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Speaker 1: I am all in. Let's gus you.

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Speaker 2: I am all in with Scott Patterson, an iHeartRadio podcast.

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Speaker 1: So listen, guys, I'm gonna let's get a little business

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Speaker 1: out of the way. I'm gonna be appearing at the

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Speaker 1: Motor City Comic Con, taking place in Detroit, Michigan, the

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Speaker 1: week end of November ten through twelve, twenty twenty three.

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Speaker 1: I think it's a little bit outside the city, but

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Speaker 1: come and see me there. MotorCity Comic Con November ten

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Speaker 1: through twelve, twenty twenty three. Also a Galaxy Con Columbus

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Speaker 1: December two and three, twenty twenty three. Hope to see

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Speaker 1: everybody there. Let's have some fun. Season five, episode twenty one,

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Speaker 1: Blame Booze and Melville. I am joined by my Intrepid crew.

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Speaker 1: But first iHeart Radio and one of a lot of

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Speaker 1: productions bring you this episode and this Intrepid crew, Amy Sugarman,

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Speaker 1: Danielle Romo and a very dry terror suit. Tara and

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Speaker 1: I and the team gathered quite at the rainstorm. I

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Speaker 1: hope everybody survived intact.

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Speaker 2: I didn't have any of it.

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Speaker 3: You didn't have any of it.

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Speaker 2: It was just sunny here, sunny, sunny Sonny.

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Speaker 1: Oh really, so you're up there. You didn't get any anything. Francisco,

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Speaker 1: you avoided it.

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Speaker 2: Yeah, we just had nothing.

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Speaker 4: You didn't have a hurricane or an earthquake.

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Speaker 2: We did have an earthquake about a week or so before,

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Speaker 2: Like I woke me up at like seven am.

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Speaker 5: They're calling it the hurriquake.

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Speaker 2: I don't want to laugh. It's not good to laugh.

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Speaker 2: I shouldn't laugh because those things are serious. Both things

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Speaker 2: are serious, I know, just ours work, Scott. Did you

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Speaker 2: feel the shape?

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Speaker 1: Yeah, we got a little shaken over here. I went

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Speaker 1: through the north Ridge quake. I was here, I was visiting.

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Speaker 2: So I went through that. You remember how like, uh,

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Speaker 2: either a few years before that was the San Francisco one.

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Speaker 1: Yes, remember I wasn't here for that. I wasn't in

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Speaker 1: LA for that. But I remember I.

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Speaker 2: Was in San Francisco for the San Francisco one and

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Speaker 2: you were in LA for the north Ridge one.

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Speaker 1: Yeah.

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Speaker 2: That was bad.

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Speaker 1: We have we have. That was bad experience. Bad. I

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Speaker 1: thought I was going to die in that thing.

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Speaker 2: Oh really, you were scared.

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Speaker 1: I was on the sixth floor of a apartment, uh

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Speaker 1: condo complex, and it felt like and everything in the

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Speaker 1: kitchen was exploding and everything coming out, and you could

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Speaker 1: hear the explosions and everything falling over. Oh, and I

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Speaker 1: was with one who I was visiting at that time,

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Speaker 1: and uh, I just threw the blanket over the top

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Speaker 1: of us, got on top of her, rolled as off

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Speaker 1: the bed onto the side of the bed, because that's

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Speaker 1: what they tell you to do, to get on the

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Speaker 1: side of the bed. So if debris is falling, it

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Speaker 1: hits the bed first and it slows it down before

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Speaker 1: it hits you. Kind of deal. And then I mean

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Speaker 1: I felt, actually felt the grim Reaper on the other

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Speaker 1: side of the bedroom door. I was that scared. So

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Speaker 1: I thought this, there's going to be a giant hole

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Speaker 1: going to open up in this floor and we're going down. Yeah.

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Speaker 1: It was that violent. The shaking was that violent. I thought,

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Speaker 1: there's no way this structure can withstand this. So terrifying,

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Speaker 1: And then they read card of the building. They got

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Speaker 1: everybody out of the building. So we're all like out there.

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Speaker 1: Nobody that anybody we'd seen it. We'd seen each other

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Speaker 1: in the laundry room or whatever, but but everybody was

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Speaker 1: milling a belder. But no way like three am. Oh yeah, yeah,

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Speaker 1: we couldn't go back in.

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Speaker 2: No, you were really in the center of it.

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Speaker 1: They let us back in for ten minutes to get essentials,

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Speaker 1: and then we had to go to a hotel. Yeah.

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Speaker 2: No, oh my god.

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Speaker 3: Away ninety four was scary.

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Speaker 4: I remember that because I grew up over there too,

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Speaker 4: and I have never seen my dad so scared of

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Speaker 4: my entire life other than that night. I, as a

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Speaker 4: four year old, vividly remember that entire entire night trauma.

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Speaker 1: Yeah, I thought that was it. I thought, this is it.

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Speaker 2: Curtains No, so I could feel the San Francisco one obviously,

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Speaker 2: like very intensely, and it went on and on and on.

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Speaker 2: But I wasn't in the city, so I was, you know,

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Speaker 2: twenty minutes away, so it was much less. But my

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Speaker 2: dad was in the city and like would have normally

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Speaker 2: gotten on the bridge, but that was when the bridge fell.

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Speaker 2: Part of the bridge fell, so he had to.

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Speaker 1: Go Golden Gate Bridge.

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Speaker 2: That it was the Bay Bridge, so at the piece

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Speaker 2: of the bay. Yeah, the upper deck fell, and then

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Speaker 2: another freeway called the Nimens Freeway. It's not there anymore, pancaked,

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Speaker 2: and so yeah, I was terrifying, but it wasn't as

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Speaker 2: bad if you were like on the outskirts, and then

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Speaker 2: the problem was the fires. I mean, it's welcome to

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Speaker 2: you know, natural disaster talk.

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Speaker 1: Listen speaking of earthquakes. Well, I tell you, Laura, I

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Speaker 1: must have felt the tremors coming when Emily was about

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Speaker 1: to get the magazine or anyway, it's.

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Speaker 2: A segue from a king.

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Speaker 1: Let me choose, but I think we are minus a

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Speaker 1: synopsisization and we need one. Danielle, You're on all right.

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Speaker 4: This is season five, episode twenty one, Blame Booz and Melville,

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Speaker 4: Air date May tenth, two thousand and five.

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Speaker 3: Lorlai discovers her.

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Speaker 4: Comments about Emily were not edited out of the article.

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Speaker 4: Big surprise there. In braces for the fallout, Rory's paper

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Speaker 4: career hits a snag, and Suki goes into labor. A

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Speaker 4: rival buyer interferes with Luke's attempt to purchase the Twickham estate,

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Speaker 4: and Emily becomes the patron of a Russian ballet dancer.

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Speaker 2: By the way, that was just weird.

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Speaker 1: It was weird, but it all kind of worked, yeah kinda.

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Speaker 1: I mean it wasn't hilarious. I mean I thought I

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Speaker 1: thought the ballerina was the bit was funnier than the

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Speaker 1: Michale bit.

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Speaker 2: I totally agree with you, Scott. I thought that was

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Speaker 2: they should have just like it was the joke that

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Speaker 2: just needed one joke. It was.

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Speaker 1: It was surreal in this really great way. Yeah, they

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Speaker 1: just they just went to the well one too many. Yeah,

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Speaker 1: it just got like cringey.

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Speaker 5: They just need to give Emily something to do. That's

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Speaker 5: what A felt.

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Speaker 2: I thought the Kirk stuff was way better, like finding

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Speaker 2: out that he has almost a quarter of a million

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Speaker 2: dollars like that, two forty.

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Speaker 1: Seven dollars and fifty four cents.

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Speaker 4: Yeah, and he was so mean about it, Like I

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Speaker 4: didn't I did not expect to see that side of Kirk.

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Speaker 2: He was.

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Speaker 1: He was like a he was like a corporate raider.

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Speaker 1: No heart, you know, no soul, just take the building away.

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Speaker 1: It was very anti stars Hollow, didn't you think, Yeah,

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Speaker 1: that something like that was taking place in stars Hollow

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Speaker 1: after Luke had been so you know, brotherly and uncle

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Speaker 1: Lee to to Sean for these yeah who life for

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Speaker 1: these at least these five seasons. I thought it was.

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Speaker 2: Very It's true you wouldn't expect Kirk to go up

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Speaker 2: against Luke because he so revers him that you're like

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Speaker 2: whoa bro.

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Speaker 1: I mean, it created him some very funny scenes. I'll

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Speaker 1: admit I chuckled through all of them. Yeah, but it

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Speaker 1: just wasn't It didn't ring Star's hollowy to me.

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Speaker 2: Yeah, it was good.

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Speaker 1: It was good, tongue in cheek.

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Speaker 2: Fun and yeah, I enjoyed it. I also, okay, so

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Speaker 2: we'll go to the opening. I thought, yeah, true, we

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Speaker 2: take it very serious. I thought the opening was cute

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Speaker 2: with them dipping. They were they were obviously doing like

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Speaker 2: chocolate fondue, and they only wanted the marshmallows, and you know,

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Speaker 2: Emily really wanted them to have the fruit. But I

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Speaker 2: was like, oh, that makes me want to do chocolate

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Speaker 2: fawn doing.

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Speaker 1: Did you find this getting a little bit risquels?

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Speaker 2: Was there some tawdry jokes there that I went over

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Speaker 2: my head?

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Speaker 5: Uh?

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Speaker 1: Well, the sure, Yeah. I didn't catch it even in

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Speaker 1: the beginning in the opening.

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Speaker 2: We do do we have the scripts so we can no.

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Speaker 1: No, I can, I can tell you. I mean give it.

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Speaker 4: I remember the stuff between Luke and Lorelai. There was

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Speaker 4: some I thought were at the table.

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Speaker 1: When they're going through the pictures of the ballerinas in

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Speaker 1: the ballet Dancers.

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Speaker 2: Oh wait, yes, that was a little bit.

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Speaker 1: And then they found one guy who looked like he was,

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Speaker 1: you know, right right, So they went into this whole

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Speaker 1: thing and then Laurel I makes the comment I'd like

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Speaker 1: that dipped in chocolate, and I was like, what is

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Speaker 1: going on here? What audience they I did? I mean,

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Speaker 1: I did exactly what you were doing. I covered my eyes.

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Speaker 2: I was like, it's so funny because I don't have

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Speaker 2: it in my notes. But then now thinking about it,

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Speaker 2: I'm like, oh wait, it was.

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Speaker 1: A little it was a bit risque.

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Speaker 2: Little chocolate saucy dippy did.

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Speaker 1: I guess they're both in a state of openness, shalln't

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Speaker 1: we say? Because they I mean, I don't know how

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Speaker 1: to put this. That would be very careful.

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Speaker 2: But well, once in a while Gilmore girls does go

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Speaker 2: there like that, like you, it's not once in a

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Speaker 2: blue moon. They definitely. I don't know.

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Speaker 1: It's like, can I ask you, is this girl talk?

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Speaker 1: Or is this is this appropriate mother daughter talk?

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Speaker 2: It's girl talk. It's not mother daughter girl talk.

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Speaker 1: But it's not mother daughter Was it odd that a

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Speaker 1: mother and daughter were it was funny?

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Speaker 5: I don't think it's I don't think it's odd for Laura. I.

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Speaker 1: I guess it's not odd for la or was it?

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Speaker 2: Also like Loralai's humor sometimes goes over Emily, like her

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Speaker 2: dirty stuff. I feel like she kind of thinks Emily's

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Speaker 2: not getting it, but Emily probably is getting.

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Speaker 1: It would never enter in Emily's mind, right, it's a

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Speaker 1: bit crude.

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Speaker 2: Now that it's coming back to me, I'm kind of laughing.

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Speaker 1: Yeah, it was funny. I mean, listen again along for

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Speaker 1: the ride chuckles ha ha ha. But it was like, hmm, yeah.

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Speaker 2: Now. The part I didn't get was what was all

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Speaker 2: the transferring from the jeep to Rory's car and backwards?

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Speaker 2: Was it laundry? I didn't get that. I was like,

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Speaker 2: what's happening?

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Speaker 5: I thought it was for the baby.

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Speaker 2: Shower, I know, but then they talked about the baby shower,

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Speaker 2: and I'm like, what is all that?

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Speaker 4: Like all the decorations. Yeah, I think it makes sense

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Speaker 4: for a baby shower.

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Speaker 1: But that was l she was out of her dorm.

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Speaker 5: Oh is it summer almost? Yes?

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Speaker 2: Oh my god, I'm so dumb.

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Speaker 1: Thank you no, no, I I you know, Hannah gave

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Speaker 1: me that one.

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Speaker 2: And I will give a shout out to what I

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Speaker 2: think was the Diane von Furstenberg wrap dress over sort

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Speaker 2: of the tight jeans with the flair that was sort

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Speaker 2: of very of the time, because remember that everyone was

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Speaker 2: wearing over jeans, were like fassy dresses over jeans.

