1
00:00:00,280 --> 00:00:04,640
Speaker 1: Hi Christy, Hi Will, We're here. We're here at the finals.

2
00:00:04,720 --> 00:00:05,440
Speaker 1: Can you believe it?

3
00:00:05,680 --> 00:00:06,360
Speaker 2: I can.

4
00:00:06,800 --> 00:00:09,560
Speaker 3: We've worked hard to get here, and folks that have

5
00:00:09,600 --> 00:00:14,040
Speaker 3: been listening, you guys are the reason why we've done this.

6
00:00:14,800 --> 00:00:16,959
Speaker 3: We love you guys so much. Thank you for coming

7
00:00:17,000 --> 00:00:17,560
Speaker 3: all this way.

8
00:00:17,680 --> 00:00:20,079
Speaker 1: I'm so excited. I mean seriously, from the time you

9
00:00:20,120 --> 00:00:23,160
Speaker 1: and I talked about doing this to the forty five

10
00:00:23,320 --> 00:00:26,239
Speaker 1: hundred or so entries we got to getting down to

11
00:00:26,280 --> 00:00:29,760
Speaker 1: our sixteen to sixteen to the eight to the I

12
00:00:29,800 --> 00:00:32,400
Speaker 1: mean just and that's just a contest alone. I'm not

13
00:00:32,400 --> 00:00:33,920
Speaker 1: even talking about the rest of the show, just the

14
00:00:33,960 --> 00:00:36,559
Speaker 1: contest alone. It has been so awesome to go through

15
00:00:36,560 --> 00:00:37,120
Speaker 1: this process.

16
00:00:37,200 --> 00:00:40,199
Speaker 3: It has It's been a wild ride. I remember our

17
00:00:40,520 --> 00:00:44,000
Speaker 3: live shows that we used to do. Do you remembers,

18
00:00:44,040 --> 00:00:47,640
Speaker 3: And I mean, honestly, I think that even when we

19
00:00:47,720 --> 00:00:51,040
Speaker 3: do panels together in the future, there will always be

20
00:00:51,080 --> 00:00:53,680
Speaker 3: a part of I hear voices that travels with us,

21
00:00:53,680 --> 00:00:54,680
Speaker 3: don't you think?

22
00:00:54,840 --> 00:00:56,640
Speaker 1: I think so too, And I think we might our

23
00:00:56,680 --> 00:00:58,960
Speaker 1: in our future panels have to play the way that

24
00:00:59,000 --> 00:01:01,200
Speaker 1: we did last time with all right, let's let's get it.

25
00:01:01,280 --> 00:01:02,760
Speaker 1: Let's get a screen up there. Let's see what we

26
00:01:02,800 --> 00:01:06,039
Speaker 1: can do and all that good kind of stuff. Shout

27
00:01:06,040 --> 00:01:07,960
Speaker 1: out to Joe Woes who would write with us. Remember

28
00:01:08,000 --> 00:01:09,080
Speaker 1: who do who draw for us?

29
00:01:09,280 --> 00:01:12,000
Speaker 3: Yeah, he did a great job and also great I

30
00:01:12,040 --> 00:01:14,920
Speaker 3: think that on our social media there's been some really

31
00:01:14,959 --> 00:01:19,000
Speaker 3: great animations being drawn by our team at iHeart, and

32
00:01:19,560 --> 00:01:22,160
Speaker 3: I wanted to shout out because usually Will does this,

33
00:01:22,200 --> 00:01:24,040
Speaker 3: but I wanted to be the one to do it

34
00:01:24,160 --> 00:01:28,720
Speaker 3: because I'm stepping off for some of this episode. So

35
00:01:28,800 --> 00:01:32,280
Speaker 3: I want to thank CEESD. They're an amazing agency to

36
00:01:32,840 --> 00:01:36,240
Speaker 3: you know, give us this opportunity and paying it forward

37
00:01:36,280 --> 00:01:39,120
Speaker 3: for someone else. I mean, it's just such a wonderful community.

38
00:01:39,240 --> 00:01:44,480
Speaker 3: Thank you CESD. Prime Video obviously your epic and we

39
00:01:44,520 --> 00:01:47,640
Speaker 3: love you very much. Vox Mochina season two. Check it

40
00:01:47,680 --> 00:01:52,160
Speaker 3: out please, not just because Will is in it, yes,

41
00:01:52,440 --> 00:01:54,960
Speaker 3: but because it is amazing and all of our other

42
00:01:55,040 --> 00:01:58,880
Speaker 3: friends at Critical roller on it as well. Of course

43
00:01:58,880 --> 00:02:02,840
Speaker 3: our team at iHeart, whether it was our various producers

44
00:02:03,760 --> 00:02:07,560
Speaker 3: and our editors and our social team, like everyone has

45
00:02:07,600 --> 00:02:10,920
Speaker 3: been so committed to see this through and we are

46
00:02:11,080 --> 00:02:13,320
Speaker 3: very grateful, I know, from the bottom of our heart

47
00:02:13,400 --> 00:02:15,040
Speaker 3: for all that support that you gave Will and me.

48
00:02:15,840 --> 00:02:20,800
Speaker 3: Thank you for letting me come on your network, and

49
00:02:21,480 --> 00:02:25,000
Speaker 3: the contestants have truly truly touched my heart. I see

50
00:02:25,000 --> 00:02:28,440
Speaker 3: them posting like a lot about Hey, you know this

51
00:02:28,600 --> 00:02:32,440
Speaker 3: was me. I've done this contest, I survived this experience,

52
00:02:32,520 --> 00:02:36,040
Speaker 3: and I'm so proud of you guys. You've really almost

53
00:02:36,320 --> 00:02:40,760
Speaker 3: made me fall in love with voice acting on a

54
00:02:40,800 --> 00:02:44,320
Speaker 3: whole other level. And I owe that to you guys,

55
00:02:44,560 --> 00:02:47,240
Speaker 3: with whatever I end up taking forward in my career,

56
00:02:48,080 --> 00:02:51,919
Speaker 3: whether that's you know, maybe someday, someday a reboot of

57
00:02:52,000 --> 00:02:53,400
Speaker 3: something that Will.

58
00:02:53,240 --> 00:02:54,200
Speaker 1: And I were a part of.

59
00:02:55,680 --> 00:02:59,720
Speaker 3: Afraid of Someone, But regardless, whatever it is, it's so

60
00:03:00,080 --> 00:03:04,320
Speaker 3: beautiful to see uh new talent and to be a

61
00:03:04,360 --> 00:03:06,919
Speaker 3: part of that. And also just the fans you guys,

62
00:03:06,960 --> 00:03:09,960
Speaker 3: thank you, thank you for your time, your time. And

63
00:03:09,960 --> 00:03:12,720
Speaker 3: there's so much content out there. You know, you've got

64
00:03:12,720 --> 00:03:15,600
Speaker 3: these amazing pod pod meets World come.

65
00:03:15,440 --> 00:03:18,400
Speaker 1: On down, and you've got all your podcasts, I mean,

66
00:03:18,440 --> 00:03:20,919
Speaker 1: come on, there's too many to mention. I know, I mean,

67
00:03:21,040 --> 00:03:23,480
Speaker 1: Vulnerable and everything. I mean, it's jeez, you your whole

68
00:03:23,520 --> 00:03:24,800
Speaker 1: podco is just killing it.

69
00:03:24,840 --> 00:03:26,760
Speaker 3: Thank you, And so it's just there's a lot of

70
00:03:26,760 --> 00:03:28,760
Speaker 3: content out there, so for you to take the time

71
00:03:29,120 --> 00:03:31,680
Speaker 3: to listen to I hear voices and to make it

72
00:03:31,720 --> 00:03:34,360
Speaker 3: this far. You have a special place in our hearts.

73
00:03:34,440 --> 00:03:37,480
Speaker 3: So make sure you tell us when you when you

74
00:03:37,520 --> 00:03:39,520
Speaker 3: see us, either at a con or something, and we'll

75
00:03:39,520 --> 00:03:40,760
Speaker 3: give you an extra big hug.

76
00:03:41,280 --> 00:03:43,800
Speaker 1: Absolutely, and we are just yet. We're so happy to

77
00:03:43,840 --> 00:03:45,880
Speaker 1: be here and to be able to do this with

78
00:03:45,880 --> 00:03:49,120
Speaker 1: everybody and share it with everybody, and selfishly, this has

79
00:03:49,160 --> 00:03:51,880
Speaker 1: been so much fun for me to just watch the

80
00:03:51,920 --> 00:03:55,200
Speaker 1: contestants week after week. Everybody's so good. It gets harder

81
00:03:55,240 --> 00:03:59,360
Speaker 1: every week. And you know, all of our incredible judges

82
00:03:59,360 --> 00:04:02,320
Speaker 1: that have decaturs oh yeah, that have come on to

83
00:04:02,400 --> 00:04:05,000
Speaker 1: help us out have been absolutely incredible.

84
00:04:05,600 --> 00:04:08,960
Speaker 3: Honestly, it was like Avengers Assemble when it came to

85
00:04:09,160 --> 00:04:13,640
Speaker 3: Will having his friends come. And today will be no

86
00:04:13,800 --> 00:04:16,560
Speaker 3: different with who we have lined up to be our

87
00:04:16,720 --> 00:04:19,520
Speaker 3: final adjudicator team.

88
00:04:19,680 --> 00:04:21,040
Speaker 1: Yeah, we got a team. We're going to have an

89
00:04:21,040 --> 00:04:25,080
Speaker 1: adjudicator team to help us with the finals, which is

90
00:04:25,120 --> 00:04:26,840
Speaker 1: so cool. And of course, as we said, we are

91
00:04:26,920 --> 00:04:32,160
Speaker 1: actually full disclosure recording this intro before the actual contest

92
00:04:32,240 --> 00:04:34,039
Speaker 1: takes place because Christy is not going to be able

93
00:04:34,040 --> 00:04:36,520
Speaker 1: to be with us for the actual show. Itself, but

94
00:04:36,760 --> 00:04:38,360
Speaker 1: there was no way we were going to do this

95
00:04:39,120 --> 00:04:43,200
Speaker 1: without her. We just could not possibly ever make that happen. Well,

96
00:04:43,320 --> 00:04:44,880
Speaker 1: it just wasn't gonna happen. Never, never, never.

97
00:04:45,080 --> 00:04:49,000
Speaker 3: I feel like I intimately know our voices that are

98
00:04:49,040 --> 00:04:52,760
Speaker 3: going head to head today, and both of them are fantastic,

99
00:04:52,880 --> 00:04:59,320
Speaker 3: ye Hannabama and Mia are just the most amazing ladies.

100
00:04:59,440 --> 00:05:01,600
Speaker 3: And I think both of them are going to hit

101
00:05:01,640 --> 00:05:03,960
Speaker 3: it out of the park one way or another. So

102
00:05:04,000 --> 00:05:08,640
Speaker 3: it's going to be a pretty fierce episode. This should

103
00:05:08,640 --> 00:05:12,000
Speaker 3: be really cool. I want you to call me or

104
00:05:12,080 --> 00:05:14,480
Speaker 3: text me or call me, beat me if you want

105
00:05:14,480 --> 00:05:17,919
Speaker 3: to reach me, Well, to let me know who wins, okay,

106
00:05:18,000 --> 00:05:21,960
Speaker 3: because I will definitely reach out to that person. We

107
00:05:22,000 --> 00:05:24,400
Speaker 3: can do something and just like I don't know to

108
00:05:24,480 --> 00:05:24,840
Speaker 3: both of.

109
00:05:24,800 --> 00:05:27,279
Speaker 1: Them really well, don't forget, by the way, that the

110
00:05:27,320 --> 00:05:29,479
Speaker 1: winner is going to not only get to sign with CESD,

111
00:05:29,680 --> 00:05:31,400
Speaker 1: not only get one thousand dollars and flown out to

112
00:05:31,480 --> 00:05:34,159
Speaker 1: LA but we'll be having lunch with us, oh yeah,

113
00:05:34,400 --> 00:05:36,320
Speaker 1: which is awesome. So we'll get a chance to see them.

114
00:05:36,360 --> 00:05:39,680
Speaker 1: And then they go and meet Sam Regal and or

115
00:05:39,760 --> 00:05:43,760
Speaker 1: Mary McGlynn for a directing session which is going to

116
00:05:43,800 --> 00:05:45,120
Speaker 1: be very cool too, so it's going to be a

117
00:05:45,120 --> 00:05:48,320
Speaker 1: ton of fun. But and here's the thing, and this

118
00:05:48,360 --> 00:05:51,839
Speaker 1: is one hundred percent genuine. I have no idea who's

119
00:05:51,880 --> 00:05:55,000
Speaker 1: going to win. I have no idea. I don't know.

120
00:05:55,200 --> 00:05:59,120
Speaker 1: I just don't know. We've got two incredible contestants. Anybody

121
00:05:59,120 --> 00:06:01,440
Speaker 1: could have an amazing day. Anybody could have an off day.

122
00:06:02,320 --> 00:06:04,919
Speaker 1: You know, nerves can get to some people. You never know,

123
00:06:05,040 --> 00:06:08,760
Speaker 1: equipment problems, you just don't know. It is anybody's game,

124
00:06:09,600 --> 00:06:10,599
Speaker 1: and I'm super excited.

125
00:06:10,600 --> 00:06:13,880
Speaker 3: I really am awesome. Well, thank you for you know,

126
00:06:14,440 --> 00:06:18,000
Speaker 3: being my partner in this.

127
00:06:18,680 --> 00:06:21,120
Speaker 1: Yes, partner in crime. You know that forever I got

128
00:06:21,160 --> 00:06:21,560
Speaker 1: your back.

129
00:06:21,680 --> 00:06:25,000
Speaker 3: I love that I've brought you're back too. So let's

130
00:06:25,120 --> 00:06:29,480
Speaker 3: just give it up to this episode. This is Christie's

131
00:06:29,480 --> 00:06:32,520
Speaker 3: signing off, but I leave you in good hands. Friends.

132
00:06:32,960 --> 00:06:35,599
Speaker 1: So there it is. Oh, I'm so sorry Christy's not

133
00:06:35,640 --> 00:06:39,400
Speaker 1: actually here for the actual contest day. She so wanted

134
00:06:39,440 --> 00:06:40,960
Speaker 1: to be. Let me tell you everybody out there, she

135
00:06:41,120 --> 00:06:42,840
Speaker 1: really really wanted to be. But with the way, you know,

136
00:06:42,920 --> 00:06:46,720
Speaker 1: life gets crazy and you can't always control what's going on.

137
00:06:46,839 --> 00:06:49,440
Speaker 1: So that does not change the fact that we are

138
00:06:49,839 --> 00:06:54,000
Speaker 1: here at the finals. We've made it from forty five

139
00:06:54,120 --> 00:06:57,560
Speaker 1: hundred down to two, and of course we need the

140
00:06:57,600 --> 00:07:02,400
Speaker 1: best adjudicate tours. That's a shout out to Christy. The

141
00:07:02,440 --> 00:07:05,880
Speaker 1: best judges we could possibly find for the last episode,

142
00:07:05,880 --> 00:07:09,039
Speaker 1: and we needed more than one. So I'm going to

143
00:07:09,040 --> 00:07:10,560
Speaker 1: introduce these people one at a time and then we'll

144
00:07:10,560 --> 00:07:13,200
Speaker 1: bring them in because it is a big day today.

145
00:07:13,200 --> 00:07:15,720
Speaker 1: But before we get there very quickly, I know Christy

146
00:07:15,800 --> 00:07:17,960
Speaker 1: thanked everybody in the opening, but I want to just

147
00:07:18,000 --> 00:07:20,720
Speaker 1: add my own kudos to everybody who helped us out,

148
00:07:21,360 --> 00:07:24,960
Speaker 1: from our producer Lorrain and our engineer Brian and iHeart

149
00:07:25,000 --> 00:07:30,720
Speaker 1: and CESD Prime Video, everybody Christy mentioned, everybody over there

150
00:07:30,720 --> 00:07:33,520
Speaker 1: a critical role. This has just been an absolute joy

151
00:07:34,160 --> 00:07:35,720
Speaker 1: and so much fun. So this is going to be

152
00:07:35,760 --> 00:07:38,080
Speaker 1: a great day that is going to end with giving

153
00:07:38,120 --> 00:07:41,520
Speaker 1: somebody a start in the entertainment industry in the voiceover world,

154
00:07:41,560 --> 00:07:43,640
Speaker 1: which I could not be more excited about. This is

155
00:07:43,680 --> 00:07:46,680
Speaker 1: really quite awesome and emotional and something that I've wanted

156
00:07:46,680 --> 00:07:49,440
Speaker 1: to do for a very very long time. So that

157
00:07:49,600 --> 00:07:53,000
Speaker 1: being said, before I get too sappy, which is certainly possible,

158
00:07:53,520 --> 00:07:56,120
Speaker 1: I want to introduce our guest judges for the day.

159
00:07:56,160 --> 00:07:58,400
Speaker 1: We heard her last week and we could not not

160
00:07:58,720 --> 00:08:00,600
Speaker 1: to not have a double negative. Wow, that's like three

161
00:08:00,680 --> 00:08:03,480
Speaker 1: knots in a row. Have her back because she is

162
00:08:03,520 --> 00:08:06,200
Speaker 1: so incredible and is going to be helping to once

163
00:08:06,200 --> 00:08:10,040
Speaker 1: again direct our young actors on their journey. Andrea Romano

164
00:08:10,080 --> 00:08:13,720
Speaker 1: will be joining us again today. And also with Andrea Romano,

165
00:08:13,840 --> 00:08:16,720
Speaker 1: we have one of the most celebrated voice over actors,

166
00:08:16,800 --> 00:08:18,960
Speaker 1: friend of the podcast, been here before. One of the

167
00:08:18,960 --> 00:08:21,600
Speaker 1: coolest guys in the world. Rob Paulson is also going

168
00:08:21,640 --> 00:08:23,760
Speaker 1: to be joining us, and we are going to get

169
00:08:23,800 --> 00:08:28,240
Speaker 1: into it because we have Hannabama and Mia from Florida

170
00:08:28,840 --> 00:08:32,480
Speaker 1: coming back together to fight it out. Ooh, it is

171
00:08:32,520 --> 00:08:35,600
Speaker 1: going to be great. I cannot wait. Let's get into it.

172
00:08:35,720 --> 00:08:38,520
Speaker 1: Here we go, everybody who's going to take away the prize?

173
00:08:39,200 --> 00:08:44,360
Speaker 1: Let's find out. Hey kids, Hey, it's just kid today Rob.

174
00:08:44,640 --> 00:08:47,040
Speaker 4: Oh well, okay, hey kit Well you have so many

175
00:08:47,120 --> 00:08:49,880
Speaker 4: personalities as a result of your prodigious talent, so.

176
00:08:51,320 --> 00:08:55,600
Speaker 1: He yeah, day.

177
00:08:56,520 --> 00:08:58,040
Speaker 2: Are you happy to see you both?

178
00:08:58,440 --> 00:09:00,719
Speaker 5: Oh my god, look how beauty before you are.

179
00:09:00,880 --> 00:09:03,200
Speaker 2: Oh my hay to see you.

180
00:09:03,440 --> 00:09:05,400
Speaker 1: Oh Ire. I hate to tell you this, but Rob

181
00:09:05,520 --> 00:09:08,840
Speaker 1: was talking to me. Uh, I'm the beautiful one. Thank you,

182
00:09:08,920 --> 00:09:14,720
Speaker 1: so I just assumed how Yes, Rob Paulson and Andrea Ramano,

183
00:09:14,880 --> 00:09:17,360
Speaker 1: thank you so much both of you for joining us

184
00:09:17,440 --> 00:09:23,160
Speaker 1: on the finals of the Super Awesome Contest to become

185
00:09:23,400 --> 00:09:24,520
Speaker 1: the next Big Voice Actor.

186
00:09:24,960 --> 00:09:29,200
Speaker 6: It's here, huge project you undertook here and I'm delighted

187
00:09:29,240 --> 00:09:29,960
Speaker 6: to be a part of it.

188
00:09:29,960 --> 00:09:32,280
Speaker 2: Thank you for letting me know play at all.

189
00:09:32,920 --> 00:09:37,040
Speaker 5: How are you working on this? Will?

190
00:09:35,040 --> 00:09:35,199
Speaker 6: Uh?

191
00:09:36,280 --> 00:09:38,600
Speaker 5: Do you like what? Six months ago?

192
00:09:39,080 --> 00:09:41,960
Speaker 1: Yeah, it's been it's been a while. So this is

193
00:09:42,360 --> 00:09:45,160
Speaker 1: We went from forty five hundred entries to down to

194
00:09:45,160 --> 00:09:49,439
Speaker 1: today the final two forty five one hundred people.

195
00:09:49,520 --> 00:09:52,160
Speaker 2: Then we auditioned for animaniacs.

196
00:09:52,960 --> 00:09:55,080
Speaker 1: And we listened to all of them. We listened to

197
00:09:55,200 --> 00:09:58,600
Speaker 1: everybody's audition, and we got it down to the final sixteen.

198
00:09:58,640 --> 00:10:01,960
Speaker 1: We've been saying for the beginning, and very quick shout

199
00:10:02,000 --> 00:10:06,520
Speaker 1: outs to Julia from Virginia, Dylan from Louisiana, Hayden from Washington,

200
00:10:06,679 --> 00:10:10,839
Speaker 1: Danielle from Tennessee, Matthew from Delaware, Dowd from Illinois but

201
00:10:10,880 --> 00:10:15,480
Speaker 1: pronounced David, Mike from Florida, Tatiana from California, Adam from Illinois,

202
00:10:15,800 --> 00:10:18,680
Speaker 1: I Lean from North Carolina, all Win from Florida, Paul

203
00:10:18,679 --> 00:10:22,160
Speaker 1: from Pennsylvania, Hailey from Texas, and Austin from Virginia. Our

204
00:10:22,240 --> 00:10:25,520
Speaker 1: final fourteen that did not They made it so far

205
00:10:25,760 --> 00:10:28,360
Speaker 1: from forty five hundred to the final sixteen.

206
00:10:28,679 --> 00:10:30,760
Speaker 2: They should take pride in having.

207
00:10:30,520 --> 00:10:34,360
Speaker 1: Achieved that level, right, they were great, Be proud and

208
00:10:34,400 --> 00:10:38,880
Speaker 1: for Andrea to give you guys kudos, that's a big

209
00:10:38,960 --> 00:10:42,800
Speaker 1: pardon me deal. Oh no, I know, believe me. I

210
00:10:42,840 --> 00:10:46,000
Speaker 1: know this too. And I went to her on bended

211
00:10:46,040 --> 00:10:48,160
Speaker 1: knee and I said, I know you are so enjoying

212
00:10:48,200 --> 00:10:51,680
Speaker 1: your retirement, but would you please come and direct some young.

