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Speaker 1: So it's me and Bob wilt Fong and uh Dan

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Speaker 1: back at all and we're all out there. Yes, I know,

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Speaker 1: I know you guys have your ros, That's what I say.

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Speaker 1: But we are just doing the real news, just for

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Speaker 1: each other, just in the park, doing the real news.

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Speaker 2: And I turn around, can I say, hmm before you

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Speaker 2: turn around, that's what you have to do now is

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Speaker 2: you have to go into the park to do it.

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Speaker 1: But yes, well you do now without at the time

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Speaker 1: it was a little more common because this was a

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Speaker 1: few years back. But we turn around and who's peeking

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Speaker 1: out of a trash can spine and it's and it's

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Speaker 1: job John. And he goes, this could be a show. Yeah,

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Speaker 1: and and and I go, we see you, John, Yeah,

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Speaker 1: And he says, that's pretty funny you doing the news

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Speaker 1: like that. And I go, well, it's not for that, John,

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Speaker 1: We're not doing it for that reason. Like we just

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Speaker 1: all come here, we chop it up about the day's events,

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Speaker 1: meet Dan and Bob, yeah, three dudes. And John goes, okay, okay, yeah,

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Speaker 1: I won't make it a show.

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Speaker 2: What do you think he did?

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Speaker 3: So?

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Speaker 2: I think what he did was he went and did

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Speaker 2: the show, did a big show, the real news. Yeah,

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Speaker 2: and Bob and Dan forgive him mediately. Yeah. So was

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Speaker 2: that helpful before when I was taking you down a

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Speaker 2: different track of like, oh, you have to do the

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Speaker 2: real news in the park now because like it's not

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Speaker 2: safe other places. Well, you wanted it to be a

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Speaker 2: long time ago.

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Speaker 1: Uh Huh? Did I like that? I guess I could

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Speaker 1: have stopped telling the story I was telling and just

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Speaker 1: flored the idea of how restrictive we are these days

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Speaker 1: and how you can't talk about the news anywhere except

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Speaker 1: you can go to the park with your friends and

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Speaker 1: they gotta be jacked.

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Speaker 2: Hey, welcome to.

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Speaker 1: Kicking in the back always this industry we call show.

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Speaker 2: We got dirs.

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Speaker 1: What what Hey?

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Speaker 4: Guys?

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Speaker 1: Good to be backs man, Good to have you back.

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Speaker 1: Jesus took us long enough.

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Speaker 2: It's been after it's been a couple of years. Yeah,

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Speaker 2: But I look at your face, and I wonder, is

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Speaker 2: it was it a couple of years going back in

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Speaker 2: time instead?

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Speaker 1: Yes? Because of how fresh faced you look so good?

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Speaker 4: I got a Brocolini scrub.

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Speaker 3: Oh and if you don't know what I'm talking about,

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Speaker 3: you better start knowing, because it's the answer.

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Speaker 1: It's about time. Yeah, broccolini scrub Yeah, I have that

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Speaker 1: with lamb chops.

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Speaker 2: People think it's like, oh, you like blend up some

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Speaker 2: broccolini and like scrub down interface.

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Speaker 3: No, the broccolini is the scrub. It looks like a scrubber.

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Speaker 3: It's like, have you been to Venice? They're doing this, Yes,

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Speaker 3: this is the thing.

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Speaker 1: Yes, And I'm so pissed off that some of our

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Speaker 1: listeners haven't been to Venice. And it's like, why are

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Speaker 1: we doing the show if you're not going to meet

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Speaker 1: us halfway and go to Venice for a minute.

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Speaker 2: And you can't just.

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Speaker 3: Hang in central city where the business is going down.

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Speaker 3: You got to go where the creatives are. Your Venice

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Speaker 3: is your culver city. I don't know if you guys

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Speaker 3: have been there. It is popping off.

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Speaker 2: That's where the real creative energy is. There's no suits.

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Speaker 4: No, I'm ad a sculptor.

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Speaker 3: Wow, different mixed media.

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Speaker 1: Oh so uh you know city man, that's in sun

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Speaker 1: right now.

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Speaker 4: And we're working on a pilot idea.

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Speaker 2: About the sculpture.

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Speaker 1: Yeah yeah, yeah, yeah, you're working on it with the.

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Speaker 4: Clean that's what's working on right now.

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Speaker 3: Yeah.

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Speaker 1: Wow, ship man, you know you should get clay Achem

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Speaker 1: it's not bad.

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Speaker 3: I think he's wrapped up politically, but you know that's

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Speaker 3: just me.

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Speaker 4: I don't want to do it. I don't want to

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Speaker 4: dip into politics.

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Speaker 1: They'll save it for the park, please, yes, no, yeah,

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Speaker 1: that's for the park. You can't put it in your

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Speaker 1: work anymore because they make you go to jail.

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Speaker 2: Can I just say, before we get too far into this,

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Speaker 2: I can feel Ryan wanting to like jump in on

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Speaker 2: these ideas and engineer Ryan. He wasn't around last time

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Speaker 2: you were on here. I do want to explain something

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Speaker 2: about him feels weird, feels different. He's a famehrre not great.

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Speaker 1: Yeah, he's so desperate for attention. Yes, And every time

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Speaker 1: we uh start a podcast, he finds something where it's

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Speaker 1: like I got to fix the micros and he gets

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Speaker 1: in everybody's business. It winds up. You probably have a

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Speaker 1: business card in your pocket because I without a doubt

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Speaker 1: doo yeah, because Ryan will slide woman in there when

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Speaker 1: he gets up close.

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Speaker 2: At every time we initiate a bit, Ryan like wants

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Speaker 2: to take ownership of it and mold it into something.

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Speaker 2: Is that a real business card?

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Speaker 4: Just came from a meeting? Guys?

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Speaker 2: Wow? But I do it.

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Speaker 4: Pret shit, you squeeze me in.

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Speaker 2: And you just put it loose.

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Speaker 1: Guys, this guy's as real as it gets.

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Speaker 3: I left my holder at home. Oh okay, your.

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Speaker 1: Metal I use them as bookmarks in my scripts.

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Speaker 3: Wow.

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Speaker 1: As I'm reading a script, I just will take out

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Speaker 1: one of the many business cards from the meetings and

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Speaker 1: I'll just mark off. See.

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Speaker 3: And this is this is always fun to talk about

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Speaker 3: because for me, if I don't read it all the

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Speaker 3: way through in one sitting, obviously it didn't win me over.

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Speaker 4: I'm not into it. I throw it out.

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Speaker 2: This is so fun to talk about. This is always

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Speaker 2: fun to talk about.

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Speaker 1: Yes, no, you are a one sitting read it guy,

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Speaker 1: and I'm someone who goes Maybe the way I felt

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Speaker 1: about that script was related to my mood, so I

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Speaker 1: had going on that day. So let me go read

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Speaker 1: the second half on another day where I've had a

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Speaker 1: different meal, maybe where maybe I did legs.

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Speaker 2: Sure for me, I know my processes. I'll read a

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Speaker 2: couple of pages and then I'll have like a big

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Speaker 2: like itch. I'll have to like itch myself all the

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Speaker 2: way over. Uh, and so that I have to put

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Speaker 2: the script away and sit on let it marint it

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Speaker 2: for a bit and like really like itch, that's your thing,

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Speaker 2: because remember.

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Speaker 3: We the the two Rivers, the Fork Rivers.

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Speaker 2: We both read the Fork Rivers.

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Speaker 3: I threw it out and you said, had me itchin?

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Speaker 2: Yes, and that it doesn't matter what the quality of

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Speaker 2: the script, whether or not I'm gonna itch. Yeah, No

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Speaker 2: matter what, I'm gonna have a big, bad human being.

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Speaker 1: And yeah, he has a special blanket that he has

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Speaker 1: to get inside.

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Speaker 2: I have to sort of I get it in one

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Speaker 2: end and then I roll myself up in it, and

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Speaker 2: then I rolled the whole thing around the room.

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Speaker 3: And as a writer myself, you know, I don't want

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Speaker 3: a robot reading my scripts like that. I want I

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Speaker 3: want a human to feel and connect. Yes, with the

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Speaker 3: exception of a few scripts I have written about robots, right, well,

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Speaker 3: that's a different that's that's different.

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Speaker 4: I'm not talking about that.

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Speaker 2: I want that. I want the perspective of the character.

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Speaker 4: Yes, yes, oh my god, say just say.

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Speaker 3: With me, characters, Hollywood, are you listening characters season two.

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Speaker 2: Of the Character.

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Speaker 1: Can we get these guys some more stuff?

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Speaker 3: It's it's uh, I don't get me started this this town.

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Speaker 2: So we had stopped talking about Hollywood stuff for a

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Speaker 2: long time and now you're you're you're back, and so

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Speaker 2: we want to do it some more. Let's explore it. Yeah,

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Speaker 2: I don't know why else i'd be here. Yes, mister Hollywood,

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Speaker 2: the kid. Uh. And so what we want to talk

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Speaker 2: about is scripts.

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Speaker 1: We did talk specifically, but specifically something that could really

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Speaker 1: help our audience, which is you're not correcting.

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Speaker 2: And you know I was going to get into that.

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Speaker 2: Oh really, yes, I was just going to say scripts.

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Speaker 2: I was beginning it. Well, never correct We'll never know,

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Speaker 2: but I am.

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Speaker 1: But to clarify what Hayes was saying, and maybe he

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Speaker 1: didn't even know where he was going with, how do

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Speaker 1: you write as a as a young buck? And the

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Speaker 1: biz A noisy spec?

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Speaker 2: I spec you talk about like these one sitting reads

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Speaker 2: that'll take it. You'll like start reading the spec. It

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Speaker 2: will be so noisy that you'll look up and now

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Speaker 2: it's like nighttime. You see my name on the spec.

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Speaker 1: It might get loud.

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Speaker 3: What's funny is you? You asked me, and for years

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Speaker 3: people would say, you did it again?

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Speaker 4: A lot of noise? You got a boomer Yeah, and

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Speaker 4: I didn't. I didn't know why. It's just this is

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Speaker 4: just my gift, I guess.

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Speaker 3: Uh, but a boom exactly, thank you, Boomer.

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Speaker 1: A sisin was attached to a lot of your projects.

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Speaker 2: I remember to.

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Speaker 1: Confuse it.

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Speaker 2: For Boomer. He doesn't do anything.

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Speaker 3: You know, he's huge Korea, He's huge.

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Speaker 2: Yeah.

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Speaker 4: A sisin means warrior.

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Speaker 3: Oh, not directly translated with the sound, so they would

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Speaker 3: say boom or warrior.

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Speaker 4: So he plays really well over.

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Speaker 2: There, not directly translate, but the sound, but.

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Speaker 1: The sound correct. Yes, yes, yes, But so.

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Speaker 4: I would just write these things and it was my gift.

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Speaker 3: But now that I've really sat back and dissected, I

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Speaker 3: think I know why they got the boom huh. And

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Speaker 3: it boils down to just having a take.

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Speaker 2: Yeah, and of course a cuss in the title, well

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Speaker 2: for sure.

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Speaker 3: Yeah.

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Speaker 2: They will never be able to be used in the

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Speaker 2: final script.

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Speaker 3: No, but like when you get that, you go, I'm

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Speaker 3: reading this.

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Speaker 1: Yeah, okay, this guy just about either he doesn't know

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Speaker 1: the rules or he doesn't care about the rules. Either way,

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Speaker 1: I'm interested.

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Speaker 3: Yeah, I even like to put down on the under

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Speaker 3: the contact, I'll put you know my agency, and then

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Speaker 3: one nine hundred go.

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Speaker 4: Fuck yourself, yes, and then I'll say.

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Speaker 3: Uh, good luck call it man. And you know, I'm

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Speaker 3: laughing because that's not even the care anders dot Holm

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Speaker 3: at figure.

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Speaker 4: You're at the.

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Speaker 3: Fuck out dot com, you know. And then they go

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Speaker 3: this guy's an animal.

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Speaker 2: You say fuck in the title the phone number and

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Speaker 2: your name Honders Fuck.

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Speaker 4: Yeah, damn dude.

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Speaker 3: Well it's an attention grabber. It's a it's a shiny

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Speaker 3: sparkly thing. We all like them, yes, okay, and admit it.

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Speaker 2: And I noticed you're wearing a lot of jewelry.

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Speaker 1: Yeah, as you talk about a shiny sparkly thing. Since

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Speaker 1: the last time I met you, Yeah, I have tripled

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Speaker 1: the amount of jewelry that you wear, which.

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Speaker 2: Was already Yeah.

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Speaker 3: My significant other and I thought it would be a

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Speaker 3: good idea to get these nose rings. And I don't

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Speaker 3: see a lot of them, so I'm the guy again.

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Speaker 3: It's like, well we just swore one nine. Yeah, and

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Speaker 3: I got a nose ring.

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Speaker 4: Yeah, oh honors home nose ring.

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Speaker 1: Yeah forgetting.

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Speaker 2: And it's the kind it's like a like a bowl

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Speaker 2: has over the.

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Speaker 4: Oh yeah, I guess it's not on radio.

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Speaker 3: Sorry, I'm used to a very large screen with with

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Speaker 3: a list celebrities.

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Speaker 4: Yeah, this is radio. I should describe it.

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Speaker 3: It is. It is through the middle, like a bowl

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Speaker 3: or a door knocker, a door knocker. Sure, and there's

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Speaker 3: food on it, stop it.

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Speaker 1: And there's a lot of food.

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Speaker 4: Oh yeah, oh yeah, what kind of food?

246
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Speaker 2: Cocktail? Shrimp?

247
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Speaker 3: Okay, you got me. There might be a little shrimps,

248
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Speaker 3: get a little shell on there.

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Speaker 2: Yeah, oh that you can just shoot that right off. Yeah,

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Speaker 2: mostly yeah, I know you did mostly get it. Yeah, yeah,

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Speaker 2: you know it's not there anymore. But I think people

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Speaker 2: will be able to tell it was there, which I

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Speaker 2: think is good.

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Speaker 1: Yeah, you know, it's more parts shinier than the rest.

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Speaker 3: It was gone down.

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Speaker 4: I'm not I'm not embarrassed.

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Speaker 1: No, And that and that is part of what has

258
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Speaker 1: driven you to such access is you are able to

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Speaker 1: just not get embarrassed and go, hey, yeah, I'm using

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Speaker 1: the F word in my script name. Yeah, you know,

261
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Speaker 1: And a lot of people are too shy to do that,

262
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Speaker 1: throw out that fear and pick up a freaking beer.

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Speaker 2: So let's do let's show. Let's give an example of

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00:12:10,440 --> 00:12:12,960
Speaker 2: how this works. How to like take a script that

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00:12:13,160 --> 00:12:20,320
Speaker 2: is quiet, yeah, and like a like a quiet mouse, sleepy,

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Speaker 2: and to add it like to the noise level.

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Speaker 1: Up and crank.

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Speaker 2: So Ryan like, uh so you can like do your

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Speaker 2: like fame horn stuff. What is like a normal idea

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Speaker 2: for a script that you might Please don't try to

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Speaker 2: go crazy on us. This has to be normal.

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Speaker 4: Okay, all right.

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Speaker 3: You're already shooting yourself on the foot with the word normal.

