1 00:00:00,160 --> 00:00:03,480 Speaker 1: Hello the Internet, and welcome to this episode of the 2 00:00:03,560 --> 00:00:07,880 Speaker 1: Weekly Zeitgeist. Uh These are some of our favorite segments 3 00:00:08,119 --> 00:00:14,880 Speaker 1: from this week, all edited together into one NonStop infotainment 4 00:00:16,040 --> 00:00:22,440 Speaker 1: last stravaganza. Uh yeah, So, without further ado, here is 5 00:00:22,680 --> 00:00:26,960 Speaker 1: the Weekly Zeitgeist. Well, well, we are thrilled to be 6 00:00:27,040 --> 00:00:32,120 Speaker 1: joined in our third seat by the embodiment of chaos 7 00:00:32,240 --> 00:00:37,000 Speaker 1: energy himself, Mr Blake Wexla. Thank you guys so much 8 00:00:37,040 --> 00:00:39,840 Speaker 1: for having me, and I would like to start off 9 00:00:39,840 --> 00:00:41,960 Speaker 1: where you guys do a cool thing where you get 10 00:00:42,000 --> 00:00:44,280 Speaker 1: to know the person that you have. But I feel 11 00:00:44,280 --> 00:00:46,720 Speaker 1: like and we go back. Jack and I have known 12 00:00:46,720 --> 00:00:50,559 Speaker 1: each other since the Crack days. Yeah, and um crack epidemic, 13 00:00:50,600 --> 00:00:54,120 Speaker 1: the crack since the crack academic and um, I don't 14 00:00:54,120 --> 00:00:56,480 Speaker 1: know if the audience knows me as a comedian, So 15 00:00:56,520 --> 00:00:59,160 Speaker 1: would it be weird if I read my bio? My 16 00:00:59,280 --> 00:01:03,000 Speaker 1: website is all right. Blake Wexler has built an entertainment 17 00:01:03,040 --> 00:01:07,919 Speaker 1: empire over years of NonStop touring and performance innovation. America's 18 00:01:07,959 --> 00:01:12,520 Speaker 1: favorite ventriloquist is launching his new international tour. Blake Wexler 19 00:01:12,880 --> 00:01:16,480 Speaker 1: Seriously fans can look forward to more of Blake's delightfully 20 00:01:16,520 --> 00:01:21,959 Speaker 1: twisted cohorts, Peanut Walter, Jose Howapano, Bubba j and Akhmed. 21 00:01:22,360 --> 00:01:24,639 Speaker 1: Oh my god, I'm so sorry this is Jeff Donalds. 22 00:01:25,040 --> 00:01:29,440 Speaker 1: Someone really, I feel like someone replaced my name with 23 00:01:29,680 --> 00:01:34,720 Speaker 1: his name and spanished. I'm so sorry. That's his bio. Yeah, yeah, 24 00:01:36,920 --> 00:01:39,880 Speaker 1: performance innovation, of course, one of the great would you 25 00:01:39,920 --> 00:01:43,200 Speaker 1: call it? I guess that's it. I guess that's a 26 00:01:43,840 --> 00:01:47,240 Speaker 1: racist puppets. Sure, sure, that's another. You know there's different 27 00:01:47,440 --> 00:01:55,840 Speaker 1: dances with wolves with puppets. Well, his cohorts are delightfully twisted. Yeah, cohorts. 28 00:01:57,040 --> 00:02:03,040 Speaker 1: Fuck yourself. Should we add him to the things we 29 00:02:02,160 --> 00:02:04,880 Speaker 1: We don't want to. We don't want to put our 30 00:02:05,200 --> 00:02:08,560 Speaker 1: careers at risk. I would love nothing more for daily 31 00:02:08,680 --> 00:02:11,600 Speaker 1: like guys to open for Jeff Dunham. Yeah, for sure. 32 00:02:11,720 --> 00:02:14,880 Speaker 1: And you have to listen. Oh my god, I know 33 00:02:14,960 --> 00:02:17,119 Speaker 1: every time you laugh at comedians, you're like, man, that's 34 00:02:17,120 --> 00:02:20,160 Speaker 1: it's bullshit. Nobody thinks that's funny. And then cut two, 35 00:02:20,160 --> 00:02:22,440 Speaker 1: you looking on StubHub or something and like you're selling 36 00:02:22,480 --> 00:02:27,040 Speaker 1: out the forum. Yeah, Tim Allen gets like a million 37 00:02:27,080 --> 00:02:33,639 Speaker 1: dollars a show. God, Tim Allen, the Mr. Yeah, there 38 00:02:33,720 --> 00:02:40,560 Speaker 1: we go. That was thrown up in the air, And 39 00:02:43,600 --> 00:02:47,520 Speaker 1: what is something you think is overrated? Overrated? I have 40 00:02:47,720 --> 00:02:52,840 Speaker 1: Fort Sumter and not just as uh, I like visiting it, 41 00:02:52,919 --> 00:02:55,760 Speaker 1: like I just think as a concept. Um, we talked 42 00:02:55,760 --> 00:02:57,880 Speaker 1: about it too much. And yes it was the first 43 00:02:57,880 --> 00:03:00,560 Speaker 1: where the first shots were fired in that war, but 44 00:03:01,440 --> 00:03:05,040 Speaker 1: I think that it was like one person died, you know, 45 00:03:05,200 --> 00:03:07,400 Speaker 1: and like the whole thing. It was barely a siege. 46 00:03:07,400 --> 00:03:10,880 Speaker 1: It was very cordial and the Union was allowed to 47 00:03:11,000 --> 00:03:14,639 Speaker 1: like shoot off their guns and celebration of holding the thing, 48 00:03:14,760 --> 00:03:16,520 Speaker 1: you know, at the end of the siege. And then 49 00:03:16,560 --> 00:03:19,480 Speaker 1: that's when the one guy died, like some Irish guy, 50 00:03:19,600 --> 00:03:23,400 Speaker 1: just like the cannon backfired and killed him. That was 51 00:03:24,200 --> 00:03:26,080 Speaker 1: it was. It was not only friendly fire, it was 52 00:03:26,120 --> 00:03:30,480 Speaker 1: celebratory friendly fire where they were honoring themselves for how 53 00:03:30,520 --> 00:03:33,560 Speaker 1: well they held out. And then he died during that. 54 00:03:33,919 --> 00:03:35,600 Speaker 1: So it was like having a like a hundred gun 55 00:03:35,640 --> 00:03:41,240 Speaker 1: salute and dying during that. Yeah, so not impressed. Is 56 00:03:41,280 --> 00:03:45,560 Speaker 1: this funk off Charleston? Leston once and then you go, yeah, 57 00:03:45,560 --> 00:03:49,400 Speaker 1: you know what for? Did you visit Fort Sumter's Yes, yeah, 58 00:03:49,400 --> 00:03:53,920 Speaker 1: they invited me. That's actually the venue. I had to 59 00:03:53,920 --> 00:03:58,280 Speaker 1: take a ferry to come. Just people getting off the ferry. 60 00:03:58,440 --> 00:04:01,560 Speaker 1: There were more things that show at something and there 61 00:04:01,600 --> 00:04:06,080 Speaker 1: were during the battle. That's not true, by the way, Okay, okay, god, no, no, 62 00:04:06,200 --> 00:04:11,000 Speaker 1: but it is overrated. Okay, Yeah, what's something that's underrated. 63 00:04:11,640 --> 00:04:15,000 Speaker 1: I love listening to FM radio. I don't think anyone 64 00:04:15,040 --> 00:04:16,800 Speaker 1: listens anywhere. People are like, the music is bad and 65 00:04:16,839 --> 00:04:19,599 Speaker 1: there's commercial all time, And I agree both those things 66 00:04:19,600 --> 00:04:21,560 Speaker 1: are true, but I indulge in it. It's kind of 67 00:04:21,640 --> 00:04:23,400 Speaker 1: nice to not have to worry about. Like when I'm 68 00:04:23,440 --> 00:04:25,600 Speaker 1: on Spotify, I'm like, I gotta find the coolest music. 69 00:04:25,640 --> 00:04:28,000 Speaker 1: I gotta be the radio. It's like, just give me 70 00:04:28,160 --> 00:04:30,920 Speaker 1: the like, give me the song. I already know, I'm dry, 71 00:04:30,960 --> 00:04:32,920 Speaker 1: I'm stuck in traffic. Let me just belt out this, 72 00:04:33,040 --> 00:04:36,320 Speaker 1: like you know thirty year old songs. Mr Brightsides having 73 00:04:36,320 --> 00:04:39,279 Speaker 1: a revel. You listen to the radio, you'll hear Mr. 74 00:04:39,279 --> 00:04:41,839 Speaker 1: Brightside about four times. It's that what a song? What's 75 00:04:41,839 --> 00:04:44,680 Speaker 1: staying power? It really won't quit, it won't wait. And 76 00:04:44,760 --> 00:04:47,720 Speaker 1: if the son could be any age, yes it could be. 77 00:04:47,800 --> 00:04:50,400 Speaker 1: You could tell me you came out in the seven 78 00:04:50,760 --> 00:04:53,960 Speaker 1: or like this year. Yeah, yeah, I know it's yeah, 79 00:04:54,440 --> 00:04:56,120 Speaker 1: but yeah. People always like, oh, that's just ship on 80 00:04:56,120 --> 00:04:58,880 Speaker 1: the radio. I'm like, yeah, great, I love it. That's it. Yeah, 81 00:04:59,000 --> 00:05:01,240 Speaker 1: So for you because it takes the pressure off of 82 00:05:01,279 --> 00:05:04,760 Speaker 1: you to provide a soundtrack for yourself, choose, make the 83 00:05:04,760 --> 00:05:08,119 Speaker 1: t and then yeah, you just get to the reason 84 00:05:08,200 --> 00:05:09,960 Speaker 1: like you hear the same things over and over is 85 00:05:10,000 --> 00:05:12,560 Speaker 1: because the way they do ratings is like people wear 86 00:05:12,640 --> 00:05:15,120 Speaker 1: this like they used to wear a monitor like at Nielsen, 87 00:05:15,240 --> 00:05:18,360 Speaker 1: like pager you had that would find out what station 88 00:05:18,400 --> 00:05:21,120 Speaker 1: you were tuned into. So because of that, a lot 89 00:05:21,200 --> 00:05:23,479 Speaker 1: of people who work in offices that just play radio 90 00:05:23,640 --> 00:05:26,719 Speaker 1: over there, um like speakers in an office. It was 91 00:05:26,760 --> 00:05:30,880 Speaker 1: like sort of artificially favoring like Top forty stations because 92 00:05:31,040 --> 00:05:33,000 Speaker 1: that's sort of the most broad radio station you could 93 00:05:33,000 --> 00:05:35,360 Speaker 1: play in an office. So then other stations are sort 94 00:05:35,360 --> 00:05:36,839 Speaker 1: of like, well, we also need to be able to 95 00:05:36,839 --> 00:05:39,320 Speaker 1: make sure that we're playing a hit. So no matter what, 96 00:05:39,560 --> 00:05:41,480 Speaker 1: if you fucking tune to it and it's not one 97 00:05:41,520 --> 00:05:43,960 Speaker 1: of the nine million ads you're hearing, it's a fucking 98 00:05:44,040 --> 00:05:46,240 Speaker 1: hit and you're gonna stay for the chance to get 99 00:05:46,279 --> 00:05:50,400 Speaker 1: that little bit of a metric bump. Yeah, but what wait, 100 00:05:50,440 --> 00:05:52,000 Speaker 1: what stations are you listening to now? To get your 101 00:05:52,120 --> 00:05:55,880 Speaker 1: your throwbacks radio. Well, I have to say for the record, yes, 102 00:05:56,080 --> 00:05:58,880 Speaker 1: I have to say off the record. This is off 103 00:05:58,920 --> 00:06:00,520 Speaker 1: the record, just between the three of us and all 104 00:06:00,560 --> 00:06:04,000 Speaker 1: the listeners. I love country music. So not only am 105 00:06:04,000 --> 00:06:06,479 Speaker 1: I listening to Top forty, I'm listening to Top forty 106 00:06:06,520 --> 00:06:11,200 Speaker 1: country music, Top forty Country. I feel like that's like, yes, 107 00:06:11,880 --> 00:06:16,000 Speaker 1: we're your favorite artists. Um, yeah, I love I love 108 00:06:16,480 --> 00:06:21,360 Speaker 1: Little Big Town, I love Old Dominion, I love Zach 109 00:06:21,440 --> 00:06:24,520 Speaker 1: Brown Band. But really I'm a I grew up on 110 00:06:24,520 --> 00:06:26,280 Speaker 1: country music. So I also think it's probably a thing 111 00:06:26,320 --> 00:06:28,040 Speaker 1: of like nostalgia being in l A, being on a 112 00:06:28,040 --> 00:06:30,120 Speaker 1: different coast, being like, oh, a lot of things are 113 00:06:30,160 --> 00:06:32,320 Speaker 1: unfamiliar here, but like this is something. I'm in a 114 00:06:32,360 --> 00:06:34,200 Speaker 1: car and listening to this music. I could be in 115 00:06:34,240 --> 00:06:36,640 Speaker 1: Massachusetts right now and it's Chris Gaines and it's Chris 116 00:06:36,920 --> 00:06:41,680 Speaker 1: coming through the speakers. Yes, yes, Garth