WEBVTT - Priyanka Chopra Jonas: From Bollywood to Hollywood 

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<v Speaker 1>I feel the more capable of dealing with life if

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<v Speaker 1>it's thrown at me. I feel a lot more at peace.

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<v Speaker 1>I feel the mean to choose joy.

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<v Speaker 2>Welcome to She Pivots, the podcast where we talk with

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<v Speaker 2>women who dared to pivot out of one career and

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<v Speaker 2>into something new and explore how their personal lives impacted

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<v Speaker 2>these decisions. I'm your host, Emily Tish Sussman.

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<v Speaker 1>Hi.

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<v Speaker 2>Everyone, I apologize if my voice is a little scratchy.

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<v Speaker 2>I hosted my two daughters third and fifth birthday party

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<v Speaker 2>over the weekend and I am left physically drained. But

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<v Speaker 2>I'm very excited to bring you this week's episode with

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<v Speaker 2>Prianca Chopra Jonas. She has been a dream guest of

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<v Speaker 2>mine since forever. Her pivot from Bollywood to Hollywood at

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<v Speaker 2>the height of her career has always intrigued me, but

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<v Speaker 2>in truth, I thought her other ventures, like in the

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<v Speaker 2>restaurant industry, hair care products, philanthropy, and investments might be

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<v Speaker 2>the focus of our discussion. Though she does own the

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<v Speaker 2>restaurant Sona in New York City and have her hair

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<v Speaker 2>care line called Anomaly, her pivot into Hollywood was ultimately

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<v Speaker 2>what shaped and defined the new trajectory of her career.

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<v Speaker 2>During our conversation, Prianca dives into what it means to

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<v Speaker 2>be a new mom and how her definition of success

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<v Speaker 2>has changed over the years.

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<v Speaker 3>Enjoy I'm Priyanka and I'm an actor by profession, but

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<v Speaker 3>I enjoy doing a lot of things at the same time.

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<v Speaker 2>Which identity do you feel like you're the strongest in

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<v Speaker 2>at any moment.

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<v Speaker 1>I feel like I know my craft as an actor

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<v Speaker 1>the most. But I think I'm a homebody, like I

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<v Speaker 1>love family, friends, being at home always since I was

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<v Speaker 1>a kid, being that person like looking for adventure. But

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<v Speaker 1>I think I identify most as an actor.

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<v Speaker 2>So if we go back to little pre growing up,

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<v Speaker 2>what did you think you wanted to be when you

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<v Speaker 2>grew up.

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<v Speaker 1>I had amazing examples with my parents, with my aunts

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<v Speaker 1>and uncles. Everyone was very academic, you know, doctors, engineers,

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<v Speaker 1>but everyone went to work. There was a consistency around

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<v Speaker 1>the fact that people could work and then you come

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<v Speaker 1>back home and everyone has dinner together. There was a

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<v Speaker 1>normality around it. So I just wanted to be something

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<v Speaker 1>different every year. Some days I was just like, I

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<v Speaker 1>don't want to do anything when I grow up. I

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<v Speaker 1>want to be an adult because in your brain you

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<v Speaker 1>think that adults really can do nothing right. And then

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<v Speaker 1>there were days I wanted to be like an astrophysicist,

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<v Speaker 1>So I had my days. I think I hadn't finished

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<v Speaker 1>figuring out what and who I wanted to be when

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<v Speaker 1>I fell upon my vocation, you know, yeah, and then

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<v Speaker 1>became my job.

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<v Speaker 4>Yeah.

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<v Speaker 2>Well, you moved back and forth or into the US

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<v Speaker 2>and kind of around the US a lot when you

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<v Speaker 2>were young. How do you think that that impacted your

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<v Speaker 2>perception of what it meant to be like grown up

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<v Speaker 2>or how you were going to be a grown up?

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<v Speaker 1>Coming to the US when I was thirteen definitely defined

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<v Speaker 1>me in a big way because my mom went back

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<v Speaker 1>home and she went to India, and I was living

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<v Speaker 1>with my aunt and uncle, who were highly strict and

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<v Speaker 1>conservative because obviously I was somebody else's teenager that was

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<v Speaker 1>living with them, and I wasn't an easy kid. I

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<v Speaker 1>didn't make it very easy on them. But I think

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<v Speaker 1>I already thought I was an adult because now I

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<v Speaker 1>was living without my parents, and I had moved continents,

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<v Speaker 1>and I thought that I had done so much that

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<v Speaker 1>other kids my age hadn't done. So I used to

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<v Speaker 1>write letters to my friends from America and being like, oh, yeah,

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<v Speaker 1>you know, make up stuff, like I went to the

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<v Speaker 1>mall and it was just so fun. I really thought

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<v Speaker 1>I was a grown up for my whole teenage years.

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<v Speaker 2>Was it sort of a shock to move back to

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<v Speaker 2>India with your parents and you're like, oh, yeah, my

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<v Speaker 2>parents again.

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<v Speaker 1>Yeah, that was a shock because mine was really unique

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<v Speaker 1>as a story because I lived with my aunt and uncle,

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<v Speaker 1>my mom's sister, and my cousins in you know, Boston,

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<v Speaker 1>New York. I was for like a good three four years,

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<v Speaker 1>so I was like twelve thirteen, and then I was sixteen,

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<v Speaker 1>and then suddenly I go back to a small town

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<v Speaker 1>in India, and my parents were so happy that I

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<v Speaker 1>was back. But I went like, you know, a flat

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<v Speaker 1>chested twelve year old, and I came back home American

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<v Speaker 1>hormones and all like a curvy sixteen year old. And

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<v Speaker 1>my dad, I think was intimidated by me. I think

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<v Speaker 1>he was just like, I don't know what to do

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<v Speaker 1>with this, you know, girl child woman that I had

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<v Speaker 1>in my home. So he had to really grapple with that.

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<v Speaker 1>And I, you know, had come back from this. I

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<v Speaker 1>was very confident. I liked attention I loved boys. At

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<v Speaker 1>this time, I had just figure out that I was

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<v Speaker 1>a girl and had crushes, and so suddenly I felt

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<v Speaker 1>really grown up compared to the other sixteen year olds

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<v Speaker 1>in Burreley, which is a small town in India, where

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<v Speaker 1>they used to listen to my stories that like as

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<v Speaker 1>if there were adventures from across the like almost like

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<v Speaker 1>a pirate. I felt like I could I could tell

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<v Speaker 1>anyone any story and there would be like an arrested

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<v Speaker 1>audience listening to me. It was really was. It was fun.

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<v Speaker 2>Sounds actually really fun. So did you feel like going

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<v Speaker 2>into pageants felt like kind of natural then, because it

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<v Speaker 2>was around that time that you started right, You're so.

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<v Speaker 1>Right, I think in my vain teenage mind, you know.

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<v Speaker 1>And I was really popular in my small town because

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<v Speaker 1>of the fact that I'd come back from the States,

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<v Speaker 1>and I used to behave like I was twenty two

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<v Speaker 1>even though I was sixteen with everyone, you know, the

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<v Speaker 1>younger girls in my school Army school would take autographs

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<v Speaker 1>from me and get me to sign their books and stuff.

