1 00:00:02,360 --> 00:00:08,879 Speaker 1: Now your Mate Events introducing Ghosts. I'm wrestling with Freddy 2 00:00:09,440 --> 00:00:17,479 Speaker 1: Jeff Died, hand of Freddy Friends, Junior Ladies and gentlemen. 3 00:00:17,480 --> 00:00:21,200 Speaker 1: Welcome to a brand new episode of Wrestling with Freddy 4 00:00:21,239 --> 00:00:25,360 Speaker 1: Wrestling with Friends. The Great Jeff Die is back. Welcome 5 00:00:25,640 --> 00:00:29,360 Speaker 1: to Wrestling with Friends, mister Jeff Dye. 6 00:00:29,440 --> 00:00:32,320 Speaker 2: Welcome dad, sir. How are you feeling good? I'm living 7 00:00:32,360 --> 00:00:34,680 Speaker 2: in Atlanta right now. That's why I'm wearing this hat. 8 00:00:34,760 --> 00:00:36,519 Speaker 2: And yeah, I'm happy to be back on. Sorry I 9 00:00:36,520 --> 00:00:37,600 Speaker 2: missed you guys last week. 10 00:00:37,760 --> 00:00:40,760 Speaker 1: You're like jumping Joe from that movie The Natural, who 11 00:00:40,800 --> 00:00:44,600 Speaker 1: would just play for every team it had, like every 12 00:00:44,760 --> 00:00:48,600 Speaker 1: every that's you. You're jumping Joe, jumping Jim. 13 00:00:48,360 --> 00:00:50,840 Speaker 2: Kay, Lord Perry, Dude. I just go to whatever team, 14 00:00:51,240 --> 00:00:56,480 Speaker 2: whoever's got the check, Baby, what's nearest, I'll play for them. 15 00:00:56,600 --> 00:00:58,920 Speaker 1: I love it. How's Atlanta treating you? How's the job 16 00:00:58,960 --> 00:00:59,600 Speaker 1: treating you? Sir? 17 00:01:00,000 --> 00:01:02,240 Speaker 2: It's been good. It's super super fun, it's super easy. 18 00:01:02,360 --> 00:01:05,560 Speaker 2: I've I've had zero bad experiences since I've been in Atlanta. 19 00:01:05,760 --> 00:01:08,200 Speaker 2: The people are nice, the city is great, the food 20 00:01:08,240 --> 00:01:10,679 Speaker 2: is great, it's clean. I'm also not used to a 21 00:01:10,760 --> 00:01:13,000 Speaker 2: town where there's a lot of good mornings and how 22 00:01:13,000 --> 00:01:16,360 Speaker 2: are used from strangers and you love very very nice feeling. 23 00:01:16,680 --> 00:01:18,800 Speaker 1: I love that. Yeah, yeah, you love that more than 24 00:01:18,840 --> 00:01:23,240 Speaker 1: any of that reason. Sarah shot her show out there, 25 00:01:23,360 --> 00:01:27,200 Speaker 1: the werewolf show wolf Pack, and she fell in love 26 00:01:27,280 --> 00:01:29,400 Speaker 1: with the city. She fell in love with the people. 27 00:01:29,840 --> 00:01:32,240 Speaker 1: She made friends out there that she's still friends with 28 00:01:32,280 --> 00:01:34,760 Speaker 1: today that were just people that lived there, like and 29 00:01:34,800 --> 00:01:36,840 Speaker 1: she said the same thing everyone said good morning, and 30 00:01:37,040 --> 00:01:38,880 Speaker 1: no one does that. I go, yeah, you're from New York. 31 00:01:38,920 --> 00:01:40,280 Speaker 1: That's why I know one ever does that. 32 00:01:40,520 --> 00:01:44,640 Speaker 2: I know it's face opposite of New York. Yeah. Yeah, 33 00:01:45,560 --> 00:01:47,600 Speaker 2: in New York. On the street, I'm like, I'm like, hey, 34 00:01:47,680 --> 00:01:49,560 Speaker 2: good morning. He's like, what's your problem. I'm I got 35 00:01:49,560 --> 00:01:51,320 Speaker 2: her nice said good morning, and don't know that was 36 00:01:51,360 --> 00:01:53,920 Speaker 2: a problem. You gotta know you. It's like, no, I don't, 37 00:01:54,080 --> 00:01:55,400 Speaker 2: I don't know you. 38 00:01:55,400 --> 00:01:58,200 Speaker 1: You got to go to Brooklyn. They're more chill in 39 00:01:58,240 --> 00:02:00,840 Speaker 1: Brooklyn and they they walked up and like, do you 40 00:02:00,880 --> 00:02:02,920 Speaker 1: want to pet my dog? And they drink coffee with 41 00:02:02,920 --> 00:02:06,760 Speaker 1: brown sugar like that. They're way nicer. I did a 42 00:02:06,760 --> 00:02:10,160 Speaker 1: movie there, and in New York it was crazy. The 43 00:02:10,200 --> 00:02:14,800 Speaker 1: streets were like mad Max beyond Thunderdome. It was still 44 00:02:14,880 --> 00:02:19,040 Speaker 1: during the pandemic, like every four out of every five, 45 00:02:19,440 --> 00:02:22,880 Speaker 1: like spaces in the buildings were abandoned. And I'm staying 46 00:02:22,919 --> 00:02:25,680 Speaker 1: in this apartment where this homeless dude would sleep outside 47 00:02:25,720 --> 00:02:28,800 Speaker 1: every day. And one night, this was almost the last 48 00:02:28,880 --> 00:02:33,320 Speaker 1: night I stayed there, he just looked dead and I 49 00:02:34,760 --> 00:02:39,840 Speaker 1: stepped over him, as you do, and went inside and said, hey, man, 50 00:02:40,000 --> 00:02:42,120 Speaker 1: think I think that guy is dead. You need to 51 00:02:42,120 --> 00:02:43,840 Speaker 1: call the cops. And he goes, man, he sleeps out 52 00:02:43,840 --> 00:02:45,880 Speaker 1: there every night. I'm like, all right, dude, it's cold. 53 00:02:45,919 --> 00:02:47,480 Speaker 1: All right, I'm telling you. We were shooting this in 54 00:02:47,480 --> 00:02:50,880 Speaker 1: like October. So I go up to my little crappy 55 00:02:50,919 --> 00:02:53,840 Speaker 1: apartment and go to bed and come out the next morning. 56 00:02:54,440 --> 00:02:58,919 Speaker 1: There's police there. My driver, oh, who's like further down 57 00:02:59,320 --> 00:03:01,720 Speaker 1: and I'm like, oh crap, And I don't see the guy, 58 00:03:01,960 --> 00:03:04,280 Speaker 1: and so I don't know that if they ran him 59 00:03:04,320 --> 00:03:06,520 Speaker 1: off or what. And I go to get in my car. 60 00:03:06,560 --> 00:03:09,200 Speaker 1: On my poor driver. She was this nice Puerto Rican lady. 61 00:03:09,240 --> 00:03:12,000 Speaker 1: She's crying and I go, what what's wrong? What's wrong? 62 00:03:12,840 --> 00:03:14,040 Speaker 2: The man was dead. 63 00:03:14,240 --> 00:03:16,680 Speaker 1: The man that you stepped over was dead. And I 64 00:03:16,760 --> 00:03:20,320 Speaker 1: was like, oh, my god, Manhattan sucked so bad, and 65 00:03:20,360 --> 00:03:21,200 Speaker 1: I called the producer. 66 00:03:21,240 --> 00:03:22,480 Speaker 2: I was like, yeah, it is terrible. 67 00:03:22,720 --> 00:03:24,600 Speaker 1: Oh and I had already gotten in a fight. Well 68 00:03:24,600 --> 00:03:26,639 Speaker 1: it was, well, it was not. It was a one 69 00:03:26,680 --> 00:03:28,880 Speaker 1: punch fight. The guy was acting crazy and that was 70 00:03:28,919 --> 00:03:30,960 Speaker 1: not my fault. And then I did like the high 71 00:03:31,000 --> 00:03:34,240 Speaker 1: school thing where I walked backwards around the block to 72 00:03:34,320 --> 00:03:36,760 Speaker 1: go to my apartment instead of right to the apartment 73 00:03:36,760 --> 00:03:40,320 Speaker 1: because that'll shake the cops. But that was my SKAPERO 74 00:03:40,520 --> 00:03:43,760 Speaker 1: was just going backwards around the block. But I was like, look, 75 00:03:43,760 --> 00:03:44,680 Speaker 1: I gotta get out of here. 76 00:03:44,720 --> 00:03:45,640 Speaker 2: Crazy. It's gone. 77 00:03:46,240 --> 00:03:47,960 Speaker 1: It is. I was like, this is crazy. You got it, 78 00:03:48,000 --> 00:03:49,400 Speaker 1: and he goes, okay, we're going to get you. We 79 00:03:49,400 --> 00:03:51,480 Speaker 1: were shooting in Brooklyn anyway, because I'm going to get 80 00:03:51,480 --> 00:03:53,280 Speaker 1: you in a hotel in Brooklyn. It's nice there. I go, 81 00:03:53,320 --> 00:03:56,080 Speaker 1: are you sure, dude? I go, this is crazy out here. 82 00:03:56,280 --> 00:03:57,880 Speaker 1: I just want to stay at like a friend's house. 83 00:03:58,320 --> 00:04:00,520 Speaker 1: He's like, no, no, no, no, it's too far away. We're 84 00:04:00,520 --> 00:04:02,160 Speaker 1: gonna send you to Brooklyn. They send me this little 85 00:04:02,200 --> 00:04:04,920 Speaker 1: hotel in Brooklyn. The very first morning, I'm like, all right, 86 00:04:04,960 --> 00:04:08,240 Speaker 1: I'm venturing out. I gotta get groceries for the little 87 00:04:08,240 --> 00:04:10,560 Speaker 1: mini fridge because I don't like spending eight dollars on 88 00:04:10,640 --> 00:04:13,520 Speaker 1: a water when I can spend seven. So I go 89 00:04:13,600 --> 00:04:15,840 Speaker 1: outside and the first person I see as a dog 90 00:04:15,920 --> 00:04:19,320 Speaker 1: and he says good morning, and I went what he 91 00:04:19,360 --> 00:04:22,440 Speaker 1: goes good morning? I went, hey, good morning, bro, and 92 00:04:22,480 --> 00:04:25,200 Speaker 1: he just walked by. I was like, Yo, that all right? 93 00:04:25,240 --> 00:04:26,839 Speaker 1: And then like the next person I saw with the 94 00:04:26,880 --> 00:04:28,640 Speaker 1: dog at legit was like, do you want to have 95 00:04:28,760 --> 00:04:31,440 Speaker 1: my dog? I was like, yeah, I miss my dogs. 96 00:04:31,440 --> 00:04:33,360 Speaker 1: I haven't seen him in a month. And so I've 97 00:04:33,400 --> 00:04:36,200 Speaker 1: had the dog, haven't. Haven't I stayed too? Okay, I 98 00:04:36,240 --> 00:04:40,039 Speaker 1: loved it, dude. It was a beautiful, beautiful city. In Manhattan, 99 00:04:40,080 --> 00:04:42,760 Speaker 1: you still kind of suck, so deal with that. But Atlanta, 100 00:04:42,800 --> 00:04:46,280 Speaker 1: George is great home of Tody Roads, Tody the American Night. 