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Speaker 1: Hi.

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Speaker 2: I am Kate Hudson and my name is Oliver Hudson.

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Speaker 3: We wanted to do something that highlighted our.

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Speaker 2: Relationship and what it's like to be siblings. We are

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Speaker 2: a sibling.

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Speaker 4: Railvalr No, no, sibling. You don't do that with your mouth, revelry.

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Speaker 3: That's good, Ollie, this is me. I'm so excited right now.

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Speaker 3: I know you are because I'm obsessed with these ladies.

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Speaker 3: I love them. They're so brilliant, they're so beautiful. They're

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Speaker 3: the most incredible voices. They're beautiful songwriters. They're uh have

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Speaker 3: been around since she thousand and seven. They were formed

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Speaker 3: in Brooklyn. They work with everybody from Harry Styles to

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Speaker 3: War on Drugs to Brandy Carlow and then they've really

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Speaker 3: like made a name for themselves and I just literally

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Speaker 3: they are an obsession of mine. And it's Lucius Holly

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Speaker 3: I think you pronounce it Lasig and Jess Wolf and

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Speaker 3: they gave us exclusively their new single, Thickest Thieves, for

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Speaker 3: people to listen to only on our podcast downloadable right

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Speaker 3: yep on our podcast.

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Speaker 2: For the two days after right, we'll get through the

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Speaker 2: interview and then we're going to play it.

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Speaker 3: Then we're going to play it. Yeah, and I'm so

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Speaker 3: and you've never you never knew them, and I.

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Speaker 2: Kind of getting myself, you know, up to speed. Obviously.

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Speaker 2: I heard their single incredible, and then you have been

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Speaker 2: sort of giving me songs to listen to them, and

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Speaker 2: they're amazing. I mean, adding to my playlist for sure

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Speaker 2: without a doubt.

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Speaker 3: Yeah, I'm I'll be fangirling this whole interview.

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Speaker 2: And I have like, I love the harmonies a lot, like, oh, well,

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Speaker 2: that's what they do, beautiful, juste cerial.

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Speaker 1: You know.

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Speaker 3: It's also like for girls. I think they're just their

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Speaker 3: whole vibe is the best. Anyway, let's let's get into it.

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Speaker 3: And I can't wait to meet them.

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Speaker 1: Hello, Hi, hi, Hi, Hey, Oh welcome.

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Speaker 3: I'm so happy and excited that you're on the show

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Speaker 3: on our on our podcast.

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Speaker 1: Thank you for having us.

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Speaker 3: Where are you right now?

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Speaker 1: We're in my little casita in the back of my

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Speaker 1: house in Silver Lake.

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Speaker 3: Oh so you're in La Yeah? Oh cool? Do you

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Speaker 3: both live here? I don't know why I thought you

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Speaker 3: guys lived in Nashville.

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Speaker 1: I was splitting time in Nashville.

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Speaker 2: I did a show called Nashville in Nashville. I was Oh, yeah,

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Speaker 2: so I lived there for a couple of years as well.

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Speaker 1: I'm friends with Cali.

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Speaker 2: Oh you are yeah, CALLI t Bone.

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Speaker 1: We're actually going to record with t Bone tonight.

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Speaker 2: You are Oh fun, amazing.

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Speaker 3: I was just with the guy who mixes for tea bone. Yeah,

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Speaker 3: maybe Zach Zach Dog. I don't know. I was doing

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Speaker 3: I was doing something at the village and there was

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Speaker 3: a guy in there and he was saying he was

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Speaker 3: mixing something for tea bone.

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Speaker 1: Maybe maybe maybe it could have been Zach. But he's

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Speaker 1: my neighbor and uh my, my, my Hebrew school boyfriend.

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Speaker 2: Stop it.

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Speaker 3: Where did you grow up?

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Speaker 1: I grew up in the valley.

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Speaker 3: In the valley, and you and I grew up in Cleveland.

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Speaker 3: In Cleveland, Wow, it's very different than the valley.

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Speaker 5: Yeah.

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Speaker 3: I remember going to Cleveland for the first time on

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Speaker 3: tour with my ex husband and I was like twenty

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Speaker 3: one years years old, and we showed up to a

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Speaker 3: mall where the hotel was so like, you're in the

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Speaker 3: mall and then all I wanted to do is like

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Speaker 3: something and I went down. I was like, what's there

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Speaker 3: to do? And the guy the concierge was like, ah,

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Speaker 3: like not like you could go bowling, And I was like.

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Speaker 6: Bowling was a big, a big pastime.

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Speaker 3: Yeah, and so we went bowling and fun. It was fun,

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Speaker 3: It was fun.

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Speaker 1: It was I was having a bit of a renaissance. Yeah,

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Speaker 1: like renaissance might be a little okay, that's but there's

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Speaker 1: like a little bit of a food scene, arts scene, now, yeah,

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Speaker 1: a couple of That's what happens when things are really boring.

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Speaker 2: Well, how does how does the valley meet Cleveland? How

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Speaker 2: does that? That seems like worlds away?

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Speaker 3: At school in Boston, yeah, you know all the way. Yeah, yeah,

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Speaker 3: so you guys been in school.

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Speaker 6: Yeah, we went to Berkeley College of Music.

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Speaker 2: Okay, of course you did.

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Speaker 3: I have like I have, I have a secret like

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Speaker 3: and like of envy it every I've worked with so

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Speaker 3: many people who have gone to the Berkeley at this point,

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Speaker 3: and I'm like, it just feels like the best musicians

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Speaker 3: come out of that college.

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Speaker 2: You know.

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Speaker 1: It was all about community. So I think both of

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Speaker 1: us felt a lack of community early in our early years,

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Speaker 1: and so when we went to school, it was like

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Speaker 1: the first time we had a place where there were

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Speaker 1: like minded kids and it was just so nice to

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Speaker 1: create and to share ideas and explore things, and and

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Speaker 1: that was that was the real I think gift of Berkeley. Yeah.

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Speaker 5: I mean I remember like coming from you know, my

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Speaker 5: town in Ohio, and I.

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Speaker 6: Coming to Berkeley.

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Speaker 5: In the first couple of days, like the first day

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Speaker 5: in the it felt like to me that that blind

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Speaker 5: Melon video where she the little bee finds all finally

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Speaker 5: at the end.

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Speaker 3: Yeah, the best video ever.

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Speaker 1: Video.

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Speaker 2: Yeah.

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Speaker 3: Yeah, Well, do you still work with people from that

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Speaker 3: you went to school with?

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Speaker 1: I mean we still have a bunch of close friends

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Speaker 1: and our bandmates all went to Berkeley.

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Speaker 2: Yeah.

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Speaker 1: Wow, sort of by accident because we weren't We didn't

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Speaker 1: form together with them until we were in New York.

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Speaker 2: But so wait, you go to Berkeley and you're walking

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Speaker 2: down the hall and you just like kind of high

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Speaker 2: five and you're like, let's let's do this exactly.

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Speaker 6: We had matching outfits off.

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Speaker 2: You know, how do you find each other? How how

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Speaker 2: does one find each other? Generally?

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Speaker 3: Give us like genesis, Like what was the what was

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Speaker 3: the first time you met?

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Speaker 1: The first time we met. I don't know that. I

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Speaker 1: I don't know that I remember the very first time.

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Speaker 5: Yeah, I think you came into our room. Maybe I

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Speaker 5: don't remember for sure, but you were friends.

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Speaker 1: My my first friend at school was Holly's roommate, and

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Speaker 1: we were in the same orientation group. And she's a

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Speaker 1: wild girl, and I remember her sharing things with me

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Speaker 1: that I had I feel like I had never even

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Speaker 1: known about, let alone.

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Speaker 3: Wait, this is the roommate. Yeah, yeah, oh.

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Speaker 1: I'm going to be friends with this one. And then yeah,

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Speaker 1: I can't remember, but we somehow ended up all hanging

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Speaker 1: out in their room, like cooking on Holly's rice cooker. Yeah,

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Speaker 1: and the rest was history.

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Speaker 3: Did you study did you study instrument or was it

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Speaker 3: just vocals?

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Speaker 6: It was vocal?

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Speaker 5: Vocal was our instrument at school, Okay, And then I

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Speaker 5: guess I didn't have panel flash at Berkeley.

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Speaker 2: But I'm I'm so curious because you have at Berkeley.

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Speaker 2: You've got just a ton of musicians spanning all different

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Speaker 2: the spectrum of music, right. And then it's the community

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Speaker 2: is big, it's real. There's so much opportunity to fall

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Speaker 2: in with someone or a group or something that is

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Speaker 2: going to sort of propel you or launch you or

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Speaker 2: inspire you. And like for you guys to have found

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Speaker 2: each other, what was the thing you know? It's like

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Speaker 2: are you making rice? And all of a sudden you're

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Speaker 2: like and then it's like, wow, like this works.

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Speaker 1: Yeah, that's sort of us in a nutshell. I mean,

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Speaker 1: we started talking about our musical upbringings and the music

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Speaker 1: really that our dads would play for us.

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Speaker 3: And what were those what was it old school.

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Speaker 1: Soul music, Sam Cook, Roy Orbison, like the oldies channels.

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Speaker 1: We both were sort of old souls, and so we

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Speaker 1: decided to get together and do a white album cover show,

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Speaker 1: a girl group version of the white album, which never happened.

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Speaker 3: I love that idea.

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Speaker 1: Yeah, it would be cool. Yeah.

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Speaker 2: Yeah.

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Speaker 1: We started working on Happiness as a warm gun, and

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Speaker 1: then we just sort of pivoted and started writing our

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Speaker 1: own songs.

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Speaker 3: Yeah yeah.

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Speaker 5: And it wasn't like any particular plan or vision or

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Speaker 5: goal end goal in mind. We just kept getting together

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Speaker 5: after that point and started writing our own music and

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Speaker 5: booking little shows.