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Speaker 2: That doesn't we're doing. But we're taking I know, I know,

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Speaker 2: but we're taking like a normal you know, I know,

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Speaker 2: you know, And it's my show and it's my idea

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Speaker 2: for the show.

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Speaker 5: Anyway, the the normal idea. We're taking ideas that that

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Speaker 5: normies have and we are making them noisy.

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Speaker 1: Yeah, but I don't just tell you as normal. And

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Speaker 1: you didn't even see that it was when you first

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Speaker 1: stopped him. His eyes were like freaking saucers. The whole

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00:13:22,400 --> 00:13:25,040
Speaker 1: idea is so stupid that I don't know.

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Speaker 3: And he was so scared, like I don't know what

285
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Speaker 3: he could clements.

286
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Speaker 2: Let's back off, let's let him up. What we're saying,

287
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Speaker 2: do your thing? Yeah, yeah, well I was getting ideas

288
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Speaker 2: from Ryan.

289
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Speaker 3: Yeah, that'll be good.

290
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Speaker 2: The whole thing is me So.

291
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Speaker 3: You want to you want a normal whatever that is

292
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Speaker 3: pilot idea from Ryan?

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00:13:48,320 --> 00:13:52,680
Speaker 2: Yes, And now he's had some time to think about it. Okay,

294
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Speaker 2: I didn't want I wanted it to be fast.

295
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Speaker 3: That's what she said, so it would be Uh.

296
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Speaker 2: I heard that.

297
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Speaker 1: Yeah, she said.

298
00:14:02,960 --> 00:14:05,880
Speaker 2: A guy in the Civil War, and we had bj

299
00:14:06,080 --> 00:14:08,839
Speaker 2: on this show. So civil war. I do know about

300
00:14:08,840 --> 00:14:09,440
Speaker 2: that as well.

301
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Speaker 4: Which country this country? America?

302
00:14:12,880 --> 00:14:18,000
Speaker 2: America displays displays all over the world, so specific A

303
00:14:18,040 --> 00:14:22,760
Speaker 2: guy in the Civil War and he, uh, this is

304
00:14:22,960 --> 00:14:25,760
Speaker 2: by the way he got killed. A direction that Ryan

305
00:14:25,800 --> 00:14:28,840
Speaker 2: will often go in his pitches is like sort of

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Speaker 2: relitigating the Civil War and like showing that it wasn't

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Speaker 2: really what people thought it was.

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Speaker 1: I'm just happy he didn't call it the War of

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Speaker 1: Northern Aggression this time.

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Speaker 2: Yes, and that there were like economic factors that like

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Speaker 2: he says, like everyone thinks that it was about this

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Speaker 2: one thing, but it was actually about this other s time.

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Speaker 2: I'm just letting you know, you haven't been here for

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Speaker 2: like this kind Okay, context is everything, Yes, context is

315
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Speaker 2: can I just can't believe how long to this pitch

316
00:14:54,200 --> 00:14:57,560
Speaker 2: is getting. A guy is in the Civil War, he

317
00:14:57,600 --> 00:15:03,160
Speaker 2: gets killed, killed, and then gets brought back to.

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Speaker 1: Life by wizard or bye. Just you can say slave

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Speaker 1: fraud or a slave.

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Speaker 4: You can say he's looking at me. He just mouthed

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Speaker 4: the word.

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Speaker 1: I'm like, you can say it a slave. This is

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Speaker 1: your story, an escape tation slave.

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Speaker 3: Okay, who knows voodoo?

325
00:15:21,760 --> 00:15:28,680
Speaker 1: Pierre brings him back as a an undead zombie to

326
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Speaker 1: use as bait to catch vampires. Oh, this is a

327
00:15:32,200 --> 00:15:35,880
Speaker 1: pretty sleepy idea. I mean, this is the kind of

328
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Speaker 1: thing that slides across your desk. You go this again.

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Speaker 3: Yeah, when you said normal, I was like, that doesn't exist.

330
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Speaker 3: It does here, it is. I guess.

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Speaker 1: I guess we owe as an apology because we did

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Speaker 1: just hear pretty normal. Yes, and I forget how basic

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00:15:50,120 --> 00:15:51,160
Speaker 1: Ryan's ass is.

334
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Speaker 2: But let's put it on blast with the big bass speakers.

335
00:15:58,440 --> 00:16:04,040
Speaker 2: This one goes to eleven. Oh shit, who invited the

336
00:16:04,080 --> 00:16:08,840
Speaker 2: freaking beat master. So the first thing is the title.

337
00:16:09,080 --> 00:16:13,920
Speaker 2: Yours doesn't have one, uh, since the title should be

338
00:16:14,080 --> 00:16:22,200
Speaker 2: something like civil fucking War coma bitch. Yeah, the Civil

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Speaker 2: war bitch.

340
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Speaker 3: This ain't your daddy's Civil war bitch.

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00:16:26,000 --> 00:16:29,520
Speaker 1: Yeah, the fucking slut civil war bitch.

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Speaker 3: The bitch, Oh yeah, the bitch in the Civil War

343
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Speaker 3: zombie bitch.

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Speaker 2: Don't trust this. Don't trust the bitch in the Civil War,

345
00:16:39,280 --> 00:16:42,040
Speaker 2: don't trust the zombie in the Civil War.

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Speaker 1: Bitch, bitch in the yes fucking we got it war.

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Speaker 1: So right away I'm like, Okay, the title works, right,

348
00:16:51,000 --> 00:16:51,920
Speaker 1: and it.

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Speaker 2: Was making me feel like all like like I'm violating

350
00:16:54,600 --> 00:16:58,600
Speaker 2: the rules. Oh no, I'll look around, like can people

351
00:16:58,640 --> 00:16:59,680
Speaker 2: see me reading this?

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00:16:59,680 --> 00:17:04,400
Speaker 1: This is overused, but it gives me all the fields because.

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Speaker 2: I am frightened.

354
00:17:07,040 --> 00:17:10,600
Speaker 1: Literally I am. I am sexually aroused because I know

355
00:17:10,640 --> 00:17:12,080
Speaker 1: there's something slutty happening.

356
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Speaker 3: Bitch.

357
00:17:12,960 --> 00:17:17,320
Speaker 1: I am thinking, yeah, because it's yes, it's civil war,

358
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Speaker 1: so it's history.

359
00:17:19,080 --> 00:17:21,080
Speaker 2: Uh, but I'm mad as hell.

360
00:17:21,080 --> 00:17:26,360
Speaker 1: Because some of the civil wars because misunderstood. Yeah, all right,

361
00:17:26,600 --> 00:17:29,760
Speaker 1: and I have an ego. I can admit that he's human.

362
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Speaker 3: Sorry, yeah again, a good thing.

363
00:17:33,520 --> 00:17:34,480
Speaker 1: I'm working on it.

364
00:17:35,400 --> 00:17:37,679
Speaker 3: Well, we haven't even talked about font.

365
00:17:38,960 --> 00:17:42,560
Speaker 2: Yeah, so yeah, you where you know, we've established that

366
00:17:42,560 --> 00:17:46,679
Speaker 2: that that feel when you read don't Trust the Zombie

367
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Speaker 2: Bitch in the Civil War bitch jump literally all the fields.

368
00:17:51,240 --> 00:17:55,520
Speaker 2: But the font how do we how do we make

369
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Speaker 2: that the like the main font?

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Speaker 4: I mean, well, so for first.

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00:18:00,240 --> 00:18:04,200
Speaker 3: Of all, what I usually do is I'll I'll design

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00:18:04,240 --> 00:18:08,160
Speaker 3: it myself. I'll go to Rooster Blue Rooster Art Supplies,

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Speaker 3: and I'll get a variety of different markers, pens. I'll

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Speaker 3: design my own cover page. Sometimes I'll do the whole

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00:18:14,359 --> 00:18:17,199
Speaker 3: poster just so they can look at it. That's what

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Speaker 3: posters do. You Oh, yeah, you know you got the.

377
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Speaker 4: Dog so with Civil War zombies?

378
00:18:24,760 --> 00:18:24,920
Speaker 1: Right?

379
00:18:25,359 --> 00:18:25,880
Speaker 3: What we got?

380
00:18:25,920 --> 00:18:26,400
Speaker 4: I don't know?

381
00:18:26,680 --> 00:18:28,480
Speaker 3: A giant Confederate flag?

382
00:18:28,760 --> 00:18:29,280
Speaker 1: What's this?

383
00:18:29,600 --> 00:18:31,719
Speaker 3: I don't want this in my opit Wait, what's the title?

384
00:18:33,119 --> 00:18:33,920
Speaker 4: I'll check it out.

385
00:18:34,280 --> 00:18:36,760
Speaker 2: All of a sudden, they got they get it, I

386
00:18:36,840 --> 00:18:38,040
Speaker 2: actually do get it.

387
00:18:38,119 --> 00:18:40,919
Speaker 1: Yeah, next thing, you know, they're hanging a Confederate flag

388
00:18:41,240 --> 00:18:42,080
Speaker 1: in their hole.

389
00:18:42,359 --> 00:18:46,320
Speaker 4: Yes, you know they want to they want to get

390
00:18:46,359 --> 00:18:50,280
Speaker 4: it in this wag. It's a it's I it's like obviously,

391
00:18:50,440 --> 00:18:52,200
Speaker 4: but yeah, I mean yes.

392
00:18:52,119 --> 00:18:57,119
Speaker 2: Yes, yes, the Confederate flag is one hundred uh.

393
00:18:57,160 --> 00:18:59,240
Speaker 1: Well, and it gives and because it gives America all

394
00:18:59,240 --> 00:19:01,880
Speaker 1: the fields and good or bad?

395
00:19:02,080 --> 00:19:02,320
Speaker 3: Good?

396
00:19:02,359 --> 00:19:07,160
Speaker 1: Oh, a lot of bad ones. But isn't that provocative?

397
00:19:07,359 --> 00:19:10,280
Speaker 1: Isn't that interesting? And it is? Isn't it maybe a

398
00:19:10,320 --> 00:19:11,480
Speaker 1: good show? That the Game of Thrones?

399
00:19:11,480 --> 00:19:14,040
Speaker 3: Guys? You do yes, I mean for me, it's like

400
00:19:14,920 --> 00:19:17,760
Speaker 3: it's a good thing because I'm like, oh that that's over.

401
00:19:18,320 --> 00:19:19,840
Speaker 3: Uh huh, that's right, that's done.

402
00:19:19,960 --> 00:19:24,440
Speaker 2: If you can remind me finally, Yes, but what if

403
00:19:24,480 --> 00:19:27,040
Speaker 2: maybe what if some what if there were ramifications of

404
00:19:27,119 --> 00:19:28,360
Speaker 2: it still to this day?

405
00:19:28,440 --> 00:19:32,800
Speaker 1: Yeah, I imagine that strange world. You go down a

406
00:19:32,800 --> 00:19:33,480
Speaker 1: real rabbit hole.

407
00:19:33,560 --> 00:19:34,280
Speaker 4: Keep reading.

408
00:19:34,720 --> 00:19:36,000
Speaker 2: Yeah, I actually read it.

409
00:19:36,680 --> 00:19:38,080
Speaker 4: Here's what I'd like to do for a pilot.

410
00:19:38,480 --> 00:19:44,240
Speaker 3: Sometimes I will just send out, uh, page seventeen and on. Yeah,

411
00:19:44,280 --> 00:19:46,600
Speaker 3: and then at the at the right after it says

412
00:19:46,880 --> 00:19:50,520
Speaker 3: end of show below that I say you want more

413
00:19:50,720 --> 00:19:53,680
Speaker 3: called the number bitch at the beginning.

414
00:19:53,960 --> 00:19:59,160
Speaker 1: You want to go fuck yourself. Dude, so sick because

415
00:19:59,160 --> 00:20:00,639
Speaker 1: you drop them right in the middle.

416
00:20:00,800 --> 00:20:03,000
Speaker 2: And then they're just like, how the ship did I

417
00:20:03,040 --> 00:20:03,440
Speaker 2: get here?

418
00:20:03,480 --> 00:20:03,960
Speaker 3: And the number?

419
00:20:04,560 --> 00:20:06,960
Speaker 1: Am I right? And who's doing this?

420
00:20:07,280 --> 00:20:10,960
Speaker 2: And the number is fake? So what I am just curious,

421
00:20:11,000 --> 00:20:13,000
Speaker 2: like where it goes from there? Usually when you when

422
00:20:13,040 --> 00:20:13,800
Speaker 2: you do that.

423
00:20:14,000 --> 00:20:16,399
Speaker 4: Well, my name is real, and you know they but the.

424
00:20:16,760 --> 00:20:18,480
Speaker 2: Name on his anders fuck.

425
00:20:20,800 --> 00:20:22,600
Speaker 4: But there's no other Omors in town.

426
00:20:23,080 --> 00:20:26,240
Speaker 2: Oh okay, so they know, yes, that no that I know.

427
00:20:26,760 --> 00:20:29,040
Speaker 2: That's I'm just asking so other people can know.

428
00:20:29,200 --> 00:20:31,720
Speaker 1: It's harder for Haze to do because Hayes MacArthur.

429
00:20:32,720 --> 00:20:34,480
Speaker 4: Yeah, so there's one or two and they're like, hey,

430
00:20:34,640 --> 00:20:35,680
Speaker 4: heyes MacArthur.

431
00:20:35,280 --> 00:20:38,280
Speaker 2: Do this, and they will say yes I did. If

432
00:20:38,280 --> 00:20:41,480
Speaker 2: people say heyes, probably they usually default that Haes Macarthy.

433
00:20:41,600 --> 00:20:44,040
Speaker 3: And you know there's a story on Angie Tribeca that

434
00:20:44,119 --> 00:20:45,439
Speaker 3: seems pretty familiar.

435
00:20:46,200 --> 00:20:50,639
Speaker 1: Yeah, in the vampires zombie uh beating up a slave

436
00:20:50,800 --> 00:20:54,800
Speaker 1: or whatever. Yeah, not whatever, that's Ryan's idea. I mean,

437
00:20:54,840 --> 00:20:56,800
Speaker 1: I don't know if it really makes sense.

438
00:20:57,280 --> 00:20:58,439
Speaker 4: But let's doesn't resonate.

439
00:20:58,560 --> 00:21:02,040
Speaker 1: Let's make it noisier so that people can hear it.

440
00:21:02,880 --> 00:21:05,360
Speaker 1: We've got the right font, We've done the poster at

441
00:21:05,359 --> 00:21:06,560
Speaker 1: Blue Rooster.

442
00:21:07,560 --> 00:21:09,960
Speaker 2: We've got a TV posters so important. I do just

443
00:21:09,960 --> 00:21:12,800
Speaker 2: want to say people don't take enough time designing the

444
00:21:12,840 --> 00:21:16,840
Speaker 2: big poster for when people go to like the TV

445
00:21:17,840 --> 00:21:20,640
Speaker 2: feed or when you choose your TV for the week. Yeah,

446
00:21:20,800 --> 00:21:22,800
Speaker 2: the poster is what's making the sale.

