WEBVTT - The Last Straw

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<v Speaker 1>As a dad actor produced for an activist. My schedule

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<v Speaker 1>your journey right this way, miss Powers. Your baggage claim

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<v Speaker 1>is number three. Mom, Hi, this is a surprise. I

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<v Speaker 1>was expecting a driver. Hi canceled the rest servation. I

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<v Speaker 1>was head into your house anyway, so I figured I

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<v Speaker 1>would pick you up. Would you like me to stay

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<v Speaker 1>with you until your luggage rafts? Good? Oh that's okay,

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<v Speaker 1>Thank you so much. My pleasure other than that cold

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<v Speaker 1>how are you good? You good? Brought you some concoction

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<v Speaker 1>Loosma made you. It'll clear you right up. Is that

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<v Speaker 1>all you took to La? I don't even remember. Yeah,

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<v Speaker 1>you've been too busy with your other client. To notice.

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<v Speaker 1>I'm only going to take these type of remarks for

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<v Speaker 1>so long, especially after sending me so many signals that

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<v Speaker 1>you need a time away from me. You back life

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<v Speaker 1>these days I always do. It's you that I have

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<v Speaker 1>to bring an extra carry on for it. Oh, don't

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<v Speaker 1>act like you don't use all my creams when I'm

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<v Speaker 1>not looking. You noticed, I noticed. Come on, Let's get

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<v Speaker 1>you home here. Drink this loose My swears by it.

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<v Speaker 1>He remedies are pretty good. Oh it's hot and soothing.

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<v Speaker 1>The eucalyptus is going right into my nose and tell her,

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<v Speaker 1>I said, thanks, sure. So how did the shoot go?

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<v Speaker 1>It was really fun, even if I got cold. What

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<v Speaker 1>kind of swimsuit did you wear? I think you should

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<v Speaker 1>wait and see I find. Don't tell me, but I'm

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<v Speaker 1>glad the shoot went well. Yeah. Well, I know you're

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<v Speaker 1>not crazy about the song, and I get it, really,

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<v Speaker 1>but I think you like the music video. It's so

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<v Speaker 1>different from anything I've ever done, and I think it

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<v Speaker 1>compliments the song. That's great. Meha, I'm glad. So you

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<v Speaker 1>said you had some sorry, you said you had some

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<v Speaker 1>good news. Oh, I'm so excited about this, and you're

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<v Speaker 1>not going to believe it, But the kids book deal

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<v Speaker 1>is back on. Really when did that happen? Just yesterday

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<v Speaker 1>I got a call from Robin at Birdhouse Publishing. She

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<v Speaker 1>said that now that those nasty rumors have finally subsided,

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<v Speaker 1>her team and even legal thought it was safe to

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<v Speaker 1>revisit the book idea. Wow, but that's not even the

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<v Speaker 1>best part. Now that No Strings is number one on

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<v Speaker 1>the charts, they are committing to an even larger first printing.

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<v Speaker 1>I thought album sales didn't mean anything in children's publishing.

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<v Speaker 1>I know, but my guess is that they are looking

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<v Speaker 1>at this as the first step in a larger and

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<v Speaker 1>more expensive relationship with you than just children's books. I see, yeah,

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<v Speaker 1>and you'll love this. The series will no longer be

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<v Speaker 1>called a Delita la Tejnita. It will just be titled Adelita.

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<v Speaker 1>What's wrong? I thought not tying you to the Tehano

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<v Speaker 1>title would be welcome news, and I think this could

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<v Speaker 1>be great exposure for you as you may this crossover. Yeah,

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<v Speaker 1>you're probably right. I'm sorry I don't sound more excited.

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<v Speaker 1>I'm just tired and this cold is not helping. Now.

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<v Speaker 1>What I was thinking is that we could make Natalia

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<v Speaker 1>a character in the books, introduce her there, and then

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<v Speaker 1>launch her own series of books. Mama, no, I just

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<v Speaker 1>want you to think about it. I don't need to

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<v Speaker 1>think about it. The more we can separate our careers,

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<v Speaker 1>the better it'll be for both of us. Okay, there

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<v Speaker 1>are already too many comparisons out there, but you're both

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<v Speaker 1>Mexican singers from Chihuahua. The two of you as young

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<v Speaker 1>girls in the book, it could be adorable. It's a

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<v Speaker 1>bad idea, Mom, trust me on this one. Besides, I

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<v Speaker 1>can't imagine Natalia wanting to be second Banana in anybody's book.