Brooks was what 117 00:06:41,800 --> 00:06:44,760 Speaker 1: was his what was his alter ego? Yeah, yeah, I 118 00:06:44,800 --> 00:06:46,560 Speaker 1: think that's it. Okay, I just want to make sure 119 00:06:46,600 --> 00:06:49,440 Speaker 1: you're getting alter ego like Lady Gaga. He had like 120 00:06:49,480 --> 00:06:53,960 Speaker 1: the swoop bang and everything that's fun is fun like that. Yeah, 121 00:06:54,120 --> 00:06:56,160 Speaker 1: I didn't know they do that in country music they 122 00:06:56,200 --> 00:07:01,240 Speaker 1: do like beyond a Sasha Fierce thing. Oh yes, put 123 00:07:01,279 --> 00:07:06,280 Speaker 1: out the whole was Chris Gaines. That's my favorite thing 124 00:07:06,279 --> 00:07:11,600 Speaker 1: about that is incredible, what a weird thing to do. 125 00:07:11,720 --> 00:07:17,640 Speaker 1: And he's got the little ship Beard triangle they call it. Yeah, 126 00:07:17,760 --> 00:07:20,040 Speaker 1: you want to alter ego and then go and like 127 00:07:20,120 --> 00:07:24,240 Speaker 1: the most like a disgusting face, Like what if I 128 00:07:24,360 --> 00:07:30,880 Speaker 1: was fucking gross? It's more of an alter emo. Let's 129 00:07:30,920 --> 00:07:33,800 Speaker 1: just really uh. I just want to mention this rich 130 00:07:33,840 --> 00:07:37,160 Speaker 1: cracker competition thing because I like rich crackers. I never 131 00:07:37,200 --> 00:07:39,840 Speaker 1: buy them when I interact with them. I like how 132 00:07:39,920 --> 00:07:43,440 Speaker 1: much fucking grease are in these things thing, And that's 133 00:07:43,440 --> 00:07:45,840 Speaker 1: what I like about it. Like if we compare it 134 00:07:45,880 --> 00:07:48,160 Speaker 1: just a trisk it to a rich I mean trisk it, 135 00:07:48,240 --> 00:07:52,120 Speaker 1: you're you're gulping for water you gotta drink and a 136 00:07:52,200 --> 00:07:54,960 Speaker 1: food in the thing that thing is wet with with 137 00:07:55,000 --> 00:07:56,880 Speaker 1: But oh yeah you could like you can use it 138 00:07:56,920 --> 00:07:58,840 Speaker 1: to like spy on people, Like you could just put 139 00:07:58,840 --> 00:08:01,560 Speaker 1: it on the wall and it'll render like a visible 140 00:08:01,640 --> 00:08:04,640 Speaker 1: hole through from the grease, like in that Simpsons episode 141 00:08:04,640 --> 00:08:06,200 Speaker 1: where at home we're trying to gain all that weight 142 00:08:06,440 --> 00:08:09,760 Speaker 1: I had. I had a coworker in Boston years ago 143 00:08:09,880 --> 00:08:11,800 Speaker 1: that I ended up making a series of maybe kind 144 00:08:11,800 --> 00:08:14,480 Speaker 1: of mean cartoons about him. But his whole his whole 145 00:08:14,520 --> 00:08:18,600 Speaker 1: thing was his name is Nick. We're friends, so okay. 146 00:08:18,640 --> 00:08:21,800 Speaker 1: So but what he his whole approach to socializing with 147 00:08:21,880 --> 00:08:24,920 Speaker 1: us was he would have us rank things, and having 148 00:08:25,000 --> 00:08:27,120 Speaker 1: us rank crackers was his favorite thing. And he had 149 00:08:27,160 --> 00:08:29,240 Speaker 1: like a kind of a funny voice, and he so 150 00:08:29,320 --> 00:08:31,520 Speaker 1: we would be like standing behind the bar because we're 151 00:08:31,520 --> 00:08:34,200 Speaker 1: going to a bar, and he would just like we 152 00:08:34,240 --> 00:08:35,760 Speaker 1: had nothing to say to each other. And then he'd 153 00:08:35,760 --> 00:08:41,079 Speaker 1: be like, hey, Jamie, like trisk gets rits. What else 154 00:08:41,160 --> 00:08:45,440 Speaker 1: is like Mary kiss kill but with crackers and salteens? 155 00:08:45,960 --> 00:08:47,960 Speaker 1: Rank them? And then I would just sit there and 156 00:08:47,960 --> 00:08:50,320 Speaker 1: then I'd rank them and then you know, put triskets 157 00:08:50,400 --> 00:08:53,040 Speaker 1: last because I'm and he'd be like, no love for triskets, 158 00:08:53,200 --> 00:08:55,320 Speaker 1: And that was his whole thing, and he'd write it down, 159 00:08:55,360 --> 00:08:58,440 Speaker 1: he'd ranking. He actually has a whole spreadsheet of data 160 00:08:58,480 --> 00:09:00,000 Speaker 1: that he's been minding the best. He had a whole 161 00:09:00,000 --> 00:09:04,640 Speaker 1: old blog about reviewing turkey Turkey club sandwiches that he 162 00:09:04,640 --> 00:09:10,120 Speaker 1: would get from like Subway Macy's, like he would get there, 163 00:09:10,200 --> 00:09:13,720 Speaker 1: used to be somewhere in in the Boston metro area. Yeah, 164 00:09:13,800 --> 00:09:17,440 Speaker 1: like a cafe in the basement that's very suburban. These 165 00:09:18,360 --> 00:09:28,439 Speaker 1: like the crispness on the Macy's Turkey set. Yeah, little curvity. 166 00:09:28,520 --> 00:09:31,760 Speaker 1: I love that. I relate to that. Just a pure 167 00:09:31,800 --> 00:09:34,680 Speaker 1: obsession with one thing and then dedicating a lot of 168 00:09:34,679 --> 00:09:36,240 Speaker 1: your life to it. I'm like, yeah, I could see 169 00:09:36,240 --> 00:09:40,280 Speaker 1: myself falling down that hole. The singularity of that visions 170 00:09:40,400 --> 00:09:43,640 Speaker 1: or just something. There's a competition where because my mom 171 00:09:43,679 --> 00:09:46,400 Speaker 1: did cook with them a yeah, yeah, there is a 172 00:09:46,520 --> 00:09:51,080 Speaker 1: rich crushed crackers recipe contest, okay, and there's they have 173 00:09:51,200 --> 00:09:54,480 Speaker 1: a culinary professional category where it's like you're a legit chef, 174 00:09:54,800 --> 00:09:57,440 Speaker 1: and they also have one for culinary students. The grand 175 00:09:57,480 --> 00:10:02,480 Speaker 1: prize winner was the poor Cue Pie. Uh it's okay, 176 00:10:02,480 --> 00:10:05,640 Speaker 1: so it comes from uh, the chef and owner of 177 00:10:05,679 --> 00:10:10,800 Speaker 1: a text Mex restaurant in Chicago, Kim Dalton. Um this recipe, Okay, 178 00:10:10,840 --> 00:10:13,959 Speaker 1: It's a savory and sweet pork and cheddar mock apple 179 00:10:14,000 --> 00:10:18,160 Speaker 1: pie with a risp and buttery rits crumb topping. This 180 00:10:18,240 --> 00:10:20,480 Speaker 1: sweat't like fancy food. It's like, who wants that? I 181 00:10:20,520 --> 00:10:23,359 Speaker 1: don't want an apple pie? With pork in it. Yeah, 182 00:10:23,400 --> 00:10:25,920 Speaker 1: I mean, I guess mock apple pie. I'm curious if 183 00:10:25,960 --> 00:10:28,640 Speaker 1: it's there's I think it's maybe just a pork pie 184 00:10:28,720 --> 00:10:30,720 Speaker 1: with cheese and maybe hints about there. I don't know. 185 00:10:31,360 --> 00:10:33,600 Speaker 1: I don't know. It one must have been good, yeah, 186 00:10:33,760 --> 00:10:35,480 Speaker 1: I guess. I'm not gonna say, you try it wow, 187 00:10:35,559 --> 00:10:39,720 Speaker 1: So tepid, tepid response, I don't like. I mean, sometimes 188 00:10:39,760 --> 00:10:42,560 Speaker 1: things that sound gross actually taste good, so I won't 189 00:10:42,679 --> 00:10:46,360 Speaker 1: rule it out. There's been worse things. That's what I'll 190 00:10:46,360 --> 00:10:51,360 Speaker 1: say of this winning recipe. There's okay, I guess chicken 191 00:10:51,360 --> 00:10:53,559 Speaker 1: pop pie. I'm like, already, that's a little gross to me. 192 00:10:53,679 --> 00:10:55,000 Speaker 1: So then when you're like, oh, you're gonna take an 193 00:10:55,040 --> 00:10:56,800 Speaker 1: even gross from meat and slap it in there, I'm 194 00:10:56,800 --> 00:11:00,160 Speaker 1: out the thing that they Kim but good for Kim. Well, 195 00:11:00,160 --> 00:11:02,679 Speaker 1: this is what Kim says. She says it's really good. 196 00:11:02,880 --> 00:11:06,560 Speaker 1: She was inspired. It was inspired by a vintage recipe 197 00:11:06,640 --> 00:11:09,600 Speaker 1: she saw on the back of a Rich Crackers box, like, 198 00:11:09,720 --> 00:11:11,520 Speaker 1: so it's like an old one. But she then sort 199 00:11:11,520 --> 00:11:14,000 Speaker 1: of took some creative li so I'm sorry, let me 200 00:11:14,040 --> 00:11:18,239 Speaker 1: go again. It's really good. It's kind of a classic Okay. 201 00:11:18,400 --> 00:11:21,280 Speaker 1: I think that should end the debate right there. I 202 00:11:21,320 --> 00:11:24,559 Speaker 1: do feel like if I describe that meal to my grandparents, 203 00:11:24,559 --> 00:11:27,400 Speaker 1: they lose their ship. You know, that does like as 204 00:11:27,440 --> 00:11:30,520 Speaker 1: an old timey recipe. I think that would hit. But 205 00:11:30,840 --> 00:11:34,040 Speaker 1: what she also says is the rich crackers are they're 206 00:11:34,120 --> 00:11:37,600 Speaker 1: added instead of apples. Okay, so that's what it is. 207 00:11:37,600 --> 00:11:39,440 Speaker 1: So it's not like an apple pie. So it's more 208 00:11:39,480 --> 00:11:42,200 Speaker 1: of a disc in your mind. Keep pork and sheddar 209 00:11:43,200 --> 00:11:49,400 Speaker 1: rich crackers right now now, and now we're talking now now, Kim, 210 00:11:49,400 --> 00:11:51,240 Speaker 1: we're coming. We're getting on a flight, okay. And then 211 00:11:51,320 --> 00:11:55,720 Speaker 1: the student culinary student category, the grand prize winner was 212 00:11:55,920 --> 00:11:59,840 Speaker 1: a meal fee. How do you say that? Yes, I know, 213 00:12:00,240 --> 00:12:01,679 Speaker 1: I know what I know what it is. I just 214 00:12:01,760 --> 00:12:05,960 Speaker 1: remember the movie Carpool with Tom Arnold and there's a 215 00:12:06,000 --> 00:12:08,400 Speaker 1: moment where they spend three minutes. There's like a joke 216 00:12:08,440 --> 00:12:12,840 Speaker 1: where they don't know how to say MUFI. What is 217 00:12:13,600 --> 00:12:16,080 Speaker 1: its two words? And there's a hyphen involved. Doesn't it 218 00:12:16,120 --> 00:12:20,120 Speaker 1: mean like a thousand layers or something? Yeah, like that's 219 00:12:20,120 --> 00:12:25,080 Speaker 1: what the meal m I l like millenniums anyway, instead 220 00:12:25,080 --> 00:12:27,440 Speaker 1: of a puff pastry for this using rich crackers to 221 00:12:27,520 --> 00:12:29,280 Speaker 1: serve as the pastry, like because it's like a very 222 00:12:29,360 --> 00:12:34,240 Speaker 1: layered pastry. Okay, uh and was a student of the 223 00:12:34,280 --> 00:12:41,040 Speaker 1: Institute of Culinary Education in pasad drive over so and 224 00:12:41,120 --> 00:12:43,480 Speaker 1: that just seems like it was a pretty straightforward recipe. 225 00:12:43,520 --> 00:12:45,800 Speaker 1: But hey, the students they're getting it done to all right. 