WEBVTT - Whistling!

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<v Speaker 1>Welcome to Stuff you should know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh, and there's

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<v Speaker 2>Chuck and Jerry's here too. And it's become clear to

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<v Speaker 2>me that I used the slide whistle on the wrong episode.

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<v Speaker 2>This is stuff you should know. Oh, would they have

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<v Speaker 2>gotten annoying to you?

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<v Speaker 1>I think the slide whistle work perfect. And this isn't

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<v Speaker 1>about slide whistles.

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<v Speaker 2>No, it's about whistle whistles, which means your mouth with

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<v Speaker 2>your lips pursed. That's right, So let's just go out

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<v Speaker 2>of the gate. For the three people who don't know

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<v Speaker 2>what whistling is, Whistling is the act of making a

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<v Speaker 2>sound by forcing air through your mouth through a narrow passage,

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<v Speaker 2>typically with your lips pursed. And that is actually a

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<v Speaker 2>specific kind of whistling, as we'll see, called pucker whistling.

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<v Speaker 2>There's other kinds, but that is by far the most

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<v Speaker 2>common form of whistling. If you can move your tongue

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<v Speaker 2>a little bit, you can start to get pretty good

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<v Speaker 2>at whistling. One other thing to start set everything up.

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<v Speaker 2>There is no genetic basis for not being able to whistle.

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<v Speaker 2>It's just a lack of practice.

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<v Speaker 1>Do you whistle right out of the gate, let's hit

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<v Speaker 1>me with that info. You bet, I don't mean. Can

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<v Speaker 1>you whistle? Yes?

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<v Speaker 2>I find myself more going like that, Like I'm not

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<v Speaker 2>trying to do a song. I don't even know I'm

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<v Speaker 2>doing it. I like realize I'm doing it as I'm

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<v Speaker 2>doing it. It's just something to occupy the space around me.

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<v Speaker 2>I guess. Okay, what about you, Chuck? Do you whistle? Chuck?

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<v Speaker 2>Are you a whistler?

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<v Speaker 1>Yeah? I whistle sometimes. I wonder if I annoy people

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<v Speaker 1>by whistling.

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<v Speaker 2>Oh, you've never annoyed me by whistling. I can tell

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<v Speaker 2>you that.

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<v Speaker 1>But back when, you know, in the early days of

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<v Speaker 1>HowStuffWorks dot com, when we worked in a big office

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<v Speaker 1>with you know, fifty people, I used to wonder about

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<v Speaker 1>stuff like that, like, well, yeah, you know, am I

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<v Speaker 1>whistling around the office? Is that annoying to people? Kind

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<v Speaker 1>of like remember the guy who walked around in his

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<v Speaker 1>sock feet? Oh my god?

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<v Speaker 2>Why did that bother me so much?

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<v Speaker 1>Because he walked around in office with sock feet, including

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<v Speaker 1>the bathroom.

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<v Speaker 2>Yes, including the bathroom. That's why urinoal in socks it was.

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<v Speaker 2>I mean, I know that that's just objectively wrong. But

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<v Speaker 2>I don't the rest of it. I never understood why

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<v Speaker 2>it bothered me so much.

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<v Speaker 1>But you just you don't do that. You don't do that,

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<v Speaker 1>that's why.

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<v Speaker 2>But you're also not supposed to whistle around the office

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<v Speaker 2>to FYI.

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<v Speaker 1>Yeah, and I think I literally kind of was like,

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<v Speaker 1>I probably shouldn't do that around here, because that was

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<v Speaker 1>the first office job I ever had.

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<v Speaker 2>I mean, like, I know for a fact I've noticed

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<v Speaker 2>you whistling before, but I can tell you it's never

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<v Speaker 2>bothered me. Ever.

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<v Speaker 1>I appreciate it. I'm a pretty good whistler, so I

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<v Speaker 1>like to whistle songs and things.

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<v Speaker 2>You are a very good whistler.

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<v Speaker 1>I appreciate that. So well, you know, maybe I'll try

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<v Speaker 1>a little bit out here and there.

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<v Speaker 2>Jerry whistles too. You just can't hear it.

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<v Speaker 1>Oh she's whistling right now.

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<v Speaker 2>Way to go, Jerry, you're champ.

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<v Speaker 1>So you mentioned the pucker whistle. That's the most common,

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<v Speaker 1>you know, whistle that most people walk around doing.

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<v Speaker 2>That's this.

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<v Speaker 1>That that's right.

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<v Speaker 2>I'm going to try to demonstrate them all, so you

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<v Speaker 2>go through them all, demonstrate them.

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<v Speaker 1>Okay, that sounds great. Okay, my good friend Eddie whom

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<v Speaker 1>you've met before. He does what's called the palettal whistling,

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<v Speaker 1>which is sh that's right, except it makes a whistle

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<v Speaker 1>sound right, and that is when you put the tongue

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<v Speaker 1>on the roof of your mouth. I can't do it.

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<v Speaker 1>Eddie does it really well, so it's always kind of fun.

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<v Speaker 1>And I'm a big it's just a nostalgia last for

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<v Speaker 1>me when whenever Eddie breaks out the pal little whistle?

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<v Speaker 2>Can he spit like that too? You know how you

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<v Speaker 2>can do like a little little thing of spit like

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<v Speaker 2>really fast from your mouth by by touching your palette

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<v Speaker 2>with your tongue.

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<v Speaker 1>Oh oh, gleaking?

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<v Speaker 2>Yes, can you do that?

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<v Speaker 1>I can gleek, but I don't know.

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<v Speaker 2>If Eddie can, well, then I'll bet you could pallette

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<v Speaker 2>whistle and I can't. All right, what's the next?

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<v Speaker 1>The old finger whistle? It's like uh yeah, except again caveat,

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<v Speaker 1>except it makes a whistles sound.

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<v Speaker 2>Okay.

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<v Speaker 1>I've never been able to do this. There are different methods,

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<v Speaker 1>number of fingers where you place them, and stuff like that.

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<v Speaker 1>The old taxi whistle, that's a that's a finger whistle.

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<v Speaker 1>Usually I've always been jealous of people who could really

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<v Speaker 1>bust out a loud finger whistle. I could never do it.

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<v Speaker 1>Are you jealous the finger whistlers? I mean that's very

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<v Speaker 1>low on the scale, but sure a little bit.

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<v Speaker 2>Ok, all right, I mean they're putting their fingers in

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<v Speaker 2>their mouths, yeah, and walking around New York City.

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<v Speaker 1>Yep. That's really loud, though.

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<v Speaker 2>But if you could just Pallett whistle, you can usually

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<v Speaker 2>whistle as loud as a finger whistle.

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<v Speaker 1>In my oh, aren't very loud.

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<v Speaker 2>It's like this right?

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<v Speaker 1>Oh no, no, I think you're thinking of two different things.

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<v Speaker 1>Are you thinking of a palette whistle as like a

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<v Speaker 1>taxi call without fingers?

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<v Speaker 2>Uh? Yeah, it's the kind of where like your your

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<v Speaker 2>lips kind of press back in your in your face

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<v Speaker 2>a little bit and your teeth cairt explosed and your

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<v Speaker 2>tongue goes up to the roof of your mouth.

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<v Speaker 1>I think we have a different version of palette whistle.

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<v Speaker 1>Then maybe I can get Eddie Eddie to record his

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<v Speaker 1>Pallett whistle.

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<v Speaker 2>So I know what you're talking about. Then I've seen

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<v Speaker 2>video of that. Yes, it's coming. It's almost like it

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<v Speaker 2>comes from the back of the throat.

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<v Speaker 1>Yeah, I mean I wish I could do it. When

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<v Speaker 1>I try to do what he does, it's just nothing

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<v Speaker 1>comes out.

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<v Speaker 2>At all palattle whistling except to mix this sound.

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<v Speaker 1>And then there's throat whistling, which is a very strange

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<v Speaker 1>looking whistle because your mouth is open. You're you're not

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<v Speaker 1>you don't have like a puckered purse lip.

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<v Speaker 2>Oh, that's what I'm thinking of. I don't know what

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<v Speaker 2>palattal whistling is.

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<v Speaker 1>If it's not, you know what, I'll at the very

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<v Speaker 1>least I'll get Eddie to send me an audio thing

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<v Speaker 1>that I'll text you.

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<v Speaker 2>Okay, can you text him now? Sure, I'll talk you.

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<v Speaker 2>Just text for a minute.

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<v Speaker 1>For the throat whistling. I would want to recommend did

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<v Speaker 1>you watch those videos I sent you? By any chance

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<v Speaker 1>I didn't, chuck, I'm sorry. Oh man, that's all right.

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<v Speaker 1>You have to though, you owe it to yourself, okay,

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<v Speaker 1>because they're just go to YouTube and type in Ralph Whistler, guys,

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<v Speaker 1>I guess g I E. S. E. On Kelly and Company,

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<v Speaker 1>nineteen eighty four, and just witness the beauty of this

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<v Speaker 1>guy Ralph doing his throat whistling to Georgia on my mind,

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<v Speaker 1>which got about a half a million, five hundred and

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<v Speaker 1>fifty thousand views. Then right afterward, in fact, you'll be

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<v Speaker 1>proddedge to watch the next video, which is best singer

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<v Speaker 1>ever Whistler redub which is somebody who redubbed him with

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<v Speaker 1>his strange facial movements. As actual we won't even call

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<v Speaker 1>it singing, but other mouth noises. That has gotten two

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<v Speaker 1>and a half million views. Nice and I watched it

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<v Speaker 1>seven times a day and laughed just as hard every

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<v Speaker 1>single time. It's man, got funny, It's amazing.

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<v Speaker 2>Okay, I'll definitely watch it, so Chuck. We can't actually

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<v Speaker 2>say when whistling started. Some people say that it actually

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<v Speaker 2>was a proto language, which I find is absolutely fascinating totally.

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<v Speaker 2>We do know that the that well back into prehistory

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<v Speaker 2>and the Neolithic Age, people were using maybe even Neanderthals too.

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<v Speaker 2>We're using bone whistles, the grimmest kind of whistle, which

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<v Speaker 2>would indicate that we were already familiar with whistles. We

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<v Speaker 2>probably had figured out how to whistle by then. There's

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<v Speaker 2>a bioacoustician named Julian Meyer who says the muscles it

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<v Speaker 2>takes the amount of brain power it takes to whistle

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<v Speaker 2>is so much less than it is to speak and

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<v Speaker 2>to use words and creative vocabulary like that. That it

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<v Speaker 2>just makes sense that we would have evolved to whistle first,

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<v Speaker 2>at the very least, to get somebody's attention, right, and

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<v Speaker 2>then once you have somebody's attention, you want to express

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<v Speaker 2>an idea that just inherently follows. It's almost inevitable that

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<v Speaker 2>we whistled before we learn to speak.

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<v Speaker 1>Yeah, there have been legitimate whistling languages discovered on every

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<v Speaker 1>continent on planet Earth. And then once we move on

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<v Speaker 1>to recorded history, we know for sure that Greeks and

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<v Speaker 1>Romans and ancient Greece and Rome whistled because they whistle

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<v Speaker 1>like to jeer from the audience, like people still do

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<v Speaker 1>in Europe, at least Europe. I'm sure they do that

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<v Speaker 1>in other countries, but we boo here in the United States,

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<v Speaker 1>But in the UK and Europe they whistle when they

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<v Speaker 1>want to express displeasure.

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<v Speaker 2>Yeah. There was also so Herodotus in his histories described

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<v Speaker 2>a community in Ethiopia that lived in caves and spoke

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<v Speaker 2>like and you know the term troglodites. These were the

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<v Speaker 2>original troglodites. Yeah, and it's been taken her Auditus has

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<v Speaker 2>to be taken with a grain of salt because he

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<v Speaker 2>himself was relying on probably a lot of unreliable sources.

