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Speaker 1: You know the most dangerous morning show, The Breakfast Club Morning.

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Speaker 1: Everybody is DJ M v Angela Yee Scharlaman the guy.

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Speaker 1: We are the Breakfast Club. We got a special guest

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Speaker 1: in the building goes by the name of la Keith.

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Speaker 1: Did I say that right? You probably know better as

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Speaker 1: Darius from atl Atlanta plays straight out of Company. I

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Speaker 1: ain't like that one. Now. I love you as Darius.

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Speaker 1: But Snoop was a kind of a scrape. You see.

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Speaker 1: What it was is me and Snoop we smoked together, yeah,

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Speaker 1: and then he gave me the old cave. It was like,

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Speaker 1: you know, I'm hard in him up so and what

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Speaker 1: you gotta do? That's true? How you got the role

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Speaker 1: as Snoop? Audition forward? Man, like everybody in the nation,

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Speaker 1: we like. It was like every blackmail. They sent out

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Speaker 1: audition go audition forward. And how did you study for

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Speaker 1: that role? Did you have to study or you So? Look,

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Speaker 1: I got the role at ten pm and night and

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Speaker 1: then um at ten pm I got to day. It

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Speaker 1: was like you got to you gotta be there at

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Speaker 1: five am the next day. So that was my time

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Speaker 1: for prep, right, So I was just listening to Snoop stuff,

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Speaker 1: doing you know what I mean, and then showed up

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Speaker 1: and went to work. Do you think you were a

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Speaker 1: good Snoop? I was happy with what I did, you

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Speaker 1: know what I mean. I wouldn't plaster my face up

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Speaker 1: as the poster child for Snoop, but I can't play

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Speaker 1: Snoop in every movie. No got no but I did.

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Speaker 1: I feel like I did what was necessary. We got

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Speaker 1: the job done. I guess it was the look you

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Speaker 1: you know what I mean. Look, it was crazy because

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Speaker 1: everybody kept saying, you don't look like Snoop, you don't

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Speaker 1: look like Snooping. I look at myself every goddamn day

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Speaker 1: in the mirror, and I know what I looked like.

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Speaker 1: I know I don't look like that dude. But I

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Speaker 1: got the role, you know what I mean? So you know,

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Speaker 1: actually it's crazy because I was sitting right next to

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Speaker 1: a dude who looked just like Snoop when I was

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Speaker 1: doing audition, and I was like, he for show, gonna

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Speaker 1: get the role. I know he gonna get it. So

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Speaker 1: you know, when they called me back, I was like, Okay, cool,

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Speaker 1: he was just a bad actor. I was better with

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Speaker 1: the improb man. We're a Snoop fan and not too much,

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Speaker 1: not too much. I mean from Callie, isn't you? Yeah,

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Speaker 1: you're got a new faith Noah. I remember like looking

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Speaker 1: at the Doggie Style album and being young and confused

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Speaker 1: and not knowing whether I was sexually attracted to the

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Speaker 1: dog or like what I should. Yeah, I was like, yo,

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Speaker 1: I remember, I'm starting to look at dogs weirdly now.

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Speaker 1: But I didn't really, I didn't really dive into the

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Speaker 1: music like that. I guess I was too young to

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Speaker 1: understand it really. Right, Well, Atlanta is I think for

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Speaker 1: all of us one of our favorite new shows out

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Speaker 1: right now? Did you know it's going to take off

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Speaker 1: the way that it did? Did you feel like that

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Speaker 1: when you first saw the script? When you know, I

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Speaker 1: had no idea. I think really nobody had no perspective

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Speaker 1: for the way it was gonna touch us and touch

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Speaker 1: people stuff. I'm glad. How did you look? I already

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Speaker 1: approached you for the role. Yeah. Personally, yeah, I was fire.

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Speaker 1: Performance was great, out of competent, you know what. I

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Speaker 1: think that's what it was. I think it was the voice. No.

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Speaker 1: I was at a club and I was I was

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Speaker 1: actually really drunk, um just dancing in this club, just

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Speaker 1: you know, and then I bump into somebody like, hey, Keith,

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Speaker 1: I was man. I wasn't really looking at him because

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Speaker 1: he had on some like nice shoes. They were glittering

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Speaker 1: looking at the shoes. And then I look up and

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Speaker 1: I'm like, oh this Donald this sho man, Yo, what's up? Man?

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Speaker 1: I know you are like, yeah, I think you'd be

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Speaker 1: perfect for this role. And so he sent me the

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Speaker 1: uh size and I, you know, I do a self

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Speaker 1: tape audition, and I do a secondary audition for network,

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Speaker 1: and I go to shoot the polits. How did you

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Speaker 1: an act? And if it was no school or nothing, um,

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Speaker 1: I just gotta google. You just straight up in there,

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Speaker 1: I said, I'm gonna google. And how did you get auditions?

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Speaker 1: You just googled auditions too well. I googled it something

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Speaker 1: along the lines of actory stuff you typed in act.

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Speaker 1: And so for about fifty pages, I just filled out

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Speaker 1: everything I could find and you know, try to get

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Speaker 1: a break some way I could. We went on a

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Speaker 1: lot of dry runs, a lot of things with scams,

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Speaker 1: and at some point something came through and it was

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Speaker 1: a modeling agency and it was a runway modeling agency.

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Speaker 1: So yeah, I learned how to walk the roadway for

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Speaker 1: no reason. Whatso I see you, Russell Westbrook. But so

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Speaker 1: every other week they would have agents come through. And

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Speaker 1: one week of agent came through and I said, I

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Speaker 1: want audition for him, and said, you ain't got no material.

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Speaker 1: I don't know if you guys, I don't care. I

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Speaker 1: want to audition for him, So let me come in.

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Speaker 1: Jumped up on the table and did whatever I thought

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Speaker 1: it was necessary, which was from mine, from my mind

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Speaker 1: at that time, to pretend like I was a surfer.

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Speaker 1: All right, come on, you gotta do some something along

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Speaker 1: the line to that dog and you know, and it

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Speaker 1: was the role. It was no role, but I think

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Speaker 1: he really liked he appreciated my Yeah, and so he

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Speaker 1: was just like, I see something then you don't know

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Speaker 1: what it is. I guess it was dar all right.

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Speaker 1: We got more with la Keith from the show Atlanta.

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Speaker 1: So don't go anywhere. It's the Breakfast Club Morning the Morning.

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Speaker 1: Everybody is DJ Envy, Angela Yee, Charlemagne and Guy. We

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Speaker 1: are the breakfast Club. We have the Keith he plays

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Speaker 1: Darius on the show Atlanta. In the building. Now you

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Speaker 1: wrapped to right like in real life. I know, paper

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Speaker 1: Boy said he wasn't a rapper in real life. His

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Speaker 1: character all about that paper boy. We're wondering, are they

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Speaker 1: ever gonna put these songs out for real? Like that?

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Speaker 1: So I really liked that. So there's some dope music.

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Speaker 1: I mean, it's just catchy. Do a soundtrack and probably

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Speaker 1: do sound tracks doing at soundtrack? They should, they should.

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Speaker 1: Do you enjoy the club, because I know a lot

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Speaker 1: of things have happened for you just from going out,

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Speaker 1: running into people by chance, being in the right place

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Speaker 1: at the right time. In real life, do you enjoy

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Speaker 1: going out or is it just part of the job.

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Speaker 1: Part of the job, you know. I can only enjoy

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Speaker 1: the club when I'm blitzed. I gotta be at the bar.

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Speaker 1: I'm like, a matter of fact, one of these bottles

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Speaker 1: y'all got back here. I would appreciate you want to

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Speaker 1: drink if you hence forth my friend for let me

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Speaker 1: see you take that shot, then you acting right now.

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Speaker 1: It's got a lot of drinks. Man, let me see

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Speaker 1: we got backroom, paying bathroom for it. I don't know

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Speaker 1: where to start. Hit with the shot and then chase

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Speaker 1: it with put no, no nothing in here. Man. You

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Speaker 1: liked was familiar with that? I gonna give you nothing

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Speaker 1: that's gonna make you do the mannequin child. That's that

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Speaker 1: is cool, man. I like that hate is really cool

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Speaker 1: because a lot of people just stuck in life. You're

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Speaker 1: not gonna have a drink with him? There you go,

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Speaker 1: there you go, righteously correct. How long you've been drinking?

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Speaker 1: How long you've been drinking? That's my first drink all day.

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Speaker 1: I'm talking about in life, like when you first That's

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Speaker 1: what I'm talking about. Stop keith Man, why are you lying?

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Speaker 1: Hey man, I'm not lying. I'm cheetah in. I have

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Speaker 1: things changing, you can say Jarius on Atlanta. I'm sure

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Speaker 1: things have been different because the show has been such

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Speaker 1: a big hit. And I know when you go out everywhere,

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Speaker 1: everybody knows who you are. Yeah, it's nice man. You know.

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Speaker 1: I'm glad that I could be recognized for something I

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Speaker 1: feel good about being a part of, you know, because

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Speaker 1: I could easily be going on there trying to dunck

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Speaker 1: and die, you know what I mean. But but that's

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Speaker 1: for would have it. I've done something that I can

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Speaker 1: be very proud of that I feel like it's a

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Speaker 1: staple now um for television and for the culture moving

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Speaker 1: it forward, so I feel good about it. When people

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Speaker 1: come up and say, hey, man, you know, can I

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Speaker 1: measure your tree? I'm like, yes, you can measure my tree.

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Speaker 1: You know what I mean? I see you gotta. I

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Speaker 1: read it somewhere that you got a leading role now

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Speaker 1: in a movie where you're playing a Brooklynite. Yes, sir, sir?

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Speaker 1: Did you just call me sir? It's a respectful title. Yeah, yeah, yeah,

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Speaker 1: I lived there for a little while. How about your

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Speaker 1: rapping career now? Is that at the forefront of all

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Speaker 1: of you? And what's your rapper name? I guess Moors

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Speaker 1: will be the entity that I designed from a music. Um,

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Speaker 1: but I just I guess I exist under the same

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Speaker 1: name that I exist under Trippy thing balancing the career

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Speaker 1: of acting with that, so you know, I kind of

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Speaker 1: just have to find time for it, like I've been. Um,

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Speaker 1: now that Atlanta is sort of shooting, it has been

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Speaker 1: pushed back. I've gotten more time to like work on

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Speaker 1: the music. And before then I was just going boopa

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Speaker 1: boo who consistently just working, And so now I need

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Speaker 1: to block out time to actually work on the music.

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Speaker 1: So now I get that space now to just actually

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Speaker 1: dive into it because I'm not the type of person

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Speaker 1: who just wakes up and I'm inspired, you know what

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Speaker 1: I mean, Like just there are things that come to

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Speaker 1: me and I'm inspired in the moment and different things

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Speaker 1: that happened. So it's a process for me. So with More's,

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Speaker 1: I'm just really taking my time with it, making sure

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Speaker 1: what I'm saying exactly what I want to say, and

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Speaker 1: I'm being real. Would you like to leave us with

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Speaker 1: some Yes, it's that runaway Jane Go being done away

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Speaker 1: with that same old a. Joe Horsh exclaimed, Go vibrating

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Speaker 1: at the speed of a jar rating skiza that get

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Speaker 1: it popping on the swipe of a Visa cigarette and

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Speaker 1: COVID drinking monolithic Mona Lisa groovy music coming through and

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Speaker 1: thrust in you speakers, chucking the meek up of off

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Speaker 1: the edge of my media, out of the reach of thinking.

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Speaker 1: That's for people, brother, the greatest reef of Califa. I

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Speaker 1: got that fired like Mother Teresa's demon capeche thirteen vision

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Speaker 1: ain't the way you could see it, that mastery of algorithm.

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Speaker 1: I'm computing my sleep zoom pass Dupha's ass blacks and

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Speaker 1: Duke rags and lap a master with that cancer flash

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Speaker 1: a racted light. The way these patterns lining up. My

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Speaker 1: mind's an isotrophically balanced cipher suck on my siphon longer

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Speaker 1: than white men. Sound bites to your incis how you

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Speaker 1: turn into Tyson burning the mic. She's like a virgin,

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Speaker 1: that type that make tracks drip something burger. They're like

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Speaker 1: bills looking right because I don't breaking my make laws

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Speaker 1: and burn down courthouses, high for baseball, sliding in safe,

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Speaker 1: this rape brawl and infinite like my ninety six eminem

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Speaker 1: and eight balls balls. That's it what you went more?

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Speaker 1: You know what? I'm friend, man, you spit something. Don't

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Speaker 1: wrap he used to wrap his rap. Name is Dizzy

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Speaker 1: van Winkle fits. But there you have it. It's Charlotte.

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Speaker 1: Man is mean. I love you as Darius. I love

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Speaker 1: you as Darius. Hey man, that's just the role he's playing.

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Speaker 1: The Breakfast Club. Everybody's cd j M vy angela Ye

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Speaker 1: Charlomne the god we all the breakfast club. We got

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Speaker 1: a special guest in the building and this man is

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Speaker 1: in love. Oh my god, Miller, Miller, I listened to

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Speaker 1: the divine femination, feminine, divine, feminine. Explain that title interesting title.

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Speaker 1: That's saying, like the woman is God. I'm just talking

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Speaker 1: about you know, how you love and how it affects

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Speaker 1: my life. Love? Have you heard album? He sounds like

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Speaker 1: he is singing, but this is, but this is, but this,

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Speaker 1: this is, this is. This is an album I've been

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Speaker 1: working on for for a while though, talk about this

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Speaker 1: because let's talk. Let's talk. Why are you say? Mac Miller?

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Speaker 1: You moved to Brooklyn, which was exciting. I think Macmeller

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Speaker 1: I've seen him out in about a couple of times.

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Speaker 1: Don't get nervous, man with your girlfriend at the time,

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Speaker 1: and that is when you started working on this. Yeah, right,

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Speaker 1: So what happened to her? Yeah? What happened? What's up? What? What?

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Speaker 1: What happened to you? What happened to you? He says, yeah, right,

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Speaker 1: he changed. No, man, it's it's she's doing her like

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Speaker 1: I'm doing me. How are you doing? Mary chilling? Yeah?

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Speaker 1: Well we ever? Yeah, how's that? Yeah? How's that going?

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Speaker 1: I love it good? I think about this. It sounds

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Speaker 1: like a woman is your new vice, not drugs. You

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Speaker 1: know what's crazy? Is that? Like? Uh? Love is like

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Speaker 1: has always I've always been fascinated by the similarities between

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Speaker 1: love and drugs. Yeah, okay, I really feel like the

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Speaker 1: two things can affect a human being in a very

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Speaker 1: similar way. When when when the love is gone, you

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Speaker 1: do feel a withdrawal from that. Yeah, Like they say,

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Speaker 1: it's like dopamine. You can be high off a lot.

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Speaker 1: It's crazy. This is a strange time for you though,

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Speaker 1: because you are dating arian a grind day and you

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Speaker 1: probably don't want people to ask you about it in

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Speaker 1: an interview. But you do a whole album that yeah, yeah, love,

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Speaker 1: so you know, people for sure, I get it. I

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Speaker 1: get it. People are gonna put it together. It's crazy

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Speaker 1: to me that people are like, the whole album is

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Speaker 1: about her? Who else would it be about? But I'm

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Speaker 1: saying it. But but like the time table wise, like

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Speaker 1: how quickly do you think I'm can make an album? So,

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Speaker 1: how does you feel about you making songs about other women?

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Speaker 1: I'm not, But it's not necessarily about other You need

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Speaker 1: to chill, it's not it's not it's not really songs

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Speaker 1: about other women's songs about um my perspective on love.

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Speaker 1: Love makes you feel yeah, yeah, and and and and

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Speaker 1: but by the way, like like we're grown, Like there's

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Speaker 1: been people in my life that have that have that

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Speaker 1: have affected my perspective on what love is and exactly

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Speaker 1: like what we everyone everyone learns from from from all

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Speaker 1: experience in their life. So people people saying that the

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Speaker 1: whole albums about her is wild to me just because

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Speaker 1: it's like there's like it would be literally impossible, like

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Speaker 1: soul has to be about somebody in particular. No, I

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Speaker 1: mean listen, first of all, thank you for listening to

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Speaker 1: the album, Charlotte Magine. He really likes soul mate, No,

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Speaker 1: thank you man, But like, um no man, I mean

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Speaker 1: it's it's it's bits and pieces of everything. To be honest, bro,

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Speaker 1: like who knows, I don't know, like like getting into

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Speaker 1: good Night get but to be real. But to be real?

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Speaker 1: Like what real? Though? What we got more with Mac

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Speaker 1: Miller when we come back, keep it locks. It's the

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Speaker 1: breakfast Club, Good Morning, the breakfast Club Morning. Everybody is

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Speaker 1: DJ m vy angela Ye, Charlottagne the god. We are

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Speaker 1: the Breakfast Club. We got Mac Miller in the building.

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Speaker 1: Let me ask you this, would you say that Arianna

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Speaker 1: Grande is your dream woman because you want first single?

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Speaker 1: And I know I'm sure y'all had a little thing

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Speaker 1: back then it's coming whoa. First of all, I disrespect

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Speaker 1: my girl like that. Man, It ain't even but things

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Speaker 1: have come full circle now. Everybody want to see him,

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Speaker 1: no problem, pro like your celebrity couple. Right, And it

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Speaker 1: is this bully that's picking on your woman, right, that's

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Speaker 1: what I was picked you You who's picking on one?