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<v Speaker 1>And I was really feeling myself. Honestly, you know, I'm

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<v Speaker 1>more independent than any of these roles. They don't know

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<v Speaker 1>what it is to be a woman, and I take

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<v Speaker 1>these like soft focused small shots. So when I got

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<v Speaker 1>this phone call from Miss India, can you imagine my

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<v Speaker 1>like narcissistic self at sixteen, was like, oh my gosh,

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<v Speaker 1>they've probably heard about me.

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<v Speaker 2>In fact, it was actually her younger brother who submitted

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<v Speaker 2>her for the Miss India pageant after a sibling fight

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<v Speaker 2>over who would get the bedroom. He checked with their

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<v Speaker 2>mom that Brianca would have to move away if accepted,

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<v Speaker 2>and after confirming she would be out of the room,

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<v Speaker 2>he sent in an application. Okay, so you see this

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<v Speaker 2>ad in this matter.

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<v Speaker 1>Ten year old Sid sees this ad and he tells

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<v Speaker 1>my mom she'll have to move to Mumbai, right if

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<v Speaker 1>she wins this thing. Aca I didn't send my pictures

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<v Speaker 1>and stuff in for the pageant, and my mom and

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<v Speaker 1>my brother sentlers. My mother was sen years old. They

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<v Speaker 1>sent those pictures in from Miss India. Miss Indians was

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<v Speaker 1>very popular in India at that time. And you know

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<v Speaker 1>I've got a phone call for semi finals Miss India.

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<v Speaker 1>I think she might be the popular either India or

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<v Speaker 1>tasty Indian Missus. Of course. Polanka Chapra, very beautiful.

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<v Speaker 2>Lighty, eighteen years old, and she's a woman that loves sunts,

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<v Speaker 2>anouncing and no Indian fight.

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<v Speaker 1>And go school. Our next summer finalists, Miss India Popular.

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<v Speaker 2>Yeah, this pred to kick off the new millennium. Prianca

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<v Speaker 2>won Miss World in two thousand. The win launched her

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<v Speaker 2>into the spotlight and that confidence she had as a

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<v Speaker 2>teenager began to pay off. But I mean, you had

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<v Speaker 2>such success at it so quickly. Did it feel like

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<v Speaker 2>confirmation for you? Or did it feel scary a.

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<v Speaker 1>Little bit of bows? I realized like my nature. And

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<v Speaker 1>I was talking about this to my mom yesterday, So

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<v Speaker 1>it's really interesting that you're asking me that today. I

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<v Speaker 1>believe it. I was talking to her about consistent traits

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<v Speaker 1>that I've had since I was My mom's on tour

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<v Speaker 1>with me, so because she's with the baby when I

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<v Speaker 1>do press. My husband's on tour as well. So we

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<v Speaker 1>were talking last night about consistent things that I do,

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<v Speaker 1>which I have done since I was young. So you know,

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<v Speaker 1>like when I was three, I had this toy which

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<v Speaker 1>you know, if you hit it, it comes back. In India,

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<v Speaker 1>it was called to hit Me, So you hit it

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<v Speaker 1>and it just rolls back at you, and you hit

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<v Speaker 1>it and means to roll back at you, and somebody

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<v Speaker 1>gave it to me. My mom said, when I was

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<v Speaker 1>really like two or three, I hit it really hard

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<v Speaker 1>and it came back and smacked me, and I fell down,

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<v Speaker 1>and I got really scared of it. But the choice

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<v Speaker 1>I made when I was scared was I went back

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<v Speaker 1>and hit it and took the air out of it,

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<v Speaker 1>so then it could never hit me back, versus being

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<v Speaker 1>afraid of it for the rest of my life. So

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<v Speaker 1>I'm not want to run from a fight, like I'm

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<v Speaker 1>not one to run from a challenge or something that

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<v Speaker 1>scares me. And I think that's what happened at seventeen,

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<v Speaker 1>Like I didn't know the terrain I was in. I'd

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<v Speaker 1>never modeled before. I didn't have the experience of the

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<v Speaker 1>movie industry or the glamour industry or entertainment at all.

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<v Speaker 1>I'm thrown into this whole new world. My parents didn't

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<v Speaker 1>know it. They were both academic in a small town,

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<v Speaker 1>middle class family and here we are in big bad Mumbai,

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<v Speaker 1>and you know, there's It was just a whole change.

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<v Speaker 1>And I think the same circumstances, it was like, Okay,

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<v Speaker 1>let me figure out how to kill it, Like, how

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<v Speaker 1>am I going to be the one that wins this.

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<v Speaker 1>How am I going to be the one that fines

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<v Speaker 1>my nature's solution? Oriented I'm very like I can figure

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<v Speaker 1>out the steps to get towards my goal. At that time,

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<v Speaker 1>it was just instinctual, and my instinct just told me,

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<v Speaker 1>I've got to learn, I've got to observe, I've got

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<v Speaker 1>to see where I am and survive and in I

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<v Speaker 1>think that discipline. My career has always been that. I

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<v Speaker 1>never went to acting school. I learned on the job.

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<v Speaker 1>I was on movies. I observed my pole stars, my directors.

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<v Speaker 1>I figured out I learned the technical side of cinema

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<v Speaker 1>and filmmaking because I didn't know anything, so I kind

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<v Speaker 1>of had to figure it out.

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<v Speaker 2>Brand new to the industry, she had to either sink

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<v Speaker 2>or swim, So she dove in head first, learning everything

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<v Speaker 2>and everyone she could in the entertainment industry in India.

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<v Speaker 1>Yeah, I've had multiple situations in my life where just

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<v Speaker 1>you've got to just pivot and figure it out. And

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<v Speaker 1>this first case that I'm talking about was being thrown

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<v Speaker 1>into the deep end of pageants and I've never done that.

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<v Speaker 1>I've never modeled. I didn't know what it was like

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<v Speaker 1>to wear a gown or a sorry. I remember one

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<v Speaker 1>of the supermodels of the time, her name was Madelsafre.

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<v Speaker 1>She had told me, you know, you have to and walk.

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<v Speaker 1>Another one was Nionica at that time, Indian supermodel. You

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<v Speaker 1>have to kick the heel for the inside of a

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<v Speaker 1>gown or a starry or if anything is floor length,

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<v Speaker 1>you kick the inside of it. So by the time

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<v Speaker 1>it comes back, your second step is taken. You'll never

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<v Speaker 1>trip and you look like a model. And so those

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<v Speaker 1>little like hips that I observed that I ask and

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<v Speaker 1>befriended people, and you know that just kind of you

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<v Speaker 1>have to pivot and you have to survive human beings

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<v Speaker 1>inherently with survivors, and we have it inside of us.

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<v Speaker 1>We just have to have confidence and treat ourselves with

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<v Speaker 1>the faith that you can handle it. I think it

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<v Speaker 1>is a very scary thing to be able to pivot

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<v Speaker 1>into something that you don't know and that you're not

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<v Speaker 1>familiar with, that you don't have an understanding of. I

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<v Speaker 1>made a career out of it, so I used to

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<v Speaker 1>beat myself up about it all the time when I

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<v Speaker 1>had failures or if I didn't know something, you know,

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<v Speaker 1>I compared myself to people who had way more experience

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<v Speaker 1>than me. I wanted to run before I could walk,

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<v Speaker 1>and you can't do that. You kind of when you pivot.