447
00:21:22,960 --> 00:21:26,200
Speaker 3: Yeah, look at Netflix and the success it's having because

448
00:21:26,240 --> 00:21:28,720
Speaker 3: it's got little I guess they call them thumbnails. Those

449
00:21:28,760 --> 00:21:32,440
Speaker 3: are movie posters, just really tiny. Okay, yeah, those aren't thumbnails.

450
00:21:32,480 --> 00:21:34,679
Speaker 4: Those are tiny movie Yeah, those are tiny posters.

451
00:21:34,760 --> 00:21:38,800
Speaker 1: Back on all the TV posters of my favorite TVs

452
00:21:39,160 --> 00:21:40,480
Speaker 1: and I just.

453
00:21:40,720 --> 00:21:41,760
Speaker 4: Are you thinking what I'm thinking?

454
00:21:41,960 --> 00:21:42,600
Speaker 1: Yeah?

455
00:21:42,840 --> 00:21:45,320
Speaker 4: One, two, three, my guy guy.

456
00:21:45,680 --> 00:21:48,360
Speaker 1: See yes, yeah, yes, And.

457
00:21:48,320 --> 00:21:49,760
Speaker 2: You also have to be thinking about what you want

458
00:21:49,760 --> 00:21:51,160
Speaker 2: to hang in your office.

459
00:21:51,840 --> 00:21:54,280
Speaker 4: Oh you still stuff?

460
00:21:55,119 --> 00:21:58,880
Speaker 3: Yeah, okay, there's another lesson for you.

461
00:21:58,440 --> 00:21:59,760
Speaker 4: Uh, I mean no heads out here.

462
00:22:00,160 --> 00:22:02,879
Speaker 3: You don't hang it, keep it wrapped up and you

463
00:22:03,040 --> 00:22:04,040
Speaker 3: lean it against.

464
00:22:03,800 --> 00:22:08,359
Speaker 4: The wall on the floor. Guess what time? Thank you.

465
00:22:08,320 --> 00:22:10,400
Speaker 4: You're in Vancouver working.

466
00:22:10,680 --> 00:22:12,320
Speaker 1: Just got into this space. I'd love to make it

467
00:22:12,320 --> 00:22:14,000
Speaker 1: feel a little homey at some point.

468
00:22:14,119 --> 00:22:17,080
Speaker 3: Right, I've only been here six years because I'm continuously working,

469
00:22:17,160 --> 00:22:19,399
Speaker 3: but I'm always busy, never hanging.

470
00:22:19,600 --> 00:22:21,520
Speaker 2: Yeah, I do it, and I'm not going to make

471
00:22:21,560 --> 00:22:22,480
Speaker 2: my assistant do it.

472
00:22:22,680 --> 00:22:25,280
Speaker 3: No, I literally.

473
00:22:25,040 --> 00:22:26,760
Speaker 1: Don't make my assistant do anything.

474
00:22:26,640 --> 00:22:27,720
Speaker 4: Because you promote them with it.

475
00:22:28,400 --> 00:22:28,760
Speaker 3: You keep that.

476
00:22:28,920 --> 00:22:30,000
Speaker 2: And they're your best friend.

477
00:22:30,520 --> 00:22:30,960
Speaker 1: Oh yeah.

478
00:22:31,280 --> 00:22:35,120
Speaker 2: And they're my cousin and they talk to you. They're

479
00:22:35,359 --> 00:22:38,280
Speaker 2: very bead to you. Oh god, they talk to you

480
00:22:38,400 --> 00:22:39,720
Speaker 2: like a very nasty way.

481
00:22:39,600 --> 00:22:41,800
Speaker 1: They treat me like ship, and they ruin a lot

482
00:22:41,800 --> 00:22:42,679
Speaker 1: of what I'm involved in.

483
00:22:43,320 --> 00:22:44,480
Speaker 4: For me, it's a two way street.

484
00:22:44,600 --> 00:22:45,119
Speaker 1: M hm.

485
00:22:47,240 --> 00:22:49,080
Speaker 2: And my cousin's very stupid.

486
00:22:49,680 --> 00:22:49,840
Speaker 3: Huh.

487
00:22:50,119 --> 00:22:52,879
Speaker 2: Yes, But they get to be involved in everything.

488
00:22:53,480 --> 00:22:55,000
Speaker 3: Yes, their marketing.

489
00:22:56,119 --> 00:22:57,360
Speaker 2: Yeah, good for him.

490
00:22:57,680 --> 00:23:00,760
Speaker 4: Her Sorry nervous.

491
00:23:01,640 --> 00:23:03,600
Speaker 1: We don't really have those labels anymore.

492
00:23:04,200 --> 00:23:10,840
Speaker 3: That totally understandable, she identified, take a moment.

493
00:23:11,680 --> 00:23:13,359
Speaker 4: I just want to make sure this is clear.

494
00:23:13,960 --> 00:23:17,240
Speaker 3: I am sorry, I asked please.

495
00:23:17,480 --> 00:23:21,080
Speaker 1: Uh. There are no stupid questions, but there are very

496
00:23:21,160 --> 00:23:23,520
Speaker 1: rude questions that are very wrong, and you should get

497
00:23:23,560 --> 00:23:25,760
Speaker 1: in trouble for I know that wasn't your intention, but

498
00:23:26,000 --> 00:23:29,760
Speaker 1: she identifies as a freak show. That's what she wants

499
00:23:29,800 --> 00:23:36,480
Speaker 1: to be called. So so when you suspect respect him her, it's.

500
00:23:36,359 --> 00:23:40,640
Speaker 3: Like, I'm that sorry, sorry about that.

501
00:23:41,200 --> 00:23:43,560
Speaker 2: Hey, I'm not pissed off.

502
00:23:44,760 --> 00:23:47,720
Speaker 1: I'm scared as hell, sure for you because this is recorded,

503
00:23:48,680 --> 00:23:49,200
Speaker 1: you know what I mean?

504
00:23:49,240 --> 00:23:51,040
Speaker 4: And you a question to.

505
00:23:51,119 --> 00:23:56,200
Speaker 3: Get ahead of it, and and just I I heard it,

506
00:23:56,800 --> 00:23:57,440
Speaker 3: and I'm.

507
00:23:57,280 --> 00:23:59,920
Speaker 1: Sorry, And you know you're in a position people admire you,

508
00:24:01,000 --> 00:24:05,240
Speaker 1: so maybe it's time to listen. You think about that

509
00:24:06,680 --> 00:24:09,840
Speaker 1: point taking, I'll call off my dogs here.

510
00:24:12,000 --> 00:24:14,879
Speaker 2: The do you want to clear? Just like that, she

511
00:24:15,040 --> 00:24:19,720
Speaker 2: identifies as a freak show, but her pronouns are something else.

512
00:24:22,000 --> 00:24:22,760
Speaker 4: That stuff.

513
00:24:23,119 --> 00:24:29,160
Speaker 1: Yeah, Franken Hooker, I mean just that these are what

514
00:24:29,320 --> 00:24:33,800
Speaker 1: I've been asked to use around the office or on set.

515
00:24:35,119 --> 00:24:39,240
Speaker 1: I think that's cool, good, good, well, because maybe the

516
00:24:39,280 --> 00:24:42,520
Speaker 1: problem is how limited we've been that someone is a

517
00:24:42,640 --> 00:24:46,159
Speaker 1: him or her or they identify as male or identifies female,

518
00:24:46,200 --> 00:24:48,919
Speaker 1: And maybe the thing is, let's start being honest, just

519
00:24:48,960 --> 00:24:52,480
Speaker 1: identifying as a mess. That's what I am in.

520
00:24:52,480 --> 00:24:55,400
Speaker 2: My personal life for humans mess.

521
00:24:55,720 --> 00:24:59,439
Speaker 1: Sorry, yeah, we got itchy. We got to take a break,

522
00:25:00,280 --> 00:25:04,920
Speaker 1: you know, So a noisy spec for those who don't know,

523
00:25:05,359 --> 00:25:06,880
Speaker 1: it might be a good time to explain.

524
00:25:07,040 --> 00:25:09,080
Speaker 2: Now it is a good time to really explain what

525
00:25:09,119 --> 00:25:09,760
Speaker 2: we're talking about.

526
00:25:09,760 --> 00:25:12,439
Speaker 1: It is a pilot script someone writes that gets a

527
00:25:12,480 --> 00:25:15,359
Speaker 1: lot of people in the industry talking. And it's not

528
00:25:15,480 --> 00:25:20,480
Speaker 1: always an original idea, like Ryan's very basic idea from

529
00:25:20,640 --> 00:25:26,200
Speaker 1: the normy about some super boring voodoo Haitian slave, yeah,

530
00:25:26,240 --> 00:25:32,359
Speaker 1: resurrecting soldier. Sometimes they're based on shows that exist, So

531
00:25:32,440 --> 00:25:37,200
Speaker 1: you might take a show that you like, what's something

532
00:25:37,240 --> 00:25:37,720
Speaker 1: I'm watching?

533
00:25:37,800 --> 00:25:40,840
Speaker 2: Let's do I mean, we should say a real famous

534
00:25:41,040 --> 00:25:46,440
Speaker 2: really noisy spec was that Friends one where they all

535
00:25:46,640 --> 00:25:50,080
Speaker 2: got a and everyone is like, oh, that's like that's

536
00:25:50,119 --> 00:25:53,159
Speaker 2: like very offensive. But keep in mind that this was

537
00:25:53,520 --> 00:25:55,920
Speaker 2: from the time when more people had.

538
00:25:55,720 --> 00:25:59,639
Speaker 1: As Yes, it is offensive to suggest that all of

539
00:25:59,680 --> 00:26:02,520
Speaker 1: them could have gotten it because of how much we

540
00:26:02,600 --> 00:26:04,439
Speaker 1: know about it now, but at the time a lot

541
00:26:04,480 --> 00:26:05,399
Speaker 1: of people were getting it.

542
00:26:05,680 --> 00:26:06,520
Speaker 4: Yeah, science is in.

543
00:26:07,640 --> 00:26:11,800
Speaker 3: Is it weird to let you guys know I wrote that, Oh.

544
00:26:11,359 --> 00:26:16,800
Speaker 1: Wow, okay because I made the presence of a celebuta wow.

545
00:26:16,640 --> 00:26:18,760
Speaker 2: That because it was credited at the time it just

546
00:26:18,760 --> 00:26:21,760
Speaker 2: said by the Mary Prankster that was you.

547
00:26:22,280 --> 00:26:22,680
Speaker 4: Yeah.

548
00:26:22,720 --> 00:26:27,119
Speaker 3: So in high school everyone called me Mary long story

549
00:26:27,240 --> 00:26:29,240
Speaker 3: and then I was like, well, you know what, And

550
00:26:29,240 --> 00:26:31,919
Speaker 3: then I started doing pranks and then Mary Prankster.

551
00:26:32,880 --> 00:26:35,800
Speaker 2: H yeah, m a r y prankster.

552
00:26:36,119 --> 00:26:38,680
Speaker 3: Yeah, yes, And I don't know if let me show

553
00:26:38,680 --> 00:26:41,720
Speaker 3: you on my phone here, I have a photo ship.

554
00:26:41,960 --> 00:26:45,480
Speaker 1: Phone's huge mainly Oh my god, it's so beat up.

555
00:26:47,400 --> 00:26:48,960
Speaker 4: Well it's my third phone.

556
00:26:48,960 --> 00:26:54,640
Speaker 3: Oh my god, there's there's a lot of shrimp on it.

557
00:26:55,320 --> 00:27:00,720
Speaker 2: Yeah, it does look like it is most a plate.

558
00:27:02,280 --> 00:27:05,880
Speaker 3: Yeah, you know, I don't need this right now.

559
00:27:06,359 --> 00:27:07,840
Speaker 1: Okay.

560
00:27:08,480 --> 00:27:11,160
Speaker 3: I had a lunch meeting. I had a lunch meeting.

561
00:27:11,760 --> 00:27:17,199
Speaker 3: It was with a very important client mm hmm. Clientele

562
00:27:17,560 --> 00:27:22,240
Speaker 3: was important. And yeah I had trimp and the shrimp

563
00:27:22,840 --> 00:27:26,440
Speaker 3: was good. So what'd you have for luncheon?

564
00:27:27,560 --> 00:27:29,399
Speaker 1: Oh?

565
00:27:29,440 --> 00:27:32,159
Speaker 3: Yeah, I didn't think so I didn't think so, okay,

566
00:27:32,200 --> 00:27:33,639
Speaker 3: that's fair, Hayes.

567
00:27:34,200 --> 00:27:36,040
Speaker 2: You who were you with?

568
00:27:36,160 --> 00:27:37,280
Speaker 4: Who'd you have lunch with?

569
00:27:38,359 --> 00:27:47,000
Speaker 2: I brought it here. I was hoping to maybe doing

570
00:27:47,000 --> 00:27:50,439
Speaker 2: the record. But I've heard that this is like a

571
00:27:50,440 --> 00:27:54,040
Speaker 2: good Hollywood tip that like, if you bring a phoe

572
00:27:54,160 --> 00:27:56,800
Speaker 2: that's so big it can be a plate. You can

573
00:27:56,880 --> 00:28:01,159
Speaker 2: show up to a restaurant if you shrimp, put it

574
00:28:01,200 --> 00:28:04,359
Speaker 2: on your phone and they'll think that you are just

575
00:28:04,400 --> 00:28:06,920
Speaker 2: like that you're allowed to eat there. But then you

576
00:28:06,960 --> 00:28:07,480
Speaker 2: don't have to.

577
00:28:07,720 --> 00:28:08,480
Speaker 4: Joking your way out of this.

578
00:28:08,520 --> 00:28:11,479
Speaker 3: One man in the business card and talk about my phone,

579
00:28:13,040 --> 00:28:16,159
Speaker 3: You talk about my shrimp, and I'm just supposed to

580
00:28:16,160 --> 00:28:18,600
Speaker 3: be like, yeah, that's that's really funny.

581
00:28:18,840 --> 00:28:21,240
Speaker 1: But the business card you gave me, this is from

582
00:28:21,640 --> 00:28:23,640
Speaker 1: a bus boy at the restaurant.

583
00:28:24,640 --> 00:28:30,080
Speaker 3: Yeah, so nobody, you don't you don't go to a restaurant. No, No, you.

584
00:28:32,200 --> 00:28:34,440
Speaker 4: Don't go to you don't talk to bus boy go.

585
00:28:34,440 --> 00:28:35,800
Speaker 1: To a restaurant. No. I talked.

586
00:28:36,840 --> 00:28:39,400
Speaker 3: How much respect do you have for a bus boy,

587
00:28:39,480 --> 00:28:40,640
Speaker 3: Shawn Clements.

588
00:28:40,240 --> 00:28:43,440
Speaker 1: You honestly want my honest answer about that. On a

589
00:28:43,480 --> 00:28:44,800
Speaker 1: scale of one to ten.

590
00:28:44,880 --> 00:28:47,000
Speaker 4: Yeah, ten being it's off the scale.

591
00:28:47,560 --> 00:28:51,760
Speaker 3: Oh, it's off off the scale engratulation. Yeah, good, it's

592
00:28:51,800 --> 00:28:53,040
Speaker 3: all the way off the scale.

593
00:28:53,240 --> 00:28:55,160
Speaker 1: And if you saw a picture of the scale, you

594
00:28:55,200 --> 00:28:58,400
Speaker 1: would see my respect level way up.

