1 00:00:01,760 --> 00:00:04,320 Speaker 1: Watch up and welcome back to another episode of No 2 00:00:04,480 --> 00:00:07,440 Speaker 1: Sealers Podcast with your hosts now fuck that with your 3 00:00:07,480 --> 00:00:26,520 Speaker 1: loaw glasses malone check check check. Yeah, we're finna get 4 00:00:26,560 --> 00:00:30,400 Speaker 1: to it. An emergency broadcast. You feel me for today 5 00:00:30,440 --> 00:00:35,760 Speaker 1: because uh, it's some unprecedented, unprecedented things that's happening in 6 00:00:35,880 --> 00:00:40,760 Speaker 1: hip hop. Crooked Cam, they've been in hip hop before 7 00:00:40,960 --> 00:00:43,800 Speaker 1: I even thought about getting this thing we called the 8 00:00:43,840 --> 00:00:44,640 Speaker 1: record business. 9 00:00:46,040 --> 00:00:46,519 Speaker 2: You feel me. 10 00:00:46,600 --> 00:00:51,400 Speaker 1: They they've they've Yeah, they've been in this thing for 11 00:00:51,560 --> 00:00:55,040 Speaker 1: I even thought about being a rapper anything. And I'm 12 00:00:55,120 --> 00:00:58,040 Speaker 1: sure this is a first for them. 13 00:00:58,360 --> 00:00:59,880 Speaker 2: I'm sure this is a first for them. 14 00:01:00,080 --> 00:01:04,120 Speaker 1: So we go really get into this conversation really quick 15 00:01:04,240 --> 00:01:06,480 Speaker 1: soon as still pops back on here so we could 16 00:01:06,480 --> 00:01:13,360 Speaker 1: adjustice screen. But it's definitely one of those days. 17 00:01:13,360 --> 00:01:13,560 Speaker 3: Pete. 18 00:01:13,600 --> 00:01:14,520 Speaker 2: Did you read up on it? 19 00:01:15,120 --> 00:01:16,680 Speaker 4: I read up on it a bit, and I don't 20 00:01:16,760 --> 00:01:19,839 Speaker 4: know that much in this particular area of civil law, 21 00:01:20,760 --> 00:01:23,000 Speaker 4: but I know this much. When a rap beef bleeds 22 00:01:23,000 --> 00:01:26,240 Speaker 4: into the course, I'll put my money on the half 23 00:01:26,319 --> 00:01:28,920 Speaker 4: Jewish guy every single day and twice on the shops. 24 00:01:30,640 --> 00:01:35,400 Speaker 1: Yeah, I have zero faith is gonna work out for him. 25 00:01:35,600 --> 00:01:40,160 Speaker 1: I don't think he Jewish Enough's cotton the rock. 26 00:01:40,040 --> 00:01:40,760 Speaker 5: At the hard Place. 27 00:01:41,880 --> 00:01:44,880 Speaker 1: I think you've played against the real This ain't the 28 00:01:44,920 --> 00:01:48,240 Speaker 1: South Bay Lakers. He played against the Los Angeles Lakers. 29 00:01:49,600 --> 00:01:52,760 Speaker 1: It's a different game. It's a different game. 30 00:01:52,600 --> 00:01:55,560 Speaker 5: Up here with the real Unsino Lakers. 31 00:01:56,440 --> 00:02:01,040 Speaker 1: Still is slowing the stream down? Come on still? Where 32 00:02:01,120 --> 00:02:03,000 Speaker 1: you at? 33 00:02:03,400 --> 00:02:03,840 Speaker 2: There you go? 34 00:02:05,840 --> 00:02:11,200 Speaker 3: There you go. I was looking. 35 00:02:12,440 --> 00:02:14,600 Speaker 5: You're a great You never looked at you. 36 00:02:14,800 --> 00:02:16,480 Speaker 2: You put it on your phone instead? 37 00:02:17,120 --> 00:02:18,760 Speaker 3: Man, Yeah, I want to put it on my phone 38 00:02:18,760 --> 00:02:20,160 Speaker 3: when he tell be playing. 39 00:02:19,880 --> 00:02:22,480 Speaker 2: Around we got that bad audio happening. 40 00:02:23,320 --> 00:02:25,440 Speaker 3: Yeah, man, you know what. I don't know what it is, broke, 41 00:02:25,480 --> 00:02:28,760 Speaker 3: but I ain't never done that before anyway. 42 00:02:29,600 --> 00:02:33,360 Speaker 1: No Silings live the Lunch Hour. No, no, this is 43 00:02:33,400 --> 00:02:37,880 Speaker 1: the podcast. We're just doing it live. This is an 44 00:02:38,000 --> 00:02:44,520 Speaker 1: unprecedented time in hip hop, in rap music. Some of 45 00:02:44,520 --> 00:02:49,000 Speaker 1: this stuff never in life happened. I cannot believe this 46 00:02:49,040 --> 00:02:53,120 Speaker 1: is happening. This is an important time. So I brought 47 00:02:53,480 --> 00:02:56,720 Speaker 1: some really special people. I brought Crooked Eye, and I 48 00:02:56,760 --> 00:03:01,880 Speaker 1: brought my big brother Cam. I brought my brother Pete, 49 00:03:02,680 --> 00:03:06,200 Speaker 1: and I brought Stell so we could really unpack this thing. 50 00:03:06,280 --> 00:03:11,680 Speaker 1: Because I've been talking to my homeboy lit Pappy, he 51 00:03:12,160 --> 00:03:15,880 Speaker 1: Poppy is driving me crazy. It's silliness and people are 52 00:03:16,080 --> 00:03:22,720 Speaker 1: not being honest about what they are witnessing. Cap you 53 00:03:22,760 --> 00:03:26,800 Speaker 1: should be in court right now. You should be in 54 00:03:26,880 --> 00:03:29,600 Speaker 1: court right now because you are in a battle. 55 00:03:30,880 --> 00:03:32,120 Speaker 2: Somebody should sue you. 56 00:03:35,960 --> 00:03:36,800 Speaker 3: He lawyer. 57 00:03:39,760 --> 00:03:46,320 Speaker 2: The reason we are here is Drake. Drake has soon. 58 00:03:47,000 --> 00:03:53,160 Speaker 1: He accuses you MG and Spotify of manipulating the market 59 00:03:53,200 --> 00:03:58,440 Speaker 1: to artificially inflate Kendrick Lamar's disk track not Like Us. 60 00:03:58,960 --> 00:04:04,200 Speaker 1: The court filing claims un GU, Spotify, and Apple Serie 61 00:04:04,320 --> 00:04:09,880 Speaker 1: to push Not Like Us over Drake tracks. Employees perceived 62 00:04:09,880 --> 00:04:13,160 Speaker 1: as lawyer to Drake were allegedly fired as part of 63 00:04:13,200 --> 00:04:18,679 Speaker 1: an effort to cover up un g's action. UMG paid 64 00:04:18,720 --> 00:04:24,040 Speaker 1: influencers and radio stations to boost Lamar's songs without disclosure. 65 00:04:25,440 --> 00:04:30,599 Speaker 1: A whistleblower revealed Box generated thirty million early streams for 66 00:04:30,760 --> 00:04:37,240 Speaker 1: Not Like Us. Drake is accusing UMG and Spotify of 67 00:04:37,360 --> 00:04:44,359 Speaker 1: violating the RICO Act and a New York law h 68 00:04:44,800 --> 00:04:50,320 Speaker 1: I mean so bad he decided to sue his own 69 00:04:50,440 --> 00:04:52,839 Speaker 1: label that they are both signed to. 70 00:04:55,279 --> 00:04:55,479 Speaker 2: Now. 71 00:04:55,520 --> 00:04:59,760 Speaker 1: Listen, Crooked, listen, Cam, y'all have been in hip hop 72 00:05:00,160 --> 00:05:01,680 Speaker 1: for sure, big Bro, you've been in hip hop as 73 00:05:01,720 --> 00:05:04,480 Speaker 1: long as I can remember. Yeah, Crookeet, you've been in 74 00:05:04,560 --> 00:05:07,920 Speaker 1: hip hop at least thirty years for sure, for sure, 75 00:05:07,960 --> 00:05:11,479 Speaker 1: for sure. Now not at the professional level, I would imagine. 76 00:05:11,520 --> 00:05:13,480 Speaker 1: I don't know if he was professionally signed in nineteen 77 00:05:13,560 --> 00:05:15,599 Speaker 1: ninety four, but I know it was getting close to 78 00:05:15,640 --> 00:05:18,040 Speaker 1: when Cricket I was getting his first record deal around 79 00:05:18,440 --> 00:05:23,599 Speaker 1: not within that six seven years. Is this by far 80 00:05:23,720 --> 00:05:28,920 Speaker 1: the greatest distract of all time? Just at least off 81 00:05:28,920 --> 00:05:33,200 Speaker 1: of the reaction, off of the behavior. See I know 82 00:05:33,279 --> 00:05:46,000 Speaker 1: when I'm talking to g he said the greatest, greatest. 83 00:05:47,000 --> 00:05:50,440 Speaker 1: So with that being said, I can agree with you 84 00:05:50,560 --> 00:05:55,799 Speaker 1: on that, big Bro. It's the biggest. It's the biggest 85 00:05:55,800 --> 00:05:56,200 Speaker 1: to ever. 86 00:05:56,839 --> 00:06:00,360 Speaker 6: You know what I'm saying, Like, well, it had you know, 87 00:06:00,400 --> 00:06:02,320 Speaker 6: the table has been set for it to become one 88 00:06:02,320 --> 00:06:05,400 Speaker 6: of the greatest disrecords ever because we are in the 89 00:06:05,480 --> 00:06:10,080 Speaker 6: social media technology streaming era, and the globe is connected 90 00:06:10,120 --> 00:06:12,680 Speaker 6: in ways that the globe was not connected with some 91 00:06:12,760 --> 00:06:14,000 Speaker 6: of our favorite disc records. 92 00:06:14,080 --> 00:06:15,720 Speaker 7: Drop, you know what I'm saying. 93 00:06:15,480 --> 00:06:18,200 Speaker 6: So the table is set for it to be one 94 00:06:18,240 --> 00:06:21,000 Speaker 6: of the greatest, if not the greatest, this record. 95 00:06:21,080 --> 00:06:23,400 Speaker 7: And let me just put this out here. 96 00:06:23,720 --> 00:06:26,960 Speaker 6: Same day that it dropped, I went on record on 97 00:06:27,000 --> 00:06:30,760 Speaker 6: my Instagram same day and I said, Kendrick just dropped 98 00:06:30,760 --> 00:06:33,000 Speaker 6: the top five disc record of all time. 99 00:06:33,360 --> 00:06:34,120 Speaker 7: You know what I'm saying. 100 00:06:34,160 --> 00:06:36,480 Speaker 6: And they can go back and check my Instagram same 101 00:06:36,520 --> 00:06:38,400 Speaker 6: day a drop because. 102 00:06:38,200 --> 00:06:40,479 Speaker 7: I understood the frequency he was on. 103 00:06:40,600 --> 00:06:44,719 Speaker 6: I understood that he was touching a nerve and he 104 00:06:44,880 --> 00:06:48,680 Speaker 6: was moving the street culture in a way that you know, 105 00:06:49,000 --> 00:06:51,520 Speaker 6: once the youngins in the streets get something, it's very 106 00:06:51,520 --> 00:06:55,599 Speaker 6: hard to stop, you feel me. So he did that 107 00:06:56,080 --> 00:06:59,279 Speaker 6: and I recognized it right away. So yeah, I ain't 108 00:06:59,320 --> 00:06:59,680 Speaker 6: mad at that. 109 00:06:59,760 --> 00:07:05,840 Speaker 1: Set me bro, big bro, you you you released this 110 00:07:06,760 --> 00:07:10,440 Speaker 1: tracks in the history of West Coast music, one of 111 00:07:10,480 --> 00:07:17,640 Speaker 1: the most scathing disc tracks, like like hot acid, burn 112 00:07:17,800 --> 00:07:21,600 Speaker 1: skin off your body. 113 00:07:22,640 --> 00:07:23,000 Speaker 8: Mmhmm. 114 00:07:23,960 --> 00:07:28,360 Speaker 9: I think man, I think it's the greatest man. You know, 115 00:07:29,320 --> 00:07:34,000 Speaker 9: every every generation had a had a sound that they 116 00:07:34,040 --> 00:07:37,440 Speaker 9: think is is tight, you know to the youngsters. Now 117 00:07:37,480 --> 00:07:39,520 Speaker 9: we might sound out dated or something like that. So 118 00:07:39,760 --> 00:07:41,880 Speaker 9: this is the language, just the vibe. This the frequency 119 00:07:41,920 --> 00:07:44,760 Speaker 9: that the youth is on, and the youth always run revolution. 120 00:07:45,640 --> 00:07:47,800 Speaker 9: You know, you got older here is like like myself 121 00:07:47,880 --> 00:07:50,280 Speaker 9: might be behind the scenes trying to trying to give 122 00:07:50,360 --> 00:07:52,280 Speaker 9: guidance to them. But the youth gonna do what they're 123 00:07:52,280 --> 00:07:54,440 Speaker 9: gonna do. You know what I'm saying. The youth is 124 00:07:54,440 --> 00:07:57,320 Speaker 9: gonna they gonna run it. And uh, from what I 125 00:07:57,360 --> 00:07:59,960 Speaker 9: can see, this is this is the greatest dis record 126 00:08:00,080 --> 00:08:01,640 Speaker 9: of all of all time. 127 00:08:01,880 --> 00:08:02,280 Speaker 3: Like, you know, what. 128 00:08:03,760 --> 00:08:10,600 Speaker 2: Could you imagine if if Q would. 129 00:08:10,320 --> 00:08:13,520 Speaker 8: Assuthe you did? 130 00:08:15,680 --> 00:08:17,640 Speaker 2: But I mean it happened, na. 131 00:08:19,520 --> 00:08:19,920 Speaker 3: Big bro. 132 00:08:20,040 --> 00:08:25,040 Speaker 1: You you you saw Hupac. You saw hit him up 133 00:08:25,160 --> 00:08:29,600 Speaker 1: up close and personal. Yeah right, like still you saw 134 00:08:29,680 --> 00:08:32,280 Speaker 1: hit him up close, up close and personal. You saw 135 00:08:32,480 --> 00:08:35,520 Speaker 1: no vassiline. You were coming into your adulthood around that time. 136 00:08:35,640 --> 00:08:39,360 Speaker 1: You know, you was barely hitting twenty. You saw ether. 137 00:08:41,000 --> 00:08:44,800 Speaker 1: Have you ever saw a dis track that made somebody 138 00:08:44,920 --> 00:08:49,640 Speaker 1: react like this? You even saw fifty this job ruthe. 139 00:08:50,679 --> 00:08:53,440 Speaker 3: Man, this is the worst. This is the craatest dis 140 00:08:53,480 --> 00:08:56,320 Speaker 3: track of all time. It's almost like he's pulling this 141 00:08:56,400 --> 00:08:57,839 Speaker 3: dude in Gona. 142 00:08:57,320 --> 00:09:00,839 Speaker 8: Tell absolutely this dude is crying. 143 00:09:00,880 --> 00:09:02,640 Speaker 3: Man, this dude is really sad right now. And I'm 144 00:09:02,640 --> 00:09:05,679 Speaker 3: gonna tell you what it is. This dude is almost 145 00:09:05,760 --> 00:09:10,959 Speaker 3: just being overwhelmed right now. Man, Kendrick, You know, not 146 00:09:11,000 --> 00:09:13,600 Speaker 3: only did he slapt him around with the record, but 147 00:09:13,640 --> 00:09:15,760 Speaker 3: then he comes out with one of the greatest albums of. 148 00:09:15,760 --> 00:09:18,880 Speaker 2: All time, is a really great album. 149 00:09:19,440 --> 00:09:22,760 Speaker 3: So this dude is just like, he's just discombobulated right now. Man, 150 00:09:23,000 --> 00:09:25,240 Speaker 3: i'ma be real with you. I'm really worried about Drake 151 00:09:25,360 --> 00:09:28,280 Speaker 3: right now. Man, I'm thinking about calling my people because 152 00:09:28,280 --> 00:09:30,400 Speaker 3: they didn't even play with I think he's something from depression. 153 00:09:30,440 --> 00:09:30,600 Speaker 10: Man. 154 00:09:30,640 --> 00:09:32,800 Speaker 3: This dude might mess around, timp off a bridge or something. 155 00:09:32,800 --> 00:09:37,280 Speaker 9: Man, he need that wellness check. Man. 156 00:09:37,000 --> 00:09:43,200 Speaker 5: Well, Canadians are not a wartime people, and that's not. 157 00:09:43,080 --> 00:09:46,120 Speaker 3: What I'm I'm being dead serious. I ain't joking, man, 158 00:09:47,000 --> 00:09:49,400 Speaker 3: Drake is going through something right now, and ain't nobody 159 00:09:49,400 --> 00:09:51,480 Speaker 3: in this camp man enough to tell a man you're 160 00:09:51,480 --> 00:09:55,920 Speaker 3: looking real crazy right though? Man, you think he cares 161 00:09:55,960 --> 00:09:58,040 Speaker 3: about you? 162 00:09:58,120 --> 00:10:01,520 Speaker 6: Think he cared about the optics, because I'm sure when 163 00:10:01,559 --> 00:10:04,120 Speaker 6: you are a big a brand as big as Drake, 164 00:10:05,400 --> 00:10:09,760 Speaker 6: everything that you do is well at least communicated amongst 165 00:10:09,800 --> 00:10:14,040 Speaker 6: your team. So they had to understand that it would 166 00:10:14,040 --> 00:10:17,320 Speaker 6: be some backlash. Even though we in a different era 167 00:10:17,679 --> 00:10:21,000 Speaker 6: like this era, It's been proven over the last decade 168 00:10:21,080 --> 00:10:23,920 Speaker 6: that a rapper can damn near do anything and if 169 00:10:23,960 --> 00:10:26,120 Speaker 6: he drop a hot song, it'll be forgiven. 170 00:10:29,000 --> 00:10:31,560 Speaker 3: He fuck, he don't drop a couple of duds in 171 00:10:31,559 --> 00:10:34,079 Speaker 3: the road. Dog, it's over with Dog. 172 00:10:34,679 --> 00:10:38,880 Speaker 4: I think this is different, like the house has been 173 00:10:38,960 --> 00:10:43,439 Speaker 4: burned down. Like I in the first seventy two hours, 174 00:10:44,240 --> 00:10:50,080 Speaker 4: I was like this song not that beyond the verses, 175 00:10:50,080 --> 00:10:51,880 Speaker 4: I haven't heard this track that had to hook it 176 00:10:52,040 --> 00:10:54,120 Speaker 4: like rocked, like in the club and shit like that. 177 00:10:54,240 --> 00:10:58,160 Speaker 4: But besides that, what Kendrick did. He kicked Drake out 178 00:10:58,160 --> 00:11:02,800 Speaker 4: of a community. He did that in seventy two hours. 179 00:11:04,400 --> 00:11:07,000 Speaker 4: He made him walk that they were all at they 180 00:11:07,160 --> 00:11:09,920 Speaker 4: he made him walk the plank and he's trying to 181 00:11:09,960 --> 00:11:11,440 Speaker 4: sue his way back onto the boat. 182 00:11:13,520 --> 00:11:15,920 Speaker 7: So so do you think so do you think that 183 00:11:16,120 --> 00:11:16,880 Speaker 7: is uh? 184 00:11:17,720 --> 00:11:21,640 Speaker 6: That his personal community that he's built up, that's a 185 00:11:21,640 --> 00:11:25,000 Speaker 6: pretty big community. I mean when I'm on when I'm 186 00:11:25,040 --> 00:11:32,160 Speaker 6: on Elion's Act, they already saying he not suing Kendrick, 187 00:11:32,240 --> 00:11:35,760 Speaker 6: He's swing. UMG, this ain't about the rap beef. This 188 00:11:35,920 --> 00:11:39,200 Speaker 6: is about business that he has a lot of people 189 00:11:39,320 --> 00:11:44,079 Speaker 6: already forming that perspective and trying to push that narrative. 190 00:11:44,840 --> 00:11:50,000 Speaker 3: You gonna understand this was right for He's like Taylor Swift. 191 00:11:50,040 --> 00:11:52,520 Speaker 3: He like the Backstreet Boys. You go ahead, the little 192 00:11:52,600 --> 00:11:55,400 Speaker 3: fan based like Beyonnest they got to be he go ahead. 193 00:11:55,400 --> 00:11:58,439 Speaker 3: The drinks whatever they call these, the drinks. You have 194 00:11:58,600 --> 00:12:00,560 Speaker 3: the tricks in this corner like ye. But I'm gonna 195 00:12:00,559 --> 00:12:01,920 Speaker 3: tell you, man, I heard this man's. 196 00:12:01,720 --> 00:12:03,280 Speaker 7: Mom even locked him out the house dog. 197 00:12:05,400 --> 00:12:05,880 Speaker 8: He's this. 198 00:12:06,120 --> 00:12:11,000 Speaker 5: This is the of getting knocked out and then like trying. 199 00:12:10,679 --> 00:12:16,480 Speaker 4: To readjudicate whether or not the guy had juiced up gloves. 200 00:12:19,200 --> 00:12:22,320 Speaker 6: I think, I think the I think what's gonna happen? 201 00:12:24,120 --> 00:12:26,720 Speaker 6: You got a worst case scenario, in the best case scenario, 202 00:12:26,840 --> 00:12:30,160 Speaker 6: best case scenario. They they don't they they don't even 203 00:12:30,440 --> 00:12:32,679 Speaker 6: entertain this. Somebody in his ear telling them to go 204 00:12:32,679 --> 00:12:36,120 Speaker 6: on ahead and drop that. Don't even proceed to try to, 205 00:12:36,160 --> 00:12:40,760 Speaker 6: you know, pursue that worst case scenario. This shit worse 206 00:12:40,840 --> 00:12:41,959 Speaker 6: than Epstein list dog. 207 00:12:42,000 --> 00:12:42,679 Speaker 7: Because what's. 208 00:12:44,160 --> 00:12:48,719 Speaker 6: What's gonna happen is is everybody every like Box. To 209 00:12:48,840 --> 00:12:51,480 Speaker 6: the people out there who are not inside the industry, 210 00:12:51,520 --> 00:12:54,800 Speaker 6: they might think, wow, somebody using Box, But everybody in 211 00:12:54,880 --> 00:12:58,040 Speaker 6: this room right now understands that Box and AI gets 212 00:12:58,120 --> 00:13:01,400 Speaker 6: used all the time for some your favorite artists, most 213 00:13:01,440 --> 00:13:04,319 Speaker 6: of your favorite artists, your artist, your favorite artists might 214 00:13:04,360 --> 00:13:05,119 Speaker 6: not even. 215 00:13:04,920 --> 00:13:07,440 Speaker 7: Know that it's being that Box are being used. 216 00:13:07,480 --> 00:13:10,480 Speaker 6: It ain't like Kendrick is sitting at a computer in 217 00:13:10,559 --> 00:13:14,480 Speaker 6: a farm with a thousand devices, so it don't it 218 00:13:14,520 --> 00:13:15,679 Speaker 6: don't touch him anyway. 