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Speaker 3: And obviously your guys's voice, I mean, you know, because

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Speaker 3: that's your instrument in your ear that the second you

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Speaker 3: start singing together, it's like, hmm, did you sell?

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Speaker 1: I think there amazing moment when we got in the

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Speaker 1: studio for the first time and recorded and you know,

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Speaker 1: we both wanted to be lead singers, but we wanted

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Speaker 1: to be lead singers together, and you know, we didn't

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Speaker 1: want to just do harmonies or just trade off versus

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Speaker 1: or something. And we were thinking about some of our

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Speaker 1: favorite sort of recordings Elliott Smith and Phil Spector, The

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Speaker 1: Wall of Sound, and a lot of these recordings doubled

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Speaker 1: double track vocals, so we were like, oh, well, we

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Speaker 1: could just do that live.

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Speaker 3: I would think that you guys would have had that

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Speaker 3: kind of moment where you were like, you know, this

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Speaker 3: sounds amazing, because then for those who don't know that,

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Speaker 3: listen in our podcast. You've also I mean you've sang

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Speaker 3: with so many people and have collaborated with so many

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Speaker 3: musicians and just like make everything they do sound great.

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Speaker 3: I personally, like, I find myself falling in love with

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Speaker 3: music that I don't know you're on, and and you're

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Speaker 3: on it like I don't live here anymore. I cover that.

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Speaker 3: I love covering that song. I love that song, such

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Speaker 3: a great song. But then you're on that and then

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Speaker 3: you know, dance Around It was like, I mean I

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Speaker 3: knew that was your song, but dance around it is

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Speaker 3: like Ronnie and I as theme song in life, my

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Speaker 3: daughter and and uh, and so just you guys, And

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Speaker 3: it ranges from I mean your everything you do range,

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Speaker 3: it has so much range. And and I love the

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Speaker 3: new single. I'm so excited that you're allowing us to,

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Speaker 3: you know, give it an exclusive play and and but

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Speaker 3: I mean it started Okay, so you guys you met

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Speaker 3: in Berkeley, then you went to New York and O

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Speaker 3: seven and what was so what was your first big break?

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Speaker 1: Yeah?

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Speaker 5: Yeah, I think nbr's Tiny Desk was that was kind

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Speaker 5: of the first. Well we had written.

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Speaker 6: Bob Boyle and like before that a couple of times.

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Speaker 7: Right, Yeah, we had sent him like handwritten letters and

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Speaker 7: burned CDs and then he finally, you know, got in

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Speaker 7: touch with us, and we did a Tiny Desk And

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Speaker 7: that was the first time that we started playing shows

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Speaker 7: where people that like weren't related to us.

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Speaker 6: Showed up and we were like, what's happening here?

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Speaker 1: Wow, you're singing along?

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Speaker 6: Yeah?

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Speaker 5: Yeah, And so so that felt that really feels like

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Speaker 5: probably the biggest break, and people still bring it up

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Speaker 5: even though.

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Speaker 6: It was stages ago. Yeah, look back and feel like

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Speaker 6: baby's doing that.

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Speaker 1: Yeah, I'm like, why did we wear bows in our hair?

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Speaker 1: Why did we do that to ours?

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Speaker 3: Oh my god? Where? How long were you in New York?

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Speaker 1: We were in New York for eight years?

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Speaker 6: Yeap.

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Speaker 1: And it was really fun. It was it felt like

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Speaker 1: and I'm sure everyone feels that way about when they're

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Speaker 1: when they're living in New York, but at the time,

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Speaker 1: it felt like there was just there was a certain

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Speaker 1: magic happening, like hmm, well, I remember like going all

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Speaker 1: the jazz clubs. I mean on the weekly. We lived

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Speaker 1: with a couple of jazz musicians as well, but we

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Speaker 1: just go from from room to room and hear you know,

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Speaker 1: Jon Batiste and Chris Dave and Robert Glasper And this

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Speaker 1: was before they were the versions of themselves that you

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Speaker 1: know now.

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Speaker 3: Yeah, that time I was living in New York then,

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Speaker 3: like the early aughts, and so is my partner Danny,

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Speaker 3: and they had a band of Chief and there was

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Speaker 3: just this like vibe happening in New York that was

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Speaker 3: like the Cabin, remember the Cabin the club. It was

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Speaker 3: like you go down there in every musician that you

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Speaker 3: just either loved or were discovering would be there until

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Speaker 3: like four in the morning. Yeah, it was such a

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Speaker 3: it was such a great time for music.

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Speaker 1: It really was. Yeah, and we took it for granted

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Speaker 1: because that's what you do. But we we I mean

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Speaker 1: took it for granted. I shouldn't say that we immersed ourselves,

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Speaker 1: but we didn't know.

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Speaker 6: How much of a moment it was was, you know, until.

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Speaker 1: Until you're gone.

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Speaker 5: Yeah.

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Speaker 3: Oh yeah. I remember seeing Jack White. I remember seeing

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Speaker 3: the White Stripes at Bowie Ballroom when everyone was like

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Speaker 3: clamoring over them to sign them and and or or

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Speaker 3: deciding I wouldn't even say clamoring, just deciding whether they

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Speaker 3: were going to sign them or not. And I had

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Speaker 3: a friend that was at Virgin and we went to

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Speaker 3: Bowerie and saw it and it was so fucking great.

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Speaker 3: And I was like, you're an idiot if you don't

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Speaker 3: sign this band, like yeah, and they were like these

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Speaker 3: like Detroit kids that just were, you know, hopping around

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Speaker 3: getting bigger and bigger. It was like that. It's just

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Speaker 3: that that energy around that time was just have It

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Speaker 3: was awesome. It doesn't exist there anymore like that, or

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Speaker 3: it doesn't feel.

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Speaker 5: Like unless there's a new younger, I mean, probably we're

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Speaker 5: out of touch.

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Speaker 3: Well no, because my son's at n y U. He's

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Speaker 3: there and it really doesn't. It doesn't have the same

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Speaker 3: it's not for that for music, it's not it's not

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Speaker 3: the same.

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Speaker 2: Like do you think it's the rise of like ed

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Speaker 2: M and more of an electronic vibe or this new

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Speaker 2: sort of era of hip hop? You know, Like what

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Speaker 2: is it that you think?

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Speaker 1: You know?

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Speaker 2: Why do you think that that's.

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Speaker 1: Everyone's making music in there?

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Speaker 2: Yeah?

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Speaker 3: Right, it's it's also really like live music is these venues,

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Speaker 3: Like I think it's expensive, like this idea that we're.

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Speaker 1: Going because they're just listening or watching elsewhere. I mean

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Speaker 1: there was the need for community. Yeah, I think communities

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Speaker 1: made our entire careers. Yeah, I think that's like you.

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Speaker 1: I mean, like you said, singing on other people's tracks

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Speaker 1: or you know, going on tour with whomever, building a

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Speaker 1: network in New York, Like, I don't know, just I

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Speaker 1: feel like we'd be nothing without everyone.

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Speaker 3: Yeah. Now, what was your first big tour probby Jack Waye?

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Speaker 6: Yeah, that was probably our first in Europe.

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Speaker 1: Yeah, that was like our first arena tour.

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Speaker 6: Yeah.

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Speaker 2: Fun, how do you how does that work out? You

299
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Speaker 2: just get the call, Hey, we want you guys on

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Speaker 2: the bill, simple as that.

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Speaker 1: Yeah, I mean the basic label again like this is

302
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Speaker 1: you know, friends of friends of friends, but the basis

303
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Speaker 1: Dominic was friends. His wife was a childhood friend of

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Speaker 1: our old guitar player, and he they had heard our

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Speaker 1: record and passed it on to Jack and you know,

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Speaker 1: invited us, invited us out something like that. Yeah. I

307
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Speaker 1: think before that we had done some like van tours

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Speaker 1: with like JD. McPherson, and that was our first, our

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Speaker 1: first first real tour.

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Speaker 3: What was your first big burnout, like get me the

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Speaker 3: fuck off the road, Like do you remember the moment

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Speaker 3: we were like I can't do I can't I mean,

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Speaker 3: I know, I don't even play music, and I had

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Speaker 3: that like being married to one. I was like I'm

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Speaker 3: gonna go crazy.

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Speaker 6: I think.

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Speaker 5: Well, on Wilder Woman, our first record, we toured relentlessly

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Speaker 5: and we were driving ourselves in a van and we

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Speaker 5: did radio shows in the morning, like we drive overnight

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Speaker 5: and then do a radio show at seven in the

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Speaker 5: morning and then get to the venue. And we were

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Speaker 5: so how many we had like two non consecutive weeks

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Speaker 5: off that entire year, and the end of the year

324
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Speaker 5: we were in Europe and I remember like walking the

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Speaker 5: streets of Paris just like a zombie being like.

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Speaker 1: I'm in Paris, why are you enjoying this?

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Speaker 6: We were just so tired.

328
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Speaker 1: Yeah, although I have a baby and go on tour

329
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Speaker 1: and it's a whole new level of exhaustion.

330
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Speaker 3: Oh my god, Oh my god.

331
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Speaker 2: I was.

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Speaker 3: Crazy. I mean, very tour story, but I'll share it.

333
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Speaker 3: You guys will appreciate this. Chris was headlining Bonaroo and

334
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Speaker 3: and Rider was a year and change and got a

335
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Speaker 3: one hundred and five fever where he started to become lethargic. No, no, no,

336
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Speaker 3: I had to take him to the Nashville Children's Hospital,

337
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Speaker 3: get him on a thing. I didn't know what was

338
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Speaker 3: going on. He'd take X rays I had. He was

339
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Speaker 3: on an ivy. Chris had to get to bonn Aerou,

340
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Speaker 3: so he took one bus. I had the other bus.