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<v Speaker 2>He sounds like somebody who would have really bought the

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<v Speaker 2>stuff that he read on Facebook and put a lot

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<v Speaker 2>of stuff onto Facebook if you were alive today. But

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<v Speaker 2>that doesn't mean that there was not like some kernel

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<v Speaker 2>of truth. And this the Troglodites who spoke like bats

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<v Speaker 2>has been taken to mean that they had a whistle

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<v Speaker 2>based language.

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<v Speaker 1>Yeah, they were all over the place. People just took

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<v Speaker 1>took whistling and his buddies, Hey, look at this mastad

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<v Speaker 1>On over here. Let's take this thing down. He says

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<v Speaker 1>that all in a whistle.

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<v Speaker 2>He's like And also, have you heard the new Mastodon album?

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<v Speaker 1>By the way, shout out to Mastodon. I was just

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<v Speaker 1>the for the second year running the Celebrity Judge quote

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<v Speaker 1>unquote Celebrity Judge and the Chicken Wing contest for the

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<v Speaker 1>Kirk with Spring Fling, and one of the other judges

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<v Speaker 1>was Braun, the drummer of Mastadon Awesome, and he was

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<v Speaker 1>a super cool dude.

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<v Speaker 2>Oh I'm sure, how could you not be if you're

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<v Speaker 2>in Mastadon.

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<v Speaker 1>Yeah, we'd said there and ate chicken wings together and

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<v Speaker 1>very seriously reviewed them and rated them.

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<v Speaker 2>So I'm sure you'd take that seriously. I would too.

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<v Speaker 2>I would be very disappointed if you just took that

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<v Speaker 2>as like a lark.

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<v Speaker 1>Yeah, sixteen chicken wings, wow, lucky. Yeah. Well I didn't

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<v Speaker 1>eat them all. I ate a house to like four

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<v Speaker 1>of them, and then most of the rest were just

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<v Speaker 1>a bite or two.

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<v Speaker 2>Okay. Do you like smoked wings like you know the

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<v Speaker 2>Fox Brothers ilk?

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<v Speaker 1>Yeah, smoke. I have a love hate with smoke on

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<v Speaker 1>any food it can it's okay, But the same with mezcal.

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<v Speaker 1>I like it and just little bits and blasts.

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<v Speaker 2>M uh yeah, I'm with you. Uh. With the smoked

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<v Speaker 2>wings though, that's that's kind of what I'm on right now.

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<v Speaker 2>I can eat a lot.

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<v Speaker 1>Of those those. I mean they the Fox Brothers wings

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<v Speaker 1>are great.

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<v Speaker 2>Well, nothing compliments and is complimented by Ranch more than

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<v Speaker 2>a smoked wing. To me, It's even better than like

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<v Speaker 2>a regular straight ahead buffalo wing. As far as the

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<v Speaker 2>Ranch combo works, I.

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<v Speaker 1>Don't need buffalo anymore at all. I'm a dry lemon

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<v Speaker 1>pepper guy. Oh all right, These.

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<v Speaker 2>Days, I always associate that with sports betting and watching

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<v Speaker 2>like sports on Sunday for some.

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<v Speaker 1>Reason, well, I do a bit of both.

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<v Speaker 2>Speaking of dude, have you seen Sorry to all the

0:11:30.760 --> 0:11:33.079
<v Speaker 2>people who are new to every podcast, have you seen

0:11:33.200 --> 0:11:34.560
<v Speaker 2>the roast of Tom Brady?

0:11:35.400 --> 0:11:37.240
<v Speaker 1>Oh? I saw parts of it, but there's no way

0:11:37.280 --> 0:11:40.880
<v Speaker 1>I could sit through that in earnest, it's so bad.

0:11:41.640 --> 0:11:43.880
<v Speaker 2>Like the stand up comedians and some of the podcasters

0:11:43.880 --> 0:11:48.240
<v Speaker 2>did pretty well, Nicky Glazer won the night easily, handily,

0:11:49.520 --> 0:11:52.360
<v Speaker 2>but when you finally get to Tom Brady's part, it

0:11:52.559 --> 0:11:56.400
<v Speaker 2>like like it's unwatchable. You just can't you can't look.

0:11:56.920 --> 0:12:01.400
<v Speaker 2>It's so it's so bad. He's like so going with

0:12:00.920 --> 0:12:04.280
<v Speaker 2>the joke of how he's the greatest that it becomes

0:12:04.960 --> 0:12:08.920
<v Speaker 2>kind of painfully clear that he's actually being dead serious

0:12:08.960 --> 0:12:11.680
<v Speaker 2>at that point. It's not joking at all. It's really tough.

0:12:11.760 --> 0:12:14.280
<v Speaker 2>I would actually recommend just watching like the first minute

0:12:14.280 --> 0:12:15.600
<v Speaker 2>and a half of it and see if you can

0:12:15.640 --> 0:12:16.320
<v Speaker 2>make it that far.

0:12:16.800 --> 0:12:18.959
<v Speaker 1>I don't know if I could, but shout out on

0:12:19.000 --> 0:12:21.200
<v Speaker 1>the key Glazer one time stuff you should.

0:12:20.960 --> 0:12:23.079
<v Speaker 2>Know listener at least yeah, that one time.

0:12:23.880 --> 0:12:25.240
<v Speaker 1>I mean, I don't know if she still is. In

0:12:25.320 --> 0:12:27.640
<v Speaker 1>other words, I know what you mean you're just joking.

0:12:28.280 --> 0:12:31.120
<v Speaker 1>All right, Can we get back to whistling. Yes, that's

0:12:31.120 --> 0:12:34.760
<v Speaker 1>all my fault. We can move past the history. People

0:12:34.800 --> 0:12:36.240
<v Speaker 1>get what's going on here.

0:12:36.480 --> 0:12:38.480
<v Speaker 2>Well, we need to talk about when whistling was like

0:12:38.520 --> 0:12:41.160
<v Speaker 2>a big deal though in history.

0:12:41.280 --> 0:12:45.000
<v Speaker 1>Yeah, that's what I was getting to. Okay, we're talking Initially,

0:12:45.160 --> 0:12:48.040
<v Speaker 1>you know that ancient history stuff was like hey, look

0:12:48.080 --> 0:12:51.840
<v Speaker 1>over here, Hey what should we do? Hey, we're communicating.

0:12:51.880 --> 0:12:54.960
<v Speaker 1>But if you're talking about whistle why you work? Musical

0:12:55.000 --> 0:12:58.960
<v Speaker 1>whistling and other words, it's kind of tougher to trace

0:12:59.040 --> 0:13:04.640
<v Speaker 1>that history because there's nothing, you know, there's no fossil

0:13:04.720 --> 0:13:09.760
<v Speaker 1>that would indicate anything. But Linda Hamilton, who is a

0:13:09.840 --> 0:13:15.760
<v Speaker 1>historian and loves whistling, has definitely referenced whistlers in the

0:13:15.800 --> 0:13:20.040
<v Speaker 1>sixteen hundreds. My bet is that it goes back even

0:13:20.120 --> 0:13:23.720
<v Speaker 1>further because if people learn to whistle, I believe people

0:13:23.760 --> 0:13:28.080
<v Speaker 1>are inherently musical, then people are, in my mind, whistling

0:13:28.160 --> 0:13:30.120
<v Speaker 1>for enjoyment and pleasure.

0:13:30.280 --> 0:13:33.720
<v Speaker 2>Pleasure. Yeah. Well, even in the Canterbury Tales, Chaucer says

0:13:33.760 --> 0:13:38.120
<v Speaker 2>the young squire spends his days singing and whistling. So

0:13:38.240 --> 0:13:42.199
<v Speaker 2>I mean, yeah, that's yes, I agree, I think the

0:13:42.240 --> 0:13:45.680
<v Speaker 2>first time somebody realized they could whistle, it immediately kicked

0:13:45.720 --> 0:13:51.199
<v Speaker 2>off the human I guess pastime of whistling for pleasure. Yeah, absolutely,

0:13:51.800 --> 0:13:54.440
<v Speaker 2>so yeah, they were like, hey over here, Hey, I

0:13:54.520 --> 0:13:56.240
<v Speaker 2>like that a lot. I'm just going to keep saying

0:13:56.240 --> 0:13:58.320
<v Speaker 2>hey over here a bunch of times. That was the

0:13:58.360 --> 0:13:59.560
<v Speaker 2>first time it happened.

0:13:59.760 --> 0:14:02.280
<v Speaker 1>The first song written by a whistle was called hey

0:14:02.280 --> 0:14:02.880
<v Speaker 1>over here.

0:14:03.440 --> 0:14:07.400
<v Speaker 2>So there were actual songs. There were professional whistlers late

0:14:07.480 --> 0:14:11.000
<v Speaker 2>nineteenth century vaudeville that makes sense, like Vaudeville of George.

0:14:11.040 --> 0:14:13.280
<v Speaker 2>They had so many acts doing so many different things.

0:14:13.480 --> 0:14:16.440
<v Speaker 2>Of course there were whistlers, but it caught on, and

0:14:16.520 --> 0:14:19.880
<v Speaker 2>in the first pretty much half of the twentieth century,

0:14:20.200 --> 0:14:24.920
<v Speaker 2>there were a lot of whistling acts, whistling performers. They

0:14:24.960 --> 0:14:29.760
<v Speaker 2>have names like Ronnie Ronalde, Muzzy Marcellino, just perfect names

0:14:29.800 --> 0:14:31.920
<v Speaker 2>like that, and they were big enough that I think

0:14:31.960 --> 0:14:35.400
<v Speaker 2>in nineteen forty nine Ronnie Ronalde sold out Radio City

0:14:35.520 --> 0:14:40.240
<v Speaker 2>Music Hall for ten weeks and he was a whistler.

0:14:40.160 --> 0:14:41.400
<v Speaker 1>Every night for ten weeks.

0:14:41.560 --> 0:14:44.520
<v Speaker 2>Yes, yeah, not just like once and then ten weeks later,

0:14:44.640 --> 0:14:46.400
<v Speaker 2>I mean like every night for ten weeks.

0:14:46.520 --> 0:14:49.440
<v Speaker 1>Yes, that's a six thousand cap venue.

0:14:50.000 --> 0:14:50.880
<v Speaker 2>He was a whistler.

0:14:52.000 --> 0:14:53.880
<v Speaker 1>Oh man, I mean that just so was how big

0:14:53.920 --> 0:14:55.760
<v Speaker 1>it was. It was usually people. I mean, if you

0:14:55.800 --> 0:14:58.240
<v Speaker 1>had a whistling act, you were doing one or you

0:14:58.280 --> 0:15:02.200
<v Speaker 1>were doing usually both of two things, which is whistling

0:15:02.240 --> 0:15:05.600
<v Speaker 1>songs and things and then mimicking song birds.

0:15:06.320 --> 0:15:08.960
<v Speaker 2>Yeah, and that's still a thing. I watched Pucker Up,

0:15:09.720 --> 0:15:12.480
<v Speaker 2>the documentary on whistling. Did you see it?

0:15:12.880 --> 0:15:13.320
<v Speaker 1>I did.

0:15:13.720 --> 0:15:17.440
<v Speaker 2>It's great almost in the way that it starts out too.

0:15:17.760 --> 0:15:22.000
<v Speaker 2>I was like, this is indistinguishable from an episode of documentary. Now,

0:15:22.680 --> 0:15:25.800
<v Speaker 2>like the first half hour, it really was not tell it.

0:15:25.760 --> 0:15:29.400
<v Speaker 1>Apart, Yeah, except there was no Fred Armiston her Yeah.

0:15:29.280 --> 0:15:30.920
<v Speaker 2>But I was just waiting for him to pop up.

