WEBVTT - The Finale! (Round Fifteen)

0:00:00.280 --> 0:00:04.640
<v Speaker 1>Hi Christy, Hi Will, We're here. We're here at the finals.

0:00:04.720 --> 0:00:05.440
<v Speaker 1>Can you believe it?

0:00:05.680 --> 0:00:06.360
<v Speaker 2>I can.

0:00:06.800 --> 0:00:09.560
<v Speaker 3>We've worked hard to get here, and folks that have

0:00:09.600 --> 0:00:14.040
<v Speaker 3>been listening, you guys are the reason why we've done this.

0:00:14.800 --> 0:00:16.959
<v Speaker 3>We love you guys so much. Thank you for coming

0:00:17.000 --> 0:00:17.560
<v Speaker 3>all this way.

0:00:17.680 --> 0:00:20.079
<v Speaker 1>I'm so excited. I mean seriously, from the time you

0:00:20.120 --> 0:00:23.160
<v Speaker 1>and I talked about doing this to the forty five

0:00:23.320 --> 0:00:26.239
<v Speaker 1>hundred or so entries we got to getting down to

0:00:26.280 --> 0:00:29.760
<v Speaker 1>our sixteen to sixteen to the eight to the I

0:00:29.800 --> 0:00:32.400
<v Speaker 1>mean just and that's just a contest alone. I'm not

0:00:32.400 --> 0:00:33.920
<v Speaker 1>even talking about the rest of the show, just the

0:00:33.960 --> 0:00:36.559
<v Speaker 1>contest alone. It has been so awesome to go through

0:00:36.560 --> 0:00:37.120
<v Speaker 1>this process.

0:00:37.200 --> 0:00:40.199
<v Speaker 3>It has It's been a wild ride. I remember our

0:00:40.520 --> 0:00:44.000
<v Speaker 3>live shows that we used to do. Do you remembers,

0:00:44.040 --> 0:00:47.640
<v Speaker 3>And I mean, honestly, I think that even when we

0:00:47.720 --> 0:00:51.040
<v Speaker 3>do panels together in the future, there will always be

0:00:51.080 --> 0:00:53.680
<v Speaker 3>a part of I hear voices that travels with us,

0:00:53.680 --> 0:00:54.680
<v Speaker 3>don't you think?

0:00:54.840 --> 0:00:56.640
<v Speaker 1>I think so too, And I think we might our

0:00:56.680 --> 0:00:58.960
<v Speaker 1>in our future panels have to play the way that

0:00:59.000 --> 0:01:01.200
<v Speaker 1>we did last time with all right, let's let's get it.

0:01:01.280 --> 0:01:02.760
<v Speaker 1>Let's get a screen up there. Let's see what we

0:01:02.800 --> 0:01:06.039
<v Speaker 1>can do and all that good kind of stuff. Shout

0:01:06.040 --> 0:01:07.960
<v Speaker 1>out to Joe Woes who would write with us. Remember

0:01:08.000 --> 0:01:09.080
<v Speaker 1>who do who draw for us?

0:01:09.280 --> 0:01:12.000
<v Speaker 3>Yeah, he did a great job and also great I

0:01:12.040 --> 0:01:14.920
<v Speaker 3>think that on our social media there's been some really

0:01:14.959 --> 0:01:19.000
<v Speaker 3>great animations being drawn by our team at iHeart, and

0:01:19.560 --> 0:01:22.160
<v Speaker 3>I wanted to shout out because usually Will does this,

0:01:22.200 --> 0:01:24.040
<v Speaker 3>but I wanted to be the one to do it

0:01:24.160 --> 0:01:28.720
<v Speaker 3>because I'm stepping off for some of this episode. So

0:01:28.800 --> 0:01:32.280
<v Speaker 3>I want to thank CEESD. They're an amazing agency to

0:01:32.840 --> 0:01:36.240
<v Speaker 3>you know, give us this opportunity and paying it forward

0:01:36.280 --> 0:01:39.120
<v Speaker 3>for someone else. I mean, it's just such a wonderful community.

0:01:39.240 --> 0:01:44.480
<v Speaker 3>Thank you CESD. Prime Video obviously your epic and we

0:01:44.520 --> 0:01:47.640
<v Speaker 3>love you very much. Vox Mochina season two. Check it

0:01:47.680 --> 0:01:52.160
<v Speaker 3>out please, not just because Will is in it, yes,

0:01:52.440 --> 0:01:54.960
<v Speaker 3>but because it is amazing and all of our other

0:01:55.040 --> 0:01:58.880
<v Speaker 3>friends at Critical roller on it as well. Of course

0:01:58.880 --> 0:02:02.840
<v Speaker 3>our team at iHeart, whether it was our various producers

0:02:03.760 --> 0:02:07.560
<v Speaker 3>and our editors and our social team, like everyone has

0:02:07.600 --> 0:02:10.920
<v Speaker 3>been so committed to see this through and we are

0:02:11.080 --> 0:02:13.320
<v Speaker 3>very grateful, I know, from the bottom of our heart

0:02:13.400 --> 0:02:15.040
<v Speaker 3>for all that support that you gave Will and me.

0:02:15.840 --> 0:02:20.800
<v Speaker 3>Thank you for letting me come on your network, and

0:02:21.480 --> 0:02:25.000
<v Speaker 3>the contestants have truly truly touched my heart. I see

0:02:25.000 --> 0:02:28.440
<v Speaker 3>them posting like a lot about Hey, you know this

0:02:28.600 --> 0:02:32.440
<v Speaker 3>was me. I've done this contest, I survived this experience,

0:02:32.520 --> 0:02:36.040
<v Speaker 3>and I'm so proud of you guys. You've really almost

0:02:36.320 --> 0:02:40.760
<v Speaker 3>made me fall in love with voice acting on a

0:02:40.800 --> 0:02:44.320
<v Speaker 3>whole other level. And I owe that to you guys,

0:02:44.560 --> 0:02:47.240
<v Speaker 3>with whatever I end up taking forward in my career,

0:02:48.080 --> 0:02:51.919
<v Speaker 3>whether that's you know, maybe someday, someday a reboot of

0:02:52.000 --> 0:02:53.400
<v Speaker 3>something that Will.

0:02:53.240 --> 0:02:54.200
<v Speaker 1>And I were a part of.

0:02:55.680 --> 0:02:59.720
<v Speaker 3>Afraid of Someone, But regardless, whatever it is, it's so

0:03:00.080 --> 0:03:04.320
<v Speaker 3>beautiful to see uh new talent and to be a

0:03:04.360 --> 0:03:06.919
<v Speaker 3>part of that. And also just the fans you guys,

0:03:06.960 --> 0:03:09.960
<v Speaker 3>thank you, thank you for your time, your time. And

0:03:09.960 --> 0:03:12.720
<v Speaker 3>there's so much content out there. You know, you've got

0:03:12.720 --> 0:03:15.600
<v Speaker 3>these amazing pod pod meets World come.

0:03:15.440 --> 0:03:18.400
<v Speaker 1>On down, and you've got all your podcasts, I mean,

0:03:18.440 --> 0:03:20.919
<v Speaker 1>come on, there's too many to mention. I know, I mean,

0:03:21.040 --> 0:03:23.480
<v Speaker 1>Vulnerable and everything. I mean, it's jeez, you your whole

0:03:23.520 --> 0:03:24.800
<v Speaker 1>podco is just killing it.

0:03:24.840 --> 0:03:26.760
<v Speaker 3>Thank you, And so it's just there's a lot of

0:03:26.760 --> 0:03:28.760
<v Speaker 3>content out there, so for you to take the time

0:03:29.120 --> 0:03:31.680
<v Speaker 3>to listen to I hear voices and to make it

0:03:31.720 --> 0:03:34.360
<v Speaker 3>this far. You have a special place in our hearts.

0:03:34.440 --> 0:03:37.480
<v Speaker 3>So make sure you tell us when you when you

0:03:37.520 --> 0:03:39.520
<v Speaker 3>see us, either at a con or something, and we'll

0:03:39.520 --> 0:03:40.760
<v Speaker 3>give you an extra big hug.

0:03:41.280 --> 0:03:43.800
<v Speaker 1>Absolutely, and we are just yet. We're so happy to

0:03:43.840 --> 0:03:45.880
<v Speaker 1>be here and to be able to do this with

0:03:45.880 --> 0:03:49.120
<v Speaker 1>everybody and share it with everybody, and selfishly, this has

0:03:49.160 --> 0:03:51.880
<v Speaker 1>been so much fun for me to just watch the

0:03:51.920 --> 0:03:55.200
<v Speaker 1>contestants week after week. Everybody's so good. It gets harder

0:03:55.240 --> 0:03:59.360
<v Speaker 1>every week. And you know, all of our incredible judges

0:03:59.360 --> 0:04:02.320
<v Speaker 1>that have decaturs oh yeah, that have come on to

0:04:02.400 --> 0:04:05.000
<v Speaker 1>help us out have been absolutely incredible.

0:04:05.600 --> 0:04:08.960
<v Speaker 3>Honestly, it was like Avengers Assemble when it came to

0:04:09.160 --> 0:04:13.640
<v Speaker 3>Will having his friends come. And today will be no

0:04:13.800 --> 0:04:16.560
<v Speaker 3>different with who we have lined up to be our

0:04:16.720 --> 0:04:19.520
<v Speaker 3>final adjudicator team.

0:04:19.680 --> 0:04:21.040
<v Speaker 1>Yeah, we got a team. We're going to have an

0:04:21.040 --> 0:04:25.080
<v Speaker 1>adjudicator team to help us with the finals, which is

0:04:25.120 --> 0:04:26.840
<v Speaker 1>so cool. And of course, as we said, we are

0:04:26.920 --> 0:04:32.160
<v Speaker 1>actually full disclosure recording this intro before the actual contest

0:04:32.240 --> 0:04:34.039
<v Speaker 1>takes place because Christy is not going to be able

0:04:34.040 --> 0:04:36.520
<v Speaker 1>to be with us for the actual show. Itself, but

0:04:36.760 --> 0:04:38.360
<v Speaker 1>there was no way we were going to do this

0:04:39.120 --> 0:04:43.200
<v Speaker 1>without her. We just could not possibly ever make that happen. Well,

0:04:43.320 --> 0:04:44.880
<v Speaker 1>it just wasn't gonna happen. Never, never, never.

0:04:45.080 --> 0:04:49.000
<v Speaker 3>I feel like I intimately know our voices that are

0:04:49.040 --> 0:04:52.760
<v Speaker 3>going head to head today, and both of them are fantastic,

0:04:52.880 --> 0:04:59.320
<v Speaker 3>ye Hannabama and Mia are just the most amazing ladies.

0:04:59.440 --> 0:05:01.600
<v Speaker 3>And I think both of them are going to hit

0:05:01.640 --> 0:05:03.960
<v Speaker 3>it out of the park one way or another. So

0:05:04.000 --> 0:05:08.640
<v Speaker 3>it's going to be a pretty fierce episode. This should

0:05:08.640 --> 0:05:12.000
<v Speaker 3>be really cool. I want you to call me or

0:05:12.080 --> 0:05:14.480
<v Speaker 3>text me or call me, beat me if you want

0:05:14.480 --> 0:05:17.919
<v Speaker 3>to reach me, Well, to let me know who wins, okay,

0:05:18.000 --> 0:05:21.960
<v Speaker 3>because I will definitely reach out to that person. We

0:05:22.000 --> 0:05:24.400
<v Speaker 3>can do something and just like I don't know to

0:05:24.480 --> 0:05:24.840
<v Speaker 3>both of.

0:05:24.800 --> 0:05:27.279
<v Speaker 1>Them really well, don't forget, by the way, that the

0:05:27.320 --> 0:05:29.479
<v Speaker 1>winner is going to not only get to sign with CESD,

0:05:29.680 --> 0:05:31.400
<v Speaker 1>not only get one thousand dollars and flown out to

0:05:31.480 --> 0:05:34.159
<v Speaker 1>LA but we'll be having lunch with us, oh yeah,

0:05:34.400 --> 0:05:36.320
<v Speaker 1>which is awesome. So we'll get a chance to see them.

0:05:36.360 --> 0:05:39.680
<v Speaker 1>And then they go and meet Sam Regal and or

0:05:39.760 --> 0:05:43.760
<v Speaker 1>Mary McGlynn for a directing session which is going to

0:05:43.800 --> 0:05:45.120
<v Speaker 1>be very cool too, so it's going to be a

0:05:45.120 --> 0:05:48.320
<v Speaker 1>ton of fun. But and here's the thing, and this

0:05:48.360 --> 0:05:51.839
<v Speaker 1>is one hundred percent genuine. I have no idea who's

0:05:51.880 --> 0:05:55.000
<v Speaker 1>going to win. I have no idea. I don't know.

0:05:55.200 --> 0:05:59.120
<v Speaker 1>I just don't know. We've got two incredible contestants. Anybody

0:05:59.120 --> 0:06:01.440
<v Speaker 1>could have an amazing day. Anybody could have an off day.

0:06:02.320 --> 0:06:04.919
<v Speaker 1>You know, nerves can get to some people. You never know,

0:06:05.040 --> 0:06:08.760
<v Speaker 1>equipment problems, you just don't know. It is anybody's game,

0:06:09.600 --> 0:06:10.599
<v Speaker 1>and I'm super excited.

0:06:10.600 --> 0:06:13.880
<v Speaker 3>I really am awesome. Well, thank you for you know,

0:06:14.440 --> 0:06:18.000
<v Speaker 3>being my partner in this.

0:06:18.680 --> 0:06:21.120
<v Speaker 1>Yes, partner in crime. You know that forever I got

0:06:21.160 --> 0:06:21.560
<v Speaker 1>your back.

0:06:21.680 --> 0:06:25.000
<v Speaker 3>I love that I've brought you're back too. So let's

0:06:25.120 --> 0:06:29.480
<v Speaker 3>just give it up to this episode. This is Christie's

0:06:29.480 --> 0:06:32.520
<v Speaker 3>signing off, but I leave you in good hands. Friends.

0:06:32.960 --> 0:06:35.599
<v Speaker 1>So there it is. Oh, I'm so sorry Christy's not

0:06:35.640 --> 0:06:39.400
<v Speaker 1>actually here for the actual contest day. She so wanted

0:06:39.440 --> 0:06:40.960
<v Speaker 1>to be. Let me tell you everybody out there, she

0:06:41.120 --> 0:06:42.840
<v Speaker 1>really really wanted to be. But with the way, you know,

0:06:42.920 --> 0:06:46.720
<v Speaker 1>life gets crazy and you can't always control what's going on.

0:06:46.839 --> 0:06:49.440
<v Speaker 1>So that does not change the fact that we are

0:06:49.839 --> 0:06:54.000
<v Speaker 1>here at the finals. We've made it from forty five

0:06:54.120 --> 0:06:57.560
<v Speaker 1>hundred down to two, and of course we need the

0:06:57.600 --> 0:07:02.400
<v Speaker 1>best adjudicate tours. That's a shout out to Christy. The

0:07:02.440 --> 0:07:05.880
<v Speaker 1>best judges we could possibly find for the last episode,

0:07:05.880 --> 0:07:09.039
<v Speaker 1>and we needed more than one. So I'm going to

0:07:09.040 --> 0:07:10.560
<v Speaker 1>introduce these people one at a time and then we'll

0:07:10.560 --> 0:07:13.200
<v Speaker 1>bring them in because it is a big day today.

0:07:13.200 --> 0:07:15.720
<v Speaker 1>But before we get there very quickly, I know Christy

0:07:15.800 --> 0:07:17.960
<v Speaker 1>thanked everybody in the opening, but I want to just

0:07:18.000 --> 0:07:20.720
<v Speaker 1>add my own kudos to everybody who helped us out,

0:07:21.360 --> 0:07:24.960
<v Speaker 1>from our producer Lorrain and our engineer Brian and iHeart

0:07:25.000 --> 0:07:30.720
<v Speaker 1>and CESD Prime Video, everybody Christy mentioned, everybody over there

0:07:30.720 --> 0:07:33.520
<v Speaker 1>a critical role. This has just been an absolute joy

0:07:34.160 --> 0:07:35.720
<v Speaker 1>and so much fun. So this is going to be

0:07:35.760 --> 0:07:38.080
<v Speaker 1>a great day that is going to end with giving

0:07:38.120 --> 0:07:41.520
<v Speaker 1>somebody a start in the entertainment industry in the voiceover world,

0:07:41.560 --> 0:07:43.640
<v Speaker 1>which I could not be more excited about. This is

0:07:43.680 --> 0:07:46.680
<v Speaker 1>really quite awesome and emotional and something that I've wanted

0:07:46.680 --> 0:07:49.440
<v Speaker 1>to do for a very very long time. So that

0:07:49.600 --> 0:07:53.000
<v Speaker 1>being said, before I get too sappy, which is certainly possible,

0:07:53.520 --> 0:07:56.120
<v Speaker 1>I want to introduce our guest judges for the day.

0:07:56.160 --> 0:07:58.400
<v Speaker 1>We heard her last week and we could not not

0:07:58.720 --> 0:08:00.600
<v Speaker 1>to not have a double negative. Wow, that's like three

0:08:00.680 --> 0:08:03.480
<v Speaker 1>knots in a row. Have her back because she is

0:08:03.520 --> 0:08:06.200
<v Speaker 1>so incredible and is going to be helping to once

0:08:06.200 --> 0:08:10.040
<v Speaker 1>again direct our young actors on their journey. Andrea Romano

0:08:10.080 --> 0:08:13.720
<v Speaker 1>will be joining us again today. And also with Andrea Romano,

0:08:13.840 --> 0:08:16.720
<v Speaker 1>we have one of the most celebrated voice over actors,

0:08:16.800 --> 0:08:18.960
<v Speaker 1>friend of the podcast, been here before. One of the

0:08:18.960 --> 0:08:21.600
<v Speaker 1>coolest guys in the world. Rob Paulson is also going

0:08:21.640 --> 0:08:23.760
<v Speaker 1>to be joining us, and we are going to get

0:08:23.800 --> 0:08:28.240
<v Speaker 1>into it because we have Hannabama and Mia from Florida

0:08:28.840 --> 0:08:32.480
<v Speaker 1>coming back together to fight it out. Ooh, it is

0:08:32.520 --> 0:08:35.600
<v Speaker 1>going to be great. I cannot wait. Let's get into it.

0:08:35.720 --> 0:08:38.520
<v Speaker 1>Here we go, everybody who's going to take away the prize?

0:08:39.200 --> 0:08:44.360
<v Speaker 1>Let's find out. Hey kids, Hey, it's just kid today Rob.

0:08:44.640 --> 0:08:47.040
<v Speaker 4>Oh well, okay, hey kit Well you have so many

0:08:47.120 --> 0:08:49.880
<v Speaker 4>personalities as a result of your prodigious talent, so.

0:08:51.320 --> 0:08:55.600
<v Speaker 1>He yeah, day.

0:08:56.520 --> 0:08:58.040
<v Speaker 2>Are you happy to see you both?

0:08:58.440 --> 0:09:00.719
<v Speaker 5>Oh my god, look how beauty before you are.

0:09:00.880 --> 0:09:03.200
<v Speaker 2>Oh my hay to see you.

0:09:03.440 --> 0:09:05.400
<v Speaker 1>Oh Ire. I hate to tell you this, but Rob

0:09:05.520 --> 0:09:08.840
<v Speaker 1>was talking to me. Uh, I'm the beautiful one. Thank you,

0:09:08.920 --> 0:09:14.720
<v Speaker 1>so I just assumed how Yes, Rob Paulson and Andrea Ramano,

0:09:14.880 --> 0:09:17.360
<v Speaker 1>thank you so much both of you for joining us

0:09:17.440 --> 0:09:23.160
<v Speaker 1>on the finals of the Super Awesome Contest to become

0:09:23.400 --> 0:09:24.520
<v Speaker 1>the next Big Voice Actor.

0:09:24.960 --> 0:09:29.200
<v Speaker 6>It's here, huge project you undertook here and I'm delighted

0:09:29.240 --> 0:09:29.960
<v Speaker 6>to be a part of it.

0:09:29.960 --> 0:09:32.280
<v Speaker 2>Thank you for letting me know play at all.

0:09:32.920 --> 0:09:37.040
<v Speaker 5>How are you working on this? Will?

0:09:35.040 --> 0:09:35.199
<v Speaker 6>Uh?

0:09:36.280 --> 0:09:38.600
<v Speaker 5>Do you like what? Six months ago?

0:09:39.080 --> 0:09:41.960
<v Speaker 1>Yeah, it's been it's been a while. So this is

0:09:42.360 --> 0:09:45.160
<v Speaker 1>We went from forty five hundred entries to down to

0:09:45.160 --> 0:09:49.439
<v Speaker 1>today the final two forty five one hundred people.

0:09:49.520 --> 0:09:52.160
<v Speaker 2>Then we auditioned for animaniacs.

0:09:52.960 --> 0:09:55.080
<v Speaker 1>And we listened to all of them. We listened to

0:09:55.200 --> 0:09:58.600
<v Speaker 1>everybody's audition, and we got it down to the final sixteen.

0:09:58.640 --> 0:10:01.960
<v Speaker 1>We've been saying for the beginning, and very quick shout

0:10:02.000 --> 0:10:06.520
<v Speaker 1>outs to Julia from Virginia, Dylan from Louisiana, Hayden from Washington,

0:10:06.679 --> 0:10:10.839
<v Speaker 1>Danielle from Tennessee, Matthew from Delaware, Dowd from Illinois but

0:10:10.880 --> 0:10:15.480
<v Speaker 1>pronounced David, Mike from Florida, Tatiana from California, Adam from Illinois,

0:10:15.800 --> 0:10:18.680
<v Speaker 1>I Lean from North Carolina, all Win from Florida, Paul

0:10:18.679 --> 0:10:22.160
<v Speaker 1>from Pennsylvania, Hailey from Texas, and Austin from Virginia. Our

0:10:22.240 --> 0:10:25.520
<v Speaker 1>final fourteen that did not They made it so far

0:10:25.760 --> 0:10:28.360
<v Speaker 1>from forty five hundred to the final sixteen.

0:10:28.679 --> 0:10:30.760
<v Speaker 2>They should take pride in having.