101 00:04:46,440 --> 00:04:48,720 Speaker 2: I haven't had to step over. I haven't had a 102 00:04:48,760 --> 00:04:51,320 Speaker 2: step over any dead bodies since I've got here. 103 00:04:51,360 --> 00:04:54,800 Speaker 1: It's been quite the trees and when you set the 104 00:04:54,839 --> 00:04:57,960 Speaker 1: bar that low, you're never going to be disappointed. Yet 105 00:04:58,160 --> 00:04:58,760 Speaker 1: I love it here. 106 00:04:58,839 --> 00:05:00,560 Speaker 2: I'm gonna bring I am that guy though this says 107 00:05:00,560 --> 00:05:02,760 Speaker 2: good morning to everyone everywhere, so it's kind of tricky. 108 00:05:03,000 --> 00:05:06,000 Speaker 1: You are that guy? And you like the energy to 109 00:05:06,040 --> 00:05:08,120 Speaker 1: be returned too, So you guys make sure you say 110 00:05:08,120 --> 00:05:10,120 Speaker 1: good morning to just when you see him in the streets. 111 00:05:10,120 --> 00:05:13,360 Speaker 1: He appreciates it. Well, Welcome back, sir, I missed you. 112 00:05:13,839 --> 00:05:15,840 Speaker 1: That's why I spend all this time talking with you 113 00:05:15,920 --> 00:05:18,720 Speaker 1: before we spoke any wrestling. But we got a lot 114 00:05:18,760 --> 00:05:23,360 Speaker 1: to talk about, sir. Monday Night Raw had some pretty 115 00:05:23,400 --> 00:05:27,000 Speaker 1: friggin sweet moments, even if they weren't matches, but pretty 116 00:05:27,040 --> 00:05:30,240 Speaker 1: sweet moments. Cody Rhoades open the show and he gets 117 00:05:30,279 --> 00:05:34,440 Speaker 1: interrupted by the judgment day and none of the energy, 118 00:05:34,920 --> 00:05:40,360 Speaker 1: none of the hate has faded for the relationship between 119 00:05:40,360 --> 00:05:47,279 Speaker 1: Dominic and the WWE universe. They hate him as much 120 00:05:47,400 --> 00:05:50,599 Speaker 1: today as they did the first time I heard them. 121 00:05:50,640 --> 00:05:54,679 Speaker 1: Not they didn't allow him to finish a promo, basically 122 00:05:54,920 --> 00:05:58,839 Speaker 1: just booed him out the damn building. And they're still 123 00:05:58,960 --> 00:06:04,200 Speaker 1: matching that entergy every single day. It's hard to even 124 00:06:05,360 --> 00:06:08,520 Speaker 1: remember what anybody else says because I'm just waiting for 125 00:06:08,600 --> 00:06:11,320 Speaker 1: Dominic to try and speak and just let him get 126 00:06:11,360 --> 00:06:14,000 Speaker 1: shut down and let Ria rip the go. It's okay, baby, 127 00:06:14,000 --> 00:06:17,040 Speaker 1: it's okay. Don't don't let them hurt, baby, don't worry 128 00:06:17,040 --> 00:06:18,960 Speaker 1: and she just like pats of like a little dog. 129 00:06:19,279 --> 00:06:21,320 Speaker 1: But we did get the first hour free, and I 130 00:06:21,360 --> 00:06:23,560 Speaker 1: want to talk about free as in no commercials, and 131 00:06:23,600 --> 00:06:25,080 Speaker 1: I want to talk about that too, But how do 132 00:06:25,160 --> 00:06:27,640 Speaker 1: you like the segment? I know it's kind of repetitive 133 00:06:28,000 --> 00:06:30,880 Speaker 1: because Cody's having to almost do the John Cena thing where, 134 00:06:31,440 --> 00:06:32,920 Speaker 1: you know, but I feel like they're doing a good 135 00:06:33,040 --> 00:06:36,520 Speaker 1: enough job mixing it up and mixing up Cody's opponents 136 00:06:36,600 --> 00:06:39,120 Speaker 1: that it's still it doesn't feel like John Cena Randy 137 00:06:39,240 --> 00:06:40,400 Speaker 1: Orton for two years straight. 138 00:06:40,800 --> 00:06:43,839 Speaker 2: Yeah, this is a repetitive that doesn't bother me. Like this, 139 00:06:43,960 --> 00:06:45,800 Speaker 2: I like this kind of repetitive, It doesn't I mean, 140 00:06:46,520 --> 00:06:49,680 Speaker 2: wrestling is always guilty of repetitive. You know how many 141 00:06:50,279 --> 00:06:54,200 Speaker 2: Bloodline stories. You know, there's a lot of repetitive innit. 142 00:06:54,279 --> 00:06:57,000 Speaker 2: But this doesn't feel too repetitive and I like it. 143 00:06:57,040 --> 00:07:01,880 Speaker 2: And besides, La Night, Nobody's had a more meteoric rise 144 00:07:02,400 --> 00:07:05,440 Speaker 2: than Dom like those two right now. I mean it's 145 00:07:04,920 --> 00:07:09,359 Speaker 2: insane and I'm loving every second of it also, And 146 00:07:09,400 --> 00:07:12,320 Speaker 2: they must be building to Dom versus mister Ray Missterio 147 00:07:12,960 --> 00:07:16,480 Speaker 2: at some point, you know, they had their blowoffs, man 148 00:07:16,640 --> 00:07:18,360 Speaker 2: smart build, they had their. 149 00:07:18,240 --> 00:07:20,559 Speaker 1: Blowoffs, so I get. I mean, they can do it again, 150 00:07:20,680 --> 00:07:23,280 Speaker 1: but they had their their match against one will there 151 00:07:23,640 --> 00:07:26,880 Speaker 1: where Ray Ray spanked is, but so they'll they'll go 152 00:07:26,960 --> 00:07:28,920 Speaker 1: back and do it again. I don't think that'll be done. 153 00:07:28,920 --> 00:07:31,160 Speaker 1: But remember that one ended because then Ray was like, yo, 154 00:07:31,240 --> 00:07:33,760 Speaker 1: I'm out, I'm leaving Raw and then he went to SmackDown. 155 00:07:33,840 --> 00:07:36,640 Speaker 1: So they could keep them separate. So I think until 156 00:07:36,720 --> 00:07:40,240 Speaker 1: there could be there. 157 00:07:40,080 --> 00:07:43,880 Speaker 2: Could be a reconnection, there could be a different fallout 158 00:07:43,880 --> 00:07:46,120 Speaker 2: of something. So I just think they're building something with 159 00:07:46,160 --> 00:07:46,640 Speaker 2: his dad. 160 00:07:46,960 --> 00:07:49,400 Speaker 1: They will they will again on how long the build 161 00:07:49,520 --> 00:07:52,280 Speaker 1: is or what they will again, but right now raising 162 00:07:52,360 --> 00:07:56,000 Speaker 1: a separate story because he's in that LWO storyline and 163 00:07:56,120 --> 00:07:59,880 Speaker 1: Dominic is is with Raw right now, so he's raw storylines. 164 00:07:59,920 --> 00:08:02,120 Speaker 1: But they're not going to just end it like that, 165 00:08:02,520 --> 00:08:09,680 Speaker 1: especially if Dominic keeps getting more popular, if that's even posibility. 166 00:08:08,840 --> 00:08:12,640 Speaker 2: Or maybe raymus Stereo can get the LWO so over 167 00:08:12,720 --> 00:08:14,720 Speaker 2: and so big that we have a we have a 168 00:08:14,760 --> 00:08:21,680 Speaker 2: collision between those two factions. 169 00:08:24,440 --> 00:08:26,800 Speaker 1: Let's get to let's get to SmackDown in a minute, 170 00:08:26,800 --> 00:08:28,680 Speaker 1: because I want to talk about that storyline. I got 171 00:08:28,680 --> 00:08:30,880 Speaker 1: a lot of questions on as to where it's going. 172 00:08:31,040 --> 00:08:35,120 Speaker 1: But the first hour of Raw was commercial free, and 173 00:08:35,160 --> 00:08:38,880 Speaker 1: I believe they've done this before. I know they push 174 00:08:38,960 --> 00:08:41,840 Speaker 1: commercial breaks all the time, but I would have thought 175 00:08:41,840 --> 00:08:45,600 Speaker 1: they would have waited until Monday Night Football officially started 176 00:08:46,160 --> 00:08:49,800 Speaker 1: before doing something like, hey, no commercials first hour. That way, 177 00:08:50,000 --> 00:08:52,080 Speaker 1: they don't lose anybody in the ratings, because a lot 178 00:08:52,160 --> 00:08:54,800 Speaker 1: of times that's that's why they push commercials, because they 179 00:08:54,880 --> 00:08:56,800 Speaker 1: lose a good number of people when they go when 180 00:08:56,800 --> 00:08:59,199 Speaker 1: they cut to one, even though it's a live show, 181 00:08:59,240 --> 00:09:02,000 Speaker 1: and when Monday Night Football comes on Monday Night, Raw 182 00:09:02,080 --> 00:09:05,280 Speaker 1: ratings drop. They went commercial free. They're not the first 183 00:09:05,320 --> 00:09:08,160 Speaker 1: show to do this. A lot of times hour long 184 00:09:08,240 --> 00:09:11,000 Speaker 1: dramas in the late nineties would do like the first 185 00:09:11,000 --> 00:09:13,320 Speaker 1: half hour free twenty four did that allow like this 186 00:09:13,400 --> 00:09:17,720 Speaker 1: episode's brought to you by Ford and no one else period, 187 00:09:18,320 --> 00:09:20,560 Speaker 1: And it was like there you go. Now you don't 188 00:09:20,559 --> 00:09:23,040 Speaker 1: have to have commercials because Ford paid a lot of 189 00:09:23,200 --> 00:09:26,120 Speaker 1: money to be on that show, and all the vehicles 190 00:09:26,160 --> 00:09:29,120 Speaker 1: were Fords, and everybody's driving you know, a Ford explored 191 00:09:30,480 --> 00:09:34,120 Speaker 1: straw truck in the world and making them look awesome. 192 00:09:34,280 --> 00:09:35,680 Speaker 1: So they're not the first ones to do it, but 193 00:09:35,720 --> 00:09:38,280 Speaker 1: I thought they would have waited until Monday night football 194 00:09:38,840 --> 00:09:41,280 Speaker 1: before doing this. But I'll hey, I'll tell you this, 195 00:09:41,520 --> 00:09:44,760 Speaker 1: I'll take an hour of straight wrestling with no commercials, 196 00:09:45,200 --> 00:09:47,199 Speaker 1: even though the picture and picture has made it much 197 00:09:47,240 --> 00:09:49,840 Speaker 1: more bearable. But I'll take a free hour, as I 198 00:09:49,960 --> 00:09:52,440 Speaker 1: like to call it, any single day of the week. 199 00:09:52,520 --> 00:09:55,240 Speaker 1: So anytime y'all want to do this is one hundred 200 00:09:55,240 --> 00:09:57,160 Speaker 1: percent fine with me. I will say this, It was 201 00:09:57,200 --> 00:10:00,400 Speaker 1: not a USA Network idea. It was I'm sure, pitch 202 00:10:00,520 --> 00:10:03,080 Speaker 1: to the USA Network and then had to go through 203 00:10:03,160 --> 00:10:06,040 Speaker 1: the bureaucracy that exists at every studio and then finally 204 00:10:06,080 --> 00:10:08,000 Speaker 1: the right person says yes, and you could have just 205 00:10:08,040 --> 00:10:09,600 Speaker 1: talked to them in the first place. It would have 206 00:10:09,600 --> 00:10:12,280 Speaker 1: saved everyone a lot of friggin time. But it doesn't 207 00:10:12,280 --> 00:10:12,800 Speaker 1: work that way. 208 00:10:13,360 --> 00:10:16,840 Speaker 2: Tweet at us or comment below, or let us know. 209 00:10:17,200 --> 00:10:19,920 Speaker 2: Is there anyone out there that likes the commercials, like 210 00:10:19,960 --> 00:10:21,880 Speaker 2: it gives you a chance to go grab some food 211 00:10:22,240 --> 00:10:24,560 Speaker 2: or grab a beer, or check your phone like I 212 00:10:24,679 --> 00:10:28,880 Speaker 2: kind of. I use the commercial time as I'll check 213 00:10:28,920 --> 00:10:33,240 Speaker 2: my Instagram again, or I'll write a tweet, or I'll 214 00:10:33,400 --> 00:10:36,080 Speaker 2: go into the kitchen and grab a glass of water. 