0:15:30.920 --> 0:15:33.480
<v Speaker 2>It was like that go on. But it's a really

0:15:33.520 --> 0:15:36.760
<v Speaker 2>really sweet, charming documentary and all the people involved are

0:15:36.760 --> 0:15:39.560
<v Speaker 2>pretty great. But one of the first people, I think,

0:15:39.640 --> 0:15:42.160
<v Speaker 2>the first whistler they introduce you to a guy named

0:15:42.800 --> 0:15:47.600
<v Speaker 2>Joe Siddano. He as doing bird impressions out in the

0:15:47.680 --> 0:15:50.440
<v Speaker 2>woods and the birds are responding to him. It's really

0:15:50.440 --> 0:15:52.600
<v Speaker 2>neat to see. You're like, wow, this guy's communing with

0:15:52.680 --> 0:15:54.040
<v Speaker 2>the birds right now out in the world.

0:15:54.080 --> 0:15:56.840
<v Speaker 1>Yeah, he's talking better watch what you say though, buddy, Yeah,

0:15:56.880 --> 0:16:01.160
<v Speaker 1>for sure. So it was going on pretty well, whistling

0:16:01.360 --> 0:16:03.320
<v Speaker 1>very very big in vaudeville, like you said, in a

0:16:03.320 --> 0:16:07.240
<v Speaker 1>popular act just period, so much so that there was

0:16:07.280 --> 0:16:11.120
<v Speaker 1>an academy. In nineteen oh nine, the Agnes Woodward, California

0:16:11.160 --> 0:16:13.960
<v Speaker 1>School of Artistic Whistling opened up, and she had some

0:16:14.000 --> 0:16:19.240
<v Speaker 1>pretty high profile clients, including John Wayne. I guess wanted

0:16:19.240 --> 0:16:22.320
<v Speaker 1>to learn how to whistle really well, Pat Boon, Bing Crosby.

0:16:22.480 --> 0:16:24.680
<v Speaker 2>If you're in a Western, you better know how to whistle.

0:16:24.720 --> 0:16:27.560
<v Speaker 2>That's my guess why John Wayne needed to learn at.

0:16:27.520 --> 0:16:29.360
<v Speaker 1>Least whistle for your horse at the very least.

0:16:29.560 --> 0:16:32.120
<v Speaker 2>Sure. Yeah, your horse loves to hear you whistle.

0:16:32.560 --> 0:16:35.600
<v Speaker 1>That's a funny joke though in a Western, it's like

0:16:35.640 --> 0:16:38.120
<v Speaker 1>the cowboy who can't whistle probably feels pretty bad about himself.

0:16:38.240 --> 0:16:41.760
<v Speaker 2>Probably that reminds me of the singing horse in Top Secret.

0:16:42.880 --> 0:16:47.520
<v Speaker 1>Oh yeah, that was just on an episode of Scott

0:16:47.560 --> 0:16:49.280
<v Speaker 1>hasn't seen, so that's fresh in my mind.

0:16:49.360 --> 0:16:51.840
<v Speaker 2>Oh okay, good, So you remember the singing Horse.

0:16:52.680 --> 0:16:54.960
<v Speaker 1>I remember that, and that it just made me remember

0:16:55.080 --> 0:16:57.600
<v Speaker 1>how funny that movie is. It is really is.

0:16:58.640 --> 0:17:00.680
<v Speaker 2>So I think you were a kind of getting to

0:17:00.960 --> 0:17:05.200
<v Speaker 2>this point where all of a sudden, almost overnight, every

0:17:05.320 --> 0:17:08.880
<v Speaker 2>whistling act just went away. The world said, we're done

0:17:08.880 --> 0:17:13.760
<v Speaker 2>with whistling. Stop whistling, And very interestingly, whistling is like

0:17:13.880 --> 0:17:15.959
<v Speaker 2>not just a musical act, but just kind of as

0:17:15.960 --> 0:17:19.200
<v Speaker 2>a pastime, something that people just generally did. Went away

0:17:19.200 --> 0:17:22.000
<v Speaker 2>at the same time too, And I saw that it

0:17:22.040 --> 0:17:24.560
<v Speaker 2>was chalked up by some people to the advent of

0:17:24.600 --> 0:17:28.920
<v Speaker 2>the transistor radio, and then eventually the walkman and the

0:17:28.920 --> 0:17:31.200
<v Speaker 2>iPod I think it was somebody on Pucker Up kind

0:17:31.200 --> 0:17:33.919
<v Speaker 2>of made this case. And it really makes sense because

0:17:34.359 --> 0:17:37.359
<v Speaker 2>one of the reasons people would whistle before is because

0:17:37.400 --> 0:17:41.440
<v Speaker 2>you're just keeping yourself occupied, you're keeping yourself entertained, you're

0:17:41.720 --> 0:17:46.840
<v Speaker 2>creating music for yourself to enjoy. And that need for

0:17:46.880 --> 0:17:50.240
<v Speaker 2>that went away when we were able to carry around

0:17:50.359 --> 0:17:52.399
<v Speaker 2>things that could do that for us, starting with the

0:17:52.440 --> 0:17:53.399
<v Speaker 2>transistor radio.

0:17:54.040 --> 0:17:57.240
<v Speaker 1>Yeah, for sure. It also had a bad reputation, even

0:17:57.560 --> 0:18:01.320
<v Speaker 1>in certain instances in the eighteen hundreds in the UK

0:18:02.240 --> 0:18:05.720
<v Speaker 1>there were stores that banned whistling because it was used

0:18:05.720 --> 0:18:09.480
<v Speaker 1>as a sort of language basically between pickpockets and thieves

0:18:09.840 --> 0:18:14.680
<v Speaker 1>to warn each other. It is still sort of sort

0:18:14.680 --> 0:18:17.280
<v Speaker 1>of a trophy shorthand for someone that's up to no good,

0:18:18.800 --> 0:18:21.000
<v Speaker 1>usually somebody trying to play it off as if they

0:18:21.000 --> 0:18:24.800
<v Speaker 1>are carefree. Oh yeah, like if you were, Yeah, if

0:18:24.840 --> 0:18:29.040
<v Speaker 1>you were doing a sketch, a comedy sketch about a shoplifter.

0:18:29.680 --> 0:18:32.679
<v Speaker 1>Every time the shop owner looks over at the shoplifter,

0:18:33.119 --> 0:18:35.800
<v Speaker 1>they would probably like look up at the sky, and

0:18:37.160 --> 0:18:40.480
<v Speaker 1>that would kill absolutely. And it's just become sort of

0:18:40.520 --> 0:18:45.040
<v Speaker 1>a trope. Is a shorthand again, just another sort of

0:18:45.200 --> 0:18:46.840
<v Speaker 1>weird use for whistling.

0:18:47.480 --> 0:18:50.320
<v Speaker 2>So it's just like roller skating. You remember how like

0:18:50.400 --> 0:18:52.919
<v Speaker 2>roller skating was huge in the late seventies and all

0:18:52.960 --> 0:18:56.320
<v Speaker 2>of a sudden, just overnight, it went away, But like

0:18:56.400 --> 0:18:58.879
<v Speaker 2>Black culture was like, nope, we're still roller skating, and

0:18:59.000 --> 0:19:02.320
<v Speaker 2>roller skating continue to be a thing. That kind of

0:19:02.359 --> 0:19:05.600
<v Speaker 2>happened with whistling. The world was like, we're done with whistling,

0:19:05.920 --> 0:19:07.919
<v Speaker 2>but a subset of people were like, no, we're going

0:19:08.000 --> 0:19:11.600
<v Speaker 2>to keep whistling and kept the dream alive of whistling

0:19:11.800 --> 0:19:14.320
<v Speaker 2>over the years. And I say, we take a break

0:19:14.359 --> 0:19:17.119
<v Speaker 2>and we come back and talk about a few contemporary whistlers.

0:19:17.880 --> 0:19:47.240
<v Speaker 2>Let's do it, okay, Chuck, So we're talking about people

0:19:47.280 --> 0:19:51.360
<v Speaker 2>who whistle today sometimes for a living. There was an

0:19:51.520 --> 0:19:55.040
<v Speaker 2>artist in the nineties named Marge Carlson who whistle a

0:19:55.080 --> 0:19:58.320
<v Speaker 2>lot of saccharine Christian songs and was known as America's

0:19:58.400 --> 0:20:01.480
<v Speaker 2>Sweetheart of bird songs. She was quite a good whistler,

0:20:01.760 --> 0:20:06.240
<v Speaker 2>but she had albums like she released albums where rather

0:20:06.280 --> 0:20:09.080
<v Speaker 2>than singing, it was all instrumental, and one of the

0:20:09.119 --> 0:20:10.600
<v Speaker 2>instruments was her whistling.

0:20:11.280 --> 0:20:14.680
<v Speaker 1>Yeah, and that's still a thing. I'm sure you looked

0:20:14.720 --> 0:20:18.040
<v Speaker 1>at these videos, Josh, but there is big things to Anna,

0:20:18.080 --> 0:20:21.359
<v Speaker 1>by the way, who put this together for us, very cool,

0:20:21.440 --> 0:20:24.960
<v Speaker 1>robust article. But she found Molly Lewis, who is a

0:20:25.080 --> 0:20:33.480
<v Speaker 1>contemporary professional whistler, just a wonderful whistler, releasing that She

0:20:33.520 --> 0:20:36.880
<v Speaker 1>has an EP called The Forgotten Edge. She performs live

0:20:36.960 --> 0:20:41.800
<v Speaker 1>in concert. There's a very fun YouTube with Molly on

0:20:41.800 --> 0:20:43.280
<v Speaker 1>one of those Sunday morning shows.

0:20:43.280 --> 0:20:46.880
<v Speaker 2>I can't remember, yes, Sunday Morning. It was good little segment, Yeah.

0:20:47.080 --> 0:20:50.639
<v Speaker 1>Very good little segment, like you said, and she just

0:20:50.880 --> 0:20:53.920
<v Speaker 1>Molly just seems terrific, very enthusiastic about whistling.

0:20:54.560 --> 0:20:57.040
<v Speaker 2>Yes, she's a whistler, but at the same time she's

0:20:57.119 --> 0:21:00.680
<v Speaker 2>like bewildered that she's actually making a career of whistling,

0:21:01.040 --> 0:21:02.080
<v Speaker 2>like she's able to do that.

0:21:02.240 --> 0:21:04.159
<v Speaker 1>Yeah, she's kind of laughing about it, and not like

0:21:04.640 --> 0:21:06.159
<v Speaker 1>in a put down way. You just kind of like,

0:21:06.280 --> 0:21:07.960
<v Speaker 1>I'm good at this weird thing and it's just kind

0:21:07.960 --> 0:21:08.399
<v Speaker 1>of crazy.

0:21:08.480 --> 0:21:08.800
<v Speaker 2>Yeah.

0:21:09.080 --> 0:21:09.439
<v Speaker 1>Yeah.