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Speaker 1: Say let's say Ariana Grande has an interview, somebody gets

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Speaker 1: a little disrespectful. She doesn't like it. I didn't be

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Speaker 1: alway disrespectful. She wasn't disrespectful. Look, you can't go around

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Speaker 1: here looking no pastries to night, all right, I'll take notes, Yes,

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Speaker 1: no pastry licking. I'll keep it in mind. And you're

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Speaker 1: alone with a boo at being supportive, being supportive? Yeah, absolutely, Okay,

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Speaker 1: it's okay to be alone even when you have a boot. Absolutely,

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Speaker 1: that's my guy. We're seeing it on the blobs this

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Speaker 1: week with you and mister Macmiller. That's my man. You

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Speaker 1: know what I'm saying. Yeah, so salute to him. Cool? Yeah, absolutely,

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Speaker 1: Arianna giving me that look like you not ask me

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Speaker 1: about my brand on live TV? Okay, that's my man,

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Speaker 1: my man. She hates me. She doesn't know, she doesn't

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Speaker 1: she saw me conversation and she goes, oh my god,

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Speaker 1: my worst night. Man. She sounds like she does horrible

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Speaker 1: slow she does. I do think if she hated you,

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Speaker 1: she probably wouldn't have said anything. No, no, no, man, no,

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Speaker 1: like she's been coming to all the interviews. She ain't

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Speaker 1: come to this one that she has not been coming

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Speaker 1: to all the interviews. Mask stop line, that's it, that's it. Okay,

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Speaker 1: you right. She's a huge fan of Sway. I can

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Speaker 1: see that. But that's in my question. Would you say

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Speaker 1: that's your dream woman? You were on her huge single

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Speaker 1: now full Circle she's on the album. Was at somebody

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Speaker 1: that back then? You were like, man, but no, you

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Speaker 1: know what is that? We we were just really close friends.

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Speaker 1: The back of my neck is turned. I'm a Caucasian male,

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Speaker 1: and that happens to Caucasian males sometimes things just get red.

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Speaker 1: You wouldn't know what that's like. No, man, but it's

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Speaker 1: it's like, uh, because I noticed for a period of

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Speaker 1: time you have Big Sean were cool. Whoa yea yea.

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Speaker 1: This is crazy. I'm seeing Big Sean penis picks intimidated

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Speaker 1: wild y'all the world? Can I live? Can I live?

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Speaker 1: Are you intimidated after seeing Big Sean Penis pick. I

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Speaker 1: ain't see big show for you to know, first of all,

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Speaker 1: y'all wild, this is a great this is a crazy thing.

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Speaker 1: Like like I was wondering, Like I was, like, I wonder, like,

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Speaker 1: what's like, what's gonna happen this morning? You know, I

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Speaker 1: knew some was gonna happen, but I didn't think like this,

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Speaker 1: your friend. I didn't think it was gonna be coming

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Speaker 1: from all angles, you know what I mean, to be

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Speaker 1: in a high profile relationship that it's different. You know

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Speaker 1: what's weird is that I'm actually happy for that question

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Speaker 1: because it's like, uh, I'm here to like talk about

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Speaker 1: music that I make, and I happen to be in

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Speaker 1: a fantastic relationship with someone I also enjoy making music with,

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Speaker 1: you know what I mean. So it those those lines

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Speaker 1: can get blurred very easily, like what I'm here trying

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Speaker 1: to do? Bro, that's crazy all that's not what is

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Speaker 1: doing Like I was in the middle of I was

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Speaker 1: in Yeah, why is that right? Why did you go

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Speaker 1: to your your toolbar for that? In your email? You

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Speaker 1: went right to the bookmarks. This is new for me.

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Speaker 1: I mean, like, like you want to be just put

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Speaker 1: your yeah like that. I'm just in exactly exactly. Yeah,

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Speaker 1: it's okay, let me know how how how is your girl?

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Speaker 1: She's great, beautiful, kids are beautiful. You will get all

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Speaker 1: on the pregnant so I can ask you about whoa.

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Speaker 1: Let's chill let's ship. See like that's what I'm saying.

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Speaker 1: You know you already got that ring ready, all y'all

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Speaker 1: need to chill out. The Divine Feminine is out right now,

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Speaker 1: that's the album question. You don't pet he listened to

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Speaker 1: the album? You don't have it first of all? Anyways,

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Speaker 1: Angela crazy if anyone knew that, but noah. But look,

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Speaker 1: look that's what I'm saying. All I'm saying it is like, yeah,

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Speaker 1: we are together. Cool? What I mean like like it's

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Speaker 1: I'm just saying, but my album's out, ladies and gentlemen,

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Speaker 1: it's Mac Miller. The album is dope. Though I'm not

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Speaker 1: just saying that because my man, Divine Feminine is really

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Speaker 1: a dope album. It's the breakfast cup than it would

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Speaker 1: be a good sport for that was Bryson till it

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Speaker 1: would exchange morning. Everybody's DJ Envy Angela Ye, Charlomagne the

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Speaker 1: guy we are the Breakfast Club. We got a special

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Speaker 1: guest in the building. Shot Charlemagne swears your Puerto Rican.

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Speaker 1: But I tell that's my first question. You have to

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Speaker 1: dispel this rum at Chanpa. I heard an interview with

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Speaker 1: being mind bros. Are are you Jamaican? Are you really

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Speaker 1: from the Bronx? Jamaican? I know what you are? Man,

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Speaker 1: Wait so you're not really Hispanic from the Bronx? No, sir,

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Speaker 1: you started the rule. I I heard an interview. I

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Speaker 1: know there's a lot of discrepancy to people are like

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Speaker 1: YO were from for you? But yeah, yeah, that ain't

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Speaker 1: that That's been around for a whileeople on, people on,

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Speaker 1: but people so short an interview I'm talking about Yeah, yeah, yeah,

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Speaker 1: definitely study that rum because I never never heard before

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Speaker 1: I started. I've sailed that a lot too. I said

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Speaker 1: that a lot all the time. But anybody that knows

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Speaker 1: anything about reggae knows that Sean Paul's from Jamaica. So yeah,

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Speaker 1: I would I would do up somebody. No, at least

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Speaker 1: that I made a market, at least in that they

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Speaker 1: could then of the industry out there. You know that's

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Speaker 1: an understatement. I saw you too. The number one pop

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Speaker 1: artists in the UK or something. Yeah, right now, I

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Speaker 1: had three number one singles this year over there, so wow,

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Speaker 1: that's amazing. You know what's amazing is that you've managed

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Speaker 1: to do all different genres of music with all different

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Speaker 1: people from all over the world and nobody ever, says

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Speaker 1: Sean Paul has sold out. But that's a hard thing

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Speaker 1: to do that. I don't know. I think I picked

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Speaker 1: some good songs to go on, Like this present number

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Speaker 1: one right now over there is a clean banditt. It's

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Speaker 1: about a single mom. So it's just a type of

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Speaker 1: song to it at the time when when it's needed

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Speaker 1: probably which kind of helps me out. Also, you know

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Speaker 1: what I mean, bigger part single moms out there, it

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00:20:47,080 --> 00:20:49,520
Speaker 1: was a needed song. I think that Tim that you

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Speaker 1: mean to step up them again. So that's true though,

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Speaker 1: because these guys be shooting these girls clubs up and

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Speaker 1: getting pregnant and then leaving them uncut. Yeah, most reggae

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Speaker 1: music is not as popular as it was before. Like

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Speaker 1: even now on the radio you might hear one reggae

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00:21:03,040 --> 00:21:05,359
Speaker 1: song maybe two a day. Yeah, because everybody else stealing

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Speaker 1: reggae style. That's why you staying consistent, man, How do

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00:21:08,119 --> 00:21:09,960
Speaker 1: you stay consistent with it, and like Charlamie said, how

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Speaker 1: do you feel about all this stealing the reggae or

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Speaker 1: Jamaica style? You know, I stay on it. Like these

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Speaker 1: five songs that I just gave you on the CD,

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Speaker 1: are you still passing our CD show six? Yeah? People

395
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Speaker 1: be like what is that? So yeah, I just stayed

396
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Speaker 1: doing it, you know what I mean. So there might

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Speaker 1: be like a lot of songs that you hear that

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Speaker 1: you know, but there's a lot more that you probably

399
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Speaker 1: don't know, you know what I mean. So the cream

400
00:21:34,440 --> 00:21:37,160
Speaker 1: rights to the top on people will know the bigger ones.

401
00:21:37,400 --> 00:21:39,000
Speaker 1: But I just don't think that every song is going

402
00:21:39,040 --> 00:21:40,919
Speaker 1: to do is a hit. So I just keep doing them,

403
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Speaker 1: you know what I mean. It's um, it's like liquid

404
00:21:43,600 --> 00:21:45,560
Speaker 1: vibes on my brain at the time where I might

405
00:21:45,640 --> 00:21:47,880
Speaker 1: feel a rhythm that's really dope, and I said, yeah,

406
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Speaker 1: this COVID something. So I keep doing it and the

407
00:21:51,400 --> 00:21:53,760
Speaker 1: top ones come up, and so stay there. I think

408
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Speaker 1: a lot of people think that this business is all

409
00:21:56,560 --> 00:21:58,080
Speaker 1: like one hit, you know what I mean? So you

410
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Speaker 1: do I want hit and you rely on that for

411
00:22:00,359 --> 00:22:03,360
Speaker 1: a long time. I was. I was told from very

412
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Speaker 1: early that you was because your last hit. I mean,

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Speaker 1: I try to find them. But other than that, not

414
00:22:08,600 --> 00:22:10,720
Speaker 1: not not just HiT's just just put it on music,

415
00:22:10,760 --> 00:22:13,040
Speaker 1: you know, I mean because you're not your typical West

416
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Speaker 1: Indian artists, reggae artists, because like Charlemagne says, you don't

417
00:22:17,040 --> 00:22:19,399
Speaker 1: look like your typical Oh now you want to agree

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Speaker 1: with me. Now you see not even in front of

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Speaker 1: you. You You look at you from the typical You're making

420
00:22:25,840 --> 00:22:29,399
Speaker 1: a West Indian artists. You look like, yeah, I waspanding

421
00:22:29,480 --> 00:22:32,280
Speaker 1: from the Bronx. Yeah, but yeah, yeah, yeah for I

422
00:22:32,280 --> 00:22:33,800
Speaker 1: don't know, I don't know. I don't know if that's

423
00:22:33,840 --> 00:22:37,480
Speaker 1: apart to the uphel But you know, as I said before,

424
00:22:37,640 --> 00:22:40,560
Speaker 1: I give tanks for being in this position. You know,

425
00:22:40,600 --> 00:22:43,240
Speaker 1: as you said, you raise a question of other people

426
00:22:43,280 --> 00:22:46,840
Speaker 1: doing reggae music don saw music, And you know, I

427
00:22:46,840 --> 00:22:49,480
Speaker 1: take my hotsip to people or even the funds who

428
00:22:50,040 --> 00:22:52,560
Speaker 1: revere the music so much that other people want to

429
00:22:52,560 --> 00:22:54,399
Speaker 1: do it. That's just a do a feeling, you know

430
00:22:54,400 --> 00:22:57,000
Speaker 1: what I mean, Back in the day when everybody was coming,

431
00:22:57,160 --> 00:23:00,320
Speaker 1: I mean for remixes or to hit top our song. Um,

432
00:23:00,359 --> 00:23:02,440
Speaker 1: it's the same feeling I'm getting. No, you know, Ceo

433
00:23:02,640 --> 00:23:05,520
Speaker 1: was a big song this year. And the song called

434
00:23:05,560 --> 00:23:07,760
Speaker 1: Cheap Thrills and she just came at me. I was

435
00:23:07,800 --> 00:23:10,399
Speaker 1: surprised that she went down Saw and I didn't know

436
00:23:10,440 --> 00:23:12,320
Speaker 1: it was going to be a big, big singer. I

437
00:23:12,359 --> 00:23:15,080
Speaker 1: just like the melody and did Yeah. I just like

438
00:23:15,160 --> 00:23:17,560
Speaker 1: the melody and did it. I'm a final hers find

439
00:23:17,560 --> 00:23:19,840
Speaker 1: of her writing on her vioice tool just happening. I

440
00:23:19,880 --> 00:23:22,719
Speaker 1: don't know. Put your stamp on Tory Lanes, you know.

441
00:23:22,760 --> 00:23:24,400
Speaker 1: And I think in a way that kind of helps.

442
00:23:24,400 --> 00:23:26,199
Speaker 1: When he does a song with a reggae vibe and

443
00:23:26,240 --> 00:23:28,480
Speaker 1: then Sean Paul is on it, and yeah, he's on

444
00:23:28,560 --> 00:23:30,760
Speaker 1: your single, I never got to be a big market

445
00:23:30,800 --> 00:23:32,960
Speaker 1: for you, right because they got a big, big, yeah

446
00:23:33,000 --> 00:23:35,160
Speaker 1: reggae vibe. But yeah, and I do have family up there,

447
00:23:35,240 --> 00:23:38,200
Speaker 1: you know what I mean, uncle's and cousins and stuff,

448
00:23:38,240 --> 00:23:41,400
Speaker 1: so kind of closen there they bother you when when

449
00:23:41,560 --> 00:23:44,119
Speaker 1: artists do that style, let's say, like Drake does more

450
00:23:44,119 --> 00:23:47,080
Speaker 1: of a Caribbean style. Now, over the years, Jake has

451
00:23:47,080 --> 00:23:49,199
Speaker 1: had many different songs. When he first came out too,

452
00:23:49,359 --> 00:23:50,960
Speaker 1: he's on a lot like Waiting to me. I know,

453
00:23:51,040 --> 00:23:53,720
Speaker 1: he's saw on a little different. So it's someone who

454
00:23:53,760 --> 00:23:56,720
Speaker 1: goes with it. To the floor of what's happening down

455
00:23:56,800 --> 00:23:59,960
Speaker 1: saw is really back in you know mainstream where there's

456
00:24:00,080 --> 00:24:02,720
Speaker 1: artists like Sean Mendez doing it, you know pop pop

457
00:24:02,880 --> 00:24:06,680
Speaker 1: pop type people. Um, it's just it's just a testament

458
00:24:06,680 --> 00:24:08,840
Speaker 1: to the strength of the music. So I don't I

459
00:24:08,840 --> 00:24:11,760
Speaker 1: don't even mind that. The question came up earlier this

460
00:24:11,840 --> 00:24:14,520
Speaker 1: year of the whole you know, are the artists get

461
00:24:14,520 --> 00:24:18,440
Speaker 1: in there due respect and whatever? And the question wants

462
00:24:18,440 --> 00:24:20,520
Speaker 1: to ask I mean an interview and people was like, oh,

463
00:24:20,640 --> 00:24:22,679
Speaker 1: he feel a way about it too. I don't. I

464
00:24:22,680 --> 00:24:24,760
Speaker 1: don't necessarily feel a way. Boys. I feel good that,

465
00:24:24,920 --> 00:24:27,480
Speaker 1: you know, the fans are our love in the music

466
00:24:27,520 --> 00:24:29,679
Speaker 1: so much other artists wanted to come and do it.

467
00:24:29,960 --> 00:24:32,760
Speaker 1: That's pretty cool. We got more with Shooting Paul. When

468
00:24:32,800 --> 00:24:35,399
Speaker 1: we come back keeping lock. It's the Breakfast Club. Good morning,

469
00:24:37,119 --> 00:24:40,320
Speaker 1: Well y'allass DJ mvy angela ye, shall I mean the

470
00:24:40,359 --> 00:24:42,560
Speaker 1: guy we are the Breakfast Club. We got a special

471
00:24:42,600 --> 00:24:45,520
Speaker 1: guest in the building, Sean Paul. Now you said artists

472
00:24:45,520 --> 00:24:47,280
Speaker 1: the only biggest they last hit. I don't know if

473
00:24:47,280 --> 00:24:48,679
Speaker 1: that applies to you, because it seems like you can

474
00:24:48,720 --> 00:24:51,800
Speaker 1: make money forever. Off give me the light and get

475
00:24:51,840 --> 00:24:54,639
Speaker 1: busy and I'm still in love with you, Like I know,

476
00:24:54,720 --> 00:24:56,920
Speaker 1: you're still touring crazy off those records. Yeah, we still

477
00:24:56,920 --> 00:24:59,640
Speaker 1: we still do touring, offer it um, and we're still

478
00:24:59,680 --> 00:25:02,120
Speaker 1: trying to find things to beat it because I don't

479
00:25:02,160 --> 00:25:04,920
Speaker 1: think that that my thing is to be like, oh yeah, retire. No,

480
00:25:05,440 --> 00:25:08,320
Speaker 1: I've seen some great people in my industry, you know,

481
00:25:08,400 --> 00:25:10,159
Speaker 1: people like Toots. You may not know who that is,

482
00:25:10,200 --> 00:25:12,920
Speaker 1: what Toots and the man tells he's up there in years,

483
00:25:12,960 --> 00:25:14,360
Speaker 1: you know what I mean, and he's doing it. So

484
00:25:14,720 --> 00:25:17,720
Speaker 1: those kind of artists inspire me myself too that I know,

485
00:25:17,880 --> 00:25:20,639
Speaker 1: I'm just gonna keep on doing music as long as

486
00:25:20,680 --> 00:25:23,600
Speaker 1: I can. Um. Is it easy to make timeless music

487
00:25:23,600 --> 00:25:25,600
Speaker 1: when you pull off pull from real life? Like you

488
00:25:25,640 --> 00:25:28,440
Speaker 1: said you made the single Mother record, Yeah, I guess,

489
00:25:28,440 --> 00:25:32,000
Speaker 1: I guess. I guess that is an instant um just

490
00:25:32,000 --> 00:25:35,280
Speaker 1: just the just the concept alone is an instant classic

491
00:25:35,320 --> 00:25:37,960
Speaker 1: to me. So yeah, that's cool. But I mean if

492
00:25:38,000 --> 00:25:39,959
Speaker 1: you look at her have a song called crump Up,

493
00:25:40,320 --> 00:25:42,840
Speaker 1: and that's talking about girls shaking that thing he had

494
00:25:42,880 --> 00:25:46,000
Speaker 1: crump pup when you do it, so yeah, that's not

495
00:25:46,040 --> 00:25:49,399
Speaker 1: so prolific. And it's writing that man happen when you

496
00:25:49,440 --> 00:25:55,840
Speaker 1: have sex with a young girl. Yeah, you start cramping up, like, Yeah,

497
00:25:55,920 --> 00:25:59,400
Speaker 1: what song of yours was the most profitable? You could

498
00:25:59,440 --> 00:26:01,760
Speaker 1: say that the the three biggest songs in my in

499
00:26:01,800 --> 00:26:05,560
Speaker 1: my in my careers, um um songs I get busy,

500
00:26:05,720 --> 00:26:08,080
Speaker 1: temperature and give me the light. Okay, there's a few,

501
00:26:08,119 --> 00:26:11,080
Speaker 1: there's like five for them that that I'm main. You know.

