785
00:38:55,320 --> 00:38:57,520
Speaker 2: Rattail mustache names first name? Right, Okay?

786
00:38:57,520 --> 00:39:01,000
Speaker 1: So it's mustache with rattails is right? Okay, Okay, it's

787
00:39:01,000 --> 00:39:03,280
Speaker 1: the dad's name. Got it? Love it. This kid deserves

788
00:39:03,280 --> 00:39:07,080
Speaker 1: a credit. He deserves a royalty payment for that.

789
00:39:07,200 --> 00:39:11,440
Speaker 2: Mustache needs an acknowledgment. Do you think it was a

790
00:39:11,480 --> 00:39:12,880
Speaker 2: stick on, by the way, or do you think it

791
00:39:12,920 --> 00:39:17,080
Speaker 2: was a real mustache? Oh, that's a good question. Pretty present, It.

792
00:39:17,080 --> 00:39:17,880
Speaker 1: Looked pretty present.

793
00:39:17,920 --> 00:39:20,080
Speaker 2: And one he didn't seem like he was growing at

794
00:39:20,920 --> 00:39:23,480
Speaker 2: have it much hair anywhere else? I think it might

795
00:39:23,480 --> 00:39:25,719
Speaker 2: have been a There was a moment where I was like,

796
00:39:25,800 --> 00:39:27,399
Speaker 2: is that a rute? But I didn't.

797
00:39:27,400 --> 00:39:29,719
Speaker 1: I'm gonna say it's a stick on. It's a stick on,

798
00:39:29,880 --> 00:39:32,239
Speaker 1: because then Jeff could control.

799
00:39:34,000 --> 00:39:35,799
Speaker 2: Now do we think the rat tail was a clip on?

800
00:39:36,640 --> 00:39:38,920
Speaker 2: Is it real? Is this a family of flyers?

801
00:39:39,600 --> 00:39:39,680
Speaker 1: No?

802
00:39:39,800 --> 00:39:42,200
Speaker 2: Okay, anyway, Sorry, we're going off on a whole side

803
00:39:42,280 --> 00:39:42,879
Speaker 2: tangent here.

804
00:39:42,920 --> 00:39:47,480
Speaker 1: But this is important, this is very important. Okay, I'm

805
00:39:47,480 --> 00:39:50,000
Speaker 1: gonna go with the rat The rat tail was real.

806
00:39:50,480 --> 00:39:51,279
Speaker 1: The mustache.

807
00:39:51,440 --> 00:39:54,359
Speaker 2: Mustache is fake, Well, mustache is fake because he's he's

808
00:39:54,480 --> 00:39:56,799
Speaker 2: trying to look older, so you know, he's he's like,

809
00:39:56,880 --> 00:40:01,200
Speaker 2: I don't have the hair powers of of ripper with

810
00:40:01,239 --> 00:40:04,480
Speaker 2: a ratail senior, right yet right, he's grown, he's hitting puberty. Right,

811
00:40:04,520 --> 00:40:07,000
Speaker 2: he's got to stick the mustache on in order to

812
00:40:07,400 --> 00:40:10,400
Speaker 2: live up to his dad's you know, name.

813
00:40:10,360 --> 00:40:13,040
Speaker 1: Doesn't really doesn't want to disappoint that, you know, the family,

814
00:40:13,120 --> 00:40:15,240
Speaker 1: the family heritage here, the ratail family.

815
00:40:15,400 --> 00:40:22,080
Speaker 2: Rights. I saw someone with a rat tail. It was

816
00:40:22,120 --> 00:40:23,960
Speaker 2: a kid, so I didn't. I was it was I

817
00:40:24,000 --> 00:40:25,239
Speaker 2: was going to take a picture and send to you,

818
00:40:25,280 --> 00:40:27,440
Speaker 2: but I was like, that's not nice. But I was

819
00:40:27,560 --> 00:40:29,279
Speaker 2: very excited and I almost yelled out, oh my god,

820
00:40:29,280 --> 00:40:32,359
Speaker 2: a ratail, And I was like, I can't. That's not Yeah, yeah,

821
00:40:32,400 --> 00:40:33,200
Speaker 2: I had to share.

822
00:40:33,040 --> 00:40:35,440
Speaker 1: That with you. Oh so it's still in style. It's

823
00:40:35,680 --> 00:40:36,640
Speaker 1: there's someone out.

824
00:40:36,520 --> 00:40:39,160
Speaker 2: There there, They're still out there. Yep, there are generations

825
00:40:39,239 --> 00:40:40,360
Speaker 2: still happening.

826
00:40:40,560 --> 00:40:43,320
Speaker 1: Oh that makes me so happy. That makes me so happy.

827
00:40:44,560 --> 00:40:48,320
Speaker 1: So DJ finally escapes into the phone booth to pretend

828
00:40:48,520 --> 00:40:53,160
Speaker 1: to call someone, but she's really calling the time operator person.

829
00:40:53,400 --> 00:40:56,040
Speaker 2: All of which are things that that youth today would

830
00:40:56,080 --> 00:40:58,239
Speaker 2: be like, what is that box? Why is she in there?

831
00:40:58,560 --> 00:41:01,160
Speaker 2: Who's telling her the time? Like all of the things

832
00:41:01,200 --> 00:41:03,040
Speaker 2: that she had to put a quarter in? Why?

833
00:41:03,280 --> 00:41:06,040
Speaker 1: Yeah, I remember calling the time lady to figure out

834
00:41:06,080 --> 00:41:08,560
Speaker 1: what time it was, literally thirty seconds of television that

835
00:41:08,600 --> 00:41:11,399
Speaker 1: you were like, none of that happens at all anything. No,

836
00:41:11,960 --> 00:41:14,120
Speaker 1: the joke would not have worked if we had been

837
00:41:14,120 --> 00:41:15,080
Speaker 1: shooting this today.

838
00:41:15,239 --> 00:41:17,400
Speaker 2: I mean, I feel like I never really saw a

839
00:41:17,400 --> 00:41:21,480
Speaker 2: phone booth in a school cafeteria. But true, true, Well,

840
00:41:21,560 --> 00:41:23,680
Speaker 2: then again, how much time did I spend in school cafeterias.

841
00:41:23,800 --> 00:41:26,880
Speaker 1: Thank goodness for these phone booths because now they're becoming

842
00:41:26,880 --> 00:41:30,719
Speaker 1: emotional support locations like you were in one in the

843
00:41:30,760 --> 00:41:33,879
Speaker 1: Christmas episode last season for your emotional support.

844
00:41:33,600 --> 00:41:35,560
Speaker 2: Now phone which is always a great place to go

845
00:41:35,600 --> 00:41:38,640
Speaker 2: and have a meltdown. Yeah, or change your clothes very

846
00:41:38,680 --> 00:41:39,520
Speaker 2: quickly and save the.

847
00:41:39,440 --> 00:41:43,359
Speaker 1: World, but multipurpose. Yeah. Yeah, Yeah, I'm sad that we've

848
00:41:43,400 --> 00:41:46,280
Speaker 1: gone we've done away with phone booths because they were useful.

849
00:41:46,320 --> 00:41:51,759
Speaker 1: I'm just gonna say, okay, So that that's that. We

850
00:41:51,840 --> 00:41:57,440
Speaker 1: cut to a very sad commercial break. Yeah, violins and everything.

851
00:41:57,920 --> 00:42:01,080
Speaker 1: When we come back, we're in the kitchen. Danny's looking

852
00:42:01,120 --> 00:42:03,440
Speaker 1: at all the grass that Jesse ripped out of his

853
00:42:03,520 --> 00:42:08,759
Speaker 1: lawn and he groans, my beautiful lawn hacked into pieces.

854
00:42:09,719 --> 00:42:11,440
Speaker 1: Michelle says that it was a gopher.

855
00:42:12,239 --> 00:42:14,239
Speaker 2: Jesse, why would you bring all of the pieces of

856
00:42:14,280 --> 00:42:16,080
Speaker 2: the lawn inside of your house and put them on

857
00:42:16,120 --> 00:42:16,520
Speaker 2: the table.

858
00:42:16,840 --> 00:42:18,560
Speaker 1: Well, because the joke has to work. But yeah, this

859
00:42:19,040 --> 00:42:21,440
Speaker 1: didn't seem like Danny. I know, I know that, but

860
00:42:21,480 --> 00:42:23,640
Speaker 1: I was like, like, Danny would not bring blades of

861
00:42:23,680 --> 00:42:24,960
Speaker 1: grass into his house?

862
00:42:25,320 --> 00:42:27,160
Speaker 2: No, not under your table?

863
00:42:27,400 --> 00:42:30,359
Speaker 1: No, because then you got dirty. You got dirt and

864
00:42:30,440 --> 00:42:33,319
Speaker 1: grass blades all over your gar where you eat. No,

865
00:42:33,840 --> 00:42:36,000
Speaker 1: that didn't track. That didn't track with Danny at all.

866
00:42:36,920 --> 00:42:39,680
Speaker 1: Jesse and Joey walk into the kitchen wearing golf clothes

867
00:42:39,760 --> 00:42:43,799
Speaker 1: and carrying clubs. Michelle points at them shouting two gophers.

868
00:42:44,719 --> 00:42:48,640
Speaker 1: Danny realizes she meant two golfers, and Joey says no, No,

869
00:42:48,960 --> 00:42:52,960
Speaker 1: one golfer, one gopher, referring to Jesse as the gopher.

870
00:42:54,360 --> 00:42:56,560
Speaker 1: Danny asks if they were hitting golf balls in his

871
00:42:56,600 --> 00:43:00,000
Speaker 1: backyard and Jesse promises, I swear I didn't hit one.

