1 00:00:19,280 --> 00:00:23,000 Speaker 1: Welcome, good people of Hollywood Lands, specifically to this unexpected 2 00:00:23,120 --> 00:00:26,040 Speaker 1: bonus episode of the show. It's a Christmas miracle. I 3 00:00:26,079 --> 00:00:29,600 Speaker 1: find myself at the present surrounded inundated, one might say, 4 00:00:29,720 --> 00:00:32,839 Speaker 1: by Christmas content, the hoopla of the holidays, even here 5 00:00:32,840 --> 00:00:36,080 Speaker 1: in Hollywood Land. We were recently talking about Thanksgiving movies, 6 00:00:36,520 --> 00:00:39,120 Speaker 1: and we also just launched this new video podcast on 7 00:00:39,240 --> 00:00:43,000 Speaker 1: Patreon this week for our All Access members called This 8 00:00:43,120 --> 00:00:46,839 Speaker 1: Film Should Be Played Loud, in which we dissect movies 9 00:00:46,920 --> 00:00:50,440 Speaker 1: through the POV of rock and roll. The first episode 10 00:00:50,479 --> 00:00:53,040 Speaker 1: over there, of course, is all about Goodfellas, which some 11 00:00:53,120 --> 00:00:54,920 Speaker 1: would call a Christmas movie, and I'll bring on one 12 00:00:54,960 --> 00:00:57,680 Speaker 1: of those people in just a second. But before I do, 13 00:00:57,840 --> 00:01:00,000 Speaker 1: to circle back about what I was talking about. It's Christmas, 14 00:01:00,320 --> 00:01:02,480 Speaker 1: it's the holiday season, and I wanted to talk some 15 00:01:02,520 --> 00:01:05,520 Speaker 1: more about Christmas movies, but do so in a very 16 00:01:06,040 --> 00:01:08,920 Speaker 1: Disgraceland Hollywood Land kind of way. And so what that 17 00:01:09,040 --> 00:01:11,800 Speaker 1: means is we've lined up a triple threat of bonus 18 00:01:11,840 --> 00:01:14,160 Speaker 1: episodes for you guys here. The first one is the 19 00:01:14,160 --> 00:01:16,200 Speaker 1: one you're listening to right now, which is going to 20 00:01:16,280 --> 00:01:19,920 Speaker 1: be all about how Christmas movies are crime movies, how 21 00:01:19,920 --> 00:01:22,800 Speaker 1: some of the best films about crime and other transgressions 22 00:01:22,800 --> 00:01:26,160 Speaker 1: are actually great Christmas movies. Next Friday, we're gonna be 23 00:01:26,160 --> 00:01:29,120 Speaker 1: talking to you about the best weirdo misfit Christmas films, 24 00:01:29,120 --> 00:01:32,200 Speaker 1: you know, Les bing Crosby, more Tiny Tim. And then 25 00:01:32,240 --> 00:01:35,319 Speaker 1: on the Friday after that, the day after Christmas, We're 26 00:01:35,360 --> 00:01:38,800 Speaker 1: bringing you an episode all about Very Disgraced Landy Hollywood 27 00:01:38,840 --> 00:01:42,360 Speaker 1: Landy New Year's Eve movies. Okay, it's midnight in Hollywood 28 00:01:42,440 --> 00:01:45,000 Speaker 1: Land and all is not well. But to kick it 29 00:01:45,040 --> 00:01:48,200 Speaker 1: off today, it's all about Christmas movies, our crime movies. 30 00:01:48,240 --> 00:01:50,120 Speaker 1: And to get into it with me, I'd like to 31 00:01:50,120 --> 00:01:52,440 Speaker 1: say Happy Holidays at Merry Christmas to my brother from 32 00:01:52,480 --> 00:01:55,920 Speaker 1: another mother, the heat Miser, to my snow Miser, the 33 00:01:56,000 --> 00:01:57,760 Speaker 1: very Festive Jake Brennan, what is up? 34 00:01:58,280 --> 00:01:58,960 Speaker 2: Merry Christmas? 35 00:01:59,040 --> 00:02:03,800 Speaker 3: Zeth am, I Tiny Tim or bing Crosby, Dude, what's up? 36 00:02:03,960 --> 00:02:04,240 Speaker 4: Man? 37 00:02:04,600 --> 00:02:05,160 Speaker 2: I love that? 38 00:02:06,120 --> 00:02:07,960 Speaker 4: Yeah, I thought you would. I thought you would. 39 00:02:08,160 --> 00:02:12,000 Speaker 3: I saw Fred Astaire dancing the other night on TV. 40 00:02:12,080 --> 00:02:14,040 Speaker 3: Fred Astaire and bing Crosby are kind of the same 41 00:02:14,040 --> 00:02:16,640 Speaker 3: person to me because they're just pre my generation, and 42 00:02:16,680 --> 00:02:18,920 Speaker 3: I don't know I equate the two together. I know 43 00:02:18,960 --> 00:02:22,160 Speaker 3: they have nothing to do, really, but he just reminded me. 44 00:02:22,200 --> 00:02:24,760 Speaker 3: I saw Fred Astaire. I walked to my bedroom the 45 00:02:24,800 --> 00:02:26,239 Speaker 3: other night and the TV was on and my son 46 00:02:26,320 --> 00:02:28,800 Speaker 3: was watching a documentary and I saw fred Astaire dancing 47 00:02:29,760 --> 00:02:32,120 Speaker 3: in full makeup or mask. 48 00:02:32,200 --> 00:02:34,040 Speaker 2: I don't know what it was of Alfred E. 49 00:02:34,280 --> 00:02:38,000 Speaker 3: Newman from Mad magazine, but it was Fred Astaire doing 50 00:02:38,040 --> 00:02:40,160 Speaker 3: all his moves. I was like, this is the fucking 51 00:02:40,200 --> 00:02:42,840 Speaker 3: most absurd, lunatic thing I've ever seen. 52 00:02:43,720 --> 00:02:46,720 Speaker 4: It's great, you've got a what is this from? 53 00:02:46,760 --> 00:02:50,080 Speaker 3: It was from My son is now obsessed with Mad 54 00:02:50,120 --> 00:02:54,040 Speaker 3: Harlan and he's he watched somehow found the documentary on Amazon, 55 00:02:55,400 --> 00:02:57,840 Speaker 3: probably because he was, you know, we stopped watching something 56 00:02:57,880 --> 00:03:00,400 Speaker 3: on Amazon and he was just scrolling through our our 57 00:03:00,480 --> 00:03:04,520 Speaker 3: account and just started watching that. And I gotta say 58 00:03:04,600 --> 00:03:07,720 Speaker 3: the doc too, just you know, was really good. I 59 00:03:07,720 --> 00:03:09,639 Speaker 3: found myself immediately sucked into it. 60 00:03:10,120 --> 00:03:12,239 Speaker 1: Okay, Well, today I want to talk to you about, 61 00:03:13,040 --> 00:03:14,959 Speaker 1: not about Fred Astaire. I want to talk to you 62 00:03:14,960 --> 00:03:18,400 Speaker 1: about four films that are not your typical Christmas films, 63 00:03:18,400 --> 00:03:20,040 Speaker 1: although one of them a couple of them you can 64 00:03:20,200 --> 00:03:21,880 Speaker 1: argue have been accepted by the public at large. 65 00:03:21,880 --> 00:03:22,960 Speaker 4: Well, we'll get to that. In a minute. 66 00:03:23,080 --> 00:03:24,839 Speaker 1: So the four movies I want to talk about are 67 00:03:25,120 --> 00:03:28,560 Speaker 1: Lethal Weapon the first one, Eyes Wide Shut, die Hard, 68 00:03:28,720 --> 00:03:32,519 Speaker 1: and Goodfellas. I think there is something that you realize 69 00:03:32,520 --> 00:03:35,360 Speaker 1: about these movies when you watch them, and that Christmas 70 00:03:35,440 --> 00:03:39,440 Speaker 1: being used as a backdrop for criminal or transgressive goings 71 00:03:39,480 --> 00:03:42,560 Speaker 1: on and contrasting these things with the holiday spirit is 72 00:03:42,640 --> 00:03:43,720 Speaker 1: just so undeniable. 73 00:03:44,040 --> 00:03:44,280 Speaker 2: Yeah. 74 00:03:44,320 --> 00:03:47,120 Speaker 3: So one of the things that when this debate was 75 00:03:47,120 --> 00:03:49,840 Speaker 3: happening about die Hard and whether or not it was 76 00:03:49,840 --> 00:03:51,560 Speaker 3: a Christmas movie and I was in the camp of 77 00:03:51,600 --> 00:03:55,760 Speaker 3: it definitely is the thing I've realized is as we 78 00:03:56,000 --> 00:04:00,680 Speaker 3: get older, dude, I can only watch Chevy Chit and 79 00:04:01,040 --> 00:04:03,920 Speaker 3: I can only watch Elf. I can only watch these 80 00:04:03,960 --> 00:04:07,120 Speaker 3: Christmas movies so many times. Yeah, you know, I need 81 00:04:07,880 --> 00:04:12,480 Speaker 3: something else. So yeah, die Hard, Trading Places, Yeah, you 82 00:04:12,520 --> 00:04:15,240 Speaker 3: know what I mean. Even Lethal Weapon is Dart. We're 83 00:04:15,240 --> 00:04:17,280 Speaker 3: gonna talk with that in a minute. But they they're 84 00:04:17,360 --> 00:04:20,880 Speaker 3: becoming and they weren't. They're unintentional Christmas movies and I 85 00:04:20,960 --> 00:04:21,320 Speaker 3: love that. 86 00:04:22,600 --> 00:04:25,200 Speaker 1: So let's get into Diehard and Lethal Weapons. Since they're 87 00:04:25,279 --> 00:04:29,000 