WEBVTT - #17: The UBER Driver Who Shared Too Much Information

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<v Speaker 1>I don't have headphones. I can't hear what's going on? Well,

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<v Speaker 1>so on the Brody and Scary Podcast. After a headphone

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<v Speaker 1>Scary Scary Brodie, that plays you paid Kathleen how much

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<v Speaker 1>money to do that? Whatever? Hit the jingle start dot up?

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<v Speaker 1>Start up, Brooklyn Boy, start up, Brooklyn buys data. They're

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<v Speaker 1>making noise data dot up. We're starting. We're starting the

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<v Speaker 1>number seventeen. About that. It's the Brooklyn Boys Podcast. I'm

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<v Speaker 1>Scary Jones. That's David Brody. Yeah, and uh, what do

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<v Speaker 1>we got going on? Man? I mean it's been a minute.

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<v Speaker 1>It's been a minute. I got a long list, you

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<v Speaker 1>know what. I'm actually overloaded this week too, with so

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<v Speaker 1>much I want to talk about. By the way, shout

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<v Speaker 1>out to all of our listeners who are like, where's

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<v Speaker 1>the podcast? What's going on? I feel wanted for a change. Yeah,

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<v Speaker 1>you know what. Oh, speaking of wanted, I gotta get

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<v Speaker 1>my laptop. Why because there's a there's an itu UNEs review,

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<v Speaker 1>you know what. I'll I don't think I ever had

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<v Speaker 1>a girlfriend that wanted me so much in my life.

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<v Speaker 1>I mean, some of people are texting in the podcast

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<v Speaker 1>is not up. It's Thursday. People are tweeting at us,

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<v Speaker 1>people are texting us Elvis de Ran Show. I honestly

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<v Speaker 1>feel like we like people like this is something that

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<v Speaker 1>might be around for a while. As long as we

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<v Speaker 1>don't get sick of each other. You can always get

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<v Speaker 1>in touch with us. The Brooklyn Boys Podcast at gmail

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<v Speaker 1>dot com. Big surprise the iTunes on this computer. It

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<v Speaker 1>wants to download a new iTunes. I get excited when

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<v Speaker 1>I see a new download for an app though on

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<v Speaker 1>my phone, for like, oh my god, they're gonna update

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<v Speaker 1>Instagram today. Oh Twitter needs an update. And then all

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<v Speaker 1>it says in the description line is fixing bugs, and

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<v Speaker 1>you know, silly things like that, like I don't want

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<v Speaker 1>to bug fix. I want to actually new functionality. Like

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<v Speaker 1>the day that Twitter came out with doubling the amount

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<v Speaker 1>that you could put in a tweet. That's an update,

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<v Speaker 1>not bug fix. Give me a break. So a lot

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<v Speaker 1>of them are like these guys are funny, love Brodie's rand,

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<v Speaker 1>Scary's hysterical. Here's my here's my favorite, at least of

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<v Speaker 1>the thirties. So I read last night. It's from Rob

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<v Speaker 1>left his wife two years ago. That's the account. That's

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<v Speaker 1>the name of the account now at first it sounds offensive,

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<v Speaker 1>but then it's so us Ready here's the review. These

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<v Speaker 1>two jerkoffs made me piss my pants while driving home.

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<v Speaker 1>I also spit out my beer while laughing. Did you

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<v Speaker 1>know the windshow wipe is don't work on the inside

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<v Speaker 1>of the car? True story. Keep up the great work, boys.

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<v Speaker 1>So Rob left his wife two years ago and now

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<v Speaker 1>he has us two jerkoffs. They're funny, so cool. Thank you.

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<v Speaker 1>Rob left his wife two years ago. Thanks, that's your

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<v Speaker 1>friend Rob. No, that's not Nope, your friend Rob left

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<v Speaker 1>his wife two years ago. We talked about this on

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<v Speaker 1>the Fifteen Minute Morning Show. That's definitely your buddy, Rob,

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<v Speaker 1>that's your friend. I'd like to think that was just

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<v Speaker 1>some listener. That's the guy. You just realizing this now

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<v Speaker 1>on this dude, you're not really his friend. On a

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<v Speaker 1>previous podcast job on the fifteen Minute Morning Show, Brodie

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<v Speaker 1>had his buddy Rob in studio with us. It was

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<v Speaker 1>on the Bald to Brody in the room on the

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<v Speaker 1>podcast live that this guy Rob left his wife two

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<v Speaker 1>years ago, and Brody was because he's not a great

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<v Speaker 1>friend of his found out that hold on, he found

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<v Speaker 1>out that he's that he left his wife on the

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<v Speaker 1>podcast because oh my god, I know that no idea

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<v Speaker 1>about that, and Rob goes, that's because we haven't spoken

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<v Speaker 1>it all this time. We've been out of touch. Anyway, Now, Brodie,

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<v Speaker 1>you're reading a review from iTunes from a guy named

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<v Speaker 1>Rob left his wife two years ago. And it takes

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<v Speaker 1>me to point out that that is your friend Rob

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<v Speaker 1>submitting that review. Yes, I'm a bit well, there's lots

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<v Speaker 1>of other reviews on iTunes that like us. Anyway, Thanks,

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<v Speaker 1>thanks Rob, my friend of forever. Alright, very good. Did

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<v Speaker 1>you really not know that was how? I didn't know

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<v Speaker 1>that was him? Does it not his language? And it

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<v Speaker 1>says I didn't read the name until just now. Alright.

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<v Speaker 1>So here's a couple of things that on my list

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<v Speaker 1>of things I want to do today. I have a

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<v Speaker 1>couple of rants, no kidding. I want to bitch to

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<v Speaker 1>you about um a guest that you turned down. I

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<v Speaker 1>want to I want a bitch about a celebrity scandal

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<v Speaker 1>uh as far as um the sexual h predators and stuff.

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<v Speaker 1>There's a celebrity I'm particularly upset about going on. You

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<v Speaker 1>want a sexual predator as a guest On the unrelated

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<v Speaker 1>I have one of those. I'm talking to him right now. No,

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<v Speaker 1>I'm not talking about that. I'm talking about a celebrity

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<v Speaker 1>that's been in the news a lot lately for inappropriately

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<v Speaker 1>doing things. And you know, but the way that you

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<v Speaker 1>said that said that I didn't want no, No, no,

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<v Speaker 1>I did. I said, you said no to a guest.

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<v Speaker 1>I said, then I want to talk about another guy, different,

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<v Speaker 1>different guy. But I'm not I'm upset with him for

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<v Speaker 1>a different reason. Just clarifying that those are two different people.

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<v Speaker 1>Brody did not want the sexual predator on the show. No,

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<v Speaker 1>I did not. I've got unused jokes and I've got

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<v Speaker 1>intern resumes I want to read. Give me that mail

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<v Speaker 1>time on stage all right. By the way, we're in

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<v Speaker 1>that studio again where I have to push all the buttons, right.

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<v Speaker 1>I don't like this. I don't like to shut up

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<v Speaker 1>at all. Not that you're bad at pushing buttons. I

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<v Speaker 1>just when you push my buttons, every chance again to

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<v Speaker 1>hold on. But but I like to be the one

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<v Speaker 1>at the board because that's where I feel most at home. Yeah,

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<v Speaker 1>all right, here we go. Ready, Yeah, that sounds like

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<v Speaker 1>it's mail time. Welcome, you've got mail? All right? We

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<v Speaker 1>got an email from co matics. DJ Cole says, this person, uh, hey,

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<v Speaker 1>brody and scary. Sorry, that's the only way it should

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<v Speaker 1>be listed, because I like things alphabetical and they're in

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<v Speaker 1>a list. Okay, great, thank you. I find myself doing

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<v Speaker 1>it subconsciously anyway. Um I um, I'm from Alabama and

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<v Speaker 1>I've never been to New York, so when it comes

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<v Speaker 1>to Brooklyn, I don't relate. Um and uh, but Brooklyn

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<v Speaker 1>seems like a great place. I found myself correcting people's grammar.

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<v Speaker 1>Like you guys, I feel one of us. Yeah, I

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<v Speaker 1>correct people's grammar two sometimes, and I'm sure you're gonna

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<v Speaker 1>correct some grammar on some resumes coming up. Oh yeah.

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<v Speaker 1>And I find it doing my doing it more now

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<v Speaker 1>that I'm listening. Thank you Brodie especially. Oh uh. It

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<v Speaker 1>gets me crazy when people say the c m A

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<v Speaker 1>Awards Hello, it's them as them the Country Music Award.

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<v Speaker 1>Hold on, hold on, hold on, hold on. What's this

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<v Speaker 1>person's name? D J Cole? Okay, DJ Cole, Uh, First

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<v Speaker 1>of all, First of all, DJ Cole, love that you

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<v Speaker 1>wrote email, love that you love our grammar correcting. But um,

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<v Speaker 1>we have a rule when it comes to correcting. Rule

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<v Speaker 1>number one, right, the problem is much like when we

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<v Speaker 1>say a t M, don't say ATM machine because it

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<v Speaker 1>stands for automatic teller machine. When someone says, what's the

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<v Speaker 1>VIN on your car, you don't say number number, vehicle

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<v Speaker 1>identification number, and you'd be saying vehicle identification number number, right,

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<v Speaker 1>And I see you unit, it's the I see you

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<v Speaker 1>the intensive care unit unit. Right. You wouldn't say intensive

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<v Speaker 1>care unit units, so you wouldn't say I see you unit.

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<v Speaker 1>So he what what he's trying to hear what he's

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<v Speaker 1>thinking about it? But he's thinking about it. But I

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<v Speaker 1>think he's here's where. Here's where you're wrong. I think

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<v Speaker 1>may may have changed it years ago, but it's now

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<v Speaker 1>the Country Music Association Awards. It legitimately is the c

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<v Speaker 1>m A Awards. In fact, they call it the c

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<v Speaker 1>m A Awards because it is the c m A Awards.

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<v Speaker 1>It's like it's like the NBA Awards. The A is

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<v Speaker 1>for not for awards, it's for something completely different, rights

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<v Speaker 1>association association. So in this case, the the example that

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<v Speaker 1>you're citing, call c m A Awards is right, is right.

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<v Speaker 1>You're saying it's wrong. It's right, it's not wrong. You're

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<v Speaker 1>wrong about being right. If you would have said v

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<v Speaker 1>m A Awards the Video Music Awards, and you wouldn't

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<v Speaker 1>say Video Music Awards Awards, so you'd be correcting that person.

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<v Speaker 1>So it looks like we're correcting call. So we're correcting

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<v Speaker 1>the correction correct. It could be Iran. It is ironic,

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<v Speaker 1>don't you think? Yes? Okay on, but you know half

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<v Speaker 1>a point for call for tea. At least you tried

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<v Speaker 1>to call call people. Try. You took the shot. You

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<v Speaker 1>had a break, but you took the shot. Lindsay McMahon writes, hey,

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<v Speaker 1>brooken boys in out of inevitably one of your names

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<v Speaker 1>will be typed in this email before the other. However,

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<v Speaker 1>that doesn't mean I like one of you more than

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<v Speaker 1>the other. Anyway. I want to shoot you guys an

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<v Speaker 1>email and let you know how much I love your podcast.

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<v Speaker 1>Whose name that she put first names a minute. I

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<v Speaker 1>have to be honest. When I first started listening to

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<v Speaker 1>the loud, emphatic bickering, I could leave me. I could

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<v Speaker 1>legitimately feel my BPM increase. That would be her blood pressure,

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<v Speaker 1>by the way, she did not say bpm per minutes exactly.

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<v Speaker 1>I gave it a chance, however, and I'm glad that

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<v Speaker 1>I did. You're both hilarious and in very different ways. Brodie,

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<v Speaker 1>you and I share fuck you. You and I share

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<v Speaker 1>a love of grammar and a vexation for those who

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<v Speaker 1>are incapable of probably properly preventing it like I get

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<v Speaker 1>in that sentence. That was an ironic moment. With that said,

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<v Speaker 1>I'm pretty sure I heard sip ashtin mannis Galco say

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<v Speaker 1>he has a six month year old baby. He did

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<v Speaker 1>say if you got that too, I'm damn near positive

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<v Speaker 1>if you wanted to correct him. Thanks for making me laugh.

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<v Speaker 1>Scary and Brody, Wow, I can't wait to hear more.

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<v Speaker 1>That's you change what she said. A couple of things.

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<v Speaker 1>People also say one years old. It's one year old. Also,

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<v Speaker 1>when you have twins, we know you have two twins.

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<v Speaker 1>That's why they're twins. You don't have to say two twins.

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<v Speaker 1>That's redundant. Okay. By the way, give out the email

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<v Speaker 1>address because it's texting. The Brooklyn Boys podcast at gmail

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<v Speaker 1>dot com. We couldn't make it any longer, we would have. Yeah,

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<v Speaker 1>So the Brooklyn Boys Podcast at gmail dot com. And

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<v Speaker 1>one final one from hiro Glyphics J A. I. R.

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<v Speaker 1>O glyphics on work. This is only funny if they

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<v Speaker 1>actually wrote the email on hieroglyphics. That would have been

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<v Speaker 1>if his name is Hiro. This comes to us from Hieroglyphics,

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<v Speaker 1>Bird Rocks Sun. Thanks, Hey Fellas, just wanted to say,

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<v Speaker 1>but the subject is A big fan in San Diego.

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<v Speaker 1>Hey Fellas, wanted to say thanks for taking a time

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<v Speaker 1>to create such an amazing podcast. I moved to Cali

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<v Speaker 1>from the Tri State area. I listened to The Big Show,

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<v Speaker 1>The Fifteen Minute Morning Show, and your podcast on iHeart Radio.

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<v Speaker 1>You guys are amazing at what you do, scary, You're

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<v Speaker 1>very entertaining and have the gift of gab. Save the

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<v Speaker 1>best for list and Brody. Your rants give me life.