0:10:30.520 --> 0:10:34.360
<v Speaker 1>Achieved that level, right, they were great, Be proud and

0:10:34.400 --> 0:10:38.880
<v Speaker 1>for Andrea to give you guys kudos, that's a big

0:10:38.960 --> 0:10:42.800
<v Speaker 1>pardon me deal. Oh no, I know, believe me. I

0:10:42.840 --> 0:10:46.000
<v Speaker 1>know this too. And I went to her on bended

0:10:46.040 --> 0:10:48.160
<v Speaker 1>knee and I said, I know you are so enjoying

0:10:48.200 --> 0:10:51.680
<v Speaker 1>your retirement, but would you please come and direct some young.

0:10:51.480 --> 0:10:52.560
<v Speaker 5>Actors get the chance?

0:10:52.960 --> 0:10:55.640
<v Speaker 1>Jumped? She did not even think about it. That's one

0:10:55.640 --> 0:10:57.319
<v Speaker 1>thing I would like to shout out before we get

0:10:57.320 --> 0:10:59.319
<v Speaker 1>into our actual game, and I will explain our game

0:10:59.360 --> 0:11:01.040
<v Speaker 1>to everybody. The the finals are going to be a

0:11:01.040 --> 0:11:04.320
<v Speaker 1>little bit different and a little bit crazy, but the

0:11:04.440 --> 0:11:10.880
<v Speaker 1>voiceover community is one of the most loving, giving, inclusive, talented.

0:11:11.320 --> 0:11:14.319
<v Speaker 1>Mark you picked the superlative and it fits into our

0:11:14.320 --> 0:11:17.720
<v Speaker 1>community and it could not have shown more than with

0:11:18.000 --> 0:11:21.440
<v Speaker 1>this show and this contest. Every person. I don't think

0:11:21.440 --> 0:11:23.920
<v Speaker 1>we got to know there are some people who couldn't

0:11:23.920 --> 0:11:26.800
<v Speaker 1>do it due to scheduling, but nobody said I don't

0:11:26.840 --> 0:11:29.080
<v Speaker 1>want to be involved? What are you doing giving other

0:11:29.120 --> 0:11:32.360
<v Speaker 1>actors a chance? It was all this is amazing, what

0:11:32.400 --> 0:11:35.160
<v Speaker 1>a wonderful idea. How can I help? What do you

0:11:35.200 --> 0:11:39.280
<v Speaker 1>need from me? It is the most wonderful community I've

0:11:39.320 --> 0:11:42.200
<v Speaker 1>ever been associated with, and I'm honored every day to

0:11:42.320 --> 0:11:46.040
<v Speaker 1>even slightly consider myself a voiceover actor because the men

0:11:46.080 --> 0:11:47.600
<v Speaker 1>and women that I work with are so much better

0:11:47.640 --> 0:11:47.880
<v Speaker 1>than me.

0:11:48.360 --> 0:11:51.199
<v Speaker 2>But it's I want to say, credit A lot of

0:11:51.240 --> 0:11:51.800
<v Speaker 2>the reason too.

0:11:51.840 --> 0:11:53.960
<v Speaker 6>You have to credit, and you may not do this,

0:11:54.120 --> 0:11:57.200
<v Speaker 6>but one must credit. Why so many people said yes

0:11:57.360 --> 0:11:58.360
<v Speaker 6>was because of Wilfredell.

0:12:02.320 --> 0:12:03.360
<v Speaker 5>You are a delight.

0:12:03.960 --> 0:12:07.320
<v Speaker 1>It is a wonderful business to be in with incredible people,

0:12:07.360 --> 0:12:09.960
<v Speaker 1>and now we're going to get a new person joining

0:12:10.000 --> 0:12:13.040
<v Speaker 1>our ranks. So the Super Awesome Contest we are down

0:12:13.080 --> 0:12:15.360
<v Speaker 1>to Mia from Florida and Hannah from Alabama, and what

0:12:15.400 --> 0:12:18.080
<v Speaker 1>we're actually going to be doing today is putting it

0:12:18.280 --> 0:12:21.599
<v Speaker 1>all together. So the first round we did was a

0:12:21.679 --> 0:12:25.679
<v Speaker 1>round called by the Numbers, where everybody, by random number pick,

0:12:26.080 --> 0:12:28.839
<v Speaker 1>got to have a character determined for them and then

0:12:28.880 --> 0:12:31.960
<v Speaker 1>read a preset number of lines. The second round we

0:12:32.040 --> 0:12:34.599
<v Speaker 1>did was called Extra Extra read all about it, and

0:12:34.640 --> 0:12:37.680
<v Speaker 1>it was all about adreads. The third round, of course,

0:12:37.679 --> 0:12:41.040
<v Speaker 1>which Andrea helped us direct, was actually called get into

0:12:41.040 --> 0:12:43.360
<v Speaker 1>the booth, and you got in there and recorded an

0:12:43.400 --> 0:12:45.839
<v Speaker 1>actual session the way that we would have done in

0:12:45.880 --> 0:12:49.400
<v Speaker 1>the booth. Now we're going to put them all together.

0:12:49.840 --> 0:12:52.080
<v Speaker 1>So in round one, what we were going to be

0:12:52.120 --> 0:12:55.240
<v Speaker 1>doing is the same way we did last round. We

0:12:55.280 --> 0:12:57.000
<v Speaker 1>are going to be recording. I am going to be

0:12:57.040 --> 0:13:01.000
<v Speaker 1>recording with the contestant, and we are Andrea is going

0:13:01.040 --> 0:13:02.839
<v Speaker 1>to direct us as if we were in a booth.

0:13:02.960 --> 0:13:06.120
<v Speaker 1>After the first round, they have to jump immediately with

0:13:06.320 --> 0:13:10.480
<v Speaker 1>no break into reading the ad read. Then we are

0:13:10.520 --> 0:13:14.800
<v Speaker 1>going to switch characters. The difference this time is before

0:13:15.160 --> 0:13:17.520
<v Speaker 1>they get to read their second character, we will once

0:13:17.559 --> 0:13:20.160
<v Speaker 1>again be playing by the numbers, and Andrea and Rob

0:13:20.200 --> 0:13:23.600
<v Speaker 1>will pick random numbers which will determine how they will

0:13:23.640 --> 0:13:28.120
<v Speaker 1>read the character the second time around. So it's going

0:13:28.200 --> 0:13:30.360
<v Speaker 1>to get crazy. We're putting it all together. We're putting

0:13:30.360 --> 0:13:32.199
<v Speaker 1>them through their paces. Nobody said we were going to

0:13:32.280 --> 0:13:35.839
<v Speaker 1>make this easy, but we are going to pick I'm

0:13:35.880 --> 0:13:39.239
<v Speaker 1>not going to say the best because they're both phenomenal contestants.

0:13:40.080 --> 0:13:42.400
<v Speaker 1>And with that being said, why don't we bring them

0:13:42.440 --> 0:13:45.280
<v Speaker 1>in one at a time, say hello, tell them what

0:13:45.280 --> 0:13:47.120
<v Speaker 1>they're going to be doing, and then we will start

0:13:47.160 --> 0:13:49.640
<v Speaker 1>our fun game. So I think was Mia first? I

0:13:49.679 --> 0:13:57.079
<v Speaker 1>believe Mia was first. Hell and there's Mia. Welcome back, Mia,

0:13:58.200 --> 0:14:01.400
<v Speaker 1>congratulations on making it to the finals. Andrea Ramana will

0:14:01.400 --> 0:14:04.800
<v Speaker 1>once again be directing you and our guest actor judge

0:14:04.800 --> 0:14:08.920
<v Speaker 1>this week is the amazing Redoubtable, which is one of

0:14:08.960 --> 0:14:13.200
<v Speaker 1>my favorite words ever. Rob Paulson, who will be joining

0:14:13.240 --> 0:14:14.200
<v Speaker 1>us to meet you.

0:14:14.320 --> 0:14:18.200
<v Speaker 5>Oh, it's my great pleasure. What a beautiful face you have.

0:14:23.600 --> 0:14:25.160
<v Speaker 5>Don't be such a stick in the mud.

0:14:25.240 --> 0:14:28.480
<v Speaker 1>Sure, well you were first, so we will be back

0:14:28.480 --> 0:14:29.640
<v Speaker 1>to you. But we are just going to come and

0:14:29.640 --> 0:14:31.120
<v Speaker 1>say hello to you. We're now going to say hello

0:14:31.160 --> 0:14:34.120
<v Speaker 1>to your Your fellow contestant is down to the final two,

0:14:34.520 --> 0:14:36.160
<v Speaker 1>so we will see what happens. We will be back

0:14:36.160 --> 0:14:37.480
<v Speaker 1>with you in a second. Mia, Thanks so much. It's

0:14:37.480 --> 0:14:38.200
<v Speaker 1>great seeing you again.

0:14:38.240 --> 0:14:40.640
<v Speaker 5>Oh my goodness, she's precious, isn't she great?

0:14:40.760 --> 0:14:45.480
<v Speaker 1>And as is Hannah from Alabama? Hannahbama, who she's been called?

0:14:45.680 --> 0:14:46.200
<v Speaker 5>There she is?

0:14:46.800 --> 0:14:48.760
<v Speaker 3>Helloabama?

0:14:48.880 --> 0:14:52.240
<v Speaker 1>How are you? I'm doing well? How are y'all doing good?

0:14:52.360 --> 0:14:53.360
<v Speaker 1>How are you feeling today?

0:14:54.280 --> 0:14:54.480
<v Speaker 5>You know?

0:14:54.680 --> 0:14:55.120
<v Speaker 7>I'm here.

0:14:57.720 --> 0:15:01.600
<v Speaker 1>You feeling good, I'm I'm feeling something. I know. That's great.

0:15:01.640 --> 0:15:03.240
<v Speaker 1>Channel the energy, use it right.

0:15:04.200 --> 0:15:06.440
<v Speaker 2>Have fun, have fun, that's the most important.

0:15:06.720 --> 0:15:10.760
<v Speaker 1>Yes, no matter what happens today, you are in the

0:15:10.800 --> 0:15:17.240
<v Speaker 1>final two out of forty five hundred insane. So congratulations.

0:15:17.600 --> 0:15:20.400
<v Speaker 1>Your fellow contestant was here first, so we will be

0:15:20.440 --> 0:15:22.080
<v Speaker 1>starting with them, but we will be back to you

0:15:22.240 --> 0:15:23.960
<v Speaker 1>in a second. You have your script? Do you have everything?

0:15:24.320 --> 0:15:25.120
<v Speaker 8>I have everything?

0:15:25.360 --> 0:15:36.200
<v Speaker 1>All right, we'll see it a bit. Thank you so much. Okay,

0:15:38.960 --> 0:15:43.040
<v Speaker 1>all right, everybody, here we go. It is on the finals.

0:15:43.120 --> 0:15:45.520
<v Speaker 1>After we have been here. Let's bring Mia back in

0:15:46.000 --> 0:15:49.600
<v Speaker 1>and we are going to start with our scene. Here

0:15:49.640 --> 0:15:52.720
<v Speaker 1>we go, Mia, So let me explain a little bit

0:15:52.720 --> 0:15:54.480
<v Speaker 1>about what we're gonna do today. I'm gonna be reading

0:15:54.480 --> 0:15:56.960
<v Speaker 1>with you, and we're gonna do it exactly like we

0:15:57.000 --> 0:15:59.200
<v Speaker 1>did last time. We're gonna read it just like we

0:15:59.280 --> 0:16:01.240
<v Speaker 1>do in the booth. We are not going to be

0:16:01.320 --> 0:16:03.480
<v Speaker 1>reading any of the stage directions. So for everybody listening

0:16:03.520 --> 0:16:05.600
<v Speaker 1>out there, we will of course, as we always have.

0:16:05.800 --> 0:16:08.240
<v Speaker 1>Our amazing producer of the Rain puts up the scripts

0:16:08.240 --> 0:16:11.000
<v Speaker 1>for everybody on Instagram so you can read along and

0:16:11.040 --> 0:16:13.000
<v Speaker 1>find out what's going on, but to just kind of

0:16:13.040 --> 0:16:15.840
<v Speaker 1>give everybody a quick little breakdown so you know what's

0:16:15.880 --> 0:16:17.680
<v Speaker 1>going on. We are going to be starting in a

0:16:17.720 --> 0:16:20.720
<v Speaker 1>candy factory. It is the candy factory at night. We

0:16:20.800 --> 0:16:23.640
<v Speaker 1>push in on a giant barrel that says rejects candy

0:16:23.640 --> 0:16:26.320
<v Speaker 1>for destruction, and two different pieces of candy are going

0:16:26.360 --> 0:16:28.400
<v Speaker 1>to come up and have a little scene and a conversation.

0:16:28.480 --> 0:16:31.520
<v Speaker 1>So other than that, we are not going to give

0:16:31.600 --> 0:16:33.680
<v Speaker 1>any more direction the first time around. Here's the other

0:16:33.720 --> 0:16:35.800
<v Speaker 1>thing that is going to differ from the last time.

0:16:36.520 --> 0:16:40.600
<v Speaker 1>When we are finished with the scene without any break,

0:16:40.760 --> 0:16:42.600
<v Speaker 1>without anything, I mean, you can take a breath, obviously,

0:16:42.640 --> 0:16:45.400
<v Speaker 1>but you are going to go right into the commercial read.

0:16:46.560 --> 0:16:50.400
<v Speaker 1>So you're going to finish your scene and then essentially

0:16:50.480 --> 0:16:52.840
<v Speaker 1>imagine that you are watching a cartoon and we go

0:16:52.920 --> 0:16:55.000
<v Speaker 1>right to a commercial and you are also the voiceover

0:16:55.040 --> 0:16:58.440
<v Speaker 1>actor reading for the commercial. So we won't give you

0:16:58.480 --> 0:17:00.200
<v Speaker 1>We're not gonna give you any notes to start with.

0:17:00.320 --> 0:17:02.720
<v Speaker 1>We are just gonna jump in and go from there.

0:17:03.920 --> 0:17:09.400
<v Speaker 1>You will be playing Sammy and I will be playing Albert. Oh,

0:17:09.440 --> 0:17:12.480
<v Speaker 1>So here we go, Andrea on your cue.

0:17:12.480 --> 0:17:16.040
<v Speaker 6>Please, we are at the top of the script ready

0:17:16.600 --> 0:17:18.080
<v Speaker 6>and we're rolling.

0:17:19.359 --> 0:17:20.240
<v Speaker 1>The coast is clear?

0:17:21.640 --> 0:17:24.359
<v Speaker 9>Keep your voice down? Do you want to get us caught?

0:17:25.160 --> 0:17:29.119
<v Speaker 10>Sorry, yelling is the opposite of keeping your voice down.

0:17:29.520 --> 0:17:32.400
<v Speaker 11>Oh, opposite means chocolate flavored?

0:17:33.119 --> 0:17:34.600
<v Speaker 1>No, it doesn't.

0:17:35.000 --> 0:17:37.800
<v Speaker 9>I've told you that one hundred times, have you.

0:17:38.480 --> 0:17:42.040
<v Speaker 1>I don't remember that? Oh wait, yeah, nope, nope, still

0:17:42.080 --> 0:17:48.200
<v Speaker 1>don't remember. Sorry. Hey, Sammy, why are we escaping again?

0:17:49.119 --> 0:17:52.679
<v Speaker 10>Because for some crazy reason, we are relegated to the

0:17:52.840 --> 0:17:55.280
<v Speaker 10>reject pile and if we don't get out of here,

0:17:55.480 --> 0:17:56.879
<v Speaker 10>they're going to melt us down.

0:17:57.200 --> 0:17:58.560
<v Speaker 1>Oh that sounds bad.

0:17:59.520 --> 0:18:04.320
<v Speaker 11>It's bad, right, Yes, Albert, it's bad.

0:18:04.880 --> 0:18:07.359
<v Speaker 1>Huh. Hey, am I as good an escaper as you?

0:18:08.560 --> 0:18:13.640
<v Speaker 10>Well, seeing as we haven't actually escaped yet, I'm thinking no.

0:18:14.240 --> 0:18:16.399
<v Speaker 1>Oh yeah, I keep forgetting that you have to escape

0:18:16.440 --> 0:18:19.399
<v Speaker 1>first to actually be a good escaper. Am I always

0:18:19.400 --> 0:18:21.480
<v Speaker 1>forgetting stuff like this because my head got smushed.

0:18:22.320 --> 0:18:23.119
<v Speaker 7>Hm.

0:18:23.160 --> 0:18:25.679
<v Speaker 9>I'm guessing that's only a small part of it.

0:18:26.520 --> 0:18:28.680
<v Speaker 1>Now, why are you in the bad bind, Sammy? You're

0:18:28.720 --> 0:18:29.760
<v Speaker 1>so pretty?

0:18:30.359 --> 0:18:31.640
<v Speaker 9>H I am Albert.

0:18:32.240 --> 0:18:35.160
<v Speaker 10>I am the prettiest fish that this factory has ever made,

0:18:35.560 --> 0:18:36.520
<v Speaker 10>the prettiest.

0:18:36.080 --> 0:18:37.880
<v Speaker 9>Fish that has ever been made.

0:18:38.800 --> 0:18:41.399
<v Speaker 10>But none of that matters. When the world you were

0:18:41.440 --> 0:18:42.920
<v Speaker 10>caught Pardon.

0:18:44.840 --> 0:18:45.640
<v Speaker 9>I am Albert.

0:18:46.200 --> 0:18:49.080
<v Speaker 10>I am the prettiest fish that this factory has ever made,

0:18:49.359 --> 0:18:52.920
<v Speaker 10>the prettiest fish that has ever been made. But none

0:18:52.960 --> 0:18:54.760
<v Speaker 10>of that matters when the world you were brought into

0:18:55.119 --> 0:18:58.520
<v Speaker 10>is a cesspool of awfulness, covered and even more awfulness,

0:18:58.520 --> 0:19:01.400
<v Speaker 10>and then dipped and nuts that have been sprayed with.

0:19:02.280 --> 0:19:05.920
<v Speaker 9>Spread girls, no more awfulness?

0:19:06.600 --> 0:19:07.880
<v Speaker 1>Well, then, why are you in the bin?

0:19:08.880 --> 0:19:11.919
<v Speaker 10>I ever heard some of the workers talking. Apparently something

0:19:11.920 --> 0:19:17.400
<v Speaker 10>went wrong with my recipe. Oh no, yeah, I'm two

0:19:17.440 --> 0:19:19.760
<v Speaker 10>sour stupid jerks.

0:19:20.280 --> 0:19:25.439
<v Speaker 1>I don't think that's true. Sammy, you're a little sour.

0:19:26.160 --> 0:19:27.560
<v Speaker 7>It's because of this place.

0:19:28.200 --> 0:19:30.200
<v Speaker 10>You Just wait until I get out of here. I'm

0:19:30.240 --> 0:19:32.200
<v Speaker 10>gonna be the sweetest fish that you've ever met.

0:19:32.440 --> 0:19:33.840
<v Speaker 1>Why would you be sweetish?

0:19:34.359 --> 0:19:35.840
<v Speaker 11>Sweetest fist?

0:19:36.080 --> 0:19:39.359
<v Speaker 9>Not sweetish? Are you trying to get us sued?

0:19:39.720 --> 0:19:42.919
<v Speaker 1>Oh? Sorry? So well, what do we do next?

0:19:43.880 --> 0:19:46.840
<v Speaker 10>First we have to get down from this bin. Next

0:19:46.880 --> 0:19:49.520
<v Speaker 10>we have to make it across the factory floor. Then

0:19:49.560 --> 0:19:52.200
<v Speaker 10>we have to open that big door by dead loading dock,

0:19:52.480 --> 0:19:54.560
<v Speaker 10>and lastly we have to make our way to the city,

0:19:54.760 --> 0:19:57.120
<v Speaker 10>where we'll find jobs and a studio apartment.

0:19:57.720 --> 0:20:00.680
<v Speaker 9>I'm Okay, if the closet is not big, but I'm

0:20:00.680 --> 0:20:01.880
<v Speaker 9>going to have to insist on a.

0:20:01.880 --> 0:20:04.359
<v Speaker 7>Washer and dryer. That's got to be a deal breaker.

0:20:04.119 --> 0:20:07.800
<v Speaker 1>For me, right right, So first we have to get

0:20:07.840 --> 0:20:08.640
<v Speaker 1>past that big dog.

0:20:09.480 --> 0:20:12.000
<v Speaker 9>No, at first we have to go were you even listening?

0:20:12.440 --> 0:20:14.320
<v Speaker 1>Nah, I was looking at the really big dog.

0:20:14.920 --> 0:20:15.440
<v Speaker 7>The why.

0:20:19.960 --> 0:20:21.760
<v Speaker 10>Just because I have a small apartment, that doesn't mean

0:20:21.760 --> 0:20:24.040
<v Speaker 10>that I have a small apetside. And just because my

0:20:24.080 --> 0:20:27.160
<v Speaker 10>building frowns on indoor open flames are dangerous levels.

0:20:26.920 --> 0:20:28.880
<v Speaker 9>Of carbon monoxide, that doesn't mean that.

0:20:28.840 --> 0:20:33.040
<v Speaker 10>I don't need to occasionally throw down some meat and grill, grill, grill. Well,

0:20:33.200 --> 0:20:36.359
<v Speaker 10>with Blover's new indoor smokeless grill, I can live like

0:20:36.400 --> 0:20:39.320
<v Speaker 10>a carnivore and not worry about turning the place down

0:20:39.520 --> 0:20:42.159
<v Speaker 10>or killing my neighbors with dangerous poisonous gas.

0:20:42.200 --> 0:20:43.600
<v Speaker 5>You know, using.

0:20:43.359 --> 0:20:46.840
<v Speaker 10>Patented fire stuff technology, Blover has taken all of the

0:20:46.840 --> 0:20:48.639
<v Speaker 10>heat and smoke of a real fire and made it

0:20:48.720 --> 0:20:51.440
<v Speaker 10>relatively safe for indoor use. Now I can cook my

0:20:51.480 --> 0:20:53.119
<v Speaker 10>meat by my bed, and the only thing I'll have

0:20:53.119 --> 0:20:53.680
<v Speaker 10>to worry.

0:20:53.480 --> 0:20:55.840
<v Speaker 9>About is my alarmingly high chlysterol level.

