1 00:00:00,360 --> 00:00:04,800 Speaker 1: Hello the Internet, and welcome to this episode of for 2 00:00:05,040 --> 00:00:12,800 Speaker 1: Me Once trend On trend on you fool me. You 3 00:00:12,840 --> 00:00:19,040 Speaker 1: can't get fooled again? That one there, for Me once 4 00:00:19,280 --> 00:00:22,480 Speaker 1: trend on you trend on you Okay, okay, okay. I 5 00:00:22,520 --> 00:00:27,320 Speaker 1: always forget how quickly he goes off the it's right 6 00:00:27,360 --> 00:00:30,320 Speaker 1: from fool me once, shame on, and then he stops 7 00:00:31,040 --> 00:00:36,600 Speaker 1: just totally begin to know what the saying is. Pomy 8 00:00:36,680 --> 00:00:41,879 Speaker 1: wants shame on, shame on you for saying in Tennessee. 9 00:00:41,960 --> 00:00:43,600 Speaker 1: I know it's in Texas, probably in Tennessee. 10 00:00:46,680 --> 00:00:47,239 Speaker 2: Shame on. 11 00:00:47,720 --> 00:00:54,480 Speaker 1: He doesn't know it. At that point. We can't get 12 00:00:54,520 --> 00:01:02,000 Speaker 1: fooled again time, every time, can't. He can't fo me again. 13 00:01:02,720 --> 00:01:06,039 Speaker 1: I was thinking of that this morning, because Miles, we've 14 00:01:06,319 --> 00:01:10,400 Speaker 1: we've been made fools. We've been We've been a fool. 15 00:01:11,200 --> 00:01:14,720 Speaker 1: Brute Impact on Blue Sky points out that today is 16 00:01:14,840 --> 00:01:18,400 Speaker 1: Mario Day, because look up in the right corner of 17 00:01:18,520 --> 00:01:23,399 Speaker 1: your computer and you will see that it's two mar 18 00:01:23,840 --> 00:01:32,920 Speaker 1: One Oh Martin to Martin Martin with love from the 19 00:01:33,000 --> 00:01:39,959 Speaker 1: movie mar Yeah, mar One Oh. Shout out to Brute 20 00:01:39,959 --> 00:01:43,160 Speaker 1: Impact on Blue Sky. Everyone screaming at their iPods. 21 00:01:43,720 --> 00:01:47,480 Speaker 2: Everyone's listening on an iPod screaming at their car their 22 00:01:47,520 --> 00:01:49,480 Speaker 2: speakers as we were like, I don't think Mario. 23 00:01:49,840 --> 00:01:52,160 Speaker 1: I think it's like it was when Mario came out. 24 00:01:52,280 --> 00:01:56,240 Speaker 1: It was actually when Donkey Kong. So they were like 25 00:01:56,360 --> 00:01:59,040 Speaker 1: that that actually happened in July. So they're they're up 26 00:01:59,080 --> 00:02:02,400 Speaker 1: on this ship. We we are not. But thank you 27 00:02:02,440 --> 00:02:04,080 Speaker 1: for that. Also, I got to show back to my 28 00:02:04,160 --> 00:02:06,400 Speaker 1: kids today, I said, is Mario d look at this 29 00:02:06,760 --> 00:02:10,120 Speaker 1: on on the date and they were very impressed. They 30 00:02:10,160 --> 00:02:13,320 Speaker 1: loved it. So shout out to brute impact. Little give 31 00:02:13,360 --> 00:02:16,920 Speaker 1: me a little dad, some dad content pressures are on, 32 00:02:17,000 --> 00:02:19,760 Speaker 1: dude for the next one, I know, all right, this 33 00:02:19,880 --> 00:02:22,359 Speaker 1: is the episode where we tell you what was trending 34 00:02:22,919 --> 00:02:25,680 Speaker 1: this morning? Uh did? I said? Do you know about me? 35 00:02:25,919 --> 00:02:27,320 Speaker 1: Do they know about me? The fourth be with you? 36 00:02:27,720 --> 00:02:31,120 Speaker 1: Oh yeah yeah yeah all right, yeah, I mean yeah 37 00:02:31,160 --> 00:02:32,639 Speaker 1: you know that one. That one hits too, because I 38 00:02:32,639 --> 00:02:34,320 Speaker 1: know they're a little Star Wars or at least yeah 39 00:02:34,360 --> 00:02:37,679 Speaker 1: there was Star Wars nerds. It comes in waves now 40 00:02:37,720 --> 00:02:41,480 Speaker 1: but yeah, my uh, he's under legit war now. Yeah 41 00:02:41,639 --> 00:02:46,080 Speaker 1: he's under legit war. He's on wars legit World War two. Yeah, 42 00:02:46,720 --> 00:02:51,280 Speaker 1: he's a World War two nerd. Coming to man already 43 00:02:51,440 --> 00:02:54,880 Speaker 1: end in World War two. Oh man, he's he's real 44 00:02:54,960 --> 00:02:57,240 Speaker 1: deep in it. He was like saying something. He was like, 45 00:02:57,600 --> 00:03:02,440 Speaker 1: I just realized something like aircraft carriers a the most 46 00:03:02,480 --> 00:03:06,160 Speaker 1: powerful b battleships the second most powerful. See do you 47 00:03:06,160 --> 00:03:07,760 Speaker 1: think they did it like that on purpose? 48 00:03:07,960 --> 00:03:11,560 Speaker 2: I was like, wow, Damn, you're like you're seeing you're 49 00:03:11,560 --> 00:03:13,359 Speaker 2: seeing the matrix that even there, Bro. 50 00:03:13,480 --> 00:03:16,919 Speaker 1: You're gonna be in in the red the subreddits pretty 51 00:03:16,960 --> 00:03:19,880 Speaker 1: soon the second he find out what's what reddits are, 52 00:03:20,000 --> 00:03:23,959 Speaker 1: that's gonna be bad, bad for all of us. Uh. Anyways, 53 00:03:23,960 --> 00:03:26,400 Speaker 1: my name is Jack O'Brien. That over there is mister Miles. Great, 54 00:03:29,200 --> 00:03:32,960 Speaker 1: let's tell them what's what's trending, right, Yeah, let's trended. 