502
00:26:11,200 --> 00:26:13,199
Speaker 1: The one would Beyonce to open up to another. Ye,

503
00:26:13,280 --> 00:26:16,399
Speaker 1: for sure, that's a that's a huge song. Sometimes I

504
00:26:16,400 --> 00:26:18,760
Speaker 1: don't do it though, I mean I do it a lot.

505
00:26:19,119 --> 00:26:20,639
Speaker 1: I do it a lot like but on this on

506
00:26:20,680 --> 00:26:24,840
Speaker 1: this pastur on this m john My cruise two years ago,

507
00:26:24,880 --> 00:26:27,600
Speaker 1: I opened the show and I did that song, and

508
00:26:27,640 --> 00:26:31,080
Speaker 1: so this year I figure it's very much similar type

509
00:26:31,119 --> 00:26:32,600
Speaker 1: of crowd, and I didn't want to give them the

510
00:26:32,680 --> 00:26:35,239
Speaker 1: exact same show, so I didn't do that song all

511
00:26:35,280 --> 00:26:37,840
Speaker 1: the hits to rely on them, so to speak. It

512
00:26:37,960 --> 00:26:40,240
Speaker 1: was a huge song. It was a rumor that jay

513
00:26:40,280 --> 00:26:43,080
Speaker 1: Z didn't want Beyonce performing that song with you remember

514
00:26:43,480 --> 00:26:49,000
Speaker 1: something like that before to be doing that dagger and

515
00:26:49,040 --> 00:26:52,080
Speaker 1: all that stuff like that dag all over beyond up

516
00:26:52,080 --> 00:26:55,640
Speaker 1: on stage with my woman. Oh boy, Yeah, I can't

517
00:26:55,640 --> 00:26:57,720
Speaker 1: believe you still remember them rumors. No, I just thought

518
00:26:57,720 --> 00:26:59,679
Speaker 1: about it when he brought the song up, but I

519
00:26:59,720 --> 00:27:04,280
Speaker 1: never had no problem. Yeah. We did that song three

520
00:27:04,320 --> 00:27:08,080
Speaker 1: times ever on stage right, once in once in um

521
00:27:08,400 --> 00:27:11,040
Speaker 1: Eure up somewhere on once in California a couple of

522
00:27:11,119 --> 00:27:13,600
Speaker 1: year records. Your best records are with women, though, like

523
00:27:13,640 --> 00:27:17,880
Speaker 1: with Beyonce, you know, even Blue can't trump people get

524
00:27:17,880 --> 00:27:20,920
Speaker 1: about the brief joint. Yeah, no, few I even forget

525
00:27:20,960 --> 00:27:23,080
Speaker 1: about it. I don't do that a lot. I really

526
00:27:23,119 --> 00:27:25,760
Speaker 1: don't do that a lot. But when didn't do drop people,

527
00:27:25,720 --> 00:27:28,959
Speaker 1: it's like you, yeah, for sure, why do you think

528
00:27:29,000 --> 00:27:31,359
Speaker 1: you make some of your best musical women. I don't know.

529
00:27:31,640 --> 00:27:34,040
Speaker 1: It's just the vibe especially of what I do, even

530
00:27:34,119 --> 00:27:37,040
Speaker 1: freestyle about a lot. You know, it comes out just

531
00:27:37,240 --> 00:27:40,159
Speaker 1: like latest dancing, and especially when you see the videos

532
00:27:40,160 --> 00:27:42,280
Speaker 1: and we get to see it's like always a party.

533
00:27:42,440 --> 00:27:44,200
Speaker 1: For sure. It do make you think about that when

534
00:27:44,200 --> 00:27:46,199
Speaker 1: you hear the song in the club and you remember, like,

535
00:27:46,200 --> 00:27:47,960
Speaker 1: oh the video baby was dancing. They was in front

536
00:27:48,000 --> 00:27:50,320
Speaker 1: of Mirrory. It kind of as much. So, I mean

537
00:27:50,800 --> 00:27:53,840
Speaker 1: that's my thing, you know. I sing about party and

538
00:27:53,840 --> 00:27:56,560
Speaker 1: I singing about trees, and I singing about ladies things.

539
00:27:56,600 --> 00:28:00,240
Speaker 1: We love making that has gotten a little violent recently. Yeah,

540
00:28:00,280 --> 00:28:03,040
Speaker 1: when you know, when we were younger, it was you know, recently,

541
00:28:03,240 --> 00:28:04,760
Speaker 1: it was it was a way to get up on

542
00:28:04,800 --> 00:28:07,159
Speaker 1: a woman. Now I was like, they jumping off the

543
00:28:07,200 --> 00:28:11,240
Speaker 1: top and the women are jumping on they're breaking people's penises.

544
00:28:12,720 --> 00:28:15,280
Speaker 1: Some broken penis stories. I don't know. You you you

545
00:28:15,359 --> 00:28:21,280
Speaker 1: search different things on the into them. I'm not seeing

546
00:28:21,280 --> 00:28:25,679
Speaker 1: those stories as much yet, but yeah, people do get injured,

547
00:28:25,800 --> 00:28:27,760
Speaker 1: and it's something it's a part to my coach. I

548
00:28:28,160 --> 00:28:30,720
Speaker 1: have not been into How did that start? I don't

549
00:28:30,720 --> 00:28:33,800
Speaker 1: remember that dagger. Yeah, that's the thing. It's the music.

550
00:28:33,840 --> 00:28:37,560
Speaker 1: You know, the music kind of got really crazy sounding,

551
00:28:37,840 --> 00:28:39,960
Speaker 1: and the only way to move to that is to

552
00:28:40,040 --> 00:28:41,840
Speaker 1: do that, you know what I mean. I mean I

553
00:28:41,920 --> 00:28:43,480
Speaker 1: like the music at the time too, but I just

554
00:28:43,680 --> 00:28:46,440
Speaker 1: wasn't into that. I got I got all my knees.

555
00:28:46,480 --> 00:28:48,560
Speaker 1: I don't need to please. I don't need to be

556
00:28:48,600 --> 00:28:51,080
Speaker 1: like jumping off of the roof onto a young lady

557
00:28:51,120 --> 00:28:55,360
Speaker 1: for real. Right. Yeah. I was watching it actually without

558
00:28:55,360 --> 00:28:57,440
Speaker 1: breaching on my own in the business, and he was like, yo,

559
00:28:57,520 --> 00:28:59,760
Speaker 1: so they're doing this with clothes on. I'm right here

560
00:29:00,200 --> 00:29:03,760
Speaker 1: close but yeah, yeah, it's a part of the culture

561
00:29:03,800 --> 00:29:05,840
Speaker 1: that they came and went. Actually that green is not

562
00:29:06,040 --> 00:29:09,120
Speaker 1: so much done anymore. There's a couple of people. Yeah,

563
00:29:09,320 --> 00:29:11,240
Speaker 1: they kind of made it illegal, and there's still a

564
00:29:11,320 --> 00:29:13,680
Speaker 1: kid going around doing this thing. He's kind of famous now,

565
00:29:13,840 --> 00:29:16,280
Speaker 1: kidding in Marvin the Beast, he's still doing. Why do

566
00:29:16,320 --> 00:29:18,960
Speaker 1: they want to dance so violently? Red like old school

567
00:29:19,040 --> 00:29:22,200
Speaker 1: down times ten? You don't know. He says it's entertainment.

568
00:29:22,280 --> 00:29:24,120
Speaker 1: I don't know if he's enteraining himself or you think

569
00:29:24,160 --> 00:29:26,480
Speaker 1: he entertained me, But I'm not entertained. But yeah he

570
00:29:27,400 --> 00:29:31,600
Speaker 1: soon some girl gonna press charges on him, big not.

571
00:29:31,960 --> 00:29:35,160
Speaker 1: What do you? What do you think about Safari? Um Safari? No,

572
00:29:35,640 --> 00:29:37,280
Speaker 1: I know this dude. I meant him a couple of

573
00:29:37,280 --> 00:29:40,640
Speaker 1: times in terms of doing Dan Saw music. I've never like.

574
00:29:41,000 --> 00:29:42,880
Speaker 1: He does like a hybrid to me in terms of

575
00:29:43,200 --> 00:29:45,440
Speaker 1: hip hop with it with a yard flavor kind of thing.

576
00:29:45,520 --> 00:29:48,200
Speaker 1: So I mean, what I think about him, I don't know.

577
00:29:48,280 --> 00:29:50,920
Speaker 1: I don't know what he brought to the table and

578
00:29:51,520 --> 00:29:54,000
Speaker 1: saying he's going hard with the truth. You don't think

579
00:29:54,000 --> 00:29:56,440
Speaker 1: about no, damn Safari. Yeah, I don't. I don't think

580
00:29:56,480 --> 00:30:06,400
Speaker 1: about it. But I know, yeah, bless up, Yeah, riding

581
00:30:06,440 --> 00:30:13,240
Speaker 1: around thinking about Yeah, yeah for sure, But I don't know.

582
00:30:13,840 --> 00:30:16,240
Speaker 1: I don't have no opinion. I guess now we got

583
00:30:16,240 --> 00:30:20,040
Speaker 1: to prove your Jamaica. What do you eat poom poom? Yes,

584
00:30:20,120 --> 00:30:23,040
Speaker 1: I eat poom poom. You might not be Jamaican. But yeah,

585
00:30:23,080 --> 00:30:28,760
Speaker 1: but rumor by the way that I eat poom poom.

586
00:30:29,760 --> 00:30:31,840
Speaker 1: Funny the way you say it to me, poom poomm.

587
00:30:33,040 --> 00:30:34,840
Speaker 1: I know, I mean, I ain't a poom poom. You

588
00:30:34,880 --> 00:30:38,320
Speaker 1: don't eat pompom. No, what you might know, it ain't

589
00:30:38,320 --> 00:30:40,360
Speaker 1: it ain't you know? If I ropart, you know, you

590
00:30:40,400 --> 00:30:42,239
Speaker 1: have to pull out the er, make sure that have

591
00:30:42,240 --> 00:30:45,440
Speaker 1: to be fresh. Yeah, but even as a married man, yes,

592
00:30:45,880 --> 00:30:48,720
Speaker 1: you have to these married tink questions. I don't really

593
00:30:48,760 --> 00:30:51,000
Speaker 1: like to get into what because your ring so that's

594
00:30:51,040 --> 00:30:54,720
Speaker 1: like yeah, sure yeah, but sometimes for us keep the

595
00:30:54,800 --> 00:30:57,920
Speaker 1: part that seemed plan quiet, you know, right? Or you

596
00:30:58,000 --> 00:31:07,000
Speaker 1: late to places a lot? Yeah? Sure, you two later?

597
00:31:07,520 --> 00:31:13,400
Speaker 1: Do you like white women with long hair? White women

598
00:31:13,480 --> 00:31:15,960
Speaker 1: were lying here with white women with big bunch? Is

599
00:31:16,240 --> 00:31:19,760
Speaker 1: probably that's new? No, No, that ain't new. Sometimes noadays,

600
00:31:19,760 --> 00:31:24,880
Speaker 1: there's a lot more because of the operation. But but

601
00:31:24,880 --> 00:31:27,880
Speaker 1: but that ain't. There's the white ladies. Gotta be a bunch.

602
00:31:27,920 --> 00:31:32,520
Speaker 1: Sometimes you love to kiss teeth, Yes, definitely my own teeth,

603
00:31:32,560 --> 00:31:35,200
Speaker 1: my kiss in my life. I don't know if people

604
00:31:35,240 --> 00:31:42,200
Speaker 1: know what I mean, but yeah, that's all I got about.

605
00:31:42,200 --> 00:31:44,920
Speaker 1: I'm out of making stereotypes. Only only go four to five.

606
00:31:45,240 --> 00:31:47,040
Speaker 1: We got more with shooting Paul. When we come back,

607
00:31:47,200 --> 00:31:52,760
Speaker 1: keep it locked. It's the Breakfast Club. Good morning morning.

608
00:31:52,760 --> 00:31:56,240
Speaker 1: Everybody's TJ M vy Angela Ye, Charlomagne the guy. We

609
00:31:56,320 --> 00:31:58,880
Speaker 1: are the Breakfast Club. We got a special guest, Sean.

610
00:31:58,960 --> 00:32:01,360
Speaker 1: Paul's in the building now. Nick Canneth doing a movie

611
00:32:01,400 --> 00:32:04,160
Speaker 1: called King of the Dance Hall. Yeah, do you think

612
00:32:04,560 --> 00:32:06,720
Speaker 1: he can do an accurate depiction of dance hall culture

613
00:32:06,760 --> 00:32:09,520
Speaker 1: if he's not Jamaican or not of that. Actually I

614
00:32:09,720 --> 00:32:12,720
Speaker 1: was in Jamaica when he was shooting it, and oh yeah,

615
00:32:13,720 --> 00:32:15,680
Speaker 1: I mean, I mean like a one scene, like like

616
00:32:15,800 --> 00:32:18,040
Speaker 1: in Belly. They gave me a one man. I just

617
00:32:18,480 --> 00:32:20,640
Speaker 1: realized that was you in Belly. I don't know, I

618
00:32:20,680 --> 00:32:22,600
Speaker 1: don't know. I was looking at something. I was like, oh,

619
00:32:22,680 --> 00:32:25,800
Speaker 1: that was Paul and Belly. Yeah. Yeah, for my two minutes,

620
00:32:26,200 --> 00:32:29,840
Speaker 1: not thirty seconds. So this movie is the same starring role.

621
00:32:29,960 --> 00:32:34,600
Speaker 1: I got like, but yeah, I actually when I saw

622
00:32:34,720 --> 00:32:36,760
Speaker 1: what was going on and I saw him coming to

623
00:32:36,840 --> 00:32:39,560
Speaker 1: the dances and actually doing the movies and stuff, I

624
00:32:39,680 --> 00:32:42,040
Speaker 1: was like, bro, you represented it quite well, you know

625
00:32:42,040 --> 00:32:43,200
Speaker 1: what I mean in terms of I don't know how

626
00:32:43,240 --> 00:32:46,240
Speaker 1: it was going to turn out to find but he

627
00:32:46,400 --> 00:32:49,480
Speaker 1: was the right people. Um, he came in on kind

628
00:32:49,520 --> 00:32:51,719
Speaker 1: of found out who is the real you know dancer

629
00:32:51,800 --> 00:32:54,600
Speaker 1: cruise and who is you know who which is top

630
00:32:54,720 --> 00:32:57,920
Speaker 1: music and musicians and whatnot. So that was pretty cool.

631
00:32:57,960 --> 00:33:01,320
Speaker 1: And I actually told him that was discussing our next

632
00:33:01,400 --> 00:33:04,479
Speaker 1: kind of project that I think somebody should should attack.

633
00:33:04,960 --> 00:33:07,640
Speaker 1: What's the next project? Just a movie about Marcus Garvey?

634
00:33:07,840 --> 00:33:12,280
Speaker 1: I think that important figure. Yes, every time Jamaica movies

635
00:33:12,320 --> 00:33:15,600
Speaker 1: are we're depicted. It's a lot about gangsterism and that

636
00:33:15,720 --> 00:33:17,600
Speaker 1: kind of stuff, which is a big part of the culture.