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<v Speaker 1>You can't run when you pivot. You have to just

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<v Speaker 1>take a breath, take a second, take baby steps, take

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<v Speaker 1>one step at a time, find your balance and then run.

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<v Speaker 2>She took off running. She made her on screen debut

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<v Speaker 2>in two thousand and two and Bollywood debut in two

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<v Speaker 2>thousand and three. From then on, she did multiple movies

0:12:25.080 --> 0:12:28.880
<v Speaker 2>a year, becoming one of the most famous Bollywood actresses.

0:12:30.440 --> 0:12:35.960
<v Speaker 2>I'm so curious to know how your idea of success evolved. Like,

0:12:36.000 --> 0:12:37.760
<v Speaker 2>you know, when you were starting out in Bollywood, I

0:12:37.800 --> 0:12:39.360
<v Speaker 2>mean you did like four to five movies a year.

0:12:39.480 --> 0:12:41.960
<v Speaker 2>It was you did crazy volume of movies, Like was it?

0:12:42.080 --> 0:12:45.439
<v Speaker 1>I was greedy. I didn't want anyone else to get them.

0:12:46.000 --> 0:12:49.320
<v Speaker 1>That's true, man, Like you know, you're the flavor of

0:12:49.320 --> 0:12:52.560
<v Speaker 1>a season, and if you're the season's happening, you kind

0:12:52.559 --> 0:12:54.600
<v Speaker 1>of like got a cash in on it. So at

0:12:54.600 --> 0:12:58.960
<v Speaker 1>the beginning, success to me was having a next job, Like,

0:12:59.040 --> 0:13:01.200
<v Speaker 1>oh my gosh, I have my next shop. Okay, I

0:13:01.200 --> 0:13:02.959
<v Speaker 1>can breathe for another three months. Now, where am I

0:13:03.000 --> 0:13:05.520
<v Speaker 1>going to go? To next and like, who am I meeting?

0:13:05.559 --> 0:13:08.040
<v Speaker 1>Who's interested in me? What's my how do I keep

0:13:08.040 --> 0:13:11.839
<v Speaker 1>myself relevant? And that was success to me. And then

0:13:11.960 --> 0:13:15.960
<v Speaker 1>like a couple of years into being good at my

0:13:16.120 --> 0:13:20.000
<v Speaker 1>job now and people casting me in really interesting, complex roles,

0:13:20.320 --> 0:13:24.760
<v Speaker 1>winning accolades, I kind of found stability a little bit

0:13:25.240 --> 0:13:28.040
<v Speaker 1>and confidence in the fact that yeah I could. I

0:13:28.200 --> 0:13:30.760
<v Speaker 1>was going to keep getting work because you know, people

0:13:30.800 --> 0:13:33.600
<v Speaker 1>do like watching me in movies and the movies would

0:13:33.600 --> 0:13:36.440
<v Speaker 1>do well. And then I decided to move to America

0:13:36.840 --> 0:13:38.120
<v Speaker 1>started all over again.

0:13:40.280 --> 0:13:43.440
<v Speaker 2>It was a big risk. A few actors had moved

0:13:43.440 --> 0:13:46.240
<v Speaker 2>from Bollywood to Hollywood at the time, and all of

0:13:46.240 --> 0:13:49.720
<v Speaker 2>her relationships were in India, so pivoting to Hollywood meant

0:13:49.760 --> 0:13:53.120
<v Speaker 2>starting from scratch. But after a few years of getting

0:13:53.160 --> 0:13:55.600
<v Speaker 2>passed up for the dynamic roles she was looking for,

0:13:55.960 --> 0:13:58.960
<v Speaker 2>it was time to move on. She decided to follow

0:13:59.000 --> 0:14:01.960
<v Speaker 2>opportunity and when into the music industry as her path

0:14:02.040 --> 0:14:03.600
<v Speaker 2>to break into the American market.

0:14:04.960 --> 0:14:07.680
<v Speaker 1>And that was early thirties. I was like, oh gosh, now,

0:14:07.679 --> 0:14:09.959
<v Speaker 1>what has success to me? I wanted to be able

0:14:10.000 --> 0:14:12.480
<v Speaker 1>to not it was a big risk. You know, I

0:14:12.520 --> 0:14:17.880
<v Speaker 1>had a relatively relevant career in India and I was

0:14:17.920 --> 0:14:21.960
<v Speaker 1>compelled to pivot and come to the States. And I

0:14:22.000 --> 0:14:25.280
<v Speaker 1>was doing music at that time, but again something I

0:14:25.320 --> 0:14:27.720
<v Speaker 1>had never done before. So I was like, okay, thrown

0:14:27.760 --> 0:14:30.360
<v Speaker 1>into the deep end, working with like well, I am Pharrell,

0:14:30.960 --> 0:14:34.400
<v Speaker 1>read one these amazing producers. I was like, I just

0:14:34.440 --> 0:14:36.960
<v Speaker 1>got to figure it out. So I took classes, I learned,

0:14:37.040 --> 0:14:38.760
<v Speaker 1>and I just when the music came out, I felt

0:14:38.760 --> 0:14:42.960
<v Speaker 1>a little manufactured, but I very quickly was like, I

0:14:42.960 --> 0:14:45.280
<v Speaker 1>think I should go back to my day job, something

0:14:45.320 --> 0:14:47.120
<v Speaker 1>that I have a little bit more control about and

0:14:47.160 --> 0:14:50.280
<v Speaker 1>I know. And I started seeking work in America as

0:14:50.280 --> 0:14:53.840
<v Speaker 1>an actor. So I'm seeking work in America. People really

0:14:53.920 --> 0:14:57.920
<v Speaker 1>don't know me, and there was a stereotype around Bollywood

0:14:57.920 --> 0:15:01.360
<v Speaker 1>actors and kind of felt like, will she be able

0:15:01.400 --> 0:15:05.120
<v Speaker 1>to do mainstream work. I played so many different kinds

0:15:05.160 --> 0:15:08.320
<v Speaker 1>of roles, worked in many many different genres, worked with

0:15:08.400 --> 0:15:11.920
<v Speaker 1>incredible filmmakers. I want to be able to do that here.

0:15:12.040 --> 0:15:15.000
<v Speaker 1>I want to be able to work in international cinema.

0:15:15.080 --> 0:15:17.240
<v Speaker 1>I want to be able to work in different languages

0:15:17.280 --> 0:15:20.440
<v Speaker 1>in different industries, and I want to push myself. That

0:15:20.600 --> 0:15:23.560
<v Speaker 1>kind of took a little bit of breaking down ceilings

0:15:23.600 --> 0:15:27.400
<v Speaker 1>doing auditions, pivoting from what people thought I was capable of.

0:15:27.760 --> 0:15:30.160
<v Speaker 1>And I think then success was to get a job

0:15:30.240 --> 0:15:32.240
<v Speaker 1>where you know, I was a lead.

