1 00:00:02,240 --> 00:00:05,279 Speaker 1: Live from the Mercedes Benz Interview Lounge. 2 00:00:06,200 --> 00:00:07,160 Speaker 2: Joe Jonas is here. 3 00:00:09,960 --> 00:00:12,680 Speaker 3: Today is the day, Friday, July nineteenth, the release of 4 00:00:12,720 --> 00:00:13,280 Speaker 3: work It Out. 5 00:00:13,360 --> 00:00:14,080 Speaker 2: It's out today. 6 00:00:14,120 --> 00:00:15,640 Speaker 1: What a song. Thank you so much. 7 00:00:15,840 --> 00:00:17,759 Speaker 2: It feels good to sing a song, to be back 8 00:00:17,760 --> 00:00:19,480 Speaker 2: here with you guys. What's good to have you here, 9 00:00:20,120 --> 00:00:20,640 Speaker 2: just like home. 10 00:00:20,960 --> 00:00:23,720 Speaker 3: It's good to have you here without those other two. 11 00:00:24,520 --> 00:00:25,800 Speaker 1: Yeah, I'm glad the other guys are not here. 12 00:00:25,880 --> 00:00:30,600 Speaker 2: Yeah, I know, screwed up. I heard you, so I'm 13 00:00:30,600 --> 00:00:31,760 Speaker 2: going to play work it Out in a minute. 14 00:00:31,800 --> 00:00:34,839 Speaker 3: Of course, it's no secret that at one point this 15 00:00:34,960 --> 00:00:37,120 Speaker 3: song could have been a song for all of you, 16 00:00:37,800 --> 00:00:41,080 Speaker 3: or a song for Dnce even and I heard that. 17 00:00:41,159 --> 00:00:43,159 Speaker 3: Nick actually thought, oh, this is our new song, and 18 00:00:43,200 --> 00:00:45,680 Speaker 3: You're like, what was that conversation in life? 19 00:00:45,680 --> 00:00:48,560 Speaker 1: So technically it was a different song. But the story 20 00:00:48,640 --> 00:00:52,040 Speaker 1: goes when we were working probably four or five months 21 00:00:52,080 --> 00:00:56,320 Speaker 1: ago for More Brothers Music. I started working with this 22 00:00:56,360 --> 00:01:00,280 Speaker 1: guy Alexander twenty three, producer musician Justin Tranner, who I 23 00:01:00,280 --> 00:01:02,279 Speaker 1: wrote Kick by the Ocean with, and another writer Bo 24 00:01:03,160 --> 00:01:04,600 Speaker 1: and we worked in a song called only Love, and 25 00:01:04,640 --> 00:01:08,840 Speaker 1: that song I just felt so close to and I 26 00:01:08,920 --> 00:01:11,480 Speaker 1: couldn't really find out. I couldn't figure out why. I 27 00:01:11,520 --> 00:01:12,960 Speaker 1: felt like it wasn't right for the brothers and it 28 00:01:12,959 --> 00:01:14,800 Speaker 1: wasn't right for DNC, and I kind of selfish. It 29 00:01:14,880 --> 00:01:16,640 Speaker 1: was like, I want to create something. I have a 30 00:01:16,680 --> 00:01:19,520 Speaker 1: lot to say. I don't feel comfortable with other people 31 00:01:19,880 --> 00:01:22,560 Speaker 1: being the voice of these songs. So I kind of 32 00:01:22,560 --> 00:01:24,280 Speaker 1: had to sit down. Nick was gonna go do a 33 00:01:24,280 --> 00:01:27,280 Speaker 1: movie with Paul Rudd, Kevin got another season claiming fame, 34 00:01:28,000 --> 00:01:29,959 Speaker 1: and then I was like, hey, and I also been 35 00:01:30,160 --> 00:01:31,800 Speaker 1: wanting to write some music. You guys cool with that, 36 00:01:32,000 --> 00:01:33,400 Speaker 1: and I want to take that song you really like 37 00:01:33,440 --> 00:01:36,640 Speaker 1: And Nick was like, well, damn, I really like that song. 38 00:01:36,680 --> 00:01:39,280 Speaker 1: But fine. So that started the kind of journey for 39 00:01:39,319 --> 00:01:41,479 Speaker 1: me to kind of create a new album. So there's 40 00:01:41,520 --> 00:01:43,640 Speaker 1: no vicious fight over a song. Oh there was a 41 00:01:43,720 --> 00:01:45,600 Speaker 1: vicious I mean it was a lot of blood. Okay, 42 00:01:46,120 --> 00:01:47,119 Speaker 1: there's a reason they're out here. 43 00:01:47,640 --> 00:01:50,200 Speaker 3: But you know what, we go through these different chapters 44 00:01:50,200 --> 00:01:51,920 Speaker 3: in our lives where we have the challenges, we have 45 00:01:51,920 --> 00:01:54,080 Speaker 3: the great things in the sad things, the scary things, 46 00:01:54,680 --> 00:01:59,080 Speaker 3: and at those times I wish we all had songwriting capabilities. 47 00:01:59,120 --> 00:02:00,720 Speaker 3: I wish we could all sit down and do an 48 00:02:00,760 --> 00:02:05,000 Speaker 3: album and obviously this album is a very personal thing. 