55 00:03:34,480 --> 00:03:39,960 Speaker 1: Rosanna Arquette came out? Were Patricia Arkett or Roseanne oar 56 00:03:40,040 --> 00:03:43,720 Speaker 1: cut Rosanna? So I kept I kept writing Patricia, it's Rosanna, it's. 57 00:03:43,840 --> 00:03:49,560 Speaker 2: Rose Rosanna, the one, the famous Jody of Pulp Fix 58 00:03:49,760 --> 00:03:51,160 Speaker 2: that the one was all this ship in her face. 59 00:03:51,440 --> 00:03:55,360 Speaker 1: No, that's Jody, my wife. 60 00:03:55,960 --> 00:03:56,040 Speaker 2: She. 61 00:03:56,960 --> 00:03:58,360 Speaker 1: I don't know if you're talking about this on Mike, 62 00:03:58,400 --> 00:03:59,480 Speaker 1: but it comes up. 63 00:03:59,440 --> 00:04:02,800 Speaker 2: A lot about Tarantino loving to say the N word 64 00:04:02,840 --> 00:04:03,320 Speaker 2: in movies. 65 00:04:03,520 --> 00:04:06,559 Speaker 1: Oh yeah, gotta like he's got. 66 00:04:06,320 --> 00:04:09,680 Speaker 2: To mister her and Roseanne Arquette was recently in this 67 00:04:09,720 --> 00:04:13,280 Speaker 2: interview in the UK. She gave this interview where she 68 00:04:13,600 --> 00:04:16,440 Speaker 2: like her career comes up, they talk about Pulp Fiction. 69 00:04:16,640 --> 00:04:19,080 Speaker 2: She's like, yeah, it was great, like obviously a huge movie, 70 00:04:19,240 --> 00:04:21,640 Speaker 2: it's a cult film, and then she said this. Then 71 00:04:21,680 --> 00:04:24,400 Speaker 2: she goes on to say, well, personally, I'm over the 72 00:04:24,480 --> 00:04:25,240 Speaker 2: use of the N word. 73 00:04:25,360 --> 00:04:27,640 Speaker 1: I hate it. I cannot stand that he has been 74 00:04:27,640 --> 00:04:29,400 Speaker 1: given a hall pass. It's not art. 75 00:04:29,440 --> 00:04:33,680 Speaker 2: It's just racist and creepy. And we're like yeah, yeah, yeah, yeah, yeah, 76 00:04:33,680 --> 00:04:36,360 Speaker 2: for sure, for sure. Joseoh mentioned that she is one 77 00:04:36,400 --> 00:04:38,560 Speaker 2: of the only cast members from Pulp Fiction that didn't 78 00:04:38,560 --> 00:04:41,320 Speaker 2: get any back end points, meaning like no royalties from 79 00:04:41,360 --> 00:04:44,520 Speaker 2: the profits of the film. She suspects it's a result 80 00:04:44,640 --> 00:04:46,839 Speaker 2: of her, you know, like she was part of the 81 00:04:46,880 --> 00:04:49,880 Speaker 2: early me too movement, like calling on Harvey Weinstein. She 82 00:04:49,960 --> 00:04:52,520 Speaker 2: says she thinks it's on the heels of her rejecting 83 00:04:52,520 --> 00:04:56,160 Speaker 2: Weinstein when he tried to assault her, and from that 84 00:04:56,240 --> 00:04:58,440 Speaker 2: point she's like, bro, I didn't get cast at anything, 85 00:04:58,520 --> 00:05:01,040 Speaker 2: and I feel like I could draw a direct line 86 00:05:01,040 --> 00:05:01,719 Speaker 2: from that moment. 87 00:05:02,080 --> 00:05:04,960 Speaker 1: I just want to reiterate, like in pulp fiction, he 88 00:05:05,720 --> 00:05:09,000 Speaker 1: casts himself in a role like that he has no 89 00:05:09,080 --> 00:05:11,680 Speaker 1: business playing because he's not a good actor. It's like 90 00:05:11,760 --> 00:05:15,200 Speaker 1: the one part of the movie where if you're watching it, 91 00:05:15,240 --> 00:05:17,240 Speaker 1: you have no idea who Quentin Tarantino is. What he 92 00:05:17,279 --> 00:05:19,599 Speaker 1: looks like, You're gonna be like, why was that one guy? 93 00:05:19,839 --> 00:05:23,479 Speaker 1: Like why a bad actor in a movie otherwise just 94 00:05:23,520 --> 00:05:26,120 Speaker 1: like rock solid? And also why did he keep saying 95 00:05:26,160 --> 00:05:29,080 Speaker 1: the N word? Like why is this taking place in 96 00:05:29,200 --> 00:05:33,920 Speaker 1: a alternate universe where that's just cool? Right? It's because 97 00:05:33,920 --> 00:05:36,920 Speaker 1: it's his alternate universe where he's always wanted to say 98 00:05:36,960 --> 00:05:39,039 Speaker 1: that I'm really cool with black guys. I can see 99 00:05:39,040 --> 00:05:41,640 Speaker 1: the N word like hard r you know what I mean? 100 00:05:42,000 --> 00:05:48,120 Speaker 1: Hard r rdist of ours the BT, like Quentin Tarantino 101 00:05:48,160 --> 00:05:50,760 Speaker 1: going on bet with Jamie Fox and Samuel L. Jackson 102 00:05:51,040 --> 00:05:55,920 Speaker 1: for Django is one of the worst things I've ever 103 00:05:55,960 --> 00:05:59,640 Speaker 1: seen human being do. Yeah, yeah, where he gets on 104 00:06:00,400 --> 00:06:05,440 Speaker 1: and he does this like weird, like condescending black scent 105 00:06:05,960 --> 00:06:09,520 Speaker 1: where it's he's. 106 00:06:09,440 --> 00:06:12,000 Speaker 2: He's lost the fucking plot and you know you do 107 00:06:12,040 --> 00:06:14,240 Speaker 2: you see there's like a lot of articles in the 108 00:06:14,279 --> 00:06:17,560 Speaker 2: past when this comes up point out like collaborators like 109 00:06:17,760 --> 00:06:20,800 Speaker 2: you know, Samuel Jackson or Jamie Fox or they defended 110 00:06:20,800 --> 00:06:22,560 Speaker 2: the use of the N word, but it's usually in 111 00:06:22,560 --> 00:06:26,800 Speaker 2: the context of a black or overtly white supremacist character 112 00:06:27,000 --> 00:06:29,200 Speaker 2: using in a film where he's like. 113 00:06:29,440 --> 00:06:31,360 Speaker 1: Yeah, was Samuel L. Jackson saying it? 114 00:06:31,440 --> 00:06:34,800 Speaker 2: Yeah, yeah, exactly, and even and like even Jamie Fox 115 00:06:34,880 --> 00:06:37,680 Speaker 2: is like, yeah, the fucking slavers are going to be 116 00:06:37,880 --> 00:06:40,640 Speaker 2: racist in this movie, where that's like the engine of 117 00:06:40,680 --> 00:06:41,560 Speaker 2: this revenge plot. 118 00:06:41,560 --> 00:06:44,200 Speaker 1: And he's like sure, like that, But what. 119 00:06:44,320 --> 00:06:47,440 Speaker 2: Rosanna Arquette is talking, she was talking about pulp fiction. 120 00:06:47,560 --> 00:06:49,599 Speaker 2: So if we're talking about the use of that word 121 00:06:49,640 --> 00:06:52,520 Speaker 2: in that film as it relates to Quentin Tarantino, it's 122 00:06:52,560 --> 00:06:55,560 Speaker 2: fucking gratuitous, unnecessary, cringey. 123 00:06:55,839 --> 00:06:56,720 Speaker 1: And he says it with. 124 00:06:56,760 --> 00:06:59,640 Speaker 3: Like the joy of like I get to say this 125 00:07:00,040 --> 00:07:01,839 Speaker 3: to a black guy too, because this is cool and 126 00:07:01,839 --> 00:07:03,239 Speaker 3: this is my movie. 127 00:07:03,440 --> 00:07:05,960 Speaker 1: GUARANTEO. I had one wish in the world, it would 128 00:07:06,000 --> 00:07:08,480 Speaker 1: be this, that I can just say it with impunity. 129 00:07:08,600 --> 00:07:10,280 Speaker 2: Oh so you want to be black? Oh god, no 130 00:07:10,360 --> 00:07:12,840 Speaker 2: oh no, no, no, no no no. I just want to 131 00:07:12,840 --> 00:07:14,440 Speaker 2: be able to say the N word without getting the 132 00:07:14,480 --> 00:07:15,320 Speaker 2: shit smacked out. 133 00:07:15,360 --> 00:07:16,920 Speaker 1: Of me. That's really what it is. 134 00:07:17,240 --> 00:07:20,160 Speaker 2: That's kind of my thing. That and feet, Yeah, it 135 00:07:20,320 --> 00:07:24,440 Speaker 2: is my two things. So again, this is what he 136 00:07:25,000 --> 00:07:26,760 Speaker 2: responded to a Roseanne arcade. 137 00:07:27,240 --> 00:07:29,160 Speaker 1: I will just say, like I would expect him to, 138 00:07:29,840 --> 00:07:34,640 Speaker 1: you know, as somebody who just out of nowhere just 139 00:07:34,840 --> 00:07:37,840 Speaker 1: went on a fifteen minutes screen about how Paul Dano 140 00:07:37,920 --> 00:07:40,280 Speaker 1: has like a weak chin and sucks shit like for 141 00:07:40,360 --> 00:07:42,560 Speaker 1: no for no apparent reason, you would think that he 142 00:07:42,680 --> 00:07:45,440 Speaker 1: might have like some tolerance for people just stating their 143 00:07:45,480 --> 00:07:50,880 Speaker 1: opinion without fear in the media. Right, That's the sort 144 00:07:50,880 --> 00:07:51,280 Speaker 1: of thing that. 145 00:07:51,240 --> 00:07:56,080 Speaker 2: He does, right exactly, So look here he is he 146 00:07:56,200 --> 00:07:58,920 Speaker 2: This is the letter, he writes Gear Rosanne. 147 00:07:59,160 --> 00:08:01,119 Speaker 3: I hope that but this you're getting from one hundred 148 00:08:01,120 --> 00:08:03,240 Speaker 3: and thirty two different media outlets writing your name and 149 00:08:03,280 --> 00:08:05,680 Speaker 3: printing your pictures worth disrespecting me in the film I 150 00:08:05,720 --> 00:08:07,680 Speaker 3: remember quite clearly you were thrilled to be a part 151 00:08:07,720 --> 00:08:09,679 Speaker 3: of Do you feel this way now? 152 00:08:10,000 --> 00:08:10,680 Speaker 1: Very possibly? 153 00:08:11,040 --> 00:08:12,720 Speaker 2: But after I gave you a job and you took 154 00:08:12,760 --> 00:08:14,840 Speaker 2: the money, the trash it for what I suspect is 155 00:08:14,920 --> 00:08:18,040 Speaker 2: very cynical reasons, shows a decided lack of class, no 156 00:08:18,200 --> 00:08:21,800 Speaker 2: less honor. They're supposed to be in a spree acres 157 00:08:22,200 --> 00:08:28,200 Speaker 2: between artistic colleagues, but it would appear the objective was accomplished. Congratulations, Q. 158 00:08:29,800 --> 00:08:31,040 Speaker 1: Well Bill Simmons in there. 