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Speaker 1: Nollian doctor.

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Speaker 2: Welcome back. Sure you missed my welcome back to you? Yeah,

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Speaker 2: my radio voice? Miss I missed the cadence. What would

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Speaker 2: I do without the welcome back? You liked it when

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Speaker 2: Mace came back?

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Speaker 3: Loved it. It was a great time.

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Speaker 2: That was a great That was a great return single too,

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Speaker 2: such a Mace return single. It definitely was and post

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Speaker 2: pastor like the kids it was.

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Speaker 3: It was I don't know Betha was back.

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Speaker 2: When this beat drop? I know they're gonna lean. Was

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Speaker 2: that the best return single? Trying to think who else?

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Speaker 3: You put me on the spot? I got her?

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Speaker 2: Yeah, No, I mean I just this wasn't like on

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Speaker 2: the docket. But now I'm just trying to think.

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Speaker 3: Of the best return song single.

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Speaker 2: I'm sure people are screaming at their their car radios

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Speaker 2: right now because I'm sure mace fulcome back was not

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Speaker 2: the best return one.

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Speaker 3: No, But who left?

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Speaker 2: And like that's what I'm trying, like who left left?

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Speaker 3: And and when Mace left? Look at that and that

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Speaker 3: prime like that show me what you got? But Jay

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Speaker 3: never left. He retired, tired man cut it out.

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Speaker 2: He he had a movie he gave you would leap

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Speaker 2: the keys like it was over. He retired and his

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Speaker 2: his return records will show me what you got.

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Speaker 3: I never looked at Jay like you we retired though,

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Speaker 3: I know, but all.

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Speaker 2: Right, but saying that you retired like that type of thing, Hey,

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Speaker 2: I'm done here and then you come back like Jordan's

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Speaker 2: still returned with the four or five. Yeah, but nobody,

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Speaker 2: nobody really thought he was gonna.

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Speaker 3: Yeah, that's the best return single. What a you saying Malice?

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Speaker 2: Yeah? I mean malice just in general.

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Speaker 3: Yeah, but Malice is not it's not a solo artist.

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Speaker 2: It's not like, yeah, Tupac California like California that's him

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Speaker 2: coming back. But he he was in jail. No one

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Speaker 2: thought Pa was gonna get out of jail and retire

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Speaker 2: from rap.

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Speaker 3: Like California Love a first day out. Grizzly was first

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Speaker 3: day out too.

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Speaker 2: Yeah, but that was our introduction. I mean, I'm sure

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Speaker 2: the rest of Michigan we didn't know who he was.

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Speaker 3: Like, no, but out of prison that's the best out

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Speaker 3: of out of prison song.

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Speaker 2: What was California Love the first joint?

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Speaker 3: I don't know? Hell?

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Speaker 2: Yeah, was out him bail before that?

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Speaker 3: Oh, now he's.

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Speaker 2: California Love was the first single I think pocket all right?

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Speaker 3: Cool?

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Speaker 2: Then yeah, yeah, California Love. It beats first day out,

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Speaker 2: I hate Like, I'm sorry, guys, it was a joke.

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Speaker 2: California Love. Yeah, right, what do you put unforgettable? French

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Speaker 2: Montana French disappear? Yeah, I guess Mace and Hope are

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Speaker 2: the only ones that really retired per se like artists

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Speaker 2: have taken a lot of time off. But and yeah,

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Speaker 2: Malice too, all right, cool, this is Malice, Mason Hope.

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Speaker 3: That's the list, right, dude.

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Speaker 2: I'm sure there's other ones that were that we are forgetting.

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Speaker 2: But how you feeling?

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Speaker 3: I'm good man, How you feeling all right? Yeah, I'm good,

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Speaker 3: feeling better. Yeah, everybody's been hitting my phone checking all you.

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Speaker 3: I'm like, he's he's good man, He's he's getting better,

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Speaker 3: He's god.

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Speaker 2: Damaris texted me yesterday, why didn't you tell everyone that

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Speaker 2: you had a stroke? Now everyone's hitting my phone? Was

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Speaker 2: I supposed to send a mass text out?

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Speaker 3: Hey? I know you?

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Speaker 2: She said, why wouldn't you tell everyone?

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Speaker 3: Like?

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Speaker 2: Because I really only told you guys my mom, Kia,

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Speaker 2: I didn't tell anyone? Yeah, yeah, Like, why didn't you

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Speaker 2: tell all your friends? Was like, what do I send

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Speaker 2: a text out, Hey, just the heads up, I had

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Speaker 2: a stroke, Like, I don't even know what that kind

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Speaker 2: of clue text. Yeah, mind you. I love you guys.

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Speaker 2: But I only told you guys because we worked together

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Speaker 2: and I had to be somewhere.

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Speaker 3: Yeah.

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Speaker 2: Like, yeah, Ryan knew before some of my closest friends.

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Speaker 2: But it's just because we had work.

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Speaker 3: Yeah, I get it.

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Speaker 2: But yeah, Demerius was mad at me, and we are

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Speaker 2: without Demeris today, but she will be back next episode.

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Speaker 3: She didn't.

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Speaker 2: She did not have a stroke. No, no, but she

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Speaker 2: did text me last night at eleven pm and said,

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Speaker 2: I'm stuck in Dallas. I said, how the fuck did

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Speaker 2: you get to Dallas?

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Speaker 3: Stop flying them buddy passes man.

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Speaker 2: Well, no, it was so much bad weather that she

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Speaker 2: she caught the okie doke of like Delta customer service

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Speaker 2: of like, you know, you could fly to Denver, then

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Speaker 2: to Vancouver and we'll have you back in New York.

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Speaker 3: No, it's.

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Speaker 2: Fly you to the West Coast to bring you back

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Speaker 2: to New York. I don't repeat myself. I know said

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Speaker 2: it off Mike. But when we were in Houston one

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Speaker 2: time and there was terrible weather in New York, everyone

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Speaker 2: in the Paloza crew was like, we're gonna get back.

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Speaker 2: I was like, we should probably just wait out the storm.

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Speaker 2: Guys like in Houston, it's totally it's fine. Fine, they

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Speaker 2: flew PEG. I think you were part of the crew.

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Speaker 2: You guys flew to what Minnesota? No, I think it was.

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Speaker 3: It was that's a hub.

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Speaker 2: So I feel like it was like Minneapolis, then Detroit.

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Speaker 2: Then you guys took a plane to Philly and took

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Speaker 2: the train from Philly to New York.

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Speaker 3: Mall mind you.

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Speaker 2: I beat them home and I took a direct flight

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Speaker 2: from Houston to New York and I beat them home.

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Speaker 2: I was like, God, I think you're kind of jumping

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Speaker 2: the gun right here. Let's just stay what day? Yeah,

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Speaker 2: it rel likes we had we have the mall right

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Speaker 2: across the street gallery cheesecake Factory. Why why do you

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Speaker 2: guys want to fly to Philly and take a train?

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Speaker 3: I never understood why people like be such an a

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Speaker 3: rushed like fly unless I mean, obviously, if you have

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Speaker 3: to get back home to do things. But it's like

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Speaker 3: if it's weather related and it's like nothing that the

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Speaker 3: airlines can do, like it's okay to just stay where you're.

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Speaker 2: At No one had an emergency, mind you. At that point,

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Speaker 2: I was still working a nine to five job. I

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Speaker 2: sent them the screenshot to my flight being canceled. I

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Speaker 2: was like, I'll get home when I can, and they

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Speaker 2: were like, well, yeah, you sent the proof, all right, yeah,

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Speaker 2: see when see when you get back and get back Yeah,

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Speaker 2: rushing to do all that?

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Speaker 3: Nah. Nah, I'll stay in Houston any day.

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Speaker 2: I'll smoke cucka at ninety degree weather any instead of

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Speaker 2: going back to snow in New York.

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Speaker 3: Not smoking hookah. But I'll stay in Houston over over

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Speaker 3: flying in Minnesota any day, for sure.

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Speaker 2: I did see that the whole smear campaign is still

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Speaker 2: still on the rise.

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Speaker 3: If there's a new like a new thing, what's the latest,

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Speaker 3: what's the latest in the whole Smith campaign?

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Speaker 2: What's the latest and the greatest peach? All right here,

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Speaker 2: all right, here's my thing. I've kind of wanted to

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Speaker 2: stay away from a lot of this because one we

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Speaker 2: get accused of being who avengers, but we call ourselves that.

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Speaker 3: It is what it is.

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Speaker 2: No, we've we've never been paid by rock Nation. We've

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Speaker 2: never been paid by rock Nation. We have no marching.

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Speaker 3: Orders, not on anybody's payroll.

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Speaker 2: But I can see where people think we wouldn't be objective,

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Speaker 2: and we admit when we're not being objective when it

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Speaker 2: comes to Hove. So I've tried to stay out of

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Speaker 2: this because anything we say, no one's really gonna, you know,

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Speaker 2: take with an objective ear. I've loved what WNO has

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Speaker 2: been giving nothing but common sense to the world with

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Speaker 2: this new Hove smear campaign. According to and I didn't

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Speaker 2: want to give light to it because it's a bunch

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Speaker 2: of weirdos on the Internet. It's not like real, it's

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Speaker 2: not something that's actually happening in the world. There's just

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Speaker 2: a selective part of the Internet that are Nikki Stands

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Speaker 2: and Drake Stands that are just on this huge jay

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Speaker 2: Z smear campaign. So the point now that yesterday the

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Speaker 2: trending topic was that jay Z as a ghostwriter and

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Speaker 2: has never written any of his own rhymes. That's how

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Speaker 2: far we've gotten.

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Speaker 3: Yeah, but like that is no.

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Speaker 2: But they're saying it with conviction and matter of fact.

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Speaker 3: But that's you know, I don't see those are the

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Speaker 3: things that y'all like to talk about and get into.

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Speaker 3: I don't really I don't pay that shit no lot.

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Speaker 2: Well, again, it's been going on and we haven't talked

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Speaker 2: about it because I don't want to give light to

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Speaker 2: just a weird specific part of the internet. And like,

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Speaker 2: you know, they're saying that Hove's new album only sold

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Speaker 2: thirty thousand, it's like it's a thirtieth it's a resale

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Speaker 2: of just vinyls.

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Speaker 3: Again, Yeah, you can't you know, I mean that type

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Speaker 3: of stuff. You can't really get answer it.

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Speaker 2: But why I want to talk about it now is

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Speaker 2: because it reached funk Flex two days ago. Flex went

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Speaker 2: on a forty seven minute rant. I timed it what

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Speaker 2: YouTube did of talking about jay Z. It is now

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Speaker 2: gotten to the point where it is becoming trending and

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Speaker 2: cool and you get clicks if you should on jay Z. Now,

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Speaker 2: I didn't think we'd ever get to this, but we

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Speaker 2: did see it with eminem as well, which I even

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Speaker 2: participated in, not to get clicks, but that's just how

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Speaker 2: I felt. I didn't think we'd get to this point

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Speaker 2: with Hove, but we have seen it with a lot

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Speaker 2: of artists. We've seen it with Drake, We've seen it

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Speaker 2: with m and now it's jay Z's turn. On the

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Speaker 2: Summer Jam screen ironically. I don't know what about this

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Speaker 2: anniversary has sparked everyone to now start the jay Z

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Speaker 2: hate train. But we're here. He did the super Bowl deal.

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Speaker 2: What in twenty twenty was that.

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Speaker 3: Before after COVID, before COVID, I think before COVID, not

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Speaker 3: nineteen twenty nineteen. Signed in twenty nineteen five year, twenty

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Speaker 3: five million dollar contract. The NFL and Rock Nation extended

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Speaker 3: their agreement in October twenty twenty four for another five years.

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Speaker 2: Here's my thing. I totally understand people that were against

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Speaker 2: what Hove had done, and I've been objective. I think

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Speaker 2: there's one one weakness that jay Z had sometimes it

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Speaker 2: is how he markets announcements. I thought the title situation

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Speaker 2: was incredible what he did, but I think how he

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Speaker 2: announced it with a bunch of multimillionaires on stage saying, hey,

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Speaker 2: we're not making enough money, please buy into our things

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Speaker 2: so we could make more money was not the right

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Speaker 2: marketing tool for the average fan. I'm looking at a

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Speaker 2: bunch of millionaires telling me they're not making money, which

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Speaker 2: is the truth, and artists should get their fair share.

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Speaker 2: But the regular consumer doesn't care that much about it.

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Speaker 2: They just want to hear music. I also thought his

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Speaker 2: situation with the NFL and having that SoundBite with or

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Speaker 2: without the context we're past kneeling was not a great look,

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Speaker 2: pr wise for Hope having show everyone at the table goodell.

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Speaker 2: But I don't know why Flex, seven years later is

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Speaker 2: now talking for forty seven minutes about this, like you

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Speaker 2: can feel a way about it. I would never be

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Speaker 2: mad at someone saying, hey, I felt like it went

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Speaker 2: against what Colin Kaepernick was doing, even though Kaepernick had

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Speaker 2: already had his set with the NFL at that point,

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Speaker 2: and then no pun intended it was past kneeling at

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Speaker 2: that point they settled.

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Speaker 3: Why would people so upset about that with past kneeling

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Speaker 3: thing like shouldn't you be past Neil? Shouldn't you be

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Speaker 3: like all right, let's let's do something more more actionable.

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Speaker 3: Let's let's take it to another level, Like what is

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Speaker 3: wrong with saying we're past kneeling, like I shouldn't be progress,

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Speaker 3: shouldn't be like, Okay, we're on, we're doing something else. Now.

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Speaker 2: I think people perceive that as kind of and I'm

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Speaker 2: not saying Jay was doing this, but kind of dismissing

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Speaker 2: what Cap had done kind of it To some people,

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Speaker 2: it came across dismissive of like we're past the kneeling thing,

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Speaker 2: but like.

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Speaker 3: Kapa Nick dismissed with then he's samas settlement with the NFL. Fair.

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Speaker 2: No, I agree, but I'm saying how people perceived it.

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Speaker 3: He was past the guy who kneeled was past kneeling.

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Speaker 2: But you're trying to give an accurate timeline when that's

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Speaker 2: not what and.

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Speaker 3: Yeah, but that's what I'm saying. So matter we're talking

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Speaker 3: about it, we have to put those things out there.

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Speaker 2: Like yeah, no, I agree, But people were taking that

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Speaker 2: as it was going against Kaepernick and everything that he

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Speaker 2: had done. And we said, even when we were potting

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Speaker 2: at that time, we don't know exactly what it is.

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Speaker 2: Let's see what Jay does with it. Because at that

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Speaker 2: point with that press conference, I didn't fully understand like, Okay,

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Speaker 2: he's teaming up with the NFL for what are we doing?

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Speaker 2: And I've mocked the end racism in the end zone.

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Speaker 2: I mean, I just don't know what that does. I

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Speaker 2: don't think anyone that's racist at a football game sees

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Speaker 2: that and goes, oh, I never thought of it that way.

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Speaker 2: I think people were waiting to see what this was really.

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Speaker 3: Going to do with the community with the NFL.

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Speaker 2: And from what it seems like, Jay has just put

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Speaker 2: a lot of people of color at that time show,

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Speaker 2: which is I think is great. I just think people

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Speaker 2: took it as Okay, if you're going to quote unquote

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Speaker 2: dismiss Colin Kaepernick's actions just doing a halftime show, what

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Speaker 2: is that really doing for the people? Like, don't do

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Speaker 2: a whole press conference like you're here for the people

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Speaker 2: when it's.

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Speaker 3: Like, okay, what was kneeling doing for the people?

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Speaker 2: I think it brought a more attention in conversation to

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Speaker 2: police brutality.

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Speaker 3: I think it did.

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Speaker 2: I certainly think it did, and I think the severity

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Speaker 2: of what it did to Capp's career showed the hypocrisy

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Speaker 2: of the NFL and showed the hypocrisy of how people

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Speaker 2: viewed police brutality.

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Speaker 3: Our players is still kneeling, No, so the players are passed.

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Speaker 2: It, sure, And I mean I think you're looking at

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Speaker 2: kneeling as the thing, whereas the message was more but.

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Speaker 3: That's what Jay said. We're past kneeling, for sure.

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Speaker 2: But is the solution. We're still we're past kneeling. But

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Speaker 2: thank god Shakira is doing halftime like, I think that's

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Speaker 2: where people are are healing.

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Speaker 3: But you again, not people making it what they know

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Speaker 3: their own take on what he's saying. I'm just saying,

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Speaker 3: if somebody says, uh, we're past kneeling, where we should

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Speaker 3: be on tomorrow, you know, let's do something yeah better,

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Speaker 3: and do something bigger and do something that impact people

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Speaker 3: on a broader scale and just kneeling. I just don't

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Speaker 3: see how people was took that in a negative connotation, like, yeah,

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Speaker 3: you should be past kneeling, just like I mean, I

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Speaker 3: don't see any other players kneeling anymore. I don't see

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Speaker 3: in racism and the end zone anymore. I don't see

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Speaker 3: when the NBA had to lock out that you're in

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Speaker 3: the bubble when they had all the things on their jerseys.

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Speaker 3: You don't see any of that anymore. So people are

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Speaker 3: past those things. Like so I'm just saying, where's the

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Speaker 3: outrage for everything across the board when it comes to that.

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Speaker 2: Yeah, I hear you. I just think again when you

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Speaker 2: say past kneeling, all right, we're past kneeling. So the

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Speaker 2: next thing is Rihanna at the super Bowl. That's where

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Speaker 2: I think people felt odd about it, like all right,

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Speaker 2: we gave Jay the six months that he was asking

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Speaker 2: when he talked to other radio personalities like, YO, give

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Speaker 2: me six months, see what I do with it? And

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Speaker 2: I and I'm sure there's a lot of programs in

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Speaker 2: the NFL now that has to do with kids from

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Speaker 2: the inner city minorities, this and that that. I know

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Speaker 2: that they've done a lot more programs. Those just don't

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Speaker 2: get highlighted. Yeah, Shakira and j Lo gets highlighted. Bad

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Speaker 2: Bunny gets highlighted. So I hear that. But I do

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Speaker 2: want to ask you with all this talk about Jay

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Speaker 2: z now in a negative light, which is what they

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Speaker 2: do anytime you're trying to do something, Let's go find

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Speaker 2: the one or two negative things about you and not

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Speaker 2: even think about the one hundred great things. Do you

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Speaker 2: think people give hold too much credit in the activists world?

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Speaker 2: I think, again, it's coming from a white person, So

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Speaker 2: I'm outside looking in. I guess I never I think

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Speaker 2: Jay has done a lot of great things for the community.

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Speaker 2: But I always look at Jay as who he says

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Speaker 2: he is. I'm a hustler, I'm here to give money

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Speaker 2: like he's a capitalist. So maybe that's why I don't

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Speaker 2: did I agree with the Barclay Center and how it

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Speaker 2: pushed out a bunch of people, even though who've had

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Speaker 2: a very miniscule part of that. They did make him

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Speaker 2: the face, but that was happening with or without Jaz.

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Speaker 2: Let's make that fucking very clear. Did I agree, No,

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Speaker 2: that did change that neighborhood drastically, But Barclay Center wasn't

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Speaker 2: the only thing that changed that part of Brooklyn. With

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Speaker 2: or without a stadium, flat Bush is getting changed. Does

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Speaker 2: Hove get the flack as an activist when he's clearly

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Speaker 2: not one? Because now people are like, yo, you can't

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Speaker 2: do this and have these press conferences and you know

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Speaker 2: you're moving around like activist, but then you go do

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Speaker 2: the Barclays thing, then you do the deal with the NFL.

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Speaker 2: I'm like, well, when did does he say he's this

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Speaker 2: socialist activist? I don't know when he's ever said that. No,

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Speaker 2: I don't think he's ever said that.

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Speaker 3: I just think again, you know, he was just you're

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Speaker 3: gonna find a way to you know, see a flaw

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Speaker 3: in everything. Some people, it has to be a negative

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Speaker 3: in everything. There has to be a selfish reason and everything.