0:20:56.359 --> 0:21:00.560
<v Speaker 10>Blover's indoor smokeless grills be a hunter again. Levisers are

0:21:00.560 --> 0:21:02.480
<v Speaker 10>not non certified for use in apartment buildings or of dooors,

0:21:02.720 --> 0:21:05.159
<v Speaker 10>not suitable for most meats, vegetables or some Jesus late

0:21:05.240 --> 0:21:18.720
<v Speaker 10>Lela and California or in Mexico.

0:21:18.880 --> 0:21:21.720
<v Speaker 1>I'm going to throw it to our expert panel. Any

0:21:21.800 --> 0:21:24.160
<v Speaker 1>notes that we can think about for the next time

0:21:24.160 --> 0:21:24.720
<v Speaker 1>we come around.

0:21:25.000 --> 0:21:26.639
<v Speaker 2>I do have a few, and then Rob, if you

0:21:26.680 --> 0:21:29.240
<v Speaker 2>have some thoughts. I loved that man. First, thank you,

0:21:29.280 --> 0:21:31.200
<v Speaker 2>really really good, Mia, really good.

0:21:31.640 --> 0:21:35.320
<v Speaker 6>I love the fact that you used your sweet voice,

0:21:35.359 --> 0:21:39.760
<v Speaker 6>your youthful, young, cutesy cartoony if you will voice for

0:21:39.840 --> 0:21:43.040
<v Speaker 6>this character. They talk about it as you're reading the stage,

0:21:43.040 --> 0:21:47.320
<v Speaker 6>Rex and stuff, sour, sour, sour, and she scowls and stuff.

0:21:47.560 --> 0:21:50.960
<v Speaker 2>I'm wondering if we can't find a way to keep

0:21:51.000 --> 0:21:56.080
<v Speaker 2>that sweet voice but make her somewhat meaner. Do you

0:21:56.119 --> 0:21:58.200
<v Speaker 2>know what I mean? Fight that sweet.

0:21:57.960 --> 0:22:00.320
<v Speaker 6>Voice and make her She is sour, she is bitter,

0:22:00.440 --> 0:22:03.720
<v Speaker 6>she is cranky, and so it seems to be almost

0:22:03.800 --> 0:22:06.679
<v Speaker 6>at the very beginning, and again, well, really funny copy,

0:22:06.800 --> 0:22:10.280
<v Speaker 6>Oh thank you so so he's going to give you

0:22:10.320 --> 0:22:13.239
<v Speaker 6>a nice, big entrance, right the coast is clear, you say,

0:22:13.280 --> 0:22:15.199
<v Speaker 6>she keep your voice down, and then he then what

0:22:15.240 --> 0:22:16.520
<v Speaker 6>does he do the opposite?

0:22:16.960 --> 0:22:19.960
<v Speaker 2>Sorry? And then I would love to see you.

0:22:20.040 --> 0:22:21.480
<v Speaker 6>Use that next fight, which I'll call a line for

0:22:21.680 --> 0:22:24.720
<v Speaker 6>yelling is the opposite of keeping your voice down, a

0:22:24.800 --> 0:22:28.000
<v Speaker 6>much more forced whisper, so it is still a whisper,

0:22:28.040 --> 0:22:30.000
<v Speaker 6>but it's loud and it's angry.

0:22:30.200 --> 0:22:31.960
<v Speaker 2>So you guys, can we just run those first four

0:22:32.000 --> 0:22:34.040
<v Speaker 2>lines again? But I really, do you understand?

0:22:34.080 --> 0:22:36.040
<v Speaker 6>That knows me to understand what I'm happening right now,

0:22:36.160 --> 0:22:38.720
<v Speaker 6>Let's just try it with that little bit right ready,

0:22:39.000 --> 0:22:42.280
<v Speaker 6>when you're ready, we're rolling the coast.

0:22:42.000 --> 0:22:46.399
<v Speaker 10>Is clear, Keep your voice down? Do you want to

0:22:46.400 --> 0:22:47.000
<v Speaker 10>get us caught?

0:22:47.800 --> 0:22:48.320
<v Speaker 1>All right?

0:22:49.200 --> 0:22:51.840
<v Speaker 9>Chilling is the opposite of keeping your voice down.

0:22:52.240 --> 0:22:52.639
<v Speaker 2>That's it.

0:22:52.840 --> 0:22:54.640
<v Speaker 6>That's exactly what I was talking about as a much

0:22:54.640 --> 0:22:56.840
<v Speaker 6>better entrance. That sets the scene so much better.

0:22:56.920 --> 0:22:59.520
<v Speaker 2>Thank you. And then I had one other note.

0:22:59.560 --> 0:23:01.960
<v Speaker 6>I want to go over to page two, the big

0:23:02.000 --> 0:23:05.560
<v Speaker 6>speech at the I am Albert, the pretty I am Albert.

0:23:05.760 --> 0:23:07.720
<v Speaker 6>I'm the prettiest fision of this factory it's ever made,

0:23:07.760 --> 0:23:10.639
<v Speaker 6>And there I want to play with that anger, bitter

0:23:11.160 --> 0:23:12.359
<v Speaker 6>sourness as well.

0:23:12.880 --> 0:23:14.920
<v Speaker 2>Just a nice big block for you to play with me.

0:23:15.080 --> 0:23:16.760
<v Speaker 6>Just give you a pick up there at I called

0:23:16.760 --> 0:23:18.640
<v Speaker 6>it line eighteen to have a number four for whatever

0:23:18.680 --> 0:23:19.240
<v Speaker 6>you're ready?

0:23:19.600 --> 0:23:21.760
<v Speaker 9>Yeah, Can I ask a question about it real quick?

0:23:21.880 --> 0:23:22.240
<v Speaker 1>Of course?

0:23:22.680 --> 0:23:23.000
<v Speaker 8>Awesome?

0:23:23.040 --> 0:23:25.119
<v Speaker 10>Okay, So do you want me to like, you know,

0:23:25.320 --> 0:23:27.120
<v Speaker 10>like start off kind of full of herself and then

0:23:27.160 --> 0:23:29.480
<v Speaker 10>like get more like cranky as she goes down, or

0:23:29.520 --> 0:23:30.639
<v Speaker 10>like what like you know, I'll.

0:23:30.480 --> 0:23:31.960
<v Speaker 2>Tell you what I want to do. Rob.

0:23:32.000 --> 0:23:35.920
<v Speaker 1>I want you to Rob, excuse me, I've already been recast.

0:23:38.480 --> 0:23:42.040
<v Speaker 2>I want you to read her in with line nub.

0:23:42.119 --> 0:23:43.399
<v Speaker 2>Why are you in the bin? Why are you in

0:23:43.400 --> 0:23:44.600
<v Speaker 2>the bin? Sammy? You're so pretty?

0:23:44.840 --> 0:23:47.080
<v Speaker 6>And I want you to respond. So he's going to

0:23:47.160 --> 0:23:48.680
<v Speaker 6>read you in three times each time. I want you

0:23:48.680 --> 0:23:52.200
<v Speaker 6>to respond with just I am Albert, three different ways.

0:23:52.359 --> 0:23:55.760
<v Speaker 2>Okay, keeping that note in mind, But dude, maybe you want.

0:23:55.720 --> 0:23:58.720
<v Speaker 6>To start small, bitter, big, bigger, bitterer, larger bit with

0:23:58.800 --> 0:24:01.280
<v Speaker 6>three different, completely different versions, and then we'll make a

0:24:01.280 --> 0:24:02.719
<v Speaker 6>decision as to how to do the rest of it.

0:24:02.880 --> 0:24:05.960
<v Speaker 2>Okay, and we'll read you in when you're ready.

0:24:06.240 --> 0:24:09.919
<v Speaker 1>Why are you in the bad bind? Sammy? You're so pretty?

0:24:10.359 --> 0:24:15.080
<v Speaker 9>I am Albert. I am Albert, I am Albert.

0:24:15.960 --> 0:24:19.119
<v Speaker 2>Okay, all those were kind of sweet. I want to get,

0:24:20.800 --> 0:24:21.879
<v Speaker 2>you know, a little bit more of that.

0:24:22.520 --> 0:24:25.520
<v Speaker 6>I'm so angry about this as your subtext, okay, and

0:24:25.560 --> 0:24:27.440
<v Speaker 6>I want him to read you in all three times,

0:24:27.440 --> 0:24:28.920
<v Speaker 6>so I want him to read it, and you're.

0:24:28.840 --> 0:24:31.720
<v Speaker 2>Gonna read it. He's gonna read it again.

0:24:33.280 --> 0:24:36.200
<v Speaker 1>Why are you in the bad bind? Sammy? You're so pretty?

0:24:37.720 --> 0:24:38.840
<v Speaker 7>I am Albert.

0:24:39.760 --> 0:24:41.720
<v Speaker 1>Why are you in the bad bin? Then, Sammy? I mean,

0:24:41.760 --> 0:24:42.959
<v Speaker 1>you're so pretty.

0:24:43.520 --> 0:24:45.080
<v Speaker 9>I am Albert.

0:24:45.840 --> 0:24:48.719
<v Speaker 1>Why are you in the bad bind? Sammy? You're so pretty?

0:24:50.160 --> 0:24:52.080
<v Speaker 7>I am Albert.

0:24:53.840 --> 0:24:54.560
<v Speaker 5>Very nice?

0:24:54.840 --> 0:24:58.280
<v Speaker 6>All three valid versions of how to start that, So

0:24:58.680 --> 0:25:01.760
<v Speaker 6>now use that last word I am, But it's almost

0:25:01.760 --> 0:25:02.639
<v Speaker 6>a clenched.

0:25:02.320 --> 0:25:04.240
<v Speaker 10>Jaw kind of like I was getting, like kind of

0:25:04.280 --> 0:25:07.760
<v Speaker 10>like depresso, like, oh, you're right, God, I don't.

0:25:07.560 --> 0:25:10.879
<v Speaker 2>Know, well, I kind of like the deep angry, like

0:25:10.960 --> 0:25:11.720
<v Speaker 2>I'm so angry.

0:25:11.760 --> 0:25:13.280
<v Speaker 6>I'm trying not to yell at you because it's not

0:25:13.320 --> 0:25:14.280
<v Speaker 6>really your fault, but I'm sorry.

0:25:14.400 --> 0:25:15.200
<v Speaker 2>I don't belong here.

0:25:15.440 --> 0:25:17.000
<v Speaker 6>So and what I want to do is some kind

0:25:17.040 --> 0:25:20.640
<v Speaker 6>of build that happens in the script. Okay, right, run

0:25:20.640 --> 0:25:23.080
<v Speaker 6>that little section again, just from and I'll read one

0:25:23.080 --> 0:25:24.080
<v Speaker 6>more time, will if you will get it?

0:25:24.359 --> 0:25:25.320
<v Speaker 2>Run the whole one.

0:25:25.520 --> 0:25:29.080
<v Speaker 1>Okay, why are you in the bad band, Sammy? You're

0:25:29.160 --> 0:25:30.560
<v Speaker 1>so pretty?

0:25:31.160 --> 0:25:32.520
<v Speaker 7>I am Albert.

0:25:33.280 --> 0:25:37.000
<v Speaker 10>I am the prettiest fish that this factory has ever made,

0:25:37.359 --> 0:25:41.080
<v Speaker 10>the prettiest fish that has ever been made. But none

0:25:41.119 --> 0:25:43.600
<v Speaker 10>of that matters when the world you were brought into

0:25:43.800 --> 0:25:47.919
<v Speaker 10>is a cesspool of awfulness, covered and even more awfulness.

0:25:47.440 --> 0:25:49.880
<v Speaker 9>And then tipped and nuts that have been sprayed with.

0:25:52.240 --> 0:25:52.680
<v Speaker 5>Very good.

0:25:54.240 --> 0:25:57.760
<v Speaker 2>That was very good. That was much more interesting. Do

0:25:57.800 --> 0:25:58.560
<v Speaker 2>you see what I'm saying?

0:25:58.800 --> 0:25:58.960
<v Speaker 5>Yes?

0:25:59.280 --> 0:26:00.600
<v Speaker 9>I loved it so much more.

0:26:00.640 --> 0:26:02.520
<v Speaker 2>Thank you, my pleasure entirely.

0:26:03.119 --> 0:26:05.240
<v Speaker 6>Beck All, I have I want to talk about the

0:26:05.240 --> 0:26:08.000
<v Speaker 6>commercial separately if I may, Yes, so, Rob, do you

0:26:08.080 --> 0:26:09.879
<v Speaker 6>have notes for her for the body of the speech?

0:26:10.320 --> 0:26:12.800
<v Speaker 5>No, I just have some stuff about the commercial.

0:26:12.840 --> 0:26:16.439
<v Speaker 2>And okay, you know, why don't you take the commercial up?

0:26:17.640 --> 0:26:21.920
<v Speaker 5>Really lovely, Mia, really on the commercial.

0:26:22.320 --> 0:26:26.120
<v Speaker 4>I would love to hear you do it, just as

0:26:27.040 --> 0:26:29.480
<v Speaker 4>just as though you were talking about ozempic like my've

0:26:29.520 --> 0:26:33.159
<v Speaker 4>really lowered my A one C. And the copy obviously

0:26:33.400 --> 0:26:36.000
<v Speaker 4>is written in such a way that it draws attention

0:26:36.040 --> 0:26:37.720
<v Speaker 4>to himself because it's all absurd.

0:26:38.280 --> 0:26:41.840
<v Speaker 5>So I would like to have you read it in

0:26:41.960 --> 0:26:43.919
<v Speaker 5>a very matter.

0:26:43.640 --> 0:26:48.600
<v Speaker 4>Of fact way with absolutely belief in what you're saying.

0:26:48.760 --> 0:26:51.280
<v Speaker 4>Don't play the comedy of the words. They're funny the

0:26:51.280 --> 0:26:53.800
<v Speaker 4>way they're written, and they're absurd, all right, or just

0:26:53.840 --> 0:26:54.199
<v Speaker 4>try that.

0:26:54.680 --> 0:26:55.200
<v Speaker 7>Okay.

0:26:55.240 --> 0:26:57.080
<v Speaker 10>Just because I have a small apartment, that doesn't mean

0:26:57.080 --> 0:26:59.359
<v Speaker 10>that I have a small appetite. And just because my

0:26:59.400 --> 0:27:03.440
<v Speaker 10>building on indoor open flames or dangerous levels of carbon monoxide,

0:27:03.600 --> 0:27:05.560
<v Speaker 10>that doesn't mean that I don't need to occasionally throw

0:27:05.600 --> 0:27:09.399
<v Speaker 10>down some meat and grill, grill, grill well with bluff,

0:27:09.720 --> 0:27:14.000
<v Speaker 10>pardon well. With Blover's new indoor smokeless Grail, I can

0:27:14.520 --> 0:27:17.040
<v Speaker 10>live like a carnivore and not worry about burning the

0:27:17.080 --> 0:27:19.720
<v Speaker 10>place down or killing my neighbors with dangerous poison gas.

0:27:20.200 --> 0:27:24.280
<v Speaker 10>Using potential fire stuff technology, Blover's has taken all of

0:27:24.320 --> 0:27:26.240
<v Speaker 10>the heat and smoke of a real fire and made

0:27:26.240 --> 0:27:29.000
<v Speaker 10>it relatively safe for indoor use. Now I can cook

0:27:29.000 --> 0:27:30.760
<v Speaker 10>my meat by my bed, and the only thing I'll

0:27:30.800 --> 0:27:33.440
<v Speaker 10>have to worry about is my alarmingly high cholesterol level.

0:27:33.840 --> 0:27:37.760
<v Speaker 10>Blover's indoor Smokeless Girls be a hunter again. Blover's Girls

0:27:37.800 --> 0:27:39.760
<v Speaker 10>are not certified for use in most apartment buildings or

0:27:39.760 --> 0:27:43.240
<v Speaker 10>outdoors not suitable for meats. Vegetables or some cheeses not

0:27:43.280 --> 0:27:46.959
<v Speaker 10>egal in California or New Mexico.

0:27:47.320 --> 0:27:51.560
<v Speaker 4>Blowing through the legal copy is exactly don't be afraid

0:27:51.560 --> 0:27:53.800
<v Speaker 4>to take some chances, conversational and colloquial.

0:27:53.880 --> 0:27:56.720
<v Speaker 10>Try to Okay, Hey, just because I have a small apartment,

0:27:56.880 --> 0:27:58.919
<v Speaker 10>that doesn't mean that I have a small appetite. And

0:27:59.040 --> 0:28:01.600
<v Speaker 10>just because my building frowns on indoor open flames or

0:28:01.640 --> 0:28:04.320
<v Speaker 10>dangerous levels of carbon monoxide, that doesn't mean that I

0:28:04.359 --> 0:28:06.680
<v Speaker 10>don't need to occasionally throw down some meat and grill.

0:28:06.760 --> 0:28:07.359
<v Speaker 7>Grill, grill.

0:28:07.960 --> 0:28:08.280
<v Speaker 8>Well.

0:28:08.400 --> 0:28:11.320
<v Speaker 10>With Blover's new indoor smokeless grill, I can live like

0:28:11.359 --> 0:28:14.399
<v Speaker 10>a carnivore, not worry about burning the blaze down or

0:28:14.480 --> 0:28:17.200
<v Speaker 10>killing my neighbors with dangerous poisonous gas.

0:28:18.800 --> 0:28:21.480
<v Speaker 7>Using patented fire stuff technology.

0:28:21.119 --> 0:28:23.080
<v Speaker 10>Bliver's has taken all of the heat and smoke of

0:28:23.119 --> 0:28:25.680
<v Speaker 10>a real fire and made it relatively safe for indoor use.

0:28:26.119 --> 0:28:28.159
<v Speaker 10>Now I can cook my meat by my bed, and

0:28:28.200 --> 0:28:29.920
<v Speaker 10>the only thing I'll have to worry about is.

0:28:29.840 --> 0:28:34.080
<v Speaker 9>My alarmly hay cholesterol level. Blover's indoor smokeless grills be

0:28:34.119 --> 0:28:34.840
<v Speaker 9>a hunter.

0:28:34.720 --> 0:28:37.679
<v Speaker 4>Again when you go to Blover's has taken all of

0:28:37.680 --> 0:28:40.040
<v Speaker 4>the heat and smoke of real fire and made it

0:28:40.080 --> 0:28:44.239
<v Speaker 4>give yourself a beat before, relatively safe and made it,

0:28:45.280 --> 0:28:48.320
<v Speaker 4>you know, however you would like to however you would

0:28:48.360 --> 0:28:50.960
<v Speaker 4>like to use. You are aware, You're not stupid, You're

0:28:51.000 --> 0:28:55.320
<v Speaker 4>aware that it is it is lethal. But and so

0:28:55.440 --> 0:28:59.000
<v Speaker 4>instead of saying kind of lethal, you're saying it's relatively safe.

0:28:59.000 --> 0:28:59.520
<v Speaker 5>You know what I mean?

0:29:00.120 --> 0:29:03.680
<v Speaker 4>Up if you would from just going from using patented

0:29:03.720 --> 0:29:06.760
<v Speaker 4>fire stuff through for indoor use.

0:29:07.040 --> 0:29:10.360
<v Speaker 10>Using patented fire stuff technology, Blommers has taken all of

0:29:10.360 --> 0:29:12.440
<v Speaker 10>the heat and smoke of real fire and made it

0:29:13.360 --> 0:29:14.960
<v Speaker 10>relatively say for indoor use.

0:29:16.160 --> 0:29:23.680
<v Speaker 8>Great, great, ron Mia, Thank you of your small.

0:29:25.960 --> 0:29:30.080
<v Speaker 4>Yeah, leave some for the other girls.

0:29:30.080 --> 0:29:32.480
<v Speaker 1>Thank you. We will be right back with you.

0:29:33.360 --> 0:29:34.040
<v Speaker 2>Well done.

0:29:34.920 --> 0:29:37.640
<v Speaker 1>If we're being uh, you know, we've got to start

0:29:37.720 --> 0:29:41.280
<v Speaker 1>nitpicking is the problem. Her her v O work, her

0:29:41.720 --> 0:29:44.440
<v Speaker 1>animation work is better so far than her ad reads.

0:29:44.720 --> 0:29:46.840
<v Speaker 1>And it's also, I mean's exactly what you were showing.

0:29:46.880 --> 0:29:48.720
<v Speaker 1>What we're both showing is one of the things that

0:29:48.720 --> 0:29:51.080
<v Speaker 1>we're looking for. We've said, as somebody who they're going

0:29:51.160 --> 0:29:52.920
<v Speaker 1>to win today, they could be in the booth tomorrow.

0:29:52.960 --> 0:29:54.120
<v Speaker 1>And one of the things you have to do when

0:29:54.120 --> 0:29:56.520
<v Speaker 1>you get ad copy or script is find those moments.

0:29:56.560 --> 0:29:59.520
<v Speaker 1>You have to find those beats, and there's not always

0:29:59.520 --> 0:30:01.720
<v Speaker 1>going to be a great director or a great actor

0:30:01.760 --> 0:30:03.800
<v Speaker 1>there that's going to point them out to you. So

0:30:03.840 --> 0:30:06.000
<v Speaker 1>that's another thing we're looking for as somebody who's taking

0:30:06.000 --> 0:30:09.240
<v Speaker 1>those moments and finding those beats and yeah, and taking

0:30:09.280 --> 0:30:11.800
<v Speaker 1>the direction. So well, let's with that said, let's go

0:30:11.840 --> 0:30:16.720
<v Speaker 1>see what Hanna Obama, Haskay, Hey Hannah, Hello, how are you?

0:30:17.600 --> 0:30:22.040
<v Speaker 1>I'm here? All right, So what we're going to be

0:30:22.080 --> 0:30:26.360
<v Speaker 1>doing is the first go around, we are not going

0:30:26.440 --> 0:30:27.920
<v Speaker 1>to say anything. We're just going to let you go

0:30:27.960 --> 0:30:31.440
<v Speaker 1>through the script. I'm going to be playing Albert, you're

0:30:31.440 --> 0:30:34.480
<v Speaker 1>going to be playing Sammy, and there's going to be

0:30:34.640 --> 0:30:36.640
<v Speaker 1>no The one difference here is there's going to be

0:30:36.720 --> 0:30:40.200
<v Speaker 1>no break between the two. So you're going to get through.

0:30:40.720 --> 0:30:42.800
<v Speaker 1>We're going to get through the scene and you can

0:30:42.840 --> 0:30:44.280
<v Speaker 1>take a breath, and then you're going to go right

0:30:44.320 --> 0:30:46.400
<v Speaker 1>into the ad read. So it's like you're reading the

0:30:46.440 --> 0:30:51.480
<v Speaker 1>copy for your own own television show, if that's cool.