Speaker 1: they're both action movies, both I guess you could call them. 88 00:04:29,040 --> 00:04:32,000 Speaker 1: I think they both came out in the summer. Die 89 00:04:32,000 --> 00:04:35,480 Speaker 1: Hard definitely came out in the summer. Yeah, it was 90 00:04:35,520 --> 00:04:39,240 Speaker 1: released in July. And Lethal Weapon, oh leth what was 91 00:04:39,279 --> 00:04:42,200 Speaker 1: released in the spring. So they weren't released at Christmas time, 92 00:04:42,279 --> 00:04:45,120 Speaker 1: but they both take I mean, Diehard takes place on 93 00:04:45,240 --> 00:04:48,560 Speaker 1: Christmas Eve, you know. Lethal Weapon takes takes place during 94 00:04:48,560 --> 00:04:50,760 Speaker 1: the Christmas season and it ends. I believe one of 95 00:04:50,800 --> 00:04:54,400 Speaker 1: the final scenes is a Christmas dinner. Let's start with 96 00:04:54,480 --> 00:04:57,400 Speaker 1: die Hard. Tell me about your relationship with die Hard. 97 00:04:57,600 --> 00:04:59,480 Speaker 1: When did you when did you get fully on board 98 00:04:59,520 --> 00:05:01,279 Speaker 1: with this not not even as a Christmas movie, but 99 00:05:01,440 --> 00:05:02,760 Speaker 1: fully on board with this movie. 100 00:05:03,520 --> 00:05:04,919 Speaker 3: Di I heard it was one of those movies that I 101 00:05:05,000 --> 00:05:08,640 Speaker 3: just missed. I just whiffed one. Yeah, okay, I just 102 00:05:08,760 --> 00:05:11,760 Speaker 3: was not. I wasn't a Bruce Willis guy until Pulp Fiction. 103 00:05:12,560 --> 00:05:12,760 Speaker 2: You know. 104 00:05:12,800 --> 00:05:14,400 Speaker 3: I was like, who's this guy from that TV show? 105 00:05:14,520 --> 00:05:16,600 Speaker 3: My grandmother watches fucking Moonlighting? 106 00:05:16,680 --> 00:05:18,760 Speaker 1: Okay to make me sound like an old person, I 107 00:05:18,920 --> 00:05:20,080 Speaker 1: fucking loved Moonlighting. 108 00:05:20,200 --> 00:05:20,599 Speaker 4: Yeah. 109 00:05:20,640 --> 00:05:23,040 Speaker 1: And you know what's really bizarre is that I hadn't 110 00:05:23,120 --> 00:05:26,840 Speaker 1: seen that show for decades and it finally hit a 111 00:05:26,880 --> 00:05:28,960 Speaker 1: streaming service like a few years ago, and I was like, 112 00:05:29,120 --> 00:05:31,760 Speaker 1: I'm gonna check this out. And I watched the pilot, Dude. 113 00:05:31,800 --> 00:05:34,240 Speaker 1: It was like somebody went into my brain and unlocked 114 00:05:34,279 --> 00:05:37,080 Speaker 1: a room, and I was like, I was like reading 115 00:05:37,080 --> 00:05:39,080 Speaker 1: the script verbatim as it was happening, Like I was 116 00:05:39,120 --> 00:05:42,480 Speaker 1: remembering things characters I had not thought about in years. 117 00:05:42,720 --> 00:05:45,680 Speaker 1: It was the weirdest fucking thing. That's crazy, so strange, 118 00:05:45,760 --> 00:05:47,840 Speaker 1: that's crazy. So I didn't mean to cut you off there, 119 00:05:47,839 --> 00:05:50,440 Speaker 1: but I just wanted to. For whatever reason, I was 120 00:05:50,480 --> 00:05:53,640 Speaker 1: at Bruce Willis dude already, so that's amazing. 121 00:05:54,320 --> 00:05:55,280 Speaker 4: I need to watch it. 122 00:05:55,320 --> 00:05:59,360 Speaker 3: And I became reinterested, even though it was the reason 123 00:05:59,400 --> 00:06:02,600 Speaker 3: I wasn't in rested in Bruce Willis. I now understand 124 00:06:02,640 --> 00:06:05,120 Speaker 3: Bruce Willis is one of the greatest leading men of 125 00:06:05,160 --> 00:06:09,040 Speaker 3: all time. He's fantastic. Yeah, so now I'm moonlighting curious. 126 00:06:09,080 --> 00:06:13,400 Speaker 3: And Ryan Adams's relationship with moonlighting is just his I 127 00:06:13,440 --> 00:06:16,280 Speaker 3: don't know about this. It's like pinball machines for the dudes. 128 00:06:16,320 --> 00:06:17,359 Speaker 3: It's like my favorite. 129 00:06:17,600 --> 00:06:19,480 Speaker 2: He just started talking about it like three or four 130 00:06:19,560 --> 00:06:21,520 Speaker 2: years ago on Instagram or whatever. 131 00:06:21,360 --> 00:06:23,880 Speaker 3: And like I think he's got like moonlighting merch or 132 00:06:23,880 --> 00:06:24,800 Speaker 3: something like he's just. 133 00:06:24,800 --> 00:06:25,839 Speaker 2: All about it. 134 00:06:25,960 --> 00:06:29,000 Speaker 3: So that's it's extra compelling to me for that reason. 135 00:06:29,880 --> 00:06:33,080 Speaker 3: So but anyhow, Bruce was not one of my guys, 136 00:06:33,080 --> 00:06:34,680 Speaker 3: like I said, until Paul Ficture, So I didn't care 137 00:06:34,680 --> 00:06:36,920 Speaker 3: about Diehard. I never really watched it until this whole 138 00:06:36,960 --> 00:06:38,800 Speaker 3: debate about the Christmas thing happened. I'm like, I need 139 00:06:38,800 --> 00:06:42,040 Speaker 3: to go back and watch it. Great freaking movie, obviously. 140 00:06:41,680 --> 00:06:42,200 Speaker 4: Oh my god. 141 00:06:42,360 --> 00:06:46,279 Speaker 3: And I feel like I'm a little surprised to hear 142 00:06:46,360 --> 00:06:49,159 Speaker 3: that it came out in spring or summer, whichever you said, 143 00:06:49,480 --> 00:06:55,920 Speaker 3: because it feels unlike Lethal Weapon. Diehard feels like an 144 00:06:55,960 --> 00:06:59,520 Speaker 3: intentional Christmas movie for sure, you know what I mean? Yeah, 145 00:06:59,600 --> 00:07:01,719 Speaker 3: of course, And it's just maybe they intended for it 146 00:07:01,760 --> 00:07:03,600 Speaker 3: to come on during the holiday season. They blew it 147 00:07:03,640 --> 00:07:05,840 Speaker 3: and they just couldn't put it out until March. I 148 00:07:05,839 --> 00:07:08,080 Speaker 3: don't know, I don't know. I do know that it 149 00:07:08,120 --> 00:07:10,920 Speaker 3: was a huge gamble. A bunch of like Arnold Schwarzenegger 150 00:07:10,960 --> 00:07:12,680 Speaker 3: and some action stars passed on this. 151 00:07:12,720 --> 00:07:15,560 Speaker 1: Movie, and it was a big gamble putting. I think 152 00:07:15,600 --> 00:07:18,080 Speaker 1: it was almost like Michael Keaton being Batman. They were like, 153 00:07:18,120 --> 00:07:20,400 Speaker 1: you're gonna put the moonlighting guy in this action movie. 154 00:07:20,840 --> 00:07:23,360 Speaker 1: And I think they made it for like twenty five 155 00:07:23,400 --> 00:07:26,200 Speaker 1: million bucks or something. Don't quote me on that, but 156 00:07:26,240 --> 00:07:28,960 Speaker 1: it made like X I mean to me, like almost 157 00:07:29,160 --> 00:07:30,480 Speaker 1: like one hundred and fifty whatever. 158 00:07:30,520 --> 00:07:33,160 Speaker 4: It was a huge success, surprised everybody. 159 00:07:33,200 --> 00:07:34,720 Speaker 1: So maybe to your point, maybe they were like, we 160 00:07:34,720 --> 00:07:36,880 Speaker 1: should just dump this in the summer as an action 161 00:07:36,960 --> 00:07:38,720 Speaker 1: movie and hopefully we could make our money back, you know. 162 00:07:38,880 --> 00:07:39,240 Speaker 4: Yeah. 163 00:07:39,360 --> 00:07:41,440 Speaker 3: Yeah, And now when you when you watch it now, man, 164 00:07:41,520 --> 00:07:43,680 Speaker 3: when you watch it now, I don't know, it's it's 165 00:07:43,840 --> 00:07:48,480 Speaker 3: iconic and you see, you just see that that movie 166 00:07:48,480 --> 00:07:51,160 Speaker 3: star quality that Bruce Willis has is just big time. 167 00:07:51,240 --> 00:07:53,840 Speaker 1: It's unreal, big time with the bare feet and the 168 00:07:53,840 --> 00:07:55,520 Speaker 1: cigarettes and the yeah. 169 00:07:55,280 --> 00:07:57,880 Speaker 3: It's unbelievable. And what he could just do with a look, 170 00:07:58,240 --> 00:08:01,880 Speaker 3: you know, he can just like free, freezy audience and 171 00:08:02,000 --> 00:08:03,920 Speaker 3: just like he looks at you, you're just like, oh, yeah, 172 00:08:03,920 --> 00:08:05,360 Speaker 3: you're the coolest guy of the planet. 