341
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Speaker 3: I am then now going back. Finally we left. Now

342
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Speaker 3: I'm going to bonn Aerou with a sick baby. And

343
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Speaker 3: then and then he starts getting sick again and throwing

344
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Speaker 3: up everywhere, and I'm calling the doctor and I'm like,

345
00:19:19,880 --> 00:19:21,640
Speaker 3: I just was like, I just wanted to be homeless,

346
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Speaker 3: Like guys want to get home. I'm on the bus

347
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Speaker 3: in the middle of like, cause Bonnarou obviously he's a

348
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Speaker 3: little bit outside of Nashville. And finally I called the doctor.

349
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Speaker 3: He's like, his fever's probably breaking. He's going to be okay.

350
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Speaker 3: And we finally landed at Bonnaroo, and Rider was finally

351
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Speaker 3: like calmed down and watching something on the bus, and

352
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Speaker 3: I just got outside and I looked out at this festival,

353
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Speaker 3: which is where everybody's coming to like celebrate and have

354
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Speaker 3: a great time and party and have fun. And I

355
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Speaker 3: was just like, get me off the road, Get me

356
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Speaker 3: off the road with the baby. It's so hard. I

357
00:19:58,520 --> 00:20:02,600
Speaker 3: can't even imagine what it's like for you having to

358
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Speaker 3: then go. So I hope that never happens to you

359
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Speaker 3: on your way to bonn Row.

360
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Speaker 1: It probably will.

361
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Speaker 3: How old is your baby now?

362
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Speaker 1: Mine is ten months?

363
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Speaker 2: Oh my god.

364
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Speaker 1: And we've been on the road since eight weeks. Wow,

365
00:20:21,320 --> 00:20:26,320
Speaker 1: he's he's thank god. He is so social. Never met

366
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Speaker 1: a stranger.

367
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Speaker 3: He didn't like, he's a road baby.

368
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Speaker 1: He yeah. Although the sleep, uh, you know, magically, we

369
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Speaker 1: get on tour and he won't sleep through the night,

370
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Speaker 1: and I'm like, come on, just like wait till we

371
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Speaker 1: get home for that. So I.

372
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Speaker 3: Feel like I feel like it's just better to sleep

373
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Speaker 3: with the baby because then they sleep better.

374
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Speaker 1: You know, he won't sleep in my bed. Really, he

375
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Speaker 1: wants his own space. He's an independent man.

376
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Speaker 3: How does that feel for you? I mean eight weeks

377
00:21:03,760 --> 00:21:07,760
Speaker 3: and you were I mean that's hard, that's like distinct.

378
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Speaker 1: And I had a I had a C section.

379
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Speaker 3: Oh stop. So you're six weeks of basically not really

380
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Speaker 3: to do anything, and two weeks later you're not You're singing.

381
00:21:17,480 --> 00:21:20,680
Speaker 1: Oh yeah, I wasn't. I know, I wasn't recovered. I'm

382
00:21:20,720 --> 00:21:26,400
Speaker 1: still not recovered. Yeah, it was. It was too soon.

383
00:21:26,600 --> 00:21:31,040
Speaker 1: It was too soon, but you know, okay, it was.

384
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Speaker 1: It was special because the year before at the same festival,

385
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Speaker 1: we played Brandy Carlisle's festival festival in Mexico, and she's

386
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Speaker 1: a dear friend, and the year before I had a

387
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Speaker 1: miscarriage at the festival. Wow, So I was wanting to

388
00:21:50,560 --> 00:21:56,399
Speaker 1: repair that, change that narrative full cle moment. So I

389
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Speaker 1: was sort of determined to be there.

390
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Speaker 2: I mean, this isn't pretty cool?

391
00:22:01,600 --> 00:22:03,199
Speaker 3: How did that? How did that feel?

392
00:22:03,520 --> 00:22:07,120
Speaker 1: It felt really powerful? I mean I don't even think

393
00:22:07,160 --> 00:22:09,680
Speaker 1: in the moment until we got on stage.

394
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Speaker 3: Uh and she brought him out.

395
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Speaker 1: I mean, there was like a full symba moment, and yeah,

396
00:22:17,840 --> 00:22:24,639
Speaker 1: it felt it felt really healing and necessary. So I

397
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Speaker 1: I'm glad we did it. I was exhausted. I'm glad

398
00:22:26,920 --> 00:22:29,720
Speaker 1: we did it. And Holly, I mean Holly was eight

399
00:22:29,760 --> 00:22:36,000
Speaker 1: months pregnant on tour with a toddler. Yeah, nanny. We

400
00:22:36,040 --> 00:22:40,920
Speaker 1: were hiring a different babysitter in each city. Yeah, maybe the.

401
00:22:40,880 --> 00:22:44,639
Speaker 3: Worst guys, you do you get one nanny for the

402
00:22:44,640 --> 00:22:45,520
Speaker 3: both of you on.

403
00:22:45,600 --> 00:22:51,439
Speaker 5: The road, DAWs, And we didn't had there was you know,

404
00:22:51,520 --> 00:22:55,520
Speaker 5: we were like sharing a bus with everyone, so yeah,

405
00:22:55,680 --> 00:22:58,439
Speaker 5: wow in every city and had to re explain everything

406
00:22:58,480 --> 00:22:58,920
Speaker 5: every day.

407
00:22:59,200 --> 00:23:02,240
Speaker 2: So but back in the day, I love those guys

408
00:23:02,320 --> 00:23:04,600
Speaker 2: when you guys, when you guys were touring, you know,

409
00:23:04,640 --> 00:23:07,719
Speaker 2: back in the day. Yeah, were you did you party?

410
00:23:07,720 --> 00:23:08,960
Speaker 2: Did you drink? Did you have fun?

411
00:23:09,640 --> 00:23:10,080
Speaker 3: Yeah?

412
00:23:10,200 --> 00:23:12,880
Speaker 1: I mean, you know, it's hard to be ahead, well,

413
00:23:12,960 --> 00:23:15,320
Speaker 1: I mean for some people. For me, it's hard to

414
00:23:15,320 --> 00:23:19,520
Speaker 1: be a heavy drinker and sing, like really sing. So

415
00:23:19,960 --> 00:23:24,439
Speaker 1: I I never was a heavy drinker, right, that wasn't my.

416
00:23:24,880 --> 00:23:25,439
Speaker 1: That wasn't my.

417
00:23:26,520 --> 00:23:29,080
Speaker 2: But it's just funny to see the the the sort

418
00:23:29,119 --> 00:23:32,840
Speaker 2: of from from the beginning of when there's free birds

419
00:23:32,920 --> 00:23:36,040
Speaker 2: drinking having fun to now you're on tour with with

420
00:23:36,280 --> 00:23:39,280
Speaker 2: babysitters or with children, and it's just a whole fucking

421
00:23:39,320 --> 00:23:40,200
Speaker 2: different ball game.

422
00:23:40,680 --> 00:23:43,800
Speaker 1: Different ball game. We definitely party, We definitely had fun.

423
00:23:44,240 --> 00:23:49,159
Speaker 1: We were NonStop. Yeah, and we didn't know what light ahead.

424
00:23:50,560 --> 00:23:51,160
Speaker 1: It's nice.

425
00:23:51,200 --> 00:23:52,880
Speaker 6: You know, no hangovers now.

426
00:23:53,080 --> 00:23:58,040
Speaker 3: Yeah, you kind of hangover, no hangover. I still I

427
00:23:58,080 --> 00:24:02,440
Speaker 3: feel like, even with kids, I still have hangovers. Yeah

428
00:24:02,560 --> 00:24:03,520
Speaker 3: every once in a while.

429
00:24:03,920 --> 00:24:05,640
Speaker 2: Yeah from alcohol.

430
00:24:05,720 --> 00:24:09,400
Speaker 3: You're saying, okay, yeah, I still go out like you.

431
00:24:09,480 --> 00:24:11,240
Speaker 2: Just had one just this weekend.

432
00:24:11,440 --> 00:24:14,480
Speaker 3: I know, I had a horrible hangover, but I didn't

433
00:24:14,480 --> 00:24:18,080
Speaker 3: even drink. Oh. I woke up. I had a martini

434
00:24:18,520 --> 00:24:21,399
Speaker 3: and and and and white wine, and then I had

435
00:24:21,400 --> 00:24:23,040
Speaker 3: a glass of way whine and I woke up like

436
00:24:23,160 --> 00:24:26,920
Speaker 3: I drank a bottle of vodka. It was like, what

437
00:24:26,960 --> 00:24:29,840
Speaker 3: the fuck? My brain felt like it was exploding.

438
00:24:31,480 --> 00:24:34,159
Speaker 5: But that's the thing, is like, yeah, the tolerance is

439
00:24:34,240 --> 00:24:36,080
Speaker 5: way down now, and I just I can't.

440
00:24:36,680 --> 00:24:36,920
Speaker 3: Yeah.

441
00:24:37,119 --> 00:24:39,480
Speaker 5: I mean, I have a couple of beers. I love

442
00:24:39,480 --> 00:24:41,040
Speaker 5: a beer beer girl.

443
00:24:41,680 --> 00:24:44,600
Speaker 3: So is Ali's wife. I love beer. I love a

444
00:24:44,600 --> 00:24:47,159
Speaker 3: good beer too, like a cold there's only a cold beer,

445
00:24:47,480 --> 00:24:47,840
Speaker 3: you know.

446
00:24:48,760 --> 00:24:51,960
Speaker 1: A cold, shitty beer. Honestly, I know like none of

447
00:24:51,960 --> 00:24:52,880
Speaker 1: these I pas.

448
00:24:53,480 --> 00:24:55,040
Speaker 2: Yes, Aaron loves the I p as.