872
00:43:01,800 --> 00:43:04,720
Speaker 1: Joey says it took them six hours just to play

873
00:43:04,800 --> 00:43:05,640
Speaker 1: nine holes.

874
00:43:05,719 --> 00:43:06,880
Speaker 2: Oh god, how.

875
00:43:06,719 --> 00:43:08,160
Speaker 1: Long does it? I don't play golf, so how long

876
00:43:08,200 --> 00:43:09,040
Speaker 1: does it normally take?

877
00:43:09,040 --> 00:43:11,319
Speaker 2: I don't play golf. I don't play golf because I

878
00:43:11,320 --> 00:43:13,560
Speaker 2: feel like, no matter how long it takes, it feels

879
00:43:13,600 --> 00:43:16,440
Speaker 2: like it takes six hours, right, So it's just yeah.

880
00:43:16,320 --> 00:43:19,160
Speaker 1: No, that's a lot of time a golf. Okay, but

881
00:43:19,200 --> 00:43:22,239
Speaker 1: apparently six hours is long to play well, to play

882
00:43:22,320 --> 00:43:24,520
Speaker 1: nine hole nine, So that's only half the course.

883
00:43:24,560 --> 00:43:26,799
Speaker 2: That's only half of a course. Yeah, I feel like

884
00:43:27,560 --> 00:43:30,680
Speaker 2: that should be like a like a ninety minute.

885
00:43:30,920 --> 00:43:32,760
Speaker 1: Yeah, that's like right.

886
00:43:32,680 --> 00:43:36,080
Speaker 2: Like golf three hours. Maybe, I don't know.

887
00:43:36,120 --> 00:43:38,400
Speaker 1: That's what I would guess too. Sure, if there's any

888
00:43:38,440 --> 00:43:40,759
Speaker 1: golfer Fanurito's, please chime in and tell us how long

889
00:43:40,800 --> 00:43:44,600
Speaker 1: it takes to uh putt putt through nine holes? Are eighteen?

890
00:43:46,120 --> 00:43:51,040
Speaker 1: Let us know? Okay? Uh So, Joey encourages Jesse to

891
00:43:51,080 --> 00:43:54,880
Speaker 1: tell Danny his score. Jesse diverts the question and adds

892
00:43:54,920 --> 00:43:59,319
Speaker 1: that he got them the motor Oil ACCOUNTA. Wooh, that

893
00:43:59,400 --> 00:44:01,040
Speaker 1: was the whole point of this goal game.

894
00:44:01,200 --> 00:44:01,879
Speaker 2: That's yep.

895
00:44:02,320 --> 00:44:05,000
Speaker 1: Joey asks Jesse again to share what score he got,

896
00:44:05,239 --> 00:44:10,480
Speaker 1: and Jesse reluctantly says, I shot one hundred and fifty nine.

897
00:44:12,200 --> 00:44:13,480
Speaker 2: I take it that that's not good.

898
00:44:13,560 --> 00:44:14,160
Speaker 1: Is that not good?

899
00:44:14,200 --> 00:44:15,840
Speaker 2: I don't don't. I don't know either.

900
00:44:16,480 --> 00:44:18,720
Speaker 1: Is the goal to have fewer the goals?

901
00:44:18,719 --> 00:44:20,960
Speaker 2: To have the lead? I think I think it's. Yeah,

902
00:44:21,000 --> 00:44:22,080
Speaker 2: you get there's like.

903
00:44:22,040 --> 00:44:24,680
Speaker 1: A there's a handicap or something or a Is that

904
00:44:24,719 --> 00:44:25,240
Speaker 1: a thing.

905
00:44:26,640 --> 00:44:27,040
Speaker 2: I love?

906
00:44:27,480 --> 00:44:28,240
Speaker 1: No, that's tennis.

907
00:44:28,280 --> 00:44:32,360
Speaker 2: No, that's tennis. No, it's like you but you get scored,

908
00:44:32,400 --> 00:44:34,719
Speaker 2: you know, it's like a like par three or what. Yeah,

909
00:44:34,760 --> 00:44:36,759
Speaker 2: So it's like it should take you three shots to

910
00:44:36,840 --> 00:44:39,319
Speaker 2: get the ball in the hole, and anything over that,

911
00:44:39,360 --> 00:44:42,359
Speaker 2: and anything over that you start, yeah, and then it's

912
00:44:42,400 --> 00:44:45,200
Speaker 2: like then it's a bogie or a whatever that or

913
00:44:45,280 --> 00:44:48,320
Speaker 2: not a bogie but like a you know, a double

914
00:44:48,360 --> 00:44:49,960
Speaker 2: birdie or I don't know. They have great names for

915
00:44:50,040 --> 00:44:52,600
Speaker 2: like like every time you go over the par then

916
00:44:52,640 --> 00:44:54,920
Speaker 2: it's like, oh, you've got one over or two over there.

917
00:44:54,920 --> 00:44:56,200
Speaker 2: But there's like with little names for it.

918
00:44:56,239 --> 00:44:58,880
Speaker 1: I think, okay, okay, yeah that makes sense. Look at

919
00:44:58,960 --> 00:45:00,040
Speaker 1: us trying to figure out goal.

920
00:45:00,239 --> 00:45:03,160
Speaker 2: Right, but I think, yeah, but the goal is definitely lower. Okay.

921
00:45:03,160 --> 00:45:05,439
Speaker 1: So it's like mini golf where yeah, like mini golf,

922
00:45:05,440 --> 00:45:07,880
Speaker 1: I normally score like yeah, you know, in the thirties

923
00:45:08,000 --> 00:45:08,799
Speaker 1: or something like that.

924
00:45:08,960 --> 00:45:11,879
Speaker 2: So okay, that's if you're doing well. I'm not great

925
00:45:11,920 --> 00:45:12,279
Speaker 2: at golf.

926
00:45:13,320 --> 00:45:16,040
Speaker 1: So DJ rushes into the kitchen and Danny asks her

927
00:45:16,080 --> 00:45:18,840
Speaker 1: how her first day of school was. DJ says it

928
00:45:18,880 --> 00:45:21,360
Speaker 1: was typical. She got her classes, went to them, and

929
00:45:21,400 --> 00:45:24,360
Speaker 1: now she's home. As DJ walks up the stairs, she

930
00:45:24,440 --> 00:45:27,000
Speaker 1: turns back around and asks her dad if she can

931
00:45:27,080 --> 00:45:31,520
Speaker 1: dress a little more junior high ish tomorrow. Danny says

932
00:45:31,520 --> 00:45:35,360
Speaker 1: he understands she wants to be hip like her rad dad.

933
00:45:36,000 --> 00:45:41,120
Speaker 1: Oh yeah, oh Danny, DJ sarcastically says yeah, that's it

934
00:45:41,680 --> 00:45:45,839
Speaker 1: and adds thanks, Dad, you're the best. Steph rushes into

935
00:45:45,840 --> 00:45:49,480
Speaker 1: the kitchen and shouts, second grade is so cool.

936
00:45:50,400 --> 00:45:53,279
Speaker 2: Steph's living her best life. Oh, just like everything's great.

937
00:45:53,360 --> 00:45:55,520
Speaker 1: What a difference from this morning where she was all

938
00:45:55,560 --> 00:45:57,920
Speaker 1: doom and gray, and now she's like on top of

939
00:45:57,960 --> 00:46:02,240
Speaker 1: the world. She both that she's the official Room seven

940
00:46:02,520 --> 00:46:05,520
Speaker 1: fish feeder, and now with DJ gone, she knows people

941
00:46:05,520 --> 00:46:09,080
Speaker 1: are talking to her when they say hey, Tanner. Steph

942
00:46:09,160 --> 00:46:11,640
Speaker 1: tells her dad that one of the shrimpy little first

943
00:46:11,640 --> 00:46:14,879
Speaker 1: graders asked her where the cafeteria was, and she told

944
00:46:14,960 --> 00:46:18,239
Speaker 1: him can't you read that big sign that says cafeteria

945
00:46:18,760 --> 00:46:22,759
Speaker 1: And the kid responded, I can't read stuff. Is ecstatic they.

946
00:46:22,680 --> 00:46:28,359
Speaker 2: Can't even read. What a great day now that is?

947
00:46:28,360 --> 00:46:30,640
Speaker 2: You're just happy to be above somebody else, you know

948
00:46:31,000 --> 00:46:32,120
Speaker 2: that is a great middle.

949
00:46:32,120 --> 00:46:35,279
Speaker 1: Mean being like an upper classman, being older than Oh,

950
00:46:35,360 --> 00:46:35,680
Speaker 1: that's a.

951
00:46:35,640 --> 00:46:39,040
Speaker 2: Great especially once the older sibling is gone. I know,

952
00:46:39,120 --> 00:46:42,279
Speaker 2: like be really enjoyed that. When like Zoe left her

953
00:46:42,320 --> 00:46:45,120
Speaker 2: elementary school, like she missed her, but also she was like,

954
00:46:45,320 --> 00:46:48,799
Speaker 2: but now my older sister isn't here to sort of

955
00:46:49,400 --> 00:46:50,240
Speaker 2: make my life misery.

956
00:46:50,400 --> 00:46:55,600
Speaker 1: Yeah, oh yeah, it's a great milestone. I'm thrilled for Stephanie. Sure.