637
00:33:17,680 --> 00:33:22,120
Speaker 1: But um, there's there's also someone who's a very strong

638
00:33:22,440 --> 00:33:25,480
Speaker 1: icon in terms of black liberation. Yeah, black liberation. He

639
00:33:25,600 --> 00:33:30,000
Speaker 1: was the first black man to print what they called media. Yeah,

640
00:33:30,080 --> 00:33:33,360
Speaker 1: first publisher in this side of the earth. So I

641
00:33:33,480 --> 00:33:35,479
Speaker 1: just feel that, you know, I was kind of telling him,

642
00:33:35,520 --> 00:33:37,680
Speaker 1: I'm bust about it. At the time, I'm saying, I

643
00:33:37,800 --> 00:33:40,120
Speaker 1: wish someone would do a real movie about that, just

644
00:33:40,320 --> 00:33:43,360
Speaker 1: represented in the real way. It's controversial. Figure, there's some

645
00:33:43,440 --> 00:33:45,880
Speaker 1: people in Jamaica who felt like he stole their money,

646
00:33:46,160 --> 00:33:48,400
Speaker 1: and there's some people who still you know who, who

647
00:33:48,560 --> 00:33:51,080
Speaker 1: revere him as you know, like a profit. So it's

648
00:33:51,120 --> 00:33:54,800
Speaker 1: controversial in that respect. And um, I think it's just

649
00:33:54,960 --> 00:33:57,560
Speaker 1: like a movie was made about Malcolm X, and um

650
00:33:58,520 --> 00:33:59,880
Speaker 1: we should try to get one. I don't know about

651
00:34:00,000 --> 00:34:02,920
Speaker 1: our hero. I absolutely agree. You know, it's funny. I

652
00:34:02,920 --> 00:34:05,720
Speaker 1: remember when it was the Olympics and Bob Costas said

653
00:34:05,960 --> 00:34:08,960
Speaker 1: you saying, Boat is the most famous man from Jamaica,

654
00:34:09,000 --> 00:34:12,040
Speaker 1: even surpassing Bob Barley. And I was like you saying,

655
00:34:12,120 --> 00:34:15,560
Speaker 1: ain't bigger than Bob, but Marcus Garvey in mines in

656
00:34:15,680 --> 00:34:20,359
Speaker 1: your eyes. But for right now, kids, I mean he's kids, yeah,

657
00:34:20,440 --> 00:34:23,200
Speaker 1: but huge. I mean, I mean look at it. Sometimes

658
00:34:23,320 --> 00:34:26,880
Speaker 1: people there's kids now who think that Damon Morley is

659
00:34:27,320 --> 00:34:30,560
Speaker 1: elder to them. Yeah. I can you talk about how

660
00:34:30,600 --> 00:34:33,160
Speaker 1: little Yadi might say, oh, I don't know this music

661
00:34:33,200 --> 00:34:37,640
Speaker 1: because he wasn't around Bob Costans though, by the way,

662
00:34:37,800 --> 00:34:39,800
Speaker 1: right he'll be like, oh, Drake is the greatest artist

663
00:34:39,840 --> 00:34:44,280
Speaker 1: and Tupacket Biggie are overrated. But this dude said that. Anyway,

664
00:34:44,280 --> 00:34:47,400
Speaker 1: that's the next school topic. But but but still, but

665
00:34:47,520 --> 00:34:50,480
Speaker 1: Bob was more than a musician. Of course, he's a

666
00:34:50,640 --> 00:34:53,640
Speaker 1: revolutionary figure, you know what I mean, and I profit

667
00:34:53,719 --> 00:34:56,239
Speaker 1: in his own right. Um, his songs are prolific. They

668
00:34:56,320 --> 00:34:59,560
Speaker 1: still mean something today when someone plays him, they're like, yo,

669
00:34:59,680 --> 00:35:01,960
Speaker 1: that was yesterday. But the fame right now and the

670
00:35:02,239 --> 00:35:05,799
Speaker 1: amount of in your facedness that it is to these kids. Uh,

671
00:35:06,160 --> 00:35:08,319
Speaker 1: you know, all the social media and just him doing

672
00:35:08,400 --> 00:35:11,040
Speaker 1: what he was, the greatness that he's doing. Um, you

673
00:35:11,120 --> 00:35:13,800
Speaker 1: know you're saying he's a year miam, bro, don't you

674
00:35:13,840 --> 00:35:16,279
Speaker 1: live next to him? I live right near to him.

675
00:35:16,440 --> 00:35:19,640
Speaker 1: Already got a lot of loud parties. Yeah he did

676
00:35:19,719 --> 00:35:21,800
Speaker 1: that at that time. That told me he had a

677
00:35:21,880 --> 00:35:25,000
Speaker 1: lot of celebrating to do. Though it's a young dude,

678
00:35:25,040 --> 00:35:27,160
Speaker 1: So I wasn't mad at dude. You don't hang out

679
00:35:27,200 --> 00:35:32,880
Speaker 1: what you're saying, Bo, you stay out of trouble. All

680
00:35:32,920 --> 00:35:35,359
Speaker 1: the really rich people in Jamaica living at each other, Yeah,

681
00:35:35,360 --> 00:35:38,920
Speaker 1: I would. I would say that there's a few neighborhoods

682
00:35:38,960 --> 00:35:40,800
Speaker 1: that that you know, you have to have money for

683
00:35:40,920 --> 00:35:45,279
Speaker 1: by hosting on him. Yeah, the King of the don

684
00:35:45,360 --> 00:35:47,759
Speaker 1: Saw Nick Cannon. Well, now the first the first King

685
00:35:47,840 --> 00:35:50,160
Speaker 1: of the Donsaw would be yellow Man. That's a long

686
00:35:50,239 --> 00:35:53,440
Speaker 1: time ago. But yeah, um, and then you know, beat

687
00:35:53,560 --> 00:35:55,759
Speaker 1: him on come saying as the king, and then you

688
00:35:55,840 --> 00:35:59,040
Speaker 1: have vibes card telling incarcerated on people saying he the king.

689
00:35:59,520 --> 00:36:02,080
Speaker 1: And if you was saying, oh because Billboard said that

690
00:36:02,160 --> 00:36:04,840
Speaker 1: I am the king, but answer to me. You know,

691
00:36:05,120 --> 00:36:07,759
Speaker 1: there's so much players in the game. A wheel can't

692
00:36:07,880 --> 00:36:09,680
Speaker 1: run without all the sport them good, you know what

693
00:36:09,719 --> 00:36:12,520
Speaker 1: I mean. So I think I'm a very big spoke

694
00:36:12,640 --> 00:36:14,520
Speaker 1: on the wheel. But I don't. I don't want to

695
00:36:14,600 --> 00:36:16,400
Speaker 1: speak and say that, yo, I am the king of

696
00:36:16,520 --> 00:36:22,080
Speaker 1: this because just just narcissistic. In this business, I have

697
00:36:22,239 --> 00:36:25,800
Speaker 1: to be narcissistic, because you have to think about yourself.

698
00:36:26,000 --> 00:36:28,640
Speaker 1: The video, the flight, the show, all of that has

699
00:36:28,680 --> 00:36:30,800
Speaker 1: to do with you alone and so and so I

700
00:36:30,840 --> 00:36:33,480
Speaker 1: don't I don't I don't feel to be coming out

701
00:36:33,560 --> 00:36:35,680
Speaker 1: and being like, yo, I'm the king of this because everybody,

702
00:36:35,680 --> 00:36:37,279
Speaker 1: all of us got to go through the same type

703
00:36:37,320 --> 00:36:41,880
Speaker 1: of things. You forgot the studio people that kind of

704
00:36:41,960 --> 00:36:44,520
Speaker 1: want part of that action. I'm part of that energy,

705
00:36:45,080 --> 00:36:48,400
Speaker 1: and you have to deliver through all of that a

706
00:36:48,520 --> 00:36:51,800
Speaker 1: song that the general public would like. And then after that,

707
00:36:51,960 --> 00:36:53,920
Speaker 1: this is all this promotion and this kind of thing.

708
00:36:54,040 --> 00:36:57,040
Speaker 1: So it's really how you play, like the steps that

709
00:36:57,120 --> 00:36:59,360
Speaker 1: you take. And I mean, it's not about the talent,

710
00:36:59,440 --> 00:37:02,040
Speaker 1: because if you was really about talent in the hip

711
00:37:02,080 --> 00:37:04,879
Speaker 1: hop industry, you wouldn't have some of these little younger

712
00:37:04,960 --> 00:37:12,120
Speaker 1: cats talking to that. Yeah boy, yeah, I mean I

713
00:37:12,200 --> 00:37:13,839
Speaker 1: don't I don't even know. I don't know how much

714
00:37:13,880 --> 00:37:16,680
Speaker 1: of those music either. But you don't like his comments,

715
00:37:16,840 --> 00:37:19,200
Speaker 1: But no, I just don't like his comments because there

716
00:37:19,239 --> 00:37:22,640
Speaker 1: are artists that I revere and and I understand that

717
00:37:22,680 --> 00:37:25,640
Speaker 1: probably kids don't care about writing right now. I understand

718
00:37:25,680 --> 00:37:28,960
Speaker 1: that they they don't know where hip hops start from.

719
00:37:29,000 --> 00:37:31,879
Speaker 1: Where it's more to me like a chanting thing. It's

720
00:37:31,960 --> 00:37:36,560
Speaker 1: almost like you are channeling something straight truiose when someone

721
00:37:36,680 --> 00:37:39,320
Speaker 1: else writes it. I don't have the same reverence for

722
00:37:39,400 --> 00:37:42,480
Speaker 1: that kind of artist, in my opinion. But kids don't

723
00:37:42,520 --> 00:37:45,400
Speaker 1: care about that right now. That Drake they care about. No,

724
00:37:45,840 --> 00:37:48,080
Speaker 1: it ain't just Drake. I mean, there's a lot of

725
00:37:48,200 --> 00:37:51,160
Speaker 1: artists that that don't really fully write their stuff. Yeah, um,

726
00:37:51,239 --> 00:37:54,560
Speaker 1: in the hip hop industry. So when you see people

727
00:37:54,640 --> 00:37:58,759
Speaker 1: who can freestyle like my boy Tory Lanes, he can't freestyle,

728
00:37:59,120 --> 00:38:01,440
Speaker 1: he can't come off the top of it and give

729
00:38:01,480 --> 00:38:04,200
Speaker 1: you a story that you cannot understand how you feel

730
00:38:04,280 --> 00:38:06,719
Speaker 1: something from And it's more magic that way to me.

731
00:38:06,800 --> 00:38:09,279
Speaker 1: You pick up to those who can and do that,

732
00:38:09,640 --> 00:38:12,279
Speaker 1: and the kids who don't understand that. I understand that,

733
00:38:12,400 --> 00:38:15,000
Speaker 1: y'all don't. You aren't paying attention to that, But you

734
00:38:15,080 --> 00:38:17,279
Speaker 1: have to pard I'm into the history of the team many.

735
00:38:17,360 --> 00:38:19,759
Speaker 1: I mean, even if you don't respect the way how

736
00:38:20,000 --> 00:38:21,560
Speaker 1: Diggie used to come off the top of it in

737
00:38:21,600 --> 00:38:24,160
Speaker 1: a freestyle, you have to respect the steps he took

738
00:38:24,600 --> 00:38:27,880
Speaker 1: and ultimately gave his life in this industry flight. So

739
00:38:28,320 --> 00:38:30,440
Speaker 1: it's a disrespectful said that. But when it comes to

740
00:38:30,520 --> 00:38:32,280
Speaker 1: the like you know, the kids like, yeah, they shouldn't.

741
00:38:32,280 --> 00:38:34,040
Speaker 1: It just be our job to teach them. Now if

742
00:38:34,080 --> 00:38:37,160
Speaker 1: they if we teach them and then they still disrespect it,

743
00:38:37,640 --> 00:38:40,279
Speaker 1: then I feel like this land is warranted. Ask that

744
00:38:40,400 --> 00:38:42,839
Speaker 1: question ten times in different interviews. You still haven't gone.

745
00:38:43,080 --> 00:38:44,799
Speaker 1: But has anybody pulled him to the side and say, hey,

746
00:38:44,840 --> 00:38:46,959
Speaker 1: listen to this pop record listen to this biggie record,

747
00:38:47,280 --> 00:38:48,879
Speaker 1: you know what I mean, probably don't have no time

748
00:38:48,920 --> 00:38:51,239
Speaker 1: for that. To tell the truth. I mean, when I

749
00:38:51,320 --> 00:38:54,080
Speaker 1: was growing up, it was not music was not as accessible,

750
00:38:54,440 --> 00:38:57,520
Speaker 1: but nowadays there's so much information that kids could could

751
00:38:57,640 --> 00:39:00,920
Speaker 1: miss out. I understand it. Bro signed that day. You

752
00:39:01,040 --> 00:39:03,560
Speaker 1: just signed what you're on. So who did you look

753
00:39:03,640 --> 00:39:06,640
Speaker 1: up to as some of the greatest. Definitely above Marlin

754
00:39:06,840 --> 00:39:10,239
Speaker 1: Um and people who are in my industry, like super Catch,

755
00:39:10,320 --> 00:39:14,799
Speaker 1: Sharan Ella, cool J was huge to me, EPMD run,

756
00:39:14,920 --> 00:39:19,560
Speaker 1: DMC legends. Yeah, yeah, people they pioneered the game. My

757
00:39:19,680 --> 00:39:22,480
Speaker 1: brother Reggae is writing your own music, Yeah for sure.

758
00:39:22,560 --> 00:39:24,880
Speaker 1: I do write with a lot of people, especially nowadays.

759
00:39:24,880 --> 00:39:27,520
Speaker 1: But ninety nine percent of the songs I've written, you know,

760
00:39:27,719 --> 00:39:31,360
Speaker 1: from light glue Um Temperature, that's written by myself. We

761
00:39:31,440 --> 00:39:33,440
Speaker 1: got more. We showing pot where we come back, don't move.

762
00:39:33,440 --> 00:39:39,800
Speaker 1: It's to Breakfast Club. Good Morning, the Breakfast Club that

763
00:39:40,000 --> 00:39:44,040
Speaker 1: was Beyonce with Sorry Morning, Everybody's DJ MV and julu Ye,

764
00:39:44,239 --> 00:39:46,319
Speaker 1: Charlomagne the guy. We all the Breakfast Club. We got

765
00:39:46,400 --> 00:39:49,080
Speaker 1: a special guest in the building, Sean Paul. I was

766
00:39:49,080 --> 00:39:50,960
Speaker 1: sur prosed about the technology when I went to Jamaica.

767
00:39:51,040 --> 00:39:52,279
Speaker 1: I want the King said, that must have been like

768
00:39:52,560 --> 00:39:54,359
Speaker 1: the first time I was by maybe twelve years ago

769
00:39:54,920 --> 00:39:57,360
Speaker 1: and I went to Usain Bolt's restaurant. Yeah, and the

770
00:39:57,560 --> 00:40:01,040
Speaker 1: amount of technology that Jamaica had the United States didn't

771
00:40:01,040 --> 00:40:05,560
Speaker 1: have at that time. With technology and the tables, like

772
00:40:05,640 --> 00:40:07,759
Speaker 1: I explained all the time, about ten years ago, they

773
00:40:07,800 --> 00:40:09,759
Speaker 1: had a table where you can actually order on the

774
00:40:09,840 --> 00:40:12,360
Speaker 1: screen on the table. So it was let's say you

775
00:40:12,400 --> 00:40:14,160
Speaker 1: wanted jerk chicken the white rice, you hit the jerk

776
00:40:14,239 --> 00:40:16,319
Speaker 1: chicken on the white rice on the table and then

777
00:40:16,360 --> 00:40:19,400
Speaker 1: the food. Yeah, the menu was actually on the glass

778
00:40:19,440 --> 00:40:21,560
Speaker 1: of the table and you can watch you ever seen

779
00:40:21,600 --> 00:40:27,200
Speaker 1: there before twelve years ago? Probably no way the time.

780
00:40:28,320 --> 00:40:30,440
Speaker 1: The airport now the airport and he was twelve years

781
00:40:30,440 --> 00:40:33,040
Speaker 1: ago in Jamaica, Kingston, So what's your point though? There's

782
00:40:33,120 --> 00:40:35,840
Speaker 1: technology is there, but not for everybody. That's that's my

783
00:40:36,040 --> 00:40:39,000
Speaker 1: that's my thing. I mean, it's not for everybody there,

784
00:40:39,160 --> 00:40:41,400
Speaker 1: so so make it more accessible and yeah, make it

785
00:40:41,480 --> 00:40:45,280
Speaker 1: more accessible. Make make you know, there's kids who sometimes

786
00:40:45,320 --> 00:40:47,360
Speaker 1: they come up to you and they're like, yo, they

787
00:40:47,480 --> 00:40:50,600
Speaker 1: need something. So I'm like, why you're in school? They're

788
00:40:50,600 --> 00:40:52,800
Speaker 1: like if I don't. If I don't come ask you

789
00:40:52,880 --> 00:40:54,840
Speaker 1: for money today, tomorrow I'm not gonna be able to

790
00:40:54,920 --> 00:40:57,600
Speaker 1: buy food in school. And because I didn't have nothing,

791
00:40:57,680 --> 00:40:59,400
Speaker 1: my mom didn't send me to school today. That was

792
00:40:59,400 --> 00:41:02,040
Speaker 1: surprisedly made kinks in more of a tourist spot. I

793
00:41:02,120 --> 00:41:04,239
Speaker 1: always try to do that myself. No, it's no really,

794
00:41:04,400 --> 00:41:08,120
Speaker 1: hotels they're like with spies, so much people. There's so

795
00:41:08,239 --> 00:41:11,560
Speaker 1: much good. It's a lot. But that's the thing. The

796
00:41:11,640 --> 00:41:14,080
Speaker 1: thing is that we don't rob tourists. That's the thing.

797
00:41:14,600 --> 00:41:18,279
Speaker 1: There's just violence within communities and the whole system is

798
00:41:18,320 --> 00:41:21,880
Speaker 1: just kind of afraid of having tourists there. And the

799
00:41:22,320 --> 00:41:25,360
Speaker 1: most tourists been been programmed to be like I'm afraid

800
00:41:25,400 --> 00:41:26,680
Speaker 1: of there, you know what I mean. If they tell you,

801
00:41:26,719 --> 00:41:28,279
Speaker 1: don't leave the resort you go to every time I've

802
00:41:28,280 --> 00:41:31,040
Speaker 1: been drik it four times, don't lead the resort you

803
00:41:31,080 --> 00:41:33,960
Speaker 1: didn't go to, Kings know what, I don't care where

804
00:41:34,000 --> 00:41:36,280
Speaker 1: you are. Don't leave the resort unless you're with somebody

805
00:41:36,320 --> 00:41:38,680
Speaker 1: who knows the area. Well, I don't care where you are.