0:21:09.600 --> 0:21:14.160
<v Speaker 2>She's got some contemporaries too, a lot of I think

0:21:14.200 --> 0:21:17.040
<v Speaker 2>actually Molly competed too, a lot of the people who

0:21:17.480 --> 0:21:20.200
<v Speaker 2>you would have heard of as whistlers at least now

0:21:20.240 --> 0:21:22.280
<v Speaker 2>if you really dig into whistling, you'll end up hearing

0:21:22.320 --> 0:21:26.880
<v Speaker 2>about him like Chris Olman, Yurt or sorry hert Chatrow,

0:21:27.240 --> 0:21:32.159
<v Speaker 2>who's just an amazing person. Apparently they competed in like

0:21:32.280 --> 0:21:36.040
<v Speaker 2>the International Whistling Finals, And as you kind of start

0:21:36.080 --> 0:21:38.200
<v Speaker 2>to dig into the world of whistling, some names kind

0:21:38.200 --> 0:21:40.680
<v Speaker 2>of bubble up to the top. And that's because they're

0:21:40.800 --> 0:21:45.400
<v Speaker 2>essentially competitive whistlers. There's whistling competitions that are held over

0:21:45.400 --> 0:21:47.760
<v Speaker 2>the years, and some people who are just the best

0:21:47.800 --> 0:21:50.959
<v Speaker 2>of the best at whistling will compete. So in addition

0:21:51.000 --> 0:21:53.479
<v Speaker 2>to Molly Lewis, you'll run across the guy named Chris Olman,

0:21:53.920 --> 0:21:57.320
<v Speaker 2>who's a champion whistler, a guy named hert Chatrow, who's

0:21:57.359 --> 0:22:01.240
<v Speaker 2>another champion whistler, and they're just amazing and if you

0:22:01.440 --> 0:22:03.320
<v Speaker 2>if you listen to them, it's like, especially if you

0:22:03.440 --> 0:22:05.479
<v Speaker 2>just just go watch Pucker Up the documentary. I think

0:22:05.520 --> 0:22:09.920
<v Speaker 2>it's even on YouTube for free. Yeah, like you'll start

0:22:09.960 --> 0:22:13.639
<v Speaker 2>to realize that people have their own style, their own techniques.

0:22:14.160 --> 0:22:16.480
<v Speaker 2>It's not just like there's one way to whistle. People

0:22:16.560 --> 0:22:18.479
<v Speaker 2>have figured out a bunch of different ways to whistle

0:22:18.520 --> 0:22:21.879
<v Speaker 2>in different combinations of those ways to whistle, and they're

0:22:22.080 --> 0:22:22.840
<v Speaker 2>keeping it alive.

0:22:22.960 --> 0:22:26.600
<v Speaker 1>Like I said, that's right. I mean, Sammy Hagar may

0:22:26.600 --> 0:22:29.280
<v Speaker 1>say there's only one way to rock, but he will

0:22:29.320 --> 0:22:31.000
<v Speaker 1>also say there's a lot of ways to whistle.

0:22:31.400 --> 0:22:34.160
<v Speaker 2>That's right. And he said for those about to rock,

0:22:34.280 --> 0:22:36.480
<v Speaker 2>we salute you, and.

0:22:36.440 --> 0:22:38.840
<v Speaker 1>We salute Sammy because he just got a star on

0:22:38.840 --> 0:22:39.840
<v Speaker 1>the Hollywood Walk of Fame.

0:22:39.960 --> 0:22:41.160
<v Speaker 2>Oh really, congrats.

0:22:41.440 --> 0:22:45.719
<v Speaker 1>Yeah, way to go, Sammy. So if you are a

0:22:45.880 --> 0:22:48.560
<v Speaker 1>great whistler and you, you know, maybe compete in these

0:22:48.560 --> 0:22:51.800
<v Speaker 1>competitions and you're like, well, not popular enough to get

0:22:51.800 --> 0:22:55.160
<v Speaker 1>my album out there, like Molly Lewis, you probably could

0:22:55.200 --> 0:22:57.879
<v Speaker 1>find a home. It sirked us Ola because they have

0:22:57.960 --> 0:23:00.159
<v Speaker 1>had quite a few whistlers over the years perform with

0:23:00.200 --> 0:23:03.640
<v Speaker 1>them as circus is a bit of a modern day vaudeville,

0:23:03.640 --> 0:23:06.159
<v Speaker 1>and they have all kinds of fun things like that. Yeah,

0:23:06.200 --> 0:23:07.840
<v Speaker 1>we go every year here in Atlanta. It's a nice

0:23:07.840 --> 0:23:11.639
<v Speaker 1>fun tradition for the fam. You can also whistle on

0:23:12.600 --> 0:23:16.400
<v Speaker 1>songs and soundtracks. Molly Lewis whistled on that Barbie soundtrack.

0:23:16.440 --> 0:23:20.200
<v Speaker 1>That's so great. Of course, who can forget the good,

0:23:20.240 --> 0:23:24.800
<v Speaker 1>the bad, and the ugly Sergio Leoni's famous famous spaghetti

0:23:24.840 --> 0:23:30.919
<v Speaker 1>Western in which Alessandro Alessandroni did that very sort of

0:23:31.080 --> 0:23:32.399
<v Speaker 1>iconic whistle for that movie.

0:23:32.440 --> 0:23:36.440
<v Speaker 2>Oh, it's iconic for sure. I mean it signifies anytime

0:23:36.560 --> 0:23:42.000
<v Speaker 2>somebody is you're suddenly like potentially in danger because an

0:23:42.040 --> 0:23:45.399
<v Speaker 2>extraordinarily capable killer has showed up?

0:23:46.320 --> 0:23:46.480
<v Speaker 1>Is that?

0:23:46.880 --> 0:23:48.160
<v Speaker 2>I don't know if I'd described that.

0:23:48.160 --> 0:23:52.240
<v Speaker 1>Correctly, No, like if the s was about to go down?

0:23:52.880 --> 0:23:53.639
<v Speaker 2>Yeah, I guess so.

0:23:55.320 --> 0:23:57.640
<v Speaker 1>And as a refresher, of course, Clinty Sort was a good,

0:23:57.720 --> 0:23:59.760
<v Speaker 1>Lee Van Kleep was a bad and Eli Wallach was

0:23:59.840 --> 0:24:04.080
<v Speaker 1>the ugly anyway, I know, do you want to bust

0:24:04.080 --> 0:24:04.960
<v Speaker 1>that one out for us.

0:24:09.320 --> 0:24:09.640
<v Speaker 2>Like that?

0:24:10.040 --> 0:24:10.720
<v Speaker 1>Yeah? That was great.

0:24:11.400 --> 0:24:14.040
<v Speaker 2>I got another one too. There's actually a name you

0:24:14.040 --> 0:24:17.199
<v Speaker 2>know that whistling part where eld Driver is going to

0:24:18.400 --> 0:24:21.240
<v Speaker 2>kill the bride at the very beginning of Kill Bill

0:24:21.320 --> 0:24:28.199
<v Speaker 2>Volume one. Yeah, that song is called Twisted Nerve and

0:24:28.240 --> 0:24:30.840
<v Speaker 2>it's like the creepiest song you've ever heard in your life.

0:24:30.920 --> 0:24:33.480
<v Speaker 2>And it's from a nineteen sixty eight British thriller called

0:24:33.520 --> 0:24:35.800
<v Speaker 2>Twisted Nerve. You know the song I'm talking about.

0:24:36.720 --> 0:24:38.840
<v Speaker 1>I mean, i'd probably recognize that it's been wat since

0:24:38.840 --> 0:24:39.520
<v Speaker 1>I've seen that though.

0:24:39.600 --> 0:24:42.200
<v Speaker 2>It's just creepsville. And for some reason, I think it's

0:24:42.240 --> 0:24:45.840
<v Speaker 2>because it's whistled in part is why it's creepy. It's

0:24:45.840 --> 0:24:46.600
<v Speaker 2>a creepy song.

0:24:47.280 --> 0:24:48.720
<v Speaker 1>All right, I'll have to check that out. You want

0:24:48.760 --> 0:24:49.679
<v Speaker 1>to take a stab at it her?

0:24:49.760 --> 0:25:03.080
<v Speaker 2>Now? Sure you know the song?

0:25:04.000 --> 0:25:05.280
<v Speaker 1>No, but I feel like applauding.

0:25:06.880 --> 0:25:09.879
<v Speaker 2>I think we should overdub the actual song where I

0:25:09.960 --> 0:25:12.520
<v Speaker 2>start just impress everybody.

0:25:12.960 --> 0:25:16.120
<v Speaker 1>That'd be pretty great. Of course, we have to name

0:25:16.200 --> 0:25:19.359
<v Speaker 1>the fact that sometimes people will whistle as a character.

0:25:20.440 --> 0:25:24.760
<v Speaker 1>Let's say, if you're Woodstock in Peanuts, Jason Saranus did

0:25:24.760 --> 0:25:29.240
<v Speaker 1>the Woodstock whistles. And there's got any Percy Edwards who

0:25:29.600 --> 0:25:33.399
<v Speaker 1>is an animal impressionist and he voices whistles for a

0:25:33.400 --> 0:25:35.680
<v Speaker 1>lot of animated characters.

0:25:35.720 --> 0:25:39.040
<v Speaker 2>He also was the voice er I guess the character

0:25:39.119 --> 0:25:42.480
<v Speaker 2>of Fiz Gig in the Dark Crystal. Essentially that one

0:25:42.520 --> 0:25:43.600
<v Speaker 2>of the pets.

0:25:44.200 --> 0:25:47.960
<v Speaker 1>You just whistled, And what did I just whistle? What

0:25:48.040 --> 0:25:50.080
<v Speaker 1>did I do? I indicated something, didn't I?

0:25:50.280 --> 0:25:54.000
<v Speaker 2>You expressed emotion, in this case admiration or being impressed.

0:25:54.720 --> 0:25:57.960
<v Speaker 1>That's right, And what we're talking about is why people whistle.

0:25:58.040 --> 0:26:01.359
<v Speaker 1>And we've kind of poked around here and there. You

0:26:01.359 --> 0:26:03.280
<v Speaker 1>know first about the fact that there were languages and

0:26:03.280 --> 0:26:07.960
<v Speaker 1>stuff like that. If you lived in a mountainous region,

0:26:08.359 --> 0:26:11.040
<v Speaker 1>A very good way to communicate over a longer distance

0:26:11.119 --> 0:26:14.280
<v Speaker 1>like that and maybe give a direction is to have

0:26:14.320 --> 0:26:16.639
<v Speaker 1>some whistles that you agree on. Rather than try and

0:26:17.359 --> 0:26:20.840
<v Speaker 1>get someone to understand you saying you know, there is

0:26:20.880 --> 0:26:24.040
<v Speaker 1>wood over here, you might have a whistle that can

0:26:24.080 --> 0:26:26.920
<v Speaker 1>indicate that a little more clearly. Over a great echoe.

0:26:26.640 --> 0:26:30.080
<v Speaker 2>Distance, there's also yes. And that's the whole point. Echoe

0:26:30.119 --> 0:26:34.639
<v Speaker 2>distances are basically the basis of what are known as

0:26:34.680 --> 0:26:40.400
<v Speaker 2>whistled languages, and they're a whistled version of your local language.

0:26:40.400 --> 0:26:42.400
<v Speaker 2>So like if you were saying there's wood over there,

0:26:42.440 --> 0:26:48.160
<v Speaker 2>you'd be like, right, and it actually works, like your

0:26:48.200 --> 0:26:50.800
<v Speaker 2>whistle can travel way farther. I saw something like five

0:26:50.920 --> 0:26:54.440
<v Speaker 2>hundred and fifty meters on like a nice spring day,

0:26:54.960 --> 0:26:58.040
<v Speaker 2>compared to forty meters for just speech one hundred and

0:26:58.080 --> 0:27:01.679
<v Speaker 2>twenty meters for shouting. One hundred and fifty meters is

0:27:01.720 --> 0:27:05.440
<v Speaker 2>what your whistle will carry. And there's like neurologists and

0:27:05.560 --> 0:27:08.119
<v Speaker 2>linguists are just fascinated by this, Like how could you

0:27:08.320 --> 0:27:12.560
<v Speaker 2>kind of imitate a sentence in whistle and the receiver

0:27:13.240 --> 0:27:16.600
<v Speaker 2>here's the sentence essentially in the same way as if

0:27:16.640 --> 0:27:19.440
<v Speaker 2>you spoke it. Like it goes to show like there's

0:27:19.600 --> 0:27:22.280
<v Speaker 2>a lot that you can strip out of speech and

0:27:22.400 --> 0:27:25.440
<v Speaker 2>still get the point across. That's what whistle languages to you.

0:27:26.400 --> 0:27:28.240
<v Speaker 1>Yeah, I mean, if you think about it, there's only

0:27:28.280 --> 0:27:30.800
<v Speaker 1>a handful of words that you might want to communicate.