957
00:47:03,160 --> 00:47:05,959
Speaker 1: So next we're in the girls room. Kimmy and DJ

958
00:47:06,040 --> 00:47:08,360
Speaker 1: are getting ready for the second day of school and

959
00:47:08,440 --> 00:47:11,320
Speaker 1: attempting to do their makeup like they saw the popular

960
00:47:11,360 --> 00:47:14,600
Speaker 1: girls wearing the day before. They smile in the mirror,

961
00:47:14,760 --> 00:47:18,719
Speaker 1: revealing teeth stained with lipstick, to which they both say,

962
00:47:18,800 --> 00:47:23,520
Speaker 1: you this is relatable too. DJ asks Kimmy if she

963
00:47:23,640 --> 00:47:25,759
Speaker 1: thinks they look old enough to keep her out of

964
00:47:25,760 --> 00:47:29,120
Speaker 1: the phone booth during lunch. Kimmy points out, well, at

965
00:47:29,200 --> 00:47:31,160
Speaker 1: least you got to eat. I had to give my

966
00:47:31,280 --> 00:47:32,800
Speaker 1: lunch to a girl with a tattoo.

967
00:47:34,440 --> 00:47:37,280
Speaker 2: Risk. Kid's going to school, right, geez.

968
00:47:38,680 --> 00:47:40,920
Speaker 1: DJ and Kimmy go to put on more mascara, and

969
00:47:41,000 --> 00:47:44,040
Speaker 1: Kimmy says, assume the position and.

970
00:47:44,080 --> 00:47:45,840
Speaker 2: I remember you guys in this face.

971
00:47:46,440 --> 00:47:49,239
Speaker 1: Yeah, they opened their mouths and apply that. I still

972
00:47:49,239 --> 00:47:50,680
Speaker 1: do that to this day. Do you do that when

973
00:47:50,719 --> 00:47:54,080
Speaker 1: you put on pat scara? It helps like elongate your

974
00:47:54,280 --> 00:47:55,960
Speaker 1: your eye your eyes so you.

975
00:47:55,920 --> 00:47:58,960
Speaker 2: Don't Yeah, everybody makes a weird I'm literally making weird faces.

976
00:47:58,960 --> 00:48:01,279
Speaker 2: You're on the zoom butt. Yeah, that's yeah, you gotta.

977
00:48:01,760 --> 00:48:04,719
Speaker 1: So, stephan Michelle walk in and Steph realizes they're having

978
00:48:04,719 --> 00:48:07,440
Speaker 1: a makeup party. She says she wants to look just

979
00:48:07,480 --> 00:48:13,120
Speaker 1: like Superstar Barbie. DJ rolls her eyes, saying, chill, child,

980
00:48:13,400 --> 00:48:17,320
Speaker 1: you are way too young. Michelle asks for makeup and

981
00:48:17,400 --> 00:48:21,399
Speaker 1: DJ gives her lipstick to put on. Stephanie asks, and

982
00:48:21,600 --> 00:48:24,080
Speaker 1: I'm too young? How rude?

983
00:48:26,120 --> 00:48:26,680
Speaker 2: Exactly?

984
00:48:27,120 --> 00:48:27,279
Speaker 1: This?

985
00:48:27,800 --> 00:48:30,160
Speaker 2: Your delivery is such also such a big sister thing

986
00:48:30,160 --> 00:48:31,600
Speaker 2: to be like, no, you can't have it, but you

987
00:48:31,640 --> 00:48:33,200
Speaker 2: can't give you a little incute but you know what

988
00:48:33,239 --> 00:48:34,839
Speaker 2: I mean, like just just to be.

989
00:48:34,800 --> 00:48:38,000
Speaker 1: An torturing of the little sister. And your delivery of

990
00:48:38,040 --> 00:48:41,000
Speaker 1: how rude is so like it's not peak you got

991
00:48:41,040 --> 00:48:44,279
Speaker 1: like the eyebrows or raising you got the wy it's

992
00:48:44,320 --> 00:48:46,880
Speaker 1: your classic how rude delivery and I am here for it.

993
00:48:47,040 --> 00:48:50,680
Speaker 1: You So. Danny yells off stage that it's time to go,

994
00:48:51,680 --> 00:48:54,719
Speaker 1: and DJ and Kimmy stand up to reveal their outfits

995
00:48:54,880 --> 00:48:59,120
Speaker 1: to Michelle and Stephanie. They're both wearing skin tight skirts

996
00:48:59,160 --> 00:49:03,319
Speaker 1: and tops. Steph tells them that they look cheap, to

997
00:49:03,400 --> 00:49:07,960
Speaker 1: which Kimmy responds, all right, I appreciate the honesty. You know,

998
00:49:08,320 --> 00:49:10,080
Speaker 1: I appreciate Steph's honesty.

999
00:49:10,200 --> 00:49:13,160
Speaker 2: Yes, Steph's like, it's not it ain't your best luck.

1000
00:49:14,320 --> 00:49:17,440
Speaker 1: Kimmy looks at DJ and rips her jacket off, revealing

1001
00:49:17,680 --> 00:49:22,200
Speaker 1: a stuffed braw Michelle and Steph's eyes bulge when they

1002
00:49:22,200 --> 00:49:27,680
Speaker 1: see this. DJ shouts Kimmy, and Kimmy maturely states, call

1003
00:49:27,800 --> 00:49:31,080
Speaker 1: me kimberly that, oh boy, I.

1004
00:49:31,040 --> 00:49:35,200
Speaker 2: Was dying when I watched that. Hilarious, ridiculous. What are

1005
00:49:35,239 --> 00:49:36,120
Speaker 2: your thoughts on it today?

1006
00:49:36,239 --> 00:49:39,080
Speaker 1: Mortified? Well, I was mortified. Back did you say, were

1007
00:49:39,080 --> 00:49:39,600
Speaker 1: you Yeah?

1008
00:49:39,640 --> 00:49:41,239
Speaker 2: I'm sure back then you were like, oh my god,

1009
00:49:41,320 --> 00:49:41,600
Speaker 2: I was.

1010
00:49:41,840 --> 00:49:44,319
Speaker 1: This is yeah, this is a core memory. I was

1011
00:49:44,400 --> 00:49:47,480
Speaker 1: just mortified because, well, I had okay, I was pretty

1012
00:49:47,480 --> 00:49:50,040
Speaker 1: flat at that age, which is not a big deal.

1013
00:49:50,080 --> 00:49:52,799
Speaker 1: That's very normal. But then when they wanted to like okay,

1014
00:49:52,840 --> 00:49:54,880
Speaker 1: they wanted to me to wear falsees. But then, of

1015
00:49:54,920 --> 00:49:57,959
Speaker 1: course the jokes gotta work, so I had like producers

1016
00:49:58,040 --> 00:50:00,480
Speaker 1: coming up to me in between takes right and giving

1017
00:50:00,520 --> 00:50:04,000
Speaker 1: notes to wardrobe saying we need stuff to more, we

1018
00:50:04,040 --> 00:50:07,560
Speaker 1: need it bigger, And that was more trying to have

1019
00:50:08,040 --> 00:50:09,680
Speaker 1: men looking at my boots.

1020
00:50:10,040 --> 00:50:13,120
Speaker 2: I definitely this, I'm gonna say, I kind of I

1021
00:50:13,239 --> 00:50:16,640
Speaker 2: kind of this this episode I had some problems with Yeah,

1022
00:50:16,800 --> 00:50:19,719
Speaker 2: not gonna lie, you had some problems with, uh, with

1023
00:50:21,160 --> 00:50:27,600
Speaker 2: the way in which young girls were dressed. Yeah, I

1024
00:50:27,680 --> 00:50:30,440
Speaker 2: just felt I was like, I don't love it. But again,

1025
00:50:30,880 --> 00:50:32,920
Speaker 2: we you know, it's you four it and it is.

1026
00:50:33,040 --> 00:50:36,040
Speaker 2: It is a storyline that's not like made up like

1027
00:50:36,080 --> 00:50:38,680
Speaker 2: it's it is exactly what kids do. My kids do it.

1028
00:50:38,680 --> 00:50:41,080
Speaker 2: It's you know, every generation goes through different like oh,

1029
00:50:41,080 --> 00:50:43,359
Speaker 2: it's a a mini skirt, it's a crop top, it's

1030
00:50:43,360 --> 00:50:46,319
Speaker 2: a you know, baggy pants and a whatever. Like it's

1031
00:50:46,360 --> 00:50:48,160
Speaker 2: always something that they're trying to do. But yeah, I

1032
00:50:48,200 --> 00:50:50,600
Speaker 2: definitely like when I watched that scene, that was all

1033
00:50:50,640 --> 00:50:53,160
Speaker 2: I could think of was like, oh my god, because

1034
00:50:53,200 --> 00:50:57,000
Speaker 2: you know, like it's just pointing out something that you

1035
00:50:57,080 --> 00:50:59,799
Speaker 2: know is already very obvious in your real life. Right

1036
00:51:00,200 --> 00:51:04,799
Speaker 2: now you have to deal with outside of the joke

1037
00:51:04,840 --> 00:51:07,200
Speaker 2: you're making on the show. Yeah, yeah, it totally get it.

1038
00:51:07,160 --> 00:51:11,160
Speaker 1: It's easy to forget that there's real people behind these well.

1039
00:51:11,400 --> 00:51:13,799
Speaker 2: Character joke's funny in the scene, but then after that

1040
00:51:13,920 --> 00:51:16,440
Speaker 2: scene you have to go and exist in the world

1041
00:51:16,840 --> 00:51:20,399
Speaker 2: with everyone having seen that joke. Yeah, and which when

1042
00:51:20,400 --> 00:51:22,200
Speaker 2: you're an adult. You don't care when you're a kid.