226 00:12:45,960 --> 00:12:48,880 Speaker 1: I would I would have Fernando's dish in a second, Yes, 227 00:12:48,920 --> 00:12:51,960 Speaker 1: I think yes, because Cam it's almost like flashy, flashy, 228 00:12:52,200 --> 00:12:55,720 Speaker 1: we got pork, we got apples. It's it's old, she says. 229 00:12:55,760 --> 00:12:57,640 Speaker 1: She said, no, no, no, this is just a classic 230 00:12:57,640 --> 00:13:02,240 Speaker 1: with Ritz. I gotta where's my Grandpa Dalton. I'll guess 231 00:13:02,760 --> 00:13:07,160 Speaker 1: Ritz nepotism. She married into the rich. She's married in 232 00:13:07,600 --> 00:13:15,720 Speaker 1: definitely Mr Ritz. Her maiden name Nibiscoe. Okay, Kim Nibiscoe. Dude, 233 00:13:15,800 --> 00:13:20,480 Speaker 1: Kim Nibiscoe, the weirdest villain is a great name. I 234 00:13:20,640 --> 00:13:23,199 Speaker 1: like one time, as a joke, for like three months 235 00:13:23,200 --> 00:13:25,840 Speaker 1: at a place I was working as my emergency contact, 236 00:13:25,880 --> 00:13:32,600 Speaker 1: I had the phone number for Nibiscoe. Yeah, I'm surprised 237 00:13:32,600 --> 00:13:37,880 Speaker 1: no one went like I guess also though, like for 238 00:13:37,960 --> 00:13:40,319 Speaker 1: basically happened and they called Nabiscoe and you just liked 239 00:13:40,360 --> 00:13:42,679 Speaker 1: the cruelest prank on yourself and I just died. It 240 00:13:42,840 --> 00:13:44,160 Speaker 1: was a funny way to die. I don't think it's 241 00:13:44,240 --> 00:13:50,240 Speaker 1: kind of I don't know, it's super tragic, but it's 242 00:13:50,280 --> 00:13:56,600 Speaker 1: kind of hilarious. What is she allergic to? Now we 243 00:13:56,640 --> 00:13:59,360 Speaker 1: have to talk about our guests. Who's in the third seat? Oh, 244 00:13:59,480 --> 00:14:05,439 Speaker 1: y'all are for one? Because Mr Magnificent himself, Mr Bigfoot 245 00:14:05,520 --> 00:14:12,160 Speaker 1: Hunter himself, the jetti of spaghetti crop like that. How 246 00:14:12,200 --> 00:14:14,760 Speaker 1: are you guys? Hey, you man, I'm glad to be here. Yeah, 247 00:14:15,160 --> 00:14:17,640 Speaker 1: I'm real glad to be here. Yeah, the yetti of spaghetti. 248 00:14:17,679 --> 00:14:20,240 Speaker 1: I don't know where that came. Yeah, that's fine. Ever 249 00:14:20,280 --> 00:14:22,840 Speaker 1: since that Mount Saint Helen's thing you told us about 250 00:14:23,000 --> 00:14:25,480 Speaker 1: about all of them, the big foot bodies, that word, 251 00:14:27,840 --> 00:14:30,880 Speaker 1: well you only eat posted in the woods? Well yeah, 252 00:14:30,960 --> 00:14:33,320 Speaker 1: I mean whatever fits the I mean, I don't know 253 00:14:33,520 --> 00:14:36,240 Speaker 1: really exactly how this AKA stuff works, but as far 254 00:14:36,280 --> 00:14:37,920 Speaker 1: as I can tell, it's a bunch of nonsense. So 255 00:14:37,960 --> 00:14:43,280 Speaker 1: I think that yetti spaghetti s a k A hashtag. 256 00:14:43,320 --> 00:14:46,120 Speaker 1: Cobrew got me like, yeah, whatever, And you're not drinking 257 00:14:46,160 --> 00:14:48,520 Speaker 1: cold brew? You just you're being tell people, well you 258 00:14:48,680 --> 00:14:50,720 Speaker 1: do you are caffeinated? But oh, yeah, you had cold 259 00:14:50,720 --> 00:14:54,000 Speaker 1: brew earlier. But now I'm having amocha because this show, 260 00:14:54,440 --> 00:14:58,040 Speaker 1: can I say it, We're taping after noon, and like 261 00:14:58,520 --> 00:15:02,800 Speaker 1: usually I like to, you know, yeah, give a podcast 262 00:15:02,880 --> 00:15:06,920 Speaker 1: both barrels of my morning, of my morning mojo, yes, 263 00:15:07,120 --> 00:15:12,080 Speaker 1: sorrying because and then uh and I have the coal 264 00:15:12,120 --> 00:15:14,160 Speaker 1: brew and then it's like, you know, it's comedy gold. 265 00:15:14,240 --> 00:15:18,960 Speaker 1: But today it's after noon, and I've already been traumatized 266 00:15:19,360 --> 00:15:22,120 Speaker 1: by the day, by part of the day just being alive. Yeah, 267 00:15:22,160 --> 00:15:24,280 Speaker 1: so I'm already like I've already feel like I got 268 00:15:24,320 --> 00:15:27,640 Speaker 1: run over. So I now I got an emergency mocha 269 00:15:28,400 --> 00:15:32,200 Speaker 1: and that's mocha with emergency powdering. Yeah. Sure, I mean 270 00:15:32,240 --> 00:15:33,480 Speaker 1: I don't know what they put in there. I told 271 00:15:33,520 --> 00:15:36,640 Speaker 1: him to load it up, so I got They said 272 00:15:36,680 --> 00:15:39,240 Speaker 1: whole milk. And I took a little while and I said, yeah, 273 00:15:39,400 --> 00:15:41,280 Speaker 1: I don't know what. There was no thought process that 274 00:15:41,320 --> 00:15:43,480 Speaker 1: happened during that part where I took a moment either. 275 00:15:43,760 --> 00:15:45,880 Speaker 1: They said a whole milk, okay, And there's like I thought, 276 00:15:46,280 --> 00:15:48,040 Speaker 1: I kind of did a little bit of theater where 277 00:15:48,080 --> 00:15:50,320 Speaker 1: I cocked my head and then I said I couldn't 278 00:15:50,360 --> 00:15:53,000 Speaker 1: didn't think anything about milk or I tried. I tried to. 279 00:15:53,720 --> 00:15:55,800 Speaker 1: Would you have thought that's what I thought? I guess 280 00:15:55,840 --> 00:15:58,120 Speaker 1: two came in my head. But and then I think, 281 00:15:58,160 --> 00:16:02,000 Speaker 1: I think actually my exact thought process was two question 282 00:16:02,040 --> 00:16:06,240 Speaker 1: mark fat, question mark. And then I said, okay, give 283 00:16:06,320 --> 00:16:10,200 Speaker 1: us all the fat. I'll just sit around it. Yea, 284 00:16:10,360 --> 00:16:14,000 Speaker 1: And yeah, I thought chocolate would be maybe would make 285 00:16:14,040 --> 00:16:16,880 Speaker 1: me funny. Her were you saying off Mike that you 286 00:16:16,920 --> 00:16:19,400 Speaker 1: had a nervous breakdown last time, well, last time I 287 00:16:19,440 --> 00:16:21,920 Speaker 1: was here. Yeah, like I I'm working on my host. 288 00:16:23,160 --> 00:16:27,600 Speaker 1: I thank you for bringing it up. Yeah, yes, I 289 00:16:27,640 --> 00:16:30,760 Speaker 1: was hospitalized briefly. The worst day of your life. No, 290 00:16:30,840 --> 00:16:33,160 Speaker 1: it wasn't it. For people who have just heard that 291 00:16:33,200 --> 00:16:36,600 Speaker 1: and think what he means serious, it's not he what happened. 292 00:16:36,720 --> 00:16:38,800 Speaker 1: I ate nothing in the morning, and I had like 293 00:16:38,880 --> 00:16:40,800 Speaker 1: a lot of coal brew, and I also had not 294 00:16:40,840 --> 00:16:43,520 Speaker 1: slept very much, and I forget what else I did 295 00:16:43,560 --> 00:16:45,560 Speaker 1: something else in the night before that was like just 296 00:16:45,600 --> 00:16:47,160 Speaker 1: hit you whatever. I was wiped out. And then I 297 00:16:47,200 --> 00:16:49,320 Speaker 1: had cold brew and I was like all fired up, 298 00:16:49,320 --> 00:16:52,880 Speaker 1: telling a story about something about bigfoots that were injured 299 00:16:52,920 --> 00:16:56,560 Speaker 1: on Mount St. Helens or whatever it was, and um, 300 00:16:56,640 --> 00:16:58,640 Speaker 1: and then I just my whole brain just went blank. 301 00:16:58,680 --> 00:17:00,840 Speaker 1: I mean, like it's happened before or your brain just 302 00:17:00,920 --> 00:17:02,640 Speaker 1: I don't know if you've ever had it, maybe it's 303 00:17:02,640 --> 00:17:06,040 Speaker 1: something happened forty but just like, yeah, I tend to 304 00:17:06,080 --> 00:17:08,919 Speaker 1: drink coffee until this is how my did. Going to 305 00:17:09,040 --> 00:17:12,040 Speaker 1: drink coffee until my body can't take it anymore, and 306 00:17:12,080 --> 00:17:14,080 Speaker 1: it's like you're about to die or something, and then 307 00:17:14,119 --> 00:17:17,000 Speaker 1: I will eat something right perfect. So so we just 308 00:17:17,040 --> 00:17:18,320 Speaker 1: caught you at that moment. So like I had a 309 00:17:18,359 --> 00:17:20,480 Speaker 1: moment where I was like super, I was excited to 310 00:17:20,480 --> 00:17:21,960 Speaker 1: be on the show. I love being on this show. 311 00:17:22,040 --> 00:17:23,800 Speaker 1: I really get fired up. I want to do my best. 312 00:17:23,840 --> 00:17:25,040 Speaker 1: And so I got like, you know, I'm like I 313 00:17:25,080 --> 00:17:26,919 Speaker 1: need to drink colbrew, even though I was feeling kind 314 00:17:26,960 --> 00:17:29,520 Speaker 1: of fragile from like not getting not getting sleep. And 315 00:17:29,560 --> 00:17:31,439 Speaker 1: then all of a sudden, things were going good and 316 00:17:31,440 --> 00:17:34,760 Speaker 1: I was talking about something real funny and then and 317 00:17:34,800 --> 00:17:37,240 Speaker 1: then Myles was just like oh yeah, and then what 318 00:17:37,240 --> 00:17:39,760 Speaker 1: what happened after that? And I was like, ah, you're 319 00:17:39,760 --> 00:17:43,000 Speaker 1: like said I need to eat something. I took a 320 00:17:43,000 --> 00:17:44,560 Speaker 1: while though, for a minute, I tried to get it 321 00:17:44,560 --> 00:17:46,560 Speaker 1: back on track, and you were trying to help because oh, 322 00:17:46,600 --> 00:17:48,080 Speaker 1: you're like I forgot what I said. Yeah, and you 323 00:17:48,119 --> 00:17:49,639 Speaker 1: were like, no, don't worry about what was it. You 324 00:17:49,680 --> 00:17:51,680 Speaker 1: were just saying this. And then Jack was like, you're 325 00:17:51,840 --> 00:17:54,560 Speaker 1: saying this and it wasn't helping. And then they were like, 326 00:17:55,200 --> 00:17:56,919 Speaker 1: you know, then it was getting a weird. And then 327 00:17:56,960 --> 00:17:58,640 Speaker 1: I said, I think I need to eat something, which 328 00:17:59,280 --> 00:18:02,080 Speaker 1: we did. Therapist told me to say if that ever happened, 329 00:18:02,119 --> 00:18:05,080 Speaker 1: if I ever had one of those brain yeah, they 330 00:18:05,119 --> 00:18:07,360 Speaker 1: told me I should say I have to eat something. Well, 331 00:18:07,400 --> 00:18:09,280 Speaker 1: and even if you got that, yeah, they just told 332 00:18:09,280 --> 00:18:12,800 Speaker 1: me that was a good terrible advice. Alright, But I 333 00:18:12,800 --> 00:18:15,880 Speaker 1: did I ate a bag dag or egg in a bag? Well, 334 00:18:15,920 --> 00:18:18,119 Speaker 1: I was like, what, Like, I sometimes buy those eggs 335 00:18:18,119 --> 00:18:20,960 Speaker 1: from Trader Joe's that are in a bag, which nobody likes. 336 00:18:21,000 --> 00:18:22,800 Speaker 1: If you want to be popular, do not do that 337 00:18:23,240 --> 00:18:24,760 Speaker 1: because you see it and go wait till this dude 338 00:18:24,800 --> 00:18:29,040 Speaker 1: opens that thing and diet. Oh it's disgusting. It's disgusting. 339 00:18:29,080 --> 00:18:31,080 Speaker 1: But if you if you want to never have a girlfriend, 340 00:18:31,200 --> 00:18:33,000 Speaker 1: like have a girl come over to your place and 341 00:18:33,000 --> 00:18:34,960 Speaker 1: see a bag of eggs in your refrigerator, I don't 342 00:18:35,000 --> 00:18:37,440 Speaker 1: care how well you're doing did this man Robin Nest. Yeah, 343 00:18:37,680 --> 00:18:40,160 Speaker 1: I don't. Nobody likes it, but anyway, I like them 344 00:18:40,200 --> 00:18:42,600 Speaker 1: because sometimes I just you gotta get something in your day. 345 00:18:42,920 --> 00:18:45,560 Speaker 1: It's protein, man, you know, I rebut them belly full. 346 00:18:47,000 --> 00:18:49,280 Speaker 1: Oh no, go ahead, no, no, finish your just beast, 347 00:18:49,320 --> 00:18:50,840 Speaker 1: Joe Box. It was. It was an egg in one 348 00:18:50,880 --> 00:18:54,040 Speaker 1: of those Starbucks. U. I'm glad we got that detailed. 