1 00:00:00,040 --> 00:00:03,480 Speaker 1: First of all, you don't know me. Were all about 2 00:00:03,480 --> 00:00:06,280 Speaker 1: that high school drama, Girl drama girl, all about them 3 00:00:06,360 --> 00:00:09,479 Speaker 1: high school queens. We'll take you for a ride in 4 00:00:09,560 --> 00:00:15,520 Speaker 1: our comic girl Cheering for the drama Queens up girl fashion. 5 00:00:15,560 --> 00:00:17,759 Speaker 1: But you'll tough girls. You can sit with us. Girl 6 00:00:17,920 --> 00:00:21,640 Speaker 1: Drama Queens, Drama, Queen's DRAWNMA Queen's Drama Drawn, MC Queen's 7 00:00:21,680 --> 00:00:29,680 Speaker 1: Drama Queens. Let's do it? Should we get into episode six? 8 00:00:30,000 --> 00:00:34,160 Speaker 1: Every night is another story. The air date of this 9 00:00:34,200 --> 00:00:40,320 Speaker 1: episode was October two thousand three. Who I loved it? 10 00:00:40,560 --> 00:00:42,479 Speaker 1: What happens? Tell us what happens in it? Yeah? Give me, 11 00:00:43,280 --> 00:00:46,280 Speaker 1: give us the rundown? Okay, So what happens in this episode? 12 00:00:46,400 --> 00:00:48,040 Speaker 1: And this is a big one. It's the first away 13 00:00:48,080 --> 00:00:52,240 Speaker 1: game for the Ravens. They go to play Pickerington and White. 14 00:00:52,240 --> 00:00:55,120 Speaker 1: He throws Lucas and Nathan off the bus after the 15 00:00:55,200 --> 00:00:57,920 Speaker 1: game because they started punching it out on the court 16 00:00:58,600 --> 00:01:02,280 Speaker 1: and got thrown out of the game and tackled me 17 00:01:02,400 --> 00:01:08,520 Speaker 1: and harmed me. They would I was injured. Bad um. 18 00:01:08,560 --> 00:01:11,880 Speaker 1: So it leaves them stranded thirty miles from home. They 19 00:01:12,000 --> 00:01:15,960 Speaker 1: encounter a carload of the rival team guys who threatened 20 00:01:16,000 --> 00:01:19,119 Speaker 1: them with a gun. So weird by the way, kes 21 00:01:19,480 --> 00:01:24,720 Speaker 1: gun pole in high school? You okay? Um? And then 22 00:01:25,000 --> 00:01:27,400 Speaker 1: due to my injury and uh well, I should say 23 00:01:27,440 --> 00:01:29,720 Speaker 1: Brooks to clarify, due to brooks injury and the pain 24 00:01:29,800 --> 00:01:32,800 Speaker 1: pills that she took to the face, she needed a 25 00:01:32,800 --> 00:01:37,240 Speaker 1: little help getting in the car from both Payton and Haley. 26 00:01:37,760 --> 00:01:44,560 Speaker 1: Casual trauma like like gun violence and addiction. I'm like, 27 00:01:44,560 --> 00:01:51,480 Speaker 1: what is going on? Um? Meanwhile, Karen and Keith go 28 00:01:51,560 --> 00:01:55,800 Speaker 1: to the small business dinner and Dan and deb are 29 00:01:55,880 --> 00:01:59,280 Speaker 1: there and they get seated at the same table. It's 30 00:01:59,320 --> 00:02:02,000 Speaker 1: a lot of trauma. Of course they did. Of course 31 00:02:02,120 --> 00:02:07,600 Speaker 1: they did because somebody at the Small Business Association assumed 32 00:02:07,640 --> 00:02:11,080 Speaker 1: they liked each other. Oh my god, they didn't get them. 33 00:02:11,280 --> 00:02:13,079 Speaker 1: I would like to see that. I wish there had 34 00:02:13,120 --> 00:02:16,760 Speaker 1: been somebody who just really disliked someone at that table 35 00:02:16,800 --> 00:02:19,280 Speaker 1: and like purposely just sitting in the corner watching them, 36 00:02:19,320 --> 00:02:22,440 Speaker 1: like eating his soup, just like happy at the head 37 00:02:22,480 --> 00:02:26,800 Speaker 1: of the Chamber of Commerce or something. It was in 38 00:02:26,840 --> 00:02:30,040 Speaker 1: the corner with his pinky on his mouth. This was 39 00:02:30,200 --> 00:02:35,080 Speaker 1: legit one of my favorite episodes to shoot. And maybe 40 00:02:35,080 --> 00:02:39,000 Speaker 1: it's because like we were separated by ourselves the whole time. 41 00:02:40,080 --> 00:02:41,760 Speaker 1: This was the first time that was just the girls, 42 00:02:42,720 --> 00:02:46,080 Speaker 1: just girls the whole time. Um, and so there was 43 00:02:46,120 --> 00:02:50,800 Speaker 1: no like, you know, longing looks and forlorn. It was 44 00:02:51,160 --> 00:02:54,079 Speaker 1: just this is all kind of real too. I mean 45 00:02:54,120 --> 00:02:57,120 Speaker 1: for me, I definitely felt that that I was still 46 00:02:57,160 --> 00:02:59,639 Speaker 1: kind of feeling out you guys, and we were all 47 00:02:59,720 --> 00:03:02,000 Speaker 1: feeling out each other, and like, so everything that was 48 00:03:02,040 --> 00:03:04,760 Speaker 1: on camera was a lot of what we were actually 49 00:03:04,919 --> 00:03:05,920 Speaker 1: I mean for me anyway, it was a lot of 50 00:03:05,919 --> 00:03:07,960 Speaker 1: what I was actually feeling of, Like, are we going 51 00:03:08,000 --> 00:03:10,000 Speaker 1: to get along? Is this okay? Is this I don't 52 00:03:10,000 --> 00:03:15,399 Speaker 1: know how to have fun together? Yeah? I love that 53 00:03:15,520 --> 00:03:18,839 Speaker 1: in this episode they're like you hicks at Pickering Tin 54 00:03:19,880 --> 00:03:25,800 Speaker 1: and meanwhile like we've all moved off to Hickville. Um wait, Sophia, Okay, 55 00:03:25,840 --> 00:03:29,040 Speaker 1: Sophia had a thought. Oh so I was gonna say. 56 00:03:29,400 --> 00:03:31,920 Speaker 1: I think one of the things that I loved about 57 00:03:32,240 --> 00:03:35,200 Speaker 1: even the opening of the episode, Well, first of all, 58 00:03:35,280 --> 00:03:37,200 Speaker 1: how funny it is that it opens smack dab in 59 00:03:37,240 --> 00:03:39,920 Speaker 1: the middle right, Peyton and Haley in the front seat 60 00:03:39,920 --> 00:03:42,320 Speaker 1: of the car and you almost crash and Brooke wakes 61 00:03:42,400 --> 00:03:45,760 Speaker 1: up and is so confused, and it cuts back and 62 00:03:45,800 --> 00:03:50,240 Speaker 1: forth makes you think yes totally, and I get to 63 00:03:50,320 --> 00:03:51,840 Speaker 1: kind of be the voice for the audience at the 64 00:03:51,920 --> 00:03:53,400 Speaker 1: end of the teaser, are going what the hell is 65 00:03:53,440 --> 00:03:56,800 Speaker 1: going on here for the whole episode, which is great 66 00:03:57,280 --> 00:03:59,560 Speaker 1: because when you're like, oh, you guys think this is 67 00:03:59,560 --> 00:04:03,080 Speaker 1: gonna work. Oh oh, that made me so sad. That 68 00:04:03,160 --> 00:04:05,800 Speaker 1: brought my heart. But it was sweet to do the 69 00:04:05,920 --> 00:04:11,440 Speaker 1: you know, twelve hours earlier rewind the thing that kind 70 00:04:11,440 --> 00:04:13,480 Speaker 1: of struck me as we were watching it together, as 71 00:04:13,560 --> 00:04:17,440 Speaker 1: we all had the same version of feedback being like, oh, 72 00:04:17,520 --> 00:04:21,360 Speaker 1: look at us being like real little kids, like they 73 00:04:21,480 --> 00:04:26,200 Speaker 1: there's fun and silliness and charm between all the friends, 74 00:04:26,279 --> 00:04:28,640 Speaker 1: and I don't know, I just felt so nice us like, 75 00:04:28,960 --> 00:04:31,160 Speaker 1: you know, play fighting with pom poms in your room, 76 00:04:31,320 --> 00:04:34,159 Speaker 1: and it was it was just so it was a 77 00:04:34,160 --> 00:04:37,120 Speaker 1: fun little scene because it was the first time that 78 00:04:37,240 --> 00:04:42,279 Speaker 1: we had real, like extended scene work together that didn't 79 00:04:42,320 --> 00:04:45,640 Speaker 1: involve like the whole cast and crew. It was really 80 00:04:45,680 --> 00:04:48,839 Speaker 1: like little intimate scenes. So us just getting to play 81 00:04:48,839 --> 00:04:51,640 Speaker 1: in the bedroom was really cute because that is how 82 00:04:51,680 --> 00:04:54,040 Speaker 1: I interacted with my girlfriends in high school. We were 83 00:04:54,080 --> 00:04:57,120 Speaker 1: on the chileading squad and like going to each other's 84 00:04:57,120 --> 00:04:59,880 Speaker 1: house before games, and being in our uniforms and like 85 00:05:00,600 --> 00:05:03,120 Speaker 1: getting in our cutlasts and go into the you know, 86 00:05:03,240 --> 00:05:05,960 Speaker 1: seven eleven to get slurpiece before the game. You know, 87 00:05:06,000 --> 00:05:10,520 Speaker 1: like it felt real in a way that some of 88 00:05:10,560 --> 00:05:13,120 Speaker 1: the other stuff is like really heightened and crazy. And 89 00:05:13,160 --> 00:05:15,800 Speaker 1: then when Joy and I got to do the stuff 90 00:05:15,839 --> 00:05:17,480 Speaker 1: while we went to go get gas, that was the 91 00:05:17,520 --> 00:05:19,800 Speaker 1: first time I feel like we really got into our 92 00:05:19,920 --> 00:05:23,680 Speaker 1: like mutual love of Broadway, you know, and like really 93 00:05:23,720 --> 00:05:27,960 Speaker 1: like dug in and so all of that tender excitement 94 00:05:28,200 --> 00:05:33,679 Speaker 1: that's coming through on camera in my recollection felt so 95 00:05:33,680 --> 00:05:40,480 Speaker 1: so real. Yeah, yeah, me too. Um, watching the boys 96 00:05:40,720 --> 00:05:43,839 Speaker 1: play nice and like play dirty and then play nice 97 00:05:43,960 --> 00:05:45,920 Speaker 1: was really rewarded. We joked while we watched it that 98 00:05:45,960 --> 00:05:51,200 Speaker 1: they were like Bow and Luke Duke, just like you know. 99 00:05:53,279 --> 00:05:57,080 Speaker 1: I love that this episode was a standalone episode, like 100 00:05:57,120 --> 00:05:59,159 Speaker 1: if you had never seen the show, you kind of 101 00:05:59,200 --> 00:06:01,719 Speaker 1: could drop into it, and it was good introduction of 102 00:06:01,720 --> 00:06:05,039 Speaker 1: who everybody is in a way, but it also moved 103 00:06:05,080 --> 00:06:06,760 Speaker 1: and it was it was out of sort of an 104 00:06:06,760 --> 00:06:09,800 Speaker 1: out of time. It could have happened any day, um, 105 00:06:09,839 --> 00:06:12,599 Speaker 1: but it moved so much to the story forward. When 106 00:06:12,600 --> 00:06:16,320 Speaker 1: did we do our first appearance, because I feel like 107 00:06:16,760 --> 00:06:23,240 Speaker 1: this episode was a reintroduction of everything because I'm going 108 00:06:23,279 --> 00:06:26,120 Speaker 1: to google that somebody I don't know, and you know 109 00:06:26,160 --> 00:06:28,599 Speaker 1: what I think too. I think that's such a good 110 00:06:28,640 --> 00:06:32,679 Speaker 1: observation on both your parts, because remember we got pulled 111 00:06:32,720 --> 00:06:34,839 Speaker 1: up to air in September. We weren't supposed to air 112 00:06:34,880 --> 00:06:39,120 Speaker 1: until January. And I remember the big thing every week 113 00:06:39,600 --> 00:06:42,680 Speaker 1: being wow, the word of mouth, because the audience was 114 00:06:42,720 --> 00:06:46,240 Speaker 1: like doubling and tripling every week for our show. So 115 00:06:46,320 --> 00:06:49,400 Speaker 1: I think that by this point, six episodes in, they 116 00:06:49,440 --> 00:06:51,400 Speaker 1: were like, all right, we gotta figure out a way 117 00:06:51,720 --> 00:06:56,760 Speaker 1: to pepper in information about characters in case new viewers 118 00:06:56,800 --> 00:07:01,640 Speaker 1: are showing up now. So it does feel it like that, like, hey, 119 00:07:01,839 --> 00:07:03,760 Speaker 1: you know, thanks to everyone who's been here, and then 120 00:07:03,800 --> 00:07:06,200 Speaker 1: for all you new folks coming in, this is who 121 00:07:06,240 --> 00:07:09,800 Speaker 1: these people are, This is what their relationships are. Yeah, 122 00:07:09,920 --> 00:07:12,560 Speaker 1: for sure, I think you're totally right. We also had 123 00:07:12,680 --> 00:07:15,240 Speaker 1: kind of flushed ourselves out over the first five episodes. 124 00:07:15,280 --> 00:07:17,600 Speaker 1: It was like we didn't know about Peyton's bomb. We 125 00:07:17,640 --> 00:07:21,080 Speaker 1: didn't know about like Brooke being like the rich popular girls, 126 00:07:21,400 --> 00:07:24,160 Speaker 1: you know, we didn't know Haley's background, you know, so 127 00:07:24,240 --> 00:07:27,880 Speaker 1: now that we have all the exposition, now we just 128 00:07:27,920 --> 00:07:30,440 Speaker 1: get to play. Now it's just like, okay, let's get silly. 