49 00:02:05,520 --> 00:02:07,640 Speaker 3: It comes at an interesting time in your life. And 50 00:02:08,120 --> 00:02:09,799 Speaker 3: I'm just reading over some of the things you've said 51 00:02:09,800 --> 00:02:12,880 Speaker 3: in other interviews about how you wake up and to go, Okay, 52 00:02:13,240 --> 00:02:16,840 Speaker 3: if I don't start controlling my life now, it's going 53 00:02:16,880 --> 00:02:21,040 Speaker 3: to be like craziness forever. And so you came to 54 00:02:21,040 --> 00:02:23,359 Speaker 3: this point in your life where this album is sort 55 00:02:23,360 --> 00:02:26,480 Speaker 3: of reflecting that in your life. 56 00:02:26,680 --> 00:02:30,000 Speaker 1: Definitely, I mean, it's very therapeutic for me, and I 57 00:02:30,040 --> 00:02:33,519 Speaker 1: agree with you. I'm so grateful that I have music 58 00:02:33,560 --> 00:02:35,600 Speaker 1: as such like a tool to be able to use 59 00:02:37,000 --> 00:02:39,280 Speaker 1: as an output. I mean, obviously I think therapy is 60 00:02:39,320 --> 00:02:43,640 Speaker 1: great and talking to somebody's great friends, family, but ultimately 61 00:02:43,800 --> 00:02:47,440 Speaker 1: as creators that we can put pen to paper and 62 00:02:47,680 --> 00:02:50,480 Speaker 1: feel like we can release it and sometimes share it 63 00:02:50,480 --> 00:02:52,000 Speaker 1: with the world, sometimes just keep it for yourself, and 64 00:02:52,040 --> 00:02:54,000 Speaker 1: it's like, great, I needed to do that for myself 65 00:02:54,000 --> 00:02:57,639 Speaker 1: and for athletes is going to run. For myself, I'm 66 00:02:57,680 --> 00:02:59,919 Speaker 1: so happy that I have music. And you know, the 67 00:03:00,320 --> 00:03:05,280 Speaker 1: last year doing our tour, seventy plus songs each night 68 00:03:05,400 --> 00:03:08,720 Speaker 1: or sixty I think sixty nine, so nice songs. There 69 00:03:08,800 --> 00:03:10,320 Speaker 1: was a lot of times where I was I would 70 00:03:10,360 --> 00:03:11,880 Speaker 1: go through the setlist and I'm like, God, I really 71 00:03:11,880 --> 00:03:13,520 Speaker 1: don't want to play this one. But then you perform 72 00:03:13,560 --> 00:03:15,520 Speaker 1: it and see how it affects somebody in the audience, 73 00:03:15,840 --> 00:03:17,519 Speaker 1: and like, how lucky am I that I get to 74 00:03:17,560 --> 00:03:19,400 Speaker 1: do this for almost twenty some years. There you go 75 00:03:19,760 --> 00:03:22,120 Speaker 1: and I get to make people feel something, whether if 76 00:03:22,120 --> 00:03:24,920 Speaker 1: it's emotional or you realize, wow, that's their song that 77 00:03:24,919 --> 00:03:26,639 Speaker 1: got them through that difficult time. So I wanted to 78 00:03:26,680 --> 00:03:28,800 Speaker 1: create something that was like, look, if this helps somebody 79 00:03:28,800 --> 00:03:30,679 Speaker 1: else through what they're going through, great and work it out. 80 00:03:31,280 --> 00:03:35,080 Speaker 1: Is essentially that it's the idea of a conversation you 81 00:03:35,080 --> 00:03:36,960 Speaker 1: can have with yourself in the mirror where you're like, look, 82 00:03:37,360 --> 00:03:38,760 Speaker 1: no one's gonna come save you from me what you're 83 00:03:38,800 --> 00:03:40,400 Speaker 1: going through. You got to shake it off yourself and 84 00:03:40,440 --> 00:03:42,960 Speaker 1: figure this out. And then it's kind of explaining it 85 00:03:43,000 --> 00:03:45,000 Speaker 1: to other people and saying, all right, I've gone through it, 86 00:03:45,080 --> 00:03:47,200 Speaker 1: maybe I can help you along the way, and like 87 00:03:47,280 --> 00:03:49,320 Speaker 1: a pop rock fun way that you don't really realize 88 00:03:49,320 --> 00:03:49,920 Speaker 1: what you're listening to. 89 00:03:52,120 --> 00:03:53,880 Speaker 4: When there are heavy lyrics, so like poppy music. 90 00:03:54,680 --> 00:03:56,560 Speaker 1: I mean, some of my favorite songs of all time 91 00:03:56,720 --> 00:03:59,840 Speaker 1: are are really heavy lyrics. With happy music, and until 92 00:03:59,840 --> 00:04:01,560 Speaker 1: you I sect them, you don't really understand that. 93 00:04:01,640 --> 00:04:04,440 Speaker 3: Sometimes you write a song or an artist. An artist 94 00:04:04,480 --> 00:04:06,000 Speaker 3: will write a song and it really is I got 95 00:04:06,000 --> 00:04:08,040 Speaker 3: to get this out of my system, and it really 96 00:04:08,120 --> 00:04:09,880 Speaker 3: is just kind of lashing out of the whole world 97 00:04:09,880 --> 00:04:10,800 Speaker 3: about how I hate people. 98 00:04:10,960 --> 00:04:12,560 Speaker 2: I just I just need to. 99 00:04:13,040 --> 00:04:15,840 Speaker 3: And they performed these songs at their concerts, thinking I 100 00:04:15,960 --> 00:04:18,480 Speaker 3: just crapped all over our audience emotionally, just once again, 101 00:04:18,520 --> 00:04:19,760 Speaker 3: and I'm getting away with it and they're clap. 102 00:04:21,400 --> 00:04:23,359 Speaker 5: Have you ever written one? And you're like, yeah, this 103 00:04:23,400 --> 00:04:24,720 Speaker 5: one I'm not going to release, and like, I'm just 104 00:04:24,760 --> 00:04:26,479 Speaker 5: gonna keep this one under my pillow from me. 105 00:04:26,720 --> 00:04:28,520 Speaker 1: Yes, you know, that's funny you say that. There was 106 00:04:28,560 --> 00:04:31,640 Speaker 1: a song I was thinking about recently and I played 107 00:04:31,640 --> 00:04:33,360 Speaker 1: for some of the record labels that are in the hallway, 108 00:04:33,839 --> 00:04:35,800 Speaker 1: and this is years ago, and I was going through 109 00:04:35,839 --> 00:04:37,600 