595
00:28:58,120 --> 00:28:59,400
Speaker 2: Over the top of it.

596
00:29:00,160 --> 00:29:01,480
Speaker 4: So it's so it's over.

597
00:29:01,440 --> 00:29:04,880
Speaker 1: I'm wrecking the curve. You hear, it's over it and

598
00:29:04,920 --> 00:29:06,520
Speaker 1: it's to the left of it. Because it's a little

599
00:29:06,560 --> 00:29:07,280
Speaker 1: non traditional.

600
00:29:07,640 --> 00:29:08,240
Speaker 4: I can't wait.

601
00:29:08,240 --> 00:29:10,320
Speaker 3: Till you play this back because I know you listen

602
00:29:10,320 --> 00:29:12,800
Speaker 3: to yourself, because you're fucking in love with yourself. Hazel

603
00:29:12,920 --> 00:29:15,000
Speaker 3: and Haze and I have talked about this in the

604
00:29:15,040 --> 00:29:16,400
Speaker 3: elevator on the way up here. I go, is it

605
00:29:16,440 --> 00:29:18,600
Speaker 3: gonna be another Sean LoveFest? And he goes, that's how

606
00:29:18,640 --> 00:29:21,040
Speaker 3: I pot He goes, what do you think is gonna be?

607
00:29:21,360 --> 00:29:23,760
Speaker 3: It's fucking I didn't say it like that. I genuinely

608
00:29:23,800 --> 00:29:25,840
Speaker 3: wanted to know. Oh my god, And.

609
00:29:25,760 --> 00:29:28,080
Speaker 1: It's how I learn. And you can't get better unless

610
00:29:28,120 --> 00:29:29,560
Speaker 1: you listen to yourself all the time.

611
00:29:29,680 --> 00:29:33,080
Speaker 3: Yeah maybe you, maybe you, yeah, maybe you.

612
00:29:33,400 --> 00:29:35,600
Speaker 1: Maybe you should watch yourself sometimes or just check a

613
00:29:35,640 --> 00:29:37,640
Speaker 1: mirror and see if there is a lot of shrimp

614
00:29:37,960 --> 00:29:42,760
Speaker 1: in your nose ring and on your phone. Because this

615
00:29:42,880 --> 00:29:44,760
Speaker 1: is not the first time we've run into this.

616
00:29:44,840 --> 00:29:47,840
Speaker 3: I don't know if you know this, but I'm an actor, Okay,

617
00:29:48,200 --> 00:29:50,720
Speaker 3: and when I'm off the clock, I don't want to be.

618
00:29:50,680 --> 00:29:51,560
Speaker 4: Looking in the mirror.

619
00:29:51,640 --> 00:29:54,480
Speaker 3: Okay. I do it all day every day for them.

620
00:29:54,600 --> 00:29:57,520
Speaker 2: You're listening mirror show.

621
00:29:58,440 --> 00:29:59,840
Speaker 4: Hello, it's called heron.

622
00:30:00,080 --> 00:30:00,480
Speaker 1: Take up.

623
00:30:01,160 --> 00:30:03,959
Speaker 3: Oh my god, do not make me pull up your

624
00:30:04,000 --> 00:30:07,120
Speaker 3: IMD before you've worked in this town.

625
00:30:07,600 --> 00:30:09,640
Speaker 2: A lot of his jobs are like, dude, A lot

626
00:30:09,640 --> 00:30:11,680
Speaker 2: of his jobs say do that stuff at home.

627
00:30:12,360 --> 00:30:14,080
Speaker 3: They will tell him, oh, yeah.

628
00:30:14,600 --> 00:30:15,680
Speaker 2: I'm having had.

629
00:30:17,720 --> 00:30:19,240
Speaker 4: Having had having had.

630
00:30:19,080 --> 00:30:20,240
Speaker 1: Your hair and makeup done.

631
00:30:20,600 --> 00:30:26,040
Speaker 3: Yeah, well then you wouldn't know. So yeah, got a

632
00:30:26,040 --> 00:30:27,160
Speaker 3: little shrimp on the nose.

633
00:30:28,960 --> 00:30:32,480
Speaker 2: Okay, Okay, this is I know what this is. This

634
00:30:32,600 --> 00:30:40,600
Speaker 2: is Ryan. Ryan's like performative energy. Yes, it does inspire.

635
00:30:40,720 --> 00:30:45,680
Speaker 2: Refusal to just sit there and do his job is

636
00:30:45,720 --> 00:30:46,840
Speaker 2: making everyone tense.

637
00:30:46,920 --> 00:30:50,440
Speaker 1: It generates a competition where now, because I see him

638
00:30:50,480 --> 00:30:56,200
Speaker 1: stealing the spotlight, I want to and.

639
00:30:54,600 --> 00:30:56,720
Speaker 2: And normally we could just have a conversation, but when

640
00:30:56,760 --> 00:30:59,040
Speaker 2: Ryan's here, we have to be doing a show. Because

641
00:30:59,040 --> 00:30:59,800
Speaker 2: that's what Ryan is.

642
00:31:00,400 --> 00:31:03,200
Speaker 4: I can't deny. I'm feeling it, feeling it, and.

643
00:31:03,120 --> 00:31:05,000
Speaker 2: Which is why I'm so glad that Chef Kevin is

644
00:31:05,000 --> 00:31:09,120
Speaker 2: here now, who never wants any attention, and it's just like,

645
00:31:09,960 --> 00:31:11,640
Speaker 2: can barely fucking talk.

646
00:31:12,280 --> 00:31:13,440
Speaker 3: There's just an employee.

647
00:31:14,680 --> 00:31:15,280
Speaker 4: It's just true.

648
00:31:16,160 --> 00:31:17,400
Speaker 2: Oh you don't know Chef Kevin either.

649
00:31:17,440 --> 00:31:19,920
Speaker 3: That's right, it's been a little while. Hey, guys, Chef

650
00:31:20,000 --> 00:31:22,000
Speaker 3: Kevin here, high Andre's nice to meet you.

651
00:31:22,080 --> 00:31:25,560
Speaker 4: What's up, man, how's it going good? It's cold out,

652
00:31:25,640 --> 00:31:27,800
Speaker 4: huh it's freezing yeah.

653
00:31:28,400 --> 00:31:30,440
Speaker 3: And Ryan literally just took off a layer.

654
00:31:31,680 --> 00:31:35,280
Speaker 2: Kevin started talking and Ryan took off his shirt.

655
00:31:37,240 --> 00:31:39,320
Speaker 4: We get it. Someone's been the equinox.

656
00:31:41,560 --> 00:31:43,400
Speaker 1: Yeah, probably got the model discount.

657
00:31:43,520 --> 00:31:49,800
Speaker 4: Hitting the knocks. My wife's always like, where are you going.

658
00:31:49,840 --> 00:31:56,120
Speaker 1: I'm like, she knows, she knows knocks three times she

659
00:31:56,160 --> 00:31:59,720
Speaker 1: goes almost be leg day. Oh yeah, tell you what

660
00:32:00,160 --> 00:32:01,240
Speaker 1: time to finish that script?

661
00:32:02,040 --> 00:32:04,840
Speaker 2: So we could do so. We know famously that Kevin

662
00:32:04,880 --> 00:32:09,360
Speaker 2: watches shows. Kevin's Tinder until recently was a list of

663
00:32:09,360 --> 00:32:13,720
Speaker 2: shows that he like. His tender bio was The Office,

664
00:32:14,160 --> 00:32:17,160
Speaker 2: Arrested Development check it out with doctor Steve Brule.

665
00:32:18,040 --> 00:32:21,400
Speaker 1: We know this guy likes shows, so he could give

666
00:32:21,480 --> 00:32:22,160
Speaker 1: us a show.

667
00:32:22,480 --> 00:32:25,680
Speaker 2: Right, that's good, right, Yes, he could give us a

668
00:32:25,720 --> 00:32:29,120
Speaker 2: show and we could noisify it and it might get loud.

669
00:32:29,200 --> 00:32:31,640
Speaker 2: Now you name a show and it might get loud.

670
00:32:33,200 --> 00:32:35,880
Speaker 1: We're gonna make a noisy speck out of it. So

671
00:32:36,000 --> 00:32:39,200
Speaker 1: you want an idea or a title the show.

672
00:32:39,200 --> 00:32:41,480
Speaker 2: And not not not in office.

673
00:32:41,760 --> 00:32:45,640
Speaker 1: Okay, this one's called the mother Load.

674
00:32:46,360 --> 00:32:49,479
Speaker 3: No, no, I don't even want to hear what that is.

675
00:32:49,600 --> 00:32:53,040
Speaker 2: It's so gross. Well we're gonna hear. Is so the

676
00:32:53,120 --> 00:32:55,640
Speaker 2: opposite of what I wanted to do for this. I

677
00:32:55,680 --> 00:32:59,160
Speaker 2: want a nice, clean show. I can't believe I have

678
00:32:59,240 --> 00:32:59,920
Speaker 2: to explain this.

679
00:33:03,320 --> 00:33:09,080
Speaker 3: Mothers take Low, Yes, yeah, that's where you come from.

680
00:33:12,640 --> 00:33:13,560
Speaker 1: Is that your little name?

681
00:33:15,600 --> 00:33:15,719
Speaker 2: Uh?

682
00:33:15,840 --> 00:33:18,600
Speaker 1: So it's about a mom whose son joins the army

683
00:33:18,720 --> 00:33:19,600
Speaker 1: and she's sad.

684
00:33:20,120 --> 00:33:24,440
Speaker 2: So she Kevin stop stop doing this.

685
00:33:24,640 --> 00:33:26,360
Speaker 1: Do a show a famous show?

686
00:33:27,080 --> 00:33:27,440
Speaker 3: Famous?

687
00:33:28,240 --> 00:33:31,120
Speaker 2: Do not do that anymore.

688
00:33:32,360 --> 00:33:34,280
Speaker 4: I thought you wanted to come up with the show.

689
00:33:34,200 --> 00:33:37,040
Speaker 2: We said. The whole introduction is that you know all

690
00:33:37,080 --> 00:33:41,840
Speaker 2: these famous shows and you have tried to fuck webb it. Okay,

691
00:33:41,920 --> 00:33:44,840
Speaker 2: based on yours.

692
00:33:46,920 --> 00:33:51,080
Speaker 1: Broad comedy. Now get in there and say the name

693
00:33:51,120 --> 00:33:55,400
Speaker 1: of a show and we'll crank it up.

694
00:33:55,440 --> 00:33:58,440
Speaker 2: These ones go to a livin and it might get loud, and.

695
00:33:58,480 --> 00:33:59,800
Speaker 1: It might go Does that has to be a show

696
00:33:59,800 --> 00:34:06,280
Speaker 1: I watch. Okay, Fraser Fraser, okay, all right, Yeah, that's

697
00:34:06,320 --> 00:34:09,160
Speaker 1: actually exactly what we wanted.

698
00:34:09,239 --> 00:34:10,360
Speaker 2: That was a little doing.

699
00:34:10,640 --> 00:34:12,640
Speaker 1: Yeah, that works great for me.

700
00:34:14,120 --> 00:34:18,240
Speaker 3: So Fraser gets ads, you know what I mean done.

701
00:34:17,920 --> 00:34:20,719
Speaker 2: Like, let's just do that, especially back then when we

702
00:34:20,760 --> 00:34:22,759
Speaker 2: would have been doing it for like, like for the

703
00:34:22,800 --> 00:34:25,279
Speaker 2: Friends thing that some people were talking about aids and

704
00:34:25,360 --> 00:34:29,359
Speaker 2: it was like a big deal. Uh so it would

705
00:34:29,440 --> 00:34:32,520
Speaker 2: be like cool to do like that Friends. Peck was

706
00:34:32,600 --> 00:34:34,680
Speaker 2: by the Mary breaks.

707
00:34:34,120 --> 00:34:36,600
Speaker 3: And how did he get the AIDS from the microphone?

708
00:34:36,640 --> 00:34:39,440
Speaker 3: Which means roz hazards?

709
00:34:39,760 --> 00:34:42,719
Speaker 1: Okay, and now we've got our act to break.

710
00:34:42,640 --> 00:34:45,440
Speaker 2: Right and that's good. Also education about how you can

711
00:34:45,480 --> 00:34:49,919
Speaker 2: communicate it, which is by I guess cleaning the microphone.

712
00:34:50,360 --> 00:34:54,240
Speaker 2: Someone has it that clean and cleans the microphone, then Fraser.

713
00:34:53,800 --> 00:34:55,600
Speaker 1: Can get it.

714
00:34:55,600 --> 00:34:58,640
Speaker 3: It wasn't that job. I think she was also a.

715
00:35:00,200 --> 00:35:01,279
Speaker 4: Jockey of sorts.

716
00:35:01,600 --> 00:35:03,880
Speaker 2: Oh okay, yeah, she was producer. I don't know. I

717
00:35:04,000 --> 00:35:04,600
Speaker 2: nunlike my cousin.

718
00:35:04,880 --> 00:35:06,200
Speaker 4: Women, women can also.

719
00:35:06,040 --> 00:35:09,000
Speaker 2: Be I know they can now, I don't know what

720
00:35:09,040 --> 00:35:11,320
Speaker 2: was going on in times.

721
00:35:11,400 --> 00:35:14,480
Speaker 3: Yeah, it's twenty eighteen and they were way ahead of

722
00:35:14,520 --> 00:35:14,839
Speaker 3: the time.

723
00:35:15,040 --> 00:35:17,280
Speaker 1: Guys, Ryan is getting us again.

724
00:35:17,600 --> 00:35:19,640
Speaker 4: Oh you're right, yeah, let me just dial back.

725
00:35:19,560 --> 00:35:24,000
Speaker 1: Driving a wedge between us. So that would be pretty noisy,

726
00:35:24,080 --> 00:35:26,400
Speaker 1: that spec that would be a loud one. Yeah, I

727
00:35:26,400 --> 00:35:28,800
Speaker 1: mean you'd probably be thinking, whoever wrote this is smoking

728
00:35:28,880 --> 00:35:29,480
Speaker 1: that loud?

729
00:35:29,560 --> 00:35:30,000
Speaker 4: How about this?

730
00:35:30,480 --> 00:35:30,680
Speaker 1: Uh?

731
00:35:31,000 --> 00:35:32,560
Speaker 4: You you bring it back?

732
00:35:32,600 --> 00:35:34,760
Speaker 3: You bring Fraser back like they brought Will and Grace

733
00:35:34,800 --> 00:35:38,320
Speaker 3: back Rose and the such and the like. But guess

734
00:35:38,320 --> 00:35:43,120
Speaker 3: what Radio Declining Now is a podcast from the apartment.

735
00:35:43,440 --> 00:35:47,400
Speaker 3: The Dog's part of the show. Dog has eightes.

736
00:35:48,880 --> 00:35:52,879
Speaker 2: Yes, yes, we found, we made our way there and

737
00:35:52,960 --> 00:35:55,160
Speaker 2: now I have all the fields the idea that became

738
00:35:55,320 --> 00:35:57,719
Speaker 2: me now because animals.