0:15:33.800 --> 0:15:37.760
<v Speaker 2>So like everyone else, she auditioned a change from roles

0:15:37.800 --> 0:15:39.960
<v Speaker 2>she had just been offered from the time she had

0:15:39.960 --> 0:15:43.320
<v Speaker 2>won Miss World. She eventually landed the lead role in

0:15:43.360 --> 0:15:47.400
<v Speaker 2>a primetime TV show, ABC's new thriller drama Quantico.

0:15:49.760 --> 0:15:53.600
<v Speaker 1>My name is Alex Parrish. Protecting our country had always

0:15:53.600 --> 0:15:56.040
<v Speaker 1>been my dream. I want to go. They say it's

0:15:56.040 --> 0:15:59.400
<v Speaker 1>the toughest boot camp, grad school all rolled into one.

0:15:59.640 --> 0:16:01.040
<v Speaker 2>Now, let's see if you can do that.

0:16:01.320 --> 0:16:04.960
<v Speaker 1>And So success and my relationship with success and what

0:16:05.000 --> 0:16:07.480
<v Speaker 1>it means has been different at different times, as it

0:16:07.520 --> 0:16:11.000
<v Speaker 1>is with everyone as your life and career changes. I

0:16:11.080 --> 0:16:15.000
<v Speaker 1>also do enjoy evolving as a human being and as

0:16:15.000 --> 0:16:16.920
<v Speaker 1>an artist, and I want to find like what the

0:16:16.960 --> 0:16:20.960
<v Speaker 1>next step is, what the next goal is. So I

0:16:21.120 --> 0:16:23.280
<v Speaker 1>just turned forty that last year as well, and I

0:16:23.320 --> 0:16:26.160
<v Speaker 1>feel like in this new decade of my life, I

0:16:26.240 --> 0:16:29.480
<v Speaker 1>kind of want to push myself as an artist and

0:16:29.600 --> 0:16:32.840
<v Speaker 1>see in this part of the world in America be

0:16:32.920 --> 0:16:37.520
<v Speaker 1>able to work with the diversity of characters that I

0:16:37.640 --> 0:16:39.800
<v Speaker 1>enjoyed in my work in Bollywood.

0:16:40.360 --> 0:16:43.120
<v Speaker 2>Brianca has an impressive roster of roles in movies in

0:16:43.200 --> 0:16:46.640
<v Speaker 2>Bollywood and has now established herself as a force with

0:16:46.720 --> 0:16:50.040
<v Speaker 2>her work in Hollywood. Just this spring, she has released

0:16:50.040 --> 0:16:54.520
<v Speaker 2>two major productions, her show Citadel on Amazon Prime and

0:16:54.600 --> 0:16:57.440
<v Speaker 2>her movie Love Again, which is out in theaters now.

0:16:58.240 --> 0:17:02.680
<v Speaker 2>To have to films slash shows coming out that are

0:17:02.800 --> 0:17:06.399
<v Speaker 2>so different when you play such different characters, what was

0:17:06.440 --> 0:17:09.520
<v Speaker 2>that like for you personally? Did they film in blocks

0:17:09.520 --> 0:17:11.600
<v Speaker 2>that you could just finish one and go to the next,

0:17:11.680 --> 0:17:13.240
<v Speaker 2>or did you have to go back and forth between

0:17:14.000 --> 0:17:14.960
<v Speaker 2>I am.

0:17:14.720 --> 0:17:17.280
<v Speaker 1>So lucky that this was filmed in blocks. Both of

0:17:17.320 --> 0:17:21.720
<v Speaker 1>them were. I shot Love Again twenty twenty like November,

0:17:22.119 --> 0:17:24.600
<v Speaker 1>November and December. We finished in two months, and then

0:17:24.720 --> 0:17:28.880
<v Speaker 1>January twenty twenty one I started Citadel and we finished

0:17:29.160 --> 0:17:32.080
<v Speaker 1>next year. I think June was a year and a

0:17:32.119 --> 0:17:32.960
<v Speaker 1>half of filming.

0:17:33.640 --> 0:17:36.360
<v Speaker 2>So your new show Citadel, which is out on Amazon

0:17:36.480 --> 0:17:38.880
<v Speaker 2>right now, is a type of show that has never

0:17:38.920 --> 0:17:41.440
<v Speaker 2>been done before, right, Yeah.

0:17:41.520 --> 0:17:44.639
<v Speaker 1>There's never been anything like this, not on film or

0:17:44.720 --> 0:17:50.080
<v Speaker 1>on TV. Where multiple installments around the world are being

0:17:50.119 --> 0:17:55.560
<v Speaker 1>created by local filmmakers, writers and top talent of industries.

0:17:56.160 --> 0:17:59.000
<v Speaker 1>The biggest industries in the world which are like India,

0:17:59.080 --> 0:18:04.760
<v Speaker 1>Italy and Hollywood right, So to have filmmakers and writers

0:18:04.800 --> 0:18:07.800
<v Speaker 1>and talent from all three of them and storytelling that

0:18:07.880 --> 0:18:12.960
<v Speaker 1>are interconnected is just a mammoth amazing ambition and is

0:18:13.000 --> 0:18:17.639
<v Speaker 1>so I think cool too, and has such amazing foresight.

0:18:17.720 --> 0:18:20.560
<v Speaker 1>If you think about where the global industry is actually

0:18:20.560 --> 0:18:24.280
<v Speaker 1>heading to. With streamers, people are not consuming entertainment just

0:18:24.400 --> 0:18:28.040
<v Speaker 1>made in their own countries or their own language anymore.

0:18:28.480 --> 0:18:31.919
<v Speaker 1>As someone who worked in Hindi language entertainment, to be

0:18:32.000 --> 0:18:38.080
<v Speaker 1>able to see viewers consuming all kinds of languages. It's

0:18:38.119 --> 0:18:41.920
<v Speaker 1>all about storytelling and the authenticity of the characters, and

0:18:42.000 --> 0:18:45.000
<v Speaker 1>it's so joyous to me. So I think the foresight

0:18:45.080 --> 0:18:49.320
<v Speaker 1>of Citadel is very cool and it's foreshadowing towards how

0:18:49.480 --> 0:18:50.480
<v Speaker 1>storytelling will be.

0:18:51.240 --> 0:18:53.880
<v Speaker 2>Do you see that as potentially your next I don't

0:18:54.040 --> 0:18:57.240
<v Speaker 2>want to call it pivot, but like bridging between the

0:18:57.280 --> 0:19:00.359
<v Speaker 2>Bollywood and Hollywood world, like to be in both versions.

0:19:00.840 --> 0:19:06.000
<v Speaker 1>Definitely, Definitely, that's like something that is I've always wanted

0:19:06.000 --> 0:19:08.320
<v Speaker 1>to do it, But I intend to do another Indian

0:19:08.359 --> 0:19:11.679
<v Speaker 1>movie next year with actually two of my active friends.

0:19:11.800 --> 0:19:14.960
<v Speaker 1>One is called Aliabat and another one's called Kacriina CAF.

0:19:14.960 --> 0:19:19.800
<v Speaker 1>They're amazing actresses and really successful superstars in India. So

0:19:19.840 --> 0:19:21.159
<v Speaker 1>the three of us decided we're going to do a

0:19:21.240 --> 0:19:23.760
<v Speaker 1>road trip movie together. So hopefully we do that next year.