449
00:24:55,160 --> 00:24:57,400
Speaker 3: I like and like like like.

450
00:24:57,359 --> 00:24:59,720
Speaker 2: A Miller, like a Miller High Life for like a PBR.

451
00:25:00,440 --> 00:25:04,680
Speaker 5: I like like I like a wheat beer beer like a.

452
00:25:04,640 --> 00:25:05,200
Speaker 2: Half of Vice.

453
00:25:05,640 --> 00:25:13,000
Speaker 3: Yeah, like a Vice. And I if I have any alcohol.

454
00:25:13,080 --> 00:25:17,720
Speaker 3: Before I start saying I sound awful, I mean it's drying.

455
00:25:17,800 --> 00:25:20,760
Speaker 1: It's really like, I mean you need you need the hydration.

456
00:25:21,359 --> 00:25:24,360
Speaker 1: And yeah, we're sent. We get more and more sensitive

457
00:25:24,400 --> 00:25:27,560
Speaker 1: as we get a little older. So it's it makes

458
00:25:27,600 --> 00:25:29,840
Speaker 1: sense I have to do so much more than I

459
00:25:29,880 --> 00:25:32,359
Speaker 1: ever had to do ten years ago.

460
00:25:32,760 --> 00:25:37,200
Speaker 3: Yeah. Now, did you both grow up in very musical households?

461
00:25:37,640 --> 00:25:39,880
Speaker 6: Very artistic? I would say we both did.

462
00:25:41,280 --> 00:25:44,520
Speaker 5: Some music, like music lovers and there was some music

463
00:25:44,920 --> 00:25:49,040
Speaker 5: in my family too, piano players and singers and stuff

464
00:25:49,119 --> 00:25:53,080
Speaker 5: like on my dad's side, but in my immediate family

465
00:25:53,960 --> 00:25:55,639
Speaker 5: it was there was a lot of visual art and

466
00:25:55,720 --> 00:25:57,600
Speaker 5: same with chess. That was another thing that we kind

467
00:25:57,640 --> 00:25:58,840
Speaker 5: of connected on.

468
00:25:58,960 --> 00:26:02,600
Speaker 3: Yeah, so it shows in your in your whole how

469
00:26:02,640 --> 00:26:09,240
Speaker 3: you present yourself, you know, your outfits and how. But

470
00:26:09,960 --> 00:26:13,199
Speaker 3: so what did they do my mom is?

471
00:26:13,840 --> 00:26:16,479
Speaker 1: I mean, she she's a I wouldn't call her a

472
00:26:16,520 --> 00:26:19,960
Speaker 1: painter per se, but she paints and she she's just

473
00:26:20,040 --> 00:26:23,879
Speaker 1: an artistic person. She she's worked at the Getty for

474
00:26:23,960 --> 00:26:26,959
Speaker 1: twenty eight years since it opened.

475
00:26:27,119 --> 00:26:30,240
Speaker 2: Oh wow, cool, I live right near the Getty. I'm

476
00:26:30,240 --> 00:26:31,440
Speaker 2: gonna go say hi to her after this.

477
00:26:32,720 --> 00:26:34,560
Speaker 1: Anytime you want a tour, she's your.

478
00:26:34,640 --> 00:26:34,720
Speaker 5: Ye.

479
00:26:37,040 --> 00:26:40,640
Speaker 1: She's just kind of an awesome lady. She's she's more

480
00:26:40,640 --> 00:26:44,239
Speaker 1: of like an art historian and she's Yeah. So she

481
00:26:44,320 --> 00:26:49,040
Speaker 1: always inspired me. And my dad had great taste in music,

482
00:26:49,119 --> 00:26:52,080
Speaker 1: so he was the one playing me, you know, tapes

483
00:26:52,160 --> 00:26:55,399
Speaker 1: and CDs as a young girl. And you know, he

484
00:26:55,440 --> 00:26:59,560
Speaker 1: introduced me to Linda Ronstad and Edna James and Arifa

485
00:27:00,040 --> 00:27:04,720
Speaker 1: and you know Roy Arbison, and I was, I was

486
00:27:04,760 --> 00:27:07,320
Speaker 1: doing a lot of listening. He really made me fall

487
00:27:07,320 --> 00:27:08,159
Speaker 1: in love with music.

488
00:27:10,840 --> 00:27:13,760
Speaker 5: I mean, my mom was primarily a weaver until we

489
00:27:13,760 --> 00:27:16,800
Speaker 5: were little, and then she she was an art teacher

490
00:27:16,840 --> 00:27:20,080
Speaker 5: for a while. And my grandfather was a painter and

491
00:27:20,119 --> 00:27:22,360
Speaker 5: he was the art director for American Greetings. So both

492
00:27:22,359 --> 00:27:24,760
Speaker 5: of my folks worked at American Greetings for for a

493
00:27:24,760 --> 00:27:25,400
Speaker 5: while as well.

494
00:27:25,960 --> 00:27:26,600
Speaker 2: Oh cool.

495
00:27:27,119 --> 00:27:33,719
Speaker 3: Yeah, Cleveland, that's like a weaver is like amazing.

496
00:27:34,920 --> 00:27:36,200
Speaker 6: Ohioan's weave too.

497
00:27:37,760 --> 00:27:43,159
Speaker 3: I love it. I'm like, wow, that might that's so

498
00:27:43,960 --> 00:27:45,200
Speaker 3: that makes me so.

499
00:27:45,359 --> 00:27:48,280
Speaker 1: Happy, Cleveland, you might be weaving.

500
00:27:52,800 --> 00:27:54,560
Speaker 2: That's gonna go to the tourism board.

501
00:27:56,960 --> 00:27:59,560
Speaker 3: So how do you do your do outfits? Like do

502
00:27:59,600 --> 00:28:02,200
Speaker 3: you have like I mean, I'm sure everyone who knows

503
00:28:02,200 --> 00:28:04,119
Speaker 3: and loves you wants to know how this rice? Do

504
00:28:04,160 --> 00:28:05,960
Speaker 3: you work with stylist? You do yourself?

505
00:28:07,080 --> 00:28:08,359
Speaker 2: I was going to ask them about that too, just

506
00:28:08,400 --> 00:28:11,400
Speaker 2: the evolution to of just not just your music, but

507
00:28:11,560 --> 00:28:14,520
Speaker 2: you know the aesthetic, Like did that evolve and is

508
00:28:14,560 --> 00:28:15,840
Speaker 2: it constantly evolving?

509
00:28:16,720 --> 00:28:19,399
Speaker 1: Yeah, it's evolving, like with our you know, we're always

510
00:28:19,440 --> 00:28:23,560
Speaker 1: creating a different world dependent on the on the music

511
00:28:23,600 --> 00:28:27,360
Speaker 1: that's being written. Really, we wanted to.

512
00:28:27,359 --> 00:28:31,040
Speaker 8: Dress the sounds we had, you know, because we loved

513
00:28:31,080 --> 00:28:35,600
Speaker 8: girl groups and we loved we love visual things.

514
00:28:35,160 --> 00:28:36,119
Speaker 6: And striking things.

515
00:28:36,160 --> 00:28:38,480
Speaker 5: We had always that was always going to be an

516
00:28:38,520 --> 00:28:42,880
Speaker 5: element of it. And we were initially like coordinating, you know,

517
00:28:43,000 --> 00:28:46,280
Speaker 5: coordinating our outfits. But then we went to south By

518
00:28:46,600 --> 00:28:50,080
Speaker 5: very first south By Southwest that we did right, and

519
00:28:50,560 --> 00:28:52,840
Speaker 5: a friend of ours said, you know what you guys

520
00:28:52,840 --> 00:28:56,920
Speaker 5: should do, should dress exactly the same, like head to

521
00:28:57,080 --> 00:28:59,120
Speaker 5: two everything, because you.

522
00:28:59,120 --> 00:29:01,760
Speaker 1: Sound like one. So you should look like one.

523
00:29:01,600 --> 00:29:06,479
Speaker 5: Person, and we both kind of like creepy things and

524
00:29:06,520 --> 00:29:06,960
Speaker 5: the like.

525
00:29:07,000 --> 00:29:08,720
Speaker 1: You know, it's like a choir when you when you

526
00:29:08,760 --> 00:29:11,520
Speaker 1: see a choir and everyone's in matching robes, you think

527
00:29:11,560 --> 00:29:14,080
Speaker 1: about a group of people per se. You think about

528
00:29:14,080 --> 00:29:16,400
Speaker 1: the sound that they're creating together. When you look at them,

529
00:29:16,480 --> 00:29:20,040
Speaker 1: you look at as a unit. Yeah, and so we

530
00:29:20,040 --> 00:29:22,800
Speaker 1: were like and at the time, we couldn't afford a

531
00:29:22,880 --> 00:29:25,720
Speaker 1: set or something like that, so we were a walking set.

532
00:29:27,480 --> 00:29:29,760
Speaker 1: So anytime we'd go to a festival and we had

533
00:29:29,800 --> 00:29:33,560
Speaker 1: our hair bleached exactly the same way, and our costumes

534
00:29:33,600 --> 00:29:38,760
Speaker 1: and everything was just our nail polish, everything exactly the same.

535
00:29:39,160 --> 00:29:44,040
Speaker 1: People were like, who the fuck are they best?

536
00:29:44,360 --> 00:29:46,840
Speaker 5: Like, go to this stage at three pm and check

537
00:29:46,880 --> 00:29:50,520
Speaker 5: it out. And it served us in those early days

538
00:29:50,520 --> 00:29:50,920
Speaker 5: for sure.

539
00:29:51,120 --> 00:29:53,240
Speaker 3: Yeah, And who made the cost did you have like

540
00:29:53,280 --> 00:29:55,280
Speaker 3: a friend who made them or did you do them yourself?