739
00:35:58,040 --> 00:36:04,480
Speaker 3: Yes, there's a famous book about writing called I think

740
00:36:04,520 --> 00:36:09,120
Speaker 3: it's called Save Saving the Cat okay ah, and it's

741
00:36:09,160 --> 00:36:10,920
Speaker 3: about how it's saving.

742
00:36:11,040 --> 00:36:12,200
Speaker 4: If you're able to be the.

743
00:36:12,160 --> 00:36:14,320
Speaker 3: Person who say, who is saving the cat?

744
00:36:15,680 --> 00:36:18,120
Speaker 2: You are the hero and you give them yes and

745
00:36:18,160 --> 00:36:21,920
Speaker 2: that feeling when I'm hearing that idea and all the fields.

746
00:36:21,560 --> 00:36:23,080
Speaker 3: And it doesn't have to just be a cat, it

747
00:36:23,120 --> 00:36:25,080
Speaker 3: can be a dog. So it works perfectly.

748
00:36:25,120 --> 00:36:28,400
Speaker 1: The fields are one hundred. This is so yummy. This

749
00:36:28,520 --> 00:36:33,520
Speaker 1: idea the dog has eights. That is so yummy. I

750
00:36:33,600 --> 00:36:34,080
Speaker 1: love that.

751
00:36:34,200 --> 00:36:35,920
Speaker 3: I'm like quaking.

752
00:36:36,360 --> 00:36:38,239
Speaker 1: Yeah, I'm trembling.

753
00:36:38,360 --> 00:36:43,040
Speaker 2: There's also lower parts. You mentioned the Roseanne reboot where

754
00:36:43,239 --> 00:36:46,080
Speaker 2: I did, yes, where she's like I did she like

755
00:36:47,040 --> 00:36:49,920
Speaker 2: she loves like she's like really into Trump now and

756
00:36:49,960 --> 00:36:54,560
Speaker 2: that's noisy. Yes, that's like a noisy thing the show. Yes,

757
00:36:55,800 --> 00:36:57,480
Speaker 2: like you read this thing, she's like she's like a

758
00:36:57,520 --> 00:36:59,640
Speaker 2: Trump supporter on the show. And that's noise.

759
00:37:00,080 --> 00:37:01,720
Speaker 1: We heard it all the way over here in the studio.

760
00:37:01,920 --> 00:37:02,920
Speaker 2: Yes, you know.

761
00:37:03,080 --> 00:37:04,840
Speaker 1: I mean that's how noisy some of this gets.

762
00:37:05,200 --> 00:37:06,480
Speaker 2: So maybe you could do a thing.

763
00:37:06,600 --> 00:37:08,120
Speaker 4: No wonder Dan will up from the dead.

764
00:37:09,760 --> 00:37:10,359
Speaker 2: Yeah, he must.

765
00:37:10,480 --> 00:37:12,759
Speaker 1: They might have been smoking that lab right that.

766
00:37:13,120 --> 00:37:15,440
Speaker 2: Yeah, so you could do a thing with like Fraser

767
00:37:15,480 --> 00:37:17,120
Speaker 2: in the show too, or like, yes, he has a's

768
00:37:17,120 --> 00:37:20,360
Speaker 2: but also maybe he is like a straight up Nazi

769
00:37:20,400 --> 00:37:21,560
Speaker 2: who has like killed people.

770
00:37:21,760 --> 00:37:22,880
Speaker 4: He's definitely a one percenter.

771
00:37:22,920 --> 00:37:27,160
Speaker 3: He's a very successful djah disc jockey, radio show host. Yes,

772
00:37:27,440 --> 00:37:29,880
Speaker 3: so you know as far as taxes go, and I

773
00:37:29,880 --> 00:37:32,360
Speaker 3: don't know where he his character might keep his money,

774
00:37:32,440 --> 00:37:35,160
Speaker 3: but yeah, there's a lot of benefits to his lifestyle

775
00:37:35,239 --> 00:37:37,239
Speaker 3: in endorsing a Trump type.

776
00:37:37,080 --> 00:37:39,560
Speaker 4: Sure of a candidate or president.

777
00:37:39,400 --> 00:37:42,000
Speaker 2: Right, and he has shot people as well. In like

778
00:37:42,120 --> 00:37:43,680
Speaker 2: the name of his beliefs.

779
00:37:43,840 --> 00:37:45,080
Speaker 3: We could he could do that.

780
00:37:45,440 --> 00:37:46,359
Speaker 4: Right, he could do that.

781
00:37:46,800 --> 00:37:49,920
Speaker 1: Here's a Fraser id That's how you end, because it's

782
00:37:49,960 --> 00:37:54,640
Speaker 1: it's what's going on. Here's a democratic, here's a Fraser idea.

783
00:37:55,960 --> 00:37:59,000
Speaker 1: He's trying different medications. He might be on but like

784
00:37:59,080 --> 00:38:00,360
Speaker 1: it's a wine tape steak.

785
00:38:01,080 --> 00:38:03,400
Speaker 3: Oh my god, wow, And what's crazy.

786
00:38:03,680 --> 00:38:06,600
Speaker 4: He's a doctor, but the only person he can't cure.

787
00:38:07,880 --> 00:38:08,400
Speaker 1: Is Ross.

788
00:38:09,080 --> 00:38:14,080
Speaker 2: Oh yes, right, because of the thing we know about her. Yeah,

789
00:38:14,120 --> 00:38:17,200
Speaker 2: and he should be prescribing opio it's obviously.

790
00:38:16,880 --> 00:38:20,160
Speaker 3: And like huge, and that's holding up a big, old

791
00:38:20,239 --> 00:38:23,120
Speaker 3: fat mirror to society right now, did you guys watch

792
00:38:23,200 --> 00:38:25,680
Speaker 3: the sixteen three Billboards to Society?

793
00:38:25,719 --> 00:38:25,839
Speaker 1: Oh?

794
00:38:26,000 --> 00:38:27,600
Speaker 4: Okay, well done, well played?

795
00:38:27,680 --> 00:38:28,960
Speaker 2: Mm hmmm did I.

796
00:38:29,000 --> 00:38:30,320
Speaker 4: And do you did you get that screener?

797
00:38:32,200 --> 00:38:36,840
Speaker 1: It's on its way. I keep calling because I know

798
00:38:36,920 --> 00:38:39,520
Speaker 1: it was a mistake that I did not receive that screener,

799
00:38:39,520 --> 00:38:41,600
Speaker 1: And so I do keep calling because I know they

800
00:38:41,600 --> 00:38:43,000
Speaker 1: would have wanted me to see it.

801
00:38:44,400 --> 00:38:45,759
Speaker 3: So must watch.

802
00:38:47,360 --> 00:38:48,480
Speaker 1: And I will when it ends.

803
00:38:49,080 --> 00:38:53,440
Speaker 2: Will the ending just must be practice?

804
00:38:53,760 --> 00:39:00,160
Speaker 3: Oh my god? So you know? Okay, now, are just

805
00:39:00,200 --> 00:39:00,680
Speaker 3: spit balling?

806
00:39:00,680 --> 00:39:01,359
Speaker 4: Are we are?

807
00:39:01,360 --> 00:39:01,440
Speaker 1: We?

808
00:39:01,480 --> 00:39:06,279
Speaker 3: Going to keep building off of the HIV AID scenario, or.

809
00:39:06,320 --> 00:39:09,080
Speaker 2: We just could go a whole new direction. Let's blue

810
00:39:09,120 --> 00:39:12,799
Speaker 2: sky it because for me, Oh, we haven't done a

811
00:39:12,880 --> 00:39:16,839
Speaker 2: new title yet. Before you say what's for you, we

812
00:39:16,960 --> 00:39:19,799
Speaker 2: haven't done a new like we should be changing the

813
00:39:19,840 --> 00:39:26,760
Speaker 2: titles of these so they have cursing in them. Oh yeah,

814
00:39:26,800 --> 00:39:33,160
Speaker 2: it's the word and word F word and the word

815
00:39:33,360 --> 00:39:36,920
Speaker 2: is Frasier right all the fields.

816
00:39:36,520 --> 00:39:39,880
Speaker 3: And and he's like, welcome to the show. It's me Fraser.

817
00:39:39,920 --> 00:39:41,320
Speaker 3: And you're like every time.

818
00:39:41,920 --> 00:39:44,719
Speaker 2: He's going and you're like, this is network right, you

819
00:39:44,800 --> 00:39:50,160
Speaker 2: think is fun, but it's Fraser. That's nasty, just like

820
00:39:50,280 --> 00:39:53,279
Speaker 2: how you thought the L word was love but it

821
00:39:53,400 --> 00:39:54,080
Speaker 2: was Lesbo.

822
00:39:55,160 --> 00:39:57,560
Speaker 4: And guess what who's that at the door?

823
00:39:57,920 --> 00:39:58,919
Speaker 2: What's the N word?

824
00:39:59,680 --> 00:40:04,239
Speaker 1: N that's nasty. I thought you were going to equinox

825
00:40:04,680 --> 00:40:05,000
Speaker 1: in the.

826
00:40:04,920 --> 00:40:07,600
Speaker 2: Middle of that. Yes, I would that. I was trained to.

827
00:40:07,840 --> 00:40:09,680
Speaker 2: I was very scared that you were about to go

828
00:40:09,719 --> 00:40:10,400
Speaker 2: to equinox.

829
00:40:10,480 --> 00:40:11,839
Speaker 4: Right now, that's a totally different thing.

830
00:40:11,960 --> 00:40:16,080
Speaker 2: You don't remember that, and I remember I have a

831
00:40:16,080 --> 00:40:17,200
Speaker 2: photographic memory.

832
00:40:19,880 --> 00:40:20,959
Speaker 1: Thank you for saying that.

833
00:40:21,719 --> 00:40:24,319
Speaker 4: Well, I'm sudding. You know, wait did she wait?

834
00:40:24,320 --> 00:40:29,439
Speaker 3: Did wait? What did you say? About dials, knock knock,

835
00:40:29,880 --> 00:40:32,479
Speaker 3: who's at the war, who's at the door, the N word,

836
00:40:32,560 --> 00:40:33,400
Speaker 3: the N word.

837
00:40:33,480 --> 00:40:35,759
Speaker 1: Who's at the war? I thought you almost said, which, Okay,

838
00:40:35,880 --> 00:40:36,839
Speaker 1: let's blue sky it.

839
00:40:37,719 --> 00:40:38,880
Speaker 4: Miss I misspoke.

840
00:40:39,120 --> 00:40:42,680
Speaker 1: But but sometimes a mistake is your best idea because

841
00:40:42,680 --> 00:40:45,080
Speaker 1: who's at the war. Maybe Niles is off fighting in

842
00:40:45,120 --> 00:40:47,720
Speaker 1: a civil war against some of the zombies from Ryan's script.

843
00:40:48,000 --> 00:40:49,920
Speaker 1: Now we don't have to lose all those pages we

844
00:40:49,960 --> 00:40:50,399
Speaker 1: worked on.

845
00:40:50,600 --> 00:40:54,719
Speaker 2: Yes, your pages. Yeah.

846
00:40:56,040 --> 00:40:59,080
Speaker 1: For me, the reason I'm so comfortable Blue skying it

847
00:40:59,120 --> 00:41:00,880
Speaker 1: is because this is sort of rule of thumb for me.

848
00:41:01,200 --> 00:41:05,520
Speaker 1: I like my idea, but I love yours.

849
00:41:05,560 --> 00:41:08,720
Speaker 4: Guilty and it is charged. I've been in that position

850
00:41:08,760 --> 00:41:09,040
Speaker 4: a lot.

851
00:41:09,400 --> 00:41:09,840
Speaker 2: Guilty.

852
00:41:10,080 --> 00:41:11,160
Speaker 3: You're guilty as charged.

853
00:41:11,560 --> 00:41:17,200
Speaker 2: Yeah, of of what's.

854
00:41:15,200 --> 00:41:17,000
Speaker 4: A veticular man thing?

855
00:41:17,520 --> 00:41:19,840
Speaker 2: Oh you're you're referring to something else.

856
00:41:20,680 --> 00:41:22,080
Speaker 4: Yeah, and I'd rather not even.

857
00:41:23,440 --> 00:41:27,720
Speaker 3: But the thing about the the F F word, F bomb,

858
00:41:27,760 --> 00:41:29,440
Speaker 3: what the F bomb?

859
00:41:31,760 --> 00:41:34,520
Speaker 2: Just being at war and it's and it's like, you know,

860
00:41:34,680 --> 00:41:35,400
Speaker 2: he's at war.

861
00:41:36,560 --> 00:41:38,880
Speaker 4: Also, we could, we could, we could up the stakes.

862
00:41:39,080 --> 00:41:42,400
Speaker 3: Not only does Fraser by night he's a he's a

863
00:41:42,480 --> 00:41:46,120
Speaker 3: radio DJ, but during the day he's a bomb squad

864
00:41:48,400 --> 00:41:53,200
Speaker 3: and he's got. He pushes people away because he's scared

865
00:41:53,200 --> 00:41:55,680
Speaker 3: that he's going to die and hurt them.

866
00:41:56,239 --> 00:41:58,040
Speaker 1: But he himself is a time bomb of sorts.

867
00:41:58,360 --> 00:41:58,919
Speaker 3: Oh my god.

868
00:41:58,960 --> 00:42:00,120
Speaker 4: Okay in the old.

869
00:42:01,000 --> 00:42:03,359
Speaker 1: And the only bomb that he doesn't know how to

870
00:42:03,400 --> 00:42:05,600
Speaker 1: defuse is RAS.

871
00:42:09,800 --> 00:42:13,120
Speaker 2: Boy, this is giving me all the fields he misses it.

872
00:42:13,160 --> 00:42:14,719
Speaker 2: You can do a thing where he retires from the

873
00:42:14,719 --> 00:42:17,359
Speaker 2: bomb squad every day and then he goes tries to

874
00:42:17,400 --> 00:42:19,880
Speaker 2: go back to being a radio DJ, but he misses

875
00:42:19,880 --> 00:42:22,720
Speaker 2: it too much, and so tomorrow back to the bomb squad.

876
00:42:23,320 --> 00:42:27,839
Speaker 1: I'm glad Kevin's here to see this, right, Thanks for

877
00:42:27,880 --> 00:42:28,319
Speaker 1: having me.

878
00:42:28,440 --> 00:42:31,480
Speaker 3: Guys, I'm off the air. I'm off the air for

879
00:42:31,520 --> 00:42:34,200
Speaker 3: this one. You know that it could be like the

880
00:42:34,239 --> 00:42:36,960
Speaker 3: tag the commercials, because you know, I think I think

881
00:42:37,000 --> 00:42:40,560
Speaker 3: in terms of posters, taglines. Guys, I'm off the air

882
00:42:40,640 --> 00:42:41,200
Speaker 3: for this one.

883
00:42:41,360 --> 00:42:43,080
Speaker 1: Oh guys, I'm off the air for this one.

884
00:42:43,680 --> 00:42:45,360
Speaker 2: And what is that referring to?

885
00:42:45,800 --> 00:42:48,640
Speaker 4: Because oh my god, keep up this further.

886
00:42:48,719 --> 00:42:53,640
Speaker 1: People listening, obviously, I get it. You know what the

887
00:42:53,760 --> 00:42:55,520
Speaker 1: radio is. You could be with us.