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Speaker 5: That was a look or like leggings.

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Speaker 2: I think it was more gene.

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Speaker 5: I was more likings.

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Speaker 3: How uncomfortable, miss.

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Speaker 1: I did miss the sixties.

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Speaker 2: In the early seventies, I definitely dresses like that over jeans.

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Speaker 2: It was a whole look and actually I wish I

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Speaker 2: could bring that look back, but I digres. I digress

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Speaker 2: mm hmm. Like low rise, I love.

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Speaker 1: Lower Stones T shirts.

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Speaker 2: That's why I love Rolling Stones T shirts and low

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Speaker 2: rise jeans. I'm such a fan like low rise jean.

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Speaker 4: Yes, yeah, there's nothing I despise more. I will never

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Speaker 4: purchase again in my life.

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Speaker 2: Never literally.

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Speaker 5: I just high high waisted jeans all the way.

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Speaker 2: No, horrible, You.

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Speaker 1: Don't like low rise jeans down to your hip bone? No,

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Speaker 1: I didn't like that.

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Speaker 2: I did like like like Paris Hilton like read No,

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Speaker 2: I mean like back then with true religions.

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Speaker 5: Yeah, he used to wear more like.

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Speaker 4: The Hollister jeans that like literally had like a zipper

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Speaker 4: this big and a button like, no, no, no, no.

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Speaker 2: I loved it all right, So we go into the diner. Now,

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Speaker 2: what is the appropriate cost of a wheat toast plate.

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Speaker 1: It's a dollar now, it's a dollar ten.

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Speaker 2: That seemed very affordable. Too low, it goes up.

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Speaker 5: I think for now that's normal. But I don't know

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Speaker 5: about two thousand and five.

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Speaker 2: What does it cost if you went to a restaurant

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Speaker 2: somebody like, just look this up. So you went to

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Speaker 2: Denny's and you just got toast? What does that cost?

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Speaker 1: They? I guarantee you they bangive.

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Speaker 2: Come on, that's what I was gonna say. Three fifty Scott,

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Speaker 2: I'm with you.

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Speaker 4: I'm looking it up.

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Speaker 2: Yeah, could be more, No, I can't be sour dough

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Speaker 2: bag get could be more?

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Speaker 1: Go in?

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Speaker 2: Whoa? So prices have doubled in twenty years.

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Speaker 1: I guess not double Lukes, right.

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Speaker 2: Not that I would dare compare your diner to Dennis.

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Speaker 1: But Denny's is a chain, it's a national chain. Luke's

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Speaker 1: is one one place you know you're gonna you're gonna

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Speaker 1: pay a little more for the quality.

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Speaker 2: That's sort of an interesting question. Really fast, say we

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Speaker 2: were to compare Lukes to some you know, thing that exists.

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Speaker 2: It's way above Denny's. I'm like, but like, do you

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Speaker 2: guys know farm Shop in La I feel like it's

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Speaker 2: a level below that. It's not so it's not so upscale.

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Speaker 2: It's like, what would be a diner that we could

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Speaker 2: go to, would be like Bob's Big Boy. No, way

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Speaker 2: above that. I think that's fast food. I think it's

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Speaker 2: way better than that I'm talking about.

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Speaker 3: It's like, Okay, but here's the thing.

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Speaker 4: It can't be a chain because Luke's is not a chain, right, So, like,

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Speaker 4: the best thing I can I can relate it to

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Speaker 4: is in Tara. Maybe Scott my note know this reference.

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Speaker 4: But cecs in Oh yep, it's CEC's. It's a really

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Speaker 4: dope brunch spot that's family owned. There's not another one

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Speaker 4: of it, and it's awesome.

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Speaker 2: I love it.

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Speaker 1: But the thing about Luke's is he doesn't have the volume,

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Speaker 1: the daily volume that requires him to skimp on quality.

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Speaker 1: So if you're getting that massive volume, your costs are

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Speaker 1: huge and you want to pay much less per item,

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Speaker 1: and so the quality goes down just to accommodate the volume.

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Speaker 1: So he doesn't have to worry about that. So everything

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Speaker 1: is organic and great and fresh. He gets it. Yeah, yeah,

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Speaker 1: best stuff.

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Speaker 2: I'm going to throw in a name for anyone that's

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Speaker 2: ever been to Lake Tahoe and say, Luke's dinner is

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Speaker 2: very comparable to a fire sign. If you're from Tahoe,

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Speaker 2: give me a give me a shout, because I feel

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Speaker 2: like it's very like local diner. They got a lot

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Speaker 2: of regulars. But then like, if you're from out of town,

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Speaker 2: you go there too?

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Speaker 1: Can we do an event this winter? I want to

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Speaker 1: ski up there for sure?

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Speaker 2: Okay, So we noticed that you haven't raised the toast

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Speaker 2: prices in a really long time. And do you give

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Speaker 2: a discount if you eat it dry? Which then made

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Speaker 2: me want to ask you all, what do you like

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Speaker 2: on your toast?

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Speaker 1: No, because I think the jam and isn't the jam

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Speaker 1: and all the accoutrement on the table?

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Speaker 2: I would think those little packets of smuckers. Do you

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Speaker 2: jam your toast? If you were going to have wheat toast,

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Speaker 2: what would you put on it?

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Speaker 1: Olive oil jam? I like strawberry.

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Speaker 2: Jam, olive oil.

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Speaker 1: I don't use butter olive oil.

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Speaker 2: Olive oil and do not use butter because it's olive

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Speaker 2: oil is way better for you.

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Speaker 1: Just because I eat so much of it, right, so once,

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Speaker 1: while I like some butter.

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Speaker 4: For sure, I've never held olive oil before me either,

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Speaker 4: But you guys, it's.

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Speaker 5: Not with that.

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Speaker 4: Yeah, but like toast olive oil, Oh sure, Yeah.

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Speaker 1: If I have eggs and toast in the morning, I

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Speaker 1: put all of I toast my rye bread and put

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Speaker 1: olive oil on it. Yeah, sometimes honey on top of that.

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Speaker 2: You never like a restaurant where you dip the oh honey,

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Speaker 2: you never dip it into the.

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Speaker 5: Olive oil for sure, of course, not like it's just

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Speaker 5: I think of like butter and jam.

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Speaker 3: Yeah, same, Yeah.

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Speaker 2: Honey is a good call though, on an English muffin,

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Speaker 2: I like butter and jam, but I might go for honey.

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Speaker 4: But with a drizzle of honey, is yeah amazing.

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Speaker 1: I mean you're sitting there, you're eating bland eggs, right,

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Speaker 1: you can eat bland toast. You know you gotta spice

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Speaker 1: it up, you gotta put some jam. True in a camp,

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Speaker 1: in some kind of a prison camp somewhere, you know

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Speaker 1: we're here your bland stuff, Eat it and go back

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Speaker 1: to yourself. We want jam, all right.

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Speaker 2: So then Laura, I walks in. There's a little kiss

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Speaker 2: and they talk about the party in New York and

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Speaker 2: the article. So they seem to just be really grooven

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Speaker 2: and cruising.

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Speaker 1: I like to til, I like to Tailor phone call.

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Speaker 1: I thought it was.

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Speaker 2: Yes, the phone rings and Caesar answers and it's Tailor

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Speaker 2: and you can literally see him in the window. And

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Speaker 2: we kind of know that you're moving forward with the

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Speaker 2: Twickham house purchase, and uh, is this where we find

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Speaker 2: out that there's another bidder no that comes back in? Yeah, okay,

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Speaker 2: but you've overcharged Kirk by a penny, so we're just

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Speaker 2: definitely getting.

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Speaker 1: I settle out a buck five because I can't stay

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Speaker 1: with them anymore, right, and then has to complain on

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Speaker 1: the sales tax or something like that.

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Speaker 2: Yeah, exactly. So then we cut to Rory at the

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Speaker 2: paper and now I'm satisfied because she's really thriving. She's

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Speaker 2: in the pink top and she's got everything. She's jamming,

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Speaker 2: she knows everybody where everything is. She's just firing on

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Speaker 2: all cylinders, crushing the job. And we get the We

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Speaker 2: get Logan and he says Ace and I like all

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Speaker 2: of it.

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Speaker 1: Yeah, he was all puppy dogging all over her all.

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Speaker 2: Wait, I think, wait, now did we get Are we

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Speaker 2: to that part where he's there in person or is

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Speaker 2: this on the phone and he's talking about her sister's engagement.

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Speaker 2: Somebody keep me honest, No, keep me honest. I can't now.

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Speaker 2: I want to make sure I'm right now. He goes

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Speaker 2: he's there, So this is where he's there. Yeah, you

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Speaker 2: are right. So they're talking about the engagement party and

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Speaker 2: that she's gonna have to cut out of Friday night

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Speaker 2: dinner to get there, and he wants her to go,

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Speaker 2: which I think is also huge.

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Speaker 5: I thought it was too soon for him to ask

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Speaker 5: her to get out of Friday night dinner, Like that's

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Speaker 5: a full commitment and they've been dating for like what

370
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Speaker 5: a month?

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Speaker 1: Was Friday night dinner such a big deal at this point?

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Speaker 1: Would well, don't you think? Don't you think Richard and

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Speaker 1: Emily would understand, especially with.

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Speaker 4: I think they will be thrilled if Logan Hansburger was like, hey,

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Speaker 4: you got to hang out with me tonight.

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Speaker 3: They would be like, go on, sweetie.

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Speaker 5: Yeah, but for it, I mean, is like I think no,

378
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Speaker 5: I think they'd be totally fine with it. But like

379
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Speaker 5: Logan's telling her, like, get out of it, I think

380
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Speaker 5: if it was coming from Rory, I don't know. For me,

381
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Speaker 5: I just thought of it like he's really comfortable now,

382
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Speaker 5: like he just jumped right in. He's like, oh, just

383
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Speaker 5: get out of it. You see them every Friday. But

384
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Speaker 5: I would have liked it to come from Rory being like, oh, yeah,

385
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Speaker 5: let me just tell my grandparents.

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Speaker 2: That actually didn't bother me as much as I'm like, whoa,

387
00:20:45,720 --> 00:20:48,240
Speaker 2: she's going back into the fire, Like she's literally going

388
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Speaker 2: to the engagement party with this family that ripped her

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Speaker 2: to shreds. That's true, but good for her, okay, And

390
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Speaker 2: I think good for him that he's not like, hey,

391
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Speaker 2: you don't have to come. I know it was normal.

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Speaker 4: I think she feels like she is now interning with

393
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Speaker 4: the dad so like, and she has been doing really well,

394
00:21:07,720 --> 00:21:10,440
Speaker 4: and she's been cool with a sister, so why.

395
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Speaker 1: Not, right, like the dad giving her the job? Is

396
00:21:13,040 --> 00:21:13,800
Speaker 1: the apology?

397
00:21:14,280 --> 00:21:16,280
Speaker 3: Yeah?

398
00:21:16,400 --> 00:21:18,240
Speaker 2: Interesting? Okay, Okay?

399
00:21:18,720 --> 00:21:25,080
Speaker 1: Was she going to get an apology directly from the grandpa? Medicated?

400
00:21:25,359 --> 00:21:26,000
Speaker 2: Medicated?

401
00:21:26,400 --> 00:21:28,520
Speaker 5: No?

402
00:21:28,520 --> 00:21:32,040
Speaker 2: No, I'm feel like weirdly, even like when I'm not

403
00:21:32,160 --> 00:21:35,560
Speaker 2: watching thinking about missus Huntsburger and feeling.

404
00:21:35,280 --> 00:21:41,320
Speaker 1: Like he gets a phone call from the medicated mother. Hello,

405
00:21:42,560 --> 00:21:45,960
Speaker 1: are you Rory? Yes? Were you here the other night

406
00:21:46,000 --> 00:21:48,639
Speaker 1: and we were awful to you? Oh right, okay, I

407
00:21:48,640 --> 00:21:52,320
Speaker 1: have something written down here to say we are Oh

408
00:21:52,440 --> 00:21:58,240
Speaker 1: we're so sorry. Anyway, Tata, were you here the other

409
00:21:58,320 --> 00:22:01,520
Speaker 1: night when we were awful to us? No idea what

410
00:22:01,560 --> 00:22:04,560
Speaker 1: any of it means. She's forgotten about it. She wasn't.

411
00:22:05,000 --> 00:22:08,560
Speaker 1: My gosh, she doesn't recall it at all.

412
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Speaker 2: I just like it's subtle. But like when I was thinking,

413
00:22:12,880 --> 00:22:16,520
Speaker 2: because I I know that Leanne Hunley returns, right, that's

414
00:22:16,560 --> 00:22:18,760
Speaker 2: not our only time seeing her, and I just think like,

415
00:22:19,040 --> 00:22:22,840
Speaker 2: oh man, wow, she did seem a little.