173 00:08:05,160 --> 00:08:05,760 Speaker 2: Right, yeah, you know. 174 00:08:05,960 --> 00:08:07,720 Speaker 1: And also for us ball guys, like you know, I 175 00:08:07,760 --> 00:08:09,239 Speaker 1: got to say I kind of look up to him. 176 00:08:09,080 --> 00:08:12,240 Speaker 3: So yeah, yeah, for US guys with hair, I kind 177 00:08:12,240 --> 00:08:14,240 Speaker 3: of go like, what did that be involved? You know? 178 00:08:16,400 --> 00:08:18,520 Speaker 1: So, uh, there's a bit of a connection here between 179 00:08:18,560 --> 00:08:22,480 Speaker 1: Diehard and leth a weapon and that uh Michael Cainman 180 00:08:22,800 --> 00:08:26,160 Speaker 1: Michael Kaman did the score for both of them. But 181 00:08:26,200 --> 00:08:29,400 Speaker 1: the only difference is you got Eric Clapton's guitar and 182 00:08:29,520 --> 00:08:32,280 Speaker 1: lethal weapon, And I want to know how you feel 183 00:08:32,280 --> 00:08:35,079 Speaker 1: about Have you seen Letho Weapon recently enough to remember 184 00:08:35,440 --> 00:08:37,600 Speaker 1: that every time there's like an emotional thing happening all 185 00:08:37,600 --> 00:08:40,160 Speaker 1: of a sudden, it's like it's like Eric Clapton's Like 186 00:08:40,679 --> 00:08:43,480 Speaker 1: I think it's clean guitar too, It's like does like 187 00:08:43,520 --> 00:08:45,960 Speaker 1: a little lick or and then like David Sanborn. 188 00:08:45,600 --> 00:08:50,719 Speaker 3: Sacks, I don't need to rewatch it to relive that 189 00:08:50,920 --> 00:08:54,920 Speaker 3: fucking horror. I hated it growing up. We talked about 190 00:08:55,000 --> 00:08:57,360 Speaker 3: I hated it too, so cheesy, We talked about that 191 00:08:57,400 --> 00:09:00,600 Speaker 3: Aeric Clapton and this film should be played loud. Shout 192 00:09:00,600 --> 00:09:03,439 Speaker 3: out to the new Patreon video podcast that we're doing 193 00:09:03,640 --> 00:09:07,720 Speaker 3: about music soundtracks and music composition, music scoring and uh 194 00:09:08,080 --> 00:09:11,760 Speaker 3: and and I can't stand that era of Clapton, But 195 00:09:12,280 --> 00:09:14,960 Speaker 3: I couldn't stand that Ara of Caton era of Clapton. 196 00:09:15,000 --> 00:09:19,720 Speaker 3: But now I've developed nostalgia for it. And I haven't 197 00:09:19,760 --> 00:09:23,000 Speaker 3: watched Lee's a Weapon in a very long time. I 198 00:09:23,080 --> 00:09:25,240 Speaker 3: wanted to watch it before we taped this, but you 199 00:09:25,280 --> 00:09:27,320 Speaker 3: told me we were taping this five minutes ago, so 200 00:09:28,200 --> 00:09:28,760 Speaker 3: I didn't have. 201 00:09:28,679 --> 00:09:29,600 Speaker 2: An opportunity to. 202 00:09:30,240 --> 00:09:33,400 Speaker 3: So I'm gonna go and rewatch it, and I guarantee 203 00:09:33,480 --> 00:09:34,520 Speaker 3: I walk away going like. 204 00:09:34,480 --> 00:09:37,200 Speaker 2: You know, fucking Clapton, like wiley, son of a bitch. 205 00:09:37,240 --> 00:09:38,800 Speaker 2: I like that that scoring. 206 00:09:39,320 --> 00:09:41,040 Speaker 4: Yeah, yeah, yeah, I think you might. 207 00:09:41,360 --> 00:09:43,560 Speaker 3: Well, now it's now it's an earmark of the time. 208 00:09:44,160 --> 00:09:46,839 Speaker 3: Now it's like, you know, Robbie Robertson. I guess got 209 00:09:46,840 --> 00:09:48,520 Speaker 3: to it a little bit later. But Clapton's like, oh, 210 00:09:48,520 --> 00:09:51,240 Speaker 3: I'm gonna do my toe in this like filmmaking thing 211 00:09:51,280 --> 00:09:52,120 Speaker 3: and see what that's like. 212 00:09:52,200 --> 00:09:54,800 Speaker 2: And yeah, but between that and the sacks. 213 00:09:54,480 --> 00:09:57,720 Speaker 3: And the mullet on mellow gifts and it's it's a 214 00:09:57,760 --> 00:10:00,040 Speaker 3: whole It's a whole eighties pop pri. 215 00:10:01,760 --> 00:10:04,040 Speaker 1: I have one trivia question for you on this before 216 00:10:04,080 --> 00:10:07,840 Speaker 1: we move on, and that is okay, and this connects 217 00:10:07,840 --> 00:10:11,240 Speaker 1: to something that that's running Intosgraceland this week as well. 218 00:10:11,880 --> 00:10:15,319 Speaker 1: There's someone in an episode of Disgraceland this week who 219 00:10:15,800 --> 00:10:19,080 Speaker 1: has a small role in leth a weapon. A famous singer. 220 00:10:20,440 --> 00:10:21,559 Speaker 1: Do you remember who that is? 221 00:10:21,840 --> 00:10:28,640 Speaker 3: A famous singer, female singer, A famous female singer Darlene Love. 222 00:10:29,040 --> 00:10:30,920 Speaker 3: You got it, baby, I totally guessed. 223 00:10:31,280 --> 00:10:34,280 Speaker 1: She plays Danny Glover's wife in the movie in both 224 00:10:34,320 --> 00:10:36,040 Speaker 1: one and two, and maybe even more than that. 225 00:10:36,240 --> 00:10:38,360 Speaker 3: No shit, yeah. 226 00:10:38,120 --> 00:10:41,040 Speaker 1: Yeah, I think this is around the time that she 227 00:10:41,640 --> 00:10:44,920 Speaker 1: started to reclaim the whole Christmas Baby Please Come Home 228 00:10:44,920 --> 00:10:45,640 Speaker 1: thing on Letterman. 229 00:10:45,920 --> 00:10:47,960 Speaker 3: Good for Danny Glover too, man. 230 00:10:50,080 --> 00:10:52,760 Speaker 2: Darling Love was hot, like she was at a hotness to. 231 00:10:52,720 --> 00:10:54,280 Speaker 3: Her, you know what I mean, Like it didn't matter, 232 00:10:54,360 --> 00:10:56,720 Speaker 3: Like she was just sexy even in old age, like 233 00:10:56,760 --> 00:10:59,440 Speaker 3: that in an objective way, you know, to my wife 234 00:10:59,520 --> 00:11:04,000 Speaker 3: out there. But I can see her as yeah, I 235 00:11:04,000 --> 00:11:04,520 Speaker 3: can see that. 236 00:11:04,600 --> 00:11:05,440 Speaker 4: I can see that. Yeah. 237 00:11:05,440 --> 00:11:07,400 Speaker 1: All right, listen, let's take a real quick break here, 238 00:11:07,440 --> 00:11:09,599 Speaker 1: and then when we come back, let's get into I 239 00:11:09,640 --> 00:11:10,880 Speaker 1: don't know, let's get into eyes wide shut. 240 00:11:10,880 --> 00:11:12,920 Speaker 3: When we get back, a boy speaking of sexy. 241 00:11:13,880 --> 00:11:14,679 Speaker 4: Let's go all. 242 00:11:14,720 --> 00:11:33,680 Speaker 1: Right, Okay, we are back Zeth Lundi here with Jake Brennan. 243 00:11:33,720 --> 00:11:37,599 Speaker 1: We're talking about Christmas movies that are crime movies or 244 00:11:37,640 --> 00:11:40,440 Speaker 1: crime movies that are Christmas movies. We just talked about 245 00:11:40,480 --> 00:11:42,400 Speaker 1: Diehard and Lethal Weapon, and now we want to get 246 00:11:42,400 --> 00:11:47,000 Speaker 1: into something completely different. Also released in July of the year, 247 00:11:47,000 --> 00:11:48,640 Speaker 1: that it came out in nineteen ninety nine. We want 248 00:11:48,679 --> 00:11:51,560 Speaker 1: to talk about Eyes Wide Shut, which of course was 249 00:11:51,600 --> 00:11:54,400 Speaker 1: directed by Stanley Kubrick, the last film he ever made, 250 00:11:54,800 --> 00:11:57,280 Speaker 1: starring Tom Cruise and Nicole Kidman, who were married at 251 00:11:57,320 --> 00:11:59,600 Speaker 1: the time. Did you see this when it first came out? 252 00:11:59,679 --> 00:12:03,360 Speaker 3: Oh? Oh yes, And you know, nothing screams Christmas more 253 00:12:03,440 --> 00:12:08,800 Speaker 3: than rothschild, conspiracy parties and the nineties aid scare bleeding 254 00:12:08,840 --> 00:12:11,240 Speaker 3: over into the new millennium. I don't rate this as 255 00:12:11,280 --> 00:12:14,120 Speaker 3: a Christmas movie yet. Maybe I will get there. I've 256 00:12:14,160 --> 00:12:16,760 Speaker 3: never really thought of it as such because it's so 257 00:12:17,080 --> 00:12:23,199 Speaker 3: dense thematically, there's so much going on. The Christmas backdrop 258 00:12:23,320 --> 00:12:26,960 Speaker 3: is really kind of drowned out in everything else. But 259 00:12:27,120 --> 00:12:29,440 Speaker 3: maybe after this podcast, maybe I'll go in with fresh 260 00:12:29,440 --> 00:12:31,680 Speaker 3: eyes and view it differently. Did you see it when 261 00:12:31,679 --> 00:12:32,200 Speaker 3: it came out? 262 00:12:33,160 --> 00:12:34,040 Speaker 4: I did? Yeah, Yeah. 263 00:12:34,080 --> 00:12:36,840 Speaker 1: I was actually traveling cross country that summer for a 264 00:12:36,840 --> 00:12:40,880 Speaker 1: couple of months and I was I was in Santa Cruz, 265 00:12:40,920 --> 00:12:42,880 Speaker 1: California when I saw it. I started at a theater 266 00:12:43,080 --> 00:12:45,120 Speaker 1: and had just come out because I just graduated from 267 00:12:45,120 --> 00:12:46,920 Speaker 1: film school and like, I was a huge I mean 268 00:12:46,920 --> 00:12:48,840 Speaker 1: I still am. I was a huge Stanley Kubrick nerd 269 00:12:48,840 --> 00:12:49,880 Speaker 1: and it was punks right. 