Speaker 1: something and I wrote this song just like I was like, ah, 110 00:04:37,600 --> 00:04:41,000 Speaker 1: I was really angry about a situation and I was like, 111 00:04:41,000 --> 00:04:43,599 Speaker 1: what do you guys think, And they're like, well, it's cool. 112 00:04:43,920 --> 00:04:46,200 Speaker 1: I don't know if you'll want to have this released 113 00:04:46,200 --> 00:04:47,760 Speaker 1: in like or have to be thinking about this in 114 00:04:47,800 --> 00:04:50,839 Speaker 1: a year. And I was like, you know, you're right. Yeah, 115 00:04:50,880 --> 00:04:52,520 Speaker 1: I'm like, you don't want to create an enemy out 116 00:04:52,520 --> 00:04:54,000 Speaker 1: of something that you know. At the end of the day, 117 00:04:54,360 --> 00:04:56,000 Speaker 1: it was for me and that's what I have, and 118 00:04:56,040 --> 00:04:58,040 Speaker 1: I'm like, I'm happy I created it, but I don't 119 00:04:58,200 --> 00:05:00,640 Speaker 1: feel like sometimes it's necessary for to be out there. 120 00:05:00,960 --> 00:05:03,480 Speaker 2: Maybe next album, huh right, next album. 121 00:05:03,880 --> 00:05:06,360 Speaker 3: Joe Jonas here has his music to you know, as 122 00:05:06,400 --> 00:05:08,480 Speaker 3: his therapy and in his cathartic moments. 123 00:05:08,520 --> 00:05:10,760 Speaker 2: What do we have? I've got nothing. You've got Gandhi 124 00:05:10,839 --> 00:05:11,560 Speaker 2: has our artwork. 125 00:05:11,880 --> 00:05:12,640 Speaker 1: Yes, that's great. 126 00:05:14,400 --> 00:05:14,839 Speaker 2: What do you have? 127 00:05:16,520 --> 00:05:18,640 Speaker 5: I feel like when I'm pissed off, I put music 128 00:05:18,640 --> 00:05:20,720 Speaker 5: on it and just like dance to it. 129 00:05:21,040 --> 00:05:22,720 Speaker 2: But what do you Okay? So that's how you get 130 00:05:22,720 --> 00:05:25,480 Speaker 2: it out? I know you. This is why I'm fed up. 131 00:05:25,480 --> 00:05:28,599 Speaker 1: Man. I need something other than eating, you know, and 132 00:05:28,960 --> 00:05:30,799 Speaker 1: for a walk with your dogs alone. That alone probably 133 00:05:31,160 --> 00:05:31,719 Speaker 1: about reading. 134 00:05:31,760 --> 00:05:33,920 Speaker 2: I like to read, horn drinking. It's all good. 135 00:05:35,920 --> 00:05:40,839 Speaker 3: Otherwise of therapy, little hooker hookers and blow it's okay, 136 00:05:40,839 --> 00:05:41,360 Speaker 3: I'm all good. 137 00:05:41,400 --> 00:05:43,040 Speaker 1: Now that's the name of your hit song. 138 00:05:43,360 --> 00:05:46,320 Speaker 2: I should show more gratitude for these things. Anyway. So 139 00:05:47,080 --> 00:05:49,000 Speaker 2: you've been out on the road and continue to be 140 00:05:49,040 --> 00:05:49,920 Speaker 2: on the road with your. 141 00:05:49,839 --> 00:05:52,520 Speaker 1: Brother pretty much are doing shows on the weekends, but 142 00:05:53,279 --> 00:05:55,600 Speaker 1: after what we just did, it feels like a walk 143 00:05:55,640 --> 00:05:57,839 Speaker 1: in the park. To be honest. We'd played the Calgary 144 00:05:58,040 --> 00:06:02,600 Speaker 1: Stampede last weekend and wild, well, didn't your debut work 145 00:06:02,640 --> 00:06:04,800 Speaker 1: it out at that show? I did, yeah, which is 146 00:06:04,800 --> 00:06:07,159 Speaker 1: funny because on paper you're like, this is gonna be sick. 147 00:06:07,200 --> 00:06:08,560 Speaker 1: You get to the stage and the stage is like 148 00:06:08,640 --> 00:06:10,760 Speaker 1: pretty barren, so you're like, all right, which I found 149 00:06:10,760 --> 00:06:13,400 Speaker 1: myself wanting to jump in the audience. But luckily, the 150 00:06:13,480 --> 00:06:17,160 Speaker 1: crowd is all drinking all day because it's a Stampede, 151 00:06:17,480 --> 00:06:20,039 Speaker 1: and they're all in cowboy hats and cowboy boots and 152 00:06:20,040 --> 00:06:21,400 Speaker 1: they're having a blast. So I was like, this is 153 00:06:21,400 --> 00:06:25,479 Speaker 1: the perfect audience for a performance like this, and it was. 154 00:06:25,560 --> 00:06:27,640 Speaker 1: It's always a little nerve wrecking playing something new, you know. 155 00:06:27,680 --> 00:06:31,599 Speaker 1: I feel like there's that that moment where you're on 156 00:06:31,760 --> 00:06:35,360 Speaker 1: stage and you realize I really hope you get the idea. 157 00:06:35,400 --> 00:06:36,880 Speaker 1: You're like, this is great, I really want to performance. 158 00:06:36,880 --> 00:06:38,560 Speaker 1: You get up there and they don't know this. They 159 00:06:38,560 --> 00:06:41,080 Speaker 1: happen to know a more lyrics and expected from just 160 00:06:41,120 --> 00:06:43,279 Speaker 1: like even TikTok. You know, you you sample some of 161 00:06:43,279 --> 00:06:45,040 Speaker 1: the song and there they learn it, which is kind 162 00:06:45,040 --> 00:06:48,560 Speaker 1: of crazy, but was a rodeo. It's a technically a stampede, 163 00:06:48,640 --> 00:06:51,960 Speaker 1: not a rodeo. I don't know the difference, but the difference. 