219 00:13:15,760 --> 00:13:19,240 Speaker 7: But the whole thing is all these people using bots. 220 00:13:19,280 --> 00:13:22,960 Speaker 6: So the domino effect and the blowback of trying to 221 00:13:22,960 --> 00:13:26,480 Speaker 6: bring all this to the forefront, and you're gonna bring 222 00:13:26,559 --> 00:13:29,520 Speaker 6: down some of the biggest artists known to men, and 223 00:13:29,559 --> 00:13:32,960 Speaker 6: then the whistleblower doesn't usually come out clean on the 224 00:13:33,000 --> 00:13:36,040 Speaker 6: other side of that, you feel me, So this could 225 00:13:36,040 --> 00:13:40,240 Speaker 6: be something like this is only the tip of iceberg. 226 00:13:40,280 --> 00:13:44,080 Speaker 6: Y'll like, this man is pishing in the wind, though, Bro, 227 00:13:44,200 --> 00:13:45,560 Speaker 6: you don't think he's using box. 228 00:13:47,000 --> 00:13:49,839 Speaker 7: Man, Listen, he might not think he using box. 229 00:13:52,160 --> 00:13:55,360 Speaker 3: I'm gonna tell you, Bro. His upress, his upress and 230 00:13:55,400 --> 00:13:57,760 Speaker 3: his arrogance probably got him thinking I'm the greatest. I 231 00:13:57,760 --> 00:14:02,959 Speaker 3: don't have to that's really believe me. The hot blind 232 00:14:03,080 --> 00:14:06,120 Speaker 3: bling and all that stuff got bots on him and stuff. 233 00:14:05,920 --> 00:14:06,319 Speaker 8: On it too. 234 00:14:06,880 --> 00:14:08,480 Speaker 4: And why would he think because he said they're both 235 00:14:08,480 --> 00:14:10,400 Speaker 4: on the same label, So why would he think that 236 00:14:11,200 --> 00:14:14,720 Speaker 4: his own label only uses boss for the other guy? 237 00:14:14,720 --> 00:14:17,880 Speaker 4: And not for him, because he's the label. 238 00:14:17,640 --> 00:14:18,160 Speaker 5: For doing it. 239 00:14:18,640 --> 00:14:21,880 Speaker 8: Hey, I think he keep on playing with Luci and 240 00:14:21,880 --> 00:14:23,120 Speaker 8: Grange and then he's gonna. 241 00:14:22,880 --> 00:14:28,360 Speaker 5: Be That's all I was about to say. 242 00:14:28,360 --> 00:14:30,200 Speaker 4: I think Diddy's behind this, because now Diddy has the 243 00:14:30,240 --> 00:14:31,480 Speaker 4: second most interesting trial. 244 00:14:31,520 --> 00:14:40,480 Speaker 1: And some Crooked said, this is why I've been saying 245 00:14:40,520 --> 00:14:45,800 Speaker 1: he's not hip hop, right, because there's a thing that 246 00:14:46,120 --> 00:14:49,320 Speaker 1: and I'll be honest, right, Cam who is one of 247 00:14:49,320 --> 00:14:51,840 Speaker 1: the best of us, right, the Nation of Islam cleaned 248 00:14:51,880 --> 00:14:55,040 Speaker 1: him up, got him together, Stell who's a father and 249 00:14:55,120 --> 00:14:58,880 Speaker 1: a husband and does great things, and Crooked who's been 250 00:14:58,880 --> 00:15:03,000 Speaker 1: in this business. We all still worry about the optics. 251 00:15:04,800 --> 00:15:09,360 Speaker 1: That's the thing about being street. Street don't mean you 252 00:15:09,440 --> 00:15:12,880 Speaker 1: actually have to commit a crime. Street means you protect 253 00:15:12,880 --> 00:15:16,640 Speaker 1: your reputation differently because you come from a level of 254 00:15:16,680 --> 00:15:21,760 Speaker 1: poverty and you need to keep your reputation intact. Every 255 00:15:21,920 --> 00:15:27,040 Speaker 1: last person on the stage not named Pete definitely overvalues 256 00:15:27,120 --> 00:15:32,880 Speaker 1: their reputation, and that's the cornerstone of hip hop. Gee, However, 257 00:15:32,960 --> 00:15:36,960 Speaker 1: many episodes ago, you asked me why wasn't trying to 258 00:15:37,000 --> 00:15:38,360 Speaker 1: get into fights in high school? 259 00:15:38,720 --> 00:15:43,120 Speaker 4: And what did I say? Too hard for me to 260 00:15:43,160 --> 00:15:44,160 Speaker 4: get my dad suit. 261 00:15:45,240 --> 00:15:48,120 Speaker 1: So this is what I told him, Krook, I said, 262 00:15:48,160 --> 00:15:49,880 Speaker 1: if you want to know if your hip hop is 263 00:15:49,960 --> 00:15:55,520 Speaker 1: really simple, the first hip hop lesson most people get right. 264 00:15:55,640 --> 00:15:59,760 Speaker 1: The first hip hop lesson is the first time you 265 00:15:59,760 --> 00:16:03,720 Speaker 1: go to school and somebody put their hands on and 266 00:16:03,760 --> 00:16:06,560 Speaker 1: you come home and you tell your mom and your father, Hey, 267 00:16:06,600 --> 00:16:10,880 Speaker 1: somebody put their hands on me. If your parents say 268 00:16:11,080 --> 00:16:15,880 Speaker 1: you better hit them motherfuckers back, your ass is hip hop. 269 00:16:17,960 --> 00:16:19,800 Speaker 2: If you outside of your house. 270 00:16:19,640 --> 00:16:23,120 Speaker 1: And your friends saying you better hit them back, that's 271 00:16:23,240 --> 00:16:26,560 Speaker 1: hip hop. You know why, because hip hop is not 272 00:16:26,600 --> 00:16:29,600 Speaker 1: worried about the rules. The street is a greater sense 273 00:16:29,640 --> 00:16:32,400 Speaker 1: of justice. The street culture is a greater sense of justice. 274 00:16:32,400 --> 00:16:35,320 Speaker 1: We understand justice ain't on our side, so we have 275 00:16:35,480 --> 00:16:38,400 Speaker 1: to take justice in our own hands. That's a cornerstone 276 00:16:38,520 --> 00:16:40,840 Speaker 1: of street, urban culture, hip hop. 277 00:16:41,160 --> 00:16:42,400 Speaker 2: That's something we all share. 278 00:16:43,320 --> 00:16:46,000 Speaker 1: I don't care if our mom was a nurse like 279 00:16:46,080 --> 00:16:51,520 Speaker 1: my mom, cam whatever your mom did, whatever your mom 280 00:16:51,800 --> 00:16:55,800 Speaker 1: feel me quote whatever your mom. Yeah, you better hit 281 00:16:55,840 --> 00:17:00,360 Speaker 1: him back. That father, somebody say hit him back. Didn't 282 00:17:00,400 --> 00:17:02,880 Speaker 1: nobody tell you to go tell the teacher? 283 00:17:04,560 --> 00:17:05,400 Speaker 11: No one place. 284 00:17:05,440 --> 00:17:07,040 Speaker 2: He said, you know what, donna hit him back. Go 285 00:17:07,200 --> 00:17:08,680 Speaker 2: tell the teacher tell the principal. 286 00:17:11,080 --> 00:17:14,400 Speaker 1: Matter of fact, my mama would say, you're not gonna 287 00:17:14,400 --> 00:17:16,359 Speaker 1: get in trouble if they get you in trouble. 288 00:17:17,920 --> 00:17:18,080 Speaker 8: Mm. 289 00:17:19,320 --> 00:17:21,880 Speaker 2: So I was to peat that, and I asked Pete to. 290 00:17:21,840 --> 00:17:25,560 Speaker 1: Prove it, and Pete said this fire told him you 291 00:17:25,600 --> 00:17:26,800 Speaker 1: better not hit nobody back. 292 00:17:27,680 --> 00:17:31,080 Speaker 2: I don't need no reason for nobody to sue me, right. 293 00:17:32,359 --> 00:17:32,560 Speaker 3: Yeah. 294 00:17:32,840 --> 00:17:35,480 Speaker 4: And and the worst fight I saw in high school, 295 00:17:35,920 --> 00:17:38,679 Speaker 4: some dude got his block knocked the fuck off. His 296 00:17:38,840 --> 00:17:40,480 Speaker 4: dad had to write a six figure checker. 297 00:17:41,640 --> 00:17:42,000 Speaker 8: Mm hmm. 298 00:17:42,720 --> 00:17:50,439 Speaker 2: Damn man that he got his block knocked off and 299 00:17:50,600 --> 00:17:51,960 Speaker 2: he chose to sue. 300 00:17:58,320 --> 00:18:01,840 Speaker 7: Y'all picture of Dwayne Wayne mean, I'm from a different world. 301 00:18:02,520 --> 00:18:10,280 Speaker 1: Man, Oh man, I don't know how to feel. This 302 00:18:10,440 --> 00:18:13,919 Speaker 1: is almost unbelievable. So, yes, Crook, I'm with you. I 303 00:18:13,960 --> 00:18:17,240 Speaker 1: think he's not worried about the optics. But his problem 304 00:18:17,359 --> 00:18:22,320 Speaker 1: is he's worried about the optics. That's the only thing. Like, 305 00:18:24,119 --> 00:18:27,400 Speaker 1: because he's not hip hop in culture and being raised, 306 00:18:27,800 --> 00:18:31,800 Speaker 1: he don't quite understand what's happening. But because he's idolized 307 00:18:31,800 --> 00:18:35,600 Speaker 1: his culture like tons of basketball players, he's idolized culture 308 00:18:35,640 --> 00:18:38,840 Speaker 1: like tons of people on outskirts right that they start 309 00:18:38,920 --> 00:18:43,040 Speaker 1: to participate right, and then they start to try to. 310 00:18:43,000 --> 00:18:44,360 Speaker 2: Live up to the. 311 00:18:45,920 --> 00:18:48,719 Speaker 1: To the to the rules, to the foundation of it, 312 00:18:49,000 --> 00:18:51,600 Speaker 1: you know, to the point where even when he got robbed, 313 00:18:51,600 --> 00:18:54,000 Speaker 1: he told the police and he felt like, you know, 314 00:18:54,080 --> 00:18:57,080 Speaker 1: it was things that he did that really threw me off. 315 00:18:57,119 --> 00:18:59,560 Speaker 1: And I'm like, but I never thought he was street crooked. 316 00:18:59,560 --> 00:19:01,919 Speaker 1: When I first I never thought he was street. I'm like, 317 00:19:01,920 --> 00:19:04,200 Speaker 1: this is a good dude. Like, it's a good kid. 318 00:19:04,240 --> 00:19:06,200 Speaker 1: You know, you just nigg we the same. I'm like, yeah, 319 00:19:06,200 --> 00:19:07,840 Speaker 1: he's a good kid, you know what I mean. So 320 00:19:08,920 --> 00:19:11,400 Speaker 1: it was weird to me that when his music started 321 00:19:11,400 --> 00:19:14,520 Speaker 1: to get street and it started talking about hurting people 322 00:19:14,600 --> 00:19:19,280 Speaker 1: and spending the lilt and talking tough, and I'm like, yeah, 323 00:19:19,280 --> 00:19:22,880 Speaker 1: it's just music. And then I realized when I first 324 00:19:22,880 --> 00:19:25,320 Speaker 1: started to you remember quick, when I would call you, 325 00:19:25,359 --> 00:19:27,200 Speaker 1: when I was just getting the grasp on what hip 326 00:19:27,240 --> 00:19:30,320 Speaker 1: hop was from a true cultural standpoint, I was figuring 327 00:19:30,359 --> 00:19:30,919 Speaker 1: it out, and I was like. 328 00:19:30,960 --> 00:19:34,280 Speaker 2: Oh, he not hip hop. And I didn't think anything. 329 00:19:33,960 --> 00:19:36,240 Speaker 1: Wrong with it because I thought he was an unbelievably 330 00:19:36,320 --> 00:19:37,280 Speaker 1: talented musician. 331 00:19:37,320 --> 00:19:41,240 Speaker 2: I never cared if he was or was it right? 332 00:19:41,680 --> 00:19:42,159 Speaker 2: You feel me? 333 00:19:42,200 --> 00:19:44,960 Speaker 1: It was like he was extremely dope, like this dude 334 00:19:45,119 --> 00:19:48,080 Speaker 1: was a master. But then I noticed when I read 335 00:19:48,080 --> 00:19:52,320 Speaker 1: it publicly talking to Charlemagne in the interview, and like 336 00:19:52,400 --> 00:19:54,439 Speaker 1: it was like a kind of an attitude from his 337 00:19:54,520 --> 00:19:57,479 Speaker 1: team to me, and I'm like, wait a minute, are 338 00:19:57,560 --> 00:20:00,560 Speaker 1: y'all mad at me for saying this? And it's like 339 00:20:00,680 --> 00:20:02,760 Speaker 1: they wanted people to really. 340 00:20:02,480 --> 00:20:10,480 Speaker 2: Believe that he was street. I went through the same 341 00:20:10,520 --> 00:20:11,200 Speaker 2: thing with Rose. 342 00:20:11,760 --> 00:20:14,719 Speaker 1: It was like I'm saying something I get, you know, 343 00:20:14,880 --> 00:20:17,159 Speaker 1: like because I make street rap, I have to be 344 00:20:17,240 --> 00:20:20,479 Speaker 1: honest and be a lot more transparent because you know, 345 00:20:20,640 --> 00:20:23,680 Speaker 1: everybody else that's that's competing in the competing space, you know, 346 00:20:23,720 --> 00:20:25,719 Speaker 1: I mean, they get to kind of fantasize it. 347 00:20:26,040 --> 00:20:28,680 Speaker 2: They get to you know, like I was saying, Ross, 348 00:20:29,000 --> 00:20:30,240 Speaker 2: you know who's in my top five? 349 00:20:30,359 --> 00:20:32,320 Speaker 1: Like he could say he got ninety eight million dollars 350 00:20:32,320 --> 00:20:34,800 Speaker 1: in the Bank of American bank account, or you know 351 00:20:35,119 --> 00:20:38,199 Speaker 1: Creavior or he named himself after a guy that I 352 00:20:38,280 --> 00:20:38,960 Speaker 1: actually wove. 353 00:20:40,760 --> 00:20:43,119 Speaker 2: And you know, I wasn't it wasn't no shame crooked 354 00:20:43,119 --> 00:20:45,320 Speaker 2: on Olivia, but it wasn't no shade. It was just like, 355 00:20:45,400 --> 00:20:49,240 Speaker 2: these are obvious truths. Niggas was making at me, and 356 00:20:49,280 --> 00:20:52,479 Speaker 2: I'm like, do you think you fooling people? 357 00:20:53,560 --> 00:20:58,119 Speaker 1: Yes, if I'm crazy or if they crazy? Because I'm like, 358 00:20:58,640 --> 00:20:59,720 Speaker 1: are they fooling people? 359 00:21:00,960 --> 00:21:05,800 Speaker 6: So that's where we come to this situation at hand. 360 00:21:06,400 --> 00:21:10,840 Speaker 6: It's like a magician telling everybody how the magic tricks 361 00:21:10,840 --> 00:21:14,520 Speaker 6: are performed. When you get up here, you start talking 362 00:21:14,520 --> 00:21:16,920 Speaker 6: about these bots and this AI and this stream shit, 363 00:21:18,440 --> 00:21:21,560 Speaker 6: you about to pull back the curtain and show everybody 364 00:21:21,600 --> 00:21:25,560 Speaker 6: the wizard of Alls. You feel me, and let me 365 00:21:25,600 --> 00:21:30,760 Speaker 6: tell you they're not playing about this bro. Fifteen twenty fifteen, 366 00:21:30,800 --> 00:21:32,800 Speaker 6: I did a show called One Shot. I created this 367 00:21:32,840 --> 00:21:36,040 Speaker 6: show for BT Rap Competition, all this kind of good stuff. 368 00:21:36,320 --> 00:21:40,280 Speaker 6: One of the real current judges good dude, family man. 369 00:21:40,359 --> 00:21:42,600 Speaker 6: I met his kids, I met his wife. Family man. 370 00:21:42,680 --> 00:21:47,439 Speaker 6: You know what I'm saying, real good dude. We had 371 00:21:47,440 --> 00:21:48,600 Speaker 6: a successful season. 372 00:21:49,040 --> 00:21:50,320 Speaker 3: It was great. 373 00:21:50,520 --> 00:21:52,959 Speaker 6: A couple of years went by, everybody started doing their 374 00:21:53,000 --> 00:21:53,680 Speaker 6: own little thing. 375 00:21:53,720 --> 00:21:56,080 Speaker 7: We all went back to our respective corners. 376 00:21:57,400 --> 00:21:59,760 Speaker 6: This year, I woke up and his face was all 377 00:21:59,760 --> 00:22:03,240 Speaker 6: over the news, and I was like, what is he 378 00:22:03,359 --> 00:22:08,359 Speaker 6: doing all over the news? Feds yanked them out of 379 00:22:08,400 --> 00:22:11,520 Speaker 6: his crib in front of his kids, and his wife 380 00:22:12,520 --> 00:22:17,560 Speaker 6: arrested him and charged them with an accusation that he 381 00:22:17,760 --> 00:22:23,680 Speaker 6: used AI and bots and manipulated streams to generate ten 382 00:22:23,720 --> 00:22:24,959 Speaker 6: million dollars for himself. 383 00:22:27,920 --> 00:22:29,359 Speaker 7: And they are. 384 00:22:29,400 --> 00:22:34,480 Speaker 6: Saying that this is one of the biggest streaming crimes 385 00:22:34,560 --> 00:22:41,280 Speaker 6: since they started passing laws against fraudulent streams. That man 386 00:22:41,680 --> 00:22:46,480 Speaker 6: owns businesses, homes, He's a hard working dude. They snatched 387 00:22:46,520 --> 00:22:50,640 Speaker 6: him straight up. They not playing about that shit, bro, 388 00:22:52,000 --> 00:22:58,879 Speaker 6: unless you are with the machine. Then they turned the 389 00:22:58,920 --> 00:23:01,120 Speaker 6: other was permitted to chieve. 390 00:23:02,119 --> 00:23:03,439 Speaker 5: Do you know what this reminds me of? 391 00:23:04,560 --> 00:23:07,320 Speaker 2: No, It's like, this is what I kind of think 392 00:23:07,359 --> 00:23:07,680 Speaker 2: it is. 393 00:23:09,600 --> 00:23:12,600 Speaker 4: If this is Drake's second L he's ever taken since 394 00:23:12,720 --> 00:23:13,560 Speaker 4: that he was born. 395 00:23:13,440 --> 00:23:14,680 Speaker 5: What was his first L? 396 00:23:17,160 --> 00:23:17,880 Speaker 2: Not push your tea? 397 00:23:21,560 --> 00:23:27,560 Speaker 4: I mean that was a speed bump that didn't impact anything. 398 00:23:27,840 --> 00:23:30,679 Speaker 4: This reminds me of Hillary Clinton losing the election in 399 00:23:30,720 --> 00:23:35,359 Speaker 4: twenty sixteen and blaming it on the Russians, like a 400 00:23:35,560 --> 00:23:38,600 Speaker 4: total shock and disbelief, and I like, this can't be possible. 401 00:23:39,280 --> 00:23:41,840 Speaker 4: I'm me, I don't take l's like this. It had 402 00:23:41,880 --> 00:23:47,280 Speaker 4: to have been manipulated by somebody outside of the system. Bro. 403 00:23:47,320 --> 00:23:49,919 Speaker 3: I'm gonna tell you. I think with Drake man, I 404 00:23:49,960 --> 00:23:53,480 Speaker 3: think Drake is the delusional guy. I think he's the 405 00:23:53,880 --> 00:23:58,120 Speaker 3: direct result of that everybody gets a trophy syndrome. That 406 00:23:58,160 --> 00:23:59,640 Speaker 3: was one of the things I hated. Do you remember 407 00:23:59,640 --> 00:24:01,600 Speaker 3: when I was coaching you football, told you I hate 408 00:24:01,600 --> 00:24:05,639 Speaker 3: the idea of everybody getting the trophy. Mm, this is 409 00:24:05,680 --> 00:24:08,240 Speaker 3: the same thing Drake doesn't think he's supposed to lose. 410 00:24:08,280 --> 00:24:09,040 Speaker 7: He's entitled. 411 00:24:10,280 --> 00:24:12,400 Speaker 3: His privilege is coming out of showing right now, how 412 00:24:12,440 --> 00:24:14,840 Speaker 3: big this dude from compt to beat me. He's not 413 00:24:14,960 --> 00:24:18,560 Speaker 3: better than me than me? This is this privilege. This 414 00:24:18,720 --> 00:24:21,000 Speaker 3: is privilege on thing. He's having a timidt answer right now. 415 00:24:22,119 --> 00:24:25,479 Speaker 2: You know what, that actually makes sense. 416 00:24:27,119 --> 00:24:28,040 Speaker 3: This is his privilege. 417 00:24:28,800 --> 00:24:32,800 Speaker 2: Privilege, bro, he really is having a privileged moment. 418 00:24:34,080 --> 00:24:38,320 Speaker 8: He got affluenza, you know how dare. 419 00:24:41,440 --> 00:24:44,240 Speaker 1: I never thought about it like that, but that makes sense. 420 00:24:44,280 --> 00:24:46,000 Speaker 1: He's having a privileged moment. 421 00:24:46,760 --> 00:24:46,920 Speaker 5: HM. 422 00:24:47,520 --> 00:24:50,520 Speaker 3: I wouldn't be surprised if he called doc Nick the 423 00:24:50,640 --> 00:24:51,840 Speaker 3: N word with hard r bro. 424 00:24:52,040 --> 00:24:53,800 Speaker 7: I'm I believe. 425 00:24:53,520 --> 00:25:01,800 Speaker 4: You that the who would he say that to? 426 00:25:01,880 --> 00:25:02,040 Speaker 3: Though? 427 00:25:02,040 --> 00:25:04,359 Speaker 4: Because for people who probably around him all the time, 428 00:25:04,440 --> 00:25:08,960 Speaker 4: you know, probably aren't like on his. 429 00:25:08,720 --> 00:25:15,639 Speaker 3: Probably we're still setting their breast, whatever you're doing, still 430 00:25:15,880 --> 00:25:24,359 Speaker 3: still out here with this is ridiculous, right, you know me? 431 00:25:25,960 --> 00:25:30,120 Speaker 3: She was talking right. Everybody except everybody on this family 432 00:25:30,160 --> 00:25:32,399 Speaker 3: except one of us, is from the hood, right, everybody 433 00:25:32,400 --> 00:25:35,120 Speaker 3: from the get him. We've all lost the fight before, right, 434 00:25:37,440 --> 00:25:41,199 Speaker 3: But we never told like she was alluding to earlier. 