349 00:18:54,119 --> 00:18:56,560 Speaker 1: Yeah yeah, I really just for the record because it 350 00:18:56,640 --> 00:18:58,520 Speaker 1: was really where it was touching. Go there until that, 351 00:18:59,119 --> 00:19:11,639 Speaker 1: Let's take a quick and we'll be right back and 352 00:19:11,760 --> 00:19:14,240 Speaker 1: we're back. What's something from your short history that's realthing 353 00:19:14,240 --> 00:19:16,120 Speaker 1: about you? All? Right? Here we go, Here we go. 354 00:19:16,200 --> 00:19:18,679 Speaker 1: What's on YouTube? Baby? And I think I have a 355 00:19:18,680 --> 00:19:21,280 Speaker 1: funny feeling that you guys might know about this, but 356 00:19:21,920 --> 00:19:25,240 Speaker 1: maybe not. Uh it's this guy named him. I think 357 00:19:25,240 --> 00:19:29,000 Speaker 1: his name is New England Wildlife and more. Hold on 358 00:19:29,119 --> 00:19:32,800 Speaker 1: this New England and an emphasis on and more. Yeah, yeah, 359 00:19:32,800 --> 00:19:36,119 Speaker 1: Well here's the funny thing about this New England Wildlife 360 00:19:36,119 --> 00:19:38,880 Speaker 1: and more. Now here's the and more is mostly what 361 00:19:38,920 --> 00:19:44,080 Speaker 1: he does, and the and more is he opens old 362 00:19:45,200 --> 00:19:51,720 Speaker 1: food from the nineteen sixties and fifties and forties and 363 00:19:51,760 --> 00:19:54,240 Speaker 1: stuff he does he does war rations, but he'll just 364 00:19:54,320 --> 00:19:57,880 Speaker 1: open canned food that he gets from I don't know 365 00:19:57,920 --> 00:20:01,000 Speaker 1: where from like canned food auctions or things, and he 366 00:20:01,080 --> 00:20:08,600 Speaker 1: opens and sometimes eats. Oh yeah, does he ever eat? Well. 367 00:20:08,960 --> 00:20:10,840 Speaker 1: It's kind of weird because I always thought, like if 368 00:20:10,880 --> 00:20:13,000 Speaker 1: you open one of those old cans, like an old 369 00:20:13,040 --> 00:20:16,280 Speaker 1: can of sake cream corn from literally sometimes he'll open 370 00:20:16,320 --> 00:20:18,920 Speaker 1: one from like the forties, like I thought you had 371 00:20:18,960 --> 00:20:20,919 Speaker 1: to have like a gas mask on. I don't know 372 00:20:20,960 --> 00:20:25,040 Speaker 1: what I thought. For some reason, I associate botul m cans, 373 00:20:25,080 --> 00:20:26,240 Speaker 1: but I don't know if it comes out of the 374 00:20:26,240 --> 00:20:27,879 Speaker 1: air or what happens, you know what I mean, I 375 00:20:28,119 --> 00:20:30,560 Speaker 1: know something I'm thinking that scientifically in my mind's like 376 00:20:30,640 --> 00:20:34,359 Speaker 1: seven year old can gross it's in the seventies. Like 377 00:20:34,400 --> 00:20:36,520 Speaker 1: you're my mom like when I was like eight years 378 00:20:36,560 --> 00:20:38,360 Speaker 1: old to be like, you don't want a dented can 379 00:20:38,440 --> 00:20:40,680 Speaker 1: because botul is um. But I don't know. I never 380 00:20:40,760 --> 00:20:43,760 Speaker 1: understood why. But but but anyway, these cans are far 381 00:20:43,880 --> 00:20:46,239 Speaker 1: These cans are not only dented, but they're sixty years old. 382 00:20:46,280 --> 00:20:48,880 Speaker 1: And he's like, there's it's swollen. He's like, you can 383 00:20:48,920 --> 00:20:50,840 Speaker 1: see it's gonna hiss. He gets real into whether it's 384 00:20:50,880 --> 00:20:52,680 Speaker 1: gonna hiss or not. He gets seems to be happy 385 00:20:52,720 --> 00:20:56,960 Speaker 1: when it hisses. But he's also discussed here he sniffs it. 386 00:20:57,440 --> 00:21:01,560 Speaker 1: He will occasionally taste like with his and then he says, oh, 387 00:21:01,600 --> 00:21:04,200 Speaker 1: I think that was a mistake to taste that. And 388 00:21:04,200 --> 00:21:05,919 Speaker 1: he's like, I think that maybe I should watch my 389 00:21:05,960 --> 00:21:08,920 Speaker 1: mouth out because that probably has bacteria in it. And 390 00:21:08,920 --> 00:21:10,960 Speaker 1: and and I don't know why. Sometimes he thinks it's 391 00:21:10,960 --> 00:21:12,720 Speaker 1: okay to taste. He's like, I think he sniffs it, 392 00:21:12,760 --> 00:21:15,919 Speaker 1: and he thinks if it's like something, if it smells 393 00:21:16,000 --> 00:21:18,560 Speaker 1: enough like the products supposed to, then sometimes he can't 394 00:21:18,560 --> 00:21:21,720 Speaker 1: resist but to taste it. But um, I like, how 395 00:21:21,720 --> 00:21:23,400 Speaker 1: you go, I think, and I think you guys might 396 00:21:23,440 --> 00:21:25,800 Speaker 1: know this channel. Well it's good and what was his 397 00:21:25,880 --> 00:21:29,840 Speaker 1: name is more, but it should really be called man 398 00:21:30,000 --> 00:21:34,480 Speaker 1: opens old cans and more because and actually exactly that 399 00:21:34,600 --> 00:21:36,600 Speaker 1: and no more, no less. And even if he is 400 00:21:36,640 --> 00:21:39,200 Speaker 1: out among the wildlife, I'm still thinking he has like 401 00:21:40,600 --> 00:21:43,040 Speaker 1: cream corn and his belly. So it's really more like 402 00:21:43,160 --> 00:21:45,280 Speaker 1: man who eats old food is in the wild life, 403 00:21:45,359 --> 00:21:47,480 Speaker 1: dude who does diary in the woods, Yeah, it's not 404 00:21:47,840 --> 00:21:51,280 Speaker 1: che man eats old food From each video sort of 405 00:21:51,320 --> 00:21:55,119 Speaker 1: like nineteen fifty six Campbell's soup. Yeah. Like so it's like, 406 00:21:55,200 --> 00:21:57,720 Speaker 1: or is it it? Does he come upon these cans? 407 00:21:57,760 --> 00:22:01,320 Speaker 1: You never know the provenance of these these cans. He 408 00:22:01,400 --> 00:22:04,199 Speaker 1: sometimes mentions that he got them from, like somebody on 409 00:22:04,240 --> 00:22:06,560 Speaker 1: his street, or sometimes he mentions that he got him 410 00:22:06,600 --> 00:22:09,560 Speaker 1: from I don't know he I guess he sometimes just 411 00:22:09,600 --> 00:22:11,960 Speaker 1: says some guy gave him to him. He opens, like 412 00:22:12,280 --> 00:22:14,520 Speaker 1: he opens like a can, like you know when people 413 00:22:14,640 --> 00:22:17,000 Speaker 1: can stuff from the he opened shipped from the forties, 414 00:22:17,000 --> 00:22:19,080 Speaker 1: and he'll just open it and he'll be like he's 415 00:22:19,160 --> 00:22:22,560 Speaker 1: really intent on he just goes, oh my god, oh god, 416 00:22:22,640 --> 00:22:26,280 Speaker 1: this really stinks. Oh boy. Right, it's like he's like, 417 00:22:26,320 --> 00:22:29,080 Speaker 1: I think this used to be cherries. It's probably cherries. Yeah, 418 00:22:29,119 --> 00:22:31,560 Speaker 1: it looks like cherries. Looks like probably cherries. And he's 419 00:22:31,600 --> 00:22:34,000 Speaker 1: like um. But then he's like it's like okay, and 420 00:22:34,000 --> 00:22:35,679 Speaker 1: then he dumps it in this tray. But it's just 421 00:22:35,720 --> 00:22:37,760 Speaker 1: like a tray, like a regular tray, but he kind 422 00:22:37,760 --> 00:22:39,919 Speaker 1: of makes it like it's signed scientifically. He's always like 423 00:22:40,200 --> 00:22:41,960 Speaker 1: make sure he gets it all out of there, like 424 00:22:42,000 --> 00:22:44,480 Speaker 1: he figures out it's disgusting. And then he's like that's hard. 425 00:22:45,760 --> 00:22:47,000 Speaker 1: And then he's like, well, I'm gonna have to use 426 00:22:47,040 --> 00:22:49,560 Speaker 1: the like I'm to use a spoon to get it out. 427 00:22:49,680 --> 00:22:51,240 Speaker 1: But it's like, why do you need to get it out? 428 00:22:51,280 --> 00:22:53,320 Speaker 1: Like I know what it is. It's like some kind 429 00:22:53,320 --> 00:22:56,920 Speaker 1: of spoiled He's like, oh, look at that. Yeah, it's 430 00:22:57,000 --> 00:22:58,680 Speaker 1: kind of And then sometimes they like stick his finger 431 00:22:58,720 --> 00:23:00,119 Speaker 1: and it and like taste it and they go, oh, 432 00:23:00,119 --> 00:23:01,520 Speaker 1: I shouldn't have done that, but he does it all 433 00:23:01,560 --> 00:23:04,040 Speaker 1: the time. It would be great. The following videos, he's 434 00:23:04,080 --> 00:23:06,520 Speaker 1: like slowly become more drinks ray in the face. He 435 00:23:06,600 --> 00:23:09,040 Speaker 1: drinks crystal white. Well, he looks like he's already you 436 00:23:09,040 --> 00:23:11,359 Speaker 1: know what does he look like? He's kind of like 437 00:23:11,400 --> 00:23:15,399 Speaker 1: seems like kind of um backwoods, like like kind of 438 00:23:15,440 --> 00:23:20,240 Speaker 1: a meth uh. I get a methy vibe from him, 439 00:23:20,280 --> 00:23:22,959 Speaker 1: like a methy trailer vibe. I'm getting that too. And 440 00:23:23,000 --> 00:23:25,640 Speaker 1: he seems like so he probably has like maybe used 441 00:23:25,680 --> 00:23:30,320 Speaker 1: to like, you know, eating, I mean, he just seems 442 00:23:30,359 --> 00:23:32,320 Speaker 1: like sturdy enough that maybe he can poke his finger 443 00:23:32,359 --> 00:23:34,600 Speaker 1: in some nineteen forties cream corn without needing to worry 444 00:23:34,600 --> 00:23:36,920 Speaker 1: about it that much. That is one of my favorite 445 00:23:37,000 --> 00:23:39,760 Speaker 1: characteristics I've ever heard someone say about another person, how 446 00:23:39,760 --> 00:23:43,960 Speaker 1: do they look sturdy seath? He's like, I would never. 447 00:23:44,320 --> 00:23:46,640 Speaker 1: I would never. I don't care how much the product 448 00:23:46,680 --> 00:23:50,560 Speaker 1: smelled good. I would never. I don't care. He's like, 449 00:23:50,600 --> 00:23:53,600 Speaker 1: this is fluff or not? From nineteen seventy two, anyone 450 00:23:53,840 --> 00:23:58,600 Speaker 1: is canned horsemeat? Mr E Review. Okay, that's like a ration. Yeah, yeah, 451 00:23:58,720 --> 00:24:02,159 Speaker 1: meal ready to eat. I just watched him flush jello 452 00:24:02,359 --> 00:24:05,440 Speaker 1: down the toilet, and is that how he exposes or 453 00:24:05,560 --> 00:24:07,800 Speaker 1: disposes of all of his foods? He flushes, he looks 454 00:24:07,800 --> 00:24:09,960 Speaker 1: through I don't throw a microscope too, and then he's like, 455 00:24:10,000 --> 00:24:13,640 Speaker 1: I think that's bacteria, but it might not be bacteria scientists, 456 00:24:14,000 --> 00:24:15,760 Speaker 1: because he doesn't he'll look at the stuff to a 457 00:24:15,800 --> 00:24:17,800 Speaker 1: microscope and he'll just be like, I think that's bacteria, 458 00:24:17,840 --> 00:24:20,359 Speaker 1: but it also could be just part of the food. Also, 459 00:24:20,480 --> 00:24:24,399 Speaker 1: like how it happens every time. I have no scientific training, 460 00:24:24,440 --> 00:24:26,280 Speaker 1: so honestly, I don't know what every time he's like, 461 00:24:26,400 --> 00:24:28,560 Speaker 1: look at that, and he kind of like gross down 462 00:24:28,560 --> 00:24:30,320 Speaker 1: He's like, oh God, what is that? He's like, But 463 00:24:30,359 --> 00:24:32,080 Speaker 1: then it's like, oh, maybe it could just be part 464 00:24:32,119 --> 00:24:34,600 Speaker 1: of the food normally, but it also could be bacteria. 