416
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Speaker 1: I just I just wrote him a great scene. Go ahead,

417
00:22:27,040 --> 00:22:29,719
Speaker 1: go ahead, I'm giving it away to you. Go ahead,

418
00:22:30,880 --> 00:22:31,240
Speaker 1: all right.

419
00:22:31,560 --> 00:22:34,719
Speaker 2: So we do get the one question is he treating

420
00:22:34,760 --> 00:22:40,000
Speaker 2: you all right? You know, which foreshadows a little bit like,

421
00:22:40,760 --> 00:22:45,080
Speaker 2: uh like, just not unicorns and rainbows with that guy,

422
00:22:45,240 --> 00:22:47,200
Speaker 2: Mitcham No, it's not.

423
00:22:47,040 --> 00:22:47,320
Speaker 4: It's not.

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Speaker 1: You know, he's he's a tough he's a hard ass.

425
00:22:51,240 --> 00:22:54,520
Speaker 1: He's always testing. He's testing everybody.

426
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Speaker 4: So the thing which will yeah, you know what I'm

427
00:22:57,200 --> 00:23:01,520
Speaker 4: kind of surprised about is and maybe Logan it just

428
00:23:01,560 --> 00:23:03,800
Speaker 4: seems like something Logan would do, but maybe he doesn't

429
00:23:03,800 --> 00:23:06,399
Speaker 4: want to cross this line, like him talking to his

430
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Speaker 4: dad being like I like this girl, like please don't

431
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Speaker 4: be mean to her.

432
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Speaker 2: He's not. He would do it, but it won't work,

433
00:23:13,640 --> 00:23:14,879
Speaker 2: so he doesn't bother doing it.

434
00:23:15,240 --> 00:23:16,080
Speaker 3: I don't you know what I'm saying.

435
00:23:16,080 --> 00:23:18,680
Speaker 1: I don't know that he has the runway to say

436
00:23:18,680 --> 00:23:21,280
Speaker 1: that to his dad. His dad would eat his face off.

437
00:23:22,200 --> 00:23:24,280
Speaker 2: I think he talks back to the dad. I think

438
00:23:24,320 --> 00:23:26,400
Speaker 2: he stands up to the dad, but he's also sort

439
00:23:26,440 --> 00:23:27,879
Speaker 2: of like it won't.

440
00:23:28,040 --> 00:23:32,320
Speaker 4: Leave it be Yeah, because it's interesting because right now,

441
00:23:32,680 --> 00:23:36,080
Speaker 4: as we've seen me seeing it for the first time,

442
00:23:36,840 --> 00:23:40,080
Speaker 4: Mitchen seems kind of chill, not chill, but he seems

443
00:23:40,119 --> 00:23:43,040
Speaker 4: like he's like a cool a cool cat, you know

444
00:23:43,080 --> 00:23:47,640
Speaker 4: what I mean. Like, obviously I can tell, especially at

445
00:23:47,640 --> 00:23:50,080
Speaker 4: the end of this episode, that is changing real quick,

446
00:23:50,760 --> 00:23:54,280
Speaker 4: but at this moment, he seems like he's kind of like, yeah,

447
00:23:54,520 --> 00:23:56,879
Speaker 4: head guy in charge, but he's kind of cool.

448
00:23:59,320 --> 00:24:01,400
Speaker 1: I haven't argue he's intense.

449
00:24:01,520 --> 00:24:05,520
Speaker 2: This guy, he's intense. But here's my question and I'm

450
00:24:05,560 --> 00:24:08,640
Speaker 2: jumping ahead, but just let me because Danielle brought it up,

451
00:24:08,680 --> 00:24:14,840
Speaker 2: so be mean to her on Instagram. Did Mitcham do

452
00:24:14,920 --> 00:24:19,840
Speaker 2: the wrong thing happen the Queen? Did Mitcham? I mean,

453
00:24:19,880 --> 00:24:23,280
Speaker 2: Mitchell's just giving his opinion, right, and everyone's like, and

454
00:24:23,400 --> 00:24:25,920
Speaker 2: I get it. You'll learn more as we go into

455
00:24:25,920 --> 00:24:29,560
Speaker 2: these next episodes, but it's like Mitchell can give his opinion,

456
00:24:30,680 --> 00:24:33,840
Speaker 2: it's Rory's job to ignore him, right, you know what

457
00:24:33,840 --> 00:24:34,280
Speaker 2: I'm saying.

458
00:24:34,840 --> 00:24:37,720
Speaker 1: Yeah, it's like, don't take the hit. If you take

459
00:24:37,720 --> 00:24:40,200
Speaker 1: the hit personally and then go away, then he's right.

460
00:24:41,720 --> 00:24:43,720
Speaker 2: You know, like you must have had plenty of people

461
00:24:43,760 --> 00:24:46,640
Speaker 2: probably along the way tell you, oh, you're not cut

462
00:24:46,640 --> 00:24:48,240
Speaker 2: out for this business, Scott, or you're not going to

463
00:24:48,280 --> 00:24:51,680
Speaker 2: be a great actor, or like even maybe after Guilmard girls,

464
00:24:51,720 --> 00:24:54,159
Speaker 2: oh your career's over, or you don't know, and you

465
00:24:54,280 --> 00:24:57,320
Speaker 2: just have to go Okay, thanks for sharing, but I'm

466
00:24:57,359 --> 00:24:59,159
Speaker 2: just going to keep at it if that's what you

467
00:24:59,240 --> 00:25:02,480
Speaker 2: choose to do, or you can also pivot if that's

468
00:25:02,520 --> 00:25:03,879
Speaker 2: what you choose to do, right.

469
00:25:04,200 --> 00:25:07,080
Speaker 5: Yeah, Yeah, it made me think about like I feel

470
00:25:07,080 --> 00:25:09,359
Speaker 5: like everyone at some point in our lives, like you,

471
00:25:09,359 --> 00:25:11,800
Speaker 5: you had that person who was like, you're not good

472
00:25:11,800 --> 00:25:13,760
Speaker 5: at this, you know, in some way, shape or form,

473
00:25:13,800 --> 00:25:17,800
Speaker 5: and and she like I mean, she's valid to feel upset,

474
00:25:18,280 --> 00:25:21,440
Speaker 5: for sure, but like you said, Amy, like it's his opinion,

475
00:25:21,560 --> 00:25:23,960
Speaker 5: Like she can pivot and do whatever else she wants

476
00:25:24,000 --> 00:25:26,040
Speaker 5: and and continue her career.

477
00:25:27,320 --> 00:25:33,080
Speaker 2: People tell us every week, we're not good at this podcast,

478
00:25:34,359 --> 00:25:36,760
Speaker 2: and we just we're still here.

479
00:25:37,800 --> 00:25:40,560
Speaker 3: Take ourselves up, and we just keep on trucking.

480
00:25:42,840 --> 00:25:49,040
Speaker 1: Being good at a podcast. It's about being ourselves exactly.

481
00:25:51,800 --> 00:25:55,119
Speaker 2: That's exactly right. So my thing is like, and again

482
00:25:55,280 --> 00:25:55,880
Speaker 2: it's sort.

483
00:25:55,720 --> 00:25:58,040
Speaker 1: Of a and if you want a to Z button

484
00:25:58,119 --> 00:26:01,800
Speaker 1: down in order structure, then go listen to the ninety

485
00:26:01,880 --> 00:26:04,160
Speaker 1: nine point nine percent of other podcasts and be bored

486
00:26:04,160 --> 00:26:04,760
Speaker 1: to death.

487
00:26:06,000 --> 00:26:09,919
Speaker 2: Right totally, My thing is like this.

488
00:26:10,440 --> 00:26:12,679
Speaker 1: You know, I'm sleep sleep in five minutes.

489
00:26:14,720 --> 00:26:16,720
Speaker 2: So my thing is like, and I know we'll continue

490
00:26:16,720 --> 00:26:20,159
Speaker 2: this conversation because I do have sort of a a

491
00:26:20,240 --> 00:26:22,360
Speaker 2: thing to say at the end that people will get

492
00:26:22,359 --> 00:26:27,600
Speaker 2: mad at me for. But okay, so Mitcham said it. Okay,

493
00:26:27,680 --> 00:26:30,280
Speaker 2: so be butt hurt for a second and then go

494
00:26:30,320 --> 00:26:33,800
Speaker 2: whin your pulletzer or go when your emmy or whatever.

495
00:26:33,720 --> 00:26:36,159
Speaker 3: You like, as like to prove him that, yeah.

496
00:26:36,880 --> 00:26:39,720
Speaker 1: No, it's exactly what she did. Maybe yeah, because I

497
00:26:39,880 --> 00:26:43,000
Speaker 1: don't see any evidence. I don't see any evidence of

498
00:26:43,000 --> 00:26:46,560
Speaker 1: what he's talking about being accurate. When she did that

499
00:26:46,960 --> 00:26:51,120
Speaker 1: article and Curbs or something, you know, Doyle gave her

500
00:26:51,119 --> 00:26:54,439
Speaker 1: some ridiculous assignment, and she did all of this research

501
00:26:54,480 --> 00:26:56,200
Speaker 1: and impressed the hell out of him, and she got

502
00:26:56,240 --> 00:26:58,840
Speaker 1: a better article and a better you know what I mean. Right,

503
00:26:59,000 --> 00:27:03,040
Speaker 1: She showed capable of digging deep and getting to the facts.

504
00:27:03,160 --> 00:27:04,960
Speaker 5: But I think it's I think it's his way of

505
00:27:05,000 --> 00:27:07,520
Speaker 5: trying to get her out of Logan's life.

506
00:27:08,920 --> 00:27:12,280
Speaker 3: Well, that's what we have just to say it. I tried.

507
00:27:12,680 --> 00:27:16,040
Speaker 1: Why do you want her out of Logan's life? She's

508
00:27:16,040 --> 00:27:18,640
Speaker 1: so obviously, you know.

509
00:27:19,600 --> 00:27:22,560
Speaker 2: For the same reason, obviously a.

510
00:27:22,480 --> 00:27:25,800
Speaker 1: Good catch, you know what I'm saying. So why would

511
00:27:25,960 --> 00:27:28,360
Speaker 1: Mitcham want Rory out of Logan's life?

512
00:27:28,440 --> 00:27:30,600
Speaker 2: The grandpa doesn't like her, and neither doesn't.

513
00:27:30,760 --> 00:27:35,480
Speaker 1: What the grandpa says, he think he thinks is a

514
00:27:35,480 --> 00:27:36,080
Speaker 1: gold digger.

515
00:27:36,960 --> 00:27:37,680
Speaker 2: No, they don't.

516
00:27:37,840 --> 00:27:39,400
Speaker 3: They don't think it's they.

517
00:27:40,160 --> 00:27:42,119
Speaker 4: They didn't even meet her before.

518
00:27:42,160 --> 00:27:43,840
Speaker 3: They didn't like her, you know what I mean.

519
00:27:43,840 --> 00:27:50,160
Speaker 4: It's not her, it's her as a waiting. Yeah, she's

520
00:27:50,760 --> 00:27:54,520
Speaker 4: a history that she can't control.

521
00:27:53,960 --> 00:27:55,359
Speaker 2: Rock up Gilmore or whatever.

522
00:27:55,560 --> 00:27:57,879
Speaker 5: Well, I did see a comment on Instagram that actually

523
00:27:57,880 --> 00:28:00,600
Speaker 5: made me think. So we were talking about how like, oh,

524
00:28:00,600 --> 00:28:03,280
Speaker 5: but she's a Gilmore, like it's in her blood. But

525
00:28:03,840 --> 00:28:05,720
Speaker 5: and like the way she looked at like, you know,

526
00:28:05,840 --> 00:28:08,199
Speaker 5: the the house when she walked in, and they're like,

527
00:28:08,480 --> 00:28:11,000
Speaker 5: we have to remember that, like she really wasn't in

528
00:28:11,080 --> 00:28:13,280
Speaker 5: this world they brought up lower lie.

529
00:28:13,800 --> 00:28:15,840
Speaker 1: If I was Mitch, I would say this is the

530
00:28:15,840 --> 00:28:19,000
Speaker 1: best of both worlds. She wasn't raised to have her

531
00:28:19,040 --> 00:28:22,280
Speaker 1: head up her own urse, right, Yeah, she still has

532
00:28:22,320 --> 00:28:24,240
Speaker 1: the buzz, but.

533
00:28:24,240 --> 00:28:27,240
Speaker 2: I think they don't think the Gilmour's. That's what I'm saying,

534
00:28:27,320 --> 00:28:31,520
Speaker 2: is like, Okay, so if we're talking levels, right, Huntsburgers

535
00:28:31,920 --> 00:28:36,280
Speaker 2: are even higher up. They're Rockefeller, they're Rothschild.