806
00:41:39,320 --> 00:41:41,279
Speaker 1: I wouldn't leave the resort anywhere if I'm not with

807
00:41:41,440 --> 00:41:43,719
Speaker 1: somebody that can help me. Guy, I mean that's not

808
00:41:43,800 --> 00:41:46,319
Speaker 1: a smart thing to do period. Yeah. So like saying

809
00:41:46,360 --> 00:41:48,719
Speaker 1: with our dancers, we went to Mozambique and we was like,

810
00:41:48,840 --> 00:41:50,880
Speaker 1: don't go on the road. And they went on the

811
00:41:50,960 --> 00:41:54,879
Speaker 1: road and they lost their phone, not lost their Yeah,

812
00:41:55,480 --> 00:41:57,640
Speaker 1: so we was like, bro, we told you don't go

813
00:41:57,680 --> 00:42:00,080
Speaker 1: and roll without us. We're in numbers just better, you

814
00:42:00,080 --> 00:42:01,840
Speaker 1: know what I mean. And of course if you know

815
00:42:02,040 --> 00:42:05,080
Speaker 1: someone in the place for sure, well yeah, I mean

816
00:42:05,719 --> 00:42:07,640
Speaker 1: I've been trying to get people to there's a lot

817
00:42:07,640 --> 00:42:09,239
Speaker 1: of people I know that our tourists that are like,

818
00:42:09,239 --> 00:42:11,200
Speaker 1: I don't want to come Jamaica on a woman because

819
00:42:11,200 --> 00:42:13,600
Speaker 1: every time I come there, I go to the to

820
00:42:13,719 --> 00:42:16,319
Speaker 1: the resort and the resort is great, but they want

821
00:42:16,360 --> 00:42:18,640
Speaker 1: a different experience and they wanted to see something more

822
00:42:18,680 --> 00:42:21,200
Speaker 1: of the culture. So I try to get people to

823
00:42:21,239 --> 00:42:23,080
Speaker 1: come in. Like if I knew you were there, I

824
00:42:23,120 --> 00:42:30,880
Speaker 1: would send Field King Sonomic, you know, if for Charlotte

825
00:42:31,160 --> 00:42:33,359
Speaker 1: bring them, No. No, But it's it's it's like when

826
00:42:33,600 --> 00:42:36,160
Speaker 1: I go Beanie man Or, we usually get me and

827
00:42:36,440 --> 00:42:38,759
Speaker 1: we go everywhere through the hood. He takes us to

828
00:42:39,239 --> 00:42:41,839
Speaker 1: the best eateries, restaurants. I mean, we drove I think

829
00:42:41,880 --> 00:42:43,960
Speaker 1: like thirty forty minutes out to the beach, had breakfast

830
00:42:43,960 --> 00:42:46,480
Speaker 1: at the beach. It's beautiful. Remember when you dja that

831
00:42:47,160 --> 00:42:49,320
Speaker 1: on the beach. When we were out there before, it

832
00:42:49,440 --> 00:42:53,800
Speaker 1: was like a the technology on the beach. Nothing was

833
00:42:54,320 --> 00:42:57,400
Speaker 1: There was a light show on the beach. I was

834
00:42:58,239 --> 00:43:01,440
Speaker 1: the fireworks. Your fireworks. It's a light show. Well, I

835
00:43:01,560 --> 00:43:03,520
Speaker 1: hope you get the Marcus Gorvey movie. May do it

836
00:43:03,560 --> 00:43:05,719
Speaker 1: before Tyler Perry doesn't. Man, I cannot stay to see

837
00:43:05,760 --> 00:43:07,160
Speaker 1: my deal, but we're ever going to do it. Just

838
00:43:07,280 --> 00:43:09,480
Speaker 1: put some of the education I'm bucking on drumming cup.

839
00:43:09,520 --> 00:43:12,000
Speaker 1: Please do they teach you about Marcus Garvey and Jamaica schools?

840
00:43:12,040 --> 00:43:15,440
Speaker 1: Yeah as a kid, you know, but I mean the

841
00:43:15,520 --> 00:43:17,640
Speaker 1: full story. And I don't know if you know what

842
00:43:17,760 --> 00:43:21,200
Speaker 1: Marcus Garvey is still considered in terms of in America.

843
00:43:21,719 --> 00:43:25,480
Speaker 1: His name has a criminal activity on it. I don't

844
00:43:25,480 --> 00:43:28,319
Speaker 1: know what. But we're trying to get it off because

845
00:43:28,360 --> 00:43:30,719
Speaker 1: this is a national hero to us. Hey, instally we

846
00:43:30,800 --> 00:43:33,719
Speaker 1: got Marcus. Yeah, for sure. You had one hundred and

847
00:43:33,800 --> 00:43:36,840
Speaker 1: forty four people marching up and down in Harlem, so

848
00:43:37,360 --> 00:43:40,719
Speaker 1: that was a big thing in those days. I just

849
00:43:40,800 --> 00:43:43,520
Speaker 1: feel that the same ports On story tells Google Marcus

850
00:43:43,560 --> 00:43:46,920
Speaker 1: Gorvey kids, but we appreciate you joining us. Thank you, sir.

851
00:43:48,360 --> 00:43:53,920
Speaker 1: It's the breakfast Comble Morning. I was born to Donkey.

852
00:43:54,160 --> 00:44:12,759
Speaker 1: It's the Donkey, Charlomagne Devil. Donkey to Dave goes to

853
00:44:12,840 --> 00:44:16,680
Speaker 1: a young lady named Natika Harris. Now. Natika is from Miami, Florida,

854
00:44:16,680 --> 00:44:18,600
Speaker 1: I believe, and she is the relative of a young

855
00:44:18,719 --> 00:44:21,320
Speaker 1: seventeen year old man who spent the final moments of

856
00:44:21,400 --> 00:44:23,800
Speaker 1: his life trying to rob a woman's house before that

857
00:44:23,920 --> 00:44:27,040
Speaker 1: woman killed him during a confrontation. Let's go to CBS

858
00:44:27,120 --> 00:44:30,279
Speaker 1: Miami for the report. Police relatives of seventeen year old

859
00:44:30,320 --> 00:44:33,839
Speaker 1: Treyvon Johnson are angry. The teenager was shot and killed

860
00:44:33,960 --> 00:44:36,920
Speaker 1: last night by a homeowner who police say was protecting

861
00:44:37,000 --> 00:44:40,520
Speaker 1: her property. Police say the Da Dorsey Technical College student

862
00:44:40,840 --> 00:44:43,359
Speaker 1: Virgo rised at home south of seventy ninth Street near

863
00:44:43,719 --> 00:44:46,760
Speaker 1: ninety five. Detectives say the fifty four year old homeowner

864
00:44:46,880 --> 00:44:49,320
Speaker 1: was alerted of the break in by her security system.

865
00:44:49,600 --> 00:44:52,560
Speaker 1: With officers already on their way, she rushed home to

866
00:44:52,680 --> 00:44:56,040
Speaker 1: check things out, and police say she was armed. According

867
00:44:56,080 --> 00:44:59,720
Speaker 1: to detectives, there was a confrontation and one shot was fired.

868
00:45:00,040 --> 00:45:03,279
Speaker 1: Johnson was pronounced dead at the hospital. What's wrong? She

869
00:45:03,320 --> 00:45:04,960
Speaker 1: did not have to shoot him. It's no reason that

870
00:45:05,040 --> 00:45:07,200
Speaker 1: she should have waited until after he walked out the yard.

871
00:45:07,680 --> 00:45:09,399
Speaker 1: She call him life, he's already and then why would

872
00:45:09,440 --> 00:45:11,600
Speaker 1: she shoot him? Now? I am truly sorry this young

873
00:45:11,680 --> 00:45:14,279
Speaker 1: man lost his life. But honestly, this is what Second

874
00:45:14,320 --> 00:45:15,920
Speaker 1: Amendment rights are based on. I have to write the

875
00:45:15,960 --> 00:45:17,720
Speaker 1: bad arms and I have the right to defend myself

876
00:45:17,760 --> 00:45:19,839
Speaker 1: and my property. And when you break into someone's house,

877
00:45:20,440 --> 00:45:23,279
Speaker 1: someone's sanctuary with them and their family rest their head

878
00:45:23,320 --> 00:45:26,279
Speaker 1: at all bets are off. I understand the police were

879
00:45:26,360 --> 00:45:28,279
Speaker 1: called and all that good stuff, But if she went

880
00:45:28,360 --> 00:45:30,879
Speaker 1: there and you know he was still there, hey, may

881
00:45:30,960 --> 00:45:33,359
Speaker 1: God be with him. Now, Natica is saying that women

882
00:45:33,400 --> 00:45:35,160
Speaker 1: didn't have to kill her cousin, But truth is, her

883
00:45:35,160 --> 00:45:36,880
Speaker 1: cousin should not have been in that woman's house in

884
00:45:36,920 --> 00:45:38,920
Speaker 1: the first place. Why are we always trying to pick

885
00:45:39,000 --> 00:45:42,239
Speaker 1: and choose what the consequences of our actions are going

886
00:45:42,360 --> 00:45:45,360
Speaker 1: to be. That's not how any of this life thing works.

887
00:45:45,800 --> 00:45:47,799
Speaker 1: When you do dirt, you get dirt, period, and there's

888
00:45:47,840 --> 00:45:50,759
Speaker 1: no levels to this dirt. Now, Fatica said her cousin

889
00:45:50,880 --> 00:45:52,560
Speaker 1: was a good kid, let's hear it. But he was

890
00:45:52,640 --> 00:45:55,040
Speaker 1: not supposed to die like this. He had a future

891
00:45:55,120 --> 00:45:57,160
Speaker 1: ahead of him. Trayvonn Head goals, and he was a

892
00:45:57,320 --> 00:45:59,640
Speaker 1: very funny guy. He was very big on education. He

893
00:45:59,760 --> 00:46:02,680
Speaker 1: loved going to school, he loved learning that. Now, she's right,

894
00:46:02,800 --> 00:46:04,719
Speaker 1: he wasn't supposed to die like that, especially if he

895
00:46:04,920 --> 00:46:07,360
Speaker 1: was as educated as she says. Okay, basically, what na

896
00:46:07,360 --> 00:46:09,800
Speaker 1: Tika is saying is he knew better. That's what it

897
00:46:09,880 --> 00:46:11,759
Speaker 1: sounds like to me. If you're educated and a good kid,

898
00:46:11,840 --> 00:46:13,880
Speaker 1: and you love learning, then you shouldn't know better than

899
00:46:13,920 --> 00:46:16,359
Speaker 1: to commit a crime like this. But clearly this young

900
00:46:16,400 --> 00:46:18,000
Speaker 1: man made a poor choice and he paid for with

901
00:46:18,080 --> 00:46:20,840
Speaker 1: his life. Look, we all should be allowed to make mistakes,

902
00:46:20,880 --> 00:46:23,400
Speaker 1: but sometimes you make fatal mistakes and you don't get

903
00:46:23,440 --> 00:46:26,640
Speaker 1: a chance to learn from them. But other people can

904
00:46:26,760 --> 00:46:29,400
Speaker 1: learn from you. Okay, if you're educated and have a future,

905
00:46:29,719 --> 00:46:32,200
Speaker 1: don't go break it into people's houses, kids, because you

906
00:46:32,360 --> 00:46:34,680
Speaker 1: might get shot. All right, Sometimes people have to die

907
00:46:34,680 --> 00:46:36,160
Speaker 1: in order for the rest of us to live. Let

908
00:46:36,239 --> 00:46:38,520
Speaker 1: this be a harsh lesson. There's some of you kids

909
00:46:38,560 --> 00:46:41,560
Speaker 1: out there who made hear this story. Now, the reason

910
00:46:41,880 --> 00:46:44,400
Speaker 1: Natika Harris is getting donkey to day is because of

911
00:46:44,560 --> 00:46:47,839
Speaker 1: the reasoning she gave CBS News as to why her

912
00:46:47,880 --> 00:46:50,520
Speaker 1: cousin broke into this house. Can we hear it? Police?

913
00:46:50,920 --> 00:46:52,480
Speaker 1: You have to understand, you have to look at it

914
00:46:52,560 --> 00:46:54,719
Speaker 1: from every child's point of jew that was raised in

915
00:46:54,880 --> 00:46:57,239
Speaker 1: the hood. How he gonna get his money to have

916
00:46:57,440 --> 00:47:00,440
Speaker 1: clothes to go to school? That's stupid? She is he

917
00:47:00,480 --> 00:47:03,160
Speaker 1: gonna get his money? She didn't say that. Hold hold on,

918
00:47:03,239 --> 00:47:05,359
Speaker 1: play that any She didn't say that. Play that again.

919
00:47:05,600 --> 00:47:07,120
Speaker 1: You have to understand. You have to look at it

920
00:47:07,200 --> 00:47:10,000
Speaker 1: from every child's pointed you that was raised in the hood.

921
00:47:10,200 --> 00:47:12,440
Speaker 1: How he gonna get his money to have clothes to

922
00:47:12,480 --> 00:47:15,000
Speaker 1: go to school? Seventeen years old in the hood. How

923
00:47:15,080 --> 00:47:17,640
Speaker 1: else is he supposed to get closed? Um? I mean,

924
00:47:17,680 --> 00:47:19,799
Speaker 1: I guess if his parents can't provide for him, how

925
00:47:19,840 --> 00:47:25,000
Speaker 1: about get a job or job back, some groceries, cut

926
00:47:25,160 --> 00:47:28,879
Speaker 1: some grass, wash some cars, recycled cans, give blood, don

927
00:47:28,960 --> 00:47:31,400
Speaker 1: age sperm, open a lemonade, standards the front. But you

928
00:47:31,520 --> 00:47:34,400
Speaker 1: really set selling seventeen thirty eight out of it? How

929
00:47:34,440 --> 00:47:36,839
Speaker 1: about do it out? When I grew up, my mama said,

930
00:47:36,840 --> 00:47:39,040
Speaker 1: you needed two pair jeans, a black pan in a

931
00:47:39,080 --> 00:47:40,799
Speaker 1: blue pet. How about to do it out and think

932
00:47:40,840 --> 00:47:42,360
Speaker 1: you know you stay down until you come up. I

933
00:47:42,440 --> 00:47:44,640
Speaker 1: could think of a million other ways for kids in

934
00:47:44,719 --> 00:47:46,680
Speaker 1: the hood to make money, and none of them include

935
00:47:46,880 --> 00:47:49,719
Speaker 1: breaking and entering. We have to stop protecting foolishness. Okay,

936
00:47:49,760 --> 00:47:51,320
Speaker 1: we have to take these options off the table. I

937
00:47:51,360 --> 00:47:53,360
Speaker 1: don't care how broke you are in the hood. Resorting

938
00:47:53,400 --> 00:47:55,840
Speaker 1: to crime, it's never the answer to trust me. Okay,

939
00:47:55,840 --> 00:47:57,560
Speaker 1: I was there, I sold track, I went to jail.

940
00:47:57,600 --> 00:48:00,120
Speaker 1: I've had guns pulled on me. I thank god I'm

941
00:48:00,160 --> 00:48:02,120
Speaker 1: still alive. But I didn't have to do none of that.

942
00:48:02,239 --> 00:48:05,360
Speaker 1: I chose to live like that. There's always other options,

943
00:48:05,400 --> 00:48:08,880
Speaker 1: and there's no excuse for those options, especially this one.

944
00:48:09,320 --> 00:48:11,480
Speaker 1: Your head again. Please, you have to understand. You have

945
00:48:11,520 --> 00:48:13,640
Speaker 1: to look at it from every child's pointed jew that

946
00:48:13,719 --> 00:48:15,759
Speaker 1: was raised in the hood. How he gonna get his

947
00:48:16,160 --> 00:48:19,080
Speaker 1: money to have clothes to go to school? That's crazy.

948
00:48:19,520 --> 00:48:22,000
Speaker 1: I understand life can be frustrating and difficult, but that

949
00:48:22,200 --> 00:48:24,319
Speaker 1: is no excuse for you to break and enter into

950
00:48:24,360 --> 00:48:28,520
Speaker 1: someone's home. And now some donkeys crazy, some donkey the

951
00:48:28,600 --> 00:48:30,600
Speaker 1: digs just sell themselves. Please give him the ticket, Harris

952
00:48:30,640 --> 00:48:36,400
Speaker 1: the Biggest Heatart. Please that genuinely hurt my heart like

953
00:48:36,480 --> 00:48:41,480
Speaker 1: I cannot do. There was no other solutions that lost. No,

954
00:48:42,160 --> 00:48:45,799
Speaker 1: that is no, that is not acceptable people at all. Right,

955
00:48:46,400 --> 00:48:52,799
Speaker 1: the Breakfast Club wanting everybody is DJ Envy, Angela Yee,

956
00:48:52,880 --> 00:48:55,040
Speaker 1: Charlomagne and the God. We are the Breakfast Club and

957
00:48:55,160 --> 00:48:58,720
Speaker 1: we have a special guest. Yeah, the Hood's second favorite

958
00:48:58,760 --> 00:49:03,080
Speaker 1: doctor doctor Mammy comes doctor Miami. Oh my goodness, doctor doctor.