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<v Speaker 1>That girl seems to have a lot of confidence. I

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<v Speaker 1>could tell you stories, but I hear you in my

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<v Speaker 1>idea and we can forget about it. Good. Do you

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<v Speaker 1>feel the same way about me being a character in

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<v Speaker 1>your book, because Robin definitely wants me in the books,

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<v Speaker 1>you know, like the cookbooks we do together. That's different.

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<v Speaker 1>You're my mother, But what about my father? Have they

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<v Speaker 1>ever asked you who he is? Don't even suggest including

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<v Speaker 1>Marcos in the books. You mean my father, and I'm

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<v Speaker 1>just asking. It has never come up, so let's not

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<v Speaker 1>bring it up ever. Whatever lose my puts in this thing.

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<v Speaker 1>I feel better already good, So listen, Mom, before we

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<v Speaker 1>get into the house. There's something I need to tell you.

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<v Speaker 1>But I don't want you to freak out or get

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<v Speaker 1>upset because I'm fine. I just want you to listen. Okayla,

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<v Speaker 1>you're scaring me. Everything is going to work out like

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<v Speaker 1>it's supposed to. Maha, what is it? There's a lot

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<v Speaker 1>I haven't shared with you in the last couple of months.

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<v Speaker 1>You and I haven't really been in a good place

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<v Speaker 1>for a while, so it was hard to talk about

0:07:15.920 --> 0:07:18.880
<v Speaker 1>some of the stuff that's been going on. One being

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<v Speaker 1>that this collaboration with Wisdom brought up some issues in

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<v Speaker 1>my marriage with Rodigo. I see mostly dealing with me. So, Mom,

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<v Speaker 1>I don't want you making assumptions about Rodrigo. He has

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<v Speaker 1>done nothing wrong. If anything, I'm the one who's messed up.

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<v Speaker 1>But he's giving me the time to figure things out

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<v Speaker 1>and I am okay. And in order for me to

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<v Speaker 1>do that, he decided to temporarily move out. You separated.

0:07:48.400 --> 0:07:51.240
<v Speaker 1>I wouldn't call it a separation. I would just say

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<v Speaker 1>we're taking a break. Oh meha, you have no idea.

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<v Speaker 1>How sad that makes me? I know. I tease him

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<v Speaker 1>a lot. But I love that boy, I know you do.

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<v Speaker 1>I'm sorry I didn't tell you before. I just couldn't.

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<v Speaker 1>I understand no daughter wants their mother meddling in something

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<v Speaker 1>like that. But I think we should probably hold off

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<v Speaker 1>on signing a book deal. Maybe you're right, Let's talk

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<v Speaker 1>about something more positive. Yeah. Marcos said that both the

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<v Speaker 1>song and the music video will be released next week.

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<v Speaker 1>Did you want to do something special that day? No? No,

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<v Speaker 1>I'll be too nervous. Well, maybe you can come over

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<v Speaker 1>to the house. We can have a mini listening party

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<v Speaker 1>with just you, me and losm Okay okay good him

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<v Speaker 1>As a dad, actor, producer, and activist. My schedule fills

0:08:56.320 --> 0:08:59.199
<v Speaker 1>up fast, and as we all know, life can be unpredictable.

0:08:59.520 --> 0:09:01.880
<v Speaker 1>That's why good help is always welcome, like when your

0:09:01.920 --> 0:09:05.680
<v Speaker 1>friend offers you those important words of advice, or when

0:09:05.679 --> 0:09:08.640
<v Speaker 1>your mom makes your favorite food just because it's hold

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0:10:58.240 --> 0:11:01.040
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<v Speaker 1>your volume. I'm believing yourself. Rosalind Sanchez, host of the podcast.

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<v Speaker 1>He said, Ayaiko looks back at her voyage and shares

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<v Speaker 1>the advice that's helped her reach her dreams. Hande proud

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<v Speaker 1>partner of the Michael Duda podcast network. It's your journey,

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<v Speaker 1>listen to he said, Ayadiko and all your favorite Michael

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<v Speaker 1>Duda podcasts on the iHeart Radio app, Apple podcast or

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<v Speaker 1>wherever you listen to podcasts. No more coffee, lose my

0:11:38.400 --> 0:11:43.040
<v Speaker 1>I'm a nervous wrecks miha. I am going to make

0:11:43.040 --> 0:11:46.240
<v Speaker 1>you some day, de Mancinia. It will come your nerves

0:11:46.760 --> 0:11:51.679
<v Speaker 1>hy So, how will we know that the song has

0:11:51.679 --> 0:11:56.320
<v Speaker 1>been released. It has been released everywhere at exactly ten am.