213
00:10:51,480 --> 00:10:52,560
Speaker 5: Actors get the chance?

214
00:10:52,960 --> 00:10:55,640
Speaker 1: Jumped? She did not even think about it. That's one

215
00:10:55,640 --> 00:10:57,319
Speaker 1: thing I would like to shout out before we get

216
00:10:57,320 --> 00:10:59,319
Speaker 1: into our actual game, and I will explain our game

217
00:10:59,360 --> 00:11:01,040
Speaker 1: to everybody. The the finals are going to be a

218
00:11:01,040 --> 00:11:04,320
Speaker 1: little bit different and a little bit crazy, but the

219
00:11:04,440 --> 00:11:10,880
Speaker 1: voiceover community is one of the most loving, giving, inclusive, talented.

220
00:11:11,320 --> 00:11:14,319
Speaker 1: Mark you picked the superlative and it fits into our

221
00:11:14,320 --> 00:11:17,720
Speaker 1: community and it could not have shown more than with

222
00:11:18,000 --> 00:11:21,440
Speaker 1: this show and this contest. Every person. I don't think

223
00:11:21,440 --> 00:11:23,920
Speaker 1: we got to know there are some people who couldn't

224
00:11:23,920 --> 00:11:26,800
Speaker 1: do it due to scheduling, but nobody said I don't

225
00:11:26,840 --> 00:11:29,080
Speaker 1: want to be involved? What are you doing giving other

226
00:11:29,120 --> 00:11:32,360
Speaker 1: actors a chance? It was all this is amazing, what

227
00:11:32,400 --> 00:11:35,160
Speaker 1: a wonderful idea. How can I help? What do you

228
00:11:35,200 --> 00:11:39,280
Speaker 1: need from me? It is the most wonderful community I've

229
00:11:39,320 --> 00:11:42,200
Speaker 1: ever been associated with, and I'm honored every day to

230
00:11:42,320 --> 00:11:46,040
Speaker 1: even slightly consider myself a voiceover actor because the men

231
00:11:46,080 --> 00:11:47,600
Speaker 1: and women that I work with are so much better

232
00:11:47,640 --> 00:11:47,880
Speaker 1: than me.

233
00:11:48,360 --> 00:11:51,199
Speaker 2: But it's I want to say, credit A lot of

234
00:11:51,240 --> 00:11:51,800
Speaker 2: the reason too.

235
00:11:51,840 --> 00:11:53,960
Speaker 6: You have to credit, and you may not do this,

236
00:11:54,120 --> 00:11:57,200
Speaker 6: but one must credit. Why so many people said yes

237
00:11:57,360 --> 00:11:58,360
Speaker 6: was because of Wilfredell.

238
00:12:02,320 --> 00:12:03,360
Speaker 5: You are a delight.

239
00:12:03,960 --> 00:12:07,320
Speaker 1: It is a wonderful business to be in with incredible people,

240
00:12:07,360 --> 00:12:09,960
Speaker 1: and now we're going to get a new person joining

241
00:12:10,000 --> 00:12:13,040
Speaker 1: our ranks. So the Super Awesome Contest we are down

242
00:12:13,080 --> 00:12:15,360
Speaker 1: to Mia from Florida and Hannah from Alabama, and what

243
00:12:15,400 --> 00:12:18,080
Speaker 1: we're actually going to be doing today is putting it

244
00:12:18,280 --> 00:12:21,599
Speaker 1: all together. So the first round we did was a

245
00:12:21,679 --> 00:12:25,679
Speaker 1: round called by the Numbers, where everybody, by random number pick,

246
00:12:26,080 --> 00:12:28,839
Speaker 1: got to have a character determined for them and then

247
00:12:28,880 --> 00:12:31,960
Speaker 1: read a preset number of lines. The second round we

248
00:12:32,040 --> 00:12:34,599
Speaker 1: did was called Extra Extra read all about it, and

249
00:12:34,640 --> 00:12:37,680
Speaker 1: it was all about adreads. The third round, of course,

250
00:12:37,679 --> 00:12:41,040
Speaker 1: which Andrea helped us direct, was actually called get into

251
00:12:41,040 --> 00:12:43,360
Speaker 1: the booth, and you got in there and recorded an

252
00:12:43,400 --> 00:12:45,839
Speaker 1: actual session the way that we would have done in

253
00:12:45,880 --> 00:12:49,400
Speaker 1: the booth. Now we're going to put them all together.

254
00:12:49,840 --> 00:12:52,080
Speaker 1: So in round one, what we were going to be

255
00:12:52,120 --> 00:12:55,240
Speaker 1: doing is the same way we did last round. We

256
00:12:55,280 --> 00:12:57,000
Speaker 1: are going to be recording. I am going to be

257
00:12:57,040 --> 00:13:01,000
Speaker 1: recording with the contestant, and we are Andrea is going

258
00:13:01,040 --> 00:13:02,839
Speaker 1: to direct us as if we were in a booth.

259
00:13:02,960 --> 00:13:06,120
Speaker 1: After the first round, they have to jump immediately with

260
00:13:06,320 --> 00:13:10,480
Speaker 1: no break into reading the ad read. Then we are

261
00:13:10,520 --> 00:13:14,800
Speaker 1: going to switch characters. The difference this time is before

262
00:13:15,160 --> 00:13:17,520
Speaker 1: they get to read their second character, we will once

263
00:13:17,559 --> 00:13:20,160
Speaker 1: again be playing by the numbers, and Andrea and Rob

264
00:13:20,200 --> 00:13:23,600
Speaker 1: will pick random numbers which will determine how they will

265
00:13:23,640 --> 00:13:28,120
Speaker 1: read the character the second time around. So it's going

266
00:13:28,200 --> 00:13:30,360
Speaker 1: to get crazy. We're putting it all together. We're putting

267
00:13:30,360 --> 00:13:32,199
Speaker 1: them through their paces. Nobody said we were going to

268
00:13:32,280 --> 00:13:35,839
Speaker 1: make this easy, but we are going to pick I'm

269
00:13:35,880 --> 00:13:39,239
Speaker 1: not going to say the best because they're both phenomenal contestants.

270
00:13:40,080 --> 00:13:42,400
Speaker 1: And with that being said, why don't we bring them

271
00:13:42,440 --> 00:13:45,280
Speaker 1: in one at a time, say hello, tell them what

272
00:13:45,280 --> 00:13:47,120
Speaker 1: they're going to be doing, and then we will start

273
00:13:47,160 --> 00:13:49,640
Speaker 1: our fun game. So I think was Mia first? I

274
00:13:49,679 --> 00:13:57,079
Speaker 1: believe Mia was first. Hell and there's Mia. Welcome back, Mia,

275
00:13:58,200 --> 00:14:01,400
Speaker 1: congratulations on making it to the finals. Andrea Ramana will

276
00:14:01,400 --> 00:14:04,800
Speaker 1: once again be directing you and our guest actor judge

277
00:14:04,800 --> 00:14:08,920
Speaker 1: this week is the amazing Redoubtable, which is one of

278
00:14:08,960 --> 00:14:13,200
Speaker 1: my favorite words ever. Rob Paulson, who will be joining

279
00:14:13,240 --> 00:14:14,200
Speaker 1: us to meet you.

280
00:14:14,320 --> 00:14:18,200
Speaker 5: Oh, it's my great pleasure. What a beautiful face you have.

281
00:14:23,600 --> 00:14:25,160
Speaker 5: Don't be such a stick in the mud.

282
00:14:25,240 --> 00:14:28,480
Speaker 1: Sure, well you were first, so we will be back

283
00:14:28,480 --> 00:14:29,640
Speaker 1: to you. But we are just going to come and

284
00:14:29,640 --> 00:14:31,120
Speaker 1: say hello to you. We're now going to say hello

285
00:14:31,160 --> 00:14:34,120
Speaker 1: to your Your fellow contestant is down to the final two,

286
00:14:34,520 --> 00:14:36,160
Speaker 1: so we will see what happens. We will be back

287
00:14:36,160 --> 00:14:37,480
Speaker 1: with you in a second. Mia, Thanks so much. It's

288
00:14:37,480 --> 00:14:38,200
Speaker 1: great seeing you again.

289
00:14:38,240 --> 00:14:40,640
Speaker 5: Oh my goodness, she's precious, isn't she great?

290
00:14:40,760 --> 00:14:45,480
Speaker 1: And as is Hannah from Alabama? Hannahbama, who she's been called?

291
00:14:45,680 --> 00:14:46,200
Speaker 5: There she is?

292
00:14:46,800 --> 00:14:48,760
Speaker 3: Helloabama?

293
00:14:48,880 --> 00:14:52,240
Speaker 1: How are you? I'm doing well? How are y'all doing good?

294
00:14:52,360 --> 00:14:53,360
Speaker 1: How are you feeling today?

295
00:14:54,280 --> 00:14:54,480
Speaker 5: You know?

296
00:14:54,680 --> 00:14:55,120
Speaker 7: I'm here.

297
00:14:57,720 --> 00:15:01,600
Speaker 1: You feeling good, I'm I'm feeling something. I know. That's great.

298
00:15:01,640 --> 00:15:03,240
Speaker 1: Channel the energy, use it right.

299
00:15:04,200 --> 00:15:06,440
Speaker 2: Have fun, have fun, that's the most important.

300
00:15:06,720 --> 00:15:10,760
Speaker 1: Yes, no matter what happens today, you are in the

301
00:15:10,800 --> 00:15:17,240
Speaker 1: final two out of forty five hundred insane. So congratulations.

302
00:15:17,600 --> 00:15:20,400
Speaker 1: Your fellow contestant was here first, so we will be

303
00:15:20,440 --> 00:15:22,080
Speaker 1: starting with them, but we will be back to you

304
00:15:22,240 --> 00:15:23,960
Speaker 1: in a second. You have your script? Do you have everything?

305
00:15:24,320 --> 00:15:25,120
Speaker 8: I have everything?

306
00:15:25,360 --> 00:15:36,200
Speaker 1: All right, we'll see it a bit. Thank you so much. Okay,

307
00:15:38,960 --> 00:15:43,040
Speaker 1: all right, everybody, here we go. It is on the finals.

308
00:15:43,120 --> 00:15:45,520
Speaker 1: After we have been here. Let's bring Mia back in

309
00:15:46,000 --> 00:15:49,600
Speaker 1: and we are going to start with our scene. Here

310
00:15:49,640 --> 00:15:52,720
Speaker 1: we go, Mia, So let me explain a little bit

311
00:15:52,720 --> 00:15:54,480
Speaker 1: about what we're gonna do today. I'm gonna be reading

312
00:15:54,480 --> 00:15:56,960
Speaker 1: with you, and we're gonna do it exactly like we

313
00:15:57,000 --> 00:15:59,200
Speaker 1: did last time. We're gonna read it just like we

314
00:15:59,280 --> 00:16:01,240
Speaker 1: do in the booth. We are not going to be

315
00:16:01,320 --> 00:16:03,480
Speaker 1: reading any of the stage directions. So for everybody listening

316
00:16:03,520 --> 00:16:05,600
Speaker 1: out there, we will of course, as we always have.

317
00:16:05,800 --> 00:16:08,240
Speaker 1: Our amazing producer of the Rain puts up the scripts

318
00:16:08,240 --> 00:16:11,000
Speaker 1: for everybody on Instagram so you can read along and

319
00:16:11,040 --> 00:16:13,000
Speaker 1: find out what's going on, but to just kind of

320
00:16:13,040 --> 00:16:15,840
Speaker 1: give everybody a quick little breakdown so you know what's

321
00:16:15,880 --> 00:16:17,680
Speaker 1: going on. We are going to be starting in a

322
00:16:17,720 --> 00:16:20,720
Speaker 1: candy factory. It is the candy factory at night. We

323
00:16:20,800 --> 00:16:23,640
Speaker 1: push in on a giant barrel that says rejects candy

324
00:16:23,640 --> 00:16:26,320
Speaker 1: for destruction, and two different pieces of candy are going

325
00:16:26,360 --> 00:16:28,400
Speaker 1: to come up and have a little scene and a conversation.

326
00:16:28,480 --> 00:16:31,520
Speaker 1: So other than that, we are not going to give

327
00:16:31,600 --> 00:16:33,680
Speaker 1: any more direction the first time around. Here's the other

328
00:16:33,720 --> 00:16:35,800
Speaker 1: thing that is going to differ from the last time.

329
00:16:36,520 --> 00:16:40,600
Speaker 1: When we are finished with the scene without any break,

330
00:16:40,760 --> 00:16:42,600
Speaker 1: without anything, I mean, you can take a breath, obviously,

331
00:16:42,640 --> 00:16:45,400
Speaker 1: but you are going to go right into the commercial read.

332
00:16:46,560 --> 00:16:50,400
Speaker 1: So you're going to finish your scene and then essentially

333
00:16:50,480 --> 00:16:52,840
Speaker 1: imagine that you are watching a cartoon and we go

334
00:16:52,920 --> 00:16:55,000
Speaker 1: right to a commercial and you are also the voiceover

335
00:16:55,040 --> 00:16:58,440
Speaker 1: actor reading for the commercial. So we won't give you

336
00:16:58,480 --> 00:17:00,200
Speaker 1: We're not gonna give you any notes to start with.

337
00:17:00,320 --> 00:17:02,720
Speaker 1: We are just gonna jump in and go from there.

338
00:17:03,920 --> 00:17:09,400
Speaker 1: You will be playing Sammy and I will be playing Albert. Oh,

339
00:17:09,440 --> 00:17:12,480
Speaker 1: So here we go, Andrea on your cue.

340
00:17:12,480 --> 00:17:16,040
Speaker 6: Please, we are at the top of the script ready

341
00:17:16,600 --> 00:17:18,080
Speaker 6: and we're rolling.

342
00:17:19,359 --> 00:17:20,240
Speaker 1: The coast is clear?

343
00:17:21,640 --> 00:17:24,359
Speaker 9: Keep your voice down? Do you want to get us caught?

344
00:17:25,160 --> 00:17:29,119
Speaker 10: Sorry, yelling is the opposite of keeping your voice down.

345
00:17:29,520 --> 00:17:32,400
Speaker 11: Oh, opposite means chocolate flavored?

346
00:17:33,119 --> 00:17:34,600
Speaker 1: No, it doesn't.

347
00:17:35,000 --> 00:17:37,800
Speaker 9: I've told you that one hundred times, have you.

348
00:17:38,480 --> 00:17:42,040
Speaker 1: I don't remember that? Oh wait, yeah, nope, nope, still

349
00:17:42,080 --> 00:17:48,200
Speaker 1: don't remember. Sorry. Hey, Sammy, why are we escaping again?

350
00:17:49,119 --> 00:17:52,679
Speaker 10: Because for some crazy reason, we are relegated to the

351
00:17:52,840 --> 00:17:55,280
Speaker 10: reject pile and if we don't get out of here,

352
00:17:55,480 --> 00:17:56,879
Speaker 10: they're going to melt us down.

353
00:17:57,200 --> 00:17:58,560
Speaker 1: Oh that sounds bad.

354
00:17:59,520 --> 00:18:04,320
Speaker 11: It's bad, right, Yes, Albert, it's bad.

355
00:18:04,880 --> 00:18:07,359
Speaker 1: Huh. Hey, am I as good an escaper as you?

356
00:18:08,560 --> 00:18:13,640
Speaker 10: Well, seeing as we haven't actually escaped yet, I'm thinking no.

357
00:18:14,240 --> 00:18:16,399
Speaker 1: Oh yeah, I keep forgetting that you have to escape

358
00:18:16,440 --> 00:18:19,399
Speaker 1: first to actually be a good escaper. Am I always

359
00:18:19,400 --> 00:18:21,480
Speaker 1: forgetting stuff like this because my head got smushed.

360
00:18:22,320 --> 00:18:23,119
Speaker 7: Hm.

361
00:18:23,160 --> 00:18:25,679
Speaker 9: I'm guessing that's only a small part of it.

362
00:18:26,520 --> 00:18:28,680
Speaker 1: Now, why are you in the bad bind, Sammy? You're

363
00:18:28,720 --> 00:18:29,760
Speaker 1: so pretty?

364
00:18:30,359 --> 00:18:31,640
Speaker 9: H I am Albert.

365
00:18:32,240 --> 00:18:35,160
Speaker 10: I am the prettiest fish that this factory has ever made,

366
00:18:35,560 --> 00:18:36,520
Speaker 10: the prettiest.

367
00:18:36,080 --> 00:18:37,880
Speaker 9: Fish that has ever been made.

368
00:18:38,800 --> 00:18:41,399
Speaker 10: But none of that matters. When the world you were

369
00:18:41,440 --> 00:18:42,920
Speaker 10: caught Pardon.

370
00:18:44,840 --> 00:18:45,640
Speaker 9: I am Albert.

371
00:18:46,200 --> 00:18:49,080
Speaker 10: I am the prettiest fish that this factory has ever made,

372
00:18:49,359 --> 00:18:52,920
Speaker 10: the prettiest fish that has ever been made. But none

373
00:18:52,960 --> 00:18:54,760
Speaker 10: of that matters when the world you were brought into

374
00:18:55,119 --> 00:18:58,520
Speaker 10: is a cesspool of awfulness, covered and even more awfulness,

375
00:18:58,520 --> 00:19:01,400
Speaker 10: and then dipped and nuts that have been sprayed with.

376
00:19:02,280 --> 00:19:05,920
Speaker 9: Spread girls, no more awfulness?

377
00:19:06,600 --> 00:19:07,880
Speaker 1: Well, then, why are you in the bin?

378
00:19:08,880 --> 00:19:11,919
Speaker 10: I ever heard some of the workers talking. Apparently something

379
00:19:11,920 --> 00:19:17,400
Speaker 10: went wrong with my recipe. Oh no, yeah, I'm two

380
00:19:17,440 --> 00:19:19,760
Speaker 10: sour stupid jerks.

381
00:19:20,280 --> 00:19:25,439
Speaker 1: I don't think that's true. Sammy, you're a little sour.

382
00:19:26,160 --> 00:19:27,560
Speaker 7: It's because of this place.

383
00:19:28,200 --> 00:19:30,200
Speaker 10: You Just wait until I get out of here. I'm

384
00:19:30,240 --> 00:19:32,200
Speaker 10: gonna be the sweetest fish that you've ever met.

385
00:19:32,440 --> 00:19:33,840
Speaker 1: Why would you be sweetish?

386
00:19:34,359 --> 00:19:35,840
Speaker 11: Sweetest fist?

387
00:19:36,080 --> 00:19:39,359
Speaker 9: Not sweetish? Are you trying to get us sued?

388
00:19:39,720 --> 00:19:42,919
Speaker 1: Oh? Sorry? So well, what do we do next?

389
00:19:43,880 --> 00:19:46,840
Speaker 10: First we have to get down from this bin. Next

390
00:19:46,880 --> 00:19:49,520
Speaker 10: we have to make it across the factory floor. Then

391
00:19:49,560 --> 00:19:52,200
Speaker 10: we have to open that big door by dead loading dock,

392
00:19:52,480 --> 00:19:54,560
Speaker 10: and lastly we have to make our way to the city,

393
00:19:54,760 --> 00:19:57,120
Speaker 10: where we'll find jobs and a studio apartment.

394
00:19:57,720 --> 00:20:00,680
Speaker 9: I'm Okay, if the closet is not big, but I'm

395
00:20:00,680 --> 00:20:01,880
Speaker 9: going to have to insist on a.

396
00:20:01,880 --> 00:20:04,359
Speaker 7: Washer and dryer. That's got to be a deal breaker.

397
00:20:04,119 --> 00:20:07,800
Speaker 1: For me, right right, So first we have to get

398
00:20:07,840 --> 00:20:08,640
Speaker 1: past that big dog.

399
00:20:09,480 --> 00:20:12,000
Speaker 9: No, at first we have to go were you even listening?

400
00:20:12,440 --> 00:20:14,320
Speaker 1: Nah, I was looking at the really big dog.

401
00:20:14,920 --> 00:20:15,440
Speaker 7: The why.

402
00:20:19,960 --> 00:20:21,760
Speaker 10: Just because I have a small apartment, that doesn't mean

403
00:20:21,760 --> 00:20:24,040
Speaker 10: that I have a small apetside. And just because my

404
00:20:24,080 --> 00:20:27,160
Speaker 10: building frowns on indoor open flames are dangerous levels.

405
00:20:26,920 --> 00:20:28,880
Speaker 9: Of carbon monoxide, that doesn't mean that.

406
00:20:28,840 --> 00:20:33,040
Speaker 10: I don't need to occasionally throw down some meat and grill, grill, grill. Well,

407
00:20:33,200 --> 00:20:36,359
Speaker 10: with Blover's new indoor smokeless grill, I can live like

408
00:20:36,400 --> 00:20:39,320
Speaker 10: a carnivore and not worry about turning the place down

409
00:20:39,520 --> 00:20:42,159
Speaker 10: or killing my neighbors with dangerous poisonous gas.

410
00:20:42,200 --> 00:20:43,600
Speaker 5: You know, using.

411
00:20:43,359 --> 00:20:46,840
Speaker 10: Patented fire stuff technology, Blover has taken all of the

412
00:20:46,840 --> 00:20:48,639
Speaker 10: heat and smoke of a real fire and made it

413
00:20:48,720 --> 00:20:51,440
Speaker 10: relatively safe for indoor use. Now I can cook my

414
00:20:51,480 --> 00:20:53,119
Speaker 10: meat by my bed, and the only thing I'll have

415
00:20:53,119 --> 00:20:53,680
Speaker 10: to worry.

416
00:20:53,480 --> 00:20:55,840
Speaker 9: About is my alarmingly high chlysterol level.

417
00:20:56,359 --> 00:21:00,560
Speaker 10: Blover's indoor smokeless grills be a hunter again. Levisers are

418
00:21:00,560 --> 00:21:02,480
Speaker 10: not non certified for use in apartment buildings or of dooors,

419
00:21:02,720 --> 00:21:05,159
Speaker 10: not suitable for most meats, vegetables or some Jesus late

420
00:21:05,240 --> 00:21:18,720
Speaker 10: Lela and California or in Mexico.

421
00:21:18,880 --> 00:21:21,720
Speaker 1: I'm going to throw it to our expert panel. Any

422
00:21:21,800 --> 00:21:24,160
Speaker 1: notes that we can think about for the next time

423
00:21:24,160 --> 00:21:24,720
Speaker 1: we come around.