164 00:06:51,960 --> 00:06:53,920 Speaker 1: So there's like one hundred thousand people that show up 165 00:06:53,920 --> 00:06:56,240 Speaker 1: for this all most of Canada goes and it's like 166 00:06:56,279 --> 00:07:00,159 Speaker 1: a week long thing, a lot of different performers. We 167 00:07:00,200 --> 00:07:02,000 Speaker 1: had a lot of chicken wings and beer. It was great. 168 00:07:02,480 --> 00:07:05,080 Speaker 3: So the album Music for People who Believe in Love 169 00:07:05,720 --> 00:07:09,960 Speaker 3: is coming out when October nineteenth. Okay, right, And so 170 00:07:11,120 --> 00:07:13,000 Speaker 3: going back to something you said earlier about the song 171 00:07:13,080 --> 00:07:15,000 Speaker 3: that will never be released and your guys said, hey, 172 00:07:15,040 --> 00:07:16,120 Speaker 3: in a year from now, I've. 173 00:07:16,000 --> 00:07:16,640 Speaker 1: Got a couple of those. 174 00:07:16,680 --> 00:07:17,440 Speaker 2: Yes, Okay. 175 00:07:17,560 --> 00:07:19,760 Speaker 3: There's the whole point when someone writes an album and 176 00:07:19,800 --> 00:07:22,280 Speaker 3: produces an album that's really about your life where it 177 00:07:22,400 --> 00:07:24,840 Speaker 3: was at that moment in time, and when it's all 178 00:07:24,880 --> 00:07:27,640 Speaker 3: released and said and done, you're a new person. Maybe 179 00:07:27,800 --> 00:07:30,240 Speaker 3: you've moved on a really good point. This one came 180 00:07:30,400 --> 00:07:31,920 Speaker 3: about pretty fast, though it. 181 00:07:31,920 --> 00:07:34,480 Speaker 1: Did come pretty fast. I mean, I feel like it's 182 00:07:34,520 --> 00:07:36,640 Speaker 1: interesting to say that I feel like part of this 183 00:07:37,280 --> 00:07:38,880 Speaker 1: body of work. I was listening back to I played 184 00:07:38,880 --> 00:07:43,600 Speaker 1: it short a friend yesterday, the guy that we created 185 00:07:43,840 --> 00:07:45,760 Speaker 1: What a Man Got to Do, actually the Brothers. I 186 00:07:45,800 --> 00:07:48,120 Speaker 1: was doing a song with him yesterday and I played 187 00:07:48,160 --> 00:07:50,600 Speaker 1: in the whole album and he was like, Oh wow, 188 00:07:50,600 --> 00:07:53,200 Speaker 1: it's really interesting because I feel like the genre wise, 189 00:07:53,240 --> 00:07:55,200 Speaker 1: it's kind of like all over the place, but it's cohesive. 190 00:07:55,240 --> 00:07:57,000 Speaker 1: And I was like, that's perfect. This exactly what I want. 191 00:07:57,240 --> 00:07:58,480 Speaker 1: I feel like in the place of my life, I 192 00:07:58,520 --> 00:08:00,520 Speaker 1: wasn't sure like who I was. I was quite like 193 00:08:00,760 --> 00:08:02,320 Speaker 1: on a journey. At one point, I was like, maybe 194 00:08:02,360 --> 00:08:03,760 Speaker 1: I'll just go live in the desert. Maybe I'll just 195 00:08:03,840 --> 00:08:05,840 Speaker 1: I don't know. I went on a road trip and 196 00:08:05,840 --> 00:08:07,800 Speaker 1: I was just finding myself listening to a lot of 197 00:08:07,840 --> 00:08:10,240 Speaker 1: like country Western music, and so there's a lot of 198 00:08:10,240 --> 00:08:11,800 Speaker 1: different kind of types of music that you're gonna hear 199 00:08:11,840 --> 00:08:14,080 Speaker 1: on the body of work. And I feel like it's 200 00:08:14,120 --> 00:08:17,760 Speaker 1: important for I guess listeners of any artists, you go 201 00:08:17,840 --> 00:08:19,400 Speaker 1: like this is where they were at. They might be 202 00:08:19,560 --> 00:08:22,080 Speaker 1: now six months removed, two years removed from when they 203 00:08:22,080 --> 00:08:24,120 Speaker 1: release it, but you almost are able to put on 204 00:08:24,120 --> 00:08:26,400 Speaker 1: your thinking cap and put them into the hot seat 205 00:08:26,440 --> 00:08:29,480 Speaker 1: of like this is where I was emotionally personally, it 206 00:08:29,560 --> 00:08:31,560 Speaker 1: was confusing and I was trying to figure out who 207 00:08:31,840 --> 00:08:34,559 Speaker 1: I am and kind of getting to know myself again, 208 00:08:35,040 --> 00:08:38,160 Speaker 1: and here I am. So it's it's exciting. And also 209 00:08:38,160 --> 00:08:40,240 Speaker 1: I think probably my favorite thing, and this is more 210 00:08:40,280 --> 00:08:44,679 Speaker 1: features on this project than I think any any Brothers 211 00:08:44,800 --> 00:08:47,360 Speaker 1: or solo stuff we've done. I think there's about seven 212 00:08:47,400 --> 00:08:49,800 Speaker 1: or eight features on this album, which is wild. I 213 00:08:49,840 --> 00:08:51,760 Speaker 1: reached out to a lot of friends and just said, hey, like, 214 00:08:52,040 --> 00:08:55,120 Speaker 1: I'm a fan and I would love to send you 215 00:08:55,160 --> 00:08:57,760 Speaker 1: a song if you're interested. So I can't wait for 216 00:08:57,800 --> 00:08:59,640 Speaker 1: people to see and hear who's on this. 217 00:09:00,080 --> 00:09:02,520 Speaker 2: Gonna hold that information back until the release of the album. 