536
00:28:36,440 --> 00:28:41,400
Speaker 1: No, they're not that level. Stop no OANs No, Yeah.

537
00:28:41,240 --> 00:28:43,720
Speaker 2: I think you're wrong.

538
00:28:43,200 --> 00:28:47,800
Speaker 1: He's not. He's not. No, he's not one of the

539
00:28:47,840 --> 00:28:50,840
Speaker 1: great families of the United States, the wealthiest families in

540
00:28:50,880 --> 00:28:51,600
Speaker 1: the United States.

541
00:28:51,640 --> 00:28:56,000
Speaker 2: He's not the fine So then he has thirteen newspapers,

542
00:28:56,800 --> 00:28:59,240
Speaker 2: but he's above Gilmore in his mind.

543
00:29:00,120 --> 00:29:01,520
Speaker 3: He's Richard's not even.

544
00:29:01,400 --> 00:29:05,160
Speaker 1: An owner of that insurance agency, that insurance That's.

545
00:29:05,040 --> 00:29:08,880
Speaker 2: What I'm saying Huntsburgers are above, Yeah, but they're not

546
00:29:09,120 --> 00:29:12,480
Speaker 2: roth Child mind. Come on, okay, fine, bad choice of

547
00:29:12,840 --> 00:29:13,960
Speaker 2: what's the guy?

548
00:29:14,080 --> 00:29:18,360
Speaker 1: I'm saying a couple hundred million not not billions. There

549
00:29:18,360 --> 00:29:24,080
Speaker 1: are a hundred millionaires maybe net worth, but I don't what's.

550
00:29:23,920 --> 00:29:25,280
Speaker 2: The guy that owns Fox?

551
00:29:25,560 --> 00:29:33,080
Speaker 1: What's that guy's names? Got some influence? Sure? Do you?

552
00:29:33,080 --> 00:29:35,720
Speaker 1: So you think he's on a Murdoch level huns Burger.

553
00:29:36,000 --> 00:29:37,840
Speaker 2: I don't know what we're supposed to think. I think

554
00:29:37,880 --> 00:29:40,600
Speaker 2: we're supposed to think he's something above.

555
00:29:40,720 --> 00:29:43,040
Speaker 1: You know what bothers me is that we've never seen

556
00:29:43,760 --> 00:29:48,600
Speaker 1: mitcham Huntsberger's office. Now, if they established this guy in

557
00:29:48,640 --> 00:29:51,000
Speaker 1: an office and he's a super powerful guy with this

558
00:29:51,360 --> 00:29:54,560
Speaker 1: unbelievable office, then you could get a sense of where

559
00:29:54,600 --> 00:29:57,000
Speaker 1: he stands in a food chain. But we haven't seen

560
00:29:57,040 --> 00:29:57,640
Speaker 1: that yet.

561
00:29:57,840 --> 00:29:59,880
Speaker 5: Well, from this episode, when he said his times all

562
00:30:00,040 --> 00:30:01,720
Speaker 5: most done at the paper, it made me think that

563
00:30:01,760 --> 00:30:05,400
Speaker 5: he just goes from paper to paper and consults like that.

564
00:30:05,560 --> 00:30:07,760
Speaker 5: That was my takeaway. Don't know anyone else, yeh, that's

565
00:30:07,760 --> 00:30:10,120
Speaker 5: what he does. Like, yeah, he just like I didn't

566
00:30:10,120 --> 00:30:12,120
Speaker 5: think he has an office. He just travels a lot.

567
00:30:12,360 --> 00:30:13,880
Speaker 1: Oh No, he's got to have an office.

568
00:30:15,440 --> 00:30:17,239
Speaker 2: No, I get it. He's got a total like, right,

569
00:30:17,320 --> 00:30:20,320
Speaker 2: he's got a whole Huntsburger building, but he's just at

570
00:30:20,360 --> 00:30:23,640
Speaker 2: this paper because they just took over this paper, right,

571
00:30:24,520 --> 00:30:26,760
Speaker 2: So he's just in there kind of Oh, I just

572
00:30:26,840 --> 00:30:28,800
Speaker 2: bought this, so now I need to They want to.

573
00:30:28,760 --> 00:30:30,960
Speaker 1: Show us how powerful this family is, then they need

574
00:30:31,000 --> 00:30:32,920
Speaker 1: to take us into an office building and take us

575
00:30:32,920 --> 00:30:37,040
Speaker 1: into Mitchem Huntsberger's office and see him operate, you know,

576
00:30:37,200 --> 00:30:43,520
Speaker 1: from his office, because those are impressive offices, right, Yeah.

577
00:30:43,400 --> 00:30:44,800
Speaker 2: I mean I think I don't know, Like I think

578
00:30:44,800 --> 00:30:46,960
Speaker 2: it's kind of left for interpretation, but I still do

579
00:30:47,040 --> 00:30:50,200
Speaker 2: get the vibe, Like, I don't know, he's above her,

580
00:30:50,560 --> 00:30:52,360
Speaker 2: he's above the Gilmour's.

581
00:30:51,920 --> 00:30:57,920
Speaker 1: Or whatever he is. He's an owner, he owns Richard

582
00:30:57,960 --> 00:30:59,520
Speaker 1: doesn't own the insurance company.

583
00:30:59,520 --> 00:31:01,040
Speaker 2: That's what I'm saying. That's what he was a.

584
00:31:02,880 --> 00:31:03,760
Speaker 1: Glorified VP.

585
00:31:04,680 --> 00:31:07,360
Speaker 2: And Richard came from money too, but then I think

586
00:31:07,360 --> 00:31:09,400
Speaker 2: he made all his own too. So I just think

587
00:31:09,800 --> 00:31:14,640
Speaker 2: the Huntsburgers consider themselves not Logan. Logan doesn't think this way.

588
00:31:14,640 --> 00:31:17,239
Speaker 2: But I think the Huntsburgers, the Grandpa and mitcham and

589
00:31:17,280 --> 00:31:21,800
Speaker 2: maybe you know, others missus Hunsburger obviously that they're.

590
00:31:21,680 --> 00:31:25,600
Speaker 1: Above the Sure, yeah they are.

591
00:31:26,720 --> 00:31:29,560
Speaker 2: So anyway, I digress. I'll get to my bomb drop

592
00:31:29,560 --> 00:31:33,600
Speaker 2: at the end of this episode. But they have more power, yeah,

593
00:31:33,640 --> 00:31:34,760
Speaker 2: and more money, and they just.

594
00:31:34,720 --> 00:31:38,000
Speaker 1: Kill their media influencers, you know.

595
00:31:38,120 --> 00:31:41,480
Speaker 2: Because remember he says they not he either the grandpa

596
00:31:41,600 --> 00:31:44,040
Speaker 2: or the grandpa says, this has nothing to do with

597
00:31:44,120 --> 00:31:47,720
Speaker 2: your mother. They acknowledge at that dinner, like, this isn't

598
00:31:47,720 --> 00:31:50,920
Speaker 2: because your mother had you at sixteen and went to

599
00:31:50,920 --> 00:31:54,120
Speaker 2: Stars Hollow. This is like, you're not of the caliber

600
00:31:54,200 --> 00:31:54,960
Speaker 2: that we want for.

601
00:31:55,000 --> 00:31:58,200
Speaker 1: This exactly what he's saying. This is crazy and.

602
00:31:58,160 --> 00:32:02,040
Speaker 2: That's Oh see, I agree that it's not because of LOURAI.

603
00:32:02,200 --> 00:32:04,840
Speaker 2: I think it's they don't consider the Gilmour's up to

604
00:32:04,880 --> 00:32:05,440
Speaker 2: their level.

605
00:32:05,960 --> 00:32:07,000
Speaker 5: That's how I thought of it too.

606
00:32:08,000 --> 00:32:09,520
Speaker 2: Yeah, I'm on Scott's page.

607
00:32:09,960 --> 00:32:11,800
Speaker 4: I think it all has to do with the fact

608
00:32:11,800 --> 00:32:15,400
Speaker 4: that she wasn't bred as a baby to follow the

609
00:32:15,440 --> 00:32:16,120
Speaker 4: Gilmour way.

610
00:32:17,200 --> 00:32:19,520
Speaker 1: Yes, I think if Laura l I had grown up

611
00:32:19,600 --> 00:32:23,160
Speaker 1: in the traditional way and they'd gotten to nowhere at

612
00:32:23,200 --> 00:32:26,520
Speaker 1: the country club, and it would have been fine, right,

613
00:32:26,560 --> 00:32:28,080
Speaker 1: it would have been fine, would have been appropriate that

614
00:32:28,120 --> 00:32:30,840
Speaker 1: her daughter was dating their son, and it wouldn't have

615
00:32:30,880 --> 00:32:33,080
Speaker 1: been it would not have been an embarrassment.

616
00:32:33,640 --> 00:32:39,160
Speaker 2: I disagree, respectfully disagree. So now we get to the

617
00:32:39,200 --> 00:32:39,520
Speaker 2: thing that.

618
00:32:39,520 --> 00:32:42,720
Speaker 1: Really we're going to still do that ski thing for sure?

619
00:32:42,760 --> 00:32:44,360
Speaker 2: Of course? Yeah, I mean we'll disagree.

620
00:32:45,120 --> 00:32:52,640
Speaker 1: I don't want to extremely powerful compared to me. I'm like,

621
00:32:52,880 --> 00:32:53,800
Speaker 1: I'm like a Gilmore.

622
00:32:56,080 --> 00:33:02,320
Speaker 5: Oh God, I don't so.

623
00:33:02,480 --> 00:33:06,680
Speaker 2: Okay, Now we switched to the limo and we see

624
00:33:06,920 --> 00:33:11,480
Speaker 2: Lorlai and Luke in the limo getting onto the Hudson Parkway.

625
00:33:11,480 --> 00:33:14,440
Speaker 2: They've just come from the party. Clearly they didn't need

626
00:33:14,520 --> 00:33:21,920
Speaker 2: anything because they're definitely tipsy and they're getting along quite well.

627
00:33:22,360 --> 00:33:27,680
Speaker 2: But you know, we're getting that scene for reasons to come.

628
00:33:28,360 --> 00:33:29,880
Speaker 2: But what did you think of them in the limo

629
00:33:30,080 --> 00:33:32,600
Speaker 2: and you're rubbing her leg? Did you notice that?

630
00:33:33,400 --> 00:33:38,960
Speaker 1: It's a very special scene for me because it encapsulated

631
00:33:42,920 --> 00:33:47,000
Speaker 1: how I feel about Lauren and how I feel about

632
00:33:47,160 --> 00:33:51,960
Speaker 1: that relationship, the Luca Laureley relationship. And I'm going to

633
00:33:52,000 --> 00:33:53,560
Speaker 1: share something. I don't know if she would want me

634
00:33:53,600 --> 00:33:58,400
Speaker 1: to share this, but it's a you know, her mother

635
00:33:58,560 --> 00:34:03,160
Speaker 1: had had just passed away, her biological mother had just

636
00:34:03,200 --> 00:34:09,719
Speaker 1: passed away, and nobody, and she was so strong and

637
00:34:09,760 --> 00:34:12,319
Speaker 1: such a pro about it, and she knew she had

638
00:34:12,360 --> 00:34:17,040
Speaker 1: to film this very intimate scene with me, and I

639
00:34:17,200 --> 00:34:21,760
Speaker 1: just really wanted to take care of her in that scene,

640
00:34:21,960 --> 00:34:25,800
Speaker 1: which is you know, I mean, I've done it before

641
00:34:25,800 --> 00:34:29,080
Speaker 1: in other scenes, but I especially felt so empathy, such

642
00:34:29,120 --> 00:34:33,799
Speaker 1: empathy for her going through that and then still having

643
00:34:33,880 --> 00:34:37,880
Speaker 1: to soul drawn and stick to a schedule and you know,

644
00:34:37,960 --> 00:34:41,960
Speaker 1: be in a scene. And it was a fun scene, right,

645
00:34:42,000 --> 00:34:44,400
Speaker 1: definitely a fun scene. She didn't have to carry the scene,

646
00:34:45,000 --> 00:34:47,239
Speaker 1: and she was as bubbly and as wonderful as she

647
00:34:47,280 --> 00:34:51,080
Speaker 1: always is. So for me that I mean, I just

648
00:34:51,120 --> 00:34:56,040
Speaker 1: fell deeper in love with her, you know, as a friend,

649
00:34:57,120 --> 00:35:00,319
Speaker 1: because of the strength that she was showing through that

650
00:35:00,560 --> 00:35:04,360
Speaker 1: entire day in production, having just found out that, you know,

651
00:35:04,440 --> 00:35:09,440
Speaker 1: horrible information. And look, I apologize if if this is

652
00:35:09,520 --> 00:35:13,800
Speaker 1: too much information. I apologize to her if she doesn't

653
00:35:13,800 --> 00:35:16,759
Speaker 1: want that out, But I just I just want to

654
00:35:16,800 --> 00:35:21,120
Speaker 1: say how much respect I have for her ability to

655
00:35:21,239 --> 00:35:24,799
Speaker 1: just sort of just soldier on, you know, like the

656
00:35:24,880 --> 00:35:27,960
Speaker 1: show must go on. I will deal with this in

657
00:35:28,040 --> 00:35:32,560
Speaker 1: my own way, and very special scene for me, it's

658
00:35:32,560 --> 00:35:35,200
Speaker 1: one of my it's actually my one of my favorite

659
00:35:35,239 --> 00:35:37,319
Speaker 1: scenes that I've ever done with her, just because of

660
00:35:37,320 --> 00:35:41,920
Speaker 1: the strength and the professionalism that she showed throughout that

661
00:35:42,200 --> 00:35:44,480
Speaker 1: entire scene, and that you know, it was a limos scene,

662
00:35:44,520 --> 00:35:46,440
Speaker 1: so it was like, you know, it was it didn't

663
00:35:46,440 --> 00:35:49,000
Speaker 1: take forever to do the scene, but you know it

664
00:35:49,040 --> 00:35:52,680
Speaker 1: took a couple hours, right, three or four hours? Three hours? Man?