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<v Speaker 1>And you're a comedy genius. You're witty and quick with

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<v Speaker 1>the jokes you've you have me dying laughing at work. Wow,

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<v Speaker 1>you guys always make me smile. I look forward to

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<v Speaker 1>every new episode. Also have my other coworker listening to

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<v Speaker 1>you guys. We got another one, another one. I'm always

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<v Speaker 1>going on and on about you all. Keep up the

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<v Speaker 1>great work. Broken boys. A big fan from Sunny San

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<v Speaker 1>Diego Hiero Glyphics. But I have a question. When you

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<v Speaker 1>said that this person was dying laughing, you paused. Did

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<v Speaker 1>they put a comma after dying that They did not.

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<v Speaker 1>They said, you have me dying laughing at work? You right,

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<v Speaker 1>you have me, you have me dying laughing at work.

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<v Speaker 1>Well they did. They did say dying lefting at work. Period.

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<v Speaker 1>No space low case. You guys always make me smile.

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<v Speaker 1>That's okay. You know what, you cannot capitalize if it's

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<v Speaker 1>a compliment. But that's a rule. Well that's what I

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<v Speaker 1>got for the week. Please email us. We do read

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<v Speaker 1>the The Brooklyn Boys podcast at gmail dot com. Let's

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<v Speaker 1>talk celebrities for a minute. So in the news, Kevin Spacey. Look,

0:11:17.480 --> 0:11:19.839
<v Speaker 1>a lot of problems with Kevin Spacey. He's done some

0:11:20.000 --> 0:11:22.880
<v Speaker 1>terrible things, allegedly, he hasn't denied them. We all know

0:11:23.000 --> 0:11:26.240
<v Speaker 1>the story about Kevin Spacey. Great actor, He's had some

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<v Speaker 1>He's been a lot of trouble. That's That's not what

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<v Speaker 1>I'm most upset abou Well, I am most upset, But

0:11:30.760 --> 0:11:33.760
<v Speaker 1>here's what I am secondarily upset about. Now. You know,

0:11:34.000 --> 0:11:36.160
<v Speaker 1>in the New York papers there's a crime section, right,

0:11:37.040 --> 0:11:38.800
<v Speaker 1>and in the crime section they show a picture of

0:11:38.840 --> 0:11:42.880
<v Speaker 1>like criminals like, oh, of course, this guy robbed a bank,

0:11:43.240 --> 0:11:46.079
<v Speaker 1>this guy muggden old lady. And inevitably, what do we

0:11:46.120 --> 0:11:48.440
<v Speaker 1>always see? Most of them are wearing what a Yankee

0:11:48.600 --> 0:11:50.199
<v Speaker 1>Yankee cat. So when they do when they do the

0:11:50.240 --> 0:11:52.080
<v Speaker 1>purple walk, the purple walk is when they're walking from

0:11:52.080 --> 0:11:54.480
<v Speaker 1>the police car to the station house. Usually the you know,

0:11:54.640 --> 0:11:58.079
<v Speaker 1>the media captures them and they're in handcuffs and or

0:11:58.120 --> 0:12:00.160
<v Speaker 1>they're being led out of their house in handcuffs. Ever

0:12:00.280 --> 0:12:03.000
<v Speaker 1>it is, they always are wearing a Yankee hat, right,

0:12:03.360 --> 0:12:05.280
<v Speaker 1>and so scary and eye is Mets fans. You know,

0:12:05.360 --> 0:12:07.280
<v Speaker 1>if you're not familiar with baseball, Mets and Yankees are

0:12:07.280 --> 0:12:09.000
<v Speaker 1>both in New York and is a levelry. So we're

0:12:09.040 --> 0:12:13.400
<v Speaker 1>like another criminal wearing Yankee laughing Brody at one point

0:12:13.520 --> 0:12:16.160
<v Speaker 1>in the old studio he had an entire wall of

0:12:16.240 --> 0:12:19.199
<v Speaker 1>fame of this every time, every time, every time that

0:12:19.400 --> 0:12:21.880
<v Speaker 1>somebody would be caught, he would literally cut it out

0:12:21.920 --> 0:12:24.760
<v Speaker 1>of the paper and posted like posted on the walls

0:12:24.800 --> 0:12:28.600
<v Speaker 1>like another purpose, another criminal being let out in handcuffs

0:12:28.640 --> 0:12:31.000
<v Speaker 1>in a Yankee hat. Right. So my theory was Yankee

0:12:31.000 --> 0:12:33.040
<v Speaker 1>fans of criminals, because that's as a Met fan, I

0:12:33.080 --> 0:12:35.400
<v Speaker 1>would say that I'm looking. I'm looking at the New

0:12:35.480 --> 0:12:38.280
<v Speaker 1>York Post, but but not today, a few days ago

0:12:38.600 --> 0:12:41.160
<v Speaker 1>by Kevin space Yeah, it's a there's a picture of

0:12:41.200 --> 0:12:43.160
<v Speaker 1>Kevin Spacey. You know this is going and you know

0:12:43.240 --> 0:12:46.000
<v Speaker 1>the New York Post, by the way, would miss no

0:12:46.120 --> 0:12:49.240
<v Speaker 1>opportunity to rip anyone in Hollywood that they can. Uh,

0:12:49.360 --> 0:12:51.600
<v Speaker 1>they're ripping Kevin Spacey. And I'm fine with that. He's

0:12:51.640 --> 0:12:55.360
<v Speaker 1>he's but he has my problem. It's Kevin Spacey walking

0:12:55.400 --> 0:12:58.839
<v Speaker 1>down the street and he's wearing a Mets hat. So

0:12:59.000 --> 0:13:00.800
<v Speaker 1>somewhere there's a Yankee and go and see. I told

0:13:00.840 --> 0:13:07.439
<v Speaker 1>you all met fans of purvs. So that upset um.

0:13:07.840 --> 0:13:10.920
<v Speaker 1>But that's not that's the celebrity I want to talk about. Okay,

0:13:11.360 --> 0:13:13.640
<v Speaker 1>Who is the celebrity you really wanted to talk about? Okay? So,

0:13:14.200 --> 0:13:16.120
<v Speaker 1>from time to time is one of the executive producers

0:13:16.160 --> 0:13:18.480
<v Speaker 1>of the elvistra In Morning show. I get pr firms

0:13:18.559 --> 0:13:20.040
<v Speaker 1>emailing me saying, do you want to have this person

0:13:20.120 --> 0:13:21.880
<v Speaker 1>on the show? That person in the show. Now, I

0:13:21.920 --> 0:13:23.920
<v Speaker 1>don't book the guests anymore on the show. Nate does.

0:13:24.280 --> 0:13:26.280
<v Speaker 1>So I voted him on to Ate and if they're

0:13:26.320 --> 0:13:28.520
<v Speaker 1>appropriate for the show, he'll book them if they're not

0:13:29.040 --> 0:13:31.880
<v Speaker 1>or if Elvis passes on the Big show. There's people

0:13:31.920 --> 0:13:33.400
<v Speaker 1>that I'll say, hey, we should have them on the show,

0:13:33.440 --> 0:13:36.080
<v Speaker 1>like you did with Sebastian man Scalco with the Fat Jewish. Right,

0:13:36.120 --> 0:13:38.760
<v Speaker 1>You're like, oh, with Jackie, I wanted I want you called.

0:13:38.920 --> 0:13:40.920
<v Speaker 1>You said, dude, we gotta have Jackie the joke man on,

0:13:41.120 --> 0:13:43.480
<v Speaker 1>like absolutely, And then I said, dude, we gotta have

0:13:43.559 --> 0:13:45.840
<v Speaker 1>Sebastian on. But you found him and you're like scary.

0:13:45.880 --> 0:13:47.880
<v Speaker 1>I got him with him and I said, Brody, we

0:13:47.960 --> 0:13:49.800
<v Speaker 1>have to have the Fat Jewish on. And then we

0:13:49.880 --> 0:13:53.640
<v Speaker 1>got the beat of collaboration. I got an email. I

0:13:53.720 --> 0:13:55.000
<v Speaker 1>want to have this guy on. He as a new

0:13:55.040 --> 0:13:58.280
<v Speaker 1>book out. I think he's hilarious. He's a sports fan.

0:13:58.760 --> 0:14:00.360
<v Speaker 1>He even though he's not a New Yorker, he sounds

0:14:00.400 --> 0:14:03.760
<v Speaker 1>like in New York. He's got the vibe. He's got

0:14:03.800 --> 0:14:06.280
<v Speaker 1>a Brooklyn vibe. I think he's from I think he's

0:14:06.280 --> 0:14:07.679
<v Speaker 1>from the ATA know. I looked it up. He's not

0:14:07.720 --> 0:14:11.439
<v Speaker 1>from brook anyway. The point is the guy's hilarious, he

0:14:11.520 --> 0:14:14.600
<v Speaker 1>has an edge to him. Please give me. And then

0:14:14.760 --> 0:14:17.640
<v Speaker 1>after he said no, you passed on him because I

0:14:17.640 --> 0:14:20.000
<v Speaker 1>don't want to force anybody on you. Elvis was talking

0:14:20.000 --> 0:14:22.600
<v Speaker 1>about how hilarious he is and in the studio was like, yeah,

0:14:22.600 --> 0:14:24.240
<v Speaker 1>we passed on him. He's like, why why would you

0:14:24.280 --> 0:14:26.960
<v Speaker 1>pass on him? Yeah, Elvis, of all people, he thinks

0:14:27.000 --> 0:14:28.760
<v Speaker 1>we're so big now is the Brooklyn Boys. We can

0:14:28.800 --> 0:14:31.520
<v Speaker 1>pass on this guy? And Elvis said, dude, he'd be

0:14:31.600 --> 0:14:35.280
<v Speaker 1>perfect for the Brooklyn Boys. And you know what, I'm sorry.

0:14:36.440 --> 0:14:40.320
<v Speaker 1>Can I apologize to Michael rapp Michael Rappaport, I'm sorry

0:14:40.400 --> 0:14:43.880
<v Speaker 1>of stage and screen, a regular cast member on Friends.

0:14:44.560 --> 0:14:47.240
<v Speaker 1>He's he's got a fantasy football show on satellite radio

0:14:47.440 --> 0:14:49.760
<v Speaker 1>which I listened to every week. He's he's he's a boy,

0:14:50.160 --> 0:14:52.120
<v Speaker 1>like he's a guy. So you know what that that

0:14:52.200 --> 0:14:55.320
<v Speaker 1>would have been a better been explained in person to me.

0:14:55.440 --> 0:14:56.760
<v Speaker 1>I didn't think I need to tell you what Michael

0:14:56.800 --> 0:14:59.720
<v Speaker 1>Rappaport was. Don't throw me Bertie, don't throw me a

0:14:59.840 --> 0:15:01.640
<v Speaker 1>quick email and be like, hey, you wanna have Michael

0:15:01.720 --> 0:15:04.320
<v Speaker 1>on If you really feel strongly about you gonna put

0:15:04.360 --> 0:15:06.400
<v Speaker 1>it on me. Well, not putting it on you. I'm

0:15:06.440 --> 0:15:08.720
<v Speaker 1>just saying, if it's so important, you come to me

0:15:09.160 --> 0:15:11.800
<v Speaker 1>on Monday or Tuesday back scary. Here's why we should

0:15:11.800 --> 0:15:14.920
<v Speaker 1>have Michael rapaport on and then I assumed there wasn't

0:15:14.920 --> 0:15:18.600
<v Speaker 1>no because honestly, I'm feeling bad now, So how can

0:15:18.680 --> 0:15:21.000
<v Speaker 1>we get Michael rab I'm gonna I'm gonna try to

0:15:21.000 --> 0:15:22.240
<v Speaker 1>again him. But here's the thing, because there's a new

0:15:22.240 --> 0:15:24.040
<v Speaker 1>book out. I think it's called This Book Has Balls

0:15:24.440 --> 0:15:30.080
<v Speaker 1>and uh it's about you know, Bigger, Bigger Star Online

0:15:30.080 --> 0:15:32.800
<v Speaker 1>five sold on. So just this week he put on

0:15:32.880 --> 0:15:35.280
<v Speaker 1>a couple of videos. He's a big Knicks fan, and

0:15:35.360 --> 0:15:38.120
<v Speaker 1>he was bashing Lebron James for two reasons. One Lebron

0:15:38.200 --> 0:15:40.880
<v Speaker 1>Cities the King of New York hilarious video bashing Lebron,

0:15:40.960 --> 0:15:43.440
<v Speaker 1>and then Lebron James and the Cavaliers. And by the way,

0:15:43.440 --> 0:15:45.240
<v Speaker 1>this is not a slam. I'm not slamming Lebron James.

0:15:45.560 --> 0:15:47.160
<v Speaker 1>But they were on the New York City subway on

0:15:47.200 --> 0:15:49.520
<v Speaker 1>the Sea Train, and they were acting like kind of cocky.

0:15:49.680 --> 0:15:51.200
<v Speaker 1>They weren't acting like a New York I would act

0:15:51.240 --> 0:15:53.560
<v Speaker 1>on the subway train. In fact, there's one scene where

0:15:53.560 --> 0:15:55.120
<v Speaker 1>a friend of a friend of mine was sitting next

0:15:55.120 --> 0:15:57.240
<v Speaker 1>to Lebron and they put the camera on him and

0:15:57.320 --> 0:15:59.120
<v Speaker 1>the guy was like, get that. Can you stop and

0:15:59.200 --> 0:16:01.720
<v Speaker 1>he put his hand over there, the lens of the camera,

0:16:01.880 --> 0:16:03.880
<v Speaker 1>the phone, whatever. It was typical New Yorkers like I

0:16:03.880 --> 0:16:06.840
<v Speaker 1>don't wanna be bothered. So Michael Rappaport puts up rants

0:16:06.880 --> 0:16:09.280
<v Speaker 1>on YouTube almost every day. So this is what we

0:16:09.280 --> 0:16:11.440
<v Speaker 1>could have. This is him talking about Lebron. If you're

0:16:11.440 --> 0:16:13.320
<v Speaker 1>an indie, if you're a Cavs fan, this is not

0:16:13.440 --> 0:16:15.560
<v Speaker 1>me ranting on. I'm just letting you know. Here we go,

0:16:16.360 --> 0:16:20.960
<v Speaker 1>Michael Rappaport, Yo, Lebron James is one of the corniest

0:16:21.160 --> 0:16:26.000
<v Speaker 1>motherfucker's ever Forget in the NBA, Lebron James is one

0:16:26.040 --> 0:16:30.040
<v Speaker 1>of the cornyest mother fucker's every top five dead or alive.