465 00:24:34,680 --> 00:24:37,200 Speaker 1: But I don't know and he does that every time. 466 00:24:37,640 --> 00:24:40,880 Speaker 1: And then yeah, sometimes he goes in the woods, I guess, 467 00:24:40,880 --> 00:24:44,240 Speaker 1: and like looks at he's he'll do abandoned things. Sometimes 468 00:24:44,800 --> 00:24:46,879 Speaker 1: it's about dam he's in the canned food really is 469 00:24:46,920 --> 00:24:49,080 Speaker 1: what it sounds. What's an MRI the meal ready to 470 00:24:49,080 --> 00:24:51,639 Speaker 1: eat the ration? Okay, yeah he does that, don't The 471 00:24:51,680 --> 00:24:53,639 Speaker 1: horse meat for the record came from Russia, but he 472 00:24:53,680 --> 00:24:55,960 Speaker 1: wasn't sure if it did. Here's what I like about it, 473 00:24:56,000 --> 00:24:59,080 Speaker 1: wasn't informed about it. I like when I listened to 474 00:24:59,119 --> 00:25:01,159 Speaker 1: like jazz or class sicle music, which is supposed to 475 00:25:01,200 --> 00:25:03,480 Speaker 1: be relaxing, I can't relax, So I like to listen 476 00:25:03,520 --> 00:25:07,159 Speaker 1: to like metal, Like I'll listen to like Cannibal Corps 477 00:25:07,280 --> 00:25:09,679 Speaker 1: or something, and I'll relax. Oh we don't do plugs 478 00:25:09,680 --> 00:25:15,240 Speaker 1: on here. Okay, yeah, please that Cannibal Corpse club please, 479 00:25:15,600 --> 00:25:17,919 Speaker 1: although they had a great scene in East ven Turn Anyway, 480 00:25:18,000 --> 00:25:21,600 Speaker 1: I'll listen to like, uh, you know, metal to relax. 481 00:25:21,640 --> 00:25:24,080 Speaker 1: It's kind of like becomes sort of background noise or 482 00:25:24,119 --> 00:25:27,240 Speaker 1: like maybe it sounds like an industrial machine going having 483 00:25:27,480 --> 00:25:29,920 Speaker 1: like a washing machine going in the background or something 484 00:25:30,000 --> 00:25:32,080 Speaker 1: that basis plays a note called the bomb note. But 485 00:25:32,160 --> 00:25:35,440 Speaker 1: I've realized. Is that true. It's like a whole other thing. 486 00:25:35,480 --> 00:25:37,800 Speaker 1: You know a lot about Cannibal Corps. Dude, I'm talking 487 00:25:37,800 --> 00:25:39,720 Speaker 1: about Torch. This other band called Torch. They have a 488 00:25:39,720 --> 00:25:43,080 Speaker 1: sound called tar Pick Carnivore. Check that out. Wow, if 489 00:25:43,080 --> 00:25:45,480 Speaker 1: you want to relax, Chris, that sounds cool. And So 490 00:25:46,200 --> 00:25:49,280 Speaker 1: I watched this can guy in the background while I'm 491 00:25:49,280 --> 00:25:51,159 Speaker 1: doing stuff around the house. So like, I'll just like 492 00:25:51,200 --> 00:25:53,320 Speaker 1: it's like a steady hum of this guy being like 493 00:25:53,760 --> 00:25:56,240 Speaker 1: just cracking open cans and you have metal blasting. This 494 00:25:56,280 --> 00:25:57,959 Speaker 1: is gonna be a good hiss. It'll be like, this 495 00:25:58,000 --> 00:25:59,879 Speaker 1: is gonna hiss definitely because it's got gas in it, 496 00:26:00,040 --> 00:26:04,520 Speaker 1: you know. And then he says it's gonna have gas. 497 00:26:04,560 --> 00:26:06,119 Speaker 1: Oh wait, and then he goes, oh, no, it didn't. 498 00:26:06,680 --> 00:26:08,040 Speaker 1: And then he goes, oh, that one had a good 499 00:26:08,080 --> 00:26:11,280 Speaker 1: amount of gas. But there's never any you know, it's 500 00:26:11,280 --> 00:26:15,119 Speaker 1: just always uh, there's no no information about the gas. Really, 501 00:26:15,200 --> 00:26:17,440 Speaker 1: But that was a lot of information about him. He's 502 00:26:18,359 --> 00:26:20,560 Speaker 1: he's a cool dude. And you chilled the metal and 503 00:26:20,640 --> 00:26:23,760 Speaker 1: YouTube bids. He's got a million fucking hits on these videos. 504 00:26:23,800 --> 00:26:27,600 Speaker 1: That's the thing. Someone's watching these things besides me, You 505 00:26:27,600 --> 00:26:33,879 Speaker 1: and your million computers. It might be Okay, I just 506 00:26:33,920 --> 00:26:36,160 Speaker 1: want to I just want to also bring up another thing, 507 00:26:36,600 --> 00:26:39,320 Speaker 1: because Blake, you're from Philadelphia, right, and I am I 508 00:26:39,359 --> 00:26:46,560 Speaker 1: saying that right? Yes, yeah, yeah, Philadelphia. I did you know? 509 00:26:47,880 --> 00:26:50,639 Speaker 1: Did you know Philadelphia cream cheese is not from Philly. 510 00:26:50,720 --> 00:26:53,600 Speaker 1: That's not funny. Okay, that's not funny. I know. I 511 00:26:53,600 --> 00:26:56,080 Speaker 1: don't want to say that. We can edit this out, 512 00:26:56,720 --> 00:26:58,680 Speaker 1: No we won't. He's trying to get He's trying to 513 00:26:58,720 --> 00:27:03,720 Speaker 1: get you to come back by darting this talking editor 514 00:27:03,800 --> 00:27:07,880 Speaker 1: at bone appetite. That old rag, Yeah, that old rag, 515 00:27:08,480 --> 00:27:10,840 Speaker 1: spun this old yarn. Wait till you get a load 516 00:27:10,880 --> 00:27:14,719 Speaker 1: of this. Fine. So what happened was the Philadelphia brand 517 00:27:14,880 --> 00:27:17,880 Speaker 1: Okay dates back to the late eighteen hundreds, but this 518 00:27:17,920 --> 00:27:21,560 Speaker 1: is when dairies in Pennsylvania at the time they were 519 00:27:21,560 --> 00:27:24,120 Speaker 1: getting in the dairy scene. They were making their name 520 00:27:24,160 --> 00:27:27,200 Speaker 1: out there because they had this soft, creamy cheese made 521 00:27:27,200 --> 00:27:29,800 Speaker 1: with whole milk. Okay, back to you, Chris, this all 522 00:27:29,840 --> 00:27:32,560 Speaker 1: ties back to you now. Now it's home whole milk. 523 00:27:34,240 --> 00:27:37,879 Speaker 1: Keep that in your mind. Yes, Then in New York 524 00:27:38,440 --> 00:27:42,000 Speaker 1: they were making a version with skim milk, and that 525 00:27:42,200 --> 00:27:44,200 Speaker 1: was too chalky, and they're like, God damn it, this 526 00:27:44,359 --> 00:27:48,480 Speaker 1: other shift hey, you said, hey, I don't want that smoke. 527 00:27:48,960 --> 00:27:51,360 Speaker 1: That's all from this Philly fan over there. But then 528 00:27:51,680 --> 00:27:55,080 Speaker 1: this one New Yorker named William Lawrence, well Bill Lawrence, 529 00:27:55,119 --> 00:27:57,879 Speaker 1: my drama teacher from high school literally his name, uh, 530 00:27:58,320 --> 00:28:01,040 Speaker 1: started selling his own creams. But it was made from 531 00:28:01,040 --> 00:28:03,840 Speaker 1: skim milk with large mixed in to make it more 532 00:28:03,920 --> 00:28:06,960 Speaker 1: rich to mimic the other one. And he called it Philadelphia, 533 00:28:07,160 --> 00:28:10,440 Speaker 1: hoping that the Pennsylvania Association, like with the name, would 534 00:28:10,440 --> 00:28:12,960 Speaker 1: be like, oh, he's got that Philly cream cheese. He's 535 00:28:12,960 --> 00:28:15,160 Speaker 1: a hack Yep. That's what happened. And then he even 536 00:28:15,160 --> 00:28:18,920 Speaker 1: trademarked the words Philadelphia and Pennsylvania in conjunction with the products. 537 00:28:19,240 --> 00:28:22,560 Speaker 1: It worked, and it's sold, and that's where we are now. Cool. Well, 538 00:28:22,600 --> 00:28:25,359 Speaker 1: it sounds like you put a Sickos product on your vegas. 539 00:28:25,480 --> 00:28:28,560 Speaker 1: Good good for you. You got any bad news about 540 00:28:28,560 --> 00:28:31,920 Speaker 1: Philly cheese steaks now, because if you want to bring 541 00:28:32,000 --> 00:28:34,720 Speaker 1: down my whole exist, let's go right ahead. I mean, 542 00:28:34,880 --> 00:28:38,520 Speaker 1: do you, how do you? What are you? What are 543 00:28:38,520 --> 00:28:41,560 Speaker 1: you trying to do to me? What's what's the are 544 00:28:41,600 --> 00:28:46,240 Speaker 1: you genos or pats uh it's it's tough genos um. 545 00:28:46,280 --> 00:28:49,000 Speaker 1: I believe tastes better. But the guy uh well actually 546 00:28:49,040 --> 00:28:50,680 Speaker 1: the guy who originally owned it is a big fat 547 00:28:50,760 --> 00:28:53,600 Speaker 1: racist and really his son keeps the signs up yeah 548 00:28:53,640 --> 00:28:56,280 Speaker 1: where it says like order in English. It's very Um 549 00:28:57,480 --> 00:29:02,360 Speaker 1: it's not great, but um what I do is I go, yeah, 550 00:29:02,480 --> 00:29:06,000 Speaker 1: is I order? Yeah? And then and they I wink 551 00:29:06,040 --> 00:29:07,440 Speaker 1: at them a bunch of times and they get it 552 00:29:07,880 --> 00:29:11,800 Speaker 1: that on one of them. But I'll go to uh 553 00:29:11,960 --> 00:29:14,600 Speaker 1: so Philadelphia too, major cheese steak places. By the way, 554 00:29:14,640 --> 00:29:16,240 Speaker 1: this is a forty five minute story. And no it's 555 00:29:16,280 --> 00:29:19,120 Speaker 1: not yet two seconds. And they're right next to each other, 556 00:29:19,520 --> 00:29:22,360 Speaker 1: and I will get one cheese steak from one place, 557 00:29:22,760 --> 00:29:25,280 Speaker 1: one from another, and then my friend and I, whichever 558 00:29:25,600 --> 00:29:28,800 Speaker 1: we like the most, will split one from the last. Yeah, 559 00:29:29,520 --> 00:29:30,920 Speaker 1: so we'll have two and oh my god, is it 560 00:29:30,960 --> 00:29:35,040 Speaker 1: two and a half? Is that that's what we do? Yeah? Yeah? 561 00:29:35,080 --> 00:29:36,920 Speaker 1: You or no one and a half? Right? Yeah? Eat 562 00:29:36,920 --> 00:29:39,520 Speaker 1: one full one? F yeah, oh no you eat no, No, 563 00:29:39,760 --> 00:29:41,920 Speaker 1: it is and then you go back to double down 564 00:29:42,040 --> 00:29:43,720 Speaker 1: because it's two and a half. Two and a half men, 565 00:29:43,800 --> 00:29:46,520 Speaker 1: two and a half sandwiches and x Philly cheese story. 566 00:29:46,880 --> 00:29:49,840 Speaker 1: You get it with wiz whiz whiz without wiz without 567 00:29:50,760 --> 00:29:54,080 Speaker 1: that's controversial. I lived on North broad Street for six 568 00:29:54,120 --> 00:29:57,520 Speaker 1: months in the My friends are going to Tyler School 569 00:29:57,520 --> 00:30:00,240 Speaker 1: of Yeah, all right, yeah yeah, And I went to McGlinchey. 570 00:30:00,360 --> 00:30:05,160 Speaker 1: They had Nickel drafts still there. Nickel draft I don't know, 571 00:30:05,280 --> 00:30:07,920 Speaker 1: but we drank them. This was during reconstruction. Listen to 572 00:30:07,960 --> 00:30:13,080 Speaker 1: Nirvana and then they had to reconstruct. Philadel was like 573 00:30:13,160 --> 00:30:15,320 Speaker 1: free it was, I mean free hot dogs and Nickel 574 00:30:15,440 --> 00:30:21,280 Speaker 1: drafts promised, land grunge promised. Yeah, seriously, when America was great. 575 00:30:21,360 --> 00:30:23,320 Speaker 1: Huh oh my god? You know, is that what they're 576 00:30:23,320 --> 00:30:25,040 Speaker 1: talking about? Is that what they want to bring back 577 00:30:25,040 --> 00:30:28,840 Speaker 1: to the subtext? Can you even drink Nickel drafts without 578 00:30:28,880 --> 00:30:36,800 Speaker 1: being canceled? Yeah? Get this man a fucking cent it pin. 579 00:30:36,920 --> 00:30:39,040 Speaker 1: Can you eat an all beef hot dog without being 580 00:30:39,080 --> 00:30:41,760 Speaker 1: canceled in this country? Oh I'm the bad guy now, 581 00:30:43,200 --> 00:30:46,600 Speaker 1: just because I like beef. You probably can't even say anymore. 582 00:30:47,000 --> 00:30:50,360 Speaker 1: I bet you can't say a beef We're not getting canceled. 