435 00:25:41,240 --> 00:25:43,800 Speaker 3: We never went back and told nobody we just want 436 00:25:43,840 --> 00:25:45,919 Speaker 3: to fuck that dude again and again until we got 437 00:25:45,960 --> 00:25:48,080 Speaker 3: a victory, or we left him head alone, right, whatever 438 00:25:48,119 --> 00:25:51,480 Speaker 3: it was. But we didn't go tell nobody. This dude 439 00:25:51,680 --> 00:25:55,920 Speaker 3: really thinks that he has the right to go. Man, 440 00:25:55,960 --> 00:25:58,359 Speaker 3: he lost the battle, bruh. And I'm pretty sure he 441 00:25:58,400 --> 00:26:01,000 Speaker 3: done heard that album. I'm pretty you were, and he 442 00:26:01,080 --> 00:26:03,040 Speaker 3: can't one person you can't lie to You can't lie 443 00:26:03,040 --> 00:26:04,840 Speaker 3: to yourself. I'm pretty sure you don't heard that shit 444 00:26:04,920 --> 00:26:06,879 Speaker 3: and said, Man, this is really good. 445 00:26:07,960 --> 00:26:08,919 Speaker 7: I'm going to sue him. 446 00:26:08,960 --> 00:26:09,600 Speaker 3: He's ruined me. 447 00:26:11,920 --> 00:26:15,879 Speaker 6: No, all the farm owners thinking right now, this is 448 00:26:15,960 --> 00:26:19,360 Speaker 6: a deeper conversation, bro, because. 449 00:26:20,600 --> 00:26:26,080 Speaker 1: I've always thought if you are mixed with black, you 450 00:26:26,200 --> 00:26:29,640 Speaker 1: are black, right. But then I've always thought, big bro, 451 00:26:29,840 --> 00:26:31,600 Speaker 1: and this is a good thing to talk to you about. 452 00:26:31,800 --> 00:26:35,800 Speaker 1: I've always thought of black as a responsibility. It ain't 453 00:26:35,840 --> 00:26:39,520 Speaker 1: like my skin is black, right, Being black is a 454 00:26:39,600 --> 00:26:41,680 Speaker 1: desire to care for other people that have been through 455 00:26:41,720 --> 00:26:45,320 Speaker 1: the same type of struggles like myself. It's a responsibility 456 00:26:45,840 --> 00:26:52,440 Speaker 1: to be black. And I noticed it and I thought 457 00:26:52,440 --> 00:26:55,200 Speaker 1: to myself, like I used to always say he wasn't 458 00:26:55,280 --> 00:26:57,600 Speaker 1: hip hop. People thought that that was the equivalent of 459 00:26:57,600 --> 00:26:58,960 Speaker 1: me saying he's not black. 460 00:27:01,480 --> 00:27:04,120 Speaker 2: And it's like, he's black. His father is a black man. 461 00:27:04,560 --> 00:27:07,120 Speaker 3: Yeah, he's black dog. But being black, like you said, 462 00:27:07,119 --> 00:27:09,520 Speaker 3: it's more than a skin color, man, It's a condition, man, 463 00:27:09,560 --> 00:27:13,480 Speaker 3: It's like it's a soul. Listen here, man, and think 464 00:27:13,520 --> 00:27:13,879 Speaker 3: about it. 465 00:27:13,920 --> 00:27:20,560 Speaker 4: Also, like if you're from a biracial parenting, you know, 466 00:27:21,000 --> 00:27:25,919 Speaker 4: or what's the word, like a conception and you're raised 467 00:27:25,960 --> 00:27:29,720 Speaker 4: by one parent, you're gonna be pretty. 468 00:27:29,520 --> 00:27:31,679 Speaker 5: Much that, you know what I mean. 469 00:27:32,320 --> 00:27:34,320 Speaker 2: And that's what I was thinking, right, So that was 470 00:27:34,359 --> 00:27:35,560 Speaker 2: always my thing. 471 00:27:36,000 --> 00:27:38,560 Speaker 5: I got to have a lot of those conversations, right, that. 472 00:27:38,920 --> 00:27:40,920 Speaker 2: Was always my thing about him not being hip hop. 473 00:27:41,000 --> 00:27:44,800 Speaker 1: Right, he he was raised by his mother in the 474 00:27:44,840 --> 00:27:46,160 Speaker 1: Jewish community, going. 475 00:27:45,960 --> 00:27:48,880 Speaker 2: To Jewish because and that was always my thought, right. 476 00:27:50,440 --> 00:27:52,520 Speaker 1: Man, Now I can see if he was raised Jewish 477 00:27:52,600 --> 00:27:55,640 Speaker 1: in the Bronx, you know, you could be you hang 478 00:27:55,680 --> 00:27:58,240 Speaker 1: out onside, I guess what is you back to the streets. 479 00:27:58,800 --> 00:28:02,400 Speaker 1: But again, his serf stances, his environment. He was raised 480 00:28:02,400 --> 00:28:04,119 Speaker 1: as a Jewish man, so I always thought of him 481 00:28:04,160 --> 00:28:07,280 Speaker 1: was Jewish. But I understood his father was a brother 482 00:28:07,320 --> 00:28:08,040 Speaker 1: from Memphis. 483 00:28:08,520 --> 00:28:15,600 Speaker 2: Right, But you know, like if that's not going on, and. 484 00:28:17,160 --> 00:28:20,240 Speaker 1: Like like to me, you're not biracial, there's no such thing. 485 00:28:20,280 --> 00:28:22,760 Speaker 2: You're black, if you know what I mean, you're black. 486 00:28:22,880 --> 00:28:23,800 Speaker 2: If you're black, you're black. 487 00:28:23,880 --> 00:28:27,200 Speaker 1: It don't even matter what happened because theoretically everybody come 488 00:28:27,280 --> 00:28:30,280 Speaker 1: from black people from the star. So every for sure, 489 00:28:30,280 --> 00:28:33,800 Speaker 1: if you cut it back down, you're black. So I 490 00:28:33,880 --> 00:28:38,200 Speaker 1: understood he was Jewish based off culture, minus the conversation 491 00:28:38,320 --> 00:28:42,840 Speaker 1: of race, minus the conversation of his again ethnic ethnicity. 492 00:28:43,360 --> 00:28:45,480 Speaker 2: You know what I mean, he's a jewish Man. You know, 493 00:28:46,040 --> 00:28:47,480 Speaker 2: racially he's a Negro. 494 00:28:47,840 --> 00:28:51,360 Speaker 1: Right, But again, if race is not a real construct, 495 00:28:51,440 --> 00:28:54,880 Speaker 1: he would be a jewish Man. And if you think 496 00:28:54,920 --> 00:29:00,280 Speaker 1: about how he's going about this battle right now, they 497 00:29:02,800 --> 00:29:05,200 Speaker 1: really yeah, not a bad thing. 498 00:29:06,560 --> 00:29:09,040 Speaker 9: You got way too Trump in office, you got way 499 00:29:09,120 --> 00:29:11,400 Speaker 9: to January sixth. Then you can say that. 500 00:29:12,200 --> 00:29:14,440 Speaker 1: Well, I mean, listen, I don't think it's negative. I 501 00:29:14,480 --> 00:29:16,400 Speaker 1: mean that's just culture to who. 502 00:29:16,280 --> 00:29:16,840 Speaker 8: His peoples are. 503 00:29:16,880 --> 00:29:19,120 Speaker 2: I don't. I don't know why YouTube. 504 00:29:19,320 --> 00:29:21,760 Speaker 4: That there's a difference in that sensus saying saying like 505 00:29:22,080 --> 00:29:27,680 Speaker 4: the Jays and j Ish, But I don't know. 506 00:29:27,720 --> 00:29:28,560 Speaker 5: I'm not in charge of it. 507 00:29:29,760 --> 00:29:32,320 Speaker 3: He doesn't even know if that if that matters, man, 508 00:29:32,520 --> 00:29:34,719 Speaker 3: I just think that the dude don't have no culture. 509 00:29:34,800 --> 00:29:38,040 Speaker 2: Man he does, but that's my points then he already 510 00:29:38,080 --> 00:29:38,360 Speaker 2: get it. 511 00:29:38,680 --> 00:29:39,960 Speaker 5: He was raised jam. 512 00:29:41,520 --> 00:29:44,760 Speaker 3: Yeah, but that's what I'm saying. He doesn't like when 513 00:29:44,800 --> 00:29:46,840 Speaker 3: you've never really been through nothing like you know how 514 00:29:46,840 --> 00:29:53,480 Speaker 3: you talking about him and his mom had a hard time, man, mhm, him, 515 00:29:53,560 --> 00:29:55,600 Speaker 3: him and his mom Florry Town was way different than 516 00:29:55,840 --> 00:29:56,920 Speaker 3: our parents hard time. 517 00:29:57,560 --> 00:30:01,440 Speaker 2: I don't want to get to the drug Olympics. He 518 00:30:01,480 --> 00:30:02,200 Speaker 2: waste the time with that. 519 00:30:02,320 --> 00:30:05,960 Speaker 1: I'm just saying, for sure, I always thought of him 520 00:30:06,000 --> 00:30:10,960 Speaker 1: as that, but like this is next level, not hip 521 00:30:12,200 --> 00:30:15,880 Speaker 1: like I always thought he wasn't hip, but like this is. 522 00:30:15,840 --> 00:30:19,200 Speaker 2: For sure the most unhit thing he's ever done in his. 523 00:30:19,200 --> 00:30:22,720 Speaker 4: Life that I've ever saw that I saw or is 524 00:30:22,760 --> 00:30:25,280 Speaker 4: it just the most Jewish things ever done in this life? 525 00:30:25,880 --> 00:30:31,120 Speaker 1: That's my point. It makes sense when you throw because 526 00:30:31,120 --> 00:30:33,000 Speaker 1: I can't play. The Beastie Boys were still the. 527 00:30:35,360 --> 00:30:37,560 Speaker 3: Whole bunch of Jewish people on hip hop broke ain't never. 528 00:30:40,520 --> 00:30:43,560 Speaker 1: I think those people still are street like the Beastie 529 00:30:43,600 --> 00:30:46,040 Speaker 1: Boys still grew up in the punk rock environment, should 530 00:30:46,040 --> 00:30:47,120 Speaker 1: be able to create the music. 531 00:30:47,880 --> 00:30:50,440 Speaker 2: So there's a level of street urbanness too it. 532 00:30:50,360 --> 00:30:52,560 Speaker 1: Because again punk rock is and hip hop or step brother, 533 00:30:52,560 --> 00:30:56,320 Speaker 1: they both come from street urban backgrounds, just different you know, 534 00:30:56,880 --> 00:30:59,120 Speaker 1: mothers places on Earth. We ain't come up in the 535 00:30:59,120 --> 00:31:02,680 Speaker 1: same places. But the saying oppression or whatever miss understood, 536 00:31:02,720 --> 00:31:04,480 Speaker 1: Like the Skaters cam when I was just young, the 537 00:31:04,520 --> 00:31:08,240 Speaker 1: Skaters is like that they really felt like they were 538 00:31:08,840 --> 00:31:10,640 Speaker 1: you know what I'm saying, Like, ain't Drake from the 539 00:31:11,160 --> 00:31:14,080 Speaker 1: Canada streets though? Any rocking with the Hell's Angels and 540 00:31:14,120 --> 00:31:20,880 Speaker 1: all that that street no, y ain't no no, because. 541 00:31:20,640 --> 00:31:23,760 Speaker 2: For sure they wouldn't be suing nobody. It'd be a rumble, 542 00:31:24,360 --> 00:31:25,000 Speaker 2: be a squabble. 543 00:31:25,440 --> 00:31:30,200 Speaker 3: Hey, let me ask sure this crook. When't you say 544 00:31:30,240 --> 00:31:36,160 Speaker 3: that Drake is a good artist. Yeah, you know, Drake 545 00:31:36,280 --> 00:31:38,640 Speaker 3: was probably one of the biggest you know, if you 546 00:31:38,640 --> 00:31:40,160 Speaker 3: want to call him hip hop or he's one of 547 00:31:40,160 --> 00:31:44,440 Speaker 3: the biggest recording artists in the industry. I believe that 548 00:31:45,040 --> 00:31:47,640 Speaker 3: this is going to be really bad for him. 549 00:31:48,320 --> 00:31:51,800 Speaker 1: Somebody's making a point shout out to. We've been trying 550 00:31:51,800 --> 00:31:54,200 Speaker 1: to figure out what it was. Shout out to, Uh 551 00:31:55,080 --> 00:31:57,560 Speaker 1: David Jones. He said, I think Crookeds mic is too. 552 00:31:57,440 --> 00:31:58,840 Speaker 2: Close to his speakers. 553 00:32:00,120 --> 00:32:02,720 Speaker 8: Yeah, yeah, that may be where we're getting the feed. 554 00:32:02,920 --> 00:32:04,720 Speaker 2: That could be it, because I had the same thing 555 00:32:04,760 --> 00:32:08,720 Speaker 2: happened with. I don't know, because I don't think you 556 00:32:08,800 --> 00:32:09,320 Speaker 2: got a mic. 557 00:32:10,200 --> 00:32:12,280 Speaker 3: No, I don't got a mic. I'm just on the phone. 558 00:32:12,760 --> 00:32:15,040 Speaker 1: Yeah, so somebody's mic may be too close to their 559 00:32:15,080 --> 00:32:17,040 Speaker 1: speakers mike right here. 560 00:32:17,320 --> 00:32:18,440 Speaker 7: They ain't even plugged up. 561 00:32:20,080 --> 00:32:21,560 Speaker 3: But you know what, I think it'd be to a 562 00:32:21,600 --> 00:32:24,440 Speaker 3: little bit man, to a certain extent with these things, 563 00:32:25,920 --> 00:32:30,080 Speaker 3: I think, I don't know, this is gonna be weird, 564 00:32:30,080 --> 00:32:30,760 Speaker 3: but this is gonna be. 565 00:32:30,680 --> 00:32:33,920 Speaker 4: Bad for Oh boy, you got you got your ear 566 00:32:33,920 --> 00:32:35,640 Speaker 4: pieces in or you listening to your thing. 567 00:32:35,960 --> 00:32:41,480 Speaker 3: The gonna say you probably gotta have an ear piece in. No, 568 00:32:41,640 --> 00:32:45,240 Speaker 3: I mean, I'm just my mic when you're all talking. 569 00:32:46,600 --> 00:32:48,400 Speaker 2: It's definitely it couldn't be. 570 00:32:49,240 --> 00:32:53,200 Speaker 9: It's coming It's coming from crook It's coming from Crook side. Okay, 571 00:32:53,760 --> 00:32:55,720 Speaker 9: I don't know what it was, but it's coming from that. 572 00:32:55,920 --> 00:32:57,640 Speaker 3: But we might well keep going. We can't spend a 573 00:32:57,640 --> 00:32:58,400 Speaker 3: whole bunch of time. 574 00:32:58,520 --> 00:32:59,440 Speaker 8: Yeah, no, it's all good. 575 00:33:00,280 --> 00:33:02,280 Speaker 2: Don't thank you, brother, You're not causing an issue, thank 576 00:33:02,320 --> 00:33:04,360 Speaker 2: you well. 577 00:33:05,760 --> 00:33:08,440 Speaker 1: So no, Ryan, right, And this is the tricky part, Ryan, 578 00:33:09,000 --> 00:33:11,040 Speaker 1: that's the bad question. I don't really want to deal with, 579 00:33:11,040 --> 00:33:13,480 Speaker 1: but I'm gonna deal with it anyway. So everyone with 580 00:33:13,800 --> 00:33:16,080 Speaker 1: African ancestry is black, now. 581 00:33:18,720 --> 00:33:20,600 Speaker 8: No, not nothing. 582 00:33:20,960 --> 00:33:23,840 Speaker 9: Our definitely, our definition of black really is basically the 583 00:33:23,960 --> 00:33:27,240 Speaker 9: sentence of slave experience, the black descendants of slaves in 584 00:33:27,280 --> 00:33:30,800 Speaker 9: North America. So Drake is supposed to you know, he's 585 00:33:30,840 --> 00:33:32,880 Speaker 9: half of that, but he wasn't raised on you know, 586 00:33:32,880 --> 00:33:34,479 Speaker 9: on that side of the fence, so he don't want 587 00:33:35,400 --> 00:33:36,200 Speaker 9: that with that. 588 00:33:36,680 --> 00:33:38,600 Speaker 3: I don't want to get into this thing like mixed 589 00:33:38,600 --> 00:33:40,560 Speaker 3: people ain't black, man, because I know a whole bunch 590 00:33:40,560 --> 00:33:41,440 Speaker 3: of down mixed people. 591 00:33:41,480 --> 00:33:42,960 Speaker 8: You know, well, we all mix. 592 00:33:43,120 --> 00:33:45,680 Speaker 9: If you're an American and you got a last name 593 00:33:45,720 --> 00:33:47,400 Speaker 9: that ain't African, you've been cut. 594 00:33:47,560 --> 00:33:49,320 Speaker 3: You cut. That's what I'm saying. 595 00:33:49,680 --> 00:33:53,280 Speaker 2: So it's like, that's not but that's what I'm saying. 596 00:33:53,600 --> 00:33:58,200 Speaker 1: No, So no, no, everybody that's of African descent, because 597 00:33:58,240 --> 00:34:00,880 Speaker 1: Eli Musk is of African descent. It is obvious he's 598 00:34:00,920 --> 00:34:04,520 Speaker 1: not a black man. So no, you don't even got 599 00:34:04,520 --> 00:34:07,000 Speaker 1: to go that far. We don't even waste that much time. 600 00:34:07,400 --> 00:34:10,160 Speaker 9: No, do you think that Drake is is kind of 601 00:34:10,160 --> 00:34:13,360 Speaker 9: going crazy because he know, he know he's a hit maker. 602 00:34:13,400 --> 00:34:16,479 Speaker 9: He know he make fire music, but he don't under 603 00:34:16,520 --> 00:34:23,160 Speaker 9: he didn't understand the dynamics of Kendrick's you know, lineage 604 00:34:23,160 --> 00:34:25,319 Speaker 9: and the audience and what he represents. 605 00:34:25,360 --> 00:34:28,080 Speaker 8: Because Drake Drakens is a hit maker. 606 00:34:28,200 --> 00:34:30,359 Speaker 9: But when you start trying to come over here on 607 00:34:30,360 --> 00:34:33,080 Speaker 9: this fence and get into this warrior type of you know, 608 00:34:33,160 --> 00:34:35,719 Speaker 9: street street warrior type of thing, you're gonna catch the 609 00:34:35,840 --> 00:34:37,240 Speaker 9: all like you never caught before. 610 00:34:37,280 --> 00:34:40,480 Speaker 8: I think he you know, yeah. 611 00:34:40,120 --> 00:34:42,560 Speaker 3: Well, I just think Drake just stepped in some you know, 612 00:34:42,600 --> 00:34:45,279 Speaker 3: I think Drake just stepped in a mess. I'm gonna 613 00:34:45,280 --> 00:34:47,160 Speaker 3: tell you what it was. This is my thing. You know, 614 00:34:47,280 --> 00:34:49,560 Speaker 3: Drake was going to all the U r L battles 615 00:34:50,120 --> 00:34:52,400 Speaker 3: and I think he was just really intrigued by this 616 00:34:52,480 --> 00:34:54,319 Speaker 3: and he just thought that maybe he can get one 617 00:34:54,360 --> 00:34:56,120 Speaker 3: off on dot and just kind of bit off more 618 00:34:56,160 --> 00:34:56,800 Speaker 3: than he can shoot. 619 00:34:57,520 --> 00:34:59,799 Speaker 4: I think he's surpassing out because he can't reach the 620 00:35:00,000 --> 00:35:02,359 Speaker 4: audience he's always been able to reach. 621 00:35:03,600 --> 00:35:07,560 Speaker 1: Well, I think, so so here let's let's my man 622 00:35:07,600 --> 00:35:09,120 Speaker 1: crook it here so I could keep some facts. 623 00:35:09,160 --> 00:35:10,400 Speaker 2: So this is some facts. 624 00:35:11,040 --> 00:35:14,200 Speaker 1: Right since the days of selling records, record label's been 625 00:35:14,239 --> 00:35:17,160 Speaker 1: buying records. You really can't pay for a hit record. 626 00:35:17,280 --> 00:35:20,480 Speaker 1: Your record actually gotta work, especially at any major market. 627 00:35:20,880 --> 00:35:21,080 Speaker 3: Right. 628 00:35:21,200 --> 00:35:23,120 Speaker 1: You could try to get a promotional thing on, but 629 00:35:23,160 --> 00:35:26,160 Speaker 1: eventually your record got a call out. As far as 630 00:35:26,200 --> 00:35:28,560 Speaker 1: streaming and stuff, I do believe that there are some 631 00:35:28,640 --> 00:35:32,360 Speaker 1: plus ones and plus twos for streams, I believe that's happening. 632 00:35:32,360 --> 00:35:35,560 Speaker 1: But your record actually has the stream. You can't take 633 00:35:35,600 --> 00:35:39,040 Speaker 1: the record that nobody knows and make it work. And 634 00:35:39,280 --> 00:35:41,880 Speaker 1: the problem is there have been articles. There was an 635 00:35:41,960 --> 00:35:45,359 Speaker 1: article on a Rolling Stone accusing Drake of the same thing. 636 00:35:46,000 --> 00:35:49,160 Speaker 1: And before we just start using that p word, right 637 00:35:49,280 --> 00:35:52,839 Speaker 1: like the payola word, you can't still be the first one. 638 00:35:52,920 --> 00:35:55,759 Speaker 2: Can be the first one, crook me. You can't pay 639 00:35:55,760 --> 00:35:56,400 Speaker 2: for hit record. 640 00:35:56,520 --> 00:36:01,000 Speaker 1: It actually gotta be a hit record only and pay 641 00:36:01,080 --> 00:36:03,160 Speaker 1: for the promotion to have a chance to have a 642 00:36:03,200 --> 00:36:06,200 Speaker 1: hit records. Maybe if you had a small station that 643 00:36:06,280 --> 00:36:10,120 Speaker 1: don't have a million dollar endorsements deal from Pepsi's and 644 00:36:10,360 --> 00:36:13,600 Speaker 1: and Universal City Neiss. Maybe if you don't have a 645 00:36:13,680 --> 00:36:15,920 Speaker 1: station that has those, But if you have a station 646 00:36:16,360 --> 00:36:20,680 Speaker 1: that's making great money off of advertisement, you could not 647 00:36:20,880 --> 00:36:23,160 Speaker 1: pay for a hit record. So that's the first thing 648 00:36:23,200 --> 00:36:26,440 Speaker 1: your record actually has to perform. 649 00:36:26,680 --> 00:36:27,799 Speaker 2: That's a fact. I know it. 650 00:36:27,800 --> 00:36:29,920 Speaker 1: I'd have backed it up a mellion. I know it's true. 651 00:36:30,120 --> 00:36:33,680 Speaker 1: So Paola is an over stated concept. 652 00:36:33,920 --> 00:36:36,520 Speaker 3: I want to add something else to that. And Kim 653 00:36:37,120 --> 00:36:39,359 Speaker 3: You and Crooked both attested this. We used to see 654 00:36:39,360 --> 00:36:40,960 Speaker 3: people back in the day they have what you call 655 00:36:41,080 --> 00:36:44,360 Speaker 3: turntable hits. They would have these huge records at radio. 