218 00:09:02,760 --> 00:09:05,360 Speaker 1: I get intro every time you do an interview because 219 00:09:05,360 --> 00:09:07,800 Speaker 1: I say something too early. But I don't mind. I 220 00:09:07,800 --> 00:09:10,440 Speaker 1: think I think it's exciting. I mean, there's there's some 221 00:09:11,120 --> 00:09:13,960 Speaker 1: that have been already kind of rumored because you how 222 00:09:14,000 --> 00:09:14,319 Speaker 1: easy it is. 223 00:09:14,760 --> 00:09:16,800 Speaker 2: I was rumored it was rumored. 224 00:09:18,160 --> 00:09:20,000 Speaker 1: See, I just want to say, the biggest artists in 225 00:09:20,000 --> 00:09:24,120 Speaker 1: the world, so people get the album, Beyonce start that. 226 00:09:25,480 --> 00:09:30,120 Speaker 1: I think the there's a Brazilian artist, Louisa Songs. I'm 227 00:09:30,160 --> 00:09:32,120 Speaker 1: a big fandom. Okay, you may or may not hear 228 00:09:32,120 --> 00:09:35,280 Speaker 1: on this album. Okay, that'd be funny. If we don't, I. 229 00:09:35,200 --> 00:09:36,679 Speaker 2: Can keep just see. I could do this all day. 230 00:09:36,720 --> 00:09:38,080 Speaker 2: You can play this a stupid game all day. 231 00:09:38,400 --> 00:09:43,600 Speaker 1: We start saying like comedians, magicians, Carot Talk performs, Gordon ramsay, 232 00:09:44,240 --> 00:09:44,760 Speaker 1: it's awesome. 233 00:09:45,640 --> 00:09:46,920 Speaker 2: Is it hard to let go of a song? 234 00:09:47,000 --> 00:09:48,720 Speaker 5: Like once you record it and it's done and you 235 00:09:48,760 --> 00:09:50,559 Speaker 5: do the collab or you do whatever, and then you've 236 00:09:50,600 --> 00:09:52,559 Speaker 5: listened back and you're like, yeah, I think it's ready. 237 00:09:52,600 --> 00:09:56,360 Speaker 1: It's ready for release. It's a great question. We we 238 00:09:56,559 --> 00:09:58,559 Speaker 1: say this a lot. People have been like, you've made 239 00:09:58,600 --> 00:09:59,960 Speaker 1: this in like two weeks, and I was like, well, 240 00:10:00,040 --> 00:10:03,040 Speaker 1: I had the studio for two weeks, but probably similar 241 00:10:03,040 --> 00:10:05,079 Speaker 1: to a film or TV show, you edit until the 242 00:10:05,160 --> 00:10:09,400 Speaker 1: last second. Yeah, And I found that I'm happy to 243 00:10:09,480 --> 00:10:12,360 Speaker 1: kind of walk away. I mean, I feel like I 244 00:10:12,400 --> 00:10:15,679 Speaker 1: don't want to overthink it too. I can like release 245 00:10:15,720 --> 00:10:19,240 Speaker 1: it and feel comfortable. Now. The producers might say something differently, 246 00:10:19,240 --> 00:10:21,360 Speaker 1: but I feel like, once it's ready, it's ready. 247 00:10:22,040 --> 00:10:24,040 Speaker 4: So I know you said that it is definitely therapy 248 00:10:24,080 --> 00:10:24,280 Speaker 4: for you. 249 00:10:24,640 --> 00:10:24,840 Speaker 2: Yeah. 250 00:10:25,160 --> 00:10:28,800 Speaker 4: Is it therapy performing it a year down the road 251 00:10:29,040 --> 00:10:32,000 Speaker 4: or is it more like trauma lived again, that's a great. 252 00:10:31,880 --> 00:10:34,880 Speaker 1: Question as well. I had a conversation with an amazing 253 00:10:34,960 --> 00:10:38,120 Speaker 1: artist recently. I won't say names because I don't want 254 00:10:38,120 --> 00:10:39,960 Speaker 1: to put them on blest, but it's a great story. 255 00:10:40,200 --> 00:10:42,000 Speaker 1: They were mentioning a song that they kind of at 256 00:10:42,000 --> 00:10:45,040 Speaker 1: some point in their career, they felt it was difficult 257 00:10:45,040 --> 00:10:47,000 Speaker 1: to perform. They're just like, I don't feel attached to 258 00:10:47,000 --> 00:10:49,440 Speaker 1: the song anymore. I perform it every night. It's everyone's 259 00:10:49,440 --> 00:10:51,760 Speaker 1: favorite song, but I feel like I've grown as an artist, 260 00:10:51,800 --> 00:10:54,719 Speaker 1: which arguably most people do, and especially for me and 261 00:10:54,760 --> 00:10:56,480 Speaker 1: my brothers. We play songs that we wrote when we 262 00:10:56,559 --> 00:11:00,760 Speaker 1: were like fifteen years old, and we're saying things in 263 00:11:00,760 --> 00:11:03,400 Speaker 1: the song that we're like, oh, like we're talking about 264 00:11:03,520 --> 00:11:07,160 Speaker 1: We're talking about like things that don't even really exist anymore, 265 00:11:07,240 --> 00:11:10,319 Speaker 1: like AOL chat. Like there's things on in jonahs of 266 00:11:10,400 --> 00:11:12,160 Speaker 1: the songs that are just you know, you age out of. 267 00:11:12,920 --> 00:11:16,959 Speaker 1: And I think, what we what we've grown, What I've 268 00:11:16,960 --> 00:11:20,840 Speaker 1: grown to learn from that experience. This artist, one of 269 00:11:20,840 --> 00:11:23,880 Speaker 1: their favorite artists, looked at them and said, oh, this 270 