583 00:30:50,560 --> 00:30:54,000 Speaker 1: She's christ outrage. I tell you what this country used 584 00:30:54,000 --> 00:30:57,120 Speaker 1: to be all about. Nickel drafts. Nickel drafts and nickelback 585 00:30:57,440 --> 00:30:59,880 Speaker 1: catch up. That sounds a lot of thing themselves. Men 586 00:31:00,040 --> 00:31:03,200 Speaker 1: of drank nickel drafts expressing themselves. Does a man who 587 00:31:03,280 --> 00:31:07,400 Speaker 1: drink nickelbacks or nickel drafts nickelbacks? Yeah, that's where you 588 00:31:07,440 --> 00:31:11,480 Speaker 1: do a pickle back listening to nickelback a nickelback. It'll 589 00:31:11,520 --> 00:31:13,120 Speaker 1: fuck you off if you drinking nickel draft Do you 590 00:31:13,160 --> 00:31:15,000 Speaker 1: think you're expressing yourself that much? Are you kind of 591 00:31:15,000 --> 00:31:17,880 Speaker 1: do that to help you compartmentalist? It's just the way. 592 00:31:17,920 --> 00:31:19,280 Speaker 1: It's a way that the only thing you're going to 593 00:31:19,400 --> 00:31:21,760 Speaker 1: express at the end of that is is where do 594 00:31:21,800 --> 00:31:25,000 Speaker 1: we get coke? That's it. That's what nickel drafts are 595 00:31:25,000 --> 00:31:30,120 Speaker 1: all lead into gateway drugs, into a bunch of laxatives. 596 00:31:30,120 --> 00:31:32,440 Speaker 1: Cut you're drinking enough nickel drafts, you're gonna hit a 597 00:31:32,480 --> 00:31:35,040 Speaker 1: dead end eventually, and you're gonna say, what are we 598 00:31:35,080 --> 00:31:41,160 Speaker 1: gonna do now? Dope man? Well, Chris on that note, 599 00:31:41,320 --> 00:31:45,440 Speaker 1: get someone, get the dopeman on the hard lot. Have 600 00:31:45,520 --> 00:31:48,320 Speaker 1: beat persons, dude, he knows his pay phone number. Hell know, 601 00:31:48,560 --> 00:31:50,240 Speaker 1: just just typing the number from the pay phone in 602 00:31:50,240 --> 00:31:54,400 Speaker 1: their home. All right, let's move on to a quick 603 00:31:54,400 --> 00:31:57,240 Speaker 1: story up top. Miles there is a new game show 604 00:31:57,280 --> 00:32:01,000 Speaker 1: that cut your attention from the miss them is who 605 00:32:01,520 --> 00:32:03,960 Speaker 1: from wasn't he on Road Rules Bringing the World of 606 00:32:04,160 --> 00:32:06,480 Speaker 1: I thought it was the real world, but maybe one. 607 00:32:06,600 --> 00:32:08,880 Speaker 1: I mean when he was on the challenge and then 608 00:32:08,880 --> 00:32:11,360 Speaker 1: he became a wrestler, Then he became a wrestler, and 609 00:32:11,440 --> 00:32:14,760 Speaker 1: now he is a co host with Roxy Diaz from 610 00:32:14,760 --> 00:32:17,360 Speaker 1: one or six in Park Entertainment tonight for the new 611 00:32:17,440 --> 00:32:22,880 Speaker 1: show called Cannonball, which USA describes as a water obstacle competition. 612 00:32:23,200 --> 00:32:26,400 Speaker 1: The reason I bring this up is I don't understand 613 00:32:26,520 --> 00:32:29,600 Speaker 1: just off that description. What I'm seeing is it just 614 00:32:29,640 --> 00:32:33,280 Speaker 1: wipe out basically, yeah, wipe out. But like, okay, so anyway, 615 00:32:33,320 --> 00:32:35,880 Speaker 1: what did they they say? The TED episode Cannonball has 616 00:32:35,920 --> 00:32:38,800 Speaker 1: contestants competing in challenges like sliding off a hundred foot 617 00:32:38,840 --> 00:32:41,440 Speaker 1: water slide and rocketing off one of the world's fastest 618 00:32:41,480 --> 00:32:45,760 Speaker 1: drop towers. How do you competitive water slide that? So 619 00:32:45,800 --> 00:32:52,760 Speaker 1: I'm like, so what is how do you quantify these performances? Yeah? Okay, 620 00:32:52,920 --> 00:32:54,840 Speaker 1: I mean like how far? How far they go? For 621 00:32:57,440 --> 00:32:59,880 Speaker 1: I'm not sure what the fun When you go to 622 00:33:00,000 --> 00:33:03,000 Speaker 1: water parks, super producer around the Hosnia, you're judging form 623 00:33:03,120 --> 00:33:06,880 Speaker 1: you're like, okay, yeah, I know she's giving us vampire right. 624 00:33:07,040 --> 00:33:09,080 Speaker 1: I mean that is the correct form. You want only 625 00:33:09,080 --> 00:33:11,800 Speaker 1: your shoulder blades and your heels touching, so as little 626 00:33:11,800 --> 00:33:14,720 Speaker 1: surface areas possible. I don't even think about that. Yeah. Wait, 627 00:33:14,760 --> 00:33:17,360 Speaker 1: that's legit. That that's what I do. I mean, that's 628 00:33:17,360 --> 00:33:21,160 Speaker 1: my technique. Yeah, maybe it does go deep. Yeah, park, 629 00:33:21,400 --> 00:33:23,480 Speaker 1: and at least when you get going, and then after 630 00:33:23,520 --> 00:33:26,280 Speaker 1: a while the forces such that you can't really keep 631 00:33:26,320 --> 00:33:29,600 Speaker 1: it keep it all. This is more fascinating because you're 632 00:33:29,600 --> 00:33:32,560 Speaker 1: not like improvising. You're just going into your memory and 633 00:33:32,800 --> 00:33:35,520 Speaker 1: talking about your water slight technique. I can't. I mean 634 00:33:35,560 --> 00:33:37,560 Speaker 1: I've been to water parks, but never to the point 635 00:33:37,560 --> 00:33:39,680 Speaker 1: I'm like, bro, what were you doing? Was your back touching? 636 00:33:40,000 --> 00:33:44,560 Speaker 1: Oh my god? Never judge someone for their water slide technique. 637 00:33:44,560 --> 00:33:47,920 Speaker 1: I'm usually like too busy screaming. Yeah, yeah, what's what 638 00:33:48,000 --> 00:33:50,480 Speaker 1: water parks were going up? Going to the ocean. City 639 00:33:50,520 --> 00:33:53,440 Speaker 1: has a water park, pretty good water park. Jersey and City, 640 00:33:53,480 --> 00:33:56,360 Speaker 1: New Jersey. The Boardwalk has a pretty decent water park, 641 00:33:56,440 --> 00:34:01,200 Speaker 1: has for like thirty years now. Uh and that first opened, Man, 642 00:34:01,360 --> 00:34:04,040 Speaker 1: I was up there multiple times every week that I 643 00:34:04,080 --> 00:34:07,600 Speaker 1: was okay, so yeah, you're getting your you're getting your 644 00:34:07,600 --> 00:34:11,320 Speaker 1: hours in man. That was the that was the jam. 645 00:34:11,400 --> 00:34:13,200 Speaker 1: And they had a lazy river where you could just 646 00:34:13,239 --> 00:34:15,799 Speaker 1: go and funk around and like get in trouble level 647 00:34:15,840 --> 00:34:19,080 Speaker 1: raised lazy River. But I don't know. Yeah, my I 648 00:34:19,080 --> 00:34:20,960 Speaker 1: think my dad told me that once when I was 649 00:34:21,040 --> 00:34:25,360 Speaker 1: like seven, and that just took as a piece of 650 00:34:25,560 --> 00:34:30,360 Speaker 1: like physics, something that my entire like basis of the 651 00:34:30,360 --> 00:34:33,680 Speaker 1: physical world rests on. Is my dad claiming that if 652 00:34:33,680 --> 00:34:37,439 Speaker 1: you archer back on the water slide, you'll go faster. Yeah. 653 00:34:37,480 --> 00:34:39,520 Speaker 1: I guess in my mind, I'm thinking if you archer back, 654 00:34:39,560 --> 00:34:42,720 Speaker 1: you're putting more pressure on those points, so it's causing 655 00:34:42,760 --> 00:34:46,840 Speaker 1: more fight, and you would think so look, I don't know, physicists, please, 656 00:34:46,880 --> 00:34:49,560 Speaker 1: probably just trying to improve my core strength. Yeah. Yeah, 657 00:34:49,760 --> 00:34:51,879 Speaker 1: he did smack my stomach a couple of times when 658 00:34:51,920 --> 00:34:53,680 Speaker 1: I did the form you put these ankle weights on. 659 00:34:56,280 --> 00:34:59,719 Speaker 1: Are you a fan of water parks? Um? Not necessarily Yeah, 660 00:34:59,800 --> 00:35:02,040 Speaker 1: you're just scream so you said, would tell by her 661 00:35:02,040 --> 00:35:07,839 Speaker 1: silence like this whole time, said something happened, you said, 662 00:35:07,960 --> 00:35:10,400 Speaker 1: usually water puncture creaming? Is that the whole time? Like 663 00:35:10,480 --> 00:35:13,600 Speaker 1: in line and everything that's just like parking from parking 664 00:35:13,640 --> 00:35:16,320 Speaker 1: lot to buying the ticket. And you know, I'm truly 665 00:35:16,360 --> 00:35:19,360 Speaker 1: just detesting the whole experience, just carrying you around on 666 00:35:19,480 --> 00:35:21,879 Speaker 1: like one of those silence of the Lambs stretcher things. 667 00:35:22,560 --> 00:35:25,240 Speaker 1: They had to water. Well, there was wild rivers raging 668 00:35:25,280 --> 00:35:28,759 Speaker 1: waters out and yeah, and Hurricane Harbor, Hurricane Harbord opened 669 00:35:28,800 --> 00:35:31,800 Speaker 1: up till late. I think wild rivers closed pretty early 670 00:35:32,840 --> 00:35:35,239 Speaker 1: and you have wreck to get to these motherfucker's. I 671 00:35:35,239 --> 00:35:37,120 Speaker 1: think it also has to do with how thin the 672 00:35:37,200 --> 00:35:41,560 Speaker 1: air is out here and how quick like yeah, so 673 00:35:41,600 --> 00:35:43,600 Speaker 1: my dad told me when I was eight, so this 674 00:35:43,760 --> 00:35:48,680 Speaker 1: I actually checked. No, no, no no, didn't anybody from the 675 00:35:48,680 --> 00:35:55,640 Speaker 1: East coast. Uh you know, park Do you notice that 676 00:35:55,680 --> 00:35:57,200 Speaker 1: it's colder when you got out of a pool on 677 00:35:57,239 --> 00:35:59,319 Speaker 1: the west, like in l A, than it is on 678 00:35:59,360 --> 00:36:02,520 Speaker 1: the East Coast? I guess. So. I think it's because 679 00:36:02,560 --> 00:36:06,239 Speaker 1: the air has less uh moisture in it, and so 680 00:36:06,440 --> 00:36:09,560 Speaker 1: it evaporates. The water evaporates quicker off your skin, and 681 00:36:09,600 --> 00:36:14,880 Speaker 1: that's what makes it. And I wonder if that because 682 00:36:14,920 --> 00:36:17,920 Speaker 1: there's so many water parks like on the East Coast, 683 00:36:18,160 --> 00:36:20,719 Speaker 1: but not as many out here, even though it's hot 684 00:36:20,719 --> 00:36:23,319 Speaker 1: as fight. What's your theory that the humidity makes it 685 00:36:23,360 --> 00:36:26,440 Speaker 1: possible to have water parks just makes it more desirable 686 00:36:26,440 --> 00:36:29,520 Speaker 1: because you're walking around wet. Oh, so you're saying we'd build, 687 00:36:29,560 --> 00:36:32,440 Speaker 1: we'd build water parks in California. But evaporation, man. Yeah, 688 00:36:32,480 --> 00:36:34,839 Speaker 1: I'm just saying you were deprived of something growing up, 689 00:36:34,880 --> 00:36:39,080 Speaker 1: and I want to know why. Yeah, immigrant parents, imigrant mom, 690 00:36:39,120 --> 00:36:41,480 Speaker 1: I think. But you're saying there were only two in 691 00:36:41,480 --> 00:36:44,279 Speaker 1: the Greater Los Angeles area. The two main ones for 692 00:36:44,320 --> 00:36:46,560 Speaker 1: a while growing up, especially in the nineties, were wild 693 00:36:46,719 --> 00:36:48,759 Speaker 1: rivers and raging waters. And I didn't have I didn't 694 00:36:48,760 --> 00:36:50,880 Speaker 1: have time to go out to San Dimas. I mean that. 695 00:36:51,320 --> 00:36:54,560 Speaker 1: Even Cincinnati we had the beach we had, which was 696 00:36:54,640 --> 00:36:57,120 Speaker 1: the King's Island water Park, I guess. And also l 697 00:36:57,160 --> 00:37:02,840 Speaker 1: A we had the beach. Yeah, what was that? Pretty cool? Yeah, 698 00:37:03,160 --> 00:37:08,319 Speaker 1: it's freezing, actually really cold. All right, we're gonna take 699 00:37:08,360 --> 00:37:20,760 Speaker 1: another quick break. We'll be right back and we're back. 700 00:37:21,560 --> 00:37:25,560 Speaker 1: All right, let's talk about something a little bit lighter. Guys, 701 00:37:26,040 --> 00:37:28,080 Speaker 1: Do you are you guys people who take pictures of 702 00:37:28,120 --> 00:37:31,560 Speaker 1: your food before you consider. I used after you consume. 