215 00:10:36,200 --> 00:10:36,440 Speaker 1: Whatever. 216 00:10:37,000 --> 00:10:38,960 Speaker 2: Is there anyone that likes it at all, Like, I 217 00:10:39,000 --> 00:10:42,280 Speaker 2: don't know what the do you wait? Can't pause my TV? 218 00:10:42,640 --> 00:10:45,240 Speaker 1: Do you wait for the commercial? Or do you wait 219 00:10:45,280 --> 00:10:47,160 Speaker 1: for a match that you don't give a shit about? 220 00:10:47,240 --> 00:10:49,720 Speaker 1: Which one? Where do you go? Yeah? 221 00:10:51,200 --> 00:10:53,000 Speaker 2: Sometimes, but there's not a lot of matches that I 222 00:10:53,000 --> 00:10:56,080 Speaker 2: don't care about. If I'm honest, I get disappointed with matches, 223 00:10:56,080 --> 00:10:58,240 Speaker 2: but I'm never going into the match not giving it 224 00:10:58,280 --> 00:10:59,280 Speaker 2: a chance or. 225 00:10:59,240 --> 00:11:02,040 Speaker 1: Whatever's handful where I'm like, all right, here we go. 226 00:11:05,240 --> 00:11:08,479 Speaker 2: I'm mostly talking anyways. Wrestling is a lot of interrupting 227 00:11:08,520 --> 00:11:08,920 Speaker 2: and a lot of. 228 00:11:09,840 --> 00:11:13,040 Speaker 1: Let's let's get to another segment. That was a lot 229 00:11:13,040 --> 00:11:16,320 Speaker 1: of talk the Miz and La Night. And every once 230 00:11:16,360 --> 00:11:21,120 Speaker 1: in a while the WWE gives someone to the Miz 231 00:11:21,400 --> 00:11:25,720 Speaker 1: and they say something to this effect. I'm guessing, guys, 232 00:11:25,720 --> 00:11:30,680 Speaker 1: I don't know. You need to challenge this guy. You 233 00:11:30,760 --> 00:11:33,280 Speaker 1: need to challenge him on the mic, call him out, 234 00:11:33,440 --> 00:11:35,880 Speaker 1: make him work for it, and let's see what he's got. 235 00:11:35,960 --> 00:11:38,000 Speaker 1: Let's see what he's got. We like what we're seeing 236 00:11:38,040 --> 00:11:40,360 Speaker 1: so far, but we're gonna give you a story with him, 237 00:11:40,600 --> 00:11:43,160 Speaker 1: and let's see if he can hang with you. A 238 00:11:43,200 --> 00:11:46,280 Speaker 1: good example would be him and Brian Danielson where they 239 00:11:46,320 --> 00:11:48,600 Speaker 1: did a smack Talk episode which was like the show 240 00:11:48,640 --> 00:11:51,319 Speaker 1: after the show, and Mis cut that famous promo on 241 00:11:51,400 --> 00:11:54,160 Speaker 1: Brian Danielson. I've been here, and I came through the 242 00:11:54,240 --> 00:11:58,520 Speaker 1: ranks and and everybody was like, holy cow, Mis can talk. Yeah, jerks, 243 00:11:58,520 --> 00:12:00,400 Speaker 1: He's been able to talk this whole time. He just 244 00:12:00,960 --> 00:12:03,840 Speaker 1: has been written for and not writing for himself, whereas 245 00:12:03,920 --> 00:12:05,840 Speaker 1: now I think they give him a lot more freedom, 246 00:12:06,280 --> 00:12:11,760 Speaker 1: or he got more comfortable with written stuff. But every 247 00:12:11,760 --> 00:12:13,959 Speaker 1: once in a while they hand them one of these 248 00:12:14,000 --> 00:12:17,840 Speaker 1: guys and you're gonna see if they can hang. And 249 00:12:17,880 --> 00:12:22,080 Speaker 1: I'll be honest, when La Knight came out, I was 250 00:12:22,240 --> 00:12:26,120 Speaker 1: so nervous that he wasn't gonna be able to hang 251 00:12:26,160 --> 00:12:29,080 Speaker 1: on the mic with the miss because he's good at 252 00:12:29,120 --> 00:12:33,199 Speaker 1: his own thing, right, but I've seen him struggle in commentary, 253 00:12:33,400 --> 00:12:36,560 Speaker 1: Like commentary was not his strong suit. Was when he 254 00:12:36,880 --> 00:12:39,800 Speaker 1: sat in the chair next to the table. I remember 255 00:12:39,880 --> 00:12:41,959 Speaker 1: not liking him as much and his message didn't get 256 00:12:41,960 --> 00:12:44,560 Speaker 1: communicated as well. And it's hard because it's a match 257 00:12:44,600 --> 00:12:47,480 Speaker 1: going on. But so I was a little bit nervous, like, 258 00:12:47,520 --> 00:12:50,880 Speaker 1: oh crap, and then Mis started going hard. I've been 259 00:12:50,880 --> 00:12:54,000 Speaker 1: in this industry twenty years. This, I've done it, this, 260 00:12:54,160 --> 00:12:57,320 Speaker 1: I've accomplished this. I'm a two time Grand Slam. They 261 00:12:57,360 --> 00:12:59,480 Speaker 1: hated me, they threw me out of the locker room. 262 00:12:59,480 --> 00:13:01,880 Speaker 1: And he does that speech that he just knows back 263 00:13:01,920 --> 00:13:04,440 Speaker 1: to front right and he kills it, and I'm like, 264 00:13:04,679 --> 00:13:08,480 Speaker 1: oh crap, and let me tell you what La Knight did. 265 00:13:09,360 --> 00:13:12,400 Speaker 1: The mizz is moving one hundred and ten miles an 266 00:13:12,400 --> 00:13:15,640 Speaker 1: hour like a dude party in Miami in nineteen eighty five, 267 00:13:15,880 --> 00:13:20,680 Speaker 1: just full rager, just in your face and the natural 268 00:13:20,760 --> 00:13:23,200 Speaker 1: instinct in reaction. And I know this for a fact 269 00:13:23,280 --> 00:13:27,080 Speaker 1: from acting class. Is a lot of times immature actors 270 00:13:27,320 --> 00:13:31,959 Speaker 1: or inexperienced actors want to match that energy and they 271 00:13:32,040 --> 00:13:34,600 Speaker 1: quickly have nowhere to go. It's like if you start 272 00:13:34,640 --> 00:13:37,120 Speaker 1: a song at too high a note and like the 273 00:13:37,120 --> 00:13:40,600 Speaker 1: Star Spangled banner, and you know right away, oh shit, 274 00:13:40,840 --> 00:13:43,840 Speaker 1: I should have started lower. That's what happens in these 275 00:13:43,880 --> 00:13:46,520 Speaker 1: types of promos. And we've seen this happen a million times. 276 00:13:46,559 --> 00:13:50,120 Speaker 1: Look at any promo that anyone ever had against Scott Steiner, 277 00:13:50,240 --> 00:13:53,000 Speaker 1: and they're guilty of trying to match his energy. That's 278 00:13:53,040 --> 00:13:54,920 Speaker 1: why you don't remember the guys that were in the 279 00:13:54,920 --> 00:13:58,920 Speaker 1: promos of Scott Steiner. So I'm super nervous and La 280 00:13:59,040 --> 00:14:01,880 Speaker 1: Knight does this thing. My acting coach taught us where 281 00:14:01,880 --> 00:14:04,120 Speaker 1: he said, look, if you're in an audition with someone, 282 00:14:04,160 --> 00:14:08,200 Speaker 1: like a duo audition, where they're checking chemistry, and someone's 283 00:14:08,320 --> 00:14:11,000 Speaker 1: energy is super high and super fast, you have to 284 00:14:11,040 --> 00:14:14,520 Speaker 1: do the exact opposite. You have to balance that scale. 285 00:14:14,880 --> 00:14:16,719 Speaker 1: So if they're talking a mile a minute and it's 286 00:14:16,720 --> 00:14:18,480 Speaker 1: your turn and all of a sudden you're turned to talk, 287 00:14:19,360 --> 00:14:24,480 Speaker 1: you have to command their attention. And he flipped the 288 00:14:24,520 --> 00:14:27,120 Speaker 1: whole script on. Like all us young actors because you know, 289 00:14:27,200 --> 00:14:29,200 Speaker 1: our egos wanted to be like, no, I'm going to 290 00:14:29,280 --> 00:14:31,520 Speaker 1: man up because he's manning up and he's like, no, 291 00:14:31,680 --> 00:14:34,120 Speaker 1: you got to, like Christopher Walking man up. Like when 292 00:14:34,160 --> 00:14:38,160 Speaker 1: I say ho, I mean how not hey, Like that's 293 00:14:38,160 --> 00:14:40,280 Speaker 1: from Biloxi Blues, but in the play it's like the 294 00:14:40,800 --> 00:14:43,840 Speaker 1: Sergeant's like, well, I sorry, ho, I mean ho, notry, 295 00:14:43,840 --> 00:14:46,600 Speaker 1: not high, but ho, And Christopher Walker's like, nah, I'm 296 00:14:46,600 --> 00:14:50,000 Speaker 1: not doing it that bullshit. I've got my old rhythm 297 00:14:50,040 --> 00:14:54,840 Speaker 1: taking it down. And so La Knight just completely slows 298 00:14:54,960 --> 00:14:58,960 Speaker 1: the speed of this whole promo down and very deliberately 299 00:14:59,600 --> 00:15:06,000 Speaker 1: and absolutely effectively communicates who he is, what he's about, 300 00:15:06,280 --> 00:15:09,960 Speaker 1: and what he's willing to do to get to where 301 00:15:10,040 --> 00:15:12,480 Speaker 1: he wants to go, and that the miss is going 302 00:15:12,560 --> 00:15:15,000 Speaker 1: to be a stepping stone. A stepping stone, don't you 303 00:15:15,080 --> 00:15:17,360 Speaker 1: darrekle me a stepping stone. I've done all this stuff. 304 00:15:17,920 --> 00:15:21,280 Speaker 1: Let me tell you why you're a stepping stone. And 305 00:15:21,320 --> 00:15:23,960 Speaker 1: I'm not talking about those ones between your legs. 306 00:15:24,000 --> 00:15:24,200 Speaker 2: Bow. 307 00:15:24,480 --> 00:15:27,480 Speaker 1: The crowd goes crazy for that because he's got tiny balls. 