541
00:29:55,840 --> 00:29:58,640
Speaker 1: We were just like getting cheap outfits honestly, and like

542
00:29:59,600 --> 00:30:05,120
Speaker 1: tailor them, but just like finding weird shit online or whatever.

543
00:30:05,560 --> 00:30:08,600
Speaker 1: And now you know, we have a couple of people

544
00:30:08,680 --> 00:30:12,840
Speaker 1: that do our embroidery, like Fort Lonesome does our embroidery.

545
00:30:12,920 --> 00:30:14,680
Speaker 1: We have a tailor in La that if we have

546
00:30:14,720 --> 00:30:18,240
Speaker 1: a wild idea, he'll I'll find some fabric and he'll

547
00:30:18,280 --> 00:30:19,320
Speaker 1: sew it together.

548
00:30:19,720 --> 00:30:20,160
Speaker 2: Fine.

549
00:30:20,640 --> 00:30:22,560
Speaker 1: We've done some stuff with Christian Joy who does a

550
00:30:22,600 --> 00:30:28,120
Speaker 1: lot of Kareno's stuff, our friend Amy when we need help,

551
00:30:28,320 --> 00:30:32,400
Speaker 1: especially like as a group helping the guy's dress and stuff.

552
00:30:32,920 --> 00:30:39,360
Speaker 1: Amy Soderland, she dresses us. But normally it's normally it's us.

553
00:30:39,720 --> 00:30:42,160
Speaker 3: I love it fun, although.

554
00:30:42,320 --> 00:30:46,440
Speaker 1: Full time job finding costumes and figuring it out, so

555
00:30:46,680 --> 00:30:48,640
Speaker 1: you know, at some point it'd be nice.

556
00:30:49,240 --> 00:30:50,720
Speaker 3: I feel like it's like I don't know how to

557
00:30:50,760 --> 00:30:52,840
Speaker 3: explain that to people, but that's like, like I love,

558
00:30:52,960 --> 00:30:55,400
Speaker 3: like playing dress up is something I will do until

559
00:30:55,440 --> 00:30:58,240
Speaker 3: I die. Yeah, because just so much fun.

560
00:31:00,240 --> 00:31:02,680
Speaker 1: It was sort of a happy accident. But we both

561
00:31:02,760 --> 00:31:07,200
Speaker 1: wanted to be lead singers in the band, but we

562
00:31:08,360 --> 00:31:11,040
Speaker 1: wanted to be lead singers together. And a lot of

563
00:31:11,080 --> 00:31:14,040
Speaker 1: the records that we loved so much were you know,

564
00:31:14,360 --> 00:31:17,440
Speaker 1: Elliott Smith and Phil Spector all the like Wall of

565
00:31:17,520 --> 00:31:21,160
Speaker 1: Sound recordings, and a lot of those recordings there were

566
00:31:21,200 --> 00:31:24,480
Speaker 1: double tracked vocals, so we sort of were like, well

567
00:31:24,480 --> 00:31:26,280
Speaker 1: we could we could do this in the studio, but

568
00:31:26,320 --> 00:31:29,160
Speaker 1: we could do it live. And a lot of people

569
00:31:29,200 --> 00:31:31,480
Speaker 1: don't do that, you know, we don't know many people

570
00:31:31,480 --> 00:31:35,480
Speaker 1: who do that, like the roaches maybe, or you know

571
00:31:35,680 --> 00:31:41,320
Speaker 1: some not that many people. So we we started doing

572
00:31:41,360 --> 00:31:44,680
Speaker 1: that and it was a very natural fit. Separately, we

573
00:31:44,720 --> 00:31:48,360
Speaker 1: have very different voices, different tambres, but together it does

574
00:31:48,440 --> 00:31:52,400
Speaker 1: create this sort of unusual, unusual thing.

575
00:31:52,880 --> 00:31:57,600
Speaker 5: And yeah, and I think like, because we have these

576
00:31:57,600 --> 00:32:00,320
Speaker 5: two different tambres, we can get more dynamic out of

577
00:32:00,320 --> 00:32:06,440
Speaker 5: our sound because we play to whoever's strength is happening.

578
00:32:06,440 --> 00:32:07,360
Speaker 6: At which point, you.

579
00:32:07,320 --> 00:32:08,800
Speaker 3: Know, do you guys ever fight?

580
00:32:10,760 --> 00:32:13,840
Speaker 1: Not really, not really. We've fought a few couple of times,

581
00:32:14,080 --> 00:32:16,400
Speaker 1: a couple of times in twenty years.

582
00:32:16,520 --> 00:32:16,680
Speaker 2: Though.

583
00:32:16,800 --> 00:32:22,120
Speaker 1: Yeah, yeah, there's been like two like I'm leaving a

584
00:32:22,160 --> 00:32:26,920
Speaker 1: moment and then like ten minutes later, you know, it's over.

585
00:32:27,840 --> 00:32:30,560
Speaker 5: I just think we're it's it. It's kind of like

586
00:32:30,600 --> 00:32:33,480
Speaker 5: the voices is that the personalities are different enough to

587
00:32:33,520 --> 00:32:38,160
Speaker 5: be really complimentary, and we have different strengths, so we're

588
00:32:38,200 --> 00:32:41,080
Speaker 5: not really like, yeah, it's not.

589
00:32:42,560 --> 00:32:45,320
Speaker 3: And when you work with other people, are you writing

590
00:32:45,400 --> 00:32:49,360
Speaker 3: with them or like do you do you do writing sessions?

591
00:32:49,920 --> 00:32:53,760
Speaker 1: We write together or we just do like vocal arrangements.

592
00:32:55,040 --> 00:32:56,560
Speaker 1: You know, a lot of times people just want us

593
00:32:56,600 --> 00:33:00,240
Speaker 1: to come and do their do our thing in their world.

594
00:33:00,960 --> 00:33:03,640
Speaker 1: And so you know, we've been given, thankfully a lot

595
00:33:03,640 --> 00:33:07,720
Speaker 1: of freedom to just go in there and you know, paint.

596
00:33:09,200 --> 00:33:12,160
Speaker 2: Have you been offered collaborations or done collaborations where you

597
00:33:12,200 --> 00:33:14,520
Speaker 2: get the call and you're like, this is weird, but

598
00:33:14,640 --> 00:33:16,840
Speaker 2: let's give this a shot, you know what I mean.

599
00:33:17,480 --> 00:33:18,560
Speaker 6: I mean we've had like.

600
00:33:20,360 --> 00:33:23,880
Speaker 5: Kind of from all like very different worlds have been

601
00:33:24,320 --> 00:33:27,160
Speaker 5: to us, and so not like ooh, this is super

602
00:33:27,200 --> 00:33:29,880
Speaker 5: weird because we like all different kinds of music and

603
00:33:30,440 --> 00:33:35,120
Speaker 5: I think that's maybe what's attractive for other people. But

604
00:33:36,040 --> 00:33:38,240
Speaker 5: it is funny when you see some of the artists

605
00:33:38,280 --> 00:33:40,720
Speaker 5: that we've worked with like side to side and you're like,

606
00:33:40,760 --> 00:33:41,920
Speaker 5: that's wild.

607
00:33:42,760 --> 00:33:48,600
Speaker 3: Yeah, it's like completely different walks of music. Was there

608
00:33:48,680 --> 00:33:51,120
Speaker 3: a moment when someone called you and you were like,

609
00:33:51,440 --> 00:33:56,680
Speaker 3: oh shit, cool, Like was that like a first kind

610
00:33:56,720 --> 00:33:59,120
Speaker 3: of artist that time that.

611
00:33:59,040 --> 00:34:02,400
Speaker 1: Like we were invited to come sing with Roger we

612
00:34:02,400 --> 00:34:08,560
Speaker 1: were Roger Waters and do the Pink Floyd thing. We

613
00:34:08,560 --> 00:34:12,120
Speaker 1: were sort of like that was the first sort of

614
00:34:13,239 --> 00:34:18,440
Speaker 1: time on that scale, and we didn't know what to expect.

615
00:34:18,520 --> 00:34:20,479
Speaker 1: We were told we were going to sing on two

616
00:34:20,520 --> 00:34:27,520
Speaker 1: songs we were doing a sort of he wasn't announced,

617
00:34:27,560 --> 00:34:31,759
Speaker 1: so like a surprise appearance at Newport Folk Fest in

618
00:34:31,920 --> 00:34:35,640
Speaker 1: Rhode Island, which is a very special place in itself,

619
00:34:36,640 --> 00:34:41,840
Speaker 1: and my warning jacket was to be the backup band

620
00:34:42,160 --> 00:34:45,560
Speaker 1: and Holly and I were going to sing and Roger

621
00:34:45,719 --> 00:34:49,280
Speaker 1: was coming. So we were learning all these Floyd songs,

622
00:34:49,280 --> 00:34:51,520
Speaker 1: well two of them, and we had written Roger like

623
00:34:52,520 --> 00:34:54,960
Speaker 1: if there's anything else because we had seen the setlist,

624
00:34:55,080 --> 00:34:58,120
Speaker 1: or like, there's a lot of potential songs on here

625
00:34:58,120 --> 00:35:02,680
Speaker 1: that we could sing on, and he wrote back cool

626
00:35:03,239 --> 00:35:08,240
Speaker 1: dash Are Yeah. So we sort of were like, let's

627
00:35:08,239 --> 00:35:11,400
Speaker 1: just learn it in case because you never know, you know.

628
00:35:12,200 --> 00:35:16,600
Speaker 1: And we get there and we sing through these songs.