959
00:49:04,920 --> 00:49:07,160
Speaker 1: Well number three is not bad with that list. Good company,

960
00:49:07,280 --> 00:49:09,160
Speaker 1: good company. We're so glad you here. We need you

961
00:49:09,239 --> 00:49:11,160
Speaker 1: for so many reasons this morning. I now, why do

962
00:49:11,239 --> 00:49:13,520
Speaker 1: you have a tube of mash sweet potatos? Doct do

963
00:49:14,440 --> 00:49:16,200
Speaker 1: you have the chee? Charlayne? When you supposed to bring

964
00:49:16,239 --> 00:49:17,680
Speaker 1: the chips, you brought the chips. No, I didn't know

965
00:49:17,719 --> 00:49:20,360
Speaker 1: anything about it. Come on now, okay, all right, So

966
00:49:20,480 --> 00:49:22,560
Speaker 1: that's actually this is a little bit of plaster. I

967
00:49:22,640 --> 00:49:23,759
Speaker 1: tell you why I brought it for it. So for

968
00:49:23,840 --> 00:49:26,040
Speaker 1: everyone who's listening on the radio, I'm gonna describe it

969
00:49:26,040 --> 00:49:27,920
Speaker 1: to you carefully and we're gonna get some participation from

970
00:49:27,920 --> 00:49:30,279
Speaker 1: the DJ's here. So we got this big program with

971
00:49:30,360 --> 00:49:33,040
Speaker 1: launching today called the Regiment, right, and the Regiment is

972
00:49:33,080 --> 00:49:36,720
Speaker 1: a daily checklist that you can use, simple, straightforward, medically

973
00:49:36,840 --> 00:49:39,000
Speaker 1: vetted that allows you to make some smart decisions in

974
00:49:39,040 --> 00:49:42,160
Speaker 1: your life. It includes things like try Oolong tea, which

975
00:49:42,200 --> 00:49:43,920
Speaker 1: is a tea that it has less caffeine in it

976
00:49:44,200 --> 00:49:45,680
Speaker 1: that gives a lot of energy tea because has other

977
00:49:45,719 --> 00:49:48,480
Speaker 1: phenols other chemicals in it that are valuable. I think

978
00:49:48,520 --> 00:49:50,680
Speaker 1: of green tea green banana. Black tea is like a

979
00:49:50,760 --> 00:49:53,760
Speaker 1: black ovally ripe banana, so ulong t is a yellow banana.

980
00:49:53,800 --> 00:49:56,120
Speaker 1: It's right in the middle. So it's something you can

981
00:49:56,160 --> 00:49:58,640
Speaker 1: try a use that. Oh yeah, I'm so proud of you.

982
00:50:00,239 --> 00:50:03,120
Speaker 1: But I want you to having prebiotics and probiotics probotics.

983
00:50:03,160 --> 00:50:04,840
Speaker 1: Obviously the bacteria in your gut. You want to have

984
00:50:05,000 --> 00:50:07,880
Speaker 1: the food to feed that bacteria too, which is called prebiotics.

985
00:50:07,960 --> 00:50:11,160
Speaker 1: Things like green apples have prebiotics. Cabbage has probiotics in it,

986
00:50:11,400 --> 00:50:12,879
Speaker 1: so you want to feed the bacteria. So I want

987
00:50:12,880 --> 00:50:14,960
Speaker 1: to detail. This checklist is all on doctors like I.

988
00:50:15,080 --> 00:50:17,320
Speaker 1: My app launched today, by the way, so thinks. So

989
00:50:17,640 --> 00:50:19,719
Speaker 1: it's a very simple, phrazy way to figure out what

990
00:50:19,800 --> 00:50:22,280
Speaker 1: you got to do. But one of the reasons important

991
00:50:22,400 --> 00:50:25,320
Speaker 1: is because the number one cause of problems death in particular,

992
00:50:25,440 --> 00:50:28,120
Speaker 1: but colo caused impotence, wrinkles and other things. Is hardening

993
00:50:28,160 --> 00:50:29,879
Speaker 1: of the arteries. So I brought you your own demo

994
00:50:30,520 --> 00:50:32,840
Speaker 1: to understand why people get hardening of the arteries and

995
00:50:32,920 --> 00:50:34,560
Speaker 1: try to break through some of the clutter. So you see,

996
00:50:34,640 --> 00:50:36,000
Speaker 1: I want to keep my artery, solf. I want to

997
00:50:36,040 --> 00:50:40,960
Speaker 1: keep moteries. That is so well stated, as always perfectly articulated.

998
00:50:41,080 --> 00:50:42,399
Speaker 1: He was so good in the show, by the way,

999
00:50:43,320 --> 00:50:45,280
Speaker 1: and you know I did not have to bleep anything

1000
00:50:45,320 --> 00:50:48,640
Speaker 1: he said mostly mostly. That's why I am lying for

1001
00:50:48,719 --> 00:50:51,680
Speaker 1: the doctor. I didn't recognize it. Yes, all right, so

1002
00:50:52,040 --> 00:50:55,520
Speaker 1: describe what you see here. This is an artery. Yes,

1003
00:50:55,600 --> 00:50:57,839
Speaker 1: it's got red on the inside. I've got a little

1004
00:50:57,880 --> 00:51:01,479
Speaker 1: glass here. This glass represent the sugar in your body.

1005
00:51:01,680 --> 00:51:04,319
Speaker 1: So people say, especially the community, say, yaht's a little

1006
00:51:04,320 --> 00:51:05,600
Speaker 1: bit of sugar. There's no such thing a little bit

1007
00:51:05,600 --> 00:51:07,640
Speaker 1: of sugar. It's being a little bit pregnant. When you

1008
00:51:07,719 --> 00:51:12,640
Speaker 1: got sugar, When you got sugar in your body, when

1009
00:51:12,640 --> 00:51:14,520
Speaker 1: you have blood sugar that's high, you have a little

1010
00:51:14,520 --> 00:51:16,880
Speaker 1: bit of diabetes. It's like having broken broken pieces of

1011
00:51:16,960 --> 00:51:19,640
Speaker 1: glass shard inside your body. Now, the lining of the

1012
00:51:19,760 --> 00:51:22,440
Speaker 1: arteries is very thin, little lining like teflon line. Now

1013
00:51:22,480 --> 00:51:24,439
Speaker 1: watch what happens. I take the sugar and I begin

1014
00:51:24,520 --> 00:51:26,600
Speaker 1: to scrape at this. When I scrape at it, I

1015
00:51:26,719 --> 00:51:29,920
Speaker 1: begin to tear holes, all right, And those holes become

1016
00:51:30,000 --> 00:51:33,760
Speaker 1: problems because blood can seep into those holes. And more importantly,

1017
00:51:33,760 --> 00:51:35,080
Speaker 1: the body doesn't want to have any holes in the

1018
00:51:35,160 --> 00:51:37,319
Speaker 1: arteries because not supposed to be any holes. That's blood sugar.

1019
00:51:37,400 --> 00:51:39,440
Speaker 1: Now what about blood pressure? Blood persons like having a

1020
00:51:39,480 --> 00:51:42,360
Speaker 1: hammer right right? And the hammer can you hear that?

1021
00:51:42,680 --> 00:51:44,320
Speaker 1: You bang a hole in the artery. And when you

1022
00:51:44,400 --> 00:51:46,200
Speaker 1: bang a hole in the artery, now you really have

1023
00:51:46,320 --> 00:51:48,200
Speaker 1: to fix it. So how does the body fix it? Well,

1024
00:51:48,400 --> 00:51:49,960
Speaker 1: if you're sitting in the studio here and I bang

1025
00:51:49,960 --> 00:51:51,600
Speaker 1: a hole in that wall behind you, Charlottagne, how do

1026
00:51:51,600 --> 00:51:56,759
Speaker 1: you fix it? What's the body's plaster called I don't know, cholesterol,

1027
00:51:57,360 --> 00:52:00,880
Speaker 1: it's called cholesterol. Can you get this sloppy cholesterol stuff

1028
00:52:01,040 --> 00:52:05,000
Speaker 1: and you start to spacklet in there? That's the that's

1029
00:52:05,000 --> 00:52:06,440
Speaker 1: some mash sweet potatoes you were talking about. It does

1030
00:52:06,600 --> 00:52:09,440
Speaker 1: like steet potatoes and teas and cheese. But you get

1031
00:52:09,480 --> 00:52:15,240
Speaker 1: the smegma right, sure, you get you get that cutty

1032
00:52:15,719 --> 00:52:19,400
Speaker 1: layering in there, and that's called athrosclerosis harding in the arteries.

1033
00:52:19,640 --> 00:52:21,879
Speaker 1: So let's go back for a second. If you don't

1034
00:52:21,920 --> 00:52:23,560
Speaker 1: have a hole in the artery from high blood pressure,

1035
00:52:23,560 --> 00:52:25,480
Speaker 1: if you haven't scraped up the artery from high sugar,

1036
00:52:25,719 --> 00:52:27,800
Speaker 1: you haven't damaged it with cigarettes, then you don't have

1037
00:52:27,880 --> 00:52:30,120
Speaker 1: to repair it, So you don't care about cholesterol. That's

1038
00:52:30,120 --> 00:52:32,360
Speaker 1: why people get so fixated on their cholesterol. But what

1039
00:52:32,400 --> 00:52:34,600
Speaker 1: they should really be focused on is what's causing the

1040
00:52:34,640 --> 00:52:36,000
Speaker 1: holes in the artery. Now, if you do have a

1041
00:52:36,040 --> 00:52:38,320
Speaker 1: cholesterol issue, you want to know what kind of cholesterol

1042
00:52:38,320 --> 00:52:40,920
Speaker 1: it is. So if it's healthy HDL cholesterol, it means

1043
00:52:40,960 --> 00:52:43,239
Speaker 1: you've got a beautiful spackling that's so smooth you can't

1044
00:52:43,280 --> 00:52:46,640
Speaker 1: tell it's there. Okay, if you get lousy LDAL cholesterol, exactly,

1045
00:52:46,840 --> 00:52:48,600
Speaker 1: you have got to have here, which is really cruddy

1046
00:52:48,600 --> 00:52:52,000
Speaker 1: looking stuff. It's about to fly with healthy Yeah, yeah,

1047
00:52:52,080 --> 00:52:55,320
Speaker 1: healthy hdo it's called HDL cholesterol. What kind of foods

1048
00:52:55,320 --> 00:52:59,680
Speaker 1: of those fish, oils, walnuts, flax seeds, the healthy fats

1049
00:52:59,760 --> 00:53:02,520
Speaker 1: give you more of the good HDL. Frankly, losing weight

1050
00:53:02,600 --> 00:53:06,160
Speaker 1: and doing sports automatically helps with the HDL and gaining

1051
00:53:06,239 --> 00:53:09,160
Speaker 1: weight and not doing sports raises the bad. People love

1052
00:53:09,200 --> 00:53:10,879
Speaker 1: to say I've fat shame, when all I want people

1053
00:53:10,920 --> 00:53:14,040
Speaker 1: to do is be healthy, because it is a health risk. Frankly,

1054
00:53:14,080 --> 00:53:16,279
Speaker 1: if anything you're addicted to foods an example, but it's

1055
00:53:16,280 --> 00:53:18,359
Speaker 1: true of almost anything else. Is mean. You tell people

1056
00:53:18,360 --> 00:53:20,120
Speaker 1: they got a problem with it, well, they already knew that.

1057
00:53:20,800 --> 00:53:22,279
Speaker 1: People can look in the mirror and see they're heavy.

1058
00:53:22,280 --> 00:53:23,400
Speaker 1: They can see that. You know. They don't like that

1059
00:53:23,480 --> 00:53:26,080
Speaker 1: they smoke, So I tell people they smoke, and then

1060
00:53:26,160 --> 00:53:28,600
Speaker 1: it's bad for them. They get nervous and anxious about it,

1061
00:53:28,640 --> 00:53:30,279
Speaker 1: and they feel worse about themselves. So what do they do.

1062
00:53:30,360 --> 00:53:33,000
Speaker 1: They go smoke to relax. So that's very different saying

1063
00:53:33,000 --> 00:53:35,120
Speaker 1: you're fat. Yes, that's true. I tell people that if

1064
00:53:35,160 --> 00:53:37,040
Speaker 1: you really love yourself, like I don't trust that. If

1065
00:53:37,080 --> 00:53:39,000
Speaker 1: you're fat and you tell somebody that I love you,

1066
00:53:39,280 --> 00:53:40,759
Speaker 1: no you don't because you don't evenly love yourself. If

1067
00:53:40,800 --> 00:53:43,680
Speaker 1: you really love yourself, lose from weight. Yeah you know. Yeah.

1068
00:53:43,680 --> 00:53:46,000
Speaker 1: I got a genetic test on myself this summer and

1069
00:53:46,400 --> 00:53:48,239
Speaker 1: I was shocked by what I found. So I thought

1070
00:53:48,239 --> 00:53:50,200
Speaker 1: genetic test would tell about whether I'm going to get cancer,

1071
00:53:50,520 --> 00:53:53,200
Speaker 1: heart disease, or whatever. This genetic test told me that

1072
00:53:53,360 --> 00:53:58,359
Speaker 1: I crave fats, but I don't like carbs that much genetically. Okay,

1073
00:53:58,480 --> 00:54:00,239
Speaker 1: Now why is that important? Because most of us get

1074
00:54:00,280 --> 00:54:02,120
Speaker 1: heavy because we eat too many carbs. So if you

1075
00:54:02,239 --> 00:54:06,000
Speaker 1: genetically crave carbohydrates, then you're gonna be having a tough

1076
00:54:06,040 --> 00:54:07,800
Speaker 1: time cut back on them because you're gonna be ovoid.

1077
00:54:08,000 --> 00:54:09,919
Speaker 1: And it makes you feel good, right because similarly dope

1078
00:54:10,000 --> 00:54:11,879
Speaker 1: mean and it's it is comfort food, so you're gonna

1079
00:54:11,920 --> 00:54:13,240
Speaker 1: eat more of it. So when people who are skinny

1080
00:54:13,239 --> 00:54:15,200
Speaker 1: safe just eat stop eating carbs, well, it's not that easy.

1081
00:54:15,560 --> 00:54:18,520
Speaker 1: It's actually genetically predisposed. It's like just run faster. Well,

1082
00:54:18,520 --> 00:54:19,960
Speaker 1: I mean I could run faster, I would, but I'm

1083
00:54:19,960 --> 00:54:21,239
Speaker 1: just not as fast as they have. The guy, don't

1084
00:54:21,239 --> 00:54:23,080
Speaker 1: you got to balance that genetics out by working out,

1085
00:54:23,160 --> 00:54:25,120
Speaker 1: like if you Yes, But now that we know that

1086
00:54:25,560 --> 00:54:27,560
Speaker 1: more and more that our basic behaviors are driven by

1087
00:54:27,600 --> 00:54:29,320
Speaker 1: our genes, you do have to balance it out. But

1088
00:54:29,320 --> 00:54:30,759
Speaker 1: you should know what your weaknesses are. So if you know,

1089
00:54:30,800 --> 00:54:32,359
Speaker 1: you're got to weakeness with the carbs, which people sort

1090
00:54:32,400 --> 00:54:34,279
Speaker 1: of figure it out over their life. They just can't

1091
00:54:34,280 --> 00:54:36,439
Speaker 1: have any carbs. I mean, they really just because you can't.

1092
00:54:36,440 --> 00:54:38,120
Speaker 1: It's like have an alcohol if you have an alcohol

1093
00:54:38,120 --> 00:54:39,960
Speaker 1: and product problem, you just can't have a little bit

1094
00:54:39,960 --> 00:54:42,239
Speaker 1: of alcohol. You literally have just a stop. So you

1095
00:54:42,320 --> 00:54:43,919
Speaker 1: draw lines, you say, okay, I'm not going to cross

1096
00:54:43,920 --> 00:54:45,840
Speaker 1: the border there. Guys, all right, we got more with

1097
00:54:45,960 --> 00:54:47,759
Speaker 1: doctor Oz when we come back. Keep it locked as

1098
00:54:47,800 --> 00:54:51,200
Speaker 1: the breakfast Club. Good morning. That was needed me, Rhanna morning.

1099
00:54:51,280 --> 00:54:54,279
Speaker 1: Everybody is dj Envy Angela yee sha. I mean the

1100
00:54:54,320 --> 00:54:57,800
Speaker 1: guy we are the breakfast club. Doctor Oz is in

1101
00:54:57,880 --> 00:54:59,640
Speaker 1: the building that Doctor Oz. A lot of people are

1102
00:54:59,680 --> 00:55:02,040
Speaker 1: getting common cold. Now cold is starting to come around.

1103
00:55:02,040 --> 00:55:03,680
Speaker 1: Angeleie just got the cold and I'm gona getting a

1104
00:55:03,719 --> 00:55:06,920
Speaker 1: little sniffle. What can we do to prevent the common condoms?

1105
00:55:07,160 --> 00:55:10,040
Speaker 1: So yeah, condoms for sure. You two show up your protection. Um,

1106
00:55:11,800 --> 00:55:14,399
Speaker 1: I know, I know, I know. I'm just I'm humoring him, please,

1107
00:55:14,440 --> 00:55:17,040
Speaker 1: I'm humoring him. Number one thing for your immune system,

1108
00:55:17,160 --> 00:55:20,279
Speaker 1: actually it's part of the regiment, is to sleep. It's

1109
00:55:20,320 --> 00:55:22,759
Speaker 1: a single most underappreciated problem. More. I always say that

1110
00:55:23,080 --> 00:55:26,000
Speaker 1: whenever I'm definitely taken because I don't don't get enough sleep.