656 00:36:44,440 --> 00:36:46,520 Speaker 3: But then the first week when sound Scheme would come 657 00:36:46,560 --> 00:36:49,959 Speaker 3: out there to sell a thousand copies, Remember though, bring when. 658 00:36:49,880 --> 00:36:51,520 Speaker 8: That would happen to Cam. 659 00:36:51,840 --> 00:36:56,080 Speaker 3: Yeah, people still have to go out and purchase your record. However, 660 00:36:56,400 --> 00:36:58,359 Speaker 3: is now people still have to go stream. Like you said, 661 00:36:58,360 --> 00:37:00,880 Speaker 3: you can't cheat your way to it. A big record, 662 00:37:01,120 --> 00:37:03,560 Speaker 3: not the record, not as big as something, not like 663 00:37:03,600 --> 00:37:07,720 Speaker 3: this was. You can't keep with that. It was everybody 664 00:37:07,880 --> 00:37:08,239 Speaker 3: be doing it. 665 00:37:08,600 --> 00:37:10,000 Speaker 8: Yeah, Drake, Drake just ain't. 666 00:37:10,320 --> 00:37:12,920 Speaker 9: He's not from that that world where he could be 667 00:37:13,000 --> 00:37:16,759 Speaker 9: battle rapping like real street street dudes, like it's just 668 00:37:16,840 --> 00:37:19,560 Speaker 9: the culture won't allow it. It's just like a governor 669 00:37:19,560 --> 00:37:22,040 Speaker 9: on the culture. It was just it's just, you know, 670 00:37:22,080 --> 00:37:23,759 Speaker 9: it just won't allow it. If he stuck to his 671 00:37:23,880 --> 00:37:28,560 Speaker 9: singing hooks and all that he has smashed Kendrick. If 672 00:37:28,640 --> 00:37:30,800 Speaker 9: Kendrick came over to his side of the fence and 673 00:37:30,840 --> 00:37:33,839 Speaker 9: trying to he would ruin his own career. But Drake 674 00:37:33,960 --> 00:37:35,600 Speaker 9: is the one that made the mistake and came over 675 00:37:35,680 --> 00:37:37,680 Speaker 9: here and he stepped on some landlines. 676 00:37:37,719 --> 00:37:40,760 Speaker 2: And that's a great point. 677 00:37:41,880 --> 00:37:45,319 Speaker 1: He he didn't have to be this at first, right, 678 00:37:45,360 --> 00:37:48,040 Speaker 1: he didn't have to be this at first. Again, everybody, 679 00:37:48,080 --> 00:37:51,600 Speaker 1: this is No Silings Live. The YouTube link is hold on. 680 00:37:51,640 --> 00:37:52,880 Speaker 1: I'm gonna share it on Twitter. 681 00:37:54,000 --> 00:37:54,360 Speaker 8: Uh. 682 00:37:54,480 --> 00:37:58,160 Speaker 2: It goes live on the YouTube on a No Salis podcast. 683 00:37:58,600 --> 00:38:01,000 Speaker 1: Shout out to my brothers for coming down and making 684 00:38:01,040 --> 00:38:04,399 Speaker 1: it happen with me. Let me tweet this link. Yes 685 00:38:04,440 --> 00:38:08,759 Speaker 1: it's crooked phone for sure, for sure. Damn that dude caught. 686 00:38:08,800 --> 00:38:11,879 Speaker 1: He must be like an engineer or something. I don't 687 00:38:11,920 --> 00:38:18,080 Speaker 1: know how you caught that. So again, he had the 688 00:38:18,200 --> 00:38:20,719 Speaker 1: game in his hand when he first came to the 689 00:38:20,880 --> 00:38:22,600 Speaker 1: like when he first came to cash money. 690 00:38:22,719 --> 00:38:25,120 Speaker 2: Because he was actually the genuine article. 691 00:38:25,160 --> 00:38:29,200 Speaker 1: He was a really great talent actor, you know what 692 00:38:29,239 --> 00:38:31,359 Speaker 1: I mean, Like he was he had been a part 693 00:38:31,400 --> 00:38:35,920 Speaker 1: of a he had been a part of a TV 694 00:38:36,040 --> 00:38:39,080 Speaker 1: show that was doing well. He was well trained, prepared 695 00:38:39,120 --> 00:38:42,560 Speaker 1: as an entertainer, and he wasn't too shabby. On the 696 00:38:42,600 --> 00:38:45,600 Speaker 1: record side, he was a killer. Like he was a 697 00:38:45,760 --> 00:38:49,040 Speaker 1: monster at making records. Like I remember the first time 698 00:38:49,080 --> 00:38:51,799 Speaker 1: meeting him and then hearing his records and being like, 699 00:38:51,960 --> 00:38:54,080 Speaker 1: I can't believe this is the same dude that made 700 00:38:54,160 --> 00:38:54,800 Speaker 1: both of these. 701 00:38:55,440 --> 00:38:57,680 Speaker 2: It almost seemed possible. 702 00:38:58,440 --> 00:39:00,480 Speaker 5: He's the first reverse engineer rapper. 703 00:39:01,719 --> 00:39:02,680 Speaker 2: That's a great point. 704 00:39:02,920 --> 00:39:05,640 Speaker 5: Every other rapper has gone from inner city to suburbs. 705 00:39:05,680 --> 00:39:06,640 Speaker 5: He did it the other way. 706 00:39:07,760 --> 00:39:10,920 Speaker 2: And that's what I think is killing him, right, Pete, because. 707 00:39:10,880 --> 00:39:13,480 Speaker 4: Because he could only go so far in before you 708 00:39:13,480 --> 00:39:16,680 Speaker 4: get too far, you can never go too far out. 709 00:39:16,880 --> 00:39:18,680 Speaker 2: Yeah, he tried to go all the way in. 710 00:39:19,320 --> 00:39:22,360 Speaker 1: And now like he's in this weird space to where 711 00:39:23,440 --> 00:39:26,080 Speaker 1: he's trying to kind of live like the culture right 712 00:39:26,120 --> 00:39:31,480 Speaker 1: where he's doing stuff, you know, taking the situation into 713 00:39:31,760 --> 00:39:34,719 Speaker 1: his own hands, just as different small things. But it's like, 714 00:39:35,400 --> 00:39:38,520 Speaker 1: well these things still apply, Like and the Kendrick Battle 715 00:39:38,520 --> 00:39:41,960 Speaker 1: didn't do anything but show everybody that obviously culturally he's 716 00:39:42,000 --> 00:39:44,560 Speaker 1: not what you know people thought he was, which is weird. 717 00:39:44,640 --> 00:39:45,880 Speaker 2: I don't know how they thought he was that. 718 00:39:47,880 --> 00:39:51,560 Speaker 1: But also it's like, not only did you turn the 719 00:39:51,640 --> 00:39:54,520 Speaker 1: culture and have the culture looking at you crazy right 720 00:39:54,640 --> 00:39:57,759 Speaker 1: within that battle, but also now you're about to. 721 00:39:57,719 --> 00:40:03,040 Speaker 2: Turn the business against you, Like the business was never 722 00:40:03,080 --> 00:40:04,520 Speaker 2: against you. The business built you. 723 00:40:04,719 --> 00:40:06,800 Speaker 1: The business gave you all the looks because you wouldn't 724 00:40:06,800 --> 00:40:09,160 Speaker 1: have came through the streets, you couldn't have went to 725 00:40:09,239 --> 00:40:11,400 Speaker 1: all the places you need to do all of that stuff. 726 00:40:12,440 --> 00:40:24,120 Speaker 9: He went tropic thunder. He went full uh such and such. Yeah, yeah, 727 00:40:25,480 --> 00:40:28,359 Speaker 9: this guy. Never go full gangster. 728 00:40:29,320 --> 00:40:32,160 Speaker 1: Never go full gamester. He went full gangster. That's a 729 00:40:32,200 --> 00:40:33,239 Speaker 1: great point, big bro. 730 00:40:34,400 --> 00:40:38,040 Speaker 2: Oh god, he went full gangster. 731 00:40:40,200 --> 00:40:43,800 Speaker 4: He says something about bodies to the point where I 732 00:40:44,640 --> 00:40:48,479 Speaker 4: was like, I thought that bodies meant something else. 733 00:40:49,120 --> 00:40:50,799 Speaker 2: It made me think that I didn't know what I'm 734 00:40:50,840 --> 00:40:52,439 Speaker 2: saying bodies, And I know. 735 00:40:52,440 --> 00:40:54,080 Speaker 4: But when I first heard him saying, I was like, 736 00:40:54,120 --> 00:40:55,480 Speaker 4: ship all this time, I thought it. 737 00:40:55,440 --> 00:40:58,879 Speaker 9: Meant that it must mean something different because he's yeah, 738 00:40:59,000 --> 00:41:01,799 Speaker 9: I thought he meant girls, like he was a girl. 739 00:41:01,840 --> 00:41:07,040 Speaker 8: Bodies or something, but blind. Yeah, I'm like, man, I. 740 00:41:06,960 --> 00:41:09,680 Speaker 5: Thought people getting killed it was pussy all this time. 741 00:41:10,120 --> 00:41:13,839 Speaker 3: You know what I'm gonna tell you. I don't think 742 00:41:13,920 --> 00:41:15,440 Speaker 3: killer has nothing to do with it. 743 00:41:15,480 --> 00:41:15,719 Speaker 1: Man. 744 00:41:16,640 --> 00:41:24,799 Speaker 3: Let's take Eminem for example, right, has never pressed but was. 745 00:41:24,840 --> 00:41:27,560 Speaker 8: Raised in Detroit with That's what I'm saying. 746 00:41:27,560 --> 00:41:30,239 Speaker 3: It's a difference, bro. Eminem is really he's really with 747 00:41:30,320 --> 00:41:31,279 Speaker 3: the ships, you know what I mean. 748 00:41:31,600 --> 00:41:34,280 Speaker 4: It's a punk rock kid that grew up in Eminem 749 00:41:34,360 --> 00:41:37,840 Speaker 4: is very respectful of that relationship. 750 00:41:38,680 --> 00:41:40,759 Speaker 3: And I think that's because he really knows what he 751 00:41:40,880 --> 00:41:43,160 Speaker 3: really know what time it is, you know. So I 752 00:41:43,239 --> 00:41:45,680 Speaker 3: just think, man, I think this is gonna be bad 753 00:41:45,760 --> 00:41:49,040 Speaker 3: for doing. And to be honest with you, it's almost 754 00:41:49,120 --> 00:41:51,920 Speaker 3: like he just like everybody talking about Dot's album and 755 00:41:51,960 --> 00:41:56,560 Speaker 3: then he come up with this bullshit, right. It's like, man, 756 00:41:56,600 --> 00:42:05,480 Speaker 3: he just want to make it about him. 757 00:42:01,760 --> 00:42:03,759 Speaker 7: All right. So I got a question for y'all, what 758 00:42:03,840 --> 00:42:05,560 Speaker 7: are the ramifications of this case? 759 00:42:06,800 --> 00:42:12,040 Speaker 6: Because people, people are people are speculating that he's trying 760 00:42:12,040 --> 00:42:15,080 Speaker 6: to get off of a universal and he this is 761 00:42:15,120 --> 00:42:16,400 Speaker 6: the this is the movie making. 762 00:42:17,040 --> 00:42:19,160 Speaker 1: But I don't understand how could this get him off 763 00:42:19,200 --> 00:42:23,919 Speaker 1: of you accusing another artist This is like that Gunner case. Right, 764 00:42:24,600 --> 00:42:29,279 Speaker 1: This is like that Gunner case where people are confusing, right, 765 00:42:31,280 --> 00:42:34,000 Speaker 1: like what a plea is as somebody that that's took 766 00:42:34,040 --> 00:42:36,279 Speaker 1: too pleas in my life, a plea is when you 767 00:42:36,440 --> 00:42:39,560 Speaker 1: only admit to the things that you did, or you 768 00:42:39,760 --> 00:42:42,239 Speaker 1: only base it off of the things you did. In 769 00:42:42,320 --> 00:42:45,320 Speaker 1: Gunner situation, right with Thug, the reason he told on 770 00:42:45,440 --> 00:42:48,719 Speaker 1: Thug is he said he did nothing and everybody else 771 00:42:48,760 --> 00:42:54,040 Speaker 1: did everything. Now, maybe if if if Drake's case would 772 00:42:54,080 --> 00:42:58,480 Speaker 1: have been more like, you know what, the label hasn't 773 00:42:58,520 --> 00:43:02,240 Speaker 1: been paying me. They flated these streams. But he's doing 774 00:43:02,280 --> 00:43:05,239 Speaker 1: the same thing where he's like, no, this guy, they're 775 00:43:05,320 --> 00:43:07,840 Speaker 1: over here doing this for him, y'all signed to the 776 00:43:07,880 --> 00:43:11,400 Speaker 1: same people. They're doing this for him. They're doing this 777 00:43:11,560 --> 00:43:14,520 Speaker 1: for him. They're not doing they're doing this for him. 778 00:43:14,680 --> 00:43:17,600 Speaker 1: He's not even talking about what they're doing for him. 779 00:43:17,800 --> 00:43:21,600 Speaker 1: He's not even saying what they did to wrong him. 780 00:43:21,920 --> 00:43:28,440 Speaker 1: They're saying them marketing. Kendrick Lamarson, I have a problem 781 00:43:28,480 --> 00:43:32,080 Speaker 1: with it because they did it unfairly. He's not even 782 00:43:32,120 --> 00:43:35,360 Speaker 1: equating it to he's not even equating it crook to 783 00:43:35,920 --> 00:43:36,399 Speaker 1: his shit. 784 00:43:36,960 --> 00:43:40,400 Speaker 4: But that kind of does support his point though, because 785 00:43:42,000 --> 00:43:45,520 Speaker 4: he can't demonstrate standing because he hasn't been damaged by it, 786 00:43:45,640 --> 00:43:50,000 Speaker 4: you know, in the way that he's suggesting. So if 787 00:43:50,040 --> 00:43:53,640 Speaker 4: it's look, this is gonna be ugly in discovery for 788 00:43:53,800 --> 00:43:57,000 Speaker 4: us as universal and he says, hey, look, if you 789 00:43:57,000 --> 00:43:59,120 Speaker 4: guys let me out of my deal, we could drop 790 00:43:59,120 --> 00:44:00,560 Speaker 4: this right now before those discovery. 791 00:44:00,800 --> 00:44:09,680 Speaker 1: Sure it's a civil case to Crooked's point, right, So 792 00:44:10,200 --> 00:44:11,879 Speaker 1: what Peter is saying makes the most sense. 793 00:44:11,920 --> 00:44:14,359 Speaker 2: The reality is maybe he kicks up. 794 00:44:14,400 --> 00:44:18,719 Speaker 1: Enough dust to where they like he settles it, like, 795 00:44:18,800 --> 00:44:21,440 Speaker 1: let me out of my deal and I'll drop the 796 00:44:21,480 --> 00:44:22,960 Speaker 1: case so you don't have to present. 797 00:44:23,480 --> 00:44:26,959 Speaker 2: But I'm gonna tell you right now ahead of time. 798 00:44:27,880 --> 00:44:28,200 Speaker 4: U m G. 799 00:44:28,400 --> 00:44:31,120 Speaker 1: Not gonna do that. They are past the point of 800 00:44:31,160 --> 00:44:32,200 Speaker 1: you bullying them. 801 00:44:32,600 --> 00:44:37,359 Speaker 9: Man, come on, man, Ain't nobody not going program. Ain't 802 00:44:37,360 --> 00:44:38,320 Speaker 9: nobody bigger. 803 00:44:38,080 --> 00:44:41,719 Speaker 2: Than to bully U MG. And if he thought that 804 00:44:41,719 --> 00:44:47,000 Speaker 2: that was his plan, Mike hints learned the hard way. 805 00:44:47,520 --> 00:44:49,960 Speaker 2: But you are not going to bully these people. 806 00:44:50,320 --> 00:44:52,359 Speaker 5: What does he benefit from getting out of that deal? 807 00:44:52,480 --> 00:44:53,239 Speaker 5: Where's it gonna go? 808 00:44:53,320 --> 00:44:53,680 Speaker 8: Right now? 809 00:44:53,880 --> 00:44:56,799 Speaker 4: His values at its all time low and you want 810 00:44:56,800 --> 00:44:57,640 Speaker 4: to get out of your deal? 811 00:44:58,719 --> 00:45:00,120 Speaker 5: That that in itself. 812 00:45:00,800 --> 00:45:07,120 Speaker 6: Don't have a value. He will make money as an 813 00:45:07,120 --> 00:45:09,960 Speaker 6: independent artist. We know that. 814 00:45:11,840 --> 00:45:13,399 Speaker 8: How much? How much? How much y'all? 815 00:45:13,640 --> 00:45:16,319 Speaker 9: How much do a rapper supposed to make before you 816 00:45:16,360 --> 00:45:18,439 Speaker 9: feel like he don't need to have to make no more? 817 00:45:18,520 --> 00:45:20,080 Speaker 8: Like I don't understand that. 818 00:45:20,440 --> 00:45:21,839 Speaker 2: Hold on, hold on, hold on, hold on? 819 00:45:22,960 --> 00:45:26,919 Speaker 1: What which world do you tell on one dope man 820 00:45:28,360 --> 00:45:29,320 Speaker 1: and get another. 821 00:45:30,680 --> 00:45:34,560 Speaker 2: Even crook as an independent Which. 822 00:45:34,280 --> 00:45:37,560 Speaker 1: World do you tell on one dope man and then 823 00:45:37,680 --> 00:45:40,160 Speaker 1: people know you told on the dope man and another 824 00:45:40,200 --> 00:45:41,160 Speaker 1: plug say come over. 825 00:45:41,000 --> 00:45:43,360 Speaker 2: Here and get this money? 826 00:45:45,719 --> 00:45:48,520 Speaker 7: Yeah, like it don't like it's not a smart plan. 827 00:45:49,239 --> 00:45:52,879 Speaker 6: I'm just telling you that he can definitely be on 828 00:45:52,920 --> 00:45:55,839 Speaker 6: that perspective, like yo, I could just jet out and 829 00:45:55,880 --> 00:45:59,480 Speaker 6: go independent or go somewhere else and get my bread. 830 00:45:59,520 --> 00:46:01,920 Speaker 6: I'm not saying it's a smart plan, but his value 831 00:46:02,560 --> 00:46:04,520 Speaker 6: is still there. He has value. 832 00:46:05,520 --> 00:46:06,840 Speaker 8: Do y'all think he's clean? 833 00:46:07,560 --> 00:46:10,520 Speaker 9: Just like what was really ruining his image is the 834 00:46:10,800 --> 00:46:14,120 Speaker 9: is the a minor that that subject? 835 00:46:14,160 --> 00:46:17,600 Speaker 8: Right? So is he clean enough to try to do 836 00:46:17,680 --> 00:46:20,600 Speaker 8: that to universal? You know what I'm saying? 837 00:46:20,680 --> 00:46:23,480 Speaker 9: Is he clean enough to you understand I'm saying like 838 00:46:23,520 --> 00:46:28,799 Speaker 9: he just smashed everything. Yeah, he just smashed everything he saw. 839 00:46:28,880 --> 00:46:31,080 Speaker 3: This man, we just saw this whole thing with Puffy. 840 00:46:31,080 --> 00:46:33,200 Speaker 3: As soon as Puffy start missing with them folks, man, 841 00:46:33,200 --> 00:46:36,600 Speaker 3: he was sitting up in the jail seal. Everybody along. 842 00:46:37,200 --> 00:46:40,560 Speaker 1: Everybody wanted to go to Puffy wants to go to 843 00:46:40,560 --> 00:46:44,360 Speaker 1: the Puffy party. And then one day overnight I was 844 00:46:44,400 --> 00:46:47,000 Speaker 1: the only person. I went from being the only person 845 00:46:47,000 --> 00:46:48,840 Speaker 1: that didn't care about going to Puff party because I 846 00:46:48,840 --> 00:46:51,239 Speaker 1: don't drink and mess with the brawl, to do no 847 00:46:51,320 --> 00:46:54,080 Speaker 1: drugs like that. Now everybody don't want to go to 848 00:46:54,160 --> 00:46:59,560 Speaker 1: Puffy party. So again, trust me, he already did more 849 00:46:59,600 --> 00:47:02,040 Speaker 1: than enough for them people to hang in that. We 850 00:47:02,120 --> 00:47:04,840 Speaker 1: used to have this conversation all the time, cam like, 851 00:47:05,200 --> 00:47:07,640 Speaker 1: they're not going to let you get that far without 852 00:47:07,719 --> 00:47:11,840 Speaker 1: having something on you, right that just they're not finna 853 00:47:11,880 --> 00:47:14,759 Speaker 1: make you that. You know, they're not finna just empower 854 00:47:14,800 --> 00:47:16,920 Speaker 1: you and make you a monster, and you could just 855 00:47:17,000 --> 00:47:19,919 Speaker 1: move about the cabin for free. So I do think 856 00:47:19,960 --> 00:47:22,759 Speaker 1: Cricket is right. There has to be that would make sense. Right, 857 00:47:22,800 --> 00:47:25,799 Speaker 1: there's an idea and an intention to get out of 858 00:47:25,840 --> 00:47:28,879 Speaker 1: a deal. But the way you're going about it, first off, 859 00:47:29,040 --> 00:47:33,080 Speaker 1: you're exposing business practices that they use for all of 860 00:47:33,160 --> 00:47:35,320 Speaker 1: y'all everybody. 861 00:47:35,520 --> 00:47:38,480 Speaker 4: And furthermore, do you want to be independent and be 862 00:47:38,600 --> 00:47:39,920 Speaker 4: blackball from Spotify? 863 00:47:41,200 --> 00:47:43,720 Speaker 1: And the problem is you're not going to be blackball 864 00:47:43,719 --> 00:47:47,920 Speaker 1: from Spotify, but they're going to comb your shit everybody, 865 00:47:48,000 --> 00:47:51,480 Speaker 1: because again, the dope trade is very much the dough trade. 866 00:47:51,840 --> 00:47:54,840 Speaker 1: If you tell on somebody in the dough trade, nobody 867 00:47:54,920 --> 00:47:56,680 Speaker 1: is going to give you dope. 868 00:47:57,040 --> 00:47:59,520 Speaker 2: That's really if they kill you. 869 00:47:59,520 --> 00:48:02,080 Speaker 6: Did you the move he made when he was releasing 870 00:48:02,200 --> 00:48:06,560 Speaker 6: music on a website? Yes, you think that was the 871 00:48:06,640 --> 00:48:07,759 Speaker 6: testing grounds? 872 00:48:08,360 --> 00:48:10,240 Speaker 2: No? 873 00:48:10,560 --> 00:48:14,799 Speaker 5: Just how curiosity? What does an artist of that magnitude? 874 00:48:15,360 --> 00:48:16,880 Speaker 5: What does his deal look like? 875 00:48:16,920 --> 00:48:19,320 Speaker 4: Because I would assume he could kind of not craft 876 00:48:19,360 --> 00:48:21,080 Speaker 4: his own deal, but kind of craft his own deal. 877 00:48:21,120 --> 00:48:22,120 Speaker 5: What do you think his deal looks like? 878 00:48:22,160 --> 00:48:23,959 Speaker 3: What you think when the first we gave him crook? 