424
00:21:25,000 --> 00:21:26,639
Speaker 2: I do have a few, and then Rob, if you

425
00:21:26,680 --> 00:21:29,240
Speaker 2: have some thoughts. I loved that man. First, thank you,

426
00:21:29,280 --> 00:21:31,200
Speaker 2: really really good, Mia, really good.

427
00:21:31,640 --> 00:21:35,320
Speaker 6: I love the fact that you used your sweet voice,

428
00:21:35,359 --> 00:21:39,760
Speaker 6: your youthful, young, cutesy cartoony if you will voice for

429
00:21:39,840 --> 00:21:43,040
Speaker 6: this character. They talk about it as you're reading the stage,

430
00:21:43,040 --> 00:21:47,320
Speaker 6: Rex and stuff, sour, sour, sour, and she scowls and stuff.

431
00:21:47,560 --> 00:21:50,960
Speaker 2: I'm wondering if we can't find a way to keep

432
00:21:51,000 --> 00:21:56,080
Speaker 2: that sweet voice but make her somewhat meaner. Do you

433
00:21:56,119 --> 00:21:58,200
Speaker 2: know what I mean? Fight that sweet.

434
00:21:57,960 --> 00:22:00,320
Speaker 6: Voice and make her She is sour, she is bitter,

435
00:22:00,440 --> 00:22:03,720
Speaker 6: she is cranky, and so it seems to be almost

436
00:22:03,800 --> 00:22:06,679
Speaker 6: at the very beginning, and again, well, really funny copy,

437
00:22:06,800 --> 00:22:10,280
Speaker 6: Oh thank you so so he's going to give you

438
00:22:10,320 --> 00:22:13,239
Speaker 6: a nice, big entrance, right the coast is clear, you say,

439
00:22:13,280 --> 00:22:15,199
Speaker 6: she keep your voice down, and then he then what

440
00:22:15,240 --> 00:22:16,520
Speaker 6: does he do the opposite?

441
00:22:16,960 --> 00:22:19,960
Speaker 2: Sorry? And then I would love to see you.

442
00:22:20,040 --> 00:22:21,480
Speaker 6: Use that next fight, which I'll call a line for

443
00:22:21,680 --> 00:22:24,720
Speaker 6: yelling is the opposite of keeping your voice down, a

444
00:22:24,800 --> 00:22:28,000
Speaker 6: much more forced whisper, so it is still a whisper,

445
00:22:28,040 --> 00:22:30,000
Speaker 6: but it's loud and it's angry.

446
00:22:30,200 --> 00:22:31,960
Speaker 2: So you guys, can we just run those first four

447
00:22:32,000 --> 00:22:34,040
Speaker 2: lines again? But I really, do you understand?

448
00:22:34,080 --> 00:22:36,040
Speaker 6: That knows me to understand what I'm happening right now,

449
00:22:36,160 --> 00:22:38,720
Speaker 6: Let's just try it with that little bit right ready,

450
00:22:39,000 --> 00:22:42,280
Speaker 6: when you're ready, we're rolling the coast.

451
00:22:42,000 --> 00:22:46,399
Speaker 10: Is clear, Keep your voice down? Do you want to

452
00:22:46,400 --> 00:22:47,000
Speaker 10: get us caught?

453
00:22:47,800 --> 00:22:48,320
Speaker 1: All right?

454
00:22:49,200 --> 00:22:51,840
Speaker 9: Chilling is the opposite of keeping your voice down.

455
00:22:52,240 --> 00:22:52,639
Speaker 2: That's it.

456
00:22:52,840 --> 00:22:54,640
Speaker 6: That's exactly what I was talking about as a much

457
00:22:54,640 --> 00:22:56,840
Speaker 6: better entrance. That sets the scene so much better.

458
00:22:56,920 --> 00:22:59,520
Speaker 2: Thank you. And then I had one other note.

459
00:22:59,560 --> 00:23:01,960
Speaker 6: I want to go over to page two, the big

460
00:23:02,000 --> 00:23:05,560
Speaker 6: speech at the I am Albert, the pretty I am Albert.

461
00:23:05,760 --> 00:23:07,720
Speaker 6: I'm the prettiest fision of this factory it's ever made,

462
00:23:07,760 --> 00:23:10,639
Speaker 6: And there I want to play with that anger, bitter

463
00:23:11,160 --> 00:23:12,359
Speaker 6: sourness as well.

464
00:23:12,880 --> 00:23:14,920
Speaker 2: Just a nice big block for you to play with me.

465
00:23:15,080 --> 00:23:16,760
Speaker 6: Just give you a pick up there at I called

466
00:23:16,760 --> 00:23:18,640
Speaker 6: it line eighteen to have a number four for whatever

467
00:23:18,680 --> 00:23:19,240
Speaker 6: you're ready?

468
00:23:19,600 --> 00:23:21,760
Speaker 9: Yeah, Can I ask a question about it real quick?

469
00:23:21,880 --> 00:23:22,240
Speaker 1: Of course?

470
00:23:22,680 --> 00:23:23,000
Speaker 8: Awesome?

471
00:23:23,040 --> 00:23:25,119
Speaker 10: Okay, So do you want me to like, you know,

472
00:23:25,320 --> 00:23:27,120
Speaker 10: like start off kind of full of herself and then

473
00:23:27,160 --> 00:23:29,480
Speaker 10: like get more like cranky as she goes down, or

474
00:23:29,520 --> 00:23:30,639
Speaker 10: like what like you know, I'll.

475
00:23:30,480 --> 00:23:31,960
Speaker 2: Tell you what I want to do. Rob.

476
00:23:32,000 --> 00:23:35,920
Speaker 1: I want you to Rob, excuse me, I've already been recast.

477
00:23:38,480 --> 00:23:42,040
Speaker 2: I want you to read her in with line nub.

478
00:23:42,119 --> 00:23:43,399
Speaker 2: Why are you in the bin? Why are you in

479
00:23:43,400 --> 00:23:44,600
Speaker 2: the bin? Sammy? You're so pretty?

480
00:23:44,840 --> 00:23:47,080
Speaker 6: And I want you to respond. So he's going to

481
00:23:47,160 --> 00:23:48,680
Speaker 6: read you in three times each time. I want you

482
00:23:48,680 --> 00:23:52,200
Speaker 6: to respond with just I am Albert, three different ways.

483
00:23:52,359 --> 00:23:55,760
Speaker 2: Okay, keeping that note in mind, But dude, maybe you want.

484
00:23:55,720 --> 00:23:58,720
Speaker 6: To start small, bitter, big, bigger, bitterer, larger bit with

485
00:23:58,800 --> 00:24:01,280
Speaker 6: three different, completely different versions, and then we'll make a

486
00:24:01,280 --> 00:24:02,719
Speaker 6: decision as to how to do the rest of it.

487
00:24:02,880 --> 00:24:05,960
Speaker 2: Okay, and we'll read you in when you're ready.

488
00:24:06,240 --> 00:24:09,919
Speaker 1: Why are you in the bad bind? Sammy? You're so pretty?

489
00:24:10,359 --> 00:24:15,080
Speaker 9: I am Albert. I am Albert, I am Albert.

490
00:24:15,960 --> 00:24:19,119
Speaker 2: Okay, all those were kind of sweet. I want to get,

491
00:24:20,800 --> 00:24:21,879
Speaker 2: you know, a little bit more of that.

492
00:24:22,520 --> 00:24:25,520
Speaker 6: I'm so angry about this as your subtext, okay, and

493
00:24:25,560 --> 00:24:27,440
Speaker 6: I want him to read you in all three times,

494
00:24:27,440 --> 00:24:28,920
Speaker 6: so I want him to read it, and you're.

495
00:24:28,840 --> 00:24:31,720
Speaker 2: Gonna read it. He's gonna read it again.

496
00:24:33,280 --> 00:24:36,200
Speaker 1: Why are you in the bad bind? Sammy? You're so pretty?

497
00:24:37,720 --> 00:24:38,840
Speaker 7: I am Albert.

498
00:24:39,760 --> 00:24:41,720
Speaker 1: Why are you in the bad bin? Then, Sammy? I mean,

499
00:24:41,760 --> 00:24:42,959
Speaker 1: you're so pretty.

500
00:24:43,520 --> 00:24:45,080
Speaker 9: I am Albert.

501
00:24:45,840 --> 00:24:48,719
Speaker 1: Why are you in the bad bind? Sammy? You're so pretty?

502
00:24:50,160 --> 00:24:52,080
Speaker 7: I am Albert.

503
00:24:53,840 --> 00:24:54,560
Speaker 5: Very nice?

504
00:24:54,840 --> 00:24:58,280
Speaker 6: All three valid versions of how to start that, So

505
00:24:58,680 --> 00:25:01,760
Speaker 6: now use that last word I am, But it's almost

506
00:25:01,760 --> 00:25:02,639
Speaker 6: a clenched.

507
00:25:02,320 --> 00:25:04,240
Speaker 10: Jaw kind of like I was getting, like kind of

508
00:25:04,280 --> 00:25:07,760
Speaker 10: like depresso, like, oh, you're right, God, I don't.

509
00:25:07,560 --> 00:25:10,879
Speaker 2: Know, well, I kind of like the deep angry, like

510
00:25:10,960 --> 00:25:11,720
Speaker 2: I'm so angry.

511
00:25:11,760 --> 00:25:13,280
Speaker 6: I'm trying not to yell at you because it's not

512
00:25:13,320 --> 00:25:14,280
Speaker 6: really your fault, but I'm sorry.

513
00:25:14,400 --> 00:25:15,200
Speaker 2: I don't belong here.

514
00:25:15,440 --> 00:25:17,000
Speaker 6: So and what I want to do is some kind

515
00:25:17,040 --> 00:25:20,640
Speaker 6: of build that happens in the script. Okay, right, run

516
00:25:20,640 --> 00:25:23,080
Speaker 6: that little section again, just from and I'll read one

517
00:25:23,080 --> 00:25:24,080
Speaker 6: more time, will if you will get it?

518
00:25:24,359 --> 00:25:25,320
Speaker 2: Run the whole one.

519
00:25:25,520 --> 00:25:29,080
Speaker 1: Okay, why are you in the bad band, Sammy? You're

520
00:25:29,160 --> 00:25:30,560
Speaker 1: so pretty?

521
00:25:31,160 --> 00:25:32,520
Speaker 7: I am Albert.

522
00:25:33,280 --> 00:25:37,000
Speaker 10: I am the prettiest fish that this factory has ever made,

523
00:25:37,359 --> 00:25:41,080
Speaker 10: the prettiest fish that has ever been made. But none

524
00:25:41,119 --> 00:25:43,600
Speaker 10: of that matters when the world you were brought into

525
00:25:43,800 --> 00:25:47,919
Speaker 10: is a cesspool of awfulness, covered and even more awfulness.

526
00:25:47,440 --> 00:25:49,880
Speaker 9: And then tipped and nuts that have been sprayed with.

527
00:25:52,240 --> 00:25:52,680
Speaker 5: Very good.

528
00:25:54,240 --> 00:25:57,760
Speaker 2: That was very good. That was much more interesting. Do

529
00:25:57,800 --> 00:25:58,560
Speaker 2: you see what I'm saying?

530
00:25:58,800 --> 00:25:58,960
Speaker 5: Yes?

531
00:25:59,280 --> 00:26:00,600
Speaker 9: I loved it so much more.

532
00:26:00,640 --> 00:26:02,520
Speaker 2: Thank you, my pleasure entirely.

533
00:26:03,119 --> 00:26:05,240
Speaker 6: Beck All, I have I want to talk about the

534
00:26:05,240 --> 00:26:08,000
Speaker 6: commercial separately if I may, Yes, so, Rob, do you

535
00:26:08,080 --> 00:26:09,879
Speaker 6: have notes for her for the body of the speech?

536
00:26:10,320 --> 00:26:12,800
Speaker 5: No, I just have some stuff about the commercial.

537
00:26:12,840 --> 00:26:16,439
Speaker 2: And okay, you know, why don't you take the commercial up?

538
00:26:17,640 --> 00:26:21,920
Speaker 5: Really lovely, Mia, really on the commercial.

539
00:26:22,320 --> 00:26:26,120
Speaker 4: I would love to hear you do it, just as

540
00:26:27,040 --> 00:26:29,480
Speaker 4: just as though you were talking about ozempic like my've

541
00:26:29,520 --> 00:26:33,159
Speaker 4: really lowered my A one C. And the copy obviously

542
00:26:33,400 --> 00:26:36,000
Speaker 4: is written in such a way that it draws attention

543
00:26:36,040 --> 00:26:37,720
Speaker 4: to himself because it's all absurd.

544
00:26:38,280 --> 00:26:41,840
Speaker 5: So I would like to have you read it in

545
00:26:41,960 --> 00:26:43,919
Speaker 5: a very matter.

546
00:26:43,640 --> 00:26:48,600
Speaker 4: Of fact way with absolutely belief in what you're saying.

547
00:26:48,760 --> 00:26:51,280
Speaker 4: Don't play the comedy of the words. They're funny the

548
00:26:51,280 --> 00:26:53,800
Speaker 4: way they're written, and they're absurd, all right, or just

549
00:26:53,840 --> 00:26:54,199
Speaker 4: try that.

550
00:26:54,680 --> 00:26:55,200
Speaker 7: Okay.

551
00:26:55,240 --> 00:26:57,080
Speaker 10: Just because I have a small apartment, that doesn't mean

552
00:26:57,080 --> 00:26:59,359
Speaker 10: that I have a small appetite. And just because my

553
00:26:59,400 --> 00:27:03,440
Speaker 10: building on indoor open flames or dangerous levels of carbon monoxide,

554
00:27:03,600 --> 00:27:05,560
Speaker 10: that doesn't mean that I don't need to occasionally throw

555
00:27:05,600 --> 00:27:09,399
Speaker 10: down some meat and grill, grill, grill well with bluff,

556
00:27:09,720 --> 00:27:14,000
Speaker 10: pardon well. With Blover's new indoor smokeless Grail, I can

557
00:27:14,520 --> 00:27:17,040
Speaker 10: live like a carnivore and not worry about burning the

558
00:27:17,080 --> 00:27:19,720
Speaker 10: place down or killing my neighbors with dangerous poison gas.

559
00:27:20,200 --> 00:27:24,280
Speaker 10: Using potential fire stuff technology, Blover's has taken all of

560
00:27:24,320 --> 00:27:26,240
Speaker 10: the heat and smoke of a real fire and made

561
00:27:26,240 --> 00:27:29,000
Speaker 10: it relatively safe for indoor use. Now I can cook

562
00:27:29,000 --> 00:27:30,760
Speaker 10: my meat by my bed, and the only thing I'll

563
00:27:30,800 --> 00:27:33,440
Speaker 10: have to worry about is my alarmingly high cholesterol level.

564
00:27:33,840 --> 00:27:37,760
Speaker 10: Blover's indoor Smokeless Girls be a hunter again. Blover's Girls

565
00:27:37,800 --> 00:27:39,760
Speaker 10: are not certified for use in most apartment buildings or

566
00:27:39,760 --> 00:27:43,240
Speaker 10: outdoors not suitable for meats. Vegetables or some cheeses not

567
00:27:43,280 --> 00:27:46,959
Speaker 10: egal in California or New Mexico.

568
00:27:47,320 --> 00:27:51,560
Speaker 4: Blowing through the legal copy is exactly don't be afraid

569
00:27:51,560 --> 00:27:53,800
Speaker 4: to take some chances, conversational and colloquial.

570
00:27:53,880 --> 00:27:56,720
Speaker 10: Try to Okay, Hey, just because I have a small apartment,

571
00:27:56,880 --> 00:27:58,919
Speaker 10: that doesn't mean that I have a small appetite. And

572
00:27:59,040 --> 00:28:01,600
Speaker 10: just because my building frowns on indoor open flames or

573
00:28:01,640 --> 00:28:04,320
Speaker 10: dangerous levels of carbon monoxide, that doesn't mean that I

574
00:28:04,359 --> 00:28:06,680
Speaker 10: don't need to occasionally throw down some meat and grill.

575
00:28:06,760 --> 00:28:07,359
Speaker 7: Grill, grill.

576
00:28:07,960 --> 00:28:08,280
Speaker 8: Well.

577
00:28:08,400 --> 00:28:11,320
Speaker 10: With Blover's new indoor smokeless grill, I can live like

578
00:28:11,359 --> 00:28:14,399
Speaker 10: a carnivore, not worry about burning the blaze down or

579
00:28:14,480 --> 00:28:17,200
Speaker 10: killing my neighbors with dangerous poisonous gas.

580
00:28:18,800 --> 00:28:21,480
Speaker 7: Using patented fire stuff technology.

581
00:28:21,119 --> 00:28:23,080
Speaker 10: Bliver's has taken all of the heat and smoke of

582
00:28:23,119 --> 00:28:25,680
Speaker 10: a real fire and made it relatively safe for indoor use.

583
00:28:26,119 --> 00:28:28,159
Speaker 10: Now I can cook my meat by my bed, and

584
00:28:28,200 --> 00:28:29,920
Speaker 10: the only thing I'll have to worry about is.

585
00:28:29,840 --> 00:28:34,080
Speaker 9: My alarmly hay cholesterol level. Blover's indoor smokeless grills be

586
00:28:34,119 --> 00:28:34,840
Speaker 9: a hunter.

587
00:28:34,720 --> 00:28:37,679
Speaker 4: Again when you go to Blover's has taken all of

588
00:28:37,680 --> 00:28:40,040
Speaker 4: the heat and smoke of real fire and made it

589
00:28:40,080 --> 00:28:44,239
Speaker 4: give yourself a beat before, relatively safe and made it,

590
00:28:45,280 --> 00:28:48,320
Speaker 4: you know, however you would like to however you would

591
00:28:48,360 --> 00:28:50,960
Speaker 4: like to use. You are aware, You're not stupid, You're

592
00:28:51,000 --> 00:28:55,320
Speaker 4: aware that it is it is lethal. But and so

593
00:28:55,440 --> 00:28:59,000
Speaker 4: instead of saying kind of lethal, you're saying it's relatively safe.

594
00:28:59,000 --> 00:28:59,520
Speaker 5: You know what I mean?

595
00:29:00,120 --> 00:29:03,680
Speaker 4: Up if you would from just going from using patented

596
00:29:03,720 --> 00:29:06,760
Speaker 4: fire stuff through for indoor use.

597
00:29:07,040 --> 00:29:10,360
Speaker 10: Using patented fire stuff technology, Blommers has taken all of

598
00:29:10,360 --> 00:29:12,440
Speaker 10: the heat and smoke of real fire and made it

599
00:29:13,360 --> 00:29:14,960
Speaker 10: relatively say for indoor use.

600
00:29:16,160 --> 00:29:23,680
Speaker 8: Great, great, ron Mia, Thank you of your small.

601
00:29:25,960 --> 00:29:30,080
Speaker 4: Yeah, leave some for the other girls.

602
00:29:30,080 --> 00:29:32,480
Speaker 1: Thank you. We will be right back with you.

603
00:29:33,360 --> 00:29:34,040
Speaker 2: Well done.

604
00:29:34,920 --> 00:29:37,640
Speaker 1: If we're being uh, you know, we've got to start

605
00:29:37,720 --> 00:29:41,280
Speaker 1: nitpicking is the problem. Her her v O work, her

606
00:29:41,720 --> 00:29:44,440
Speaker 1: animation work is better so far than her ad reads.

607
00:29:44,720 --> 00:29:46,840
Speaker 1: And it's also, I mean's exactly what you were showing.

608
00:29:46,880 --> 00:29:48,720
Speaker 1: What we're both showing is one of the things that

609
00:29:48,720 --> 00:29:51,080
Speaker 1: we're looking for. We've said, as somebody who they're going

610
00:29:51,160 --> 00:29:52,920
Speaker 1: to win today, they could be in the booth tomorrow.

611
00:29:52,960 --> 00:29:54,120
Speaker 1: And one of the things you have to do when

612
00:29:54,120 --> 00:29:56,520
Speaker 1: you get ad copy or script is find those moments.

613
00:29:56,560 --> 00:29:59,520
Speaker 1: You have to find those beats, and there's not always

614
00:29:59,520 --> 00:30:01,720
Speaker 1: going to be a great director or a great actor

615
00:30:01,760 --> 00:30:03,800
Speaker 1: there that's going to point them out to you. So

616
00:30:03,840 --> 00:30:06,000
Speaker 1: that's another thing we're looking for as somebody who's taking

617
00:30:06,000 --> 00:30:09,240
Speaker 1: those moments and finding those beats and yeah, and taking

618
00:30:09,280 --> 00:30:11,800
Speaker 1: the direction. So well, let's with that said, let's go

619
00:30:11,840 --> 00:30:16,720
Speaker 1: see what Hanna Obama, Haskay, Hey Hannah, Hello, how are you?

620
00:30:17,600 --> 00:30:22,040
Speaker 1: I'm here? All right, So what we're going to be

621
00:30:22,080 --> 00:30:26,360
Speaker 1: doing is the first go around, we are not going

622
00:30:26,440 --> 00:30:27,920
Speaker 1: to say anything. We're just going to let you go

623
00:30:27,960 --> 00:30:31,440
Speaker 1: through the script. I'm going to be playing Albert, you're

624
00:30:31,440 --> 00:30:34,480
Speaker 1: going to be playing Sammy, and there's going to be

625
00:30:34,640 --> 00:30:36,640
Speaker 1: no The one difference here is there's going to be

626
00:30:36,720 --> 00:30:40,200
Speaker 1: no break between the two. So you're going to get through.

627
00:30:40,720 --> 00:30:42,800
Speaker 1: We're going to get through the scene and you can

628
00:30:42,840 --> 00:30:44,280
Speaker 1: take a breath, and then you're going to go right

629
00:30:44,320 --> 00:30:46,400
Speaker 1: into the ad read. So it's like you're reading the

630
00:30:46,440 --> 00:30:51,480
Speaker 1: copy for your own own television show, if that's cool.

631
00:30:51,560 --> 00:30:53,560
Speaker 1: And we won't be reading like last time, we won't

632
00:30:53,560 --> 00:30:55,200
Speaker 1: be reading any of the stage direction. We're going to

633
00:30:55,280 --> 00:30:57,120
Speaker 1: do it straight up like an old radio play, like

634
00:30:57,160 --> 00:30:59,640
Speaker 1: we would be recording in a booth. Perfect you good?