1111
00:55:26,040 --> 00:55:28,360
Speaker 1: It weakens your immune system and actually predispose you to

1112
00:55:28,440 --> 00:55:30,319
Speaker 1: other problems. In fact, the high bloodressure with the hammer

1113
00:55:30,320 --> 00:55:32,840
Speaker 1: I talked about it earlier, that's caused by by not

1114
00:55:32,920 --> 00:55:35,040
Speaker 1: sleeping as well. One of the best best ways to

1115
00:55:35,120 --> 00:55:37,040
Speaker 1: get it down is star sleeping a little more effectively.

1116
00:55:37,400 --> 00:55:39,840
Speaker 1: So that's one. Number Two is there are some folks

1117
00:55:39,920 --> 00:55:42,600
Speaker 1: that think that elderberry might help and herbal treatments that's

1118
00:55:42,600 --> 00:55:44,800
Speaker 1: old and been used in Europe for many years. Physical

1119
00:55:44,840 --> 00:55:47,600
Speaker 1: activity actually helps, right, but you can't do it exhaust

1120
00:55:47,960 --> 00:55:49,840
Speaker 1: and stuff like that. You know, it's never been shown

1121
00:55:49,920 --> 00:55:53,000
Speaker 1: in clinical trials to be beneficial. It makes theoretical sense,

1122
00:55:53,080 --> 00:55:54,520
Speaker 1: which is why they sell a lot of the stuff,

1123
00:55:54,840 --> 00:55:56,640
Speaker 1: but when you actually try to use it in people's heart.

1124
00:55:56,760 --> 00:55:58,440
Speaker 1: But here's the thing. If you're starting to feel a

1125
00:55:58,480 --> 00:56:00,600
Speaker 1: sniffles and you start taking a product like that and

1126
00:56:00,640 --> 00:56:03,680
Speaker 1: then you start also sleeping better and maybe cutting out

1127
00:56:03,680 --> 00:56:05,520
Speaker 1: alcohol for a night or two, whether you're you're gonna

1128
00:56:05,560 --> 00:56:07,279
Speaker 1: get better right right time will make you better. So

1129
00:56:07,320 --> 00:56:08,840
Speaker 1: it's hard to tell if it was the pill that

1130
00:56:08,920 --> 00:56:10,920
Speaker 1: got you better or your other changes that you made.

1131
00:56:10,920 --> 00:56:13,080
Speaker 1: If you're smart enough to take the pill, you're probably

1132
00:56:13,120 --> 00:56:14,800
Speaker 1: smarteno to do other things as well. We don't scretch

1133
00:56:14,800 --> 00:56:16,840
Speaker 1: the importance of sleep enough in our coach, especially in

1134
00:56:16,960 --> 00:56:19,360
Speaker 1: hip hop, because you had Nah saying sleep as the

1135
00:56:19,400 --> 00:56:22,880
Speaker 1: cousin of death. Maybe like hustlers don't sleep? But did

1136
00:56:22,960 --> 00:56:24,560
Speaker 1: he has since we nick done that and said that

1137
00:56:24,719 --> 00:56:27,040
Speaker 1: he was wrong, Yeah, because he's almost fifty better than that.

1138
00:56:27,320 --> 00:56:29,640
Speaker 1: He's here, he's sleeping now, and I think it's as

1139
00:56:29,680 --> 00:56:32,200
Speaker 1: you point out, it's actually worth it's a sign a weakness, right,

1140
00:56:32,320 --> 00:56:34,560
Speaker 1: sleeping and sign a weakness. But real man, real women

1141
00:56:34,560 --> 00:56:36,799
Speaker 1: don't have to sleep, and it's the opposite. How much

1142
00:56:36,800 --> 00:56:39,000
Speaker 1: sleep should we get a night? Yeah, so five percent

1143
00:56:39,160 --> 00:56:41,240
Speaker 1: of people can get away with less than six hours

1144
00:56:41,400 --> 00:56:43,520
Speaker 1: a night. Everybody else needs to sleep more. So if

1145
00:56:43,520 --> 00:56:44,800
Speaker 1: you're at one of those pokes out there and you

1146
00:56:44,880 --> 00:56:46,359
Speaker 1: think I can get away with less than six hours,

1147
00:56:46,920 --> 00:56:49,759
Speaker 1: unless you're really special one in twenty people, you're not.

1148
00:56:49,840 --> 00:56:52,080
Speaker 1: That's not you. You're actually cunning yourself. So the way

1149
00:56:52,120 --> 00:56:54,000
Speaker 1: you can tell if you're sleeping enough is if you

1150
00:56:54,120 --> 00:56:56,000
Speaker 1: wake up with a little bit of a dream. You

1151
00:56:56,080 --> 00:56:58,200
Speaker 1: should have dreams, you remember when you wake up. If

1152
00:56:58,239 --> 00:57:01,160
Speaker 1: you don't ever dream, you're not sleeping. I never dream, Yeah,

1153
00:57:01,280 --> 00:57:02,759
Speaker 1: so that means that you're all the time, and I

1154
00:57:02,920 --> 00:57:05,520
Speaker 1: dream in color you do all kinds of colors. Yeah,

1155
00:57:06,000 --> 00:57:07,839
Speaker 1: that's what you want to have. Because REM sleep means

1156
00:57:07,960 --> 00:57:10,640
Speaker 1: REM is the restorative sleep, they rapid eye movement sleep.

1157
00:57:10,760 --> 00:57:12,839
Speaker 1: You need that in order to truly recharge your brain.

1158
00:57:13,040 --> 00:57:15,160
Speaker 1: So if you're not getting the REM sleep, but which

1159
00:57:15,239 --> 00:57:17,360
Speaker 1: is the dreams sleep, then it means that you're not

1160
00:57:17,640 --> 00:57:19,560
Speaker 1: truly that in your brain room. Now, did you sleep

1161
00:57:19,640 --> 00:57:22,920
Speaker 1: in portions like? Okay, go home for an hour and

1162
00:57:22,960 --> 00:57:25,520
Speaker 1: then go to bed at night for four hours and

1163
00:57:25,880 --> 00:57:31,120
Speaker 1: so Leonardo da Vinci, probably the most famous smart man ever, right,

1164
00:57:31,200 --> 00:57:33,280
Speaker 1: would never sleep more than two hours a night, but

1165
00:57:33,360 --> 00:57:35,760
Speaker 1: he would nap all day long. So napping is good.

1166
00:57:35,840 --> 00:57:38,200
Speaker 1: Napping is good. So I nap personally, So here's I

1167
00:57:38,600 --> 00:57:40,880
Speaker 1: do it. Usually, So eight hours after you get up,

1168
00:57:40,960 --> 00:57:43,040
Speaker 1: you should feel like you're tired. You're supposed to do

1169
00:57:43,600 --> 00:57:45,120
Speaker 1: and so you should try to take a nap. You

1170
00:57:45,120 --> 00:57:48,000
Speaker 1: can take coffee and you know this, this pillow, that

1171
00:57:48,080 --> 00:57:49,320
Speaker 1: pill but the best way to do is this slide

1172
00:57:49,320 --> 00:57:51,360
Speaker 1: down for just five ten minutes, and you don't want

1173
00:57:51,360 --> 00:57:53,480
Speaker 1: to sleep more in about ten minutes because that's just

1174
00:57:53,720 --> 00:57:56,720
Speaker 1: enough to get you into that nice light sleep, feel recharged,

1175
00:57:56,880 --> 00:57:58,920
Speaker 1: but not deep enough. They make you groggy, which you

1176
00:57:58,960 --> 00:58:00,800
Speaker 1: want to avoid. And then if you can make that

1177
00:58:00,880 --> 00:58:03,640
Speaker 1: part of routine your regimen. Our lunch period, I eat

1178
00:58:03,720 --> 00:58:05,520
Speaker 1: for half of it and then I nap for about

1179
00:58:05,560 --> 00:58:07,960
Speaker 1: ten minutes. You get the itis and it's fantastic. Yeah,

1180
00:58:08,400 --> 00:58:09,960
Speaker 1: what's the best way to set of your brain before

1181
00:58:10,000 --> 00:58:11,360
Speaker 1: you go to sleep in night? Because I read something

1182
00:58:11,400 --> 00:58:13,480
Speaker 1: that said you shouldn't get on the internet or shouldn't

1183
00:58:13,480 --> 00:58:15,400
Speaker 1: get on social media before you like two hours prior

1184
00:58:15,440 --> 00:58:17,840
Speaker 1: to sleeping. I usually help people for twenty to thirty

1185
00:58:17,880 --> 00:58:20,600
Speaker 1: minutes because two hours they won't do anyway. But it's

1186
00:58:20,640 --> 00:58:22,720
Speaker 1: not just the internet, it's the light. Then when you

1187
00:58:22,760 --> 00:58:25,000
Speaker 1: look at it at a pad or a foam, that

1188
00:58:25,200 --> 00:58:28,200
Speaker 1: light is turning off your brain's ability to make melotonin.

1189
00:58:28,280 --> 00:58:30,440
Speaker 1: And melotonin is the chemical, the hormone in the brain.

1190
00:58:30,480 --> 00:58:32,560
Speaker 1: It tells you it's nighttime. So you need to give

1191
00:58:32,560 --> 00:58:34,040
Speaker 1: your brain a chance. So if you go out, I

1192
00:58:34,080 --> 00:58:35,240
Speaker 1: don't know if you ever go camping, If you go

1193
00:58:35,280 --> 00:58:37,240
Speaker 1: outside and you're seeing the sun go down, when the

1194
00:58:37,320 --> 00:58:40,240
Speaker 1: sun actually sets, those orange rays tell your brain to

1195
00:58:40,360 --> 00:58:44,320
Speaker 1: make melatonin. Really yeah, and that melatonin is powerfully able

1196
00:58:44,400 --> 00:58:45,880
Speaker 1: to get you to say, okay, it's nighttimetime you go

1197
00:58:45,920 --> 00:58:47,840
Speaker 1: to bed. Now, when you're looking at a computer screen,

1198
00:58:48,000 --> 00:58:50,600
Speaker 1: you don't let those rays stimulate your brain. So they're

1199
00:58:50,640 --> 00:58:54,280
Speaker 1: making smart lightbulbs now that don't emit the same Uvy light.

1200
00:58:54,600 --> 00:58:56,720
Speaker 1: You can actually buy a lightbulb that, although it looks white,

1201
00:58:56,720 --> 00:58:59,080
Speaker 1: it's actually not white. Just you know, just use it

1202
00:58:59,120 --> 00:59:01,040
Speaker 1: by the nightstand. So the last half an hour before

1203
00:59:01,080 --> 00:59:02,960
Speaker 1: you go to bed, you can use that to read

1204
00:59:03,000 --> 00:59:04,720
Speaker 1: the paper or whatever. But what you don't want to

1205
00:59:04,760 --> 00:59:07,120
Speaker 1: do is re engage your brain with emails and texts

1206
00:59:07,160 --> 00:59:09,320
Speaker 1: and church in the web. I know it's tempting to

1207
00:59:09,360 --> 00:59:11,560
Speaker 1: do that, but it stimulates your brain. It delays you

1208
00:59:11,640 --> 00:59:13,400
Speaker 1: get into sleep. But a bat sleep with the TV

1209
00:59:13,520 --> 00:59:16,000
Speaker 1: on the worst, they think it helps them get to steep.

1210
00:59:16,040 --> 00:59:19,520
Speaker 1: You're basically numbing yourself until you pass out. It's like

1211
00:59:19,600 --> 00:59:21,040
Speaker 1: having a drink before you go to bed. It's that's

1212
00:59:21,040 --> 00:59:22,480
Speaker 1: not why you know, if you're gonna drink, do not

1213
00:59:22,560 --> 00:59:24,240
Speaker 1: drink at bedtime. It's not the time to drink because

1214
00:59:24,280 --> 00:59:26,040
Speaker 1: the steep you gets not normal step when you have that.

1215
00:59:26,400 --> 00:59:30,600
Speaker 1: What about sex before bed, like people away the bast sleep, sex, mastivation, whatever,

1216
00:59:30,640 --> 00:59:33,360
Speaker 1: you need to do anything that centers you and that

1217
00:59:33,480 --> 00:59:36,520
Speaker 1: does meditation also works. But I think, look, the reason

1218
00:59:36,600 --> 00:59:38,960
Speaker 1: that sex is a great aphrodisiac is you can do

1219
00:59:39,040 --> 00:59:40,240
Speaker 1: it from you know, be in love with the person

1220
00:59:40,280 --> 00:59:42,120
Speaker 1: you're with, and then your zone. You're in the right

1221
00:59:42,160 --> 00:59:44,240
Speaker 1: space to go to sleep. Do you think social media

1222
00:59:44,320 --> 00:59:46,640
Speaker 1: is negatively affecting our mental health? You think it'll have

1223
00:59:46,720 --> 00:59:48,400
Speaker 1: like long term effects on our brain. So I won't

1224
00:59:48,400 --> 00:59:51,479
Speaker 1: guess on this. Actually have data we have actually today,

1225
00:59:51,520 --> 00:59:53,640
Speaker 1: the AS Report comes out the State of Women in

1226
00:59:53,720 --> 00:59:56,040
Speaker 1: America in two sixteen, and I did a big survey

1227
00:59:56,040 --> 00:59:58,120
Speaker 1: in fifteen hundred women and I asked them questions like that,

1228
00:59:58,680 --> 01:00:00,560
Speaker 1: and so the number we have an epid dmic of

1229
01:00:00,720 --> 01:00:03,120
Speaker 1: loneliness right now in America. People just feel like they're

1230
01:00:03,120 --> 01:00:05,200
Speaker 1: by themselves. You would think they wouldn't because they get

1231
01:00:05,240 --> 01:00:09,040
Speaker 1: social media, But sixty percent of women only follow other women.

1232
01:00:09,080 --> 01:00:10,920
Speaker 1: They don't actually ever engage. So it's a bunch of

1233
01:00:10,920 --> 01:00:12,959
Speaker 1: lonely women tweeting each other, telling each other how lonely

1234
01:00:13,000 --> 01:00:14,840
Speaker 1: they are. But think but yeah, and here's the bigger thing.

1235
01:00:14,880 --> 01:00:17,280
Speaker 1: Many women say they don't trust other women to talk

1236
01:00:17,320 --> 01:00:19,360
Speaker 1: to because they feel they're going to be caddy or

1237
01:00:19,360 --> 01:00:21,200
Speaker 1: they're not going to be honored but we need to

1238
01:00:21,280 --> 01:00:23,360
Speaker 1: change that because we've always been able to talk to

1239
01:00:23,440 --> 01:00:25,640
Speaker 1: each other then be empathetic and connect, and we don't

1240
01:00:25,680 --> 01:00:27,960
Speaker 1: do that when you're just texting back. So I think

1241
01:00:28,240 --> 01:00:30,360
Speaker 1: the solution is not the head of social media, but

1242
01:00:30,400 --> 01:00:32,760
Speaker 1: they use social media for good. So send a note

1243
01:00:32,760 --> 01:00:33,800
Speaker 1: out to say I want to meet with you and

1244
01:00:33,960 --> 01:00:36,880
Speaker 1: have coffee or to something together. Just create a real

1245
01:00:36,960 --> 01:00:39,840
Speaker 1: experience at least once a day independent of social media.

1246
01:00:39,960 --> 01:00:43,640
Speaker 1: Otherwise you create these drive by friendships. It seems like

1247
01:00:43,760 --> 01:00:47,080
Speaker 1: you got friends, you think you're close, But challenge yourself,

1248
01:00:47,440 --> 01:00:49,040
Speaker 1: who would you go to if you really had a

1249
01:00:49,080 --> 01:00:51,080
Speaker 1: crisis that you really thought we'll keep get your back.

1250
01:00:51,520 --> 01:00:53,400
Speaker 1: And if you can't answer that question with a couple names,

1251
01:00:53,480 --> 01:00:55,520
Speaker 1: or if you don't think you're that person for someone else,

1252
01:00:55,560 --> 01:00:57,960
Speaker 1: then change that. Why not When you think about the phone,

1253
01:00:58,000 --> 01:00:59,440
Speaker 1: they also say it don't sleep with the phone nar

1254
01:00:59,520 --> 01:01:01,400
Speaker 1: your head. Well, the package in certain some of these

1255
01:01:01,440 --> 01:01:03,680
Speaker 1: phones tells you not to do that because the phone

1256
01:01:03,760 --> 01:01:06,040
Speaker 1: is always on looking for messages, right, so it's sending

1257
01:01:06,120 --> 01:01:09,240
Speaker 1: out raise. So if it's within five feet of your head,

1258
01:01:09,560 --> 01:01:11,520
Speaker 1: there's some data that it might interfere with the quality

1259
01:01:11,520 --> 01:01:13,280
Speaker 1: of r sleep. So I say, why I take a chance.

1260
01:01:13,360 --> 01:01:15,120
Speaker 1: Let's put the phone five feet away from your head.

1261
01:01:15,360 --> 01:01:17,560
Speaker 1: Perfect that way, you know for sure it's not bothering you.