879 00:48:24,040 --> 00:48:26,480 Speaker 3: Maybe maybe twenty million. 880 00:48:26,520 --> 00:48:28,359 Speaker 2: I think it's forty. Let me let crook, oh the crook, 881 00:48:28,480 --> 00:48:29,080 Speaker 2: let me get you going. 882 00:48:30,360 --> 00:48:32,520 Speaker 7: They said a four hundred million dollar deal. That's what 883 00:48:32,560 --> 00:48:33,040 Speaker 7: they say. 884 00:48:33,280 --> 00:48:37,359 Speaker 6: Now we understand people be tripping and you know, say 885 00:48:37,400 --> 00:48:40,560 Speaker 6: anything for marketing, but they said four hundred million dollars 886 00:48:41,160 --> 00:48:44,280 Speaker 6: wich forward, making it even more puzzling to what as 887 00:48:44,320 --> 00:48:46,560 Speaker 6: to why you would go up against them in this 888 00:48:47,320 --> 00:48:51,279 Speaker 6: in this situation, it's like, what are your intentions? I 889 00:48:51,280 --> 00:48:54,880 Speaker 6: guess that's the that's the question, what are your intentions? 890 00:48:54,880 --> 00:48:55,839 Speaker 6: Because the deed is done? 891 00:48:56,800 --> 00:48:59,960 Speaker 9: So could it could it be could it be controlled opposition? 892 00:49:00,239 --> 00:49:02,239 Speaker 9: Could this be deeper than we think it is? 893 00:49:03,040 --> 00:49:03,239 Speaker 8: You know? 894 00:49:04,520 --> 00:49:08,799 Speaker 1: Yeah, I have zero faith. I have zero faith that 895 00:49:08,920 --> 00:49:13,040 Speaker 1: Drake is a chess player. And I think the deal 896 00:49:13,120 --> 00:49:15,839 Speaker 1: I think everybody industry adds a zero to the deal. 897 00:49:16,239 --> 00:49:18,319 Speaker 1: So if the deal was supposed to be four hundred million, 898 00:49:18,480 --> 00:49:19,200 Speaker 1: is forty million? 899 00:49:19,680 --> 00:49:23,800 Speaker 3: I think he might have got forty man, because the 900 00:49:23,800 --> 00:49:26,680 Speaker 3: ain't nobody give him. There's too many things that can happen. 901 00:49:26,719 --> 00:49:27,960 Speaker 3: You get somebody that money. 902 00:49:28,320 --> 00:49:30,319 Speaker 4: It depends, Like I was like, I guess who owns 903 00:49:30,320 --> 00:49:32,680 Speaker 4: the masters in that scenario? If if he's getting forty, 904 00:49:32,680 --> 00:49:38,480 Speaker 4: he must own the lion's shriff, his rights. I just 905 00:49:38,560 --> 00:49:41,440 Speaker 4: heard on good authority, like really really really good authority 906 00:49:41,480 --> 00:49:44,160 Speaker 4: of about an artist whose music I've never even heard 907 00:49:44,800 --> 00:49:51,320 Speaker 4: getting paid one hundred for his catalog and future catalog rates. 908 00:49:52,200 --> 00:49:55,759 Speaker 2: Yeah, but all of that stuff, forgive me, hold up, krip. 909 00:49:57,200 --> 00:50:00,560 Speaker 1: All of that stuff is fluff, Like all of that 910 00:50:00,800 --> 00:50:03,719 Speaker 1: numbers I know for sure fact I could prove it. 911 00:50:03,760 --> 00:50:07,680 Speaker 1: But all of that number is fluff. This has this 912 00:50:08,600 --> 00:50:13,480 Speaker 1: is this is an emotional response. This is an emotional 913 00:50:13,560 --> 00:50:19,040 Speaker 1: response to I believe that yeah, too too bad event 914 00:50:19,560 --> 00:50:22,719 Speaker 1: in his life that is really traumatizing him. I know 915 00:50:22,800 --> 00:50:25,839 Speaker 1: this sounds crazy because losing a rap battle to us 916 00:50:25,880 --> 00:50:28,560 Speaker 1: would probably hurt our feelings, but it probably it ain't 917 00:50:28,560 --> 00:50:29,080 Speaker 1: the end of the. 918 00:50:29,000 --> 00:50:29,839 Speaker 2: World, but. 919 00:50:31,640 --> 00:50:32,760 Speaker 3: An emotional breakdown. 920 00:50:33,440 --> 00:50:38,040 Speaker 1: You're right, I'm define he really is calling this boy 921 00:50:38,640 --> 00:50:41,400 Speaker 1: the hard e r behind the door, behind closed doors. 922 00:50:42,239 --> 00:50:42,439 Speaker 3: Yo. 923 00:50:43,160 --> 00:50:48,960 Speaker 6: So let's go into the conspiracy real you know what 924 00:50:49,040 --> 00:50:52,640 Speaker 6: I'm saying. Let's take this into the conspiracy real, real quick. 925 00:50:54,080 --> 00:51:01,480 Speaker 6: The chair of Sony Music recently said, when rap became 926 00:51:01,520 --> 00:51:07,479 Speaker 6: the number one genre, instead they signed a thousand rap 927 00:51:07,600 --> 00:51:13,200 Speaker 6: artists instead of one hundred great rap artists, and that's 928 00:51:13,239 --> 00:51:18,080 Speaker 6: the reason why rap is declining for them, and they 929 00:51:18,160 --> 00:51:25,560 Speaker 6: foresee it going back underground and coming up a lot 930 00:51:25,600 --> 00:51:30,279 Speaker 6: stronger after going back underground. So in essence, what I 931 00:51:30,360 --> 00:51:34,560 Speaker 6: heard was, you're gonna try to force rap music to 932 00:51:34,680 --> 00:51:39,200 Speaker 6: go back underground. You're defunding all these marketing budgets, you're 933 00:51:39,239 --> 00:51:44,880 Speaker 6: shifting the money to different genres. And to catalogs that 934 00:51:44,960 --> 00:51:50,160 Speaker 6: you already own. And that's the focus on suspending. And 935 00:51:50,400 --> 00:51:53,680 Speaker 6: now we're gonna try to let rap just go underground. 936 00:51:54,520 --> 00:51:56,560 Speaker 6: So is this part of that? 937 00:51:58,840 --> 00:52:01,440 Speaker 4: Let the laboratory pay for itself and then you purchase 938 00:52:01,520 --> 00:52:03,000 Speaker 4: the medicine when it's done. 939 00:52:04,800 --> 00:52:09,839 Speaker 9: So is loocien grange connection to Diddy playing any part 940 00:52:09,880 --> 00:52:10,080 Speaker 9: in this? 941 00:52:10,400 --> 00:52:13,160 Speaker 8: Are they? Are they doing some diabolical stuff behind it? 942 00:52:14,200 --> 00:52:15,919 Speaker 3: His son? His son is about to take over. 943 00:52:16,040 --> 00:52:17,799 Speaker 9: Well, I'm just saying that that's still connected to the 944 00:52:17,840 --> 00:52:20,040 Speaker 9: father though. So if they if they twist the father up, 945 00:52:20,080 --> 00:52:23,399 Speaker 9: the son ain't got no action. So is he trying 946 00:52:23,440 --> 00:52:25,600 Speaker 9: to just sink the ship? You know what I'm saying. 947 00:52:25,600 --> 00:52:28,600 Speaker 9: And you know, let the Titanic go down and and 948 00:52:28,600 --> 00:52:30,440 Speaker 9: and scatter before before that happened. 949 00:52:30,560 --> 00:52:33,480 Speaker 3: I don't think so, Bro. I think the Universal Music 950 00:52:33,520 --> 00:52:35,280 Speaker 3: Group is indestructive. 951 00:52:35,640 --> 00:52:37,200 Speaker 8: No such thing, no such thing. 952 00:52:37,239 --> 00:52:40,279 Speaker 9: That's just like saying America's in destruction, you know what 953 00:52:40,320 --> 00:52:41,319 Speaker 9: I'm saying, camp Up. 954 00:52:41,320 --> 00:52:44,240 Speaker 1: I like I like, I like, I like America's chances 955 00:52:44,320 --> 00:52:52,320 Speaker 1: less I like you, and chance is better of being. 956 00:52:54,400 --> 00:52:56,560 Speaker 3: I'm just saying, Bro, they have a lot of money, 957 00:52:56,560 --> 00:52:58,600 Speaker 3: they have a lot of influence, bro, and it's just 958 00:52:58,760 --> 00:53:01,520 Speaker 3: not music. You know, there's a lot of people in 959 00:53:01,520 --> 00:53:03,800 Speaker 3: that building, a lot of big megastars. You gotta remember, 960 00:53:03,840 --> 00:53:08,560 Speaker 3: everybody any sloop over that gem. Everybody is over there. 961 00:53:09,760 --> 00:53:12,440 Speaker 3: Only is the only thing left. To some degree, It's 962 00:53:12,560 --> 00:53:14,160 Speaker 3: like two labels left. 963 00:53:14,160 --> 00:53:17,480 Speaker 9: And everybody ain't everybody on the Diddy Party list de 964 00:53:17,680 --> 00:53:18,680 Speaker 9: Steam list. 965 00:53:19,320 --> 00:53:21,400 Speaker 2: That list will never come out. 966 00:53:21,880 --> 00:53:23,240 Speaker 8: I don't know, never say never. 967 00:53:23,360 --> 00:53:25,960 Speaker 2: And then and then if it comes out, nobody is 968 00:53:26,000 --> 00:53:26,800 Speaker 2: going to react. 969 00:53:27,400 --> 00:53:31,680 Speaker 1: No listen, this whole Diddy Diddy travesty is all a sham. 970 00:53:32,280 --> 00:53:33,839 Speaker 2: Don't nobody care about who? 971 00:53:34,200 --> 00:53:37,600 Speaker 1: Nobody care about Diddy buying no prostitutes, nobody care about 972 00:53:37,600 --> 00:53:38,760 Speaker 1: how Diddy was partying. 973 00:53:39,000 --> 00:53:41,640 Speaker 2: Nobody cared because everybody, all. 974 00:53:41,480 --> 00:53:44,760 Speaker 1: Of these people, even the people in the chat, party 975 00:53:44,800 --> 00:53:48,960 Speaker 1: the same way. I am the only the honorable glasses 976 00:53:48,960 --> 00:53:50,320 Speaker 1: look the only nigga. 977 00:53:50,080 --> 00:53:55,840 Speaker 12: That don't party that way. And Cam the only people 978 00:53:55,840 --> 00:53:59,240 Speaker 12: that don't party that way. This is normal people party. 979 00:53:59,600 --> 00:54:01,759 Speaker 12: The reason in this matter to Diddy is because some 980 00:54:01,840 --> 00:54:05,719 Speaker 12: other stuff is going on. Something else is wrong. You 981 00:54:05,760 --> 00:54:09,880 Speaker 12: feel me so again, It's like Crooked is making some 982 00:54:09,920 --> 00:54:13,719 Speaker 12: compelling points. Could he be making a play to get 983 00:54:13,760 --> 00:54:15,360 Speaker 12: out of this deal? Because I did hear that a 984 00:54:15,400 --> 00:54:18,880 Speaker 12: couple of times today. This is the wrong way to 985 00:54:19,000 --> 00:54:23,640 Speaker 12: do it. The enemies to have if you plan to 986 00:54:23,800 --> 00:54:25,960 Speaker 12: be in this business. 987 00:54:25,520 --> 00:54:30,759 Speaker 1: After today, It don't even matter whether or not they 988 00:54:30,840 --> 00:54:33,640 Speaker 1: let him go. It don't even matter if they let 989 00:54:33,719 --> 00:54:38,160 Speaker 1: him go. It does not matter if they let him go. 990 00:54:39,160 --> 00:54:43,520 Speaker 1: He made the greatest mistake of his life today in 991 00:54:43,640 --> 00:54:46,280 Speaker 1: the business. He made the greatest mistake of his life 992 00:54:47,680 --> 00:54:50,320 Speaker 1: in the culture a couple months ago during the battle, 993 00:54:50,760 --> 00:54:55,360 Speaker 1: But he made the greatest mistake of his life today 994 00:54:56,080 --> 00:54:58,440 Speaker 1: challenging the business. 995 00:54:59,400 --> 00:55:00,319 Speaker 5: Possible for the door to. 996 00:55:01,920 --> 00:55:03,719 Speaker 4: What if we're seeing a whole trend of in the 997 00:55:03,800 --> 00:55:05,960 Speaker 4: last couple of years, and by a couple I mean 998 00:55:06,040 --> 00:55:12,120 Speaker 4: sixty but opportunistic Department of Justice prosecutors. 999 00:55:12,400 --> 00:55:14,440 Speaker 5: He could do this walk away. 1000 00:55:14,120 --> 00:55:24,200 Speaker 4: Tomorrow and potentially entice actual criminal investigation action by people 1001 00:55:24,200 --> 00:55:26,239 Speaker 4: who want to get their name out there. 1002 00:55:28,560 --> 00:55:31,000 Speaker 3: You know what I'm gonna tell you, this messing with 1003 00:55:31,120 --> 00:55:34,279 Speaker 3: somebody like Universal, it would mess around and reverse back 1004 00:55:34,320 --> 00:55:36,680 Speaker 3: on him. They would fuck around and twist him up 1005 00:55:36,719 --> 00:55:38,560 Speaker 3: somehow and start looking at this stuff. Because I'm gonna 1006 00:55:38,560 --> 00:55:41,200 Speaker 3: tell you, all he's going to do is get hisself 1007 00:55:41,239 --> 00:55:44,360 Speaker 3: further scrutinized. So if he got anything done, if he 1008 00:55:44,480 --> 00:55:48,480 Speaker 3: got anything filing his catalog, dog, he's gonna be in trouble. 1009 00:55:48,480 --> 00:55:50,680 Speaker 3: He might be sitting next to Didny somewhere. I'm telling you, man, 1010 00:55:50,719 --> 00:55:51,840 Speaker 3: these people ain't nothing to play with. 1011 00:55:51,920 --> 00:55:54,560 Speaker 9: They not nothing to play with. And he like he 1012 00:55:54,719 --> 00:55:56,839 Speaker 9: like Biden to me, or you know what I'm saying. 1013 00:55:56,840 --> 00:56:00,040 Speaker 9: He ain't making any decisions. He worked too much to 1014 00:56:00,040 --> 00:56:02,560 Speaker 9: too many people for for us to think Drake just 1015 00:56:02,640 --> 00:56:07,600 Speaker 9: made that decision. Somebody else's handlers is advising, somebody else is. 1016 00:56:07,560 --> 00:56:08,319 Speaker 8: Making him do that. 1017 00:56:08,440 --> 00:56:14,480 Speaker 1: I think mand Jones on his own reconnaissance and not 1018 00:56:14,680 --> 00:56:19,719 Speaker 1: talking to him, and that's me his destruction. Shout for 1019 00:56:19,760 --> 00:56:21,600 Speaker 1: the five dollars the petition. 1020 00:56:21,760 --> 00:56:24,160 Speaker 2: The petition is filed under a vague LLC. 1021 00:56:24,600 --> 00:56:26,919 Speaker 1: He didn't want this to go public, but they're trying 1022 00:56:26,960 --> 00:56:29,919 Speaker 1: to flip it like he's looking out for indie artists. 1023 00:56:30,680 --> 00:56:35,720 Speaker 1: That is a major boy, that David Jones. He figured 1024 00:56:35,719 --> 00:56:36,760 Speaker 1: out the audio problem. 1025 00:56:36,800 --> 00:56:37,680 Speaker 8: We couldn't figured it out. 1026 00:56:38,120 --> 00:56:38,880 Speaker 2: The crook. 1027 00:56:40,000 --> 00:56:45,719 Speaker 5: He is going to get replaced by David Jones. 1028 00:56:47,120 --> 00:56:52,759 Speaker 2: Twish is another no hour Monday, Wednesday and Friday at noon. 1029 00:56:52,880 --> 00:56:56,160 Speaker 1: Dave, I need you at the lunch hour at twelve 1030 00:56:56,200 --> 00:57:01,279 Speaker 1: o'clock Pacific Standard time Monday, Wednesday and Friday noon. 1031 00:57:04,360 --> 00:57:08,040 Speaker 2: I don't know what you got going on. You cook it. Hm, 1032 00:57:08,440 --> 00:57:10,520 Speaker 2: it's kind of late to be cooking, but you cook, 1033 00:57:10,719 --> 00:57:11,400 Speaker 2: but you cook it. 1034 00:57:12,200 --> 00:57:14,160 Speaker 3: You know what I'm gonna tell you, though, Man, we 1035 00:57:14,280 --> 00:57:17,560 Speaker 3: see this all the time, and especially in music. Man, 1036 00:57:18,320 --> 00:57:21,240 Speaker 3: people allow their youth bridge to start thinking man, that 1037 00:57:21,280 --> 00:57:24,080 Speaker 3: they that they almost on the deity level. Man, and 1038 00:57:24,120 --> 00:57:28,320 Speaker 3: they find out the chorus, mh, I'm fly too close 1039 00:57:28,360 --> 00:57:30,439 Speaker 3: to the sun. I wound up getting heated up. I'm 1040 00:57:30,440 --> 00:57:32,760 Speaker 3: telling you, man, this is gonna end bad for dude. 1041 00:57:33,360 --> 00:57:36,040 Speaker 2: Yeah, it just it just it almost can't work out. 1042 00:57:36,160 --> 00:57:36,720 Speaker 2: Like he's not. 1043 00:57:38,160 --> 00:57:41,600 Speaker 1: Like he's empowered by the business. 1044 00:57:41,640 --> 00:57:45,640 Speaker 2: Like without the business, how do you like he. 1045 00:57:46,120 --> 00:57:47,560 Speaker 8: Ft on both both sides. 1046 00:57:47,640 --> 00:57:50,120 Speaker 9: Like he already got something he can't handle from from 1047 00:57:50,200 --> 00:57:54,120 Speaker 9: Kendrick in these West Coast and now the United States. 1048 00:57:53,760 --> 00:57:56,880 Speaker 8: Fans street, these street people, the soldiers. 1049 00:57:56,720 --> 00:57:59,760 Speaker 9: And now he want to throw a fit against Daddy 1050 00:57:59,840 --> 00:58:00,760 Speaker 9: or or whatever. 1051 00:58:00,840 --> 00:58:00,960 Speaker 4: You know. 1052 00:58:01,000 --> 00:58:04,480 Speaker 8: What I'm saying is lose lose situation. 1053 00:58:04,520 --> 00:58:07,120 Speaker 3: He had to do, man, I'm pretty sure his advisors 1054 00:58:07,120 --> 00:58:09,439 Speaker 3: told him this. All he had to do was ship 1055 00:58:09,480 --> 00:58:10,640 Speaker 3: the fuck up and go somewhere. 1056 00:58:11,320 --> 00:58:13,960 Speaker 1: You know what's funny that we keep thinking his advisors 1057 00:58:14,000 --> 00:58:16,880 Speaker 1: is telling him that. I'm starting to really believe No, 1058 00:58:17,000 --> 00:58:17,440 Speaker 1: they're not. 1059 00:58:21,720 --> 00:58:22,080 Speaker 2: Told this. 1060 00:58:22,160 --> 00:58:24,280 Speaker 1: A long time ago, he said, glasses, people be telling 1061 00:58:24,280 --> 00:58:26,360 Speaker 1: these people whatever they want to hear. He told me 1062 00:58:26,400 --> 00:58:29,440 Speaker 1: that at an elephant bar in Lakewood. He said, Glasses, 1063 00:58:29,520 --> 00:58:31,600 Speaker 1: these people telling these people whatever they want to hear. 1064 00:58:32,800 --> 00:58:36,040 Speaker 1: They're trying to keep their business. And I equated. I 1065 00:58:36,120 --> 00:58:38,800 Speaker 1: equated that to people trying to keep their positions at 1066 00:58:38,800 --> 00:58:39,240 Speaker 1: the job. 1067 00:58:39,360 --> 00:58:44,360 Speaker 2: So they telling the payroll whatever they need to hear 1068 00:58:44,480 --> 00:58:45,440 Speaker 2: to stay on the payroll. 1069 00:58:46,680 --> 00:58:48,919 Speaker 9: I can see that because I can see, like did 1070 00:58:48,920 --> 00:58:51,520 Speaker 9: he did? He did the same thing, So I guess 1071 00:58:51,520 --> 00:58:53,960 Speaker 9: he didn't have no advisors to tell him to try 1072 00:58:54,000 --> 00:58:56,640 Speaker 9: to sue dally On or whoever that was the city. 1073 00:58:57,480 --> 00:58:59,280 Speaker 8: So I guess you could be right about that. 1074 00:59:01,520 --> 00:59:04,480 Speaker 3: This is all arrogance man, This is all his arrogancet man. 1075 00:59:04,480 --> 00:59:08,520 Speaker 3: It's gonna be his undoing because he seems to think 1076 00:59:08,600 --> 00:59:10,760 Speaker 3: I'm Drake, I can do whatever the hell I want 1077 00:59:10,800 --> 00:59:12,760 Speaker 3: to do, and he do this, he gonna find out 1078 00:59:12,760 --> 00:59:13,320 Speaker 3: the hard way. 1079 00:59:13,680 --> 00:59:14,720 Speaker 2: He already did it. 1080 00:59:14,760 --> 00:59:20,440 Speaker 1: That's the problem. Like he already he already put that 1081 00:59:20,600 --> 00:59:25,360 Speaker 1: out there. Iteddy's lawsuit was like it wasn't about that, 1082 00:59:25,480 --> 00:59:28,800 Speaker 1: Like he filed this so they could force so he 1083 00:59:28,800 --> 00:59:30,240 Speaker 1: could force them to deliver. 1084 00:59:30,040 --> 00:59:33,480 Speaker 2: Material, paperwork and stuff about the claims. 1085 00:59:34,120 --> 00:59:38,280 Speaker 1: Like if you start getting you know, the government in 1086 00:59:38,400 --> 00:59:43,440 Speaker 1: these people business, you're gonna have a real problem. 1087 00:59:43,600 --> 00:59:44,640 Speaker 8: Ain't the best question. 1088 00:59:45,000 --> 00:59:47,360 Speaker 3: Univers will pay a lot of money. Universe will pay 1089 00:59:47,440 --> 00:59:49,520 Speaker 3: a lot of taxes. Brough. It's a lot of people 1090 00:59:49,520 --> 00:59:52,360 Speaker 3: making money off at university. You gotta remember, it ain't 1091 00:59:52,400 --> 00:59:56,280 Speaker 3: just music, it'st movies, it's liquor, it's all kind of stuff. 1092 00:59:56,320 --> 00:59:58,800 Speaker 3: They got their hands in, man and they make it. 1093 00:59:58,840 --> 01:00:00,520 Speaker 3: They pay a lot of money, They make a lot 1094 01:00:00,520 --> 01:00:02,560 Speaker 3: of money, and they make a lot of other people money. 1095 01:00:03,400 --> 01:00:05,000 Speaker 8: So the question is why, damn. 1096 01:00:05,040 --> 01:00:08,400 Speaker 9: Let's let's look at why if Drake is accusing him 1097 01:00:08,440 --> 01:00:10,840 Speaker 9: of that, why would they do that to Drake? 