129 00:07:30,680 --> 00:07:32,960 Speaker 1: You know, we're little kids now, which we totally did. 130 00:07:33,160 --> 00:07:37,360 Speaker 1: Joy get into the the plot points here. Oh I well, 131 00:07:37,360 --> 00:07:38,720 Speaker 1: I just want to say, there's so much to cover, 132 00:07:38,800 --> 00:07:40,600 Speaker 1: So I mean, if we're going to go in order, 133 00:07:40,800 --> 00:07:43,000 Speaker 1: let's first talk about the mix c D that you 134 00:07:43,080 --> 00:07:50,240 Speaker 1: give mix tape on the bus guys, that's own brand. 135 00:07:51,520 --> 00:07:55,040 Speaker 1: I have had many a romance over a mixtape, including 136 00:07:55,040 --> 00:07:58,840 Speaker 1: my husband. To my husband when we first started kissing, 137 00:07:59,200 --> 00:08:01,560 Speaker 1: was like sending me Bonnie their songs and I was like, 138 00:08:02,040 --> 00:08:06,560 Speaker 1: this will work. Okay, yeah, Like that's my love language. 139 00:08:06,920 --> 00:08:10,240 Speaker 1: What's the what's the best mix tape you remember getting? 140 00:08:11,560 --> 00:08:14,520 Speaker 1: Do you have? Like? Oh, I mean I definitely traded 141 00:08:14,560 --> 00:08:16,920 Speaker 1: mix tapes in high school. That was that was really 142 00:08:16,920 --> 00:08:19,680 Speaker 1: a thing. And remember sitting by the stereo with your 143 00:08:19,720 --> 00:08:21,960 Speaker 1: hand over the record and play button at the same time, 144 00:08:21,960 --> 00:08:28,360 Speaker 1: listening to radio waiting for your song for days, for hours. 145 00:08:28,400 --> 00:08:31,360 Speaker 1: You just sit there waiting to hear your song. It's 146 00:08:31,400 --> 00:08:34,120 Speaker 1: a lost art. When we were able to make mixed 147 00:08:34,160 --> 00:08:37,079 Speaker 1: CDs though, that was a game changer because you didn't 148 00:08:37,080 --> 00:08:40,439 Speaker 1: have to record it off the radio anymore. Do you 149 00:08:40,440 --> 00:08:42,320 Speaker 1: remember that boy I was friends with than Town that 150 00:08:42,400 --> 00:08:44,080 Speaker 1: was in a band. He used to make good song 151 00:08:45,240 --> 00:08:49,240 Speaker 1: great CDs. Yea, the best CDs, like a lot of 152 00:08:49,360 --> 00:08:52,719 Speaker 1: Jeff Buckley. Honey, if you're listening and you want to 153 00:08:52,760 --> 00:08:55,640 Speaker 1: get a girl to like you, you put some Jeff 154 00:08:55,679 --> 00:09:03,679 Speaker 1: Buckley on a mixtape and she will like you. Yes, ever, 155 00:09:05,679 --> 00:09:09,240 Speaker 1: that's my favorite. Oh my god, right, I mean, I'm 156 00:09:09,240 --> 00:09:14,320 Speaker 1: just gonna take off my clothes right now. That and 157 00:09:14,360 --> 00:09:16,640 Speaker 1: that whatever. That Robin Thick song is that we always 158 00:09:16,720 --> 00:09:19,199 Speaker 1: used to say, oh my god, this one. We were 159 00:09:19,840 --> 00:09:23,880 Speaker 1: thick days in the day. It was. It was that 160 00:09:23,960 --> 00:09:28,280 Speaker 1: album he did, Oh baby girl you that makes you 161 00:09:28,360 --> 00:09:33,960 Speaker 1: my equivalent? Yea, the song though, no, but it was 162 00:09:34,000 --> 00:09:36,199 Speaker 1: that album. There was a there was a slope, there 163 00:09:36,240 --> 00:09:41,040 Speaker 1: was what was it? There was like a yes lost 164 00:09:41,120 --> 00:09:45,760 Speaker 1: without you? Yeah, that was so good. It was a 165 00:09:45,800 --> 00:09:50,880 Speaker 1: good time kids those early two thousands. But mixtapes really 166 00:09:50,920 --> 00:09:54,160 Speaker 1: were such a way to convey feelings. I mean, my god, 167 00:09:54,440 --> 00:09:58,800 Speaker 1: I remember I remember in my mid twenties just like 168 00:10:00,320 --> 00:10:03,360 Speaker 1: I was like, oh I am in love when I 169 00:10:03,400 --> 00:10:07,120 Speaker 1: got like the best mixed c D and it's like, 170 00:10:07,200 --> 00:10:10,079 Speaker 1: you really know me, you know me. That's what it 171 00:10:10,160 --> 00:10:13,320 Speaker 1: did feel like that you know me. When I lived 172 00:10:13,320 --> 00:10:16,000 Speaker 1: in New York, I was seeing this guy. We well, 173 00:10:16,040 --> 00:10:18,120 Speaker 1: we were kind of dancing around seeing each other. We 174 00:10:18,200 --> 00:10:21,480 Speaker 1: liked each other, but he was at Juilliard and he 175 00:10:21,679 --> 00:10:25,640 Speaker 1: was um, he was super into like Jeff Buckley and 176 00:10:25,679 --> 00:10:27,880 Speaker 1: Bob Dylan and like all you know, these like super 177 00:10:28,000 --> 00:10:32,280 Speaker 1: emo artists and and I was just like we just 178 00:10:32,480 --> 00:10:34,560 Speaker 1: like loved each other, but we did never say it, 179 00:10:34,760 --> 00:10:38,480 Speaker 1: and those are the best. Was the best. And I 180 00:10:38,600 --> 00:10:41,720 Speaker 1: have all these memories of like nights in the Juilliard hallway, 181 00:10:41,920 --> 00:10:44,760 Speaker 1: like saying good night and me like he kissed me tonight. 182 00:10:44,840 --> 00:10:47,240 Speaker 1: I don't know what could it be. He would hand 183 00:10:47,240 --> 00:10:49,800 Speaker 1: me a mixtape like first he was a CD at 184 00:10:49,800 --> 00:10:52,880 Speaker 1: that by that I made you this, and I go 185 00:10:52,960 --> 00:10:55,960 Speaker 1: home and listen and just cry and like you know, 186 00:10:56,120 --> 00:10:59,320 Speaker 1: daydream and was the best being young and such a 187 00:10:59,320 --> 00:11:01,040 Speaker 1: good feeling. It's okay, joy. I had a boy that 188 00:11:01,080 --> 00:11:05,200 Speaker 1: I loved in New York City and and he gave 189 00:11:05,240 --> 00:11:07,400 Speaker 1: me mix tapes and I, oh my god, like I'm 190 00:11:07,440 --> 00:11:09,880 Speaker 1: like listening to these and I'm like, I think he's 191 00:11:09,880 --> 00:11:12,920 Speaker 1: telling me that he loves me. Like this is crazy. 192 00:11:13,040 --> 00:11:15,280 Speaker 1: And then I found out it was just his yearly 193 00:11:15,360 --> 00:11:17,839 Speaker 1: mix and he made the same set, so he gave 194 00:11:17,880 --> 00:11:19,800 Speaker 1: it to all his friends as like these are the 195 00:11:19,800 --> 00:11:25,480 Speaker 1: favorite times this year. I was hard. Fine, No, it 196 00:11:25,520 --> 00:11:28,920 Speaker 1: was because I really thought, like speachless, he's telling me 197 00:11:28,920 --> 00:11:31,120 Speaker 1: that he loves me. Not true. These were just like 198 00:11:31,280 --> 00:11:33,640 Speaker 1: the good songs that came out this year. You know, 199 00:11:34,000 --> 00:11:41,280 Speaker 1: you know how loaded mix tapes are mixed business man, Yeah, 200 00:11:41,760 --> 00:11:44,800 Speaker 1: it's not for the faint of heart. I actually remember 201 00:11:46,000 --> 00:11:48,599 Speaker 1: remember having like does he like me or does he 202 00:11:48,679 --> 00:11:51,320 Speaker 1: not like me? Like moment with some friends in high school, 203 00:11:52,440 --> 00:11:54,480 Speaker 1: and I finally was like, he doesn't like me. He's 204 00:11:54,520 --> 00:11:56,520 Speaker 1: never made me a mix tape. It's not like that. 205 00:11:56,640 --> 00:11:59,520 Speaker 1: We're just fans. Like it was that big of a 206 00:11:59,559 --> 00:12:03,400 Speaker 1: deal that if if, if it never happened, somebody wasn't. 207 00:12:03,480 --> 00:12:05,840 Speaker 1: It wasn't like that. That wasn't the vibe. It was platonic. 208 00:12:06,240 --> 00:12:11,600 Speaker 1: But nex tapes, I don't know. I think they are. 209 00:12:11,720 --> 00:12:16,199 Speaker 1: I think the younger, like the younger teenagers and between 210 00:12:16,240 --> 00:12:21,400 Speaker 1: fourteen and twenty two, because my brother's twenty and I 211 00:12:21,440 --> 00:12:24,720 Speaker 1: think in that age into they're really into retro stuff, 212 00:12:24,720 --> 00:12:26,680 Speaker 1: so they do things like that. Now to me, I'm like, 213 00:12:26,679 --> 00:12:29,480 Speaker 1: who's time to make a mixtape? I mean, oh my god, 214 00:12:29,559 --> 00:12:36,120 Speaker 1: I don't know we're parents when you do. Today, I 215 00:12:36,160 --> 00:12:40,199 Speaker 1: made a mix tape Compare your bells right the closest 216 00:12:42,080 --> 00:12:45,240 Speaker 1: the closes I've come to. Making a mixtape in years 217 00:12:45,360 --> 00:12:49,080 Speaker 1: is like making a playlist on Spotify. Oh yeah, I 218 00:12:49,080 --> 00:12:54,000 Speaker 1: guess that's what they're doing. I mean, but like, I 219 00:12:54,040 --> 00:12:58,080 Speaker 1: can't imagine what was burned on a CD. Well, on 220 00:12:58,120 --> 00:13:04,679 Speaker 1: a CD, that's a sleep are Um, what was on 221 00:13:04,720 --> 00:13:08,040 Speaker 1: the mixtape that Peyton gave to Lucas though? That was that. 222 00:13:08,200 --> 00:13:11,840 Speaker 1: I feel like they probably put some songs out there, 223 00:13:11,920 --> 00:13:14,400 Speaker 1: you know what I mean? Like, I feel like there 224 00:13:14,440 --> 00:13:16,320 Speaker 1: was Tegan and Sarah in the episode, and just so 225 00:13:16,400 --> 00:13:20,040 Speaker 1: you guys at home note, I was a massive Teagan 226 00:13:20,080 --> 00:13:24,600 Speaker 1: and Sarah fan and so I and we were just like, 227 00:13:24,679 --> 00:13:25,920 Speaker 1: put him on the show, put him on the show, 228 00:13:25,960 --> 00:13:28,679 Speaker 1: put him on the show. And then when Trick came along, 229 00:13:28,920 --> 00:13:32,480 Speaker 1: I thought for sure we were going to get them, right. 230 00:13:33,160 --> 00:13:37,600 Speaker 1: I just didn't happen. It didn't happen. Um, guys, I'm 231 00:13:37,679 --> 00:13:41,800 Speaker 1: still looking up this Robin Thick situation because it's gonna 232 00:13:42,040 --> 00:13:46,080 Speaker 1: kill me. It was. It was Cherry Blue Skies was 233 00:13:46,120 --> 00:13:47,760 Speaker 1: the name of the album. What was the name of that? 234 00:13:47,880 --> 00:13:50,560 Speaker 1: Stupid what are you trying to figure out? That Robin 235 00:13:50,840 --> 00:13:55,120 Speaker 1: song that was so sexy Lost without You? Oh? I see, 236 00:13:55,120 --> 00:13:57,160 Speaker 1: I had a different one. There was Sugar Mama was 237 00:13:57,200 --> 00:14:02,120 Speaker 1: really good. Um yeah, Cherry Blue Skies was a really 238 00:14:02,120 --> 00:14:04,800 Speaker 1: good one too. Anyway, I got signed. Why do you 239 00:14:04,840 --> 00:14:07,240 Speaker 1: guys don't know? Is okay? So this episode was directed 240 00:14:07,240 --> 00:14:10,959 Speaker 1: by Jason Moore, who is a huge Broadway director actually, 241 00:14:11,000 --> 00:14:12,720 Speaker 1: which is I think one of the big things that 242 00:14:12,800 --> 00:14:15,240 Speaker 1: during this episode, especially during that scene Hillary, when you 243 00:14:15,280 --> 00:14:18,040 Speaker 1: and I were going for a walk, are very slow, 244 00:14:18,559 --> 00:14:24,440 Speaker 1: slowest emergence for two girls story and we've left are 245 00:14:24,560 --> 00:14:28,000 Speaker 1: like drugged up, injured friend in a car on a 246 00:14:28,120 --> 00:14:33,920 Speaker 1: lonesome highway. Girls, don't ever do that. That's girl code 247 00:14:34,000 --> 00:14:37,640 Speaker 1: number one. Don't leave your girlfriend. You piggyback her to 248 00:14:37,520 --> 00:14:42,080 Speaker 1: town man. Yep. But Jason directed it, and we all 249 00:14:42,120 --> 00:14:45,280 Speaker 1: got to talking about Broadway for and so that's how 250 00:14:45,320 --> 00:14:47,640 Speaker 1: sort of Hillary and I think really bonded in that 251 00:14:48,160 --> 00:14:50,720 Speaker 1: in that regard, and Jason had directed Avenue Queue at 252 00:14:50,760 --> 00:14:53,640 Speaker 1: that point, and we gotta I gotta figure out what 253 00:14:53,680 --> 00:14:56,160 Speaker 1: else he's directed since then he's doing like a ton 254 00:14:56,360 --> 00:14:59,600 Speaker 1: a ton of cris. I just remember feeling like, will 255 00:14:59,640 --> 00:15:02,320 Speaker 1: you take guess with you? Like I wanted to exist 256 00:15:02,400 --> 00:15:04,640 Speaker 1: him so bad, and I just so it was like, 257 00:15:05,360 --> 00:15:08,360 Speaker 1: this situation is a little bit uncomfortable sometimes because we'd 258 00:15:08,360 --> 00:15:11,400 Speaker 1: already been dealing with some like you know, foreshadowing of 259 00:15:11,400 --> 00:15:13,120 Speaker 1: what we were going to deal with behind the scenes 260 00:15:13,240 --> 00:15:17,640 Speaker 1: for the next six years. And he was such a safe, lovely, 261 00:15:18,320 --> 00:15:23,320 Speaker 1: like communicative director. Oh yeah, I wanted him back so bad. 262 00:15:23,400 --> 00:15:26,320 Speaker 1: He was so good hate us with you? Yeah he 263 00:15:26,360 --> 00:15:35,600 Speaker 1: was perfect, of course, Oh yeah, perfect, which is perfect? Please? Hi, Hi, 264 00:15:35,760 --> 00:15:38,880 Speaker 1: remember me? Hello? Hello? Did you have fun with us? 265 00:15:39,040 --> 00:15:41,520 Speaker 1: I can do that too, guys. He never came back 266 00:15:41,560 --> 00:15:45,480 Speaker 1: to us, I know, I know he was like, I'm 267 00:15:45,480 --> 00:15:49,120 Speaker 1: not taking that double flight to Wilmington's Brooke was so fun? 268 00:15:49,520 --> 00:15:55,920 Speaker 1: Yeah yeah, I mean, oh man, I just love I 269 00:15:56,040 --> 00:16:00,160 Speaker 1: love the moments where and I can see it differently now, 270 00:16:00,440 --> 00:16:03,160 Speaker 1: like the moments where I felt free to play and 271 00:16:03,240 --> 00:16:05,880 Speaker 1: be a kid in our moments in your room and 272 00:16:06,480 --> 00:16:09,760 Speaker 1: it's all just silly and so adorable, and then you 273 00:16:09,800 --> 00:16:12,760 Speaker 1: know there's like the forest, like now I'm supposed to 274 00:16:12,760 --> 00:16:15,720 Speaker 1: flirt with the grown up man for the medicine, Like, 275 00:16:15,840 --> 00:16:18,400 Speaker 1: it's so weird, and I hate those scenes. So I 276 00:16:18,440 --> 00:16:22,240 Speaker 1: have I have this very personal like half the time 277 00:16:22,280 --> 00:16:24,520 Speaker 1: I'm anxious and half the time I'm just loving it. 278 00:16:24,960 --> 00:16:28,080 Speaker 1: And the stuff with all of us is so it is, 279 00:16:28,120 --> 00:16:32,200 Speaker 1: it's just charming and it's funny. Do you know anybody 280 00:16:32,280 --> 00:16:34,240 Speaker 1: back then the head of webcam, because I for sure 281 00:16:34,320 --> 00:16:37,920 Speaker 1: didn't like it was like the first i'd heard of it. 282 00:16:38,360 --> 00:16:41,840 Speaker 1: You know, I didn't talk about another casual throw in 283 00:16:41,920 --> 00:16:43,920 Speaker 1: if something that's kind of a big deal for a 284 00:16:43,960 --> 00:16:47,040 Speaker 1: high school girl have a webcam in her bedroom at 285 00:16:47,040 --> 00:16:52,080 Speaker 1: her bed, you know what I mean. I never knew 286 00:16:52,360 --> 00:16:55,800 Speaker 1: if it was something that like her dad had set 287 00:16:55,880 --> 00:16:58,280 Speaker 1: up so that he could make sure she was alive, 288 00:16:58,360 --> 00:17:02,840 Speaker 1: because her dad's just like gone, Why they should have 289 00:17:02,880 --> 00:17:06,000 Speaker 1: addressed that. Why didn't we get to see that? Baby? 290 00:17:06,040 --> 00:17:08,119 Speaker 1: I think it plays out all through the first season. 291 00:17:08,160 --> 00:17:09,680 Speaker 1: I mean, it plays out all the way through the 292 00:17:09,760 --> 00:17:14,399 Speaker 1: psychoderic stuff. Um, but I just never ever met a 293 00:17:14,480 --> 00:17:17,080 Speaker 1: kid that did something like that. And now you've got 294 00:17:17,080 --> 00:17:21,280 Speaker 1: little kids with YouTube channels and it's so common and 295 00:17:21,400 --> 00:17:25,000 Speaker 1: it's super weird. It's remade weird. Yeah, does your daughter 296 00:17:26,080 --> 00:17:31,480 Speaker 1: that she's not allowed on YouTube, and she like, if 297 00:17:31,480 --> 00:17:33,679 Speaker 1: I'm not there with her, because I just don't you know, 298 00:17:33,720 --> 00:17:35,919 Speaker 1: the ads pop up and people are creepy and they 299 00:17:35,920 --> 00:17:38,040 Speaker 1: put stuff in kid videos that I just don't know. 300 00:17:38,720 --> 00:17:43,479 Speaker 1: So um, but she has seen the like clips of 301 00:17:43,560 --> 00:17:48,520 Speaker 1: things where the kids are unwrapping the toys. I'm gonna 302 00:17:48,840 --> 00:17:51,320 Speaker 1: I'll text it to you. Girls. Maria did a video 303 00:17:51,400 --> 00:17:53,600 Speaker 1: of like an unboxing video where she has like all 304 00:17:53,640 --> 00:17:56,000 Speaker 1: these little but it's not anything real from like an 305 00:17:56,000 --> 00:17:58,919 Speaker 1: actual it's just toys from inside of her room, like 306 00:17:58,960 --> 00:18:01,320 Speaker 1: a little Faberge egg that I passed off and I 307 00:18:01,359 --> 00:18:02,879 Speaker 1: was like, this is a fake Faberge egg. I was like, 308 00:18:02,920 --> 00:18:04,760 Speaker 1: I don't want this. It looks like a you know, 309 00:18:04,840 --> 00:18:07,359 Speaker 1: many like fairy palace to hers. So it's got that 310 00:18:07,520 --> 00:18:10,919 Speaker 1: with some plastic little thing. It's really cute. But I 311 00:18:11,000 --> 00:18:14,200 Speaker 1: was going, and she's talking through the whole thing. Now, 312 00:18:14,720 --> 00:18:16,960 Speaker 1: if you want to see what's inside this, you're going 313 00:18:17,000 --> 00:18:18,800 Speaker 1: to have to wait because we're going to open the 314 00:18:18,840 --> 00:18:25,119 Speaker 1: other ones first. Like what that. Kids love it. Gustus 315 00:18:25,200 --> 00:18:28,560 Speaker 1: doesn't everything. Oh no, god no, god no, but Gus 316 00:18:28,880 --> 00:18:31,920 Speaker 1: Gus watches all like the Minecraft, like the gamers. That's 317 00:18:31,920 --> 00:18:35,080 Speaker 1: a little boys are into and so he's on Twitch. 318 00:18:35,480 --> 00:18:38,600 Speaker 1: No God, no, he doesn't realize every video that he 319 00:18:38,640 --> 00:18:41,680 Speaker 1: shoots on his iPad goes to Jeff's phone, And so 320 00:18:43,040 --> 00:18:46,280 Speaker 1: at night we lay in bed and we watch him 321 00:18:46,320 --> 00:18:49,800 Speaker 1: be like, alright, guys, today we're talking about dan Tedium 322 00:18:49,800 --> 00:18:55,320 Speaker 1: and mine, and so they're practicing these host skills which 323 00:18:55,560 --> 00:18:57,919 Speaker 1: will benefit them in the future, you know, just like 324 00:18:58,040 --> 00:19:01,800 Speaker 1: public speaking and being able to communicate with people. But 325 00:19:02,520 --> 00:19:04,600 Speaker 1: back in two thousand three when we did this, the 326 00:19:04,680 --> 00:19:08,600 Speaker 1: idea of a child being on the internet, like just 327 00:19:08,840 --> 00:19:14,439 Speaker 1: offering up her bedroom for strangers was insane. Yeah. I 328 00:19:14,480 --> 00:19:17,680 Speaker 1: still think it's insane. I will doing those sexy TikTok 329 00:19:17,760 --> 00:19:21,119 Speaker 1: dances all the kids. God, that stresses me out. I 330 00:19:21,160 --> 00:19:23,600 Speaker 1: guess it's interesting to think about it in those terms 331 00:19:23,680 --> 00:19:29,480 Speaker 1: because when Brooke runs in and you know, it was 332 00:19:29,600 --> 00:19:34,240 Speaker 1: such a TikTok girl doing that dance on Oh my God. 333 00:19:34,680 --> 00:19:39,920 Speaker 1: Also Brooke invented uber but it's fine. Um that comes 334 00:19:40,000 --> 00:19:42,159 Speaker 1: later this season. I'm like, give me my money. I 335 00:19:42,240 --> 00:19:46,800 Speaker 1: came up with this idea. Um, But I think something's 336 00:19:46,800 --> 00:19:50,440 Speaker 1: really interesting because there is this like very sweet, innocent, 337 00:19:50,560 --> 00:19:54,240 Speaker 1: youthful moment And what I love too is there's been 338 00:19:54,320 --> 00:19:57,399 Speaker 1: so much angst and so much drama, and when I 339 00:19:57,520 --> 00:20:01,439 Speaker 1: come into your room and it's just like, oh, it's playful. 340 00:20:02,080 --> 00:20:05,800 Speaker 1: There's an understanding of what was going on, and and 341 00:20:05,880 --> 00:20:08,720 Speaker 1: I love how they unpack it as friends with humor. 342 00:20:09,720 --> 00:20:13,120 Speaker 1: But now seeing it, you know, running over and doing 343 00:20:13,160 --> 00:20:17,920 Speaker 1: the cheer, I don't know what this is. Running over 344 00:20:17,960 --> 00:20:21,080 Speaker 1: and doing the cheer and then like flashing ass at 345 00:20:21,119 --> 00:20:24,159 Speaker 1: the webcam and going, well, that's what they're for it. 346 00:20:24,800 --> 00:20:27,560 Speaker 1: I'm like, wait, were we trying to poke fun at it? 347 00:20:28,240 --> 00:20:30,639 Speaker 1: Or what were we doing? What were the right what 348 00:20:30,720 --> 00:20:33,320 Speaker 1: was the writer's motivation in that moment? There was a 349 00:20:33,320 --> 00:20:37,400 Speaker 1: lot of brooke ass in this episode, and we need 350 00:20:37,440 --> 00:20:40,960 Speaker 1: to talk about how the uniforms changed in this episode. 351 00:20:41,320 --> 00:20:44,840 Speaker 1: We had screen it was like, wait, but what happened 352 00:20:44,840 --> 00:20:47,000 Speaker 1: to the other half of the uniforms? You guys? When 353 00:20:47,080 --> 00:20:50,359 Speaker 1: when Hillary and I walked out at the away game, 354 00:20:51,280 --> 00:20:53,879 Speaker 1: all three of us were like, what, well, what what 355 00:20:53,960 --> 00:20:57,320 Speaker 1: are those like? Our uniforms were shrunk by half. The 356 00:20:57,359 --> 00:21:02,640 Speaker 1: tops are like, bros. Already the rest of the Tasco guys, 357 00:21:02,680 --> 00:21:04,520 Speaker 1: I'm gonna blame the o C again. They were like, 358 00:21:04,640 --> 00:21:08,439 Speaker 1: how do we sexy this show? Up about basketball. I 359 00:21:08,520 --> 00:21:14,119 Speaker 1: know we're gonna caught up those fucking uniforms. They're just 360 00:21:14,240 --> 00:21:18,200 Speaker 1: so not cute. I don't know, I have a real 361 00:21:18,400 --> 00:21:22,919 Speaker 1: long torso, and so these suits specifically were tough on 362 00:21:22,960 --> 00:21:25,520 Speaker 1: me because you could see everyone else's belly buttons but 363 00:21:25,640 --> 00:21:28,199 Speaker 1: not mine, because I guess I have a low button. Guys, 364 00:21:28,520 --> 00:21:33,000 Speaker 1: and I was always so self conscious stupid things. Yeah, 365 00:21:33,080 --> 00:21:37,240 Speaker 1: give us a full shirt. Yeah, and remember the hair 366 00:21:37,320 --> 00:21:39,760 Speaker 1: fight I had about how cheerleaders don't wear their hair 367 00:21:39,800 --> 00:21:43,680 Speaker 1: down because if you stunt, you could get injured. Lost 368 00:21:43,720 --> 00:21:47,240 Speaker 1: the fight by this By this episode, I lost the fight. Yeah, 369 00:21:47,280 --> 00:21:50,359 Speaker 1: we weren't getting anywhere with sexy cheer. Which was my 370 00:21:50,400 --> 00:21:53,480 Speaker 1: favorite moment of the basketball game was Brooke with the 371 00:21:53,760 --> 00:21:58,679 Speaker 1: putting all the pieces together. It's iconic. I love that 372 00:21:58,840 --> 00:22:03,680 Speaker 1: part of this scene so much because I really it 373 00:22:03,720 --> 00:22:07,840 Speaker 1: was a fun moment, you know they I remember speaking 374 00:22:07,840 --> 00:22:09,919 Speaker 1: to Jason and him saying, you're going to do a 375 00:22:09,920 --> 00:22:12,840 Speaker 1: lot of comic relief, Like we were letting tension out 376 00:22:12,880 --> 00:22:15,400 Speaker 1: in this episode, and I felt that because the last 377 00:22:15,400 --> 00:22:19,120 Speaker 1: one was so heavy, and I don't know, I think 378 00:22:19,600 --> 00:22:23,560 Speaker 1: I really felt permission to do more than what was 379 00:22:23,600 --> 00:22:25,840 Speaker 1: on the page more than like be the bad girl, 380 00:22:26,520 --> 00:22:30,600 Speaker 1: and it was so fun and and that moment of 381 00:22:30,680 --> 00:22:33,879 Speaker 1: standing there, you know, well, I think that Nathan like 382 00:22:33,920 --> 00:22:37,400 Speaker 1: tutor on, tutor on like and I know, and it 383 00:22:37,440 --> 00:22:40,800 Speaker 1: was just so a love rectangle plus one whatever that is. God, 384 00:22:40,800 --> 00:22:45,639 Speaker 1: it's good. But you got it in. You also like 385 00:22:45,920 --> 00:22:48,480 Speaker 1: nailed it. Because Joy and I have talks, We're like, 386 00:22:48,640 --> 00:22:50,360 Speaker 1: I feel like that seemed took a really long time 387 00:22:50,400 --> 00:22:55,080 Speaker 1: to shoot other scenes. I remember that being just like Wizardry. 