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Speaker 1: What's Love Supreme is a production of iHeartRadio. And then

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Speaker 1: there were three A mimic Supreme.

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Speaker 2: Supreme, Supreme roll Call, Supreme Supreme.

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Speaker 3: So.

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Speaker 1: Supreme roll Cecily's a rth Yeah, and she'd be strong. Yeah,

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Speaker 1: Oh my god, I just messed up my own roll

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Speaker 1: call Supreme Supreme. That's how it is. Supreme Supreme roll Call.

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Speaker 4: My name is Sugar.

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Speaker 3: Yeah.

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Speaker 4: I been waiting so long, Yeah to profess my love

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Speaker 4: for yeah Cecily von Ziegazaar.

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Speaker 2: Supreme Supreme roll Call, Supreme cut Supreme roll call.

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Speaker 3: Yeah, Yeah, Damn, I messed up too. I'm gonna say

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Speaker 3: horney to you.

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Speaker 2: Monday Supremo Roll Supremo, Supremo roll.

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Speaker 5: Well, I'm sessling. Yeah, I feel kind of dumb. YEA

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Speaker 5: hope I don't ruin this show. Yeah before it.

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Speaker 4: Suprima Supremo roll pre Wait a minute, premu.

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Speaker 1: Should we know we stopped? Stop stop, mut yeah or

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Speaker 1: mute it. We just got murdered on our own. This

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Speaker 1: is somenas jay z ship, where like Eminem murdered us

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Speaker 1: on our I said, I think you kind of fumbled

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Speaker 1: on the lid. Can you pronounce it fully? Did my

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Speaker 1: name or name I thought you're referencing a middle name

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Speaker 1: or something.

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Speaker 4: Zegas are if I'm pronouncing I don't know, it's not that. Okay,

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Speaker 4: that's not her, she wrote. Cecily wrote the novels that

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Speaker 4: became Gossip Girl.

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Speaker 3: Right.

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Speaker 1: Wait, how do you know that, Steve?

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Speaker 4: I looked up famous Cecilyes to try and get some

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Speaker 4: ideas from.

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Speaker 3: Really be doing your Okay.

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Speaker 1: Did you know this before he references? Did this take

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Speaker 1: you by surprise as well?

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Speaker 5: No, I mean it took I forgot who there's a

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Speaker 5: there's a couple of Cecilies.

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Speaker 4: Yeah, there's not that many in history.

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Speaker 1: To be honest with you, I ran it.

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Speaker 6: With cecil That's why I'm cly.

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Speaker 3: Yeah, Cicily, I don't know.

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Speaker 1: Well, yeah, this is a sad love for someone Supreme,

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Speaker 1: because messing up our theme is such a rarity.

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Speaker 5: You know, it may feel very comfortable. I will say,

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Speaker 5: I feel it feel at home.

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Speaker 3: You did awesome?

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Speaker 1: Okay, Well, I'll give you that point advantage, Steve, out

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Speaker 1: of this.

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Speaker 4: We messed up there.

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Speaker 1: And gentlemen, welcome to another edition of Anemic Supreme, brought

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Speaker 1: to you by the only One, uh quest Love. We're

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Speaker 1: at iHeartRadio streaming on all four mats that you get

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Speaker 1: your podcast goodies. Uh, we have light ya in the

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Speaker 1: house and we have sugar. Steve shout out to unpaid

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Speaker 1: Bill and yeah, fon ticcolos out getting cigarette still, he

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Speaker 1: said he returned one day. Uh, yeah, we're.

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Speaker 4: Waiting and Boss Bill, we're like three Oh, Boss Bill,

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Speaker 4: that's right, half a six pack.

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Speaker 1: Yeah, So what rules can we break now that we

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Speaker 1: can eat?

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Speaker 3: We could do I'm supposed to. No, I can't. I'm

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Speaker 3: supposed to be in charge, so I got to show

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Speaker 3: some order. So no, guys, we're thinking by the rules.

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Speaker 3: We talked to Cecily, and we don't go into the.

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Speaker 1: Can eat my breakfast right now?

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Speaker 3: Like, well, knowing you you got some little birds, so

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Speaker 3: would you go.

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Speaker 1: To No, it's good, it's good anyway, ladies and gentlemen,

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Speaker 1: our yesterday. I'm very very honored to have uh what

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Speaker 1: I when I when I mentioned my play of employment,

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Speaker 1: I refer to it as thirty Rocky University. I consider

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Speaker 1: it a college, a post grad school. I consider it

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Speaker 1: life lessons. And it's always an honor to pick the

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Speaker 1: brain of fellow thirty Rock thirty Rockians, especially those that

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Speaker 1: are in the upper echelon of the eighth floor of

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Speaker 1: the institution otherwise known as Saturday Night Live. I will say,

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Speaker 1: in the last eight years, our guest today has given

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Speaker 1: me some of my favorite moments on the show. Ever,

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Speaker 1: I try not to stalk her dms with praise over

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Speaker 1: that night's performance, But I'm the nerd that's always like

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Speaker 1: somewhere in the audience judging every show your characters alone,

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Speaker 1: I mean your story, Stormy Daniels, your Melania Trump, your

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Speaker 1: Lynn Manuel.

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Speaker 6: Yeah.

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Speaker 1: Was That's why I'm really mad that freaking Bill's not here.

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Speaker 1: Bill's a fellow Amal tonight. Anyway, ladies and gentlemen, please

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Speaker 1: welcome the original Cecily Strong. Yes, we're very happy to

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Speaker 1: How are you today?

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Speaker 6: I'm around cold, it's called this weather is bad.

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Speaker 1: It is hell, especially where we work. Yeah, getting to work?

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Speaker 5: Are you an American Gladiator around this time of year?

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Speaker 6: Like trying to get into that building it is.

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Speaker 1: Yeah, it's the hardest thing in the world. I try.

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Speaker 6: They're firing house. You know how they did that on

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Speaker 6: American Gladiator? Yes, yeah, I know how you very familiar.

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Speaker 1: Do you are you a subway to work person? Are

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Speaker 1: you a walk to work.

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Speaker 6: I'm walk to work.

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Speaker 1: Oh say see, oh god you you oh you followed

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Speaker 1: the rules. Wow. Okay. So when I first started working here,

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Speaker 1: I naturally thought, okay, I'll move to Brooklyn or whatever. Yeah,

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Speaker 1: my management is like not if it was up to them,

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Speaker 1: like Steve wants joke, like they want you to live

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Speaker 1: at thirty one rockefell As just you know, just in case,

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Speaker 1: because it's almost like being on call to be a

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Speaker 1: doctor or whatever, like you have.

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Speaker 6: To immediately and just as important.

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Speaker 1: Yeah it no, well it is actually used.

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Speaker 3: Yeah what you do? I mean you too, But I

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Speaker 3: was just saying that what she does, like it's the institution,

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Speaker 3: So yeah, it is.

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Speaker 1: I feel like an on call doctor like you pretty

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Speaker 1: much if they call you, you have to be there

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Speaker 1: within like a half hour for anything. I don't know

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Speaker 1: if it's that way all year round for you though.

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Speaker 1: I mean once the.

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Speaker 6: Seasons are oh yeah no, then I they're not allowed.

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Speaker 1: You have something to break. Yeah you have two phones then.

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Speaker 6: Yeah, yeah, yeah, they don't get the other number.

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Speaker 1: Shout out to two phones.

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Speaker 5: So I told you, okay, I but I do have

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Speaker 5: a burner number. That's kind of exciting.

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Speaker 1: Oh my god, you're like a character on the wire.

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Speaker 3: Yeah did you get.

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Speaker 6: No, it's on my phone.

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Speaker 5: But it's because I use so many apps like or

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Speaker 5: during thing, I don't time out.

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Speaker 1: Okay, so I'm about to reveal my age. You're telling

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Speaker 1: me that I can get a Burner number and still

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Speaker 1: on my.

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Speaker 3: Phone absolutely for free, and have two numbers on this phone. Yeah,

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Speaker 3: I know you could do that. Well, is that like

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Speaker 3: the Google phone number thing you're saying, No.

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Speaker 6: It's similar, but it's its own app and you you

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Speaker 6: can just.

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Speaker 1: Like if a tender date goes good, then you can

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Speaker 1: give your real number real exactly and if it does

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Speaker 1: it it's.

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Speaker 6: Great not having to give out your real number. Yeah.

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Speaker 1: Well see, now's the point. My burner, my fake phone

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Speaker 1: was my bat phone was once the coveted phone, and

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Speaker 1: then for some reason, now I've given everybody my bat number.

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Speaker 1: So my real number, like, no one calls that anymore.

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Speaker 1: Oh yeah, so I dubbed that mom phone.

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Speaker 6: That's one number.

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Speaker 3: It's mainly.

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Speaker 1: We learn quick this. Yeah you know, I don't. Yeah,

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Speaker 1: that's mom phone. Only talked to my mother on that phone. Okay,

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Speaker 1: So what got you here? Where were you born?

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Speaker 6: I was born in Springfield, Illinois?

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Speaker 1: Okay, so too outsiders of the Midwest US East Coasters.

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Speaker 1: In our minds, it's either Chicago or not Chicago, right.

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Speaker 6: So it's definitely not Chicago.

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Speaker 1: How not Chicago is it?

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Speaker 5: It's very not Chicago. I mean not only was there

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Speaker 5: for a year and a half. Okay, so I can't

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Speaker 5: say I remember much of Springfield. It's the capital of Illinois. Well,

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Speaker 5: pretty exciting.

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Speaker 3: Also where the Simpsons live.

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Speaker 5: And I actually I saw that's a I think that's

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Speaker 5: where Barack Obama announced Joe Biden as his VP in

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Speaker 5: two thousand.

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Speaker 6: And you were there to see it, you know it

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Speaker 6: three and a half hours.

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Speaker 1: I see Abraham freezing.

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Speaker 6: An Abraham Lincoln.

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Speaker 1: Yeah, a role gossip girl.

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Speaker 4: I looked up famous Abraham's.

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Speaker 1: Souh you only lived there a year and a half

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Speaker 1: in that and then.

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Speaker 6: Right outside of Chicago, okay, park.

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Speaker 1: Are you okay?

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Speaker 6: Anybody that's did you say Simpsons?

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Speaker 3: Yeah, he's so that's why Springfold.

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Speaker 6: Well, no, that was just a weird coincidence.

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Speaker 1: So yeah, there's two questions about Chicago. One or as

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Speaker 1: as a resident. Are you sort of dismayed at the

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Speaker 1: sort of hashtag what about Chicago staying that's on the

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Speaker 1: city right now, or at least the kind of the

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Speaker 1: the the cloud that looms over the idea of Chicago,

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Speaker 1: Like what is your version of Chicago.

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Speaker 5: It's weird because I when I, I mean, I grew up.

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Speaker 6: I did a lot of theater in Chicago as a kid.

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Speaker 3: Uh.

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Speaker 6: And then I was my.

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Speaker 5: Dad worked and pr and Chicago and did a lot

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Speaker 5: for the Democratic Party. And again, when I think of Chicago,

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Speaker 5: it's all like Obama for me because that's the years

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Speaker 5: I was there. I think it's always And I have

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Speaker 5: a good friend, my little sister. She's my fake little

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Speaker 5: sister from the South Side, so of course her experience

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Speaker 5: was very different than mine growing up.

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Speaker 1: But I think, wait a minute, I'm sorry, I just

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Speaker 1: we have to acknowledge like I only felt like black

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Speaker 1: people had like play cousins and family and lets it's.

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Speaker 3: In the program. Is she an official little sister?

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Speaker 1: No?

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Speaker 3: Okay, didn't Yeah, okay, we play cousins do okay?

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Speaker 2: No?

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Speaker 6: You know what it was like I met her.

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Speaker 5: I just I lost a friend, uh to a drug overdose,

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Speaker 5: and she lost her older brother, uh, which is part

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Speaker 5: of Chicago too, And it was kind.

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Speaker 6: Of like we had like the universe gave.

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Speaker 3: Y'all just met us to each other to this day.

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Speaker 6: Oh yeah, she's coming this weekend. College young she's uh,

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Speaker 6: she feels.

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Speaker 5: Like she's like fifteen years younger sometimes, but she's about

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Speaker 5: five years younger.

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Speaker 1: So you're motherly.

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Speaker 6: Well, I'm an older I'm not motherless, never designated driver,

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Speaker 6: just older sister.

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Speaker 1: Okay, I see, Actually what I want to know. I

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Speaker 1: don't think we've interviewed anyone in the comedy world from

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Speaker 1: Chicago on the show. I don't think we have. What

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Speaker 1: is it?

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Speaker 4: Why is something to do with mustard and ketchup and

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Speaker 4: hot talks?

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Speaker 1: No, that's that's a letter. I want to know why

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Speaker 1: ketchup is not allowed on You know, I.

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Speaker 5: Don't even eat hot dogs or red meat. I'm not

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Speaker 5: the one to ask, but I do know.

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Speaker 1: You don't.

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Speaker 5: You're not supposed to. You get kicked mustard only mustard

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Speaker 5: and whatever.

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Speaker 1: What is it? I've heard some I've heard some talk,

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Speaker 1: and I believe that this goes back to the hinds

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Speaker 1: face family from nearby Pittsburgh sort of having a beef

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Speaker 1: with the what's the billionaire family from Chicago, the pizza Prits. Yeah,

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Speaker 1: I'm hearing that the beef starts there, so you order

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Speaker 1: must have too. Well maybe even it was like, okay, well,

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Speaker 1: I don't want to be the person like spreading false propaganda.

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Speaker 1: What I do know is that you get laughed out

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Speaker 1: of any establishment.

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Speaker 6: I think it's just.

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Speaker 5: Like Chicago has a couple of things they just like

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Speaker 5: to be stubborn about.

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Speaker 3: I think, well, your pizza sucks, not you.

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Speaker 6: But I'm just saying you don't like Chicago pizza.

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Speaker 3: I mean, it's going to kill you so good.

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Speaker 1: Well will kill us too.

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Speaker 5: So there's really I will say it's my favorite city

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Speaker 5: to eat at. Some of the best restaurants I've ever

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Speaker 5: even just like a small like little Greek resturant, Little Time.

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Speaker 6: It's all so good.

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Speaker 1: I've been Okay, So as of this taping, for some reason,

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Speaker 1: I've been booked in Chicago every weekend for the last

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Speaker 1: five weekends.