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Speaker 3: And like you said, you know, Jay is a businessman,

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Speaker 3: he's he's here to make money doing things that he

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Speaker 3: fell aligned with him in his purpose. He does a

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Speaker 3: lot of giving back as well, done a lot of

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Speaker 3: Scott giving away a lot of scholarships to kids to

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Speaker 3: go to college and things like that. Continue to do

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Speaker 3: a lot of things in the community, things that we

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Speaker 3: don't know about every day because you don't hear about

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Speaker 3: it every day. But I mean, if he's making money

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Speaker 3: and he's also giving away money, I mean, isn't that

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Speaker 3: what this whole thing is about. Like, you have to

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Speaker 3: make money in order and then if you want to

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Speaker 3: spread the wealth and give other people opportunities and give

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Speaker 3: young young people, you know, a chance to pursue their

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Speaker 3: dreams and things like that, you have to make money.

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Speaker 3: You have to create income and create avenues for those

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Speaker 3: things to happen. So, you know, if somebody feels like, oh,

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Speaker 3: he's doing the halftime show, you know what I'm saying.

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Speaker 3: But yeah, but then look at what's coming off the

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Speaker 3: back of that though, what's the result. What's the end

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Speaker 3: result of him now taking over the entertainment for the

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Speaker 3: halftime show, which is one of the biggest shows, biggest

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Speaker 3: stages in our culture. Look at the things that come

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Speaker 3: away from that though, that come off of that, like

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Speaker 3: what are the opportunities I don't know all of them

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Speaker 3: off top, but I'm pretty sure that created opportunities for

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Speaker 3: people where it may not have existed at one point.

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Speaker 2: And this isn't even Capan for ho it is. Again,

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Speaker 2: I disagree with some of the moves that he's made,

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Speaker 2: but I don't think those define him.

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Speaker 3: I do.

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Speaker 2: I hate to use like the buzzword white privileged thing,

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Speaker 2: but it does. Like Jeff Bezos does more charity than

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Speaker 2: people know about, but no one puts the pressure on

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Speaker 2: Jeff Bezos to be some activists or how come he's

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Speaker 2: not giving more money to charity. His wife when they

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Speaker 2: did the divorce, like gave away she was like the

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Speaker 2: third richest person in the world. After the divorce, gave

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Speaker 2: out all her money. But no one puts the pressure

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Speaker 2: on every move that she makes that it has to

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Speaker 2: be for the people or she's not allowed to be

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Speaker 2: a capitalist because she also does charity as well. Right,

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Speaker 2: I think it's fucked up the pressure that they put

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Speaker 2: on Hove that he's supposed to be this person when

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Speaker 2: he's not saying this.

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Speaker 3: But that's what comes with it. Though that's part of

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Speaker 3: the deal. Like when you're in a position like that,

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Speaker 3: you have to take everything that comes with that. You

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Speaker 3: got to take the good, you gotta take the bad,

385
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Speaker 3: the negative, You have to take all of it. But

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Speaker 3: you know, as long as you know, you know where

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Speaker 3: your morals aligned and things like that, and the things

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00:19:08,600 --> 00:19:12,880
Speaker 3: that you're doing. Again with financial grants, the Big Brother

389
00:19:12,880 --> 00:19:15,720
Speaker 3: Big Sisters of America, Operation Hope, United Nego College Fund,

390
00:19:16,760 --> 00:19:21,800
Speaker 3: Rock Nation routinely attaches doctor charitable contribution to major NFL events,

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Speaker 3: like donating four hundred thousands to the Chicago based Better

392
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Speaker 3: Boys Foundation Family Services. You know, the Team Rocks Philanthropic

393
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Speaker 3: Social Justice Division. You know, your Gotti's in charge of

394
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Speaker 3: pressure and state governments regarding any main prison conditions, things

395
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Speaker 3: like that, Like there are other legs and other avenues

396
00:19:45,240 --> 00:19:47,840
Speaker 3: that come off the back, Like people just see he's

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Speaker 3: in charge of the halftime show or the entertainment for

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Speaker 3: the Super Bowl, and they think it stops there. It's

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Speaker 3: other things that are happening. So if you're going to

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Speaker 3: be outraising mad like cool, but let it do your

401
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Speaker 3: due diligence and understand the full scale of what's happening

402
00:20:02,560 --> 00:20:06,439
Speaker 3: before you decide to think it's just a selfish act

403
00:20:06,520 --> 00:20:09,160
Speaker 3: and it's you know, it's all about just jagging money,

404
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Speaker 3: because I mean, I'm not counting nobody's pockets here. Five years,

405
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Speaker 3: twenty five million dollar deal, five million dollars a year,

406
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Speaker 3: that's not a lot of money for jay not even

407
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Speaker 3: so so when people say, oh, it's just money, it's

408
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Speaker 3: just that again, I'm not counting nobody's public information. I'm

409
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Speaker 3: just going to go out on the limit. Guess that

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Speaker 3: five million dollars is not a lot of money to

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Speaker 3: jay Z, you know what I mean.

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Speaker 2: He can't have to be something he wants to do,

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Speaker 2: not something he's doing.

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Speaker 3: So that would say that it's something that he wants

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Speaker 3: to do that he feels like it's going to create

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Speaker 3: opportunities to do other things, put people that look like

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Speaker 3: us from our culture in different spaces and on a

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Speaker 3: different platform, things like that. So it can't be a

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Speaker 3: selfish thing because it's not a lot of money that

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Speaker 3: we're talking about it.

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Speaker 2: And I guess I'm fine with anyone can feel however

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Speaker 2: they want about jay Z that if you want to

423
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Speaker 2: hop on this social media trend right now of hating

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Speaker 2: him important now as far as cool, like whatever, everyone

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Speaker 2: has their day. I would just ask the question, why

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Speaker 2: is he the only billionaire that we put the pressure

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Speaker 2: on where he can't be a capitalist and do I

428
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Speaker 2: can never say that word philanthropic. That that's not the

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Speaker 2: word philanthropic. I don't think that's it. I think that's

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Speaker 2: an island. It's not philanthropic.

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Speaker 3: Philanthropy, Oh philanthropy Okay, yeah, the same same thing, philanthropy, philanthropic.

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Speaker 3: I had a stroke. Now why giving me a stroke? Man?

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Speaker 2: Why why is he the only billionaire that can't be both?

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Speaker 2: Because give shit?

435
00:21:39,119 --> 00:21:41,919
Speaker 3: When you know why he can't be because he's a rapper.

436
00:21:42,680 --> 00:21:44,920
Speaker 3: He's a rapper. That's old. People ever are going to

437
00:21:45,000 --> 00:21:47,320
Speaker 3: view Jas no matter the amount of business he does,

438
00:21:47,880 --> 00:21:51,200
Speaker 3: no matter how far removed from rap he is. Thirty years,

439
00:21:51,200 --> 00:21:55,040
Speaker 3: we're celebrating thirty since his first album, thirty years. No

440
00:21:55,080 --> 00:21:59,120
Speaker 3: matter what, he will always be a drug dealing rapper

441
00:21:59,160 --> 00:22:02,119
Speaker 3: from Marcie Prize. I mean, even like everything has to

442
00:22:02,160 --> 00:22:06,160
Speaker 3: be about money, and it's like he just cares about money.

443
00:22:06,160 --> 00:22:07,280
Speaker 3: He doesn't care about.

444
00:22:07,359 --> 00:22:09,280
Speaker 2: He does care about money, which is cool.

445
00:22:09,920 --> 00:22:12,359
Speaker 3: You should care about money. Everybody should be doing something

446
00:22:12,359 --> 00:22:15,880
Speaker 3: that creates income to do other things, and and and

447
00:22:16,160 --> 00:22:19,960
Speaker 3: put it in better positions like absolutely. Yeah. I don't know.

448
00:22:20,200 --> 00:22:23,840
Speaker 2: I just think it's odd the double standards when it

449
00:22:23,880 --> 00:22:26,399
Speaker 2: comes to Jay versus any other capitalist billionaire. It just

450
00:22:26,440 --> 00:22:27,639
Speaker 2: doesn't get get brought up.

451
00:22:28,480 --> 00:22:28,639
Speaker 3: You know.

452
00:22:28,680 --> 00:22:32,320
Speaker 2: The New York Posts put out that the tickets, uh,

453
00:22:32,440 --> 00:22:35,760
Speaker 2: ticket prices are dropping and they have a deal with

454
00:22:35,760 --> 00:22:38,320
Speaker 2: seat geek already in the fine print. It's just so

455
00:22:38,480 --> 00:22:42,280
Speaker 2: much mental gymnastics that's happening with this week that I

456
00:22:42,359 --> 00:22:45,240
Speaker 2: just don't are y'all not exhausted of hating someone as much?

457
00:22:46,720 --> 00:22:49,520
Speaker 2: It's just weird. Yeah, New York Posts. Ticket prices are

458
00:22:49,560 --> 00:22:50,879
Speaker 2: dropping fast.

459
00:22:50,600 --> 00:22:53,399
Speaker 3: For the Jay z h three Yankee Stadium concepts, all right.

460
00:22:53,400 --> 00:22:55,320
Speaker 2: First of all, they all all three sold out in

461
00:22:55,359 --> 00:22:59,200
Speaker 2: the first day. These are reso. People bought them so

462
00:22:59,240 --> 00:23:00,879
Speaker 2: they could sell him for a offit, which happens with

463
00:23:00,920 --> 00:23:03,199
Speaker 2: the Taylor Swift show. It happens with every show. And

464
00:23:03,600 --> 00:23:05,879
Speaker 2: as the date gets closer and people don't buy the

465
00:23:05,920 --> 00:23:10,400
Speaker 2: outrageous resale prices, of course they're gonna drop. You bought

466
00:23:10,400 --> 00:23:12,639
Speaker 2: the ticket for five hundred, you're selling it for three thousand.

467
00:23:12,920 --> 00:23:13,760
Speaker 2: It's got to drop.

468
00:23:14,680 --> 00:23:16,520
Speaker 3: Yeah, And New.

469
00:23:16,440 --> 00:23:19,639
Speaker 2: York Post has a deal with a ticket seller.

470
00:23:22,440 --> 00:23:23,359
Speaker 3: This is promotion to.

471
00:23:25,600 --> 00:23:26,080
Speaker 2: Never mind.

472
00:23:26,320 --> 00:23:28,040
Speaker 3: You know, people don't think that deep into it. Man,

473
00:23:28,040 --> 00:23:30,199
Speaker 3: It's just, you know, I understand it that that's what

474
00:23:30,240 --> 00:23:31,520
Speaker 3: just comes with being in a certain position.

475
00:23:31,600 --> 00:23:38,439
Speaker 2: So and obviously, uh, which which Dame has been saying

476
00:23:38,880 --> 00:23:42,640
Speaker 2: since the first Breakfast Club interview, that Charlemagne has been

477
00:23:42,640 --> 00:23:45,719
Speaker 2: working for Rocktation and jay z I came on this

478
00:23:45,760 --> 00:23:48,400
Speaker 2: pod a year ago. I have a lot of ties

479
00:23:48,400 --> 00:23:50,959
Speaker 2: some Manhattan Plaza, which is in Times Square, which was

480
00:23:51,119 --> 00:23:53,640
Speaker 2: is the biggest community in Times Square. So if you're

481
00:23:53,640 --> 00:23:55,879
Speaker 2: trying to open a casino, you have to get the

482
00:23:55,880 --> 00:23:57,720
Speaker 2: biggest community on board.

483
00:23:57,920 --> 00:24:01,800
Speaker 3: So Charlemagne, Fat Joe, what's the other.

484
00:24:01,680 --> 00:24:05,520
Speaker 2: Other girl's name, page Angela Ray, Angela Raie, Fat Joe,

485
00:24:05,640 --> 00:24:08,959
Speaker 2: Charlemagne have been at Manhattan Plaza multiple times, at the

486
00:24:08,960 --> 00:24:11,840
Speaker 2: town council meeting. Shit, They've been at the wine shop,

487
00:24:11,840 --> 00:24:17,960
Speaker 2: They've been talking to residents. Yeah, they work for rock Nation. Now,

488
00:24:18,280 --> 00:24:21,480
Speaker 2: I think there's a conflict of interest. And I don't

489
00:24:21,520 --> 00:24:25,800
Speaker 2: know all the radio rules. Promoting it the way Charlemagne

490
00:24:25,840 --> 00:24:27,439
Speaker 2: did on the Breakfast Club. I don't know if that

491
00:24:27,480 --> 00:24:30,200
Speaker 2: goes against a radio law. I'm not sure. So I'm

492
00:24:30,200 --> 00:24:32,480
Speaker 2: not here to say Charlemagne did anything illegal, but that

493
00:24:32,560 --> 00:24:35,560
Speaker 2: has been pointed out the way he positioned it as

494
00:24:35,640 --> 00:24:37,160
Speaker 2: if he wasn't part of it. It's like, oh, it'd

495
00:24:37,160 --> 00:24:40,560
Speaker 2: be great for him. There may be some dicey things

496
00:24:40,560 --> 00:24:45,040
Speaker 2: in there. But back to capitalism. If Charlemagne has the

497
00:24:45,040 --> 00:24:50,440
Speaker 2: opportunity to have Steak into a casino that may open

498
00:24:50,640 --> 00:25:01,680
Speaker 2: in Times Square, he's supposed to say no. Like, I'm

499
00:25:01,720 --> 00:25:04,240
Speaker 2: just a little confused, Okay. Is that going to sway

500
00:25:05,280 --> 00:25:06,960
Speaker 2: his opinions on the radio?

501
00:25:07,920 --> 00:25:08,400
Speaker 3: Maybe?

502
00:25:08,480 --> 00:25:11,240
Speaker 2: But we're acting like jay Z is on Love Island,

503
00:25:11,640 --> 00:25:15,120
Speaker 2: like there's a jay Z story every day. I don't

504
00:25:15,160 --> 00:25:18,119
Speaker 2: know if that's really affected Charlemagne's opinion as a radio

505
00:25:18,200 --> 00:25:21,200
Speaker 2: host the last fifteen years, because jay Z does something

506
00:25:21,240 --> 00:25:25,800
Speaker 2: once every seven years. Has that really compromised Charlemagne? And

507
00:25:25,880 --> 00:25:28,000
Speaker 2: you know, I rarely defend Charlemagne. I just don't really

508
00:25:28,040 --> 00:25:33,399
Speaker 2: see this whole gotcha moment. I know casual fans are

509
00:25:33,440 --> 00:25:37,600
Speaker 2: now finding that out, but everybody knows within this industry

510
00:25:37,600 --> 00:25:40,800
Speaker 2: that Charlemagne has been advocating for this casino because he

511
00:25:40,840 --> 00:25:43,040
Speaker 2: has taken it. He works with Rock on that like

512
00:25:43,320 --> 00:25:46,000
Speaker 2: he wasn't even trying to hide it. This whole gotcha moment.

513
00:25:46,080 --> 00:25:46,240
Speaker 4: Dog.

514
00:25:46,320 --> 00:25:51,479
Speaker 2: He was advocating publicly about it, like yeah, fat Joe too.

515
00:25:51,520 --> 00:25:54,800
Speaker 2: He works the rock Nation. If your brothers say, hey

516
00:25:54,800 --> 00:25:56,640
Speaker 2: more Roy, you guys want to end on this diseasars

517
00:25:56,640 --> 00:26:00,040
Speaker 2: powershit you fucking right? I will. That has nothing to

518
00:26:00,080 --> 00:26:04,399
Speaker 2: do with what I think about Kingdom come right, Like

519
00:26:04,800 --> 00:26:08,000
Speaker 2: what are we talking about? I think a lot of

520
00:26:08,000 --> 00:26:11,640
Speaker 2: this gotcha shit is because people are bored. You're trying

521
00:26:11,680 --> 00:26:13,920
Speaker 2: to make something out of nothing. Charlemagne is a businessman.

522
00:26:14,000 --> 00:26:16,560
Speaker 2: He's a capitalist. He wrote seven books about mental health

523
00:26:16,560 --> 00:26:19,840
Speaker 2: and he's doing his mental spy. He's a capitalist, which

524
00:26:19,920 --> 00:26:20,439
Speaker 2: is fine.

525
00:26:20,840 --> 00:26:24,080
Speaker 3: Yeah, but you gotta remember though, it's a part of

526
00:26:24,560 --> 00:26:27,520
Speaker 3: this whole thing. Though you have to have this side

527
00:26:27,520 --> 00:26:29,320
Speaker 3: of it, then you have to have this side of it.

528
00:26:29,720 --> 00:26:31,960
Speaker 2: I just find it funny that people that are compromised

529
00:26:32,760 --> 00:26:38,680
Speaker 2: by immediately been compromised by other artists are now mad

530
00:26:39,240 --> 00:26:44,200
Speaker 2: that someone else may be compromised by another artist. Right, yeah,

531
00:26:44,240 --> 00:26:48,520
Speaker 2: but again I don't And also what is Charlemagne saying

532
00:26:49,680 --> 00:26:51,880
Speaker 2: as far as jay Z music takes go, that we

533
00:26:51,920 --> 00:26:54,760
Speaker 2: was like damn now four forty four was trash? Why

534
00:26:54,840 --> 00:26:59,200
Speaker 2: Charlemage said that was good? Like what is compromised. Yeah,

535
00:26:59,280 --> 00:27:03,480
Speaker 2: I thought when I accused, and allegedly back in the day,

536
00:27:03,600 --> 00:27:06,600
Speaker 2: there was the rumor of Atlantic having a lot of

537
00:27:06,640 --> 00:27:10,040
Speaker 2: money within the Breakfast club. To me, that's different when

538
00:27:10,080 --> 00:27:12,840
Speaker 2: it's a whole roster of artists. But cool, that's the game.

539
00:27:13,080 --> 00:27:13,320
Speaker 3: Yeah.

540
00:27:14,000 --> 00:27:16,919
Speaker 2: Star came on I think it was Combat Jack and

541
00:27:16,960 --> 00:27:18,680
Speaker 2: said when he was on Hot ninety seven was the

542
00:27:18,760 --> 00:27:21,920
Speaker 2: biggest thing moving. Then he went to Power one on five.

543
00:27:22,280 --> 00:27:25,359
Speaker 2: Lee Or Cohen said, here's an advance for you to

544
00:27:25,359 --> 00:27:28,520
Speaker 2: make a compilation album. Here's one hundred and fifty thousand dollars.

545
00:27:29,200 --> 00:27:31,800
Speaker 2: Star said, okay, all right, I'm on def Jam to

546
00:27:31,800 --> 00:27:33,680
Speaker 2: do funk. Flex signed a deaf Jam at one point

547
00:27:34,320 --> 00:27:36,160
Speaker 2: he was a DJ. And I'm not saying Flex took

548
00:27:36,160 --> 00:27:43,440
Speaker 2: any Paola, but there's loopholes. Start started working on the

549
00:27:43,480 --> 00:27:45,760
Speaker 2: album and went to Leo's office like, hey, I got

550
00:27:45,760 --> 00:27:49,560
Speaker 2: some stuff that I'm working on, and Lyrio said, why

551
00:27:49,720 --> 00:27:56,040
Speaker 2: you don't need to make an album. Just take the money, right,

552
00:27:56,600 --> 00:27:58,439
Speaker 2: I gave you the money make album. You don't have

553
00:27:58,480 --> 00:28:02,440
Speaker 2: a release date. Yeah, this is not new.

554
00:28:03,240 --> 00:28:04,520
Speaker 3: I'm not saying Pola.

555
00:28:05,119 --> 00:28:07,400
Speaker 2: I'm not accusing anyone of that because that is illegal

556
00:28:08,200 --> 00:28:12,520
Speaker 2: I'm just saying, if you think that companies, labels have

557
00:28:12,640 --> 00:28:16,240
Speaker 2: not been in bed with radio or radio personalities or DJs.