0:30:51.560 --> 0:30:53.560
<v Speaker 1>And we won't be reading like last time, we won't

0:30:53.560 --> 0:30:55.200
<v Speaker 1>be reading any of the stage direction. We're going to

0:30:55.280 --> 0:30:57.120
<v Speaker 1>do it straight up like an old radio play, like

0:30:57.160 --> 0:30:59.640
<v Speaker 1>we would be recording in a booth. Perfect you good?

0:31:00.120 --> 0:31:03.520
<v Speaker 1>I'm good? All right? So here we go, Andrea, if

0:31:03.520 --> 0:31:06.320
<v Speaker 1>you would get us started, We're going to start at.

0:31:06.200 --> 0:31:09.080
<v Speaker 2>Line one with Albert. When you're ready, we are rolling.

0:31:11.000 --> 0:31:11.880
<v Speaker 1>The coast is clear.

0:31:14.360 --> 0:31:15.880
<v Speaker 7>Do you want us to get caught?

0:31:17.240 --> 0:31:17.640
<v Speaker 1>Sorry?

0:31:18.520 --> 0:31:21.200
<v Speaker 7>Oh, yelling is the opposite giving your voice down?

0:31:22.360 --> 0:31:24.200
<v Speaker 11>Opposite means chocolate flavored.

0:31:24.840 --> 0:31:27.600
<v Speaker 7>Oh no it doesn't. I've told you that one hundred.

0:31:27.360 --> 0:31:31.320
<v Speaker 1>Times, have you. I don't remember that? Oh wait, nope,

0:31:31.520 --> 0:31:38.080
<v Speaker 1>still don't remember. Uh, I'm sorry, Sammy. Why are we

0:31:38.240 --> 0:31:39.000
<v Speaker 1>escaping again?

0:31:40.360 --> 0:31:43.800
<v Speaker 7>Because for some crazy reason you were relegated to the

0:31:43.960 --> 0:31:47.280
<v Speaker 7>reject pile. And if we don't get out of if

0:31:47.280 --> 0:31:50.719
<v Speaker 7>you're going to melt us down, that sounds bad.

0:31:51.120 --> 0:31:55.840
<v Speaker 11>It's bad, right, yes, Albert, it's bad.

0:31:57.040 --> 0:31:58.440
<v Speaker 1>Am I as good an escaping as.

0:31:58.400 --> 0:32:02.800
<v Speaker 7>You, well, seeing as we actually haven't escaped yet.

0:32:03.400 --> 0:32:07.920
<v Speaker 1>Thinking no, oh yeah, I keep forgetting that you have

0:32:07.920 --> 0:32:10.560
<v Speaker 1>to escape first to actually be a good escaper. Am I

0:32:10.640 --> 0:32:13.160
<v Speaker 1>always forgetting stuff like this because my head got smushed.

0:32:13.840 --> 0:32:15.520
<v Speaker 7>I'm guessing that's only a small part of it.

0:32:16.440 --> 0:32:18.400
<v Speaker 1>Why are you in the bad bin, Sammy? I mean

0:32:18.400 --> 0:32:19.280
<v Speaker 1>you're so pretty?

0:32:20.640 --> 0:32:24.400
<v Speaker 7>Oh I am Albert? I am the prettiest fish that

0:32:24.480 --> 0:32:28.280
<v Speaker 7>this factory isn't made, the prettiest fish that has ever

0:32:28.720 --> 0:32:32.080
<v Speaker 7>been made. But none of that matters. When the world

0:32:32.080 --> 0:32:34.920
<v Speaker 7>you were brought into was a souciable of awfulness. We

0:32:35.120 --> 0:32:39.040
<v Speaker 7>heard to need more awfulness. The dicked to nonsense frayed

0:32:39.080 --> 0:32:42.560
<v Speaker 7>with spreak offulness.

0:32:43.560 --> 0:32:45.440
<v Speaker 1>Huh, well, then why are you in the bin?

0:32:47.560 --> 0:32:52.160
<v Speaker 7>I overheard some workers talking, apparently something wrong with my recipe.

0:32:52.240 --> 0:32:59.280
<v Speaker 7>Oh no, yeah, I'm two sour stupid jerks.

0:32:59.560 --> 0:33:06.240
<v Speaker 1>I'm don't think that's true. Sammy, you're a little tower best.

0:33:06.320 --> 0:33:09.520
<v Speaker 7>Please you just wait till I get out of here.

0:33:09.960 --> 0:33:12.160
<v Speaker 7>I'm going to be the sweetest fitch you've ever met.

0:33:12.640 --> 0:33:14.160
<v Speaker 1>Why would you be Swedish?

0:33:15.480 --> 0:33:15.680
<v Speaker 6>Yeah?

0:33:16.400 --> 0:33:20.360
<v Speaker 7>Sweet test fish, not sweetish? Are you trying to get

0:33:20.400 --> 0:33:20.760
<v Speaker 7>a sued?

0:33:21.480 --> 0:33:22.800
<v Speaker 1>Okay, so what do we do next?

0:33:23.720 --> 0:33:26.560
<v Speaker 7>Okay, first we have to get down from the spin.

0:33:27.000 --> 0:33:29.160
<v Speaker 7>Next we have to make it across the factory floor.

0:33:29.480 --> 0:33:31.280
<v Speaker 7>Then we have to open the big door by the

0:33:31.320 --> 0:33:31.840
<v Speaker 7>loading dock.

0:33:32.400 --> 0:33:33.760
<v Speaker 1>And lastly, when.

0:33:33.600 --> 0:33:36.040
<v Speaker 7>We make our way to the city, we'll find jobs

0:33:36.040 --> 0:33:39.200
<v Speaker 7>in the studio apartment. And I'm okay if the closet

0:33:39.240 --> 0:33:41.120
<v Speaker 7>isn't that bad, but I'm going to have to insist

0:33:41.160 --> 0:33:42.000
<v Speaker 7>on a washer and dryer.

0:33:42.080 --> 0:33:43.600
<v Speaker 11>That's going to be a deal breaker for me.

0:33:44.160 --> 0:33:46.040
<v Speaker 1>Right, right, So first we have to get past that

0:33:46.080 --> 0:33:46.520
<v Speaker 1>big dog.

0:33:47.480 --> 0:33:50.000
<v Speaker 7>No, first we have to Oh were you even listening?

0:33:50.320 --> 0:33:50.920
<v Speaker 6>Yeah?

0:33:50.960 --> 0:33:52.040
<v Speaker 1>I was looking at the big dog?

0:33:52.520 --> 0:33:56.840
<v Speaker 5>Who what er? Great m.

0:33:59.560 --> 0:34:02.880
<v Speaker 8>Just because just because I have a small apartment, that

0:34:02.960 --> 0:34:06.040
<v Speaker 8>doesn't mean I have a small appetite. And just because

0:34:06.080 --> 0:34:10.520
<v Speaker 8>my building frowns on indoor open flames and dangerous levels

0:34:10.560 --> 0:34:13.319
<v Speaker 8>of carbon monoxide, that doesn't mean that I don't need

0:34:13.360 --> 0:34:18.160
<v Speaker 8>to occasionally throw down some meat and grill grill grillel Well,

0:34:18.200 --> 0:34:21.880
<v Speaker 8>with Bleover's new indoor smokeless grills, I can live like

0:34:21.920 --> 0:34:24.480
<v Speaker 8>a carnivore and not worry about burning the place down

0:34:24.600 --> 0:34:28.719
<v Speaker 8>or killing my neighbors with dangerous poison gas. Using patented

0:34:28.760 --> 0:34:32.319
<v Speaker 8>fire stuff technology, Glover's has taken all the heat and

0:34:32.360 --> 0:34:35.239
<v Speaker 8>smoke of real fire and made it relatively safe for

0:34:35.360 --> 0:34:38.600
<v Speaker 8>indoor use. Now I can cook my meat by my bed,

0:34:38.840 --> 0:34:41.120
<v Speaker 8>and the only thing I have to worry about is

0:34:41.200 --> 0:34:46.359
<v Speaker 8>my alarmingly high cholesterol level. Bleover's indoor smokeless grills be.

0:34:46.400 --> 0:34:47.280
<v Speaker 11>A hunter again.

0:34:48.040 --> 0:34:50.360
<v Speaker 7>Bloffer's grills are not certified for most use in apartment

0:34:50.400 --> 0:34:53.120
<v Speaker 7>buildings or outdoors not suitable for most meat, vegetables, or

0:34:53.160 --> 0:34:55.560
<v Speaker 7>some cheeses not legal in California or New Mexico.

0:34:57.560 --> 0:35:05.279
<v Speaker 1>Yay, no, you that was great handah man, you just

0:35:06.080 --> 0:35:07.040
<v Speaker 1>changed on a dime.

0:35:09.840 --> 0:35:14.719
<v Speaker 4>The first Sammy was nothing like the lady who likes

0:35:14.719 --> 0:35:15.560
<v Speaker 4>to cook meat.

0:35:15.320 --> 0:35:16.839
<v Speaker 5>By her bed.

0:35:17.680 --> 0:35:21.239
<v Speaker 4>Forgive me for jumping in, Drea, I I just uh,

0:35:22.040 --> 0:35:24.799
<v Speaker 4>I was so impressed by you. Literally did take what

0:35:24.920 --> 0:35:27.560
<v Speaker 4>a beat and a half and just boom and it

0:35:27.680 --> 0:35:28.880
<v Speaker 4>was just lovely.

0:35:29.480 --> 0:35:30.920
<v Speaker 7>I thank you, thank you.

0:35:32.040 --> 0:35:33.520
<v Speaker 6>I wanted to deal with a couple of lines from

0:35:33.560 --> 0:35:38.440
<v Speaker 6>the first part of the copy. Okay, we had a

0:35:38.480 --> 0:35:41.000
<v Speaker 6>little technical maybe you guys didn't have the same technical problems,

0:35:41.000 --> 0:35:42.880
<v Speaker 6>but at the very top of the copy there were

0:35:42.880 --> 0:35:44.799
<v Speaker 6>several words of yours that just plane dropped out.

0:35:44.840 --> 0:35:46.839
<v Speaker 1>I did today for the first time, Hannah, which you've

0:35:46.840 --> 0:35:49.760
<v Speaker 1>never done before. You're spiking, which is which is strange.

0:35:50.160 --> 0:35:52.640
<v Speaker 1>You know as it went on, will it did it

0:35:52.719 --> 0:35:53.160
<v Speaker 1>got better?

0:35:53.200 --> 0:35:53.359
<v Speaker 2>Well?

0:35:53.360 --> 0:35:55.640
<v Speaker 1>It's it's what we were noticing earlier in the competition

0:35:55.760 --> 0:35:58.239
<v Speaker 1>is when people got hiring their registers with certain types

0:35:58.280 --> 0:36:01.080
<v Speaker 1>of microphone, especially with more people on a zoom, it

0:36:01.120 --> 0:36:05.279
<v Speaker 1>would compress, so it would it would. So we're going

0:36:05.320 --> 0:36:07.840
<v Speaker 1>to would run.

0:36:07.719 --> 0:36:09.759
<v Speaker 6>The beginning again, the first part of the scene, just

0:36:09.960 --> 0:36:12.840
<v Speaker 6>so I can hear it clearer. And then I do

0:36:12.880 --> 0:36:16.239
<v Speaker 6>have a specific note about it, which is, keep your

0:36:16.280 --> 0:36:19.719
<v Speaker 6>voice down. You want to get caught? Sorry, yelling is

0:36:20.280 --> 0:36:24.719
<v Speaker 6>I mean, really, you're he's an idiot, friend, but he's

0:36:24.719 --> 0:36:25.640
<v Speaker 6>clearly an idiot.

0:36:25.840 --> 0:36:26.160
<v Speaker 1>Okay.

0:36:26.360 --> 0:36:28.520
<v Speaker 2>And I think if this character, if.

0:36:28.400 --> 0:36:33.400
<v Speaker 6>I'm reading it correctly as the author intended, she's sour.

0:36:33.520 --> 0:36:36.239
<v Speaker 2>She's meant to be sour, right, She's she's supposed to be,

0:36:36.280 --> 0:36:38.040
<v Speaker 2>So I'd like to hear some of that.

0:36:37.960 --> 0:36:40.919
<v Speaker 6>In her performance, Okay, even angry at him, even though

0:36:41.239 --> 0:36:42.200
<v Speaker 6>he's kind of her friend.

0:36:42.760 --> 0:36:44.279
<v Speaker 1>Ready, Yes, honey, you good?

0:36:44.440 --> 0:36:44.799
<v Speaker 5>All right?

0:36:45.040 --> 0:36:46.360
<v Speaker 2>When you're ready? Will we're really.

0:36:48.160 --> 0:36:49.040
<v Speaker 1>The coast is clear.

0:36:50.480 --> 0:36:51.520
<v Speaker 7>Keep your voice down?

0:36:51.800 --> 0:36:53.080
<v Speaker 11>Do you want us stick get caught?

0:36:53.600 --> 0:36:54.200
<v Speaker 2>All right?

0:36:55.239 --> 0:36:58.120
<v Speaker 9>Yelling is the opposite. Keeping your voice.

0:36:57.920 --> 0:37:00.760
<v Speaker 11>Down opposite means acol flavor.

0:37:01.600 --> 0:37:05.120
<v Speaker 7>It doesn't I told you that one hundred times, have you?

0:37:05.280 --> 0:37:08.520
<v Speaker 1>I don't. I don't remember that. Oh wait, no, I

0:37:08.600 --> 0:37:11.520
<v Speaker 1>still don't remember. I'm sorry.

0:37:11.560 --> 0:37:13.879
<v Speaker 2>That's great, that's great. Okay, That's what I just needed

0:37:13.880 --> 0:37:14.600
<v Speaker 2>to hear it, Hannah.

0:37:15.520 --> 0:37:20.399
<v Speaker 6>Okay, Okay, starting with Sammy saying because for some crazy reason,

0:37:20.440 --> 0:37:22.200
<v Speaker 6>we are relegated to the reject pile. For me, it

0:37:22.239 --> 0:37:24.279
<v Speaker 6>starts on page two, yes, and I just want to

0:37:24.360 --> 0:37:26.400
<v Speaker 6>run like the next three or four lines will if

0:37:26.400 --> 0:37:28.360
<v Speaker 6>you'd read that with her, I need to get a

0:37:28.400 --> 0:37:30.799
<v Speaker 6>little bit of urgency, Hannah with.

0:37:30.840 --> 0:37:32.239
<v Speaker 2>Okay, if we don't get out of here, we're gonna

0:37:32.239 --> 0:37:32.919
<v Speaker 2>get melted down.

0:37:33.280 --> 0:37:35.440
<v Speaker 6>Right now, it was just kind of informational, but there

0:37:35.480 --> 0:37:37.680
<v Speaker 6>wasn't really much context as to how do you feel

0:37:37.719 --> 0:37:40.759
<v Speaker 6>about that? So let me hear the urgency about that,

0:37:41.360 --> 0:37:43.200
<v Speaker 6>and then and again when we get.

0:37:43.120 --> 0:37:45.520
<v Speaker 2>To yes, Albert, it's bad, a little more impatience with

0:37:45.560 --> 0:37:49.720
<v Speaker 2>what an idiot he is? Okay, right, So started from actually,

0:37:49.760 --> 0:37:51.799
<v Speaker 2>we'll wantn't you meet in with? Sorry, Sammy, why aren't

0:37:51.840 --> 0:37:52.320
<v Speaker 2>we escaping?

0:37:52.480 --> 0:37:57.880
<v Speaker 1>Yes, ma'am, you're ready, we're rolling. Sorry Sammy, why are

0:37:57.960 --> 0:37:58.759
<v Speaker 1>we escaping again?

0:37:59.440 --> 0:38:02.480
<v Speaker 10>Because we're some crazy reason we were relegated to the

0:38:02.520 --> 0:38:04.319
<v Speaker 10>reject pile and if you don't get out of here,

0:38:04.360 --> 0:38:05.439
<v Speaker 10>they're going to build us down.

0:38:06.440 --> 0:38:07.280
<v Speaker 1>That's not bad.

0:38:08.200 --> 0:38:10.600
<v Speaker 11>It's bad, right, It's Albert, it's bad.

0:38:11.000 --> 0:38:14.560
<v Speaker 2>That's it. That's it, much better, much better, Mom, Did

0:38:14.560 --> 0:38:16.680
<v Speaker 2>you want to give her any other notes on the

0:38:16.800 --> 0:38:17.120
<v Speaker 2>on the.

0:38:17.200 --> 0:38:21.520
<v Speaker 4>Not just because I I just I'm having so much

0:38:21.560 --> 0:38:25.719
<v Speaker 4>fun with this. I'd like to try that little paragraph

0:38:25.600 --> 0:38:28.799
<v Speaker 4>where Sammy scowls after he says, why are you in

0:38:28.800 --> 0:38:29.279
<v Speaker 4>the bad being?

0:38:29.360 --> 0:38:33.600
<v Speaker 5>Sammy? You're so pretty? And you I would I would like.

0:38:33.600 --> 0:38:38.560
<v Speaker 4>You to start out being a little more morose. Look

0:38:38.600 --> 0:38:41.759
<v Speaker 4>for places where you can actually add a different punctuation,

0:38:41.920 --> 0:38:44.200
<v Speaker 4>you can end a sentence, not necessarily where it.

0:38:44.160 --> 0:38:44.720
<v Speaker 5>Is you can.

0:38:45.120 --> 0:38:49.120
<v Speaker 4>It's it's like it's authentic thinking out loud.

0:38:49.719 --> 0:38:50.560
<v Speaker 5>So just try that.

0:38:50.880 --> 0:38:52.880
<v Speaker 1>Okay, all right, so I'll read you in. Here we

0:38:52.920 --> 0:38:56.160
<v Speaker 1>go perfect? Why are you in the bad beIN? Sammy?

0:38:56.239 --> 0:39:00.920
<v Speaker 12>You're so pretty, Albert, I'm the prettiest this factory has

0:39:01.000 --> 0:39:04.920
<v Speaker 12>ever made, the prettiest fish that has ever been made.

0:39:05.560 --> 0:39:07.560
<v Speaker 12>But none of that matters when the world you were

0:39:07.560 --> 0:39:11.200
<v Speaker 12>brought into is a cesspool filled with awfulness, covered in

0:39:11.280 --> 0:39:13.319
<v Speaker 12>even more awfulness than dipped in nuts that have been

0:39:13.320 --> 0:39:17.680
<v Speaker 12>sprayed with breckirals. Oh no, more awfulness.

0:39:18.360 --> 0:39:22.200
<v Speaker 4>Great, try out one more time the first line, You're

0:39:22.239 --> 0:39:23.080
<v Speaker 4>so pretty.

0:39:23.000 --> 0:39:25.080
<v Speaker 5>And that can be very matter of fact, like, oh yeah,

0:39:25.120 --> 0:39:27.200
<v Speaker 5>I know that I can just try that.

0:39:27.400 --> 0:39:29.280
<v Speaker 1>Sure, sure, sure are you ready?

0:39:29.680 --> 0:39:29.960
<v Speaker 6>Yes?

0:39:31.000 --> 0:39:33.600
<v Speaker 1>Why are you in the bad Bend, Sammy, you're so pretty.

0:39:35.160 --> 0:39:37.920
<v Speaker 7>I am Albert, I am the prettiest fish that this

0:39:38.000 --> 0:39:41.200
<v Speaker 7>factory has ever made, the prettiest fish that has ever

0:39:41.400 --> 0:39:44.839
<v Speaker 7>been made. None of that matters. And when the world

0:39:44.840 --> 0:39:48.560
<v Speaker 7>you were brought into is a cesspool full of is

0:39:48.600 --> 0:39:51.839
<v Speaker 7>a cesspool of awfulness, covered with even more awfulness than

0:39:51.880 --> 0:39:56.279
<v Speaker 7>dipped and nuts that have been sprayed with bretas, no

0:39:56.400 --> 0:39:57.680
<v Speaker 7>more awfulness.

0:39:57.480 --> 0:40:01.560
<v Speaker 5>Greg, thank you very much. That was really lovely, really good.

0:40:01.600 --> 0:40:03.240
<v Speaker 7>Hannah, thank you so much.

0:40:03.719 --> 0:40:07.440
<v Speaker 1>We will be right back with you. So it's tough

0:40:07.560 --> 0:40:12.160
<v Speaker 1>because I think Mio was better with the vo and

0:40:12.239 --> 0:40:15.319
<v Speaker 1>I think that Hannah was better with the ad read.

0:40:15.680 --> 0:40:19.760
<v Speaker 2>I agree, yeah, ye, at.

0:40:19.600 --> 0:40:22.720
<v Speaker 1>The end of the day, I at least that first round,

0:40:23.520 --> 0:40:27.400
<v Speaker 1>I think Mia found more beats than Hannah did in

0:40:27.440 --> 0:40:33.760
<v Speaker 1>the animation portion and thus equated to better acting frankly

0:40:33.800 --> 0:40:37.160
<v Speaker 1>in the in the first round, agreed. But then you

0:40:37.200 --> 0:40:39.600
<v Speaker 1>get to the ad read, where a lot of actors

0:40:39.680 --> 0:40:42.680
<v Speaker 1>make a fortune and do a great job. And Hannah

0:40:42.760 --> 0:40:43.560
<v Speaker 1>was really good.

0:40:45.160 --> 0:40:50.840
<v Speaker 4>She definitely, in this small snippet, appeared to be a

0:40:50.880 --> 0:40:53.400
<v Speaker 4>little more versatile, and I know Andrea.

0:40:53.040 --> 0:40:55.400
<v Speaker 5>Is very used to this.

0:40:55.960 --> 0:40:57.880
<v Speaker 4>In fact, this is a good question, Andrea, how do

0:40:57.920 --> 0:40:59.319
<v Speaker 4>you figure.

0:40:59.040 --> 0:41:00.560
<v Speaker 5>In nerves to read.

0:41:00.440 --> 0:41:02.319
<v Speaker 4>With a young actor who's going, oh my god, I

0:41:02.360 --> 0:41:03.960
<v Speaker 4>really need this job.

0:41:05.000 --> 0:41:06.520
<v Speaker 1>Great question, it's.