1098 01:00:12,160 --> 01:00:13,840 Speaker 8: Why? What would their motivation? 1099 01:00:14,840 --> 01:00:16,640 Speaker 3: Bro? That's Drake in his mind? 1100 01:00:17,040 --> 01:00:19,600 Speaker 9: No, I mean, just let's let's humor that though. Let's 1101 01:00:19,680 --> 01:00:21,520 Speaker 9: let's just try to go down that little rabbit hole 1102 01:00:21,560 --> 01:00:24,640 Speaker 9: for a second. What would they have against Drake? Why 1103 01:00:24,640 --> 01:00:26,439 Speaker 9: would they favor Kendrick over Drake? 1104 01:00:27,360 --> 01:00:29,840 Speaker 4: It would be almost kind of like the way you see, 1105 01:00:30,520 --> 01:00:34,919 Speaker 4: you know how, like with regard to certain like virality algorithms, 1106 01:00:35,440 --> 01:00:39,840 Speaker 4: when something starts to get hot, they go like the 1107 01:00:39,920 --> 01:00:43,000 Speaker 4: algorithm identifies it. It went from zero to one thousand, 1108 01:00:43,160 --> 01:00:46,080 Speaker 4: like really fast, so it will flood it. So it 1109 01:00:46,120 --> 01:00:49,520 Speaker 4: goes from one thousand to ten million. And perhaps they 1110 01:00:49,520 --> 01:00:52,280 Speaker 4: were just like, all right, what Kenderck just did is 1111 01:00:52,640 --> 01:00:55,760 Speaker 4: bigger than what we foresee Drake doing in the near future. 1112 01:00:55,880 --> 01:00:58,120 Speaker 4: So we're gonna flood this and capitalize on this moment 1113 01:00:58,160 --> 01:00:59,919 Speaker 4: because it's that this is the moment that we're gonna 1114 01:01:00,080 --> 01:01:00,840 Speaker 4: the most out. 1115 01:01:00,640 --> 01:01:08,000 Speaker 9: Of at Drake, at Drake's at Drake's expense of being 1116 01:01:08,040 --> 01:01:11,160 Speaker 9: called the a minor. So they don't care nothing about 1117 01:01:11,160 --> 01:01:13,080 Speaker 9: his character. 1118 01:01:14,560 --> 01:01:17,120 Speaker 3: See, we all know that the last thing he did 1119 01:01:17,200 --> 01:01:19,720 Speaker 3: get four hundred million. You don't get all that money 1120 01:01:19,720 --> 01:01:22,640 Speaker 3: at once. And there's some stipulations in there too. Lastly, 1121 01:01:22,720 --> 01:01:24,400 Speaker 3: they don't want to give him the rest of that money, 1122 01:01:24,400 --> 01:01:26,240 Speaker 3: and they do kind of want to f him off. 1123 01:01:27,600 --> 01:01:31,280 Speaker 4: And sometimes you know this, it might be like Jerry 1124 01:01:31,360 --> 01:01:34,960 Speaker 4: Krause and the nineteen ninety eight bulls. 1125 01:01:35,880 --> 01:01:37,280 Speaker 5: Look you've peaked. 1126 01:01:38,280 --> 01:01:42,000 Speaker 1: Honestly, I cannot think of one single reason that the 1127 01:01:42,080 --> 01:01:44,480 Speaker 1: business would empower Kendrick over Drake. 1128 01:01:45,760 --> 01:01:46,240 Speaker 8: Me neither. 1129 01:01:47,400 --> 01:01:53,080 Speaker 1: I can't I gat that of a sole reason. Five 1130 01:01:53,160 --> 01:01:59,840 Speaker 1: year outlook, the business would They're the same age, not 1131 01:02:00,160 --> 01:02:01,200 Speaker 1: one sole reason. 1132 01:02:01,520 --> 01:02:04,800 Speaker 2: Can I think of why the business would empower Ken Like? 1133 01:02:05,320 --> 01:02:10,640 Speaker 1: Drake has had so many records, smash hit records. I 1134 01:02:10,680 --> 01:02:14,520 Speaker 1: think he's like thirteen in fourteen in like, he has 1135 01:02:14,600 --> 01:02:18,240 Speaker 1: more number one records on the Hot one hundred than 1136 01:02:18,320 --> 01:02:19,200 Speaker 1: Michael Jackson. 1137 01:02:19,680 --> 01:02:22,880 Speaker 4: Kendrick forced their hands. Kendrick kicked him out of the community. 1138 01:02:23,880 --> 01:02:24,840 Speaker 4: It forced their hands. 1139 01:02:25,280 --> 01:02:28,080 Speaker 2: I don't know if that's even true, because I gotta. 1140 01:02:27,840 --> 01:02:31,840 Speaker 3: Ask truth this question. At any point, man, did Drake 1141 01:02:31,920 --> 01:02:33,720 Speaker 3: reach out to you for you to rescue him, man, 1142 01:02:33,760 --> 01:02:38,120 Speaker 3: for you to donate? Yo? 1143 01:02:38,320 --> 01:02:43,600 Speaker 7: Still man, that's hilarious, you know what I'm saying. That's hysterical, 1144 01:02:43,680 --> 01:02:45,520 Speaker 7: but real talk. 1145 01:02:47,120 --> 01:02:51,280 Speaker 6: It is kind of like, why would they like it 1146 01:02:51,280 --> 01:02:53,560 Speaker 6: would have to be some behind the scenes stuff that 1147 01:02:53,560 --> 01:02:57,080 Speaker 6: we not pretty too. That could be the only reason 1148 01:02:57,080 --> 01:03:01,920 Speaker 6: why they would choose to push Kendrick and push Drake out, 1149 01:03:02,720 --> 01:03:06,640 Speaker 6: you know what I'm saying, Because even a mid tier 1150 01:03:06,760 --> 01:03:09,760 Speaker 6: Drake is bringing him money, you know what I'm saying. 1151 01:03:09,840 --> 01:03:12,480 Speaker 3: So and I'm gonna tell you though, people gotta twist 1152 01:03:12,480 --> 01:03:14,520 Speaker 3: that Drake was a bigger artist than on Kendrick. 1153 01:03:14,960 --> 01:03:18,960 Speaker 1: Yeah, oh yeah, I mean but but minus hold on, 1154 01:03:19,000 --> 01:03:23,000 Speaker 1: I got you Grid, but minus the bigger artist. I 1155 01:03:23,160 --> 01:03:27,640 Speaker 1: cannot think of one sole reason the label chooses. 1156 01:03:29,760 --> 01:03:33,760 Speaker 2: Kendrick over Drake. It doesn't make sense like he had 1157 01:03:33,840 --> 01:03:38,080 Speaker 2: to actually win the I mean, listen, he had better records. 1158 01:03:38,680 --> 01:03:41,280 Speaker 1: I think during the battle, I think Drake didn't lean 1159 01:03:41,320 --> 01:03:43,440 Speaker 1: to his strategy of making really good records that can 1160 01:03:43,480 --> 01:03:45,840 Speaker 1: be played all over the country. I think he really 1161 01:03:45,840 --> 01:03:49,240 Speaker 1: went into it with a battle mind. I'm gonna battle 1162 01:03:49,240 --> 01:03:52,040 Speaker 1: this guy, like you know, he he believed all of 1163 01:03:52,040 --> 01:03:55,040 Speaker 1: the height of battle rap and and you know when 1164 01:03:55,040 --> 01:03:56,760 Speaker 1: he went away from what work of him in the 1165 01:03:56,800 --> 01:03:59,400 Speaker 1: Meek Meal battle right, which was back to back, and 1166 01:03:59,440 --> 01:04:03,240 Speaker 1: then he gets to the even when he gets in 1167 01:04:03,280 --> 01:04:05,320 Speaker 1: a push of tea battle, he dropped a rap song 1168 01:04:05,640 --> 01:04:07,240 Speaker 1: like where he's just rapping, and then he gets in 1169 01:04:07,280 --> 01:04:10,600 Speaker 1: the Kendrick battle and the push up record is dope, right, 1170 01:04:10,680 --> 01:04:13,280 Speaker 1: this is good catching, but then every other record is 1171 01:04:13,320 --> 01:04:15,440 Speaker 1: not a really great record, right, So. 1172 01:04:16,160 --> 01:04:17,400 Speaker 2: I think he lost the battle. 1173 01:04:19,200 --> 01:04:22,120 Speaker 1: I think he lost the battle on his own right, 1174 01:04:22,760 --> 01:04:26,160 Speaker 1: and but I cannot find one reason why the business 1175 01:04:26,160 --> 01:04:28,959 Speaker 1: would ever favored Kendrick over Drake. 1176 01:04:29,080 --> 01:04:30,840 Speaker 2: I can't find one reason in my mind. 1177 01:04:31,440 --> 01:04:33,880 Speaker 3: I don't think I think best kind of reaching right there. 1178 01:04:35,000 --> 01:04:37,320 Speaker 3: I think it's kind of reaching, bro, And I'm gonna 1179 01:04:37,320 --> 01:04:40,640 Speaker 3: tell you what it is. Man. Drake has been lifting 1180 01:04:40,640 --> 01:04:43,560 Speaker 3: out his fantasies over the last ten to fifteen years. Right, 1181 01:04:44,800 --> 01:04:47,080 Speaker 3: He's been messing with girls that he probably would have 1182 01:04:47,120 --> 01:04:49,760 Speaker 3: never had the chance to knock down if he wouldn't. 1183 01:04:49,840 --> 01:04:52,960 Speaker 3: Drake gotta remember that dude used to look corny gee 1184 01:04:53,000 --> 01:04:56,640 Speaker 3: before he got the money, and that I didn't. 1185 01:04:56,560 --> 01:05:02,520 Speaker 1: Use to It looks hard yesterday, yeah, right now, Like 1186 01:05:02,600 --> 01:05:05,320 Speaker 1: he just looks like he's impersonating Nust, Me and Corny. 1187 01:05:05,600 --> 01:05:07,400 Speaker 3: That's what I'm saying. He gets a real corner, dude, 1188 01:05:07,400 --> 01:05:09,680 Speaker 3: when you really think about it. Right, So he's been 1189 01:05:09,760 --> 01:05:13,040 Speaker 3: living fantasies. He's been going he's been really fascinated with 1190 01:05:13,120 --> 01:05:16,440 Speaker 3: Battle Rep. He's been going to League, been sponsoring League, 1191 01:05:16,440 --> 01:05:18,520 Speaker 3: he's sponsoring the whole U r L. But then you 1192 01:05:18,560 --> 01:05:21,120 Speaker 3: know they little streaming thing they had going on, and 1193 01:05:21,160 --> 01:05:22,920 Speaker 3: he really thought, in his mind, this is going to 1194 01:05:23,000 --> 01:05:25,520 Speaker 3: be my chance to immortalize myself in a battle. 1195 01:05:27,920 --> 01:05:30,320 Speaker 1: Did an incredible job with the meek meal battle hold. 1196 01:05:30,440 --> 01:05:32,360 Speaker 1: Let me get through these super chatter real quick. Shout 1197 01:05:32,360 --> 01:05:36,240 Speaker 1: out to Captain d Hard, Thanks for the five dollars. 1198 01:05:36,240 --> 01:05:36,479 Speaker 3: Brother. 1199 01:05:36,840 --> 01:05:40,200 Speaker 1: It's been reported he is in contract negotiations before the 1200 01:05:40,240 --> 01:05:42,880 Speaker 1: battles started. Don't know if that's true, but it's on 1201 01:05:42,920 --> 01:05:45,800 Speaker 1: Twitter now. He had did that a couple of years ago. 1202 01:05:45,960 --> 01:05:48,520 Speaker 1: Maybe he did for an extension, but I know he 1203 01:05:48,560 --> 01:05:50,760 Speaker 1: did that a year or two. Go shout out to 1204 01:05:50,840 --> 01:05:53,800 Speaker 1: Calor Production, thanks for the two dollars. My brother is spiritual. 1205 01:05:53,880 --> 01:05:58,600 Speaker 1: I really believe God writers. I think that's I agree 1206 01:05:58,640 --> 01:06:00,600 Speaker 1: with you in the innate sense of the battle, but 1207 01:06:00,640 --> 01:06:03,560 Speaker 1: that is not what Universal. 1208 01:06:03,120 --> 01:06:04,120 Speaker 2: Music Group is pushing. 1209 01:06:05,000 --> 01:06:08,720 Speaker 1: Righteous people not like forgive me because I don't want 1210 01:06:08,760 --> 01:06:11,280 Speaker 1: to say that they don't have any talent that's righteous. 1211 01:06:11,360 --> 01:06:14,000 Speaker 1: I'm saying I don't think that's a wanging factor for 1212 01:06:14,120 --> 01:06:17,080 Speaker 1: them to market and act is if they're a righteous person. 1213 01:06:17,160 --> 01:06:19,840 Speaker 1: I just think that's the furthest thing from their mind. 1214 01:06:19,880 --> 01:06:22,640 Speaker 1: I think, you know, I don't want to make it people. 1215 01:06:22,640 --> 01:06:23,240 Speaker 3: I don't want to go. 1216 01:06:23,240 --> 01:06:25,120 Speaker 1: Too hard on them, you know, because I don't know 1217 01:06:25,280 --> 01:06:28,560 Speaker 1: business practices. I ain't been in there. But the last 1218 01:06:28,600 --> 01:06:30,280 Speaker 1: thing that I get from them is righteous. 1219 01:06:30,360 --> 01:06:32,240 Speaker 2: That's I don't get that. As far as artistry. 1220 01:06:35,200 --> 01:06:38,680 Speaker 1: Shout out to the homie Omar, I do. Thanks for 1221 01:06:38,680 --> 01:06:41,360 Speaker 1: the five dollars. This is some great dialogues. Salu Fellas. 1222 01:06:41,600 --> 01:06:44,000 Speaker 1: Glad you enjoyed it. Man, we're tackling it right now. 1223 01:06:44,000 --> 01:06:46,880 Speaker 1: It's late because like this is just breaking events. 1224 01:06:46,880 --> 01:06:48,520 Speaker 2: It just matters. 1225 01:06:49,680 --> 01:06:52,360 Speaker 6: Yo, yo glasses. Let's go back to the battle real quick. 1226 01:06:52,400 --> 01:06:55,720 Speaker 6: I feel like it. I feel like what Still is 1227 01:06:55,760 --> 01:06:58,320 Speaker 6: talking about going into all these battle rap events and 1228 01:06:58,360 --> 01:07:00,960 Speaker 6: all that one the first thing you people in that 1229 01:07:01,040 --> 01:07:05,520 Speaker 6: world is people use angles, and you know what I mean. 1230 01:07:06,080 --> 01:07:10,439 Speaker 7: His angle was to live bro Kendrick. He just wanted 1231 01:07:10,440 --> 01:07:11,040 Speaker 7: to little. 1232 01:07:10,840 --> 01:07:12,440 Speaker 8: Brilliant, he feel me. 1233 01:07:12,920 --> 01:07:14,760 Speaker 7: And Hendrick was coming. 1234 01:07:14,560 --> 01:07:17,600 Speaker 6: With concept records like Meet the Grahams, and he was 1235 01:07:17,640 --> 01:07:19,480 Speaker 6: taking it all the way around the world with his 1236 01:07:19,560 --> 01:07:23,120 Speaker 6: pen as far as coming you know, on some battleship 1237 01:07:23,760 --> 01:07:26,400 Speaker 6: and I feel like if if he was really paying 1238 01:07:26,440 --> 01:07:29,720 Speaker 6: attention in them battle events, then we would have different 1239 01:07:29,800 --> 01:07:33,600 Speaker 6: records right now. And on the tip of the you know, 1240 01:07:34,000 --> 01:07:37,600 Speaker 6: the spirituality to I don't think he talking about universal 1241 01:07:37,720 --> 01:07:39,880 Speaker 6: music spirituality and they practices. 1242 01:07:40,200 --> 01:07:41,680 Speaker 7: I think he's talking about. 1243 01:07:41,360 --> 01:07:46,600 Speaker 6: Just period like it's time for you know, something else 1244 01:07:46,640 --> 01:07:50,200 Speaker 6: to come into play because of all of the the 1245 01:07:50,440 --> 01:07:54,360 Speaker 6: the demons in the music playground right now. 1246 01:07:55,120 --> 01:07:59,560 Speaker 1: Totally totally agree that there's a real demand for the 1247 01:07:59,680 --> 01:08:03,640 Speaker 1: Universe first is demanding for it. But trust me, Universal 1248 01:08:03,720 --> 01:08:06,640 Speaker 1: Music Group is not at the They are not the 1249 01:08:06,800 --> 01:08:10,600 Speaker 1: hands for these class group. 1250 01:08:10,960 --> 01:08:12,600 Speaker 7: Universe Music Group. 1251 01:08:15,200 --> 01:08:18,760 Speaker 4: I swear classes you got a painting or some sort 1252 01:08:18,760 --> 01:08:22,200 Speaker 4: of an artistic piece as the result of this battle, correct, 1253 01:08:22,600 --> 01:08:24,599 Speaker 4: I do have what does that depict? 1254 01:08:24,920 --> 01:08:28,360 Speaker 1: I forget Drake doing push ups while Kendrick as the 1255 01:08:28,400 --> 01:08:29,559 Speaker 1: master is watching him. 1256 01:08:30,200 --> 01:08:33,599 Speaker 8: Indeed, indeed, okay, drop down, give me fifty. 1257 01:08:34,320 --> 01:08:38,479 Speaker 2: There you go. Yes, I agree with Crooked. 1258 01:08:38,600 --> 01:08:43,200 Speaker 1: The Universe Music Group is definitely demanding more of a 1259 01:08:43,320 --> 01:08:47,400 Speaker 1: righteous fold. And and I mean something I've talked to 1260 01:08:47,479 --> 01:08:49,719 Speaker 1: Cam over the years about, you know, when it comes 1261 01:08:49,720 --> 01:08:52,800 Speaker 1: to health and and and being street as I am 1262 01:08:52,960 --> 01:08:57,080 Speaker 1: and the language that I use, like you could always 1263 01:08:57,080 --> 01:08:59,519 Speaker 1: be a street guy and be very much a righteous person. 1264 01:08:59,560 --> 01:08:59,960 Speaker 3: They don't. 1265 01:09:00,920 --> 01:09:03,759 Speaker 2: They're not mutually exclusive. They can go together. 1266 01:09:03,840 --> 01:09:05,680 Speaker 1: You just have to be willing to stand up and 1267 01:09:05,720 --> 01:09:08,240 Speaker 1: be who you are, even in the face of friends. 1268 01:09:08,320 --> 01:09:10,639 Speaker 2: Right, you still gotta be stern. 1269 01:09:12,760 --> 01:09:15,600 Speaker 1: I just don't know if that's the business of Universal 1270 01:09:15,720 --> 01:09:16,479 Speaker 1: Music Group. 1271 01:09:17,400 --> 01:09:19,479 Speaker 2: I think Universal Music Group do. 1272 01:09:19,560 --> 01:09:23,400 Speaker 1: I think behind the scenes they have some backdoor deals 1273 01:09:23,400 --> 01:09:25,559 Speaker 1: that can encourage people to do the wrong thing. Sure, 1274 01:09:25,640 --> 01:09:29,000 Speaker 1: but I also think, you know, people like to share 1275 01:09:29,040 --> 01:09:29,880 Speaker 1: in silly shit. 1276 01:09:31,360 --> 01:09:36,040 Speaker 2: You know, you like, I don't do drugs, but people 1277 01:09:36,240 --> 01:09:39,639 Speaker 2: like drugs. I don't know why. 1278 01:09:40,720 --> 01:09:43,200 Speaker 1: I will probably be the last person to tell you 1279 01:09:43,640 --> 01:09:46,160 Speaker 1: why somebody like drugs or alcohol. 1280 01:09:46,720 --> 01:09:48,200 Speaker 2: I could never understand it. 1281 01:09:49,640 --> 01:09:52,600 Speaker 9: Do you think why do you think Drake wanted to 1282 01:09:52,600 --> 01:09:55,160 Speaker 9: get involved in the battle rap scene? Do you think 1283 01:09:55,240 --> 01:10:00,360 Speaker 9: that he wants an army or a brotherhood hood? He 1284 01:10:00,439 --> 01:10:04,040 Speaker 9: wants to for his manhood nature to be respected? 1285 01:10:04,160 --> 01:10:04,679 Speaker 8: You know what I'm saying. 1286 01:10:04,680 --> 01:10:06,760 Speaker 9: Because you can, you can have all the females liking 1287 01:10:06,800 --> 01:10:09,320 Speaker 9: you all over the world. But I really think with him. 1288 01:10:09,520 --> 01:10:13,320 Speaker 3: I'm gonna tell you something, Champ. Everybody's like going to 1289 01:10:13,360 --> 01:10:16,040 Speaker 3: the zoo, right, because you know everybody, what's the favorite thing? 1290 01:10:16,080 --> 01:10:18,760 Speaker 3: People like, what's the fake what's the biggest attraction of 1291 01:10:18,800 --> 01:10:23,880 Speaker 3: the zoo? The gorillas and the gorilla lines right because 1292 01:10:23,880 --> 01:10:27,240 Speaker 3: they behind the cage. Right, how many people you think 1293 01:10:27,280 --> 01:10:29,400 Speaker 3: will go to zoo? If the motherfuckers is running free. 1294 01:10:29,479 --> 01:10:32,639 Speaker 3: When you go to park a lot, you know, gorillas 1295 01:10:32,680 --> 01:10:34,360 Speaker 3: just swing and treat the treatmhen you come in and 1296 01:10:34,479 --> 01:10:37,880 Speaker 3: just who just bombing on people lines, you know, biting 1297 01:10:37,920 --> 01:10:40,400 Speaker 3: people's head off, and shit, wouldn't nobody want to see 1298 01:10:40,400 --> 01:10:43,320 Speaker 3: that live? I think Drake has been going to the 1299 01:10:43,400 --> 01:10:46,080 Speaker 3: zoo man now, he think he could walk among the beasts. 1300 01:10:47,200 --> 01:10:50,519 Speaker 1: Shout out to ec DC tech academics talking about glasses. 1301 01:10:50,640 --> 01:10:54,440 Speaker 1: Long of twenty thousand viewers, Story of my Life, brother, Story. 1302 01:10:54,160 --> 01:10:56,120 Speaker 8: Of my Life always did something. 1303 01:10:57,160 --> 01:11:01,439 Speaker 1: It's always somebody that's entirely too famous upset at me. 1304 01:11:01,880 --> 01:11:03,160 Speaker 2: So I'm used to it. 1305 01:11:03,520 --> 01:11:06,760 Speaker 9: I mean it's not bad, yeah, But like I said, 1306 01:11:07,760 --> 01:11:10,519 Speaker 9: the beautiful thing though, is people that, like I said, 1307 01:11:10,680 --> 01:11:16,000 Speaker 9: the poverty, you know, produces an army, a brotherhood. So 1308 01:11:16,080 --> 01:11:18,200 Speaker 9: the ain't ain't no amount of money, ain't on amount 1309 01:11:18,200 --> 01:11:22,040 Speaker 9: of females and popularity or whatever that can equal a 1310 01:11:22,120 --> 01:11:24,439 Speaker 9: real army. You know what I'm saying. That's that's riding 1311 01:11:24,439 --> 01:11:26,920 Speaker 9: and sliding for love and respect. So I think that's 1312 01:11:26,920 --> 01:11:29,519 Speaker 9: what he deficient of. You know what I'm saying. All 1313 01:11:29,600 --> 01:11:31,439 Speaker 9: of us on this panel, you know what I'm saying, 1314 01:11:31,479 --> 01:11:34,800 Speaker 9: including Pete got more respect. I think you know what 1315 01:11:34,840 --> 01:11:39,120 Speaker 9: I'm saying than dude do That's fit where it counts. 