558
00:28:17,000 --> 00:28:20,560
Speaker 2: And I'm not saying, Paola, even just paid ads, you

559
00:28:20,600 --> 00:28:22,000
Speaker 2: are out of your fucking mind.

560
00:28:22,359 --> 00:28:24,480
Speaker 3: Yeah, it's all part of it. It's all part of

561
00:28:24,720 --> 00:28:27,520
Speaker 3: the whole system and just how things go. But you know,

562
00:28:27,520 --> 00:28:30,000
Speaker 3: it's more specifically to somebody like what Jay is doing

563
00:28:30,119 --> 00:28:33,080
Speaker 3: on the business side and people feeling like, you know,

564
00:28:33,160 --> 00:28:37,040
Speaker 3: anybody that aligns with him can now not have an

565
00:28:37,119 --> 00:28:40,120
Speaker 3: unbiased opinion. It's just like you said, when it comes

566
00:28:40,160 --> 00:28:43,320
Speaker 3: to music, Jay doesn't occupy the space the way he

567
00:28:43,400 --> 00:28:46,280
Speaker 3: once did when it comes to music. So you know,

568
00:28:46,720 --> 00:28:49,960
Speaker 3: on the business side, if it's this opportunity to partner

569
00:28:50,040 --> 00:28:53,240
Speaker 3: with you know, whether it's the NFL or you know,

570
00:28:53,320 --> 00:28:57,040
Speaker 3: the casino and things like that, you know, I mean,

571
00:28:57,120 --> 00:28:59,960
Speaker 3: this was how does that affect and one thing affect

572
00:29:00,080 --> 00:29:01,640
Speaker 3: the other thing? Is just I don't understand that.

573
00:29:01,880 --> 00:29:08,600
Speaker 2: And because I was closer than the average person to

574
00:29:08,640 --> 00:29:11,760
Speaker 2: the casino thing, not via Rock Nation, via living in

575
00:29:11,800 --> 00:29:14,480
Speaker 2: that community, I was extremely close to the meetings that

576
00:29:14,520 --> 00:29:17,320
Speaker 2: were happening. I was in those meetings as a resident

577
00:29:17,400 --> 00:29:20,560
Speaker 2: of that building. I was there so I have more

578
00:29:20,600 --> 00:29:26,400
Speaker 2: information than the average person. Charlemagne going on the radio

579
00:29:26,680 --> 00:29:28,800
Speaker 2: and saying, Hey, I think it would be a good

580
00:29:28,840 --> 00:29:32,280
Speaker 2: idea for a casino to be in Times Square. It

581
00:29:32,280 --> 00:29:34,680
Speaker 2: could bring a lot of stuff, a lot of positive

582
00:29:34,720 --> 00:29:37,120
Speaker 2: things to that area. There's not a lot going on

583
00:29:37,200 --> 00:29:39,560
Speaker 2: outside of the fucking eminem Store. This could bring a

584
00:29:39,600 --> 00:29:46,640
Speaker 2: lot of stuff. Changes nothing unless somebody living in Manhattan

585
00:29:46,640 --> 00:29:49,400
Speaker 2: Plaza that could vote on that was listening to Power

586
00:29:49,400 --> 00:29:53,920
Speaker 2: one oh five that day. It changes nothing. And Charlemagne

587
00:29:53,920 --> 00:29:56,560
Speaker 2: was already there advocating the way any other politician would

588
00:29:56,560 --> 00:29:59,360
Speaker 2: advocate if they were running for office in that same

589
00:29:59,720 --> 00:30:02,400
Speaker 2: comp from in Manhattan Plaza. You coming on the radio

590
00:30:02,760 --> 00:30:06,880
Speaker 2: for somebody living in Connecticut, they have no pull on this, Like,

591
00:30:06,880 --> 00:30:10,800
Speaker 2: what is Charlamagne manipulating here with advocating could you you

592
00:30:10,800 --> 00:30:11,560
Speaker 2: can't vote for it?

593
00:30:11,720 --> 00:30:15,760
Speaker 3: But yeah, but people not thinking like that though. The

594
00:30:15,880 --> 00:30:19,520
Speaker 3: people are not. It's very surface level. Just react to

595
00:30:20,080 --> 00:30:23,360
Speaker 3: the headline and the fact that people already have their

596
00:30:23,400 --> 00:30:26,960
Speaker 3: opinions about who Jay Z is as a person. It's

597
00:30:27,000 --> 00:30:30,120
Speaker 3: all of those things. It's not like you're just just saying,

598
00:30:30,120 --> 00:30:32,320
Speaker 3: all right, what is it affecting? Though? Really? And then

599
00:30:32,400 --> 00:30:35,920
Speaker 3: not put a casino in Times Square as opposed to

600
00:30:36,400 --> 00:30:38,520
Speaker 3: putting what in Time Square? Now, what do we need

601
00:30:38,560 --> 00:30:42,920
Speaker 3: another sneaking store? We need another you know, like sam

602
00:30:42,960 --> 00:30:45,120
Speaker 3: Ash or something like that. Sam Like, what what do

603
00:30:45,160 --> 00:30:48,600
Speaker 3: you need another of in a casino? Will bring how

604
00:30:48,600 --> 00:30:52,000
Speaker 3: many jobs? How many people can actually you know, work

605
00:30:52,040 --> 00:30:55,240
Speaker 3: in the casino? And now you know, to me, it's

606
00:30:55,560 --> 00:30:57,640
Speaker 3: a it's a positive. I get it. People saying, oh,

607
00:30:57,680 --> 00:31:00,120
Speaker 3: but you know times people are broken and people I

608
00:31:00,200 --> 00:31:03,719
Speaker 3: can't tell as much money as fan Duel reports they

609
00:31:03,720 --> 00:31:05,760
Speaker 3: make a month in New York. I can't tell that

610
00:31:05,800 --> 00:31:08,560
Speaker 3: people don't have money. I can't tell that people are broke,

611
00:31:08,640 --> 00:31:12,520
Speaker 3: like people are gambling somewhere and people are spending money somewhere.

612
00:31:12,640 --> 00:31:14,880
Speaker 2: I mean, They're going to think I'm on the take

613
00:31:14,920 --> 00:31:17,000
Speaker 2: here and I'm not, because in the beginning I was

614
00:31:18,280 --> 00:31:23,520
Speaker 2: casinos do statistically bring more crime to an area, and

615
00:31:23,560 --> 00:31:26,440
Speaker 2: a place like Manhattan Plaza, which is like right on

616
00:31:26,480 --> 00:31:29,240
Speaker 2: the cusp between Hell's Kitchen and Time Square, is the

617
00:31:29,280 --> 00:31:32,080
Speaker 2: only residential area that would be affected by something like

618
00:31:32,080 --> 00:31:34,560
Speaker 2: that because everything else is commercialism and towards them. They

619
00:31:34,560 --> 00:31:36,920
Speaker 2: have to live there, so it bringing you know, they

620
00:31:36,960 --> 00:31:38,680
Speaker 2: just cleaned up Tom Square used to be when you

621
00:31:38,720 --> 00:31:41,479
Speaker 2: were growing up, was a shithole when I was growing up,

622
00:31:41,480 --> 00:31:46,080
Speaker 2: it changed, like Rudy clean the shit up. I was like,

623
00:31:46,280 --> 00:31:47,920
Speaker 2: I don't know, that could be kind of crazy, but

624
00:31:48,920 --> 00:31:51,840
Speaker 2: rock out of everyone that was trying to bid for

625
00:31:51,880 --> 00:31:54,360
Speaker 2: what they pitched to Manhattan Plaza, it was a lot

626
00:31:54,360 --> 00:31:56,440
Speaker 2: of community programs, a lot of things for the kids

627
00:31:56,440 --> 00:31:59,760
Speaker 2: that they wanted to do with getting the bid for

628
00:31:59,840 --> 00:32:02,080
Speaker 2: the casino. There's a lot of shit that was involved

629
00:32:02,080 --> 00:32:04,240
Speaker 2: with it, not just slot machines right here, which I

630
00:32:04,280 --> 00:32:06,479
Speaker 2: don't know if any other company that bid from what

631
00:32:06,520 --> 00:32:10,960
Speaker 2: I saw, was not pitching the actual community side and

632
00:32:11,040 --> 00:32:13,160
Speaker 2: the youth and things that with the money that comes

633
00:32:13,160 --> 00:32:16,440
Speaker 2: from this casino, we could redo this whole fucking community

634
00:32:16,440 --> 00:32:20,360
Speaker 2: for y'all, like this playground can change tomorrow type thing,

635
00:32:20,360 --> 00:32:23,880
Speaker 2: which I think is good. And I'm I'm not saying

636
00:32:24,520 --> 00:32:26,480
Speaker 2: you're wrong if you're like, don't have a casino next

637
00:32:26,480 --> 00:32:29,760
Speaker 2: to my fucking apartment. But I don't think Charlemagne or

638
00:32:29,880 --> 00:32:34,680
Speaker 2: Fat Joe is changing anything in that regard, Like I

639
00:32:34,800 --> 00:32:36,680
Speaker 2: just don't And if they have the opportunity to be

640
00:32:36,720 --> 00:32:38,360
Speaker 2: a part of it, and I mean it didn't pass,

641
00:32:38,400 --> 00:32:43,960
Speaker 2: but you're taking that too. Anyone anybody talking about that?

642
00:32:44,040 --> 00:32:45,800
Speaker 2: You taking it too? Yeah?

643
00:32:45,880 --> 00:32:48,440
Speaker 3: I just you know, I don't get it, man, pech.

644
00:32:48,520 --> 00:32:50,040
Speaker 3: Maybe I'm just getting to old. I don't really care

645
00:32:50,040 --> 00:32:52,200
Speaker 3: about shit like that. Like people get up on it

646
00:32:52,240 --> 00:32:54,000
Speaker 3: in and I'm just like, y'all are not upset about this?

647
00:32:54,040 --> 00:32:54,360
Speaker 3: For real?

648
00:32:55,040 --> 00:32:57,280
Speaker 2: We have a friend of the show coming on right

649
00:32:57,320 --> 00:33:00,840
Speaker 2: now to have a great conversation with the cakes out

650
00:33:01,200 --> 00:33:04,000
Speaker 2: And anytime this beautiful woman is on the show, we

651
00:33:04,040 --> 00:33:07,880
Speaker 2: always have a very good conversation and a conversations I

652
00:33:07,880 --> 00:33:09,760
Speaker 2: don't think she has on other podcasts because we are

653
00:33:09,920 --> 00:33:11,080
Speaker 2: also so close.

654
00:33:11,080 --> 00:33:11,960
Speaker 3: Different relationship.

655
00:33:12,040 --> 00:33:13,960
Speaker 2: Yeah, yeah, so let's get into it.

656
00:33:14,480 --> 00:33:15,480
Speaker 1: No yet.

657
00:33:17,280 --> 00:33:19,560
Speaker 2: Maul is twenty twenty six and boost Mobile is proving

658
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664
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Speaker 2: but save up to six hundred dollars a year compared

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Speaker 2: to boostmobile dot Com today.

668
00:33:48,040 --> 00:33:50,600
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669
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670
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671
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Speaker 3: twenty six. Full off of details, visit boost mobile dot com.

672
00:34:05,440 --> 00:34:07,320
Speaker 3: We are back, Yes, we are Maul.

673
00:34:07,440 --> 00:34:09,439
Speaker 2: We are joined with I wouldn't even say a friend

674
00:34:09,440 --> 00:34:11,480
Speaker 2: of the show at this point, I would say family

675
00:34:11,520 --> 00:34:13,879
Speaker 2: of the show. That family of this makes grammatical sense,

676
00:34:14,040 --> 00:34:17,359
Speaker 2: yes at all. But we are joined by our dear

677
00:34:17,520 --> 00:34:19,520
Speaker 2: friend Joyce Rice studio audience.

678
00:34:19,600 --> 00:34:23,920
Speaker 3: Joyce Rice is in the building. Step up.

679
00:34:24,040 --> 00:34:26,040
Speaker 2: Last time she was on the show, we were in

680
00:34:26,080 --> 00:34:28,480
Speaker 2: my living room. Looked like was it the last We're

681
00:34:28,520 --> 00:34:29,879
Speaker 2: moving up like the Johnson's over here.

682
00:34:29,880 --> 00:34:32,200
Speaker 4: This is the room or if you want to include

683
00:34:32,200 --> 00:34:32,959
Speaker 4: the radio room.

684
00:34:33,680 --> 00:34:38,040
Speaker 3: Yes, ah, yeah, okay, okay, I knew we saw Joyce

685
00:34:38,040 --> 00:34:38,480
Speaker 3: since then.

686
00:34:38,600 --> 00:34:40,280
Speaker 4: Yeah, that was two years.

687
00:34:40,440 --> 00:34:41,319
Speaker 3: That last year.

688
00:34:41,480 --> 00:34:42,359
Speaker 2: It was last year.

689
00:34:42,440 --> 00:34:44,040
Speaker 3: Yeah, yeah, and.

690
00:34:44,120 --> 00:34:46,280
Speaker 4: We were in your living room, yes, doing choreo.

691
00:34:46,800 --> 00:34:47,719
Speaker 2: Yeah that was a different time.

692
00:34:47,760 --> 00:34:48,799
Speaker 4: When that was a different time.

693
00:34:48,840 --> 00:34:52,319
Speaker 2: You pulled your tour tour bus in my driveway and

694
00:34:52,360 --> 00:34:53,560
Speaker 2: we fed the whole tour.

695
00:34:53,640 --> 00:34:55,680
Speaker 3: I missed that there. I missed that.

696
00:34:55,920 --> 00:34:58,360
Speaker 2: She taught everyone the choreography for the show.

697
00:34:58,640 --> 00:34:59,440
Speaker 3: It was. It was a good time.

698
00:34:59,520 --> 00:34:59,839
Speaker 4: That was so.

699
00:35:00,440 --> 00:35:01,680
Speaker 3: Yeah, are you feeling joyce?

700
00:35:01,920 --> 00:35:04,080
Speaker 4: I'm feeling good. I'm in New York.

701
00:35:04,239 --> 00:35:06,239
Speaker 3: You are in New York. Why does New York make

702
00:35:06,239 --> 00:35:09,640
Speaker 3: you smiler? What is it about? Wait? You know that's

703
00:35:09,680 --> 00:35:12,520
Speaker 3: in New Yorker. I haven't smiled about New York like

704
00:35:12,520 --> 00:35:13,640
Speaker 3: that a very long time.

705
00:35:13,680 --> 00:35:14,959
Speaker 4: But that's because you're from here.

706
00:35:15,120 --> 00:35:18,120
Speaker 5: That's because we were saying, I just feel like there's

707
00:35:18,200 --> 00:35:22,600
Speaker 5: so much life in New York here to La.

708
00:35:22,719 --> 00:35:22,879
Speaker 3: Yeah.

709
00:35:22,920 --> 00:35:26,920
Speaker 4: The energy in La, Yeah, just right in front of you.

710
00:35:27,040 --> 00:35:28,200
Speaker 3: Do you feel like this is more.

711
00:35:28,480 --> 00:35:32,000
Speaker 4: Rich right now? I would like for it to be.

712
00:35:32,080 --> 00:35:34,160
Speaker 3: My energy, like you like the hustle of it.

713
00:35:34,680 --> 00:35:36,200
Speaker 4: Yeah, and I do.

714
00:35:36,520 --> 00:35:40,200
Speaker 5: I think my time in LA is getting a bit.

715
00:35:41,480 --> 00:35:43,800
Speaker 5: I don't know if I would say it's dignant. Yeah,

716
00:35:44,560 --> 00:35:49,560
Speaker 5: but you know, everyone says it's different visiting New York

717
00:35:50,080 --> 00:35:51,880
Speaker 5: and then like really being here.

718
00:35:51,760 --> 00:35:55,799
Speaker 3: Being Yeah, there's always different visiting get a week or two,

719
00:35:56,320 --> 00:35:58,080
Speaker 3: maybe a month, and then you're like, all right, I

720
00:35:58,080 --> 00:35:59,040
Speaker 3: can go back home now.

721
00:35:59,280 --> 00:35:59,840
Speaker 4: I think for me.

722
00:36:00,160 --> 00:36:04,640
Speaker 5: LA, it's like you got to drive everywhere. I'll hear

723
00:36:04,680 --> 00:36:06,040
Speaker 5: you step out and it's like.

724
00:36:06,719 --> 00:36:08,680
Speaker 2: LA has energy yet, but you have to drive to

725
00:36:08,719 --> 00:36:10,960
Speaker 2: the energy and then sit in traffic in between with

726
00:36:11,080 --> 00:36:11,600
Speaker 2: no energy.

727
00:36:11,760 --> 00:36:12,279
Speaker 3: Like New York.

728
00:36:12,280 --> 00:36:14,160
Speaker 2: You can if you walk out of our studio, now

729
00:36:14,880 --> 00:36:17,280
Speaker 2: there's energy outside the moment you hit the street.

730
00:36:17,560 --> 00:36:20,839
Speaker 3: So does LA have the city bikes? Do they have that?

731
00:36:21,160 --> 00:36:21,399
Speaker 1: They?

732
00:36:21,600 --> 00:36:23,040
Speaker 4: I feel like they do in.

733
00:36:24,880 --> 00:36:25,840
Speaker 3: Birds the bird?

734
00:36:26,040 --> 00:36:28,640
Speaker 2: What is it called scooty bikes?

735
00:36:28,719 --> 00:36:28,879
Speaker 1: Lime?

736
00:36:28,960 --> 00:36:32,160
Speaker 2: Scooters doesn't rage to have a monopoly over there.

737
00:36:32,520 --> 00:36:35,640
Speaker 3: No, no scooty bikes and not.

738
00:36:37,239 --> 00:36:38,560
Speaker 4: Know he lives in downtown.

739
00:36:39,480 --> 00:36:40,960
Speaker 3: It's not I don't think it's sorry to hear that.

740
00:36:41,000 --> 00:36:41,319
Speaker 3: I know you.

741
00:36:43,239 --> 00:36:44,640
Speaker 2: Must be voting Republican though.

742
00:36:45,840 --> 00:36:47,719
Speaker 3: Yeah I have the line you have moms for sure.

743
00:36:48,160 --> 00:36:50,960
Speaker 5: I'm the scooters, which I don't really care for scooters.

744
00:36:52,200 --> 00:36:54,200
Speaker 2: You know, if I was driving down Set and seeing

745
00:36:54,239 --> 00:36:55,880
Speaker 2: Joyce in the scooty lane.

746
00:36:57,480 --> 00:37:01,759
Speaker 4: I'm like terrified of getting on those. I don't know,

747
00:37:01,800 --> 00:37:02,200
Speaker 4: I'm just.

748
00:37:03,680 --> 00:37:05,319
Speaker 3: I've always told what are the battery guys?

749
00:37:05,520 --> 00:37:07,280
Speaker 4: Yeah, and then you just fucking fall off.

750
00:37:08,560 --> 00:37:10,880
Speaker 2: It is like it is a little irresponsible. I feel

751
00:37:10,880 --> 00:37:13,320
Speaker 2: like for all the states to just give people scooters

752
00:37:13,320 --> 00:37:16,480
Speaker 2: and bikes, like no test whatso we've never seen you

753
00:37:16,560 --> 00:37:18,600
Speaker 2: ride in the shuiler and now we're just giving people

754
00:37:18,680 --> 00:37:21,279
Speaker 2: they don't take a breathalyzer, Like you could just get

755
00:37:21,320 --> 00:37:23,399
Speaker 2: on a scooter that goes that shit goes like twenty

756
00:37:23,440 --> 00:37:24,000
Speaker 2: miles an hour.