1043
00:51:22,400 --> 00:51:25,879
Speaker 1: Oh my god, when you're thirteen and every everything having

1044
00:51:25,920 --> 00:51:28,640
Speaker 1: to do with your body is embarrassing, especially like your

1045
00:51:28,719 --> 00:51:33,560
Speaker 1: private areas, you know. And so I was mortified that boobs,

1046
00:51:33,760 --> 00:51:37,840
Speaker 1: my boobs were even a topic of discussion. Well yeah,

1047
00:51:38,040 --> 00:51:40,200
Speaker 1: I had to stuff my bra and then mortified that

1048
00:51:40,440 --> 00:51:44,400
Speaker 1: the producers were like animal sitting there staring at my

1049
00:51:44,480 --> 00:51:46,640
Speaker 1: boobs and say, no, I need a little more, No,

1050
00:51:46,680 --> 00:51:48,439
Speaker 1: I need a little And I was like, oh god, yeah,

1051
00:51:48,480 --> 00:51:51,760
Speaker 1: I was just my face was beat red watching this again,

1052
00:51:52,160 --> 00:51:55,759
Speaker 1: reliving that, Yeah.

1053
00:51:54,840 --> 00:51:56,400
Speaker 2: Yeah, I didn't I did love that for you. I

1054
00:51:56,440 --> 00:51:57,360
Speaker 2: didn't know that that for you.

1055
00:51:57,440 --> 00:51:59,480
Speaker 1: I don't think we needed it. I think they got

1056
00:51:59,520 --> 00:52:01,640
Speaker 1: the point of with the fish nets and the tight

1057
00:52:01,719 --> 00:52:05,239
Speaker 1: skirts and the crazy you know, the wild rice hair.

1058
00:52:05,360 --> 00:52:07,640
Speaker 1: I think that was enough. We didn't need the fallsies

1059
00:52:07,800 --> 00:52:08,280
Speaker 1: as well.

1060
00:52:08,360 --> 00:52:12,920
Speaker 2: But you know, but it's also such a but it

1061
00:52:12,960 --> 00:52:16,319
Speaker 2: is such a thing that like girls this age, no matter,

1062
00:52:16,480 --> 00:52:19,239
Speaker 2: you know, and all of the body positivity. But I'm like, oh,

1063
00:52:19,280 --> 00:52:20,799
Speaker 2: you're you know, you're good the way you are. Like

1064
00:52:21,080 --> 00:52:22,640
Speaker 2: I still watch them all be like, oh but I

1065
00:52:22,680 --> 00:52:24,239
Speaker 2: need a you know, I need a push that bra

1066
00:52:24,320 --> 00:52:25,479
Speaker 2: or I need it and you're like, no, you don't.

1067
00:52:25,800 --> 00:52:28,359
Speaker 2: I don't. Yeah, So it is like I get it

1068
00:52:28,400 --> 00:52:30,440
Speaker 2: is it's a typical thing, but it is true, I

1069
00:52:30,480 --> 00:52:34,360
Speaker 2: guess now being an adult and having like different eyes

1070
00:52:34,400 --> 00:52:37,319
Speaker 2: on it, like you know, it's a normal thing, but

1071
00:52:37,400 --> 00:52:39,200
Speaker 2: at the same time, like I guess, you just look

1072
00:52:39,239 --> 00:52:41,960
Speaker 2: at it differently as like, how could we I don't know,

1073
00:52:42,320 --> 00:52:46,040
Speaker 2: make that slightly less weird, you know what I mean?

1074
00:52:46,200 --> 00:52:47,480
Speaker 2: For I don't know.

1075
00:52:47,600 --> 00:52:49,880
Speaker 1: Yeah, well, I keep thinking what if it was my daughter,

1076
00:52:50,520 --> 00:52:53,799
Speaker 1: my thirteen year old out there and where men are

1077
00:52:53,800 --> 00:52:57,040
Speaker 1: talking about the size of or bust. I would have

1078
00:52:57,040 --> 00:52:59,680
Speaker 1: a problem with that if I was the mom. I mean,

1079
00:52:59,719 --> 00:53:01,319
Speaker 1: I'm now, I wasn't scarred by it.

1080
00:53:01,360 --> 00:53:04,960
Speaker 2: I wasn't. Yeah, no, I definitely was like but if that.

1081
00:53:05,000 --> 00:53:07,640
Speaker 1: Was my ma, I would be like, yeah, I'd be like, guys,

1082
00:53:07,680 --> 00:53:10,120
Speaker 1: this is change the joke. There's a different jo there's

1083
00:53:10,120 --> 00:53:10,600
Speaker 1: a better joke.

1084
00:53:10,640 --> 00:53:13,919
Speaker 2: I think, well, yeah, And I think that's the thing

1085
00:53:14,000 --> 00:53:17,480
Speaker 2: is this is like the central joke of this is

1086
00:53:17,520 --> 00:53:20,640
Speaker 2: something that I think now would be handled a lot differently,

1087
00:53:21,280 --> 00:53:26,200
Speaker 2: or at least it would be less like sexualized. I get, like,

1088
00:53:26,239 --> 00:53:27,239
Speaker 2: you know what I mean, it would be like, there

1089
00:53:27,239 --> 00:53:29,319
Speaker 2: would still be sort of like the things that you

1090
00:53:29,360 --> 00:53:31,000
Speaker 2: want to do maybe that you can't do, but maybe

1091
00:53:31,000 --> 00:53:34,439
Speaker 2: it wouldn't be looking like you're twenty five and stuff

1092
00:53:34,480 --> 00:53:36,000
Speaker 2: in your bra you know what I mean. I don't know.

1093
00:53:36,040 --> 00:53:37,840
Speaker 2: Maybe there would be just a different joke or a

1094
00:53:37,840 --> 00:53:41,160
Speaker 2: different way to get the same sort of joke that

1095
00:53:41,200 --> 00:53:44,239
Speaker 2: you would do today that would be a little less problematic.

1096
00:53:44,520 --> 00:53:47,279
Speaker 2: Yeah you know, yeah, true, I don't. Yeah, again, it

1097
00:53:47,320 --> 00:53:48,480
Speaker 2: was one of those things whe were like, I don't

1098
00:53:48,480 --> 00:53:51,640
Speaker 2: think the intent was any The intent was not anything inappropriate.

1099
00:53:51,760 --> 00:53:54,160
Speaker 2: It was a very normal storyline of stuff that we

1100
00:53:54,200 --> 00:53:56,200
Speaker 2: all knew that you know, kids go through at this age.

1101
00:53:56,520 --> 00:53:59,080
Speaker 2: But yeah, definitely looking back on it now, you're like, eh,

1102
00:53:59,320 --> 00:54:00,560
Speaker 2: I don't know that I'm that now.

1103
00:54:00,760 --> 00:54:02,720
Speaker 1: Didn't love it, Yeah, didn't love it, And that memory

1104
00:54:03,040 --> 00:54:06,360
Speaker 1: he looked great, well, thanks, And the booths were so

1105
00:54:06,480 --> 00:54:08,120
Speaker 1: low too. I'm just like, why are why are the

1106
00:54:08,160 --> 00:54:10,680
Speaker 1: falsies so danglos? Like because I had nothing to hold

1107
00:54:10,719 --> 00:54:10,960
Speaker 1: it out?

1108
00:54:11,080 --> 00:54:13,880
Speaker 2: They were right, they were, Yeah, they were. They already

1109
00:54:13,880 --> 00:54:16,719
Speaker 2: looked like you were like forty eight. Yes, they're like

1110
00:54:17,960 --> 00:54:19,080
Speaker 2: they're supposed to start off higher.

1111
00:54:19,080 --> 00:54:20,960
Speaker 1: They're supposed to start off higher. But I had Yeah,

1112
00:54:21,000 --> 00:54:24,440
Speaker 1: they were just the bra just kept shifting lower and lowers.

1113
00:54:24,120 --> 00:54:29,040
Speaker 2: Right, like it's a belt. At this point, oh god.

1114
00:54:28,880 --> 00:54:32,360
Speaker 1: Okay, well, thank god that scene's over. Moving on, I

1115
00:54:32,360 --> 00:54:32,759
Speaker 1: don't worry.

1116
00:54:32,800 --> 00:54:33,239
Speaker 2: There's more.

1117
00:54:33,680 --> 00:54:37,800
Speaker 1: There's more. Moving onto the kitchen, Danny is over the scene,

1118
00:54:37,920 --> 00:54:42,960
Speaker 1: cleaning his rubber gloves. Jesse remarks, it problem, He's done it.

1119
00:54:43,000 --> 00:54:47,760
Speaker 1: He's finally he's cleaning liquid soap, and Joey tells Danny

1120
00:54:47,920 --> 00:54:51,759
Speaker 1: there's no shame in therapy. DJ and Kimmy rush through

1121
00:54:51,760 --> 00:54:54,480
Speaker 1: the kitchen with their heads down, muttering quick goodbyes as

1122
00:54:54,520 --> 00:54:57,959
Speaker 1: they make a bee line for the front door. When Danny, Joey,

1123
00:54:57,960 --> 00:55:01,000
Speaker 1: and Jesse realize what they're wearing, they run out of

1124
00:55:01,040 --> 00:55:03,960
Speaker 1: the kitchen after them. They all run into the living

1125
00:55:04,040 --> 00:55:07,040
Speaker 1: room and Danny yells for Kimmy and DJ to hold

1126
00:55:07,040 --> 00:55:10,560
Speaker 1: it right there. DJ says they have to get to school,

1127
00:55:10,840 --> 00:55:14,320
Speaker 1: and her father responds, you have to get through me first.

1128
00:55:14,800 --> 00:55:17,719
Speaker 1: DJ complains that he already said she could look more

1129
00:55:17,800 --> 00:55:21,399
Speaker 1: Junior highish, and Danny says, where is this Junior High

1130
00:55:21,440 --> 00:55:22,480
Speaker 1: Caesar's Palace?