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Speaker 6: Great time to be there.

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Speaker 1: Gorgeous weather yeah, oh no, no, no, actually no, weird enough

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Speaker 1: the last time.

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Speaker 5: You're jinxing yourself. Now, I will say, you're going to

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Speaker 5: be stuck there.

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Speaker 1: I will. I will say that both times in the

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Speaker 1: winter it was like fifty nine degrees. For some reason,

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Speaker 1: I came dressed for like all right, where's it at?

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Speaker 1: Where's that? Where's the cold? Where's the cold? And I

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Speaker 1: was sweating like it was it was spring weather.

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Speaker 5: I mean I probably unpredictable. Yeah, but it's the worst winters. Oh,

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Speaker 5: I have like I have like nightmares about it. I know,

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Speaker 5: thinking about it.

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Speaker 1: I know, we know. But I will say that I tried. Okay,

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Speaker 1: they told me not to call it the illuminati. Illuminatisis okay,

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Speaker 1: but I love Manatis. There has to be a connection

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Speaker 1: into the Illuminati.

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Speaker 3: Is that a food?

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Speaker 6: Pizza?

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Speaker 5: And I will say I know Willie Malnaughty. He has

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Speaker 5: a podcast now he's in New.

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Speaker 1: York about pizza.

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Speaker 6: No no, says entertainment.

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Speaker 5: But he is a Melnati and I did a show

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Speaker 5: with him when I was twelve or thirteen at the

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Speaker 5: Goodman and it was during the summer, so Taste of

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Speaker 5: Chicago was going on and we got free pizza.

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Speaker 1: Yeah, it's it's.

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Speaker 6: It's my favorite. Luminais my favorite.

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Speaker 1: I will have to say I was really impressed with

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Speaker 1: that pizza.

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Speaker 6: You can you can get it shipped.

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Speaker 1: I know. Yeah, I don't want to do it though

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Speaker 1: I know.

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Speaker 6: That dangerous. I don't want to fall do It's like

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Speaker 6: I have an addiction to pizza, so I have to

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Speaker 6: stay away.

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Speaker 1: So how do you feel about New York pizza?

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Speaker 6: I mean I pretty much like all pizza.

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Speaker 3: No, you can't do that.

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Speaker 6: I know I do.

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Speaker 1: Have you taking a pizza to New York?

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Speaker 5: No, I will say, you know what, I did have

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Speaker 5: pizza I didn't like here, and I I don't want

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Speaker 5: to say where it's from because I don't want to.

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Speaker 1: Is it not raise or is it an established par

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Speaker 1: established people ship on in Williamsburg Grimaldi's that you're looking

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Speaker 1: at me? Well, because the show so mnemic. Now there's

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Speaker 1: only two people left.

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Speaker 4: I don't leave Manhattan.

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Speaker 6: I've been to Brooklyn three times.

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Speaker 4: What I mean, there's plenty of shitty pizza in New.

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Speaker 1: York, but there's awesome pizza.

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Speaker 4: But it's not like every slice you get is going

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Speaker 4: to be like right.

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Speaker 1: New York See. For me, though, it's it's like as

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Speaker 1: far as the Korean Food Fair, Chinatown, even soul food

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Speaker 1: Jamaican spots in Brooklyn.

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Speaker 3: I've that's what the culture is.

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Speaker 1: I've slowed up. I've kind of well, I've just discovered

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Speaker 1: that Queens is like I'm I might have to do

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Speaker 1: my next book. Strictly on restaurants in Queens, Like some

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Speaker 1: of the best restaurants in New York are those family restaurants. Yes,

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Speaker 1: and Queens. You got it. You gotta venture out the city. See,

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Speaker 1: I have a car.

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Speaker 6: I don't know.

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Speaker 1: Yeah, you don't have to be right. No, see yeah,

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Speaker 1: if you.

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Speaker 3: You need a may bag. Just joking what you said a.

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Speaker 4: Car anyway, I got you off track. You were going

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Speaker 4: to say, well, I was going to.

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Speaker 1: Say about community, but we often rabbit hole on the ship. No,

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Speaker 1: let's go back to anyway. You need your car to

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Speaker 1: explore the city.

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Speaker 5: For I have such bad anxiety. I could, I would.

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Speaker 5: I could never drive in this city. Really well, this

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Speaker 5: is the hardest city of driving in the country.

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Speaker 1: Yeah.

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Speaker 3: Myma always if you learn to drive in New York,

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Speaker 3: you can drive anywhere.

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Speaker 1: Yeah, yeah, yeah, I feel like I can drive anywhere

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Speaker 1: now they have the rickshaws now.

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Speaker 6: To Yeah I can.

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Speaker 3: It's really expensive. You're like like fifteen dollar fifteen seconds.

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Speaker 3: I can't.

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Speaker 1: I don't.

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Speaker 5: I will never feel okay about a person. It's weird

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Speaker 5: acting like a.

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Speaker 6: Horse to me.

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Speaker 5: It just makes it feels like I would the whole

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Speaker 5: time I'd be apologizing.

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Speaker 6: I'd be asking if I could help.

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Speaker 4: It would just make me watching the meters.

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Speaker 1: Let me interject. All right, so Liya's clowning me about

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Speaker 1: my swinky car choice case, my coach witch in Philadelphia.

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Speaker 1: I would never let my friends see me in such

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Speaker 1: a swinky, swinky car. So I have like my very

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Speaker 1: first scion and beat up sign. Oh my god, I

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Speaker 1: will never do you never give up your first car,

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Speaker 1: like I'm keeping that ship forever. I love that car. However, Yes,

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00:17:41,680 --> 00:17:45,000
Speaker 1: I have a swink delicious car in New York because

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Speaker 1: I got to get around and go pointing in point B.

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Speaker 1: The reason why I got that swinky car was because

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Speaker 1: I learned the hard way. And this is pre uber

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Speaker 1: how cabs really won't stop for people of color. And

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Speaker 1: I was rushing to Penn station and a poor rickshaw

355
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Speaker 1: guy had to take me. And this is when I

356
00:18:06,200 --> 00:18:08,400
Speaker 1: was like four hundred pounds.

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Speaker 3: That was two hundred pounds ago.

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Speaker 1: People, I'm there, I'm almost there. I got sixty pounds,

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00:18:13,800 --> 00:18:16,640
Speaker 1: all right, So yeah, four hundred pound me and two

360
00:18:16,680 --> 00:18:19,800
Speaker 1: big giant kipling luggage bags. And the poor kid, I

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00:18:19,880 --> 00:18:21,840
Speaker 1: was like, are you going to make it the Pend

362
00:18:21,880 --> 00:18:24,680
Speaker 1: station in an hour's I got this and cut to

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00:18:25,400 --> 00:18:31,040
Speaker 1: like like he was. And the thing was on my

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00:18:31,160 --> 00:18:35,959
Speaker 1: Twitter timeline, literally on my Twitter timeline. There was like

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00:18:36,040 --> 00:18:39,200
Speaker 1: the narrative of the story. Like, guys, I could have

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00:18:39,240 --> 00:18:42,480
Speaker 1: sworn I just saw a question inside of a bicycle

367
00:18:42,560 --> 00:18:46,600
Speaker 1: Rick on Fifth Avenue. It looked like him. Yo, dude,

368
00:18:46,760 --> 00:18:49,320
Speaker 1: I'm on forty second Street. I just saw yo, dog,

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00:18:49,359 --> 00:18:53,200
Speaker 1: I'm on thirty second Street. I think you know. Poor guy,

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00:18:53,359 --> 00:18:56,440
Speaker 1: Like listen, I missed the train, so it took him

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Speaker 1: that long to haul like five hundred pounds. Where the Yeah,

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00:19:01,119 --> 00:19:01,920
Speaker 1: so that tip.

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Speaker 3: Of mirror you had, you had to bless.

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00:19:03,320 --> 00:19:07,920
Speaker 1: Them, I am. I'm addicted to overtipping. That's that's one

375
00:19:07,920 --> 00:19:10,360
Speaker 1: of my And that's not even a humble brag, like

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00:19:11,080 --> 00:19:14,080
Speaker 1: one of those people that get gets into those like

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00:19:14,320 --> 00:19:18,560
Speaker 1: you know the pretty woman. Uh that watch costs two

378
00:19:18,600 --> 00:19:23,000
Speaker 1: thousand dollars. Oh yeah, I'll buy ninetyllion Like I'm one

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00:19:23,000 --> 00:19:26,000
Speaker 1: of them people that will like defy you like I

380
00:19:26,040 --> 00:19:27,439
Speaker 1: have money. That that sort of thing.

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Speaker 4: You know, sound engineers except tips.

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00:19:30,920 --> 00:19:31,960
Speaker 1: By the way, that's.

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00:19:31,840 --> 00:19:32,879
Speaker 3: What Derek said behind you.

384
00:19:32,960 --> 00:19:38,639
Speaker 1: That's what Steves are a sound engineer at thirty Rock anyway,

385
00:19:38,800 --> 00:19:45,520
Speaker 1: So why is Chicago the who dubbed it the or

386
00:19:45,520 --> 00:19:50,520
Speaker 1: who christened it as the Comedy Epicenter, Like, why does

387
00:19:50,840 --> 00:19:52,440
Speaker 1: one have to go to Chicago?

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00:19:53,920 --> 00:19:55,960
Speaker 6: Yeah, I think it's just so.

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00:19:56,160 --> 00:19:58,240
Speaker 5: I think, well, there's a lot of theater in Chicago.

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00:19:59,760 --> 00:20:03,680
Speaker 5: It's cheaper than New York. And is it la to live?

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00:20:04,119 --> 00:20:04,320
Speaker 1: Is it?

392
00:20:04,440 --> 00:20:08,760
Speaker 3: Yeah, it's like five dollars probably. Oh my apartment cheaper,

393
00:20:08,760 --> 00:20:09,600
Speaker 3: fight dollar is cheaper.

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00:20:10,240 --> 00:20:12,960
Speaker 5: Well, I was living in it was a weird little

395
00:20:13,040 --> 00:20:15,200
Speaker 5: artist studio, but it was and this was a lot

396
00:20:15,200 --> 00:20:15,879
Speaker 5: of money for me.

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00:20:16,359 --> 00:20:19,200
Speaker 6: But it was like six hundred dollars a month my rent.

398
00:20:19,280 --> 00:20:23,680
Speaker 1: What year was that was two thousand Williamsburg of Chicago.

399
00:20:24,119 --> 00:20:25,160
Speaker 6: No, this is old town.

400
00:20:25,600 --> 00:20:27,920
Speaker 1: Wow, I don't know the section, so like what would

401
00:20:27,920 --> 00:20:28,720
Speaker 1: your town be here?

402
00:20:28,920 --> 00:20:32,320
Speaker 5: So that's uh, queen, I would never know. That's very

403
00:20:32,400 --> 00:20:34,480
Speaker 5: second city. But it was like a nice neighborhood. And

404
00:20:34,640 --> 00:20:39,280
Speaker 5: my first apartment it was a two bedroom. It was

405
00:20:39,359 --> 00:20:41,600
Speaker 5: bit and it was like we paid seven hundred dollars.

406
00:20:41,920 --> 00:20:44,920
Speaker 6: Uh, I had a roommate. Yeah, so we each paid.

407
00:20:45,000 --> 00:20:46,960
Speaker 3: I mean second with your friends. I'm curious what it

408
00:20:47,000 --> 00:20:48,080
Speaker 3: was gone up? That's interesting.

409
00:20:48,359 --> 00:20:50,720
Speaker 6: I mean I'm sure it's right. It's been a while,

410
00:20:50,880 --> 00:20:51,679
Speaker 6: but yeah.

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00:20:51,920 --> 00:21:05,280
Speaker 1: No, so you what was your childhood like, like, what

412
00:21:05,440 --> 00:21:10,800
Speaker 1: was your come to Jesus moment with flirting with comedy?

413
00:21:10,800 --> 00:21:13,720
Speaker 1: Because I don't like when do people finally admit, like,

414
00:21:15,560 --> 00:21:18,280
Speaker 1: I want to be in comedy? Was it that you

415
00:21:18,320 --> 00:21:19,200
Speaker 1: wanted to be an actress for?

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00:21:19,440 --> 00:21:20,000
Speaker 6: Yeah, I was.

417
00:21:20,000 --> 00:21:22,440
Speaker 5: I did a lot of like straight theater growing up,

418
00:21:22,600 --> 00:21:25,040
Speaker 5: and I did a lot in Chicago. I did my

419
00:21:25,119 --> 00:21:30,440
Speaker 5: first professional show and they were all like dramatic musicals

420
00:21:31,160 --> 00:21:33,360
Speaker 5: growing up, and then I went to college. It wasn't

421
00:21:33,440 --> 00:21:37,119
Speaker 5: until college I went to cal Arts. Tonight, a teacher

422
00:21:38,280 --> 00:21:40,480
Speaker 5: I was doing a s from Angels in America because

423
00:21:40,520 --> 00:21:44,359
Speaker 5: when I was eighteen, everybody wanted to do Angels and

424
00:21:44,800 --> 00:21:48,920
Speaker 5: people were laughing. It's like, I'm wait being dramatic right now?

425
00:21:49,640 --> 00:21:52,520
Speaker 5: And then the teacher suggests that I take a class

426
00:21:52,560 --> 00:21:53,440
Speaker 5: at the ground Legs And.

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Speaker 6: That was like I'd always I mean, I thought I

428
00:21:55,680 --> 00:21:57,639
Speaker 6: was funny, but I was also like, but I'm a

429
00:21:57,680 --> 00:21:58,399
Speaker 6: serious actor.

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00:21:58,720 --> 00:22:02,240
Speaker 1: What it is I really want to be series instead? Yeah?

431
00:22:02,280 --> 00:22:05,280
Speaker 5: Yeah, yeah, well I think even now that's how I started.

432
00:22:05,280 --> 00:22:08,119
Speaker 5: I think like a lot of comedy is just human

433
00:22:08,119 --> 00:22:10,920
Speaker 5: beings feeling anything can be funny.

434
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Speaker 1: That reminds me speaking of SNL. I didn't realize this

435
00:22:16,440 --> 00:22:18,760
Speaker 1: until maybe a week and a half ago that Will

436
00:22:18,840 --> 00:22:25,480
Speaker 1: Farrell and Kristen Wigg actually did a lifetime movie. Yes seriously,

437
00:22:25,680 --> 00:22:26,280
Speaker 1: like they did it.