629
00:35:17,320 --> 00:35:20,279
Speaker 1: It's great. You could tell he was into it. We

630
00:35:20,360 --> 00:35:25,760
Speaker 1: sit down to just admire the rest of the set

631
00:35:26,120 --> 00:35:30,560
Speaker 1: of the rehearsal and he starts playing through the verse

632
00:35:31,200 --> 00:35:34,600
Speaker 1: of another song and he stops and he looks over

633
00:35:34,640 --> 00:35:42,680
Speaker 1: at us and he yells, yells not. We were like,

634
00:35:45,680 --> 00:35:48,319
Speaker 1: and Jim James Is He's like, oh no, they're not

635
00:35:48,400 --> 00:35:51,840
Speaker 1: singing on this song, and he's like, they're singing on

636
00:35:51,960 --> 00:35:55,080
Speaker 1: every song. Yeah, And the show is the show.

637
00:35:56,520 --> 00:35:57,000
Speaker 2: Wow.

638
00:35:57,480 --> 00:35:59,759
Speaker 5: We went back to the hotel and just like crammed

639
00:36:00,480 --> 00:36:01,600
Speaker 5: finals all night.

640
00:36:02,760 --> 00:36:04,600
Speaker 3: How how like exciting?

641
00:36:06,480 --> 00:36:10,840
Speaker 1: It was epic. I mean, like I remember the rain

642
00:36:11,280 --> 00:36:15,640
Speaker 1: was pouring down during Mother and then the clouds parted

643
00:36:15,760 --> 00:36:18,560
Speaker 1: and you know, we did wish you were here, some

644
00:36:18,719 --> 00:36:23,040
Speaker 1: clips clips right, A rainbow came out. I mean it

645
00:36:23,160 --> 00:36:27,720
Speaker 1: was it was just like really, yeah, Captain for sure,

646
00:36:29,600 --> 00:36:33,760
Speaker 1: and yeah, I mean that was a pretty magical, magical moment.

647
00:36:34,480 --> 00:36:36,160
Speaker 1: You can't really write those ones.

648
00:36:37,960 --> 00:36:40,160
Speaker 3: That's so cool. I know you guys like to work

649
00:36:40,200 --> 00:36:44,960
Speaker 3: with David Cob a lot, but are there any sort

650
00:36:44,960 --> 00:36:48,000
Speaker 3: of producers or writers that just like you feel like

651
00:36:48,080 --> 00:36:49,440
Speaker 3: really or just magic?

652
00:36:50,080 --> 00:36:55,160
Speaker 1: John Everett Sean Everett's a longtime collaborator. He first mixed our,

653
00:36:55,520 --> 00:36:56,960
Speaker 1: He mixed our first record.

654
00:36:58,040 --> 00:37:01,759
Speaker 5: He connected us with Warn Drugs for that, so he

655
00:37:01,800 --> 00:37:03,680
Speaker 5: did I Don't Live Here and he did all.

656
00:37:03,600 --> 00:37:07,040
Speaker 1: Those all those records we were sort of making simultaneously

657
00:37:07,360 --> 00:37:11,080
Speaker 1: and trading off days in the studio, and so that's

658
00:37:11,080 --> 00:37:15,920
Speaker 1: how we met Adam. And he's just one of the

659
00:37:16,040 --> 00:37:18,279
Speaker 1: He's the most creative person I think we've ever met.

660
00:37:18,600 --> 00:37:21,440
Speaker 1: He's just one of those people that there is nothing

661
00:37:21,520 --> 00:37:24,320
Speaker 1: that can't be done and everything that can be done.

662
00:37:25,680 --> 00:37:31,319
Speaker 1: And he's definitely a maximalist. But watching him is like

663
00:37:31,440 --> 00:37:36,440
Speaker 1: watching I don't know, bascuote or something. It's like it's

664
00:37:36,600 --> 00:37:38,480
Speaker 1: just astonishing. Hell.

665
00:37:38,520 --> 00:37:41,200
Speaker 3: So for him, like more is more, like more is

666
00:37:41,400 --> 00:37:45,319
Speaker 3: like just like, let's just in terms of blaring, yes.

667
00:37:45,200 --> 00:37:48,280
Speaker 1: Yeah, in terms of exploring creative worlds.

668
00:37:48,480 --> 00:37:50,520
Speaker 5: Yeah, And he wants to be creative with you.

669
00:37:50,600 --> 00:37:51,840
Speaker 6: And he's so nice.

670
00:37:51,920 --> 00:37:54,759
Speaker 5: He's Canadian and he's like the nicest.

671
00:37:54,280 --> 00:37:57,759
Speaker 6: Guy I've ever met. This is so pleasant to be around.

672
00:37:58,000 --> 00:38:00,279
Speaker 5: But but yeah, like if you'll let him go, we'll

673
00:38:00,280 --> 00:38:01,600
Speaker 5: just like go forever.

674
00:38:02,840 --> 00:38:06,680
Speaker 3: So it's so great I recommend.

675
00:38:07,719 --> 00:38:10,160
Speaker 1: And just yeah, it's just the greatest He's just the

676
00:38:10,200 --> 00:38:13,600
Speaker 1: greatest guy. So we've made a few records together and

677
00:38:14,600 --> 00:38:16,640
Speaker 1: we'll probably make more at some point.

678
00:38:17,000 --> 00:38:18,239
Speaker 6: Yeah.

679
00:38:18,280 --> 00:38:20,840
Speaker 3: So you're on the road right now or you getting

680
00:38:20,880 --> 00:38:21,600
Speaker 3: back on the road.

681
00:38:22,120 --> 00:38:23,400
Speaker 5: We're getting back on the road at the end of

682
00:38:23,440 --> 00:38:23,719
Speaker 5: the month.

683
00:38:23,760 --> 00:38:24,440
Speaker 9: Yeah.

684
00:38:24,480 --> 00:38:28,960
Speaker 1: We release a record in May May second by two.

685
00:38:29,719 --> 00:38:31,880
Speaker 3: Yeah, oh so you release Sorry, so this is a

686
00:38:31,920 --> 00:38:32,440
Speaker 3: new single.

687
00:38:32,760 --> 00:38:33,760
Speaker 1: This is a new single.

688
00:38:33,920 --> 00:38:37,279
Speaker 3: Okay, So this isn't attached to the record, it is

689
00:38:37,719 --> 00:38:38,520
Speaker 3: it is, Okay.

690
00:38:38,280 --> 00:38:40,640
Speaker 8: I reported it at the same at the same time,

691
00:38:40,800 --> 00:38:43,560
Speaker 8: and yeah, we had a couple songs that were part

692
00:38:43,640 --> 00:38:46,000
Speaker 8: of those sessions and kind of part of the world

693
00:38:46,040 --> 00:38:49,320
Speaker 8: of the record, but could live on their own as singles.

694
00:38:49,360 --> 00:39:03,439
Speaker 2: So, right, how long between records do you guys usually take,

695
00:39:03,840 --> 00:39:05,759
Speaker 2: you know, just for a year or two years? Like,

696
00:39:05,800 --> 00:39:07,600
Speaker 2: how does that or is it just what you feel?

697
00:39:09,080 --> 00:39:13,800
Speaker 1: It depends, it depends. We've taken five or six years,

698
00:39:14,840 --> 00:39:16,360
Speaker 1: We've taken two years.

699
00:39:16,560 --> 00:39:17,719
Speaker 2: Yeah, this one.

700
00:39:19,320 --> 00:39:21,840
Speaker 1: Comes two years after our previous record.

701
00:39:23,160 --> 00:39:28,000
Speaker 3: So and this one feels really it's awesome. It's the

702
00:39:28,000 --> 00:39:31,480
Speaker 3: one you sent it to me. I got it And

703
00:39:31,760 --> 00:39:33,279
Speaker 3: that's what I was wondering because it's a new it's

704
00:39:33,320 --> 00:39:35,600
Speaker 3: a single, So I was like, is this like a

705
00:39:35,640 --> 00:39:39,480
Speaker 3: new album? But so this is are you going to

706
00:39:39,600 --> 00:39:41,799
Speaker 3: put out a deluxe?

707
00:39:42,000 --> 00:39:43,799
Speaker 1: I think? I think so. I think that's what you

708
00:39:43,840 --> 00:39:49,400
Speaker 1: do at some point, right, I think, Yeah.

709
00:39:49,440 --> 00:39:53,520
Speaker 3: But I got like coffee, Yeah.

710
00:39:53,360 --> 00:39:55,239
Speaker 1: My neighbor bruises own coffee.

711
00:39:55,760 --> 00:39:57,920
Speaker 3: I got all the like goods, and I was like,

712
00:39:57,960 --> 00:39:59,760
Speaker 3: this is the best. It was the best.

713
00:40:00,520 --> 00:40:01,880
Speaker 1: My mom made cookies.

714
00:40:02,360 --> 00:40:04,960
Speaker 3: The cookies were so yummy. I was like, this is like,

715
00:40:05,600 --> 00:40:08,720
Speaker 3: so Olie, they sent me the vinyl.

716
00:40:09,200 --> 00:40:11,040
Speaker 1: Oliver will send you the vinyl too.

717
00:40:11,160 --> 00:40:16,640
Speaker 2: Yeah, yeah, just the cookies or the cookies, and.

718
00:40:16,640 --> 00:40:18,880
Speaker 3: I was like, oh my god, everything about this I

719
00:40:18,920 --> 00:40:23,279
Speaker 3: loved and the album is just amazing. You guys, I'm

720
00:40:23,320 --> 00:40:24,719
Speaker 3: such a I mean, you can tell I'm such a

721
00:40:24,719 --> 00:40:27,359
Speaker 3: big fan, but I just I love what you do

722
00:40:27,440 --> 00:40:33,440
Speaker 3: and you're you. You know, I'm just excited for you that,

723
00:40:33,680 --> 00:40:36,600
Speaker 3: like in these last i'd say, what like five years,

724
00:40:36,600 --> 00:40:41,160
Speaker 3: that you guys have just become like so much even

725
00:40:41,239 --> 00:40:44,880
Speaker 3: more known in the music world, and it's so cool.