159 00:08:31,280 --> 00:08:37,240 Speaker 2: Yeah, Yeah, it's just that's my insufferable guy voice and 160 00:08:37,360 --> 00:08:39,319 Speaker 2: I feel this in but it's there. It's in the 161 00:08:39,360 --> 00:08:41,240 Speaker 2: neighborhood for sure. They went to the same high school. 162 00:08:42,000 --> 00:08:46,200 Speaker 1: Yeah, so that's that's his response is how dare you? Yeah? 163 00:08:46,600 --> 00:08:48,240 Speaker 1: I don't know. Like for her to come out and 164 00:08:48,480 --> 00:08:52,720 Speaker 1: say these things is like about a filmmaker who's still 165 00:08:52,880 --> 00:08:57,800 Speaker 1: very you know, powerful in the industry of an industry 166 00:08:57,880 --> 00:09:01,760 Speaker 1: that has not looked favorably on people pointing out that 167 00:09:01,880 --> 00:09:09,199 Speaker 1: they've been fucked over by rapist executives. What are the 168 00:09:09,240 --> 00:09:12,240 Speaker 1: cynical reasons that he thinks she's getting it just to 169 00:09:12,360 --> 00:09:14,360 Speaker 1: get her name? Like, that's the thing I feel like 170 00:09:14,440 --> 00:09:17,280 Speaker 1: he needs to. I feel like he needs to actually 171 00:09:17,840 --> 00:09:25,120 Speaker 1: think about her as a thinking, smart person and be like, oh, well, 172 00:09:25,320 --> 00:09:28,199 Speaker 1: actually that wouldn't be good for her to do that. 173 00:09:28,440 --> 00:09:31,080 Speaker 1: So it must come from a place of conviction and belief. 174 00:09:31,240 --> 00:09:33,360 Speaker 1: Maybe I should take a step back and look at 175 00:09:33,400 --> 00:09:34,240 Speaker 1: my own beliefs. 176 00:09:34,400 --> 00:09:39,720 Speaker 2: Now, can't be that it's that she's a fucking hater. Yeah, 177 00:09:40,040 --> 00:09:41,839 Speaker 2: it's and I mean it's very trumpy, you know what 178 00:09:41,920 --> 00:09:45,840 Speaker 2: I mean, where it's like, oh, someone is just expressing 179 00:09:45,920 --> 00:09:47,960 Speaker 2: how they feel about me and it's not positive. 180 00:09:48,360 --> 00:09:50,960 Speaker 1: Well, they're just doing that to get in the papers. Yeah, 181 00:09:51,120 --> 00:09:54,440 Speaker 1: nice try. It wasn't an article purely about you. Dude's 182 00:09:54,440 --> 00:09:58,240 Speaker 1: so relaxed. Anybody who says anything that is mildly like 183 00:09:58,600 --> 00:10:01,520 Speaker 1: upsetting or like bumps he a little bit? Is it 184 00:10:01,760 --> 00:10:05,120 Speaker 1: just a hater? That's how we view the world now. 185 00:10:05,160 --> 00:10:07,440 Speaker 2: The hater? Yeah, because I mean he could have maybe 186 00:10:07,600 --> 00:10:10,640 Speaker 2: articulated something that was more to the point, like directly 187 00:10:11,080 --> 00:10:15,000 Speaker 2: addressing what her you know, her Ripe was with him, 188 00:10:15,280 --> 00:10:15,880 Speaker 2: but he didn't. 189 00:10:16,280 --> 00:10:18,880 Speaker 1: No, Oh, I say the N word too much. 190 00:10:19,080 --> 00:10:22,839 Speaker 2: You're trying to get in the papers. Yeah, that's not it. 191 00:10:22,960 --> 00:10:25,720 Speaker 2: That's the weakest fucking deflection. 192 00:10:25,920 --> 00:10:30,120 Speaker 1: Family. I suspect very cynical reasons. Yeah, this was to 193 00:10:30,160 --> 00:10:33,920 Speaker 1: be free to core. Oh my god, shut the three 194 00:10:33,960 --> 00:10:36,920 Speaker 1: to core, which allows me to do something and never 195 00:10:37,280 --> 00:10:39,520 Speaker 1: get judged ever for the rest of my life. 196 00:10:40,360 --> 00:10:43,120 Speaker 2: Should I mention how difficult you were about showing your 197 00:10:43,200 --> 00:10:46,160 Speaker 2: feet in the film. I ultimately relented because it just 198 00:10:46,200 --> 00:10:47,440 Speaker 2: felt like it was a dead end. 199 00:10:47,800 --> 00:10:52,959 Speaker 1: But anyway, speaking of nineties filmmakers, Hey, I just made 200 00:10:53,000 --> 00:10:57,120 Speaker 1: a Wes Anderson movie and it's getting scary out here. 201 00:10:57,200 --> 00:11:02,880 Speaker 1: Folks CEOs are sending this clip around to each other 202 00:11:03,000 --> 00:11:06,160 Speaker 1: with like the big eyes looking gift. You know, they 203 00:11:06,320 --> 00:11:11,000 Speaker 1: like to like see this. Hmmm. They're not a whole movie, 204 00:11:11,200 --> 00:11:18,319 Speaker 1: just a trailer that I don't know. It feels like 205 00:11:18,559 --> 00:11:22,640 Speaker 1: it is a memory of a Wes Anderson movie as 206 00:11:23,080 --> 00:11:26,160 Speaker 1: remembered by someone who was hit in the head, you know, yeah, 207 00:11:26,240 --> 00:11:31,360 Speaker 1: like very hard and repeatedly, and also like I don't know, 208 00:11:31,480 --> 00:11:33,880 Speaker 1: like doesn't have a soul for someone like they sold 209 00:11:33,880 --> 00:11:35,960 Speaker 1: their soul to the devil and in exchange got hit 210 00:11:36,000 --> 00:11:39,160 Speaker 1: in the head until they couldn't really like remember things 211 00:11:41,000 --> 00:11:44,000 Speaker 1: quite well enough. Yeah. Yeah, yeah, it's like it's like 212 00:11:44,240 --> 00:11:47,880 Speaker 1: trying to remember like a dream. Yes, yeah, it was 213 00:11:48,000 --> 00:11:48,280 Speaker 1: like this. 214 00:11:48,520 --> 00:11:51,640 Speaker 2: I know that big details, which is everything is very symmetrical, 215 00:11:52,559 --> 00:11:55,760 Speaker 2: and there's bright colors and like sort of yeah class 216 00:11:55,800 --> 00:12:00,480 Speaker 2: metrical bright colors rest people, but the people in it. 217 00:12:01,120 --> 00:12:06,600 Speaker 1: So it's like Wes Anderson movie except no semblance of coherence, 218 00:12:08,240 --> 00:12:12,920 Speaker 1: and it seems like everyone involved has had the surgery 219 00:12:13,000 --> 00:12:15,520 Speaker 1: from get out for some reason. Like they're all just 220 00:12:15,679 --> 00:12:20,520 Speaker 1: like sprinting around, dead eyed without like any real purpose. 221 00:12:21,040 --> 00:12:23,400 Speaker 1: Ye got scars on their heads. Yeah, yeah, it's all 222 00:12:23,559 --> 00:12:26,240 Speaker 1: very strange. I mean, you know it's doing what it does. 223 00:12:26,320 --> 00:12:29,360 Speaker 1: It's like, yeah, here's a bunch of images that will 224 00:12:29,480 --> 00:12:33,640 Speaker 1: put together to create video and okay, I mean like 225 00:12:33,760 --> 00:12:39,160 Speaker 1: it's so unimpressive. Yeah, but I guess I guess are 226 00:12:39,160 --> 00:12:43,160 Speaker 1: people who have no creative bone in their body. That 227 00:12:43,320 --> 00:12:46,199 Speaker 1: must be what it is. Like. I just feel like 228 00:12:46,360 --> 00:12:51,240 Speaker 1: it's really like worshark worshark. Uh, how we saying that, Miles? 229 00:12:52,480 --> 00:13:01,080 Speaker 1: How you say it's an artistic shack test. 230 00:13:00,960 --> 00:13:07,680 Speaker 2: Where like shack Baby ra shack Baby, the that wasn't 231 00:13:07,720 --> 00:13:09,840 Speaker 2: even on, like Michigan j Frog. 232 00:13:12,600 --> 00:13:15,760 Speaker 1: Quin Tarantina loves Michigan j Frog. By the way, sure 233 00:13:15,760 --> 00:13:21,080 Speaker 1: he does a bio pic. Yeah, I'm sure he loves 234 00:13:21,160 --> 00:13:24,480 Speaker 1: mister Butterworth. I'm sure he loves Aunt Jemima. He loves 235 00:13:24,520 --> 00:13:27,400 Speaker 1: them all, he wrote him. Yes, it makes sense that 236 00:13:28,559 --> 00:13:32,720 Speaker 1: there are slavers using that word in django. He wrote 237 00:13:32,760 --> 00:13:35,280 Speaker 1: himself in as one that didn't need to be there 238 00:13:35,320 --> 00:13:38,760 Speaker 1: at all, added accents with an Australian accent, just to 239 00:13:38,840 --> 00:13:41,000 Speaker 1: be like I've always wanted to know what it felt 240 00:13:41,080 --> 00:13:44,200 Speaker 1: like to say it with this accent. Yeah, next movie, 241 00:13:44,280 --> 00:13:50,280 Speaker 1: I'm going to be Chinese insane. Uh, but it really 242 00:13:50,640 --> 00:13:52,640 Speaker 1: is this thing like it really it reminds me of 243 00:13:52,760 --> 00:13:56,040 Speaker 1: the Friends thing that went around. They were like scary hours, bro, 244 00:13:56,800 --> 00:13:58,800 Speaker 1: look at how much we we just like we just 245 00:13:59,480 --> 00:14:03,400 Speaker 1: made friends. We made the entire cast of Friends irrelevant. 246 00:14:03,840 --> 00:14:07,920 Speaker 1: And then it's this weird, fucking like fever dream of 247 00:14:08,200 --> 00:14:11,720 Speaker 1: like a memory of Friends where it's like, yeah, there's 248 00:14:11,840 --> 00:14:15,240 Speaker 1: like weird. It's like it's like they're singing a song 249 00:14:15,360 --> 00:14:17,920 Speaker 1: that they half remember, or you're. 250 00:14:17,960 --> 00:14:21,120 Speaker 2: Or you're watching it fucked up on acid, yes, because 251 00:14:21,160 --> 00:14:23,520 Speaker 2: like shit happens that makes no sense, and you're like, oh, 252 00:14:23,640 --> 00:14:26,600 Speaker 2: I'm tripping while watching Friends of course, like she has 253 00:14:26,760 --> 00:14:30,600 Speaker 2: nine hands, or they're they're not actually saying English words. 