WEBVTT - No Ceilings: Conversations About Drake’s Lawsuit

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Sealers Podcast with your hosts now fuck that with your

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<v Speaker 1>loaw glasses malone check check check. Yeah, we're finna get

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<v Speaker 1>to it. An emergency broadcast. You feel me for today

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<v Speaker 1>because uh, it's some unprecedented, unprecedented things that's happening in

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<v Speaker 1>hip hop. Crooked Cam, they've been in hip hop before

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<v Speaker 1>I even thought about getting this thing we called the

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<v Speaker 1>record business.

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<v Speaker 2>You feel me.

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<v Speaker 1>They they've they've Yeah, they've been in this thing for

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<v Speaker 1>I even thought about being a rapper anything. And I'm

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<v Speaker 1>sure this is a first for them.

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<v Speaker 2>I'm sure this is a first for them.

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<v Speaker 1>So we go really get into this conversation really quick

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<v Speaker 1>soon as still pops back on here so we could

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<v Speaker 1>adjustice screen. But it's definitely one of those days.

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<v Speaker 3>Pete.

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<v Speaker 2>Did you read up on it?

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<v Speaker 4>I read up on it a bit, and I don't

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<v Speaker 4>know that much in this particular area of civil law,

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<v Speaker 4>but I know this much. When a rap beef bleeds

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<v Speaker 4>into the course, I'll put my money on the half

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<v Speaker 4>Jewish guy every single day and twice on the shops.

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<v Speaker 1>Yeah, I have zero faith is gonna work out for him.

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<v Speaker 1>I don't think he Jewish Enough's cotton the rock.

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<v Speaker 5>At the hard Place.

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<v Speaker 1>I think you've played against the real This ain't the

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<v Speaker 1>South Bay Lakers. He played against the Los Angeles Lakers.

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<v Speaker 1>It's a different game. It's a different game.

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<v Speaker 5>Up here with the real Unsino Lakers.

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<v Speaker 1>Still is slowing the stream down? Come on still? Where

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<v Speaker 1>you at?

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<v Speaker 2>There you go?

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<v Speaker 3>There you go. I was looking.

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<v Speaker 5>You're a great You never looked at you.

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<v Speaker 2>You put it on your phone instead?

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<v Speaker 3>Man, Yeah, I want to put it on my phone

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<v Speaker 3>when he tell be playing.

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<v Speaker 2>Around we got that bad audio happening.

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<v Speaker 3>Yeah, man, you know what. I don't know what it is, broke,

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<v Speaker 3>but I ain't never done that before anyway.

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<v Speaker 1>No Silings live the Lunch Hour. No, no, this is

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<v Speaker 1>the podcast. We're just doing it live. This is an

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<v Speaker 1>unprecedented time in hip hop, in rap music. Some of

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<v Speaker 1>this stuff never in life happened. I cannot believe this

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<v Speaker 1>is happening. This is an important time. So I brought

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<v Speaker 1>some really special people. I brought Crooked Eye, and I

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<v Speaker 1>brought my big brother Cam. I brought my brother Pete,

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<v Speaker 1>and I brought Stell so we could really unpack this thing.

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<v Speaker 1>Because I've been talking to my homeboy lit Pappy, he

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<v Speaker 1>Poppy is driving me crazy. It's silliness and people are

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<v Speaker 1>not being honest about what they are witnessing. Cap you

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<v Speaker 1>should be in court right now. You should be in

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<v Speaker 1>court right now because you are in a battle.

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<v Speaker 2>Somebody should sue you.

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<v Speaker 3>He lawyer.

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<v Speaker 2>The reason we are here is Drake. Drake has soon.

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<v Speaker 1>He accuses you MG and Spotify of manipulating the market

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<v Speaker 1>to artificially inflate Kendrick Lamar's disk track not Like Us.

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<v Speaker 1>The court filing claims un GU, Spotify, and Apple Serie

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<v Speaker 1>to push Not Like Us over Drake tracks. Employees perceived

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<v Speaker 1>as lawyer to Drake were allegedly fired as part of

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<v Speaker 1>an effort to cover up un g's action. UMG paid

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<v Speaker 1>influencers and radio stations to boost Lamar's songs without disclosure.

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<v Speaker 1>A whistleblower revealed Box generated thirty million early streams for

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<v Speaker 1>Not Like Us. Drake is accusing UMG and Spotify of

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<v Speaker 1>violating the RICO Act and a New York law h

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<v Speaker 1>I mean so bad he decided to sue his own

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<v Speaker 1>label that they are both signed to.

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<v Speaker 2>Now.

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<v Speaker 1>Listen, Crooked, listen, Cam, y'all have been in hip hop

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<v Speaker 1>for sure, big Bro, you've been in hip hop as

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<v Speaker 1>long as I can remember. Yeah, Crookeet, you've been in

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<v Speaker 1>hip hop at least thirty years for sure, for sure,

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<v Speaker 1>for sure. Now not at the professional level, I would imagine.

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<v Speaker 1>I don't know if he was professionally signed in nineteen

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<v Speaker 1>ninety four, but I know it was getting close to

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<v Speaker 1>when Cricket I was getting his first record deal around

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<v Speaker 1>not within that six seven years. Is this by far

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<v Speaker 1>the greatest distract of all time? Just at least off

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<v Speaker 1>of the reaction, off of the behavior. See I know

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<v Speaker 1>when I'm talking to g he said the greatest, greatest.

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<v Speaker 1>So with that being said, I can agree with you

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<v Speaker 1>on that, big Bro. It's the biggest. It's the biggest

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<v Speaker 1>to ever.

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<v Speaker 6>You know what I'm saying, Like, well, it had you know,

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<v Speaker 6>the table has been set for it to become one

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<v Speaker 6>of the greatest disrecords ever because we are in the

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<v Speaker 6>social media technology streaming era, and the globe is connected

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<v Speaker 6>in ways that the globe was not connected with some

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<v Speaker 6>of our favorite disc records.

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<v Speaker 7>Drop, you know what I'm saying.

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<v Speaker 6>So the table is set for it to be one

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<v Speaker 6>of the greatest, if not the greatest, this record.

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<v Speaker 7>And let me just put this out here.

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<v Speaker 6>Same day that it dropped, I went on record on

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<v Speaker 6>my Instagram same day and I said, Kendrick just dropped

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<v Speaker 6>the top five disc record of all time.

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<v Speaker 7>You know what I'm saying.

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<v Speaker 6>And they can go back and check my Instagram same

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<v Speaker 6>day a drop because.

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<v Speaker 7>I understood the frequency he was on.

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<v Speaker 6>I understood that he was touching a nerve and he

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<v Speaker 6>was moving the street culture in a way that you know,

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<v Speaker 6>once the youngins in the streets get something, it's very

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<v Speaker 6>hard to stop, you feel me. So he did that

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<v Speaker 6>and I recognized it right away. So yeah, I ain't

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<v Speaker 6>mad at that.

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<v Speaker 1>Set me bro, big bro, you you you released this

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<v Speaker 1>tracks in the history of West Coast music, one of

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<v Speaker 1>the most scathing disc tracks, like like hot acid, burn

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<v Speaker 1>skin off your body.

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<v Speaker 8>Mmhmm.

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<v Speaker 9>I think man, I think it's the greatest man. You know,

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<v Speaker 9>every every generation had a had a sound that they

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<v Speaker 9>think is is tight, you know to the youngsters. Now

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<v Speaker 9>we might sound out dated or something like that. So

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<v Speaker 9>this is the language, just the vibe. This the frequency

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<v Speaker 9>that the youth is on, and the youth always run revolution.

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<v Speaker 9>You know, you got older here is like like myself

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<v Speaker 9>might be behind the scenes trying to trying to give

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<v Speaker 9>guidance to them. But the youth gonna do what they're

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<v Speaker 9>gonna do. You know what I'm saying. The youth is

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<v Speaker 9>gonna they gonna run it. And uh, from what I

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<v Speaker 9>can see, this is this is the greatest dis record

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<v Speaker 9>of all of all time.

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<v Speaker 3>Like, you know, what.

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<v Speaker 2>Could you imagine if if Q would.

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<v Speaker 8>Assuthe you did?

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<v Speaker 2>But I mean it happened, na.

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<v Speaker 3>Big bro.

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<v Speaker 1>You you you saw Hupac. You saw hit him up

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<v Speaker 1>up close and personal. Yeah right, like still you saw

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<v Speaker 1>hit him up close, up close and personal. You saw

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<v Speaker 1>no vassiline. You were coming into your adulthood around that time.

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<v Speaker 1>You know, you was barely hitting twenty. You saw ether.

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<v Speaker 1>Have you ever saw a dis track that made somebody

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<v Speaker 1>react like this? You even saw fifty this job ruthe.

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<v Speaker 3>Man, this is the worst. This is the craatest dis

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<v Speaker 3>track of all time. It's almost like he's pulling this

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<v Speaker 3>dude in Gona.

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<v Speaker 8>Tell absolutely this dude is crying.

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<v Speaker 3>Man, this dude is really sad right now. And I'm

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<v Speaker 3>gonna tell you what it is. This dude is almost

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<v Speaker 3>just being overwhelmed right now. Man, Kendrick, You know, not

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<v Speaker 3>only did he slapt him around with the record, but

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<v Speaker 3>then he comes out with one of the greatest albums of.

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<v Speaker 2>All time, is a really great album.

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<v Speaker 3>So this dude is just like, he's just discombobulated right now. Man,

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<v Speaker 3>i'ma be real with you. I'm really worried about Drake

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<v Speaker 3>right now. Man, I'm thinking about calling my people because

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<v Speaker 3>they didn't even play with I think he's something from depression.

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<v Speaker 10>Man.

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<v Speaker 3>This dude might mess around, timp off a bridge or something.

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<v Speaker 9>Man, he need that wellness check. Man.

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<v Speaker 5>Well, Canadians are not a wartime people, and that's not.

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<v Speaker 3>What I'm I'm being dead serious. I ain't joking, man,

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<v Speaker 3>Drake is going through something right now, and ain't nobody

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<v Speaker 3>in this camp man enough to tell a man you're

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<v Speaker 3>looking real crazy right though? Man, you think he cares

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<v Speaker 3>about you?

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<v Speaker 6>Think he cared about the optics, because I'm sure when

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<v Speaker 6>you are a big a brand as big as Drake,

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<v Speaker 6>everything that you do is well at least communicated amongst

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<v Speaker 6>your team. So they had to understand that it would

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<v Speaker 6>be some backlash. Even though we in a different era

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<v Speaker 6>like this era, It's been proven over the last decade

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<v Speaker 6>that a rapper can damn near do anything and if

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<v Speaker 6>he drop a hot song, it'll be forgiven.

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<v Speaker 3>He fuck, he don't drop a couple of duds in

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<v Speaker 3>the road. Dog, it's over with Dog.

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<v Speaker 4>I think this is different, like the house has been

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<v Speaker 4>burned down. Like I in the first seventy two hours,

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<v Speaker 4>I was like this song not that beyond the verses,

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<v Speaker 4>I haven't heard this track that had to hook it

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<v Speaker 4>like rocked, like in the club and shit like that.

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<v Speaker 4>But besides that, what Kendrick did. He kicked Drake out

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<v Speaker 4>of a community. He did that in seventy two hours.

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<v Speaker 4>He made him walk that they were all at they

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<v Speaker 4>he made him walk the plank and he's trying to

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<v Speaker 4>sue his way back onto the boat.

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<v Speaker 7>So so do you think so do you think that

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<v Speaker 7>is uh?

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<v Speaker 6>That his personal community that he's built up, that's a

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<v Speaker 6>pretty big community. I mean when I'm on when I'm

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<v Speaker 6>on Elion's Act, they already saying he not suing Kendrick,

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<v Speaker 6>He's swing. UMG, this ain't about the rap beef. This

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<v Speaker 6>is about business that he has a lot of people

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<v Speaker 6>already forming that perspective and trying to push that narrative.

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<v Speaker 3>You gonna understand this was right for He's like Taylor Swift.

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<v Speaker 3>He like the Backstreet Boys. You go ahead, the little

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<v Speaker 3>fan based like Beyonnest they got to be he go ahead.

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<v Speaker 3>The drinks whatever they call these, the drinks. You have

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<v Speaker 3>the tricks in this corner like ye. But I'm gonna

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<v Speaker 3>tell you, man, I heard this man's.

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<v Speaker 7>Mom even locked him out the house dog.

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<v Speaker 8>He's this.

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<v Speaker 5>This is the of getting knocked out and then like trying.

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<v Speaker 4>To readjudicate whether or not the guy had juiced up gloves.

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<v Speaker 6>I think, I think the I think what's gonna happen?

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<v Speaker 6>You got a worst case scenario, in the best case scenario,

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<v Speaker 6>best case scenario. They they don't they they don't even

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<v Speaker 6>entertain this. Somebody in his ear telling them to go

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<v Speaker 6>on ahead and drop that. Don't even proceed to try to,

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<v Speaker 6>you know, pursue that worst case scenario. This shit worse

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<v Speaker 6>than Epstein list dog.

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<v Speaker 7>Because what's.

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<v Speaker 6>What's gonna happen is is everybody every like Box. To

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<v Speaker 6>the people out there who are not inside the industry,

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<v Speaker 6>they might think, wow, somebody using Box, But everybody in

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<v Speaker 6>this room right now understands that Box and AI gets

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<v Speaker 6>used all the time for some your favorite artists, most

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<v Speaker 6>of your favorite artists, your artist, your favorite artists might

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<v Speaker 6>not even.

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<v Speaker 7>Know that it's being that Box are being used.

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<v Speaker 6>It ain't like Kendrick is sitting at a computer in

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<v Speaker 6>a farm with a thousand devices, so it don't it

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<v Speaker 6>don't touch him anyway.

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<v Speaker 7>But the whole thing is all these people using bots.

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<v Speaker 6>So the domino effect and the blowback of trying to

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<v Speaker 6>bring all this to the forefront, and you're gonna bring

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<v Speaker 6>down some of the biggest artists known to men, and

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<v Speaker 6>then the whistleblower doesn't usually come out clean on the

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<v Speaker 6>other side of that, you feel me, So this could

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<v Speaker 6>be something like this is only the tip of iceberg.

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<v Speaker 6>Y'll like, this man is pishing in the wind, though, Bro,

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<v Speaker 6>you don't think he's using box.

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<v Speaker 7>Man, Listen, he might not think he using box.

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<v Speaker 3>I'm gonna tell you, Bro. His upress, his upress and

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<v Speaker 3>his arrogance probably got him thinking I'm the greatest. I

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<v Speaker 3>don't have to that's really believe me. The hot blind

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<v Speaker 3>bling and all that stuff got bots on him and stuff.

0:14:05.920 --> 0:14:06.319
<v Speaker 8>On it too.

0:14:06.880 --> 0:14:08.480
<v Speaker 4>And why would he think because he said they're both

0:14:08.480 --> 0:14:10.400
<v Speaker 4>on the same label, So why would he think that

0:14:11.200 --> 0:14:14.720
<v Speaker 4>his own label only uses boss for the other guy?

0:14:14.720 --> 0:14:17.880
<v Speaker 4>And not for him, because he's the label.

0:14:17.640 --> 0:14:18.160
<v Speaker 5>For doing it.

0:14:18.640 --> 0:14:21.880
<v Speaker 8>Hey, I think he keep on playing with Luci and

0:14:21.880 --> 0:14:23.120
<v Speaker 8>Grange and then he's gonna.

0:14:22.880 --> 0:14:28.360
<v Speaker 5>Be That's all I was about to say.

0:14:28.360 --> 0:14:30.200
<v Speaker 4>I think Diddy's behind this, because now Diddy has the

0:14:30.240 --> 0:14:31.480
<v Speaker 4>second most interesting trial.

0:14:31.520 --> 0:14:40.480
<v Speaker 1>And some Crooked said, this is why I've been saying

0:14:40.520 --> 0:14:45.800
<v Speaker 1>he's not hip hop, right, because there's a thing that

0:14:46.120 --> 0:14:49.320
<v Speaker 1>and I'll be honest, right, Cam who is one of

0:14:49.320 --> 0:14:51.840
<v Speaker 1>the best of us, right, the Nation of Islam cleaned

0:14:51.880 --> 0:14:55.040
<v Speaker 1>him up, got him together, Stell who's a father and

0:14:55.120 --> 0:14:58.880
<v Speaker 1>a husband and does great things, and Crooked who's been

0:14:58.880 --> 0:15:03.000
<v Speaker 1>in this business. We all still worry about the optics.

0:15:04.800 --> 0:15:09.360
<v Speaker 1>That's the thing about being street. Street don't mean you

0:15:09.440 --> 0:15:12.880
<v Speaker 1>actually have to commit a crime. Street means you protect

0:15:12.880 --> 0:15:16.640
<v Speaker 1>your reputation differently because you come from a level of

0:15:16.680 --> 0:15:21.760
<v Speaker 1>poverty and you need to keep your reputation intact. Every

0:15:21.920 --> 0:15:27.040
<v Speaker 1>last person on the stage not named Pete definitely overvalues

0:15:27.120 --> 0:15:32.880
<v Speaker 1>their reputation, and that's the cornerstone of hip hop. Gee, However,

0:15:32.960 --> 0:15:36.960
<v Speaker 1>many episodes ago, you asked me why wasn't trying to

0:15:37.000 --> 0:15:38.360
<v Speaker 1>get into fights in high school?

0:15:38.720 --> 0:15:43.120
<v Speaker 4>And what did I say? Too hard for me to

0:15:43.160 --> 0:15:44.160
<v Speaker 4>get my dad suit.

0:15:45.240 --> 0:15:48.120
<v Speaker 1>So this is what I told him, Krook, I said,

0:15:48.160 --> 0:15:49.880
<v Speaker 1>if you want to know if your hip hop is

0:15:49.960 --> 0:15:55.520
<v Speaker 1>really simple, the first hip hop lesson most people get right.

0:15:55.640 --> 0:15:59.760
<v Speaker 1>The first hip hop lesson is the first time you

0:15:59.760 --> 0:16:03.720
<v Speaker 1>go to school and somebody put their hands on and

0:16:03.760 --> 0:16:06.560
<v Speaker 1>you come home and you tell your mom and your father, Hey,

0:16:06.600 --> 0:16:10.880
<v Speaker 1>somebody put their hands on me. If your parents say

0:16:11.080 --> 0:16:15.880
<v Speaker 1>you better hit them motherfuckers back, your ass is hip hop.

0:16:17.960 --> 0:16:19.800
<v Speaker 2>If you outside of your house.

0:16:19.640 --> 0:16:23.120
<v Speaker 1>And your friends saying you better hit them back, that's

0:16:23.240 --> 0:16:26.560
<v Speaker 1>hip hop. You know why, because hip hop is not

0:16:26.600 --> 0:16:29.600
<v Speaker 1>worried about the rules. The street is a greater sense

0:16:29.640 --> 0:16:32.400
<v Speaker 1>of justice. The street culture is a greater sense of justice.

0:16:32.400 --> 0:16:35.320
<v Speaker 1>We understand justice ain't on our side, so we have

0:16:35.480 --> 0:16:38.400
<v Speaker 1>to take justice in our own hands. That's a cornerstone

0:16:38.520 --> 0:16:40.840
<v Speaker 1>of street, urban culture, hip hop.

0:16:41.160 --> 0:16:42.400
<v Speaker 2>That's something we all share.

0:16:43.320 --> 0:16:46.000
<v Speaker 1>I don't care if our mom was a nurse like

0:16:46.080 --> 0:16:51.520
<v Speaker 1>my mom, cam whatever your mom did, whatever your mom

0:16:51.800 --> 0:16:55.800
<v Speaker 1>feel me quote whatever your mom. Yeah, you better hit

0:16:55.840 --> 0:17:00.360
<v Speaker 1>him back. That father, somebody say hit him back. Didn't

0:17:00.400 --> 0:17:02.880
<v Speaker 1>nobody tell you to go tell the teacher?

0:17:04.560 --> 0:17:05.400
<v Speaker 11>No one place.

0:17:05.440 --> 0:17:07.040
<v Speaker 2>He said, you know what, donna hit him back. Go

0:17:07.200 --> 0:17:08.680
<v Speaker 2>tell the teacher tell the principal.

0:17:11.080 --> 0:17:14.400
<v Speaker 1>Matter of fact, my mama would say, you're not gonna

0:17:14.400 --> 0:17:16.359
<v Speaker 1>get in trouble if they get you in trouble.

0:17:17.920 --> 0:17:18.080
<v Speaker 8>Mm.

0:17:19.320 --> 0:17:21.880
<v Speaker 2>So I was to peat that, and I asked Pete to.

0:17:21.840 --> 0:17:25.560
<v Speaker 1>Prove it, and Pete said this fire told him you

0:17:25.600 --> 0:17:26.800
<v Speaker 1>better not hit nobody back.

0:17:27.680 --> 0:17:31.080
<v Speaker 2>I don't need no reason for nobody to sue me, right.

0:17:32.359 --> 0:17:32.560
<v Speaker 3>Yeah.

0:17:32.840 --> 0:17:35.480
<v Speaker 4>And and the worst fight I saw in high school,

0:17:35.920 --> 0:17:38.679
<v Speaker 4>some dude got his block knocked the fuck off. His

0:17:38.840 --> 0:17:40.480
<v Speaker 4>dad had to write a six figure checker.

0:17:41.640 --> 0:17:42.000
<v Speaker 8>Mm hmm.

0:17:42.720 --> 0:17:50.439
<v Speaker 2>Damn man that he got his block knocked off and

0:17:50.600 --> 0:17:51.960
<v Speaker 2>he chose to sue.

0:17:58.320 --> 0:18:01.840
<v Speaker 7>Y'all picture of Dwayne Wayne mean, I'm from a different world.