0:27:31.720 --> 0:27:34.040
<v Speaker 1>You don't have to say, hey, we have firewood over here.

0:27:34.440 --> 0:27:36.240
<v Speaker 1>You just have to be able to say fire here

0:27:36.880 --> 0:27:41.080
<v Speaker 1>or or vegetable here, you know, And you can just

0:27:41.119 --> 0:27:47.919
<v Speaker 1>combine very rudimentary expressions to one another informative expressions. What

0:27:47.920 --> 0:27:52.600
<v Speaker 1>would you call that? Information? Sure, an informative expression.

0:27:52.760 --> 0:27:54.679
<v Speaker 2>I like that, actually, I like that a lot more

0:27:54.760 --> 0:27:59.280
<v Speaker 2>than dumb old information. Also, the other person says, what

0:27:59.440 --> 0:28:03.280
<v Speaker 2>kind of a right, the initial person says tomatoes, and

0:28:03.320 --> 0:28:06.359
<v Speaker 2>the second person goes tomatoes a fruit, and the initial

0:28:06.400 --> 0:28:08.359
<v Speaker 2>person says, is it? And it just keeps going on

0:28:08.400 --> 0:28:10.560
<v Speaker 2>like this. But imagine people doing that whistling.

0:28:11.200 --> 0:28:15.080
<v Speaker 1>Yeah, that'd be pretty great. We have the legendary wolf whistle,

0:28:15.480 --> 0:28:20.399
<v Speaker 1>which of course is the that originated they believe as

0:28:20.440 --> 0:28:23.560
<v Speaker 1>a call like shepherds was used. Would use that to

0:28:23.600 --> 0:28:27.080
<v Speaker 1>communicate that there are wolves about, and then that evolved

0:28:27.480 --> 0:28:33.120
<v Speaker 1>to something that you know, a street manhole repair cover

0:28:33.240 --> 0:28:35.680
<v Speaker 1>person in New York City might do to any woman

0:28:35.720 --> 0:28:36.240
<v Speaker 1>that walks by.

0:28:36.280 --> 0:28:40.600
<v Speaker 2>Still supposedly, in twenty eighteen, France banned wolf whistling with

0:28:40.680 --> 0:28:43.760
<v Speaker 2>a seven hundred and fifty euro fine on the spot.

0:28:43.880 --> 0:28:45.600
<v Speaker 2>You would be like, you need to pay this on

0:28:45.680 --> 0:28:48.640
<v Speaker 2>the spot, And that fascinating because it's a it's a

0:28:48.640 --> 0:28:50.040
<v Speaker 2>form of sexual harassment.

0:28:50.920 --> 0:28:52.360
<v Speaker 1>Yeah, look at France.

0:28:52.200 --> 0:28:55.480
<v Speaker 2>And I saw that the or furthest back that a

0:28:55.640 --> 0:28:58.760
<v Speaker 2>wolf whistle in that context can be traced to is

0:28:58.800 --> 0:29:02.680
<v Speaker 2>that nineteen forty three Tech Savery cartoon Red Hot Riding Hood,

0:29:03.040 --> 0:29:06.240
<v Speaker 2>where the cartoon wolf is like watching Riding Hood like

0:29:06.320 --> 0:29:09.880
<v Speaker 2>perform on stage and just completely loses his mind.

0:29:10.280 --> 0:29:14.200
<v Speaker 1>Any wolf whistles, that's right, you know earlier the old uh?

0:29:15.600 --> 0:29:17.920
<v Speaker 1>I mean that can that one in itself can mean

0:29:17.960 --> 0:29:21.920
<v Speaker 1>several different things. You could be impressed by something and

0:29:21.960 --> 0:29:24.840
<v Speaker 1>go like that, or you could use it sort of

0:29:24.840 --> 0:29:28.400
<v Speaker 1>derisively if someone did something really embarrassing or bad at

0:29:28.400 --> 0:29:28.800
<v Speaker 1>a party.

0:29:29.400 --> 0:29:32.480
<v Speaker 2>True, you just made my stomach turn? Wow? Well yeah,

0:29:32.600 --> 0:29:35.800
<v Speaker 2>effect of a whistle in certain contexts.

0:29:35.400 --> 0:29:37.920
<v Speaker 1>And usually like an eye roll and something along with

0:29:37.960 --> 0:29:41.200
<v Speaker 1>it will help indicate that expression. But it's just really

0:29:41.240 --> 0:29:44.840
<v Speaker 1>fascinating how many different sort of you can express disappointment

0:29:44.960 --> 0:29:47.400
<v Speaker 1>or excitement, Like, how many different things you can do

0:29:47.440 --> 0:29:48.479
<v Speaker 1>from just a simple whistle.

0:29:48.600 --> 0:29:49.680
<v Speaker 2>Wonder where your car is?

0:29:50.680 --> 0:29:56.200
<v Speaker 1>Yeah, how would you do that? Wait? I thought that

0:29:56.280 --> 0:29:57.160
<v Speaker 1>was vegetable here.

0:29:59.280 --> 0:30:01.200
<v Speaker 2>And one other thing we have to talk about. We

0:30:01.240 --> 0:30:03.840
<v Speaker 2>mentioned communicating with animals, and we talked about this in

0:30:04.400 --> 0:30:08.440
<v Speaker 2>I think They're communicating with animals episode appropriately enough. The

0:30:08.480 --> 0:30:11.120
<v Speaker 2>greater honeyguide, which is a type of bird found in

0:30:11.160 --> 0:30:16.800
<v Speaker 2>Tanzania Mozambique that honey foragers. Human honey foragers have learned

0:30:16.840 --> 0:30:19.800
<v Speaker 2>to communicate to whistle to the greater honey guide to

0:30:19.840 --> 0:30:22.040
<v Speaker 2>get them to come out of the trees and lead

0:30:22.080 --> 0:30:23.240
<v Speaker 2>them to a beehive.

0:30:24.360 --> 0:30:24.959
<v Speaker 1>Amazing.

0:30:25.240 --> 0:30:29.120
<v Speaker 2>I love that. Communicating with animals, I think is just fantastic.

0:30:29.720 --> 0:30:32.640
<v Speaker 1>It's the best. Maybe we'll take a break in a sec,

0:30:32.720 --> 0:30:37.520
<v Speaker 1>but we'll go over some quick superstitions involving whistling, and

0:30:38.000 --> 0:30:40.040
<v Speaker 1>you know, instead of going through all these I think

0:30:40.600 --> 0:30:45.479
<v Speaker 1>they can all almost be lumped into. Whistling in a

0:30:45.520 --> 0:30:49.080
<v Speaker 1>certain place or at a certain time can bring bad luck.

0:30:50.680 --> 0:30:57.480
<v Speaker 1>It seems like Polynesia, Iceland, Hawaii, Mexico, Hong Kong, Scandinavia.

0:30:57.960 --> 0:31:01.360
<v Speaker 1>There's so many countries where if you whish, like I said,

0:31:01.480 --> 0:31:03.400
<v Speaker 1>in the wrong place or at the wrong time, it

0:31:03.440 --> 0:31:06.400
<v Speaker 1>can be a bad omen. It can mean there's ghosts about,

0:31:06.480 --> 0:31:10.600
<v Speaker 1>or there's spirits about, just sort of depending on when

0:31:10.640 --> 0:31:11.479
<v Speaker 1>and how it's done.

0:31:11.840 --> 0:31:15.640
<v Speaker 2>Yeah, usually it's whistling in the dark or after dark.

0:31:16.040 --> 0:31:18.120
<v Speaker 2>Is a terrible idea in a lot of these cultures

0:31:18.160 --> 0:31:20.840
<v Speaker 2>around the world, and that the bad luck that you're

0:31:20.880 --> 0:31:23.760
<v Speaker 2>going to bring yourself is summoning spirits, demons, that kind

0:31:23.840 --> 0:31:26.560
<v Speaker 2>of thing who will snatch your soul essentially. But I

0:31:26.600 --> 0:31:30.200
<v Speaker 2>find it fascinating that whistling in the dark or whistling

0:31:30.360 --> 0:31:34.760
<v Speaker 2>after nightfall is like almost a universal superstition.

0:31:35.840 --> 0:31:36.840
<v Speaker 1>Well, I've never heard of that.

0:31:37.120 --> 0:31:39.120
<v Speaker 2>I hadn't either, but I mean all of the different,

0:31:39.280 --> 0:31:45.880
<v Speaker 2>like widespread cultures that share that belief, it suggests that

0:31:46.320 --> 0:31:49.000
<v Speaker 2>it's a very very very old superstition.

0:31:49.600 --> 0:31:50.280
<v Speaker 1>Yeah, for sure.

0:31:51.160 --> 0:31:52.840
<v Speaker 2>So you want to take that break.

0:31:53.440 --> 0:31:56.040
<v Speaker 1>Yeah, we'll take the break and we'll talk more about

0:31:56.080 --> 0:32:19.400
<v Speaker 1>whistling and basically how you do it right after this. Okay,

0:32:26.080 --> 0:32:29.600
<v Speaker 1>all right, we're back with promise on teaching you to whistle.

0:32:30.640 --> 0:32:33.440
<v Speaker 1>It is very cute when you have a kid and

0:32:33.480 --> 0:32:37.480
<v Speaker 1>they try to learn to whistle and think and claim

0:32:37.520 --> 0:32:41.160
<v Speaker 1>that they are whistling when they are not. At least

0:32:41.160 --> 0:32:43.480
<v Speaker 1>that was my case early on, when Ruby was trying

0:32:43.480 --> 0:32:45.520
<v Speaker 1>to learn how to whistle, she'd be like, Daddy, I

0:32:45.520 --> 0:32:50.280
<v Speaker 1>can whistle. Oh, let's hear it. And what can you

0:32:50.320 --> 0:32:52.800
<v Speaker 1>say besides hey, that sounds great, keep at it.

0:32:53.800 --> 0:32:58.040
<v Speaker 2>You were like, and gave Brad and iyrol exactly and

0:32:58.080 --> 0:32:59.000
<v Speaker 2>she was like, what is that?

0:32:59.000 --> 0:33:02.960
<v Speaker 1>That is not even a whistle. But it does take

0:33:03.000 --> 0:33:05.440
<v Speaker 1>some time to learn how to whistle. Some people never learn,

0:33:06.040 --> 0:33:10.880
<v Speaker 1>but you can teach yourself. What you're doing basically is

0:33:11.440 --> 0:33:15.320
<v Speaker 1>creating your mouth becomes an instrument and becomes a chamber.

0:33:15.360 --> 0:33:20.400
<v Speaker 1>Basically where you are passing air from one small opening

0:33:20.920 --> 0:33:23.960
<v Speaker 1>from your lungs where the air comes from out of

0:33:24.160 --> 0:33:27.959
<v Speaker 1>your puckered lips. And you do that with the standard

0:33:28.000 --> 0:33:30.920
<v Speaker 1>pucker whistle by placing your tongue. And you might even

0:33:30.960 --> 0:33:32.480
<v Speaker 1>realize at first, I was like, wait a minute, the

0:33:32.480 --> 0:33:34.560
<v Speaker 1>tongu's not on the roof of your mouth. But the

0:33:34.600 --> 0:33:36.720
<v Speaker 1>tongue is absolutely at the roof of your mouth. The

0:33:36.840 --> 0:33:39.240
<v Speaker 1>very back of your tongue is at the very back

0:33:39.280 --> 0:33:42.360
<v Speaker 1>of the roof of your mouth, not the front of

0:33:42.400 --> 0:33:45.760
<v Speaker 1>your tongue. The front of your tongue is pressed against

0:33:45.800 --> 0:33:50.720
<v Speaker 1>the bottom row of teeth. And that's what you do.