254 00:14:31,000 --> 00:14:32,600 Speaker 1: I mean, I don't know. I still just don't know 255 00:14:32,680 --> 00:14:33,360 Speaker 1: what this does. 256 00:14:33,480 --> 00:14:35,600 Speaker 2: Okay, so you can make you prompt it and it 257 00:14:35,680 --> 00:14:38,080 Speaker 2: ships out a thing that isn't even close to the 258 00:14:38,200 --> 00:14:40,120 Speaker 2: quality that people would pay money to see. 259 00:14:40,240 --> 00:14:42,000 Speaker 1: So then what is it? You just you just wasted 260 00:14:42,040 --> 00:14:45,560 Speaker 1: a fuck ton of water. Mm hmm, yeah, yeah, you 261 00:14:45,720 --> 00:14:48,800 Speaker 1: got it. And and then this is a distraction while 262 00:14:48,840 --> 00:14:53,720 Speaker 1: we actually use it to program drones to fight wars. Yeah, 263 00:14:54,320 --> 00:14:57,360 Speaker 1: mainly what we're doing over here. Uh, let's take a 264 00:14:57,440 --> 00:15:10,360 Speaker 1: quick break and we'll be right back. And we're back, 265 00:15:11,760 --> 00:15:16,640 Speaker 1: and America is uh wadging an illegal war in the 266 00:15:16,680 --> 00:15:20,880 Speaker 1: Middle East, and you know what that means. Yep, here 267 00:15:20,920 --> 00:15:25,920 Speaker 1: comes to racism, all freak down. Time to start. Time 268 00:15:26,040 --> 00:15:29,200 Speaker 1: for the scariest thing to put in a TV show 269 00:15:29,440 --> 00:15:32,320 Speaker 1: to be the Call to Prayer. Ye, you know, there's 270 00:15:32,320 --> 00:15:34,600 Speaker 1: gonna be a lot of a lot of yellow tinted 271 00:15:35,040 --> 00:15:38,440 Speaker 1: footage with the Call to Prayer and yeah, people taking 272 00:15:38,680 --> 00:15:42,520 Speaker 1: orders and then going down a shadowy alley. Uh, yep, yep. 273 00:15:42,600 --> 00:15:46,240 Speaker 1: A lot of nonsensical graffiti. What was the one? 274 00:15:46,320 --> 00:15:52,000 Speaker 2: What was the that show with Claire Danes that was, yeah, Homeland, 275 00:15:52,120 --> 00:15:53,880 Speaker 2: you know that, Like that was like the most people 276 00:15:53,880 --> 00:15:56,960 Speaker 2: were always calling out, like the nonsensical like Arabic graffiti 277 00:15:57,360 --> 00:15:59,720 Speaker 2: was just like I don't know, guys, We're just trying 278 00:15:59,720 --> 00:16:03,800 Speaker 2: to like give you guys the texture of Muslim And again, 279 00:16:04,160 --> 00:16:06,600 Speaker 2: the world is already on stage, you know, as a 280 00:16:06,680 --> 00:16:09,320 Speaker 2: man with the cognitive impairment of a cartoon cat that 281 00:16:09,400 --> 00:16:12,200 Speaker 2: had a fucking anvil dropped on his head. Yeah, man's 282 00:16:12,280 --> 00:16:15,120 Speaker 2: all of the world's worst weapons. And as if that 283 00:16:15,320 --> 00:16:18,000 Speaker 2: wasn't enough, now, all of course all of the racists 284 00:16:18,080 --> 00:16:21,320 Speaker 2: are also now on edge because this means anyone brown 285 00:16:21,880 --> 00:16:26,640 Speaker 2: or not speaking another language is a terrorist. So there's 286 00:16:26,640 --> 00:16:31,160 Speaker 2: a Southwest flight last week going from where was it, 287 00:16:31,320 --> 00:16:35,400 Speaker 2: Nashville to Fort Lauderdale. So I'm imagine a lot of 288 00:16:35,520 --> 00:16:37,720 Speaker 2: open minded people there, a lot of people who are 289 00:16:37,960 --> 00:16:40,720 Speaker 2: pretty culturally sensitive understand that right now we're in the 290 00:16:40,800 --> 00:16:43,640 Speaker 2: midst of the holiest month in Islam. 291 00:16:44,800 --> 00:16:47,360 Speaker 1: But on this flight there was a quote. 292 00:16:47,400 --> 00:16:49,960 Speaker 2: The flight was diverted after what the airline described as 293 00:16:50,000 --> 00:16:53,960 Speaker 2: a quote misunderstanding. Southwest flight two ninety four landed safely 294 00:16:53,960 --> 00:16:57,080 Speaker 2: at Hartsfield Jackson, Atlanta National around nine pm after the 295 00:16:57,200 --> 00:17:01,160 Speaker 2: crew reported a passenger disturbance. Okay, so it's what was it. 296 00:17:01,480 --> 00:17:04,119 Speaker 2: The incident involved a passenger who had set a timer 297 00:17:04,200 --> 00:17:06,800 Speaker 2: on his phone so that he could pray for Ramadan 298 00:17:07,440 --> 00:17:10,840 Speaker 2: mm hmm. And that's what set it off. This guy's 299 00:17:11,000 --> 00:17:16,840 Speaker 2: prayer timer goes off. That a timer goes off, I 300 00:17:16,880 --> 00:17:19,639 Speaker 2: don't know if like maybe the timer had a prayer, 301 00:17:19,880 --> 00:17:20,520 Speaker 2: I don't know. 302 00:17:20,880 --> 00:17:23,560 Speaker 1: They call it a prayer thing that Homeland and everybody 303 00:17:23,680 --> 00:17:26,600 Speaker 1: was scared. Scared. I'm sure anyone heard it. 304 00:17:26,680 --> 00:17:28,960 Speaker 2: And because this is just the thing that's always funny, 305 00:17:29,119 --> 00:17:32,919 Speaker 2: especially about like white American people. Is they the guilt 306 00:17:33,119 --> 00:17:36,280 Speaker 2: that like of maybe if it's not conscious, they know 307 00:17:36,440 --> 00:17:38,840 Speaker 2: subconsciously they're doing bad. 308 00:17:38,680 --> 00:17:43,440 Speaker 1: Ship to people. So it's it's what is that they hold. 309 00:17:43,760 --> 00:17:47,159 Speaker 2: Yeah, it's possible that it's coming back to me on 310 00:17:47,400 --> 00:17:50,240 Speaker 2: some level. That's why I just I'm gonna blanket fear 311 00:17:50,520 --> 00:17:56,080 Speaker 2: every person of color because we take him from them, so. 312 00:17:58,840 --> 00:18:02,200 Speaker 1: And the hatred and fear, like hell, it gets stoked 313 00:18:02,280 --> 00:18:06,119 Speaker 1: up so hard of white supremacy. Is just they know 314 00:18:06,600 --> 00:18:10,720 Speaker 1: on some level it's a lie. Yeah, it's the exactly. Yeah. 315 00:18:10,880 --> 00:18:15,560 Speaker 1: And then also that there's just massive metric tons of 316 00:18:16,240 --> 00:18:17,720 Speaker 1: bombs being dropped on people. 