0:41:06.360 --> 0:41:07.120
<v Speaker 2>An excellent question.

0:41:07.239 --> 0:41:09.839
<v Speaker 6>And what I try to do is get them out

0:41:09.840 --> 0:41:12.880
<v Speaker 6>of their own heads so they're not thinking about it anymore.

0:41:13.280 --> 0:41:16.120
<v Speaker 2>And so you'll give whatever note let them run.

0:41:16.560 --> 0:41:18.520
<v Speaker 6>And it's organic and it has to happen at the

0:41:18.520 --> 0:41:22.160
<v Speaker 6>time with each individual actor what they respond to. And

0:41:22.239 --> 0:41:24.680
<v Speaker 6>sometimes it's just as simple as asking them to step

0:41:24.719 --> 0:41:28.080
<v Speaker 6>back from the microphone, shake it out, you know, reach,

0:41:28.280 --> 0:41:30.080
<v Speaker 6>touch your toes, come back up.

0:41:30.040 --> 0:41:30.959
<v Speaker 2>Start again. We're rolling.

0:41:31.040 --> 0:41:32.880
<v Speaker 6>And you know what I do as much as possible

0:41:32.960 --> 0:41:37.759
<v Speaker 6>is just encourage them. Would just be as encouraging as possibility.

0:41:37.760 --> 0:41:39.480
<v Speaker 6>You know what, there's nothing that you can do here

0:41:39.520 --> 0:41:40.040
<v Speaker 6>that's wrong.

0:41:40.800 --> 0:41:42.480
<v Speaker 2>We want to hear you act.

0:41:42.600 --> 0:41:45.040
<v Speaker 6>We just want to hear you do this stuff. We're here.

0:41:45.080 --> 0:41:47.880
<v Speaker 6>We want you to do well. So you know, what

0:41:47.920 --> 0:41:50.640
<v Speaker 6>can I do to help you? So sometimes giving them

0:41:50.719 --> 0:41:53.360
<v Speaker 6>that option, what can I tell you? What can I

0:41:53.400 --> 0:41:55.880
<v Speaker 6>do for you that will make that will help you?

0:41:57.200 --> 0:41:59.919
<v Speaker 6>But it's an interesting thing. I mean, I remember Chuck McCain,

0:42:00.160 --> 0:42:03.840
<v Speaker 6>Remember chucklicking well, sure, remember him, especially.

0:42:03.760 --> 0:42:06.640
<v Speaker 2>Into a flop swept in an audition.

0:42:06.360 --> 0:42:11.840
<v Speaker 6>For men established successful actor just losing it because he

0:42:11.960 --> 0:42:12.760
<v Speaker 6>was so nervous.

0:42:12.760 --> 0:42:15.040
<v Speaker 2>He wanted this role so much, and I had to

0:42:15.040 --> 0:42:16.799
<v Speaker 2>get him out of his head. I had to like pull,

0:42:17.400 --> 0:42:20.480
<v Speaker 2>you know, give him a towel to dry off, and

0:42:20.560 --> 0:42:22.640
<v Speaker 2>let's let's chuck. I love you.

0:42:23.440 --> 0:42:23.919
<v Speaker 5>How fun.

0:42:24.280 --> 0:42:27.279
<v Speaker 6>Yeah, everything has to be done with differently, Robert, it's

0:42:27.320 --> 0:42:28.120
<v Speaker 6>a really good question.

0:42:28.640 --> 0:42:30.960
<v Speaker 2>But she definitely had a nervous issue.

0:42:31.000 --> 0:42:33.359
<v Speaker 1>She did. She did, and it's the first time I've

0:42:33.400 --> 0:42:37.279
<v Speaker 1>seen it. She's been ice cold this entire competition. I mean, really,

0:42:37.320 --> 0:42:39.080
<v Speaker 1>this entire competition, at least at least to the point

0:42:39.080 --> 0:42:41.239
<v Speaker 1>where she's been hiding it very well because I'm sure

0:42:41.239 --> 0:42:42.920
<v Speaker 1>she was nervous. We're all gett nervous. I I got

0:42:42.920 --> 0:42:46.560
<v Speaker 1>nervous yesterday driving to my job. I mean, it happens

0:42:46.560 --> 0:42:49.640
<v Speaker 1>all the time. So but she hit it very well

0:42:49.719 --> 0:42:52.040
<v Speaker 1>until today where you really kind of see it. But again,

0:42:52.080 --> 0:42:54.920
<v Speaker 1>we're you know, we're we're stewing these people. I mean,

0:42:55.000 --> 0:42:57.279
<v Speaker 1>right now, they're all sitting there in the quiet and

0:42:57.280 --> 0:42:59.279
<v Speaker 1>there's zoom in their rooms, wondering what's going to happen.

0:42:59.280 --> 0:43:01.560
<v Speaker 1>Your nerves are getting better of you. So yeah, it's

0:43:01.600 --> 0:43:04.040
<v Speaker 1>an interesting question. But with that said, let's let's make

0:43:04.040 --> 0:43:06.880
<v Speaker 1>it even more difficult on them and bring it back in.

0:43:07.000 --> 0:43:10.920
<v Speaker 1>I would uh, since you are are our guest actor

0:43:11.000 --> 0:43:14.279
<v Speaker 1>judge today, Rob, I'm going to use the once again

0:43:14.400 --> 0:43:19.319
<v Speaker 1>the beautiful Rider Strong from Boy Meets World's Head Oh

0:43:19.360 --> 0:43:22.560
<v Speaker 1>as the coin of the day. So Mia is Rider's

0:43:22.640 --> 0:43:25.640
<v Speaker 1>middle part and h Hannah is the back here. Can

0:43:25.680 --> 0:43:29.360
<v Speaker 1>you tell me heads or tails? Uh? So yeah, heads

0:43:29.520 --> 0:43:31.560
<v Speaker 1>or tails to who goes first for the next round?

0:43:31.880 --> 0:43:33.080
<v Speaker 5>Okay, uh.

0:43:34.560 --> 0:43:38.279
<v Speaker 1>Tales it is heads? Like once again, have to look

0:43:38.280 --> 0:43:42.120
<v Speaker 1>at Ryder Strong's stupid face all the time. So let's

0:43:42.200 --> 0:43:45.960
<v Speaker 1>bring Mia in. Hi, miya, Hello? How are you?

0:43:46.520 --> 0:43:47.240
<v Speaker 9>I'm good?

0:43:47.680 --> 0:43:49.080
<v Speaker 2>Thank you for being so patient.

0:43:49.520 --> 0:43:53.319
<v Speaker 1>Of course we know it's crazy. So here's what we'd

0:43:53.360 --> 0:43:55.040
<v Speaker 1>like to do. I think we told you a little bit.

0:43:55.040 --> 0:43:57.720
<v Speaker 1>We're gonna switch rolls. You're now going to be Albert

0:43:57.760 --> 0:44:00.920
<v Speaker 1>and I am going to be Sammy. But we are

0:44:00.920 --> 0:44:03.440
<v Speaker 1>going to have Rob and Andrea up pick the character

0:44:03.560 --> 0:44:06.759
<v Speaker 1>you are going to do. So Rob, if you would, please, sir,

0:44:06.800 --> 0:44:08.640
<v Speaker 1>can you give me a number between one and six.

0:44:10.040 --> 0:44:10.279
<v Speaker 5>Four?

0:44:11.040 --> 0:44:13.000
<v Speaker 1>Andrea? Could you give me a number between one and

0:44:13.080 --> 0:44:20.080
<v Speaker 1>twelve eleven? Rob a number between one and seven two,

0:44:21.360 --> 0:44:23.680
<v Speaker 1>and Andrea, please, if you would to finish it off

0:44:23.680 --> 0:44:24.920
<v Speaker 1>a number between one and eleven.

0:44:26.000 --> 0:44:26.760
<v Speaker 2>Uh six?

0:44:27.680 --> 0:44:31.920
<v Speaker 1>Okay? So okay, Mia, you are going to be reading

0:44:32.080 --> 0:44:38.520
<v Speaker 1>this character as a small MERR person. Oh you are

0:44:38.960 --> 0:44:43.520
<v Speaker 1>five years old, baby, and the love of your life

0:44:43.600 --> 0:44:50.759
<v Speaker 1>has just left you. No, not the five exactly. So

0:44:50.960 --> 0:44:53.919
<v Speaker 1>once again we are combining all games. So you are

0:44:54.239 --> 0:44:57.839
<v Speaker 1>a small mr person who is five years old and

0:44:57.880 --> 0:45:01.000
<v Speaker 1>the love of your life just left, and that is

0:45:01.080 --> 0:45:03.600
<v Speaker 1>your character as you are. Albert.

0:45:04.120 --> 0:45:08.279
<v Speaker 9>Alrighty, because it's clear.

0:45:09.520 --> 0:45:12.600
<v Speaker 1>Keep your voice down you want to get us caught. Sorry,

0:45:13.400 --> 0:45:16.719
<v Speaker 1>yelling is the opposite of keeping your voice down.

0:45:17.760 --> 0:45:19.760
<v Speaker 9>Opposite means chocolate favored.

0:45:20.560 --> 0:45:24.000
<v Speaker 1>No, it doesn't. I've told you that one hundred times,

0:45:24.680 --> 0:45:25.040
<v Speaker 1>have you.

0:45:25.880 --> 0:45:27.040
<v Speaker 13>I don't remember that?

0:45:30.440 --> 0:45:30.520
<v Speaker 5>No?

0:45:31.080 --> 0:45:31.800
<v Speaker 7>Still I remember?

0:45:32.560 --> 0:45:37.600
<v Speaker 9>Ah, sorry, Sammy, Why are we escaping again?

0:45:38.080 --> 0:45:40.680
<v Speaker 1>Oh? Because for some crazy reason, we are relegated to

0:45:40.680 --> 0:45:42.839
<v Speaker 1>the reject pile and if we don't get out of here,

0:45:42.840 --> 0:45:44.040
<v Speaker 1>they're gonna melt us down.

0:45:44.920 --> 0:45:46.000
<v Speaker 9>That sounds bad.

0:45:47.560 --> 0:45:50.760
<v Speaker 1>It's bad, right, yes, Albert, it's bad.

0:45:52.880 --> 0:45:55.000
<v Speaker 9>Am I as good as escaper as you.

0:45:55.840 --> 0:45:59.840
<v Speaker 1>Well, seeing as we haven't actually escapered yet, I'm thinking no.

0:46:01.120 --> 0:46:04.840
<v Speaker 13>Oh yeah, thank you forgetting that you have to escape

0:46:04.840 --> 0:46:06.760
<v Speaker 13>first to actually be a good escaper.

0:46:07.640 --> 0:46:10.160
<v Speaker 7>Am I always forgetting stuff like this because.

0:46:09.880 --> 0:46:11.120
<v Speaker 9>My head got smashed.

0:46:11.520 --> 0:46:14.399
<v Speaker 1>Hm. I'm guessing that's only a small part of it.

0:46:15.520 --> 0:46:17.280
<v Speaker 9>Why are you and the bad Bend? Sammy?

0:46:17.560 --> 0:46:18.400
<v Speaker 7>You're so pretty?

0:46:19.680 --> 0:46:22.359
<v Speaker 1>I am Albert. I'm the prettiest fish this factory has

0:46:22.360 --> 0:46:25.320
<v Speaker 1>ever made, the prettiest fish that has ever been made.

0:46:25.440 --> 0:46:27.719
<v Speaker 1>But none of that matters when the world you're brought

0:46:27.760 --> 0:46:30.759
<v Speaker 1>into is a cesspool of awfulness, covered in even more awfulness,

0:46:30.800 --> 0:46:33.400
<v Speaker 1>and then dipped in nuts that have been sprayed with spreads.

0:46:34.480 --> 0:46:36.640
<v Speaker 1>No more awfulness?

0:46:37.400 --> 0:46:41.840
<v Speaker 9>Oh then, then, why are you in the ben y?

0:46:42.000 --> 0:46:45.160
<v Speaker 1>I overheard some of the workers talking. Apparently something went

0:46:45.200 --> 0:46:50.400
<v Speaker 1>wrong with my recipe. Oh no, yeah, I'm two sour

0:46:51.000 --> 0:46:51.960
<v Speaker 1>stupid jerks.

0:46:52.800 --> 0:47:00.720
<v Speaker 10>I don't think that's true, Sammy, Yeah, maybe a little sour.

0:47:01.120 --> 0:47:04.200
<v Speaker 1>Yeah, it's because of this place. You just wait till

0:47:04.200 --> 0:47:05.960
<v Speaker 1>I get out of here. I'm gonna be the sweetish

0:47:05.960 --> 0:47:06.839
<v Speaker 1>fish you've ever met.

0:47:08.000 --> 0:47:10.320
<v Speaker 11>Why would you be sweetish?

0:47:10.640 --> 0:47:13.799
<v Speaker 1>Sweetish fish not Swedish? Well are you trying to get

0:47:13.800 --> 0:47:15.640
<v Speaker 1>a sued Ah?

0:47:16.640 --> 0:47:18.520
<v Speaker 9>Well, what do we do next?

0:47:19.239 --> 0:47:21.439
<v Speaker 1>All right, first we have to get down from this bin.

0:47:21.840 --> 0:47:23.800
<v Speaker 1>Next we have to make it across the factory floor.

0:47:23.960 --> 0:47:25.440
<v Speaker 1>Then we have to open that big door by the

0:47:25.440 --> 0:47:27.680
<v Speaker 1>loading dock, and lastly we have to make our way

0:47:27.719 --> 0:47:29.840
<v Speaker 1>to the city where we'll find jobs in a studio apartment.

0:47:29.880 --> 0:47:31.680
<v Speaker 1>I'm okay if the closet isn't that big, but I'm

0:47:31.680 --> 0:47:34.319
<v Speaker 1>going to insist on a washer dryer. It's gonna be

0:47:34.320 --> 0:47:36.840
<v Speaker 1>my deal breaker, all.

0:47:36.960 --> 0:47:40.920
<v Speaker 13>Right, right, right, okay, okay, So first we have to

0:47:41.800 --> 0:47:42.600
<v Speaker 13>get past.

0:47:42.400 --> 0:47:43.000
<v Speaker 7>That big dog.

0:47:43.719 --> 0:47:46.360
<v Speaker 1>What big No, First we have to were you even listening?

0:47:47.960 --> 0:47:49.440
<v Speaker 9>I was looking at the big dog.

0:47:49.880 --> 0:47:50.360
<v Speaker 1>The big what.

0:48:01.080 --> 0:48:01.560
<v Speaker 5>I heard?

0:48:03.760 --> 0:48:08.920
<v Speaker 1>That was really really good? That was really good. Since

0:48:08.920 --> 0:48:12.480
<v Speaker 1>we're here, do we want to do the ad copy

0:48:12.520 --> 0:48:14.279
<v Speaker 1>in some new kind of way? Do you just want

0:48:14.320 --> 0:48:18.319
<v Speaker 1>to take a swing doing something where we're I mean, Rob,

0:48:18.480 --> 0:48:20.759
<v Speaker 1>can you think of just a whole new kind of

0:48:20.800 --> 0:48:22.200
<v Speaker 1>way to read the ad copy?

0:48:22.600 --> 0:48:24.279
<v Speaker 5>Tweak the copy to make it as you.

0:48:26.080 --> 0:48:32.920
<v Speaker 4>Are the spokesperson, but you're a grill expert, a cooking expert,

0:48:34.120 --> 0:48:36.919
<v Speaker 4>so that there will be a little bit more kind

0:48:36.960 --> 0:48:40.799
<v Speaker 4>of officiousness to your read, a little bit more like

0:48:40.840 --> 0:48:41.960
<v Speaker 4>you're an expert on this.

0:48:42.160 --> 0:48:43.799
<v Speaker 5>See what you can do with that. It's a good thing.

0:48:43.840 --> 0:48:46.359
<v Speaker 5>I don't direct.

0:48:46.520 --> 0:48:49.200
<v Speaker 1>I'm also gonna I haven't. I haven't really spoken up

0:48:49.200 --> 0:48:51.040
<v Speaker 1>at all because I have two more people that are

0:48:51.080 --> 0:48:53.799
<v Speaker 1>far more qualified than I am here. But everything we've

0:48:53.840 --> 0:48:55.920
<v Speaker 1>done today, as great as it's been, has all been

0:48:55.960 --> 0:48:58.560
<v Speaker 1>in kind of the same register. I would love to

0:48:58.600 --> 0:49:01.480
<v Speaker 1>hear if you could just lower it a little bit,

0:49:01.560 --> 0:49:04.240
<v Speaker 1>I would like to hear a different tone from you.

0:49:04.239 --> 0:49:05.520
<v Speaker 1>You don't have to go crazy, you don't have to

0:49:05.520 --> 0:49:09.480
<v Speaker 1>go growlly, but just something a little less, little girl,

0:49:10.120 --> 0:49:12.200
<v Speaker 1>just for one ad read to see where that lands

0:49:12.280 --> 0:49:13.839
<v Speaker 1>kind of in your register.

0:49:14.680 --> 0:49:17.319
<v Speaker 6>That same thing, and if I could articulate it in

0:49:17.440 --> 0:49:18.879
<v Speaker 6>just a slightly different way for.

0:49:18.840 --> 0:49:20.960
<v Speaker 1>You, a better way. Is what she said. She does

0:49:21.000 --> 0:49:23.040
<v Speaker 1>this for a living. There's a reason she has Emmys,

0:49:23.040 --> 0:49:24.839
<v Speaker 1>and I don't even know anyone.

0:49:25.719 --> 0:49:26.239
<v Speaker 2>Here's the thing.

0:49:26.360 --> 0:49:29.600
<v Speaker 6>I want you to use the lowest part of your voice,

0:49:29.840 --> 0:49:32.759
<v Speaker 6>where it's the lowest and the deepest and most comfortable,

0:49:32.840 --> 0:49:35.560
<v Speaker 6>without forcing it at all. So you're not pushing it

0:49:35.640 --> 0:49:38.440
<v Speaker 6>down here, you're just finding either if you were to

0:49:38.440 --> 0:49:42.640
<v Speaker 6>sing la la la la, la, la la la, that's

0:49:42.640 --> 0:49:46.319
<v Speaker 6>already just pushing it. So love comfortable here, I could

0:49:46.320 --> 0:49:48.600
<v Speaker 6>speak in this voice, So find a pitch a placement

0:49:48.640 --> 0:49:52.200
<v Speaker 6>where it's comfortable, but the deepest part of your range

0:49:52.200 --> 0:49:52.960
<v Speaker 6>without forcing it.

0:49:53.520 --> 0:49:57.480
<v Speaker 10>Okay, you know, just because I have a small apartment,

0:49:57.680 --> 0:50:00.520
<v Speaker 10>that doesn't mean that I have a small appetite. Just

0:50:00.560 --> 0:50:03.080
<v Speaker 10>because of my building frowns on indoor open flames are

0:50:03.160 --> 0:50:06.160
<v Speaker 10>dangerous levels of carbon monoxide. That doesn't mean that I

0:50:06.200 --> 0:50:09.200
<v Speaker 10>don't need to occasionally throw down some meating grill grill.

0:50:09.400 --> 0:50:14.560
<v Speaker 10>Grill well with Blover's new indoor smokeless grill, I can't pardon.

0:50:15.840 --> 0:50:16.120
<v Speaker 8>Well.

0:50:16.200 --> 0:50:18.840
<v Speaker 10>With Blover's new indoor smokeless grill, I can live like

0:50:18.880 --> 0:50:21.520
<v Speaker 10>a carnivore and not worry about burning the blaze down

0:50:21.680 --> 0:50:25.680
<v Speaker 10>or killing my neighbors with dangerous boisonous gas. Using patented

0:50:25.719 --> 0:50:28.920
<v Speaker 10>fire stuff technology, Blover has taken all of the heat

0:50:28.920 --> 0:50:31.560
<v Speaker 10>and smoke of real life fire and made it relatively

0:50:31.600 --> 0:50:34.399
<v Speaker 10>safe for indoor use. Now I can cook my meat

0:50:34.440 --> 0:50:36.360
<v Speaker 10>by my bed, and the only thing I'll have to

0:50:36.400 --> 0:50:38.560
<v Speaker 10>worry about is my alarmingly.

0:50:38.120 --> 0:50:39.320
<v Speaker 8>High cholesterol level.

0:50:39.560 --> 0:50:43.480
<v Speaker 10>But that's nothing new Blover's indoor smokeless grills be a

0:50:43.600 --> 0:50:46.680
<v Speaker 10>hunter again. Blover's grills are not certified for use in

0:50:46.680 --> 0:50:50.200
<v Speaker 10>most apartment buildings or outdoors, not suitable for most meats, vegetables,

0:50:50.280 --> 0:50:52.760
<v Speaker 10>or some cheeses not legal in California or New Mexico.

0:50:53.640 --> 0:50:57.840
<v Speaker 2>It's really nice.

0:50:58.800 --> 0:51:00.919
<v Speaker 5>It was a lot different from the last time.

0:51:02.800 --> 0:51:05.399
<v Speaker 1>All Right, we will be back with you. Thank you, Mia,

0:51:06.200 --> 0:51:07.239
<v Speaker 1>thank you, thank you.

0:51:09.000 --> 0:51:13.359
<v Speaker 6>Well, that was a great note you gave Rob. That

0:51:13.440 --> 0:51:15.440
<v Speaker 6>was remarkably better.

0:51:15.440 --> 0:51:20.480
<v Speaker 1>Her also the scene her five year old and her acting,

0:51:20.640 --> 0:51:22.680
<v Speaker 1>and then the moment she was finding We even talked

0:51:22.680 --> 0:51:24.879
<v Speaker 1>about that. She killed that, you know. You know how

0:51:24.920 --> 0:51:26.759
<v Speaker 1>I why I noticed it the most is because she

0:51:26.880 --> 0:51:30.680
<v Speaker 1>was making me better. I was playing I was playing

0:51:30.719 --> 0:51:33.000
<v Speaker 1>off of her as much as she was playing off

0:51:33.000 --> 0:51:36.000
<v Speaker 1>of me, and I was finding beats I hadn't done before.