0:33:50.840 --> 0:33:52.960
<v Speaker 1>You just start blowing. You form that O shape with

0:33:53.000 --> 0:33:55.360
<v Speaker 1>your mouth and just practice, practice.

0:33:54.960 --> 0:33:58.440
<v Speaker 2>Practice, Yeah, it's really neat. It's called the Helmholtz chamber

0:33:58.520 --> 0:34:01.000
<v Speaker 2>that you're forming, which is a type of resonance chamber.

0:34:01.440 --> 0:34:05.479
<v Speaker 2>And because you're forcing air through a large from smaller

0:34:05.520 --> 0:34:08.000
<v Speaker 2>holes into a larger hole back into a smaller hole

0:34:08.360 --> 0:34:11.560
<v Speaker 2>and your tongue's there by moving your tongue, you can

0:34:11.600 --> 0:34:14.640
<v Speaker 2>adjust like all sorts of weird currents that you're creating

0:34:14.640 --> 0:34:17.279
<v Speaker 2>in the air pressure and that creates the vibrations that

0:34:17.320 --> 0:34:19.560
<v Speaker 2>make the sound, which is why when you move your

0:34:19.600 --> 0:34:23.239
<v Speaker 2>tongue around, you change notes and pitch and timber and

0:34:23.280 --> 0:34:27.080
<v Speaker 2>all sorts of crazy stuff. And that's whistling. That's pucker whistling.

0:34:27.080 --> 0:34:29.879
<v Speaker 2>That's what you're doing. I love it. I love that

0:34:30.040 --> 0:34:34.480
<v Speaker 2>there's like an explanation that makes total sense. It's deeply

0:34:34.520 --> 0:34:37.640
<v Speaker 2>satisfying to me. It would suck if we're like, we

0:34:37.719 --> 0:34:40.399
<v Speaker 2>still don't know how we whistle. I think I would

0:34:40.400 --> 0:34:42.160
<v Speaker 2>lose my mind if that were the case.

0:34:43.120 --> 0:34:45.320
<v Speaker 1>Yeah, And you know, when we're saying things like moving

0:34:45.320 --> 0:34:48.040
<v Speaker 1>your tongue around and the tongue is pressed against the

0:34:48.040 --> 0:34:50.040
<v Speaker 1>top of your mouth, like if you don't know how

0:34:50.040 --> 0:34:52.200
<v Speaker 1>to whistle, and that's frustrating you and you're just moving

0:34:52.200 --> 0:34:55.520
<v Speaker 1>your tongue all over the place, it's they're very very

0:34:55.560 --> 0:34:58.880
<v Speaker 1>subtle movements. Like I said, I didn't even realize my

0:34:58.960 --> 0:35:01.359
<v Speaker 1>tongue was a against the back of the roof of

0:35:01.360 --> 0:35:04.239
<v Speaker 1>my mouth. I didn't either until I started whistling and

0:35:04.280 --> 0:35:05.759
<v Speaker 1>I was like, oh, wait a minute, I guess it is.

0:35:06.239 --> 0:35:10.360
<v Speaker 1>And then the back of my tongue, very subtly moving

0:35:10.440 --> 0:35:13.279
<v Speaker 1>back and forth against the back of the roof of

0:35:13.320 --> 0:35:17.240
<v Speaker 1>my mouth is what creates the different tones and pitches

0:35:17.280 --> 0:35:20.319
<v Speaker 1>and warbles and what have you. So it's not it's

0:35:20.360 --> 0:35:23.000
<v Speaker 1>just all just very, very slight movements. You're going to

0:35:23.040 --> 0:35:25.200
<v Speaker 1>frustrate yourself if you don't know how to whistle and

0:35:25.239 --> 0:35:27.839
<v Speaker 1>you're trying just all these crazy things with your tongue

0:35:27.840 --> 0:35:28.319
<v Speaker 1>in your mouth.

0:35:28.400 --> 0:35:32.960
<v Speaker 2>Yeah. Chris Olman, that champion professional whistler, he spoke with

0:35:33.080 --> 0:35:36.279
<v Speaker 2>Vox and said, I'll give you four steps to whistling. First,

0:35:36.320 --> 0:35:39.120
<v Speaker 2>form and O with the shape of your mouth. Second,

0:35:39.160 --> 0:35:41.400
<v Speaker 2>press the tip of your tongue to your teeth, usually

0:35:41.480 --> 0:35:43.799
<v Speaker 2>the bottom row of the inside of the bottom row

0:35:43.800 --> 0:35:46.080
<v Speaker 2>of your teeth. And then he said, blow gently. This

0:35:46.160 --> 0:35:49.640
<v Speaker 2>is important. You want your air to be focused and constant,

0:35:49.960 --> 0:35:53.680
<v Speaker 2>not necessarily hard. The hearder you blow, it's actually it

0:35:53.719 --> 0:35:56.480
<v Speaker 2>makes it more difficult to whistle. You just wanted to

0:35:56.560 --> 0:36:00.960
<v Speaker 2>kind of blow concertedly but not hard. And then lastly,

0:36:01.320 --> 0:36:03.879
<v Speaker 2>you just keep practicing. And the way that he put

0:36:03.880 --> 0:36:08.560
<v Speaker 2>it is you practice each one of those steps in secession.

0:36:08.640 --> 0:36:11.000
<v Speaker 2>So you just keep forming an over and over until

0:36:11.000 --> 0:36:12.959
<v Speaker 2>you've got the mouth position going.

0:36:13.400 --> 0:36:17.640
<v Speaker 1>Yeah. I feel good because my steps were exactly like

0:36:17.680 --> 0:36:18.160
<v Speaker 1>the pros.

0:36:18.719 --> 0:36:21.480
<v Speaker 2>Yeah, I guess you just intuitively knew how to whistle.

0:36:21.520 --> 0:36:23.399
<v Speaker 2>You just taught yourself like that? Is that what you're saying?

0:36:24.239 --> 0:36:25.840
<v Speaker 1>No, no, no, I'm saying the way I described it

0:36:25.880 --> 0:36:28.560
<v Speaker 1>how to do it was. Oh, of course he's.

0:36:28.400 --> 0:36:30.440
<v Speaker 2>A pro, So you're a pro podcaster.

0:36:33.320 --> 0:36:36.760
<v Speaker 1>So should we talk a little bit about famous whistling stuff?

0:36:36.800 --> 0:36:38.560
<v Speaker 2>I think so. I mean, at the very least, we

0:36:38.600 --> 0:36:40.120
<v Speaker 2>have to talk about to Have and Have Not?

0:36:41.840 --> 0:36:45.200
<v Speaker 1>Uh yeah, the I mean take it away.

0:36:44.960 --> 0:36:48.880
<v Speaker 2>Then, okay. So there's an adaptation of a Hemingway novel

0:36:48.960 --> 0:36:54.040
<v Speaker 2>To Have and Have Not, with Lauren Bacall and Humphrey Bogart,

0:36:54.200 --> 0:36:56.960
<v Speaker 2>and there's a very famous line where Bacaull says, you

0:36:56.960 --> 0:36:59.319
<v Speaker 2>know how to whistle, don't you, Steve? You just put

0:36:59.320 --> 0:37:03.200
<v Speaker 2>your lips together and blow. And that's probably the most

0:37:03.280 --> 0:37:07.400
<v Speaker 2>famous movie line about whistling ever. Uttered everybody knows that one.

0:37:07.640 --> 0:37:09.440
<v Speaker 2>Then you might not know a movie it's from or

0:37:09.440 --> 0:37:13.000
<v Speaker 2>who said it, but you've heard that line. Don't even

0:37:13.080 --> 0:37:13.720
<v Speaker 2>kid yourself.

0:37:15.320 --> 0:37:18.280
<v Speaker 1>The very famous whistle while you work from Stow White

0:37:18.320 --> 0:37:21.960
<v Speaker 1>and the Seven Doors. Of course, the Andy Griffith Show.

0:37:22.760 --> 0:37:25.200
<v Speaker 1>I remember very distinctly when my brother, when I first

0:37:25.360 --> 0:37:28.960
<v Speaker 1>visited him in Los Angeles in the early nineties, he

0:37:29.560 --> 0:37:32.080
<v Speaker 1>drove me up and up and around, and finally I

0:37:32.120 --> 0:37:35.319
<v Speaker 1>came upon through the Hollywood Hills and I came upon

0:37:35.360 --> 0:37:37.440
<v Speaker 1>this weird lake and I was like, well, what is this?

0:37:37.640 --> 0:37:40.520
<v Speaker 1>And he just started whistling Andy Griffith and I was like, no,

0:37:41.360 --> 0:37:45.480
<v Speaker 1>He's like, yep, this is it. I knew it wasn't Mayberry,

0:37:45.480 --> 0:37:47.359
<v Speaker 1>but I didn't know really anything about how movies were

0:37:47.360 --> 0:37:49.960
<v Speaker 1>made at the time. Sure, so it was just surprising

0:37:50.040 --> 0:37:52.400
<v Speaker 1>to see that, Like the bat Cave is the Hollywood

0:37:52.480 --> 0:37:54.880
<v Speaker 1>Hills and the Andy Griffith Lake is right there.

0:37:55.400 --> 0:38:01.600
<v Speaker 2>Yeah, same with the Hills in mash the Hills of Korea. Yeah,

0:38:01.640 --> 0:38:03.560
<v Speaker 2>there's a lot of songs too. We gotta we gotta

0:38:03.680 --> 0:38:05.840
<v Speaker 2>name check a few of these songs that have whistling

0:38:05.880 --> 0:38:09.480
<v Speaker 2>in them. Yes, there's walk like an Egyptian. It's a

0:38:09.480 --> 0:38:18.880
<v Speaker 2>good one, precisely, Okay, Yeah, demonstrate them all. Otis Redding's

0:38:18.880 --> 0:38:22.720
<v Speaker 2>Dock of the Bay very nice.

0:38:23.760 --> 0:38:25.920
<v Speaker 1>My whistle is very dry. Right now, I'm not at

0:38:25.920 --> 0:38:26.520
<v Speaker 1>my top.

0:38:26.360 --> 0:38:29.000
<v Speaker 2>Form Scorpions, Winds of Change.

0:38:29.239 --> 0:38:31.280
<v Speaker 1>I can't think of that one. I know that song?

0:38:31.440 --> 0:38:31.880
<v Speaker 1>What is it?

0:38:35.760 --> 0:38:39.600
<v Speaker 2>Oh, that's right, Yeah, it's good. There's also a bunch

0:38:39.640 --> 0:38:43.040
<v Speaker 2>of others. Me and Julio down by the schoolyard, Don't worry,

0:38:43.080 --> 0:38:47.720
<v Speaker 2>be Happy. Maybe the iconic whistling song, that one sudden

0:38:47.800 --> 0:38:50.360
<v Speaker 2>part where Axel Roses starts whistling in patience.

0:38:50.520 --> 0:38:53.359
<v Speaker 1>Yeah, that was on my list. That's a great whistle.

0:38:53.719 --> 0:38:55.719
<v Speaker 2>Lile, I Love You The Pixies song.

0:38:56.239 --> 0:39:00.000
<v Speaker 1>Uh huh yeah, yeah, I'm going to see them next week.

0:39:00.280 --> 0:39:03.359
<v Speaker 2>You're going to see the Pixies yea where.

0:39:03.400 --> 0:39:05.560
<v Speaker 1>They're playing Chastain with Modest Mouse.

0:39:06.320 --> 0:39:08.879
<v Speaker 2>Oh neat, So is Kim deal back with them yet?

0:39:08.960 --> 0:39:09.160
<v Speaker 2>Or no?

0:39:09.400 --> 0:39:11.399
<v Speaker 1>Oh no, no, no, she's she's never coming back.

0:39:11.960 --> 0:39:12.480
<v Speaker 2>Oh okay.