726
00:40:45,280 --> 00:40:47,840
Speaker 2: Do you like the exposure? I mean, do you like

727
00:40:48,000 --> 00:40:52,440
Speaker 2: being known as part of your goal being famous? Or

728
00:40:52,520 --> 00:40:54,120
Speaker 2: was it just the music or.

729
00:40:54,960 --> 00:40:56,200
Speaker 1: I don't think we're famous.

730
00:40:56,560 --> 00:40:58,880
Speaker 2: You're not famous, but you kind.

731
00:40:58,719 --> 00:41:00,040
Speaker 1: Of are almost fan.

732
00:41:02,480 --> 00:41:03,480
Speaker 3: But you kind of are.

733
00:41:03,760 --> 00:41:06,440
Speaker 2: I mean, like, okay, then let me let me rephrase it.

734
00:41:06,480 --> 00:41:09,480
Speaker 2: Do you want to be famous? Do you want to

735
00:41:09,719 --> 00:41:11,600
Speaker 2: have people everyone know who you are?

736
00:41:12,120 --> 00:41:14,280
Speaker 5: I think we I mean I can only speak for myself,

737
00:41:14,320 --> 00:41:18,320
Speaker 5: but just the ability to continue making music and have

738
00:41:18,480 --> 00:41:21,839
Speaker 5: it be sustainable and and you.

739
00:41:21,840 --> 00:41:27,160
Speaker 1: Know, have flexibility in our lives in a way that

740
00:41:28,160 --> 00:41:28,440
Speaker 1: you know.

741
00:41:28,680 --> 00:41:33,600
Speaker 5: Yeah yeah, and then you know, part of making this up,

742
00:41:33,719 --> 00:41:38,799
Speaker 5: this most current record was to you know, bring ourselves

743
00:41:38,880 --> 00:41:42,160
Speaker 5: into the focus again a little bit because we had

744
00:41:42,200 --> 00:41:46,080
Speaker 5: collaborated so much with other people and we wanted to

745
00:41:46,239 --> 00:41:50,279
Speaker 5: remind others but also ourselves. You know that we're songwriters

746
00:41:50,320 --> 00:41:53,920
Speaker 5: and we're singers and we've got things to say.

747
00:41:53,960 --> 00:41:58,640
Speaker 2: And how much does how much does the business side

748
00:41:58,680 --> 00:42:00,960
Speaker 2: of this industry play to what you do? I know

749
00:42:01,000 --> 00:42:03,879
Speaker 2: it has to obviously at some point, but you know,

750
00:42:04,200 --> 00:42:06,600
Speaker 2: are you business focused or are you just way more

751
00:42:06,640 --> 00:42:07,600
Speaker 2: creative focus?

752
00:42:07,719 --> 00:42:10,680
Speaker 1: You have to be It has to go hand in hand.

753
00:42:10,760 --> 00:42:13,160
Speaker 1: I mean, we have a hard time with the tiktoking

754
00:42:13,440 --> 00:42:17,000
Speaker 1: and things. Yeah, just does not come. We didn't come

755
00:42:17,080 --> 00:42:19,000
Speaker 1: up with that stuff. So it's just it's so not

756
00:42:19,520 --> 00:42:22,400
Speaker 1: it's so unnatural to us. I think there's a way

757
00:42:22,800 --> 00:42:26,040
Speaker 1: to create a language that feels natural. We just haven't

758
00:42:26,080 --> 00:42:32,319
Speaker 1: figured what that is yet, that in that medium. But

759
00:42:32,800 --> 00:42:34,839
Speaker 1: you know, you have to you have to be focused

760
00:42:35,719 --> 00:42:40,160
Speaker 1: in areas outside of You have to be creative in

761
00:42:40,560 --> 00:42:48,160
Speaker 1: business as well as in the actual performance part of things,

762
00:42:48,200 --> 00:42:52,640
Speaker 1: because you know, it's it's part of what makes people

763
00:42:52,880 --> 00:42:58,319
Speaker 1: clever and makes people puts people out there, and you know,

764
00:42:58,400 --> 00:43:00,360
Speaker 1: there's a lot of people trying to do what we

765
00:43:00,480 --> 00:43:04,600
Speaker 1: do and who are really talented and some people, you know,

766
00:43:04,640 --> 00:43:06,719
Speaker 1: some of the most talented people. I'm sure we all know.

767
00:43:07,600 --> 00:43:11,000
Speaker 1: Don't ever figure it out. It's not for lack of talent.

768
00:43:11,760 --> 00:43:15,040
Speaker 3: Yeah, it's really it's such a hard business.

769
00:43:15,640 --> 00:43:17,719
Speaker 2: I mean, do you attribute that to luck.

770
00:43:18,280 --> 00:43:22,640
Speaker 1: I think it's it's like the meeting of like luck, talent,

771
00:43:23,200 --> 00:43:28,319
Speaker 1: hard work, and yeah, I mean I guess being in

772
00:43:28,360 --> 00:43:29,640
Speaker 1: the right place at the right.

773
00:43:29,520 --> 00:43:32,759
Speaker 3: Time is Yeah. Well you also said community. I think

774
00:43:32,800 --> 00:43:35,520
Speaker 3: that's a big one, you know, because like I know,

775
00:43:35,920 --> 00:43:41,600
Speaker 3: you know, as it is a small community, so you

776
00:43:41,640 --> 00:43:46,040
Speaker 3: start to like create with different people and meet different

777
00:43:46,040 --> 00:43:49,759
Speaker 3: people throughout, like you start to have these connections. It's

778
00:43:49,840 --> 00:43:54,080
Speaker 3: like I remember David Foster saying, like TC he always

779
00:43:54,080 --> 00:43:56,359
Speaker 3: says to I mean, he's a completely different beast, but

780
00:43:56,440 --> 00:43:59,359
Speaker 3: he's just like network, network, network, Like networking is half

781
00:43:59,360 --> 00:44:03,160
Speaker 3: the battle. And for so many musicians it's like that's

782
00:44:03,160 --> 00:44:06,759
Speaker 3: like putting them into a position like what what like networking?

783
00:44:08,120 --> 00:44:09,839
Speaker 3: That's not what I do. I want to go into

784
00:44:09,880 --> 00:44:13,040
Speaker 3: my hole in my cave and I want to create music.

785
00:44:13,120 --> 00:44:17,600
Speaker 3: I don't want to like sell. So it's like it's

786
00:44:17,680 --> 00:44:21,160
Speaker 3: it's such a hard business to kind of like get

787
00:44:21,200 --> 00:44:24,280
Speaker 3: out there unless you have some kind of break, unless

788
00:44:24,320 --> 00:44:28,000
Speaker 3: the timing, or or you have a friend who is

789
00:44:28,080 --> 00:44:31,440
Speaker 3: more like that, who knows what you're what you know,

790
00:44:31,840 --> 00:44:35,360
Speaker 3: what you're capable of, or someone who's played on something

791
00:44:35,400 --> 00:44:37,520
Speaker 3: and you're like, oh my god, he's this guy's so amazing,

792
00:44:37,520 --> 00:44:39,520
Speaker 3: like keys, you should meet him and play with him.

793
00:44:39,520 --> 00:44:42,479
Speaker 3: And then it's sort of that's so much a part

794
00:44:42,520 --> 00:44:47,040
Speaker 3: of how people. But like, I think the thing is,

795
00:44:47,440 --> 00:44:49,920
Speaker 3: I always say this about any arts really, but like

796
00:44:50,080 --> 00:44:55,840
Speaker 3: music in particular, it's so expensive, Oliver, to like tour.

797
00:44:57,000 --> 00:45:02,080
Speaker 3: So even if you have even if you have like

798
00:45:02,640 --> 00:45:07,439
Speaker 3: people listening and the ability to you know, go out

799
00:45:07,480 --> 00:45:10,399
Speaker 3: and you know, maybe play a show and sell out

800
00:45:10,440 --> 00:45:14,239
Speaker 3: a club or something, you still have to pay so

801
00:45:14,360 --> 00:45:17,320
Speaker 3: many people. And then the second you get a deal,

802
00:45:17,440 --> 00:45:19,680
Speaker 3: then you're paying that person and they're paying another and

803
00:45:20,680 --> 00:45:24,600
Speaker 3: musicians like come home with Unless you're at a certain level,

804
00:45:24,680 --> 00:45:27,520
Speaker 3: if you're not touring all the time, all the time,

805
00:45:27,560 --> 00:45:29,200
Speaker 3: all the time, you're not making any money.

806
00:45:29,320 --> 00:45:34,919
Speaker 1: Oh you're lucky if you're breaking even consider to win. Yeah,

807
00:45:34,960 --> 00:45:38,760
Speaker 1: which is really sad. I mean it's and it's getting

808
00:45:38,760 --> 00:45:41,360
Speaker 1: harder because it's getting more expensive.

809
00:45:41,880 --> 00:45:44,240
Speaker 3: Yeah, it's it's.

810
00:45:45,880 --> 00:45:46,160
Speaker 2: Yeah.

811
00:45:46,320 --> 00:45:50,799
Speaker 3: No, I mean not to bring this down, but it is,

812
00:45:50,880 --> 00:45:56,280
Speaker 3: but you know, I always say, like it's like you said,

813
00:45:56,320 --> 00:45:58,400
Speaker 3: like to be able to just do it, you know,

814
00:45:58,520 --> 00:46:00,920
Speaker 3: to be able to have it be something you can

815
00:46:00,960 --> 00:46:06,000
Speaker 3: do and sustain and is so such a blessing. So

816
00:46:06,040 --> 00:46:07,600
Speaker 3: how long is this next leg?