270 00:12:50,240 --> 00:12:53,120 Speaker 3: So give us the lore on the making of this film, 271 00:12:53,120 --> 00:12:55,560 Speaker 3: because you can't really talk about this movie without stepping 272 00:12:55,600 --> 00:12:59,960 Speaker 3: in that it basically kills Stanley Kubrick, who dies masturbating 273 00:13:00,040 --> 00:13:02,320 Speaker 3: in the edit room while watching Nicole Kidman and John 274 00:13:02,400 --> 00:13:02,800 Speaker 3: cru Now. 275 00:13:02,760 --> 00:13:04,240 Speaker 2: That didn't happen. Did that not happen? 276 00:13:04,880 --> 00:13:07,320 Speaker 4: I think it killed Tom Cruise and Nicole Kidman's marriage. 277 00:13:07,320 --> 00:13:08,040 Speaker 4: I'm pretty sure that. 278 00:13:09,000 --> 00:13:09,920 Speaker 2: Yeah. 279 00:13:10,000 --> 00:13:12,079 Speaker 1: I mean the crazy thing too, is that, you know, 280 00:13:12,280 --> 00:13:14,439 Speaker 1: in the fifties and the sixties, Kubrick was making like 281 00:13:14,480 --> 00:13:16,360 Speaker 1: a movie every couple of years, and then he makes 282 00:13:16,559 --> 00:13:18,360 Speaker 1: takes him four years to make two thousand and one, 283 00:13:18,640 --> 00:13:21,360 Speaker 1: and then going on from there, you know, he does Clockwork, 284 00:13:21,400 --> 00:13:24,280 Speaker 1: orange Berry Linden, The Shining, Full Metal Jacket, and then 285 00:13:24,280 --> 00:13:26,560 Speaker 1: Eyes Wide Shut, And every time he makes a movie 286 00:13:26,559 --> 00:13:29,200 Speaker 1: there's it's a longer and longer span. Took him twelve 287 00:13:29,320 --> 00:13:32,160 Speaker 1: years between Full Metal Jacket and Eyes Wide Shut. Can 288 00:13:32,160 --> 00:13:34,640 Speaker 1: you imagine, like right now, waiting twelve years for like 289 00:13:35,200 --> 00:13:39,280 Speaker 1: a Steven Spielberg movie or a Spike Lee movie or whatever. 290 00:13:39,760 --> 00:13:43,560 Speaker 3: Crazy tells me the modern day algorithm would not be 291 00:13:43,720 --> 00:13:46,160 Speaker 3: kind to the twelve year break and content. 292 00:13:46,720 --> 00:13:49,240 Speaker 1: Can you imagine introducing Instagram to Stanley Kubrick. 293 00:13:49,240 --> 00:13:51,200 Speaker 4: I don't know that that would work. 294 00:13:52,720 --> 00:13:55,040 Speaker 3: Excuse me, Stanley, Yes, you have to have a new 295 00:13:55,120 --> 00:13:58,640 Speaker 3: sixty second reel up every every three hours in order 296 00:13:58,679 --> 00:13:59,960 Speaker 3: to maintain cultural row. 297 00:14:01,040 --> 00:14:02,080 Speaker 4: Oh my god, seriously. 298 00:14:03,000 --> 00:14:05,720 Speaker 1: But anyways, the other the lord of this film too 299 00:14:05,800 --> 00:14:08,440 Speaker 1: is that you know, he casts Tom Cruise and I 300 00:14:08,440 --> 00:14:11,560 Speaker 1: think he looked into Alec Baldwin and Kim Bassinger and 301 00:14:11,600 --> 00:14:14,640 Speaker 1: also Bruce Willis and Demi Moore before they landed on 302 00:14:14,679 --> 00:14:15,920 Speaker 1: Tom Cruise and Nicole Kidman. 303 00:14:16,440 --> 00:14:19,040 Speaker 3: Stop stop, stop, stop stop. I want to see the 304 00:14:19,040 --> 00:14:22,600 Speaker 3: Bruce Willis need more version of this film. I could 305 00:14:22,640 --> 00:14:25,120 Speaker 3: give a fuck about Alec ball Win and Kim Basing. Yeah, yeah, 306 00:14:25,120 --> 00:14:30,360 Speaker 3: but those two, Oh my god, can you imagine. 307 00:14:29,520 --> 00:14:32,360 Speaker 1: Yeah, watching Bruce Willis and like a peacoat walking down 308 00:14:32,400 --> 00:14:34,600 Speaker 1: the fake New York City street at night, I could 309 00:14:34,640 --> 00:14:35,280 Speaker 1: totally see that. 310 00:14:35,640 --> 00:14:38,480 Speaker 3: You know, it's weird, Tom Tom Cruise has a kind 311 00:14:38,480 --> 00:14:42,240 Speaker 3: of a sexual thing about him. I know that's tough 312 00:14:42,280 --> 00:14:48,000 Speaker 3: to say about like the biggest Alpha A List celebrity ever. Yeah, now, 313 00:14:48,040 --> 00:14:50,800 Speaker 3: he does have crazy sexual chemistry with Nicole Kidman in 314 00:14:50,840 --> 00:14:54,120 Speaker 3: this thing, But He's been in so many movies with 315 00:14:54,120 --> 00:14:59,760 Speaker 3: people where you're just like, in both top Guns, you're like, no, no, 316 00:15:00,440 --> 00:15:03,480 Speaker 3: but can you imagine the scene, you know, the scene 317 00:15:03,480 --> 00:15:06,520 Speaker 3: when Tom Cruise, doctor whatever the doctor's name is, shows 318 00:15:06,600 --> 00:15:08,280 Speaker 3: up and eyes wide shot at that party in the 319 00:15:08,320 --> 00:15:10,600 Speaker 3: beginning of the film. Yeah, and the and those two 320 00:15:10,760 --> 00:15:13,640 Speaker 3: really hot like tall model looking women kind of grab 321 00:15:13,720 --> 00:15:16,720 Speaker 3: them on each arm and they're walking him down and shot. 322 00:15:16,760 --> 00:15:19,800 Speaker 3: He's walking down the hallway and they're both kind of 323 00:15:19,840 --> 00:15:21,920 Speaker 3: like they're flirting. Like he knows he can't take it 324 00:15:21,960 --> 00:15:24,640 Speaker 3: too far, right, but they're both kind of taking him somewhere, 325 00:15:25,080 --> 00:15:25,840 Speaker 3: and he's like. 326 00:15:26,320 --> 00:15:27,760 Speaker 2: He doesn't ultimately go there. 327 00:15:27,800 --> 00:15:30,080 Speaker 3: Bruce Willis would have been in the bathroom, like having 328 00:15:30,120 --> 00:15:31,680 Speaker 3: a freeway. 329 00:15:31,240 --> 00:15:33,280 Speaker 2: You know what I mean, it would it would have 330 00:15:33,360 --> 00:15:34,080 Speaker 2: really gone off. 331 00:15:34,760 --> 00:15:35,000 Speaker 3: Yeah. 332 00:15:35,120 --> 00:15:37,720 Speaker 4: Yeah, he would have shot first and asked for forgiveness. Slater, 333 00:15:37,800 --> 00:15:39,800 Speaker 4: you know, yeah, exactly, Yeah, for sure. 334 00:15:40,280 --> 00:15:43,760 Speaker 1: The making of this film was so intense, and Kubrick 335 00:15:43,840 --> 00:15:46,320 Speaker 1: had I mean, I mean, the main part of the 336 00:15:46,360 --> 00:15:48,280 Speaker 1: story of the movie is sort of this question of 337 00:15:48,320 --> 00:15:52,320 Speaker 1: fidelity and infidelity and and what you do with these 338 00:15:52,360 --> 00:15:56,160 Speaker 1: feelings in the relationship of jealousy and you know, all 339 00:15:56,400 --> 00:15:59,000 Speaker 1: that kind of stuff, and Kubrick worked the two of 340 00:15:59,040 --> 00:16:02,520 Speaker 1: them so so raw and so close to their own 341 00:16:02,560 --> 00:16:05,560 Speaker 1: personal relationship that I know we were joking about it earlier, 342 00:16:05,560 --> 00:16:08,320 Speaker 1: but I think there is some truth their marriage sort 343 00:16:08,320 --> 00:16:09,920 Speaker 1: of splintering in the wake. 344 00:16:09,760 --> 00:16:10,360 Speaker 4: Of this movie. 345 00:16:10,840 --> 00:16:13,760 Speaker 3: I take that marriage was doomed no matter what starts. 346 00:16:13,880 --> 00:16:18,000 Speaker 3: All Tom Cruise and Nicole Kidney marriages are doomed. But 347 00:16:18,040 --> 00:16:20,880 Speaker 3: what a wonderful way for us as as film fans, 348 00:16:20,920 --> 00:16:23,120 Speaker 3: to have their marriage disolved. 