0:18:02.520 --> 0:18:10.280
<v Speaker 1>Man, Oh man, I don't know how to feel. This

0:18:10.440 --> 0:18:13.919
<v Speaker 1>is almost unbelievable. So, yes, Crook, I'm with you. I

0:18:13.960 --> 0:18:17.240
<v Speaker 1>think he's not worried about the optics. But his problem

0:18:17.359 --> 0:18:22.320
<v Speaker 1>is he's worried about the optics. That's the only thing. Like,

0:18:24.119 --> 0:18:27.400
<v Speaker 1>because he's not hip hop in culture and being raised,

0:18:27.800 --> 0:18:31.800
<v Speaker 1>he don't quite understand what's happening. But because he's idolized

0:18:31.800 --> 0:18:35.600
<v Speaker 1>his culture like tons of basketball players, he's idolized culture

0:18:35.640 --> 0:18:38.840
<v Speaker 1>like tons of people on outskirts right that they start

0:18:38.920 --> 0:18:43.040
<v Speaker 1>to participate right, and then they start to try to.

0:18:43.000 --> 0:18:44.360
<v Speaker 2>Live up to the.

0:18:45.920 --> 0:18:48.719
<v Speaker 1>To the to the rules, to the foundation of it,

0:18:49.000 --> 0:18:51.600
<v Speaker 1>you know, to the point where even when he got robbed,

0:18:51.600 --> 0:18:54.000
<v Speaker 1>he told the police and he felt like, you know,

0:18:54.080 --> 0:18:57.080
<v Speaker 1>it was things that he did that really threw me off.

0:18:57.119 --> 0:18:59.560
<v Speaker 1>And I'm like, but I never thought he was street crooked.

0:18:59.560 --> 0:19:01.919
<v Speaker 1>When I first I never thought he was street. I'm like,

0:19:01.920 --> 0:19:04.200
<v Speaker 1>this is a good dude. Like, it's a good kid.

0:19:04.240 --> 0:19:06.200
<v Speaker 1>You know, you just nigg we the same. I'm like, yeah,

0:19:06.200 --> 0:19:07.840
<v Speaker 1>he's a good kid, you know what I mean. So

0:19:08.920 --> 0:19:11.400
<v Speaker 1>it was weird to me that when his music started

0:19:11.400 --> 0:19:14.520
<v Speaker 1>to get street and it started talking about hurting people

0:19:14.600 --> 0:19:19.280
<v Speaker 1>and spending the lilt and talking tough, and I'm like, yeah,

0:19:19.280 --> 0:19:22.880
<v Speaker 1>it's just music. And then I realized when I first

0:19:22.880 --> 0:19:25.320
<v Speaker 1>started to you remember quick, when I would call you,

0:19:25.359 --> 0:19:27.200
<v Speaker 1>when I was just getting the grasp on what hip

0:19:27.240 --> 0:19:30.320
<v Speaker 1>hop was from a true cultural standpoint, I was figuring

0:19:30.359 --> 0:19:30.919
<v Speaker 1>it out, and I was like.

0:19:30.960 --> 0:19:34.280
<v Speaker 2>Oh, he not hip hop. And I didn't think anything.

0:19:33.960 --> 0:19:36.240
<v Speaker 1>Wrong with it because I thought he was an unbelievably

0:19:36.320 --> 0:19:37.280
<v Speaker 1>talented musician.

0:19:37.320 --> 0:19:41.240
<v Speaker 2>I never cared if he was or was it right?

0:19:41.680 --> 0:19:42.159
<v Speaker 2>You feel me?

0:19:42.200 --> 0:19:44.960
<v Speaker 1>It was like he was extremely dope, like this dude

0:19:45.119 --> 0:19:48.080
<v Speaker 1>was a master. But then I noticed when I read

0:19:48.080 --> 0:19:52.320
<v Speaker 1>it publicly talking to Charlemagne in the interview, and like

0:19:52.400 --> 0:19:54.439
<v Speaker 1>it was like a kind of an attitude from his

0:19:54.520 --> 0:19:57.479
<v Speaker 1>team to me, and I'm like, wait a minute, are

0:19:57.560 --> 0:20:00.560
<v Speaker 1>y'all mad at me for saying this? And it's like

0:20:00.680 --> 0:20:02.760
<v Speaker 1>they wanted people to really.

0:20:02.480 --> 0:20:10.480
<v Speaker 2>Believe that he was street. I went through the same

0:20:10.520 --> 0:20:11.200
<v Speaker 2>thing with Rose.

0:20:11.760 --> 0:20:14.719
<v Speaker 1>It was like I'm saying something I get, you know,

0:20:14.880 --> 0:20:17.159
<v Speaker 1>like because I make street rap, I have to be

0:20:17.240 --> 0:20:20.479
<v Speaker 1>honest and be a lot more transparent because you know,

0:20:20.640 --> 0:20:23.680
<v Speaker 1>everybody else that's that's competing in the competing space, you know,

0:20:23.720 --> 0:20:25.719
<v Speaker 1>I mean, they get to kind of fantasize it.

0:20:26.040 --> 0:20:28.680
<v Speaker 2>They get to you know, like I was saying, Ross,

0:20:29.000 --> 0:20:30.240
<v Speaker 2>you know who's in my top five?

0:20:30.359 --> 0:20:32.320
<v Speaker 1>Like he could say he got ninety eight million dollars

0:20:32.320 --> 0:20:34.800
<v Speaker 1>in the Bank of American bank account, or you know

0:20:35.119 --> 0:20:38.199
<v Speaker 1>Creavior or he named himself after a guy that I

0:20:38.280 --> 0:20:38.960
<v Speaker 1>actually wove.

0:20:40.760 --> 0:20:43.119
<v Speaker 2>And you know, I wasn't it wasn't no shame crooked

0:20:43.119 --> 0:20:45.320
<v Speaker 2>on Olivia, but it wasn't no shade. It was just like,

0:20:45.400 --> 0:20:49.240
<v Speaker 2>these are obvious truths. Niggas was making at me, and

0:20:49.280 --> 0:20:52.479
<v Speaker 2>I'm like, do you think you fooling people?

0:20:53.560 --> 0:20:58.119
<v Speaker 1>Yes, if I'm crazy or if they crazy? Because I'm like,

0:20:58.640 --> 0:20:59.720
<v Speaker 1>are they fooling people?

0:21:00.960 --> 0:21:05.800
<v Speaker 6>So that's where we come to this situation at hand.

0:21:06.400 --> 0:21:10.840
<v Speaker 6>It's like a magician telling everybody how the magic tricks

0:21:10.840 --> 0:21:14.520
<v Speaker 6>are performed. When you get up here, you start talking

0:21:14.520 --> 0:21:16.920
<v Speaker 6>about these bots and this AI and this stream shit,

0:21:18.440 --> 0:21:21.560
<v Speaker 6>you about to pull back the curtain and show everybody

0:21:21.600 --> 0:21:25.560
<v Speaker 6>the wizard of Alls. You feel me, and let me

0:21:25.600 --> 0:21:30.760
<v Speaker 6>tell you they're not playing about this bro. Fifteen twenty fifteen,

0:21:30.800 --> 0:21:32.800
<v Speaker 6>I did a show called One Shot. I created this

0:21:32.840 --> 0:21:36.040
<v Speaker 6>show for BT Rap Competition, all this kind of good stuff.

0:21:36.320 --> 0:21:40.280
<v Speaker 6>One of the real current judges good dude, family man.

0:21:40.359 --> 0:21:42.600
<v Speaker 6>I met his kids, I met his wife. Family man.

0:21:42.680 --> 0:21:47.439
<v Speaker 6>You know what I'm saying, real good dude. We had

0:21:47.440 --> 0:21:48.600
<v Speaker 6>a successful season.

0:21:49.040 --> 0:21:50.320
<v Speaker 3>It was great.

0:21:50.520 --> 0:21:52.959
<v Speaker 6>A couple of years went by, everybody started doing their

0:21:53.000 --> 0:21:53.680
<v Speaker 6>own little thing.

0:21:53.720 --> 0:21:56.080
<v Speaker 7>We all went back to our respective corners.

0:21:57.400 --> 0:21:59.760
<v Speaker 6>This year, I woke up and his face was all

0:21:59.760 --> 0:22:03.240
<v Speaker 6>over the news, and I was like, what is he

0:22:03.359 --> 0:22:08.359
<v Speaker 6>doing all over the news? Feds yanked them out of

0:22:08.400 --> 0:22:11.520
<v Speaker 6>his crib in front of his kids, and his wife

0:22:12.520 --> 0:22:17.560
<v Speaker 6>arrested him and charged them with an accusation that he

0:22:17.760 --> 0:22:23.680
<v Speaker 6>used AI and bots and manipulated streams to generate ten

0:22:23.720 --> 0:22:24.959
<v Speaker 6>million dollars for himself.

0:22:27.920 --> 0:22:29.359
<v Speaker 7>And they are.

0:22:29.400 --> 0:22:34.480
<v Speaker 6>Saying that this is one of the biggest streaming crimes

0:22:34.560 --> 0:22:41.280
<v Speaker 6>since they started passing laws against fraudulent streams. That man

0:22:41.680 --> 0:22:46.480
<v Speaker 6>owns businesses, homes, He's a hard working dude. They snatched

0:22:46.520 --> 0:22:50.640
<v Speaker 6>him straight up. They not playing about that shit, bro,

0:22:52.000 --> 0:22:58.879
<v Speaker 6>unless you are with the machine. Then they turned the

0:22:58.920 --> 0:23:01.120
<v Speaker 6>other was permitted to chieve.

0:23:02.119 --> 0:23:03.439
<v Speaker 5>Do you know what this reminds me of?

0:23:04.560 --> 0:23:07.320
<v Speaker 2>No, It's like, this is what I kind of think

0:23:07.359 --> 0:23:07.680
<v Speaker 2>it is.

0:23:09.600 --> 0:23:12.600
<v Speaker 4>If this is Drake's second L he's ever taken since

0:23:12.720 --> 0:23:13.560
<v Speaker 4>that he was born.

0:23:13.440 --> 0:23:14.680
<v Speaker 5>What was his first L?

0:23:17.160 --> 0:23:17.880
<v Speaker 2>Not push your tea?

0:23:21.560 --> 0:23:27.560
<v Speaker 4>I mean that was a speed bump that didn't impact anything.

0:23:27.840 --> 0:23:30.679
<v Speaker 4>This reminds me of Hillary Clinton losing the election in

0:23:30.720 --> 0:23:35.359
<v Speaker 4>twenty sixteen and blaming it on the Russians, like a

0:23:35.560 --> 0:23:38.600
<v Speaker 4>total shock and disbelief, and I like, this can't be possible.

0:23:39.280 --> 0:23:41.840
<v Speaker 4>I'm me, I don't take l's like this. It had

0:23:41.880 --> 0:23:47.280
<v Speaker 4>to have been manipulated by somebody outside of the system. Bro.

0:23:47.320 --> 0:23:49.919
<v Speaker 3>I'm gonna tell you. I think with Drake man, I

0:23:49.960 --> 0:23:53.480
<v Speaker 3>think Drake is the delusional guy. I think he's the

0:23:53.880 --> 0:23:58.120
<v Speaker 3>direct result of that everybody gets a trophy syndrome. That

0:23:58.160 --> 0:23:59.640
<v Speaker 3>was one of the things I hated. Do you remember

0:23:59.640 --> 0:24:01.600
<v Speaker 3>when I was coaching you football, told you I hate

0:24:01.600 --> 0:24:05.639
<v Speaker 3>the idea of everybody getting the trophy. Mm, this is

0:24:05.680 --> 0:24:08.240
<v Speaker 3>the same thing Drake doesn't think he's supposed to lose.

0:24:08.280 --> 0:24:09.040
<v Speaker 7>He's entitled.

0:24:10.280 --> 0:24:12.400
<v Speaker 3>His privilege is coming out of showing right now, how

0:24:12.440 --> 0:24:14.840
<v Speaker 3>big this dude from compt to beat me. He's not

0:24:14.960 --> 0:24:18.560
<v Speaker 3>better than me than me? This is this privilege. This

0:24:18.720 --> 0:24:21.000
<v Speaker 3>is privilege on thing. He's having a timidt answer right now.

0:24:22.119 --> 0:24:25.479
<v Speaker 2>You know what, that actually makes sense.

0:24:27.119 --> 0:24:28.040
<v Speaker 3>This is his privilege.

0:24:28.800 --> 0:24:32.800
<v Speaker 2>Privilege, bro, he really is having a privileged moment.

0:24:34.080 --> 0:24:38.320
<v Speaker 8>He got affluenza, you know how dare.

0:24:41.440 --> 0:24:44.240
<v Speaker 1>I never thought about it like that, but that makes sense.

0:24:44.280 --> 0:24:46.000
<v Speaker 1>He's having a privileged moment.

0:24:46.760 --> 0:24:46.920
<v Speaker 5>HM.

0:24:47.520 --> 0:24:50.520
<v Speaker 3>I wouldn't be surprised if he called doc Nick the

0:24:50.640 --> 0:24:51.840
<v Speaker 3>N word with hard r bro.

0:24:52.040 --> 0:24:53.800
<v Speaker 7>I'm I believe.

0:24:53.520 --> 0:25:01.800
<v Speaker 4>You that the who would he say that to?

0:25:01.880 --> 0:25:02.040
<v Speaker 3>Though?

0:25:02.040 --> 0:25:04.359
<v Speaker 4>Because for people who probably around him all the time,

0:25:04.440 --> 0:25:08.960
<v Speaker 4>you know, probably aren't like on his.

0:25:08.720 --> 0:25:15.639
<v Speaker 3>Probably we're still setting their breast, whatever you're doing, still

0:25:15.880 --> 0:25:24.359
<v Speaker 3>still out here with this is ridiculous, right, you know me?

0:25:25.960 --> 0:25:30.120
<v Speaker 3>She was talking right. Everybody except everybody on this family

0:25:30.160 --> 0:25:32.399
<v Speaker 3>except one of us, is from the hood, right, everybody

0:25:32.400 --> 0:25:35.120
<v Speaker 3>from the get him. We've all lost the fight before, right,

0:25:37.440 --> 0:25:41.199
<v Speaker 3>But we never told like she was alluding to earlier.

0:25:41.240 --> 0:25:43.800
<v Speaker 3>We never went back and told nobody we just want

0:25:43.840 --> 0:25:45.919
<v Speaker 3>to fuck that dude again and again until we got

0:25:45.960 --> 0:25:48.080
<v Speaker 3>a victory, or we left him head alone, right, whatever

0:25:48.119 --> 0:25:51.480
<v Speaker 3>it was. But we didn't go tell nobody. This dude

0:25:51.680 --> 0:25:55.920
<v Speaker 3>really thinks that he has the right to go. Man,

0:25:55.960 --> 0:25:58.359
<v Speaker 3>he lost the battle, bruh. And I'm pretty sure he

0:25:58.400 --> 0:26:01.000
<v Speaker 3>done heard that album. I'm pretty you were, and he

0:26:01.080 --> 0:26:03.040
<v Speaker 3>can't one person you can't lie to You can't lie

0:26:03.040 --> 0:26:04.840
<v Speaker 3>to yourself. I'm pretty sure you don't heard that shit

0:26:04.920 --> 0:26:06.879
<v Speaker 3>and said, Man, this is really good.

0:26:07.960 --> 0:26:08.919
<v Speaker 7>I'm going to sue him.

0:26:08.960 --> 0:26:09.600
<v Speaker 3>He's ruined me.

0:26:11.920 --> 0:26:15.879
<v Speaker 6>No, all the farm owners thinking right now, this is

0:26:15.960 --> 0:26:19.360
<v Speaker 6>a deeper conversation, bro, because.

0:26:20.600 --> 0:26:26.080
<v Speaker 1>I've always thought if you are mixed with black, you

0:26:26.200 --> 0:26:29.640
<v Speaker 1>are black, right. But then I've always thought, big bro,

0:26:29.840 --> 0:26:31.600
<v Speaker 1>and this is a good thing to talk to you about.

0:26:31.800 --> 0:26:35.800
<v Speaker 1>I've always thought of black as a responsibility. It ain't

0:26:35.840 --> 0:26:39.520
<v Speaker 1>like my skin is black, right, Being black is a

0:26:39.600 --> 0:26:41.680
<v Speaker 1>desire to care for other people that have been through

0:26:41.720 --> 0:26:45.320
<v Speaker 1>the same type of struggles like myself. It's a responsibility

0:26:45.840 --> 0:26:52.440
<v Speaker 1>to be black. And I noticed it and I thought

0:26:52.440 --> 0:26:55.200
<v Speaker 1>to myself, like I used to always say he wasn't

0:26:55.280 --> 0:26:57.600
<v Speaker 1>hip hop. People thought that that was the equivalent of

0:26:57.600 --> 0:26:58.960
<v Speaker 1>me saying he's not black.

0:27:01.480 --> 0:27:04.120
<v Speaker 2>And it's like, he's black. His father is a black man.

0:27:04.560 --> 0:27:07.120
<v Speaker 3>Yeah, he's black dog. But being black, like you said,

0:27:07.119 --> 0:27:09.520
<v Speaker 3>it's more than a skin color, man, It's a condition, man,

0:27:09.560 --> 0:27:13.480
<v Speaker 3>It's like it's a soul. Listen here, man, and think

0:27:13.520 --> 0:27:13.879
<v Speaker 3>about it.

0:27:13.920 --> 0:27:20.560
<v Speaker 4>Also, like if you're from a biracial parenting, you know,

0:27:21.000 --> 0:27:25.919
<v Speaker 4>or what's the word, like a conception and you're raised

0:27:25.960 --> 0:27:29.720
<v Speaker 4>by one parent, you're gonna be pretty.

0:27:29.520 --> 0:27:31.679
<v Speaker 5>Much that, you know what I mean.

0:27:32.320 --> 0:27:34.320
<v Speaker 2>And that's what I was thinking, right, So that was

0:27:34.359 --> 0:27:35.560
<v Speaker 2>always my thing.

0:27:36.000 --> 0:27:38.560
<v Speaker 5>I got to have a lot of those conversations, right, that.

0:27:38.920 --> 0:27:40.920
<v Speaker 2>Was always my thing about him not being hip hop.

0:27:41.000 --> 0:27:44.800
<v Speaker 1>Right, he he was raised by his mother in the

0:27:44.840 --> 0:27:46.160
<v Speaker 1>Jewish community, going.

0:27:45.960 --> 0:27:48.880
<v Speaker 2>To Jewish because and that was always my thought, right.

0:27:50.440 --> 0:27:52.520
<v Speaker 1>Man, Now I can see if he was raised Jewish

0:27:52.600 --> 0:27:55.640
<v Speaker 1>in the Bronx, you know, you could be you hang

0:27:55.680 --> 0:27:58.240
<v Speaker 1>out onside, I guess what is you back to the streets.

0:27:58.800 --> 0:28:02.400
<v Speaker 1>But again, his serf stances, his environment. He was raised

0:28:02.400 --> 0:28:04.119
<v Speaker 1>as a Jewish man, so I always thought of him

0:28:04.160 --> 0:28:07.280
<v Speaker 1>was Jewish. But I understood his father was a brother

0:28:07.320 --> 0:28:08.040
<v Speaker 1>from Memphis.

0:28:08.520 --> 0:28:15.600
<v Speaker 2>Right, But you know, like if that's not going on, and.

0:28:17.160 --> 0:28:20.240
<v Speaker 1>Like like to me, you're not biracial, there's no such thing.

0:28:20.280 --> 0:28:22.760
<v Speaker 2>You're black, if you know what I mean, you're black.

0:28:22.880 --> 0:28:23.800
<v Speaker 2>If you're black, you're black.

0:28:23.880 --> 0:28:27.200
<v Speaker 1>It don't even matter what happened because theoretically everybody come

0:28:27.280 --> 0:28:30.280
<v Speaker 1>from black people from the star. So every for sure,

0:28:30.280 --> 0:28:33.800
<v Speaker 1>if you cut it back down, you're black. So I

0:28:33.880 --> 0:28:38.200
<v Speaker 1>understood he was Jewish based off culture, minus the conversation

0:28:38.320 --> 0:28:42.840
<v Speaker 1>of race, minus the conversation of his again ethnic ethnicity.

0:28:43.360 --> 0:28:45.480
<v Speaker 2>You know what I mean, he's a jewish Man. You know,

0:28:46.040 --> 0:28:47.480
<v Speaker 2>racially he's a Negro.

0:28:47.840 --> 0:28:51.360
<v Speaker 1>Right, But again, if race is not a real construct,

0:28:51.440 --> 0:28:54.880
<v Speaker 1>he would be a jewish Man. And if you think

0:28:54.920 --> 0:29:00.280
<v Speaker 1>about how he's going about this battle right now, they

0:29:02.800 --> 0:29:05.200
<v Speaker 1>really yeah, not a bad thing.

0:29:06.560 --> 0:29:09.040
<v Speaker 9>You got way too Trump in office, you got way

0:29:09.120 --> 0:29:11.400
<v Speaker 9>to January sixth. Then you can say that.

0:29:12.200 --> 0:29:14.440
<v Speaker 1>Well, I mean, listen, I don't think it's negative. I

0:29:14.480 --> 0:29:16.400
<v Speaker 1>mean that's just culture to who.

0:29:16.280 --> 0:29:16.840
<v Speaker 8>His peoples are.

0:29:16.880 --> 0:29:19.120
<v Speaker 2>I don't. I don't know why YouTube.

0:29:19.320 --> 0:29:21.760
<v Speaker 4>That there's a difference in that sensus saying saying like

0:29:22.080 --> 0:29:27.680
<v Speaker 4>the Jays and j Ish, But I don't know.

0:29:27.720 --> 0:29:28.560
<v Speaker 5>I'm not in charge of it.