308 00:15:28,200 --> 00:15:30,800 Speaker 1: My son wants I have massive balls T shirt by 309 00:15:30,800 --> 00:15:32,640 Speaker 1: the way, he's ten. I'm like, you can't wear that 310 00:15:32,680 --> 00:15:36,000 Speaker 1: shit to school, can't wear work, can't we I mean, yeah, yeah, 311 00:15:35,960 --> 00:15:37,720 Speaker 1: you can sit home. He's like, well, just wear it 312 00:15:37,760 --> 00:15:41,040 Speaker 1: around the house. Like all right, I get my balls 313 00:15:41,040 --> 00:15:46,000 Speaker 1: are massive. Sure, great, Sarah will be thrilled. But but yeah, man. 314 00:15:46,160 --> 00:15:48,680 Speaker 1: These two guys go back and forth on the mic 315 00:15:49,560 --> 00:15:53,120 Speaker 1: La Knight goes toe to toe. Mis talks about him 316 00:15:53,160 --> 00:15:55,240 Speaker 1: not being on his level, and his response was great. 317 00:15:55,280 --> 00:15:58,200 Speaker 1: He's like, well, from my perspective, we're standing eye to eye. 318 00:15:58,360 --> 00:16:01,240 Speaker 1: It just stares right at him like oh yeah, that's great. 319 00:16:01,680 --> 00:16:03,880 Speaker 1: And then the Miz is like, yeah, okay. It takes 320 00:16:03,880 --> 00:16:06,920 Speaker 1: off his jacket and then starts to like act like 321 00:16:06,960 --> 00:16:10,000 Speaker 1: he's not gonna fight, and then when LA Knight turns around, 322 00:16:10,080 --> 00:16:13,320 Speaker 1: he throws the jacket over l A Knight's head, not perfectly, 323 00:16:13,360 --> 00:16:15,760 Speaker 1: but we get the idea, and he starts whipping ass 324 00:16:15,760 --> 00:16:18,000 Speaker 1: all over LA Knight and picks him up for the 325 00:16:18,000 --> 00:16:20,720 Speaker 1: skull crushing finale, and LA Knight says, no, I have 326 00:16:20,840 --> 00:16:24,520 Speaker 1: you swep swap and reverses it and Boom puts the 327 00:16:24,560 --> 00:16:27,840 Speaker 1: blunts for that's the sound effect. I always wanted to 328 00:16:27,840 --> 00:16:31,280 Speaker 1: be a fully hard the guys that like crack celery, 329 00:16:31,840 --> 00:16:33,960 Speaker 1: like for a fight scene in the movies and all that. 330 00:16:33,960 --> 00:16:35,720 Speaker 1: I always wanted to be one of those guys. So 331 00:16:35,840 --> 00:16:38,520 Speaker 1: comic book sound effects are always gonna pop out of 332 00:16:38,520 --> 00:16:40,680 Speaker 1: my mouth and he hits them with the blunt force 333 00:16:40,760 --> 00:16:44,040 Speaker 1: trauma and then he shakes his damn hand and says, 334 00:16:44,080 --> 00:16:46,680 Speaker 1: it's nice to meet you, and then whatever else you 335 00:16:46,840 --> 00:16:49,480 Speaker 1: son of a bitch, miss I'll kill you. I don't 336 00:16:49,480 --> 00:16:51,840 Speaker 1: think that's what he said, but I love this segment 337 00:16:51,920 --> 00:16:55,000 Speaker 1: so much. I loved every everything about it. I was 338 00:16:55,040 --> 00:16:58,240 Speaker 1: super super nervous and it went beyond my expectations. Did 339 00:16:58,320 --> 00:17:00,320 Speaker 1: you like it or was it a meth for you 340 00:17:00,360 --> 00:17:02,640 Speaker 1: because I loved it. I know you're not huge on Miz, 341 00:17:02,720 --> 00:17:04,199 Speaker 1: but I know you respect him a little bit. 342 00:17:04,240 --> 00:17:06,160 Speaker 2: I hate the Mis, I do not like the Miz, 343 00:17:06,320 --> 00:17:08,959 Speaker 2: and I love La Knights, so I was excited for this, 344 00:17:09,080 --> 00:17:11,600 Speaker 2: But I can also not like the Miss and acknowledge 345 00:17:11,600 --> 00:17:14,359 Speaker 2: that you know, he's become great. He's become a great 346 00:17:14,640 --> 00:17:17,280 Speaker 2: part of wrestling. He's become a great on the MIC. 347 00:17:17,359 --> 00:17:18,320 Speaker 1: He is. 348 00:17:19,880 --> 00:17:22,560 Speaker 2: He is great, whether I like him or not. That 349 00:17:22,680 --> 00:17:26,800 Speaker 2: beans like this was the first time. This is the 350 00:17:26,840 --> 00:17:30,320 Speaker 2: first time I've ever wished that I wrote for wrestling 351 00:17:30,640 --> 00:17:32,960 Speaker 2: as a god. Why couldn't you have had me there 352 00:17:33,040 --> 00:17:37,480 Speaker 2: to write for this? Because the Mis says to me, 353 00:17:37,680 --> 00:17:40,840 Speaker 2: all you are is an Attitude era fanboy. 354 00:17:41,240 --> 00:17:43,399 Speaker 1: Yeah, who is cause playing. 355 00:17:43,280 --> 00:17:46,080 Speaker 2: In my ring? And you know what's funny about that? 356 00:17:46,720 --> 00:17:49,280 Speaker 2: I'll take that if you know the Rock said it, 357 00:17:49,480 --> 00:17:52,040 Speaker 2: or if of the Roman reign set. But are we 358 00:17:52,200 --> 00:17:56,480 Speaker 2: for is Mike the Miz from Real World? Forgetting that 359 00:17:56,600 --> 00:18:02,199 Speaker 2: he's an Attitude era fanboy who caused played for you know, 360 00:18:02,440 --> 00:18:06,080 Speaker 2: however long parading on MTV until they gave him like 361 00:18:06,119 --> 00:18:08,640 Speaker 2: a contract over at MTV. You don't get to call 362 00:18:08,720 --> 00:18:11,920 Speaker 2: him that also, guess who is an Attitude era fanboy? 363 00:18:12,359 --> 00:18:12,439 Speaker 1: Me? 364 00:18:13,320 --> 00:18:17,120 Speaker 2: You all the fans and like, yeah, we're all Attitude 365 00:18:17,200 --> 00:18:19,919 Speaker 2: era fanboys. So it was trash for him to like 366 00:18:20,080 --> 00:18:22,400 Speaker 2: use that, and I wish that that's what his response 367 00:18:22,440 --> 00:18:24,520 Speaker 2: would have been. Oh really, Miss, you think I'm an 368 00:18:24,520 --> 00:18:29,080 Speaker 2: Additude era fanboy, that's what you are also, cause playing 369 00:18:29,280 --> 00:18:31,840 Speaker 2: remember when the Mis pretended to be the rock for 370 00:18:31,960 --> 00:18:34,639 Speaker 2: like every single thing that he did, he tried, he tried, 371 00:18:34,800 --> 00:18:37,639 Speaker 2: and then he was always matching kind of these other 372 00:18:37,640 --> 00:18:40,800 Speaker 2: wrestlers doing the Daniel Bryant kicks. I mean, Miss doesn't 373 00:18:40,800 --> 00:18:42,880 Speaker 2: know who he is now and he's been in wrestling 374 00:18:42,920 --> 00:18:45,640 Speaker 2: for twenty something years, let alone a guy who has 375 00:18:45,800 --> 00:18:48,520 Speaker 2: climbed up the ranks like LA Knight. Like I I 376 00:18:48,640 --> 00:18:50,600 Speaker 2: like that he said, don't make this personal, and he goes, 377 00:18:50,680 --> 00:18:53,720 Speaker 2: I take this person that person that was, which I 378 00:18:53,720 --> 00:18:55,399 Speaker 2: know is part of the script, but it was. But 379 00:18:55,480 --> 00:18:59,280 Speaker 2: it was beautifully and I think this was my moment 380 00:18:59,280 --> 00:19:00,760 Speaker 2: of the week for sure, or just because I'm so 381 00:19:01,000 --> 00:19:04,040 Speaker 2: over or I'm so like such a fan of l. A. Knight, 382 00:19:04,520 --> 00:19:07,000 Speaker 2: but I just I just thought, what a weird thing 383 00:19:07,080 --> 00:19:10,159 Speaker 2: to accuse him of. I did like that flash in 384 00:19:10,160 --> 00:19:10,440 Speaker 2: the pan. 385 00:19:10,640 --> 00:19:14,320 Speaker 1: That's what the heel's supposed to do, is say bullshit 386 00:19:14,440 --> 00:19:16,320 Speaker 1: that you can call him on. And I think MS 387 00:19:16,320 --> 00:19:19,480 Speaker 1: did that deliberately, and I think he tricked you. And 388 00:19:19,560 --> 00:19:21,760 Speaker 1: I love when you get tricked, and I think he 389 00:19:21,960 --> 00:19:24,520 Speaker 1: that's that's what's the whole. I love it, and I 390 00:19:24,560 --> 00:19:26,680 Speaker 1: think he did it on purpose so that people would 391 00:19:26,720 --> 00:19:28,639 Speaker 1: call him out on it. I think he's that slick 392 00:19:28,680 --> 00:19:29,560 Speaker 1: with it. I really do. 393 00:19:30,600 --> 00:19:33,040 Speaker 2: I do like the flash and the PAN thing. I 394 00:19:33,119 --> 00:19:35,040 Speaker 2: like when someone says, yeah, they all love you now, 395 00:19:35,320 --> 00:19:37,600 Speaker 2: but guess what I've seen. I've been in this business 396 00:19:37,640 --> 00:19:39,919 Speaker 2: long enough to know how fast they'll forget about you. 397 00:19:39,960 --> 00:19:42,440 Speaker 2: I mean this, you know this La Knight Rise was 398 00:19:42,440 --> 00:19:45,040 Speaker 2: was an Austin theory rize at one point. This was 399 00:19:45,080 --> 00:19:48,040 Speaker 2: a that we've seen these things, so MS could be correct. 400 00:19:48,440 --> 00:19:50,560 Speaker 2: But I hope he's wrong. I hope he's wrong, and 401 00:19:50,640 --> 00:19:52,640 Speaker 2: I love La Knight, so we'll see. But I thought 402 00:19:52,640 --> 00:19:55,520 Speaker 2: that this whole little back and forth was phenomenal. I 403 00:19:55,520 --> 00:19:58,160 Speaker 2: thought the MIS was great. I thought La Knight was great. 