438
00:22:26,680 --> 00:22:27,199
Speaker 3: I remembered it.

439
00:22:27,320 --> 00:22:31,360
Speaker 1: They did it seriously, but as a tongue in chee. Yeah,

440
00:22:31,800 --> 00:22:34,679
Speaker 1: thing to be funny, really smart.

441
00:22:34,800 --> 00:22:35,920
Speaker 6: Yeah yeah, oh I love it.

442
00:22:36,040 --> 00:22:36,240
Speaker 1: Yeah.

443
00:22:36,440 --> 00:22:38,320
Speaker 6: I mean they're both are they alumni from?

444
00:22:38,560 --> 00:22:38,760
Speaker 3: No?

445
00:22:39,400 --> 00:22:40,400
Speaker 6: No, they're Groundlings?

446
00:22:41,080 --> 00:22:45,480
Speaker 3: See between Groundlings and Second City? They got both, So

447
00:22:45,720 --> 00:22:47,119
Speaker 3: of course why.

448
00:22:47,040 --> 00:22:50,600
Speaker 5: Will say l A Like Groundlings is very character based right,

449
00:22:51,560 --> 00:22:53,920
Speaker 5: and Chicago there's like, you know.

450
00:22:54,040 --> 00:22:56,680
Speaker 3: So break it down to people because somebody, I feel.

451
00:22:56,480 --> 00:22:58,479
Speaker 5: Like I'm the worst to break it down, so this

452
00:22:58,520 --> 00:23:02,560
Speaker 5: will be very simplified. Probably comedy nerds will yell at me,

453
00:23:02,680 --> 00:23:06,679
Speaker 5: but so la Groundlings, it's all very charactery.

454
00:23:07,920 --> 00:23:10,720
Speaker 6: And then New York improv is very like fast.

455
00:23:12,040 --> 00:23:14,520
Speaker 5: It's closer to like what I would think of as

456
00:23:14,560 --> 00:23:17,879
Speaker 5: like when you hear British comedy or English comedy, you know.

457
00:23:18,359 --> 00:23:21,400
Speaker 6: And then Chicago does weird you do.

458
00:23:21,480 --> 00:23:27,160
Speaker 5: Like the you know, we do slower artsy fartsy sometimes,

459
00:23:27,840 --> 00:23:31,960
Speaker 5: but but I would say like improv is more Chicago,

460
00:23:32,040 --> 00:23:34,840
Speaker 5: and sketch should be more La, and it feels like

461
00:23:34,840 --> 00:23:36,480
Speaker 5: when you're doing it in LA, you're doing it to

462
00:23:36,560 --> 00:23:38,879
Speaker 5: get a part TV jobs.

463
00:23:39,000 --> 00:23:39,480
Speaker 6: Yeah.

464
00:23:39,520 --> 00:23:41,640
Speaker 1: So is there was there an end game for you

465
00:23:41,800 --> 00:23:46,440
Speaker 1: in entering Second City or pretty much people know that

466
00:23:46,680 --> 00:23:48,280
Speaker 1: the road that leads to s And.

467
00:23:48,320 --> 00:23:51,040
Speaker 6: Now I would never have ever said that.

468
00:23:52,640 --> 00:23:56,480
Speaker 5: Because I just don't like to set myself up to

469
00:23:56,520 --> 00:23:57,120
Speaker 5: be let down.

470
00:23:57,200 --> 00:23:59,000
Speaker 6: I like to set the bar very low.

471
00:23:59,400 --> 00:24:01,760
Speaker 5: But I, uh, I was just like, you know, if

472
00:24:01,760 --> 00:24:04,360
Speaker 5: I if this is what my life, if I get

473
00:24:04,359 --> 00:24:07,560
Speaker 5: to do like some shows every now and then and

474
00:24:08,000 --> 00:24:10,439
Speaker 5: at Second City and I out, if this is like

475
00:24:10,560 --> 00:24:13,919
Speaker 5: where the top that I get, I'd be happy.

476
00:24:14,200 --> 00:24:17,959
Speaker 1: So what is the process? I'm only asking because of God?

477
00:24:18,560 --> 00:24:22,119
Speaker 1: How do I see this? Okay? So I once Okay,

478
00:24:22,160 --> 00:24:29,119
Speaker 1: So I once dated uh a comedian Okay, and uh

479
00:24:30,920 --> 00:24:36,440
Speaker 1: I felt, see, I have it miserable. I have. I have.

480
00:24:37,320 --> 00:24:41,040
Speaker 1: I have a relationship with failure, not as an f

481
00:24:41,119 --> 00:24:45,240
Speaker 1: work but as a learning experience. And I feel like

482
00:24:45,840 --> 00:24:49,520
Speaker 1: in your years of comedy, it's almost like if you

483
00:24:49,560 --> 00:24:51,479
Speaker 1: stay in your comfort zone and only perform for your

484
00:24:51,520 --> 00:24:54,600
Speaker 1: friends at like this one bar, you're not going to grow.

485
00:24:54,600 --> 00:24:57,120
Speaker 1: And I kind of had to tell her, like you

486
00:24:57,160 --> 00:25:01,000
Speaker 1: have to go like stop going to your normal where

487
00:25:01,040 --> 00:25:04,000
Speaker 1: you know your peeps are and go to other spots

488
00:25:04,000 --> 00:25:08,000
Speaker 1: to see if it works there as well. And it

489
00:25:08,080 --> 00:25:10,760
Speaker 1: was kind of hard hitted about it and then really

490
00:25:10,760 --> 00:25:15,320
Speaker 1: got a life lesson. So she went to Second City?

491
00:25:15,560 --> 00:25:17,720
Speaker 3: Yeah, experimental spot.

492
00:25:19,000 --> 00:25:22,760
Speaker 1: Do you know? She left and went to Second City?

493
00:25:23,000 --> 00:25:26,000
Speaker 1: And I guess under the hopes of I'm ready, so

494
00:25:26,040 --> 00:25:28,000
Speaker 1: I know I'm gonna go to Second City and then

495
00:25:28,080 --> 00:25:30,879
Speaker 1: in three years I too can be Tina Fey like

496
00:25:30,920 --> 00:25:36,160
Speaker 1: that's what I think, or and maybe she's in there,

497
00:25:38,640 --> 00:25:40,040
Speaker 1: like you can.

498
00:25:39,960 --> 00:25:44,359
Speaker 6: Stay there, you can just chill, and yeah people do.

499
00:25:44,800 --> 00:25:47,200
Speaker 3: Because that's i mean, after you getting paid for shows.

500
00:25:47,200 --> 00:25:48,520
Speaker 3: So yeah, I guess that's your life's now.

501
00:25:48,680 --> 00:25:52,160
Speaker 1: Yeah, And what I want to know is that when

502
00:25:52,240 --> 00:25:54,879
Speaker 1: people come, first of all, what is the process of

503
00:25:54,920 --> 00:25:57,800
Speaker 1: Second City? Is it a school? Is it just like

504
00:25:58,200 --> 00:25:58,920
Speaker 1: what's the rehearsal?

505
00:25:59,480 --> 00:26:02,120
Speaker 5: Most people and they say they're they've done Second City,

506
00:26:02,160 --> 00:26:04,679
Speaker 5: it's not that they've been on a stage. It's that

507
00:26:04,680 --> 00:26:07,720
Speaker 5: they've taken the US there or done their own shows there.

508
00:26:08,160 --> 00:26:12,600
Speaker 5: There's there's two main theaters. I mean, it could be

509
00:26:12,640 --> 00:26:15,560
Speaker 5: totally different now. Uh. And I was on a touring

510
00:26:15,600 --> 00:26:18,960
Speaker 5: company for a while and I did a cruise ship

511
00:26:19,119 --> 00:26:20,159
Speaker 5: for four months with the.

512
00:26:20,280 --> 00:26:23,560
Speaker 1: Regent, so a second city cruise ship.

513
00:26:23,800 --> 00:26:25,200
Speaker 6: That was my first job with them, so it was

514
00:26:25,280 --> 00:26:25,920
Speaker 6: very exciting.

515
00:26:26,359 --> 00:26:29,760
Speaker 5: But then, well then it's like you're on this ship

516
00:26:29,840 --> 00:26:31,760
Speaker 5: for four months, you're just like I was never on

517
00:26:31,880 --> 00:26:35,960
Speaker 5: land at night time, which sounds crazy to say, but

518
00:26:36,000 --> 00:26:38,080
Speaker 5: I really was like, I just want to have a

519
00:26:38,200 --> 00:26:43,000
Speaker 5: night on ground. But it was so it's like by

520
00:26:43,280 --> 00:26:45,439
Speaker 5: two months and I was like, I can't tell if

521
00:26:45,480 --> 00:26:51,720
Speaker 5: it's prisoner vacation. Uh, and you're doing like very watered

522
00:26:51,720 --> 00:26:53,560
Speaker 5: down sketch comedy for.

523
00:26:56,480 --> 00:26:56,600
Speaker 3: Uh.

524
00:26:57,440 --> 00:26:59,280
Speaker 6: It was well, we ported in New York.

525
00:27:00,280 --> 00:27:02,200
Speaker 1: Was billed as the Second City players or.

526
00:27:02,320 --> 00:27:05,400
Speaker 5: Yeah yeah, yeah, I don't think they have the contract anymore.

527
00:27:05,760 --> 00:27:10,159
Speaker 5: But it was like the first job most people do

528
00:27:10,800 --> 00:27:11,800
Speaker 5: that second City.

529
00:27:11,560 --> 00:27:12,800
Speaker 1: So that's the entry level.

530
00:27:13,000 --> 00:27:13,960
Speaker 6: Yeah yeah.

531
00:27:14,000 --> 00:27:15,680
Speaker 1: Were there any other notable.

532
00:27:16,160 --> 00:27:19,560
Speaker 6: So I was on the ship with Alex Moffatt, who's.

533
00:27:19,119 --> 00:27:22,600
Speaker 1: Wow, yeah yo his uh Trump's son.

534
00:27:23,000 --> 00:27:25,600
Speaker 6: Yeah, yeah, Eric, that's.

535
00:27:25,320 --> 00:27:30,120
Speaker 1: My all time favorite. Yeah, like even when like I'll

536
00:27:30,160 --> 00:27:34,359
Speaker 1: rewatch his facial expressions while everyone it's some of the

537
00:27:34,359 --> 00:27:38,280
Speaker 1: best shit I've ever seen. Yeah, I love that. Yeah, Okay,

538
00:27:38,720 --> 00:27:44,760
Speaker 1: And so how long was it until I'm assuming either

539
00:27:45,400 --> 00:27:50,160
Speaker 1: Higgins or someone discovers you and suggestions.

540
00:27:50,160 --> 00:27:53,960
Speaker 5: Actually I went I got hired through IO. So there's

541
00:27:54,000 --> 00:27:58,560
Speaker 5: a couple of theaters in Probalympic, but they have to

542
00:27:58,640 --> 00:28:02,600
Speaker 5: be called It was like so lawsuitors the Olympics, you

543
00:28:02,600 --> 00:28:05,720
Speaker 5: have to say ioh yeah, okay, But it was IO

544
00:28:05,840 --> 00:28:09,320
Speaker 5: where I got my I did my showcase for Lauren

545
00:28:09,400 --> 00:28:11,000
Speaker 5: and some of the writers.

546
00:28:11,640 --> 00:28:14,520
Speaker 1: Oh so you didn't have to go through the audition

547
00:28:14,640 --> 00:28:15,200
Speaker 1: process that.

548
00:28:15,200 --> 00:28:18,160
Speaker 6: A no no I did, but it just was there.

549
00:28:18,280 --> 00:28:22,080
Speaker 5: Like they go to different theaters, not because it's second city.

550
00:28:22,080 --> 00:28:24,359
Speaker 5: It's only the people that are on the stages that'll

551
00:28:24,359 --> 00:28:27,040
Speaker 5: be seen by SNL.

552
00:28:27,600 --> 00:28:29,720
Speaker 3: So wait, this is I'm sorry, I'm gonna askually like

553
00:28:29,720 --> 00:28:31,640
Speaker 3: a five year old. So this is a special show

554
00:28:31,680 --> 00:28:34,040
Speaker 3: that y'all will do because you know that they're coming.

555
00:28:34,160 --> 00:28:37,720
Speaker 5: Yeah, and they do it in every in la I

556
00:28:37,760 --> 00:28:41,040
Speaker 5: think at different theaters they'll just be showcases pretty much.

557
00:28:41,080 --> 00:28:41,560
Speaker 6: And I would be.

558
00:28:41,520 --> 00:28:45,240
Speaker 3: Showcases for SNL or just with people or yeah, yeah

559
00:28:45,280 --> 00:28:45,960
Speaker 3: for SNL.

560
00:28:46,360 --> 00:28:48,440
Speaker 1: Okay, but is it with other people in the audience

561
00:28:48,560 --> 00:28:50,480
Speaker 1: or just the seven of them in the audience?

562
00:28:50,600 --> 00:28:50,719
Speaker 3: Oh?

563
00:28:50,800 --> 00:28:51,520
Speaker 6: No, other people?

564
00:28:52,080 --> 00:28:52,440
Speaker 1: Okay.

565
00:28:52,560 --> 00:28:56,240
Speaker 5: Yeah, my family was there and I thought I bombed

566
00:28:56,320 --> 00:29:00,440
Speaker 5: because they were so they were so nervous because they

567
00:29:00,440 --> 00:29:03,600
Speaker 5: were sitting near and lorn, and so their faces were

568
00:29:03,680 --> 00:29:05,240
Speaker 5: just like they were like ghost.

569
00:29:05,520 --> 00:29:07,000
Speaker 6: I was like, wow, that bad.

570
00:29:07,240 --> 00:29:10,440
Speaker 3: Huh did you remember what you did? You remember your I.

571
00:29:12,840 --> 00:29:16,160
Speaker 6: Did like a lady from the cruise ship.