1131
00:55:23,440 --> 00:55:26,080
Speaker 2: Possibly, Danny, you should see some of the people at

1132
00:55:26,080 --> 00:55:26,400
Speaker 2: the school.

1133
00:55:26,440 --> 00:55:29,480
Speaker 1: You should see the popular girls, right, yeah. Yeah, Danny

1134
00:55:29,520 --> 00:55:31,800
Speaker 1: tells Steph that she can go to school, and Steph

1135
00:55:32,160 --> 00:55:35,279
Speaker 1: mocks the older girls. I guess we aren't as old

1136
00:55:35,320 --> 00:55:38,360
Speaker 1: as we thought we were, are we now? And she proudly.

1137
00:55:38,560 --> 00:55:41,480
Speaker 2: I remember my mom working with me on that line

1138
00:55:41,680 --> 00:55:45,360
Speaker 2: she did. I remember it because because it was like,

1139
00:55:46,120 --> 00:55:49,759
Speaker 2: we're working on it, and it was like the the

1140
00:55:49,760 --> 00:55:51,799
Speaker 2: the rhythm of it was part of the funny, like,

1141
00:55:51,840 --> 00:55:53,840
Speaker 2: I guess we aren't as old as we thought we were,

1142
00:55:53,880 --> 00:55:56,680
Speaker 2: are we now? Like that, k you know, it's the

1143
00:55:56,760 --> 00:56:01,040
Speaker 2: cadence of it. I just remember, like I guess, I

1144
00:56:01,080 --> 00:56:04,080
Speaker 2: just remember my mom saying that, like as I was

1145
00:56:04,120 --> 00:56:05,680
Speaker 2: working on the script in the car, Like, I just

1146
00:56:05,719 --> 00:56:08,920
Speaker 2: remember my mom repeating that line. Yeah, we're making it funny.

1147
00:56:09,000 --> 00:56:09,200
Speaker 1: Yeah.

1148
00:56:09,239 --> 00:56:10,080
Speaker 2: Oh it was brilliant.

1149
00:56:10,239 --> 00:56:14,000
Speaker 1: Oh it was brutal. It was brilliant. It was such

1150
00:56:14,120 --> 00:56:18,840
Speaker 1: redemption for Steph. The makeup party, right, Oh my gosh,

1151
00:56:18,880 --> 00:56:22,640
Speaker 1: I loved it. Yeah. That was bad, perfect intonation and cadence,

1152
00:56:22,800 --> 00:56:28,080
Speaker 1: Like bravo to you and Janis for that. Uh So,

1153
00:56:28,200 --> 00:56:30,960
Speaker 1: Kimmy walks out the door and flirts with Joey and

1154
00:56:31,040 --> 00:56:35,760
Speaker 1: Jesse as she leaves, saying so long boys. Jesse gives

1155
00:56:35,760 --> 00:56:39,680
Speaker 1: a look to Joey, DJ tells her dad that he

1156
00:56:39,840 --> 00:56:41,840
Speaker 1: was not at school with her and he did not

1157
00:56:42,000 --> 00:56:45,719
Speaker 1: see the other girls. Danny tells DJ he doesn't care

1158
00:56:45,760 --> 00:56:48,880
Speaker 1: about the other girls. His daughter isn't going to school

1159
00:56:49,000 --> 00:56:53,680
Speaker 1: dressed like Jessica Rabbit. DJ pleads for Jesse and Joey

1160
00:56:53,719 --> 00:56:56,279
Speaker 1: to tell Danny that he's wrong, but they throw their

1161
00:56:56,280 --> 00:56:58,480
Speaker 1: hands up, not willing to get in the middle of this.

1162
00:57:00,640 --> 00:57:03,880
Speaker 1: Reluctantly begrudgingly agrees to change.

1163
00:57:04,600 --> 00:57:09,440
Speaker 2: Getting a teenage girl to change is you know, you're like,

1164
00:57:09,640 --> 00:57:12,120
Speaker 2: and I'm just blowing up everything that happens for the

1165
00:57:12,120 --> 00:57:13,160
Speaker 2: next three hours after this.

1166
00:57:13,320 --> 00:57:14,319
Speaker 1: Yeah, because a song.

1167
00:57:14,239 --> 00:57:15,440
Speaker 2: As you got to do it, you're like, you can't

1168
00:57:15,440 --> 00:57:17,600
Speaker 2: wear you can't wear that, and because it can't wear

1169
00:57:17,640 --> 00:57:19,960
Speaker 2: that to Grandma's dinner or whatever.

1170
00:57:20,040 --> 00:57:22,480
Speaker 1: Yeah, it's and it's the one thing they feel they

1171
00:57:22,480 --> 00:57:24,760
Speaker 1: can control is what they're wearing. And then when that

1172
00:57:24,760 --> 00:57:26,760
Speaker 1: control is taken away, they are pissed.

1173
00:57:27,080 --> 00:57:29,640
Speaker 2: And I try to be pretty like, okay, we're you know,

1174
00:57:29,720 --> 00:57:32,160
Speaker 2: but there are I'm like, no, we're no, we're not

1175
00:57:32,240 --> 00:57:36,920
Speaker 2: doing that, and yeah, it is met with oh and

1176
00:57:37,080 --> 00:57:38,640
Speaker 2: just yeah, lots of door slamming.

1177
00:57:38,760 --> 00:57:41,240
Speaker 1: Yep, yep. And it doesn't help that these days I

1178
00:57:41,240 --> 00:57:43,760
Speaker 1: sound so old these days, like the skirts are so short,

1179
00:57:43,840 --> 00:57:48,040
Speaker 1: like everything, the skirts, the shorts, they are all so

1180
00:57:48,160 --> 00:57:50,840
Speaker 1: dang short. And I'm like, these weren't so short in

1181
00:57:50,960 --> 00:57:52,200
Speaker 1: my day, back in my day.

1182
00:57:52,400 --> 00:57:53,960
Speaker 2: I know I'm so old.

1183
00:57:54,000 --> 00:57:56,919
Speaker 1: Now, come on, fashion designers work with us moms. He're

1184
00:57:57,040 --> 00:57:59,760
Speaker 1: just add a few more inches to those skirts and

1185
00:57:59,760 --> 00:58:05,560
Speaker 1: short It's okay. So DJ storms out, saying I'll be

1186
00:58:05,720 --> 00:58:10,280
Speaker 1: Daddy's little girl forever, and Danny admits, not forever, just

1187
00:58:10,400 --> 00:58:15,080
Speaker 1: until you're my age. Danny tells the boys, do you

1188
00:58:15,120 --> 00:58:17,600
Speaker 1: know what this means? We are on the verge of

1189
00:58:17,720 --> 00:58:19,240
Speaker 1: raising a teenager?

1190
00:58:19,960 --> 00:58:20,240
Speaker 2: Oh no.

1191
00:58:20,880 --> 00:58:23,560
Speaker 1: The three of them realize that she'll be going to parties,

1192
00:58:24,000 --> 00:58:30,080
Speaker 1: driving cars and dating guys just like Jesse. Danny states, oh,

1193
00:58:30,080 --> 00:58:33,240
Speaker 1: she's never leaving the house again and runs upstairs.

1194
00:58:33,600 --> 00:58:35,560
Speaker 2: Yeah that is a that's a terrifying thought.

1195
00:58:35,600 --> 00:58:38,160
Speaker 1: Oh yeah, it's and it's they have They have every

1196
00:58:38,240 --> 00:58:39,120
Speaker 1: right to be terrified.

1197
00:58:39,360 --> 00:58:42,640
Speaker 2: Jesse has every reason to be like, that's absolutely not

1198
00:58:42,680 --> 00:58:43,160
Speaker 2: gonna happen.

1199
00:58:44,320 --> 00:58:48,400
Speaker 1: He would know. So back up in DJ's room. DJ

1200
00:58:48,720 --> 00:58:53,320
Speaker 1: somberly sits in her room, hugging her pillow. Person I

1201
00:58:53,360 --> 00:58:55,200
Speaker 1: love this shot. This is my favorite shot of the

1202
00:58:55,240 --> 00:58:58,840
Speaker 1: whole episode. Billy Foster just did such a great job,

1203
00:58:58,920 --> 00:59:03,520
Speaker 1: like because it's such the juxtaposition of DJ dressed as

1204
00:59:03,560 --> 00:59:08,040
Speaker 1: this like older, older girl but hugging her childhood toy

1205
00:59:08,240 --> 00:59:08,920
Speaker 1: for comfort.

1206
00:59:09,120 --> 00:59:12,840
Speaker 2: Right, Yeah, It's just that is the epitome of the

1207
00:59:13,080 --> 00:59:16,600
Speaker 2: like middle school even high school experience is like I'm

1208
00:59:16,800 --> 00:59:19,959
Speaker 2: I want to be older, but I still have those

1209
00:59:20,160 --> 00:59:22,480
Speaker 2: like little kid things, those moments.