635
00:31:00,120 --> 00:31:03,520
Speaker 1: I'm good? All right? So here we go, Andrea, if

636
00:31:03,520 --> 00:31:06,320
Speaker 1: you would get us started, We're going to start at.

637
00:31:06,200 --> 00:31:09,080
Speaker 2: Line one with Albert. When you're ready, we are rolling.

638
00:31:11,000 --> 00:31:11,880
Speaker 1: The coast is clear.

639
00:31:14,360 --> 00:31:15,880
Speaker 7: Do you want us to get caught?

640
00:31:17,240 --> 00:31:17,640
Speaker 1: Sorry?

641
00:31:18,520 --> 00:31:21,200
Speaker 7: Oh, yelling is the opposite giving your voice down?

642
00:31:22,360 --> 00:31:24,200
Speaker 11: Opposite means chocolate flavored.

643
00:31:24,840 --> 00:31:27,600
Speaker 7: Oh no it doesn't. I've told you that one hundred.

644
00:31:27,360 --> 00:31:31,320
Speaker 1: Times, have you. I don't remember that? Oh wait, nope,

645
00:31:31,520 --> 00:31:38,080
Speaker 1: still don't remember. Uh, I'm sorry, Sammy. Why are we

646
00:31:38,240 --> 00:31:39,000
Speaker 1: escaping again?

647
00:31:40,360 --> 00:31:43,800
Speaker 7: Because for some crazy reason you were relegated to the

648
00:31:43,960 --> 00:31:47,280
Speaker 7: reject pile. And if we don't get out of if

649
00:31:47,280 --> 00:31:50,719
Speaker 7: you're going to melt us down, that sounds bad.

650
00:31:51,120 --> 00:31:55,840
Speaker 11: It's bad, right, yes, Albert, it's bad.

651
00:31:57,040 --> 00:31:58,440
Speaker 1: Am I as good an escaping as.

652
00:31:58,400 --> 00:32:02,800
Speaker 7: You, well, seeing as we actually haven't escaped yet.

653
00:32:03,400 --> 00:32:07,920
Speaker 1: Thinking no, oh yeah, I keep forgetting that you have

654
00:32:07,920 --> 00:32:10,560
Speaker 1: to escape first to actually be a good escaper. Am I

655
00:32:10,640 --> 00:32:13,160
Speaker 1: always forgetting stuff like this because my head got smushed.

656
00:32:13,840 --> 00:32:15,520
Speaker 7: I'm guessing that's only a small part of it.

657
00:32:16,440 --> 00:32:18,400
Speaker 1: Why are you in the bad bin, Sammy? I mean

658
00:32:18,400 --> 00:32:19,280
Speaker 1: you're so pretty?

659
00:32:20,640 --> 00:32:24,400
Speaker 7: Oh I am Albert? I am the prettiest fish that

660
00:32:24,480 --> 00:32:28,280
Speaker 7: this factory isn't made, the prettiest fish that has ever

661
00:32:28,720 --> 00:32:32,080
Speaker 7: been made. But none of that matters. When the world

662
00:32:32,080 --> 00:32:34,920
Speaker 7: you were brought into was a souciable of awfulness. We

663
00:32:35,120 --> 00:32:39,040
Speaker 7: heard to need more awfulness. The dicked to nonsense frayed

664
00:32:39,080 --> 00:32:42,560
Speaker 7: with spreak offulness.

665
00:32:43,560 --> 00:32:45,440
Speaker 1: Huh, well, then why are you in the bin?

666
00:32:47,560 --> 00:32:52,160
Speaker 7: I overheard some workers talking, apparently something wrong with my recipe.

667
00:32:52,240 --> 00:32:59,280
Speaker 7: Oh no, yeah, I'm two sour stupid jerks.

668
00:32:59,560 --> 00:33:06,240
Speaker 1: I'm don't think that's true. Sammy, you're a little tower best.

669
00:33:06,320 --> 00:33:09,520
Speaker 7: Please you just wait till I get out of here.

670
00:33:09,960 --> 00:33:12,160
Speaker 7: I'm going to be the sweetest fitch you've ever met.

671
00:33:12,640 --> 00:33:14,160
Speaker 1: Why would you be Swedish?

672
00:33:15,480 --> 00:33:15,680
Speaker 6: Yeah?

673
00:33:16,400 --> 00:33:20,360
Speaker 7: Sweet test fish, not sweetish? Are you trying to get

674
00:33:20,400 --> 00:33:20,760
Speaker 7: a sued?

675
00:33:21,480 --> 00:33:22,800
Speaker 1: Okay, so what do we do next?

676
00:33:23,720 --> 00:33:26,560
Speaker 7: Okay, first we have to get down from the spin.

677
00:33:27,000 --> 00:33:29,160
Speaker 7: Next we have to make it across the factory floor.

678
00:33:29,480 --> 00:33:31,280
Speaker 7: Then we have to open the big door by the

679
00:33:31,320 --> 00:33:31,840
Speaker 7: loading dock.

680
00:33:32,400 --> 00:33:33,760
Speaker 1: And lastly, when.

681
00:33:33,600 --> 00:33:36,040
Speaker 7: We make our way to the city, we'll find jobs

682
00:33:36,040 --> 00:33:39,200
Speaker 7: in the studio apartment. And I'm okay if the closet

683
00:33:39,240 --> 00:33:41,120
Speaker 7: isn't that bad, but I'm going to have to insist

684
00:33:41,160 --> 00:33:42,000
Speaker 7: on a washer and dryer.

685
00:33:42,080 --> 00:33:43,600
Speaker 11: That's going to be a deal breaker for me.

686
00:33:44,160 --> 00:33:46,040
Speaker 1: Right, right, So first we have to get past that

687
00:33:46,080 --> 00:33:46,520
Speaker 1: big dog.

688
00:33:47,480 --> 00:33:50,000
Speaker 7: No, first we have to Oh were you even listening?

689
00:33:50,320 --> 00:33:50,920
Speaker 6: Yeah?

690
00:33:50,960 --> 00:33:52,040
Speaker 1: I was looking at the big dog?

691
00:33:52,520 --> 00:33:56,840
Speaker 5: Who what er? Great m.

692
00:33:59,560 --> 00:34:02,880
Speaker 8: Just because just because I have a small apartment, that

693
00:34:02,960 --> 00:34:06,040
Speaker 8: doesn't mean I have a small appetite. And just because

694
00:34:06,080 --> 00:34:10,520
Speaker 8: my building frowns on indoor open flames and dangerous levels

695
00:34:10,560 --> 00:34:13,319
Speaker 8: of carbon monoxide, that doesn't mean that I don't need

696
00:34:13,360 --> 00:34:18,160
Speaker 8: to occasionally throw down some meat and grill grill grillel Well,

697
00:34:18,200 --> 00:34:21,880
Speaker 8: with Bleover's new indoor smokeless grills, I can live like

698
00:34:21,920 --> 00:34:24,480
Speaker 8: a carnivore and not worry about burning the place down

699
00:34:24,600 --> 00:34:28,719
Speaker 8: or killing my neighbors with dangerous poison gas. Using patented

700
00:34:28,760 --> 00:34:32,319
Speaker 8: fire stuff technology, Glover's has taken all the heat and

701
00:34:32,360 --> 00:34:35,239
Speaker 8: smoke of real fire and made it relatively safe for

702
00:34:35,360 --> 00:34:38,600
Speaker 8: indoor use. Now I can cook my meat by my bed,

703
00:34:38,840 --> 00:34:41,120
Speaker 8: and the only thing I have to worry about is

704
00:34:41,200 --> 00:34:46,359
Speaker 8: my alarmingly high cholesterol level. Bleover's indoor smokeless grills be.

705
00:34:46,400 --> 00:34:47,280
Speaker 11: A hunter again.

706
00:34:48,040 --> 00:34:50,360
Speaker 7: Bloffer's grills are not certified for most use in apartment

707
00:34:50,400 --> 00:34:53,120
Speaker 7: buildings or outdoors not suitable for most meat, vegetables, or

708
00:34:53,160 --> 00:34:55,560
Speaker 7: some cheeses not legal in California or New Mexico.

709
00:34:57,560 --> 00:35:05,279
Speaker 1: Yay, no, you that was great handah man, you just

710
00:35:06,080 --> 00:35:07,040
Speaker 1: changed on a dime.

711
00:35:09,840 --> 00:35:14,719
Speaker 4: The first Sammy was nothing like the lady who likes

712
00:35:14,719 --> 00:35:15,560
Speaker 4: to cook meat.

713
00:35:15,320 --> 00:35:16,839
Speaker 5: By her bed.

714
00:35:17,680 --> 00:35:21,239
Speaker 4: Forgive me for jumping in, Drea, I I just uh,

715
00:35:22,040 --> 00:35:24,799
Speaker 4: I was so impressed by you. Literally did take what

716
00:35:24,920 --> 00:35:27,560
Speaker 4: a beat and a half and just boom and it

717
00:35:27,680 --> 00:35:28,880
Speaker 4: was just lovely.

718
00:35:29,480 --> 00:35:30,920
Speaker 7: I thank you, thank you.

719
00:35:32,040 --> 00:35:33,520
Speaker 6: I wanted to deal with a couple of lines from

720
00:35:33,560 --> 00:35:38,440
Speaker 6: the first part of the copy. Okay, we had a

721
00:35:38,480 --> 00:35:41,000
Speaker 6: little technical maybe you guys didn't have the same technical problems,

722
00:35:41,000 --> 00:35:42,880
Speaker 6: but at the very top of the copy there were

723
00:35:42,880 --> 00:35:44,799
Speaker 6: several words of yours that just plane dropped out.

724
00:35:44,840 --> 00:35:46,839
Speaker 1: I did today for the first time, Hannah, which you've

725
00:35:46,840 --> 00:35:49,760
Speaker 1: never done before. You're spiking, which is which is strange.

726
00:35:50,160 --> 00:35:52,640
Speaker 1: You know as it went on, will it did it

727
00:35:52,719 --> 00:35:53,160
Speaker 1: got better?

728
00:35:53,200 --> 00:35:53,359
Speaker 2: Well?

729
00:35:53,360 --> 00:35:55,640
Speaker 1: It's it's what we were noticing earlier in the competition

730
00:35:55,760 --> 00:35:58,239
Speaker 1: is when people got hiring their registers with certain types

731
00:35:58,280 --> 00:36:01,080
Speaker 1: of microphone, especially with more people on a zoom, it

732
00:36:01,120 --> 00:36:05,279
Speaker 1: would compress, so it would it would. So we're going

733
00:36:05,320 --> 00:36:07,840
Speaker 1: to would run.

734
00:36:07,719 --> 00:36:09,759
Speaker 6: The beginning again, the first part of the scene, just

735
00:36:09,960 --> 00:36:12,840
Speaker 6: so I can hear it clearer. And then I do

736
00:36:12,880 --> 00:36:16,239
Speaker 6: have a specific note about it, which is, keep your

737
00:36:16,280 --> 00:36:19,719
Speaker 6: voice down. You want to get caught? Sorry, yelling is

738
00:36:20,280 --> 00:36:24,719
Speaker 6: I mean, really, you're he's an idiot, friend, but he's

739
00:36:24,719 --> 00:36:25,640
Speaker 6: clearly an idiot.

740
00:36:25,840 --> 00:36:26,160
Speaker 1: Okay.

741
00:36:26,360 --> 00:36:28,520
Speaker 2: And I think if this character, if.

742
00:36:28,400 --> 00:36:33,400
Speaker 6: I'm reading it correctly as the author intended, she's sour.

743
00:36:33,520 --> 00:36:36,239
Speaker 2: She's meant to be sour, right, She's she's supposed to be,

744
00:36:36,280 --> 00:36:38,040
Speaker 2: So I'd like to hear some of that.

745
00:36:37,960 --> 00:36:40,919
Speaker 6: In her performance, Okay, even angry at him, even though

746
00:36:41,239 --> 00:36:42,200
Speaker 6: he's kind of her friend.

747
00:36:42,760 --> 00:36:44,279
Speaker 1: Ready, Yes, honey, you good?

748
00:36:44,440 --> 00:36:44,799
Speaker 5: All right?

749
00:36:45,040 --> 00:36:46,360
Speaker 2: When you're ready? Will we're really.

750
00:36:48,160 --> 00:36:49,040
Speaker 1: The coast is clear.

751
00:36:50,480 --> 00:36:51,520
Speaker 7: Keep your voice down?

752
00:36:51,800 --> 00:36:53,080
Speaker 11: Do you want us stick get caught?

753
00:36:53,600 --> 00:36:54,200
Speaker 2: All right?

754
00:36:55,239 --> 00:36:58,120
Speaker 9: Yelling is the opposite. Keeping your voice.

755
00:36:57,920 --> 00:37:00,760
Speaker 11: Down opposite means acol flavor.

756
00:37:01,600 --> 00:37:05,120
Speaker 7: It doesn't I told you that one hundred times, have you?

757
00:37:05,280 --> 00:37:08,520
Speaker 1: I don't. I don't remember that. Oh wait, no, I

758
00:37:08,600 --> 00:37:11,520
Speaker 1: still don't remember. I'm sorry.

759
00:37:11,560 --> 00:37:13,879
Speaker 2: That's great, that's great. Okay, That's what I just needed

760
00:37:13,880 --> 00:37:14,600
Speaker 2: to hear it, Hannah.

761
00:37:15,520 --> 00:37:20,399
Speaker 6: Okay, Okay, starting with Sammy saying because for some crazy reason,

762
00:37:20,440 --> 00:37:22,200
Speaker 6: we are relegated to the reject pile. For me, it

763
00:37:22,239 --> 00:37:24,279
Speaker 6: starts on page two, yes, and I just want to

764
00:37:24,360 --> 00:37:26,400
Speaker 6: run like the next three or four lines will if

765
00:37:26,400 --> 00:37:28,360
Speaker 6: you'd read that with her, I need to get a

766
00:37:28,400 --> 00:37:30,799
Speaker 6: little bit of urgency, Hannah with.

767
00:37:30,840 --> 00:37:32,239
Speaker 2: Okay, if we don't get out of here, we're gonna

768
00:37:32,239 --> 00:37:32,919
Speaker 2: get melted down.

769
00:37:33,280 --> 00:37:35,440
Speaker 6: Right now, it was just kind of informational, but there

770
00:37:35,480 --> 00:37:37,680
Speaker 6: wasn't really much context as to how do you feel

771
00:37:37,719 --> 00:37:40,759
Speaker 6: about that? So let me hear the urgency about that,

772
00:37:41,360 --> 00:37:43,200
Speaker 6: and then and again when we get.

773
00:37:43,120 --> 00:37:45,520
Speaker 2: To yes, Albert, it's bad, a little more impatience with

774
00:37:45,560 --> 00:37:49,720
Speaker 2: what an idiot he is? Okay, right, So started from actually,

775
00:37:49,760 --> 00:37:51,799
Speaker 2: we'll wantn't you meet in with? Sorry, Sammy, why aren't

776
00:37:51,840 --> 00:37:52,320
Speaker 2: we escaping?

777
00:37:52,480 --> 00:37:57,880
Speaker 1: Yes, ma'am, you're ready, we're rolling. Sorry Sammy, why are

778
00:37:57,960 --> 00:37:58,759
Speaker 1: we escaping again?

779
00:37:59,440 --> 00:38:02,480
Speaker 10: Because we're some crazy reason we were relegated to the

780
00:38:02,520 --> 00:38:04,319
Speaker 10: reject pile and if you don't get out of here,

781
00:38:04,360 --> 00:38:05,439
Speaker 10: they're going to build us down.

782
00:38:06,440 --> 00:38:07,280
Speaker 1: That's not bad.

783
00:38:08,200 --> 00:38:10,600
Speaker 11: It's bad, right, It's Albert, it's bad.

784
00:38:11,000 --> 00:38:14,560
Speaker 2: That's it. That's it, much better, much better, Mom, Did

785
00:38:14,560 --> 00:38:16,680
Speaker 2: you want to give her any other notes on the

786
00:38:16,800 --> 00:38:17,120
Speaker 2: on the.

787
00:38:17,200 --> 00:38:21,520
Speaker 4: Not just because I I just I'm having so much

788
00:38:21,560 --> 00:38:25,719
Speaker 4: fun with this. I'd like to try that little paragraph

789
00:38:25,600 --> 00:38:28,799
Speaker 4: where Sammy scowls after he says, why are you in

790
00:38:28,800 --> 00:38:29,279
Speaker 4: the bad being?

791
00:38:29,360 --> 00:38:33,600
Speaker 5: Sammy? You're so pretty? And you I would I would like.

792
00:38:33,600 --> 00:38:38,560
Speaker 4: You to start out being a little more morose. Look

793
00:38:38,600 --> 00:38:41,759
Speaker 4: for places where you can actually add a different punctuation,

794
00:38:41,920 --> 00:38:44,200
Speaker 4: you can end a sentence, not necessarily where it.

795
00:38:44,160 --> 00:38:44,720
Speaker 5: Is you can.

796
00:38:45,120 --> 00:38:49,120
Speaker 4: It's it's like it's authentic thinking out loud.

797
00:38:49,719 --> 00:38:50,560
Speaker 5: So just try that.

798
00:38:50,880 --> 00:38:52,880
Speaker 1: Okay, all right, so I'll read you in. Here we

799
00:38:52,920 --> 00:38:56,160
Speaker 1: go perfect? Why are you in the bad beIN? Sammy?

800
00:38:56,239 --> 00:39:00,920
Speaker 12: You're so pretty, Albert, I'm the prettiest this factory has

801
00:39:01,000 --> 00:39:04,920
Speaker 12: ever made, the prettiest fish that has ever been made.

802
00:39:05,560 --> 00:39:07,560
Speaker 12: But none of that matters when the world you were

803
00:39:07,560 --> 00:39:11,200
Speaker 12: brought into is a cesspool filled with awfulness, covered in

804
00:39:11,280 --> 00:39:13,319
Speaker 12: even more awfulness than dipped in nuts that have been

805
00:39:13,320 --> 00:39:17,680
Speaker 12: sprayed with breckirals. Oh no, more awfulness.

806
00:39:18,360 --> 00:39:22,200
Speaker 4: Great, try out one more time the first line, You're

807
00:39:22,239 --> 00:39:23,080
Speaker 4: so pretty.

808
00:39:23,000 --> 00:39:25,080
Speaker 5: And that can be very matter of fact, like, oh yeah,

809
00:39:25,120 --> 00:39:27,200
Speaker 5: I know that I can just try that.

810
00:39:27,400 --> 00:39:29,280
Speaker 1: Sure, sure, sure are you ready?

811
00:39:29,680 --> 00:39:29,960
Speaker 6: Yes?

812
00:39:31,000 --> 00:39:33,600
Speaker 1: Why are you in the bad Bend, Sammy, you're so pretty.

813
00:39:35,160 --> 00:39:37,920
Speaker 7: I am Albert, I am the prettiest fish that this

814
00:39:38,000 --> 00:39:41,200
Speaker 7: factory has ever made, the prettiest fish that has ever

815
00:39:41,400 --> 00:39:44,839
Speaker 7: been made. None of that matters. And when the world

816
00:39:44,840 --> 00:39:48,560
Speaker 7: you were brought into is a cesspool full of is

817
00:39:48,600 --> 00:39:51,839
Speaker 7: a cesspool of awfulness, covered with even more awfulness than

818
00:39:51,880 --> 00:39:56,279
Speaker 7: dipped and nuts that have been sprayed with bretas, no

819
00:39:56,400 --> 00:39:57,680
Speaker 7: more awfulness.

820
00:39:57,480 --> 00:40:01,560
Speaker 5: Greg, thank you very much. That was really lovely, really good.

821
00:40:01,600 --> 00:40:03,240
Speaker 7: Hannah, thank you so much.

822
00:40:03,719 --> 00:40:07,440
Speaker 1: We will be right back with you. So it's tough

823
00:40:07,560 --> 00:40:12,160
Speaker 1: because I think Mio was better with the vo and

824
00:40:12,239 --> 00:40:15,319
Speaker 1: I think that Hannah was better with the ad read.

825
00:40:15,680 --> 00:40:19,760
Speaker 2: I agree, yeah, ye, at.

826
00:40:19,600 --> 00:40:22,720
Speaker 1: The end of the day, I at least that first round,

827
00:40:23,520 --> 00:40:27,400
Speaker 1: I think Mia found more beats than Hannah did in

828
00:40:27,440 --> 00:40:33,760
Speaker 1: the animation portion and thus equated to better acting frankly

829
00:40:33,800 --> 00:40:37,160
Speaker 1: in the in the first round, agreed. But then you

830
00:40:37,200 --> 00:40:39,600
Speaker 1: get to the ad read, where a lot of actors

831
00:40:39,680 --> 00:40:42,680
Speaker 1: make a fortune and do a great job. And Hannah

832
00:40:42,760 --> 00:40:43,560
Speaker 1: was really good.

833
00:40:45,160 --> 00:40:50,840
Speaker 4: She definitely, in this small snippet, appeared to be a

834
00:40:50,880 --> 00:40:53,400
Speaker 4: little more versatile, and I know Andrea.

835
00:40:53,040 --> 00:40:55,400
Speaker 5: Is very used to this.

836
00:40:55,960 --> 00:40:57,880
Speaker 4: In fact, this is a good question, Andrea, how do

837
00:40:57,920 --> 00:40:59,319
Speaker 4: you figure.

838
00:40:59,040 --> 00:41:00,560
Speaker 5: In nerves to read.

839
00:41:00,440 --> 00:41:02,319
Speaker 4: With a young actor who's going, oh my god, I

840
00:41:02,360 --> 00:41:03,960
Speaker 4: really need this job.

841
00:41:05,000 --> 00:41:06,520
Speaker 1: Great question, it's.

842
00:41:06,360 --> 00:41:07,120
Speaker 2: An excellent question.

843
00:41:07,239 --> 00:41:09,839
Speaker 6: And what I try to do is get them out

844
00:41:09,840 --> 00:41:12,880
Speaker 6: of their own heads so they're not thinking about it anymore.

845
00:41:13,280 --> 00:41:16,120
Speaker 2: And so you'll give whatever note let them run.

846
00:41:16,560 --> 00:41:18,520
Speaker 6: And it's organic and it has to happen at the

847
00:41:18,520 --> 00:41:22,160
Speaker 6: time with each individual actor what they respond to. And

848
00:41:22,239 --> 00:41:24,680
Speaker 6: sometimes it's just as simple as asking them to step

849
00:41:24,719 --> 00:41:28,080
Speaker 6: back from the microphone, shake it out, you know, reach,

850
00:41:28,280 --> 00:41:30,080
Speaker 6: touch your toes, come back up.