0:19:24.240 --> 0:19:27.560
<v Speaker 1>But yes, the idea is there are very few actors

0:19:27.600 --> 0:19:32.360
<v Speaker 1>that have enjoyed the ability to work seamlessly between two

0:19:32.400 --> 0:19:35.439
<v Speaker 1>industries or two countries. You know, sama Hia did it

0:19:35.480 --> 0:19:38.439
<v Speaker 1>for a bit, Penelope Cruise has done it. The Filler

0:19:38.520 --> 0:19:41.439
<v Speaker 1>ended it with Italian movies. A Shwar I did it

0:19:41.480 --> 0:19:44.560
<v Speaker 1>with Indian movies back in the day. I don't take

0:19:44.600 --> 0:19:47.400
<v Speaker 1>that opportunity for granted. I want to definitely be able

0:19:47.440 --> 0:19:49.920
<v Speaker 1>to as long as people enjoy watching me. I want

0:19:49.920 --> 0:19:53.199
<v Speaker 1>to be able to work in both industries as much

0:19:53.240 --> 0:19:53.720
<v Speaker 1>as I can.

0:19:54.400 --> 0:19:56.480
<v Speaker 2>Okay, So I just have to also ask you about

0:19:56.520 --> 0:19:57.920
<v Speaker 2>the fact that you did a lot of your own

0:19:57.960 --> 0:20:00.560
<v Speaker 2>stunts for Nadia, right.

0:20:00.680 --> 0:20:05.639
<v Speaker 1>So I come from the background of action movies. I

0:20:05.680 --> 0:20:09.080
<v Speaker 1>have done a few in my bodywould work as well.

0:20:09.800 --> 0:20:13.280
<v Speaker 1>And like this is fifteen years ago or so. When

0:20:13.280 --> 0:20:16.560
<v Speaker 1>I was first doing little action in my movies, like

0:20:16.600 --> 0:20:19.280
<v Speaker 1>I didn't even have like proper body double. I used

0:20:19.320 --> 0:20:20.919
<v Speaker 1>to have like a little man in a wig that

0:20:21.000 --> 0:20:23.960
<v Speaker 1>was dressed in my clothes with shaved arms and legs.

0:20:24.080 --> 0:20:27.720
<v Speaker 1>Who would do the stunts, you know, and that's evolved

0:20:27.800 --> 0:20:30.800
<v Speaker 1>so much in cinema. So I really learned how to

0:20:31.200 --> 0:20:34.120
<v Speaker 1>horne my craft, trust my body, do my stunts safely

0:20:34.520 --> 0:20:36.560
<v Speaker 1>because I had to do a lot of it myself.

0:20:36.920 --> 0:20:40.680
<v Speaker 1>And so, you know, the directors really wanted the actors'

0:20:40.720 --> 0:20:43.240
<v Speaker 1>faces as much as we could in the stunt scenes

0:20:43.240 --> 0:20:46.760
<v Speaker 1>because our characters are not superheroes. They're real human beings.

0:20:46.760 --> 0:20:49.959
<v Speaker 1>They bleed, they get hurt, they die, so they wanted

0:20:50.000 --> 0:20:52.919
<v Speaker 1>the gravity of that of the viewer to see that.

0:20:53.359 --> 0:20:56.640
<v Speaker 1>So I'm not someone who does it because I get

0:20:56.640 --> 0:20:58.720
<v Speaker 1>a kick out or a thrill out of it.

0:20:59.280 --> 0:21:02.080
<v Speaker 4>I would love to wrap early and go home, but

0:21:02.359 --> 0:21:05.159
<v Speaker 4>it required a lot of training, a year and a

0:21:05.200 --> 0:21:09.960
<v Speaker 4>half of working and with the stunt team and consistently

0:21:10.200 --> 0:21:13.080
<v Speaker 4>preparing your body was like an athlete, consistently for a

0:21:13.119 --> 0:21:15.840
<v Speaker 4>year and a half preparing your body for you know,

0:21:15.960 --> 0:21:19.800
<v Speaker 4>being battered and thrown around and do that stuff.

0:21:20.440 --> 0:21:23.440
<v Speaker 1>I cannot tell you how excited it was the day wrapped.

0:21:23.560 --> 0:21:25.600
<v Speaker 1>I ate so much for the next.

0:21:25.400 --> 0:21:28.960
<v Speaker 2>Two months as you're talking and I'm seeing your tattoo.

0:21:29.080 --> 0:21:32.960
<v Speaker 2>I'm wondering how significant are your tattoos.

0:21:33.600 --> 0:21:35.879
<v Speaker 1>All my tattoos are very special, and all of them

0:21:36.000 --> 0:21:41.480
<v Speaker 1>have a meaning. I have my dog's paws on my ankle,

0:21:41.880 --> 0:21:44.040
<v Speaker 1>a little one, a medium one, or a large one.

0:21:44.080 --> 0:21:46.800
<v Speaker 1>I have a German shepherd, a husky and a chuaa.

0:21:46.920 --> 0:21:52.320
<v Speaker 1>So then I have this is my dad's handwriting, says

0:21:52.400 --> 0:21:55.399
<v Speaker 1>Daddy's little girl. He's on me a little girl. And

0:21:56.200 --> 0:21:59.280
<v Speaker 1>I got this my first tattoo a year before he passed.

0:22:00.040 --> 0:22:02.439
<v Speaker 1>And this is it's a chat. I don't know if

0:22:02.440 --> 0:22:04.639
<v Speaker 1>you can see it, but it's a box and a

0:22:04.760 --> 0:22:07.320
<v Speaker 1>check on this side, which my husband has on his

0:22:07.480 --> 0:22:09.919
<v Speaker 1>arms as well, just because you know, I checked all

0:22:09.960 --> 0:22:14.000
<v Speaker 1>his boxes. That's how he proposed. Oh my god, he

0:22:14.080 --> 0:22:17.160
<v Speaker 1>said that. So that became our thing. So we commemorated

0:22:17.200 --> 0:22:21.240
<v Speaker 1>it by getting cattooes together. That's great. And then I

0:22:21.320 --> 0:22:25.320
<v Speaker 1>have the world on my arm because I feel like

0:22:25.400 --> 0:22:29.960
<v Speaker 1>I belonged to the world. I love traveling, you know,

0:22:30.160 --> 0:22:33.200
<v Speaker 1>travel has been my best teacher. And when I put

0:22:33.200 --> 0:22:35.400
<v Speaker 1>my arm down in india's right next to my heart.

0:22:36.200 --> 0:22:39.479
<v Speaker 2>Oh my god, that's amazing. So who do you feel

0:22:39.520 --> 0:22:43.919
<v Speaker 2>like is your I don't know your mentors, your support network.

0:22:43.960 --> 0:22:46.119
<v Speaker 2>Like as you go through these pivots, now, have you

0:22:46.160 --> 0:22:48.000
<v Speaker 2>started to see trends?

0:22:48.680 --> 0:22:51.879
<v Speaker 1>Yeah? I am so grateful for my mom and my nanny.

0:22:52.000 --> 0:22:55.200
<v Speaker 1>Like every single day, I you know, before I leave

0:22:55.240 --> 0:22:57.720
<v Speaker 1>for work, I say thank you so much because you're here.