703 00:37:31,719 --> 00:37:36,399 Speaker 1: I used to, well I do sometimes, but I realized 704 00:37:37,200 --> 00:37:39,719 Speaker 1: I it was like the stress of social media that 705 00:37:39,840 --> 00:37:42,399 Speaker 1: was causing me to do it because I was only 706 00:37:42,440 --> 00:37:45,520 Speaker 1: taking photos to post them. It wasn't because I was 707 00:37:45,600 --> 00:37:47,680 Speaker 1: like I want to I want an image of this. 708 00:37:48,080 --> 00:37:50,960 Speaker 1: It's that like you know, social media flex mentality, like 709 00:37:51,000 --> 00:37:54,399 Speaker 1: my ex girlfriend's watching Look what I mean, I am 710 00:37:54,440 --> 00:37:56,839 Speaker 1: having more fun than you. And then I was like yo, 711 00:37:57,040 --> 00:37:59,760 Speaker 1: and part of me had to quick that ship because 712 00:37:59,760 --> 00:38:02,680 Speaker 1: I was like, why am I was really engulfed or 713 00:38:02,960 --> 00:38:06,399 Speaker 1: really invested in that, like like's economy and I don't 714 00:38:06,400 --> 00:38:09,160 Speaker 1: know why I don't do anymore Three hots and a cop. Babe, 715 00:38:09,200 --> 00:38:11,839 Speaker 1: you thought I couldn't do it? Look at me now? 716 00:38:13,239 --> 00:38:22,239 Speaker 1: Scrambled eggs roman last night. Who's living large? Uh? Gets 717 00:38:22,320 --> 00:38:28,160 Speaker 1: up to your flexing? Yeah? By just doing random no 718 00:38:28,360 --> 00:38:31,759 Speaker 1: holes in them? No. So a chef is asking people 719 00:38:31,800 --> 00:38:36,399 Speaker 1: to stop taking pictures of the food before they eat it. 720 00:38:36,400 --> 00:38:40,680 Speaker 1: It's like a it's an ongoing discussion with chefs and 721 00:38:40,760 --> 00:38:44,360 Speaker 1: the This guy Heston Blumenthal, who runs a three Michelin 722 00:38:44,440 --> 00:38:49,160 Speaker 1: star restaurant in London, The Fat Duck, where it's four 723 00:38:50,040 --> 00:38:53,160 Speaker 1: dollars for a set course for one person, said he 724 00:38:53,280 --> 00:38:56,320 Speaker 1: was like it bothers him to see the visitors whipping 725 00:38:56,320 --> 00:38:58,080 Speaker 1: out their phones to snap the food. He says that 726 00:38:58,120 --> 00:39:02,760 Speaker 1: the fat duck. We've debated this for several years now. 727 00:39:03,080 --> 00:39:05,640 Speaker 1: If we say to people your food is going cold, 728 00:39:05,880 --> 00:39:08,520 Speaker 1: you put up a barrier between you and the diner. 729 00:39:09,200 --> 00:39:10,640 Speaker 1: And then there are other chefs who have banned the 730 00:39:10,680 --> 00:39:13,520 Speaker 1: ship outright. There's like this one guy was like, I 731 00:39:13,560 --> 00:39:15,399 Speaker 1: forget what the restaurant is, but he's like, I'm really 732 00:39:15,400 --> 00:39:17,719 Speaker 1: getting so upset about people taking pictures. We put up 733 00:39:17,719 --> 00:39:21,839 Speaker 1: a card at the door, no photos please. What are 734 00:39:21,840 --> 00:39:23,759 Speaker 1: they doing? Maybe once during the meal you want to 735 00:39:23,760 --> 00:39:26,120 Speaker 1: take a little photo of something because it's unusual, But 736 00:39:26,160 --> 00:39:28,600 Speaker 1: what about the flavors? A picture on a phone cannot 737 00:39:28,640 --> 00:39:34,000 Speaker 1: possibly capture the flavors? Okay, okay, it's pompous. So wait, 738 00:39:34,520 --> 00:39:40,560 Speaker 1: you never explained photographer food flex. Okay. So to be 739 00:39:40,760 --> 00:39:43,480 Speaker 1: very honest, no, but also in the same vein of 740 00:39:43,520 --> 00:39:46,240 Speaker 1: being honest, I did. I did like a random post, 741 00:39:46,280 --> 00:39:47,680 Speaker 1: like the other day. I was like on my story 742 00:39:47,719 --> 00:39:49,319 Speaker 1: and I was wine drunk, and I like my friend 743 00:39:49,320 --> 00:39:52,000 Speaker 1: and I had a really pretty dessert. So I'm like, yeah, 744 00:39:52,080 --> 00:39:53,680 Speaker 1: we're not going to fact check you. Okay, thank you, 745 00:39:53,719 --> 00:39:57,719 Speaker 1: thank you. I have it at the ready and here 746 00:39:57,719 --> 00:40:01,520 Speaker 1: it is okay and but no, but like I don't know. 747 00:40:01,600 --> 00:40:04,160 Speaker 1: I do think it's annoying when everyone's like posting because 748 00:40:04,160 --> 00:40:05,919 Speaker 1: I feel like I kind of see what you're saying, 749 00:40:05,920 --> 00:40:07,399 Speaker 1: because I think, like back in the day, I used 750 00:40:07,400 --> 00:40:09,640 Speaker 1: to do that, like check out this chicken and wolf will. 751 00:40:09,680 --> 00:40:11,799 Speaker 1: It's just like here, I am here, I am here 752 00:40:11,840 --> 00:40:14,920 Speaker 1: at this place. You are alone though, Okay, but anyway, 753 00:40:14,960 --> 00:40:19,080 Speaker 1: so the food is not your friend. But I'm sorry 754 00:40:19,080 --> 00:40:21,680 Speaker 1: to break it to you, but I was listening to 755 00:40:21,719 --> 00:40:25,040 Speaker 1: the Weekend in my car. I was shoveling mashed potatoes 756 00:40:25,040 --> 00:40:28,000 Speaker 1: in on Christmas morning. But I do I feel like, honestly, 757 00:40:28,000 --> 00:40:29,640 Speaker 1: I don't. I don't know why the chefs are carrying 758 00:40:29,680 --> 00:40:31,919 Speaker 1: this much. It's like you have tickets in the back, honey, 759 00:40:32,000 --> 00:40:33,279 Speaker 1: Like I like, you know what I mean, Like you 760 00:40:33,320 --> 00:40:34,680 Speaker 1: gotta be making the food. You don't need to be 761 00:40:34,719 --> 00:40:36,680 Speaker 1: like out here like looking what everyone's doing on their phones. 762 00:40:36,760 --> 00:40:38,960 Speaker 1: Go sit down at the table. Gordon Ramsey's take on 763 00:40:38,960 --> 00:40:40,879 Speaker 1: this they asked him to He was like, bro, there 764 00:40:41,080 --> 00:40:42,560 Speaker 1: that should be a compliment to you. They want to 765 00:40:42,600 --> 00:40:45,080 Speaker 1: take photos of your food. Also, they paid for it, 766 00:40:45,280 --> 00:40:47,919 Speaker 1: so who gives a funk with the yeah, and number 767 00:40:47,920 --> 00:40:50,359 Speaker 1: one like do you want to have a job? Yeah? Great, 768 00:40:50,440 --> 00:40:52,040 Speaker 1: Well then people are starting this day and age like 769 00:40:52,080 --> 00:40:54,520 Speaker 1: Instagram whatever it's do she but like you need to 770 00:40:54,560 --> 00:40:56,279 Speaker 1: have it and people are going to come to your 771 00:40:56,600 --> 00:40:58,759 Speaker 1: place of business. Like the more it's like popped off. 772 00:40:58,880 --> 00:41:00,919 Speaker 1: The times I take isn't my food is when I'm 773 00:41:00,920 --> 00:41:04,120 Speaker 1: making food because I show the process of it. I 774 00:41:04,200 --> 00:41:06,920 Speaker 1: like that feels like an art. But also here's the thing, 775 00:41:07,080 --> 00:41:09,080 Speaker 1: and maybe I'm playing it myself. I can't deny I'm 776 00:41:09,160 --> 00:41:11,799 Speaker 1: have Japanese. Okay, so I gotta take a picture of 777 00:41:11,800 --> 00:41:16,399 Speaker 1: every motherfucking thing that's racist. Man, way, Look, I'll speak 778 00:41:16,440 --> 00:41:19,000 Speaker 1: on behalf of all. Look if you have a whole Look, 779 00:41:20,000 --> 00:41:26,799 Speaker 1: you're right, And I'm like, there is I do have 780 00:41:26,840 --> 00:41:28,960 Speaker 1: a urge at times when things look so good, but 781 00:41:29,040 --> 00:41:32,320 Speaker 1: it's I think, really it's about questioning them. Yeah. Absolutely, 782 00:41:32,360 --> 00:41:34,840 Speaker 1: I think it's only when I started examining the motivation 783 00:41:34,920 --> 00:41:37,120 Speaker 1: of why I did it is when I started getting 784 00:41:37,120 --> 00:41:39,319 Speaker 1: put off. I don't judge people who do it, but 785 00:41:39,360 --> 00:41:41,839 Speaker 1: I'm also just sort of like, there's so many other 786 00:41:42,000 --> 00:41:44,160 Speaker 1: important things to be angry about. So if you're going 787 00:41:44,200 --> 00:41:46,839 Speaker 1: to get angry, about people posting their food. I just 788 00:41:47,040 --> 00:41:49,120 Speaker 1: I'm so happy that you have such a charmed life 789 00:41:49,120 --> 00:41:50,799 Speaker 1: that that's the most of Yea, they have health care 790 00:41:50,800 --> 00:41:53,160 Speaker 1: in the UK, so yeah, I mean, yeah, there it is. 791 00:41:53,200 --> 00:41:57,279 Speaker 1: He's like, yeah, okay. At the same time, a three 792 00:41:57,320 --> 00:42:02,520 Speaker 1: Michelin star chef is a pretty high level artists, right, 793 00:42:02,680 --> 00:42:05,800 Speaker 1: Like I feel like, yeah, I would be fine with 794 00:42:05,840 --> 00:42:08,880 Speaker 1: the Devil's Advocate take of they give out those little 795 00:42:08,880 --> 00:42:12,080 Speaker 1: bags that Dave Chappelle and like other comedians give out 796 00:42:12,120 --> 00:42:15,400 Speaker 1: at the door to their in here, because like some 797 00:42:15,440 --> 00:42:17,759 Speaker 1: people say that that makes the show better and it 798 00:42:18,040 --> 00:42:21,120 Speaker 1: makes them like more in the moment. So like that's 799 00:42:21,120 --> 00:42:25,839 Speaker 1: a easy solution. Just check your fine and that then 800 00:42:25,880 --> 00:42:28,520 Speaker 1: that becomes part of the dining experience, and that's going 801 00:42:28,560 --> 00:42:30,600 Speaker 1: to generate more people to come because it's like, oh, 802 00:42:30,640 --> 00:42:34,200 Speaker 1: it's very secretive and people love the exclusivity of At 803 00:42:34,200 --> 00:42:38,080 Speaker 1: this point, you don't need the Instagram picks to like 804 00:42:38,400 --> 00:42:42,680 Speaker 1: spread word about your three Michelin Star. I thought it 805 00:42:42,719 --> 00:42:44,480 Speaker 1: was I thought his complaint was going to be that, 806 00:42:44,600 --> 00:42:48,920 Speaker 1: like they're not good enough photographers, which like I've seen 807 00:42:49,080 --> 00:42:54,480 Speaker 1: some bad pictures of food, Like yeah, it was full 808 00:42:54,920 --> 00:42:59,080 Speaker 1: terrible food, and like sometimes the colors off, like so 809 00:42:59,120 --> 00:43:04,120 Speaker 1: it just looks lash. It's like disgusting that I'm gonna 810 00:43:04,200 --> 00:43:06,960 Speaker 1: stay at home tonight. Then how about that? Yeah, there's 811 00:43:07,080 --> 00:43:10,000 Speaker 1: I don't want to shake anybody, but there's somebody I 812 00:43:10,000 --> 00:43:13,000 Speaker 1: follow on Instagram. Was it the dumbest fucking stories like this? 813 00:43:13,600 --> 00:43:15,600 Speaker 1: And I'm like, I just followed and be like, look 814 00:43:15,600 --> 00:43:20,720 Speaker 1: at this bullshit. You know, So my high school friends 815 00:43:20,880 --> 00:43:25,000 Speaker 1: have a WhatsApp thread and my one friend made makes 816 00:43:25,040 --> 00:43:29,880 Speaker 1: this like chicken mola recipe and like was like sending 817 00:43:29,960 --> 00:43:32,440 Speaker 1: us like braggy pictures about this like dope ship that 818 00:43:32,480 --> 00:43:34,799 Speaker 1: he was making. And I'm sure it was good, but 819 00:43:34,880 --> 00:43:38,480 Speaker 1: it looks like absolute shit, and like no one was 820 00:43:38,480 --> 00:43:41,600 Speaker 1: going to say anything. But then my friend, who's just 821 00:43:42,040 --> 00:43:45,040 Speaker 1: way too honest, was like, I'm sure it's something lost 822 00:43:45,040 --> 00:43:48,440 Speaker 1: in translation, but that looks like diarrhea. Man, that's fucking gross. 