757
00:37:24,080 --> 00:37:26,000
Speaker 3: You know what? Who else? Another city that's big on

758
00:37:26,000 --> 00:37:29,680
Speaker 3: the scooters is DC when we get that Broccoli Broccoli Fest. Yeah,

759
00:37:30,239 --> 00:37:32,399
Speaker 3: like a lot of people couldn't get ubers after because

760
00:37:32,400 --> 00:37:34,040
Speaker 3: it was just so many people coming out.

761
00:37:33,880 --> 00:37:35,759
Speaker 2: Of a bunch of sower people at a festival.

762
00:37:35,520 --> 00:37:39,440
Speaker 3: Right, but everybody it was like eighty schoolters just available

763
00:37:39,440 --> 00:37:41,040
Speaker 3: and everybody just jumped on the scooter.

764
00:37:41,440 --> 00:37:45,520
Speaker 5: If that's the case, I would thug it out. But yeah, Jasmine,

765
00:37:45,560 --> 00:37:49,040
Speaker 5: I remember we were doing stuff in San Francisco for

766
00:37:49,200 --> 00:37:51,919
Speaker 5: Super Bowl and she was like, we need to get

767
00:37:51,960 --> 00:37:54,400
Speaker 5: to the next spot asap, me and you will just

768
00:37:54,440 --> 00:37:55,080
Speaker 5: get on a scoore.

769
00:37:55,160 --> 00:37:57,480
Speaker 4: I'm like, girl, and I'm in heels.

770
00:37:57,200 --> 00:37:57,880
Speaker 3: Pumps scooter.

771
00:37:58,760 --> 00:38:00,360
Speaker 2: Wait, both of y'all on one scooter.

772
00:38:00,440 --> 00:38:03,560
Speaker 4: I think that was her she might have I can't remember.

773
00:38:03,320 --> 00:38:05,120
Speaker 3: But I'm trying to get to it. Like, listen, we

774
00:38:05,160 --> 00:38:07,319
Speaker 3: gotta go, Yeah, we gotta go. Listen. I like that, though.

775
00:38:07,320 --> 00:38:09,359
Speaker 3: I respect that somebody is just like, listen, we gotta

776
00:38:09,360 --> 00:38:11,600
Speaker 3: to get here. If this is the best way to

777
00:38:11,640 --> 00:38:13,799
Speaker 3: do it, let's fucking do it. I think I respect that.

778
00:38:13,840 --> 00:38:14,919
Speaker 4: I'd rather get on the bike.

779
00:38:15,360 --> 00:38:17,239
Speaker 2: But yeah, the bike, for sure. I have a bike

780
00:38:17,280 --> 00:38:20,040
Speaker 2: that I used sometimes in the city. Using it in

781
00:38:20,080 --> 00:38:22,440
Speaker 2: New York you have to be paying attention. You can't

782
00:38:22,480 --> 00:38:25,520
Speaker 2: just be like a novice bike rider in Manhattan and

783
00:38:25,560 --> 00:38:27,319
Speaker 2: if you have a credit card, they'll put you on

784
00:38:27,320 --> 00:38:27,640
Speaker 2: a bike.

785
00:38:27,840 --> 00:38:28,280
Speaker 3: Yeah.

786
00:38:28,680 --> 00:38:29,840
Speaker 2: Like, to me, that's dangerous.

787
00:38:30,120 --> 00:38:32,000
Speaker 3: And I know the traffic is what makes it in

788
00:38:32,040 --> 00:38:34,800
Speaker 3: New York. Like the traffic in New York. I commend

789
00:38:34,800 --> 00:38:36,720
Speaker 3: a lot of people that I see use the bikes

790
00:38:36,760 --> 00:38:39,200
Speaker 3: daily and I'm just like, bro, how are you just

791
00:38:39,280 --> 00:38:41,799
Speaker 3: on Madison dipping in and out of traffic like this

792
00:38:42,000 --> 00:38:45,759
Speaker 3: like rush hour? You got buses and cars to deal with.

793
00:38:46,560 --> 00:38:48,000
Speaker 3: I think I'd just rather walk at that point.

794
00:38:48,120 --> 00:38:52,360
Speaker 2: Yeah, the first time, remember brunch Bounce. Yes, no, it's throwback,

795
00:38:52,400 --> 00:38:55,560
Speaker 2: so it's like fifteen years old. Brunch Bounce went to

796
00:38:55,560 --> 00:38:57,080
Speaker 2: Miami for the first time.

797
00:38:57,120 --> 00:38:57,799
Speaker 3: I remember that.

798
00:38:57,880 --> 00:39:00,960
Speaker 2: So we all went down to Miami. Paluza has started

799
00:39:01,000 --> 00:39:04,000
Speaker 2: at that point, and you know, like the the bikes

800
00:39:04,000 --> 00:39:06,720
Speaker 2: that you can get, Uh, what is that on Ocean

801
00:39:06,760 --> 00:39:10,600
Speaker 2: in Miami, like those those electric school shits. Yeah, so

802
00:39:10,680 --> 00:39:12,320
Speaker 2: we took a wrong turn trying to get to Brunch

803
00:39:12,320 --> 00:39:14,920
Speaker 2: Bounce on those and we ended up on ninety five.

804
00:39:17,040 --> 00:39:17,640
Speaker 3: On the Howard.

805
00:39:17,719 --> 00:39:20,160
Speaker 2: It's three of us on the hot because we took

806
00:39:20,200 --> 00:39:21,560
Speaker 2: the turn and you couldn't turn around.

807
00:39:21,719 --> 00:39:22,040
Speaker 3: Yeah.

808
00:39:22,080 --> 00:39:25,520
Speaker 2: So we're on like the bikes, like in the breakdown lane,

809
00:39:25,800 --> 00:39:27,440
Speaker 2: trying to get to the exit and them shits can

810
00:39:27,480 --> 00:39:28,160
Speaker 2: only go so fast.

811
00:39:28,200 --> 00:39:30,279
Speaker 3: Yeah, so you just see the three feels like three

812
00:39:30,360 --> 00:39:33,160
Speaker 3: grown men trying like a lifetime, feels like thirty minutes

813
00:39:33,200 --> 00:39:36,360
Speaker 3: trying to get this to shit just zooming past us.

814
00:39:37,160 --> 00:39:41,239
Speaker 2: Yeah nah, that's crazy. Yeah that that was terrifying. But anyways, Yes,

815
00:39:41,280 --> 00:39:43,239
Speaker 2: we are back. Joyce is here.

816
00:39:43,719 --> 00:39:44,000
Speaker 3: Joyce.

817
00:39:44,040 --> 00:39:46,360
Speaker 2: We consider you a friend, but we are also fans.

818
00:39:46,640 --> 00:39:49,759
Speaker 2: So as your friend, we love you, but as a fan,

819
00:39:49,960 --> 00:39:52,279
Speaker 2: we kind of hate you. Spent a long time. I

820
00:39:52,320 --> 00:39:53,960
Speaker 2: know the fuck has been going on.

821
00:39:54,040 --> 00:39:55,600
Speaker 4: It's been like.

822
00:39:57,320 --> 00:39:58,240
Speaker 2: Twenty twenty one.

823
00:39:58,200 --> 00:40:02,560
Speaker 3: Was the last full over, Yes, the last full pres last.

824
00:40:02,320 --> 00:40:06,759
Speaker 5: Full twenty twenty one ep iced tea with Kachen on

825
00:40:06,840 --> 00:40:08,000
Speaker 5: It's twenty two.

826
00:40:10,560 --> 00:40:14,840
Speaker 3: And you know you've had, you've been, you've been like

827
00:40:14,920 --> 00:40:15,520
Speaker 3: we've heard you.

828
00:40:15,680 --> 00:40:19,400
Speaker 5: I've done features, Yes, thankfully, I've done features to feature.

829
00:40:19,280 --> 00:40:21,879
Speaker 2: When Isaiah Falls has an incredible record.

830
00:40:21,840 --> 00:40:26,319
Speaker 3: Motifly that record is so goodble I love Isaiah.

831
00:40:25,800 --> 00:40:26,839
Speaker 4: I to this day.

832
00:40:26,880 --> 00:40:29,839
Speaker 5: I'm like, damn, thanks for asking me to be on

833
00:40:29,840 --> 00:40:32,640
Speaker 5: this record because the amount of times I hear it

834
00:40:32,680 --> 00:40:34,680
Speaker 5: on TikTok is insane.

835
00:40:34,719 --> 00:40:36,560
Speaker 3: That has that had to have reached number one on

836
00:40:36,600 --> 00:40:39,600
Speaker 3: TikTok or close to it. Top five for sure, I hope.

837
00:40:39,640 --> 00:40:42,680
Speaker 4: So it was also like Urban Ac like top two.

838
00:40:43,000 --> 00:40:46,000
Speaker 3: Yeah, so because you can't you couldn't open TikTok and

839
00:40:46,040 --> 00:40:49,719
Speaker 3: not here even still today like you open TikTok and

840
00:40:49,760 --> 00:40:50,440
Speaker 3: you're gonna have them.

841
00:40:50,760 --> 00:40:53,000
Speaker 5: Yeah, I'm still tagged in all those things. So shout

842
00:40:53,000 --> 00:40:54,000
Speaker 5: out to Isaiah Fall.

843
00:40:54,280 --> 00:40:56,960
Speaker 2: It's also a good song too, outside yeah he outside

844
00:40:56,960 --> 00:41:00,279
Speaker 2: of the ten seconds that TikTok takes from. Yes, like

845
00:41:00,320 --> 00:41:01,120
Speaker 2: it's a good song.

846
00:41:01,239 --> 00:41:02,080
Speaker 4: It is a great song.

847
00:41:02,400 --> 00:41:04,640
Speaker 2: Of course TikTok can help launch it. But yes, it's

848
00:41:04,640 --> 00:41:08,840
Speaker 2: a make that snippet Yep, he's really really.

849
00:41:08,719 --> 00:41:09,959
Speaker 4: Good at that that part.

850
00:41:11,600 --> 00:41:14,799
Speaker 5: Yeah, thankfully I've done some features, but after I put

851
00:41:14,800 --> 00:41:17,680
Speaker 5: out iced Tea and as you know, Overgrown, which Overgrown

852
00:41:17,760 --> 00:41:20,600
Speaker 5: took some time for me to make as well. I

853
00:41:20,640 --> 00:41:24,160
Speaker 5: think I gained a lot of new fans from Overgrown,

854
00:41:24,200 --> 00:41:26,839
Speaker 5: so they don't some of them don't really know who

855
00:41:26,920 --> 00:41:29,680
Speaker 5: I was before that, but like I had some music

856
00:41:29,719 --> 00:41:34,800
Speaker 5: before that. But yeah, after I made Iced Tea and

857
00:41:34,840 --> 00:41:37,960
Speaker 5: I was doing festivals and things like that, I just

858
00:41:38,880 --> 00:41:41,960
Speaker 5: I was definitely ready to make my second album, but

859
00:41:42,040 --> 00:41:43,840
Speaker 5: I didn't know what I wanted to talk about.

860
00:41:44,440 --> 00:41:46,600
Speaker 4: I didn't know what I had to say.

861
00:41:48,840 --> 00:41:51,920
Speaker 5: Just yeah, I was just figuring out what sound I

862
00:41:52,000 --> 00:41:52,800
Speaker 5: was going for.

863
00:41:54,719 --> 00:41:59,359
Speaker 4: So I took my time to figure that out.

864
00:41:59,400 --> 00:42:03,080
Speaker 5: And I also I did a lot of sessions with

865
00:42:03,719 --> 00:42:07,799
Speaker 5: many different people. We have like over one hundred songs, yeah,

866
00:42:08,080 --> 00:42:10,680
Speaker 5: towards the album in just these past few years. So

867
00:42:12,080 --> 00:42:18,400
Speaker 5: thankfully I've finally found a home for this second album.

868
00:42:18,600 --> 00:42:20,759
Speaker 2: Was there a specific event that made you go, this

869
00:42:20,800 --> 00:42:23,800
Speaker 2: is what I want to talk about, or just taking

870
00:42:23,840 --> 00:42:26,640
Speaker 2: the four years between to like live for.

871
00:42:26,600 --> 00:42:29,680
Speaker 5: A little bit, Yeah, I mean, I definitely, so I

872
00:42:29,800 --> 00:42:32,200
Speaker 5: was still going into the studio and working with people,

873
00:42:32,880 --> 00:42:36,479
Speaker 5: and I would just kind of freestyle and journal a lot,

874
00:42:37,400 --> 00:42:39,279
Speaker 5: and really.

875
00:42:39,520 --> 00:42:41,520
Speaker 4: More so look inward a lot.

876
00:42:41,520 --> 00:42:44,719
Speaker 5: Of my old like my previous music is about heartbreak,

877
00:42:45,520 --> 00:42:51,080
Speaker 5: and I realized, like, I'm inspired by men that I

878
00:42:51,239 --> 00:42:54,600
Speaker 5: encounter and indulge in, and so at.

879
00:42:54,440 --> 00:42:57,560
Speaker 3: That time too, men encounter and indulgence.

880
00:42:57,640 --> 00:42:59,160
Speaker 4: Yeah, Like I realized that's.

881
00:42:59,040 --> 00:42:59,920
Speaker 2: Up there with entanglement.

882
00:43:00,200 --> 00:43:05,240
Speaker 3: Yeah, that that might be entanglement men that I indulge in. Okay,

883
00:43:05,600 --> 00:43:11,880
Speaker 3: all right? Inspired by Yeah, Like I haven't.

884
00:43:11,600 --> 00:43:17,520
Speaker 5: Been in a committed relationship since prior to Overgrown, so

885
00:43:18,000 --> 00:43:24,200
Speaker 5: indulgent Okay, Yeah, and where was I going with that?

886
00:43:25,520 --> 00:43:25,719
Speaker 3: Yeah?

887
00:43:25,800 --> 00:43:27,640
Speaker 5: I was single for the first time and not like

888
00:43:28,239 --> 00:43:31,880
Speaker 5: sad about it. I was that pete like, think feels

889
00:43:31,880 --> 00:43:37,640
Speaker 5: good to not have someone, you know, bothering you or.

890
00:43:37,719 --> 00:43:42,279
Speaker 3: Just not bothering I'm sorry bothering you, Joyce. You don't

891
00:43:42,280 --> 00:43:43,839
Speaker 3: want a boy friend, you don't want to you don't

892
00:43:43,840 --> 00:43:44,680
Speaker 3: want a relationship.

893
00:43:44,960 --> 00:43:48,319
Speaker 5: I think we think you know, I just hadn't met

894
00:43:48,360 --> 00:43:53,400
Speaker 5: anyone interesting yet, so I was feeling like kind of

895
00:43:53,480 --> 00:43:56,640
Speaker 5: it was just blank. But obviously there's so much to

896
00:43:56,680 --> 00:43:59,320
Speaker 5: talk about outside of that ship. But as an R

897
00:43:59,360 --> 00:44:03,600
Speaker 5: and B girly and I think some now after working

898
00:44:03,640 --> 00:44:10,080
Speaker 5: on this album, I can I enjoy understanding what my

899
00:44:10,320 --> 00:44:16,759
Speaker 5: space in romance and dating looks like through music, Like

900
00:44:16,880 --> 00:44:18,319
Speaker 5: that's where does that make sense?

901
00:44:18,400 --> 00:44:20,040
Speaker 2: Like what what do you mean by expounding a little

902
00:44:20,040 --> 00:44:21,160
Speaker 2: bit more? I think I know what you're saying.

903
00:44:21,280 --> 00:44:25,600
Speaker 5: Yeah, Like whenever I meet somebody, I love to go

904
00:44:25,719 --> 00:44:28,360
Speaker 5: right into okay, I want to just start singing and

905
00:44:28,400 --> 00:44:30,680
Speaker 5: writing about this, or like if some shit's bothering me

906
00:44:30,920 --> 00:44:35,120
Speaker 5: in that capacity, I love to understand it and explore

907
00:44:35,120 --> 00:44:36,120
Speaker 5: it in music.

908
00:44:36,320 --> 00:44:37,919
Speaker 2: We do that in the pod and it ruined every

909
00:44:37,920 --> 00:44:46,560
Speaker 2: relationship we've ever had. Martinist doesn't have melody, but it's

910
00:44:46,560 --> 00:44:47,080
Speaker 2: the same thing.

911
00:44:47,120 --> 00:44:49,560
Speaker 3: It's the same thing it did work out for us.

912
00:44:49,800 --> 00:44:53,359
Speaker 2: Has has that scared people away or like affected, like

913
00:44:53,480 --> 00:44:56,839
Speaker 2: early talking phases like what do you mean because they're

914
00:44:56,880 --> 00:44:59,600
Speaker 2: business or what do you mean not business per se,

915
00:44:59,719 --> 00:45:02,719
Speaker 2: but taking situations that you're going through and putting it

916
00:45:02,800 --> 00:45:04,880
Speaker 2: on a song, even if that song doesn't go out,

917
00:45:05,040 --> 00:45:06,840
Speaker 2: like just listening to in the car with them. I

918
00:45:06,840 --> 00:45:09,960
Speaker 2: could see some people loving that and then other people

919
00:45:10,000 --> 00:45:11,440
Speaker 2: being like, WHOA, I didn't sign up for this.

920
00:45:12,000 --> 00:45:12,320
Speaker 3: Yeah.

921
00:45:12,360 --> 00:45:16,400
Speaker 5: There is a time where I was writing music and

922
00:45:16,440 --> 00:45:17,960
Speaker 5: I was in a relationship.

923
00:45:18,880 --> 00:45:24,000
Speaker 4: And again I never talked to this.

924
00:45:24,160 --> 00:45:27,400
Speaker 5: I never spoke to him about how I was feeling

925
00:45:27,440 --> 00:45:28,600
Speaker 5: about our relationship.

926
00:45:28,760 --> 00:45:30,000
Speaker 3: You did it through the music.

927
00:45:29,800 --> 00:45:30,960
Speaker 4: And I did it through the music.

928
00:45:31,360 --> 00:45:34,680
Speaker 5: And when I played him the music, it's all about

929
00:45:34,719 --> 00:45:36,440
Speaker 5: me wanting to be single and.

930
00:45:39,200 --> 00:45:42,160
Speaker 4: Kind of being miserable in the relationship, not misering.

931
00:45:42,280 --> 00:45:44,600
Speaker 2: That's gotta be rough, though. Are you excited to hear

932
00:45:44,600 --> 00:45:48,279
Speaker 2: your girls music? You're supportive and you're like this is

933
00:45:48,960 --> 00:45:49,440
Speaker 2: As it was.

934
00:45:49,360 --> 00:45:52,239
Speaker 4: Playing in the car, it was like, Joyce, this is

935
00:45:53,320 --> 00:45:54,719
Speaker 4: like what are you doing? This is?

936
00:45:54,880 --> 00:45:56,719
Speaker 3: It didn't hit you until you press play like I

937
00:45:56,960 --> 00:45:57,720
Speaker 3: probably should.

938
00:45:57,920 --> 00:46:00,760
Speaker 4: Yeah, I was like, you know what, Okay?

939
00:46:00,760 --> 00:46:03,439
Speaker 3: But what was that conversation like though with him? Yeah?

940
00:46:03,480 --> 00:46:05,480
Speaker 2: Did he bring it up like hey, is this just

941
00:46:05,560 --> 00:46:10,080
Speaker 2: music or is this just like are you living?

942
00:46:10,560 --> 00:46:13,680
Speaker 5: I remember it's so foggy, probably because I don't want

943
00:46:13,719 --> 00:46:16,400
Speaker 5: to remember it was. He was so awkward, but I

944
00:46:16,520 --> 00:46:21,719
Speaker 5: remember him being him, like not singing, but saying some

945
00:46:21,840 --> 00:46:24,080
Speaker 5: of the lines like like.

946
00:46:24,040 --> 00:46:27,120
Speaker 3: While the ball it goes back to the ball.

947
00:46:27,480 --> 00:46:30,080
Speaker 5: I wrote it with a clemens I think I gotta

948
00:46:30,080 --> 00:46:32,239
Speaker 5: be single something some line like that, and he said

949
00:46:32,239 --> 00:46:33,160
Speaker 5: it and I was just like.