0:22:57.920 --> 0:22:59.880
<v Speaker 1>I am able to go and do my work without

0:23:00.000 --> 0:23:02.920
<v Speaker 1>thinking about it. I just think that people we get

0:23:03.040 --> 0:23:05.240
<v Speaker 1>so caught up nowadays. It's so much easier for us

0:23:05.280 --> 0:23:07.320
<v Speaker 1>to write on social media than it is to actually

0:23:07.400 --> 0:23:11.880
<v Speaker 1>have him an interaction and tell someone that they're doing

0:23:11.880 --> 0:23:15.600
<v Speaker 1>a good job or that you know it was that

0:23:15.680 --> 0:23:19.080
<v Speaker 1>you appreciate them. So in the same way and in

0:23:19.119 --> 0:23:21.679
<v Speaker 1>the same vein, I think, you know, go up to

0:23:21.720 --> 0:23:25.080
<v Speaker 1>people you look up to and admire and and you know,

0:23:25.200 --> 0:23:27.840
<v Speaker 1>be nice and ask the questions because if you're not

0:23:27.840 --> 0:23:30.359
<v Speaker 1>going to do it for yourself, honestly, no one's out

0:23:30.400 --> 0:23:32.280
<v Speaker 1>there to do it for you totally.

0:23:32.680 --> 0:23:34.680
<v Speaker 2>So who have you done it to?

0:23:34.720 --> 0:23:36.879
<v Speaker 1>Everyone? So many people I work with, I mean, and

0:23:36.920 --> 0:23:39.920
<v Speaker 1>I've done that with filmmaker friends of mine. I've told

0:23:39.960 --> 0:23:41.760
<v Speaker 1>Joe if we do a season two, I'd love to

0:23:41.800 --> 0:23:43.879
<v Speaker 1>like assist him, which I love to sit down and

0:23:43.920 --> 0:23:49.240
<v Speaker 1>writer writers' rooms. I just listen when writers are ideating.

0:23:49.760 --> 0:23:51.520
<v Speaker 1>So it doesn't have to be it doesn't have to

0:23:51.520 --> 0:23:54.879
<v Speaker 1>be someone that you know you're in awe of. You

0:23:54.920 --> 0:23:57.680
<v Speaker 1>could it could be someone's work ethic that you admired,

0:23:57.720 --> 0:24:00.040
<v Speaker 1>could be someone's mind that you admired, could be some

0:24:00.080 --> 0:24:03.040
<v Speaker 1>one who works with you and makes your life easier. Like,

0:24:03.280 --> 0:24:05.280
<v Speaker 1>I don't know, maybe I'm in this phase in my life,

0:24:05.280 --> 0:24:08.639
<v Speaker 1>but I just enjoy human human connection. I'm really enjoying

0:24:08.680 --> 0:24:14.080
<v Speaker 1>human connection and just enjoying working and creating relationships with

0:24:14.119 --> 0:24:16.639
<v Speaker 1>the people that I'm working with. It was something that

0:24:16.680 --> 0:24:20.159
<v Speaker 1>I didn't invest in very much when I was running

0:24:20.160 --> 0:24:22.480
<v Speaker 1>in my career. It was running at such a speed

0:24:22.520 --> 0:24:25.159
<v Speaker 1>I would like forget names. I would just come do

0:24:25.200 --> 0:24:27.760
<v Speaker 1>my job and run and do the next thing. But

0:24:27.920 --> 0:24:30.359
<v Speaker 1>in this new phase in my life, I like working

0:24:30.359 --> 0:24:33.000
<v Speaker 1>with people that I genuinely like that I want to

0:24:33.000 --> 0:24:36.320
<v Speaker 1>go grab a meal after with that. You know that

0:24:36.359 --> 0:24:39.199
<v Speaker 1>our families can hang out and you know, go for

0:24:39.240 --> 0:24:43.800
<v Speaker 1>a movie together. Like it's investing in human beings and

0:24:44.240 --> 0:24:46.520
<v Speaker 1>I'm really about in this phase of my life. I

0:24:46.520 --> 0:24:49.920
<v Speaker 1>think like I think my thirties or in my mid

0:24:50.000 --> 0:24:53.880
<v Speaker 1>thirties or early thirties is when I started creating deeper

0:24:54.040 --> 0:25:01.040
<v Speaker 1>meaning in relationships, friendships, relationships, my family. I tried not

0:25:01.160 --> 0:25:05.480
<v Speaker 1>to take people for granted, whether it was people doing

0:25:05.480 --> 0:25:07.879
<v Speaker 1>their jobs, whether it was people in my family. I

0:25:07.960 --> 0:25:10.439
<v Speaker 1>became aware of that and a lot more than that

0:25:10.480 --> 0:25:12.760
<v Speaker 1>happened to you. Yeah, in your thirties.

0:25:13.240 --> 0:25:15.520
<v Speaker 2>Yeah, I do feel like. I feel like my twenties

0:25:15.520 --> 0:25:19.199
<v Speaker 2>were about figuring out, like who am I? What you know?

0:25:19.560 --> 0:25:21.399
<v Speaker 2>Who am I to the world? How does the world

0:25:21.440 --> 0:25:25.520
<v Speaker 2>perceive me? And my thirties were kind of about honing it,

0:25:25.880 --> 0:25:28.119
<v Speaker 2>like I had figured it out. Of course it's broke,

0:25:28.200 --> 0:25:30.520
<v Speaker 2>but you know, I figured like I am a political professional,

0:25:30.560 --> 0:25:32.439
<v Speaker 2>I am a lawyer, like I am a professional person.

0:25:32.880 --> 0:25:35.960
<v Speaker 2>I'm a person who takes close relationships seriously. And then

0:25:36.000 --> 0:25:39.080
<v Speaker 2>I started having kids, and that's when it kind of

0:25:39.080 --> 0:25:40.840
<v Speaker 2>got tested, and so I feel like it was testing it.

0:25:41.119 --> 0:25:42.879
<v Speaker 2>And then I feel like the minute I turned forty.

0:25:42.920 --> 0:25:45.080
<v Speaker 2>I turned forty this year. I feel like the minute

0:25:45.080 --> 0:25:46.840
<v Speaker 2>I turned forty, I almost felt free.

0:25:47.400 --> 0:25:51.119
<v Speaker 1>Yeah, maybe that's what it is. Like, I'm feeling the

0:25:51.160 --> 0:25:54.760
<v Speaker 1>most free I have felt in my life. I fail,

0:25:54.840 --> 0:25:59.720
<v Speaker 1>the more capable of dealing with life if it's thrown

0:25:59.720 --> 0:26:02.879
<v Speaker 1>at me. I feel a lot more at peace. I

0:26:02.920 --> 0:26:07.480
<v Speaker 1>feel the need to choose joy. I don't care as

0:26:07.560 --> 0:26:11.760
<v Speaker 1>much about people that actually don't matter in my life.