572
00:29:16,240 --> 00:29:19,320
Speaker 5: I did her trying to bring a pineapple on the

573
00:29:19,320 --> 00:29:24,720
Speaker 5: boat or something. I think I did Sophia Vergara. Nothing great,

574
00:29:24,960 --> 00:29:26,880
Speaker 5: I don't know it was and I had never done

575
00:29:27,200 --> 00:29:30,760
Speaker 5: like I wasn't an impressionist really, but it was again like, oh,

576
00:29:30,760 --> 00:29:33,440
Speaker 5: I'm going to do something that scares me and just

577
00:29:33,680 --> 00:29:36,800
Speaker 5: kind of try this out. And I took a workshop

578
00:29:37,040 --> 00:29:38,720
Speaker 5: on solo characters.

579
00:29:38,880 --> 00:29:45,240
Speaker 1: I would imagine that probably the best way to get

580
00:29:45,320 --> 00:29:49,240
Speaker 1: on the show is to be mouldable to be anything,

581
00:29:49,440 --> 00:29:52,600
Speaker 1: you know what I mean. Like it's instead of like, Okay,

582
00:29:52,640 --> 00:29:57,960
Speaker 1: I do a very specific Donald Trump and then like

583
00:29:58,000 --> 00:30:01,960
Speaker 1: what happens four years if that's out? Like, but you

584
00:30:02,000 --> 00:30:05,080
Speaker 1: can be mouldable to be anything. So I almost feel

585
00:30:05,120 --> 00:30:07,880
Speaker 1: as though some people go into the process, like I

586
00:30:07,960 --> 00:30:10,680
Speaker 1: know people that have tried to go through the process,

587
00:30:10,760 --> 00:30:15,960
Speaker 1: that we're kind of stuck in a category in a corner,

588
00:30:16,400 --> 00:30:19,760
Speaker 1: and they weren't mouldible. Yeah, if you, because I believe

589
00:30:19,920 --> 00:30:20,800
Speaker 1: it's malleable.

590
00:30:21,040 --> 00:30:24,440
Speaker 4: I looked at this first two times. The third time,

591
00:30:24,480 --> 00:30:25,960
Speaker 4: I'm like, it's malleable.

592
00:30:26,000 --> 00:30:26,120
Speaker 1: Bro.

593
00:30:26,400 --> 00:30:27,480
Speaker 3: I just didn't know what he was saying.

594
00:30:27,760 --> 00:30:30,000
Speaker 1: No, no, no, I didn't even I wasn't even reaching

595
00:30:30,040 --> 00:30:30,360
Speaker 1: for malla.

596
00:30:30,440 --> 00:30:32,600
Speaker 4: I'm just playing around, but it's malleable.

597
00:30:32,480 --> 00:30:37,160
Speaker 1: Right, I wasn't reaching for malleable. I actually thought, okay,

598
00:30:37,160 --> 00:30:40,600
Speaker 1: sort of like imagine, it's not a word, right, okay.

599
00:30:39,960 --> 00:30:41,040
Speaker 4: Like seventy eight other words.

600
00:30:41,080 --> 00:30:46,600
Speaker 3: I hear you say every day, the spirit of Bill

601
00:30:46,680 --> 00:30:47,360
Speaker 3: is always here.

602
00:30:47,760 --> 00:30:51,280
Speaker 1: Here we go, malleable. Thank you. I wasn't even reaching

603
00:30:51,360 --> 00:30:56,280
Speaker 1: for that, but yes, malleable, and you just.

604
00:30:54,840 --> 00:30:56,800
Speaker 3: Thought it was a word I don't hear every time.

605
00:30:57,160 --> 00:31:00,800
Speaker 1: Yeah, this I appreciate this. This reminds me of the

606
00:31:00,800 --> 00:31:05,640
Speaker 1: time when the Roots let me go all day wearing

607
00:31:05,680 --> 00:31:10,560
Speaker 1: a shirt backwards and inside out. So when I got

608
00:31:10,600 --> 00:31:12,320
Speaker 1: home and went in the mirror, I was like, wait

609
00:31:12,360 --> 00:31:15,760
Speaker 1: a minute, oh ship. And then next day I was like, yo,

610
00:31:15,920 --> 00:31:18,000
Speaker 1: why the fucking y'all tell me my shirt was backwards

611
00:31:18,000 --> 00:31:20,200
Speaker 1: in the inside out, And they were like, oh, we thought.

612
00:31:22,240 --> 00:31:26,600
Speaker 4: To hear Multiple's cool. I'll start saying it if you

613
00:31:26,640 --> 00:31:27,000
Speaker 4: want me.

614
00:31:26,960 --> 00:31:30,560
Speaker 1: To know, but I will. I now know that multible

615
00:31:30,720 --> 00:31:31,480
Speaker 1: is not a word.

616
00:31:31,560 --> 00:31:33,440
Speaker 3: No, good to know that the same meaning though multiple

617
00:31:33,480 --> 00:31:34,440
Speaker 3: and that's the.

618
00:31:34,400 --> 00:31:36,680
Speaker 4: Same meaning, it's not one's not a word.

619
00:31:36,800 --> 00:31:40,080
Speaker 1: So then okay, okay, let's go back to Chicago pizza.

620
00:31:40,160 --> 00:31:45,959
Speaker 1: So anyway, No, well, what I'm asking is, uh, I

621
00:31:46,040 --> 00:31:50,360
Speaker 1: believe correct me if I'm wrong. Wasn't your first show,

622
00:31:50,360 --> 00:31:54,080
Speaker 1: The Mick Jagger Season Closer? I remember your entry.

623
00:31:54,240 --> 00:31:58,720
Speaker 5: I remember, No, that was Kate who did like five

624
00:31:58,920 --> 00:32:01,440
Speaker 5: episodes of that season, And I think, yeah, but.

625
00:32:01,480 --> 00:32:05,120
Speaker 1: You did, you did? I could have sworn I saw

626
00:32:05,160 --> 00:32:09,560
Speaker 1: you on a season closer, Like I thought. It was

627
00:32:09,600 --> 00:32:12,040
Speaker 1: weird that I tweeted out, wait, who's this person? I

628
00:32:12,080 --> 00:32:16,760
Speaker 1: don't know this person? And then someone said you, uh, well,

629
00:32:17,000 --> 00:32:18,040
Speaker 1: well you're not a cast member.

630
00:32:18,040 --> 00:32:19,880
Speaker 6: What is it called a the feature player?

631
00:32:20,320 --> 00:32:24,240
Speaker 1: Feature player? But when did you come in into the show?

632
00:32:24,800 --> 00:32:27,040
Speaker 1: Was it the tail end of a previous show?

633
00:32:27,080 --> 00:32:27,160
Speaker 3: No?

634
00:32:27,360 --> 00:32:31,000
Speaker 5: Was the start of season thirty eight twenty twelve?

635
00:32:31,800 --> 00:32:34,120
Speaker 3: How many seasons? Lord, this is beautiful?

636
00:32:34,160 --> 00:32:35,480
Speaker 1: More than forty five minutes beauty?

637
00:32:35,560 --> 00:32:35,920
Speaker 3: Yeah?

638
00:32:36,080 --> 00:32:39,560
Speaker 1: Yeah, so a long time. So okay, so you didn't

639
00:32:39,600 --> 00:32:41,520
Speaker 1: have to go through the process of just being in

640
00:32:41,520 --> 00:32:43,040
Speaker 1: the room with seven people.

641
00:32:43,400 --> 00:32:46,240
Speaker 5: And No, I still had so I we had that

642
00:32:46,360 --> 00:32:49,200
Speaker 5: showcase and then we did like a weird speed dating

643
00:32:49,200 --> 00:32:52,000
Speaker 5: thing in Chicago where a couple of us from that

644
00:32:52,040 --> 00:32:56,400
Speaker 5: showcase went to go sit with the producers born and

645
00:32:56,480 --> 00:33:00,680
Speaker 5: pretend that was normal. And then then we got flown

646
00:33:00,720 --> 00:33:03,080
Speaker 5: out eighty and I. I sort of got to go

647
00:33:03,120 --> 00:33:06,720
Speaker 5: through everything with eighty though, okay, which was really nice because.

648
00:33:06,480 --> 00:33:08,080
Speaker 3: I was going to ask you because Lauren is a

649
00:33:08,160 --> 00:33:10,040
Speaker 3: very I don't know him at all. I've been in

650
00:33:10,080 --> 00:33:13,160
Speaker 3: a room where he is, and he seems like someone

651
00:33:13,200 --> 00:33:18,600
Speaker 3: who is he could be intimidating. Yeah, so when you

652
00:33:18,640 --> 00:33:20,600
Speaker 3: first met because you just said, you know, I did

653
00:33:20,600 --> 00:33:24,000
Speaker 3: speed dating, Lauren was there, but really you weren't intimidating

654
00:33:24,000 --> 00:33:24,760
Speaker 3: and how No.

655
00:33:24,680 --> 00:33:25,479
Speaker 6: I definitely was.

656
00:33:25,640 --> 00:33:30,320
Speaker 5: I couldn't tell you what I said at that table.

657
00:33:30,520 --> 00:33:32,760
Speaker 5: I remember talking about Trader Joe's.

658
00:33:34,200 --> 00:33:34,760
Speaker 3: That's where I go.

659
00:33:34,920 --> 00:33:38,000
Speaker 1: Yeah, I'm not going to right now. I mean, are

660
00:33:38,040 --> 00:33:40,760
Speaker 1: you allowed to? Okay, this is the tester. This is

661
00:33:40,800 --> 00:33:42,480
Speaker 1: how I know if a person's cool or not.

662
00:33:42,920 --> 00:33:44,320
Speaker 6: Oh no, I'm going to fail.

663
00:33:44,440 --> 00:33:45,720
Speaker 1: Are you allowed to have popcorn?

664
00:33:46,480 --> 00:33:47,200
Speaker 6: His popcorn?

665
00:33:47,360 --> 00:33:47,640
Speaker 1: Yes?

666
00:33:48,000 --> 00:33:49,040
Speaker 6: Everyone is? Yeah?

667
00:33:49,280 --> 00:33:51,880
Speaker 1: Oh okay, well then I'm not everyone.

668
00:33:52,160 --> 00:33:55,080
Speaker 3: Well, well, the meeting.

669
00:33:54,920 --> 00:33:59,120
Speaker 5: In between the meeting, in between dress and air, there's

670
00:33:59,160 --> 00:34:00,680
Speaker 5: a big basket of popcorn.

671
00:34:00,840 --> 00:34:05,120
Speaker 1: Right, Yeah, okay, but that's showtime. But I'm talking about

672
00:34:05,120 --> 00:34:06,360
Speaker 1: off show hours.

673
00:34:06,800 --> 00:34:08,200
Speaker 3: He got it in his office or something.

674
00:34:08,320 --> 00:34:09,760
Speaker 6: He keeps it in off yees.

675
00:34:10,560 --> 00:34:11,560
Speaker 1: Yeah, that's important.

676
00:34:11,640 --> 00:34:15,040
Speaker 5: I mean, I'm sure he'd let me just so he

677
00:34:15,080 --> 00:34:17,600
Speaker 5: wouldn't have to say no. But I don't know that

678
00:34:17,640 --> 00:34:20,480
Speaker 5: i'd go knock on his door and ask for his popcorn.

679
00:34:20,719 --> 00:34:22,480
Speaker 1: Okay, I was the type of person.

680
00:34:22,560 --> 00:34:23,359
Speaker 3: That's where you were from.

681
00:34:23,840 --> 00:34:29,320
Speaker 1: No, actually I brought well, I I purchased three big

682
00:34:29,400 --> 00:34:33,000
Speaker 1: ass bags of popcorn and brought him in Lawrence. That

683
00:34:33,120 --> 00:34:37,720
Speaker 1: was my first meeting with Lauren. You purchased, I would

684
00:34:37,760 --> 00:34:41,280
Speaker 1: there was once on forty eighth Street House of Popcorn.

685
00:34:41,920 --> 00:34:44,640
Speaker 5: He didn't charge you for his popcorn though, No. Okay,

686
00:34:44,680 --> 00:34:47,120
Speaker 5: I brought checking brought just in case he's.

687
00:34:48,200 --> 00:34:50,040
Speaker 1: I brought my own. No, I brought it for him

688
00:34:50,120 --> 00:34:53,920
Speaker 1: because I knew that, like the popcorn was a big thing.

689
00:34:54,360 --> 00:34:58,200
Speaker 3: But yeah, I didn't get better. You say it, But

690
00:34:58,560 --> 00:34:59,120
Speaker 3: that was great.

691
00:34:59,360 --> 00:34:59,960
Speaker 6: It's a good move.

692
00:35:00,239 --> 00:35:02,719
Speaker 3: Great move. He's the ask the kids shit, right, I

693
00:35:02,719 --> 00:35:04,480
Speaker 3: mean right, we.

694
00:35:04,440 --> 00:35:09,279
Speaker 1: All agree in eight years, do you feel comfortable now?

695
00:35:09,360 --> 00:35:11,879
Speaker 1: Is there's still tense if he's if you know he's

696
00:35:11,920 --> 00:35:16,640
Speaker 1: in proximity watching, Uh, and I mean eight years you're

697
00:35:16,760 --> 00:35:17,520
Speaker 1: very established?

698
00:35:17,640 --> 00:35:17,920
Speaker 6: No?

699
00:35:18,040 --> 00:35:20,040
Speaker 1: Yeah, I can you feel established?

700
00:35:20,760 --> 00:35:22,360
Speaker 6: I get? I mean yes? And no?

701
00:35:22,880 --> 00:35:23,440
Speaker 3: Who can? Ever?

702
00:35:23,520 --> 00:35:26,640
Speaker 1: You always feel like a hand on the guiltine button, like, oh.

703
00:35:26,840 --> 00:35:28,799
Speaker 6: No, I don't feel like he'll fi.

704
00:35:28,880 --> 00:35:31,160
Speaker 5: I guess it's more about the audience where I'm like,

705
00:35:31,200 --> 00:35:34,280
Speaker 5: I still don't know what they find funny if it's

706
00:35:34,360 --> 00:35:37,160
Speaker 5: sort of like it's still a I don't know what's

707
00:35:37,200 --> 00:35:39,000
Speaker 5: gonna work at dress.

708
00:35:39,960 --> 00:35:42,560
Speaker 1: So some things work to dress that didn't work on

709
00:35:42,600 --> 00:35:43,880
Speaker 1: the show in the opposite.

710
00:35:43,719 --> 00:35:46,279
Speaker 5: Yeah, yeah, yeah, or things that like I find very

711
00:35:46,320 --> 00:35:48,520
Speaker 5: funny that it turns out it's only me.