0:16:30.320 --> 0:16:33.800
<v Speaker 1>Look at this corny motherfucker on the subways of New York.

0:16:34.560 --> 0:16:38.040
<v Speaker 1>My man, you're on the motherfucking subway. Hold your head, duke.

0:16:38.640 --> 0:16:42.800
<v Speaker 1>You ain't at Disneyland. This ain't the motherfucking little teacup rod.

0:16:42.880 --> 0:16:50.400
<v Speaker 1>Hold your fucking head, corn Ball. Oh motherfucker, I'll be

0:16:50.480 --> 0:16:53.520
<v Speaker 1>putting that fucking camera in his face. Man. One man

0:16:53.680 --> 0:16:55.600
<v Speaker 1>is trying to do his thing. Man, he's trying to

0:16:55.760 --> 0:16:59.080
<v Speaker 1>skeeak man. This is New York City. Man, fun as

0:16:59.120 --> 0:17:01.320
<v Speaker 1>you do Corny More, the funk of taking videos like

0:17:01.440 --> 0:17:04.560
<v Speaker 1>he's in Egypt and King touchs to motherfucker, you better

0:17:04.640 --> 0:17:06.560
<v Speaker 1>get the funk off this train before you get Rob

0:17:08.320 --> 0:17:12.440
<v Speaker 1>Jones pizza for the first New York This motherfucker on

0:17:12.640 --> 0:17:15.640
<v Speaker 1>his as tonight. Hey listen, I was trying to think

0:17:15.680 --> 0:17:18.160
<v Speaker 1>for the audience, thinking like nobody cares about Michael Rapport

0:17:18.400 --> 0:17:20.680
<v Speaker 1>telling me he's great. Okay, so then let's I do

0:17:20.800 --> 0:17:23.679
<v Speaker 1>want Let's have Michael Rappaport one. Okay, if the audience

0:17:23.720 --> 0:17:25.920
<v Speaker 1>wants him on, let's have him. So, just so there's

0:17:25.920 --> 0:17:28.400
<v Speaker 1>no bad blood, I need you to say, Michael Rappaport, Yeah,

0:17:28.520 --> 0:17:31.920
<v Speaker 1>I scared Jones. I'm sorry, Michael Rappaport, I scary Jones.

0:17:31.920 --> 0:17:33.920
<v Speaker 1>I'm sorry. Thank you. A little later, by the way,

0:17:33.920 --> 0:17:35.480
<v Speaker 1>I'm hoping that we can have Bethany come in here

0:17:35.520 --> 0:17:37.800
<v Speaker 1>and do her curse for the week. So we got

0:17:37.880 --> 0:17:40.360
<v Speaker 1>some text messages saying, hey, you guys, concurse on your podcast.

0:17:41.000 --> 0:17:44.240
<v Speaker 1>Bethany never curses, Love Terra curse. Bethany cannot curse today,

0:17:44.760 --> 0:17:46.880
<v Speaker 1>but she wants to be prepared with a really good curse.

0:17:46.920 --> 0:17:48.960
<v Speaker 1>He's gonna come in on our next episode. Our next

0:17:48.960 --> 0:17:51.080
<v Speaker 1>episode on the next episode. Another one that we do

0:17:51.280 --> 0:17:53.480
<v Speaker 1>the next episode. So she got a quick story. I

0:17:53.520 --> 0:17:55.200
<v Speaker 1>doesn't want to tell you about what happened to me

0:17:55.480 --> 0:17:58.239
<v Speaker 1>with Ubert. You want to talk about cursing. I had

0:17:58.400 --> 0:18:01.400
<v Speaker 1>a Uber driver that all he did was cursed while

0:18:01.440 --> 0:18:03.400
<v Speaker 1>I was in the car and he was telling me stories,

0:18:03.480 --> 0:18:05.840
<v Speaker 1>just running expletives out of his mouth. How did he

0:18:05.960 --> 0:18:08.280
<v Speaker 1>not know that? You know that I was gonna, you know,

0:18:08.359 --> 0:18:09.760
<v Speaker 1>if I was gonna be sensitive to that or not.

0:18:10.200 --> 0:18:11.639
<v Speaker 1>I mean, actually I kind of thought it was funny

0:18:11.640 --> 0:18:13.280
<v Speaker 1>because that's the kind of person. I am like, oh, yeah,

0:18:13.320 --> 0:18:15.879
<v Speaker 1>you want to curse it fine, But the guy he

0:18:15.960 --> 0:18:19.160
<v Speaker 1>starts cursing up a storm, and I could be some driver,

0:18:19.320 --> 0:18:20.719
<v Speaker 1>you know, I could be some passenger who gives him

0:18:20.720 --> 0:18:23.720
<v Speaker 1>like one star. You gotta be careful when you're driving Uber's.

0:18:24.240 --> 0:18:26.040
<v Speaker 1>You know who your passenger is. You don't even know

0:18:26.119 --> 0:18:28.600
<v Speaker 1>if you're gonna offend them. Um. But was even more

0:18:28.680 --> 0:18:34.320
<v Speaker 1>offensive was not the cursing. The guy tells me, He's like, yeah,

0:18:34.480 --> 0:18:37.159
<v Speaker 1>So after I drop you off, I'm gonna head over

0:18:37.280 --> 0:18:39.600
<v Speaker 1>to the doctors. I got a doctors appointment. I got

0:18:40.040 --> 0:18:42.240
<v Speaker 1>my neck and I'm like, oh what what happened to

0:18:42.280 --> 0:18:45.479
<v Speaker 1>your neck? He goes. Oh, he goes, I was driving

0:18:45.560 --> 0:18:48.480
<v Speaker 1>for Uber last week in the overnight, and um, I

0:18:48.600 --> 0:18:53.080
<v Speaker 1>fell asleep on the road and I hit the guardrail. Hello,

0:18:53.320 --> 0:18:55.159
<v Speaker 1>why is he telling you this? Why are you telling

0:18:55.240 --> 0:18:57.560
<v Speaker 1>me that you just gotta do a fucking car accident

0:18:57.680 --> 0:19:00.879
<v Speaker 1>a week ago? I do not share of stories like that.

0:19:01.440 --> 0:19:04.320
<v Speaker 1>From that point forward. In the rest of my trip,

0:19:05.480 --> 0:19:07.520
<v Speaker 1>I felt like I want to get out of the car.

0:19:07.560 --> 0:19:09.959
<v Speaker 1>I'm like, is this guy gonna crash into something right now?

0:19:10.640 --> 0:19:13.760
<v Speaker 1>Do not do that? You're you're headed to the doctor's Like,

0:19:14.240 --> 0:19:15.960
<v Speaker 1>at least make up a story and tell you that's

0:19:15.960 --> 0:19:17.760
<v Speaker 1>what you're a doctor's office, He's like, yeah, I just

0:19:17.800 --> 0:19:20.840
<v Speaker 1>got out of a malpractice case. I'm sorry, I'm late, right,

0:19:21.760 --> 0:19:24.920
<v Speaker 1>or or the surgeon that's about to operate on you.

0:19:25.080 --> 0:19:27.200
<v Speaker 1>But he's like, uh, did you know that I'm blind

0:19:27.280 --> 0:19:33.640
<v Speaker 1>in one eye? His hand shaking, Yeah, I have Parkinson's Okay. Well,

0:19:33.680 --> 0:19:35.439
<v Speaker 1>by the way, I know we sounded like that was scary.

0:19:35.960 --> 0:19:39.000
<v Speaker 1>That was me. Come on, shut up, brod with a

0:19:39.280 --> 0:19:44.320
<v Speaker 1>broken boys are offending stand up for a living? Not

0:19:45.200 --> 0:19:49.800
<v Speaker 1>so yes, I don't want anyone like that operating on me.

0:19:50.000 --> 0:19:52.080
<v Speaker 1>Do do we favor after that comment, don't get taken

0:19:52.480 --> 0:19:53.840
<v Speaker 1>to have you a picture taken with a met head on.

0:19:54.720 --> 0:19:57.520
<v Speaker 1>Shut up, dick, No. But but truth is, this uper

0:19:57.640 --> 0:20:00.800
<v Speaker 1>driver probably should have spared me the story. Worry that

0:20:01.400 --> 0:20:03.600
<v Speaker 1>he's freaking. He's on his way to the doctor to

0:20:03.960 --> 0:20:06.520
<v Speaker 1>help correct his neck because he was in a car

0:20:06.640 --> 0:20:09.199
<v Speaker 1>accident a week before, from falling to sleep from driving

0:20:09.680 --> 0:20:12.040
<v Speaker 1>on the road. And I asked him, I said, were

0:20:12.119 --> 0:20:13.600
<v Speaker 1>you did you have a passenger in the car at

0:20:13.600 --> 0:20:15.520
<v Speaker 1>the time? What were you going going to an appear?

0:20:15.640 --> 0:20:17.800
<v Speaker 1>It was It was in Jacksonville, and I was headed

0:20:17.800 --> 0:20:21.160
<v Speaker 1>to the St. John's Town Center Christmas tree lighting because

0:20:21.160 --> 0:20:25.119
<v Speaker 1>I was down at the I had a gig last week. Simon,

0:20:25.240 --> 0:20:27.680
<v Speaker 1>I was at Simon Malls. Okay, I don't get into

0:20:27.720 --> 0:20:31.000
<v Speaker 1>where you were going. Come on, because they're a sponsor,

0:20:31.119 --> 0:20:33.920
<v Speaker 1>right did Simon Maull. Why couldn't you just say you

0:20:33.960 --> 0:20:36.560
<v Speaker 1>were going in appearance? I was. I was going to

0:20:36.720 --> 0:20:39.600
<v Speaker 1>my appearance at the St. John's Town Center. Maybe there's

0:20:39.600 --> 0:20:42.200
<v Speaker 1>people listening to the podcast that can do again. You know,

0:20:42.560 --> 0:20:46.120
<v Speaker 1>we talked about this, We talked about you know, plugging clients.

0:20:46.560 --> 0:20:54.359
<v Speaker 1>Damn it, hold on, yea, what the hell was that

0:20:54.680 --> 0:20:57.520
<v Speaker 1>that's a scary and appropriate product endorsement, not cool jingle.

0:20:57.640 --> 0:20:59.720
<v Speaker 1>But I'm not getting paid to talk about Simon Mall's

0:20:59.760 --> 0:21:01.600
<v Speaker 1>right here. I'm just telling you what scary doesn't gain

0:21:01.680 --> 0:21:10.639
<v Speaker 1>and hold on scary. No, No, you set me up

0:21:10.680 --> 0:21:13.119
<v Speaker 1>for that. I was talking about an uber driver. You

0:21:13.200 --> 0:21:16.040
<v Speaker 1>asked me where that where? The uber driver told me

0:21:16.119 --> 0:21:18.320
<v Speaker 1>about the story. What you know about his neck and

0:21:18.400 --> 0:21:21.400
<v Speaker 1>getting into an accident, and I'm telling you it happened

0:21:21.840 --> 0:21:25.320
<v Speaker 1>in Jacksonville, Florida. And then you lad the witness Brody,

0:21:25.840 --> 0:21:34.040
<v Speaker 1>you let a scary and appropriate commercial slipping. I have

0:21:34.160 --> 0:21:36.760
<v Speaker 1>that one too. I didn't slip that in on purpose.

0:21:37.320 --> 0:21:39.480
<v Speaker 1>It was an accident, That's what she was, just being

0:21:39.560 --> 0:21:43.320
<v Speaker 1>descriptive that I was at my peak sign. Stop it.

0:21:43.480 --> 0:21:45.720
<v Speaker 1>It was an outdoor mall. They were lighting the Christmas trade.

0:21:52.720 --> 0:21:55.639
<v Speaker 1>You're done, no more, don't mention them again. Stop it.

0:21:56.680 --> 0:21:59.080
<v Speaker 1>They're not paying me for this, all right, I'm done.

0:21:59.440 --> 0:22:06.000
<v Speaker 1>What about you know what you get for that? What's jingles?

0:22:06.520 --> 0:22:08.640
<v Speaker 1>You really are? Yeah? Alright, So listen, there's a couple

0:22:08.640 --> 0:22:10.320
<v Speaker 1>of things that I want to rant about. But there's

0:22:10.320 --> 0:22:12.000
<v Speaker 1>a couple of things you and I are both mad about.

0:22:12.040 --> 0:22:13.840
<v Speaker 1>The same time. Well, it's not like we're mad. This

0:22:14.000 --> 0:22:15.919
<v Speaker 1>is more of a discussion. Okay, one of them are

0:22:15.960 --> 0:22:18.520
<v Speaker 1>mad about and one of them. You didn't get something.

0:22:18.600 --> 0:22:20.160
<v Speaker 1>Elvis was like, this is great, I want to show

0:22:20.240 --> 0:22:21.800
<v Speaker 1>loves it and You're like, I don't get it right,

0:22:21.880 --> 0:22:23.119
<v Speaker 1>And then no one in the room agree with you.

0:22:23.160 --> 0:22:24.119
<v Speaker 1>And you looked over at me and I was like,

0:22:24.119 --> 0:22:25.920
<v Speaker 1>I agree with you. I know, I know you got

0:22:26.000 --> 0:22:29.399
<v Speaker 1>my back on this one. Um. Carpool Karaoke James Cordon,

0:22:29.560 --> 0:22:32.280
<v Speaker 1>He's been doing that bit now for a couple of years. Listen.

0:22:32.600 --> 0:22:35.760
<v Speaker 1>Very talented man. I think he's hysterical. He does that

0:22:35.880 --> 0:22:39.000
<v Speaker 1>Mike drop bit. You know, did you drop the micing?