0:11:56.360 --> 0:11:59.480
<v Speaker 1>But IG is sending both Adelita and me a text

0:11:59.559 --> 0:12:03.160
<v Speaker 1>as so as the videos up on YouTube and there

0:12:03.200 --> 0:12:08.240
<v Speaker 1>it is all right. Here we go extra or you

0:12:10.760 --> 0:12:18.240
<v Speaker 1>I meha, not Jessa became, but a string became Mom.

0:12:18.280 --> 0:12:20.840
<v Speaker 1>I promised the director never shot me from the back,

0:12:20.920 --> 0:12:29.120
<v Speaker 1>So relax, no wonder you got a cold? Gets sexy? Loosema,

0:12:29.480 --> 0:12:35.679
<v Speaker 1>Yet you like it? Loosma, it is not mom. Click

0:12:35.720 --> 0:12:37.640
<v Speaker 1>on the comments. I want to see what people are saying.

0:12:38.880 --> 0:12:42.840
<v Speaker 1>I there are a lot of likes and a lot

0:12:42.880 --> 0:12:48.720
<v Speaker 1>of thumbs down too. Nah. Some really liked it. I

0:12:49.120 --> 0:12:54.559
<v Speaker 1>so really really liked it. This guy thinks it's cheesy.

0:12:54.880 --> 0:12:59.000
<v Speaker 1>Oh and look, this person thinks my bridge is annoying. Okay, stop,

0:12:59.080 --> 0:13:01.800
<v Speaker 1>that was a bad idea. I can't do this. It's

0:13:01.800 --> 0:13:04.319
<v Speaker 1>too stressful. The song is out there now and there's

0:13:04.600 --> 0:13:06.640
<v Speaker 1>not much I can do about it. A me Hi.

0:13:06.720 --> 0:13:08.800
<v Speaker 1>It's too early to tell what's going to happen to

0:13:08.880 --> 0:13:11.440
<v Speaker 1>the song. Why don't we turn on the radio see

0:13:11.440 --> 0:13:14.319
<v Speaker 1>what they're saying. I can't. I'll just check in later, Okay,

0:13:14.720 --> 0:13:19.000
<v Speaker 1>all right, okay, bye, lose Na. Maybe she can't, but

0:13:19.200 --> 0:13:28.240
<v Speaker 1>we can turn on the radio. The white zone is

0:13:31.520 --> 0:13:34.760
<v Speaker 1>oh man, I don't know in money. I had high hopes,

0:13:34.760 --> 0:13:37.760
<v Speaker 1>so I had Alida after no strings. But Extra for

0:13:37.800 --> 0:13:42.160
<v Speaker 1>you is whack whack, whack whack. The word is wat

0:13:43.760 --> 0:13:45.600
<v Speaker 1>the lad I should have never left the Handle music.

0:13:45.720 --> 0:13:49.680
<v Speaker 1>Even the title is trash. Extra for you give me

0:13:49.720 --> 0:13:55.640
<v Speaker 1>a break. All I can say is she sold out? No, Allen,

0:13:55.720 --> 0:13:57.400
<v Speaker 1>you told us that I had The Lada's last album

0:13:57.440 --> 0:13:59.360
<v Speaker 1>was inspired and now, whether you were a fan of

0:13:59.400 --> 0:14:01.480
<v Speaker 1>the Handi music or not, her last album should be

0:14:01.480 --> 0:14:04.000
<v Speaker 1>in all our music libraries. I actually think your reviewers,

0:14:04.000 --> 0:14:06.400
<v Speaker 1>I got her a Grammy nomination this year. I meant

0:14:06.400 --> 0:14:09.240
<v Speaker 1>every word. So now, having listened to this latest single,

0:14:09.360 --> 0:14:14.280
<v Speaker 1>what do you think will this crossover succeed? No comment,

0:14:16.280 --> 0:14:18.520
<v Speaker 1>and you're paid to comment, Surely you must have an