888
00:42:55,680 --> 00:42:59,400
Speaker 3: Yeah, he's not on the goddamn airwaves.

889
00:42:59,680 --> 00:43:01,959
Speaker 1: Hey, he's off the air for this one. Hayes he's

890
00:43:02,000 --> 00:43:06,440
Speaker 1: telling the guys that, and there's still should be laughs.

891
00:43:06,480 --> 00:43:08,080
Speaker 1: I mean, we got to bring in the D word,

892
00:43:08,200 --> 00:43:08,919
Speaker 1: Daphney Moon.

893
00:43:09,000 --> 00:43:09,960
Speaker 2: She's a bit psychic.

894
00:43:11,960 --> 00:43:12,560
Speaker 3: Oh man.

895
00:43:13,080 --> 00:43:15,000
Speaker 1: So we do keep some levity there.

896
00:43:15,960 --> 00:43:18,279
Speaker 3: And now, on a on a serious note, we did

897
00:43:18,440 --> 00:43:19,600
Speaker 3: lose the actor.

898
00:43:19,320 --> 00:43:22,760
Speaker 2: Who plays fun opportunity. Yeah.

899
00:43:22,880 --> 00:43:24,600
Speaker 1: I think it could be so fun to have the

900
00:43:24,640 --> 00:43:27,279
Speaker 1: same character but have him played by like a sliced alone. Oh.

901
00:43:27,640 --> 00:43:29,120
Speaker 4: I was just gonna say John sena.

902
00:43:30,120 --> 00:43:32,440
Speaker 2: Yes, he's funny.

903
00:43:32,480 --> 00:43:33,600
Speaker 1: He's so funny.

904
00:43:34,800 --> 00:43:37,640
Speaker 2: People don't know this about him. He is actually really funny.

905
00:43:37,680 --> 00:43:40,640
Speaker 3: And imagine this. He walks with the cane and he

906
00:43:40,719 --> 00:43:44,120
Speaker 3: has a limb. This giant, gorgeous, hulking body has a

907
00:43:44,160 --> 00:43:45,440
Speaker 3: limb vulnerability.

908
00:43:45,719 --> 00:43:49,080
Speaker 4: There's a human in there. Okay, there's a heart. There's

909
00:43:49,080 --> 00:43:51,040
Speaker 4: a heart and a heart the largest.

910
00:43:50,760 --> 00:43:53,520
Speaker 3: Muscle in the body. Wow, nobody knows that.

911
00:43:53,960 --> 00:43:59,360
Speaker 2: Wow. Yeah, I always forget. Yeah, that's the largest muscle.

912
00:43:59,440 --> 00:44:02,799
Speaker 2: People think it's like the butt part. But people do.

913
00:44:02,840 --> 00:44:07,920
Speaker 1: Think the butt muscle is large, and that's that's mostly fat. Wrong. Yeah,

914
00:44:08,200 --> 00:44:08,960
Speaker 1: uh huh.

915
00:44:09,120 --> 00:44:11,080
Speaker 3: Because I know, like if I if I can catch

916
00:44:11,080 --> 00:44:12,640
Speaker 3: a little glimpse in the mirror, I'm like, well, that's

917
00:44:12,640 --> 00:44:15,399
Speaker 3: mostly fat because think I got that big old muscular heart.

918
00:44:16,040 --> 00:44:18,319
Speaker 2: Yeah, you're looking in the mirror at work.

919
00:44:19,080 --> 00:44:21,000
Speaker 1: Yeah, and then before.

920
00:44:20,880 --> 00:44:25,960
Speaker 2: Before im acting and during hair and makeup sometimes you'll

921
00:44:26,000 --> 00:44:28,000
Speaker 2: catch just the way you like to do your hair makeup,

922
00:44:28,120 --> 00:44:31,440
Speaker 2: is you could catch a little glimpse of your butt

923
00:44:31,840 --> 00:44:34,360
Speaker 2: while you're getting your hair done, even a big glimpse.

924
00:44:34,440 --> 00:44:36,200
Speaker 1: Just no, sometimes that's where he's getting to make up.

925
00:44:36,280 --> 00:44:38,880
Speaker 3: Is there is there such thing as a big glimpse,

926
00:44:39,120 --> 00:44:44,040
Speaker 3: because a glimpse, I imagine very I caught a big glimpse. Yeah,

927
00:44:44,080 --> 00:44:46,359
Speaker 3: a Looksie, I have a nice look.

928
00:44:46,360 --> 00:44:48,080
Speaker 4: Sie, I go, well, he looks see you here.

929
00:44:48,600 --> 00:44:52,520
Speaker 3: Yep, that's mostly fat, definitely not heart size muscles.

930
00:44:53,400 --> 00:44:55,680
Speaker 2: Well, I hate to wind down the Ryan Show.

931
00:44:56,600 --> 00:44:59,960
Speaker 1: Yeah, that is unfortunate that we have to sort of

932
00:45:00,120 --> 00:45:03,760
Speaker 1: disentangle ourselves from this fucking cyclone of energy.

933
00:45:04,600 --> 00:45:07,400
Speaker 2: How much time, Ryan, Ryan? How long have we been

934
00:45:07,400 --> 00:45:09,479
Speaker 2: doing How have we been doing it? And don't lie

935
00:45:09,560 --> 00:45:12,120
Speaker 2: and say we just started so you can like do

936
00:45:12,200 --> 00:45:15,440
Speaker 2: your whole song another monologue from the beginning.

937
00:45:15,480 --> 00:45:16,160
Speaker 4: Oh does he do that?

938
00:45:16,520 --> 00:45:16,759
Speaker 3: Yes?

939
00:45:16,880 --> 00:45:21,560
Speaker 1: Oh Jesus, it's been about forty five minutes. Okay, okay,

940
00:45:23,280 --> 00:45:24,520
Speaker 1: thank you for being honest.

941
00:45:30,200 --> 00:45:31,920
Speaker 4: You guys want to smell some shrimp.

942
00:45:32,480 --> 00:45:36,200
Speaker 2: Oh no, And that's again it's the Fraser we'll be

943
00:45:36,239 --> 00:45:38,680
Speaker 2: doing in this new version that he never did in

944
00:45:38,719 --> 00:45:40,640
Speaker 2: the old one because it was the nineties. By the way,

945
00:45:40,719 --> 00:45:43,440
Speaker 2: he's burping now, like people say.

946
00:45:43,400 --> 00:45:48,319
Speaker 3: You know, dressed nicely for a meeting. Mind your p's

947
00:45:48,360 --> 00:45:51,560
Speaker 3: and q's. You're not going to get noticed. Do you

948
00:45:51,560 --> 00:45:53,880
Speaker 3: see what I just did? In a professional environment?

949
00:45:54,280 --> 00:45:55,360
Speaker 4: Who's gonna remember that.

950
00:45:56,880 --> 00:46:00,239
Speaker 3: Ryan's gonna go home with this cream corn tonight and

951
00:46:00,280 --> 00:46:02,719
Speaker 3: the dinner is gonna be like, guess what, honey, I

952
00:46:02,719 --> 00:46:07,839
Speaker 3: don't know somebody burned it work today. Oh Ryan, you're

953
00:46:07,880 --> 00:46:11,080
Speaker 3: gonna tell her that, and then she's gonna be like, who.

954
00:46:12,080 --> 00:46:12,160
Speaker 1: What.

955
00:46:12,880 --> 00:46:15,319
Speaker 2: Yeah, that's a big reveal at the end.

956
00:46:15,320 --> 00:46:16,040
Speaker 1: What a twist.

957
00:46:16,440 --> 00:46:18,160
Speaker 2: And I can see what he's going You see under

958
00:46:18,160 --> 00:46:19,920
Speaker 2: the table he has that Mason jar that he's like

959
00:46:19,960 --> 00:46:22,080
Speaker 2: sealing up right now because he like caught a little

960
00:46:22,120 --> 00:46:24,720
Speaker 2: of the burp. And so this is what you're gonna

961
00:46:24,719 --> 00:46:29,319
Speaker 2: mix it with his corn? Yes, take some corn, all

962
00:46:29,360 --> 00:46:31,759
Speaker 2: the guests when they first come in to mix it

963
00:46:31,800 --> 00:46:34,359
Speaker 2: with his cream corn, and some the rest he will

964
00:46:34,360 --> 00:46:37,359
Speaker 2: sell on eBay. He will. He has a whole Bay.

965
00:46:37,560 --> 00:46:41,279
Speaker 3: You know what though, it's like, that's that's Hollywood though, baby,

966
00:46:41,320 --> 00:46:43,480
Speaker 3: because you got shark sight up like us. And then

967
00:46:43,719 --> 00:46:46,080
Speaker 3: you gotta have those little fish under the belly that

968
00:46:46,160 --> 00:46:48,279
Speaker 3: eat the cream corn, you know, and more power to

969
00:46:48,360 --> 00:46:51,600
Speaker 3: them if you want my scraps and farts.

970
00:46:51,719 --> 00:46:55,600
Speaker 1: Hey, baby, it's the ecosystem. You gotta have somebody scooping

971
00:46:55,680 --> 00:46:58,120
Speaker 1: up those birds. Really is fish.

972
00:46:58,320 --> 00:47:02,239
Speaker 3: I like to watch Neat Geo and just go, wait

973
00:47:02,320 --> 00:47:05,320
Speaker 3: a second, when did is this Hollywood that I'm watching?

974
00:47:05,320 --> 00:47:09,680
Speaker 3: It's true that Gazelle looks a lot like a young

975
00:47:10,320 --> 00:47:13,239
Speaker 3: green actor fresh off the boat, you.

976
00:47:13,200 --> 00:47:14,279
Speaker 4: Know, ready to get eating line.

977
00:47:14,360 --> 00:47:18,440
Speaker 2: And sometimes in like you're watching like Discovery Channel, and

978
00:47:18,480 --> 00:47:20,960
Speaker 2: sometimes in Hollywood you are eating bizarre.

979
00:47:20,560 --> 00:47:22,719
Speaker 1: Foods, and sometimes I'm watching it.

980
00:47:22,760 --> 00:47:28,120
Speaker 2: Sometimes it's versus oh yeah, Hollos.

981
00:47:27,239 --> 00:47:31,440
Speaker 1: Food it is, yeah, And unfortunately food has been winning lately.

982
00:47:31,600 --> 00:47:32,880
Speaker 3: Yes, I haven't thought of that.

983
00:47:34,280 --> 00:47:36,880
Speaker 2: Just the last couple of weeks it has been and

984
00:47:36,960 --> 00:47:38,600
Speaker 2: it's it'll come back.

985
00:47:38,719 --> 00:47:39,600
Speaker 4: That is funny.

986
00:47:39,760 --> 00:47:42,880
Speaker 1: Hey, thank you so much for telling me that's funny. No,

987
00:47:42,960 --> 00:47:44,600
Speaker 1: I love hearing that, you know what.

988
00:47:44,800 --> 00:47:48,000
Speaker 3: Okay, it's so sensitive about this, you know what I

989
00:47:48,040 --> 00:47:50,120
Speaker 3: mean when I say that's funny. I meant like, that's

990
00:47:50,160 --> 00:47:52,680
Speaker 3: peculiar that I hadn't thought of that, and you just

991
00:47:52,719 --> 00:47:56,239
Speaker 3: say that's funny, Sean, it doesn't mean Okay, No.

992
00:47:56,360 --> 00:47:59,160
Speaker 1: I love hearing that that that's funny. What I said,

993
00:48:00,080 --> 00:48:01,440
Speaker 1: you know so comforting?

994
00:48:01,719 --> 00:48:03,120
Speaker 2: This is this is funny.

995
00:48:03,520 --> 00:48:04,280
Speaker 4: Now I'm laughing.

996
00:48:04,880 --> 00:48:07,560
Speaker 1: Oh yeah, oh well that's two of us then, because

997
00:48:07,560 --> 00:48:08,440
Speaker 1: I'm cracking up.

998
00:48:09,040 --> 00:48:11,840
Speaker 2: He really it sounds like he's mad, but he really

999
00:48:11,920 --> 00:48:13,480
Speaker 2: is very happy.

1000
00:48:13,560 --> 00:48:16,120
Speaker 1: Oh that's just how my voice gets when I'm losing

1001
00:48:16,239 --> 00:48:19,120
Speaker 1: it from how funny I think it is. I'm laughing.

1002
00:48:20,600 --> 00:48:21,279
Speaker 2: You know what, you ought to.

1003
00:48:21,320 --> 00:48:23,600
Speaker 4: Hit the Sunset Strip? You ever heard of the comedy Store?

1004
00:48:23,600 --> 00:48:25,200
Speaker 4: Why don't you go buy some time over there?

1005
00:48:27,160 --> 00:48:28,399
Speaker 1: Is that something you can do?

1006
00:48:35,440 --> 00:48:41,279
Speaker 4: Something I could do you something I could do.

1007
00:48:41,440 --> 00:48:44,040
Speaker 2: Not everyone could do it, but you can buy a set?

1008
00:48:45,120 --> 00:48:47,280
Speaker 1: Okay, yeah, can buy it? Okay.

1009
00:48:47,360 --> 00:48:49,360
Speaker 4: Swelling you go down there and suggesting I.

1010
00:48:49,440 --> 00:48:51,640
Speaker 3: Did this is like, well, I would love to see

1011
00:48:51,680 --> 00:48:54,160
Speaker 3: you show outside of the comedy Store and get past

1012
00:48:54,239 --> 00:48:56,960
Speaker 3: the likes of well just I can name I can

1013
00:48:57,040 --> 00:48:58,120
Speaker 3: name names.

1014
00:48:57,880 --> 00:48:58,759
Speaker 2: Dob David Off.

1015
00:48:58,840 --> 00:49:00,680
Speaker 4: Yeah you think you get buy him?

1016
00:49:03,080 --> 00:49:04,279
Speaker 2: I don't know, I don't know him.

1017
00:49:04,520 --> 00:49:07,279
Speaker 4: Yeah. What circles. Do you run in again?

1018
00:49:08,200 --> 00:49:08,399
Speaker 3: Uh?

1019
00:49:09,080 --> 00:49:09,960
Speaker 4: Is it just you and Hayes?

1020
00:49:09,960 --> 00:49:11,720
Speaker 3: Because that ain't a circle, that's a line, bitch.

1021
00:49:13,600 --> 00:49:14,040
Speaker 2: We do.

1022
00:49:15,440 --> 00:49:20,000
Speaker 1: Yeah segment Yeah, oh yeah like skydivers too. Yeah, we

1023
00:49:20,160 --> 00:49:21,520
Speaker 1: kind of circle up with our arms.

1024
00:49:21,600 --> 00:49:21,799
Speaker 2: Yeah.

1025
00:49:21,800 --> 00:49:23,360
Speaker 4: Why don't you go jump out of a plane?

1026
00:49:23,560 --> 00:49:28,239
Speaker 2: Do me a favor though, Okay, leave the shoes. No,

1027
00:49:30,719 --> 00:49:31,200
Speaker 2: I wouldn't.

1028
00:49:31,680 --> 00:49:35,360
Speaker 1: That's not safe at all. I would never unless the

1029
00:49:35,400 --> 00:49:37,719
Speaker 1: plane hasn't even taken off. And that is something I

1030
00:49:37,840 --> 00:49:42,719
Speaker 1: just realized I could, so maybe I will. Yeah, not

1031
00:49:42,800 --> 00:49:44,000
Speaker 1: stopping that would be fine.