950
00:46:33,480 --> 00:46:35,680
Speaker 2: Yeah, dance expressed that off mic to me as well.

951
00:46:37,560 --> 00:46:38,759
Speaker 2: Perfect writing partner for that.

952
00:46:38,760 --> 00:46:41,960
Speaker 4: One's like twenty I think twenty eighteen.

953
00:46:42,200 --> 00:46:43,960
Speaker 2: But wait, is this blurred lines?

954
00:46:44,160 --> 00:46:45,080
Speaker 4: No, this is.

955
00:46:47,520 --> 00:46:52,200
Speaker 5: He was after the blurred lines bird lines about someone else.

956
00:46:52,280 --> 00:46:53,720
Speaker 2: Because you tore him him apart.

957
00:46:53,800 --> 00:46:55,880
Speaker 3: I know what's blurred line guy's doing right after him

958
00:46:56,440 --> 00:46:57,200
Speaker 3: blood line.

959
00:46:57,160 --> 00:46:58,000
Speaker 2: To check on him.

960
00:46:58,360 --> 00:47:00,440
Speaker 4: I ran into my family style fest.

961
00:47:01,280 --> 00:47:03,880
Speaker 3: Is he okay? Is he life treating him? Well? I

962
00:47:03,880 --> 00:47:06,200
Speaker 3: mean that's not my because life treating him better than

963
00:47:06,239 --> 00:47:07,800
Speaker 3: you did, not your concern.

964
00:47:08,520 --> 00:47:11,959
Speaker 2: He looked collateral damage like, he looks good.

965
00:47:13,000 --> 00:47:18,040
Speaker 5: And he's the only person I've actually blocked. I'm not

966
00:47:18,080 --> 00:47:20,600
Speaker 5: a blocker, but he's the only person I blocked. To

967
00:47:20,680 --> 00:47:21,640
Speaker 5: this day, he's blocked.

968
00:47:21,680 --> 00:47:24,080
Speaker 2: I mean the second half of blurred lines with a breakdown.

969
00:47:24,120 --> 00:47:25,919
Speaker 2: I can see that leading to a block for sure.

970
00:47:27,000 --> 00:47:30,920
Speaker 5: Sometimes you got to people then, yeah, for your just

971
00:47:30,920 --> 00:47:32,840
Speaker 5: for your sanity, Yeah, I mean for me.

972
00:47:33,040 --> 00:47:36,080
Speaker 4: I'm blocking you if like you won't leave me the

973
00:47:36,080 --> 00:47:36,760
Speaker 4: funk alone?

974
00:47:37,080 --> 00:47:37,480
Speaker 3: Exactly.

975
00:47:37,719 --> 00:47:40,239
Speaker 4: Thankfully I haven't encounter.

976
00:47:39,960 --> 00:47:42,600
Speaker 2: Well, the lines weren't blurred for him, clearly exact.

977
00:47:42,640 --> 00:47:44,239
Speaker 3: No, he knew exactly, he knew what he was different,

978
00:47:44,440 --> 00:47:45,000
Speaker 3: he knew what he was.

979
00:47:45,120 --> 00:47:48,919
Speaker 2: There's no line here, there's not a boundary in sight.

980
00:47:49,440 --> 00:47:54,360
Speaker 2: Oh man, well you have two records out now, Yeah, George, we.

981
00:47:54,400 --> 00:47:57,000
Speaker 4: Got to get into the title fast forward.

982
00:47:57,280 --> 00:47:59,640
Speaker 2: We're single and now we're cracking the code. Now we're

983
00:47:59,640 --> 00:48:03,279
Speaker 2: getting broking in, breaking in, break me In, Crack the Code, Joyce,

984
00:48:03,280 --> 00:48:03,600
Speaker 2: who are.

985
00:48:03,520 --> 00:48:06,680
Speaker 3: You talking to? Who are you talking to?

986
00:48:06,840 --> 00:48:07,320
Speaker 4: Okay?

987
00:48:07,680 --> 00:48:11,760
Speaker 5: So we made break me In and Crack the Code

988
00:48:11,880 --> 00:48:18,800
Speaker 5: last year at my first writing camp. Okay, and uh,

989
00:48:18,920 --> 00:48:23,000
Speaker 5: the right's it's pretty much. Thankfully, I've found like a

990
00:48:23,040 --> 00:48:25,360
Speaker 5: couple of writers that are like I have such a

991
00:48:25,400 --> 00:48:31,239
Speaker 5: good relationship with, like chemistry with, and I was just

992
00:48:31,280 --> 00:48:34,359
Speaker 5: telling them, like, yeah, I'm having such a hard time

993
00:48:35,480 --> 00:48:38,000
Speaker 5: dating and meeting people.

994
00:48:37,800 --> 00:48:41,200
Speaker 4: And it's been some spen some years.

995
00:48:41,200 --> 00:48:44,440
Speaker 5: I'm not celibate, but I'm like, I think there's a

996
00:48:44,440 --> 00:48:47,560
Speaker 5: lot of us women who we haven't met, men that

997
00:48:47,600 --> 00:48:50,479
Speaker 5: we want to hook up with. And so with break

998
00:48:50,520 --> 00:48:55,279
Speaker 5: Me In, it's like my I guess manifestation song of

999
00:48:55,440 --> 00:48:58,080
Speaker 5: like where the fuck are you come?

1000
00:48:58,280 --> 00:49:02,040
Speaker 4: See me right now? Because I can't take this any longer.

1001
00:49:02,680 --> 00:49:07,200
Speaker 5: And it's it's a bit of a message to someone

1002
00:49:07,600 --> 00:49:11,279
Speaker 5: that I ended things with, like I haven't had the

1003
00:49:11,320 --> 00:49:14,200
Speaker 5: best time with anyone since him.

1004
00:49:15,000 --> 00:49:16,720
Speaker 4: So it's also too kind of.

1005
00:49:17,120 --> 00:49:20,279
Speaker 2: It's that that IG story that's for someone specific, but

1006
00:49:20,360 --> 00:49:21,960
Speaker 2: you view it and he didn't view it yet, so

1007
00:49:22,480 --> 00:49:26,480
Speaker 2: he's viewed it, but he caught the subs on the

1008
00:49:26,520 --> 00:49:27,080
Speaker 2: record front.

1009
00:49:27,239 --> 00:49:28,799
Speaker 5: I don't know if he knows if it's I don't

1010
00:49:28,840 --> 00:49:30,240
Speaker 5: I don't know if you knows.

1011
00:49:30,040 --> 00:49:30,920
Speaker 4: That it's about him.

1012
00:49:31,040 --> 00:49:36,800
Speaker 3: Okay, we always know, maybe we always know.

1013
00:49:37,440 --> 00:49:41,560
Speaker 5: It's not that specific lyrically that would make him think

1014
00:49:41,560 --> 00:49:43,920
Speaker 5: it's him. Okay, this just break me and use hold mom,

1015
00:49:44,680 --> 00:49:48,719
Speaker 5: crack the Code is I would say, he cracked the

1016
00:49:48,760 --> 00:49:53,799
Speaker 5: Code is inspired by I would say three people, all right,

1017
00:49:53,800 --> 00:49:55,480
Speaker 5: hold on, hold on.

1018
00:49:56,200 --> 00:49:56,520
Speaker 3: Hold on.

1019
00:49:57,000 --> 00:49:58,640
Speaker 2: I was still don't break me because I want to

1020
00:49:58,640 --> 00:49:59,960
Speaker 2: know if his girlfriend listens to the song?

1021
00:50:00,120 --> 00:50:01,319
Speaker 3: Let the car?

1022
00:50:03,320 --> 00:50:04,720
Speaker 4: Is this too much information?

1023
00:50:04,960 --> 00:50:07,040
Speaker 2: This is this is what we couldn't do at the

1024
00:50:07,080 --> 00:50:09,360
Speaker 2: BT media actual conversation.

1025
00:50:09,560 --> 00:50:12,879
Speaker 3: This is great. So break Me In is about one guy?

1026
00:50:12,960 --> 00:50:15,680
Speaker 4: I would say it's about one one guy.

1027
00:50:16,239 --> 00:50:21,759
Speaker 3: Possible maybe yeah, okay, yeah, and Crack the Code it's

1028
00:50:21,800 --> 00:50:27,480
Speaker 3: about three guys. Yeah, Like, so is the do any

1029
00:50:27,560 --> 00:50:30,560
Speaker 3: of those guys know that that song maybe about them?

1030
00:50:31,239 --> 00:50:32,920
Speaker 3: Or do you always keep it like very like.

1031
00:50:32,920 --> 00:50:34,640
Speaker 4: Yeah, I don't tell, Yeah, I don't tell.

1032
00:50:34,960 --> 00:50:37,600
Speaker 3: Crack the Cold like listen to the song like you'll

1033
00:50:37,640 --> 00:50:38,480
Speaker 3: know it's about.

1034
00:50:38,200 --> 00:50:41,399
Speaker 5: You, Like I'm not saying no, just because if there

1035
00:50:41,480 --> 00:50:45,120
Speaker 5: was one peron out of the three, one of them,

1036
00:50:45,400 --> 00:50:48,319
Speaker 5: I would I would say that to him if it

1037
00:50:49,200 --> 00:50:52,879
Speaker 5: any of it wouldn't. He wouldn't like that the song

1038
00:50:52,920 --> 00:50:56,600
Speaker 5: is about him because I I don't want to be

1039
00:50:56,680 --> 00:50:57,520
Speaker 5: with like we're not.

1040
00:50:57,840 --> 00:50:58,560
Speaker 4: I don't think we're.

1041
00:50:58,440 --> 00:51:00,879
Speaker 2: Supposed to be together God, okay, okay, So he would

1042
00:51:00,880 --> 00:51:01,439
Speaker 2: take it as help.

1043
00:51:01,680 --> 00:51:03,880
Speaker 5: It's more so like you got through to me, like

1044
00:51:04,239 --> 00:51:08,680
Speaker 5: you know that type of metaphor with him.

1045
00:51:08,840 --> 00:51:11,719
Speaker 3: Any of those three guys, do you see yourself only

1046
00:51:11,760 --> 00:51:15,600
Speaker 3: two you see yourself being with like, well, one of

1047
00:51:15,640 --> 00:51:16,040
Speaker 3: them has.

1048
00:51:15,960 --> 00:51:20,560
Speaker 5: A girlfriend, one of them has and no, I and

1049
00:51:20,640 --> 00:51:25,960
Speaker 5: I also ended that one too, okay.

1050
00:51:24,640 --> 00:51:26,960
Speaker 4: And then the other No, not the other person, No.

1051
00:51:27,239 --> 00:51:30,120
Speaker 2: Okay, it'd be more embarrassing thought it was.

1052
00:51:30,320 --> 00:51:33,040
Speaker 3: No listen, listen, I would. I would be honored for

1053
00:51:33,080 --> 00:51:34,839
Speaker 3: a woman to write a song about me and like

1054
00:51:35,600 --> 00:51:37,759
Speaker 3: our relationship and our experience. So I'm not it's not

1055
00:51:37,760 --> 00:51:38,240
Speaker 3: a negative.

1056
00:51:38,640 --> 00:51:40,120
Speaker 2: You don't think there's songs out there about more.

1057
00:51:40,840 --> 00:51:45,359
Speaker 3: I've never dated. Songs about more would be I've never

1058
00:51:46,440 --> 00:51:51,040
Speaker 3: I've never dated like singers or like songwriters like seriously,

1059
00:51:51,719 --> 00:51:54,000
Speaker 3: so no, I would be very surprised if it was

1060
00:51:54,000 --> 00:51:54,440
Speaker 3: a song.

1061
00:51:54,280 --> 00:51:57,320
Speaker 5: About me, unless it's someone who you don't know who

1062
00:51:57,840 --> 00:52:00,680
Speaker 5: does music and is writing about.

1063
00:52:00,680 --> 00:52:02,080
Speaker 3: If I dated a girl and I don't know if

1064
00:52:02,080 --> 00:52:03,920
Speaker 3: she does music, that would be crazy. I would I

1065
00:52:03,960 --> 00:52:04,680
Speaker 3: would never say.

1066
00:52:04,800 --> 00:52:07,319
Speaker 4: Like a fan, like someone who is like.

1067
00:52:07,320 --> 00:52:10,200
Speaker 3: Doesn't know me. I would be like, I will be

1068
00:52:10,880 --> 00:52:14,040
Speaker 3: listen if there's any the song. Yeah, that's making music,

1069
00:52:14,200 --> 00:52:17,319
Speaker 3: it's about about it. This is please let me hear

1070
00:52:17,360 --> 00:52:19,840
Speaker 3: the record. I will be honored to hear that record. Like,

1071
00:52:20,160 --> 00:52:21,080
Speaker 3: but yeah, no, there's.

1072
00:52:20,920 --> 00:52:23,160
Speaker 2: One girl I know that that casually makes music every

1073
00:52:23,200 --> 00:52:26,200
Speaker 2: now and then. There might be some subs. I want

1074
00:52:26,239 --> 00:52:29,880
Speaker 2: to make it that I've dated. Yeah the prompt. I'm

1075
00:52:29,880 --> 00:52:32,040
Speaker 2: obviously not gonna say it, but yeah, she she does

1076
00:52:32,080 --> 00:52:33,520
Speaker 2: other things but also makes music from.

1077
00:52:33,440 --> 00:52:35,800
Speaker 4: Time to time that he's dated.

1078
00:52:36,080 --> 00:52:39,160
Speaker 3: Yeah, I don't know who Roy is talking about. I

1079
00:52:39,160 --> 00:52:40,200
Speaker 3: don't know. If that's a bad thing.

1080
00:52:40,080 --> 00:52:42,960
Speaker 2: You're not a fan, then she didn't have that. I'm

1081
00:52:42,960 --> 00:52:43,279
Speaker 2: a fan.

1082
00:52:43,880 --> 00:52:45,800
Speaker 3: I can't. I can't off the top, I'm trying to

1083
00:52:45,800 --> 00:52:49,640
Speaker 3: remember who Roy's talking about. I just I can't. No,

1084
00:52:49,880 --> 00:52:51,040
Speaker 3: I don't know you're talking about.

1085
00:52:51,000 --> 00:52:52,080
Speaker 2: Is there songs about you.

1086
00:52:53,800 --> 00:52:56,680
Speaker 4: Yeah, so this song which I'm not.

1087
00:52:56,680 --> 00:52:59,360
Speaker 2: Going to no, not your music, I'm someone else's.

1088
00:52:59,760 --> 00:53:00,600
Speaker 4: Oh wait, what do you mean?

1089
00:53:00,760 --> 00:53:04,680
Speaker 2: Oh that has someone wrote a song about you? No,

1090
00:53:04,840 --> 00:53:06,240
Speaker 2: you don't strike me as someone that.

1091
00:53:08,840 --> 00:53:16,879
Speaker 5: Overgrown is mostly about a rapper. Yeah, but I don't know.

1092
00:53:17,880 --> 00:53:20,360
Speaker 4: I don't know. Maybe I wouldn't.

1093
00:53:20,800 --> 00:53:23,200
Speaker 3: There's definite songs about you out there that an artist

1094
00:53:23,200 --> 00:53:23,680
Speaker 3: has written.

1095
00:53:24,040 --> 00:53:27,400
Speaker 5: Yeah, there's someone that I think maybe has written some

1096
00:53:27,480 --> 00:53:32,799
Speaker 5: songs about me, Like I've heard his music and it

1097
00:53:32,880 --> 00:53:35,560
Speaker 5: seemed relatable to our experiences.

1098
00:53:35,640 --> 00:53:40,400
Speaker 4: But I never asked, and I don't know, but based

1099
00:53:40,440 --> 00:53:42,680
Speaker 4: on the lyrics, I was like, this could be about me.

1100
00:53:42,960 --> 00:53:44,759
Speaker 3: Have you ever been in the school, like have you

1101
00:53:44,760 --> 00:53:46,360
Speaker 3: ever been in with somebody?

1102
00:53:46,560 --> 00:53:48,760
Speaker 4: You know? Well, it was some real ask.

1103
00:53:50,440 --> 00:53:50,680
Speaker 3: Like that.

1104
00:53:50,760 --> 00:53:52,000
Speaker 4: Yeah, some of it.

1105
00:53:52,040 --> 00:53:54,160
Speaker 5: I'm like, I'm glad you learned, you know, I'm glad

1106
00:53:54,239 --> 00:53:55,359
Speaker 5: you're realizing this about yourself.

1107
00:53:55,400 --> 00:53:56,040
Speaker 4: What did you say? Sorry?

1108
00:53:56,120 --> 00:53:58,240
Speaker 3: Have you ever been in a session with an artist

1109
00:53:58,280 --> 00:54:01,359
Speaker 3: and like y'all writing and you kind of felt like

1110
00:54:01,640 --> 00:54:04,000
Speaker 3: is he flirting with me? Is he talking to me

1111
00:54:04,239 --> 00:54:09,040
Speaker 3: in this record? Like? Have you never got that vibe?

1112
00:54:09,120 --> 00:54:11,640
Speaker 3: Like where like y'all are right? And he goes in

1113
00:54:11,680 --> 00:54:16,960
Speaker 3: to lay his verse, and you're like, like, who's You've

1114
00:54:17,000 --> 00:54:17,719
Speaker 3: never felt that?

1115
00:54:17,880 --> 00:54:18,040
Speaker 1: Why?

1116
00:54:18,200 --> 00:54:19,680
Speaker 2: Why is he spelling out joy?

1117
00:54:19,920 --> 00:54:23,000
Speaker 3: He No, not that, not that like straightforward, but like

1118
00:54:23,360 --> 00:54:29,560
Speaker 3: you've never felt something like hmm okay, who who is

1119
00:54:29,600 --> 00:54:33,440
Speaker 3: that about? Like, I think that's almost normal, right, you

1120
00:54:33,480 --> 00:54:36,359
Speaker 3: have to because you need chemistry, even if it's just

1121
00:54:36,480 --> 00:54:39,040
Speaker 3: like for the song, not even like you know, when

1122
00:54:39,440 --> 00:54:41,160
Speaker 3: we're in a date, but just like in this moment,

1123
00:54:41,480 --> 00:54:45,560
Speaker 3: we need to create this energy to like create the

1124
00:54:45,600 --> 00:54:49,799
Speaker 3: best record. You've never like felt that, I don't think so,

1125
00:54:49,960 --> 00:54:58,160
Speaker 3: like never, no at all. So when Isaiah went in

1126
00:54:58,160 --> 00:55:00,560
Speaker 3: there with playing butterflies, like you wasn't feel I like.

1127
00:55:00,680 --> 00:55:01,920
Speaker 4: Isaiah's not thinking about me?

1128
00:55:02,320 --> 00:55:03,200
Speaker 3: Are you noticed?

1129
00:55:04,480 --> 00:55:07,560
Speaker 4: I'm sorry, Maybe I don't think he's now.

1130
00:55:07,960 --> 00:55:09,840
Speaker 5: And then I'm trying to think of the other features

1131
00:55:09,840 --> 00:55:12,279
Speaker 5: I've had or who I recently worked with.

1132
00:55:13,480 --> 00:55:18,480
Speaker 3: No, I don't women always act so oblivious like No,

1133
00:55:18,880 --> 00:55:21,800
Speaker 3: I just he would never be talking about No.

1134
00:55:21,920 --> 00:55:26,000
Speaker 5: Let's so for example, we have what I'm trying to think,

1135
00:55:26,840 --> 00:55:27,640
Speaker 5: sah balls.

1136
00:55:27,920 --> 00:55:30,560
Speaker 3: Well no, he also, I say, it's very professional.

1137
00:55:30,960 --> 00:55:33,799
Speaker 2: When we did the most large uh it he was

1138
00:55:34,000 --> 00:55:35,080
Speaker 2: completely platonic with me.

