1 00:00:04,160 --> 00:00:07,280 Speaker 1: Hey, welcome to short stuff. I'm Josh. There's chuck and 2 00:00:07,320 --> 00:00:10,479 Speaker 1: this is short stuff when we are talking about a 3 00:00:10,560 --> 00:00:14,560 Speaker 1: little nursery rhyme pretty adorable in its nature that you 4 00:00:14,600 --> 00:00:17,880 Speaker 1: may have heard of before. It's called Mary had a 5 00:00:17,920 --> 00:00:23,040 Speaker 1: little lamb. Wait a minute, was was this lamb's fleece 6 00:00:23,079 --> 00:00:25,520 Speaker 1: as white as snow? It was? And there was something 7 00:00:25,520 --> 00:00:29,200 Speaker 1: remarkable about it, and that wherever Mary went, the lamb 8 00:00:29,280 --> 00:00:32,400 Speaker 1: went as well. It sounds like a stalker to me 9 00:00:33,040 --> 00:00:36,040 Speaker 1: a little bit. So this is pretty interesting and that 10 00:00:36,320 --> 00:00:39,520 Speaker 1: this is controversial. I mean this cute little nursery rhyme 11 00:00:39,560 --> 00:00:43,240 Speaker 1: that every English speaking kid on the planet has heard 12 00:00:43,600 --> 00:00:46,479 Speaker 1: at one time or another, especially if you're raised in America. 13 00:00:47,400 --> 00:00:51,839 Speaker 1: Um may have had Number one a real life origin 14 00:00:52,200 --> 00:00:55,520 Speaker 1: and number two. There are two towns in Massachusetts and 15 00:00:55,560 --> 00:00:59,880 Speaker 1: New Hampshire where the local historical societies will fight each 16 00:00:59,880 --> 00:01:02,720 Speaker 1: other with bike chains and brass knuckles if they run 17 00:01:02,760 --> 00:01:06,120 Speaker 1: into one another in public. Yeah, this is really interesting. 18 00:01:06,160 --> 00:01:09,280 Speaker 1: In Sterling, Massachusetts, if you go, you're going to see 19 00:01:09,280 --> 00:01:13,960 Speaker 1: a little copper statue of a little lamb and it's 20 00:01:14,080 --> 00:01:18,160 Speaker 1: um Mary saw yours little lamb, specifically, which she brought 21 00:01:18,200 --> 00:01:21,640 Speaker 1: to school in eighteen fifteen. She was a little girl 22 00:01:21,720 --> 00:01:24,560 Speaker 1: who uh, and this I guess we should say allegedly 23 00:01:24,600 --> 00:01:27,680 Speaker 1: for all this stuff, because there everyone's saying that each 24 00:01:27,680 --> 00:01:32,000 Speaker 1: other is wrong. So allegedly, Mary say this little lamb 25 00:01:32,600 --> 00:01:35,360 Speaker 1: nursed it back to health overnight, and over a few 26 00:01:35,440 --> 00:01:37,920 Speaker 1: days the lamb got much better. And then she was 27 00:01:37,959 --> 00:01:39,800 Speaker 1: going to go to school one day, and her brother 28 00:01:39,920 --> 00:01:43,200 Speaker 1: Nat said, won't you bring that lamb to school since 29 00:01:43,200 --> 00:01:47,120 Speaker 1: you love it so much? And she did bring the 30 00:01:47,200 --> 00:01:50,720 Speaker 1: lamb to school, hiding it in a basket under her chair, 31 00:01:50,880 --> 00:01:53,760 Speaker 1: And at one point she stands up to take part 32 00:01:53,800 --> 00:01:58,960 Speaker 1: in a recitation lesson and the lamb bleats. The teacher laughs. 