0:22:39.160 --> 0:22:43.480
<v Speaker 1>He dances. He's funny, very creative, very cool. I love

0:22:44.160 --> 0:22:46.879
<v Speaker 1>when they, you know, do that those rap rankouts of

0:22:46.960 --> 0:22:49.040
<v Speaker 1>each other and they go back and forth. Hilarious. But

0:22:49.400 --> 0:22:52.200
<v Speaker 1>when it comes to carpool karaoke as a scholar of

0:22:52.320 --> 0:22:57.720
<v Speaker 1>comedy or entertainment and general entertainment, UM, I've been afraid

0:22:57.840 --> 0:23:00.600
<v Speaker 1>for the past couple of years to come out with this.

0:23:00.720 --> 0:23:03.400
<v Speaker 1>I'm coming out a friend of getting shamed. Coming Yeah,

0:23:03.720 --> 0:23:07.159
<v Speaker 1>I'm getting I got shamed by Danielle. I don't understand

0:23:07.840 --> 0:23:11.080
<v Speaker 1>what the big fucking deal is about carpol karaoke. Everyone

0:23:11.119 --> 0:23:13.480
<v Speaker 1>on Earth loves it. Every time he does a car

0:23:13.800 --> 0:23:16.480
<v Speaker 1>James Cordon does a carpolo karaoke, which is, if you're unfamiliar,

0:23:16.840 --> 0:23:21.360
<v Speaker 1>he sits in a car and drives around wherever, yeah,

0:23:21.640 --> 0:23:25.439
<v Speaker 1>with artists and celebrities and they sing songs and they

0:23:25.520 --> 0:23:27.680
<v Speaker 1>do all kinds of crap in a car and they're

0:23:27.720 --> 0:23:30.439
<v Speaker 1>off key and they're having fun. It's like, just picture

0:23:30.480 --> 0:23:34.960
<v Speaker 1>the quintessential um Wayne's world, you know, in the car

0:23:35.320 --> 0:23:38.280
<v Speaker 1>doing the Queen's song Bohemian Raapsody, and everybody's here singing

0:23:38.320 --> 0:23:41.000
<v Speaker 1>Scott a moose Scott. Okay, all that. This is what

0:23:41.119 --> 0:23:43.400
<v Speaker 1>James Gordon does on UP. I guess he goes once

0:23:43.480 --> 0:23:46.200
<v Speaker 1>or twice a week, but every time he does it,

0:23:46.720 --> 0:23:50.240
<v Speaker 1>it always makes the press. Twitter goes crazy about it

0:23:50.880 --> 0:23:55.080
<v Speaker 1>and everyone say, that's so great. I've been afraid to say,

0:23:55.200 --> 0:23:56.960
<v Speaker 1>but I'm now gonna have to just come forward and

0:23:57.040 --> 0:23:59.760
<v Speaker 1>be the only guy on Earth. I fucking hate that big,

0:24:00.320 --> 0:24:03.560
<v Speaker 1>but now I said it to the show. Danielle went

0:24:03.640 --> 0:24:05.840
<v Speaker 1>off on me like I knew she would, because that's

0:24:06.040 --> 0:24:07.840
<v Speaker 1>which is why I was in fear all this time

0:24:08.080 --> 0:24:10.520
<v Speaker 1>because of people like her, who's gonna come out and

0:24:10.560 --> 0:24:13.600
<v Speaker 1>start I think this is one of those things that

0:24:13.640 --> 0:24:15.480
<v Speaker 1>people are afraid to admit they don't like. And I

0:24:15.560 --> 0:24:17.360
<v Speaker 1>think everyone's saying they like it so they can feel

0:24:17.359 --> 0:24:19.720
<v Speaker 1>like they're part of the in crowd. But secretly people

0:24:19.720 --> 0:24:21.720
<v Speaker 1>are gonna email us and tweet us and go, oh

0:24:21.800 --> 0:24:23.480
<v Speaker 1>my god, I hate it to me too, because when

0:24:23.480 --> 0:24:25.159
<v Speaker 1>I looked at you, Brody, you you looked at me,

0:24:25.240 --> 0:24:26.800
<v Speaker 1>You're like, yeah, I'm with you, dude. I don't know.

0:24:27.000 --> 0:24:29.199
<v Speaker 1>Don't they get this straight. People get in a car,

0:24:29.280 --> 0:24:31.760
<v Speaker 1>they drive, We all do that. They sing to the radio,

0:24:31.880 --> 0:24:33.879
<v Speaker 1>we all do we all do that. But more importantly,

0:24:34.320 --> 0:24:38.320
<v Speaker 1>it's singers singing, right. Why are we amazed by that?

0:24:38.640 --> 0:24:41.040
<v Speaker 1>You know? Why? What is the show made? Demi Levado

0:24:41.080 --> 0:24:45.400
<v Speaker 1>hitting a fastball that you know, like carpool baseball, I'll

0:24:45.440 --> 0:24:47.359
<v Speaker 1>watch that. But the other thing is it's not there's

0:24:47.600 --> 0:24:50.560
<v Speaker 1>there's no mind words, it's mindless, there's no clever. It's

0:24:50.600 --> 0:24:53.920
<v Speaker 1>not clever. It's it's not like do a parody, change

0:24:53.960 --> 0:24:55.960
<v Speaker 1>the words and make it fun. Yeah, you do something.

0:24:55.960 --> 0:24:58.520
<v Speaker 1>That's the fact that Britney Spears is singing a Selena

0:24:58.560 --> 0:25:01.639
<v Speaker 1>Gomez song and their da sing at the same time. Okay,

0:25:01.880 --> 0:25:04.720
<v Speaker 1>it's it's just whatever. You you can do that with

0:25:04.840 --> 0:25:06.840
<v Speaker 1>your phone on Snapchat. I'm gonna go in my car

0:25:06.960 --> 0:25:09.080
<v Speaker 1>and I'm gonna drive. And some of these artists do

0:25:09.280 --> 0:25:10.760
<v Speaker 1>they go if you go look at them on Snapchat

0:25:10.840 --> 0:25:13.040
<v Speaker 1>or into the story. Some of these artists are out

0:25:13.080 --> 0:25:15.600
<v Speaker 1>there like singing into a mirror or whatever. I don't

0:25:15.680 --> 0:25:19.040
<v Speaker 1>I don't get it. But here's what's worse. It's a phenomenon.

0:25:19.560 --> 0:25:21.480
<v Speaker 1>Why is it as big as it is? You know what.

0:25:21.680 --> 0:25:24.600
<v Speaker 1>I don't think it's as big on television. I think

0:25:24.680 --> 0:25:28.000
<v Speaker 1>it's a great share able moment on Facebook and Twitter.

0:25:28.359 --> 0:25:30.400
<v Speaker 1>You can send the YouTube, I think. On I think

0:25:30.680 --> 0:25:33.040
<v Speaker 1>the purpose of that is to be a shareable YouTube thing.

0:25:33.800 --> 0:25:37.240
<v Speaker 1>But look, if you get Paul McCartney to sing call

0:25:37.320 --> 0:25:39.800
<v Speaker 1>me maybe right, then I go, you know what, that's

0:25:39.800 --> 0:25:43.320
<v Speaker 1>pretty big. But if you have called Carl ray Jepson

0:25:43.400 --> 0:25:46.920
<v Speaker 1>singing the Beatles and I don't care. So unless it's

0:25:46.960 --> 0:25:50.600
<v Speaker 1>something shocking, oh my god, I can't believe. Like if

0:25:50.680 --> 0:25:53.480
<v Speaker 1>Taylor Swift was singing Katie Perry and you know that

0:25:53.640 --> 0:25:56.320
<v Speaker 1>and they hate each other, sign me up. There, you go,

0:25:56.520 --> 0:25:59.159
<v Speaker 1>that's a good version if he if he could end

0:25:59.200 --> 0:26:02.199
<v Speaker 1>a beef, if he could have like Meek Mill. Uh,

0:26:02.560 --> 0:26:04.480
<v Speaker 1>it's like sing a Drake song whoever they're feuding with,

0:26:04.640 --> 0:26:06.720
<v Speaker 1>like one of those one of those feuds. Did I

0:26:06.800 --> 0:26:09.680
<v Speaker 1>go you know what callpool karaoke brought them together? Like

0:26:09.800 --> 0:26:12.040
<v Speaker 1>if if back in the day he had Tupac singing

0:26:12.080 --> 0:26:15.800
<v Speaker 1>Biggie or Biggie singing Tupac, Did I go this is news?

0:26:16.400 --> 0:26:22.400
<v Speaker 1>Uh so yes, tweet us but Sam Smith singing one direction? Yeah, yeah,

0:26:22.880 --> 0:26:27.800
<v Speaker 1>hashtag carpool Carrie nod the same thing. Because we great

0:26:27.840 --> 0:26:29.800
<v Speaker 1>minds think alike, Oh look what I found scary? Hold on,

0:26:29.880 --> 0:26:42.840
<v Speaker 1>here we go tell you that I gety. You can

0:26:42.920 --> 0:26:59.640
<v Speaker 1>do that from the street the black sawake and not dude,

0:26:59.640 --> 0:27:04.359
<v Speaker 1>I'm not impressed. Not impressed, by the way. Did you

0:27:04.440 --> 0:27:08.600
<v Speaker 1>see Real Fortune? By the way, speaking of television, so annoying. Okay,

0:27:08.640 --> 0:27:10.920
<v Speaker 1>So you know at the end round, people used to

0:27:10.920 --> 0:27:13.040
<v Speaker 1>always guess R S t l n E. So they

0:27:13.119 --> 0:27:15.399
<v Speaker 1>give you R S t l n E, and they

0:27:15.560 --> 0:27:18.080
<v Speaker 1>let you pick three more letters in a vowel. So

0:27:18.200 --> 0:27:20.240
<v Speaker 1>this guy and his I guess his daughter. I don't know,

0:27:20.280 --> 0:27:23.240
<v Speaker 1>doesn't matter if he younger, younger woman, he picked C, D,

0:27:23.520 --> 0:27:26.960
<v Speaker 1>P O. Right, those are some odd letters anyway, So

0:27:27.320 --> 0:27:29.600
<v Speaker 1>it was food, right, right. So I'm looking at the puzzle.

0:27:29.960 --> 0:27:33.840
<v Speaker 1>The puzzle is blank blank blank E D. So something right,

0:27:34.200 --> 0:27:37.800
<v Speaker 1>and then it's blank blank C C blank blank and blank.

0:27:38.400 --> 0:27:41.080
<v Speaker 1>So here's the clip, okay, and then we'll tell you

0:27:41.200 --> 0:27:44.600
<v Speaker 1>that the grandpa going for millions dollars, all right, and

0:27:44.840 --> 0:27:46.359
<v Speaker 1>here's why he should. I'll tell you why he should

0:27:46.400 --> 0:27:55.800
<v Speaker 1>have one that's not correct, and then we don't have

0:27:55.920 --> 0:28:04.080
<v Speaker 1>to check the time because you are amazing. Okay. So

0:28:04.280 --> 0:28:07.119
<v Speaker 1>the old guy didn't win his daughter wherever she is,

0:28:07.160 --> 0:28:09.520
<v Speaker 1>I assume it's his daughter. First of all, she yelled

0:28:09.560 --> 0:28:13.120
<v Speaker 1>out fried like he was, like, it's zucchini. She fried

0:28:13.200 --> 0:28:16.680
<v Speaker 1>fried zucchini. First of all, they didn't confer. She yelled

0:28:16.720 --> 0:28:19.400
<v Speaker 1>it out. They had plenty of time. Now, if I'm

0:28:19.480 --> 0:28:22.200
<v Speaker 1>looking at if we know it's zucchini and it's blank

0:28:22.280 --> 0:28:26.200
<v Speaker 1>blank blank e D. If you eat zucchini and it's

0:28:26.240 --> 0:28:30.359
<v Speaker 1>been blanked, it's been fried, it's right exactly. Zucchini is fried.

0:28:30.640 --> 0:28:35.760
<v Speaker 1>So f and they they said it was baked zicchini. Now,

0:28:35.800 --> 0:28:37.840
<v Speaker 1>he's the only thing that I can that fuck you

0:28:38.240 --> 0:28:41.400
<v Speaker 1>with baked who you don't baked zucchini. That's not the

0:28:41.440 --> 0:28:44.080
<v Speaker 1>first thing that you think of when you think of zucchini.

0:28:44.400 --> 0:28:48.600
<v Speaker 1>You fry zucchini. Zucchini is fried. This is what pisces

0:28:48.720 --> 0:28:52.280
<v Speaker 1>me off. Now. The only he had it black blank

0:28:52.360 --> 0:28:56.120
<v Speaker 1>blank e d it's gotta be fed. I just credit

0:28:56.200 --> 0:28:59.200
<v Speaker 1>the person who wrote the puzzle, because nobody bakes zucchini

0:28:59.320 --> 0:29:01.680
<v Speaker 1>but his right. But here's what I'm gonna say is

0:29:01.680 --> 0:29:03.840
<v Speaker 1>why they screwed the guy. I feel I sound like you, Bertie.

0:29:03.960 --> 0:29:06.040
<v Speaker 1>Here's why. Here's why they're screwing people. I'll tell you

0:29:06.080 --> 0:29:09.360
<v Speaker 1>why they're screwing people. If your wheel of fortune and

0:29:09.520 --> 0:29:12.600
<v Speaker 1>you know you're giving them rst l n E, then

0:29:12.640 --> 0:29:14.520
<v Speaker 1>you just make a puzzle that doesn't have those letters.

0:29:14.840 --> 0:29:17.080
<v Speaker 1>And this way the guy doesn't win the million. They

0:29:17.200 --> 0:29:20.200
<v Speaker 1>picked baked because they didn't have an R in it fried.

0:29:20.600 --> 0:29:22.800
<v Speaker 1>By the way, she R was a used letter because

0:29:22.840 --> 0:29:24.040
<v Speaker 1>they would give an R s t l n E.