1032
00:49:45,360 --> 00:49:52,279
Speaker 2: I M crashing. You watch crashing? Yeah, where he's at

1033
00:49:52,280 --> 00:49:53,520
Speaker 2: the stage in his career?

1034
00:49:53,840 --> 00:49:59,920
Speaker 4: Do I watch crashing? That's funny? Where crashing he's watch it?

1035
00:50:00,120 --> 00:50:05,400
Speaker 1: Yeah? On that geo baby, Yeah.

1036
00:50:05,400 --> 00:50:08,719
Speaker 2: Yes, because it is animal ecosystem. He's climbing up the

1037
00:50:08,760 --> 00:50:09,319
Speaker 2: food chain.

1038
00:50:09,400 --> 00:50:09,600
Speaker 3: You know.

1039
00:50:09,960 --> 00:50:13,359
Speaker 1: He starts out he's just a lowly little plankton, and

1040
00:50:13,360 --> 00:50:14,040
Speaker 1: now he's.

1041
00:50:13,880 --> 00:50:16,080
Speaker 2: Just going to be super.

1042
00:50:17,480 --> 00:50:20,600
Speaker 3: Am I the only one who got I just got crashing,

1043
00:50:20,640 --> 00:50:22,840
Speaker 3: like on the on the couch, you know, but also

1044
00:50:22,960 --> 00:50:24,440
Speaker 3: like his life's crashing.

1045
00:50:25,400 --> 00:50:26,680
Speaker 1: I just got that.

1046
00:50:26,920 --> 00:50:29,640
Speaker 2: I still I don't think it's Yeah, I actually don't

1047
00:50:29,640 --> 00:50:32,040
Speaker 2: think that's what it means. I think it's like it's

1048
00:50:32,080 --> 00:50:38,439
Speaker 2: like a comedy word, like he's crashing the comedy scene. Yeah,

1049
00:50:38,640 --> 00:50:41,240
Speaker 2: that's sort of the kool aid man of the comedy scene.

1050
00:50:41,320 --> 00:50:45,840
Speaker 1: Yeah, right, crashing in there and just hitting him with

1051
00:50:46,320 --> 00:50:48,680
Speaker 1: jokes and like norm there are all these like norms

1052
00:50:48,719 --> 00:50:51,759
Speaker 1: set up and he's crashing into these norms with a

1053
00:50:51,880 --> 00:50:58,200
Speaker 1: car basically of like a like a joking material. Yeah,

1054
00:50:58,320 --> 00:50:59,880
Speaker 1: but what were you going to say about it?

1055
00:51:01,040 --> 00:51:04,600
Speaker 2: I think I just wanted to introduce it. Yes, I

1056
00:51:04,600 --> 00:51:06,520
Speaker 2: think I just wanted to just put it out there

1057
00:51:06,560 --> 00:51:08,440
Speaker 2: in the world. But he's been talking about, like you know,

1058
00:51:08,640 --> 00:51:10,719
Speaker 2: it's like what everything we see Pete go through on

1059
00:51:10,760 --> 00:51:14,320
Speaker 2: that show is true and about like buying sets Pete.

1060
00:51:14,800 --> 00:51:19,720
Speaker 1: Yes, yes, yes, crashing yes there have you made it weird?

1061
00:51:20,640 --> 00:51:24,280
Speaker 3: Yeah, I've gotten weird. I don't know have made it weird?

1062
00:51:24,680 --> 00:51:26,640
Speaker 3: That might be your or your department.

1063
00:51:26,760 --> 00:51:30,320
Speaker 2: Well, he's referencing like Pete podcast on his show, Kevin,

1064
00:51:30,520 --> 00:51:33,680
Speaker 2: which I noticed works you did not list in your

1065
00:51:33,880 --> 00:51:36,680
Speaker 2: tender bio, Which that's okay.

1066
00:51:36,880 --> 00:51:39,680
Speaker 4: I understand that you don't want to get too much ass.

1067
00:51:40,560 --> 00:51:47,160
Speaker 1: That's all and that's why and that's why. To catch

1068
00:51:47,160 --> 00:51:47,920
Speaker 1: his breath, every day.

1069
00:51:48,000 --> 00:51:49,799
Speaker 3: Yeah, yeah, you can't catch your breath when you got

1070
00:51:49,880 --> 00:51:52,440
Speaker 3: chicks sitting on your face and my wrong.

1071
00:51:52,320 --> 00:51:57,600
Speaker 1: Okay, I'll stop you when you are whoops, I took

1072
00:51:57,640 --> 00:51:59,240
Speaker 1: my chauvinus pill this morning.

1073
00:51:59,320 --> 00:51:59,879
Speaker 4: Sorry guy.

1074
00:52:00,160 --> 00:52:02,520
Speaker 2: So when he said I've gotten weird, let's get weird,

1075
00:52:02,680 --> 00:52:04,000
Speaker 2: was like a thing that they would say on this.

1076
00:52:05,760 --> 00:52:06,200
Speaker 4: We did.

1077
00:52:06,239 --> 00:52:09,360
Speaker 3: I guess, yeah, yes, sorry, it's just part of this

1078
00:52:09,440 --> 00:52:10,399
Speaker 3: is my life.

1079
00:52:11,160 --> 00:52:15,160
Speaker 1: It's odd to think about how other people see it

1080
00:52:15,200 --> 00:52:16,719
Speaker 1: from the outside.

1081
00:52:16,360 --> 00:52:20,440
Speaker 4: Right right, I don't know. I'll never know. I'm on

1082
00:52:20,480 --> 00:52:20,960
Speaker 4: the inside.

1083
00:52:21,120 --> 00:52:23,560
Speaker 1: Yeah, yeah, he's way in there.

1084
00:52:23,760 --> 00:52:26,680
Speaker 3: I do feel like sometimes I feel like an animal

1085
00:52:27,000 --> 00:52:28,120
Speaker 3: in a zoo.

1086
00:52:29,520 --> 00:52:34,200
Speaker 1: Yeah, because you know, because come.

1087
00:52:43,520 --> 00:52:43,719
Speaker 3: Are you?

1088
00:52:43,760 --> 00:52:44,440
Speaker 4: Are you serious?

1089
00:52:45,760 --> 00:52:48,399
Speaker 1: Uh? Just for the listeners, just I mean, of course

1090
00:52:48,440 --> 00:52:51,080
Speaker 1: I understand exactly and and feel the same.

1091
00:52:51,560 --> 00:52:53,439
Speaker 4: Think about when you go to the zoo. You you

1092
00:52:53,480 --> 00:52:54,160
Speaker 4: what do you go to see?

1093
00:52:54,680 --> 00:52:56,319
Speaker 3: Well, I thank you.

1094
00:52:58,880 --> 00:52:59,920
Speaker 4: Go to see the animals?

1095
00:53:00,360 --> 00:53:03,839
Speaker 1: Okay, Well where are these animals supposed to live?

1096
00:53:04,200 --> 00:53:07,080
Speaker 3: Where are they most comfortable in their own environment? And

1097
00:53:07,120 --> 00:53:09,480
Speaker 3: then all of a sudden they're put in a box? Okay,

1098
00:53:09,520 --> 00:53:11,920
Speaker 3: a cage box. Yeah, we just have a very different

1099
00:53:12,000 --> 00:53:12,799
Speaker 3: zoo experience.

1100
00:53:13,000 --> 00:53:14,680
Speaker 4: Oh, tell me about your zoo experience.

1101
00:53:15,280 --> 00:53:19,520
Speaker 1: Well, well, so a friend of mine actually works there,

1102
00:53:19,640 --> 00:53:21,640
Speaker 1: so when I am going, it's usually just to grab

1103
00:53:21,719 --> 00:53:22,880
Speaker 1: lunch with him, real quick.

1104
00:53:24,360 --> 00:53:28,680
Speaker 2: And so kind of candy, yeah, and so dip do.

1105
00:53:30,400 --> 00:53:33,600
Speaker 1: Not always not always the sweet stuff, but sometimes we

1106
00:53:33,680 --> 00:53:39,799
Speaker 1: will do that for fun. But I know, yes, I

1107
00:53:39,920 --> 00:53:41,600
Speaker 1: just asked him to do it without the sugar, So

1108
00:53:41,640 --> 00:53:42,920
Speaker 1: it's just the texture.

1109
00:53:42,560 --> 00:53:44,040
Speaker 3: That I like. Well, here's what I want you to

1110
00:53:44,080 --> 00:53:47,560
Speaker 3: ask your friend. Ask your friend how he she or

1111
00:53:48,560 --> 00:53:53,040
Speaker 3: ask your friend let's see how they think the animals

1112
00:53:53,080 --> 00:53:56,719
Speaker 3: feel and whatever he tells you, that's my answer for

1113
00:53:56,800 --> 00:53:57,480
Speaker 3: how I feel.

1114
00:53:57,960 --> 00:54:00,400
Speaker 1: I've asked him and he said he doesn't know, you know,

1115
00:54:01,040 --> 00:54:04,880
Speaker 1: because their brain is so different. But he's an actual

1116
00:54:05,000 --> 00:54:05,800
Speaker 1: animal expert.

1117
00:54:06,480 --> 00:54:10,440
Speaker 3: Their brains are not that different. That's see that. People

1118
00:54:10,560 --> 00:54:13,719
Speaker 3: like you. People like you. Oh look, roadkill, I'm gonna

1119
00:54:13,760 --> 00:54:16,640
Speaker 3: run over it again. Oh yeah, that was a mom,

1120
00:54:16,719 --> 00:54:21,760
Speaker 3: that was a brother, that was do you just saying

1121
00:54:21,960 --> 00:54:24,160
Speaker 3: ecosystem about five minutes ago?

1122
00:54:24,480 --> 00:54:25,360
Speaker 4: Where's that shown?

1123
00:54:26,239 --> 00:54:28,520
Speaker 3: I would love to be I'd love to get him

1124
00:54:28,520 --> 00:54:32,240
Speaker 3: back in this room. And a crow can do a puzzle. Yeah,

1125
00:54:32,600 --> 00:54:35,719
Speaker 3: oh oh you see now now I'm getting mocked. You

1126
00:54:35,719 --> 00:54:38,959
Speaker 3: ever see birds fly in the formation. What the fuck

1127
00:54:39,040 --> 00:54:40,080
Speaker 3: do you think that is?

1128
00:54:40,360 --> 00:54:41,799
Speaker 4: Do you think do you think we can walk out

1129
00:54:41,800 --> 00:54:44,800
Speaker 4: the essentially?

1130
00:54:47,040 --> 00:54:50,800
Speaker 1: Yeah, they can be it birds of a feather flock together.

1131
00:54:50,880 --> 00:54:52,839
Speaker 3: Who do you think came up with that?

1132
00:54:52,840 --> 00:54:55,000
Speaker 1: That bird is a bird?

1133
00:54:55,200 --> 00:54:56,680
Speaker 3: A person about birds.

1134
00:54:57,680 --> 00:54:59,480
Speaker 1: They must have heard it from a bird at least of.

1135
00:54:59,480 --> 00:55:02,600
Speaker 3: Course if the birds. Oh my god, I feel like

1136
00:55:02,640 --> 00:55:06,200
Speaker 3: I'm you. Guys are running on treadmills and I am

1137
00:55:06,239 --> 00:55:06,920
Speaker 3: on the pavement.

1138
00:55:07,000 --> 00:55:08,760
Speaker 2: I'm sorry we made you so upset.

1139
00:55:08,920 --> 00:55:10,840
Speaker 3: It's not you, it's probably Ryan.

1140
00:55:11,400 --> 00:55:14,759
Speaker 1: Okay, and we've identified again what the issue is.

1141
00:55:14,880 --> 00:55:21,840
Speaker 3: It's just it's just a vibe I'm getting. Do you

1142
00:55:21,840 --> 00:55:23,320
Speaker 3: guys have a wall I can punch?

1143
00:55:24,600 --> 00:55:28,120
Speaker 1: Okay? Kevin has been talking about getting one in here,

1144
00:55:28,280 --> 00:55:29,799
Speaker 1: forever wall.

1145
00:55:30,280 --> 00:55:34,520
Speaker 3: Yes, Oh, Kevin talking about something again not doing well.

1146
00:55:34,640 --> 00:55:37,600
Speaker 1: Kevin has said that there's another wall that he's very

1147
00:55:37,600 --> 00:55:42,040
Speaker 1: interested in building before he gets a wall in here.

1148
00:55:44,360 --> 00:55:49,080
Speaker 2: I guess he's Ryan has been telling him some stuff, yeah,

1149
00:55:49,200 --> 00:55:57,320
Speaker 2: about like a new civil war. Yeah, and so Kevin

1150
00:55:57,360 --> 00:56:00,879
Speaker 2: has volunteered to go to go build the wall.

1151
00:56:01,000 --> 00:56:01,239
Speaker 3: Yeah.

1152
00:56:01,239 --> 00:56:03,480
Speaker 1: He's always carrying around on what side?

1153
00:56:04,400 --> 00:56:04,760
Speaker 3: God?

1154
00:56:04,840 --> 00:56:06,280
Speaker 1: This is gonna be the first break?

1155
00:56:06,520 --> 00:56:06,719
Speaker 3: Yeah?

1156
00:56:07,800 --> 00:56:10,120
Speaker 1: Just holding just feel like this will be the first brick.

1157
00:56:10,200 --> 00:56:14,239
Speaker 1: It just takes one to start a revolution. And you know,

1158
00:56:14,520 --> 00:56:16,840
Speaker 1: just quietly saying that to himself as he sort of

1159
00:56:16,840 --> 00:56:19,279
Speaker 1: feels the way to the brick in his hand. And

1160
00:56:19,320 --> 00:56:21,400
Speaker 1: we'll ask him to, you know, can we get a

1161
00:56:21,400 --> 00:56:23,080
Speaker 1: wall in here for the guests and makes them more comfortable.

1162
00:56:23,080 --> 00:56:24,920
Speaker 1: They can punch the wall when Ryan gets them worked up,

1163
00:56:25,080 --> 00:56:26,680
Speaker 1: or or just to get us a glass of water

1164
00:56:26,800 --> 00:56:28,040
Speaker 1: or anything practical.

1165
00:56:28,200 --> 00:56:29,879
Speaker 2: And he's just with the brick.

1166
00:56:29,960 --> 00:56:32,399
Speaker 4: Yeah, and he can't How do you can't hold because

1167
00:56:32,400 --> 00:56:32,759
Speaker 4: he'll go.

1168
00:56:32,840 --> 00:56:34,919
Speaker 1: It doesn't go here, and he's like, you know where

1169
00:56:34,920 --> 00:56:39,000
Speaker 1: it goes on the edge of my home, right, And

1170
00:56:39,400 --> 00:56:43,160
Speaker 1: so I you know, I can't keep having that same

1171
00:56:43,200 --> 00:56:44,759
Speaker 1: conversation with him.

1172
00:56:44,800 --> 00:56:45,600
Speaker 4: It'll be funny.