665
00:35:52,800 --> 00:35:56,080
Speaker 2: Yeah, No, it's a sweet scene. You really think that

666
00:35:56,280 --> 00:35:58,600
Speaker 2: there you two are a couple. You're like, oh my god,

667
00:35:58,640 --> 00:36:02,280
Speaker 2: I totally just the whole interaction and then the physicality

668
00:36:02,320 --> 00:36:04,719
Speaker 2: of it because I didn't even at first notice, but

669
00:36:04,760 --> 00:36:07,720
Speaker 2: you're like rubbing her leg and it's just the body

670
00:36:07,800 --> 00:36:10,279
Speaker 2: language and the way you are. You're like, oh, that's

671
00:36:10,400 --> 00:36:14,160
Speaker 2: that's why I think people love you guys as a couple,

672
00:36:14,880 --> 00:36:19,040
Speaker 2: meaning it endures decades and decades and you're still like

673
00:36:19,360 --> 00:36:23,040
Speaker 2: one of the favorite couples from television is because it

674
00:36:23,160 --> 00:36:23,720
Speaker 2: so real.

675
00:36:23,920 --> 00:36:26,399
Speaker 1: From the moment I met her in Toronto, I just

676
00:36:26,560 --> 00:36:28,959
Speaker 1: I just I really wanted to just take care of her.

677
00:36:29,760 --> 00:36:32,280
Speaker 1: You know. It's just I had this there's this instinct

678
00:36:32,360 --> 00:36:36,239
Speaker 1: you have with people and what's the vibe about? And

679
00:36:36,280 --> 00:36:38,680
Speaker 1: it's just that I just really liked her and I

680
00:36:38,680 --> 00:36:42,040
Speaker 1: thought she was really charming and funny and all of

681
00:36:42,080 --> 00:36:46,799
Speaker 1: that great stuff that you need to make good you know,

682
00:36:46,920 --> 00:36:50,839
Speaker 1: to make good scenes with. And it was always just

683
00:36:50,840 --> 00:36:53,360
Speaker 1: a very you know, just just just a very warm,

684
00:36:53,600 --> 00:36:59,160
Speaker 1: very protect almost protective kind of a feeling I have

685
00:36:59,280 --> 00:37:03,600
Speaker 1: for her and for her through that entire process. So anyway,

686
00:37:03,680 --> 00:37:06,960
Speaker 1: that's so cool. Yeah, but I I that's why I uh.

687
00:37:08,239 --> 00:37:10,400
Speaker 1: To me, that scene ranks right up there with the

688
00:37:11,040 --> 00:37:13,160
Speaker 1: first time we see them together in Luke Steiner and

689
00:37:13,600 --> 00:37:15,600
Speaker 1: you know, I need coffee. You said, you're an attic.

690
00:37:15,680 --> 00:37:20,680
Speaker 2: That right, That's so sweet. That's so cool.

691
00:37:20,719 --> 00:37:22,680
Speaker 1: So hats off to her for being such a pro.

692
00:37:24,000 --> 00:37:26,240
Speaker 2: Yeah, and it's a great scene. You'd never know because

693
00:37:26,239 --> 00:37:28,400
Speaker 2: she seems it's such a great scene. And then we

694
00:37:28,520 --> 00:37:32,080
Speaker 2: follow it up with this sort of even better scene.

695
00:37:32,239 --> 00:37:35,359
Speaker 2: But I was okay, So you then cut to you

696
00:37:35,360 --> 00:37:37,920
Speaker 2: guys are in the bed upside down, which I was like,

697
00:37:38,400 --> 00:37:42,480
Speaker 2: it's happening and the clothes are everywhere. Now, I at first,

698
00:37:42,600 --> 00:37:42,919
Speaker 2: I think.

699
00:37:42,840 --> 00:37:44,759
Speaker 1: The outside down thing was meant. It was meant to

700
00:37:44,880 --> 00:37:46,600
Speaker 1: show you that it was a really.

701
00:37:46,400 --> 00:37:48,920
Speaker 2: Wild night, right, what drunkie wild?

702
00:37:49,080 --> 00:37:54,440
Speaker 1: Right? It got primal, right, like she stated, as long

703
00:37:54,440 --> 00:37:57,799
Speaker 1: as we like the risk episodes X ray.

704
00:37:59,320 --> 00:38:03,360
Speaker 2: Exactly. Now. I was confused, and maybe it was just

705
00:38:03,440 --> 00:38:06,960
Speaker 2: me why she was so freaked out when she left.

706
00:38:07,160 --> 00:38:09,440
Speaker 2: I did not get that. I did not get it

707
00:38:09,480 --> 00:38:10,640
Speaker 2: at first, did you guys?

708
00:38:10,760 --> 00:38:12,960
Speaker 1: Oh yeah, because of the articles coming up.

709
00:38:14,000 --> 00:38:17,319
Speaker 2: No, it's because she realizes you didn't have safe set.

710
00:38:17,480 --> 00:38:24,799
Speaker 2: Oh yeah, right, So she was so freaked out and

711
00:38:24,800 --> 00:38:26,640
Speaker 2: weirded out, and I was like, what is going on?

712
00:38:26,960 --> 00:38:30,919
Speaker 1: She saw all the clothes thrown down in the primal nature.

713
00:38:30,600 --> 00:38:33,040
Speaker 4: Of what yeah, and she acted as if it was

714
00:38:33,080 --> 00:38:34,520
Speaker 4: like a one night stand there.

715
00:38:34,760 --> 00:38:38,319
Speaker 3: I was just like, right, right, what woke?

716
00:38:39,360 --> 00:38:42,080
Speaker 1: Yeah, that's an every night stand, you know what I mean.

717
00:38:42,880 --> 00:38:46,879
Speaker 4: And we'll get to this eventually. But I have some

718
00:38:46,960 --> 00:38:50,480
Speaker 4: thoughts about that, like, in particular, well.

719
00:38:50,320 --> 00:38:52,400
Speaker 2: Should we talk about should we talk about it now or.

720
00:38:53,840 --> 00:38:55,279
Speaker 1: Let's talk about it?

721
00:38:55,320 --> 00:38:59,320
Speaker 4: Well, I'm like, what so, because there's a few scenes

722
00:38:59,320 --> 00:39:01,000
Speaker 4: that like lead up to what I want to talk

723
00:39:01,040 --> 00:39:01,320
Speaker 4: about it?

724
00:39:01,400 --> 00:39:03,480
Speaker 2: Right, so we'll keep going Because I was very much like,

725
00:39:03,960 --> 00:39:07,680
Speaker 2: what is going on? Why is she so weird it out?

726
00:39:07,880 --> 00:39:11,680
Speaker 2: And then when we find out, I'm like, she's not sixteen,

727
00:39:11,840 --> 00:39:13,840
Speaker 2: Like she knows what she's doing. So then I was

728
00:39:13,880 --> 00:39:18,000
Speaker 2: like she's not on the pill, Like are they trying

729
00:39:18,080 --> 00:39:23,640
Speaker 2: some methods that are a little dicey? Like anyway, we'll

730
00:39:23,640 --> 00:39:28,320
Speaker 2: get to that. So okay, So then we see Rory

731
00:39:29,000 --> 00:39:33,839
Speaker 2: with the bags and she's gotten the decorations from doceies

732
00:39:34,040 --> 00:39:37,080
Speaker 2: and Laura lies kind of mad because the decorations sort

733
00:39:37,120 --> 00:39:40,680
Speaker 2: of suck, but whatever, and then all of a sudden

734
00:39:40,800 --> 00:39:43,279
Speaker 2: it's happening and Suki comes out of the house and

735
00:39:43,440 --> 00:39:46,080
Speaker 2: is basically going into labor, and it was kind of funny.

736
00:39:46,160 --> 00:39:51,200
Speaker 2: Rory's like, I can't watch this is did anyone like you? Yeah,

737
00:39:51,200 --> 00:39:52,480
Speaker 2: the whole thing was weird because it's like, I never

738
00:39:52,560 --> 00:39:54,759
Speaker 2: knew Rory to be freaked out by like birth, and

739
00:39:54,800 --> 00:39:57,080
Speaker 2: like it's not like the baby's coming out at that moment,

740
00:39:57,280 --> 00:39:57,800
Speaker 2: and it's.

741
00:39:57,640 --> 00:39:59,919
Speaker 5: Like the second kid, Like Suki already has a kid.

742
00:40:00,280 --> 00:40:01,200
Speaker 5: We've been through this.

743
00:40:01,320 --> 00:40:04,200
Speaker 1: You know why I think they did that. And that's interesting,

744
00:40:05,040 --> 00:40:09,160
Speaker 1: Tara that you bring that up, because I watched the episode.

745
00:40:09,400 --> 00:40:13,719
Speaker 1: Now I remember Rory being kind of weirdly grossed out

746
00:40:13,800 --> 00:40:18,560
Speaker 1: by anything having to do with birth, and I think

747
00:40:18,760 --> 00:40:20,560
Speaker 1: now I know why they did it, because I think

748
00:40:20,560 --> 00:40:27,680
Speaker 1: it was a very odd choice overall thematically, that laurel

749
00:40:27,719 --> 00:40:32,480
Speaker 1: ized character would have to be so concerned about getting

750
00:40:32,480 --> 00:40:37,080
Speaker 1: pregnant with Luke Luke's child in the first place. Why

751
00:40:37,200 --> 00:40:41,120
Speaker 1: is that a problem for Laurel. I so if you have,

752
00:40:41,760 --> 00:40:45,320
Speaker 1: because it just seems odd. It's a love story. They're together,

753
00:40:45,400 --> 00:40:48,279
Speaker 1: they've destined to be together. And now she has some

754
00:40:48,560 --> 00:40:50,279
Speaker 1: dialogue that says, well, I just you know, I just

755
00:40:50,320 --> 00:40:52,640
Speaker 1: got rid of you, Rory, and I'm having enjoying my

756
00:40:52,760 --> 00:40:55,200
Speaker 1: first moments as a free woman. I understand that. I

757
00:40:55,280 --> 00:40:59,960
Speaker 1: get that, But you're talking about, you know, the seminal relationship,

758
00:41:00,120 --> 00:41:04,680
Speaker 1: your life with a man, and it's working out, and

759
00:41:04,800 --> 00:41:06,480
Speaker 1: she doesn't want to ruin it with a baby. What's

760
00:41:06,520 --> 00:41:08,720
Speaker 1: she talking about? I mean, it just it doesn't seem

761
00:41:08,840 --> 00:41:12,520
Speaker 1: just to track. So I think they do the Rory

762
00:41:12,600 --> 00:41:16,839
Speaker 1: gross out stuff to make her, you know, anti Luke

763
00:41:16,960 --> 00:41:21,280
Speaker 1: baby stuff seem kind of reasonable, not such a stretch.

764
00:41:21,560 --> 00:41:25,719
Speaker 2: Maybe the only reason I think it was somewhat tracking.

765
00:41:26,400 --> 00:41:28,640
Speaker 2: And I'll give that it's been a it took a

766
00:41:28,680 --> 00:41:31,480
Speaker 2: big left turn a couple an episode or two ago.

767
00:41:32,040 --> 00:41:34,920
Speaker 2: When she's you know, Richard says, the guy's coming that

768
00:41:35,000 --> 00:41:37,520
Speaker 2: wants to buy the inn, and he may want to

769
00:41:37,920 --> 00:41:39,839
Speaker 2: you know, bring you on as a consultant and you'll

770
00:41:39,920 --> 00:41:43,359
Speaker 2: travel the world. And as we talked about we got

771
00:41:43,440 --> 00:41:47,520
Speaker 2: kind of intense about it because I've always said there

772
00:41:47,640 --> 00:41:51,959
Speaker 2: is a life that she doesn't live, meaning she never

773
00:41:52,000 --> 00:41:54,680
Speaker 2: wants the Gilmour life. She doesn't want that, and she

774
00:41:54,920 --> 00:41:58,560
Speaker 2: loved her Stars Hollow life, but it's that middle life.