349 00:16:23,360 --> 00:16:24,640 Speaker 2: It couldn't have gone better for us. 350 00:16:24,680 --> 00:16:27,040 Speaker 4: I don't think when's the last time you saw this. 351 00:16:27,640 --> 00:16:30,400 Speaker 3: I have not seen this movie in a while, but 352 00:16:30,480 --> 00:16:35,120 Speaker 3: I've seen it a bunch, and there's so much, so 353 00:16:35,240 --> 00:16:38,520 Speaker 3: much about it that I love. I love how the 354 00:16:38,560 --> 00:16:41,760 Speaker 3: Lower East Side looks in this movie. It looks exactly 355 00:16:41,800 --> 00:16:44,200 Speaker 3: like it looked at a time in my life when 356 00:16:44,200 --> 00:16:46,680 Speaker 3: I was hanging out down there, and and you know, 357 00:16:46,680 --> 00:16:50,280 Speaker 3: going to New York a lot from Boston and playing 358 00:16:50,320 --> 00:16:56,360 Speaker 3: shows in that apartment with the she's a prostitute, the 359 00:16:56,440 --> 00:16:59,520 Speaker 3: sex worker that he goes in Domino, I think, yeah, 360 00:16:59,560 --> 00:17:02,440 Speaker 3: the one who ends up having ving HIV positive, And 361 00:17:02,520 --> 00:17:06,920 Speaker 3: it's just just all that hit like it's weird man, 362 00:17:06,960 --> 00:17:10,560 Speaker 3: it's a weird film filmmaking trick when you have like 363 00:17:10,600 --> 00:17:14,560 Speaker 3: a megawatt movie star, Tom Cruise. If Tom Cruise was 364 00:17:14,640 --> 00:17:16,399 Speaker 3: if we're ever in a room with Tom Cruise, it 365 00:17:16,440 --> 00:17:19,359 Speaker 3: would nothing would feel natural and realistic about it. But 366 00:17:19,480 --> 00:17:24,200 Speaker 3: somehow Stanley Kubrick makes makes those scenes feel very natural. 367 00:17:24,320 --> 00:17:28,600 Speaker 3: Agree It just it just feels that's as exhilarating to 368 00:17:28,640 --> 00:17:33,000 Speaker 3: me as the sort of big set piece orgy scenes 369 00:17:33,040 --> 00:17:38,879 Speaker 3: in the Mansion are. They're equally just uh compelling as 370 00:17:38,920 --> 00:17:41,760 Speaker 3: a as a viewer, and I just I think it's fantastic. 371 00:17:42,000 --> 00:17:43,880 Speaker 4: What a way to go out. Totally a great way 372 00:17:43,880 --> 00:17:44,199 Speaker 4: to go out. 373 00:17:44,280 --> 00:17:46,560 Speaker 1: Some of my favorite scenes are just Tom Cruise walking 374 00:17:46,560 --> 00:17:49,439 Speaker 1: down the street and that eerie piano music and feeling 375 00:17:49,480 --> 00:17:52,280 Speaker 1: like he's being followed, which, by the way, I hear 376 00:17:52,320 --> 00:17:55,240 Speaker 1: what you're saying about it feeling so realistic and reminding 377 00:17:55,240 --> 00:17:56,480 Speaker 1: you of a certain time. But do you know, I 378 00:17:56,480 --> 00:17:58,560 Speaker 1: don't know if any shots were actually shot in New 379 00:17:58,680 --> 00:18:01,640 Speaker 1: York those famous shots him walking down the street at night, 380 00:18:02,040 --> 00:18:06,560 Speaker 1: that's literally him on a treadmill with a screen behind him. 381 00:18:07,040 --> 00:18:09,080 Speaker 1: The street is moving on the screen behind him. He's 382 00:18:09,080 --> 00:18:11,800 Speaker 1: walking on a treadmill. There's awesome behind the scenes footage 383 00:18:11,840 --> 00:18:12,760 Speaker 1: you can find about. 384 00:18:12,520 --> 00:18:15,800 Speaker 4: This wasn't a lot of it shot in Europe as well. 385 00:18:15,840 --> 00:18:19,920 Speaker 1: Yeah, sounds, stages and stuff like. It's crazy how I 386 00:18:20,080 --> 00:18:23,080 Speaker 1: never thought that that was not real until it was brought. 387 00:18:22,960 --> 00:18:26,480 Speaker 3: Up to me, right right, Yeah, me neither until now 388 00:18:26,520 --> 00:18:28,320 Speaker 3: clearly you mentioned piano. 389 00:18:28,359 --> 00:18:29,440 Speaker 2: And one of one of the things I. 390 00:18:29,359 --> 00:18:32,960 Speaker 3: Love about this movie is the the Vic Nightingale character 391 00:18:33,400 --> 00:18:36,720 Speaker 3: ends up being Todd Field, the great director who made Tar, 392 00:18:36,840 --> 00:18:40,760 Speaker 3: which is an incredible movie. Yeah, just a great character too. 393 00:18:40,800 --> 00:18:43,760 Speaker 3: And what a name for the character, Nick Knight and Nightingale, 394 00:18:44,040 --> 00:18:45,080 Speaker 3: like the piano player. 395 00:18:45,440 --> 00:18:47,600 Speaker 4: Yeah, try try. 396 00:18:47,480 --> 00:18:49,199 Speaker 3: Telling your wife, Hey, you know, I'm gonna go down 397 00:18:49,280 --> 00:18:52,280 Speaker 3: the bar see my buddy Vic Nightingale, just on a 398 00:18:52,320 --> 00:18:54,600 Speaker 3: spur of a moment on like a Thursday night at nine, 399 00:18:55,080 --> 00:18:56,640 Speaker 3: and she doesn't think you're having an affair. 400 00:18:56,960 --> 00:18:59,840 Speaker 4: Well, he says, there's this party we need to go to. 401 00:18:59,880 --> 00:19:01,480 Speaker 4: The I'm gonna grab my mask on. 402 00:19:01,480 --> 00:19:05,000 Speaker 2: The way out to do you have any glass? 403 00:19:06,520 --> 00:19:08,800 Speaker 1: Wait, I know COVID has been over for a few years, 404 00:19:08,800 --> 00:19:11,080 Speaker 1: so I'm just gonna borrow this tonight. All right, man, 405 00:19:11,240 --> 00:19:14,000 Speaker 1: let's I want to get into the I don't know 406 00:19:14,040 --> 00:19:16,560 Speaker 1: the big daddy of Christmas movies for you at least, 407 00:19:16,840 --> 00:19:18,959 Speaker 1: which is Good Fellas. But I just need to take 408 00:19:19,000 --> 00:19:21,000 Speaker 1: a really quick break and we'll do that just right 409 00:19:21,040 --> 00:19:46,040 Speaker 1: after this. What's up, good people of Hollywood Lands. We 410 00:19:46,080 --> 00:19:49,359 Speaker 1: are back Zeth and Jake here talking Christmas movies that 411 00:19:49,400 --> 00:19:52,800 Speaker 1: are crime movies, crime movies that are Christmas movies. We've 412 00:19:52,800 --> 00:19:56,080 Speaker 1: talked about Lethal Weapon, We've talked about Diehard, We've talked 413 00:19:56,080 --> 00:19:58,960 Speaker 1: about Eyes Wide Shut. I want to get into I 414 00:19:59,000 --> 00:20:01,439 Speaker 1: know we got into this this week. We mentioned this 415 00:20:01,520 --> 00:20:05,200 Speaker 1: earlier our brand new video podcast on Patreon for All 416 00:20:05,240 --> 00:20:09,200 Speaker 1: Access members called this film Should be Played Loud. We 417 00:20:09,640 --> 00:20:13,280 Speaker 1: did a deep dive into Goodfellas via the rock and 418 00:20:13,359 --> 00:20:16,639 Speaker 1: roll aspect of it, the music aspect of Goodfellas. But 419 00:20:16,680 --> 00:20:18,760 Speaker 1: I want to talk about it now as a Christmas 420 00:20:18,760 --> 00:20:22,080 Speaker 1: movie because every year Jake's always pushing this on me 421 00:20:22,160 --> 00:20:25,200 Speaker 1: as his one of his favorite Christmas movies. This is, 422 00:20:25,240 --> 00:20:27,320 Speaker 1: of course, the Martin Scorsese movie that came out in 423 00:20:27,359 --> 00:20:31,680 Speaker 1: nineteen ninety, released in September of that year. Dude, give 424 00:20:31,680 --> 00:20:34,440 Speaker 1: me your give me your thesis on Goodfellas as a 425 00:20:34,480 --> 00:20:35,280 Speaker 1: Christmas movie. 426 00:20:35,520 --> 00:20:40,840 Speaker 3: Okay, Well, unlike as Wide Shut, Goodfellas is not as 427 00:20:41,080 --> 00:20:46,159 Speaker 3: texturally rich as as the Cubic movie is, so the 428 00:20:46,240 --> 00:20:49,120 Speaker 3: Christmas part of it, I don't believe gets buried. 429 00:20:49,359 --> 00:20:50,160 Speaker 2: It's like, you don't think. 