33 00:01:59,440 --> 00:02:04,720 Speaker 1: She takes a lamb outside and kills it. No, just 34 00:02:04,760 --> 00:02:06,840 Speaker 1: takes a lamb outside and stores it in the shed. 35 00:02:07,120 --> 00:02:09,160 Speaker 1: But this caught the idea of a guy named or 36 00:02:09,240 --> 00:02:12,600 Speaker 1: the eye of a guy named John roll Stone. Yeah, 37 00:02:12,680 --> 00:02:15,160 Speaker 1: he was an older boy who I guess was visiting 38 00:02:15,160 --> 00:02:17,800 Speaker 1: the schoolhouse where all this took place that day. He 39 00:02:17,880 --> 00:02:21,080 Speaker 1: was on his way off to Harvard, and he died 40 00:02:21,520 --> 00:02:27,400 Speaker 1: shortly after of tuberculosis. But before that he wrote a 41 00:02:27,520 --> 00:02:31,799 Speaker 1: poem through several lines, just basically what everybody knows from 42 00:02:31,800 --> 00:02:35,640 Speaker 1: Mary had a little lamb. Um. Supposedly that night he 43 00:02:35,760 --> 00:02:38,480 Speaker 1: was so taken by this thing, by this event, came 44 00:02:38,520 --> 00:02:41,080 Speaker 1: back the next day on horseback and handed Mary the 45 00:02:41,160 --> 00:02:44,160 Speaker 1: little poem he wrote for her. And Mary Sawyer went 46 00:02:44,200 --> 00:02:47,040 Speaker 1: on for the rest of her life as Mary the 47 00:02:47,120 --> 00:02:49,840 Speaker 1: girl with the little lamb that she'd nurse back to health. 48 00:02:50,080 --> 00:02:53,760 Speaker 1: And these the source of the famous nursery rhyme Mary 49 00:02:53,800 --> 00:02:56,639 Speaker 1: had a little lamb. Yeah, And it's important to note 50 00:02:56,639 --> 00:03:00,840 Speaker 1: that he wrote but three stanzas of that poem. And 51 00:03:01,400 --> 00:03:03,880 Speaker 1: I think he was just thought it was cute. I 52 00:03:03,919 --> 00:03:06,600 Speaker 1: think it's an adorable story that not only did she 53 00:03:06,880 --> 00:03:08,760 Speaker 1: nurse this little lamb and take it to school, but this, 54 00:03:09,480 --> 00:03:13,000 Speaker 1: you know, rising freshman at Harvard, was so smitten with 55 00:03:13,040 --> 00:03:14,840 Speaker 1: this whole thing on his little visit to the school 56 00:03:14,840 --> 00:03:18,079 Speaker 1: that he wrote a poem about it. That's right, it's adorable. 57 00:03:18,240 --> 00:03:21,840 Speaker 1: Then he died of tuberculosis later that year. Point that 58 00:03:21,880 --> 00:03:26,359 Speaker 1: out again and so he um he So John Rawlstone 59 00:03:26,919 --> 00:03:30,480 Speaker 1: and Mary Sawyer are the source of the inspiration and 60 00:03:30,560 --> 00:03:34,320 Speaker 1: the basis of that nursery roome. Mary had a little lamb. 61 00:03:34,520 --> 00:03:38,240 Speaker 1: As far as Sterling, Massachusetts is concerned. But if you 62 00:03:38,960 --> 00:03:42,000 Speaker 1: uh drive a little further north, about ninety miles north 63 00:03:42,040 --> 00:03:44,840 Speaker 1: into New Hampshire, southwest New Hampshire, you come across the 64 00:03:44,880 --> 00:03:48,000 Speaker 1: town of Newport, UM, you will get a totally different 65 00:03:48,120 --> 00:03:52,920 Speaker 1: story that their their position is basically that Mary Sawyer 66 00:03:53,320 --> 00:03:55,320 Speaker 1: was a lying old lady who lied her whole life 67 00:03:55,360 --> 00:03:57,880 Speaker 1: and made up this fantastic tale, and that it was 68 00:03:58,000 --> 00:04:02,480 Speaker 1: really Sarah Joseph Hale, who was a native of Newport, 69 00:04:02,800 --> 00:04:06,440 Speaker 1: New Hampshire, UM, who was very famous for setting up 70 00:04:06,480 --> 00:04:10,240 Speaker 1: the first Thanksgiving in the United States, UM, like as 71 00:04:10,280 --> 00:04:13,080 Speaker 1: a as a national holiday. She's the one that made 72 00:04:13,080 --> 00:04:16,480 Speaker 1: that happen. UM. That she's the one who wrote Mary 73 00:04:16,560 --> 00:04:20,040 Speaker 1: had a little lamb, Right, And I think we should 74 00:04:20,080 --> 00:04:22,640 Speaker 1: take a break. Uh. And before we do that, I 75 00:04:22,680 --> 00:04:25,480 Speaker 1: want to point out that Josh did not misspeak. Her 76 00:04:25,480 --> 00:04:30,719 Speaker 1: middle name was Josepha and not Joseph or Joseph. Yeah, 77 00:04:30,760 --> 00:04:32,840 Speaker 1: it just sounded a little funny and people might think, 78 00:04:32,839 --> 00:04:35,280 Speaker 1: why did Josh spice that one up? But a little 79 00:04:35,360 --> 00:04:38,599 Speaker 1: mustard on. So we'll come back and explain more about 80 00:04:38,640 --> 00:04:41,479 Speaker 1: her story and where Henry Ford figures in right after this. 81 00:05:00,960 --> 00:05:07,240 Speaker 1: All right, So, Sarah Josepha Josepha Hale, I like Josepha 82 00:05:07,279 --> 00:05:11,280 Speaker 1: but I hadn't considered Josepha. That's a good one too. 83 00:05:11,320 --> 00:05:15,360 Speaker 1: That sounds really biblical, Like she she suddenly just grew 84 00:05:15,400 --> 00:05:19,680 Speaker 1: a beard without a mustache, right, you know what I mean? Yes, Like, 85 00:05:19,760 --> 00:05:22,120 Speaker 1: come to me, Josepha and let me put oils on 86 00:05:22,120 --> 00:05:26,400 Speaker 1: your feet. Right, That's exactly what I was thinking. Weird. 87 00:05:26,520 --> 00:05:32,640 Speaker 1: Remember what congressman was it that literally anointed? It was Ashcroft? 88 00:05:32,720 --> 00:05:36,279 Speaker 1: I think, wasn't it? Was it? Yeah, what a bizarre 89 00:05:36,320 --> 00:05:38,600 Speaker 1: time it was. I think it was. It was Ashcroft. 90 00:05:38,640 --> 00:05:41,159 Speaker 1: You're totally right. I think he also sang some weird 91 00:05:41,240 --> 00:05:44,520 Speaker 1: patriotic song about the eagle flying high around the same 92 00:05:44,560 --> 00:05:47,360 Speaker 1: time he got some bad press. Everybody was like, wow, 93 00:05:47,400 --> 00:05:50,120 Speaker 1: you're bonkers, buddy, oh man, I missed that guy. He 94 00:05:50,200 --> 00:05:54,800 Speaker 1: was fun fund for the news cycle. He really was, alright. 95 00:05:54,839 --> 00:05:59,160 Speaker 1: So Sarah Josepha Hale moved to Boston in eight She 96 00:05:59,240 --> 00:06:02,039 Speaker 1: was a poet and a writer, and she was actually 97 00:06:02,080 --> 00:06:04,520 Speaker 1: the editor of the very first women's magazine in the 98 00:06:04,600 --> 00:06:09,080 Speaker 1: US called Gotti's Ladies Book. And it was here in 99 00:06:09,120 --> 00:06:11,400 Speaker 1: Boston that she met a man named Lowell Mason, who 100 00:06:11,440 --> 00:06:14,480 Speaker 1: was a musician and composer, who said, you know what 101 00:06:15,560 --> 00:06:18,320 Speaker 1: if we get some of these poems and set them 102 00:06:18,320 --> 00:06:21,480 Speaker 1: to music. They would be called songs, and we can 103 00:06:21,640 --> 00:06:24,919 Speaker 1: use these in schools to make a little kid's good 104 00:06:25,080 --> 00:06:30,719 Speaker 1: moral kids. When I think of Lowell Um, this kind 105 00:06:30,760 --> 00:06:36,320 Speaker 1: of folk musician, children's music study proponent guy. Have you 106 00:06:36,360 --> 00:06:40,320 Speaker 1: ever seen that Mr. Show where David Crosses, like the 107 00:06:40,320 --> 00:06:43,599 Speaker 1: the guy who sculpted the little the little body that 108 