712
00:35:48,960 --> 00:35:50,560
Speaker 3: So how does this? So how does this work? Because

713
00:35:50,719 --> 00:35:54,000
Speaker 3: you're you're a writer, So how often do you do

714
00:35:54,080 --> 00:35:55,719
Speaker 3: your the things that you write get to be a

715
00:35:55,719 --> 00:35:57,920
Speaker 3: part of the show, Like, what's the percentage of that?

716
00:36:00,120 --> 00:36:03,359
Speaker 5: If it's usually like if there's something on update, then

717
00:36:03,400 --> 00:36:07,000
Speaker 5: it's something I've written, And then I've gotten a lot

718
00:36:07,040 --> 00:36:09,240
Speaker 5: to dress this year and not a lot.

719
00:36:09,120 --> 00:36:12,440
Speaker 3: To air the dummies.

720
00:36:12,440 --> 00:36:14,160
Speaker 6: Okay, so we get things cut for time.

721
00:36:14,239 --> 00:36:15,719
Speaker 3: Okay, okay, okay.

722
00:36:15,680 --> 00:36:18,120
Speaker 1: I have a question about the schedule because actually, like

723
00:36:18,200 --> 00:36:23,000
Speaker 1: he and I sort of quasi sort of follow this schedule.

724
00:36:23,040 --> 00:36:27,560
Speaker 1: I'll schedule my life during the SNL season to sort

725
00:36:27,560 --> 00:36:30,040
Speaker 1: of coincide with what you guys are doing. So, like

726
00:36:30,120 --> 00:36:34,520
Speaker 1: Steve and I will like work Saturday afternoons in my

727
00:36:34,560 --> 00:36:36,960
Speaker 1: studio downstairs in my dressing room, and usually I'll be

728
00:36:37,000 --> 00:36:38,800
Speaker 1: done in time to go watch the tapic.

729
00:36:39,040 --> 00:36:44,280
Speaker 4: Yeah, so usually our schedule is pretty multible, but season

730
00:36:44,600 --> 00:36:48,880
Speaker 4: trying multiple, so that's nice.

731
00:36:48,960 --> 00:36:57,759
Speaker 1: Yes, multiple anyway, So I know that from striking up

732
00:36:57,760 --> 00:37:01,760
Speaker 1: a friendship with Tim Robinson. Yeah, when he was writing

733
00:37:01,760 --> 00:37:07,640
Speaker 1: on the show, he explained to us that you guys

734
00:37:07,640 --> 00:37:11,279
Speaker 1: do what eight dress or a thirty dress? Eight eight

735
00:37:11,760 --> 00:37:13,359
Speaker 1: a dress which is a longer.

736
00:37:13,080 --> 00:37:16,560
Speaker 3: Show y'all are so cute dress short for dress rehearsals,

737
00:37:16,600 --> 00:37:19,759
Speaker 3: dress rehearsal. Okay, thank you, okay, just for me, just

738
00:37:19,760 --> 00:37:22,560
Speaker 3: for you know, Yeah.

739
00:37:22,239 --> 00:37:23,920
Speaker 1: There's eight o'clock dress rehearsal.

740
00:37:24,520 --> 00:37:27,080
Speaker 6: You forget. I know, this is not enormous.

741
00:37:27,080 --> 00:37:27,759
Speaker 3: It's not your fault.

742
00:37:27,840 --> 00:37:30,719
Speaker 1: Language with more, with more sketches in it. And I

743
00:37:30,760 --> 00:37:34,320
Speaker 1: guess who is the deciding committee on who makes it

744
00:37:34,440 --> 00:37:37,799
Speaker 1: or doesn't make it to the final eleven thirty show.

745
00:37:38,120 --> 00:37:41,560
Speaker 5: It's there's a there's a room that I've only been

746
00:37:41,640 --> 00:37:45,040
Speaker 5: in once, and it's the people in that room, but

747
00:37:45,040 --> 00:37:46,680
Speaker 5: it's mainly it's Lauren.

748
00:37:46,520 --> 00:37:50,759
Speaker 1: Higgins and crew. Yeah, okay, So is there like the

749
00:37:50,880 --> 00:37:53,759
Speaker 1: high school? All right? So what word am I looking for?

750
00:37:53,880 --> 00:38:00,400
Speaker 1: Where they place the zi gazaar? No, the high the

751
00:38:00,800 --> 00:38:01,360
Speaker 1: high school?

752
00:38:01,560 --> 00:38:01,680
Speaker 2: Uh?

753
00:38:02,320 --> 00:38:04,000
Speaker 1: Where you put the board?

754
00:38:04,120 --> 00:38:05,439
Speaker 6: Or there is a bulletin board.

755
00:38:05,480 --> 00:38:07,480
Speaker 1: A bulletin board, That's what I was looking for. So

756
00:38:08,160 --> 00:38:10,120
Speaker 1: or is it? Now? With technology, you guys just get

757
00:38:10,120 --> 00:38:12,359
Speaker 1: alerts of what your schedule is.

758
00:38:12,680 --> 00:38:15,440
Speaker 6: No, and I wouldn't know how to get that anyway.

759
00:38:15,520 --> 00:38:18,319
Speaker 5: There is people have like an app where they can

760
00:38:18,560 --> 00:38:20,680
Speaker 5: watch their sketches, and I'm blown away by that.

761
00:38:22,120 --> 00:38:24,440
Speaker 6: I'll never get it. Okay, I just don't know how.

762
00:38:24,600 --> 00:38:26,040
Speaker 6: I have the burner number. And that's it.

763
00:38:26,400 --> 00:38:28,799
Speaker 1: So when they put up when the person puts up

764
00:38:29,960 --> 00:38:33,600
Speaker 1: the bulletin board, notice, then you all run like it's

765
00:38:33,680 --> 00:38:35,680
Speaker 1: high school to see what made it, what didn't made it?

766
00:38:36,080 --> 00:38:39,440
Speaker 5: Well, you we all go into it's called the meeting,

767
00:38:40,600 --> 00:38:42,839
Speaker 5: and we'll get notes and you just kind of look

768
00:38:42,920 --> 00:38:46,600
Speaker 5: at it and you try not to show too much

769
00:38:46,640 --> 00:38:48,960
Speaker 5: how heartbroken you are when your sketch is.

770
00:38:49,360 --> 00:38:52,600
Speaker 1: I was going to say that side now again, with

771
00:38:52,680 --> 00:38:58,279
Speaker 1: failure being the f word or an education process, how

772
00:38:58,360 --> 00:39:03,160
Speaker 1: should one in the most non diplomatic way you can

773
00:39:03,200 --> 00:39:08,280
Speaker 1: do it without jeopardizing yourself. But like, how should one

774
00:39:08,840 --> 00:39:13,239
Speaker 1: take failure as a writer or as a person on

775
00:39:13,280 --> 00:39:16,320
Speaker 1: the show if their sketch doesn't make it to eleven thirty?

776
00:39:17,160 --> 00:39:18,720
Speaker 6: I mean it always it's funny.

777
00:39:19,080 --> 00:39:24,279
Speaker 5: Some hurt more than others, and it's so like embarrassing

778
00:39:24,360 --> 00:39:28,640
Speaker 5: how much sketch comedy you can be so emotional and

779
00:39:28,680 --> 00:39:30,560
Speaker 5: tim and I used to joke because some things get

780
00:39:30,719 --> 00:39:33,440
Speaker 5: cut during the show. You know, there's we always we

781
00:39:33,520 --> 00:39:35,560
Speaker 5: usually go on a little long, so you may be

782
00:39:35,719 --> 00:39:39,719
Speaker 5: dressed just like a complete asshole, waiting to go your

783
00:39:39,800 --> 00:39:42,920
Speaker 5: like dressed as a pumpkin or something, ready to do

784
00:39:43,040 --> 00:39:45,840
Speaker 5: your sketch about farts, and then they say over the

785
00:39:45,880 --> 00:39:48,960
Speaker 5: thing like that's been cut and you're just standing there

786
00:39:49,680 --> 00:39:51,800
Speaker 5: like crying, dressed like a pumpkin.

787
00:39:52,280 --> 00:39:58,600
Speaker 1: Is that because of overages? Okay, overages case in point.

788
00:39:59,200 --> 00:40:01,239
Speaker 4: I was I think that's a word, by the way,

789
00:40:01,440 --> 00:40:01,759
Speaker 4: thank you.

790
00:40:02,160 --> 00:40:04,920
Speaker 1: I was watching all right, I was watching a Debbie

791
00:40:04,960 --> 00:40:08,920
Speaker 1: Downer sketch. Yeah, that obviously went way over. Then it's

792
00:40:08,960 --> 00:40:12,360
Speaker 1: a lot of time, but because of the laughter and

793
00:40:12,360 --> 00:40:15,879
Speaker 1: all that stuff, to get to the end, somebody has

794
00:40:15,880 --> 00:40:21,719
Speaker 1: to get sacrificed, right, So are sketches based on a

795
00:40:21,760 --> 00:40:24,600
Speaker 1: specific time hoping that it doesn't run over?

796
00:40:24,960 --> 00:40:26,200
Speaker 6: Or yeah?

797
00:40:26,320 --> 00:40:29,440
Speaker 5: I mean usually if you're like in the last or

798
00:40:29,520 --> 00:40:33,600
Speaker 5: second to last spot, you're sort of just waiting to

799
00:40:33,680 --> 00:40:36,560
Speaker 5: hear the whole night and there will be time.

800
00:40:36,640 --> 00:40:41,040
Speaker 6: Like during the Chance show, there was an.

801
00:40:40,960 --> 00:40:43,239
Speaker 5: Issue with the wires and I just remember I was

802
00:40:43,320 --> 00:40:46,480
Speaker 5: dangling there for so long and I was like, this, something's.

803
00:40:46,120 --> 00:40:46,880
Speaker 6: Getting cut for this.

804
00:40:47,680 --> 00:40:49,520
Speaker 5: I was going to say, now I'm dangling here, I

805
00:40:49,560 --> 00:40:50,920
Speaker 5: know something's getting cut for this.

806
00:40:51,719 --> 00:40:56,040
Speaker 1: Which leads me to the Tuesday night pitch. Now the one,

807
00:40:56,480 --> 00:40:58,440
Speaker 1: the thing, the thing that I always and let me

808
00:40:58,440 --> 00:41:02,239
Speaker 1: explain for our Listenershiggins on our show, jimmy sidekick on

809
00:41:02,280 --> 00:41:05,960
Speaker 1: our show, is one of the main producers of SNL.

810
00:41:06,400 --> 00:41:07,960
Speaker 1: So him doing the tonight show is sort of like

811
00:41:08,000 --> 00:41:09,919
Speaker 1: me doing a DJ gig from the roots, Like that's

812
00:41:09,960 --> 00:41:12,319
Speaker 1: his side hustle. He doesn't have to do it, but

813
00:41:12,440 --> 00:41:14,239
Speaker 1: you know, it's something to do and it keeps some

814
00:41:14,320 --> 00:41:18,760
Speaker 1: sharp comedy wise or whatever. However, the thing I always

815
00:41:18,880 --> 00:41:21,840
Speaker 1: ask about, Higgins, the thing that I'm most curious about

816
00:41:22,080 --> 00:41:27,720
Speaker 1: are how sketches are pitched on Tuesday Night to whoever

817
00:41:27,760 --> 00:41:31,359
Speaker 1: the designated host is. How do you do it in

818
00:41:31,440 --> 00:41:36,400
Speaker 1: such a quickly executed time? How do you explain a

819
00:41:36,440 --> 00:41:41,320
Speaker 1: sketch that really depends on physicality? Because that chance sketch

820
00:41:41,360 --> 00:41:46,919
Speaker 1: that you speak of was really I mean, what made

821
00:41:46,960 --> 00:41:49,360
Speaker 1: it hilarious was the fact that you guys were trapped

822
00:41:49,400 --> 00:41:52,920
Speaker 1: in mid air and these wires crashing all over the place.

823
00:41:53,360 --> 00:41:58,719
Speaker 1: So how is that conveyed at a table well that

824
00:41:58,760 --> 00:42:00,439
Speaker 1: they say, yes, that work.

825
00:42:00,680 --> 00:42:04,080
Speaker 6: They I've never had to do that.

826
00:42:05,080 --> 00:42:08,880
Speaker 5: We have pitched Monday, but usually that's like you're just

827
00:42:09,000 --> 00:42:12,120
Speaker 5: meeting the host sort of and seeing what they find funny,

828
00:42:12,239 --> 00:42:15,160
Speaker 5: or just hearing them speak or seeing them for the

829
00:42:15,160 --> 00:42:17,839
Speaker 5: first time in person, and then we write on Tuesday.

830
00:42:18,560 --> 00:42:22,480
Speaker 5: And I don't normally talk to the host on Tuesday

831
00:42:22,560 --> 00:42:26,040
Speaker 5: because I think then they may say like, oh, that

832
00:42:26,120 --> 00:42:27,799
Speaker 5: sounds fun, and what if I do this and you're

833
00:42:27,880 --> 00:42:30,960
Speaker 5: kind of like, oh.

834
00:42:29,719 --> 00:42:35,000
Speaker 1: Are we there every day? Yeah, from Monday till yeah, Saturday. Yeah,

835
00:42:35,440 --> 00:42:38,080
Speaker 1: now we can bring in the time lamps thing.

836
00:42:38,400 --> 00:42:40,960
Speaker 3: Wait, but before we will before we do that. Does

837
00:42:40,960 --> 00:42:46,120
Speaker 3: that mean that comedian hosts are harder, way harder. Yeah, okay,

838
00:42:46,239 --> 00:42:52,080
Speaker 3: so then this weekend would be really hard coming up. Okay, well,

839
00:42:53,040 --> 00:42:53,400
Speaker 3: thank you.

840
00:42:53,640 --> 00:42:55,600
Speaker 1: I don't know. I mean, the thing is is that

841
00:42:56,320 --> 00:43:00,080
Speaker 1: Eddie Okay, we're obviously speaking before the you know, the

842
00:43:00,080 --> 00:43:04,000
Speaker 1: the Eddie Murphy, the grand return of Eddie Murphy to Essenel,

843
00:43:04,880 --> 00:43:12,240
Speaker 1: of which I think that because he's such because he's

844
00:43:12,280 --> 00:43:17,120
Speaker 1: such a maverick at his job, that he would know

845
00:43:19,360 --> 00:43:22,480
Speaker 1: to sort of go along with the climate of the

846
00:43:22,560 --> 00:43:26,120
Speaker 1: room as opposed to now. I was there. I was

847
00:43:26,200 --> 00:43:30,520
Speaker 1: there during the whole Chappelle hosting situation, and once I

848
00:43:30,560 --> 00:43:33,960
Speaker 1: saw Neil Brennan in the hallway, I was like, oh boy.