1173
00:56:45,760 --> 00:56:47,200
Speaker 3: And this is a I don't know if you guys

1174
00:56:47,239 --> 00:56:50,200
Speaker 3: do Crewe gifts here to do Crewe gifts?

1175
00:56:50,360 --> 00:56:50,680
Speaker 2: Yeah?

1176
00:56:50,719 --> 00:56:53,400
Speaker 1: Every year the year, every year the gifts Krue gifts

1177
00:56:53,400 --> 00:56:54,400
Speaker 1: for everyone.

1178
00:56:55,480 --> 00:56:59,439
Speaker 3: I'm thinking about, I see he's still here. I'm thinking

1179
00:56:59,440 --> 00:57:03,960
Speaker 3: about maybe just like a brick, okay, and everyone will

1180
00:57:04,000 --> 00:57:07,759
Speaker 3: be like, oh shit, yeah, and then everyone gets a back.

1181
00:57:07,840 --> 00:57:08,480
Speaker 3: Everyone gets a brick.

1182
00:57:08,480 --> 00:57:14,160
Speaker 4: But then guess what you build the wall Wow, Yeah,

1183
00:57:14,200 --> 00:57:16,520
Speaker 4: because how many guys? How many people run this ship here?

1184
00:57:17,000 --> 00:57:19,800
Speaker 1: Uh, there's about two hundred people working here. I've met

1185
00:57:19,880 --> 00:57:20,920
Speaker 1: four of them.

1186
00:57:21,320 --> 00:57:21,600
Speaker 3: Uh.

1187
00:57:21,640 --> 00:57:24,200
Speaker 1: They all trade jobs every couple of weeks.

1188
00:57:24,680 --> 00:57:27,520
Speaker 2: And it's different people every time in the office. Seeming

1189
00:57:27,520 --> 00:57:30,880
Speaker 2: really okay, Well let me every time I walk in here, i'much.

1190
00:57:30,560 --> 00:57:35,120
Speaker 3: Who is that two hundred people? So you're looking at

1191
00:57:35,200 --> 00:57:37,400
Speaker 3: like one hundred and sixty dollars?

1192
00:57:37,440 --> 00:57:38,520
Speaker 4: I feel like that's doable.

1193
00:57:38,840 --> 00:57:41,040
Speaker 3: Yeah, yeah, bricks and then obviously you want to get

1194
00:57:41,080 --> 00:57:45,400
Speaker 3: a little stationary and some ribbon tiet and then write

1195
00:57:45,400 --> 00:57:47,040
Speaker 3: the note on that, or you just run a brick.

1196
00:57:47,080 --> 00:57:47,760
Speaker 3: I guess I don't know.

1197
00:57:48,120 --> 00:57:51,360
Speaker 2: Yeah, you can use the shopping cart from the store

1198
00:57:52,240 --> 00:57:54,920
Speaker 2: to carry them in, sure, and the wheels might lock up,

1199
00:57:54,920 --> 00:57:58,080
Speaker 2: but you can, like you can just drag it.

1200
00:57:58,280 --> 00:58:01,480
Speaker 1: There's tell me about Chompions the show.

1201
00:58:02,120 --> 00:58:08,400
Speaker 3: It's it's it's primetime, okay, So that's a fun feeling.

1202
00:58:09,920 --> 00:58:14,000
Speaker 3: What I like to do in primetime is my thang. Okay,

1203
00:58:14,200 --> 00:58:15,400
Speaker 3: So that's what you're gonna be saying.

1204
00:58:15,480 --> 00:58:16,480
Speaker 2: What about this?

1205
00:58:16,880 --> 00:58:23,400
Speaker 3: Yeah, it is an ensemble comedy about a gym, and

1206
00:58:24,520 --> 00:58:27,320
Speaker 3: me and my brother we own the gym.

1207
00:58:27,520 --> 00:58:30,440
Speaker 2: I've heard that it's an ensemble comedy where there's like

1208
00:58:30,640 --> 00:58:33,320
Speaker 2: the funny guy Durs, but then there's like the hot

1209
00:58:33,360 --> 00:58:36,760
Speaker 2: guy Durs, and then there's like the sweetheart next door.

1210
00:58:38,440 --> 00:58:40,200
Speaker 2: Think there's a smart guy in there too.

1211
00:58:40,360 --> 00:58:42,920
Speaker 3: The flattery will get you everywhere.

1212
00:58:45,120 --> 00:58:48,000
Speaker 1: Okay, does anyone go viral this season?

1213
00:58:49,680 --> 00:58:50,640
Speaker 4: I'm sorry, what do you mean?

1214
00:58:51,160 --> 00:58:56,960
Speaker 1: Oh? Just just you know, in today's culture obviously story.

1215
00:59:00,040 --> 00:59:02,800
Speaker 3: And Baker, did you see he just I just lowered

1216
00:59:02,840 --> 00:59:04,680
Speaker 3: the hook the d.

1217
00:59:06,560 --> 00:59:07,520
Speaker 2: Oh that looks yummy.

1218
00:59:07,760 --> 00:59:08,840
Speaker 1: Let me just chomp into it.

1219
00:59:09,120 --> 00:59:11,840
Speaker 2: Oh here I go.

1220
00:59:11,840 --> 00:59:12,280
Speaker 3: Good.

1221
00:59:12,520 --> 00:59:13,920
Speaker 1: Yeah, but yeah, we hope to.

1222
00:59:14,120 --> 00:59:16,800
Speaker 3: I mean, we just shot ten episodes and fingers crossed

1223
00:59:16,800 --> 00:59:19,800
Speaker 3: we can get a couple of gifts, a couple of

1224
00:59:19,840 --> 00:59:21,720
Speaker 3: gifts out there that last crew gifts.

1225
00:59:21,960 --> 00:59:26,680
Speaker 1: No, no g I f okay, crew gifts. Never said crew,

1226
00:59:28,080 --> 00:59:31,720
Speaker 1: Hey your hay you brought that's your baggage. You brought

1227
00:59:31,760 --> 00:59:33,120
Speaker 1: to it, your whole deal.

1228
00:59:33,640 --> 00:59:35,600
Speaker 3: But yeah, I mean I think it's a funny show.

1229
00:59:36,200 --> 00:59:40,560
Speaker 3: And uh, you know, after three months of working, you know,

1230
00:59:40,600 --> 00:59:44,760
Speaker 3: twelve thirteen, fourteen hour days, just three or four gifts,

1231
00:59:45,000 --> 00:59:50,040
Speaker 3: you know that that really resonate, you know, when you

1232
00:59:50,160 --> 00:59:52,360
Speaker 3: forgot to add the fabric softener.

1233
00:59:52,360 --> 00:59:58,080
Speaker 6: Good something yeah, I know feel when you being like, right,

1234
00:59:58,640 --> 01:00:02,439
Speaker 6: I have a son, but it's about like the fabrics oftener.

1235
01:00:02,240 --> 01:00:05,840
Speaker 3: Yes, or like when Boo wants to borrow your phone

1236
01:00:05,880 --> 01:00:10,480
Speaker 3: real quick, you know classic what moment is that on

1237
01:00:10,520 --> 01:00:12,120
Speaker 3: the show that would.

1238
01:00:11,920 --> 01:00:16,080
Speaker 4: Just be like a shock, like like a pensive Oh no,

1239
01:00:16,240 --> 01:00:17,400
Speaker 4: well no, what's she gonna see?

1240
01:00:17,760 --> 01:00:17,800
Speaker 2: No?

1241
01:00:19,120 --> 01:00:21,840
Speaker 3: But yeah, so that my gym owner character finds out

1242
01:00:21,880 --> 01:00:26,960
Speaker 3: that he's got a son that's fifteen with Mindy Kaling's

1243
01:00:27,040 --> 01:00:30,439
Speaker 3: character and this kid we got boy, was he shot

1244
01:00:30,480 --> 01:00:31,800
Speaker 3: out of a cannon? Yeah?

1245
01:00:32,080 --> 01:00:33,760
Speaker 4: Made to entertain this one.

1246
01:00:33,920 --> 01:00:34,640
Speaker 3: Oh man.

1247
01:00:34,960 --> 01:00:36,720
Speaker 1: And it's that sounds the kind of guy that might

1248
01:00:36,760 --> 01:00:38,760
Speaker 1: be going viral this season.

1249
01:00:39,400 --> 01:00:40,760
Speaker 3: I got a feeling. I mean, he's the kind of

1250
01:00:40,840 --> 01:00:43,120
Speaker 3: kid you gotta put on. You got put jim shoes

1251
01:00:43,160 --> 01:00:45,520
Speaker 3: on his feet because he's got taps built into the

1252
01:00:45,520 --> 01:00:47,480
Speaker 3: soles of his feet, you.

1253
01:00:47,520 --> 01:00:51,280
Speaker 1: Know, good, gracious, so a true born entertainer.

1254
01:00:51,640 --> 01:00:55,880
Speaker 3: Yeah, JJ, toda, I mean this guy the tote package,

1255
01:00:56,240 --> 01:01:00,160
Speaker 3: the Toda package.

1256
01:01:01,160 --> 01:01:04,040
Speaker 4: That's good. That is good. That's strong.

1257
01:01:04,360 --> 01:01:04,840
Speaker 1: Thank you.

1258
01:01:05,120 --> 01:01:05,720
Speaker 4: That's loud.

1259
01:01:05,960 --> 01:01:10,200
Speaker 3: Thank you. We said it might get loud, we warned you.

1260
01:01:10,200 --> 01:01:13,120
Speaker 4: Oh my god, that's dope.

1261
01:01:13,320 --> 01:01:14,600
Speaker 2: What time is it on?

1262
01:01:15,240 --> 01:01:17,600
Speaker 4: It's now going to be on it nine thirty.

1263
01:01:18,000 --> 01:01:21,000
Speaker 2: I get a little blue at nine thirty.

1264
01:01:21,400 --> 01:01:24,600
Speaker 1: It's the very outer edge of prime time where you're

1265
01:01:24,640 --> 01:01:27,760
Speaker 1: allowed to just be a little bit nasty, a little.

1266
01:01:27,600 --> 01:01:32,040
Speaker 3: Crazy, little wild right after Will and Grace. So we

1267
01:01:32,080 --> 01:01:35,280
Speaker 3: got a nice little hour. Yeah, and then if you're watching, uh,

1268
01:01:35,800 --> 01:01:41,000
Speaker 3: whatever serious drama comes on after it, Uh, you'll get

1269
01:01:41,040 --> 01:01:42,920
Speaker 3: a little minute of the end of our show. If

1270
01:01:42,920 --> 01:01:44,720
Speaker 3: you DVR that, you know, a a little sneak.

1271
01:01:44,920 --> 01:01:46,360
Speaker 4: So watch out.

1272
01:01:47,240 --> 01:01:49,360
Speaker 3: Nice for all you drama heads out there, I know

1273
01:01:49,800 --> 01:01:51,960
Speaker 3: comedy is dead. Comedy's dead, It's all I'm every here.

1274
01:01:52,280 --> 01:01:55,560
Speaker 3: I'm like, well, we're still making it over here, pal, Yeah,

1275
01:01:55,640 --> 01:01:56,840
Speaker 3: we're still telling jokes.

1276
01:01:56,880 --> 01:01:59,040
Speaker 4: People are still laughing. Let's all have a little fun.

1277
01:01:59,360 --> 01:02:01,520
Speaker 1: Come on over here and check my pulse. Yeah you

1278
01:02:01,840 --> 01:02:04,160
Speaker 1: have comedy is dead or not? Don't check it there.

1279
01:02:05,040 --> 01:02:08,760
Speaker 2: That's my The funniest part two is like that last

1280
01:02:08,800 --> 01:02:11,240
Speaker 2: minute of the network show.

1281
01:02:11,440 --> 01:02:12,920
Speaker 1: Will you backload the comedy?

1282
01:02:12,960 --> 01:02:14,920
Speaker 3: Yeah? Yeah, Well, I mean it just hearkens back to

1283
01:02:14,960 --> 01:02:17,440
Speaker 3: what I was saying about putting out that pilot. Starting

1284
01:02:17,480 --> 01:02:20,920
Speaker 3: on page seventeen. The goods are in the caboose.

1285
01:02:21,120 --> 01:02:25,000
Speaker 1: Yeah, the engine, your your production card, which comes out

1286
01:02:25,000 --> 01:02:26,720
Speaker 1: at the end of the show, says, Hey, if you

1287
01:02:26,880 --> 01:02:28,600
Speaker 1: like that, call the fucking number.

1288
01:02:31,160 --> 01:02:35,080
Speaker 4: Yeah, it does, and if you tune in you'll see it.

1289
01:02:35,840 --> 01:02:40,680
Speaker 1: Hey man, Hey, one night underd fuck you man. All right,

1290
01:02:40,680 --> 01:02:42,880
Speaker 1: I got a callback. That's good, so let's go.

1291
01:02:43,040 --> 01:02:45,640
Speaker 2: You wanted to burp one more time for people's ring tones?

1292
01:02:46,000 --> 01:02:48,040
Speaker 3: Um, I don't know me.

1293
01:02:48,120 --> 01:02:50,120
Speaker 4: Let me get some water and then you guys keep talking.

1294
01:02:50,360 --> 01:02:53,560
Speaker 2: Okay, okay, thank you, Thanks Kevin.

1295
01:02:54,640 --> 01:02:55,880
Speaker 1: Hey, let's just talk to each other.

1296
01:02:56,800 --> 01:02:59,000
Speaker 2: Okay. You don't want to do the thank yous this episode?

1297
01:02:59,040 --> 01:02:59,560
Speaker 1: I don't know.

1298
01:03:01,520 --> 01:03:01,960
Speaker 3: We did it.

1299
01:03:02,000 --> 01:03:03,760
Speaker 2: We do it every other episode, so we don't have

1300
01:03:03,800 --> 01:03:03,960
Speaker 2: to do it.

1301
01:03:04,040 --> 01:03:06,040
Speaker 1: They don't have to do it. Yeah, you want to

1302
01:03:06,040 --> 01:03:07,400
Speaker 1: thank Kevin, Thank you engineering?

1303
01:03:07,480 --> 01:03:08,440
Speaker 2: I did thank Kevin.

1304
01:03:08,560 --> 01:03:10,920
Speaker 1: Thank you engineer Ryan, Thank you Colin.

1305
01:03:11,120 --> 01:03:11,600
Speaker 3: I'm trying to.

1306
01:03:14,480 --> 01:03:16,480
Speaker 2: I don't want to just throw on your mic.

1307
01:03:20,600 --> 01:03:23,960
Speaker 4: I's too bad you wanted me to. I just want

1308
01:03:23,960 --> 01:03:24,880
Speaker 4: to throw on your mic.

1309
01:03:27,360 --> 01:03:36,840
Speaker 1: Oh wow, And he's getting all the feels from Bye

1310
01:03:38,960 --> 01:03:40,440
Speaker 1: I'm a horny girl Wolf.

1311
01:03:40,760 --> 01:03:44,480
Speaker 2: This has been an Earwold production executive produced by Scott Ackerman,

1312
01:03:44,640 --> 01:03:48,000
Speaker 2: Colin Anderson, and Chris Bannon. For more information and content,

1313
01:03:48,120 --> 01:03:53,400
Speaker 2: visit earwold dot com, oh