388 00:22:55,280 --> 00:22:58,359 Speaker 1: You know, you nailed it because you knew how to 389 00:22:58,440 --> 00:23:01,840 Speaker 1: hit all those beats so that the audience got up 390 00:23:01,840 --> 00:23:04,560 Speaker 1: to speed on what's what you had to provide crazy 391 00:23:04,600 --> 00:23:06,639 Speaker 1: exposition there, and you did it in such a funny 392 00:23:06,640 --> 00:23:08,480 Speaker 1: way that it's become a line that people come up 393 00:23:08,520 --> 00:23:12,200 Speaker 1: to us at conventions and say, you know, I love it. 394 00:23:18,160 --> 00:23:20,480 Speaker 1: How long did that stunt take that the guy's falling 395 00:23:20,480 --> 00:23:24,680 Speaker 1: on you? I don't remember, but god, I I got 396 00:23:24,720 --> 00:23:28,680 Speaker 1: elbowed a couple of times. And if you pay attention, 397 00:23:28,800 --> 00:23:31,160 Speaker 1: not that I really want everyone inspecting my ass because 398 00:23:31,200 --> 00:23:33,080 Speaker 1: it was a battle I lost, and I wound up 399 00:23:33,080 --> 00:23:34,960 Speaker 1: with you know, my ass up in the camera in 400 00:23:34,960 --> 00:23:37,040 Speaker 1: the back seat later in the episode. But I have 401 00:23:37,400 --> 00:23:41,960 Speaker 1: huge bruises, like down my whole white like ass cheek 402 00:23:42,040 --> 00:23:46,080 Speaker 1: and sigh because those big ass boys fell on me 403 00:23:46,160 --> 00:23:48,520 Speaker 1: and then they were fighting and I can't remember getting 404 00:23:48,560 --> 00:23:54,720 Speaker 1: elbowed like in the gluteous and you can see these 405 00:23:55,040 --> 00:23:59,159 Speaker 1: huge bruises on my butt. Later in the episode, it 406 00:23:59,200 --> 00:24:00,959 Speaker 1: was when everyone was trying to prove that we were 407 00:24:00,960 --> 00:24:03,520 Speaker 1: really method actors and it's like, yeah, I don't know, cool, 408 00:24:03,520 --> 00:24:05,120 Speaker 1: we're just gonna fight for real. It was great, Yeah, 409 00:24:05,200 --> 00:24:07,480 Speaker 1: just go ahead. It really make it look real. And 410 00:24:07,560 --> 00:24:10,000 Speaker 1: I'm underneath the two of them being like ow wow, 411 00:24:10,000 --> 00:24:13,720 Speaker 1: please stop. You don't have to prove anything. It's fine. No. 412 00:24:14,080 --> 00:24:16,800 Speaker 1: You know what else makes me laugh because I realized 413 00:24:16,880 --> 00:24:19,800 Speaker 1: looking at it that it's a d R because when 414 00:24:19,840 --> 00:24:21,840 Speaker 1: you come and like save me and give me the 415 00:24:21,920 --> 00:24:24,400 Speaker 1: hug hill, I remember and I can see it going 416 00:24:24,480 --> 00:24:29,840 Speaker 1: pain and they made me a d R. Pain over pain. 417 00:24:30,440 --> 00:24:33,880 Speaker 1: What it was. Oh yeah, it's funny. You can see it. 418 00:24:33,880 --> 00:24:42,680 Speaker 1: It's totally it's totally looped and it's so pains, very sad. 419 00:24:42,880 --> 00:24:45,159 Speaker 1: It's a sad line like for real. Though there was 420 00:24:45,200 --> 00:24:47,600 Speaker 1: so much casual stuff in this episode. The pill thing. 421 00:24:47,640 --> 00:24:50,239 Speaker 1: Let's talk about the pill thing. Man. When we were 422 00:24:50,240 --> 00:24:53,680 Speaker 1: watching it bad. It was before anybody was talking about 423 00:24:53,680 --> 00:24:56,520 Speaker 1: an opioid epidemic, and it's weird. I mean, I remember 424 00:24:56,880 --> 00:24:59,600 Speaker 1: doctors just being like, do you want a prescription? You know, 425 00:24:59,640 --> 00:25:02,000 Speaker 1: like it was something it was handed off freaking candy 426 00:25:02,040 --> 00:25:04,879 Speaker 1: back then. So the idea that these kids were just 427 00:25:05,000 --> 00:25:09,199 Speaker 1: kind of being playful about it now is such a 428 00:25:09,320 --> 00:25:13,880 Speaker 1: horror show. You know, it gross. Yeah, it doesn't age well. 429 00:25:14,119 --> 00:25:16,639 Speaker 1: And the idea that a kid might be like, oh, 430 00:25:16,680 --> 00:25:18,280 Speaker 1: this might be a cool way for me to get 431 00:25:18,320 --> 00:25:22,600 Speaker 1: a little you know up tonight. Yeah, let's party. Let's party, 432 00:25:22,680 --> 00:25:25,720 Speaker 1: and I'm like or that. Oh god, it just feels 433 00:25:25,760 --> 00:25:29,399 Speaker 1: it feels cringe to me. I never I mean, I know, 434 00:25:29,680 --> 00:25:32,000 Speaker 1: I know a lot of people have tried that. I've 435 00:25:32,280 --> 00:25:34,960 Speaker 1: it always scared me. The idea of going into a 436 00:25:34,960 --> 00:25:36,919 Speaker 1: medicine cabinet, just like taking pills. I don't know what 437 00:25:36,920 --> 00:25:41,000 Speaker 1: they are, what they're for, what it would do to me. Yeah. Well, 438 00:25:41,160 --> 00:25:44,080 Speaker 1: and the guy who played the trainer is a buddy 439 00:25:44,440 --> 00:25:48,400 Speaker 1: from the improv scene in Wilmington's. So when we oh, 440 00:25:48,480 --> 00:25:50,959 Speaker 1: that's cool, when we just send it on the improv world. 441 00:25:51,560 --> 00:25:55,879 Speaker 1: Um cullen, who plays Junk, was a part of like 442 00:25:55,920 --> 00:25:58,480 Speaker 1: this improv comedy scene and he would invite us to 443 00:25:58,560 --> 00:26:01,760 Speaker 1: Level five to come see improv cony night. And Sam 444 00:26:02,080 --> 00:26:03,760 Speaker 1: was an actor that was like a big part of 445 00:26:03,760 --> 00:26:07,080 Speaker 1: the theater scene. Sam Robinson, and he feel like such 446 00:26:07,119 --> 00:26:09,919 Speaker 1: a creeper, like he was so excited to be on 447 00:26:09,960 --> 00:26:12,760 Speaker 1: the show, but he's doing it as like this kind 448 00:26:12,760 --> 00:26:18,160 Speaker 1: of predatory you know, creepy college guy passing out pills 449 00:26:18,200 --> 00:26:25,760 Speaker 1: to little girls. Your legacy is better than that, Sam, Sam, 450 00:26:25,960 --> 00:26:28,960 Speaker 1: poor guy. They always threw so many good guys in 451 00:26:29,000 --> 00:26:31,719 Speaker 1: the in the rough positions. Well that's it. If you're 452 00:26:31,760 --> 00:26:35,040 Speaker 1: a local actor and they're like you're cast kid, and 453 00:26:35,040 --> 00:26:38,000 Speaker 1: then you've got to play a pervert or like somebody 454 00:26:38,160 --> 00:26:42,159 Speaker 1: doing like college date rape or passing out drugs to kids. 455 00:26:42,200 --> 00:26:47,520 Speaker 1: It's like, man, yeah, I thought it was a good 456 00:26:47,520 --> 00:26:51,280 Speaker 1: moment for Brooke. I thought I liked. I know, it's 457 00:26:51,280 --> 00:26:53,600 Speaker 1: like anytime we do something that's not setting a great example, 458 00:26:53,640 --> 00:26:57,560 Speaker 1: it's always cringe E. But I liked for Brooke seeing 459 00:26:58,400 --> 00:27:00,440 Speaker 1: I like seeing all the layers and you know, it 460 00:27:00,600 --> 00:27:02,520 Speaker 1: was the one time we just get to see a 461 00:27:02,520 --> 00:27:04,800 Speaker 1: little bit of her real trouble in spite of all 462 00:27:04,800 --> 00:27:10,439 Speaker 1: the fun and all the up up, nous heightened, Um God, 463 00:27:10,680 --> 00:27:14,480 Speaker 1: I mean, did I not go to school? Where's my vocabulary? No? Girl, up? 464 00:27:14,600 --> 00:27:20,600 Speaker 1: This is a word I was not on display in 465 00:27:20,680 --> 00:27:23,320 Speaker 1: that scene. She was feeling it? Well, yeah it was. 466 00:27:23,600 --> 00:27:26,600 Speaker 1: I liked seeing her flaw because it just it gave 467 00:27:26,640 --> 00:27:29,280 Speaker 1: you more to look forward to with her for later 468 00:27:29,400 --> 00:27:31,520 Speaker 1: that It wasn't just she's not just a fun, bubbly girl. 469 00:27:31,600 --> 00:27:33,760 Speaker 1: She's got some real going on, and it made me 470 00:27:33,760 --> 00:27:36,400 Speaker 1: want to see more of her. Well, I love that. 471 00:27:36,840 --> 00:27:41,119 Speaker 1: I think I had to find a little bit of 472 00:27:41,160 --> 00:27:44,600 Speaker 1: that line for her. They're thinking, Okay, well, what is 473 00:27:44,640 --> 00:27:47,640 Speaker 1: she trying to escape? You know? What is she trying 474 00:27:47,680 --> 00:27:52,280 Speaker 1: to be distracted from? And and figuring out? I think 475 00:27:52,280 --> 00:27:54,439 Speaker 1: for each of us, you know those moments where we 476 00:27:54,480 --> 00:27:57,879 Speaker 1: could add something for these girls, you know, something that 477 00:27:58,000 --> 00:28:01,199 Speaker 1: wasn't on the page. Find whether it was humor or 478 00:28:01,280 --> 00:28:04,600 Speaker 1: seriousness or vulnerability. I mean, even the two of you 479 00:28:05,680 --> 00:28:12,720 Speaker 1: in that very slow walk you like. I love it 480 00:28:12,800 --> 00:28:15,600 Speaker 1: because looking back, I see you guys, you know, I 481 00:28:15,640 --> 00:28:19,320 Speaker 1: see Peyton and Haley, sure, but I see the two 482 00:28:19,359 --> 00:28:21,520 Speaker 1: of you and the way you giggle and the way 483 00:28:21,560 --> 00:28:25,240 Speaker 1: that you each find things funny and and making fun 484 00:28:25,240 --> 00:28:30,359 Speaker 1: of Chad in that scene felt so scandalous, like like 485 00:28:30,400 --> 00:28:34,520 Speaker 1: god yeah, like because everyone had teased Chad in real 486 00:28:34,600 --> 00:28:37,720 Speaker 1: life about his like blue steel, you know about like 487 00:28:37,760 --> 00:28:42,960 Speaker 1: the brew and the script they wrote it in enjoy 488 00:28:43,000 --> 00:28:45,840 Speaker 1: and I got to like poke fun at it. I 489 00:28:45,880 --> 00:28:48,120 Speaker 1: felt like we were getting away with murder. It was 490 00:28:48,200 --> 00:28:55,280 Speaker 1: just like, oh my god, oh it's so cute we 491 00:28:55,360 --> 00:28:59,240 Speaker 1: had we enjoyed that. But I feel like watching the scene, 492 00:28:59,360 --> 00:29:01,440 Speaker 1: I was like, oh, I want to know what was 493 00:29:01,480 --> 00:29:03,640 Speaker 1: on the page and what you guys like Ad lived 494 00:29:03,640 --> 00:29:07,280 Speaker 1: and threw in And because I knew watching it, obviously 495 00:29:07,280 --> 00:29:08,920 Speaker 1: not being there because I was pretending to be passed 496 00:29:08,920 --> 00:29:11,720 Speaker 1: out in the car, but watching it, I was like, oh, 497 00:29:11,800 --> 00:29:13,960 Speaker 1: they waited, they sparkled it up, and I want to 498 00:29:14,000 --> 00:29:16,520 Speaker 1: I want to see a side by side. It was 499 00:29:16,560 --> 00:29:19,040 Speaker 1: fun because we had a theater director. So there's so 500 00:29:19,160 --> 00:29:23,600 Speaker 1: much scene work in this episode. It's not about sexy, 501 00:29:23,680 --> 00:29:28,000 Speaker 1: broody shots. It's not about you know, big huge, you 502 00:29:28,040 --> 00:29:32,360 Speaker 1: know um lots of extras chaotic scenes. It's about two 503 00:29:32,400 --> 00:29:36,520 Speaker 1: people talking most of the time, whether it's Dan and 504 00:29:36,520 --> 00:29:40,080 Speaker 1: and Keith, you know, like it's always about people talking. 505 00:29:40,160 --> 00:29:43,840 Speaker 1: The brothers, the girls, and having a theater director for 506 00:29:43,920 --> 00:29:48,200 Speaker 1: that was just so awesome. Yeah, and I feel like 507 00:29:48,520 --> 00:29:51,840 Speaker 1: you can see it in certain moments to even choices 508 00:29:51,880 --> 00:29:55,480 Speaker 1: that were made, like the stuff going on with the boys, 509 00:29:55,480 --> 00:29:59,200 Speaker 1: when they get into that fight, that feels it's choreography. 