775
00:41:58,560 --> 00:42:01,920
Speaker 2: And we kind of talked about this that seems intriguing

776
00:42:02,000 --> 00:42:05,240
Speaker 2: to her. And I think she's panicking because a baby

777
00:42:05,920 --> 00:42:10,520
Speaker 2: prevents that choice. She doesn't get to travel, she wouldn't

778
00:42:10,560 --> 00:42:12,440
Speaker 2: get to travel. I don't think it's about Luke. I

779
00:42:12,440 --> 00:42:14,640
Speaker 2: think she's a very admitted.

780
00:42:14,400 --> 00:42:17,080
Speaker 1: It's a big it's a big decision. I agree that's

781
00:42:17,080 --> 00:42:19,640
Speaker 1: a big life changing decision. It is.

782
00:42:20,200 --> 00:42:23,160
Speaker 2: And she's been raising a kid for sixteen eighteen years,

783
00:42:23,160 --> 00:42:27,359
Speaker 2: sorry not sixteen, pardon me, eighteen nineteen, almost twenty one

784
00:42:27,440 --> 00:42:31,600
Speaker 2: years now, but it has to start all over again.

785
00:42:31,800 --> 00:42:34,759
Speaker 1: Is this really the writers taking a position on how

786
00:42:34,800 --> 00:42:40,480
Speaker 1: they feel about children having children, because it's not. You know,

787
00:42:40,480 --> 00:42:44,200
Speaker 1: they're sort of sucking everybody in to believe that this

788
00:42:44,280 --> 00:42:48,719
Speaker 1: is the magical, you know, confluence relationship of the universe

789
00:42:49,040 --> 00:42:52,239
Speaker 1: happening in Stars Hollow between these two you know, these

790
00:42:52,320 --> 00:42:56,200
Speaker 1: this Romeo and Julia type of situation, you know what

791
00:42:56,280 --> 00:42:59,800
Speaker 1: I mean. Yeah, and then it comes time to consume

792
00:43:01,280 --> 00:43:04,280
Speaker 1: and perhaps a baby on the way, and it doesn't

793
00:43:04,320 --> 00:43:08,279
Speaker 1: create joy in her. It creates trepidation, fear, and anxiety

794
00:43:09,600 --> 00:43:10,759
Speaker 1: that's not consistent.

795
00:43:11,920 --> 00:43:16,880
Speaker 2: And I think it's only not consistent because she's got

796
00:43:16,920 --> 00:43:22,560
Speaker 2: this potential opportunity to have an experience she hasn't had. Right,

797
00:43:23,040 --> 00:43:25,759
Speaker 2: like she loved she obviously made the choice to have

798
00:43:25,840 --> 00:43:29,080
Speaker 2: Rory and raise her and leave home and build this

799
00:43:29,200 --> 00:43:32,239
Speaker 2: life and stars hollow. But now she's launched Rory, right,

800
00:43:32,719 --> 00:43:38,480
Speaker 2: She's fully got her launched essentially, so now she's like, oh,

801
00:43:38,520 --> 00:43:40,800
Speaker 2: maybe it's me time now and I can think about

802
00:43:41,000 --> 00:43:43,840
Speaker 2: traveling or doing all these things with my work or

803
00:43:43,840 --> 00:43:46,280
Speaker 2: that I'm passionate about why she's.

804
00:43:46,160 --> 00:43:48,200
Speaker 1: Like, Okay, now I get that, But why is she

805
00:43:48,239 --> 00:43:50,759
Speaker 1: wasting Luke's time if she's not all in?

806
00:43:51,160 --> 00:43:53,360
Speaker 2: Okay, I think she is all in in the relationship.

807
00:43:53,640 --> 00:43:58,400
Speaker 1: She knows that that guy is s'sham house because he

808
00:43:58,440 --> 00:44:00,440
Speaker 1: wants to have he wants to fill it with children.

809
00:44:00,640 --> 00:44:03,680
Speaker 2: She doesn't know that. She just thinks.

810
00:44:03,800 --> 00:44:06,640
Speaker 1: He's carrying around a horoscope and as wallet, you're the

811
00:44:06,640 --> 00:44:09,160
Speaker 1: one eight years. I suffered three years. You dated all

812
00:44:09,200 --> 00:44:10,719
Speaker 1: the bumps her and with her.

813
00:44:10,800 --> 00:44:11,160
Speaker 2: That's her?

814
00:44:11,440 --> 00:44:13,440
Speaker 1: What do you mean that's her? That's that's he. She

815
00:44:13,600 --> 00:44:15,320
Speaker 1: knows how he feels.

816
00:44:15,480 --> 00:44:18,400
Speaker 2: About her, yes, but she doesn't know that he wants kids.

817
00:44:18,640 --> 00:44:21,080
Speaker 1: Oh, for God's sake, of course she doesn't.

818
00:44:21,239 --> 00:44:22,719
Speaker 3: He never talked it.

819
00:44:22,840 --> 00:44:24,239
Speaker 2: They've never talked about it.

820
00:44:24,719 --> 00:44:26,160
Speaker 1: Gosh, guys, come.

821
00:44:26,000 --> 00:44:27,640
Speaker 3: On, I'm on your page, Scott.

822
00:44:28,680 --> 00:44:31,959
Speaker 1: She's wasting guy's time at this point, that reveals she's

823
00:44:31,960 --> 00:44:36,800
Speaker 1: wasting his time. I don't that's like a guy conveniently

824
00:44:37,160 --> 00:44:39,960
Speaker 1: being in a relationship with a girl who's obsessed with him,

825
00:44:40,040 --> 00:44:42,200
Speaker 1: and she's just wasting his time because she doesn't really

826
00:44:42,239 --> 00:44:43,920
Speaker 1: want He doesn't really want to have kids with her.

827
00:44:44,640 --> 00:44:45,440
Speaker 1: He already had a.

828
00:44:45,440 --> 00:44:48,360
Speaker 2: C I don't think it's necessarily occurred to her how

829
00:44:48,400 --> 00:44:51,520
Speaker 2: serious Luke is about a family. I do not think

830
00:44:51,600 --> 00:44:52,319
Speaker 2: she knows that.

831
00:44:53,400 --> 00:44:57,600
Speaker 1: If she's, if she hasn't made inferences, drawn inferences from

832
00:44:57,640 --> 00:44:59,759
Speaker 1: his behavior and the type of guy he is and

833
00:44:59,840 --> 00:45:01,080
Speaker 1: she stupid and she's not.

834
00:45:01,480 --> 00:45:05,000
Speaker 2: They've they've touched on it a couple times, right, There's

835
00:45:05,040 --> 00:45:09,520
Speaker 2: been a couple moments where they it was subliminal or

836
00:45:09,600 --> 00:45:12,439
Speaker 2: even a little bit more than subliminal. But they've never

837
00:45:12,480 --> 00:45:14,120
Speaker 2: really like sat down and said, are we going to

838
00:45:14,200 --> 00:45:18,080
Speaker 2: have kids? And she's only what thirty two? How old

839
00:45:18,120 --> 00:45:21,600
Speaker 2: is she now? She's like two, No, no, she's thirty five,

840
00:45:21,719 --> 00:45:26,480
Speaker 2: thirty six. Yeah, I guess you're right that they the

841
00:45:26,560 --> 00:45:27,320
Speaker 2: clock is ticken.

842
00:45:27,480 --> 00:45:33,240
Speaker 4: But what I was gonna say earlier is there's obviously

843
00:45:33,239 --> 00:45:37,920
Speaker 4: a divide that's going to be happening soon, like because

844
00:45:38,360 --> 00:45:41,480
Speaker 4: as you as we can all tell, Luke is all

845
00:45:41,920 --> 00:45:46,440
Speaker 4: all one hundred percent in like fully invested, wants to

846
00:45:46,440 --> 00:45:49,920
Speaker 4: buy this house. It's pretty clear that he wants to

847
00:45:49,960 --> 00:45:53,400
Speaker 4: like have a family. However that whatever that looks like

848
00:45:54,000 --> 00:45:56,800
Speaker 4: to them, he wants to have a family and start

849
00:45:57,680 --> 00:46:02,319
Speaker 4: building something more with Lorli. But then you see Laura Lai,

850
00:46:02,640 --> 00:46:06,040
Speaker 4: who is very freaked out about the thought of even

851
00:46:06,080 --> 00:46:09,800
Speaker 4: being pregnant. And I thought that her conversation with Rory

852
00:46:10,000 --> 00:46:14,960
Speaker 4: was very enlightening because Rory was like, it's Luke, this

853
00:46:15,080 --> 00:46:19,600
Speaker 4: is a good thing, right, And she couldn't even be like,

854
00:46:19,640 --> 00:46:21,960
Speaker 4: you know what, yeah, you're right, this is a good thing. Like,

855
00:46:23,880 --> 00:46:26,080
Speaker 4: So it just made me, it just made me like

856
00:46:26,239 --> 00:46:29,000
Speaker 4: backtrack a little bit and be like, does Laura I

857
00:46:29,160 --> 00:46:30,680
Speaker 4: really want this. I don't know.

858
00:46:34,239 --> 00:46:37,640
Speaker 1: She's having a good time. Obviously they have a good chemistry.

859
00:46:38,560 --> 00:46:41,640
Speaker 1: She's maybe she's just biting her time. Who knows. But

860
00:46:41,719 --> 00:46:46,720
Speaker 1: it was an odd reaction, odd reaction in the face

861
00:46:46,760 --> 00:46:48,360
Speaker 1: of somebody, like a loop dance.

862
00:46:48,560 --> 00:46:48,719
Speaker 4: You know.

863
00:46:49,239 --> 00:46:50,600
Speaker 2: I don't know, because.

864
00:46:50,360 --> 00:46:53,120
Speaker 1: I just think that guy puts his cards on the table.

865
00:46:53,360 --> 00:46:55,520
Speaker 1: I mean, you know where you're stand through.

866
00:46:55,680 --> 00:46:57,600
Speaker 4: But even if you're like, why isn't he putting the

867
00:46:57,640 --> 00:46:59,879
Speaker 4: Twickham house on the table? That's the only thing I'm

868
00:47:00,040 --> 00:47:01,800
Speaker 4: still not understanding.

869
00:47:01,239 --> 00:47:04,400
Speaker 1: Talk because he doesn't because he wants to surprise her.

870
00:47:04,400 --> 00:47:08,239
Speaker 1: It's the big romantic move, it's the big imagine. He's

871
00:47:08,320 --> 00:47:12,120
Speaker 1: taking a big risk. It's a big risk. It's a

872
00:47:12,239 --> 00:47:15,960
Speaker 1: huge risk. But he's at I guess at this point

873
00:47:16,000 --> 00:47:18,800
Speaker 1: he's a bit delusional. Isn't he thinking that this woman

874
00:47:18,880 --> 00:47:19,640
Speaker 1: is in love with him?

875
00:47:19,719 --> 00:47:20,360
Speaker 2: Is he?

876
00:47:20,360 --> 00:47:23,759
Speaker 1: I mean, he's crazy about her. He finally got the

877
00:47:23,840 --> 00:47:29,040
Speaker 1: dream woman, finally. I don't know that he's and he's

878
00:47:29,280 --> 00:47:31,200
Speaker 1: We've already seen this in a couple of scenes where

879
00:47:31,200 --> 00:47:35,600
Speaker 1: he realizes that he's just sort of not up to snuff,

880
00:47:36,320 --> 00:47:40,120
Speaker 1: up to Gilmore standards, and he's willing to just continue

881
00:47:40,200 --> 00:47:43,799
Speaker 1: to bludget, go through this gauntlet, this sort of Gilmore gauntlet,

882
00:47:44,560 --> 00:47:47,120
Speaker 1: and just deny. And he's living in a state of

883
00:47:47,120 --> 00:47:51,160
Speaker 1: denial basically, isn't he. And he's not going to discuss

884
00:47:51,160 --> 00:47:54,360
Speaker 1: it with her out of out of this romantic ideal

885
00:47:54,480 --> 00:47:57,560
Speaker 1: that he has, you know, that is his north star.

886
00:47:57,760 --> 00:48:02,040
Speaker 1: Get the house, marry me, you know, this kind of thing,

887
00:48:02,280 --> 00:48:04,719
Speaker 1: and let's have children in boom. It's all going to

888
00:48:04,800 --> 00:48:07,839
Speaker 1: happen for him. That's his path for his life. This

889
00:48:07,920 --> 00:48:12,200
Speaker 1: is what he wants. He has no doubt, and he's

890
00:48:12,360 --> 00:48:15,279
Speaker 1: just barking up the wrong tree. I guess I don't.