0:29:29.760 --> 0:29:32.320
<v Speaker 3>He doesn't even know if that if that matters, man,

0:29:32.520 --> 0:29:34.719
<v Speaker 3>I just think that the dude don't have no culture.

0:29:34.800 --> 0:29:38.040
<v Speaker 2>Man he does, but that's my points then he already

0:29:38.080 --> 0:29:38.360
<v Speaker 2>get it.

0:29:38.680 --> 0:29:39.960
<v Speaker 5>He was raised jam.

0:29:41.520 --> 0:29:44.760
<v Speaker 3>Yeah, but that's what I'm saying. He doesn't like when

0:29:44.800 --> 0:29:46.840
<v Speaker 3>you've never really been through nothing like you know how

0:29:46.840 --> 0:29:53.480
<v Speaker 3>you talking about him and his mom had a hard time, man, mhm, him,

0:29:53.560 --> 0:29:55.600
<v Speaker 3>him and his mom Florry Town was way different than

0:29:55.840 --> 0:29:56.920
<v Speaker 3>our parents hard time.

0:29:57.560 --> 0:30:01.440
<v Speaker 2>I don't want to get to the drug Olympics. He

0:30:01.480 --> 0:30:02.200
<v Speaker 2>waste the time with that.

0:30:02.320 --> 0:30:05.960
<v Speaker 1>I'm just saying, for sure, I always thought of him

0:30:06.000 --> 0:30:10.960
<v Speaker 1>as that, but like this is next level, not hip

0:30:12.200 --> 0:30:15.880
<v Speaker 1>like I always thought he wasn't hip, but like this is.

0:30:15.840 --> 0:30:19.200
<v Speaker 2>For sure the most unhit thing he's ever done in his.

0:30:19.200 --> 0:30:22.720
<v Speaker 4>Life that I've ever saw that I saw or is

0:30:22.760 --> 0:30:25.280
<v Speaker 4>it just the most Jewish things ever done in this life?

0:30:25.880 --> 0:30:31.120
<v Speaker 1>That's my point. It makes sense when you throw because

0:30:31.120 --> 0:30:33.000
<v Speaker 1>I can't play. The Beastie Boys were still the.

0:30:35.360 --> 0:30:37.560
<v Speaker 3>Whole bunch of Jewish people on hip hop broke ain't never.

0:30:40.520 --> 0:30:43.560
<v Speaker 1>I think those people still are street like the Beastie

0:30:43.600 --> 0:30:46.040
<v Speaker 1>Boys still grew up in the punk rock environment, should

0:30:46.040 --> 0:30:47.120
<v Speaker 1>be able to create the music.

0:30:47.880 --> 0:30:50.440
<v Speaker 2>So there's a level of street urbanness too it.

0:30:50.360 --> 0:30:52.560
<v Speaker 1>Because again punk rock is and hip hop or step brother,

0:30:52.560 --> 0:30:56.320
<v Speaker 1>they both come from street urban backgrounds, just different you know,

0:30:56.880 --> 0:30:59.120
<v Speaker 1>mothers places on Earth. We ain't come up in the

0:30:59.120 --> 0:31:02.680
<v Speaker 1>same places. But the saying oppression or whatever miss understood,

0:31:02.720 --> 0:31:04.480
<v Speaker 1>Like the Skaters cam when I was just young, the

0:31:04.520 --> 0:31:08.240
<v Speaker 1>Skaters is like that they really felt like they were

0:31:08.840 --> 0:31:10.640
<v Speaker 1>you know what I'm saying, Like, ain't Drake from the

0:31:11.160 --> 0:31:14.080
<v Speaker 1>Canada streets though? Any rocking with the Hell's Angels and

0:31:14.120 --> 0:31:20.880
<v Speaker 1>all that that street no, y ain't no no, because.

0:31:20.640 --> 0:31:23.760
<v Speaker 2>For sure they wouldn't be suing nobody. It'd be a rumble,

0:31:24.360 --> 0:31:25.000
<v Speaker 2>be a squabble.

0:31:25.440 --> 0:31:30.200
<v Speaker 3>Hey, let me ask sure this crook. When't you say

0:31:30.240 --> 0:31:36.160
<v Speaker 3>that Drake is a good artist. Yeah, you know, Drake

0:31:36.280 --> 0:31:38.640
<v Speaker 3>was probably one of the biggest you know, if you

0:31:38.640 --> 0:31:40.160
<v Speaker 3>want to call him hip hop or he's one of

0:31:40.160 --> 0:31:44.440
<v Speaker 3>the biggest recording artists in the industry. I believe that

0:31:45.040 --> 0:31:47.640
<v Speaker 3>this is going to be really bad for him.

0:31:48.320 --> 0:31:51.800
<v Speaker 1>Somebody's making a point shout out to. We've been trying

0:31:51.800 --> 0:31:54.200
<v Speaker 1>to figure out what it was. Shout out to, Uh

0:31:55.080 --> 0:31:57.560
<v Speaker 1>David Jones. He said, I think Crookeds mic is too.

0:31:57.440 --> 0:31:58.840
<v Speaker 2>Close to his speakers.

0:32:00.120 --> 0:32:02.720
<v Speaker 8>Yeah, yeah, that may be where we're getting the feed.

0:32:02.920 --> 0:32:04.720
<v Speaker 2>That could be it, because I had the same thing

0:32:04.760 --> 0:32:08.720
<v Speaker 2>happened with. I don't know, because I don't think you

0:32:08.800 --> 0:32:09.320
<v Speaker 2>got a mic.

0:32:10.200 --> 0:32:12.280
<v Speaker 3>No, I don't got a mic. I'm just on the phone.

0:32:12.760 --> 0:32:15.040
<v Speaker 1>Yeah, so somebody's mic may be too close to their

0:32:15.080 --> 0:32:17.040
<v Speaker 1>speakers mike right here.

0:32:17.320 --> 0:32:18.440
<v Speaker 7>They ain't even plugged up.

0:32:20.080 --> 0:32:21.560
<v Speaker 3>But you know what, I think it'd be to a

0:32:21.600 --> 0:32:24.440
<v Speaker 3>little bit man, to a certain extent with these things,

0:32:25.920 --> 0:32:30.080
<v Speaker 3>I think, I don't know, this is gonna be weird,

0:32:30.080 --> 0:32:30.760
<v Speaker 3>but this is gonna be.

0:32:30.680 --> 0:32:33.920
<v Speaker 4>Bad for Oh boy, you got you got your ear

0:32:33.920 --> 0:32:35.640
<v Speaker 4>pieces in or you listening to your thing.

0:32:35.960 --> 0:32:41.480
<v Speaker 3>The gonna say you probably gotta have an ear piece in. No,

0:32:41.640 --> 0:32:45.240
<v Speaker 3>I mean, I'm just my mic when you're all talking.

0:32:46.600 --> 0:32:48.400
<v Speaker 2>It's definitely it couldn't be.

0:32:49.240 --> 0:32:53.200
<v Speaker 9>It's coming It's coming from crook It's coming from Crook side. Okay,

0:32:53.760 --> 0:32:55.720
<v Speaker 9>I don't know what it was, but it's coming from that.

0:32:55.920 --> 0:32:57.640
<v Speaker 3>But we might well keep going. We can't spend a

0:32:57.640 --> 0:32:58.400
<v Speaker 3>whole bunch of time.

0:32:58.520 --> 0:32:59.440
<v Speaker 8>Yeah, no, it's all good.

0:33:00.280 --> 0:33:02.280
<v Speaker 2>Don't thank you, brother, You're not causing an issue, thank

0:33:02.320 --> 0:33:04.360
<v Speaker 2>you well.

0:33:05.760 --> 0:33:08.440
<v Speaker 1>So no, Ryan, right, And this is the tricky part, Ryan,

0:33:09.000 --> 0:33:11.040
<v Speaker 1>that's the bad question. I don't really want to deal with,

0:33:11.040 --> 0:33:13.480
<v Speaker 1>but I'm gonna deal with it anyway. So everyone with

0:33:13.800 --> 0:33:16.080
<v Speaker 1>African ancestry is black, now.

0:33:18.720 --> 0:33:20.600
<v Speaker 8>No, not nothing.

0:33:20.960 --> 0:33:23.840
<v Speaker 9>Our definitely, our definition of black really is basically the

0:33:23.960 --> 0:33:27.240
<v Speaker 9>sentence of slave experience, the black descendants of slaves in

0:33:27.280 --> 0:33:30.800
<v Speaker 9>North America. So Drake is supposed to you know, he's

0:33:30.840 --> 0:33:32.880
<v Speaker 9>half of that, but he wasn't raised on you know,

0:33:32.880 --> 0:33:34.479
<v Speaker 9>on that side of the fence, so he don't want

0:33:35.400 --> 0:33:36.200
<v Speaker 9>that with that.

0:33:36.680 --> 0:33:38.600
<v Speaker 3>I don't want to get into this thing like mixed

0:33:38.600 --> 0:33:40.560
<v Speaker 3>people ain't black, man, because I know a whole bunch

0:33:40.560 --> 0:33:41.440
<v Speaker 3>of down mixed people.

0:33:41.480 --> 0:33:42.960
<v Speaker 8>You know, well, we all mix.

0:33:43.120 --> 0:33:45.680
<v Speaker 9>If you're an American and you got a last name

0:33:45.720 --> 0:33:47.400
<v Speaker 9>that ain't African, you've been cut.

0:33:47.560 --> 0:33:49.320
<v Speaker 3>You cut. That's what I'm saying.

0:33:49.680 --> 0:33:53.280
<v Speaker 2>So it's like, that's not but that's what I'm saying.

0:33:53.600 --> 0:33:58.200
<v Speaker 1>No, So no, no, everybody that's of African descent, because

0:33:58.240 --> 0:34:00.880
<v Speaker 1>Eli Musk is of African descent. It is obvious he's

0:34:00.920 --> 0:34:04.520
<v Speaker 1>not a black man. So no, you don't even got

0:34:04.520 --> 0:34:07.000
<v Speaker 1>to go that far. We don't even waste that much time.

0:34:07.400 --> 0:34:10.160
<v Speaker 9>No, do you think that Drake is is kind of

0:34:10.160 --> 0:34:13.360
<v Speaker 9>going crazy because he know, he know he's a hit maker.

0:34:13.400 --> 0:34:16.479
<v Speaker 9>He know he make fire music, but he don't under

0:34:16.520 --> 0:34:23.160
<v Speaker 9>he didn't understand the dynamics of Kendrick's you know, lineage

0:34:23.160 --> 0:34:25.319
<v Speaker 9>and the audience and what he represents.

0:34:25.360 --> 0:34:28.080
<v Speaker 8>Because Drake Drakens is a hit maker.

0:34:28.200 --> 0:34:30.359
<v Speaker 9>But when you start trying to come over here on

0:34:30.360 --> 0:34:33.080
<v Speaker 9>this fence and get into this warrior type of you know,

0:34:33.160 --> 0:34:35.719
<v Speaker 9>street street warrior type of thing, you're gonna catch the

0:34:35.840 --> 0:34:37.240
<v Speaker 9>all like you never caught before.

0:34:37.280 --> 0:34:40.480
<v Speaker 8>I think he you know, yeah.

0:34:40.120 --> 0:34:42.560
<v Speaker 3>Well, I just think Drake just stepped in some you know,

0:34:42.600 --> 0:34:45.279
<v Speaker 3>I think Drake just stepped in a mess. I'm gonna

0:34:45.280 --> 0:34:47.160
<v Speaker 3>tell you what it was. This is my thing. You know,

0:34:47.280 --> 0:34:49.560
<v Speaker 3>Drake was going to all the U r L battles

0:34:50.120 --> 0:34:52.400
<v Speaker 3>and I think he was just really intrigued by this

0:34:52.480 --> 0:34:54.319
<v Speaker 3>and he just thought that maybe he can get one

0:34:54.360 --> 0:34:56.120
<v Speaker 3>off on dot and just kind of bit off more

0:34:56.160 --> 0:34:56.800
<v Speaker 3>than he can shoot.

0:34:57.520 --> 0:34:59.799
<v Speaker 4>I think he's surpassing out because he can't reach the

0:35:00.000 --> 0:35:02.359
<v Speaker 4>audience he's always been able to reach.

0:35:03.600 --> 0:35:07.560
<v Speaker 1>Well, I think, so so here let's let's my man

0:35:07.600 --> 0:35:09.120
<v Speaker 1>crook it here so I could keep some facts.

0:35:09.160 --> 0:35:10.400
<v Speaker 2>So this is some facts.

0:35:11.040 --> 0:35:14.200
<v Speaker 1>Right since the days of selling records, record label's been

0:35:14.239 --> 0:35:17.160
<v Speaker 1>buying records. You really can't pay for a hit record.

0:35:17.280 --> 0:35:20.480
<v Speaker 1>Your record actually gotta work, especially at any major market.

0:35:20.880 --> 0:35:21.080
<v Speaker 3>Right.

0:35:21.200 --> 0:35:23.120
<v Speaker 1>You could try to get a promotional thing on, but

0:35:23.160 --> 0:35:26.160
<v Speaker 1>eventually your record got a call out. As far as

0:35:26.200 --> 0:35:28.560
<v Speaker 1>streaming and stuff, I do believe that there are some

0:35:28.640 --> 0:35:32.360
<v Speaker 1>plus ones and plus twos for streams, I believe that's happening.

0:35:32.360 --> 0:35:35.560
<v Speaker 1>But your record actually has the stream. You can't take

0:35:35.600 --> 0:35:39.040
<v Speaker 1>the record that nobody knows and make it work. And

0:35:39.280 --> 0:35:41.880
<v Speaker 1>the problem is there have been articles. There was an

0:35:41.960 --> 0:35:45.359
<v Speaker 1>article on a Rolling Stone accusing Drake of the same thing.

0:35:46.000 --> 0:35:49.160
<v Speaker 1>And before we just start using that p word, right

0:35:49.280 --> 0:35:52.839
<v Speaker 1>like the payola word, you can't still be the first one.

0:35:52.920 --> 0:35:55.759
<v Speaker 2>Can be the first one, crook me. You can't pay

0:35:55.760 --> 0:35:56.400
<v Speaker 2>for hit record.

0:35:56.520 --> 0:36:01.000
<v Speaker 1>It actually gotta be a hit record only and pay

0:36:01.080 --> 0:36:03.160
<v Speaker 1>for the promotion to have a chance to have a

0:36:03.200 --> 0:36:06.200
<v Speaker 1>hit records. Maybe if you had a small station that

0:36:06.280 --> 0:36:10.120
<v Speaker 1>don't have a million dollar endorsements deal from Pepsi's and

0:36:10.360 --> 0:36:13.600
<v Speaker 1>and Universal City Neiss. Maybe if you don't have a

0:36:13.680 --> 0:36:15.920
<v Speaker 1>station that has those, But if you have a station

0:36:16.360 --> 0:36:20.680
<v Speaker 1>that's making great money off of advertisement, you could not

0:36:20.880 --> 0:36:23.160
<v Speaker 1>pay for a hit record. So that's the first thing

0:36:23.200 --> 0:36:26.440
<v Speaker 1>your record actually has to perform.

0:36:26.680 --> 0:36:27.799
<v Speaker 2>That's a fact. I know it.

0:36:27.800 --> 0:36:29.920
<v Speaker 1>I'd have backed it up a mellion. I know it's true.

0:36:30.120 --> 0:36:33.680
<v Speaker 1>So Paola is an over stated concept.

0:36:33.920 --> 0:36:36.520
<v Speaker 3>I want to add something else to that. And Kim

0:36:37.120 --> 0:36:39.359
<v Speaker 3>You and Crooked both attested this. We used to see

0:36:39.360 --> 0:36:40.960
<v Speaker 3>people back in the day they have what you call

0:36:41.080 --> 0:36:44.360
<v Speaker 3>turntable hits. They would have these huge records at radio.

0:36:44.440 --> 0:36:46.520
<v Speaker 3>But then the first week when sound Scheme would come

0:36:46.560 --> 0:36:49.959
<v Speaker 3>out there to sell a thousand copies, Remember though, bring when.

0:36:49.880 --> 0:36:51.520
<v Speaker 8>That would happen to Cam.

0:36:51.840 --> 0:36:56.080
<v Speaker 3>Yeah, people still have to go out and purchase your record. However,

0:36:56.400 --> 0:36:58.359
<v Speaker 3>is now people still have to go stream. Like you said,

0:36:58.360 --> 0:37:00.880
<v Speaker 3>you can't cheat your way to it. A big record,

0:37:01.120 --> 0:37:03.560
<v Speaker 3>not the record, not as big as something, not like

0:37:03.600 --> 0:37:07.720
<v Speaker 3>this was. You can't keep with that. It was everybody

0:37:07.880 --> 0:37:08.239
<v Speaker 3>be doing it.

0:37:08.600 --> 0:37:10.000
<v Speaker 8>Yeah, Drake, Drake just ain't.

0:37:10.320 --> 0:37:12.920
<v Speaker 9>He's not from that that world where he could be

0:37:13.000 --> 0:37:16.759
<v Speaker 9>battle rapping like real street street dudes, like it's just

0:37:16.840 --> 0:37:19.560
<v Speaker 9>the culture won't allow it. It's just like a governor

0:37:19.560 --> 0:37:22.040
<v Speaker 9>on the culture. It was just it's just, you know,

0:37:22.080 --> 0:37:23.759
<v Speaker 9>it just won't allow it. If he stuck to his

0:37:23.880 --> 0:37:28.560
<v Speaker 9>singing hooks and all that he has smashed Kendrick. If

0:37:28.640 --> 0:37:30.800
<v Speaker 9>Kendrick came over to his side of the fence and

0:37:30.840 --> 0:37:33.839
<v Speaker 9>trying to he would ruin his own career. But Drake

0:37:33.960 --> 0:37:35.600
<v Speaker 9>is the one that made the mistake and came over

0:37:35.680 --> 0:37:37.680
<v Speaker 9>here and he stepped on some landlines.

0:37:37.719 --> 0:37:40.760
<v Speaker 2>And that's a great point.

0:37:41.880 --> 0:37:45.319
<v Speaker 1>He he didn't have to be this at first, right,

0:37:45.360 --> 0:37:48.040
<v Speaker 1>he didn't have to be this at first. Again, everybody,

0:37:48.080 --> 0:37:51.600
<v Speaker 1>this is No Silings Live. The YouTube link is hold on.

0:37:51.640 --> 0:37:52.880
<v Speaker 1>I'm gonna share it on Twitter.

0:37:54.000 --> 0:37:54.360
<v Speaker 8>Uh.

0:37:54.480 --> 0:37:58.160
<v Speaker 2>It goes live on the YouTube on a No Salis podcast.

0:37:58.600 --> 0:38:01.000
<v Speaker 1>Shout out to my brothers for coming down and making

0:38:01.040 --> 0:38:04.399
<v Speaker 1>it happen with me. Let me tweet this link. Yes

0:38:04.440 --> 0:38:08.759
<v Speaker 1>it's crooked phone for sure, for sure. Damn that dude caught.

0:38:08.800 --> 0:38:11.879
<v Speaker 1>He must be like an engineer or something. I don't

0:38:11.920 --> 0:38:18.080
<v Speaker 1>know how you caught that. So again, he had the

0:38:18.200 --> 0:38:20.719
<v Speaker 1>game in his hand when he first came to the

0:38:20.880 --> 0:38:22.600
<v Speaker 1>like when he first came to cash money.

0:38:22.719 --> 0:38:25.120
<v Speaker 2>Because he was actually the genuine article.

0:38:25.160 --> 0:38:29.200
<v Speaker 1>He was a really great talent actor, you know what

0:38:29.239 --> 0:38:31.359
<v Speaker 1>I mean, Like he was he had been a part

0:38:31.400 --> 0:38:35.920
<v Speaker 1>of a he had been a part of a TV

0:38:36.040 --> 0:38:39.080
<v Speaker 1>show that was doing well. He was well trained, prepared

0:38:39.120 --> 0:38:42.560
<v Speaker 1>as an entertainer, and he wasn't too shabby. On the

0:38:42.600 --> 0:38:45.600
<v Speaker 1>record side, he was a killer. Like he was a

0:38:45.760 --> 0:38:49.040
<v Speaker 1>monster at making records. Like I remember the first time

0:38:49.080 --> 0:38:51.799
<v Speaker 1>meeting him and then hearing his records and being like,

0:38:51.960 --> 0:38:54.080
<v Speaker 1>I can't believe this is the same dude that made

0:38:54.160 --> 0:38:54.800
<v Speaker 1>both of these.

0:38:55.440 --> 0:38:57.680
<v Speaker 2>It almost seemed possible.

0:38:58.440 --> 0:39:00.480
<v Speaker 5>He's the first reverse engineer rapper.

0:39:01.719 --> 0:39:02.680
<v Speaker 2>That's a great point.

0:39:02.920 --> 0:39:05.640
<v Speaker 5>Every other rapper has gone from inner city to suburbs.

0:39:05.680 --> 0:39:06.640
<v Speaker 5>He did it the other way.

0:39:07.760 --> 0:39:10.920
<v Speaker 2>And that's what I think is killing him, right, Pete, because.

0:39:10.880 --> 0:39:13.480
<v Speaker 4>Because he could only go so far in before you

0:39:13.480 --> 0:39:16.680
<v Speaker 4>get too far, you can never go too far out.

0:39:16.880 --> 0:39:18.680
<v Speaker 2>Yeah, he tried to go all the way in.

0:39:19.320 --> 0:39:22.360
<v Speaker 1>And now like he's in this weird space to where

0:39:23.440 --> 0:39:26.080
<v Speaker 1>he's trying to kind of live like the culture right

0:39:26.120 --> 0:39:31.480
<v Speaker 1>where he's doing stuff, you know, taking the situation into

0:39:31.760 --> 0:39:34.719
<v Speaker 1>his own hands, just as different small things. But it's like,

0:39:35.400 --> 0:39:38.520
<v Speaker 1>well these things still apply, Like and the Kendrick Battle

0:39:38.520 --> 0:39:41.960
<v Speaker 1>didn't do anything but show everybody that obviously culturally he's

0:39:42.000 --> 0:39:44.560
<v Speaker 1>not what you know people thought he was, which is weird.