510 00:29:59,320 --> 00:30:03,440 Speaker 1: It's does feel like stage work. And and when it turns, 511 00:30:04,640 --> 00:30:06,320 Speaker 1: what a moment when you're like, oh my god, I 512 00:30:06,360 --> 00:30:08,920 Speaker 1: can't believe Nathan hit him and they're fighting and it's 513 00:30:09,560 --> 00:30:11,040 Speaker 1: and then when he throws him on the car the 514 00:30:11,080 --> 00:30:13,840 Speaker 1: second time, you're like, what is he doing and he 515 00:30:13,960 --> 00:30:20,480 Speaker 1: goes for the keys, and the moment, oh man, where 516 00:30:20,520 --> 00:30:23,960 Speaker 1: you realize you know that that was Nathan's way of 517 00:30:23,960 --> 00:30:26,440 Speaker 1: putting them on the same team and they had that 518 00:30:26,640 --> 00:30:32,120 Speaker 1: sweet talk. Yeah. I really was interested in that because 519 00:30:32,280 --> 00:30:35,200 Speaker 1: my first thought was, why did Nate? Why do you 520 00:30:35,240 --> 00:30:39,040 Speaker 1: think Nathan gave Lucas that piece of information about his 521 00:30:39,120 --> 00:30:43,760 Speaker 1: childhood with Dan? And that's a real story too, Like 522 00:30:43,880 --> 00:30:46,280 Speaker 1: those dads are so prevalent. I grew up with three 523 00:30:46,280 --> 00:30:48,640 Speaker 1: brothers playing Little league baseball, and then I cheered for 524 00:30:48,720 --> 00:30:51,800 Speaker 1: football from fourth grade to my senior year in high school. 525 00:30:52,200 --> 00:30:55,640 Speaker 1: And like, those dads are real, the dad that will 526 00:30:55,880 --> 00:30:59,760 Speaker 1: hurt you and humiliate you in front of an entire 527 00:31:00,040 --> 00:31:01,960 Speaker 1: up of people in front of all of your peers. 528 00:31:02,480 --> 00:31:05,160 Speaker 1: That's a really real thing. And the way James delivered 529 00:31:05,200 --> 00:31:11,000 Speaker 1: it was really effective because that humiliation lingers. You know, 530 00:31:11,080 --> 00:31:13,440 Speaker 1: that's not something that you get to take back later 531 00:31:13,600 --> 00:31:17,440 Speaker 1: as a parent. Mm hmm. Yeah, why did he get 532 00:31:17,440 --> 00:31:19,680 Speaker 1: Why did he give that information to Lucas though out 533 00:31:19,680 --> 00:31:24,400 Speaker 1: of all the posturing that they've been doing with each 534 00:31:24,400 --> 00:31:29,480 Speaker 1: other and sort of constant playing chicken and why why 535 00:31:29,560 --> 00:31:31,120 Speaker 1: now it would have been so easy for him to 536 00:31:31,160 --> 00:31:33,320 Speaker 1: just keep going. Why did he give him that info? 537 00:31:34,040 --> 00:31:36,520 Speaker 1: Do you think after the Father's Son game? Because that 538 00:31:36,680 --> 00:31:41,880 Speaker 1: was terrible, Like it showed Nathan had a heart. Yeah, 539 00:31:42,480 --> 00:31:45,360 Speaker 1: it did. And you said something about a common enemy earlier, 540 00:31:45,440 --> 00:31:49,320 Speaker 1: Hillary Enjoy. Your question is kind of making me connect 541 00:31:49,360 --> 00:31:53,000 Speaker 1: some dots. They had this horrible experience at the Father's 542 00:31:53,000 --> 00:31:57,280 Speaker 1: Son game that made them understand that they shared this 543 00:31:57,400 --> 00:32:00,240 Speaker 1: awful thing, and then they go to this game game 544 00:32:00,640 --> 00:32:02,800 Speaker 1: and they start beating the ship out of each other, 545 00:32:03,520 --> 00:32:06,240 Speaker 1: and the minute that they get out and they're stranded 546 00:32:06,280 --> 00:32:09,600 Speaker 1: and this other team comes along, it's almost like it 547 00:32:09,640 --> 00:32:12,600 Speaker 1: gives them a reason to realize that they do have 548 00:32:12,680 --> 00:32:16,080 Speaker 1: a common enemy. They're not each other's enemy. But they're 549 00:32:16,120 --> 00:32:18,360 Speaker 1: coming at each other over the same issue over and 550 00:32:18,400 --> 00:32:21,320 Speaker 1: over and over again. And the minute they're giving someone 551 00:32:21,360 --> 00:32:25,280 Speaker 1: else to focus their attention their anger, they're hurt, they're 552 00:32:25,320 --> 00:32:30,200 Speaker 1: let down on they're playing for the same team. It's 553 00:32:30,360 --> 00:32:34,560 Speaker 1: it was it's really good structure. And while all that's 554 00:32:34,600 --> 00:32:40,400 Speaker 1: happening out on the road, you see Dan and Keith 555 00:32:40,840 --> 00:32:44,680 Speaker 1: fighting and deb going, Oh, our son got kicked out 556 00:32:44,720 --> 00:32:46,560 Speaker 1: of a game for fighting with his brother, how original 557 00:32:47,920 --> 00:32:51,239 Speaker 1: you know calling out It's like, you're the same Why 558 00:32:51,320 --> 00:32:53,880 Speaker 1: do you think he's like this? And and so you're 559 00:32:53,920 --> 00:32:58,880 Speaker 1: seeing these kind of you know this this like dynastic 560 00:32:59,080 --> 00:33:02,480 Speaker 1: long life moment. And then are the kids going to 561 00:33:02,600 --> 00:33:04,160 Speaker 1: do the same thing or do it differently and do 562 00:33:04,200 --> 00:33:11,680 Speaker 1: it better? I loved this, this message of you can 563 00:33:12,000 --> 00:33:14,200 Speaker 1: walk in somebody else's shoes. You can see things from 564 00:33:14,320 --> 00:33:17,400 Speaker 1: the perspective of somebody that you would never talk to, 565 00:33:18,120 --> 00:33:20,080 Speaker 1: um that you never hang out with in our case, 566 00:33:20,280 --> 00:33:22,440 Speaker 1: so even somebody that you really hate and have a 567 00:33:22,440 --> 00:33:25,200 Speaker 1: long history with, there is you know, hopefully we don't 568 00:33:25,200 --> 00:33:27,360 Speaker 1: all want to bond over you know, I hate a 569 00:33:27,400 --> 00:33:33,880 Speaker 1: common enemy, but you to. But it's like a worst 570 00:33:33,880 --> 00:33:37,200 Speaker 1: case scenario, right exactly but you know it's possible. It's 571 00:33:37,240 --> 00:33:39,560 Speaker 1: just that I love anything that's talking about the triumph 572 00:33:39,560 --> 00:33:41,440 Speaker 1: of a human spirit in that way, which I just 573 00:33:41,520 --> 00:33:44,200 Speaker 1: think we really hit on in this that there's always 574 00:33:44,240 --> 00:33:47,720 Speaker 1: a way to connect with someone that's the other well 575 00:33:47,920 --> 00:33:53,520 Speaker 1: or guards the same. Like I read a political quote. 576 00:33:53,800 --> 00:33:55,960 Speaker 1: It was it was, you know, eight years ago. It 577 00:33:56,040 --> 00:33:58,200 Speaker 1: was a long time ago, and it made so much 578 00:33:58,240 --> 00:34:01,600 Speaker 1: sense to me personally because they were talking about politician 579 00:34:01,800 --> 00:34:04,360 Speaker 1: and one of their aids and how they were the 580 00:34:04,480 --> 00:34:08,799 Speaker 1: same species of animal, right, and when they exist in 581 00:34:08,840 --> 00:34:13,160 Speaker 1: the wild, they cohabitate beautifully, they hunt the same, they 582 00:34:13,200 --> 00:34:16,520 Speaker 1: process the same, they interact the same. But the second 583 00:34:16,560 --> 00:34:19,440 Speaker 1: you put them in a cage together, they try to 584 00:34:19,520 --> 00:34:23,200 Speaker 1: kill each other because animals like the same animals aren't 585 00:34:23,200 --> 00:34:26,239 Speaker 1: supposed to be locked in together. And it was a 586 00:34:27,160 --> 00:34:30,800 Speaker 1: it reminded me of how we all were behind the scenes, 587 00:34:31,080 --> 00:34:35,160 Speaker 1: because we are all so similar. We all had to 588 00:34:35,200 --> 00:34:38,120 Speaker 1: be really ambitious as young women. We had to you know, 589 00:34:38,480 --> 00:34:40,799 Speaker 1: forge our own way. None of us had family that 590 00:34:40,800 --> 00:34:43,040 Speaker 1: could like get us jobs and stuff like we had. 591 00:34:43,080 --> 00:34:47,319 Speaker 1: Don't scrapple And is it scrapple? Is that like a 592 00:34:47,360 --> 00:34:51,840 Speaker 1: breakfast or is that happy with scrapple. Yeah, yeah, I 593 00:34:51,840 --> 00:34:54,160 Speaker 1: don't know that that's the right word. Guys, Joy and 594 00:34:54,160 --> 00:34:59,319 Speaker 1: I are up nous and scrapple today, just so we're 595 00:34:59,360 --> 00:35:05,799 Speaker 1: gonna teach shirts. Scrapple on a T shirt and that's 596 00:35:05,800 --> 00:35:11,560 Speaker 1: our tattoo. Yeah. But I feel like when you lock 597 00:35:11,800 --> 00:35:18,839 Speaker 1: any wild animal up in an um unnatural habitat, it's 598 00:35:18,880 --> 00:35:21,040 Speaker 1: going to freak out. And that's what the boys are 599 00:35:21,040 --> 00:35:24,320 Speaker 1: doing in this episode is perhaps what we did behind 600 00:35:24,360 --> 00:35:26,759 Speaker 1: the scenes some of the time because we were locked up, 601 00:35:27,400 --> 00:35:29,520 Speaker 1: and the second we all were allowed to just like 602 00:35:29,880 --> 00:35:32,719 Speaker 1: take a breath, it was like, I love that you're 603 00:35:32,760 --> 00:35:36,080 Speaker 1: the same animal as me. Let's hunt together, like this 604 00:35:36,120 --> 00:35:41,040 Speaker 1: feels nice. Let's form a tribe and it's Um, it's 605 00:35:41,040 --> 00:35:43,239 Speaker 1: cool to see a play out in the storyline of 606 00:35:43,320 --> 00:35:47,200 Speaker 1: the show, you know, knowing like everything that happened for 607 00:35:47,239 --> 00:35:52,040 Speaker 1: the next six years. Yeah, um, okay, let's move on 608 00:35:52,080 --> 00:35:56,680 Speaker 1: to deb and Dan Um. How classy is she? She 609 00:35:56,880 --> 00:35:59,080 Speaker 1: is so classy? I mean yeah, yeah, yeah. They all 610 00:35:59,080 --> 00:36:02,120 Speaker 1: fought in the room and it was like dramatic, and 611 00:36:02,280 --> 00:36:04,040 Speaker 1: you know, that was sort of the big thing. But 612 00:36:04,120 --> 00:36:06,360 Speaker 1: but what really hit me was that moment in the 613 00:36:06,480 --> 00:36:09,080 Speaker 1: hotel lobby with the two of them sitting there, and 614 00:36:09,239 --> 00:36:12,440 Speaker 1: she could have said all of those lines real bitchy 615 00:36:12,680 --> 00:36:17,440 Speaker 1: and real like throwing a fit and going at him. Yeah, yeah, 616 00:36:17,880 --> 00:36:24,680 Speaker 1: raised her voice, didn't she class that? I love what 617 00:36:24,760 --> 00:36:26,560 Speaker 1: you said. We were talking about it while we were 618 00:36:26,600 --> 00:36:30,759 Speaker 1: watching it, and you go, oh, she just seems so moneyed. Yeah. Yeah, 619 00:36:30,800 --> 00:36:33,160 Speaker 1: it makes you seem really rich. You guys, like rich 620 00:36:33,200 --> 00:36:37,799 Speaker 1: people don't yell, don't be common, you know, like I'm 621 00:36:37,840 --> 00:36:41,040 Speaker 1: too rich to you. It's like, darling, I am never 622 00:36:41,120 --> 00:36:43,680 Speaker 1: going to make a scene. You know, there's other people 623 00:36:43,719 --> 00:36:45,560 Speaker 1: in this lobby. I would never let them know that 624 00:36:45,600 --> 00:36:49,160 Speaker 1: I'm mad at you. But mad at you it's it's 625 00:36:49,280 --> 00:36:52,359 Speaker 1: so classy. And I have to imagine like if that 626 00:36:52,440 --> 00:36:56,560 Speaker 1: was an audition scene of women would have like thrown 627 00:36:56,600 --> 00:36:59,520 Speaker 1: a shoe dawn, you know, or even like poured to 628 00:36:59,640 --> 00:37:03,719 Speaker 1: drink gone him. And she just it takes so much 629 00:37:03,719 --> 00:37:07,920 Speaker 1: more strength to be still, and it felt so powerful. 