0:29:24.560 --> 0:29:26.800
<v Speaker 1>She should have known not to say fried. And maybe

0:29:26.840 --> 0:29:29.360
<v Speaker 1>if she spoke to her father rather than blurting it out,

0:29:29.640 --> 0:29:31.880
<v Speaker 1>she would have seen that it can't be fried, right

0:29:31.960 --> 0:29:34.240
<v Speaker 1>because there was no RS in the puzzle. But who

0:29:34.360 --> 0:29:36.440
<v Speaker 1>baked sukin it don't tweet us an emails that you

0:29:36.440 --> 0:29:39.040
<v Speaker 1>baked zucchini because you're healthy. The point is it's like

0:29:40.000 --> 0:29:43.959
<v Speaker 1>you wouldn't say, like french baked French fries. You wouldn't

0:29:44.000 --> 0:29:47.280
<v Speaker 1>say piece of pizza. You'd say slice of pizza. So

0:29:47.520 --> 0:29:49.840
<v Speaker 1>it can't be peace. You say, like there are certain

0:29:49.920 --> 0:29:52.440
<v Speaker 1>things that just go. You wouldn't say fried Alaska, you'd

0:29:52.440 --> 0:29:55.840
<v Speaker 1>say baked Alaska, baked potato, you would say fried potato necessarily,

0:29:55.840 --> 0:29:57.760
<v Speaker 1>and you said French fries. But the point is, so

0:29:58.200 --> 0:30:00.640
<v Speaker 1>she shouldn't have yelled out fried should because there was

0:30:00.720 --> 0:30:02.600
<v Speaker 1>no R in the puzzle. And you may, I know

0:30:02.640 --> 0:30:04.480
<v Speaker 1>you've given away a million dollars, but when you make

0:30:04.560 --> 0:30:07.959
<v Speaker 1>it baked zucchini, and you know, looking at that puzzle,

0:30:08.440 --> 0:30:12.280
<v Speaker 1>there's no there's no R, there's no S, there's no T,

0:30:13.040 --> 0:30:16.440
<v Speaker 1>there's no L, there's no there's only one N and

0:30:16.640 --> 0:30:19.280
<v Speaker 1>and one E. They basically gave them an E and

0:30:19.320 --> 0:30:23.160
<v Speaker 1>an N. They knew by saying big zucchini, no one

0:30:23.280 --> 0:30:26.040
<v Speaker 1>was guessing at tweet us and tell me you would

0:30:26.080 --> 0:30:29.160
<v Speaker 1>have guessed bag zucchini. No one would have guessed big zucchini. No,

0:30:29.200 --> 0:30:30.720
<v Speaker 1>you wouldn't. That's why they didn't want to give away

0:30:30.720 --> 0:30:33.560
<v Speaker 1>the million dollars. That's what I'm saying is a scam

0:30:33.640 --> 0:30:37.120
<v Speaker 1>going on. They deliberately absolutely R S T L n E.

0:30:37.200 --> 0:30:38.960
<v Speaker 1>We'll just have a puzzle with none of those letters. Yeah.

0:30:38.960 --> 0:30:40.880
<v Speaker 1>I always said that, by the way, and they throwing

0:30:41.040 --> 0:30:43.480
<v Speaker 1>us and eyes in zucchini because what if what what

0:30:43.600 --> 0:30:45.800
<v Speaker 1>letter you're gonna pick A or oh, you're not gonna

0:30:45.840 --> 0:30:48.160
<v Speaker 1>pick you R. I'm gonna pick you R I. By

0:30:48.200 --> 0:30:53.479
<v Speaker 1>the way, it's it's it's it God call back. All right,

0:30:54.640 --> 0:30:57.240
<v Speaker 1>done with that. I got one more short rant. You

0:30:57.280 --> 0:31:01.440
<v Speaker 1>got a rant. When you spoil something, okay, milk, no,

0:31:01.840 --> 0:31:03.720
<v Speaker 1>like a movie or TV show, like a spoiler, Like

0:31:03.760 --> 0:31:07.360
<v Speaker 1>if you say, oh, spoiler alert, no no, no, right, no,

0:31:07.680 --> 0:31:10.560
<v Speaker 1>you know when you say the spoiler, it's a spoiler.

0:31:11.560 --> 0:31:13.880
<v Speaker 1>What what What I'm saying is you don't go, hey,

0:31:13.920 --> 0:31:16.880
<v Speaker 1>no spoiler alerts no no, no, no. Spoiler alert means

0:31:16.920 --> 0:31:19.960
<v Speaker 1>you're about to spoil something, right, But a spoiler alert

0:31:20.040 --> 0:31:25.560
<v Speaker 1>isn't the spoiler. People keep confusing that, oh, a spoiler alert,

0:31:25.640 --> 0:31:27.840
<v Speaker 1>he dies. That's fine because you gave an alert. You

0:31:27.880 --> 0:31:29.920
<v Speaker 1>really should get more of a time space. Yeah, you

0:31:29.960 --> 0:31:31.960
<v Speaker 1>shouldn't just say it and go right into it. People

0:31:32.000 --> 0:31:35.800
<v Speaker 1>are calling spoilers spoiler alerts, like, hey, hey, I didn't

0:31:35.800 --> 0:31:38.320
<v Speaker 1>watch the episode, so here's a spoiler alert for right.

0:31:38.520 --> 0:31:42.080
<v Speaker 1>No spoiler alerts, No, no, no, you mean no spoilers. Right,

0:31:42.160 --> 0:31:44.640
<v Speaker 1>I got out of the way. I feel like you're

0:31:44.640 --> 0:31:46.680
<v Speaker 1>getting this very cathartic for you, prod. You're getting a

0:31:46.680 --> 0:31:49.680
<v Speaker 1>lot of you. Okay, so let me cross off Kevin

0:31:49.680 --> 0:31:52.280
<v Speaker 1>Spacey in the Mad Hat. Okay, Michael Rapp. I love

0:31:52.360 --> 0:31:54.840
<v Speaker 1>how you have a list. Oh I got Okay. It's

0:31:54.880 --> 0:31:58.440
<v Speaker 1>it's literally like you you purge on the podcast, Like

0:31:58.520 --> 0:32:00.440
<v Speaker 1>I just can't wait to say record on that podcast

0:32:00.680 --> 0:32:02.400
<v Speaker 1>because I gotta listen things that I just gotta get off.

0:32:02.800 --> 0:32:05.320
<v Speaker 1>This podcast is helping my marriage because I'm not venting

0:32:05.360 --> 0:32:08.960
<v Speaker 1>at home. Now. Here's what I have. I have unused

0:32:09.040 --> 0:32:11.480
<v Speaker 1>jokes which are definitely gonna get to I have intern

0:32:11.560 --> 0:32:14.360
<v Speaker 1>resumes which are almost a rant because they're pathetic. They're

0:32:14.440 --> 0:32:18.920
<v Speaker 1>hilarious and pathetic. Um, I want to talk about I wanted.

0:32:18.960 --> 0:32:20.120
<v Speaker 1>This is one more rant I want to do. It's

0:32:20.120 --> 0:32:21.840
<v Speaker 1>not really a rant, it's a mini rant. It's more

0:32:21.880 --> 0:32:24.480
<v Speaker 1>of a complaint. It's my own fault. I went to

0:32:24.560 --> 0:32:28.160
<v Speaker 1>the Movies Friday. Here's what I'm gonna say. If they

0:32:28.280 --> 0:32:32.840
<v Speaker 1>remake a murder mystery with a surprise ending, it shouldn't

0:32:32.840 --> 0:32:35.800
<v Speaker 1>be the exact same surprise ending. So I none of

0:32:35.840 --> 0:32:38.240
<v Speaker 1>the reviews said it. It's the same exact it's exact.

0:32:38.680 --> 0:32:41.479
<v Speaker 1>So if you see Murder on the Orient Express if

0:32:41.480 --> 0:32:43.840
<v Speaker 1>you've seen the original from the seventies, which is a

0:32:43.960 --> 0:32:48.600
<v Speaker 1>classic film, but don't go see it. It's like, um,

0:32:50.320 --> 0:32:55.760
<v Speaker 1>if they remake King Kong, which they keep doing, he's

0:32:55.760 --> 0:32:58.560
<v Speaker 1>gonna die at end, right, Titanic, same thing, same thing.

0:32:58.600 --> 0:33:01.080
<v Speaker 1>The boat's gonna crash. By the way, they rereleasing Titanic

0:33:01.440 --> 0:33:03.480
<v Speaker 1>next month, and know what New York they're doing. I

0:33:03.520 --> 0:33:06.240
<v Speaker 1>don't know if it's national for the twentieth anniversary. By

0:33:06.280 --> 0:33:08.800
<v Speaker 1>the way. That okay, so you can spoiler alerts. When

0:33:08.880 --> 0:33:14.480
<v Speaker 1>Titanic was new came out the December ninety, I said

0:33:14.520 --> 0:33:16.560
<v Speaker 1>to somebody, go, wow, the scene where it hits the iceberg,

0:33:17.040 --> 0:33:20.640
<v Speaker 1>like hey, hey, hey, don't get away the ending. You can't.

0:33:20.680 --> 0:33:24.320
<v Speaker 1>You can't spoil history like it already happened. The Nazis

0:33:24.400 --> 0:33:27.360
<v Speaker 1>lost World War Two. I'm not weaken. Got shot in

0:33:27.440 --> 0:33:33.240
<v Speaker 1>the theater, that's right. I mean, it's my fault. I'm

0:33:33.280 --> 0:33:39.080
<v Speaker 1>just letting you know I wasted fourteen dollars express Uh

0:33:39.320 --> 0:33:41.520
<v Speaker 1>does it look better in high definition and with my

0:33:41.720 --> 0:33:44.320
<v Speaker 1>you know, in imax whatever it was? Yeah, it was great.

0:33:44.520 --> 0:33:47.360
<v Speaker 1>It looked great on the screen in my recliner chairs.

0:33:47.400 --> 0:33:50.400
<v Speaker 1>That AMC has loved the leather recliner chairs. But don't

0:33:50.440 --> 0:33:53.200
<v Speaker 1>waste your fourteen dollars on a murder mystery if you

0:33:53.240 --> 0:33:55.480
<v Speaker 1>already know the ending, which I did, and so few

0:33:55.560 --> 0:33:58.560
<v Speaker 1>murder mystery remakes. Wow, we're just gonna just just hit

0:33:58.640 --> 0:34:00.560
<v Speaker 1>him hard with rants. So when even gonna have a

0:34:00.560 --> 0:34:03.400
<v Speaker 1>conversation about this stuff? All right? You know, I just

0:34:04.360 --> 0:34:07.200
<v Speaker 1>my my head is like pounding. I wanted to tell

0:34:07.240 --> 0:34:09.200
<v Speaker 1>you a couple more things, actually what was going on?

0:34:09.280 --> 0:34:10.520
<v Speaker 1>Because I want a bitch about a kid in the

0:34:10.560 --> 0:34:13.000
<v Speaker 1>movie theater, and then I want to talk about resumes

0:34:13.040 --> 0:34:15.200
<v Speaker 1>and jokes. But it's a kid. It's a kid. Okay,

0:34:15.280 --> 0:34:19.960
<v Speaker 1>that's what he said. Okay, hold on, I'm gonna Oh

0:34:20.040 --> 0:34:24.320
<v Speaker 1>my god, Brodie. So I'm at the movie theater and

0:34:24.400 --> 0:34:26.960
<v Speaker 1>I'm online, and you know what, I went by myself.

0:34:27.320 --> 0:34:29.880
<v Speaker 1>I just decided on Friday, my wife was out with

0:34:29.880 --> 0:34:31.600
<v Speaker 1>the kids running errands whatever. I was like, I'm going

0:34:31.640 --> 0:34:33.439
<v Speaker 1>to the movies. I said, if the movie is playing

0:34:33.440 --> 0:34:35.520
<v Speaker 1>at this exact time, I'm going, And it was playing

0:34:35.520 --> 0:34:37.400
<v Speaker 1>at that exact time, and out of my house, got

0:34:37.560 --> 0:34:40.640
<v Speaker 1>run right to the theater. I'm online. There's maybe five

0:34:40.680 --> 0:34:44.040
<v Speaker 1>people online, but right in front of me is three teenagers.

0:34:45.040 --> 0:34:50.640
<v Speaker 1>I am gonna say, seventeen baseball caps flannel shirts walk

0:34:50.760 --> 0:34:54.080
<v Speaker 1>right of an Abercrombie and Fitch store. Great Abercrombie if

0:34:54.080 --> 0:34:58.759
<v Speaker 1>this small. So they're laughing up a storm, and you

0:34:58.840 --> 0:35:03.200
<v Speaker 1>know me, I'm Mr Fun. Everybody knows that, and you

0:35:03.320 --> 0:35:09.000
<v Speaker 1>put the fun in fun, right. Yeah. So the one guy,

0:35:09.239 --> 0:35:12.439
<v Speaker 1>the one, the one teenager I'm assuming, backs up into

0:35:12.520 --> 0:35:14.320
<v Speaker 1>me as he's laughing and it kind of elbows me,

0:35:15.239 --> 0:35:17.360
<v Speaker 1>gives like a half turn to make like to just

0:35:17.480 --> 0:35:19.960
<v Speaker 1>look for a split second, and then goes back to

0:35:20.120 --> 0:35:23.600
<v Speaker 1>joking with his friends. Now you know me. So I

0:35:23.719 --> 0:35:28.520
<v Speaker 1>say excuse me, and he says, what I said, you

0:35:28.640 --> 0:35:31.520
<v Speaker 1>bumped into me with your elbow. Oh, he says, oh,

0:35:32.239 --> 0:35:34.200
<v Speaker 1>so I said, you know, you could say excuse me

0:35:34.719 --> 0:35:38.120
<v Speaker 1>or sorry it it would be nice. He's ir, Mr,

0:35:38.760 --> 0:35:41.960
<v Speaker 1>It's all good. Relax, relax. He told you to relax

0:35:42.400 --> 0:35:44.080
<v Speaker 1>by the way, when if you ever seen me relaxed,

0:35:44.440 --> 0:35:48.280
<v Speaker 1>So I say, no, I'm relaxed, but you should you should,

0:35:48.440 --> 0:35:50.360
<v Speaker 1>you know, you should say you're sorry, You're excuse me.