851
00:41:30,040 --> 00:41:30,959
Speaker 2: Start again. We're rolling.

852
00:41:31,040 --> 00:41:32,880
Speaker 6: And you know what I do as much as possible

853
00:41:32,960 --> 00:41:37,759
Speaker 6: is just encourage them. Would just be as encouraging as possibility.

854
00:41:37,760 --> 00:41:39,480
Speaker 6: You know what, there's nothing that you can do here

855
00:41:39,520 --> 00:41:40,040
Speaker 6: that's wrong.

856
00:41:40,800 --> 00:41:42,480
Speaker 2: We want to hear you act.

857
00:41:42,600 --> 00:41:45,040
Speaker 6: We just want to hear you do this stuff. We're here.

858
00:41:45,080 --> 00:41:47,880
Speaker 6: We want you to do well. So you know, what

859
00:41:47,920 --> 00:41:50,640
Speaker 6: can I do to help you? So sometimes giving them

860
00:41:50,719 --> 00:41:53,360
Speaker 6: that option, what can I tell you? What can I

861
00:41:53,400 --> 00:41:55,880
Speaker 6: do for you that will make that will help you?

862
00:41:57,200 --> 00:41:59,919
Speaker 6: But it's an interesting thing. I mean, I remember Chuck McCain,

863
00:42:00,160 --> 00:42:03,840
Speaker 6: Remember chucklicking well, sure, remember him, especially.

864
00:42:03,760 --> 00:42:06,640
Speaker 2: Into a flop swept in an audition.

865
00:42:06,360 --> 00:42:11,840
Speaker 6: For men established successful actor just losing it because he

866
00:42:11,960 --> 00:42:12,760
Speaker 6: was so nervous.

867
00:42:12,760 --> 00:42:15,040
Speaker 2: He wanted this role so much, and I had to

868
00:42:15,040 --> 00:42:16,799
Speaker 2: get him out of his head. I had to like pull,

869
00:42:17,400 --> 00:42:20,480
Speaker 2: you know, give him a towel to dry off, and

870
00:42:20,560 --> 00:42:22,640
Speaker 2: let's let's chuck. I love you.

871
00:42:23,440 --> 00:42:23,919
Speaker 5: How fun.

872
00:42:24,280 --> 00:42:27,279
Speaker 6: Yeah, everything has to be done with differently, Robert, it's

873
00:42:27,320 --> 00:42:28,120
Speaker 6: a really good question.

874
00:42:28,640 --> 00:42:30,960
Speaker 2: But she definitely had a nervous issue.

875
00:42:31,000 --> 00:42:33,359
Speaker 1: She did. She did, and it's the first time I've

876
00:42:33,400 --> 00:42:37,279
Speaker 1: seen it. She's been ice cold this entire competition. I mean, really,

877
00:42:37,320 --> 00:42:39,080
Speaker 1: this entire competition, at least at least to the point

878
00:42:39,080 --> 00:42:41,239
Speaker 1: where she's been hiding it very well because I'm sure

879
00:42:41,239 --> 00:42:42,920
Speaker 1: she was nervous. We're all gett nervous. I I got

880
00:42:42,920 --> 00:42:46,560
Speaker 1: nervous yesterday driving to my job. I mean, it happens

881
00:42:46,560 --> 00:42:49,640
Speaker 1: all the time. So but she hit it very well

882
00:42:49,719 --> 00:42:52,040
Speaker 1: until today where you really kind of see it. But again,

883
00:42:52,080 --> 00:42:54,920
Speaker 1: we're you know, we're we're stewing these people. I mean,

884
00:42:55,000 --> 00:42:57,279
Speaker 1: right now, they're all sitting there in the quiet and

885
00:42:57,280 --> 00:42:59,279
Speaker 1: there's zoom in their rooms, wondering what's going to happen.

886
00:42:59,280 --> 00:43:01,560
Speaker 1: Your nerves are getting better of you. So yeah, it's

887
00:43:01,600 --> 00:43:04,040
Speaker 1: an interesting question. But with that said, let's let's make

888
00:43:04,040 --> 00:43:06,880
Speaker 1: it even more difficult on them and bring it back in.

889
00:43:07,000 --> 00:43:10,920
Speaker 1: I would uh, since you are are our guest actor

890
00:43:11,000 --> 00:43:14,279
Speaker 1: judge today, Rob, I'm going to use the once again

891
00:43:14,400 --> 00:43:19,319
Speaker 1: the beautiful Rider Strong from Boy Meets World's Head Oh

892
00:43:19,360 --> 00:43:22,560
Speaker 1: as the coin of the day. So Mia is Rider's

893
00:43:22,640 --> 00:43:25,640
Speaker 1: middle part and h Hannah is the back here. Can

894
00:43:25,680 --> 00:43:29,360
Speaker 1: you tell me heads or tails? Uh? So yeah, heads

895
00:43:29,520 --> 00:43:31,560
Speaker 1: or tails to who goes first for the next round?

896
00:43:31,880 --> 00:43:33,080
Speaker 5: Okay, uh.

897
00:43:34,560 --> 00:43:38,279
Speaker 1: Tales it is heads? Like once again, have to look

898
00:43:38,280 --> 00:43:42,120
Speaker 1: at Ryder Strong's stupid face all the time. So let's

899
00:43:42,200 --> 00:43:45,960
Speaker 1: bring Mia in. Hi, miya, Hello? How are you?

900
00:43:46,520 --> 00:43:47,240
Speaker 9: I'm good?

901
00:43:47,680 --> 00:43:49,080
Speaker 2: Thank you for being so patient.

902
00:43:49,520 --> 00:43:53,319
Speaker 1: Of course we know it's crazy. So here's what we'd

903
00:43:53,360 --> 00:43:55,040
Speaker 1: like to do. I think we told you a little bit.

904
00:43:55,040 --> 00:43:57,720
Speaker 1: We're gonna switch rolls. You're now going to be Albert

905
00:43:57,760 --> 00:44:00,920
Speaker 1: and I am going to be Sammy. But we are

906
00:44:00,920 --> 00:44:03,440
Speaker 1: going to have Rob and Andrea up pick the character

907
00:44:03,560 --> 00:44:06,759
Speaker 1: you are going to do. So Rob, if you would, please, sir,

908
00:44:06,800 --> 00:44:08,640
Speaker 1: can you give me a number between one and six.

909
00:44:10,040 --> 00:44:10,279
Speaker 5: Four?

910
00:44:11,040 --> 00:44:13,000
Speaker 1: Andrea? Could you give me a number between one and

911
00:44:13,080 --> 00:44:20,080
Speaker 1: twelve eleven? Rob a number between one and seven two,

912
00:44:21,360 --> 00:44:23,680
Speaker 1: and Andrea, please, if you would to finish it off

913
00:44:23,680 --> 00:44:24,920
Speaker 1: a number between one and eleven.

914
00:44:26,000 --> 00:44:26,760
Speaker 2: Uh six?

915
00:44:27,680 --> 00:44:31,920
Speaker 1: Okay? So okay, Mia, you are going to be reading

916
00:44:32,080 --> 00:44:38,520
Speaker 1: this character as a small MERR person. Oh you are

917
00:44:38,960 --> 00:44:43,520
Speaker 1: five years old, baby, and the love of your life

918
00:44:43,600 --> 00:44:50,759
Speaker 1: has just left you. No, not the five exactly. So

919
00:44:50,960 --> 00:44:53,919
Speaker 1: once again we are combining all games. So you are

920
00:44:54,239 --> 00:44:57,839
Speaker 1: a small mr person who is five years old and

921
00:44:57,880 --> 00:45:01,000
Speaker 1: the love of your life just left, and that is

922
00:45:01,080 --> 00:45:03,600
Speaker 1: your character as you are. Albert.

923
00:45:04,120 --> 00:45:08,279
Speaker 9: Alrighty, because it's clear.

924
00:45:09,520 --> 00:45:12,600
Speaker 1: Keep your voice down you want to get us caught. Sorry,

925
00:45:13,400 --> 00:45:16,719
Speaker 1: yelling is the opposite of keeping your voice down.

926
00:45:17,760 --> 00:45:19,760
Speaker 9: Opposite means chocolate favored.

927
00:45:20,560 --> 00:45:24,000
Speaker 1: No, it doesn't. I've told you that one hundred times,

928
00:45:24,680 --> 00:45:25,040
Speaker 1: have you.

929
00:45:25,880 --> 00:45:27,040
Speaker 13: I don't remember that?

930
00:45:30,440 --> 00:45:30,520
Speaker 5: No?

931
00:45:31,080 --> 00:45:31,800
Speaker 7: Still I remember?

932
00:45:32,560 --> 00:45:37,600
Speaker 9: Ah, sorry, Sammy, Why are we escaping again?

933
00:45:38,080 --> 00:45:40,680
Speaker 1: Oh? Because for some crazy reason, we are relegated to

934
00:45:40,680 --> 00:45:42,839
Speaker 1: the reject pile and if we don't get out of here,

935
00:45:42,840 --> 00:45:44,040
Speaker 1: they're gonna melt us down.

936
00:45:44,920 --> 00:45:46,000
Speaker 9: That sounds bad.

937
00:45:47,560 --> 00:45:50,760
Speaker 1: It's bad, right, yes, Albert, it's bad.

938
00:45:52,880 --> 00:45:55,000
Speaker 9: Am I as good as escaper as you.

939
00:45:55,840 --> 00:45:59,840
Speaker 1: Well, seeing as we haven't actually escapered yet, I'm thinking no.

940
00:46:01,120 --> 00:46:04,840
Speaker 13: Oh yeah, thank you forgetting that you have to escape

941
00:46:04,840 --> 00:46:06,760
Speaker 13: first to actually be a good escaper.

942
00:46:07,640 --> 00:46:10,160
Speaker 7: Am I always forgetting stuff like this because.

943
00:46:09,880 --> 00:46:11,120
Speaker 9: My head got smashed.

944
00:46:11,520 --> 00:46:14,399
Speaker 1: Hm. I'm guessing that's only a small part of it.

945
00:46:15,520 --> 00:46:17,280
Speaker 9: Why are you and the bad Bend? Sammy?

946
00:46:17,560 --> 00:46:18,400
Speaker 7: You're so pretty?

947
00:46:19,680 --> 00:46:22,359
Speaker 1: I am Albert. I'm the prettiest fish this factory has

948
00:46:22,360 --> 00:46:25,320
Speaker 1: ever made, the prettiest fish that has ever been made.

949
00:46:25,440 --> 00:46:27,719
Speaker 1: But none of that matters when the world you're brought

950
00:46:27,760 --> 00:46:30,759
Speaker 1: into is a cesspool of awfulness, covered in even more awfulness,

951
00:46:30,800 --> 00:46:33,400
Speaker 1: and then dipped in nuts that have been sprayed with spreads.

952
00:46:34,480 --> 00:46:36,640
Speaker 1: No more awfulness?

953
00:46:37,400 --> 00:46:41,840
Speaker 9: Oh then, then, why are you in the ben y?

954
00:46:42,000 --> 00:46:45,160
Speaker 1: I overheard some of the workers talking. Apparently something went

955
00:46:45,200 --> 00:46:50,400
Speaker 1: wrong with my recipe. Oh no, yeah, I'm two sour

956
00:46:51,000 --> 00:46:51,960
Speaker 1: stupid jerks.

957
00:46:52,800 --> 00:47:00,720
Speaker 10: I don't think that's true, Sammy, Yeah, maybe a little sour.

958
00:47:01,120 --> 00:47:04,200
Speaker 1: Yeah, it's because of this place. You just wait till

959
00:47:04,200 --> 00:47:05,960
Speaker 1: I get out of here. I'm gonna be the sweetish

960
00:47:05,960 --> 00:47:06,839
Speaker 1: fish you've ever met.

961
00:47:08,000 --> 00:47:10,320
Speaker 11: Why would you be sweetish?

962
00:47:10,640 --> 00:47:13,799
Speaker 1: Sweetish fish not Swedish? Well are you trying to get

963
00:47:13,800 --> 00:47:15,640
Speaker 1: a sued Ah?

964
00:47:16,640 --> 00:47:18,520
Speaker 9: Well, what do we do next?

965
00:47:19,239 --> 00:47:21,439
Speaker 1: All right, first we have to get down from this bin.

966
00:47:21,840 --> 00:47:23,800
Speaker 1: Next we have to make it across the factory floor.

967
00:47:23,960 --> 00:47:25,440
Speaker 1: Then we have to open that big door by the

968
00:47:25,440 --> 00:47:27,680
Speaker 1: loading dock, and lastly we have to make our way

969
00:47:27,719 --> 00:47:29,840
Speaker 1: to the city where we'll find jobs in a studio apartment.

970
00:47:29,880 --> 00:47:31,680
Speaker 1: I'm okay if the closet isn't that big, but I'm

971
00:47:31,680 --> 00:47:34,319
Speaker 1: going to insist on a washer dryer. It's gonna be

972
00:47:34,320 --> 00:47:36,840
Speaker 1: my deal breaker, all.

973
00:47:36,960 --> 00:47:40,920
Speaker 13: Right, right, right, okay, okay, So first we have to

974
00:47:41,800 --> 00:47:42,600
Speaker 13: get past.

975
00:47:42,400 --> 00:47:43,000
Speaker 7: That big dog.

976
00:47:43,719 --> 00:47:46,360
Speaker 1: What big No, First we have to were you even listening?

977
00:47:47,960 --> 00:47:49,440
Speaker 9: I was looking at the big dog.

978
00:47:49,880 --> 00:47:50,360
Speaker 1: The big what.

979
00:48:01,080 --> 00:48:01,560
Speaker 5: I heard?

980
00:48:03,760 --> 00:48:08,920
Speaker 1: That was really really good? That was really good. Since

981
00:48:08,920 --> 00:48:12,480
Speaker 1: we're here, do we want to do the ad copy

982
00:48:12,520 --> 00:48:14,279
Speaker 1: in some new kind of way? Do you just want

983
00:48:14,320 --> 00:48:18,319
Speaker 1: to take a swing doing something where we're I mean, Rob,

984
00:48:18,480 --> 00:48:20,759
Speaker 1: can you think of just a whole new kind of

985
00:48:20,800 --> 00:48:22,200
Speaker 1: way to read the ad copy?

986
00:48:22,600 --> 00:48:24,279
Speaker 5: Tweak the copy to make it as you.

987
00:48:26,080 --> 00:48:32,920
Speaker 4: Are the spokesperson, but you're a grill expert, a cooking expert,

988
00:48:34,120 --> 00:48:36,919
Speaker 4: so that there will be a little bit more kind

989
00:48:36,960 --> 00:48:40,799
Speaker 4: of officiousness to your read, a little bit more like

990
00:48:40,840 --> 00:48:41,960
Speaker 4: you're an expert on this.

991
00:48:42,160 --> 00:48:43,799
Speaker 5: See what you can do with that. It's a good thing.

992
00:48:43,840 --> 00:48:46,359
Speaker 5: I don't direct.

993
00:48:46,520 --> 00:48:49,200
Speaker 1: I'm also gonna I haven't. I haven't really spoken up

994
00:48:49,200 --> 00:48:51,040
Speaker 1: at all because I have two more people that are

995
00:48:51,080 --> 00:48:53,799
Speaker 1: far more qualified than I am here. But everything we've

996
00:48:53,840 --> 00:48:55,920
Speaker 1: done today, as great as it's been, has all been

997
00:48:55,960 --> 00:48:58,560
Speaker 1: in kind of the same register. I would love to

998
00:48:58,600 --> 00:49:01,480
Speaker 1: hear if you could just lower it a little bit,

999
00:49:01,560 --> 00:49:04,240
Speaker 1: I would like to hear a different tone from you.

1000
00:49:04,239 --> 00:49:05,520
Speaker 1: You don't have to go crazy, you don't have to

1001
00:49:05,520 --> 00:49:09,480
Speaker 1: go growlly, but just something a little less, little girl,

1002
00:49:10,120 --> 00:49:12,200
Speaker 1: just for one ad read to see where that lands

1003
00:49:12,280 --> 00:49:13,839
Speaker 1: kind of in your register.

1004
00:49:14,680 --> 00:49:17,319
Speaker 6: That same thing, and if I could articulate it in

1005
00:49:17,440 --> 00:49:18,879
Speaker 6: just a slightly different way for.

1006
00:49:18,840 --> 00:49:20,960
Speaker 1: You, a better way. Is what she said. She does

1007
00:49:21,000 --> 00:49:23,040
Speaker 1: this for a living. There's a reason she has Emmys,

1008
00:49:23,040 --> 00:49:24,839
Speaker 1: and I don't even know anyone.

1009
00:49:25,719 --> 00:49:26,239
Speaker 2: Here's the thing.

1010
00:49:26,360 --> 00:49:29,600
Speaker 6: I want you to use the lowest part of your voice,

1011
00:49:29,840 --> 00:49:32,759
Speaker 6: where it's the lowest and the deepest and most comfortable,

1012
00:49:32,840 --> 00:49:35,560
Speaker 6: without forcing it at all. So you're not pushing it

1013
00:49:35,640 --> 00:49:38,440
Speaker 6: down here, you're just finding either if you were to

1014
00:49:38,440 --> 00:49:42,640
Speaker 6: sing la la la la, la, la la la, that's

1015
00:49:42,640 --> 00:49:46,319
Speaker 6: already just pushing it. So love comfortable here, I could

1016
00:49:46,320 --> 00:49:48,600
Speaker 6: speak in this voice, So find a pitch a placement

1017
00:49:48,640 --> 00:49:52,200
Speaker 6: where it's comfortable, but the deepest part of your range

1018
00:49:52,200 --> 00:49:52,960
Speaker 6: without forcing it.

1019
00:49:53,520 --> 00:49:57,480
Speaker 10: Okay, you know, just because I have a small apartment,

1020
00:49:57,680 --> 00:50:00,520
Speaker 10: that doesn't mean that I have a small appetite. Just

1021
00:50:00,560 --> 00:50:03,080
Speaker 10: because of my building frowns on indoor open flames are

1022
00:50:03,160 --> 00:50:06,160
Speaker 10: dangerous levels of carbon monoxide. That doesn't mean that I

1023
00:50:06,200 --> 00:50:09,200
Speaker 10: don't need to occasionally throw down some meating grill grill.

1024
00:50:09,400 --> 00:50:14,560
Speaker 10: Grill well with Blover's new indoor smokeless grill, I can't pardon.

1025
00:50:15,840 --> 00:50:16,120
Speaker 8: Well.

1026
00:50:16,200 --> 00:50:18,840
Speaker 10: With Blover's new indoor smokeless grill, I can live like

1027
00:50:18,880 --> 00:50:21,520
Speaker 10: a carnivore and not worry about burning the blaze down

1028
00:50:21,680 --> 00:50:25,680
Speaker 10: or killing my neighbors with dangerous boisonous gas. Using patented

1029
00:50:25,719 --> 00:50:28,920
Speaker 10: fire stuff technology, Blover has taken all of the heat

1030
00:50:28,920 --> 00:50:31,560
Speaker 10: and smoke of real life fire and made it relatively

1031
00:50:31,600 --> 00:50:34,399
Speaker 10: safe for indoor use. Now I can cook my meat

1032
00:50:34,440 --> 00:50:36,360
Speaker 10: by my bed, and the only thing I'll have to

1033
00:50:36,400 --> 00:50:38,560
Speaker 10: worry about is my alarmingly.

1034
00:50:38,120 --> 00:50:39,320
Speaker 8: High cholesterol level.

1035
00:50:39,560 --> 00:50:43,480
Speaker 10: But that's nothing new Blover's indoor smokeless grills be a

1036
00:50:43,600 --> 00:50:46,680
Speaker 10: hunter again. Blover's grills are not certified for use in

1037
00:50:46,680 --> 00:50:50,200
Speaker 10: most apartment buildings or outdoors, not suitable for most meats, vegetables,

1038
00:50:50,280 --> 00:50:52,760
Speaker 10: or some cheeses not legal in California or New Mexico.

1039
00:50:53,640 --> 00:50:57,840
Speaker 2: It's really nice.

1040
00:50:58,800 --> 00:51:00,919
Speaker 5: It was a lot different from the last time.

1041
00:51:02,800 --> 00:51:05,399
Speaker 1: All Right, we will be back with you. Thank you, Mia,

1042
00:51:06,200 --> 00:51:07,239
Speaker 1: thank you, thank you.

1043
00:51:09,000 --> 00:51:13,359
Speaker 6: Well, that was a great note you gave Rob. That

1044
00:51:13,440 --> 00:51:15,440
Speaker 6: was remarkably better.

1045
00:51:15,440 --> 00:51:20,480
Speaker 1: Her also the scene her five year old and her acting,

1046
00:51:20,640 --> 00:51:22,680
Speaker 1: and then the moment she was finding We even talked

1047
00:51:22,680 --> 00:51:24,879
Speaker 1: about that. She killed that, you know. You know how

1048
00:51:24,920 --> 00:51:26,759
Speaker 1: I why I noticed it the most is because she

1049
00:51:26,880 --> 00:51:30,680
Speaker 1: was making me better. I was playing I was playing

1050
00:51:30,719 --> 00:51:33,000
Speaker 1: off of her as much as she was playing off

1051
00:51:33,000 --> 00:51:36,000
Speaker 1: of me, and I was finding beats I hadn't done before.

1052
00:51:36,440 --> 00:51:51,359
Speaker 1: It was just that was great. So what a great remark. Well, okay,

1053
00:51:51,480 --> 00:51:55,560
Speaker 1: let's bring Hannah in and see see what we can

1054
00:51:55,600 --> 00:52:02,440
Speaker 1: do there. Hey, Hannah, how are you. Well, here's what

1055
00:52:02,440 --> 00:52:05,480
Speaker 1: we're gonna do. Yes, we are going to switch characters

1056
00:52:05,480 --> 00:52:08,040
Speaker 1: like we did last time, but we are going to

1057
00:52:08,080 --> 00:52:10,239
Speaker 1: play by the numbers, and Andrea and Rob are going

1058
00:52:10,280 --> 00:52:14,359
Speaker 1: to create the character for you. Okay, is what's going

1059
00:52:14,400 --> 00:52:18,239
Speaker 1: to happen. So if you would please mister Paulson, a

1060
00:52:18,320 --> 00:52:23,360
Speaker 1: number between one and six, five Andrea a number between

1061
00:52:23,360 --> 00:52:27,239
Speaker 1: one and twelve, four, Rob a number between one and

1062
00:52:27,280 --> 00:52:35,520
Speaker 1: seven seven, and finally Andrea a number between one and eleven. Okay, okay, so,

1063
00:52:35,920 --> 00:52:45,000
Speaker 1: han Obama, you are a tiny racehorse. Race Wait a second,

1064
00:52:45,080 --> 00:52:46,360
Speaker 1: let me make sure I have this right. Yes, you

1065
00:52:46,360 --> 00:52:49,239
Speaker 1: are a tiny race horse. That is correct. You are

1066
00:52:49,719 --> 00:52:55,279
Speaker 1: ninety five years old and you are afraid of your

1067
00:52:55,280 --> 00:52:59,600
Speaker 1: own shadow. This is a tough round here.