0:14:18.520 --> 0:14:24.920
<v Speaker 1>opinion to be honest, this is not the kind of

0:14:25.080 --> 0:14:29.280
<v Speaker 1>music I review or even listen to. But I don't

0:14:29.280 --> 0:14:31.720
<v Speaker 1>think you have to be an expert in pop music

0:14:31.760 --> 0:14:36.960
<v Speaker 1>to know that this song is mediocre at best. Maybe

0:14:36.960 --> 0:14:39.760
<v Speaker 1>it'll do well for a while, and teens might even

0:14:39.840 --> 0:14:42.800
<v Speaker 1>love it. I'm just not even sure why someone like

0:14:43.080 --> 0:14:46.720
<v Speaker 1>Alita is making that kind of music, and Alita is

0:14:46.760 --> 0:14:51.080
<v Speaker 1>a great artist, but that song did nothing to highlight

0:14:51.080 --> 0:14:54.480
<v Speaker 1>her strengths as a singer. My advice to her would

0:14:54.520 --> 0:14:57.280
<v Speaker 1>be to go back to Tehano or quit okay. I

0:14:57.280 --> 0:15:14.760
<v Speaker 1>guess you did have an opinion. If you're enjoying Adelita

0:15:14.920 --> 0:15:18.560
<v Speaker 1>Changing the Key, please subscribe, rate, and review our show

0:15:18.600 --> 0:15:22.760
<v Speaker 1>wherever you're listening. Adelita Changing the Key is a production

0:15:22.800 --> 0:15:27.320
<v Speaker 1>of Sonoro in partnership with Ihearts Michael Tura Network. Created

0:15:27.360 --> 0:15:31.680
<v Speaker 1>and written by li Jia Vijaloos, Produced by Luisa Duardo, Castillo,

0:15:31.880 --> 0:15:36.960
<v Speaker 1>Guerrinza Chaires and Bettina Lopez Mendoza. Directed by Javier Perrazza,

0:15:37.520 --> 0:15:43.119
<v Speaker 1>Developed by Jasmine Romero, Bettina Lopez and Christian Hatar. Executive

0:15:43.200 --> 0:15:46.520
<v Speaker 1>produced by Gisel Bences and connel Byrne for iHeart and

0:15:46.640 --> 0:15:51.320
<v Speaker 1>Camilla Victoriano and Josia Weinstein for Sonoro. Executive produced by

0:15:51.360 --> 0:15:55.840
<v Speaker 1>Dayangerero and li Jia Vianoos. This episode written by Helen

0:15:55.920 --> 0:15:59.520
<v Speaker 1>Jancer and li Jia Vielobos with help from Daniela Sarkis,

0:16:00.080 --> 0:16:05.080
<v Speaker 1>Tina Lopez, Rodrigo Bravo, Moniza Hinrich, Barriana Martinez Gomez and

0:16:05.320 --> 0:16:11.880
<v Speaker 1>Edgar Resteva. Performances in this episode by Dijangerrero, Anartis, Carla Jimenez,

0:16:12.080 --> 0:16:17.800
<v Speaker 1>Wentty Carr, Brittanniere, Bumola, Ray Lopez and Jordan Wall. Recording

0:16:17.840 --> 0:16:21.880
<v Speaker 1>and engineering by Andres Bayena and e Leano Quintana, with

0:16:22.040 --> 0:16:28.000
<v Speaker 1>sound designed by Andres Bayena, Armando Buino, Edunirigoce, Emiliano Quintana

0:16:28.360 --> 0:16:33.480
<v Speaker 1>and Cassandra Tinajero. Additional editing by Daniel Padilla, Fernando Calaviz

0:16:33.600 --> 0:16:38.280
<v Speaker 1>and Manuel Parre. Casting and coordination by Rli Day, Mike Paige,

0:16:38.600 --> 0:16:44.600
<v Speaker 1>Christina Blevins, Andres Chaidis, Alexandra Gonzalez, Querenza Chides, Christian Catar

0:16:44.960 --> 0:16:50.000
<v Speaker 1>and Nick Milanez. Original songs by Laura Cruz, Ector Fernandez,

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<v Speaker 1>Shan Metta, Miranda Johnson and plays Adam. Music director Camara

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<v Speaker 1>Kenba as a dad actor producer for an activist. My

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<v Speaker 1>schedule fells up fast and as we all know, life

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