0:35:50.360 --> 0:35:53.000
<v Speaker 1>When you bump into somebody, you know, you elbowed me

0:35:53.120 --> 0:35:55.400
<v Speaker 1>and was trying to teach this guy. Uh. I was

0:35:55.480 --> 0:35:57.879
<v Speaker 1>kind of annoyed so and it was my wife wasn't

0:35:57.920 --> 0:36:01.439
<v Speaker 1>then to stop. There was no apparent other people's kids.

0:36:01.520 --> 0:36:03.920
<v Speaker 1>I wasn't doing that. I was saying an adult to adult,

0:36:04.560 --> 0:36:06.080
<v Speaker 1>and there was nobody there to calm me down. There

0:36:06.120 --> 0:36:08.240
<v Speaker 1>was nobody that talks sense into me. You even like Brody,

0:36:08.320 --> 0:36:10.839
<v Speaker 1>let it go, but no one was there. So I said, hey,

0:36:11.080 --> 0:36:14.040
<v Speaker 1>I'm calm, but when you bump into me, I'm just

0:36:14.080 --> 0:36:16.680
<v Speaker 1>saying you should say excuse me. That's the polite thing

0:36:16.719 --> 0:36:18.759
<v Speaker 1>to do. It really is right. But you can't. You

0:36:18.840 --> 0:36:20.839
<v Speaker 1>gotta expect the worst out of people, Brody, You can't.

0:36:21.120 --> 0:36:24.799
<v Speaker 1>You know. I've I've made a living walking through life

0:36:25.320 --> 0:36:28.320
<v Speaker 1>just being extremely uh, you know, just kind of like

0:36:28.400 --> 0:36:31.560
<v Speaker 1>expecting very little from people. And if you expect nothing

0:36:31.600 --> 0:36:34.520
<v Speaker 1>from someone, then you know what, you're pleasantly surprised when

0:36:34.560 --> 0:36:37.480
<v Speaker 1>you get something good in return. Otherwise I just curb

0:36:37.560 --> 0:36:40.200
<v Speaker 1>my enthusiasm. I know what you're saying, should curb your enthusiasm,

0:36:40.280 --> 0:36:42.759
<v Speaker 1>but I can't do that. I can't do that. So

0:36:43.280 --> 0:36:48.440
<v Speaker 1>instead I say to him, listen, seriously, you awe me

0:36:48.480 --> 0:36:52.200
<v Speaker 1>an apology, and he says, relaxed, man, I'm just a kid,

0:36:53.040 --> 0:36:56.759
<v Speaker 1>like because he thinks someone see now, that would be

0:36:57.200 --> 0:37:00.839
<v Speaker 1>the job of somebody else to intervene and say, like, hey,

0:37:01.239 --> 0:37:03.800
<v Speaker 1>leave the guy alone. He's just a kid. But you

0:37:03.960 --> 0:37:06.400
<v Speaker 1>can't be the kid. And he's a kid, right, He's like,

0:37:06.480 --> 0:37:08.600
<v Speaker 1>hey man, I'm just a kid. Like in other words,

0:37:08.680 --> 0:37:10.080
<v Speaker 1>don't come at me. First of all, I wasn't coming

0:37:10.120 --> 0:37:12.600
<v Speaker 1>and I wasn't threatening at all. I'm not a violent person.

0:37:13.000 --> 0:37:14.600
<v Speaker 1>But he's like, hey man, I'm just a kid. Like

0:37:14.680 --> 0:37:17.640
<v Speaker 1>relax Like, okay, he gets a free pass. So I said, no,

0:37:17.800 --> 0:37:19.720
<v Speaker 1>what you are as a kid with no manners? Boom,

0:37:22.080 --> 0:37:23.879
<v Speaker 1>I'm tilling. You know. I vented at him, So fuck him.

0:37:24.080 --> 0:37:26.239
<v Speaker 1>It's my job to say he was just a kid.

0:37:26.320 --> 0:37:28.240
<v Speaker 1>Fuck him and his two buddies with the backward baseball

0:37:28.280 --> 0:37:30.040
<v Speaker 1>caps that he that with him. He was just a kid.

0:37:30.520 --> 0:37:32.000
<v Speaker 1>He's still a kid, but he's a you know what

0:37:32.200 --> 0:37:35.400
<v Speaker 1>a kid is fourteen twelve, thirteen eleven. The kid is

0:37:35.440 --> 0:37:39.120
<v Speaker 1>eleven holding his mom's hands. A kid is not sixteen seventeen.

0:37:39.320 --> 0:37:41.880
<v Speaker 1>Maybe drove the car himself to the movie theater. Few

0:37:41.960 --> 0:37:44.440
<v Speaker 1>kid and I'm a kid, Hey man, I'm just a kid.

0:37:44.640 --> 0:37:47.120
<v Speaker 1>I don't approve of him using the excuse it was

0:37:47.239 --> 0:37:49.000
<v Speaker 1>somebody else's job to jump in and be like but

0:37:49.080 --> 0:37:51.160
<v Speaker 1>nobody would have jumped in because I was being polite.

0:37:51.800 --> 0:37:53.960
<v Speaker 1>I was being I was being pleasant. You can't let

0:37:53.960 --> 0:37:55.840
<v Speaker 1>anyone get away with it. I wouldn't sound it's being pleasant.

0:37:55.840 --> 0:37:57.880
<v Speaker 1>But body, I swear to God, if you weren't working here,

0:37:57.920 --> 0:38:00.239
<v Speaker 1>you'd be a great lawyer. Well you know, I told

0:38:00.280 --> 0:38:01.279
<v Speaker 1>you I was going to be a lawyer. I was

0:38:01.360 --> 0:38:03.320
<v Speaker 1>on my way pre law you were, you were on

0:38:03.400 --> 0:38:06.120
<v Speaker 1>your way. But that did happen. You know, public service

0:38:06.200 --> 0:38:08.960
<v Speaker 1>for people, uh, this is people with iPhones. I know

0:38:09.200 --> 0:38:12.160
<v Speaker 1>this doesn't apply to the public service, doesn't apply to me, okay,

0:38:12.200 --> 0:38:15.040
<v Speaker 1>but but you know, and I talked about this quickly

0:38:15.120 --> 0:38:18.279
<v Speaker 1>on the air, but for about two weeks. Now, that

0:38:18.600 --> 0:38:21.959
<v Speaker 1>problem where you say the letter I or I am

0:38:22.680 --> 0:38:26.600
<v Speaker 1>and it comes out as capital a question mark with

0:38:26.680 --> 0:38:30.040
<v Speaker 1>a box around it. That was a glitch that happened

0:38:30.120 --> 0:38:32.719
<v Speaker 1>with Apple about two weeks ago. So everybody on the

0:38:32.840 --> 0:38:36.879
<v Speaker 1>internet was going crazy thinks that their phone was There

0:38:36.960 --> 0:38:39.239
<v Speaker 1>was even a shirt that said a question mark love you.

0:38:40.000 --> 0:38:43.120
<v Speaker 1>It's very funny, I love you. So anyway, it became

0:38:43.160 --> 0:38:47.600
<v Speaker 1>a thing. Here's the problem. Here we are now two

0:38:47.680 --> 0:38:52.920
<v Speaker 1>weeks after this glitch happened, and people are still writing

0:38:53.000 --> 0:38:57.560
<v Speaker 1>in their everyday comments on social media and they're still

0:38:57.600 --> 0:39:00.279
<v Speaker 1>having these issues, and the a question mark is still there.

0:39:01.160 --> 0:39:04.800
<v Speaker 1>It shouldn't be a thing anymore. People. It's really very simple. Okay,

0:39:05.719 --> 0:39:12.160
<v Speaker 1>they issued Apple issued Apple issued affix in software. Listen,

0:39:12.239 --> 0:39:15.360
<v Speaker 1>eleven point one point one has been sitting there in

0:39:15.480 --> 0:39:18.759
<v Speaker 1>your inbox on your phone now for about a week

0:39:18.800 --> 0:39:21.800
<v Speaker 1>and a half. It's time to just go into that

0:39:21.880 --> 0:39:24.400
<v Speaker 1>little section of your phone and click the button. This

0:39:24.560 --> 0:39:28.000
<v Speaker 1>is installed now. In five minutes, the problem will be gone.

0:39:28.440 --> 0:39:30.960
<v Speaker 1>You do not ever have to have a question mark again.

0:39:31.440 --> 0:39:33.520
<v Speaker 1>There's no It doesn't take up more space on your phone,

0:39:34.080 --> 0:39:35.640
<v Speaker 1>if you you know what I'm saying, Like like, it

0:39:35.800 --> 0:39:38.560
<v Speaker 1>just boggles my mind that when I put this out

0:39:38.600 --> 0:39:41.200
<v Speaker 1>there on Twitter, people actually came back to me and

0:39:41.280 --> 0:39:44.320
<v Speaker 1>said thank you. I had no idea how do you

0:39:44.400 --> 0:39:46.080
<v Speaker 1>have not know? How do you not have an idea?

0:39:46.320 --> 0:39:47.960
<v Speaker 1>Are you the kind of person that doesn't update the

0:39:48.040 --> 0:39:51.040
<v Speaker 1>software on your phone? Do you not update your software? Protect?

0:39:51.080 --> 0:39:53.840
<v Speaker 1>I update myself. I updated myselfware this week. And what

0:39:54.040 --> 0:39:56.680
<v Speaker 1>would you if did the software update? Why would you

0:39:56.719 --> 0:39:59.000
<v Speaker 1>not update? I don't get the podcast we were talking

0:39:59.040 --> 0:40:03.919
<v Speaker 1>about downloading updates for you? Yeah, a bug fix? Yeah? Whatever?

0:40:04.080 --> 0:40:06.560
<v Speaker 1>What point is I put on a flight updates? Sometimes

0:40:06.600 --> 0:40:09.560
<v Speaker 1>when they say security, if they say like security patch

0:40:10.040 --> 0:40:13.040
<v Speaker 1>or like your phone now speaks Turkish, but I don't need.

0:40:14.239 --> 0:40:16.439
<v Speaker 1>But when you know that you've all gotten a Turkish update,

0:40:16.440 --> 0:40:18.200
<v Speaker 1>you know what I'm talking about? Cares about that? I

0:40:18.239 --> 0:40:21.360
<v Speaker 1>don't care. But when you know that the software update

0:40:21.480 --> 0:40:25.239
<v Speaker 1>is containing the glitch to a the fix to a

0:40:25.280 --> 0:40:28.840
<v Speaker 1>glitch that has been plaguing you every fucking ten seconds

0:40:28.880 --> 0:40:32.279
<v Speaker 1>because you use the letter I the word I in

0:40:32.360 --> 0:40:36.280
<v Speaker 1>a sentence, then then you should probably update your phone.

0:40:36.440 --> 0:40:38.440
<v Speaker 1>I feel like this started out where it could have

0:40:38.480 --> 0:40:40.080
<v Speaker 1>been a rant, but it ended up as a public

0:40:40.080 --> 0:40:43.680
<v Speaker 1>service announcement. It's a public service announcement. I'm not trying

0:40:43.760 --> 0:40:46.120
<v Speaker 1>to rant. You've done enough ranting. I'm not I'm not

0:40:46.280 --> 0:40:48.160
<v Speaker 1>trying to I'm trying to balance it out with a

0:40:48.200 --> 0:40:51.160
<v Speaker 1>public service. I'm gonna take your phone. I'm gonna make

0:40:51.200 --> 0:40:53.520
<v Speaker 1>my public service into a public service rant. I'm gonna

0:40:53.520 --> 0:40:55.080
<v Speaker 1>meet you in the middle. You're gonna meet me halfway,

0:40:55.200 --> 0:40:59.520
<v Speaker 1>meet you halfway in turn season again. And I'm the

0:40:59.560 --> 0:41:01.560
<v Speaker 1>guy that was through all the resumes and cover letters

0:41:02.160 --> 0:41:03.800
<v Speaker 1>and on Elvistra and dot com. It tells you what

0:41:03.880 --> 0:41:06.800
<v Speaker 1>I need. It says to put in a resume with

0:41:06.920 --> 0:41:10.200
<v Speaker 1>a cover letter, and the cover letter should have certain things.