0:39:44.640 --> 0:39:45.880
<v Speaker 2>I don't know how they thought he was that.

0:39:47.880 --> 0:39:51.560
<v Speaker 1>But also it's like, not only did you turn the

0:39:51.640 --> 0:39:54.520
<v Speaker 1>culture and have the culture looking at you crazy right

0:39:54.640 --> 0:39:57.759
<v Speaker 1>within that battle, but also now you're about to.

0:39:57.719 --> 0:40:03.040
<v Speaker 2>Turn the business against you, Like the business was never

0:40:03.080 --> 0:40:04.520
<v Speaker 2>against you. The business built you.

0:40:04.719 --> 0:40:06.800
<v Speaker 1>The business gave you all the looks because you wouldn't

0:40:06.800 --> 0:40:09.160
<v Speaker 1>have came through the streets, you couldn't have went to

0:40:09.239 --> 0:40:11.400
<v Speaker 1>all the places you need to do all of that stuff.

0:40:12.440 --> 0:40:24.120
<v Speaker 9>He went tropic thunder. He went full uh such and such. Yeah, yeah,

0:40:25.480 --> 0:40:28.359
<v Speaker 9>this guy. Never go full gangster.

0:40:29.320 --> 0:40:32.160
<v Speaker 1>Never go full gamester. He went full gangster. That's a

0:40:32.200 --> 0:40:33.239
<v Speaker 1>great point, big bro.

0:40:34.400 --> 0:40:38.040
<v Speaker 2>Oh god, he went full gangster.

0:40:40.200 --> 0:40:43.800
<v Speaker 4>He says something about bodies to the point where I

0:40:44.640 --> 0:40:48.479
<v Speaker 4>was like, I thought that bodies meant something else.

0:40:49.120 --> 0:40:50.799
<v Speaker 2>It made me think that I didn't know what I'm

0:40:50.840 --> 0:40:52.439
<v Speaker 2>saying bodies, And I know.

0:40:52.440 --> 0:40:54.080
<v Speaker 4>But when I first heard him saying, I was like,

0:40:54.120 --> 0:40:55.480
<v Speaker 4>ship all this time, I thought it.

0:40:55.440 --> 0:40:58.879
<v Speaker 9>Meant that it must mean something different because he's yeah,

0:40:59.000 --> 0:41:01.799
<v Speaker 9>I thought he meant girls, like he was a girl.

0:41:01.840 --> 0:41:07.040
<v Speaker 8>Bodies or something, but blind. Yeah, I'm like, man, I.

0:41:06.960 --> 0:41:09.680
<v Speaker 5>Thought people getting killed it was pussy all this time.

0:41:10.120 --> 0:41:13.839
<v Speaker 3>You know what I'm gonna tell you. I don't think

0:41:13.920 --> 0:41:15.440
<v Speaker 3>killer has nothing to do with it.

0:41:15.480 --> 0:41:15.719
<v Speaker 1>Man.

0:41:16.640 --> 0:41:24.799
<v Speaker 3>Let's take Eminem for example, right, has never pressed but was.

0:41:24.840 --> 0:41:27.560
<v Speaker 8>Raised in Detroit with That's what I'm saying.

0:41:27.560 --> 0:41:30.239
<v Speaker 3>It's a difference, bro. Eminem is really he's really with

0:41:30.320 --> 0:41:31.279
<v Speaker 3>the ships, you know what I mean.

0:41:31.600 --> 0:41:34.280
<v Speaker 4>It's a punk rock kid that grew up in Eminem

0:41:34.360 --> 0:41:37.840
<v Speaker 4>is very respectful of that relationship.

0:41:38.680 --> 0:41:40.759
<v Speaker 3>And I think that's because he really knows what he

0:41:40.880 --> 0:41:43.160
<v Speaker 3>really know what time it is, you know. So I

0:41:43.239 --> 0:41:45.680
<v Speaker 3>just think, man, I think this is gonna be bad

0:41:45.760 --> 0:41:49.040
<v Speaker 3>for doing. And to be honest with you, it's almost

0:41:49.120 --> 0:41:51.920
<v Speaker 3>like he just like everybody talking about Dot's album and

0:41:51.960 --> 0:41:56.560
<v Speaker 3>then he come up with this bullshit, right. It's like, man,

0:41:56.600 --> 0:42:05.480
<v Speaker 3>he just want to make it about him.

0:42:01.760 --> 0:42:03.759
<v Speaker 7>All right. So I got a question for y'all, what

0:42:03.840 --> 0:42:05.560
<v Speaker 7>are the ramifications of this case?

0:42:06.800 --> 0:42:12.040
<v Speaker 6>Because people, people are people are speculating that he's trying

0:42:12.040 --> 0:42:15.080
<v Speaker 6>to get off of a universal and he this is

0:42:15.120 --> 0:42:16.400
<v Speaker 6>the this is the movie making.

0:42:17.040 --> 0:42:19.160
<v Speaker 1>But I don't understand how could this get him off

0:42:19.200 --> 0:42:23.919
<v Speaker 1>of you accusing another artist This is like that Gunner case. Right,

0:42:24.600 --> 0:42:29.279
<v Speaker 1>This is like that Gunner case where people are confusing, right,

0:42:31.280 --> 0:42:34.000
<v Speaker 1>like what a plea is as somebody that that's took

0:42:34.040 --> 0:42:36.279
<v Speaker 1>too pleas in my life, a plea is when you

0:42:36.440 --> 0:42:39.560
<v Speaker 1>only admit to the things that you did, or you

0:42:39.760 --> 0:42:42.239
<v Speaker 1>only base it off of the things you did. In

0:42:42.320 --> 0:42:45.320
<v Speaker 1>Gunner situation, right with Thug, the reason he told on

0:42:45.440 --> 0:42:48.719
<v Speaker 1>Thug is he said he did nothing and everybody else

0:42:48.760 --> 0:42:54.040
<v Speaker 1>did everything. Now, maybe if if if Drake's case would

0:42:54.080 --> 0:42:58.480
<v Speaker 1>have been more like, you know what, the label hasn't

0:42:58.520 --> 0:43:02.240
<v Speaker 1>been paying me. They flated these streams. But he's doing

0:43:02.280 --> 0:43:05.239
<v Speaker 1>the same thing where he's like, no, this guy, they're

0:43:05.320 --> 0:43:07.840
<v Speaker 1>over here doing this for him, y'all signed to the

0:43:07.880 --> 0:43:11.400
<v Speaker 1>same people. They're doing this for him. They're doing this

0:43:11.560 --> 0:43:14.520
<v Speaker 1>for him. They're not doing they're doing this for him.

0:43:14.680 --> 0:43:17.600
<v Speaker 1>He's not even talking about what they're doing for him.

0:43:17.800 --> 0:43:21.600
<v Speaker 1>He's not even saying what they did to wrong him.

0:43:21.920 --> 0:43:28.440
<v Speaker 1>They're saying them marketing. Kendrick Lamarson, I have a problem

0:43:28.480 --> 0:43:32.080
<v Speaker 1>with it because they did it unfairly. He's not even

0:43:32.120 --> 0:43:35.360
<v Speaker 1>equating it to he's not even equating it crook to

0:43:35.920 --> 0:43:36.399
<v Speaker 1>his shit.

0:43:36.960 --> 0:43:40.400
<v Speaker 4>But that kind of does support his point though, because

0:43:42.000 --> 0:43:45.520
<v Speaker 4>he can't demonstrate standing because he hasn't been damaged by it,

0:43:45.640 --> 0:43:50.000
<v Speaker 4>you know, in the way that he's suggesting. So if

0:43:50.040 --> 0:43:53.640
<v Speaker 4>it's look, this is gonna be ugly in discovery for

0:43:53.800 --> 0:43:57.000
<v Speaker 4>us as universal and he says, hey, look, if you

0:43:57.000 --> 0:43:59.120
<v Speaker 4>guys let me out of my deal, we could drop

0:43:59.120 --> 0:44:00.560
<v Speaker 4>this right now before those discovery.

0:44:00.800 --> 0:44:09.680
<v Speaker 1>Sure it's a civil case to Crooked's point, right, So

0:44:10.200 --> 0:44:11.879
<v Speaker 1>what Peter is saying makes the most sense.

0:44:11.920 --> 0:44:14.359
<v Speaker 2>The reality is maybe he kicks up.

0:44:14.400 --> 0:44:18.719
<v Speaker 1>Enough dust to where they like he settles it, like,

0:44:18.800 --> 0:44:21.440
<v Speaker 1>let me out of my deal and I'll drop the

0:44:21.480 --> 0:44:22.960
<v Speaker 1>case so you don't have to present.

0:44:23.480 --> 0:44:26.959
<v Speaker 2>But I'm gonna tell you right now ahead of time.

0:44:27.880 --> 0:44:28.200
<v Speaker 4>U m G.

0:44:28.400 --> 0:44:31.120
<v Speaker 1>Not gonna do that. They are past the point of

0:44:31.160 --> 0:44:32.200
<v Speaker 1>you bullying them.

0:44:32.600 --> 0:44:37.359
<v Speaker 9>Man, come on, man, Ain't nobody not going program. Ain't

0:44:37.360 --> 0:44:38.320
<v Speaker 9>nobody bigger.

0:44:38.080 --> 0:44:41.719
<v Speaker 2>Than to bully U MG. And if he thought that

0:44:41.719 --> 0:44:47.000
<v Speaker 2>that was his plan, Mike hints learned the hard way.

0:44:47.520 --> 0:44:49.960
<v Speaker 2>But you are not going to bully these people.

0:44:50.320 --> 0:44:52.359
<v Speaker 5>What does he benefit from getting out of that deal?

0:44:52.480 --> 0:44:53.239
<v Speaker 5>Where's it gonna go?

0:44:53.320 --> 0:44:53.680
<v Speaker 8>Right now?

0:44:53.880 --> 0:44:56.799
<v Speaker 4>His values at its all time low and you want

0:44:56.800 --> 0:44:57.640
<v Speaker 4>to get out of your deal?

0:44:58.719 --> 0:45:00.120
<v Speaker 5>That that in itself.

0:45:00.800 --> 0:45:07.120
<v Speaker 6>Don't have a value. He will make money as an

0:45:07.120 --> 0:45:09.960
<v Speaker 6>independent artist. We know that.

0:45:11.840 --> 0:45:13.399
<v Speaker 8>How much? How much? How much y'all?

0:45:13.640 --> 0:45:16.319
<v Speaker 9>How much do a rapper supposed to make before you

0:45:16.360 --> 0:45:18.439
<v Speaker 9>feel like he don't need to have to make no more?

0:45:18.520 --> 0:45:20.080
<v Speaker 8>Like I don't understand that.

0:45:20.440 --> 0:45:21.839
<v Speaker 2>Hold on, hold on, hold on, hold on?

0:45:22.960 --> 0:45:26.919
<v Speaker 1>What which world do you tell on one dope man

0:45:28.360 --> 0:45:29.320
<v Speaker 1>and get another.

0:45:30.680 --> 0:45:34.560
<v Speaker 2>Even crook as an independent Which.

0:45:34.280 --> 0:45:37.560
<v Speaker 1>World do you tell on one dope man and then

0:45:37.680 --> 0:45:40.160
<v Speaker 1>people know you told on the dope man and another

0:45:40.200 --> 0:45:41.160
<v Speaker 1>plug say come over.

0:45:41.000 --> 0:45:43.360
<v Speaker 2>Here and get this money?

0:45:45.719 --> 0:45:48.520
<v Speaker 7>Yeah, like it don't like it's not a smart plan.

0:45:49.239 --> 0:45:52.879
<v Speaker 6>I'm just telling you that he can definitely be on

0:45:52.920 --> 0:45:55.839
<v Speaker 6>that perspective, like yo, I could just jet out and

0:45:55.880 --> 0:45:59.480
<v Speaker 6>go independent or go somewhere else and get my bread.

0:45:59.520 --> 0:46:01.920
<v Speaker 6>I'm not saying it's a smart plan, but his value

0:46:02.560 --> 0:46:04.520
<v Speaker 6>is still there. He has value.

0:46:05.520 --> 0:46:06.840
<v Speaker 8>Do y'all think he's clean?

0:46:07.560 --> 0:46:10.520
<v Speaker 9>Just like what was really ruining his image is the

0:46:10.800 --> 0:46:14.120
<v Speaker 9>is the a minor that that subject?

0:46:14.160 --> 0:46:17.600
<v Speaker 8>Right? So is he clean enough to try to do

0:46:17.680 --> 0:46:20.600
<v Speaker 8>that to universal? You know what I'm saying?

0:46:20.680 --> 0:46:23.480
<v Speaker 9>Is he clean enough to you understand I'm saying like

0:46:23.520 --> 0:46:28.799
<v Speaker 9>he just smashed everything. Yeah, he just smashed everything he saw.

0:46:28.880 --> 0:46:31.080
<v Speaker 3>This man, we just saw this whole thing with Puffy.

0:46:31.080 --> 0:46:33.200
<v Speaker 3>As soon as Puffy start missing with them folks, man,

0:46:33.200 --> 0:46:36.600
<v Speaker 3>he was sitting up in the jail seal. Everybody along.

0:46:37.200 --> 0:46:40.560
<v Speaker 1>Everybody wanted to go to Puffy wants to go to

0:46:40.560 --> 0:46:44.360
<v Speaker 1>the Puffy party. And then one day overnight I was

0:46:44.400 --> 0:46:47.000
<v Speaker 1>the only person. I went from being the only person

0:46:47.000 --> 0:46:48.840
<v Speaker 1>that didn't care about going to Puff party because I

0:46:48.840 --> 0:46:51.239
<v Speaker 1>don't drink and mess with the brawl, to do no

0:46:51.320 --> 0:46:54.080
<v Speaker 1>drugs like that. Now everybody don't want to go to

0:46:54.160 --> 0:46:59.560
<v Speaker 1>Puffy party. So again, trust me, he already did more

0:46:59.600 --> 0:47:02.040
<v Speaker 1>than enough for them people to hang in that. We

0:47:02.120 --> 0:47:04.840
<v Speaker 1>used to have this conversation all the time, cam like,

0:47:05.200 --> 0:47:07.640
<v Speaker 1>they're not going to let you get that far without

0:47:07.719 --> 0:47:11.840
<v Speaker 1>having something on you, right that just they're not finna

0:47:11.880 --> 0:47:14.759
<v Speaker 1>make you that. You know, they're not finna just empower

0:47:14.800 --> 0:47:16.920
<v Speaker 1>you and make you a monster, and you could just

0:47:17.000 --> 0:47:19.919
<v Speaker 1>move about the cabin for free. So I do think

0:47:19.960 --> 0:47:22.759
<v Speaker 1>Cricket is right. There has to be that would make sense. Right,

0:47:22.800 --> 0:47:25.799
<v Speaker 1>there's an idea and an intention to get out of

0:47:25.840 --> 0:47:28.879
<v Speaker 1>a deal. But the way you're going about it, first off,

0:47:29.040 --> 0:47:33.080
<v Speaker 1>you're exposing business practices that they use for all of

0:47:33.160 --> 0:47:35.320
<v Speaker 1>y'all everybody.

0:47:35.520 --> 0:47:38.480
<v Speaker 4>And furthermore, do you want to be independent and be

0:47:38.600 --> 0:47:39.920
<v Speaker 4>blackball from Spotify?

0:47:41.200 --> 0:47:43.720
<v Speaker 1>And the problem is you're not going to be blackball

0:47:43.719 --> 0:47:47.920
<v Speaker 1>from Spotify, but they're going to comb your shit everybody,

0:47:48.000 --> 0:47:51.480
<v Speaker 1>because again, the dope trade is very much the dough trade.

0:47:51.840 --> 0:47:54.840
<v Speaker 1>If you tell on somebody in the dough trade, nobody

0:47:54.920 --> 0:47:56.680
<v Speaker 1>is going to give you dope.

0:47:57.040 --> 0:47:59.520
<v Speaker 2>That's really if they kill you.

0:47:59.520 --> 0:48:02.080
<v Speaker 6>Did you the move he made when he was releasing

0:48:02.200 --> 0:48:06.560
<v Speaker 6>music on a website? Yes, you think that was the

0:48:06.640 --> 0:48:07.759
<v Speaker 6>testing grounds?

0:48:08.360 --> 0:48:10.240
<v Speaker 2>No?

0:48:10.560 --> 0:48:14.799
<v Speaker 5>Just how curiosity? What does an artist of that magnitude?

0:48:15.360 --> 0:48:16.880
<v Speaker 5>What does his deal look like?

0:48:16.920 --> 0:48:19.320
<v Speaker 4>Because I would assume he could kind of not craft

0:48:19.360 --> 0:48:21.080
<v Speaker 4>his own deal, but kind of craft his own deal.

0:48:21.120 --> 0:48:22.120
<v Speaker 5>What do you think his deal looks like?

0:48:22.160 --> 0:48:23.959
<v Speaker 3>What you think when the first we gave him crook?

0:48:24.040 --> 0:48:26.480
<v Speaker 3>Maybe maybe twenty million.

0:48:26.520 --> 0:48:28.359
<v Speaker 2>I think it's forty. Let me let crook, oh the crook,

0:48:28.480 --> 0:48:29.080
<v Speaker 2>let me get you going.

0:48:30.360 --> 0:48:32.520
<v Speaker 7>They said a four hundred million dollar deal. That's what

0:48:32.560 --> 0:48:33.040
<v Speaker 7>they say.

0:48:33.280 --> 0:48:37.359
<v Speaker 6>Now we understand people be tripping and you know, say

0:48:37.400 --> 0:48:40.560
<v Speaker 6>anything for marketing, but they said four hundred million dollars

0:48:41.160 --> 0:48:44.280
<v Speaker 6>wich forward, making it even more puzzling to what as

0:48:44.320 --> 0:48:46.560
<v Speaker 6>to why you would go up against them in this

0:48:47.320 --> 0:48:51.279
<v Speaker 6>in this situation, it's like, what are your intentions? I

0:48:51.280 --> 0:48:54.880
<v Speaker 6>guess that's the that's the question, what are your intentions?

0:48:54.880 --> 0:48:55.839
<v Speaker 6>Because the deed is done?

0:48:56.800 --> 0:48:59.960
<v Speaker 9>So could it could it be could it be controlled opposition?

0:49:00.239 --> 0:49:02.239
<v Speaker 9>Could this be deeper than we think it is?

0:49:03.040 --> 0:49:03.239
<v Speaker 8>You know?

0:49:04.520 --> 0:49:08.799
<v Speaker 1>Yeah, I have zero faith. I have zero faith that

0:49:08.920 --> 0:49:13.040
<v Speaker 1>Drake is a chess player. And I think the deal

0:49:13.120 --> 0:49:15.839
<v Speaker 1>I think everybody industry adds a zero to the deal.

0:49:16.239 --> 0:49:18.319
<v Speaker 1>So if the deal was supposed to be four hundred million,

0:49:18.480 --> 0:49:19.200
<v Speaker 1>is forty million?

0:49:19.680 --> 0:49:23.800
<v Speaker 3>I think he might have got forty man, because the

0:49:23.800 --> 0:49:26.680
<v Speaker 3>ain't nobody give him. There's too many things that can happen.

0:49:26.719 --> 0:49:27.960
<v Speaker 3>You get somebody that money.

0:49:28.320 --> 0:49:30.319
<v Speaker 4>It depends, Like I was like, I guess who owns

0:49:30.320 --> 0:49:32.680
<v Speaker 4>the masters in that scenario? If if he's getting forty,

0:49:32.680 --> 0:49:38.480
<v Speaker 4>he must own the lion's shriff, his rights. I just

0:49:38.560 --> 0:49:41.440
<v Speaker 4>heard on good authority, like really really really good authority

0:49:41.480 --> 0:49:44.160
<v Speaker 4>of about an artist whose music I've never even heard

0:49:44.800 --> 0:49:51.320
<v Speaker 4>getting paid one hundred for his catalog and future catalog rates.

0:49:52.200 --> 0:49:55.759
<v Speaker 2>Yeah, but all of that stuff, forgive me, hold up, krip.

0:49:57.200 --> 0:50:00.560
<v Speaker 1>All of that stuff is fluff, Like all of that

0:50:00.800 --> 0:50:03.719
<v Speaker 1>numbers I know for sure fact I could prove it.

0:50:03.760 --> 0:50:07.680
<v Speaker 1>But all of that number is fluff. This has this

0:50:08.600 --> 0:50:13.480
<v Speaker 1>is this is an emotional response. This is an emotional

0:50:13.560 --> 0:50:19.040
<v Speaker 1>response to I believe that yeah, too too bad event

0:50:19.560 --> 0:50:22.719
<v Speaker 1>in his life that is really traumatizing him. I know

0:50:22.800 --> 0:50:25.839
<v Speaker 1>this sounds crazy because losing a rap battle to us

0:50:25.880 --> 0:50:28.560
<v Speaker 1>would probably hurt our feelings, but it probably it ain't

0:50:28.560 --> 0:50:29.080
<v Speaker 1>the end of the.

0:50:29.000 --> 0:50:29.839
<v Speaker 2>World, but.

0:50:31.640 --> 0:50:32.760
<v Speaker 3>An emotional breakdown.

0:50:33.440 --> 0:50:38.040
<v Speaker 1>You're right, I'm define he really is calling this boy

0:50:38.640 --> 0:50:41.400
<v Speaker 1>the hard e r behind the door, behind closed doors.

0:50:42.239 --> 0:50:42.439
<v Speaker 3>Yo.