1139
00:55:35,200 --> 00:55:39,520
Speaker 3: Yeah, I can you didn't. I didn't feel when we

1140
00:55:39,560 --> 00:55:42,120
Speaker 3: worked together the first time, you know, like I know

1141
00:55:42,320 --> 00:55:45,000
Speaker 3: you like, I didn't feel nothing inappropriate, super professional.

1142
00:55:45,280 --> 00:55:46,480
Speaker 2: I felt really comfortable.

1143
00:55:46,719 --> 00:55:50,600
Speaker 5: I guess Isaiah's shoot, I don't know who you were, baby,

1144
00:55:50,640 --> 00:55:51,240
Speaker 5: You're perfect.

1145
00:55:51,760 --> 00:55:53,400
Speaker 4: Don't let no one tell you otherwise.

1146
00:55:54,480 --> 00:55:58,319
Speaker 3: I mean, yeah, Like I can see Isaiah looking, I'm saying,

1147
00:55:58,360 --> 00:56:00,520
Speaker 3: looking at you do the booth like getting those you.

1148
00:56:00,480 --> 00:56:02,359
Speaker 2: Don't know Isaiahs situation. Don't put this on.

1149
00:56:03,920 --> 00:56:06,759
Speaker 3: You don't know missed what I said at the top,

1150
00:56:07,200 --> 00:56:09,480
Speaker 3: just for the song, for the record, the energy of

1151
00:56:09,520 --> 00:56:11,520
Speaker 3: the record. I'm not shoking about it. You know.

1152
00:56:12,000 --> 00:56:14,480
Speaker 2: There's definitely records and duets I've heard before. I'm like,

1153
00:56:14,640 --> 00:56:15,560
Speaker 2: they was probably.

1154
00:56:15,920 --> 00:56:19,080
Speaker 3: But that you're supposed to create that energy and that feeling.

1155
00:56:19,800 --> 00:56:23,279
Speaker 4: It's like acting. Yeah, I mean, I don't know. I

1156
00:56:23,320 --> 00:56:29,799
Speaker 4: just got a verse in and yeah, maybe he was

1157
00:56:29,920 --> 00:56:32,480
Speaker 4: being creative and playing the role for me.

1158
00:56:32,719 --> 00:56:36,000
Speaker 2: Yeah, I mean, but artists like even girlfriend does he

1159
00:56:36,719 --> 00:56:37,480
Speaker 2: and I respect that.

1160
00:56:37,600 --> 00:56:39,399
Speaker 4: But you're saying, still building it, but.

1161
00:56:39,400 --> 00:56:40,879
Speaker 3: You still have to, like you said, acting, you still

1162
00:56:40,920 --> 00:56:43,440
Speaker 3: have to have this this energy in this song. Let

1163
00:56:43,480 --> 00:56:45,520
Speaker 3: these lyrics happen for sure, you know what I mean?

1164
00:56:45,560 --> 00:56:47,719
Speaker 2: But like Nikki was always good at that, even when

1165
00:56:47,719 --> 00:56:51,960
Speaker 2: she with the Kanye shit Me and am Chamanaj, like

1166
00:56:52,280 --> 00:56:54,440
Speaker 2: with the Big Sean ash ship, like Big Sean, how

1167
00:56:54,480 --> 00:56:54,840
Speaker 2: big is you?

1168
00:56:54,920 --> 00:56:55,080
Speaker 4: Did?

1169
00:56:55,200 --> 00:56:57,400
Speaker 2: Like clearly she's not trying to sleep with these people,

1170
00:56:57,440 --> 00:57:00,640
Speaker 2: but it makes the record better you Yeah, like.

1171
00:57:00,640 --> 00:57:02,799
Speaker 3: If you had that, that's song she got with Drake

1172
00:57:02,840 --> 00:57:05,080
Speaker 3: when she was like another fuck. Wain't another fuck Drake?

1173
00:57:05,400 --> 00:57:06,920
Speaker 3: But if I did, I let them both even ask

1174
00:57:07,000 --> 00:57:09,120
Speaker 3: like a cupcake and then Drake came in.

1175
00:57:09,080 --> 00:57:11,280
Speaker 2: Like like first great four bars to start a record,

1176
00:57:11,920 --> 00:57:13,319
Speaker 2: but the records incredible, but.

1177
00:57:13,800 --> 00:57:16,320
Speaker 3: Nig get into Drake's verse though, how does he start care?

1178
00:57:16,360 --> 00:57:18,240
Speaker 3: Remember he was like she was sitting down, but I

1179
00:57:18,280 --> 00:57:21,520
Speaker 3: was staying at them titties. Do you know what I'm saying?

1180
00:57:21,560 --> 00:57:23,400
Speaker 3: Like he was letting it be known, like you're listen,

1181
00:57:23,440 --> 00:57:25,720
Speaker 3: like we ain't do nothing, but Nikki, when you whenever

1182
00:57:25,760 --> 00:57:29,360
Speaker 3: you're ready though, yeah, like when winning, if you're ever ready,

1183
00:57:29,440 --> 00:57:30,360
Speaker 3: Like but he.

1184
00:57:30,320 --> 00:57:32,720
Speaker 2: Said that on Thank Me Later even uh, I forgot

1185
00:57:32,760 --> 00:57:35,200
Speaker 2: what record it is when he said if I want

1186
00:57:35,200 --> 00:57:37,560
Speaker 2: to marry Nicki Minaj or something. He's always flirted with

1187
00:57:37,600 --> 00:57:39,440
Speaker 2: her on records, which has always been crazy to me

1188
00:57:39,520 --> 00:57:43,280
Speaker 2: just because like she was dating Year at that time

1189
00:57:43,320 --> 00:57:46,080
Speaker 2: and not anything to Nikki or Drake. Safari I would

1190
00:57:46,080 --> 00:57:49,240
Speaker 2: feel uncomfortable like in those situations because you have to

1191
00:57:49,280 --> 00:57:51,960
Speaker 2: know it is acting per se, like it's the music

1192
00:57:52,040 --> 00:57:54,040
Speaker 2: version of acting, as if your girl was taking a

1193
00:57:54,120 --> 00:57:56,640
Speaker 2: lead role and has to kiss her coach. But if now,

1194
00:57:56,680 --> 00:57:58,160
Speaker 2: sofari I got to sit there and watch her kiss

1195
00:57:58,240 --> 00:58:00,400
Speaker 2: Nabs in a video game, I'm not sure I'm cool.

1196
00:58:00,440 --> 00:58:02,960
Speaker 3: You mentioned it though, Rory. She said she never fucked

1197
00:58:03,000 --> 00:58:05,640
Speaker 3: these guys, but if she did, but she'd let them

1198
00:58:05,640 --> 00:58:09,680
Speaker 3: eat her ass like a Cupkait, she said. Drake started

1199
00:58:09,760 --> 00:58:12,760
Speaker 3: his verse with I never fucked Nikki because she got

1200
00:58:12,760 --> 00:58:16,000
Speaker 3: a man. But when that's over, I'm the first in line.

1201
00:58:17,400 --> 00:58:18,520
Speaker 3: I'm just just fucked up.

1202
00:58:18,920 --> 00:58:20,880
Speaker 2: I'm sure b was in that studio.

1203
00:58:21,240 --> 00:58:23,920
Speaker 3: Yeah, but Nikki said what and Drake was like, oh,

1204
00:58:23,960 --> 00:58:27,040
Speaker 3: I bet, Like that's the like. So that's what I'm saying.

1205
00:58:27,080 --> 00:58:29,120
Speaker 3: Sometimes you have to create that flirtations.

1206
00:58:30,200 --> 00:58:32,520
Speaker 5: But we'll do it for the next Now, I'm going

1207
00:58:32,600 --> 00:58:35,880
Speaker 5: to keep that in mind for the next No, just

1208
00:58:36,240 --> 00:58:37,280
Speaker 5: that's your muse.

1209
00:58:37,160 --> 00:58:37,800
Speaker 4: Is your Yeah?

1210
00:58:39,240 --> 00:58:42,120
Speaker 2: Yeah, So who would be the rapper that we were

1211
00:58:42,160 --> 00:58:43,400
Speaker 2: the best to do?

1212
00:58:43,440 --> 00:58:47,400
Speaker 3: This style with you. Do you date rappers?

1213
00:58:47,680 --> 00:58:51,920
Speaker 4: Well, I so overgrown is about okay?

1214
00:58:52,720 --> 00:58:53,560
Speaker 3: Since overgrown?

1215
00:58:53,640 --> 00:58:58,480
Speaker 5: No I do not, I don't. I mean no one recommends.

1216
00:58:59,200 --> 00:59:00,840
Speaker 5: I feel like the repation.

1217
00:59:01,600 --> 00:59:04,880
Speaker 2: No one recommends, Like just if you go to yelp

1218
00:59:05,040 --> 00:59:08,320
Speaker 2: like the reviews on rap as far as romantic partners,

1219
00:59:08,360 --> 00:59:10,760
Speaker 2: it's not very highly doesn't work out.

1220
00:59:11,160 --> 00:59:13,160
Speaker 3: Also, what's I ever say?

1221
00:59:13,200 --> 00:59:13,400
Speaker 4: Never?

1222
00:59:13,880 --> 00:59:16,560
Speaker 2: Like what is considered dating a rapper? Or you could

1223
00:59:16,640 --> 00:59:17,480
Speaker 2: date someone that wraps?

1224
00:59:17,640 --> 00:59:20,720
Speaker 4: Are you dating rapper musician? Two? I know?

1225
00:59:21,280 --> 00:59:23,280
Speaker 2: But is it a hobby or is like are they

1226
00:59:23,320 --> 00:59:23,760
Speaker 2: a rapper?

1227
00:59:24,920 --> 00:59:27,800
Speaker 4: Maybe? I mean I would like for them to that'd.

1228
00:59:27,680 --> 00:59:29,240
Speaker 3: Be their career, right yeah?

1229
00:59:29,440 --> 00:59:29,800
Speaker 4: Sorry?

1230
00:59:30,640 --> 00:59:35,280
Speaker 2: How many streams qualified? Like what's okay? What qualified? No?

1231
00:59:35,280 --> 00:59:37,600
Speaker 3: No, no, I'm just no. This thought just entered my

1232
00:59:37,640 --> 00:59:38,680
Speaker 3: mind because I have.

1233
00:59:40,360 --> 00:59:43,080
Speaker 2: Females and they have date rappers, and sometimes I have

1234
00:59:43,160 --> 00:59:45,440
Speaker 2: to ask like what do you what do you mean

1235
00:59:45,440 --> 00:59:45,920
Speaker 2: my rapper?

1236
00:59:46,640 --> 00:59:51,440
Speaker 4: Like okay, it's like DJ like yeah, everyone.

1237
00:59:51,120 --> 00:59:57,000
Speaker 3: Like does he spend at the dime? Where's there's nothing

1238
00:59:57,040 --> 00:59:59,520
Speaker 3: wrong with people that don't stream It's great, like I

1239
00:59:59,560 --> 00:59:59,880
Speaker 3: love to do.

1240
01:00:00,240 --> 01:00:02,960
Speaker 2: Yeah, I'm just saying when when you say something is

1241
01:00:03,000 --> 01:00:06,600
Speaker 2: your career? Like what is the the number that defines

1242
01:00:06,720 --> 01:00:07,720
Speaker 2: right that this is it?

1243
01:00:07,800 --> 01:00:07,960
Speaker 3: Right?

1244
01:00:08,560 --> 01:00:11,640
Speaker 2: Like you date someone that does rap, yeah, let's just

1245
01:00:11,680 --> 01:00:13,520
Speaker 2: call it that, right, not dating a rapper.

1246
01:00:13,560 --> 01:00:15,560
Speaker 3: You're not dating a rapper, right. A rappers might have

1247
01:00:15,640 --> 01:00:16,600
Speaker 3: rapped two different things.

1248
01:00:16,680 --> 01:00:18,919
Speaker 2: And I'm again not judging because this is the same

1249
01:00:18,960 --> 01:00:21,800
Speaker 2: in in my world too. I know girls the day

1250
01:00:21,840 --> 01:00:27,000
Speaker 2: podcast now he just podcasts, right, It can sound embarrassing,

1251
01:00:27,880 --> 01:00:32,040
Speaker 2: like I think on any level, like when he and I,

1252
01:00:32,080 --> 01:00:35,160
Speaker 2: when Ke and I were together, and I'd always feel

1253
01:00:35,160 --> 01:00:37,200
Speaker 2: bad for her when they'd ask, oh, what's your man

1254
01:00:37,400 --> 01:00:39,320
Speaker 2: do and she's like, we podcast and then she'd have

1255
01:00:39,400 --> 01:00:41,280
Speaker 2: to like add sauce it like no, no, no, but like

1256
01:00:41,760 --> 01:00:44,960
Speaker 2: he like actually, like I know when you hear that,

1257
01:00:45,040 --> 01:00:53,680
Speaker 2: you're thinking, like no no, it's like like no no,

1258
01:00:53,960 --> 01:00:58,200
Speaker 2: Like he didn't just buy a mic at garage band

1259
01:00:58,440 --> 01:01:00,760
Speaker 2: sam Ash, like no, like he does this, like people

1260
01:01:00,760 --> 01:01:01,520
Speaker 2: actually listen to him.

1261
01:01:01,520 --> 01:01:04,240
Speaker 3: But there's shows and like he does not there's a tour.

1262
01:01:05,920 --> 01:01:07,720
Speaker 3: I used to feel so bad for her trying to

1263
01:01:07,720 --> 01:01:10,360
Speaker 3: Expoh my god, that is so hilarious. I never thought

1264
01:01:10,360 --> 01:01:10,920
Speaker 3: about it like that.

1265
01:01:10,960 --> 01:01:13,600
Speaker 5: But it's the same talking to someone about this.

1266
01:01:13,840 --> 01:01:15,160
Speaker 3: About dating on the podcasts.

1267
01:01:15,160 --> 01:01:18,000
Speaker 5: Well, no, just like it was a it had to

1268
01:01:18,040 --> 01:01:21,720
Speaker 5: do with DJ, Like, yeah, dating a DJ and.

1269
01:01:22,920 --> 01:01:24,000
Speaker 2: It's a wide spectrum.

1270
01:01:24,040 --> 01:01:26,120
Speaker 4: Yeah, I don't want to offend him.

1271
01:01:26,320 --> 01:01:30,920
Speaker 3: Joyce is crazy.

1272
01:01:31,280 --> 01:01:33,240
Speaker 5: I'm gonna get Joyce in trouble for some of you,

1273
01:01:33,240 --> 01:01:37,440
Speaker 5: you know, because like everybody is djaying now where it's

1274
01:01:37,480 --> 01:01:38,960
Speaker 5: you know, I get it.

1275
01:01:39,000 --> 01:01:43,480
Speaker 4: So the question was like, well what you know?

1276
01:01:43,880 --> 01:01:47,640
Speaker 3: Yeah, but kind of yes, where does he Yes, that's

1277
01:01:47,640 --> 01:01:49,360
Speaker 3: a safe way to ask, where where does he DOJ?

1278
01:01:49,520 --> 01:01:50,600
Speaker 3: Like can I hear him?

1279
01:01:50,840 --> 01:01:57,560
Speaker 2: And it's kind of crazy because everyone sound and what's

1280
01:01:57,560 --> 01:01:59,520
Speaker 2: fucked up is and this is this is terrible because

1281
01:01:59,520 --> 01:02:01,120
Speaker 2: we'll be has been podcasters eventually.

1282
01:02:01,120 --> 01:02:02,240
Speaker 3: Don't think I'm judging anyone.

1283
01:02:02,720 --> 01:02:05,000
Speaker 2: When I go to La any event I go to,

1284
01:02:05,120 --> 01:02:07,360
Speaker 2: only night Train is DJing, So I don't understand where

1285
01:02:07,360 --> 01:02:10,000
Speaker 2: the rest of y'all are getting gigged if everyone's DJing

1286
01:02:10,040 --> 01:02:11,640
Speaker 2: and only night Train is getting the gigs.

1287
01:02:11,720 --> 01:02:15,760
Speaker 3: Also, night Train DJ three different spots, one exactly one

1288
01:02:15,800 --> 01:02:17,439
Speaker 3: spot I didn't go in. I just heard he was DJ.

1289
01:02:17,760 --> 01:02:19,200
Speaker 2: I was like, yo, and mind you it makes me

1290
01:02:19,240 --> 01:02:21,400
Speaker 2: happy because he's a great djatime I see night Train,

1291
01:02:21,440 --> 01:02:23,720
Speaker 2: I'm like, oh great, the event's gonna be But if

1292
01:02:23,720 --> 01:02:26,960
Speaker 2: everyone's a DJ and only night trains being booked, you

1293
01:02:27,000 --> 01:02:27,960
Speaker 2: have to ask, what's the DJ?

1294
01:02:28,840 --> 01:02:33,400
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1295
01:02:33,440 --> 01:02:35,640
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1330
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Speaker 2: Anyways, with that said, your dad is super supportive. I

1331
01:04:24,200 --> 01:04:27,640
Speaker 2: love when you put him on your ig story. Oh yeah,

1332
01:04:27,760 --> 01:04:29,560
Speaker 2: what did make me laugh, was I think?

1333
01:04:29,760 --> 01:04:30,360
Speaker 3: Was it?

1334
01:04:30,360 --> 01:04:32,480
Speaker 2: It was break me In? Right the video set. He

1335
01:04:33,720 --> 01:04:34,760
Speaker 2: came came to the set.

1336
01:04:35,080 --> 01:04:36,160
Speaker 4: Yeah, he came to the set.

1337
01:04:36,320 --> 01:04:40,880
Speaker 2: He's very invested inasas Motorcycle. Yes, he loves your music.

1338
01:04:41,000 --> 01:04:43,200
Speaker 2: He loves the lyrics, but you had to explain the

1339
01:04:43,280 --> 01:04:45,480
Speaker 2: lyrics to your father on break me In.

1340
01:04:45,560 --> 01:04:48,600
Speaker 4: He doesn't love every single song.

1341
01:04:48,680 --> 01:04:50,440
Speaker 3: He's break me In as a father out of me

1342
01:04:50,440 --> 01:04:51,240
Speaker 3: and like, I.

1343
01:04:51,200 --> 01:04:53,960
Speaker 5: Mean the West Side Gun interlude was just like, girl,

1344
01:04:54,040 --> 01:04:54,640
Speaker 5: what are you on?

1345
01:04:56,040 --> 01:04:59,880
Speaker 2: He looks like he likes Grizoda though, yeah, but.

1346
01:05:01,680 --> 01:05:04,080
Speaker 4: Yeah, not those specific.

1347
01:05:05,560 --> 01:05:08,480
Speaker 5: But yeah, with break me In, I think I had

1348
01:05:08,960 --> 01:05:12,360
Speaker 5: his friends, his coworkers and his friends.

1349
01:05:12,400 --> 01:05:13,920
Speaker 3: They heard the song because.

1350
01:05:13,680 --> 01:05:17,640
Speaker 5: My parents again they're so sweet and they they help

1351
01:05:17,720 --> 01:05:21,640
Speaker 5: promote my music. The post on their Facebook page, my

1352
01:05:21,880 --> 01:05:26,360
Speaker 5: mom does, and then they're just texting YouTube videos and

1353
01:05:27,360 --> 01:05:30,280
Speaker 5: to their group chest yes, and so the breaking they

1354
01:05:30,280 --> 01:05:32,560
Speaker 5: were just like, what is this break me In?

1355
01:05:33,040 --> 01:05:34,080
Speaker 4: You know song about?

1356
01:05:34,400 --> 01:05:34,560
Speaker 3: You know?

1357
01:05:34,600 --> 01:05:36,760
Speaker 4: And my dad was like, I don't know. He was

1358
01:05:36,840 --> 01:05:38,480
Speaker 4: just like, I don't know. You got to ask her,

1359
01:05:38,560 --> 01:05:40,160
Speaker 4: but I don't even know these people, but.