1210
00:59:22,600 --> 00:59:25,120
Speaker 1: Yeah, oh, it's it was a great It was a

1211
00:59:25,120 --> 00:59:28,240
Speaker 1: great shot, a great shot. It just it encompasses the

1212
00:59:28,240 --> 00:59:30,960
Speaker 1: whole episode. And it's like that Britney spears song, not

1213
00:59:31,160 --> 00:59:34,000
Speaker 1: a girl but not yet a woman, Right, that's where

1214
00:59:34,040 --> 00:59:35,840
Speaker 1: DJ is right now, you know, she's right in the

1215
00:59:36,040 --> 00:59:38,920
Speaker 1: She's in the middle age. So Danny knocks on the

1216
00:59:38,960 --> 00:59:42,240
Speaker 1: door and DJ tells him to leave her alone. He

1217
00:59:42,280 --> 00:59:45,680
Speaker 1: says he can't, and he walks in, pleading, honey, I

1218
00:59:45,720 --> 00:59:48,760
Speaker 1: want to know what's going on with you. DJ looks

1219
00:59:48,800 --> 00:59:52,160
Speaker 1: up at her dad, revealing that she's been crying, and admits,

1220
00:59:52,840 --> 00:59:55,960
Speaker 1: yesterday was the worst day of my life. Everyone looks

1221
00:59:56,000 --> 00:59:58,880
Speaker 1: so much older than me. I was dressed exactly like

1222
00:59:58,880 --> 01:00:02,240
Speaker 1: the teacher that everybody I ate lunch in the phone booth,

1223
01:00:02,320 --> 01:00:04,800
Speaker 1: listening to the Time Lady for twenty five minutes and

1224
01:00:04,840 --> 01:00:09,640
Speaker 1: thirty seconds beep. I felt for her, like I felt

1225
01:00:09,800 --> 01:00:13,160
Speaker 1: so bad for her. DJ sits down on her bed

1226
01:00:13,440 --> 01:00:16,240
Speaker 1: and Danny takes a seat next to her. He wishes

1227
01:00:16,320 --> 01:00:18,880
Speaker 1: that she would have told him this yesterday, but DJ

1228
01:00:19,000 --> 01:00:22,760
Speaker 1: confesses that she was too embarrassed. She doesn't know what happened.

1229
01:00:22,920 --> 01:00:25,480
Speaker 1: In the sixth grade, she was cool and now she's

1230
01:00:25,520 --> 01:00:28,880
Speaker 1: a joke. Danny tells her it's because she was a

1231
01:00:28,880 --> 01:00:31,560
Speaker 1: big fish in a small pond, but now she's in

1232
01:00:31,560 --> 01:00:35,240
Speaker 1: a big pond, so she feels like a small fish.

1233
01:00:35,440 --> 01:00:38,080
Speaker 1: DJ just wants people to like her, and her dad

1234
01:00:38,080 --> 01:00:40,480
Speaker 1: assures her that they will as soon as they get

1235
01:00:40,520 --> 01:00:43,760
Speaker 1: to know her. Danny has DJ look at herself in

1236
01:00:43,800 --> 01:00:47,720
Speaker 1: the mirror and says, this girl isn't you? And DJ

1237
01:00:47,880 --> 01:00:51,880
Speaker 1: asks who am I? Mmmm? This is my second favorite

1238
01:00:51,880 --> 01:00:55,080
Speaker 1: shot of the whole episode. Like this le scene is

1239
01:00:55,120 --> 01:00:59,800
Speaker 1: so poignant, It's so beautiful, like beautifully acted beautifully.

1240
01:01:00,240 --> 01:01:01,280
Speaker 2: It does a really great scene.

1241
01:01:01,360 --> 01:01:05,400
Speaker 1: Yeah, I just I love it so much. Danny doesn't

1242
01:01:05,440 --> 01:01:07,919
Speaker 1: want to stop her from growing up, but she can't

1243
01:01:08,000 --> 01:01:12,840
Speaker 1: go from twelve to twenty five overnight. DJ shrugs Kathy

1244
01:01:12,880 --> 01:01:17,400
Speaker 1: Santoni did. Danny reminds her that this teenage stuff is

1245
01:01:17,480 --> 01:01:19,800
Speaker 1: new for both of them, but he's sure that they

1246
01:01:19,800 --> 01:01:22,320
Speaker 1: can work it out if they keep one thing in mind.

1247
01:01:23,240 --> 01:01:26,440
Speaker 1: They have no choice. Danny and DJ sit at the

1248
01:01:26,480 --> 01:01:29,920
Speaker 1: table and he begins to take off her makeup. Becky

1249
01:01:30,000 --> 01:01:32,000
Speaker 1: runs in, yelling to Danny that they're going to be late,

1250
01:01:32,760 --> 01:01:34,760
Speaker 1: but she stops in her tracks when she sees DJ

1251
01:01:34,880 --> 01:01:38,280
Speaker 1: and says, oh, DJ, don't ever let your father do

1252
01:01:38,360 --> 01:01:43,440
Speaker 1: your makeup, and DJ admits that she did it. Becky

1253
01:01:43,520 --> 01:01:46,200
Speaker 1: says that when she first started wearing makeup, she made

1254
01:01:46,200 --> 01:01:49,520
Speaker 1: the same mistakes. Danny asks how old Becky was and

1255
01:01:49,680 --> 01:01:53,400
Speaker 1: guessing she was eighteen or nineteen, Becky says, actually she

1256
01:01:53,520 --> 01:01:57,360
Speaker 1: was right around DJ's age. Becky tells DJ that her

1257
01:01:57,360 --> 01:02:00,520
Speaker 1: mom taught her that the secret to wearing makeup is

1258
01:02:00,560 --> 01:02:02,960
Speaker 1: to try and make it look like you're not wearing

1259
01:02:03,040 --> 01:02:06,480
Speaker 1: any This advice sticks with me to this day. Like

1260
01:02:06,640 --> 01:02:10,600
Speaker 1: you know, Becky is giving this universal advice that is

1261
01:02:10,760 --> 01:02:14,959
Speaker 1: still true to this day. Danny and DJ both ask

1262
01:02:15,240 --> 01:02:18,040
Speaker 1: how do you do that? And Becky kindly asks Danny

1263
01:02:18,080 --> 01:02:21,120
Speaker 1: if she can show her Danny smiles and tells Becky

1264
01:02:21,160 --> 01:02:24,080
Speaker 1: to go for it. DJ thanks her dad and tells

1265
01:02:24,160 --> 01:02:26,720
Speaker 1: him not to worry, because no matter how old she gets,

1266
01:02:27,040 --> 01:02:29,600
Speaker 1: he can always think of her as his little girl.

1267
01:02:31,360 --> 01:02:33,720
Speaker 1: DJ puts her hand on her dad's shoulder and says,

1268
01:02:33,840 --> 01:02:37,080
Speaker 1: give me a hug, Dad, and Danny responds, oh, I

1269
01:02:37,120 --> 01:02:40,960
Speaker 1: love those words, and they hug. Michelle walks into the

1270
01:02:41,040 --> 01:02:43,680
Speaker 1: room with lipstick all over her face and says, I

1271
01:02:43,760 --> 01:02:47,600
Speaker 1: look pretty. Danny picks her up and tells her the

1272
01:02:47,640 --> 01:02:49,640
Speaker 1: secret to make up is to make it look like

1273
01:02:49,720 --> 01:02:53,160
Speaker 1: you're not wearing any. Michelle draws lipstick on Danny's face

1274
01:02:53,200 --> 01:02:56,640
Speaker 1: and says, Daddy pretty. Yeah.

1275
01:02:56,640 --> 01:02:59,160
Speaker 2: I gotta be honest, though, I felt like the end

1276
01:02:59,240 --> 01:03:03,280
Speaker 2: of the scene shouldn't have had Michelle in it. Yeah

1277
01:03:03,520 --> 01:03:06,800
Speaker 2: it felt shoe and it felt shoehorned. Like the end

1278
01:03:06,800 --> 01:03:11,880
Speaker 2: of that scene should have been Danny walking out the

1279
01:03:11,920 --> 01:03:16,840
Speaker 2: door and looking at Becky showing Deech how to do

1280
01:03:16,880 --> 01:03:21,040
Speaker 2: this and realizing, like, hey, sometimes she like this is,

1281
01:03:21,120 --> 01:03:23,200
Speaker 2: you know, just having that moment where you look and go, oh,

1282
01:03:23,280 --> 01:03:25,120
Speaker 2: this is These are the moments when she needs a

1283
01:03:25,120 --> 01:03:27,400
Speaker 2: mom or she needs that female figure, and Danny kind

1284
01:03:27,440 --> 01:03:29,600
Speaker 2: of would step back that would have been I felt like,

1285
01:03:30,240 --> 01:03:34,680
Speaker 2: a really, but again, it's probably because that would be

1286
01:03:34,720 --> 01:03:36,200
Speaker 2: too emotional and you got to have some sort of

1287
01:03:36,240 --> 01:03:38,479
Speaker 2: funny button. You know. The network is probably it's getting

1288
01:03:38,520 --> 01:03:41,480
Speaker 2: too depressing, But that, for me, I felt like that

1289
01:03:41,640 --> 01:03:44,560
Speaker 2: was the moment that needed to be focused on, not

1290
01:03:45,040 --> 01:03:47,840
Speaker 2: Michelle coming in and making it about her wearing lipstick.

1291
01:03:47,880 --> 01:03:50,440
Speaker 2: I just felt like that was a sweet moment between

1292
01:03:50,520 --> 01:03:53,600
Speaker 2: DJ and Becky and Danny. Yeah, that could have really been.

1293
01:03:53,560 --> 01:03:55,640
Speaker 1: A neat's I totally agree.

1294
01:03:56,040 --> 01:03:57,080
Speaker 2: It's not super confecting.

1295
01:03:57,200 --> 01:03:59,680
Speaker 1: Yeah, I know it's so true because it did. It

1296
01:03:59,720 --> 01:04:02,280
Speaker 1: did feel like sometimes it feels like the writers have

1297
01:04:02,480 --> 01:04:04,360
Speaker 1: a quota of jokes they have to hit, and so

1298
01:04:04,400 --> 01:04:06,240
Speaker 1: they just well shoehorn these jokes.