823 00:43:49,480 --> 00:43:57,800 Speaker 1: Oh my god morning. But it was it was true. Yeah, yeah, 824 00:43:58,160 --> 00:44:02,000 Speaker 1: I don't know pictures of food. I as somebody who 825 00:44:02,000 --> 00:44:03,719 Speaker 1: doesn't take them. I'm just gonna shut the funk up 826 00:44:03,760 --> 00:44:08,560 Speaker 1: because I don't, uh exactly. I used to ship all 827 00:44:08,600 --> 00:44:19,480 Speaker 1: the time. What's the point of Monday's dinner Monday's Dinner. Yeah, 828 00:44:19,600 --> 00:44:25,560 Speaker 1: there's a week I'm really angry. So there's a m 829 00:44:25,680 --> 00:44:31,719 Speaker 1: Night Shamalan show on Apple that is now being accused 830 00:44:32,000 --> 00:44:37,440 Speaker 1: of plagiarism. It's nice to see someone read my emails, 831 00:44:37,440 --> 00:44:40,600 Speaker 1: So claims of plagiarism have kind of followed him around. 832 00:44:41,400 --> 00:44:46,759 Speaker 1: It's it's usually from young adult like fiction or like 833 00:44:46,920 --> 00:44:49,799 Speaker 1: Are You Afraid of the Dark? Like sixth Cents was 834 00:44:49,840 --> 00:44:52,160 Speaker 1: basically the plot was taken from an episode of Are 835 00:44:52,160 --> 00:44:55,279 Speaker 1: You Afraid of the Dark? Um, and the Village was 836 00:44:55,320 --> 00:44:58,359 Speaker 1: taken from a young adult novel that like, it wasn't 837 00:44:58,360 --> 00:45:00,640 Speaker 1: even an obscure one. It was like a had sold 838 00:45:00,680 --> 00:45:03,359 Speaker 1: millions and millions called the Village. I think it's called 839 00:45:03,440 --> 00:45:07,359 Speaker 1: Running out of Time actually yeah, and it was based 840 00:45:07,400 --> 00:45:11,799 Speaker 1: on a movie I saw. But now there is a 841 00:45:11,800 --> 00:45:16,120 Speaker 1: filmmaker Francesco Gregor Reeney who is suing Apple, claiming the 842 00:45:16,160 --> 00:45:18,760 Speaker 1: show is a rip off of her two thousand thirteen 843 00:45:18,840 --> 00:45:22,839 Speaker 1: movie The Truth About a Manuel. So the premise of 844 00:45:22,920 --> 00:45:28,520 Speaker 1: both is that a mother who can't conceive, uh, creates 845 00:45:28,560 --> 00:45:33,239 Speaker 1: like a very literally lose a child. Oh, they lose 846 00:45:33,280 --> 00:45:35,840 Speaker 1: a child, okay, and then they get like a lifelike 847 00:45:35,960 --> 00:45:39,640 Speaker 1: doll as like a therapy thing. But then they become 848 00:45:40,000 --> 00:45:43,600 Speaker 1: like sort of overly eerily connected to it, and then 849 00:45:43,640 --> 00:45:48,040 Speaker 1: there's a super producer around. Jsnie actually has that uh 850 00:45:48,320 --> 00:45:51,880 Speaker 1: streaming service and she has watched the m Night Shamalan 851 00:45:51,920 --> 00:45:55,880 Speaker 1: show five times, being five times you kept saying on 852 00:45:56,520 --> 00:45:58,520 Speaker 1: and you would deny when you got on, So, Ana, 853 00:45:58,600 --> 00:46:04,040 Speaker 1: what what is the what is the what's the premise 854 00:46:04,280 --> 00:46:07,320 Speaker 1: of the would I would like to clarify I also 855 00:46:07,360 --> 00:46:09,360 Speaker 1: got Apple TV free free or when I bought a 856 00:46:09,360 --> 00:46:12,600 Speaker 1: new Apple I mean no Apple plus TV free when 857 00:46:12,640 --> 00:46:18,040 Speaker 1: I got the new Apple TV. So please differentiate bets. 858 00:46:18,960 --> 00:46:23,320 Speaker 1: Um Okay, So the show is about so this woman. Um, 859 00:46:23,360 --> 00:46:26,040 Speaker 1: I won't uh Sandy spoilers obviously, I'm trying and go 860 00:46:26,080 --> 00:46:28,680 Speaker 1: around it. But like this woman has a baby. The 861 00:46:28,719 --> 00:46:32,239 Speaker 1: baby passes away somehow and then um, I guess she 862 00:46:32,280 --> 00:46:36,480 Speaker 1: goes catatonic. So they have this like new age kind 863 00:46:36,520 --> 00:46:41,399 Speaker 1: of like you know, doctor be like give her Yeah, 864 00:46:41,480 --> 00:46:44,600 Speaker 1: Goop comes in. It's really funny Goop, isn't it and 865 00:46:44,760 --> 00:46:49,799 Speaker 1: um go up is in it, and um they her 866 00:46:49,840 --> 00:46:52,919 Speaker 1: ideas give her a fake like real baby, like it's 867 00:46:52,920 --> 00:46:56,280 Speaker 1: like one of those very very realistic baby from American sniper. 868 00:46:56,440 --> 00:47:05,279 Speaker 1: This is a real same actor guilt. This is an 869 00:47:05,320 --> 00:47:10,399 Speaker 1: actual horrifying thing that happens, like there are and she 870 00:47:10,880 --> 00:47:13,680 Speaker 1: can't because she's catatonic and in kind of like a 871 00:47:13,760 --> 00:47:17,160 Speaker 1: state of true psychosis, but acting completely normal, going about 872 00:47:17,200 --> 00:47:19,920 Speaker 1: her daily life, going to work like no big deal. 873 00:47:20,520 --> 00:47:23,560 Speaker 1: Thinks this baby is real, so she hires a nanny 874 00:47:23,640 --> 00:47:26,600 Speaker 1: for it. And the husband is also he's fully a 875 00:47:26,600 --> 00:47:29,799 Speaker 1: whare everything. He's conscious, he knows what's going on. He's 876 00:47:29,840 --> 00:47:34,040 Speaker 1: just acting along. And the nanny shows up, and the 877 00:47:34,200 --> 00:47:37,760 Speaker 1: nanny also acts as if the baby is real, and 878 00:47:37,800 --> 00:47:40,120 Speaker 1: then and this all happens in the first episodes is 879 00:47:40,200 --> 00:47:43,279 Speaker 1: not really spoiler baby comes to life, no explanation, and 880 00:47:43,280 --> 00:47:46,000 Speaker 1: that's the season, and yes, and that's how it goes. 881 00:47:46,200 --> 00:47:50,319 Speaker 1: And this show fucking doesn't tell you anything. We're eight 882 00:47:50,360 --> 00:47:55,320 Speaker 1: episodes in. I know nothing. It's still I keep picturing 883 00:47:55,320 --> 00:47:57,680 Speaker 1: the baby turning and doing a testimonial to the camera 884 00:47:57,800 --> 00:48:02,919 Speaker 1: like them in the middle. It's here I wish time 885 00:48:03,000 --> 00:48:06,480 Speaker 1: out freeze, but like, no, you don't know anything. It's like, okay, 886 00:48:06,520 --> 00:48:09,120 Speaker 1: you're just gonna get what are we watch this? So 887 00:48:09,120 --> 00:48:13,080 Speaker 1: it's a Shamalan. It's a Shamalan that doesn't m Night. 888 00:48:13,440 --> 00:48:17,640 Speaker 1: What was it you say to m Night, Timothy Sham 889 00:48:18,440 --> 00:48:22,520 Speaker 1: and I can't. It's it's almost unnecessary at this point, 890 00:48:22,560 --> 00:48:23,800 Speaker 1: Like it's like, okay, well, if you're not going to 891 00:48:23,880 --> 00:48:26,239 Speaker 1: reveal a plot point at any point that kind of 892 00:48:26,280 --> 00:48:29,719 Speaker 1: explains what's going on, this show is useless. And then 893 00:48:29,760 --> 00:48:31,520 Speaker 1: I went online to be like, is anything ever going 894 00:48:31,560 --> 00:48:34,080 Speaker 1: to come of this? And they're like, no, you have to. 895 00:48:34,120 --> 00:48:36,920 Speaker 1: You have to watch all six seasons when they I 896 00:48:36,920 --> 00:48:39,080 Speaker 1: don't know, come out or the show will probably get 897 00:48:39,120 --> 00:48:41,360 Speaker 1: canceled eventually. But yeah, so he's just not going to 898 00:48:41,440 --> 00:48:44,000 Speaker 1: tell you anything until the final episode of the sixth season. 899 00:48:44,040 --> 00:48:45,880 Speaker 1: I guess, well, it sounds like you should watch this 900 00:48:45,920 --> 00:48:48,000 Speaker 1: movie The Truth about him Manuel. Yeah, I guess I'm 901 00:48:48,040 --> 00:48:51,279 Speaker 1: just gonna watch that. I'm gonna watch That's where they 902 00:48:51,280 --> 00:48:55,160 Speaker 1: got the idea. So it's in that movie. It's a 903 00:48:55,200 --> 00:48:57,799 Speaker 1: mother who's grieving the death of her baby uses an 904 00:48:57,800 --> 00:49:01,120 Speaker 1: early life like reborn doll to help or process the loss, 905 00:49:01,120 --> 00:49:04,040 Speaker 1: and subsequently forms an intimate relationship with the nanny she 906 00:49:04,160 --> 00:49:07,759 Speaker 1: hires to take care of the quote infant um bold 907 00:49:07,840 --> 00:49:10,480 Speaker 1: move to be like that terrible TV show stole mine 908 00:49:10,640 --> 00:49:13,440 Speaker 1: idea because the show. I wrote the show No one 909 00:49:13,480 --> 00:49:19,120 Speaker 1: likes first Yeah, um, so yeah, I don't know. This 910 00:49:19,200 --> 00:49:23,040 Speaker 1: seems to keep happening to him. It's not like it was. 911 00:49:23,080 --> 00:49:26,640 Speaker 1: I think he's a bad person and a liar. Remember 912 00:49:26,680 --> 00:49:30,120 Speaker 1: he said he ghost, she's all that, and everyone was like, no, 913 00:49:30,320 --> 00:49:33,320 Speaker 1: you didn't. He had worked on a revision or something. 914 00:49:33,360 --> 00:49:35,879 Speaker 1: He technically had, but it was a stretch for him 915 00:49:35,920 --> 00:49:37,719 Speaker 1: to say that he had actually what's that? What's that 916 00:49:37,880 --> 00:49:45,000 Speaker 1: MS short for you know anything? Manipulation, manipulation. His next 917 00:49:45,040 --> 00:49:49,960 Speaker 1: movie manipulation night. Um, but it's not like the movie 918 00:49:50,120 --> 00:49:54,080 Speaker 1: is like some random YouTube movie. Uh. It starts like 919 00:49:54,160 --> 00:49:59,799 Speaker 1: real people in its baby. Yeah, KaiA scot Alio from 920 00:50:00,040 --> 00:50:05,480 Speaker 1: ins is on it in Alfred Molina, Oh friend friend 921 00:50:05,520 --> 00:50:07,600 Speaker 1: to this, friend of the network, friend, friend of the network. 922 00:50:08,600 --> 00:50:12,560 Speaker 1: But anyways, Uh, people should check out that movie if 923 00:50:12,600 --> 00:50:15,160 Speaker 1: they're interested in the show. I watch the show, see 924 00:50:15,160 --> 00:50:18,040 Speaker 1: if I want to check out the movie. It's just 925 00:50:18,040 --> 00:50:22,080 Speaker 1: the guy who doesn't get it at all. All Right, 926 00:50:22,400 --> 00:50:26,800 Speaker 1: that's gonna do it for this week's weekly Zeitgeist. Please 927 00:50:26,920 --> 00:50:30,160 Speaker 1: like and review the show. If you like the show, 928 00:50:30,800 --> 00:50:35,200 Speaker 1: uh means the world to Miles. He needs your validation, folks. 929 00:50:35,800 --> 00:50:38,879 Speaker 1: I hope you're having a great weekend and I will 930 00:50:38,880 --> 00:51:13,680 Speaker 1: talk to him Monday. By