430 00:20:50,080 --> 00:20:52,119 Speaker 3: Of Trading Places as a Christmas movie, but then you 431 00:20:52,160 --> 00:20:54,040 Speaker 3: watch it and you're like, oh, yeah, this is a 432 00:20:54,160 --> 00:20:57,719 Speaker 3: Christmas movie, and it's not one of the gazillion Christmas 433 00:20:57,760 --> 00:21:00,439 Speaker 3: movies that are getting recommended to you algorithmically over and 434 00:21:00,480 --> 00:21:02,199 Speaker 3: over and over and over and over again, right, so 435 00:21:02,200 --> 00:21:04,639 Speaker 3: you can find something new and exciting that's also kind 436 00:21:04,640 --> 00:21:07,440 Speaker 3: of familiar. But for me, the thing that I love 437 00:21:07,480 --> 00:21:12,280 Speaker 3: about Goodfellows as a Christmas movie is it's a very 438 00:21:12,480 --> 00:21:18,919 Speaker 3: blue collar, kind of working class representation of Christmas at 439 00:21:18,960 --> 00:21:22,040 Speaker 3: a times nineteen seventies, nineteen eighties when I was a 440 00:21:22,040 --> 00:21:26,000 Speaker 3: little kid, and the bar scenes, the Christmas bar scenes, 441 00:21:26,040 --> 00:21:28,480 Speaker 3: I was basically raised on a barstool. My dad was 442 00:21:28,480 --> 00:21:31,840 Speaker 3: a musician, my stepdad managed a bar. So it was like, 443 00:21:32,880 --> 00:21:36,520 Speaker 3: I understand that world in the visual language and the 444 00:21:36,520 --> 00:21:39,280 Speaker 3: Phil Spector music that shout out to our new Phil 445 00:21:39,320 --> 00:21:41,399 Speaker 3: Spector episode of Disgrace then, by the way, which is 446 00:21:41,440 --> 00:21:44,520 Speaker 3: just blasting you know, Frosty the snow Man. We mentioned 447 00:21:44,600 --> 00:21:47,960 Speaker 3: Darlene Love earlier. All that stuff is just it feels 448 00:21:48,040 --> 00:21:53,000 Speaker 3: so familiar to me. It just feels like Christmas, despite 449 00:21:53,040 --> 00:21:55,000 Speaker 3: the fact that they're you know, stomping it on the 450 00:21:55,040 --> 00:21:56,080 Speaker 3: guy's head and. 451 00:21:57,040 --> 00:21:58,880 Speaker 2: To Donovan and a couple scenes later. 452 00:22:00,080 --> 00:22:02,840 Speaker 3: Yeah, that's sort of my Christmas affiliation with one of 453 00:22:02,840 --> 00:22:04,280 Speaker 3: my favorite movies of all time. 454 00:22:04,680 --> 00:22:07,960 Speaker 1: And Jimmy Comway, the Roberts and Neuro character kind of 455 00:22:08,040 --> 00:22:10,080 Speaker 1: kind of strikes a little bit of a Grinch post 456 00:22:10,160 --> 00:22:13,320 Speaker 1: there in that big Christmas scene where he's telling everybody 457 00:22:13,480 --> 00:22:16,320 Speaker 1: to go take back all the fancy shit they just bought, 458 00:22:16,320 --> 00:22:18,840 Speaker 1: which I love that. I love this, Like the Christmas 459 00:22:18,960 --> 00:22:22,080 Speaker 1: music's playing, it's the Merry Christmas, like here's your take 460 00:22:22,119 --> 00:22:24,480 Speaker 1: of the of the heist or whatever, but like take 461 00:22:24,520 --> 00:22:26,119 Speaker 1: back all that shit you bought, which is sort of 462 00:22:26,119 --> 00:22:29,080 Speaker 1: like it's almost like an anti Christmas sentiment. 463 00:22:29,680 --> 00:22:32,280 Speaker 3: It's so true, and it really reminds me that scene 464 00:22:32,320 --> 00:22:34,159 Speaker 3: in the bar, the scenes in the bar in particular, 465 00:22:34,720 --> 00:22:37,920 Speaker 3: they really remind me of a time in Boston when 466 00:22:38,200 --> 00:22:41,800 Speaker 3: it was like I was, you know, late twenties, early thirties, 467 00:22:42,359 --> 00:22:44,960 Speaker 3: and bar life around Christmas got really fun. 468 00:22:45,119 --> 00:22:47,280 Speaker 4: Yeah, you know, you'd be you'd. 469 00:22:47,080 --> 00:22:50,439 Speaker 3: Be sort of like you know, nestled away at the 470 00:22:50,480 --> 00:22:53,680 Speaker 3: Tear in a nogue or in the Lizard Lounge or 471 00:22:53,720 --> 00:22:58,040 Speaker 3: the or Toad, like these small club pubs really and 472 00:22:58,080 --> 00:23:00,640 Speaker 3: you'd be drinking stout and there's bad plane and they're 473 00:23:00,680 --> 00:23:03,840 Speaker 3: working Christmas songs into their repertoire, and everybody's coming in 474 00:23:03,880 --> 00:23:05,919 Speaker 3: from this like literal storm. 475 00:23:06,400 --> 00:23:08,359 Speaker 2: It's just so cozy. 476 00:23:07,920 --> 00:23:10,439 Speaker 3: And great, and it's a time that I don't know 477 00:23:10,440 --> 00:23:16,119 Speaker 3: if it exists anymore. Bar world. Bar life changed completely 478 00:23:16,160 --> 00:23:19,160 Speaker 3: for me once they wouldn't allow you to smoke cigarettes 479 00:23:19,200 --> 00:23:21,080 Speaker 3: and bars anywhere. That's when I quit smoking, by the way. 480 00:23:21,119 --> 00:23:23,439 Speaker 3: That's what did it for me. Nothing felt like a 481 00:23:23,480 --> 00:23:26,639 Speaker 3: bar anymore, you know, as gross as it was, it 482 00:23:26,760 --> 00:23:30,080 Speaker 3: still felt like a certain way. And I don't know 483 00:23:30,080 --> 00:23:32,760 Speaker 3: if that exists anymore. If I've just aged out of it, 484 00:23:32,760 --> 00:23:35,720 Speaker 3: it's probably the latter. But I'm just missed. I'm lonesome 485 00:23:35,800 --> 00:23:37,679 Speaker 3: for it. I miss that and I don't have that 486 00:23:37,720 --> 00:23:40,200 Speaker 3: in my life and I probably never will again. So 487 00:23:40,480 --> 00:23:43,480 Speaker 3: it's very representative in Goodfellas. 488 00:23:43,000 --> 00:23:43,639 Speaker 4: Yeah, totally. 489 00:23:43,680 --> 00:23:47,800 Speaker 1: My version of that was the James Gate Pub in Jamaica, Plane, 490 00:23:48,160 --> 00:23:51,119 Speaker 1: which was staffed by it was always going to be 491 00:23:51,160 --> 00:23:54,800 Speaker 1: staffed by a rotating cast of you know, twenty somethings here, 492 00:23:54,840 --> 00:23:58,040 Speaker 1: we over here from Ireland, and you know, the guinness 493 00:23:58,160 --> 00:24:01,959 Speaker 1: was always flowing there. The accident and the fireplace and 494 00:24:02,000 --> 00:24:04,000 Speaker 1: that it was just you know, you went in there 495 00:24:04,000 --> 00:24:05,199 Speaker 1: and you just didn't want to leave. It was so 496 00:24:05,280 --> 00:24:06,760 Speaker 1: homey and yeah. 497 00:24:06,600 --> 00:24:09,520 Speaker 3: You can eat there, you could get laid there, you 498 00:24:09,560 --> 00:24:11,800 Speaker 3: could be in a band there one night you didn't 499 00:24:11,800 --> 00:24:15,000 Speaker 3: weren't expecting it. You could work there, you know what 500 00:24:15,040 --> 00:24:17,560 Speaker 3: I mean. And Christmas just kind of brought it all together. 501 00:24:17,600 --> 00:24:21,240 Speaker 3: It was fantastic. The Brendan Bean and Jje that was 502 00:24:21,280 --> 00:24:23,080 Speaker 3: the og one. I started going there when I was 503 00:24:23,400 --> 00:24:25,679 Speaker 3: I was like eighteen years old because my dad had 504 00:24:25,680 --> 00:24:29,600 Speaker 3: a Monday night residency there and all these all these tunes. 505 00:24:29,960 --> 00:24:33,120 Speaker 3: I remember being into, like, uh and this is not 506 00:24:33,200 --> 00:24:35,520 Speaker 3: connected to Goodfellows, but I guess musically it's it's in 507 00:24:35,600 --> 00:24:38,199 Speaker 3: conversation with it, but I was. It was when I 508 00:24:38,240 --> 00:24:41,240 Speaker 3: was really into into learning about country music and listening 509 00:24:41,320 --> 00:24:43,480 Speaker 3: to a bunch of my dad's bands and his friends 510 00:24:43,480 --> 00:24:46,160 Speaker 3: who were playing this type of stuff, and Buck Owens 511 00:24:46,160 --> 00:24:48,040 Speaker 3: and Merle Haggard, and then he started to discover they 512 00:24:48,040 --> 00:24:50,679 Speaker 3: all had Christmas records and then that stuff starts to 513 00:24:50,720 --> 00:24:54,720 Speaker 3: bleed into the experience. It was just fantastic, Yeah, totally. 514 00:24:55,000 --> 00:24:57,280 Speaker 4: You know, it's interesting too, just that feel of it. 515 00:24:58,440 --> 00:25:02,480 Speaker 1: The Godfather, The First Godfather has that similar kind of feel. 516 00:25:02,720 --> 00:25:04,600 Speaker 1: Is there Christmas scene in The First Godfather? 