0:39:12.560 --> 0:39:15.799
<v Speaker 1>And not only that, they kicked out pause their their

0:39:15.840 --> 0:39:17.719
<v Speaker 1>bass player that they've had for the past eight or

0:39:17.760 --> 0:39:18.480
<v Speaker 1>nine years.

0:39:18.760 --> 0:39:21.479
<v Speaker 2>Wow. We black Francis is going on a tear.

0:39:21.600 --> 0:39:24.160
<v Speaker 1>Huh yeah. I don't want to speak out of school

0:39:24.200 --> 0:39:26.000
<v Speaker 1>about why that may or may not have happened, but

0:39:26.200 --> 0:39:30.320
<v Speaker 1>it seems fairly disappointing from what I've read. Wow, yeah,

0:39:30.400 --> 0:39:31.360
<v Speaker 1>but I'm still going.

0:39:32.360 --> 0:39:35.920
<v Speaker 2>Uh, what else was there? Oh? Mariah Carey is a

0:39:35.920 --> 0:39:36.760
<v Speaker 2>famous whistler.

0:39:37.320 --> 0:39:41.080
<v Speaker 1>Well, eh, I know you're kidding around there. Mariah Carey

0:39:41.480 --> 0:39:46.960
<v Speaker 1>is noted for singing in what's called the flute register,

0:39:47.160 --> 0:39:50.719
<v Speaker 1>or the whistle register, which is a vocal register. It's

0:39:50.719 --> 0:39:53.960
<v Speaker 1>the highest one in the vocal register, higher than falsetto.

0:39:54.040 --> 0:39:57.560
<v Speaker 1>Even that very very few people can do. And they

0:39:57.560 --> 0:40:00.320
<v Speaker 1>call it the whistle register or the flute register because

0:40:00.680 --> 0:40:03.320
<v Speaker 1>those pitches can generally only be made by flutes and

0:40:03.320 --> 0:40:06.600
<v Speaker 1>whistles rather than a singer like Mariah.

0:40:06.760 --> 0:40:09.520
<v Speaker 2>Once you hear it described as the whistle register, and

0:40:09.560 --> 0:40:11.440
<v Speaker 2>you hear those notes that she's sitting, you're like, oh

0:40:11.480 --> 0:40:13.520
<v Speaker 2>my god, that sounds exactly like a whistle. It's like

0:40:13.520 --> 0:40:16.520
<v Speaker 2>a perfect name for it. Yeah, but she's singing it.

0:40:16.520 --> 0:40:20.520
<v Speaker 2>It's absurd. Yeah, and all it should be essentially impossible

0:40:20.600 --> 0:40:23.240
<v Speaker 2>what she's doing. She's not the only one. Minnie Ripperton

0:40:23.360 --> 0:40:27.080
<v Speaker 2>is another famous one who hit the whistles register. Yeah,

0:40:27.120 --> 0:40:31.680
<v Speaker 2>the famous seventies souls songstress. All those are the two

0:40:31.719 --> 0:40:35.040
<v Speaker 2>of that come to mind. Okay, but that's I'm just

0:40:35.080 --> 0:40:36.640
<v Speaker 2>impressed to no end by that.

0:40:37.200 --> 0:40:40.239
<v Speaker 1>What about the what's the name Aguilera.

0:40:41.480 --> 0:40:42.400
<v Speaker 2>Christina Aguilera.

0:40:42.520 --> 0:40:44.480
<v Speaker 1>Yeah, Yeah, she's got that whistle range. I've heard it.

0:40:45.280 --> 0:40:48.160
<v Speaker 2>Does she really sure? Okay?

0:40:48.239 --> 0:40:51.520
<v Speaker 1>I think she's there's a couple of younger artists. Actually,

0:40:51.719 --> 0:40:53.600
<v Speaker 1>she's not one of the younger artists anymore either.

0:40:53.640 --> 0:40:56.839
<v Speaker 2>Really No, we're pretty old chun Yeah. Uh.

0:40:57.080 --> 0:41:01.920
<v Speaker 1>You mentioned those competitions. The I think granddaddy of them

0:41:01.960 --> 0:41:05.560
<v Speaker 1>all was shuttered unfortunately in twenty fourteen. It started nineteen

0:41:05.600 --> 0:41:09.200
<v Speaker 1>seventy three, the Louisbourg or louis Bourg, I don't know

0:41:09.239 --> 0:41:12.480
<v Speaker 1>how they say it. They're in North Carolina, and it

0:41:12.560 --> 0:41:14.879
<v Speaker 1>was a big one, and like I said, it shut

0:41:14.880 --> 0:41:18.920
<v Speaker 1>down in twenty fourteen, and I believe it's now just

0:41:19.000 --> 0:41:21.520
<v Speaker 1>its own event. It was part of the Louisbourg College

0:41:21.520 --> 0:41:25.239
<v Speaker 1>Folk Festival and now it's the National Whistlers Convention. So

0:41:25.880 --> 0:41:27.560
<v Speaker 1>it more morphed then shut down.

0:41:28.040 --> 0:41:30.960
<v Speaker 2>Yeah. I think it just became so popular people are like,

0:41:30.960 --> 0:41:34.160
<v Speaker 2>we want this to be its own event. Yeah. Somehow,

0:41:34.200 --> 0:41:36.759
<v Speaker 2>for some reason in twenty fourteen, that was the last one,

0:41:37.719 --> 0:41:40.520
<v Speaker 2>and that was the competition that's featured on Pucker Up

0:41:40.560 --> 0:41:42.840
<v Speaker 2>by the way. That National Whistler's Convention, I think it

0:41:42.880 --> 0:41:47.760
<v Speaker 2>was international. And then luckily a ficionaudo named Caroline Kaufman,

0:41:48.239 --> 0:41:51.200
<v Speaker 2>who said, hey, we're going to keep this going, created

0:41:51.200 --> 0:41:56.600
<v Speaker 2>the Masters of Musical Whistling competition in Pasadena, I think

0:41:56.640 --> 0:41:59.360
<v Speaker 2>starting in twenty twenty. This year's and off year, but

0:41:59.440 --> 0:42:02.440
<v Speaker 2>the website promises it's coming back in twenty twenty five.

0:42:03.160 --> 0:42:07.240
<v Speaker 1>I love it. We should finish probably on some Guinness

0:42:07.280 --> 0:42:10.600
<v Speaker 1>records because my friend, if we want to take the

0:42:10.680 --> 0:42:14.759
<v Speaker 1>time and do a lot of paperwork, we could very

0:42:14.800 --> 0:42:17.919
<v Speaker 1>easily hold our own Guinness World record, and I kind

0:42:17.920 --> 0:42:21.320
<v Speaker 1>of think we should do it. What well, in twenty fourteen,

0:42:21.440 --> 0:42:23.640
<v Speaker 1>there was a Guinness record for the most people whistling

0:42:24.280 --> 0:42:27.239
<v Speaker 1>at the same time at a single venue, and it

0:42:27.360 --> 0:42:29.680
<v Speaker 1>was a mere eight hundred and fifty three people at

0:42:29.680 --> 0:42:33.800
<v Speaker 1>the Spring Harvest in the United Kingdom. We could bust

0:42:33.880 --> 0:42:36.920
<v Speaker 1>that record at one of our live shows very easily.

0:42:37.960 --> 0:42:40.359
<v Speaker 2>Oh yeah, we totally. That's a great idea. We got

0:42:40.360 --> 0:42:41.920
<v Speaker 2>to get that in the works chuck.

0:42:42.000 --> 0:42:45.160
<v Speaker 1>Yeah, which means who's going to do all the work,

0:42:46.480 --> 0:42:49.000
<v Speaker 1>because we talked about about, oh god, how much work

0:42:49.000 --> 0:42:50.640
<v Speaker 1>it is, and most people give up because there's so

0:42:50.719 --> 0:42:53.960
<v Speaker 1>much work to officially get a record, you know verified.

0:42:54.719 --> 0:42:59.360
<v Speaker 2>This feels like a jerry job. Oh yeah, right, what

0:42:59.440 --> 0:43:01.000
<v Speaker 2>are we going to get everybody to whistle?

0:43:01.920 --> 0:43:05.200
<v Speaker 1>Oh goodness, I mean probably the stuff you should know

0:43:05.840 --> 0:43:06.480
<v Speaker 1>jingle theme.

0:43:07.360 --> 0:43:09.440
<v Speaker 2>Oh that's a good idea. I was thinking winds are

0:43:09.520 --> 0:43:11.840
<v Speaker 2>change and we would invite the escorpions to sing a

0:43:11.880 --> 0:43:13.000
<v Speaker 2>capella to the whistling.

0:43:13.080 --> 0:43:14.839
<v Speaker 1>That's a good idea. We could just get up there

0:43:15.040 --> 0:43:24.360
<v Speaker 1>and go what were you doing?

0:43:25.680 --> 0:43:27.560
<v Speaker 2>I think it was a Christmas Carol. I don't know

0:43:27.600 --> 0:43:28.319
<v Speaker 2>which one though.

0:43:29.280 --> 0:43:31.640
<v Speaker 1>Wow. All right, well, as long as no one does

0:43:31.680 --> 0:43:34.640
<v Speaker 1>what you do, we'll be just fine.

0:43:34.640 --> 0:43:38.120
<v Speaker 2>I thought we harmonized quite nicely. Oh okay, Well, let's

0:43:38.120 --> 0:43:40.680
<v Speaker 2>talk about some world records, because yes, I agree, we

0:43:40.719 --> 0:43:43.120
<v Speaker 2>should break that one, and we'll ask Jerry to help

0:43:43.200 --> 0:43:43.600
<v Speaker 2>us with that.

0:43:44.360 --> 0:43:48.640
<v Speaker 1>We could do that everywhere, but probably DC, that's right,

0:43:49.320 --> 0:43:52.200
<v Speaker 1>or Atlanta. Well, we'll get in Atlanta.

0:43:52.760 --> 0:43:56.440
<v Speaker 2>Yeah, we'll see. So in two thousand and four, this

0:43:56.600 --> 0:44:00.719
<v Speaker 2>is insane. Okay, no, this isn't a saying. This is

0:44:00.800 --> 0:44:03.960
<v Speaker 2>still pretty impressive. Marco Ferrera in two thousand and four,

0:44:04.000 --> 0:44:09.440
<v Speaker 2>and then Luca Zoki or Zochi Nozoki in twenty fourteen.

0:44:10.160 --> 0:44:13.680
<v Speaker 2>They hold the record for the world's loudest whistle. They

0:44:13.719 --> 0:44:16.759
<v Speaker 2>each reached one hundred and twenty five decibels. Again, I

0:44:16.760 --> 0:44:19.160
<v Speaker 2>don't remember what episode we were in, but that's like

0:44:19.320 --> 0:44:23.240
<v Speaker 2>rock concert level decibels. I think it was our plane travel.

0:44:23.440 --> 0:44:25.600
<v Speaker 1>That's that is amazing. Yeah.

0:44:26.080 --> 0:44:29.799
<v Speaker 2>Yeah, uh, the one that really knocks my socks off, though,

0:44:30.200 --> 0:44:32.280
<v Speaker 2>Is the one that Joshua Lockert broke?

0:44:32.680 --> 0:44:35.880
<v Speaker 1>Oh the highest pitch? Yes, dude, I don't even know

0:44:35.880 --> 0:44:36.520
<v Speaker 1>what that means.