1316 01:11:39,439 --> 01:11:42,800 Speaker 4: And I think it's also Yeah, because of that deficiency, 1317 01:11:43,560 --> 01:11:45,960 Speaker 4: he's not going to go get it in the streets. 1318 01:11:45,960 --> 01:11:47,200 Speaker 5: This is the closest place. 1319 01:11:46,960 --> 01:11:49,719 Speaker 8: He can go to get it, man, that's true. 1320 01:11:50,280 --> 01:11:52,760 Speaker 1: Shout out to a J. I think it's pronounced or 1321 01:11:52,880 --> 01:11:55,400 Speaker 1: a job, but I think it's AJ. The only thanks 1322 01:11:55,400 --> 01:11:57,800 Speaker 1: for the five dollars, Brodie. The only reason I can 1323 01:11:57,840 --> 01:12:01,000 Speaker 1: foresee U m G. Pushing Dot over rate at any 1324 01:12:01,080 --> 01:12:03,439 Speaker 1: moment is if they know some Nafari ship on his 1325 01:12:03,520 --> 01:12:04,839 Speaker 1: jacket that might hit the streets. 1326 01:12:04,960 --> 01:12:10,640 Speaker 2: That's a great point that possibly I think Dave for 1327 01:12:10,840 --> 01:12:14,599 Speaker 2: sure will unconnect from your ass. Have you got to. 1328 01:12:16,320 --> 01:12:17,679 Speaker 5: And what was the theme of the song? 1329 01:12:19,160 --> 01:12:19,400 Speaker 8: Right? 1330 01:12:20,439 --> 01:12:21,160 Speaker 2: No? 1331 01:12:21,680 --> 01:12:22,040 Speaker 8: Right? 1332 01:12:22,880 --> 01:12:25,280 Speaker 1: But but I'll be honest. When I asked Dot, he 1333 01:12:25,320 --> 01:12:27,240 Speaker 1: ain't gonna lie? Did ask Dot? He said, glasses, you 1334 01:12:27,240 --> 01:12:28,360 Speaker 1: ain't know me to be no liar. 1335 01:12:31,800 --> 01:12:36,840 Speaker 8: What I'm saying all this fear, all this fear, right, and. 1336 01:12:36,720 --> 01:12:43,519 Speaker 4: I think there's you know, hops are kind of genre 1337 01:12:43,560 --> 01:12:47,080 Speaker 4: where when it goes, it goes quick for a lot 1338 01:12:47,080 --> 01:12:48,720 Speaker 4: of artists. You know, you can have a run for 1339 01:12:49,240 --> 01:12:51,960 Speaker 4: a long long time, and when it when you're no 1340 01:12:52,040 --> 01:12:55,040 Speaker 4: longer to sound anymore, it's it. You have to wait 1341 01:12:55,200 --> 01:12:58,760 Speaker 4: until you're like now now you're like old school hop 1342 01:12:58,800 --> 01:13:03,240 Speaker 4: because people remember you. 1343 01:13:03,400 --> 01:13:04,880 Speaker 2: Another five dollars, my boy. 1344 01:13:05,600 --> 01:13:07,840 Speaker 1: It's a new contract in the lawsuit that says he 1345 01:13:08,000 --> 01:13:10,280 Speaker 1: owns his master's and copyright. 1346 01:13:10,360 --> 01:13:11,880 Speaker 2: Well, that could be another thing too. 1347 01:13:13,320 --> 01:13:17,800 Speaker 1: That could be another thing too, cap Like, if you 1348 01:13:17,920 --> 01:13:21,960 Speaker 1: own your masters and your copyrights, they might invest in 1349 01:13:22,000 --> 01:13:23,759 Speaker 1: somebody else because it's more money to be made. 1350 01:13:23,800 --> 01:13:26,400 Speaker 2: I know that's true too, you know what I mean? 1351 01:13:26,479 --> 01:13:27,679 Speaker 2: That can be a good point. 1352 01:13:28,840 --> 01:13:30,840 Speaker 3: Let me ask you some real he started to cut 1353 01:13:30,880 --> 01:13:33,960 Speaker 3: you off. How many artists do y'all know, man, that 1354 01:13:34,120 --> 01:13:37,840 Speaker 3: really were big deals that their finances don't reflect it 1355 01:13:37,960 --> 01:13:40,200 Speaker 3: right now? You know guys like from the nineties that 1356 01:13:40,320 --> 01:13:44,160 Speaker 3: have really huge records and really big careers. That was 1357 01:13:44,240 --> 01:13:45,960 Speaker 3: the Kindreds back in the day. How many of those 1358 01:13:46,000 --> 01:13:48,360 Speaker 3: guys do you see that their finances may not be 1359 01:13:48,439 --> 01:13:50,400 Speaker 3: all the way right? And not trying to you know, 1360 01:13:50,840 --> 01:13:52,519 Speaker 3: just them dudes or nothing, but just trying to make 1361 01:13:52,560 --> 01:13:53,160 Speaker 3: a point. 1362 01:13:53,479 --> 01:13:56,240 Speaker 9: Most of them meet me included, you know what I'm saying. 1363 01:13:57,120 --> 01:14:00,200 Speaker 9: So you know, it's a business it's a business. It's 1364 01:14:00,200 --> 01:14:02,880 Speaker 9: also a boys club. You know, people get to work 1365 01:14:03,040 --> 01:14:05,600 Speaker 9: that stay in the circle. It's a certain it's a 1366 01:14:05,640 --> 01:14:08,519 Speaker 9: such thing as gatekeepers or whatever, you know, a little 1367 01:14:08,560 --> 01:14:11,280 Speaker 9: boy's club that they're gonna they gonna keep you working 1368 01:14:11,320 --> 01:14:13,240 Speaker 9: if you if you get down like they get down. 1369 01:14:13,439 --> 01:14:15,800 Speaker 9: So I never got down like them, period. So you know, 1370 01:14:15,840 --> 01:14:17,960 Speaker 9: I was never invited to the Reindeer games. 1371 01:14:19,120 --> 01:14:23,639 Speaker 3: I say all that to say this, man, you can 1372 01:14:23,720 --> 01:14:26,200 Speaker 3: never you can never get in the position dude the 1373 01:14:26,240 --> 01:14:28,240 Speaker 3: way you think you too, big man, because I don't 1374 01:14:28,320 --> 01:14:29,880 Speaker 3: seen some big dudes fault. 1375 01:14:30,000 --> 01:14:36,080 Speaker 1: Man, he definitely, he definitely, no matter how it go, 1376 01:14:37,000 --> 01:14:40,639 Speaker 1: this was a mistake. There's no way he could come 1377 01:14:40,640 --> 01:14:42,840 Speaker 1: out on the other end and this not be a 1378 01:14:42,880 --> 01:14:45,720 Speaker 1: mistake because now you're making enemies. 1379 01:14:45,320 --> 01:14:47,600 Speaker 2: With really powerful people. 1380 01:14:47,600 --> 01:14:51,720 Speaker 1: Who are happened to be a lot further vested in 1381 01:14:51,760 --> 01:14:54,000 Speaker 1: the business you want to succeed in than you do. 1382 01:14:54,600 --> 01:15:01,040 Speaker 1: Not to mention again, it's like maybe you know, I 1383 01:15:01,040 --> 01:15:02,280 Speaker 1: don't know, man, I don't. 1384 01:15:02,320 --> 01:15:02,800 Speaker 2: I don't know. 1385 01:15:02,920 --> 01:15:05,280 Speaker 1: Like I'm trying to think of what makes sense. Maybe 1386 01:15:05,280 --> 01:15:07,000 Speaker 1: he's gonna quit. Maybe he's like, you know what, I'm 1387 01:15:07,000 --> 01:15:08,680 Speaker 1: done with this. I'm gonna blow the lid off of it, 1388 01:15:08,720 --> 01:15:11,639 Speaker 1: and then I'm gonna ride off into the sunset. Maybe 1389 01:15:13,360 --> 01:15:15,559 Speaker 1: I think he just reached I said, yeah. 1390 01:15:15,360 --> 01:15:18,880 Speaker 2: The sunset gonna be crazy. 1391 01:15:19,600 --> 01:15:20,760 Speaker 3: You know in. 1392 01:15:20,439 --> 01:15:22,599 Speaker 4: Canada you go far off north and the sun doesn't 1393 01:15:22,640 --> 01:15:24,400 Speaker 4: set for months during the summer. 1394 01:15:25,400 --> 01:15:26,559 Speaker 8: You're stuck in the daytime. 1395 01:15:28,760 --> 01:15:32,760 Speaker 2: Yeah, I don't quite know how this works out. 1396 01:15:33,160 --> 01:15:35,640 Speaker 1: Again, the culture kind of they're done with him, right, 1397 01:15:35,680 --> 01:15:37,880 Speaker 1: which he does have a fan base. To Kriuk's point 1398 01:15:37,880 --> 01:15:40,760 Speaker 1: earlier that you know he got from obviously years and 1399 01:15:40,840 --> 01:15:43,920 Speaker 1: years of great music and success, right that that he's 1400 01:15:43,960 --> 01:15:47,160 Speaker 1: going to have an audience. But Universal is tied to 1401 01:15:47,200 --> 01:15:49,960 Speaker 1: the people that own the arenas. Universal is tied to 1402 01:15:49,960 --> 01:15:51,839 Speaker 1: the people that actually streamed the music. 1403 01:15:52,320 --> 01:15:53,880 Speaker 2: Universal, like you. 1404 01:15:53,840 --> 01:15:57,200 Speaker 1: Get what I'm saying, You start to put yourself into 1405 01:15:57,240 --> 01:16:02,280 Speaker 1: a disadvantage because these people are connected to everybody, you 1406 01:16:02,320 --> 01:16:03,759 Speaker 1: know what I mean, and they will stop. 1407 01:16:03,800 --> 01:16:06,720 Speaker 2: So I don't quite know what the thought is. 1408 01:16:06,840 --> 01:16:09,440 Speaker 1: I just think it's a bad thought. 1409 01:16:09,600 --> 01:16:12,960 Speaker 3: Quick. What was his last three records? Because then his 1410 01:16:13,080 --> 01:16:16,679 Speaker 3: last three records do like unbelievably bad. His last three singles. 1411 01:16:16,479 --> 01:16:19,439 Speaker 1: He tried to drop, I mean, bad for Drake is 1412 01:16:19,439 --> 01:16:21,719 Speaker 1: probably not in the top twenties. 1413 01:16:22,360 --> 01:16:24,400 Speaker 3: No, I don't think these records even hit the top 1414 01:16:24,439 --> 01:16:24,920 Speaker 3: one hundred. 1415 01:16:24,960 --> 01:16:26,280 Speaker 2: From what I mean, well, I think he put out 1416 01:16:26,320 --> 01:16:26,599 Speaker 2: a lot. 1417 01:16:26,720 --> 01:16:32,080 Speaker 1: Mind. Yeah, he's obviously been struggling. He's obviously been struggling. 1418 01:16:32,120 --> 01:16:35,040 Speaker 1: But I also don't think he went in there and 1419 01:16:35,080 --> 01:16:37,919 Speaker 1: started to try to make really great records that address 1420 01:16:38,320 --> 01:16:40,120 Speaker 1: where he's at and gave people what they. 1421 01:16:40,000 --> 01:16:40,599 Speaker 2: Wanted to hear. 1422 01:16:40,840 --> 01:16:41,840 Speaker 5: I don't think it will matter. 1423 01:16:42,680 --> 01:16:45,320 Speaker 1: I mean, it's still like how j Cole was able 1424 01:16:45,360 --> 01:16:47,839 Speaker 1: to do with that song where he tried to rewrite 1425 01:16:47,920 --> 01:16:49,840 Speaker 1: history and act like, oh y'all to do. 1426 01:16:53,040 --> 01:16:54,519 Speaker 3: Didn't get hit like this he was. 1427 01:16:59,080 --> 01:17:06,240 Speaker 5: I don't think like this. 1428 01:17:08,320 --> 01:17:12,439 Speaker 1: You know this is John came out with latinum album 1429 01:17:12,479 --> 01:17:15,920 Speaker 1: and the gold album in top forty songs. Joe Rule 1430 01:17:16,040 --> 01:17:18,680 Speaker 1: still is streets, so he understands what not to do. 1431 01:17:19,360 --> 01:17:21,439 Speaker 5: Rul's persona nongrada for a decade. 1432 01:17:22,520 --> 01:17:25,000 Speaker 8: Mm hmm yeah, but this is worse. 1433 01:17:25,800 --> 01:17:26,120 Speaker 3: I know. 1434 01:17:27,160 --> 01:17:30,240 Speaker 5: That's why the company pivoted. 1435 01:17:31,479 --> 01:17:34,880 Speaker 1: Like this could be and remember and remember, like to John, 1436 01:17:35,040 --> 01:17:38,000 Speaker 1: them's situation, Remember they called a fair case. And that's 1437 01:17:38,000 --> 01:17:40,800 Speaker 1: when the label walked away from Shug, walked away from 1438 01:17:40,880 --> 01:17:45,240 Speaker 1: Jay and walked away from uh Earth at that same time, 1439 01:17:45,240 --> 01:17:47,200 Speaker 1: they all had caught fit. People didn't realize that they 1440 01:17:47,240 --> 01:17:48,920 Speaker 1: all called fair cases at the same time. 1441 01:17:49,800 --> 01:17:51,840 Speaker 9: So Drake trying to give a real trip off that 1442 01:17:52,160 --> 01:17:54,719 Speaker 9: So Drake trying to give Universe who a fair case? 1443 01:17:54,840 --> 01:17:59,080 Speaker 1: Right, Yeah, his his attorneys to mention Rico in the 1444 01:17:59,120 --> 01:18:01,479 Speaker 1: paperwork like that. 1445 01:18:01,479 --> 01:18:05,000 Speaker 8: Is it's not it's not good. It's not gonna end good. 1446 01:18:08,280 --> 01:18:11,400 Speaker 3: They could be going through some kind of crisis right now, man, 1447 01:18:11,520 --> 01:18:13,599 Speaker 3: where he's like he's gonna seem too much and he's about 1448 01:18:13,640 --> 01:18:15,479 Speaker 3: to tell it all. You know, you got that one 1449 01:18:15,479 --> 01:18:17,000 Speaker 3: homie that you take on the mission. You see the 1450 01:18:17,040 --> 01:18:23,519 Speaker 3: probably shouldn't be going the next day. He might be 1451 01:18:23,560 --> 01:18:24,599 Speaker 3: about to drop the bomb. 1452 01:18:25,320 --> 01:18:28,439 Speaker 1: Bro shout out to George Williams. He said, that's why 1453 01:18:28,439 --> 01:18:30,439 Speaker 1: we never get ahead. He's not scared to be the 1454 01:18:30,479 --> 01:18:33,040 Speaker 1: fall guy for the future guys. This has nothing to 1455 01:18:33,120 --> 01:18:34,559 Speaker 1: do with fall god. 1456 01:18:34,479 --> 01:18:36,200 Speaker 2: For future guys. 1457 01:18:36,240 --> 01:18:38,840 Speaker 1: All he's going to do is stop record companies from 1458 01:18:38,840 --> 01:18:42,439 Speaker 1: marketing record He's not even gonna stop anything. There's nothing 1459 01:18:43,560 --> 01:18:46,479 Speaker 1: for anybody else that's going to And he's not himself 1460 01:18:46,520 --> 01:18:47,360 Speaker 1: being a fall guy. 1461 01:18:47,760 --> 01:18:49,920 Speaker 2: He's point. He got another guy. 1462 01:18:50,560 --> 01:18:53,960 Speaker 1: He's like that guy. He's not saying, hey, you know what, 1463 01:18:54,000 --> 01:18:55,960 Speaker 1: this is what the record label. If he wanted to 1464 01:18:55,960 --> 01:19:00,280 Speaker 1: be the fall guy and didn't want yeah, he could 1465 01:19:00,320 --> 01:19:01,640 Speaker 1: do it for himself. He could be like, this is 1466 01:19:01,640 --> 01:19:04,280 Speaker 1: how they marketed me. This is how they spent the money. 1467 01:19:04,400 --> 01:19:06,880 Speaker 1: I have the paperwork right here, here's the proof. Look 1468 01:19:06,920 --> 01:19:10,120 Speaker 1: at this, this, this, this, this. But he's doing what 1469 01:19:10,200 --> 01:19:12,719 Speaker 1: Gunna did. He's like, no, look what they did for him. 1470 01:19:13,360 --> 01:19:17,040 Speaker 1: Look at that guy over there. They did this for him, 1471 01:19:17,479 --> 01:19:20,800 Speaker 1: you know ex Rico so Forth and so on. You 1472 01:19:20,840 --> 01:19:23,280 Speaker 1: feel me, they did that for him. Now, if he 1473 01:19:23,320 --> 01:19:25,360 Speaker 1: wanted to be the fall guy, he would say, this 1474 01:19:25,439 --> 01:19:27,639 Speaker 1: is what they did for me. Hey, you know what. 1475 01:19:28,320 --> 01:19:31,000 Speaker 1: They falsely marketed my stuff. They made me bigger than 1476 01:19:31,040 --> 01:19:33,040 Speaker 1: I was. My numbers caught up and I was an 1477 01:19:33,080 --> 01:19:36,000 Speaker 1: Arenas so Forth and so on. That's if he was 1478 01:19:36,040 --> 01:19:39,559 Speaker 1: trying to be a fall guy or a martyr or 1479 01:19:39,400 --> 01:19:42,040 Speaker 1: or or Jesus type of person in that regard, he 1480 01:19:42,080 --> 01:19:45,599 Speaker 1: would take the responsibility. He would not be pointing at 1481 01:19:45,840 --> 01:19:49,200 Speaker 1: who he could consider his Judas as Jesus didn't be 1482 01:19:49,240 --> 01:19:56,400 Speaker 1: like it was Judas. It was like whatever feemy Draken, 1483 01:19:56,520 --> 01:20:00,400 Speaker 1: like Drake Peno Brown in the court room. 1484 01:20:00,280 --> 01:20:04,840 Speaker 9: On New Jack City, damn and Drake Drake low key 1485 01:20:04,920 --> 01:20:07,360 Speaker 9: like Howard Hughes. You've seen a Howard huge story in 1486 01:20:07,400 --> 01:20:10,000 Speaker 9: The Eccentric went crazy and the big ass man just 1487 01:20:10,000 --> 01:20:12,080 Speaker 9: start peeing in bottles and lining them up, grew on 1488 01:20:12,160 --> 01:20:13,280 Speaker 9: his fingernails all along. 1489 01:20:14,200 --> 01:20:16,840 Speaker 8: Drake, might you might need to get that little fifty 1490 01:20:16,880 --> 01:20:17,960 Speaker 8: one to fifty watch. 1491 01:20:18,280 --> 01:20:21,040 Speaker 2: My boy was like me, no, he was like it 1492 01:20:21,120 --> 01:20:26,080 Speaker 2: was Kendrick. You a witness everybody. 1493 01:20:26,400 --> 01:20:28,720 Speaker 4: Drake showed up to the police department with the rape cap. 1494 01:20:31,360 --> 01:20:33,280 Speaker 3: G I gotta go on, pick a baby girl. I 1495 01:20:33,320 --> 01:20:33,760 Speaker 3: love y'all. 1496 01:20:33,800 --> 01:20:38,240 Speaker 2: Man in a minute, my boy, Yeah, he not. 1497 01:20:38,600 --> 01:20:42,360 Speaker 6: He not a fall guy. He's a I want to 1498 01:20:42,400 --> 01:20:44,920 Speaker 6: speak to the manager. That's what he's doing right now, 1499 01:20:45,800 --> 01:20:49,479 Speaker 6: you know what I'm saying. And you know, if he 1500 01:20:49,560 --> 01:20:52,000 Speaker 6: wanted to talk about how corrupt the industry is, he 1501 01:20:52,000 --> 01:20:56,400 Speaker 6: wouldn't have waited to turn the light on on his 1502 01:20:56,960 --> 01:20:57,880 Speaker 6: supposed enemy. 1503 01:20:58,040 --> 01:20:58,679 Speaker 3: You know what I mean? 1504 01:20:58,760 --> 01:21:01,280 Speaker 6: This is this is this has nothing to do with 1505 01:21:01,360 --> 01:21:04,440 Speaker 6: anything righteous for the future of artistry. 1506 01:21:04,800 --> 01:21:05,360 Speaker 7: You feel me? 1507 01:21:05,479 --> 01:21:05,719 Speaker 3: Now? 1508 01:21:06,600 --> 01:21:10,120 Speaker 7: Will it end up being something like that, We don't. 1509 01:21:10,760 --> 01:21:13,920 Speaker 6: I doubt it, But okay, that would just be a 1510 01:21:14,000 --> 01:21:17,360 Speaker 6: byproduct of him trying to get vengeance and stay on 1511 01:21:17,400 --> 01:21:18,000 Speaker 6: his mission. 1512 01:21:18,439 --> 01:21:19,240 Speaker 7: You know what I'm saying. 1513 01:21:19,400 --> 01:21:22,800 Speaker 6: It's not in his intentions to to save to save 1514 01:21:22,840 --> 01:21:23,799 Speaker 6: the music. 1515 01:21:23,920 --> 01:21:27,439 Speaker 7: You feel me if you're not gonna do that. 1516 01:21:27,800 --> 01:21:33,800 Speaker 6: So he's the first lay Yeah u MG, Like you said, man, 1517 01:21:35,000 --> 01:21:39,479 Speaker 6: you know they they when they start activating. Boy, let 1518 01:21:39,479 --> 01:21:43,000 Speaker 6: me tell you if people people don't think they had 1519 01:21:43,040 --> 01:21:45,120 Speaker 6: nothing to do with with with that Rico from the 1520 01:21:45,120 --> 01:21:46,439 Speaker 6: Color of Colorful Hair. 1521 01:21:46,280 --> 01:21:50,599 Speaker 7: Guy, you know what, they stay out their minds. 1522 01:21:50,640 --> 01:21:52,640 Speaker 6: So my whole thing is, like you said, they got 1523 01:21:52,680 --> 01:21:57,000 Speaker 6: a lot of power and this ain't gonna unfold how 1524 01:21:57,080 --> 01:21:58,200 Speaker 6: him and his team thought. 1525 01:21:58,800 --> 01:22:02,960 Speaker 7: Yeah, but I don't know, Bro, like he crashing out, 1526 01:22:03,479 --> 01:22:06,519 Speaker 7: You feel me like he crashing out right now? That's 1527 01:22:06,520 --> 01:22:07,559 Speaker 7: all that's all he doing. 1528 01:22:09,160 --> 01:22:13,679 Speaker 1: He was smartier right now there he is, come for Kenny, 1529 01:22:14,200 --> 01:22:17,519 Speaker 1: the educated brother from Compton. That's who the real leader 1530 01:22:17,520 --> 01:22:21,320 Speaker 1: of this, this this ambition Undertaker is doing. 