0:50:43.160 --> 0:50:48.960
<v Speaker 6>So let's go into the conspiracy real you know what

0:50:49.040 --> 0:50:52.640
<v Speaker 6>I'm saying. Let's take this into the conspiracy real, real quick.

0:50:54.080 --> 0:51:01.480
<v Speaker 6>The chair of Sony Music recently said, when rap became

0:51:01.520 --> 0:51:07.479
<v Speaker 6>the number one genre, instead they signed a thousand rap

0:51:07.600 --> 0:51:13.200
<v Speaker 6>artists instead of one hundred great rap artists, and that's

0:51:13.239 --> 0:51:18.080
<v Speaker 6>the reason why rap is declining for them, and they

0:51:18.160 --> 0:51:25.560
<v Speaker 6>foresee it going back underground and coming up a lot

0:51:25.600 --> 0:51:30.279
<v Speaker 6>stronger after going back underground. So in essence, what I

0:51:30.360 --> 0:51:34.560
<v Speaker 6>heard was, you're gonna try to force rap music to

0:51:34.680 --> 0:51:39.200
<v Speaker 6>go back underground. You're defunding all these marketing budgets, you're

0:51:39.239 --> 0:51:44.880
<v Speaker 6>shifting the money to different genres. And to catalogs that

0:51:44.960 --> 0:51:50.160
<v Speaker 6>you already own. And that's the focus on suspending. And

0:51:50.400 --> 0:51:53.680
<v Speaker 6>now we're gonna try to let rap just go underground.

0:51:54.520 --> 0:51:56.560
<v Speaker 6>So is this part of that?

0:51:58.840 --> 0:52:01.440
<v Speaker 4>Let the laboratory pay for itself and then you purchase

0:52:01.520 --> 0:52:03.000
<v Speaker 4>the medicine when it's done.

0:52:04.800 --> 0:52:09.839
<v Speaker 9>So is loocien grange connection to Diddy playing any part

0:52:09.880 --> 0:52:10.080
<v Speaker 9>in this?

0:52:10.400 --> 0:52:13.160
<v Speaker 8>Are they? Are they doing some diabolical stuff behind it?

0:52:14.200 --> 0:52:15.919
<v Speaker 3>His son? His son is about to take over.

0:52:16.040 --> 0:52:17.799
<v Speaker 9>Well, I'm just saying that that's still connected to the

0:52:17.840 --> 0:52:20.040
<v Speaker 9>father though. So if they if they twist the father up,

0:52:20.080 --> 0:52:23.399
<v Speaker 9>the son ain't got no action. So is he trying

0:52:23.440 --> 0:52:25.600
<v Speaker 9>to just sink the ship? You know what I'm saying.

0:52:25.600 --> 0:52:28.600
<v Speaker 9>And you know, let the Titanic go down and and

0:52:28.600 --> 0:52:30.440
<v Speaker 9>and scatter before before that happened.

0:52:30.560 --> 0:52:33.480
<v Speaker 3>I don't think so, Bro. I think the Universal Music

0:52:33.520 --> 0:52:35.280
<v Speaker 3>Group is indestructive.

0:52:35.640 --> 0:52:37.200
<v Speaker 8>No such thing, no such thing.

0:52:37.239 --> 0:52:40.279
<v Speaker 9>That's just like saying America's in destruction, you know what

0:52:40.320 --> 0:52:41.319
<v Speaker 9>I'm saying, camp Up.

0:52:41.320 --> 0:52:44.240
<v Speaker 1>I like I like, I like, I like America's chances

0:52:44.320 --> 0:52:52.320
<v Speaker 1>less I like you, and chance is better of being.

0:52:54.400 --> 0:52:56.560
<v Speaker 3>I'm just saying, Bro, they have a lot of money,

0:52:56.560 --> 0:52:58.600
<v Speaker 3>they have a lot of influence, bro, and it's just

0:52:58.760 --> 0:53:01.520
<v Speaker 3>not music. You know, there's a lot of people in

0:53:01.520 --> 0:53:03.800
<v Speaker 3>that building, a lot of big megastars. You gotta remember,

0:53:03.840 --> 0:53:08.560
<v Speaker 3>everybody any sloop over that gem. Everybody is over there.

0:53:09.760 --> 0:53:12.440
<v Speaker 3>Only is the only thing left. To some degree, It's

0:53:12.560 --> 0:53:14.160
<v Speaker 3>like two labels left.

0:53:14.160 --> 0:53:17.480
<v Speaker 9>And everybody ain't everybody on the Diddy Party list de

0:53:17.680 --> 0:53:18.680
<v Speaker 9>Steam list.

0:53:19.320 --> 0:53:21.400
<v Speaker 2>That list will never come out.

0:53:21.880 --> 0:53:23.240
<v Speaker 8>I don't know, never say never.

0:53:23.360 --> 0:53:25.960
<v Speaker 2>And then and then if it comes out, nobody is

0:53:26.000 --> 0:53:26.800
<v Speaker 2>going to react.

0:53:27.400 --> 0:53:31.680
<v Speaker 1>No listen, this whole Diddy Diddy travesty is all a sham.

0:53:32.280 --> 0:53:33.839
<v Speaker 2>Don't nobody care about who?

0:53:34.200 --> 0:53:37.600
<v Speaker 1>Nobody care about Diddy buying no prostitutes, nobody care about

0:53:37.600 --> 0:53:38.760
<v Speaker 1>how Diddy was partying.

0:53:39.000 --> 0:53:41.640
<v Speaker 2>Nobody cared because everybody, all.

0:53:41.480 --> 0:53:44.760
<v Speaker 1>Of these people, even the people in the chat, party

0:53:44.800 --> 0:53:48.960
<v Speaker 1>the same way. I am the only the honorable glasses

0:53:48.960 --> 0:53:50.320
<v Speaker 1>look the only nigga.

0:53:50.080 --> 0:53:55.840
<v Speaker 12>That don't party that way. And Cam the only people

0:53:55.840 --> 0:53:59.240
<v Speaker 12>that don't party that way. This is normal people party.

0:53:59.600 --> 0:54:01.759
<v Speaker 12>The reason in this matter to Diddy is because some

0:54:01.840 --> 0:54:05.719
<v Speaker 12>other stuff is going on. Something else is wrong. You

0:54:05.760 --> 0:54:09.880
<v Speaker 12>feel me so again, It's like Crooked is making some

0:54:09.920 --> 0:54:13.719
<v Speaker 12>compelling points. Could he be making a play to get

0:54:13.760 --> 0:54:15.360
<v Speaker 12>out of this deal? Because I did hear that a

0:54:15.400 --> 0:54:18.880
<v Speaker 12>couple of times today. This is the wrong way to

0:54:19.000 --> 0:54:23.640
<v Speaker 12>do it. The enemies to have if you plan to

0:54:23.800 --> 0:54:25.960
<v Speaker 12>be in this business.

0:54:25.520 --> 0:54:30.759
<v Speaker 1>After today, It don't even matter whether or not they

0:54:30.840 --> 0:54:33.640
<v Speaker 1>let him go. It don't even matter if they let

0:54:33.719 --> 0:54:38.160
<v Speaker 1>him go. It does not matter if they let him go.

0:54:39.160 --> 0:54:43.520
<v Speaker 1>He made the greatest mistake of his life today in

0:54:43.640 --> 0:54:46.280
<v Speaker 1>the business. He made the greatest mistake of his life

0:54:47.680 --> 0:54:50.320
<v Speaker 1>in the culture a couple months ago during the battle,

0:54:50.760 --> 0:54:55.360
<v Speaker 1>But he made the greatest mistake of his life today

0:54:56.080 --> 0:54:58.440
<v Speaker 1>challenging the business.

0:54:59.400 --> 0:55:00.319
<v Speaker 5>Possible for the door to.

0:55:01.920 --> 0:55:03.719
<v Speaker 4>What if we're seeing a whole trend of in the

0:55:03.800 --> 0:55:05.960
<v Speaker 4>last couple of years, and by a couple I mean

0:55:06.040 --> 0:55:12.120
<v Speaker 4>sixty but opportunistic Department of Justice prosecutors.

0:55:12.400 --> 0:55:14.440
<v Speaker 5>He could do this walk away.

0:55:14.120 --> 0:55:24.200
<v Speaker 4>Tomorrow and potentially entice actual criminal investigation action by people

0:55:24.200 --> 0:55:26.239
<v Speaker 4>who want to get their name out there.

0:55:28.560 --> 0:55:31.000
<v Speaker 3>You know what I'm gonna tell you, this messing with

0:55:31.120 --> 0:55:34.279
<v Speaker 3>somebody like Universal, it would mess around and reverse back

0:55:34.320 --> 0:55:36.680
<v Speaker 3>on him. They would fuck around and twist him up

0:55:36.719 --> 0:55:38.560
<v Speaker 3>somehow and start looking at this stuff. Because I'm gonna

0:55:38.560 --> 0:55:41.200
<v Speaker 3>tell you, all he's going to do is get hisself

0:55:41.239 --> 0:55:44.360
<v Speaker 3>further scrutinized. So if he got anything done, if he

0:55:44.480 --> 0:55:48.480
<v Speaker 3>got anything filing his catalog, dog, he's gonna be in trouble.

0:55:48.480 --> 0:55:50.680
<v Speaker 3>He might be sitting next to Didny somewhere. I'm telling you, man,

0:55:50.719 --> 0:55:51.840
<v Speaker 3>these people ain't nothing to play with.

0:55:51.920 --> 0:55:54.560
<v Speaker 9>They not nothing to play with. And he like he

0:55:54.719 --> 0:55:56.839
<v Speaker 9>like Biden to me, or you know what I'm saying.

0:55:56.840 --> 0:56:00.040
<v Speaker 9>He ain't making any decisions. He worked too much to

0:56:00.040 --> 0:56:02.560
<v Speaker 9>too many people for for us to think Drake just

0:56:02.640 --> 0:56:07.600
<v Speaker 9>made that decision. Somebody else's handlers is advising, somebody else is.

0:56:07.560 --> 0:56:08.319
<v Speaker 8>Making him do that.

0:56:08.440 --> 0:56:14.480
<v Speaker 1>I think mand Jones on his own reconnaissance and not

0:56:14.680 --> 0:56:19.719
<v Speaker 1>talking to him, and that's me his destruction. Shout for

0:56:19.760 --> 0:56:21.600
<v Speaker 1>the five dollars the petition.

0:56:21.760 --> 0:56:24.160
<v Speaker 2>The petition is filed under a vague LLC.

0:56:24.600 --> 0:56:26.919
<v Speaker 1>He didn't want this to go public, but they're trying

0:56:26.960 --> 0:56:29.919
<v Speaker 1>to flip it like he's looking out for indie artists.

0:56:30.680 --> 0:56:35.720
<v Speaker 1>That is a major boy, that David Jones. He figured

0:56:35.719 --> 0:56:36.760
<v Speaker 1>out the audio problem.

0:56:36.800 --> 0:56:37.680
<v Speaker 8>We couldn't figured it out.

0:56:38.120 --> 0:56:38.880
<v Speaker 2>The crook.

0:56:40.000 --> 0:56:45.719
<v Speaker 5>He is going to get replaced by David Jones.

0:56:47.120 --> 0:56:52.759
<v Speaker 2>Twish is another no hour Monday, Wednesday and Friday at noon.

0:56:52.880 --> 0:56:56.160
<v Speaker 1>Dave, I need you at the lunch hour at twelve

0:56:56.200 --> 0:57:01.279
<v Speaker 1>o'clock Pacific Standard time Monday, Wednesday and Friday noon.

0:57:04.360 --> 0:57:08.040
<v Speaker 2>I don't know what you got going on. You cook it. Hm,

0:57:08.440 --> 0:57:10.520
<v Speaker 2>it's kind of late to be cooking, but you cook,

0:57:10.719 --> 0:57:11.400
<v Speaker 2>but you cook it.

0:57:12.200 --> 0:57:14.160
<v Speaker 3>You know what I'm gonna tell you, though, Man, we

0:57:14.280 --> 0:57:17.560
<v Speaker 3>see this all the time, and especially in music. Man,

0:57:18.320 --> 0:57:21.240
<v Speaker 3>people allow their youth bridge to start thinking man, that

0:57:21.280 --> 0:57:24.080
<v Speaker 3>they that they almost on the deity level. Man, and

0:57:24.120 --> 0:57:28.320
<v Speaker 3>they find out the chorus, mh, I'm fly too close

0:57:28.360 --> 0:57:30.439
<v Speaker 3>to the sun. I wound up getting heated up. I'm

0:57:30.440 --> 0:57:32.760
<v Speaker 3>telling you, man, this is gonna end bad for dude.

0:57:33.360 --> 0:57:36.040
<v Speaker 2>Yeah, it just it just it almost can't work out.

0:57:36.160 --> 0:57:36.720
<v Speaker 2>Like he's not.

0:57:38.160 --> 0:57:41.600
<v Speaker 1>Like he's empowered by the business.

0:57:41.640 --> 0:57:45.640
<v Speaker 2>Like without the business, how do you like he.

0:57:46.120 --> 0:57:47.560
<v Speaker 8>Ft on both both sides.

0:57:47.640 --> 0:57:50.120
<v Speaker 9>Like he already got something he can't handle from from

0:57:50.200 --> 0:57:54.120
<v Speaker 9>Kendrick in these West Coast and now the United States.

0:57:53.760 --> 0:57:56.880
<v Speaker 8>Fans street, these street people, the soldiers.

0:57:56.720 --> 0:57:59.760
<v Speaker 9>And now he want to throw a fit against Daddy

0:57:59.840 --> 0:58:00.760
<v Speaker 9>or or whatever.

0:58:00.840 --> 0:58:00.960
<v Speaker 4>You know.

0:58:01.000 --> 0:58:04.480
<v Speaker 8>What I'm saying is lose lose situation.

0:58:04.520 --> 0:58:07.120
<v Speaker 3>He had to do, man, I'm pretty sure his advisors

0:58:07.120 --> 0:58:09.439
<v Speaker 3>told him this. All he had to do was ship

0:58:09.480 --> 0:58:10.640
<v Speaker 3>the fuck up and go somewhere.

0:58:11.320 --> 0:58:13.960
<v Speaker 1>You know what's funny that we keep thinking his advisors

0:58:14.000 --> 0:58:16.880
<v Speaker 1>is telling him that. I'm starting to really believe No,

0:58:17.000 --> 0:58:17.440
<v Speaker 1>they're not.

0:58:21.720 --> 0:58:22.080
<v Speaker 2>Told this.

0:58:22.160 --> 0:58:24.280
<v Speaker 1>A long time ago, he said, glasses, people be telling

0:58:24.280 --> 0:58:26.360
<v Speaker 1>these people whatever they want to hear. He told me

0:58:26.400 --> 0:58:29.440
<v Speaker 1>that at an elephant bar in Lakewood. He said, Glasses,

0:58:29.520 --> 0:58:31.600
<v Speaker 1>these people telling these people whatever they want to hear.

0:58:32.800 --> 0:58:36.040
<v Speaker 1>They're trying to keep their business. And I equated. I

0:58:36.120 --> 0:58:38.800
<v Speaker 1>equated that to people trying to keep their positions at

0:58:38.800 --> 0:58:39.240
<v Speaker 1>the job.

0:58:39.360 --> 0:58:44.360
<v Speaker 2>So they telling the payroll whatever they need to hear

0:58:44.480 --> 0:58:45.440
<v Speaker 2>to stay on the payroll.

0:58:46.680 --> 0:58:48.919
<v Speaker 9>I can see that because I can see, like did

0:58:48.920 --> 0:58:51.520
<v Speaker 9>he did? He did the same thing, So I guess

0:58:51.520 --> 0:58:53.960
<v Speaker 9>he didn't have no advisors to tell him to try

0:58:54.000 --> 0:58:56.640
<v Speaker 9>to sue dally On or whoever that was the city.

0:58:57.480 --> 0:58:59.280
<v Speaker 8>So I guess you could be right about that.

0:59:01.520 --> 0:59:04.480
<v Speaker 3>This is all arrogance man, This is all his arrogancet man.

0:59:04.480 --> 0:59:08.520
<v Speaker 3>It's gonna be his undoing because he seems to think

0:59:08.600 --> 0:59:10.760
<v Speaker 3>I'm Drake, I can do whatever the hell I want

0:59:10.800 --> 0:59:12.760
<v Speaker 3>to do, and he do this, he gonna find out

0:59:12.760 --> 0:59:13.320
<v Speaker 3>the hard way.

0:59:13.680 --> 0:59:14.720
<v Speaker 2>He already did it.

0:59:14.760 --> 0:59:20.440
<v Speaker 1>That's the problem. Like he already he already put that

0:59:20.600 --> 0:59:25.360
<v Speaker 1>out there. Iteddy's lawsuit was like it wasn't about that,

0:59:25.480 --> 0:59:28.800
<v Speaker 1>Like he filed this so they could force so he

0:59:28.800 --> 0:59:30.240
<v Speaker 1>could force them to deliver.

0:59:30.040 --> 0:59:33.480
<v Speaker 2>Material, paperwork and stuff about the claims.

0:59:34.120 --> 0:59:38.280
<v Speaker 1>Like if you start getting you know, the government in

0:59:38.400 --> 0:59:43.440
<v Speaker 1>these people business, you're gonna have a real problem.

0:59:43.600 --> 0:59:44.640
<v Speaker 8>Ain't the best question.

0:59:45.000 --> 0:59:47.360
<v Speaker 3>Univers will pay a lot of money. Universe will pay

0:59:47.440 --> 0:59:49.520
<v Speaker 3>a lot of taxes. Brough. It's a lot of people

0:59:49.520 --> 0:59:52.360
<v Speaker 3>making money off at university. You gotta remember, it ain't

0:59:52.400 --> 0:59:56.280
<v Speaker 3>just music, it'st movies, it's liquor, it's all kind of stuff.

0:59:56.320 --> 0:59:58.800
<v Speaker 3>They got their hands in, man and they make it.

0:59:58.840 --> 1:00:00.520
<v Speaker 3>They pay a lot of money, They make a lot

1:00:00.520 --> 1:00:02.560
<v Speaker 3>of money, and they make a lot of other people money.

1:00:03.400 --> 1:00:05.000
<v Speaker 8>So the question is why, damn.

1:00:05.040 --> 1:00:08.400
<v Speaker 9>Let's let's look at why if Drake is accusing him

1:00:08.440 --> 1:00:10.840
<v Speaker 9>of that, why would they do that to Drake?

1:00:12.160 --> 1:00:13.840
<v Speaker 8>Why? What would their motivation?

1:00:14.840 --> 1:00:16.640
<v Speaker 3>Bro? That's Drake in his mind?

1:00:17.040 --> 1:00:19.600
<v Speaker 9>No, I mean, just let's let's humor that though. Let's

1:00:19.680 --> 1:00:21.520
<v Speaker 9>let's just try to go down that little rabbit hole

1:00:21.560 --> 1:00:24.640
<v Speaker 9>for a second. What would they have against Drake? Why

1:00:24.640 --> 1:00:26.439
<v Speaker 9>would they favor Kendrick over Drake?

1:00:27.360 --> 1:00:29.840
<v Speaker 4>It would be almost kind of like the way you see,

1:00:30.520 --> 1:00:34.919
<v Speaker 4>you know how, like with regard to certain like virality algorithms,

1:00:35.440 --> 1:00:39.840
<v Speaker 4>when something starts to get hot, they go like the

1:00:39.920 --> 1:00:43.000
<v Speaker 4>algorithm identifies it. It went from zero to one thousand,

1:00:43.160 --> 1:00:46.080
<v Speaker 4>like really fast, so it will flood it. So it

1:00:46.120 --> 1:00:49.520
<v Speaker 4>goes from one thousand to ten million. And perhaps they

1:00:49.520 --> 1:00:52.280
<v Speaker 4>were just like, all right, what Kenderck just did is

1:00:52.640 --> 1:00:55.760
<v Speaker 4>bigger than what we foresee Drake doing in the near future.

1:00:55.880 --> 1:00:58.120
<v Speaker 4>So we're gonna flood this and capitalize on this moment

1:00:58.160 --> 1:00:59.919
<v Speaker 4>because it's that this is the moment that we're gonna

1:01:00.080 --> 1:01:00.840
<v Speaker 4>the most out.

1:01:00.640 --> 1:01:08.000
<v Speaker 9>Of at Drake, at Drake's at Drake's expense of being

1:01:08.040 --> 1:01:11.160
<v Speaker 9>called the a minor. So they don't care nothing about

1:01:11.160 --> 1:01:13.080
<v Speaker 9>his character.

1:01:14.560 --> 1:01:17.120
<v Speaker 3>See, we all know that the last thing he did

1:01:17.200 --> 1:01:19.720
<v Speaker 3>get four hundred million. You don't get all that money

1:01:19.720 --> 1:01:22.640
<v Speaker 3>at once. And there's some stipulations in there too. Lastly,

1:01:22.720 --> 1:01:24.400
<v Speaker 3>they don't want to give him the rest of that money,

1:01:24.400 --> 1:01:26.240
<v Speaker 3>and they do kind of want to f him off.

1:01:27.600 --> 1:01:31.280
<v Speaker 4>And sometimes you know this, it might be like Jerry

1:01:31.360 --> 1:01:34.960
<v Speaker 4>Krause and the nineteen ninety eight bulls.

1:01:35.880 --> 1:01:37.280
<v Speaker 5>Look you've peaked.

1:01:38.280 --> 1:01:42.000
<v Speaker 1>Honestly, I cannot think of one single reason that the

1:01:42.080 --> 1:01:44.480
<v Speaker 1>business would empower Kendrick over Drake.

1:01:45.760 --> 1:01:46.240
<v Speaker 8>Me neither.