630 00:37:08,239 --> 00:37:12,719 Speaker 1: After her conversation with Keith, you know, you going to 631 00:37:12,800 --> 00:37:16,400 Speaker 1: talk to him, getting him a drink, and him getting 632 00:37:16,440 --> 00:37:18,239 Speaker 1: to ask her because he gets to be us in 633 00:37:18,280 --> 00:37:21,120 Speaker 1: that moment the audience and say why are you with 634 00:37:21,160 --> 00:37:25,040 Speaker 1: this guy? And they get so vulnerable, and and Deb 635 00:37:25,160 --> 00:37:32,080 Speaker 1: and Keith being buddies is so delicious, you guys. The 636 00:37:32,160 --> 00:37:34,280 Speaker 1: whole time I watched it, all I could think about 637 00:37:34,360 --> 00:37:36,480 Speaker 1: was the two of them in front of that fireplace 638 00:37:36,880 --> 00:37:42,319 Speaker 1: years down the road, like spoiler, and the chemistry, chemistry, 639 00:37:42,400 --> 00:37:46,440 Speaker 1: the chemistry Barb can create chemistry with like a shoe box, 640 00:37:46,600 --> 00:37:49,480 Speaker 1: you know what I mean. And so so to watch 641 00:37:49,520 --> 00:37:53,360 Speaker 1: the two of them like smoldered together and her cute 642 00:37:53,440 --> 00:37:58,000 Speaker 1: dress and like they both are just so um. They've 643 00:37:58,080 --> 00:38:01,600 Speaker 1: both been hurt by Dan in that scene and their 644 00:38:01,719 --> 00:38:06,160 Speaker 1: collaborators in that scene, and it's great foreshadowing to what's 645 00:38:06,160 --> 00:38:09,440 Speaker 1: going to happen. You know, it makes me excited for 646 00:38:09,480 --> 00:38:12,839 Speaker 1: them to hook up years later. Yes, And and her 647 00:38:13,000 --> 00:38:17,920 Speaker 1: in that moment trying to give him the courage to 648 00:38:17,960 --> 00:38:21,720 Speaker 1: go for it with Karen. You know, you realize Keith's 649 00:38:21,719 --> 00:38:25,600 Speaker 1: been belittled by Dan forever, and for Deb to look 650 00:38:25,640 --> 00:38:28,400 Speaker 1: at him and say you should go for it, she 651 00:38:28,520 --> 00:38:31,000 Speaker 1: might see you as more than a friend. Like I 652 00:38:31,040 --> 00:38:33,360 Speaker 1: almost feel like she's giving him a confidence boost that 653 00:38:33,400 --> 00:38:37,319 Speaker 1: he's really lacking. And it's just so it's so generous. 654 00:38:37,680 --> 00:38:41,959 Speaker 1: And then with with Dan provoking him and just being 655 00:38:42,000 --> 00:38:46,120 Speaker 1: so cruel to him and Keith trying to hit him 656 00:38:46,120 --> 00:38:48,720 Speaker 1: and it's going so awry, which is like such a wound, 657 00:38:52,040 --> 00:38:55,040 Speaker 1: and then he still is just like I don't care. 658 00:38:56,480 --> 00:39:00,839 Speaker 1: He wasn't humiliated. He wasn't, but like, God, what that 659 00:39:00,920 --> 00:39:04,160 Speaker 1: gave when she came back to Dan and that casual 660 00:39:04,280 --> 00:39:06,800 Speaker 1: I'm going to go upstairs and pack when she said 661 00:39:07,160 --> 00:39:08,759 Speaker 1: she got them a room for the night so they 662 00:39:08,760 --> 00:39:12,560 Speaker 1: could have like a couple's evening away and just that 663 00:39:13,000 --> 00:39:16,319 Speaker 1: like I'm not sleeping with your ass tonight, you know it, 664 00:39:17,400 --> 00:39:19,640 Speaker 1: And you know she paid for that room. You know 665 00:39:19,760 --> 00:39:25,319 Speaker 1: that was on Deb's credit card exactly. I love that. 666 00:39:25,560 --> 00:39:28,200 Speaker 1: I also didn't think about the fact that, like, if 667 00:39:28,280 --> 00:39:33,120 Speaker 1: Dan's got this little brother syndrome thing, Nathan's the little 668 00:39:33,120 --> 00:39:38,040 Speaker 1: brother too. It's like, yeah, you know how like your 669 00:39:38,080 --> 00:39:40,600 Speaker 1: trauma or your parents trauma is like I was a 670 00:39:40,600 --> 00:39:44,480 Speaker 1: middle child, and so then they also like favored the 671 00:39:44,480 --> 00:39:47,080 Speaker 1: other middle child that they eventually have because it's like 672 00:39:47,120 --> 00:39:50,120 Speaker 1: I can connect with you. I feel like Dan connects 673 00:39:50,120 --> 00:39:53,080 Speaker 1: with that younger son energy that Nathan has, you know, 674 00:39:53,239 --> 00:39:57,000 Speaker 1: and and so resents Lucas the same way he resents Keith. 675 00:39:57,160 --> 00:39:59,759 Speaker 1: It's like, why are you not mothered? By anything. Why 676 00:39:59,760 --> 00:40:04,200 Speaker 1: don't you want more? You know it's um, it's competitive, 677 00:40:04,320 --> 00:40:08,759 Speaker 1: but it's also you know, Dan hates Lucas the way 678 00:40:08,800 --> 00:40:10,680 Speaker 1: he hates Keith. He's just got a chip on his 679 00:40:10,719 --> 00:40:13,840 Speaker 1: shoulder about older brothers. Can we talk about Brooks cute 680 00:40:13,840 --> 00:40:21,200 Speaker 1: little car, that's the first real that car was so 681 00:40:21,280 --> 00:40:25,120 Speaker 1: popular when the car was solar at the time, Henri 682 00:40:25,280 --> 00:40:31,959 Speaker 1: had the vase in it. We're so basic that someone 683 00:40:32,040 --> 00:40:34,279 Speaker 1: put a test tube in a car and called it 684 00:40:34,320 --> 00:40:36,400 Speaker 1: a vase. And we were all like, we have to 685 00:40:39,239 --> 00:40:41,840 Speaker 1: what was your first car in Wilmington's What did you 686 00:40:41,840 --> 00:40:45,799 Speaker 1: guys get? Because a lot of us got our first 687 00:40:45,840 --> 00:40:49,520 Speaker 1: car there. I brought true. I went to college in 688 00:40:49,680 --> 00:40:55,000 Speaker 1: l A. So I brought my car out. But man, 689 00:40:55,160 --> 00:40:58,920 Speaker 1: I do remember when we got the Bug. When they 690 00:40:58,920 --> 00:41:01,560 Speaker 1: first talked to me about Brooke getting a convertible Bug. 691 00:41:01,640 --> 00:41:03,560 Speaker 1: In my head it was like Herbie the Love Bug. 692 00:41:03,560 --> 00:41:05,280 Speaker 1: I thought it was going to be a little vintage, 693 00:41:05,800 --> 00:41:09,080 Speaker 1: cute like classic bug, and then they pulled up in 694 00:41:09,120 --> 00:41:13,719 Speaker 1: the brand new one. I was heartbroken. And then I 695 00:41:13,800 --> 00:41:16,279 Speaker 1: was like, well, I mean, yeah, if she's sixteen, maybe 696 00:41:16,360 --> 00:41:20,840 Speaker 1: she's not into classic cars. I was just like I 697 00:41:21,080 --> 00:41:24,040 Speaker 1: or I was so sad because I grew up going 698 00:41:24,080 --> 00:41:26,799 Speaker 1: to car shows with my dad, like classic cars are 699 00:41:26,840 --> 00:41:29,399 Speaker 1: our thing, and I thought, like, I'm going to get 700 00:41:29,400 --> 00:41:32,279 Speaker 1: to drive around in a cute little Herbie No. And 701 00:41:32,320 --> 00:41:36,040 Speaker 1: there was a very specific stigma around that car at 702 00:41:36,080 --> 00:41:39,160 Speaker 1: the time. It was like if you were like a 703 00:41:39,280 --> 00:41:42,440 Speaker 1: rich daddy's girl, that was your car, and it was 704 00:41:42,480 --> 00:41:45,840 Speaker 1: like a teen girl car. I feel like the reality 705 00:41:45,880 --> 00:41:48,399 Speaker 1: shows happening at the time, like the Simple Life for something, 706 00:41:48,440 --> 00:41:51,320 Speaker 1: you know, like where you know girls in juicy suits 707 00:41:51,320 --> 00:41:55,879 Speaker 1: were driving those. It's an exciting I saw Katie Homes 708 00:41:55,960 --> 00:42:00,520 Speaker 1: driving that car one Really, she doesn't strike me. He doesn't, girl. 709 00:42:02,120 --> 00:42:04,200 Speaker 1: I mean, who knows. Maybe she was just test driving it. 710 00:42:04,239 --> 00:42:05,880 Speaker 1: Maybe it's just borrowing it. Maybe she's I mean, I 711 00:42:05,920 --> 00:42:08,520 Speaker 1: don't know anything. I don't know her turn the corner 712 00:42:08,520 --> 00:42:12,560 Speaker 1: and I was like, huh, I wouldn't. Did you get 713 00:42:12,560 --> 00:42:15,120 Speaker 1: a car right away? I remember Joy talking to me 714 00:42:15,120 --> 00:42:17,839 Speaker 1: about her dream car. She's like, one day I am 715 00:42:17,880 --> 00:42:22,200 Speaker 1: going to get a cherry red vintage pickup truck. And 716 00:42:22,440 --> 00:42:26,040 Speaker 1: by god, if she didn't do it, folks, Dad dumb it. 717 00:42:26,200 --> 00:42:31,360 Speaker 1: I did it. You did it. I don't remember what 718 00:42:31,400 --> 00:42:33,640 Speaker 1: you drove. I feel like I don't remember. I mean, 719 00:42:33,840 --> 00:42:35,279 Speaker 1: I know my first car in l A was a 720 00:42:35,320 --> 00:42:40,479 Speaker 1: Mazda Miata, a little convertible Mazda Miata, which didn't hand 721 00:42:40,520 --> 00:42:43,200 Speaker 1: it was it wasn't it was not an automatic manual, 722 00:42:43,239 --> 00:42:46,400 Speaker 1: and it was did not do well on those hills 723 00:42:46,440 --> 00:42:49,920 Speaker 1: like the hill the sun up to last Sianaga. What 724 00:42:50,000 --> 00:42:53,879 Speaker 1: is the LASA have to sunset? That's a little hill. Yeah, 725 00:42:53,920 --> 00:42:55,360 Speaker 1: there was a couple of times I was like, I 726 00:42:55,400 --> 00:42:57,200 Speaker 1: hope this thing doesn't get about it because I'm a 727 00:42:57,360 --> 00:43:01,040 Speaker 1: roll all the way back down. Um remember what did 728 00:43:01,080 --> 00:43:03,520 Speaker 1: I have a convertible in Wilmington's. I really don't remember 729 00:43:03,520 --> 00:43:05,360 Speaker 1: what my car was there, do you guys remember? I 730 00:43:05,360 --> 00:43:08,239 Speaker 1: don't know. I went when I had my parents back 731 00:43:08,280 --> 00:43:11,759 Speaker 1: home in Wilmington's or back home in Virginia, I was like, Mom, Dad, 732 00:43:11,760 --> 00:43:16,319 Speaker 1: I need a car, and they found for like it 733 00:43:16,400 --> 00:43:18,960 Speaker 1: was like the cheapest car ever. It was a nineteen 734 00:43:19,040 --> 00:43:24,000 Speaker 1: eighties six gold Mercedes loved it and it still had 735 00:43:24,080 --> 00:43:27,600 Speaker 1: like like the ashtrays in the arm rest, you know, 736 00:43:28,040 --> 00:43:30,520 Speaker 1: you can just like change to smoke in there. And 737 00:43:30,560 --> 00:43:32,800 Speaker 1: it was horrible, like the windows wouldn't roll down, the 738 00:43:32,840 --> 00:43:36,480 Speaker 1: A C didn't work, But it was a boat, a 739 00:43:36,560 --> 00:43:40,040 Speaker 1: good car, but like parking that downtown on a Saturday 740 00:43:40,160 --> 00:43:42,160 Speaker 1: night was an issue. That's why, Like you guys at 741 00:43:42,160 --> 00:43:45,160 Speaker 1: the I like, it's cool, cool, cool, I'm gonna park 742 00:43:45,200 --> 00:43:49,120 Speaker 1: in your parking lot and then we'll walk. Um. Yeah, 743 00:43:49,160 --> 00:43:53,640 Speaker 1: I loved it, you know, being a being like real 744 00:43:53,760 --> 00:43:57,439 Speaker 1: little kids and not knowing to get like a fancy car, 745 00:43:57,640 --> 00:43:59,160 Speaker 1: you know, just be like I guess it can give 746 00:43:59,200 --> 00:44:02,520 Speaker 1: you word is so different from the experience that we 747 00:44:02,560 --> 00:44:05,080 Speaker 1: see a lot of these like young actors with now 748 00:44:05,280 --> 00:44:09,200 Speaker 1: where they're like, oh, here's my Bentley freaking whatever, and 749 00:44:09,239 --> 00:44:12,400 Speaker 1: I'm just like what, you know what happens when you 750 00:44:12,480 --> 00:44:15,359 Speaker 1: run into something. Yeah, it's a very common thing when 751 00:44:15,400 --> 00:44:18,000 Speaker 1: you're when you're that young to think I have money, 752 00:44:18,040 --> 00:44:20,920 Speaker 1: so now that means I must spend it on expensive things. 753 00:44:21,640 --> 00:44:24,200 Speaker 1: That's not what money means. No, guys, we're spending that 754 00:44:24,239 --> 00:44:29,120 Speaker 1: on fire belly tacos and Hogarden beer. What are you 755 00:44:29,160 --> 00:44:32,600 Speaker 1: talking about. I'm gonna save it, don't spend it. I 756 00:44:33,520 --> 00:44:36,160 Speaker 1: definitely towed the line there though, because I grew up 757 00:44:36,640 --> 00:44:40,759 Speaker 1: like such a car junkie. Can I remember you got 758 00:44:40,760 --> 00:44:46,319 Speaker 1: your fancy car? Oh man? I remember I bought myself 759 00:44:46,600 --> 00:44:52,200 Speaker 1: I had this cool old Toyota Forerunner phone Runner. What 760 00:44:52,239 --> 00:45:03,520 Speaker 1: am I saying? Runner scrample the name of our board game. 761 00:45:05,080 --> 00:45:09,759 Speaker 1: We deserve it, we deserve it, we deserve um, We're 762 00:45:09,800 --> 00:45:14,359 Speaker 1: slap happy. But I had this truck all through high 763 00:45:14,360 --> 00:45:20,400 Speaker 1: school and I did a commercial and I remember in 764 00:45:20,600 --> 00:45:23,920 Speaker 1: college my dad and I like, oh man, we were 765 00:45:24,040 --> 00:45:27,320 Speaker 1: so dorky, my sweet dad. We we were like really 766 00:45:27,440 --> 00:45:30,600 Speaker 1: jazzed on that funny little BMW that came out as 767 00:45:30,640 --> 00:45:33,400 Speaker 1: like the Bond car. I don't even remember what was 768 00:45:33,400 --> 00:45:36,319 Speaker 1: called the little two seater convertible. And they were so expensive, 769 00:45:36,480 --> 00:45:39,520 Speaker 1: like so expensive, so that wasn't going to happen. And 770 00:45:39,560 --> 00:45:44,360 Speaker 1: I did a commercial and I traded in my car 771 00:45:44,760 --> 00:45:48,040 Speaker 1: and I got like a little three series two door 772 00:45:48,160 --> 00:45:51,680 Speaker 1: BMW that had not a bell or a whistle on it. 773 00:45:52,160 --> 00:45:56,000 Speaker 1: But I was like, I'm doing it. And I remember 774 00:45:56,000 --> 00:45:58,960 Speaker 1: I went home to pick up my dad and he 775 00:45:59,080 --> 00:46:01,560 Speaker 1: was just like this is oh cool kid, And he 776 00:46:01,600 --> 00:46:03,759 Speaker 1: gave me this whole lecture about how he was really 777 00:46:03,760 --> 00:46:05,560 Speaker 1: proud of me for making my own money. But anytime 778 00:46:05,600 --> 00:46:07,880 Speaker 1: I wanted to buy something, I needed to calculate what 779 00:46:07,960 --> 00:46:10,000 Speaker 1: it was actually costing me because of taxes and then 780 00:46:10,000 --> 00:46:12,799 Speaker 1: I needed to save at least before I made it 781 00:46:12,840 --> 00:46:13,960 Speaker 1: like it was a whole and I was like, you're 782 00:46:14,040 --> 00:46:17,320 Speaker 1: ruining my moment. I got my car. Just stop talking, 783 00:46:21,000 --> 00:46:26,040 Speaker 1: I am, I am, yeah, I have Yeah, I have vehicles. 