00:11:24,000 --> 00:11:26,480 Speaker 1: song is not yours anymore. You have to you have 271 00:11:26,520 --> 00:11:29,520 Speaker 1: to realize that that's theirs, and they deserve the audience 272 00:11:29,559 --> 00:11:32,360 Speaker 1: deserves to have it in their favorite fashion, because a 273 00:11:32,360 --> 00:11:35,400 Speaker 1: lot of times I've gotten up there and changed songs 274 00:11:35,440 --> 00:11:40,480 Speaker 1: to sound a little bit like with the times of 275 00:11:40,080 --> 00:11:42,160 Speaker 1: the sound that's out there. It could be like updated, 276 00:11:42,240 --> 00:11:44,280 Speaker 1: or I'll do an electric electro version of the song. 277 00:11:44,320 --> 00:11:46,160 Speaker 1: And then you find you like the audience is sitting 278 00:11:46,200 --> 00:11:47,880 Speaker 1: there and I've gone to concerts where I'm like, just 279 00:11:47,880 --> 00:11:50,679 Speaker 1: play the song. I want to hear my song. And 280 00:11:50,800 --> 00:11:53,000 Speaker 1: so if you're able to kind of remind yourself and 281 00:11:53,040 --> 00:11:54,600 Speaker 1: take yourself out of that, at least for me, that 282 00:11:54,720 --> 00:11:57,880 Speaker 1: helped a lot playing some of these old Jonas songs 283 00:11:57,880 --> 00:11:59,240 Speaker 1: that I kind of rolled my eyes and went like, 284 00:11:59,600 --> 00:12:01,199 Speaker 1: all right, there we go. Now I'm like, I appreciate 285 00:12:01,240 --> 00:12:02,720 Speaker 1: it so much more because I see it's like, you 286 00:12:02,720 --> 00:12:04,360 Speaker 1: know what, that's their song, that's not mine anymore, and 287 00:12:04,360 --> 00:12:06,640 Speaker 1: I've got to give that song respect for them. 288 00:12:07,960 --> 00:12:08,280 Speaker 2: Of course. 289 00:12:08,360 --> 00:12:10,480 Speaker 3: Is a song is called work it Out. It's out today. 290 00:12:10,520 --> 00:12:11,880 Speaker 3: We're going to play it for you in just a 291 00:12:11,880 --> 00:12:13,280 Speaker 3: few seconds. How was Greece? 292 00:12:13,600 --> 00:12:16,760 Speaker 1: Oh my god, is my first time? That was amazing? 293 00:12:16,880 --> 00:12:22,040 Speaker 1: It is an incredible place. So much fish man. Now, 294 00:12:22,920 --> 00:12:24,280 Speaker 1: although aquaman doesn't eat. 295 00:12:24,160 --> 00:12:25,600 Speaker 2: Fish, I that. 296 00:12:27,400 --> 00:12:29,360 Speaker 1: Would not be right, that would be right. And I 297 00:12:29,600 --> 00:12:31,240 Speaker 1: eat enough fish to be coming up. That's not I 298 00:12:31,280 --> 00:12:32,520 Speaker 1: don't think I saw him eating fish. 299 00:12:34,040 --> 00:12:34,440 Speaker 2: There you go. 300 00:12:36,160 --> 00:12:40,080 Speaker 1: I loved it. It's so beautiful and so welcoming. We 301 00:12:40,080 --> 00:12:42,160 Speaker 1: we stayed. I stayed for like two weeks and I 302 00:12:42,200 --> 00:12:45,280 Speaker 1: had the best time. There's a big hotel opening out there, 303 00:12:45,920 --> 00:12:51,000 Speaker 1: and greet people party so hard and it's so fun, 304 00:12:51,440 --> 00:12:51,679 Speaker 1: I know. 305 00:12:51,840 --> 00:12:53,319 Speaker 5: And they're also gorgeous out there. 306 00:12:53,360 --> 00:12:55,200 Speaker 1: There are very pretty people. Yeah. 307 00:12:55,240 --> 00:12:57,600 Speaker 3: I love like we were in Meekins several years ago. 308 00:12:57,640 --> 00:13:00,560 Speaker 3: And of course you wake up at noon, you go 309 00:13:00,640 --> 00:13:02,319 Speaker 3: to the beach, you get home and you eat, and 310 00:13:02,360 --> 00:13:03,800 Speaker 3: you get home, you take a disco and app and 311 00:13:03,800 --> 00:13:05,680 Speaker 3: then you go out for dinner at eleven or twelve. 312 00:13:05,800 --> 00:13:07,480 Speaker 1: I went to dinner. I was like, I couldn't hear 313 00:13:07,960 --> 00:13:09,600 Speaker 1: I couldn't hear anything. It was so loud. The music 314 00:13:09,679 --> 00:13:10,120 Speaker 1: is so loud. 315 00:13:10,120 --> 00:13:10,600 Speaker 2: It's awesome. 316 00:13:10,640 --> 00:13:12,079 Speaker 1: It was great. It's literally like. 317 00:13:12,440 --> 00:13:13,760 Speaker 2: Did you dance till the sun came up? 318 00:13:13,880 --> 00:13:15,960 Speaker 1: Of course I did. Hair flip. 319 00:13:17,760 --> 00:13:19,600 Speaker 2: It's nice, but you needed to get away. We need 320 00:13:19,640 --> 00:13:20,200 Speaker 2: these getaways. 321 00:13:20,240 --> 00:13:22,600 Speaker 3: And even if you can't go to Greece, you can 322 00:13:22,679 --> 00:13:25,120 Speaker 3: do a weekend up the road with your friends at 323 00:13:25,120 --> 00:13:27,240 Speaker 3: their cabin or something just you gotta get away. Do 324 00:13:27,280 --> 00:13:30,559 Speaker 3: you find inspiration on a beach in grease eating fish 325 00:13:30,720 --> 00:13:32,199 Speaker 3: or is that your turn off? You don't want to 326 00:13:32,240 --> 00:13:35,200 Speaker 3: think about writing a song or where you're going. 