1299
01:04:06,240 --> 01:04:08,160
Speaker 2: And sometimes I don't know if it's writers or if

1300
01:04:08,200 --> 01:04:11,000
Speaker 2: it is No, they wanted to end on a you know,

1301
01:04:11,040 --> 01:04:12,720
Speaker 2: a nice, sweet moment, and the network was like, but

1302
01:04:12,760 --> 01:04:15,680
Speaker 2: it's not funny. People aren't gonna watch it. It's not funny. Yeah,

1303
01:04:15,800 --> 01:04:17,680
Speaker 2: but make some stupid note and you're like, but it's

1304
01:04:17,720 --> 01:04:18,240
Speaker 2: a moment.

1305
01:04:18,280 --> 01:04:22,840
Speaker 1: But poignancy is very powerful, sometimes more powerful than laughter,

1306
01:04:23,320 --> 01:04:26,480
Speaker 1: and so yeah, I think just I love the image

1307
01:04:26,480 --> 01:04:28,200
Speaker 1: I have of what you said about pushing it on

1308
01:04:28,320 --> 01:04:31,960
Speaker 1: Danny watching Becky and DJ realizing like his wife is

1309
01:04:32,000 --> 01:04:35,840
Speaker 1: gone and the girls don't have a maternal figure and

1310
01:04:35,880 --> 01:04:38,440
Speaker 1: he knows nothing about makeup or girls stuff for junior

1311
01:04:38,480 --> 01:04:40,840
Speaker 1: you know, so yeah, they really the girls needed that.

1312
01:04:41,520 --> 01:04:44,200
Speaker 1: That was the moment, so powerful, so powful, and it

1313
01:04:44,240 --> 01:04:46,919
Speaker 1: would have transitioned just so nicely into the next scene.

1314
01:04:47,320 --> 01:04:48,760
Speaker 2: Yeah, yeah, it is junior High.

1315
01:04:48,840 --> 01:04:53,520
Speaker 1: Yeah, so next in the Junior High, DJ walks into

1316
01:04:53,520 --> 01:04:58,280
Speaker 1: the cafeteria and runs into Kimmy. Kimmy tells her she

1317
01:04:58,320 --> 01:05:00,800
Speaker 1: got her schedule changed, so they have this same lunch now.

1318
01:05:01,880 --> 01:05:04,720
Speaker 1: Kimmy and DJ are both changed out of their mature clothing,

1319
01:05:05,000 --> 01:05:07,720
Speaker 1: and DJ asks Kimmy, Hey, what happened to your bod?

1320
01:05:08,480 --> 01:05:12,800
Speaker 1: Kimmy jokes, it's back in my sock drawer. DJ walks

1321
01:05:12,840 --> 01:05:14,880
Speaker 1: up to a girl from her English class and says hi.

1322
01:05:15,400 --> 01:05:18,520
Speaker 1: The girl introduces herself and her friend and asks Kimmy

1323
01:05:18,520 --> 01:05:19,919
Speaker 1: and DJ if they want to sit with them.

1324
01:05:20,520 --> 01:05:22,640
Speaker 2: Oh, a nice person, a.

1325
01:05:22,680 --> 01:05:26,120
Speaker 1: Normal nice girl that's dressed like a normal nice girl.

1326
01:05:26,240 --> 01:05:27,000
Speaker 2: Right, yes.

1327
01:05:28,520 --> 01:05:32,000
Speaker 1: Just then the popular girls walk in and glare at DJ, saying,

1328
01:05:32,680 --> 01:05:37,440
Speaker 1: you're sitting at our table. DJ responds, well, now it's

1329
01:05:37,480 --> 01:05:40,760
Speaker 1: a scrub table, but you're welcome to join us. The

1330
01:05:40,800 --> 01:05:43,520
Speaker 1: popular girl laughs and says, I'd rather eat in a

1331
01:05:43,560 --> 01:05:47,400
Speaker 1: phone booth. The popular girls walk away, and DJ's new

1332
01:05:47,440 --> 01:05:51,960
Speaker 1: friends congratulate her on a great comeback. DJ laughs and

1333
01:05:52,000 --> 01:05:54,720
Speaker 1: says someone should tell her she's wearing a bit too

1334
01:05:54,800 --> 01:06:00,800
Speaker 1: much makeup and that's our show. And DJ does go

1335
01:06:00,880 --> 01:06:03,680
Speaker 1: great with her subtle makeup that Becky did. Oh she

1336
01:06:03,720 --> 01:06:04,200
Speaker 1: looks so.

1337
01:06:04,160 --> 01:06:06,840
Speaker 2: Pretty, Yeah, DJ, and gimme her back and like they're

1338
01:06:06,960 --> 01:06:09,920
Speaker 2: they're normal looking people close. Yeah.

1339
01:06:10,080 --> 01:06:13,160
Speaker 1: Oh, this is just such a sweet episode.

1340
01:06:13,480 --> 01:06:15,840
Speaker 2: Yeah, it was a great episode that really tapped into

1341
01:06:15,920 --> 01:06:19,720
Speaker 2: something that so many people. I think, really, yeah, we

1342
01:06:19,800 --> 01:06:24,760
Speaker 2: all relate to, we all feel it, that fear, terror, excitement,

1343
01:06:24,880 --> 01:06:27,600
Speaker 2: all of that of starting middle school.

1344
01:06:27,880 --> 01:06:31,240
Speaker 1: Yeah, I remember this. I have witnessed my own kids

1345
01:06:31,320 --> 01:06:34,400
Speaker 1: going through this, the pull of the popular crowd, right,

1346
01:06:34,520 --> 01:06:37,200
Speaker 1: you want to be part of it. But they're horrible something,

1347
01:06:37,280 --> 01:06:38,120
Speaker 1: they're horrible.

1348
01:06:37,800 --> 01:06:40,600
Speaker 2: They're horrible. Yeah. Yeah, so I watch that.

1349
01:06:40,720 --> 01:06:43,640
Speaker 1: Yeah, I get it. I totally get it. But oh,

1350
01:06:43,760 --> 01:06:46,360
Speaker 1: such a sweet it was a it was a great episode.

1351
01:06:46,360 --> 01:06:52,880
Speaker 2: You were hilarious. Thank you. Yeah, I definitely were it today.

1352
01:06:52,960 --> 01:06:55,720
Speaker 2: I would make a few changes to the episode, but uh,

1353
01:06:56,000 --> 01:06:58,880
Speaker 2: but overall very funny and very relatable. Agreed.

1354
01:06:59,320 --> 01:07:02,400
Speaker 1: Agreed, Yeah, it hit on a lot of great topics. Yeah,

1355
01:07:02,440 --> 01:07:05,040
Speaker 1: a couple of problematic moments, but yeah, with a few

1356
01:07:05,080 --> 01:07:07,160
Speaker 1: minor tweaks, Yeah.

1357
01:07:07,000 --> 01:07:10,120
Speaker 2: It would have been no notes, could totally do it. Yeah, exactly. Yep.

1358
01:07:10,840 --> 01:07:13,760
Speaker 2: Well I love this episode, ab I do have an

1359
01:07:13,760 --> 01:07:16,160
Speaker 2: everywhere you look moment though, everywhere you looks tell me

1360
01:07:16,160 --> 01:07:19,439
Speaker 2: what you got. So there's a moment where DJ. They're

1361
01:07:19,480 --> 01:07:23,560
Speaker 2: in DJ and steps room and it kind of go

1362
01:07:23,680 --> 01:07:26,200
Speaker 2: it's when DJ's looking in the mirror. Okay, I believe

1363
01:07:26,200 --> 01:07:28,880
Speaker 2: in they go to go sit down. Yeah, I never

1364
01:07:29,040 --> 01:07:32,120
Speaker 2: noticed this before, and maybe it was new, But did

1365
01:07:32,160 --> 01:07:37,160
Speaker 2: you notice Mel Gibson's giant head cut out on the wall,

1366
01:07:37,320 --> 01:07:38,600
Speaker 2: like way kind of up at.

1367
01:07:38,480 --> 01:07:40,520
Speaker 1: The top, up in the corner, just his head.

1368
01:07:40,920 --> 01:07:43,040
Speaker 2: I was like, oh, that's right. He was like super hot,

1369
01:07:43,080 --> 01:07:44,120
Speaker 2: honky popular dude.

1370
01:07:44,120 --> 01:07:47,520
Speaker 1: It was like the lethal weapon days right, right, But yeah,

1371
01:07:47,680 --> 01:07:51,120
Speaker 1: the weapon, Yeah, I did see it. We normally, we

1372
01:07:51,200 --> 01:07:53,640
Speaker 1: normally don't shoot that high, so maybe that's why we

1373
01:07:53,640 --> 01:07:54,080
Speaker 1: didn't notice.

1374
01:07:54,160 --> 01:07:56,200
Speaker 2: Yeah, that's what it was, like, way high up on

1375
01:07:56,240 --> 01:07:58,880
Speaker 2: the wall, and I think it was to get Bob

1376
01:07:58,960 --> 01:07:59,720
Speaker 2: and Candace.

1377
01:08:00,120 --> 01:08:02,360
Speaker 1: Oh so tall, Yeah, to.

1378
01:08:02,280 --> 01:08:04,560
Speaker 2: Get them in the mirror shot. And so it was,

1379
01:08:04,800 --> 01:08:06,200
Speaker 2: and then they were walking. It was tall and they

1380
01:08:06,200 --> 01:08:08,400
Speaker 2: had to bring them down. But I think, you know,

1381
01:08:08,600 --> 01:08:10,440
Speaker 2: it was just a weird piece of like set deck

1382
01:08:10,440 --> 01:08:12,880
Speaker 2: that we hadn't noticed before. But I did see a

1383
01:08:12,920 --> 01:08:15,960
Speaker 2: giant Mel Gibson head staring at us creepily from the corn.