517 00:25:05,000 --> 00:25:09,840 Speaker 3: Yeah, yeah, when they're they're Michael is shopping, right, Yeah, shopping, Yeah, 518 00:25:09,880 --> 00:25:10,600 Speaker 3: exactly so. 519 00:25:11,200 --> 00:25:13,960 Speaker 1: But beyond that scene and beyond the Goodfella scene, the 520 00:25:15,040 --> 00:25:19,480 Speaker 1: warmth of The Godfather, just the warmth of the way 521 00:25:19,520 --> 00:25:23,760 Speaker 1: it's shot, all that low lighting, and it's the family 522 00:25:23,800 --> 00:25:25,920 Speaker 1: thing too. I think there's the family thing and Goodfellas 523 00:25:25,920 --> 00:25:28,520 Speaker 1: and the family thing and the Godfather that just has 524 00:25:28,960 --> 00:25:31,560 Speaker 1: you know, we talked a little bit on the Rap 525 00:25:31,600 --> 00:25:35,760 Speaker 1: Party earlier this year about music that feels right to 526 00:25:35,800 --> 00:25:38,080 Speaker 1: listen to certain times a year, Like I love listening 527 00:25:38,080 --> 00:25:41,000 Speaker 1: to like the Basement Tapes in the fall, and I 528 00:25:41,040 --> 00:25:44,040 Speaker 1: love listening to Ella Fitzgerald sings The Cold Porter song 529 00:25:44,080 --> 00:25:47,080 Speaker 1: Book in the spring. There's just you know, certain times, 530 00:25:47,200 --> 00:25:49,880 Speaker 1: The Grateful Dead is my summer soundtrack all summer long, 531 00:25:50,840 --> 00:25:53,640 Speaker 1: hitting the winter, Like, that's a great time to watch Goodfella. 532 00:25:53,680 --> 00:25:55,359 Speaker 1: It's a great time to watch The Godfather. For all 533 00:25:55,359 --> 00:25:55,919 Speaker 1: these reasons. 534 00:25:57,119 --> 00:26:00,440 Speaker 3: Well said, I would just add that Ella FitzGeralds Colport 535 00:26:00,600 --> 00:26:04,399 Speaker 3: Songbook is a nightly ritual no matter this season. It 536 00:26:04,840 --> 00:26:07,159 Speaker 3: might be my favorite album of all time. I know 537 00:26:07,240 --> 00:26:08,000 Speaker 3: that sounds insane. 538 00:26:08,320 --> 00:26:09,040 Speaker 4: It's up there for me. 539 00:26:09,440 --> 00:26:11,919 Speaker 3: I still haven't looked at my Spotify wrapped, but you 540 00:26:11,920 --> 00:26:13,760 Speaker 3: know that is one of the best. I've talked to 541 00:26:13,800 --> 00:26:15,800 Speaker 3: Matt about this before. It's one of the best sounding 542 00:26:15,840 --> 00:26:16,880 Speaker 3: albums I own. 543 00:26:17,160 --> 00:26:18,840 Speaker 1: Something about music that was made back then, in the 544 00:26:18,840 --> 00:26:21,520 Speaker 1: way it was recorded and captured and performed. It just 545 00:26:22,240 --> 00:26:24,840 Speaker 1: especially if you have records like these you have on vinyl, 546 00:26:25,000 --> 00:26:27,680 Speaker 1: they sound so much better than a record that was 547 00:26:27,720 --> 00:26:30,800 Speaker 1: pressed yesterday on vinyl because it was made for the format. 548 00:26:31,240 --> 00:26:33,680 Speaker 1: Everything was made for the format, and it just sounds 549 00:26:33,880 --> 00:26:36,560 Speaker 1: like my copy of this Elephis Gerald record sounds so. 550 00:26:36,560 --> 00:26:40,120 Speaker 3: Good, well made for the format and made for the 551 00:26:40,240 --> 00:26:44,040 Speaker 3: equipment that was playing that format right exactly. Specifically, if 552 00:26:44,040 --> 00:26:48,240 Speaker 3: you're listening on vintage gear that was record players and 553 00:26:48,280 --> 00:26:51,560 Speaker 3: receivers that were made back then, you're like right in 554 00:26:51,640 --> 00:26:54,760 Speaker 3: that sweet spot. It's fantastic. And Yeah, we were talking 555 00:26:54,840 --> 00:26:56,239 Speaker 3: my wife and I the other day and we were 556 00:26:56,240 --> 00:26:58,840 Speaker 3: listening to Mister Fantasy. Have you heard mister Fantasy yet 557 00:26:58,920 --> 00:27:00,000 Speaker 3: the TikTok. 558 00:27:00,440 --> 00:27:02,119 Speaker 4: I've seen him. He's come up with my in my 559 00:27:02,200 --> 00:27:03,520 Speaker 4: Feet a bunch lately. Yeah. 560 00:27:03,600 --> 00:27:04,560 Speaker 3: Yeah, it's fucking great. 561 00:27:04,640 --> 00:27:06,120 Speaker 2: It's like it's a it's a whole thing. 562 00:27:06,240 --> 00:27:09,000 Speaker 3: But the music is actually really good, cool and and 563 00:27:09,240 --> 00:27:13,639 Speaker 3: but it's not good because it's produced now and nothing 564 00:27:13,760 --> 00:27:17,199 Speaker 3: produced now, well even like the new Lemonheads, which I 565 00:27:17,240 --> 00:27:20,800 Speaker 3: really like, but I can tell they're using like shitty 566 00:27:20,920 --> 00:27:23,680 Speaker 3: like plugins for pedals, and you know what I mean, 567 00:27:23,720 --> 00:27:26,720 Speaker 3: it just sounds and it's everything's so compressed, and I'm 568 00:27:26,760 --> 00:27:29,480 Speaker 3: really kind of speaking ahead of my skis. I don't 569 00:27:29,520 --> 00:27:31,760 Speaker 3: really understand how to talk about this, except I know 570 00:27:32,119 --> 00:27:34,760 Speaker 3: when I hear it it's not the same as how 571 00:27:34,760 --> 00:27:37,880 Speaker 3: they recorded music back then. It's never going to sound 572 00:27:37,920 --> 00:27:40,600 Speaker 3: as rich and big and full. And after listening to 573 00:27:40,680 --> 00:27:42,960 Speaker 3: Mister Fantasy, which is like kind of this like discoy thing, 574 00:27:43,000 --> 00:27:47,080 Speaker 3: we put on uh Staying Alive, which is like Willem's 575 00:27:47,119 --> 00:27:50,200 Speaker 3: theme song like right after, and it was like the 576 00:27:50,280 --> 00:27:51,640 Speaker 3: car became a concert. 577 00:27:52,200 --> 00:27:54,399 Speaker 4: It was a completely different experience. 578 00:27:54,560 --> 00:27:57,000 Speaker 3: Yeah, you know that Beg's tune is just produced in 579 00:27:57,040 --> 00:28:00,560 Speaker 3: the possible way, And you know, I wonder what the 580 00:28:00,600 --> 00:28:03,440 Speaker 3: film comp is of that for like, what are the 581 00:28:03,480 --> 00:28:07,720 Speaker 3: Christmas movies that really like you put them on and visually, 582 00:28:07,720 --> 00:28:09,679 Speaker 3: like you're talking about Godfather kind of has this like 583 00:28:10,080 --> 00:28:12,360 Speaker 3: this this low cozy. 584 00:28:11,960 --> 00:28:12,520 Speaker 2: Lift to it. 585 00:28:12,560 --> 00:28:15,120 Speaker 3: But you know, I remember Lethal Weapon, which we talked 586 00:28:15,119 --> 00:28:17,400 Speaker 3: about ear that really feels like the look of it 587 00:28:17,480 --> 00:28:19,880 Speaker 3: is a Christmas totally is a Christmas movie. 588 00:28:20,359 --> 00:28:22,840 Speaker 1: And it has that that for for us growing up 589 00:28:22,840 --> 00:28:25,040 Speaker 1: on the East Coast, both die Hard and Lethal Weapon, 590 00:28:25,080 --> 00:28:28,320 Speaker 1: which take place on the West Coast in California at 591 00:28:28,680 --> 00:28:31,760 Speaker 1: Christmas time. I remember as a kid feeling this wild 592 00:28:31,840 --> 00:28:36,080 Speaker 1: disconnect with hearing Christmas music, you know, hearing Christmas in 593 00:28:36,119 --> 00:28:39,760 Speaker 1: Hollis in die Hard and and seeing all the decorations 594 00:28:39,800 --> 00:28:42,280 Speaker 1: and stuff. But it's it but it's warm there, there's 595 00:28:42,320 --> 00:28:45,120 Speaker 1: no snow. Like it was this strange disconnect from me 596 00:28:45,200 --> 00:28:45,640 Speaker 1: as a kid. 597 00:28:45,960 --> 00:28:47,680 Speaker 3: Oh yeah, I mean, dude, I'm living it right now. 598 00:28:47,680 --> 00:28:50,920 Speaker 3: I'm living that disconnect in Florida. I mean last last 599 00:28:51,000 --> 00:28:54,880 Speaker 3: year was so depressing because there's the Christmas vibe is 600 00:28:54,880 --> 00:28:57,000 Speaker 3: like everybody just lights the shit out of their trees. 601 00:28:57,280 --> 00:28:59,600 Speaker 3: Like it's like you live in like a lighting zoo 602 00:28:59,680 --> 00:29:02,040 Speaker 3: or something, you know what I mean. It's like it's everywhere. 