817
00:46:07,920 --> 00:46:10,560
Speaker 1: We have three weeks in October and then two and

818
00:46:10,560 --> 00:46:12,759
Speaker 1: a half weeks in November. Yeah, and then we're done

819
00:46:12,920 --> 00:46:16,440
Speaker 1: for the year. Great, which will be nice. We'll be

820
00:46:16,480 --> 00:46:20,839
Speaker 1: home for the holidays pretty much end in La.

821
00:46:21,080 --> 00:46:26,600
Speaker 3: Guys should come, Oh a thousand percent. It's exciting.

822
00:46:27,080 --> 00:46:31,440
Speaker 1: An anniversary of your of your debut film.

823
00:46:31,760 --> 00:46:35,400
Speaker 3: Right, almost famous twenty five years.

824
00:46:35,200 --> 00:46:38,040
Speaker 1: Wow, really close with Cameron.

825
00:46:38,800 --> 00:46:42,600
Speaker 3: Yes, he's got a book coming out and working on

826
00:46:42,760 --> 00:46:46,000
Speaker 3: a movie and working on a really exciting movie. Are

827
00:46:46,040 --> 00:46:46,920
Speaker 3: you guys going to help?

828
00:46:47,640 --> 00:46:49,759
Speaker 1: I think maybe? Yeah?

829
00:46:49,840 --> 00:46:52,400
Speaker 3: Yes? Where Also, are you guys going to play? Will

830
00:46:52,440 --> 00:46:54,520
Speaker 3: you send it to us so that or like, have

831
00:46:54,640 --> 00:46:57,840
Speaker 3: someone send us your so I can come find We'll.

832
00:46:57,719 --> 00:47:01,359
Speaker 1: Always play lay They'll be of the other time.

833
00:47:03,000 --> 00:47:07,640
Speaker 3: I loved every second of this. I feel like we

834
00:47:07,719 --> 00:47:11,160
Speaker 3: need to end with our normal question. Even though it's

835
00:47:11,200 --> 00:47:14,960
Speaker 3: usually for siblings, I feel like you guys are basically siblings.

836
00:47:15,280 --> 00:47:16,680
Speaker 2: Yeah, that's a good one for them.

837
00:47:17,080 --> 00:47:21,560
Speaker 3: Okay. So the two part question is the first part

838
00:47:21,840 --> 00:47:27,880
Speaker 3: is if you could emulate something like more like something

839
00:47:27,880 --> 00:47:30,560
Speaker 3: that you could emulate from the other that you wish

840
00:47:30,640 --> 00:47:33,520
Speaker 3: you had more of, what would that be? And then

841
00:47:33,560 --> 00:47:36,319
Speaker 3: the other part of the question is alleviate, Like if

842
00:47:36,360 --> 00:47:38,239
Speaker 3: you could take something from the other person and make

843
00:47:38,280 --> 00:47:45,560
Speaker 3: their life lighter or easier, what would that be For me?

844
00:47:45,680 --> 00:47:51,320
Speaker 5: It would be like the social boldness that she has.

845
00:47:51,440 --> 00:47:53,880
Speaker 5: I just don't have that in me, and I would

846
00:47:53,960 --> 00:47:56,200
Speaker 5: I would like some of that.

847
00:47:59,200 --> 00:47:59,960
Speaker 6: And alleviate.

848
00:48:00,120 --> 00:48:01,839
Speaker 5: I mean, the first thing I think of is just

849
00:48:01,920 --> 00:48:08,719
Speaker 5: like take your baby for a day, a break, that

850
00:48:08,840 --> 00:48:12,920
Speaker 5: kind of thank you.

851
00:48:12,920 --> 00:48:13,680
Speaker 1: You can't.

852
00:48:15,120 --> 00:48:15,840
Speaker 2: That can happen?

853
00:48:17,640 --> 00:48:20,640
Speaker 5: And then can I give you mine?

854
00:48:21,600 --> 00:48:21,920
Speaker 1: Wait?

855
00:48:21,960 --> 00:48:22,840
Speaker 6: That doesn't.

856
00:48:23,040 --> 00:48:34,640
Speaker 1: That doesn't help me? We can though mine is okay.

857
00:48:34,680 --> 00:48:39,239
Speaker 1: For Holly, the thing that I wish I had that

858
00:48:39,400 --> 00:48:45,440
Speaker 1: she has is just the ability to she's just so thoughtful,

859
00:48:45,800 --> 00:48:52,319
Speaker 1: like just the ability to pause and really like examine

860
00:48:53,320 --> 00:48:56,560
Speaker 1: her words before she spews things out like I do.

861
00:48:56,640 --> 00:49:01,640
Speaker 1: Sometimes she just has a way with her words, And

862
00:49:02,360 --> 00:49:07,400
Speaker 1: I wish I had that that like gentle thoughtfulness that

863
00:49:07,440 --> 00:49:16,960
Speaker 1: she has and alleviate. I mean, you know, I wish

864
00:49:17,080 --> 00:49:21,440
Speaker 1: that I could just send you on a big ass

865
00:49:21,440 --> 00:49:30,359
Speaker 1: free vacation, pay all your bill, maybe win the lottery too,

866
00:49:30,480 --> 00:49:36,719
Speaker 1: you know, but you'll share with me, right Yeah, okay.

867
00:49:35,920 --> 00:49:37,799
Speaker 3: I love it you guys. Thank you for coming on.

868
00:49:39,480 --> 00:49:47,400
Speaker 3: And we're going to play the single exclusive Thick as Thieves,

869
00:49:47,600 --> 00:49:50,239
Speaker 3: Thick as Thieves and uh and it's going to be

870
00:49:50,480 --> 00:49:58,440
Speaker 3: on our you know, in our downloadable on our podcast

871
00:49:58,520 --> 00:50:00,200
Speaker 3: for the next two days before it comes out out.

872
00:50:01,440 --> 00:50:04,360
Speaker 3: And I just can't wait to see you in person.

873
00:50:05,239 --> 00:50:09,440
Speaker 1: Yeah, let's thank music or cook or something all of it.

874
00:50:09,800 --> 00:50:13,040
Speaker 3: I'm down, I'm down. I'm down. Thank you so much.

875
00:50:13,960 --> 00:50:16,000
Speaker 3: You Yeah, I'll talk to you soon.

876
00:50:16,400 --> 00:50:19,879
Speaker 1: Yeah. Bye guys, Bye guys, bye, Thank you so much.

877
00:50:20,760 --> 00:50:21,479
Speaker 3: Aren't they great?

878
00:50:22,040 --> 00:50:22,200
Speaker 1: Yeah?

879
00:50:22,440 --> 00:50:22,720
Speaker 2: Cool?

880
00:50:23,280 --> 00:50:26,719
Speaker 3: I love I love like the musician brain. I just

881
00:50:26,840 --> 00:50:30,399
Speaker 3: like they're so specific and there's such these like if

882
00:50:30,440 --> 00:50:34,359
Speaker 3: you watch them, they're so amazing and they sound like

883
00:50:34,400 --> 00:50:37,719
Speaker 3: you should listen to them live. They're just perfection. I

884
00:50:37,880 --> 00:50:42,000
Speaker 3: just anybody listening that loves music, just go deep on

885
00:50:42,200 --> 00:50:47,160
Speaker 3: Lucia's They're just they're just worth it. Yeah, silver Lake man,

886
00:50:47,280 --> 00:50:50,120
Speaker 3: silver Lake All right, I love you.

887
00:50:50,200 --> 00:50:52,840
Speaker 2: Well, we have the exclusive that's going to be playing

888
00:50:53,400 --> 00:50:59,040
Speaker 2: yes right now, right now, ready and push play.

889
00:50:58,960 --> 00:50:59,360
Speaker 1: Big.

890
00:51:03,120 --> 00:51:11,520
Speaker 9: Gone in the Falling lea lost in the marching band,

891
00:51:21,360 --> 00:51:22,720
Speaker 9: drunk Gains.

892
00:51:25,640 --> 00:51:35,160
Speaker 3: He was a mean old man to the young. The understands.

893
00:51:42,040 --> 00:51:43,600
Speaker 10: Were a gaft s.

894
00:51:45,280 --> 00:51:48,359
Speaker 3: Waning away, jos.

895
00:51:48,320 --> 00:51:58,319
Speaker 10: Whoo so we'd run under the pleatures. Everyone was cheering

896
00:51:58,640 --> 00:52:05,719
Speaker 10: every ten for often it was.

897
00:52:17,560 --> 00:52:23,279
Speaker 11: Curfus, we don't want to go home.

898
00:52:26,680 --> 00:52:29,239
Speaker 6: By waiting in wait.

899
00:52:32,000 --> 00:52:34,480
Speaker 10: Oh anywhere we go.

900
00:52:39,960 --> 00:52:46,000
Speaker 11: Sons so hard, priece feels so good, but it really

901
00:52:46,120 --> 00:52:47,400
Speaker 11: comes around.

902
00:52:48,560 --> 00:53:04,280
Speaker 10: Just wanna love, we love. We look at song wanna

903
00:53:04,320 --> 00:53:17,000
Speaker 10: being just so we won the beagons. Everyone's cheer in

904
00:53:17,200 --> 00:53:26,720
Speaker 10: amperten it was he were looking at the song wanna

905
00:53:26,760 --> 00:53:39,400
Speaker 10: being so we run on the bass as cheer, and

906
00:53:39,680 --> 00:53:45,879
Speaker 10: amperten it was boscent.

907
00:53:46,280 --> 00:53:46,759
Speaker 1: It was.

908
00:54:01,160 --> 00:54:06,360
Speaker 10: For I saw you.

909
00:54:07,960 --> 00:54:12,440
Speaker 1: See for.

910
00:54:16,840 --> 00:54:29,040
Speaker 10: I saw you the first I saw you the