0:41:10.560 --> 0:41:12.600
<v Speaker 1>Tell us why you want to intern here, talk to

0:41:12.680 --> 0:41:14.719
<v Speaker 1>us about why you want to be why you think

0:41:14.760 --> 0:41:17.200
<v Speaker 1>you'd be a good intern, right right. It tells you

0:41:17.280 --> 0:41:19.759
<v Speaker 1>what I want you to talk about. And I get

0:41:19.840 --> 0:41:21.920
<v Speaker 1>I get cover letters that act like they didn't see it,

0:41:22.400 --> 0:41:24.680
<v Speaker 1>They pay no attention to it. They do copy and

0:41:24.719 --> 0:41:26.960
<v Speaker 1>paste where they just like I really want to work

0:41:27.000 --> 0:41:30.680
<v Speaker 1>for your company, paste Elvistrand in the morning show, right,

0:41:30.880 --> 0:41:32.879
<v Speaker 1>I think I would be great at your company. Look,

0:41:33.000 --> 0:41:34.759
<v Speaker 1>I know a copy and paste cover letter when I

0:41:34.800 --> 0:41:37.719
<v Speaker 1>see it. But it's when you get the same grammatical

0:41:37.840 --> 0:41:42.080
<v Speaker 1>mistakes every semester, when you get run on sentences, when

0:41:42.120 --> 0:41:44.920
<v Speaker 1>you get one long paragraph the whole page is one

0:41:45.200 --> 0:41:48.440
<v Speaker 1>you can't read it, so I'm gonna read to you

0:41:48.680 --> 0:41:52.759
<v Speaker 1>just some Here's the number one mistake. I tweet this

0:41:53.360 --> 0:41:57.480
<v Speaker 1>every semester. Three of the first four resumes I read

0:41:57.560 --> 0:42:00.920
<v Speaker 1>this semester had the same mistake. Wait, wait, wait, wait,

0:42:01.080 --> 0:42:04.960
<v Speaker 1>I know what it is. I can I guess the

0:42:05.080 --> 0:42:08.759
<v Speaker 1>opening sentence? No, I want to be a part of

0:42:08.880 --> 0:42:12.000
<v Speaker 1>your morning show. Yes, it's not the opening sentence, but

0:42:12.080 --> 0:42:16.600
<v Speaker 1>it's always there. Apart They actually they make one word,

0:42:16.680 --> 0:42:19.880
<v Speaker 1>one word as a part apart. Right. Now, here's how

0:42:19.880 --> 0:42:25.560
<v Speaker 1>you remember it. Apart is separate. Now it's it's reversed

0:42:25.600 --> 0:42:29.719
<v Speaker 1>because technically apart separately is the opposite of apart. It

0:42:29.880 --> 0:42:33.160
<v Speaker 1>means the opposite, right, So apart actually means away from,

0:42:34.080 --> 0:42:37.759
<v Speaker 1>and a part means together. Even though a part is

0:42:37.960 --> 0:42:40.520
<v Speaker 1>is actually separated. They're reversed when you look at them.

0:42:41.040 --> 0:42:43.279
<v Speaker 1>But if you say to me in one word that

0:42:43.400 --> 0:42:44.880
<v Speaker 1>you look you want to be a part of the

0:42:44.960 --> 0:42:47.279
<v Speaker 1>morning show A P A R T. A part of

0:42:47.320 --> 0:42:50.239
<v Speaker 1>the morning show is one word means away from, separate from,

0:42:50.600 --> 0:42:52.839
<v Speaker 1>and I assure you that you're going to stay that way,

0:42:53.360 --> 0:42:56.160
<v Speaker 1>separate from the morning. Come on, do you really disqualify people,

0:42:56.239 --> 0:42:59.080
<v Speaker 1>because yes, yes, yes, yes, So wait a second. Now, now,

0:42:59.120 --> 0:43:00.880
<v Speaker 1>how long is it gonna You said three out of

0:43:00.880 --> 0:43:04.400
<v Speaker 1>the first four resumes, right, that's right? Fourth? Does that

0:43:04.600 --> 0:43:08.719
<v Speaker 1>mean those three resumes automatically get tossed and it doesn't

0:43:08.760 --> 0:43:12.120
<v Speaker 1>matter how great they might be? Pretty much? Really? Now, look,

0:43:12.160 --> 0:43:14.360
<v Speaker 1>you could have could your typo, but when you do

0:43:14.440 --> 0:43:16.920
<v Speaker 1>it two or three times in the sentence, in the paragraph,

0:43:17.000 --> 0:43:19.239
<v Speaker 1>or in the cover letter, you're out. Look if you

0:43:19.280 --> 0:43:23.440
<v Speaker 1>have a fantastic resume and a fantastic and you make

0:43:23.520 --> 0:43:27.759
<v Speaker 1>that mistake, I might overlook you. Instructor. Here are some

0:43:27.840 --> 0:43:32.560
<v Speaker 1>more resume flubs. I am submitting this for consideration for

0:43:32.640 --> 0:43:35.400
<v Speaker 1>position as an intern for Elvis Duran and The Morning

0:43:35.520 --> 0:43:41.399
<v Speaker 1>How capital h o w wow, you're out in the morning.

0:43:41.840 --> 0:43:45.880
<v Speaker 1>This person wrote, since I remember myself, I was always

0:43:46.000 --> 0:43:49.600
<v Speaker 1>very passionate about music. What they mean is as long

0:43:49.680 --> 0:43:51.919
<v Speaker 1>as I can remember. But what they wrote was, since

0:43:52.000 --> 0:43:55.719
<v Speaker 1>I remember myself, you're out, well, prod you waiting second

0:43:55.760 --> 0:43:57.719
<v Speaker 1>death birds? And could be like a Nope, they're not.

0:43:58.600 --> 0:44:00.520
<v Speaker 1>They're not someone that is learning the English anguage. They're

0:44:00.520 --> 0:44:03.239
<v Speaker 1>not there. But what if they're skilled at all the

0:44:03.320 --> 0:44:07.040
<v Speaker 1>other things? They're not. Since I remember them as they're

0:44:07.040 --> 0:44:10.920
<v Speaker 1>not throughout. Let's see, this person wrote, Danielle's laugh caused

0:44:11.000 --> 0:44:13.400
<v Speaker 1>my mother and I, So that's wrong. It's my mother

0:44:13.440 --> 0:44:16.400
<v Speaker 1>and me uh to burst to burst out laughing, So

0:44:16.440 --> 0:44:18.680
<v Speaker 1>that's fine. Then they wrote, not a day goes by

0:44:18.920 --> 0:44:21.560
<v Speaker 1>that I tell almost everyone I come across the Elvis

0:44:21.600 --> 0:44:24.279
<v Speaker 1>Durran Show is my future boss, and how Danielle is

0:44:24.320 --> 0:44:26.799
<v Speaker 1>my best friend. What they meant was not a day

0:44:26.840 --> 0:44:29.279
<v Speaker 1>goes by that I don't tell everyone. They left out

0:44:29.280 --> 0:44:31.239
<v Speaker 1>the word don't, so they're saying, not a day goes

0:44:31.280 --> 0:44:35.560
<v Speaker 1>by that every day I don't tell people. Okay. Then

0:44:35.640 --> 0:44:38.800
<v Speaker 1>they wrote my willingness to offer anything in a heartbeat,

0:44:38.960 --> 0:44:41.759
<v Speaker 1>will not be hesitant. Wait what does that even mean?

0:44:41.840 --> 0:44:44.960
<v Speaker 1>I don't know. Then they wrote, Then they wrote, then

0:44:45.000 --> 0:44:48.480
<v Speaker 1>they put a coal in my person No, no, no,

0:44:48.840 --> 0:44:50.960
<v Speaker 1>just not the not the best in cover letters. So

0:44:51.000 --> 0:44:54.919
<v Speaker 1>then they wrote to getting coffee, writing or editing news

0:44:55.040 --> 0:44:58.799
<v Speaker 1>stories for the Danielle okay, you're out. Okay, by the way,

0:44:59.080 --> 0:45:01.040
<v Speaker 1>so far, that would be the only one that I

0:45:01.040 --> 0:45:04.480
<v Speaker 1>would disqualified all the rest I would actually give second

0:45:04.600 --> 0:45:07.000
<v Speaker 1>chances to. I mean that one was hold on. I

0:45:07.160 --> 0:45:10.279
<v Speaker 1>learned about this internship whenever the people on the s

0:45:10.360 --> 0:45:15.160
<v Speaker 1>O w talk about it on the air, and also

0:45:15.320 --> 0:45:19.160
<v Speaker 1>I listened on the fifty minute morning shows. Right, I

0:45:19.239 --> 0:45:23.319
<v Speaker 1>see that you're accepting resumes and cove letters. No are

0:45:23.840 --> 0:45:28.600
<v Speaker 1>you're out? Okay? Uh? Hold on. I am a junior

0:45:28.719 --> 0:45:33.240
<v Speaker 1>at Blank University majoring majoring in journalism and media studies,

0:45:33.560 --> 0:45:36.600
<v Speaker 1>with the goal of one day becoming a new reporter,

0:45:38.000 --> 0:45:40.640
<v Speaker 1>a new news report. You're out. I'll but come on,

0:45:40.719 --> 0:45:43.360
<v Speaker 1>brod you just a little. There's other problems. These are

0:45:43.400 --> 0:45:45.560
<v Speaker 1>just ones that I'm highlighting in the couple is other.

0:45:46.880 --> 0:45:49.759
<v Speaker 1>Don't rule my bit. Okay, it makes you sound like

0:45:49.800 --> 0:45:51.799
<v Speaker 1>a tyrant. Hold On, hold on, hold on, you gotta

0:45:51.800 --> 0:45:54.879
<v Speaker 1>explain that there were other things wrong, because if it's done,

0:45:55.080 --> 0:45:57.560
<v Speaker 1>I make it sound right now, it sounds you're coming

0:45:57.560 --> 0:46:01.080
<v Speaker 1>across one other and you're out. No, no, no, no,

0:46:01.280 --> 0:46:03.279
<v Speaker 1>you're not giving anyone a second change. No, this is

0:46:03.400 --> 0:46:06.080
<v Speaker 1>this is hold on. This person wrote, I understand the

0:46:06.160 --> 0:46:10.960
<v Speaker 1>ideal candidate for this position would obtain multiple qualities. No, no,

0:46:11.840 --> 0:46:13.880
<v Speaker 1>you have to have multiple qualities. You don't obtain them

0:46:13.880 --> 0:46:16.360
<v Speaker 1>when you get here. Okay, but they're probably not with

0:46:16.440 --> 0:46:18.520
<v Speaker 1>a men. Hold on. Here's where I call this one

0:46:18.680 --> 0:46:21.839
<v Speaker 1>the ironic resume of the week. This is the same

0:46:21.880 --> 0:46:24.759
<v Speaker 1>one I just read. This is continuing. Proper grammar and

0:46:24.840 --> 0:46:29.279
<v Speaker 1>efficient speaking speaking skills are two more qualities that I

0:46:29.320 --> 0:46:32.239
<v Speaker 1>would be able to contribute if chosen. I am one

0:46:32.280 --> 0:46:34.400
<v Speaker 1>who is able to clearly express my words in a

0:46:34.480 --> 0:46:37.640
<v Speaker 1>way that would not disappoint. I can guarantee I possess

0:46:37.760 --> 0:46:42.759
<v Speaker 1>these p O s E s okay uh. And they

0:46:42.800 --> 0:46:46.920
<v Speaker 1>wrote and then they said these previously listed qualities in

0:46:47.000 --> 0:46:50.080
<v Speaker 1>a manner that would excel the requirements of an ideal candidate.

0:46:50.480 --> 0:46:56.319
<v Speaker 1>They meant exceed. You're out. Hold on. By the way,

0:46:56.360 --> 0:47:00.239
<v Speaker 1>those are all from last cemented on as a kid. Yes, yes,

0:47:00.280 --> 0:47:02.880
<v Speaker 1>I was, Okay, look at this one. This this one,

0:47:02.960 --> 0:47:07.480
<v Speaker 1>here is the full pageh either tell me what we're

0:47:07.480 --> 0:47:09.840
<v Speaker 1>going for here. By the way it starts off with

0:47:10.000 --> 0:47:12.200
<v Speaker 1>my name is there's no hello, dear sir madam. Nothing,

0:47:12.239 --> 0:47:14.560
<v Speaker 1>there's no address, not in the form of a couple letter.

0:47:15.320 --> 0:47:16.920
<v Speaker 1>You can use word and it tells you like it,

0:47:17.120 --> 0:47:19.000
<v Speaker 1>formats it for you, but no, there's no format here.

0:47:19.280 --> 0:47:21.120
<v Speaker 1>Here's what they wrote, and you tell me what they're saying.

0:47:22.160 --> 0:47:24.160
<v Speaker 1>I want to intern for Elvisten in the morning show

0:47:24.239 --> 0:47:27.040
<v Speaker 1>because I feel they are my kind of people because

0:47:27.120 --> 0:47:30.200
<v Speaker 1>it's the place where opportunity happens, and simply because I

0:47:30.239 --> 0:47:32.719
<v Speaker 1>would like to work towards goals. They have to give

0:47:32.840 --> 0:47:35.640
<v Speaker 1>back for how they helped me reach mine, and I

0:47:35.760 --> 0:47:40.520
<v Speaker 1>had nothing else but to smile about and learn from them. Wait,

0:47:40.680 --> 0:47:43.040
<v Speaker 1>what right? You're out? That sounds like my weird Al

0:47:43.080 --> 0:47:48.319
<v Speaker 1>Yankovic question. That's correct. Okay, here is them selling themselves. Ready,

0:47:48.360 --> 0:47:50.839
<v Speaker 1>this is the couple letter. I would be a good

0:47:50.920 --> 0:47:54.000
<v Speaker 1>fit for this internship position because this is a position.

0:47:54.760 --> 0:47:56.640
<v Speaker 1>I'm sorry, I would be a good fit for this

0:47:56.800 --> 0:48:00.920
<v Speaker 1>internship position because this is position. It one that I

0:48:01.040 --> 0:48:05.520
<v Speaker 1>really want it one. This one. This kid's aiming high,

0:48:06.200 --> 0:48:09.080
<v Speaker 1>aiming high. This guy wants to go in turn to see,

0:48:10.360 --> 0:48:15.080
<v Speaker 1>I am interested in being the radio industry. That's really high,

0:48:15.600 --> 0:48:18.440
<v Speaker 1>going for the top. Hey that guy, he's the radio industry,

0:48:18.800 --> 0:48:24.520
<v Speaker 1>the industry. Okay, Um, I can learn new new resume.

0:48:24.840 --> 0:48:26.759
<v Speaker 1>I can learn new things about radio that I never

0:48:26.840 --> 0:48:34.920
<v Speaker 1>did before. I can handle difficult, that's it. I am

0:48:34.960 --> 0:48:40.440
<v Speaker 1>always fascinated by how radio industry work. You're out? Nope? Okay,

0:48:41.000 --> 0:48:44.480
<v Speaker 1>uh next one. I am currently taking a course in

0:48:44.600 --> 0:48:53.480
<v Speaker 1>title writing for radio entitle Yeah you should so granted

0:48:53.520 --> 0:48:55.160
<v Speaker 1>the d is missing. That's not a big deal with

0:48:55.320 --> 0:48:57.480
<v Speaker 1>doing this podcast. That's what I'm reading this for. But

0:48:57.560 --> 0:49:00.560
<v Speaker 1>the fact that he's taking a course in writing. It's

0:49:00.760 --> 0:49:05.720
<v Speaker 1>entitled writing for Radio. So you're out. This person starts

0:49:05.719 --> 0:49:08.920
<v Speaker 1>off their cover letter Elvis Duran D you r R

0:49:09.040 --> 0:49:13.080
<v Speaker 1>A N. Get the guy's name right, Hello, that's the first.