327 00:13:35,440 --> 00:13:37,400 Speaker 1: I agree with what you said. How it can be anywhere. 328 00:13:37,440 --> 00:13:39,440 Speaker 1: I mean it can be down to the Jersey Shore 329 00:13:39,440 --> 00:13:42,920 Speaker 1: if that's for you. I honestly for me, as like 330 00:13:43,240 --> 00:13:46,680 Speaker 1: somebody that needs that, loves to perform, loves to create, 331 00:13:46,800 --> 00:13:49,400 Speaker 1: I have to like go and find inspiration as well. 332 00:13:49,480 --> 00:13:50,520 Speaker 1: I feel like it's so important. 333 00:13:50,600 --> 00:13:52,800 Speaker 2: And so the next album is about fish. 334 00:13:53,000 --> 00:13:53,920 Speaker 1: Nice albums off fish. 335 00:13:55,120 --> 00:13:58,320 Speaker 4: Yeah, no, boy, these are important things. Yeah, knocking with 336 00:13:58,960 --> 00:14:01,040 Speaker 4: you said something earlier out looking out of the crowd. 337 00:14:01,440 --> 00:14:05,640 Speaker 4: Was it called Canada Stampede? It's called Calgary Stampede. 338 00:14:05,800 --> 00:14:07,400 Speaker 1: Okay, most of Canada was there and. 339 00:14:07,240 --> 00:14:09,840 Speaker 4: Looking at the crowd and thinking maybe I should CrowdSurf. 340 00:14:10,280 --> 00:14:13,440 Speaker 1: Do you CrowdSurf? That was terrifying. I've attempted it. Well, 341 00:14:13,440 --> 00:14:15,480 Speaker 1: that's the time. I think our audience was a little 342 00:14:15,520 --> 00:14:18,760 Speaker 1: young to when I was thinking about it them, I 343 00:14:18,800 --> 00:14:21,120 Speaker 1: was like, I know, this is the smartest idea, but 344 00:14:21,200 --> 00:14:23,560 Speaker 1: DNC days, Yeah, there was plenty of jumping in the 345 00:14:23,600 --> 00:14:26,720 Speaker 1: audience and getting wild, and now it's kind of fun 346 00:14:26,760 --> 00:14:29,000 Speaker 1: to I feel like there was a time when we 347 00:14:29,040 --> 00:14:32,720 Speaker 1: were performing, like during I guess COVID days, and it 348 00:14:32,800 --> 00:14:35,680 Speaker 1: felt like like, all right, you can't really there was 349 00:14:35,680 --> 00:14:37,320 Speaker 1: a reason you couldn't get in the audience. Now I'm like, 350 00:14:37,480 --> 00:14:38,760 Speaker 1: screw that. I want to be out there. I want 351 00:14:38,800 --> 00:14:40,920 Speaker 1: to be as close as I can. And so it's 352 00:14:40,920 --> 00:14:43,160 Speaker 1: always quite funny. I can always see my security look 353 00:14:43,160 --> 00:14:45,720 Speaker 1: at me and he's like he's like readyly about to 354 00:14:45,800 --> 00:14:48,120 Speaker 1: like like go for a run. He's like, are we 355 00:14:48,160 --> 00:14:51,200 Speaker 1: doing it? Are we doing it? But if there's an opportunity, 356 00:14:51,200 --> 00:14:52,520 Speaker 1: I mean, I feel like it's always so fun to 357 00:14:52,520 --> 00:14:55,560 Speaker 1: get closer to the audience as best as possible them 358 00:14:56,920 --> 00:14:57,120 Speaker 1: on me. 359 00:14:57,200 --> 00:15:00,080 Speaker 3: So your backstage about to go out there announcing you 360 00:15:00,080 --> 00:15:06,520 Speaker 3: your first song, if it's the Brothers versus Dnce versus Solo, 361 00:15:07,200 --> 00:15:10,240 Speaker 3: are those three different show jonases that are about to 362 00:15:10,320 --> 00:15:13,160 Speaker 3: jump out on that stage or or there? 363 00:15:13,280 --> 00:15:13,920 Speaker 2: You know what I'm saying. 364 00:15:14,040 --> 00:15:15,880 Speaker 1: Yeah, I understand what you're saying. I do feel like 365 00:15:16,000 --> 00:15:21,360 Speaker 1: there's maybe not persona is not the right word, but energy, Yeah, 366 00:15:21,400 --> 00:15:24,680 Speaker 1: different energies. I mean, yeah, like I think with DNC, 367 00:15:24,840 --> 00:15:27,000 Speaker 1: it's like we we lay it all out there, and 368 00:15:27,160 --> 00:15:29,640 Speaker 1: it's like, it's always so funny. Every time we look 369 00:15:29,680 --> 00:15:32,200 Speaker 1: at a setlist, it'll be like Cake by the Ocean 370 00:15:32,240 --> 00:15:35,800 Speaker 1: and then like this really soft, beautiful song, and I'm like, 371 00:15:36,040 --> 00:15:39,440 Speaker 1: I am so out of breath. So usually I'm like, like, 372 00:15:39,560 --> 00:15:43,360 Speaker 1: right after after out of breath. But to your point, yeah, 373 00:15:43,360 --> 00:15:45,080 Speaker 1: I feel like there is different energies, and especially with 374 00:15:45,080 --> 00:15:47,520 Speaker 1: this new album that I'm releasing, like there's a lot 375 00:15:47,520 --> 00:15:49,600 Speaker 1: of emotion attached to this, so it will be a 376 00:15:49,600 --> 00:15:52,040 Speaker 1: bit not somber. It's fun, there's a lot of Even 377 00:15:52,080 --> 00:15:55,520 Speaker 1: the first single it's it's it's an energetic tune, but 378 00:15:55,600 --> 00:15:57,080 Speaker 1: there are there's a lot of heart to it. So 379 00:15:57,120 --> 00:15:59,720 Speaker 1: I do have to put on a different thinking cap 380 00:15:59,880 --> 00:16:02,920 Speaker 1: or it's like