404 00:19:58,240 --> 00:20:00,639 Speaker 2: When it comes to trauma, this might have been my 405 00:20:00,680 --> 00:20:01,480 Speaker 2: moment of the week. 406 00:20:01,720 --> 00:20:04,399 Speaker 1: The main event was a triple threat. I don't you 407 00:20:04,440 --> 00:20:06,239 Speaker 1: know it. It was a cool match. I don't want 408 00:20:06,280 --> 00:20:08,440 Speaker 1: to spend too much time on it, but Shinske did 409 00:20:08,640 --> 00:20:14,399 Speaker 1: turn and hit Seth Rollins with Kinsasha and it was 410 00:20:14,440 --> 00:20:18,080 Speaker 1: glorious and he walked off like a rock star, an 411 00:20:18,119 --> 00:20:20,520 Speaker 1: evil rock star, but a rock star just the same. 412 00:20:20,560 --> 00:20:22,680 Speaker 1: And I hope they have an idea and a plan 413 00:20:22,840 --> 00:20:25,680 Speaker 1: for him because he doesn't get to beat Seth Rollins 414 00:20:25,720 --> 00:20:28,840 Speaker 1: because Seth Rowllins has the title, so I hope it's 415 00:20:28,880 --> 00:20:32,000 Speaker 1: not just another build up toward a loss. But you know, 416 00:20:32,160 --> 00:20:34,160 Speaker 1: hopefully they can do something cool with him, because he's 417 00:20:34,160 --> 00:20:36,919 Speaker 1: so much fun to watch. He's got such great energy. 418 00:20:37,040 --> 00:20:39,040 Speaker 1: His music's so dope when you come out when he 419 00:20:39,040 --> 00:20:41,600 Speaker 1: comes out to that freaking violin and all that crap. 420 00:20:42,359 --> 00:20:44,000 Speaker 1: So yeah, I like him a lot. But the match 421 00:20:44,119 --> 00:20:55,280 Speaker 1: was what it was. Man, let's go to aew Wednesday 422 00:20:55,359 --> 00:20:58,800 Speaker 1: night wrestling, ladies and gentlemen. I want to start with 423 00:20:59,320 --> 00:21:03,440 Speaker 1: I didn't think we would ever ever do a podcast 424 00:21:04,920 --> 00:21:11,080 Speaker 1: about a Rob van Dam match. Yeah, dude. Rob van 425 00:21:11,359 --> 00:21:17,560 Speaker 1: Dam wrestled Jack Perry for the ft W Championship. Rob 426 00:21:17,640 --> 00:21:24,440 Speaker 1: van Dam is fifty years old and was whipping ass 427 00:21:24,600 --> 00:21:29,399 Speaker 1: out there. Looked awesome. I mean, he look he's fifty, Okay, 428 00:21:29,440 --> 00:21:31,640 Speaker 1: so he didn't look like he was twenty five years old. 429 00:21:32,040 --> 00:21:35,639 Speaker 1: But I'm telling you he looked I thought he looked great. 430 00:21:36,160 --> 00:21:39,200 Speaker 1: There were a couple of shots that were pretty stiff, man. 431 00:21:39,359 --> 00:21:44,600 Speaker 1: When Jack Perry was outside the Jack Perry too, Yeah, 432 00:21:44,600 --> 00:21:47,480 Speaker 1: but Rob made is thick and Jack's not. Rob could 433 00:21:47,480 --> 00:21:51,520 Speaker 1: take it. But that when he did the rolling leg 434 00:21:51,760 --> 00:21:54,320 Speaker 1: kick and hit him off the apron and Jack was 435 00:21:54,359 --> 00:21:57,280 Speaker 1: on the on the ring side to that leg, it's 436 00:21:57,359 --> 00:22:00,600 Speaker 1: so thick and tough. 437 00:22:00,680 --> 00:22:03,560 Speaker 2: I was like, oh, but he was blown up too, 438 00:22:03,640 --> 00:22:05,040 Speaker 2: Like you could tell he was gassed. 439 00:22:05,040 --> 00:22:08,040 Speaker 1: But he's given it. He gave it one hundred percent, man. 440 00:22:08,080 --> 00:22:10,800 Speaker 1: But it was awesome. Man. If you gave him like 441 00:22:10,840 --> 00:22:16,680 Speaker 1: a seven minute match once every six weeks two months 442 00:22:17,680 --> 00:22:20,080 Speaker 1: and just with all storyline and then it goes to 443 00:22:20,160 --> 00:22:22,160 Speaker 1: a match, right, so it's just heat on him, heat 444 00:22:22,200 --> 00:22:23,919 Speaker 1: on him, and then you give a match like he 445 00:22:24,119 --> 00:22:27,119 Speaker 1: still has it, dude and has a big time. I 446 00:22:27,840 --> 00:22:30,480 Speaker 1: know he gassed out at the end, but Jack Perry 447 00:22:30,560 --> 00:22:33,200 Speaker 1: kind of saved the finish there because, yeah, it took 448 00:22:33,240 --> 00:22:36,800 Speaker 1: him too long. So that's why it got reversed because 449 00:22:36,800 --> 00:22:39,119 Speaker 1: he took too long on the top rope readjusting, so 450 00:22:39,359 --> 00:22:43,119 Speaker 1: like story wise, it looked like it was a part 451 00:22:43,200 --> 00:22:45,479 Speaker 1: of the story thanks to Jack Perry on that. But 452 00:22:45,560 --> 00:22:49,000 Speaker 1: I loved watching this match. It's it's not my match 453 00:22:49,040 --> 00:22:50,720 Speaker 1: of the week, but it very well could have been, 454 00:22:50,840 --> 00:22:52,960 Speaker 1: just for the nostalgia of it and the fact that 455 00:22:53,160 --> 00:22:56,840 Speaker 1: the first six minutes of the match were super super 456 00:22:56,920 --> 00:23:01,280 Speaker 1: good and that one kick was just crazy so hard. 457 00:23:01,320 --> 00:23:05,440 Speaker 2: Well, jumping forward to SmackDown, which we'll talk about it 458 00:23:05,560 --> 00:23:08,919 Speaker 2: a bit about how Jay Usso, you know, did he 459 00:23:09,080 --> 00:23:12,240 Speaker 2: quit wwe is he gone? This is the same thing. 460 00:23:12,520 --> 00:23:17,199 Speaker 2: This match is proof wrestlers do not retire. They do 461 00:23:17,320 --> 00:23:21,040 Speaker 2: not leave. They only die. They they like, you know, 462 00:23:21,119 --> 00:23:24,399 Speaker 2: Undertaker leaves and then all of a sudden, he's back. 463 00:23:25,000 --> 00:23:29,680 Speaker 2: Seven months later. Undertaker is back in the ring doing matches. 464 00:23:30,080 --> 00:23:32,399 Speaker 2: Tricked us all into thinking he'll never wrestle again, and 465 00:23:32,440 --> 00:23:35,200 Speaker 2: we watched his last match. They can't help themselves. Rick 466 00:23:35,280 --> 00:23:39,640 Speaker 2: Flair has a new wrestling match every six months. Rob 467 00:23:39,760 --> 00:23:41,560 Speaker 2: van Dam, we thought he was done. We thought he 468 00:23:41,600 --> 00:23:44,760 Speaker 2: was out there selling pot on the internet. Nope, he's 469 00:23:45,200 --> 00:23:47,720 Speaker 2: right back in the ring, looking good at fifty years old. 470 00:23:47,720 --> 00:23:52,080 Speaker 2: With Jack Perry, these wrestlers split they never. They might 471 00:23:52,119 --> 00:23:54,720 Speaker 2: get fired and they're not good enough to wrestle anymore, 472 00:23:54,880 --> 00:23:57,800 Speaker 2: but if they can, they will and they do. And 473 00:23:57,880 --> 00:23:59,800 Speaker 2: Rob van dam I don't know if he's all elite, 474 00:23:59,880 --> 00:24:02,400 Speaker 2: but he looked damn good in there, and I think 475 00:24:02,440 --> 00:24:05,359 Speaker 2: that he did his persona and his his kind of 476 00:24:05,400 --> 00:24:09,399 Speaker 2: like stick works still and we're such big marks for 477 00:24:09,480 --> 00:24:11,640 Speaker 2: him that I think that he could be. He could 478 00:24:11,640 --> 00:24:13,880 Speaker 2: definitely be a personality in aw and do a match 479 00:24:13,920 --> 00:24:16,000 Speaker 2: every every once in a while. Like he looked great, 480 00:24:16,400 --> 00:24:19,280 Speaker 2: I would you know, he's aged, but like I thought, 481 00:24:19,280 --> 00:24:21,439 Speaker 2: he looked just as good as Jack Perry did. 482 00:24:21,520 --> 00:24:24,720 Speaker 1: And what should I older than he does? He's got 483 00:24:24,720 --> 00:24:25,639 Speaker 1: three years of me. 484 00:24:25,800 --> 00:24:25,960 Speaker 2: Man. 485 00:24:26,040 --> 00:24:27,200 Speaker 1: I thought he looked amazing. 486 00:24:27,359 --> 00:24:27,960 Speaker 2: I love it. 487 00:24:28,320 --> 00:24:30,800 Speaker 1: I was like, but you gotta beat there a wrestler. 488 00:24:30,840 --> 00:24:33,080 Speaker 1: You kick me that hard on the chest, I'm gonna die. 489 00:24:33,280 --> 00:24:38,160 Speaker 1: Adam Cole and MJF I wanted to say something last week, 490 00:24:38,359 --> 00:24:40,320 Speaker 1: but you weren't. You weren't here, and so I bit 491 00:24:40,440 --> 00:24:42,760 Speaker 1: my tongue because I didn't have anyone to throw this 492 00:24:42,880 --> 00:24:45,800 Speaker 1: off of. But I'm wondering if we've had this story 493 00:24:45,840 --> 00:24:49,119 Speaker 1: all wrong, and if the end of this story is 494 00:24:49,160 --> 00:24:54,840 Speaker 1: Adam Cole turning heel on Max and after the segment 495 00:24:54,960 --> 00:24:57,800 Speaker 1: last week, I feel like that's the direction it's going 496 00:24:57,880 --> 00:25:00,359 Speaker 1: to go. And not because of the Roderick Strang stuff, 497 00:25:00,400 --> 00:25:02,439 Speaker 1: which was really funny when he called him a bland 498 00:25:02,440 --> 00:25:04,879 Speaker 1: bitch and Roger strongs like, I'm not a plant batch 499 00:25:05,600 --> 00:25:08,200 Speaker 1: that That was great, dude, He's over sold the ship 500 00:25:08,240 --> 00:25:08,520 Speaker 1: out of it. 501 00:25:08,560 --> 00:25:11,960 Speaker 2: But it's also pretty comedic the way those guys came 502 00:25:11,960 --> 00:25:13,879 Speaker 2: out and consoled him like he was a little boy, 503 00:25:15,080 --> 00:25:18,520 Speaker 2: funny like in his arms, like my best friend just 504 00:25:18,560 --> 00:25:21,720 Speaker 2: said a mean thing. They called my best friend's new 505 00:25:21,720 --> 00:25:22,320 Speaker 2: best friend. 506 00:25:22,840 --> 00:25:26,280 Speaker 1: I love it. It's like an old eighties rom com movie. 507 00:25:26,359 --> 00:25:27,320 Speaker 1: And that's the issue. 508 00:25:27,400 --> 00:25:32,240 Speaker 2: I love your creepy ex girlfriend like jealousy, which I 509 00:25:32,240 --> 00:25:33,119 Speaker 2: thought was really funny. 510 00:25:33,119 --> 00:25:36,840 Speaker 1: Lie yeh. Jefferson shout out to Roderick for playing this 511 00:25:36,960 --> 00:25:39,040 Speaker 1: role man, because a lot of guys don't have the 512 00:25:39,080 --> 00:25:42,280 Speaker 1: ego to let themselves go like that. I I'm not 513 00:25:42,359 --> 00:25:45,840 Speaker 1: a bland bitch. That makes you sound more like But 514 00:25:45,920 --> 00:25:49,359 Speaker 1: anyway they were going, They're talking about Ring of Honor 515 00:25:49,480 --> 00:25:53,840 Speaker 1: tag team champions and Adam Cole is selling him hard 516 00:25:54,680 --> 00:25:57,080 Speaker 1: on yo, man, we can do this. We would have 517 00:25:57,160 --> 00:26:02,240 Speaker 1: two matches in one night at Wimbley Friggin' Stadium, which, 518 00:26:02,320 --> 00:26:05,120 Speaker 1: by the way, they're going to outsell WWE's record there, 519 00:26:05,160 --> 00:26:08,119 Speaker 1: which is going to be super duper wrestling bragging rights. 