784 00:46:28,640 --> 00:46:31,800 Speaker 1: I would have loved it. What a cute twist. Oh 785 00:46:31,840 --> 00:46:36,840 Speaker 1: man Davis had gone to work, that would Scott damn it. 786 00:46:36,880 --> 00:46:39,759 Speaker 1: I would have loved that. Hey, guys, yeah, let's just 787 00:46:39,800 --> 00:46:44,400 Speaker 1: do it. Let's just okay, Well, let's talk about Keith. 788 00:46:47,000 --> 00:46:50,120 Speaker 1: He is so freaking cute in this episode, so cute 789 00:46:50,680 --> 00:46:53,840 Speaker 1: that I'm conflicted about this last scene as a who 790 00:46:53,960 --> 00:46:57,640 Speaker 1: has I'm as a woman who has taken care of 791 00:46:58,520 --> 00:47:02,000 Speaker 1: too many drunk men been there, um hear you. You 792 00:47:02,040 --> 00:47:04,560 Speaker 1: know there's a part of me that was just like 793 00:47:04,600 --> 00:47:08,160 Speaker 1: I really cringed. I was really just like, you know, 794 00:47:08,440 --> 00:47:12,600 Speaker 1: the romanticizing of like, oh, it's okay that he's just 795 00:47:12,960 --> 00:47:16,200 Speaker 1: but but you know that being said, it's also not 796 00:47:16,239 --> 00:47:18,840 Speaker 1: a habit like we've seen Keith just constantly being It 797 00:47:18,920 --> 00:47:21,200 Speaker 1: was like one night he had a little much like whatever. 798 00:47:21,719 --> 00:47:26,640 Speaker 1: So maybe that's just me overacting, but I did feel 799 00:47:26,640 --> 00:47:31,359 Speaker 1: it fully when he said I love you, and I 800 00:47:31,440 --> 00:47:35,000 Speaker 1: loved like just the honesty and that they really finally 801 00:47:35,040 --> 00:47:36,919 Speaker 1: had a moment where they could just be really real 802 00:47:37,000 --> 00:47:40,440 Speaker 1: with each other. Yeah. I felt really good when they 803 00:47:40,480 --> 00:47:43,200 Speaker 1: each said, like, I feel like this was a date 804 00:47:43,320 --> 00:47:48,520 Speaker 1: for a minute. Yeah, yeah, where and and he admitted 805 00:47:48,560 --> 00:47:51,359 Speaker 1: it in the sweetest little way. You know, deb told 806 00:47:51,400 --> 00:47:53,759 Speaker 1: me that that maybe we were on a date and 807 00:47:53,840 --> 00:47:58,080 Speaker 1: I should pretend, and you know, and her God, and 808 00:47:58,160 --> 00:48:03,320 Speaker 1: her saying I pretended to How did they not kissed? 809 00:48:03,520 --> 00:48:06,400 Speaker 1: It's like, I'm thinking about what their high school experience was, 810 00:48:06,440 --> 00:48:07,920 Speaker 1: So what is Keith? Is he supposed to be like 811 00:48:07,960 --> 00:48:10,920 Speaker 1: two years older than Dan or like, like, was he 812 00:48:11,000 --> 00:48:15,280 Speaker 1: a senior when Karen was a sophomore? Like why didn't 813 00:48:15,280 --> 00:48:18,040 Speaker 1: she go for him? He still maybe he was out 814 00:48:18,040 --> 00:48:20,000 Speaker 1: of high school Army he was in college by then. 815 00:48:20,120 --> 00:48:23,600 Speaker 1: Yeah yeah, man, man, that would make the most That 816 00:48:23,600 --> 00:48:26,040 Speaker 1: would make me the most comfortable with their storyline. If 817 00:48:26,160 --> 00:48:27,920 Speaker 1: just like they didn't really know each other for the 818 00:48:28,000 --> 00:48:29,880 Speaker 1: first you know, four or five years or something, and 819 00:48:29,960 --> 00:48:32,160 Speaker 1: then he comes home from college and he's like my 820 00:48:32,200 --> 00:48:34,680 Speaker 1: little brothers and asshole, I got to help out. And 821 00:48:34,719 --> 00:48:38,040 Speaker 1: then you know, yeah, he started their whole thing. But 822 00:48:38,160 --> 00:48:41,160 Speaker 1: I love them. I've always I always shipped Karen and 823 00:48:41,280 --> 00:48:45,360 Speaker 1: Keith always did, always did. I felt like that was 824 00:48:45,400 --> 00:48:49,240 Speaker 1: a miss, not really going for that. Well, we got cheated, 825 00:48:49,719 --> 00:48:54,919 Speaker 1: We got cheated. We needed at least two more years. Yeah, 826 00:48:54,960 --> 00:49:01,759 Speaker 1: and um, let's talk about the baby size gun for 827 00:49:01,800 --> 00:49:10,400 Speaker 1: a second, because oh, guys, like I talk about stuff 828 00:49:10,400 --> 00:49:13,759 Speaker 1: that doesn't hold up, like even just in in the 829 00:49:14,160 --> 00:49:17,200 Speaker 1: span of our own show, to have this like laughable 830 00:49:17,520 --> 00:49:21,279 Speaker 1: little starter pistol, you know, in episode six, and then 831 00:49:21,760 --> 00:49:25,960 Speaker 1: you know, two years later we're doing the Jimmy Edwards episode. Like, 832 00:49:26,200 --> 00:49:28,439 Speaker 1: if you're ever somewhere where someone pulls out a gun, 833 00:49:28,719 --> 00:49:32,680 Speaker 1: it is not funny and you should scoot immediately. I've 834 00:49:32,719 --> 00:49:36,279 Speaker 1: been at those parties. They're not cool. Like, tell your 835 00:49:36,280 --> 00:49:39,960 Speaker 1: friends who do that that they're dumb. Um. Yeah, it's 836 00:49:40,000 --> 00:49:42,520 Speaker 1: it's such a weird, random thing that I don't know 837 00:49:42,520 --> 00:49:46,680 Speaker 1: that we needed in the episode. But I think they're 838 00:49:46,680 --> 00:49:50,000 Speaker 1: trying to paint those dudes as hillbilly's. Yeah, and also 839 00:49:50,120 --> 00:49:53,120 Speaker 1: like that the threat was real, the threat that something 840 00:49:53,200 --> 00:49:56,359 Speaker 1: bad might happen to Nathan and Lucas. But I don't 841 00:49:56,400 --> 00:49:59,040 Speaker 1: know a knife would have worked just as well. Yeah, better, 842 00:49:59,120 --> 00:50:03,320 Speaker 1: I think Butterfly nice. You know, it's very like jets. 843 00:50:03,640 --> 00:50:06,359 Speaker 1: You know West Side Story. When you're a jet, you're 844 00:50:06,400 --> 00:50:09,440 Speaker 1: a jet all. I mean we had a theater director. 845 00:50:09,520 --> 00:50:12,960 Speaker 1: They could have had a dance off on the street. 846 00:50:15,440 --> 00:50:21,959 Speaker 1: That yeah, unnecessary gun play, that doesn't hold up. Um. 847 00:50:22,000 --> 00:50:27,160 Speaker 1: Talking about Nathan giving Haley the nod was a fun 848 00:50:27,280 --> 00:50:30,719 Speaker 1: bit that came after that. What doesn't mean when a 849 00:50:30,719 --> 00:50:33,640 Speaker 1: boy gives a girl the nod? I don't know. It 850 00:50:33,680 --> 00:50:38,040 Speaker 1: always feels a little cocky to me. I mean it 851 00:50:38,160 --> 00:50:40,960 Speaker 1: certainly felt charged because in the episode, I mean, come on, 852 00:50:41,000 --> 00:50:43,680 Speaker 1: when he looks over at you and goes like, hey, 853 00:50:43,960 --> 00:50:51,080 Speaker 1: everyone's like everybody feels didn't do it anybody else? Nope, right, 854 00:50:52,280 --> 00:50:53,799 Speaker 1: it feels good. I mean it feels good to be 855 00:50:53,840 --> 00:50:56,000 Speaker 1: on the receiving end of that nod. Yeah, I mean 856 00:50:56,000 --> 00:50:58,600 Speaker 1: I just give you a nude and your grinned. So 857 00:50:59,320 --> 00:51:06,239 Speaker 1: I'm such a you know, you're like when you go 858 00:51:06,320 --> 00:51:10,040 Speaker 1: for a joy? Is it just like cool? Cool guys, 859 00:51:10,160 --> 00:51:13,920 Speaker 1: we're out for the night. This one nodded, It's go, 860 00:51:15,120 --> 00:51:19,120 Speaker 1: we're dead. I get it. Jeff was a nodder When 861 00:51:19,120 --> 00:51:24,080 Speaker 1: I met him, he was really like, oh so cocky. Yeah. Um, 862 00:51:24,080 --> 00:51:28,200 Speaker 1: and the nod. I mean even still all these years later, 863 00:51:28,320 --> 00:51:31,399 Speaker 1: like if we're at a function and we're across the room, 864 00:51:32,080 --> 00:51:35,000 Speaker 1: you get that nod and you're like, you goddamn right, 865 00:51:35,560 --> 00:51:39,640 Speaker 1: let's do this, you know what I mean? I don't 866 00:51:39,680 --> 00:51:46,239 Speaker 1: know across a crowded room, that little quiet communication from 867 00:51:46,280 --> 00:51:49,440 Speaker 1: your human when you get the like I see you, 868 00:51:49,440 --> 00:51:53,920 Speaker 1: you're just like, yeah, you keep looking. Do we ever 869 00:51:53,960 --> 00:51:56,680 Speaker 1: go out of that? Are we going to be years old? Like? 870 00:51:57,320 --> 00:52:00,759 Speaker 1: We don't. We got on the photo of one of 871 00:52:00,760 --> 00:52:04,759 Speaker 1: my ex boyfriends at a party outside my old house 872 00:52:04,800 --> 00:52:06,680 Speaker 1: and it was like kind of all through the driveway 873 00:52:06,680 --> 00:52:09,560 Speaker 1: and there, and everybody in this photo is looking and 874 00:52:09,600 --> 00:52:11,960 Speaker 1: I took the photo. Everybody in the photos looking at 875 00:52:12,000 --> 00:52:14,480 Speaker 1: each other and talking, and he's like deep in the crowd, 876 00:52:14,920 --> 00:52:17,080 Speaker 1: and if you scan the crowd you can see he's 877 00:52:17,120 --> 00:52:21,759 Speaker 1: looking straight at me, talking and I was just I 878 00:52:21,800 --> 00:52:25,040 Speaker 1: love that photo. Anywhere I'm still like, oh my gosh, 879 00:52:27,719 --> 00:52:30,279 Speaker 1: do do we want to talk about how humid it 880 00:52:30,360 --> 00:52:32,799 Speaker 1: was in Wilmington's and us all being in our our 881 00:52:32,840 --> 00:52:37,000 Speaker 1: winter gear outside in that scene with the hair and 882 00:52:37,040 --> 00:52:39,680 Speaker 1: the stickiness, and like, is that even interesting or should 883 00:52:39,719 --> 00:52:41,360 Speaker 1: we just move on? No? I mean, we can definitely 884 00:52:41,360 --> 00:52:43,600 Speaker 1: talk about it, because I think it's very prevalent in 885 00:52:43,600 --> 00:52:49,080 Speaker 1: this episode. When you shoot nights on a show like this, 886 00:52:49,960 --> 00:52:52,680 Speaker 1: they love wet downs and what that means for the 887 00:52:52,680 --> 00:52:55,440 Speaker 1: person at home is they drive a huge tanker truck 888 00:52:55,640 --> 00:52:59,200 Speaker 1: onto set full of water and they spray down the 889 00:52:59,280 --> 00:53:03,200 Speaker 1: roads because at night it reflects the light and it 890 00:53:03,239 --> 00:53:07,680 Speaker 1: looks romantic, beautiful. Guess what. I don't give a about 891 00:53:08,239 --> 00:53:11,319 Speaker 1: wet roads. You know what I do care about my 892 00:53:11,400 --> 00:53:14,600 Speaker 1: hair at four o'clock in the morning, like a wet 893 00:53:14,680 --> 00:53:19,040 Speaker 1: possum out there, It's just and we and it was hot, 894 00:53:19,120 --> 00:53:22,560 Speaker 1: and we had in these winter coats because we were 895 00:53:22,600 --> 00:53:25,879 Speaker 1: airing in the fall. And I remember sitting out there 896 00:53:25,920 --> 00:53:29,720 Speaker 1: on that summer night when the heat my hair was expanding, 897 00:53:29,880 --> 00:53:34,000 Speaker 1: like my swamp just kept going out and out, and 898 00:53:34,160 --> 00:53:36,320 Speaker 1: you know, your mic pack is sticking to your skin 899 00:53:36,640 --> 00:53:39,640 Speaker 1: and this heavy coat and I'm like eating peanut butter 900 00:53:39,719 --> 00:53:42,759 Speaker 1: and apples or whatever the craft service would bring me, 901 00:53:43,080 --> 00:53:46,600 Speaker 1: and just thinking is this forever? Is this going to 902 00:53:46,719 --> 00:53:52,239 Speaker 1: be forever? But that's always the funny thing is people go, ah, 903 00:53:52,680 --> 00:53:55,000 Speaker 1: how fun, and then they come visit and they're like, wait, 904 00:53:55,080 --> 00:53:58,480 Speaker 1: this is gross. You're like yeah, And I'm wearing a 905 00:53:58,520 --> 00:54:00,800 Speaker 1: cashmere sweater and a leather jack it because this is 906 00:54:00,840 --> 00:54:13,000 Speaker 1: going to air in October. Mmmm so hot. Dianna has 907 00:54:13,000 --> 00:54:15,920 Speaker 1: a listener question. She says, one of my favorite and 908 00:54:15,960 --> 00:54:19,000 Speaker 1: most quotable episodes of season one, episode six, Every Night 909 00:54:19,120 --> 00:54:22,800 Speaker 1: is another story Girl. Same. She says, do you remember 910 00:54:23,160 --> 00:54:29,560 Speaker 1: a specific monologue that really stuck with you from this episode? Nathan, Yeah, 911 00:54:30,680 --> 00:54:34,200 Speaker 1: I agree. I mean that the rectangle plus one is 912 00:54:34,239 --> 00:54:40,680 Speaker 1: the comedic end of the spectrum. It is all the exposition, 913 00:54:40,920 --> 00:54:43,520 Speaker 1: it's all the catching up that the audience that was 914 00:54:43,680 --> 00:54:49,560 Speaker 1: finally coming to watch us needed delivered perfectly. And then 915 00:54:49,640 --> 00:54:55,160 Speaker 1: the sensitive one. Yeah, Nathan, that's sweet little Bunny getting 916 00:54:55,239 --> 00:55:01,560 Speaker 1: kicked in the air. Yeah, he's being willing to reveal something, 917 00:55:02,840 --> 00:55:05,480 Speaker 1: you know. There there were these moments of kindness given 918 00:55:06,520 --> 00:55:09,840 Speaker 1: in the episode, you know, theoretically in the middle of 919 00:55:09,880 --> 00:55:12,160 Speaker 1: the night, when all these people had been on these 920 00:55:12,160 --> 00:55:15,719 Speaker 1: strange adventures together and literally in the middle of the night, 921 00:55:16,280 --> 00:55:18,040 Speaker 1: literally in the middle of the night because we were 922 00:55:18,080 --> 00:55:22,759 Speaker 1: shooting probably four am. And and it makes it all 923 00:55:22,840 --> 00:55:26,160 Speaker 1: the more like you get that pang in your heart 924 00:55:26,200 --> 00:55:28,880 Speaker 1: when the next day at school everyone's just kind of 925 00:55:28,920 --> 00:55:32,839 Speaker 1: looking at each other but separate again they fall back 926 00:55:32,840 --> 00:55:37,560 Speaker 1: into their old ways. So yeah, oh tugs on the heartstrings. 927 00:55:37,800 --> 00:55:42,680 Speaker 1: It sure does, guys, heartes. School was hard, so hard. 928 00:55:43,160 --> 00:55:47,000 Speaker 1: But you want to do the most likely to the 929 00:55:47,040 --> 00:55:54,040 Speaker 1: magical wheel? Is it most likely to play Gladiator? I 930 00:55:54,080 --> 00:55:59,160 Speaker 1: said this when you watched it. For this episode most 931 00:55:59,160 --> 00:56:01,480 Speaker 1: likely to get lost than the wilderness, you could have 932 00:56:01,600 --> 00:56:04,840 Speaker 1: done it better. I said that that fight out in 933 00:56:04,880 --> 00:56:08,640 Speaker 1: the wilderness felt most like my high school experience because 934 00:56:08,920 --> 00:56:11,360 Speaker 1: I remember, like our basketball game. I actually got a 935 00:56:11,400 --> 00:56:15,000 Speaker 1: text from one of my classmates mothers on Facebook or 936 00:56:15,040 --> 00:56:19,080 Speaker 1: Facebook friends, and she goes, um, I remember like the 937 00:56:19,080 --> 00:56:21,719 Speaker 1: cops getting called to our basketball game because they thought 938 00:56:21,760 --> 00:56:24,239 Speaker 1: that the park few kids were going to rumble with 939 00:56:24,280 --> 00:56:26,680 Speaker 1: like the kids from like deeper in the county. And 940 00:56:26,719 --> 00:56:29,480 Speaker 1: I was like, I'm so glad you reminded me of that. 941 00:56:29,480 --> 00:56:32,640 Speaker 1: That is my high school experience. Like this, fights in 942 00:56:32,680 --> 00:56:37,680 Speaker 1: the woods, get lost in the wilderness? Which character and 943 00:56:37,680 --> 00:56:41,360 Speaker 1: then which real life person? What are we thinking is 944 00:56:41,400 --> 00:56:44,480 Speaker 1: this one? Brooke? I'm I'm pretty sure this one's probably. 945 00:56:45,520 --> 00:56:48,000 Speaker 1: I mean, she kind of was lost in the wilderness, guys, 946 00:56:49,560 --> 00:56:52,200 Speaker 1: hearing birds. But you know the thing about Brooke is 947 00:56:52,200 --> 00:56:54,680 Speaker 1: though she seemed to like like they were just angels 948 00:56:54,680 --> 00:56:56,200 Speaker 1: shining on her all the time. It seemed like things 949 00:56:56,200 --> 00:56:59,240 Speaker 1: just worked out. So you know, I feel like somehow 950 00:56:59,440 --> 00:57:01,560 Speaker 1: she would have she would have found her way out 951 00:57:01,680 --> 00:57:04,799 Speaker 1: of the woods, for sure. I agree with Yeah, I 952 00:57:04,840 --> 00:57:07,680 Speaker 1: like that. It's like snow white. You know, you just 953 00:57:07,760 --> 00:57:11,520 Speaker 1: kind of like into this place and let these men 954 00:57:11,600 --> 00:57:13,400 Speaker 1: that are going to take care of me and test 955 00:57:14,239 --> 00:57:22,280 Speaker 1: perfect build me a house. And then there's me who 956 00:57:22,360 --> 00:57:25,120 Speaker 1: was an actual camp counselor who led other people's children 957 00:57:25,160 --> 00:57:27,440 Speaker 1: out of the woods. So you still do that stuff. 958 00:57:27,440 --> 00:57:30,040 Speaker 1: You're always like in Montana in a river up to 959 00:57:30,080 --> 00:57:34,800 Speaker 1: your like fishing like it's true. Yeah, that's true. Deal, 960 00:57:35,240 --> 00:57:39,040 Speaker 1: you don't get lost. Who gets out of our club? 961 00:57:42,040 --> 00:57:43,840 Speaker 1: I mean who if we had to go back places 962 00:57:43,920 --> 00:57:51,120 Speaker 1: for I'm trying to think, well, well, what would that. 963 00:57:51,400 --> 00:57:53,520 Speaker 1: There are some stories that are just not appropriate for 964 00:57:53,560 --> 00:57:57,880 Speaker 1: public consumption. So you guys, it's Lee, It's Lee. It's 965 00:57:57,880 --> 00:58:01,560 Speaker 1: a huntresently Norris. We've had to get Lee out of 966 00:58:01,600 --> 00:58:05,360 Speaker 1: some hairy situation. Yeah, oh my gosh, I was gonna 967 00:58:05,400 --> 00:58:06,840 Speaker 1: tell a story and then was like, Nope, you can't 968 00:58:06,840 --> 00:58:09,120 Speaker 1: do that, but yeah, it's late. You guys should know 969 00:58:09,200 --> 00:58:11,520 Speaker 1: that leon Nora's is the most fun Saturday night you'll 970 00:58:11,560 --> 00:58:14,760 Speaker 1: ever have in your whole life. And truly sometimes you 971 00:58:14,760 --> 00:58:20,480 Speaker 1: have to double back to make sure. Yeah yeah, our 972 00:58:20,520 --> 00:58:22,880 Speaker 1: Instagram followers have a verdict on how many times we 973 00:58:22,960 --> 00:58:26,400 Speaker 1: crashed the comment, which, by the way, all Peyton almost 974 00:58:26,440 --> 00:58:28,480 Speaker 1: crashed it in this episode, so it could have been 975 00:58:28,680 --> 00:58:32,520 Speaker 1: that the comment that was the bug alight? New question? 976 00:58:33,240 --> 00:58:38,919 Speaker 1: How many how many total cars did we crash on 977 00:58:38,960 --> 00:58:43,400 Speaker 1: this show because we all driving each other's car? So 978 00:58:43,440 --> 00:58:48,640 Speaker 1: many question? But the comet was only crashed twice. Thank 979 00:58:48,640 --> 00:58:52,280 Speaker 1: you for your wo Nathan in season one and again 980 00:58:52,320 --> 00:58:55,600 Speaker 1: with Peyton in season six. Guys, you all are the best. 981 00:58:56,400 --> 00:58:59,360 Speaker 1: We do so many takes that it feels like we crashed. 982 00:58:59,560 --> 00:59:02,640 Speaker 1: I mean we we crashed it like dozens of times 983 00:59:02,800 --> 00:59:08,360 Speaker 1: each time you guys saw it once, so yeah boom. Well, 984 00:59:08,360 --> 00:59:09,920 Speaker 1: thank you guys for tuning in. I know this was 985 00:59:09,960 --> 00:59:12,200 Speaker 1: a long one, but we we all loved this episode 986 00:59:12,280 --> 00:59:14,240 Speaker 1: so much. We're not going to talk your your ear 987 00:59:14,280 --> 00:59:21,160 Speaker 1: off this much. Uh on a regular basis, We've got 988 00:59:21,200 --> 00:59:26,320 Speaker 1: all We've got so much upness and scrappling going on 989 00:59:26,360 --> 00:59:30,240 Speaker 1: around here. We have lots and lots Wait, you guys, 990 00:59:30,440 --> 00:59:33,800 Speaker 1: I say I saved something the other day that feels 991 00:59:33,840 --> 00:59:37,720 Speaker 1: really relevant to show you. So this does relate to 992 00:59:37,720 --> 00:59:41,479 Speaker 1: the last episode, but it still feels fresh in my heart. 993 00:59:41,960 --> 00:59:45,480 Speaker 1: We were talking obviously about Haley's hat in the last episode, 994 00:59:45,880 --> 00:59:48,800 Speaker 1: and we got a tweet from a lovely gal named 995 00:59:48,880 --> 00:59:52,560 Speaker 1: Noel who said, my theory are the Hailey hat situation 996 00:59:52,640 --> 00:59:55,200 Speaker 1: is they were trying to sneak in some Joey Potter 997 00:59:55,280 --> 01:00:00,880 Speaker 1: Dawson's creep vibes. Look at this side by side of y'all. 998 01:00:01,240 --> 01:00:05,440 Speaker 1: So I saved this and then so there's how do 999 01:00:05,480 --> 01:00:07,640 Speaker 1: I do this? On There's Katie, There's Katie and a 1000 01:00:07,720 --> 01:00:14,800 Speaker 1: hat and then your hat to the same costumor on 1001 01:00:14,880 --> 01:00:22,000 Speaker 1: both shows. Yes, she was, I'm almost totally before. Yeah, 1002 01:00:22,120 --> 01:00:27,320 Speaker 1: Lee was season one in season two. Yeah, well they 1003 01:00:27,400 --> 01:00:31,480 Speaker 1: died Haylor, Katie's had a different color, and or they 1004 01:00:31,520 --> 01:00:35,680 Speaker 1: just all bought everything at the same shop downtown. That 1005 01:00:35,760 --> 01:00:38,400 Speaker 1: feels right. Yeah, well we had a couple of places 1006 01:00:38,480 --> 01:00:41,080 Speaker 1: to go. But I kind of loved it. So really, 1007 01:00:41,120 --> 01:00:42,920 Speaker 1: the whole reason I wanted to talk about that and 1008 01:00:43,040 --> 01:00:44,880 Speaker 1: you know, show it to people on the video portion 1009 01:00:45,560 --> 01:00:48,240 Speaker 1: is to say thank you to our listeners for your 1010 01:00:48,240 --> 01:00:51,840 Speaker 1: excellent internet slew thing, because you are finding things that 1011 01:00:52,320 --> 01:00:56,800 Speaker 1: really help us out. Are so cool. Thank you. Alright, guys, 1012 01:00:56,840 --> 01:00:59,480 Speaker 1: we got another episode next week. We can have a 1013 01:00:59,600 --> 01:01:04,919 Speaker 1: few beautiful week Goodbye, Bay, Hey, thanks for listening. Don't 1014 01:01:04,960 --> 01:01:07,320 Speaker 1: forget to leave us a review. You can also follow 1015 01:01:07,400 --> 01:01:10,760 Speaker 1: us on Instagram at Drama Queens O t H. Or 1016 01:01:11,040 --> 01:01:14,560 Speaker 1: email us at Drama Queens at I heart radio dot com. 1017 01:01:15,080 --> 01:01:18,959 Speaker 1: See you next time. We are all about that high 1018 01:01:18,960 --> 01:01:22,480 Speaker 1: school drama. Girl drama girl, all about them high school queens. 1019 01:01:23,240 --> 01:01:25,439 Speaker 1: We'll take you for a ride at our comic girl 1020 01:01:26,240 --> 01:01:30,600 Speaker 1: cheering for the right drama Queens. Draw my up girl fashion, 1021 01:01:30,640 --> 01:01:32,840 Speaker 1: but your tough girl, you can sit with us. Girl 1022 01:01:33,000 --> 01:01:37,080 Speaker 1: Drama Queens, Drama, Queens Drama, Queen's Drama, Drama, Queen's Drama, 1023 01:01:37,160 --> 01:01:37,640 Speaker 1: Queen's