0:44:37.080 --> 0:44:39.480
<v Speaker 2>Okay, so he has the world record for the world's

0:44:39.680 --> 0:44:44.080
<v Speaker 2>highest whistle in frequency ten five hundred and ninety nine hertz,

0:44:44.560 --> 0:44:50.200
<v Speaker 2>which is almost eleven kill it hurts, right, go look

0:44:50.280 --> 0:44:54.160
<v Speaker 2>up on YouTube eleven kill it hurts tone. And I

0:44:55.480 --> 0:44:58.360
<v Speaker 2>played it and I had my volume up about halfway

0:44:58.600 --> 0:45:00.640
<v Speaker 2>and it was just silent, and I was like, is

0:45:00.640 --> 0:45:02.480
<v Speaker 2>this a prank? Is this a joke? Like somebody goes

0:45:02.480 --> 0:45:04.800
<v Speaker 2>around and puts up like videos like they're playing a tone,

0:45:04.800 --> 0:45:07.560
<v Speaker 2>but then doesn't put any sound to it. And I

0:45:07.640 --> 0:45:10.200
<v Speaker 2>turned it all the way up and only then could

0:45:10.239 --> 0:45:12.640
<v Speaker 2>I hear it. It was that high pitched. It was

0:45:12.719 --> 0:45:16.799
<v Speaker 2>almost above like audible range of hearing. That's how high

0:45:16.800 --> 0:45:19.840
<v Speaker 2>pitched it was. That guy did that with a whistle.

0:45:20.040 --> 0:45:22.920
<v Speaker 2>It was It's amazing. I didn't hear it, but just

0:45:22.960 --> 0:45:25.600
<v Speaker 2>from knowing what that tone sounds like, I can't imagine

0:45:25.719 --> 0:45:26.880
<v Speaker 2>a human being doing that.

0:45:28.239 --> 0:45:30.640
<v Speaker 1>I'm playing it right. Oh wait, turn it.

0:45:30.600 --> 0:45:34.680
<v Speaker 2>Way up, but keep your wineglasses out of the room

0:45:34.719 --> 0:45:35.960
<v Speaker 2>because they will shatter.

0:45:37.480 --> 0:45:41.080
<v Speaker 1>I'm hearing nothing, right, turn it up. No, it's up

0:45:41.120 --> 0:45:41.520
<v Speaker 1>all the way.

0:45:42.080 --> 0:45:45.960
<v Speaker 2>Okay, well that's what I'm saying, like it's it's amazing,

0:45:46.200 --> 0:45:48.239
<v Speaker 2>Like I finally did hear it. I can confirm it's

0:45:48.280 --> 0:45:49.080
<v Speaker 2>not just a prank.

0:45:49.680 --> 0:45:53.200
<v Speaker 1>Oh wait, I got it. Mm hm, oh my god.

0:45:53.800 --> 0:45:56.880
<v Speaker 2>Somebody whistled like that.

0:45:56.880 --> 0:45:57.680
<v Speaker 1>That's crazy.

0:45:58.440 --> 0:46:00.880
<v Speaker 2>Yeah, we should just tell everyon We've been playing it

0:46:00.920 --> 0:46:03.479
<v Speaker 2>this whole time, just to prove our point. You can't

0:46:03.520 --> 0:46:04.880
<v Speaker 2>hear it because it's so high.

0:46:05.080 --> 0:46:07.200
<v Speaker 1>Occasionally, ever since Ruby was a kid, I'll be in

0:46:07.200 --> 0:46:11.280
<v Speaker 1>the car here and there, and I'll go, everyone knows

0:46:11.360 --> 0:46:15.279
<v Speaker 1>I can sing lower than the new human, and then

0:46:15.320 --> 0:46:17.359
<v Speaker 1>she'll try and sing lower, and then I'll go, and I.

0:46:17.320 --> 0:46:20.720
<v Speaker 2>Can sing higher than any Oh, that's pretty high.

0:46:20.640 --> 0:46:22.360
<v Speaker 1>She will always, but it's not singing, of course, and

0:46:22.400 --> 0:46:25.000
<v Speaker 1>then she responds back fussly and is also not singing.

0:46:25.719 --> 0:46:29.120
<v Speaker 2>Do any of you have the whistle register ability?

0:46:29.480 --> 0:46:33.319
<v Speaker 1>Uh? No? No? And I feel bad that I really

0:46:33.440 --> 0:46:35.320
<v Speaker 1>lamed out on whistling, because I'm a prettyod whistle. I

0:46:35.360 --> 0:46:37.680
<v Speaker 1>can do some good warbles and stuff, but of course

0:46:37.760 --> 0:46:39.960
<v Speaker 1>under the gun, I'm all dry mouth. It's just not happening.

0:46:40.800 --> 0:46:41.600
<v Speaker 2>Were you nervous.

0:46:42.160 --> 0:46:51.000
<v Speaker 1>Yeah that too. I'm not no, but I'm not even

0:46:51.000 --> 0:46:51.880
<v Speaker 1>getting any warble.

0:46:51.920 --> 0:46:54.040
<v Speaker 2>It's like a beautiful little lark flew into the room.

0:46:54.080 --> 0:46:57.000
<v Speaker 1>As soon as we had stop, I'll be whistling like

0:46:57.040 --> 0:46:59.839
<v Speaker 1>a songbird. I guarantee it. It just I'm locking up right now.

0:47:00.719 --> 0:47:03.719
<v Speaker 2>I've got that last whistle was great. I've got one

0:47:04.080 --> 0:47:05.200
<v Speaker 2>little fact to share.

0:47:05.480 --> 0:47:05.840
<v Speaker 1>Okay.

0:47:06.680 --> 0:47:09.640
<v Speaker 2>So in one of the nineteen eighty four editions of

0:47:09.680 --> 0:47:12.800
<v Speaker 2>the British Medical Journal, there was a case study about

0:47:12.800 --> 0:47:16.120
<v Speaker 2>a patient who suffered a stroke and as they were recovering,

0:47:16.600 --> 0:47:20.040
<v Speaker 2>there are only way to communicate. They couldn't talk. They

0:47:20.080 --> 0:47:22.239
<v Speaker 2>had an elated mood. I saw it, described it so

0:47:22.320 --> 0:47:25.680
<v Speaker 2>imagine a really happy person who could only whistle. That's

0:47:25.680 --> 0:47:28.480
<v Speaker 2>how the guy was communicating as he came back as

0:47:28.480 --> 0:47:31.400
<v Speaker 2>he was recovering from his stroke. Isn't that amazing? I

0:47:31.440 --> 0:47:34.239
<v Speaker 2>couldn't talk. He whistled. He wasn't whistling in words. He

0:47:34.239 --> 0:47:38.560
<v Speaker 2>would just whistle as if he were communicating. That is

0:47:38.600 --> 0:47:43.120
<v Speaker 2>really sweet, I thought, so too. Yeah what else? Anything else?

0:47:43.360 --> 0:47:44.200
<v Speaker 1>I got nothing else?

0:47:44.920 --> 0:47:47.600
<v Speaker 2>Well then, everybody. That means, of course it's time for

0:47:47.719 --> 0:47:48.399
<v Speaker 2>listener mail.

0:47:50.840 --> 0:47:54.279
<v Speaker 1>Hey guys, this is a follow up on trash in

0:47:54.320 --> 0:47:57.439
<v Speaker 1>the book plug this seems just like a wonderful thing. Hey, guys,

0:47:57.440 --> 0:47:59.719
<v Speaker 1>wanted to write in and give an extra big hat

0:47:59.719 --> 0:48:02.680
<v Speaker 1>tip your recent New York City trash episode. What joy

0:48:02.719 --> 0:48:04.880
<v Speaker 1>That episode brought me. I live in New York City

0:48:05.280 --> 0:48:08.000
<v Speaker 1>and I have what one may say is an obsession

0:48:08.160 --> 0:48:11.520
<v Speaker 1>with trash here Wow started during COVID as I was

0:48:11.560 --> 0:48:14.360
<v Speaker 1>locked down with my partner who then lived on Roosevelt

0:48:14.360 --> 0:48:16.600
<v Speaker 1>Island and his apartment head views of the East River

0:48:17.040 --> 0:48:20.439
<v Speaker 1>the path of the container garbage barges from ninety first

0:48:20.440 --> 0:48:23.880
<v Speaker 1>Street Marine transfer Station. I watched them, made efforts to

0:48:23.960 --> 0:48:26.840
<v Speaker 1>identify them, film them, and eventually it led to me

0:48:26.840 --> 0:48:29.040
<v Speaker 1>writing a children's book about New York City trash.

0:48:29.360 --> 0:48:29.880
<v Speaker 2>Awesome.

0:48:30.400 --> 0:48:32.719
<v Speaker 1>It's so cool. Seeing the multitude of the garbage was

0:48:32.800 --> 0:48:36.200
<v Speaker 1>jarring and all very fascinating. The book is about Gary,

0:48:36.320 --> 0:48:40.040
<v Speaker 1>a city rat, and his adventures with Marge. The garbage barge.

0:48:40.440 --> 0:48:42.840
<v Speaker 1>Is definitely not a full capture of the city's garbage,

0:48:42.840 --> 0:48:45.680
<v Speaker 1>but a story of one of its many routes. I

0:48:45.719 --> 0:48:47.560
<v Speaker 1>now live in Brooklyn with my partner, so I no

0:48:47.640 --> 0:48:51.120
<v Speaker 1>longer have regular views of the garbage barges boo, but

0:48:51.239 --> 0:48:54.520
<v Speaker 1>I still visit the river to look at them. Needless

0:48:54.520 --> 0:48:56.960
<v Speaker 1>to say, I love your other previous garbage related episodes

0:48:57.000 --> 0:48:59.040
<v Speaker 1>as well, and I want to say general thank you

0:48:59.080 --> 0:49:01.320
<v Speaker 1>for your show. I've been a listener since twenty sixteen,

0:49:01.760 --> 0:49:05.280
<v Speaker 1>learn so much from you across so many topics. And lastly,

0:49:05.360 --> 0:49:07.360
<v Speaker 1>I'm greatly looking forward to your live show in New

0:49:07.440 --> 0:49:09.640
<v Speaker 1>York at the end of the month. That is from

0:49:10.000 --> 0:49:13.160
<v Speaker 1>Jessica Chang in Brooklyn, New York. And Jessica's book is

0:49:13.440 --> 0:49:15.960
<v Speaker 1>Gary meets Margethebarge.

0:49:16.719 --> 0:49:20.520
<v Speaker 2>That's awesome. Congratulations, Jessica. That's a great book idea. Yeah,

0:49:20.560 --> 0:49:21.920
<v Speaker 2>I gotta get that one.

0:49:22.080 --> 0:49:25.240
<v Speaker 1>So go go buy it, go to some independent bookseller

0:49:25.239 --> 0:49:27.200
<v Speaker 1>of your choice or look it up online and it's

0:49:27.280 --> 0:49:27.880
<v Speaker 1>port Jessica.

0:49:28.520 --> 0:49:31.080
<v Speaker 2>And then yeah, just walk in and say I'll take

0:49:31.160 --> 0:49:35.600
<v Speaker 2>one copy of Jerry meets Marche the Barge please, that's right,

0:49:35.960 --> 0:49:36.600
<v Speaker 2>and they'll go.

0:49:38.800 --> 0:49:40.600
<v Speaker 1>Another one.

0:49:41.840 --> 0:49:43.799
<v Speaker 2>If you want to be like Jessica and let us

0:49:43.800 --> 0:49:46.200
<v Speaker 2>know about an awesome book you wrote, we would love

0:49:46.239 --> 0:49:48.680
<v Speaker 2>to hear that. You can write about your book in

0:49:48.760 --> 0:49:51.440
<v Speaker 2>an email and send it off to Stuff podcast at

0:49:51.440 --> 0:49:55.799
<v Speaker 2>iHeartRadio dot com.

0:49:55.920 --> 0:49:58.799
<v Speaker 1>Stuff you Should Know is a production of iHeartRadio. For

0:49:58.880 --> 0:50:03.080
<v Speaker 1>more podcasts, my heart Radio, visit the iHeartRadio app, Apple podcasts,

0:50:03.160 --> 0:50:05.000
<v Speaker 1>or wherever you listen to your favorite shows.