0:51:36.440 --> 0:51:51.359
<v Speaker 1>It was just that was great. So what a great remark. Well, okay,

0:51:51.480 --> 0:51:55.560
<v Speaker 1>let's bring Hannah in and see see what we can

0:51:55.600 --> 0:52:02.440
<v Speaker 1>do there. Hey, Hannah, how are you. Well, here's what

0:52:02.440 --> 0:52:05.480
<v Speaker 1>we're gonna do. Yes, we are going to switch characters

0:52:05.480 --> 0:52:08.040
<v Speaker 1>like we did last time, but we are going to

0:52:08.080 --> 0:52:10.239
<v Speaker 1>play by the numbers, and Andrea and Rob are going

0:52:10.280 --> 0:52:14.359
<v Speaker 1>to create the character for you. Okay, is what's going

0:52:14.400 --> 0:52:18.239
<v Speaker 1>to happen. So if you would please mister Paulson, a

0:52:18.320 --> 0:52:23.360
<v Speaker 1>number between one and six, five Andrea a number between

0:52:23.360 --> 0:52:27.239
<v Speaker 1>one and twelve, four, Rob a number between one and

0:52:27.280 --> 0:52:35.520
<v Speaker 1>seven seven, and finally Andrea a number between one and eleven. Okay, okay, so,

0:52:35.920 --> 0:52:45.000
<v Speaker 1>han Obama, you are a tiny racehorse. Race Wait a second,

0:52:45.080 --> 0:52:46.360
<v Speaker 1>let me make sure I have this right. Yes, you

0:52:46.360 --> 0:52:49.239
<v Speaker 1>are a tiny race horse. That is correct. You are

0:52:49.719 --> 0:52:55.279
<v Speaker 1>ninety five years old and you are afraid of your

0:52:55.280 --> 0:52:59.600
<v Speaker 1>own shadow. This is a tough round here.

0:53:00.080 --> 0:53:00.799
<v Speaker 13>You do this to me?

0:53:03.680 --> 0:53:04.960
<v Speaker 1>Are you ready to give it a pass?

0:53:05.680 --> 0:53:06.000
<v Speaker 7>Sure?

0:53:06.480 --> 0:53:08.320
<v Speaker 1>All right, at your pleasure.

0:53:08.840 --> 0:53:10.800
<v Speaker 6>Absolutely, when you are ready. We'll start from the top

0:53:10.920 --> 0:53:12.120
<v Speaker 6>and we're rolling.

0:53:13.560 --> 0:53:15.080
<v Speaker 11>It is clear.

0:53:16.280 --> 0:53:18.120
<v Speaker 1>Keep your voice down you want to get us caught

0:53:19.000 --> 0:53:23.240
<v Speaker 1>show yelling is the opposite of keeping your voice down.

0:53:24.840 --> 0:53:28.320
<v Speaker 9>After ship means, how can you flavor?

0:53:29.239 --> 0:53:32.560
<v Speaker 1>No, it doesn't. I've told you that one hundred times.

0:53:33.560 --> 0:53:37.000
<v Speaker 11>Hell you, I don't remember that.

0:53:38.320 --> 0:53:49.440
<v Speaker 13>Wait nope, I do don't remember a Sorry Sammy.

0:53:50.320 --> 0:53:51.720
<v Speaker 7>Why we escaping again?

0:53:52.800 --> 0:53:55.160
<v Speaker 1>Because for some crazy reason we are relegated to the

0:53:55.239 --> 0:53:57.359
<v Speaker 1>reject pile and I finally, if we don't get out

0:53:57.400 --> 0:54:00.840
<v Speaker 1>of here, they're going to melt us down. That bad.

0:54:01.640 --> 0:54:08.879
<v Speaker 1>It's bad, right, yes, Albert, it's bad. Huh?

0:54:10.160 --> 0:54:11.839
<v Speaker 9>Oh?

0:54:11.880 --> 0:54:15.480
<v Speaker 13>Red, am I as good as an escaper as you are.

0:54:16.239 --> 0:54:20.200
<v Speaker 1>Well, seeing as we haven't actually escaped yet, I'm thinking no.

0:54:21.480 --> 0:54:26.279
<v Speaker 13>Oh yeah, I can't forgetting that you actually have to

0:54:26.520 --> 0:54:29.880
<v Speaker 13>escape first to actually be a good escaper.

0:54:32.239 --> 0:54:34.239
<v Speaker 7>Am I alwish forgetting stuff like this?

0:54:34.920 --> 0:54:37.000
<v Speaker 9>Because my head is smushed.

0:54:37.360 --> 0:54:39.200
<v Speaker 1>I'm guessing that's only a small part of it.

0:54:40.560 --> 0:54:47.080
<v Speaker 13>Well, eh, yeah, why are you in the bad ben?

0:54:47.160 --> 0:54:51.200
<v Speaker 1>Sammy? You're so pretty? Yes I am Albert I. I'm

0:54:51.280 --> 0:54:53.360
<v Speaker 1>the prettiest fish that this factory has ever made, the

0:54:53.360 --> 0:54:55.759
<v Speaker 1>prettiest fish that's ever been made. But none of that

0:54:55.800 --> 0:54:57.480
<v Speaker 1>matters when the world you were brought into is a

0:54:57.520 --> 0:55:00.359
<v Speaker 1>cesspool of awfulness covered in even more awful and then

0:55:00.400 --> 0:55:07.160
<v Speaker 1>dip the nuts and sprayed with bingo more awfulness there.

0:55:08.440 --> 0:55:11.359
<v Speaker 9>Oh then, why are you in the bin?

0:55:12.000 --> 0:55:15.359
<v Speaker 1>I overheard some of the workers talking. Apparently something went

0:55:15.400 --> 0:55:21.280
<v Speaker 1>wrong with my recipe. Oh no, yep, I'm two sour

0:55:21.760 --> 0:55:23.240
<v Speaker 1>stupid jerks.

0:55:23.800 --> 0:55:32.560
<v Speaker 13>When I don't think that's true, Sammy, you're a.

0:55:32.640 --> 0:55:33.479
<v Speaker 11>Little shell work.

0:55:34.239 --> 0:55:36.400
<v Speaker 1>It's because of this place. You Just wait till I

0:55:36.440 --> 0:55:38.479
<v Speaker 1>get out of here. I'm gonna be the sweetish fish

0:55:38.480 --> 0:55:39.160
<v Speaker 1>you've ever met.

0:55:40.040 --> 0:55:41.920
<v Speaker 11>Oh that would you be? Sweetish?

0:55:42.040 --> 0:55:45.920
<v Speaker 1>Sweetens? M sweetish fish? Not sweetish you're trying to get a.

0:55:45.960 --> 0:55:50.840
<v Speaker 9>Sued eh maybe, Well, what do we do next?

0:55:51.200 --> 0:55:53.040
<v Speaker 1>Well, first we have to get down from this bin.

0:55:53.280 --> 0:55:55.080
<v Speaker 1>Next we have to make it across the factory floor.

0:55:55.160 --> 0:55:56.520
<v Speaker 1>Then we have to open that big door by the

0:55:56.520 --> 0:55:58.759
<v Speaker 1>loading dock, and Leslie, we have to make our way

0:55:58.760 --> 0:56:00.920
<v Speaker 1>to the city where we'll find jobs in the studio apartment.

0:56:01.080 --> 0:56:02.960
<v Speaker 1>I'm okay, if the closet isn't that big, I'm going

0:56:03.000 --> 0:56:05.120
<v Speaker 1>to insist on a wash your dryer though. That's gonna

0:56:05.120 --> 0:56:06.120
<v Speaker 1>be a deal breaker for me.

0:56:06.840 --> 0:56:10.240
<v Speaker 9>Right all right, So first we just have to erase

0:56:10.360 --> 0:56:11.399
<v Speaker 9>patch that big dog.

0:56:12.040 --> 0:56:14.200
<v Speaker 1>No, first we have to get were you even listening?

0:56:15.320 --> 0:56:17.759
<v Speaker 13>Nah, I was just looking at the big dog over

0:56:17.800 --> 0:56:19.240
<v Speaker 13>there with the world.

0:56:25.600 --> 0:56:29.279
<v Speaker 1>That's great. Before anybody gives any notes, I want to

0:56:29.320 --> 0:56:32.680
<v Speaker 1>do one more with a different character for you, Okay.

0:56:32.920 --> 0:56:37.400
<v Speaker 1>I want one that I want to hear something more

0:56:37.440 --> 0:56:41.799
<v Speaker 1>in your natural register. Okay, and just go through the

0:56:41.840 --> 0:56:47.040
<v Speaker 1>scene acting wise. Okay, So I want to let's keep

0:56:47.080 --> 0:56:49.600
<v Speaker 1>we can keep the keep the horse if you want

0:56:49.640 --> 0:56:53.239
<v Speaker 1>to keep the horse. But let's what what would you

0:56:53.239 --> 0:56:56.480
<v Speaker 1>say your natural age would be? Voice wise? Twenty eighteen

0:56:57.520 --> 0:57:01.320
<v Speaker 1>between you twenty that voice right there you're talking voice

0:57:01.360 --> 0:57:03.200
<v Speaker 1>right there. I want to do that. I want to

0:57:03.200 --> 0:57:05.200
<v Speaker 1>get one clean take. Your mic is acting up a

0:57:05.239 --> 0:57:07.439
<v Speaker 1>little bit at times. I also think you're a little

0:57:07.440 --> 0:57:11.479
<v Speaker 1>bit in your head about trying to keep the voice right,

0:57:11.640 --> 0:57:13.600
<v Speaker 1>the age right. It's a lot, and I want to

0:57:13.640 --> 0:57:16.560
<v Speaker 1>make sure we get a great take with you with

0:57:16.880 --> 0:57:19.560
<v Speaker 1>just your natural register and going through there so you

0:57:19.560 --> 0:57:21.920
<v Speaker 1>can keep all of the you know, if you want

0:57:21.920 --> 0:57:24.000
<v Speaker 1>to keep some of the affectations of being the horse,

0:57:24.040 --> 0:57:27.080
<v Speaker 1>or you want to keep afraid of your own shadow,

0:57:27.120 --> 0:57:28.480
<v Speaker 1>that's fine, but I want to keep it in your

0:57:28.520 --> 0:57:30.160
<v Speaker 1>natural register. I want to see what that's like. If

0:57:30.160 --> 0:57:34.080
<v Speaker 1>that's cool, Andrea, Rob, is that work? And then we'll

0:57:34.120 --> 0:57:36.200
<v Speaker 1>just run through it once again real quick like that.

0:57:36.720 --> 0:57:38.800
<v Speaker 1>Sure does that work for you? Sure?

0:57:39.160 --> 0:57:39.520
<v Speaker 5>All right?

0:57:39.560 --> 0:57:42.120
<v Speaker 1>Cool? So whenever you want to go and again, I

0:57:42.160 --> 0:57:44.400
<v Speaker 1>would say, pick the character, but keep it in your

0:57:44.400 --> 0:57:49.240
<v Speaker 1>register and let's see what happens. Okay, all right, when

0:57:49.280 --> 0:57:50.440
<v Speaker 1>you're ready to rolling.

0:57:51.960 --> 0:57:55.000
<v Speaker 11>The coast is clear, sh keep your voice down.

0:57:55.040 --> 0:57:59.320
<v Speaker 1>You want to get us caught. Yelling is the opposite

0:57:59.400 --> 0:58:00.480
<v Speaker 1>of keeping your down.

0:58:02.520 --> 0:58:04.400
<v Speaker 7>Opposite means chocolate flavored.

0:58:05.120 --> 0:58:08.040
<v Speaker 1>No, it doesn't. I've told you that one hundred times.

0:58:08.800 --> 0:58:09.080
<v Speaker 6>Have you.

0:58:09.880 --> 0:58:19.480
<v Speaker 7>I you don't remember that. Oh wait, nope, still don't remember. Ah, sorry, Sammy,

0:58:19.720 --> 0:58:20.920
<v Speaker 7>Why are we escaping again?

0:58:21.480 --> 0:58:23.680
<v Speaker 1>Because for some crazy reason we are relegated to the

0:58:23.680 --> 0:58:25.840
<v Speaker 1>reject pile and if we don't get out of here,

0:58:25.920 --> 0:58:27.080
<v Speaker 1>they're gonna melt us down.

0:58:28.280 --> 0:58:29.200
<v Speaker 7>Oh that sounds bad.

0:58:30.240 --> 0:58:33.080
<v Speaker 1>That's bad, right, yes, Albert, it's bad.

0:58:33.960 --> 0:58:36.080
<v Speaker 7>Well, am I as good as an escaper as you?

0:58:36.520 --> 0:58:39.480
<v Speaker 1>Well, seeing as we haven't actually escaped yet, I'm thinking no.

0:58:40.880 --> 0:58:43.680
<v Speaker 7>Oh yeah, I keep forgetting that you actually have to

0:58:43.800 --> 0:58:47.320
<v Speaker 7>escape first to actually be a good escaper? And am

0:58:47.360 --> 0:58:51.000
<v Speaker 7>I always forgetting stuff like this? Because my head got smushed.

0:58:51.280 --> 0:58:53.160
<v Speaker 1>I'm guessing that's only a small part of it.

0:58:54.120 --> 0:58:56.080
<v Speaker 7>Well, then, then, why are you on the bad bend?

0:58:56.120 --> 0:58:56.480
<v Speaker 1>Sammy?

0:58:56.880 --> 0:58:57.680
<v Speaker 3>You're so pretty?

0:58:58.680 --> 0:59:00.800
<v Speaker 1>Yes I am, Albert. I'm the prettiest fish that this

0:59:00.800 --> 0:59:03.400
<v Speaker 1>factory has ever made, the prettiest fish that's ever been made.

0:59:03.560 --> 0:59:05.360
<v Speaker 1>But none of that matters when the world you're brought

0:59:05.400 --> 0:59:08.120
<v Speaker 1>into a sussesspool of awfulness, covered in even more awfulness,

0:59:08.120 --> 0:59:11.120
<v Speaker 1>and then dipped in nuts, and then the raight with sprinkles,

0:59:11.600 --> 0:59:13.439
<v Speaker 1>no more awfulness.

0:59:13.880 --> 0:59:16.520
<v Speaker 7>Oh then why are you and the bin?

0:59:17.200 --> 0:59:20.240
<v Speaker 1>I overheard some of the workers talking apparently something went

0:59:20.280 --> 0:59:25.720
<v Speaker 1>wrong with my recipe. Oh no, yeah, I'm two sour

0:59:26.000 --> 0:59:26.920
<v Speaker 1>stupid jerks.

0:59:27.320 --> 0:59:30.320
<v Speaker 7>Well I don't think that's true, Sammy.

0:59:32.600 --> 0:59:37.240
<v Speaker 1>Well, it's just because of this place. You just wait

0:59:37.240 --> 0:59:38.560
<v Speaker 1>till I get out of here. I'm gonna be the

0:59:38.600 --> 0:59:40.040
<v Speaker 1>sweetest fish you've ever met.

0:59:40.640 --> 0:59:42.320
<v Speaker 7>Why would you go to be sweetish?

0:59:42.520 --> 0:59:42.720
<v Speaker 5>Yeah?

0:59:43.040 --> 0:59:48.160
<v Speaker 1>Sweetish fish, not sweetish? Are you trying to get us sued? Oh?

0:59:48.200 --> 0:59:50.640
<v Speaker 7>Well, what do we do next?

0:59:50.920 --> 0:59:53.120
<v Speaker 1>Okay? I have a figured out. First we have to

0:59:53.120 --> 0:59:55.000
<v Speaker 1>get down from the bin. Next we have to make

0:59:55.000 --> 0:59:57.120
<v Speaker 1>it across the factory floor. Then we have to open

0:59:57.160 --> 0:59:59.960
<v Speaker 1>that big door by the loading dock. And lastly we

1:00:00.080 --> 1:00:01.280
<v Speaker 1>have to make our way to the city, where we'll

1:00:01.280 --> 1:00:03.160
<v Speaker 1>find jobs in a studio apartment. I'm okay if the

1:00:03.200 --> 1:00:05.120
<v Speaker 1>closet isn't that big, but I'm going to insist on a.

1:00:05.200 --> 1:00:07.120
<v Speaker 7>Washer dryat that's it's going to be a deal breaker

1:00:07.120 --> 1:00:11.800
<v Speaker 7>for me, right, have right, So, so first we have

1:00:11.880 --> 1:00:12.600
<v Speaker 7>to get past.

1:00:12.400 --> 1:00:15.640
<v Speaker 1>The big dog big No, first we have were you

1:00:15.720 --> 1:00:18.000
<v Speaker 1>even listening, na, I was.

1:00:17.960 --> 1:00:19.040
<v Speaker 7>Looking at the big puppy?

1:00:19.240 --> 1:00:20.000
<v Speaker 1>What big pow?

1:00:22.680 --> 1:00:23.480
<v Speaker 5>That was great?

1:00:23.920 --> 1:00:24.440
<v Speaker 2>Very good?

1:00:24.600 --> 1:00:26.320
<v Speaker 1>Yeah, I wanted to just hear it in your in

1:00:26.360 --> 1:00:27.400
<v Speaker 1>your natural register.

1:00:27.800 --> 1:00:32.640
<v Speaker 5>Thank you really lovely and totally natural. It was great.

1:00:32.880 --> 1:00:35.520
<v Speaker 2>I'm going to do something with the commercial, but the ad.

1:00:35.320 --> 1:00:37.120
<v Speaker 1>Copy, Oh did you want me to do that?

1:00:37.280 --> 1:00:37.520
<v Speaker 2>Okay?

1:00:38.120 --> 1:00:40.720
<v Speaker 1>Well we're yeah, we're debating. We're seeing which I think

1:00:40.760 --> 1:00:42.600
<v Speaker 1>I think we should. Let's have you run through it again.

1:00:43.720 --> 1:00:47.560
<v Speaker 1>Any any ideas, Andrea Rob anything different for the commercial?

1:00:47.720 --> 1:00:51.120
<v Speaker 6>I do because we got such a good version of

1:00:51.160 --> 1:00:53.400
<v Speaker 6>this the first time you went through, Rhanna, Yes, and

1:00:53.440 --> 1:00:56.800
<v Speaker 6>you can just of rest on your laurels for it's

1:00:56.840 --> 1:00:57.240
<v Speaker 6>just fine.

1:00:57.480 --> 1:00:58.200
<v Speaker 2>So just to.

1:00:58.120 --> 1:01:00.520
<v Speaker 6>Play and give you something different to do. Sure, let's

1:01:00.520 --> 1:01:04.760
<v Speaker 6>find a character for this. So we're imagining this. Here's

1:01:04.800 --> 1:01:10.640
<v Speaker 6>what I'm picturing. A motorcycle gang mall, a tough broad.

1:01:11.240 --> 1:01:12.840
<v Speaker 2>You know, she's really kind of tough.

1:01:12.920 --> 1:01:18.160
<v Speaker 6>She's got tattoos all over and piercings everywhere, and and

1:01:18.200 --> 1:01:21.520
<v Speaker 6>she's used to being around a really tough element and everything.

1:01:21.600 --> 1:01:24.720
<v Speaker 2>So let that be a placement for you to find

1:01:24.840 --> 1:01:25.680
<v Speaker 2>for the voice.

1:01:26.080 --> 1:01:26.400
<v Speaker 1>Okay.

1:01:26.440 --> 1:01:27.800
<v Speaker 2>And then there's one other thing. I want to deal

1:01:27.800 --> 1:01:29.200
<v Speaker 2>with it. And I don't know how you guys deal

1:01:29.240 --> 1:01:30.360
<v Speaker 2>with this when you work on it, but.

1:01:30.600 --> 1:01:34.040
<v Speaker 6>I found that when I was teaching, oftentimes people had

1:01:34.040 --> 1:01:36.920
<v Speaker 6>a hard time getting into commercial copy, getting getting it

1:01:37.040 --> 1:01:42.640
<v Speaker 6>started because decided who they were talking to in their minds.

1:01:42.720 --> 1:01:44.880
<v Speaker 6>Part of the actor was I'm just I'm doing a commercial.

1:01:44.880 --> 1:01:47.960
<v Speaker 6>I'm talking to the entire audience. That doesn't necessarily help

1:01:48.040 --> 1:01:50.920
<v Speaker 6>the actor. I think for your performance, you need to

1:01:50.960 --> 1:01:55.240
<v Speaker 6>decide who are you talking to. So, so maybe it's

1:01:55.280 --> 1:01:59.920
<v Speaker 6>your boyfriend. Maybe it's your boyfriend. Okay, your motorcycle gang boyfriend.

1:02:00.480 --> 1:02:04.240
<v Speaker 6>And he's just said, gosh, your apartment so small. That's

1:02:04.240 --> 1:02:07.160
<v Speaker 6>what he's just said to you before you start this copy.

1:02:07.640 --> 1:02:09.360
<v Speaker 6>So I'm gonna read you into it, and then you're

1:02:09.360 --> 1:02:11.160
<v Speaker 6>going to dive in and read the rest of the copy. Okay,

1:02:11.280 --> 1:02:15.840
<v Speaker 6>all right, your really tough, nasty boyfriend, biker guy.

1:02:16.200 --> 1:02:17.000
<v Speaker 1>That's perfect.

1:02:17.040 --> 1:02:21.720
<v Speaker 6>Geez, your apartment is so small.

1:02:22.480 --> 1:02:25.880
<v Speaker 8>Hey, just because I have a small apartment, that doesn't

1:02:25.920 --> 1:02:28.880
<v Speaker 8>mean I have a small appetite. And just because my

1:02:29.000 --> 1:02:33.240
<v Speaker 8>building frowns on indoor open flames or dangerous levels of

1:02:33.240 --> 1:02:37.400
<v Speaker 8>carbon monoxide, that doesn't mean I don't need to occasionally

1:02:37.440 --> 1:02:39.800
<v Speaker 8>throw down some meat and grill.

1:02:39.640 --> 1:02:40.520
<v Speaker 1>Grill, grill.