1360
01:05:42,120 --> 01:05:45,120
Speaker 3: You got to ask her for somebody's Joyce will never speak, But.

1361
01:05:45,120 --> 01:05:46,920
Speaker 5: Yeah, he called he called me, and he was like,

1362
01:05:46,920 --> 01:05:49,920
Speaker 5: what should I tell people about break me in?

1363
01:05:52,880 --> 01:05:55,840
Speaker 4: Like, leave it to the you know, it's our their.

1364
01:05:55,720 --> 01:05:58,160
Speaker 2: Interpretation whatever they want broken in?

1365
01:05:58,400 --> 01:06:06,560
Speaker 5: Yeah, you know, just just yeah, I can't I remember.

1366
01:06:06,600 --> 01:06:10,000
Speaker 5: I just kind of like I told him, let them

1367
01:06:10,080 --> 01:06:11,280
Speaker 5: leave it to their interpretation.

1368
01:06:11,400 --> 01:06:14,480
Speaker 3: Yeah, I'm sure. When you're his group chat got to

1369
01:06:14,520 --> 01:06:15,880
Speaker 3: the chorus when you said I hate it when you

1370
01:06:15,920 --> 01:06:18,479
Speaker 3: make me wait when I touch myself, it's not the same.

1371
01:06:19,160 --> 01:06:21,080
Speaker 3: I need you to break me in. Don't make me wait.

1372
01:06:21,200 --> 01:06:26,840
Speaker 3: Nobody else got me. I'm sure. I'm sure so much.

1373
01:06:27,240 --> 01:06:29,880
Speaker 3: He's talking about the shoes, the heels. You want to

1374
01:06:29,960 --> 01:06:33,800
Speaker 3: keep going, some unravel me, my baby, I'm yours for

1375
01:06:33,840 --> 01:06:37,440
Speaker 3: the taken tins almost suffocating. Take your hands, put them

1376
01:06:37,480 --> 01:06:40,360
Speaker 3: right there. Yeah, put your hands around my neck, my neck,

1377
01:06:40,440 --> 01:06:43,400
Speaker 3: don't let me catch my breath part beating out my chest?

1378
01:06:43,640 --> 01:06:45,880
Speaker 3: Hip hips locked? What's next?

1379
01:06:45,880 --> 01:06:47,480
Speaker 2: You're trying to trap them?

1380
01:06:48,000 --> 01:06:53,240
Speaker 3: Yeah? The hips locked? Yeah yeah, yeah, you know yeah,

1381
01:06:53,720 --> 01:06:54,520
Speaker 3: and I don't mind it.

1382
01:06:54,560 --> 01:06:56,040
Speaker 2: I mean, well, look, you don't mind it.

1383
01:07:01,120 --> 01:07:04,040
Speaker 3: You've had hips lock. It worked on me. It worked.

1384
01:07:04,200 --> 01:07:05,439
Speaker 2: My heart was beating out of my chest.

1385
01:07:06,360 --> 01:07:11,280
Speaker 5: Yeah yeah, yeah, So with this Tupac does this mean

1386
01:07:11,280 --> 01:07:16,040
Speaker 5: we are getting a full project. Yes, you're getting an album. Okay,

1387
01:07:16,160 --> 01:07:17,919
Speaker 5: what's a full How many songs are.

1388
01:07:17,920 --> 01:07:19,000
Speaker 4: Full track for Rory?

1389
01:07:19,920 --> 01:07:20,200
Speaker 3: Uh?

1390
01:07:20,640 --> 01:07:22,640
Speaker 2: Ten plus whoo?

1391
01:07:23,240 --> 01:07:26,840
Speaker 3: Yes, so let's sounds like eleven, no, twelve, No.

1392
01:07:27,240 --> 01:07:28,840
Speaker 2: But I don't think things should go past I'm just

1393
01:07:28,840 --> 01:07:32,240
Speaker 2: not gonna say ten to fourteen is a sweet spot. Yeah,

1394
01:07:32,400 --> 01:07:36,680
Speaker 2: I don't think past fourteen. Fifteen is a lot. Fifteen

1395
01:07:36,720 --> 01:07:40,360
Speaker 2: is a lot. I think fourteen to me is the cutoff. Yeah,

1396
01:07:40,400 --> 01:07:43,040
Speaker 2: and if you get past there, just do the deluxe

1397
01:07:43,040 --> 01:07:45,040
Speaker 2: thing exactly three or four records later.

1398
01:07:45,120 --> 01:07:48,240
Speaker 5: Yeah, we're getting a full you're getting a soft second album.

1399
01:07:48,600 --> 01:07:55,360
Speaker 5: And I felt like I did a little test with

1400
01:07:55,840 --> 01:08:01,120
Speaker 5: my friends and also like, well, not in the industry,

1401
01:08:02,240 --> 01:08:05,360
Speaker 5: and yeah, I was. I sent them break me In,

1402
01:08:05,440 --> 01:08:09,640
Speaker 5: Crack the Code and two other songs, and I was

1403
01:08:09,800 --> 01:08:12,280
Speaker 5: I was just wanting their opinion on what should I

1404
01:08:12,360 --> 01:08:20,160
Speaker 5: come back in the scene with, and everyone majority people

1405
01:08:20,439 --> 01:08:27,280
Speaker 5: said break me In. And then everyone's like favorite has

1406
01:08:27,320 --> 01:08:28,759
Speaker 5: been Cracked the Codes.

1407
01:08:28,880 --> 01:08:31,080
Speaker 4: Yeah, that was kind of.

1408
01:08:31,000 --> 01:08:34,519
Speaker 5: The reasoning for this, and I feel like it makes sense.

1409
01:08:35,160 --> 01:08:38,599
Speaker 5: Break me In seemed to catch a lot of people's attention,

1410
01:08:38,880 --> 01:08:39,439
Speaker 5: and then.

1411
01:08:40,960 --> 01:08:41,799
Speaker 4: Crack the Code.

1412
01:08:42,000 --> 01:08:45,960
Speaker 5: I feel like people are really loving just that, like

1413
01:08:47,000 --> 01:08:48,520
Speaker 5: feel good, soulful.

1414
01:08:49,240 --> 01:08:50,680
Speaker 3: It's definitely a different you know.

1415
01:08:51,320 --> 01:08:54,080
Speaker 2: Yeah, no, it's a good balance. How many more records

1416
01:08:54,120 --> 01:08:55,160
Speaker 2: do you think you want to put out before the

1417
01:08:55,160 --> 01:08:55,719
Speaker 2: full project?

1418
01:09:00,040 --> 01:09:02,240
Speaker 4: I would say maybe one or two.

1419
01:09:02,520 --> 01:09:04,400
Speaker 2: Okay, all right, good, so that means we are getting

1420
01:09:04,400 --> 01:09:06,880
Speaker 2: the full projects. So yeah, like five or six.

1421
01:09:07,880 --> 01:09:10,320
Speaker 5: Here's the people are releasing five or six before they

1422
01:09:10,360 --> 01:09:11,200
Speaker 5: release the album.

1423
01:09:11,640 --> 01:09:14,799
Speaker 3: They try to people put out what's working.

1424
01:09:15,320 --> 01:09:16,880
Speaker 2: They trying to get one out of five and.

1425
01:09:16,880 --> 01:09:20,720
Speaker 5: Go from That's something that I I was talking to

1426
01:09:20,760 --> 01:09:23,599
Speaker 5: someone about and I didn't even realize that's a thing

1427
01:09:23,640 --> 01:09:28,920
Speaker 5: where people are they're putting out songs just yeah, to

1428
01:09:29,000 --> 01:09:31,880
Speaker 5: see what's hitting and what works and what people want

1429
01:09:31,880 --> 01:09:36,040
Speaker 5: to hear, and then that's how they figure out what

1430
01:09:36,120 --> 01:09:36,599
Speaker 5: to release.

1431
01:09:36,840 --> 01:09:39,559
Speaker 3: Yeah, I'm not mad at that. Yeah, no, process though,

1432
01:09:39,600 --> 01:09:42,360
Speaker 3: Like sometimes it's like you need to kind of feel

1433
01:09:42,400 --> 01:09:45,360
Speaker 3: what's going on, what they're gravitating towards, and then it's like, okay,

1434
01:09:45,840 --> 01:09:47,559
Speaker 3: we'll go with this. This seems to get the most

1435
01:09:47,560 --> 01:09:50,600
Speaker 3: traction and people are you know, feeling this one. But

1436
01:09:51,040 --> 01:09:52,679
Speaker 3: I'm also on the side, I tell her real time,

1437
01:09:53,080 --> 01:09:56,080
Speaker 3: I like when artists just you know, put the music out.

1438
01:09:56,160 --> 01:10:00,400
Speaker 3: That's what the days of like the traditional you need

1439
01:10:00,439 --> 01:10:03,360
Speaker 3: a single, you need this, you need I get it.

1440
01:10:03,560 --> 01:10:07,400
Speaker 3: But I don't know if we're there anymore. I feel

1441
01:10:07,479 --> 01:10:09,639
Speaker 3: because if people are people like the music, they're gonna

1442
01:10:09,640 --> 01:10:11,680
Speaker 3: like them. I don't care what. Sometimes I don't even

1443
01:10:11,760 --> 01:10:14,559
Speaker 3: know what the single was. Yeah, I mean my favorite

1444
01:10:14,560 --> 01:10:19,640
Speaker 3: album right now, u K one K, I don't know

1445
01:10:19,680 --> 01:10:22,280
Speaker 3: what her lead single was. And then this other girl,

1446
01:10:22,320 --> 01:10:25,840
Speaker 3: Remy left on Red her project. I don't know what

1447
01:10:25,880 --> 01:10:28,920
Speaker 3: her lead single was. You just know the album music.

1448
01:10:30,439 --> 01:10:33,040
Speaker 3: I'm listening to the ships all day, like so you know.

1449
01:10:33,040 --> 01:10:35,519
Speaker 3: I mean, I get how when you're on a label

1450
01:10:35,600 --> 01:10:38,680
Speaker 3: and in that system, there is a way to do that,

1451
01:10:38,720 --> 01:10:41,519
Speaker 3: you have to do things. But I kind of don't

1452
01:10:41,520 --> 01:10:42,680
Speaker 3: think that that even really mad.

1453
01:10:42,920 --> 01:10:44,360
Speaker 2: I mean it's it's rare, and I mean in a

1454
01:10:44,400 --> 01:10:47,639
Speaker 2: good way that the traditional single doesn't exist the way

1455
01:10:47,800 --> 01:10:51,160
Speaker 2: like rarely do you have a folded by Kliney these things.

1456
01:10:51,600 --> 01:10:55,080
Speaker 2: That's a traditional single. Let's go work that for six months,

1457
01:10:55,600 --> 01:10:58,439
Speaker 2: then the project. It's exactly what you did. That made

1458
01:10:58,479 --> 01:11:01,599
Speaker 2: sense because that was a very much a traditional single

1459
01:11:01,640 --> 01:11:04,400
Speaker 2: that needed to be worked. But not every record needs

1460
01:11:05,360 --> 01:11:08,200
Speaker 2: depending on what you think is good or bad is

1461
01:11:08,600 --> 01:11:10,760
Speaker 2: insignificant to that. What's a single that needs to be

1462
01:11:10,760 --> 01:11:12,599
Speaker 2: worked and what's something that just needs to be put

1463
01:11:12,600 --> 01:11:15,000
Speaker 2: out and post You can do your promo with a

1464
01:11:15,000 --> 01:11:18,679
Speaker 2: full project, right, So I'm with you. Just certain records

1465
01:11:18,880 --> 01:11:22,640
Speaker 2: just need to go out and let people decide what

1466
01:11:22,640 --> 01:11:24,559
Speaker 2: the single is and then work that after the full project.

1467
01:11:25,400 --> 01:11:28,400
Speaker 5: Yeah, I feel like I've been gone for so long

1468
01:11:29,080 --> 01:11:32,320
Speaker 5: that you needed to that I need or not even tests.

1469
01:11:32,360 --> 01:11:36,559
Speaker 5: I feel like I got to reintroduce myself. I got

1470
01:11:36,600 --> 01:11:41,800
Speaker 5: to work the algorithm and.

1471
01:11:39,960 --> 01:11:41,840
Speaker 4: And yeah, just.

1472
01:11:43,439 --> 01:11:50,280
Speaker 5: Also I think established like lyrically and sonically what I'm

1473
01:11:50,280 --> 01:11:52,080
Speaker 5: going for this time around, you know what I mean.

1474
01:11:52,200 --> 01:11:53,880
Speaker 5: I felt like I have to I have to lead

1475
01:11:53,920 --> 01:11:58,240
Speaker 5: into that a little bit. Yeah, but I'm I'm kind

1476
01:11:58,240 --> 01:12:00,920
Speaker 5: of similar. I've never really I mean, I did it

1477
01:12:00,960 --> 01:12:03,600
Speaker 5: a little bit for this album just because I was

1478
01:12:03,640 --> 01:12:06,080
Speaker 5: taking so long and people were just like, where the

1479
01:12:06,080 --> 01:12:10,280
Speaker 5: fuck are you? So I feel like doing the snippets

1480
01:12:10,720 --> 01:12:13,280
Speaker 5: was just letting them know I have some shit in

1481
01:12:13,320 --> 01:12:16,400
Speaker 5: the vault, like I'm not, you know, fucking with you all.

1482
01:12:16,880 --> 01:12:21,439
Speaker 5: But I personally I love to just put it out

1483
01:12:21,520 --> 01:12:25,080
Speaker 5: and it to be a surprise and people to have fresh,

1484
01:12:25,200 --> 01:12:30,480
Speaker 5: you know, ears with the music as opposed to snippeting

1485
01:12:30,720 --> 01:12:34,519
Speaker 5: so many things. But like you said, I who knows

1486
01:12:34,560 --> 01:12:35,120
Speaker 5: what works?

1487
01:12:36,240 --> 01:12:37,680
Speaker 3: Yeah, long as the projects.

1488
01:12:37,360 --> 01:12:39,200
Speaker 5: As long as it's good, as long as it's good.

1489
01:12:39,280 --> 01:12:42,120
Speaker 2: Yeah, the fans don't even know what works, Like, no

1490
01:12:42,160 --> 01:12:43,320
Speaker 2: one knows who works anymore, but.

1491
01:12:43,280 --> 01:12:44,920
Speaker 4: They have a lot. It's interesting.

1492
01:12:45,320 --> 01:12:48,720
Speaker 5: I feel like now more than ever, fans and just

1493
01:12:48,760 --> 01:12:52,559
Speaker 5: people online, they have so much to say about what

1494
01:12:52,600 --> 01:12:53,439
Speaker 5: you should be doing.

1495
01:12:53,840 --> 01:12:55,880
Speaker 2: They have, but they but they also don't even know

1496
01:12:55,880 --> 01:12:58,040
Speaker 2: what they like. That's what makes it so insane.

1497
01:12:58,360 --> 01:12:59,920
Speaker 4: Like I was just like.

1498
01:13:00,160 --> 01:13:02,559
Speaker 5: People will be like I know, one person was like

1499
01:13:04,439 --> 01:13:07,360
Speaker 5: Joyce needs to market her music better, or like if

1500
01:13:07,400 --> 01:13:08,240
Speaker 5: I were to do.

1501
01:13:08,120 --> 01:13:13,080
Speaker 3: This, just like, was it somebody that works in marketing

1502
01:13:13,160 --> 01:13:16,000
Speaker 3: that has marketing things before, because then that's different. But

1503
01:13:16,080 --> 01:13:19,000
Speaker 3: if it's somebody who's just a casual fan, like she

1504
01:13:19,040 --> 01:13:20,400
Speaker 3: needs the market's like yeah a lot.

1505
01:13:20,520 --> 01:13:22,439
Speaker 5: I feel like a lot of fans are now you know,

1506
01:13:23,560 --> 01:13:28,280
Speaker 5: they they they have yeah, and that's fine. But I'm

1507
01:13:28,320 --> 01:13:30,720
Speaker 5: just I'm like, wow, people are saying if I was

1508
01:13:30,760 --> 01:13:34,120
Speaker 5: this person's pr or if I were this, this is

1509
01:13:34,160 --> 01:13:34,720
Speaker 5: what I would do.

1510
01:13:34,800 --> 01:13:35,800
Speaker 4: I'm like, Wow, was.

1511
01:13:35,800 --> 01:13:38,519
Speaker 3: There any pressure like coming off of the Butterflies record

1512
01:13:38,560 --> 01:13:42,680
Speaker 3: and an attraction that that has. Was there any pressure

1513
01:13:42,680 --> 01:13:45,639
Speaker 3: you felt like, Okay, now's the time where I probably

1514
01:13:45,720 --> 01:13:50,639
Speaker 3: need to put something out and jump behind this this energy.

1515
01:13:50,920 --> 01:13:51,519
Speaker 4: I mean.

1516
01:13:53,080 --> 01:13:57,200
Speaker 5: That's the smartest move for sure. When was that Because

1517
01:13:57,240 --> 01:14:01,880
Speaker 5: I didn't play it break Me Out January, that was

1518
01:14:01,920 --> 01:14:03,040
Speaker 5: like twenty twenty.

1519
01:14:04,320 --> 01:14:04,479
Speaker 4: Five.

1520
01:14:04,520 --> 01:14:06,759
Speaker 2: I was fine, Yeah, yeah, it was definitely still twenty

1521
01:14:06,760 --> 01:14:07,120
Speaker 2: twenty five.

1522
01:14:07,200 --> 01:14:12,479
Speaker 5: Yeah, it's a smart move to do that, but I

1523
01:14:12,520 --> 01:14:15,519
Speaker 5: didn't release until January of this year.

1524
01:14:16,360 --> 01:14:20,080
Speaker 2: But I mean that like folded like it worked on

1525
01:14:20,120 --> 01:14:23,679
Speaker 2: TikTok and needed to. That record needed to be worked. Yeah,

1526
01:14:23,920 --> 01:14:27,240
Speaker 2: where if you were immediately focusing right on solo stuff,

1527
01:14:27,280 --> 01:14:30,000
Speaker 2: it could take away from working that record because that

1528
01:14:30,000 --> 01:14:32,120
Speaker 2: that did go. Yeah, if it was kind of one

1529
01:14:32,160 --> 01:14:34,479
Speaker 2: of those just quick features or whatever. Yeah, but yeah,

1530
01:14:34,520 --> 01:14:40,040
Speaker 2: that definitely needed the year I live. Yeah, and thankfully,

1531
01:14:40,800 --> 01:14:42,519
Speaker 2: I mean, depending on what the person on Twitter that

1532
01:14:42,520 --> 01:14:45,479
Speaker 2: thinks your marketing ship. But second one, I'm speaking from

1533
01:14:45,479 --> 01:14:49,479
Speaker 2: my perspective, not you know, from law, which is she's.

1534
01:14:49,240 --> 01:14:53,560
Speaker 4: Sweet though, we sweet. We were talking back and forth, Okay.

1535
01:14:53,200 --> 01:14:54,280
Speaker 3: Yeah, I had a little dialogue.

1536
01:14:54,320 --> 01:14:57,639
Speaker 2: Okay, all right, I was yeah, we usually get comments

1537
01:14:57,680 --> 01:14:59,400
Speaker 2: like you should have Jake Cole in the pod, Like, damn,

1538
01:14:59,400 --> 01:15:00,000
Speaker 2: I never thought of that.

1539
01:15:02,280 --> 01:15:05,360
Speaker 3: What a good idea? Yeah, what have we been doing thinking?

1540
01:15:05,400 --> 01:15:08,400
Speaker 3: What do we even doing up here? Yeah?

1541
01:15:08,479 --> 01:15:09,559
Speaker 2: Do you have a title for yet?

1542
01:15:09,880 --> 01:15:10,960
Speaker 4: I do?

1543
01:15:10,960 --> 01:15:12,479
Speaker 2: Do you want to reveal it here on Netflix?