849
00:43:34,320 --> 00:43:37,879
Speaker 3: The comedians bring their own Oh my writers, that's the clusterfuck.

850
00:43:38,640 --> 00:43:41,319
Speaker 3: You know, it's sort I don't sometimes, Yeah, I.

851
00:43:41,280 --> 00:43:44,799
Speaker 5: Think like this week is actually I feel like I

852
00:43:44,840 --> 00:43:48,719
Speaker 5: can kind of sit back because it'll be very much

853
00:43:48,760 --> 00:43:52,400
Speaker 5: about and like, I think that's exciting and what he

854
00:43:52,480 --> 00:43:56,759
Speaker 5: wants to do, and I'll probably do like free are

855
00:43:56,800 --> 00:43:57,600
Speaker 5: you well?

856
00:43:57,640 --> 00:44:01,880
Speaker 1: Only Okay? What makes in my opinion, what makes his

857
00:44:02,000 --> 00:44:09,919
Speaker 1: Dolomite film work is he's actually kind of a straight guy.

858
00:44:10,120 --> 00:44:14,719
Speaker 1: It's it's his re It's like the planets that the

859
00:44:15,000 --> 00:44:17,720
Speaker 1: stars that surround and the moons that surround his planet

860
00:44:18,239 --> 00:44:21,319
Speaker 1: is what really makes that film funny, like and he's

861
00:44:21,360 --> 00:44:22,120
Speaker 1: reacting to.

862
00:44:23,680 --> 00:44:26,320
Speaker 3: Wes makes it fun Yeah, you're right like other.

863
00:44:26,160 --> 00:44:31,560
Speaker 1: People, And you know, I think that you guys are

864
00:44:31,800 --> 00:44:35,640
Speaker 1: on such a role like I now consider as an

865
00:44:35,800 --> 00:44:42,279
Speaker 1: SNL expert, that your era SNL will be considered like

866
00:44:42,360 --> 00:44:45,480
Speaker 1: a high Mark cast season, the way that we looked

867
00:44:45,480 --> 00:44:49,160
Speaker 1: at the ninety eight cast with with Fallon and Tita Fey,

868
00:44:49,239 --> 00:44:51,080
Speaker 1: and the way that people look at the class of

869
00:44:51,160 --> 00:44:55,200
Speaker 1: ninety one or seventy five like people have specific eras

870
00:44:55,239 --> 00:44:59,600
Speaker 1: of right there, that was the Chicago Bulls of you guys. Now,

871
00:45:00,239 --> 00:45:03,880
Speaker 1: you guys now have your own rhythm when coming with

872
00:45:03,920 --> 00:45:07,120
Speaker 1: each other. So I think it would just behove any

873
00:45:07,200 --> 00:45:13,080
Speaker 1: host to join the gang as opposed to disrupt them.

874
00:45:13,360 --> 00:45:14,839
Speaker 3: I don't know, Eddie might be what do you think

875
00:45:14,880 --> 00:45:17,719
Speaker 3: that's because I mean, I have I don't know what

876
00:45:17,800 --> 00:45:19,040
Speaker 3: will happen, but I assume.

877
00:45:19,520 --> 00:45:22,279
Speaker 6: I mean because it's his first time coming back and

878
00:45:22,320 --> 00:45:22,680
Speaker 6: he was.

879
00:45:23,400 --> 00:45:25,200
Speaker 3: Just he's never hosted.

880
00:45:26,200 --> 00:45:28,040
Speaker 1: Eighty four was the last time he hosted when Beverly

881
00:45:28,080 --> 00:45:30,960
Speaker 1: Hills Cop came out. Wow, And the first time he

882
00:45:31,000 --> 00:45:34,960
Speaker 1: host it was inadvertently when Nick Nolty. Nick Nolty was

883
00:45:35,000 --> 00:45:37,440
Speaker 1: the only person to drop out of the show like

884
00:45:38,360 --> 00:45:41,000
Speaker 1: the Friday before, like I'm not doing this, and so

885
00:45:41,040 --> 00:45:41,439
Speaker 1: they were.

886
00:45:41,360 --> 00:45:43,440
Speaker 6: Like yeah when he was on the cast.

887
00:45:43,560 --> 00:45:46,000
Speaker 1: Yeah, so they're like, well, Eddie, you're in the movie too,

888
00:45:46,080 --> 00:45:50,040
Speaker 1: so you hosted and that became a game changer for him,

889
00:45:50,840 --> 00:45:51,560
Speaker 1: Like so.

890
00:45:51,760 --> 00:45:53,320
Speaker 3: You really are an expert.

891
00:45:54,440 --> 00:45:57,960
Speaker 1: I only know because Soul Train came on at one

892
00:45:58,000 --> 00:46:02,840
Speaker 1: a m. And SoulTrain came on right after SNL, So

893
00:46:02,920 --> 00:46:05,680
Speaker 1: it's like you watch SNL at eleven thirty and then

894
00:46:05,680 --> 00:46:08,359
Speaker 1: one am finally soul Train comes on. But if there

895
00:46:08,360 --> 00:46:11,000
Speaker 1: were a VCR back then I would have probably just

896
00:46:11,040 --> 00:46:13,879
Speaker 1: recorded SoulTrain and not cared about SNL as much.

897
00:46:13,920 --> 00:46:16,399
Speaker 3: Wait, so on that note, just question to you are

898
00:46:16,440 --> 00:46:18,960
Speaker 3: you were you a fan? Were you a Jane Curtin,

899
00:46:19,200 --> 00:46:22,400
Speaker 3: Gilda reantn or like yeah you were all in?

900
00:46:22,840 --> 00:46:27,120
Speaker 5: Yeah, we had I definitely want My mom had me

901
00:46:27,160 --> 00:46:32,000
Speaker 5: watch like Gilda's show, her Broadway show on tape. I

902
00:46:32,040 --> 00:46:37,040
Speaker 5: had vhs of like SNL's commercials that I wore out

903
00:46:36,760 --> 00:46:40,080
Speaker 5: pretty much. I like to Tracey.

904
00:46:40,280 --> 00:46:42,680
Speaker 3: I mean I watched a bunch of different Did you

905
00:46:42,680 --> 00:46:44,520
Speaker 3: have a favorite grownd now class Like, I'm mi're just it.

906
00:46:45,840 --> 00:46:50,880
Speaker 5: I really enjoyed every iteration I think up until like

907
00:46:51,000 --> 00:46:54,520
Speaker 5: you're eighteen or whatever and you're too cool for SNL

908
00:46:54,560 --> 00:46:55,000
Speaker 5: for a while.

909
00:46:56,840 --> 00:46:58,240
Speaker 6: You know, I'm never busy.

910
00:46:58,680 --> 00:47:04,560
Speaker 5: You're busy, busy, very busy, cool popular.

911
00:47:05,520 --> 00:47:06,680
Speaker 6: Yeah.

912
00:47:06,920 --> 00:47:13,320
Speaker 1: So okay. I got to bring up two specific I

913
00:47:13,560 --> 00:47:18,200
Speaker 1: say specific specific sketches that you did that I felt like,

914
00:47:18,239 --> 00:47:21,520
Speaker 1: we're really mind blowing. One for the physical comedy when

915
00:47:21,560 --> 00:47:26,399
Speaker 1: you do Fox News as a Yeah, Piero, I don't

916
00:47:26,440 --> 00:47:33,759
Speaker 1: care if I mispronounce it in dress rehearsal, did you

917
00:47:33,880 --> 00:47:37,560
Speaker 1: go that hard with the spectaques and the falling on

918
00:47:37,600 --> 00:47:38,000
Speaker 1: the floor.

919
00:47:38,160 --> 00:47:41,839
Speaker 6: Yeah, yeah, definitely you all right.

920
00:47:41,880 --> 00:47:44,080
Speaker 1: I was in the audience. And so to see you

921
00:47:44,160 --> 00:47:46,439
Speaker 1: it's one thing watching on television, if you're at home

922
00:47:46,480 --> 00:47:49,960
Speaker 1: watching the Angle of It, that's one thing. But to

923
00:47:50,080 --> 00:47:54,520
Speaker 1: see you actually put yourself in physical danger, just like

924
00:47:54,560 --> 00:47:57,120
Speaker 1: that second fall out the chair. There's two moments where

925
00:47:57,120 --> 00:48:03,200
Speaker 1: she you know, well it's not a double take, but

926
00:48:03,239 --> 00:48:05,120
Speaker 1: you threw yourself out the chair, right.

927
00:48:05,239 --> 00:48:08,359
Speaker 5: I mean I had a giant Matt and I made

928
00:48:08,360 --> 00:48:12,279
Speaker 5: sure to practiced it a lot beforehand, and I was

929
00:48:12,440 --> 00:48:16,920
Speaker 5: very like serious about it, like you promised me time

930
00:48:17,280 --> 00:48:19,960
Speaker 5: to practice throwing myself out of a chair, and I

931
00:48:20,040 --> 00:48:21,319
Speaker 5: need this time to do that.

932
00:48:21,400 --> 00:48:23,520
Speaker 1: You did it on the floor, like elsewhere.

933
00:48:23,680 --> 00:48:25,360
Speaker 3: On the floor, because you only have that.

934
00:48:25,440 --> 00:48:28,640
Speaker 5: I just needed to see like the space, you know,

935
00:48:28,680 --> 00:48:30,720
Speaker 5: seeing what you can do at that desk. You nailed

936
00:48:30,719 --> 00:48:34,399
Speaker 5: it because my shoes flew off on accident, I thought,

937
00:48:35,360 --> 00:48:37,239
Speaker 5: And then I was like, oh, I got to keep that.

938
00:48:38,360 --> 00:48:41,520
Speaker 6: Then I had to try to flick my shoe off air.

939
00:48:41,920 --> 00:48:47,000
Speaker 1: Okay, I was. It was spittal and perfect. But the

940
00:48:47,120 --> 00:48:52,840
Speaker 1: other thing is you're Barbara Streiss and jingle Bells reradition

941
00:48:53,200 --> 00:48:57,400
Speaker 1: now as a as a person who's whose band member

942
00:48:57,600 --> 00:49:01,400
Speaker 1: is known for his breath control. The first thing I

943
00:49:01,520 --> 00:49:05,960
Speaker 1: noticed was that you hardly breath all these words. How

944
00:49:06,000 --> 00:49:10,799
Speaker 1: do you how long do you prepare a sketch or

945
00:49:10,880 --> 00:49:13,279
Speaker 1: how long do you prepare bits? Well?

946
00:49:13,360 --> 00:49:16,799
Speaker 5: That one Brian Tucker, I got a text from him

947
00:49:16,800 --> 00:49:19,520
Speaker 5: at like two am with that song and he said,

948
00:49:19,560 --> 00:49:22,560
Speaker 5: I just heard this in a cab and I think

949
00:49:22,600 --> 00:49:24,400
Speaker 5: this would be really funny if you want to do it,

950
00:49:24,480 --> 00:49:26,960
Speaker 5: And so then I just I was like number one.

951
00:49:27,000 --> 00:49:29,239
Speaker 5: That's very funny that Brian Tucker is sending me a

952
00:49:29,280 --> 00:49:34,360
Speaker 5: Barbars Streissen song. And then, uh, if I just started practicing,

953
00:49:34,560 --> 00:49:37,280
Speaker 5: I mean it was just like, I'll my neighbors probably

954
00:49:37,320 --> 00:49:41,440
Speaker 5: think I'm insane because I'll just be singing things.

955
00:49:41,239 --> 00:49:44,920
Speaker 6: Like that over a note repeat on loop. Yeah yeah,

956
00:49:45,320 --> 00:49:47,040
Speaker 6: at night time in my primary Yeah.

957
00:49:48,560 --> 00:49:52,400
Speaker 1: Yeah, Malcolm Gladwell hours like, there's no way, Like I

958
00:49:52,440 --> 00:49:55,279
Speaker 1: put the I put it on Spotify myself, and I

959
00:49:55,320 --> 00:49:58,200
Speaker 1: was like, there's no way that she learned this in

960
00:49:58,320 --> 00:50:00,160
Speaker 1: less than a month or year, Like I thought that

961
00:50:00,200 --> 00:50:01,240
Speaker 1: was something in your repertoire.

962
00:50:01,360 --> 00:50:05,839
Speaker 5: No, No, it's just when you're a lunatic, I think,

963
00:50:05,920 --> 00:50:09,080
Speaker 5: And you don't sleep, You've got all those hours in

964
00:50:09,120 --> 00:50:09,480
Speaker 5: the night.

965
00:50:09,840 --> 00:50:10,680
Speaker 1: You are a lunatic.

966
00:50:11,000 --> 00:50:14,920
Speaker 3: Yeah, Cecy, you never took singing like serious series.

967
00:50:15,960 --> 00:50:20,200
Speaker 5: I mean I sang because, but it was never like

968
00:50:20,239 --> 00:50:23,120
Speaker 5: a singer singer. No, And there's a lot of singing

969
00:50:23,160 --> 00:50:26,920
Speaker 5: I can't do, so I'm more like I can do

970
00:50:27,000 --> 00:50:28,200
Speaker 5: sketch comedy singing.

971
00:50:28,600 --> 00:50:34,040
Speaker 1: Speaking of which, what's the determining factor of when you

972
00:50:34,080 --> 00:50:39,479
Speaker 1: guys warm up the crowd? Is it that? In my mind?

973
00:50:39,520 --> 00:50:41,120
Speaker 1: I thought that was like, oh, this is when like

974
00:50:41,320 --> 00:50:44,840
Speaker 1: you're new to the NBA and the freshman on the

975
00:50:44,880 --> 00:50:47,640
Speaker 1: new team had to carry all the bags. So when

976
00:50:47,640 --> 00:50:54,080
Speaker 1: they warm up the crowd, Keenan does his old Soul

977
00:50:54,160 --> 00:50:57,600
Speaker 1: review routine and usually three of the SNL ladies will

978
00:50:57,640 --> 00:51:00,360
Speaker 1: be his pips, so it'll be like his version of

979
00:51:00,360 --> 00:51:02,640
Speaker 1: Glass Night and the Pips and they dress up for

980
00:51:02,680 --> 00:51:05,279
Speaker 1: it and all this other they get.