891
00:48:15,560 --> 00:48:19,239
Speaker 2: Yeah, No, it's complicated, right, it's complicated because I think

892
00:48:19,239 --> 00:48:21,759
Speaker 2: about it too, like, and I don't want to speak

893
00:48:21,760 --> 00:48:24,800
Speaker 2: for all women. I can only speak for some women,

894
00:48:24,920 --> 00:48:27,719
Speaker 2: I guess, But like, think about this, you're no, just go.

895
00:48:27,719 --> 00:48:28,640
Speaker 1: Ahead and speak for all of them.

896
00:48:28,680 --> 00:48:31,880
Speaker 2: Go ahead, speak for all of them. So you've just

897
00:48:32,000 --> 00:48:34,320
Speaker 2: launched your kid off to Yale. Right, they're in their

898
00:48:34,440 --> 00:48:36,880
Speaker 2: sophomore year, Sorr. I think I said freshman earlier, but

899
00:48:36,920 --> 00:48:42,759
Speaker 2: I meant sophomore. So you are in this relationship, but

900
00:48:42,800 --> 00:48:46,080
Speaker 2: it's not it's it's a newer relationship, even though you've

901
00:48:46,080 --> 00:48:48,560
Speaker 2: known the person forever, right, because it's they're not even

902
00:48:48,600 --> 00:48:51,160
Speaker 2: like at their year right yet. I can't remember when

903
00:48:51,160 --> 00:48:52,800
Speaker 2: the kiss was, but we're coming up on maybe that,

904
00:48:53,600 --> 00:48:55,960
Speaker 2: and suddenly you're pregnant. I think any woman would be

905
00:48:56,000 --> 00:48:59,759
Speaker 2: freaked out. I think just anyone would be freaked out.

906
00:49:00,320 --> 00:49:01,799
Speaker 1: She loves not if she loved the.

907
00:49:01,760 --> 00:49:04,239
Speaker 2: Guy, Danielle, when she really.

908
00:49:04,000 --> 00:49:05,799
Speaker 1: Loved the guy, if he was the be all and

909
00:49:05,920 --> 00:49:09,799
Speaker 1: end all, and she loved him and really appreciated what

910
00:49:09,960 --> 00:49:13,160
Speaker 1: he has been to her and her daughter.

911
00:49:13,000 --> 00:49:17,759
Speaker 2: And she'll say, Danielle and her husband, he's not good

912
00:49:17,840 --> 00:49:20,320
Speaker 2: enough for her. No, I don't think so, Danielle.

913
00:49:21,760 --> 00:49:24,160
Speaker 1: Maybe she just maybe she's just too insecure to be

914
00:49:24,200 --> 00:49:26,040
Speaker 1: with somebody that is that solid.

915
00:49:26,760 --> 00:49:29,560
Speaker 2: Possibly that's you're more accurate.

916
00:49:29,160 --> 00:49:31,919
Speaker 1: There, But she probably wants to sabotage your own life

917
00:49:31,960 --> 00:49:34,920
Speaker 1: again and keep sabotaging relationships because that's what she's used to.

918
00:49:35,480 --> 00:49:38,000
Speaker 2: That's probably correct, Scott. But Danielle, when you found out

919
00:49:38,040 --> 00:49:40,120
Speaker 2: you were pregnant, even though you're married and you were

920
00:49:40,160 --> 00:49:43,600
Speaker 2: like planning this, were you freaked out?

921
00:49:43,800 --> 00:49:46,400
Speaker 4: I wasn't freaked out, to be honest, No, I wasn't.

922
00:49:46,440 --> 00:49:48,400
Speaker 4: I was just like, WHOA Okay.

923
00:49:48,880 --> 00:49:49,799
Speaker 3: Let's do this.

924
00:49:50,480 --> 00:49:53,239
Speaker 4: But I think it I think it's all relative. To

925
00:49:53,320 --> 00:49:56,120
Speaker 4: be completely honest with you, I think it depends where

926
00:49:56,120 --> 00:50:00,000
Speaker 4: you are in your life. Like my husband that I've

927
00:50:00,080 --> 00:50:02,880
Speaker 4: been with for the last eleven years of my life,

928
00:50:02,960 --> 00:50:06,080
Speaker 4: if I found out year one into dating him that

929
00:50:06,160 --> 00:50:09,000
Speaker 4: I was pregnant right at twenty three years old, I'd

930
00:50:09,040 --> 00:50:11,400
Speaker 4: be like, Okay, this is not cool.

931
00:50:12,040 --> 00:50:14,920
Speaker 3: But you know, like if if I was dating.

932
00:50:14,760 --> 00:50:18,680
Speaker 4: Him now in my mid thirties, I'd be like, Okay, well, yeah,

933
00:50:18,719 --> 00:50:20,280
Speaker 4: I want to spend the rest of my life with this.

934
00:50:20,760 --> 00:50:21,560
Speaker 3: With this guy.

935
00:50:21,719 --> 00:50:24,080
Speaker 4: This isn't the worst thing in the world, But it

936
00:50:24,120 --> 00:50:27,319
Speaker 4: all depends. It all depends on your relationship and where

937
00:50:27,400 --> 00:50:27,799
Speaker 4: you're at.

938
00:50:27,920 --> 00:50:30,000
Speaker 2: Because maybe I'm an idiot, but I do have some

939
00:50:30,280 --> 00:50:34,120
Speaker 2: sympathy for Loralai being a bit wigged out because she's

940
00:50:34,239 --> 00:50:37,160
Speaker 2: just not this is not the vision she's got for

941
00:50:37,239 --> 00:50:38,279
Speaker 2: herself right now.

942
00:50:38,440 --> 00:50:40,919
Speaker 1: I think she needs this, right I think she needs

943
00:50:40,960 --> 00:50:41,520
Speaker 1: some control.

944
00:50:42,360 --> 00:50:46,920
Speaker 2: She's definitely intrigued by this prospect of someone coming in

945
00:50:46,960 --> 00:50:50,560
Speaker 2: and buying the in and finally, for once she's got

946
00:50:50,840 --> 00:50:53,919
Speaker 2: financial security and then she's going to have this job

947
00:50:53,960 --> 00:50:56,360
Speaker 2: where she travels all over the world to ends and

948
00:50:56,480 --> 00:51:00,759
Speaker 2: consulting with him. There's something that's like, she's very interested

949
00:51:00,840 --> 00:51:08,160
Speaker 2: in that. I don't know, so I digress. We move on.

950
00:51:08,120 --> 00:51:10,320
Speaker 1: Too, well, and that's what she'll have and she won't

951
00:51:10,360 --> 00:51:14,399
Speaker 1: have this guy. Well, she's not gonna she's not gonna

952
00:51:14,400 --> 00:51:17,440
Speaker 1: get both. You think he's gonna wait around while she

953
00:51:17,520 --> 00:51:19,520
Speaker 1: rejects the Twickham House and says, no, I don't want

954
00:51:19,520 --> 00:51:21,960
Speaker 1: to have a baby, and I'm going to go travel

955
00:51:21,960 --> 00:51:23,680
Speaker 1: the world and do this thing and take this money.

956
00:51:23,719 --> 00:51:25,880
Speaker 1: I mean, it's going to completely change the whole dynamic

957
00:51:25,920 --> 00:51:27,680
Speaker 1: of the relationship. I mean, what's he supposed to do?

958
00:51:29,040 --> 00:51:33,160
Speaker 2: Hard for me to answer that totally know what happens, Danielle,

959
00:51:33,200 --> 00:51:34,280
Speaker 2: What do you think.

960
00:51:34,920 --> 00:51:36,080
Speaker 3: Say Thatikin Scott?

961
00:51:37,560 --> 00:51:40,279
Speaker 1: What that He's just gonna sit back and, you know,

962
00:51:41,400 --> 00:51:44,080
Speaker 1: be that guy on the sideline and where she goes

963
00:51:44,120 --> 00:51:46,239
Speaker 1: off and sells the inn and starts traveling and does

964
00:51:46,280 --> 00:51:48,640
Speaker 1: a travel show and becomes a big celebrity or whatever.

965
00:51:48,680 --> 00:51:51,560
Speaker 1: He's just gonna sit around and flip his pancakes and

966
00:51:51,600 --> 00:51:54,880
Speaker 1: wait for her to come back. His whole life is like, well,

967
00:51:54,920 --> 00:51:58,479
Speaker 1: she's in Paris. I'm sure she's having a great time. Anyway, Kirk,

968
00:51:58,600 --> 00:52:01,680
Speaker 1: let me get into another argue, stupid argument about you

969
00:52:01,719 --> 00:52:03,920
Speaker 1: with one cent raise on the price a toast. You know,

970
00:52:04,000 --> 00:52:06,280
Speaker 1: I mean it's like his life compared to what hers

971
00:52:06,320 --> 00:52:10,040
Speaker 1: would become. I mean, come on, that would end the relationship.

972
00:52:15,040 --> 00:52:20,239
Speaker 2: Danielle and Scott. I have respect for somebody in loralized

973
00:52:20,239 --> 00:52:23,000
Speaker 2: position that's like, you know what, I don't want another baby.

974
00:52:23,400 --> 00:52:26,120
Speaker 2: I want to do It doesn't It doesn't lessen the

975
00:52:26,239 --> 00:52:29,840
Speaker 2: love she has for Luke. If she doesn't want another baby,

976
00:52:30,360 --> 00:52:31,960
Speaker 2: I agree, in my opinion.

977
00:52:32,680 --> 00:52:38,120
Speaker 4: I agree, it's just they aren't on the same page, correct,

978
00:52:38,160 --> 00:52:38,879
Speaker 4: But they could.

979
00:52:38,920 --> 00:52:40,920
Speaker 2: They might be able to get on the same page

980
00:52:40,960 --> 00:52:43,160
Speaker 2: even if they're not on the same page. And I

981
00:52:43,200 --> 00:52:45,560
Speaker 2: don't know what that means. It might mean she doesn't

982
00:52:45,560 --> 00:52:47,960
Speaker 2: want to have another baby right now. It might mean

983
00:52:48,040 --> 00:52:50,080
Speaker 2: she never wants to have another baby. It might mean

984
00:52:50,840 --> 00:52:56,000
Speaker 2: Luke might have thought of children but wants the relationship

985
00:52:56,040 --> 00:52:58,879
Speaker 2: with her more. I don't know what it is that's

986
00:52:58,920 --> 00:52:59,759
Speaker 2: for them to figure out.

987
00:53:00,200 --> 00:53:01,919
Speaker 1: Let me ask you, guys question. You think Luke would

988
00:53:01,920 --> 00:53:03,359
Speaker 1: stand in front of a bullet.

989
00:53:03,120 --> 00:53:05,719
Speaker 2: For I do.

990
00:53:06,040 --> 00:53:09,799
Speaker 1: Yeah, he'd surrender his life for those two, wouldn't he.

991
00:53:10,280 --> 00:53:12,280
Speaker 1: I do you think maybe he deserves a baby.

992
00:53:13,920 --> 00:53:15,640
Speaker 2: I just don't think it works like that.

993
00:53:16,360 --> 00:53:20,239
Speaker 1: I agree it works, it doesn't work like that, but

994
00:53:20,280 --> 00:53:23,600
Speaker 1: in Luke's brain it does work like that. That's what

995
00:53:23,640 --> 00:53:24,680
Speaker 1: you're not getting.

996
00:53:24,680 --> 00:53:29,160
Speaker 2: No, Because here's why I think he loves her. He

997
00:53:29,239 --> 00:53:32,600
Speaker 2: might have had this vision right of the Twickham House

998
00:53:32,640 --> 00:53:36,960
Speaker 2: and you know, two kids, a boy and a girl.

999
00:53:37,640 --> 00:53:40,360
Speaker 2: You know, this life with Laura I blah blah blah.

1000
00:53:40,360 --> 00:53:43,520
Speaker 2: But I think he would adjust that vision that he

1001
00:53:43,600 --> 00:53:47,839
Speaker 2: has because what he really wants is her. And I

1002
00:53:47,880 --> 00:53:49,880
Speaker 2: believe that at the end of the day, like he's like,

1003
00:53:49,960 --> 00:53:52,160
Speaker 2: you know what I want is work a minute.

1004
00:53:52,200 --> 00:53:55,640
Speaker 1: When you truly love a woman, you want top procreate

1005
00:53:55,719 --> 00:53:56,280
Speaker 1: with her.

1006
00:53:57,080 --> 00:53:58,960
Speaker 2: That's not true. Nope.

1007
00:53:59,239 --> 00:54:00,719
Speaker 5: I think there are a lot of people who don't

1008
00:54:00,719 --> 00:54:01,560
Speaker 5: want kids though.

1009
00:54:02,040 --> 00:54:02,320
Speaker 3: Yeah.