1:02:41.680 --> 1:02:45.520
<v Speaker 8>So with Blover's new indoor smokeless grill, I can live

1:02:45.640 --> 1:02:48.440
<v Speaker 8>like a carnivore and not worry about burning the place

1:02:48.480 --> 1:02:52.440
<v Speaker 8>down or killing my neighbors with dangerous poison gas. Using

1:02:52.520 --> 1:02:56.520
<v Speaker 8>patented fire stuff technology, Blever's has taken all of the

1:02:56.520 --> 1:02:59.280
<v Speaker 8>heat and smoke of real fire and made it relatively

1:02:59.320 --> 1:03:02.320
<v Speaker 8>safer indoors. So now I can cook my meat by

1:03:02.360 --> 1:03:04.520
<v Speaker 8>my bed and the only thing I have to worry

1:03:04.560 --> 1:03:09.480
<v Speaker 8>about is my alarmingly high cholesterol level. Blover's indoor smokeless

1:03:09.480 --> 1:03:14.240
<v Speaker 8>grills be a hunter again. Glover's grills are not certified

1:03:14.280 --> 1:03:16.880
<v Speaker 8>for most apartment buildings, are outdoors, not suitable for most meats,

1:03:16.920 --> 1:03:19.120
<v Speaker 8>vegtabals or some cheese is not legal in California or

1:03:19.160 --> 1:03:19.680
<v Speaker 8>New Mexico.

1:03:20.720 --> 1:03:24.800
<v Speaker 1>Nice, really good. That's great, really good. Thank you so much, Hannah.

1:03:24.880 --> 1:03:27.120
<v Speaker 1>We will be back with you. Thank you, thank you.

1:03:27.600 --> 1:03:33.400
<v Speaker 2>Well done. So interesting this process, it's nuts.

1:03:32.760 --> 1:03:36.600
<v Speaker 6>Interesting, yes, because because you're you're trying to judge a

1:03:36.600 --> 1:03:39.200
<v Speaker 6>whole bunch of different stuff from you write a lot

1:03:39.200 --> 1:03:40.920
<v Speaker 6>more time with both these goals, so you know them

1:03:40.960 --> 1:03:41.880
<v Speaker 6>a little better than well.

1:03:41.880 --> 1:03:44.000
<v Speaker 1>That's I mean, this is the thing, I think.

1:03:45.280 --> 1:03:45.520
<v Speaker 4>You know.

1:03:45.800 --> 1:03:49.240
<v Speaker 1>We have so many different versions of the voiceover actor.

1:03:49.240 --> 1:03:51.440
<v Speaker 1>I mean again, I can see Hannah. I I frankly

1:03:51.480 --> 1:03:53.440
<v Speaker 1>think Hannah did not do great with some of the

1:03:53.480 --> 1:03:56.640
<v Speaker 1>acting choices today, which is which is rare because she

1:03:56.760 --> 1:04:00.760
<v Speaker 1>was killing it before. But her ad read were great.

1:04:01.400 --> 1:04:04.080
<v Speaker 1>I can easily see her taking some acting classes and

1:04:04.080 --> 1:04:06.560
<v Speaker 1>maybe getting a little bit more comfortable in her skin

1:04:06.600 --> 1:04:10.000
<v Speaker 1>when it comes to the actual acting portion, but in

1:04:10.040 --> 1:04:12.320
<v Speaker 1>the meantime reading ad copies all over the place and

1:04:12.400 --> 1:04:18.240
<v Speaker 1>doing very well. I thought MIA's had two great days,

1:04:18.720 --> 1:04:24.360
<v Speaker 1>she I thought, really seeing the direction that she was taking,

1:04:24.400 --> 1:04:28.120
<v Speaker 1>the choices that she was making, owning everything she did,

1:04:28.280 --> 1:04:30.560
<v Speaker 1>and then switching. I thought her weakest part by far

1:04:30.600 --> 1:04:32.080
<v Speaker 1>was the add copy, and then I thought she did

1:04:32.080 --> 1:04:35.760
<v Speaker 1>great with the add copy the last time. So it's tough.

1:04:36.120 --> 1:04:38.960
<v Speaker 1>It's tough. I mean, we've said we thought our top sixteen,

1:04:39.080 --> 1:04:41.160
<v Speaker 1>all of all the top sixteen could have been signed

1:04:42.240 --> 1:04:45.160
<v Speaker 1>and and you know, could have have found a career.

1:04:45.560 --> 1:04:47.960
<v Speaker 1>So the last two down to the last two are

1:04:48.040 --> 1:04:50.040
<v Speaker 1>you know, we hope the two best that we had.

1:04:50.080 --> 1:04:51.920
<v Speaker 1>And of course I'm sure some people were great and

1:04:51.920 --> 1:04:54.919
<v Speaker 1>had bad days. It happens, you know, So you don't

1:04:54.960 --> 1:04:57.480
<v Speaker 1>know who just left and went, ah, damn it, I

1:04:57.480 --> 1:05:01.840
<v Speaker 1>had the worst day ever. We all have them, you know.

1:05:01.960 --> 1:05:06.480
<v Speaker 1>That being said, it's we're now nitpicking and I personally

1:05:06.880 --> 1:05:09.040
<v Speaker 1>not to start it, but I personally think Mia had

1:05:09.080 --> 1:05:10.400
<v Speaker 1>the better day too.

1:05:11.440 --> 1:05:13.240
<v Speaker 6>And this, as you said, we all have bad days.

1:05:13.360 --> 1:05:15.840
<v Speaker 6>You know, another day it might have been.

1:05:15.760 --> 1:05:18.240
<v Speaker 1>Just absolutely absolutely, but we.

1:05:18.120 --> 1:05:21.840
<v Speaker 6>Have a finite you know, what you choose from, and

1:05:21.880 --> 1:05:25.320
<v Speaker 6>what we saw today, I think Mea is the stronger content.

1:05:25.640 --> 1:05:27.240
<v Speaker 1>Here's the other thing, just before you jump in, Rob,

1:05:27.320 --> 1:05:29.000
<v Speaker 1>just for both of you to know, because we have

1:05:29.160 --> 1:05:33.160
<v Speaker 1>been with these contestants for so long, Mea has gotten

1:05:33.200 --> 1:05:37.400
<v Speaker 1>better every time. Oh that's the thing. So she's she's

1:05:37.440 --> 1:05:42.680
<v Speaker 1>also she's nineteen. Shut up, she's nineteen and getting better

1:05:42.760 --> 1:05:46.600
<v Speaker 1>with every session we've had. And if that's where she

1:05:46.760 --> 1:05:48.840
<v Speaker 1>started and this is where she is now, I mean

1:05:48.880 --> 1:05:51.640
<v Speaker 1>I use this analogy with you the last time, Andrea,

1:05:51.680 --> 1:05:53.680
<v Speaker 1>which is you know you have the two. You have

1:05:53.720 --> 1:05:55.840
<v Speaker 1>a baseball coach who's looking at two runners who both

1:05:55.840 --> 1:05:57.600
<v Speaker 1>make it to first base at the same amount of time.

1:05:57.760 --> 1:05:59.200
<v Speaker 1>One of them is perfect form, one of them is

1:05:59.200 --> 1:06:01.000
<v Speaker 1>bad form. You take the with bad form because teaching

1:06:01.040 --> 1:06:02.520
<v Speaker 1>perfect form, and he's going to beat the first guy.

1:06:02.880 --> 1:06:08.600
<v Speaker 1>So me at watching her progress this much in this

1:06:08.640 --> 1:06:10.600
<v Speaker 1>short amount of time, start getting her in a booth

1:06:10.640 --> 1:06:13.360
<v Speaker 1>with regular auditions and I mean, the sky's the limit.

1:06:14.160 --> 1:06:19.120
<v Speaker 4>Yeah, that's a great point. And the other side of

1:06:19.160 --> 1:06:22.080
<v Speaker 4>that coin is in terms of you know, folks like

1:06:22.800 --> 1:06:25.960
<v Speaker 4>folks like us, well, our stock and trade is versatility.

1:06:26.560 --> 1:06:29.920
<v Speaker 4>You can create a character or try a dialect or

1:06:29.920 --> 1:06:31.600
<v Speaker 4>singing character, all that other stuff.

1:06:32.040 --> 1:06:35.520
<v Speaker 5>Nonetheless, I thought, no, Hannah was great, just phenomenal.

1:06:36.000 --> 1:06:39.280
<v Speaker 4>The nature of this competition, as you say, is about

1:06:39.880 --> 1:06:40.360
<v Speaker 4>right now.

1:06:40.600 --> 1:06:42.640
<v Speaker 5>So that's just the way it goes.

1:06:43.280 --> 1:06:46.080
<v Speaker 4>I mean, at this moment, at this time, what you've

1:06:46.120 --> 1:06:51.240
<v Speaker 4>told us, under this circumstance, it's pretty difficult to not

1:06:51.640 --> 1:06:52.520
<v Speaker 4>go with Mia.

1:06:52.840 --> 1:06:55.560
<v Speaker 1>I agree. And Hannah was nervous today. You could tell

1:06:55.560 --> 1:06:56.400
<v Speaker 1>Hannah was nervous today.

1:06:56.960 --> 1:07:00.440
<v Speaker 6>You can that said in a professional situation, whether she's

1:07:00.480 --> 1:07:03.360
<v Speaker 6>in the booth at the agency, it's not going to

1:07:03.400 --> 1:07:06.760
<v Speaker 6>get less stressful, and it's going to be a matter

1:07:06.800 --> 1:07:08.600
<v Speaker 6>of her learning how to handle that.

1:07:09.360 --> 1:07:11.480
<v Speaker 2>We gave her so many times today saying how are you,

1:07:11.800 --> 1:07:12.600
<v Speaker 2>and she always.

1:07:12.320 --> 1:07:14.520
<v Speaker 1>Was like, I'm here, I guess I'm here.

1:07:15.320 --> 1:07:18.680
<v Speaker 2>Don't go there. Yeah, I'm great, I'm so grateful to

1:07:18.760 --> 1:07:20.960
<v Speaker 2>be here. I'm gung ho.

1:07:22.720 --> 1:07:24.320
<v Speaker 6>It's a mistake when you walk in the door and

1:07:24.320 --> 1:07:28.080
<v Speaker 6>you bring your problems with you. Outside, and it's all

1:07:28.120 --> 1:07:30.480
<v Speaker 6>about I am here to work and have fun.

1:07:30.560 --> 1:07:34.440
<v Speaker 1>And I thought the same thing. I thought the same thing. Yeah, okay,

1:07:34.480 --> 1:07:36.760
<v Speaker 1>so I think we're all in agreement then right.

1:07:36.920 --> 1:07:40.600
<v Speaker 6>All right, well we're going to tell these ladies now right?

1:07:40.720 --> 1:07:41.000
<v Speaker 1>Yes?

1:07:41.280 --> 1:07:42.320
<v Speaker 2>Are you tell Hannah first?

1:07:42.480 --> 1:07:42.680
<v Speaker 1>Yes?

1:07:43.040 --> 1:07:45.680
<v Speaker 2>Okay, let's I want to give her lots of encouragement because.

1:07:45.640 --> 1:07:51.560
<v Speaker 1>Of course, hey, how are you well? So I'm going

1:07:51.600 --> 1:07:53.840
<v Speaker 1>to be just totally honest to you. Unfortunately, you didn't

1:07:53.840 --> 1:07:58.240
<v Speaker 1>win today, okay, but you did an amazing job. I

1:07:58.240 --> 1:08:03.960
<v Speaker 1>mean number two out of forty five hundred people. You know,

1:08:04.160 --> 1:08:06.840
<v Speaker 1>when I'm we're sitting here with Rob Paulson and Andrea Romano,

1:08:06.920 --> 1:08:09.040
<v Speaker 1>two of the best ever in the business. And when

1:08:09.080 --> 1:08:11.080
<v Speaker 1>I told them it was forty five hundred people, they

1:08:11.120 --> 1:08:12.280
<v Speaker 1>couldn't believe how.

1:08:12.160 --> 1:08:14.000
<v Speaker 5>Many people around it.

1:08:14.000 --> 1:08:18.639
<v Speaker 1>It's you've done so incredibly well. I have to.

1:08:18.600 --> 1:08:20.000
<v Speaker 5>Say, let me interject something.

1:08:20.240 --> 1:08:25.360
<v Speaker 4>And firstly, Will and I are both on Andrea's You're

1:08:25.360 --> 1:08:27.719
<v Speaker 4>an actor too, right, Andrea, you were an actor at college,

1:08:28.920 --> 1:08:35.960
<v Speaker 4>and so we all we all, and I am dead serious.

1:08:36.360 --> 1:08:39.639
<v Speaker 4>We know exactly how you feel, we know exactly how

1:08:39.640 --> 1:08:42.400
<v Speaker 4>bad you want it. I have to tell you the

1:08:42.560 --> 1:08:47.479
<v Speaker 4>hustle never stops. Ever, when someone says to me, what's

1:08:47.520 --> 1:08:50.680
<v Speaker 4>your favorite gig, I say the next one, because I

1:08:50.800 --> 1:08:54.720
<v Speaker 4>can't believe that I'm able to do essentially what got

1:08:54.720 --> 1:08:57.439
<v Speaker 4>me in trouble in high school with people whom I

1:08:57.439 --> 1:09:00.400
<v Speaker 4>would choose to be my friends, two of whom are here.

1:09:02.680 --> 1:09:05.200
<v Speaker 5>And then my job is to bring joy to millions

1:09:05.240 --> 1:09:05.679
<v Speaker 5>of people.

1:09:06.280 --> 1:09:12.800
<v Speaker 4>So that is all to say that you are so

1:09:13.360 --> 1:09:17.760
<v Speaker 4>ahead of the game. I reckon I've done something like

1:09:17.840 --> 1:09:21.200
<v Speaker 4>twenty five hundred and a half hours of animation.

1:09:21.200 --> 1:09:27.360
<v Speaker 5>Which means I've not gotten four thousand of them.

1:09:27.439 --> 1:09:28.760
<v Speaker 1>Yeah, you know what I mean.

1:09:28.960 --> 1:09:30.040
<v Speaker 2>And so.

1:09:32.520 --> 1:09:33.519
<v Speaker 5>It's never easy.

1:09:33.960 --> 1:09:39.439
<v Speaker 4>But you are in a position not only with a

1:09:39.439 --> 1:09:43.880
<v Speaker 4>lot of skill and a delightful personality, and you're young

1:09:43.960 --> 1:09:47.160
<v Speaker 4>and you're just on your way. But the people who

1:09:47.160 --> 1:09:51.960
<v Speaker 4>are telling you this worked yesterday and we're working tomorrow,

1:09:52.160 --> 1:09:54.400
<v Speaker 4>so we really know what we're talking about.

1:09:54.720 --> 1:09:57.720
<v Speaker 5>And you are precious, Hannah.

1:09:57.760 --> 1:10:00.000
<v Speaker 7>Thank you so much, Rob, I really do appreciate that.

1:10:00.920 --> 1:10:03.960
<v Speaker 6>I want to interject if I may hear that, I

1:10:04.000 --> 1:10:08.160
<v Speaker 6>want to encourage you, Hannah, to continue pursuing this. You're

1:10:08.880 --> 1:10:12.719
<v Speaker 6>very good, you really are. Your commercial stuff is excellent.

1:10:12.800 --> 1:10:13.840
<v Speaker 1>Yeah, thank you.

1:10:14.080 --> 1:10:16.920
<v Speaker 6>And you know, we talked about this, Robin and Will

1:10:16.960 --> 1:10:20.439
<v Speaker 6>and I about how one any given day, you may

1:10:20.479 --> 1:10:22.559
<v Speaker 6>be able to handle this one thing, and then another

1:10:22.640 --> 1:10:24.479
<v Speaker 6>day you're just kind of not good at that one

1:10:24.600 --> 1:10:27.240
<v Speaker 6>is not you personally, and so this may not have

1:10:27.280 --> 1:10:28.519
<v Speaker 6>been the best day for you.

1:10:28.920 --> 1:10:31.320
<v Speaker 2>When we first said hello to you, you seemed kind.

1:10:31.080 --> 1:10:34.200
<v Speaker 6>Of down a little or nervous or whatever it seemed

1:10:34.200 --> 1:10:36.800
<v Speaker 6>to be affecting you, And of course it is.

1:10:37.280 --> 1:10:40.599
<v Speaker 2>But that's part of the gig, is that nervousness and

1:10:40.680 --> 1:10:41.559
<v Speaker 2>dealing with that.

1:10:41.800 --> 1:10:44.040
<v Speaker 6>And so while I want to encourage you to continue

1:10:44.080 --> 1:10:46.519
<v Speaker 6>to take classes, to continue to work tr this, to

1:10:46.560 --> 1:10:51.719
<v Speaker 6>find an agent to pursue this work, absolutely, I also

1:10:51.720 --> 1:10:54.360
<v Speaker 6>want to suggest to you that you bring with your

1:10:54.400 --> 1:10:58.120
<v Speaker 6>talent that absolute desire that you clearly have to do

1:10:58.280 --> 1:11:02.720
<v Speaker 6>well yes, so that if someone says, how are you?

1:11:02.800 --> 1:11:05.479
<v Speaker 6>Let everything else go away and like I'm great and

1:11:05.560 --> 1:11:08.800
<v Speaker 6>I'm so happy to be here, okay, and then you

1:11:08.840 --> 1:11:11.240
<v Speaker 6>will convince yourself that that is the truth, because it

1:11:11.280 --> 1:11:13.960
<v Speaker 6>is you want to be in front of people. And

1:11:13.960 --> 1:11:16.360
<v Speaker 6>this is something that I learned about auditioning as an actress,

1:11:16.400 --> 1:11:22.320
<v Speaker 6>which was auditions should not be intimidating somebody in this

1:11:22.320 --> 1:11:26.720
<v Speaker 6>particular day, Rob Paulson, Will Ferdell and Andrea Romano wanted

1:11:27.000 --> 1:11:28.679
<v Speaker 6>you to perform for us.

1:11:29.520 --> 1:11:30.439
<v Speaker 2>Who is that?

1:11:30.439 --> 1:11:33.200
<v Speaker 1>That is the audition you get.

1:11:33.880 --> 1:11:37.759
<v Speaker 2>People want you to perform for them, and you got

1:11:37.800 --> 1:11:40.400
<v Speaker 2>that down. You really do. You're well on your way.

1:11:40.760 --> 1:11:41.640
<v Speaker 2>Keep pursuing it.

1:11:41.760 --> 1:11:45.880
<v Speaker 6>Don't be discouraged by the fact that this particular contest,

1:11:45.880 --> 1:11:48.960
<v Speaker 6>this particular audition, you didn't come out on top. You

1:11:49.080 --> 1:11:54.360
<v Speaker 6>came out really close to aunt, really close. So I

1:11:54.439 --> 1:11:56.519
<v Speaker 6>just I don't want you to be sad about this.

1:11:56.760 --> 1:12:00.280
<v Speaker 6>You've accomplished quite a bit already, and I encourag you

1:12:00.320 --> 1:12:01.920
<v Speaker 6>to continue on and you will succeed more.

1:12:02.080 --> 1:12:05.080
<v Speaker 2>And I'm sure we'll be seeing your name years from now.

1:12:04.880 --> 1:12:08.439
<v Speaker 6>On various high I think, so virtual work or animation work.

1:12:08.920 --> 1:12:10.719
<v Speaker 2>I wish you the very best of luck.

1:12:10.840 --> 1:12:13.519
<v Speaker 1>And take these episodes, take the episodes and put together

1:12:13.600 --> 1:12:15.439
<v Speaker 1>a real and send them out places you're gonna get

1:12:15.439 --> 1:12:18.360
<v Speaker 1>signed by some You're gonna get signed somewhere you are. Yeah,

1:12:18.360 --> 1:12:21.360
<v Speaker 1>I mean, it's everything's remote nowadays, so it doesn't matter

1:12:21.360 --> 1:12:25.439
<v Speaker 1>where you are. You now have the the reads under

1:12:25.479 --> 1:12:28.800
<v Speaker 1>your belt. Again, what Rob said is absolutely right. We've

1:12:28.880 --> 1:12:32.320
<v Speaker 1>all heard no or the equivalent of No. One hundred

1:12:32.400 --> 1:12:37.679
<v Speaker 1>thousand times, So it's uh. And usually it's your number

1:12:38.120 --> 1:12:41.200
<v Speaker 1>fifty out of forty eight, it's not your number two

1:12:41.400 --> 1:12:45.439
<v Speaker 1>out of forty five hundred. So it's you did You've

1:12:45.560 --> 1:12:48.280
<v Speaker 1>you've done really really well. You just to be totally

1:12:48.320 --> 1:12:49.760
<v Speaker 1>honest with you, and you know you're going to listen

1:12:49.760 --> 1:12:53.160
<v Speaker 1>to this episode and everything. Your fellow competitor today just

1:12:53.320 --> 1:12:56.800
<v Speaker 1>really crushed. It just had a day. And that's how

1:12:56.840 --> 1:12:58.760
<v Speaker 1>we are as actors. You have sometimes when you have

1:12:58.800 --> 1:13:00.799
<v Speaker 1>a day, and you have sometimes when you just don't

1:13:01.640 --> 1:13:04.280
<v Speaker 1>and you weren't. It wasn't that you were bad at all.

1:13:05.040 --> 1:13:09.200
<v Speaker 1>She was phenomenal. That's just how it works sometimes. So

1:13:09.400 --> 1:13:14.160
<v Speaker 1>it's just was it just was a day. And I'm I.

1:13:14.160 --> 1:13:15.639
<v Speaker 1>I know I've said this to you a hundred times

1:13:15.680 --> 1:13:17.720
<v Speaker 1>and I've meant it every time and I continue to

1:13:17.760 --> 1:13:19.720
<v Speaker 1>mean it. You are going to get signed, you are,

1:13:20.840 --> 1:13:23.400
<v Speaker 1>so you somebody, You're gonna sign up with an agency,

1:13:23.439 --> 1:13:26.479
<v Speaker 1>and especially I would work a little bit on some

1:13:26.560 --> 1:13:29.000
<v Speaker 1>of the voiceover stuff with with just acting, some of

1:13:29.040 --> 1:13:31.880
<v Speaker 1>the vo acting stuff. Your ad read. You could start

1:13:31.880 --> 1:13:35.599
<v Speaker 1>reading copy tomorrow. No, it's true, it's true. You you're

1:13:35.640 --> 1:13:38.000
<v Speaker 1>first from your first read, it was you're you're you're

1:13:38.080 --> 1:13:42.000
<v Speaker 1>killing it. So yeah, take take improv classes, take some

1:13:42.040 --> 1:13:44.519
<v Speaker 1>acting classes. But my guess is you're going to be

1:13:44.560 --> 1:13:47.840
<v Speaker 1>signed and doing auditions while you're taking those classes. So

1:13:48.080 --> 1:13:50.719
<v Speaker 1>you've done so well, and it's been such an honor

1:13:50.760 --> 1:13:53.200
<v Speaker 1>to get to know you. And someday I'm gonna be

1:13:53.240 --> 1:13:56.240
<v Speaker 1>able to say I got a chance to meet her

1:13:56.439 --> 1:13:59.720
<v Speaker 1>one time, and you're gonna you're gonna be accepting some

1:13:59.800 --> 1:14:01.920
<v Speaker 1>of You're gonna be like and the day will friedle

1:14:01.960 --> 1:14:05.439
<v Speaker 1>because you don't remember how to pronounce it. And that

1:14:05.640 --> 1:14:08.120
<v Speaker 1>stupid show he did said no to me was the

1:14:08.240 --> 1:14:10.920
<v Speaker 1>day that I went off and started my entire career.