1:01:47.400 --> 1:01:53.080
<v Speaker 1>I can't I gat that of a sole reason. Five

1:01:53.160 --> 1:01:59.840
<v Speaker 1>year outlook, the business would They're the same age, not

1:02:00.160 --> 1:02:01.200
<v Speaker 1>one sole reason.

1:02:01.520 --> 1:02:04.800
<v Speaker 2>Can I think of why the business would empower Ken Like?

1:02:05.320 --> 1:02:10.640
<v Speaker 1>Drake has had so many records, smash hit records. I

1:02:10.680 --> 1:02:14.520
<v Speaker 1>think he's like thirteen in fourteen in like, he has

1:02:14.600 --> 1:02:18.240
<v Speaker 1>more number one records on the Hot one hundred than

1:02:18.320 --> 1:02:19.200
<v Speaker 1>Michael Jackson.

1:02:19.680 --> 1:02:22.880
<v Speaker 4>Kendrick forced their hands. Kendrick kicked him out of the community.

1:02:23.880 --> 1:02:24.840
<v Speaker 4>It forced their hands.

1:02:25.280 --> 1:02:28.080
<v Speaker 2>I don't know if that's even true, because I gotta.

1:02:27.840 --> 1:02:31.840
<v Speaker 3>Ask truth this question. At any point, man, did Drake

1:02:31.920 --> 1:02:33.720
<v Speaker 3>reach out to you for you to rescue him, man,

1:02:33.760 --> 1:02:38.120
<v Speaker 3>for you to donate? Yo?

1:02:38.320 --> 1:02:43.600
<v Speaker 7>Still man, that's hilarious, you know what I'm saying. That's hysterical,

1:02:43.680 --> 1:02:45.520
<v Speaker 7>but real talk.

1:02:47.120 --> 1:02:51.280
<v Speaker 6>It is kind of like, why would they like it

1:02:51.280 --> 1:02:53.560
<v Speaker 6>would have to be some behind the scenes stuff that

1:02:53.560 --> 1:02:57.080
<v Speaker 6>we not pretty too. That could be the only reason

1:02:57.080 --> 1:03:01.920
<v Speaker 6>why they would choose to push Kendrick and push Drake out,

1:03:02.720 --> 1:03:06.640
<v Speaker 6>you know what I'm saying, Because even a mid tier

1:03:06.760 --> 1:03:09.760
<v Speaker 6>Drake is bringing him money, you know what I'm saying.

1:03:09.840 --> 1:03:12.480
<v Speaker 3>So and I'm gonna tell you though, people gotta twist

1:03:12.480 --> 1:03:14.520
<v Speaker 3>that Drake was a bigger artist than on Kendrick.

1:03:14.960 --> 1:03:18.960
<v Speaker 1>Yeah, oh yeah, I mean but but minus hold on,

1:03:19.000 --> 1:03:23.000
<v Speaker 1>I got you Grid, but minus the bigger artist. I

1:03:23.160 --> 1:03:27.640
<v Speaker 1>cannot think of one sole reason the label chooses.

1:03:29.760 --> 1:03:33.760
<v Speaker 2>Kendrick over Drake. It doesn't make sense like he had

1:03:33.840 --> 1:03:38.080
<v Speaker 2>to actually win the I mean, listen, he had better records.

1:03:38.680 --> 1:03:41.280
<v Speaker 1>I think during the battle, I think Drake didn't lean

1:03:41.320 --> 1:03:43.440
<v Speaker 1>to his strategy of making really good records that can

1:03:43.480 --> 1:03:45.840
<v Speaker 1>be played all over the country. I think he really

1:03:45.840 --> 1:03:49.240
<v Speaker 1>went into it with a battle mind. I'm gonna battle

1:03:49.240 --> 1:03:52.040
<v Speaker 1>this guy, like you know, he he believed all of

1:03:52.040 --> 1:03:55.040
<v Speaker 1>the height of battle rap and and you know when

1:03:55.040 --> 1:03:56.760
<v Speaker 1>he went away from what work of him in the

1:03:56.800 --> 1:03:59.400
<v Speaker 1>Meek Meal battle right, which was back to back, and

1:03:59.440 --> 1:04:03.240
<v Speaker 1>then he gets to the even when he gets in

1:04:03.280 --> 1:04:05.320
<v Speaker 1>a push of tea battle, he dropped a rap song

1:04:05.640 --> 1:04:07.240
<v Speaker 1>like where he's just rapping, and then he gets in

1:04:07.280 --> 1:04:10.600
<v Speaker 1>the Kendrick battle and the push up record is dope, right,

1:04:10.680 --> 1:04:13.280
<v Speaker 1>this is good catching, but then every other record is

1:04:13.320 --> 1:04:15.440
<v Speaker 1>not a really great record, right, So.

1:04:16.160 --> 1:04:17.400
<v Speaker 2>I think he lost the battle.

1:04:19.200 --> 1:04:22.120
<v Speaker 1>I think he lost the battle on his own right,

1:04:22.760 --> 1:04:26.160
<v Speaker 1>and but I cannot find one reason why the business

1:04:26.160 --> 1:04:28.959
<v Speaker 1>would ever favored Kendrick over Drake.

1:04:29.080 --> 1:04:30.840
<v Speaker 2>I can't find one reason in my mind.

1:04:31.440 --> 1:04:33.880
<v Speaker 3>I don't think I think best kind of reaching right there.

1:04:35.000 --> 1:04:37.320
<v Speaker 3>I think it's kind of reaching, bro, And I'm gonna

1:04:37.320 --> 1:04:40.640
<v Speaker 3>tell you what it is. Man. Drake has been lifting

1:04:40.640 --> 1:04:43.560
<v Speaker 3>out his fantasies over the last ten to fifteen years. Right,

1:04:44.800 --> 1:04:47.080
<v Speaker 3>He's been messing with girls that he probably would have

1:04:47.120 --> 1:04:49.760
<v Speaker 3>never had the chance to knock down if he wouldn't.

1:04:49.840 --> 1:04:52.960
<v Speaker 3>Drake gotta remember that dude used to look corny gee

1:04:53.000 --> 1:04:56.640
<v Speaker 3>before he got the money, and that I didn't.

1:04:56.560 --> 1:05:02.520
<v Speaker 1>Use to It looks hard yesterday, yeah, right now, Like

1:05:02.600 --> 1:05:05.320
<v Speaker 1>he just looks like he's impersonating Nust, Me and Corny.

1:05:05.600 --> 1:05:07.400
<v Speaker 3>That's what I'm saying. He gets a real corner, dude,

1:05:07.400 --> 1:05:09.680
<v Speaker 3>when you really think about it. Right, So he's been

1:05:09.760 --> 1:05:13.040
<v Speaker 3>living fantasies. He's been going he's been really fascinated with

1:05:13.120 --> 1:05:16.440
<v Speaker 3>Battle Rep. He's been going to League, been sponsoring League,

1:05:16.440 --> 1:05:18.520
<v Speaker 3>he's sponsoring the whole U r L. But then you

1:05:18.560 --> 1:05:21.120
<v Speaker 3>know they little streaming thing they had going on, and

1:05:21.160 --> 1:05:22.920
<v Speaker 3>he really thought, in his mind, this is going to

1:05:23.000 --> 1:05:25.520
<v Speaker 3>be my chance to immortalize myself in a battle.

1:05:27.920 --> 1:05:30.320
<v Speaker 1>Did an incredible job with the meek meal battle hold.

1:05:30.440 --> 1:05:32.360
<v Speaker 1>Let me get through these super chatter real quick. Shout

1:05:32.360 --> 1:05:36.240
<v Speaker 1>out to Captain d Hard, Thanks for the five dollars.

1:05:36.240 --> 1:05:36.479
<v Speaker 3>Brother.

1:05:36.840 --> 1:05:40.200
<v Speaker 1>It's been reported he is in contract negotiations before the

1:05:40.240 --> 1:05:42.880
<v Speaker 1>battles started. Don't know if that's true, but it's on

1:05:42.920 --> 1:05:45.800
<v Speaker 1>Twitter now. He had did that a couple of years ago.

1:05:45.960 --> 1:05:48.520
<v Speaker 1>Maybe he did for an extension, but I know he

1:05:48.560 --> 1:05:50.760
<v Speaker 1>did that a year or two. Go shout out to

1:05:50.840 --> 1:05:53.800
<v Speaker 1>Calor Production, thanks for the two dollars. My brother is spiritual.

1:05:53.880 --> 1:05:58.600
<v Speaker 1>I really believe God writers. I think that's I agree

1:05:58.640 --> 1:06:00.600
<v Speaker 1>with you in the innate sense of the battle, but

1:06:00.640 --> 1:06:03.560
<v Speaker 1>that is not what Universal.

1:06:03.120 --> 1:06:04.120
<v Speaker 2>Music Group is pushing.

1:06:05.000 --> 1:06:08.720
<v Speaker 1>Righteous people not like forgive me because I don't want

1:06:08.760 --> 1:06:11.280
<v Speaker 1>to say that they don't have any talent that's righteous.

1:06:11.360 --> 1:06:14.000
<v Speaker 1>I'm saying I don't think that's a wanging factor for

1:06:14.120 --> 1:06:17.080
<v Speaker 1>them to market and act is if they're a righteous person.

1:06:17.160 --> 1:06:19.840
<v Speaker 1>I just think that's the furthest thing from their mind.

1:06:19.880 --> 1:06:22.640
<v Speaker 1>I think, you know, I don't want to make it people.

1:06:22.640 --> 1:06:23.240
<v Speaker 3>I don't want to go.

1:06:23.240 --> 1:06:25.120
<v Speaker 1>Too hard on them, you know, because I don't know

1:06:25.280 --> 1:06:28.560
<v Speaker 1>business practices. I ain't been in there. But the last

1:06:28.600 --> 1:06:30.280
<v Speaker 1>thing that I get from them is righteous.

1:06:30.360 --> 1:06:32.240
<v Speaker 2>That's I don't get that. As far as artistry.

1:06:35.200 --> 1:06:38.680
<v Speaker 1>Shout out to the homie Omar, I do. Thanks for

1:06:38.680 --> 1:06:41.360
<v Speaker 1>the five dollars. This is some great dialogues. Salu Fellas.

1:06:41.600 --> 1:06:44.000
<v Speaker 1>Glad you enjoyed it. Man, we're tackling it right now.

1:06:44.000 --> 1:06:46.880
<v Speaker 1>It's late because like this is just breaking events.

1:06:46.880 --> 1:06:48.520
<v Speaker 2>It just matters.

1:06:49.680 --> 1:06:52.360
<v Speaker 6>Yo, yo glasses. Let's go back to the battle real quick.

1:06:52.400 --> 1:06:55.720
<v Speaker 6>I feel like it. I feel like what Still is

1:06:55.760 --> 1:06:58.320
<v Speaker 6>talking about going into all these battle rap events and

1:06:58.360 --> 1:07:00.960
<v Speaker 6>all that one the first thing you people in that

1:07:01.040 --> 1:07:05.520
<v Speaker 6>world is people use angles, and you know what I mean.

1:07:06.080 --> 1:07:10.439
<v Speaker 7>His angle was to live bro Kendrick. He just wanted

1:07:10.440 --> 1:07:11.040
<v Speaker 7>to little.

1:07:10.840 --> 1:07:12.440
<v Speaker 8>Brilliant, he feel me.

1:07:12.920 --> 1:07:14.760
<v Speaker 7>And Hendrick was coming.

1:07:14.560 --> 1:07:17.600
<v Speaker 6>With concept records like Meet the Grahams, and he was

1:07:17.640 --> 1:07:19.480
<v Speaker 6>taking it all the way around the world with his

1:07:19.560 --> 1:07:23.120
<v Speaker 6>pen as far as coming you know, on some battleship

1:07:23.760 --> 1:07:26.400
<v Speaker 6>and I feel like if if he was really paying

1:07:26.440 --> 1:07:29.720
<v Speaker 6>attention in them battle events, then we would have different

1:07:29.800 --> 1:07:33.600
<v Speaker 6>records right now. And on the tip of the you know,

1:07:34.000 --> 1:07:37.600
<v Speaker 6>the spirituality to I don't think he talking about universal

1:07:37.720 --> 1:07:39.880
<v Speaker 6>music spirituality and they practices.

1:07:40.200 --> 1:07:41.680
<v Speaker 7>I think he's talking about.

1:07:41.360 --> 1:07:46.600
<v Speaker 6>Just period like it's time for you know, something else

1:07:46.640 --> 1:07:50.200
<v Speaker 6>to come into play because of all of the the

1:07:50.440 --> 1:07:54.360
<v Speaker 6>the demons in the music playground right now.

1:07:55.120 --> 1:07:59.560
<v Speaker 1>Totally totally agree that there's a real demand for the

1:07:59.680 --> 1:08:03.640
<v Speaker 1>Universe first is demanding for it. But trust me, Universal

1:08:03.720 --> 1:08:06.640
<v Speaker 1>Music Group is not at the They are not the

1:08:06.800 --> 1:08:10.600
<v Speaker 1>hands for these class group.

1:08:10.960 --> 1:08:12.600
<v Speaker 7>Universe Music Group.

1:08:15.200 --> 1:08:18.760
<v Speaker 4>I swear classes you got a painting or some sort

1:08:18.760 --> 1:08:22.200
<v Speaker 4>of an artistic piece as the result of this battle, correct,

1:08:22.600 --> 1:08:24.599
<v Speaker 4>I do have what does that depict?

1:08:24.920 --> 1:08:28.360
<v Speaker 1>I forget Drake doing push ups while Kendrick as the

1:08:28.400 --> 1:08:29.559
<v Speaker 1>master is watching him.

1:08:30.200 --> 1:08:33.599
<v Speaker 8>Indeed, indeed, okay, drop down, give me fifty.

1:08:34.320 --> 1:08:38.479
<v Speaker 2>There you go. Yes, I agree with Crooked.

1:08:38.600 --> 1:08:43.200
<v Speaker 1>The Universe Music Group is definitely demanding more of a

1:08:43.320 --> 1:08:47.400
<v Speaker 1>righteous fold. And and I mean something I've talked to

1:08:47.479 --> 1:08:49.719
<v Speaker 1>Cam over the years about, you know, when it comes

1:08:49.720 --> 1:08:52.800
<v Speaker 1>to health and and and being street as I am

1:08:52.960 --> 1:08:57.080
<v Speaker 1>and the language that I use, like you could always

1:08:57.080 --> 1:08:59.519
<v Speaker 1>be a street guy and be very much a righteous person.

1:08:59.560 --> 1:08:59.960
<v Speaker 3>They don't.

1:09:00.920 --> 1:09:03.759
<v Speaker 2>They're not mutually exclusive. They can go together.

1:09:03.840 --> 1:09:05.680
<v Speaker 1>You just have to be willing to stand up and

1:09:05.720 --> 1:09:08.240
<v Speaker 1>be who you are, even in the face of friends.

1:09:08.320 --> 1:09:10.639
<v Speaker 2>Right, you still gotta be stern.

1:09:12.760 --> 1:09:15.600
<v Speaker 1>I just don't know if that's the business of Universal

1:09:15.720 --> 1:09:16.479
<v Speaker 1>Music Group.

1:09:17.400 --> 1:09:19.479
<v Speaker 2>I think Universal Music Group do.

1:09:19.560 --> 1:09:23.400
<v Speaker 1>I think behind the scenes they have some backdoor deals

1:09:23.400 --> 1:09:25.559
<v Speaker 1>that can encourage people to do the wrong thing. Sure,

1:09:25.640 --> 1:09:29.000
<v Speaker 1>but I also think, you know, people like to share

1:09:29.040 --> 1:09:29.880
<v Speaker 1>in silly shit.

1:09:31.360 --> 1:09:36.040
<v Speaker 2>You know, you like, I don't do drugs, but people

1:09:36.240 --> 1:09:39.639
<v Speaker 2>like drugs. I don't know why.

1:09:40.720 --> 1:09:43.200
<v Speaker 1>I will probably be the last person to tell you

1:09:43.640 --> 1:09:46.160
<v Speaker 1>why somebody like drugs or alcohol.

1:09:46.720 --> 1:09:48.200
<v Speaker 2>I could never understand it.

1:09:49.640 --> 1:09:52.600
<v Speaker 9>Do you think why do you think Drake wanted to

1:09:52.600 --> 1:09:55.160
<v Speaker 9>get involved in the battle rap scene? Do you think

1:09:55.240 --> 1:10:00.360
<v Speaker 9>that he wants an army or a brotherhood hood? He

1:10:00.439 --> 1:10:04.040
<v Speaker 9>wants to for his manhood nature to be respected?

1:10:04.160 --> 1:10:04.679
<v Speaker 8>You know what I'm saying.

1:10:04.680 --> 1:10:06.760
<v Speaker 9>Because you can, you can have all the females liking

1:10:06.800 --> 1:10:09.320
<v Speaker 9>you all over the world. But I really think with him.

1:10:09.520 --> 1:10:13.320
<v Speaker 3>I'm gonna tell you something, Champ. Everybody's like going to

1:10:13.360 --> 1:10:16.040
<v Speaker 3>the zoo, right, because you know everybody, what's the favorite thing?

1:10:16.080 --> 1:10:18.760
<v Speaker 3>People like, what's the fake what's the biggest attraction of

1:10:18.800 --> 1:10:23.880
<v Speaker 3>the zoo? The gorillas and the gorilla lines right because

1:10:23.880 --> 1:10:27.240
<v Speaker 3>they behind the cage. Right, how many people you think

1:10:27.280 --> 1:10:29.400
<v Speaker 3>will go to zoo? If the motherfuckers is running free.

1:10:29.479 --> 1:10:32.639
<v Speaker 3>When you go to park a lot, you know, gorillas

1:10:32.680 --> 1:10:34.360
<v Speaker 3>just swing and treat the treatmhen you come in and

1:10:34.479 --> 1:10:37.880
<v Speaker 3>just who just bombing on people lines, you know, biting

1:10:37.920 --> 1:10:40.400
<v Speaker 3>people's head off, and shit, wouldn't nobody want to see

1:10:40.400 --> 1:10:43.320
<v Speaker 3>that live? I think Drake has been going to the

1:10:43.400 --> 1:10:46.080
<v Speaker 3>zoo man now, he think he could walk among the beasts.

1:10:47.200 --> 1:10:50.519
<v Speaker 1>Shout out to ec DC tech academics talking about glasses.

1:10:50.640 --> 1:10:54.440
<v Speaker 1>Long of twenty thousand viewers, Story of my Life, brother, Story.

1:10:54.160 --> 1:10:56.120
<v Speaker 8>Of my Life always did something.

1:10:57.160 --> 1:11:01.439
<v Speaker 1>It's always somebody that's entirely too famous upset at me.

1:11:01.880 --> 1:11:03.160
<v Speaker 2>So I'm used to it.

1:11:03.520 --> 1:11:06.760
<v Speaker 9>I mean it's not bad, yeah, But like I said,

1:11:07.760 --> 1:11:10.519
<v Speaker 9>the beautiful thing though, is people that, like I said,

1:11:10.680 --> 1:11:16.000
<v Speaker 9>the poverty, you know, produces an army, a brotherhood. So

1:11:16.080 --> 1:11:18.200
<v Speaker 9>the ain't ain't no amount of money, ain't on amount

1:11:18.200 --> 1:11:22.040
<v Speaker 9>of females and popularity or whatever that can equal a

1:11:22.120 --> 1:11:24.439
<v Speaker 9>real army. You know what I'm saying. That's that's riding

1:11:24.439 --> 1:11:26.920
<v Speaker 9>and sliding for love and respect. So I think that's

1:11:26.920 --> 1:11:29.519
<v Speaker 9>what he deficient of. You know what I'm saying. All

1:11:29.600 --> 1:11:31.439
<v Speaker 9>of us on this panel, you know what I'm saying,

1:11:31.479 --> 1:11:34.800
<v Speaker 9>including Pete got more respect. I think you know what

1:11:34.840 --> 1:11:39.120
<v Speaker 9>I'm saying than dude do That's fit where it counts.

1:11:39.439 --> 1:11:42.800
<v Speaker 4>And I think it's also Yeah, because of that deficiency,

1:11:43.560 --> 1:11:45.960
<v Speaker 4>he's not going to go get it in the streets.

1:11:45.960 --> 1:11:47.200
<v Speaker 5>This is the closest place.

1:11:46.960 --> 1:11:49.719
<v Speaker 8>He can go to get it, man, that's true.

1:11:50.280 --> 1:11:52.760
<v Speaker 1>Shout out to a J. I think it's pronounced or

1:11:52.880 --> 1:11:55.400
<v Speaker 1>a job, but I think it's AJ. The only thanks

1:11:55.400 --> 1:11:57.800
<v Speaker 1>for the five dollars, Brodie. The only reason I can

1:11:57.840 --> 1:12:01.000
<v Speaker 1>foresee U m G. Pushing Dot over rate at any

1:12:01.080 --> 1:12:03.439
<v Speaker 1>moment is if they know some Nafari ship on his

1:12:03.520 --> 1:12:04.839
<v Speaker 1>jacket that might hit the streets.

1:12:04.960 --> 1:12:10.640
<v Speaker 2>That's a great point that possibly I think Dave for

1:12:10.840 --> 1:12:14.599
<v Speaker 2>sure will unconnect from your ass. Have you got to.

1:12:16.320 --> 1:12:17.679
<v Speaker 5>And what was the theme of the song?

1:12:19.160 --> 1:12:19.400
<v Speaker 8>Right?

1:12:20.439 --> 1:12:21.160
<v Speaker 2>No?

1:12:21.680 --> 1:12:22.040
<v Speaker 8>Right?

1:12:22.880 --> 1:12:25.280
<v Speaker 1>But but I'll be honest. When I asked Dot, he

1:12:25.320 --> 1:12:27.240
<v Speaker 1>ain't gonna lie? Did ask Dot? He said, glasses, you

1:12:27.240 --> 1:12:28.360
<v Speaker 1>ain't know me to be no liar.