1068
00:53:00,080 --> 00:53:00,799
Speaker 13: You do this to me?

1069
00:53:03,680 --> 00:53:04,960
Speaker 1: Are you ready to give it a pass?

1070
00:53:05,680 --> 00:53:06,000
Speaker 7: Sure?

1071
00:53:06,480 --> 00:53:08,320
Speaker 1: All right, at your pleasure.

1072
00:53:08,840 --> 00:53:10,800
Speaker 6: Absolutely, when you are ready. We'll start from the top

1073
00:53:10,920 --> 00:53:12,120
Speaker 6: and we're rolling.

1074
00:53:13,560 --> 00:53:15,080
Speaker 11: It is clear.

1075
00:53:16,280 --> 00:53:18,120
Speaker 1: Keep your voice down you want to get us caught

1076
00:53:19,000 --> 00:53:23,240
Speaker 1: show yelling is the opposite of keeping your voice down.

1077
00:53:24,840 --> 00:53:28,320
Speaker 9: After ship means, how can you flavor?

1078
00:53:29,239 --> 00:53:32,560
Speaker 1: No, it doesn't. I've told you that one hundred times.

1079
00:53:33,560 --> 00:53:37,000
Speaker 11: Hell you, I don't remember that.

1080
00:53:38,320 --> 00:53:49,440
Speaker 13: Wait nope, I do don't remember a Sorry Sammy.

1081
00:53:50,320 --> 00:53:51,720
Speaker 7: Why we escaping again?

1082
00:53:52,800 --> 00:53:55,160
Speaker 1: Because for some crazy reason we are relegated to the

1083
00:53:55,239 --> 00:53:57,359
Speaker 1: reject pile and I finally, if we don't get out

1084
00:53:57,400 --> 00:54:00,840
Speaker 1: of here, they're going to melt us down. That bad.

1085
00:54:01,640 --> 00:54:08,879
Speaker 1: It's bad, right, yes, Albert, it's bad. Huh?

1086
00:54:10,160 --> 00:54:11,839
Speaker 9: Oh?

1087
00:54:11,880 --> 00:54:15,480
Speaker 13: Red, am I as good as an escaper as you are.

1088
00:54:16,239 --> 00:54:20,200
Speaker 1: Well, seeing as we haven't actually escaped yet, I'm thinking no.

1089
00:54:21,480 --> 00:54:26,279
Speaker 13: Oh yeah, I can't forgetting that you actually have to

1090
00:54:26,520 --> 00:54:29,880
Speaker 13: escape first to actually be a good escaper.

1091
00:54:32,239 --> 00:54:34,239
Speaker 7: Am I alwish forgetting stuff like this?

1092
00:54:34,920 --> 00:54:37,000
Speaker 9: Because my head is smushed.

1093
00:54:37,360 --> 00:54:39,200
Speaker 1: I'm guessing that's only a small part of it.

1094
00:54:40,560 --> 00:54:47,080
Speaker 13: Well, eh, yeah, why are you in the bad ben?

1095
00:54:47,160 --> 00:54:51,200
Speaker 1: Sammy? You're so pretty? Yes I am Albert I. I'm

1096
00:54:51,280 --> 00:54:53,360
Speaker 1: the prettiest fish that this factory has ever made, the

1097
00:54:53,360 --> 00:54:55,759
Speaker 1: prettiest fish that's ever been made. But none of that

1098
00:54:55,800 --> 00:54:57,480
Speaker 1: matters when the world you were brought into is a

1099
00:54:57,520 --> 00:55:00,359
Speaker 1: cesspool of awfulness covered in even more awful and then

1100
00:55:00,400 --> 00:55:07,160
Speaker 1: dip the nuts and sprayed with bingo more awfulness there.

1101
00:55:08,440 --> 00:55:11,359
Speaker 9: Oh then, why are you in the bin?

1102
00:55:12,000 --> 00:55:15,359
Speaker 1: I overheard some of the workers talking. Apparently something went

1103
00:55:15,400 --> 00:55:21,280
Speaker 1: wrong with my recipe. Oh no, yep, I'm two sour

1104
00:55:21,760 --> 00:55:23,240
Speaker 1: stupid jerks.

1105
00:55:23,800 --> 00:55:32,560
Speaker 13: When I don't think that's true, Sammy, you're a.

1106
00:55:32,640 --> 00:55:33,479
Speaker 11: Little shell work.

1107
00:55:34,239 --> 00:55:36,400
Speaker 1: It's because of this place. You Just wait till I

1108
00:55:36,440 --> 00:55:38,479
Speaker 1: get out of here. I'm gonna be the sweetish fish

1109
00:55:38,480 --> 00:55:39,160
Speaker 1: you've ever met.

1110
00:55:40,040 --> 00:55:41,920
Speaker 11: Oh that would you be? Sweetish?

1111
00:55:42,040 --> 00:55:45,920
Speaker 1: Sweetens? M sweetish fish? Not sweetish you're trying to get a.

1112
00:55:45,960 --> 00:55:50,840
Speaker 9: Sued eh maybe, Well, what do we do next?

1113
00:55:51,200 --> 00:55:53,040
Speaker 1: Well, first we have to get down from this bin.

1114
00:55:53,280 --> 00:55:55,080
Speaker 1: Next we have to make it across the factory floor.

1115
00:55:55,160 --> 00:55:56,520
Speaker 1: Then we have to open that big door by the

1116
00:55:56,520 --> 00:55:58,759
Speaker 1: loading dock, and Leslie, we have to make our way

1117
00:55:58,760 --> 00:56:00,920
Speaker 1: to the city where we'll find jobs in the studio apartment.

1118
00:56:01,080 --> 00:56:02,960
Speaker 1: I'm okay, if the closet isn't that big, I'm going

1119
00:56:03,000 --> 00:56:05,120
Speaker 1: to insist on a wash your dryer though. That's gonna

1120
00:56:05,120 --> 00:56:06,120
Speaker 1: be a deal breaker for me.

1121
00:56:06,840 --> 00:56:10,240
Speaker 9: Right all right, So first we just have to erase

1122
00:56:10,360 --> 00:56:11,399
Speaker 9: patch that big dog.

1123
00:56:12,040 --> 00:56:14,200
Speaker 1: No, first we have to get were you even listening?

1124
00:56:15,320 --> 00:56:17,759
Speaker 13: Nah, I was just looking at the big dog over

1125
00:56:17,800 --> 00:56:19,240
Speaker 13: there with the world.

1126
00:56:25,600 --> 00:56:29,279
Speaker 1: That's great. Before anybody gives any notes, I want to

1127
00:56:29,320 --> 00:56:32,680
Speaker 1: do one more with a different character for you, Okay.

1128
00:56:32,920 --> 00:56:37,400
Speaker 1: I want one that I want to hear something more

1129
00:56:37,440 --> 00:56:41,799
Speaker 1: in your natural register. Okay, and just go through the

1130
00:56:41,840 --> 00:56:47,040
Speaker 1: scene acting wise. Okay, So I want to let's keep

1131
00:56:47,080 --> 00:56:49,600
Speaker 1: we can keep the keep the horse if you want

1132
00:56:49,640 --> 00:56:53,239
Speaker 1: to keep the horse. But let's what what would you

1133
00:56:53,239 --> 00:56:56,480
Speaker 1: say your natural age would be? Voice wise? Twenty eighteen

1134
00:56:57,520 --> 00:57:01,320
Speaker 1: between you twenty that voice right there you're talking voice

1135
00:57:01,360 --> 00:57:03,200
Speaker 1: right there. I want to do that. I want to

1136
00:57:03,200 --> 00:57:05,200
Speaker 1: get one clean take. Your mic is acting up a

1137
00:57:05,239 --> 00:57:07,439
Speaker 1: little bit at times. I also think you're a little

1138
00:57:07,440 --> 00:57:11,479
Speaker 1: bit in your head about trying to keep the voice right,

1139
00:57:11,640 --> 00:57:13,600
Speaker 1: the age right. It's a lot, and I want to

1140
00:57:13,640 --> 00:57:16,560
Speaker 1: make sure we get a great take with you with

1141
00:57:16,880 --> 00:57:19,560
Speaker 1: just your natural register and going through there so you

1142
00:57:19,560 --> 00:57:21,920
Speaker 1: can keep all of the you know, if you want

1143
00:57:21,920 --> 00:57:24,000
Speaker 1: to keep some of the affectations of being the horse,

1144
00:57:24,040 --> 00:57:27,080
Speaker 1: or you want to keep afraid of your own shadow,

1145
00:57:27,120 --> 00:57:28,480
Speaker 1: that's fine, but I want to keep it in your

1146
00:57:28,520 --> 00:57:30,160
Speaker 1: natural register. I want to see what that's like. If

1147
00:57:30,160 --> 00:57:34,080
Speaker 1: that's cool, Andrea, Rob, is that work? And then we'll

1148
00:57:34,120 --> 00:57:36,200
Speaker 1: just run through it once again real quick like that.

1149
00:57:36,720 --> 00:57:38,800
Speaker 1: Sure does that work for you? Sure?

1150
00:57:39,160 --> 00:57:39,520
Speaker 5: All right?

1151
00:57:39,560 --> 00:57:42,120
Speaker 1: Cool? So whenever you want to go and again, I

1152
00:57:42,160 --> 00:57:44,400
Speaker 1: would say, pick the character, but keep it in your

1153
00:57:44,400 --> 00:57:49,240
Speaker 1: register and let's see what happens. Okay, all right, when

1154
00:57:49,280 --> 00:57:50,440
Speaker 1: you're ready to rolling.

1155
00:57:51,960 --> 00:57:55,000
Speaker 11: The coast is clear, sh keep your voice down.

1156
00:57:55,040 --> 00:57:59,320
Speaker 1: You want to get us caught. Yelling is the opposite

1157
00:57:59,400 --> 00:58:00,480
Speaker 1: of keeping your down.

1158
00:58:02,520 --> 00:58:04,400
Speaker 7: Opposite means chocolate flavored.

1159
00:58:05,120 --> 00:58:08,040
Speaker 1: No, it doesn't. I've told you that one hundred times.

1160
00:58:08,800 --> 00:58:09,080
Speaker 6: Have you.

1161
00:58:09,880 --> 00:58:19,480
Speaker 7: I you don't remember that. Oh wait, nope, still don't remember. Ah, sorry, Sammy,

1162
00:58:19,720 --> 00:58:20,920
Speaker 7: Why are we escaping again?

1163
00:58:21,480 --> 00:58:23,680
Speaker 1: Because for some crazy reason we are relegated to the

1164
00:58:23,680 --> 00:58:25,840
Speaker 1: reject pile and if we don't get out of here,

1165
00:58:25,920 --> 00:58:27,080
Speaker 1: they're gonna melt us down.

1166
00:58:28,280 --> 00:58:29,200
Speaker 7: Oh that sounds bad.

1167
00:58:30,240 --> 00:58:33,080
Speaker 1: That's bad, right, yes, Albert, it's bad.

1168
00:58:33,960 --> 00:58:36,080
Speaker 7: Well, am I as good as an escaper as you?

1169
00:58:36,520 --> 00:58:39,480
Speaker 1: Well, seeing as we haven't actually escaped yet, I'm thinking no.

1170
00:58:40,880 --> 00:58:43,680
Speaker 7: Oh yeah, I keep forgetting that you actually have to

1171
00:58:43,800 --> 00:58:47,320
Speaker 7: escape first to actually be a good escaper? And am

1172
00:58:47,360 --> 00:58:51,000
Speaker 7: I always forgetting stuff like this? Because my head got smushed.

1173
00:58:51,280 --> 00:58:53,160
Speaker 1: I'm guessing that's only a small part of it.

1174
00:58:54,120 --> 00:58:56,080
Speaker 7: Well, then, then, why are you on the bad bend?

1175
00:58:56,120 --> 00:58:56,480
Speaker 1: Sammy?

1176
00:58:56,880 --> 00:58:57,680
Speaker 3: You're so pretty?

1177
00:58:58,680 --> 00:59:00,800
Speaker 1: Yes I am, Albert. I'm the prettiest fish that this

1178
00:59:00,800 --> 00:59:03,400
Speaker 1: factory has ever made, the prettiest fish that's ever been made.

1179
00:59:03,560 --> 00:59:05,360
Speaker 1: But none of that matters when the world you're brought

1180
00:59:05,400 --> 00:59:08,120
Speaker 1: into a sussesspool of awfulness, covered in even more awfulness,

1181
00:59:08,120 --> 00:59:11,120
Speaker 1: and then dipped in nuts, and then the raight with sprinkles,

1182
00:59:11,600 --> 00:59:13,439
Speaker 1: no more awfulness.

1183
00:59:13,880 --> 00:59:16,520
Speaker 7: Oh then why are you and the bin?

1184
00:59:17,200 --> 00:59:20,240
Speaker 1: I overheard some of the workers talking apparently something went

1185
00:59:20,280 --> 00:59:25,720
Speaker 1: wrong with my recipe. Oh no, yeah, I'm two sour

1186
00:59:26,000 --> 00:59:26,920
Speaker 1: stupid jerks.

1187
00:59:27,320 --> 00:59:30,320
Speaker 7: Well I don't think that's true, Sammy.

1188
00:59:32,600 --> 00:59:37,240
Speaker 1: Well, it's just because of this place. You just wait

1189
00:59:37,240 --> 00:59:38,560
Speaker 1: till I get out of here. I'm gonna be the

1190
00:59:38,600 --> 00:59:40,040
Speaker 1: sweetest fish you've ever met.

1191
00:59:40,640 --> 00:59:42,320
Speaker 7: Why would you go to be sweetish?

1192
00:59:42,520 --> 00:59:42,720
Speaker 5: Yeah?

1193
00:59:43,040 --> 00:59:48,160
Speaker 1: Sweetish fish, not sweetish? Are you trying to get us sued? Oh?

1194
00:59:48,200 --> 00:59:50,640
Speaker 7: Well, what do we do next?

1195
00:59:50,920 --> 00:59:53,120
Speaker 1: Okay? I have a figured out. First we have to

1196
00:59:53,120 --> 00:59:55,000
Speaker 1: get down from the bin. Next we have to make

1197
00:59:55,000 --> 00:59:57,120
Speaker 1: it across the factory floor. Then we have to open

1198
00:59:57,160 --> 00:59:59,960
Speaker 1: that big door by the loading dock. And lastly we

1199
01:00:00,080 --> 01:00:01,280
Speaker 1: have to make our way to the city, where we'll

1200
01:00:01,280 --> 01:00:03,160
Speaker 1: find jobs in a studio apartment. I'm okay if the

1201
01:00:03,200 --> 01:00:05,120
Speaker 1: closet isn't that big, but I'm going to insist on a.

1202
01:00:05,200 --> 01:00:07,120
Speaker 7: Washer dryat that's it's going to be a deal breaker

1203
01:00:07,120 --> 01:00:11,800
Speaker 7: for me, right, have right, So, so first we have

1204
01:00:11,880 --> 01:00:12,600
Speaker 7: to get past.

1205
01:00:12,400 --> 01:00:15,640
Speaker 1: The big dog big No, first we have were you

1206
01:00:15,720 --> 01:00:18,000
Speaker 1: even listening, na, I was.

1207
01:00:17,960 --> 01:00:19,040
Speaker 7: Looking at the big puppy?

1208
01:00:19,240 --> 01:00:20,000
Speaker 1: What big pow?

1209
01:00:22,680 --> 01:00:23,480
Speaker 5: That was great?

1210
01:00:23,920 --> 01:00:24,440
Speaker 2: Very good?

1211
01:00:24,600 --> 01:00:26,320
Speaker 1: Yeah, I wanted to just hear it in your in

1212
01:00:26,360 --> 01:00:27,400
Speaker 1: your natural register.

1213
01:00:27,800 --> 01:00:32,640
Speaker 5: Thank you really lovely and totally natural. It was great.

1214
01:00:32,880 --> 01:00:35,520
Speaker 2: I'm going to do something with the commercial, but the ad.

1215
01:00:35,320 --> 01:00:37,120
Speaker 1: Copy, Oh did you want me to do that?

1216
01:00:37,280 --> 01:00:37,520
Speaker 2: Okay?

1217
01:00:38,120 --> 01:00:40,720
Speaker 1: Well we're yeah, we're debating. We're seeing which I think

1218
01:00:40,760 --> 01:00:42,600
Speaker 1: I think we should. Let's have you run through it again.

1219
01:00:43,720 --> 01:00:47,560
Speaker 1: Any any ideas, Andrea Rob anything different for the commercial?

1220
01:00:47,720 --> 01:00:51,120
Speaker 6: I do because we got such a good version of

1221
01:00:51,160 --> 01:00:53,400
Speaker 6: this the first time you went through, Rhanna, Yes, and

1222
01:00:53,440 --> 01:00:56,800
Speaker 6: you can just of rest on your laurels for it's

1223
01:00:56,840 --> 01:00:57,240
Speaker 6: just fine.

1224
01:00:57,480 --> 01:00:58,200
Speaker 2: So just to.

1225
01:00:58,120 --> 01:01:00,520
Speaker 6: Play and give you something different to do. Sure, let's

1226
01:01:00,520 --> 01:01:04,760
Speaker 6: find a character for this. So we're imagining this. Here's

1227
01:01:04,800 --> 01:01:10,640
Speaker 6: what I'm picturing. A motorcycle gang mall, a tough broad.

1228
01:01:11,240 --> 01:01:12,840
Speaker 2: You know, she's really kind of tough.

1229
01:01:12,920 --> 01:01:18,160
Speaker 6: She's got tattoos all over and piercings everywhere, and and

1230
01:01:18,200 --> 01:01:21,520
Speaker 6: she's used to being around a really tough element and everything.

1231
01:01:21,600 --> 01:01:24,720
Speaker 2: So let that be a placement for you to find

1232
01:01:24,840 --> 01:01:25,680
Speaker 2: for the voice.

1233
01:01:26,080 --> 01:01:26,400
Speaker 1: Okay.

1234
01:01:26,440 --> 01:01:27,800
Speaker 2: And then there's one other thing. I want to deal

1235
01:01:27,800 --> 01:01:29,200
Speaker 2: with it. And I don't know how you guys deal

1236
01:01:29,240 --> 01:01:30,360
Speaker 2: with this when you work on it, but.

1237
01:01:30,600 --> 01:01:34,040
Speaker 6: I found that when I was teaching, oftentimes people had

1238
01:01:34,040 --> 01:01:36,920
Speaker 6: a hard time getting into commercial copy, getting getting it

1239
01:01:37,040 --> 01:01:42,640
Speaker 6: started because decided who they were talking to in their minds.

1240
01:01:42,720 --> 01:01:44,880
Speaker 6: Part of the actor was I'm just I'm doing a commercial.

1241
01:01:44,880 --> 01:01:47,960
Speaker 6: I'm talking to the entire audience. That doesn't necessarily help

1242
01:01:48,040 --> 01:01:50,920
Speaker 6: the actor. I think for your performance, you need to

1243
01:01:50,960 --> 01:01:55,240
Speaker 6: decide who are you talking to. So, so maybe it's

1244
01:01:55,280 --> 01:01:59,920
Speaker 6: your boyfriend. Maybe it's your boyfriend. Okay, your motorcycle gang boyfriend.

1245
01:02:00,480 --> 01:02:04,240
Speaker 6: And he's just said, gosh, your apartment so small. That's

1246
01:02:04,240 --> 01:02:07,160
Speaker 6: what he's just said to you before you start this copy.

1247
01:02:07,640 --> 01:02:09,360
Speaker 6: So I'm gonna read you into it, and then you're

1248
01:02:09,360 --> 01:02:11,160
Speaker 6: going to dive in and read the rest of the copy. Okay,

1249
01:02:11,280 --> 01:02:15,840
Speaker 6: all right, your really tough, nasty boyfriend, biker guy.

1250
01:02:16,200 --> 01:02:17,000
Speaker 1: That's perfect.

1251
01:02:17,040 --> 01:02:21,720
Speaker 6: Geez, your apartment is so small.

1252
01:02:22,480 --> 01:02:25,880
Speaker 8: Hey, just because I have a small apartment, that doesn't

1253
01:02:25,920 --> 01:02:28,880
Speaker 8: mean I have a small appetite. And just because my

1254
01:02:29,000 --> 01:02:33,240
Speaker 8: building frowns on indoor open flames or dangerous levels of

1255
01:02:33,240 --> 01:02:37,400
Speaker 8: carbon monoxide, that doesn't mean I don't need to occasionally

1256
01:02:37,440 --> 01:02:39,800
Speaker 8: throw down some meat and grill.

1257
01:02:39,640 --> 01:02:40,520
Speaker 1: Grill, grill.

1258
01:02:41,680 --> 01:02:45,520
Speaker 8: So with Blover's new indoor smokeless grill, I can live

1259
01:02:45,640 --> 01:02:48,440
Speaker 8: like a carnivore and not worry about burning the place

1260
01:02:48,480 --> 01:02:52,440
Speaker 8: down or killing my neighbors with dangerous poison gas. Using

1261
01:02:52,520 --> 01:02:56,520
Speaker 8: patented fire stuff technology, Blever's has taken all of the

1262
01:02:56,520 --> 01:02:59,280
Speaker 8: heat and smoke of real fire and made it relatively

1263
01:02:59,320 --> 01:03:02,320
Speaker 8: safer indoors. So now I can cook my meat by

1264
01:03:02,360 --> 01:03:04,520
Speaker 8: my bed and the only thing I have to worry

1265
01:03:04,560 --> 01:03:09,480
Speaker 8: about is my alarmingly high cholesterol level. Blover's indoor smokeless

1266
01:03:09,480 --> 01:03:14,240
Speaker 8: grills be a hunter again. Glover's grills are not certified

1267
01:03:14,280 --> 01:03:16,880
Speaker 8: for most apartment buildings, are outdoors, not suitable for most meats,

1268
01:03:16,920 --> 01:03:19,120
Speaker 8: vegtabals or some cheese is not legal in California or

1269
01:03:19,160 --> 01:03:19,680
Speaker 8: New Mexico.