0:26:11.960 --> 0:26:14.719
<v Speaker 1>I care about my job. I care about how I

0:26:14.800 --> 0:26:19.680
<v Speaker 1>perform and how I deliver when I'm providing a service,

0:26:19.840 --> 0:26:23.000
<v Speaker 1>which my job is, whether that's on a movie with

0:26:23.080 --> 0:26:26.119
<v Speaker 1>a brand, you know, anything. I like to be. I

0:26:26.160 --> 0:26:28.240
<v Speaker 1>want to walk into my room with a professional ethic

0:26:28.840 --> 0:26:31.040
<v Speaker 1>and I want people to say she was great at

0:26:31.080 --> 0:26:33.720
<v Speaker 1>her job and you know, delivered as we expected. That's

0:26:33.880 --> 0:26:37.920
<v Speaker 1>really important to me. But besides that and my very

0:26:37.920 --> 0:26:41.840
<v Speaker 1>inner circle, which is a few friends, family, I don't

0:26:41.840 --> 0:26:45.159
<v Speaker 1>give a shit, you know, Like not that I would like.

0:26:45.200 --> 0:26:47.440
<v Speaker 1>I want to walk around like being you know, I

0:26:47.520 --> 0:26:49.600
<v Speaker 1>don't care about people. That's not what I mean. Like,

0:26:49.680 --> 0:26:54.280
<v Speaker 1>I'm not looking for validation. I'm looking for like really

0:26:54.359 --> 0:26:57.400
<v Speaker 1>tangible few things. I'm looking for joyful moments. I'm looking

0:26:57.480 --> 0:27:01.200
<v Speaker 1>for career achievements. I'm looking for time with my family

0:27:01.280 --> 0:27:04.040
<v Speaker 1>and my dogs and my friends. I am looking for

0:27:04.200 --> 0:27:06.240
<v Speaker 1>the next milestone I want to achieve. Like it's just

0:27:06.240 --> 0:27:10.600
<v Speaker 1>become really simple my priorities and personally, I want to

0:27:10.640 --> 0:27:13.199
<v Speaker 1>see who I will be as a mom, Like what

0:27:13.359 --> 0:27:16.760
<v Speaker 1>does who I am like as that I've always been

0:27:16.800 --> 0:27:19.399
<v Speaker 1>a single, independent woman, and then I figured out what

0:27:19.440 --> 0:27:23.280
<v Speaker 1>it was like to be a patner, and so I'm

0:27:23.280 --> 0:27:27.840
<v Speaker 1>really curious to meet that version of me. I'm pretty

0:27:27.840 --> 0:27:30.240
<v Speaker 1>sure who you were before your kids and who you

0:27:30.280 --> 0:27:35.280
<v Speaker 1>are after was different, right, Yeah, And I've already felt

0:27:35.280 --> 0:27:38.400
<v Speaker 1>that I'm just so different than what I was before.

0:27:38.600 --> 0:27:39.119
<v Speaker 1>My daughter.

0:27:40.119 --> 0:27:43.040
<v Speaker 2>Brianka and her husband Nick welcomed their daughter last year

0:27:43.119 --> 0:27:46.240
<v Speaker 2>via surrogate. Her daughter spent her first hundred days in

0:27:46.280 --> 0:27:49.359
<v Speaker 2>the Nick you, but after coming home just before Mother's

0:27:49.400 --> 0:27:51.920
<v Speaker 2>Day last year, they become inseparable.

0:27:52.960 --> 0:27:55.560
<v Speaker 1>And just seeing her happy is the greatest joy in

0:27:55.560 --> 0:27:58.480
<v Speaker 1>my life. Now she's like my honing signal. Now it's

0:27:58.520 --> 0:28:01.960
<v Speaker 1>like I when she giggles and she's curious and she's

0:28:02.240 --> 0:28:06.280
<v Speaker 1>I love. She's such fun company. She's the funniest personality.

0:28:06.520 --> 0:28:09.119
<v Speaker 1>Like I love traveling with her. Were everywhere together right

0:28:09.160 --> 0:28:11.240
<v Speaker 1>now she's not in school, so and my mom is

0:28:11.359 --> 0:28:15.320
<v Speaker 1>kind enough to kind of travel with me. I feel

0:28:15.320 --> 0:28:18.600
<v Speaker 1>like I've just changed. Right. Everything is about wrapping work

0:28:18.640 --> 0:28:20.720
<v Speaker 1>and going home and you know, making sure I make

0:28:20.760 --> 0:28:24.600
<v Speaker 1>bath time and story time, and it's like that's my

0:28:24.720 --> 0:28:28.400
<v Speaker 1>day revolved. Everything else gets revolved around her schedule.

0:28:28.800 --> 0:28:32.760
<v Speaker 2>Well, actors have notoriously long hours and rigid schedules. Do

0:28:32.840 --> 0:28:35.080
<v Speaker 2>you feel like that's part of your approach now? You know,

0:28:35.119 --> 0:28:38.280
<v Speaker 2>if we're thinking about this intersection of the personal and

0:28:38.320 --> 0:28:40.959
<v Speaker 2>the professional decision making, like is that part of your

0:28:41.000 --> 0:28:43.440
<v Speaker 2>approach with Roles now to say, you know, I have

0:28:43.520 --> 0:28:45.160
<v Speaker 2>to be able to make it home for bad time.

0:28:45.920 --> 0:28:47.640
<v Speaker 1>You know, if somebody wants to work with you, and

0:28:47.680 --> 0:28:50.320
<v Speaker 1>I think I've reached that point, then like they make

0:28:50.360 --> 0:28:52.680
<v Speaker 1>it work and I make it work. Like I remember

0:28:52.760 --> 0:28:55.400
<v Speaker 1>my daughter and just come back home from the NIKU

0:28:55.560 --> 0:28:57.200
<v Speaker 1>after one hundred days and I had to do some

0:28:57.240 --> 0:29:02.960
<v Speaker 1>additional photography in Atlanta for a doll and Amazon Studios

0:29:03.000 --> 0:29:06.360
<v Speaker 1>and Russo Brothers made it conducive where I could fly

0:29:06.520 --> 0:29:10.480
<v Speaker 1>back and forth from set every weekend to see her.

0:29:10.640 --> 0:29:13.400
<v Speaker 1>And I used to fly back Friday and go back Monday,

0:29:13.400 --> 0:29:16.600
<v Speaker 1>and my husband would cover the weekdays, and you know,

0:29:16.720 --> 0:29:19.280
<v Speaker 1>you just kind of make it work and she comes

0:29:19.320 --> 0:29:21.880
<v Speaker 1>to set. You know, it was like I don't go

0:29:21.960 --> 0:29:25.120
<v Speaker 1>anywhere where my baby, my dogs and my parents are

0:29:25.160 --> 0:29:25.920
<v Speaker 1>not allowed.

0:29:26.480 --> 0:29:28.960
<v Speaker 2>Something that I really think about a lot. It's like

0:29:28.960 --> 0:29:31.000
<v Speaker 2>this is like a this is the thesis that I

0:29:31.080 --> 0:29:34.240
<v Speaker 2>needed for this show? Is that is this dark moment

0:29:34.320 --> 0:29:39.040
<v Speaker 2>that I'm in gonna propel me into something different and

0:29:39.200 --> 0:29:42.040
<v Speaker 2>better that I hadn't expected and I couldn't have gotten

0:29:42.680 --> 0:29:45.040
<v Speaker 2>had I not been in this moment. Do you think

0:29:45.080 --> 0:29:47.920
<v Speaker 2>there is one moment, or maybe many moments when you

0:29:47.960 --> 0:29:49.440
<v Speaker 2>felt like, oh, I don't know how I'm going to

0:29:49.480 --> 0:29:51.719
<v Speaker 2>get myself out of this, and now in retrospect you

0:29:51.760 --> 0:29:53.840
<v Speaker 2>look back and you're like, yeah, that really set me

0:29:53.920 --> 0:29:55.080
<v Speaker 2>up for the success I have now.