981
00:51:05,320 --> 00:51:06,200
Speaker 3: They never never changed.

982
00:51:06,200 --> 00:51:07,960
Speaker 1: They no, no, it's just a warm up thing.

983
00:51:08,040 --> 00:51:09,400
Speaker 3: Okay, So that's what I mean for the warm up.

984
00:51:09,400 --> 00:51:10,520
Speaker 3: They always do the same warm up.

985
00:51:11,760 --> 00:51:14,400
Speaker 1: Yeah, but I mean the audience isn't crazy like me

986
00:51:14,480 --> 00:51:17,080
Speaker 1: and be there every week, so it's new to everybody. Right,

987
00:51:17,120 --> 00:51:20,719
Speaker 1: it's new to everyone. But what is the process of that.

988
00:51:20,800 --> 00:51:25,239
Speaker 1: It's like if you're new, you have to sing? Or

989
00:51:25,320 --> 00:51:27,200
Speaker 1: is it like how do you guys negotiate it? Are

990
00:51:27,200 --> 00:51:29,040
Speaker 1: they told like, well, it's my week to sing?

991
00:51:29,120 --> 00:51:30,759
Speaker 6: Or no, no, I uh.

992
00:51:32,080 --> 00:51:35,279
Speaker 5: I did it for four five years or something and

993
00:51:35,320 --> 00:51:40,120
Speaker 5: then it was but you singh give me some lovin right,

994
00:51:40,280 --> 00:51:44,600
Speaker 5: and there was like I Now the newer girls do it,

995
00:51:44,840 --> 00:51:47,759
Speaker 5: especially because if the cold open is coming, to do

996
00:51:47,840 --> 00:51:50,200
Speaker 5: that warm up and then to go right into the

997
00:51:50,200 --> 00:51:52,000
Speaker 5: cold open can be kind of tough, and a lot

998
00:51:52,000 --> 00:51:55,400
Speaker 5: of times Kate will be wearing crazy prosthetics or something.

999
00:51:55,440 --> 00:51:57,960
Speaker 1: So then yeah, I was wondering, now do you guys

1000
00:51:58,360 --> 00:52:00,799
Speaker 1: run with just three seconds left to right?

1001
00:52:01,040 --> 00:52:05,399
Speaker 5: So it's but I was definitely like, I am done

1002
00:52:05,440 --> 00:52:08,160
Speaker 5: to you. I broke my foot one year right before

1003
00:52:08,200 --> 00:52:10,920
Speaker 5: the show started, so I got out of warm ups

1004
00:52:11,040 --> 00:52:12,000
Speaker 5: and then it was kind of like.

1005
00:52:13,520 --> 00:52:14,200
Speaker 6: Can I stay?

1006
00:52:14,320 --> 00:52:19,799
Speaker 1: I like this? Speaking of out, you were in the

1007
00:52:19,840 --> 00:52:25,759
Speaker 1: coveted anchorchair of weekend Updates. Yeah, yeah, exactly, thank you

1008
00:52:29,080 --> 00:52:33,120
Speaker 1: and then you well because of you, I guess we

1009
00:52:33,200 --> 00:52:37,120
Speaker 1: now have Michael j. But why would you give up

1010
00:52:37,160 --> 00:52:38,200
Speaker 1: such a coveted spot?

1011
00:52:38,320 --> 00:52:41,399
Speaker 5: Well, I think it was doing it with Seth, who

1012
00:52:41,480 --> 00:52:44,319
Speaker 5: was so established, made it feel like I could just

1013
00:52:44,520 --> 00:52:48,920
Speaker 5: go in and it was already a thing that I

1014
00:52:49,000 --> 00:52:52,360
Speaker 5: just could sort of slide into. And then when he left,

1015
00:52:53,080 --> 00:52:55,080
Speaker 5: it was Colin and I and it was like, clearly

1016
00:52:55,200 --> 00:52:58,000
Speaker 5: this needs to now we have to figure this whole new.

1017
00:53:00,400 --> 00:53:02,200
Speaker 6: Thing out and kem and it was just.

1018
00:53:02,160 --> 00:53:06,840
Speaker 5: Like that the what that would have taken if that

1019
00:53:07,000 --> 00:53:09,520
Speaker 5: was really exhausting and sort of like, I don't know

1020
00:53:09,560 --> 00:53:12,640
Speaker 5: that I want to spend my time now just figuring

1021
00:53:12,680 --> 00:53:16,120
Speaker 5: out what update's going to be. So there were a

1022
00:53:16,160 --> 00:53:19,719
Speaker 5: lot of talks with Lauren and you know, and it

1023
00:53:19,800 --> 00:53:24,239
Speaker 5: was it wasn't an easy decision necessarily, but it was

1024
00:53:24,560 --> 00:53:26,480
Speaker 5: I think absolutely the right one.

1025
00:53:26,640 --> 00:53:30,680
Speaker 1: So would would doing Does doing update require that you

1026
00:53:30,800 --> 00:53:34,600
Speaker 1: really have to have a chemistry with whoever your partner

1027
00:53:34,719 --> 00:53:36,120
Speaker 1: is on the show.

1028
00:53:35,880 --> 00:53:38,920
Speaker 5: And well, I think it was because he was so

1029
00:53:39,080 --> 00:53:42,520
Speaker 5: new too, so it was like two new people trying

1030
00:53:42,560 --> 00:53:45,600
Speaker 5: and it was just like I just would rather I missed.

1031
00:53:45,880 --> 00:53:46,799
Speaker 6: I just want to do.

1032
00:53:46,880 --> 00:53:49,359
Speaker 3: Get more fun. You do more fun to do the care.

1033
00:53:49,440 --> 00:53:52,640
Speaker 1: You can't do both. You can't do update and characters.

1034
00:53:52,760 --> 00:53:55,920
Speaker 5: I think if if Seth had stayed longer, I would

1035
00:53:55,920 --> 00:53:59,120
Speaker 5: have I could have stayed longer because it was I

1036
00:53:59,160 --> 00:54:02,560
Speaker 5: didn't we didn't have all they make something new? Yeah,

1037
00:54:02,600 --> 00:54:04,279
Speaker 5: but is it rare though when we think about it,

1038
00:54:04,320 --> 00:54:06,239
Speaker 5: like it feels like the folks who always do we

1039
00:54:06,280 --> 00:54:09,840
Speaker 5: can update do the least other stuff? Right because Amy

1040
00:54:09,880 --> 00:54:12,399
Speaker 5: did a lot right, Well, dang you, Yeah, Amy did

1041
00:54:12,400 --> 00:54:14,319
Speaker 5: do a lot. But I think like once you had

1042
00:54:14,400 --> 00:54:17,279
Speaker 5: but just to try to figure out what that new

1043
00:54:17,360 --> 00:54:21,800
Speaker 5: dynamic was going to be just felt like pretty daunting

1044
00:54:21,880 --> 00:54:26,520
Speaker 5: and and and exciting, but not what I was wanted

1045
00:54:26,560 --> 00:54:30,439
Speaker 5: to do on the show the most I see.

1046
00:54:32,600 --> 00:54:35,840
Speaker 4: He's like so curious about SNL man, like I'm gonna

1047
00:54:35,840 --> 00:54:38,800
Speaker 4: get past it. I'm not knocking it. I'm just saying

1048
00:54:38,880 --> 00:54:41,680
Speaker 4: that's a very cute, adorable child, like.

1049
00:54:42,120 --> 00:54:43,920
Speaker 6: Very good to go see a message.

1050
00:54:44,160 --> 00:54:46,879
Speaker 4: Now he sees like Cremony's and.

1051
00:54:46,840 --> 00:54:50,680
Speaker 5: It's like there's nothing I truly am like. It's very

1052
00:54:50,719 --> 00:54:51,960
Speaker 5: flattering and exciting.

1053
00:54:52,040 --> 00:54:55,520
Speaker 4: You can hear him laughing in the audience sometimes, Okay, that's.

1054
00:55:00,880 --> 00:55:00,960
Speaker 2: No.

1055
00:55:01,080 --> 00:55:03,279
Speaker 1: I told them, like, don't sit me the mic that

1056
00:55:03,360 --> 00:55:06,640
Speaker 1: they put me under. But the mic is as close

1057
00:55:06,719 --> 00:55:09,480
Speaker 1: to my seat as the microphone right now that I'm

1058
00:55:09,520 --> 00:55:12,960
Speaker 1: sitting in. Wow. And so occasionally Jimmy will hit me

1059
00:55:13,640 --> 00:55:16,359
Speaker 1: like my thing, like really you thought that you thought

1060
00:55:16,360 --> 00:55:19,480
Speaker 1: that you thought that Harry Potter joke was really that

1061
00:55:19,520 --> 00:55:19,960
Speaker 1: funny of me?

1062
00:55:19,960 --> 00:55:20,080
Speaker 3: Here?

1063
00:55:20,200 --> 00:55:24,560
Speaker 1: Really? Really? Yeah? I always get out it with with

1064
00:55:24,640 --> 00:55:28,719
Speaker 1: my laughter, so I try to have you done. Here's

1065
00:55:28,760 --> 00:55:31,160
Speaker 1: the weird thing. And speaking of when things get cut,

1066
00:55:33,400 --> 00:55:39,040
Speaker 1: we were weird enough. Yeah, always brides me, never bride

1067
00:55:39,640 --> 00:55:44,360
Speaker 1: you answer. We were we were busters banned weird enough

1068
00:55:44,640 --> 00:55:50,600
Speaker 1: hosted by Donald Trump. We were Yeah, we were Buster

1069
00:55:50,719 --> 00:55:55,200
Speaker 1: rhymes has been uh on his on the ninety on

1070
00:55:55,239 --> 00:55:59,440
Speaker 1: his ninety nine show, I think hosted by damn Why

1071
00:55:59,440 --> 00:56:03,120
Speaker 1: did I fold down on this rabbit? No? No, that

1072
00:56:03,280 --> 00:56:09,360
Speaker 1: was just give me some more period. Uh okay, do

1073
00:56:09,440 --> 00:56:11,239
Speaker 1: I really want to try to figure out this? No?

1074
00:56:12,719 --> 00:56:14,080
Speaker 1: He's in George of the Jungle.

1075
00:56:15,440 --> 00:56:18,840
Speaker 3: One. Wait the Last Live? Was he your voice?

1076
00:56:18,880 --> 00:56:18,960
Speaker 2: Oh?

1077
00:56:19,000 --> 00:56:20,239
Speaker 3: Come on, I don't do this to me.

1078
00:56:20,760 --> 00:56:24,880
Speaker 1: He was also in the movie in which the woman

1079
00:56:25,000 --> 00:56:28,080
Speaker 1: was the Devil. She's real sexy. She has an English accent.

1080
00:56:28,560 --> 00:56:31,000
Speaker 3: Elizabeth Hurley, Yes, you're right.

1081
00:56:30,920 --> 00:56:32,880
Speaker 1: Yeah, yes, Brandon Fraser.

1082
00:56:33,120 --> 00:56:38,760
Speaker 5: Okay, we can play Elizabeth Hurley.

1083
00:56:38,880 --> 00:56:48,120
Speaker 1: Yeah, anyway, So yeah, the Brandon Fraser Show and then

1084
00:56:48,680 --> 00:56:52,680
Speaker 1: the Donald Trump Show, in which we did an album

1085
00:56:52,840 --> 00:56:56,400
Speaker 1: with two to the Maytales Quinn Stefani.

1086
00:56:55,920 --> 00:56:58,600
Speaker 3: So does he know you want to be in a skit?

1087
00:56:58,920 --> 00:57:01,799
Speaker 3: Because I know probably know norybody else.

1088
00:57:02,840 --> 00:57:06,400
Speaker 1: No. I My my love of the show is actually

1089
00:57:06,520 --> 00:57:10,400
Speaker 1: watching two things I love. I love watching the panic

1090
00:57:10,520 --> 00:57:13,880
Speaker 1: whoever your wardrobe, lady, is that or not? The wardrobe?

1091
00:57:14,000 --> 00:57:15,640
Speaker 6: Yeah, the one that wrangles.

1092
00:57:15,920 --> 00:57:18,600
Speaker 1: Yeah, that's my favorite thing to watch, Like to watch

1093
00:57:18,600 --> 00:57:23,280
Speaker 1: her grab after monologue's done. She will grab you by

1094
00:57:23,360 --> 00:57:29,160
Speaker 1: the collar and yeah, that to me. Watching the machine

1095
00:57:29,240 --> 00:57:31,680
Speaker 1: run is my favorite shit.

1096
00:57:31,760 --> 00:57:34,280
Speaker 3: Ever, it's still on some VIP shit because I'm like

1097
00:57:34,320 --> 00:57:36,120
Speaker 3: other shows sn ling, the kind of show where you

1098
00:57:36,160 --> 00:57:38,360
Speaker 3: can be like, yes, can I get on the list

1099
00:57:38,440 --> 00:57:39,600
Speaker 3: for next month show?

1100
00:57:40,840 --> 00:57:47,720
Speaker 1: However, my second favorite thing is I love I love

1101
00:57:47,880 --> 00:57:50,640
Speaker 1: throwing off the audience clap when it's time for the end,

1102
00:57:51,800 --> 00:57:54,520
Speaker 1: so the band will try to teach them all the time.

1103
00:57:54,920 --> 00:57:58,520
Speaker 5: If they're ever off watching the band, you know that's

1104
00:57:58,560 --> 00:58:00,360
Speaker 5: so disappointed in the eye dance.

1105
00:58:01,280 --> 00:58:03,800
Speaker 1: It's not the audience. It's not the audience.

1106
00:58:03,840 --> 00:58:05,240
Speaker 3: Really, it's me, because it's.

1107
00:58:07,360 --> 00:58:08,480
Speaker 1: It doesn't sense up.

1108
00:58:10,200 --> 00:58:11,200
Speaker 6: They go so fast.

1109
00:58:12,560 --> 00:58:15,440
Speaker 1: I'm the one in the audience that's speeding up the clap,

1110
00:58:15,600 --> 00:58:16,600
Speaker 1: knowing that the nine.