1:12:31.800 --> 1:12:36.840
<v Speaker 8>What I'm saying all this fear, all this fear, right, and.

1:12:36.720 --> 1:12:43.519
<v Speaker 4>I think there's you know, hops are kind of genre

1:12:43.560 --> 1:12:47.080
<v Speaker 4>where when it goes, it goes quick for a lot

1:12:47.080 --> 1:12:48.720
<v Speaker 4>of artists. You know, you can have a run for

1:12:49.240 --> 1:12:51.960
<v Speaker 4>a long long time, and when it when you're no

1:12:52.040 --> 1:12:55.040
<v Speaker 4>longer to sound anymore, it's it. You have to wait

1:12:55.200 --> 1:12:58.760
<v Speaker 4>until you're like now now you're like old school hop

1:12:58.800 --> 1:13:03.240
<v Speaker 4>because people remember you.

1:13:03.400 --> 1:13:04.880
<v Speaker 2>Another five dollars, my boy.

1:13:05.600 --> 1:13:07.840
<v Speaker 1>It's a new contract in the lawsuit that says he

1:13:08.000 --> 1:13:10.280
<v Speaker 1>owns his master's and copyright.

1:13:10.360 --> 1:13:11.880
<v Speaker 2>Well, that could be another thing too.

1:13:13.320 --> 1:13:17.800
<v Speaker 1>That could be another thing too, cap Like, if you

1:13:17.920 --> 1:13:21.960
<v Speaker 1>own your masters and your copyrights, they might invest in

1:13:22.000 --> 1:13:23.759
<v Speaker 1>somebody else because it's more money to be made.

1:13:23.800 --> 1:13:26.400
<v Speaker 2>I know that's true too, you know what I mean?

1:13:26.479 --> 1:13:27.679
<v Speaker 2>That can be a good point.

1:13:28.840 --> 1:13:30.840
<v Speaker 3>Let me ask you some real he started to cut

1:13:30.880 --> 1:13:33.960
<v Speaker 3>you off. How many artists do y'all know, man, that

1:13:34.120 --> 1:13:37.840
<v Speaker 3>really were big deals that their finances don't reflect it

1:13:37.960 --> 1:13:40.200
<v Speaker 3>right now? You know guys like from the nineties that

1:13:40.320 --> 1:13:44.160
<v Speaker 3>have really huge records and really big careers. That was

1:13:44.240 --> 1:13:45.960
<v Speaker 3>the Kindreds back in the day. How many of those

1:13:46.000 --> 1:13:48.360
<v Speaker 3>guys do you see that their finances may not be

1:13:48.439 --> 1:13:50.400
<v Speaker 3>all the way right? And not trying to you know,

1:13:50.840 --> 1:13:52.519
<v Speaker 3>just them dudes or nothing, but just trying to make

1:13:52.560 --> 1:13:53.160
<v Speaker 3>a point.

1:13:53.479 --> 1:13:56.240
<v Speaker 9>Most of them meet me included, you know what I'm saying.

1:13:57.120 --> 1:14:00.200
<v Speaker 9>So you know, it's a business it's a business. It's

1:14:00.200 --> 1:14:02.880
<v Speaker 9>also a boys club. You know, people get to work

1:14:03.040 --> 1:14:05.600
<v Speaker 9>that stay in the circle. It's a certain it's a

1:14:05.640 --> 1:14:08.519
<v Speaker 9>such thing as gatekeepers or whatever, you know, a little

1:14:08.560 --> 1:14:11.280
<v Speaker 9>boy's club that they're gonna they gonna keep you working

1:14:11.320 --> 1:14:13.240
<v Speaker 9>if you if you get down like they get down.

1:14:13.439 --> 1:14:15.800
<v Speaker 9>So I never got down like them, period. So you know,

1:14:15.840 --> 1:14:17.960
<v Speaker 9>I was never invited to the Reindeer games.

1:14:19.120 --> 1:14:23.639
<v Speaker 3>I say all that to say this, man, you can

1:14:23.720 --> 1:14:26.200
<v Speaker 3>never you can never get in the position dude the

1:14:26.240 --> 1:14:28.240
<v Speaker 3>way you think you too, big man, because I don't

1:14:28.320 --> 1:14:29.880
<v Speaker 3>seen some big dudes fault.

1:14:30.000 --> 1:14:36.080
<v Speaker 1>Man, he definitely, he definitely, no matter how it go,

1:14:37.000 --> 1:14:40.639
<v Speaker 1>this was a mistake. There's no way he could come

1:14:40.640 --> 1:14:42.840
<v Speaker 1>out on the other end and this not be a

1:14:42.880 --> 1:14:45.720
<v Speaker 1>mistake because now you're making enemies.

1:14:45.320 --> 1:14:47.600
<v Speaker 2>With really powerful people.

1:14:47.600 --> 1:14:51.720
<v Speaker 1>Who are happened to be a lot further vested in

1:14:51.760 --> 1:14:54.000
<v Speaker 1>the business you want to succeed in than you do.

1:14:54.600 --> 1:15:01.040
<v Speaker 1>Not to mention again, it's like maybe you know, I

1:15:01.040 --> 1:15:02.280
<v Speaker 1>don't know, man, I don't.

1:15:02.320 --> 1:15:02.800
<v Speaker 2>I don't know.

1:15:02.920 --> 1:15:05.280
<v Speaker 1>Like I'm trying to think of what makes sense. Maybe

1:15:05.280 --> 1:15:07.000
<v Speaker 1>he's gonna quit. Maybe he's like, you know what, I'm

1:15:07.000 --> 1:15:08.680
<v Speaker 1>done with this. I'm gonna blow the lid off of it,

1:15:08.720 --> 1:15:11.639
<v Speaker 1>and then I'm gonna ride off into the sunset. Maybe

1:15:13.360 --> 1:15:15.559
<v Speaker 1>I think he just reached I said, yeah.

1:15:15.360 --> 1:15:18.880
<v Speaker 2>The sunset gonna be crazy.

1:15:19.600 --> 1:15:20.760
<v Speaker 3>You know in.

1:15:20.439 --> 1:15:22.599
<v Speaker 4>Canada you go far off north and the sun doesn't

1:15:22.640 --> 1:15:24.400
<v Speaker 4>set for months during the summer.

1:15:25.400 --> 1:15:26.559
<v Speaker 8>You're stuck in the daytime.

1:15:28.760 --> 1:15:32.760
<v Speaker 2>Yeah, I don't quite know how this works out.

1:15:33.160 --> 1:15:35.640
<v Speaker 1>Again, the culture kind of they're done with him, right,

1:15:35.680 --> 1:15:37.880
<v Speaker 1>which he does have a fan base. To Kriuk's point

1:15:37.880 --> 1:15:40.760
<v Speaker 1>earlier that you know he got from obviously years and

1:15:40.840 --> 1:15:43.920
<v Speaker 1>years of great music and success, right that that he's

1:15:43.960 --> 1:15:47.160
<v Speaker 1>going to have an audience. But Universal is tied to

1:15:47.200 --> 1:15:49.960
<v Speaker 1>the people that own the arenas. Universal is tied to

1:15:49.960 --> 1:15:51.839
<v Speaker 1>the people that actually streamed the music.

1:15:52.320 --> 1:15:53.880
<v Speaker 2>Universal, like you.

1:15:53.840 --> 1:15:57.200
<v Speaker 1>Get what I'm saying, You start to put yourself into

1:15:57.240 --> 1:16:02.280
<v Speaker 1>a disadvantage because these people are connected to everybody, you

1:16:02.320 --> 1:16:03.759
<v Speaker 1>know what I mean, and they will stop.

1:16:03.800 --> 1:16:06.720
<v Speaker 2>So I don't quite know what the thought is.

1:16:06.840 --> 1:16:09.440
<v Speaker 1>I just think it's a bad thought.

1:16:09.600 --> 1:16:12.960
<v Speaker 3>Quick. What was his last three records? Because then his

1:16:13.080 --> 1:16:16.679
<v Speaker 3>last three records do like unbelievably bad. His last three singles.

1:16:16.479 --> 1:16:19.439
<v Speaker 1>He tried to drop, I mean, bad for Drake is

1:16:19.439 --> 1:16:21.719
<v Speaker 1>probably not in the top twenties.

1:16:22.360 --> 1:16:24.400
<v Speaker 3>No, I don't think these records even hit the top

1:16:24.439 --> 1:16:24.920
<v Speaker 3>one hundred.

1:16:24.960 --> 1:16:26.280
<v Speaker 2>From what I mean, well, I think he put out

1:16:26.320 --> 1:16:26.599
<v Speaker 2>a lot.

1:16:26.720 --> 1:16:32.080
<v Speaker 1>Mind. Yeah, he's obviously been struggling. He's obviously been struggling.

1:16:32.120 --> 1:16:35.040
<v Speaker 1>But I also don't think he went in there and

1:16:35.080 --> 1:16:37.919
<v Speaker 1>started to try to make really great records that address

1:16:38.320 --> 1:16:40.120
<v Speaker 1>where he's at and gave people what they.

1:16:40.000 --> 1:16:40.599
<v Speaker 2>Wanted to hear.

1:16:40.840 --> 1:16:41.840
<v Speaker 5>I don't think it will matter.

1:16:42.680 --> 1:16:45.320
<v Speaker 1>I mean, it's still like how j Cole was able

1:16:45.360 --> 1:16:47.839
<v Speaker 1>to do with that song where he tried to rewrite

1:16:47.920 --> 1:16:49.840
<v Speaker 1>history and act like, oh y'all to do.

1:16:53.040 --> 1:16:54.519
<v Speaker 3>Didn't get hit like this he was.

1:16:59.080 --> 1:17:06.240
<v Speaker 5>I don't think like this.

1:17:08.320 --> 1:17:12.439
<v Speaker 1>You know this is John came out with latinum album

1:17:12.479 --> 1:17:15.920
<v Speaker 1>and the gold album in top forty songs. Joe Rule

1:17:16.040 --> 1:17:18.680
<v Speaker 1>still is streets, so he understands what not to do.

1:17:19.360 --> 1:17:21.439
<v Speaker 5>Rul's persona nongrada for a decade.

1:17:22.520 --> 1:17:25.000
<v Speaker 8>Mm hmm yeah, but this is worse.

1:17:25.800 --> 1:17:26.120
<v Speaker 3>I know.

1:17:27.160 --> 1:17:30.240
<v Speaker 5>That's why the company pivoted.

1:17:31.479 --> 1:17:34.880
<v Speaker 1>Like this could be and remember and remember, like to John,

1:17:35.040 --> 1:17:38.000
<v Speaker 1>them's situation, Remember they called a fair case. And that's

1:17:38.000 --> 1:17:40.800
<v Speaker 1>when the label walked away from Shug, walked away from

1:17:40.880 --> 1:17:45.240
<v Speaker 1>Jay and walked away from uh Earth at that same time,

1:17:45.240 --> 1:17:47.200
<v Speaker 1>they all had caught fit. People didn't realize that they

1:17:47.240 --> 1:17:48.920
<v Speaker 1>all called fair cases at the same time.

1:17:49.800 --> 1:17:51.840
<v Speaker 9>So Drake trying to give a real trip off that

1:17:52.160 --> 1:17:54.719
<v Speaker 9>So Drake trying to give Universe who a fair case?

1:17:54.840 --> 1:17:59.080
<v Speaker 1>Right, Yeah, his his attorneys to mention Rico in the

1:17:59.120 --> 1:18:01.479
<v Speaker 1>paperwork like that.

1:18:01.479 --> 1:18:05.000
<v Speaker 8>Is it's not it's not good. It's not gonna end good.

1:18:08.280 --> 1:18:11.400
<v Speaker 3>They could be going through some kind of crisis right now, man,

1:18:11.520 --> 1:18:13.599
<v Speaker 3>where he's like he's gonna seem too much and he's about

1:18:13.640 --> 1:18:15.479
<v Speaker 3>to tell it all. You know, you got that one

1:18:15.479 --> 1:18:17.000
<v Speaker 3>homie that you take on the mission. You see the

1:18:17.040 --> 1:18:23.519
<v Speaker 3>probably shouldn't be going the next day. He might be

1:18:23.560 --> 1:18:24.599
<v Speaker 3>about to drop the bomb.

1:18:25.320 --> 1:18:28.439
<v Speaker 1>Bro shout out to George Williams. He said, that's why

1:18:28.439 --> 1:18:30.439
<v Speaker 1>we never get ahead. He's not scared to be the

1:18:30.479 --> 1:18:33.040
<v Speaker 1>fall guy for the future guys. This has nothing to

1:18:33.120 --> 1:18:34.559
<v Speaker 1>do with fall god.

1:18:34.479 --> 1:18:36.200
<v Speaker 2>For future guys.

1:18:36.240 --> 1:18:38.840
<v Speaker 1>All he's going to do is stop record companies from

1:18:38.840 --> 1:18:42.439
<v Speaker 1>marketing record He's not even gonna stop anything. There's nothing

1:18:43.560 --> 1:18:46.479
<v Speaker 1>for anybody else that's going to And he's not himself

1:18:46.520 --> 1:18:47.360
<v Speaker 1>being a fall guy.

1:18:47.760 --> 1:18:49.920
<v Speaker 2>He's point. He got another guy.

1:18:50.560 --> 1:18:53.960
<v Speaker 1>He's like that guy. He's not saying, hey, you know what,

1:18:54.000 --> 1:18:55.960
<v Speaker 1>this is what the record label. If he wanted to

1:18:55.960 --> 1:19:00.280
<v Speaker 1>be the fall guy and didn't want yeah, he could

1:19:00.320 --> 1:19:01.640
<v Speaker 1>do it for himself. He could be like, this is

1:19:01.640 --> 1:19:04.280
<v Speaker 1>how they marketed me. This is how they spent the money.

1:19:04.400 --> 1:19:06.880
<v Speaker 1>I have the paperwork right here, here's the proof. Look

1:19:06.920 --> 1:19:10.120
<v Speaker 1>at this, this, this, this, this. But he's doing what

1:19:10.200 --> 1:19:12.719
<v Speaker 1>Gunna did. He's like, no, look what they did for him.

1:19:13.360 --> 1:19:17.040
<v Speaker 1>Look at that guy over there. They did this for him,

1:19:17.479 --> 1:19:20.800
<v Speaker 1>you know ex Rico so Forth and so on. You

1:19:20.840 --> 1:19:23.280
<v Speaker 1>feel me, they did that for him. Now, if he

1:19:23.320 --> 1:19:25.360
<v Speaker 1>wanted to be the fall guy, he would say, this

1:19:25.439 --> 1:19:27.639
<v Speaker 1>is what they did for me. Hey, you know what.

1:19:28.320 --> 1:19:31.000
<v Speaker 1>They falsely marketed my stuff. They made me bigger than

1:19:31.040 --> 1:19:33.040
<v Speaker 1>I was. My numbers caught up and I was an

1:19:33.080 --> 1:19:36.000
<v Speaker 1>Arenas so Forth and so on. That's if he was

1:19:36.040 --> 1:19:39.559
<v Speaker 1>trying to be a fall guy or a martyr or

1:19:39.400 --> 1:19:42.040
<v Speaker 1>or or Jesus type of person in that regard, he

1:19:42.080 --> 1:19:45.599
<v Speaker 1>would take the responsibility. He would not be pointing at

1:19:45.840 --> 1:19:49.200
<v Speaker 1>who he could consider his Judas as Jesus didn't be

1:19:49.240 --> 1:19:56.400
<v Speaker 1>like it was Judas. It was like whatever feemy Draken,

1:19:56.520 --> 1:20:00.400
<v Speaker 1>like Drake Peno Brown in the court room.

1:20:00.280 --> 1:20:04.840
<v Speaker 9>On New Jack City, damn and Drake Drake low key

1:20:04.920 --> 1:20:07.360
<v Speaker 9>like Howard Hughes. You've seen a Howard huge story in

1:20:07.400 --> 1:20:10.000
<v Speaker 9>The Eccentric went crazy and the big ass man just

1:20:10.000 --> 1:20:12.080
<v Speaker 9>start peeing in bottles and lining them up, grew on

1:20:12.160 --> 1:20:13.280
<v Speaker 9>his fingernails all along.

1:20:14.200 --> 1:20:16.840
<v Speaker 8>Drake, might you might need to get that little fifty

1:20:16.880 --> 1:20:17.960
<v Speaker 8>one to fifty watch.

1:20:18.280 --> 1:20:21.040
<v Speaker 2>My boy was like me, no, he was like it

1:20:21.120 --> 1:20:26.080
<v Speaker 2>was Kendrick. You a witness everybody.

1:20:26.400 --> 1:20:28.720
<v Speaker 4>Drake showed up to the police department with the rape cap.

1:20:31.360 --> 1:20:33.280
<v Speaker 3>G I gotta go on, pick a baby girl. I

1:20:33.320 --> 1:20:33.760
<v Speaker 3>love y'all.

1:20:33.800 --> 1:20:38.240
<v Speaker 2>Man in a minute, my boy, Yeah, he not.

1:20:38.600 --> 1:20:42.360
<v Speaker 6>He not a fall guy. He's a I want to

1:20:42.400 --> 1:20:44.920
<v Speaker 6>speak to the manager. That's what he's doing right now,

1:20:45.800 --> 1:20:49.479
<v Speaker 6>you know what I'm saying. And you know, if he

1:20:49.560 --> 1:20:52.000
<v Speaker 6>wanted to talk about how corrupt the industry is, he

1:20:52.000 --> 1:20:56.400
<v Speaker 6>wouldn't have waited to turn the light on on his

1:20:56.960 --> 1:20:57.880
<v Speaker 6>supposed enemy.

1:20:58.040 --> 1:20:58.679
<v Speaker 3>You know what I mean?

1:20:58.760 --> 1:21:01.280
<v Speaker 6>This is this is this has nothing to do with

1:21:01.360 --> 1:21:04.440
<v Speaker 6>anything righteous for the future of artistry.

1:21:04.800 --> 1:21:05.360
<v Speaker 7>You feel me?

1:21:05.479 --> 1:21:05.719
<v Speaker 3>Now?

1:21:06.600 --> 1:21:10.120
<v Speaker 7>Will it end up being something like that, We don't.

1:21:10.760 --> 1:21:13.920
<v Speaker 6>I doubt it, But okay, that would just be a

1:21:14.000 --> 1:21:17.360
<v Speaker 6>byproduct of him trying to get vengeance and stay on

1:21:17.400 --> 1:21:18.000
<v Speaker 6>his mission.

1:21:18.439 --> 1:21:19.240
<v Speaker 7>You know what I'm saying.

1:21:19.400 --> 1:21:22.800
<v Speaker 6>It's not in his intentions to to save to save

1:21:22.840 --> 1:21:23.799
<v Speaker 6>the music.

1:21:23.920 --> 1:21:27.439
<v Speaker 7>You feel me if you're not gonna do that.

1:21:27.800 --> 1:21:33.800
<v Speaker 6>So he's the first lay Yeah u MG, Like you said, man,

1:21:35.000 --> 1:21:39.479
<v Speaker 6>you know they they when they start activating. Boy, let

1:21:39.479 --> 1:21:43.000
<v Speaker 6>me tell you if people people don't think they had

1:21:43.040 --> 1:21:45.120
<v Speaker 6>nothing to do with with with that Rico from the

1:21:45.120 --> 1:21:46.439
<v Speaker 6>Color of Colorful Hair.

1:21:46.280 --> 1:21:50.599
<v Speaker 7>Guy, you know what, they stay out their minds.

1:21:50.640 --> 1:21:52.640
<v Speaker 6>So my whole thing is, like you said, they got

1:21:52.680 --> 1:21:57.000
<v Speaker 6>a lot of power and this ain't gonna unfold how

1:21:57.080 --> 1:21:58.200
<v Speaker 6>him and his team thought.

1:21:58.800 --> 1:22:02.960
<v Speaker 7>Yeah, but I don't know, Bro, like he crashing out,

1:22:03.479 --> 1:22:06.519
<v Speaker 7>You feel me like he crashing out right now? That's

1:22:06.520 --> 1:22:07.559
<v Speaker 7>all that's all he doing.

1:22:09.160 --> 1:22:13.679
<v Speaker 1>He was smartier right now there he is, come for Kenny,

1:22:14.200 --> 1:22:17.519
<v Speaker 1>the educated brother from Compton. That's who the real leader

1:22:17.520 --> 1:22:21.320
<v Speaker 1>of this, this this ambition Undertaker is doing.

1:22:24.560 --> 1:22:28.280
<v Speaker 4>If Dre was smart, he should have paid another artist

1:22:28.400 --> 1:22:31.040
<v Speaker 4>to sue and paid for the legal fish.

1:22:32.040 --> 1:22:33.759
<v Speaker 2>Oh Man shout out to Flocko.

1:22:34.560 --> 1:22:36.800
<v Speaker 1>He said, come on, big bro, Drake is doing this

1:22:36.840 --> 1:22:39.960
<v Speaker 1>for the people like us who preach against corrupt infrastructure.

1:22:40.200 --> 1:22:43.080
<v Speaker 1>We should be celebrating this. This is bigger than Kendrick

1:22:43.120 --> 1:22:49.760
<v Speaker 1>and Drake. I would buy that what they did for

1:22:49.880 --> 1:22:52.920
<v Speaker 1>him and his business. He come out and break the

1:22:52.960 --> 1:22:55.120
<v Speaker 1>industry in half. All you got to do is like,

1:22:55.160 --> 1:22:58.200
<v Speaker 1>this is what they did for me. They made this work.