1270
01:03:20,720 --> 01:03:24,800
Speaker 1: Nice, really good. That's great, really good. Thank you so much, Hannah.

1271
01:03:24,880 --> 01:03:27,120
Speaker 1: We will be back with you. Thank you, thank you.

1272
01:03:27,600 --> 01:03:33,400
Speaker 2: Well done. So interesting this process, it's nuts.

1273
01:03:32,760 --> 01:03:36,600
Speaker 6: Interesting, yes, because because you're you're trying to judge a

1274
01:03:36,600 --> 01:03:39,200
Speaker 6: whole bunch of different stuff from you write a lot

1275
01:03:39,200 --> 01:03:40,920
Speaker 6: more time with both these goals, so you know them

1276
01:03:40,960 --> 01:03:41,880
Speaker 6: a little better than well.

1277
01:03:41,880 --> 01:03:44,000
Speaker 1: That's I mean, this is the thing, I think.

1278
01:03:45,280 --> 01:03:45,520
Speaker 4: You know.

1279
01:03:45,800 --> 01:03:49,240
Speaker 1: We have so many different versions of the voiceover actor.

1280
01:03:49,240 --> 01:03:51,440
Speaker 1: I mean again, I can see Hannah. I I frankly

1281
01:03:51,480 --> 01:03:53,440
Speaker 1: think Hannah did not do great with some of the

1282
01:03:53,480 --> 01:03:56,640
Speaker 1: acting choices today, which is which is rare because she

1283
01:03:56,760 --> 01:04:00,760
Speaker 1: was killing it before. But her ad read were great.

1284
01:04:01,400 --> 01:04:04,080
Speaker 1: I can easily see her taking some acting classes and

1285
01:04:04,080 --> 01:04:06,560
Speaker 1: maybe getting a little bit more comfortable in her skin

1286
01:04:06,600 --> 01:04:10,000
Speaker 1: when it comes to the actual acting portion, but in

1287
01:04:10,040 --> 01:04:12,320
Speaker 1: the meantime reading ad copies all over the place and

1288
01:04:12,400 --> 01:04:18,240
Speaker 1: doing very well. I thought MIA's had two great days,

1289
01:04:18,720 --> 01:04:24,360
Speaker 1: she I thought, really seeing the direction that she was taking,

1290
01:04:24,400 --> 01:04:28,120
Speaker 1: the choices that she was making, owning everything she did,

1291
01:04:28,280 --> 01:04:30,560
Speaker 1: and then switching. I thought her weakest part by far

1292
01:04:30,600 --> 01:04:32,080
Speaker 1: was the add copy, and then I thought she did

1293
01:04:32,080 --> 01:04:35,760
Speaker 1: great with the add copy the last time. So it's tough.

1294
01:04:36,120 --> 01:04:38,960
Speaker 1: It's tough. I mean, we've said we thought our top sixteen,

1295
01:04:39,080 --> 01:04:41,160
Speaker 1: all of all the top sixteen could have been signed

1296
01:04:42,240 --> 01:04:45,160
Speaker 1: and and you know, could have have found a career.

1297
01:04:45,560 --> 01:04:47,960
Speaker 1: So the last two down to the last two are

1298
01:04:48,040 --> 01:04:50,040
Speaker 1: you know, we hope the two best that we had.

1299
01:04:50,080 --> 01:04:51,920
Speaker 1: And of course I'm sure some people were great and

1300
01:04:51,920 --> 01:04:54,919
Speaker 1: had bad days. It happens, you know, So you don't

1301
01:04:54,960 --> 01:04:57,480
Speaker 1: know who just left and went, ah, damn it, I

1302
01:04:57,480 --> 01:05:01,840
Speaker 1: had the worst day ever. We all have them, you know.

1303
01:05:01,960 --> 01:05:06,480
Speaker 1: That being said, it's we're now nitpicking and I personally

1304
01:05:06,880 --> 01:05:09,040
Speaker 1: not to start it, but I personally think Mia had

1305
01:05:09,080 --> 01:05:10,400
Speaker 1: the better day too.

1306
01:05:11,440 --> 01:05:13,240
Speaker 6: And this, as you said, we all have bad days.

1307
01:05:13,360 --> 01:05:15,840
Speaker 6: You know, another day it might have been.

1308
01:05:15,760 --> 01:05:18,240
Speaker 1: Just absolutely absolutely, but we.

1309
01:05:18,120 --> 01:05:21,840
Speaker 6: Have a finite you know, what you choose from, and

1310
01:05:21,880 --> 01:05:25,320
Speaker 6: what we saw today, I think Mea is the stronger content.

1311
01:05:25,640 --> 01:05:27,240
Speaker 1: Here's the other thing, just before you jump in, Rob,

1312
01:05:27,320 --> 01:05:29,000
Speaker 1: just for both of you to know, because we have

1313
01:05:29,160 --> 01:05:33,160
Speaker 1: been with these contestants for so long, Mea has gotten

1314
01:05:33,200 --> 01:05:37,400
Speaker 1: better every time. Oh that's the thing. So she's she's

1315
01:05:37,440 --> 01:05:42,680
Speaker 1: also she's nineteen. Shut up, she's nineteen and getting better

1316
01:05:42,760 --> 01:05:46,600
Speaker 1: with every session we've had. And if that's where she

1317
01:05:46,760 --> 01:05:48,840
Speaker 1: started and this is where she is now, I mean

1318
01:05:48,880 --> 01:05:51,640
Speaker 1: I use this analogy with you the last time, Andrea,

1319
01:05:51,680 --> 01:05:53,680
Speaker 1: which is you know you have the two. You have

1320
01:05:53,720 --> 01:05:55,840
Speaker 1: a baseball coach who's looking at two runners who both

1321
01:05:55,840 --> 01:05:57,600
Speaker 1: make it to first base at the same amount of time.

1322
01:05:57,760 --> 01:05:59,200
Speaker 1: One of them is perfect form, one of them is

1323
01:05:59,200 --> 01:06:01,000
Speaker 1: bad form. You take the with bad form because teaching

1324
01:06:01,040 --> 01:06:02,520
Speaker 1: perfect form, and he's going to beat the first guy.

1325
01:06:02,880 --> 01:06:08,600
Speaker 1: So me at watching her progress this much in this

1326
01:06:08,640 --> 01:06:10,600
Speaker 1: short amount of time, start getting her in a booth

1327
01:06:10,640 --> 01:06:13,360
Speaker 1: with regular auditions and I mean, the sky's the limit.

1328
01:06:14,160 --> 01:06:19,120
Speaker 4: Yeah, that's a great point. And the other side of

1329
01:06:19,160 --> 01:06:22,080
Speaker 4: that coin is in terms of you know, folks like

1330
01:06:22,800 --> 01:06:25,960
Speaker 4: folks like us, well, our stock and trade is versatility.

1331
01:06:26,560 --> 01:06:29,920
Speaker 4: You can create a character or try a dialect or

1332
01:06:29,920 --> 01:06:31,600
Speaker 4: singing character, all that other stuff.

1333
01:06:32,040 --> 01:06:35,520
Speaker 5: Nonetheless, I thought, no, Hannah was great, just phenomenal.

1334
01:06:36,000 --> 01:06:39,280
Speaker 4: The nature of this competition, as you say, is about

1335
01:06:39,880 --> 01:06:40,360
Speaker 4: right now.

1336
01:06:40,600 --> 01:06:42,640
Speaker 5: So that's just the way it goes.

1337
01:06:43,280 --> 01:06:46,080
Speaker 4: I mean, at this moment, at this time, what you've

1338
01:06:46,120 --> 01:06:51,240
Speaker 4: told us, under this circumstance, it's pretty difficult to not

1339
01:06:51,640 --> 01:06:52,520
Speaker 4: go with Mia.

1340
01:06:52,840 --> 01:06:55,560
Speaker 1: I agree. And Hannah was nervous today. You could tell

1341
01:06:55,560 --> 01:06:56,400
Speaker 1: Hannah was nervous today.

1342
01:06:56,960 --> 01:07:00,440
Speaker 6: You can that said in a professional situation, whether she's

1343
01:07:00,480 --> 01:07:03,360
Speaker 6: in the booth at the agency, it's not going to

1344
01:07:03,400 --> 01:07:06,760
Speaker 6: get less stressful, and it's going to be a matter

1345
01:07:06,800 --> 01:07:08,600
Speaker 6: of her learning how to handle that.

1346
01:07:09,360 --> 01:07:11,480
Speaker 2: We gave her so many times today saying how are you,

1347
01:07:11,800 --> 01:07:12,600
Speaker 2: and she always.

1348
01:07:12,320 --> 01:07:14,520
Speaker 1: Was like, I'm here, I guess I'm here.

1349
01:07:15,320 --> 01:07:18,680
Speaker 2: Don't go there. Yeah, I'm great, I'm so grateful to

1350
01:07:18,760 --> 01:07:20,960
Speaker 2: be here. I'm gung ho.

1351
01:07:22,720 --> 01:07:24,320
Speaker 6: It's a mistake when you walk in the door and

1352
01:07:24,320 --> 01:07:28,080
Speaker 6: you bring your problems with you. Outside, and it's all

1353
01:07:28,120 --> 01:07:30,480
Speaker 6: about I am here to work and have fun.

1354
01:07:30,560 --> 01:07:34,440
Speaker 1: And I thought the same thing. I thought the same thing. Yeah, okay,

1355
01:07:34,480 --> 01:07:36,760
Speaker 1: so I think we're all in agreement then right.

1356
01:07:36,920 --> 01:07:40,600
Speaker 6: All right, well we're going to tell these ladies now right?

1357
01:07:40,720 --> 01:07:41,000
Speaker 1: Yes?

1358
01:07:41,280 --> 01:07:42,320
Speaker 2: Are you tell Hannah first?

1359
01:07:42,480 --> 01:07:42,680
Speaker 1: Yes?

1360
01:07:43,040 --> 01:07:45,680
Speaker 2: Okay, let's I want to give her lots of encouragement because.

1361
01:07:45,640 --> 01:07:51,560
Speaker 1: Of course, hey, how are you well? So I'm going

1362
01:07:51,600 --> 01:07:53,840
Speaker 1: to be just totally honest to you. Unfortunately, you didn't

1363
01:07:53,840 --> 01:07:58,240
Speaker 1: win today, okay, but you did an amazing job. I

1364
01:07:58,240 --> 01:08:03,960
Speaker 1: mean number two out of forty five hundred people. You know,

1365
01:08:04,160 --> 01:08:06,840
Speaker 1: when I'm we're sitting here with Rob Paulson and Andrea Romano,

1366
01:08:06,920 --> 01:08:09,040
Speaker 1: two of the best ever in the business. And when

1367
01:08:09,080 --> 01:08:11,080
Speaker 1: I told them it was forty five hundred people, they

1368
01:08:11,120 --> 01:08:12,280
Speaker 1: couldn't believe how.

1369
01:08:12,160 --> 01:08:14,000
Speaker 5: Many people around it.

1370
01:08:14,000 --> 01:08:18,639
Speaker 1: It's you've done so incredibly well. I have to.

1371
01:08:18,600 --> 01:08:20,000
Speaker 5: Say, let me interject something.

1372
01:08:20,240 --> 01:08:25,360
Speaker 4: And firstly, Will and I are both on Andrea's You're

1373
01:08:25,360 --> 01:08:27,719
Speaker 4: an actor too, right, Andrea, you were an actor at college,

1374
01:08:28,920 --> 01:08:35,960
Speaker 4: and so we all we all, and I am dead serious.

1375
01:08:36,360 --> 01:08:39,639
Speaker 4: We know exactly how you feel, we know exactly how

1376
01:08:39,640 --> 01:08:42,400
Speaker 4: bad you want it. I have to tell you the

1377
01:08:42,560 --> 01:08:47,479
Speaker 4: hustle never stops. Ever, when someone says to me, what's

1378
01:08:47,520 --> 01:08:50,680
Speaker 4: your favorite gig, I say the next one, because I

1379
01:08:50,800 --> 01:08:54,720
Speaker 4: can't believe that I'm able to do essentially what got

1380
01:08:54,720 --> 01:08:57,439
Speaker 4: me in trouble in high school with people whom I

1381
01:08:57,439 --> 01:09:00,400
Speaker 4: would choose to be my friends, two of whom are here.

1382
01:09:02,680 --> 01:09:05,200
Speaker 5: And then my job is to bring joy to millions

1383
01:09:05,240 --> 01:09:05,679
Speaker 5: of people.

1384
01:09:06,280 --> 01:09:12,800
Speaker 4: So that is all to say that you are so

1385
01:09:13,360 --> 01:09:17,760
Speaker 4: ahead of the game. I reckon I've done something like

1386
01:09:17,840 --> 01:09:21,200
Speaker 4: twenty five hundred and a half hours of animation.

1387
01:09:21,200 --> 01:09:27,360
Speaker 5: Which means I've not gotten four thousand of them.

1388
01:09:27,439 --> 01:09:28,760
Speaker 1: Yeah, you know what I mean.

1389
01:09:28,960 --> 01:09:30,040
Speaker 2: And so.

1390
01:09:32,520 --> 01:09:33,519
Speaker 5: It's never easy.

1391
01:09:33,960 --> 01:09:39,439
Speaker 4: But you are in a position not only with a

1392
01:09:39,439 --> 01:09:43,880
Speaker 4: lot of skill and a delightful personality, and you're young

1393
01:09:43,960 --> 01:09:47,160
Speaker 4: and you're just on your way. But the people who

1394
01:09:47,160 --> 01:09:51,960
Speaker 4: are telling you this worked yesterday and we're working tomorrow,

1395
01:09:52,160 --> 01:09:54,400
Speaker 4: so we really know what we're talking about.

1396
01:09:54,720 --> 01:09:57,720
Speaker 5: And you are precious, Hannah.

1397
01:09:57,760 --> 01:10:00,000
Speaker 7: Thank you so much, Rob, I really do appreciate that.

1398
01:10:00,920 --> 01:10:03,960
Speaker 6: I want to interject if I may hear that, I

1399
01:10:04,000 --> 01:10:08,160
Speaker 6: want to encourage you, Hannah, to continue pursuing this. You're

1400
01:10:08,880 --> 01:10:12,719
Speaker 6: very good, you really are. Your commercial stuff is excellent.

1401
01:10:12,800 --> 01:10:13,840
Speaker 1: Yeah, thank you.

1402
01:10:14,080 --> 01:10:16,920
Speaker 6: And you know, we talked about this, Robin and Will

1403
01:10:16,960 --> 01:10:20,439
Speaker 6: and I about how one any given day, you may

1404
01:10:20,479 --> 01:10:22,559
Speaker 6: be able to handle this one thing, and then another

1405
01:10:22,640 --> 01:10:24,479
Speaker 6: day you're just kind of not good at that one

1406
01:10:24,600 --> 01:10:27,240
Speaker 6: is not you personally, and so this may not have

1407
01:10:27,280 --> 01:10:28,519
Speaker 6: been the best day for you.

1408
01:10:28,920 --> 01:10:31,320
Speaker 2: When we first said hello to you, you seemed kind.

1409
01:10:31,080 --> 01:10:34,200
Speaker 6: Of down a little or nervous or whatever it seemed

1410
01:10:34,200 --> 01:10:36,800
Speaker 6: to be affecting you, And of course it is.

1411
01:10:37,280 --> 01:10:40,599
Speaker 2: But that's part of the gig, is that nervousness and

1412
01:10:40,680 --> 01:10:41,559
Speaker 2: dealing with that.

1413
01:10:41,800 --> 01:10:44,040
Speaker 6: And so while I want to encourage you to continue

1414
01:10:44,080 --> 01:10:46,519
Speaker 6: to take classes, to continue to work tr this, to

1415
01:10:46,560 --> 01:10:51,719
Speaker 6: find an agent to pursue this work, absolutely, I also

1416
01:10:51,720 --> 01:10:54,360
Speaker 6: want to suggest to you that you bring with your

1417
01:10:54,400 --> 01:10:58,120
Speaker 6: talent that absolute desire that you clearly have to do

1418
01:10:58,280 --> 01:11:02,720
Speaker 6: well yes, so that if someone says, how are you?

1419
01:11:02,800 --> 01:11:05,479
Speaker 6: Let everything else go away and like I'm great and

1420
01:11:05,560 --> 01:11:08,800
Speaker 6: I'm so happy to be here, okay, and then you

1421
01:11:08,840 --> 01:11:11,240
Speaker 6: will convince yourself that that is the truth, because it

1422
01:11:11,280 --> 01:11:13,960
Speaker 6: is you want to be in front of people. And

1423
01:11:13,960 --> 01:11:16,360
Speaker 6: this is something that I learned about auditioning as an actress,

1424
01:11:16,400 --> 01:11:22,320
Speaker 6: which was auditions should not be intimidating somebody in this

1425
01:11:22,320 --> 01:11:26,720
Speaker 6: particular day, Rob Paulson, Will Ferdell and Andrea Romano wanted

1426
01:11:27,000 --> 01:11:28,679
Speaker 6: you to perform for us.

1427
01:11:29,520 --> 01:11:30,439
Speaker 2: Who is that?

1428
01:11:30,439 --> 01:11:33,200
Speaker 1: That is the audition you get.

1429
01:11:33,880 --> 01:11:37,759
Speaker 2: People want you to perform for them, and you got

1430
01:11:37,800 --> 01:11:40,400
Speaker 2: that down. You really do. You're well on your way.

1431
01:11:40,760 --> 01:11:41,640
Speaker 2: Keep pursuing it.

1432
01:11:41,760 --> 01:11:45,880
Speaker 6: Don't be discouraged by the fact that this particular contest,

1433
01:11:45,880 --> 01:11:48,960
Speaker 6: this particular audition, you didn't come out on top. You

1434
01:11:49,080 --> 01:11:54,360
Speaker 6: came out really close to aunt, really close. So I

1435
01:11:54,439 --> 01:11:56,519
Speaker 6: just I don't want you to be sad about this.

1436
01:11:56,760 --> 01:12:00,280
Speaker 6: You've accomplished quite a bit already, and I encourag you

1437
01:12:00,320 --> 01:12:01,920
Speaker 6: to continue on and you will succeed more.

1438
01:12:02,080 --> 01:12:05,080
Speaker 2: And I'm sure we'll be seeing your name years from now.

1439
01:12:04,880 --> 01:12:08,439
Speaker 6: On various high I think, so virtual work or animation work.

1440
01:12:08,920 --> 01:12:10,719
Speaker 2: I wish you the very best of luck.

1441
01:12:10,840 --> 01:12:13,519
Speaker 1: And take these episodes, take the episodes and put together

1442
01:12:13,600 --> 01:12:15,439
Speaker 1: a real and send them out places you're gonna get

1443
01:12:15,439 --> 01:12:18,360
Speaker 1: signed by some You're gonna get signed somewhere you are. Yeah,

1444
01:12:18,360 --> 01:12:21,360
Speaker 1: I mean, it's everything's remote nowadays, so it doesn't matter

1445
01:12:21,360 --> 01:12:25,439
Speaker 1: where you are. You now have the the reads under

1446
01:12:25,479 --> 01:12:28,800
Speaker 1: your belt. Again, what Rob said is absolutely right. We've

1447
01:12:28,880 --> 01:12:32,320
Speaker 1: all heard no or the equivalent of No. One hundred

1448
01:12:32,400 --> 01:12:37,679
Speaker 1: thousand times, So it's uh. And usually it's your number

1449
01:12:38,120 --> 01:12:41,200
Speaker 1: fifty out of forty eight, it's not your number two

1450
01:12:41,400 --> 01:12:45,439
Speaker 1: out of forty five hundred. So it's you did You've

1451
01:12:45,560 --> 01:12:48,280
Speaker 1: you've done really really well. You just to be totally

1452
01:12:48,320 --> 01:12:49,760
Speaker 1: honest with you, and you know you're going to listen

1453
01:12:49,760 --> 01:12:53,160
Speaker 1: to this episode and everything. Your fellow competitor today just

1454
01:12:53,320 --> 01:12:56,800
Speaker 1: really crushed. It just had a day. And that's how

1455
01:12:56,840 --> 01:12:58,760
Speaker 1: we are as actors. You have sometimes when you have

1456
01:12:58,800 --> 01:13:00,799
Speaker 1: a day, and you have sometimes when you just don't

1457
01:13:01,640 --> 01:13:04,280
Speaker 1: and you weren't. It wasn't that you were bad at all.

1458
01:13:05,040 --> 01:13:09,200
Speaker 1: She was phenomenal. That's just how it works sometimes. So

1459
01:13:09,400 --> 01:13:14,160
Speaker 1: it's just was it just was a day. And I'm I.

1460
01:13:14,160 --> 01:13:15,639
Speaker 1: I know I've said this to you a hundred times

1461
01:13:15,680 --> 01:13:17,720
Speaker 1: and I've meant it every time and I continue to

1462
01:13:17,760 --> 01:13:19,720
Speaker 1: mean it. You are going to get signed, you are,

1463
01:13:20,840 --> 01:13:23,400
Speaker 1: so you somebody, You're gonna sign up with an agency,

1464
01:13:23,439 --> 01:13:26,479
Speaker 1: and especially I would work a little bit on some

1465
01:13:26,560 --> 01:13:29,000
Speaker 1: of the voiceover stuff with with just acting, some of

1466
01:13:29,040 --> 01:13:31,880
Speaker 1: the vo acting stuff. Your ad read. You could start

1467
01:13:31,880 --> 01:13:35,599
Speaker 1: reading copy tomorrow. No, it's true, it's true. You you're

1468
01:13:35,640 --> 01:13:38,000
Speaker 1: first from your first read, it was you're you're you're

1469
01:13:38,080 --> 01:13:42,000
Speaker 1: killing it. So yeah, take take improv classes, take some

1470
01:13:42,040 --> 01:13:44,519
Speaker 1: acting classes. But my guess is you're going to be

1471
01:13:44,560 --> 01:13:47,840
Speaker 1: signed and doing auditions while you're taking those classes. So

1472
01:13:48,080 --> 01:13:50,719
Speaker 1: you've done so well, and it's been such an honor

1473
01:13:50,760 --> 01:13:53,200
Speaker 1: to get to know you. And someday I'm gonna be

1474
01:13:53,240 --> 01:13:56,240
Speaker 1: able to say I got a chance to meet her

1475
01:13:56,439 --> 01:13:59,720
Speaker 1: one time, and you're gonna you're gonna be accepting some

1476
01:13:59,800 --> 01:14:01,920
Speaker 1: of You're gonna be like and the day will friedle

1477
01:14:01,960 --> 01:14:05,439
Speaker 1: because you don't remember how to pronounce it. And that

1478
01:14:05,640 --> 01:14:08,120
Speaker 1: stupid show he did said no to me was the

1479
01:14:08,240 --> 01:14:10,920
Speaker 1: day that I went off and started my entire career.