1262
01:01:18,040 --> 01:01:20,080
Speaker 1: The newer phones and some of the cases do help

1263
01:01:20,120 --> 01:01:21,919
Speaker 1: with some of that exposure. So I think it's gonna

1264
01:01:21,920 --> 01:01:23,840
Speaker 1: be less and less of an issue. But again, for now,

1265
01:01:24,080 --> 01:01:26,520
Speaker 1: five feet away. We got more with Doctor Oz. When

1266
01:01:26,560 --> 01:01:28,760
Speaker 1: we come back, keep it locked. It's the breakfast club.

1267
01:01:28,800 --> 01:01:35,959
Speaker 1: Good morning, the breakfast club that was designed a Pandem morning.

1268
01:01:36,000 --> 01:01:39,280
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlotte and the guy.

1269
01:01:39,320 --> 01:01:42,160
Speaker 1: We are the breakfast Club. Doctor Oz is in the

1270
01:01:42,320 --> 01:01:45,200
Speaker 1: building now, Doctor Oz. People try to lose weight, Flat

1271
01:01:45,240 --> 01:01:49,560
Speaker 1: TUMMYT and diabase. What do you think about Instagram? Right, yeah,

1272
01:01:49,560 --> 01:01:52,520
Speaker 1: you're following the intergram models. One of the Instagram models.

1273
01:01:52,560 --> 01:01:55,680
Speaker 1: Oh let me show you, doctor. Flat tummy t is

1274
01:01:55,880 --> 01:01:58,800
Speaker 1: a product that people promote that said actually helps women

1275
01:01:59,320 --> 01:02:01,920
Speaker 1: lose that that extra little polege and here a little stomach.

1276
01:02:02,600 --> 01:02:05,120
Speaker 1: I love this. I gotta I gotta learn about I

1277
01:02:05,160 --> 01:02:08,600
Speaker 1: think really well, I mean doesn't work well well. So

1278
01:02:08,840 --> 01:02:12,040
Speaker 1: detox tas per se are are interesting because they might

1279
01:02:12,080 --> 01:02:16,240
Speaker 1: help some Oh my goodness, yeah you go, yeah, I'll

1280
01:02:16,240 --> 01:02:17,880
Speaker 1: go to Berneese. So I show them only the best

1281
01:02:17,960 --> 01:02:21,439
Speaker 1: ye Burnee Burgos, Yes, more than Instagram model. But yeah, okay,

1282
01:02:21,480 --> 01:02:23,280
Speaker 1: you get the picture. Yeah, I get the picture for sure.

1283
01:02:23,680 --> 01:02:29,040
Speaker 1: Yeah yeah. So, um so the thing together. He talks

1284
01:02:29,080 --> 01:02:33,840
Speaker 1: teas exactly, I'm trying to focus. Um Yeah, detox tase

1285
01:02:34,120 --> 01:02:35,919
Speaker 1: you can copy them. You can do them yourself because

1286
01:02:35,920 --> 01:02:38,840
Speaker 1: they basically are caffeine and some herbs that do that

1287
01:02:38,960 --> 01:02:41,560
Speaker 1: help you deal with hunger issues. So on doctors dot com,

1288
01:02:41,640 --> 01:02:43,800
Speaker 1: we've got some alternatives that are inexpensive because a lot

1289
01:02:43,800 --> 01:02:46,120
Speaker 1: of the detox tas are pretty pricey, and I don't know,

1290
01:02:46,160 --> 01:02:47,720
Speaker 1: spend a couple hundred bucks and stuff when you can

1291
01:02:47,720 --> 01:02:49,160
Speaker 1: get it for ten bucks and you know, use it

1292
01:02:49,200 --> 01:02:51,040
Speaker 1: all you want. I can't vouch for all women that

1293
01:02:51,080 --> 01:02:53,000
Speaker 1: are in packages because you can't tell what's in them sometimes.

1294
01:02:53,480 --> 01:02:55,800
Speaker 1: And I know that they use caffeine as a foundation element.

1295
01:02:55,840 --> 01:02:57,120
Speaker 1: So a little bit of caffeine is good, but a

1296
01:02:57,160 --> 01:02:59,920
Speaker 1: lot's not. Yeah. But these teas these girls be promoting

1297
01:03:00,560 --> 01:03:05,840
Speaker 1: advertise they can make your stomach flat. Takeaway bloating reducing metabolism,

1298
01:03:06,200 --> 01:03:09,080
Speaker 1: Well again, bloating can be impacted by tease. Uh, and

1299
01:03:09,360 --> 01:03:11,920
Speaker 1: metabolism is definitely impacted by teas. And so the question

1300
01:03:12,040 --> 01:03:14,240
Speaker 1: is us too much of a good thing bad for you?

1301
01:03:14,600 --> 01:03:17,320
Speaker 1: Because I can whack you with a grammar caffeine and

1302
01:03:17,520 --> 01:03:19,959
Speaker 1: that does those things, by the way, but you're gonna

1303
01:03:20,000 --> 01:03:22,920
Speaker 1: fugittery and you're gonna get really cratering when you're when

1304
01:03:22,920 --> 01:03:24,760
Speaker 1: it wears off in a couple of hours. Because listen,

1305
01:03:24,840 --> 01:03:27,040
Speaker 1: if you want to have a lifestyle that takes you

1306
01:03:27,080 --> 01:03:29,200
Speaker 1: in the right direction, there's no if the quick fixes

1307
01:03:29,200 --> 01:03:30,960
Speaker 1: are nice for a couple of weeks of help here

1308
01:03:31,000 --> 01:03:33,400
Speaker 1: and there, but you're not gonna base your life drinking

1309
01:03:33,440 --> 01:03:35,440
Speaker 1: these teas that you're discussing, right, some people do. They

1310
01:03:35,440 --> 01:03:36,520
Speaker 1: don't want to do the next side. They're like, oh,

1311
01:03:36,600 --> 01:03:38,160
Speaker 1: let me drink the tea. No, it's it's it's a

1312
01:03:38,280 --> 01:03:40,240
Speaker 1: it's a short term crutch to get get you, to

1313
01:03:40,360 --> 01:03:42,720
Speaker 1: re angle you in the right direction. It's like moving

1314
01:03:42,720 --> 01:03:44,320
Speaker 1: the steering with a little bit, but you don't want

1315
01:03:44,360 --> 01:03:45,880
Speaker 1: to keep turning it or you're gonna run off the road.

1316
01:03:45,920 --> 01:03:49,800
Speaker 1: But yeah, DJ kald on the shows like are you

1317
01:03:49,880 --> 01:03:52,200
Speaker 1: talking about losing weight? I talked to him about his health.

1318
01:03:52,560 --> 01:03:54,720
Speaker 1: He has lost in weight and he's losing more. He's

1319
01:03:54,720 --> 01:03:56,560
Speaker 1: on the regiment. He can share with me some of

1320
01:03:56,600 --> 01:03:58,040
Speaker 1: the things he's doing now. But by the way, I

1321
01:03:58,120 --> 01:04:01,520
Speaker 1: learned the whole vocabulary blessed up, bless bless up. You

1322
01:04:01,600 --> 01:04:07,960
Speaker 1: don't talk talk. I think he's trying. So there's you know,

1323
01:04:08,000 --> 01:04:09,720
Speaker 1: I think some of some of its genetic. So he's

1324
01:04:09,880 --> 01:04:12,280
Speaker 1: he's palced in originally, and so people that part of

1325
01:04:12,280 --> 01:04:14,320
Speaker 1: the world, they couldn't need a lot of carbohydrates because

1326
01:04:14,320 --> 01:04:17,800
Speaker 1: they get into trouble real quick. And so because genetically

1327
01:04:17,880 --> 01:04:20,040
Speaker 1: some cultures, the people in those areas of the world

1328
01:04:20,120 --> 01:04:22,080
Speaker 1: were used to not having a ton of food. So

1329
01:04:22,200 --> 01:04:24,800
Speaker 1: if you move genetic people who are very thrifty with

1330
01:04:24,840 --> 01:04:26,800
Speaker 1: their calories to a part of the world where there

1331
01:04:26,840 --> 01:04:28,680
Speaker 1: are a lot of calories, you don't just shift in

1332
01:04:28,760 --> 01:04:32,480
Speaker 1: one generation. Yeah, So people from subcontinent of India the

1333
01:04:32,560 --> 01:04:35,280
Speaker 1: same way American Indians out in the Pueblo areas and

1334
01:04:35,400 --> 01:04:37,600
Speaker 1: in New Mexico and Arizona, they have very high insensive

1335
01:04:37,600 --> 01:04:40,040
Speaker 1: obesity because you take them out of an environment where

1336
01:04:40,040 --> 01:04:42,440
Speaker 1: they could survive with very little nutrients int take, and

1337
01:04:42,440 --> 01:04:43,600
Speaker 1: you put them in a place where there's you know,

1338
01:04:43,800 --> 01:04:46,080
Speaker 1: he got French fries everywhere that you're gonna put weight on.

1339
01:04:46,440 --> 01:04:49,560
Speaker 1: But I'm impressed by the soul of that man. That

1340
01:04:49,680 --> 01:04:51,200
Speaker 1: guy is going to do things to help a lot

1341
01:04:51,200 --> 01:04:54,520
Speaker 1: of people. Yeah, my kids rarely tell me they want

1342
01:04:54,560 --> 01:04:56,560
Speaker 1: to come to the show. They were mad when they

1343
01:04:56,600 --> 01:04:58,080
Speaker 1: found out that he was on. I didn't tell them.

1344
01:04:58,160 --> 01:05:01,240
Speaker 1: That's very inspiration. Yeah. So if he's influencing, you know,

1345
01:05:01,640 --> 01:05:03,880
Speaker 1: my kids and getting other kids, well, then God bless him.

1346
01:05:03,880 --> 01:05:05,720
Speaker 1: And he has done the right things for his health.

1347
01:05:05,800 --> 01:05:07,560
Speaker 1: He's had a couple of health scare. He talked about

1348
01:05:07,560 --> 01:05:09,200
Speaker 1: the alopecia he had, which is a he lost a

1349
01:05:09,240 --> 01:05:11,560
Speaker 1: little second parts of his beard, which is a gray

1350
01:05:11,680 --> 01:05:14,320
Speaker 1: calla just needs to accept it. So, no, it's not gray.

1351
01:05:14,440 --> 01:05:16,760
Speaker 1: He lost the hair, okay, And that happens from stress.

1352
01:05:17,160 --> 01:05:18,800
Speaker 1: Things that happened to our skin, in our hair when

1353
01:05:18,840 --> 01:05:21,440
Speaker 1: we're stressed out. A little eyego is an example. You

1354
01:05:21,480 --> 01:05:24,680
Speaker 1: have these little white spots on your skin. Yeah, he

1355
01:05:24,840 --> 01:05:27,600
Speaker 1: is in his face and Michael Jackson would think about that, right, so, so,

1356
01:05:27,800 --> 01:05:30,240
Speaker 1: and now that's associated with how your body is dealing

1357
01:05:30,320 --> 01:05:32,680
Speaker 1: with stress, because your immune system is attacking your own cells.

1358
01:05:32,840 --> 01:05:34,400
Speaker 1: I don't know if it allego had to do with stress.

1359
01:05:34,400 --> 01:05:36,960
Speaker 1: I always thought that was just a hereditary it's genetic.

1360
01:05:37,040 --> 01:05:39,080
Speaker 1: There is a genetic element, but the genetic element is

1361
01:05:39,200 --> 01:05:41,560
Speaker 1: that it allows your immune system to attack your skin.

1362
01:05:41,640 --> 01:05:44,920
Speaker 1: It'slopecia reversible if it's the kind of alopecia that the

1363
01:05:45,000 --> 01:05:47,720
Speaker 1: DJ Khalid had. Yes, because it's primarily stress related. Women

1364
01:05:47,760 --> 01:05:53,480
Speaker 1: get alopecia with childbirth, round pregnacy. Talking about skin and

1365
01:05:53,560 --> 01:05:56,560
Speaker 1: skin bleaching and pregnancy, not pregnancy, but the skin bleaching

1366
01:05:56,600 --> 01:05:58,920
Speaker 1: is a big issue from for for for me, for

1367
01:05:59,480 --> 01:06:02,080
Speaker 1: me because he showed me to talk beautifully about his

1368
01:06:02,200 --> 01:06:05,440
Speaker 1: own path to this. But I still don't understand skin.

1369
01:06:05,880 --> 01:06:08,680
Speaker 1: But I didn't blue. Yes, they're covering his skin. They

1370
01:06:08,720 --> 01:06:11,640
Speaker 1: didn't have to bleach and which you know was very effective.

1371
01:06:11,680 --> 01:06:14,440
Speaker 1: But I still don't understand why African Americans bleached skin.

1372
01:06:14,720 --> 01:06:16,680
Speaker 1: And you said yeah, but you said it's quite nicely,

1373
01:06:16,720 --> 01:06:17,920
Speaker 1: and I think it was like a good fair one

1374
01:06:17,960 --> 01:06:19,280
Speaker 1: to hear that. You know, you know, you like, you

1375
01:06:19,400 --> 01:06:20,920
Speaker 1: like what you're born with. Yeah, I love my skin.

1376
01:06:21,000 --> 01:06:22,800
Speaker 1: I want my skin to be healthier, but I don't

1377
01:06:22,800 --> 01:06:25,360
Speaker 1: want to be another complexion. You know, he was a

1378
01:06:25,400 --> 01:06:28,080
Speaker 1: couple of complexions at one time. But then people, Yeah,

1379
01:06:28,120 --> 01:06:30,200
Speaker 1: he was dark head, he was light hair. You said

1380
01:06:30,240 --> 01:06:32,800
Speaker 1: you were fifty shades of black, shades of black. But

1381
01:06:32,960 --> 01:06:35,320
Speaker 1: he said that was his line. Oh no, said, he

1382
01:06:35,360 --> 01:06:37,120
Speaker 1: brought up a good point after that question again, I said,

1383
01:06:37,120 --> 01:06:38,720
Speaker 1: why do people's tan then, because I know I like

1384
01:06:38,800 --> 01:06:40,560
Speaker 1: to get a tan, you know I don't. I don't

1385
01:06:40,600 --> 01:06:43,680
Speaker 1: get tanning. And yes, it makes you look I think

1386
01:06:43,720 --> 01:06:46,480
Speaker 1: it's a nice glowe. I do always put on, like,

1387
01:06:46,640 --> 01:06:48,400
Speaker 1: you know, a good amount of stund black and everything,

1388
01:06:48,440 --> 01:06:50,400
Speaker 1: but I still like to get a little tint of color. Yeah,

1389
01:06:50,880 --> 01:06:53,000
Speaker 1: I'm okay with that. But for me, a tint of

1390
01:06:53,040 --> 01:06:54,800
Speaker 1: color is different from you know, looking like you're a

1391
01:06:54,880 --> 01:06:57,400
Speaker 1: whole different complexion. You should look like your normal color

1392
01:06:57,440 --> 01:06:59,439
Speaker 1: with a little tan on it, not so the different

1393
01:06:59,480 --> 01:07:01,680
Speaker 1: colors you can and tell. And I always put some

1394
01:07:01,800 --> 01:07:03,600
Speaker 1: black in my face, my ears, my neck, back, in

1395
01:07:03,640 --> 01:07:05,560
Speaker 1: my hands, right, but I don't usually put some black

1396
01:07:05,600 --> 01:07:07,880
Speaker 1: on my chest, on my back until I've seen a

1397
01:07:07,920 --> 01:07:09,840
Speaker 1: little bit of sun because you do want the vitamin

1398
01:07:10,240 --> 01:07:12,440
Speaker 1: D from the sun exposure. So I think we all

1399
01:07:12,600 --> 01:07:14,680
Speaker 1: naturally expect a little bit of a glow from the

1400
01:07:14,760 --> 01:07:16,800
Speaker 1: sun because it means you're getting some vitamin D. But

1401
01:07:16,880 --> 01:07:18,600
Speaker 1: then they say the sun ages you, though, like I said,

1402
01:07:18,760 --> 01:07:20,280
Speaker 1: that's why I put the sun black on my face

1403
01:07:20,360 --> 01:07:22,560
Speaker 1: in my ears, because if you show your ass to

1404
01:07:22,560 --> 01:07:23,840
Speaker 1: the sun, it's not gonna age. And if it does,

1405
01:07:23,880 --> 01:07:26,280
Speaker 1: who cares. Right, it's but you don't want your face

1406
01:07:26,360 --> 01:07:29,760
Speaker 1: being with the old looking ass. It's a good point. Actually,

1407
01:07:29,760 --> 01:07:31,680
Speaker 1: maybe maybe it's okay. There's only one last thing to do.

1408
01:07:32,480 --> 01:07:35,240
Speaker 1: Leave put your love all. Yeah, that's what let's do. Charlotmaine,

1409
01:07:35,240 --> 01:07:38,200
Speaker 1: come on, why you so why you want to be

1410
01:07:38,320 --> 01:07:40,920
Speaker 1: my ass so bad? Because we're trying to make sure

1411
01:07:40,960 --> 01:07:42,920
Speaker 1: that you're healthy's trying to help. There's gonna go and

1412
01:07:43,040 --> 01:07:49,360
Speaker 1: we're gonna we're gonna examine your grade. I'm gonna gonna

1413
01:07:49,360 --> 01:07:53,440
Speaker 1: do what you're gonna you know, I want to go

1414
01:07:55,480 --> 01:08:00,880
Speaker 1: any fingers still us all? Okay, yeah, okay, it's too real.

1415
01:08:01,040 --> 01:08:05,400
Speaker 1: Alrightday keeping real goes wrong? Thank you, doctor oz Let

1416
01:08:05,520 --> 01:08:10,440
Speaker 1: right in, mister breakfast club, Good morning,