603 00:29:02,040 --> 00:29:04,000 Speaker 3: But so this year to combat that, I just just 604 00:29:04,040 --> 00:29:06,160 Speaker 3: like day after Thanksgiving, I was like, I'm going so 605 00:29:06,280 --> 00:29:10,080 Speaker 3: hard into Christmas right now. Great, Like everything's decorated. I'm 606 00:29:10,160 --> 00:29:12,440 Speaker 3: listening to all this new Christmas music that I've never 607 00:29:12,480 --> 00:29:16,120 Speaker 3: listened to before, just to keep myself in it, you 608 00:29:16,200 --> 00:29:17,480 Speaker 3: know what I mean. I got gifts I'm going to 609 00:29:17,480 --> 00:29:19,360 Speaker 3: deliver to my friends down here. They don't know, don't 610 00:29:19,360 --> 00:29:22,320 Speaker 3: tell them. So there's you know, there's you. 611 00:29:22,320 --> 00:29:22,600 Speaker 4: Got to do. 612 00:29:22,600 --> 00:29:24,360 Speaker 3: You got to put in the extra shit. That's that 613 00:29:24,440 --> 00:29:26,480 Speaker 3: was maybe what was wrong with Riggs. He wasn't putting 614 00:29:26,480 --> 00:29:29,880 Speaker 3: in that extra Christmas, that extra Christmas spirit. You know, 615 00:29:29,960 --> 00:29:32,960 Speaker 3: you get what you what you give. It's the whole, 616 00:29:33,120 --> 00:29:34,680 Speaker 3: you know, it's the whole kind of point of it. 617 00:29:35,000 --> 00:29:37,160 Speaker 3: And maybe that's why he was so suicidal. 618 00:29:37,600 --> 00:29:39,360 Speaker 4: I was gonna say, I think Riggs had some issues 619 00:29:39,400 --> 00:29:41,720 Speaker 4: beyond that. But yeah, all. 620 00:29:41,720 --> 00:29:44,520 Speaker 1: Right, before before I let you go, I'll cut you 621 00:29:44,560 --> 00:29:47,040 Speaker 1: loose here. You just mentioned you're listening to a bunch 622 00:29:47,040 --> 00:29:49,360 Speaker 1: of new or new to you Christmas music. Give me 623 00:29:49,400 --> 00:29:51,960 Speaker 1: a give me a recommendation of one thing that you've 624 00:29:52,360 --> 00:29:53,760 Speaker 1: discovered this year that you're loving. 625 00:29:54,640 --> 00:29:57,200 Speaker 3: Well, hold on, I don't want to talk about Christmas 626 00:29:57,280 --> 00:29:59,320 Speaker 3: music just yet. I want to talk about a glaring 627 00:29:59,440 --> 00:30:01,160 Speaker 3: omission from our list. 628 00:30:01,320 --> 00:30:02,520 Speaker 4: Oh boy, bring it on. 629 00:30:02,880 --> 00:30:08,640 Speaker 3: When we talk about Christmas movies and crime and we 630 00:30:08,720 --> 00:30:13,280 Speaker 3: don't talk about the best crime Christmas movie next to Goodfellas, 631 00:30:13,320 --> 00:30:15,440 Speaker 3: it's actually a better Christmas movie than Goodfellas. 632 00:30:16,680 --> 00:30:18,160 Speaker 4: Now I feel like I fucked this up. 633 00:30:18,560 --> 00:30:22,640 Speaker 3: I'm gonna give you a hint with this one brief 634 00:30:22,720 --> 00:30:31,960 Speaker 3: piece of just extraterrestrial level dialogue writing Okay, you ready, Okay, 635 00:30:32,080 --> 00:30:35,360 Speaker 3: it's a movie that features this line. All right, you 636 00:30:35,360 --> 00:30:36,840 Speaker 3: ain't gonna shit write for a week? 637 00:30:41,760 --> 00:30:44,720 Speaker 4: Yeah, of course, come on. 638 00:30:45,360 --> 00:30:47,000 Speaker 2: I saw a bad Santa in the theater. 639 00:30:47,120 --> 00:30:50,440 Speaker 3: I think by myself because I remember really trying to 640 00:30:50,480 --> 00:30:54,440 Speaker 3: convince people that it was great and meeting resistance. 641 00:30:53,960 --> 00:30:55,920 Speaker 2: Like people are just like, nah, like it's a. 642 00:30:55,920 --> 00:30:59,080 Speaker 3: Cheesy thing, Like you don't understand, dude, it's so good. 643 00:30:59,120 --> 00:31:02,760 Speaker 1: You talk about the Apple Comedies blowing our kid's minds 644 00:31:02,760 --> 00:31:03,520 Speaker 1: as teenagers. 645 00:31:03,800 --> 00:31:06,760 Speaker 4: As an adult that seeing that movie, I was like, what, 646 00:31:07,040 --> 00:31:10,120 Speaker 4: like they could do this? And I don't even know. 647 00:31:10,200 --> 00:31:11,520 Speaker 4: It's so offhand. 648 00:31:11,640 --> 00:31:15,920 Speaker 3: I feel bad even describing the scene in a podcast, 649 00:31:16,400 --> 00:31:17,240 Speaker 3: And I can't. 650 00:31:16,960 --> 00:31:18,280 Speaker 2: Imagine that it was in the script. 651 00:31:18,560 --> 00:31:20,640 Speaker 3: I think it's just so billy, but it seems to 652 00:31:20,680 --> 00:31:23,880 Speaker 3: be so billy Bob Thornton that he just like, hey, guys, 653 00:31:23,880 --> 00:31:25,440 Speaker 3: I got an idea, you know what I mean, and 654 00:31:25,480 --> 00:31:27,680 Speaker 3: just kind of like threw it out there, you know, 655 00:31:27,920 --> 00:31:29,920 Speaker 3: like yeah, it sounds like somebody probably heard somebody say 656 00:31:29,960 --> 00:31:32,000 Speaker 3: down in Texas, like you know, when he was fourteen 657 00:31:32,080 --> 00:31:32,440 Speaker 3: or whatever. 658 00:31:32,480 --> 00:31:32,680 Speaker 4: You know. 659 00:31:32,840 --> 00:31:36,120 Speaker 3: I just heard him on Rogan and he's he tells, 660 00:31:36,200 --> 00:31:38,840 Speaker 3: he really he you know, he's so into his own 661 00:31:39,320 --> 00:31:41,360 Speaker 3: he's so into being a musician. Yeah, like he just 662 00:31:41,440 --> 00:31:42,960 Speaker 3: a god love him, you know, like do what you 663 00:31:43,000 --> 00:31:43,720 Speaker 3: gotta don. 664 00:31:45,120 --> 00:31:45,280 Speaker 4: Came. 665 00:31:45,520 --> 00:31:48,800 Speaker 3: Yeah, So he's really kind of like got this attitude. 666 00:31:49,000 --> 00:31:52,000 Speaker 3: He projects this attitude of like he's. 667 00:31:51,760 --> 00:31:52,440 Speaker 4: Not an actor. 668 00:31:53,240 --> 00:31:54,280 Speaker 2: But I've actually heard other. 669 00:31:54,160 --> 00:31:56,400 Speaker 3: People kind of say similar shit too recently, where he's 670 00:31:56,480 --> 00:31:59,520 Speaker 3: like he's basically making the point that he doesn't act. 671 00:31:59,680 --> 00:32:02,800 Speaker 3: He just memorizes his lines and he goes out there 672 00:32:02,800 --> 00:32:06,200 Speaker 3: and he talks and he does his thing. Aside from 673 00:32:06,240 --> 00:32:09,120 Speaker 3: Sling Blade, where he's in characters and everything else is 674 00:32:09,240 --> 00:32:11,959 Speaker 3: just he's just like I'm just me, and anyone else 675 00:32:12,000 --> 00:32:15,240 Speaker 3: who tells you any bullshit about Meisner methods and fucking 676 00:32:15,280 --> 00:32:17,600 Speaker 3: stand ups, lost whatever the fuck, you know, like, it's 677 00:32:17,640 --> 00:32:20,280 Speaker 3: all it's all bold, He's like, they're all full of shit. 678 00:32:20,800 --> 00:32:22,880 Speaker 3: We just memorize lines and we go out there and 679 00:32:23,000 --> 00:32:26,480 Speaker 3: I'm not connecting to any inner fucking trauma. It's all Trump. 680 00:32:26,520 --> 00:32:29,400 Speaker 3: It's all me Will. I live that every day and 681 00:32:29,440 --> 00:32:32,240 Speaker 3: that's what. And when I think of that line, I 682 00:32:32,440 --> 00:32:35,760 Speaker 3: just go like, that's him, man, that's that's him, like 683 00:32:35,800 --> 00:32:39,280 Speaker 3: trying to make his redneck Southern buddies back in the seventies. 684 00:32:39,360 --> 00:32:41,880 Speaker 3: Laugh right, No, that's total minds me, totally, totally. It 685 00:32:41,920 --> 00:32:43,600 Speaker 3: is great, great movie, that one. 686 00:32:43,640 --> 00:32:45,520 Speaker 2: I get. You're right. I can't wait to watch with 687 00:32:45,560 --> 00:32:45,880 Speaker 2: my kid. 688 00:32:45,880 --> 00:32:48,960 Speaker 4: But that's gonna be a lot a few years. 689 00:32:49,920 --> 00:32:53,000 Speaker 1: This has been a blast. I really appreciate you coming 690 00:32:53,040 --> 00:32:55,640 Speaker 1: in doing this. I think maybe for next week for 691 00:32:55,640 --> 00:32:57,720 Speaker 1: the second part of our Christmas thing here, I might 692 00:32:57,760 --> 00:33:00,000 Speaker 1: bring Matt on Mike, but maybe you can come back, 693 00:33:00,080 --> 00:33:01,800 Speaker 1: can do the uh We're gonna have the third one, 694 00:33:01,920 --> 00:33:04,200 Speaker 1: the one for New Year's Movies. Maybe you can come 695 00:33:04,240 --> 00:33:05,600 Speaker 1: back and do that one with me. We can get 696 00:33:05,600 --> 00:33:09,600 Speaker 1: into boogie nights and stuff like that. Okay, I love that. Yeah, 697 00:33:09,680 --> 00:33:10,080 Speaker 1: come me in. 698 00:33:10,160 --> 00:33:13,240 Speaker 3: I mean thanks, eth Merry Christmas, Budyrry Christmas, everybody Merry Christmas.