1531 01:22:24,560 --> 01:22:28,280 Speaker 4: If Dre was smart, he should have paid another artist 1532 01:22:28,400 --> 01:22:31,040 Speaker 4: to sue and paid for the legal fish. 1533 01:22:32,040 --> 01:22:33,759 Speaker 2: Oh Man shout out to Flocko. 1534 01:22:34,560 --> 01:22:36,800 Speaker 1: He said, come on, big bro, Drake is doing this 1535 01:22:36,840 --> 01:22:39,960 Speaker 1: for the people like us who preach against corrupt infrastructure. 1536 01:22:40,200 --> 01:22:43,080 Speaker 1: We should be celebrating this. This is bigger than Kendrick 1537 01:22:43,120 --> 01:22:49,760 Speaker 1: and Drake. I would buy that what they did for 1538 01:22:49,880 --> 01:22:52,920 Speaker 1: him and his business. He come out and break the 1539 01:22:52,960 --> 01:22:55,120 Speaker 1: industry in half. All you got to do is like, 1540 01:22:55,160 --> 01:22:58,200 Speaker 1: this is what they did for me. They made this work. 1541 01:22:58,320 --> 01:23:00,680 Speaker 1: I know they spent this money. Here's the proof. He 1542 01:23:00,760 --> 01:23:04,000 Speaker 1: could talk about everything, but when he's pointing at Kendrick, 1543 01:23:05,400 --> 01:23:09,280 Speaker 1: That's why it's not about preaching against the corrupt infrastructure, 1544 01:23:10,000 --> 01:23:11,520 Speaker 1: bro the benefactor. 1545 01:23:12,160 --> 01:23:15,599 Speaker 6: He is suing them for a song called not Like 1546 01:23:15,680 --> 01:23:20,280 Speaker 6: Us by Kendrick Lamar. That's what the fuck this is about, Bro, 1547 01:23:20,439 --> 01:23:23,920 Speaker 6: like not try to you know what I mean. I'm 1548 01:23:24,000 --> 01:23:27,320 Speaker 6: the most positive thinking brother you can fucking meet, you 1549 01:23:27,360 --> 01:23:29,200 Speaker 6: know what I mean. But he's not going to go 1550 01:23:29,280 --> 01:23:33,000 Speaker 6: into the land of fairy tale. The motherfucker said, Yo, 1551 01:23:33,479 --> 01:23:37,599 Speaker 6: not like Us. It's the craziest fucking the Tommy nuclear 1552 01:23:37,640 --> 01:23:40,760 Speaker 6: bomb that ever dropped on the rapper's head. And like 1553 01:23:40,880 --> 01:23:44,240 Speaker 6: that ship everywhere I go, they planned it in the 1554 01:23:44,280 --> 01:23:45,120 Speaker 6: World series. 1555 01:23:49,160 --> 01:23:52,439 Speaker 7: He's trying to it has nothing to do with that 1556 01:23:52,520 --> 01:23:52,960 Speaker 7: other ship. 1557 01:23:53,120 --> 01:23:55,160 Speaker 6: Now, like I said, if it becomes a if that 1558 01:23:55,280 --> 01:23:58,920 Speaker 6: other ship becomes a byproduct, please believe it is not 1559 01:23:59,120 --> 01:24:03,720 Speaker 6: his intention because simply put like you said, Gee, he's 1560 01:24:03,720 --> 01:24:07,280 Speaker 6: pointing his finger. Bro, He's pointing his finger and he's saying, Yo, 1561 01:24:07,760 --> 01:24:10,679 Speaker 6: this is what they did for him, and I'm going 1562 01:24:10,720 --> 01:24:11,599 Speaker 6: to expose it. 1563 01:24:12,520 --> 01:24:15,080 Speaker 7: If not like us as a dud. We never had 1564 01:24:15,080 --> 01:24:15,840 Speaker 7: this conversation. 1565 01:24:16,760 --> 01:24:18,240 Speaker 2: And poet Clocko. 1566 01:24:18,479 --> 01:24:21,840 Speaker 1: When you told me the album dish, I didn't believe it. 1567 01:24:22,040 --> 01:24:23,120 Speaker 1: This is unbelievable. 1568 01:24:23,120 --> 01:24:23,639 Speaker 3: You were right. 1569 01:24:23,800 --> 01:24:27,799 Speaker 1: I don't know how you predicted it, Flocko. Hip hop 1570 01:24:27,960 --> 01:24:30,559 Speaker 1: is street urban culture. The first time we talk on 1571 01:24:30,600 --> 01:24:32,800 Speaker 1: your platform on No Jumper, I explained it to you. 1572 01:24:33,479 --> 01:24:38,639 Speaker 1: It's artistically expressed street urban culture. It's the way you act, walk, talk. 1573 01:24:39,200 --> 01:24:42,679 Speaker 1: Everything about it is that it's not It doesn't lead 1574 01:24:42,800 --> 01:24:46,000 Speaker 1: with music first. The confusion is that it leads with 1575 01:24:46,200 --> 01:24:49,160 Speaker 1: music first. No, it leads with culture first. If it 1576 01:24:49,240 --> 01:24:52,919 Speaker 1: led with music, Chief Keith win it sold three records. 1577 01:24:52,960 --> 01:24:56,320 Speaker 1: No disrespect to Chief Keith, but he ain't quite Herbie Hancock, 1578 01:24:56,960 --> 01:25:00,400 Speaker 1: he's not quite Quincy Jones and Michael Jackson. You know 1579 01:25:00,439 --> 01:25:04,519 Speaker 1: it's music isn't quite you know, Ray Charles, you know 1580 01:25:04,560 --> 01:25:06,120 Speaker 1: he's not on a piano playing. 1581 01:25:06,200 --> 01:25:09,120 Speaker 2: You feel me. That type of couldn't work if it 1582 01:25:09,160 --> 01:25:10,240 Speaker 2: was music first. 1583 01:25:10,720 --> 01:25:13,200 Speaker 1: If that was the case, then Leon Haywood's song would 1584 01:25:13,200 --> 01:25:16,599 Speaker 1: be multi platinum and Doctor Dre's song would have only 1585 01:25:16,640 --> 01:25:19,800 Speaker 1: sold you know, g would have sold five thousand if 1586 01:25:19,800 --> 01:25:23,240 Speaker 1: it was about music, because the music in these other 1587 01:25:23,360 --> 01:25:28,479 Speaker 1: genres is superior the music. Now when you add in 1588 01:25:28,520 --> 01:25:31,240 Speaker 1: the fact that hip hop is about culture, it's about 1589 01:25:31,600 --> 01:25:34,479 Speaker 1: discovery and people that don't have a voice, and a 1590 01:25:34,560 --> 01:25:38,080 Speaker 1: movement of people that refuse to be ignored and determine 1591 01:25:38,120 --> 01:25:40,280 Speaker 1: to let you know they exist and talk about their 1592 01:25:40,320 --> 01:25:45,880 Speaker 1: experience in this very small minute population in America. All 1593 01:25:45,920 --> 01:25:49,240 Speaker 1: it's very few ghettos that create the stuff that we're 1594 01:25:49,280 --> 01:25:49,880 Speaker 1: talking about. 1595 01:25:50,200 --> 01:25:52,559 Speaker 2: You know what I'm saying, that's what hip hop is about, 1596 01:25:52,600 --> 01:25:53,840 Speaker 2: and that's what we come for. 1597 01:25:54,560 --> 01:25:57,720 Speaker 1: See, I've never been confused and thought to myself, we 1598 01:25:57,800 --> 01:26:01,720 Speaker 1: come from music again, Like right now, people ask me 1599 01:26:01,760 --> 01:26:03,679 Speaker 1: all the time, you gonna listen to more new artists. 1600 01:26:03,680 --> 01:26:06,599 Speaker 1: I'm like, because I'm actually listening for music now now 1601 01:26:06,640 --> 01:26:09,679 Speaker 1: I'm not listening for culture. I'm like, well, what actually 1602 01:26:09,720 --> 01:26:12,920 Speaker 1: sounds good. I'm gonna go play Hall of Noakes. I'm 1603 01:26:12,920 --> 01:26:16,599 Speaker 1: going to go play Prince. I'm going to go discover 1604 01:26:16,800 --> 01:26:20,200 Speaker 1: the third Marvin Gaye album because I'm going to listen 1605 01:26:20,240 --> 01:26:22,840 Speaker 1: to music, but when I listen to hip hop, I 1606 01:26:22,920 --> 01:26:26,080 Speaker 1: listen for culture, I listen for lingo, I listen for style, 1607 01:26:26,520 --> 01:26:31,880 Speaker 1: fashion representation, and then music. So again, it's like when 1608 01:26:31,920 --> 01:26:34,120 Speaker 1: you was asking me how that battle will play out. 1609 01:26:34,280 --> 01:26:37,840 Speaker 1: It's a guy with culture that understands culture versus a 1610 01:26:37,880 --> 01:26:42,040 Speaker 1: guy with no street urban culture zero. He's been kind 1611 01:26:42,040 --> 01:26:47,040 Speaker 1: of like impersonating it. It's like asking me, you know what, 1612 01:26:47,160 --> 01:26:50,160 Speaker 1: a in a soul ful competition, who would win? Like 1613 01:26:50,640 --> 01:26:55,920 Speaker 1: Eminem's Prime Eminem or Kentucky Fried Chicken. There's nobody in 1614 01:26:55,960 --> 01:26:59,120 Speaker 1: the world that's going to taste both soul fools. You 1615 01:26:59,240 --> 01:27:02,920 Speaker 1: asking me who in King Tacos or Taco Bill, anybody 1616 01:27:02,960 --> 01:27:03,839 Speaker 1: would taste buds. 1617 01:27:05,240 --> 01:27:06,680 Speaker 2: It's going to work. 1618 01:27:07,640 --> 01:27:10,000 Speaker 9: Where it's a certain type of taste buds Because to me, 1619 01:27:10,040 --> 01:27:14,639 Speaker 9: it's like also like uh, Godzilla and King Kong, right, 1620 01:27:14,920 --> 01:27:19,320 Speaker 9: the machine made them both global monsters, but when it 1621 01:27:19,360 --> 01:27:21,599 Speaker 9: comes to them battling each other, one of them got 1622 01:27:21,640 --> 01:27:24,360 Speaker 9: way more weapons than the other one, you know what 1623 01:27:24,400 --> 01:27:26,960 Speaker 9: I'm saying on that On that scene. 1624 01:27:27,520 --> 01:27:30,160 Speaker 4: It to me like it was like when I first 1625 01:27:30,200 --> 01:27:33,280 Speaker 4: started seeing the comments and some of the posts about 1626 01:27:33,280 --> 01:27:40,639 Speaker 4: this on social media, the wagons circled so fast. They 1627 01:27:40,720 --> 01:27:44,679 Speaker 4: circled so fast, and like this is is is South stupid. 1628 01:27:44,680 --> 01:27:49,439 Speaker 4: It's kind of funny. You three guys haven't been on 1629 01:27:49,560 --> 01:27:52,439 Speaker 4: that side of the wagons like I feel. How the 1630 01:27:52,479 --> 01:27:56,400 Speaker 4: wagons circle on to be You know, it happens fast 1631 01:27:56,560 --> 01:27:59,280 Speaker 4: and you see it boom and it doesn't unhappen, and 1632 01:27:59,320 --> 01:28:02,400 Speaker 4: everybody in the room knew it. And it was cool 1633 01:28:03,760 --> 01:28:07,200 Speaker 4: for Drake until Drake just did that little thing to 1634 01:28:07,200 --> 01:28:10,680 Speaker 4: give him the excuse. And he did it, and he 1635 01:28:10,760 --> 01:28:13,600 Speaker 4: capitalized on it, and they just went and he was 1636 01:28:13,800 --> 01:28:14,320 Speaker 4: over there. 1637 01:28:15,840 --> 01:28:17,400 Speaker 2: It happened so fast. 1638 01:28:17,880 --> 01:28:21,000 Speaker 7: I got a question, where does Drake go from here? 1639 01:28:23,040 --> 01:28:26,240 Speaker 2: He justss he has to wait until he's nostalgic. 1640 01:28:28,920 --> 01:28:32,080 Speaker 8: I think I think he would never do this. 1641 01:28:33,760 --> 01:28:37,160 Speaker 10: But if he, if he apologized, you know what I'm saying, 1642 01:28:37,920 --> 01:28:41,320 Speaker 10: if he if he apologized to the culture and embraced 1643 01:28:41,680 --> 01:28:45,200 Speaker 10: you know, reality instead of playing like he was God 1644 01:28:45,240 --> 01:28:45,920 Speaker 10: and trying. 1645 01:28:45,640 --> 01:28:46,800 Speaker 8: To son everybody. 1646 01:28:46,840 --> 01:28:48,920 Speaker 9: And you know, because you on this, I'm rich and 1647 01:28:48,920 --> 01:28:51,000 Speaker 9: I'm balling and I'm playing these money games, and you 1648 01:28:51,040 --> 01:28:52,720 Speaker 9: know what I'm saying, you have to break it all 1649 01:28:52,760 --> 01:28:53,640 Speaker 9: the way down. 1650 01:28:53,760 --> 01:28:56,000 Speaker 8: And get with some real people. Do it. 1651 01:28:56,439 --> 01:28:59,680 Speaker 9: Do a whole lot of charity. You know what I'm saying, Like, 1652 01:28:59,720 --> 01:29:01,559 Speaker 9: you gotta do a whole lot of Santa Claus. 1653 01:29:01,600 --> 01:29:03,400 Speaker 1: You have to actually come clean and be for real. 1654 01:29:03,680 --> 01:29:08,400 Speaker 1: You have to be genuine. Shout out to Big China. 1655 01:29:08,600 --> 01:29:11,200 Speaker 1: Blogger said he bullies people legally and he really wants 1656 01:29:11,200 --> 01:29:16,960 Speaker 1: to sue that. I believe that too. Shout out the tree, 1657 01:29:17,040 --> 01:29:20,320 Speaker 1: he said, Invite him to the podcast, man, d wouldn't 1658 01:29:20,320 --> 01:29:22,280 Speaker 1: come to this. Drake wouldn't come to that podcast. 1659 01:29:22,320 --> 01:29:22,479 Speaker 3: Man. 1660 01:29:22,560 --> 01:29:25,120 Speaker 1: It's funny because we wouldn't even be talking about this stuff, 1661 01:29:25,280 --> 01:29:27,600 Speaker 1: but he would be so mad and upset that he 1662 01:29:27,640 --> 01:29:31,120 Speaker 1: wouldn't really, you know, be okay with the conversation. 1663 01:29:32,960 --> 01:29:34,800 Speaker 2: Hold on, this is this is head called him? Let 1664 01:29:34,800 --> 01:29:39,439 Speaker 2: me see what he talking about? Like, what up? I 1665 01:29:39,479 --> 01:29:40,000 Speaker 2: can't call it. 1666 01:29:40,040 --> 01:29:41,679 Speaker 1: I got you on the live stream with me, Crooked 1667 01:29:41,760 --> 01:29:44,240 Speaker 1: Cam and Pete. 1668 01:29:43,560 --> 01:29:52,000 Speaker 2: Oh, don't worry nobout. 1669 01:29:52,040 --> 01:29:54,320 Speaker 1: Everybody knows that when you call me, is required that 1670 01:29:54,400 --> 01:29:58,040 Speaker 1: you say cuz that's how everybody greets me, all the 1671 01:29:58,040 --> 01:30:00,600 Speaker 1: white lawyers managers to say what's up? 1672 01:30:00,600 --> 01:30:03,600 Speaker 2: Because when he called me, like what's up? Because come on, 1673 01:30:03,720 --> 01:30:04,680 Speaker 2: I don't. 1674 01:30:06,120 --> 01:30:10,720 Speaker 11: To understand the process behind the goings on. 1675 01:30:11,040 --> 01:30:14,000 Speaker 2: What the going is on is we can't figure it out. 1676 01:30:14,000 --> 01:30:17,559 Speaker 1: We've been trying to discover and what's going on for 1677 01:30:17,640 --> 01:30:21,640 Speaker 1: the last hour and thirty five minutes, and none of 1678 01:30:21,680 --> 01:30:26,320 Speaker 1: us is really close. Because the best thing I heard 1679 01:30:26,360 --> 01:30:29,880 Speaker 1: came from a comment where somebody said he owns his 1680 01:30:29,960 --> 01:30:33,920 Speaker 1: master's and copyright in his new contract. So maybe that's 1681 01:30:33,960 --> 01:30:38,320 Speaker 1: why they could favor Kendrick over him, But I still 1682 01:30:38,360 --> 01:30:41,120 Speaker 1: don't understand why that would bother him to the point 1683 01:30:41,160 --> 01:30:44,719 Speaker 1: to where he would sabotage his business future with UMG 1684 01:30:44,920 --> 01:30:47,200 Speaker 1: and affiliates. 1685 01:30:48,040 --> 01:30:52,360 Speaker 2: I mean, that's a I get to. 1686 01:30:52,439 --> 01:30:54,280 Speaker 1: I still don't think so, because I would imagine the 1687 01:30:54,360 --> 01:30:57,720 Speaker 1: money with Drake and where they have positioned him to 1688 01:30:58,120 --> 01:30:58,840 Speaker 1: is incredible. 1689 01:30:58,920 --> 01:31:00,479 Speaker 2: So it doesn't makes sense. 1690 01:31:00,560 --> 01:31:07,960 Speaker 1: So the most the most realistic, you know, solution is 1691 01:31:08,040 --> 01:31:11,120 Speaker 1: he's having in an emotional outbreak and he has the 1692 01:31:11,200 --> 01:31:13,240 Speaker 1: kind of money that people are not saying, hey, this 1693 01:31:13,360 --> 01:31:14,519 Speaker 1: is not a wise idea. 1694 01:31:16,280 --> 01:31:19,000 Speaker 11: I don't think there's any one probably around that's going 1695 01:31:19,200 --> 01:31:21,400 Speaker 11: to culturally navigate. 1696 01:31:21,040 --> 01:31:25,880 Speaker 1: Him, and that's again the same problem Cam said. Crooet 1697 01:31:25,960 --> 01:31:29,080 Speaker 1: asked a question, he said, what would it take to 1698 01:31:29,160 --> 01:31:32,120 Speaker 1: get Drake back into a decent position, and Cam said 1699 01:31:32,160 --> 01:31:35,360 Speaker 1: he'll never do this, but to apologize to the culture 1700 01:31:35,479 --> 01:31:39,120 Speaker 1: into everything else about what he's been doing and decide 1701 01:31:39,160 --> 01:31:41,480 Speaker 1: to himself he's going to become more of a humanitarian 1702 01:31:41,520 --> 01:31:43,839 Speaker 1: and look out for the culture that he's benefited off. 1703 01:31:43,680 --> 01:31:46,040 Speaker 2: Of and work from there. 1704 01:31:46,479 --> 01:31:50,960 Speaker 1: But again, it would take a level of self awareness, 1705 01:31:51,760 --> 01:31:55,080 Speaker 1: like conscious to where you can understand what's happening. And 1706 01:31:55,400 --> 01:31:59,439 Speaker 1: I definitely do not believe he has his self aware 1707 01:31:59,439 --> 01:32:04,720 Speaker 1: to understand and you know, possible consequences for misusing the 1708 01:32:04,760 --> 01:32:07,599 Speaker 1: culture this way to the benefit of just making money 1709 01:32:08,040 --> 01:32:11,120 Speaker 1: and feeling like the equivalent is empowering a couple of 1710 01:32:11,160 --> 01:32:14,160 Speaker 1: other rappers, which really still gives you the same credibility, 1711 01:32:14,640 --> 01:32:15,960 Speaker 1: you know what I mean. And I don't think Drake 1712 01:32:16,080 --> 01:32:17,800 Speaker 1: is one of these people who don't. I think he 1713 01:32:17,960 --> 01:32:21,760 Speaker 1: definated the schools and he tries his best, but this 1714 01:32:21,960 --> 01:32:26,559 Speaker 1: is something really deep, like this is a really you know, 1715 01:32:26,640 --> 01:32:27,680 Speaker 1: we're hard on each other. 1716 01:32:27,720 --> 01:32:29,280 Speaker 2: He had community wise over this. 1717 01:32:29,360 --> 01:32:31,240 Speaker 1: We are hard over people who've really been through this, 1718 01:32:31,400 --> 01:32:34,920 Speaker 1: let alone people who didn't go through this. So I 1719 01:32:34,960 --> 01:32:41,639 Speaker 1: mean it requires a shout out to either seventy eight. 1720 01:32:43,520 --> 01:32:46,960 Speaker 1: The answer is it requires humility and you can forget 1721 01:32:46,960 --> 01:32:47,439 Speaker 1: about that. 1722 01:32:48,360 --> 01:32:54,680 Speaker 11: Yeah, there's numerous there's a couple of individuals who have 1723 01:32:55,000 --> 01:33:00,440 Speaker 11: experenced a lot of humility over the last few years. 1724 01:32:58,920 --> 01:33:04,280 Speaker 3: I progress with the system. 1725 01:33:04,320 --> 01:33:08,760 Speaker 1: Sure, sure, all right, I'm here you once we finished, so. 1726 01:33:11,680 --> 01:33:14,760 Speaker 2: I don't know, man, I crooked. I think we then 1727 01:33:14,800 --> 01:33:17,320 Speaker 2: spent a lot of time. Cam. 1728 01:33:17,360 --> 01:33:19,280 Speaker 1: I think we just spent a lot of time trying 1729 01:33:19,320 --> 01:33:22,320 Speaker 1: to figure out I don't have the answer. 1730 01:33:24,240 --> 01:33:26,320 Speaker 7: So the answer comes back to a Kendrick song. 1731 01:33:26,439 --> 01:33:30,479 Speaker 8: Be humble, mm hmm. Is that gonna happen? 1732 01:33:31,680 --> 01:33:34,320 Speaker 1: And that'll do it? Much love to y'all, Man, see 1733 01:33:34,360 --> 01:33:38,080 Speaker 1: y'all Wednesday at noon. Man he thanks Crooking, Thanks big Bro, 1734 01:33:38,520 --> 01:33:41,160 Speaker 1: Cam Pete. We back here Wednesday. Make sure y'all go 1735 01:33:41,160 --> 01:33:43,519 Speaker 1: subscribe to the No Silllings podcast when you leave here. 1736 01:33:43,960 --> 01:33:47,639 Speaker 1: It's on Apples podcasts anywhere. 1737 01:33:47,640 --> 01:33:48,600 Speaker 2: Who get your podcast? 1738 01:33:49,080 --> 01:33:53,559 Speaker 1: The No Sillings Podcast produced by Charlemagne to God, Black 1739 01:33:53,600 --> 01:33:56,160 Speaker 1: Effect Network and iHeart Get Down, Where You get Out, 1740 01:33:56,200 --> 01:34:02,800 Speaker 1: Where You're mad at Playboy. We out there, good looking 1741 01:34:02,840 --> 01:34:05,519 Speaker 1: out for tuning in to the No Sellers Podcast. Please 1742 01:34:05,560 --> 01:34:08,599 Speaker 1: do us a favorite, subscribe, rate, comment, and share. This 1743 01:34:08,640 --> 01:34:10,880 Speaker 1: episode was recorded right here on the West Coast of 1744 01:34:10,920 --> 01:34:16,280 Speaker 1: the USA and produced by The Black Effect Podcast Network 1745 01:34:16,400 --> 01:34:17,400 Speaker 1: and iHeart Radio. 1746 01:34:17,920 --> 01:34:18,280 Speaker 3: Yeah.