317 00:18:17,880 --> 00:18:21,840 Speaker 2: Just God forbid, you crossed that intellectual bridge into actually 318 00:18:21,920 --> 00:18:24,240 Speaker 2: I'm more like them than anyone else. 319 00:18:24,560 --> 00:18:27,119 Speaker 1: Yeah, I much more like them than the fucking people 320 00:18:27,240 --> 00:18:30,200 Speaker 1: who are dropping the bombs. I've exalted to this point 321 00:18:30,280 --> 00:18:31,240 Speaker 1: of deifying them. 322 00:18:31,560 --> 00:18:34,680 Speaker 2: The statement goes on and say, quote, we sincerely apologize 323 00:18:34,720 --> 00:18:38,480 Speaker 2: to our customers for the misunderstanding and the significant delay. 324 00:18:39,119 --> 00:18:41,600 Speaker 2: Nothing is more important to Southwest than the safety of 325 00:18:41,680 --> 00:18:42,399 Speaker 2: our customers. 326 00:18:43,440 --> 00:18:45,800 Speaker 1: Who are you apologies? Are the details? Like what did 327 00:18:45,840 --> 00:18:47,639 Speaker 1: they do? Do they like jump on the person, like 328 00:18:47,760 --> 00:18:51,159 Speaker 1: tape them to their chair? Like what do they do? Like, uh, 329 00:18:52,320 --> 00:18:53,800 Speaker 1: you know, I don't know what the ech here. 330 00:18:53,880 --> 00:18:56,439 Speaker 2: Let's see Passers on board say the situation began when 331 00:18:56,440 --> 00:18:59,240 Speaker 2: a man seated in the cabin started praying aloud while 332 00:18:59,280 --> 00:19:01,280 Speaker 2: the timer repeatedly sound is. 333 00:19:01,280 --> 00:19:05,240 Speaker 1: On his phone. Scary for a certain type of American 334 00:19:05,720 --> 00:19:08,960 Speaker 1: who's been raised on action movies. That's the equivalent of 335 00:19:09,040 --> 00:19:11,240 Speaker 1: someone just sitting in there chair being like, j. 336 00:19:12,119 --> 00:19:16,480 Speaker 2: Yeah, yeah, right right, this is so this and it 337 00:19:16,600 --> 00:19:20,040 Speaker 2: sounds like the fucking Cable Guy part where they go 338 00:19:20,160 --> 00:19:22,400 Speaker 2: to the Ben Stiller trial and he's trying to frame 339 00:19:22,440 --> 00:19:24,240 Speaker 2: an Asian person and he's like. 340 00:19:24,240 --> 00:19:25,840 Speaker 1: They were speaking in mothern lane and I think it 341 00:19:25,960 --> 00:19:28,800 Speaker 1: was Asian. I think it was Asian. This is what 342 00:19:29,000 --> 00:19:33,320 Speaker 1: This is what one passenger said, who was recording the video, said, quote, he. 343 00:19:33,359 --> 00:19:35,640 Speaker 2: Has a timer going off on his phone every ten 344 00:19:35,680 --> 00:19:38,879 Speaker 2: minutes and he's praying in a foreign language, and he 345 00:19:39,000 --> 00:19:40,080 Speaker 2: appeared nervous. 346 00:19:40,960 --> 00:19:43,240 Speaker 1: Then asked the flight attendant where his bag was. 347 00:19:44,640 --> 00:19:48,000 Speaker 2: Again, according to passengers of behavior raised concerns among some 348 00:19:48,119 --> 00:19:50,680 Speaker 2: travelers and crew members, prompting the captain to divert the 349 00:19:50,720 --> 00:19:55,480 Speaker 2: flight an hour after takeoff again. It's currently Ramadan, for 350 00:19:55,560 --> 00:19:58,639 Speaker 2: the holiest month in the Islamic calendar, where people are 351 00:19:58,680 --> 00:20:03,680 Speaker 2: fasting and pray and and just like, but of course 352 00:20:03,880 --> 00:20:06,920 Speaker 2: you're you're praying in a foreign language. We're waging in 353 00:20:07,000 --> 00:20:12,520 Speaker 2: illegal war and killing civilians abroad. So maybe you are like, yeah, 354 00:20:12,600 --> 00:20:14,159 Speaker 2: I get it. I would probably want to fuck me 355 00:20:14,320 --> 00:20:17,480 Speaker 2: up too, right now. Should be scared, that's what's going 356 00:20:17,560 --> 00:20:19,840 Speaker 2: through your mind. Like, I get it, I get it. 357 00:20:20,240 --> 00:20:22,760 Speaker 2: I get that we're doing bad shit. So maybe the 358 00:20:22,840 --> 00:20:25,919 Speaker 2: boomerang is gonna come back. No, why that guy seems 359 00:20:25,960 --> 00:20:29,119 Speaker 2: so nervous? What was what was he nervous about? Plane 360 00:20:29,160 --> 00:20:32,040 Speaker 2: full of like white white people just like staring at 361 00:20:32,119 --> 00:20:32,880 Speaker 2: him every time? 362 00:20:32,960 --> 00:20:36,879 Speaker 1: His thing? Is he he started over praying? Yeah, fucking praying. 