1480
01:14:10,960 --> 01:14:12,720
Speaker 1: And I don't know where he is right now, but

1481
01:14:12,760 --> 01:14:14,479
Speaker 1: I think he sold me a hot pretzel on the

1482
01:14:14,479 --> 01:14:15,559
Speaker 1: street or something last night.

1483
01:14:15,760 --> 01:14:17,160
Speaker 11: No, it's Bill Waffle.

1484
01:14:17,800 --> 01:14:21,800
Speaker 1: There you go, perfect, perfect, No, you're really really keep

1485
01:14:21,880 --> 01:14:24,320
Speaker 1: going because you are. You're such a joy and you're

1486
01:14:24,320 --> 01:14:27,360
Speaker 1: great and you've I mean again, I cannot stress this enough.

1487
01:14:27,600 --> 01:14:30,559
Speaker 1: Number two out of forty five hundred people.

1488
01:14:30,680 --> 01:14:34,520
Speaker 11: That's insane.

1489
01:14:34,920 --> 01:14:37,559
Speaker 1: So it was so nice me to you. Congratulations, We're

1490
01:14:37,600 --> 01:14:40,280
Speaker 1: gonna be now once all the show is wrapped, we

1491
01:14:40,280 --> 01:14:42,880
Speaker 1: can now we weren't legally allowed to like tag all

1492
01:14:42,880 --> 01:14:44,960
Speaker 1: the contestants and put their last names out there and stuff.

1493
01:14:45,040 --> 01:14:46,360
Speaker 1: We're now gonna be able to do all that, so

1494
01:14:46,360 --> 01:14:48,080
Speaker 1: people are gonna know who you are. You're gonna be

1495
01:14:48,080 --> 01:14:49,680
Speaker 1: able to take all this stuff. You're gonna be able

1496
01:14:49,720 --> 01:14:52,160
Speaker 1: to make a reel, send it out. Agents are going

1497
01:14:52,200 --> 01:14:54,320
Speaker 1: to be listening to the stuff. I'm sure that you're

1498
01:14:54,320 --> 01:14:57,880
Speaker 1: going to be doing well. So congratulations on that. And

1499
01:14:58,240 --> 01:14:59,960
Speaker 1: uh yeah, I know we're going to be seeing you again.

1500
01:15:00,400 --> 01:15:02,120
Speaker 7: Thank you well, thank you Andre, and thank.

1501
01:15:01,960 --> 01:15:06,639
Speaker 8: You so so much, amazing, thank you so much, thank you.

1502
01:15:06,800 --> 01:15:14,599
Speaker 1: Bye, Hannah. All right, let's bring in Mia Hey, Mia Hi,

1503
01:15:15,200 --> 01:15:16,920
Speaker 1: how are you?

1504
01:15:17,000 --> 01:15:17,559
Speaker 9: How are you?

1505
01:15:17,960 --> 01:15:21,599
Speaker 1: I'm good? Thank you. So as you can tell, I mean,

1506
01:15:21,640 --> 01:15:24,360
Speaker 1: as you know, the competition has gotten ridiculously stiff. We

1507
01:15:24,400 --> 01:15:27,360
Speaker 1: are down to the finals. It has been just an

1508
01:15:27,360 --> 01:15:32,120
Speaker 1: incredible journey all the way through. And I hope you

1509
01:15:32,120 --> 01:15:33,880
Speaker 1: don't mind signing with an agent because you just won.

1510
01:15:40,840 --> 01:15:42,680
Speaker 1: You did, you just won. You are going to be

1511
01:15:42,960 --> 01:15:48,880
Speaker 1: cesd's newest client. Congratulations, relations.

1512
01:15:51,240 --> 01:15:52,360
Speaker 2: Had a great day.

1513
01:15:52,520 --> 01:15:54,320
Speaker 1: You you rushed it today.

1514
01:15:54,560 --> 01:15:58,479
Speaker 6: Today, you did you followed direction beautifully. Your instincts were

1515
01:15:58,600 --> 01:16:01,680
Speaker 6: on your was up and positive.

1516
01:16:02,560 --> 01:16:05,479
Speaker 2: You really just nailed it. You did. You're up against

1517
01:16:05,479 --> 01:16:09,960
Speaker 2: some fierce competition, yes, and you just did. You deserve

1518
01:16:10,360 --> 01:16:11,760
Speaker 2: the chance that you're about to get.

1519
01:16:12,360 --> 01:16:14,360
Speaker 7: I am so excited.

1520
01:16:14,520 --> 01:16:16,559
Speaker 9: You guys have no idea how much this means to me.

1521
01:16:16,640 --> 01:16:17,439
Speaker 13: The so much.

1522
01:16:17,920 --> 01:16:20,920
Speaker 5: Yes, meya, you're just wonderful.

1523
01:16:21,080 --> 01:16:31,280
Speaker 4: Obviously Hannah was is as well, but you're innate. Just positivity,

1524
01:16:32,120 --> 01:16:37,599
Speaker 4: joy is such a big deal, and you can back

1525
01:16:37,640 --> 01:16:39,000
Speaker 4: it up with killer skills.

1526
01:16:39,320 --> 01:16:39,719
Speaker 1: Yeah.

1527
01:16:39,760 --> 01:16:43,400
Speaker 4: So and then and then Will told me you're seven

1528
01:16:43,439 --> 01:16:45,280
Speaker 4: and a half years old or something like that.

1529
01:16:46,840 --> 01:16:48,839
Speaker 1: You know you're aren't you nineteen?

1530
01:16:49,320 --> 01:16:56,960
Speaker 4: I am, Oh my god, well god, well you know

1531
01:16:57,560 --> 01:16:59,280
Speaker 4: when I was your age. People don't know this, but

1532
01:16:59,360 --> 01:17:01,719
Speaker 4: my high school your book photo is a cave painting.

1533
01:17:04,080 --> 01:17:05,240
Speaker 7: It was a beautiful arpi.

1534
01:17:07,200 --> 01:17:11,439
Speaker 5: But no, you are just it makes certainly.

1535
01:17:11,840 --> 01:17:13,920
Speaker 4: I am so humbled to be part of this and

1536
01:17:14,000 --> 01:17:16,320
Speaker 4: to see the joy on your face.

1537
01:17:16,400 --> 01:17:19,120
Speaker 5: And then having been where you're.

1538
01:17:18,800 --> 01:17:24,240
Speaker 4: Going, you have so much to look forward to and

1539
01:17:24,280 --> 01:17:28,200
Speaker 4: you have signed so many people who are going to

1540
01:17:28,240 --> 01:17:31,519
Speaker 4: be so happy that you're doing what you're doing out

1541
01:17:31,680 --> 01:17:33,000
Speaker 4: You're a remarkable young woman.

1542
01:17:33,320 --> 01:17:35,200
Speaker 1: Also, for the record, we haven't you know, we said

1543
01:17:35,200 --> 01:17:36,880
Speaker 1: you're signing with an agent, which you are, but you're

1544
01:17:36,880 --> 01:17:39,120
Speaker 1: also winning one thousand dollars. You're being flown out to

1545
01:17:39,160 --> 01:17:42,120
Speaker 1: Los Angeles. You're having lunch with Christy and I. You're

1546
01:17:42,160 --> 01:17:44,160
Speaker 1: going to get a go meet some people over at

1547
01:17:44,200 --> 01:17:47,080
Speaker 1: Critical Role and get a training session from Mary McGlen

1548
01:17:47,160 --> 01:17:47,880
Speaker 1: or Sam Regal.

1549
01:17:49,120 --> 01:17:50,680
Speaker 9: You're going to get him the biggest D and D

1550
01:17:50,760 --> 01:17:51,920
Speaker 9: inert on the whole planet.

1551
01:17:51,960 --> 01:17:53,000
Speaker 11: You have no idea.

1552
01:17:53,520 --> 01:17:55,920
Speaker 1: So there were you. Did you hear about this contest

1553
01:17:55,920 --> 01:17:58,880
Speaker 1: through Critical Role? Yes, so there you go.

1554
01:17:59,400 --> 01:18:01,679
Speaker 9: My best friend is obsessed with them, and he's like, yeah,

1555
01:18:01,880 --> 01:18:02,720
Speaker 9: you have to do it.

1556
01:18:02,800 --> 01:18:05,880
Speaker 1: I'm like, okay, so there you go. Wow, well you

1557
01:18:09,800 --> 01:18:12,000
Speaker 1: or anything you'd like to say to me, I just.

1558
01:18:12,120 --> 01:18:14,599
Speaker 6: You know, the thing is that because you are so young,

1559
01:18:14,920 --> 01:18:17,559
Speaker 6: it's clearful. It's easy for us to say you have

1560
01:18:17,720 --> 01:18:20,959
Speaker 6: natural talent. You actually have nottal. You have not apparently

1561
01:18:20,960 --> 01:18:25,120
Speaker 6: had many years to study because so I encourage you

1562
01:18:25,160 --> 01:18:27,600
Speaker 6: to continue to pursue as far as you know.

1563
01:18:27,600 --> 01:18:28,720
Speaker 2: You've got the opportunity now.

1564
01:18:28,720 --> 01:18:32,439
Speaker 6: But and I said this oftentimes, which is any actor

1565
01:18:32,640 --> 01:18:37,360
Speaker 6: can benefit from a good class. Continue to take classes

1566
01:18:37,400 --> 01:18:40,719
Speaker 6: if you haven't started taking them, start taking classes. Good classes.

1567
01:18:40,720 --> 01:18:42,519
Speaker 6: There's people out there that want to rip off your

1568
01:18:42,640 --> 01:18:45,439
Speaker 6: take your money and rip you off. They're good, accredited people.

1569
01:18:45,960 --> 01:18:48,000
Speaker 6: But study and that's a great way to meet people

1570
01:18:48,080 --> 01:18:50,200
Speaker 6: and learn what's going on in town and finding out

1571
01:18:50,280 --> 01:18:53,600
Speaker 6: what the popular thing is that's happening then and what

1572
01:18:53,680 --> 01:18:57,479
Speaker 6: kind of voices people looking for. But I I think

1573
01:18:57,520 --> 01:18:59,800
Speaker 6: you are well on your way, and I know we're

1574
01:18:59,800 --> 01:19:02,320
Speaker 6: going to hear great things about you. Congratulations to you.

1575
01:19:02,400 --> 01:19:03,480
Speaker 6: Well done, you.

1576
01:19:03,320 --> 01:19:06,280
Speaker 1: Did, you did an amazing job. I've gotten to watch

1577
01:19:06,360 --> 01:19:08,920
Speaker 1: you the entire time. I am, however, gonna gonna tell

1578
01:19:08,920 --> 01:19:13,160
Speaker 1: you this, This is only an opportunity. You now have

1579
01:19:13,240 --> 01:19:15,599
Speaker 1: to take it and make whatever it is. You won

1580
01:19:15,800 --> 01:19:19,280
Speaker 1: a chance, that's all you won. But it's a great chance.

1581
01:19:19,800 --> 01:19:22,280
Speaker 1: But now you've got to take it. No one's gonna

1582
01:19:22,280 --> 01:19:23,800
Speaker 1: give it to you. You've got to go and you've

1583
01:19:23,800 --> 01:19:25,639
Speaker 1: got to make whatever you can out of it because

1584
01:19:25,720 --> 01:19:28,559
Speaker 1: it's a wonderful business. It's a ton of fun, and

1585
01:19:29,120 --> 01:19:31,879
Speaker 1: you gotta try to just get happier because it's.

1586
01:19:33,000 --> 01:19:34,200
Speaker 9: Just be happy, Oh Michael.

1587
01:19:34,840 --> 01:19:36,840
Speaker 1: So of course, Mio, we will be in touch and

1588
01:19:36,880 --> 01:19:38,920
Speaker 1: I'll get to see you and shake your hand in

1589
01:19:38,960 --> 01:19:42,720
Speaker 1: person and congratulating person in Los Angeles, Christy and I

1590
01:19:42,800 --> 01:19:45,360
Speaker 1: Christie so wishes she could be here. She's been texting

1591
01:19:45,439 --> 01:19:46,880
Speaker 1: all morning. Who won? Who won?

1592
01:19:46,960 --> 01:19:47,360
Speaker 2: Who won?

1593
01:19:48,000 --> 01:19:48,360
Speaker 5: Nice?

1594
01:19:48,439 --> 01:19:54,880
Speaker 1: So just congratulations. You are a future vo star. I'm

1595
01:19:54,920 --> 01:20:03,160
Speaker 1: telling you that. So you earned it. Congratulations, Congratulations, Thank.

1596
01:20:03,000 --> 01:20:04,720
Speaker 9: You so much for this opportunity.

1597
01:20:04,840 --> 01:20:07,640
Speaker 1: You're welcome, Mia, and somebody will be in touch. You

1598
01:20:07,840 --> 01:20:12,320
Speaker 1: absolutely earned it. Congratulations to the winner of the super

1599
01:20:12,360 --> 01:20:15,360
Speaker 1: awesome contest to become the next big voice actor, Mia

1600
01:20:15,560 --> 01:20:19,639
Speaker 1: from Florida. Wow, what a ride. Thank you, Mia, Thank

1601
01:20:19,720 --> 01:20:26,479
Speaker 1: you bye? Oh god, that was fun.

1602
01:20:27,040 --> 01:20:30,479
Speaker 4: You guys did a really remarkable thing.

1603
01:20:30,560 --> 01:20:32,080
Speaker 5: My friend, you really did.

1604
01:20:32,320 --> 01:20:35,120
Speaker 1: That was fun. That really was well. We certainly couldn't

1605
01:20:35,120 --> 01:20:37,760
Speaker 1: have done it without all the amazing guest judges we had.

1606
01:20:37,920 --> 01:20:42,000
Speaker 1: Ending with I mean, come on to legends royalty in

1607
01:20:42,240 --> 01:20:45,680
Speaker 1: Andre Romano and Rob Paulson, I mean, man, darling.

1608
01:20:45,400 --> 01:20:48,800
Speaker 5: Thank you well, thank you so much for including us.

1609
01:20:49,040 --> 01:20:52,120
Speaker 1: Thank you both so much, Andre Ramano, Rob Paulson, I

1610
01:20:52,160 --> 01:20:54,200
Speaker 1: love you guys so much. Thank you for joining us.

1611
01:20:54,640 --> 01:20:56,800
Speaker 1: We could not have had better people. Thank you to

1612
01:20:56,840 --> 01:21:00,719
Speaker 1: both of you, and we'll be talking to you soon. Bye,

1613
01:21:00,760 --> 01:21:07,320
Speaker 1: stay well, bye, now bye, Well everybody, that is it?

1614
01:21:07,760 --> 01:21:11,120
Speaker 1: What a show. We have gone from forty five hundred

1615
01:21:11,520 --> 01:21:15,200
Speaker 1: to Mia from Florida, and man, did she earn it today?

1616
01:21:15,760 --> 01:21:17,960
Speaker 1: What I could anyone else to say? You're going to

1617
01:21:18,000 --> 01:21:21,479
Speaker 1: be hearing her everywhere. What a phenomenal win she earned it.

1618
01:21:21,960 --> 01:21:27,080
Speaker 1: An incredible kudos to Hannah, such a worthy Number two

1619
01:21:27,560 --> 01:21:29,360
Speaker 1: easily could have been her day. It was just one

1620
01:21:29,400 --> 01:21:31,640
Speaker 1: of those days where Mia came in and was just

1621
01:21:31,680 --> 01:21:34,720
Speaker 1: a buzz sauce. She crushed it. So about we're gonna

1622
01:21:34,720 --> 01:21:36,240
Speaker 1: be hearing from Hannah as well. I think we all

1623
01:21:36,280 --> 01:21:39,519
Speaker 1: know that, and well, this is it, everybody. I mean,

1624
01:21:39,560 --> 01:21:41,960
Speaker 1: I think we wanted to end the show on a

1625
01:21:42,000 --> 01:21:43,800
Speaker 1: high note and it doesn't get much higher than that.

1626
01:21:43,920 --> 01:21:46,080
Speaker 1: So I think you've all probably I'll figure it out

1627
01:21:46,080 --> 01:21:48,799
Speaker 1: by now that we're not just ending the super awesome contest,

1628
01:21:48,840 --> 01:21:50,760
Speaker 1: but we're ending. I hear voices too. It's been an

1629
01:21:50,760 --> 01:21:53,040
Speaker 1: incredible run, and I know Christy wishes he was here

1630
01:21:53,080 --> 01:21:55,920
Speaker 1: as well, but we are all onto different stuff and

1631
01:21:55,960 --> 01:21:58,800
Speaker 1: we want to thank some people very quickly for helping

1632
01:21:58,880 --> 01:22:00,960
Speaker 1: us out. Of course with the contest, we want to

1633
01:22:00,960 --> 01:22:03,479
Speaker 1: thank CESD for signing our winner Mia. Man, are they

1634
01:22:03,479 --> 01:22:06,840
Speaker 1: getting somebody fantastic to add to their roster. We also

1635
01:22:06,880 --> 01:22:09,439
Speaker 1: want to thank everybody over there at Prime Video who

1636
01:22:09,520 --> 01:22:12,439
Speaker 1: has helped us out. Go watch season two of the

1637
01:22:12,479 --> 01:22:15,280
Speaker 1: Legend of Oxmocket. It's available for download now, and of course,

1638
01:22:15,360 --> 01:22:16,840
Speaker 1: as I always say, it's not just because I'm on

1639
01:22:16,880 --> 01:22:19,240
Speaker 1: it that it's awesome, but it helps. We also want

1640
01:22:19,280 --> 01:22:22,439
Speaker 1: to thank everybody over there at Critical Role, all of

1641
01:22:22,479 --> 01:22:25,720
Speaker 1: our friends at iHeart who just made this happen for us.

1642
01:22:25,800 --> 01:22:29,160
Speaker 1: You are incredible, our producer Lorraine, our engineer Brian, everybody

1643
01:22:29,280 --> 01:22:31,280
Speaker 1: who has helped to make this possible, because it took

1644
01:22:31,479 --> 01:22:35,280
Speaker 1: an army of people to really make this national contest huge.

1645
01:22:35,280 --> 01:22:37,760
Speaker 1: But as for I hear voices, I want to thank

1646
01:22:38,040 --> 01:22:41,280
Speaker 1: my fellow executive producer, Brendan Rooney, who is Christy Carlson

1647
01:22:41,360 --> 01:22:45,120
Speaker 1: Romano's husband. I want to thank my close friend Christy

1648
01:22:45,120 --> 01:22:47,680
Speaker 1: Carlson Romano. We started this journey together and I wish

1649
01:22:47,720 --> 01:22:49,280
Speaker 1: we could have ended it together, but it just didn't

1650
01:22:49,280 --> 01:22:51,400
Speaker 1: work out that way. She's so busy right now and

1651
01:22:51,439 --> 01:22:54,080
Speaker 1: she's so bummed. She's been texting me all morning who won,

1652
01:22:54,120 --> 01:22:56,639
Speaker 1: who won, who won? But we just want to thank

1653
01:22:56,720 --> 01:22:59,960
Speaker 1: everybody who stuck with us for all of these episodes.

1654
01:23:00,640 --> 01:23:03,400
Speaker 1: You are phenomenal, and we got to show you a

1655
01:23:03,400 --> 01:23:05,360
Speaker 1: little bit of what the world of voiceover is like.

1656
01:23:05,400 --> 01:23:08,160
Speaker 1: We couldn't have asked for better fans. You are incredible

1657
01:23:08,160 --> 01:23:10,040
Speaker 1: people and we just love you if we really do.

1658
01:23:10,080 --> 01:23:11,960
Speaker 1: I know that word gets thrown around around a lot,

1659
01:23:12,000 --> 01:23:13,760
Speaker 1: but we talked about it quite a bit about how

1660
01:23:13,880 --> 01:23:16,160
Speaker 1: just special you all are to us and how you've

1661
01:23:16,160 --> 01:23:18,679
Speaker 1: made this incredible. So I just want to thank everybody

1662
01:23:18,720 --> 01:23:22,240
Speaker 1: for joining us. Yeah, not gonna get too sentimental. It's

1663
01:23:22,240 --> 01:23:25,320
Speaker 1: been an incredible ride, and I love this business so

1664
01:23:25,479 --> 01:23:26,880
Speaker 1: much and I'd love to be able to share it

1665
01:23:26,880 --> 01:23:30,160
Speaker 1: with everybody. So thank you all, And for the last time,

1666
01:23:30,800 --> 01:23:32,360
Speaker 1: if you think you have what it takes to be

1667
01:23:32,400 --> 01:23:34,720
Speaker 1: one of us, step up and put your voices where

1668
01:23:34,720 --> 01:23:35,240
Speaker 1: your mouth is.

1669
01:23:36,040 --> 01:23:37,680
Speaker 7: Hey, there, I hear voices, listeners.

1670
01:23:37,800 --> 01:23:40,200
Speaker 10: This is Na the winner of the super Awesome contest

1671
01:23:40,200 --> 01:23:42,640
Speaker 10: to become the next big voice actor. I am so

1672
01:23:42,760 --> 01:23:44,880
Speaker 10: glad I found this podcast, and I'm glad you found

1673
01:23:44,920 --> 01:23:48,040
Speaker 10: it too well. Then, Christy, also known as Kim Possible

1674
01:23:48,080 --> 01:23:51,480
Speaker 10: and Ron Stoppable, interview the best known voices in Hollywood,

1675
01:23:51,840 --> 01:23:52,840
Speaker 10: from your favorite.

1676
01:23:52,560 --> 01:23:54,479
Speaker 9: Cartoon characters the video game voices.

1677
01:23:54,800 --> 01:23:57,479
Speaker 10: You never know who they'll talk to next. Make sure

1678
01:23:57,520 --> 01:24:00,320
Speaker 10: to follow, like, and download the I Hear Voices bycast

1679
01:24:00,400 --> 01:24:03,000
Speaker 10: on Iheartapple and anywhere you get your podcasts.

1680
01:24:03,240 --> 01:24:05,479
Speaker 9: And remember, if you think you had what it takes,

1681
01:24:05,760 --> 01:24:07,640
Speaker 9: put your voices where your mouth is.