0:29:55.920 --> 0:29:58.800
<v Speaker 1>Yeah, I think that there are so many moments in

0:29:58.840 --> 0:30:01.360
<v Speaker 1>my life where I've just been like it's like quicksand

0:30:01.800 --> 0:30:04.680
<v Speaker 1>there is no out. You're just going in deeper and

0:30:04.800 --> 0:30:10.040
<v Speaker 1>darker and deeper. Also, let's be honest. You know, sadness

0:30:10.640 --> 0:30:16.440
<v Speaker 1>or leaning into being morose is seductive. When you're sad,

0:30:16.520 --> 0:30:18.800
<v Speaker 1>you kind of kind of it's easier to just like

0:30:19.280 --> 0:30:22.600
<v Speaker 1>lay in bed for twenty two hours. It takes work

0:30:22.920 --> 0:30:26.680
<v Speaker 1>to choose yourself. It takes work to talk to someone

0:30:27.400 --> 0:30:30.880
<v Speaker 1>for therapy, and you know, it's hard for a lot

0:30:30.960 --> 0:30:34.160
<v Speaker 1>of people, and it was hard for me, Like there

0:30:34.160 --> 0:30:36.800
<v Speaker 1>have been phases lasting years for me where I just

0:30:36.840 --> 0:30:39.760
<v Speaker 1>could not shake off the feeling and I didn't know

0:30:39.840 --> 0:30:43.200
<v Speaker 1>if how I would see the next day. I think

0:30:43.440 --> 0:30:46.160
<v Speaker 1>you have to remind yourself how much joy and joy gives,

0:30:47.160 --> 0:30:49.920
<v Speaker 1>because we forget that. I think what has helped me

0:30:50.120 --> 0:30:54.360
<v Speaker 1>tangibly honestly is thinking about People say you don't think

0:30:54.400 --> 0:30:57.640
<v Speaker 1>happy thoughts, but it really is. Think about what are

0:30:57.640 --> 0:31:00.960
<v Speaker 1>the good things in your life? Is it that other

0:31:01.120 --> 0:31:03.440
<v Speaker 1>somebody else may not have an all that is a

0:31:03.480 --> 0:31:07.600
<v Speaker 1>privilege to you that you're so lucky to have. Yeah,

0:31:07.640 --> 0:31:10.120
<v Speaker 1>and suddenly you're just like I can I can get

0:31:10.200 --> 0:31:12.760
<v Speaker 1>up and have a coffee. Yeah, take that one step

0:31:12.960 --> 0:31:14.320
<v Speaker 1>and then you take another step.

0:31:15.160 --> 0:31:16.440
<v Speaker 2>Do you think you'll pivot again?

0:31:17.120 --> 0:31:19.680
<v Speaker 1>I think so. I think change is the most constant

0:31:19.720 --> 0:31:22.920
<v Speaker 1>thing in life. I think being prepared to pivot is

0:31:22.960 --> 0:31:25.880
<v Speaker 1>a lot easier than trying to pivot. When you're not

0:31:25.960 --> 0:31:28.640
<v Speaker 1>prepared for it, your life is going to throw a

0:31:28.680 --> 0:31:33.040
<v Speaker 1>lot at you. Just pivot. Yeah, don't have to explain,

0:31:33.320 --> 0:31:35.680
<v Speaker 1>Just do it. Figure out, whatever your version of it,

0:31:35.800 --> 0:31:39.240
<v Speaker 1>how you survive. We know how to pivot. That's literally

0:31:39.360 --> 0:31:42.600
<v Speaker 1>the one thing we do well as humans. Have to

0:31:42.600 --> 0:31:43.280
<v Speaker 1>have confidence.

0:31:44.360 --> 0:31:46.600
<v Speaker 2>I love that so much, Franka, Thank you so much

0:31:46.680 --> 0:31:49.080
<v Speaker 2>for joining us. It's been such such a great conversation.

0:31:49.320 --> 0:31:50.560
<v Speaker 2>I really loved having you.

0:31:51.200 --> 0:31:54.440
<v Speaker 1>I love talking to you too, Love to your kids. Okay,

0:31:54.480 --> 0:31:56.200
<v Speaker 1>bye bye everyone, Bye.

0:31:57.840 --> 0:32:00.800
<v Speaker 2>Priyanka Chopra Jonas lives between life in New York and

0:32:00.920 --> 0:32:03.960
<v Speaker 2>filming locations with her husband Nick Jonas and their daughter,

0:32:04.320 --> 0:32:06.840
<v Speaker 2>and of course her mom and their dogs go everywhere

0:32:06.880 --> 0:32:10.280
<v Speaker 2>they go. If you haven't seen Citadel, you absolutely need

0:32:10.320 --> 0:32:13.160
<v Speaker 2>to go watch it on Amazon. It's everything a spy

0:32:13.240 --> 0:32:16.480
<v Speaker 2>show should be. And don't miss her new movie Love Again,

0:32:16.760 --> 0:32:20.360
<v Speaker 2>out now in theaters featuring new music by Selene Dion.

0:32:21.160 --> 0:32:24.160
<v Speaker 2>To learn more about Prianca, you can join the other

0:32:24.280 --> 0:32:27.360
<v Speaker 2>eighty seven million people who follow her on Instagram at

0:32:27.560 --> 0:32:33.120
<v Speaker 2>Prianka Chopra. Thanks for listening to this episode of she Pivots,

0:32:33.160 --> 0:32:36.040
<v Speaker 2>where I talk with women about how their experiences and

0:32:36.080 --> 0:32:40.760
<v Speaker 2>significant personal events led to their pivot and eventually their success.

0:32:41.400 --> 0:32:44.640
<v Speaker 2>Be sure to follow us on Instagram at she pivots

0:32:44.680 --> 0:32:47.440
<v Speaker 2>the podcast and leave a rating and comment if you

0:32:47.520 --> 0:32:50.280
<v Speaker 2>enjoyed this episode to help others learn about it. A

0:32:50.320 --> 0:32:53.040
<v Speaker 2>special thank you to our partner Marie Claire and the

0:32:53.120 --> 0:32:56.720
<v Speaker 2>team that made this episode possible. Talk to you next week.

0:33:00.680 --> 0:33:04.800
<v Speaker 2>She Pivots is hosted by me Emily Tish Sussman, produced

0:33:04.840 --> 0:33:08.680
<v Speaker 2>by Emily eda Veloshik, with sound editing and mixing from

0:33:08.760 --> 0:33:12.480
<v Speaker 2>Nina Pollok and research and planning from Christine Dickinson and

0:33:12.520 --> 0:33:13.360
<v Speaker 2>Hannah Cousins.

0:33:15.160 --> 0:33:20.280
<v Speaker 1>I endorse Chea Pivots.