1384
01:08:16,160 --> 01:08:17,800
Speaker 1: It was a it was a jump scare. It was

1385
01:08:17,840 --> 01:08:19,439
Speaker 1: because now it's like Mel Gibson was.

1386
01:08:19,439 --> 01:08:21,160
Speaker 2: Like, eh, you know a little right, Yeah, now you're

1387
01:08:21,240 --> 01:08:23,120
Speaker 2: not exactly the one you'd want hanging in your ear.

1388
01:08:23,240 --> 01:08:25,120
Speaker 1: No, but yeah, back then he was a hunk, he

1389
01:08:25,240 --> 01:08:28,240
Speaker 1: was hot, he was popular. Yeah, that was It does

1390
01:08:28,240 --> 01:08:30,680
Speaker 1: seem a little odd for thirteen year old girl to

1391
01:08:30,720 --> 01:08:32,320
Speaker 1: have that on her wall, but you know.

1392
01:08:32,320 --> 01:08:35,080
Speaker 2: What I mean. No, she had George Michael up there too.

1393
01:08:35,160 --> 01:08:37,800
Speaker 2: Oh yeah, that's True's like, yeah.

1394
01:08:37,680 --> 01:08:40,000
Speaker 1: But is she really watching Lethal Weapon? I don't know what,

1395
01:08:40,120 --> 01:08:41,439
Speaker 1: you know, I don't judge.

1396
01:08:41,840 --> 01:08:44,840
Speaker 2: I mean maybe, man, I don't know. Probably with Jesse,

1397
01:08:45,120 --> 01:08:47,479
Speaker 2: Oh yeah, for sure, Jess and Joey would let her

1398
01:08:47,479 --> 01:08:48,280
Speaker 2: watch Lethal Weapon.

1399
01:08:48,439 --> 01:08:52,080
Speaker 1: Yeah, when Danny's out for the night, yep, right, exactly. Well,

1400
01:08:52,120 --> 01:08:55,040
Speaker 1: I have a couple, a couple of what are yours? Well,

1401
01:08:55,040 --> 01:08:57,160
Speaker 1: one is a sort of a repeater. One of the

1402
01:08:57,200 --> 01:09:01,160
Speaker 1: mean girls is Candice's cousin, Megan, one of the not

1403
01:09:01,240 --> 01:09:04,320
Speaker 1: the main blonde girl, but the other blonde girl, the

1404
01:09:04,320 --> 01:09:06,439
Speaker 1: one that like cuts in front of DJ and takes

1405
01:09:06,439 --> 01:09:07,599
Speaker 1: her seat at the lunch table.

1406
01:09:07,680 --> 01:09:09,400
Speaker 2: Yes, that's me, okay.

1407
01:09:09,720 --> 01:09:12,559
Speaker 1: And then there's another there's another part of the scene

1408
01:09:12,600 --> 01:09:14,720
Speaker 1: where we're at a table checking our schedules and there's

1409
01:09:14,760 --> 01:09:16,960
Speaker 1: a boy in our It's like a three shot with

1410
01:09:17,080 --> 01:09:17,439
Speaker 1: a boy.

1411
01:09:17,600 --> 01:09:20,120
Speaker 2: I remember the three shot. Isn't that What was his name?

1412
01:09:20,160 --> 01:09:26,559
Speaker 1: Isn't it Candas's friend or cousin? I think a friend? Okay, yes, yes, okay,

1413
01:09:26,720 --> 01:09:29,760
Speaker 1: So that's a canvas connection. She put her cousin and

1414
01:09:29,760 --> 01:09:30,519
Speaker 1: her friend in there.

1415
01:09:30,720 --> 01:09:33,519
Speaker 2: Yeah, I definitely I noticed. I was like, whose kid

1416
01:09:33,560 --> 01:09:37,360
Speaker 2: is this? I was like, because he's in a three shot? Yeah,

1417
01:09:37,439 --> 01:09:39,680
Speaker 2: yeah he is. Yeah, prominently placed. It was great. It

1418
01:09:39,760 --> 01:09:40,200
Speaker 2: was great.

1419
01:09:40,400 --> 01:09:43,320
Speaker 1: Yeah, So that's it. Those are my everywhere he looks.

1420
01:09:43,840 --> 01:09:44,400
Speaker 1: I love it.

1421
01:09:44,479 --> 01:09:45,360
Speaker 2: Those are some good ones.

1422
01:09:45,560 --> 01:09:45,760
Speaker 1: I know.

1423
01:09:45,800 --> 01:09:48,920
Speaker 2: I looked. I definitely looked in the in the junior

1424
01:09:48,960 --> 01:09:50,519
Speaker 2: high scene and was like looking through all of the

1425
01:09:50,560 --> 01:09:51,720
Speaker 2: kids in the background.

1426
01:09:51,400 --> 01:09:53,719
Speaker 1: But you'll usually almost always see.

1427
01:09:53,520 --> 01:09:56,400
Speaker 2: I recognize that I recognized a couple a handful, but

1428
01:09:56,800 --> 01:09:59,320
Speaker 2: but not not as many as like when we have

1429
01:09:59,400 --> 01:10:00,880
Speaker 2: like a party at house or something. I feel like

1430
01:10:00,920 --> 01:10:01,800
Speaker 2: those are usually more.

1431
01:10:01,960 --> 01:10:04,320
Speaker 1: I thought there'd be a lot more, but yeah, just

1432
01:10:04,360 --> 01:10:06,200
Speaker 1: those two are the only ones that I read well.

1433
01:10:06,200 --> 01:10:08,439
Speaker 2: I think everyone's kids were Most people's kids were younger,

1434
01:10:08,439 --> 01:10:13,719
Speaker 2: except for like Gina had Christina, A warder lady had Christina,

1435
01:10:13,720 --> 01:10:15,439
Speaker 2: her daughter who was about your guys's age.

1436
01:10:15,439 --> 01:10:17,920
Speaker 1: Oh okay, oh yeah.

1437
01:10:17,760 --> 01:10:19,080
Speaker 2: And then but then there were a lot of younger

1438
01:10:19,160 --> 01:10:19,639
Speaker 2: kids too.

1439
01:10:19,800 --> 01:10:20,080
Speaker 1: Yeah.

1440
01:10:20,479 --> 01:10:23,400
Speaker 2: Yeah, Like Keith Richmond's kids were more my age and younger.

1441
01:10:23,439 --> 01:10:25,920
Speaker 2: And yeah, okay, so I think we had we didn't

1442
01:10:25,920 --> 01:10:28,439
Speaker 2: have as many older ones to pull from.

1443
01:10:29,160 --> 01:10:31,040
Speaker 1: But that's okay, there's we have.

1444
01:10:31,160 --> 01:10:31,519
Speaker 2: It was great.

1445
01:10:31,640 --> 01:10:33,360
Speaker 1: A lot more seasons to go, and I'm sure we'll

1446
01:10:33,360 --> 01:10:33,880
Speaker 1: see a lot.

1447
01:10:34,080 --> 01:10:36,759
Speaker 2: Many more seasons in these oh so many more family

1448
01:10:36,760 --> 01:10:38,640
Speaker 2: and friends. Yes, I'm sure our moms will make it

1449
01:10:38,680 --> 01:10:42,360
Speaker 2: a reappearance somewhere at some point. But I love this

1450
01:10:42,439 --> 01:10:44,840
Speaker 2: episode so much fun. It's so glad to be back.

1451
01:10:45,720 --> 01:10:47,880
Speaker 2: Thank you guys for listening to another fun episode of

1452
01:10:47,880 --> 01:10:51,560
Speaker 2: how rud Tan rito's make sure you're liking and subscribing

1453
01:10:51,680 --> 01:10:53,600
Speaker 2: to the podcast wherever you're listening to it, so you

1454
01:10:53,600 --> 01:10:55,680
Speaker 2: can make sure and get all of the newest episodes

1455
01:10:55,920 --> 01:10:58,559
Speaker 2: as soon as they get released. Uh, and then you

1456
01:10:58,600 --> 01:11:00,960
Speaker 2: can also like and subscribe been you know, make sure

1457
01:11:01,080 --> 01:11:03,040
Speaker 2: you're leaving a fun review because we do like to

1458
01:11:03,040 --> 01:11:05,439
Speaker 2: read those. And uh, you know, we love for other

1459
01:11:05,800 --> 01:11:09,160
Speaker 2: other fan ritos to be able to find us. And

1460
01:11:09,200 --> 01:11:11,000
Speaker 2: if you want to find us on Instagram, you can

1461
01:11:11,040 --> 01:11:14,760
Speaker 2: follow us at how Rude podcast or obviously at Jody

1462
01:11:14,800 --> 01:11:18,600
Speaker 2: Sweeten and at Andrea Barber. Uh. We're so glad that

1463
01:11:18,600 --> 01:11:21,960
Speaker 2: you joined us for another hilarious, fun episode of full

1464
01:11:22,000 --> 01:11:24,599
Speaker 2: House and How Rude. Tanurito's love having you guys here.

1465
01:11:25,240 --> 01:11:30,000
Speaker 2: And remember, the world is small, but the house is full. Wow.

1466
01:11:30,760 --> 01:11:34,400
Speaker 2: I know you've had three weeks. I did it? Wow. Yeah.

1467
01:11:34,880 --> 01:11:35,080
Speaker 1: Yeah.

1468
01:11:35,160 --> 01:11:38,040
Speaker 2: So maybe I think the problem is is that I overthink.

1469
01:11:37,680 --> 01:11:40,560
Speaker 1: That you get two in your head. Yeah, so's he

1470
01:11:40,840 --> 01:11:45,080
Speaker 1: in my life. That's the way I'd love. No notes, Jody,

1471
01:11:45,160 --> 01:11:45,639
Speaker 1: no notes,