00:06:43,680 --> 00:06:47,640 Speaker 1: he moves from Appalachian folk art. That guy, That's who 109 00:06:47,680 --> 00:06:50,120 Speaker 1: I think of when I think of this guy, you know, 110 00:06:50,320 --> 00:06:53,039 Speaker 1: just kind of weird and hapless and like out of 111 00:06:53,080 --> 00:06:57,320 Speaker 1: it and um, like his whole focus is learning to 112 00:06:56,960 --> 00:07:00,240 Speaker 1: to to get music into schools for children and just 113 00:07:00,839 --> 00:07:03,240 Speaker 1: I don't know why, but it's really stuck in there. 114 00:07:03,800 --> 00:07:07,359 Speaker 1: You know. Our buddy Scott Ackerman wrote for Mr. Show. 115 00:07:08,200 --> 00:07:10,640 Speaker 1: It was kind of his entree into the entertainment industry. 116 00:07:10,680 --> 00:07:13,800 Speaker 1: And he does, yeah, he does a spot on impression 117 00:07:13,800 --> 00:07:17,360 Speaker 1: of Bob Odenkirk. Oh yeah, Oh it's great. I gotta 118 00:07:17,400 --> 00:07:22,280 Speaker 1: see that. It's very funny. Alright, So Mason and Hale 119 00:07:22,360 --> 00:07:26,360 Speaker 1: are writing uh songs together. They put fifteen poems to 120 00:07:26,480 --> 00:07:30,880 Speaker 1: music called Poems for Our Children, and uh, we should 121 00:07:30,880 --> 00:07:33,200 Speaker 1: point out that the original tune that they wrote for 122 00:07:33,240 --> 00:07:35,720 Speaker 1: her version of Mary had a Little Lamb was not 123 00:07:35,920 --> 00:07:38,920 Speaker 1: the familiar melody that we know that came on later. 124 00:07:39,000 --> 00:07:43,080 Speaker 1: I think, yeah, apparently that comes from a British song 125 00:07:43,440 --> 00:07:48,480 Speaker 1: that goes, um, merrily we roll along, roll along, roll 126 00:07:48,520 --> 00:07:51,840 Speaker 1: along merrily, we roll along over the dark blue sea. 127 00:07:52,440 --> 00:07:57,080 Speaker 1: Hey nice, Oh, thank you, thank you. I've practiced pretty 128 00:07:57,080 --> 00:08:01,239 Speaker 1: extensively for it was on key um, I'm a little 129 00:08:01,280 --> 00:08:03,800 Speaker 1: tone deaf, was a little pitchy, but it was fine. 130 00:08:04,960 --> 00:08:07,880 Speaker 1: I'll go with it was fine, No, it was good. 131 00:08:07,920 --> 00:08:11,200 Speaker 1: But yeah, that came on later. The original melody. I 132 00:08:11,240 --> 00:08:15,040 Speaker 1: don't even think we know that, do we No? But 133 00:08:15,640 --> 00:08:19,640 Speaker 1: if you can get your hands on Juvenile Liar leer 134 00:08:20,120 --> 00:08:23,040 Speaker 1: l y r e that that book that it was 135 00:08:23,080 --> 00:08:27,760 Speaker 1: originally in, I think the notes are in there. Okay, 136 00:08:27,880 --> 00:08:31,640 Speaker 1: it sounds like in a Gotta Da Vida, that's your 137 00:08:31,680 --> 00:08:36,760 Speaker 1: go to. So Mary Sawyer going back to her the 138 00:08:36,840 --> 00:08:40,520 Speaker 1: little girl who allegedly actually nurse this little lamb who 139 00:08:40,520 --> 00:08:43,800 Speaker 1: followed her around and stalked her. She said, you know what, 140 00:08:43,920 --> 00:08:48,760 Speaker 1: those first three verses of your poem, miss Hale, is 141 00:08:48,880 --> 00:08:52,720 Speaker 1: exactly like the ones that John roll Stone wrote about 142 00:08:52,880 --> 00:08:56,000 Speaker 1: my true story. What is up with that? Yeah? I 143 00:08:56,000 --> 00:09:01,760 Speaker 1: guess she just thought that somehow, Sarah Josepha Hale Um 144 00:09:02,000 --> 00:09:06,560 Speaker 1: had gotten her hands somehow on this this poem that 145 00:09:06,679 --> 00:09:09,880 Speaker 1: John Rolstone had had written for and just expanded on 146 00:09:10,040 --> 00:09:14,320 Speaker 1: that um. And Sarah Joseph Hale was like, no, that's 147 00:09:14,360 --> 00:09:16,400 Speaker 1: not it at all. I made this whole thing up 148 00:09:16,440 --> 00:09:19,679 Speaker 1: from scratch, using strictly my imagination. I've never heard of 149 00:09:19,679 --> 00:09:23,680 Speaker 1: you or your delightful little story from your childhood about 150 00:09:23,679 --> 00:09:27,120 Speaker 1: the lamb h sounds totally made up by the way, right, 151 00:09:27,240 --> 00:09:30,680 Speaker 1: And so that this was like, so now you had 152 00:09:30,920 --> 00:09:35,679 Speaker 1: two upstanding women, Sarah Joseph Hale, the founder of the 153 00:09:35,679 --> 00:09:41,120 Speaker 1: the American holiday Thanksgiving, and Mary Sawyer, who went on 154 00:09:41,200 --> 00:09:45,520 Speaker 1: to become the matron of her local hospital. We're basically 155 00:09:45,600 --> 00:09:48,559 Speaker 1: saying that one another was lying without saying that one 156 00:09:48,559 --> 00:09:52,360 Speaker 1: another was lying, and two towns like reputations were on 157 00:09:52,400 --> 00:09:56,520 Speaker 1: the line. Yeah, and they they actually, as older ladies, 158 00:09:56,559 --> 00:09:59,840 Speaker 1: signed sworn statements saying that what they were saying was 159 00:10:00,000 --> 00:10:03,400 Speaker 1: true and correct. And uh, it kind of went on 160 00:10:03,440 --> 00:10:05,679 Speaker 1: like this for a little while. And I promised Henry 161 00:10:05,760 --> 00:10:11,480 Speaker 1: Ford and here we're going to deliver, because in automobile 162 00:10:11,600 --> 00:10:16,320 Speaker 1: magnate Henry Ford got involved and was firmly in the 163 00:10:16,360 --> 00:10:19,880 Speaker 1: Mary Sawyer camp. Um. He was just a fan of hers, 164 00:10:19,880 --> 00:10:23,520 Speaker 1: I guess, because he bought the original frame from that 165 00:10:23,559 --> 00:10:28,400 Speaker 1: red schoolhouse and moved it to Sudbury, where he owned 166 00:10:28,400 --> 00:10:31,480 Speaker 1: an inn. And he wrote a book about this, called 167 00:10:31,520 --> 00:10:34,440 Speaker 1: The Story of Mary and her Little Lamb. I find 168 00:10:34,480 --> 00:10:37,360 Speaker 1: that him moving the end to Sudbury confuses this story 169 00:10:37,440 --> 00:10:41,240 Speaker 1: tremendously because it just takes two small towns and adds 170 00:10:41,240 --> 00:10:44,720 Speaker 1: a third one unnecessarily if you ask me, sure you know. 171 00:10:45,200 --> 00:10:48,960 Speaker 1: But yeah, Henry Ford wrote a sixty page book just 172 00:10:49,040 --> 00:10:52,720 Speaker 1: basically touting Mary Sawyer's story, much to the chagrin of 173 00:10:52,760 --> 00:10:57,040 Speaker 1: the town of Newport, New Hampshire and its historical society. UM. 174 00:10:57,120 --> 00:10:59,920 Speaker 1: And to this day they will say, like Henry Ford 175 00:11:00,040 --> 00:11:02,840 Speaker 1: made a great car. Um. I don't know how he 176 00:11:02,880 --> 00:11:05,760 Speaker 1: would be really as in a story, and so you know, 177 00:11:05,880 --> 00:11:08,680 Speaker 1: his opinion doesn't count for much. What I want to 178 00:11:08,720 --> 00:11:12,719 Speaker 1: know is what was on the other fifty six pages, right? 