1111
00:58:16,400 --> 00:58:19,480
Speaker 3: People next to me, So what are you doing about? Now?

1112
00:58:19,920 --> 00:58:22,280
Speaker 1: I'm sitting in the audience and I'm speeding up the

1113
00:58:22,320 --> 00:58:25,640
Speaker 1: clap knowing that thirteen to fourteen people next to me

1114
00:58:25,680 --> 00:58:28,520
Speaker 1: are going to speak clat with me, and then so

1115
00:58:28,600 --> 00:58:30,640
Speaker 1: on and so on and so on, and then I

1116
00:58:30,800 --> 00:58:35,320
Speaker 1: mess it up. Every time it's messed up, you know,

1117
00:58:35,640 --> 00:58:37,400
Speaker 1: you know to look up in the valcony, be like

1118
00:58:37,960 --> 00:58:38,400
Speaker 1: I got.

1119
00:58:38,240 --> 00:58:39,959
Speaker 6: To tell the band, no, don't do that.

1120
00:58:39,880 --> 00:58:51,640
Speaker 1: Please, please don't do that? All right, My last question

1121
00:58:51,840 --> 00:58:55,120
Speaker 1: is that most people use sen L as the springboard

1122
00:58:55,960 --> 00:59:01,520
Speaker 1: two other careers. We're actually now on SNL is actually

1123
00:59:01,680 --> 00:59:04,920
Speaker 1: a cool end game. Yeah, I mean Keenan's on his

1124
00:59:05,440 --> 00:59:09,240
Speaker 1: twentieth year, I believe. Yeah, yeah, so wow, I've.

1125
00:59:09,240 --> 00:59:12,160
Speaker 3: Been that Kean. Yeah, but it works for him straight

1126
00:59:12,200 --> 00:59:13,480
Speaker 3: from Goudburger just punce.

1127
00:59:13,640 --> 00:59:15,000
Speaker 6: Yeah, I mean he's a genius.

1128
00:59:15,160 --> 00:59:16,160
Speaker 3: Yeah, but that's amazing.

1129
00:59:16,840 --> 00:59:21,160
Speaker 1: It works for him, like and so, but I mean

1130
00:59:21,200 --> 00:59:24,240
Speaker 1: I'm certain that people had like, well, you know, Eddie

1131
00:59:24,320 --> 00:59:27,320
Speaker 1: Murphy did it, Sandler did it. You know, Tina Fey

1132
00:59:27,320 --> 00:59:32,240
Speaker 1: did Like for you, do you have a vision board?

1133
00:59:32,240 --> 00:59:34,960
Speaker 1: And I'm not asking for like this is your last year,

1134
00:59:34,960 --> 00:59:40,400
Speaker 1: but do you have a vision board that you might

1135
00:59:40,480 --> 00:59:44,120
Speaker 1: consider Like, Okay, the end of this particular sentence will

1136
00:59:44,160 --> 00:59:47,120
Speaker 1: happen this particular year and then I'm going to develop

1137
00:59:48,800 --> 00:59:51,760
Speaker 1: this show or direct this movie or Yeah.

1138
00:59:51,800 --> 00:59:54,360
Speaker 5: I mean, I think there's a there's a lot of

1139
00:59:54,480 --> 00:59:57,920
Speaker 5: things I'd like to be doing. Some things you can

1140
00:59:57,960 --> 01:00:03,320
Speaker 5: do at the same time, so of it'll just depend on, uh,

1141
01:00:04,120 --> 01:00:07,080
Speaker 5: when it feels right to go. But there's a lot

1142
01:00:07,080 --> 01:00:08,840
Speaker 5: of things I'd like to be doing, like a lot

1143
01:00:08,840 --> 01:00:11,880
Speaker 5: of different things. I think I brought up a project

1144
01:00:11,880 --> 01:00:14,360
Speaker 5: to you once that I wanted you to do that.

1145
01:00:14,400 --> 01:00:15,440
Speaker 6: I'm still hoping.

1146
01:00:15,560 --> 01:00:20,840
Speaker 1: Are you, oh, we're proposisiting each other now? Yes? Yeah, yeah,

1147
01:00:20,920 --> 01:00:24,560
Speaker 1: Yes'm I'm the king of yes. And then Steve laughs.

1148
01:00:24,560 --> 01:00:27,360
Speaker 1: That mean, like, when you're going to fit the senior schedule.

1149
01:00:27,120 --> 01:00:28,600
Speaker 3: Can you be the king of follow up?

1150
01:00:29,440 --> 01:00:32,240
Speaker 6: The schedule is always tough. Yeah, and it's the worst.

1151
01:00:32,400 --> 01:00:34,920
Speaker 1: Yeah, So do you plan your summers early? Like, are

1152
01:00:35,000 --> 01:00:36,680
Speaker 1: you a I need some charge.

1153
01:00:37,080 --> 01:00:39,160
Speaker 6: Because so many things fall apart.

1154
01:00:39,240 --> 01:00:42,440
Speaker 5: I mean in this just in this industry, you think

1155
01:00:42,480 --> 01:00:45,120
Speaker 5: you're doing one thing, so then you don't plan for

1156
01:00:45,160 --> 01:00:47,560
Speaker 5: something else, and then that falls apart. So it's really

1157
01:00:47,640 --> 01:00:51,320
Speaker 5: just like it's it's very frustrating. And then to know

1158
01:00:51,400 --> 01:00:57,760
Speaker 5: that I am taken from September to May, that's really tough.

1159
01:00:57,880 --> 01:01:00,880
Speaker 6: So that'll sort of be the decide factor.

1160
01:01:00,720 --> 01:01:08,480
Speaker 1: If there is an important enough offer, are you giving

1161
01:01:08,640 --> 01:01:11,040
Speaker 1: leeway to take this week off?

1162
01:01:11,160 --> 01:01:17,320
Speaker 5: And then I think now they've been more lenient. I

1163
01:01:17,320 --> 01:01:19,760
Speaker 5: mean maybe I shouldn't say that out loud, but it

1164
01:01:19,920 --> 01:01:25,040
Speaker 5: seems like it that they're that they're letting us sort

1165
01:01:25,040 --> 01:01:28,440
Speaker 5: of do that a little bit more to some seniority

1166
01:01:28,560 --> 01:01:32,840
Speaker 5: kind of Yeah, and I think it's I think he

1167
01:01:33,080 --> 01:01:35,760
Speaker 5: likes having an established cast and having people that know

1168
01:01:35,840 --> 01:01:37,640
Speaker 5: each other, and it's sort of like, if that's how

1169
01:01:37,760 --> 01:01:41,040
Speaker 5: to keep people, that maybe is the way to go.

1170
01:01:42,520 --> 01:01:46,080
Speaker 1: Well, it's like Lawrence Scorsese's like, I gotta have you

1171
01:01:46,120 --> 01:01:48,960
Speaker 1: as DeNiro's daughter and the Irish man. Can you do

1172
01:01:49,000 --> 01:01:50,280
Speaker 1: it these reasons?

1173
01:01:50,320 --> 01:01:52,120
Speaker 6: I think then Lauren would make me.

1174
01:01:52,440 --> 01:01:55,280
Speaker 1: I love it. Yeah, that's what I'm saying. Okay, cool.

1175
01:01:55,720 --> 01:02:00,280
Speaker 1: Oh one last thing. I was there when you did

1176
01:02:00,400 --> 01:02:06,479
Speaker 1: the last uh I say, the last White House Correspondents dinner.

1177
01:02:06,560 --> 01:02:07,400
Speaker 6: Oh yeah, what was.

1178
01:02:07,320 --> 01:02:08,040
Speaker 1: That like for you?

1179
01:02:09,560 --> 01:02:12,360
Speaker 5: It was so it was terrifying because they asked me

1180
01:02:12,480 --> 01:02:16,400
Speaker 5: in August or something and it's not till April, so

1181
01:02:16,440 --> 01:02:20,360
Speaker 5: I had like months to doubt myself and think about failing.

1182
01:02:20,920 --> 01:02:24,600
Speaker 5: But it was like again, I'm a big Obama head,

1183
01:02:25,280 --> 01:02:28,800
Speaker 5: and it was like I just and everyone was like,

1184
01:02:28,880 --> 01:02:31,320
Speaker 5: don't do it. Nobody liked you never win. You don't

1185
01:02:31,320 --> 01:02:32,880
Speaker 5: win in that room. The best you can do is

1186
01:02:32,880 --> 01:02:35,720
Speaker 5: break even. But I was like, but it's Obama, so

1187
01:02:35,760 --> 01:02:42,280
Speaker 5: I have to do it. People or no industry people. Yeah, yeah,

1188
01:02:42,440 --> 01:02:44,680
Speaker 5: we're definitely trying to talk me out of it.

1189
01:02:44,720 --> 01:02:47,160
Speaker 1: I see people remember that. People just remember that you

1190
01:02:47,200 --> 01:02:49,240
Speaker 1: did it, I mean, or unless you really want to

1191
01:02:49,280 --> 01:02:51,840
Speaker 1: make a mark, like Michelle Wolf and like really laid

1192
01:02:51,880 --> 01:02:54,560
Speaker 1: it down. But I thought it was great.

1193
01:02:54,640 --> 01:02:55,560
Speaker 3: It was a few in the pass.

1194
01:02:55,560 --> 01:02:56,160
Speaker 6: I really killed it.

1195
01:02:56,240 --> 01:02:57,640
Speaker 3: But now you did you say it? I'm like, I

1196
01:02:57,640 --> 01:02:59,480
Speaker 3: can't even remember who was I killed it?

1197
01:02:59,520 --> 01:03:02,280
Speaker 6: So yeah, yeah, right, well I think had a big one.

1198
01:03:02,880 --> 01:03:06,080
Speaker 3: Yeah, which one was? Do you that Obama wrapped?

1199
01:03:07,240 --> 01:03:09,360
Speaker 6: I don't know, but Keegan was there. That was when

1200
01:03:09,440 --> 01:03:10,000
Speaker 6: I was there.

1201
01:03:10,040 --> 01:03:13,360
Speaker 5: That was like, oh great, that was right before I go, oh,

1202
01:03:13,360 --> 01:03:14,040
Speaker 5: that was the same one.

1203
01:03:14,360 --> 01:03:15,720
Speaker 3: Yeah, that was a good night though.

1204
01:03:16,040 --> 01:03:18,400
Speaker 1: It was. Yeah, I thought it was excellent. I thought

1205
01:03:18,400 --> 01:03:19,720
Speaker 1: it was it was tasteful, it.

1206
01:03:19,720 --> 01:03:21,880
Speaker 5: Was very it was cool, and it was the first

1207
01:03:21,920 --> 01:03:25,760
Speaker 5: it was I brought like fifteen people, my entire family

1208
01:03:25,840 --> 01:03:30,280
Speaker 5: and my grandfather and grandmother in Arlington National Cemetery Colonel

1209
01:03:30,280 --> 01:03:32,640
Speaker 5: Cecils Struck And it was the first time I went

1210
01:03:33,320 --> 01:03:36,560
Speaker 5: with my dad to his parents' graves.

1211
01:03:36,680 --> 01:03:39,479
Speaker 6: So that was it was a very emotional trip as well.

1212
01:03:40,040 --> 01:03:43,560
Speaker 1: That's awesome. Well, I'm glad you made that decision and

1213
01:03:43,720 --> 01:03:47,080
Speaker 1: not to listen to anyone that helped you talk to

1214
01:03:47,120 --> 01:03:49,440
Speaker 1: yourself out of a yeah, a great opportunity.

1215
01:03:49,720 --> 01:03:53,120
Speaker 5: Yeah, yeah, I mean I'm always going to take the

1216
01:03:53,200 --> 01:03:55,480
Speaker 5: chance to sit next to Michelle Obama.

1217
01:03:55,720 --> 01:03:57,960
Speaker 3: That's a small group of people who asked to do that,

1218
01:03:58,120 --> 01:03:59,600
Speaker 3: so that's a big honor.

1219
01:04:00,320 --> 01:04:05,200
Speaker 1: Well especially, I thank you for coming to the show

1220
01:04:06,400 --> 01:04:06,920
Speaker 1: and Molding.

1221
01:04:08,920 --> 01:04:10,840
Speaker 4: We looked it up multiples in actual words.

1222
01:04:10,840 --> 01:04:15,120
Speaker 3: Sorry, thanks again. Derek in the clinch.

1223
01:04:14,920 --> 01:04:16,720
Speaker 1: Derek Man, you come through in the clutch.

1224
01:04:16,720 --> 01:04:18,360
Speaker 6: Man, you want to get that to thank you.

1225
01:04:20,840 --> 01:04:22,240
Speaker 4: Todd Rendren would be very mad.

1226
01:04:26,160 --> 01:04:29,080
Speaker 1: Oh, thank you. I appreciate you coming in the show.

1227
01:04:30,080 --> 01:04:31,600
Speaker 6: Thank you.

1228
01:04:31,600 --> 01:04:35,200
Speaker 1: You're definitely one of my favorite players, and I appreciate

1229
01:04:35,240 --> 01:04:39,800
Speaker 1: you enlightening our audience. All Right, kids, that's another episode

1230
01:04:39,800 --> 01:04:43,760
Speaker 1: of Quest Love Supreme on BF of Laya Sugar Steve

1231
01:04:43,840 --> 01:04:48,960
Speaker 1: the spelling Steve your new name, I heayd Bill. I

1232
01:04:49,000 --> 01:04:53,160
Speaker 1: guess one of these days Manuel Miranda will let you

1233
01:04:53,320 --> 01:04:56,800
Speaker 1: come back to work and Fantigolo. Hope you don't get

1234
01:04:56,920 --> 01:05:01,160
Speaker 1: you know, the throat cancer with the cigarettes. Hopefully you'll

1235
01:05:01,160 --> 01:05:04,480
Speaker 1: come back this Quest Love and oh my fault, how

1236
01:05:04,520 --> 01:05:06,960
Speaker 1: you doing, Boss Bill? I hope we did you proud.

1237
01:05:07,640 --> 01:05:11,880
Speaker 1: We will see you. We will see you next week

1238
01:05:12,280 --> 01:05:15,400
Speaker 1: on the next round of quest Love, Supree, all Right iHeartRadio.

1239
01:05:29,280 --> 01:05:33,680
Speaker 1: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1240
01:05:34,120 --> 01:05:35,840
Speaker 1: or wherever you listen to your favorite shows.