putting on a character. And I enjoyed that. 381 00:16:02,960 --> 00:16:06,800 Speaker 1: I mean, grew up doing theater and I understand what 382 00:16:06,840 --> 00:16:08,240 Speaker 1: it's like to go to concerts and you want to 383 00:16:08,280 --> 00:16:12,400 Speaker 1: feel not only entertained, but like, how can you look 384 00:16:12,440 --> 00:16:13,920 Speaker 1: at a body of work and say, Okay, we want 385 00:16:13,920 --> 00:16:15,680 Speaker 1: to present this in the best way possible. So it's 386 00:16:15,720 --> 00:16:17,640 Speaker 1: been a lot of fun ideas about how to bring 387 00:16:17,680 --> 00:16:20,400 Speaker 1: this to life. And you know, take it on the road. 388 00:16:20,440 --> 00:16:21,440 Speaker 1: Maybe it would be fun. 389 00:16:21,560 --> 00:16:22,040 Speaker 2: There we have it. 390 00:16:22,080 --> 00:16:23,800 Speaker 3: We got to play the song. Of course, give me 391 00:16:23,840 --> 00:16:26,960 Speaker 3: the album release date again, October nineteenth. That's music for 392 00:16:27,000 --> 00:16:30,440 Speaker 3: people who believe in love. But today July nineteenth, Friday, 393 00:16:30,520 --> 00:16:31,520 Speaker 3: July nineteenth. 394 00:16:31,240 --> 00:16:33,400 Speaker 1: Yes, we make it easy for me. I'm so badhood 395 00:16:33,440 --> 00:16:35,560 Speaker 1: dates that they just say nineteen to everything and I'm good. 396 00:16:35,880 --> 00:16:37,440 Speaker 2: Oh they're other saying that the date's wrong. 397 00:16:38,360 --> 00:16:39,520 Speaker 1: See you said it. 398 00:16:39,800 --> 00:16:45,560 Speaker 2: Wait October eighteenth. Boy, thank god you're here. 399 00:16:45,720 --> 00:16:51,520 Speaker 1: Wow late, there's still plenty of time changing it before 400 00:16:51,880 --> 00:16:53,840 Speaker 1: till eighteen October eighteenth. 401 00:16:53,880 --> 00:16:56,720 Speaker 2: But today, Friday, July nineteenth, we gave you the first cut. 402 00:16:56,760 --> 00:16:59,280 Speaker 1: Of course, work it out crazy. 403 00:17:00,000 --> 00:17:01,360 Speaker 2: Are you already writing your new album? 404 00:17:01,480 --> 00:17:03,800 Speaker 1: It's it's pretty much done. No, yeah, we got like 405 00:17:03,880 --> 00:17:07,159 Speaker 1: thirteen songs. I mean no, no, no, not this new album, 406 00:17:07,200 --> 00:17:10,520 Speaker 1: the next album follow up? Yeah, yeah, one after that. Yes, 407 00:17:10,640 --> 00:17:14,000 Speaker 1: actually yes, really I'm working on more. And then I 408 00:17:14,040 --> 00:17:17,879 Speaker 1: was in this writing for a brother's album yesterday. So 409 00:17:18,040 --> 00:17:20,040 Speaker 1: just like, keep it going. I feel like at this place, 410 00:17:20,320 --> 00:17:22,960 Speaker 1: this point in our career with the guy, it's so 411 00:17:23,000 --> 00:17:25,360 Speaker 1: supportive and I'm so like I was on the phone 412 00:17:25,400 --> 00:17:26,879 Speaker 1: with Nick yesterday. It was really funny. He's like, hey, 413 00:17:26,920 --> 00:17:30,520 Speaker 1: I heard the podcast. Are you talking about that. I'm like, oh, yeah, were. 414 00:17:30,400 --> 00:17:32,080 Speaker 2: You upset about what I said? He's like, no, no, no, no, 415 00:17:32,119 --> 00:17:32,480 Speaker 2: I thought. 416 00:17:32,320 --> 00:17:34,600 Speaker 1: It was great. So I think it's so different as 417 00:17:34,600 --> 00:17:36,800 Speaker 1: adults were looking out for each other, but also like 418 00:17:36,840 --> 00:17:39,040 Speaker 1: we want to support. Like he's he's working on stuff constantly. 419 00:17:39,040 --> 00:17:42,040 Speaker 1: I'm working on stuff. Nick Heavin is two, and it's 420 00:17:42,080 --> 00:17:44,159 Speaker 1: it's nice to just keep the train moving. I mean, 421 00:17:44,160 --> 00:17:46,040 Speaker 1: there's there's some really exciting stuff we're doing for the 422 00:17:46,080 --> 00:17:50,800 Speaker 1: brothers and this project for solo stuff. I just I 423 00:17:50,800 --> 00:17:53,320 Speaker 1: don't think it's at this place in the music industry. 424 00:17:53,320 --> 00:17:55,040 Speaker 1: You just keep going. You don't have to like slow 425 00:17:55,080 --> 00:17:56,960 Speaker 1: down or take big breaks. So if you're inspired going 426 00:17:56,960 --> 00:17:58,160 Speaker 1: the studio, as. 427 00:17:57,960 --> 00:17:59,960 Speaker 3: They say, don't start running because it'll catch up to you. 428 00:18:00,640 --> 00:18:01,800 Speaker 3: Keep going nice. 429 00:18:01,840 --> 00:18:02,920 Speaker 1: That's scary, but I like it. 430 00:18:02,920 --> 00:18:03,520 Speaker 2: It is frightening. 431 00:18:04,359 --> 00:18:06,000 Speaker 3: We'll leave on that note. We'll leave a let down 432 00:18:06,000 --> 00:18:08,920 Speaker 3: our note. Thanks Elvis, Joe Jonas, this is work it out. 433 00:18:08,920 --> 00:18:14,520 Speaker 3: Thanks for coming in, Joe. 434 00:18:14,560 --> 00:18:16,280 Speaker 2: You get someone's motive be griddled. 435 00:18:16,320 --> 00:18:16,679 Speaker 5: Mois