179 00:11:13,320 --> 00:11:16,760 Speaker 1: You know, couldn't have taken more than four to tell 180 00:11:16,800 --> 00:11:19,040 Speaker 1: this little story. No, I know, I don't know what 181 00:11:19,120 --> 00:11:21,520 Speaker 1: he he talked about. And I think my my joke 182 00:11:21,600 --> 00:11:23,720 Speaker 1: bone is broken because I can't come up with anything 183 00:11:23,760 --> 00:11:28,559 Speaker 1: stupid to add, well, it depends on There are very 184 00:11:28,600 --> 00:11:30,920 Speaker 1: much two camps here and to this day, people that 185 00:11:31,000 --> 00:11:34,560 Speaker 1: defend Hale, I mean people that defense Sawyers are like, 186 00:11:34,600 --> 00:11:36,360 Speaker 1: you know, this is a sweet, sweet girl who had 187 00:11:36,360 --> 00:11:38,640 Speaker 1: the sweet story. Why would she make this up and 188 00:11:38,679 --> 00:11:41,640 Speaker 1: tell it her whole life? And Hail defenders were like, well, 189 00:11:41,679 --> 00:11:45,040 Speaker 1: why would she just conjure up this poem out of 190 00:11:45,040 --> 00:11:46,840 Speaker 1: thin air? Or I mean, why would she copy it 191 00:11:46,880 --> 00:11:50,400 Speaker 1: and claim she conjured it from thin air? Because they like, 192 00:11:50,440 --> 00:11:52,760 Speaker 1: she wouldn't have even known about this poem? Yeah, she 193 00:11:52,920 --> 00:11:54,800 Speaker 1: just from what I can tell, she doesn't seem like 194 00:11:54,800 --> 00:11:57,280 Speaker 1: the type who would have committed plagiarism and then stuck 195 00:11:57,320 --> 00:12:00,719 Speaker 1: to the lie her entire life. Yeah, so mystery. It's 196 00:12:00,760 --> 00:12:03,520 Speaker 1: a mystery, and even Henry Ford couldn't solve it. But 197 00:12:04,240 --> 00:12:06,160 Speaker 1: to end this one because we don't really have a 198 00:12:06,200 --> 00:12:10,760 Speaker 1: resolution to it. There is um Like the the full 199 00:12:10,880 --> 00:12:15,520 Speaker 1: poem by Sarah Joseph Hale. It ends pretty cutely because 200 00:12:15,520 --> 00:12:19,080 Speaker 1: she's talking about how um everyone wanted to know why 201 00:12:19,120 --> 00:12:22,800 Speaker 1: the lamb loved Mary so much, and in the poem 202 00:12:22,840 --> 00:12:25,400 Speaker 1: it says, well, it's because Mary loves the lamb back 203 00:12:26,280 --> 00:12:28,880 Speaker 1: and then it ends with and you, each gentle animal, 204 00:12:29,120 --> 00:12:33,240 Speaker 1: and confidence may bind and make them follow at your will, 205 00:12:33,520 --> 00:12:36,240 Speaker 1: if only you are kind. And then a sweet thing 206 00:12:36,320 --> 00:12:38,800 Speaker 1: to teach little kids be kind of animals, and you 207 00:12:38,800 --> 00:12:42,040 Speaker 1: can basically be the boss of them. Yes, and you 208 00:12:42,080 --> 00:12:44,800 Speaker 1: will never be a serial killer. That's right, because you're 209 00:12:44,880 --> 00:12:48,160 Speaker 1: kind to them rather than tortures of them. That's right. Well, 210 00:12:48,200 --> 00:12:54,400 Speaker 1: that's it for short stuff. Everybody, we're out. Stuff you 211 00:12:54,440 --> 00:12:56,760 Speaker 1: should know is a production of iHeart Radios. How stuff 212 00:12:56,800 --> 00:12:59,400 Speaker 1: works for more podcasts for my heart Radio because at 213 00:12:59,440 --> 00:13:02,280 Speaker 1: the iHeart Radio app, Apple podcasts are wherever you listen 214 00:13:02,320 --> 00:13:09,960 Speaker 1: to your favorite shows. H m hm