1:14:10.960 --> 1:14:12.720
<v Speaker 1>And I don't know where he is right now, but

1:14:12.760 --> 1:14:14.479
<v Speaker 1>I think he sold me a hot pretzel on the

1:14:14.479 --> 1:14:15.559
<v Speaker 1>street or something last night.

1:14:15.760 --> 1:14:17.160
<v Speaker 11>No, it's Bill Waffle.

1:14:17.800 --> 1:14:21.800
<v Speaker 1>There you go, perfect, perfect, No, you're really really keep

1:14:21.880 --> 1:14:24.320
<v Speaker 1>going because you are. You're such a joy and you're

1:14:24.320 --> 1:14:27.360
<v Speaker 1>great and you've I mean again, I cannot stress this enough.

1:14:27.600 --> 1:14:30.559
<v Speaker 1>Number two out of forty five hundred people.

1:14:30.680 --> 1:14:34.520
<v Speaker 11>That's insane.

1:14:34.920 --> 1:14:37.559
<v Speaker 1>So it was so nice me to you. Congratulations, We're

1:14:37.600 --> 1:14:40.280
<v Speaker 1>gonna be now once all the show is wrapped, we

1:14:40.280 --> 1:14:42.880
<v Speaker 1>can now we weren't legally allowed to like tag all

1:14:42.880 --> 1:14:44.960
<v Speaker 1>the contestants and put their last names out there and stuff.

1:14:45.040 --> 1:14:46.360
<v Speaker 1>We're now gonna be able to do all that, so

1:14:46.360 --> 1:14:48.080
<v Speaker 1>people are gonna know who you are. You're gonna be

1:14:48.080 --> 1:14:49.680
<v Speaker 1>able to take all this stuff. You're gonna be able

1:14:49.720 --> 1:14:52.160
<v Speaker 1>to make a reel, send it out. Agents are going

1:14:52.200 --> 1:14:54.320
<v Speaker 1>to be listening to the stuff. I'm sure that you're

1:14:54.320 --> 1:14:57.880
<v Speaker 1>going to be doing well. So congratulations on that. And

1:14:58.240 --> 1:14:59.960
<v Speaker 1>uh yeah, I know we're going to be seeing you again.

1:15:00.400 --> 1:15:02.120
<v Speaker 7>Thank you well, thank you Andre, and thank.

1:15:01.960 --> 1:15:06.639
<v Speaker 8>You so so much, amazing, thank you so much, thank you.

1:15:06.800 --> 1:15:14.599
<v Speaker 1>Bye, Hannah. All right, let's bring in Mia Hey, Mia Hi,

1:15:15.200 --> 1:15:16.920
<v Speaker 1>how are you?

1:15:17.000 --> 1:15:17.559
<v Speaker 9>How are you?

1:15:17.960 --> 1:15:21.599
<v Speaker 1>I'm good? Thank you. So as you can tell, I mean,

1:15:21.640 --> 1:15:24.360
<v Speaker 1>as you know, the competition has gotten ridiculously stiff. We

1:15:24.400 --> 1:15:27.360
<v Speaker 1>are down to the finals. It has been just an

1:15:27.360 --> 1:15:32.120
<v Speaker 1>incredible journey all the way through. And I hope you

1:15:32.120 --> 1:15:33.880
<v Speaker 1>don't mind signing with an agent because you just won.

1:15:40.840 --> 1:15:42.680
<v Speaker 1>You did, you just won. You are going to be

1:15:42.960 --> 1:15:48.880
<v Speaker 1>cesd's newest client. Congratulations, relations.

1:15:51.240 --> 1:15:52.360
<v Speaker 2>Had a great day.

1:15:52.520 --> 1:15:54.320
<v Speaker 1>You you rushed it today.

1:15:54.560 --> 1:15:58.479
<v Speaker 6>Today, you did you followed direction beautifully. Your instincts were

1:15:58.600 --> 1:16:01.680
<v Speaker 6>on your was up and positive.

1:16:02.560 --> 1:16:05.479
<v Speaker 2>You really just nailed it. You did. You're up against

1:16:05.479 --> 1:16:09.960
<v Speaker 2>some fierce competition, yes, and you just did. You deserve

1:16:10.360 --> 1:16:11.760
<v Speaker 2>the chance that you're about to get.

1:16:12.360 --> 1:16:14.360
<v Speaker 7>I am so excited.

1:16:14.520 --> 1:16:16.559
<v Speaker 9>You guys have no idea how much this means to me.

1:16:16.640 --> 1:16:17.439
<v Speaker 13>The so much.

1:16:17.920 --> 1:16:20.920
<v Speaker 5>Yes, meya, you're just wonderful.

1:16:21.080 --> 1:16:31.280
<v Speaker 4>Obviously Hannah was is as well, but you're innate. Just positivity,

1:16:32.120 --> 1:16:37.599
<v Speaker 4>joy is such a big deal, and you can back

1:16:37.640 --> 1:16:39.000
<v Speaker 4>it up with killer skills.

1:16:39.320 --> 1:16:39.719
<v Speaker 1>Yeah.

1:16:39.760 --> 1:16:43.400
<v Speaker 4>So and then and then Will told me you're seven

1:16:43.439 --> 1:16:45.280
<v Speaker 4>and a half years old or something like that.

1:16:46.840 --> 1:16:48.839
<v Speaker 1>You know you're aren't you nineteen?

1:16:49.320 --> 1:16:56.960
<v Speaker 4>I am, Oh my god, well god, well you know

1:16:57.560 --> 1:16:59.280
<v Speaker 4>when I was your age. People don't know this, but

1:16:59.360 --> 1:17:01.719
<v Speaker 4>my high school your book photo is a cave painting.

1:17:04.080 --> 1:17:05.240
<v Speaker 7>It was a beautiful arpi.

1:17:07.200 --> 1:17:11.439
<v Speaker 5>But no, you are just it makes certainly.

1:17:11.840 --> 1:17:13.920
<v Speaker 4>I am so humbled to be part of this and

1:17:14.000 --> 1:17:16.320
<v Speaker 4>to see the joy on your face.

1:17:16.400 --> 1:17:19.120
<v Speaker 5>And then having been where you're.

1:17:18.800 --> 1:17:24.240
<v Speaker 4>Going, you have so much to look forward to and

1:17:24.280 --> 1:17:28.200
<v Speaker 4>you have signed so many people who are going to

1:17:28.240 --> 1:17:31.519
<v Speaker 4>be so happy that you're doing what you're doing out

1:17:31.680 --> 1:17:33.000
<v Speaker 4>You're a remarkable young woman.

1:17:33.320 --> 1:17:35.200
<v Speaker 1>Also, for the record, we haven't you know, we said

1:17:35.200 --> 1:17:36.880
<v Speaker 1>you're signing with an agent, which you are, but you're

1:17:36.880 --> 1:17:39.120
<v Speaker 1>also winning one thousand dollars. You're being flown out to

1:17:39.160 --> 1:17:42.120
<v Speaker 1>Los Angeles. You're having lunch with Christy and I. You're

1:17:42.160 --> 1:17:44.160
<v Speaker 1>going to get a go meet some people over at

1:17:44.200 --> 1:17:47.080
<v Speaker 1>Critical Role and get a training session from Mary McGlen

1:17:47.160 --> 1:17:47.880
<v Speaker 1>or Sam Regal.

1:17:49.120 --> 1:17:50.680
<v Speaker 9>You're going to get him the biggest D and D

1:17:50.760 --> 1:17:51.920
<v Speaker 9>inert on the whole planet.

1:17:51.960 --> 1:17:53.000
<v Speaker 11>You have no idea.

1:17:53.520 --> 1:17:55.920
<v Speaker 1>So there were you. Did you hear about this contest

1:17:55.920 --> 1:17:58.880
<v Speaker 1>through Critical Role? Yes, so there you go.

1:17:59.400 --> 1:18:01.679
<v Speaker 9>My best friend is obsessed with them, and he's like, yeah,

1:18:01.880 --> 1:18:02.720
<v Speaker 9>you have to do it.

1:18:02.800 --> 1:18:05.880
<v Speaker 1>I'm like, okay, so there you go. Wow, well you

1:18:09.800 --> 1:18:12.000
<v Speaker 1>or anything you'd like to say to me, I just.

1:18:12.120 --> 1:18:14.599
<v Speaker 6>You know, the thing is that because you are so young,

1:18:14.920 --> 1:18:17.559
<v Speaker 6>it's clearful. It's easy for us to say you have

1:18:17.720 --> 1:18:20.959
<v Speaker 6>natural talent. You actually have nottal. You have not apparently

1:18:20.960 --> 1:18:25.120
<v Speaker 6>had many years to study because so I encourage you

1:18:25.160 --> 1:18:27.600
<v Speaker 6>to continue to pursue as far as you know.

1:18:27.600 --> 1:18:28.720
<v Speaker 2>You've got the opportunity now.

1:18:28.720 --> 1:18:32.439
<v Speaker 6>But and I said this oftentimes, which is any actor

1:18:32.640 --> 1:18:37.360
<v Speaker 6>can benefit from a good class. Continue to take classes

1:18:37.400 --> 1:18:40.719
<v Speaker 6>if you haven't started taking them, start taking classes. Good classes.

1:18:40.720 --> 1:18:42.519
<v Speaker 6>There's people out there that want to rip off your

1:18:42.640 --> 1:18:45.439
<v Speaker 6>take your money and rip you off. They're good, accredited people.

1:18:45.960 --> 1:18:48.000
<v Speaker 6>But study and that's a great way to meet people

1:18:48.080 --> 1:18:50.200
<v Speaker 6>and learn what's going on in town and finding out

1:18:50.280 --> 1:18:53.600
<v Speaker 6>what the popular thing is that's happening then and what

1:18:53.680 --> 1:18:57.479
<v Speaker 6>kind of voices people looking for. But I I think

1:18:57.520 --> 1:18:59.800
<v Speaker 6>you are well on your way, and I know we're

1:18:59.800 --> 1:19:02.320
<v Speaker 6>going to hear great things about you. Congratulations to you.

1:19:02.400 --> 1:19:03.480
<v Speaker 6>Well done, you.

1:19:03.320 --> 1:19:06.280
<v Speaker 1>Did, you did an amazing job. I've gotten to watch

1:19:06.360 --> 1:19:08.920
<v Speaker 1>you the entire time. I am, however, gonna gonna tell

1:19:08.920 --> 1:19:13.160
<v Speaker 1>you this, This is only an opportunity. You now have

1:19:13.240 --> 1:19:15.599
<v Speaker 1>to take it and make whatever it is. You won

1:19:15.800 --> 1:19:19.280
<v Speaker 1>a chance, that's all you won. But it's a great chance.

1:19:19.800 --> 1:19:22.280
<v Speaker 1>But now you've got to take it. No one's gonna

1:19:22.280 --> 1:19:23.800
<v Speaker 1>give it to you. You've got to go and you've

1:19:23.800 --> 1:19:25.639
<v Speaker 1>got to make whatever you can out of it because

1:19:25.720 --> 1:19:28.559
<v Speaker 1>it's a wonderful business. It's a ton of fun, and

1:19:29.120 --> 1:19:31.879
<v Speaker 1>you gotta try to just get happier because it's.

1:19:33.000 --> 1:19:34.200
<v Speaker 9>Just be happy, Oh Michael.

1:19:34.840 --> 1:19:36.840
<v Speaker 1>So of course, Mio, we will be in touch and

1:19:36.880 --> 1:19:38.920
<v Speaker 1>I'll get to see you and shake your hand in

1:19:38.960 --> 1:19:42.720
<v Speaker 1>person and congratulating person in Los Angeles, Christy and I

1:19:42.800 --> 1:19:45.360
<v Speaker 1>Christie so wishes she could be here. She's been texting

1:19:45.439 --> 1:19:46.880
<v Speaker 1>all morning. Who won? Who won?

1:19:46.960 --> 1:19:47.360
<v Speaker 2>Who won?

1:19:48.000 --> 1:19:48.360
<v Speaker 5>Nice?

1:19:48.439 --> 1:19:54.880
<v Speaker 1>So just congratulations. You are a future vo star. I'm

1:19:54.920 --> 1:20:03.160
<v Speaker 1>telling you that. So you earned it. Congratulations, Congratulations, Thank.

1:20:03.000 --> 1:20:04.720
<v Speaker 9>You so much for this opportunity.

1:20:04.840 --> 1:20:07.640
<v Speaker 1>You're welcome, Mia, and somebody will be in touch. You

1:20:07.840 --> 1:20:12.320
<v Speaker 1>absolutely earned it. Congratulations to the winner of the super

1:20:12.360 --> 1:20:15.360
<v Speaker 1>awesome contest to become the next big voice actor, Mia

1:20:15.560 --> 1:20:19.639
<v Speaker 1>from Florida. Wow, what a ride. Thank you, Mia, Thank

1:20:19.720 --> 1:20:26.479
<v Speaker 1>you bye? Oh god, that was fun.

1:20:27.040 --> 1:20:30.479
<v Speaker 4>You guys did a really remarkable thing.

1:20:30.560 --> 1:20:32.080
<v Speaker 5>My friend, you really did.

1:20:32.320 --> 1:20:35.120
<v Speaker 1>That was fun. That really was well. We certainly couldn't

1:20:35.120 --> 1:20:37.760
<v Speaker 1>have done it without all the amazing guest judges we had.

1:20:37.920 --> 1:20:42.000
<v Speaker 1>Ending with I mean, come on to legends royalty in

1:20:42.240 --> 1:20:45.680
<v Speaker 1>Andre Romano and Rob Paulson, I mean, man, darling.

1:20:45.400 --> 1:20:48.800
<v Speaker 5>Thank you well, thank you so much for including us.

1:20:49.040 --> 1:20:52.120
<v Speaker 1>Thank you both so much, Andre Ramano, Rob Paulson, I

1:20:52.160 --> 1:20:54.200
<v Speaker 1>love you guys so much. Thank you for joining us.

1:20:54.640 --> 1:20:56.800
<v Speaker 1>We could not have had better people. Thank you to

1:20:56.840 --> 1:21:00.719
<v Speaker 1>both of you, and we'll be talking to you soon. Bye,

1:21:00.760 --> 1:21:07.320
<v Speaker 1>stay well, bye, now bye, Well everybody, that is it?

1:21:07.760 --> 1:21:11.120
<v Speaker 1>What a show. We have gone from forty five hundred

1:21:11.520 --> 1:21:15.200
<v Speaker 1>to Mia from Florida, and man, did she earn it today?

1:21:15.760 --> 1:21:17.960
<v Speaker 1>What I could anyone else to say? You're going to

1:21:18.000 --> 1:21:21.479
<v Speaker 1>be hearing her everywhere. What a phenomenal win she earned it.

1:21:21.960 --> 1:21:27.080
<v Speaker 1>An incredible kudos to Hannah, such a worthy Number two

1:21:27.560 --> 1:21:29.360
<v Speaker 1>easily could have been her day. It was just one

1:21:29.400 --> 1:21:31.640
<v Speaker 1>of those days where Mia came in and was just

1:21:31.680 --> 1:21:34.720
<v Speaker 1>a buzz sauce. She crushed it. So about we're gonna

1:21:34.720 --> 1:21:36.240
<v Speaker 1>be hearing from Hannah as well. I think we all

1:21:36.280 --> 1:21:39.519
<v Speaker 1>know that, and well, this is it, everybody. I mean,

1:21:39.560 --> 1:21:41.960
<v Speaker 1>I think we wanted to end the show on a

1:21:42.000 --> 1:21:43.800
<v Speaker 1>high note and it doesn't get much higher than that.

1:21:43.920 --> 1:21:46.080
<v Speaker 1>So I think you've all probably I'll figure it out

1:21:46.080 --> 1:21:48.799
<v Speaker 1>by now that we're not just ending the super awesome contest,

1:21:48.840 --> 1:21:50.760
<v Speaker 1>but we're ending. I hear voices too. It's been an

1:21:50.760 --> 1:21:53.040
<v Speaker 1>incredible run, and I know Christy wishes he was here

1:21:53.080 --> 1:21:55.920
<v Speaker 1>as well, but we are all onto different stuff and

1:21:55.960 --> 1:21:58.800
<v Speaker 1>we want to thank some people very quickly for helping

1:21:58.880 --> 1:22:00.960
<v Speaker 1>us out. Of course with the contest, we want to

1:22:00.960 --> 1:22:03.479
<v Speaker 1>thank CESD for signing our winner Mia. Man, are they

1:22:03.479 --> 1:22:06.840
<v Speaker 1>getting somebody fantastic to add to their roster. We also

1:22:06.880 --> 1:22:09.439
<v Speaker 1>want to thank everybody over there at Prime Video who

1:22:09.520 --> 1:22:12.439
<v Speaker 1>has helped us out. Go watch season two of the

1:22:12.479 --> 1:22:15.280
<v Speaker 1>Legend of Oxmocket. It's available for download now, and of course,

1:22:15.360 --> 1:22:16.840
<v Speaker 1>as I always say, it's not just because I'm on

1:22:16.880 --> 1:22:19.240
<v Speaker 1>it that it's awesome, but it helps. We also want

1:22:19.280 --> 1:22:22.439
<v Speaker 1>to thank everybody over there at Critical Role, all of

1:22:22.479 --> 1:22:25.720
<v Speaker 1>our friends at iHeart who just made this happen for us.

1:22:25.800 --> 1:22:29.160
<v Speaker 1>You are incredible, our producer Lorraine, our engineer Brian, everybody

1:22:29.280 --> 1:22:31.280
<v Speaker 1>who has helped to make this possible, because it took

1:22:31.479 --> 1:22:35.280
<v Speaker 1>an army of people to really make this national contest huge.

1:22:35.280 --> 1:22:37.760
<v Speaker 1>But as for I hear voices, I want to thank

1:22:38.040 --> 1:22:41.280
<v Speaker 1>my fellow executive producer, Brendan Rooney, who is Christy Carlson

1:22:41.360 --> 1:22:45.120
<v Speaker 1>Romano's husband. I want to thank my close friend Christy

1:22:45.120 --> 1:22:47.680
<v Speaker 1>Carlson Romano. We started this journey together and I wish

1:22:47.720 --> 1:22:49.280
<v Speaker 1>we could have ended it together, but it just didn't

1:22:49.280 --> 1:22:51.400
<v Speaker 1>work out that way. She's so busy right now and

1:22:51.439 --> 1:22:54.080
<v Speaker 1>she's so bummed. She's been texting me all morning who won,

1:22:54.120 --> 1:22:56.639
<v Speaker 1>who won, who won? But we just want to thank

1:22:56.720 --> 1:22:59.960
<v Speaker 1>everybody who stuck with us for all of these episodes.

1:23:00.640 --> 1:23:03.400
<v Speaker 1>You are phenomenal, and we got to show you a

1:23:03.400 --> 1:23:05.360
<v Speaker 1>little bit of what the world of voiceover is like.

1:23:05.400 --> 1:23:08.160
<v Speaker 1>We couldn't have asked for better fans. You are incredible

1:23:08.160 --> 1:23:10.040
<v Speaker 1>people and we just love you if we really do.

1:23:10.080 --> 1:23:11.960
<v Speaker 1>I know that word gets thrown around around a lot,

1:23:12.000 --> 1:23:13.760
<v Speaker 1>but we talked about it quite a bit about how

1:23:13.880 --> 1:23:16.160
<v Speaker 1>just special you all are to us and how you've

1:23:16.160 --> 1:23:18.679
<v Speaker 1>made this incredible. So I just want to thank everybody

1:23:18.720 --> 1:23:22.240
<v Speaker 1>for joining us. Yeah, not gonna get too sentimental. It's

1:23:22.240 --> 1:23:25.320
<v Speaker 1>been an incredible ride, and I love this business so

1:23:25.479 --> 1:23:26.880
<v Speaker 1>much and I'd love to be able to share it

1:23:26.880 --> 1:23:30.160
<v Speaker 1>with everybody. So thank you all, And for the last time,

1:23:30.800 --> 1:23:32.360
<v Speaker 1>if you think you have what it takes to be

1:23:32.400 --> 1:23:34.720
<v Speaker 1>one of us, step up and put your voices where

1:23:34.720 --> 1:23:35.240
<v Speaker 1>your mouth is.

1:23:36.040 --> 1:23:37.680
<v Speaker 7>Hey, there, I hear voices, listeners.

1:23:37.800 --> 1:23:40.200
<v Speaker 10>This is Na the winner of the super Awesome contest

1:23:40.200 --> 1:23:42.640
<v Speaker 10>to become the next big voice actor. I am so

1:23:42.760 --> 1:23:44.880
<v Speaker 10>glad I found this podcast, and I'm glad you found

1:23:44.920 --> 1:23:48.040
<v Speaker 10>it too well. Then, Christy, also known as Kim Possible

1:23:48.080 --> 1:23:51.480
<v Speaker 10>and Ron Stoppable, interview the best known voices in Hollywood,

1:23:51.840 --> 1:23:52.840
<v Speaker 10>from your favorite.

1:23:52.560 --> 1:23:54.479
<v Speaker 9>Cartoon characters the video game voices.

1:23:54.800 --> 1:23:57.479
<v Speaker 10>You never know who they'll talk to next. Make sure

1:23:57.520 --> 1:24:00.320
<v Speaker 10>to follow, like, and download the I Hear Voices bycast

1:24:00.400 --> 1:24:03.000
<v Speaker 10>on Iheartapple and anywhere you get your podcasts.

1:24:03.240 --> 1:24:05.479
<v Speaker 9>And remember, if you think you had what it takes,

1:24:05.760 --> 1:24:07.640
<v Speaker 9>put your voices where your mouth is.