0:49:13.160 --> 0:49:16.160
<v Speaker 1>That's rule one one. The company and the position you're

0:49:16.160 --> 0:49:18.280
<v Speaker 1>applying for. Know what it is, No, how it's spelled.

0:49:19.800 --> 0:49:23.319
<v Speaker 1>Oh my god, that's terrible. And this one this is here.

0:49:23.400 --> 0:49:26.480
<v Speaker 1>Look at this one here, there's no margins zero fox

0:49:26.520 --> 0:49:29.480
<v Speaker 1>given by the way, no margins. And look at it closely.

0:49:30.160 --> 0:49:33.319
<v Speaker 1>There's not a capital letter on that page. Oh my god.

0:49:33.920 --> 0:49:37.399
<v Speaker 1>And there's no periods, there's no punctuation. Cover letter looks

0:49:37.440 --> 0:49:44.320
<v Speaker 1>like a text message. So yeah, wow, this is brutal.

0:49:44.960 --> 0:49:48.160
<v Speaker 1>And and she's got a hotmail account. Who the hell

0:49:48.239 --> 0:49:54.360
<v Speaker 1>still have those? Snob email? Doesn't matter who you listen,

0:49:54.440 --> 0:49:58.200
<v Speaker 1>I get it l address. So so you think the

0:49:58.200 --> 0:50:00.759
<v Speaker 1>whole world should have Gmail? That's it, right? What else

0:50:00.880 --> 0:50:03.320
<v Speaker 1>is there? What else? The hotmail went out of business?

0:50:03.360 --> 0:50:05.560
<v Speaker 1>I thought, who the hell has a hotmail address? Apparently

0:50:05.600 --> 0:50:07.280
<v Speaker 1>a lot of people have. I get a little hotmailed emails.

0:50:07.400 --> 0:50:10.000
<v Speaker 1>Get out of here. What's the difference with hotmail? What

0:50:10.160 --> 0:50:12.800
<v Speaker 1>is the difference what your email says, what we're saying.

0:50:13.160 --> 0:50:17.920
<v Speaker 1>I would say, who's a snob? Now I'm looking through this.

0:50:18.520 --> 0:50:24.000
<v Speaker 1>This is ridiculous while you're doing that hotmail account right,

0:50:24.080 --> 0:50:26.480
<v Speaker 1>this is uh, that's not my music? What are you

0:50:26.560 --> 0:50:30.439
<v Speaker 1>looking for? Brodie rant music? Not not? Sorry, my bad?

0:50:31.800 --> 0:50:33.759
<v Speaker 1>There we go. What was that unused jokes? That was

0:50:33.840 --> 0:50:37.600
<v Speaker 1>the circus music? That's our news Understokes, Ready go for

0:50:37.719 --> 0:50:40.200
<v Speaker 1>it in Loo. It's a little bit. These are jokes

0:50:40.840 --> 0:50:42.360
<v Speaker 1>that I wrote for the show that we didn't get to.

0:50:44.320 --> 0:50:46.239
<v Speaker 1>There was a news reporter. Garrett played a clip of

0:50:46.239 --> 0:50:48.759
<v Speaker 1>a news reporter where everything she said was a song

0:50:48.880 --> 0:50:52.239
<v Speaker 1>title of Taylor Swift's and she came off kind of hack.

0:50:52.960 --> 0:50:56.400
<v Speaker 1>So I said, that's because her i Q is fifteen

0:50:57.840 --> 0:51:04.279
<v Speaker 1>Taylor Swift joke. All right, Um, she has a song

0:51:04.320 --> 0:51:08.279
<v Speaker 1>called ted Okay, I like two? All right? Well then

0:51:08.320 --> 0:51:12.000
<v Speaker 1>he was twenty two, just his bed. Elvis said on

0:51:12.040 --> 0:51:15.360
<v Speaker 1>the radio, if people watch come to my house for

0:51:15.440 --> 0:51:19.759
<v Speaker 1>a party and they turn on sports, they're out. And

0:51:19.880 --> 0:51:21.920
<v Speaker 1>my joke was which he didn't want to do. Elvis,

0:51:21.960 --> 0:51:25.160
<v Speaker 1>everyone at your party is out. Of course, I knew

0:51:25.160 --> 0:51:28.239
<v Speaker 1>that was coming. There you go. Um oh. Nate was

0:51:28.320 --> 0:51:32.240
<v Speaker 1>talking about how he had um a pro lapsed hemorrhoid,

0:51:32.280 --> 0:51:35.120
<v Speaker 1>meaning on the outside of his ass, pro lapses like

0:51:35.200 --> 0:51:38.120
<v Speaker 1>outside right. So he said he did something stupid and

0:51:38.160 --> 0:51:39.920
<v Speaker 1>I said, oh, he had a pro lapse of judgment.

0:51:40.760 --> 0:51:43.440
<v Speaker 1>We're gonna get to that. Uh. Nate said he took

0:51:43.440 --> 0:51:46.000
<v Speaker 1>a picture of that gross thing on his ass, and elvislys,

0:51:46.000 --> 0:51:47.319
<v Speaker 1>I want to see it. He goes, I'm not showing

0:51:47.360 --> 0:51:49.400
<v Speaker 1>to you, and I said, oh, I think he posted

0:51:49.440 --> 0:51:54.440
<v Speaker 1>it on snapschat. We didn't get to that. Bob Saggett.

0:51:55.239 --> 0:51:58.680
<v Speaker 1>Bob Saggett was here from full House, Fuller House, the

0:51:58.719 --> 0:52:01.439
<v Speaker 1>Great Bob Saget and he was eating our Italian food

0:52:01.880 --> 0:52:03.440
<v Speaker 1>and Elvis said, hey, can you go get him? I

0:52:03.440 --> 0:52:04.680
<v Speaker 1>want to bring him in and yell at I'm freating

0:52:04.680 --> 0:52:06.320
<v Speaker 1>our Italian food. He was out in the hall. So

0:52:06.440 --> 0:52:09.000
<v Speaker 1>I go out there and Bob Saggett says, hey, I

0:52:09.239 --> 0:52:11.440
<v Speaker 1>can't come in because I got another interview I gotta do.

0:52:11.480 --> 0:52:15.120
<v Speaker 1>I'll try to come in later. So, uh, this was

0:52:15.200 --> 0:52:16.600
<v Speaker 1>my joke. I got to use my joke. He didn't

0:52:16.600 --> 0:52:17.960
<v Speaker 1>want to do it. So I did the joke myself

0:52:18.040 --> 0:52:20.160
<v Speaker 1>on the air. He says, where's Bob sagett I said,

0:52:20.160 --> 0:52:22.520
<v Speaker 1>he couldn't come in right now. He's he's starting in

0:52:22.520 --> 0:52:27.040
<v Speaker 1>a new show called full Mouth. Okay. Uh. Elvis was

0:52:27.080 --> 0:52:30.000
<v Speaker 1>talking about his beautiful new cornucopia but he has on

0:52:30.080 --> 0:52:33.000
<v Speaker 1>his table and I said, oh, it's gorgeous. They don't

0:52:33.000 --> 0:52:35.759
<v Speaker 1>want to do that. That's cute. There you go. Uh.

0:52:35.920 --> 0:52:38.239
<v Speaker 1>Danielle couldn't remember the name of a perfume. She's like,

0:52:38.239 --> 0:52:41.439
<v Speaker 1>I can't. It was Guardinias something, Guardinia Guardinia, So I said,

0:52:42.000 --> 0:52:44.520
<v Speaker 1>did it smell like Vincent Guardinia, the old Italian actor?

0:52:44.920 --> 0:52:47.320
<v Speaker 1>He didn't wanna do that joke. I wouldn't have done that.

0:52:47.320 --> 0:52:49.480
<v Speaker 1>I wouldn't have done that one. You said you tried

0:52:49.560 --> 0:52:52.120
<v Speaker 1>to convince people you're fat Tom Cruise. Yes, so I said,

0:52:52.160 --> 0:52:54.760
<v Speaker 1>you're a Tomato Cruise. You're a big, fat tomato looking

0:52:54.800 --> 0:52:57.600
<v Speaker 1>Tom Cruise's cute. Yeah, he didn't do that. Uh. Here's

0:52:57.640 --> 0:53:00.239
<v Speaker 1>some jokes that weren't for the show, but there. They

0:53:00.280 --> 0:53:02.239
<v Speaker 1>were too dirty for the show and really probably too

0:53:02.280 --> 0:53:04.200
<v Speaker 1>offensive to put on Twitter because I don't want to

0:53:04.200 --> 0:53:06.920
<v Speaker 1>offend my fellow comics. But Louis c K, one of

0:53:06.920 --> 0:53:09.239
<v Speaker 1>the greatest stand up comics in the world, is in

0:53:09.280 --> 0:53:11.680
<v Speaker 1>a lot of trouble for masturbating in front of women

0:53:12.239 --> 0:53:15.759
<v Speaker 1>and uh, sexual harassment and whatever. So I wrote two

0:53:15.840 --> 0:53:17.880
<v Speaker 1>jokes that I have not been able to use anywhere,

0:53:17.880 --> 0:53:21.760
<v Speaker 1>but I'm using him here one what a jerk off? Okay,

0:53:22.480 --> 0:53:24.319
<v Speaker 1>and Tom and you guys can use this, but give

0:53:24.360 --> 0:53:27.239
<v Speaker 1>me credit. Remember you can't spell cock without c K.

0:53:28.040 --> 0:53:30.960
<v Speaker 1>So there you go. Not was unused joke. Why do

0:53:31.040 --> 0:53:33.680
<v Speaker 1>I have this one in front of me? Wheel of flatulent? Oh?

0:53:34.040 --> 0:53:36.359
<v Speaker 1>This is This is an unused joke that that got

0:53:36.440 --> 0:53:38.960
<v Speaker 1>rejected to me by Elvis. I I wrote it for him.

0:53:39.040 --> 0:53:40.800
<v Speaker 1>We both wrote a joke. This was an example of

0:53:40.840 --> 0:53:43.359
<v Speaker 1>us both writing a joke. So Garrett played a clip.

0:53:43.760 --> 0:53:46.920
<v Speaker 1>Let's see if I could find Oh it was. It

0:53:47.040 --> 0:53:49.000
<v Speaker 1>was a Wheel of Fortune clip. It was from the

0:53:49.000 --> 0:53:50.840
<v Speaker 1>show Wheel of Fortune, not the same one where the

0:53:50.880 --> 0:53:54.360
<v Speaker 1>grandfather loses a million dollars that we just played. It

0:53:54.480 --> 0:54:02.239
<v Speaker 1>was I think a woman was talking. Excuse me, that's right? Oh,

0:54:02.480 --> 0:54:10.000
<v Speaker 1>oh yeah, yeah, I just heard she got a free play. Yeah.

0:54:10.719 --> 0:54:12.719
<v Speaker 1>So I wrote a joke for him that was Wheel

0:54:12.760 --> 0:54:15.120
<v Speaker 1>of Fortune? Were fortune? And that's the one he went

0:54:15.200 --> 0:54:17.200
<v Speaker 1>with on the air, right, but I, at the same

0:54:17.320 --> 0:54:21.560
<v Speaker 1>time gave Elvis a joke wheel of flatulent right now,

0:54:21.640 --> 0:54:24.080
<v Speaker 1>it's funny, but fortune and fortune is closer. He went

0:54:24.120 --> 0:54:27.239
<v Speaker 1>with that. He went with fortune right, well, a fortune, well,

0:54:27.280 --> 0:54:31.560
<v Speaker 1>a flatulent flatulence flatulent, not as close will a flatulen?

0:54:31.800 --> 0:54:38.640
<v Speaker 1>Come on, it's flatulent flatulen. Anyway, he gave that advantage, Brodie,

0:54:38.719 --> 0:54:41.399
<v Speaker 1>he used Brodie, Mine was the unused joke, because that's

0:54:41.400 --> 0:54:43.040
<v Speaker 1>why I read it to you right here. And by

0:54:43.080 --> 0:54:47.040
<v Speaker 1>the way, funny story. The next letter that lady chose

0:54:47.920 --> 0:54:54.279
<v Speaker 1>and real fortune was yeah, So I want to I

0:54:54.360 --> 0:54:57.880
<v Speaker 1>want to apologize for I've teased this before. I have

0:54:57.960 --> 0:55:00.759
<v Speaker 1>a rant about a pool store. Now it's still oh

0:55:00.800 --> 0:55:04.359
<v Speaker 1>my god, I know. So next episode I will get

0:55:04.400 --> 0:55:07.160
<v Speaker 1>the rant out about the pool store, terrible customer service,

0:55:07.280 --> 0:55:09.560
<v Speaker 1>f them and I'll tell you why. And I caught them.

0:55:09.840 --> 0:55:12.400
<v Speaker 1>I caught them. We'll do it next episode. Alright, we

0:55:12.520 --> 0:55:15.759
<v Speaker 1>had we We had no conversations here. It was just

0:55:15.960 --> 0:55:21.040
<v Speaker 1>list list list. It was listing rant rant, Michael, list

0:55:21.200 --> 0:55:23.920
<v Speaker 1>list list. You want to have a conversation. I want

0:55:23.960 --> 0:55:25.440
<v Speaker 1>to have a conversation with me. I think the uber

0:55:25.480 --> 0:55:27.040
<v Speaker 1>thing was a good conversation, so let's get at it.

0:55:28.760 --> 0:55:33.799
<v Speaker 1>Thank you for listening to episode who Is We Love

0:55:33.880 --> 0:55:42.880
<v Speaker 1>You appreciated Brooks Boys, Boys