520 00:26:08,920 --> 00:26:11,520 Speaker 1: I know that for a fact that'll piss whoever's in 521 00:26:11,640 --> 00:26:14,760 Speaker 1: charge off, especially Vince or whoever booked it under their watch. 522 00:26:14,800 --> 00:26:16,280 Speaker 1: They'll be like, God, damn, we got to go back. 523 00:26:16,280 --> 00:26:19,240 Speaker 1: We got to do ninety thousand now. But if we 524 00:26:19,240 --> 00:26:21,760 Speaker 1: don't get it, just lie about the numbers. They've never 525 00:26:21,800 --> 00:26:27,560 Speaker 1: done that, Jeff, how dare you blasphemy? So MJFS selling 526 00:26:27,640 --> 00:26:30,240 Speaker 1: him hard on the Ring of Honor tag team titles 527 00:26:30,280 --> 00:26:33,000 Speaker 1: against these two dudes called Ozzie Open, who I don't 528 00:26:33,040 --> 00:26:37,560 Speaker 1: know much about, and he's selling him hard, and Max 529 00:26:37,640 --> 00:26:39,360 Speaker 1: is like, dude, what are you talking about now? Two 530 00:26:39,400 --> 00:26:41,439 Speaker 1: matches He's like, yes, let's do it. Let's do it. 531 00:26:41,880 --> 00:26:45,399 Speaker 1: The only reason because him wanting to have these titles 532 00:26:45,440 --> 00:26:49,040 Speaker 1: because he's never had him is bullshit. I think storyline wise, 533 00:26:50,000 --> 00:26:53,240 Speaker 1: I think he's doing it to tire Max out. I 534 00:26:53,280 --> 00:26:55,359 Speaker 1: think you're going to see Max be the one that 535 00:26:55,400 --> 00:26:58,159 Speaker 1: gets the beat down and Adam Coleby the heater that 536 00:26:58,200 --> 00:27:03,240 Speaker 1: comes in and saves him that he's hurt in the 537 00:27:03,359 --> 00:27:06,880 Speaker 1: championship match, the main event at Wimbley Stadium. I think 538 00:27:06,960 --> 00:27:08,760 Speaker 1: Cole's going to be the one that turns, or like 539 00:27:08,840 --> 00:27:11,240 Speaker 1: leaves him in the middle of the match, just walks 540 00:27:11,280 --> 00:27:13,680 Speaker 1: away and lets Ozzie Open just beat his ass and 541 00:27:13,760 --> 00:27:16,000 Speaker 1: hit him with their finisher and just leave him dead 542 00:27:16,040 --> 00:27:17,720 Speaker 1: in the middle of the ring. And then he asked 543 00:27:17,720 --> 00:27:20,280 Speaker 1: the wrestle again, I think we've had it wrong. I 544 00:27:20,280 --> 00:27:22,280 Speaker 1: don't think Max is going to be the one that turns, 545 00:27:22,280 --> 00:27:24,560 Speaker 1: because they've been showing us Max is going to turn 546 00:27:24,720 --> 00:27:26,440 Speaker 1: in different ones where he's like, well he was gonna 547 00:27:26,480 --> 00:27:28,920 Speaker 1: hit Adam Cole with the belt. He's like, but he's 548 00:27:28,920 --> 00:27:31,520 Speaker 1: my new best friend. Draw but after this guy, oh, 549 00:27:31,560 --> 00:27:33,920 Speaker 1: I can't. I'm not gonna doe. Let's hug it out. 550 00:27:33,960 --> 00:27:36,560 Speaker 1: Let's hug it out. They've been selling us so hard 551 00:27:36,600 --> 00:27:39,239 Speaker 1: on that that I think they're gonna swerve it and 552 00:27:39,280 --> 00:27:41,800 Speaker 1: it's going to be Adam Cole that turns on Max. 553 00:27:42,520 --> 00:27:48,000 Speaker 1: Do you think my conspiracy theory has any merit? Yeah? 554 00:27:48,000 --> 00:27:50,679 Speaker 2: I could see them doing that because they're kind of 555 00:27:50,680 --> 00:27:52,840 Speaker 2: selling us as the MGF is the hot head. You know, 556 00:27:53,080 --> 00:27:54,840 Speaker 2: you won't have a promo off, you know, like they're 557 00:27:54,920 --> 00:27:57,959 Speaker 2: trying to. But then they're also showing us this side 558 00:27:58,080 --> 00:28:03,080 Speaker 2: of MJF that is like unusual to anything I remember 559 00:28:03,119 --> 00:28:04,919 Speaker 2: ever seeing of him being like that was my fault, 560 00:28:04,920 --> 00:28:05,679 Speaker 2: that was my fault. 561 00:28:05,720 --> 00:28:06,080 Speaker 1: Sorry. 562 00:28:06,200 --> 00:28:09,359 Speaker 2: So they're also showing this other nice side of like, Okay, 563 00:28:09,359 --> 00:28:11,680 Speaker 2: all right, man, sorry, I got I got out of hand. 564 00:28:11,680 --> 00:28:14,360 Speaker 2: Go go get your brother, you know, go go go 565 00:28:14,520 --> 00:28:16,280 Speaker 2: comfort your boy, you know, like he was like he 566 00:28:16,359 --> 00:28:19,120 Speaker 2: lets him go. So you're seeing this nice side well 567 00:28:19,160 --> 00:28:22,040 Speaker 2: also seeing the hothead artist the hot head side. So 568 00:28:22,080 --> 00:28:24,639 Speaker 2: I could totally see Michael Cole being the one that 569 00:28:24,880 --> 00:28:27,800 Speaker 2: Adam Cole that turns on him. But I'm sorry, yeah, 570 00:28:27,800 --> 00:28:32,080 Speaker 2: Adam Cole. But here's the thing is it is why 571 00:28:32,320 --> 00:28:34,359 Speaker 2: why would they want Adam Cole to be a heel? 572 00:28:34,800 --> 00:28:36,680 Speaker 2: I think he's great the way he is. 573 00:28:36,920 --> 00:28:39,200 Speaker 1: I do too, But he was a damn good heel 574 00:28:39,440 --> 00:28:44,360 Speaker 1: in NXT and when he was off, that's when I 575 00:28:44,400 --> 00:28:47,480 Speaker 1: pretty much stopped watching. And I will say this, the 576 00:28:47,520 --> 00:28:50,800 Speaker 1: crowd does not care anymore. The crowd does not care 577 00:28:51,120 --> 00:28:53,600 Speaker 1: they are with you or not. If you're a great heel, 578 00:28:53,680 --> 00:28:55,880 Speaker 1: they will cheer you and every once in a while 579 00:28:55,920 --> 00:28:58,920 Speaker 1: Boot Ricky Stark's earned his first booze. But it took 580 00:28:59,040 --> 00:29:01,640 Speaker 1: him taking a belt off of Ricky the Dragon steamboat 581 00:29:01,640 --> 00:29:04,440 Speaker 1: at seventy and whipping him like a dog in the 582 00:29:04,640 --> 00:29:07,720 Speaker 1: fifties like it was. So that's what it took for 583 00:29:07,760 --> 00:29:09,480 Speaker 1: him to get booze. And there were still cheers when 584 00:29:09,520 --> 00:29:11,920 Speaker 1: he was cutting his promo. They were still like, you 585 00:29:11,960 --> 00:29:15,280 Speaker 1: know what, You're still my guy, dude. So it's like 586 00:29:15,640 --> 00:29:17,720 Speaker 1: MJF says, he goes, I may be a scumbag, but 587 00:29:17,760 --> 00:29:21,120 Speaker 1: I'm your scumbag, Like he gets it more than anyone else. 588 00:29:21,200 --> 00:29:23,800 Speaker 1: Like it's the audience is just different now there. They 589 00:29:23,880 --> 00:29:27,360 Speaker 1: know everything. They know everything, the fake stuff, the real stuff. 590 00:29:27,560 --> 00:29:30,120 Speaker 1: So I think the wrestlers that are leaning into that 591 00:29:30,240 --> 00:29:33,560 Speaker 1: are the ones that are getting the most over right now, 592 00:29:34,040 --> 00:29:35,480 Speaker 1: That's what I think, Jeff. 593 00:29:35,520 --> 00:29:37,160 Speaker 2: I agree with that. But if you're gonna make him 594 00:29:37,160 --> 00:29:38,920 Speaker 2: a bad guy, might as well make them two bad 595 00:29:38,960 --> 00:29:40,200 Speaker 2: guys that are still together. 596 00:29:40,600 --> 00:29:45,360 Speaker 1: Uh Friday Night SmackDown, sir. The best storyline is the bloodline, 597 00:29:45,400 --> 00:29:47,480 Speaker 1: But the storyline I want to talk about is the 598 00:29:47,560 --> 00:29:52,400 Speaker 1: Santos Escobar one against Austin theory. For the United States Championship, 599 00:29:52,440 --> 00:29:55,040 Speaker 1: everything was lined up for Santos to get the title, 600 00:29:56,440 --> 00:29:59,160 Speaker 1: and then all of a sudden last night during an interview, 601 00:29:59,240 --> 00:30:02,240 Speaker 1: he gets ambushed again and he gets his legs smashed 602 00:30:02,280 --> 00:30:07,400 Speaker 1: in a transport crate right on his knee. Oh money, 603 00:30:08,120 --> 00:30:10,440 Speaker 1: and then everybody runs in, Oh my god, your knee, 604 00:30:10,960 --> 00:30:13,120 Speaker 1: and then they're gonna have the match later, and he 605 00:30:14,160 --> 00:30:16,600 Speaker 1: tapes up the bad knee and he's limping, but he's 606 00:30:16,600 --> 00:30:18,680 Speaker 1: gonna wrestle and he's already got to win on this guy, 607 00:30:18,720 --> 00:30:21,000 Speaker 1: so he believes in himself. And then that son of 608 00:30:21,040 --> 00:30:24,080 Speaker 1: a bitch, Austin Theory runs out again. Chop block wow, 609 00:30:24,280 --> 00:30:26,680 Speaker 1: right to the back of the knee. Ah, and he's down. 610 00:30:27,240 --> 00:30:29,160 Speaker 1: And Austin Theory goes into the middle of the ring 611 00:30:29,280 --> 00:30:32,160 Speaker 1: and cuts a promo on the guy, just chop block 612 00:30:32,480 --> 00:30:35,040 Speaker 1: and it's not gonna wrestle. It's such a bitch move. 613 00:30:35,240 --> 00:30:39,160 Speaker 1: It's just a ultimate heal bullshit. And Ray and the 614 00:30:39,360 --> 00:30:43,160 Speaker 1: LWO come out an official and Adam Pearce come out, 615 00:30:43,600 --> 00:30:46,440 Speaker 1: and Adam Pearce has had enough of Austin Theory's nonsense 616 00:30:46,880 --> 00:30:51,880 Speaker 1: and Ray Mysterio's fuming but clearly recovered from his whiplash 617 00:30:51,920 --> 00:30:54,680 Speaker 