1544
01:15:13,240 --> 01:15:14,200
Speaker 3: Is it? Break me in?

1545
01:15:16,479 --> 01:15:17,400
Speaker 2: You don't have to wait?

1546
01:15:17,520 --> 01:15:20,920
Speaker 4: I think we should. I think we can. We can wait.

1547
01:15:21,120 --> 01:15:22,439
Speaker 2: Check with your marketing manager.

1548
01:15:25,760 --> 01:15:29,719
Speaker 3: Now it's on Netflix. Let's check in with her first.

1549
01:15:30,160 --> 01:15:39,280
Speaker 5: But I would just say it's it's like, yeah, my

1550
01:15:39,320 --> 01:15:44,639
Speaker 5: first album is overgrown. This title is again like it's

1551
01:15:44,800 --> 01:15:47,400
Speaker 5: the album is a lot about me. So the title

1552
01:15:47,520 --> 01:15:50,920
Speaker 5: is inspired by that narrative. If that makes sense?

1553
01:15:51,160 --> 01:15:52,920
Speaker 3: Yeah, why do lesbians makes? I think?

1554
01:15:53,640 --> 01:15:54,679
Speaker 2: What about put it in Rice?

1555
01:15:57,120 --> 01:15:58,200
Speaker 4: Wait where we can.

1556
01:15:58,080 --> 01:16:00,760
Speaker 3: Answer his first? Beginn answer mind answer his first, But

1557
01:16:00,800 --> 01:16:01,840
Speaker 3: then you have to answer malls.

1558
01:16:03,240 --> 01:16:05,120
Speaker 4: Okay, what did you say something about Rice?

1559
01:16:05,760 --> 01:16:05,920
Speaker 1: Oh?

1560
01:16:06,280 --> 01:16:09,080
Speaker 2: I was I was giving a second album title. Oh,

1561
01:16:09,280 --> 01:16:12,080
Speaker 2: and put them in Rice? Put them in Rice, because

1562
01:16:12,080 --> 01:16:13,400
Speaker 2: you know, like you put your phone in Rice when

1563
01:16:13,439 --> 01:16:16,479
Speaker 2: it doesn't work, when it's put them in Rice? And

1564
01:16:16,560 --> 01:16:19,200
Speaker 2: but your last Yeah, what I should be the marketing

1565
01:16:19,280 --> 01:16:22,759
Speaker 2: manager Rice? Put them cakes?

1566
01:16:23,040 --> 01:16:23,240
Speaker 3: Rice?

1567
01:16:23,320 --> 01:16:26,320
Speaker 4: Cake? People said to call my listeners rice cakes.

1568
01:16:26,880 --> 01:16:31,320
Speaker 2: Wait, okay, I think there's some type of racial undertone

1569
01:16:31,479 --> 01:16:32,720
Speaker 2: on that that I would not go.

1570
01:16:32,800 --> 01:16:37,479
Speaker 4: Well six, yeah, I don't know some people for that.

1571
01:16:39,240 --> 01:16:40,639
Speaker 4: Well it's because of my last name too.

1572
01:16:40,800 --> 01:16:41,760
Speaker 2: No, no, I understand that.

1573
01:16:42,240 --> 01:16:44,000
Speaker 3: No, we get it, Joyce. I just don't know if

1574
01:16:44,000 --> 01:16:45,880
Speaker 3: the people will take to that.

1575
01:16:46,360 --> 01:16:51,040
Speaker 2: So well, yeah, what did you ask me before I

1576
01:16:51,080 --> 01:16:52,679
Speaker 2: interrupted it with the worst album title.

1577
01:16:54,200 --> 01:16:55,720
Speaker 4: And rice cakes? You know I got some?

1578
01:16:59,680 --> 01:17:00,559
Speaker 2: Okay, what's the drake?

1579
01:17:01,760 --> 01:17:04,200
Speaker 3: No? No, no, no, no, no, no, you were looking. I had

1580
01:17:04,200 --> 01:17:06,639
Speaker 3: a question for Joyce. So I'm gonna go to that question.

1581
01:17:08,120 --> 01:17:12,560
Speaker 3: What is it with the women? Lesbian women? And the

1582
01:17:12,800 --> 01:17:18,320
Speaker 3: no lesbian?

1583
01:17:18,360 --> 01:17:20,599
Speaker 2: But putting it rights doesn't look so bad anymore, does no?

1584
01:17:20,680 --> 01:17:25,240
Speaker 3: Because look I'm thinking about it, right Kaylannie, amazing album,

1585
01:17:25,280 --> 01:17:26,000
Speaker 3: amazing singles.

1586
01:17:26,040 --> 01:17:27,080
Speaker 2: Here's gonna name lesbian?

1587
01:17:27,200 --> 01:17:30,479
Speaker 3: No, I'm just saying she's you know, she's a lesbian

1588
01:17:30,520 --> 01:17:33,720
Speaker 3: and she's making you know, she's doing her thing right now?

1589
01:17:33,720 --> 01:17:38,439
Speaker 3: Are the jazzy Rosie O'donnald? Great album? Is the best

1590
01:17:38,920 --> 01:17:44,160
Speaker 3: K one from the UK? Great project right now? Remy lesbian?

1591
01:17:44,280 --> 01:17:50,479
Speaker 3: Great project? Like Sasha great? Like that seems to be

1592
01:17:50,600 --> 01:17:55,559
Speaker 3: a thing like, is it because women can speak to

1593
01:17:55,600 --> 01:17:58,160
Speaker 3: women in a way that men can't. Is it the

1594
01:17:58,320 --> 01:17:59,040
Speaker 3: is it the energy?

1595
01:17:59,080 --> 01:17:59,160
Speaker 5: Like?

1596
01:17:59,160 --> 01:18:01,559
Speaker 3: What there is thing? I'm not crazy right now, but

1597
01:18:01,920 --> 01:18:03,920
Speaker 3: every time I look up at the R and B

1598
01:18:04,000 --> 01:18:06,519
Speaker 3: that I'm listening to, and I like, I'm like, Okay,

1599
01:18:06,560 --> 01:18:10,240
Speaker 3: there's a beautiful girl, but she's a lesbian. What is

1600
01:18:10,280 --> 01:18:12,559
Speaker 3: the what is what is that? What is the thing

1601
01:18:12,600 --> 01:18:13,360
Speaker 3: with that right now?

1602
01:18:13,520 --> 01:18:16,240
Speaker 4: I wish I could tell you. Unfortunately I'm not.

1603
01:18:18,360 --> 01:18:21,120
Speaker 3: No, but it's a thing though, It's like it's I

1604
01:18:21,200 --> 01:18:23,240
Speaker 3: don't know what it is, but I'm on the other side.

1605
01:18:24,280 --> 01:18:26,799
Speaker 3: There has to be, Uh, there has to be something

1606
01:18:26,840 --> 01:18:31,519
Speaker 3: there where it's just women who like women, are attracted

1607
01:18:31,520 --> 01:18:34,680
Speaker 3: to women and making music about women where it's just

1608
01:18:34,720 --> 01:18:38,559
Speaker 3: incredible music, Like, there has to be something there because

1609
01:18:38,560 --> 01:18:40,360
Speaker 3: I'm looking around every time I look up at an

1610
01:18:40,439 --> 01:18:42,200
Speaker 3: R and B artist that I like, and my this

1611
01:18:42,280 --> 01:18:47,120
Speaker 3: album is crazy. No, she likes women, she dates women.

1612
01:18:50,600 --> 01:18:52,280
Speaker 3: I love women, So I mean, I get it. But

1613
01:18:52,320 --> 01:18:54,960
Speaker 3: it's just like, what is happening in the R and

1614
01:18:55,000 --> 01:18:55,599
Speaker 3: B right now?

1615
01:18:58,560 --> 01:18:59,120
Speaker 4: I don't know.

1616
01:18:59,280 --> 01:19:01,519
Speaker 5: I know idea and I've been around these women and

1617
01:19:01,600 --> 01:19:05,439
Speaker 5: I they could they could get me too.

1618
01:19:07,080 --> 01:19:09,479
Speaker 4: It's something it's just see, look.

1619
01:19:09,320 --> 01:19:13,479
Speaker 3: They almost got joys. So I'm right right as well.

1620
01:19:14,560 --> 01:19:17,519
Speaker 3: Else it is something happening. I'm just saying, let's pay

1621
01:19:17,520 --> 01:19:19,920
Speaker 3: attention the women in R and B right now.

1622
01:19:19,960 --> 01:19:23,599
Speaker 2: This don't bring jazz around my girls, Joszi is there's

1623
01:19:23,680 --> 01:19:28,920
Speaker 2: something happening with R and B women allegedly.

1624
01:19:29,680 --> 01:19:34,679
Speaker 5: I love it. It's exciting and I mean, well, yeah.

1625
01:19:34,560 --> 01:19:37,040
Speaker 2: Well to your point, women understand women better. I feel

1626
01:19:37,080 --> 01:19:40,479
Speaker 2: like men R and B went from just begging to

1627
01:19:40,479 --> 01:19:42,799
Speaker 2: get you back to then more of like the colder,

1628
01:19:43,400 --> 01:19:47,160
Speaker 2: doggy like yo, fuck you O, I don't care. There's

1629
01:19:47,160 --> 01:19:50,120
Speaker 2: more depth, I think with some of the lesbian women

1630
01:19:50,320 --> 01:19:52,519
Speaker 2: in there. Hey I'm trying to get you back and

1631
01:19:52,600 --> 01:19:56,240
Speaker 2: I'm still adult. Jozzi is great and they taking that

1632
01:19:56,240 --> 01:19:58,640
Speaker 2: to the next level of hey, I fucked up. But

1633
01:19:58,680 --> 01:20:02,760
Speaker 2: here's some here's some women's psychology mixed involved that we

1634
01:20:02,840 --> 01:20:04,880
Speaker 2: could just never physically come up with.

1635
01:20:05,080 --> 01:20:09,320
Speaker 4: And there's this it's just like this confidence, this sad.

1636
01:20:10,880 --> 01:20:18,240
Speaker 5: Some of these yeah, women have to where it's it's mesmerizing.

1637
01:20:18,400 --> 01:20:22,000
Speaker 2: Like I went to Jazzi's release party in New York

1638
01:20:22,200 --> 01:20:24,280
Speaker 2: and I was Jazzy bring them out. I'm definitely like

1639
01:20:24,320 --> 01:20:26,000
Speaker 2: outside of that being my friend and wanted to support.

1640
01:20:26,000 --> 01:20:28,360
Speaker 2: I'm like, yeah, she bring them out. It was just

1641
01:20:29,080 --> 01:20:32,439
Speaker 2: it was pointless. They was in there, not interested in me.

1642
01:20:33,520 --> 01:20:35,479
Speaker 2: They was all there for Jozzy.

1643
01:20:35,720 --> 01:20:39,200
Speaker 3: Every time k One posts something on Instagram and it's

1644
01:20:39,280 --> 01:20:42,000
Speaker 3: like a snippet of one of her songs, you go

1645
01:20:42,040 --> 01:20:45,360
Speaker 3: to the comments and it's women in the comments. Like,

1646
01:20:46,200 --> 01:20:47,720
Speaker 3: I'm not gay, but I can be.

1647
01:20:48,120 --> 01:20:50,840
Speaker 5: I know, I know, I'm very close to me who

1648
01:20:50,920 --> 01:20:53,519
Speaker 5: would love k one to just.

1649
01:20:54,200 --> 01:20:56,280
Speaker 3: This is what I'm saying. So it's like in the

1650
01:20:57,040 --> 01:21:00,320
Speaker 3: k One Love You the album is incredible one all

1651
01:21:00,360 --> 01:21:02,160
Speaker 3: Pride of Side. I think that I think that the

1652
01:21:02,200 --> 01:21:06,720
Speaker 3: title is incredible, like you put your pride side. I

1653
01:21:06,760 --> 01:21:09,240
Speaker 3: don't know what you mean by that, but it's.

1654
01:21:09,040 --> 01:21:11,439
Speaker 2: Your interpretations our Yeah, I don't know whatever you take

1655
01:21:11,439 --> 01:21:11,640
Speaker 2: from it.

1656
01:21:11,640 --> 01:21:13,639
Speaker 3: I'm gonna stay away from that. But like I'm looking

1657
01:21:13,640 --> 01:21:16,880
Speaker 3: at the comments and I'm just like, Okay, there's something

1658
01:21:16,920 --> 01:21:19,120
Speaker 3: going on with R and B women right now. That's

1659
01:21:19,160 --> 01:21:21,400
Speaker 3: just like we have what are we gonna whin? Are

1660
01:21:21,400 --> 01:21:22,439
Speaker 3: we gonna wait to have the conversa?

1661
01:21:22,640 --> 01:21:26,559
Speaker 2: Kaylannie, I feel like is the number one straight girl.

1662
01:21:27,360 --> 01:21:29,519
Speaker 2: I'd go to the other side anytime I talk to

1663
01:21:29,520 --> 01:21:29,880
Speaker 2: a straight girl.

1664
01:21:29,920 --> 01:21:31,320
Speaker 3: They always say Kaylanie would.

1665
01:21:31,080 --> 01:21:33,840
Speaker 2: Be like the straightest a straight not like fake buye

1666
01:21:33,960 --> 01:21:36,400
Speaker 2: girls like I'm drunk, let me kiss you like I'm

1667
01:21:36,439 --> 01:21:41,280
Speaker 2: saying straight, right, Kaylannie is the one that they always pick.

1668
01:21:41,479 --> 01:21:44,240
Speaker 4: You have Victorian Moneys not lesbian.

1669
01:21:43,840 --> 01:21:47,400
Speaker 3: But Victoria's game, she's by I believe.

1670
01:21:47,920 --> 01:21:50,599
Speaker 2: She's talked about it, Okay, Yeah, she talked about it

1671
01:21:52,000 --> 01:21:52,599
Speaker 2: host divorce.

1672
01:21:53,000 --> 01:21:55,479
Speaker 3: There was rumors, okay, but we'll leave that over there.

1673
01:21:55,560 --> 01:21:59,599
Speaker 5: Yeah, that's public knowledge, she openly identified.

1674
01:22:00,120 --> 01:22:03,559
Speaker 4: Yeah, like her music has been it's celebrated.

1675
01:22:03,640 --> 01:22:05,120
Speaker 2: Yeah, not for sure.

1676
01:22:05,200 --> 01:22:09,040
Speaker 4: And Victoria is also incredible, incredible.

1677
01:22:08,640 --> 01:22:11,360
Speaker 3: Incredible like this, So I'm not listening. I'm not crazy,

1678
01:22:11,600 --> 01:22:13,840
Speaker 3: I'm I'm just listening to music. And every time I

1679
01:22:13,880 --> 01:22:17,760
Speaker 3: look up, I'm like, okay, there's something going on. There's

1680
01:22:17,800 --> 01:22:21,320
Speaker 3: something happening, and I'll just we'll come back to this

1681
01:22:21,400 --> 01:22:22,920
Speaker 3: conversation a year from now. Just see what.

1682
01:22:22,920 --> 01:22:24,280
Speaker 4: Well you gotta get Kate One on here.

1683
01:22:25,080 --> 01:22:29,080
Speaker 3: I would love to I love would love to sit

1684
01:22:29,160 --> 01:22:31,439
Speaker 3: down and talk and kick it with with both of those.

1685
01:22:31,520 --> 01:22:34,120
Speaker 3: Both of those women, love their albums, love their projects. Yeah.

1686
01:22:34,320 --> 01:22:36,839
Speaker 3: K One's album is really really dope, but she's incredible

1687
01:22:37,960 --> 01:22:39,559
Speaker 3: nuts love her music.

1688
01:22:40,280 --> 01:22:42,840
Speaker 2: Are we getting a D Mile and Kate Shanada on

1689
01:22:42,920 --> 01:22:44,559
Speaker 2: the second project.

1690
01:22:44,360 --> 01:22:48,120
Speaker 5: Or we'll find out when you listen to it, right,

1691
01:22:48,160 --> 01:22:50,400
Speaker 5: I think that's we got.

1692
01:22:50,439 --> 01:22:53,599
Speaker 3: We gotta check in with her Marketer, president of marketing,

1693
01:22:53,840 --> 01:22:54,519
Speaker 3: what market be like?

1694
01:22:54,600 --> 01:23:00,320
Speaker 2: Nah, don't have d Mile on this one?

1695
01:23:00,720 --> 01:23:04,760
Speaker 3: Last Yeah? Kind of went there ready like something else

1696
01:23:04,800 --> 01:23:07,360
Speaker 3: this time around? Kate Tana is he even a DJ?

1697
01:23:09,360 --> 01:23:11,960
Speaker 3: Asking if Kate Trenada is a DJ? Is crazy? I

1698
01:23:12,000 --> 01:23:12,680
Speaker 3: mean I don't know.

1699
01:23:13,200 --> 01:23:15,080
Speaker 2: Uh well, Joyce, thank you so much for stopping by.

1700
01:23:15,080 --> 01:23:18,040
Speaker 2: When the project comes out, please stop by again. We

1701
01:23:18,120 --> 01:23:19,439
Speaker 2: are very excited to hear it.

1702
01:23:19,520 --> 01:23:21,120
Speaker 3: Yes, when you move to New York you can come

1703
01:23:21,160 --> 01:23:21,960
Speaker 3: by whenever you want.

1704
01:23:22,240 --> 01:23:23,760
Speaker 4: Or Puerto Rico too.

1705
01:23:24,760 --> 01:23:27,240
Speaker 3: I would love to love to have you in Puerto

1706
01:23:27,280 --> 01:23:28,600
Speaker 3: Rico with us. That would be like, you know, we

1707
01:23:28,680 --> 01:23:31,880
Speaker 3: start our own community down here, bring more people.

1708
01:23:31,600 --> 01:23:34,240
Speaker 2: To the island with like a bunch of lesbian songwriter.

1709
01:23:35,200 --> 01:23:39,240
Speaker 3: When is that camp? When is when is when is

1710
01:23:39,240 --> 01:23:40,599
Speaker 3: the lesbian songwriting camp?

1711
01:23:41,040 --> 01:23:41,280
Speaker 1: We go?

1712
01:23:41,600 --> 01:23:42,240
Speaker 3: I just want to go.

1713
01:23:43,400 --> 01:23:49,559
Speaker 2: I didn't write put it in songs about what was it?

1714
01:23:49,760 --> 01:23:52,519
Speaker 4: Songs for mom? Songs about I.

1715
01:23:52,479 --> 01:23:53,960
Speaker 3: Don't know if there any songs out there, but if

1716
01:23:53,960 --> 01:23:56,599
Speaker 3: there are, please send them to me so I can

1717
01:23:56,640 --> 01:23:59,080
Speaker 3: hear it. I would love to hear how I inspired

1718
01:23:59,120 --> 01:24:00,000
Speaker 3: any of these artists.

1719
01:24:00,160 --> 01:24:02,800
Speaker 2: Pease that AI program that writes songs for you. Yeah,

1720
01:24:03,040 --> 01:24:07,599
Speaker 2: so we gotta write one from all Joyce.

1721
01:24:07,800 --> 01:24:09,639
Speaker 3: Do let us know if you are, if and when

1722
01:24:09,680 --> 01:24:11,720
Speaker 3: you are back in the city, please we would love

1723
01:24:11,760 --> 01:24:13,920
Speaker 3: to see you again. Yes, and we're looking forward to

1724
01:24:13,920 --> 01:24:19,240
Speaker 3: the album whenever you choose to draw, hopefully this year. Yes,

1725
01:24:19,640 --> 01:24:21,640
Speaker 3: for sure, for sure. All right, cool, So we'll be

1726
01:24:21,680 --> 01:24:24,400
Speaker 3: waiting to hear that. I'm that nigga. He's just Jinger,

1727
01:24:24,520 --> 01:24:26,880
Speaker 3: That's the beautiful, talented Joyce Rice