1010
00:54:02,360 --> 00:54:05,680
Speaker 4: I mean even Eastern our engineer, fully in love with

1011
00:54:05,760 --> 00:54:08,399
Speaker 4: his wife, been together for a long time, they don't

1012
00:54:08,400 --> 00:54:09,120
Speaker 4: want kids.

1013
00:54:09,400 --> 00:54:11,359
Speaker 5: I have a friend who's been in a relationship for

1014
00:54:11,440 --> 00:54:13,520
Speaker 5: like six years and they're madly in love, want to

1015
00:54:13,520 --> 00:54:15,640
Speaker 5: get married, but they don't want kids and on the

1016
00:54:15,640 --> 00:54:16,200
Speaker 5: same page.

1017
00:54:17,280 --> 00:54:19,440
Speaker 4: But I do think it's important to be on the

1018
00:54:19,520 --> 00:54:23,400
Speaker 4: same page something. And I think that's the disconnect with

1019
00:54:23,520 --> 00:54:25,040
Speaker 4: Luke and Lorlai, right, now.

1020
00:54:25,160 --> 00:54:28,960
Speaker 2: That's exactly right. Some people want to have kids, have

1021
00:54:29,000 --> 00:54:33,680
Speaker 2: a family, do that more than anything, so they have

1022
00:54:33,760 --> 00:54:36,680
Speaker 2: to find somebody that's on the same page as them. Now,

1023
00:54:36,680 --> 00:54:41,240
Speaker 2: there are also times when somebody wants to have kids, right,

1024
00:54:41,560 --> 00:54:43,800
Speaker 2: but then they fall in love with somebody who doesn't

1025
00:54:43,840 --> 00:54:47,880
Speaker 2: want to have kids, and they may decide I like

1026
00:54:49,080 --> 00:54:54,479
Speaker 2: Big and Carrie. Big and Carrie perfect example, they thought

1027
00:54:54,520 --> 00:54:59,000
Speaker 2: about having kids, they decided not to. And even if

1028
00:54:59,040 --> 00:55:01,360
Speaker 2: either of them sort of to do, they made that decision.

1029
00:55:01,400 --> 00:55:03,880
Speaker 2: And I think that can happen too, where somebody is

1030
00:55:03,920 --> 00:55:05,840
Speaker 2: with somebody and if one doesn't want kids and the

1031
00:55:05,880 --> 00:55:09,000
Speaker 2: other one does, sometimes it doesn't ruin the relationship. They

1032
00:55:09,200 --> 00:55:12,799
Speaker 2: just change what they want.

1033
00:55:13,360 --> 00:55:18,200
Speaker 1: I can see that. Yeah, I guess it's it's it's different.

1034
00:55:18,360 --> 00:55:21,600
Speaker 2: I think for you, you wanted kids so much.

1035
00:55:22,000 --> 00:55:25,520
Speaker 1: Oh, I want to children from the time I was twenty.

1036
00:55:26,320 --> 00:55:28,799
Speaker 2: Right, And there's a lot of people like you. There's

1037
00:55:28,880 --> 00:55:31,280
Speaker 2: a lot of people like you, and so for those

1038
00:55:31,320 --> 00:55:34,960
Speaker 2: people it does seem a little foreign when someone doesn't

1039
00:55:35,000 --> 00:55:39,960
Speaker 2: want kids. And Lorla has a kid, so that's the

1040
00:55:40,000 --> 00:55:43,080
Speaker 2: other thing. She's done it and now she's just like

1041
00:55:43,160 --> 00:55:47,680
Speaker 2: I'm on to chapter two, and I don't know exactly

1042
00:55:47,760 --> 00:55:50,439
Speaker 2: what that holds, but I don't know that she's right

1043
00:55:50,520 --> 00:55:52,759
Speaker 2: now ready to have another kid.

1044
00:55:53,440 --> 00:55:58,160
Speaker 1: So February of twenty twenty four, Lake Tahoe, the ski

1045
00:55:58,200 --> 00:56:02,520
Speaker 1: event at four I am all in dual slalom race

1046
00:56:02,560 --> 00:56:09,319
Speaker 1: will be taking place. You're you're you're right that there

1047
00:56:09,320 --> 00:56:12,640
Speaker 1: are plenty of people that that are in love and

1048
00:56:12,760 --> 00:56:14,640
Speaker 1: they don't want to have kids, and they have their

1049
00:56:14,640 --> 00:56:17,880
Speaker 1: reasons for that. I suppose you're right. I just just

1050
00:56:18,680 --> 00:56:23,279
Speaker 1: in this circumstance though, in this magical circumstance between these

1051
00:56:23,360 --> 00:56:28,680
Speaker 1: two star crossed unlikely lovers, she doesn't want to have

1052
00:56:28,680 --> 00:56:31,600
Speaker 1: a kid with them. For me, it's I get it

1053
00:56:31,640 --> 00:56:34,680
Speaker 1: because it doesn't track storytelling wise.

1054
00:56:35,480 --> 00:56:42,080
Speaker 2: It weakens seeing wise. I disagree. Again, I disagree, but

1055
00:56:42,120 --> 00:56:46,120
Speaker 2: here's why, because I'm coming from a place where I

1056
00:56:46,160 --> 00:56:49,520
Speaker 2: am Loreli right, I want to be Loreli. I don't

1057
00:56:49,600 --> 00:56:52,720
Speaker 2: have kids. So I get her positioning where you're coming

1058
00:56:52,719 --> 00:56:55,400
Speaker 2: from a place of being you, even though you also

1059
00:56:55,480 --> 00:56:59,320
Speaker 2: portrayed Luke, where you are so passionate and love having

1060
00:56:59,640 --> 00:57:03,000
Speaker 2: a face family so much that you're putting that into

1061
00:57:03,080 --> 00:57:06,240
Speaker 2: Luke too. Because that's what we do with Gilmore girls,

1062
00:57:06,400 --> 00:57:11,480
Speaker 2: we put our own perspective and our own feelings into it.

1063
00:57:11,760 --> 00:57:14,719
Speaker 2: And I see that, I see your perspective, and I

1064
00:57:14,760 --> 00:57:17,360
Speaker 2: think you might be right that Luke wants that so badly.

1065
00:57:17,720 --> 00:57:21,120
Speaker 2: Also because you I also see clearly why Lorelai was

1066
00:57:21,320 --> 00:57:24,520
Speaker 2: freaked out and sort of happy to not be pregnant,

1067
00:57:25,320 --> 00:57:27,160
Speaker 2: because that's my perspective in it.

1068
00:57:28,280 --> 00:57:35,040
Speaker 1: So you're saying that she still loves Luke intensely without

1069
00:57:35,800 --> 00:57:36,920
Speaker 1: needing to have a child with.

1070
00:57:37,840 --> 00:57:40,520
Speaker 2: That's exactly right. He's the love of her life. He

1071
00:57:41,320 --> 00:57:44,320
Speaker 2: is he is the love of her life.

1072
00:57:44,600 --> 00:57:49,440
Speaker 1: But I guess it's all how you define love. I

1073
00:57:49,440 --> 00:57:52,720
Speaker 1: think people have different definitions what love for them means.

1074
00:57:53,680 --> 00:57:58,160
Speaker 1: For me, it always makes we make little versions of ourselves.

1075
00:57:58,240 --> 00:58:01,520
Speaker 1: That's the ultimate expression of love for me. It doesn't,

1076
00:58:02,120 --> 00:58:04,080
Speaker 1: I think, have to for everybody else.

1077
00:58:04,880 --> 00:58:08,000
Speaker 2: And I also think that that's totally accurate what you're saying.

1078
00:58:08,360 --> 00:58:12,120
Speaker 2: I think that that is everybody and for But I

1079
00:58:12,160 --> 00:58:14,880
Speaker 2: also but I, even coming from another place, can see

1080
00:58:14,920 --> 00:58:17,880
Speaker 2: that as a version and get it. I'm like, yeah,

1081
00:58:17,880 --> 00:58:21,400
Speaker 2: that totally is true, but then so is this version.

1082
00:58:22,120 --> 00:58:24,640
Speaker 2: They're both two things can be true even if they

1083
00:58:24,680 --> 00:58:25,800
Speaker 2: seem totally opposite.

1084
00:58:26,760 --> 00:58:27,200
Speaker 1: Mm hmm.

1085
00:58:28,120 --> 00:58:32,640
Speaker 2: In my opinion, it's like I get it. I think

1086
00:58:33,080 --> 00:58:38,920
Speaker 2: Carrie and Big have had a true love, just like

1087
00:58:39,280 --> 00:58:42,280
Speaker 2: Luke and Loralai or just like Ross and Rachel. I mean,

1088
00:58:42,320 --> 00:58:45,120
Speaker 2: we could name all these characters right, each one sort

1089
00:58:45,120 --> 00:58:48,000
Speaker 2: of being a different incarnation. But love can be so

1090
00:58:48,120 --> 00:58:49,640
Speaker 2: many different things.

1091
00:58:49,960 --> 00:58:54,120
Speaker 1: What's your ski boot size?

1092
00:58:54,400 --> 00:58:56,439
Speaker 2: Before we get to that, which I will We will

1093
00:58:56,480 --> 00:58:59,400
Speaker 2: do that, Danielle. I would love your quick prediction. And

1094
00:58:59,400 --> 00:59:01,320
Speaker 2: we still have more talk about on what you see

1095
00:59:01,360 --> 00:59:03,880
Speaker 2: for Rory, just because I'm so curious and I'll keep

1096
00:59:03,920 --> 00:59:05,280
Speaker 2: my mouth shut.

1097
00:59:05,320 --> 00:59:10,280
Speaker 4: Okay, Well, at the end of this episode, I take

1098
00:59:10,360 --> 00:59:18,040
Speaker 4: it that they get arrested. That's my what I think happens. Okay,

1099
00:59:18,320 --> 00:59:23,000
Speaker 4: So with that deying, Just with that being said, I

1100
00:59:23,040 --> 00:59:26,160
Speaker 4: think that Logan takes the fault for it, even though

1101
00:59:26,160 --> 00:59:30,920
Speaker 4: it's Rory's fault, and the Gilmours get really upset about

1102
00:59:30,920 --> 00:59:35,320
Speaker 4: that and kind of like, why is this man getting

1103
00:59:35,320 --> 00:59:38,200
Speaker 4: you in trouble? And then I think the Huntsburgers are like,

1104
00:59:38,880 --> 00:59:42,320
Speaker 4: why are you Why is this girl making you get

1105
00:59:42,160 --> 00:59:45,080
Speaker 4: into more trouble? You know, like that kind of thing,

1106
00:59:45,080 --> 00:59:46,880
Speaker 4: and I think the family start to divide the two

1107
00:59:46,920 --> 00:59:47,240
Speaker 4: of them.

1108
00:59:47,560 --> 00:59:51,320
Speaker 2: That's what I start to see an interesting.

1109
00:59:53,040 --> 00:59:54,760
Speaker 3: I want to know if I'm right or wrong.

1110
00:59:54,880 --> 01:00:00,520
Speaker 2: This is so okay, So we've got more to talk about,

1111
01:00:00,560 --> 01:00:02,160
Speaker 2: but I do have to give a quick shout out

1112
01:00:02,200 --> 01:00:05,120
Speaker 2: to the color orange. Did anyone notice that Loralai was

1113
01:00:05,120 --> 01:00:07,880
Speaker 2: wearing a massive amount of orange in this episode? And

1114
01:00:07,920 --> 01:00:10,600
Speaker 2: I like it that the dress was orange. And then now

1115
01:00:11,440 --> 01:00:14,480
Speaker 2: as Suki's having the baby, she's wearing the orange white

1116
01:00:14,480 --> 01:00:17,040
Speaker 2: blazer with the orange piping, with an orange shirt. And

1117
01:00:17,080 --> 01:00:19,600
Speaker 2: then when we go back to the Gilmore, she's wearing

1118
01:00:19,640 --> 01:00:20,760
Speaker 2: an orange sweater again.

1119
01:00:20,960 --> 01:00:23,800
Speaker 1: All right, that's gonna do it. Everybody. Listen, We're going

1120
01:00:23,880 --> 01:00:25,760
Speaker 1: to do a two parter, So this is gonna end

1121
01:00:25,960 --> 01:00:29,320
Speaker 1: part one. Thanks for downloading, best fans on the planet.

1122
01:00:29,320 --> 01:00:33,240
Speaker 1: We will see you next time for part two. And

1123
01:00:33,400 --> 01:01:06,520
Speaker 1: remember we and I I'm all in. Stay safe everyone, everybody,

1124
01:01:06,480 --> 01:01:09,880
Speaker 1: and don't forget Follow us on Instagram at I Am

1125
01:01:09,920 --> 01:01:14,840
Speaker 1: all In podcast and email us at Gilmore at iHeartRadio

1126
01:01:15,200 --> 01:01:25,520
Speaker 1: dot com.