1: that he suffered a few weeks ago and Adam Pierce 618 00:30:54,800 --> 00:30:56,400 Speaker 1: is like, you're gonna talk all that shit up there, 619 00:30:56,400 --> 00:30:58,800 Speaker 1: Austin Theory, Well, guess what you are gonna wrestle, and 620 00:30:58,840 --> 00:31:02,920 Speaker 1: it's Ray Stereo. And Ray takes off his best and 621 00:31:03,200 --> 00:31:05,960 Speaker 1: cruises down, slides into the ring and starts whipping ass 622 00:31:06,000 --> 00:31:09,120 Speaker 1: all over. Austin Theory gets the win, does a really 623 00:31:09,160 --> 00:31:11,880 Speaker 1: cool six one nine. The Theory's back. And you always 624 00:31:11,880 --> 00:31:14,239 Speaker 1: know when a guy is gonna lose the title is 625 00:31:14,320 --> 00:31:17,959 Speaker 1: they sell an injury harder than they ever sell it 626 00:31:18,000 --> 00:31:20,440 Speaker 1: when they're gonna lose, and they and the way they go, 627 00:31:20,480 --> 00:31:22,680 Speaker 1: oh no, it's the back, but did it? So he 628 00:31:22,720 --> 00:31:24,600 Speaker 1: takes the six one nine to the back and he's like, 629 00:31:24,680 --> 00:31:27,200 Speaker 1: oh my back, and then he gets drop kicked into 630 00:31:27,240 --> 00:31:30,480 Speaker 1: the ropes, right into the ropes, and then Ray hits 631 00:31:30,560 --> 00:31:32,840 Speaker 1: him with another six to one nine and he drops 632 00:31:32,840 --> 00:31:35,320 Speaker 1: on him boom and gets the one two three, and 633 00:31:35,360 --> 00:31:40,160 Speaker 1: now he's the United States Champion. Now what I thought 634 00:31:40,200 --> 00:31:44,920 Speaker 1: originally a plan could be when I thought La Knight 635 00:31:45,040 --> 00:31:48,640 Speaker 1: was on SmackDown was to set La Night up to 636 00:31:48,720 --> 00:31:52,440 Speaker 1: take the US Championship off of Ray. If you want 637 00:31:52,440 --> 00:31:56,280 Speaker 1: to be a heel or off of Austin theory if 638 00:31:56,320 --> 00:31:59,160 Speaker 1: you want to be a baby face. Then when Santos 639 00:31:59,200 --> 00:32:00,880 Speaker 1: was gonna get I was like, oh shit, they're given 640 00:32:00,920 --> 00:32:03,600 Speaker 1: Santos a push and La Knight. They're just putting wherever 641 00:32:03,640 --> 00:32:06,160 Speaker 1: they want and they just know that he's over so 642 00:32:06,920 --> 00:32:09,400 Speaker 1: they can just put him with the miss. Apparently I 643 00:32:09,400 --> 00:32:11,960 Speaker 1: didn't know they'd put him with the miss. So I'm like, 644 00:32:11,960 --> 00:32:14,480 Speaker 1: all right, cool, Santos is getting the pushed. This guy's 645 00:32:14,520 --> 00:32:16,520 Speaker 1: money ever since they did that World Cup. That was 646 00:32:16,560 --> 00:32:18,920 Speaker 1: when I got really hipped to him that Ricochet Matci had, 647 00:32:18,920 --> 00:32:21,720 Speaker 1: which was crazy. I'm like, all right, here we go. 648 00:32:21,920 --> 00:32:25,200 Speaker 1: And then they do this. Now, this is one of 649 00:32:25,280 --> 00:32:28,560 Speaker 1: two things. It was either on the day they changed 650 00:32:28,560 --> 00:32:30,880 Speaker 1: it and this was the fix that the boss gave 651 00:32:31,520 --> 00:32:36,680 Speaker 1: because it seems very old school to do it. So 652 00:32:36,800 --> 00:32:39,760 Speaker 1: maybe something happened where they just believed in them all 653 00:32:39,760 --> 00:32:42,080 Speaker 1: the way up until the moment and then said no, 654 00:32:42,240 --> 00:32:45,640 Speaker 1: let's back off, let's wait, or this was the story 655 00:32:45,680 --> 00:32:48,600 Speaker 1: all along and they actually have a storyline for the 656 00:32:48,720 --> 00:32:52,520 Speaker 1: LWO between Santos and Ray and we can and then 657 00:32:52,880 --> 00:32:56,400 Speaker 1: they're figuring out or already have figured out, whether he's 658 00:32:56,440 --> 00:32:58,480 Speaker 1: going to turn on Rey Ray or if it's just 659 00:32:58,520 --> 00:33:00,920 Speaker 1: going to be a mono imano, let's see who the 660 00:33:00,920 --> 00:33:04,200 Speaker 1: better man is LWO for life. I don't know which 661 00:33:04,240 --> 00:33:06,520 Speaker 1: way they're going to go. I think Santos plays a 662 00:33:06,560 --> 00:33:10,280 Speaker 1: heel really well. Usually when he's been a heel in WWE, 663 00:33:10,320 --> 00:33:12,920 Speaker 1: he's had a mouthpiece, which I don't think he needs. 664 00:33:13,480 --> 00:33:16,440 Speaker 1: And I think the way to go, even though I 665 00:33:16,480 --> 00:33:18,400 Speaker 1: love him and I want to see him a Latino 666 00:33:18,480 --> 00:33:20,360 Speaker 1: as a babyface, but you're never going to be more 667 00:33:20,400 --> 00:33:22,880 Speaker 1: babyface than Ray, so you might as well go the 668 00:33:22,920 --> 00:33:29,000 Speaker 1: exact opposite direction and give him evil Sanatos Escobar. That's 669 00:33:29,080 --> 00:33:33,120 Speaker 1: my theory, my working theory on the defeat of Austin theory. 670 00:33:33,560 --> 00:33:34,640 Speaker 1: And what do you think, sir? 671 00:33:35,200 --> 00:33:39,000 Speaker 2: I'm just confused on why they are what's the point 672 00:33:39,040 --> 00:33:41,920 Speaker 2: of injuring him, Like like I don't I don't get 673 00:33:41,960 --> 00:33:45,760 Speaker 2: that choice if it was you know, like, yeah, I 674 00:33:46,320 --> 00:33:49,200 Speaker 2: don't see why you do that. If he's getting these 675 00:33:49,200 --> 00:33:52,000 Speaker 2: pushes and it's working, I like Santos, I don't really 676 00:33:52,800 --> 00:33:56,120 Speaker 2: understand what they're doing with that, Like why injure his ankle? 677 00:33:56,200 --> 00:33:57,960 Speaker 2: Like why, Like I don't don't. 678 00:33:58,040 --> 00:33:59,640 Speaker 1: I don't get That's why I worry it was a 679 00:33:59,760 --> 00:34:02,240 Speaker 1: day of decision, and that's why it was kind of 680 00:34:02,280 --> 00:34:05,480 Speaker 1: crappy creative. That's what I'm worried about too, But I'm 681 00:34:05,520 --> 00:34:08,400 Speaker 1: hopeful that it's storyline and just that part of the 682 00:34:08,440 --> 00:34:10,800 Speaker 1: story's week and the next chapter in the book is 683 00:34:10,840 --> 00:34:16,600 Speaker 1: an awesome chapter. Santos versus Ray Hope as the. 684 00:34:16,239 --> 00:34:19,960 Speaker 2: Fan club of the l WO over here at WWS 685 00:34:20,239 --> 00:34:21,840 Speaker 2: we Love We Love the l WO. 686 00:34:23,040 --> 00:34:25,040 Speaker 1: It's pronounced lo wo. Yeah. 687 00:34:25,040 --> 00:34:27,160 Speaker 2: Hey, if you're gonna yeah phonetically lo WHOA. 688 00:34:27,840 --> 00:34:30,200 Speaker 1: All right, dude, let's end the show on Jay Usso 689 00:34:31,120 --> 00:34:33,520 Speaker 1: he had a segment with Roman, or Roman had a 690 00:34:33,520 --> 00:34:38,759 Speaker 1: segment that he interrupted Jay. Just his walkout is electric like, 691 00:34:39,160 --> 00:34:43,440 Speaker 1: his eyes dart back and forth, the pacing is almost catlike, 692 00:34:44,200 --> 00:34:48,200 Speaker 1: his hands grabbing his face because it's his face is uncomfortable. 693 00:34:48,560 --> 00:34:52,760 Speaker 1: He doesn't know if he wants to laugh or scream. 694 00:34:52,880 --> 00:34:56,000 Speaker 1: Just the walkout and he's over. It's it's crazy. I 695 00:34:56,120 --> 00:34:58,239 Speaker 1: said this before, he'd be the worst poker player ever, 696 00:34:58,360 --> 00:35:01,319 Speaker 1: Like you know exactly what he's thinking about. Oh, you 697 00:35:01,400 --> 00:35:03,719 Speaker 1: have King, King and it's a spade and a heart. 698 00:35:04,080 --> 00:35:07,399 Speaker 1: I got you again. He goes into the ring and 699 00:35:07,840 --> 00:35:13,279 Speaker 1: it's game on. There's solo in Roman and and Paul 700 00:35:13,320 --> 00:35:17,200 Speaker 1: Haymon and then here comes Jimmy and so the whole 701 00:35:17,200 --> 00:35:20,360 Speaker 1: bloodline's back together. Yeah, no, the bloodline is in a 702 00:35:20,360 --> 00:35:23,520 Speaker 1: lot of trouble. Roman Reins forced to laugh that you 703 00:35:23,600 --> 00:35:27,520 Speaker 1: were making fun of me on the text chance You're like, yo, 704 00:35:27,600 --> 00:35:30,360 Speaker 1: Freddy's gonna. 705 00:35:30,080 --> 00:35:33,920 Speaker 2: Freddie hates fake laughs, and this laugh was the fakes. 706 00:35:38,360 --> 00:35:40,920 Speaker 2: It's like just terrible, terrible Roman Reigns laugh. 707 00:35:41,040 --> 00:35:43,640 Speaker 1: It was rough. It was a rough laugh and I 708 00:35:43,719 --> 00:35:45,680 Speaker 1: did cringe when I when I heard, I was like, 709 00:35:45,719 --> 00:35:48,239 Speaker 1: oh that was He didn't think that was funny at all. 710 00:35:48,880 --> 00:35:54,200 Speaker 1: But anyway, this story is between oh, no, you did 711 00:35:54,200 --> 00:36:00,239 Speaker 1: not record the last you did not record? 712 00:36:00,440 --> 00:36:05,560 Speaker 2: Tell you that he did regard a little bonus feature 713 00:36:05,600 --> 00:36:08,319 Speaker 2: for the episode. No, but the segment was good, right, 714 00:36:08,320 --> 00:36:09,279 Speaker 2: he liked it, or what he would? 715 00:36:09,480 --> 00:36:12,279 Speaker 1: I did? I really did, man. But the story was 716 00:36:12,320 --> 00:36:18,440 Speaker 1: between Jimmy and Jay, and Jimmy tried to give an excuse. 