1:22:58.320 --> 1:23:00.680
<v Speaker 1>I know they spent this money. Here's the proof. He

1:23:00.760 --> 1:23:04.000
<v Speaker 1>could talk about everything, but when he's pointing at Kendrick,

1:23:05.400 --> 1:23:09.280
<v Speaker 1>That's why it's not about preaching against the corrupt infrastructure,

1:23:10.000 --> 1:23:11.520
<v Speaker 1>bro the benefactor.

1:23:12.160 --> 1:23:15.599
<v Speaker 6>He is suing them for a song called not Like

1:23:15.680 --> 1:23:20.280
<v Speaker 6>Us by Kendrick Lamar. That's what the fuck this is about, Bro,

1:23:20.439 --> 1:23:23.920
<v Speaker 6>like not try to you know what I mean. I'm

1:23:24.000 --> 1:23:27.320
<v Speaker 6>the most positive thinking brother you can fucking meet, you

1:23:27.360 --> 1:23:29.200
<v Speaker 6>know what I mean. But he's not going to go

1:23:29.280 --> 1:23:33.000
<v Speaker 6>into the land of fairy tale. The motherfucker said, Yo,

1:23:33.479 --> 1:23:37.599
<v Speaker 6>not like Us. It's the craziest fucking the Tommy nuclear

1:23:37.640 --> 1:23:40.760
<v Speaker 6>bomb that ever dropped on the rapper's head. And like

1:23:40.880 --> 1:23:44.240
<v Speaker 6>that ship everywhere I go, they planned it in the

1:23:44.280 --> 1:23:45.120
<v Speaker 6>World series.

1:23:49.160 --> 1:23:52.439
<v Speaker 7>He's trying to it has nothing to do with that

1:23:52.520 --> 1:23:52.960
<v Speaker 7>other ship.

1:23:53.120 --> 1:23:55.160
<v Speaker 6>Now, like I said, if it becomes a if that

1:23:55.280 --> 1:23:58.920
<v Speaker 6>other ship becomes a byproduct, please believe it is not

1:23:59.120 --> 1:24:03.720
<v Speaker 6>his intention because simply put like you said, Gee, he's

1:24:03.720 --> 1:24:07.280
<v Speaker 6>pointing his finger. Bro, He's pointing his finger and he's saying, Yo,

1:24:07.760 --> 1:24:10.679
<v Speaker 6>this is what they did for him, and I'm going

1:24:10.720 --> 1:24:11.599
<v Speaker 6>to expose it.

1:24:12.520 --> 1:24:15.080
<v Speaker 7>If not like us as a dud. We never had

1:24:15.080 --> 1:24:15.840
<v Speaker 7>this conversation.

1:24:16.760 --> 1:24:18.240
<v Speaker 2>And poet Clocko.

1:24:18.479 --> 1:24:21.840
<v Speaker 1>When you told me the album dish, I didn't believe it.

1:24:22.040 --> 1:24:23.120
<v Speaker 1>This is unbelievable.

1:24:23.120 --> 1:24:23.639
<v Speaker 3>You were right.

1:24:23.800 --> 1:24:27.799
<v Speaker 1>I don't know how you predicted it, Flocko. Hip hop

1:24:27.960 --> 1:24:30.559
<v Speaker 1>is street urban culture. The first time we talk on

1:24:30.600 --> 1:24:32.800
<v Speaker 1>your platform on No Jumper, I explained it to you.

1:24:33.479 --> 1:24:38.639
<v Speaker 1>It's artistically expressed street urban culture. It's the way you act, walk, talk.

1:24:39.200 --> 1:24:42.679
<v Speaker 1>Everything about it is that it's not It doesn't lead

1:24:42.800 --> 1:24:46.000
<v Speaker 1>with music first. The confusion is that it leads with

1:24:46.200 --> 1:24:49.160
<v Speaker 1>music first. No, it leads with culture first. If it

1:24:49.240 --> 1:24:52.919
<v Speaker 1>led with music, Chief Keith win it sold three records.

1:24:52.960 --> 1:24:56.320
<v Speaker 1>No disrespect to Chief Keith, but he ain't quite Herbie Hancock,

1:24:56.960 --> 1:25:00.400
<v Speaker 1>he's not quite Quincy Jones and Michael Jackson. You know

1:25:00.439 --> 1:25:04.519
<v Speaker 1>it's music isn't quite you know, Ray Charles, you know

1:25:04.560 --> 1:25:06.120
<v Speaker 1>he's not on a piano playing.

1:25:06.200 --> 1:25:09.120
<v Speaker 2>You feel me. That type of couldn't work if it

1:25:09.160 --> 1:25:10.240
<v Speaker 2>was music first.

1:25:10.720 --> 1:25:13.200
<v Speaker 1>If that was the case, then Leon Haywood's song would

1:25:13.200 --> 1:25:16.599
<v Speaker 1>be multi platinum and Doctor Dre's song would have only

1:25:16.640 --> 1:25:19.800
<v Speaker 1>sold you know, g would have sold five thousand if

1:25:19.800 --> 1:25:23.240
<v Speaker 1>it was about music, because the music in these other

1:25:23.360 --> 1:25:28.479
<v Speaker 1>genres is superior the music. Now when you add in

1:25:28.520 --> 1:25:31.240
<v Speaker 1>the fact that hip hop is about culture, it's about

1:25:31.600 --> 1:25:34.479
<v Speaker 1>discovery and people that don't have a voice, and a

1:25:34.560 --> 1:25:38.080
<v Speaker 1>movement of people that refuse to be ignored and determine

1:25:38.120 --> 1:25:40.280
<v Speaker 1>to let you know they exist and talk about their

1:25:40.320 --> 1:25:45.880
<v Speaker 1>experience in this very small minute population in America. All

1:25:45.920 --> 1:25:49.240
<v Speaker 1>it's very few ghettos that create the stuff that we're

1:25:49.280 --> 1:25:49.880
<v Speaker 1>talking about.

1:25:50.200 --> 1:25:52.559
<v Speaker 2>You know what I'm saying, that's what hip hop is about,

1:25:52.600 --> 1:25:53.840
<v Speaker 2>and that's what we come for.

1:25:54.560 --> 1:25:57.720
<v Speaker 1>See, I've never been confused and thought to myself, we

1:25:57.800 --> 1:26:01.720
<v Speaker 1>come from music again, Like right now, people ask me

1:26:01.760 --> 1:26:03.679
<v Speaker 1>all the time, you gonna listen to more new artists.

1:26:03.680 --> 1:26:06.599
<v Speaker 1>I'm like, because I'm actually listening for music now now

1:26:06.640 --> 1:26:09.679
<v Speaker 1>I'm not listening for culture. I'm like, well, what actually

1:26:09.720 --> 1:26:12.920
<v Speaker 1>sounds good. I'm gonna go play Hall of Noakes. I'm

1:26:12.920 --> 1:26:16.599
<v Speaker 1>going to go play Prince. I'm going to go discover

1:26:16.800 --> 1:26:20.200
<v Speaker 1>the third Marvin Gaye album because I'm going to listen

1:26:20.240 --> 1:26:22.840
<v Speaker 1>to music, but when I listen to hip hop, I

1:26:22.920 --> 1:26:26.080
<v Speaker 1>listen for culture, I listen for lingo, I listen for style,

1:26:26.520 --> 1:26:31.880
<v Speaker 1>fashion representation, and then music. So again, it's like when

1:26:31.920 --> 1:26:34.120
<v Speaker 1>you was asking me how that battle will play out.

1:26:34.280 --> 1:26:37.840
<v Speaker 1>It's a guy with culture that understands culture versus a

1:26:37.880 --> 1:26:42.040
<v Speaker 1>guy with no street urban culture zero. He's been kind

1:26:42.040 --> 1:26:47.040
<v Speaker 1>of like impersonating it. It's like asking me, you know what,

1:26:47.160 --> 1:26:50.160
<v Speaker 1>a in a soul ful competition, who would win? Like

1:26:50.640 --> 1:26:55.920
<v Speaker 1>Eminem's Prime Eminem or Kentucky Fried Chicken. There's nobody in

1:26:55.960 --> 1:26:59.120
<v Speaker 1>the world that's going to taste both soul fools. You

1:26:59.240 --> 1:27:02.920
<v Speaker 1>asking me who in King Tacos or Taco Bill, anybody

1:27:02.960 --> 1:27:03.839
<v Speaker 1>would taste buds.

1:27:05.240 --> 1:27:06.680
<v Speaker 2>It's going to work.

1:27:07.640 --> 1:27:10.000
<v Speaker 9>Where it's a certain type of taste buds Because to me,

1:27:10.040 --> 1:27:14.639
<v Speaker 9>it's like also like uh, Godzilla and King Kong, right,

1:27:14.920 --> 1:27:19.320
<v Speaker 9>the machine made them both global monsters, but when it

1:27:19.360 --> 1:27:21.599
<v Speaker 9>comes to them battling each other, one of them got

1:27:21.640 --> 1:27:24.360
<v Speaker 9>way more weapons than the other one, you know what

1:27:24.400 --> 1:27:26.960
<v Speaker 9>I'm saying on that On that scene.

1:27:27.520 --> 1:27:30.160
<v Speaker 4>It to me like it was like when I first

1:27:30.200 --> 1:27:33.280
<v Speaker 4>started seeing the comments and some of the posts about

1:27:33.280 --> 1:27:40.639
<v Speaker 4>this on social media, the wagons circled so fast. They

1:27:40.720 --> 1:27:44.679
<v Speaker 4>circled so fast, and like this is is is South stupid.

1:27:44.680 --> 1:27:49.439
<v Speaker 4>It's kind of funny. You three guys haven't been on

1:27:49.560 --> 1:27:52.439
<v Speaker 4>that side of the wagons like I feel. How the

1:27:52.479 --> 1:27:56.400
<v Speaker 4>wagons circle on to be You know, it happens fast

1:27:56.560 --> 1:27:59.280
<v Speaker 4>and you see it boom and it doesn't unhappen, and

1:27:59.320 --> 1:28:02.400
<v Speaker 4>everybody in the room knew it. And it was cool

1:28:03.760 --> 1:28:07.200
<v Speaker 4>for Drake until Drake just did that little thing to

1:28:07.200 --> 1:28:10.680
<v Speaker 4>give him the excuse. And he did it, and he

1:28:10.760 --> 1:28:13.600
<v Speaker 4>capitalized on it, and they just went and he was

1:28:13.800 --> 1:28:14.320
<v Speaker 4>over there.

1:28:15.840 --> 1:28:17.400
<v Speaker 2>It happened so fast.

1:28:17.880 --> 1:28:21.000
<v Speaker 7>I got a question, where does Drake go from here?

1:28:23.040 --> 1:28:26.240
<v Speaker 2>He justss he has to wait until he's nostalgic.

1:28:28.920 --> 1:28:32.080
<v Speaker 8>I think I think he would never do this.

1:28:33.760 --> 1:28:37.160
<v Speaker 10>But if he, if he apologized, you know what I'm saying,

1:28:37.920 --> 1:28:41.320
<v Speaker 10>if he if he apologized to the culture and embraced

1:28:41.680 --> 1:28:45.200
<v Speaker 10>you know, reality instead of playing like he was God

1:28:45.240 --> 1:28:45.920
<v Speaker 10>and trying.

1:28:45.640 --> 1:28:46.800
<v Speaker 8>To son everybody.

1:28:46.840 --> 1:28:48.920
<v Speaker 9>And you know, because you on this, I'm rich and

1:28:48.920 --> 1:28:51.000
<v Speaker 9>I'm balling and I'm playing these money games, and you

1:28:51.040 --> 1:28:52.720
<v Speaker 9>know what I'm saying, you have to break it all

1:28:52.760 --> 1:28:53.640
<v Speaker 9>the way down.

1:28:53.760 --> 1:28:56.000
<v Speaker 8>And get with some real people. Do it.

1:28:56.439 --> 1:28:59.680
<v Speaker 9>Do a whole lot of charity. You know what I'm saying, Like,

1:28:59.720 --> 1:29:01.559
<v Speaker 9>you gotta do a whole lot of Santa Claus.

1:29:01.600 --> 1:29:03.400
<v Speaker 1>You have to actually come clean and be for real.

1:29:03.680 --> 1:29:08.400
<v Speaker 1>You have to be genuine. Shout out to Big China.

1:29:08.600 --> 1:29:11.200
<v Speaker 1>Blogger said he bullies people legally and he really wants

1:29:11.200 --> 1:29:16.960
<v Speaker 1>to sue that. I believe that too. Shout out the tree,

1:29:17.040 --> 1:29:20.320
<v Speaker 1>he said, Invite him to the podcast, man, d wouldn't

1:29:20.320 --> 1:29:22.280
<v Speaker 1>come to this. Drake wouldn't come to that podcast.

1:29:22.320 --> 1:29:22.479
<v Speaker 3>Man.

1:29:22.560 --> 1:29:25.120
<v Speaker 1>It's funny because we wouldn't even be talking about this stuff,

1:29:25.280 --> 1:29:27.600
<v Speaker 1>but he would be so mad and upset that he

1:29:27.640 --> 1:29:31.120
<v Speaker 1>wouldn't really, you know, be okay with the conversation.

1:29:32.960 --> 1:29:34.800
<v Speaker 2>Hold on, this is this is head called him? Let

1:29:34.800 --> 1:29:39.439
<v Speaker 2>me see what he talking about? Like, what up? I

1:29:39.479 --> 1:29:40.000
<v Speaker 2>can't call it.

1:29:40.040 --> 1:29:41.679
<v Speaker 1>I got you on the live stream with me, Crooked

1:29:41.760 --> 1:29:44.240
<v Speaker 1>Cam and Pete.

1:29:43.560 --> 1:29:52.000
<v Speaker 2>Oh, don't worry nobout.

1:29:52.040 --> 1:29:54.320
<v Speaker 1>Everybody knows that when you call me, is required that

1:29:54.400 --> 1:29:58.040
<v Speaker 1>you say cuz that's how everybody greets me, all the

1:29:58.040 --> 1:30:00.600
<v Speaker 1>white lawyers managers to say what's up?

1:30:00.600 --> 1:30:03.600
<v Speaker 2>Because when he called me, like what's up? Because come on,

1:30:03.720 --> 1:30:04.680
<v Speaker 2>I don't.

1:30:06.120 --> 1:30:10.720
<v Speaker 11>To understand the process behind the goings on.

1:30:11.040 --> 1:30:14.000
<v Speaker 2>What the going is on is we can't figure it out.

1:30:14.000 --> 1:30:17.559
<v Speaker 1>We've been trying to discover and what's going on for

1:30:17.640 --> 1:30:21.640
<v Speaker 1>the last hour and thirty five minutes, and none of

1:30:21.680 --> 1:30:26.320
<v Speaker 1>us is really close. Because the best thing I heard

1:30:26.360 --> 1:30:29.880
<v Speaker 1>came from a comment where somebody said he owns his

1:30:29.960 --> 1:30:33.920
<v Speaker 1>master's and copyright in his new contract. So maybe that's

1:30:33.960 --> 1:30:38.320
<v Speaker 1>why they could favor Kendrick over him, But I still

1:30:38.360 --> 1:30:41.120
<v Speaker 1>don't understand why that would bother him to the point

1:30:41.160 --> 1:30:44.719
<v Speaker 1>to where he would sabotage his business future with UMG

1:30:44.920 --> 1:30:47.200
<v Speaker 1>and affiliates.

1:30:48.040 --> 1:30:52.360
<v Speaker 2>I mean, that's a I get to.

1:30:52.439 --> 1:30:54.280
<v Speaker 1>I still don't think so, because I would imagine the

1:30:54.360 --> 1:30:57.720
<v Speaker 1>money with Drake and where they have positioned him to

1:30:58.120 --> 1:30:58.840
<v Speaker 1>is incredible.

1:30:58.920 --> 1:31:00.479
<v Speaker 2>So it doesn't makes sense.

1:31:00.560 --> 1:31:07.960
<v Speaker 1>So the most the most realistic, you know, solution is

1:31:08.040 --> 1:31:11.120
<v Speaker 1>he's having in an emotional outbreak and he has the

1:31:11.200 --> 1:31:13.240
<v Speaker 1>kind of money that people are not saying, hey, this

1:31:13.360 --> 1:31:14.519
<v Speaker 1>is not a wise idea.

1:31:16.280 --> 1:31:19.000
<v Speaker 11>I don't think there's any one probably around that's going

1:31:19.200 --> 1:31:21.400
<v Speaker 11>to culturally navigate.

1:31:21.040 --> 1:31:25.880
<v Speaker 1>Him, and that's again the same problem Cam said. Crooet

1:31:25.960 --> 1:31:29.080
<v Speaker 1>asked a question, he said, what would it take to

1:31:29.160 --> 1:31:32.120
<v Speaker 1>get Drake back into a decent position, and Cam said

1:31:32.160 --> 1:31:35.360
<v Speaker 1>he'll never do this, but to apologize to the culture

1:31:35.479 --> 1:31:39.120
<v Speaker 1>into everything else about what he's been doing and decide

1:31:39.160 --> 1:31:41.480
<v Speaker 1>to himself he's going to become more of a humanitarian

1:31:41.520 --> 1:31:43.839
<v Speaker 1>and look out for the culture that he's benefited off.

1:31:43.680 --> 1:31:46.040
<v Speaker 2>Of and work from there.

1:31:46.479 --> 1:31:50.960
<v Speaker 1>But again, it would take a level of self awareness,

1:31:51.760 --> 1:31:55.080
<v Speaker 1>like conscious to where you can understand what's happening. And

1:31:55.400 --> 1:31:59.439
<v Speaker 1>I definitely do not believe he has his self aware

1:31:59.439 --> 1:32:04.720
<v Speaker 1>to understand and you know, possible consequences for misusing the

1:32:04.760 --> 1:32:07.599
<v Speaker 1>culture this way to the benefit of just making money

1:32:08.040 --> 1:32:11.120
<v Speaker 1>and feeling like the equivalent is empowering a couple of

1:32:11.160 --> 1:32:14.160
<v Speaker 1>other rappers, which really still gives you the same credibility,

1:32:14.640 --> 1:32:15.960
<v Speaker 1>you know what I mean. And I don't think Drake

1:32:16.080 --> 1:32:17.800
<v Speaker 1>is one of these people who don't. I think he

1:32:17.960 --> 1:32:21.760
<v Speaker 1>definated the schools and he tries his best, but this

1:32:21.960 --> 1:32:26.559
<v Speaker 1>is something really deep, like this is a really you know,

1:32:26.640 --> 1:32:27.680
<v Speaker 1>we're hard on each other.

1:32:27.720 --> 1:32:29.280
<v Speaker 2>He had community wise over this.

1:32:29.360 --> 1:32:31.240
<v Speaker 1>We are hard over people who've really been through this,

1:32:31.400 --> 1:32:34.920
<v Speaker 1>let alone people who didn't go through this. So I

1:32:34.960 --> 1:32:41.639
<v Speaker 1>mean it requires a shout out to either seventy eight.

1:32:43.520 --> 1:32:46.960
<v Speaker 1>The answer is it requires humility and you can forget

1:32:46.960 --> 1:32:47.439
<v Speaker 1>about that.

1:32:48.360 --> 1:32:54.680
<v Speaker 11>Yeah, there's numerous there's a couple of individuals who have

1:32:55.000 --> 1:33:00.440
<v Speaker 11>experenced a lot of humility over the last few years.

1:32:58.920 --> 1:33:04.280
<v Speaker 3>I progress with the system.

1:33:04.320 --> 1:33:08.760
<v Speaker 1>Sure, sure, all right, I'm here you once we finished, so.

1:33:11.680 --> 1:33:14.760
<v Speaker 2>I don't know, man, I crooked. I think we then

1:33:14.800 --> 1:33:17.320
<v Speaker 2>spent a lot of time. Cam.

1:33:17.360 --> 1:33:19.280
<v Speaker 1>I think we just spent a lot of time trying

1:33:19.320 --> 1:33:22.320
<v Speaker 1>to figure out I don't have the answer.

1:33:24.240 --> 1:33:26.320
<v Speaker 7>So the answer comes back to a Kendrick song.

1:33:26.439 --> 1:33:30.479
<v Speaker 8>Be humble, mm hmm. Is that gonna happen?

1:33:31.680 --> 1:33:34.320
<v Speaker 1>And that'll do it? Much love to y'all, Man, see

1:33:34.360 --> 1:33:38.080
<v Speaker 1>y'all Wednesday at noon. Man he thanks Crooking, Thanks big Bro,

1:33:38.520 --> 1:33:41.160
<v Speaker 1>Cam Pete. We back here Wednesday. Make sure y'all go

1:33:41.160 --> 1:33:43.519
<v Speaker 1>subscribe to the No Silllings podcast when you leave here.

1:33:43.960 --> 1:33:47.639
<v Speaker 1>It's on Apples podcasts anywhere.

1:33:47.640 --> 1:33:48.600
<v Speaker 2>Who get your podcast?

1:33:49.080 --> 1:33:53.559
<v Speaker 1>The No Sillings Podcast produced by Charlemagne to God, Black

1:33:53.600 --> 1:33:56.160
<v Speaker 1>Effect Network and iHeart Get Down, Where You get Out,

1:33:56.200 --> 1:34:02.800
<v Speaker 1>Where You're mad at Playboy. We out there, good looking

1:34:02.840 --> 1:34:05.519
<v Speaker 1>out for tuning in to the No Sellers Podcast. Please

1:34:05.560 --> 1:34:08.599
<v Speaker 1>do us a favorite, subscribe, rate, comment, and share. This

1:34:08.640 --> 1:34:10.880
<v Speaker 1>episode was recorded right here on the West Coast of

1:34:10.920 --> 1:34:16.280
<v Speaker 1>the USA and produced by The Black Effect Podcast Network

1:34:16.400 --> 1:34:17.400
<v Speaker 1>and iHeart Radio.

1:34:17.920 --> 1:34:18.280
<v Speaker 3>Yeah.