363 00:20:37,000 --> 00:20:37,960 Speaker 1: You know what I'm about? 364 00:20:38,240 --> 00:20:41,439 Speaker 2: Fool Oh my god, Hey man, it's all right, man, 365 00:20:41,520 --> 00:20:43,879 Speaker 2: Fort Lauderdale isn't that bad. It'll be all right. Is 366 00:20:43,920 --> 00:20:45,800 Speaker 2: that why you're praying? Because you never been You're worried 367 00:20:45,800 --> 00:20:48,040 Speaker 2: about what it's like. Yeah, it could be a little freaky, okay. 368 00:20:48,280 --> 00:20:50,600 Speaker 1: Uh, but anyway, that's that's where they're at it again. 369 00:20:50,640 --> 00:20:52,280 Speaker 2: This is just sort of like on top of this 370 00:20:52,480 --> 00:20:55,960 Speaker 2: quote from you know, racist Congressman Andy Ogles earlier this 371 00:20:56,040 --> 00:20:58,440 Speaker 2: week when he's like Muslims don't belong in the US. 372 00:20:58,520 --> 00:21:02,440 Speaker 2: Like we're just two thousand into we're fucking running it 373 00:21:02,560 --> 00:21:08,520 Speaker 2: back completely. So yeah, it's just fucking this is one 374 00:21:08,560 --> 00:21:10,960 Speaker 2: of the many things that happens when you do it, 375 00:21:11,040 --> 00:21:18,280 Speaker 2: when when Trump goes off to be like Iran Dad, terrorism, terrorism, terrorism, terrorism, terrorism, terrorism, terrorism. Yeah, 376 00:21:18,280 --> 00:21:21,320 Speaker 2: and yeah, you get this, but again, this was this 377 00:21:21,480 --> 00:21:24,160 Speaker 2: was this was a habit America never put down. It's 378 00:21:24,240 --> 00:21:28,800 Speaker 2: just they're just remembering again, you know, yes, get back 379 00:21:28,840 --> 00:21:29,080 Speaker 2: to it. 380 00:21:29,560 --> 00:21:33,120 Speaker 1: I remember this. Yeah. Yeah. By the way, the TV 381 00:21:33,240 --> 00:21:37,520 Speaker 1: show Homeland, local artists were hired to paint Arabic graffiti 382 00:21:37,640 --> 00:21:40,760 Speaker 1: for scenes, but they wrote messages criticizing the show for 383 00:21:40,920 --> 00:21:45,800 Speaker 1: stereotyping Arabs and Muslims, like this graffiti reading Homeland is racist, 384 00:21:47,000 --> 00:21:50,159 Speaker 1: with the drawing of a painting of Mickey Mouse with 385 00:21:50,240 --> 00:21:55,400 Speaker 1: a red X through it. And because the show had 386 00:21:55,840 --> 00:22:00,159 Speaker 1: not a single person who spoke Arabic on staff, they 387 00:22:00,280 --> 00:22:02,280 Speaker 1: aired it without realizing what of. 388 00:22:02,320 --> 00:22:06,639 Speaker 2: Course, because why why would you need to Yeah, cultural sensitivity, 389 00:22:06,720 --> 00:22:09,320 Speaker 2: it's about jingalistic propaganda. 390 00:22:09,280 --> 00:22:09,960 Speaker 1: And who do you druss? 391 00:22:09,960 --> 00:22:11,480 Speaker 2: And I think this also goes in line too with 392 00:22:11,640 --> 00:22:13,760 Speaker 2: like a Fox News a lot of people being like, 393 00:22:14,160 --> 00:22:17,320 Speaker 2: there's we're hearing we're hearing reports. 394 00:22:16,840 --> 00:22:22,160 Speaker 1: Of sleeper cells. Yeah, activating sleeper cells. So the only 395 00:22:22,240 --> 00:22:25,040 Speaker 1: thing more scary than sleeper cells, which is a whole 396 00:22:25,119 --> 00:22:29,000 Speaker 1: group of them, are lone wolves, which are individual ones 397 00:22:29,280 --> 00:22:34,679 Speaker 1: of them. So you know, if you see an Arabic person, 398 00:22:35,000 --> 00:22:40,800 Speaker 1: either alone or in a group, be scared. Yeah, yeah, 399 00:22:41,119 --> 00:22:43,080 Speaker 1: it's it's it's unreal. 400 00:22:43,280 --> 00:22:48,480 Speaker 2: So yeah, again this we're bringing the clock fucking right back, 401 00:22:48,760 --> 00:22:49,399 Speaker 2: right back to it. 402 00:22:50,240 --> 00:22:52,080 Speaker 1: All right, those are some of the things that are 403 00:22:52,160 --> 00:22:57,199 Speaker 1: trending on this Tuesday, March tenth, Mario Day. We are 404 00:22:57,560 --> 00:22:59,960 Speaker 1: back tomorrow with a whole last episode of the show. 405 00:23:00,480 --> 00:23:03,680 Speaker 1: Until then, be kind to each other, be kind to yourself, 406 00:23:04,119 --> 00:23:06,680 Speaker 1: get your vaccines while you still can't get your flu shots, 407 00:23:06,840 --> 00:23:09,520 Speaker 1: don't do nothing about white supremacy, and we will talk 408 00:23:09,520 --> 00:23:12,520 Speaker 1: to you all tomorrow. Bye bye. The Daily Zeite guys 409 00:23:12,600 --> 00:23:16,320 Speaker 1: as Executive produced by Catherine Law, co produced by Bee Wayne, 410 00:23:16,760 --> 00:23:20,640 Speaker 1: co produced by Victor Wright, co written by J. M McNabb, 411 00:23:21,000 --> 00:23:23,680 Speaker 1: and edited and engineered by Brian Jefferies