717 00:36:18,480 --> 00:36:20,480 Speaker 1: I don't know if it was written as well as 718 00:36:20,480 --> 00:36:22,239 Speaker 1: it could have been or executed as well as it 719 00:36:22,239 --> 00:36:24,680 Speaker 1: could have been, but he tried to give his excuses 720 00:36:24,680 --> 00:36:27,160 Speaker 1: to why. And his excuse was, it's not that I 721 00:36:27,200 --> 00:36:30,239 Speaker 1: didn't want you to lose to him. I didn't want 722 00:36:30,280 --> 00:36:33,240 Speaker 1: you to become him, and that's what would have happened 723 00:36:33,239 --> 00:36:35,440 Speaker 1: if you would have won. And then what happens to 724 00:36:35,560 --> 00:36:38,680 Speaker 1: us and everything that we've built, We exist together. It 725 00:36:38,760 --> 00:36:42,640 Speaker 1: was that Twins speech where they have that magic connection 726 00:36:42,760 --> 00:36:45,239 Speaker 1: that makes us think all twins are weird. Right, it's 727 00:36:45,280 --> 00:36:47,560 Speaker 1: got to be, it's got to exist in that world 728 00:36:47,640 --> 00:36:49,319 Speaker 1: that promo on. I didn't know if it one hundred 729 00:36:49,320 --> 00:36:52,200 Speaker 1: percent did, but Jimmy did his best with what was written, 730 00:36:52,640 --> 00:36:55,120 Speaker 1: and I thought got it across enough that Jay had 731 00:36:55,239 --> 00:36:57,840 Speaker 1: enough to react to. And they had left the camera 732 00:36:57,920 --> 00:36:59,719 Speaker 1: either on a two shot or on Jay for most 733 00:36:59,719 --> 00:37:03,640 Speaker 1: of it, and he's just like, it's crazy just to 734 00:37:03,680 --> 00:37:05,600 Speaker 1: watch him react, Like you can just leave it on 735 00:37:05,680 --> 00:37:08,080 Speaker 1: him the whole time and just listen to everybody else 736 00:37:08,120 --> 00:37:10,640 Speaker 1: talk and you wouldn't change a channel or get bored 737 00:37:10,719 --> 00:37:14,680 Speaker 1: or even feel uncomfortable. And he says, basically, look, I 738 00:37:14,719 --> 00:37:17,319 Speaker 1: know how you feel if you want to kick me 739 00:37:17,360 --> 00:37:19,319 Speaker 1: in a face, kick me in a face. And he 740 00:37:19,360 --> 00:37:22,920 Speaker 1: stands there and Jay won't do it, and he clears 741 00:37:22,960 --> 00:37:25,719 Speaker 1: the ring and then Jay just starts whipping ass on 742 00:37:25,800 --> 00:37:29,160 Speaker 1: everybody who bah super Kick to You solo Sakoa, can 743 00:37:29,239 --> 00:37:30,959 Speaker 1: you get some of this? He's like, no, you're gonna 744 00:37:30,960 --> 00:37:34,080 Speaker 1: get some of this. Bah gets his ass, beats up everybody. 745 00:37:34,080 --> 00:37:36,239 Speaker 1: It takes a super punch right to the face play him. 746 00:37:36,239 --> 00:37:39,200 Speaker 1: He goes down, Roman Reigns is pissed off, Jimmy's or 747 00:37:39,320 --> 00:37:42,000 Speaker 1: Jay's not done yet. It gets back up again. Foy, 748 00:37:42,120 --> 00:37:45,040 Speaker 1: He's whipping everybody's ass, gets out of the ring. His 749 00:37:45,120 --> 00:37:47,120 Speaker 1: brother's walking away, and he looks at his brother. He's like, 750 00:37:47,120 --> 00:37:49,680 Speaker 1: where are you going? And Jimmy's like what. He's like, 751 00:37:49,680 --> 00:37:52,000 Speaker 1: where are you going? He's like what, man, what? And 752 00:37:52,040 --> 00:37:53,759 Speaker 1: he's got his arms kind of out a little bit 753 00:37:53,920 --> 00:37:57,480 Speaker 1: and he's like, oh, okay, okay. And the brothers start 754 00:37:57,560 --> 00:38:00,560 Speaker 1: running towards each other. They're gonna hug because Jay's giving him. 755 00:38:00,560 --> 00:38:01,120 Speaker 2: No he hasn't. 756 00:38:01,160 --> 00:38:04,319 Speaker 1: Fop ah superkick right to your face too. And then 757 00:38:04,360 --> 00:38:07,200 Speaker 1: to the camera mic not on the ring microphone where 758 00:38:07,200 --> 00:38:10,080 Speaker 1: the audience can hear him, he says, that's it. I'm 759 00:38:10,120 --> 00:38:14,279 Speaker 1: out the bloodline, I'm out of SmackDown, I'm out the 760 00:38:14,440 --> 00:38:19,680 Speaker 1: WWE ooces deuces and he just goes out through the 761 00:38:19,719 --> 00:38:22,799 Speaker 1: crowd and it was such a wicked exit. Man, I 762 00:38:22,840 --> 00:38:25,719 Speaker 1: loved it so much. I got to assume you love 763 00:38:25,800 --> 00:38:27,120 Speaker 1: this segment, right, Yeah. 764 00:38:26,960 --> 00:38:29,799 Speaker 2: The segment's good. But what I can't understand or get 765 00:38:29,840 --> 00:38:32,359 Speaker 2: my head around is well, I guess I do understand it. 766 00:38:32,400 --> 00:38:34,600 Speaker 2: I know what they're doing. It's great and it's good TV, 767 00:38:34,719 --> 00:38:36,520 Speaker 2: and we like it. It's good, it's. 768 00:38:36,360 --> 00:38:37,719 Speaker 1: Good, it works. 769 00:38:38,160 --> 00:38:40,360 Speaker 2: But they're doing the whole like Lord of the Rings, 770 00:38:40,360 --> 00:38:43,879 Speaker 2: you know, like to be tribal chief, Like the power corrupts, 771 00:38:44,000 --> 00:38:47,040 Speaker 2: you know, like the responsibility of being the tribal chief 772 00:38:47,160 --> 00:38:50,160 Speaker 2: is it seduces you the power of it. And I 773 00:38:50,160 --> 00:38:52,520 Speaker 2: didn't want you to get that, because you do, you'd 774 00:38:52,520 --> 00:38:55,400 Speaker 2: become exactly what romans become and all this different stuff. 775 00:38:55,719 --> 00:38:58,759 Speaker 2: But like, are we missing a real opportunity here to 776 00:38:58,840 --> 00:39:03,080 Speaker 2: show how badass the Bloodline is? Like why does all 777 00:39:03,160 --> 00:39:06,759 Speaker 2: of the conflicts come from within? Why can't we be 778 00:39:06,840 --> 00:39:11,080 Speaker 2: making the Bloodline this badass faction and this badass like 779 00:39:11,239 --> 00:39:15,280 Speaker 2: stable that just kicks ass and takes his names instead, 780 00:39:15,280 --> 00:39:19,640 Speaker 2: it's just them bickering internally, feels like a you know, 781 00:39:19,760 --> 00:39:24,719 Speaker 2: real Housewife's of WWE situation. It's just social like such like, 782 00:39:24,960 --> 00:39:26,759 Speaker 2: But but you said this, and I want this, and 783 00:39:26,840 --> 00:39:29,680 Speaker 2: I want to wear the necklace, and I it's like, 784 00:39:29,880 --> 00:39:31,919 Speaker 2: just go out and beat some some asses that aren't 785 00:39:31,960 --> 00:39:34,640 Speaker 2: in the bloodline. Get your shit together and be the 786 00:39:34,680 --> 00:39:38,080 Speaker 2: guys that are bad ass. Instead, it's like week after 787 00:39:38,239 --> 00:39:41,799 Speaker 2: week of But when I'm your brother and he's the 788 00:39:41,920 --> 00:39:43,640 Speaker 2: leader and I want to be the leader, I just 789 00:39:43,640 --> 00:39:46,400 Speaker 2: like I like it. It's fine. But I think that 790 00:39:46,400 --> 00:39:48,799 Speaker 2: they're really missing an opportunity. They're going to break up 791 00:39:48,840 --> 00:39:51,200 Speaker 2: before we ever saw how powerful they could be. 792 00:39:51,719 --> 00:39:53,920 Speaker 1: Jeff, is my opinion. Tell the people, are you going 793 00:39:53,960 --> 00:39:55,440 Speaker 1: to be in Atlanta this weekend? Are you going to 794 00:39:55,520 --> 00:39:58,400 Speaker 1: perform this weekend? Or when you're working? Oh? 795 00:39:58,440 --> 00:40:00,480 Speaker 2: No, I've been every night. I've been at the last school. 796 00:40:00,560 --> 00:40:03,000 Speaker 2: So if you want to see me seven nights a week, 797 00:40:03,040 --> 00:40:06,439 Speaker 2: I'm at the Laughing School in Midtown in Atlanta. They've 798 00:40:06,480 --> 00:40:07,880 Speaker 2: been very nice to me. I just show up and 799 00:40:07,880 --> 00:40:09,359 Speaker 2: they go, yeah, anytime you want to go on, I'm 800 00:40:09,360 --> 00:40:10,399 Speaker 2: gonna be at a Braves game. 801 00:40:10,520 --> 00:40:11,440 Speaker 1: Are you three? 802 00:40:11,560 --> 00:40:13,360 Speaker 2: I don't have a scheduled yet, but it's looking like 803 00:40:13,400 --> 00:40:15,719 Speaker 2: it's shaping on. I'll be either a Braves game or 804 00:40:15,800 --> 00:40:16,920 Speaker 2: laughing schol if you want to see me. 805 00:40:16,960 --> 00:40:19,239 Speaker 1: All right, and all you Atlanta Braves fans that listen. 806 00:40:19,280 --> 00:40:21,400 Speaker 1: I know a lot of wrestling fans in Atlanta. Hit 807 00:40:21,760 --> 00:40:24,120 Speaker 1: them up on social media. Tell him Jeff I needs 808 00:40:24,160 --> 00:40:26,279 Speaker 1: to throw out the first pitch. Help us out with that. 809 00:40:26,520 --> 00:40:29,279 Speaker 1: Jeff's already thrown at like five hundred ballparks out of 810 00:40:29,320 --> 00:40:31,799 Speaker 1: a thousand, so let them get all thousand. All right, y'all, 811 00:40:31,880 --> 00:40:36,080 Speaker 1: Thank you for listening. Stay tuned Thursday for unsanctioned Thursdays 812 00:40:36,080 --> 00:40:39,120 Speaker 1: with me and Jeff jackpod Dye, and we'll give you 813 00:40:39,120 --> 00:40:41,719 Speaker 1: guys a little collision love and talk about whatever else 814 00:40:41,760 --> 00:40:45,040 Speaker 1: happens on behalf of the greatest co host ever. I'm 815 00:40:45,080 --> 00:40:47,200 Speaker 1: Freddie Prince Junior. This is Wrestling with Friends. 816 00:40:48,440 --> 00:40:55,640 Speaker 2: We out. Follow us on Instagram, Wrestling with Freddy, Twitter 817 00:40:55,800 --> 00:40:59,600 Speaker 2: is ww Freddie Pod. Follow us on all the socials 818 00:40:59,640 --> 00:41:02,080 Speaker 2: so you can submit your questions for the Federation. 819 00:41:02,320 --> 00:41:05,520 Speaker 1: This has been a production of Iheart'smichaeltura podcast Network. For 820 00:41:05,640 --> 00:41:09,759 Speaker 1: more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, 821 00:41:09,920 --> 00:41:12,000 Speaker 1: or wherever you listen to your favorite shows.